diff options
Diffstat (limited to 'old')
| -rw-r--r-- | old/ombre10.txt | 653 | ||||
| -rw-r--r-- | old/ombre10.zip | bin | 0 -> 11445 bytes |
2 files changed, 653 insertions, 0 deletions
diff --git a/old/ombre10.txt b/old/ombre10.txt new file mode 100644 index 0000000..25dae86 --- /dev/null +++ b/old/ombre10.txt @@ -0,0 +1,653 @@ +The Project Gutenberg EBook of The Royal Game of the Ombre, by Anonymous + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: The Royal Game of the Ombre + Written At the Request of divers Honourable Persons--1665 + +Author: Anonymous + +Release Date: October, 2005 [EBook #9177] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on September 11, 2003] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK THE ROYAL GAME OF THE OMBRE *** + + + + +Produced by Imran Ghory while at the University of Bristol + + + + +[Transcribers note: This transcription was made from a copy of the work +held in the British Library as Jessel #1249. Original spelling and +punctuation has been preserved where possible.] + + +The Royal Game of the Ombre. + +Written At the Request of divers Honourable Persons. + +London + +Printed for Thomas Palmer, at the Crown in Westminster-Hall, 1665. + +The Royal Game of the Ombre. + +L'Ombre is a Spanish Game at Cards, as much as to say, The Man: so he who +undertakes to play the Game, sayes Jo so l'Ombre, or, I am the Man. And +'tis a common saying with the Spaniards, (alluding to the name) that the +Spanish l'Ombre as far surpasses the French le Beste, as a Man do's a +Beast, There are divers sorts of it, of which, this (which we shall only +treat of, and which chiefly is in vogue) is called the Renegado, for +reasons better supprest then known. + +_How many can play at it, and with what Cards they are to play._ + +There can only three play at it, and they are dealt nine Cards a piece: so +by discarding the Eights, Nines, and Tens out of the Pack, there remains +thirteen Cards in the Stock. + +_Of the Trump_ + +There is no turning up Trump, nor no Trump but what the Player pleases, +the first hand having alwayes the choice to play or pass, after him the +second, &c. + +_Of the Stakes_ + +For Stakes there are two sorts of Marks or Counters, the greater and the +less; for example if you value the great ones at 12. pence, the lesser may +be pence the piece (and so according as you please) of which great Marks +you stake each one one for the Game: and the lesser for passing, for the +hand, if you be eldest, and for taking in, giving for each Card you take +in, one Mark or Counter. + +_Of the names of the Cards, and order in ranking them_ + +_Of the Black Suits_ + +1. The Spadillio, or Ace of Spades. +2. The Mallilio, or black Deuces of either suit. +3. The Basto, or Ace of Clubs. +4. The King. +5. Queen. +6. Knave. +7. Seven. +8. Six. +9. Five. +10. Four. +11. And Three. + +_Of the Red Suits_ + +1. The Spadillio, or Ace of Spades. +2. The Mallilio, or Sevens of either Suit. +3. The Basto, or Ace of Clubs. +4. The Punto, or Ace of Hearts or Diamonds according as they are Trump. +5. The King. +6. The Queen. +7. The Knave. +8. The Deuce. +9. The Three. +10. The Four. +11. The Five. +12. The Six. + +_Observations._ + +By this you see first that the Spadillio, or Ace of Spades is always the +first Card, and alwayes Trump, be the Trump what suit soever; and the +Basto, or Ace of Clubs alwayes the third. Secondly, the of Black, there +are but eleven Trumps, and of Red twelve. Thirdly, that the Red Ace enters +into the fourth place when it is Trump, and then is called the Punto, +otherwise 'tis only rank'd after the Knave, and is only call'd the +Ace. Fourthly, that (excepting the Deuces of Black, and Sevens of Red, +which are call'd the Mallilio's, and are alwayes the second Cards when +they are Trumps) the least small Cards of the Red are alwayes best, and +the greatest of the Black. + +_Of the Matadors._ + +The Matadors or killing Cards, as the Spadillio, Mallilio, and Basto, are +the three chief Cards, and for these, when they are all in a hand (else +not) the others pay three of the greater Marks or Counters the piece; and +though there be no counting the Matadors without these three, yet these +three for foundation, you may count as many as you have Cards in an +interrupted series of Trumps; for all which the others are to pay you one +Mark or Counter, the piece, even to nine sometimes. + +_Of taking in, and the order and manner of it._ + +1. Who has the first Hand, has choice of playing the Game, of naming the +Trump, and of taking in as many of or as few Cards as he pleases, and +after him the second, &c. +2. Having once demanded whether any one will play _without taking in_, you +oblige your self to take in, though your Game be never so good: wherefore +you are well to consider it before. +3. If you name not the Trump before you look on the Cards which you have +taken in, any other may prevent you, and name what Trump they please. +4. If (as it often happens) you know not of two Suits which to name +Trump; e.g. with the two black Aces you have three Trumps of either +sorts: First, the Black Suit is to be preferr'd before the Red, because +there are fewer Trumps of it. Secondly, you are rather to choose that Suit +of which you have not the King, because besides your three Trumps, you +have a King, which is as good as a fourth. +5. When you have the choice of Going in three Matadors, or the two Black +Aces with three of four other Trumps, if the Stakes be great, you are to +chuse this last, (as most likely to win most Tricks) if it be but a simple +Stake, you are to chuse the first; because the six Counters you are to +receive for the Matadors, more then equavales the four or five, you lose +for the Game. + +_Observations._ + +1. He is to ask _if any will play without taking in._ (when they have the +choice of those who will not.) Secondly, he is never to take in, or play, +unless he have three sure Tricks in his hand at least: To understand +which the better we must know + +_The End of the Game_ + +The End of the Game is (as at Beast) to win most Tricks; whence he who can +win five tricks of the Nine, has a sure Games; or if he win Four, and can +so divide the Tricks, as one may win Two, the other Three: if not, 'tis +either Codillio or Repuesto, and the Player loses and makes good the +Stakes. + +_Of the Codillio._ + +The call it Codillio when the Player is beasted, and another wins more +Tricks then he; when this takes up the Stakes, and tother makes it good: +where note, that although the other two alwayes combine against the +Player to make him lose, yet they all do their best (for the common +good) to hinder any one from winning, onely striving to make it Repuesto. + +_Of the Repuesto._ + +They call it Repuesto when the Player wins no more Tricks then another: +for example, if he win but four, another four, and the third but one, or +each of them win three Tricks the piece; in which case the Player doubles +the Stake, without any ones winning it, and it remains so doubled for the +advantage of the next Player, &c. whence you may collect, that the Player +is as much concern'd in making Repuesto, in case of nesessity, as any of +the rest, by which means the Stakes oftentimes increasing to a +considerable summe, the Player is to be very wary what Games he playes. + +_What Games are to be played_ + +One is never to play unless he have three sure Tricks in his hand at +least, as we have said before; as the three Matadors, or six or seven good +Trumps without them; where note, the Kings of any Suit are alwayes +accounted as good as Trumps (since nothing but Trumps can win them) mean +while all other Cards but them and Trumps, are to be discarded. + +_Observations._ + +He who playes having taken in, the next is to consider the goodness of his +Game; and to take in more or less, according to his Game is probably like +to prove good or bad, alwayed considering, that 'tis as much his advantage +that the third have a good Game to make it Repuesto, as himself. Neither +is any one, for Covetousness of saving a Counter or two, to neglect, the +taking in, that the other may commodiously make up his Game with the Cards +which he leaves; and that no good Cards may lye dormant in the Stock, +except Player playe without taking in when they may refuse to take in, if +they imagine he has all the Game. + +_Of playing without taking in._ + +When one has a sure Game in his hand, he is to play without taking +in; when the others are to give him each of them one of the greater Marks +or Counters, as he is to give them, if he play without taking in, a Game +that is not sure, he'd(?) loses it. + +_Of the Voll._ + +If you win all the Tricks in your hand, or the Voll, they likewise are to +give you one Mark or Counter the piece; but then you are to declare before +the fifth Trick, that you intend to play for the Voll, that so they may +keep their best Cards, which else seeing you win five Tricks (or the +Game) they may carelesly cast away. + +_Of the Forfeitures_ + +If you Renounce, you are to double the Stake, this(?) also if you have +more or fewer Cards then Nine, (to avoid all wrangling or foul play) to +which end you are carefully to count your Cards both in dealing and taking +in, before you look on them; besides according to the Rigour of the Game, +if you speak any thing that may discover your Game, or anothers (excepting +onely Gagno as we shall declare afterwards) or play so, as wittingly to +hinder the making it Repueto or Codillio (and if ignorantly, you are not +fit to play.) + +_Of playing Trumps_ + +In playing Trump; you are to note, that if any playes an ordinary Trump, +and you have onely the three best Cards, or Matadors, singly or can +jointly in your hands, you may refuse to play them, without Renouncing, +because of the priviledge which those Cards have, that none but commanding +Cards can force them out of your hands; as for example, the Spadillio +forces the Mallilio, and the Mallilio the Basto; for all the rest you are +to follow Trump. + +_Of what you are to say_ + +You are to say nothing but onely, _I pass_, or _play_, or Gagno, that is, +'tis mine, simply, when you play your Card, to hinder the third from +taking it; or Gagno de l' Re when you play your Queen to hinder them from +taking it with the King, &c. but this you cannot say till it come unto +your turn. + +_General Rules_ + +'Tis impossible to provide against all accident in the Game, onely these +general Rules may be observ'd in playing: First, the chiefest Art +consisting in knowing the goodness of ones Gane, and how it may be +improved to the best, one is never to win more then one trick, if they +cannot win more then two because of the advantage they give the Player by +it in dividing the tricks. Secondly, you are alwayes to win the trick from +the Player if you can, unless you let it pass for more advantage, wherein +note the second is to let pass to the third; if he have the likelier Game +to beast the Player, or if he be likely to win it. + +_Of the Tenaces_ + +There may be divers advantages in refusing to take the Players trick, but +the cheifest is if you have Tenaces in your hands, that is, two Cards, +which if you have the leading, you are sure to lose one of them. If the +player lead to you, you are sure to win them both; for examples, if you +have Spadillio and Basto in your hand, & he have the Mallilio & another +Trump, if you lead you lose one of the; for either you lead your + +Spadillio, and he player his lesser Trump upon it and wins your Basto +the next trick with his Mallilio, and so the contrary; whereas if he +leads, he loses both; for if he lead his Mallilio, you take it with your +Spadillio, and with your Basto win the other Trump; or if he lead with +that, you take it with your Basto; and then your Spadillio wins his +Mallilio, and 'tis called Tenaces, because it so catches you betwixt +them, there is no avoiding it, &c. + +_Of the Players playing his game for his best advantage_ + +Of this (becuase every one playes according to his own fancy) I will only +say, that if you are not sure of winning five Tricks, but have only the +three Matadors, (as for example) and Kings be your Auxilary Cards, if you +have the leading you are to begin with a Matador or two before you play +your Kings, to fetch out those Trump perhaps which might have trumped +them; and if you have three Matadors with two other Trumps your best way +is first to play you Matadors, to see how the Trump lie, and if both +follow, you are sure that if three Trump be Red, there remains onely one +Trump in their hands; if Black, none at all; it importing so much that the +player counts the Trumps, as the miscounting only one, do's often lose the +Game. In fine, if they have but a weak Game, they are to intimate cunning +Beast Players, in dividing Tricks, and consult them in playing of their +Cards. And these few Instructions may suffice, leaving the rest to each +one's particular observation. + +Certain other more Questions there are; as whether any may look on the +Tricks to see what Cards are played beside the Ombre, or he who playes the +Game, which ordinarily is resolved on the affirmative; or when any Cards +are left in the Stock, whether any may look on them or no, which the Table +lef once, usually is done. Only observer to lay your Tricks Angle-wisse. + +[Transcribers note: Several diagrams here have been omitted], to the end +that one may easily perceive whether they be two, three, or four.] + + + F I N I S. + + + + + + + +End of Project Gutenberg's The Royal Game of the Ombre, by Anonymous + +*** END OF THE PROJECT GUTENBERG EBOOK THE ROYAL GAME OF THE OMBRE *** + +This file should be named ombre10.txt or ombre10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, ombre11.txt +VERSIONS based on separate sources get new LETTER, ombre10a.txt + +Produced by Imran Ghory while at the University of Bristol + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* + diff --git a/old/ombre10.zip b/old/ombre10.zip Binary files differnew file mode 100644 index 0000000..9161dcf --- /dev/null +++ b/old/ombre10.zip |
