2 files changed, 600 insertions, 0 deletions

diff --git a/old/haw3210.txt b/old/haw3210.txt
new file mode 100644
index 0000000..4783e0e
--- /dev/null
+++ b/old/haw3210.txt
@@ -0,0 +1,600 @@
+Project Gutenberg EBook Sights From A Steeple, by Nathaniel Hawthorne
+From "Twice Told Tales"
+#32 in our series by Nathaniel Hawthorne
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file.  Please do not remove it.  Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file.  Included is
+important information about your specific rights and restrictions in
+how the file may be used.  You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+
+Title: Sights From A Steeple (From "Twice Told Tales")
+
+Author: Nathaniel Hawthorne
+
+Release Date: Nov, 2005  [EBook #9205]
+[This file was first posted on August 23, 2003]
+[Last updated on February 5, 2007]
+
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK, SIGHTS FROM A STEEPLE ***
+
+
+
+
+This eBook was produced by David Widger  [widger@cecomet.net]
+
+
+
+
+
+                        TWICE TOLD TALES
+
+                      SIGHTS FROM A STEEPLE
+
+                      By Nathaniel Hawthorne
+
+
+O! I have climbed high, and my reward is small.  Here I stand, with
+wearied knees, earth, indeed,  at a dizzy depth below, but heaven far,
+far beyond me still.  O that I could soar up into the very  zenith, where
+man never breathed, nor eagle ever flew,  and where the ethereal azure
+melts away from the eye,  and appears only a deepened shade of
+nothingness!  And  yet I shiver at that cold and solitary thought.  What
+clouds are gathering in the golden west, with direful  intent against the
+brightness and the warmth of this  dimmer afternoon!  They are ponderous
+air-ships, black  as death, and freighted with the tempest; and at
+intervals  their thunder, the signal-guns of that unearthly squadron,
+rolls distant along the deep of heaven.  These nearer  heaps of fleecy
+vapor--methinks I could roll and toss  upon them the whole day long!--
+seem scattered here  and there, for the repose of tired pilgrims through
+the  sky.  Perhaps--for who can tell?--beautiful spirits  are disporting
+themselves there, and will bless my mortal  eye with the brief appearance
+of their curly locks of  golden light, and laughing faces, fair and faint
+as the  people of a rosy dream.  Or, where the floating mass so
+imperfectly obstructs the color of the firmament, a slender foot and
+fairy limb, resting too heavily upon the frail support, may be thrust
+through, and suddenly withdrawn, while longing fancy follows them in
+vain.  Yonder again is an airy archipelago, where the sunbeams love to
+linger in their journeyings through space.  Every one of those little
+clouds has been dipped and steeped in radiance, which the slightest
+pressure might disengage in silvery profusion, like water wrung from a
+sea-maid's hair.  Bright they are as a young man's visions, and, like
+them, would be realized in chillness, obscurity, and tears.  I will look
+on them no more.
+
+In three parts of the visible circle, whose centre is this spire, I
+discern cultivated fields, villages, white country-seats, the waving
+lines of rivulets, little placid lakes, and here and there a rising
+ground, that would fain be termed a hill.  On the fourth side is the sea,
+stretching away towards a viewless boundary, blue and calm, except where
+the passing anger of a shadow flits across its surface, and is gone.
+Hitherward, a broad inlet penetrates far into the land; on the verge of
+the harbor, formed by its extremity, is a town; and over it am I, a
+watchman, all-heeding and unheeded.  O that the multitude of chimneys
+could speak, like those of Madrid, and betray, in smoky whispers, the
+secrets of all who, since their first foundation, have assembled at the
+hearths within!  O that the Limping Devil of Le Sage would perch beside
+me here, extend his wand over this contiguity of roofs, uncover every
+chamber, and make me familiar with their inhabitants!  The most desirable
+mode of existence might be that of a spiritualized Paul Pry hovering
+invisible round man and woman, witnessing their deeds, searching into
+their hearts, borrowing brightness from their felicity, and shade from
+their sorrow, and retaining no emotion peculiar to himself.  But none of
+these things are possible; and if I would know interior of brick walls,
+or the mystery of human bosoms, I can but guess.
+
+Yonder is a fair street, extending north and south.  The stately mansions
+are placed each on its carpet of verdant grass, and a long flight of
+steps descends from every door to the pavement.  Ornamental trees--the
+broad-leafed horse-chestnut, the elm so lofty and bending, the graceful
+but infrequent willow, and others whereof I know not the names--grow
+thrivingly among brick and stone.  The oblique rays of the sun are
+intercepted by these green citizens, and by the houses, so that one side
+of the street is a shaded and pleasant walk.  On its whole extent there
+is now but a single passenger, advancing from the upper end; and be,
+unless distance and the medium of a pocket spyglass do him more than
+justice, is a fine young man of twenty.  He saunters slowly forward,
+slapping his left hand with his folded gloves, bending his eyes upon the
+pavement, and sometimes raising them to throw a glance before him.
+Certainly, he has a pensive air.  Is he in doubt, or in debt?  Is he, if
+the question be allowable, in love?  Does he strive to be melancholy and
+gentlemanlike?  Or, is he merely overcome by the heat?  But I bid him
+farewell, for the present.  The door of one of the houses--an
+aristocratic edifice, with curtains of purple and gold waving from the
+windows--is now opened, and down the steps come two ladies, swinging
+their parasols, and lightly arrayed for a summer ramble.  Both are young,
+both are pretty; but methinks the left-hand lass is the fairer of the
+twain; and, though she be so serious at this moment, I could swear that
+there is a treasure of gentle fun within her.  They stand talking a
+little while upon the steps, and finally proceed up the street.
+Meantime, as their faces are now turned from me, I may look elsewhere.
+
+Upon that wharf, and down the corresponding street, is a busy contrast to
+the quiet scene which I have just noticed.  Business evidently has its
+centre there, and many a man is wasting the summer afternoon in labor and
+anxiety, in losing riches, or in gaining them, when he would be wiser to
+flee away to some pleasant country village, or shaded lake in the forest,
+or wild and cool seabeach.  I see vessels unlading at the wharf, and
+precious merchandise strewn upon the ground, abundantly as at the bottom
+of the sea, that market whence no goods return, and where there is no
+captain nor supercargo to render an account of sales.  Here, the clerks
+are diligent with their paper and pencils, and sailors ply the block and
+tackle that hang over the hold, accompanying their toil with cries, long
+drawn and roughly melodious, till the bales and puncheons ascend to upper
+air.  At a little distance, a group of gentlemen are assembled round the
+door of a warehouse.  Grave seniors be they, and I would wager--if it
+were safe, in these times, to be responsible for any one--that the least
+eminent among them might vie with old Vicentio, that incomparable
+trafficker of Pisa.  I can even select the wealthiest of the company.
+It is the elderly personage, in somewhat rusty black, with powdered hair,
+the superfluous whiteness of which is visible upon the cape of his coat.
+His twenty ships are wafted on some of their many courses by every breeze
+that blows, and his name--I will venture to say, though I know it not--is
+a familiar sound among the far-separated merchants of Europe and the
+Indies.
+
+But I bestow too much of my attention in this quarter.  On looking again
+to the long and shady walk, I perceive that the two fair girls have
+encountered the young man.  After a sort of shyness in the recognition,
+he turns back with them.  Moreover, he has sanctioned my taste in regard
+to his companions by placing himself on the inner side of the pavement,
+nearest the Venus to whom I--enacting on a steeple-top, the part of Paris
+on the top of Ida--adjudged the golden apple.
+
+In two streets, converging at right angles towards my watchtower,
+I distinguish three different processions.  One is a proud array of
+voluntary soldiers, in bright uniform, resembling, from the height whence
+I look down, the painted veterans that garrison the windows of a toyshop.
+And yet, it stirs my heart; their regular advance, their nodding plumes,
+the sunflash on their bayonets and musket-barrels, the roll of their
+drums ascending past me, and the fife ever and anon piercing through,--
+these things have wakened a warlike fire, peaceful though I be.  Close to
+their rear marches a battalion of schoolboys, ranged in crooked and
+irregular platoons, shouldering sticks, thumping a harsh and unripe
+clatter from an instrument of tin, and ridiculously aping the intricate
+manoeuvres of the foremost band.  Nevertheless, as slight differences are
+scarcely perceptible from a church-spire, one might be tempted to ask,
+"Which are the boys?" or, rather, "Which the men?" But, leaving these,
+let us turn to the third procession, which, though sadder in outward
+show, may excite identical reflections in the thoughtful mind.  It is a
+funeral.  A hearse, drawn by a black and bony steed, and covered by a
+dusty pall; two or three coaches rumbling over the stones, their drivers
+half asleep; a dozen couple of careless mourners in their every-day
+attire; such was not the fashion of our fathers, when they carried a
+friend to his grave.  There is now no doleful clang of the bell to
+proclaim sorrow to the town.  Was the King of Terrors more awful in those
+days than in our own, that wisdom and philosophy have been able to
+produce this change?  Not so.  Here is a proof that he retains his proper
+majesty.  The military men, and the military boys, are wheeling round the
+corner, and meet the funeral full in the face.  Immediately the drum is
+silent, all but the tap that regulates each simultaneous footfall.  The
+soldiers yield the path to the dusty hearse and unpretending train, and
+the children quit their ranks, and cluster on the sidewalks, with
+timorous and instinctive curiosity.  The mourners enter the churchyard at
+the base of the steeple, and pause by an open grave among the burial-
+stones; the lightning glimmers on them as they lower down the coffin, and
+the thunder rattles heavily while they throw the earth upon its lid.
+Verily, the shower is near, and I tremble for the young man and the
+girls, who have now disappeared from the long and shady street.
+
+How various are the situations of the people covered by the roofs beneath
+me, and how diversified are the events at this moment befalling them; The
+new-born, the aged, the dying, the strong in life, and the recent dead
+are in the chambers of these many mansions.  The full of hope, the happy,
+the miserable, and the desperate dwell together within the circle of my
+glance.  In some of the houses over which my eyes roam so coldly, guilt
+is entering into hearts that are still tenanted by a debased and trodden
+virtue,--guilt is on the very edge of commission, and the impending deed
+might be averted; guilt is done, and the criminal wonders if it be
+irrevocable.  There are broad thoughts struggling in my mind, and, were I
+able to give them distinctness, they would make their way in eloquence.
+Lo!  the raindrops are descending.
+
+The clouds, within a little time, have gathered over all the sky, hanging
+heavily, as if about to drop in one unbroken mass upon the earth.  At
+intervals, the lightning flashes from their brooding hearts, quivers,
+disappears, and then comes the thunder, travelling slowly after its twin-
+born flame.  A strong wind has sprung up, howls through the darkened
+streets, and raises the dust in dense bodies, to rebel against the
+approaching storm.  The disbanded soldiers fly, the funeral has already
+vanished like its dead, and all people hurry homeward,--all that have a
+home; while a few lounge by the corners, or trudge on desperately, at
+their leisure.  In a narrow lane, which communicates with the shady
+street, I discern the rich old merchant, putting himself to the top of
+his speed, lest the rain should convert his hair-powder to a paste.
+Unhappy gentleman!  By the slow vehemence, and painful moderation
+wherewith he journeys, it is but too evident that Podagra has left its
+thrilling tenderness in his great toe.  But yonder, at a far more rapid
+pace, come three other of my acquaintance, the two pretty girls and the
+young man, unseasonably interrupted in their walk.  Their footsteps are
+supported by the risen dust,--the wind lends them its velocity,--they fly
+like three sea-birds driven landward by the tempestuous breeze.  The
+ladies would not thus rival Atalanta if they but knew that any one were
+at leisure to observe them.  Ah! as they hasten onward, laughing in the
+angry face of nature, a sudden catastrophe has chanced.  At the corner
+where the narrow lane enters into the street, they come plump against the
+old merchant, whose tortoise motion has just brought him to that point.
+He likes not the sweet encounter; the darkness of the whole air gathers
+speedily upon his visage, and there is a pause on both sides.  Finally,
+he thrusts aside the youth with little courtesy, seizes an arm of each of
+the two girls, and plods onward, like a magician with a prize of captive
+fairies.  All this is easy to be understood.  How disconsolate the poor
+lover stands! regardless of the rain that threatens an exceeding damage
+to his well-fashioned habiliments, till he catches a backward glance of
+mirth from a bright eye, and turns away with whatever comfort it conveys.
+
+The old man and his daughters are safely housed, and now the storm lets
+loose its fury.  In every dwelling I perceive the faces of the
+chambermaids as they shut down the windows, excluding the impetuous
+shower, and shrinking away from the quick fiery glare.  The large drops
+descend with force upon the slated roofs, and rise again in smoke.  There
+is a rush and roar, as of a river through the air, and muddy streams
+bubble majestically along the pavement, whirl their dusky foam into the
+kennel, and disappear beneath iron grates.  Thus did Arethusa sink.  I
+love not my station here aloft, in the midst of the tumult which I am
+powerless to direct or quell, with the blue lightning wrinkling on my
+brow, and the thunder muttering its first awful syllables in my ear.  I
+will descend.  Yet let me give another glance to the sea, where the foam
+breaks out in long white lines upon a broad expanse of blackness, or
+boils up in far distant points, like snowy mountain-tops in the eddies of
+a flood; and let me look once more at the green plain, and little hills
+of the country, over which the giant of the storm is striding in robes of
+mist, and at the town, whose obscured and desolate streets might beseem a
+city of the dead; and turning a single moment to the sky, now gloomy as
+an author's prospects, I prepare to resume my station on lower earth.
+But stay!  A little speck of azure has widened in the western heavens;
+the sunbeams find a passage, and go rejoicing through the tempest; and on
+yonder darkest cloud, born, like hallowed hopes, of the glory of another
+world, and the trouble and tears of this, brightens forth the Rainbow!
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, SIGHTS FROM A STEEPLE ***
+By Nathaniel Hawthorne
+
+***** This file should be named haw3210.txt or haw3210.zip ******
+
+Corrected EDITIONS of our etexts get a new NUMBER, haw3211.txt
+VERSIONS based on separate sources get new LETTER, haw3210a.txt
+
+This eBook was produced by David Widger  [widger@cecomet.net]
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included.  Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month.  A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date.  This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work.  The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc.   Our
+projected audience is one hundred million readers.  If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month:  1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+    1  1971 July
+   10  1991 January
+  100  1994 January
+ 1000  1997 August
+ 1500  1998 October
+ 2000  1999 December
+ 2500  2000 December
+ 3000  2001 November
+ 4000  2001 October/November
+ 6000  2002 December*
+ 9000  2003 November*
+10000  2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states.  If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154.  Donations are
+tax-deductible to the maximum extent permitted by law.  As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause:  [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1]  Only give exact copies of it.  Among other things, this
+     requires that you do not remove, alter or modify the
+     eBook or this "small print!" statement.  You may however,
+     if you wish, distribute this eBook in machine readable
+     binary, compressed, mark-up, or proprietary form,
+     including any form resulting from conversion by word
+     processing or hypertext software, but only so long as
+     *EITHER*:
+
+     [*]  The eBook, when displayed, is clearly readable, and
+          does *not* contain characters other than those
+          intended by the author of the work, although tilde
+          (~), asterisk (*) and underline (_) characters may
+          be used to convey punctuation intended by the
+          author, and additional characters may be used to
+          indicate hypertext links; OR
+
+     [*]  The eBook may be readily converted by the reader at
+          no expense into plain ASCII, EBCDIC or equivalent
+          form by the program that displays the eBook (as is
+          the case, for instance, with most word processors);
+          OR
+
+     [*]  You provide, or agree to also provide on request at
+          no additional cost, fee or expense, a copy of the
+          eBook in its original plain ASCII form (or in EBCDIC
+          or other equivalent proprietary form).
+
+[2]  Honor the eBook refund and replacement provisions of this
+     "Small Print!" statement.
+
+[3]  Pay a trademark license fee to the Foundation of 20% of the
+     gross profits you derive calculated using the method you
+     already use to calculate your applicable taxes.  If you
+     don't derive profits, no royalty is due.  Royalties are
+     payable to "Project Gutenberg Literary Archive Foundation"
+     the 60 days following each date you prepare (or were
+     legally required to prepare) your annual (or equivalent
+     periodic) tax return.  Please contact us beforehand to
+     let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees.  Copyright (C) 2001, 2002 by
+Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/old/haw3210.zip b/old/haw3210.zip
new file mode 100644
index 0000000..8bcfa8e
--- /dev/null
+++ b/old/haw3210.zip