diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:53 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:53 -0700 |
| commit | bcf48e3cf9ee9b4583139a862e12a3bcc0adf68f (patch) | |
| tree | 1fea984bc2b419e2238e3ad35a582b246ad17481 /9211-h | |
Diffstat (limited to '9211-h')
| -rw-r--r-- | 9211-h/9211-h.htm | 744 |
1 files changed, 744 insertions, 0 deletions
diff --git a/9211-h/9211-h.htm b/9211-h/9211-h.htm new file mode 100644 index 0000000..260b498 --- /dev/null +++ b/9211-h/9211-h.htm @@ -0,0 +1,744 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + The Project Gutenberg E-text of The Sister Years, by Nathaniel Hawthorne + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Sister Years (From "Twice Told Tales"), by +Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Sister Years (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: November, 2005 [EBook #9211] +First Posted: August 23, 2003 +Last Updated: December 14, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SISTER YEARS *** + + + + +Produced by David Widger. HTML version by Al Haines and David Widger + + + + + +</pre> + <p> + <br /><br /> + </p> + <h3> + TWICE TOLD TALES<br /> + </h3> + <h2> + THE SISTER YEARS<br /> + </h2> + <h3> + By Nathaniel Hawthorne<br /> + </h3> + <p> + <br /><br /> + </p> + <p> + Last night, between eleven and twelve o’clock, when the Old Year was + leaving her final foot prints on the borders of Time’s empire, she found + herself in possession of a few spare moments, and sat down—of all + places in the world—on the steps of our new City Hall. The wintry + moonlight showed that she looked weary of body, and sad of heart, like + many another wayfarer of earth. Her garments, having been exposed to much + foul weather, and rough usage, were in very ill condition; and as the + hurry of her journey had never before allowed her to take an instant’s + rest, her shoes were so worn as to be scarcely worth the mending. But, + after trudging only a little distance farther, this poor Old Year was + destined to enjoy a long, long sleep. I forgot to mention, that when she + seated herself on the steps, she deposited by her side a very capacious + bandbox, in which, as is the custom among travellers of her sex, she + carried a great deal of valuable property. Besides this luggage, there was + a folio book under her arm, very much resembling the annual volume of a + newspaper. Placing this volume across her knees, and resting her elbows + upon it, with her forehead in her hands, the weary, bedraggled, world-worn + Old Year heaved a heavy sigh, and appeared to be taking no very pleasant + retrospect of her past existence. + </p> + <p> + While she thus awaited the midnight knell, that was to summon her to the + innumerable sisterhood of departed Years, there came a young maiden + treading lightsomely on tiptoe along the street, from the direction of the + Railroad Depot. She was evidently a stranger, and perhaps had come to town + by the evening train of cars. There was a smiling cheerfulness in this + fair maiden’s face, which bespoke her fully confident of a kind reception + from the multitude of people, with whom she was soon to form acquaintance. + Her dress was rather too airy for the season, and was bedizened with + fluttering ribbons and other vanities, which were likely soon to be rent + away by the fierce storms, or to fade in the hot sunshine, amid which she + was to pursue her changeful course. But still she was a wonderfully + pleasant looking figure, and had so much promise and such an indescribable + hopefulness in her aspect, that hardly anybody could meet her without + anticipating some very desirable thing—the consummation of some + long-sought good—from her kind offices. A few dismal characters + there may be, here and there about the world, who have so often been + trifled with by young maidens as promising as she, that they have now + ceased to pin any faith upon the skirts of the New Year. But, for my own + part, I have great faith in her; and should I live to see fifty more such, + still, from each of those successive sisters, I shall reckon upon + receiving something that will be worth living for. + </p> + <p> + The New Year—for this young maiden was no less a personage—carried + all her goods and chattels in a basket of no great size or weight, which + hung upon her arm. She greeted the disconsolate Old Year with great + affection, and sat down beside her on the steps of the City Hall, waiting + for the signal to begin her rambles through the world. The two were own + sisters, being both granddaughters of Time; and though one looked so much + older than the other, it was rather owing to hardships and trouble than to + age, since there was but a twelvemonth’s difference between them. + </p> + <p> + “Well, my dear sister,” said the New Year, after the first salutations, + “you look almost tired to death. What have you been about during your + sojourn in this part of Infinite Space?” + </p> + <p> + “O, I have it all recorded here in my Book of Chronicles,” answered the + Old Year, in a heavy tone. “There is nothing that would amuse you; and you + will soon get sufficient knowledge of such matters from your own personal + experience. It is but tiresome reading.” + </p> + <p> + Nevertheless, she turned over the leaves of the folio, and glanced at them + by the light of the moon, feeling an irresistible spell of interest in her + own biography, although its incidents were remembered without pleasure. + The volume, though she termed it her Book of Chronicles, seemed to be + neither more nor less than the Salem Gazette for 1838; in the accuracy of + which journal this sagacious Old Year had so much confidence, that she + deemed it needless to record her history with her own pen. + </p> + <p> + “What have you been doing in the political way?” asked the New Year. + </p> + <p> + “Why, my course here in the United States,” said the Old Year,—“though + perhaps I ought to blush at the confession,—my political course, I + must acknowledge, has been rather vacillatory, sometimes inclining towards + the Whigs,—then causing the Administration party to shout for + triumph,—and now again uplifting what seemed the almost prostrate + banner of the Opposition; so that historians will hardly know what to make + of me, in this respect. But the Loco Focos—” + </p> + <p> + “I do not like these party nicknames,” interrupted her sister, who seemed + remarkably touchy about some points. “Perhaps we shall part in better + humor, if we avoid any political discussion.” + </p> + <p> + “With all my heart,” replied the Old Year, who had already been tormented + half to death with squabbles of this kind. “I care not if the navies of + Whig or Tory, with their interminable brawls about Banks and the + Sub-Treasury, Abolition, Texas, the Florida War, and a million of other + topics,—which you will learn soon enough for your own comfort,—I + care not, I say, if no whisper of these matters ever reaches my ears + again. Yet they have occupied so large a share of my attention, that I + scarcely know what else to tell you. There has indeed been a curious sort + of war on the Canada border, where blood has streamed in the names of + Liberty and Patriotism; but it must remain for some future, perhaps far + distant Year, to tell whether or no those holy names have been rightfully + invoked. Nothing so much depresses me, in my view of mortal affairs, as to + see high energies wasted, and human life and happiness thrown away, for + ends that appear oftentimes unwise, and still oftener remain + unaccomplished. But the wisest people and the best keep a steadfast faith + that the progress of Mankind is onward and upward, and that the toil and + anguish of the path serve to wear away the imperfections of the Immortal + Pilgrim, and will be felt no more, when they have done their office.” + </p> + <p> + “Perhaps,” cried the hopeful New Year,—“perhaps I shall see that + happy day!” + </p> + <p> + “I doubt whether it be so close at hand,” answered the Old Year, gravely + smiling. “You will soon grow weary of looking for that blessed + consummation, and will turn for amusement (as has frequently been my own + practice) to the affairs of some sober little city, like this of Salem. + Here we sit on the steps of the new City Hall, which has been completed + under my administration; and it would make you laugh to see how the game + of politics, of which the Capitol at Washington is the great chess-board, + is here played in miniature. Burning Ambition finds its fuel here; here + Patriotism speaks boldly in the people’s behalf, and virtuous Economy + demands retrenchment in the emoluments of a lamplighter; here the Aldermen + range their senatorial dignity around the Mayor’s chair of state, and the + Common Council feel that they have liberty in charge. In short, human + weakness and strength, passion and policy, Man’s tendencies, his aims and + modes of pursuing them, his individual character, and his character in the + mass, may be studied almost as well here as on the theatre of nations; and + with this great advantage, that, be the lesson ever so disastrous, its + Liliputian scope still makes the beholder smile.” + </p> + <p> + “Have you done much for the improvement of the City?” asked the New Year. + “Judging from what little I have seen, it appears to be ancient and + timeworn.” + </p> + <p> + “I have opened the Railroad,” said the elder Year, “and half a dozen times + a day, you will hear the bell (which once summoned the Monks of a Spanish + Convent to their devotions) announcing the arrival or departure of the + cars. Old Salem now wears a much livelier expression than when I first + beheld her. Strangers rumble down from Boston by hundreds at a time. New + faces throng in Essex Street. Railroad-hacks and omnibuses rattle over the + pavements. There is a perceptible increase of oyster-shops, and other + establishments for the accommodation of a transitory diurnal multitude. + But a more important change awaits the venerable town. An immense + accumulation of musty prejudices will be carried off by the free + circulation of society. A peculiarity of character, of which the + inhabitants themselves are hardly sensible, will be rubbed down and worn + away by the attrition of foreign substances. Much of the result will be + good; there will likewise be a few things not so good. Whether for better + or worse, there will be a probable diminution of the moral influence of + wealth, and the sway of an aristocratic class, which, from an era far + beyond my memory, has held firmer dominion here than in any other New + England town.” + </p> + <p> + The Old Year having talked away nearly all of her little remaining breath, + now closed her Book of Chronicles, and was about to take her departure. + But her sister detained her awhile longer, by inquiring the contents of + the huge bandbox, which she was so painfully lugging along with her. + </p> + <p> + “These are merely a few trifles,” replied the Old Year, “which I have + picked up in my rambles, and am going to deposit, in the receptacle of + things past and forgotten. We sisterhood of Years never carry anything + really valuable out of the world with us. Here are patterns of most of the + fashions which I brought into vogue, and which have already lived out + their allotted term. You will supply their place, with others equally + ephemeral. Here, put up in little China pots, like rouge, is a + considerable lot of beautiful women’s bloom, which the disconsolate fair + ones owe me a bitter grudge for stealing. I have likewise a quantity of + men’s dark hair, instead of which, I have left gray locks, or none at all. + The tears of widows and other afflicted mortals, who have received comfort + during the last twelve months, are preserved in some dozens of + essence-bottles, well corked and sealed. I have several bundles of + love-letters, eloquently breathing an eternity of burning passion, which + grew cold and perished, almost before the ink was dry. Moreover, here is + an assortment of many thousand broken promises, and other broken ware, all + very light and packed into little space. The heaviest articles in my + possession are a large parcel of disappointed hopes, which, a little while + ago, were buoyant enough to have inflated Mr. Lauriat’s balloon.” + </p> + <p> + “I have a fine lot of hopes here in my basket,” remarked the New Year. + “They are a sweet-smelling flower,—a species of rose.” + </p> + <p> + “They soon lose their perfume,” replied the sombre Old Year. “What else + have you brought to insure a welcome from the discontented race of + mortals?” + </p> + <p> + “Why, to say the truth, little or nothing else,” said her sister, with a + smile,—“save a few new Annuals and Almanacs, and some New Year’s + gifts for the children. But I heartily wish well to poor mortals, and mean + to do all I can for their improvement and happiness.” + </p> + <p> + “It is a good resolution,” rejoined the Old Year; “and, by the way, I have + a plentiful assortment of good resolutions, which have now grown so stale + and musty, that I am ashamed to carry them any farther. Only for fear that + the City authorities would send Constable Mansfield, with a warrant after + me, I should toss them into the street at once. Many other matters go to + make up the contents of my bandbox; but the whole lot would not fetch a + single bid, even at an auction of worn-out furniture; and as they are + worth nothing either to you or anybody else, I need not trouble you with a + longer catalogue.” + </p> + <p> + “And must I also pickup such worthless luggage in my travels?” asked the + New Year. + </p> + <p> + “Most certainly; and well, if you have no heavier load to bear,” replied + the other. “And now, my dear sister, I must bid you farewell, earnestly + advising and exhorting you to expect no gratitude ‘nor goodwill from this + peevish, unreasonable, inconsiderate, ill-intending, and worse-behaving + world. However warmly its inhabitants may seen to welcome you, yet, do + what you may, and lavish on them what means of happiness you please, they + will still be complaining, still craving what it is not in your power to + give, still looking forward to some other Year for the accomplishment of + projects which ought never to have been formed, and which, if successful, + would only provide new occasions of discontent. If these ridiculous people + ever see anything tolerable in you, it will be after you are gone + forever.” + </p> + <p> + “But I,” cried the fresh-hearted New Year,—“I shall try to leave men + wiser than I find them. I will offer them freely whatever good gifts + Providence permits me to distribute, and will tell them to be thankful for + what they have, and humbly hopeful for more; and surely, if they are not + absolute fools, they will condescend to be happy, and will allow me to be + a happy Year. For my happiness must depend on them.” + </p> + <p> + “Alas for you, then, my poor sister!” said the Old fear, sighing, as she + uplifted her burden. “We grand-children of Time are born to trouble. + Happiness, they say, dwells in the mansions of Eternity; but we can only + lead mortals thither, step by step, with reluctant murmurings, and + ourselves must perish on the threshold. But hark! my task is done.” + </p> + <p> + The clock in the tall steeple of Dr. Emerson’s church struck twelve; there + was a response from Dr. Flint’s, in the opposite quarter of the city; and + while the strokes were yet dropping into the air, the Old Year either + flitted or faded away; and not the wisdom and might of Angels, to say + nothing of the remorseful yearnings of the millions who had used her ill, + could have prevailed with that departed Year to return one step. But she, + in the company of Time and all her kindred, must hereafter hold a + reckoning with Mankind. So shall it be, likewise, with the maidenly New + Year, who, as the clock ceased to strike, arose from the steps of the City + Hall, and set out rather timorously on her earthly course. + </p> + <p> + “A happy New Year!” cried a watchman, eying her figure very questionably, + but without the least suspicion that he was addressing the New Year in + person. + </p> + <p> + “Thank you kindly!” said the New Year; and she gave the watchman one of + the roses of hope from her basket. “May this flower keep a sweet smell, + long after I have bidden you good by.” + </p> + <p> + Then she stepped on more briskly through the silent streets; and such as + were awake at the moment, heard her footfall, and said, “The New Year is + come!” Wherever there was a knot of midnight roisterers, they quaffed her + health. She sighed, however, to perceive that the air was tainted—as + the atmosphere of this world must continually be—with the dying + breaths of mortals who had lingered just long enough for her to bury them. + But there were millions left alive, to rejoice at her coming; and so she + pursued her way with confidence, strewing emblematic flowers on the + doorstep of almost every dwelling, which some persons will gather up and + wear in their bosoms, and others will trample under foot. The Carrier Boy + can only say further, that, early this morning, she filled his basket with + New Year’s Addresses, assuring him that the whole City, with our new + Mayor, and the Aldermen and Common Council at its head, would make a + general rush to secure copies. Kind Patrons, will not you redeem the + pledge of the NEW YEAR? + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Sister Years (From “Twice Told +Tales”), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SISTER YEARS *** + +***** This file should be named 9211-h.htm or 9211-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/1/9211/ + +Produced by David Widger. HTML version by Al Haines and David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |
