summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/haw7810.txt719
-rw-r--r--old/haw7810.zipbin0 -> 15794 bytes
2 files changed, 719 insertions, 0 deletions
diff --git a/old/haw7810.txt b/old/haw7810.txt
new file mode 100644
index 0000000..5bdea1e
--- /dev/null
+++ b/old/haw7810.txt
@@ -0,0 +1,719 @@
+Project Gutenberg EBook, An Old Woman's Tale, by Nathaniel Hawthorne
+From "The Doliver Romance and Other Pieces: Tales and Sketches"
+#78 in our series by Nathaniel Hawthorne
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+
+Title: An Old Woman's Tale
+ (From: "The Doliver Romance and Other Pieces: Tales and Sketches")
+
+Author: Nathaniel Hawthorne
+
+Release Date: Nov, 2005 [EBook #9251]
+[This file was first posted on September 25, 2003]
+[Last updated on February 6, 2007]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK, AN OLD WOMAN'S TALE ***
+
+
+
+
+This eBook was produced by David Widger
+
+
+
+
+
+ THE DOLIVER ROMANCE AND OTHER PIECES
+
+ TALES AND SKETCHES
+
+ By Nathaniel Hawthorne
+
+
+ AN OLD WOMAN'S TALE
+
+
+
+In the house where I was born, there used to be an old woman crouching
+all day long over the kitchen fire, with her elbows on her knees and her
+feet in the ashes. Once in a while she took a turn at the spit, and she
+never lacked a coarse gray stocking in her lap, the foot about half
+finished; it tapered away with her own waning life, and she knit the
+toe-stitch on the day of her death. She made it her serious business
+and sole amusement to tell me stories at any time from morning till
+night, in a mumbling, toothless voice, as I sat on a log of wood,
+grasping her cheek-apron in both my hands. Her personal memory included
+the better part of a hundred years, and she had strangely jumbled her
+own experience and observation with those of many old people who died in
+her young days; so that she might have been taken for a contemporary of
+Queen Elizabeth, or of John Rogers in the Primer. There are a thousand
+of her traditions lurking in the corners and by-places of my mind, some
+more marvellous than what is to follow, some less so, and a few not
+marvellous in the least, all of which I should like to repeat, if I were
+as happy as she in having a listener. But I am humble enough to own,
+that I do not deserve a listener half so well as that old toothless
+woman, whose narratives possessed an excellence attributable neither to
+herself, nor to any single individual. Her ground-plots, seldom within
+the widest scope of probability, were filled up with homely and natural
+incidents, the gradual accretions of a long course of years, and fiction
+hid its grotesque extravagance in this garb of truth, like the Devil (an
+appropriate simile, for the old woman supplies it) disguising himself,
+cloven-foot and all, in mortal attire. These tales generally referred
+to her birthplace, a village in, the valley of the Connecticut, the
+aspect of which she impressed with great vividness on my fancy. The
+houses in that tract of country, long a wild and dangerous frontier,
+were rendered defensible by a strength of architecture that has
+preserved many of them till our own times, and I cannot describe the
+sort of pleasure with which, two summers since, I rode through the
+little town in question, while one object after another rose familiarly
+to my eye, like successive portions of a dream becoming realized. Among
+other things equally probable, she was wont to assert that all the
+inhabitants of this village (at certain intervals, but whether of
+twenty-five or fifty years, or a whole century, remained a disputable
+point) were subject to a simultaneous slumber, continuing one hour's
+space. When that mysterious time arrived, the parson snored over his
+half-written sermon, though it were Saturday night and no provision made
+for the morrow,--the mother's eyelids closed as she bent over her
+infant, and no childish cry awakened,--the watcher at the bed of mortal
+sickness slumbered upon the death-pillow, and the dying man anticipated
+his sleep of ages by one as deep and dreamless. To speak emphatically,
+there was a soporific influence throughout the village, stronger than if
+every mother's son and daughter were reading a dull story;
+notwithstanding which the old woman professed to hold the substance of
+the ensuing account from one of those principally concerned in it.
+
+One moonlight summer evening, a young man and a girl sat down together
+in the open air. They were distant relatives, sprung from a stock once
+wealthy, but of late years so poverty-stricken, that David had not a
+penny to pay the marriage fee, if Esther should consent to wed. The
+seat they had chosen was in an open grove of elm and walnut trees, at a
+right angle of the road; a spring of diamond water just bubbled into the
+moonlight beside them, and then whimpered away through the bushes and
+long grass, in search of a neighboring millstream. The nearest house
+(situate within twenty yards of them, and the residence of their great-
+grandfather in his lifetime) was a venerable old edifice, crowned with
+many high and narrow peaks, all overrun by innumerable creeping plants,
+which hung curling about the roof like a nice young wig on an elderly
+gentleman's head. Opposite to this establishment was a tavern, with a
+well and horse-trough before it, and a low green bank running along the
+left side of the door. Thence, the road went onward, curving scarce
+perceptibly, through the village, divided in the midst by a narrow
+lane of verdure, and bounded on each side by a grassy strip of twice its
+own breadth. The houses had generally an odd look. Here, the moonlight
+tried to get a glimpse of one, a rough old heap of ponderous timber,
+which, ashamed of its dilapidated aspect, was hiding behind a great
+thick tree; the lower story of the next had sunk almost under ground, as
+if the poor little house were a-weary of the world, and retiring into
+the seclusion of its own cellar; farther on stood one of the few recent
+structures, thrusting its painted face conspicuously into the street,
+with an evident idea that it was the fairest thing there. About midway
+in the village was a grist-mill, partly concealed by the descent of the
+ground towards the stream which turned its wheel. At the southern
+extremity, just so far distant that the window-paces dazzled into each
+other, rose the meeting-house, a dingy old barn-like building, with an
+enormously disproportioned steeple sticking up straight into heaven, as
+high as the Tower of Babel, and the cause of nearly as much confusion in
+its day. This steeple, it must be understood, was an afterthought, and
+its addition to the main edifice, when the latter had already begun to
+decay, had excited a vehement quarrel, and almost a schism in the
+church, some fifty years before. Here the road wound down a hill and
+was seen no more, the remotest object in view being the graveyard gate,
+beyond the meetinghouse. The youthful pair sat hand in hand beneath the
+trees, and for several moments they had not spoken, because the breeze
+was hushed, the brook scarce tinkled, the leaves had ceased their
+rustling, and everything lay motionless and silent as if Nature were
+composing herself to slumber.
+
+"What a beautiful night it is, Esther!" remarked David, somewhat
+drowsily.
+
+"Very beautiful," answered the girl, in the same tone.
+
+"But how still!" continued David.
+
+"Ah, too still!" said Esther, with a faint shudder, like a modest leaf
+when the wind kisses it.
+
+Perhaps they fell asleep together, and, united as their spirits were by
+close and tender sympathies, the same strange dream might have wrapped
+them in its shadowy arms. But they conceived, at the time, that they
+still remained wakeful by the spring of bubbling water, looking down
+through the village, and all along the moonlighted road, and at the
+queer old houses, and at the trees which thrust their great twisted
+branches almost into the windows. There was only a sort of mistiness
+over their minds like the smoky air of an early autumn night. At
+length, without any vivid astonishment, they became conscious that a
+great many people were either entering the village or already in the
+street, but whether they came from the meeting-house, or from a little
+beyond it, or where the devil they came from, was more than could be
+determined. Certainly, a crowd of people seemed to be there, men,
+women, and children, all of whom were yawning and rubbing their eyes,
+stretching their limbs, and staggering from side to side of the road, as
+if but partially awakened from a sound slumber. Sometimes they stood
+stock-still, with their hands over their brows to shade their sight from
+the moonbeams. As they drew near, most of their countenances appeared
+familiar to Esther and David, possessing the peculiar features of
+families in the village, and that general air and aspect by which a
+person would recognize his own townsmen in the remotest ends of the
+earth. But though the whole multitude might have been taken, in the
+mass, for neighbors and acquaintances, there was not a single individual
+whose exact likeness they had ever before seen. It was a noticeable
+circumstance, also, that the newest fashioned garment on the backs of
+these people might have been worn by the great-grandparents of the
+existing generation. There was one figure behind all the rest, and not
+yet near enough to be perfectly distinguished.
+
+"Where on earth, David, do all these odd people come from?" said Esther,
+with a lazy inclination to laugh.
+
+"Nowhere on earth, Esther," replied David, unknowing why he said so.
+
+As they spoke, the strangers showed some symptoms of disquietude, and
+looked towards the fountain for an instant, but immediately appeared to
+assume their own trains of thought and previous purposes. They now
+separated to different parts of the village, with a readiness that
+implied intimate local knowledge, and it may be worthy of remark, that,
+though they were evidently loquacious among themselves, neither their
+footsteps nor their voices reached the ears of the beholders. Wherever
+there was a venerable old house, of fifty years' standing and upwards,
+surrounded by its elm or walnut trees, with its dark and weather-beaten
+barn, its well, its orchard and stone-walls, all ancient and all in good
+repair around it, there a little group of these people assembled. Such
+parties were mostly composed of an aged man and woman, with the younger
+members of a family; their faces were full of joy, so deep that it
+assumed the shade of melancholy; they pointed to each other the minutest
+objects about the homesteads, things in their hearts, and were now
+comparing them with the originals. But where hollow places by the
+wayside, grass-grown and uneven, with unsightly chimneys rising ruinous
+in the midst, gave indications of a fallen dwelling and of hearths long
+cold, there did a few of the strangers sit them down on the mouldering
+beams, and on the yellow moss that had overspread the door-stone. The
+men folded their arms, sad and speechless; the women wrung their hands
+with a more vivid expression of grief; and the little children tottered
+to their knees, shrinking away from the open grave of domestic love.
+And wherever a recent edifice reared its white and flashy front on the
+foundation of an old one, there a gray-haired man might be seen to shake
+his staff in anger at it, while his aged dame and their offspring
+appeared to join in their maledictions, forming a fearful picture in the
+ghostly moon light. While these scenes were passing, the one figure in
+the rear of all the rest was descending the hollow towards the mill, and
+the eyes of David and Esther were drawn thence to a pair with whom they
+could fully sympathize. It was a youth in a sailor's dress and a pale
+slender maiden, who met each other with a sweet embrace in the middle of
+the street.
+
+"How long it must be since they parted," observed David.
+
+"Fifty years at least," said Esther.
+
+They continued to gaze with unwondering calmness and quiet interest, as
+the dream (if such it were) unrolled its quaint and motley semblance
+before them, and their notice was now attracted by several little knots
+of people apparently engaged in conversation. Of these one of the
+earliest collected and most characteristic was near the tavern, the
+persons who composed it being seated on the low green bank along the
+left side of the door. A conspicuous figure here was a fine corpulent
+old fellow in his shirt-sleeves and flame-colored breeches, and with a
+stained white apron over his paunch, beneath which he held his hands and
+wherewith at times be wiped his ruddy face. The stately decrepitude of
+one of his companions, the scar of an Indian tomahawk on his crown, and
+especially his worn buff coat, were appropriate marks of a veteran
+belonging to an old Provincial garrison, now deaf to the roll-call.
+Another showed his rough face under a tarry hat and wore a pair of wide
+trousers, like an ancient mariner who bad tossed away his youth upon the
+sea, and was returned, hoary and weather-beaten, to his inland home.
+There was also a thin young man, carelessly dressed, who ever and anon
+cast a sad look towards the pale maiden above mentioned. With these
+there sat a hunter, and one or two others, and they were soon joined by
+a miller, who came upward from the dusty mill, his coat as white as if
+besprinkled with powdered starlight. All these (by the aid of jests,
+which might indeed be old, but had not been recently repeated) waxed
+very merry, and it was rather strange, that just as their sides shook
+with the heartiest laughter, they appeared greatly like a group of
+shadows flickering in the moonshine. Four personages, very different
+from these, stood in front of the large house with its periwig of
+creeping plants. One was a little elderly figure, distinguished by the
+gold on his three-cornered bat and sky-blue coat, and by the seal of
+arms annexed to his great gold watch-chain; his air and aspect befitted
+a Justice of Peace and County Major, and all earth's pride and pomposity
+were squeezed into this small gentleman of five feet high. The next in
+importance was a grave person of sixty or seventy years, whose black
+suit and hand sufficiently indicated his character, and the polished
+baldness of whose head was worthy of a famous preacher in the village,
+half a century before, who had made wigs a subject of pulpit
+denunciation. The two other figures, both clad in dark gray, showed the
+sobriety of Deacons; one was ridiculously tall and thin, like a man of
+ordinary bulk infinitely produced, as the mathematicians say; while the
+brevity and thickness of his colleague seemed a compression of the same
+man. These four talked with great earnestness, and their gestures
+intimated that they had revived the ancient dispute about the meeting-
+house steeple. The grave person in black spoke with composed solemnity,
+as if he were addressing a Synod; the short deacon grunted out
+occasional sentences, as brief as himself; his tall brother drew the
+long thread of his argument through the whole discussion, and (reasoning
+from analogy) his voice must indubitably have been small and squeaking.
+But the little old man in gold-lace was evidently scorched by his own
+red-hot eloquence; he bounced from one to another, shook his cane at the
+steeple, at the two deacons, and almost in the parson's face, stamping
+with his foot fiercely enough to break a hole through the very earth;
+though, indeed, it could not exactly be said that the green grass bent
+beneath him. The figure, noticed as coming behind all the rest, had now
+surmounted the ascent from the mill, and proved to be an elderly lady
+with something in her hand.
+
+"Why does she walk so slow?" asked David.
+
+"Don't you see she is lame?" said Esther.
+
+This gentlewoman, whose infirmity had kept her so far in the rear of the
+crowd, now came hobbling on, glided unobserved by the polemic group, and
+paused on the left brink of the fountain, within a few feet of the two
+spectators. She was a magnificent old dame, as ever mortal eye beheld.
+Her spangled shoes and gold-clocked stockings shone gloriously within the
+spacious circle of a red hoop-petticoat, which swelled to the very point
+of explosion, and was bedecked all over with embroidery a little
+tarnished. Above the petticoat, and parting in front so as to display
+it to the best advantage, was a figured blue damask gown. A wide and
+stiff ruff encircled her neck, a cap of the finest muslin, though rather
+dingy, covered her head; and her nose was bestridden by a pair of gold-
+bowed spectacles with enormous glasses. But the old lady's face was
+pinched, sharp and sallow, wearing a niggardly and avaricious
+expression, and forming an odd contrast to the splendor of her attire,
+as did likewise the implement which she held in her hand. It was a sort
+of iron shovel (by housewives termed a "slice"), such as is used in
+clearing the oven, and with this, selecting a spot between a walnut-tree
+and the fountain, the good dame made an earnest attempt to dig. The
+tender sods, however, possessed a strange impenetrability. They
+resisted her efforts like a quarry of living granite, and losing her
+breath, she cast down the shovel and seemed to bemoan herself most
+piteously, gnashing her teeth (what few she had) and wringing her thin
+yellow hands. Then, apparently with new hope, she resumed her toil,
+which still had the same result,--a circumstance the less surprising to
+David and Esther, because at times they would catch the moonlight
+shining through the old woman, and dancing in the fountain beyond. The
+little man in goldlace now happened to see her, and made his approach on
+tiptoe.
+
+"How hard this elderly lady works!" remarked David.
+
+"Go and help her, David," said Esther, compassionately.
+
+As their drowsy void spoke, both the old woman and the pompous little
+figure behind her lifted their eyes, and for a moment they regarded the
+youth and damsel with something like kindness and affection; which,
+however, were dim and uncertain, and passed away almost immediately.
+The old woman again betook herself to the shovel, but was startled by a
+hand suddenly laid upon her shoulder; she turned round in great
+trepidation, and beheld the dignitary in the blue coat; then followed an
+embrace of such closeness as would indicate no remoter connection than
+matrimony between these two decorous persons. The gentleman next
+pointed to the shovel, appearing to inquire the purpose of his lady's
+occupation; while she as evidently parried his interrogatories,
+maintaining a demure and sanctified visage as every good woman ought, in
+similar cases. Howbeit, she could not forbear looking askew, behind her
+spectacles, towards the spot of stubborn turf. All the while, their
+figures had a strangeness in them, and it seemed as if some cunning
+jeweller had made their golden ornaments of the yellowest of the setting
+sunbeams, and that the blue of their garments was brought from the dark
+sky near the moon, and that the gentleman's silk waistcoat was the
+bright side of a fiery cloud, and the lady's scarlet petticoat a remnant
+of the blush of morning,--and that they both were two unrealities of
+colored air. But now there was a sudden movement throughout the
+multitude. The Squire drew forth a watch as large as the dial on the
+famous steeple, looked at the warning hands and got him gone, nor could
+his lady tarry; the party at the tavern door took to their heels, headed
+by the fat man in the flaming breeches; the tall deacon stalked away
+immediately, and the short deacon waddled after, making four steps to
+the yard; the mothers called their children about them and set forth,
+with a gentle and sad glance behind. Like cloudy fantasies that hurry
+by a viewless impulse from the sky, they all were fled, and the wind
+rose up and followed them with a strange moaning down the lonely street.
+Now whither these people went, is more than may be told; only David and
+Esther seemed to see the shadowy splendor of the ancient dame, as she
+lingered in the moonshine at the graveyard gate, gazing backward to the
+fountain.
+
+"O Esther! I have had such a dream!" cried David, starting up, and
+rubbing his eyes.
+
+"And I such another!" answered Esther, gaping till her pretty red lips
+formed a circle.
+
+"About an old woman with gold-bowed spectacles," continued David.
+
+"And a scarlet hoop-petticoat," added Esther. They now stared in each
+other's eyes, with great astonishment and some little fear. After a
+thoughtful moment or two, David drew a long breath and stood upright.
+
+"If I live till to-morrow morning," said he, "I'll see what may be
+buried between that tree and the spring of water."
+
+"And why not to-night, David?" asked Esther; for she was a sensible
+little girl, and bethought herself that the matter might as well be done
+in secrecy.
+
+David felt the propriety of the remark and looked round for the means of
+following her advice. The moon shone brightly on something that rested
+against the side of the old house, and, on a nearer view, it proved to
+be an iron shovel, bearing a singular resemblance to that which they had
+seen in their dreams. He used it with better success than the old
+woman, the soil giving way so freely to his efforts, that he had soon
+scooped a hole as large as the basin of the spring. Suddenly, he poked
+his head down to the very bottom of this cavity. "Oho!--what have we
+here?" cried David.
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, AN OLD WOMAN'S TALE ***
+By Nathaniel Hawthorne
+
+***** This file should be named haw7810.txt or haw7810.zip ****
+
+Corrected EDITIONS of our etexts get a new NUMBER, haw7811.txt
+VERSIONS based on separate sources get new LETTER, haw7810a.txt
+
+This eBook was produced by David Widger [widger@cecomet.net]
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/old/haw7810.zip b/old/haw7810.zip
new file mode 100644
index 0000000..fe30058
--- /dev/null
+++ b/old/haw7810.zip
Binary files differ