summaryrefslogtreecommitdiff
path: root/9221-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:32:53 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:32:53 -0700
commitd7428df85812caba77af3b51a8fdd1a58cf6a373 (patch)
tree28af84b86ec626efb166909d94c9ebb815545696 /9221-h
initial commit of ebook 9221HEADmain
Diffstat (limited to '9221-h')
-rw-r--r--9221-h/9221-h.htm1496
1 files changed, 1496 insertions, 0 deletions
diff --git a/9221-h/9221-h.htm b/9221-h/9221-h.htm
new file mode 100644
index 0000000..27f1170
--- /dev/null
+++ b/9221-h/9221-h.htm
@@ -0,0 +1,1496 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of The Old Manse, by Nathaniel Hawthorne</title>
+
+<style type="text/css" xml:space="preserve">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+</head>
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Old Manse, by Nathaniel Hawthorne</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Old Manse</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Nathaniel Hawthorne</div>
+<div style='display:block; margin:1em 0'>Release Date: September 6, 2003 [eBook #9221]<br />
+[Most recently updated: November 9, 2022]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Widger and Al Haines</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE OLD MANSE ***</div>
+
+<h1>The Old Manse</h1>
+
+<h2 class="no-break">by Nathaniel Hawthorne</h2>
+
+<hr />
+
+<div class="chapter">
+
+<h4>The Author makes the Reader acquainted with his Abode.</h4>
+
+<p>
+Between two tall gate-posts of rough-hewn stone (the gate itself having fallen
+from its hinges at some unknown epoch) we beheld the gray front of the old
+parsonage, terminating the vista of an avenue of black-ash trees. It was now a
+twelvemonth since the funeral procession of the venerable clergyman, its last
+inhabitant, had turned from that gateway towards the village burying-ground.
+The wheel-track leading to the door, as well as the whole breadth of the
+avenue, was almost overgrown with grass, affording dainty mouthfuls to two or
+three vagrant cows and an old white horse who had his own living to pick up
+along the roadside. The glimmering shadows that lay half asleep between the
+door of the house and the public highway were a kind of spiritual medium, seen
+through which the edifice had not quite the aspect of belonging to the material
+world. Certainly it had little in common with those ordinary abodes which stand
+so imminent upon the road that every passer-by can thrust his head, as it were,
+into the domestic circle. From these quiet windows the figures of passing
+travellers looked too remote and dim to disturb the sense of privacy. In its
+near retirement and accessible seclusion, it was the very spot for the
+residence of a clergyman,&mdash;a man not estranged from human life, yet
+enveloped, in the midst of it, with a veil woven of intermingled gloom and
+brightness. It was worthy to have been one of the time-honored parsonages of
+England, in which, through many generations, a succession of holy occupants
+pass from youth to age, and bequeath each an inheritance of sanctity to pervade
+the house and hover over it as with an atmosphere.
+</p>
+
+<p>
+Nor, in truth, had the Old Manse ever been profaned by a lay occupant until
+that memorable summer afternoon when I entered it as my home. A priest had
+built it; a priest had succeeded to it; other priestly men from time to time
+had dwelt in it; and children born in its chambers had grown up to assume the
+priestly character. It was awful to reflect how many sermons must have been
+written there. The latest inhabitant alone&mdash;he by whose translation to
+paradise the dwelling was left vacant&mdash;had penned nearly three thousand
+discourses, besides the better, if not the greater, number that gushed living
+from his lips. How often, no doubt, had he paced to and fro along the avenue,
+attuning his meditations to the sighs and gentle murmurs and deep and solemn
+peals of the wind among the lofty tops of the trees! In that variety of natural
+utterances he could find something accordant with every passage of his sermon,
+were it of tenderness or reverential fear. The boughs over my head seemed
+shadowy with solemn thoughts, as well as with rustling leaves. I took shame to
+myself for having been so long a writer of idle stories, and ventured to hope
+that wisdom would descend upon me with the falling leaves of the avenue, and
+that I should light upon an intellectual treasure in the Old Manse well worth
+those hoards of long-hidden gold which people seek for in moss-grown houses.
+Profound treatises of morality; a layman’s unprofessional, and therefore
+unprejudiced, views of religion; histories (such as Bancroft might have written
+had he taken up his abode here, as he once purposed) bright with picture,
+gleaming over a depth of philosophic thought,&mdash;these were the works that
+might fitly have flowed from such a retirement. In the humblest event, I
+resolved at least to achieve a novel that should evolve some deep lesson, and
+should possess physical substance enough to stand alone.
+</p>
+
+<p>
+In furtherance of my design, and as if to leave me no pretext for not
+fulfilling it, there was in the rear of the house the most delightful little
+nook of a study that ever afforded its snug seclusion to a scholar. It was here
+that Emerson wrote Nature; for he was then an inhabitant of the Manse, and used
+to watch the Assyrian dawn and Paphian sunset and moonrise from the summit of
+our eastern hill. When I first saw the room, its walls were blackened with the
+smoke of unnumbered years, and made still blacker by the grim prints of Puritan
+ministers that hung around. These worthies looked strangely like bad angels, or
+at least like men who had wrestled so continually and so sternly with the Devil
+that somewhat of his sooty fierceness had been imparted to their own visages.
+They had all vanished now; a cheerful coat of paint and golden-tinted
+paper-hangings lighted up the small apartment; while the shadow of a
+willow-tree that swept against the overhanging eaves atempered the cheery
+western sunshine. In place of the grim prints there was the sweet and lovely
+head of one of Raphael’s Madonnas, and two pleasant little pictures of the Lake
+of Como. The only other decorations were a purple vase of flowers, always
+fresh, and a bronze one containing graceful ferns. My books (few, and by no
+means choice; for they were chiefly such waifs as chance had thrown in my way)
+stood in order about the room, seldom to be disturbed.
+</p>
+
+<p>
+The study had three windows, set with little, old-fashioned panes of glass,
+each with a crack across it. The two on the western side looked, or rather
+peeped, between the willow branches, down into the orchard, with glimpses of
+the river through the trees. The third, facing northward, commanded a broader
+view of the river, at a spot where its hitherto obscure waters gleam forth into
+the light of history. It was at this window that the clergyman who then dwelt
+in the Manse stood watching the outbreak of a long and deadly struggle between
+two nations; he saw the irregular array of his parishioners on the farther side
+of the river, and the glittering line of the British on the hither bank. He
+awaited, in an agony of suspense, the rattle of the musketry. It came; and
+there needed but a gentle wind to sweep the battle-smoke around this quiet
+house.
+</p>
+
+<p>
+Perhaps the reader, whom I cannot help considering as my guest in the Old
+Manse, and entitled to all courtesy in the way of sight-showing,&mdash;perhaps
+he will choose to take a nearer view of the memorable spot. We stand now on the
+river’s brink. It may well be called the Concord,&mdash;the river of peace and
+quietness; for it is certainly the most unexcitable and sluggish stream that
+ever loitered imperceptibly towards its eternity,&mdash;the sea. Positively I
+had lived three weeks beside it before it grew quite clear to my perception
+which way the current flowed. It never has a vivacious aspect, except when a
+northwestern breeze is vexing its surface on a sunshiny day. From the incurable
+indolence of its nature, the stream is happily incapable of becoming the slave
+of human ingenuity, as is the fate of so many a wild, free mountain torrent.
+While all things else are compelled to subserve some useful purpose, it idles
+its sluggish life away in lazy liberty, without turning a solitary spindle or
+affording even water-power enough to grind the corn that grows upon its banks.
+The torpor of its movement allows it nowhere a bright, pebbly shore, nor so
+much as a narrow strip of glistening sand, in any part of its course. It
+slumbers between broad prairies, kissing the long meadow grass, and bathes the
+overhanging boughs of elder-bushes and willows, or the roots of elms and
+ash-trees and clumps of maples. Flags and rushes grow along its plashy shore;
+the yellow water-lily spreads its broad, flat leaves on the margin; and the
+fragrant white pond-lily abounds, generally selecting a position just so far
+from the river’s brink that it cannot be grasped save at the hazard of plunging
+in.
+</p>
+
+<p>
+It is a marvel whence this perfect flower derives its loveliness and perfume,
+springing as it does from the black mud over which the river sleeps, and where
+lurk the slimy eel, and speckled frog, and the mud-turtle, whom continual
+washing cannot cleanse. It is the very same black mud out of which the yellow
+lily sucks its obscene life and noisome odor. Thus we see, too, in the world
+that some persons assimilate only what is ugly and evil from the same moral
+circumstances which supply good and beautiful results&mdash;the fragrance of
+celestial flowers&mdash;to the daily life of others.
+</p>
+
+<p>
+The reader must not, from any testimony of mine, contract a dislike towards our
+slumberous stream. In the light of a calm and golden sunset it becomes lovely
+beyond expression; the more lovely for the quietude that so well accords with
+the hour, when even the wind, after blustering all day long, usually hushes
+itself to rest. Each tree and rock and every blade of grass is distinctly
+imaged, and, however unsightly in reality, assumes ideal beauty in the
+reflection. The minutest things of earth and the broad aspect of the firmament
+are pictured equally without effort and with the same felicity of success. All
+the sky glows downward at our feet; the rich clouds float through the unruffled
+bosom of the stream like heavenly thoughts through a peaceful heart. We will
+not, then, malign our river as gross and impure while it can glorify itself
+with so adequate a picture of the heaven that broods above it; or, if we
+remember its tawny hue and the muddiness of its bed, let it be a symbol that
+the earthiest human soul has an infinite spiritual capacity and may contain the
+better world within its depths. But, indeed, the same lesson might be drawn out
+of any mud-puddle in the streets of a city; and, being taught us everywhere, it
+must be true.
+</p>
+
+<p>
+Come, we have pursued a somewhat devious track in our walk to the
+battle-ground. Here we are, at the point where the river was crossed by the old
+bridge, the possession of which was the immediate object of the contest. On the
+hither side grow two or three elms, throwing a wide circumference of shade, but
+which must have been planted at some period within the threescore years and ten
+that have passed since the battle-day. On the farther shore, overhung by a
+clump of elder-bushes, we discern the stone abutment of the bridge. Looking
+down into the river, I once discovered some heavy fragments of the timbers, all
+green with half a century’s growth of water-moss; for during that length of
+time the tramp of horses and human footsteps have ceased along this ancient
+highway. The stream has here about the breadth of twenty strokes of a swimmer’s
+arm,&mdash;a space not too wide when the bullets were whistling across. Old
+people who dwell hereabouts will point out, the very spots on the western bank
+where our countrymen fell down and died; and on this side of the river an
+obelisk of granite has grown up from the soil that was fertilized with British
+blood. The monument, not more than twenty feet in height, is such as it
+befitted the inhabitants of a village to erect in illustration of a matter of
+local interest rather than what was suitable to commemorate an epoch of
+national history. Still, by the fathers of the village this famous deed was
+done; and their descendants might rightfully claim the privilege of building a
+memorial.
+</p>
+
+<p>
+A humbler token of the fight, yet a more interesting one than the granite
+obelisk, may be seen close under the stone wall which separates the
+battle-ground from the precincts of the parsonage. It is the
+grave,&mdash;marked by a small, mossgrown fragment of stone at the head and
+another at the foot,&mdash;the grave of two British soldiers who were slain in
+the skirmish, and have ever since slept peacefully where Zechariah Brown and
+Thomas Davis buried them. Soon was their warfare ended; a weary night-march
+from Boston, a rattling volley of musketry across the river, and then these
+many years of rest. In the long procession of slain invaders who passed into
+eternity from the battle-fields of the Revolution, these two nameless soldiers
+led the way.
+</p>
+
+<p>
+Lowell, the poet, as we were once standing over this grave, told me a tradition
+in reference to one of the inhabitants below. The story has something deeply
+impressive, though its circumstances cannot altogether be reconciled with
+probability. A youth in the service of the clergyman happened to be chopping
+wood, that April morning, at the back door of the Manse; and when the noise of
+battle rang from side to side of the bridge, he hastened across the intervening
+field to see what might be going forward. It is rather strange, by the way,
+that this lad should have been so diligently at work when the whole population
+of town and country were startled out of their customary business by the
+advance of the British troops. Be that as it might, the tradition, says that
+the lad now left his task and hurried to the battle-field with the axe still in
+his hand. The British had by this time retreated; the Americans were in
+pursuit; and the late scene of strife was thus deserted by both parties. Two
+soldiers lay on the ground,&mdash;one was a corpse; but, as the young
+New-Englander drew nigh, the other Briton raised himself painfully upon his
+hands and knees and gave a ghastly stare into his face. The boy,&mdash;it must
+have been a nervous impulse, without purpose, without thought, and betokening a
+sensitive and impressible nature rather than a hardened one,&mdash;the boy
+uplifted his axe and dealt the wounded soldier a fierce and fatal blow upon the
+head.
+</p>
+
+<p>
+I could wish that the grave might be opened; for I would fain know whether
+either of the skeleton soldiers has the mark of an axe in his skull. The story
+comes home to me like truth. Oftentimes, as an intellectual and moral exercise,
+I have sought to follow that poor youth through his subsequent career and
+observe how his soul was tortured by the blood-stain, contracted as it had been
+before the long custom of war had robbed human life of its sanctity and while
+it still seemed murderous to slay a brother man. This one circumstance has
+borne more fruit for me than all that history tells us of the fight.
+</p>
+
+<p>
+Many strangers come in the summer-time to view the battle-ground. For my own
+part, I have never found my imagination much excited by this or any other scene
+of historic celebrity; nor would the placid margin of the river have lost any
+of its charm for me, had men never fought and died there. There is a wilder
+interest in the tract of land-perhaps a hundred yards in breadth&mdash;which
+extends between the battle-field and the northern face of our Old Manse, with
+its contiguous avenue and orchard. Here, in some unknown age, before the white
+man came, stood an Indian village, convenient to the river, whence its
+inhabitants must have drawn so large a part of their substance. The site is
+identified by the spear and arrow-heads, the chisels, and other implements of
+war, labor, and the chase, which the plough turns up from the soil. You see a
+splinter of stone, half hidden beneath a sod; it looks like nothing worthy of
+note; but, if you have faith enough to pick it up, behold a relic! Thoreau, who
+has a strange faculty of finding what the Indians have left behind them, first
+set me on the search; and I afterwards enriched myself with some very perfect
+specimens, so rudely wrought that it seemed almost as if chance had fashioned
+them. Their great charm consists in this rudeness and in the individuality of
+each article, so different from the productions of civilized machinery, which
+shapes everything on one pattern. There is exquisite delight, too, in picking
+up for one’s self an arrow-head that was dropped centuries ago and has never
+been handled since, and which we thus receive directly from the hand of the red
+hunter, who purposed to shoot it at his game or at an enemy. Such an incident
+builds up again the Indian village and its encircling forest, and recalls to
+life the painted chiefs and warriors, the squaws at their household toil, and
+the children sporting among the wigwams, while the little wind-rocked pappose
+swings from the branch of a tree. It can hardly be told whether it is a joy or
+a pain, after such a momentary vision, to gaze around in the broad daylight of
+reality and see stone fences, white houses, potato-fields, and men doggedly
+hoeing in their shirt-sleeves and homespun pantaloons. But this is nonsense.
+The Old Manse is better than a thousand wigwams.
+</p>
+
+<p>
+The Old Manse! We had almost forgotten it, but will return thither through the
+orchard. This was set out by the last clergyman, in the decline of his life,
+when the neighbors laughed at the hoary-headed man for planting trees from
+which he could have no prospect of gathering fruit. Even had that been the
+case, there was only so much the better motive for planting them, in the pure
+and unselfish hope of benefiting his successors,&mdash;an end so seldom
+achieved by more ambitious efforts. But the old minister, before reaching his
+patriarchal age of ninety, ate the apples from this orchard during many years,
+and added silver and gold to his annual stipend by disposing of the
+superfluity. It is pleasant to think of him walking among the trees in the
+quiet afternoons of early autumn and picking up here and there a windfall,
+while he observes how heavily the branches are weighed down, and computes the
+number of empty flour-barrels that will be filled by their burden. He loved
+each tree, doubtless, as if it had been his own child. An orchard has a
+relation to mankind, and readily connects itself with matters of the heart. The
+trees possess a domestic character; they have lost the wild nature of their
+forest kindred, and have grown humanized by receiving the care of man as well
+as by contributing to his wants. There, is so much individuality of character,
+too, among apple trees, that it gives them all additional claim to be the
+objects of human interest. One is harsh and crabbed in its manifestations;
+another gives us fruit as mild as charity. One is churlish and illiberal,
+evidently grudging the few apples that it bears; another exhausts itself in
+free-hearted benevolence. The variety of grotesque shapes into which apple,
+trees contort themselves has its effect on those who get acquainted with them:
+they stretch out their crooked branches, and take such hold of the imagination,
+that we remember them as humorists and odd fellows. And what is more melancholy
+than the old apple-trees that linger about the spot where once stood a
+homestead, but where there is now only a ruined chimney rising out of a grassy
+and weed-grown cellar? They offer their fruit to every wayfarer,&mdash;apples
+that are bitter sweet with the moral of Time’s vicissitude.
+</p>
+
+<p>
+I have met with no other such pleasant trouble in the world as that of finding
+myself, with only the two or three mouths which it was my privilege to feed,
+the sole inheritor of the old clergyman’s wealth of fruits. Throughout the
+summer there were cherries and currants; and then came Autumn, with his immense
+burden of apples, dropping them continually from his over-laden shoulders as he
+trudged along. In the stillest afternoon, if I listened, the thump of a great
+apple was audible, falling without a breath of wind, from the mere necessity of
+perfect ripeness. And, besides, there were pear-trees, that flung down bushels
+upon bushels of heavy pears; and peach-trees, which, in a good year, tormented
+me with peaches, neither to be eaten nor kept, nor, without labor and
+perplexity, to be given away. The idea of an infinite generosity and
+exhaustless bounty on the part of our Mother Nature was well worth obtaining
+through such cares as these. That feeling can be enjoyed in perfection only by
+the natives of summer islands, where the bread-fruit, the cocoa, the palm, and
+the orange grow spontaneously and hold forth the ever-ready meal; but likewise
+almost as well by a man long habituated to city life, who plunges into such a
+solitude as that of the Old Manse, where he plucks the fruit of trees that he
+did not plant, and which therefore, to my heterodox taste, bear the closest
+resemblance to those that grew in Eden. It has been an apothegm these five
+thousand years, that toil sweetens the bread it earns. For my part (speaking
+from hard experience, acquired while belaboring the rugged furrows of Brook
+Farm), I relish best the free gifts of Providence.
+</p>
+
+<p>
+Not that it can be disputed that the light toil requisite to cultivate a
+moderately sized garden imparts such zest to kitchen vegetables as is never
+found in those of the market-gardener. Childless men, if they would know
+something of the bliss of paternity, should plant a seed,&mdash;be it squash,
+bean, Indian corn, or perhaps a mere flower or worthless weed,&mdash;should
+plant it with their own hands, and nurse it from infancy to maturity altogether
+by their own care. If there be not too many of them, each individual plant
+becomes an object of separate interest. My garden, that skirted the avenue of
+the Manse, was of precisely the right extent. An hour or two of morning labor
+was all that it required. But I used to visit and revisit it a dozen times a
+day, and stand in deep contemplation over my vegetable progeny with a love that
+nobody could share or conceive of who had never taken part in the process of
+creation. It was one of the most bewitching sights in the world to observe a
+hill of beans thrusting aside the soil, or a row of early peas just peeping
+forth sufficiently to trace a line of delicate green. Later in the season the
+humming-birds were attracted by the blossoms of a peculiar variety of bean; and
+they were a joy to me, those little spiritual visitants, for deigning to sip
+airy food out of my nectar-cups. Multitudes of bees used to bury themselves in
+the yellow blossoms of the summer-squashes. This, too, was a deep satisfaction;
+although, when they had laden themselves with sweets, they flew away to some
+unknown hive, which would give back nothing in requital of what my garden had
+contributed. But I was glad thus to fling a benefaction upon the passing breeze
+with the certainty that somebody must profit by it and that there would be a
+little more honey in the world to allay the sourness and bitterness which
+mankind is always complaining of. Yes, indeed; my life was the sweeter for that
+honey.
+</p>
+
+<p>
+Speaking of summer-squashes, I must say a word of their beautiful and varied
+forms. They presented an endless diversity of urns and vases, shallow or deep,
+scalloped or plain, moulded in patterns which a sculptor would do well to copy,
+since Art has never invented anything more graceful. A hundred squashes in the
+garden were worth, in my eyes at least, of being rendered indestructible in
+marble. If ever Providence (but I know it never will) should assign me a
+superfluity of gold, part of it shall be expended for a service of plate, or
+most delicate porcelain, to be wrought into the shapes of summer-squashes
+gathered from vines which I will plant with my own hands. As dishes for
+containing vegetables, they would be peculiarly appropriate.
+</p>
+
+<p>
+But not merely the squeamish love of the beautiful was gratified by my toil in
+the kitchen-garden. There was a hearty enjoyment, likewise, in observing the
+growth of the crook-necked winter-squashes from the first little bulb, with the
+withered blossom adhering to it, until they lay strewn upon the soil, big,
+round fellows, hiding their heads beneath the leaves, but turning up their
+great yellow rotundities to the noontide sun. Gazing at them, I felt that by my
+agency something worth living for had been done. A new substance was born into
+the world. They were real and tangible existences, which the mind could seize
+hold of and rejoice in. A cabbage, too,&mdash;especially the early Dutch
+cabbage, which swells to a monstrous circumference, until its ambitious heart
+often bursts asunder,&mdash;is a matter to be proud of when we can claim a
+share with the earth and sky in producing it. But, after all, the hugest
+pleasure is reserved until these vegetable children of ours are smoking on the
+table, and we, like Saturn, make a meal of them.
+</p>
+
+<p>
+What with the river, the battle-field, the orchard, and the garden, the reader
+begins to despair of finding his way back into the Old Manse. But, in agreeable
+weather, it is the truest hospitality to keep him out of doors. I never grew
+quite acquainted with my habitation till a long spell of sulky rain had
+confined me beneath its roof. There could not be a more sombre aspect of
+external nature than as then seen from the windows of my study. The great
+willow-tree had caught and retained among its leaves a whole cataract of water,
+to be shaken down at intervals by the frequent gusts of wind. All day long, and
+for a week together, the rain was drip-drip-dripping and
+splash-splash-splashing from the eaves and bubbling and foaming into the tubs
+beneath the spouts. The old, unpainted shingles of the house and outbuildings
+were black with moisture; and the mosses of ancient growth upon the walls
+looked green and fresh, as if they were the newest things and afterthought of
+Time. The usually mirrored surface of the river was blurred by an infinity of
+raindrops; the whole landscape had a completely water-soaked appearance,
+conveying the impression that the earth was wet through like a sponge; while
+the summit of a wooded hill, about a mile distant, was enveloped in a dense
+mist, where the demon of the tempest seemed to have his abiding-place and to be
+plotting still direr inclemencies.
+</p>
+
+<p>
+Nature has no kindness, no hospitality, during a rain. In the fiercest beat of
+sunny days she retains a secret mercy, and welcomes the wayfarer to shady nooks
+of the woods whither the sun cannot penetrate; but she provides no shelter
+against her storms. It makes us shiver to think of those deep, umbrageous
+recesses, those overshadowing banks, where we found such enjoyment during the
+sultry afternoons. Not a twig of foliage there but would dash a little shower
+into our faces. Looking reproachfully towards the impenetrable sky,&mdash;if
+sky there be above that dismal uniformity of cloud,&mdash;we are apt to murmur
+against the whole system of the universe, since it involves the extinction of
+so many summer days in so short a life by the hissing and spluttering rain. In
+such spells of weather,&mdash;and it is to be supposed such weather
+came,&mdash;Eve’s bower in paradise must have been but a cheerless and aguish
+kind of shelter, nowise comparable to the old parsonage, which had resources of
+its own to beguile the week’s imprisonment. The idea of sleeping on a couch of
+wet roses!
+</p>
+
+<p>
+Happy the man who in a rainy day can betake himself to a huge garret, stored,
+like that of the Manse, with lumber that each generation has left behind it
+from a period before the Revolution. Our garret was an arched hall, dimly
+illuminated through small and dusty windows; it was but a twilight at the best;
+and there were nooks, or rather caverns, of deep obscurity, the secrets of
+which I never learned, being too reverent of their dust and cobwebs. The beams
+and rafters, roughly hewn and with strips of bark still on them, and the rude
+masonry of the chimneys, made the garret look wild and uncivilized, an aspect
+unlike what was seen elsewhere in the quiet and decorous old house. But on one
+side there was a little whitewashed apartment, which bore the traditionary
+title of the Saint’s Chamber, because holy men in their youth had slept, and
+studied, and prayed there. With its elevated retirement, its one window, its
+small fireplace, and its closet convenient for an oratory, it was the very spot
+where a young man might inspire himself with solemn enthusiasm and cherish
+saintly dreams. The occupants, at various epochs, had left brief records and
+ejaculations inscribed upon the walls. There, too, hung a tattered and
+shrivelled roll of canvas, which on inspection proved to be the forcibly
+wrought picture of a clergyman, in wig, band, and gown, holding a Bible in his
+hand. As I turned his face towards the light, he eyed me with an air of
+authority such as men of his profession seldom assume in our days. The original
+had been pastor of the parish more than a century ago, a friend of Whitefield,
+and almost his equal in fervid eloquence. I bowed before the effigy of the
+dignified divine, and felt as if I had now met face to face with the ghost by
+whom, as there was reason to apprehend, the Manse was haunted.
+</p>
+
+<p>
+Houses of any antiquity in New England are so invariably possessed with spirits
+that the matter seems hardly worth alluding to. Our ghost used to heave deep
+sighs in a particular corner of the parlor, and sometimes rustled paper, as if
+he were turning over a sermon in the long upper entry,&mdash;where nevertheless
+he was invisible, in spite of the bright moonshine that fell through the
+eastern window. Not improbably he wished me to edit and publish a selection
+from a chest full of manuscript discourses that stood in the garret. Once,
+while Hillard and other friends sat talking with us in the twilight, there came
+a rustling noise as of a minister’s silk gown, sweeping through the very midst
+of the company, so closely as almost to brush against the chairs. Still there
+was nothing visible. A yet stranger business was that of a ghostly
+servant-maid, who used to be heard in the kitchen at deepest midnight, grinding
+coffee, cooking, ironing,&mdash;performing, in short, all kinds of domestic
+labor,&mdash;although no traces of anything accomplished could be detected the
+next morning. Some neglected duty of her servitude, some ill-starched
+ministerial band, disturbed the poor damsel in her grave and kept her at work
+without any wages.
+</p>
+
+<p>
+But to return from this digression. A part of my predecessor’s library was
+stored in the garret,&mdash;no unfit receptacle indeed for such dreary trash as
+comprised the greater number of volumes. The old books would have been worth
+nothing at an auction. In this venerable garret, however, they possessed an
+interest, quite apart from their literary value, as heirlooms, many of which
+had been transmitted down through a series of consecrated hands from the days
+of the mighty Puritan divines. Autographs of famous names were to be seen in
+faded ink on some of their fly-leaves; and there were marginal observations or
+interpolated pages closely covered with manuscript in illegible shorthand,
+perhaps concealing matter of profound truth and wisdom. The world will never be
+the better for it. A few of the books were Latin folios, written by Catholic
+authors; others demolished Papistry, as with a sledge-hammer, in plain English.
+A dissertation on the Book of Job&mdash;which only Job himself could have had
+patience to read&mdash;filled at least a score of small, thick-set quartos, at
+the rate of two or three volumes to a chapter. Then there was a vast folio body
+of divinity,&mdash;too corpulent a body, it might be feared, to comprehend the
+spiritual element of religion. Volumes of this form dated back two hundred
+years or more, and were generally bound in black leather, exhibiting precisely
+such an appearance as we should attribute to books of enchantment. Others
+equally antique were of a size proper to be carried in the large waistcoat
+pockets of old times,&mdash;diminutive, but as black as their bulkier brethren,
+and abundantly interfused with Greek and Latin quotations. These little old
+volumes impressed me as if they had been intended for very large ones, but had
+been unfortunately blighted at an early stage of their growth.
+</p>
+
+<p>
+The rain pattered upon the roof and the sky gloomed through the dusty
+garret-windows while I burrowed among these venerable books in search of any
+living thought which should burn like a coal of fire or glow like an
+inextinguishable gem beneath the dead trumpery that had long hidden it. But I
+found no such treasure; all was dead alike; and I could not but muse deeply and
+wonderingly upon the humiliating fact that the works of man’s intellect decay
+like those of his hands. Thought grows mouldy. What was good and nourishing
+food for the spirits of one generation affords no sustenance for the next.
+Books of religion, however, cannot be considered a fair test of the enduring
+and vivacious properties of human thought, because such books so seldom really
+touch upon their ostensible subject, and have, therefore, so little business to
+be written at all. So long as an unlettered soul can attain to saving grace
+there would seem to be no deadly error in holding theological libraries to be
+accumulations of, for the most part, stupendous impertinence.
+</p>
+
+<p>
+Many of the books had accrued in the latter years of the last clergyman’s
+lifetime. These threatened to be of even less interest than the elder works a
+century hence to any curious inquirer who should then rummage then as I was
+doing now. Volumes of the Liberal Preacher and Christian Examiner, occasional
+sermons, controversial pamphlets, tracts, and other productions of a like
+fugitive nature, took the place of the thick and heavy volumes of past time. In
+a physical point of view, there was much the same difference as between a
+feather and a lump of lead; but, intellectually regarded, the specific gravity
+of old and new was about upon a par. Both also were alike frigid. The elder
+books nevertheless seemed to have been earnestly written, and might be
+conceived to have possessed warmth at some former period; although, with the
+lapse of time, the heated masses had cooled down even to the freezing-point.
+The frigidity of the modern productions, on the other hand, was characteristic
+and inherent, and evidently had little to do with the writer’s qualities of
+mind and heart. In fine, of this whole dusty heap of literature I tossed aside
+all the sacred part, and felt myself none the less a Christian for eschewing
+it. There appeared no hope of either mounting to the better world on a Gothic
+staircase of ancient folios or of flying thither on the wings of a modern
+tract.
+</p>
+
+<p>
+Nothing, strange to say, retained any sap except what had been written for the
+passing day and year, without the remotest pretension or idea of permanence.
+There were a few old newspapers, and still older almanacs, which reproduced to
+my mental eye the epochs when they had issued from the press with a
+distinctness that was altogether unaccountable. It was as if I had found bits
+of magic looking-glass among the books with the images of a vanished century in
+them. I turned my eyes towards the tattered picture above mentioned, and asked
+of the austere divine wherefore it was that he and his brethren, after the most
+painful rummaging and groping into their minds, had been able to produce
+nothing half so real as these newspaper scribblers and almanac-makers had
+thrown off in the effervescence of a moment. The portrait responded not; so I
+sought an answer for myself. It is the age itself that writes newspapers and
+almanacs, which therefore have a distinct purpose and meaning at the time, and
+a kind of intelligible truth for all times; whereas most other
+works&mdash;being written by men who, in the very act, set themselves apart
+from their age&mdash;are likely to possess little significance when new, and
+none at all when old. Genius, indeed, melts many ages into one, and thus
+effects something permanent, yet still with a similarity of office to that of
+the more ephemeral writer. A work of genius is but the newspaper of a century,
+or perchance of a hundred centuries.
+</p>
+
+<p>
+Lightly as I have spoken of these old books, there yet lingers with me a
+superstitious reverence for literature of all kinds. A bound volume has a charm
+in my eyes similar to what scraps of manuscript possess for the good Mussulman.
+He imagines that those wind-wafted records are perhaps hallowed by some sacred
+verse; and I, that every new book or antique one may contain the “open
+sesame,”&mdash;the spell to disclose treasures hidden in some unsuspected cave
+of Truth. Thus it was not without sadness that I turned away from the library
+of the Old Manse.
+</p>
+
+<p>
+Blessed was the sunshine when it came again at the close of another stormy day,
+beaming from the edge of the western horizon; while the massive firmament of
+clouds threw down all the gloom it could, but served only to kindle the golden
+light into a more brilliant glow by the strongly contrasted shadows. Heaven
+smiled at the earth, so long unseen, from beneath its heavy eyelid. To-morrow
+for the hill-tops and the woodpaths.
+</p>
+
+<p>
+Or it might be that Ellery Charming came up the avenue to join me in a fishing
+excursion on the river. Strange and happy times were those when we cast aside
+all irksome forms and strait-laced habitudes and delivered ourselves up to the
+free air, to live like the Indians or any less conventional race during one
+bright semicircle of the sun. Rowing our boat against the current, between wide
+meadows, we turned aside into the Assabeth. A more lovely stream than this, for
+a mile above its junction with the Concord, has never flowed on earth, nowhere,
+indeed, except to lave the interior regions of a poet’s imagination. It is
+sheltered from the breeze by woods and a hillside; so that elsewhere there
+might be a hurricane, and here scarcely a ripple across the shaded water. The
+current lingers along so gently that the mere force of the boatman’s will seems
+sufficient to propel his craft against it. It comes flowing softly through the
+midmost privacy and deepest heart of a wood which whispers it to be quiet;
+while the stream whispers back again from its sedgy borders, as if river and
+wood were hushing one another to sleep. Yes; the river sleeps along its course
+and dreams of the sky and of the clustering foliage, amid which fall showers of
+broken sunlight, imparting specks of vivid cheerfulness, in contrast with the
+quiet depth of the prevailing tint. Of all this scene, the slumbering river has
+a dream-picture in its bosom. Which, after all, was the most real,&mdash;the
+picture, or the original?&mdash;the objects palpable to our grosser senses, or
+their apotheosis in the stream beneath? Surely the disembodied images stand in
+closer relation to the soul. But both the original and the reflection had here
+an ideal charm; and, had it been a thought more wild, I could have fancied that
+this river had strayed forth out of the rich scenery of my companion’s inner
+world; only the vegetation along its banks should then have had an Oriental
+character.
+</p>
+
+<p>
+Gentle and unobtrusive as the river is, yet the tranquil woods seem hardly
+satisfied to allow it passage. The trees are rooted on the very verge of the
+water, and dip their pendent branches into it. At one spot there is a lofty
+bank, on the slope of which grow some hemlocks, declining across the stream
+with outstretched arms, as if resolute to take the plunge. In other places the
+banks are almost on a level with the water; so that the quiet congregation of
+trees set their feet in the flood, and are Fringed with foliage down to the
+surface. Cardinal-flowers kindle their spiral flames and illuminate the dark
+nooks among the shrubbery. The pond-lily grows abundantly along the
+margin,&mdash;that delicious flower which, as Thoreau tells me, opens its
+virgin bosom to the first sunlight and perfects its being through the magic of
+that genial kiss. He has beheld beds of them unfolding in due succession as the
+sunrise stole gradually from flower to flower,&mdash;a sight not to be hoped
+for unless when a poet adjusts his inward eye to a proper focus with the
+outward organ. Grapevines here and there twine themselves around shrub and tree
+and hang their clusters over the water within reach of the boatman’s hand.
+Oftentimes they unite two trees of alien race in an inextricable twine,
+marrying the hemlock and the maple against their will and enriching them with a
+purple offspring of which neither is the parent. One of these ambitious
+parasites has climbed into the upper branches of a tall white-pine, and is
+still ascending from bough to bough, unsatisfied till it shall crown the tree’s
+airy summit with a wreath of its broad foliage and a cluster of its grapes.
+</p>
+
+<p>
+The winding course of the stream continually shut out the scene behind us and
+revealed as calm and lovely a one before. We glided from depth to depth, and
+breathed new seclusion at every turn. The shy kingfisher flew from the withered
+branch close at hand to another at a distance, uttering a shrill cry of anger
+or alarm. Ducks that had been floating there since the preceding eve were
+startled at our approach and skimmed along the glassy river, breaking its dark
+surface with a bright streak. The pickerel leaped from among the lilypads. The
+turtle, sunning itself upon a rock or at the root of a tree, slid suddenly into
+the water with a plunge. The painted Indian who paddled his canoe along the
+Assabeth three hundred years ago could hardly have seen a wilder gentleness
+displayed upon its banks and reflected in its bosom than we did. Nor could the
+same Indian have prepared his noontide meal with more simplicity. We drew up
+our skiff at some point where the overarching shade formed a natural bower, and
+there kindled a fire with the pine cones and decayed branches that lay strewn
+plentifully around. Soon the smoke ascended among the trees, impregnated with a
+savory incense, not heavy, dull, and surfeiting, like the steam of cookery
+within doors, but sprightly and piquant. The smell of our feast was akin to the
+woodland odors with which it mingled: there was no sacrilege committed by our
+intrusion there: the sacred solitude was hospitable, and granted us free leave
+to cook and eat in the recess that was at once our kitchen and banqueting-hall.
+It is strange what humble offices may be performed in a beautiful scene without
+destroying its poetry. Our fire, red gleaming among the trees, and we beside
+it, busied with culinary rites and spreading out our meal on a mossgrown log,
+all seemed in unison with the river gliding by and the foliage rustling over
+us. And, what was strangest, neither did our mirth seem to disturb the
+propriety of the solemn woods; although the hobgoblins of the old wilderness
+and the will-of-the-wisps that glimmered in the marshy places might have come
+trooping to share our table-talk and have added their shrill laughter to our
+merriment. It was the very spot in which to utter the extremest nonsense or the
+profoundest wisdom, or that ethereal product of the mind which partakes of
+both, and may become one or the other, in correspondence with the faith and
+insight of the auditor.
+</p>
+
+<p>
+So, amid sunshine and shadow, rustling leaves and sighing waters, up gushed our
+talk like the babble of a fountain. The evanescent spray was Ellery’s; and his,
+too, the lumps of golden thought that lay glimmering in the fountain’s bed and
+brightened both our faces by the reflection. Could he have drawn out that
+virgin gold, and stamped it with the mint-mark that alone gives currency, the
+world might have had the profit, and he the fame. My mind was the richer merely
+by the knowledge that it was there. But the chief profit of those wild days, to
+him and me, lay not in any definite idea, not in any angular or rounded truth,
+which we dug out of the shapeless mass of problematical stuff, but in the
+freedom which we thereby won from all custom and conventionalism and fettering
+influences of man on man. We were so free to-day that it was impossible to be
+slaves again to-morrow. When we crossed the threshold of the house or trod the
+thronged pavements of a city, still the leaves of the trees that overhang the
+Assabeth were whispering to us, “Be free! be free!” Therefore along that shady
+river-bank there are spots, marked with a heap of ashes and half-consumed
+brands, only less sacred in my remembrance than the hearth of a household fire.
+</p>
+
+<p>
+And yet how sweet, as we floated homeward adown the golden river at
+sunset,&mdash;how sweet was it to return within the system of human society,
+not as to a dungeon and a chain, but as to a stately edifice, whence we could
+go forth at will into state&mdash;her simplicity! How gently, too, did the
+sight of the Old Manse, best seen from the river, overshadowed with its willow
+and all environed about with the foliage of its orchard and avenue,&mdash;how
+gently did its gray, homely aspect rebuke the speculative extravagances of the
+day! It had grown sacred in connection with the artificial life against which
+we inveighed; it had been a home for many years, in spite of all; it was my
+home too; and, with these thoughts, it seemed to me that all the artifice and
+conventionalism of life was but an impalpable thinness upon its surface, and
+that the depth below was none the worse for it. Once, as we turned our boat to
+the bank, there was a cloud, in the shape of an immensely gigantic figure of a
+hound, couched above the house, as if keeping guard over it. Gazing at this
+symbol, I prayed that the upper influences might long protect the institutions
+that had grown out of the heart of mankind.
+</p>
+
+<p>
+If ever my readers should decide to give up civilized life, cities, houses, and
+whatever moral or material enormities in addition to these the perverted
+ingenuity of our race has contrived, let it be in the early autumn. Then Nature
+will love him better than at any other season, and will take him to her bosom
+with a more motherly tenderness. I could scarcely endure the roof of the old
+house above me in those first autumnal days. How early in the summer, too, the
+prophecy of autumn comes! Earlier in some years than in others; sometimes even
+in the first weeks of July. There is no other feeling like what is caused by
+this faint, doubtful, yet real perception&mdash;if it be not rather a
+foreboding&mdash;of the year’s decay, so blessedly sweet and sad in the same
+breath.
+</p>
+
+<p>
+Did I say that there was no feeling like it? Ah, but there is a
+half-acknowledged melancholy like to this when we stand in the perfected vigor
+of our life and feel that Time has now given us all his flowers, and that the
+next work of his never-idle fingers must be to steal them one by one away.
+</p>
+
+<p>
+I have forgotten whether the song of the cricket be not as early a token of
+autumn’s approach as any other,&mdash;that song which may be called an audible
+stillness; for though very loud and heard afar, yet the mind does not take note
+of it as a sound, so completely is its individual existence merged among the
+accompanying characteristics of the season. Alas for the pleasant summertime!
+In August the grass is still verdant on the hills and in the valleys; the
+foliage of the trees is as dense as ever and as green; the flowers gleam forth
+in richer abundance along the margin of the river and by the stone walls and
+deep among the woods; the days, too, are as fervid now as they were a month
+ago; and yet in every breath of wind and in every beam of sunshine we hear the
+whispered farewell and behold the parting smile of a dear friend. There is a
+coolness amid all the heat, a mildness in the blazing noon. Not a breeze can
+stir but it thrills us with the breath of autumn. A pensive glory is seen in
+the far, golden gleams, among the shadows of the trees. The flowers&mdash;even
+the brightest of them, and they are the most gorgeous of the year&mdash;have
+this gentle sadness wedded to their pomp, and typify the character of the
+delicious time each within itself. The brilliant cardinal-flower has never
+seemed gay to me.
+</p>
+
+<p>
+Still later in the season Nature’s tenderness waxes stronger. It is impossible
+not to be fond of our mother now; for she is so fond of us! At other periods
+she does not make this impression on me, or only at rare intervals; but in
+those genial days of autumn, when she has perfected her harvests and
+accomplished every needful thing that was given her to do, then she overflows
+with a blessed superfluity of love. She has leisure to caress her children now.
+It is good to be alive and at such times. Thank Heaven for breath&mdash;yes,
+for mere breath&mdash;when it is made up of a heavenly breeze like this! It
+comes with a real kiss upon our cheeks; it would linger fondly around us if it
+might; but, since it must be gone, it embraces us with its whole kindly heart
+and passes onward to embrace likewise the next thing that it meets. A blessing
+is flung abroad and scattered far and wide over the earth, to be gathered up by
+all who choose. I recline upon the still unwithered grass and whisper to
+myself, “O perfect day! O beautiful world! O beneficent God!” And it is the
+promise of a blessed eternity; for our Creator would never have made such
+lovely days and have given us the deep hearts to enjoy them, above and beyond
+all thought, unless we were meant to be immortal. This sunshine is the golden
+pledge thereof. It beams through the gates of paradise and shows us glimpses
+far inward.
+</p>
+
+<p>
+By and by, in a little time, the outward world puts on a drear austerity. On
+some October morning there is a heavy hoarfrost on the grass and along the tops
+of the fences; and at sunrise the leaves fall from the trees of our avenue,
+without a breath of wind, quietly descending by their own weight. All summer
+long they have murmured like the noise of waters; they have roared loudly while
+the branches were wrestling with the thunder-gust; they have made music both
+glad and solemn; they have attuned my thoughts by their quiet sound as I paced
+to and fro beneath the arch of intermingling boughs. Now they can only rustle
+under my feet. Henceforth the gray parsonage begins to assume a larger
+importance, and draws to its fireside,&mdash;for the abomination of the
+air-tight stove is reserved till wintry weather,&mdash;draws closer and closer
+to its fireside the vagrant impulses that had gone wandering about through the
+summer.
+</p>
+
+<p>
+When summer was dead and buried the Old Manse became as lonely as a hermitage.
+Not that ever&mdash;in my time at least&mdash;it had been thronged with
+company; but, at no rare intervals, we welcomed some friend out of the dusty
+glare and tumult of the world, and rejoiced to share with him the transparent
+obscurity that was floating over us. In one respect our precincts were like the
+Enchanted Ground through which the pilgrim travelled on his way to the
+Celestial City. The guests, each and all, felt a slumberous influence upon
+them; they fell asleep in chairs, or took a more deliberate siesta on the sofa,
+or were seen stretched among the shadows of the orchard, looking up dreamily
+through the boughs. They could not have paid a more acceptable compliment to my
+abode nor to my own qualities as a host. I held it as a proof that they left
+their cares behind them as they passed between the stone gate-posts at the
+entrance of our avenue, and that the so powerful opiate was the abundance of
+peace and quiet within and all around us. Others could give them pleasure and
+amusement or instruction,&mdash;these could be picked up anywhere; but it was
+for me to give them rest,&mdash;rest in a life of trouble. What better could be
+done for those weary and world-worn spirits?&mdash;for him whose career of
+perpetual action was impeded and harassed by the rarest of his powers and the
+richest of his acquirements?&mdash;for another who had thrown his ardent heart
+from earliest youth into the strife of politics, and now, perchance, began to
+suspect that one lifetime is too brief for the accomplishment of any lofty
+aim?&mdash;for her oil whose feminine nature had been imposed the heavy gift of
+intellectual power, such as a strong man might have staggered under, and with
+it the necessity to act upon the world?&mdash;in a word, not to multiply
+instances, what better could be done for anybody who came within our magic
+circle than to throw the spell of a tranquil spirit over him? And when it had
+wrought its full effect, then we dismissed him, with but misty reminiscences,
+as if he had been dreaming of us.
+</p>
+
+<p>
+Were I to adopt a pet idea as so many people do, and fondle it in my embraces
+to the exclusion of all others, it would be, that the great want which mankind
+labors under at this present period is sleep. The world should recline its vast
+head on the first convenient pillow and take an age-long nap. It has gone
+distracted through a morbid activity, and, while preternaturally wide awake, is
+nevertheless tormented by visions that seem real to it now, but would assume
+their true aspect and character were all things once set right by an interval
+of sound repose. This is the only method of getting rid of old delusions and
+avoiding new ones; of regenerating our race, so that it might in due time awake
+as an infant out of dewy slumber; of restoring to us the simple perception of
+what is right and the single-hearted desire to achieve it, both of which have
+long been lost in consequence of this weary activity of brain and torpor or
+passion of the heart that now afflict the universe. Stimulants, the only mode
+of treatment hitherto attempted, cannot quell the disease; they do but heighten
+the delirium.
+</p>
+
+<p>
+Let not the above paragraph ever be quoted against the author; for, though
+tinctured with its modicum of truth, it is the result and expression of what he
+knew, while he was writing, to be but a distorted survey of the state and
+prospects of mankind. There were circumstances around me which made it
+difficult to view the world precisely as it exists; for, severe and sober as
+was the Old Manse, it was necessary to go but a little way beyond its threshold
+before meeting with stranger moral shapes of men than might have been
+encountered elsewhere in a circuit of a thousand miles.
+</p>
+
+<p>
+These hobgoblins of flesh and blood were attracted thither by the widespreading
+influence of a great original thinker, who had his earthly abode at the
+opposite extremity of our village. His mind acted upon other minds of a certain
+constitution with wonderful magnetism, and drew many men upon long pilgrimages
+to speak with him face to face. Young visionaries&mdash;to whom just so much of
+insight had been imparted as to make life all a labyrinth around
+them&mdash;came to seek the clew that should guide them out of their
+self-involved bewilderment. Gray-headed theorists&mdash;whose systems, at first
+air, had finally imprisoned them in an iron framework&mdash;travelled painfully
+to his door, not to ask deliverance, but to invite the free spirit into their
+own thraldom. People that had lighted on a new thought or a thought that they
+fancied new, came to Emerson, as the finder of a glittering gem hastens to a
+lapidary, to ascertain its quality and value. Uncertain, troubled, earnest
+wanderers through the midnight of the moral world beheld his intellectual fire
+as a beacon burning on a hill-top, and, climbing the difficult ascent, looked
+forth into the surrounding obscurity more hopefully than hitherto. The light
+revealed objects unseen before,&mdash;mountains, gleaming lakes, glimpses of a
+creation among the chaos; but also, as was unavoidable, it attracted bats and
+owls and the whole host of night birds, which flapped their dusky wings against
+the gazer’s eyes, and sometimes were mistaken for fowls of angelic feather.
+Such delusions always hover nigh whenever a beacon-fire of truth is kindled.
+</p>
+
+<p>
+For myself, there bad been epochs of my life when I, too, might have asked of
+this prophet the master word that should solve me the riddle of the universe;
+but now, being happy, I felt as if there were no question to be put, and
+therefore admired Emerson as a poet, of deep beauty and austere tenderness, but
+sought nothing from him as a philosopher. It was good, nevertheless, to meet
+him in the woodpaths, or sometimes in our avenue, with that pure, intellectual
+gleam diffused about his presence like the garment of a shining one; and be, so
+quiet, so simple, so without pretension, encountering each man alive as if
+expecting to receive more than he could impart. And, in truth, the heart of
+many an ordinary man had, perchance, inscriptions which he could not read. But
+it was impossible to dwell in his vicinity without inhaling more or less the
+mountain atmosphere of his lofty thought, which, in the brains of some people,
+wrought a singular giddiness,&mdash;new truth being as heady as new wine. Never
+was a poor little country village infested with such a variety of queer,
+strangely dressed, oddly behaved mortals, most of whom took upon themselves to
+be important agents of the world’s destiny, yet were simply bores of a very
+intense water. Such, I imagine, is the invariable character of persons who
+crowd so closely about an original thinker as to draw in his unuttered breath
+and thus become imbued with a false originality. This triteness of novelty is
+enough to make any man of common-sense blaspheme at all ideas of less than a
+century’s standing, and pray that the world may be petrified and rendered
+immovable in precisely the worst moral and physical state that it ever yet
+arrived at, rather than be benefited by such schemes of such philosophers.
+</p>
+
+<p>
+And now I begin to feel&mdash;and perhaps should have sooner felt&mdash;that we
+have talked enough of the Old Manse. Mine honored reader, it may be, will
+vilify the poor author as an egotist for babbling through so many pages about a
+mossgrown country parsonage, and his life within its walls, and on the river,
+and in the woods, and the influences that wrought upon him from all these
+sources. My conscience, however, does not reproach me with betraying anything
+too sacredly individual to be revealed by a human spirit to its brother or
+sister spirit. How narrow-how shallow and scanty too&mdash;is the stream of
+thought that has been flowing from my pen, compared with the broad tide of dim
+emotions, ideas, and associations which swell around me from that portion of my
+existence! How little have I told! and of that little, how almost nothing is
+even tinctured with any quality that makes it exclusively my own! Has the
+reader gone wandering, hand in hand with me, through the inner passages of my
+being? and have we groped together into all its chambers and examined their
+treasures or their rubbish? Not so. We have been standing on the greensward,
+but just within the cavern’s mouth, where the common sunshine is free to
+penetrate, and where every footstep is therefore free to come. I have appealed
+to no sentiment or sensibilities save such as are diffused among us all. So far
+as I am a man of really individual attributes I veil my face; nor am I, nor
+have I ever been, one of those supremely hospitable people who serve up their
+own hearts, delicately fried, with brain sauce, as a tidbit for their beloved
+public.
+</p>
+
+<p>
+Glancing back over what I have written, it seems but the scattered
+reminiscences of a single summer. In fairyland there is no measurement of time;
+and, in a spot so sheltered from the turmoil of life’s ocean, three years
+hastened away with a noiseless flight, as the breezy sunshine chases the
+cloud-shadows across the depths of a still valley. Now came hints, growing more
+and more distinct, that the owner of the old house was pining for his native
+air. Carpenters next, appeared, making a tremendous racket among the
+outbuildings, strewing the green grass with pine shavings and chips of chestnut
+joists, and vexing the whole antiquity of the place with their discordant
+renovations. Soon, moreover, they divested our abode of the veil of woodbine
+which had crept over a large portion of its southern face. All the aged mosses
+were cleared unsparingly away; and there were horrible whispers about brushing
+up the external walls with a coat of paint,&mdash;a purpose as little to my
+taste as might be that of rouging the venerable cheeks of one’s grandmother.
+But the hand that renovates is always more sacrilegious than that which
+destroys. In fine, we gathered up our household goods, drank a farewell cup of
+tea in our pleasant little breakfast-room,&mdash;delicately fragrant tea, an
+unpurchasable luxury, one of the many angel gifts that had fallen like dew upon
+us,&mdash;and passed forth between the tall stone gate-posts as uncertain as
+the wandering Arabs where our tent might next be pitched. Providence took me by
+the hand, and&mdash;an oddity of dispensation which, I trust, there is no
+irreverence in smiling at&mdash;has led me, as the newspapers announce while I
+am writing, from the Old Manse into a custom-house. As a story-teller, I have
+often contrived strange vicissitudes for my imaginary personages, but none like
+this.
+</p>
+
+<p>
+The treasure of intellectual gold which I hoped to find in our secluded
+dwelling had never come to light. No profound treatise of ethics, no
+philosophic history, no novel even, that could stand unsupported on its edges.
+All that I had to show, as a man of letters, were these, few tales and essays,
+which had blossomed out like flowers in the calm summer of my heart and mind.
+Save editing (an easy task) the journal of my friend of many years, the African
+Cruiser, I had done nothing else. With these idle weeds and withering blossoms
+I have intermixed some that were produced long ago,&mdash;old, faded things,
+reminding me of flowers pressed between the leaves of a book,&mdash;and now
+offer the bouquet, such as it is, to any whom it may please. These fitful
+sketches, with so little of external life about them, yet claiming no
+profundity of purpose,&mdash;so reserved, even while they sometimes seem so
+frank,&mdash;often but half in earnest, and never, even when most so,
+expressing satisfactorily the thoughts which they profess to image,&mdash;such
+trifles, I truly feel, afford no solid basis for a literary reputation.
+Nevertheless, the public&mdash;if my limited number of readers, whom I venture
+to regard rather as a circle of friends, may be termed a public&mdash;will
+receive them the more kindly, as the last offering, the last collection of this
+nature which it is my purpose ever to put forth. Unless I could do better, I
+have done enough in this kind. For myself the book will always retain one
+charm,&mdash;as reminding me of the river, with its delightful solitudes, and
+of the avenue, the garden, and the orchard, and especially the dear Old Manse,
+with the little study on its western side, and the sunshine glimmering through
+the willow branches while I wrote.
+</p>
+
+<p>
+Let the reader, if he will do me so much honor, imagine himself my guest, and
+that, having seen whatever may be worthy of notice within and about the Old
+Manse, he has finally been ushered into my study. There, after seating him in
+an antique elbow-chair, an heirloom of the house, I take forth a roll of
+manuscript and entreat his attention to the following tales,&mdash;an act of
+personal inhospitality, however, which I never was guilty of, nor ever will be,
+even to my worst enemy.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE OLD MANSE ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &#8226; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+</html>
+
+