summaryrefslogtreecommitdiff
path: root/9177.txt
diff options
context:
space:
mode:
Diffstat (limited to '9177.txt')
-rw-r--r--9177.txt680
1 files changed, 680 insertions, 0 deletions
diff --git a/9177.txt b/9177.txt
new file mode 100644
index 0000000..0ba764d
--- /dev/null
+++ b/9177.txt
@@ -0,0 +1,680 @@
+The Project Gutenberg EBook of The Royal Game of Ombre, by Anonymous
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Royal Game of Ombre
+ Written At the Request of divers Honourable Persons--1665
+
+Author: Anonymous
+
+Posting Date: August 19, 2012 [EBook #9177]
+Release Date: October, 2005
+First Posted: September 11, 2003
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ROYAL GAME OF OMBRE ***
+
+
+
+
+Produced by Imran Ghory
+
+
+
+
+
+
+
+
+[Transcribers note: This transcription was made from a copy of the work
+held in the British Library as Jessel #1249. Original spelling and
+punctuation has been preserved where possible.]
+
+
+
+
+The Royal Game of the Ombre.
+
+Written At the Request of divers Honourable Persons.
+
+London
+
+Printed for Thomas Palmer, at the Crown in Westminster-Hall, 1665.
+
+The Royal Game of the Ombre.
+
+L'Ombre is a Spanish Game at Cards, as much as to say, The Man: so he who
+undertakes to play the Game, sayes Jo so l'Ombre, or, I am the Man. And
+'tis a common saying with the Spaniards, (alluding to the name) that the
+Spanish l'Ombre as far surpasses the French le Beste, as a Man do's a
+Beast, There are divers sorts of it, of which, this (which we shall only
+treat of, and which chiefly is in vogue) is called the Renegado, for
+reasons better supprest then known.
+
+_How many can play at it, and with what Cards they are to play._
+
+There can only three play at it, and they are dealt nine Cards a piece: so
+by discarding the Eights, Nines, and Tens out of the Pack, there remains
+thirteen Cards in the Stock.
+
+_Of the Trump_
+
+There is no turning up Trump, nor no Trump but what the Player pleases,
+the first hand having alwayes the choice to play or pass, after him the
+second, &c.
+
+_Of the Stakes_
+
+For Stakes there are two sorts of Marks or Counters, the greater and the
+less; for example if you value the great ones at 12. pence, the lesser may
+be pence the piece (and so according as you please) of which great Marks
+you stake each one one for the Game: and the lesser for passing, for the
+hand, if you be eldest, and for taking in, giving for each Card you take
+in, one Mark or Counter.
+
+_Of the names of the Cards, and order in ranking them_
+
+_Of the Black Suits_
+
+1. The Spadillio, or Ace of Spades.
+2. The Mallilio, or black Deuces of either suit.
+3. The Basto, or Ace of Clubs.
+4. The King.
+5. Queen.
+6. Knave.
+7. Seven.
+8. Six.
+9. Five.
+10. Four.
+11. And Three.
+
+_Of the Red Suits_
+
+1. The Spadillio, or Ace of Spades.
+2. The Mallilio, or Sevens of either Suit.
+3. The Basto, or Ace of Clubs.
+4. The Punto, or Ace of Hearts or Diamonds according as they are Trump.
+5. The King.
+6. The Queen.
+7. The Knave.
+8. The Deuce.
+9. The Three.
+10. The Four.
+11. The Five.
+12. The Six.
+
+_Observations._
+
+By this you see first that the Spadillio, or Ace of Spades is always the
+first Card, and alwayes Trump, be the Trump what suit soever; and the
+Basto, or Ace of Clubs alwayes the third. Secondly, the of Black, there
+are but eleven Trumps, and of Red twelve. Thirdly, that the Red Ace enters
+into the fourth place when it is Trump, and then is called the Punto,
+otherwise 'tis only rank'd after the Knave, and is only call'd the
+Ace. Fourthly, that (excepting the Deuces of Black, and Sevens of Red,
+which are call'd the Mallilio's, and are alwayes the second Cards when
+they are Trumps) the least small Cards of the Red are alwayes best, and
+the greatest of the Black.
+
+_Of the Matadors._
+
+The Matadors or killing Cards, as the Spadillio, Mallilio, and Basto, are
+the three chief Cards, and for these, when they are all in a hand (else
+not) the others pay three of the greater Marks or Counters the piece; and
+though there be no counting the Matadors without these three, yet these
+three for foundation, you may count as many as you have Cards in an
+interrupted series of Trumps; for all which the others are to pay you one
+Mark or Counter, the piece, even to nine sometimes.
+
+_Of taking in, and the order and manner of it._
+
+1. Who has the first Hand, has choice of playing the Game, of naming the
+Trump, and of taking in as many of or as few Cards as he pleases, and
+after him the second, &c.
+2. Having once demanded whether any one will play _without taking in_, you
+oblige your self to take in, though your Game be never so good: wherefore
+you are well to consider it before.
+3. If you name not the Trump before you look on the Cards which you have
+taken in, any other may prevent you, and name what Trump they please.
+4. If (as it often happens) you know not of two Suits which to name
+Trump; e.g. with the two black Aces you have three Trumps of either
+sorts: First, the Black Suit is to be preferr'd before the Red, because
+there are fewer Trumps of it. Secondly, you are rather to choose that Suit
+of which you have not the King, because besides your three Trumps, you
+have a King, which is as good as a fourth.
+5. When you have the choice of Going in three Matadors, or the two Black
+Aces with three of four other Trumps, if the Stakes be great, you are to
+chuse this last, (as most likely to win most Tricks) if it be but a simple
+Stake, you are to chuse the first; because the six Counters you are to
+receive for the Matadors, more then equavales the four or five, you lose
+for the Game.
+
+_Observations._
+
+1. He is to ask _if any will play without taking in._ (when they have the
+choice of those who will not.) Secondly, he is never to take in, or play,
+unless he have three sure Tricks in his hand at least: To understand
+which the better we must know
+
+_The End of the Game_
+
+The End of the Game is (as at Beast) to win most Tricks; whence he who can
+win five tricks of the Nine, has a sure Games; or if he win Four, and can
+so divide the Tricks, as one may win Two, the other Three: if not, 'tis
+either Codillio or Repuesto, and the Player loses and makes good the
+Stakes.
+
+_Of the Codillio._
+
+The call it Codillio when the Player is beasted, and another wins more
+Tricks then he; when this takes up the Stakes, and tother makes it good:
+where note, that although the other two alwayes combine against the
+Player to make him lose, yet they all do their best (for the common
+good) to hinder any one from winning, onely striving to make it Repuesto.
+
+_Of the Repuesto._
+
+They call it Repuesto when the Player wins no more Tricks then another:
+for example, if he win but four, another four, and the third but one, or
+each of them win three Tricks the piece; in which case the Player doubles
+the Stake, without any ones winning it, and it remains so doubled for the
+advantage of the next Player, &c. whence you may collect, that the Player
+is as much concern'd in making Repuesto, in case of nesessity, as any of
+the rest, by which means the Stakes oftentimes increasing to a
+considerable summe, the Player is to be very wary what Games he playes.
+
+_What Games are to be played_
+
+One is never to play unless he have three sure Tricks in his hand at
+least, as we have said before; as the three Matadors, or six or seven good
+Trumps without them; where note, the Kings of any Suit are alwayes
+accounted as good as Trumps (since nothing but Trumps can win them) mean
+while all other Cards but them and Trumps, are to be discarded.
+
+_Observations._
+
+He who playes having taken in, the next is to consider the goodness of his
+Game; and to take in more or less, according to his Game is probably like
+to prove good or bad, alwayed considering, that 'tis as much his advantage
+that the third have a good Game to make it Repuesto, as himself. Neither
+is any one, for Covetousness of saving a Counter or two, to neglect, the
+taking in, that the other may commodiously make up his Game with the Cards
+which he leaves; and that no good Cards may lye dormant in the Stock,
+except Player playe without taking in when they may refuse to take in, if
+they imagine he has all the Game.
+
+_Of playing without taking in._
+
+When one has a sure Game in his hand, he is to play without taking
+in; when the others are to give him each of them one of the greater Marks
+or Counters, as he is to give them, if he play without taking in, a Game
+that is not sure, he'd(?) loses it.
+
+_Of the Voll._
+
+If you win all the Tricks in your hand, or the Voll, they likewise are to
+give you one Mark or Counter the piece; but then you are to declare before
+the fifth Trick, that you intend to play for the Voll, that so they may
+keep their best Cards, which else seeing you win five Tricks (or the
+Game) they may carelesly cast away.
+
+_Of the Forfeitures_
+
+If you Renounce, you are to double the Stake, this(?) also if you have
+more or fewer Cards then Nine, (to avoid all wrangling or foul play) to
+which end you are carefully to count your Cards both in dealing and taking
+in, before you look on them; besides according to the Rigour of the Game,
+if you speak any thing that may discover your Game, or anothers (excepting
+onely Gagno as we shall declare afterwards) or play so, as wittingly to
+hinder the making it Repueto or Codillio (and if ignorantly, you are not
+fit to play.)
+
+_Of playing Trumps_
+
+In playing Trump; you are to note, that if any playes an ordinary Trump,
+and you have onely the three best Cards, or Matadors, singly or can
+jointly in your hands, you may refuse to play them, without Renouncing,
+because of the priviledge which those Cards have, that none but commanding
+Cards can force them out of your hands; as for example, the Spadillio
+forces the Mallilio, and the Mallilio the Basto; for all the rest you are
+to follow Trump.
+
+_Of what you are to say_
+
+You are to say nothing but onely, _I pass_, or _play_, or Gagno, that is,
+'tis mine, simply, when you play your Card, to hinder the third from
+taking it; or Gagno de l' Re when you play your Queen to hinder them from
+taking it with the King, &c. but this you cannot say till it come unto
+your turn.
+
+_General Rules_
+
+'Tis impossible to provide against all accident in the Game, onely these
+general Rules may be observ'd in playing: First, the chiefest Art
+consisting in knowing the goodness of ones Gane, and how it may be
+improved to the best, one is never to win more then one trick, if they
+cannot win more then two because of the advantage they give the Player by
+it in dividing the tricks. Secondly, you are alwayes to win the trick from
+the Player if you can, unless you let it pass for more advantage, wherein
+note the second is to let pass to the third; if he have the likelier Game
+to beast the Player, or if he be likely to win it.
+
+_Of the Tenaces_
+
+There may be divers advantages in refusing to take the Players trick, but
+the cheifest is if you have Tenaces in your hands, that is, two Cards,
+which if you have the leading, you are sure to lose one of them. If the
+player lead to you, you are sure to win them both; for examples, if you
+have Spadillio and Basto in your hand, & he have the Mallilio & another
+Trump, if you lead you lose one of the; for either you lead your
+
+Spadillio, and he player his lesser Trump upon it and wins your Basto
+the next trick with his Mallilio, and so the contrary; whereas if he
+leads, he loses both; for if he lead his Mallilio, you take it with your
+Spadillio, and with your Basto win the other Trump; or if he lead with
+that, you take it with your Basto; and then your Spadillio wins his
+Mallilio, and 'tis called Tenaces, because it so catches you betwixt
+them, there is no avoiding it, &c.
+
+_Of the Players playing his game for his best advantage_
+
+Of this (becuase every one playes according to his own fancy) I will only
+say, that if you are not sure of winning five Tricks, but have only the
+three Matadors, (as for example) and Kings be your Auxilary Cards, if you
+have the leading you are to begin with a Matador or two before you play
+your Kings, to fetch out those Trump perhaps which might have trumped
+them; and if you have three Matadors with two other Trumps your best way
+is first to play you Matadors, to see how the Trump lie, and if both
+follow, you are sure that if three Trump be Red, there remains onely one
+Trump in their hands; if Black, none at all; it importing so much that the
+player counts the Trumps, as the miscounting only one, do's often lose the
+Game. In fine, if they have but a weak Game, they are to intimate cunning
+Beast Players, in dividing Tricks, and consult them in playing of their
+Cards. And these few Instructions may suffice, leaving the rest to each
+one's particular observation.
+
+Certain other more Questions there are; as whether any may look on the
+Tricks to see what Cards are played beside the Ombre, or he who playes the
+Game, which ordinarily is resolved on the affirmative; or when any Cards
+are left in the Stock, whether any may look on them or no, which the Table
+lef once, usually is done. Only observer to lay your Tricks Angle-wisse.
+
+[Transcribers note: Several diagrams here have been omitted, to the end
+that one may easily perceive whether they be two, three, or four.]
+
+
+ F I N I S.
+
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Royal Game of Ombre, by Anonymous
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ROYAL GAME OF OMBRE ***
+
+***** This file should be named 9177.txt or 9177.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/9/1/7/9177/
+
+Produced by Imran Ghory
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.