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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/9215-0.txt b/9215-0.txt new file mode 100644 index 0000000..ea8e27b --- /dev/null +++ b/9215-0.txt @@ -0,0 +1,793 @@ +The Project Gutenberg EBook of Chippings With A Chisel (From “Twice Told +Tales”), by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Chippings With A Chisel (From “Twice Told Tales”) + +Author: Nathaniel Hawthorne + +Release Date: November, 2005 [EBook #9215] +First Posted: August 23, 2003 +Last Updated: December 14, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL *** + + + + +Produced by David Widger. HTML version by Al Haines. + + + + + + + + + + TWICE TOLD TALES + + CHIPPINGS WITH A CHISEL + + By Nathaniel Hawthorne + + + +Passing a summer, several years since, at Edgartown, on the island of +Martha’s Vineyard, I became acquainted with a certain carver of +tombstones, who had travelled and voyaged thither from the interior of +Massachusetts, in search of professional employment. The speculation +had turned out so successful, that my friend expected to transmute +slate and marble into silver and gold, to the amount of at least a +thousand dollars, during the few months of his sojourn at Nantucket +and the Vineyard. The secluded life, and the simple and primitive +spirit which still characterizes the inhabitants of those islands, +especially of Martha’s Vineyard, insure their dead friends a longer +and dearer remembrance than the daily novelty and revolving bustle of +the world can elsewhere afford to beings of the past. Yet while every +family is anxious to erect a memorial to its departed members, the +untainted breath of ocean bestows such health and length of days upon +the people of the isles, as would cause a melancholy dearth of +business to a resident artist in that line. His own monument, +recording his disease by starvation, would probably be an early +specimen of his skill. Gravestones, therefore, have generally been an +article of imported merchandise. + +In my walks through the burial-ground of Edgartown,--where the dead +have lain so long that the soil, once enriched by their decay, has +returned to its original barrenness,--in that ancient burial-ground I +noticed much variety of monumental sculpture. The elder stones, dated +a century back, or more, have borders elaborately carved with flowers, +and are adorned with a multiplicity of death’s-heads, cross-bones, +scythes, hour-glasses, and other lugubrious emblems of mortality, with +here and there a winged cherub to direct the mourner’s spirit upward. +These productions of Gothic taste must have been quite beyond the +colonial skill of the day, and were probably carved in London, and +brought across the ocean to commemorate the defunct worthies of this +lonely isle. The more recent monuments are mere slabs of slate, in +the ordinary style, without any superfluous flourishes to set off the +bald inscriptions. But others--and those far the most impressive, +both to my taste and feelings--were roughly hewn from the gray rocks +of the island, evidently by the unskilled hands of surviving friends +and relatives. On some there were merely the initials of a name; some +were inscribed with misspelt prose or rhyme, in deep letters, which +the moss and wintry rain of many years had not been able to +obliterate. These, these were graves where loved ones slept! It is +an old theme of satire, the falsehood and vanity of monumental +eulogies; but when affection and sorrow grave the letters with their +own painful labor, then we may be sure that they copy from the record +on their hearts. + +My acquaintance, the sculptor,--he may share that title with +Greenough, since the dauber of signs is a painter as well as +Raphael,--had found a ready market for all his blank slabs of marble, and +full occupation in lettering and ornamenting them. He was an elderly man, +a descendant of the old Puritan family of Wigglesworth, with a certain +simplicity and singleness, both of heart and mind, which, methinks, is +more rarely-found among us Yankees than in any other community of +people. In spite of his gray head and wrinkled brow, he was quite +like a child in all matters save what had some reference to his own +business; he seemed, unless my fancy misled me, to view mankind in no +other relation than as people in want of tombstones; and his literary +attainments evidently comprehended very little, either of prose or +poetry, which had not, at one time or other, been inscribed on slate +or marble. His sole task and office among the immortal pilgrims of +the tomb--the duty for which Providence had sent the old man into the +world, as it were with a chisel in his hand--was to label the dead +bodies, lest their names should be forgotten at the resurrection. Yet +he had not failed, within a narrow scope, to gather a few sprigs of +earthly, and more than earthly, wisdom,--the harvest of many a grave. + +And lugubrious as his calling might appear, he was as cheerful an old +soul as health, and integrity, and lack of care, could make him, and +used to set to work upon one sorrowful inscription or another with +that sort of spirit which impels a man to sing at his labor. On the +whole, I found Mr. Wigglesworth an entertaining, and often +instructive, if not an interesting character; and partly for the charm +of his society, and still more because his work has an invariable +attraction for “man that is born of woman,” I was accustomed to spend +some hours a day at his workshop. The quaintness of his remarks, and +their not infrequent truth,--a truth condensed and pointed by the +limited sphere of his view,--gave a raciness to his talk, which mere +worldliness and general cultivation would at once have destroyed. + +Sometimes we would discuss the respective merits of the various +qualities of marble, numerous slabs of which were resting against the +walls of the shop; or sometimes an hour or two would pass quietly, +without a word on either side, while I watched how neatly his chisel +struck out letter after letter of the names of the Nortons, the +Mayhews, the Luces, the Daggets, and other immemorial families of the +Vineyard. Often, with an artist’s pride, the good old sculptor would +speak of favorite productions of his skill, which were scattered +throughout the village graveyards of New England. But my chief and +most instructive amusement was to witness his interviews with his +customers, who held interminable consultations about the form and +fashion of the desired monuments, the buried excellence to be +commemorated, the anguish to be expressed, and finally, the lowest +price in dollars and cents for which a marble transcript of their +feelings might be obtained. Really, my mind received many fresh +ideas, which, perhaps, may remain in it even longer than Mr. +Wigglesworth’s hardest marble will retain the deepest strokes of his +chisel. + +An elderly lady came to bespeak a monument for her first love, who had +been killed by a whale in the Pacific Ocean no less than forty years +before. It was singular that so strong an impression of early feeling +should have survived through the changes of her subsequent life, in +the course of which she had been a wife and a mother, and, so far as I +could judge, a comfortable and happy woman. Reflecting within myself, +it appeared to me that this lifelong sorrow--as, in all good faith, +she deemed it--was one of the most fortunate circumstances of her +history. It had given an ideality to her mind; it had kept her purer +and less earthly than she would otherwise have been, by drawing a +portion of her sympathies apart from earth. Amid the throng of +enjoyments, and the pressure of worldly care, and all the warm +materialism of this life, she had communed with a vision, and had been +the better for such intercourse. Faithful to the husband of her +maturity, and loving him with a far more real affection than she ever +could have felt for this dream of her girlhood, there had still been +an imaginative faith to the ocean-buried, so that an ordinary +character had thus been elevated and refined. Her sighs had been the +breath of Heaven to her soul. The good lady earnestly desired that +the proposed monument should be ornamented with a carved border of +marine plants, intertwined with twisted sea-shells, such as were +probably waving over her lover’s skeleton, or strewn around it, in the +far depths of the Pacific. But Mr. Wigglesworth’s chisel being +inadequate to the task, she was forced to content herself with a rose, +hanging its head from a broken stem. After her departure, I remarked +that the symbol was none of the most apt. + +“And yet,” said my friend the sculptor, embodying in this image the +thoughts that had been passing through my own mind, “that broken rose +has shed its sweet smell through forty years of the good woman’s +life.” + +It was seldom that I could find such pleasant food for contemplation +as in the above instance. None off the applicants, I think, affected +me more disagreeably than an old man who came, with his fourth wife +hanging on his arm, to bespeak gravestones for the three former +occupants of his marriage-bed. I watched with some anxiety to see +whether his remembrance of either were more affectionate than of the +other two, but could discover no symptom of the kind. The three +monuments were all to be of the same material and form, and each +decorated, in bas-relief, with two weeping-willows, one of these +sympathetic trees bending over its fellow, which was to be broken in +the midst and rest upon a sepulchral urn. This, indeed, was Mr. +Wigglesworth’s standing emblem of conjugal bereavement. I shuddered +at the gray polygamist, who had so utterly lost the holy sense of +individuality in wedlock, that methought he was fain to reckon upon +his fingers how many women, who had once slept by his side, were now +sleeping in their graves. There was even--if I wrong him it is no +great matter--a glance sidelong at his living spouse, as if he were +inclined to drive a thriftier bargain by bespeaking four gravestones +in a lot. I was better pleased with a rough old whaling captain, who +gave directions for a broad marble slab, divided into two +compartments, one of which was to contain an epitaph on his deceased +wife, and the other to be left vacant, till death should engrave his +own name there. As is frequently the case among the whalers of +Martha’s Vineyard, so much of this storm-beaten widower’s life had been +tossed away on distant seas, that out of twenty years of matrimony he +had spent scarce three, and those at scattered intervals, beneath his +own roof. Thus the wife of his youth, though she died in his and her +declining age, retained the bridal dewdrops fresh around her memory. + +My observations gave me the idea, and Mr. Wigglesworth confirmed it, +that husbands were more faithful in setting up memorials to their dead +wives than widows to their dead husbands. I was not ill-natured +enough to fancy that women, less than men, feel so sure of their own +constancy as to be willing to give a pledge of it in marble. It is +more probably the fact, that while men are able to reflect upon their +lost companions as remembrances apart from themselves, women, on the +other hand, are conscious that a portion of their being has gone with +the departed whithersoever he has gone. Soul clings to soul; the +living dust has a sympathy with the dust of the grave; and, by the +very strength of that sympathy, the wife of the dead shrinks the more +sensitively from reminding the world of its existence. The link is +already strong enough; it needs no visible symbol. And, though a +shadow walks ever by her side, and the touch of a chill hand is on her +bosom, yet life, and perchance its natural yearnings, may still be +warm within her, and inspire her with new hopes of happiness. Then +would she mark out the grave, the scent of which would be perceptible +on the pillow of the second bridal? No--but rather level its green +mound with the surrounding earth, as if, when she dug up again her +buried heart, the spot had ceased to be a grave. Yet, in spite of +these sentimentalities, I was prodigiously amused by an incident, of +which I had not the good fortune to be a witness, but which Mr. +Wigglesworth related with considerable humor. A gentlewoman of the +town, receiving news of her husband’s loss at sea, had bespoken a +handsome slab of marble, and came daily to watch the progress of my +friend’s chisel. One afternoon, when the good lady and the sculptor +were in the very midst of the epitaph, which the departed spirit might +have been greatly comforted to read, who should walk into the workshop +but the deceased himself, in substance as well as spirit! He had been +picked up at sea, and stood in no present need of tombstone or +epitaph. + +“And how,” inquired I, “did his wife bear the shock of joyful +surprise?” + +“Why,” said the old man, deepening the grin of a death’s-head, on +which his chisel was just then employed, “I really felt for the poor +woman; it was one of my best pieces of marble,--and to be thrown away +on a living man!” + +A comely woman, with a pretty rosebud of a daughter, came to select a +gravestone for a twin-daughter, who had died a month before. I was +impressed with the different nature of their feelings for the dead; +the mother was calm and wofully resigned, fully conscious of her loss, +as of a treasure which she had not always possessed, and, therefore, +had been aware that it might be taken from her; but the daughter +evidently had no real knowledge of what death’s doings were. Her +thoughts knew, but not her heart. It seemed to me, that by the print +and pressure which the dead sister had left upon the survivor’s +spirit, her feelings were almost the same as if she still stood side +by side, and arm in arm, with the departed, looking at the slabs of +marble; and once or twice she glanced around with a sunny smile, +which, as its sister smile had faded forever, soon grew confusedly +overshadowed. Perchance her consciousness was truer than her +reflection,--perchance her dead sister was a closer companion than in +life. The mother and daughter talked a long while with Mr. +Wigglesworth about a suitable epitaph, and finally chose an ordinary +verse of ill-matched rhymes, which had already been inscribed upon +innumerable tombstones. But, when we ridicule the triteness of +monumental verses, we forget that Sorrow reads far deeper in them than +we can, and finds a profound and individual purport in what seems so +vague and inexpressive, unless interpreted by her. She makes the +epitaph anew, though the self-same words may have served for a +thousand graves. + +“And yet,” said I afterwards to Mr. Wigglesworth, “they might have +made a better choice than this. While you were discussing the +subject, I was struck by at least a dozen simple and natural +expressions from the lips of both mother and daughter. One of these +would have formed an inscription equally original and appropriate.” + +“No, no,” replied the sculptor, shaking his head, “there is a good deal +of comfort to be gathered from these little old scraps of poetry; and +so I always recommend them in preference to any new-fangled ones. And +somehow, they seem to stretch to suit a great grief, and shrink to fit +a small one.” + +It was not seldom that ludicrous images were excited by what took +place between Mr. Wigglesworth and his customers. A shrewd +gentlewoman, who kept a tavern in the town, was anxious to obtain two +or three gravestones for the deceased members of her family, and to +pay for these solemn commodities by taking the sculptor to board. +Hereupon a fantasy arose in my mind, of good Mr. Wigglesworth sitting +down to dinner at a broad, flat tombstone, carving one of his own +plump little marble cherubs, gnawing a pair of cross-bones, and +drinking out of a hollow death’s-head, or perhaps a lachrymatory vase, +or sepulchral urn; while his hostess’s dead children waited on him at +the ghastly banquet. On communicating this nonsensical picture to the +old man, he laughed heartily, and pronounced my humor to be of the +right sort. + +“I have lived at such a table all my days,” said he, “and eaten no +small quantity of slate and marble.” + +“Hard fare!” rejoined I, smiling; “but you seemed to have found it +excellent of digestion, too.” + +A man of fifty, or thereabouts, with a harsh, unpleasant countenance, +ordered a stone for the grave of his bitter enemy with whom he had +waged warfare half a lifetime, to their mutual misery and ruin. The +secret of this phenomenon was, that hatred had become the sustenance +and enjoyment of the poor wretch’s soul; it had supplied the place of +all kindly affections; it had been really a bond of sympathy between +himself and the man who shared the passion; and when its object died, +the unappeasable foe was the only mourner for the dead. He expressed +a purpose of being buried side by side with his enemy. + +“I doubt whether their dust will mingle,” remarked the old sculptor to +me; for often there was an earthliness in his conceptions. + +“O yes,” replied I, who had mused long upon the incident; “and when +they rise again, these bitter foes may find themselves dear friends. +Methinks what they mistook for hatred was but love under a mask.” + +A gentleman of antiquarian propensities provided a memorial for an +Indian of Chabbiquidick, one of the few of untainted blood remaining +in that region, and said to be an hereditary chieftain, descended from +the sachem who welcomed Governor Mayhew to the Vineyard. Mr. +Wigglesworth exerted his best skill to carve a broken bow and +scattered sheaf of arrows, in memory of the hunters and warriors whose +race was ended here; but he likewise sculptured a cherub, to denote +that the poor Indian had shared the Christian’s hope of immortality. + +“Why,” observed I, taking a perverse view of the winged boy and the +bow and arrows, “it looks more like Cupid’s tomb than an Indian +chief’s!” + +“You talk nonsense,” said the sculptor, with the offended pride of +art; he then added, with his usual good-nature, “How can Cupid die +when there are such pretty maidens in the Vineyard?” + +“Very true,” answered I; and for the rest of the day I thought of +other matters than tombstones. + +At our next meeting I found him chiselling an open book upon a marble +headstone, and concluded that it was meant to express the erudition of +some black-letter clergyman of the Cotton Mather school. It turned +out, however, to be emblematical of the scriptural knowledge of an old +woman who had never read anything but her Bible; and the monument was +a tribute to her piety and good works, from the Orthodox church, of +which she had been a member. In strange contrast with this Christian +woman’s memorial, was that of an infidel, whose gravestone, by his own +direction, bore an avowal of his belief that the spirt within him +would be extinguished like a flame, and that the nothingness whence he +sprang would receive him again. Mr. Wigglesworth consulted me as to +the propriety of enabling a dead man’s dust to utter this dreadful +creed. + +“If I thought,” said he, “that a single mortal would read the +inscription without a shudder, my chisel should never cut a letter of +it. But when the grave speaks such falsehoods, the soul of man will +know the truth by its own horror.” + +“So it will,” said I, struck by the idea; “the poor infidel may strive +to preach blasphemies from his grave; but it will be only another +method of impressing the soul with a consciousness of immortality.” + +There was an old man by the name of Norton, noted throughout the +island for his great wealth, which he had accumulated by the exercise +of strong and shrewd faculties, combined with a most penurious +disposition. This wretched miser, conscious that he had not a friend +to be mindful of him in his grave, had himself taken the needful +precautions for posthumous remembrance, by bespeaking an immense slab +of white marble, with a long epitaph in raised letters, the whole to +be as magnificent as Mr. Wigglesworth’s skill could make it. There +was something very characteristic in this contrivance to have his +money’s worth even from his own tombstone, which, indeed, afforded him +more enjoyment in the few months that he lived thereafter, than it +probably will in a whole century, now that it is laid over his bones. +This incident reminds me of a young girl, a pale, slender, feeble +creature, most unlike the other rosy and healthful damsels of the +Vineyard, amid whose brightness she was fading away. Day after day +did the poor maiden come to the sculptor’s shop, and pass from one +piece of marble to another, till at last she pencilled her name upon a +slender slab, which, I think, was of a more spotless white than all +the rest. I saw her no more, but soon afterwards found Mr. +Wigglesworth cutting her virgin name into the stone which she had +chosen. + +“She is dead,--poor girl,” said he, interrupting the tune which he was +whistling, “and she chose a good piece of stuff for her headstone. +Now which of these slabs would you like best to see your own name +upon?” + +“Why, to tell you the truth, my good Mr. Wigglesworth,” replied I, +after a moment’s pause,--for the abruptness of the question had +somewhat startled me,--“to be quite sincere with you, I care little or +nothing about a stone for my own grave, and am somewhat inclined to +scepticism as to the propriety of erecting monuments at all, over the +dust that once was human. The weight of these heavy marbles, though +unfelt by the dead corpse of the enfranchised soul, presses drearily +upon the spirit of the survivor, and causes him to connect the idea of +death with the dungeon-like imprisonment of the tomb, instead of with +the freedom of the skies. Every gravestone that you ever made is the +visible symbol of a mistaken system. Our thoughts should soar upward +with the butterfly,--not linger with the exuviae that confined him. +In truth and reason, neither those whom we call the living, and still +less the departed, have anything to do with the grave.” + +“I never heard anything so heathenish!” said Mr. Wigglesworth, +perplexed and displeased at sentiments which controverted all his +notions and feelings, and implied the utter waste, and worse, of his +whole life’s labor; “would you forget your dead friends, the moment +they are under the sod?” + +“They are not under the sod,” I rejoined; “then why should I mark the +spot where there is no treasure hidden! Forget them? No! But to +remember them aright, I would forget what they have cast off. And, to +gain the truer conception of DEATH, I would forget them GRAVE!” + +But still the good old sculptor murmured, and stumbled, as it were, +over the gravestones amid which he had walked through life. Whether he +were right or wrong, I had grown the wiser from our companionship and +from my observations of nature and character, as displayed by those +who came, with their old griefs or their new ones, to get them +recorded upon his slabs of marble. And yet, with my gain of wisdom, I +had likewise gained perplexity; for there was a strange doubt in my +mind, whether the dark shadowing of this life, the sorrows and +regrets, have not as much real comfort in them--leaving religious +influences out of the question--as what we term life’s joys. + + + + + + + + + +End of the Project Gutenberg EBook of Chippings With A Chisel (From “Twice +Told Tales”), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL *** + +***** This file should be named 9215-0.txt or 9215-0.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/1/9215/ + +Produced by David Widger. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/9215-0.zip b/9215-0.zip Binary files differnew file mode 100644 index 0000000..14beadf --- /dev/null +++ b/9215-0.zip diff --git a/9215-h.zip b/9215-h.zip Binary files differnew file mode 100644 index 0000000..cfc66c6 --- /dev/null +++ b/9215-h.zip diff --git a/9215-h/9215-h.htm b/9215-h/9215-h.htm new file mode 100644 index 0000000..e7ad1a6 --- /dev/null +++ b/9215-h/9215-h.htm @@ -0,0 +1,854 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + The Project Gutenberg E-text of Chippings with a Chisel, by Nathaniel + Hawthorne + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Chippings With A Chisel (From "Twice Told +Tales"), by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Chippings With A Chisel (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: November, 2005 [EBook #9215] +First Posted: August 23, 2003 +Last Updated: December 14, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL *** + + + + +Produced by David Widger and Al Haines. + + + + + +</pre> + <p> + <br /><br /> + </p> + <h3> + TWICE TOLD TALES<br /> + </h3> + <h2> + CHIPPINGS WITH A CHISEL<br /> + </h2> + <h3> + By Nathaniel Hawthorne<br /> + </h3> + <p> + <br /><br /> + </p> + <p> + Passing a summer, several years since, at Edgartown, on the island of + Martha’s Vineyard, I became acquainted with a certain carver of + tombstones, who had travelled and voyaged thither from the interior of + Massachusetts, in search of professional employment. The speculation had + turned out so successful, that my friend expected to transmute slate and + marble into silver and gold, to the amount of at least a thousand dollars, + during the few months of his sojourn at Nantucket and the Vineyard. The + secluded life, and the simple and primitive spirit which still + characterizes the inhabitants of those islands, especially of Martha’s + Vineyard, insure their dead friends a longer and dearer remembrance than + the daily novelty and revolving bustle of the world can elsewhere afford + to beings of the past. Yet while every family is anxious to erect a + memorial to its departed members, the untainted breath of ocean bestows + such health and length of days upon the people of the isles, as would + cause a melancholy dearth of business to a resident artist in that line. + His own monument, recording his disease by starvation, would probably be + an early specimen of his skill. Gravestones, therefore, have generally + been an article of imported merchandise. + </p> + <p> + In my walks through the burial-ground of Edgartown,—where the dead + have lain so long that the soil, once enriched by their decay, has + returned to its original barrenness,—in that ancient burial-ground I + noticed much variety of monumental sculpture. The elder stones, dated a + century back, or more, have borders elaborately carved with flowers, and + are adorned with a multiplicity of death’s-heads, cross-bones, scythes, + hour-glasses, and other lugubrious emblems of mortality, with here and + there a winged cherub to direct the mourner’s spirit upward. These + productions of Gothic taste must have been quite beyond the colonial skill + of the day, and were probably carved in London, and brought across the + ocean to commemorate the defunct worthies of this lonely isle. The more + recent monuments are mere slabs of slate, in the ordinary style, without + any superfluous flourishes to set off the bald inscriptions. But others—and + those far the most impressive, both to my taste and feelings—were + roughly hewn from the gray rocks of the island, evidently by the unskilled + hands of surviving friends and relatives. On some there were merely the + initials of a name; some were inscribed with misspelt prose or rhyme, in + deep letters, which the moss and wintry rain of many years had not been + able to obliterate. These, these were graves where loved ones slept! It is + an old theme of satire, the falsehood and vanity of monumental eulogies; + but when affection and sorrow grave the letters with their own painful + labor, then we may be sure that they copy from the record on their hearts. + </p> + <p> + My acquaintance, the sculptor,—he may share that title with + Greenough, since the dauber of signs is a painter as well as Raphael,—had + found a ready market for all his blank slabs of marble, and full + occupation in lettering and ornamenting them. He was an elderly man, a + descendant of the old Puritan family of Wigglesworth, with a certain + simplicity and singleness, both of heart and mind, which, methinks, is + more rarely-found among us Yankees than in any other community of people. + In spite of his gray head and wrinkled brow, he was quite like a child in + all matters save what had some reference to his own business; he seemed, + unless my fancy misled me, to view mankind in no other relation than as + people in want of tombstones; and his literary attainments evidently + comprehended very little, either of prose or poetry, which had not, at one + time or other, been inscribed on slate or marble. His sole task and office + among the immortal pilgrims of the tomb—the duty for which + Providence had sent the old man into the world, as it were with a chisel + in his hand—was to label the dead bodies, lest their names should be + forgotten at the resurrection. Yet he had not failed, within a narrow + scope, to gather a few sprigs of earthly, and more than earthly, wisdom,—the + harvest of many a grave. + </p> + <p> + And lugubrious as his calling might appear, he was as cheerful an old soul + as health, and integrity, and lack of care, could make him, and used to + set to work upon one sorrowful inscription or another with that sort of + spirit which impels a man to sing at his labor. On the whole, I found Mr. + Wigglesworth an entertaining, and often instructive, if not an interesting + character; and partly for the charm of his society, and still more because + his work has an invariable attraction for “man that is born of woman,” I + was accustomed to spend some hours a day at his workshop. The quaintness + of his remarks, and their not infrequent truth,—a truth condensed + and pointed by the limited sphere of his view,—gave a raciness to + his talk, which mere worldliness and general cultivation would at once + have destroyed. + </p> + <p> + Sometimes we would discuss the respective merits of the various qualities + of marble, numerous slabs of which were resting against the walls of the + shop; or sometimes an hour or two would pass quietly, without a word on + either side, while I watched how neatly his chisel struck out letter after + letter of the names of the Nortons, the Mayhews, the Luces, the Daggets, + and other immemorial families of the Vineyard. Often, with an artist’s + pride, the good old sculptor would speak of favorite productions of his + skill, which were scattered throughout the village graveyards of New + England. But my chief and most instructive amusement was to witness his + interviews with his customers, who held interminable consultations about + the form and fashion of the desired monuments, the buried excellence to be + commemorated, the anguish to be expressed, and finally, the lowest price + in dollars and cents for which a marble transcript of their feelings might + be obtained. Really, my mind received many fresh ideas, which, perhaps, + may remain in it even longer than Mr. Wigglesworth’s hardest marble will + retain the deepest strokes of his chisel. + </p> + <p> + An elderly lady came to bespeak a monument for her first love, who had + been killed by a whale in the Pacific Ocean no less than forty years + before. It was singular that so strong an impression of early feeling + should have survived through the changes of her subsequent life, in the + course of which she had been a wife and a mother, and, so far as I could + judge, a comfortable and happy woman. Reflecting within myself, it + appeared to me that this lifelong sorrow—as, in all good faith, she + deemed it—was one of the most fortunate circumstances of her + history. It had given an ideality to her mind; it had kept her purer and + less earthly than she would otherwise have been, by drawing a portion of + her sympathies apart from earth. Amid the throng of enjoyments, and the + pressure of worldly care, and all the warm materialism of this life, she + had communed with a vision, and had been the better for such intercourse. + Faithful to the husband of her maturity, and loving him with a far more + real affection than she ever could have felt for this dream of her + girlhood, there had still been an imaginative faith to the ocean-buried, + so that an ordinary character had thus been elevated and refined. Her + sighs had been the breath of Heaven to her soul. The good lady earnestly + desired that the proposed monument should be ornamented with a carved + border of marine plants, intertwined with twisted sea-shells, such as were + probably waving over her lover’s skeleton, or strewn around it, in the far + depths of the Pacific. But Mr. Wigglesworth’s chisel being inadequate to + the task, she was forced to content herself with a rose, hanging its head + from a broken stem. After her departure, I remarked that the symbol was + none of the most apt. + </p> + <p> + “And yet,” said my friend the sculptor, embodying in this image the + thoughts that had been passing through my own mind, “that broken rose has + shed its sweet smell through forty years of the good woman’s life.” + </p> + <p> + It was seldom that I could find such pleasant food for contemplation as in + the above instance. None off the applicants, I think, affected me more + disagreeably than an old man who came, with his fourth wife hanging on his + arm, to bespeak gravestones for the three former occupants of his + marriage-bed. I watched with some anxiety to see whether his remembrance + of either were more affectionate than of the other two, but could discover + no symptom of the kind. The three monuments were all to be of the same + material and form, and each decorated, in bas-relief, with two + weeping-willows, one of these sympathetic trees bending over its fellow, + which was to be broken in the midst and rest upon a sepulchral urn. This, + indeed, was Mr. Wigglesworth’s standing emblem of conjugal bereavement. I + shuddered at the gray polygamist, who had so utterly lost the holy sense + of individuality in wedlock, that methought he was fain to reckon upon his + fingers how many women, who had once slept by his side, were now sleeping + in their graves. There was even—if I wrong him it is no great matter—a + glance sidelong at his living spouse, as if he were inclined to drive a + thriftier bargain by bespeaking four gravestones in a lot. I was better + pleased with a rough old whaling captain, who gave directions for a broad + marble slab, divided into two compartments, one of which was to contain an + epitaph on his deceased wife, and the other to be left vacant, till death + should engrave his own name there. As is frequently the case among the + whalers of Martha’s Vineyard, so much of this storm-beaten widower’s life + had been tossed away on distant seas, that out of twenty years of + matrimony he had spent scarce three, and those at scattered intervals, + beneath his own roof. Thus the wife of his youth, though she died in his + and her declining age, retained the bridal dewdrops fresh around her + memory. + </p> + <p> + My observations gave me the idea, and Mr. Wigglesworth confirmed it, that + husbands were more faithful in setting up memorials to their dead wives + than widows to their dead husbands. I was not ill-natured enough to fancy + that women, less than men, feel so sure of their own constancy as to be + willing to give a pledge of it in marble. It is more probably the fact, + that while men are able to reflect upon their lost companions as + remembrances apart from themselves, women, on the other hand, are + conscious that a portion of their being has gone with the departed + whithersoever he has gone. Soul clings to soul; the living dust has a + sympathy with the dust of the grave; and, by the very strength of that + sympathy, the wife of the dead shrinks the more sensitively from reminding + the world of its existence. The link is already strong enough; it needs no + visible symbol. And, though a shadow walks ever by her side, and the touch + of a chill hand is on her bosom, yet life, and perchance its natural + yearnings, may still be warm within her, and inspire her with new hopes of + happiness. Then would she mark out the grave, the scent of which would be + perceptible on the pillow of the second bridal? No—but rather level + its green mound with the surrounding earth, as if, when she dug up again + her buried heart, the spot had ceased to be a grave. Yet, in spite of + these sentimentalities, I was prodigiously amused by an incident, of which + I had not the good fortune to be a witness, but which Mr. Wigglesworth + related with considerable humor. A gentlewoman of the town, receiving news + of her husband’s loss at sea, had bespoken a handsome slab of marble, and + came daily to watch the progress of my friend’s chisel. One afternoon, + when the good lady and the sculptor were in the very midst of the epitaph, + which the departed spirit might have been greatly comforted to read, who + should walk into the workshop but the deceased himself, in substance as + well as spirit! He had been picked up at sea, and stood in no present need + of tombstone or epitaph. + </p> + <p> + “And how,” inquired I, “did his wife bear the shock of joyful surprise?” + </p> + <p> + “Why,” said the old man, deepening the grin of a death’s-head, on which + his chisel was just then employed, “I really felt for the poor woman; it + was one of my best pieces of marble,—and to be thrown away on a + living man!” + </p> + <p> + A comely woman, with a pretty rosebud of a daughter, came to select a + gravestone for a twin-daughter, who had died a month before. I was + impressed with the different nature of their feelings for the dead; the + mother was calm and wofully resigned, fully conscious of her loss, as of a + treasure which she had not always possessed, and, therefore, had been + aware that it might be taken from her; but the daughter evidently had no + real knowledge of what death’s doings were. Her thoughts knew, but not her + heart. It seemed to me, that by the print and pressure which the dead + sister had left upon the survivor’s spirit, her feelings were almost the + same as if she still stood side by side, and arm in arm, with the + departed, looking at the slabs of marble; and once or twice she glanced + around with a sunny smile, which, as its sister smile had faded forever, + soon grew confusedly overshadowed. Perchance her consciousness was truer + than her reflection,—perchance her dead sister was a closer + companion than in life. The mother and daughter talked a long while with + Mr. Wigglesworth about a suitable epitaph, and finally chose an ordinary + verse of ill-matched rhymes, which had already been inscribed upon + innumerable tombstones. But, when we ridicule the triteness of monumental + verses, we forget that Sorrow reads far deeper in them than we can, and + finds a profound and individual purport in what seems so vague and + inexpressive, unless interpreted by her. She makes the epitaph anew, + though the self-same words may have served for a thousand graves. + </p> + <p> + “And yet,” said I afterwards to Mr. Wigglesworth, “they might have made a + better choice than this. While you were discussing the subject, I was + struck by at least a dozen simple and natural expressions from the lips of + both mother and daughter. One of these would have formed an inscription + equally original and appropriate.” + </p> + <p> + “No, no,” replied the sculptor, shaking his head, “there is a good deal of + comfort to be gathered from these little old scraps of poetry; and so I + always recommend them in preference to any new-fangled ones. And somehow, + they seem to stretch to suit a great grief, and shrink to fit a small + one.” + </p> + <p> + It was not seldom that ludicrous images were excited by what took place + between Mr. Wigglesworth and his customers. A shrewd gentlewoman, who kept + a tavern in the town, was anxious to obtain two or three gravestones for + the deceased members of her family, and to pay for these solemn + commodities by taking the sculptor to board. Hereupon a fantasy arose in + my mind, of good Mr. Wigglesworth sitting down to dinner at a broad, flat + tombstone, carving one of his own plump little marble cherubs, gnawing a + pair of cross-bones, and drinking out of a hollow death’s-head, or perhaps + a lachrymatory vase, or sepulchral urn; while his hostess’s dead children + waited on him at the ghastly banquet. On communicating this nonsensical + picture to the old man, he laughed heartily, and pronounced my humor to be + of the right sort. + </p> + <p> + “I have lived at such a table all my days,” said he, “and eaten no small + quantity of slate and marble.” + </p> + <p> + “Hard fare!” rejoined I, smiling; “but you seemed to have found it + excellent of digestion, too.” + </p> + <p> + A man of fifty, or thereabouts, with a harsh, unpleasant countenance, + ordered a stone for the grave of his bitter enemy with whom he had waged + warfare half a lifetime, to their mutual misery and ruin. The secret of + this phenomenon was, that hatred had become the sustenance and enjoyment + of the poor wretch’s soul; it had supplied the place of all kindly + affections; it had been really a bond of sympathy between himself and the + man who shared the passion; and when its object died, the unappeasable foe + was the only mourner for the dead. He expressed a purpose of being buried + side by side with his enemy. + </p> + <p> + “I doubt whether their dust will mingle,” remarked the old sculptor to me; + for often there was an earthliness in his conceptions. + </p> + <p> + “O yes,” replied I, who had mused long upon the incident; “and when they + rise again, these bitter foes may find themselves dear friends. Methinks + what they mistook for hatred was but love under a mask.” + </p> + <p> + A gentleman of antiquarian propensities provided a memorial for an Indian + of Chabbiquidick, one of the few of untainted blood remaining in that + region, and said to be an hereditary chieftain, descended from the sachem + who welcomed Governor Mayhew to the Vineyard. Mr. Wigglesworth exerted his + best skill to carve a broken bow and scattered sheaf of arrows, in memory + of the hunters and warriors whose race was ended here; but he likewise + sculptured a cherub, to denote that the poor Indian had shared the + Christian’s hope of immortality. + </p> + <p> + “Why,” observed I, taking a perverse view of the winged boy and the bow + and arrows, “it looks more like Cupid’s tomb than an Indian chief’s!” + </p> + <p> + “You talk nonsense,” said the sculptor, with the offended pride of art; he + then added, with his usual good-nature, “How can Cupid die when there are + such pretty maidens in the Vineyard?” + </p> + <p> + “Very true,” answered I; and for the rest of the day I thought of other + matters than tombstones. + </p> + <p> + At our next meeting I found him chiselling an open book upon a marble + headstone, and concluded that it was meant to express the erudition of + some black-letter clergyman of the Cotton Mather school. It turned out, + however, to be emblematical of the scriptural knowledge of an old woman + who had never read anything but her Bible; and the monument was a tribute + to her piety and good works, from the Orthodox church, of which she had + been a member. In strange contrast with this Christian woman’s memorial, + was that of an infidel, whose gravestone, by his own direction, bore an + avowal of his belief that the spirt within him would be extinguished like + a flame, and that the nothingness whence he sprang would receive him + again. Mr. Wigglesworth consulted me as to the propriety of enabling a + dead man’s dust to utter this dreadful creed. + </p> + <p> + “If I thought,” said he, “that a single mortal would read the inscription + without a shudder, my chisel should never cut a letter of it. But when the + grave speaks such falsehoods, the soul of man will know the truth by its + own horror.” + </p> + <p> + “So it will,” said I, struck by the idea; “the poor infidel may strive to + preach blasphemies from his grave; but it will be only another method of + impressing the soul with a consciousness of immortality.” + </p> + <p> + There was an old man by the name of Norton, noted throughout the island + for his great wealth, which he had accumulated by the exercise of strong + and shrewd faculties, combined with a most penurious disposition. This + wretched miser, conscious that he had not a friend to be mindful of him in + his grave, had himself taken the needful precautions for posthumous + remembrance, by bespeaking an immense slab of white marble, with a long + epitaph in raised letters, the whole to be as magnificent as Mr. + Wigglesworth’s skill could make it. There was something very + characteristic in this contrivance to have his money’s worth even from his + own tombstone, which, indeed, afforded him more enjoyment in the few + months that he lived thereafter, than it probably will in a whole century, + now that it is laid over his bones. This incident reminds me of a young + girl, a pale, slender, feeble creature, most unlike the other rosy and + healthful damsels of the Vineyard, amid whose brightness she was fading + away. Day after day did the poor maiden come to the sculptor’s shop, and + pass from one piece of marble to another, till at last she pencilled her + name upon a slender slab, which, I think, was of a more spotless white + than all the rest. I saw her no more, but soon afterwards found Mr. + Wigglesworth cutting her virgin name into the stone which she had chosen. + </p> + <p> + “She is dead,—poor girl,” said he, interrupting the tune which he + was whistling, “and she chose a good piece of stuff for her headstone. Now + which of these slabs would you like best to see your own name upon?” + </p> + <p> + “Why, to tell you the truth, my good Mr. Wigglesworth,” replied I, after a + moment’s pause,—for the abruptness of the question had somewhat + startled me,—“to be quite sincere with you, I care little or nothing + about a stone for my own grave, and am somewhat inclined to scepticism as + to the propriety of erecting monuments at all, over the dust that once was + human. The weight of these heavy marbles, though unfelt by the dead corpse + of the enfranchised soul, presses drearily upon the spirit of the + survivor, and causes him to connect the idea of death with the + dungeon-like imprisonment of the tomb, instead of with the freedom of the + skies. Every gravestone that you ever made is the visible symbol of a + mistaken system. Our thoughts should soar upward with the butterfly,—not + linger with the exuviae that confined him. In truth and reason, neither + those whom we call the living, and still less the departed, have anything + to do with the grave.” + </p> + <p> + “I never heard anything so heathenish!” said Mr. Wigglesworth, perplexed + and displeased at sentiments which controverted all his notions and + feelings, and implied the utter waste, and worse, of his whole life’s + labor; “would you forget your dead friends, the moment they are under the + sod?” + </p> + <p> + “They are not under the sod,” I rejoined; “then why should I mark the spot + where there is no treasure hidden! Forget them? No! But to remember them + aright, I would forget what they have cast off. And, to gain the truer + conception of DEATH, I would forget them GRAVE!” + </p> + <p> + But still the good old sculptor murmured, and stumbled, as it were, over + the gravestones amid which he had walked through life. Whether he were + right or wrong, I had grown the wiser from our companionship and from my + observations of nature and character, as displayed by those who came, with + their old griefs or their new ones, to get them recorded upon his slabs of + marble. And yet, with my gain of wisdom, I had likewise gained perplexity; + for there was a strange doubt in my mind, whether the dark shadowing of + this life, the sorrows and regrets, have not as much real comfort in them—leaving + religious influences out of the question—as what we term life’s + joys. + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of Chippings With A Chisel (From “Twice +Told Tales”), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL *** + +***** This file should be named 9215-h.htm or 9215-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/1/9215/ + +Produced by David Widger and Al Haines. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Chippings With A Chisel (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Posting Date: December 2, 2010 [EBook #9215] +Release Date: November, 2005 +First Posted: August 23, 2003 +Last Updated: February 5, 2007 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL *** + + + + +Produced by David Widger. HTML version by Al Haines. + + + + + + + + + + TWICE TOLD TALES + + CHIPPINGS WITH A CHISEL + + By Nathaniel Hawthorne + + + +Passing a summer, several years since, at Edgartown, on the island of +Martha's Vineyard, I became acquainted with a certain carver of +tombstones, who had travelled and voyaged thither from the interior of +Massachusetts, in search of professional employment. The speculation +had turned out so successful, that my friend expected to transmute +slate and marble into silver and gold, to the amount of at least a +thousand dollars, during the few months of his sojourn at Nantucket +and the Vineyard. The secluded life, and the simple and primitive +spirit which still characterizes the inhabitants of those islands, +especially of Martha's Vineyard, insure their dead friends a longer +and dearer remembrance than the daily novelty and revolving bustle of +the world can elsewhere afford to beings of the past. Yet while every +family is anxious to erect a memorial to its departed members, the +untainted breath of ocean bestows such health and length of days upon +the people of the isles, as would cause a melancholy dearth of +business to a resident artist in that line. His own monument, +recording his disease by starvation, would probably be an early +specimen of his skill. Gravestones, therefore, have generally been an +article of imported merchandise. + +In my walks through the burial-ground of Edgartown,--where the dead +have lain so long that the soil, once enriched by their decay, has +returned to its original barrenness,--in that ancient burial-ground I +noticed much variety of monumental sculpture. The elder stones, dated +a century back, or more, have borders elaborately carved with flowers, +and are adorned with a multiplicity of death's-heads, cross-bones, +scythes, hour-glasses, and other lugubrious emblems of mortality, with +here and there a winged cherub to direct the mourner's spirit upward. +These productions of Gothic taste must have been quite beyond the +colonial skill of the day, and were probably carved in London, and +brought across the ocean to commemorate the defunct worthies of this +lonely isle. The more recent monuments are mere slabs of slate, in +the ordinary style, without any superfluous flourishes to set off the +bald inscriptions. But others--and those far the most impressive, +both to my taste and feelings--were roughly hewn from the gray rocks +of the island, evidently by the unskilled hands of surviving friends +and relatives. On some there were merely the initials of a name; some +were inscribed with misspelt prose or rhyme, in deep letters, which +the moss and wintry rain of many years had not been able to +obliterate. These, these were graves where loved ones slept! It is +an old theme of satire, the falsehood and vanity of monumental +eulogies; but when affection and sorrow grave the letters with their +own painful labor, then we may be sure that they copy from the record +on their hearts. + +My acquaintance, the sculptor,--he may share that title with +Greenough, since the dauber of signs is a painter as well as +Raphael,--had found a ready market for all his blank slabs of marble, and +full occupation in lettering and ornamenting them. He was an elderly man, +a descendant of the old Puritan family of Wigglesworth, with a certain +simplicity and singleness, both of heart and mind, which, methinks, is +more rarely-found among us Yankees than in any other community of +people. In spite of his gray head and wrinkled brow, he was quite +like a child in all matters save what had some reference to his own +business; he seemed, unless my fancy misled me, to view mankind in no +other relation than as people in want of tombstones; and his literary +attainments evidently comprehended very little, either of prose or +poetry, which had not, at one time or other, been inscribed on slate +or marble. His sole task and office among the immortal pilgrims of +the tomb--the duty for which Providence had sent the old man into the +world, as it were with a chisel in his hand--was to label the dead +bodies, lest their names should be forgotten at the resurrection. Yet +he had not failed, within a narrow scope, to gather a few sprigs of +earthly, and more than earthly, wisdom,--the harvest of many a grave. + +And lugubrious as his calling might appear, he was as cheerful an old +soul as health, and integrity, and lack of care, could make him, and +used to set to work upon one sorrowful inscription or another with +that sort of spirit which impels a man to sing at his labor. On the +whole, I found Mr. Wigglesworth an entertaining, and often +instructive, if not an interesting character; and partly for the charm +of his society, and still more because his work has an invariable +attraction for "man that is born of woman," I was accustomed to spend +some hours a day at his workshop. The quaintness of his remarks, and +their not infrequent truth,--a truth condensed and pointed by the +limited sphere of his view,--gave a raciness to his talk, which mere +worldliness and general cultivation would at once have destroyed. + +Sometimes we would discuss the respective merits of the various +qualities of marble, numerous slabs of which were resting against the +walls of the shop; or sometimes an hour or two would pass quietly, +without a word on either side, while I watched how neatly his chisel +struck out letter after letter of the names of the Nortons, the +Mayhews, the Luces, the Daggets, and other immemorial families of the +Vineyard. Often, with an artist's pride, the good old sculptor would +speak of favorite productions of his skill, which were scattered +throughout the village graveyards of New England. But my chief and +most instructive amusement was to witness his interviews with his +customers, who held interminable consultations about the form and +fashion of the desired monuments, the buried excellence to be +commemorated, the anguish to be expressed, and finally, the lowest +price in dollars and cents for which a marble transcript of their +feelings might be obtained. Really, my mind received many fresh +ideas, which, perhaps, may remain in it even longer than Mr. +Wigglesworth's hardest marble will retain the deepest strokes of his +chisel. + +An elderly lady came to bespeak a monument for her first love, who had +been killed by a whale in the Pacific Ocean no less than forty years +before. It was singular that so strong an impression of early feeling +should have survived through the changes of her subsequent life, in +the course of which she had been a wife and a mother, and, so far as I +could judge, a comfortable and happy woman. Reflecting within myself, +it appeared to me that this lifelong sorrow--as, in all good faith, +she deemed it--was one of the most fortunate circumstances of her +history. It had given an ideality to her mind; it had kept her purer +and less earthly than she would otherwise have been, by drawing a +portion of her sympathies apart from earth. Amid the throng of +enjoyments, and the pressure of worldly care, and all the warm +materialism of this life, she had communed with a vision, and had been +the better for such intercourse. Faithful to the husband of her +maturity, and loving him with a far more real affection than she ever +could have felt for this dream of her girlhood, there had still been +an imaginative faith to the ocean-buried, so that an ordinary +character had thus been elevated and refined. Her sighs had been the +breath of Heaven to her soul. The good lady earnestly desired that +the proposed monument should be ornamented with a carved border of +marine plants, intertwined with twisted sea-shells, such as were +probably waving over her lover's skeleton, or strewn around it, in the +far depths of the Pacific. But Mr. Wigglesworth's chisel being +inadequate to the task, she was forced to content herself with a rose, +hanging its head from a broken stem. After her departure, I remarked +that the symbol was none of the most apt. + +"And yet," said my friend the sculptor, embodying in this image the +thoughts that had been passing through my own mind, "that broken rose +has shed its sweet smell through forty years of the good woman's +life." + +It was seldom that I could find such pleasant food for contemplation +as in the above instance. None off the applicants, I think, affected +me more disagreeably than an old man who came, with his fourth wife +hanging on his arm, to bespeak gravestones for the three former +occupants of his marriage-bed. I watched with some anxiety to see +whether his remembrance of either were more affectionate than of the +other two, but could discover no symptom of the kind. The three +monuments were all to be of the same material and form, and each +decorated, in bas-relief, with two weeping-willows, one of these +sympathetic trees bending over its fellow, which was to be broken in +the midst and rest upon a sepulchral urn. This, indeed, was Mr. +Wigglesworth's standing emblem of conjugal bereavement. I shuddered +at the gray polygamist, who had so utterly lost the holy sense of +individuality in wedlock, that methought he was fain to reckon upon +his fingers how many women, who had once slept by his side, were now +sleeping in their graves. There was even--if I wrong him it is no +great matter--a glance sidelong at his living spouse, as if he were +inclined to drive a thriftier bargain by bespeaking four gravestones +in a lot. I was better pleased with a rough old whaling captain, who +gave directions for a broad marble slab, divided into two +compartments, one of which was to contain an epitaph on his deceased +wife, and the other to be left vacant, till death should engrave his +own name there. As is frequently the case among the whalers of +Martha's Vineyard, so much of this storm-beaten widower's life had been +tossed away on distant seas, that out of twenty years of matrimony he +had spent scarce three, and those at scattered intervals, beneath his +own roof. Thus the wife of his youth, though she died in his and her +declining age, retained the bridal dewdrops fresh around her memory. + +My observations gave me the idea, and Mr. Wigglesworth confirmed it, +that husbands were more faithful in setting up memorials to their dead +wives than widows to their dead husbands. I was not ill-natured +enough to fancy that women, less than men, feel so sure of their own +constancy as to be willing to give a pledge of it in marble. It is +more probably the fact, that while men are able to reflect upon their +lost companions as remembrances apart from themselves, women, on the +other hand, are conscious that a portion of their being has gone with +the departed whithersoever he has gone. Soul clings to soul; the +living dust has a sympathy with the dust of the grave; and, by the +very strength of that sympathy, the wife of the dead shrinks the more +sensitively from reminding the world of its existence. The link is +already strong enough; it needs no visible symbol. And, though a +shadow walks ever by her side, and the touch of a chill hand is on her +bosom, yet life, and perchance its natural yearnings, may still be +warm within her, and inspire her with new hopes of happiness. Then +would she mark out the grave, the scent of which would be perceptible +on the pillow of the second bridal? No--but rather level its green +mound with the surrounding earth, as if, when she dug up again her +buried heart, the spot had ceased to be a grave. Yet, in spite of +these sentimentalities, I was prodigiously amused by an incident, of +which I had not the good fortune to be a witness, but which Mr. +Wigglesworth related with considerable humor. A gentlewoman of the +town, receiving news of her husband's loss at sea, had bespoken a +handsome slab of marble, and came daily to watch the progress of my +friend's chisel. One afternoon, when the good lady and the sculptor +were in the very midst of the epitaph, which the departed spirit might +have been greatly comforted to read, who should walk into the workshop +but the deceased himself, in substance as well as spirit! He had been +picked up at sea, and stood in no present need of tombstone or +epitaph. + +"And how," inquired I, "did his wife bear the shock of joyful +surprise?" + +"Why," said the old man, deepening the grin of a death's-head, on +which his chisel was just then employed, "I really felt for the poor +woman; it was one of my best pieces of marble,--and to be thrown away +on a living man!" + +A comely woman, with a pretty rosebud of a daughter, came to select a +gravestone for a twin-daughter, who had died a month before. I was +impressed with the different nature of their feelings for the dead; +the mother was calm and wofully resigned, fully conscious of her loss, +as of a treasure which she had not always possessed, and, therefore, +had been aware that it might be taken from her; but the daughter +evidently had no real knowledge of what death's doings were. Her +thoughts knew, but not her heart. It seemed to me, that by the print +and pressure which the dead sister had left upon the survivor's +spirit, her feelings were almost the same as if she still stood side +by side, and arm in arm, with the departed, looking at the slabs of +marble; and once or twice she glanced around with a sunny smile, +which, as its sister smile had faded forever, soon grew confusedly +overshadowed. Perchance her consciousness was truer than her +reflection,--perchance her dead sister was a closer companion than in +life. The mother and daughter talked a long while with Mr. +Wigglesworth about a suitable epitaph, and finally chose an ordinary +verse of ill-matched rhymes, which had already been inscribed upon +innumerable tombstones. But, when we ridicule the triteness of +monumental verses, we forget that Sorrow reads far deeper in them than +we can, and finds a profound and individual purport in what seems so +vague and inexpressive, unless interpreted by her. She makes the +epitaph anew, though the self-same words may have served for a +thousand graves. + +"And yet," said I afterwards to Mr. Wigglesworth, "they might have +made a better choice than this. While you were discussing the +subject, I was struck by at least a dozen simple and natural +expressions from the lips of both mother and daughter. One of these +would have formed an inscription equally original and appropriate." + +"No, no," replied the sculptor, shaking his head, "there is a good deal +of comfort to be gathered from these little old scraps of poetry; and +so I always recommend them in preference to any new-fangled ones. And +somehow, they seem to stretch to suit a great grief, and shrink to fit +a small one." + +It was not seldom that ludicrous images were excited by what took +place between Mr. Wigglesworth and his customers. A shrewd +gentlewoman, who kept a tavern in the town, was anxious to obtain two +or three gravestones for the deceased members of her family, and to +pay for these solemn commodities by taking the sculptor to board. +Hereupon a fantasy arose in my mind, of good Mr. Wigglesworth sitting +down to dinner at a broad, flat tombstone, carving one of his own +plump little marble cherubs, gnawing a pair of cross-bones, and +drinking out of a hollow death's-head, or perhaps a lachrymatory vase, +or sepulchral urn; while his hostess's dead children waited on him at +the ghastly banquet. On communicating this nonsensical picture to the +old man, he laughed heartily, and pronounced my humor to be of the +right sort. + +"I have lived at such a table all my days," said he, "and eaten no +small quantity of slate and marble." + +"Hard fare!" rejoined I, smiling; "but you seemed to have found it +excellent of digestion, too." + +A man of fifty, or thereabouts, with a harsh, unpleasant countenance, +ordered a stone for the grave of his bitter enemy with whom he had +waged warfare half a lifetime, to their mutual misery and ruin. The +secret of this phenomenon was, that hatred had become the sustenance +and enjoyment of the poor wretch's soul; it had supplied the place of +all kindly affections; it had been really a bond of sympathy between +himself and the man who shared the passion; and when its object died, +the unappeasable foe was the only mourner for the dead. He expressed +a purpose of being buried side by side with his enemy. + +"I doubt whether their dust will mingle," remarked the old sculptor to +me; for often there was an earthliness in his conceptions. + +"O yes," replied I, who had mused long upon the incident; "and when +they rise again, these bitter foes may find themselves dear friends. +Methinks what they mistook for hatred was but love under a mask." + +A gentleman of antiquarian propensities provided a memorial for an +Indian of Chabbiquidick, one of the few of untainted blood remaining +in that region, and said to be an hereditary chieftain, descended from +the sachem who welcomed Governor Mayhew to the Vineyard. Mr. +Wigglesworth exerted his best skill to carve a broken bow and +scattered sheaf of arrows, in memory of the hunters and warriors whose +race was ended here; but he likewise sculptured a cherub, to denote +that the poor Indian had shared the Christian's hope of immortality. + +"Why," observed I, taking a perverse view of the winged boy and the +bow and arrows, "it looks more like Cupid's tomb than an Indian +chief's!" + +"You talk nonsense," said the sculptor, with the offended pride of +art; he then added, with his usual good-nature, "How can Cupid die +when there are such pretty maidens in the Vineyard?" + +"Very true," answered I; and for the rest of the day I thought of +other matters than tombstones. + +At our next meeting I found him chiselling an open book upon a marble +headstone, and concluded that it was meant to express the erudition of +some black-letter clergyman of the Cotton Mather school. It turned +out, however, to be emblematical of the scriptural knowledge of an old +woman who had never read anything but her Bible; and the monument was +a tribute to her piety and good works, from the Orthodox church, of +which she had been a member. In strange contrast with this Christian +woman's memorial, was that of an infidel, whose gravestone, by his own +direction, bore an avowal of his belief that the spirt within him +would be extinguished like a flame, and that the nothingness whence he +sprang would receive him again. Mr. Wigglesworth consulted me as to +the propriety of enabling a dead man's dust to utter this dreadful +creed. + +"If I thought," said he, "that a single mortal would read the +inscription without a shudder, my chisel should never cut a letter of +it. But when the grave speaks such falsehoods, the soul of man will +know the truth by its own horror." + +"So it will," said I, struck by the idea; "the poor infidel may strive +to preach blasphemies from his grave; but it will be only another +method of impressing the soul with a consciousness of immortality." + +There was an old man by the name of Norton, noted throughout the +island for his great wealth, which he had accumulated by the exercise +of strong and shrewd faculties, combined with a most penurious +disposition. This wretched miser, conscious that he had not a friend +to be mindful of him in his grave, had himself taken the needful +precautions for posthumous remembrance, by bespeaking an immense slab +of white marble, with a long epitaph in raised letters, the whole to +be as magnificent as Mr. Wigglesworth's skill could make it. There +was something very characteristic in this contrivance to have his +money's worth even from his own tombstone, which, indeed, afforded him +more enjoyment in the few months that he lived thereafter, than it +probably will in a whole century, now that it is laid over his bones. +This incident reminds me of a young girl, a pale, slender, feeble +creature, most unlike the other rosy and healthful damsels of the +Vineyard, amid whose brightness she was fading away. Day after day +did the poor maiden come to the sculptor's shop, and pass from one +piece of marble to another, till at last she pencilled her name upon a +slender slab, which, I think, was of a more spotless white than all +the rest. I saw her no more, but soon afterwards found Mr. +Wigglesworth cutting her virgin name into the stone which she had +chosen. + +"She is dead,--poor girl," said he, interrupting the tune which he was +whistling, "and she chose a good piece of stuff for her headstone. +Now which of these slabs would you like best to see your own name +upon?" + +"Why, to tell you the truth, my good Mr. Wigglesworth," replied I, +after a moment's pause,--for the abruptness of the question had +somewhat startled me,--"to be quite sincere with you, I care little or +nothing about a stone for my own grave, and am somewhat inclined to +scepticism as to the propriety of erecting monuments at all, over the +dust that once was human. The weight of these heavy marbles, though +unfelt by the dead corpse of the enfranchised soul, presses drearily +upon the spirit of the survivor, and causes him to connect the idea of +death with the dungeon-like imprisonment of the tomb, instead of with +the freedom of the skies. Every gravestone that you ever made is the +visible symbol of a mistaken system. Our thoughts should soar upward +with the butterfly,--not linger with the exuviae that confined him. +In truth and reason, neither those whom we call the living, and still +less the departed, have anything to do with the grave." + +"I never heard anything so heathenish!" said Mr. Wigglesworth, +perplexed and displeased at sentiments which controverted all his +notions and feelings, and implied the utter waste, and worse, of his +whole life's labor; "would you forget your dead friends, the moment +they are under the sod?" + +"They are not under the sod," I rejoined; "then why should I mark the +spot where there is no treasure hidden! Forget them? No! But to +remember them aright, I would forget what they have cast off. And, to +gain the truer conception of DEATH, I would forget them GRAVE!" + +But still the good old sculptor murmured, and stumbled, as it were, +over the gravestones amid which he had walked through life. Whether he +were right or wrong, I had grown the wiser from our companionship and +from my observations of nature and character, as displayed by those +who came, with their old griefs or their new ones, to get them +recorded upon his slabs of marble. And yet, with my gain of wisdom, I +had likewise gained perplexity; for there was a strange doubt in my +mind, whether the dark shadowing of this life, the sorrows and +regrets, have not as much real comfort in them--leaving religious +influences out of the question--as what we term life's joys. + + + + + + + + + +End of the Project Gutenberg EBook of Chippings With A Chisel (From "Twice +Told Tales"), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK CHIPPINGS WITH A CHISEL *** + +***** This file should be named 9215.txt or 9215.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/1/9215/ + +Produced by David Widger. 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The speculation +had turned out so successful, that my friend expected to transmute +slate and marble into silver and gold, to the amount of at least a +thousand dollars, during the few months of his sojourn at Nantucket +and the Vineyard. The secluded life, and the simple and primitive +spirit which still characterizes the inhabitants of those islands, +especially of Martha's Vineyard, insure their dead friends a longer +and dearer remembrance than the daily novelty and revolving bustle of +the world can elsewhere afford to beings of the past. Yet while every +family is anxious to erect a memorial to its departed members, the +untainted breath of ocean bestows such health and length of days upon +the people of the isles, as would cause a melancholy dearth of +business to a resident artist in that line. His own monument, +recording his disease by starvation, would probably be an early +specimen of his skill. Gravestones, therefore, have generally been an +article of imported merchandise. + +In my walks through the burial-ground of Edgartown,--where the dead +have lain so long that the soil, once enriched by their decay, has +returned to its original barrenness,--in that ancient burial-ground I +noticed much variety of monumental sculpture. The elder stones, dated +a century back, or more, have borders elaborately carved with flowers, +and are adorned with a multiplicity of death's-heads, cross-bones, +scythes, hour-glasses, and other lugubrious emblems of mortality, with +here and there a winged cherub to direct the mourner's spirit upward. +These productions of Gothic taste must have been quite beyond the +colonial skill of the day, and were probably carved in London, and +brought across the ocean to commemorate the defunct worthies of this +lonely isle. The more recent monuments are mere slabs of slate, in +the ordinary style, without any superfluous flourishes to set off the +bald inscriptions. But others--and those far the most impressive, +both to my taste and feelings--were roughly hewn from the gray rocks +of the island, evidently by the unskilled hands of surviving friends +and relatives. On some there were merely the initials of a name; some +were inscribed with misspelt prose or rhyme, in deep letters, which +the moss and wintry rain of many years had not been able to +obliterate. These, these were graves where loved ones slept! It is +an old theme of satire, the falsehood and vanity of monumental +eulogies; but when affection and sorrow grave the letters with their +own painful labor, then we may be sure that they copy from the record +on their hearts. + +My acquaintance, the sculptor,--he may share that title with +Greenough, since the dauber of signs is a painter as well as Raphael, +--had found a ready market for all his blank slabs of marble, and full +occupation in lettering and ornamenting them. He was an elderly man, a +descendant of the old Puritan family of Wigglesworth, with a certain +simplicity and singleness, both of heart and mind, which, methinks, is +more rarely-found among us Yankees than in any other community of +people. In spite of his gray head and wrinkled brow, he was quite +like a child in all matters save what had some reference to his own +business; he seemed, unless my fancy misled me, to view mankind in no +other relation than as people in want of tombstones; and his literary +attainments evidently comprehended very little, either of prose or +poetry, which had not, at one time or other, been inscribed on slate +or marble. His sole task and office among the immortal pilgrims of +the tomb--the duty for which Providence had sent the old man into the +world, as it were with a chisel in his hand--was to label the dead +bodies, lest their names should be forgotten at the resurrection. Yet +he had not failed, within a narrow scope, to gather a few sprigs of +earthly, and more than earthly, wisdom,--the harvest of many a grave. + +And lugubrious as his calling might appear, he was as cheerful an old +soul as health, and integrity, and lack of care, could make him, and +used to set to work upon one sorrowful inscription or another with +that sort of spirit which impels a man to sing at his labor. On the +whole, I found Mr. Wigglesworth an entertaining, and often +instructive, if not an interesting character; and partly for the charm +of his society, and still more because his work has an invariable +attraction for "man that is born of woman," I was accustomed to spend +some hours a day at his workshop. The quaintness of his remarks, and +their not infrequent truth,--a truth condensed and pointed by the +limited sphere of his view,--gave a raciness to his talk, which mere +worldliness and general cultivation would at once have destroyed. + +Sometimes we would discuss the respective merits of the various +qualities of marble, numerous slabs of which were resting against the +walls of the shop; or sometimes an hour or two would pass quietly, +without a word on either side, while I watched how neatly his chisel +struck out letter after letter of the names of the Nortons, the +Mayhews, the Luces, the Daggets, and other immemorial families of the +Vineyard. Often, with an artist's pride, the good old sculptor would +speak of favorite productions of his skill, which were scattered +throughout the village graveyards of New England. But my chief and +most instructive amusement was to witness his interviews with his +customers, who held interminable consultations about the form and +fashion of the desired monuments, the buried excellence to be +commemorated, the anguish to be expressed, and finally, the lowest +price in dollars and cents for which a marble transcript of their +feelings might be obtained. Really, my mind received many fresh +ideas, which, perhaps, may remain in it even longer than Mr. +Wigglesworth's hardest marble will retain the deepest strokes of his +chisel. + +An elderly lady came to bespeak a monument for her first love, who had +been killed by a whale in the Pacific Ocean no less than forty years +before. It was singular that so strong an impression of early feeling +should have survived through the changes of her subsequent life, in +the course of which she had been a wife and a mother, and, so far as I +could judge, a comfortable and happy woman. Reflecting within myself, +it appeared to me that this lifelong sorrow--as, in all good faith, +she deemed it--was one of the most fortunate circumstances of her +history. It had given an ideality to her mind; it had kept her purer +and less earthly than she would otherwise have been, by drawing a +portion of her sympathies apart from earth. Amid the throng of +enjoyments, and the pressure of worldly care, and all the warm +materialism of this life, she had communed with a vision, and had been +the better for such intercourse. Faithful to the husband of her +maturity, and loving him with a far more real affection than she ever +could have felt for this dream of her girlhood, there had still been +an imaginative faith to the ocean-buried, so that an ordinary +character had thus been elevated and refined. Her sighs had been the +breath of Heaven to her soul. The good lady earnestly desired that +the proposed monument should be ornamented with a carved border of +marine plants, intertwined with twisted sea-shells, such as were +probably waving over her lover's skeleton, or strewn around it, in the +far depths of the Pacific. But Mr. Wigglesworth's chisel being +inadequate to the task, she was forced to content herself with a rose, +hanging its head from a broken stem. After her departure, I remarked +that the symbol was none of the most apt. + +"And yet," said my friend the sculptor, embodying in this image the +thoughts that had been passing through my own mind, "that broken rose +has shed its sweet smell through forty years of the good woman's +life." + +It was seldom that I could find such pleasant food for contemplation +as in the above instance. None off the applicants, I think, affected +me more disagreeably than an old man who came, with his fourth wife +hanging on his arm, to bespeak gravestones for the three former +occupants of his marriage-bed. I watched with some anxiety to see +whether his remembrance of either were more affectionate than of the +other two, but could discover no symptom of the kind. The three +monuments were all to be of the same material and form, and each +decorated, in bas-relief, with two weeping-willows, one of these +sympathetic trees bending over its fellow, which was to be broken in +the midst and rest upon a sepulchral urn. This, indeed, was Mr. +Wigglesworth's standing emblem of conjugal bereavement. I shuddered +at the gray polygamist, who had so utterly lost the holy sense of +individuality in wedlock, that methought he was fain to reckon upon +his fingers how many women, who had once slept by his side, were now +sleeping in their graves. There was even--if I wrong him it is no +great matter--a glance sidelong at his living spouse, as if he were +inclined to drive a thriftier bargain by bespeaking four gravestones +in a lot. I was better pleased with a rough old whaling captain, who +gave directions for a broad marble slab, divided into two +compartments, one of which was to contain an epitaph on his deceased +wife, and the other to be left vacant, till death should engrave his +own name there. As is frequently the case among the whalers of +Martha's Vineyard, so much of this storm-beaten widower's life had been +tossed away on distant seas, that out of twenty years of matrimony he +had spent scarce three, and those at scattered intervals, beneath his +own roof. Thus the wife of his youth, though she died in his and her +declining age, retained the bridal dewdrops fresh around her memory. + +My observations gave me the idea, and Mr. Wigglesworth confirmed it, +that husbands were more faithful in setting up memorials to their dead +wives than widows to their dead husbands. I was not ill-natured +enough to fancy that women, less than men, feel so sure of their own +constancy as to be willing to give a pledge of it in marble. It is +more probably the fact, that while men are able to reflect upon their +lost companions as remembrances apart from themselves, women, on the +other hand, are conscious that a portion of their being has gone with +the departed whithersoever he has gone. Soul clings to soul; the +living dust has a sympathy with the dust of the grave; and, by the +very strength of that sympathy, the wife of the dead shrinks the more +sensitively from reminding the world of its existence. The link is +already strong enough; it needs no visible symbol. And, though a +shadow walks ever by her side, and the touch of a chill hand is on her +bosom, yet life, and perchance its natural yearnings, may still be +warm within her, and inspire her with new hopes of happiness. Then +would she mark out the grave, the scent of which would be perceptible +on the pillow of the second bridal? No--but rather level its green +mound with the surrounding earth, as if, when she dug up again her +buried heart, the spot had ceased to be a grave. Yet, in spite of +these sentimentalities, I was prodigiously amused by an incident, of +which I had not the good fortune to be a witness, but which Mr. +Wigglesworth related with considerable humor. A gentlewoman of the +town, receiving news of her husband's loss at sea, had bespoken a +handsome slab of marble, and came daily to watch the progress of my +friend's chisel. One afternoon, when the good lady and the sculptor +were in the very midst of the epitaph, which the departed spirit might +have been greatly comforted to read, who should walk into the workshop +but the deceased himself, in substance as well as spirit! He had been +picked up at sea, and stood in no present need of tombstone or +epitaph. + +"And how," inquired I, "did his wife bear the shock of joyful +surprise?" + +"Why," said the old man, deepening the grin of a death's-head, on +which his chisel was just then employed, "I really felt for the poor +woman; it was one of my best pieces of marble,--and to be thrown away +on a living man!" + +A comely woman, with a pretty rosebud of a daughter, came to select a +gravestone for a twin-daughter, who had died a month before. I was +impressed with the different nature of their feelings for the dead; +the mother was calm and wofully resigned, fully conscious of her loss, +as of a treasure which she had not always possessed, and, therefore, +had been aware that it might be taken from her; but the daughter +evidently had no real knowledge of what death's doings were. Her +thoughts knew, but not her heart. It seemed to me, that by the print +and pressure which the dead sister had left upon the survivor's +spirit, her feelings were almost the same as if she still stood side +by side, and arm in arm, with the departed, looking at the slabs of +marble; and once or twice she glanced around with a sunny smile, +which, as its sister smile had faded forever, soon grew confusedly +overshadowed. Perchance her consciousness was truer than her +reflection,--perchance her dead sister was a closer companion than in +life. The mother and daughter talked a long while with Mr. +Wigglesworth about a suitable epitaph, and finally chose an ordinary +verse of ill-matched rhymes, which had already been inscribed upon +innumerable tombstones. But, when we ridicule the triteness of +monumental verses, we forget that Sorrow reads far deeper in them than +we can, and finds a profound and individual purport in what seems so +vague and inexpressive, unless interpreted by her. She makes the +epitaph anew, though the self-same words may have served for a +thousand graves. + +"And yet," said I afterwards to Mr. Wigglesworth, "they might have +made a better choice than this. While you were discussing the +subject, I was struck by at least a dozen simple and natural +expressions from the lips of both mother and daughter. One of these +would have formed an inscription equally original and appropriate." + +"No, no," replied the sculptor, shaking his head, "there is a good deal +of comfort to be gathered from these little old scraps of poetry; and +so I always recommend them in preference to any new-fangled ones. And +somehow, they seem to stretch to suit a great grief, and shrink to fit +a small one." + +It was not seldom that ludicrous images were excited by what took +place between Mr. Wigglesworth and his customers. A shrewd +gentlewoman, who kept a tavern in the town, was anxious to obtain two +or three gravestones for the deceased members of her family, and to +pay for these solemn commodities by taking the sculptor to board. +Hereupon a fantasy arose in my mind, of good Mr. Wigglesworth sitting +down to dinner at a broad, flat tombstone, carving one of his own +plump little marble cherubs, gnawing a pair of cross-bones, and +drinking out of a hollow death's-head, or perhaps a lachrymatory vase, +or sepulchral urn; while his hostess's dead children waited on him at +the ghastly banquet. On communicating this nonsensical picture to the +old man, he laughed heartily, and pronounced my humor to be of the +right sort. + +"I have lived at such a table all my days," said he, "and eaten no +small quantity of slate and marble." + +"Hard fare!" rejoined I, smiling; "but you seemed to have found it +excellent of digestion, too." + +A man of fifty, or thereabouts, with a harsh, unpleasant countenance, +ordered a stone for the grave of his bitter enemy with whom he had +waged warfare half a lifetime, to their mutual misery and ruin. The +secret of this phenomenon was, that hatred had become the sustenance +and enjoyment of the poor wretch's soul; it had supplied the place of +all kindly affections; it had been really a bond of sympathy between +himself and the man who shared the passion; and when its object died, +the unappeasable foe was the only mourner for the dead. He expressed +a purpose of being buried side by side with his enemy. + +"I doubt whether their dust will mingle," remarked the old sculptor to +me; for often there was an earthliness in his conceptions. + +"O yes," replied I, who had mused long upon the incident; "and when +they rise again, these bitter foes may find themselves dear friends. +Methinks what they mistook for hatred was but love under a mask." + +A gentleman of antiquarian propensities provided a memorial for an +Indian of Chabbiquidick, one of the few of untainted blood remaining +in that region, and said to be an hereditary chieftain, descended from +the sachem who welcomed Governor Mayhew to the Vineyard. Mr. +Wigglesworth exerted his best skill to carve a broken bow and +scattered sheaf of arrows, in memory of the hunters and warriors whose +race was ended here; but he likewise sculptured a cherub, to denote +that the poor Indian had shared the Christian's hope of immortality. + +"Why," observed I, taking a perverse view of the winged boy and the +bow and arrows, "it looks more like Cupid's tomb than an Indian +chief's!" + +"You talk nonsense," said the sculptor, with the offended pride of +art; he then added, with his usual good-nature, "How can Cupid die +when there are such pretty maidens in the Vineyard?" + +"Very true," answered I; and for the rest of the day I thought of +other matters than tombstones. + +At our next meeting I found him chiselling an open book upon a marble +headstone, and concluded that it was meant to express the erudition of +some black-letter clergyman of the Cotton Mather school. It turned +out, however, to be emblematical of the scriptural knowledge of an old +woman who had never read anything but her Bible; and the monument was +a tribute to her piety and good works, from the Orthodox church, of +which she had been a member. In strange contrast with this Christian +woman's memorial, was that of an infidel, whose gravestone, by his own +direction, bore an avowal of his belief that the spirt within him +would be extinguished like a flame, and that the nothingness whence he +sprang would receive him again. Mr. Wigglesworth consulted me as to +the propriety of enabling a dead man's dust to utter this dreadful +creed. + +"If I thought," said he, "that a single mortal would read the +inscription without a shudder, my chisel should never cut a letter of +it. But when the grave speaks such falsehoods, the soul of man will +know the truth by its own horror." + +"So it will," said I, struck by the idea; "the poor infidel may strive +to preach blasphemies from his grave; but it will be only another +method of impressing the soul with a consciousness of immortality." + +There was an old man by the name of Norton, noted throughout the +island for his great wealth, which he had accumulated by the exercise +of strong and shrewd faculties, combined with a most penurious +disposition. This wretched miser, conscious that he had not a friend +to be mindful of him in his grave, had himself taken the needful +precautions for posthumous remembrance, by bespeaking an immense slab +of white marble, with a long epitaph in raised letters, the whole to +be as magnificent as Mr. Wigglesworth's skill could make it. There +was something very characteristic in this contrivance to have his +money's worth even from his own tombstone, which, indeed, afforded him +more enjoyment in the few months that he lived thereafter, than it +probably will in a whole century, now that it is laid over his bones. +This incident reminds me of a young girl, a pale, slender, feeble +creature, most unlike the other rosy and healthful damsels of the +Vineyard, amid whose brightness she was fading away. Day after day +did the poor maiden come to the sculptor's shop, and pass from one +piece of marble to another, till at last she pencilled her name upon a +slender slab, which, I think, was of a more spotless white than all +the rest. I saw her no more, but soon afterwards found Mr. +Wigglesworth cutting her virgin name into the stone which she had +chosen. + +"She is dead,--poor girl," said he, interrupting the tune which he was +whistling, "and she chose a good piece of stuff for her headstone. +Now which of these slabs would you like best to see your own name +upon?" + +"Why, to tell you the truth, my good Mr. Wigglesworth," replied I, +after a moment's pause,--for the abruptness of the question had +somewhat startled me,--"to be quite sincere with you, I care little or +nothing about a stone for my own grave, and am somewhat inclined to +scepticism as to the propriety of erecting monuments at all, over the +dust that once was human. The weight of these heavy marbles, though +unfelt by the dead corpse of the enfranchised soul, presses drearily +upon the spirit of the survivor, and causes him to connect the idea of +death with the dungeon-like imprisonment of the tomb, instead of with +the freedom of the skies. Every gravestone that you ever made is the +visible symbol of a mistaken system. Our thoughts should soar upward +with the butterfly,--not linger with the exuviae that confined him. +In truth and reason, neither those whom we call the living, and still +less the departed, have anything to do with the grave." + +"I never heard anything so heathenish!" said Mr. Wigglesworth, +perplexed and displeased at sentiments which controverted all his +notions and feelings, and implied the utter waste, and worse, of his +whole life's labor; "would you forget your dead friends, the moment +they are under the sod?" + +"They are not under the sod," I rejoined; "then why should I mark the +spot where there is no treasure hidden! Forget them? No! But to +remember them aright, I would forget what they have cast off. And, to +gain the truer conception of DEATH, I would forget them GRAVE!" + +But still the good old sculptor murmured, and stumbled, as it were, +over the gravestones amid which he had walked through life. Whether he +were right or wrong, I had grown the wiser from our companionship and +from my observations of nature and character, as displayed by those +who came, with their old griefs or their new ones, to get them +recorded upon his slabs of marble. And yet, with my gain of wisdom, I +had likewise gained perplexity; for there was a strange doubt in my +mind, whether the dark shadowing of this life, the sorrows and +regrets, have not as much real comfort in them--leaving religious +influences out of the question--as what we term life's joys. + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, CHIPPINGS WITH A CHISEL *** +By Nathaniel Hawthorne + +******* This file should be named haw4210.txt or haw4210.zip ****** + +Corrected EDITIONS of our etexts get a new NUMBER, haw4211.txt +VERSIONS based on separate sources get new LETTER, haw4210a.txt + +This eBook was produced by David Widger [widger@cecomet.net] + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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