summaryrefslogtreecommitdiff
path: root/old/drmc410.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/drmc410.txt')
-rw-r--r--old/drmc410.txt873
1 files changed, 873 insertions, 0 deletions
diff --git a/old/drmc410.txt b/old/drmc410.txt
new file mode 100644
index 0000000..d5e6921
--- /dev/null
+++ b/old/drmc410.txt
@@ -0,0 +1,873 @@
+Project Gutenberg's A Doctor of the Old School, Vol. 4, by Ian Maclaren
+#4 in our series by Ian Maclaren
+[Illustrated by Frederick C. Gordon]
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: A Doctor of the Old School, Vol. 4
+
+Author: Ian Maclaren
+
+Release Date: November, 2005 [EBook #9318]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on September 21, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, VOL. 4 ***
+
+
+
+
+Produced by Juliet Sutherland, David Widger and PG Distributed Proofreaders
+
+
+
+
+ A DOCTOR OF THE OLD SCHOOL
+
+ by Ian Maclaren
+
+
+ Book IV.
+
+ THE DOCTOR'S LAST JOURNEY
+
+
+
+PREFACE
+
+It is with great good will that I write this short preface to the
+edition of "A Doctor of the Old School" (which has been illustrated by
+Mr. Gordon after an admirable and understanding fashion) because there
+are two things that I should like to say to my readers, being also my
+friends.
+
+One, is to answer a question that has been often and fairly asked. Was
+there ever any doctor so self-forgetful and so utterly Christian as
+William MacLure? To which I am proud to reply, on my conscience: Not one
+man, but many in Scotland and in the South country. I will dare prophecy
+also across the sea.
+
+It has been one man's good fortune to know four country doctors, not one
+of whom was without his faults--Weelum was not perfect--but who, each
+one, might have sat for my hero. Three are now resting from their
+labors, and the fourth, if he ever should see these lines, would never
+identify himself.
+
+Then I desire to thank my readers, and chiefly the medical profession
+for the reception given to the Doctor of Drumtochty.
+
+For many years I have desired to pay some tribute to a class whose
+service to the community was known to every countryman, but after the
+tale had gone forth my heart failed. For it might have been despised
+for the little grace of letters in the style and because of the outward
+roughness of the man. But neither his biographer nor his circumstances
+have been able to obscure MacLure who has himself won all honest hearts,
+and received afresh the recognition of his more distinguished brethren.
+From all parts of the English-speaking world letters have come in
+commendation of Weelum MacLure, and many were from doctors who had
+received new courage. It is surely more honor than a new writer could
+ever have deserved to receive the approbation of a profession whose
+charity puts us all to shame.
+
+May I take this first opportunity to declare how deeply my heart has
+been touched by the favor shown to a simple book by the American people,
+and to express my hope that one day it may be given me to see you face
+to face.
+
+IAN MACLAREN. Liverpool, Oct. 4, 1895.
+
+
+
+
+
+ THE DOCTOR'S LAST JOURNEY.
+
+
+IV
+
+THE DOCTOR'S LAST JOURNEY
+
+Drumtochty had a vivid recollection of the winter when Dr. MacLure was
+laid up for two months with a broken leg, and the Glen was dependent on
+the dubious ministrations of the Kildrummie doctor. Mrs. Macfayden
+also pretended to recall a "whup" of some kind or other he had in the
+fifties, but this was considered to be rather a pyrotechnic display of
+Elspeth's superior memory than a serious statement of fact. MacLure
+could not have ridden through the snow of forty winters without
+suffering, yet no one ever heard him complain, and he never pled
+illness to any messenger by night or day.
+
+"It took me," said Jamie Soutar to Milton afterwards, "the feck o' ten
+meenuts tae howk him 'an' Jess oot ae snawy nicht when Drums turned bad
+sudden, and if he didna try to excuse himself for no hearing me at aince
+wi' some story aboot juist comin' in frae Glen Urtach, and no bein' in
+his bed for the laist twa nichts.
+
+"He wes that carefu' o' himsel an' lazy that if it hedna been for the
+siller, a've often thocht, Milton, he wud never hae dune a handstroke o'
+wark in the Glen.
+
+"What scunnered me wes the wy the bairns were ta'en in wi' him. Man,
+a've seen him tak a wee laddie on his knee that his ain mither cudna
+quiet, an' lilt 'Sing a song o' saxpence' till the bit mannie would be
+lauchin' like a gude are, an' pooin' the doctor's beard.
+
+[Illustration]
+
+"As for the weemen, he fair cuist a glamour ower them; they're daein'
+naethin' noo but speak aboot this body and the ither he cured, an' hoo
+he aye hed a couthy word for sick fouk. Weemen hae nae discernment,
+Milton; tae hear them speak ye wud think MacLure hed been a releegious
+man like yersel, although, as ye said, he wes little mair than a Gallio.
+
+"Bell Baxter was haverin' awa in the shop tae sic an extent aboot the wy
+MacLure brocht roond Saunders when he hed the fever that a' gied oot at
+the door, a' wes that disgusted, an' a'm telt when Tammas Mitchell heard
+the news in the smiddy he wes juist on the greeting.
+
+"The smith said that he wes thinkin' o' Annie's tribble, but ony wy a'
+ca' it rael bairnly. It's no like Drumtochty; ye're setting an example,
+Milton, wi' yir composure. But a' mind ye took the doctor's meesure as
+sune as ye cam intae the pairish."
+
+It is the penalty of a cynic that he must have some relief for his
+secret grief, and Milton began to weary of life in Jamie's hands
+during those days.
+
+Drumtochty was not observant in the matter of health, but they had grown
+sensitive about Dr. MacLure, and remarked in the kirkyard all summer
+that he was failing.
+
+"He wes aye spare," said Hillocks, "an' he's been sair twisted for the
+laist twenty year, but a' never mind him booed till the year. An' he's
+gaein' intae sma' buke (bulk), an' a' dinna like that, neeburs.
+
+"The Glen wudna dae weel withoot Weelum MacLure, an' he's no as young as
+he wes. Man, Drumsheugh, ye micht wile him aff tae the saut water atween
+the neeps and the hairst. He's been workin' forty year for a holiday,
+an' it's aboot due."
+
+Drumsheugh was full of tact, and met MacLure quite by accident on the
+road.
+
+"Saunders'll no need me till the shearing begins," he explained to the
+doctor, "an' a'm gaein' tae Brochty for a turn o' the hot baths; they're
+fine for the rheumatics.
+
+[Illustration]
+
+"Wull ye no come wi' me for auld lang syne? it's lonesome for a solitary
+man, an' it wud dae ye gude."
+
+"Na, na, Drumsheugh," said MacLure, who understood perfectly, "a've dune
+a' thae years withoot a break, an' a'm laith (unwilling) tae be takin'
+holidays at the tail end.
+
+"A'll no be mony months wi' ye a' thegither noo, an' a'm wanting tae
+spend a' the time a' hev in the Glen. Ye see yersel that a'll sune be
+getting ma lang rest, an' a'll no deny that a'm wearyin' for it."
+
+As autumn passed into winter, the Glen noticed that the doctor's hair
+had turned grey, and that his manner had lost all its roughness. A
+feeling of secret gratitude filled their hearts, and they united in a
+conspiracy of attention. Annie Mitchell knitted a huge comforter in red
+and white, which the doctor wore in misery for one whole day, out of
+respect for Annie, and then hung it in his sitting-room as a wall
+ornament. Hillocks used to intercept him with hot drinks, and one
+drifting day compelled him to shelter till the storm abated. Flora
+Campbell brought a wonderful compound of honey and whiskey, much tasted
+in Auchindarroch, for his cough, and the mother of young Burnbrae filled
+his cupboard with black jam, as a healing measure. Jamie Soutar seemed
+to have an endless series of jobs in the doctor's direction, and looked
+in "juist tae rest himsel" in the kitchen.
+
+MacLure had been slowly taking in the situation, and at last he
+unburdened himself one night to Jamie.
+
+"What ails the fouk, think ye? for they're aye lecturin' me noo tae
+tak care o' the weet and tae wrap masel up, an' there's no a week but
+they're sendin' bit presents tae the house, till a'm fair ashamed."
+
+"Oo, a'll explain that in a meenut," answered Jamie, "for a' ken the
+Glen weel. Ye see they're juist try in' the Scripture plan o' heapin'
+coals o' fire on yer head.
+
+[Illustration: "TOLD DRUMSHEUGH THAT THE DOCTOR WAS NOT ABLE TO RISE"]
+
+"Here ye've been negleckin' the fouk in seeckness an' lettin' them dee
+afore their freends' eyes withoot a fecht, an' refusin' tae gang tae a
+puir wumman in her tribble, an' frichtenin' the bairns--no, a'm no
+dune--and scourgin' us wi' fees, and livin' yersel' on the fat o' the
+land.
+
+"Ye've been carryin' on this trade ever sin yir father dee'd, and the
+Glen didna notis. But ma word, they've fund ye oot at laist, an' they're
+gaein' tae mak ye suffer for a' yir ill usage. Div ye understand noo?"
+said Jamie, savagely.
+
+For a while MacLure was silent, and then he only said:
+
+"It's little a' did for the puir bodies; but ye hev a gude hert, Jamie,
+a rael good hert."
+
+It was a bitter December Sabbath, and the fathers were settling the
+affairs of the parish ankle deep in snow, when MacLure's old housekeeper
+told Drumsheugh that the doctor was not able to rise, and wished to see
+him in the afternoon. "Ay, ay," said Hillocks, shaking his head, and
+that day Drumsheugh omitted four pews with the ladle, while Jamie was so
+vicious on the way home that none could endure him.
+
+Janet had lit a fire in the unused grate, and hung a plaid by the window
+to break the power of the cruel north wind, but the bare room with its
+half-a-dozen bits of furniture and a worn strip of carpet, and the
+outlook upon the snow drifted up to the second pane of the window and
+the black firs laden with their icy burden, sent a chill to Drumsheugh's
+heart.
+
+The doctor had weakened sadly, and could hardly lift his head, but his
+face lit up at the sight of his visitor, and the big hand, which was now
+quite refined in its whiteness, came out from the bed-clothes with the
+old warm grip.
+
+[Illustration: "WITH THE OLD WARM GRIP"]
+
+"Come in by, man, and sit doon; it's an awfu' day tae bring ye sae far,
+but a' kent ye wudna grudge the traivel.
+
+"A' wesna sure till last nicht, an' then a' felt it wudna be lang, an'
+a' took a wearyin' this mornin' tae see ye.
+
+"We've been friends sin' we were laddies at the auld school in the firs,
+an' a' wud like ye tae be wi' me at the end. Ye 'ill stay the nicht,
+Paitrick, for auld lang syne."
+
+Drumsheugh was much shaken, and the sound of the Christian name, which
+he had not heard since his mother's death, gave him a "grue" (shiver),
+as if one had spoken from the other world.
+
+"It's maist awfu' tae hear ye speakin' aboot deein', Weelum; a' canna
+bear it. We 'ill hae the Muirtown doctor up, an' ye 'ill be aboot again
+in nae time.
+
+"Ye hevna ony sair tribble; ye're juist trachled wi' hard wark an'
+needin' a rest. Dinna say ye're gaein' tae leave us, Weelum; we canna
+dae withoot ye in Drumtochty;" and Drumsheugh looked wistfully for some
+word of hope.
+
+"Na, na, Paitrick, naethin' can be dune, an' it's ower late tae send for
+ony doctor. There's a knock that canna be mista'en, an' a' heard it last
+night. A've focht deith for ither fouk mair than forty year, but ma ain
+time hes come at laist.
+
+"A've nae tribble worth mentionin'--a bit titch o' bronchitis--an' a've
+hed a graund constitution; but a'm fair worn oot, Paitrick; that's ma
+complaint, an' its past curin'."
+
+Drumsheugh went over to the fireplace, and for a while did nothing but
+break up the smouldering peats, whose smoke powerfully affected his nose
+and eyes.
+
+[Illustration: "DRUMSHEUGH LOOKED WISTFULLY"]
+
+"When ye're ready, Paitrick, there's twa or three little trokes a' wud
+like ye tae look aifter, an' a'll tell ye aboot them as lang's ma head's
+clear.
+
+"A' didna keep buiks, as ye ken, for a' aye hed a guid memory, so
+naebody 'ill be harried for money aifter ma deith, and ye 'ill hae nae
+accoonts tae collect.
+
+"But the fouk are honest in Drumtochty, and they 'ill be offerin' ye
+siller, an' a'll gie ye ma mind aboot it. Gin it be a puir body, tell
+her tae keep it and get a bit plaidie wi' the money, and she 'ill maybe
+think o' her auld doctor at a time. Gin it be a bien (well-to-do) man,
+tak half of what he offers, for a Drumtochty man wud scorn to be mean in
+sic circumstances; and if onybody needs a doctor an' canna pay for him,
+see he's no left tae dee when a'm oot o' the road."
+
+"Nae fear o' that as lang as a'm livin', Weelum; that hundred's still
+tae the fore, ye ken, an' a'll tak care it's weel spent.
+
+"Yon wes the best job we ever did thegither, an' dookin' Saunders, ye
+'ill no forget that nicht, Weelum"--a gleam came into the doctor's
+eyes--"tae say neathin' o' the Highlan' fling."
+
+The remembrance of that great victory came upon Drumsheugh, and tried
+his fortitude.
+
+"What 'ill become o's when ye're no here tae gie a hand in time o' need?
+we 'ill tak ill wi' a stranger that disna ken ane o's frae anither."
+
+"It's a' for the best, Paitrick, an' ye 'ill see that in a whilie. A've
+kent fine that ma day wes ower, an' that ye sud hae a younger man.
+
+"A' did what a' cud tae keep up wi' the new medicine, but a' hed little
+time for readin', an' nane for traivellin'.
+
+"A'm the last o' the auld schule, an' a' ken as weel as onybody thet a'
+wesna sae dainty an' fine-mannered as the town doctors. Ye took me as a'
+wes, an' naebody ever cuist up tae me that a' wes a plain man. Na, na;
+ye've been rael kind an' conseederate a' thae years."
+
+"Weelum, gin ye cairry on sic nonsense ony langer," interrupted
+Drumsheugh, huskily, "a'll leave the hoose; a' canna stand it."
+
+"It's the truth, Paitrick, but we 'ill gae on wi' our wark, far a'm
+failin' fast.
+
+"Gie Janet ony sticks of furniture she needs tae furnish a hoose,
+and sell a' thing else tae pay the wricht (undertaker) an' bedrel
+(grave-digger). If the new doctor be a young laddie and no verra rich,
+ye micht let him hae the buiks an' instruments; it 'ill aye be a help.
+
+"But a' wudna like ye tae sell Jess, for she's been a faithfu' servant,
+an' a freend tae. There's a note or twa in that drawer a' savit, an'
+if ye kent ony man that wud gie her a bite o' grass and a sta' in his
+stable till she followed her maister--'
+
+"Confoond ye, Weelum," broke out Drumsheugh; "its doonricht cruel o' ye
+to speak like this tae me. Whar wud Jess gang but tae Drumsheugh? she
+'ill hae her run o' heck an' manger sae lang as she lives; the Glen
+wudna like tae see anither man on Jess, and nae man 'ill ever touch the
+auld mare."
+
+[Illustration]
+
+"Dinna mind me, Paitrick, for a" expeckit this; but ye ken we're no
+verra gleg wi' oor tongues in Drumtochty, an' dinna tell a' that's in
+oor hearts.
+
+"Weel, that's a' that a' mind, an' the rest a' leave tae yersel'. A've
+neither kith nor kin tae bury me, sae you an' the neeburs 'ill need tae
+lat me doon; but gin Tammas Mitchell or Saunders be stannin' near and
+lookin' as if they wud like a cord, gie't tae them, Paitrick. They're
+baith dour chiels, and haena muckle tae say, but Tammas hes a graund
+hert, and there's waur fouk in the Glen than Saunders.
+
+"A'm gettin' drowsy, an' a'll no be able tae follow ye sune, a' doot;
+wud ye read a bit tae me afore a' fa' ower?
+
+"Ye 'ill find ma mither's Bible on the drawers' heid, but ye 'ill need
+tae come close tae the bed, for a'm no hearin' or seein' sae weel as a'
+wes when ye cam."
+
+Drumsheugh put on his spectacles and searched for a comfortable
+Scripture, while the light of the lamp fell on his shaking hands and the
+doctor's face where the shadow was now settling.
+
+[Illustration]
+
+"Ma mither aye wantit this read tae her when she wes sober" (weak), and
+Drumsheugh began, "In My Father's house are many mansions," but MacLure
+stopped him.
+
+"It's a bonnie word, an' yir mither wes a sanct; but it's no for the
+like o' me. It's ower gude; a' daurna tak it.
+
+"Shut the buik an' let it open itsel, an' ye 'ill get a bit a've been
+readin' every nicht the laist month."
+
+Then Drumsheugh found the Parable wherein the Master tells us what God
+thinks of a Pharisee and of a penitent sinner, till he came to the
+words: "And the publican, standing afar off, would not lift up so
+much as his eyes to heaven, but smote upon his breast, saying, God be
+merciful to me a sinner."
+
+"That micht hae been written for me, Paitrick, or ony ither auld sinner
+that hes feenished his life, an' hes naethin' tae say for himsel'.
+
+"It wesna easy for me tae get tae kirk, but a' cud hae managed wi' a
+stretch, an' a' used langidge a' sudna, an' a' micht hae been gentler,
+and not been so short in the temper. A' see't a' noo.
+
+"It's ower late tae mend, but ye 'ill maybe juist say to the fouk that I
+wes sorry, an' a'm houpin' that the Almichty 'ill hae mercy on me.
+
+"Cud ye ... pit up a bit prayer, Paitrick?"
+
+"A' haena the words," said Drumsheugh in great distress; "wud ye like's
+tae send for the minister?"
+
+"It's no the time for that noo, an' a' wud rather hae yersel'--juist
+what's in yir heart, Paitrick: the Almichty 'ill ken the lave (rest)
+Himsel'."
+
+So Drumsheugh knelt and prayed with many pauses.
+
+"Almichty God ... dinna be hard on Weelum MacLure, for he's no been hard
+wi' onybody in Drumtochty.... Be kind tae him as he's been tae us a' for
+forty year.... We're a' sinners afore Thee.... Forgive him what he's
+dune wrang, an' dinna cuist it up tae him.... Mind the fouk he's helpit
+.... the wee-men an' bairnies.... an' gie him a welcome hame, for he's
+sair needin't after a' his wark.... Amen."
+
+"Thank ye, Paitrick, and gude nicht tae ye. Ma ain true freend, gie's
+yir hand, for a'll maybe no ken ye again.
+
+"Noo a'll say ma mither's prayer and hae a sleep, but ye 'ill no leave
+me till a' is ower."
+
+Then he repeated as he had done every night of his life:
+
+ "This night I lay me down to sleep,
+ I pray the Lord my soul to keep.
+ And if I die before I wake,
+ I pray the Lord my soul to take."
+
+He was sleeping quietly when the wind drove the snow against the window
+with a sudden "swish;" and he instantly awoke, so to say, in his sleep.
+Some one needed him.
+
+"Are ye frae Glen Urtach?" and an unheard voice seemed to have answered
+him.
+
+"Worse is she, an' suffering awfu'; that's no lichtsome; ye did richt
+tae come.
+
+"The front door's drifted up; gang roond tae the back, an' ye 'ill get
+intae the kitchen; a'll be ready in a meenut.
+
+"Gie's a hand wi' the lantern when a'm saidling Jess, an' ye needna come
+on till daylicht; a' ken the road."
+
+[Illustration]
+
+Then he was away in his sleep on some errand of mercy, and struggling
+through the storm. "It's a coorse nicht, Jess, an' heavy traivellin';
+can ye see afore ye, lass? for a'm clean confused wi' the snaw; bide a
+wee till a' find the diveesion o' the roads; it's aboot here back or
+forrit.
+
+"Steady, lass, steady, dinna plunge; i'ts a drift we're in, but ye're no
+sinkin'; ... up noo; ... there ye are on the road again.
+
+"Eh, it's deep the nicht, an' hard on us baith, but there's a puir
+wumman micht dee if we didna warstle through; ... that's it; ye ken fine
+what a'm sayin.'
+
+"We 'ill hae tae leave the road here, an' tak tae the muir. Sandie 'ill
+no can leave the wife alane tae meet us; ... feel for yersel" lass, and
+keep oot o' the holes.
+
+"Yon's the hoose black in the snaw. Sandie! man, ye frichtened us; a'
+didna see ye ahint the dyke; hoos the wife?"
+
+After a while he began again:
+
+"Ye're fair dune, Jess, and so a' am masel'; we're baith gettin' auld,
+an' dinna tak sae weel wi' the nicht wark.
+
+"We 'ill sune be hame noo; this is the black wood, and it's no lang
+aifter that; we're ready for oor beds, Jess.... ay, ye like a clap at a
+time; mony a mile we've gaed hegither.
+
+"Yon's the licht in the kitchen window; nae wonder ye're nickering
+(neighing).... it's been a stiff journey; a'm tired, lass.... a'm tired
+tae deith," and the voice died into silence.
+
+Drumsheugh held his friend's hand, which now and again tightened in his,
+and as he watched, a change came over the face on the pillow beside him.
+The lines of weariness disappeared, as if God's hand had passed over it;
+and peace began to gather round the closed eyes.
+
+The doctor has forgotten the toil of later years, and has gone back to
+his boyhood.
+
+[Illustration: "SHE'S CARRYIN' A LIGHT IN HER HAND"]
+
+"The Lord's my Shepherd, I'll not want," he repeated, till he came to
+the last verse, and then he hesitated.
+
+ "Goodness and mercy all my life
+ Shall surely follow me.
+
+"Follow me ... and ... and ... what's next? Mither said I wes tae haed
+ready when she cam.
+
+"'A'll come afore ye gang tae sleep, Wullie, but ye 'ill no get yir kiss
+unless ye can feenish the psalm.'
+
+"And ... in God's house ... for evermore my ... hoo dis it rin? a canna
+mind the next word ... my, my--
+
+"It's ower dark noo tae read it, an' mither 'ill sune be comin."
+
+Drumsheugh, in an agony, whispered into his ear, "'My dwelling-place,'
+Weelum."
+
+"That's it, that's it a' noo; wha said it?
+
+ "And in God's house for evermore
+ My dwelling-place shall be.
+
+"A'm ready noo, an' a'll get ma kiss when mither comes; a' wish she wud
+come, for a'm tired an' wantin' tae sleep.
+
+"Yon's her step ... an' she's carryin' a licht in her hand; a' see it
+through the door.
+
+"Mither! a' kent ye wudna forget yir laddie for ye promised tae come,
+and a've feenished ma psalm.
+
+ "And in God's house for evermore
+ My dwelling-place shall be.
+
+"Gie me the kiss, mither, for a've been waitin' for ye, an' a'll sune be
+asleep."
+
+The grey morning light fell on Drumsheugh, still holding his friend's
+cold hand, and staring at a hearth where the fire had died down into
+white ashes; but the peace on the doctor's face was of one who rested
+from his labours.
+
+
+
+
+
+End of Project Gutenberg's A Doctor of the Old School, Vol. 4, by Ian Maclaren
+
+*** END OF THE PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, VOL. 4 ****
+
+This file should be named drmc410.txt or drmc410.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, drmc411.txt
+VERSIONS based on separate sources get new LETTER, drmc410a.txt
+
+Produced by Juliet Sutherland, David Widger and PG Distributed Proofreaders
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+