diff options
Diffstat (limited to '9246-h')
| -rw-r--r-- | 9246-h/9246-h.htm | 753 |
1 files changed, 753 insertions, 0 deletions
diff --git a/9246-h/9246-h.htm b/9246-h/9246-h.htm new file mode 100644 index 0000000..862756a --- /dev/null +++ b/9246-h/9246-h.htm @@ -0,0 +1,753 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" +"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> +<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> +<meta http-equiv="Content-Style-Type" content="text/css" /> +<title>The Project Gutenberg eBook of Sketches from Memory, by Nathaniel Hawthorne</title> + +<style type="text/css" xml:space="preserve"> + +body { margin-left: 20%; + margin-right: 20%; + text-align: justify; } + +h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight: +normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;} + +h1 {font-size: 300%; + margin-top: 0.6em; + margin-bottom: 0.6em; + letter-spacing: 0.12em; + word-spacing: 0.2em; + text-indent: 0em;} +h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;} +h3 {font-size: 130%; margin-top: 1em;} +h4 {font-size: 120%;} +h5 {font-size: 110%;} + +.no-break {page-break-before: avoid;} /* for epubs */ + +div.chapter {page-break-before: always; margin-top: 4em;} + +hr {width: 80%; margin-top: 2em; margin-bottom: 2em;} + +p {text-indent: 1em; + margin-top: 0.25em; + margin-bottom: 0.25em; } + +a:link {color:blue; text-decoration:none} +a:visited {color:blue; text-decoration:none} +a:hover {color:red} + +</style> +</head> +<body> + +<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Sketches from Memory, by Nathaniel Hawthorne</div> +<div style='display:block; margin:1em 0'> +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online +at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you +are not located in the United States, you will have to check the laws of the +country where you are located before using this eBook. +</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Sketches from Memory</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Nathaniel Hawthorne</div> +<div style='display:block; margin:1em 0'>Release Date: September 25, 2003 [eBook #9246]<br /> +[Most recently updated: November 9, 2022]</div> +<div style='display:block; margin:1em 0'>Language: English</div> +<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> +<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Widger and Al Haines</div> +<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK SKETCHES FROM MEMORY ***</div> + +<h1>Sketches from Memory</h1> + +<h2 class="no-break">by Nathaniel Hawthorne</h2> + +<hr /> + +<div class="chapter"> + +<h3>I. THE INLAND PORT.</h3> + +<p> +It was a bright forenoon, when I set foot on the beach at Burlington, and took +leave of the two boatmen in whose little skiff I had voyaged since daylight +from Peru. Not that we had come that morning from South America, but only from +the New York shore of Lake Champlain. The highlands of the coast behind us +stretched north and south, in a double range of bold, blue peaks, gazing over +each other’s shoulders at the Green Mountains of Vermont. +</p> + +<p> +The latter are far the loftiest, and, from the opposite side of the lake, had +displayed a more striking outline. We were now almost at their feet, and could +see only a sandy beach sweeping beneath a woody bank, around the semicircular +Bay of Burlington. +</p> + +<p> +The painted lighthouse on a small green island, the wharves and warehouses, +with sloops and schooners moored alongside, or at anchor, or spreading their +canvas to the wind, and boats rowing from point to point, reminded me of some +fishing-town on the sea-coast. +</p> + +<p> +But I had no need of tasting the water to convince myself that Lake Champlain +was not all arm of the sea; its quality was evident, both by its silvery +surface, when unruffled, and a faint but unpleasant and sickly smell, forever +steaming up in the sunshine. One breeze of the Atlantic with its briny +fragrance would be worth more to these inland people than all the perfumes of +Arabia. On closer inspection the vessels at the wharves looked hardly +seaworthy,—there being a great lack of tar about the seams and rigging, +and perhaps other deficiencies, quite as much to the purpose. +</p> + +<p> +I observed not a single sailor in the port. There were men, indeed, in blue +jackets and trousers, but not of the true nautical fashion, such as dangle +before slopshops; others wore tight pantaloons and coats preponderously +long-tailed,—cutting very queer figures at the masthead; and, in short, +these fresh-water fellows had about the same analogy to the real “old salt” +with his tarpaulin, pea-jacket, and sailor-cloth trousers, as a lake fish to a +Newfoundland cod. +</p> + +<p> +Nothing struck me more in Burlington, than the great number of Irish emigrants. +They have filled the British Provinces to the brim, and still continue to +ascend the St. Lawrence in infinite tribes overflowing by every outlet into the +States. At Burlington, they swarm in huts and mean dwellings near the lake, +lounge about the wharves, and elbow the native citizens entirely out of +competition in their own line. Every species of mere bodily labor is the +prerogative of these Irish. Such is their multitude in comparison with any +possible demand for their services, that it is difficult to conceive how a +third part of them should earn even a daily glass of whiskey, which is +doubtless their first necessary of life,—daily bread being only the +second. +</p> + +<p> +Some were angling in the lake, but had caught only a few perch, which little +fishes, without a miracle, would be nothing among so many. A miracle there +certainly must have been, and a daily one, for the subsistence of these +wandering hordes. The men exhibit a lazy strength and careless merriment, as if +they had fed well hitherto, and meant to feed better hereafter; the women +strode about, uncovered in the open air, with far plumper waists and brawnier +limbs as well as bolder faces, than our shy and slender females; and their +progeny, which was innumerable, had the reddest and the roundest cheeks of any +children in America. +</p> + +<p> +While we stood at the wharf, the bell of a steamboat gave two preliminary +peals, and she dashed away for Plattsburgh, leaving a trail of smoky breath +behind, and breaking the glassy surface of the lake before her. Our next +movement brought us into a handsome and busy square, the sides of which were +filled up with white houses, brick stores, a church, a court-house, and a bank. +Some of these edifices had roofs of tin, in the fashion of Montreal, and +glittered in the sun with cheerful splendor, imparting a lively effect to the +whole square. One brick building, designated in large letters as the +custom-house, reminded us that this inland village is a port of entry, largely +concerned in foreign trade and holding daily intercourse with the British +empire. In this border country the Canadian bank-notes circulate as freely as +our own, and British and American coin are jumbled into the same pocket, the +effigies of the King of England being made to kiss those of the Goddess of +Liberty. +</p> + +<p> +Perhaps there was an emblem in the involuntary contact. There was a pleasant +mixture of people in the square of Burlington, such as cannot be seen +elsewhere, at one view; merchants from Montreal, British officers from the +frontier garrisons, French Canadians, wandering Irish, Scotchmen of a better +class, gentlemen of the South on a pleasure tour, country squires on business; +and a great throng of Green Mountain boys, with their horse-wagons and +ox-teams, true Yankees in aspect, and looking more superlatively so, by +contrast with such a variety of foreigners. +</p> + +<h3>II. ROCHESTER</h3> + +<p> +The gray but transparent evening rather shaded than obscured the scene, leaving +its stronger features visible, and even improved by the medium through which I +beheld them. The volume of water is not very great, nor the roar deep enough to +be termed grand, though such praise might have been appropriate before the good +people of Rochester had abstracted a part of the unprofitable sublimity of the +cascade. The Genesee has contributed so bountifully to their canals and +mill-dams, that it approaches the precipice with diminished pomp, and rushes +over it in foamy streams of various width, leaving a broad face of the rock +insulated and unwashed, between the two main branches of the falling river. +Still it was an impressive sight, to one who had not seen Niagara. I confess, +however, that my chief interest arose from a legend, connected with these +falls, which will become poetical in the lapse of years, and was already so to +me as I pictured the catastrophe out of dusk and solitude. It was from a +platform, raised over the naked island of the cliff, in the middle of the +cataract that Sam Patch took his last leap, and alighted in the other world. +Strange as it may appear,—that any uncertainty should rest upon his fate +which was consummated in the sight of thousands,—many will tell you that +the illustrious Patch concealed himself in a cave under the falls, and has +continued to enjoy posthumous renown, without foregoing the comforts of this +present life. But the poor fellow prized the shout of the multitude too much +not to have claimed it at the instant, had he survived. He will not be seen +again, unless his ghost, in such a twilight as when I was there, should emerge +from the foam, and vanish among the shadows that fall from cliff to cliff. +</p> + +<p> +How stern a moral may be drawn from the story of poor Sam Patch! Why do we call +him a madman or a fool, when he has left his memory around the falls of the +Genesee, more permanently than if the letters of his name had been hewn into +the forehead of the precipice? +</p> + +<p> +Was the leaper of cataracts more mad or foolish than other men who throw away +life, or misspend it in pursuit of empty fame, and seldom so triumphantly as +he? That which he won is as invaluable as any except the unsought glory, +spreading like the rich perfume of richer fruit from various and useful deeds. +</p> + +<p> +Thus musing, wise in theory, but practically as great a fool as Sam, I lifted +my eyes and beheld the spires, warehouses, and dwellings of Rochester, half a +mile distant on both sides of the river, indistinctly cheerful, with the +twinkling of many lights amid the fall of the evening. +</p> + +<p> +The town had sprung up like a mushroom, but no presage of decay could be drawn +from its hasty growth. Its edifices are of dusky brick, and of stone that will +not be grayer in a hundred years than now; its churches are Gothic; it is +impossible to look at its worn pavements and conceive how lately the forest +leaves have been swept away. The most ancient town in Massachusetts appears +quite like an affair of yesterday, compared with Rochester. Its attributes of +youth are the activity and eager life with which it is redundant. The whole +street, sidewalks and centre, was crowded with pedestrians, horsemen, +stage-coaches, gigs, light wagons, and heavy ox-teams, all hurrying, trotting, +rattling, and rumbling, in a throng that passed continually, but never passed +away. Here, a country wife was selecting a churn from several gayly painted +ones on the sunny sidewalk; there, a farmer was bartering his produce; and, in +two or three places, a crowd of people were showering bids on a vociferous +auctioneer. I saw a great wagon and an ox-chain knocked off to a very pretty +woman. Numerous were the lottery offices,—those true temples of +Mammon,—where red and yellow bills offered splendid fortunes to the world +at large, and banners of painted cloth gave notice that the “lottery draws next +Wednesday.” At the ringing of a bell, judges, jurymen, lawyers, and clients, +elbowed each other to the court-house, to busy themselves with cases that would +doubtless illustrate the state of society, had I the means of reporting them. +The number of public houses benefited the flow of temporary population; some +were farmer’s taverns,—cheap, homely, and comfortable; others were +magnificent hotels, with negro waiters, gentlemanly landlords in black +broad-cloth, and foppish bar-keepers in Broadway coats, with chased gold +watches in their waistcoat-pockets. I caught one of these fellows quizzing me +through an eye-glass. The porters were lumbering up the steps with baggage from +the packet boats, while waiters plied the brush on dusty travellers, who, +meanwhile, glanced over the innumerable advertisements in the daily papers. +</p> + +<p> +In short, everybody seemed to be there, and all had something to do, and were +doing it with all their might, except a party of drunken recruits for the +Western military posts, principally Irish and Scotch, though they wore Uncle +Sam’s gray jacket and trousers. I noticed one other idle man. He carried a +rifle on his shoulder and a powder-horn across his breast, and appeared to +stare about him with confused wonder, as if, while he was listening to the wind +among the forest boughs, the hum and bustle of an instantaneous city had +surrounded him. +</p> + +<h3>A NIGHT SCENE</h3> + +<p> +The steamboat in which I was passenger for Detroit had put into the mouth of a +small river, where the greater part of the night would be spent in repairing +some damages of the machinery. +</p> + +<p> +As the evening was warm, though cloudy and very dark, I stood on deck, watching +a scene that would not have attracted a second glance in the daytime, but +became picturesque by the magic of strong light and deep shade. +</p> + +<p> +Some wild Irishmen were replenishing our stock of wood, and had kindled a great +fire on the bank to illuminate their labors. It was composed of large logs and +dry brushwood, heaped together with careless profusion, blazing fiercely, +spouting showers of sparks into the darkness, and gleaming wide over Lake +Erie,—a beacon for perplexed voyagers leagues from land. +</p> + +<p> +All around and above the furnace, there was total obscurity. No trees or other +objects caught and reflected any portion of the brightness, which thus wasted +itself in the immense void of night, as if it quivered from the expiring embers +of the world, after the final conflagration. But the Irishmen were continually +emerging from the dense gloom, passing through the lurid glow, and vanishing +into the gloom on the other side. Sometimes a whole figure would be made +visible, by the shirtsleeves and light-colored dress; others were but half +seen, like imperfect creatures; many flitted, shadow-like, along the skirts of +darkness, tempting fancy to a vain pursuit; and often, a face alone was +reddened by the fire, and stared strangely distinct, with no traces of a body. +In short these wild Irish, distorted and exaggerated by the blaze, now lost in +deep shadow, now bursting into sudden splendor, and now struggling between +light and darkness, formed a picture which might have been transferred, almost +unaltered, to a tale of the supernatural. As they all carried lanterns of wood, +and often flung sticks upon the fire, the least imaginative spectator would at +once compare them to devils condemned to keep alive the flames of their own +torments. +</p> + +</div><!--end chapter--> + +<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK SKETCHES FROM MEMORY ***</div> +<div style='text-align:left'> + +<div style='display:block; margin:1em 0'> +Updated editions will replace the previous one—the old editions will +be renamed. +</div> + +<div style='display:block; margin:1em 0'> +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away--you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. +</div> + +<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> +<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> +</div> + +<div style='display:block; margin:1em 0'> +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. +</div> + +<div style='display:block; margin:1em 0'> +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. +</div> + +<div style='display:block; margin:1em 0'> +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. +</div> + +<div style='display:block; margin:1em 0'> +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. +</div> + +<div style='display:block; margin:1em 0'> +1.E. Unless you have removed all references to Project Gutenberg: +</div> + +<div style='display:block; margin:1em 0'> +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: +</div> + +<blockquote> + <div style='display:block; margin:1em 0'> + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + </div> +</blockquote> + +<div style='display:block; margin:1em 0'> +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. +</div> + +<div style='display:block; margin:1em 0'> +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. +</div> + +<div style='display:block; margin:1em 0'> +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. +</div> + +<div style='display:block; margin:1em 0'> +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. +</div> + +<div style='display:block; margin:1em 0'> +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: +</div> + +<div style='margin-left:0.7em;'> + <div style='text-indent:-0.7em'> + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + </div> + + <div style='text-indent:-0.7em'> + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + </div> + + <div style='text-indent:-0.7em'> + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + </div> + + <div style='text-indent:-0.7em'> + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + </div> +</div> + +<div style='display:block; margin:1em 0'> +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. +</div> + +<div style='display:block; margin:1em 0'> +1.F. +</div> + +<div style='display:block; margin:1em 0'> +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. +</div> + +<div style='display:block; margin:1em 0'> +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. +</div> + +<div style='display:block; margin:1em 0'> +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. +</div> + +<div style='display:block; margin:1em 0'> +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 2. Information about the Mission of Project Gutenberg™ +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. +</div> + +<div style='display:block; margin:1em 0'> +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 3. Information about the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. +</div> + +<div style='display:block; margin:1em 0'> +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. +</div> + +<div style='display:block; margin:1em 0'> +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. +</div> + +<div style='display:block; margin:1em 0'> +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 5. General Information About Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. +</div> + +<div style='display:block; margin:1em 0'> +Most people start at our website which has the main PG search +facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. +</div> + +<div style='display:block; margin:1em 0'> +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. +</div> + +</div> + +</body> +</html> |