summaryrefslogtreecommitdiff
path: root/9218-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:32:53 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:32:53 -0700
commit722276fc3ad3b4853e10e71b4cb767a7785ece8a (patch)
tree8729f946823a7dac5e871ec92935dcff1b0cc408 /9218-h
initial commit of ebook 9218HEADmain
Diffstat (limited to '9218-h')
-rw-r--r--9218-h/9218-h.htm811
1 files changed, 811 insertions, 0 deletions
diff --git a/9218-h/9218-h.htm b/9218-h/9218-h.htm
new file mode 100644
index 0000000..e1d5a18
--- /dev/null
+++ b/9218-h/9218-h.htm
@@ -0,0 +1,811 @@
+<?xml version="1.0" encoding="iso-8859-1"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <title>
+ The Project Gutenberg E-text of Footprints on the Sea-Shore, by Nathaniel
+ Hawthorne
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Footprints on the Sea-Shore (From "Twice
+Told Tales"), by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Footprints on the Sea-Shore (From "Twice Told Tales")
+
+Author: Nathaniel Hawthorne
+
+Release Date: November, 2005 [EBook #9218]
+First Posted: August 23, 2003
+Last Updated: April 2, 2013
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FOOTPRINTS ON THE SEA-SHORE ***
+
+
+
+
+Produced by David Widger and Al Haines.
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ TWICE TOLD TALES<br />
+ </h3>
+ <h2>
+ FOOTPRINTS ON THE SEA-SHORE<br />
+ </h2>
+ <h3>
+ By Nathaniel Hawthorne<br />
+ </h3>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ It must be a spirit much unlike my own, which can keep itself in health
+ and vigor without sometimes stealing from the sultry sunshine of the
+ world, to plunge into the cool bath of solitude. At intervals, and not
+ infrequent ones, the forest and the ocean summon me&mdash;one with the
+ roar of its waves, the other with the murmur of its boughs&mdash;forth
+ from the haunts of men. But I must wander many a mile, ere I could stand
+ beneath the shadow of even one primeval tree, much less be lost among the
+ multitude of hoary trunks, and hidden from earth and sky by the mystery of
+ darksome foliage. Nothing is within my daily reach more like a forest than
+ the acre or two of woodland near some suburban farm-house. When,
+ therefore, the yearning for seclusion becomes a necessity within me, I am
+ drawn to the sea-shore, which extends its line of rude rocks and
+ seldom-trodden sands, for leagues around our bay. Setting forth at my last
+ ramble, on a September morning, I bound myself with a hermit's vow, to
+ interchange no thoughts with man or woman, to share no social pleasure,
+ but to derive all that day's enjoyment from shore, and sea, and sky,&mdash;from
+ my soul's communion with these, and from fantasies, and recollections, or
+ anticipated realities. Surely here is enough to feed a human spirit for a
+ single day. Farewell, then, busy world! Till your evening lights shall
+ shine along the street,&mdash;till they gleam upon my sea-flushed face, as
+ I tread homeward,&mdash;free me from your ties, and let me be a peaceful
+ outlaw.
+ </p>
+ <p>
+ Highways and cross-paths are hastily traversed, and, clambering down a
+ crag, I find myself at the extremity of a long beach. How gladly does the
+ spirit leap forth, and suddenly enlarge its sense of being to the full
+ extent of the broad, blue, sunny deep! A greeting and a homage to the Sea!
+ I descend over its margin, and dip my hand into the wave that meets me,
+ and bathe my brow. That far-resounding roar is Ocean's voice of welcome.
+ His salt breath brings a blessing along with it. Now let us pace together&mdash;the
+ reader's fancy arm in arm with mine&mdash;this noble beach, which extends
+ a mile or more from that craggy promontory to yonder rampart of broken
+ rocks. In front, the sea; in the rear, a precipitous bank, the grassy
+ verge of which is breaking away, year after year, and flings down its
+ tufts of verdure upon the barrenness below. The beach itself is a broad
+ space of sand, brown and sparkling, with hardly any pebbles intermixed.
+ Near the water's edge there is a wet margin, which glistens brightly in
+ the sunshine, and reflects objects like a mirror; and as we tread along
+ the glistening border, a dry spot flashes around each footstep, but grows
+ moist again, as we lift our feet. In some spots, the sand receives a
+ complete impression of the sole, square toe and all; elsewhere it is of
+ such marble firmness, that we must stamp heavily to leave a print even of
+ the iron-shod heel. Along the whole of this extensive beach gambols the
+ surf wave: now it makes a feint of dashing onward in a fury, yet dies away
+ with a meek murmur, and does but kiss the strand; now, after many such
+ abortive efforts, it rears itself up in an unbroken line, heightening as
+ it advances, without a speck of foam on its green crest. With how fierce a
+ roar it flings itself forward, and rushes far up the beach!
+ </p>
+ <p>
+ As I threw my eyes along the edge of the surf, I remember that I was
+ startled, as Robinson Crusoe might have been, by the sense that human life
+ was within the magic circle of my solitude. Afar off in the remote
+ distance of the beach, appearing like sea-nymphs, or some airier things,
+ such as might tread upon the feathery spray, was a group of girls. Hardly
+ had I beheld them, when they passed into the shadow of the rocks and
+ vanished. To comfort myself&mdash;for truly I would fain have gazed a
+ while longer&mdash;I made acquaintance with a flock of beach birds. These
+ little citizens of the sea and air preceded me by about a stone's-throw
+ along the strand, seeking, I suppose, for food upon its margin. Yet, with
+ a philosophy which mankind would do well to imitate, they drew a continual
+ pleasure from their toil for a subsistence. The sea was each little bird's
+ great playmate. They chased it downward as it swept back, and again ran up
+ swiftly before the impending wave, which sometimes overtook them and bore
+ them off their feet. But they floated as lightly as one of their own
+ feathers on the breaking crest. In their airy flutterings, they seemed to
+ rest on the evanescent spray. Their images&mdash;long-legged little
+ figures, with gray backs and snowy bosoms&mdash;were seen as distinctly as
+ the realities in the mirror of the glistening strand. As I advanced, they
+ flew a score or two of yards, and, again alighting, recommenced their
+ dalliance with the surf wave; and thus they bore me company along the
+ beach, the types of pleasant fantasies, till, at its extremity, they took
+ wing over the ocean, and were gone. After forming a friendship with these
+ small surf-spirits, it is really worth a sigh, to find no memorial of
+ them, save their multitudinous little tracks in the sand.
+ </p>
+ <p>
+ When we have paced the length of the beach, it is pleasant, and not
+ unprofitable, to retrace our steps, and recall the whole mood and
+ occupation of the mind during the former passage. Our tracks, being all
+ discernible, will guide us with an observing consciousness through every
+ unconscious wandering of thought and fancy. Here we followed the surf in
+ its reflux, to pick up a shell which the sea seemed loath to relinquish.
+ Here we found a sea-weed, with an immense brown leaf, and trailed it
+ behind us by its long snake-like stalk. Here we seized a live horseshoe by
+ the tail, and counted the many claws of the queer monster. Here we dug
+ into the sand for pebbles, and skipped them upon the surface of the water.
+ Here we wet our feet while examining a jelly-fish, which the waves, having
+ just tossed it up, now sought to snatch away again. Here we trod along the
+ brink of a fresh-water brooklet, which flows across the beach, becoming
+ shallower and more shallow, till at last it sinks into the sand, and
+ perishes in the effort to bear its little tribute to the main. Here some
+ vagary appears to have bewildered us; for our tracks go round and round,
+ and are confusedly intermingled, as if we had found a labyrinth upon the
+ level beach. And here, amid our idle pastime, we sat down upon almost the
+ only stone that breaks the surface of the sand, and were lost in an
+ unlooked-for and overpowering conception of the majesty and awfulness of
+ the great deep. Thus, by tracking our footprints in the sand, we track our
+ own nature in its wayward course, and steal a glance upon it, when it
+ never dreams of being so observed. Such glances always make us wiser.
+ </p>
+ <p>
+ This extensive beach affords room for another pleasant pastime. With your
+ staff you may write verses&mdash;love-verses, if they please you best&mdash;and
+ consecrate them with a woman's name. Here, too, may be inscribed thoughts,
+ feelings, desires, warm out-gushings from the heart's secret places, which
+ you would not pour upon the sand without the certainty that, almost ere
+ the sky has looked upon them, the sea will wash them out. Stir not hence
+ till the record be effaced. Now&mdash;for there is room enough on your
+ canvas&mdash;draw huge faces,&mdash;huge as that of the Sphinx on Egyptian
+ sands,&mdash;and fit them with bodies of corresponding immensity, and legs
+ which might stride half-way to yonder island. Child's play becomes
+ magnificent on so grand a scale. But, after all, the most fascinating
+ employment is simply to write your name in the sand. Draw the letters
+ gigantic, so that two strides may barely measure them, and three for the
+ long strokes! Cut deep, that the record may be permanent! Statesmen, and
+ warriors, and poets have spent their strength in no better cause than
+ this. Is it accomplished? Return, then, in an hour or two, and seek for
+ this mighty record of a name. The sea will have swept over it, even as
+ time rolls its effacing waves over the names of statesmen, and warriors,
+ and poets. Hark, the surf wave laughs at you!
+ </p>
+ <p>
+ Passing from the beach, I begin to clamber over the crags, making my
+ difficult way among the ruins of a rampart, shattered and broken by the
+ assaults of a fierce enemy. The rocks rise in every variety of attitude;
+ some of them have their feet in the foam, and are shagged half-way upward
+ with sea-weed; some have been hollowed almost into caverns by the
+ unwearied toil of the sea, which can afford to spend centuries in wearing
+ away a rock, or even polishing a pebble. One huge rock ascends in
+ monumental shape, with a face like a giant's tombstone, on which the veins
+ resemble inscriptions, but in an unknown tongue. We will fancy them the
+ forgotten characters of an antediluvian race; or else that Nature's own
+ hand has here recorded a mystery, which, could I read her language, would
+ make mankind the wiser and the happier. How many a thing has troubled me
+ with that same idea! Pass on, and leave it unexplained. Here is a narrow
+ avenue, which might seem to have been hewn through the very heart of an
+ enormous crag, affording passage for the rising sea to thunder back and
+ forth, filling it with tumultuous foam, and then leaving its floor of
+ black pebbles bare and glistening. In this chasm there was once an
+ intersecting vein of softer stone, which the waves have gnawed away
+ piecemeal, while the granite walls remain entire on either side. How
+ sharply, and with what harsh clamor, does the sea rake hack the pebbles,
+ as it momentarily withdraws into its own depths! At intervals, the floor
+ of the chasm is left nearly dry; but anon, at the outlet, two or three
+ great waves are seen struggling to get in at once; two hit the walls
+ athwart, while one rushes straight through, and all three thunder, as if
+ with rage and triumph. They heap the chasm with a snow-drift of foam and
+ spray. While watching this scene, I can never rid myself of the idea that
+ a monster, endowed with life and fierce energy, is striving to burst his
+ way through the narrow pass. And what a contrast, to look through the
+ stormy chasm, and catch a glimpse of the calm bright sea beyond!
+ </p>
+ <p>
+ Many interesting discoveries may be made among these broken cliffs. Once,
+ for example, I found a dead seal, which a recent tempest had tossed into
+ the nook of the rocks, where his shaggy carcass lay rolled in a heap of
+ eel-grass, as if the sea-monster sought to hide himself from my eye.
+ Another time, a shark seemed on the point of leaping from the surf to
+ swallow me; nor did I wholly without dread approach near enough to
+ ascertain that the man-eater had already met his own death from some
+ fisherman in the bay. In the same ramble, I encountered a bird,&mdash;a
+ large gray bird,&mdash;but whether a loon, or a wild goose, or the
+ identical albatross of the Ancient Mariner, was beyond my ornithology to
+ decide. It reposed so naturally on a bed of dry sea-weed, with its head
+ beside its wing, that I almost fancied it alive, and trod softly lest it
+ should suddenly spread its wings skyward. But the sea-bird would soar
+ among the clouds no more, nor ride upon its native waves; so I drew near,
+ and pulled out one of its mottled tail-feathers for a remembrance. Another
+ day, I discovered an immense bone, wedged into a chasm of the rocks; it
+ was at least ten feet long, curved like a cimeter, bejewelled with
+ barnacles and small shell-fish, and partly covered with a growth of
+ sea-weed. Some leviathan of former ages had used this ponderous mass as a
+ jawbone. Curiosities of a minuter order may be observed in a deep
+ reservoir, which is replenished with water at every tide, but becomes a
+ lake among the crags, save when the sea is at its height. At the bottom of
+ this rocky basin grow marine plants, some of which tower high beneath the
+ water, and cast a shadow in the sunshine. Small fishes dart to and fro,
+ and hide themselves among the sea-weed; there is also a solitary crab, who
+ appears to lead the life of a hermit, communing with none of the other
+ denizens of the place; and likewise several five-fingers,&mdash;for I know
+ no other name than that which children give them. If your imagination be
+ at all accustomed to such freaks, you may look down into the depths of
+ this pool, and fancy it the mysterious depth of ocean. But where are the
+ hulks and scattered timbers of sunken ships? where the treasures that old
+ Ocean hoards?&mdash;where the corroded cannon?&mdash;where the corpses and
+ skeletons of seamen, who went down in storm and battle?
+ </p>
+ <p>
+ On the day of my last ramble (it was a September day, yet as warm as
+ summer), what should I behold as I approached the above-described basin
+ but three girls sitting on its margin, and&mdash;yes, it is veritably so&mdash;laving
+ their snowy feet in the sunny water! These, these are the warm realities
+ of those three visionary shapes that flitted from me on the beach. Hark!
+ their merry voices, as they toss up the water with their feet! They have
+ not seen me. I must shrink behind this rock, and steal away again.
+ </p>
+ <p>
+ In honest truth, vowed to solitude as I am, there is something in this
+ encounter that makes the heart flutter with a strangely pleasant
+ sensation. I know these girls to be realities of flesh and blood, yet,
+ glancing at them so briefly, they mingle like kindred creatures with the
+ ideal beings of my mind. It is pleasant, likewise, to gaze down from some
+ high crag, and watch a group of children, gathering pebbles and pearly
+ shells, and playing with the surf, as with old Ocean's hoary beard. Nor
+ does it infringe upon my seclusion, to see yonder boat at anchor off the
+ shore, swinging dreamily to and fro, and rising and sinking with the
+ alternate swell; while the crew&mdash;four gentlemen, in round-about
+ jackets&mdash;are busy with their fishing-lines. But, with an inward
+ antipathy and a headlong flight, do I eschew the presence of any
+ meditative stroller like myself, known by his pilgrim staff, his
+ sauntering step, his shy demeanor, his observant yet abstracted eye. From
+ such a man, as if another self had scared me, I scramble hastily over the
+ rocks, and take refuge in a nook which many a secret hour has given me a
+ right to call my own. I would do battle for it even with the churl that
+ should produce the title-deeds. Have not my musings melted into its rocky
+ walls and sandy floor, and made them a portion of myself?
+ </p>
+ <p>
+ It is a recess in the line of cliffs, walled round by a rough, high
+ precipice, which almost encircles and shuts in a little space of sand. In
+ front, the sea appears as between the pillars of a portal. In the rear,
+ the precipice is broken and intermixed with earth, which gives nourishment
+ not only to-clinging and twining shrubs, but to trees, that gripe the rock
+ with their naked roots, and seem to struggle hard for footing and for soil
+ enough to live upon. These are fir-trees; but oaks hang their heavy
+ branches from above, and throw down acorns on the beach, and shed their
+ withering foliage upon the waves. At this autumnal season, the precipice
+ is decked with variegated splendor; trailing wreaths of scarlet flaunt
+ from the summit downward; tufts of yellow-flowering shrubs, and
+ rose-bushes, with their reddened leaves and glossy seed-berries, sprout
+ from each crevice; at every glance, I detect some new light or shade of
+ beauty, all contrasting with the stern, gray rock. A rill of water
+ trickles down the cliff and fills a little cistern near the base. I drain
+ it at a draught, and find it fresh and pure. This recess shall be my
+ dining-hall. And what the feast? A few biscuits, made savory by soaking
+ them in seawater, a tuft of samphire gathered from the beach, and an apple
+ for the dessert. By this time, the little rill has filled its reservoir
+ again; and, as I quaff it, I thank God morn heartily than for a civic
+ banquet, that he gives me the healthful appetite to make a feast of bread
+ and water.
+ </p>
+ <p>
+ Dinner being over, I throw myself at length upon the sand, and, basking in
+ the sunshine, let my mind disport itself at will. The walls of this my
+ hermitage have no tongue to tell my follies, though I sometimes fancy that
+ they have ears to hear them, and a soul to sympathize. There is a magic in
+ this spot. Dreams haunt its precincts, and flit around me in broad
+ sunlight, nor require that sleep shall blindfold me to real objects, ere
+ these be visible. Here can I frame a story of two lovers, and make their
+ shadows live before me, and be mirrored in the tranquil water, as they
+ tread along the sand, leaving no footprints. Here, should I will it, I can
+ summon up a single shade, and be myself her lover. Yes, dreamer,&mdash;but
+ your lonely heart will be the colder for such fancies. Sometimes, too, the
+ Past comes back, and finds me here, and in her train come faces which were
+ gladsome, when I knew them, yet seem not gladsome now. Would that my
+ hiding-place were lonelier, so that the past might not find me! Get ye all
+ gone, old friends, and let me listen to the murmur of the sea,&mdash;a
+ melancholy voice, but less sad than yours. Of what mysteries is it
+ telling? Of sunken ships, and whereabouts they lie? Of islands afar and
+ undiscovered, whose tawny children are unconscious of other islands and of
+ continents, and deem the stars of heaven their nearest neighbors? Nothing
+ of all this. What then? Has it talked for so many ages, and meant nothing
+ all the while&mdash;No; for those ages find utterance in the sea's
+ unchanging voice, and warn the listener to withdraw his interest from
+ mortal vicissitudes, and let the infinite idea of eternity pervade his
+ soul. This is wisdom; and, therefore, will I spend the next half-hour in
+ shaping little boats of drift-wood, and launching them on voyages across
+ the cove, with the feather of a sea-gull for a sail. If the voice of ages
+ tell me true, this is as wise an occupation as to build ships of five
+ hundred tons, and launch them forth upon the main, bound to "far Cathay."
+ Yet, how would the merchant sneer at me!
+ </p>
+ <p>
+ And, after all, can such philosophy be true? Methinks I could find a
+ thousand arguments against it. Well, then, let yonder shaggy rock,
+ mid-deep in the surf,&mdash;see! he is somewhat wrathful,&mdash;he rages
+ and roars and foams,&mdash;let that tall rock be my antagonist, and let me
+ exercise my oratory like him of Athens, who bandied words with an angry
+ sea and got the victory. My maiden speech is a triumphant one; for the
+ gentleman in sea-weed has nothing to offer in reply, save an immitigable
+ roaring. His voice, indeed, will be heard a long while after mine is
+ hushed. Once more I shout, and the cliffs reverberate the sound. O, what
+ joy for a shy man to feel himself so solitary, that he may lift his voice
+ to its highest pitch without hazard of a listener! But, hush!&mdash;be
+ silent, my good friend!&mdash;whence comes that stifled laughter? It was
+ musical,&mdash;but how should there be such music in my solitude? Looking
+ upwards, I catch a glimpse of three faces, peeping from the summit of the
+ cliff, like angels between me and their native sky. Ah, fair girls, you
+ may make yourselves merry at my eloquence,&mdash;but it was my turn to
+ smile when I saw your white feet in the pool! Let us keep each other's
+ secrets.
+ </p>
+ <p>
+ The sunshine has now passed from my hermitage, except a gleam upon the
+ sand just where it meets the sea. A crowd of gloomy fantasies will come
+ and haunt me, if I tarry longer here, in the darkening twilight of these
+ gray rocks. This is a dismal place in some moods of the mind. Climb we,
+ therefore, the precipice, and pause a moment on the brink, gazing down
+ into that hollow chamber by the deep where we have been, what few can be,
+ sufficient to our own pastime,-yes, say the word outright!&mdash;self-sufficient
+ to our own happiness. How lonesome looks the recess now, and dreary, too,&mdash;like
+ all other spots where happiness has been! There lies my shadow in the
+ departing sunshine with its head upon the sea. I will pelt it with
+ pebbles. A hit! a hit! I clap my hands in triumph, and see! my shadow
+ clapping its unreal hands, and claiming the triumph for itself. What a
+ simpleton must I have been all day,&mdash;since my own shadow makes a mock
+ of my fooleries!
+ </p>
+ <p>
+ Homeward! homeward! It is time to hasten home. It is time; it is time; for
+ as the sun sinks over the western wave, the sea grows melancholy, and the
+ surf has a saddened tone. The distant sails appear astray, and not of
+ earth, in their remoteness amid the desolate waste. My spirit wanders
+ forth afar, but finds no resting-place, and comes shivering back. It is
+ time that I were hence. But grudge me not the day that has been spent in
+ seclusion, which yet was not solitude, since the great sea has been my
+ companion, and the little sea-birds my friends, and the wind has told me
+ his secrets, and airy shapes have flitted around me in my hermitage. Such
+ companionship works an effect upon a man's character, as if he had been
+ admitted to the society of creatures that are not mortal. And when, at
+ noontide, I tread the crowded streets, the influence of this day will
+ still be felt; so that I shall walk among men kindly and as a brother,
+ with affection and sympathy, but yet shall not melt into the
+ indistinguishable mass of humankind. I shall think my own thoughts, and
+ feel my own emotions, and possess my individuality unviolated.
+ </p>
+ <p>
+ But it is good, at the eve of such a day, to feel and know that there are
+ men and women in the world. That feeling and that knowledge are mine, at
+ this moment; for, on the shore, far below me, the fishing-party have
+ landed from their skiff, and are cooking their scaly prey by a fire of
+ drift-wood, kindled in the angle of two rude rocks. The three visionary
+ girls are likewise there. In the deepening twilight, while the surf is
+ dashed near their hearth, the ruddy gleam of the fire throws a strange air
+ of comfort over the wild cove, bestrewn as it is with pebbles and
+ sea-weed, and exposed to the "melancholy main." Moreover, as the smoke
+ climbs up the precipice, it brings with it a savory smell from a pan of
+ fried fish, and a black kettle of chowder, and reminds me that my dinner
+ was nothing but bread and water, and a tuft of samphire, and an apple.
+ Methinks the party night find room for another guest, at that flat rock
+ which serves them for a table; and if spoons be scarce, I could pick up a
+ clamshell on the beach. They see me now; and&mdash;the blessing of a
+ hungry man upon him!&mdash;one of them sends up a hospitable shout,&mdash;halloo,
+ Sir Solitary! come down and sup with us! The ladies wave their
+ handkerchiefs. Can I decline? No; and be it owned, after all my solitary
+ joys, that this is the sweetest moment of a Day by the Sea-shore.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Footprints on the Sea-Shore (From
+"Twice Told Tales"), by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK FOOTPRINTS ON THE SEA-SHORE ***
+
+***** This file should be named 9218-h.htm or 9218-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/1/9218/
+
+Produced by David Widger and Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>