diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:53 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:53 -0700 |
| commit | a6de7174a271b4554822394aeda2fbe3bb1399ea (patch) | |
| tree | 28196c3cc6653f1e2d71800f11e393923b6778cb /9220-h | |
Diffstat (limited to '9220-h')
| -rw-r--r-- | 9220-h/9220-h.htm | 815 |
1 files changed, 815 insertions, 0 deletions
diff --git a/9220-h/9220-h.htm b/9220-h/9220-h.htm new file mode 100644 index 0000000..525d492 --- /dev/null +++ b/9220-h/9220-h.htm @@ -0,0 +1,815 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + The Project Gutenberg E-text of The Threefold Destiny, by Nathaniel + Hawthorne + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Threefold Destiny (From "Twice Told +Tales"), by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Threefold Destiny (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: November, 2005 [EBook #9220] +First Posted: August 23, 2003 +Last Updated: December 14, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE THREEFOLD DESTINY *** + + + + +Produced by David Widger and Al Haines. + + + + + +</pre> + <p> + <br /><br /> + </p> + <h3> + TWICE TOLD TALES<br /> + </h3> + <h2> + THE THREEFOLD DESTINY<br /> + </h2> + <h4> + A FAIRY LEGEND<br /> + </h4> + <h3> + By Nathaniel Hawthorne<br /> + </h3> + <p> + <br /><br /> + </p> + <p> + I have sometimes produced a singular and not unpleasing effect, so far as + my own mind was concerned, by imagining a train of incidents, in which the + spirit and mechanism of the fairy legend should be combined with the + characters and manners of familiar life. In the little tale which follows, + a subdued tinge of the wild and wonderful is thrown over a sketch of New + England personages and scenery, yet, it is hoped, without entirely + obliterating the sober hues of nature. Rather than a story of events + claiming to be real, it may be considered as an allegory, such as the + writers of the last century would have expressed in the shape of an + Eastern tale, but to which I have endeavored to give a more life-like + warmth than could be infused into those fanciful productions. + </p> + <p> + In the twilight of a summer eve, a tall, dark figure, over which long and + remote travel had thrown an outlandish aspect, was entering a village, not + in “Fairy Londe,” but within our own familiar boundaries. The staff, on + which this traveller leaned, had been his companion from the spot where it + grew, in the jungles of Hindostan; the hat, that overshadowed his sombre + brow, had shielded him from the suns of Spain; but his cheek had been + blackened by the red-hot wind of an Arabian desert, and had felt the + frozen breath of an Arctic region. Long sojourning amid wild and dangerous + men, he still wore beneath his vest the ataghan which he had once struck + into the throat of a Turkish robber. In every foreign clime he had lost + something of his New England characteristics; and, perhaps, from every + people he had unconsciously borrowed a new peculiarity; so that when the + world-wanderer again trod the street of his native village, it is no + wonder that he passed unrecognized, though exciting the gaze and curiosity + of all. Yet, as his arm casually touched that of a young woman, who was + wending her way to an evening lecture, she started, and almost uttered a + cry. + </p> + <p> + “Ralph Cranfield!” was the name that she half articulated. + </p> + <p> + “Can that be my old playmate, Faith Egerton?” thought the traveller, + looking round at her figure, but without pausing. + </p> + <p> + Ralph Cranfield, from his youth upward, had felt himself marked out for a + high destiny. He had imbibed the idea—we say not whether it were + revealed to him by witchcraft, or in a dream of prophecy, or that his + brooding fancy had palmed its own dictates upon him as the oracles of a + Sibyl—but he had imbibed the idea, and held it firmest among his + articles of faith, that three marvellous events of his life were to be + confirmed to him by three signs. + </p> + <p> + The first of these three fatalities, and perhaps the one on which his + youthful imagination had dwelt most fondly, was the discovery of the maid, + who alone, of all the maids on earth, could make him happy by her love. He + was to roam around the world till he should meet a beautiful woman, + wearing on her bosom a jewel in the shape of a heart; whether of pearl, or + ruby, or emerald, or carbuncle, or a changeful opal, or perhaps a + priceless diamond, Ralph Cranfield little cared, so long as it were a + heart of one peculiar shape. On encountering this lovely stranger, he was + bound to address her thus: “Maiden, I have brought you a heavy heart. May + I rest its weight on you?” And if she were his fated bride,—if their + kindred souls were destined to form a union here below, which all eternity + should only bind more closely,—she would reply, with her finger on + the heart-shaped jewel, “This token, which I have worn so long, is the + assurance that you may!” + </p> + <p> + And, secondly, Ralph Cranfield had a firm belief that there was a mighty + treasure hidden somewhere in the earth, of which the burial-place would be + revealed to none but him. When his feet should press upon the mysterious + spot, there would be a hand before him, pointing downward,—whether + carved of marble, or hewn in gigantic dimensions on the side of a rocky + precipice, or perchance a hand of flame in empty air, he could not tell; + but, at least, he would discern a hand, the forefinger pointing downward, + and beneath it the Latin word EFFODE,—Dig! And digging thereabouts, + the gold in coin or ingots, the precious stones, or of whatever else the + treasure might consist, would be certain to reward his toil. + </p> + <p> + The third and last of the miraculous events in the life of this + high-destined man was to be the attainment of extensive influence and sway + over his fellow-creatures. Whether he were to be a king, and founder of an + hereditary throne, or the victorious leader of a people contending for + their freedom, or the apostle of a purified and regenerated faith, was + left for futurity to show. As messengers of the sign, by which Ralph + Cranfield might recognize the summons, three venerable men were to claim + audience of him. The chief among them, a dignified and majestic person, + arrayed, it may be supposed, in the flowing garments of an ancient sage, + would be the bearer of a wand, or prophet’s rod. With this wand, or rod, + or staff, the venerable sage would trace a certain figure in the air, and + then proceed to make known his heaven-instructed message; which, if + obeyed, must lead to glorious results. + </p> + <p> + With this proud fate before him, in the flush of his imaginative youth, + Ralph Cranfield had set forth to seek the maid, the treasure, and the + venerable sage, with his gift of extended empire. And had he found them? + Alas! it was not with the aspect of a triumphant man, who had achieved a + nobler destiny than all his fellows, but rather with the gloom of one + struggling against peculiar and continual adversity, that he now passed + homeward to his mother’s cottage. He had come back, but only for a time, + to lay aside the pilgrim’s staff, trusting that his weary manhood would + regain somewhat of the elasticity of youth, in the spot where his + threefold fate had been foreshown him. There had been few changes in the + village; for it was not one of those thriving places where a year’s + prosperity makes more than the havoc of a century’s decay; but like a gray + hair in a young man’s head, an antiquated little town, full of old maids, + and aged elms, and moss-grown dwellings. Few seemed to be the changes + here. The drooping elms, indeed, had a more majestic spread; the + weather-blackened houses were adorned with a denser thatch of verdant + moss; and doubtless there were a few more gravestones in the + burial-ground, inscribed with names that had once been familiar in the + village street. Yet, summing up all the mischief that ten years had + wrought, it seemed scarcely more than if Ralph Cranfield had gone forth + that very morning, and dreamed a daydream till the twilight, and then + turned back again. But his heart grew cold, because the village did not + remember him as he remembered the village. + </p> + <p> + “Here is the change!” sighed he, striking his hand upon his breast. “Who + is this man of thought and care, weary with world-wandering, and heavy + with disappointed hopes? The youth returns not, who went forth so + joyously!” + </p> + <p> + And now Ralph Cranfield was at his mother’s gate, in front of the small + house where the old lady, with slender but sufficient means, had kept + herself comfortable during her son’s long absence. Admitting himself + within the enclosure, he leaned against a great, old tree, trifling with + his own impatience, as people often do in those intervals when years are + summed into a moment. He took a minute survey of the dwelling,—its + windows, brightened with the sky-gleans, its doorway, with the half of a + mill-stone for a step, and the faintly traced path waving thence to the + gate. He made friends again with his childhood’s friend, the old tree + against which he leaned; and glancing his eye a-down its trunk, beheld + something that excited a melancholy smile. It was a half-obliterated + inscription—the Latin word EFFODE—which he remembered to have + carved in the bark of the tree, with a whole day’s toil, when he had first + begun to muse about his exalted destiny. It might be accounted a rather + singular coincidence, that the bark, just above the inscription, had put + forth an excrescence, shaped not unlike a hand, with the forefinger + pointing obliquely at the word of fate. Such, at least, was its appearance + in the dusky light. + </p> + <p> + “Now a credulous man,” said Ralph Cranfield carelessly to himself, “might + suppose that the treasure which I have sought round the world lies buried, + after all, at the very door of my mother’s dwelling. That would be a jest + indeed!” + </p> + <p> + More he thought not about the matter; for now the door was opened, and an + elderly woman appeared on the threshold, peering into the dusk to discover + who it might be that had intruded on her premises, and was standing in the + shadow of her tree. It was Ralph Cranfield’s mother. Pass we over their + greeting, and leave the one to her joy and the other to his rest,—if + quiet rest he found. + </p> + <p> + But when morning broke, he arose with a troubled brow; for his sleep and + his wakefulness had alike been full of dreams. All the fervor was + rekindled with which he had burned of yore to unravel the threefold + mystery of his fate. The crowd of his early visions seemed to have awaited + him beneath his mother’s roof, and thronged riotously around to welcome + his return. In the well-remembered chamber—on the pillow where his + infancy had slumbered—he had passed a wilder night than ever in an + Arab tent, or when he had reposed his head in the ghastly shades of a + haunted forest. A shadowy maid had stolen to his bedside, and laid her + finger on the scintillating heart; a hand of flame had glowed amid the + darkness, pointing downward to a mystery within the earth; a hoary sage + had waved his prophetic wand, and beckoned the dreamer onward to a chair + of state. The same phantoms, though fainter in the daylight, still flitted + about the cottage, and mingled among the crowd of familiar faces that were + drawn thither by the news of Ralph Cranfield’s return, to bid him welcome + for his mother’s sake. There they found him, a tall, dark, stately man, of + foreign aspect, courteous in demeanor and mild of speech, yet with an + abstracted eye, which seemed often to snatch a glance at the invisible. + </p> + <p> + Meantime the Widow Cranfield went bustling about the house full of joy + that she again had somebody to love, and be careful of, and for whom she + might vex and tease herself with the petty troubles of daily life. It was + nearly noon, when she looked forth from the door, and descried three + personages of note coming along the street, through the hot sunshine and + the masses of elm-tree shade. At length they reached her gate, and undid + the latch. + </p> + <p> + “See, Ralph!” exclaimed she, with maternal pride, “here is Squire Hawkwood + and the two other selectmen coming on purpose to see you! Now do tell them + a good long story about what you have seen in foreign parts.” + </p> + <p> + The foremost of the three visitors, Squire Hawkwood, was a very pompous, + but excellent old gentleman, the head and prime mover in all the affairs + of the village, and universally acknowledged to be one of the sagest men + on earth. He wore, according to a fashion, even then becoming antiquated, + a three-cornered hat, and carried a silver-headed cane, the use of which + seemed to be rather for flourishing in the air than for assisting the + progress of his legs. His two companions were elderly and respectable + yeomen, who, retaining an ante-revolutionary reverence for rank and + hereditary wealth, kept a little in the Squire’s rear. As they approached + along the pathway, Ralph Cranfield sat in an oaken elbow-chair, half + unconsciously gazing at the three visitors, and enveloping their homely + figures in the misty romance that pervaded his mental world. + </p> + <p> + “Here,” thought he, smiling at the conceit,—“here come three elderly + personages, and the first of the three is a venerable sage with a staff. + What if this embassy should bring me the message of my fate!” + </p> + <p> + While Squire Hawkwood and his colleagues entered, Ralph rose from his + seat, and advanced a few steps to receive them; and his stately figure and + dark countenance, as he bent courteously towards his guests, had a natural + dignity, contrasting well with the bustling importance of the Squire. The + old gentleman, according to invariable custom, gave an elaborate + preliminary flourish with his cane in the air, then removed his + three-cornered hat in order to wipe his brow, and finally proceeded to + make known his errand. + </p> + <p> + “My colleagues and myself,” began the Squire, “are burdened with momentous + duties, being jointly selectmen of this village. Our minds, for the space + of three days past, have been laboriously bent on the selection of a + suitable person to fill a most important office, and take upon himself a + charge and rule, which, wisely considered, may be ranked no lower than + those of kings and potentates. And whereas you, our native townsman, are + of good natural intellect, and well cultivated by foreign travel, and that + certain vagaries and fantasies of your youth are doubtless long ago + corrected; taking all these matters, I say, into due consideration, we are + of opinion that Providence Lath sent you hither, at this juncture, for our + very purpose.” + </p> + <p> + During this harangue, Cranfield gazed fixedly at the speaker, as if he + beheld something mysterious and unearthly in his pompous little figure, + and as if the Squire had worn the flowing robes of an ancient sage, + instead of a square-skirted coat, flapped waistcoat, velvet breeches, and + silk stockings. Nor was his wonder without sufficient cause; for the + flourish of the Squire’s staff, marvellous to relate, had described + precisely the signal in the air which was to ratify the message of the + prophetic Sage, whom Cranfield had sought around the world. + </p> + <p> + “And what,” inquired Ralph Cranfield, with a tremor in his voice,—“what + may this office be, which is to equal me with kings and potentates?” + </p> + <p> + “No less than instructor of our village school,” answered Squire Hawkwood; + “the office being now vacant by the loath of the venerable Master + Whitaker, after a fifty years’ incumbency.” + </p> + <p> + “I will consider of your proposal,” replied Ralph Cranfield, hurriedly, + “and will make known my decision within three days.” + </p> + <p> + After a few more words, the village dignitary and his companions took + their leave. But to Cranfield’s fancy their images were still present, and + became more and more invested with the dim awfulness of figures which had + first appeared to him in a dream, and afterwards had shown themselves in + his waking moments, assuming homely aspects among familiar things. His + mind dwelt upon the features of the Squire, till they grew confused with + those of the visionary Sage, and one appeared but the shadow of the other. + The same visage, he now thought, had looked forth upon him from the + Pyramid of Cheops; the same form had beckoned to him among the colonnades + of the Alhambra; the same figure had mistily revealed itself through the + ascending steam of the Great Geyser. At every effort of his memory he + recognized some trait of the dreamy Messenger of Destiny, in this pompous, + bustling, self-important, little great man of the village. Amid such + musings Ralph Cranfield sat all day in the cottage, scarcely hearing and + vaguely answering his mother’s thousand questions about his travels and + adventures. At sunset he roused himself to take a stroll, and, passing the + aged elm-tree, his eye was again caught by the semblance of a hand, + pointing downward at the half-obliterated inscription. As Cranfield walked + down the street of the village, the level sunbeams threw his shadow far + before him; and he fancied that, as his shadow walked among distant + objects, so had there been a presentiment stalking in advance of him + throughout his life. And when he drew near each object, over which his + tall shadow had preceded him, still it proved to be—one of the + familiar recollections of his infancy and youth. Every crook in the + pathway was remembered. Even the more transitory characteristics of the + scene were the same as in bygone days. A company of cows were grazing on + the grassy roadside, and refreshed him with their fragrant breath. “It is + sweeter,” thought he, “than the perfume which was wafted to our shipp from + the Spice Islands.” The round little figure of a child rolled from a + doorway, and lay laughing almost beneath Cranfield’s feet. The dark and + stately man stooped down, and, lifting the infant, restored him to his + mother’s arms. “The children,” said he to himself, and sighed, and smiled,—“the + children are to be my charge!” And while a flow of natural feeling gushed + like a wellspring in his heart, he came to a dwelling which he could + nowise forbear to enter. A sweet voice, which seemed to come from a deep + and tender soul, was warbling a plaintive little air, within. + </p> + <p> + He bent his head, and passed through the lowly door. As his foot sounded + upon the threshold, a young woman advanced from the dusky interior of the + house, at first hastily, and then with a more uncertain step, till they + met face to face. There was a singular contrast in their two figures; he + dark and picturesque,—one who had battled with the world,—whom + all suns had shone upon, and whom all winds had blown on a varied course; + she neat, comely, and quiet,—quiet even in her agitation,—as + if all her emotions had been subdued to the peaceful tenor of her life. + Yet their faces, all unlike as they were, had an expression that seemed + not so alien,—a glow of kindred feeling, flashing upward anew from + half-extinguished embers. + </p> + <p> + “You are welcome home!” said Faith Egerton. + </p> + <p> + But Cranfield did not immediately answer; for his eye had been caught by + an ornament in the shape of a Heart, which Faith wore as a brooch upon her + bosom. The material was the ordinary white quartz; and he recollected + having himself shaped it out of one of those Indian arrowheads, which are + so often found in the ancient haunts of the red men. It was precisely on + the pattern of that worn by the visionary Maid. When Cranfield departed on + his shadowy search he had bestowed this brooch, in a gold setting, as a + parting gift to Faith Egerton. + </p> + <p> + “So, Faith, you have kept the Heart!” said he, at length. + </p> + <p> + “Yes,” said she, blushing deeply; then more gayly, “and what else have you + brought me from beyond the sea?” + </p> + <p> + “Faith!” replied Ralph Cranfield, uttering the fated words by an + uncontrollable impulse, “I have brought you nothing but a heavy heart! May + I rest its weight on you?” + </p> + <p> + “This token, which I have worn so long,” said Faith, laying her tremulous + finger on the Heart, “is the assurance that you may!” + </p> + <p> + “Faith! Faith!” cried Cranfield, clasping her in his arms, “you have + interpreted my wild and weary dream!” + </p> + <p> + Yes, the wild dreamer was awake at last. To find the mysterious treasure, + he was to till the earth around his mother’s dwelling, and reap its + products! Instead of warlike command, or regal or religious sway, he was + to rule over the village children! And now the visionary Maid had faded + from his fancy, and in her place he saw the playmate of his childhood! + Would all, who cherish such wild wishes, but look around them, they would + oftenest find their sphere of duty, of prosperity, and happiness within + those precincts, and in that station where Providence itself has cast + their lot. Happy they who read the riddle, without a weary world-search, + or a lifetime spent in vain! + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Threefold Destiny (From “Twice +Told Tales”), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK THE THREEFOLD DESTINY *** + +***** This file should be named 9220-h.htm or 9220-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/2/9220/ + +Produced by David Widger and Al Haines. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |