diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 9252-h.zip | bin | 0 -> 15620 bytes | |||
| -rw-r--r-- | 9252-h/9252-h.htm | 727 | ||||
| -rw-r--r-- | 9252.txt | 673 | ||||
| -rw-r--r-- | 9252.zip | bin | 0 -> 14677 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/haw7910.txt | 648 | ||||
| -rw-r--r-- | old/haw7910.zip | bin | 0 -> 14191 bytes |
9 files changed, 2064 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/9252-h.zip b/9252-h.zip Binary files differnew file mode 100644 index 0000000..c3dac4a --- /dev/null +++ b/9252-h.zip diff --git a/9252-h/9252-h.htm b/9252-h/9252-h.htm new file mode 100644 index 0000000..14c7856 --- /dev/null +++ b/9252-h/9252-h.htm @@ -0,0 +1,727 @@ +<?xml version="1.0" encoding="iso-8859-1"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + The Project Gutenberg E-text of Time's Portraiture, by Nathaniel Hawthorne + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Time's Portraiture, by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Time's Portraiture + +Author: Nathaniel Hawthorne + + +Release Date: November, 2005 [EBook #9252] +First Posted: September 25, 2003 +Last Updated: April 3, 2013 + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE *** + + + + +Produced by David Widger and Al Haines. + + + + + +</pre> + <p> + <br /><br /> + </p> + <h4> + THE DOLIVER ROMANCE AND OTHER PIECES<br /> + </h4> + <h4> + TALES AND SKETCHES<br /> + </h4> + <h3> + By Nathaniel Hawthorne<br /> + </h3> + <p> + <br /> + </p> + <h2> + TIME'S PORTRAITURE<br /> + </h2> + <p> + <br /><br /> + </p> + <p class="noindent"> + Being the Carrier's Address to the Patrons of "The Salem Gazette" for the + 1st of January, 1838. + </p> + <p class="noindent"> + ADDRESS. + </p> + <p> + Kind Patrons:—-We newspaper carriers are Time's errand-boys; and all + the year round, the old gentleman sends us from one of your doors to + another, to let you know what he is talking about and what he is doing. We + are a strange set of urchins; for, punctually on New Year's morning, one + and all of us are seized with a fit of rhyme, and break forth in such + hideous strains, that it would be no wonder if the infant Year, with her + step upon the threshold, were frightened away by the discord with which we + strive to welcome her. On these occasions, most generous patrons, you + never fail to give us a taste of your bounty; but whether as a reward for + our verses, or to purchase a respite from further infliction of them, is + best known to your worshipful selves. Moreover, we, Time's errand-boys as + aforesaid, feel it incumbent upon us, on the first day of every year, to + present a sort of summary of our master's dealings with the world, + throughout the whole of the preceding twelvemonth. Now it has so chanced + by a misfortune heretofore unheard of, that I, your present petitioner, + have been altogether forgotten by the Muse. Instead of being able (as I + naturally expected) to measure my ideas into six-foot lilies, and tack a + rhyme at each of their tails, I find myself, this blessed morning, the + same simple proser that I was yesterday, and shall probably be to-morrow. + And to my further mortification, being a humble-minded little sinner, I + feel no wise capable of talking to your worships with the customary wisdom + of my brethren, and giving sage opinions as to what Time has done right, + and what he has done wrong, and what of right or wrong he means to do + hereafter. Such being my unhappy predicament, it is with no small + confusion of face, that I make bold to present myself at your doors. Yet + it were surely a pity that my non-appearance should defeat your bountiful + designs for the replenishing of my pockets. Wherefore I have bethought me, + that it might not displease your worships to hear a few particulars about + the person and habits of Father Time, with whom, as being one of his + errand-boys, I have more acquaintance than most lads of my years. + </p> + <p> + For a great many years past, there has been a woodcut on the cover of the + "Farmer's Almanac," pretending to be a portrait of Father Time. It + represents that respectable personage as almost in a state of nudity, with + a single lock of hair on his forehead, wings on his shoulders, and + accoutred with a scythe and an hour-glass. These two latter symbols appear + to betoken that the old fellow works in haying time, by the hour. But, + within my recollection, Time has never carried a scythe and an hour-glass, + nor worn a pair of wings, nor shown himself in the half-naked condition + that the almanac would make us believe. Nowadays, he is the most + fashionably dressed figure about town; and I take it to be his natural + disposition, old as he is, to adopt every fashion of the day and of the + hour. Just at the present period, you may meet him in a furred surtout, + with pantaloons strapped under his narrow-toed boots; on his head, instead + of a single forelock, he wears a smart auburn wig, with bushy whiskers of + the same hue, the whole surmounted by a German-lustre hat. He has + exchanged his hour-glass for a gold patent-lever watch, which he carries + in his vest-pocket; and as for his scythe, he has either thrown it aside + altogether, or converted its handle into a cane not much stouter than a + riding-switch. If you stare him full in the face, you will perhaps detect + a few wrinkles; but, on a hasty glance, you might suppose him to be in the + very heyday of life, as fresh as he was in the garden of Eden. So much for + the present aspect of Time; but I by no means insure that the description + shall suit him a month hence, or even at this hour tomorrow. + </p> + <p> + It is another very common mistake, to suppose that Time wanders among old + ruins, and sits on mouldering walls and moss-grown stones, meditating + about matters which everybody else has forgotten. Some people, perhaps, + would expect to find him at the burial-ground in Broad Street, poring over + the half-illegible inscriptions on the tombs of the Higginsons, the + Hathornes,—[Not "Hawthorne," as one of the present representatives + of the family has seen fit to transmogrify a good old name.]—the + Holyokes, the Brownes, the Olivers, the Pickmans, the Pickerings, and + other worthies, with whom he kept company of old. Some would look for him + on the ridge of Gallows Hill, where, in one of his darkest moods, he and + Cotton Mather hung the witches. But they need not seek him there. Time is + invariably the first to forget his own deeds, his own history, and his own + former associates. His place is in the busiest bustle of the world. If you + would meet Time face to face, you have only to promenade in Essex Street, + between the hours of twelve and one; and there, among beaux and belles, + you will see old Father Time, apparently the gayest of the gay. He walks + arm in arm with the young men, talking about balls and theatres, and + afternoon rides, and midnight merry-makings; he recommends such and such a + fashionable tailor, and sneers at every garment of six months' antiquity; + and, generally, before parting, he invites his friends to drink champagne,—a + wine in which Time delights, on account of its rapid effervescence. And + Time treads lightly beside the fair girls, whispering to them (the old + deceiver!) that they are the sweetest angels he ever was acquainted with. + He tells them that they have nothing to do but dance and sing, and twine + roses in their hair, and gather a train of lovers, and that the world will + always be like an illuminated ball-room. And Time goes to the Commercial + News-Room, and visits the insurance-offices, and stands at the corner of + Essex and St. Peter's Streets, talking with the merchants. + </p> + <p> + However, Time seldom has occasion to mention the gentleman's name, so that + it is no great matter how he spells or pronounces it about the arrival of + ships, the rise and fall of stocks, the price of cotton and breadstuffs, + the prospects of the whaling-business, and the cod-fishery, and all other + news of the day. And the young gentlemen, and the pretty girls, and the + merchants, and all others with whom he makes acquaintance, are apt to + think that there is nobody like Time, and that Time is all in all. + </p> + <p> + But Time is not near so good a fellow as they take him for. He is + continually on the watch for mischief, and often seizes a sly opportunity + to lay his cane over the shoulders of some middle-aged gentleman; and lo + and behold! the poor man's back is bent, his hair turns gray, and his face + looks like a shrivelled apple. This is what is meant by being + "time-stricken." It is the worst feature in Time's character, that he + always inflicts the greatest injuries on his oldest friends. Yet, + shamefully as he treats them, they evince no desire to cut his + acquaintance, and can seldom bear to think of a final separation. + </p> + <p> + Again, there is a very prevalent idea, that Time loves to sit by the + fireside, telling stories of the Puritans, the witch persecutors, and the + heroes of the old French war and the Revolution; and that he has no memory + for anything more recent than the days of the first President Adams. This + is another great mistake. Time is so eager to talk of novelties, that he + never fails to give circulation to the most incredible rumors of the day, + though at the hazard of being compelled to eat his own words to-morrow. He + shows numberless instances of this propensity while the national elections + are in progress. A month ago, his mouth was full of the wonderful Whig + victories; and to do him justice, he really seems to have told the truth + for once. Whether the same story will hold good another year, we must + leave Time himself to show. He has a good deal to say, at the present + juncture, concerning the revolutionary movements in Canada; he blusters a + little about the northeastern boundary question; he expresses great + impatience at the sluggishness of our commanders in the Florida war; he + gets considerably excited whenever the subject of abolition is brought + forward, and so much the more, as he appears hardly to have made up his + mind on one side or the other. Whenever this happens to be the case,—as + it often does,—Time works himself into such a rage, that you would + think he were going to tear the universe to pieces; but I never yet knew + him to proceed, in good earnest, to such terrible extremities. During the + last six or seven months, he has been seized with intolerable sulkiness at + the slightest mention of the currency; for nothing vexes Time so much as + to be refused cash upon the nail. The above are the chief topics of + general interest which Time is just now in the habit of discussing. For + his more private gossip, he has rumors of new matches, of old ones broken + off, with now and then a whisper of good-natured scandal; sometimes, too, + he condescends to criticise a sermon, or a lyceum lecture, or performance + of the glee-club; and, to be brief, catch the volatile essence of present + talk and transitory opinions, and you will have Time's gossip, word for + word. I may as well add, that he expresses great approbation of Mr. + Russell's vocal abilities, and means to be present from beginning to end + of his next concert. It is not every singer that could keep Time with his + voice and instrument, for a whole evening. Perhaps you will inquire, "What + are Time's literary tastes?" And here again there is a general mistake. It + is conceived by many, that Time spends his leisure hours at the Athenaeum, + turning over the musty leaves of those large worm-eaten folios, which + nobody else has disturbed since the death of the venerable Dr. Oliver. So + far from this being the case, Time's profoundest studies are the new + novels from Messrs. Ives and Jewett's Circulating Library. He skims over + the lighter articles in the periodicals of the day, glances at the + newspapers, and then throws them aside forever, all except "The Salem + Gazette," of which he preserves a file, for his amusement a century or two + hence. + </p> + <p> + We will now consider Time as a man of business. In this capacity, our + citizens are in the habit of complaining, not wholly without reason, that + Time is sluggish and dull. You may see him occasionally at the end of + Derby Wharf, leaning against a post, or sitting on the breech of an iron + cannon, staring listlessly at an unrigged East Indiaman. Or, if you look + through the windows of the Union Marine Insurance Office, you may get a + glimpse of him there, nodding over a newspaper, among the old + weather-beaten sea-captains who recollect when Time was quite a different + sort of fellow. If you enter any of the dry-goods stores along Essex + Street, you will be likely to find him with his elbows on the counter, + bargaining for a yard of tape or a paper of pins. To catch him in his + idlest mood, you must visit the office of some young lawyer. Still, + however, Time does contrive to do a little business among us, and should + not be denied the credit of it. During the past season, he has worked + pretty diligently upon the railroad, and promises to start the cars by the + middle of next summer. Then we may fly from Essex Street to State Street, + and be back again before Time misses us. In conjunction with our worthy + mayor (with whose ancestor, the Lord Mayor of London, Time was well + acquainted more than two hundred years ago) he has laid the corner-stone + of a new city hall, the granite front of which is already an ornament to + Court Street. But besides these public affairs, Time busies himself a good + deal in private. Just at this season of the year, he is engaged in + collecting bills, and may be seen at almost any hour peregrinating from + street to street, and knocking at half the doors in town, with a great + bundle of these infernal documents. On such errands he appears in the + likeness of an undersized, portly old gentleman, with gray hair, a bluff + red face, and a loud tone of voice; and many people mistake him for the + penny-post. + </p> + <p> + Never does a marriage take place, but Time is present among the + wedding-guests; for marriage is an affair in which Time takes more + interest than in almost any other. He generally gives away the bride, and + leads the bridegroom by the hand to the threshold of the bridal chamber. + Although Time pretends to be very merry on these occasions, yet, if you + watch him well, you may often detect a sigh. Whenever a babe is born into + this weary world, Time is in attendance, and receives the wailing infant + in his arms. And the poor babe shudders instinctively at his embrace, and + sets up a feeble cry. + </p> + <p> + Then again, from the birth-chamber, he must hurry to the bedside of some + old acquaintance, whose business with Time is ended forever, though their + accounts remain to be settled at a future day. It is terrible, sometimes, + to perceive the lingering reluctance, the shivering agony, with which the + poor souls bid Time farewell, if they have gained no other friend to + supply the gray deceiver's place. How do they cling to Time, and steal + another and yet another glance at his familiar aspect! But Time, the + hard-hearted old fellow! goes through such scenes with infinite composure, + and dismisses his best friends from memory the moment they are out of + sight. Others, who have not been too intimate with Time, as knowing him to + be a dangerous character, and apt to ruin his associates,—these take + leave of him with joy, and pass away with a look of triumph on their + features. They know, that, in spite of all his flattering promises, he + could not make them happy, but that now they shall be so, long after Time + is dead and buried. + </p> + <p> + For Time is not immortal. Time must die, and be buried in the deep grave + of eternity. And let him die. From the hour when he passed forth through + the gate of Eden, till this very moment, he has gone to and fro about the + earth, staining his hands with blood, committing crimes innumerable, and + bringing misery on himself and all mankind. Sometimes he has been a pagan; + sometimes a persecutor. Sometimes he has spent centuries in darkness, + where he could neither read nor write. These were called the Dark Ages. + There has hardly been a single year, when he has not stirred up strife + among the nations. Sometimes, as in France less than fifty years ago, he + has been seized with fits of frenzy, and murdered thousands of innocent + people at noonday. He pretends, indeed, that he has grown wiser and better + now. Trust him who will; for my part, I rejoice that Time shall not live + forever. He hath an appointed office to perform. Let him do his task, and + die. Fresh and young as he would make himself appear, he is already hoary + with age; and the very garments that he wears about the town were put on + thousands of years ago, and have been patched and pieced to suit the + present fashion. There is nothing new in him nor about him. Were he to die + while I am speaking, we could not pronounce it an untimely death. + Methinks, with his heavy heart and weary brain, Time should himself be + glad to die. + </p> + <p> + Meanwhile, gentle patrons, as Time has brought round another New Year, + pray remember your poor petitioner. For so small a lad, you will agree + that I talk pretty passably well, and have fairly earned whatever spare + specie Time has left in your pockets. Be kind to me; and I have good hope + that Time will be kind to you. After all the hard things which I have said + about him, he is really,—that is, if you take him for neither more + nor less than he is worth, and use him as not abusing him,—Time is + really a very tolerable old fellow, and may be endured for a little while + that we are to keep him company. Be generous, kind patrons, to Time's + errand-boy. So may he bring to the merchant his ship safe from the Indies; + to the lawyer, a goodly number of new suits; to the doctor, a crowd of + patients with the dyspepsia and fat purses; to the farmer, a golden crop + and a ready market; to the mechanic, steady employment and good wages; to + the idle gentleman, some honest business; to the rich, kind hearts and + liberal hands; to the poor, warm firesides and food enough, patient + spirits, and the hope of better days; to our country, a return of specie + payments; and to you, sweet maid, the youth who stole into your dream last + night! And next New Year's Day (if I find nothing better to do in the mean + while) may Time again bring to your doors your loving little friend,<br /><br /> + THE CARRIER.<br /> + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of Project Gutenberg's Time's Portraiture, by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE *** + +***** This file should be named 9252-h.htm or 9252-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/5/9252/ + +Produced by David Widger and Al Haines. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/9252.txt b/9252.txt new file mode 100644 index 0000000..77870e7 --- /dev/null +++ b/9252.txt @@ -0,0 +1,673 @@ +The Project Gutenberg EBook of Time's Portraiture, by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Time's Portraiture + +Author: Nathaniel Hawthorne + +Posting Date: December 23, 2010 [EBook #9252] +Release Date: November, 2005 +First Posted: September 25, 2003 +Last Updated: February 8, 2007 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE *** + + + + +Produced by David Widger. HTML version by Al Haines. + + + + + + + + + + THE DOLIVER ROMANCE AND OTHER PIECES + + TALES AND SKETCHES + + By Nathaniel Hawthorne + + + TIME'S PORTRAITURE + + + +Being the Carrier's Address to the Patrons of "The Salem Gazette" for +the 1st of January, 1838. + +ADDRESS. + +Kind Patrons:---We newspaper carriers are Time's errand-boys; and all +the year round, the old gentleman sends us from one of your doors to +another, to let you know what he is talking about and what he is doing. +We are a strange set of urchins; for, punctually on New Year's morning, +one and all of us are seized with a fit of rhyme, and break forth in such +hideous strains, that it would be no wonder if the infant Year, with her +step upon the threshold, were frightened away by the discord with which +we strive to welcome her. On these occasions, most generous patrons, +you never fail to give us a taste of your bounty; but whether as a +reward for our verses, or to purchase a respite from further infliction +of them, is best known to your worshipful selves. Moreover, we, Time's +errand-boys as aforesaid, feel it incumbent upon us, on the first day of +every year, to present a sort of summary of our master's dealings with +the world, throughout the whole of the preceding twelvemonth. Now it +has so chanced by a misfortune heretofore unheard of, that I, your +present petitioner, have been altogether forgotten by the Muse. Instead +of being able (as I naturally expected) to measure my ideas into +six-foot lilies, and tack a rhyme at each of their tails, I find myself, +this blessed morning, the same simple proser that I was yesterday, and +shall probably be to-morrow. And to my further mortification, being a +humble-minded little sinner, I feel no wise capable of talking to your +worships with the customary wisdom of my brethren, and giving sage +opinions as to what Time has done right, and what he has done wrong, and +what of right or wrong he means to do hereafter. Such being my unhappy +predicament, it is with no small confusion of face, that I make bold to +present myself at your doors. Yet it were surely a pity that my +non-appearance should defeat your bountiful designs for the replenishing of +my pockets. Wherefore I have bethought me, that it might not displease +your worships to hear a few particulars about the person and habits of +Father Time, with whom, as being one of his errand-boys, I have more +acquaintance than most lads of my years. + +For a great many years past, there has been a woodcut on the cover of +the "Farmer's Almanac," pretending to be a portrait of Father Time. It +represents that respectable personage as almost in a state of nudity, +with a single lock of hair on his forehead, wings on his shoulders, and +accoutred with a scythe and an hour-glass. These two latter symbols +appear to betoken that the old fellow works in haying time, by the hour. +But, within my recollection, Time has never carried a scythe and an +hour-glass, nor worn a pair of wings, nor shown himself in the half-naked +condition that the almanac would make us believe. Nowadays, he is +the most fashionably dressed figure about town; and I take it to be his +natural disposition, old as he is, to adopt every fashion of the day and +of the hour. Just at the present period, you may meet him in a furred +surtout, with pantaloons strapped under his narrow-toed boots; on his +head, instead of a single forelock, he wears a smart auburn wig, with +bushy whiskers of the same hue, the whole surmounted by a German-lustre +hat. He has exchanged his hour-glass for a gold patent-lever watch, +which he carries in his vest-pocket; and as for his scythe, he has +either thrown it aside altogether, or converted its handle into a cane +not much stouter than a riding-switch. If you stare him full in the +face, you will perhaps detect a few wrinkles; but, on a hasty glance, +you might suppose him to be in the very heyday of life, as fresh as he +was in the garden of Eden. So much for the present aspect of Time; but +I by no means insure that the description shall suit him a month hence, +or even at this hour tomorrow. + +It is another very common mistake, to suppose that Time wanders among +old ruins, and sits on mouldering walls and moss-grown stones, +meditating about matters which everybody else has forgotten. Some +people, perhaps, would expect to find him at the burial-ground in Broad +Street, poring over the half-illegible inscriptions on the tombs of the +Higginsons, the Hathornes,--[Not "Hawthorne," as one of the present +representatives of the family has seen fit to transmogrify a good old +name.]--the Holyokes, the Brownes, the Olivers, the Pickmans, the +Pickerings, and other worthies, with whom he kept company of old. Some +would look for him on the ridge of Gallows Hill, where, in one of his +darkest moods, he and Cotton Mather hung the witches. But they need not +seek him there. Time is invariably the first to forget his own deeds, +his own history, and his own former associates. His place is in the +busiest bustle of the world. If you would meet Time face to face, you +have only to promenade in Essex Street, between the hours of twelve and +one; and there, among beaux and belles, you will see old Father Time, +apparently the gayest of the gay. He walks arm in arm with the young +men, talking about balls and theatres, and afternoon rides, and midnight +merry-makings; he recommends such and such a fashionable tailor, and +sneers at every garment of six months' antiquity; and, generally, before +parting, he invites his friends to drink champagne,--a wine in which +Time delights, on account of its rapid effervescence. And Time treads +lightly beside the fair girls, whispering to them (the old deceiver!) +that they are the sweetest angels he ever was acquainted with. He tells +them that they have nothing to do but dance and sing, and twine roses in +their hair, and gather a train of lovers, and that the world will always +be like an illuminated ball-room. And Time goes to the Commercial +News-Room, and visits the insurance-offices, and stands at the corner of +Essex and St. Peter's Streets, talking with the merchants. + +However, Time seldom has occasion to mention the gentleman's name, so +that it is no great matter how he spells or pronounces it about the +arrival of ships, the rise and fall of stocks, the price of cotton and +breadstuffs, the prospects of the whaling-business, and the cod-fishery, +and all other news of the day. And the young gentlemen, and the pretty +girls, and the merchants, and all others with whom he makes +acquaintance, are apt to think that there is nobody like Time, +and that Time is all in all. + +But Time is not near so good a fellow as they take him for. He is +continually on the watch for mischief, and often seizes a sly +opportunity to lay his cane over the shoulders of some middle-aged +gentleman; and lo and behold! the poor man's back is bent, his hair +turns gray, and his face looks like a shrivelled apple. This is what is +meant by being "time-stricken." It is the worst feature in Time's +character, that he always inflicts the greatest injuries on his oldest +friends. Yet, shamefully as he treats them, they evince no desire to +cut his acquaintance, and can seldom bear to think of a final +separation. + +Again, there is a very prevalent idea, that Time loves to sit by the +fireside, telling stories of the Puritans, the witch persecutors, and +the heroes of the old French war and the Revolution; and that he has no +memory for anything more recent than the days of the first President +Adams. This is another great mistake. Time is so eager to talk of +novelties, that he never fails to give circulation to the most +incredible rumors of the day, though at the hazard of being compelled to +eat his own words to-morrow. He shows numberless instances of this +propensity while the national elections are in progress. A month ago, +his mouth was full of the wonderful Whig victories; and to do him +justice, he really seems to have told the truth for once. Whether the +same story will hold good another year, we must leave Time himself to +show. He has a good deal to say, at the present juncture, concerning +the revolutionary movements in Canada; he blusters a little about the +northeastern boundary question; he expresses great impatience at the +sluggishness of our commanders in the Florida war; he gets considerably +excited whenever the subject of abolition is brought forward, and so +much the more, as he appears hardly to have made up his mind on one side +or the other. Whenever this happens to be the case,--as it often +does,--Time works himself into such a rage, that you would think he were +going to tear the universe to pieces; but I never yet knew him to +proceed, in good earnest, to such terrible extremities. During the last +six or seven months, he has been seized with intolerable sulkiness at +the slightest mention of the currency; for nothing vexes Time so much as +to be refused cash upon the nail. The above are the chief topics of +general interest which Time is just now in the habit of discussing. +For his more private gossip, he has rumors of new matches, of old ones +broken off, with now and then a whisper of good-natured scandal; +sometimes, too, he condescends to criticise a sermon, or a lyceum +lecture, or performance of the glee-club; and, to be brief, catch the +volatile essence of present talk and transitory opinions, and you will +have Time's gossip, word for word. I may as well add, that he expresses +great approbation of Mr. Russell's vocal abilities, and means to be +present from beginning to end of his next concert. It is not every +singer that could keep Time with his voice and instrument, for a whole +evening. Perhaps you will inquire, "What are Time's literary tastes?" +And here again there is a general mistake. It is conceived by many, +that Time spends his leisure hours at the Athenaeum, turning over the +musty leaves of those large worm-eaten folios, which nobody else has +disturbed since the death of the venerable Dr. Oliver. So far from this +being the case, Time's profoundest studies are the new novels from +Messrs. Ives and Jewett's Circulating Library. He skims over the +lighter articles in the periodicals of the day, glances at the +newspapers, and then throws them aside forever, all except "The Salem +Gazette," of which he preserves a file, for his amusement a century or +two hence. + +We will now consider Time as a man of business. In this capacity, our +citizens are in the habit of complaining, not wholly without reason, +that Time is sluggish and dull. You may see him occasionally at the end +of Derby Wharf, leaning against a post, or sitting on the breech of an +iron cannon, staring listlessly at an unrigged East Indiaman. Or, if +you look through the windows of the Union Marine Insurance Office, you +may get a glimpse of him there, nodding over a newspaper, among the old +weather-beaten sea-captains who recollect when Time was quite a +different sort of fellow. If you enter any of the dry-goods stores +along Essex Street, you will be likely to find him with his elbows on +the counter, bargaining for a yard of tape or a paper of pins. To catch +him in his idlest mood, you must visit the office of some young lawyer. +Still, however, Time does contrive to do a little business among us, and +should not be denied the credit of it. During the past season, he has +worked pretty diligently upon the railroad, and promises to start the +cars by the middle of next summer. Then we may fly from Essex Street to +State Street, and be back again before Time misses us. In conjunction +with our worthy mayor (with whose ancestor, the Lord Mayor of London, +Time was well acquainted more than two hundred years ago) he has laid +the corner-stone of a new city hall, the granite front of which is +already an ornament to Court Street. But besides these public affairs, +Time busies himself a good deal in private. Just at this season of the +year, he is engaged in collecting bills, and may be seen at almost any +hour peregrinating from street to street, and knocking at half the doors +in town, with a great bundle of these infernal documents. On such +errands he appears in the likeness of an undersized, portly old +gentleman, with gray hair, a bluff red face, and a loud tone of voice; +and many people mistake him for the penny-post. + +Never does a marriage take place, but Time is present among the +wedding-guests; for marriage is an affair in which Time takes more +interest than in almost any other. He generally gives away the bride, +and leads the bridegroom by the hand to the threshold of the bridal +chamber. Although Time pretends to be very merry on these occasions, +yet, if you watch him well, you may often detect a sigh. Whenever a babe +is born into this weary world, Time is in attendance, and receives the +wailing infant in his arms. And the poor babe shudders instinctively at +his embrace, and sets up a feeble cry. + +Then again, from the birth-chamber, he must hurry to the bedside of some +old acquaintance, whose business with Time is ended forever, though +their accounts remain to be settled at a future day. It is terrible, +sometimes, to perceive the lingering reluctance, the shivering agony, +with which the poor souls bid Time farewell, if they have gained no +other friend to supply the gray deceiver's place. How do they cling to +Time, and steal another and yet another glance at his familiar aspect! +But Time, the hard-hearted old fellow! goes through such scenes with +infinite composure, and dismisses his best friends from memory the +moment they are out of sight. Others, who have not been too intimate +with Time, as knowing him to be a dangerous character, and apt to ruin +his associates,--these take leave of him with joy, and pass away with a +look of triumph on their features. They know, that, in spite of all his +flattering promises, he could not make them happy, but that now they +shall be so, long after Time is dead and buried. + +For Time is not immortal. Time must die, and be buried in the deep +grave of eternity. And let him die. From the hour when he passed forth +through the gate of Eden, till this very moment, he has gone to and fro +about the earth, staining his hands with blood, committing crimes +innumerable, and bringing misery on himself and all mankind. Sometimes +he has been a pagan; sometimes a persecutor. Sometimes he has spent +centuries in darkness, where he could neither read nor write. These +were called the Dark Ages. There has hardly been a single year, when he +has not stirred up strife among the nations. Sometimes, as in France +less than fifty years ago, he has been seized with fits of frenzy, and +murdered thousands of innocent people at noonday. He pretends, indeed, +that he has grown wiser and better now. Trust him who will; for my +part, I rejoice that Time shall not live forever. He hath an appointed +office to perform. Let him do his task, and die. Fresh and young as he +would make himself appear, he is already hoary with age; and the very +garments that he wears about the town were put on thousands of years +ago, and have been patched and pieced to suit the present fashion. +There is nothing new in him nor about him. Were he to die while I am +speaking, we could not pronounce it an untimely death. Methinks, with +his heavy heart and weary brain, Time should himself be glad to die. + +Meanwhile, gentle patrons, as Time has brought round another New Year, +pray remember your poor petitioner. For so small a lad, you will agree +that I talk pretty passably well, and have fairly earned whatever spare +specie Time has left in your pockets. Be kind to me; and I have good +hope that Time will be kind to you. After all the hard things which I +have said about him, he is really,--that is, if you take him for neither +more nor less than he is worth, and use him as not abusing him,--Time is +really a very tolerable old fellow, and may be endured for a little +while that we are to keep him company. Be generous, kind patrons, to +Time's errand-boy. So may he bring to the merchant his ship safe from +the Indies; to the lawyer, a goodly number of new suits; to the doctor, +a crowd of patients with the dyspepsia and fat purses; to the farmer, a +golden crop and a ready market; to the mechanic, steady employment and +good wages; to the idle gentleman, some honest business; to the rich, +kind hearts and liberal hands; to the poor, warm firesides and food +enough, patient spirits, and the hope of better days; to our country, a +return of specie payments; and to you, sweet maid, the youth who stole +into your dream last night! And next New Year's Day (if I find nothing +better to do in the mean while) may Time again bring to your doors your +loving little friend, + THE CARRIER. + + + + + + + + + +End of Project Gutenberg's Time's Portraiture, by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE *** + +***** This file should be named 9252.txt or 9252.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/5/9252/ + +Produced by David Widger. HTML version by Al Haines. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/9252.zip b/9252.zip Binary files differnew file mode 100644 index 0000000..77d3220 --- /dev/null +++ b/9252.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..601610f --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #9252 (https://www.gutenberg.org/ebooks/9252) diff --git a/old/haw7910.txt b/old/haw7910.txt new file mode 100644 index 0000000..deca17b --- /dev/null +++ b/old/haw7910.txt @@ -0,0 +1,648 @@ +Project Gutenberg EBook, Time's Portraiture, by Nathaniel Hawthorne +From "The Doliver Romance and Other Pieces: Tales and Sketches" +#79 in our series by Nathaniel Hawthorne + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + + +Title: Time's Portraiture + (From: "The Doliver Romance and Other Pieces: Tales and Sketches") + +Author: Nathaniel Hawthorne + +Release Date: Nov, 2005 [EBook #9252] +[This file was first posted on September 25, 2003] +[Last updated on February 6, 2007] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + +*** START OF THE PROJECT GUTENBERG EBOOK, TIME'S PORTRAITURE *** + + + + +This eBook was produced by David Widger + + + + + + THE DOLIVER ROMANCE AND OTHER PIECES + + TALES AND SKETCHES + + By Nathaniel Hawthorne + + + TIME'S PORTRAITURE + + + +Being the Carrier's Address to the Patrons of "The Salem Gazette" for +the 1st of January, 1838. + +ADDRESS. + +Kind Patrons:---We newspaper carriers are Time's errand-boys; and all +the year round, the old gentleman sends us from one of your doors to +another, to let you know what he is talking about and what he is doing. +We are a strange set of urchins; for, punctually on New Year's morning, +one and all of us are seized with a fit of rhyme, and break forth in such +hideous strains, that it would be no wonder if the infant Year, with her +step upon the threshold, were frightened away by the discord with which +we strive to welcome her. On these occasions, most generous patrons, +you never fail to give us a taste of your bounty; but whether as a +reward for our verses, or to purchase a respite from further infliction +of them, is best known to your worshipful selves. Moreover, we, Time's +errand-boys as aforesaid, feel it incumbent upon us, on the first day of +every year, to present a sort of summary of our master's dealings with +the world, throughout the whole of the preceding twelvemonth. Now it +has so chanced by a misfortune heretofore unheard of, that I, your +present petitioner, have been altogether forgotten by the Muse. Instead +of being able (as I naturally expected) to measure my ideas into six- +foot lilies, and tack a rhyme at each of their tails, I find myself, +this blessed morning, the same simple proser that I was yesterday, and +shall probably be to-morrow. And to my further mortification, being a +humble-minded little sinner, I feel no wise capable of talking to your +worships with the customary wisdom of my brethren, and giving sage +opinions as to what Time has done right, and what he has done wrong, and +what of right or wrong he means to do hereafter. Such being my unhappy +predicament, it is with no small confusion of face, that I make bold to +present myself at your doors. Yet it were surely a pity that my non- +appearance should defeat your bountiful designs for the replenishing of +my pockets. Wherefore I have bethought me, that it might not displease +your worships to hear a few particulars about the person and habits of +Father Time, with whom, as being one of his errand-boys, I have more +acquaintance than most lads of my years. + +For a great many years past, there has been a woodcut on the cover of +the "Farmer's Almanac," pretending to be a portrait of Father Time. It +represents that respectable personage as almost in a state of nudity, +with a single lock of hair on his forehead, wings on his shoulders, and +accoutred with a scythe and an hour-glass. These two latter symbols +appear to betoken that the old fellow works in haying time, by the hour. +But, within my recollection, Time has never carried a scythe and an +hour-glass, nor worn a pair of wings, nor shown himself in the half- +naked condition that the almanac would make us believe. Nowadays, he is +the most fashionably dressed figure about town; and I take it to be his +natural disposition, old as he is, to adopt every fashion of the day and +of the hour. Just at the present period, you may meet him in a furred +surtout, with pantaloons strapped under his narrow-toed boots; on his +head, instead of a single forelock, he wears a smart auburn wig, with +bushy whiskers of the same hue, the whole surmounted by a German-lustre +hat. He has exchanged his hour-glass for a gold patent-lever watch, +which he carries in his vest-pocket; and as for his scythe, he has +either thrown it aside altogether, or converted its handle into a cane +not much stouter than a riding-switch. If you stare him full in the +face, you will perhaps detect a few wrinkles; but, on a hasty glance, +you might suppose him to be in the very heyday of life, as fresh as he +was in the garden of Eden. So much for the present aspect of Time; but +I by no means insure that the description shall suit him a month hence, +or even at this hour tomorrow. + +It is another very common mistake, to suppose that Time wanders among +old ruins, and sits on mouldering walls and moss-grown stones, +meditating about matters which everybody else has forgotten. Some +people, perhaps, would expect to find him at the burial-ground in Broad +Street, poring over the half-illegible inscriptions on the tombs of the +Higginsons, the Hathornes,--[Not "Hawthorne," as one of the present +representatives of the family has seen fit to transmogrify a good old +name.]--the Holyokes, the Brownes, the Olivers, the Pickmans, the +Pickerings, and other worthies, with whom he kept company of old. Some +would look for him on the ridge of Gallows Hill, where, in one of his +darkest moods, he and Cotton Mather hung the witches. But they need not +seek him there. Time is invariably the first to forget his own deeds, +his own history, and his own former associates. His place is in the +busiest bustle of the world. If you would meet Time face to face, you +have only to promenade in Essex Street, between the hours of twelve and +one; and there, among beaux and belles, you will see old Father Time, +apparently the gayest of the gay. He walks arm in arm with the young +men, talking about balls and theatres, and afternoon rides, and midnight +merry-makings; he recommends such and such a fashionable tailor, and +sneers at every garment of six months' antiquity; and, generally, before +parting, he invites his friends to drink champagne,--a wine in which +Time delights, on account of its rapid effervescence. And Time treads +lightly beside the fair girls, whispering to them (the old deceiver!) +that they are the sweetest angels he ever was acquainted with. He tells +them that they have nothing to do but dance and sing, and twine roses in +their hair, and gather a train of lovers, and that the world will always +be like an illuminated ball-room. And Time goes to the Commercial News- +Room, and visits the insurance-offices, and stands at the corner of +Essex and St. Peter's Streets, talking with the merchants. + +However, Time seldom has occasion to mention the gentleman's name, so +that it is no great matter how he spells or pronounces it about the +arrival of ships, the rise and fall of stocks, the price of cotton and +breadstuffs, the prospects of the whaling-business, and the cod-fishery, +and all other news of the day. And the young gentlemen, and the pretty +girls, and the merchants, and all others with whom he makes +acquaintance, are apt to think that there is nobody like Time, +and that Time is all in all. + +But Time is not near so good a fellow as they take him for. He is +continually on the watch for mischief, and often seizes a sly +opportunity to lay his cane over the shoulders of some middle-aged +gentleman; and lo and behold! the poor man's back is bent, his hair +turns gray, and his face looks like a shrivelled apple. This is what is +meant by being "time-stricken." It is the worst feature in Time's +character, that he always inflicts the greatest injuries on his oldest +friends. Yet, shamefully as he treats them, they evince no desire to +cut his acquaintance, and can seldom bear to think of a final +separation. + +Again, there is a very prevalent idea, that Time loves to sit by the +fireside, telling stories of the Puritans, the witch persecutors, and +the heroes of the old French war and the Revolution; and that he has no +memory for anything more recent than the days of the first President +Adams. This is another great mistake. Time is so eager to talk of +novelties, that he never fails to give circulation to the most +incredible rumors of the day, though at the hazard of being compelled to +eat his own words to-morrow. He shows numberless instances of this +propensity while the national elections are in progress. A month ago, +his mouth was full of the wonderful Whig victories; and to do him +justice, he really seems to have told the truth for once. Whether the +same story will hold good another year, we must leave Time himself to +show. He has a good deal to say, at the present juncture, concerning +the revolutionary movements in Canada; he blusters a little about the +northeastern boundary question; he expresses great impatience at the +sluggishness of our commanders in the Florida war; he gets considerably +excited whenever the subject of abolition is brought forward, and so +much the more, as he appears hardly to have made up his mind on one side +or the other. Whenever this happens to be the case,--as it often does, +--Time works himself into such a rage, that you would think he were +going to tear the universe to pieces; but I never yet knew him to +proceed, in good earnest, to such terrible extremities. During the last +six or seven months, he has been seized with intolerable sulkiness at +the slightest mention of the currency; for nothing vexes Time so much as +to be refused cash upon the nail. The above are the chief topics of +general interest which Time is just now in the habit of discussing. +For his more private gossip, he has rumors of new matches, of old ones +broken off, with now and then a whisper of good-natured scandal; +sometimes, too, he condescends to criticise a sermon, or a lyceum +lecture, or performance of the glee-club; and, to be brief, catch the +volatile essence of present talk and transitory opinions, and you will +have Time's gossip, word for word. I may as well add, that he expresses +great approbation of Mr. Russell's vocal abilities, and means to be +present from beginning to end of his next concert. It is not every +singer that could keep Time with his voice and instrument, for a whole +evening. Perhaps you will inquire, "What are Time's literary tastes?" +And here again there is a general mistake. It is conceived by many, +that Time spends his leisure hours at the Athenaeum, turning over the +musty leaves of those large worm-eaten folios, which nobody else has +disturbed since the death of the venerable Dr. Oliver. So far from this +being the case, Time's profoundest studies are the new novels from +Messrs. Ives and Jewett's Circulating Library. He skims over the +lighter articles in the periodicals of the day, glances at the +newspapers, and then throws them aside forever, all except "The Salem +Gazette," of which he preserves a file, for his amusement a century or +two hence. + +We will now consider Time as a man of business. In this capacity, our +citizens are in the habit of complaining, not wholly without reason, +that Time is sluggish and dull. You may see him occasionally at the end +of Derby Wharf, leaning against a post, or sitting on the breech of an +iron cannon, staring listlessly at an unrigged East Indiaman. Or, if +you look through the windows of the Union Marine Insurance Office, you +may get a glimpse of him there, nodding over a newspaper, among the old +weather-beaten sea-captains who recollect when Time was quite a +different sort of fellow. If you enter any of the dry-goods stores +along Essex Street, you will be likely to find him with his elbows on +the counter, bargaining for a yard of tape or a paper of pins. To catch +him in his idlest mood, you must visit the office of some young lawyer. +Still, however, Time does contrive to do a little business among us, and +should not be denied the credit of it. During the past season, he has +worked pretty diligently upon the railroad, and promises to start the +cars by the middle of next summer. Then we may fly from Essex Street to +State Street, and be back again before Time misses us. In conjunction +with our worthy mayor (with whose ancestor, the Lord Mayor of London, +Time was well acquainted more than two hundred years ago) he has laid +the corner-stone of a new city hall, the granite front of which is +already an ornament to Court Street. But besides these public affairs, +Time busies himself a good deal in private. Just at this season of the +year, he is engaged in collecting bills, and may be seen at almost any +hour peregrinating from street to street, and knocking at half the doors +in town, with a great bundle of these infernal documents. On such +errands he appears in the likeness of an undersized, portly old +gentleman, with gray hair, a bluff red face, and a loud tone of voice; +and many people mistake him for the penny-post. + +Never does a marriage take place, but Time is present among the wedding- +guests; for marriage is an affair in which Time takes more interest than +in almost any other. He generally gives away the bride, and leads the +bridegroom by the hand to the threshold of the bridal chamber. Although +Time pretends to be very merry on these occasions, yet, if you watch him +well, you may often detect a sigh. Whenever a babe is born into this +weary world, Time is in attendance, and receives the wailing infant in +his arms. And the poor babe shudders instinctively at his embrace, and +sets up a feeble cry. + +Then again, from the birth-chamber, he must hurry to the bedside of some +old acquaintance, whose business with Time is ended forever, though +their accounts remain to be settled at a future day. It is terrible, +sometimes, to perceive the lingering reluctance, the shivering agony, +with which the poor souls bid Time farewell, if they have gained no +other friend to supply the gray deceiver's place. How do they cling to +Time, and steal another and yet another glance at his familiar aspect! +But Time, the hard-hearted old fellow! goes through such scenes with +infinite composure, and dismisses his best friends from memory the +moment they are out of sight. Others, who have not been too intimate +with Time, as knowing him to be a dangerous character, and apt to ruin +his associates,--these take leave of him with joy, and pass away with a +look of triumph on their features. They know, that, in spite of all his +flattering promises, he could not make them happy, but that now they +shall be so, long after Time is dead and buried. + +For Time is not immortal. Time must die, and be buried in the deep +grave of eternity. And let him die. From the hour when he passed forth +through the gate of Eden, till this very moment, he has gone to and fro +about the earth, staining his hands with blood, committing crimes +innumerable, and bringing misery on himself and all mankind. Sometimes +he has been a pagan; sometimes a persecutor. Sometimes he has spent +centuries in darkness, where he could neither read nor write. These +were called the Dark Ages. There has hardly been a single year, when he +has not stirred up strife among the nations. Sometimes, as in France +less than fifty years ago, he has been seized with fits of frenzy, and +murdered thousands of innocent people at noonday. He pretends, indeed, +that he has grown wiser and better now. Trust him who will; for my +part, I rejoice that Time shall not live forever. He hath an appointed +office to perform. Let him do his task, and die. Fresh and young as he +would make himself appear, he is already hoary with age; and the very +garments that he wears about the town were put on thousands of years +ago, and have been patched and pieced to suit the present fashion. +There is nothing new in him nor about him. Were he to die while I am +speaking, we could not pronounce it an untimely death. Methinks, with +his heavy heart and weary brain, Time should himself be glad to die. + +Meanwhile, gentle patrons, as Time has brought round another New Year, +pray remember your poor petitioner. For so small a lad, you will agree +that I talk pretty passably well, and have fairly earned whatever spare +specie Time has left in your pockets. Be kind to me; and I have good +hope that Time will be kind to you. After all the hard things which I +have said about him, he is really,--that is, if you take him for neither +more nor less than he is worth, and use him as not abusing him,--Time is +really a very tolerable old fellow, and may be endured for a little +while that we are to keep him company. Be generous, kind patrons, to +Time's errand-boy. So may he bring to the merchant his ship safe from +the Indies; to the lawyer, a goodly number of new suits; to the doctor, +a crowd of patients with the dyspepsia and fat purses; to the farmer, a +golden crop and a ready market; to the mechanic, steady employment and +good wages; to the idle gentleman, some honest business; to the rich, +kind hearts and liberal hands; to the poor, warm firesides and food +enough, patient spirits, and the hope of better days; to our country, a +return of specie payments; and to you, sweet maid, the youth who stole +into your dream last night! And next New Year's Day (if I find nothing +better to do in the mean while) may Time again bring to your doors your +loving little friend, + THE CARRIER. + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, TIME'S PORTRAITURE *** +By Nathaniel Hawthorne + +**** This file should be named haw7910.txt or haw7910.zip **** + +Corrected EDITIONS of our etexts get a new NUMBER, haw7911.txt +VERSIONS based on separate sources get new LETTER, haw7910a.txt + +This eBook was produced by David Widger [widger@cecomet.net] + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* diff --git a/old/haw7910.zip b/old/haw7910.zip Binary files differnew file mode 100644 index 0000000..ba2602b --- /dev/null +++ b/old/haw7910.zip |
