summaryrefslogtreecommitdiff
path: root/9236-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '9236-0.txt')
-rw-r--r--9236-0.txt1415
1 files changed, 1415 insertions, 0 deletions
diff --git a/9236-0.txt b/9236-0.txt
new file mode 100644
index 0000000..230ee90
--- /dev/null
+++ b/9236-0.txt
@@ -0,0 +1,1415 @@
+The Project Gutenberg eBook of Main Street, by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Main Street
+
+Author: Nathaniel Hawthorne
+
+Release Date: September 18, 2003 [eBook #9236]
+[Most recently updated: May 18, 2022]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: David Widger
+
+*** START OF THE PROJECT GUTENBERG EBOOK MAIN STREET ***
+
+
+
+
+Main Street
+
+by Nathaniel Hawthorne
+
+
+
+
+A respectable-looking individual makes his bow and addresses the
+public. In my daily walks along the principal street of my native town,
+it has often occurred to me, that, if its growth from infancy upward,
+and the vicissitude of characteristic scenes that have passed along
+this thoroughfare during the more than two centuries of its existence,
+could be presented to the eye in a shifting panorama, it would be an
+exceedingly effective method of illustrating the march of time. Acting
+on this idea, I have contrived a certain pictorial exhibition, somewhat
+in the nature of a puppet-show, by means of which I propose to call up
+the multiform and many-colored Past before the spectator, and show him
+the ghosts of his forefathers, amid a succession of historic incidents,
+with no greater trouble than the turning of a crank. Be pleased,
+therefore, my indulgent patrons, to walk into the show-room, and take
+your seats before yonder mysterious curtain. The little wheels and
+springs of my machinery have been well oiled; a multitude of puppets
+are dressed in character, representing all varieties of fashion, from
+the Puritan cloak and jerkin to the latest Oak Hall coat; the lamps are
+trimmed, and shall brighten into noontide sunshine, or fade away in
+moonlight, or muffle their brilliancy in a November cloud, as the
+nature of the scene may require; and, in short, the exhibition is just
+ready to commence. Unless something should go wrong,—as, for instance,
+the misplacing of a picture, whereby the people and events of one
+century might be thrust into the middle of another; or the breaking of
+a wire, which would bring the course of time to a sudden
+period,—barring, I say, the casualties to which such a complicated
+piece of mechanism is liable,—I flatter myself, ladies and
+gentlemen,—that the performance will elicit your generous approbation.
+
+Ting-a-ting-ting! goes the bell; the curtain rises; and we behold—not,
+indeed, the Main Street—but the track of leaf-strewn forest-land over
+which its dusty pavement is hereafter to extend.
+
+You perceive, at a glance, that this is the ancient and primitive
+wood,—the ever-youthful and venerably old,—verdant with new twigs, yet
+hoary, as it were, with the snowfall of innumerable years, that have
+accumulated upon its intermingled branches. The white man’s axe has
+never smitten a single tree; his footstep has never crumpled a single
+one of the withered leaves, which all the autumns since the flood have
+been harvesting beneath. Yet, see! along through the vista of impending
+boughs, there is already a faintly traced path, running nearly east and
+west, as if a prophecy or foreboding of the future street had stolen
+into the heart of the solemn old wood. Onward goes this hardly
+perceptible track, now ascending over a natural swell of land, now
+subsiding gently into a hollow; traversed here by a little streamlet,
+which glitters like a snake through the gleam of sunshine, and quickly
+hides itself among the underbrush, in its quest for the neighboring
+cove; and impeded there by the massy corpse of a giant of the forest,
+which had lived out its incalculable term of life, and been overthrown
+by mere old age, and lies buried in the new vegetation that is born of
+its decay. What footsteps can have worn this half-seen path? Hark! Do
+we not hear them now rustling softly over the leaves? We discern an
+Indian woman,—a majestic and queenly woman, or else her spectral image
+does not represent her truly,—for this is the great Squaw Sachem, whose
+rule, with that of her sons, extends from Mystic to Agawam. That red
+chief, who stalks by her side, is Wappacowet, her second husband, the
+priest and magician, whose incantations shall hereafter affright the
+pale-faced settlers with grisly phantoms, dancing and shrieking in the
+woods, at midnight. But greater would be the affright of the Indian
+necromancer, if, mirrored in the pool of water at his feet, he could
+catch a prophetic glimpse of the noonday marvels which the white man is
+destined to achieve; if he could see, as in a dream, the stone front of
+the stately hall, which will cast its shadow over this very spot; if he
+could be aware that the future edifice will contain a noble Museum,
+where, among countless curiosities of earth and sea, a few Indian
+arrow-heads shall be treasured up as memorials of a vanished race!
+
+No such forebodings disturb the Squaw Sachem and Wappacowet. They pass
+on, beneath the tangled shade, holding high talk on matters of state
+and religion, and imagine, doubtless, that their own system of affairs
+will endure forever. Meanwhile, how full of its own proper life is the
+scene that lies around them! The gray squirrel runs up the trees, and
+rustles among the upper branches. Was not that the leap of a deer? And
+there is the whirr of a partridge! Methinks, too, I catch the cruel and
+stealthy eye of a wolf, as he draws back into yonder impervious density
+of underbrush. So, there, amid the murmur of boughs, go the Indian
+queen and the Indian priest; while the gloom of the broad wilderness
+impends over them, and its sombre mystery invests them as with
+something preternatural; and only momentary streaks of quivering
+sunlight, once in a great while, find their way down, and glimmer among
+the feathers in their dusky hair. Can it be that the thronged street of
+a city will ever pass into this twilight solitude,—over those soft
+heaps of the decaying tree-trunks, and through the swampy places, green
+with water-moss, and penetrate that hopeless entanglement of great
+trees, which have been uprooted and tossed together by a whirlwind? It
+has been a wilderness from the creation. Must it not be a wilderness
+forever?
+
+Here an acidulous-looking gentleman in blue glasses, with bows of
+Berlin steel, who has taken a seat at the extremity of the front row,
+begins, at this early stage of the exhibition, to criticise.
+
+“The whole affair is a manifest catchpenny!” observes he, scarcely
+under his breath. “The trees look more like weeds in a garden than a
+primitive forest; the Squaw Sachem and Wappacowet are stiff in their
+pasteboard joints; and the squirrels, the deer, and the wolf move with
+all the grace of a child’s wooden monkey, sliding up and down a stick.”
+
+“I am obliged to you, sir, for the candor of your remarks,” replies the
+showman, with a bow. “Perhaps they are just. Human art has its limits,
+and we must now and then ask a little aid from the spectator’s
+imagination.”
+
+“You will get no such aid from mine,” responds the critic. “I make it a
+point to see things precisely as they are. But come! go ahead! the
+stage is waiting!”
+
+The showman proceeds.
+
+Casting our eyes again over the scene, we perceive that strangers have
+found their way into the solitary place. In more than one spot, among
+the trees, an upheaved axe is glittering in the sunshine. Roger Conant,
+the first settler in Naumkeag, has built his dwelling, months ago, on
+the border of the forest-path; and at this moment he comes eastward
+through the vista of woods, with his gun over his shoulder, bringing
+home the choice portions of a deer. His stalwart figure, clad in a
+leathern jerkin and breeches of the same, strides sturdily onward, with
+such an air of physical force and energy that we might almost expect
+the very trees to stand aside, and give him room to pass. And so,
+indeed, they must; for, humble as is his name in history, Roger Conant
+still is of that class of men who do not merely find, but make, their
+place in the system of human affairs; a man of thoughtful strength, he
+has planted the germ of a city. There stands his habitation, showing in
+its rough architecture some features of the Indian wigwam, and some of
+the log-cabin, and somewhat, too, of the straw-thatched cottage in Old
+England, where this good yeoman had his birth and breeding. The
+dwelling is surrounded by a cleared space of a few acres, where Indian
+corn grows thrivingly among the stumps of the trees; while the dark
+forest hems it in, and scenes to gaze silently and solemnly, as if
+wondering at the breadth of sunshine which the white man spreads around
+him. An Indian, half hidden in the dusky shade, is gazing and wondering
+too.
+
+Within the door of the cottage you discern the wife, with her ruddy
+English cheek. She is singing, doubtless, a psalm tune, at her
+household work; or, perhaps she sighs at the remembrance of the
+cheerful gossip, and all the merry social life, of her native village
+beyond the vast and melancholy sea. Yet the next moment she laughs,
+with sympathetic glee, at the sports of her little tribe of children;
+and soon turns round, with the home-look in her face, as her husband’s
+foot is heard approaching the rough-hewn threshold. How sweet must it
+be for those who have an Eden in their hearts, like Roger Conant and
+his wife, to find a new world to project it into, as they have, instead
+of dwelling among old haunts of men, where so many household fires have
+been kindled and burnt out, that the very glow of happiness has
+something dreary in it! Not that this pair are alone in their wild
+Eden, for here comes Goodwife Massey, the young spouse of Jeffrey
+Massey, from her home hard by, with an infant at her breast. Dame
+Conant has another of like age; and it shall hereafter be one of the
+disputed points of history which of these two babies was the first
+town-born child.
+
+But see! Roger Conant has other neighbors within view. Peter Palfrey
+likewise has built himself a house, and so has Balch, and Norman, and
+Woodbury. Their dwellings, indeed,—such is the ingenious contrivance of
+this piece of pictorial mechanism,—seem to have arisen, at various
+points of the scene, even while we have been looking at it. The
+forest-track, trodden more and more by the hobnailed shoes of these
+sturdy and ponderous Englishmen, has now a distinctness which it never
+could have acquired from the light tread of a hundred times as many
+Indian moccasins. It will be a street, anon! As we observe it now, it
+goes onward from one clearing to another, here plunging into a shadowy
+strip of woods, there open to the sunshine, but everywhere showing a
+decided line, along which human interests have begun to hold their
+career. Over yonder swampy spot, two trees have been felled, and laid
+side by side to make a causeway. In another place, the axe has cleared
+away a confused intricacy of fallen trees and clustered boughs, which
+had been tossed together by a hurricane. So now the little children,
+just beginning to run alone, may trip along the path, and not often
+stumble over an impediment, unless they stray from it to gather
+wood-berries beneath the trees. And, besides the feet of grown people
+and children, there are the cloven hoofs of a small herd of cows, who
+seek their subsistence from the native grasses, and help to deepen the
+track of the future thoroughfare. Goats also browse along it, and
+nibble at the twigs that thrust themselves across the way. Not seldom,
+in its more secluded portions, where the black shadow of the forest
+strives to hide the trace of human-footsteps, stalks a gaunt wolf, on
+the watch for a kid or a young calf; or fixes his hungry gaze on the
+group of children gathering berries, and can hardly forbear to rush
+upon them. And the Indians, coming from their distant wigwams to view
+the white man’s settlement, marvel at the deep track which he makes,
+and perhaps are saddened by a flitting presentiment that this heavy
+tread will find its way over all the land; and that the wild-woods, the
+wild wolf, and the wild Indian will alike be trampled beneath it. Even
+so shall it be. The pavements of the Main Street must be laid over the
+red man’s grave.
+
+Behold! here is a spectacle which should be ushered in by the peal of
+trumpets, if Naumkeag had ever yet heard that cheery music, and by the
+roar of cannon, echoing among the woods. A procession,—for, by its
+dignity, as marking an epoch in the history of the street, it deserves
+that name,—a procession advances along the pathway. The good ship
+Abigail has arrived from England, bringing wares and merchandise, for
+the comfort of the inhabitants, and traffic with the Indians; bringing
+passengers too, and, more important than all, a governor for the new
+settlement. Roger Conant and Peter Palfrey, with their companions, have
+been to the shore to welcome him; and now, with such honor and triumph
+as their rude way of life permits, are escorting the sea-flushed
+voyagers to their habitations. At the point where Endicott enters upon
+the scene, two venerable trees unite their branches high above his
+head; thus forming a triumphal arch of living verdure, beneath which he
+pauses, with his wife leaning on his arm, to catch the first impression
+of their new-found home. The old settlers gaze not less earnestly at
+him, than he at the hoary woods and the rough surface of the clearings.
+They like his bearded face, under the shadow of the broad-brimmed and
+steeple-crowned Puritan hat;—a visage resolute, grave, and thoughtful,
+yet apt to kindle with that glow of a cheerful spirit by which men of
+strong character are enabled to go joyfully on their proper tasks. His
+form, too, as you see it, in a doublet and hose of sad-colored cloth,
+is of a manly make, fit for toil and hardship, and fit to wield the
+heavy sword that hangs from his leathern belt. His aspect is a better
+warrant for the ruler’s office than the parchment commission which he
+bears, however fortified it may be with the broad seal of the London
+council. Peter Palfrey nods to Roger Conant. “The worshipful Court of
+Assistants have done wisely,” say they between themselves. “They have
+chosen for our governor a man out of a thousand.” Then they toss up
+their hats,—they, and all the uncouth figures of their company, most of
+whom are clad in skins, inasmuch as their old kersey and linsey-woolsey
+garments have been torn and tattered by many a long month’s wear,—they
+all toss up their hats, and salute their new governor and captain with
+a hearty English shout of welcome. We seem to hear it with our own
+ears, so perfectly is the action represented in this life-like, this
+almost magic picture!
+
+But have you observed the lady who leans upon the arm of Endicott?—-a
+rose of beauty from an English garden, now to be transplanted to a
+fresher soil. It may be that, long years—centuries indeed—after this
+fair flower shall have decayed, other flowers of the same race will
+appear in the same soil, and gladden other generations with hereditary
+beauty. Does not the vision haunt us yet? Has not Nature kept the mould
+unbroken, deeming it a pity that the idea should vanish from mortal
+sight forever, after only once assuming earthly substance? Do we not
+recognize, in that fair woman’s face, a model of features which still
+beam, at happy moments, on what was then the woodland pathway, but has
+long since grown into a busy street?
+
+“This is too ridiculous!—positively insufferable!” mutters the same
+critic who had before expressed his disapprobation. “Here is a
+pasteboard figure, such as a child would cut out of a card, with a pair
+of very dull scissors; and the fellow modestly requests us to see in it
+the prototype of hereditary beauty!”
+
+“But, sir, you have not the proper point of view,” remarks the showman.
+“You sit altogether too near to get the best effect of my pictorial
+exhibition. Pray, oblige me by removing to this other bench, and I
+venture to assure you the proper light and shadow will transform the
+spectacle into quite another thing.”
+
+“Pshaw!” replies the critic; “I want no other light and shade. I have
+already told you that it is my business to see things just as they
+are.”
+
+“I would suggest to the author of this ingenious exhibition,” observes
+a gentlemanly person, who has shown signs of being much interested,—“I
+would suggest that Anna Gower, the first wife of Governor Endicott, and
+who came with him from England, left no posterity; and that,
+consequently, we cannot be indebted to that honorable lady for any
+specimens of feminine loveliness now extant among us.”
+
+Having nothing to allege against this genealogical objection, the
+showman points again to the scene.
+
+During this little interruption, you perceive that the Anglo-Saxon
+energy—as the phrase now goes—has been at work in the spectacle before
+us. So many chimneys now send up their smoke, that it begins to have
+the aspect of a village street; although everything is so inartificial
+and inceptive, that it seems as if one returning wave of the wild
+nature might overwhelm it all. But the one edifice which gives the
+pledge of permanence to this bold enterprise is seen at the central
+point of the picture. There stands the meeting-house, a small
+structure, low-roofed, without a spire, and built of rough timber,
+newly hewn, with the sap still in the logs, and here and there a strip
+of bark adhering to them. A meaner temple was never consecrated to the
+worship of the Deity. With the alternative of kneeling beneath the
+awful vault of the firmament, it is strange that men should creep into
+this pent-up nook, and expect God’s presence there. Such, at least, one
+would imagine, might be the feeling of these forest-settlers,
+accustomed, as they had been, to stand under the dim arches of vast
+cathedrals, and to offer up their hereditary worship in the old
+ivy-covered churches of rural England, around which lay the bones of
+many generations of their forefathers. How could they dispense with the
+carved altar-work?—how, with the pictured windows, where the light of
+common day was hallowed by being transmitted through the glorified
+figures of saints?—how, with the lofty roof, imbued, as it must have
+been, with the prayers that had gone upward for centuries?—how, with
+the rich peal of the solemn organ, rolling along the aisles, pervading
+the whole church, and sweeping the soul away on a flood of audible
+religion? They needed nothing of all this. Their house of worship, like
+their ceremonial, was naked, simple, and severe. But the zeal of a
+recovered faith burned like a lamp within their hearts, enriching
+everything around them with its radiance; making of these new walls,
+and this narrow compass, its own cathedral; and being, in itself, that
+spiritual mystery and experience, of which sacred architecture,
+pictured windows, and the organ’s grand solemnity are remote and
+imperfect symbols. All was well, so long as their lamps were freshly
+kindled at heavenly flame. After a while, however, whether in their
+time or their children’s, these lamps began to burn more dimly, or with
+a less genuine lustre; and then it might be seen how hard, cold, and
+confined was their system,—how like an iron cage was that which they
+called Liberty.
+
+Too much of this. Look again at the picture, and observe how the
+aforesaid Anglo-Saxon energy is now trampling along the street, and
+raising a positive cloud of dust beneath its sturdy footsteps. For
+there the carpenters are building a new house, the frame of which was
+hewn and fitted in England, of English oak, and sent hither on
+shipboard; and here a blacksmith makes huge slang and clatter on his
+anvil, shaping out tools and weapons; and yonder a wheelwright, who
+boasts himself a London workman, regularly bred to his handicraft, is
+fashioning a set of wagon-wheels, the track of which shall soon be
+visible. The wild forest is shrinking back; the street has lost the
+aromatic odor of the pine-trees, and of the sweet-fern that grew
+beneath them. The tender and modest wild-flowers, those gentle children
+of savage nature that grew pale beneath the ever-brooding shade, have
+shrank away and disappeared, like stars that vanish in the breadth of
+light. Gardens are fenced in, and display pumpkin-beds and rows of
+cabbages and beans; and, though the governor and the minister both view
+them with a disapproving eye, plants of broad-leaved tobacco, which the
+cultivators are enjoined to use privily, or not at all. No wolf, for a
+year past, has been heard to bark, or known to range among the
+dwellings, except that single one, whose grisly head, with a plash of
+blood beneath it, is now affixed to the portal of the meeting-house.
+The partridge has ceased to run across the too-frequented path. Of all
+the wild life that used to throng here, only the Indians still come
+into the settlement, bringing the skins of beaver and otter, bear and
+elk, which they sell to Endicott for the wares of England. And there is
+little John Massey, the son of Jeffrey Massey and first-born of
+Naumkeag, playing beside his father’s threshold, a child of six or
+seven years old. Which is the better-grown infant,—the town or the boy?
+
+The red men have become aware that the street is no longer free to
+them, save by the sufferance and permission of the settlers. Often, to
+impress them with an awe of English power, there is a muster and
+training of the town-forces, and a stately march of the mail-clad band,
+like this which we now see advancing up the street. There they come,
+fifty of them, or more; all with their iron breastplates and steel caps
+well burnished, and glimmering bravely against the sun; their ponderous
+muskets on their shoulders, their bandaliers about their waists, their
+lighted matches in their hands, and the drum and fife playing cheerily
+before them. See! do they not step like martial men? Do they not
+manœuvre like soldiers who have seen stricken fields? And well they
+may; for this band is composed of precisely such materials as those
+with which Cromwell is preparing to beat down the strength of a
+kingdom; and his famous regiment of Ironsides might be recruited from
+just such men. In everything, at this period, New England was the
+essential spirit and flower of that which was about to become uppermost
+in the mother-country. Many a bold and wise man lost the fame which
+would have accrued to him in English history, by crossing the Atlantic
+with our forefathers. Many a valiant captain, who might have been
+foremost at Marston Moor or Naseby, exhausted his martial ardor in the
+command of a log-built fortress, like that which you observe on the
+gently rising ground at the right of the pathway,—its banner fluttering
+in the breeze, and the culverins and sakers showing their deadly
+muzzles over the rampart.
+
+A multitude of people were now thronging to New England: some, because
+the ancient and ponderous framework of Church and State threatened to
+crumble down upon their heads; others, because they despaired of such a
+downfall. Among those who came to Naumkeag were men of history and
+legend, whose feet leave a track of brightness along any pathway which
+they have trodden. You shall behold their life-like images—their
+spectres, if you choose so to call them—passing, encountering with a
+familiar nod, stopping to converse together, praying, bearing weapons,
+laboring or resting from their labors, in the Main Street. Here, now,
+comes Hugh Peters, an earnest, restless man, walking swiftly, as being
+impelled by that fiery activity of nature which shall hereafter thrust
+him into the conflict of dangerous affairs, make him the chaplain and
+counsellor of Cromwell, and finally bring him to a bloody end. He
+pauses, by the meetinghouse, to exchange a greeting with Roger
+Williams, whose face indicates, methinks, a gentler spirit, kinder and
+more expansive, than that of Peters; yet not less active for what he
+discerns to be the will of God, or the welfare of mankind. And look!
+here is a guest for Endicott, coming forth out of the forest, through
+which he has been journeying from Boston, and which, with its rude
+branches, has caught hold of his attire, and has wet his feet with its
+swamps and streams. Still there is something in his mild and venerable,
+though not aged presence—a propriety, an equilibrium, in Governor
+Winthrop’s nature—that causes the disarray of his costume to be
+unnoticed, and gives us the same impression as if he were clad in such
+rave and rich attire as we may suppose him to have worn in the Council
+Chamber of the colony. Is not this characteristic wonderfully
+perceptible in our spectral representative of his person? But what
+dignitary is this crossing from the other side to greet the governor? A
+stately personage, in a dark velvet cloak, with a hoary beard, and a
+gold chain across his breast; he has the authoritative port of one who
+has filled the highest civic station in the first of cities. Of all men
+in the world, we should least expect to meet the Lord Mayor of
+London—as Sir Richard Saltonstall has been, once and again—in a
+forest-bordered settlement of the western wilderness.
+
+Farther down the street, we see Emanuel Downing, a grave and worthy
+citizen, with his son George, a stripling who has a career before him;
+his shrewd and quick capacity and pliant conscience shall not only
+exalt him high, but secure him from a downfall. Here is another figure,
+on whose characteristic make and expressive action I will stake the
+credit of my pictorial puppet-show.
+
+Have you not already detected a quaint, sly humor in that face,—an
+eccentricity in the manner,—a certain indescribable waywardness,—all
+the marks, in short, of an original man, unmistakably impressed, yet
+kept down by a sense of clerical restraint? That is Nathaniel Ward, the
+minister of Ipswich, but better remembered as the simple cobbler of
+Agawam. He hammered his sole so faithfully, and stitched his
+upper-leather so well, that the shoe is hardly yet worn out, though
+thrown aside for some two centuries past. And next, among these
+Puritans and Roundheads, we observe the very model of a Cavalier, with
+the curling lovelock, the fantastically trimmed beard, the embroidery,
+the ornamented rapier, the gilded dagger, and all other foppishnesses
+that distinguished the wild gallants who rode headlong to their
+overthrow in the cause of King Charles. This is Morton of Merry Mount,
+who has come hither to hold a council with Endicott, but will shortly
+be his prisoner. Yonder pale, decaying figure of a white-robed woman,
+who glides slowly along the street, is the Lady Arabella, looking for
+her own grave in the virgin soil. That other female form, who seems to
+be talking—we might almost say preaching or expounding—in the centre of
+a group of profoundly attentive auditors, is Ann Hutchinson. And here
+comes Vane—
+
+“But, my dear sir,” interrupts the same gentleman who before questioned
+the showman’s genealogical accuracy, “allow me to observe that these
+historical personages could not possibly have met together in the Main
+Street. They might, and probably did, all visit our old town, at one
+time or another, but not simultaneously; and you have fallen into
+anachronisms that I positively shudder to think of!”
+
+“The fellow,” adds the scarcely civil critic, “has learned a bead-roll
+of historic names, whom he lugs into his pictorial puppet-show, as he
+calls it, helter-skelter, without caring whether they were
+contemporaries or not,—and sets them all by the ears together. But was
+there ever such a fund of impudence? To hear his running commentary,
+you would suppose that these miserable slips of painted pasteboard,
+with hardly the remotest outlines of the human figure, had all the
+character and expression of Michael Angelo’s pictures. Well! go on,
+sir!”
+
+“Sir, you break the illusion of the scene,” mildly remonstrates the
+showman.
+
+“Illusion! What illusion?” rejoins the critic, with a contemptuous
+snort. “On the word of a gentleman, I see nothing illusive in the
+wretchedly bedaubed sheet of canvas that forms your background, or in
+these pasteboard slips that hitch and jerk along the front. The only
+illusion, permit me to say, is in the puppet-showman’s tongue,—and that
+but a wretched one, into the bargain!”
+
+“We public men,” replies the showman, meekly, “must lay our account,
+sometimes, to meet an uncandid severity of criticism. But—merely for
+your own pleasure, sir—let me entreat you to take another point of
+view. Sit farther back, by that young lady, in whose face I have
+watched the reflection of every changing scene; only oblige me by
+sitting there; and, take my word for it, the slips of pasteboard shall
+assume spiritual life, and the bedaubed canvas become an airy and
+changeable reflex of what it purports to represent.”
+
+“I know better,” retorts the critic, settling himself in his seat, with
+sullen but self-complacent immovableness. “And, as for my own pleasure,
+I shall best consult it by remaining precisely where I am.”
+
+The showman bows, and waves his hand; and, at the signal, as if time
+and vicissitude had been awaiting his permission to move onward, the
+mimic street becomes alive again.
+
+Years have rolled over our scene, and converted the forest-track into a
+dusty thoroughfare, which, being intersected with lanes and
+cross-paths, may fairly be designated as the Main Street. On the
+ground-sites of many of the log-built sheds, into which the first
+settlers crept for shelter, houses of quaint architecture have now
+risen. These later edifices are built, as you see, in one generally
+accordant style, though with such subordinate variety as keeps the
+beholder’s curiosity excited, and causes each structure, like its
+owner’s character, to produce its own peculiar impression. Most of them
+have a huge chimney in the centre, with flues so vast that it must have
+been easy for the witches to fly out of them as they were wont to do,
+when bound on an aerial visit to the Black Man in the forest. Around
+this great chimney the wooden house clusters itself, in a whole
+community of gable-ends, each ascending into its own separate peak; the
+second story, with its lattice-windows, projecting over the first; and
+the door, which is perhaps arched, provided on the outside with an iron
+hammer, wherewith the visitor’s hand may give a thundering rat-a-tat.
+
+The timber framework of these houses, as compared with those of recent
+date, is like the skeleton of an old giant, beside the frail bones of a
+modern man of fashion. Many of them, by the vast strength and soundness
+of their oaken substance, have been preserved through a length of time
+which would have tried the stability of brick and stone; so that, in
+all the progressive decay and continual reconstruction of the street,
+to down our own days, we shall still behold these old edifices
+occupying their long-accustomed sites. For instance, on the upper
+corner of that green lane which shall hereafter be North Street, we see
+the Curwen House, newly built, with the carpenters still at work on the
+roof nailing down the last sheaf of shingles. On the lower corner
+stands another dwelling,—destined, at some period of its existence, to
+be the abode of an unsuccessful alchemist,—which shall likewise survive
+to our own generation, and perhaps long outlive it. Thus, through the
+medium of these patriarchal edifices, we have now established a sort of
+kindred and hereditary acquaintance with the Main Street.breakforth
+
+Great as is the transformation produced by a short term of years, each
+single day creeps through the Puritan settlement sluggishly enough. It
+shall pass before your eyes, condensed into the space of a few moments.
+The gray light of early morning is slowly diffusing itself over the
+scene; and the bellman, whose office it is to cry the hour at the
+street-corners, rings the last peal upon his hand bell, and goes
+wearily homewards, with the owls, the bats, and other creatures of the
+night. Lattices are thrust back on their hinges, as if the town were
+opening its eyes, in the summer morning. Forth stumbles the still
+drowsy cowherd, with his horn; putting which to his lips, it emits a
+bellowing bray, impossible to be represented in the picture, but which
+reaches the pricked-up ears of every cow in the settlement, and tells
+her that the dewy pasture-hour is come. House after house awakes, and
+sends the smoke up curling from its chimney, like frosty breath from
+living nostrils; and as those white wreaths of smoke, though
+impregnated with earthy admixtures, climb skyward, so, from each
+dwelling, does the morning worship—its spiritual essence, bearing up
+its human imperfection—find its way to the heavenly Father’s throne.
+
+The breakfast-hour being passed, the inhabitants do not, as usual, go
+to their fields or workshops, but remain within doors; or perhaps walk
+the street, with a grave sobriety, yet a disengaged and unburdened
+aspect, that belongs neither to a holiday nor a Sabbath. And, indeed,
+this passing day is neither, nor is it a common week-day, although
+partaking of all the three. It is the Thursday Lecture; an institution
+which New England has long ago relinquished, and almost forgotten, yet
+which it would have been better to retain, as bearing relations to both
+the spiritual and ordinary life, and bringing each acquainted with the
+other. The tokens of its observance, however, which here meet our eyes,
+are of rather a questionable cast. It is, in one sense, a day of public
+shame; the day on which transgressors, who have made themselves liable
+to the minor severities of the Puritan law receive their reward of
+ignominy. At this very moment, this constable has bound an idle fellow
+to the whipping-post, and is giving him his deserts with a cat-o’-nine
+tails. Ever since sunrise, Daniel Fairfield has been standing on the
+steps of the meeting-house, with a halter about his neck, which he is
+condemned to wear visibly throughout his lifetime; Dorothy Talby is
+chained to a post at the corner of Prison Lane, with the hot sun
+blazing on her matronly face, and all for no other offence than lifting
+her hand against her husband; while, through the bars of that great
+wooden cage, in the centre of the scene, we discern either a human
+being or a wild beast, or both in one, whom this public infamy causes
+to roar, and gnash his teeth, and shake the strong oaken bars, as if he
+would break forth, and tear in pieces the little children who have been
+peeping at him. Such are the profitable sights that serve the good
+people to while away the earlier part of lecture-day. Betimes in the
+forenoon, a traveller—the first traveller that has come hitherward this
+morning—rides slowly into the street on his patient steed. He seems a
+clergyman; and, as he draws near, we recognize the minister of Lynn,
+who was pre-engaged to lecture here, and has been revolving his
+discourse, as he rode through the hoary wilderness. Behold, now, the
+whole town thronging into the meeting-house, mostly with such sombre
+visages that the sunshine becomes little better than a shadow when it
+falls upon them. There go the Thirteen Men, grim rulers of a grim
+community! There goes John Massey, the first town-born child, now a
+youth of twenty, whose eye wanders with peculiar interest towards that
+buxom damsel who comes up the steps at the same instant. There hobbles
+Goody Foster, a sour and bitter old beldam, looking as if she went to
+curse, and not to pray, and whom many of her neighbors suspect of
+taking an occasional airing on a broomstick. There, too, slinking
+shamefacedly in, you observe that same poor do-nothing and
+good-for-nothing whom we saw castigated just now at the whipping-post.
+Last of all, there goes the tithing-man, lugging in a couple of small
+boys, whom he has caught at play beneath God’s blessed sunshine, in a
+back lane. What native of Naumkeag, whose recollections go back more
+than thirty years, does not still shudder at that dark ogre of his
+infancy, who perhaps had long ceased to have an actual existence, but
+still lived in his childish belief, in a horrible idea, and in the
+nurse’s threat, as the Tidy Man!
+
+It will be hardly worth our while to wait two, or it may be three,
+turnings of the hour-glass, for the conclusion of the lecture.
+Therefore, by my control over light and darkness, I cause the dusk, and
+then the starless night, to brood over the street; and summon forth
+again the bellman, with his lantern casting a gleam about his
+footsteps, to pace wearily from corner to corner, and shout drowsily
+the hour to drowsy or dreaming ears. Happy are we, if for nothing else,
+yet because we did not live in those days. In truth, when the first
+novelty and stir of spirit had subsided,—when the new settlement,
+between the forest-border and the sea, had become actually a little
+town,—its daily life must have trudged onward with hardly anything to
+diversify and enliven it, while also its rigidity could not fail to
+cause miserable distortions of the moral nature. Such a life was
+sinister to the intellect, and sinister to the heart; especially when
+one generation had bequeathed its religious gloom, and the counterfeit
+of its religious ardor, to the next; for these characteristics, as was
+inevitable, assumed the form both of hypocrisy and exaggeration, by
+being inherited from the example and precept of other human beings, and
+not from an original and spiritual source. The sons and grandchildren
+of the first settlers were a race of lower and narrower souls than
+their progenitors had been. The latter were stern, severe, intolerant,
+but not superstitious, not even fanatical; and endowed, if any men of
+that age were, with a far-seeing worldly sagacity. But it was
+impossible for the succeeding race to grow up, in heaven’s freedom,
+beneath the discipline which their gloomy energy of character had
+established; nor, it may be, have we even yet thrown off all the
+unfavorable influences which, among many good ones, were bequeathed to
+us by our Puritan forefathers. Let us thank God for having given us
+such ancestors; and let each successive generation thank him, not less
+fervently, for being one step further from them in the march of ages.
+
+“What is all this?” cries the critic. “A sermon? If so, it is not in
+the bill.”
+
+“Very true,” replies the showman; “and I ask pardon of the audience.”
+
+Look now at the street, and observe a strange people entering it. Their
+garments are torn and disordered, their faces haggard, their figures
+emaciated; for they have made their way hither through pathless
+deserts, suffering hunger and hardship, with no other shelter thin a
+hollow tree, the lair of a wild beast, or an Indian wigwam. Nor, in the
+most inhospitable and dangerous of such lodging-places, was there half
+the peril that awaits them in this thoroughfare of Christian men, with
+those secure dwellings and warm hearths on either side of it, and
+yonder meeting-house as the central object of the scene. These
+wanderers have received from Heaven a gift that, in all epochs of the
+world, has brought with it the penalties of mortal suffering and
+persecution, scorn, enmity, and death itself;—a gift that, thus
+terrible to its possessors, has ever been most hateful to all other
+men, since its very existence seems to threaten the overthrow of
+whatever else the toilsome ages have built up;—the gift of a new idea.
+You can discern it in them, illuminating their faces—their whole
+persons, indeed, however earthly and cloddish—with a light that
+inevitably shines through, and makes the startled community aware that
+these men are not as they themselves are,—not brethren nor neighbors of
+their thought. Forthwith, it is as if an earthquake rumbled through the
+town, making its vibrations felt at every hearthstone, and especially
+causing the spire of the meeting-house to totter. The Quakers have
+come. We are in peril! See! they trample upon our wise and
+well-established laws in the person of our chief magistrate; for
+Governor Endicott is passing, now an aged man, and dignified with long
+habits of authority,—and not one of the irreverent vagabonds has moved
+his hat. Did you note the ominous frown of the white-bearded Puritan
+governor, as he turned himself about, and, in his anger, half uplifted
+the staff that has become a needful support to his old age? Here comes
+old Mr. Norris, our venerable minister. Will they doff their hats, and
+pay reverence to him? No: their hats stick fast to their ungracious
+heads, as if they grew there; and—impious varlets that they are, and
+worse than the heathen Indians!—they eye our reverend pastor with a
+peculiar scorn, distrust, unbelief, and utter denial of his sanctified
+pretensions, of which he himself immediately becomes conscious; the
+more bitterly conscious, as he never knew nor dreamed of the like
+before.
+
+But look yonder! Can we believe our eyes? A Quaker woman, clad in
+sackcloth, and with ashes on her head, has mounted the steps of the
+meeting-house. She addresses the people in a wild, shrill voice,—wild
+and shrill it must be to suit such a figure,—which makes them tremble
+and turn pale, although they crowd open-mouthed to hear her. She is
+bold against established authority; she denounces the priest and his
+steeple-house. Many of her hearers are appalled; some weep; and others
+listen with a rapt attention, as if a living truth had now, for the
+first time, forced its way through the crust of habit, reached their
+hearts, and awakened them to life. This matter must be looked to; else
+we have brought our faith across the seas with us in vain; and it had
+been better that the old forest were still standing here, waving its
+tangled boughs and murmuring to the sky out of its desolate recesses,
+instead of this goodly street, if such blasphemies be spoken in it.
+
+So thought the old Puritans. What was their mode of action may be
+partly judged from the spectacles which now pass before your eyes.
+Joshua Buffum is standing in the pillory. Cassandra Southwick is led to
+prison. And there a woman, it is Ann Coleman,—naked from the waist
+upward, and bound to the tail of a cart, is dragged through the Main
+Street at the pace of a brisk walk, while the constable follows with a
+whip of knotted cords. A strong-armed fellow is that constable; and
+each time that he flourishes his lash in the air, you see a frown
+wrinkling and twisting his brow, and, at the same instant, a smile upon
+his lips. He loves his business, faithful officer that he is, and puts
+his soul into every stroke, zealous to fulfil the injunction of Major
+Hawthorne’s warrant, in the spirit and to the letter. There came down a
+stroke that has drawn blood! Ten such stripes are to be given in Salem,
+ten in Boston, and ten in Dedham; and, with those thirty stripes of
+blood upon her, she is to be driven into the forest. The crimson trail
+goes wavering along the Main Street; but Heaven grant that, as the rain
+of so many years has wept upon it, time after time, and washed it all
+away, so there may have been a dew of mercy, to cleanse this cruel
+blood-stain out of the record of the persecutor’s life!
+
+Pass on, thou spectral constable, and betake thee to thine own place of
+torment. Meanwhile, by the silent operation of the mechanism behind the
+scenes, a considerable space of time would seem to have lapsed over the
+street. The older dwellings now begin to look weather-beaten, through
+the effect of the many eastern storms that have moistened their
+unpainted shingles and clapboards, for not less than forty years. Such
+is the age we would assign to the town, judging by the aspect of John
+Massey, the first town-born child, whom his neighbors now call Goodman
+Massey, and whom we see yonder, a grave, almost autumnal-looking man,
+with children of his own about him. To the patriarchs of the
+settlement, no doubt, the Main Street is still but an affair of
+yesterday, hardly more antique, even if destined to be more permanent,
+than a path shovelled through the snow. But to the middle-aged and
+elderly men who came hither in childhood or early youth, it presents
+the aspect of a long and well-established work, on which they have
+expended the strength and ardor of their life. And the younger people,
+native to the street, whose earliest recollections are of creeping over
+the paternal threshold, and rolling on the grassy margin of the track,
+look at it as one of the perdurable things of our mortal state,—as old
+as the hills of the great pasture, or the headland at the harbor’s
+mouth. Their fathers and grandsires tell them how, within a few years
+past, the forest stood here, with but a lonely track beneath its
+tangled shade. Vain legend! They cannot make it true and real to their
+conceptions. With them, moreover, the Main Street is a street indeed,
+worthy to hold its way with the thronged and stately avenues of cities
+beyond the sea. The old Puritans tell them of the crowds that hurry
+along Cheapside and Fleet Street and the Strand, and of the rush of
+tumultuous life at Temple Bar. They describe London Bridge, itself a
+street, with a row of houses on each side. They speak of the vast
+structure of the Tower, and the solemn grandeur of Westminster Abbey.
+The children listen, and still inquire if the streets of London are
+longer and broader than the one before their father’s door; if the
+Tower is bigger than the jail in Prison Lane; if the old Abbey will
+hold a larger congregation than our meeting-house. Nothing impresses
+them, except their own experience.
+
+It seems all a fable, too, that wolves have ever prowled here; and not
+less so, that the Squaw Sachem, and the Sagamore her son, once ruled
+over this region, and treated as sovereign potentates with the English
+settlers, then so few and storm-beaten, now so powerful. There stand
+some school-boys, you observe, in a little group around a drunken
+Indian, himself a prince of the Squaw Sachem’s lineage. He brought
+hither some beaver-skins for sale, and has already swallowed the larger
+portion of their price, in deadly draughts of firewater. Is there not a
+touch of pathos in that picture? and does it not go far towards telling
+the whole story of the vast growth and prosperity of one race, and the
+fated decay of another?—the children of the stranger making game of the
+great Squaw Sachem’s grandson!
+
+But the whole race of red men have not vanished with that wild princess
+and her posterity. This march of soldiers along the street betokens the
+breaking out of King Philip’s war; and these young men, the flower of
+Essex, are on their way to defend the villages on the Connecticut;
+where, at Bloody Brook, a terrible blow shall be smitten, and hardly
+one of that gallant band be left alive. And there, at that stately
+mansion, with its three peaks in front, and its two little peaked
+towers, one on either side of the door, we see brave Captain Gardner
+issuing forth, clad in his embroidered buff-coat, and his plumed cap
+upon his head. His trusty sword, in its steel scabbard, strikes
+clanking on the doorstep. See how the people throng to their doors and
+windows, as the cavalier rides past, reining his mettled steed so
+gallantly, and looking so like the very soul and emblem of martial
+achievement,—destined, too, to meet a warrior’s fate, at the desperate
+assault on the fortress of the Narragansetts!
+
+“The mettled steed looks like a pig,” interrupts the critic, “and
+Captain Gardner himself like the Devil, though a very tame one, and on
+a most diminutive scale.”
+
+“Sir, sir!” cries the persecuted showman, losing all patience,—for,
+indeed, he had particularly prided himself on these figures of Captain
+Gardner and his horse,—“I see that there is no hope of pleasing you.
+Pray, sir, do me the favor to take back your money, and withdraw!”
+
+“Not I!” answers the unconscionable critic. “I am just beginning to get
+interested in the matter. Come! turn your crank, and grind out a few
+more of these fooleries!”
+
+The showman rubs his brow impulsively, whisks the little rod with which
+he points out the notabilities of the scene, but, finally, with the
+inevitable acquiescence of all public servants, resumes his composure
+and goes on.
+
+Pass onward, onward, Time! Build up new houses here, and tear down thy
+works of yesterday, that have already the rusty moss upon them! Summon
+forth the minister to the abode of the young maiden, and bid him unite
+her to the joyful bridegroom! Let the youthful parents carry their
+first-born to the meeting-house, to receive the baptismal rite! Knock
+at the door, whence the sable line of the funeral is next to issue!
+Provide other successive generations of men, to trade, talk, quarrel,
+or walk in friendly intercourse along the street, as their fathers did
+before them! Do all thy daily and accustomed business, Father Time, in
+this thoroughfare, which thy footsteps, for so many years, have now
+made dusty! But here, at last, thou leadest along a procession which,
+once witnessed, shall appear no more, and be remembered only as a
+hideous dream of thine, or a frenzy of thy old brain.
+
+“Turn your crank, I say,” bellows the remorseless critic, “and grind it
+out, whatever it be, without further preface!”
+
+The showman deems it best to comply.
+
+Then, here comes the worshipful Captain Curwen, sheriff of Essex, on
+horseback, at the head of an armed guard, escorting a company of
+condemned prisoners from the jail to their place of execution on
+Gallows Hill. The witches! There is no mistaking them! The witches! As
+they approach up Prison Lane, and turn into the Main Street, let us
+watch their faces, as if we made a part of the pale crowd that presses
+so eagerly about them, yet shrinks back with such shuddering dread,
+leaving an open passage betwixt a dense throng on either side. Listen
+to what the people say.
+
+There is old George Jacobs, known hereabouts, these sixty years, as a
+man whom we thought upright in all his way of life, quiet, blameless, a
+good husband before his pious wife was summoned from the evil to come,
+and a good father to the children whom she left him. Ah! but when that
+blessed woman went to heaven, George Jacobs’s heart was empty, his
+hearth lonely, his life broken tip; his children were married, and
+betook themselves to habitations of their own; and Satan, in his
+wanderings up and down, beheld this forlorn old man, to whom life was a
+sameness and a weariness, and found the way to tempt him. So the
+miserable sinner was prevailed with to mount into the air, and career
+among the clouds; and he is proved to have been present at a
+witch-meeting as far off as Falmouth, on the very same night that his
+next neighbors saw him, with his rheumatic stoop, going in at his own
+door. There is John Willard, too; an honest man we thought him, and so
+shrewd and active in his business, so practical, so intent on every-day
+affairs, so constant at his little place of trade, where he bartered
+English goods for Indian corn and all kinds of country produce! How
+could such a man find time, or what could put it into his mind, to
+leave his proper calling, and become a wizard? It is a mystery, unless
+the Black Man tempted him with great heaps of gold. See that aged
+couple,—a sad sight, truly,—John Proctor, and his wife Elizabeth. If
+there were two old people in all the county of Essex who seemed to have
+led a true Christian life, and to be treading hopefully the little
+remnant of their earthly path, it was this very pair. Yet have we heard
+it sworn, to the satisfaction of the worshipful Chief-Justice Sewell,
+and all the court and jury, that Proctor and his wife have shown their
+withered faces at children’s bedsides, mocking, making mouths, and
+affrighting the poor little innocents in the night-time. They, or their
+spectral appearances, have stuck pins into the Afflicted Ones, and
+thrown them into deadly fainting-fits with a touch, or but a look. And,
+while we supposed the old man to be reading the Bible to his old
+wife,—she meanwhile knitting in the chimney-corner,—the pair of hoary
+reprobates have whisked up the chimney, both on one broomstick, and
+flown away to a witch-communion, far into the depths of the chill, dark
+forest. How foolish! Were it only for fear of rheumatic pains in their
+old bones, they had better have stayed at home. But away they went; and
+the laughter of their decayed, cackling voices has been heard at
+midnight, aloft in the air. Now, in the sunny noontide, as they go
+tottering to the gallows, it is the Devil’s turn to laugh.
+
+Behind these two,—who help another along, and seem to be comforting and
+encouraging each other, in a manner truly pitiful, if it were not a sin
+to pity the old witch and wizard,—behind them comes a woman, with a
+dark proud face that has been beautiful, and a figure that is still
+majestic. Do you know her? It is Martha Carrier, whom the Devil found
+in a humble cottage, and looked into her discontented heart, and saw
+pride there, and tempted her with his promise that she should be Queen
+of Hell. And now, with that lofty demeanor, she is passing to her
+kingdom, and, by her unquenchable pride, transforms this escort of
+shame into a triumphal procession, that shall attend her to the gates
+of her infernal palace, and seat her upon the fiery throne. Within this
+hour, she shall assume her royal dignity.
+
+Last of the miserable train comes a man clad in black, of small stature
+and a dark complexion, with a clerical band about his neck. Many a
+time, in the years gone by, that face has been uplifted heavenward from
+the pulpit of the East Meeting-House, when the Rev. Mr. Burroughs
+seemed to worship God. What!—he? The holy man!—the learned!—the wise!
+How has the Devil tempted him? His fellow-criminals, for the most part,
+are obtuse, uncultivated creatures, some of them scarcely half-witted
+by nature, and others greatly decayed in their intellects through age.
+They were an easy prey for the destroyer. Not so with this George
+Burroughs, as we judge by the inward light which glows through his dark
+countenance, and, we might almost say, glorifies his figure, in spite
+of the soil and haggardness of long imprisonment,—in spite of the heavy
+shadow that must fall on him, while death is walking by his side. What
+bribe could Satan offer, rich enough to tempt and overcome this mail?
+Alas! it may have been in the very strength of his high and searching
+intellect, that the Tempter found the weakness which betrayed him. He
+yearned for knowledge he went groping onward into a world of mystery;
+at first, as the witnesses have sworn, he summoned up the ghosts of his
+two dead wives, and talked with them of matters beyond the grave; and,
+when their responses failed to satisfy the intense and sinful craving
+of his spirit, he called on Satan, and was heard. Yet—to look at
+him—who, that had not known the proof, could believe him guilty? Who
+would not say, while we see him offering comfort to the weak and aged
+partners of his horrible crime,—while we hear his ejaculations of
+prayer, that seem to bubble up out of the depths of his heart, and fly
+heavenward, unawares,—while we behold a radiance brightening on his
+features as from the other world, which is but a few steps off,—who
+would not say, that, over the dusty track of the Main Street, a
+Christian saint is now going to a martyr’s death? May not the
+Arch-Fiend have been too subtle for the court and jury, and betrayed
+them—laughing in his sleeve, the while—into the awful error of pouring
+out sanctified blood as an acceptable sacrifice upon God’s altar? Ah!
+no; for listen to wise Cotton Mather, who, as he sits there on his
+horse, speaks comfortably to the perplexed multitude, and tells them
+that all has been religiously and justly done, and that Satan’s power
+shall this day receive its death-blow in New England.
+
+Heaven grant it be so!—the great scholar must be right; so lead the
+poor creatures to their death! Do you see that group of children and
+half-grown girls, and, among them, an old, hag-like Indian woman,
+Tituba by name? Those are the Afflicted Ones. Behold, at this very
+instant, a proof of Satan’s power and malice! Mercy Parris, the
+minister’s daughter, has been smitten by a flash of Martha Carrier’s
+eye, and falls down in the street, writhing with horrible spasms and
+foaming at the mouth, like the possessed one spoken of in Scripture.
+Hurry on the accursed witches to the gallows, ere they do more
+mischief!—ere they fling out their withered arms, and scatter
+pestilence by handfuls among the crowd!—ere, as their parting legacy,
+they cast a blight over the land, so that henceforth it may bear no
+fruit nor blade of grass, and be fit for nothing but a sepulchre for
+their unhallowed carcasses! So, on they go; and old George Jacobs has
+stumbled, by reason of his infirmity; but Goodman Proctor and his wife
+lean on one another, and walk at a reasonably steady pace, considering
+their age. Mr. Burroughs seems to administer counsel to Martha Carrier,
+whose face and mien, methinks, are milder and humbler than they were.
+Among the multitude, meanwhile, there is horror, fear, and distrust;
+and friend looks askance at friend, and the husband at his wife, and
+the wife at him, and even the mother at her little child; as if, in
+every creature that God has made, they suspected a witch, or dreaded an
+accuser. Never, never again, whether in this or any other shape, may
+Universal Madness riot in the Main Street!
+
+I perceive in your eyes, my indulgent spectators, the criticism which
+you are too kind to utter. These scenes, you think, are all too sombre.
+So, indeed, they are; but the blame must rest on the sombre spirit of
+our forefathers, who wove their web of life with hardly a single thread
+of rose-color or gold, and not on me, who have a tropic-love of
+sunshine, and would gladly gild all the world with it, if I knew where
+to find so much. That you may believe me, I will exhibit one of the
+only class of scenes, so far as my investigation has taught me, in
+which our ancestors were wont to steep their tough old hearts in wine
+and strong drink, and indulge an outbreak of grisly jollity.
+
+Here it comes, out of the same house whence we saw brave Captain
+Gardner go forth to the wars. What! A coffin, borne on men’s shoulders,
+and six aged gentlemen as pall-bearers, and a long train of mourners,
+with black gloves and black hat-bands, and everything black, save a
+white handkerchief in each mourner’s hand, to wipe away his tears
+withal. Now, my kind patrons, you are angry with me. You were bidden to
+a bridal-dance, and find yourselves walking in a funeral procession.
+Even so; but look back through all the social customs of New England,
+in the first century of her existence, and read all her traits of
+character; and if you find one occasion, other than a funeral feast,
+where jollity was sanctioned by universal practice, I will set fire to
+my puppet-show without another word. These are the obsequies of old
+Governor Bradstreet, the patriarch and survivor of the first settlers,
+who, having intermarried with the Widow Gardner, is now resting from
+his labors, at the great age of ninety-four. The white-bearded corpse,
+which was his spirit’s earthly garniture, now lies beneath yonder
+coffin-lid. Many a cask of ale and cider is on tap, and many a draught
+of spiced wine and aqua-vitæ has been quaffed. Else why should the
+bearers stagger, as they tremulously uphold the coffin?—and the aged
+pall-bearers, too, as they strive to walk solemnly beside it?—and
+wherefore do the mourners tread on one another’s heels?—and why, if we
+may ask without offence, should the nose of the Rev. Mr. Noyes, through
+which he has just been delivering the funeral discourse, glow like a
+ruddy coal of fire? Well, well, old friends! Pass on, with your burden
+of mortality, And lay it in the tomb with jolly hearts. People should
+be permitted to enjoy themselves in their own fashion; every man to his
+taste; but New England must have been a dismal abode for the man of
+pleasure, when the only boon-companion was Death!
+
+Under cover of a mist that has settled over the scene, a few years flit
+by, and escape our notice. As the atmosphere becomes transparent, we
+perceive a decrepit grandsire, hobbling along the street. Do you
+recognize him? We saw him, first, as the baby in Goodwife Massey’s
+arms, when the primeval trees were flinging their shadow over Roger
+Conant’s cabin; we have seen him, as the boy, the youth, the man,
+bearing his humble part in all the successive scenes, and forming the
+index-figure whereby to note the age of his coeval town. And here he
+is, old Goodman Massey, taking his last walk,—often pausing,—often
+leaning over his staff,—and calling to mind whose dwelling stood at
+such and such a spot, and whose field or garden occupied the site of
+those more recent houses. He can render a reason for all the bends and
+deviations of the thoroughfare, which, in its flexible and plastic
+infancy, was made to swerve aside from a straight line, in order to
+visit every settler’s door. The Main Street is still youthful; the
+coeval man is in his latest age. Soon he will be gone, a patriarch of
+fourscore, yet shall retain a sort of infantine life in our local
+history, as the first town-born child.
+
+Behold here a change, wrought in the twinkling of an eye, like an
+incident in a tale of magic, even while your observation has been fixed
+upon the scene. The Main Street has vanished out of sight. In its stead
+appears a wintry waste of snow, with the sun just peeping over it, cold
+and bright, and tingeing the white expanse with the faintest and most
+ethereal rose-color. This is the Great Snow of 1717, famous for the
+mountain-drifts in which it buried the whole country. It would seem as
+if the street, the growth of which we have noted so attentively,
+following it from its first phase, as an Indian track, until it reached
+the dignity of sidewalks, were all at once obliterated, and resolved
+into a drearier pathlessness than when the forest covered it. The
+gigantic swells and billows of the snow have swept over each man’s
+metes and bounds, and annihilated all the visible distinctions of human
+property. So that now the traces of former times and hitherto
+accomplished deeds being done away, mankind should be at liberty to
+enter on new paths, and guide themselves by other laws than heretofore;
+if, indeed, the race be not extinct, and it be worth our while to go on
+with the march of life, over the cold and desolate expanse that lies
+before us. It may be, however, that matters are not so desperate as
+they appear. That vast icicle, glittering so cheerlessly in the
+sunshine, must be the spire of the meeting-house, incrusted with frozen
+sleet. Those great heaps, too, which we mistook for drifts, are houses,
+buried up to their eaves, and with their peaked roofs rounded by the
+depth of snow upon them. There, now, comes a gush of smoke from what I
+judge to be the chimney of the Ship Tavern;—and another—another—and
+another—from the chimneys of other dwellings, where fireside comfort,
+domestic peace, the sports of children, and the quietude of age are
+living yet, in spite of the frozen crust above them.
+
+But it is time to change the scene. Its dreary monotony shall not test
+your fortitude like one of our actual New England winters, which leaves
+so large a blank—so melancholy a death-spot—in lives so brief that they
+ought to be all summer-time. Here, at least, I may claim to be ruler of
+the seasons. One turn of the crank shall melt away the snow from the
+Main Street, and show the trees in their full foliage, the rose-bushes
+in bloom, and a border of green grass along the sidewalk. There! But
+what! How! The scene will not move. A wire is broken. The street
+continues buried beneath the snow, and the fate of Herculaneum and
+Pompeii has its parallel in this catastrophe.
+
+Alas! my kind and gentle audience, you know not the extent of your
+misfortune. The scenes to come were far better than the past. The
+street itself would have been more worthy of pictorial exhibition; the
+deeds of its inhabitants not less so. And how would your interest have
+deepened, as, passing out of the cold shadow of antiquity, in my long
+and weary course, I should arrive within the limits of man’s memory,
+and, leading you at last into the sunshine of the present, should give
+a reflex of the very life that is flitting past us! Your own beauty, my
+fair townswomen, would have beamed upon you, out of my scene. Not a
+gentleman that walks the street but should have beheld his own face and
+figure, his gait, the peculiar swing of his arm, and the coat that he
+put on yesterday. Then, too,—and it is what I chiefly regret,—I had
+expended a vast deal of light and brilliancy on a representation of the
+street in its whole length, from Buffum’s Corner downward, on the night
+of the grand illumination for General Taylor’s triumph. Lastly, I
+should have given the crank one other turn, and have brought out the
+future, showing you who shall walk the Main Street to-morrow, and,
+perchance, whose funeral shall pass through it!
+
+But these, like most other human purposes, lie unaccomplished; and I
+have only further to say, that any lady or gentlemen who may feel
+dissatisfied with the evening’s entertainment shall receive back the
+admission fee at the door.
+
+“Then give me mine,” cries the critic, stretching out his palm. “I said
+that your exhibition would prove a humbug, and so it has turned out.
+So, hand over my quarter!”
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK MAIN STREET ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+