summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--9252-h.zipbin0 -> 15620 bytes
-rw-r--r--9252-h/9252-h.htm727
-rw-r--r--9252.txt673
-rw-r--r--9252.zipbin0 -> 14677 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/haw7910.txt648
-rw-r--r--old/haw7910.zipbin0 -> 14191 bytes
9 files changed, 2064 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/9252-h.zip b/9252-h.zip
new file mode 100644
index 0000000..c3dac4a
--- /dev/null
+++ b/9252-h.zip
Binary files differ
diff --git a/9252-h/9252-h.htm b/9252-h/9252-h.htm
new file mode 100644
index 0000000..14c7856
--- /dev/null
+++ b/9252-h/9252-h.htm
@@ -0,0 +1,727 @@
+<?xml version="1.0" encoding="iso-8859-1"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <title>
+ The Project Gutenberg E-text of Time's Portraiture, by Nathaniel Hawthorne
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Time's Portraiture, by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Time's Portraiture
+
+Author: Nathaniel Hawthorne
+
+
+Release Date: November, 2005 [EBook #9252]
+First Posted: September 25, 2003
+Last Updated: April 3, 2013
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE ***
+
+
+
+
+Produced by David Widger and Al Haines.
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h4>
+ THE DOLIVER ROMANCE AND OTHER PIECES<br />
+ </h4>
+ <h4>
+ TALES AND SKETCHES<br />
+ </h4>
+ <h3>
+ By Nathaniel Hawthorne<br />
+ </h3>
+ <p>
+ <br />
+ </p>
+ <h2>
+ TIME'S PORTRAITURE<br />
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <p class="noindent">
+ Being the Carrier's Address to the Patrons of "The Salem Gazette" for the
+ 1st of January, 1838.
+ </p>
+ <p class="noindent">
+ ADDRESS.
+ </p>
+ <p>
+ Kind Patrons:&mdash;-We newspaper carriers are Time's errand-boys; and all
+ the year round, the old gentleman sends us from one of your doors to
+ another, to let you know what he is talking about and what he is doing. We
+ are a strange set of urchins; for, punctually on New Year's morning, one
+ and all of us are seized with a fit of rhyme, and break forth in such
+ hideous strains, that it would be no wonder if the infant Year, with her
+ step upon the threshold, were frightened away by the discord with which we
+ strive to welcome her. On these occasions, most generous patrons, you
+ never fail to give us a taste of your bounty; but whether as a reward for
+ our verses, or to purchase a respite from further infliction of them, is
+ best known to your worshipful selves. Moreover, we, Time's errand-boys as
+ aforesaid, feel it incumbent upon us, on the first day of every year, to
+ present a sort of summary of our master's dealings with the world,
+ throughout the whole of the preceding twelvemonth. Now it has so chanced
+ by a misfortune heretofore unheard of, that I, your present petitioner,
+ have been altogether forgotten by the Muse. Instead of being able (as I
+ naturally expected) to measure my ideas into six-foot lilies, and tack a
+ rhyme at each of their tails, I find myself, this blessed morning, the
+ same simple proser that I was yesterday, and shall probably be to-morrow.
+ And to my further mortification, being a humble-minded little sinner, I
+ feel no wise capable of talking to your worships with the customary wisdom
+ of my brethren, and giving sage opinions as to what Time has done right,
+ and what he has done wrong, and what of right or wrong he means to do
+ hereafter. Such being my unhappy predicament, it is with no small
+ confusion of face, that I make bold to present myself at your doors. Yet
+ it were surely a pity that my non-appearance should defeat your bountiful
+ designs for the replenishing of my pockets. Wherefore I have bethought me,
+ that it might not displease your worships to hear a few particulars about
+ the person and habits of Father Time, with whom, as being one of his
+ errand-boys, I have more acquaintance than most lads of my years.
+ </p>
+ <p>
+ For a great many years past, there has been a woodcut on the cover of the
+ "Farmer's Almanac," pretending to be a portrait of Father Time. It
+ represents that respectable personage as almost in a state of nudity, with
+ a single lock of hair on his forehead, wings on his shoulders, and
+ accoutred with a scythe and an hour-glass. These two latter symbols appear
+ to betoken that the old fellow works in haying time, by the hour. But,
+ within my recollection, Time has never carried a scythe and an hour-glass,
+ nor worn a pair of wings, nor shown himself in the half-naked condition
+ that the almanac would make us believe. Nowadays, he is the most
+ fashionably dressed figure about town; and I take it to be his natural
+ disposition, old as he is, to adopt every fashion of the day and of the
+ hour. Just at the present period, you may meet him in a furred surtout,
+ with pantaloons strapped under his narrow-toed boots; on his head, instead
+ of a single forelock, he wears a smart auburn wig, with bushy whiskers of
+ the same hue, the whole surmounted by a German-lustre hat. He has
+ exchanged his hour-glass for a gold patent-lever watch, which he carries
+ in his vest-pocket; and as for his scythe, he has either thrown it aside
+ altogether, or converted its handle into a cane not much stouter than a
+ riding-switch. If you stare him full in the face, you will perhaps detect
+ a few wrinkles; but, on a hasty glance, you might suppose him to be in the
+ very heyday of life, as fresh as he was in the garden of Eden. So much for
+ the present aspect of Time; but I by no means insure that the description
+ shall suit him a month hence, or even at this hour tomorrow.
+ </p>
+ <p>
+ It is another very common mistake, to suppose that Time wanders among old
+ ruins, and sits on mouldering walls and moss-grown stones, meditating
+ about matters which everybody else has forgotten. Some people, perhaps,
+ would expect to find him at the burial-ground in Broad Street, poring over
+ the half-illegible inscriptions on the tombs of the Higginsons, the
+ Hathornes,&mdash;[Not "Hawthorne," as one of the present representatives
+ of the family has seen fit to transmogrify a good old name.]&mdash;the
+ Holyokes, the Brownes, the Olivers, the Pickmans, the Pickerings, and
+ other worthies, with whom he kept company of old. Some would look for him
+ on the ridge of Gallows Hill, where, in one of his darkest moods, he and
+ Cotton Mather hung the witches. But they need not seek him there. Time is
+ invariably the first to forget his own deeds, his own history, and his own
+ former associates. His place is in the busiest bustle of the world. If you
+ would meet Time face to face, you have only to promenade in Essex Street,
+ between the hours of twelve and one; and there, among beaux and belles,
+ you will see old Father Time, apparently the gayest of the gay. He walks
+ arm in arm with the young men, talking about balls and theatres, and
+ afternoon rides, and midnight merry-makings; he recommends such and such a
+ fashionable tailor, and sneers at every garment of six months' antiquity;
+ and, generally, before parting, he invites his friends to drink champagne,&mdash;a
+ wine in which Time delights, on account of its rapid effervescence. And
+ Time treads lightly beside the fair girls, whispering to them (the old
+ deceiver!) that they are the sweetest angels he ever was acquainted with.
+ He tells them that they have nothing to do but dance and sing, and twine
+ roses in their hair, and gather a train of lovers, and that the world will
+ always be like an illuminated ball-room. And Time goes to the Commercial
+ News-Room, and visits the insurance-offices, and stands at the corner of
+ Essex and St. Peter's Streets, talking with the merchants.
+ </p>
+ <p>
+ However, Time seldom has occasion to mention the gentleman's name, so that
+ it is no great matter how he spells or pronounces it about the arrival of
+ ships, the rise and fall of stocks, the price of cotton and breadstuffs,
+ the prospects of the whaling-business, and the cod-fishery, and all other
+ news of the day. And the young gentlemen, and the pretty girls, and the
+ merchants, and all others with whom he makes acquaintance, are apt to
+ think that there is nobody like Time, and that Time is all in all.
+ </p>
+ <p>
+ But Time is not near so good a fellow as they take him for. He is
+ continually on the watch for mischief, and often seizes a sly opportunity
+ to lay his cane over the shoulders of some middle-aged gentleman; and lo
+ and behold! the poor man's back is bent, his hair turns gray, and his face
+ looks like a shrivelled apple. This is what is meant by being
+ "time-stricken." It is the worst feature in Time's character, that he
+ always inflicts the greatest injuries on his oldest friends. Yet,
+ shamefully as he treats them, they evince no desire to cut his
+ acquaintance, and can seldom bear to think of a final separation.
+ </p>
+ <p>
+ Again, there is a very prevalent idea, that Time loves to sit by the
+ fireside, telling stories of the Puritans, the witch persecutors, and the
+ heroes of the old French war and the Revolution; and that he has no memory
+ for anything more recent than the days of the first President Adams. This
+ is another great mistake. Time is so eager to talk of novelties, that he
+ never fails to give circulation to the most incredible rumors of the day,
+ though at the hazard of being compelled to eat his own words to-morrow. He
+ shows numberless instances of this propensity while the national elections
+ are in progress. A month ago, his mouth was full of the wonderful Whig
+ victories; and to do him justice, he really seems to have told the truth
+ for once. Whether the same story will hold good another year, we must
+ leave Time himself to show. He has a good deal to say, at the present
+ juncture, concerning the revolutionary movements in Canada; he blusters a
+ little about the northeastern boundary question; he expresses great
+ impatience at the sluggishness of our commanders in the Florida war; he
+ gets considerably excited whenever the subject of abolition is brought
+ forward, and so much the more, as he appears hardly to have made up his
+ mind on one side or the other. Whenever this happens to be the case,&mdash;as
+ it often does,&mdash;Time works himself into such a rage, that you would
+ think he were going to tear the universe to pieces; but I never yet knew
+ him to proceed, in good earnest, to such terrible extremities. During the
+ last six or seven months, he has been seized with intolerable sulkiness at
+ the slightest mention of the currency; for nothing vexes Time so much as
+ to be refused cash upon the nail. The above are the chief topics of
+ general interest which Time is just now in the habit of discussing. For
+ his more private gossip, he has rumors of new matches, of old ones broken
+ off, with now and then a whisper of good-natured scandal; sometimes, too,
+ he condescends to criticise a sermon, or a lyceum lecture, or performance
+ of the glee-club; and, to be brief, catch the volatile essence of present
+ talk and transitory opinions, and you will have Time's gossip, word for
+ word. I may as well add, that he expresses great approbation of Mr.
+ Russell's vocal abilities, and means to be present from beginning to end
+ of his next concert. It is not every singer that could keep Time with his
+ voice and instrument, for a whole evening. Perhaps you will inquire, "What
+ are Time's literary tastes?" And here again there is a general mistake. It
+ is conceived by many, that Time spends his leisure hours at the Athenaeum,
+ turning over the musty leaves of those large worm-eaten folios, which
+ nobody else has disturbed since the death of the venerable Dr. Oliver. So
+ far from this being the case, Time's profoundest studies are the new
+ novels from Messrs. Ives and Jewett's Circulating Library. He skims over
+ the lighter articles in the periodicals of the day, glances at the
+ newspapers, and then throws them aside forever, all except "The Salem
+ Gazette," of which he preserves a file, for his amusement a century or two
+ hence.
+ </p>
+ <p>
+ We will now consider Time as a man of business. In this capacity, our
+ citizens are in the habit of complaining, not wholly without reason, that
+ Time is sluggish and dull. You may see him occasionally at the end of
+ Derby Wharf, leaning against a post, or sitting on the breech of an iron
+ cannon, staring listlessly at an unrigged East Indiaman. Or, if you look
+ through the windows of the Union Marine Insurance Office, you may get a
+ glimpse of him there, nodding over a newspaper, among the old
+ weather-beaten sea-captains who recollect when Time was quite a different
+ sort of fellow. If you enter any of the dry-goods stores along Essex
+ Street, you will be likely to find him with his elbows on the counter,
+ bargaining for a yard of tape or a paper of pins. To catch him in his
+ idlest mood, you must visit the office of some young lawyer. Still,
+ however, Time does contrive to do a little business among us, and should
+ not be denied the credit of it. During the past season, he has worked
+ pretty diligently upon the railroad, and promises to start the cars by the
+ middle of next summer. Then we may fly from Essex Street to State Street,
+ and be back again before Time misses us. In conjunction with our worthy
+ mayor (with whose ancestor, the Lord Mayor of London, Time was well
+ acquainted more than two hundred years ago) he has laid the corner-stone
+ of a new city hall, the granite front of which is already an ornament to
+ Court Street. But besides these public affairs, Time busies himself a good
+ deal in private. Just at this season of the year, he is engaged in
+ collecting bills, and may be seen at almost any hour peregrinating from
+ street to street, and knocking at half the doors in town, with a great
+ bundle of these infernal documents. On such errands he appears in the
+ likeness of an undersized, portly old gentleman, with gray hair, a bluff
+ red face, and a loud tone of voice; and many people mistake him for the
+ penny-post.
+ </p>
+ <p>
+ Never does a marriage take place, but Time is present among the
+ wedding-guests; for marriage is an affair in which Time takes more
+ interest than in almost any other. He generally gives away the bride, and
+ leads the bridegroom by the hand to the threshold of the bridal chamber.
+ Although Time pretends to be very merry on these occasions, yet, if you
+ watch him well, you may often detect a sigh. Whenever a babe is born into
+ this weary world, Time is in attendance, and receives the wailing infant
+ in his arms. And the poor babe shudders instinctively at his embrace, and
+ sets up a feeble cry.
+ </p>
+ <p>
+ Then again, from the birth-chamber, he must hurry to the bedside of some
+ old acquaintance, whose business with Time is ended forever, though their
+ accounts remain to be settled at a future day. It is terrible, sometimes,
+ to perceive the lingering reluctance, the shivering agony, with which the
+ poor souls bid Time farewell, if they have gained no other friend to
+ supply the gray deceiver's place. How do they cling to Time, and steal
+ another and yet another glance at his familiar aspect! But Time, the
+ hard-hearted old fellow! goes through such scenes with infinite composure,
+ and dismisses his best friends from memory the moment they are out of
+ sight. Others, who have not been too intimate with Time, as knowing him to
+ be a dangerous character, and apt to ruin his associates,&mdash;these take
+ leave of him with joy, and pass away with a look of triumph on their
+ features. They know, that, in spite of all his flattering promises, he
+ could not make them happy, but that now they shall be so, long after Time
+ is dead and buried.
+ </p>
+ <p>
+ For Time is not immortal. Time must die, and be buried in the deep grave
+ of eternity. And let him die. From the hour when he passed forth through
+ the gate of Eden, till this very moment, he has gone to and fro about the
+ earth, staining his hands with blood, committing crimes innumerable, and
+ bringing misery on himself and all mankind. Sometimes he has been a pagan;
+ sometimes a persecutor. Sometimes he has spent centuries in darkness,
+ where he could neither read nor write. These were called the Dark Ages.
+ There has hardly been a single year, when he has not stirred up strife
+ among the nations. Sometimes, as in France less than fifty years ago, he
+ has been seized with fits of frenzy, and murdered thousands of innocent
+ people at noonday. He pretends, indeed, that he has grown wiser and better
+ now. Trust him who will; for my part, I rejoice that Time shall not live
+ forever. He hath an appointed office to perform. Let him do his task, and
+ die. Fresh and young as he would make himself appear, he is already hoary
+ with age; and the very garments that he wears about the town were put on
+ thousands of years ago, and have been patched and pieced to suit the
+ present fashion. There is nothing new in him nor about him. Were he to die
+ while I am speaking, we could not pronounce it an untimely death.
+ Methinks, with his heavy heart and weary brain, Time should himself be
+ glad to die.
+ </p>
+ <p>
+ Meanwhile, gentle patrons, as Time has brought round another New Year,
+ pray remember your poor petitioner. For so small a lad, you will agree
+ that I talk pretty passably well, and have fairly earned whatever spare
+ specie Time has left in your pockets. Be kind to me; and I have good hope
+ that Time will be kind to you. After all the hard things which I have said
+ about him, he is really,&mdash;that is, if you take him for neither more
+ nor less than he is worth, and use him as not abusing him,&mdash;Time is
+ really a very tolerable old fellow, and may be endured for a little while
+ that we are to keep him company. Be generous, kind patrons, to Time's
+ errand-boy. So may he bring to the merchant his ship safe from the Indies;
+ to the lawyer, a goodly number of new suits; to the doctor, a crowd of
+ patients with the dyspepsia and fat purses; to the farmer, a golden crop
+ and a ready market; to the mechanic, steady employment and good wages; to
+ the idle gentleman, some honest business; to the rich, kind hearts and
+ liberal hands; to the poor, warm firesides and food enough, patient
+ spirits, and the hope of better days; to our country, a return of specie
+ payments; and to you, sweet maid, the youth who stole into your dream last
+ night! And next New Year's Day (if I find nothing better to do in the mean
+ while) may Time again bring to your doors your loving little friend,<br /><br />
+ THE CARRIER.<br />
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg's Time's Portraiture, by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE ***
+
+***** This file should be named 9252-h.htm or 9252-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/5/9252/
+
+Produced by David Widger and Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/9252.txt b/9252.txt
new file mode 100644
index 0000000..77870e7
--- /dev/null
+++ b/9252.txt
@@ -0,0 +1,673 @@
+The Project Gutenberg EBook of Time's Portraiture, by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Time's Portraiture
+
+Author: Nathaniel Hawthorne
+
+Posting Date: December 23, 2010 [EBook #9252]
+Release Date: November, 2005
+First Posted: September 25, 2003
+Last Updated: February 8, 2007
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE ***
+
+
+
+
+Produced by David Widger. HTML version by Al Haines.
+
+
+
+
+
+
+
+
+
+ THE DOLIVER ROMANCE AND OTHER PIECES
+
+ TALES AND SKETCHES
+
+ By Nathaniel Hawthorne
+
+
+ TIME'S PORTRAITURE
+
+
+
+Being the Carrier's Address to the Patrons of "The Salem Gazette" for
+the 1st of January, 1838.
+
+ADDRESS.
+
+Kind Patrons:---We newspaper carriers are Time's errand-boys; and all
+the year round, the old gentleman sends us from one of your doors to
+another, to let you know what he is talking about and what he is doing.
+We are a strange set of urchins; for, punctually on New Year's morning,
+one and all of us are seized with a fit of rhyme, and break forth in such
+hideous strains, that it would be no wonder if the infant Year, with her
+step upon the threshold, were frightened away by the discord with which
+we strive to welcome her. On these occasions, most generous patrons,
+you never fail to give us a taste of your bounty; but whether as a
+reward for our verses, or to purchase a respite from further infliction
+of them, is best known to your worshipful selves. Moreover, we, Time's
+errand-boys as aforesaid, feel it incumbent upon us, on the first day of
+every year, to present a sort of summary of our master's dealings with
+the world, throughout the whole of the preceding twelvemonth. Now it
+has so chanced by a misfortune heretofore unheard of, that I, your
+present petitioner, have been altogether forgotten by the Muse. Instead
+of being able (as I naturally expected) to measure my ideas into
+six-foot lilies, and tack a rhyme at each of their tails, I find myself,
+this blessed morning, the same simple proser that I was yesterday, and
+shall probably be to-morrow. And to my further mortification, being a
+humble-minded little sinner, I feel no wise capable of talking to your
+worships with the customary wisdom of my brethren, and giving sage
+opinions as to what Time has done right, and what he has done wrong, and
+what of right or wrong he means to do hereafter. Such being my unhappy
+predicament, it is with no small confusion of face, that I make bold to
+present myself at your doors. Yet it were surely a pity that my
+non-appearance should defeat your bountiful designs for the replenishing of
+my pockets. Wherefore I have bethought me, that it might not displease
+your worships to hear a few particulars about the person and habits of
+Father Time, with whom, as being one of his errand-boys, I have more
+acquaintance than most lads of my years.
+
+For a great many years past, there has been a woodcut on the cover of
+the "Farmer's Almanac," pretending to be a portrait of Father Time. It
+represents that respectable personage as almost in a state of nudity,
+with a single lock of hair on his forehead, wings on his shoulders, and
+accoutred with a scythe and an hour-glass. These two latter symbols
+appear to betoken that the old fellow works in haying time, by the hour.
+But, within my recollection, Time has never carried a scythe and an
+hour-glass, nor worn a pair of wings, nor shown himself in the half-naked
+condition that the almanac would make us believe. Nowadays, he is
+the most fashionably dressed figure about town; and I take it to be his
+natural disposition, old as he is, to adopt every fashion of the day and
+of the hour. Just at the present period, you may meet him in a furred
+surtout, with pantaloons strapped under his narrow-toed boots; on his
+head, instead of a single forelock, he wears a smart auburn wig, with
+bushy whiskers of the same hue, the whole surmounted by a German-lustre
+hat. He has exchanged his hour-glass for a gold patent-lever watch,
+which he carries in his vest-pocket; and as for his scythe, he has
+either thrown it aside altogether, or converted its handle into a cane
+not much stouter than a riding-switch. If you stare him full in the
+face, you will perhaps detect a few wrinkles; but, on a hasty glance,
+you might suppose him to be in the very heyday of life, as fresh as he
+was in the garden of Eden. So much for the present aspect of Time; but
+I by no means insure that the description shall suit him a month hence,
+or even at this hour tomorrow.
+
+It is another very common mistake, to suppose that Time wanders among
+old ruins, and sits on mouldering walls and moss-grown stones,
+meditating about matters which everybody else has forgotten. Some
+people, perhaps, would expect to find him at the burial-ground in Broad
+Street, poring over the half-illegible inscriptions on the tombs of the
+Higginsons, the Hathornes,--[Not "Hawthorne," as one of the present
+representatives of the family has seen fit to transmogrify a good old
+name.]--the Holyokes, the Brownes, the Olivers, the Pickmans, the
+Pickerings, and other worthies, with whom he kept company of old. Some
+would look for him on the ridge of Gallows Hill, where, in one of his
+darkest moods, he and Cotton Mather hung the witches. But they need not
+seek him there. Time is invariably the first to forget his own deeds,
+his own history, and his own former associates. His place is in the
+busiest bustle of the world. If you would meet Time face to face, you
+have only to promenade in Essex Street, between the hours of twelve and
+one; and there, among beaux and belles, you will see old Father Time,
+apparently the gayest of the gay. He walks arm in arm with the young
+men, talking about balls and theatres, and afternoon rides, and midnight
+merry-makings; he recommends such and such a fashionable tailor, and
+sneers at every garment of six months' antiquity; and, generally, before
+parting, he invites his friends to drink champagne,--a wine in which
+Time delights, on account of its rapid effervescence. And Time treads
+lightly beside the fair girls, whispering to them (the old deceiver!)
+that they are the sweetest angels he ever was acquainted with. He tells
+them that they have nothing to do but dance and sing, and twine roses in
+their hair, and gather a train of lovers, and that the world will always
+be like an illuminated ball-room. And Time goes to the Commercial
+News-Room, and visits the insurance-offices, and stands at the corner of
+Essex and St. Peter's Streets, talking with the merchants.
+
+However, Time seldom has occasion to mention the gentleman's name, so
+that it is no great matter how he spells or pronounces it about the
+arrival of ships, the rise and fall of stocks, the price of cotton and
+breadstuffs, the prospects of the whaling-business, and the cod-fishery,
+and all other news of the day. And the young gentlemen, and the pretty
+girls, and the merchants, and all others with whom he makes
+acquaintance, are apt to think that there is nobody like Time,
+and that Time is all in all.
+
+But Time is not near so good a fellow as they take him for. He is
+continually on the watch for mischief, and often seizes a sly
+opportunity to lay his cane over the shoulders of some middle-aged
+gentleman; and lo and behold! the poor man's back is bent, his hair
+turns gray, and his face looks like a shrivelled apple. This is what is
+meant by being "time-stricken." It is the worst feature in Time's
+character, that he always inflicts the greatest injuries on his oldest
+friends. Yet, shamefully as he treats them, they evince no desire to
+cut his acquaintance, and can seldom bear to think of a final
+separation.
+
+Again, there is a very prevalent idea, that Time loves to sit by the
+fireside, telling stories of the Puritans, the witch persecutors, and
+the heroes of the old French war and the Revolution; and that he has no
+memory for anything more recent than the days of the first President
+Adams. This is another great mistake. Time is so eager to talk of
+novelties, that he never fails to give circulation to the most
+incredible rumors of the day, though at the hazard of being compelled to
+eat his own words to-morrow. He shows numberless instances of this
+propensity while the national elections are in progress. A month ago,
+his mouth was full of the wonderful Whig victories; and to do him
+justice, he really seems to have told the truth for once. Whether the
+same story will hold good another year, we must leave Time himself to
+show. He has a good deal to say, at the present juncture, concerning
+the revolutionary movements in Canada; he blusters a little about the
+northeastern boundary question; he expresses great impatience at the
+sluggishness of our commanders in the Florida war; he gets considerably
+excited whenever the subject of abolition is brought forward, and so
+much the more, as he appears hardly to have made up his mind on one side
+or the other. Whenever this happens to be the case,--as it often
+does,--Time works himself into such a rage, that you would think he were
+going to tear the universe to pieces; but I never yet knew him to
+proceed, in good earnest, to such terrible extremities. During the last
+six or seven months, he has been seized with intolerable sulkiness at
+the slightest mention of the currency; for nothing vexes Time so much as
+to be refused cash upon the nail. The above are the chief topics of
+general interest which Time is just now in the habit of discussing.
+For his more private gossip, he has rumors of new matches, of old ones
+broken off, with now and then a whisper of good-natured scandal;
+sometimes, too, he condescends to criticise a sermon, or a lyceum
+lecture, or performance of the glee-club; and, to be brief, catch the
+volatile essence of present talk and transitory opinions, and you will
+have Time's gossip, word for word. I may as well add, that he expresses
+great approbation of Mr. Russell's vocal abilities, and means to be
+present from beginning to end of his next concert. It is not every
+singer that could keep Time with his voice and instrument, for a whole
+evening. Perhaps you will inquire, "What are Time's literary tastes?"
+And here again there is a general mistake. It is conceived by many,
+that Time spends his leisure hours at the Athenaeum, turning over the
+musty leaves of those large worm-eaten folios, which nobody else has
+disturbed since the death of the venerable Dr. Oliver. So far from this
+being the case, Time's profoundest studies are the new novels from
+Messrs. Ives and Jewett's Circulating Library. He skims over the
+lighter articles in the periodicals of the day, glances at the
+newspapers, and then throws them aside forever, all except "The Salem
+Gazette," of which he preserves a file, for his amusement a century or
+two hence.
+
+We will now consider Time as a man of business. In this capacity, our
+citizens are in the habit of complaining, not wholly without reason,
+that Time is sluggish and dull. You may see him occasionally at the end
+of Derby Wharf, leaning against a post, or sitting on the breech of an
+iron cannon, staring listlessly at an unrigged East Indiaman. Or, if
+you look through the windows of the Union Marine Insurance Office, you
+may get a glimpse of him there, nodding over a newspaper, among the old
+weather-beaten sea-captains who recollect when Time was quite a
+different sort of fellow. If you enter any of the dry-goods stores
+along Essex Street, you will be likely to find him with his elbows on
+the counter, bargaining for a yard of tape or a paper of pins. To catch
+him in his idlest mood, you must visit the office of some young lawyer.
+Still, however, Time does contrive to do a little business among us, and
+should not be denied the credit of it. During the past season, he has
+worked pretty diligently upon the railroad, and promises to start the
+cars by the middle of next summer. Then we may fly from Essex Street to
+State Street, and be back again before Time misses us. In conjunction
+with our worthy mayor (with whose ancestor, the Lord Mayor of London,
+Time was well acquainted more than two hundred years ago) he has laid
+the corner-stone of a new city hall, the granite front of which is
+already an ornament to Court Street. But besides these public affairs,
+Time busies himself a good deal in private. Just at this season of the
+year, he is engaged in collecting bills, and may be seen at almost any
+hour peregrinating from street to street, and knocking at half the doors
+in town, with a great bundle of these infernal documents. On such
+errands he appears in the likeness of an undersized, portly old
+gentleman, with gray hair, a bluff red face, and a loud tone of voice;
+and many people mistake him for the penny-post.
+
+Never does a marriage take place, but Time is present among the
+wedding-guests; for marriage is an affair in which Time takes more
+interest than in almost any other. He generally gives away the bride,
+and leads the bridegroom by the hand to the threshold of the bridal
+chamber. Although Time pretends to be very merry on these occasions,
+yet, if you watch him well, you may often detect a sigh. Whenever a babe
+is born into this weary world, Time is in attendance, and receives the
+wailing infant in his arms. And the poor babe shudders instinctively at
+his embrace, and sets up a feeble cry.
+
+Then again, from the birth-chamber, he must hurry to the bedside of some
+old acquaintance, whose business with Time is ended forever, though
+their accounts remain to be settled at a future day. It is terrible,
+sometimes, to perceive the lingering reluctance, the shivering agony,
+with which the poor souls bid Time farewell, if they have gained no
+other friend to supply the gray deceiver's place. How do they cling to
+Time, and steal another and yet another glance at his familiar aspect!
+But Time, the hard-hearted old fellow! goes through such scenes with
+infinite composure, and dismisses his best friends from memory the
+moment they are out of sight. Others, who have not been too intimate
+with Time, as knowing him to be a dangerous character, and apt to ruin
+his associates,--these take leave of him with joy, and pass away with a
+look of triumph on their features. They know, that, in spite of all his
+flattering promises, he could not make them happy, but that now they
+shall be so, long after Time is dead and buried.
+
+For Time is not immortal. Time must die, and be buried in the deep
+grave of eternity. And let him die. From the hour when he passed forth
+through the gate of Eden, till this very moment, he has gone to and fro
+about the earth, staining his hands with blood, committing crimes
+innumerable, and bringing misery on himself and all mankind. Sometimes
+he has been a pagan; sometimes a persecutor. Sometimes he has spent
+centuries in darkness, where he could neither read nor write. These
+were called the Dark Ages. There has hardly been a single year, when he
+has not stirred up strife among the nations. Sometimes, as in France
+less than fifty years ago, he has been seized with fits of frenzy, and
+murdered thousands of innocent people at noonday. He pretends, indeed,
+that he has grown wiser and better now. Trust him who will; for my
+part, I rejoice that Time shall not live forever. He hath an appointed
+office to perform. Let him do his task, and die. Fresh and young as he
+would make himself appear, he is already hoary with age; and the very
+garments that he wears about the town were put on thousands of years
+ago, and have been patched and pieced to suit the present fashion.
+There is nothing new in him nor about him. Were he to die while I am
+speaking, we could not pronounce it an untimely death. Methinks, with
+his heavy heart and weary brain, Time should himself be glad to die.
+
+Meanwhile, gentle patrons, as Time has brought round another New Year,
+pray remember your poor petitioner. For so small a lad, you will agree
+that I talk pretty passably well, and have fairly earned whatever spare
+specie Time has left in your pockets. Be kind to me; and I have good
+hope that Time will be kind to you. After all the hard things which I
+have said about him, he is really,--that is, if you take him for neither
+more nor less than he is worth, and use him as not abusing him,--Time is
+really a very tolerable old fellow, and may be endured for a little
+while that we are to keep him company. Be generous, kind patrons, to
+Time's errand-boy. So may he bring to the merchant his ship safe from
+the Indies; to the lawyer, a goodly number of new suits; to the doctor,
+a crowd of patients with the dyspepsia and fat purses; to the farmer, a
+golden crop and a ready market; to the mechanic, steady employment and
+good wages; to the idle gentleman, some honest business; to the rich,
+kind hearts and liberal hands; to the poor, warm firesides and food
+enough, patient spirits, and the hope of better days; to our country, a
+return of specie payments; and to you, sweet maid, the youth who stole
+into your dream last night! And next New Year's Day (if I find nothing
+better to do in the mean while) may Time again bring to your doors your
+loving little friend,
+ THE CARRIER.
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Time's Portraiture, by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE ***
+
+***** This file should be named 9252.txt or 9252.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/5/9252/
+
+Produced by David Widger. HTML version by Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/9252.zip b/9252.zip
new file mode 100644
index 0000000..77d3220
--- /dev/null
+++ b/9252.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..601610f
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #9252 (https://www.gutenberg.org/ebooks/9252)
diff --git a/old/haw7910.txt b/old/haw7910.txt
new file mode 100644
index 0000000..deca17b
--- /dev/null
+++ b/old/haw7910.txt
@@ -0,0 +1,648 @@
+Project Gutenberg EBook, Time's Portraiture, by Nathaniel Hawthorne
+From "The Doliver Romance and Other Pieces: Tales and Sketches"
+#79 in our series by Nathaniel Hawthorne
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+
+Title: Time's Portraiture
+ (From: "The Doliver Romance and Other Pieces: Tales and Sketches")
+
+Author: Nathaniel Hawthorne
+
+Release Date: Nov, 2005 [EBook #9252]
+[This file was first posted on September 25, 2003]
+[Last updated on February 6, 2007]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK, TIME'S PORTRAITURE ***
+
+
+
+
+This eBook was produced by David Widger
+
+
+
+
+
+ THE DOLIVER ROMANCE AND OTHER PIECES
+
+ TALES AND SKETCHES
+
+ By Nathaniel Hawthorne
+
+
+ TIME'S PORTRAITURE
+
+
+
+Being the Carrier's Address to the Patrons of "The Salem Gazette" for
+the 1st of January, 1838.
+
+ADDRESS.
+
+Kind Patrons:---We newspaper carriers are Time's errand-boys; and all
+the year round, the old gentleman sends us from one of your doors to
+another, to let you know what he is talking about and what he is doing.
+We are a strange set of urchins; for, punctually on New Year's morning,
+one and all of us are seized with a fit of rhyme, and break forth in such
+hideous strains, that it would be no wonder if the infant Year, with her
+step upon the threshold, were frightened away by the discord with which
+we strive to welcome her. On these occasions, most generous patrons,
+you never fail to give us a taste of your bounty; but whether as a
+reward for our verses, or to purchase a respite from further infliction
+of them, is best known to your worshipful selves. Moreover, we, Time's
+errand-boys as aforesaid, feel it incumbent upon us, on the first day of
+every year, to present a sort of summary of our master's dealings with
+the world, throughout the whole of the preceding twelvemonth. Now it
+has so chanced by a misfortune heretofore unheard of, that I, your
+present petitioner, have been altogether forgotten by the Muse. Instead
+of being able (as I naturally expected) to measure my ideas into six-
+foot lilies, and tack a rhyme at each of their tails, I find myself,
+this blessed morning, the same simple proser that I was yesterday, and
+shall probably be to-morrow. And to my further mortification, being a
+humble-minded little sinner, I feel no wise capable of talking to your
+worships with the customary wisdom of my brethren, and giving sage
+opinions as to what Time has done right, and what he has done wrong, and
+what of right or wrong he means to do hereafter. Such being my unhappy
+predicament, it is with no small confusion of face, that I make bold to
+present myself at your doors. Yet it were surely a pity that my non-
+appearance should defeat your bountiful designs for the replenishing of
+my pockets. Wherefore I have bethought me, that it might not displease
+your worships to hear a few particulars about the person and habits of
+Father Time, with whom, as being one of his errand-boys, I have more
+acquaintance than most lads of my years.
+
+For a great many years past, there has been a woodcut on the cover of
+the "Farmer's Almanac," pretending to be a portrait of Father Time. It
+represents that respectable personage as almost in a state of nudity,
+with a single lock of hair on his forehead, wings on his shoulders, and
+accoutred with a scythe and an hour-glass. These two latter symbols
+appear to betoken that the old fellow works in haying time, by the hour.
+But, within my recollection, Time has never carried a scythe and an
+hour-glass, nor worn a pair of wings, nor shown himself in the half-
+naked condition that the almanac would make us believe. Nowadays, he is
+the most fashionably dressed figure about town; and I take it to be his
+natural disposition, old as he is, to adopt every fashion of the day and
+of the hour. Just at the present period, you may meet him in a furred
+surtout, with pantaloons strapped under his narrow-toed boots; on his
+head, instead of a single forelock, he wears a smart auburn wig, with
+bushy whiskers of the same hue, the whole surmounted by a German-lustre
+hat. He has exchanged his hour-glass for a gold patent-lever watch,
+which he carries in his vest-pocket; and as for his scythe, he has
+either thrown it aside altogether, or converted its handle into a cane
+not much stouter than a riding-switch. If you stare him full in the
+face, you will perhaps detect a few wrinkles; but, on a hasty glance,
+you might suppose him to be in the very heyday of life, as fresh as he
+was in the garden of Eden. So much for the present aspect of Time; but
+I by no means insure that the description shall suit him a month hence,
+or even at this hour tomorrow.
+
+It is another very common mistake, to suppose that Time wanders among
+old ruins, and sits on mouldering walls and moss-grown stones,
+meditating about matters which everybody else has forgotten. Some
+people, perhaps, would expect to find him at the burial-ground in Broad
+Street, poring over the half-illegible inscriptions on the tombs of the
+Higginsons, the Hathornes,--[Not "Hawthorne," as one of the present
+representatives of the family has seen fit to transmogrify a good old
+name.]--the Holyokes, the Brownes, the Olivers, the Pickmans, the
+Pickerings, and other worthies, with whom he kept company of old. Some
+would look for him on the ridge of Gallows Hill, where, in one of his
+darkest moods, he and Cotton Mather hung the witches. But they need not
+seek him there. Time is invariably the first to forget his own deeds,
+his own history, and his own former associates. His place is in the
+busiest bustle of the world. If you would meet Time face to face, you
+have only to promenade in Essex Street, between the hours of twelve and
+one; and there, among beaux and belles, you will see old Father Time,
+apparently the gayest of the gay. He walks arm in arm with the young
+men, talking about balls and theatres, and afternoon rides, and midnight
+merry-makings; he recommends such and such a fashionable tailor, and
+sneers at every garment of six months' antiquity; and, generally, before
+parting, he invites his friends to drink champagne,--a wine in which
+Time delights, on account of its rapid effervescence. And Time treads
+lightly beside the fair girls, whispering to them (the old deceiver!)
+that they are the sweetest angels he ever was acquainted with. He tells
+them that they have nothing to do but dance and sing, and twine roses in
+their hair, and gather a train of lovers, and that the world will always
+be like an illuminated ball-room. And Time goes to the Commercial News-
+Room, and visits the insurance-offices, and stands at the corner of
+Essex and St. Peter's Streets, talking with the merchants.
+
+However, Time seldom has occasion to mention the gentleman's name, so
+that it is no great matter how he spells or pronounces it about the
+arrival of ships, the rise and fall of stocks, the price of cotton and
+breadstuffs, the prospects of the whaling-business, and the cod-fishery,
+and all other news of the day. And the young gentlemen, and the pretty
+girls, and the merchants, and all others with whom he makes
+acquaintance, are apt to think that there is nobody like Time,
+and that Time is all in all.
+
+But Time is not near so good a fellow as they take him for. He is
+continually on the watch for mischief, and often seizes a sly
+opportunity to lay his cane over the shoulders of some middle-aged
+gentleman; and lo and behold! the poor man's back is bent, his hair
+turns gray, and his face looks like a shrivelled apple. This is what is
+meant by being "time-stricken." It is the worst feature in Time's
+character, that he always inflicts the greatest injuries on his oldest
+friends. Yet, shamefully as he treats them, they evince no desire to
+cut his acquaintance, and can seldom bear to think of a final
+separation.
+
+Again, there is a very prevalent idea, that Time loves to sit by the
+fireside, telling stories of the Puritans, the witch persecutors, and
+the heroes of the old French war and the Revolution; and that he has no
+memory for anything more recent than the days of the first President
+Adams. This is another great mistake. Time is so eager to talk of
+novelties, that he never fails to give circulation to the most
+incredible rumors of the day, though at the hazard of being compelled to
+eat his own words to-morrow. He shows numberless instances of this
+propensity while the national elections are in progress. A month ago,
+his mouth was full of the wonderful Whig victories; and to do him
+justice, he really seems to have told the truth for once. Whether the
+same story will hold good another year, we must leave Time himself to
+show. He has a good deal to say, at the present juncture, concerning
+the revolutionary movements in Canada; he blusters a little about the
+northeastern boundary question; he expresses great impatience at the
+sluggishness of our commanders in the Florida war; he gets considerably
+excited whenever the subject of abolition is brought forward, and so
+much the more, as he appears hardly to have made up his mind on one side
+or the other. Whenever this happens to be the case,--as it often does,
+--Time works himself into such a rage, that you would think he were
+going to tear the universe to pieces; but I never yet knew him to
+proceed, in good earnest, to such terrible extremities. During the last
+six or seven months, he has been seized with intolerable sulkiness at
+the slightest mention of the currency; for nothing vexes Time so much as
+to be refused cash upon the nail. The above are the chief topics of
+general interest which Time is just now in the habit of discussing.
+For his more private gossip, he has rumors of new matches, of old ones
+broken off, with now and then a whisper of good-natured scandal;
+sometimes, too, he condescends to criticise a sermon, or a lyceum
+lecture, or performance of the glee-club; and, to be brief, catch the
+volatile essence of present talk and transitory opinions, and you will
+have Time's gossip, word for word. I may as well add, that he expresses
+great approbation of Mr. Russell's vocal abilities, and means to be
+present from beginning to end of his next concert. It is not every
+singer that could keep Time with his voice and instrument, for a whole
+evening. Perhaps you will inquire, "What are Time's literary tastes?"
+And here again there is a general mistake. It is conceived by many,
+that Time spends his leisure hours at the Athenaeum, turning over the
+musty leaves of those large worm-eaten folios, which nobody else has
+disturbed since the death of the venerable Dr. Oliver. So far from this
+being the case, Time's profoundest studies are the new novels from
+Messrs. Ives and Jewett's Circulating Library. He skims over the
+lighter articles in the periodicals of the day, glances at the
+newspapers, and then throws them aside forever, all except "The Salem
+Gazette," of which he preserves a file, for his amusement a century or
+two hence.
+
+We will now consider Time as a man of business. In this capacity, our
+citizens are in the habit of complaining, not wholly without reason,
+that Time is sluggish and dull. You may see him occasionally at the end
+of Derby Wharf, leaning against a post, or sitting on the breech of an
+iron cannon, staring listlessly at an unrigged East Indiaman. Or, if
+you look through the windows of the Union Marine Insurance Office, you
+may get a glimpse of him there, nodding over a newspaper, among the old
+weather-beaten sea-captains who recollect when Time was quite a
+different sort of fellow. If you enter any of the dry-goods stores
+along Essex Street, you will be likely to find him with his elbows on
+the counter, bargaining for a yard of tape or a paper of pins. To catch
+him in his idlest mood, you must visit the office of some young lawyer.
+Still, however, Time does contrive to do a little business among us, and
+should not be denied the credit of it. During the past season, he has
+worked pretty diligently upon the railroad, and promises to start the
+cars by the middle of next summer. Then we may fly from Essex Street to
+State Street, and be back again before Time misses us. In conjunction
+with our worthy mayor (with whose ancestor, the Lord Mayor of London,
+Time was well acquainted more than two hundred years ago) he has laid
+the corner-stone of a new city hall, the granite front of which is
+already an ornament to Court Street. But besides these public affairs,
+Time busies himself a good deal in private. Just at this season of the
+year, he is engaged in collecting bills, and may be seen at almost any
+hour peregrinating from street to street, and knocking at half the doors
+in town, with a great bundle of these infernal documents. On such
+errands he appears in the likeness of an undersized, portly old
+gentleman, with gray hair, a bluff red face, and a loud tone of voice;
+and many people mistake him for the penny-post.
+
+Never does a marriage take place, but Time is present among the wedding-
+guests; for marriage is an affair in which Time takes more interest than
+in almost any other. He generally gives away the bride, and leads the
+bridegroom by the hand to the threshold of the bridal chamber. Although
+Time pretends to be very merry on these occasions, yet, if you watch him
+well, you may often detect a sigh. Whenever a babe is born into this
+weary world, Time is in attendance, and receives the wailing infant in
+his arms. And the poor babe shudders instinctively at his embrace, and
+sets up a feeble cry.
+
+Then again, from the birth-chamber, he must hurry to the bedside of some
+old acquaintance, whose business with Time is ended forever, though
+their accounts remain to be settled at a future day. It is terrible,
+sometimes, to perceive the lingering reluctance, the shivering agony,
+with which the poor souls bid Time farewell, if they have gained no
+other friend to supply the gray deceiver's place. How do they cling to
+Time, and steal another and yet another glance at his familiar aspect!
+But Time, the hard-hearted old fellow! goes through such scenes with
+infinite composure, and dismisses his best friends from memory the
+moment they are out of sight. Others, who have not been too intimate
+with Time, as knowing him to be a dangerous character, and apt to ruin
+his associates,--these take leave of him with joy, and pass away with a
+look of triumph on their features. They know, that, in spite of all his
+flattering promises, he could not make them happy, but that now they
+shall be so, long after Time is dead and buried.
+
+For Time is not immortal. Time must die, and be buried in the deep
+grave of eternity. And let him die. From the hour when he passed forth
+through the gate of Eden, till this very moment, he has gone to and fro
+about the earth, staining his hands with blood, committing crimes
+innumerable, and bringing misery on himself and all mankind. Sometimes
+he has been a pagan; sometimes a persecutor. Sometimes he has spent
+centuries in darkness, where he could neither read nor write. These
+were called the Dark Ages. There has hardly been a single year, when he
+has not stirred up strife among the nations. Sometimes, as in France
+less than fifty years ago, he has been seized with fits of frenzy, and
+murdered thousands of innocent people at noonday. He pretends, indeed,
+that he has grown wiser and better now. Trust him who will; for my
+part, I rejoice that Time shall not live forever. He hath an appointed
+office to perform. Let him do his task, and die. Fresh and young as he
+would make himself appear, he is already hoary with age; and the very
+garments that he wears about the town were put on thousands of years
+ago, and have been patched and pieced to suit the present fashion.
+There is nothing new in him nor about him. Were he to die while I am
+speaking, we could not pronounce it an untimely death. Methinks, with
+his heavy heart and weary brain, Time should himself be glad to die.
+
+Meanwhile, gentle patrons, as Time has brought round another New Year,
+pray remember your poor petitioner. For so small a lad, you will agree
+that I talk pretty passably well, and have fairly earned whatever spare
+specie Time has left in your pockets. Be kind to me; and I have good
+hope that Time will be kind to you. After all the hard things which I
+have said about him, he is really,--that is, if you take him for neither
+more nor less than he is worth, and use him as not abusing him,--Time is
+really a very tolerable old fellow, and may be endured for a little
+while that we are to keep him company. Be generous, kind patrons, to
+Time's errand-boy. So may he bring to the merchant his ship safe from
+the Indies; to the lawyer, a goodly number of new suits; to the doctor,
+a crowd of patients with the dyspepsia and fat purses; to the farmer, a
+golden crop and a ready market; to the mechanic, steady employment and
+good wages; to the idle gentleman, some honest business; to the rich,
+kind hearts and liberal hands; to the poor, warm firesides and food
+enough, patient spirits, and the hope of better days; to our country, a
+return of specie payments; and to you, sweet maid, the youth who stole
+into your dream last night! And next New Year's Day (if I find nothing
+better to do in the mean while) may Time again bring to your doors your
+loving little friend,
+ THE CARRIER.
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, TIME'S PORTRAITURE ***
+By Nathaniel Hawthorne
+
+**** This file should be named haw7910.txt or haw7910.zip ****
+
+Corrected EDITIONS of our etexts get a new NUMBER, haw7911.txt
+VERSIONS based on separate sources get new LETTER, haw7910a.txt
+
+This eBook was produced by David Widger [widger@cecomet.net]
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/old/haw7910.zip b/old/haw7910.zip
new file mode 100644
index 0000000..ba2602b
--- /dev/null
+++ b/old/haw7910.zip
Binary files differ