initial commit of ebook 9224HEADmain

1 files changed, 730 insertions, 0 deletions

diff --git a/old/9224.txt b/old/9224.txt
new file mode 100644
index 0000000..5dff09e
--- /dev/null
+++ b/old/9224.txt
@@ -0,0 +1,730 @@
+The Project Gutenberg EBook of Buds and Bird Voices (From "Mosses From An
+Old Manse"), by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Buds and Bird Voices (From "Mosses From An Old Manse")
+
+Author: Nathaniel Hawthorne
+
+Posting Date: December 8, 2010 [EBook #9224]
+Release Date: November, 2005
+First Posted: September 6, 2003
+Last Updated: February 6, 2007
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BUDS AND BIRD VOICES ***
+
+
+
+
+Produced by David Widger.  HTML version by Al Haines.
+
+
+
+
+
+
+
+
+
+                     MOSSES FROM AN OLD MANSE
+
+                      By Nathaniel Hawthorne
+
+                       BUDS AND BIRD VOICES
+
+
+
+Balmy Spring--weeks later than we expected and months later than we
+longed for her--comes at last to revive the moss on the roof and
+walls of our old mansion.  She peeps brightly into my study-window,
+inviting me to throw it open and create a summer atmosphere by the
+intermixture of her genial breath with the black and cheerless
+comfort of the stove.  As the casement ascends, forth into infinite
+space fly the innumerable forms of thought or fancy that have kept me
+company in the retirement of this little chamber during the sluggish
+lapse of wintry weather; visions, gay, grotesque, and sad; pictures
+of real life, tinted with nature's homely gray and russet; scenes in
+dreamland, bedizened with rainbow hues which faded before they were
+well laid on,--all these may vanish now, and leave me to mould a
+fresh existence out of sunshine, Brooding Meditation may flap her
+dusky wings and take her owl-like Right, blinking amid the
+cheerfulness of noontide.  Such companions befit the season of
+frosted window-panes and crackling fires, when the blast howls
+through the black-ash trees of our avenue and the drifting snow-storm
+chokes up the wood-paths and fills the highway from stone wall
+to stone wall.  In the spring and summer time all sombre thoughts
+should follow the winter northward with the sombre and thoughtful
+crows. The old paradisiacal economy of life is again in force; we
+live, not to think or to labor, but for the simple end of being
+happy. Nothing for the present hour is worthy of man's infinite
+capacity save to imbibe the warm smile of heaven and sympathize with
+the reviving earth.
+
+The present Spring comes onward with fleeter footsteps, because
+Winter lingered so unconscionably long that with her best diligence
+she can hardly retrieve half the allotted period of her reign.  It
+is but a fortnight since I stood on the brink of our swollen river
+and beheld the accumulated ice of four frozen months go down the
+stream.  Except in streaks here and there upon the hillsides, the
+whole visible universe was then covered with deep snow, the
+nethermost layer of which had been deposited by an early December
+storm.  It was a sight to make the beholder torpid, in the
+impossibility of imagining how this vast white napkin was to be
+removed from the face of the corpse-like world in less time than had
+been required to spread it there.  But who can estimate the power of
+gentle influences, whether amid material desolation or the moral
+winter of man's heart?  There have been no tempestuous rains, even
+no sultry days, but a constant breath of southern winds, with now a
+day of kindly sunshine, and now a no less kindly mist or a soft
+descent of showers, in which a smile and a blessing seemed to have
+been steeped.  The snow has vanished as if by magic; whatever heaps
+may be hidden in the woods and deep gorges of the hills, only two
+solitary specks remain in the landscape; and those I shall almost
+regret to miss when to-morrow I look for them in vain.  Never
+before, methinks, has spring pressed so closely on the footsteps of
+retreating winter.  Along the roadside the green blades of grass
+have sprouted on the very edge of the snow-drifts.  The pastures and
+mowing-fields have not vet assumed a general aspect of verdure; but
+neither have they the cheerless-brown tint which they wear in latter
+autumn when vegetation has entirely ceased; there is now a faint
+shadow of life, gradually brightening into the warm reality.  Some
+tracts in a happy exposure,--as, for instance, yonder southwestern
+slope of an orchard, in front of that old red farm-house beyond the
+river,--such patches of land already wear a beautiful and tender
+green, to which no future luxuriance can add a charm.  It looks
+unreal; a prophecy, a hope, a transitory effect of sonic peculiar
+light, which will vanish with the slightest motion of the eye.  But
+beauty is never a delusion; not these verdant tracts, but the dark
+and barren landscape all around them, is a shadow and a dream.  Each
+moment wins seine portion of the earth from death to life; a sudden
+gleam of verdure brightens along the sunny slope of a bank which an
+instant ago was brown and bare.  You look again, and behold an
+apparition of green grass!
+
+The trees in our orchard and elsewhere are as yet naked, but already
+appear full of life and vegetable blood.  It seems as if by one
+magic touch they might instantaneously burst into full foliage, and
+that the wind which now sighs through their naked branches might
+make sudden music amid innumerable leaves.  The mossgrown
+willow-tree which for forty years past has overshadowed these western
+windows will be among the first to put on its green attire.  There
+are some objections to the willow; it is not a dry and cleanly tree,
+and impresses the beholder with an association of sliminess.  No
+trees, I think, are perfectly agreeable as companions unless they
+have glossy leaves, dry bark, and a firm and hard texture of trunk
+and branches.  But the willow is almost the earliest to gladden us
+with the promise and reality of beauty in its graceful and delicate
+foliage, and the last to scatter its yellow yet scarcely withered
+leaves upon the ground.  All through the winter, too, its yellow
+twigs give it a sunny aspect, which is not without a cheering
+influence even in the grayest and gloomiest day.  Beneath a clouded
+sky it faithfully remembers the sunshine.  Our old house would lose
+a charm were the willow to be cut down, with its golden crown over
+the snow-covered roof and its heap of summer verdure.
+
+The lilac-shrubs under my study-windows are likewise almost in leaf:
+in two or three days more I may put forth my hand and pluck the
+topmost bough in its freshest green.  These lilacs are very aged,
+and have lost the luxuriant foliage of their prime.  The heart, or
+the judgment, or the moral sense, or the taste is dissatisfied with
+their present aspect.  Old age is not venerable when it embodies
+itself in lilacs, rose-bushes, or any other ornamental shrub; it
+seems as if such plants, as they grow only for beauty, ought to
+flourish always in immortal youth, or, at least, to die before their
+sad decrepitude.  Trees of beauty are trees of paradise, and
+therefore not subject to decay by their original nature, though they
+have lost that precious birthright by being transplanted to an
+earthly soil.  There is a kind of ludicrous unfitness in the idea of
+a time-stricken and grandfatherly lilac-bush.  The analogy holds
+good in human life. Persons who can only be graceful and ornamental--who
+can give the world nothing but flowers--should die young, and
+never be seen with gray hair and wrinkles, any more than the
+flower-shrubs with mossy bark and blighted foliage, like the lilacs under
+my window. Not that beauty is worthy of less than immortality; no,
+the beautiful should live forever,--and thence, perhaps, the sense
+of impropriety when we see it triumphed over by time.  Apple-trees,
+on the other hand, grow old without reproach.  Let them live as long
+as they may, and contort themselves into whatever perversity of
+shape they please, and deck their withered limbs with a springtime
+gaudiness of pink blossoms; still they are respectable, even if they
+afford us only an apple or two in a season.  Those few apples--or,
+at all events, the remembrance of apples in bygone years--are the
+atonement which utilitarianism inexorably demands for the privilege
+of lengthened life.  Human flower-shrubs, if they will grow old on
+earth, should, besides their lovely blossoms, bear some kind of
+fruit that will satisfy earthly appetites, else neither man nor the
+decorum of nature will deem it fit that the moss should gather on
+them.
+
+One of the first things that strikes the attention when the white
+sheet of winter is withdrawn is the neglect and disarray that lay
+hidden beneath it.  Nature is not cleanly according to our
+prejudices.  The beauty of preceding years, now transformed to brown
+and blighted deformity, obstructs the brightening loveliness of the
+present hour.  Our avenue is strewn with the whole crop of autumn's
+withered leaves.  There are quantities of decayed branches which one
+tempest after another has flung down, black and rotten, and one or
+two with the ruin of a bird's-nest clinging to them.  In the garden
+are the dried bean-vines, the brown stalks of the asparagus-bed, and
+melancholy old cabbages which were frozen into the soil before their
+unthrifty cultivator could find time to gather them.  How
+invariably, throughout all the forms of life, do we find these
+intermingled memorials of death!  On the soil of thought and in the
+garden of the heart, as well as in the sensual world, he withered
+leaves,--the ideas and feelings that we have done with.  There is no
+wind strong enough to sweep them away; infinite space will not
+garner then from our sight.  What mean they?  Why may we not be
+permitted to live and enjoy, as if this were the first life and our
+own the primal enjoyment, instead of treading always on these dry
+hones and mouldering relics, from the aged accumulation of which
+springs all that now appears so young and new?  Sweet must have been
+the springtime of Eden, when no earlier year had strewn its decay
+upon the virgin turf and no former experience had ripened into
+summer and faded into autumn in the hearts of its inhabitants! That
+was a world worth living in.  O then murmurer, it is out of the very
+wantonness of such a life that then feignest these idle
+lamentations.  There is no decay.  Each human soul is the first-created
+inhabitant of its own Eden.  We dwell in an old moss-covered
+mansion, and tread in the worn footprints of the past, and have a
+gray clergyman's ghost for our daily and nightly inmate; yet all
+these outward circumstances are made less than visionary by the
+renewing power of the spirit.  Should the spirit ever lose this
+power,--should the withered leaves, and the rotten branches, and the
+moss-covered house, and the ghost of the gray past ever become its
+realities, and the verdure and the freshness merely its faint
+dream,--then let it pray to be released from earth.  It will need
+the air of heaven to revive its pristine energies.
+
+What an unlooked-for flight was this from our shadowy avenue of
+black-ash and balm of Gilead trees into the infinite!  Now we have
+our feet again upon the turf.  Nowhere does the grass spring up so
+industriously as in this homely yard, along the base of the stone
+wall, and in the sheltered nooks of the buildings, and especially
+around the southern doorstep,--a locality which seems particularly
+favorable to its growth, for it is already tall enough to bend over
+and wave in the wind.  I observe that several weeds--and most
+frequently a plant that stains the fingers with its yellow juice--have
+survived and retained their freshness and sap throughout the
+winter.  One knows not how they have deserved such an exception from
+the common lot of their race.  They are now the patriarchs of the
+departed year, and may preach mortality to the present generation of
+flowers and weeds.
+
+Among the delights of spring, how is it possible to forget the
+birds?  Even the crows were welcome as the sable harbingers of a
+brighter and livelier race.  They visited us before the snow was
+off, but seem mostly to have betaken themselves to remote depths of
+the woods, which they haunt all summer long.  Many a time shall I
+disturb them there, and feel as if I had intruded among a company of
+silent worshippers, as they sit in Sabbath stillness among the
+tree-tops.  Their voices, when they speak, are in admirable accordance
+with the tranquil solitude of a summer afternoon; and resounding so
+far above the head, their loud clamor increases the religious quiet
+of the scene instead of breaking it.  A crow, however, has no real
+pretensions to religion, in spite of his gravity of mien and black
+attire; he is certainly a thief, and probably an infidel.  The gulls
+are far more respectable, in a moral point of view.  These denizens
+of seabeaten rocks and haunters of the lonely beach come up our
+inland river at this season, and soar high overhead, flapping their
+broad wings in the upper sunshine.  They are among the most
+picturesque of birds, because they so float and rest upon the air as
+to become almost stationary parts of the landscape.  The imagination
+has time to grow acquainted with them; they have not flitted away in
+a moment.  You go up among the clouds and greet these lofty-flighted
+gulls, and repose confidently with them upon the sustaining
+atmosphere.  Duck's have their haunts along the solitary places of
+the river, and alight in flocks upon the broad bosom of the
+overflowed meadows.  Their flight is too rapid and determined for
+the eye to catch enjoyment from it, although it never fails to stir
+up the heart with the sportsman's ineradicable instinct.  They have
+now gone farther northward, but will visit us again in autumn.
+
+The smaller birds,--the little songsters of the woods, and those
+that haunt man's dwellings and claim human friendship by building
+their nests under the sheltering eaves or among the orchard trees,--these
+require a touch more delicate and a gentler heart than mine to
+do them justice.  Their outburst of melody is like a brook let loose
+from wintry chains.  We need not deem it a too high and solemn word
+to call it a hymn of praise to the Creator; since Nature, who
+pictures the reviving year in so many sights of beauty, has
+expressed the sentiment of renewed life in no other sound save the
+notes of these blessed birds.  Their music, however, just now, seems
+to be incidental, and not the result of a set purpose.  They are
+discussing the economy of life and love and the site and
+architecture of their summer residences, and have no time to sit on
+a twig and pour forth solemn hymns, or overtures, operas,
+symphonies, and waltzes.  Anxious questions are asked; grave
+subjects are settled in quick and animated debate; and only by
+occasional accident, as from pure ecstasy, does a rich warble roll
+its tiny waves of golden sound through the atmosphere.  Their little
+bodies are as busy as their voices; they are all a constant flutter
+and restlessness.  Even when two or three retreat to a tree-top to
+hold council, they wag their tails and heads all the time with the
+irrepressible activity of their nature, which perhaps renders their
+brief span of life in reality as long as the patriarchal age of
+sluggish man.  The blackbirds, three species of which consort
+together, are the noisiest of all our feathered citizens.  Great
+companies of them--more than the famous "four-and-twenty" whom
+Mother Goose has immortalized--congregate in contiguous treetops and
+vociferate with all the clamor and confusion of a turbulent
+political meeting.  Politics, certainly, must be the occasion of
+such tumultuous debates; but still, unlike all other politicians,
+they instil melody into their individual utterances and produce
+harmony as a general effect.  Of all bird voices, none are more
+sweet and cheerful to my ear than those of swallows, in the dim,
+sunstreaked interior of a lofty barn; they address the heart with
+even a closer sympathy than robin-redbreast.  But, indeed, all these
+winged people, that dwell in the vicinity of homesteads, seem to
+partake of human nature, and possess the germ, if not the
+development, of immortal souls.  We hear them saying their melodious
+prayers at morning's blush and eventide.  A little while ago, in the
+deep of night, there came the lively thrill of a bird's note from a
+neighboring tree,--a real song, such as greets the purple dawn or
+mingles with the yellow sunshine.  What could the little bird mean
+by pouring it forth at midnight? Probably the music gushed out of
+the midst of a dream in which he fancied himself in paradise with
+his mate, but suddenly awoke on a cold leafless bough, with a New
+England mist penetrating through his feathers.  That was a sad
+exchange of imagination for reality.
+
+Insects are among the earliest births of sprung.  Multitudes of I
+know not what species appeared long ago on the surface of the snow.
+Clouds of them, almost too minute for sight, hover in a beam of
+sunshine, and vanish, as if annihilated, when they pass into the
+shade.  A mosquito has already been heard to sound the small horror
+of his bugle-horn.  Wasps infest the sunny windows of the house.  A
+bee entered one of the chambers with a prophecy of flowers.  Rare
+butterflies came before the snow was off, flaunting in the chill
+breeze, and looking forlorn and all astray, in spite of the
+magnificence of their dark velvet cloaks, with golden borders.
+
+The fields and wood-paths have as yet few charms to entice the
+wanderer.  In a walk, the other day, I found no violets, nor
+anemones, nor anything in the likeness of a flower.  It was worth
+while, however, to ascend our opposite hill for the sake of gaining
+a general idea of the advance of spring, which I had hitherto been
+studying in its minute developments.  The river lay around me in a
+semicircle, overflowing all the meadows which give it its Indian
+name, and offering a noble breadth to sparkle in the sunbeams.
+Along the hither shore a row of trees stood up to their knees in
+water; and afar off, on the surface of the stream, tufts of bushes
+thrust up their heads, as it were, to breathe. The most striking
+objects were great solitary trees here and there, with a mile-wide
+waste of water all around them.  The curtailment of the trunk, by
+its immersion in the river, quite destroys the fair proportions of
+the tree, and thus makes us sensible of a regularity and propriety
+in the usual forms of nature.  The flood of the present
+season--though it never amounts to a freshet on our quiet stream--has
+encroached farther upon the land than any previous one for at least
+a score of years.  It has overflowed stone fences, and even rendered
+a portion of the highway navigable for boats.
+
+The waters, however, are now gradually subsiding; islands become
+annexed to the mainland; and other islands emerge, like new
+creations, from the watery waste.  The scene supplies an admirable
+image of the receding of the Nile, except that there is no deposit
+of black slime; or of Noah's flood, only that there is a freshness
+and novelty in these recovered portions of the continent which give
+the impression of a world just made rather than of one so polluted
+that a deluge had been requisite to purify it.  These upspringing
+islands are the greenest spots in the landscape; the first gleam of
+sunlight suffices to cover them with verdure.
+
+Thank Providence for spring!  The earth--and man himself, by
+sympathy with his birthplace would be far other than we find them if
+life toiled wearily onward without this periodical infusion of the
+primal spirit.  Will the world ever be so decayed that spring may
+not renew its greenness?  Can man be so dismally age stricken that
+no faintest sunshine of his youth may revisit him once a year?  It
+is impossible.  The moss on our time-worn mansion brightens into
+beauty; the good old pastor who once dwelt here renewed his prime,
+regained his boyhood, in the genial breezes of his ninetieth spring.
+Alas for the worn and heavy soul if, whether in youth or age, it
+have outlived its privilege of springtime sprightliness!  From such
+a soul the world must hope no reformation of its evil, no sympathy
+with the lofty faith and gallant struggles of those who contend in
+its behalf.  Summer works in the present, and thinks not of the
+future; autumn is a rich conservative; winter has utterly lost its
+faith, and clings tremulously to the remembrance of what has been;
+but spring, with its outgushing life, is the true type of the
+movement.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Buds and Bird Voices (From "Mosses
+From An Old Manse"), by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BUDS AND BIRD VOICES ***
+
+***** This file should be named 9224.txt or 9224.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/9/2/2/9224/
+
+Produced by David Widger.  HTML version by Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.