diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:54 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:54 -0700 |
| commit | 5afac839ef8e83c09042cc72b8786c54fc4ffc34 (patch) | |
| tree | 3a20e7b421fd42d675eeb4c6d93d48c8db79954a /old | |
Diffstat (limited to 'old')
| -rw-r--r-- | old/9238.txt | 695 | ||||
| -rw-r--r-- | old/9238.zip | bin | 0 -> 14135 bytes | |||
| -rw-r--r-- | old/haw6510.txt | 670 | ||||
| -rw-r--r-- | old/haw6510.zip | bin | 0 -> 13604 bytes |
4 files changed, 1365 insertions, 0 deletions
diff --git a/old/9238.txt b/old/9238.txt new file mode 100644 index 0000000..9173d7b --- /dev/null +++ b/old/9238.txt @@ -0,0 +1,695 @@ +The Project Gutenberg EBook of Sylph Etherege, by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Sylph Etherege + +Author: Nathaniel Hawthorne + +Posting Date: December 20, 2010 [EBook #9238] +Release Date: November, 2005 +First Posted: September 18, 2003 +Last Updated: February 6, 2007 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SYLPH ETHEREGE *** + + + + +Produced by David Widger. HTML version by Al Haines + + + + + + + + + + THE SNOW-IMAGE + + AND + + OTHER TWICE-TOLD TALES + + + + SYLPH ETHEREGE + + By + + Nathaniel Hawthorne + + + +On a bright summer evening, two persons stood among the shrubbery of a +garden, stealthily watching a young girl, who sat in the window seat of a +neighboring mansion. One of these unseen observers, a gentleman, was +youthful, and had an air of high breeding and refinement, and a face +marked with intellect, though otherwise of unprepossessing aspect. His +features wore even an ominous, though somewhat mirthful expression, while +he pointed his long forefinger at the girl, and seemed to regard her as a +creature completely within the scope of his influence. + +"The charm works!" said he, in a low, but emphatic whisper. + +"Do you know, Edward Hamilton,--since so you choose to be named,--do you +know," said the lady beside him, "that I have almost a mind to break the +spell at once? What if the lesson should prove too severe! True, if my +ward could be thus laughed out of her fantastic nonsense, she might be +the better for it through life. But then, she is such a delicate +creature! And, besides, are you not ruining your own chance, by putting +forward this shadow of a rival?" + +"But will he not vanish into thin air, at my bidding?" rejoined Edward +Hamilton. "Let the charm work!" + +The girl's slender and sylph-like figure, tinged with radiance from the +sunset clouds, and overhung with the rich drapery of the silken curtains, +and set within the deep frame of the window, was a perfect picture; or, +rather, it was like the original loveliness in a painter's fancy, from +which the most finished picture is but an imperfect copy. Though her +occupation excited so much interest in the two spectators, she was merely +gazing at a miniature which she held in her hand, encased in white satin +and red morocco; nor did there appear to be any other cause for the smile +of mockery and malice with which Hamilton regarded her. + +"The charm works!" muttered he, again. "Our pretty Sylvia's scorn will +have a dear retribution!" + +At this moment the girl raised her eyes, and, instead of a life-like +semblance of the miniature, beheld the ill-omened shape of Edward +Hamilton, who now stepped forth from his concealment in the shrubbery. + +Sylvia Etherege was an orphan girl, who had spent her life, till within a +few months past, under the guardianship, and in the secluded dwelling, of +an old bachelor uncle. While yet in her cradle, she had been the +destined bride of a cousin, who was no less passive in the betrothal than +herself. Their future union had been projected, as the means of uniting +two rich estates, and was rendered highly expedient, if not +indispensable, by the testamentary dispositions of the parents on both +sides. Edgar Vaughan, the promised bridegroom, had been bred from +infancy in Europe, and had never seen the beautiful girl whose heart he +was to claim as his inheritance. But already, for several years, a +correspondence had been kept up between tine cousins, and had produced an +intellectual intimacy, though it could but imperfectly acquaint them with +each other's character. + +Sylvia was shy, sensitive, and fanciful; and her guardian's secluded +habits had shut her out from even so much of the world as is generally +open to maidens of her age. She had been left to seek associates and +friends for herself in the haunts of imagination, and to converse with +them, sometimes in the language of dead poets, oftener in the poetry of +her own mind. The companion whom she chiefly summoned up was the cousin +with whose idea her earliest thoughts had been connected. She made a +vision of Edgar Vaughan, and tinted it with stronger hues than a mere +fancy-picture, yet graced it with so many bright and delicate +perfections, that her cousin could nowhere have encountered so dangerous +a rival. To this shadow she cherished a romantic fidelity. With its +airy presence sitting by her side, or gliding along her favorite paths, +the loneliness of her young life was blissful; her heart was satisfied +with love, while yet its virgin purity was untainted by the earthliness +that the touch of a real lover would have left there. Edgar Vaughan +seemed to be conscious of her character; for, in his letters, he gave her +a name that was happily appropriate to the sensitiveness of her +disposition, the delicate peculiarity of her manners, and the ethereal +beauty both of her mind and person. Instead of Sylvia, he called her +Sylph,--with the prerogative of a cousin and a lover,--his dear Sylph +Etherege. + +When Sylvia was seventeen, her guardian died, and she passed under the +care of Mrs. Grosvenor, a lady of wealth and fashion, and Sylvia's +nearest relative, though a distant one. While an inmate of Mrs. +Grosvenor's family, she still preserved somewhat of her life-long habits +of seclusion, and shrank from a too familiar intercourse with those +around her. Still, too, she was faithful to her cousin, or to the shadow +which bore his name. + +The time now drew near when Edgar Vaughan, whose education had been +completed by an extensive range of travel, was to revisit the soil of his +nativity. Edward Hamilton, a young gentleman, who had been Vaughan's +companion, both in his studies and rambles, had already recrossed the +Atlantic, bringing letters to Mrs. Grosvenor and Sylvia Etherege. These +credentials insured him an earnest welcome, which, however, on Sylvia's +part, was not followed by personal partiality, or even the regard that +seemed due to her cousin's most intimate friend. As she herself could +have assigned no cause for her repugnance, it might be termed +instinctive. Hamilton's person, it is true, was the reverse of +attractive, especially when beheld for the first time. Yet, in the eyes +of the most fastidious judges, the defect of natural grace was +compensated by the polish of his manners, and by the intellect which so +often gleamed through his dark features. Mrs. Grosvenor, with whom he +immediately became a prodigious favorite, exerted herself to overcome +Sylvia's dislike. But, in this matter, her ward could neither be +reasoned with nor persuaded. The presence of Edward Hamilton was sure to +render her cold, shy, and distant, abstracting all the vivacity from her +deportment, as if a cloud had come betwixt her and the sunshine. + +The simplicity of Sylvia's demeanor rendered it easy for so keen an +observer as Hamilton to detect her feelings. Whenever any slight +circumstance made him sensible of them, a smile might be seen to flit +over the young man's sallow visage. None, that had once beheld this +smile, were in any danger of forgetting it; whenever they recalled to +memory the features of Edward Hamilton, they were always duskily +illuminated by this expression of mockery and malice. + +In a few weeks after Hamilton's arrival, he presented to Sylvia Etherege +a miniature of her cousin, which, as he informed her, would have been +delivered sooner, but was detained with a portion of his baggage. This +was the miniature in the contemplation of which we beheld Sylvia so +absorbed, at the commencement of our story. Such, in truth, was too +often the habit of the shy and musing girl. The beauty of the pictured +countenance was almost too perfect to represent a human creature, that +had been born of a fallen and world-worn race, and had lived to manhood +amid ordinary troubles and enjoyments, and must become wrinkled with age +and care. It seemed too bright for a thing formed of dust, and doomed to +crumble into dust again. Sylvia feared that such a being would be too +refined and delicate to love a simple girl like her. Yet, even while her +spirit drooped with that apprehension, the picture was but the masculine +counterpart of Sylph Etherege's sylphlike beauty. There was that +resemblance between her own face and the miniature which is said often to +exist between lovers whom Heaven has destined for each other, and which, +in this instance, might be owing to the kindred blood of the two parties. +Sylvia felt, indeed, that there was something familiar in the +countenance, so like a friend did the eyes smile upon her, and seem to +imply a knowledge of her thoughts. She could account for this impression +only by supposing that, in some of her day-dreams, imagination had +conjured up the true similitude of her distant and unseen lover. + +But now could Sylvia give a brighter semblance of reality to those +day-dreams. Clasping the miniature to her heart, she could summon forth, +from that haunted cell of pure and blissful fantasies, the life-like +shadow, to roam with her in the moonlight garden. Even at noontide it +sat with her in the arbor, when the sunshine threw its broken flakes of +gold into the clustering shade. The effect upon her mind was hardly less +powerful than if she had actually listened to, and reciprocated, the vows +of Edgar Vaughan; for, though the illusion never quite deceived her, yet +the remembrance was as distinct as of a remembered interview. Those +heavenly eyes gazed forever into her soul, which drank at them as at a +fountain, and was disquieted if reality threw a momentary cloud between. +She heard the melody of a voice breathing sentiments with which her own +chimed in like music. O happy, yet hapless girl! Thus to create the +being whom she loves, to endow him with all the attributes that were most +fascinating to her heart, and then to flit with the airy creature into +the realm of fantasy and moonlight, where dwelt his dreamy kindred! For +her lover wiled Sylvia away from earth, which seemed strange, and dull, +and darksome, and lured her to a country where her spirit roamed in +peaceful rapture, deeming that it had found its home. Many, in their +youth, have visited that land of dreams, and wandered so long in its +enchanted groves, that, when banished thence, they feel like exiles +everywhere. + +The dark-browed Edward Hamilton, like the villain of a tale, would often +glide through the romance wherein poor Sylvia walked. Sometimes, at the +most blissful moment of her ecstasy, when the features of the miniature +were pictured brightest in the air, they would suddenly change, and +darken, and be transformed into his visage. And always, when such change +occurred, the intrusive visage wore that peculiar smile with which +Hamilton had glanced at Sylvia. + +Before the close of summer, it was told Sylvia Etherege that Vaughan had +arrived from France, and that she would meet him--would meet, for the +first time, the loved of years--that very evening. We will not tell how +often and how earnestly she gazed upon the miniature, thus endeavoring to +prepare herself for the approaching interview, lest the throbbing of her +timorous heart should stifle the words of welcome. While the twilight +grew deeper and duskier, she sat with Mrs. Grosvenor in an inner +apartment, lighted only by the softened gleam from an alabaster lamp, +which was burning at a distance on the centre-table of the drawing-room. +Never before had Sylph Etherege looked so sylph-like. She had communed +with a creature of imagination, till her own loveliness seemed but the +creation of a delicate and dreamy fancy. Every vibration of her spirit +was visible in her frame, as she listened to the rattling of wheels and +the tramp upon the pavement, and deemed that even the breeze bore the +sound of her lover's footsteps, as if he trode upon the viewless air. +Mrs. Grosvenor, too, while she watched the tremulous flow of Sylvia's +feelings, was deeply moved; she looked uneasily at the agitated girl, and +was about to speak, when the opening of the street-door arrested the +words upon her lips. + +Footsteps ascended the staircase, with a confident and familiar tread, +and some one entered the drawing-room. From the sofa where they sat, in +the inner apartment, Mrs. Grosvenor and Sylvia could not discern the +visitor. + +"Sylph!" cried a voice. "Dearest Sylph! Where are you, sweet Sylph +Etherege? Here is your Edgar Vaughan!" + +But instead of answering, or rising to meet her lover,--who had greeted +her by the sweet and fanciful name, which, appropriate as it was to her +character, was known only to him,--Sylvia grasped Mrs. Grosvenor's arm, +while her whole frame shook with the throbbing of her heart. + +"Who is it?" gasped she. "Who calls me Sylph?" + +Before Mrs. Grosvenor could reply, the stranger entered the room, bearing +the lamp in his hand. Approaching the sofa, he displayed to Sylvia the +features of Edward Hamilton, illuminated by that evil smile, from which +his face derived so marked an individuality. + +"Is not the miniature an admirable likeness?" inquired he. + +Sylvia shuddered, but had not power to turn away her white face from his +gaze. The miniature, which she had been holding in her hand, fell down +upon the floor, where Hamilton, or Vaughan, set his foot upon it, and +crushed the ivory counterfeit to fragments. + +"There, my sweet Sylph," he exclaimed. "It was I that created your +phantom-lover, and now I annihilate him! Your dream is rudely broken. +Awake, Sylph Etherege, awake to truth! I am the only Edgar Vaughan!" + +"We have gone too far, Edgar Vaughan," said Mrs. Grosvenor, catching +Sylvia in her arms. The revengeful freak, which Vaughan's wounded vanity +had suggested, had been countenanced by this lady, in the hope of curing +Sylvia of her romantic notions, and reconciling her to the truths and +realities of life. "Look at the poor child!" she continued. "I protest +I tremble for the consequences!" + +"Indeed, madam!" replied Vaughan, sneeringly, as he threw the light of +the lamp on Sylvia's closed eyes and marble features. "Well, my +conscience is clear. I did but look into this delicate creature's heart; +and with the pure fantasies that I found there, I made what seemed a +man,--and the delusive shadow has wiled her away to Shadow-land, and +vanished there! It is no new tale. Many a sweet maid has shared the lot +of poor Sylph Etherege!" + +"And now, Edgar Vaughan," said Mrs. Grosvenor, as Sylvia's heart began +faintly to throb again, "now try, in good earnest, to win back her love +from the phantom which you conjured up. If you succeed, she will be the +better, her whole life long, for the lesson we have given her." + +Whether the result of the lesson corresponded with Mrs. Grosvenor's +hopes, may be gathered from the closing scene of our story. It had been +made known to the fashionable world that Edgar Vaughan had returned from +France, and, under the assumed name of Edward Hamilton, had won the +affections of the lovely girl to whom he had been affianced in his +boyhood. The nuptials were to take place at an early date. One evening, +before the day of anticipated bliss arrived, Edgar Vaughan entered Mrs. +Grosvenor's drawing-room, where he found that lady and Sylph Etherege. + +"Only that Sylvia makes no complaint," remarked Mrs. Grosvenor, "I should +apprehend that the town air is ill-suited to her constitution. She was +always, indeed, a delicate creature; but now she is a mere gossamer. Do +but look at her! Did you ever imagine anything so fragile?" + +Vaughan was already attentively observing his mistress, who sat in a +shadowy and moonlighted recess of the room, with her dreamy eyes fixed +steadfastly upon his own. The bough of a tree was waving before the +window, and sometimes enveloped her in the gloom of its shadow, into +which she seemed to vanish. + +"Yes," he said, to Mrs. Grosvenor. "I can scarcely deem her of the +earth, earthy. No wonder that I call her Sylph! Methinks she will fade +into the moonlight, which falls upon her through the window. Or, in the +open air, she might flit away upon the breeze, like a wreath of mist!" + +Sylvia's eyes grew yet brighter. She waved her hand to Edgar Vaughan, +with a gesture of ethereal triumph. + +"Farewell!" she said. "I will neither fade into the moonlight, nor flit +away upon the breeze. Yet you cannot keep me here!" + +There was something in Sylvia's look and tones that startled Mrs. +Grosvenor with a terrible apprehension. But, as she was rushing towards +the girl, Vaughan held her back. + +"Stay!" cried he, with a strange smile of mockery and anguish. "Can our +sweet Sylph be going to heaven, to seek the original of the miniature?" + + + + + + + + + +End of the Project Gutenberg EBook of Sylph Etherege, by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK SYLPH ETHEREGE *** + +***** This file should be named 9238.txt or 9238.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/3/9238/ + +Produced by David Widger. HTML version by Al Haines + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/old/9238.zip b/old/9238.zip Binary files differnew file mode 100644 index 0000000..b45042d --- /dev/null +++ b/old/9238.zip diff --git a/old/haw6510.txt b/old/haw6510.txt new file mode 100644 index 0000000..26aa8ad --- /dev/null +++ b/old/haw6510.txt @@ -0,0 +1,670 @@ +Project Gutenberg EBook, Sylph Etherege, by Nathaniel Hawthorne +From "The Snow Image and Other Twice-Told Tales" +#65 in our series by Nathaniel Hawthorne + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + + +Title: Sylph Etherege + (From: "The Snow Image and Other Twice-Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: Nov, 2005 [EBook #9238] +[This file was first posted on September 18, 2003] +[Last updated on February 6, 2007] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + +*** START OF THE PROJECT GUTENBERG EBOOK, SYLPH ETHEREGE *** + + + + +This eBook was produced by David Widger + + + + + + THE SNOW-IMAGE + + AND + + OTHER TWICE-TOLD TALES + + + + SYLPH ETHEREGE + + By + + Nathaniel Hawthorne + + + +On a bright summer evening, two persons stood among the shrubbery of a +garden, stealthily watching a young girl, who sat in the window seat of a +neighboring mansion. One of these unseen observers, a gentleman, was +youthful, and had an air of high breeding and refinement, and a face +marked with intellect, though otherwise of unprepossessing aspect. His +features wore even an ominous, though somewhat mirthful expression, while +he pointed his long forefinger at the girl, and seemed to regard her as a +creature completely within the scope of his influence. + +"The charm works!" said he, in a low, but emphatic whisper. + +"Do you know, Edward Hamilton,--since so you choose to be named,--do you +know," said the lady beside him, "that I have almost a mind to break the +spell at once? What if the lesson should prove too severe! True, if my +ward could be thus laughed out of her fantastic nonsense, she might be +the better for it through life. But then, she is such a delicate +creature! And, besides, are you not ruining your own chance, by putting +forward this shadow of a rival?" + +"But will he not vanish into thin air, at my bidding?" rejoined Edward +Hamilton. "Let the charm work!" + +The girl's slender and sylph-like figure, tinged with radiance from the +sunset clouds, and overhung with the rich drapery of the silken curtains, +and set within the deep frame of the window, was a perfect picture; or, +rather, it was like the original loveliness in a painter's fancy, from +which the most finished picture is but an imperfect copy. Though her +occupation excited so much interest in the two spectators, she was merely +gazing at a miniature which she held in her hand, encased in white satin +and red morocco; nor did there appear to be any other cause for the smile +of mockery and malice with which Hamilton regarded her. + +"The charm works!" muttered he, again. "Our pretty Sylvia's scorn will +have a dear retribution!" + +At this moment the girl raised her eyes, and, instead of a life-like +semblance of the miniature, beheld the ill-omened shape of Edward +Hamilton, who now stepped forth from his concealment in the shrubbery. + +Sylvia Etherege was an orphan girl, who had spent her life, till within a +few months past, under the guardianship, and in the secluded dwelling, of +an old bachelor uncle. While yet in her cradle, she had been the +destined bride of a cousin, who was no less passive in the betrothal than +herself. Their future union had been projected, as the means of uniting +two rich estates, and was rendered highly expedient, if not +indispensable, by the testamentary dispositions of the parents on both +sides. Edgar Vaughan, the promised bridegroom, had been bred from +infancy in Europe, and had never seen the beautiful girl whose heart he +was to claim as his inheritance. But already, for several years, a +correspondence had been kept up between tine cousins, and had produced an +intellectual intimacy, though it could but imperfectly acquaint them with +each other's character. + +Sylvia was shy, sensitive, and fanciful; and her guardian's secluded +habits had shut her out from even so much of the world as is generally +open to maidens of her age. She had been left to seek associates and +friends for herself in the haunts of imagination, and to converse with +them, sometimes in the language of dead poets, oftener in the poetry of +her own mind. The companion whom she chiefly summoned up was the cousin +with whose idea her earliest thoughts had been connected. She made a +vision of Edgar Vaughan, and tinted it with stronger hues than a mere +fancy-picture, yet graced it with so many bright and delicate +perfections, that her cousin could nowhere have encountered so dangerous +a rival. To this shadow she cherished a romantic fidelity. With its +airy presence sitting by her side, or gliding along her favorite paths, +the loneliness of her young life was blissful; her heart was satisfied +with love, while yet its virgin purity was untainted by the earthliness +that the touch of a real lover would have left there. Edgar Vaughan +seemed to be conscious of her character; for, in his letters, he gave her +a name that was happily appropriate to the sensitiveness of her +disposition, the delicate peculiarity of her manners, and the ethereal +beauty both of her mind and person. Instead of Sylvia, he called her +Sylph,--with the prerogative of a cousin and a lover,--his dear Sylph +Etherege. + +When Sylvia was seventeen, her guardian died, and she passed under the +care of Mrs. Grosvenor, a lady of wealth and fashion, and Sylvia's +nearest relative, though a distant one. While an inmate of Mrs. +Grosvenor's family, she still preserved somewhat of her life-long habits +of seclusion, and shrank from a too familiar intercourse with those +around her. Still, too, she was faithful to her cousin, or to the shadow +which bore his name. + +The time now drew near when Edgar Vaughan, whose education had been +completed by an extensive range of travel, was to revisit the soil of his +nativity. Edward Hamilton, a young gentleman, who had been Vaughan's +companion, both in his studies and rambles, had already recrossed the +Atlantic, bringing letters to Mrs. Grosvenor and Sylvia Etherege. These +credentials insured him an earnest welcome, which, however, on Sylvia's +part, was not followed by personal partiality, or even the regard that +seemed due to her cousin's most intimate friend. As she herself could +have assigned no cause for her repugnance, it might be termed +instinctive. Hamilton's person, it is true, was the reverse of +attractive, especially when beheld for the first time. Yet, in the eyes +of the most fastidious judges, the defect of natural grace was +compensated by the polish of his manners, and by the intellect which so +often gleamed through his dark features. Mrs. Grosvenor, with whom he +immediately became a prodigious favorite, exerted herself to overcome +Sylvia's dislike. But, in this matter, her ward could neither be +reasoned with nor persuaded. The presence of Edward Hamilton was sure to +render her cold, shy, and distant, abstracting all the vivacity from her +deportment, as if a cloud had come betwixt her and the sunshine. + +The simplicity of Sylvia's demeanor rendered it easy for so keen an +observer as Hamilton to detect her feelings. Whenever any slight +circumstance made him sensible of them, a smile might be seen to flit +over the young man's sallow visage. None, that had once beheld this +smile, were in any danger of forgetting it; whenever they recalled to +memory the features of Edward Hamilton, they were always duskily +illuminated by this expression of mockery and malice. + +In a few weeks after Hamilton's arrival, he presented to Sylvia Etherege +a miniature of her cousin, which, as he informed her, would have been +delivered sooner, but was detained with a portion of his baggage. This +was the miniature in the contemplation of which we beheld Sylvia so +absorbed, at the commencement of our story. Such, in truth, was too +often the habit of the shy and musing girl. The beauty of the pictured +countenance was almost too perfect to represent a human creature, that +had been born of a fallen and world-worn race, and had lived to manhood +amid ordinary troubles and enjoyments, and must become wrinkled with age +and care. It seemed too bright for a thing formed of dust, and doomed to +crumble into dust again. Sylvia feared that such a being would be too +refined and delicate to love a simple girl like her. Yet, even while her +spirit drooped with that apprehension, the picture was but the masculine +counterpart of Sylph Etherege's sylphlike beauty. There was that +resemblance between her own face and the miniature which is said often to +exist between lovers whom Heaven has destined for each other, and which, +in this instance, might be owing to the kindred blood of the two parties. +Sylvia felt, indeed, that there was something familiar in the +countenance, so like a friend did the eyes smile upon her, and seem to +imply a knowledge of her thoughts. She could account for this impression +only by supposing that, in some of her day-dreams, imagination had +conjured up the true similitude of her distant and unseen lover. + +But now could Sylvia give a brighter semblance of reality to those day- +dreams. Clasping the miniature to her heart, she could summon forth, +from that haunted cell of pure and blissful fantasies, the life-like +shadow, to roam with her in the moonlight garden. Even at noontide it +sat with her in the arbor, when the sunshine threw its broken flakes of +gold into the clustering shade. The effect upon her mind was hardly less +powerful than if she had actually listened to, and reciprocated, the vows +of Edgar Vaughan; for, though the illusion never quite deceived her, yet +the remembrance was as distinct as of a remembered interview. Those +heavenly eyes gazed forever into her soul, which drank at them as at a +fountain, and was disquieted if reality threw a momentary cloud between. +She heard the melody of a voice breathing sentiments with which her own +chimed in like music. O happy, yet hapless girl! Thus to create the +being whom she loves, to endow him with all the attributes that were most +fascinating to her heart, and then to flit with the airy creature into +the realm of fantasy and moonlight, where dwelt his dreamy kindred! For +her lover wiled Sylvia away from earth, which seemed strange, and dull, +and darksome, and lured her to a country where her spirit roamed in +peaceful rapture, deeming that it had found its home. Many, in their +youth, have visited that land of dreams, and wandered so long in its +enchanted groves, that, when banished thence, they feel like exiles +everywhere. + +The dark-browed Edward Hamilton, like the villain of a tale, would often +glide through the romance wherein poor Sylvia walked. Sometimes, at the +most blissful moment of her ecstasy, when the features of the miniature +were pictured brightest in the air, they would suddenly change, and +darken, and be transformed into his visage. And always, when such change +occurred, the intrusive visage wore that peculiar smile with which +Hamilton had glanced at Sylvia. + +Before the close of summer, it was told Sylvia Etherege that Vaughan had +arrived from France, and that she would meet him--would meet, for the +first time, the loved of years--that very evening. We will not tell how +often and how earnestly she gazed upon the miniature, thus endeavoring to +prepare herself for the approaching interview, lest the throbbing of her +timorous heart should stifle the words of welcome. While the twilight +grew deeper and duskier, she sat with Mrs. Grosvenor in an inner +apartment, lighted only by the softened gleam from an alabaster lamp, +which was burning at a distance on the centre-table of the drawing-room. +Never before had Sylph Etherege looked so sylph-like. She had communed +with a creature of imagination, till her own loveliness seemed but the +creation of a delicate and dreamy fancy. Every vibration of her spirit +was visible in her frame, as she listened to the rattling of wheels and +the tramp upon the pavement, and deemed that even the breeze bore the +sound of her lover's footsteps, as if he trode upon the viewless air. +Mrs. Grosvenor, too, while she watched the tremulous flow of Sylvia's +feelings, was deeply moved; she looked uneasily at the agitated girl, and +was about to speak, when the opening of the street-door arrested the +words upon her lips. + +Footsteps ascended the staircase, with a confident and familiar tread, +and some one entered the drawing-room. From the sofa where they sat, in +the inner apartment, Mrs. Grosvenor and Sylvia could not discern the +visitor. + +"Sylph!" cried a voice. "Dearest Sylph! Where are you, sweet Sylph +Etherege? Here is your Edgar Vaughan!" + +But instead of answering, or rising to meet her lover,--who had greeted +her by the sweet and fanciful name, which, appropriate as it was to her +character, was known only to him,--Sylvia grasped Mrs. Grosvenor's arm, +while her whole frame shook with the throbbing of her heart. + +"Who is it?" gasped she. "Who calls me Sylph?" + +Before Mrs. Grosvenor could reply, the stranger entered the room, bearing +the lamp in his hand. Approaching the sofa, he displayed to Sylvia the +features of Edward Hamilton, illuminated by that evil smile, from which +his face derived so marked an individuality. + +"Is not the miniature an admirable likeness?" inquired he. + +Sylvia shuddered, but had not power to turn away her white face from his +gaze. The miniature, which she had been holding in her hand, fell down +upon the floor, where Hamilton, or Vaughan, set his foot upon it, and +crushed the ivory counterfeit to fragments. + +"There, my sweet Sylph," he exclaimed. "It was I that created your +phantom-lover, and now I annihilate him! Your dream is rudely broken. +Awake, Sylph Etherege, awake to truth! I am the only Edgar Vaughan!" + +"We have gone too far, Edgar Vaughan," said Mrs. Grosvenor, catching +Sylvia in her arms. The revengeful freak, which Vaughan's wounded vanity +had suggested, had been countenanced by this lady, in the hope of curing +Sylvia of her romantic notions, and reconciling her to the truths and +realities of life. "Look at the poor child!" she continued. "I protest +I tremble for the consequences!" + +"Indeed, madam!" replied Vaughan, sneeringly, as he threw the light of +the lamp on Sylvia's closed eyes and marble features. "Well, my +conscience is clear. I did but look into this delicate creature's heart; +and with the pure fantasies that I found there, I made what seemed a +man,--and the delusive shadow has wiled her away to Shadow-land, and +vanished there! It is no new tale. Many a sweet maid has shared the lot +of poor Sylph Etherege!" + +"And now, Edgar Vaughan," said Mrs. Grosvenor, as Sylvia's heart began +faintly to throb again, "now try, in good earnest, to win back her love +from the phantom which you conjured up. If you succeed, she will be the +better, her whole life long, for the lesson we have given her." + +Whether the result of the lesson corresponded with Mrs. Grosvenor's +hopes, may be gathered from the closing scene of our story. It had been +made known to the fashionable world that Edgar Vaughan had returned from +France, and, under the assumed name of Edward Hamilton, had won the +affections of the lovely girl to whom he had been affianced in his +boyhood. The nuptials were to take place at an early date. One evening, +before the day of anticipated bliss arrived, Edgar Vaughan entered Mrs. +Grosvenor's drawing-room, where he found that lady and Sylph Etherege. + +"Only that Sylvia makes no complaint," remarked Mrs. Grosvenor, "I should +apprehend that the town air is ill-suited to her constitution. She was +always, indeed, a delicate creature; but now she is a mere gossamer. Do +but look at her! Did you ever imagine anything so fragile?" + +Vaughan was already attentively observing his mistress, who sat in a +shadowy and moonlighted recess of the room, with her dreamy eyes fixed +steadfastly upon his own. The bough of a tree was waving before the +window, and sometimes enveloped her in the gloom of its shadow, into +which she seemed to vanish. + +"Yes," he said, to Mrs. Grosvenor. "I can scarcely deem her of the +earth, earthy. No wonder that I call her Sylph! Methinks she will fade +into the moonlight, which falls upon her through the window. Or, in the +open air, she might flit away upon the breeze, like a wreath of mist!" + +Sylvia's eyes grew yet brighter. She waved her hand to Edgar Vaughan, +with a gesture of ethereal triumph. + +"Farewell!" she said. "I will neither fade into the moonlight, nor flit +away upon the breeze. Yet you cannot keep me here!" + +There was something in Sylvia's look and tones that startled Mrs. +Grosvenor with a terrible apprehension. But, as she was rushing towards +the girl, Vaughan held her back. + +"Stay!" cried he, with a strange smile of mockery and anguish. "Can our +sweet Sylph be going to heaven, to seek the original of the miniature?" + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, SYLPH ETHEREGE *** +By Nathaniel Hawthorne + +** This file should be named haw6510.txt or haw6510.zip ** + +Corrected EDITIONS of our etexts get a new NUMBER, haw6511.txt +VERSIONS based on separate sources get new LETTER, haw6510a.txt + +This eBook was produced by David Widger [widger@cecomet.net] + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* diff --git a/old/haw6510.zip b/old/haw6510.zip Binary files differnew file mode 100644 index 0000000..8925515 --- /dev/null +++ b/old/haw6510.zip |
