summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--9248-0.txt1413
-rw-r--r--9248-0.zipbin0 -> 32880 bytes
-rw-r--r--9248-h.zipbin0 -> 34559 bytes
-rw-r--r--9248-h/9248-h.htm1522
-rw-r--r--9248.txt1414
-rw-r--r--9248.zipbin0 -> 32813 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/haw7510.txt1389
-rw-r--r--old/haw7510.zipbin0 -> 32485 bytes
11 files changed, 5754 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/9248-0.txt b/9248-0.txt
new file mode 100644
index 0000000..0b9bcf0
--- /dev/null
+++ b/9248-0.txt
@@ -0,0 +1,1413 @@
+Project Gutenberg’s Other Tales and Sketches, by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Other Tales and Sketches
+
+Author: Nathaniel Hawthorne
+
+Release Date: November, 2005 [EBook #9248]
+First Posted: September 25, 2003
+Last Updated: December 15, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK OTHER TALES AND SKETCHES ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+
+
+
+ THE DOLIVER ROMANCE AND OTHER PIECES
+
+ TALES AND SKETCHES
+
+ By Nathaniel Hawthorne
+
+
+ OTHER TALES AND SKETCHES
+
+
+
+
+CONTENTS:
+ My Visit To Niagara
+ The Antique Ring
+ Graves And Goblins
+
+
+
+MY VISIT TO NIAGARA.
+
+Never did a pilgrim approach Niagara with deeper enthusiasm than mine.
+I had lingered away from it, and wandered to other scenes, because my
+treasury of anticipated enjoyments, comprising all the wonders of the
+world, had nothing else so magnificent, and I was loath to exchange the
+pleasures of hope for those of memory so soon. At length the day came.
+The stage-coach, with a Frenchman and myself on the back seat, had
+already left Lewiston, and in less than an hour would set us down in
+Manchester. I began to listen for the roar of the cataract, and
+trembled with a sensation like dread, as the moment drew nigh, when its
+voice of ages must roll, for the first time, on my ear. The French
+gentleman stretched himself from the window, and expressed loud
+admiration, while, by a sudden impulse, I threw myself back and closed
+my eyes. When the scene shut in, I was glad to think, that for me the
+whole burst of Niagara was yet in futurity. We rolled on, and entered
+the village of Manchester, bordering on the falls.
+
+I am quite ashamed of myself here. Not that I ran, like a madman to the
+falls, and plunged into the thickest of the spray,--never stopping to
+breathe, till breathing was impossible: not that I committed this, or
+any other suitable extravagance. On the contrary, I alighted with
+perfect decency and composure, gave my cloak to the black waiter,
+pointed out my baggage, and inquired, not the nearest way to the
+cataract, but about the dinner-hour. The interval was spent in
+arranging my dress. Within the last fifteen minutes, my mind had grown
+strangely benumbed, and my spirits apathetic, with a slight depression,
+not decided enough to be termed sadness. My enthusiasm was in a
+deathlike slumber. Without aspiring to immortality, as he did, I could
+have imitated that English traveller, who turned back from the point
+where he first heard the thunder of Niagara, after crossing the ocean to
+behold it. Many a Western trader, by the by, has performed a similar
+act of heroism with more heroic simplicity, deeming it no such wonderful
+feat to dine at the hotel and resume his route to Buffalo or Lewiston,
+while the cataract was roaring unseen.
+
+Such has often been my apathy, when objects, long sought, and earnestly
+desired, were placed within my reach. After dinner--at which an
+unwonted and perverse epicurism detained me longer than usual--I lighted
+a cigar and paced the piazza, minutely attentive to the aspect and
+business of a very ordinary village. Finally, with reluctant step, and
+the feeling of an intruder, I walked towards Goat Island. At the
+tollhouse, there were further excuses for delaying the inevitable
+moment. My signature was required in a huge ledger, containing similar
+records innumerable, many of which I read. The skin of a great
+sturgeon, and other fishes, beasts, and reptiles; a collection of
+minerals, such as lie in heaps near the falls; some Indian moccasins,
+and other trifles, made of deer-skin and embroidered with beads; several
+newspapers from Montreal, New York, and Boston;--all attracted me in
+turn. Out of a number of twisted sticks, the manufacture of a Tuscarora
+Indian, I selected one of curled maple, curiously convoluted, and
+adorned with the carved images of a snake and a fish. Using this as my
+pilgrim’s staff, I crossed the bridge. Above and below me were the
+rapids, a river of impetuous snow, with here and there a dark rock amid
+its whiteness, resisting all the physical fury, as any cold spirit did
+the moral influences of the scene. On reaching Goat Island, which
+separates the two great segments of the falls, I chose the right-hand
+path, and followed it to the edge of the American cascade. There, while
+the falling sheet was yet invisible, I saw the vapor that never
+vanishes, and the Eternal Rainbow of Niagara.
+
+It was an afternoon of glorious sunshine, without a cloud, save those of
+the cataracts. I gained an insulated rock, and beheld a broad sheet of
+brilliant and unbroken foam, not shooting in a curved line from the top
+of the precipice, but falling headlong down from height to depth. A
+narrow stream diverged from the main branch, and hurried over the crag
+by a channel of its own, leaving a little pine-clad island and a streak
+of precipice, between itself and the larger sheet. Below arose the
+mist, on which was painted a dazzling sun-bow with two concentric
+shadows,--one, almost as perfect as the original brightness; and the
+other, drawn faintly round the broken edge of the cloud.
+
+Still I had not half seen Niagara. Following the verge of the island,
+the path led me to the Horseshoe, where the real, broad St. Lawrence,
+rushing along on a level with its banks, pours its whole breadth over a
+concave line of precipice, and thence pursues its course between lofty
+crags towards Ontario. A sort of bridge, two or three feet wide,
+stretches out along the edge of the descending sheet, and hangs upon the
+rising mist, as if that were the foundation of the frail structure.
+Here I stationed myself in the blast of wind, which the rushing river
+bore along with it. The bridge was tremulous beneath me, and marked the
+tremor of the solid earth. I looked along the whitening rapids, and
+endeavored to distinguish a mass of water far above the falls, to follow
+it to their verge, and go down with it, in fancy, to the abyss of clouds
+and storm. Casting my eyes across the river, and every side, I took in
+the whole scene at a glance, and tried to comprehend it in one vast
+idea. After an hour thus spent, I left the bridge, and, by a staircase,
+winding almost interminably round a post, descended to the base of the
+precipice. From that point, my path lay over slippery stones, and among
+great fragments of the cliff, to the edge of the cataract, where the
+wind at once enveloped me in spray, and perhaps dashed the rainbow round
+me. Were my long desires fulfilled? And had I seen Niagara?
+
+O that I had never heard of Niagara till I beheld it! Blessed were the
+wanderers of old, who heard its deep roar, sounding through the woods,
+as the summons to an unknown wonder, and approached its awful brink, in
+all the freshness of native feeling. Had its own mysterious voice been
+the first to warn me of its existence, then, indeed, I might have knelt
+down and worshipped. But I had come thither, haunted with a vision of
+foam and fury, and dizzy cliffs, and an ocean tumbling down out of the
+sky,--a scene, in short, which nature had too much good taste and calm
+simplicity to realize. My mind had struggled to adapt these false
+conceptions to the reality, and finding the effort vain, a wretched
+sense of disappointment weighed me down. I climbed the precipice, and
+threw myself on the earth, feeling that I was unworthy to look at the
+Great Falls, and careless about beholding them again.
+
+All that night, as there has been and will be, for ages past and to
+come, a rushing sound was heard, as if a great tempest were sweeping
+through the air. It mingled with my dreams, and made them full of storm
+and whirlwind. Whenever I awoke, and heard this dread sound in the air,
+and the windows rattling as with a mighty blast, I could not rest again,
+till looking forth, I saw how bright the stars were, and that every leaf
+in the garden was motionless. Never was a summer night more calm to the
+eye, nor a gale of autumn louder to the ear. The rushing sound proceeds
+from the rapids, and the rattling of the casements is but an effect of
+the vibration of the whole house, shaken by the jar of the cataract.
+The noise of the rapids draws the attention from the true voice of
+Niagara, which is a dull, muffed thunder, resounding between the cliffs.
+I spent a wakeful hour at midnight, in distinguishing its
+reverberations, and rejoiced to find that my former awe and enthusiasm
+were reviving.
+
+Gradually, and after much contemplation, I came to know, by my own
+feelings, that Niagara is indeed a wonder of the world, and not the less
+wonderful, because time and thought must be employed in comprehending
+it. Casting aside all preconceived notions, and preparation to be
+dire-struck or delighted, the beholder must stand beside it in the
+simplicity of his heart, suffering the mighty scene to work its own
+impression. Night after night, I dreamed of it, and was gladdened every
+morning by the consciousness of a growing capacity to enjoy it. Yet I
+will not pretend to the all-absorbing enthusiasm of some more fortunate
+spectators, nor deny that very trifling causes would draw my eyes and
+thoughts from the cataract.
+
+The last day that I was to spend at Niagara, before my departure for the
+Far West, I sat upon the Table Rock. This celebrated station did not
+now, as of old, project fifty feet beyond the line of the precipice, but
+was shattered by the fall of an immense fragment, which lay distant on
+the shore below. Still, on the utmost verge of the rock, with my feet
+hanging over it, I felt as if suspended in the open air. Never before
+had my mind been in such perfect unison with the scene. There were
+intervals, when I was conscious of nothing but the great river, rolling
+calmly into the abyss, rather descending than precipitating itself, and
+acquiring tenfold majesty from its unhurried motion. It came like the
+march of Destiny. It was not taken by surprise, but seemed to have
+anticipated, in all its course through the broad lakes, that it must
+pour their collected waters down this height. The perfect foam of the
+river, after its descent, and the ever-varying shapes of mist, rising
+up, to become clouds in the sky, would be the very picture of confusion,
+were it merely transient, like the rage of a tempest. But when the
+beholder has stood awhile, and perceives no lull in the storm, and
+considers that the vapor and the foam are as everlasting as the rocks
+which produce them, all this turmoil assumes a sort of calmness. It
+soothes, while it awes the mind.
+
+Leaning over the cliff, I saw the guide conducting two adventurers
+behind the falls. It was pleasant, from that high seat in the sunshine,
+to observe them struggling against the eternal storm of the lower
+regions, with heads bent down, now faltering, now pressing forward, and
+finally swallowed up in their victory. After their disappearance, a
+blast rushed out with an old hat, which it had swept from one of their
+heads. The rock, to which they were directing their unseen course, is
+marked, at a fearful distance on the exterior of the sheet, by a jet of
+foam. The attempt to reach it appears both poetical and perilous to a
+looker-on, but may be accomplished without much more difficulty or
+hazard, than in stemming a violent northeaster. In a few moments, forth
+came the children of the mist. Dripping and breathless, they crept
+along the base of the cliff, ascended to the guide’s cottage, and
+received, I presume, a certificate of their achievement, with three
+verses of sublime poetry on the back.
+
+My contemplations were often interrupted by strangers, who came down
+from Forsyth’s to take their first view of the falls. A short, ruddy,
+middle-aged gentleman, fresh from Old England, peeped over the rock, and
+evinced his approbation by a broad grin. His spouse, a very robust
+lady, afforded a sweet example of maternal solicitude, being so intent
+on the safety of her little boy that she did not even glance at Niagara.
+As for the child, he gave himself wholly to the enjoyment of a stick of
+candy. Another traveller, a native American, and no rare character
+among us, produced a volume of Captain Hall’s tour, and labored
+earnestly to adjust Niagara to the captain’s description, departing, at
+last, without one new idea or sensation of his own. The next comer was
+provided, not with a printed book, but with a blank sheet of foolscap,
+from top to bottom of which, by means of an ever-pointed pencil, the
+cataract was made to thunder. In a little talk, which we had together,
+he awarded his approbation to the general view, but censured the
+position of Goat Island, observing that it should have been thrown
+farther to the right, so as to widen the American falls, and contract
+those of the Horseshoe. Next appeared two traders of Michigan, who
+declared, that, upon the whole, the sight was worth looking at, there
+certainly was an immense water-power here; but that, after all, they
+would go twice as far to see the noble stone-works of Lockport, where
+the Grand Canal is locked down a descent of sixty feet. They were
+succeeded by a young fellow, in a homespun cotton dress, with a staff in
+his hand, and a pack over his shoulders. He advanced close to the edge
+of the rock, where his attention, at first wavering among the different
+components of the scene, finally became fixed in the angle of the Horse
+shoe falls, which is, indeed, the central point of interest. His whole
+soul seemed to go forth and be transported thither, till the staff
+slipped from his relaxed grasp, and falling down--down--down--struck
+upon the fragment of the Table Rock.
+
+In this manner I spent some hours, watching the varied impression, made
+by the cataract, on those who disturbed me, and returning to unwearied
+contemplation, when left alone. At length my time came to depart.
+There is a grassy footpath, through the woods, along the summit of the
+bank, to a point whence a causeway, hewn in the side of the precipice,
+goes winding down to the Ferry, about half a mile below the Table Rock.
+The sun was near setting, when I emerged from the shadow of the trees,
+and began the descent. The indirectness of my downward road continually
+changed the point of view, and showed me, in rich and repeated
+succession, now, the whitening rapids and majestic leap of the main
+river, which appeared more deeply massive as the light departed; now,
+the lovelier picture, yet still sublime, of Goat Island, with its rocks
+and grove, and the lesser falls, tumbling over the right bank of the St.
+Lawrence, like a tributary stream; now, the long vista of the river, as
+it eddied and whirled between the cliffs, to pass through Ontario toward
+the sea, and everywhere to be wondered at, for this one unrivalled
+scene. The golden sunshine tinged the sheet of the American cascade,
+and painted on its heaving spray the broken semicircle of a rainbow,
+heaven’s own beauty crowning earth’s sublimity. My steps were slow, and
+I paused long at every turn of the descent, as one lingers and pauses,
+who discerns a brighter and brightening excellence in what he must soon
+behold no more. The solitude of the old wilderness now reigned over the
+whole vicinity of the falls. My enjoyment became the more rapturous,
+because no poet shared it, nor wretch devoid of poetry profaned it; but
+the spot so famous through the world was all my own!
+
+
+
+
+
+
+THE ANTIQUE RING.
+
+“Yes, indeed: the gem is as bright as a star, and curiously set,” said
+Clara Pembertou, examining an antique ring, which her betrothed lover
+had just presented to her, with a very pretty speech. “It needs only
+one thing to make it perfect.”
+
+“And what is that?” asked Mr. Edward Caryl, secretly anxious for the
+credit of his gift. “A modern setting, perhaps?”
+
+“O, no! That would destroy the charm at once,” replied Clara. “It
+needs nothing but a story. I long to know how many times it has been
+the pledge of faith between two lovers, and whether the vows, of which
+it was the symbol, were always kept or often broken. Not that I should
+be too scrupulous about facts. If you happen to be unacquainted with
+its authentic history, so much the better. May it not have sparkled
+upon a queen’s finger? Or who knows but it is the very ring which
+Posthumus received from Imogen? In short, you must kindle your
+imagination at the lustre of this diamond, and make a legend for it.”
+
+Now such a task--and doubtless Clara knew it--was the most acceptable
+that could have been imposed on Edward Caryl. He was one of that
+multitude of young gentlemen--limbs, or rather twigs of the law--whose
+names appear in gilt letters on the front of Tudor’s Buildings, and
+other places in the vicinity of the Court House, which seem to be the
+haunt of the gentler as well as the severer Muses. Edward, in the
+dearth of clients, was accustomed to employ his much leisure in
+assisting the growth of American Literature, to which good cause he had
+contributed not a few quires of the finest letter-paper, containing some
+thought, some fancy, some depth of feeling, together with a young
+writer’s abundance of conceits. Sonnets, stanzas of Tennysonian
+sweetness, tales imbued with German mysticism, versions from Jean Paul,
+criticisms of the old English poets, and essays smacking of Dialistic
+philosophy, were among his multifarious productions. The editors of the
+fashionable periodicals were familiar with his autograph, and inscribed
+his name in those brilliant bead-rolls of ink-stained celebrity, which
+illustrate the first page of their covers. Nor did fame withhold her
+laurel. Hillard had included him among the lights of the New England
+metropolis, in his Boston Book; Bryant had found room for some of his
+stanzas, in the Selections from American Poetry; and Mr. Griswold, in
+his recent assemblage of the sons and daughters of song, had introduced
+Edward Caryl into the inner court of the temple, among his fourscore
+choicest bards. There was a prospect, indeed, of his assuming a still
+higher and more independent position. Interviews had been held with
+Ticknor, and a correspondence with the Harpers, respecting a proposed
+volume, chiefly to consist of Mr. Caryl’s fugitive pieces in the
+Magazines, but to be accompanied with a poem of some length, never
+before published. Not improbably, the public may yet be gratified with
+this collection.
+
+Meanwhile, we sum up our sketch of Edward Caryl, by pronouncing him,
+though somewhat of a carpet knight in literature, yet no unfavorable
+specimen of a generation of rising writers, whose spirit is such that we
+may reasonably expect creditable attempts from all, and good and
+beautiful results from some. And, it will be observed, Edward was the
+very man to write pretty legends, at a lady’s instance, for an
+old-fashioned diamond ring. He took the jewel in his hand, and turned it
+so as to catch its scintillating radiance, as if hoping, in accordance with
+Clara’s suggestion, to light up his fancy with that starlike gleam.
+
+“Shall it be a ballad?--a tale in verse?” he inquired. “Enchanted
+rings often glisten in old English poetry, I think something may be done
+with the subject; but it is fitter for rhyme than prose.”
+
+“No, no,” said Miss Pemberton, “we will have no more rhyme than just
+enough for a posy to the ring. You must tell the legend in simple
+prose; and when it is finished, I will make a little party to hear it
+read.”
+
+The young gentleman promised obedience; and going to his pillow, with
+his head full of the familiar spirits that used to be worn in rings,
+watches, and sword-hilts, he had the good fortune to possess himself of
+an available idea in a dream. Connecting this with what he himself
+chanced to know of the ring’s real history, his task was done. Clara
+Pemberton invited a select few of her friends, all holding the stanchest
+faith in Edward’s genius, and therefore the most genial auditors, if not
+altogether the fairest critics, that a writer could possibly desire.
+Blessed be woman for her faculty of admiration, and especially for her
+tendency to admire with her heart, when man, at most, grants merely a
+cold approval with his mind!
+
+Drawing his chair beneath the blaze of a solar lamp, Edward Caryl untied
+a roll of glossy paper, and began as follows:--
+
+
+THE LEGEND
+
+After the death-warrant had been read to the Earl of Essex, and on the
+evening before his appointed execution, the Countess of Shrewsbury paid
+his lordship a visit, and found him, as it appeared, toying childishly
+with a ring. The diamond, that enriched it, glittered like a little
+star, but with a singular tinge of red. The gloomy prison-chamber in
+the Tower, with its deep and narrow windows piercing the walls of stone,
+was now all that the earl possessed of worldly prospect; so that there
+was the less wonder that he should look steadfastly into the gem, and
+moralize upon earth’s deceitful splendor, as men in darkness and ruin
+seldom fail to do. But the shrewd observations of the countess,--an
+artful and unprincipled woman,--the pretended friend of Essex, but who
+had come to glut her revenge for a deed of scorn which he himself had
+forgotten,--her keen eye detected a deeper interest attached to this
+jewel. Even while expressing his gratitude for her remembrance of a
+ruined favorite, and condemned criminal, the earl’s glance reverted to
+the ring, as if all that remained of time and its affairs were collected
+within that small golden circlet.
+
+“My dear lord,” observed the countess, “there is surely some matter of
+great moment wherewith this ring is connected, since it, so absorbs your
+mind. A token, it may be, of some fair lady’s love,--alas, poor lady,
+once richest in possessing such a heart! Would you that the jewel be
+returned to her?”
+
+“The queen! the queen! It was her Majesty’s own gift,” replied the
+earl, still gazing into the depths of the gem. “She took it from her
+finger, and told me, with a smile, that it was an heirloom from her
+Tudor ancestors, and had once been the property of Merlin, the British
+wizard, who gave it to the lady of his love. His art had made this
+diamond the abiding-place of a spirit, which, though of fiendish nature,
+was bound to work only good, so long as the ring was an unviolated
+pledge of love and faith, both with the giver and receiver. But should
+love prove false, and faith be broken, then the evil spirit would work
+his own devilish will, until the ring were purified by becoming the
+medium of some good and holy act, and again the pledge of faithful love.
+The gem soon lost its virtue; for the wizard was murdered by the very
+lady to whom he gave it.”
+
+“An idle legend!” said the countess.
+
+“It is so,” answered Essex, with a melancholy smile. “Yet the queen’s
+favor, of which this ring was the symbol, has proved my ruin. When
+death is nigh, men converse with dreams and shadows. I have been gazing
+into the diamond, and fancying--but you will laugh at me--that I might
+catch a glimpse of the evil spirit there. Do you observe this red
+glow,--dusky, too, amid all the brightness? It is the token of his
+presence; and even now, methinks, it grows redder and duskier, like an
+angry sunset.”
+
+Nevertheless, the earl’s manner testified how slight was his credence in
+the enchanted properties of the ring. But there is a kind of
+playfulness that comes in moments of despair, when the reality of
+misfortune, if entirely felt, would crush the soul at once. He now, for
+a brief space, was lost in thought, while the countess contemplated him
+with malignant satisfaction.
+
+“This ring,” he resumed, in another tone, “alone remains, of all that my
+royal mistress’s favor lavished upon her servant. My fortune once shone
+as brightly as the gem. And now, such a darkness has fallen around me,
+methinks it would be no marvel if its gleam--the sole light of my
+prison-house--were to be forthwith extinguished; inasmuch as my last
+earthly hope depends upon it.”
+
+“How say you, my lord?” asked the Countess of Shrewsbury. “The stone
+is bright; but there should be strange magic in it, if it can keep your
+hopes alive, at this sad hour. Alas! these iron bars and ramparts of
+the Tower are unlike to yield to such a spell.”
+
+Essex raised his head involuntarily; for there was something in the
+countess’s tone that disturbed him, although he could not suspect that
+an enemy had intruded upon the sacred privacy of a prisoner’s dungeon,
+to exult over so dark a ruin of such once brilliant fortunes. He looked
+her in the face, but saw nothing to awaken his distrust. It would have
+required a keener eye than even Cecil’s to read the secret of a
+countenance, which had been worn so long in the false light of a court,
+that it was now little better than a mask, telling any story save the
+true one. The condemned nobleman again bent over the ring, and
+proceeded:
+
+“It once had power in it,--this bright gem,--the magic that appertains
+to the talisman of a great queen’s favor. She bade me, if hereafter I
+should fall into her disgrace,--how deep soever, and whatever might be
+the crime,--to convey this jewel to her sight, and it should plead for
+me. Doubtless, with her piercing judgment, she had even then detected
+the rashness of my nature, and foreboded some such deed as has now
+brought destruction upon my bead. And knowing, too, her own hereditary
+rigor, she designed, it may be, that the memory of gentler and kindlier
+hours should soften her heart in my behalf, when my need should be the
+greatest. I have doubted,--I have distrusted,--yet who can tell, even
+now, what happy influence this ring might have?”
+
+“You have delayed full long to show the ring, and plead her Majesty’s
+gracious promise,” remarked the countess,--“your state being what it
+is.”
+
+“True,” replied the earl: “but for my honor’s sake, I was loath to
+entreat the queen’s mercy, while I might hope for life, at least, from
+the justice of the laws. If, on a trial by my peers, I had been
+acquitted of meditating violence against her sacred life, then would I
+have fallen at her feet, and presenting the jewel, have prayed no other
+favor than that my love and zeal should be put to the severest test.
+But now--it were confessing too much--it were cringing too low--to beg
+the miserable gift of life, on no other score than the tenderness which
+her Majesty deems one to have forfeited!”
+
+“Yet it is your only hope,” said the countess.
+
+“And besides,” continued Essex, pursuing his own reflections, “of what
+avail will be this token of womanly feeling, when, on the other hand,
+are arrayed the all-prevailing motives of state policy, and the
+artifices and intrigues of courtiers, to consummate my downfall? Will
+Cecil or Raleigh suffer her heart to act for itself, even if the spirit
+of her father were not in her? It is in vain to hope it.”
+
+But still Essex gazed at the ring with an absorbed attention, that
+proved how much hope his sanguine temperament had concentrated here,
+when there was none else for him in the wide world, save what lay in the
+compass of that hoop of gold. The spark of brightness within the
+diamond, which gleamed like an intenser than earthly fire, was the
+memorial of his dazzling career. It had not paled with the waning
+sunshine of his mistress’s favor; on the contrary, in spite of its
+remarkable tinge of dusky red, he fancied that it never shone so
+brightly. The glow of festal torches,--the blaze of perfumed
+lamps,--bonfires that had been kindled for him, when he was the darling of
+the people,--the splendor of the royal court, where he had been the
+peculiar star,--all seemed to have collected their moral or material glory
+into the gem, and to burn with a radiance caught from the future, as well
+as gathered from the past. That radiance might break forth again.
+Bursting from the diamond, into which it was now narrowed, it might been
+first upon the gloomy walls of the Tower,--then wider, wider, wider,--till
+all England, and the seas around her cliffs, should be gladdened
+with the light. It was such an ecstasy as often ensues after long
+depression, and has been supposed to precede the circumstances of
+darkest fate that may befall mortal man. The earl pressed the ring to
+his heart as if it were indeed a talisman, the habitation of a spirit,
+as the queen had playfully assured him,--but a spirit of happier
+influences than her legend spake of.
+
+“O, could I but make my way to her footstool!” cried he, waving his
+hand aloft, while he paced the stone pavement of his prison-chamber with
+an impetuous step. “I might kneel down, indeed, a ruined man, condemned
+to the block, but how should I rise again? Once more the favorite of
+Elizabeth!--England’s proudest noble!--with such prospects as ambition
+never aimed at! Why have I tarried so long in this weary dungeon? The
+ring has power to set me free! The palace wants me! Ho, jailer, unbar
+the door!”
+
+But then occurred the recollection of the impossibility of obtaining an
+interview with his fatally estranged mistress, and testing the influence
+over her affections, which he still flattered himself with possessing.
+Could he step beyond the limits of his prison, the world would be all
+sunshine; but here was only gloom and death.
+
+“Alas!” said he, slowly and sadly, letting his head fall upon his hands.
+“I die for the lack of one blessed word.”
+
+The Countess of Shrewsbury, herself forgotten amid the earl’s gorgeous
+visions, had watched him with an aspect that could have betrayed nothing
+to the most suspicious observer; unless that it was too calm for
+humanity, while witnessing the flutterings, as it were, of a generous
+heart in the death-agony. She now approached him.
+
+“My good lord,” she said, “what mean you to do?”
+
+“Nothing,--my deeds are done!” replied he, despondingly; “yet, had a
+fallen favorite any friends, I would entreat one of them to lay this
+ring at her Majesty’s feet; albeit with little hope, save that,
+hereafter, it might remind her that poor Essex, once far too highly
+favored, was at last too severely dealt with.”
+
+“I will be that friend,” said the countess. “There is no time to be
+lost. Trust this precious ring with me. This very night the queen’s
+eye shall rest upon it; nor shall the efficacy of my poor words be
+wanting, to strengthen the impression which it will doubtless make.”
+
+The earl’s first impulse was to hold out the ring. But looking at the
+countess, as she bent forward to receive it, he fancied that the red
+glow of the gem tinged all her face, and gave it an ominous expression.
+Many passages of past times recurred to his memory. A preternatural
+insight, perchance caught from approaching death, threw its momentary
+gleam, as from a meteor, all round his position.
+
+“Countess,” he said, “I know not wherefore I hesitate, being in a plight
+so desperate, and having so little choice of friends. But have you
+looked into your own heart? Can you perform this office with the
+truth--the earnestness--time--zeal, even to tears, and agony of
+spirit--wherewith the holy gift of human life should be pleaded for? Woe
+be unto you, should you undertake this task, and deal towards me otherwise
+than with utmost faith! For your own soul’s sake, and as you would have
+peace at your death-hour, consider well in what spirit you receive this
+ring!”
+
+The countess did not shrink.
+
+“My lord!--my good lord!” she exclaimed, “wrong not a woman’s heart by
+these suspicious. You might choose another messenger; but who, save a
+lady of her bedchamber, can obtain access to the queen at this untimely
+hour? It is for your life,--for your life,--else I would not renew my
+offer.”
+
+“Take the ring,” said the earl.
+
+“Believe that it shall be in the queen’s hands before the lapse of
+another hour,” replied the countess, as she received this sacred trust
+of life and death. “To-morrow morning look for the result of my
+intercession.”
+
+She departed. Again the earl’s hopes rose high. Dreams visited his
+slumber, not of the sable-decked scaffold in the Tower-yard, but of
+canopies of state, obsequious courtiers, pomp, splendor, the smile of
+the once more gracious queen, and a light beaming from the magic gem,
+which illuminated his whole future.
+
+History records how foully the Countess of Shrewsbury betrayed the
+trust, which Essex, in his utmost need, confided to her. She kept the
+ring, and stood in the presence of Elizabeth, that night, without one
+attempt to soften her stern hereditary temper in behalf of the former
+favorite. The next day the earl’s noble head rolled upon the scaffold.
+On her death-bed, tortured, at last, with a sense of the dreadful guilt
+which she had taken upon her soul, the wicked countess sent for
+Elizabeth, revealed the story of the ring, and besought forgiveness for
+her treachery. But the queen, still obdurate, even while remorse for
+past obduracy was tugging at her heart-strings, shook the dying woman in
+her bed, as if struggling with death for the privilege of wreaking her
+revenge and spite. The spirit of the countess passed away, to undergo
+the justice, or receive the mercy, of a higher tribunal; and tradition
+says, that the fatal ring was found upon her breast, where it had
+imprinted a dark red circle, resembling the effect of the intensest
+heat. The attendants, who prepared the body for burial, shuddered,
+whispering one to another, that the ring must have derived its heat from
+the glow of infernal fire. They left it on her breast, in the coffin,
+and it went with that guilty woman to the tomb.
+
+Many years afterward, when the church, that contained the monuments of
+the Shrewsbury family, was desecrated by Cromwell’s soldiers, they broke
+open the ancestral vaults, and stole whatever was valuable from the
+noble personages who reposed there. Merlin’s antique ring passed into
+the possession of a stout sergeant of the Ironsides, who thus became
+subject to the influences of the evil spirit that still kept his abode
+within the gem’s enchanted depths. The sergeant was soon slain in
+battle, thus transmitting the ring, though without any legal form of
+testament, to a gay cavalier, who forthwith pawned it, and expended the
+money in liquor, which speedily brought him to the grave. We next catch
+the sparkle of the magic diamond at various epochs of the merry reign of
+Charles the Second. But its sinister fortune still attended it. From
+whatever hand this ring of portent came, and whatever finger it
+encircled, ever it was the pledge of deceit between man and man, or man
+and woman, of faithless vows, and unhallowed passion; and whether to
+lords and ladies, or to village-maids,--for sometimes it found its way
+so low,--still it brought nothing but sorrow and disgrace. No purifying
+deed was done, to drive the fiend from his bright home in this little
+star. Again, we hear of it at a later period, when Sir Robert Walpole
+bestowed the ring, among far richer jewels, on the lady of a British
+legislator, whose political honor he wished to undermine. Many a dismal
+and unhappy tale might be wrought out of its other adventures. All this
+while, its ominous tinge of dusky red had been deepening and darkening,
+until, if laid upon white paper, it cast the mingled hue of night and
+blood, strangely illuminated with scintillating light, in a circle round
+about. But this peculiarity only made it the more valuable.
+
+Alas, the fatal ring! When shall its dark secret be discovered, and the
+doom of ill, inherited from one possessor to another, be finally
+revoked?
+
+The legend now crosses the Atlantic, and comes down to our own immediate
+time. In a certain church of our city, not many evenings ago, there was
+a contribution for a charitable object. A fervid preacher had poured
+out his whole soul in a rich and tender discourse, which had at least
+excited the tears, and perhaps the more effectual sympathy, of a
+numerous audience. While the choristers sang sweetly, and the organ
+poured forth its melodious thunder, the deacons passed up and down the
+aisles, and along the galleries, presenting their mahogany boxes, in
+which each person deposited whatever sum he deemed it safe to lend to
+the Lord, in aid of human wretchedness. Charity became audible,--chink,
+chink, chink,--as it fell, drop by drop, into the common receptacle.
+There was a hum,--a stir,--the subdued bustle of people putting their
+hands into their pockets; while, ever and anon, a vagrant coin fell upon
+the floor, and rolled away, with long reverberation, into some
+inscrutable corner.
+
+At length, all having been favored with an opportunity to be generous,
+the two deacons placed their boxes on the communion-table, and thence,
+at the conclusion of the services, removed them into the vestry. Here
+these good old gentlemen sat down together, to reckon the accumulated
+treasure.
+
+“Fie, fie, Brother Tilton,” said Deacon Trott, peeping into Deacon
+Tilton’s box, “what a heap of copper you have picked up! Really, for an
+old man, you must have had a heavy job to lug it along. Copper!
+copper! copper! Do people expect to get admittance into heaven at the
+price of a few coppers?”
+
+“Don’t wrong them, brother,” answered Deacon Tilton, a simple and kindly
+old man. “Copper may do more for one person, than gold will for
+another. In the galleries, where I present my box, we must not expect
+such a harvest as you gather among the gentry in the broad aisle, and
+all over the floor of the church. My people are chiefly poor mechanics
+and laborers, sailors, seamstresses, and servant-maids, with a most
+uncomfortable intermixture of roguish school-boys.”
+
+“Well, well,” said Deacon Trott; “but there is a great deal, Brother
+Tilton, in the method of presenting a contribution-box. It is a knack
+that comes by nature, or not at all.”
+
+They now proceeded to sum up the avails of the evening, beginning with
+the receipts of Deacon Trott. In good sooth, that worthy personage had
+reaped an abundant harvest, in which he prided himself no less,
+apparently, than if every dollar had been contributed from his own
+individual pocket. Had the good deacon been meditating a jaunt to
+Texas, the treasures of the mahogany box might have sent him on his way
+rejoicing. There were bank-notes, mostly, it is true, of the smallest
+denominations in the giver’s pocket-book, yet making a goodly average
+upon the whole. The most splendid contribution was a check for a
+hundred dollars, bearing the name of a distinguished merchant, whose
+liberality was duly celebrated in the newspapers of the next day. No
+less than seven half-eagles, together with an English sovereign,
+glittered amidst an indiscriminate heap of silver; the box being
+polluted with nothing of the copper kind, except a single bright new
+cent, wherewith a little boy had performed his first charitable act.
+
+“Very well! very well indeed!” said Deacon Trott, self-approvingly.
+“A handsome evening’s work! And now, Brother Tilton, let’s see whether
+you can match it.” Here was a sad contrast! They poured forth Deacon
+Tilton’s treasure upon the table, and it really seemed as if the whole
+copper coinage of the country, together with an amazing quantity of
+shop-keeper’s tokens, and English and Irish half-pence, mostly of base
+metal, had been congregated into the box. There was a very substantial
+pencil-case, and the semblance of a shilling; but he latter proved to be
+made of tin, and the former of German-silver. A gilded brass button was
+doing duty as a gold coin, and a folded shopbill had assumed the
+character of a bank-note. But Deacon Tilton’s feelings were much
+revived by the aspect of another bank-note, new and crisp, adorned with
+beautiful engravings, and stamped with the indubitable word, TWENTY, in
+large black letters. Alas! it was a counterfeit. In short, the poor
+old Deacon was no less unfortunate than those who trade with fairies,
+and whose gains are sure to be transformed into dried leaves, pebbles,
+and other valuables of that kind.
+
+“I believe the Evil One is in the box,” said he, with some vexation.
+
+“Well done, Deacon Tilton!” cried his Brother Trott, with a hearty
+laugh. “You ought to have a statue in copper.”
+
+“Never mind, brother,” replied the good Deacon, recovering his temper.
+“I’ll bestow ten dollars from my own pocket, and may heaven’s blessing
+go along with it. But look! what do you call this?”
+
+Under the copper mountain, which it had cost them so much toil to
+remove, lay an antique ring! It was enriched with a diamond, which, so
+soon as it caught the light, began to twinkle and glimmer, emitting the
+whitest and purest lustre that could possibly be conceived.--It was as
+brilliant as if some magician had condensed the brightest star in heaven
+into a compass fit to be set in a ring, for a lady’s delicate finger.
+
+“How is this?” said Deacon Trott, examining it carefully, in the
+expectation of finding it as worthless as the rest of his colleague’s
+treasure. “Why, upon my word, this seems to be a real diamond, and of
+the purest water. Whence could it have come?”
+
+“Really, I cannot tell,” quoth Deacon Tilton, “for my spectacles were so
+misty that all faces looked alike. But now I remember, there was a
+flash of light came from the box, at one moment; but it seemed a dusky
+red, instead of a pure white, like the sparkle of this gem. Well; the
+ring will make up for the copper; but I wish the giver had thrown its
+history into the box along with it.”
+
+It has been our good luck to recover a portion of that history. After
+transmitting misfortune from one possessor to another, ever since the
+days of British Merlin, the identical ring which Queen Elizabeth gave to
+the Earl of Essex was finally thrown into the contribution-box of a New
+England church. The two deacons deposited it in the glass case of a
+fashionable jeweller, of whom it was purchased by the humble rehearser
+of this legend, in the hope that it may be allowed to sparkle on a fair
+lady’s finger. Purified from the foul fiend, so long its inhabitant, by
+a deed of unostentatious charity, and now made the symbol of faithful
+and devoted love, the gentle bosom of its new possessor need fear no
+sorrow from its influence.
+
+Very pretty!--Beautiful!--How original!--How sweetly written!--What
+nature!--What imagination!--What power!--What pathos!--What exquisite
+humor!”--were the exclamations of Edward Caryl’s kind and generous
+auditors, at the conclusion of the legend.
+
+“It is a pretty tale,” said Miss Pemberton, who, conscious that her
+praise was to that of all others as a diamond to a pebble, was therefore
+the less liberal in awarding it. “It is really a pretty tale, and very
+proper for any of the Annuals. But, Edward, your moral does not satisfy
+me. What thought did you embody in the ring?”
+
+“O Clara, this is too bad!” replied Edward, with a half-reproachful
+smile. “You know that I can never separate the idea from the symbol in
+which it manifests itself. However, we may suppose the Gem to be the
+human heart, and the Evil Spirit to be Falsehood, which, in one guise or
+another, is the fiend that causes all the sorrow and trouble in the
+world. I beseech you to let this suffice.”
+
+“It shall,” said Clara, kindly. “And, believe me, whatever the world
+may say of the story, I prize it far above the diamond which enkindled
+your imagination.”
+
+
+
+
+
+
+GRAVES AND GOBLINS.
+
+Now talk we of graves and goblins! Fit themes,--start not! gentle
+reader,--fit for a ghost like me. Yes; though an earth-clogged fancy is
+laboring with these conceptions, and an earthly hand will write them
+down, for mortal eyes to read, still their essence flows from as airy a
+ghost as ever basked in the pale starlight, at twelve o’clock. Judge
+them not by the gross and heavy form in which they now appear. They may
+be gross, indeed, with the earthly pollution contracted from the brain,
+through which they pass; and heavy with the burden of mortal language,
+that crushes all the finer intelligences of the soul. This is no fault
+of mine. But should aught of ethereal spirit be perceptible, yet
+scarcely so, glimmering along the dull train of words,--should a faint
+perfume breathe from the mass of clay,--then, gentle reader, thank the
+ghost, who thus embodies himself for your sake! Will you believe me, if
+I say that all true and noble thoughts, and elevated imaginations, are
+but partly the offspring of the intellect which seems to produce them?
+Sprites, that were poets once, and are now all poetry, hover round the
+dreaming bard, and become his inspiration; buried statesmen lend their
+wisdom, gathered on earth and mellowed in the grave, to the historian;
+and when the preacher rises nearest to the level of his mighty subject,
+it is because the prophets of old days have communed with him. Who has
+not been conscious of mysteries within his mind, mysteries of truth and
+reality, which will not wear the chains of language? Mortal, then the
+dead were with you! And thus shall the earth-dulled soul, whom I
+inspire, be conscious of a misty brightness among his thoughts, and
+strive to make it gleam upon the page,--but all in vain. Poor author!
+How will he despise what he can grasp, for the sake of the dim glory
+that eludes him!
+
+So talk we of graves and goblins. But, what have ghosts to do with
+graves? Mortal man, wearing the dust which shall require a sepulchre,
+might deem it more a home and resting-place than a spirit can, whose
+earthly clod has returned to earth. Thus philosophers have reasoned.
+Yet wiser they who adhere to the ancient sentiment, that a phantom
+haunts and hallows the marble tomb or grassy hillock where its material
+form was laid. Till purified from each stain of clay; till the passions
+of the living world are all forgotten; till it have less brotherhood
+with the wayfarers of earth, than with spirits that never wore
+mortality,--the ghost must linger round the grave. O, it is a long and
+dreary watch to some of us!
+
+Even in early childhood, I had selected a sweet spot, of shade and
+glimmering sunshine, for my grave. It was no burial-ground, but a
+secluded nook of virgin earth, where I used to sit, whole summer
+afternoons, dreaming about life and death. My fancy ripened
+prematurely, and taught me secrets which I could not otherwise have
+known. I pictured the coming years,--they never came to me, indeed; but
+I pictured them like life, and made this spot the scene of all that
+should be brightest, in youth, manhood, and old age. There, in a little
+while, it would be time for me to breathe the bashful and burning vows
+of first-love; thither, after gathering fame abroad, I would return to
+enjoy the loud plaudit of the world, a vast but unobtrusive sound, like
+the booming of a distant sea; and thither, at the far-off close of life,
+an aged man would come, to dream, as the boy was dreaming, and be as
+happy in the past as lie was in futurity. Finally, when all should be
+finished, in that spot so hallowed, in that soil so impregnated with the
+most precious of my bliss, there was to be my grave. Methought it would
+be the sweetest grave that ever a mortal frame reposed in, or an
+ethereal spirit haunted. There, too, in future times, drawn thither by
+the spell which I had breathed around the place, boyhood would sport and
+dream, and youth would love, and manhood would enjoy, and age would
+dream again, and my ghost would watch but never frighten them. Alas,
+the vanity of mortal projects, even when they centre in the grave! I
+died in my first youth, before I had been a lover; at a distance, also,
+from the grave which fancy had dug for me; and they buried me in the
+thronged cemetery of a town, where my marble slab stands unnoticed amid
+a hundred others. And there are coffins on each side of mine!
+
+“Alas, poor ghost!” will the reader say. Yet I am a happy ghost enough,
+and disposed to be contented with my grave, if the sexton will but let
+it be my own, and bring no other dead man to dispute my title. Earth
+has left few stains upon me, and it will be but a short time that I need
+haunt the place. It is good to die in early youth. Had I lived out
+threescore years and ten, or half of them, my spirit would have been so
+earth-incrusted, that centuries might not have purified it for a better
+home than the dark precincts of the grave. Meantime, there is good
+choice of company amongst us. From twilight till near sunrise, we are
+gliding to and fro, some in the graveyard, others miles away; and would
+we speak with any friend, we do but knock against his tombstone, and
+pronounce the name engraved on it: in an instant, there the shadow
+stands!
+
+Some are ghosts of considerable antiquity. There is an old man,
+hereabout; he never had a tombstone, and is often puzzled to distinguish
+his own grave; but hereabouts he haunts, and long is doomed to haunt.
+He was a miser in his lifetime, and buried a strong box of ill-gotten
+gold, almost fresh from the mint, in the coinage of William and Mary.
+Scarcely was it safe, when the sexton buried the old man and his secret
+with him. I could point out the place where the treasure lies; it was
+at the bottom of the miser’s garden; but a paved thoroughfare now passes
+beside the spot, and the cornerstone of a market-house presses right
+down upon it. Had the workmen dug six inches deeper, they would have
+found the hoard. Now thither must this poor old miser go, whether in
+starlight, moonshine, or pitch darkness, and brood above his worthless
+treasure, recalling all the petty crimes by which he gained it. Not a
+coin must he fail to reckon in his memory, nor forget a pennyworth of
+the sin that made up the sum, though his agony is such as if the pieces
+of gold, red-hot, were stamped into his naked soul. Often, while he is
+in torment there, he hears the steps of living men, who love the dross
+of earth as well as he did. May they never groan over their miserable
+wealth like him! Night after night, for above a hundred years, hath he
+done this penance, and still must he do it, till the iron box be brought
+to light, and each separate coin be cleansed by grateful tears of a
+widow or an orphan. My spirit sighs for his long vigil at the corner of
+the market-house!
+
+There are ghosts whom I tremble to meet, and cannot think of without a
+shudder. One has the guilt of blood upon him. The soul which he thrust
+untimely forth has long since been summoned from our gloomy graveyard,
+and dwells among the stars of heaven, too far and too high for even the
+recollection of mortal anguish to ascend thither. Not so the murderer’s
+ghost! It is his doom to spend all the hours of darkness in the spot
+which he stained with innocent blood, and to feel the hot stream--hot as
+when it first gushed upon his hand--incorporating itself with his
+spiritual substance. Thus his horrible crime is ever fresh within him.
+Two other wretches are condemned to walk arm in arm. They were guilty
+lovers in their lives, and still, in death, must wear the guise of love,
+though hatred and loathing have become their very nature and existence.
+The pollution of their mutual sin remains with them, and makes their
+souls sick continually. O, that I might forget all the dark shadows
+which haunt about these graves! This passing thought of them has left a
+stain, and will weigh me down among dust and sorrow, beyond the time
+that my own transgressions would have kept me here. There is one shade
+among us, whose high nature it is good to meditate upon. He lived a
+patriot, and is a patriot still. Posterity has forgotten him. The
+simple slab, of red freestone, that bore his name, was broken long ago,
+and is now covered by the gradual accumulation of the soil. A tuft of
+thistles is his only monument. This upright spirit came to his grave,
+after a lengthened life, with so little stain of earth, that he might,
+almost immediately, have trodden the pathway of the sky. But his strong
+love of country chained him down, to share its vicissitudes of weal or
+woe. With such deep yearning in his soul, he was unfit for heaven.
+That noblest virtue has the effect of sin, and keeps his pure and lofty
+spirit in a penance, which may not terminate till America be again a
+wilderness. Not that there is no joy for the dead patriot. Can he fail
+to experience it, while be contemplates the mighty and increasing power
+of the land, which be protected in its infancy? No; there is much to
+gladden him. But sometimes I dread to meet him, as he returns from the
+bedchambers of rulers and politicians, after diving into their secret
+motives, and searching out their aims. He looks round him with a stern
+and awful sadness, and vanishes into his neglected grave. Let nothing
+sordid or selfish defile your deeds or thoughts, ye great men of the
+day, lest ye grieve the noble dead.
+
+Few ghosts take such an endearing interest as this, even in their own
+private affairs. It made me rather sad, at first, to find how soon the
+flame of love expires amid the chill damps of the tomb; so much the
+sooner, the more fiercely it may have burned. Forget your dead
+mistress, youth! She has already forgotten you. Maiden, cease to weep
+for your buried lover! He will know nothing of your tears, nor value
+them if he did. Yet it were blasphemy to say that true love is other
+than immortal. It is an earthly passion, of which I speak, mingled with
+little that is spiritual, and must therefore perish with the perishing
+clay. When souls have loved, there is no falsehood or forgetfulness.
+Maternal affection, too, is strong as adamant. There are mothers here,
+among us, who might have been in heaven fifty years ago, if they could
+forbear to cherish earthly joy and sorrow, reflected from the bosoms of
+their children. Husbands and wives have a comfortable gift of oblivion,
+especially when secure of the faith of their living halves. Jealousy,
+it is true, will play the devil with a ghost, driving him to the bedside
+of secondary wedlock, there to scowl, unseen, and gibber inaudible
+remonstrances. Dead wives, however jealous in their lifetime, seldom
+feel this posthumous torment so acutely.
+
+Many, many things, that appear most important while we walk the busy
+street, lose all their interest the moment we are borne into the quiet
+graveyard which borders it. For my own part, my spirit had not become
+so mixed up with earthly existence, as to be now held in an unnatural
+combination, or tortured much with retrospective cares. I still love my
+parents and a younger sister, who remain among the living, and often
+grieve me by their patient sorrow for the dead. Each separate tear of
+theirs is an added weight upon my soul, and lengthens my stay among the
+graves. As to other matters, it exceedingly rejoices me, that my
+summons came before I had time to write a projected poem, which was
+highly imaginative in conception, and could not have failed to give me a
+triumphant rank in the choir of our native bards. Nothing is so much to
+be deprecated as posthumous renown. It keeps the immortal spirit from
+the proper bliss of his celestial state, and causes him to feed upon the
+impure breath of mortal man, till sometimes he forgets that there are
+starry realms above him. Few poets--infatuated that they are!--soar
+upward while the least whisper of their name is heard on earth. On
+Sabbath evenings, my sisters sit by the fireside, between our father and
+mother, and repeat some hymns of mine, which they have often heard from
+my own lips, ere the tremulous voice left them forever. Little do they
+think, those dear ones, that the dead stands listening in the glimmer of
+the firelight, and is almost gifted with a visible shape by the fond
+intensity of their remembrance.
+
+Now shall the reader know a grief of the poor ghost that speaks to him;
+a grief, but not a helpless one. Since I have dwelt among the graves,
+they bore the corpse of a young maiden hither, and laid her in the old
+ancestral vault, which is hollowed in the side of a grassy bank. It has
+a door of stone, with rusty iron hinges, and above it, a rude sculpture
+of the family arms, and inscriptions of all their names who have been
+buried there, including sire and son, mother and daughter, of an ancient
+colonial race. All of her lineage had gone before, and when the young
+maiden followed, the portal was closed forever. The night after her
+burial, when the other ghosts were flitting about their graves, forth
+came the pale virgin’s shadow, with the rest, but knew not whither to
+go, nor whom to haunt, so lonesome had she been on earth. She stood by
+the ancient sepulchre, looking upward to the bright stars, as if she
+would, even then, begin her flight. Her sadness made me sad. That
+night and the next, I stood near her, in the moonshine, but dared not
+speak, because she seemed purer than all the ghosts, and fitter to
+converse with angels than with men. But the third bright eve, still
+gazing upward to the glory of the heavens, she sighed, and said, “When
+will my mother come for me?” Her low, sweet voice emboldened me to
+speak, and she was kind and gentle, though so pure, and answered me
+again. From that time, always at the ghostly hour, I sought the old
+tomb of her fathers, and either found her standing by the door, or
+knocked, and she appeared. Blessed creature, that she was; her chaste
+spirit hallowed mine, and imparted such a celestial buoyancy, that I
+longed to grasp her hand, and fly,--upward, aloft, aloft! I thought,
+too, that she only lingered here, till my earthlier soul should be
+purified for heaven. One night, when the stars threw down the light
+that shadows love, I stole forth to the accustomed spot, and knocked,
+with my airy fingers, at her door. She answered not. Again I knocked,
+and breathed her name. Where was she? At once, the truth fell on my
+miserable spirit, and crushed it to the earth, among dead men’s bones
+and mouldering dust, groaning in cold and desolate agony. Her penance
+was over! She had taken her trackless flight, and had found a home in
+the purest radiance of the upper stars, leaving me to knock at the stone
+portal of the darksome sepulchre. But I know--I know, that angels
+hurried her away, or surely she would have whispered ere she fled!
+
+She is gone! How could the grave imprison that unspotted one! But her
+pure, ethereal spirit will not quite forget me, nor soar too high in
+bliss, till I ascend to join her. Soon, soon be that hour! I am weary
+of the earth-damps; they burden me; they choke me! Already, I can float
+in the moonshine; the faint starlight will almost bear up my footsteps;
+the perfume of flowers, which grosser spirits love, is now too earthly a
+luxury for me. Grave! Grave! thou art not my home. I must flit a
+little longer in thy night gloom, and then be gone,--far from the dust
+of the living and the dead,--far from the corruption that is around me,
+but no more within!
+
+A few times, I have visited the chamber of one who walks, obscure and
+lonely, on his mortal pilgrimage. He will leave not many living
+friends, when he goes to join the dead, where his thoughts often stray,
+and he might better be. I steal into his sleep, and play my part among
+the figures of his dreams. I glide through the moonlight of his waking
+fancy, and whisper conceptions, which, with a strange thrill of fear, he
+writes down as his own. I stand beside him now, at midnight, telling
+these dreamy truths with a voice so dream-like, that he mistakes them
+for fictions of a brain too prone to such. Yet he glances behind him
+and shivers, while the lamp burns pale. Farewell, dreamer,--waking or
+sleeping! Your brightest dreams are fled; your mind grows too hard and
+cold for a spiritual guest to enter; you are earthly, too, and have all
+the sins of earth. The ghost will visit you no more.
+
+But where is the maiden, holy and pure, though wearing a form of clay,
+that would have me bend over her pillow at midnight, and leave a
+blessing there? With a silent invocation, let her summon me. Shrink
+not, maiden, when I come! In life, I was a high-souled youth,
+meditative, yet seldom sad, full of chaste fancies, and stainless from
+all grosser sin. And now, ill death, I bring no loathsome smell of the
+grave, nor ghostly terrors,--but gentle, and soothing, and sweetly
+pensive influences. Perhaps, just fluttering for the skies, my visit
+may hallow the wellsprings of thy thought, and make thee heavenly here
+on earth. Then shall pure dreams and holy meditations bless thy life;
+nor thy sainted spirit linger round the grave, but seek the upper stars,
+and meet me there!
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg’s Other Tales and Sketches, by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK OTHER TALES AND SKETCHES ***
+
+***** This file should be named 9248-0.txt or 9248-0.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/4/9248/
+
+Produced by David Widger. HTML version by Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/9248-0.zip b/9248-0.zip
new file mode 100644
index 0000000..4325126
--- /dev/null
+++ b/9248-0.zip
Binary files differ
diff --git a/9248-h.zip b/9248-h.zip
new file mode 100644
index 0000000..71beb57
--- /dev/null
+++ b/9248-h.zip
Binary files differ
diff --git a/9248-h/9248-h.htm b/9248-h/9248-h.htm
new file mode 100644
index 0000000..e3df322
--- /dev/null
+++ b/9248-h/9248-h.htm
@@ -0,0 +1,1522 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <title>
+ The Project Gutenberg E-text of Other Tales and Sketches, by Nathaniel
+ Hawthorne
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's Other Tales and Sketches, by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Other Tales and Sketches
+
+Author: Nathaniel Hawthorne
+
+
+Release Date: November, 2005 [EBook #9248]
+First Posted: September 25, 2003
+Last Updated: December 15, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK OTHER TALES AND SKETCHES ***
+
+
+
+
+Produced by David Widger and Al Haines
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h4>
+ THE DOLIVER ROMANCE AND OTHER PIECES<br />
+ </h4>
+ <h4>
+ TALES AND SKETCHES<br />
+ </h4>
+ <h3>
+ By Nathaniel Hawthorne<br />
+ </h3>
+ <p>
+ <br />
+ </p>
+ <h3>
+ OTHER TALES AND SKETCHES<br />
+ </h3>
+ <p>
+ <br /><br /><br />
+ </p>
+ <p class="noindent">
+ CONTENTS:<br /> <a href="#niagara">My Visit To Niagara</a><br /> <a
+ href="#ring">The Antique Ring</a><br /> <a href="#graves">Graves And
+ Goblins</a><br />
+ </p>
+ <p>
+ <br /><br /> <a name="niagara"></a>
+ </p>
+ <h3>
+ MY VISIT TO NIAGARA.
+ </h3>
+ <p>
+ Never did a pilgrim approach Niagara with deeper enthusiasm than mine. I
+ had lingered away from it, and wandered to other scenes, because my
+ treasury of anticipated enjoyments, comprising all the wonders of the
+ world, had nothing else so magnificent, and I was loath to exchange the
+ pleasures of hope for those of memory so soon. At length the day came. The
+ stage-coach, with a Frenchman and myself on the back seat, had already
+ left Lewiston, and in less than an hour would set us down in Manchester. I
+ began to listen for the roar of the cataract, and trembled with a
+ sensation like dread, as the moment drew nigh, when its voice of ages must
+ roll, for the first time, on my ear. The French gentleman stretched
+ himself from the window, and expressed loud admiration, while, by a sudden
+ impulse, I threw myself back and closed my eyes. When the scene shut in, I
+ was glad to think, that for me the whole burst of Niagara was yet in
+ futurity. We rolled on, and entered the village of Manchester, bordering
+ on the falls.
+ </p>
+ <p>
+ I am quite ashamed of myself here. Not that I ran, like a madman to the
+ falls, and plunged into the thickest of the spray,&mdash;never stopping to
+ breathe, till breathing was impossible: not that I committed this, or any
+ other suitable extravagance. On the contrary, I alighted with perfect
+ decency and composure, gave my cloak to the black waiter, pointed out my
+ baggage, and inquired, not the nearest way to the cataract, but about the
+ dinner-hour. The interval was spent in arranging my dress. Within the last
+ fifteen minutes, my mind had grown strangely benumbed, and my spirits
+ apathetic, with a slight depression, not decided enough to be termed
+ sadness. My enthusiasm was in a deathlike slumber. Without aspiring to
+ immortality, as he did, I could have imitated that English traveller, who
+ turned back from the point where he first heard the thunder of Niagara,
+ after crossing the ocean to behold it. Many a Western trader, by the by,
+ has performed a similar act of heroism with more heroic simplicity,
+ deeming it no such wonderful feat to dine at the hotel and resume his
+ route to Buffalo or Lewiston, while the cataract was roaring unseen.
+ </p>
+ <p>
+ Such has often been my apathy, when objects, long sought, and earnestly
+ desired, were placed within my reach. After dinner&mdash;at which an
+ unwonted and perverse epicurism detained me longer than usual&mdash;I
+ lighted a cigar and paced the piazza, minutely attentive to the aspect and
+ business of a very ordinary village. Finally, with reluctant step, and the
+ feeling of an intruder, I walked towards Goat Island. At the tollhouse,
+ there were further excuses for delaying the inevitable moment. My
+ signature was required in a huge ledger, containing similar records
+ innumerable, many of which I read. The skin of a great sturgeon, and other
+ fishes, beasts, and reptiles; a collection of minerals, such as lie in
+ heaps near the falls; some Indian moccasins, and other trifles, made of
+ deer-skin and embroidered with beads; several newspapers from Montreal,
+ New York, and Boston;&mdash;all attracted me in turn. Out of a number of
+ twisted sticks, the manufacture of a Tuscarora Indian, I selected one of
+ curled maple, curiously convoluted, and adorned with the carved images of
+ a snake and a fish. Using this as my pilgrim&rsquo;s staff, I crossed the
+ bridge. Above and below me were the rapids, a river of impetuous snow,
+ with here and there a dark rock amid its whiteness, resisting all the
+ physical fury, as any cold spirit did the moral influences of the scene.
+ On reaching Goat Island, which separates the two great segments of the
+ falls, I chose the right-hand path, and followed it to the edge of the
+ American cascade. There, while the falling sheet was yet invisible, I saw
+ the vapor that never vanishes, and the Eternal Rainbow of Niagara.
+ </p>
+ <p>
+ It was an afternoon of glorious sunshine, without a cloud, save those of
+ the cataracts. I gained an insulated rock, and beheld a broad sheet of
+ brilliant and unbroken foam, not shooting in a curved line from the top of
+ the precipice, but falling headlong down from height to depth. A narrow
+ stream diverged from the main branch, and hurried over the crag by a
+ channel of its own, leaving a little pine-clad island and a streak of
+ precipice, between itself and the larger sheet. Below arose the mist, on
+ which was painted a dazzling sun-bow with two concentric shadows,&mdash;one,
+ almost as perfect as the original brightness; and the other, drawn faintly
+ round the broken edge of the cloud.
+ </p>
+ <p>
+ Still I had not half seen Niagara. Following the verge of the island, the
+ path led me to the Horseshoe, where the real, broad St. Lawrence, rushing
+ along on a level with its banks, pours its whole breadth over a concave
+ line of precipice, and thence pursues its course between lofty crags
+ towards Ontario. A sort of bridge, two or three feet wide, stretches out
+ along the edge of the descending sheet, and hangs upon the rising mist, as
+ if that were the foundation of the frail structure. Here I stationed
+ myself in the blast of wind, which the rushing river bore along with it.
+ The bridge was tremulous beneath me, and marked the tremor of the solid
+ earth. I looked along the whitening rapids, and endeavored to distinguish
+ a mass of water far above the falls, to follow it to their verge, and go
+ down with it, in fancy, to the abyss of clouds and storm. Casting my eyes
+ across the river, and every side, I took in the whole scene at a glance,
+ and tried to comprehend it in one vast idea. After an hour thus spent, I
+ left the bridge, and, by a staircase, winding almost interminably round a
+ post, descended to the base of the precipice. From that point, my path lay
+ over slippery stones, and among great fragments of the cliff, to the edge
+ of the cataract, where the wind at once enveloped me in spray, and perhaps
+ dashed the rainbow round me. Were my long desires fulfilled? And had I
+ seen Niagara?
+ </p>
+ <p>
+ O that I had never heard of Niagara till I beheld it! Blessed were the
+ wanderers of old, who heard its deep roar, sounding through the woods, as
+ the summons to an unknown wonder, and approached its awful brink, in all
+ the freshness of native feeling. Had its own mysterious voice been the
+ first to warn me of its existence, then, indeed, I might have knelt down
+ and worshipped. But I had come thither, haunted with a vision of foam and
+ fury, and dizzy cliffs, and an ocean tumbling down out of the sky,&mdash;a
+ scene, in short, which nature had too much good taste and calm simplicity
+ to realize. My mind had struggled to adapt these false conceptions to the
+ reality, and finding the effort vain, a wretched sense of disappointment
+ weighed me down. I climbed the precipice, and threw myself on the earth,
+ feeling that I was unworthy to look at the Great Falls, and careless about
+ beholding them again.
+ </p>
+ <p>
+ All that night, as there has been and will be, for ages past and to come,
+ a rushing sound was heard, as if a great tempest were sweeping through the
+ air. It mingled with my dreams, and made them full of storm and whirlwind.
+ Whenever I awoke, and heard this dread sound in the air, and the windows
+ rattling as with a mighty blast, I could not rest again, till looking
+ forth, I saw how bright the stars were, and that every leaf in the garden
+ was motionless. Never was a summer night more calm to the eye, nor a gale
+ of autumn louder to the ear. The rushing sound proceeds from the rapids,
+ and the rattling of the casements is but an effect of the vibration of the
+ whole house, shaken by the jar of the cataract. The noise of the rapids
+ draws the attention from the true voice of Niagara, which is a dull,
+ muffed thunder, resounding between the cliffs. I spent a wakeful hour at
+ midnight, in distinguishing its reverberations, and rejoiced to find that
+ my former awe and enthusiasm were reviving.
+ </p>
+ <p>
+ Gradually, and after much contemplation, I came to know, by my own
+ feelings, that Niagara is indeed a wonder of the world, and not the less
+ wonderful, because time and thought must be employed in comprehending it.
+ Casting aside all preconceived notions, and preparation to be dire-struck
+ or delighted, the beholder must stand beside it in the simplicity of his
+ heart, suffering the mighty scene to work its own impression. Night after
+ night, I dreamed of it, and was gladdened every morning by the
+ consciousness of a growing capacity to enjoy it. Yet I will not pretend to
+ the all-absorbing enthusiasm of some more fortunate spectators, nor deny
+ that very trifling causes would draw my eyes and thoughts from the
+ cataract.
+ </p>
+ <p>
+ The last day that I was to spend at Niagara, before my departure for the
+ Far West, I sat upon the Table Rock. This celebrated station did not now,
+ as of old, project fifty feet beyond the line of the precipice, but was
+ shattered by the fall of an immense fragment, which lay distant on the
+ shore below. Still, on the utmost verge of the rock, with my feet hanging
+ over it, I felt as if suspended in the open air. Never before had my mind
+ been in such perfect unison with the scene. There were intervals, when I
+ was conscious of nothing but the great river, rolling calmly into the
+ abyss, rather descending than precipitating itself, and acquiring tenfold
+ majesty from its unhurried motion. It came like the march of Destiny. It
+ was not taken by surprise, but seemed to have anticipated, in all its
+ course through the broad lakes, that it must pour their collected waters
+ down this height. The perfect foam of the river, after its descent, and
+ the ever-varying shapes of mist, rising up, to become clouds in the sky,
+ would be the very picture of confusion, were it merely transient, like the
+ rage of a tempest. But when the beholder has stood awhile, and perceives
+ no lull in the storm, and considers that the vapor and the foam are as
+ everlasting as the rocks which produce them, all this turmoil assumes a
+ sort of calmness. It soothes, while it awes the mind.
+ </p>
+ <p>
+ Leaning over the cliff, I saw the guide conducting two adventurers behind
+ the falls. It was pleasant, from that high seat in the sunshine, to
+ observe them struggling against the eternal storm of the lower regions,
+ with heads bent down, now faltering, now pressing forward, and finally
+ swallowed up in their victory. After their disappearance, a blast rushed
+ out with an old hat, which it had swept from one of their heads. The rock,
+ to which they were directing their unseen course, is marked, at a fearful
+ distance on the exterior of the sheet, by a jet of foam. The attempt to
+ reach it appears both poetical and perilous to a looker-on, but may be
+ accomplished without much more difficulty or hazard, than in stemming a
+ violent northeaster. In a few moments, forth came the children of the
+ mist. Dripping and breathless, they crept along the base of the cliff,
+ ascended to the guide&rsquo;s cottage, and received, I presume, a certificate of
+ their achievement, with three verses of sublime poetry on the back.
+ </p>
+ <p>
+ My contemplations were often interrupted by strangers, who came down from
+ Forsyth&rsquo;s to take their first view of the falls. A short, ruddy,
+ middle-aged gentleman, fresh from Old England, peeped over the rock, and
+ evinced his approbation by a broad grin. His spouse, a very robust lady,
+ afforded a sweet example of maternal solicitude, being so intent on the
+ safety of her little boy that she did not even glance at Niagara. As for
+ the child, he gave himself wholly to the enjoyment of a stick of candy.
+ Another traveller, a native American, and no rare character among us,
+ produced a volume of Captain Hall&rsquo;s tour, and labored earnestly to adjust
+ Niagara to the captain&rsquo;s description, departing, at last, without one new
+ idea or sensation of his own. The next comer was provided, not with a
+ printed book, but with a blank sheet of foolscap, from top to bottom of
+ which, by means of an ever-pointed pencil, the cataract was made to
+ thunder. In a little talk, which we had together, he awarded his
+ approbation to the general view, but censured the position of Goat Island,
+ observing that it should have been thrown farther to the right, so as to
+ widen the American falls, and contract those of the Horseshoe. Next
+ appeared two traders of Michigan, who declared, that, upon the whole, the
+ sight was worth looking at, there certainly was an immense water-power
+ here; but that, after all, they would go twice as far to see the noble
+ stone-works of Lockport, where the Grand Canal is locked down a descent of
+ sixty feet. They were succeeded by a young fellow, in a homespun cotton
+ dress, with a staff in his hand, and a pack over his shoulders. He
+ advanced close to the edge of the rock, where his attention, at first
+ wavering among the different components of the scene, finally became fixed
+ in the angle of the Horse shoe falls, which is, indeed, the central point
+ of interest. His whole soul seemed to go forth and be transported thither,
+ till the staff slipped from his relaxed grasp, and falling down&mdash;down&mdash;down&mdash;struck
+ upon the fragment of the Table Rock.
+ </p>
+ <p>
+ In this manner I spent some hours, watching the varied impression, made by
+ the cataract, on those who disturbed me, and returning to unwearied
+ contemplation, when left alone. At length my time came to depart. There is
+ a grassy footpath, through the woods, along the summit of the bank, to a
+ point whence a causeway, hewn in the side of the precipice, goes winding
+ down to the Ferry, about half a mile below the Table Rock. The sun was
+ near setting, when I emerged from the shadow of the trees, and began the
+ descent. The indirectness of my downward road continually changed the
+ point of view, and showed me, in rich and repeated succession, now, the
+ whitening rapids and majestic leap of the main river, which appeared more
+ deeply massive as the light departed; now, the lovelier picture, yet still
+ sublime, of Goat Island, with its rocks and grove, and the lesser falls,
+ tumbling over the right bank of the St. Lawrence, like a tributary stream;
+ now, the long vista of the river, as it eddied and whirled between the
+ cliffs, to pass through Ontario toward the sea, and everywhere to be
+ wondered at, for this one unrivalled scene. The golden sunshine tinged the
+ sheet of the American cascade, and painted on its heaving spray the broken
+ semicircle of a rainbow, heaven&rsquo;s own beauty crowning earth&rsquo;s sublimity.
+ My steps were slow, and I paused long at every turn of the descent, as one
+ lingers and pauses, who discerns a brighter and brightening excellence in
+ what he must soon behold no more. The solitude of the old wilderness now
+ reigned over the whole vicinity of the falls. My enjoyment became the more
+ rapturous, because no poet shared it, nor wretch devoid of poetry profaned
+ it; but the spot so famous through the world was all my own!
+ </p>
+ <p>
+ <br /><br /><br /> <a name="ring"></a>
+ </p>
+ <h3>
+ THE ANTIQUE RING.
+ </h3>
+ <p>
+ &ldquo;Yes, indeed: the gem is as bright as a star, and curiously set,&rdquo; said
+ Clara Pembertou, examining an antique ring, which her betrothed lover had
+ just presented to her, with a very pretty speech. &ldquo;It needs only one thing
+ to make it perfect.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what is that?&rdquo; asked Mr. Edward Caryl, secretly anxious for the
+ credit of his gift. &ldquo;A modern setting, perhaps?&rdquo;
+ </p>
+ <p>
+ &ldquo;O, no! That would destroy the charm at once,&rdquo; replied Clara. &ldquo;It needs
+ nothing but a story. I long to know how many times it has been the pledge
+ of faith between two lovers, and whether the vows, of which it was the
+ symbol, were always kept or often broken. Not that I should be too
+ scrupulous about facts. If you happen to be unacquainted with its
+ authentic history, so much the better. May it not have sparkled upon a
+ queen&rsquo;s finger? Or who knows but it is the very ring which Posthumus
+ received from Imogen? In short, you must kindle your imagination at the
+ lustre of this diamond, and make a legend for it.&rdquo;
+ </p>
+ <p>
+ Now such a task&mdash;and doubtless Clara knew it&mdash;was the most
+ acceptable that could have been imposed on Edward Caryl. He was one of
+ that multitude of young gentlemen&mdash;limbs, or rather twigs of the law&mdash;whose
+ names appear in gilt letters on the front of Tudor&rsquo;s Buildings, and other
+ places in the vicinity of the Court House, which seem to be the haunt of
+ the gentler as well as the severer Muses. Edward, in the dearth of
+ clients, was accustomed to employ his much leisure in assisting the growth
+ of American Literature, to which good cause he had contributed not a few
+ quires of the finest letter-paper, containing some thought, some fancy,
+ some depth of feeling, together with a young writer&rsquo;s abundance of
+ conceits. Sonnets, stanzas of Tennysonian sweetness, tales imbued with
+ German mysticism, versions from Jean Paul, criticisms of the old English
+ poets, and essays smacking of Dialistic philosophy, were among his
+ multifarious productions. The editors of the fashionable periodicals were
+ familiar with his autograph, and inscribed his name in those brilliant
+ bead-rolls of ink-stained celebrity, which illustrate the first page of
+ their covers. Nor did fame withhold her laurel. Hillard had included him
+ among the lights of the New England metropolis, in his Boston Book; Bryant
+ had found room for some of his stanzas, in the Selections from American
+ Poetry; and Mr. Griswold, in his recent assemblage of the sons and
+ daughters of song, had introduced Edward Caryl into the inner court of the
+ temple, among his fourscore choicest bards. There was a prospect, indeed,
+ of his assuming a still higher and more independent position. Interviews
+ had been held with Ticknor, and a correspondence with the Harpers,
+ respecting a proposed volume, chiefly to consist of Mr. Caryl&rsquo;s fugitive
+ pieces in the Magazines, but to be accompanied with a poem of some length,
+ never before published. Not improbably, the public may yet be gratified
+ with this collection.
+ </p>
+ <p>
+ Meanwhile, we sum up our sketch of Edward Caryl, by pronouncing him,
+ though somewhat of a carpet knight in literature, yet no unfavorable
+ specimen of a generation of rising writers, whose spirit is such that we
+ may reasonably expect creditable attempts from all, and good and beautiful
+ results from some. And, it will be observed, Edward was the very man to
+ write pretty legends, at a lady&rsquo;s instance, for an old-fashioned diamond
+ ring. He took the jewel in his hand, and turned it so as to catch its
+ scintillating radiance, as if hoping, in accordance with Clara&rsquo;s
+ suggestion, to light up his fancy with that starlike gleam.
+ </p>
+ <p>
+ &ldquo;Shall it be a ballad?&mdash;a tale in verse?&rdquo; he inquired. &ldquo;Enchanted
+ rings often glisten in old English poetry, I think something may be done
+ with the subject; but it is fitter for rhyme than prose.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; said Miss Pemberton, &ldquo;we will have no more rhyme than just
+ enough for a posy to the ring. You must tell the legend in simple prose;
+ and when it is finished, I will make a little party to hear it read.&rdquo;
+ </p>
+ <p>
+ The young gentleman promised obedience; and going to his pillow, with his
+ head full of the familiar spirits that used to be worn in rings, watches,
+ and sword-hilts, he had the good fortune to possess himself of an
+ available idea in a dream. Connecting this with what he himself chanced to
+ know of the ring&rsquo;s real history, his task was done. Clara Pemberton
+ invited a select few of her friends, all holding the stanchest faith in
+ Edward&rsquo;s genius, and therefore the most genial auditors, if not altogether
+ the fairest critics, that a writer could possibly desire. Blessed be woman
+ for her faculty of admiration, and especially for her tendency to admire
+ with her heart, when man, at most, grants merely a cold approval with his
+ mind!
+ </p>
+ <p>
+ Drawing his chair beneath the blaze of a solar lamp, Edward Caryl untied a
+ roll of glossy paper, and began as follows:&mdash;
+ </p>
+ <p>
+ <br /><br /><br />
+ </p>
+ <h4>
+ THE LEGEND
+ </h4>
+ <p>
+ After the death-warrant had been read to the Earl of Essex, and on the
+ evening before his appointed execution, the Countess of Shrewsbury paid
+ his lordship a visit, and found him, as it appeared, toying childishly
+ with a ring. The diamond, that enriched it, glittered like a little star,
+ but with a singular tinge of red. The gloomy prison-chamber in the Tower,
+ with its deep and narrow windows piercing the walls of stone, was now all
+ that the earl possessed of worldly prospect; so that there was the less
+ wonder that he should look steadfastly into the gem, and moralize upon
+ earth&rsquo;s deceitful splendor, as men in darkness and ruin seldom fail to do.
+ But the shrewd observations of the countess,&mdash;an artful and
+ unprincipled woman,&mdash;the pretended friend of Essex, but who had come
+ to glut her revenge for a deed of scorn which he himself had forgotten,&mdash;her
+ keen eye detected a deeper interest attached to this jewel. Even while
+ expressing his gratitude for her remembrance of a ruined favorite, and
+ condemned criminal, the earl&rsquo;s glance reverted to the ring, as if all that
+ remained of time and its affairs were collected within that small golden
+ circlet.
+ </p>
+ <p>
+ &ldquo;My dear lord,&rdquo; observed the countess, &ldquo;there is surely some matter of
+ great moment wherewith this ring is connected, since it, so absorbs your
+ mind. A token, it may be, of some fair lady&rsquo;s love,&mdash;alas, poor lady,
+ once richest in possessing such a heart! Would you that the jewel be
+ returned to her?&rdquo;
+ </p>
+ <p>
+ &ldquo;The queen! the queen! It was her Majesty&rsquo;s own gift,&rdquo; replied the earl,
+ still gazing into the depths of the gem. &ldquo;She took it from her finger, and
+ told me, with a smile, that it was an heirloom from her Tudor ancestors,
+ and had once been the property of Merlin, the British wizard, who gave it
+ to the lady of his love. His art had made this diamond the abiding-place
+ of a spirit, which, though of fiendish nature, was bound to work only
+ good, so long as the ring was an unviolated pledge of love and faith, both
+ with the giver and receiver. But should love prove false, and faith be
+ broken, then the evil spirit would work his own devilish will, until the
+ ring were purified by becoming the medium of some good and holy act, and
+ again the pledge of faithful love. The gem soon lost its virtue; for the
+ wizard was murdered by the very lady to whom he gave it.&rdquo;
+ </p>
+ <p>
+ &ldquo;An idle legend!&rdquo; said the countess.
+ </p>
+ <p>
+ &ldquo;It is so,&rdquo; answered Essex, with a melancholy smile. &ldquo;Yet the queen&rsquo;s
+ favor, of which this ring was the symbol, has proved my ruin. When death
+ is nigh, men converse with dreams and shadows. I have been gazing into the
+ diamond, and fancying&mdash;but you will laugh at me&mdash;that I might
+ catch a glimpse of the evil spirit there. Do you observe this red glow,&mdash;dusky,
+ too, amid all the brightness? It is the token of his presence; and even
+ now, methinks, it grows redder and duskier, like an angry sunset.&rdquo;
+ </p>
+ <p>
+ Nevertheless, the earl&rsquo;s manner testified how slight was his credence in
+ the enchanted properties of the ring. But there is a kind of playfulness
+ that comes in moments of despair, when the reality of misfortune, if
+ entirely felt, would crush the soul at once. He now, for a brief space,
+ was lost in thought, while the countess contemplated him with malignant
+ satisfaction.
+ </p>
+ <p>
+ &ldquo;This ring,&rdquo; he resumed, in another tone, &ldquo;alone remains, of all that my
+ royal mistress&rsquo;s favor lavished upon her servant. My fortune once shone as
+ brightly as the gem. And now, such a darkness has fallen around me,
+ methinks it would be no marvel if its gleam&mdash;the sole light of my
+ prison-house&mdash;were to be forthwith extinguished; inasmuch as my last
+ earthly hope depends upon it.&rdquo;
+ </p>
+ <p>
+ &ldquo;How say you, my lord?&rdquo; asked the Countess of Shrewsbury. &ldquo;The stone is
+ bright; but there should be strange magic in it, if it can keep your hopes
+ alive, at this sad hour. Alas! these iron bars and ramparts of the Tower
+ are unlike to yield to such a spell.&rdquo;
+ </p>
+ <p>
+ Essex raised his head involuntarily; for there was something in the
+ countess&rsquo;s tone that disturbed him, although he could not suspect that an
+ enemy had intruded upon the sacred privacy of a prisoner&rsquo;s dungeon, to
+ exult over so dark a ruin of such once brilliant fortunes. He looked her
+ in the face, but saw nothing to awaken his distrust. It would have
+ required a keener eye than even Cecil&rsquo;s to read the secret of a
+ countenance, which had been worn so long in the false light of a court,
+ that it was now little better than a mask, telling any story save the true
+ one. The condemned nobleman again bent over the ring, and proceeded:
+ </p>
+ <p>
+ &ldquo;It once had power in it,&mdash;this bright gem,&mdash;the magic that
+ appertains to the talisman of a great queen&rsquo;s favor. She bade me, if
+ hereafter I should fall into her disgrace,&mdash;how deep soever, and
+ whatever might be the crime,&mdash;to convey this jewel to her sight, and
+ it should plead for me. Doubtless, with her piercing judgment, she had
+ even then detected the rashness of my nature, and foreboded some such deed
+ as has now brought destruction upon my bead. And knowing, too, her own
+ hereditary rigor, she designed, it may be, that the memory of gentler and
+ kindlier hours should soften her heart in my behalf, when my need should
+ be the greatest. I have doubted,&mdash;I have distrusted,&mdash;yet who
+ can tell, even now, what happy influence this ring might have?&rdquo;
+ </p>
+ <p>
+ &ldquo;You have delayed full long to show the ring, and plead her Majesty&rsquo;s
+ gracious promise,&rdquo; remarked the countess,&mdash;&ldquo;your state being what it
+ is.&rdquo;
+ </p>
+ <p>
+ &ldquo;True,&rdquo; replied the earl: &ldquo;but for my honor&rsquo;s sake, I was loath to entreat
+ the queen&rsquo;s mercy, while I might hope for life, at least, from the justice
+ of the laws. If, on a trial by my peers, I had been acquitted of
+ meditating violence against her sacred life, then would I have fallen at
+ her feet, and presenting the jewel, have prayed no other favor than that
+ my love and zeal should be put to the severest test. But now&mdash;it were
+ confessing too much&mdash;it were cringing too low&mdash;to beg the
+ miserable gift of life, on no other score than the tenderness which her
+ Majesty deems one to have forfeited!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yet it is your only hope,&rdquo; said the countess.
+ </p>
+ <p>
+ &ldquo;And besides,&rdquo; continued Essex, pursuing his own reflections, &ldquo;of what
+ avail will be this token of womanly feeling, when, on the other hand, are
+ arrayed the all-prevailing motives of state policy, and the artifices and
+ intrigues of courtiers, to consummate my downfall? Will Cecil or Raleigh
+ suffer her heart to act for itself, even if the spirit of her father were
+ not in her? It is in vain to hope it.&rdquo;
+ </p>
+ <p>
+ But still Essex gazed at the ring with an absorbed attention, that proved
+ how much hope his sanguine temperament had concentrated here, when there
+ was none else for him in the wide world, save what lay in the compass of
+ that hoop of gold. The spark of brightness within the diamond, which
+ gleamed like an intenser than earthly fire, was the memorial of his
+ dazzling career. It had not paled with the waning sunshine of his
+ mistress&rsquo;s favor; on the contrary, in spite of its remarkable tinge of
+ dusky red, he fancied that it never shone so brightly. The glow of festal
+ torches,&mdash;the blaze of perfumed lamps,&mdash;bonfires that had been
+ kindled for him, when he was the darling of the people,&mdash;the splendor
+ of the royal court, where he had been the peculiar star,&mdash;all seemed
+ to have collected their moral or material glory into the gem, and to burn
+ with a radiance caught from the future, as well as gathered from the past.
+ That radiance might break forth again. Bursting from the diamond, into
+ which it was now narrowed, it might been first upon the gloomy walls of
+ the Tower,&mdash;then wider, wider, wider,&mdash;till all England, and the
+ seas around her cliffs, should be gladdened with the light. It was such an
+ ecstasy as often ensues after long depression, and has been supposed to
+ precede the circumstances of darkest fate that may befall mortal man. The
+ earl pressed the ring to his heart as if it were indeed a talisman, the
+ habitation of a spirit, as the queen had playfully assured him,&mdash;but
+ a spirit of happier influences than her legend spake of.
+ </p>
+ <p>
+ &ldquo;O, could I but make my way to her footstool!&rdquo; cried he, waving his hand
+ aloft, while he paced the stone pavement of his prison-chamber with an
+ impetuous step. &ldquo;I might kneel down, indeed, a ruined man, condemned to
+ the block, but how should I rise again? Once more the favorite of
+ Elizabeth!&mdash;England&rsquo;s proudest noble!&mdash;with such prospects as
+ ambition never aimed at! Why have I tarried so long in this weary dungeon?
+ The ring has power to set me free! The palace wants me! Ho, jailer, unbar
+ the door!&rdquo;
+ </p>
+ <p>
+ But then occurred the recollection of the impossibility of obtaining an
+ interview with his fatally estranged mistress, and testing the influence
+ over her affections, which he still flattered himself with possessing.
+ Could he step beyond the limits of his prison, the world would be all
+ sunshine; but here was only gloom and death.
+ </p>
+ <p>
+ &ldquo;Alas!&rdquo; said he, slowly and sadly, letting his head fall upon his hands.
+ &ldquo;I die for the lack of one blessed word.&rdquo;
+ </p>
+ <p>
+ The Countess of Shrewsbury, herself forgotten amid the earl&rsquo;s gorgeous
+ visions, had watched him with an aspect that could have betrayed nothing
+ to the most suspicious observer; unless that it was too calm for humanity,
+ while witnessing the flutterings, as it were, of a generous heart in the
+ death-agony. She now approached him.
+ </p>
+ <p>
+ &ldquo;My good lord,&rdquo; she said, &ldquo;what mean you to do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing,&mdash;my deeds are done!&rdquo; replied he, despondingly; &ldquo;yet, had a
+ fallen favorite any friends, I would entreat one of them to lay this ring
+ at her Majesty&rsquo;s feet; albeit with little hope, save that, hereafter, it
+ might remind her that poor Essex, once far too highly favored, was at last
+ too severely dealt with.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will be that friend,&rdquo; said the countess. &ldquo;There is no time to be lost.
+ Trust this precious ring with me. This very night the queen&rsquo;s eye shall
+ rest upon it; nor shall the efficacy of my poor words be wanting, to
+ strengthen the impression which it will doubtless make.&rdquo;
+ </p>
+ <p>
+ The earl&rsquo;s first impulse was to hold out the ring. But looking at the
+ countess, as she bent forward to receive it, he fancied that the red glow
+ of the gem tinged all her face, and gave it an ominous expression. Many
+ passages of past times recurred to his memory. A preternatural insight,
+ perchance caught from approaching death, threw its momentary gleam, as
+ from a meteor, all round his position.
+ </p>
+ <p>
+ &ldquo;Countess,&rdquo; he said, &ldquo;I know not wherefore I hesitate, being in a plight
+ so desperate, and having so little choice of friends. But have you looked
+ into your own heart? Can you perform this office with the truth&mdash;the
+ earnestness&mdash;time&mdash;zeal, even to tears, and agony of spirit&mdash;wherewith
+ the holy gift of human life should be pleaded for? Woe be unto you, should
+ you undertake this task, and deal towards me otherwise than with utmost
+ faith! For your own soul&rsquo;s sake, and as you would have peace at your
+ death-hour, consider well in what spirit you receive this ring!&rdquo;
+ </p>
+ <p>
+ The countess did not shrink.
+ </p>
+ <p>
+ &ldquo;My lord!&mdash;my good lord!&rdquo; she exclaimed, &ldquo;wrong not a woman&rsquo;s heart
+ by these suspicious. You might choose another messenger; but who, save a
+ lady of her bedchamber, can obtain access to the queen at this untimely
+ hour? It is for your life,&mdash;for your life,&mdash;else I would not
+ renew my offer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Take the ring,&rdquo; said the earl.
+ </p>
+ <p>
+ &ldquo;Believe that it shall be in the queen&rsquo;s hands before the lapse of another
+ hour,&rdquo; replied the countess, as she received this sacred trust of life and
+ death. &ldquo;To-morrow morning look for the result of my intercession.&rdquo;
+ </p>
+ <p>
+ She departed. Again the earl&rsquo;s hopes rose high. Dreams visited his
+ slumber, not of the sable-decked scaffold in the Tower-yard, but of
+ canopies of state, obsequious courtiers, pomp, splendor, the smile of the
+ once more gracious queen, and a light beaming from the magic gem, which
+ illuminated his whole future.
+ </p>
+ <p>
+ History records how foully the Countess of Shrewsbury betrayed the trust,
+ which Essex, in his utmost need, confided to her. She kept the ring, and
+ stood in the presence of Elizabeth, that night, without one attempt to
+ soften her stern hereditary temper in behalf of the former favorite. The
+ next day the earl&rsquo;s noble head rolled upon the scaffold. On her death-bed,
+ tortured, at last, with a sense of the dreadful guilt which she had taken
+ upon her soul, the wicked countess sent for Elizabeth, revealed the story
+ of the ring, and besought forgiveness for her treachery. But the queen,
+ still obdurate, even while remorse for past obduracy was tugging at her
+ heart-strings, shook the dying woman in her bed, as if struggling with
+ death for the privilege of wreaking her revenge and spite. The spirit of
+ the countess passed away, to undergo the justice, or receive the mercy, of
+ a higher tribunal; and tradition says, that the fatal ring was found upon
+ her breast, where it had imprinted a dark red circle, resembling the
+ effect of the intensest heat. The attendants, who prepared the body for
+ burial, shuddered, whispering one to another, that the ring must have
+ derived its heat from the glow of infernal fire. They left it on her
+ breast, in the coffin, and it went with that guilty woman to the tomb.
+ </p>
+ <p>
+ Many years afterward, when the church, that contained the monuments of the
+ Shrewsbury family, was desecrated by Cromwell&rsquo;s soldiers, they broke open
+ the ancestral vaults, and stole whatever was valuable from the noble
+ personages who reposed there. Merlin&rsquo;s antique ring passed into the
+ possession of a stout sergeant of the Ironsides, who thus became subject
+ to the influences of the evil spirit that still kept his abode within the
+ gem&rsquo;s enchanted depths. The sergeant was soon slain in battle, thus
+ transmitting the ring, though without any legal form of testament, to a
+ gay cavalier, who forthwith pawned it, and expended the money in liquor,
+ which speedily brought him to the grave. We next catch the sparkle of the
+ magic diamond at various epochs of the merry reign of Charles the Second.
+ But its sinister fortune still attended it. From whatever hand this ring
+ of portent came, and whatever finger it encircled, ever it was the pledge
+ of deceit between man and man, or man and woman, of faithless vows, and
+ unhallowed passion; and whether to lords and ladies, or to village-maids,&mdash;for
+ sometimes it found its way so low,&mdash;still it brought nothing but
+ sorrow and disgrace. No purifying deed was done, to drive the fiend from
+ his bright home in this little star. Again, we hear of it at a later
+ period, when Sir Robert Walpole bestowed the ring, among far richer
+ jewels, on the lady of a British legislator, whose political honor he
+ wished to undermine. Many a dismal and unhappy tale might be wrought out
+ of its other adventures. All this while, its ominous tinge of dusky red
+ had been deepening and darkening, until, if laid upon white paper, it cast
+ the mingled hue of night and blood, strangely illuminated with
+ scintillating light, in a circle round about. But this peculiarity only
+ made it the more valuable.
+ </p>
+ <p>
+ Alas, the fatal ring! When shall its dark secret be discovered, and the
+ doom of ill, inherited from one possessor to another, be finally revoked?
+ </p>
+ <p>
+ The legend now crosses the Atlantic, and comes down to our own immediate
+ time. In a certain church of our city, not many evenings ago, there was a
+ contribution for a charitable object. A fervid preacher had poured out his
+ whole soul in a rich and tender discourse, which had at least excited the
+ tears, and perhaps the more effectual sympathy, of a numerous audience.
+ While the choristers sang sweetly, and the organ poured forth its
+ melodious thunder, the deacons passed up and down the aisles, and along
+ the galleries, presenting their mahogany boxes, in which each person
+ deposited whatever sum he deemed it safe to lend to the Lord, in aid of
+ human wretchedness. Charity became audible,&mdash;chink, chink, chink,&mdash;as
+ it fell, drop by drop, into the common receptacle. There was a hum,&mdash;a
+ stir,&mdash;the subdued bustle of people putting their hands into their
+ pockets; while, ever and anon, a vagrant coin fell upon the floor, and
+ rolled away, with long reverberation, into some inscrutable corner.
+ </p>
+ <p>
+ At length, all having been favored with an opportunity to be generous, the
+ two deacons placed their boxes on the communion-table, and thence, at the
+ conclusion of the services, removed them into the vestry. Here these good
+ old gentlemen sat down together, to reckon the accumulated treasure.
+ </p>
+ <p>
+ &ldquo;Fie, fie, Brother Tilton,&rdquo; said Deacon Trott, peeping into Deacon
+ Tilton&rsquo;s box, &ldquo;what a heap of copper you have picked up! Really, for an
+ old man, you must have had a heavy job to lug it along. Copper! copper!
+ copper! Do people expect to get admittance into heaven at the price of a
+ few coppers?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t wrong them, brother,&rdquo; answered Deacon Tilton, a simple and kindly
+ old man. &ldquo;Copper may do more for one person, than gold will for another.
+ In the galleries, where I present my box, we must not expect such a
+ harvest as you gather among the gentry in the broad aisle, and all over
+ the floor of the church. My people are chiefly poor mechanics and
+ laborers, sailors, seamstresses, and servant-maids, with a most
+ uncomfortable intermixture of roguish school-boys.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well,&rdquo; said Deacon Trott; &ldquo;but there is a great deal, Brother
+ Tilton, in the method of presenting a contribution-box. It is a knack that
+ comes by nature, or not at all.&rdquo;
+ </p>
+ <p>
+ They now proceeded to sum up the avails of the evening, beginning with the
+ receipts of Deacon Trott. In good sooth, that worthy personage had reaped
+ an abundant harvest, in which he prided himself no less, apparently, than
+ if every dollar had been contributed from his own individual pocket. Had
+ the good deacon been meditating a jaunt to Texas, the treasures of the
+ mahogany box might have sent him on his way rejoicing. There were
+ bank-notes, mostly, it is true, of the smallest denominations in the
+ giver&rsquo;s pocket-book, yet making a goodly average upon the whole. The most
+ splendid contribution was a check for a hundred dollars, bearing the name
+ of a distinguished merchant, whose liberality was duly celebrated in the
+ newspapers of the next day. No less than seven half-eagles, together with
+ an English sovereign, glittered amidst an indiscriminate heap of silver;
+ the box being polluted with nothing of the copper kind, except a single
+ bright new cent, wherewith a little boy had performed his first charitable
+ act.
+ </p>
+ <p>
+ &ldquo;Very well! very well indeed!&rdquo; said Deacon Trott, self-approvingly. &ldquo;A
+ handsome evening&rsquo;s work! And now, Brother Tilton, let&rsquo;s see whether you
+ can match it.&rdquo; Here was a sad contrast! They poured forth Deacon Tilton&rsquo;s
+ treasure upon the table, and it really seemed as if the whole copper
+ coinage of the country, together with an amazing quantity of shop-keeper&rsquo;s
+ tokens, and English and Irish half-pence, mostly of base metal, had been
+ congregated into the box. There was a very substantial pencil-case, and
+ the semblance of a shilling; but he latter proved to be made of tin, and
+ the former of German-silver. A gilded brass button was doing duty as a
+ gold coin, and a folded shopbill had assumed the character of a bank-note.
+ But Deacon Tilton&rsquo;s feelings were much revived by the aspect of another
+ bank-note, new and crisp, adorned with beautiful engravings, and stamped
+ with the indubitable word, TWENTY, in large black letters. Alas! it was a
+ counterfeit. In short, the poor old Deacon was no less unfortunate than
+ those who trade with fairies, and whose gains are sure to be transformed
+ into dried leaves, pebbles, and other valuables of that kind.
+ </p>
+ <p>
+ &ldquo;I believe the Evil One is in the box,&rdquo; said he, with some vexation.
+ </p>
+ <p>
+ &ldquo;Well done, Deacon Tilton!&rdquo; cried his Brother Trott, with a hearty laugh.
+ &ldquo;You ought to have a statue in copper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind, brother,&rdquo; replied the good Deacon, recovering his temper.
+ &ldquo;I&rsquo;ll bestow ten dollars from my own pocket, and may heaven&rsquo;s blessing go
+ along with it. But look! what do you call this?&rdquo;
+ </p>
+ <p>
+ Under the copper mountain, which it had cost them so much toil to remove,
+ lay an antique ring! It was enriched with a diamond, which, so soon as it
+ caught the light, began to twinkle and glimmer, emitting the whitest and
+ purest lustre that could possibly be conceived.&mdash;It was as brilliant
+ as if some magician had condensed the brightest star in heaven into a
+ compass fit to be set in a ring, for a lady&rsquo;s delicate finger.
+ </p>
+ <p>
+ &ldquo;How is this?&rdquo; said Deacon Trott, examining it carefully, in the
+ expectation of finding it as worthless as the rest of his colleague&rsquo;s
+ treasure. &ldquo;Why, upon my word, this seems to be a real diamond, and of the
+ purest water. Whence could it have come?&rdquo;
+ </p>
+ <p>
+ &ldquo;Really, I cannot tell,&rdquo; quoth Deacon Tilton, &ldquo;for my spectacles were so
+ misty that all faces looked alike. But now I remember, there was a flash
+ of light came from the box, at one moment; but it seemed a dusky red,
+ instead of a pure white, like the sparkle of this gem. Well; the ring will
+ make up for the copper; but I wish the giver had thrown its history into
+ the box along with it.&rdquo;
+ </p>
+ <p>
+ It has been our good luck to recover a portion of that history. After
+ transmitting misfortune from one possessor to another, ever since the days
+ of British Merlin, the identical ring which Queen Elizabeth gave to the
+ Earl of Essex was finally thrown into the contribution-box of a New
+ England church. The two deacons deposited it in the glass case of a
+ fashionable jeweller, of whom it was purchased by the humble rehearser of
+ this legend, in the hope that it may be allowed to sparkle on a fair
+ lady&rsquo;s finger. Purified from the foul fiend, so long its inhabitant, by a
+ deed of unostentatious charity, and now made the symbol of faithful and
+ devoted love, the gentle bosom of its new possessor need fear no sorrow
+ from its influence.
+ </p>
+ <p>
+ Very pretty!&mdash;Beautiful!&mdash;How original!&mdash;How sweetly
+ written!&mdash;What nature!&mdash;What imagination!&mdash;What power!&mdash;What
+ pathos!&mdash;What exquisite humor!&rdquo;&mdash;were the exclamations of Edward
+ Caryl&rsquo;s kind and generous auditors, at the conclusion of the legend.
+ </p>
+ <p>
+ &ldquo;It is a pretty tale,&rdquo; said Miss Pemberton, who, conscious that her praise
+ was to that of all others as a diamond to a pebble, was therefore the less
+ liberal in awarding it. &ldquo;It is really a pretty tale, and very proper for
+ any of the Annuals. But, Edward, your moral does not satisfy me. What
+ thought did you embody in the ring?&rdquo;
+ </p>
+ <p>
+ &ldquo;O Clara, this is too bad!&rdquo; replied Edward, with a half-reproachful smile.
+ &ldquo;You know that I can never separate the idea from the symbol in which it
+ manifests itself. However, we may suppose the Gem to be the human heart,
+ and the Evil Spirit to be Falsehood, which, in one guise or another, is
+ the fiend that causes all the sorrow and trouble in the world. I beseech
+ you to let this suffice.&rdquo;
+ </p>
+ <p>
+ &ldquo;It shall,&rdquo; said Clara, kindly. &ldquo;And, believe me, whatever the world may
+ say of the story, I prize it far above the diamond which enkindled your
+ imagination.&rdquo;
+ </p>
+ <p>
+ <br /><br /><br /> <a name="graves"></a>
+ </p>
+ <h3>
+ GRAVES AND GOBLINS.
+ </h3>
+ <p>
+ Now talk we of graves and goblins! Fit themes,&mdash;start not! gentle
+ reader,&mdash;fit for a ghost like me. Yes; though an earth-clogged fancy
+ is laboring with these conceptions, and an earthly hand will write them
+ down, for mortal eyes to read, still their essence flows from as airy a
+ ghost as ever basked in the pale starlight, at twelve o&rsquo;clock. Judge them
+ not by the gross and heavy form in which they now appear. They may be
+ gross, indeed, with the earthly pollution contracted from the brain,
+ through which they pass; and heavy with the burden of mortal language,
+ that crushes all the finer intelligences of the soul. This is no fault of
+ mine. But should aught of ethereal spirit be perceptible, yet scarcely so,
+ glimmering along the dull train of words,&mdash;should a faint perfume
+ breathe from the mass of clay,&mdash;then, gentle reader, thank the ghost,
+ who thus embodies himself for your sake! Will you believe me, if I say
+ that all true and noble thoughts, and elevated imaginations, are but
+ partly the offspring of the intellect which seems to produce them?
+ Sprites, that were poets once, and are now all poetry, hover round the
+ dreaming bard, and become his inspiration; buried statesmen lend their
+ wisdom, gathered on earth and mellowed in the grave, to the historian; and
+ when the preacher rises nearest to the level of his mighty subject, it is
+ because the prophets of old days have communed with him. Who has not been
+ conscious of mysteries within his mind, mysteries of truth and reality,
+ which will not wear the chains of language? Mortal, then the dead were
+ with you! And thus shall the earth-dulled soul, whom I inspire, be
+ conscious of a misty brightness among his thoughts, and strive to make it
+ gleam upon the page,&mdash;but all in vain. Poor author! How will he
+ despise what he can grasp, for the sake of the dim glory that eludes him!
+ </p>
+ <p>
+ So talk we of graves and goblins. But, what have ghosts to do with graves?
+ Mortal man, wearing the dust which shall require a sepulchre, might deem
+ it more a home and resting-place than a spirit can, whose earthly clod has
+ returned to earth. Thus philosophers have reasoned. Yet wiser they who
+ adhere to the ancient sentiment, that a phantom haunts and hallows the
+ marble tomb or grassy hillock where its material form was laid. Till
+ purified from each stain of clay; till the passions of the living world
+ are all forgotten; till it have less brotherhood with the wayfarers of
+ earth, than with spirits that never wore mortality,&mdash;the ghost must
+ linger round the grave. O, it is a long and dreary watch to some of us!
+ </p>
+ <p>
+ Even in early childhood, I had selected a sweet spot, of shade and
+ glimmering sunshine, for my grave. It was no burial-ground, but a secluded
+ nook of virgin earth, where I used to sit, whole summer afternoons,
+ dreaming about life and death. My fancy ripened prematurely, and taught me
+ secrets which I could not otherwise have known. I pictured the coming
+ years,&mdash;they never came to me, indeed; but I pictured them like life,
+ and made this spot the scene of all that should be brightest, in youth,
+ manhood, and old age. There, in a little while, it would be time for me to
+ breathe the bashful and burning vows of first-love; thither, after
+ gathering fame abroad, I would return to enjoy the loud plaudit of the
+ world, a vast but unobtrusive sound, like the booming of a distant sea;
+ and thither, at the far-off close of life, an aged man would come, to
+ dream, as the boy was dreaming, and be as happy in the past as lie was in
+ futurity. Finally, when all should be finished, in that spot so hallowed,
+ in that soil so impregnated with the most precious of my bliss, there was
+ to be my grave. Methought it would be the sweetest grave that ever a
+ mortal frame reposed in, or an ethereal spirit haunted. There, too, in
+ future times, drawn thither by the spell which I had breathed around the
+ place, boyhood would sport and dream, and youth would love, and manhood
+ would enjoy, and age would dream again, and my ghost would watch but never
+ frighten them. Alas, the vanity of mortal projects, even when they centre
+ in the grave! I died in my first youth, before I had been a lover; at a
+ distance, also, from the grave which fancy had dug for me; and they buried
+ me in the thronged cemetery of a town, where my marble slab stands
+ unnoticed amid a hundred others. And there are coffins on each side of
+ mine!
+ </p>
+ <p>
+ &ldquo;Alas, poor ghost!&rdquo; will the reader say. Yet I am a happy ghost enough,
+ and disposed to be contented with my grave, if the sexton will but let it
+ be my own, and bring no other dead man to dispute my title. Earth has left
+ few stains upon me, and it will be but a short time that I need haunt the
+ place. It is good to die in early youth. Had I lived out threescore years
+ and ten, or half of them, my spirit would have been so earth-incrusted,
+ that centuries might not have purified it for a better home than the dark
+ precincts of the grave. Meantime, there is good choice of company amongst
+ us. From twilight till near sunrise, we are gliding to and fro, some in
+ the graveyard, others miles away; and would we speak with any friend, we
+ do but knock against his tombstone, and pronounce the name engraved on it:
+ in an instant, there the shadow stands!
+ </p>
+ <p>
+ Some are ghosts of considerable antiquity. There is an old man, hereabout;
+ he never had a tombstone, and is often puzzled to distinguish his own
+ grave; but hereabouts he haunts, and long is doomed to haunt. He was a
+ miser in his lifetime, and buried a strong box of ill-gotten gold, almost
+ fresh from the mint, in the coinage of William and Mary. Scarcely was it
+ safe, when the sexton buried the old man and his secret with him. I could
+ point out the place where the treasure lies; it was at the bottom of the
+ miser&rsquo;s garden; but a paved thoroughfare now passes beside the spot, and
+ the cornerstone of a market-house presses right down upon it. Had the
+ workmen dug six inches deeper, they would have found the hoard. Now
+ thither must this poor old miser go, whether in starlight, moonshine, or
+ pitch darkness, and brood above his worthless treasure, recalling all the
+ petty crimes by which he gained it. Not a coin must he fail to reckon in
+ his memory, nor forget a pennyworth of the sin that made up the sum,
+ though his agony is such as if the pieces of gold, red-hot, were stamped
+ into his naked soul. Often, while he is in torment there, he hears the
+ steps of living men, who love the dross of earth as well as he did. May
+ they never groan over their miserable wealth like him! Night after night,
+ for above a hundred years, hath he done this penance, and still must he do
+ it, till the iron box be brought to light, and each separate coin be
+ cleansed by grateful tears of a widow or an orphan. My spirit sighs for
+ his long vigil at the corner of the market-house!
+ </p>
+ <p>
+ There are ghosts whom I tremble to meet, and cannot think of without a
+ shudder. One has the guilt of blood upon him. The soul which he thrust
+ untimely forth has long since been summoned from our gloomy graveyard, and
+ dwells among the stars of heaven, too far and too high for even the
+ recollection of mortal anguish to ascend thither. Not so the murderer&rsquo;s
+ ghost! It is his doom to spend all the hours of darkness in the spot which
+ he stained with innocent blood, and to feel the hot stream&mdash;hot as
+ when it first gushed upon his hand&mdash;incorporating itself with his
+ spiritual substance. Thus his horrible crime is ever fresh within him. Two
+ other wretches are condemned to walk arm in arm. They were guilty lovers
+ in their lives, and still, in death, must wear the guise of love, though
+ hatred and loathing have become their very nature and existence. The
+ pollution of their mutual sin remains with them, and makes their souls
+ sick continually. O, that I might forget all the dark shadows which haunt
+ about these graves! This passing thought of them has left a stain, and
+ will weigh me down among dust and sorrow, beyond the time that my own
+ transgressions would have kept me here. There is one shade among us, whose
+ high nature it is good to meditate upon. He lived a patriot, and is a
+ patriot still. Posterity has forgotten him. The simple slab, of red
+ freestone, that bore his name, was broken long ago, and is now covered by
+ the gradual accumulation of the soil. A tuft of thistles is his only
+ monument. This upright spirit came to his grave, after a lengthened life,
+ with so little stain of earth, that he might, almost immediately, have
+ trodden the pathway of the sky. But his strong love of country chained him
+ down, to share its vicissitudes of weal or woe. With such deep yearning in
+ his soul, he was unfit for heaven. That noblest virtue has the effect of
+ sin, and keeps his pure and lofty spirit in a penance, which may not
+ terminate till America be again a wilderness. Not that there is no joy for
+ the dead patriot. Can he fail to experience it, while be contemplates the
+ mighty and increasing power of the land, which be protected in its
+ infancy? No; there is much to gladden him. But sometimes I dread to meet
+ him, as he returns from the bedchambers of rulers and politicians, after
+ diving into their secret motives, and searching out their aims. He looks
+ round him with a stern and awful sadness, and vanishes into his neglected
+ grave. Let nothing sordid or selfish defile your deeds or thoughts, ye
+ great men of the day, lest ye grieve the noble dead.
+ </p>
+ <p>
+ Few ghosts take such an endearing interest as this, even in their own
+ private affairs. It made me rather sad, at first, to find how soon the
+ flame of love expires amid the chill damps of the tomb; so much the
+ sooner, the more fiercely it may have burned. Forget your dead mistress,
+ youth! She has already forgotten you. Maiden, cease to weep for your
+ buried lover! He will know nothing of your tears, nor value them if he
+ did. Yet it were blasphemy to say that true love is other than immortal.
+ It is an earthly passion, of which I speak, mingled with little that is
+ spiritual, and must therefore perish with the perishing clay. When souls
+ have loved, there is no falsehood or forgetfulness. Maternal affection,
+ too, is strong as adamant. There are mothers here, among us, who might
+ have been in heaven fifty years ago, if they could forbear to cherish
+ earthly joy and sorrow, reflected from the bosoms of their children.
+ Husbands and wives have a comfortable gift of oblivion, especially when
+ secure of the faith of their living halves. Jealousy, it is true, will
+ play the devil with a ghost, driving him to the bedside of secondary
+ wedlock, there to scowl, unseen, and gibber inaudible remonstrances. Dead
+ wives, however jealous in their lifetime, seldom feel this posthumous
+ torment so acutely.
+ </p>
+ <p>
+ Many, many things, that appear most important while we walk the busy
+ street, lose all their interest the moment we are borne into the quiet
+ graveyard which borders it. For my own part, my spirit had not become so
+ mixed up with earthly existence, as to be now held in an unnatural
+ combination, or tortured much with retrospective cares. I still love my
+ parents and a younger sister, who remain among the living, and often
+ grieve me by their patient sorrow for the dead. Each separate tear of
+ theirs is an added weight upon my soul, and lengthens my stay among the
+ graves. As to other matters, it exceedingly rejoices me, that my summons
+ came before I had time to write a projected poem, which was highly
+ imaginative in conception, and could not have failed to give me a
+ triumphant rank in the choir of our native bards. Nothing is so much to be
+ deprecated as posthumous renown. It keeps the immortal spirit from the
+ proper bliss of his celestial state, and causes him to feed upon the
+ impure breath of mortal man, till sometimes he forgets that there are
+ starry realms above him. Few poets&mdash;infatuated that they are!&mdash;soar
+ upward while the least whisper of their name is heard on earth. On Sabbath
+ evenings, my sisters sit by the fireside, between our father and mother,
+ and repeat some hymns of mine, which they have often heard from my own
+ lips, ere the tremulous voice left them forever. Little do they think,
+ those dear ones, that the dead stands listening in the glimmer of the
+ firelight, and is almost gifted with a visible shape by the fond intensity
+ of their remembrance.
+ </p>
+ <p>
+ Now shall the reader know a grief of the poor ghost that speaks to him; a
+ grief, but not a helpless one. Since I have dwelt among the graves, they
+ bore the corpse of a young maiden hither, and laid her in the old
+ ancestral vault, which is hollowed in the side of a grassy bank. It has a
+ door of stone, with rusty iron hinges, and above it, a rude sculpture of
+ the family arms, and inscriptions of all their names who have been buried
+ there, including sire and son, mother and daughter, of an ancient colonial
+ race. All of her lineage had gone before, and when the young maiden
+ followed, the portal was closed forever. The night after her burial, when
+ the other ghosts were flitting about their graves, forth came the pale
+ virgin&rsquo;s shadow, with the rest, but knew not whither to go, nor whom to
+ haunt, so lonesome had she been on earth. She stood by the ancient
+ sepulchre, looking upward to the bright stars, as if she would, even then,
+ begin her flight. Her sadness made me sad. That night and the next, I
+ stood near her, in the moonshine, but dared not speak, because she seemed
+ purer than all the ghosts, and fitter to converse with angels than with
+ men. But the third bright eve, still gazing upward to the glory of the
+ heavens, she sighed, and said, &ldquo;When will my mother come for me?&rdquo; Her low,
+ sweet voice emboldened me to speak, and she was kind and gentle, though so
+ pure, and answered me again. From that time, always at the ghostly hour, I
+ sought the old tomb of her fathers, and either found her standing by the
+ door, or knocked, and she appeared. Blessed creature, that she was; her
+ chaste spirit hallowed mine, and imparted such a celestial buoyancy, that
+ I longed to grasp her hand, and fly,&mdash;upward, aloft, aloft! I
+ thought, too, that she only lingered here, till my earthlier soul should
+ be purified for heaven. One night, when the stars threw down the light
+ that shadows love, I stole forth to the accustomed spot, and knocked, with
+ my airy fingers, at her door. She answered not. Again I knocked, and
+ breathed her name. Where was she? At once, the truth fell on my miserable
+ spirit, and crushed it to the earth, among dead men&rsquo;s bones and mouldering
+ dust, groaning in cold and desolate agony. Her penance was over! She had
+ taken her trackless flight, and had found a home in the purest radiance of
+ the upper stars, leaving me to knock at the stone portal of the darksome
+ sepulchre. But I know&mdash;I know, that angels hurried her away, or
+ surely she would have whispered ere she fled!
+ </p>
+ <p>
+ She is gone! How could the grave imprison that unspotted one! But her
+ pure, ethereal spirit will not quite forget me, nor soar too high in
+ bliss, till I ascend to join her. Soon, soon be that hour! I am weary of
+ the earth-damps; they burden me; they choke me! Already, I can float in
+ the moonshine; the faint starlight will almost bear up my footsteps; the
+ perfume of flowers, which grosser spirits love, is now too earthly a
+ luxury for me. Grave! Grave! thou art not my home. I must flit a little
+ longer in thy night gloom, and then be gone,&mdash;far from the dust of
+ the living and the dead,&mdash;far from the corruption that is around me,
+ but no more within!
+ </p>
+ <p>
+ A few times, I have visited the chamber of one who walks, obscure and
+ lonely, on his mortal pilgrimage. He will leave not many living friends,
+ when he goes to join the dead, where his thoughts often stray, and he
+ might better be. I steal into his sleep, and play my part among the
+ figures of his dreams. I glide through the moonlight of his waking fancy,
+ and whisper conceptions, which, with a strange thrill of fear, he writes
+ down as his own. I stand beside him now, at midnight, telling these dreamy
+ truths with a voice so dream-like, that he mistakes them for fictions of a
+ brain too prone to such. Yet he glances behind him and shivers, while the
+ lamp burns pale. Farewell, dreamer,&mdash;waking or sleeping! Your
+ brightest dreams are fled; your mind grows too hard and cold for a
+ spiritual guest to enter; you are earthly, too, and have all the sins of
+ earth. The ghost will visit you no more.
+ </p>
+ <p>
+ But where is the maiden, holy and pure, though wearing a form of clay,
+ that would have me bend over her pillow at midnight, and leave a blessing
+ there? With a silent invocation, let her summon me. Shrink not, maiden,
+ when I come! In life, I was a high-souled youth, meditative, yet seldom
+ sad, full of chaste fancies, and stainless from all grosser sin. And now,
+ ill death, I bring no loathsome smell of the grave, nor ghostly terrors,&mdash;but
+ gentle, and soothing, and sweetly pensive influences. Perhaps, just
+ fluttering for the skies, my visit may hallow the wellsprings of thy
+ thought, and make thee heavenly here on earth. Then shall pure dreams and
+ holy meditations bless thy life; nor thy sainted spirit linger round the
+ grave, but seek the upper stars, and meet me there!
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg&rsquo;s Other Tales and Sketches, by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK OTHER TALES AND SKETCHES ***
+
+***** This file should be named 9248-h.htm or 9248-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/4/9248/
+
+Produced by David Widger and Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/9248.txt b/9248.txt
new file mode 100644
index 0000000..8a84100
--- /dev/null
+++ b/9248.txt
@@ -0,0 +1,1414 @@
+Project Gutenberg's Other Tales and Sketches, by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Other Tales and Sketches
+
+Author: Nathaniel Hawthorne
+
+Posting Date: December 23, 2010 [EBook #9248]
+Release Date: November, 2005
+First Posted: September 25, 2003
+Last Updated: February 8, 2007
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK OTHER TALES AND SKETCHES ***
+
+
+
+
+Produced by David Widger. HTML version by Al Haines.
+
+
+
+
+
+
+
+
+
+ THE DOLIVER ROMANCE AND OTHER PIECES
+
+ TALES AND SKETCHES
+
+ By Nathaniel Hawthorne
+
+
+ OTHER TALES AND SKETCHES
+
+
+
+
+CONTENTS:
+ My Visit To Niagara
+ The Antique Ring
+ Graves And Goblins
+
+
+
+MY VISIT TO NIAGARA.
+
+Never did a pilgrim approach Niagara with deeper enthusiasm than mine.
+I had lingered away from it, and wandered to other scenes, because my
+treasury of anticipated enjoyments, comprising all the wonders of the
+world, had nothing else so magnificent, and I was loath to exchange the
+pleasures of hope for those of memory so soon. At length the day came.
+The stage-coach, with a Frenchman and myself on the back seat, had
+already left Lewiston, and in less than an hour would set us down in
+Manchester. I began to listen for the roar of the cataract, and
+trembled with a sensation like dread, as the moment drew nigh, when its
+voice of ages must roll, for the first time, on my ear. The French
+gentleman stretched himself from the window, and expressed loud
+admiration, while, by a sudden impulse, I threw myself back and closed
+my eyes. When the scene shut in, I was glad to think, that for me the
+whole burst of Niagara was yet in futurity. We rolled on, and entered
+the village of Manchester, bordering on the falls.
+
+I am quite ashamed of myself here. Not that I ran, like a madman to the
+falls, and plunged into the thickest of the spray,--never stopping to
+breathe, till breathing was impossible: not that I committed this, or
+any other suitable extravagance. On the contrary, I alighted with
+perfect decency and composure, gave my cloak to the black waiter,
+pointed out my baggage, and inquired, not the nearest way to the
+cataract, but about the dinner-hour. The interval was spent in
+arranging my dress. Within the last fifteen minutes, my mind had grown
+strangely benumbed, and my spirits apathetic, with a slight depression,
+not decided enough to be termed sadness. My enthusiasm was in a
+deathlike slumber. Without aspiring to immortality, as he did, I could
+have imitated that English traveller, who turned back from the point
+where he first heard the thunder of Niagara, after crossing the ocean to
+behold it. Many a Western trader, by the by, has performed a similar
+act of heroism with more heroic simplicity, deeming it no such wonderful
+feat to dine at the hotel and resume his route to Buffalo or Lewiston,
+while the cataract was roaring unseen.
+
+Such has often been my apathy, when objects, long sought, and earnestly
+desired, were placed within my reach. After dinner--at which an
+unwonted and perverse epicurism detained me longer than usual--I lighted
+a cigar and paced the piazza, minutely attentive to the aspect and
+business of a very ordinary village. Finally, with reluctant step, and
+the feeling of an intruder, I walked towards Goat Island. At the
+tollhouse, there were further excuses for delaying the inevitable
+moment. My signature was required in a huge ledger, containing similar
+records innumerable, many of which I read. The skin of a great
+sturgeon, and other fishes, beasts, and reptiles; a collection of
+minerals, such as lie in heaps near the falls; some Indian moccasins,
+and other trifles, made of deer-skin and embroidered with beads; several
+newspapers from Montreal, New York, and Boston;--all attracted me in
+turn. Out of a number of twisted sticks, the manufacture of a Tuscarora
+Indian, I selected one of curled maple, curiously convoluted, and
+adorned with the carved images of a snake and a fish. Using this as my
+pilgrim's staff, I crossed the bridge. Above and below me were the
+rapids, a river of impetuous snow, with here and there a dark rock amid
+its whiteness, resisting all the physical fury, as any cold spirit did
+the moral influences of the scene. On reaching Goat Island, which
+separates the two great segments of the falls, I chose the right-hand
+path, and followed it to the edge of the American cascade. There, while
+the falling sheet was yet invisible, I saw the vapor that never
+vanishes, and the Eternal Rainbow of Niagara.
+
+It was an afternoon of glorious sunshine, without a cloud, save those of
+the cataracts. I gained an insulated rock, and beheld a broad sheet of
+brilliant and unbroken foam, not shooting in a curved line from the top
+of the precipice, but falling headlong down from height to depth. A
+narrow stream diverged from the main branch, and hurried over the crag
+by a channel of its own, leaving a little pine-clad island and a streak
+of precipice, between itself and the larger sheet. Below arose the
+mist, on which was painted a dazzling sun-bow with two concentric
+shadows,--one, almost as perfect as the original brightness; and the
+other, drawn faintly round the broken edge of the cloud.
+
+Still I had not half seen Niagara. Following the verge of the island,
+the path led me to the Horseshoe, where the real, broad St. Lawrence,
+rushing along on a level with its banks, pours its whole breadth over a
+concave line of precipice, and thence pursues its course between lofty
+crags towards Ontario. A sort of bridge, two or three feet wide,
+stretches out along the edge of the descending sheet, and hangs upon the
+rising mist, as if that were the foundation of the frail structure.
+Here I stationed myself in the blast of wind, which the rushing river
+bore along with it. The bridge was tremulous beneath me, and marked the
+tremor of the solid earth. I looked along the whitening rapids, and
+endeavored to distinguish a mass of water far above the falls, to follow
+it to their verge, and go down with it, in fancy, to the abyss of clouds
+and storm. Casting my eyes across the river, and every side, I took in
+the whole scene at a glance, and tried to comprehend it in one vast
+idea. After an hour thus spent, I left the bridge, and, by a staircase,
+winding almost interminably round a post, descended to the base of the
+precipice. From that point, my path lay over slippery stones, and among
+great fragments of the cliff, to the edge of the cataract, where the
+wind at once enveloped me in spray, and perhaps dashed the rainbow round
+me. Were my long desires fulfilled? And had I seen Niagara?
+
+O that I had never heard of Niagara till I beheld it! Blessed were the
+wanderers of old, who heard its deep roar, sounding through the woods,
+as the summons to an unknown wonder, and approached its awful brink, in
+all the freshness of native feeling. Had its own mysterious voice been
+the first to warn me of its existence, then, indeed, I might have knelt
+down and worshipped. But I had come thither, haunted with a vision of
+foam and fury, and dizzy cliffs, and an ocean tumbling down out of the
+sky,--a scene, in short, which nature had too much good taste and calm
+simplicity to realize. My mind had struggled to adapt these false
+conceptions to the reality, and finding the effort vain, a wretched
+sense of disappointment weighed me down. I climbed the precipice, and
+threw myself on the earth, feeling that I was unworthy to look at the
+Great Falls, and careless about beholding them again.
+
+All that night, as there has been and will be, for ages past and to
+come, a rushing sound was heard, as if a great tempest were sweeping
+through the air. It mingled with my dreams, and made them full of storm
+and whirlwind. Whenever I awoke, and heard this dread sound in the air,
+and the windows rattling as with a mighty blast, I could not rest again,
+till looking forth, I saw how bright the stars were, and that every leaf
+in the garden was motionless. Never was a summer night more calm to the
+eye, nor a gale of autumn louder to the ear. The rushing sound proceeds
+from the rapids, and the rattling of the casements is but an effect of
+the vibration of the whole house, shaken by the jar of the cataract.
+The noise of the rapids draws the attention from the true voice of
+Niagara, which is a dull, muffed thunder, resounding between the cliffs.
+I spent a wakeful hour at midnight, in distinguishing its
+reverberations, and rejoiced to find that my former awe and enthusiasm
+were reviving.
+
+Gradually, and after much contemplation, I came to know, by my own
+feelings, that Niagara is indeed a wonder of the world, and not the less
+wonderful, because time and thought must be employed in comprehending
+it. Casting aside all preconceived notions, and preparation to be
+dire-struck or delighted, the beholder must stand beside it in the
+simplicity of his heart, suffering the mighty scene to work its own
+impression. Night after night, I dreamed of it, and was gladdened every
+morning by the consciousness of a growing capacity to enjoy it. Yet I
+will not pretend to the all-absorbing enthusiasm of some more fortunate
+spectators, nor deny that very trifling causes would draw my eyes and
+thoughts from the cataract.
+
+The last day that I was to spend at Niagara, before my departure for the
+Far West, I sat upon the Table Rock. This celebrated station did not
+now, as of old, project fifty feet beyond the line of the precipice, but
+was shattered by the fall of an immense fragment, which lay distant on
+the shore below. Still, on the utmost verge of the rock, with my feet
+hanging over it, I felt as if suspended in the open air. Never before
+had my mind been in such perfect unison with the scene. There were
+intervals, when I was conscious of nothing but the great river, rolling
+calmly into the abyss, rather descending than precipitating itself, and
+acquiring tenfold majesty from its unhurried motion. It came like the
+march of Destiny. It was not taken by surprise, but seemed to have
+anticipated, in all its course through the broad lakes, that it must
+pour their collected waters down this height. The perfect foam of the
+river, after its descent, and the ever-varying shapes of mist, rising
+up, to become clouds in the sky, would be the very picture of confusion,
+were it merely transient, like the rage of a tempest. But when the
+beholder has stood awhile, and perceives no lull in the storm, and
+considers that the vapor and the foam are as everlasting as the rocks
+which produce them, all this turmoil assumes a sort of calmness. It
+soothes, while it awes the mind.
+
+Leaning over the cliff, I saw the guide conducting two adventurers
+behind the falls. It was pleasant, from that high seat in the sunshine,
+to observe them struggling against the eternal storm of the lower
+regions, with heads bent down, now faltering, now pressing forward, and
+finally swallowed up in their victory. After their disappearance, a
+blast rushed out with an old hat, which it had swept from one of their
+heads. The rock, to which they were directing their unseen course, is
+marked, at a fearful distance on the exterior of the sheet, by a jet of
+foam. The attempt to reach it appears both poetical and perilous to a
+looker-on, but may be accomplished without much more difficulty or
+hazard, than in stemming a violent northeaster. In a few moments, forth
+came the children of the mist. Dripping and breathless, they crept
+along the base of the cliff, ascended to the guide's cottage, and
+received, I presume, a certificate of their achievement, with three
+verses of sublime poetry on the back.
+
+My contemplations were often interrupted by strangers, who came down
+from Forsyth's to take their first view of the falls. A short, ruddy,
+middle-aged gentleman, fresh from Old England, peeped over the rock, and
+evinced his approbation by a broad grin. His spouse, a very robust
+lady, afforded a sweet example of maternal solicitude, being so intent
+on the safety of her little boy that she did not even glance at Niagara.
+As for the child, he gave himself wholly to the enjoyment of a stick of
+candy. Another traveller, a native American, and no rare character
+among us, produced a volume of Captain Hall's tour, and labored
+earnestly to adjust Niagara to the captain's description, departing, at
+last, without one new idea or sensation of his own. The next comer was
+provided, not with a printed book, but with a blank sheet of foolscap,
+from top to bottom of which, by means of an ever-pointed pencil, the
+cataract was made to thunder. In a little talk, which we had together,
+he awarded his approbation to the general view, but censured the
+position of Goat Island, observing that it should have been thrown
+farther to the right, so as to widen the American falls, and contract
+those of the Horseshoe. Next appeared two traders of Michigan, who
+declared, that, upon the whole, the sight was worth looking at, there
+certainly was an immense water-power here; but that, after all, they
+would go twice as far to see the noble stone-works of Lockport, where
+the Grand Canal is locked down a descent of sixty feet. They were
+succeeded by a young fellow, in a homespun cotton dress, with a staff in
+his hand, and a pack over his shoulders. He advanced close to the edge
+of the rock, where his attention, at first wavering among the different
+components of the scene, finally became fixed in the angle of the Horse
+shoe falls, which is, indeed, the central point of interest. His whole
+soul seemed to go forth and be transported thither, till the staff
+slipped from his relaxed grasp, and falling down--down--down--struck
+upon the fragment of the Table Rock.
+
+In this manner I spent some hours, watching the varied impression, made
+by the cataract, on those who disturbed me, and returning to unwearied
+contemplation, when left alone. At length my time came to depart.
+There is a grassy footpath, through the woods, along the summit of the
+bank, to a point whence a causeway, hewn in the side of the precipice,
+goes winding down to the Ferry, about half a mile below the Table Rock.
+The sun was near setting, when I emerged from the shadow of the trees,
+and began the descent. The indirectness of my downward road continually
+changed the point of view, and showed me, in rich and repeated
+succession, now, the whitening rapids and majestic leap of the main
+river, which appeared more deeply massive as the light departed; now,
+the lovelier picture, yet still sublime, of Goat Island, with its rocks
+and grove, and the lesser falls, tumbling over the right bank of the St.
+Lawrence, like a tributary stream; now, the long vista of the river, as
+it eddied and whirled between the cliffs, to pass through Ontario toward
+the sea, and everywhere to be wondered at, for this one unrivalled
+scene. The golden sunshine tinged the sheet of the American cascade,
+and painted on its heaving spray the broken semicircle of a rainbow,
+heaven's own beauty crowning earth's sublimity. My steps were slow, and
+I paused long at every turn of the descent, as one lingers and pauses,
+who discerns a brighter and brightening excellence in what he must soon
+behold no more. The solitude of the old wilderness now reigned over the
+whole vicinity of the falls. My enjoyment became the more rapturous,
+because no poet shared it, nor wretch devoid of poetry profaned it; but
+the spot so famous through the world was all my own!
+
+
+
+
+
+
+THE ANTIQUE RING.
+
+"Yes, indeed: the gem is as bright as a star, and curiously set," said
+Clara Pembertou, examining an antique ring, which her betrothed lover
+had just presented to her, with a very pretty speech. "It needs only
+one thing to make it perfect."
+
+"And what is that?" asked Mr. Edward Caryl, secretly anxious for the
+credit of his gift. "A modern setting, perhaps?"
+
+"O, no! That would destroy the charm at once," replied Clara. "It
+needs nothing but a story. I long to know how many times it has been
+the pledge of faith between two lovers, and whether the vows, of which
+it was the symbol, were always kept or often broken. Not that I should
+be too scrupulous about facts. If you happen to be unacquainted with
+its authentic history, so much the better. May it not have sparkled
+upon a queen's finger? Or who knows but it is the very ring which
+Posthumus received from Imogen? In short, you must kindle your
+imagination at the lustre of this diamond, and make a legend for it."
+
+Now such a task--and doubtless Clara knew it--was the most acceptable
+that could have been imposed on Edward Caryl. He was one of that
+multitude of young gentlemen--limbs, or rather twigs of the law--whose
+names appear in gilt letters on the front of Tudor's Buildings, and
+other places in the vicinity of the Court House, which seem to be the
+haunt of the gentler as well as the severer Muses. Edward, in the
+dearth of clients, was accustomed to employ his much leisure in
+assisting the growth of American Literature, to which good cause he had
+contributed not a few quires of the finest letter-paper, containing some
+thought, some fancy, some depth of feeling, together with a young
+writer's abundance of conceits. Sonnets, stanzas of Tennysonian
+sweetness, tales imbued with German mysticism, versions from Jean Paul,
+criticisms of the old English poets, and essays smacking of Dialistic
+philosophy, were among his multifarious productions. The editors of the
+fashionable periodicals were familiar with his autograph, and inscribed
+his name in those brilliant bead-rolls of ink-stained celebrity, which
+illustrate the first page of their covers. Nor did fame withhold her
+laurel. Hillard had included him among the lights of the New England
+metropolis, in his Boston Book; Bryant had found room for some of his
+stanzas, in the Selections from American Poetry; and Mr. Griswold, in
+his recent assemblage of the sons and daughters of song, had introduced
+Edward Caryl into the inner court of the temple, among his fourscore
+choicest bards. There was a prospect, indeed, of his assuming a still
+higher and more independent position. Interviews had been held with
+Ticknor, and a correspondence with the Harpers, respecting a proposed
+volume, chiefly to consist of Mr. Caryl's fugitive pieces in the
+Magazines, but to be accompanied with a poem of some length, never
+before published. Not improbably, the public may yet be gratified with
+this collection.
+
+Meanwhile, we sum up our sketch of Edward Caryl, by pronouncing him,
+though somewhat of a carpet knight in literature, yet no unfavorable
+specimen of a generation of rising writers, whose spirit is such that we
+may reasonably expect creditable attempts from all, and good and
+beautiful results from some. And, it will be observed, Edward was the
+very man to write pretty legends, at a lady's instance, for an
+old-fashioned diamond ring. He took the jewel in his hand, and turned it
+so as to catch its scintillating radiance, as if hoping, in accordance with
+Clara's suggestion, to light up his fancy with that starlike gleam.
+
+"Shall it be a ballad?--a tale in verse?" he inquired. "Enchanted
+rings often glisten in old English poetry, I think something may be done
+with the subject; but it is fitter for rhyme than prose."
+
+"No, no," said Miss Pemberton, "we will have no more rhyme than just
+enough for a posy to the ring. You must tell the legend in simple
+prose; and when it is finished, I will make a little party to hear it
+read."
+
+The young gentleman promised obedience; and going to his pillow, with
+his head full of the familiar spirits that used to be worn in rings,
+watches, and sword-hilts, he had the good fortune to possess himself of
+an available idea in a dream. Connecting this with what he himself
+chanced to know of the ring's real history, his task was done. Clara
+Pemberton invited a select few of her friends, all holding the stanchest
+faith in Edward's genius, and therefore the most genial auditors, if not
+altogether the fairest critics, that a writer could possibly desire.
+Blessed be woman for her faculty of admiration, and especially for her
+tendency to admire with her heart, when man, at most, grants merely a
+cold approval with his mind!
+
+Drawing his chair beneath the blaze of a solar lamp, Edward Caryl untied
+a roll of glossy paper, and began as follows:--
+
+
+THE LEGEND
+
+After the death-warrant had been read to the Earl of Essex, and on the
+evening before his appointed execution, the Countess of Shrewsbury paid
+his lordship a visit, and found him, as it appeared, toying childishly
+with a ring. The diamond, that enriched it, glittered like a little
+star, but with a singular tinge of red. The gloomy prison-chamber in
+the Tower, with its deep and narrow windows piercing the walls of stone,
+was now all that the earl possessed of worldly prospect; so that there
+was the less wonder that he should look steadfastly into the gem, and
+moralize upon earth's deceitful splendor, as men in darkness and ruin
+seldom fail to do. But the shrewd observations of the countess,--an
+artful and unprincipled woman,--the pretended friend of Essex, but who
+had come to glut her revenge for a deed of scorn which he himself had
+forgotten,--her keen eye detected a deeper interest attached to this
+jewel. Even while expressing his gratitude for her remembrance of a
+ruined favorite, and condemned criminal, the earl's glance reverted to
+the ring, as if all that remained of time and its affairs were collected
+within that small golden circlet.
+
+"My dear lord," observed the countess, "there is surely some matter of
+great moment wherewith this ring is connected, since it, so absorbs your
+mind. A token, it may be, of some fair lady's love,--alas, poor lady,
+once richest in possessing such a heart! Would you that the jewel be
+returned to her?"
+
+"The queen! the queen! It was her Majesty's own gift," replied the
+earl, still gazing into the depths of the gem. "She took it from her
+finger, and told me, with a smile, that it was an heirloom from her
+Tudor ancestors, and had once been the property of Merlin, the British
+wizard, who gave it to the lady of his love. His art had made this
+diamond the abiding-place of a spirit, which, though of fiendish nature,
+was bound to work only good, so long as the ring was an unviolated
+pledge of love and faith, both with the giver and receiver. But should
+love prove false, and faith be broken, then the evil spirit would work
+his own devilish will, until the ring were purified by becoming the
+medium of some good and holy act, and again the pledge of faithful love.
+The gem soon lost its virtue; for the wizard was murdered by the very
+lady to whom he gave it."
+
+"An idle legend!" said the countess.
+
+"It is so," answered Essex, with a melancholy smile. "Yet the queen's
+favor, of which this ring was the symbol, has proved my ruin. When
+death is nigh, men converse with dreams and shadows. I have been gazing
+into the diamond, and fancying--but you will laugh at me--that I might
+catch a glimpse of the evil spirit there. Do you observe this red
+glow,--dusky, too, amid all the brightness? It is the token of his
+presence; and even now, methinks, it grows redder and duskier, like an
+angry sunset."
+
+Nevertheless, the earl's manner testified how slight was his credence in
+the enchanted properties of the ring. But there is a kind of
+playfulness that comes in moments of despair, when the reality of
+misfortune, if entirely felt, would crush the soul at once. He now, for
+a brief space, was lost in thought, while the countess contemplated him
+with malignant satisfaction.
+
+"This ring," he resumed, in another tone, "alone remains, of all that my
+royal mistress's favor lavished upon her servant. My fortune once shone
+as brightly as the gem. And now, such a darkness has fallen around me,
+methinks it would be no marvel if its gleam--the sole light of my
+prison-house--were to be forthwith extinguished; inasmuch as my last
+earthly hope depends upon it."
+
+"How say you, my lord?" asked the Countess of Shrewsbury. "The stone
+is bright; but there should be strange magic in it, if it can keep your
+hopes alive, at this sad hour. Alas! these iron bars and ramparts of
+the Tower are unlike to yield to such a spell."
+
+Essex raised his head involuntarily; for there was something in the
+countess's tone that disturbed him, although he could not suspect that
+an enemy had intruded upon the sacred privacy of a prisoner's dungeon,
+to exult over so dark a ruin of such once brilliant fortunes. He looked
+her in the face, but saw nothing to awaken his distrust. It would have
+required a keener eye than even Cecil's to read the secret of a
+countenance, which had been worn so long in the false light of a court,
+that it was now little better than a mask, telling any story save the
+true one. The condemned nobleman again bent over the ring, and
+proceeded:
+
+"It once had power in it,--this bright gem,--the magic that appertains
+to the talisman of a great queen's favor. She bade me, if hereafter I
+should fall into her disgrace,--how deep soever, and whatever might be
+the crime,--to convey this jewel to her sight, and it should plead for
+me. Doubtless, with her piercing judgment, she had even then detected
+the rashness of my nature, and foreboded some such deed as has now
+brought destruction upon my bead. And knowing, too, her own hereditary
+rigor, she designed, it may be, that the memory of gentler and kindlier
+hours should soften her heart in my behalf, when my need should be the
+greatest. I have doubted,--I have distrusted,--yet who can tell, even
+now, what happy influence this ring might have?"
+
+"You have delayed full long to show the ring, and plead her Majesty's
+gracious promise," remarked the countess,--"your state being what it
+is."
+
+"True," replied the earl: "but for my honor's sake, I was loath to
+entreat the queen's mercy, while I might hope for life, at least, from
+the justice of the laws. If, on a trial by my peers, I had been
+acquitted of meditating violence against her sacred life, then would I
+have fallen at her feet, and presenting the jewel, have prayed no other
+favor than that my love and zeal should be put to the severest test.
+But now--it were confessing too much--it were cringing too low--to beg
+the miserable gift of life, on no other score than the tenderness which
+her Majesty deems one to have forfeited!"
+
+"Yet it is your only hope," said the countess.
+
+"And besides," continued Essex, pursuing his own reflections, "of what
+avail will be this token of womanly feeling, when, on the other hand,
+are arrayed the all-prevailing motives of state policy, and the
+artifices and intrigues of courtiers, to consummate my downfall? Will
+Cecil or Raleigh suffer her heart to act for itself, even if the spirit
+of her father were not in her? It is in vain to hope it."
+
+But still Essex gazed at the ring with an absorbed attention, that
+proved how much hope his sanguine temperament had concentrated here,
+when there was none else for him in the wide world, save what lay in the
+compass of that hoop of gold. The spark of brightness within the
+diamond, which gleamed like an intenser than earthly fire, was the
+memorial of his dazzling career. It had not paled with the waning
+sunshine of his mistress's favor; on the contrary, in spite of its
+remarkable tinge of dusky red, he fancied that it never shone so
+brightly. The glow of festal torches,--the blaze of perfumed
+lamps,--bonfires that had been kindled for him, when he was the darling of
+the people,--the splendor of the royal court, where he had been the
+peculiar star,--all seemed to have collected their moral or material glory
+into the gem, and to burn with a radiance caught from the future, as well
+as gathered from the past. That radiance might break forth again.
+Bursting from the diamond, into which it was now narrowed, it might been
+first upon the gloomy walls of the Tower,--then wider, wider, wider,--till
+all England, and the seas around her cliffs, should be gladdened
+with the light. It was such an ecstasy as often ensues after long
+depression, and has been supposed to precede the circumstances of
+darkest fate that may befall mortal man. The earl pressed the ring to
+his heart as if it were indeed a talisman, the habitation of a spirit,
+as the queen had playfully assured him,--but a spirit of happier
+influences than her legend spake of.
+
+"O, could I but make my way to her footstool!" cried he, waving his
+hand aloft, while he paced the stone pavement of his prison-chamber with
+an impetuous step. "I might kneel down, indeed, a ruined man, condemned
+to the block, but how should I rise again? Once more the favorite of
+Elizabeth!--England's proudest noble!--with such prospects as ambition
+never aimed at! Why have I tarried so long in this weary dungeon? The
+ring has power to set me free! The palace wants me! Ho, jailer, unbar
+the door!"
+
+But then occurred the recollection of the impossibility of obtaining an
+interview with his fatally estranged mistress, and testing the influence
+over her affections, which he still flattered himself with possessing.
+Could he step beyond the limits of his prison, the world would be all
+sunshine; but here was only gloom and death.
+
+"Alas!" said he, slowly and sadly, letting his head fall upon his hands.
+"I die for the lack of one blessed word."
+
+The Countess of Shrewsbury, herself forgotten amid the earl's gorgeous
+visions, had watched him with an aspect that could have betrayed nothing
+to the most suspicious observer; unless that it was too calm for
+humanity, while witnessing the flutterings, as it were, of a generous
+heart in the death-agony. She now approached him.
+
+"My good lord," she said, "what mean you to do?"
+
+"Nothing,--my deeds are done!" replied he, despondingly; "yet, had a
+fallen favorite any friends, I would entreat one of them to lay this
+ring at her Majesty's feet; albeit with little hope, save that,
+hereafter, it might remind her that poor Essex, once far too highly
+favored, was at last too severely dealt with."
+
+"I will be that friend," said the countess. "There is no time to be
+lost. Trust this precious ring with me. This very night the queen's
+eye shall rest upon it; nor shall the efficacy of my poor words be
+wanting, to strengthen the impression which it will doubtless make."
+
+The earl's first impulse was to hold out the ring. But looking at the
+countess, as she bent forward to receive it, he fancied that the red
+glow of the gem tinged all her face, and gave it an ominous expression.
+Many passages of past times recurred to his memory. A preternatural
+insight, perchance caught from approaching death, threw its momentary
+gleam, as from a meteor, all round his position.
+
+"Countess," he said, "I know not wherefore I hesitate, being in a plight
+so desperate, and having so little choice of friends. But have you
+looked into your own heart? Can you perform this office with the
+truth--the earnestness--time--zeal, even to tears, and agony of
+spirit--wherewith the holy gift of human life should be pleaded for? Woe
+be unto you, should you undertake this task, and deal towards me otherwise
+than with utmost faith! For your own soul's sake, and as you would have
+peace at your death-hour, consider well in what spirit you receive this
+ring!"
+
+The countess did not shrink.
+
+"My lord!--my good lord!" she exclaimed, "wrong not a woman's heart by
+these suspicious. You might choose another messenger; but who, save a
+lady of her bedchamber, can obtain access to the queen at this untimely
+hour? It is for your life,--for your life,--else I would not renew my
+offer."
+
+"Take the ring," said the earl.
+
+"Believe that it shall be in the queen's hands before the lapse of
+another hour," replied the countess, as she received this sacred trust
+of life and death. "To-morrow morning look for the result of my
+intercession."
+
+She departed. Again the earl's hopes rose high. Dreams visited his
+slumber, not of the sable-decked scaffold in the Tower-yard, but of
+canopies of state, obsequious courtiers, pomp, splendor, the smile of
+the once more gracious queen, and a light beaming from the magic gem,
+which illuminated his whole future.
+
+History records how foully the Countess of Shrewsbury betrayed the
+trust, which Essex, in his utmost need, confided to her. She kept the
+ring, and stood in the presence of Elizabeth, that night, without one
+attempt to soften her stern hereditary temper in behalf of the former
+favorite. The next day the earl's noble head rolled upon the scaffold.
+On her death-bed, tortured, at last, with a sense of the dreadful guilt
+which she had taken upon her soul, the wicked countess sent for
+Elizabeth, revealed the story of the ring, and besought forgiveness for
+her treachery. But the queen, still obdurate, even while remorse for
+past obduracy was tugging at her heart-strings, shook the dying woman in
+her bed, as if struggling with death for the privilege of wreaking her
+revenge and spite. The spirit of the countess passed away, to undergo
+the justice, or receive the mercy, of a higher tribunal; and tradition
+says, that the fatal ring was found upon her breast, where it had
+imprinted a dark red circle, resembling the effect of the intensest
+heat. The attendants, who prepared the body for burial, shuddered,
+whispering one to another, that the ring must have derived its heat from
+the glow of infernal fire. They left it on her breast, in the coffin,
+and it went with that guilty woman to the tomb.
+
+Many years afterward, when the church, that contained the monuments of
+the Shrewsbury family, was desecrated by Cromwell's soldiers, they broke
+open the ancestral vaults, and stole whatever was valuable from the
+noble personages who reposed there. Merlin's antique ring passed into
+the possession of a stout sergeant of the Ironsides, who thus became
+subject to the influences of the evil spirit that still kept his abode
+within the gem's enchanted depths. The sergeant was soon slain in
+battle, thus transmitting the ring, though without any legal form of
+testament, to a gay cavalier, who forthwith pawned it, and expended the
+money in liquor, which speedily brought him to the grave. We next catch
+the sparkle of the magic diamond at various epochs of the merry reign of
+Charles the Second. But its sinister fortune still attended it. From
+whatever hand this ring of portent came, and whatever finger it
+encircled, ever it was the pledge of deceit between man and man, or man
+and woman, of faithless vows, and unhallowed passion; and whether to
+lords and ladies, or to village-maids,--for sometimes it found its way
+so low,--still it brought nothing but sorrow and disgrace. No purifying
+deed was done, to drive the fiend from his bright home in this little
+star. Again, we hear of it at a later period, when Sir Robert Walpole
+bestowed the ring, among far richer jewels, on the lady of a British
+legislator, whose political honor he wished to undermine. Many a dismal
+and unhappy tale might be wrought out of its other adventures. All this
+while, its ominous tinge of dusky red had been deepening and darkening,
+until, if laid upon white paper, it cast the mingled hue of night and
+blood, strangely illuminated with scintillating light, in a circle round
+about. But this peculiarity only made it the more valuable.
+
+Alas, the fatal ring! When shall its dark secret be discovered, and the
+doom of ill, inherited from one possessor to another, be finally
+revoked?
+
+The legend now crosses the Atlantic, and comes down to our own immediate
+time. In a certain church of our city, not many evenings ago, there was
+a contribution for a charitable object. A fervid preacher had poured
+out his whole soul in a rich and tender discourse, which had at least
+excited the tears, and perhaps the more effectual sympathy, of a
+numerous audience. While the choristers sang sweetly, and the organ
+poured forth its melodious thunder, the deacons passed up and down the
+aisles, and along the galleries, presenting their mahogany boxes, in
+which each person deposited whatever sum he deemed it safe to lend to
+the Lord, in aid of human wretchedness. Charity became audible,--chink,
+chink, chink,--as it fell, drop by drop, into the common receptacle.
+There was a hum,--a stir,--the subdued bustle of people putting their
+hands into their pockets; while, ever and anon, a vagrant coin fell upon
+the floor, and rolled away, with long reverberation, into some
+inscrutable corner.
+
+At length, all having been favored with an opportunity to be generous,
+the two deacons placed their boxes on the communion-table, and thence,
+at the conclusion of the services, removed them into the vestry. Here
+these good old gentlemen sat down together, to reckon the accumulated
+treasure.
+
+"Fie, fie, Brother Tilton," said Deacon Trott, peeping into Deacon
+Tilton's box, "what a heap of copper you have picked up! Really, for an
+old man, you must have had a heavy job to lug it along. Copper!
+copper! copper! Do people expect to get admittance into heaven at the
+price of a few coppers?"
+
+"Don't wrong them, brother," answered Deacon Tilton, a simple and kindly
+old man. "Copper may do more for one person, than gold will for
+another. In the galleries, where I present my box, we must not expect
+such a harvest as you gather among the gentry in the broad aisle, and
+all over the floor of the church. My people are chiefly poor mechanics
+and laborers, sailors, seamstresses, and servant-maids, with a most
+uncomfortable intermixture of roguish school-boys."
+
+"Well, well," said Deacon Trott; "but there is a great deal, Brother
+Tilton, in the method of presenting a contribution-box. It is a knack
+that comes by nature, or not at all."
+
+They now proceeded to sum up the avails of the evening, beginning with
+the receipts of Deacon Trott. In good sooth, that worthy personage had
+reaped an abundant harvest, in which he prided himself no less,
+apparently, than if every dollar had been contributed from his own
+individual pocket. Had the good deacon been meditating a jaunt to
+Texas, the treasures of the mahogany box might have sent him on his way
+rejoicing. There were bank-notes, mostly, it is true, of the smallest
+denominations in the giver's pocket-book, yet making a goodly average
+upon the whole. The most splendid contribution was a check for a
+hundred dollars, bearing the name of a distinguished merchant, whose
+liberality was duly celebrated in the newspapers of the next day. No
+less than seven half-eagles, together with an English sovereign,
+glittered amidst an indiscriminate heap of silver; the box being
+polluted with nothing of the copper kind, except a single bright new
+cent, wherewith a little boy had performed his first charitable act.
+
+"Very well! very well indeed!" said Deacon Trott, self-approvingly.
+"A handsome evening's work! And now, Brother Tilton, let's see whether
+you can match it." Here was a sad contrast! They poured forth Deacon
+Tilton's treasure upon the table, and it really seemed as if the whole
+copper coinage of the country, together with an amazing quantity of
+shop-keeper's tokens, and English and Irish half-pence, mostly of base
+metal, had been congregated into the box. There was a very substantial
+pencil-case, and the semblance of a shilling; but he latter proved to be
+made of tin, and the former of German-silver. A gilded brass button was
+doing duty as a gold coin, and a folded shopbill had assumed the
+character of a bank-note. But Deacon Tilton's feelings were much
+revived by the aspect of another bank-note, new and crisp, adorned with
+beautiful engravings, and stamped with the indubitable word, TWENTY, in
+large black letters. Alas! it was a counterfeit. In short, the poor
+old Deacon was no less unfortunate than those who trade with fairies,
+and whose gains are sure to be transformed into dried leaves, pebbles,
+and other valuables of that kind.
+
+"I believe the Evil One is in the box," said he, with some vexation.
+
+"Well done, Deacon Tilton!" cried his Brother Trott, with a hearty
+laugh. "You ought to have a statue in copper."
+
+"Never mind, brother," replied the good Deacon, recovering his temper.
+"I'll bestow ten dollars from my own pocket, and may heaven's blessing
+go along with it. But look! what do you call this?"
+
+Under the copper mountain, which it had cost them so much toil to
+remove, lay an antique ring! It was enriched with a diamond, which, so
+soon as it caught the light, began to twinkle and glimmer, emitting the
+whitest and purest lustre that could possibly be conceived.--It was as
+brilliant as if some magician had condensed the brightest star in heaven
+into a compass fit to be set in a ring, for a lady's delicate finger.
+
+"How is this?" said Deacon Trott, examining it carefully, in the
+expectation of finding it as worthless as the rest of his colleague's
+treasure. "Why, upon my word, this seems to be a real diamond, and of
+the purest water. Whence could it have come?"
+
+"Really, I cannot tell," quoth Deacon Tilton, "for my spectacles were so
+misty that all faces looked alike. But now I remember, there was a
+flash of light came from the box, at one moment; but it seemed a dusky
+red, instead of a pure white, like the sparkle of this gem. Well; the
+ring will make up for the copper; but I wish the giver had thrown its
+history into the box along with it."
+
+It has been our good luck to recover a portion of that history. After
+transmitting misfortune from one possessor to another, ever since the
+days of British Merlin, the identical ring which Queen Elizabeth gave to
+the Earl of Essex was finally thrown into the contribution-box of a New
+England church. The two deacons deposited it in the glass case of a
+fashionable jeweller, of whom it was purchased by the humble rehearser
+of this legend, in the hope that it may be allowed to sparkle on a fair
+lady's finger. Purified from the foul fiend, so long its inhabitant, by
+a deed of unostentatious charity, and now made the symbol of faithful
+and devoted love, the gentle bosom of its new possessor need fear no
+sorrow from its influence.
+
+Very pretty!--Beautiful!--How original!--How sweetly written!--What
+nature!--What imagination!--What power!--What pathos!--What exquisite
+humor!"--were the exclamations of Edward Caryl's kind and generous
+auditors, at the conclusion of the legend.
+
+"It is a pretty tale," said Miss Pemberton, who, conscious that her
+praise was to that of all others as a diamond to a pebble, was therefore
+the less liberal in awarding it. "It is really a pretty tale, and very
+proper for any of the Annuals. But, Edward, your moral does not satisfy
+me. What thought did you embody in the ring?"
+
+"O Clara, this is too bad!" replied Edward, with a half-reproachful
+smile. "You know that I can never separate the idea from the symbol in
+which it manifests itself. However, we may suppose the Gem to be the
+human heart, and the Evil Spirit to be Falsehood, which, in one guise or
+another, is the fiend that causes all the sorrow and trouble in the
+world. I beseech you to let this suffice."
+
+"It shall," said Clara, kindly. "And, believe me, whatever the world
+may say of the story, I prize it far above the diamond which enkindled
+your imagination."
+
+
+
+
+
+
+GRAVES AND GOBLINS.
+
+Now talk we of graves and goblins! Fit themes,--start not! gentle
+reader,--fit for a ghost like me. Yes; though an earth-clogged fancy is
+laboring with these conceptions, and an earthly hand will write them
+down, for mortal eyes to read, still their essence flows from as airy a
+ghost as ever basked in the pale starlight, at twelve o'clock. Judge
+them not by the gross and heavy form in which they now appear. They may
+be gross, indeed, with the earthly pollution contracted from the brain,
+through which they pass; and heavy with the burden of mortal language,
+that crushes all the finer intelligences of the soul. This is no fault
+of mine. But should aught of ethereal spirit be perceptible, yet
+scarcely so, glimmering along the dull train of words,--should a faint
+perfume breathe from the mass of clay,--then, gentle reader, thank the
+ghost, who thus embodies himself for your sake! Will you believe me, if
+I say that all true and noble thoughts, and elevated imaginations, are
+but partly the offspring of the intellect which seems to produce them?
+Sprites, that were poets once, and are now all poetry, hover round the
+dreaming bard, and become his inspiration; buried statesmen lend their
+wisdom, gathered on earth and mellowed in the grave, to the historian;
+and when the preacher rises nearest to the level of his mighty subject,
+it is because the prophets of old days have communed with him. Who has
+not been conscious of mysteries within his mind, mysteries of truth and
+reality, which will not wear the chains of language? Mortal, then the
+dead were with you! And thus shall the earth-dulled soul, whom I
+inspire, be conscious of a misty brightness among his thoughts, and
+strive to make it gleam upon the page,--but all in vain. Poor author!
+How will he despise what he can grasp, for the sake of the dim glory
+that eludes him!
+
+So talk we of graves and goblins. But, what have ghosts to do with
+graves? Mortal man, wearing the dust which shall require a sepulchre,
+might deem it more a home and resting-place than a spirit can, whose
+earthly clod has returned to earth. Thus philosophers have reasoned.
+Yet wiser they who adhere to the ancient sentiment, that a phantom
+haunts and hallows the marble tomb or grassy hillock where its material
+form was laid. Till purified from each stain of clay; till the passions
+of the living world are all forgotten; till it have less brotherhood
+with the wayfarers of earth, than with spirits that never wore
+mortality,--the ghost must linger round the grave. O, it is a long and
+dreary watch to some of us!
+
+Even in early childhood, I had selected a sweet spot, of shade and
+glimmering sunshine, for my grave. It was no burial-ground, but a
+secluded nook of virgin earth, where I used to sit, whole summer
+afternoons, dreaming about life and death. My fancy ripened
+prematurely, and taught me secrets which I could not otherwise have
+known. I pictured the coming years,--they never came to me, indeed; but
+I pictured them like life, and made this spot the scene of all that
+should be brightest, in youth, manhood, and old age. There, in a little
+while, it would be time for me to breathe the bashful and burning vows
+of first-love; thither, after gathering fame abroad, I would return to
+enjoy the loud plaudit of the world, a vast but unobtrusive sound, like
+the booming of a distant sea; and thither, at the far-off close of life,
+an aged man would come, to dream, as the boy was dreaming, and be as
+happy in the past as lie was in futurity. Finally, when all should be
+finished, in that spot so hallowed, in that soil so impregnated with the
+most precious of my bliss, there was to be my grave. Methought it would
+be the sweetest grave that ever a mortal frame reposed in, or an
+ethereal spirit haunted. There, too, in future times, drawn thither by
+the spell which I had breathed around the place, boyhood would sport and
+dream, and youth would love, and manhood would enjoy, and age would
+dream again, and my ghost would watch but never frighten them. Alas,
+the vanity of mortal projects, even when they centre in the grave! I
+died in my first youth, before I had been a lover; at a distance, also,
+from the grave which fancy had dug for me; and they buried me in the
+thronged cemetery of a town, where my marble slab stands unnoticed amid
+a hundred others. And there are coffins on each side of mine!
+
+"Alas, poor ghost!" will the reader say. Yet I am a happy ghost enough,
+and disposed to be contented with my grave, if the sexton will but let
+it be my own, and bring no other dead man to dispute my title. Earth
+has left few stains upon me, and it will be but a short time that I need
+haunt the place. It is good to die in early youth. Had I lived out
+threescore years and ten, or half of them, my spirit would have been so
+earth-incrusted, that centuries might not have purified it for a better
+home than the dark precincts of the grave. Meantime, there is good
+choice of company amongst us. From twilight till near sunrise, we are
+gliding to and fro, some in the graveyard, others miles away; and would
+we speak with any friend, we do but knock against his tombstone, and
+pronounce the name engraved on it: in an instant, there the shadow
+stands!
+
+Some are ghosts of considerable antiquity. There is an old man,
+hereabout; he never had a tombstone, and is often puzzled to distinguish
+his own grave; but hereabouts he haunts, and long is doomed to haunt.
+He was a miser in his lifetime, and buried a strong box of ill-gotten
+gold, almost fresh from the mint, in the coinage of William and Mary.
+Scarcely was it safe, when the sexton buried the old man and his secret
+with him. I could point out the place where the treasure lies; it was
+at the bottom of the miser's garden; but a paved thoroughfare now passes
+beside the spot, and the cornerstone of a market-house presses right
+down upon it. Had the workmen dug six inches deeper, they would have
+found the hoard. Now thither must this poor old miser go, whether in
+starlight, moonshine, or pitch darkness, and brood above his worthless
+treasure, recalling all the petty crimes by which he gained it. Not a
+coin must he fail to reckon in his memory, nor forget a pennyworth of
+the sin that made up the sum, though his agony is such as if the pieces
+of gold, red-hot, were stamped into his naked soul. Often, while he is
+in torment there, he hears the steps of living men, who love the dross
+of earth as well as he did. May they never groan over their miserable
+wealth like him! Night after night, for above a hundred years, hath he
+done this penance, and still must he do it, till the iron box be brought
+to light, and each separate coin be cleansed by grateful tears of a
+widow or an orphan. My spirit sighs for his long vigil at the corner of
+the market-house!
+
+There are ghosts whom I tremble to meet, and cannot think of without a
+shudder. One has the guilt of blood upon him. The soul which he thrust
+untimely forth has long since been summoned from our gloomy graveyard,
+and dwells among the stars of heaven, too far and too high for even the
+recollection of mortal anguish to ascend thither. Not so the murderer's
+ghost! It is his doom to spend all the hours of darkness in the spot
+which he stained with innocent blood, and to feel the hot stream--hot as
+when it first gushed upon his hand--incorporating itself with his
+spiritual substance. Thus his horrible crime is ever fresh within him.
+Two other wretches are condemned to walk arm in arm. They were guilty
+lovers in their lives, and still, in death, must wear the guise of love,
+though hatred and loathing have become their very nature and existence.
+The pollution of their mutual sin remains with them, and makes their
+souls sick continually. O, that I might forget all the dark shadows
+which haunt about these graves! This passing thought of them has left a
+stain, and will weigh me down among dust and sorrow, beyond the time
+that my own transgressions would have kept me here. There is one shade
+among us, whose high nature it is good to meditate upon. He lived a
+patriot, and is a patriot still. Posterity has forgotten him. The
+simple slab, of red freestone, that bore his name, was broken long ago,
+and is now covered by the gradual accumulation of the soil. A tuft of
+thistles is his only monument. This upright spirit came to his grave,
+after a lengthened life, with so little stain of earth, that he might,
+almost immediately, have trodden the pathway of the sky. But his strong
+love of country chained him down, to share its vicissitudes of weal or
+woe. With such deep yearning in his soul, he was unfit for heaven.
+That noblest virtue has the effect of sin, and keeps his pure and lofty
+spirit in a penance, which may not terminate till America be again a
+wilderness. Not that there is no joy for the dead patriot. Can he fail
+to experience it, while be contemplates the mighty and increasing power
+of the land, which be protected in its infancy? No; there is much to
+gladden him. But sometimes I dread to meet him, as he returns from the
+bedchambers of rulers and politicians, after diving into their secret
+motives, and searching out their aims. He looks round him with a stern
+and awful sadness, and vanishes into his neglected grave. Let nothing
+sordid or selfish defile your deeds or thoughts, ye great men of the
+day, lest ye grieve the noble dead.
+
+Few ghosts take such an endearing interest as this, even in their own
+private affairs. It made me rather sad, at first, to find how soon the
+flame of love expires amid the chill damps of the tomb; so much the
+sooner, the more fiercely it may have burned. Forget your dead
+mistress, youth! She has already forgotten you. Maiden, cease to weep
+for your buried lover! He will know nothing of your tears, nor value
+them if he did. Yet it were blasphemy to say that true love is other
+than immortal. It is an earthly passion, of which I speak, mingled with
+little that is spiritual, and must therefore perish with the perishing
+clay. When souls have loved, there is no falsehood or forgetfulness.
+Maternal affection, too, is strong as adamant. There are mothers here,
+among us, who might have been in heaven fifty years ago, if they could
+forbear to cherish earthly joy and sorrow, reflected from the bosoms of
+their children. Husbands and wives have a comfortable gift of oblivion,
+especially when secure of the faith of their living halves. Jealousy,
+it is true, will play the devil with a ghost, driving him to the bedside
+of secondary wedlock, there to scowl, unseen, and gibber inaudible
+remonstrances. Dead wives, however jealous in their lifetime, seldom
+feel this posthumous torment so acutely.
+
+Many, many things, that appear most important while we walk the busy
+street, lose all their interest the moment we are borne into the quiet
+graveyard which borders it. For my own part, my spirit had not become
+so mixed up with earthly existence, as to be now held in an unnatural
+combination, or tortured much with retrospective cares. I still love my
+parents and a younger sister, who remain among the living, and often
+grieve me by their patient sorrow for the dead. Each separate tear of
+theirs is an added weight upon my soul, and lengthens my stay among the
+graves. As to other matters, it exceedingly rejoices me, that my
+summons came before I had time to write a projected poem, which was
+highly imaginative in conception, and could not have failed to give me a
+triumphant rank in the choir of our native bards. Nothing is so much to
+be deprecated as posthumous renown. It keeps the immortal spirit from
+the proper bliss of his celestial state, and causes him to feed upon the
+impure breath of mortal man, till sometimes he forgets that there are
+starry realms above him. Few poets--infatuated that they are!--soar
+upward while the least whisper of their name is heard on earth. On
+Sabbath evenings, my sisters sit by the fireside, between our father and
+mother, and repeat some hymns of mine, which they have often heard from
+my own lips, ere the tremulous voice left them forever. Little do they
+think, those dear ones, that the dead stands listening in the glimmer of
+the firelight, and is almost gifted with a visible shape by the fond
+intensity of their remembrance.
+
+Now shall the reader know a grief of the poor ghost that speaks to him;
+a grief, but not a helpless one. Since I have dwelt among the graves,
+they bore the corpse of a young maiden hither, and laid her in the old
+ancestral vault, which is hollowed in the side of a grassy bank. It has
+a door of stone, with rusty iron hinges, and above it, a rude sculpture
+of the family arms, and inscriptions of all their names who have been
+buried there, including sire and son, mother and daughter, of an ancient
+colonial race. All of her lineage had gone before, and when the young
+maiden followed, the portal was closed forever. The night after her
+burial, when the other ghosts were flitting about their graves, forth
+came the pale virgin's shadow, with the rest, but knew not whither to
+go, nor whom to haunt, so lonesome had she been on earth. She stood by
+the ancient sepulchre, looking upward to the bright stars, as if she
+would, even then, begin her flight. Her sadness made me sad. That
+night and the next, I stood near her, in the moonshine, but dared not
+speak, because she seemed purer than all the ghosts, and fitter to
+converse with angels than with men. But the third bright eve, still
+gazing upward to the glory of the heavens, she sighed, and said, "When
+will my mother come for me?" Her low, sweet voice emboldened me to
+speak, and she was kind and gentle, though so pure, and answered me
+again. From that time, always at the ghostly hour, I sought the old
+tomb of her fathers, and either found her standing by the door, or
+knocked, and she appeared. Blessed creature, that she was; her chaste
+spirit hallowed mine, and imparted such a celestial buoyancy, that I
+longed to grasp her hand, and fly,--upward, aloft, aloft! I thought,
+too, that she only lingered here, till my earthlier soul should be
+purified for heaven. One night, when the stars threw down the light
+that shadows love, I stole forth to the accustomed spot, and knocked,
+with my airy fingers, at her door. She answered not. Again I knocked,
+and breathed her name. Where was she? At once, the truth fell on my
+miserable spirit, and crushed it to the earth, among dead men's bones
+and mouldering dust, groaning in cold and desolate agony. Her penance
+was over! She had taken her trackless flight, and had found a home in
+the purest radiance of the upper stars, leaving me to knock at the stone
+portal of the darksome sepulchre. But I know--I know, that angels
+hurried her away, or surely she would have whispered ere she fled!
+
+She is gone! How could the grave imprison that unspotted one! But her
+pure, ethereal spirit will not quite forget me, nor soar too high in
+bliss, till I ascend to join her. Soon, soon be that hour! I am weary
+of the earth-damps; they burden me; they choke me! Already, I can float
+in the moonshine; the faint starlight will almost bear up my footsteps;
+the perfume of flowers, which grosser spirits love, is now too earthly a
+luxury for me. Grave! Grave! thou art not my home. I must flit a
+little longer in thy night gloom, and then be gone,--far from the dust
+of the living and the dead,--far from the corruption that is around me,
+but no more within!
+
+A few times, I have visited the chamber of one who walks, obscure and
+lonely, on his mortal pilgrimage. He will leave not many living
+friends, when he goes to join the dead, where his thoughts often stray,
+and he might better be. I steal into his sleep, and play my part among
+the figures of his dreams. I glide through the moonlight of his waking
+fancy, and whisper conceptions, which, with a strange thrill of fear, he
+writes down as his own. I stand beside him now, at midnight, telling
+these dreamy truths with a voice so dream-like, that he mistakes them
+for fictions of a brain too prone to such. Yet he glances behind him
+and shivers, while the lamp burns pale. Farewell, dreamer,--waking or
+sleeping! Your brightest dreams are fled; your mind grows too hard and
+cold for a spiritual guest to enter; you are earthly, too, and have all
+the sins of earth. The ghost will visit you no more.
+
+But where is the maiden, holy and pure, though wearing a form of clay,
+that would have me bend over her pillow at midnight, and leave a
+blessing there? With a silent invocation, let her summon me. Shrink
+not, maiden, when I come! In life, I was a high-souled youth,
+meditative, yet seldom sad, full of chaste fancies, and stainless from
+all grosser sin. And now, ill death, I bring no loathsome smell of the
+grave, nor ghostly terrors,--but gentle, and soothing, and sweetly
+pensive influences. Perhaps, just fluttering for the skies, my visit
+may hallow the wellsprings of thy thought, and make thee heavenly here
+on earth. Then shall pure dreams and holy meditations bless thy life;
+nor thy sainted spirit linger round the grave, but seek the upper stars,
+and meet me there!
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Other Tales and Sketches, by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK OTHER TALES AND SKETCHES ***
+
+***** This file should be named 9248.txt or 9248.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/4/9248/
+
+Produced by David Widger. HTML version by Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/9248.zip b/9248.zip
new file mode 100644
index 0000000..4346376
--- /dev/null
+++ b/9248.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..f3c14ae
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #9248 (https://www.gutenberg.org/ebooks/9248)
diff --git a/old/haw7510.txt b/old/haw7510.txt
new file mode 100644
index 0000000..0945c3e
--- /dev/null
+++ b/old/haw7510.txt
@@ -0,0 +1,1389 @@
+Project Gutenberg EBook, Other Tales and Sketches, by N. Hawthorne
+From "The Doliver Romance and Other Pieces: Tales and Sketches"
+#75 in our series by Nathaniel Hawthorne
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+
+Title: Other Tales and Sketches
+ (From: "The Doliver Romance and Other Pieces: Tales and Sketches")
+
+Author: Nathaniel Hawthorne
+
+Release Date: Nov, 2005 [EBook #9248]
+[This file was first posted on September 25, 2003]
+[Last updated on February 6, 2007]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK, OTHER TALES AND SKETCHES ***
+
+
+
+
+This eBook was produced by David Widger
+
+
+
+
+
+ THE DOLIVER ROMANCE AND OTHER PIECES
+
+ TALES AND SKETCHES
+
+ By Nathaniel Hawthorne
+
+
+ OTHER TALES AND SKETCHES
+
+
+
+
+CONTENTS:
+ My Visit To Niagara
+ The Antique Ring
+ Graves And Goblins
+
+
+
+MY VISIT TO NIAGARA.
+
+Never did a pilgrim approach Niagara with deeper enthusiasm than mine.
+I had lingered away from it, and wandered to other scenes, because my
+treasury of anticipated enjoyments, comprising all the wonders of the
+world, had nothing else so magnificent, and I was loath to exchange the
+pleasures of hope for those of memory so soon. At length the day came.
+The stage-coach, with a Frenchman and myself on the back seat, had
+already left Lewiston, and in less than an hour would set us down in
+Manchester. I began to listen for the roar of the cataract, and
+trembled with a sensation like dread, as the moment drew nigh, when its
+voice of ages must roll, for the first time, on my ear. The French
+gentleman stretched himself from the window, and expressed loud
+admiration, while, by a sudden impulse, I threw myself back and closed
+my eyes. When the scene shut in, I was glad to think, that for me the
+whole burst of Niagara was yet in futurity. We rolled on, and entered
+the village of Manchester, bordering on the falls.
+
+I am quite ashamed of myself here. Not that I ran, like a madman to the
+falls, and plunged into the thickest of the spray,--never stopping to
+breathe, till breathing was impossible: not that I committed this, or
+any other suitable extravagance. On the contrary, I alighted with
+perfect decency and composure, gave my cloak to the black waiter,
+pointed out my baggage, and inquired, not the nearest way to the
+cataract, but about the dinner-hour. The interval was spent in
+arranging my dress. Within the last fifteen minutes, my mind had grown
+strangely benumbed, and my spirits apathetic, with a slight depression,
+not decided enough to be termed sadness. My enthusiasm was in a
+deathlike slumber. Without aspiring to immortality, as he did, I could
+have imitated that English traveller, who turned back from the point
+where he first heard the thunder of Niagara, after crossing the ocean to
+behold it. Many a Western trader, by the by, has performed a similar
+act of heroism with more heroic simplicity, deeming it no such wonderful
+feat to dine at the hotel and resume his route to Buffalo or Lewiston,
+while the cataract was roaring unseen.
+
+Such has often been my apathy, when objects, long sought, and earnestly
+desired, were placed within my reach. After dinner--at which an
+unwonted and perverse epicurism detained me longer than usual--I lighted
+a cigar and paced the piazza, minutely attentive to the aspect and
+business of a very ordinary village. Finally, with reluctant step, and
+the feeling of an intruder, I walked towards Goat Island. At the
+tollhouse, there were further excuses for delaying the inevitable
+moment. My signature was required in a huge ledger, containing similar
+records innumerable, many of which I read. The skin of a great
+sturgeon, and other fishes, beasts, and reptiles; a collection of
+minerals, such as lie in heaps near the falls; some Indian moccasins,
+and other trifles, made of deer-skin and embroidered with beads; several
+newspapers from Montreal, New York, and Boston;--all attracted me in
+turn. Out of a number of twisted sticks, the manufacture of a Tuscarora
+Indian, I selected one of curled maple, curiously convoluted, and
+adorned with the carved images of a snake and a fish. Using this as my
+pilgrim's staff, I crossed the bridge. Above and below me were the
+rapids, a river of impetuous snow, with here and there a dark rock amid
+its whiteness, resisting all the physical fury, as any cold spirit did
+the moral influences of the scene. On reaching Goat Island, which
+separates the two great segments of the falls, I chose the right-hand
+path, and followed it to the edge of the American cascade. There, while
+the falling sheet was yet invisible, I saw the vapor that never
+vanishes, and the Eternal Rainbow of Niagara.
+
+It was an afternoon of glorious sunshine, without a cloud, save those of
+the cataracts. I gained an insulated rock, and beheld a broad sheet of
+brilliant and unbroken foam, not shooting in a curved line from the top
+of the precipice, but falling headlong down from height to depth. A
+narrow stream diverged from the main branch, and hurried over the crag
+by a channel of its own, leaving a little pine-clad island and a streak
+of precipice, between itself and the larger sheet. Below arose the
+mist, on which was painted a dazzling sun-bow with two concentric
+shadows,--one, almost as perfect as the original brightness; and the
+other, drawn faintly round the broken edge of the cloud.
+
+Still I had not half seen Niagara. Following the verge of the island,
+the path led me to the Horseshoe, where the real, broad St. Lawrence,
+rushing along on a level with its banks, pours its whole breadth over a
+concave line of precipice, and thence pursues its course between lofty
+crags towards Ontario. A sort of bridge, two or three feet wide,
+stretches out along the edge of the descending sheet, and hangs upon the
+rising mist, as if that were the foundation of the frail structure.
+Here I stationed myself in the blast of wind, which the rushing river
+bore along with it. The bridge was tremulous beneath me, and marked the
+tremor of the solid earth. I looked along the whitening rapids, and
+endeavored to distinguish a mass of water far above the falls, to follow
+it to their verge, and go down with it, in fancy, to the abyss of clouds
+and storm. Casting my eyes across the river, and every side, I took in
+the whole scene at a glance, and tried to comprehend it in one vast
+idea. After an hour thus spent, I left the bridge, and, by a staircase,
+winding almost interminably round a post, descended to the base of the
+precipice. From that point, my path lay over slippery stones, and among
+great fragments of the cliff, to the edge of the cataract, where the
+wind at once enveloped me in spray, and perhaps dashed the rainbow round
+me. Were my long desires fulfilled? And had I seen Niagara?
+
+O that I had never heard of Niagara till I beheld it! Blessed were the
+wanderers of old, who heard its deep roar, sounding through the woods,
+as the summons to an unknown wonder, and approached its awful brink, in
+all the freshness of native feeling. Had its own mysterious voice been
+the first to warn me of its existence, then, indeed, I might have knelt
+down and worshipped. But I had come thither, haunted with a vision of
+foam and fury, and dizzy cliffs, and an ocean tumbling down out of the
+sky,--a scene, in short, which nature had too much good taste and calm
+simplicity to realize. My mind had struggled to adapt these false
+conceptions to the reality, and finding the effort vain, a wretched
+sense of disappointment weighed me down. I climbed the precipice, and
+threw myself on the earth, feeling that I was unworthy to look at the
+Great Falls, and careless about beholding them again.
+
+All that night, as there has been and will be, for ages past and to
+come, a rushing sound was heard, as if a great tempest were sweeping
+through the air. It mingled with my dreams, and made them full of storm
+and whirlwind. Whenever I awoke, and heard this dread sound in the air,
+and the windows rattling as with a mighty blast, I could not rest again,
+till looking forth, I saw how bright the stars were, and that every leaf
+in the garden was motionless. Never was a summer night more calm to the
+eye, nor a gale of autumn louder to the ear. The rushing sound proceeds
+from the rapids, and the rattling of the casements is but an effect of
+the vibration of the whole house, shaken by the jar of the cataract.
+The noise of the rapids draws the attention from the true voice of
+Niagara, which is a dull, muffed thunder, resounding between the cliffs.
+I spent a wakeful hour at midnight, in distinguishing its
+reverberations, and rejoiced to find that my former awe and enthusiasm
+were reviving.
+
+Gradually, and after much contemplation, I came to know, by my own
+feelings, that Niagara is indeed a wonder of the world, and not the less
+wonderful, because time and thought must be employed in comprehending
+it. Casting aside all preconceived notions, and preparation to be dire-
+struck or delighted, the beholder must stand beside it in the simplicity
+of his heart, suffering the mighty scene to work its own impression.
+Night after night, I dreamed of it, and was gladdened every morning by
+the consciousness of a growing capacity to enjoy it. Yet I will not
+pretend to the all-absorbing enthusiasm of some more fortunate
+spectators, nor deny that very trifling causes would draw my eyes and
+thoughts from the cataract.
+
+The last day that I was to spend at Niagara, before my departure for the
+Far West, I sat upon the Table Rock. This celebrated station did not
+now, as of old, project fifty feet beyond the line of the precipice, but
+was shattered by the fall of an immense fragment, which lay distant on
+the shore below. Still, on the utmost verge of the rock, with my feet
+hanging over it, I felt as if suspended in the open air. Never before
+had my mind been in such perfect unison with the scene. There were
+intervals, when I was conscious of nothing but the great river, rolling
+calmly into the abyss, rather descending than precipitating itself, and
+acquiring tenfold majesty from its unhurried motion. It came like the
+march of Destiny. It was not taken by surprise, but seemed to have
+anticipated, in all its course through the broad lakes, that it must
+pour their collected waters down this height. The perfect foam of the
+river, after its descent, and the ever-varying shapes of mist, rising
+up, to become clouds in the sky, would be the very picture of confusion,
+were it merely transient, like the rage of a tempest. But when the
+beholder has stood awhile, and perceives no lull in the storm, and
+considers that the vapor and the foam are as everlasting as the rocks
+which produce them, all this turmoil assumes a sort of calmness. It
+soothes, while it awes the mind.
+
+Leaning over the cliff, I saw the guide conducting two adventurers
+behind the falls. It was pleasant, from that high seat in the sunshine,
+to observe them struggling against the eternal storm of the lower
+regions, with heads bent down, now faltering, now pressing forward, and
+finally swallowed up in their victory. After their disappearance, a
+blast rushed out with an old hat, which it had swept from one of their
+heads. The rock, to which they were directing their unseen course, is
+marked, at a fearful distance on the exterior of the sheet, by a jet of
+foam. The attempt to reach it appears both poetical and perilous to a
+looker-on, but may be accomplished without much more difficulty or
+hazard, than in stemming a violent northeaster. In a few moments, forth
+came the children of the mist. Dripping and breathless, they crept
+along the base of the cliff, ascended to the guide's cottage, and
+received, I presume, a certificate of their achievement, with three
+verses of sublime poetry on the back.
+
+My contemplations were often interrupted by strangers, who came down
+from Forsyth's to take their first view of the falls. A short, ruddy,
+middle-aged gentleman, fresh from Old England, peeped over the rock, and
+evinced his approbation by a broad grin. His spouse, a very robust
+lady, afforded a sweet example of maternal solicitude, being so intent
+on the safety of her little boy that she did not even glance at Niagara.
+As for the child, he gave himself wholly to the enjoyment of a stick of
+candy. Another traveller, a native American, and no rare character
+among us, produced a volume of Captain Hall's tour, and labored
+earnestly to adjust Niagara to the captain's description, departing, at
+last, without one new idea or sensation of his own. The next comer was
+provided, not with a printed book, but with a blank sheet of foolscap,
+from top to bottom of which, by means of an ever-pointed pencil, the
+cataract was made to thunder. In a little talk, which we had together,
+he awarded his approbation to the general view, but censured the
+position of Goat Island, observing that it should have been thrown
+farther to the right, so as to widen the American falls, and contract
+those of the Horseshoe. Next appeared two traders of Michigan, who
+declared, that, upon the whole, the sight was worth looking at, there
+certainly was an immense water-power here; but that, after all, they
+would go twice as far to see the noble stone-works of Lockport, where
+the Grand Canal is locked down a descent of sixty feet. They were
+succeeded by a young fellow, in a homespun cotton dress, with a staff in
+his hand, and a pack over his shoulders. He advanced close to the edge
+of the rock, where his attention, at first wavering among the different
+components of the scene, finally became fixed in the angle of the Horse
+shoe falls, which is, indeed, the central point of interest. His whole
+soul seemed to go forth and be transported thither, till the staff
+slipped from his relaxed grasp, and falling down--down--down--struck
+upon the fragment of the Table Rock.
+
+In this manner I spent some hours, watching the varied impression, made
+by the cataract, on those who disturbed me, and returning to unwearied
+contemplation, when left alone. At length my time came to depart.
+There is a grassy footpath, through the woods, along the summit of the
+bank, to a point whence a causeway, hewn in the side of the precipice,
+goes winding down to the Ferry, about half a mile below the Table Rock.
+The sun was near setting, when I emerged from the shadow of the trees,
+and began the descent. The indirectness of my downward road continually
+changed the point of view, and showed me, in rich and repeated
+succession, now, the whitening rapids and majestic leap of the main
+river, which appeared more deeply massive as the light departed; now,
+the lovelier picture, yet still sublime, of Goat Island, with its rocks
+and grove, and the lesser falls, tumbling over the right bank of the St.
+Lawrence, like a tributary stream; now, the long vista of the river, as
+it eddied and whirled between the cliffs, to pass through Ontario toward
+the sea, and everywhere to be wondered at, for this one unrivalled
+scene. The golden sunshine tinged the sheet of the American cascade,
+and painted on its heaving spray the broken semicircle of a rainbow,
+heaven's own beauty crowning earth's sublimity. My steps were slow, and
+I paused long at every turn of the descent, as one lingers and pauses,
+who discerns a brighter and brightening excellence in what he must soon
+behold no more. The solitude of the old wilderness now reigned over the
+whole vicinity of the falls. My enjoyment became the more rapturous,
+because no poet shared it, nor wretch devoid of poetry profaned it; but
+the spot so famous through the world was all my own!
+
+
+
+
+
+
+THE ANTIQUE RING.
+
+"Yes, indeed: the gem is as bright as a star, and curiously set," said
+Clara Pembertou, examining an antique ring, which her betrothed lover
+had just presented to her, with a very pretty speech. "It needs only
+one thing to make it perfect."
+
+"And what is that?" asked Mr. Edward Caryl, secretly anxious for the
+credit of his gift. "A modern setting, perhaps?"
+
+"O, no! That would destroy the charm at once," replied Clara. "It
+needs nothing but a story. I long to know how many times it has been
+the pledge of faith between two lovers, and whether the vows, of which
+it was the symbol, were always kept or often broken. Not that I should
+be too scrupulous about facts. If you happen to be unacquainted with
+its authentic history, so much the better. May it not have sparkled
+upon a queen's finger? Or who knows but it is the very ring which
+Posthumus received from Imogen? In short, you must kindle your
+imagination at the lustre of this diamond, and make a legend for it."
+
+Now such a task--and doubtless Clara knew it--was the most acceptable
+that could have been imposed on Edward Caryl. He was one of that
+multitude of young gentlemen--limbs, or rather twigs of the law--whose
+names appear in gilt letters on the front of Tudor's Buildings, and
+other places in the vicinity of the Court House, which seem to be the
+haunt of the gentler as well as the severer Muses. Edward, in the
+dearth of clients, was accustomed to employ his much leisure in
+assisting the growth of American Literature, to which good cause he had
+contributed not a few quires of the finest letter-paper, containing some
+thought, some fancy, some depth of feeling, together with a young
+writer's abundance of conceits. Sonnets, stanzas of Tennysonian
+sweetness, tales imbued with German mysticism, versions from Jean Paul,
+criticisms of the old English poets, and essays smacking of Dialistic
+philosophy, were among his multifarious productions. The editors of the
+fashionable periodicals were familiar with his autograph, and inscribed
+his name in those brilliant bead-rolls of ink-stained celebrity, which
+illustrate the first page of their covers. Nor did fame withhold her
+laurel. Hillard had included him among the lights of the New England
+metropolis, in his Boston Book; Bryant had found room for some of his
+stanzas, in the Selections from American Poetry; and Mr. Griswold, in
+his recent assemblage of the sons and daughters of song, had introduced
+Edward Caryl into the inner court of the temple, among his fourscore
+choicest bards. There was a prospect, indeed, of his assuming a still
+higher and more independent position. Interviews had been held with
+Ticknor, and a correspondence with the Harpers, respecting a proposed
+volume, chiefly to consist of Mr. Caryl's fugitive pieces in the
+Magazines, but to be accompanied with a poem of some length, never
+before published. Not improbably, the public may yet be gratified with
+this collection.
+
+Meanwhile, we sum up our sketch of Edward Caryl, by pronouncing him,
+though somewhat of a carpet knight in literature, yet no unfavorable
+specimen of a generation of rising writers, whose spirit is such that we
+may reasonably expect creditable attempts from all, and good and
+beautiful results from some. And, it will be observed, Edward was the
+very man to write pretty legends, at a lady's instance, for an old-
+fashioned diamond ring. He took the jewel in his hand, and turned it so
+as to catch its scintillating radiance, as if hoping, in accordance with
+Clara's suggestion, to light up his fancy with that starlike gleam.
+
+"Shall it be a ballad?--a tale in verse?" he inquired. "Enchanted
+rings often glisten in old English poetry, I think something may be done
+with the subject; but it is fitter for rhyme than prose."
+
+"No, no," said Miss Pemberton, "we will have no more rhyme than just
+enough for a posy to the ring. You must tell the legend in simple
+prose; and when it is finished, I will make a little party to hear it
+read."
+
+The young gentleman promised obedience; and going to his pillow, with
+his head full of the familiar spirits that used to be worn in rings,
+watches, and sword-hilts, he had the good fortune to possess himself of
+an available idea in a dream. Connecting this with what he himself
+chanced to know of the ring's real history, his task was done. Clara
+Pemberton invited a select few of her friends, all holding the stanchest
+faith in Edward's genius, and therefore the most genial auditors, if not
+altogether the fairest critics, that a writer could possibly desire.
+Blessed be woman for her faculty of admiration, and especially for her
+tendency to admire with her heart, when man, at most, grants merely a
+cold approval with his mind!
+
+Drawing his chair beneath the blaze of a solar lamp, Edward Caryl untied
+a roll of glossy paper, and began as follows:--
+
+
+THE LEGEND
+
+After the death-warrant had been read to the Earl of Essex, and on the
+evening before his appointed execution, the Countess of Shrewsbury paid
+his lordship a visit, and found him, as it appeared, toying childishly
+with a ring. The diamond, that enriched it, glittered like a little
+star, but with a singular tinge of red. The gloomy prison-chamber in
+the Tower, with its deep and narrow windows piercing the walls of stone,
+was now all that the earl possessed of worldly prospect; so that there
+was the less wonder that he should look steadfastly into the gem, and
+moralize upon earth's deceitful splendor, as men in darkness and ruin
+seldom fail to do. But the shrewd observations of the countess,--an
+artful and unprincipled woman,--the pretended friend of Essex, but who
+had come to glut her revenge for a deed of scorn which he himself had
+forgotten,--her keen eye detected a deeper interest attached to this
+jewel. Even while expressing his gratitude for her remembrance of a
+ruined favorite, and condemned criminal, the earl's glance reverted to
+the ring, as if all that remained of time and its affairs were collected
+within that small golden circlet.
+
+"My dear lord," observed the countess, "there is surely some matter of
+great moment wherewith this ring is connected, since it, so absorbs your
+mind. A token, it may be, of some fair lady's love,--alas, poor lady,
+once richest in possessing such a heart! Would you that the jewel be
+returned to her?"
+
+"The queen! the queen! It was her Majesty's own gift," replied the
+earl, still gazing into the depths of the gem. "She took it from her
+finger, and told me, with a smile, that it was an heirloom from her
+Tudor ancestors, and had once been the property of Merlin, the British
+wizard, who gave it to the lady of his love. His art had made this
+diamond the abiding-place of a spirit, which, though of fiendish nature,
+was bound to work only good, so long as the ring was an unviolated
+pledge of love and faith, both with the giver and receiver. But should
+love prove false, and faith be broken, then the evil spirit would work
+his own devilish will, until the ring were purified by becoming the
+medium of some good and holy act, and again the pledge of faithful love.
+The gem soon lost its virtue; for the wizard was murdered by the very
+lady to whom he gave it."
+
+"An idle legend!" said the countess.
+
+"It is so," answered Essex, with a melancholy smile. "Yet the queen's
+favor, of which this ring was the symbol, has proved my ruin. When
+death is nigh, men converse with dreams and shadows. I have been gazing
+into the diamond, and fancying--but you will laugh at me--that I might
+catch a glimpse of the evil spirit there. Do you observe this red
+glow,--dusky, too, amid all the brightness? It is the token of his
+presence; and even now, methinks, it grows redder and duskier, like an
+angry sunset."
+
+Nevertheless, the earl's manner testified how slight was his credence in
+the enchanted properties of the ring. But there is a kind of
+playfulness that comes in moments of despair, when the reality of
+misfortune, if entirely felt, would crush the soul at once. He now, for
+a brief space, was lost in thought, while the countess contemplated him
+with malignant satisfaction.
+
+"This ring," he resumed, in another tone, "alone remains, of all that my
+royal mistress's favor lavished upon her servant. My fortune once shone
+as brightly as the gem. And now, such a darkness has fallen around me,
+methinks it would be no marvel if its gleam--the sole light of my
+prison-house--were to be forthwith extinguished; inasmuch as my last
+earthly hope depends upon it."
+
+"How say you, my lord?" asked the Countess of Shrewsbury. "The stone
+is bright; but there should be strange magic in it, if it can keep your
+hopes alive, at this sad hour. Alas! these iron bars and ramparts of
+the Tower are unlike to yield to such a spell."
+
+Essex raised his head involuntarily; for there was something in the
+countess's tone that disturbed him, although he could not suspect that
+an enemy had intruded upon the sacred privacy of a prisoner's dungeon,
+to exult over so dark a ruin of such once brilliant fortunes. He looked
+her in the face, but saw nothing to awaken his distrust. It would have
+required a keener eye than even Cecil's to read the secret of a
+countenance, which had been worn so long in the false light of a court,
+that it was now little better than a mask, telling any story save the
+true one. The condemned nobleman again bent over the ring, and
+proceeded:
+
+"It once had power in it,--this bright gem,--the magic that appertains
+to the talisman of a great queen's favor. She bade me, if hereafter I
+should fall into her disgrace,--how deep soever, and whatever might be
+the crime,--to convey this jewel to her sight, and it should plead for
+me. Doubtless, with her piercing judgment, she had even then detected
+the rashness of my nature, and foreboded some such deed as has now
+brought destruction upon my bead. And knowing, too, her own hereditary
+rigor, she designed, it may be, that the memory of gentler and kindlier
+hours should soften her heart in my behalf, when my need should be the
+greatest. I have doubted,--I have distrusted,--yet who can tell, even
+now, what happy influence this ring might have?"
+
+"You have delayed full long to show the ring, and plead her Majesty's
+gracious promise," remarked the countess,--"your state being what it
+is."
+
+"True," replied the earl: "but for my honor's sake, I was loath to
+entreat the queen's mercy, while I might hope for life, at least, from
+the justice of the laws. If, on a trial by my peers, I had been
+acquitted of meditating violence against her sacred life, then would I
+have fallen at her feet, and presenting the jewel, have prayed no other
+favor than that my love and zeal should be put to the severest test.
+But now--it were confessing too much--it were cringing too low--to beg
+the miserable gift of life, on no other score than the tenderness which
+her Majesty deems one to have forfeited!"
+
+"Yet it is your only hope," said the countess.
+
+"And besides," continued Essex, pursuing his own reflections, "of what
+avail will be this token of womanly feeling, when, on the other hand,
+are arrayed the all-prevailing motives of state policy, and the
+artifices and intrigues of courtiers, to consummate my downfall? Will
+Cecil or Raleigh suffer her heart to act for itself, even if the spirit
+of her father were not in her? It is in vain to hope it."
+
+But still Essex gazed at the ring with an absorbed attention, that
+proved how much hope his sanguine temperament had concentrated here,
+when there was none else for him in the wide world, save what lay in the
+compass of that hoop of gold. The spark of brightness within the
+diamond, which gleamed like an intenser than earthly fire, was the
+memorial of his dazzling career. It had not paled with the waning
+sunshine of his mistress's favor; on the contrary, in spite of its
+remarkable tinge of dusky red, he fancied that it never shone so
+brightly. The glow of festal torches,--the blaze of perfumed lamps,--
+bonfires that had been kindled for him, when he was the darling of the
+people,--the splendor of the royal court, where he had been the peculiar
+star,--all seemed to have collected their moral or material glory into
+the gem, and to burn with a radiance caught from the future, as well as
+gathered from the past. That radiance might break forth again.
+Bursting from the diamond, into which it was now narrowed, it might been
+first upon the gloomy walls of the Tower,--then wider, wider, wider,--
+till all England, and the seas around her cliffs, should be gladdened
+with the light. It was such an ecstasy as often ensues after long
+depression, and has been supposed to precede the circumstances of
+darkest fate that may befall mortal man. The earl pressed the ring to
+his heart as if it were indeed a talisman, the habitation of a spirit,
+as the queen had playfully assured him,--but a spirit of happier
+influences than her legend spake of.
+
+"O, could I but make my way to her footstool!" cried he, waving his
+hand aloft, while he paced the stone pavement of his prison-chamber with
+an impetuous step. "I might kneel down, indeed, a ruined man, condemned
+to the block, but how should I rise again? Once more the favorite of
+Elizabeth!--England's proudest noble!--with such prospects as ambition
+never aimed at! Why have I tarried so long in this weary dungeon? The
+ring has power to set me free! The palace wants me! Ho, jailer, unbar
+the door!"
+
+But then occurred the recollection of the impossibility of obtaining an
+interview with his fatally estranged mistress, and testing the influence
+over her affections, which he still flattered himself with possessing.
+Could he step beyond the limits of his prison, the world would be all
+sunshine; but here was only gloom and death.
+
+"Alas!" said he, slowly and sadly, letting his head fall upon his hands.
+"I die for the lack of one blessed word."
+
+The Countess of Shrewsbury, herself forgotten amid the earl's gorgeous
+visions, had watched him with an aspect that could have betrayed nothing
+to the most suspicious observer; unless that it was too calm for
+humanity, while witnessing the flutterings, as it were, of a generous
+heart in the death-agony. She now approached him.
+
+"My good lord," she said, "what mean you to do?"
+
+"Nothing,--my deeds are done!" replied he, despondingly; "yet, had a
+fallen favorite any friends, I would entreat one of them to lay this
+ring at her Majesty's feet; albeit with little hope, save that,
+hereafter, it might remind her that poor Essex, once far too highly
+favored, was at last too severely dealt with."
+
+"I will be that friend," said the countess. "There is no time to be
+lost. Trust this precious ring with me. This very night the queen's
+eye shall rest upon it; nor shall the efficacy of my poor words be
+wanting, to strengthen the impression which it will doubtless make."
+
+The earl's first impulse was to hold out the ring. But looking at the
+countess, as she bent forward to receive it, he fancied that the red
+glow of the gem tinged all her face, and gave it an ominous expression.
+Many passages of past times recurred to his memory. A preternatural
+insight, perchance caught from approaching death, threw its momentary
+gleam, as from a meteor, all round his position.
+
+"Countess," he said, "I know not wherefore I hesitate, being in a plight
+so desperate, and having so little choice of friends. But have you
+looked into your own heart? Can you perform this office with the truth
+--the earnestness--time--zeal, even to tears, and agony of spirit--
+wherewith the holy gift of human life should be pleaded for? Woe be
+unto you, should you undertake this task, and deal towards me otherwise
+than with utmost faith! For your own soul's sake, and as you would have
+peace at your death-hour, consider well in what spirit you receive this
+ring!"
+
+The countess did not shrink.
+
+"My lord!--my good lord!" she exclaimed, "wrong not a woman's heart by
+these suspicious. You might choose another messenger; but who, save a
+lady of her bedchamber, can obtain access to the queen at this untimely
+hour? It is for your life,--for your life,--else I would not renew my
+offer."
+
+"Take the ring," said the earl.
+
+"Believe that it shall be in the queen's hands before the lapse of
+another hour," replied the countess, as she received this sacred trust
+of life and death. "To-morrow morning look for the result of my
+intercession."
+
+She departed. Again the earl's hopes rose high. Dreams visited his
+slumber, not of the sable-decked scaffold in the Tower-yard, but of
+canopies of state, obsequious courtiers, pomp, splendor, the smile of
+the once more gracious queen, and a light beaming from the magic gem,
+which illuminated his whole future.
+
+History records how foully the Countess of Shrewsbury betrayed the
+trust, which Essex, in his utmost need, confided to her. She kept the
+ring, and stood in the presence of Elizabeth, that night, without one
+attempt to soften her stern hereditary temper in behalf of the former
+favorite. The next day the earl's noble head rolled upon the scaffold.
+On her death-bed, tortured, at last, with a sense of the dreadful guilt
+which she had taken upon her soul, the wicked countess sent for
+Elizabeth, revealed the story of the ring, and besought forgiveness for
+her treachery. But the queen, still obdurate, even while remorse for
+past obduracy was tugging at her heart-strings, shook the dying woman in
+her bed, as if struggling with death for the privilege of wreaking her
+revenge and spite. The spirit of the countess passed away, to undergo
+the justice, or receive the mercy, of a higher tribunal; and tradition
+says, that the fatal ring was found upon her breast, where it had
+imprinted a dark red circle, resembling the effect of the intensest
+heat. The attendants, who prepared the body for burial, shuddered,
+whispering one to another, that the ring must have derived its heat from
+the glow of infernal fire. They left it on her breast, in the coffin,
+and it went with that guilty woman to the tomb.
+
+Many years afterward, when the church, that contained the monuments of
+the Shrewsbury family, was desecrated by Cromwell's soldiers, they broke
+open the ancestral vaults, and stole whatever was valuable from the
+noble personages who reposed there. Merlin's antique ring passed into
+the possession of a stout sergeant of the Ironsides, who thus became
+subject to the influences of the evil spirit that still kept his abode
+within the gem's enchanted depths. The sergeant was soon slain in
+battle, thus transmitting the ring, though without any legal form of
+testament, to a gay cavalier, who forthwith pawned it, and expended the
+money in liquor, which speedily brought him to the grave. We next catch
+the sparkle of the magic diamond at various epochs of the merry reign of
+Charles the Second. But its sinister fortune still attended it. From
+whatever hand this ring of portent came, and whatever finger it
+encircled, ever it was the pledge of deceit between man and man, or man
+and woman, of faithless vows, and unhallowed passion; and whether to
+lords and ladies, or to village-maids,--for sometimes it found its way
+so low,--still it brought nothing but sorrow and disgrace. No purifying
+deed was done, to drive the fiend from his bright home in this little
+star. Again, we hear of it at a later period, when Sir Robert Walpole
+bestowed the ring, among far richer jewels, on the lady of a British
+legislator, whose political honor he wished to undermine. Many a dismal
+and unhappy tale might be wrought out of its other adventures. All this
+while, its ominous tinge of dusky red had been deepening and darkening,
+until, if laid upon white paper, it cast the mingled hue of night and
+blood, strangely illuminated with scintillating light, in a circle round
+about. But this peculiarity only made it the more valuable.
+
+Alas, the fatal ring! When shall its dark secret be discovered, and the
+doom of ill, inherited from one possessor to another, be finally
+revoked?
+
+The legend now crosses the Atlantic, and comes down to our own immediate
+time. In a certain church of our city, not many evenings ago, there was
+a contribution for a charitable object. A fervid preacher had poured
+out his whole soul in a rich and tender discourse, which had at least
+excited the tears, and perhaps the more effectual sympathy, of a
+numerous audience. While the choristers sang sweetly, and the organ
+poured forth its melodious thunder, the deacons passed up and down the
+aisles, and along the galleries, presenting their mahogany boxes, in
+which each person deposited whatever sum he deemed it safe to lend to
+the Lord, in aid of human wretchedness. Charity became audible,--chink,
+chink, chink,--as it fell, drop by drop, into the common receptacle.
+There was a hum,--a stir,--the subdued bustle of people putting their
+hands into their pockets; while, ever and anon, a vagrant coin fell upon
+the floor, and rolled away, with long reverberation, into some
+inscrutable corner.
+
+At length, all having been favored with an opportunity to be generous,
+the two deacons placed their boxes on the communion-table, and thence,
+at the conclusion of the services, removed them into the vestry. Here
+these good old gentlemen sat down together, to reckon the accumulated
+treasure.
+
+"Fie, fie, Brother Tilton," said Deacon Trott, peeping into Deacon
+Tilton's box, "what a heap of copper you have picked up! Really, for an
+old man, you must have had a heavy job to lug it along. Copper!
+copper! copper! Do people expect to get admittance into heaven at the
+price of a few coppers?"
+
+"Don't wrong them, brother," answered Deacon Tilton, a simple and kindly
+old man. "Copper may do more for one person, than gold will for
+another. In the galleries, where I present my box, we must not expect
+such a harvest as you gather among the gentry in the broad aisle, and
+all over the floor of the church. My people are chiefly poor mechanics
+and laborers, sailors, seamstresses, and servant-maids, with a most
+uncomfortable intermixture of roguish school-boys."
+
+"Well, well," said Deacon Trott; "but there is a great deal, Brother
+Tilton, in the method of presenting a contribution-box. It is a knack
+that comes by nature, or not at all."
+
+They now proceeded to sum up the avails of the evening, beginning with
+the receipts of Deacon Trott. In good sooth, that worthy personage had
+reaped an abundant harvest, in which he prided himself no less,
+apparently, than if every dollar had been contributed from his own
+individual pocket. Had the good deacon been meditating a jaunt to
+Texas, the treasures of the mahogany box might have sent him on his way
+rejoicing. There were bank-notes, mostly, it is true, of the smallest
+denominations in the giver's pocket-book, yet making a goodly average
+upon the whole. The most splendid contribution was a check for a
+hundred dollars, bearing the name of a distinguished merchant, whose
+liberality was duly celebrated in the newspapers of the next day. No
+less than seven half-eagles, together with an English sovereign,
+glittered amidst an indiscriminate heap of silver; the box being
+polluted with nothing of the copper kind, except a single bright new
+cent, wherewith a little boy had performed his first charitable act.
+
+"Very well! very well indeed!" said Deacon Trott, self-approvingly.
+"A handsome evening's work! And now, Brother Tilton, let's see whether
+you can match it." Here was a sad contrast! They poured forth Deacon
+Tilton's treasure upon the table, and it really seemed as if the whole
+copper coinage of the country, together with an amazing quantity of
+shop-keeper's tokens, and English and Irish half-pence, mostly of base
+metal, had been congregated into the box. There was a very substantial
+pencil-case, and the semblance of a shilling; but he latter proved to be
+made of tin, and the former of German-silver. A gilded brass button was
+doing duty as a gold coin, and a folded shopbill had assumed the
+character of a bank-note. But Deacon Tilton's feelings were much
+revived by the aspect of another bank-note, new and crisp, adorned with
+beautiful engravings, and stamped with the indubitable word, TWENTY, in
+large black letters. Alas! it was a counterfeit. In short, the poor
+old Deacon was no less unfortunate than those who trade with fairies,
+and whose gains are sure to be transformed into dried leaves, pebbles,
+and other valuables of that kind.
+
+"I believe the Evil One is in the box," said he, with some vexation.
+
+"Well done, Deacon Tilton!" cried his Brother Trott, with a hearty
+laugh. "You ought to have a statue in copper."
+
+"Never mind, brother," replied the good Deacon, recovering his temper.
+"I'll bestow ten dollars from my own pocket, and may heaven's blessing
+go along with it. But look! what do you call this?"
+
+Under the copper mountain, which it had cost them so much toil to
+remove, lay an antique ring! It was enriched with a diamond, which, so
+soon as it caught the light, began to twinkle and glimmer, emitting the
+whitest and purest lustre that could possibly be conceived.--It was as
+brilliant as if some magician had condensed the brightest star in heaven
+into a compass fit to be set in a ring, for a lady's delicate finger.
+
+"How is this?" said Deacon Trott, examining it carefully, in the
+expectation of finding it as worthless as the rest of his colleague's
+treasure. "Why, upon my word, this seems to be a real diamond, and of
+the purest water. Whence could it have come?"
+
+"Really, I cannot tell," quoth Deacon Tilton, "for my spectacles were so
+misty that all faces looked alike. But now I remember, there was a
+flash of light came from the box, at one moment; but it seemed a dusky
+red, instead of a pure white, like the sparkle of this gem. Well; the
+ring will make up for the copper; but I wish the giver had thrown its
+history into the box along with it."
+
+It has been our good luck to recover a portion of that history. After
+transmitting misfortune from one possessor to another, ever since the
+days of British Merlin, the identical ring which Queen Elizabeth gave to
+the Earl of Essex was finally thrown into the contribution-box of a New
+England church. The two deacons deposited it in the glass case of a
+fashionable jeweller, of whom it was purchased by the humble rehearser
+of this legend, in the hope that it may be allowed to sparkle on a fair
+lady's finger. Purified from the foul fiend, so long its inhabitant, by
+a deed of unostentatious charity, and now made the symbol of faithful
+and devoted love, the gentle bosom of its new possessor need fear no
+sorrow from its influence.
+
+Very pretty!--Beautiful!--How original!--How sweetly written!--What
+nature!--What imagination!--What power!--What pathos!--What exquisite
+humor!"--were the exclamations of Edward Caryl's kind and generous
+auditors, at the conclusion of the legend.
+
+"It is a pretty tale," said Miss Pemberton, who, conscious that her
+praise was to that of all others as a diamond to a pebble, was therefore
+the less liberal in awarding it. "It is really a pretty tale, and very
+proper for any of the Annuals. But, Edward, your moral does not satisfy
+me. What thought did you embody in the ring?"
+
+"O Clara, this is too bad!" replied Edward, with a half-reproachful
+smile. "You know that I can never separate the idea from the symbol in
+which it manifests itself. However, we may suppose the Gem to be the
+human heart, and the Evil Spirit to be Falsehood, which, in one guise or
+another, is the fiend that causes all the sorrow and trouble in the
+world. I beseech you to let this suffice."
+
+"It shall," said Clara, kindly. "And, believe me, whatever the world
+may say of the story, I prize it far above the diamond which enkindled
+your imagination."
+
+
+
+
+
+
+GRAVES AND GOBLINS.
+
+Now talk we of graves and goblins! Fit themes,--start not! gentle
+reader,--fit for a ghost like me. Yes; though an earth-clogged fancy is
+laboring with these conceptions, and an earthly hand will write them
+down, for mortal eyes to read, still their essence flows from as airy a
+ghost as ever basked in the pale starlight, at twelve o'clock. Judge
+them not by the gross and heavy form in which they now appear. They may
+be gross, indeed, with the earthly pollution contracted from the brain,
+through which they pass; and heavy with the burden of mortal language,
+that crushes all the finer intelligences of the soul. This is no fault
+of mine. But should aught of ethereal spirit be perceptible, yet
+scarcely so, glimmering along the dull train of words,--should a faint
+perfume breathe from the mass of clay,--then, gentle reader, thank the
+ghost, who thus embodies himself for your sake! Will you believe me, if
+I say that all true and noble thoughts, and elevated imaginations, are
+but partly the offspring of the intellect which seems to produce them?
+Sprites, that were poets once, and are now all poetry, hover round the
+dreaming bard, and become his inspiration; buried statesmen lend their
+wisdom, gathered on earth and mellowed in the grave, to the historian;
+and when the preacher rises nearest to the level of his mighty subject,
+it is because the prophets of old days have communed with him. Who has
+not been conscious of mysteries within his mind, mysteries of truth and
+reality, which will not wear the chains of language? Mortal, then the
+dead were with you! And thus shall the earth-dulled soul, whom I
+inspire, be conscious of a misty brightness among his thoughts, and
+strive to make it gleam upon the page,--but all in vain. Poor author!
+How will he despise what he can grasp, for the sake of the dim glory
+that eludes him!
+
+So talk we of graves and goblins. But, what have ghosts to do with
+graves? Mortal man, wearing the dust which shall require a sepulchre,
+might deem it more a home and resting-place than a spirit can, whose
+earthly clod has returned to earth. Thus philosophers have reasoned.
+Yet wiser they who adhere to the ancient sentiment, that a phantom
+haunts and hallows the marble tomb or grassy hillock where its material
+form was laid. Till purified from each stain of clay; till the passions
+of the living world are all forgotten; till it have less brotherhood
+with the wayfarers of earth, than with spirits that never wore
+mortality,--the ghost must linger round the grave. O, it is a long and
+dreary watch to some of us!
+
+Even in early childhood, I had selected a sweet spot, of shade and
+glimmering sunshine, for my grave. It was no burial-ground, but a
+secluded nook of virgin earth, where I used to sit, whole summer
+afternoons, dreaming about life and death. My fancy ripened
+prematurely, and taught me secrets which I could not otherwise have
+known. I pictured the coming years,--they never came to me, indeed; but
+I pictured them like life, and made this spot the scene of all that
+should be brightest, in youth, manhood, and old age. There, in a little
+while, it would be time for me to breathe the bashful and burning vows
+of first-love; thither, after gathering fame abroad, I would return to
+enjoy the loud plaudit of the world, a vast but unobtrusive sound, like
+the booming of a distant sea; and thither, at the far-off close of life,
+an aged man would come, to dream, as the boy was dreaming, and be as
+happy in the past as lie was in futurity. Finally, when all should be
+finished, in that spot so hallowed, in that soil so impregnated with the
+most precious of my bliss, there was to be my grave. Methought it would
+be the sweetest grave that ever a mortal frame reposed in, or an
+ethereal spirit haunted. There, too, in future times, drawn thither by
+the spell which I had breathed around the place, boyhood would sport and
+dream, and youth would love, and manhood would enjoy, and age would
+dream again, and my ghost would watch but never frighten them. Alas,
+the vanity of mortal projects, even when they centre in the grave! I
+died in my first youth, before I had been a lover; at a distance, also,
+from the grave which fancy had dug for me; and they buried me in the
+thronged cemetery of a town, where my marble slab stands unnoticed amid
+a hundred others. And there are coffins on each side of mine!
+
+"Alas, poor ghost!" will the reader say. Yet I am a happy ghost enough,
+and disposed to be contented with my grave, if the sexton will but let
+it be my own, and bring no other dead man to dispute my title. Earth
+has left few stains upon me, and it will be but a short time that I need
+haunt the place. It is good to die in early youth. Had I lived out
+threescore years and ten, or half of them, my spirit would have been so
+earth-incrusted, that centuries might not have purified it for a better
+home than the dark precincts of the grave. Meantime, there is good
+choice of company amongst us. From twilight till near sunrise, we are
+gliding to and fro, some in the graveyard, others miles away; and would
+we speak with any friend, we do but knock against his tombstone, and
+pronounce the name engraved on it: in an instant, there the shadow
+stands!
+
+Some are ghosts of considerable antiquity. There is an old man,
+hereabout; he never had a tombstone, and is often puzzled to distinguish
+his own grave; but hereabouts he haunts, and long is doomed to haunt.
+He was a miser in his lifetime, and buried a strong box of ill-gotten
+gold, almost fresh from the mint, in the coinage of William and Mary.
+Scarcely was it safe, when the sexton buried the old man and his secret
+with him. I could point out the place where the treasure lies; it was
+at the bottom of the miser's garden; but a paved thoroughfare now passes
+beside the spot, and the cornerstone of a market-house presses right
+down upon it. Had the workmen dug six inches deeper, they would have
+found the hoard. Now thither must this poor old miser go, whether in
+starlight, moonshine, or pitch darkness, and brood above his worthless
+treasure, recalling all the petty crimes by which he gained it. Not a
+coin must he fail to reckon in his memory, nor forget a pennyworth of
+the sin that made up the sum, though his agony is such as if the pieces
+of gold, red-hot, were stamped into his naked soul. Often, while he is
+in torment there, he hears the steps of living men, who love the dross
+of earth as well as he did. May they never groan over their miserable
+wealth like him! Night after night, for above a hundred years, hath he
+done this penance, and still must he do it, till the iron box be brought
+to light, and each separate coin be cleansed by grateful tears of a
+widow or an orphan. My spirit sighs for his long vigil at the corner of
+the market-house!
+
+There are ghosts whom I tremble to meet, and cannot think of without a
+shudder. One has the guilt of blood upon him. The soul which he thrust
+untimely forth has long since been summoned from our gloomy graveyard,
+and dwells among the stars of heaven, too far and too high for even the
+recollection of mortal anguish to ascend thither. Not so the murderer's
+ghost! It is his doom to spend all the hours of darkness in the spot
+which he stained with innocent blood, and to feel the hot stream--hot as
+when it first gushed upon his hand--incorporating itself with his
+spiritual substance. Thus his horrible crime is ever fresh within him.
+Two other wretches are condemned to walk arm in arm. They were guilty
+lovers in their lives, and still, in death, must wear the guise of love,
+though hatred and loathing have become their very nature and existence.
+The pollution of their mutual sin remains with them, and makes their
+souls sick continually. O, that I might forget all the dark shadows
+which haunt about these graves! This passing thought of them has left a
+stain, and will weigh me down among dust and sorrow, beyond the time
+that my own transgressions would have kept me here. There is one shade
+among us, whose high nature it is good to meditate upon. He lived a
+patriot, and is a patriot still. Posterity has forgotten him. The
+simple slab, of red freestone, that bore his name, was broken long ago,
+and is now covered by the gradual accumulation of the soil. A tuft of
+thistles is his only monument. This upright spirit came to his grave,
+after a lengthened life, with so little stain of earth, that he might,
+almost immediately, have trodden the pathway of the sky. But his strong
+love of country chained him down, to share its vicissitudes of weal or
+woe. With such deep yearning in his soul, he was unfit for heaven.
+That noblest virtue has the effect of sin, and keeps his pure and lofty
+spirit in a penance, which may not terminate till America be again a
+wilderness. Not that there is no joy for the dead patriot. Can he fail
+to experience it, while be contemplates the mighty and increasing power
+of the land, which be protected in its infancy? No; there is much to
+gladden him. But sometimes I dread to meet him, as he returns from the
+bedchambers of rulers and politicians, after diving into their secret
+motives, and searching out their aims. He looks round him with a stern
+and awful sadness, and vanishes into his neglected grave. Let nothing
+sordid or selfish defile your deeds or thoughts, ye great men of the
+day, lest ye grieve the noble dead.
+
+Few ghosts take such an endearing interest as this, even in their own
+private affairs. It made me rather sad, at first, to find how soon the
+flame of love expires amid the chill damps of the tomb; so much the
+sooner, the more fiercely it may have burned. Forget your dead
+mistress, youth! She has already forgotten you. Maiden, cease to weep
+for your buried lover! He will know nothing of your tears, nor value
+them if he did. Yet it were blasphemy to say that true love is other
+than immortal. It is an earthly passion, of which I speak, mingled with
+little that is spiritual, and must therefore perish with the perishing
+clay. When souls have loved, there is no falsehood or forgetfulness.
+Maternal affection, too, is strong as adamant. There are mothers here,
+among us, who might have been in heaven fifty years ago, if they could
+forbear to cherish earthly joy and sorrow, reflected from the bosoms of
+their children. Husbands and wives have a comfortable gift of oblivion,
+especially when secure of the faith of their living halves. Jealousy,
+it is true, will play the devil with a ghost, driving him to the bedside
+of secondary wedlock, there to scowl, unseen, and gibber inaudible
+remonstrances. Dead wives, however jealous in their lifetime, seldom
+feel this posthumous torment so acutely.
+
+Many, many things, that appear most important while we walk the busy
+street, lose all their interest the moment we are borne into the quiet
+graveyard which borders it. For my own part, my spirit had not become
+so mixed up with earthly existence, as to be now held in an unnatural
+combination, or tortured much with retrospective cares. I still love my
+parents and a younger sister, who remain among the living, and often
+grieve me by their patient sorrow for the dead. Each separate tear of
+theirs is an added weight upon my soul, and lengthens my stay among the
+graves. As to other matters, it exceedingly rejoices me, that my
+summons came before I had time to write a projected poem, which was
+highly imaginative in conception, and could not have failed to give me a
+triumphant rank in the choir of our native bards. Nothing is so much to
+be deprecated as posthumous renown. It keeps the immortal spirit from
+the proper bliss of his celestial state, and causes him to feed upon the
+impure breath of mortal man, till sometimes he forgets that there are
+starry realms above him. Few poets--infatuated that they are!--soar
+upward while the least whisper of their name is heard on earth. On
+Sabbath evenings, my sisters sit by the fireside, between our father and
+mother, and repeat some hymns of mine, which they have often heard from
+my own lips, ere the tremulous voice left them forever. Little do they
+think, those dear ones, that the dead stands listening in the glimmer of
+the firelight, and is almost gifted with a visible shape by the fond
+intensity of their remembrance.
+
+Now shall the reader know a grief of the poor ghost that speaks to him;
+a grief, but not a helpless one. Since I have dwelt among the graves,
+they bore the corpse of a young maiden hither, and laid her in the old
+ancestral vault, which is hollowed in the side of a grassy bank. It has
+a door of stone, with rusty iron hinges, and above it, a rude sculpture
+of the family arms, and inscriptions of all their names who have been
+buried there, including sire and son, mother and daughter, of an ancient
+colonial race. All of her lineage had gone before, and when the young
+maiden followed, the portal was closed forever. The night after her
+burial, when the other ghosts were flitting about their graves, forth
+came the pale virgin's shadow, with the rest, but knew not whither to
+go, nor whom to haunt, so lonesome had she been on earth. She stood by
+the ancient sepulchre, looking upward to the bright stars, as if she
+would, even then, begin her flight. Her sadness made me sad. That
+night and the next, I stood near her, in the moonshine, but dared not
+speak, because she seemed purer than all the ghosts, and fitter to
+converse with angels than with men. But the third bright eve, still
+gazing upward to the glory of the heavens, she sighed, and said, "When
+will my mother come for me?" Her low, sweet voice emboldened me to
+speak, and she was kind and gentle, though so pure, and answered me
+again. From that time, always at the ghostly hour, I sought the old
+tomb of her fathers, and either found her standing by the door, or
+knocked, and she appeared. Blessed creature, that she was; her chaste
+spirit hallowed mine, and imparted such a celestial buoyancy, that I
+longed to grasp her hand, and fly,--upward, aloft, aloft! I thought,
+too, that she only lingered here, till my earthlier soul should be
+purified for heaven. One night, when the stars threw down the light
+that shadows love, I stole forth to the accustomed spot, and knocked,
+with my airy fingers, at her door. She answered not. Again I knocked,
+and breathed her name. Where was she? At once, the truth fell on my
+miserable spirit, and crushed it to the earth, among dead men's bones
+and mouldering dust, groaning in cold and desolate agony. Her penance
+was over! She had taken her trackless flight, and had found a home in
+the purest radiance of the upper stars, leaving me to knock at the stone
+portal of the darksome sepulchre. But I know--I know, that angels
+hurried her away, or surely she would have whispered ere she fled!
+
+She is gone! How could the grave imprison that unspotted one! But her
+pure, ethereal spirit will not quite forget me, nor soar too high in
+bliss, till I ascend to join her. Soon, soon be that hour! I am weary
+of the earth-damps; they burden me; they choke me! Already, I can float
+in the moonshine; the faint starlight will almost bear up my footsteps;
+the perfume of flowers, which grosser spirits love, is now too earthly a
+luxury for me. Grave! Grave! thou art not my home. I must flit a
+little longer in thy night gloom, and then be gone,--far from the dust
+of the living and the dead,--far from the corruption that is around me,
+but no more within!
+
+A few times, I have visited the chamber of one who walks, obscure and
+lonely, on his mortal pilgrimage. He will leave not many living
+friends, when he goes to join the dead, where his thoughts often stray,
+and he might better be. I steal into his sleep, and play my part among
+the figures of his dreams. I glide through the moonlight of his waking
+fancy, and whisper conceptions, which, with a strange thrill of fear, he
+writes down as his own. I stand beside him now, at midnight, telling
+these dreamy truths with a voice so dream-like, that he mistakes them
+for fictions of a brain too prone to such. Yet he glances behind him
+and shivers, while the lamp burns pale. Farewell, dreamer,--waking or
+sleeping! Your brightest dreams are fled; your mind grows too hard and
+cold for a spiritual guest to enter; you are earthly, too, and have all
+the sins of earth. The ghost will visit you no more.
+
+But where is the maiden, holy and pure, though wearing a form of clay,
+that would have me bend over her pillow at midnight, and leave a
+blessing there? With a silent invocation, let her summon me. Shrink
+not, maiden, when I come! In life, I was a high-souled youth,
+meditative, yet seldom sad, full of chaste fancies, and stainless from
+all grosser sin. And now, ill death, I bring no loathsome smell of the
+grave, nor ghostly terrors,--but gentle, and soothing, and sweetly
+pensive influences. Perhaps, just fluttering for the skies, my visit
+may hallow the wellsprings of thy thought, and make thee heavenly here
+on earth. Then shall pure dreams and holy meditations bless thy life;
+nor thy sainted spirit linger round the grave, but seek the upper stars,
+and meet me there!
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, OTHER TALES AND SKETCHES ***
+By Nathaniel Hawthorne
+
+******* This file should be named haw7510.txt or haw7510.zip *******
+
+Corrected EDITIONS of our etexts get a new NUMBER, haw7511.txt
+VERSIONS based on separate sources get new LETTER, haw7510a.txt
+
+This eBook was produced by David Widger [widger@cecomet.net]
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/old/haw7510.zip b/old/haw7510.zip
new file mode 100644
index 0000000..872d15e
--- /dev/null
+++ b/old/haw7510.zip
Binary files differ