1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
|
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<title>The Project Gutenberg eBook of Little Daffydowndilly, by Nathaniel Hawthorne</title>
<style type="text/css">
body { margin-left: 20%;
margin-right: 20%;
text-align: justify; }
h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
h1 {font-size: 300%;
margin-top: 0.6em;
margin-bottom: 0.6em;
letter-spacing: 0.12em;
word-spacing: 0.2em;
text-indent: 0em;}
h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
h3 {font-size: 130%; margin-top: 1em;}
h4 {font-size: 120%;}
h5 {font-size: 110%;}
.no-break {page-break-before: avoid;} /* for epubs */
div.chapter {page-break-before: always; margin-top: 4em;}
hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
p {text-indent: 1em;
margin-top: 0.25em;
margin-bottom: 0.25em; }
a:link {color:blue; text-decoration:none}
a:visited {color:blue; text-decoration:none}
a:hover {color:red}
</style>
</head>
<body>
<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Little Daffydowndilly, by Nathaniel Hawthorne</div>
<div style='display:block; margin:1em 0'>
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
are not located in the United States, you will have to check the laws of the
country where you are located before using this eBook.
</div>
<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Little Daffydowndilly</div>
<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Nathaniel Hawthorne</div>
<div style='display:block; margin:1em 0'>Release Date: September 18, 2003 [eBook #9244]<br />
[Most recently updated: May 16, 2022]</div>
<div style='display:block; margin:1em 0'>Language: English</div>
<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Widger</div>
<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK LITTLE DAFFYDOWNDILLY ***</div>
<h1>Little Daffydowndilly</h1>
<h2 class="no-break">by Nathaniel Hawthorne</h2>
<hr />
<div class="chapter">
<p>
Daffydowndilly was so called because in his nature he resembled a flower, and
loved to do only what was beautiful and agreeable, and took no delight in labor
of any kind. But, while Daffydowndilly was yet a little boy, his mother sent
him away from his pleasant home, and put him under the care of a very strict
schoolmaster, who went by the name of Mr. Toil. Those who knew him best
affirmed that this Mr. Toil was a very worthy character; and that he had done
more good, both to children and grown people, than anybody else in the world.
Certainly he had lived long enough to do a great deal of good; for, if all
stories be true, he had dwelt upon earth ever since Adam was driven from the
garden of Eden.
</p>
<p>
Nevertheless, Mr. Toil had a severe and ugly countenance, especially for such
little boys or big men as were inclined to be idle; his voice, too, was harsh;
and all his ways and customs seemed very disagreeable to our friend
Daffydowndilly. The whole day long, this terrible old schoolmaster sat at his
desk overlooking the scholars, or stalked about the school-room with a certain
awful birch rod in his hand. Now came a rap over the shoulders of a boy whom
Mr. Toil had caught at play; now he punished a whole class who were behindhand
with their lessons; and, in short, unless a lad chose to attend quietly and
constantly to his book, he had no chance of enjoying a quiet moment in the
school-room of Mr. Toil.
</p>
<p>
“This will never do for me,” thought Daffydowndilly.
</p>
<p>
Now, the whole of Daffydowndilly’s life had hitherto been passed with his
dear mother, who had a much sweeter face than old Mr. Toil, and who had always
been very indulgent to her little boy. No wonder, therefore, that poor
Daffydowndilly found it a woful change, to be sent away from the good
lady’s side, and put under the care of this ugly-visaged schoolmaster,
who never gave him any apples or cakes, and seemed to think that little boys
were created only to get lessons.
</p>
<p>
“I can’t bear it any longer,” said Daffydowndilly to himself,
when he had been at school about a week. “I’ll run away, and try to
find my dear mother; and, at any rate, I shall never find anybody half so
disagreeable as this old Mr. Toil!”
</p>
<p>
So, the very next morning, off started poor Daffydowndilly, and began his
rambles about the world, with only some bread and cheese for his breakfast, and
very little pocket-money to pay his expenses. But he had gone only a short
distance, when he overtook a man of grave and sedate appearance, who was
trudging at a moderate pace along the road.
</p>
<p>
“Good morning, my fine lad,” said the stranger; and his voice
seemed hard and severe, but yet had a sort of kindness in it; “whence do
you come so early, and whither are you going?”
</p>
<p>
Little Daffydowndilly was a boy of very ingenuous disposition, and had never
been known to tell a lie in all his life. Nor did he tell one now. He hesitated
a moment or two, but finally confessed that he had run away from school, on
account of his great dislike to Mr. Toil; and that he was resolved to find some
place in the world where he should never see or hear of the old schoolmaster
again.
</p>
<p>
“O, very well, my little friend!” answered the stranger.
“Then we will go together; for I, likewise, have had a good deal to do
with Mr. Toil, and should be glad to find some place where he was never heard
of.”
</p>
<p>
Our friend Daffydowndilly would have been better pleased with a companion of
his own age, with whom he might have gathered flowers along the roadside, or
have chased butterflies, or have done many other things to make the journey
pleasant. But he had wisdom enough to understand that he should get along
through the world much easier by having a man of experience to show him the
way. So he accepted the stranger’s proposal, and they walked on very
sociably together.
</p>
<p>
They had not gone far, when the road passed by a field where some haymakers
were at work, mowing down the tall grass, and spreading it out in the sun to
dry. Daffydowndilly was delighted with the sweet smell of the new-mown grass,
and thought how much pleasanter it must be to make hay in the sunshine, under
the blue sky, and with the birds singing sweetly in the neighboring trees and
bushes, than to be shut up in a dismal school-room, learning lessons all day
long, and continually scolded by old Mr. Toil. But, in the midst of these
thoughts, while he was stopping to peep over the stone wall, he started back
and caught hold of his companion’s hand.
</p>
<p>
“Quick, quick!” cried he. “Let us run away, or he will catch
us!”
</p>
<p>
“Who will catch us?” asked the stranger.
</p>
<p>
“Mr. Toil, the old schoolmaster!” answered Daffydowndilly.
“Don’t you see him amongst the haymakers?”
</p>
<p>
And Daffydowndilly pointed to an elderly man, who seemed to be the owner of the
field, and the employer of the men at work there. He had stripped off his coat
and waistcoat, and was busily at work in his shirt-sleeves. The drops of sweat
stood upon his brow; but he gave himself not a moment’s rest, and kept
crying out to the haymakers to make hay while the sun shone. Now, strange to
say, the figure and features of this old farmer were precisely the same as
those of old Mr. Toil, who, at that very moment, must have been just entering
his school-room.
</p>
<p>
“Don’t be afraid,” said the stranger. “This is not Mr.
Toil the schoolmaster, but a brother of his, who was bred a farmer; and people
say he is the most disagreeable man of the two. However, he won’t trouble
you, unless you become a laborer on the farm.”
</p>
<p>
Little Daffydowndilly believed what his companion said, but was very glad,
nevertheless, when they were out of sight of the old farmer, who bore such a
singular resemblance to Mr. Toil. The two travellers had gone but little
farther, when they came to a spot where some carpenters were erecting a house.
Daffydowndilly begged his companion to stop a moment; for it was a very pretty
sight to see how neatly the carpenters did their work, with their broad-axes,
and saws, and planes, and hammers, shaping out the doors, and putting in the
window-sashes, and nailing on the clapboards; and he could not help thinking
that he should like to take a broad-axe, a saw, a plane, and a hammer, and
build a little house for himself. And then, when he should have a house of his
own, old Mr. Toil would never dare to molest him.
</p>
<p>
But, just while he was delighting himself with this idea, little Daffydowndilly
beheld something that made him catch hold of his companion’s hand, all in
a fright.
</p>
<p>
“Make haste. Quick, quick!” cried he. “There he is
again!”
</p>
<p>
“Who?” asked the stranger, very quietly.
</p>
<p>
“Old Mr. Toil,” said Daffydowndilly, trembling. “There! he
that is overseeing the carpenters. ‘T is my old schoolmaster, as sure as
I’m alive!”
</p>
<p>
The stranger cast his eyes where Daffydowndilly pointed his finger; and he saw
an elderly man, with a carpenter’s rule and compasses in his hand. This
person went to and fro about the unfinished house, measuring pieces of timber,
and marking out the work that was to be done, and continually exhorting the
other carpenters to be diligent. And wherever he turned his hard and wrinkled
visage, the men seemed to feel that they had a task-master over them, and
sawed, and hammered, and planed, as if for dear life.
</p>
<p>
“O no! this is not Mr. Toil, the schoolmaster,” said the stranger.
“It is another brother of his, who follows the trade of carpenter.”
</p>
<p>
“I am very glad to hear it,” quoth Daffydowndilly; “but if
you please, sir, I should like to get out of his way as soon as
possible.”
</p>
<p>
Then they went on a little farther, and soon heard the sound of a drum and
fife. Daffydowndilly pricked up his ears at this, and besought his companion to
hurry forward, that they might not miss seeing the soldiers. Accordingly, they
made what haste they could, and soon met a company of soldiers, gayly dressed,
with beautiful feathers in their caps, and bright muskets on their shoulders.
In front marched two drummers and two fifers, beating on their drums and
playing on their fifes with might and main, and making such lively music that
little Daffydowndilly would gladly have followed them to the end of the world.
And if he was only a soldier, then, he said to himself, old Mr. Toil would
never venture to look him in the face.
</p>
<p>
“Quick step! Forward march!” shouted a gruff voice.
</p>
<p>
Little Daffydowndilly started, in great dismay; for this voice which had spoken
to the soldiers sounded precisely the same as that which he had heard every day
in Mr. Toil’s school-room, out of Mr. Toil’s own mouth. And,
turning his eyes to the captain of the company, what should he see but the very
image of old Mr. Toil himself, with a smart cap and feather on his head, a pair
of gold epaulets on his shoulders, a laced coat on his back, a purple sash
round his waist, and a long sword, instead of a birch rod, in his hand. And
though he held his head so high, and strutted like a turkey-cock, still he
looked quite as ugly and disagreeable as when he was hearing lessons in the
schoolroom.
</p>
<p>
“This is certainly old Mr. Toil,” said Daffydowndilly, in a
trembling voice. “Let us run away, for fear he should make us enlist in
his company!”
</p>
<p>
“You are mistaken again, my little friend,” replied the stranger,
very composedly. “This is not Mr. Toil, the schoolmaster, but a brother
of his, who has served in the army all his life. People say he’s a
terribly severe fellow; but you and I need not be afraid of him.”
</p>
<p>
“Well, well,” said little Daffydowndilly, “but, if you
please, sir, I don’t want to see the soldiers any more.”
</p>
<p>
So the child and the stranger resumed their journey; and, by and by, they came
to a house by the roadside, where a number of people were making merry. Young
men and rosy-checked girls, with smiles on their faces, were dancing to the
sound of a fiddle. It was the pleasantest sight that Daffydowndilly had yet met
with, and it comforted him for all his disappointments.
</p>
<p>
“O, let us stop here,” cried he to his companion; “for Mr.
Toil will never dare to show his face where there is a fiddler, and where
people are dancing and making merry. We shall be quite safe here!”
</p>
<p>
But these last words died away upon Daffydowndilly’s tongue; for,
happening to cast his eyes on the fiddler, whom should be behold again, but the
likeness of Mr. Toil, holding a fiddle-bow instead of a birch rod, and
flourishing it with as much ease and dexterity as if he had been a fiddler all
his life! He had somewhat the air of a Frenchman, but still looked exactly like
the old schoolmaster; and Daffydowndilly even fancied that he nodded and winked
at him, and made signs for him to join in the dance.
</p>
<p>
“O dear me!” whispered he, turning pale. “It seems as if
there was nobody but Mr. Toil in the world. Who could have thought of his
playing on a fiddle!”
</p>
<p>
“This is not your old schoolmaster,” observed the stranger,
“but another brother of his, who was bred in France, where he learned the
profession of a fiddler. He is ashamed of his family, and generally calls
himself Monsieur le Plaisir; but his real name is Toil, and those who have
known him best think him still more disagreeable than his brothers.”
</p>
<p>
“Pray let us go a little farther,” said Daffydowndilly. “I
don’t like the looks of this fiddler at all.”
</p>
<p>
Well, thus the stranger and little Daffydowndilly went wandering along the
highway, and in shady lanes, and through pleasant villages; and whithersoever
they went, behold! there was the image of old Mr. Toil. He stood like a
scarecrow in the cornfields. If they entered a house, he sat in the parlor; if
they peeped into the kitchen, he was there. He made himself at home in every
cottage, and stole, under one disguise or another, into the most splendid
mansions. Everywhere there was sure to be somebody wearing the likeness of Mr.
Toil, and who, as the stranger affirmed, was one of the old
schoolmaster’s innumerable brethren.
</p>
<p>
Little Daffydowndilly was almost tired to death, when he perceived some people
reclining lazily in a shady place, by the side of the road. The poor child
entreated his companion that they might sit down there, and take some repose.
</p>
<p>
“Old Mr. Toil will never come here,” said he; “for he hates
to see people taking their ease.”
</p>
<p>
But, even while he spoke, Daffydowndilly’s eyes fell upon a person who
seemed the laziest, and heaviest, and most torpid of all those lazy and heavy
and torpid people who had lain down to sleep in the shade. Who should it be,
again, but the very image of Mr. Toil!
</p>
<p>
“There is a large family of these Toils,” remarked the stranger.
“This is another of the old schoolmaster’s brothers, who was bred
in Italy, where he acquired very idle habits, and goes by the name of Signor
Far Niente. He pretends to lead an easy life, but is really the most miserable
fellow in the family.”
</p>
<p>
“O, take me back!—take me back!” cried poor little
Daffydowndilly, bursting into tears. “If there is nothing but Toil all
the world over, I may just as well go back to the school-house!”
</p>
<p>
“Yonder it is,—there is the school-house!” said the stranger;
for though he and little Daffydowndilly had taken a great many steps, they had
travelled in a circle, instead of a straight line. “Come; we will go back
to school together.”
</p>
<p>
There was something in his companion’s voice that little Daffydowndilly
now remembered; and it is strange that he had not remembered it sooner. Looking
up into his face, behold! there again was the likeness of old Mr. Toil; so that
the poor child had been in company with Toil all day, even while he was doing
his best to run away from him. Some people, to whom I have told little
Daffydowndilly’s story, are of opinion that old Mr. Toil was a magician,
and possessed the power of multiplying himself into as many shapes as he saw
fit.
</p>
<p>
Be this as it may, little Daffydowndilly had learned a good lesson, and from
that time forward was diligent at his task, because he knew that diligence is
not a whit more toilsome than sport or idleness. And when he became better
acquainted with Mr. Toil, he began to think that his ways were not so very
disagreeable, and that the old schoolmaster’s smile of approbation made
his face almost as pleasant as even that of Daffydowndilly’s mother.
</p>
</div><!--end chapter-->
<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK LITTLE DAFFYDOWNDILLY ***</div>
<div style='text-align:left'>
<div style='display:block; margin:1em 0'>
Updated editions will replace the previous one—the old editions will
be renamed.
</div>
<div style='display:block; margin:1em 0'>
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
</div>
<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
</div>
<div style='display:block; margin:1em 0'>
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
</div>
<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
</div>
<div style='display:block; margin:1em 0'>
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
</div>
<div style='display:block; margin:1em 0'>
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
</div>
<div style='display:block; margin:1em 0'>
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
</div>
<div style='display:block; margin:1em 0'>
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
</div>
<div style='display:block; margin:1em 0'>
1.E. Unless you have removed all references to Project Gutenberg:
</div>
<div style='display:block; margin:1em 0'>
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
</div>
<blockquote>
<div style='display:block; margin:1em 0'>
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
</div>
</blockquote>
<div style='display:block; margin:1em 0'>
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
</div>
<div style='display:block; margin:1em 0'>
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
</div>
<div style='display:block; margin:1em 0'>
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
</div>
<div style='display:block; margin:1em 0'>
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
</div>
<div style='display:block; margin:1em 0'>
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
</div>
<div style='display:block; margin:1em 0'>
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
</div>
<div style='display:block; margin:1em 0'>
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
</div>
<div style='margin-left:0.7em;'>
<div style='text-indent:-0.7em'>
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
</div>
<div style='text-indent:-0.7em'>
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
</div>
<div style='text-indent:-0.7em'>
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
</div>
<div style='text-indent:-0.7em'>
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
</div>
</div>
<div style='display:block; margin:1em 0'>
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
</div>
<div style='display:block; margin:1em 0'>
1.F.
</div>
<div style='display:block; margin:1em 0'>
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
</div>
<div style='display:block; margin:1em 0'>
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
</div>
<div style='display:block; margin:1em 0'>
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
</div>
<div style='display:block; margin:1em 0'>
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
</div>
<div style='display:block; margin:1em 0'>
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
</div>
<div style='display:block; margin:1em 0'>
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
</div>
<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
Section 2. Information about the Mission of Project Gutenberg™
</div>
<div style='display:block; margin:1em 0'>
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
</div>
<div style='display:block; margin:1em 0'>
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
</div>
<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
Section 3. Information about the Project Gutenberg Literary Archive Foundation
</div>
<div style='display:block; margin:1em 0'>
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
</div>
<div style='display:block; margin:1em 0'>
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
</div>
<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
</div>
<div style='display:block; margin:1em 0'>
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
</div>
<div style='display:block; margin:1em 0'>
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
</div>
<div style='display:block; margin:1em 0'>
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
</div>
<div style='display:block; margin:1em 0'>
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
</div>
<div style='display:block; margin:1em 0'>
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
</div>
<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
Section 5. General Information About Project Gutenberg™ electronic works
</div>
<div style='display:block; margin:1em 0'>
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
</div>
<div style='display:block; margin:1em 0'>
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
</div>
<div style='display:block; margin:1em 0'>
Most people start at our website which has the main PG search
facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
</div>
<div style='display:block; margin:1em 0'>
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
</div>
</div>
</body>
</html>
|