summaryrefslogtreecommitdiff
path: root/9215.txt
diff options
context:
space:
mode:
Diffstat (limited to '9215.txt')
-rw-r--r--9215.txt794
1 files changed, 794 insertions, 0 deletions
diff --git a/9215.txt b/9215.txt
new file mode 100644
index 0000000..34bea66
--- /dev/null
+++ b/9215.txt
@@ -0,0 +1,794 @@
+The Project Gutenberg EBook of Chippings With A Chisel (From "Twice Told
+Tales"), by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Chippings With A Chisel (From "Twice Told Tales")
+
+Author: Nathaniel Hawthorne
+
+Posting Date: December 2, 2010 [EBook #9215]
+Release Date: November, 2005
+First Posted: August 23, 2003
+Last Updated: February 5, 2007
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL ***
+
+
+
+
+Produced by David Widger. HTML version by Al Haines.
+
+
+
+
+
+
+
+
+
+ TWICE TOLD TALES
+
+ CHIPPINGS WITH A CHISEL
+
+ By Nathaniel Hawthorne
+
+
+
+Passing a summer, several years since, at Edgartown, on the island of
+Martha's Vineyard, I became acquainted with a certain carver of
+tombstones, who had travelled and voyaged thither from the interior of
+Massachusetts, in search of professional employment. The speculation
+had turned out so successful, that my friend expected to transmute
+slate and marble into silver and gold, to the amount of at least a
+thousand dollars, during the few months of his sojourn at Nantucket
+and the Vineyard. The secluded life, and the simple and primitive
+spirit which still characterizes the inhabitants of those islands,
+especially of Martha's Vineyard, insure their dead friends a longer
+and dearer remembrance than the daily novelty and revolving bustle of
+the world can elsewhere afford to beings of the past. Yet while every
+family is anxious to erect a memorial to its departed members, the
+untainted breath of ocean bestows such health and length of days upon
+the people of the isles, as would cause a melancholy dearth of
+business to a resident artist in that line. His own monument,
+recording his disease by starvation, would probably be an early
+specimen of his skill. Gravestones, therefore, have generally been an
+article of imported merchandise.
+
+In my walks through the burial-ground of Edgartown,--where the dead
+have lain so long that the soil, once enriched by their decay, has
+returned to its original barrenness,--in that ancient burial-ground I
+noticed much variety of monumental sculpture. The elder stones, dated
+a century back, or more, have borders elaborately carved with flowers,
+and are adorned with a multiplicity of death's-heads, cross-bones,
+scythes, hour-glasses, and other lugubrious emblems of mortality, with
+here and there a winged cherub to direct the mourner's spirit upward.
+These productions of Gothic taste must have been quite beyond the
+colonial skill of the day, and were probably carved in London, and
+brought across the ocean to commemorate the defunct worthies of this
+lonely isle. The more recent monuments are mere slabs of slate, in
+the ordinary style, without any superfluous flourishes to set off the
+bald inscriptions. But others--and those far the most impressive,
+both to my taste and feelings--were roughly hewn from the gray rocks
+of the island, evidently by the unskilled hands of surviving friends
+and relatives. On some there were merely the initials of a name; some
+were inscribed with misspelt prose or rhyme, in deep letters, which
+the moss and wintry rain of many years had not been able to
+obliterate. These, these were graves where loved ones slept! It is
+an old theme of satire, the falsehood and vanity of monumental
+eulogies; but when affection and sorrow grave the letters with their
+own painful labor, then we may be sure that they copy from the record
+on their hearts.
+
+My acquaintance, the sculptor,--he may share that title with
+Greenough, since the dauber of signs is a painter as well as
+Raphael,--had found a ready market for all his blank slabs of marble, and
+full occupation in lettering and ornamenting them. He was an elderly man,
+a descendant of the old Puritan family of Wigglesworth, with a certain
+simplicity and singleness, both of heart and mind, which, methinks, is
+more rarely-found among us Yankees than in any other community of
+people. In spite of his gray head and wrinkled brow, he was quite
+like a child in all matters save what had some reference to his own
+business; he seemed, unless my fancy misled me, to view mankind in no
+other relation than as people in want of tombstones; and his literary
+attainments evidently comprehended very little, either of prose or
+poetry, which had not, at one time or other, been inscribed on slate
+or marble. His sole task and office among the immortal pilgrims of
+the tomb--the duty for which Providence had sent the old man into the
+world, as it were with a chisel in his hand--was to label the dead
+bodies, lest their names should be forgotten at the resurrection. Yet
+he had not failed, within a narrow scope, to gather a few sprigs of
+earthly, and more than earthly, wisdom,--the harvest of many a grave.
+
+And lugubrious as his calling might appear, he was as cheerful an old
+soul as health, and integrity, and lack of care, could make him, and
+used to set to work upon one sorrowful inscription or another with
+that sort of spirit which impels a man to sing at his labor. On the
+whole, I found Mr. Wigglesworth an entertaining, and often
+instructive, if not an interesting character; and partly for the charm
+of his society, and still more because his work has an invariable
+attraction for "man that is born of woman," I was accustomed to spend
+some hours a day at his workshop. The quaintness of his remarks, and
+their not infrequent truth,--a truth condensed and pointed by the
+limited sphere of his view,--gave a raciness to his talk, which mere
+worldliness and general cultivation would at once have destroyed.
+
+Sometimes we would discuss the respective merits of the various
+qualities of marble, numerous slabs of which were resting against the
+walls of the shop; or sometimes an hour or two would pass quietly,
+without a word on either side, while I watched how neatly his chisel
+struck out letter after letter of the names of the Nortons, the
+Mayhews, the Luces, the Daggets, and other immemorial families of the
+Vineyard. Often, with an artist's pride, the good old sculptor would
+speak of favorite productions of his skill, which were scattered
+throughout the village graveyards of New England. But my chief and
+most instructive amusement was to witness his interviews with his
+customers, who held interminable consultations about the form and
+fashion of the desired monuments, the buried excellence to be
+commemorated, the anguish to be expressed, and finally, the lowest
+price in dollars and cents for which a marble transcript of their
+feelings might be obtained. Really, my mind received many fresh
+ideas, which, perhaps, may remain in it even longer than Mr.
+Wigglesworth's hardest marble will retain the deepest strokes of his
+chisel.
+
+An elderly lady came to bespeak a monument for her first love, who had
+been killed by a whale in the Pacific Ocean no less than forty years
+before. It was singular that so strong an impression of early feeling
+should have survived through the changes of her subsequent life, in
+the course of which she had been a wife and a mother, and, so far as I
+could judge, a comfortable and happy woman. Reflecting within myself,
+it appeared to me that this lifelong sorrow--as, in all good faith,
+she deemed it--was one of the most fortunate circumstances of her
+history. It had given an ideality to her mind; it had kept her purer
+and less earthly than she would otherwise have been, by drawing a
+portion of her sympathies apart from earth. Amid the throng of
+enjoyments, and the pressure of worldly care, and all the warm
+materialism of this life, she had communed with a vision, and had been
+the better for such intercourse. Faithful to the husband of her
+maturity, and loving him with a far more real affection than she ever
+could have felt for this dream of her girlhood, there had still been
+an imaginative faith to the ocean-buried, so that an ordinary
+character had thus been elevated and refined. Her sighs had been the
+breath of Heaven to her soul. The good lady earnestly desired that
+the proposed monument should be ornamented with a carved border of
+marine plants, intertwined with twisted sea-shells, such as were
+probably waving over her lover's skeleton, or strewn around it, in the
+far depths of the Pacific. But Mr. Wigglesworth's chisel being
+inadequate to the task, she was forced to content herself with a rose,
+hanging its head from a broken stem. After her departure, I remarked
+that the symbol was none of the most apt.
+
+"And yet," said my friend the sculptor, embodying in this image the
+thoughts that had been passing through my own mind, "that broken rose
+has shed its sweet smell through forty years of the good woman's
+life."
+
+It was seldom that I could find such pleasant food for contemplation
+as in the above instance. None off the applicants, I think, affected
+me more disagreeably than an old man who came, with his fourth wife
+hanging on his arm, to bespeak gravestones for the three former
+occupants of his marriage-bed. I watched with some anxiety to see
+whether his remembrance of either were more affectionate than of the
+other two, but could discover no symptom of the kind. The three
+monuments were all to be of the same material and form, and each
+decorated, in bas-relief, with two weeping-willows, one of these
+sympathetic trees bending over its fellow, which was to be broken in
+the midst and rest upon a sepulchral urn. This, indeed, was Mr.
+Wigglesworth's standing emblem of conjugal bereavement. I shuddered
+at the gray polygamist, who had so utterly lost the holy sense of
+individuality in wedlock, that methought he was fain to reckon upon
+his fingers how many women, who had once slept by his side, were now
+sleeping in their graves. There was even--if I wrong him it is no
+great matter--a glance sidelong at his living spouse, as if he were
+inclined to drive a thriftier bargain by bespeaking four gravestones
+in a lot. I was better pleased with a rough old whaling captain, who
+gave directions for a broad marble slab, divided into two
+compartments, one of which was to contain an epitaph on his deceased
+wife, and the other to be left vacant, till death should engrave his
+own name there. As is frequently the case among the whalers of
+Martha's Vineyard, so much of this storm-beaten widower's life had been
+tossed away on distant seas, that out of twenty years of matrimony he
+had spent scarce three, and those at scattered intervals, beneath his
+own roof. Thus the wife of his youth, though she died in his and her
+declining age, retained the bridal dewdrops fresh around her memory.
+
+My observations gave me the idea, and Mr. Wigglesworth confirmed it,
+that husbands were more faithful in setting up memorials to their dead
+wives than widows to their dead husbands. I was not ill-natured
+enough to fancy that women, less than men, feel so sure of their own
+constancy as to be willing to give a pledge of it in marble. It is
+more probably the fact, that while men are able to reflect upon their
+lost companions as remembrances apart from themselves, women, on the
+other hand, are conscious that a portion of their being has gone with
+the departed whithersoever he has gone. Soul clings to soul; the
+living dust has a sympathy with the dust of the grave; and, by the
+very strength of that sympathy, the wife of the dead shrinks the more
+sensitively from reminding the world of its existence. The link is
+already strong enough; it needs no visible symbol. And, though a
+shadow walks ever by her side, and the touch of a chill hand is on her
+bosom, yet life, and perchance its natural yearnings, may still be
+warm within her, and inspire her with new hopes of happiness. Then
+would she mark out the grave, the scent of which would be perceptible
+on the pillow of the second bridal? No--but rather level its green
+mound with the surrounding earth, as if, when she dug up again her
+buried heart, the spot had ceased to be a grave. Yet, in spite of
+these sentimentalities, I was prodigiously amused by an incident, of
+which I had not the good fortune to be a witness, but which Mr.
+Wigglesworth related with considerable humor. A gentlewoman of the
+town, receiving news of her husband's loss at sea, had bespoken a
+handsome slab of marble, and came daily to watch the progress of my
+friend's chisel. One afternoon, when the good lady and the sculptor
+were in the very midst of the epitaph, which the departed spirit might
+have been greatly comforted to read, who should walk into the workshop
+but the deceased himself, in substance as well as spirit! He had been
+picked up at sea, and stood in no present need of tombstone or
+epitaph.
+
+"And how," inquired I, "did his wife bear the shock of joyful
+surprise?"
+
+"Why," said the old man, deepening the grin of a death's-head, on
+which his chisel was just then employed, "I really felt for the poor
+woman; it was one of my best pieces of marble,--and to be thrown away
+on a living man!"
+
+A comely woman, with a pretty rosebud of a daughter, came to select a
+gravestone for a twin-daughter, who had died a month before. I was
+impressed with the different nature of their feelings for the dead;
+the mother was calm and wofully resigned, fully conscious of her loss,
+as of a treasure which she had not always possessed, and, therefore,
+had been aware that it might be taken from her; but the daughter
+evidently had no real knowledge of what death's doings were. Her
+thoughts knew, but not her heart. It seemed to me, that by the print
+and pressure which the dead sister had left upon the survivor's
+spirit, her feelings were almost the same as if she still stood side
+by side, and arm in arm, with the departed, looking at the slabs of
+marble; and once or twice she glanced around with a sunny smile,
+which, as its sister smile had faded forever, soon grew confusedly
+overshadowed. Perchance her consciousness was truer than her
+reflection,--perchance her dead sister was a closer companion than in
+life. The mother and daughter talked a long while with Mr.
+Wigglesworth about a suitable epitaph, and finally chose an ordinary
+verse of ill-matched rhymes, which had already been inscribed upon
+innumerable tombstones. But, when we ridicule the triteness of
+monumental verses, we forget that Sorrow reads far deeper in them than
+we can, and finds a profound and individual purport in what seems so
+vague and inexpressive, unless interpreted by her. She makes the
+epitaph anew, though the self-same words may have served for a
+thousand graves.
+
+"And yet," said I afterwards to Mr. Wigglesworth, "they might have
+made a better choice than this. While you were discussing the
+subject, I was struck by at least a dozen simple and natural
+expressions from the lips of both mother and daughter. One of these
+would have formed an inscription equally original and appropriate."
+
+"No, no," replied the sculptor, shaking his head, "there is a good deal
+of comfort to be gathered from these little old scraps of poetry; and
+so I always recommend them in preference to any new-fangled ones. And
+somehow, they seem to stretch to suit a great grief, and shrink to fit
+a small one."
+
+It was not seldom that ludicrous images were excited by what took
+place between Mr. Wigglesworth and his customers. A shrewd
+gentlewoman, who kept a tavern in the town, was anxious to obtain two
+or three gravestones for the deceased members of her family, and to
+pay for these solemn commodities by taking the sculptor to board.
+Hereupon a fantasy arose in my mind, of good Mr. Wigglesworth sitting
+down to dinner at a broad, flat tombstone, carving one of his own
+plump little marble cherubs, gnawing a pair of cross-bones, and
+drinking out of a hollow death's-head, or perhaps a lachrymatory vase,
+or sepulchral urn; while his hostess's dead children waited on him at
+the ghastly banquet. On communicating this nonsensical picture to the
+old man, he laughed heartily, and pronounced my humor to be of the
+right sort.
+
+"I have lived at such a table all my days," said he, "and eaten no
+small quantity of slate and marble."
+
+"Hard fare!" rejoined I, smiling; "but you seemed to have found it
+excellent of digestion, too."
+
+A man of fifty, or thereabouts, with a harsh, unpleasant countenance,
+ordered a stone for the grave of his bitter enemy with whom he had
+waged warfare half a lifetime, to their mutual misery and ruin. The
+secret of this phenomenon was, that hatred had become the sustenance
+and enjoyment of the poor wretch's soul; it had supplied the place of
+all kindly affections; it had been really a bond of sympathy between
+himself and the man who shared the passion; and when its object died,
+the unappeasable foe was the only mourner for the dead. He expressed
+a purpose of being buried side by side with his enemy.
+
+"I doubt whether their dust will mingle," remarked the old sculptor to
+me; for often there was an earthliness in his conceptions.
+
+"O yes," replied I, who had mused long upon the incident; "and when
+they rise again, these bitter foes may find themselves dear friends.
+Methinks what they mistook for hatred was but love under a mask."
+
+A gentleman of antiquarian propensities provided a memorial for an
+Indian of Chabbiquidick, one of the few of untainted blood remaining
+in that region, and said to be an hereditary chieftain, descended from
+the sachem who welcomed Governor Mayhew to the Vineyard. Mr.
+Wigglesworth exerted his best skill to carve a broken bow and
+scattered sheaf of arrows, in memory of the hunters and warriors whose
+race was ended here; but he likewise sculptured a cherub, to denote
+that the poor Indian had shared the Christian's hope of immortality.
+
+"Why," observed I, taking a perverse view of the winged boy and the
+bow and arrows, "it looks more like Cupid's tomb than an Indian
+chief's!"
+
+"You talk nonsense," said the sculptor, with the offended pride of
+art; he then added, with his usual good-nature, "How can Cupid die
+when there are such pretty maidens in the Vineyard?"
+
+"Very true," answered I; and for the rest of the day I thought of
+other matters than tombstones.
+
+At our next meeting I found him chiselling an open book upon a marble
+headstone, and concluded that it was meant to express the erudition of
+some black-letter clergyman of the Cotton Mather school. It turned
+out, however, to be emblematical of the scriptural knowledge of an old
+woman who had never read anything but her Bible; and the monument was
+a tribute to her piety and good works, from the Orthodox church, of
+which she had been a member. In strange contrast with this Christian
+woman's memorial, was that of an infidel, whose gravestone, by his own
+direction, bore an avowal of his belief that the spirt within him
+would be extinguished like a flame, and that the nothingness whence he
+sprang would receive him again. Mr. Wigglesworth consulted me as to
+the propriety of enabling a dead man's dust to utter this dreadful
+creed.
+
+"If I thought," said he, "that a single mortal would read the
+inscription without a shudder, my chisel should never cut a letter of
+it. But when the grave speaks such falsehoods, the soul of man will
+know the truth by its own horror."
+
+"So it will," said I, struck by the idea; "the poor infidel may strive
+to preach blasphemies from his grave; but it will be only another
+method of impressing the soul with a consciousness of immortality."
+
+There was an old man by the name of Norton, noted throughout the
+island for his great wealth, which he had accumulated by the exercise
+of strong and shrewd faculties, combined with a most penurious
+disposition. This wretched miser, conscious that he had not a friend
+to be mindful of him in his grave, had himself taken the needful
+precautions for posthumous remembrance, by bespeaking an immense slab
+of white marble, with a long epitaph in raised letters, the whole to
+be as magnificent as Mr. Wigglesworth's skill could make it. There
+was something very characteristic in this contrivance to have his
+money's worth even from his own tombstone, which, indeed, afforded him
+more enjoyment in the few months that he lived thereafter, than it
+probably will in a whole century, now that it is laid over his bones.
+This incident reminds me of a young girl, a pale, slender, feeble
+creature, most unlike the other rosy and healthful damsels of the
+Vineyard, amid whose brightness she was fading away. Day after day
+did the poor maiden come to the sculptor's shop, and pass from one
+piece of marble to another, till at last she pencilled her name upon a
+slender slab, which, I think, was of a more spotless white than all
+the rest. I saw her no more, but soon afterwards found Mr.
+Wigglesworth cutting her virgin name into the stone which she had
+chosen.
+
+"She is dead,--poor girl," said he, interrupting the tune which he was
+whistling, "and she chose a good piece of stuff for her headstone.
+Now which of these slabs would you like best to see your own name
+upon?"
+
+"Why, to tell you the truth, my good Mr. Wigglesworth," replied I,
+after a moment's pause,--for the abruptness of the question had
+somewhat startled me,--"to be quite sincere with you, I care little or
+nothing about a stone for my own grave, and am somewhat inclined to
+scepticism as to the propriety of erecting monuments at all, over the
+dust that once was human. The weight of these heavy marbles, though
+unfelt by the dead corpse of the enfranchised soul, presses drearily
+upon the spirit of the survivor, and causes him to connect the idea of
+death with the dungeon-like imprisonment of the tomb, instead of with
+the freedom of the skies. Every gravestone that you ever made is the
+visible symbol of a mistaken system. Our thoughts should soar upward
+with the butterfly,--not linger with the exuviae that confined him.
+In truth and reason, neither those whom we call the living, and still
+less the departed, have anything to do with the grave."
+
+"I never heard anything so heathenish!" said Mr. Wigglesworth,
+perplexed and displeased at sentiments which controverted all his
+notions and feelings, and implied the utter waste, and worse, of his
+whole life's labor; "would you forget your dead friends, the moment
+they are under the sod?"
+
+"They are not under the sod," I rejoined; "then why should I mark the
+spot where there is no treasure hidden! Forget them? No! But to
+remember them aright, I would forget what they have cast off. And, to
+gain the truer conception of DEATH, I would forget them GRAVE!"
+
+But still the good old sculptor murmured, and stumbled, as it were,
+over the gravestones amid which he had walked through life. Whether he
+were right or wrong, I had grown the wiser from our companionship and
+from my observations of nature and character, as displayed by those
+who came, with their old griefs or their new ones, to get them
+recorded upon his slabs of marble. And yet, with my gain of wisdom, I
+had likewise gained perplexity; for there was a strange doubt in my
+mind, whether the dark shadowing of this life, the sorrows and
+regrets, have not as much real comfort in them--leaving religious
+influences out of the question--as what we term life's joys.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Chippings With A Chisel (From "Twice
+Told Tales"), by Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL ***
+
+***** This file should be named 9215.txt or 9215.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/1/9215/
+
+Produced by David Widger. HTML version by Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.