diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:54 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:54 -0700 |
| commit | 5afac839ef8e83c09042cc72b8786c54fc4ffc34 (patch) | |
| tree | 3a20e7b421fd42d675eeb4c6d93d48c8db79954a /9238-h | |
Diffstat (limited to '9238-h')
| -rw-r--r-- | 9238-h/9238-h.htm | 857 |
1 files changed, 857 insertions, 0 deletions
diff --git a/9238-h/9238-h.htm b/9238-h/9238-h.htm new file mode 100644 index 0000000..cc112df --- /dev/null +++ b/9238-h/9238-h.htm @@ -0,0 +1,857 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" +"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> +<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> +<meta http-equiv="Content-Style-Type" content="text/css" /> +<title>The Project Gutenberg eBook of Sylph Etherege, by Nathaniel Hawthorne</title> + +<style type="text/css"> + +body { margin-left: 20%; + margin-right: 20%; + text-align: justify; } + +h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight: +normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;} + +h1 {font-size: 300%; + margin-top: 0.6em; + margin-bottom: 0.6em; + letter-spacing: 0.12em; + word-spacing: 0.2em; + text-indent: 0em;} +h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;} +h3 {font-size: 130%; margin-top: 1em;} +h4 {font-size: 120%;} +h5 {font-size: 110%;} + +.no-break {page-break-before: avoid;} /* for epubs */ + +div.chapter {page-break-before: always; margin-top: 4em;} + +hr {width: 80%; margin-top: 2em; margin-bottom: 2em;} + +p {text-indent: 1em; + margin-top: 0.25em; + margin-bottom: 0.25em; } + +a:link {color:blue; text-decoration:none} +a:visited {color:blue; text-decoration:none} +a:hover {color:red} + +</style> + +</head> + +<body> + +<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Sylph Etherege, by Nathaniel Hawthorne</div> +<div style='display:block; margin:1em 0'> +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online +at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you +are not located in the United States, you will have to check the laws of the +country where you are located before using this eBook. +</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Sylph Etherege</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Nathaniel Hawthorne</div> +<div style='display:block; margin:1em 0'>Release Date: September 18, 2003 [eBook #9238]<br /> +[Most recently updated: May 16, 2022]</div> +<div style='display:block; margin:1em 0'>Language: English</div> +<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> +<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Widger</div> +<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK SYLPH ETHEREGE ***</div> + +<h1>Sylph Etherege</h1> + +<h2 class="no-break">by Nathaniel Hawthorne</h2> + +<hr /> + +<div class="chapter"> + +<p> +On a bright summer evening, two persons stood among the shrubbery of a garden, +stealthily watching a young girl, who sat in the window seat of a neighboring +mansion. One of these unseen observers, a gentleman, was youthful, and had an +air of high breeding and refinement, and a face marked with intellect, though +otherwise of unprepossessing aspect. His features wore even an ominous, though +somewhat mirthful expression, while he pointed his long forefinger at the girl, +and seemed to regard her as a creature completely within the scope of his +influence. +</p> + +<p> +“The charm works!” said he, in a low, but emphatic whisper. +</p> + +<p> +“Do you know, Edward Hamilton,—since so you choose to be +named,—do you know,” said the lady beside him, “that I have +almost a mind to break the spell at once? What if the lesson should prove too +severe! True, if my ward could be thus laughed out of her fantastic nonsense, +she might be the better for it through life. But then, she is such a delicate +creature! And, besides, are you not ruining your own chance, by putting forward +this shadow of a rival?” +</p> + +<p> +“But will he not vanish into thin air, at my bidding?” rejoined +Edward Hamilton. “Let the charm work!” +</p> + +<p> +The girl’s slender and sylph-like figure, tinged with radiance from the +sunset clouds, and overhung with the rich drapery of the silken curtains, and +set within the deep frame of the window, was a perfect picture; or, rather, it +was like the original loveliness in a painter’s fancy, from which the +most finished picture is but an imperfect copy. Though her occupation excited +so much interest in the two spectators, she was merely gazing at a miniature +which she held in her hand, encased in white satin and red morocco; nor did +there appear to be any other cause for the smile of mockery and malice with +which Hamilton regarded her. +</p> + +<p> +“The charm works!” muttered he, again. “Our pretty +Sylvia’s scorn will have a dear retribution!” +</p> + +<p> +At this moment the girl raised her eyes, and, instead of a life-like semblance +of the miniature, beheld the ill-omened shape of Edward Hamilton, who now +stepped forth from his concealment in the shrubbery. +</p> + +<p> +Sylvia Etherege was an orphan girl, who had spent her life, till within a few +months past, under the guardianship, and in the secluded dwelling, of an old +bachelor uncle. While yet in her cradle, she had been the destined bride of a +cousin, who was no less passive in the betrothal than herself. Their future +union had been projected, as the means of uniting two rich estates, and was +rendered highly expedient, if not indispensable, by the testamentary +dispositions of the parents on both sides. Edgar Vaughan, the promised +bridegroom, had been bred from infancy in Europe, and had never seen the +beautiful girl whose heart he was to claim as his inheritance. But already, for +several years, a correspondence had been kept up between tine cousins, and had +produced an intellectual intimacy, though it could but imperfectly acquaint +them with each other’s character. +</p> + +<p> +Sylvia was shy, sensitive, and fanciful; and her guardian’s secluded +habits had shut her out from even so much of the world as is generally open to +maidens of her age. She had been left to seek associates and friends for +herself in the haunts of imagination, and to converse with them, sometimes in +the language of dead poets, oftener in the poetry of her own mind. The +companion whom she chiefly summoned up was the cousin with whose idea her +earliest thoughts had been connected. She made a vision of Edgar Vaughan, and +tinted it with stronger hues than a mere fancy-picture, yet graced it with so +many bright and delicate perfections, that her cousin could nowhere have +encountered so dangerous a rival. To this shadow she cherished a romantic +fidelity. With its airy presence sitting by her side, or gliding along her +favorite paths, the loneliness of her young life was blissful; her heart was +satisfied with love, while yet its virgin purity was untainted by the +earthliness that the touch of a real lover would have left there. Edgar Vaughan +seemed to be conscious of her character; for, in his letters, he gave her a +name that was happily appropriate to the sensitiveness of her disposition, the +delicate peculiarity of her manners, and the ethereal beauty both of her mind +and person. Instead of Sylvia, he called her Sylph,—with the prerogative +of a cousin and a lover,—his dear Sylph Etherege. +</p> + +<p> +When Sylvia was seventeen, her guardian died, and she passed under the care of +Mrs. Grosvenor, a lady of wealth and fashion, and Sylvia’s nearest +relative, though a distant one. While an inmate of Mrs. Grosvenor’s +family, she still preserved somewhat of her life-long habits of seclusion, and +shrank from a too familiar intercourse with those around her. Still, too, she +was faithful to her cousin, or to the shadow which bore his name. +</p> + +<p> +The time now drew near when Edgar Vaughan, whose education had been completed +by an extensive range of travel, was to revisit the soil of his nativity. +Edward Hamilton, a young gentleman, who had been Vaughan’s companion, +both in his studies and rambles, had already recrossed the Atlantic, bringing +letters to Mrs. Grosvenor and Sylvia Etherege. These credentials insured him an +earnest welcome, which, however, on Sylvia’s part, was not followed by +personal partiality, or even the regard that seemed due to her cousin’s +most intimate friend. As she herself could have assigned no cause for her +repugnance, it might be termed instinctive. Hamilton’s person, it is +true, was the reverse of attractive, especially when beheld for the first time. +Yet, in the eyes of the most fastidious judges, the defect of natural grace was +compensated by the polish of his manners, and by the intellect which so often +gleamed through his dark features. Mrs. Grosvenor, with whom he immediately +became a prodigious favorite, exerted herself to overcome Sylvia’s +dislike. But, in this matter, her ward could neither be reasoned with nor +persuaded. The presence of Edward Hamilton was sure to render her cold, shy, +and distant, abstracting all the vivacity from her deportment, as if a cloud +had come betwixt her and the sunshine. +</p> + +<p> +The simplicity of Sylvia’s demeanor rendered it easy for so keen an +observer as Hamilton to detect her feelings. Whenever any slight circumstance +made him sensible of them, a smile might be seen to flit over the young +man’s sallow visage. None, that had once beheld this smile, were in any +danger of forgetting it; whenever they recalled to memory the features of +Edward Hamilton, they were always duskily illuminated by this expression of +mockery and malice. +</p> + +<p> +In a few weeks after Hamilton’s arrival, he presented to Sylvia Etherege +a miniature of her cousin, which, as he informed her, would have been delivered +sooner, but was detained with a portion of his baggage. This was the miniature +in the contemplation of which we beheld Sylvia so absorbed, at the commencement +of our story. Such, in truth, was too often the habit of the shy and musing +girl. The beauty of the pictured countenance was almost too perfect to +represent a human creature, that had been born of a fallen and world-worn race, +and had lived to manhood amid ordinary troubles and enjoyments, and must become +wrinkled with age and care. It seemed too bright for a thing formed of dust, +and doomed to crumble into dust again. Sylvia feared that such a being would be +too refined and delicate to love a simple girl like her. Yet, even while her +spirit drooped with that apprehension, the picture was but the masculine +counterpart of Sylph Etherege’s sylphlike beauty. There was that +resemblance between her own face and the miniature which is said often to exist +between lovers whom Heaven has destined for each other, and which, in this +instance, might be owing to the kindred blood of the two parties. Sylvia felt, +indeed, that there was something familiar in the countenance, so like a friend +did the eyes smile upon her, and seem to imply a knowledge of her thoughts. She +could account for this impression only by supposing that, in some of her +day-dreams, imagination had conjured up the true similitude of her distant and +unseen lover. +</p> + +<p> +But now could Sylvia give a brighter semblance of reality to those day-dreams. +Clasping the miniature to her heart, she could summon forth, from that haunted +cell of pure and blissful fantasies, the life-like shadow, to roam with her in +the moonlight garden. Even at noontide it sat with her in the arbor, when the +sunshine threw its broken flakes of gold into the clustering shade. The effect +upon her mind was hardly less powerful than if she had actually listened to, +and reciprocated, the vows of Edgar Vaughan; for, though the illusion never +quite deceived her, yet the remembrance was as distinct as of a remembered +interview. Those heavenly eyes gazed forever into her soul, which drank at them +as at a fountain, and was disquieted if reality threw a momentary cloud +between. She heard the melody of a voice breathing sentiments with which her +own chimed in like music. O happy, yet hapless girl! Thus to create the being +whom she loves, to endow him with all the attributes that were most fascinating +to her heart, and then to flit with the airy creature into the realm of fantasy +and moonlight, where dwelt his dreamy kindred! For her lover wiled Sylvia away +from earth, which seemed strange, and dull, and darksome, and lured her to a +country where her spirit roamed in peaceful rapture, deeming that it had found +its home. Many, in their youth, have visited that land of dreams, and wandered +so long in its enchanted groves, that, when banished thence, they feel like +exiles everywhere. +</p> + +<p> +The dark-browed Edward Hamilton, like the villain of a tale, would often glide +through the romance wherein poor Sylvia walked. Sometimes, at the most blissful +moment of her ecstasy, when the features of the miniature were pictured +brightest in the air, they would suddenly change, and darken, and be +transformed into his visage. And always, when such change occurred, the +intrusive visage wore that peculiar smile with which Hamilton had glanced at +Sylvia. +</p> + +<p> +Before the close of summer, it was told Sylvia Etherege that Vaughan had +arrived from France, and that she would meet him—would meet, for the +first time, the loved of years—that very evening. We will not tell how +often and how earnestly she gazed upon the miniature, thus endeavoring to +prepare herself for the approaching interview, lest the throbbing of her +timorous heart should stifle the words of welcome. While the twilight grew +deeper and duskier, she sat with Mrs. Grosvenor in an inner apartment, lighted +only by the softened gleam from an alabaster lamp, which was burning at a +distance on the centre-table of the drawing-room. Never before had Sylph +Etherege looked so sylph-like. She had communed with a creature of imagination, +till her own loveliness seemed but the creation of a delicate and dreamy fancy. +Every vibration of her spirit was visible in her frame, as she listened to the +rattling of wheels and the tramp upon the pavement, and deemed that even the +breeze bore the sound of her lover’s footsteps, as if he trode upon the +viewless air. Mrs. Grosvenor, too, while she watched the tremulous flow of +Sylvia’s feelings, was deeply moved; she looked uneasily at the agitated +girl, and was about to speak, when the opening of the street-door arrested the +words upon her lips. +</p> + +<p> +Footsteps ascended the staircase, with a confident and familiar tread, and some +one entered the drawing-room. From the sofa where they sat, in the inner +apartment, Mrs. Grosvenor and Sylvia could not discern the visitor. +</p> + +<p> +“Sylph!” cried a voice. “Dearest Sylph! Where are you, sweet +Sylph Etherege? Here is your Edgar Vaughan!” +</p> + +<p> +But instead of answering, or rising to meet her lover,—who had greeted +her by the sweet and fanciful name, which, appropriate as it was to her +character, was known only to him,—Sylvia grasped Mrs. Grosvenor’s +arm, while her whole frame shook with the throbbing of her heart. +</p> + +<p> +“Who is it?” gasped she. “Who calls me Sylph?” +</p> + +<p> +Before Mrs. Grosvenor could reply, the stranger entered the room, bearing the +lamp in his hand. Approaching the sofa, he displayed to Sylvia the features of +Edward Hamilton, illuminated by that evil smile, from which his face derived so +marked an individuality. +</p> + +<p> +“Is not the miniature an admirable likeness?” inquired he. +</p> + +<p> +Sylvia shuddered, but had not power to turn away her white face from his gaze. +The miniature, which she had been holding in her hand, fell down upon the +floor, where Hamilton, or Vaughan, set his foot upon it, and crushed the ivory +counterfeit to fragments. +</p> + +<p> +“There, my sweet Sylph,” he exclaimed. “It was I that created +your phantom-lover, and now I annihilate him! Your dream is rudely broken. +Awake, Sylph Etherege, awake to truth! I am the only Edgar Vaughan!” +</p> + +<p> +“We have gone too far, Edgar Vaughan,” said Mrs. Grosvenor, +catching Sylvia in her arms. The revengeful freak, which Vaughan’s +wounded vanity had suggested, had been countenanced by this lady, in the hope +of curing Sylvia of her romantic notions, and reconciling her to the truths and +realities of life. “Look at the poor child!” she continued. +“I protest I tremble for the consequences!” +</p> + +<p> +“Indeed, madam!” replied Vaughan, sneeringly, as he threw the light +of the lamp on Sylvia’s closed eyes and marble features. “Well, my +conscience is clear. I did but look into this delicate creature’s heart; +and with the pure fantasies that I found there, I made what seemed a +man,—and the delusive shadow has wiled her away to Shadow-land, and +vanished there! It is no new tale. Many a sweet maid has shared the lot of poor +Sylph Etherege!” +</p> + +<p> +“And now, Edgar Vaughan,” said Mrs. Grosvenor, as Sylvia’s +heart began faintly to throb again, “now try, in good earnest, to win +back her love from the phantom which you conjured up. If you succeed, she will +be the better, her whole life long, for the lesson we have given her.” +</p> + +<p> +Whether the result of the lesson corresponded with Mrs. Grosvenor’s +hopes, may be gathered from the closing scene of our story. It had been made +known to the fashionable world that Edgar Vaughan had returned from France, +and, under the assumed name of Edward Hamilton, had won the affections of the +lovely girl to whom he had been affianced in his boyhood. The nuptials were to +take place at an early date. One evening, before the day of anticipated bliss +arrived, Edgar Vaughan entered Mrs. Grosvenor’s drawing-room, where he +found that lady and Sylph Etherege. +</p> + +<p> +“Only that Sylvia makes no complaint,” remarked Mrs. Grosvenor, +“I should apprehend that the town air is ill-suited to her constitution. +She was always, indeed, a delicate creature; but now she is a mere gossamer. Do +but look at her! Did you ever imagine anything so fragile?” +</p> + +<p> +Vaughan was already attentively observing his mistress, who sat in a shadowy +and moonlighted recess of the room, with her dreamy eyes fixed steadfastly upon +his own. The bough of a tree was waving before the window, and sometimes +enveloped her in the gloom of its shadow, into which she seemed to vanish. +</p> + +<p> +“Yes,” he said, to Mrs. Grosvenor. “I can scarcely deem her +of the earth, earthy. No wonder that I call her Sylph! Methinks she will fade +into the moonlight, which falls upon her through the window. Or, in the open +air, she might flit away upon the breeze, like a wreath of mist!” +</p> + +<p> +Sylvia’s eyes grew yet brighter. She waved her hand to Edgar Vaughan, +with a gesture of ethereal triumph. +</p> + +<p> +“Farewell!” she said. “I will neither fade into the +moonlight, nor flit away upon the breeze. Yet you cannot keep me here!” +</p> + +<p> +There was something in Sylvia’s look and tones that startled Mrs. +Grosvenor with a terrible apprehension. But, as she was rushing towards the +girl, Vaughan held her back. +</p> + +<p> +“Stay!” cried he, with a strange smile of mockery and anguish. +“Can our sweet Sylph be going to heaven, to seek the original of the +miniature?” +</p> + +</div><!--end chapter--> + +<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK SYLPH ETHEREGE ***</div> +<div style='text-align:left'> + +<div style='display:block; margin:1em 0'> +Updated editions will replace the previous one—the old editions will +be renamed. +</div> + +<div style='display:block; margin:1em 0'> +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away--you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. +</div> + +<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> +<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> +</div> + +<div style='display:block; margin:1em 0'> +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. +</div> + +<div style='display:block; margin:1em 0'> +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. +</div> + +<div style='display:block; margin:1em 0'> +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. +</div> + +<div style='display:block; margin:1em 0'> +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. +</div> + +<div style='display:block; margin:1em 0'> +1.E. Unless you have removed all references to Project Gutenberg: +</div> + +<div style='display:block; margin:1em 0'> +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: +</div> + +<blockquote> + <div style='display:block; margin:1em 0'> + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + </div> +</blockquote> + +<div style='display:block; margin:1em 0'> +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. +</div> + +<div style='display:block; margin:1em 0'> +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. +</div> + +<div style='display:block; margin:1em 0'> +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. +</div> + +<div style='display:block; margin:1em 0'> +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. +</div> + +<div style='display:block; margin:1em 0'> +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: +</div> + +<div style='margin-left:0.7em;'> + <div style='text-indent:-0.7em'> + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + </div> + + <div style='text-indent:-0.7em'> + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + </div> + + <div style='text-indent:-0.7em'> + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + </div> + + <div style='text-indent:-0.7em'> + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + </div> +</div> + +<div style='display:block; margin:1em 0'> +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. +</div> + +<div style='display:block; margin:1em 0'> +1.F. +</div> + +<div style='display:block; margin:1em 0'> +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. +</div> + +<div style='display:block; margin:1em 0'> +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. +</div> + +<div style='display:block; margin:1em 0'> +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. +</div> + +<div style='display:block; margin:1em 0'> +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 2. Information about the Mission of Project Gutenberg™ +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. +</div> + +<div style='display:block; margin:1em 0'> +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 3. Information about the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. +</div> + +<div style='display:block; margin:1em 0'> +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. +</div> + +<div style='display:block; margin:1em 0'> +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. +</div> + +<div style='display:block; margin:1em 0'> +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 5. General Information About Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. +</div> + +<div style='display:block; margin:1em 0'> +Most people start at our website which has the main PG search +facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. +</div> + +<div style='display:block; margin:1em 0'> +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. +</div> + +</div> + +</body> +</html> + |