diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:53 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:53 -0700 |
| commit | 8dba9adc54df22c9ff4d4e9c799dbde1ea81f740 (patch) | |
| tree | fcab9cfb7b86103302453e1199d211ff35bdc026 /9219-h | |
Diffstat (limited to '9219-h')
| -rw-r--r-- | 9219-h/9219-h.htm | 711 |
1 files changed, 711 insertions, 0 deletions
diff --git a/9219-h/9219-h.htm b/9219-h/9219-h.htm new file mode 100644 index 0000000..f420d1d --- /dev/null +++ b/9219-h/9219-h.htm @@ -0,0 +1,711 @@ +<?xml version="1.0" encoding="iso-8859-1"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + The Project Gutenberg E-text of Edward Fane's Rosebud, by Nathaniel + Hawthorne + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Edward Fane's Rosebud (From "Twice Told +Tales"), by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Edward Fane's Rosebud (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: November, 2005 [EBook #9219] +First Posted: August 23, 2003 +Last Updated: April 2, 2013 + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK EDWARD FANE'S ROSEBUD *** + + + + +Produced by David Widger and Al Haines. + + + + + +</pre> + <p> + <br /><br /> + </p> + <h3> + TWICE TOLD TALES<br /> + </h3> + <h2> + EDWARD FANE'S ROSEBUD<br /> + </h2> + <h3> + By Nathaniel Hawthorne<br /> + </h3> + <p> + <br /><br /> + </p> + <p> + There is hardly a more difficult exercise of fancy, than, while gazing at + a figure of melancholy age, to re-create its youth, and, without entirely + obliterating the identity of form and features, to restore those graces + which time has snatched away. Some old people, especially women, so + age-worn and woeful are they, seem never to have been young and gay. It is + easier to conceive that such gloomy phantoms were sent into the world as + withered and decrepit as we behold them now, with sympathies only for pain + and grief, to watch at death-beds, and weep at funerals. Even the sable + garments of their widowhood appear essential to their existence; all their + attributes combine to render them darksome shadows, creeping strangely + amid the sunshine of human life. Yet it is no unprofitable task, to take + one of these doleful creatures, and set fancy resolutely at work to + brighten the dim eye, and darken the silvery locks, and paint the ashen + cheek with rose-color, and repair the shrunken and crazy form, till a dewy + maiden shall be seen in the old matron's elbow-chair. The miracle being + wrought, then let the years roll back again, each sadder than the last, + and the whole weight of age and sorrow settle down upon the youthful + figure. + </p> + <p> + Wrinkles and furrows, the handwriting of Time, may thus be deciphered, and + found to contain deep lessons of thought and feeling. Such profit might be + derived, by a skilful observer, from my much-respected friend, the Widow + Toothaker, a nurse of great repute, who has breathed the atmosphere of + sick-chambers and dying breaths these forty years. + </p> + <p> + See! she sits cowering over her lonesome hearth, with her gown and upper + petticoat drawn upward, gathering thriftily into her person the whole + warmth of the fire, which, now at nightfall, begins to dissipate the + autumnal chill of her chamber. The blaze quivers capriciously in front, + alternately glimmering into the deepest chasms of her wrinkled visage, and + then permitting a ghostly dimness to mar the outlines of her venerable + figure. And Nurse Toothaker holds a teaspoon in her right hand, with which + to stir up the contents of a tumbler in her left, whence steams a vapory + fragrance, abhorred of temperance societies. Now she sips,—now + stirs,—now sips again. Her sad old heart has need to be revived by + the rich infusion of Geneva, which is mixed half and half with hot water, + in the tumbler. All day long she has been sitting by a death-pillow, and + quitted it for her home, only when the spirit of her patient left the clay + and went homeward too. But now are her melancholy meditations cheered, and + her torpid blood warmed, and her shoulders lightened of at least twenty + ponderous years, by a draught from the true Fountain of Youth, in a + case-bottle. It is strange that men should deem that fount a fable when + its liquor fills more bottles than the Congress-water! Sip it again, good + nurse, and see whether a second draught will not take off another score of + years, and perhaps ten more, and show us, in your high-backed chair, the + blooming damsel who plighted troths with Edward Fane. Get you gone, Age + and Widowhood! Come back, unwedded Youth! But, alas! the charm will not + work. In spite of fancy's most potent spell, I can see only an old dame + cowering over the fire, a picture of decay and desolation, while the + November blast roars at her in the chimney, and fitful showers rush + suddenly against the window. + </p> + <p> + Yet there was a time when Rose Grafton—such was the pretty maiden + name of Nurse Toothaker—possessed beauty that would have gladdened + this dim and dismal chamber as with sunshine. It won for her the heart of + Edward Fane, who has since made so great a figure in the world, and is now + a grand old gentleman, with powdered hair, and as gouty as a lord. These + early lovers thought to have walked hand in hand through life. They had + wept together for Edward's little sister Mary, whom Rose tended in her + sickness, partly because she was the sweetest child that ever lived or + died, but more for love of him. She was but three years old. Being such an + infant, Death could not embody his terrors in her little corpse; nor did + Rose fear to touch the dead child's brow, though chill, as she curled the + silken hair around it, nor to take her tiny hand, and clasp a flower + within its fingers. Afterward, when she looked through the pane of glass + in the coffin-lid, and beheld Mary's face, it seemed not so much like + death, or life, as like a waxwork, wrought into the perfect image of a + child asleep, and dreaming of its mother's smile. Rose thought her too + fair a thing to be hidden in the grave, and wondered that an angel did not + snatch up little Mary's coffin, and bear the slumbering babe to heaven, + and bid her wake immortal. But when the sods were laid on little Mary, the + heart of Rose was troubled. She shuddered at the fantasy, that, in + grasping the child's cold fingers, her virgin hand had exchanged a first + greeting with mortality, and could never lose the earthly taint. How many + a greeting since! But as yet, she was a fair young girl, with the dewdrops + of fresh feeling in her bosom; and instead of Rose, which seemed too + mature a name for her half-opened beauty, her lover called her Rosebud. + </p> + <p> + The rosebud was destined never to bloom for Edward Fane. His mother was a + rich and haughty dame, with all the aristocratic prejudices of colonial + times. She scorned Rose Grafton's humble parentage, and caused her son to + break his faith, though, had she let him choose, he would have prized his + Rosebud above the richest diamond. The lovers parted, and have seldom met + again. Both may have visited the same mansions, but not at the same time; + for one was bidden to the festal hall, and the other to the sick-chamber; + he was the guest of Pleasure and Prosperity, and she of Anguish. Rose, + after their separation, was long secluded within the dwelling of Mr. + Toothaker, whom she married with the revengeful hope of breaking her false + lover's heart. She went to her bridegroom's arms with bitterer tears, they + say, than young girls ought to shed at the threshold of the bridal + chamber. Yet, though her husband's head was getting gray, and his heart + had been chilled with an autumnal frost, Rose soon began to love him, and + wondered at her own conjugal affection. He was all she had to love; there + were no children. + </p> + <p> + In a year or two, poor Mr. Toothaker was visited with a wearisome + infirmity which settled in his joints, and made him weaker than a child. + He crept forth about his business, and came home at dinner-time and + eventide, not with the manly tread that gladdens a wife's heart, but + slowly, feebly, jotting down each dull footstep with a melancholy dub of + his staff. We must pardon his pretty wife, if she sometimes blushed to own + him. Her visitors, when they heard him coming, looked for the appearance + of some old, old man; but he dragged his nerveless limbs into the parlor,—and + there was Mr. Toothaker! The disease increasing, he never went into the + sunshine, save with a staff in his right hand and his left on his wife's + shoulder, bearing heavily downward, like a dead man's hand. Thus, a + slender woman, still looking maiden-like, she supported his tall, + broad-chested frame along the pathway of their little garden, and plucked + the roses for her gray-haired husband, and spoke soothingly, as to an + infant. His mind was palsied with his body; its utmost energy was + peevishness. In a few months more, she helped him up the staircase, with a + pause at every step, and a longer one upon the landingplace, and a heavy + glance behind, as he crossed the threshold of his chamber. He knew, poor + man, that the precincts of those four walls would thenceforth be his + world,—his world, his home, his tomb,—at once a dwelling and a + burial-place, till he were borne to a darker and a narrower one. But Rose + was with him in the tomb. He leaned upon her, in his daily passage from + the bed to the chair by the fireside, and back again from the weary chair + to the joyless bed,—his bed and hers,—their marriage-bed; till + even this short journey ceased, and his head lay all day upon the pillow, + and hers all night beside it. How long poor Mr. Toothaker was kept in + misery! Death seemed to draw near the door, and often to lift the latch, + and sometimes to thrust his ugly skull into the chamber, nodding to Rose, + and pointing at her husband, but still delayed to enter. "This bedridden + wretch cannot escape me!" quoth Death. "I will go forth, and run a race + with the swift, and fight a battle with the strong, and come back for + Toothaker at my leisure!" O, when the deliverer came so near in the dull + anguish of her worn-out sympathies, did she never long to cry, "Death, + come in!" + </p> + <p> + But, no! We have no right to ascribe such a wish to our friend Rose. She + never failed in a wife's duty to her poor sick husband. She murmured not, + though a glimpse of the sunny sky was as strange to her as him, nor + answered peevishly, though his complaining accents roused her from her + sweetest dream, only to share his wretchedness. He knew her faith, yet + nourished a cankered jealousy; and when the slow disease had chilled all + his heart, save one lukewarm spot, which Death's frozen fingers were + searching for, his last words were, "What would my Rose have done for her + first love, if she has been so true and kind to a sick old man like me!" + And then his poor soul crept away, and left the body lifeless, though + hardly more so than for years before, and Rose a widow, though in truth it + was the wedding-night that widowed her. She felt glad, it must be owned, + when Mr. Toothaker was buried, because his corpse had retained such a + likeness to the man half alive, that she hearkened for the sad murmur of + his voice, bidding her shift his pillow. But all through the next winter, + though the grave had held him many a month, she fancied him calling from + that cold bed, "Rose! Rose! come put a blanket on my feet." + </p> + <p> + So now the Rosebud was the Widow Toothaker. Her troubles had come early, + and, tedious as they seemed, had passed before all her bloom was fled. She + was still fair enough to captivate a bachelor, or, with a widow's cheerful + gravity, she might have won a widower, stealing into his heart in the very + guise of his dead wife. But the Widow Toothaker had no such projects. By + her watchings and continual cares, her heart had become knit to her first + husband with a constancy which changed its very nature, and made her love + him for his infirmities, and infirmity for his sake. When the palsied old + man was gone, even her early lover could not have supplied his place. She + had dwelt in a sick-chamber, and been the companion of a half-dead wretch, + till she could scarcely breathe in a free air, and felt ill at ease with + the healthy and the happy. She missed the fragrance of the doctor's stuff. + She walked the chamber with a noiseless footfall. If visitors came in, she + spoke in soft and soothing accents, and was startled and shocked by their + loud voices. Often in the lonesome evening, she looked timorously from the + fireside to the bed, with almost a hope of recognizing a ghastly face upon + the pillow. Then went her thoughts sadly to her husband's grave. If one + impatient throb bad wronged him in his lifetime,—if she had secretly + repined, because her buoyant youth was imprisoned with his torpid age,—if + ever, while slumbering beside him, a treacherous dream had admitted + another into her heart,—yet the sick man had been preparing a + revenge, which the dead now claimed. On his painful pillow, he had cast a + spell around her; his groans and misery had proved more captivating charms + than gayety and youthful grace; in his semblance, Disease itself had won + the Rosebud for a bride; nor could his death dissolve the nuptials. By + that indissoluble bond she had gained a home in every sick-chamber, and + nowhere else; there were her brethren and sisters; thither her husband + summoned her, with that voice which had seemed to issue from the grave of + Toothaker. At length she recognized her destiny. + </p> + <p> + We have beheld her as the maid, the wife, the widow; now we see her in a + separate and insulated character; she was, in all her attributes, Nurse + Toothaker. And Nurse Toothaker alone, with her own shrivelled lips, could + make known her experience in that capacity. What a history might she + record of the great sicknesses, in which she has gone hand in hand with + the exterminating angel! She remembers when the small-pox hoisted a red + banner on almost every house along the street. She has witnessed when the + typhus fever swept off a whole household, young and old, all but a lonely + mother, who vainly shrieked to follow her last loved one. Where would be + Death's triumph, if none lived to weep? She can speak of strange maladies + that have broken out, as if spontaneously, but were found to have been + imported from foreign lands, with rich silks and other merchandise, the + costliest portion of the cargo. And once, she recollects, the people died + of what was considered a new pestilence, till the doctors traced it to the + ancient grave of a young girl, who thus caused many deaths a hundred years + after her own burial. Strange that such black mischief should lurk in a + maiden's grave! She loves to tell how strong men fight with fiery fevers, + utterly refusing to give up their breath; and how consumptive virgins fade + out of the world, scarcely reluctant, as if their lovers were wooing them + to a far country. Tell us, thou fearful woman! tell us the death-secrets! + Fain would I search out the meaning of words, faintly gasped with + intermingled sobs, and broken sentences, half audibly spoken between earth + and the judgment-seat! + </p> + <p> + An awful woman! She is the patron saint of young physicians, and the bosom + friend of old ones. In the mansions where she enters, the inmates provide + themselves black garments; the coffin-maker follows her; and the bell + tolls as she comes away from the threshold. Death himself has met her at + so many a bedside, that he puts forth his bony hand to greet Nurse + Toothaker. + </p> + <p> + She is an awful woman! And, O, is it conceivable, that this handmaid of + human infirmity and affliction—so darkly stained, so thoroughly + imbued with all that is saddest in the doom of mortals—can ever + again be bright and gladsome, even though bathed in the sunshine of + eternity? By her long communion with woe, has she not forfeited her + inheritance of immortal joy? Does any germ of bliss survive within her? + </p> + <p> + Hark! an eager knocking at Nurse Toothaker's door. She starts from her + drowsy revery, sets aside the empty tumbler and teaspoon, and lights a + lamp at the dim embers of the fire. Rap, rap, rap! again; and she hurries + a-down the staircase, wondering which of her friends can be at death's + door now, since there is such an earnest messenger at Nurse Toothaker's. + Again the peal resounds, just as her hand is on the lock. "Be quick, Nurse + Toothaker!" cries a man on the doorstep; "old General Fane is taken with + the gout in his stomach, and has sent for you to watch by his death-bed. + Make haste, for there is no time to lose!" + </p> + <p> + "Fane! Edward Fane! And has he sent for me at last? I am ready! I will get + on my cloak and begone. So," adds the sable-gowned, ashen-visaged, + funereal old figure, "Edward Fane remembers his Rosebud!" + </p> + <p> + Our question is answered. There is a germ of bliss within her. Her + long-hoarded constancy—her memory of the bliss that was—remaining + amid the gloom of her after life, like a sweet-smelling flower in a + coffin, is a symbol that all maybe renewed. In some happier clime, the + Rosebud may revive again with all the dewdrops in its bosom. + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of Edward Fane's Rosebud (From "Twice +Told Tales"), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK EDWARD FANE'S ROSEBUD *** + +***** This file should be named 9219-h.htm or 9219-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/1/9219/ + +Produced by David Widger and Al Haines. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |
