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+Project Gutenberg EBook Fancy's Show-Box, by Nathaniel Hawthorne
+From "Twice Told Tales"
+#35 in our series by Nathaniel Hawthorne
+
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+Title: Fancy's Show-Box (From "Twice Told Tales")
+
+Author: Nathaniel Hawthorne
+
+Release Date: Nov, 2005  [EBook #9208]
+[This file was first posted on August 23, 2003]
+[Last updated on February 5, 2007]
+
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+Edition: 10
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+Language: English
+
+Character set encoding: ASCII
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+*** START OF THE PROJECT GUTENBERG EBOOK, FANCY'S SHOW-BOX ***
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+
+                        TWICE TOLD TALES
+
+                        FANCY'S SHOW-BOX
+
+                           A MORALITY
+
+                      By Nathaniel Hawthorne
+
+
+
+What is Guilt?  A stain upon the soul.  And it is a point of vast
+interest, whether the soul may contract such stains, in all their depth
+and flagrancy, from deeds which may have been plotted and resolved upon,
+but which, physically, have never had existence.  Must the fleshly hand
+and visible frame of man set its seal to the evil designs of the soul, in
+order to give them their entire validity against the sinner?  Or, while
+none but crimes perpetrated are cognizable before an earthly tribunal,
+will guilty thoughts,--of which guilty deeds are no more than shadows,--
+will these draw down the full weight of a condemning sentence, in the
+supreme court of eternity?  In the solitude of a midnight chamber, or in
+a desert, afar from men, or in a church, while the body is kneeling, the
+soul may pollute itself even with those crimes, which we are accustomed
+to deem altogether carnal.  If this be true, it is a fearful truth.
+
+Let us illustrate the subject by an imaginary example.  A venerable
+gentleman, one Mr. Smith, who had long been regarded as a pattern of
+moral excellence, was warming his aged blood with a glass or two of
+generous wine.  His children being gone forth about their worldly
+business, and his grandchildren at school, he sat alone, in a deep,
+luxurious arm-chair, with his feet beneath a richly carved mahogany
+table.  Some old people have a dread of solitude, and when better company
+may not be had, rejoice even to hear the quiet breathing of a babe,
+asleep upon the carpet.  But Mr. Smith, whose silver hair was the bright
+symbol of a life unstained, except by such spots as are inseparable from
+human nature, he had no need of a babe to protect him by its purity, nor
+of a grown person to stand between him and his own soul.  Nevertheless,
+either Manhood must converse with Age, or Womanhood must soothe him with
+gentle cares, or Infancy must sport around his chair, or his thoughts
+will stray into the misty region of the past, and the old man be chill
+and sad.  Wine will not always cheer him.  Such might have been the case
+with Mr. Smith, when, through the brilliant medium of his glass of old
+Madeira, he beheld three figures entering the room.  These were Fancy,
+who had assumed the garb and aspect of an itinerant showman, with a box
+of pictures on her back; and Memory, in the likeness of a clerk, with a
+pen behind her ear, an inkhorn at her buttonhole, and a huge manuscript
+volume beneath her arm; and lastly, behind the other two, a person
+shrouded in a dusky mantle, which concealed both face and form.  But Mr.
+Smith had a shrewd idea that it was Conscience.
+
+How kind of Fancy, Memory, and Conscience to visit the old gentleman,
+just as he was beginning to imagine that the wine had neither so bright a
+sparkle nor so excellent a flavor as when himself and the liquor were
+less aged!  Through the dim length of the apartment, where crimson
+curtains muffled the glare of sunshine, and created a rich obscurity, the
+three guests drew near the silver-haired old mail.  Memory, with a finger
+between the leaves of her huge volume, placed herself at his right hand.
+Conscience, with her face still hidden in the dusky mantle, took her
+station on the left, so as to be next his heart; while Fancy set down her
+picture-box upon the table, with the magnifying-glass convenient to his
+eye.  We can sketch merely the outlines of two or three out of the many
+pictures which, at the pulling of a string, successively peopled the box
+with the semblances of living scenes.
+
+One was a moonlight picture; in the background, a lowly dwelling; and in
+front, partly shadowed by a tree, yet besprinkled with flakes of
+radiance, two youthful figures, male and female.  The young man stood
+with folded arms, a haughty smile upon his lip, and a gleam of triumph in
+his eye, as he glanced downward at the kneeling girl.  She was almost
+prostrate at his feet, evidently sinking under a weight of shame and
+anguish, which hardly allowed her to lift her clasped hands in
+supplication.  Her eyes she could not lift.  But neither her agony, nor
+the lovely features on which it was depicted, nor the slender grace of
+the form which it convulsed, appeared to soften the obduracy of the young
+man.  He was the personification of triumphant scorn.  Now, strange to
+say, as old Mr. Smith peeped through the magnifying-glass, which made the
+objects start out from the canvas with magical deception, he began to
+recognize the farm-house, the tree, and both the figures of the picture.
+The young man, in times long past, had often met his gaze within the
+looking-glass; the girl was the very image of his first love,--his
+cottage love,--his Martha Burroughs!  Mr. Smith was scandalized.  "O,
+vile and slanderous picture!" he exclaims.  "When have I triumphed over
+ruined innocence?  Was not Martha wedded, in her teens, to David Tomkius,
+who won her girlish love, and long enjoyed her affection as a wife?  And
+ever since his death, she has lived a reputable widow!"  Meantime, Memory
+was turning over the leaves of her volume, rustling them to and fro with
+uncertain fingers, until, among the earlier pages, she found one which
+had reference to this picture.  She reads it, close to the old
+gentleman's ear; it is a record merely of sinful thought, which never was
+embodied in an act; but, while Memory is reading, Conscience unveils her
+face, and strikes a dagger to the heart of Mr. Smith.  Though not a
+death-blow, the torture was extreme.
+
+The exhibition proceeded.  One after another, Fancy displayed her
+pictures, all of which appeared to have been painted by some malicious
+artist, on purpose to vex Mr. Smith.  Not a shadow of proof could have
+been adduced, in any earthly court, that he was guilty of the slightest
+of those sins which were thus made to stare him in the face.  In one
+scene, there was a table set out, with several bottles, and glasses half
+filled with wine, which threw back the dull ray of an expiring lamp.
+There had been mirth and revelry, until the hand of the clock stood just
+at midnight, when murder stepped between the boon companions.  A young
+man had fallen on the floor, and lay stone dead, with a ghastly wound
+crushed into his temple, while over him, with a delirium of mingled rage
+and horror in his countenance, stood the youthful likeness of Mr. Smith.
+The murdered youth wore the features of Edward Spencer!  "What does this
+rascal of a painter mean?" cries Mr. Smith, provoked beyond all patience.
+"Edward Spencer was my earliest and dearest friend, true to me as I to
+him, through more than half a century.  Neither I, nor any other, ever
+murdered him.  Was he not alive within five years, and did he not, in
+token of our long friendship, bequeath me his gold-headed cane and a
+mourning ring?"  Again had Memory been turning over her volume, and
+fixed at length upon so confused a page, that she surely must have
+scribbled it when she was tipsy.  The purport was, however, that, while
+Mr. Smith and Edward Spencer were heating their young blood with wine, a
+quarrel had flashed up between them, and Mr. Smith, in deadly wrath, had
+flung a bottle at Spencer's head.  True, it missed its aim, and merely
+smashed a looking-glass; and the next morning, when the incident was
+imperfectly remembered, they had shaken hands with a hearty laugh.  Yet,
+again, while Memory was reading, Conscience unveiled her face, struck a
+dagger to the heart of Mr. Smith, and quelled his remonstrance with her
+iron frown.  The pain was quite excruciating.
+
+Some of the pictures had been painted with so doubtful a touch, and in
+colors so faint and pale, that the subjects could barely be conjectured.
+A dull, semitransparent mist had been thrown over the surface of the
+canvas, into which the figures seemed to vanish, while the eye sought
+most earnestly to fix them.  But, in every scene, however dubiously
+portrayed, Mr. Smith was invariably haunted by his own lineaments, at
+various ages, as in a dusty mirror.  After poring several minutes over
+one of these blurred and almost indistinguishable pictures, he began to
+see that the painter had intended to represent him, now in the decline of
+life, as stripping the clothes from the backs of three half-starved
+children.  "Really, this puzzles me!" quoth Mr. Smith, with the irony of
+conscious rectitude.  "Asking pardon of the painter, I pronounce him a
+fool, as well as a scandalous knave.  A man of my standing in the world,
+to be robbing little children of their clothes!  Ridiculous!"  But while
+he spoke, Memory had searched her fatal volume, and found a page, which,
+with her sad, calm voice, she poured into his ear.  It was not altogether
+inapplicable to the misty scene.  It told how Mr. Smith had been
+grievously tempted, by many devilish sophistries, on the ground of a
+legal quibble, to commence a lawsuit against three orphan children, joint
+heirs to a considerable estate.  Fortunately, before he was quite
+decided, his claims had turned out nearly as devoid of law as justice.
+As Memory ceased to read, Conscience again thrust aside her mantle, and
+would have struck her victim with the envenomed dagger, only that he
+struggled, and clasped his hands before his heart.  Even then, however,
+he sustained an ugly gash.
+
+Why should we follow Fancy through the whole series of those awful
+pictures?  Painted by an artist of wondrous power, and terrible
+acquaintance with the secret soul, they embodied the ghosts of all the
+never perpetrated sins that had glided through the lifetime of Mr. Smith.
+And could such beings of cloudy fantasy, so near akin to nothingness,
+give valid evidence against him, at the day of judgment?  Be that the
+case or not, there is reason to believe that one truly penitential tear
+would have washed away each hateful picture, and left the canvas white as
+snow.  But Mr. Smith, at a prick of Conscience too keen to be endured,
+bellowed aloud, with impatient agony, and suddenly discovered that his
+three guests were gone.  There he sat alone, a silver-haired and highly
+venerated old man, in the rich gloom of the crimson-curtained room, with
+no box of pictures on the table, but only a decanter of most excellent
+Madeira.  Yet his heart still seemed to fester with the venom of the
+dagger.
+
+Nevertheless, the unfortunate old gentleman might have argued the matter
+with Conscience, and alleged many reasons wherefore she should not smite
+him so pitilessly.  Were we to take up his cause, it should be somewhat
+in the following fashion: A scheme of guilt, till it be put in execution,
+greatly resembles a train of incidents in a projected tale.  The latter,
+in order to produce a sense of reality in the reader's mind, must be
+conceived with such proportionate strength by the author as to seem, in
+the glow of fancy, more like truth, past, present, or to come, than
+purely fiction.  The prospective sinner, on the other hand, weaves his
+plot of crime, but seldom or never feels a perfect certainty that it will
+be executed.  There is a dreaminess diffused about his thoughts; in a
+dream, as it were, he strikes the death-blow into his victim's heart, and
+starts to find an indelible blood-stain on his hand.  Thus a novel-writer,
+or a dramatist, in creating a villain of romance, and fitting him with
+evil deeds, and the villain of actual life, in projecting crimes that
+will be perpetrated, may almost meet each other, half-way between reality
+and fancy.  It is not until the crime is accomplished, that guilt
+clinches its gripe upon the guilty heart, and claims it for its own.
+Then, and not before, sin is actually felt and acknowledged, and, if
+unaccompanied by repentance, grows a thousand-fold more virulent by its
+self-consciousness.  Be it considered, also, that men often overestimate
+their capacity for evil.  At a distance, while its attendant
+circumstances do not press upon their notice, and its results are dimly
+seen, they can bear to contemplate it.  They may take the steps which
+lead to crime, impelled by the same sort of mental action as in working
+out a mathematical problem, yet be powerless with compunction, at the
+final moment.  They knew not what deed it was that they deemed themselves
+resolved to do.  In truth, there is no such thing in man's nature as a
+settled and full resolve, either for good or evil, except at the very
+moment of execution.  Let us hope, therefore, that all the dreadful
+consequences of sin will not be incurred, unless the act have set its
+seal upon the thought.
+
+Yet, with the slight fancy-work which we have framed, some sad and awful
+truths are interwoven.  Man must not disclaim his brotherhood, even with
+the guiltiest, since, though his hand be clean, his heart has surely been
+polluted by the flitting phantoms of iniquity.  He must feel, that, when
+he shall knock at the gate of heaven, no semblance of an unspotted life
+can entitle him to entrance there.  Penitence must kneel, and Mercy come
+from the footstool of the throne, or that golden gate will never open!
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, FANCY'S SHOW-BOX ***
+By Nathaniel Hawthorne
+
+*** This file should be named haw3510.txt or haw3510.zip ***
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+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
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