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+ <head>
+ <title>
+ Reflections; or Sentences and Moral Maxims by Francois Duc De La
+ Rochefoucauld
+ </title>
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+
+Project Gutenberg's Reflections, by Francois Duc De La Rochefoucauld
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Reflections
+ Or, Sentences and Moral Maxims
+
+Author: Francois Duc De La Rochefoucauld
+
+Release Date: October, 2005 [EBook #9105]
+Last Updated: January 25, 2013
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK REFLECTIONS ***
+
+
+
+
+Produced by An Anonymous Volunteer, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ <big>Reflections;</big><br /> or <br /><i><b>Sentences and </b><br /><br /><b><big>Moral
+ Maxims</big></b></i>
+ </h1>
+ <h3>
+ By
+ </h3>
+ <h2>
+ Francois Duc De La Rochefoucauld, Prince de Marsillac.
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h4>
+ Translated from the Editions of 1678 and 1827 with<br /> introduction,
+ notes, and some account of the author and his times.
+ </h4>
+ <h4>
+ By
+ </h4>
+ <h4>
+ J. W. Willis Bund, M.A. LL.B and J. Hain Friswell
+ </h4>
+ <h4>
+ Simpson Low, Son, and Marston, 188, Fleet Street. 1871.
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <div class="mynote">
+ <p>
+ {TRANSCRIBERS NOTES: spelling variants are preserved (e.g. labour
+ instead of labor, criticise instead of criticize, etc.); the
+ translators' comments are in square brackets [...] as they are in the
+ text; footnotes are indicated by * and appear immediately following the
+ passage containing the note (in the text they appear at the bottom of
+ the page); and, finally, corrections and addenda are in curly brackets
+ {...}.}
+ </p>
+ </div>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h1>
+ ROCHEFOUCAULD
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ "As Rochefoucauld his maxims drew From Nature&mdash;I believe them true.
+ They argue no corrupted mind In him; the fault is in mankind."&mdash;Swift.
+ </p>
+ <p>
+ "Les Maximes de la Rochefoucauld sont des proverbs des gens d'esprit."&mdash;Montesquieu.
+ </p>
+ <p>
+ "Maxims are the condensed good sense of nations."&mdash;Sir J. Mackintosh.
+ </p>
+ <p>
+ "Translators should not work alone; for good <i>Et Propria Verba</i> do
+ not always occur to one mind."&mdash;Luther's <i>Table Talk</i>, iii.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br /> <a href="#linkpreface">Preface (translator's)</a><br /> <a
+ href="#linkintroduction">Introduction (translator's)</a><br /> <a
+ href="#linkmaxims">Reflections and Moral Maxims</a><br /> <a
+ href="#linksup1">First Supplement</a><br /> <a href="#linksup2">Second
+ Supplement</a><br /> <a href="#linksup3">Third Supplement</a><br /> <a
+ href="#linkreflect">Reflections on Various Subjects</a><br /> <a
+ href="#linkindex">Index</a><br />
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ <a name="linkpreface" id="linkpreface">Translator's Preface.</a>
+ </h2>
+ <p>
+ Some apology must be made for an attempt "to translate the
+ untranslatable." Notwithstanding there are no less than eight English
+ translations of La Rochefoucauld, hardly any are readable, none are free
+ from faults, and all fail more or less to convey the author's meaning.
+ Though so often translated, there is not a complete English edition of the
+ Maxims and Reflections. All the translations are confined exclusively to
+ the Maxims, none include the Reflections. This may be accounted for, from
+ the fact that most of the translations are taken from the old editions of
+ the Maxims, in which the Reflections do not appear. Until M. Suard devoted
+ his attention to the text of Rochefoucauld, the various editions were but
+ reprints of the preceding ones, without any regard to the alterations made
+ by the author in the later editions published during his life-time. So
+ much was this the case, that Maxims which had been rejected by
+ Rochefoucauld in his last edition, were still retained in the body of the
+ work. To give but one example, the celebrated Maxim as to the misfortunes
+ of our friends, was omitted in the last edition of the book, published in
+ Rochefoucauld's life-time, yet in every English edition this Maxim appears
+ in the body of the work.
+ </p>
+ <p>
+ M. Aim&eacute; Martin in 1827 published an edition of the Maxims and
+ Reflections which has ever since been the standard text of Rochefoucauld
+ in France. The Maxims are printed from the edition of 1678, the last
+ published during the author's life, and the last which received his
+ corrections. To this edition were added two Supplements; the first
+ containing the Maxims which had appeared in the editions of 1665, 1666,
+ and 1675, and which were afterwards omitted; the second, some additional
+ Maxims found among various of the author's manuscripts in the Royal
+ Library at Paris. And a Series of Reflections which had been previously
+ published in a work called "Receuil de pi&egrave;ces d'histoire et de litt&eacute;rature."
+ Paris, 1731. They were first published with the Maxims in an edition by
+ Gabriel Brotier.
+ </p>
+ <p>
+ In an edition of Rochefoucauld entitled "Reflexions, ou Sentences et
+ Maximes Morales, augment&eacute;es de plus deux cent nouvelles Maximes et
+ Maximes et Pens&eacute;es diverses suivant les copies Imprim&eacute;es
+ &agrave; Paris, chez Claude Barbin, et Matre Cramoisy 1692,"* some fifty
+ Maxims were added, ascribed by the editor to Rochefoucauld, and as his
+ family allowed them to be published under his name, it seems probable they
+ were genuine. These fifty form the third supplement to this book.
+ </p>
+ <blockquote>
+ <blockquote>
+ <p>
+ *In all the French editions this book is spoken of as published in
+ 1693. The only copy I have seen is in the Cambridge University
+ Library, 47, 16, 81, and is called "Reflexions Morales."
+ </p>
+ </blockquote>
+ </blockquote>
+ <p>
+ The apology for the present edition of Rochefoucauld must therefore be
+ twofold: firstly, that it is an attempt to give the public a complete
+ English edition of Rochefoucauld's works as a moralist. The body of the
+ work comprises the Maxims as the author finally left them, the first
+ supplement, those published in former editions, and rejected by the author
+ in the later; the second, the unpublished Maxims taken from the author's
+ correspondence and manuscripts, and the third, the Maxims first published
+ in 1692. While the Reflections, in which the thoughts in the Maxims are
+ extended and elaborated, now appear in English for the first time. And
+ secondly, that it is an attempt (to quote the preface of the edition of
+ 1749) "to do the Duc de la Rochefoucauld the justice to make him speak
+ English."
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ <a name="linkintroduction" id="linkintroduction">Translator's Introduction</a>
+ </h2>
+ <p>
+ The description of the "ancien regime" in France, "a despotism tempered by
+ epigrams," like most epigrammatic sentences, contains some truth, with
+ much fiction. The society of the last half of the seventeenth, and the
+ whole of the eighteenth centuries, was doubtless greatly influenced by the
+ precise and terse mode in which the popular writers of that date expressed
+ their thoughts. To a people naturally inclined to think that every
+ possible view, every conceivable argument, upon a question is included in
+ a short aphorism, a shrug, and the word "voil&agrave;," truths expressed
+ in condensed sentences must always have a peculiar charm. It is, perhaps,
+ from this love of epigram, that we find so many eminent French writers of
+ maxims. Pascal, De Retz, La Rochefoucauld, La Bruy&egrave;re, Montesquieu,
+ and Vauvenargues, each contributed to the rich stock of French epigrams.
+ No other country can show such a list of brilliant writers&mdash;in
+ England certainly we cannot. Our most celebrated, Lord Bacon, has, by his
+ other works, so surpassed his maxims, that their fame is, to a great
+ measure, obscured. The only Englishman who could have rivalled La
+ Rochefoucauld or La Bruy&egrave;re was the Earl of Chesterfield, and he
+ only could have done so from his very intimate connexion with France; but
+ unfortunately his brilliant genius was spent in the impossible task of
+ trying to refine a boorish young Briton, in "cutting blocks with a razor."
+ </p>
+ <p>
+ Of all the French epigrammatic writers La Rochefoucauld is at once the
+ most widely known, and the most distinguished. Voltaire, whose opinion on
+ the century of Louis XIV. is entitled to the greatest weight, says, "One
+ of the works that most largely contributed to form the taste of the
+ nation, and to diffuse a spirit of justice and precision, is the
+ collection of maxims, by Francois Duc de la Rochefoucauld."
+ </p>
+ <p>
+ This Francois, the second Duc de la Rochefoucauld, Prince de Marsillac,
+ the author of the maxims, was one of the most illustrious members of the
+ most illustrious families among the French noblesse. Descended from the
+ ancient Dukes of Guienne, the founder of the Family Fulk or Foucauld, a
+ younger branch of the House of Lusignan, was at the commencement of the
+ eleventh century the Seigneur of a small town, La Roche, in the Angounois.
+ Our chief knowledge of this feudal lord is drawn from the monkish
+ chronicles. As the benefactor of the various abbeys and monasteries in his
+ province, he is naturally spoken of by them in terms of eulogy, and in the
+ charter of one of the abbeys of Angouleme he is called, "vir nobilissimus
+ Fulcaldus." His territorial power enabled him to adopt what was then, as
+ is still in Scotland, a common custom, to prefix the name of his estate to
+ his surname, and thus to create and transmit to his descendants the
+ illustrious surname of La Rochefoucauld.
+ </p>
+ <p>
+ From that time until that great crisis in the history of the French
+ aristocracy, the Revolution of 1789, the family of La Rochefoucauld have
+ been, "if not first, in the very first line" of that most illustrious
+ body. One Seigneur served under Philip Augustus against Richard Coeur de
+ Lion, and was made prisoner at the battle of Gisors. The eighth Seigneur
+ Guy performed a great tilt at Bordeaux, attended (according to Froissart)
+ to the Lists by some two hundred of his kindred and relations. The
+ sixteenth Seigneur Francais was chamberlain to Charles VIII. and Louis
+ XII., and stood at the font as sponsor, giving his name to that last light
+ of French chivalry, Francis I. In 1515 he was created a baron, and was
+ afterwards advanced to a count, on account of his great service to Francis
+ and his predecessors.
+ </p>
+ <p>
+ The second count pushed the family fortune still further by obtaining a
+ patent as the Prince de Marsillac. His widow, Anne de Polignac,
+ entertained Charles V. at the family chateau at Verteuil, in so princely a
+ manner that on leaving Charles observed, "He had never entered a house so
+ redolent of high virtue, uprightness, and lordliness as that mansion."
+ </p>
+ <p>
+ The third count, after serving with distinction under the Duke of Guise
+ against the Spaniards, was made prisoner at St. Quintin, and only regained
+ his liberty to fall a victim to the "bloody infamy" of St. Bartholomew.
+ His son, the fourth count, saved with difficulty from that massacre, after
+ serving with distinction in the religious wars, was taken prisoner in a
+ skirmish at St. Yriex la Perche, and murdered by the Leaguers in cold
+ blood.
+ </p>
+ <p>
+ The fifth count, one of the ministers of Louis XIII., after fighting
+ against the English and Buckingham at the Ile de R&eacute;, was created a
+ duke. His son Francis, the second duke, by his writings has made the
+ family name a household word.
+ </p>
+ <p>
+ The third duke fought in many of the earlier campaigns of Louis XIV. at
+ Torcy, Lille, Cambray, and was dangerously wounded at the passage of the
+ Rhine. From his bravery he rose to high favour at Court, and was appointed
+ Master of the Horse (Grand Veneur) and Lord Chamberlain. His son, the
+ fourth duke, commanded the regiment of Navarre, and took part in storming
+ the village of Neerwinden on the day when William III. was defeated at
+ Landen. He was afterwards created Duc de la Rochequyon and Marquis de
+ Liancourt.
+ </p>
+ <p>
+ The fifth duke, banished from Court by Louis XV., became the friend of the
+ philosopher Voltaire.
+ </p>
+ <p>
+ The sixth duke, the friend of Condorcet, was the last of the long line of
+ noble lords who bore that distinguished name. In those terrible days of
+ September, 1792, when the French people were proclaiming universal
+ humanity, the duke was seized as an aristocrat by the mob at Gisors and
+ put to death behind his own carriage, in which sat his mother and his
+ wife, at the very place where, some six centuries previously, his ancestor
+ had been taken prisoner in a fair fight. A modern writer has spoken of
+ this murder "as an admirable reprisal upon the grandson for the writings
+ and conduct of the grandfather." But M. Sainte Beuve observes as to this,
+ he can see nothing admirable in the death of the duke, and if it proves
+ anything, it is only that the grandfather was not so wrong in his judgment
+ of men as is usually supposed.
+ </p>
+ <p>
+ Francis, the author, was born on the 15th December 1615. M. Sainte Beuve
+ divides his life into four periods, first, from his birth till he was
+ thirty-five, when he became mixed up in the war of the Fronde; the second
+ period, during the progress of that war; the third, the twelve years that
+ followed, while he recovered from his wounds, and wrote his maxims during
+ his retirement from society; and the last from that time till his death.
+ </p>
+ <p>
+ In the same way that Herodotus calls each book of his history by the name
+ of one of the muses, so each of these four periods of La Rochefoucauld's
+ life may be associated with the name of a woman who was for the time his
+ ruling passion. These four ladies are the Duchesse de Chevreuse, the
+ Duchesse de Longueville, Madame de Sabl&eacute;, and Madame de La Fayette.
+ </p>
+ <p>
+ La Rochefoucauld's early education was neglected; his father, occupied in
+ the affairs of state, either had not, or did not devote any time to his
+ education. His natural talents and his habits of observation soon,
+ however, supplied all deficiencies. By birth and station placed in the
+ best society of the French Court, he soon became a most finished courtier.
+ Knowing how precarious Court favour then was, his father, when young
+ Rochefoucauld was only nine years old, sent him into the army. He was
+ subsequently attached to the regiment of Auvergne. Though but sixteen he
+ was present, and took part in the military operations at the siege of
+ Cassel. The Court of Louis XIII. was then ruled imperiously by Richelieu.
+ The Duke de la Rochefoucauld was strongly opposed to the Cardinal's party.
+ By joining in the plots of Gaston of Orleans, he gave Richelieu an
+ opportunity of ridding Paris of his opposition. When those plots were
+ discovered, the Duke was sent into a sort of banishment to Blois. His son,
+ who was then at Court with him, was, upon the pretext of a liaison with
+ Mdlle. d'Hautefort, one of the ladies in waiting on the Queen (Anne of
+ Austria), but in reality to prevent the Duke learning what was passing at
+ Paris, sent with his father. The result of the exile was Rochefoucauld's
+ marriage. With the exception that his wife's name was Mdlle. Vivonne, and
+ that she was the mother of five sons and three daughters, nothing is known
+ of her. While Rochefoucauld and his father were at Blois, the Duchesse de
+ Chevreuse, one of the beauties of the Court, and the mistress of Louis,
+ was banished to Tours. She and Rochefoucauld met, and soon became
+ intimate, and for a time she was destined to be the one motive of his
+ actions. The Duchesse was engaged in a correspondence with the Court of
+ Spain and the Queen. Into this plot Rochefoucauld threw himself with all
+ his energy; his connexion with the Queen brought him back to his old love
+ Mdlle. d'Hautefort, and led him to her party, which he afterwards
+ followed. The course he took shut him off from all chance of Court favour.
+ The King regarded him with coldness, the Cardinal with irritation.
+ Although the Bastile and the scaffold, the fate of Chalais and
+ Montmorency, were before his eyes, they failed to deter him from plotting.
+ He was about twenty-three; returning to Paris, he warmly sided with the
+ Queen. He says in his Memoirs that the only persons she could then trust
+ were himself and Mdlle. d'Hautefort, and it was proposed he should take
+ both of them from Paris to Brussels. Into this plan he entered with all
+ his youthful indiscretion, it being for several reasons the very one he
+ would wish to adopt, as it would strengthen his influence with Anne of
+ Austria, place Richelieu and his master in an uncomfortable position, and
+ save Mdlle. d'Hautefort from the attentions the King was showing her.
+ </p>
+ <p>
+ But Richelieu of course discovered this plot, and Rochefoucauld was, of
+ course, sent to the Bastile. He was liberated after a week's imprisonment,
+ but banished to his chateau at Verteuil.
+ </p>
+ <p>
+ The reason for this clemency was that the Cardinal desired to win
+ Rochefoucauld from the Queen's party. A command in the army was offered to
+ him, but by the Queen's orders refused.
+ </p>
+ <p>
+ For some three years Rochefoucauld remained at Verteuil, waiting the time
+ for his reckoning with Richelieu; speculating on the King's death, and the
+ favours he would then receive from the Queen. During this period he was
+ more or less engaged in plotting against his enemy the Cardinal, and
+ hatching treason with Cinq Mars and De Thou.
+ </p>
+ <p>
+ M. Sainte Beuve says, that unless we study this first part of
+ Rochefoucauld's life, we shall never understand his maxims. The bitter
+ disappointment of the passionate love, the high hopes then formed, the
+ deceit and treachery then witnessed, furnished the real key to their
+ meaning. The cutting cynicism of the morality was built on the ruins of
+ that chivalrous ambition and romantic affection. He saw his friend Cinq
+ Mars sent to the scaffold, himself betrayed by men whom he had trusted,
+ and the only reason he could assign for these actions was intense
+ selfishness.
+ </p>
+ <p>
+ Meanwhile, Richelieu died. Rochefoucauld returned to Court, and found Anne
+ of Austria regent, and Mazarin minister. The Queen's former friends
+ flocked there in numbers, expecting that now their time of prosperity had
+ come. They were bitterly disappointed. Mazarin relied on hope instead of
+ gratitude, to keep the Queen's adherents on his side. The most that any
+ received were promises that were never performed. In after years,
+ doubtless, Rochefoucauld's recollection of his disappointment led him to
+ write the maxim: "We promise according to our hopes, we perform according
+ to our fears." But he was not even to receive promises; he asked for the
+ Governorship of Havre, which was then vacant. He was flatly refused.
+ Disappointment gave rise to anger, and uniting with his old flame, the
+ Duchesse de Chevreuse, who had received the same treatment, and with the
+ Duke of Beaufort, they formed a conspiracy against the government. The
+ plot was, of course, discovered and crushed. Beaufort was arrested, the
+ Duchesse banished. Irritated and disgusted, Rochefoucauld went with the
+ Duc d'Enghein, who was then joining the army, on a campaign, and here he
+ found the one love of his life, the Duke's sister, Mdme. de Longueville.
+ This lady, young, beautiful, and accomplished, obtained a great ascendancy
+ over Rochefoucauld, and was the cause of his taking the side of Cond&eacute;
+ in the subsequent civil war. Rochefoucauld did not stay long with the
+ army. He was badly wounded at the siege of Mardik, and returned from
+ thence to Paris. On recovering from his wounds, the war of the Fronde
+ broke out. This war is said to have been most ridiculous, as being carried
+ on without a definite object, a plan, or a leader. But this description is
+ hardly correct; it was the struggle of the French nobility against the
+ rule of the Court; an attempt, the final attempt, to recover their lost
+ influence over the state, and to save themselves from sinking under the
+ rule of cardinals and priests.
+ </p>
+ <p>
+ With the general history of that war we have nothing to do; it is far too
+ complicated and too confused to be stated here. The memoirs of
+ Rochefoucauld and De Retz will give the details to those who desire to
+ trace the contests of the factions&mdash;the course of the intrigues. We
+ may confine ourselves to its progress so far as it relates to the Duc de
+ la Rochefoucauld.
+ </p>
+ <p>
+ On the Cardinal causing the Princes de Cond&eacute; and Conti, and the Duc
+ de Longueville, to be arrested, Rochefoucauld and the Duchess fled into
+ Normandy. Leaving her at Dieppe, he went into Poitou, of which province he
+ had some years previously bought the post of governor. He was there joined
+ by the Duc de Bouillon, and he and the Duke marched to, and occupied
+ Bordeaux. Cardinal Mazarin and Marechal de la Meilleraie advanced in force
+ on Bordeaux, and attacked the town. A bloody battle followed.
+ Rochefoucauld defended the town with the greatest bravery, and repulsed
+ the Cardinal. Notwithstanding the repulse, the burghers of Bordeaux were
+ anxious to make peace, and save the city from destruction. The Parliament
+ of Bordeaux compelled Rochefoucauld to surrender. He did so, and returned
+ nominally to Poitou, but in reality in secret to Paris.
+ </p>
+ <p>
+ There he found the Queen engaged in trying to maintain her position by
+ playing off the rival parties of the Prince Cond&eacute; and the Cardinal
+ De Retz against each other. Rochefoucauld eagerly espoused his old party&mdash;that
+ of Cond&eacute;. In August, 1651, the contending parties met in the Hall
+ of the Parliament of Paris, and it was with great difficulty they were
+ prevented from coming to blows even there. It is even said that
+ Rochefoucauld had ordered his followers to murder De Retz.
+ </p>
+ <p>
+ Rochefoucauld was soon to undergo a bitter disappointment. While occupied
+ with party strife and faction in Paris, Madame de Chevreuse left him, and
+ formed an alliance with the Duc de Nemours. Rochefoucauld still loved her.
+ It was, probably, thinking of this that he afterwards wrote, "Jealousy is
+ born with love, but does not die with it." He endeavoured to get Madame de
+ Chatillon, the old mistress of the Duc de Nemours, reinstated in favour,
+ but in this he did not succeed. The Duc de Nemours was soon after killed
+ in a duel. The war went on, and after several indecisive skirmishes, the
+ decisive battle was fought at Paris, in the Faubourg St. Antoine, where
+ the Parisians first learnt the use or the abuse of their favourite
+ defence, the barricade. In this battle, Rochefoucauld behaved with great
+ bravery. He was wounded in the head, a wound which for a time deprived him
+ of his sight. Before he recovered, the war was over, Louis XIV. had
+ attained his majority, the gold of Mazarin, the arms of Turenne, had been
+ successful, the French nobility were vanquished, the court supremacy
+ established.
+ </p>
+ <p>
+ This completed Rochefoucauld's active life.
+ </p>
+ <p>
+ When he recovered his health, he devoted himself to society. Madame de
+ Sabl&eacute; assumed a hold over him. He lived a quiet life, and occupied
+ himself in composing an account of his early life, called his "Memoirs,"
+ and his immortal "Maxims."
+ </p>
+ <p>
+ From the time he ceased to take part in public life, Rochefoucauld's real
+ glory began. Having acted the various parts of soldier, politician, and
+ lover with but small success, he now commenced the part of moralist, by
+ which he is known to the world.
+ </p>
+ <p>
+ Living in the most brilliant society that France possessed, famous from
+ his writings, distinguished from the part he had taken in public affairs,
+ he formed the centre of one of those remarkable French literary societies,
+ a society which numbered among its members La Fontaine, Racine, Boileau.
+ Among his most attached friends was Madame de La Fayette (the authoress of
+ the "Princess of Cleeves"), and this friendship continued until his death.
+ He was not, however, destined to pass away in that gay society without
+ some troubles. At the passage of the Rhine in 1672 two of his sons were
+ engaged; the one was killed, the other severely wounded. Rochefoucauld was
+ much affected by this, but perhaps still more by the death of the young
+ Duc de Longueville, who perished on the same occasion.
+ </p>
+ <p>
+ Sainte Beuve says that the cynical book and that young life were the only
+ fruits of the war of the Fronde. Madame de S&eacute;vign&eacute;, who was
+ with him when he heard the news of the death of so much that was dear to
+ him, says, "I saw his heart laid bare on that cruel occasion, and his
+ courage, his merit, his tenderness, and good sense surpassed all I ever
+ met with. I hold his wit and accomplishments as nothing in comparison."
+ The combined effect of his wounds and the gout caused the last years of
+ Rochefoucauld's life to be spent in great pain. Madame de S&eacute;vign&eacute;,
+ who was {with} him continually during his last illness, speaks of the
+ fortitude with which he bore his sufferings as something to be admired.
+ Writing to her daughter, she says, "Believe me, it is not for nothing he
+ has moralised all his life; he has thought so often on his last moments
+ that they are nothing new or unfamiliar to him."
+ </p>
+ <p>
+ In his last illness, the great moralist was attended by the great divine,
+ Bossuet. Whether that matchless eloquence or his own philosophic calm had,
+ in spite of his writings, brought him into the state Madame de S&eacute;vign&eacute;
+ describes, we know not; but one, or both, contributed to his passing away
+ in a manner that did not disgrace a French noble or a French philosopher.
+ On the 11th March, 1680, he ended his stormy life in peace after so much
+ strife, a loyal subject after so much treason.
+ </p>
+ <p>
+ One of his friends, Madame Deshouli&egrave;res, shortly before he died
+ sent him an ode on death, which aptly describes his state&mdash; "Oui,
+ soyez alors plus ferme, Que ces vulgaires humains Qui, pr&egrave;s de leur
+ dernier terme, De vaines terreurs sont pleins. En sage que rien n'offense,
+ Livrez-vous sans resistance A d'in&eacute;vitables traits; Et, d'une
+ demarche &eacute;gale, Passez cette onde fatal Qu'on ne repasse jamais."
+ </p>
+ <p>
+ Rochefoucauld left behind him only two works, the one, Memoirs of his own
+ time, the other the Maxims. The first described the scenes in which his
+ youth had been spent, and though written in a lively style, and giving
+ faithful pictures of the intrigues and the scandals of the court during
+ Louis XIV.'s minority, yet, except to the historian, has ceased at the
+ present day to be of much interest. It forms, perhaps, the true key to
+ understand the special as opposed to general application of the maxims.
+ </p>
+ <p>
+ Notwithstanding the assertion of Bayle, that "there are few people so
+ bigoted to antiquity as not to prefer the Memoirs of La Rochefoucauld to
+ the Commentaries of Caesar," or the statement of Voltaire, "that the
+ Memoirs are universally read and the Maxims are learnt by heart," few
+ persons at the present day ever heard of the Memoirs, and the knowledge of
+ most as to the Maxims is confined to that most celebrated of all, though
+ omitted from his last edition, "There is something in the misfortunes of
+ our best friends which does not wholly displease us." Yet it is difficult
+ to assign a cause for this; no book is perhaps oftener unwittingly quoted,
+ none certainly oftener unblushingly pillaged; upon none have so many
+ contradictory opinions been given.
+ </p>
+ <p>
+ "Few books," says Mr. Hallam, "have been more highly extolled, or more
+ severely blamed, than the maxims of the Duke of Rochefoucauld, and that
+ not only here, but also in France." Rousseau speaks of it as, "a sad and
+ melancholy book," though he goes on to say "it is usually so in youth when
+ we do not like seeing man as he is." Voltaire says of it, in the words
+ above quoted, "One of the works which most contributed to form the taste
+ of the (French) nation, and to give it a spirit of justness and precision,
+ was the collection of the maxims of Francois Duc de la Rochefoucauld,
+ though there is scarcely more than one truth running through the book&mdash;that
+ &lsquo;self-love is the motive of everything'&mdash;yet this thought is
+ presented under so many varied aspects that it is nearly always striking.
+ It is not so much a book as it is materials for ornamenting a book. This
+ little collection was read with avidity, it taught people to think, and to
+ comprise their thoughts in a lively, precise, and delicate turn of
+ expression. This was a merit which, before him, no one in Europe had
+ attained since the revival of letters."
+ </p>
+ <p>
+ Dr. Johnson speaks of it as "the only book written by a man of fashion, of
+ which professed authors need be jealous."
+ </p>
+ <p>
+ Lord Chesterfield, in his letters to his son, says, "Till you come to know
+ mankind by your experience, I know no thing nor no man that can in the
+ meantime bring you so well acquainted with them as Le Duc de la
+ Rochefoucauld. His little book of maxims, which I would advise you to look
+ into for some moments at least every day of your life, is, I fear, too
+ like and too exact a picture of human nature. I own it seems to degrade
+ it, but yet my experience does not convince me that it degrades it
+ unjustly."
+ </p>
+ <p>
+ Bishop Butler, on the other hand, blames the book in no measured terms.
+ "There is a strange affectation," says the bishop, "in some people of
+ explaining away all particular affection, and representing the whole life
+ as nothing but one continued exercise of self-love. Hence arise that
+ surprising confusion and perplexity in the Epicureans of old, Hobbes, the
+ author of 'Reflexions Morales,' and the whole set of writers, of calling
+ actions interested which are done of the most manifest known interest,
+ merely for the gratification of a present passion."
+ </p>
+ <p>
+ The judgment the reader will be most inclined to adopt will perhaps be
+ either that of Mr. Hallam, "Concise and energetic in expression, reduced
+ to those short aphorisms which leave much to the reader's acuteness and
+ yet save his labour, not often obscure, and never wearisome, an evident
+ generalisation of long experience, without pedantry, without method,
+ without deductive reasonings, yet wearing an appearance at least of
+ profundity; they delight the intelligent though indolent man of the world,
+ and must be read with some admiration by the philosopher . . . . yet they
+ bear witness to the contracted observation and the precipitate inferences
+ which an intercourse with a single class of society scarcely fails to
+ generate." Or that of Addison, who speaks of Rochefoucauld "as the great
+ philosopher for administering consolation to the idle, the curious, and
+ the worthless part of mankind."
+ </p>
+ <p>
+ We are fortunately in possession of materials such as rarely exist to
+ enable us to form a judgment of Rochefoucauld's character. We have, with a
+ vanity that could only exist in a Frenchman, a description or portrait of
+ himself, of his own painting, and one of those inimitable living sketches
+ in which his great enemy, Cardinal De Retz, makes all the chief actors in
+ the court of the regency of Anne of Austria pass across the stage before
+ us.
+ </p>
+ <p>
+ We will first look on the portrait Rochefoucauld has left us of himself:
+ "I am," says he, "of a medium height, active, and well-proportioned. My
+ complexion dark, but uniform, a high forehead; and of moderate height,
+ black eyes, small, deep set, eyebrows black and thick but well placed. I
+ am rather embarrassed in talking of my nose, for it is neither flat nor
+ aquiline, nor large; nor pointed: but I believe, as far as I can say, it
+ is too large than too small, and comes down just a trifle too low. I have
+ a large mouth, lips generally red enough, neither shaped well nor badly. I
+ have white teeth, and fairly even. I have been told I have a little too
+ much chin. I have just looked at myself in the glass to ascertain the
+ fact, and I do not know how to decide. As to the shape of my face, it is
+ either square or oval, but which I should find it very difficult to say. I
+ have black hair, which curls by nature, and thick and long enough to
+ entitle me to lay claim to a fine head. I have in my countenance somewhat
+ of grief and pride, which gives many people an idea I despise them,
+ although I am not at all given to do so. My gestures are very free, rather
+ inclined to be too much so, for in speaking they make me use too much
+ action. Such, candidly, I believe I am in outward appearance, and I
+ believe it will be found that what I have said above of myself is not far
+ from the real case. I shall use the same truthfulness in the remainder of
+ my picture, for I have studied myself sufficiently to know myself well;
+ and I will lack neither boldness to speak as freely as I can of my good
+ qualities, nor sincerity to freely avow that I have faults.
+ </p>
+ <p>
+ "In the first place, to speak of my temper. I am melancholy, and I have
+ hardly been seen for the last three or four years to laugh above three or
+ four times. It seems to me that my melancholy would be even endurable and
+ pleasant if I had none but what belonged to me constitutionally; but it
+ arises from so many other causes, fills my imagination in such a way, and
+ possesses my mind so strongly that for the greater part of my time I
+ remain without speaking a word, or give no meaning to what I say. I am
+ extremely reserved to those I do not know, and I am not very open with the
+ greater part of those I do. It is a fault I know well, and I should
+ neglect no means to correct myself of it; but as a certain gloomy air I
+ have tends to make me seem more reserved than I am in fact, and as it is
+ not in our power to rid ourselves of a bad expression that arises from a
+ natural conformation of features, I think that even when I have cured
+ myself internally, externally some bad expression will always remain.
+ </p>
+ <p>
+ "I have ability. I have no hesitation in saying it, as for what purpose
+ should I pretend otherwise. So great circumvention, and so great
+ depreciation, in speaking of the gifts one has, seems to me to hide a
+ little vanity under an apparent modesty, and craftily to try to make
+ others believe in greater virtues than are imputed to us. On my part I am
+ content not to be considered better-looking than I am, nor of a better
+ temper than I describe, nor more witty and clever than I am. Once more, I
+ have ability, but a mind spoilt by melancholy, for though I know my own
+ language tolerably well, and have a good memory, a mode of thought not
+ particularly confused, I yet have so great a mixture of discontent that I
+ often say what I have to say very badly.
+ </p>
+ <p>
+ "The conversation of gentlemen is one of the pleasures that most amuses
+ me. I like it to be serious and morality to form the substance of it. Yet
+ I also know how to enjoy it when trifling; and if I do not make many witty
+ speeches, it is not because I do not appreciate the value of trifles well
+ said, and that I do not find great amusement in that manner of raillery in
+ which certain prompt and ready-witted persons excel so well. I write well
+ in prose; I do well in verse; and if I was envious of the glory that
+ springs from that quarter, I think with a little labour I could acquire
+ some reputation. I like reading, in general; but that in which one finds
+ something to polish the wit and strengthen the soul is what I like best.
+ But, above all, I have the greatest pleasure in reading with an
+ intelligent person, for then we reflect constantly upon what we read, and
+ the observations we make form the most pleasant and useful form of
+ conversation there is.
+ </p>
+ <p>
+ "I am a fair critic of the works in verse and prose that are shown me; but
+ perhaps I speak my opinion with almost too great freedom. Another fault in
+ me is that I have sometimes a spirit of delicacy far too scrupulous, and a
+ spirit of criticism far too severe. I do not dislike an argument, and I
+ often of my own free will engage in one; but I generally back my opinion
+ with too much warmth, and sometimes, when the wrong side is advocated
+ against me, from the strength of my zeal for reason, I become a little
+ unreasonable myself.
+ </p>
+ <p>
+ "I have virtuous sentiments, good inclinations, and so strong a desire to
+ be a wholly good man that my friend cannot afford me a greater pleasure
+ than candidly to show me my faults. Those who know me most intimately, and
+ those who have the goodness sometimes to give me the above advice, know
+ that I always receive it with all the joy that could be expected, and with
+ all reverence of mind that could be desired.
+ </p>
+ <p>
+ "I have all the passions pretty mildly, and pretty well under control. I
+ am hardly ever seen in a rage, and I never hated any one. I am not,
+ however, incapable of avenging myself if I have been offended, or if my
+ honour demanded I should resent an insult put upon me; on the contrary, I
+ feel clear that duty would so well discharge the office of hatred in me
+ that I should follow my revenge with even greater keenness than other
+ people.
+ </p>
+ <p>
+ "Ambition does not weary me. I fear but few things, and I do not fear
+ death in the least. I am but little given to pity, and I could wish I was
+ not so at all. Though there is nothing I would not do to comfort an
+ afflicted person, and I really believe that one should do all one can to
+ show great sympathy to him for his misfortune, for miserable people are so
+ foolish that this does them the greatest good in the world; yet I also
+ hold that we should be content with expressing sympathy, and carefully
+ avoid having any. It is a passion that is wholly worthless in a
+ well-regulated mind, which only serves to weaken the heart, and which
+ should be left to ordinary persons, who, as they never do anything from
+ reason, have need of passions to stimulate their actions.
+ </p>
+ <p>
+ "I love my friends; and I love them to such an extent that I would not for
+ a moment weigh my interest against theirs. I condescend to them, I
+ patiently endure their bad temper. But, also, I do not make much of their
+ caresses, and I do not feel great uneasiness in their absence.
+ </p>
+ <p>
+ "Naturally, I have but little curiosity about the majority of things that
+ stir up curiosity in other men. I am very secret, and I have less
+ difficulty than most men in holding my tongue as to what is told me in
+ confidence. I am most particular as to my word, and I would never fail,
+ whatever might be the consequence, to do what I had promised; and I have
+ made this an inflexible law during the whole of my life.
+ </p>
+ <p>
+ "I keep the most punctilious civility to women. I do not believe I have
+ ever said anything before them which could cause them annoyance. When
+ their intellect is cultivated, I prefer their society to that of men: one
+ there finds a mildness one does not meet with among ourselves, and it
+ seems to me beyond this that they express themselves with more neatness,
+ and give a more agreeable turn to the things they talk about. As for
+ flirtation, I formerly indulged in a little, now I shall do so no more,
+ though I am still young. I have renounced all flirtation, and I am simply
+ astonished that there are still so many sensible people who can occupy
+ their time with it.
+ </p>
+ <p>
+ "I wholly approve of real loves; they indicate greatness of soul, and
+ although, in the uneasiness they give rise to, there is a something
+ contrary to strict wisdom, they fit in so well with the most severe
+ virtue, that I believe they cannot be censured with justice. To me who
+ have known all that is fine and grand in the lofty aspirations of love, if
+ I ever fall in love, it will assuredly be in love of that nature. But in
+ accordance with the present turn of my mind, I do not believe that the
+ knowledge I have of it will ever change from my mind to my heart."
+ </p>
+ <p>
+ Such is his own description of himself. Let us now turn to the other
+ picture, delineated by the man who was his bitterest enemy, and whom (we
+ say it with regret) Rochefoucauld tried to murder.
+ </p>
+ <p>
+ Cardinal De Retz thus paints him:&mdash; "In M. de la Rochefoucauld there
+ was ever an indescribable something. From his infancy he always wanted to
+ be mixed up with plots, at a time when he could not understand even the
+ smallest interests (which has indeed never been his weak point,) or
+ comprehend greater ones, which in another sense has never been his strong
+ point. He was never fitted for any matter, and I really cannot tell the
+ reason. His glance was not sufficiently wide, and he could not take in at
+ once all that lay in his sight, but his good sense, perfect in theories,
+ combined with his gentleness, his winning ways, his pleasing manners,
+ which are perfect, should more than compensate for his lack of
+ penetration. He always had a natural irresoluteness, but I cannot say to
+ what this irresolution is to be attributed. It could not arise in him from
+ the wealth of his imagination, for that was anything but lively. I cannot
+ put it down to the barrenness of his judgment, for, although he was not
+ prompt in action, he had a good store of reason. We see the effects of
+ this irresolution, although we cannot assign a cause for it. He was never
+ a general, though a great soldier; never, naturally, a good courtier,
+ although he had always a good idea of being so. He was never a good
+ partizan, although all his life engaged in intrigues. That air of pride
+ and timidity which your see in his private life, is turned in business
+ into an apologetic manner. He always believed he had need of it; and this,
+ combined with his &lsquo;Maxims,' which show little faith in virtue, and
+ his habitual custom, to give up matters with the same haste he undertook
+ them, leads me to the conclusion that he would have done far better to
+ have known his own mind, and have passed himself off, as he could have
+ done, for the most polished courtier, the most agreeable man in private
+ life that had appeared in his century."
+ </p>
+ <p>
+ It is but justice to the Cardinal to say, that the Duc is not painted in
+ such dark colours as we should have expected, judging from what we know of
+ the character of De Retz. With his marvellous power of depicting
+ character, a power unrivalled, except by St. Simon and perhaps by Lord
+ Clarendon, we should have expected the malignity of the priest would have
+ stamped the features of his great enemy with the impress of infamy, and
+ not have simply made him appear a courtier, weak, insincere, and nothing
+ more. Though rather beyond our subject, the character of Cardinal de Retz,
+ as delineated by Mdme. S&eacute;vign&eacute;, in one of her letters, will
+ help us to form a true conclusion on the different characters of the Duc
+ and the Cardinal. She says:&mdash; "Paul de Gondi Cardinal de Retz
+ possesses great elevation of character, a certain extent of intellect, and
+ more of the ostentation than of the true greatness of courage. He has an
+ extraordinary memory, more energy than polish in his words, an easy
+ humour, docility of character, and weakness in submitting to the
+ complaints and reproaches of his friends, a little piety, some appearances
+ of religion. He appears ambitious without being really so. Vanity and
+ those who have guided him, have made him undertake great things, almost
+ all opposed to his profession. He excited the greatest troubles in the
+ State without any design of turning them to account, and far from
+ declaring himself the enemy of Cardinal Mazarin with any view of occupying
+ his place, he thought of nothing but making himself an object of dread to
+ him, and flattering himself with the false vanity of being his rival. He
+ was clever enough, however, to take advantage of the public calamities to
+ get himself made Cardinal. He endured his imprisonment with firmness, and
+ owed his liberty solely to his own daring. In the obscurity of a life of
+ wandering and concealment, his indolence for many years supported him with
+ reputation. He preserved the Archbishopric of Paris against the power of
+ Cardinal Mazarin, but after the death of that minister, he resigned it
+ without knowing what he was doing, and without making use of the
+ opportunity to promote the interests of himself and his friends. He has
+ taken part in several conclaves, and his conduct has always increased his
+ reputation.
+ </p>
+ <p>
+ "His natural bent is to indolence, nevertheless he labours with activity
+ in pressing business, and reposes with indifference when it is concluded.
+ He has great presence of mind, and knows so well how to turn it to his own
+ advantage on all occasions presented him by fortune, that it would seem as
+ if he had foreseen and desired them. He loves to narrate, and seeks to
+ dazzle all his listeners indifferently by his extraordinary adventures,
+ and his imagination often supplies him with more than his memory. The
+ generality of his qualities are false, and what has most contributed to
+ his reputation is his power of throwing a good light on his faults. He is
+ insensible alike to hatred and to friendship, whatever pains he may be at
+ to appear taken up with the one or the other. He is incapable of envy or
+ avarice, whether from virtue or from carelessness. He has borrowed more
+ from his friends than a private person could ever hope to be able to
+ repay; he has felt the vanity of acquiring so much on credit, and of
+ undertaking to discharge it. He has neither taste nor refinement; he is
+ amused by everything and pleased by nothing. He avoids difficult matters
+ with considerable address, not allowing people to penetrate the slight
+ acquaintance he has with everything. The retreat he has just made from the
+ world is the most brilliant and the most unreal action of his life; it is
+ a sacrifice he has made to his pride under the pretence of devotion; he
+ quits the court to which he cannot attach himself, and retires from a
+ world which is retiring from him."
+ </p>
+ <p>
+ The Maxims were first published in 1665, with a preface by Segrais. This
+ preface was omitted in the subsequent editions. The first edition
+ contained 316 maxims, counting the last upon death, which was not
+ numbered. The second in 1666 contained only 102; the third in 1671, and
+ the fourth in 1675, 413. In this last edition we first meet with the
+ introductory maxim, "Our virtues are generally but disguised vices." The
+ edition of 1678, the fifth, increased the number to 504. This was the last
+ edition revised by the author, and published in his lifetime. The text of
+ that edition has been used for the present translation. The next edition,
+ the sixth, was published in 1693, about thirteen years after the author's
+ death. This edition included fifty new maxims, attributed by the editor to
+ Rochefoucauld. Most likely they were his writing, as the fact was never
+ denied by his family, through whose permission they were published. They
+ form the third supplement to the translation. This sixth edition was
+ published by Claude Barbin, and the French editions since that time have
+ been too numerous to be enumerated. The great popularity of the Maxims is
+ perhaps best shown from the numerous translations that have been made of
+ them. No less than eight English translations, or so-called translations,
+ have appeared; one American, a Swedish, and a Spanish translation, an
+ Italian imitation, with parallel passages, and an English imitation by
+ Hazlitt. The titles of the English editions are as follows:&mdash; i.
+ Seneca Unmasked. By Mrs. Aphara Behn. London, 1689. She calls the author
+ the Duke of Rushfucave. ii. Moral Maxims and Reflections, in four parts.
+ By the Duke de la Rochefoucauld. Now made English. London, 1694. 12 mo.
+ iii. Moral Maxims and Reflections of the Duke de la Rochefoucauld. Newly
+ made English. London, 1706. 12 mo. iv. Moral Maxims of the Duke de la
+ Rochefoucauld. Translated from the French. With notes. London, 1749. 12
+ mo. v. Maxims and Moral Reflections of the Duke de la Rochefoucauld.
+ Revised and improved. London, 1775. 8 vo. vi. Maxims and Moral Reflections
+ of the Duke de la Rochefoucauld. A new edition, revised and improved, by
+ L. D. London, 1781. 8 vo. vii. The Gentleman's Library. La Rochefoucauld's
+ Maxims and Moral Reflections. London, 1813. 12 mo. viii. Moral
+ Reflections, Sentences, and Maxims of the Duke de la Rochefoucauld, newly
+ translated from the French; with an introduction and notes. London, 1850.
+ 16 mo. ix. Maxims and Moral Reflections of the Duke de la Rochefoucauld:
+ with a Memoir by the Chevalier de Chatelain. London, 1868. 12 mo.
+ </p>
+ <p>
+ The perusal of the Maxims will suggest to every reader to a greater or
+ less degree, in accordance with the extent of his reading, parallel
+ passages, and similar ideas. Of ancient writers Rochefoucauld most
+ strongly reminds us of Tacitus; of modern writers, Junius most strongly
+ reminds us of Rochefoucauld. Some examples from both are given in the
+ notes to this translation. It is curious to see how the expressions of the
+ bitterest writer of English political satire to a great extent express the
+ same ideas as the great French satirist of private life. Had space
+ permitted the parallel could have been drawn very closely, and much of the
+ invective of Junius traced to its source in Rochefoucauld.
+ </p>
+ <p>
+ One of the persons whom Rochefoucauld patronised and protected, was the
+ great French fabulist, La Fontaine. This patronage was repaid by La
+ Fontaine giving, in one of his fables, "L'Homme et son Image," an
+ elaborate defence of his patron. After there depicting a man who fancied
+ himself one of the most lovely in the world, and who complained he always
+ found all mirrors untrustworthy, at last discovered his real image
+ reflected in the water. He thus applies his fable:&mdash; "Je parle
+ &agrave; tous: et cette erreur extr&ecirc;me, Est un mal que chacun se
+ plait d'entretenir, Notre &acirc;me, c'est cet homme amoureux de lui m&ecirc;me,
+ Tant de miroirs, ce sont les sottises d'autrui. Miroirs, de nos d&eacute;fauts
+ les peintres l&eacute;gitimes, Et quant au canal, c'est celui Qui chacun
+ sait, le livre des MAXIMES."
+ </p>
+ <p>
+ It is just this: the book is a mirror in which we all see ourselves. This
+ has made it so unpopular. It is too true. We dislike to be told of our
+ faults, while we only like to be told of our neighbour's. Notwithstanding
+ Rousseau's assertion, it is young men, who, before they know their own
+ faults and only know their neighbours', that read and thoroughly
+ appreciate Rochefoucauld.
+ </p>
+ <p>
+ After so many varied opinions he then pleases us more and seems far truer
+ than he is in reality, it is impossible to give any general conclusion of
+ such distinguished writers on the subject. Each reader will form his own
+ opinion of the merits of the author and his book. To some, both will seem
+ deserving of the highest praise; to others both will seem deserving of the
+ highest censure. The truest judgment as to the author will be found in the
+ remarks of a countryman of his own, as to the book in the remarks of a
+ countryman of ours.
+ </p>
+ <p>
+ As to the author, M. Sainte Beuve says:&mdash;"C'&eacute;tait un
+ misanthrope poli, insinuant, souriant, qui pr&eacute;c&eacute;dait de bien
+ peu et pr&eacute;parait avec charme l'autre MISANTHROPE."
+ </p>
+ <p>
+ As to the book, Mr. Hallam says:&mdash;"Among the books in ancient and
+ modern times which record the conclusions of observing men on the moral
+ qualities of their fellows, a high place should be reserved for the Maxims
+ of Rochefoucauld".
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <div class="play">
+ <a name="linkmaxims" id="linkmaxims"></a> <br />
+ <h2>
+ REFLECTIONS;<br /> OR, SENTENCES AND MORAL MAXIMS
+ </h2>
+ <h4>
+ Our virtues are most frequently but vices disguised.
+ </h4>
+ <p>
+ [This epigraph which is the key to the system of La Rochefoucauld, is
+ found in another form as No. 179 of the maxims of the first edition,
+ 1665, it is omitted from the 2nd and 3rd, and reappears for the first
+ time in the 4th edition, in 1675, as at present, at the head of the
+ Reflections.&mdash;<i>Aim&eacute; Martin.</i> Its best answer is arrived
+ at by reversing the predicate and the subject, and you at once form a
+ contradictory maxim equally true, our vices are most frequently but
+ virtues disguised.]
+ </p>
+ <a name="link1" id="link1"></a><br />
+ <p>
+ 1.&mdash;What we term virtue is often but a mass of various actions and
+ divers interests, which fortune, or our own industry, manage to arrange;
+ and it is not always from valour or from chastity that men are brave,
+ and women chaste.
+ </p>
+ <p>
+ "Who combats bravely is not therefore brave, He dreads a death-bed like
+ the meanest slave; Who reasons wisely is not therefore wise, His pride
+ in reasoning, not in acting, lies." Pope, <i>Moral Essays</i>, Ep. i.
+ line 115.
+ </p>
+ <a name="link2" id="link2"></a><br />
+ <p>
+ 2.&mdash;Self-love is the greatest of flatterers.
+ </p>
+ <a name="link3" id="link3"></a><br />
+ <p>
+ 3.&mdash;Whatever discoveries have been made in the region of self-love,
+ there remain many unexplored territories there.
+ </p>
+ <p>
+ [This is the first hint of the system the author tries to develope. He
+ wishes to find in vice a motive for all our actions, but this does not
+ suffice him; he is obliged to call other passions to the help of his
+ system and to confound pride, vanity, interest and egotism with self
+ love. This confusion destroys the unity of his principle.&mdash;<i>Aim&eacute;
+ Martin</i>.]
+ </p>
+ <a name="link4" id="link4"></a><br />
+ <p>
+ 4.&mdash;Self love is more cunning than the most cunning man in the
+ world.
+ </p>
+ <a name="link5" id="link5"></a><br />
+ <p>
+ 5.&mdash;The duration of our passions is no more dependant upon us than
+ the duration of our life. [Then what becomes of free will?&mdash;<i>Aim&eacute;</i>;
+ <i>Martin</i>]
+ </p>
+ <a name="link6" id="link6"></a><br />
+ <p>
+ 6.&mdash;Passion often renders the most clever man a fool, and even
+ sometimes renders the most foolish man clever.
+ </p>
+ <a name="link7" id="link7"></a><br />
+ <p>
+ 7.&mdash;Great and striking actions which dazzle the eyes are
+ represented by politicians as the effect of great designs, instead of
+ which they are commonly caused by the temper and the passions. Thus the
+ war between Augustus and Anthony, which is set down to the ambition they
+ entertained of making themselves masters of the world, was probably but
+ an effect of jealousy.
+ </p>
+ <a name="link8" id="link8"></a><br />
+ <p>
+ 8.&mdash;The passions are the only advocates which always persuade. They
+ are a natural art, the rules of which are infallible; and the simplest
+ man with passion will be more persuasive than the most eloquent without.
+ </p>
+ <p>
+ [See Maxim 249 which is an illustration of this.]
+ </p>
+ <a name="link9" id="link9"></a><br />
+ <p>
+ 9.&mdash;The passions possess a certain injustice and self interest
+ which makes it dangerous to follow them, and in reality we should
+ distrust them even when they appear most trustworthy.
+ </p>
+ <a name="link10" id="link10"></a><br />
+ <p>
+ 10.&mdash;In the human heart there is a perpetual generation of
+ passions; so that the ruin of one is almost always the foundation of
+ another.
+ </p>
+ <a name="link11" id="link11"></a><br />
+ <p>
+ 11.&mdash;Passions often produce their contraries: avarice sometimes
+ leads to prodigality, and prodigality to avarice; we are often obstinate
+ through weakness and daring though timidity.
+ </p>
+ <a name="link12" id="link12"></a><br />
+ <p>
+ 12.&mdash;Whatever care we take to conceal our passions under the
+ appearances of piety and honour, they are always to be seen through
+ these veils.
+ </p>
+ <p>
+ [The 1st edition, 1665, preserves the image perhaps better&mdash;"however
+ we may conceal our passions under the veil, etc., there is always some
+ place where they peep out."]
+ </p>
+ <a name="link13" id="link13"></a><br />
+ <p>
+ 13.&mdash;Our self love endures more impatiently the condemnation of our
+ tastes than of our opinions.
+ </p>
+ <a name="link14" id="link14"></a><br />
+ <p>
+ 14.&mdash;Men are not only prone to forget benefits and injuries; they
+ even hate those who have obliged them, and cease to hate those who have
+ injured them. The necessity of revenging an injury or of recompensing a
+ benefit seems a slavery to which they are unwilling to submit.
+ </p>
+ <a name="link15" id="link15"></a><br />
+ <p>
+ 15.&mdash;The clemency of Princes is often but policy to win the
+ affections of the people.
+ </p>
+ <p>
+ ["So many are the advantages which monarchs gain by clemency, so greatly
+ does it raise their fame and endear them to their subjects, that it is
+ generally happy for them to have an opportunity of displaying it."&mdash;Montesquieu,
+ <i>Esprit Des Lois, Lib. VI., C. 21.</i>]
+ </p>
+ <a name="link16" id="link16"></a><br />
+ <p>
+ 16.&mdash;This clemency of which they make a merit, arises oftentimes
+ from vanity, sometimes from idleness, oftentimes from fear, and almost
+ always from all three combined.
+ </p>
+ <p>
+ [La Rochefoucauld is content to paint the age in which he lived. Here
+ the clemency spoken of is nothing more than an expression of the policy
+ of Anne of Austria. Rochefoucauld had sacrificed all to her; even the
+ favour of Cardinal Richelieu, but when she became regent she bestowed
+ her favours upon those she hated; her friends were forgotten.&mdash;<i>Aim&eacute;
+ Martin</i>. The reader will hereby see that the age in which the writer
+ lived best interprets his maxims.]
+ </p>
+ <a name="link17" id="link17"></a><br />
+ <p>
+ 17.&mdash;The moderation of those who are happy arises from the calm
+ which good fortune bestows upon their temper.
+ </p>
+ <a name="link18" id="link18"></a><br />
+ <p>
+ 18.&mdash;Moderation is caused by the fear of exciting the envy and
+ contempt which those merit who are intoxicated with their good fortune;
+ it is a vain display of our strength of mind, and in short the
+ moderation of men at their greatest height is only a desire to appear
+ greater than their fortune.
+ </p>
+ <a name="link19" id="link19"></a><br />
+ <p>
+ 19.&mdash;We have all sufficient strength to support the misfortunes of
+ others.
+ </p>
+ <p>
+ [The strongest example of this is the passage in Lucretius, lib. ii.,
+ line I:&mdash; "Suave mari magno turbantibus aequora ventis E terra
+ magnum alterius spectare laborem."]
+ </p>
+ <a name="link20" id="link20"></a><br />
+ <p>
+ 20.&mdash;The constancy of the wise is only the talent of concealing the
+ agitation of their hearts.
+ </p>
+ <p>
+ [Thus wisdom is only hypocrisy, says a commentator. This definition of
+ constancy is a result of maxim 18.]
+ </p>
+ <a name="link21" id="link21"></a><br />
+ <p>
+ 21.&mdash;Those who are condemned to death affect sometimes a constancy
+ and contempt for death which is only the fear of facing it; so that one
+ may say that this constancy and contempt are to their mind what the
+ bandage is to their eyes.
+ </p>
+ <p>
+ [See this thought elaborated in maxim 504.]
+ </p>
+ <a name="link22" id="link22"></a><br />
+ <p>
+ 22.&mdash;Philosophy triumphs easily over past evils and future evils;
+ but present evils triumph over it.
+ </p>
+ <a name="link23" id="link23"></a><br />
+ <p>
+ 23.&mdash;Few people know death, we only endure it, usually from
+ determination, and even from stupidity and custom; and most men only die
+ because they know not how to prevent dying.
+ </p>
+ <a name="link24" id="link24"></a><br />
+ <p>
+ 24.&mdash;When great men permit themselves to be cast down by the
+ continuance of misfortune, they show us that they were only sustained by
+ ambition, and not by their mind; so that PLUS a great vanity, heroes are
+ made like other men.
+ </p>
+ <p>
+ [Both these maxims have been rewritten and made conciser by the author;
+ the variations are not worth quoting.]
+ </p>
+ <a name="link25" id="link25"></a><br />
+ <p>
+ 25.&mdash;We need greater virtues to sustain good than evil fortune.
+ </p>
+ <p>
+ ["Prosperity do{th} best discover vice, but adversity do{th} best
+ discover virtue."&mdash;Lord Bacon, <i>Essays</i>{, (1625), "Of
+ Adversity"}.]
+ </p>
+ <p>
+ {The quotation wrongly had "does" for "doth".}
+ </p>
+ <a name="link26" id="link26"></a><br />
+ <p>
+ 26.&mdash;Neither the sun nor death can be looked at without winking.
+ </p>
+ <a name="link27" id="link27"></a><br />
+ <p>
+ 27.&mdash;People are often vain of their passions, even of the worst,
+ but envy is a passion so timid and shame-faced that no one ever dare
+ avow her.
+ </p>
+ <a name="link28" id="link28"></a><br />
+ <p>
+ 28.&mdash;Jealousy is in a manner just and reasonable, as it tends to
+ preserve a good which belongs, or which we believe belongs to us, on the
+ other hand envy is a fury which cannot endure the happiness of others.
+ </p>
+ <a name="link29" id="link29"></a><br />
+ <p>
+ 29.&mdash;The evil that we do does not attract to us so much persecution
+ and hatred as our good qualities.
+ </p>
+ <a name="link30" id="link30"></a><br />
+ <p>
+ 30.&mdash;We have more strength than will; and it is often merely for an
+ excuse we say things are impossible.
+ </p>
+ <a name="link31" id="link31"></a><br />
+ <p>
+ 31.&mdash;If we had no faults we should not take so much pleasure in
+ noting those of others.
+ </p>
+ <a name="link32" id="link32"></a><br />
+ <p>
+ 32.&mdash;Jealousy lives upon doubt; and comes to an end or becomes a
+ fury as soon as it passes from doubt to certainty.
+ </p>
+ <a name="link33" id="link33"></a><br />
+ <p>
+ 33.&mdash;Pride indemnifies itself and loses nothing even when it casts
+ away vanity.
+ </p>
+ <p>
+ [See maxim 450, where the author states, what we take from our other
+ faults we add to our pride.]
+ </p>
+ <a name="link34" id="link34"></a><br />
+ <p>
+ 34.&mdash;If we had no pride we should not complain of that of others.
+ </p>
+ <p>
+ ["The proud are ever most provoked by pride."&mdash;Cowper, <i>Conversation</i>
+ 160.]
+ </p>
+ <a name="link35" id="link35"></a><br />
+ <p>
+ 35.&mdash;Pride is much the same in all men, the only difference is the
+ method and manner of showing it.
+ </p>
+ <p>
+ ["Pride bestowed on all a common friend."&mdash;Pope, <i>Essay On Man,
+ Ep.</i> ii., line 273.]
+ </p>
+ <a name="link36" id="link36"></a><br />
+ <p>
+ 36.&mdash;It would seem that nature, which has so wisely ordered the
+ organs of our body for our happiness, has also given us pride to spare
+ us the mortification of knowing our imperfections.
+ </p>
+ <a name="link37" id="link37"></a><br />
+ <p>
+ 37.&mdash;Pride has a larger part than goodness in our remonstrances
+ with those who commit faults, and we reprove them not so much to correct
+ as to persuade them that we ourselves are free from faults.
+ </p>
+ <a name="link38" id="link38"></a><br />
+ <p>
+ 38.&mdash;We promise according to our hopes; we perform according to our
+ fears.
+ </p>
+ <p>
+ ["The reason why the Cardinal (Mazarin) deferred so long to grant the
+ favours he had promised, was because he was persuaded that hope was much
+ more capable of keeping men to their duty than gratitude."&mdash;<i>Fragments
+ Historiques. Racine.</i>]
+ </p>
+ <a name="link39" id="link39"></a><br />
+ <p>
+ 39.&mdash;Interest speaks all sorts of tongues and plays all sorts of
+ characters; even that of disinterestedness.
+ </p>
+ <a name="link40" id="link40"></a><br />
+ <p>
+ 40.&mdash;Interest blinds some and makes some see.
+ </p>
+ <a name="link41" id="link41"></a><br />
+ <p>
+ 41.&mdash;Those who apply themselves too closely to little things often
+ become incapable of great things.
+ </p>
+ <a name="link42" id="link42"></a><br />
+ <p>
+ 42.&mdash;We have not enough strength to follow all our reason.
+ </p>
+ <a name="link43" id="link43"></a><br />
+ <p>
+ 43.&mdash;A man often believes himself leader when he is led; as his
+ mind endeavours to reach one goal, his heart insensibly drags him
+ towards another.
+ </p>
+ <a name="link44" id="link44"></a><br />
+ <p>
+ 44.&mdash;Strength and weakness of mind are mis-named; they are really
+ only the good or happy arrangement of our bodily organs.
+ </p>
+ <a name="link45" id="link45"></a><br />
+ <p>
+ 45.&mdash;The caprice of our temper is even more whimsical than that of
+ Fortune.
+ </p>
+ <a name="link46" id="link46"></a><br />
+ <p>
+ 46.&mdash;The attachment or indifference which philosophers have shown
+ to life is only the style of their self love, about which we can no more
+ dispute than of that of the palate or of the choice of colours.
+ </p>
+ <a name="link47" id="link47"></a><br />
+ <p>
+ 47.&mdash;Our temper sets a price upon every gift that we receive from
+ fortune.
+ </p>
+ <a name="link48" id="link48"></a><br />
+ <p>
+ 48.&mdash;Happiness is in the taste, and not in the things themselves;
+ we are happy from possessing what we like, not from possessing what
+ others like.
+ </p>
+ <a name="link49" id="link49"></a><br />
+ <p>
+ 49.&mdash;We are never so happy or so unhappy as we suppose.
+ </p>
+ <a name="link50" id="link50"></a><br />
+ <p>
+ 50.&mdash;Those who think they have merit persuade themselves that they
+ are honoured by being unhappy, in order to persuade others and
+ themselves that they are worthy to be the butt of fortune.
+ </p>
+ <p>
+ ["Ambition has been so strong as to make very miserable men take comfort
+ that they were supreme in misery; and certain it is{, that where} we
+ cannot distinguish ourselves by something excellent, we begin to take a
+ complacency in some singular infirmities, follies, or defects of one
+ kind or other." &mdash;Burke, {<i>On The Sublime And Beautiful,</i>
+ (1756), Part I, Sect. XVII}.]
+ </p>
+ <p>
+ {The translators' incorrectly cite <i>Speech On Conciliation With
+ America.</i> Also, Burke does not actually write "Ambition has been...",
+ he writes "It has been..." when speaking of ambition.}
+ </p>
+ <a name="link51" id="link51"></a><br />
+ <p>
+ 51.&mdash;Nothing should so much diminish the satisfaction which we feel
+ with ourselves as seeing that we disapprove at one time of that which we
+ approve of at another.
+ </p>
+ <a name="link52" id="link52"></a><br />
+ <p>
+ 52.&mdash;Whatever difference there appears in our fortunes, there is
+ nevertheless a certain compensation of good and evil which renders them
+ equal.
+ </p>
+ <a name="link53" id="link53"></a><br />
+ <p>
+ 53.&mdash;Whatever great advantages nature may give, it is not she
+ alone, but fortune also that makes the hero.
+ </p>
+ <a name="link54" id="link54"></a><br />
+ <p>
+ 54.&mdash;The contempt of riches in philosophers was only a hidden
+ desire to avenge their merit upon the injustice of fortune, by despising
+ the very goods of which fortune had deprived them; it was a secret to
+ guard themselves against the degradation of poverty, it was a back way
+ by which to arrive at that distinction which they could not gain by
+ riches.
+ </p>
+ <p>
+ ["It is always easy as well as agreeable for the inferior ranks of
+ mankind to claim merit from the contempt of that pomp and pleasure which
+ fortune has placed beyond their reach. The virtue of the primitive
+ Christians, like that of the first Romans, was very frequently guarded
+ by poverty and ignorance."&mdash;Gibbon, <i>Decline And Fall, Chap. 15</i>.]
+ </p>
+ <a name="link55" id="link55"></a><br />
+ <p>
+ 55.&mdash;The hate of favourites is only a love of favour. The envy of
+ NOT possessing it, consoles and softens its regrets by the contempt it
+ evinces for those who possess it, and we refuse them our homage, not
+ being able to detract from them what attracts that of the rest of the
+ world.
+ </p>
+ <a name="link56" id="link56"></a><br />
+ <p>
+ 56.&mdash;To establish ourselves in the world we do everything to appear
+ as if we were established.
+ </p>
+ <a name="link57" id="link57"></a><br />
+ <p>
+ 57.&mdash;Although men flatter themselves with their great actions, they
+ are not so often the result of a great design as of chance.
+ </p>
+ <a name="link58" id="link58"></a><br />
+ <p>
+ 58.&mdash;It would seem that our actions have lucky or unlucky stars to
+ which they owe a great part of the blame or praise which is given them.
+ </p>
+ <a name="link59" id="link59"></a><br />
+ <p>
+ 59.&mdash;There are no accidents so unfortunate from which skilful men
+ will not draw some advantage, nor so fortunate that foolish men will not
+ turn them to their hurt.
+ </p>
+ <a name="link60" id="link60"></a><br />
+ <p>
+ 60.&mdash;Fortune turns all things to the advantage of those on whom she
+ smiles.
+ </p>
+ <a name="link61" id="link61"></a><br />
+ <p>
+ 61.&mdash;The happiness or unhappiness of men depends no less upon their
+ dispositions than their fortunes.
+ </p>
+ <p>
+ ["Still to ourselves in every place consigned Our own felicity we make
+ or find." Goldsmith, <i>Traveller</i>, 431.]
+ </p>
+ <a name="link62" id="link62"></a><br />
+ <p>
+ 62.&mdash;Sincerity is an openness of heart; we find it in very few
+ people; what we usually see is only an artful dissimulation to win the
+ confidence of others.
+ </p>
+ <a name="link63" id="link63"></a><br />
+ <p>
+ 63.&mdash;The aversion to lying is often a hidden ambition to render our
+ words credible and weighty, and to attach a religious aspect to our
+ conversation.
+ </p>
+ <a name="link64" id="link64"></a><br />
+ <p>
+ 64.&mdash;Truth does not do as much good in the world, as its
+ counterfeits do evil.
+ </p>
+ <a name="link65" id="link65"></a><br />
+ <p>
+ 65.&mdash;There is no praise we have not lavished upon Prudence; and yet
+ she cannot assure to us the most trifling event.
+ </p>
+ <p>
+ [The author corrected this maxim several times, in 1665 it is No. 75;
+ 1666, No. 66; 1671-5, No. 65; in the last edition it stands as at
+ present. In the first he quotes Juvenal, Sat. X., line 315. " Nullum
+ numen habes si sit Prudentia, nos te; Nos facimus, Fortuna, deam,
+ coeloque locamus." Applying to Prudence what Juvenal does to Fortune,
+ and with much greater force.]
+ </p>
+ <a name="link66" id="link66"></a><br />
+ <p>
+ 66.&mdash;A clever man ought to so regulate his interests that each will
+ fall in due order. Our greediness so often troubles us, making us run
+ after so many things at the same time, that while we too eagerly look
+ after the least we miss the greatest.
+ </p>
+ <a name="link67" id="link67"></a><br />
+ <p>
+ 67.&mdash;What grace is to the body good sense is to the mind.
+ </p>
+ <a name="link68" id="link68"></a><br />
+ <p>
+ 68.&mdash;It is difficult to define love; all we can say is, that in the
+ soul it is a desire to rule, in the mind it is a sympathy, and in the
+ body it is a hidden and delicate wish to possess what we love&mdash;<i>Plus</i>
+ many mysteries.
+ </p>
+ <p>
+ ["Love is the love of one {singularly,} with desire to be singularly
+ beloved."&mdash;Hobbes{<i>Leviathan</i>, (1651), Part I, Chapter VI}.]
+ </p>
+ <p>
+ {Two notes about this quotation: (1) the translators' mistakenly have
+ "singularity" for the first "singularly" and (2) Hobbes does not
+ actually write "Love is the..."&mdash;he writes "Love of one..." under
+ the heading "The passion of Love."}
+ </p>
+ <a name="link69" id="link69"></a><br />
+ <p>
+ 69.&mdash;If there is a pure love, exempt from the mixture of our other
+ passions, it is that which is concealed at the bottom of the heart and
+ of which even ourselves are ignorant.
+ </p>
+ <a name="link70" id="link70"></a><br />
+ <p>
+ 70.&mdash;There is no disguise which can long hide love where it exists,
+ nor feign it where it does not.
+ </p>
+ <a name="link71" id="link71"></a><br />
+ <p>
+ 71.&mdash;There are few people who would not be ashamed of being beloved
+ when they love no longer.
+ </p>
+ <a name="link72" id="link72"></a><br />
+ <p>
+ 72.&mdash;If we judge of love by the majority of its results it rather
+ resembles hatred than friendship.
+ </p>
+ <a name="link73" id="link73"></a><br />
+ <p>
+ 73.&mdash;We may find women who have never indulged in an intrigue, but
+ it is rare to find those who have intrigued but once.
+ </p>
+ <p>
+ ["Yet there are some, they say, who have had {<i>None</i>}; But those
+ who have, ne'er end with only one}." {&mdash;Lord Byron, }<i>Don Juan,</i>
+ {Canto} iii., stanza 4.]
+ </p>
+ <a name="link74" id="link74"></a><br />
+ <p>
+ 74.&mdash;There is only one sort of love, but there are a thousand
+ different copies.
+ </p>
+ <a name="link75" id="link75"></a><br />
+ <p>
+ 75.&mdash;Neither love nor fire can subsist without perpetual motion;
+ both cease to live so soon as they cease to hope, or to fear.
+ </p>
+ <p>
+ [So Lord Byron{<i>Stanzas</i>, (1819), stanza 3} says of Love&mdash;
+ "Like chiefs of faction, His life is action."]
+ </p>
+ <a name="link76" id="link76"></a><br />
+ <p>
+ 76.&mdash;There is real love just as there are real ghosts; every person
+ speaks of it, few persons have seen it.
+ </p>
+ <p>
+ ["Oh Love! no habitant of earth thou art&mdash; An unseen seraph, we
+ believe in thee&mdash; A faith whose martyrs are the broken heart,&mdash;
+ But never yet hath seen, nor e'er shall see The naked eye, thy form as
+ it should be." {&mdash;Lord Byron, }<i>Childe Harold</i>, {Canto} iv.,
+ stanza 121.]
+ </p>
+ <a name="link77" id="link77"></a><br />
+ <p>
+ 77.&mdash;Love lends its name to an infinite number of engagements (<i>Commerces</i>)
+ which are attributed to it, but with which it has no more concern than
+ the Doge has with all that is done in Venice.
+ </p>
+ <a name="link78" id="link78"></a><br />
+ <p>
+ 78.&mdash;The love of justice is simply in the majority of men the fear
+ of suffering injustice.
+ </p>
+ <a name="link79" id="link79"></a><br />
+ <p>
+ 79.&mdash;Silence is the best resolve for him who distrusts himself.
+ </p>
+ <a name="link80" id="link80"></a><br />
+ <p>
+ 80.&mdash;What renders us so changeable in our friendship is, that it is
+ difficult to know the qualities of the soul, but easy to know those of
+ the mind.
+ </p>
+ <a name="link81" id="link81"></a><br />
+ <p>
+ 81.&mdash;We can love nothing but what agrees with us, and we can only
+ follow our taste or our pleasure when we prefer our friends to
+ ourselves; nevertheless it is only by that preference that friendship
+ can be true and perfect.
+ </p>
+ <a name="link82" id="link82"></a><br />
+ <p>
+ 82.&mdash;Reconciliation with our enemies is but a desire to better our
+ condition, a weariness of war, the fear of some unlucky accident.
+ </p>
+ <p>
+ ["Thus terminated that famous war of the Fronde. The Duke de la
+ Rochefoucauld desired peace because of his dangerous wounds and ruined
+ castles, which had made him dread even worse events. On the other side
+ the Queen, who had shown herself so ungrateful to her too ambitious
+ friends, did not cease to feel the bitterness of their resentment.
+ &lsquo;I wish,' said she, &lsquo;it were always night, because daylight
+ shows me so many who have betrayed me.'"&mdash;<i>Memoires De Madame De
+ Motteville, Tom</i>. IV., p. 60. Another proof that although these
+ maxims are in some cases of universal application, they were based
+ entirely on the experience of the age in which the author lived.]
+ </p>
+ <a name="link83" id="link83"></a><br />
+ <p>
+ 83.&mdash;What men term friendship is merely a partnership with a
+ collection of reciprocal interests, and an exchange of favours&mdash;in
+ fact it is but a trade in which self love always expects to gain
+ something.
+ </p>
+ <a name="link84" id="link84"></a><br />
+ <p>
+ 84.&mdash;It is more disgraceful to distrust than to be deceived by our
+ friends.
+ </p>
+ <a name="link85" id="link85"></a><br />
+ <p>
+ 85.&mdash;We often persuade ourselves to love people who are more
+ powerful than we are, yet interest alone produces our friendship; we do
+ not give our hearts away for the good we wish to do, but for that we
+ expect to receive.
+ </p>
+ <a name="link86" id="link86"></a><br />
+ <p>
+ 86.&mdash;Our distrust of another justifies his deceit.
+ </p>
+ <a name="link87" id="link87"></a><br />
+ <p>
+ 87.&mdash;Men would not live long in society were they not the dupes of
+ each other.
+ </p>
+ <p>
+ [A maxim, adds Aim&eacute; Martin, "Which may enter into the code of a
+ vulgar rogue, but one is astonished to find it in a moral treatise." Yet
+ we have scriptural authority for it: "Deceiving and being deceived."&mdash;2
+ TIM. iii. 13.]
+ </p>
+ <a name="link88" id="link88"></a><br />
+ <p>
+ 88.&mdash;Self love increases or diminishes for us the good qualities of
+ our friends, in proportion to the satisfaction we feel with them, and we
+ judge of their merit by the manner in which they act towards us.
+ </p>
+ <a name="link89" id="link89"></a><br />
+ <p>
+ 89.&mdash;Everyone blames his memory, no one blames his judgment.
+ </p>
+ <a name="link90" id="link90"></a><br />
+ <p>
+ 90.&mdash;In the intercourse of life, we please more by our faults than
+ by our good qualities.
+ </p>
+ <a name="link91" id="link91"></a><br />
+ <p>
+ 91.&mdash;The largest ambition has the least appearance of ambition when
+ it meets with an absolute impossibility in compassing its object.
+ </p>
+ <a name="link92" id="link92"></a><br />
+ <p>
+ 92.&mdash;To awaken a man who is deceived as to his own merit is to do
+ him as bad a turn as that done to the Athenian madman who was happy in
+ believing that all the ships touching at the port belonged to him.
+ </p>
+ <p>
+ [That is, they cured him. The madman was Thrasyllus, son of Pythodorus.
+ His brother Crito cured him, when he infinitely regretted the time of
+ his more pleasant madness.&mdash;See Aelian, <i>Var. Hist.</i> iv. 25.
+ So Horace&mdash; &mdash;&mdash;&mdash;&mdash;&mdash;&mdash;"Pol, me
+ occidistis, amici, Non servastis," ait, "cui sic extorta voluptas Et
+ demptus per vim mentis gratissimus error." HOR. EP. ii&mdash;2, 138, of
+ the madman who was cured of a pleasant lunacy.]
+ </p>
+ <a name="link93" id="link93"></a><br />
+ <p>
+ 93.&mdash;Old men delight in giving good advice as a consolation for the
+ fact that they can no longer set bad examples.
+ </p>
+ <a name="link94" id="link94"></a><br />
+ <p>
+ 94.&mdash;Great names degrade instead of elevating those who know not
+ how to sustain them.
+ </p>
+ <a name="link95" id="link95"></a><br />
+ <p>
+ 95.&mdash;The test of extraordinary merit is to see those who envy it
+ the most yet obliged to praise it.
+ </p>
+ <a name="link96" id="link96"></a><br />
+ <p>
+ 96.&mdash;A man is perhaps ungrateful, but often less chargeable with
+ ingratitude than his benefactor is.
+ </p>
+ <a name="link97" id="link97"></a><br />
+ <p>
+ 97.&mdash;We are deceived if we think that mind and judgment are two
+ different matters: judgment is but the extent of the light of the mind.
+ This light penetrates to the bottom of matters; it remarks all that can
+ be remarked, and perceives what appears imperceptible. Therefore we must
+ agree that it is the extent of the light in the mind that produces all
+ the effects which we attribute to judgment.
+ </p>
+ <a name="link98" id="link98"></a><br />
+ <p>
+ 98.&mdash;Everyone praises his heart, none dare praise their
+ understanding.
+ </p>
+ <a name="link99" id="link99"></a><br />
+ <p>
+ 99.&mdash;Politeness of mind consists in thinking chaste and refined
+ thoughts.
+ </p>
+ <a name="link100" id="link100"></a><br />
+ <p>
+ 100.&mdash;Gallantry of mind is saying the most empty things in an
+ agreeable manner.
+ </p>
+ <a name="link101" id="link101"></a><br />
+ <p>
+ 101.&mdash;Ideas often flash across our minds more complete than we
+ could make them after much labour.
+ </p>
+ <a name="link102" id="link102"></a><br />
+ <p>
+ 102.&mdash;The head is ever the dupe of the heart.
+ </p>
+ <p>
+ [A feeble imitation of that great thought "All folly comes from the
+ heart."&mdash;<i>Aim&eacute; Martin</i>. But Bonhome, in his <i>L'art De
+ Penser</i>, says "Plusieurs diraient en p&eacute;riode quarr&eacute; que
+ quelques reflexions que fasse l'esprit et quelques resolutions qu'il
+ prenne pour corriger ses travers le premier sentiment du coeur renverse
+ tous ses projets. Mais il n'appartient qu'a M. de la Rochefoucauld de
+ dire tout en un mot que l'esprit est toujours la dupe du coeur."]
+ </p>
+ <a name="link103" id="link103"></a><br />
+ <p>
+ 103.&mdash;Those who know their minds do not necessarily know their
+ hearts.
+ </p>
+ <a name="link104" id="link104"></a><br />
+ <p>
+ 104.&mdash;Men and things have each their proper perspective; to judge
+ rightly of some it is necessary to see them near, of others we can never
+ judge rightly but at a distance.
+ </p>
+ <a name="link105" id="link105"></a><br />
+ <p>
+ 105.&mdash;A man for whom accident discovers sense, is not a rational
+ being. A man only is so who understands, who distinguishes, who tests
+ it.
+ </p>
+ <a name="link106" id="link106"></a><br />
+ <p>
+ 106.&mdash;To understand matters rightly we should understand their
+ details, and as that knowledge is almost infinite, our knowledge is
+ always superficial and imperfect.
+ </p>
+ <a name="link107" id="link107"></a><br />
+ <p>
+ 107.&mdash;One kind of flirtation is to boast we never flirt.
+ </p>
+ <a name="link108" id="link108"></a><br />
+ <p>
+ 108.&mdash;The head cannot long play the part of the heart.
+ </p>
+ <a name="link109" id="link109"></a><br />
+ <p>
+ 109.&mdash;Youth changes its tastes by the warmth of its blood, age
+ retains its tastes by habit.
+ </p>
+ <a name="link110" id="link110"></a><br />
+ <p>
+ 110.&mdash;Nothing is given so profusely as advice.
+ </p>
+ <a name="link111" id="link111"></a><br />
+ <p>
+ 111.&mdash;The more we love a woman the more prone we are to hate her.
+ </p>
+ <a name="link112" id="link112"></a><br />
+ <p>
+ 112.&mdash;The blemishes of the mind, like those of the face, increase
+ by age.
+ </p>
+ <a name="link113" id="link113"></a><br />
+ <p>
+ 113.&mdash;There may be good but there are no pleasant marriages.
+ </p>
+ <a name="link114" id="link114"></a><br />
+ <p>
+ 114.&mdash;We are inconsolable at being deceived by our enemies and
+ betrayed by our friends, yet still we are often content to be thus
+ served by ourselves.
+ </p>
+ <a name="link115" id="link115"></a><br />
+ <p>
+ 115.&mdash;It is as easy unwittingly to deceive oneself as to deceive
+ others.
+ </p>
+ <a name="link116" id="link116"></a><br />
+ <p>
+ 116.&mdash;Nothing is less sincere than the way of asking and giving
+ advice. The person asking seems to pay deference to the opinion of his
+ friend, while thinking in reality of making his friend approve his
+ opinion and be responsible for his conduct. The person giving the advice
+ returns the confidence placed in him by eager and disinterested zeal, in
+ doing which he is usually guided only by his own interest or reputation.
+ </p>
+ <p>
+ ["I have often thought how ill-natured a maxim it was which on many
+ occasions I have heard from people of good understanding, &lsquo;That as
+ to what related to private conduct no one was ever the better for
+ advice.' But upon further examination I have resolved with myself that
+ the maxim might be admitted without any violent prejudice to mankind.
+ For in the manner advice was generally given there was no reason I
+ thought to wonder it should be so ill received, something there was
+ which strangely inverted the case, and made the giver to be the only
+ gainer. For by what I could observe in many occurrences of our lives,
+ that which we called giving advice was properly taking an occasion to
+ show our own wisdom at another's expense. On the other side to be
+ instructed or to receive advice on the terms usually prescribed to us
+ was little better than tamely to afford another the occasion of raising
+ himself a character from our defects."&mdash;Lord Shaftesbury, <i>Characteristics</i>,
+ i., 153.]
+ </p>
+ <a name="link117" id="link117"></a><br />
+ <p>
+ 117.&mdash;The most subtle of our acts is to simulate blindness for
+ snares that we know are set for us. We are never so easily deceived as
+ when trying to deceive.
+ </p>
+ <a name="link118" id="link118"></a><br />
+ <p>
+ 118.&mdash;The intention of never deceiving often exposes us to
+ deception.
+ </p>
+ <a name="link119" id="link119"></a><br />
+ <p>
+ 119.&mdash;We become so accustomed to disguise ourselves to others that
+ at last we are disguised to ourselves.
+ </p>
+ <p>
+ ["Those who quit their proper character{,} to assume what does not
+ belong to them, are{,} for the greater part{,} ignorant both of the
+ character they leave{,} and of the character they assume."&mdash;Burke,
+ {<i>Reflections On The Revolution In France</i>, (1790), Paragraph 19}.]
+ </p>
+ <p>
+ {The translators' incorrectly cite <i>Thoughts On The Cause Of The
+ Present Discontents</i>.}
+ </p>
+ <a name="link120" id="link120"></a><br />
+ <p>
+ 120.&mdash;We often act treacherously more from weakness than from a
+ fixed motive.
+ </p>
+ <a name="link121" id="link121"></a><br />
+ <p>
+ 121.&mdash;We frequently do good to enable us with impunity to do evil.
+ </p>
+ <a name="link122" id="link122"></a><br />
+ <p>
+ 122.&mdash;If we conquer our passions it is more from their weakness
+ than from our strength.
+ </p>
+ <a name="link123" id="link123"></a><br />
+ <p>
+ 123.&mdash;If we never flattered ourselves we should have but scant
+ pleasure.
+ </p>
+ <a name="link124" id="link124"></a><br />
+ <p>
+ 124.&mdash;The most deceitful persons spend their lives in blaming
+ deceit, so as to use it on some great occasion to promote some great
+ interest.
+ </p>
+ <a name="link125" id="link125"></a><br />
+ <p>
+ 125.&mdash;The daily employment of cunning marks a little mind, it
+ generally happens that those who resort to it in one respect to protect
+ themselves lay themselves open to attack in another.
+ </p>
+ <p>
+ ["With that low cunning which in fools supplies, And amply, too, the
+ place of being wise." Churchill, <i>Rosciad</i>, 117.]
+ </p>
+ <a name="link126" id="link126"></a><br />
+ <p>
+ 126.&mdash;Cunning and treachery are the offspring of incapacity.
+ </p>
+ <a name="link127" id="link127"></a><br />
+ <p>
+ 127.&mdash;The true way to be deceived is to think oneself more knowing
+ than others.
+ </p>
+ <a name="link128" id="link128"></a><br />
+ <p>
+ 128.&mdash;Too great cleverness is but deceptive delicacy, true delicacy
+ is the most substantial cleverness.
+ </p>
+ <a name="link129" id="link129"></a><br />
+ <p>
+ 129.&mdash;It is sometimes necessary to play the fool to avoid being
+ deceived by cunning men.
+ </p>
+ <a name="link130" id="link130"></a><br />
+ <p>
+ 130.&mdash;Weakness is the only fault which cannot be cured.
+ </p>
+ <a name="link131" id="link131"></a><br />
+ <p>
+ 131.&mdash;The smallest fault of women who give themselves up to love is
+ to love. [&mdash;&mdash;&mdash;"Faciunt graviora coactae Imperio sexus
+ minimumque libidine peccant." Juvenal, <i>Sat.</i> vi., 134.]
+ </p>
+ <a name="link132" id="link132"></a><br />
+ <p>
+ 132.&mdash;It is far easier to be wise for others than to be so for
+ oneself.
+ </p>
+ <p>
+ [Hence the proverb, "A man who is his own lawyer has a fool for his
+ client."]
+ </p>
+ <a name="link133" id="link133"></a><br />
+ <p>
+ 133.&mdash;The only good examples are those, that make us see the
+ absurdity of bad originals.
+ </p>
+ <a name="link134" id="link134"></a><br />
+ <p>
+ 134.&mdash;We are never so ridiculous from the habits we have as from
+ those that we affect to have.
+ </p>
+ <a name="link135" id="link135"></a><br />
+ <p>
+ 135.&mdash;We sometimes differ more widely from ourselves than we do
+ from others.
+ </p>
+ <a name="link136" id="link136"></a><br />
+ <p>
+ 136.&mdash;There are some who never would have loved if they never had
+ heard it spoken of.
+ </p>
+ <a name="link137" id="link137"></a><br />
+ <p>
+ 137.&mdash;When not prompted by vanity we say little.
+ </p>
+ <a name="link138" id="link138"></a><br />
+ <p>
+ 138.&mdash;A man would rather say evil of himself than say nothing.
+ </p>
+ <p>
+ ["Montaigne's vanity led him to talk perpetually of himself, and as
+ often happens to vain men, he would rather talk of his own failings than
+ of any foreign subject."&mdash; Hallam, <i>Literature Of Europe</i>.]
+ </p>
+ <a name="link139" id="link139"></a><br />
+ <p>
+ 139.&mdash;One of the reasons that we find so few persons rational and
+ agreeable in conversation is there is hardly a person who does not think
+ more of what he wants to say than of his answer to what is said. The
+ most clever and polite are content with only seeming attentive while we
+ perceive in their mind and eyes that at the very time they are wandering
+ from what is said and desire to return to what they want to say. Instead
+ of considering that the worst way to persuade or please others is to try
+ thus strongly to please ourselves, and that to listen well and to answer
+ well are some of the greatest charms we can have in conversation.
+ </p>
+ <p>
+ ["An absent man can make but few observations, he can pursue nothing
+ steadily because his absences make him lose his way. They are very
+ disagreeable and hardly to be tolerated in old age, but in youth they
+ cannot be forgiven." &mdash;Lord Chesterfield, <i>Letter</i> 195.]
+ </p>
+ <a name="link140" id="link140"></a><br />
+ <p>
+ 140.&mdash;If it was not for the company of fools, a witty man would
+ often be greatly at a loss.
+ </p>
+ <a name="link141" id="link141"></a><br />
+ <p>
+ 141.&mdash;We often boast that we are never bored, but yet we are so
+ conceited that we do not perceive how often we bore others.
+ </p>
+ <a name="link142" id="link142"></a><br />
+ <p>
+ 142.&mdash;As it is the mark of great minds to say many things in a few
+ words, so it is that of little minds to use many words to say nothing.
+ </p>
+ <p>
+ ["So much they talked, so very little said." Churchill, <i>Rosciad</i>,
+ 550.
+ </p>
+ <p>
+ "Men who are unequal to the labour of discussing an argument or wish to
+ avoid it, are willing enough to suppose that much has been proved
+ because much has been said."&mdash; Junius, Jan. 1769.]
+ </p>
+ <a name="link143" id="link143"></a><br />
+ <p>
+ 143.&mdash;It is oftener by the estimation of our own feelings that we
+ exaggerate the good qualities of others than by their merit, and when we
+ praise them we wish to attract their praise.
+ </p>
+ <a name="link144" id="link144"></a><br />
+ <p>
+ 144.&mdash;We do not like to praise, and we never praise without a
+ motive. Praise is flattery, artful, hidden, delicate, which gratifies
+ differently him who praises and him who is praised. The one takes it as
+ the reward of merit, the other bestows it to show his impartiality and
+ knowledge.
+ </p>
+ <a name="link145" id="link145"></a><br />
+ <p>
+ 145.&mdash;We often select envenomed praise which, by a reaction upon
+ those we praise, shows faults we could not have shown by other means.
+ </p>
+ <a name="link146" id="link146"></a><br />
+ <p>
+ 146.&mdash;Usually we only praise to be praised.
+ </p>
+ <a name="link147" id="link147"></a><br />
+ <p>
+ 147.&mdash;Few are sufficiently wise to prefer censure which is useful
+ to praise which is treacherous.
+ </p>
+ <a name="link148" id="link148"></a><br />
+ <p>
+ 148.&mdash;Some reproaches praise; some praises reproach.
+ </p>
+ <p>
+ ["Damn with faint praise, assent with civil leer, And, without sneering,
+ teach the rest to sneer." Pope {<i>Essay On Man, (1733), Epistle To Dr.
+ Arbuthnot.</i>}]
+ </p>
+ <a name="link149" id="link149"></a><br />
+ <p>
+ 149.&mdash;The refusal of praise is only the wish to be praised twice.
+ </p>
+ <p>
+ [The modesty which pretends to refuse praise is but in truth a desire to
+ be praised more highly. <i>Edition</i> 1665.]
+ </p>
+ <a name="link150" id="link150"></a><br />
+ <p>
+ 150.&mdash;The desire which urges us to deserve praise strengthens our
+ good qualities, and praise given to wit, valour, and beauty, tends to
+ increase them.
+ </p>
+ <a name="link151" id="link151"></a><br />
+ <p>
+ 151.&mdash;It is easier to govern others than to prevent being governed.
+ </p>
+ <a name="link152" id="link152"></a><br />
+ <p>
+ 152.&mdash;If we never flattered ourselves the flattery of others would
+ not hurt us.
+ </p>
+ <p>
+ ["Adulatione servilia fingebant securi de fragilitate credentis." Tacit.
+ Ann. xvi.]
+ </p>
+ <a name="link153" id="link153"></a><br />
+ <p>
+ 153.&mdash;Nature makes merit but fortune sets it to work.
+ </p>
+ <a name="link154" id="link154"></a><br />
+ <p>
+ 154.&mdash;Fortune cures us of many faults that reason could not.
+ </p>
+ <a name="link155" id="link155"></a><br />
+ <p>
+ 155.&mdash;There are some persons who only disgust with their abilities,
+ there are persons who please even with their faults.
+ </p>
+ <a name="link156" id="link156"></a><br />
+ <p>
+ 156.&mdash;There are persons whose only merit consists in saying and
+ doing stupid things at the right time, and who ruin all if they change
+ their manners.
+ </p>
+ <a name="link157" id="link157"></a><br />
+ <p>
+ 157.&mdash;The fame of great men ought always to be estimated by the
+ means used to acquire it.
+ </p>
+ <a name="link158" id="link158"></a><br />
+ <p>
+ 158.&mdash;Flattery is base coin to which only our vanity gives
+ currency.
+ </p>
+ <a name="link159" id="link159"></a><br />
+ <p>
+ 159.&mdash;It is not enough to have great qualities, we should also have
+ the management of them.
+ </p>
+ <a name="link160" id="link160"></a><br />
+ <p>
+ 160.&mdash;However brilliant an action it should not be esteemed great
+ unless the result of a great motive.
+ </p>
+ <a name="link161" id="link161"></a><br />
+ <p>
+ 161.&mdash;A certain harmony should be kept between actions and ideas if
+ we desire to estimate the effects that they produce.
+ </p>
+ <a name="link162" id="link162"></a><br />
+ <p>
+ 162.&mdash;The art of using moderate abilities to advantage wins praise,
+ and often acquires more reputation than real brilliancy.
+ </p>
+ <a name="link163" id="link163"></a><br />
+ <p>
+ 163.&mdash;Numberless arts appear foolish whose secre{t} motives are
+ most wise and weighty.
+ </p>
+ <a name="link164" id="link164"></a><br />
+ <p>
+ 164.&mdash;It is much easier to seem fitted for posts we do not fill
+ than for those we do.
+ </p>
+ <a name="link165" id="link165"></a><br />
+ <p>
+ 165.&mdash;Ability wins us the esteem of the true men, luck that of the
+ people.
+ </p>
+ <a name="link166" id="link166"></a><br />
+ <p>
+ 166.&mdash;The world oftener rewards the appearance of merit than merit
+ itself.
+ </p>
+ <a name="link167" id="link167"></a><br />
+ <p>
+ 167.&mdash;Avarice is more opposed to economy than to liberality.
+ </p>
+ <a name="link168" id="link168"></a><br />
+ <p>
+ 168.&mdash;However deceitful hope may be, yet she carries us on
+ pleasantly to the end of life.
+ </p>
+ <p>
+ ["Hope travels through, nor quits us when we die." Pope: <i>Essay On
+ Man,</i> Ep. ii.]
+ </p>
+ <a name="link169" id="link169"></a><br />
+ <p>
+ 169.&mdash;Idleness and fear keeps us in the path of duty, but our
+ virtue often gets the praise.
+ </p>
+ <p>
+ ["Quod segnitia erat sapientia vocaretur." Tacitus Hist. I.]
+ </p>
+ <a name="link170" id="link170"></a><br />
+ <p>
+ 170.&mdash;If one acts rightly and honestly, it is difficult to decide
+ whether it is the effect of integrity or skill.
+ </p>
+ <a name="link171" id="link171"></a><br />
+ <p>
+ 171.&mdash;As rivers are lost in the sea so are virtues in self.
+ </p>
+ <a name="link172" id="link172"></a><br />
+ <p>
+ 172.&mdash;If we thoroughly consider the varied effects of indifference
+ we find we miscarry more in our duties than in our interests.
+ </p>
+ <a name="link173" id="link173"></a><br />
+ <p>
+ 173.&mdash;There are different kinds of curiosity: one springs from
+ interest, which makes us desire to know everything that may be
+ profitable to us; another from pride, which springs from a desire of
+ knowing what others are ignorant of.
+ </p>
+ <a name="link174" id="link174"></a><br />
+ <p>
+ 174.&mdash;It is far better to accustom our mind to bear the ills we
+ have than to speculate on those which may befall us.
+ </p>
+ <p>
+ ["Rather bear th{ose} ills we have Than fly to others that we know not
+ of." {&mdash;Shakespeare, <i>Hamlet</i>, Act III, Scene I, Hamlet.}]
+ </p>
+ <a name="link175" id="link175"></a><br />
+ <p>
+ 175.&mdash;Constancy in love is a perpetual inconstancy which causes our
+ heart to attach itself to all the qualities of the person we love in
+ succession, sometimes giving the preference to one, sometimes to
+ another. This constancy is merely inconstancy fixed, and limited to the
+ same person.
+ </p>
+ <a name="link176" id="link176"></a><br />
+ <p>
+ 176.&mdash;There are two kinds of constancy in love, one arising from
+ incessantly finding in the loved one fresh objects to love, the other
+ from regarding it as a point of honour to be constant.
+ </p>
+ <a name="link177" id="link177"></a><br />
+ <p>
+ 177.&mdash;Perseverance is not deserving of blame or praise, as it is
+ merely the continuance of tastes and feelings which we can neither
+ create or destroy.
+ </p>
+ <a name="link178" id="link178"></a><br />
+ <p>
+ 178.&mdash;What makes us like new studies is not so much the weariness
+ we have of the old or the wish for change as the desire to be admired by
+ those who know more than ourselves, and the hope of advantage over those
+ who know less.
+ </p>
+ <a name="link179" id="link179"></a><br />
+ <p>
+ 179.&mdash;We sometimes complain of the levity of our friends to justify
+ our own by anticipation.
+ </p>
+ <a name="link180" id="link180"></a><br />
+ <p>
+ 180.&mdash;Our repentance is not so much sorrow for the ill we have done
+ as fear of the ill that may happen to us.
+ </p>
+ <a name="link181" id="link181"></a><br />
+ <p>
+ 181.&mdash;One sort of inconstancy springs from levity or weakness of
+ mind, and makes us accept everyone's opinion, and another more excusable
+ comes from a surfeit of matter.
+ </p>
+ <a name="link182" id="link182"></a><br />
+ <p>
+ 182.&mdash;Vices enter into the composition of virtues as poison into
+ that of medicines. Prudence collects and blends the two and renders them
+ useful against the ills of life.
+ </p>
+ <a name="link183" id="link183"></a><br />
+ <p>
+ 183.&mdash;For the credit of virtue we must admit that the greatest
+ misfortunes of men are those into which they fall through their crimes.
+ </p>
+ <a name="link184" id="link184"></a><br />
+ <p>
+ 184.&mdash;We admit our faults to repair by our sincerity the evil we
+ have done in the opinion of others.
+ </p>
+ <p>
+ [In the edition of 1665 this maxim stands as No. 200. We never admit our
+ faults except through vanity.]
+ </p>
+ <a name="link185" id="link185"></a><br />
+ <p>
+ 185.&mdash;There are both heroes of evil and heroes of good.
+ </p>
+ <p>
+ [Ut alios industria ita hunc ignavia protulerat ad famam, habebaturque
+ non ganeo et profligator sed erudito luxu. &mdash;Tacit. Ann. xvi.]
+ </p>
+ <a name="link186" id="link186"></a><br />
+ <p>
+ 186.&mdash;We do not despise all who have vices, but we do despise all
+ who have not virtues.
+ </p>
+ <p>
+ ["If individuals have no virtues their vices may be of use to us."&mdash;<i>Junius</i>,
+ 5th Oct. 1771.]
+ </p>
+ <a name="link187" id="link187"></a><br />
+ <p>
+ 187.&mdash;The name of virtue is as useful to our interest as that of
+ vice.
+ </p>
+ <a name="link188" id="link188"></a><br />
+ <p>
+ 188.&mdash;The health of the mind is not less uncertain than that of the
+ body, and when passions seem furthest removed we are no less in danger
+ of infection than of falling ill when we are well.
+ </p>
+ <a name="link189" id="link189"></a><br />
+ <p>
+ 189.&mdash;It seems that nature has at man's birth fixed the bounds of
+ his virtues and vices.
+ </p>
+ <a name="link190" id="link190"></a><br />
+ <p>
+ 190.&mdash;Great men should not have great faults.
+ </p>
+ <a name="link191" id="link191"></a><br />
+ <p>
+ 191.&mdash;We may say vices wait on us in the course of our life as the
+ landlords with whom we successively lodge, and if we travelled the road
+ twice over I doubt if our experience would make us avoid them.
+ </p>
+ <a name="link192" id="link192"></a><br />
+ <p>
+ 192.&mdash;When our vices leave us we flatter ourselves with the idea we
+ have left them.
+ </p>
+ <a name="link193" id="link193"></a><br />
+ <p>
+ 193.&mdash;There are relapses in the diseases of the mind as in those of
+ the body; what we call a cure is often no more than an intermission or
+ change of disease.
+ </p>
+ <a name="link194" id="link194"></a><br />
+ <p>
+ 194.&mdash;The defects of the mind are like the wounds of the body.
+ Whatever care we take to heal them the scars ever remain, and there is
+ always danger of their reopening.
+ </p>
+ <a name="link195" id="link195"></a><br />
+ <p>
+ 195.&mdash;The reason which often prevents us abandoning a single vice
+ is having so many.
+ </p>
+ <a name="link196" id="link196"></a><br />
+ <p>
+ 196.&mdash;We easily forget those faults which are known only to
+ ourselves.
+ </p>
+ <p>
+ [Seneca says "Innocentem quisque se dicit respiciens testem non
+ conscientiam."]
+ </p>
+ <a name="link197" id="link197"></a><br />
+ <p>
+ 197.&mdash;There are men of whom we can never believe evil without
+ having seen it. Yet there are very few in whom we should be surprised to
+ see it.
+ </p>
+ <a name="link198" id="link198"></a><br />
+ <p>
+ 198.&mdash;We exaggerate the glory of some men to detract from that of
+ others, and we should praise Prince Cond&eacute; and Marshal Turenne
+ much less if we did not want to blame them both.
+ </p>
+ <p>
+ [The allusion to Cond&eacute; and Turenne gives the date at which these
+ maxims were published in 1665. Cond&eacute; and Turenne were after their
+ campaign with the Imperialists at the height of their fame. It proves
+ the truth of the remark of Tacitus, "Populus neminem sine aemulo sinit."&mdash;
+ Tac. Ann. xiv.]
+ </p>
+ <a name="link199" id="link199"></a><br />
+ <p>
+ 199.&mdash;The desire to appear clever often prevents our being so.
+ </p>
+ <a name="link200" id="link200"></a><br />
+ <p>
+ 200.&mdash;Virtue would not go far did not vanity escort her.
+ </p>
+ <a name="link201" id="link201"></a><br />
+ <p>
+ 201.&mdash;He who thinks he has the power to content the world greatly
+ deceives himself, but he who thinks that the world cannot be content
+ with him deceives himself yet more.
+ </p>
+ <a name="link202" id="link202"></a><br />
+ <p>
+ 202.&mdash;Falsely honest men are those who disguise their faults both
+ to themselves and others; truly honest men are those who know them
+ perfectly and confess them.
+ </p>
+ <a name="link203" id="link203"></a><br />
+ <p>
+ 203.&mdash;He is really wise who is nettled at nothing.
+ </p>
+ <a name="link204" id="link204"></a><br />
+ <p>
+ 204.&mdash;The coldness of women is a balance and burden they add to
+ their beauty.
+ </p>
+ <a name="link205" id="link205"></a><br />
+ <p>
+ 205.&mdash;Virtue in woman is often the love of reputation and repose.
+ </p>
+ <a name="link206" id="link206"></a><br />
+ <p>
+ 206.&mdash;He is a truly good man who desires always to bear the
+ inspection of good men.
+ </p>
+ <a name="link207" id="link207"></a><br />
+ <p>
+ 207.&mdash;Folly follows us at all stages of life. If one appears wise
+ 'tis but because his folly is proportioned to his age and fortune.
+ </p>
+ <a name="link208" id="link208"></a><br />
+ <p>
+ 208.&mdash;There are foolish people who know and who skilfully use their
+ folly.
+ </p>
+ <a name="link209" id="link209"></a><br />
+ <p>
+ 209.&mdash;Who lives without folly is not so wise as he thinks.
+ </p>
+ <a name="link210" id="link210"></a><br />
+ <p>
+ 210.&mdash;In growing old we become more foolish&mdash;and more wise.
+ </p>
+ <a name="link211" id="link211"></a><br />
+ <p>
+ 211.&mdash;There are people who are like farces, which are praised but
+ for a time (however foolish and distasteful they may be).
+ </p>
+ <p>
+ [The last clause is added from Edition of 1665.]
+ </p>
+ <a name="link212" id="link212"></a><br />
+ <p>
+ 212.&mdash;Most people judge men only by success or by fortune.
+ </p>
+ <a name="link213" id="link213"></a><br />
+ <p>
+ 213.&mdash;Love of glory, fear of shame, greed of fortune, the desire to
+ make life agreeable and comfortable, and the wish to depreciate others
+ are often causes of that bravery so vaunted among men.
+ </p>
+ <p>
+ [Junius said of the Marquis of Granby, "He was as brave as a total
+ absence of all feeling and reflection could make him."&mdash;21st Jan.
+ 1769.]
+ </p>
+ <a name="link214" id="link214"></a><br />
+ <p>
+ 214.&mdash;Valour in common soldiers is a perilous method of earning
+ their living.
+ </p>
+ <p>
+ ["Men venture necks to gain a fortune, The soldier does it ev{'}ry day,
+ (Eight to the week) for sixpence pay." {&mdash;Samuel Butler,} <i>Hudibras</i>,
+ Part II., canto i., line 512.]
+ </p>
+ <a name="link215" id="link215"></a><br />
+ <p>
+ 215.&mdash;Perfect bravery and sheer cowardice are two extremes rarely
+ found. The space between them is vast, and embraces all other sorts of
+ courage. The difference between them is not less than between faces and
+ tempers. Men will freely expose themselves at the beginning of an
+ action, and relax and be easily discouraged if it should last. Some are
+ content to satisfy worldly honour, and beyond that will do little else.
+ Some are not always equally masters of their timidity. Others allow
+ themselves to be overcome by panic; others charge because they dare not
+ remain at their posts. Some may be found whose courage is strengthened
+ by small perils, which prepare them to face greater dangers. Some will
+ dare a sword cut and flinch from a bullet; others dread bullets little
+ and fear to fight with swords. These varied kinds of courage agree in
+ this, that night, by increasing fear and concealing gallant or cowardly
+ actions, allows men to spare themselves. There is even a more general
+ discretion to be observed, for we meet with no man who does all he would
+ have done if he were assured of getting off scot-free; so that it is
+ certain that the fear of death does somewhat subtract from valour.
+ </p>
+ <p>
+ [See also "Table Talk of Napoleon," who agrees with this, so far as to
+ say that few, but himself, had a two o'clock of the morning valour.]
+ </p>
+ <a name="link216" id="link216"></a><br />
+ <p>
+ 216.&mdash;Perfect valour is to do without witnesses what one would do
+ before all the world.
+ </p>
+ <p>
+ ["It is said of untrue valours that some men's valours are in the eyes
+ of them that look on."&mdash;Bacon, <i>Advancement Of Learning</i>{,
+ (1605), Book I, Section II, paragraph 5}.]
+ </p>
+ <a name="link217" id="link217"></a><br />
+ <p>
+ 217.&mdash;Intrepidity is an extraordinary strength of soul which raises
+ it above the troubles, disorders, and emotions which the sight of great
+ perils can arouse in it: by this strength heroes maintain a calm aspect
+ and preserve their reason and liberty in the most surprising and
+ terrible accidents.
+ </p>
+ <a name="link218" id="link218"></a><br />
+ <p>
+ 218.&mdash;Hypocrisy is the homage vice pays to virtue.
+ </p>
+ <p>
+ [So Massillon, in one of his sermons, "Vice pays homage to virtue in
+ doing honour to her appearance."
+ </p>
+ <p>
+ So Junius, writing to the Duke of Grafton, says, "You have done as much
+ mischief to the community as Machiavel, if Machiavel had not known that
+ an appearance of morals and religion are useful in society."&mdash;28
+ Sept. 1771.]
+ </p>
+ <a name="link219" id="link219"></a><br />
+ <p>
+ 219.&mdash;Most men expose themselves in battle enough to save their
+ honor, few wish to do so more than sufficiently, or than is necessary to
+ make the design for which they expose themselves succeed.
+ </p>
+ <a name="link220" id="link220"></a><br />
+ <p>
+ 220.&mdash;Vanity, shame, and above all disposition, often make men
+ brave and women chaste.
+ </p>
+ <p>
+ ["Vanity bids all her sons be brave and all her daughters chaste and
+ courteous. But why do we need her instruction?"&mdash;Sterne, <i>Sermons</i>.]
+ </p>
+ <a name="link221" id="link221"></a><br />
+ <p>
+ 221.&mdash;We do not wish to lose life; we do wish to gain glory, and
+ this makes brave men show more tact and address in avoiding death, than
+ rogues show in preserving their fortunes.
+ </p>
+ <a name="link222" id="link222"></a><br />
+ <p>
+ 222.&mdash;Few persons on the first approach of age do not show wherein
+ their body, or their mind, is beginning to fail.
+ </p>
+ <a name="link223" id="link223"></a><br />
+ <p>
+ 223.&mdash;Gratitude is as the good faith of merchants: it holds
+ commerce together; and we do not pay because it is just to pay debts,
+ but because we shall thereby more easily find people who will lend.
+ </p>
+ <a name="link224" id="link224"></a><br />
+ <p>
+ 224.&mdash;All those who pay the debts of gratitude cannot thereby
+ flatter themselves that they are grateful.
+ </p>
+ <a name="link225" id="link225"></a><br />
+ <p>
+ 225.&mdash;What makes false reckoning, as regards gratitude, is that the
+ pride of the giver and the receiver cannot agree as to the value of the
+ benefit.
+ </p>
+ <p>
+ ["The first foundation of friendship is not the power of conferring
+ benefits, but the equality with which they are received, and may be
+ returned."&mdash;Junius's <i>Letter To The King.</i>]
+ </p>
+ <a name="link226" id="link226"></a><br />
+ <p>
+ 226.&mdash;Too great a hurry to discharge of an obligation is a kind of
+ ingratitude.
+ </p>
+ <a name="link227" id="link227"></a><br />
+ <p>
+ 227.&mdash;Lucky people are bad hands at correcting their faults; they
+ always believe that they are right when fortune backs up their vice or
+ folly.
+ </p>
+ <p>
+ ["The power of fortune is confessed only by the miserable, for the happy
+ impute all their success to prudence and merit."&mdash;Swift, <i>Thoughts
+ On Various Subjects</i>]
+ </p>
+ <a name="link228" id="link228"></a><br />
+ <p>
+ 228.&mdash;Pride will not owe, self-love will not pay.
+ </p>
+ <a name="link229" id="link229"></a><br />
+ <p>
+ 229.&mdash;The good we have received from a man should make us excuse
+ the wrong he does us.
+ </p>
+ <a name="link230" id="link230"></a><br />
+ <p>
+ 230.&mdash;Nothing is so infectious as example, and we never do great
+ good or evil without producing the like. We imitate good actions by
+ emulation, and bad ones by the evil of our nature, which shame imprisons
+ until example liberates.
+ </p>
+ <a name="link231" id="link231"></a><br />
+ <p>
+ 231.&mdash;It is great folly to wish only to be wise.
+ </p>
+ <a name="link232" id="link232"></a><br />
+ <p>
+ 232.&mdash;Whatever pretext we give to our afflictions it is always
+ interest or vanity that causes them.
+ </p>
+ <a name="link233" id="link233"></a><br />
+ <p>
+ 233.&mdash;In afflictions there are various kinds of hypocrisy. In one,
+ under the pretext of weeping for one dear to us we bemoan ourselves; we
+ regret her good opinion of us, we deplore the loss of our comfort, our
+ pleasure, our consideration. Thus the dead have the credit of tears shed
+ for the living. I affirm 'tis a kind of hypocrisy which in these
+ afflictions deceives itself. There is another kind not so innocent
+ because it imposes on all the world, that is the grief of those who
+ aspire to the glory of a noble and immortal sorrow. After Time, which
+ absorbs all, has obliterated what sorrow they had, they still
+ obstinately obtrude their tears, their sighs their groans, they wear a
+ solemn face, and try to persuade others by all their acts, that their
+ grief will end only with their life. This sad and distressing vanity is
+ commonly found in ambitious women. As their sex closes to them all paths
+ to glory, they strive to render themselves celebrated by showing an
+ inconsolable affliction. There is yet another kind of tears arising from
+ but small sources, which flow easily and cease as easily. One weeps to
+ achieve a reputation for tenderness, weeps to be pitied, weeps to be
+ bewept, in fact one weeps to avoid the disgrace of not weeping!
+ </p>
+ <p>
+ ["In grief the {<i>Pleasure</i>} is still uppermost{;} and the
+ affliction we suffer has no resemblance to absolute pain which is always
+ odious, and which we endeavour to shake off as soon as possible."&mdash;Burke,
+ <i>Sublime And Beautiful</i>{, (1756), Part I, Sect. V}.]
+ </p>
+ <a name="link234" id="link234"></a><br />
+ <p>
+ 234.&mdash;It is more often from pride than from ignorance that we are
+ so obstinately opposed to current opinions; we find the first places
+ taken, and we do not want to be the last.
+ </p>
+ <a name="link235" id="link235"></a><br />
+ <p>
+ 235.&mdash;We are easily consoled at the misfortunes of our friends when
+ they enable us to prove our tenderness for them.
+ </p>
+ <a name="link236" id="link236"></a><br />
+ <p>
+ 236.&mdash;It would seem that even self-love may be the dupe of goodness
+ and forget itself when we work for others. And yet it is but taking the
+ shortest way to arrive at its aim, taking usury under the pretext of
+ giving, in fact winning everybody in a subtle and delicate manner.
+ </p>
+ <a name="link237" id="link237"></a><br />
+ <p>
+ 237.&mdash;No one should be praised for his goodness if he has not
+ strength enough to be wicked. All other goodness is but too often an
+ idleness or powerlessness of will.
+ </p>
+ <a name="link238" id="link238"></a><br />
+ <p>
+ 238.&mdash;It is not so dangerous to do wrong to most men, as to do them
+ too much good.
+ </p>
+ <a name="link239" id="link239"></a><br />
+ <p>
+ 239.&mdash;Nothing flatters our pride so much as the confidence of the
+ great, because we regard it as the result of our worth, without
+ remembering that generally 'tis but vanity, or the inability to keep a
+ secret.
+ </p>
+ <a name="link240" id="link240"></a><br />
+ <p>
+ 240.&mdash;We may say of conformity as distinguished from beauty, that
+ it is a symmetry which knows no rules, and a secret harmony of features
+ both one with each other and with the colour and appearance of the
+ person.
+ </p>
+ <a name="link241" id="link241"></a><br />
+ <p>
+ 241.&mdash;Flirtation is at the bottom of woman's nature, although all
+ do not practise it, some being restrained by fear, others by sense.
+ </p>
+ <p>
+ ["By nature woman is a flirt, but her flirting changes both in the mode
+ and object according to her opinions."&mdash; Rousseau, <i>Emile.</i>]
+ </p>
+ <a name="link242" id="link242"></a><br />
+ <p>
+ 242.&mdash;We often bore others when we think we cannot possibly bore
+ them.
+ </p>
+ <a name="link243" id="link243"></a><br />
+ <p>
+ 243.&mdash;Few things are impossible in themselves; application to make
+ them succeed fails us more often than the means.
+ </p>
+ <a name="link244" id="link244"></a><br />
+ <p>
+ 244.&mdash;Sovereign ability consists in knowing the value of things.
+ </p>
+ <a name="link245" id="link245"></a><br />
+ <p>
+ 245.&mdash;There is great ability in knowing how to conceal one's
+ ability.
+ </p>
+ <p>
+ ["You have accomplished a great stroke in diplomacy when you have made
+ others think that you have only very average abilities."&mdash;<i>La
+ Bruy&egrave;re</i>.]
+ </p>
+ <a name="link246" id="link246"></a><br />
+ <p>
+ 246.&mdash;What seems generosity is often disguised ambition, that
+ despises small to run after greater interest.
+ </p>
+ <a name="link247" id="link247"></a><br />
+ <p>
+ 247.&mdash;The fidelity of most men is merely an invention of self-love
+ to win confidence; a method to place us above others and to render us
+ depositaries of the most important matters.
+ </p>
+ <a name="link248" id="link248"></a><br />
+ <p>
+ 248.&mdash;Magnanimity despises all, to win all.
+ </p>
+ <a name="link249" id="link249"></a><br />
+ <p>
+ 249.&mdash;There is no less eloquence in the voice, in the eyes and in
+ the air of a speaker than in his choice of words.
+ </p>
+ <a name="link250" id="link250"></a><br />
+ <p>
+ 250.&mdash;True eloquence consists in saying all that should be, not all
+ that could be said.
+ </p>
+ <a name="link251" id="link251"></a><br />
+ <p>
+ 251.&mdash;There are people whose faults become them, others whose very
+ virtues disgrace them.
+ </p>
+ <p>
+ ["There are faults which do him honour, and virtues that disgrace him."&mdash;Junius,
+ <i>Letter Of 28th May, 1770.</i>]
+ </p>
+ <a name="link252" id="link252"></a><br />
+ <p>
+ 252.&mdash;It is as common to change one's tastes, as it is uncommon to
+ change one's inclinations.
+ </p>
+ <a name="link253" id="link253"></a><br />
+ <p>
+ 253.&mdash;Interest sets at work all sorts of virtues and vices.
+ </p>
+ <a name="link254" id="link254"></a><br />
+ <p>
+ 254.&mdash;Humility is often a feigned submission which we employ to
+ supplant others. It is one of the devices of Pride to lower us to raise
+ us; and truly pride transforms itself in a thousand ways, and is never
+ so well disguised and more able to deceive than when it hides itself
+ under the form of humility.
+ </p>
+ <p>
+ ["Grave and plausible enough to be thought fit for business."&mdash;Junius,
+ <i>Letter To The Duke Of Grafton</i>.
+ </p>
+ <p>
+ "He saw a cottage with a double coach-house, A cottage of gentility, And
+ the devil was pleased, for his darling sin Is the pride that apes
+ humility." Southey, <i>Devil's Walk</i>.]
+ </p>
+ <p>
+ {There are numerous corrections necessary for this quotation; I will
+ keep the original above so you can compare the correct passages:
+ </p>
+ <p>
+ "He passed a cottage with a double coach-house, A cottage of gentility,
+ And he owned with a grin, That his favourite sin Is pride that apes
+ humility." &mdash;Southey, <i>Devil's Walk</i>, Stanza 8.
+ </p>
+ <p>
+ "And the devil did grin, for his darling sin Is pride that apes
+ humility." &mdash;Samuel Taylor Coleridge, <i>The Devil's Thoughts</i>}
+ </p>
+ <a name="link255" id="link255"></a><br />
+ <p>
+ 255.&mdash;All feelings have their peculiar tone of voice, gestures and
+ looks, and this harmony, as it is good or bad, pleasant or unpleasant,
+ makes people agreeable or disagreeable.
+ </p>
+ <a name="link256" id="link256"></a><br />
+ <p>
+ 256.&mdash;In all professions we affect a part and an appearance to seem
+ what we wish to be. Thus the world is merely composed of actors.
+ </p>
+ <p>
+ ["All the world's a stage, and all the men and women merely players."&mdash;Shakespeare,
+ <i>As You Like It</i>{, Act II, Scene VII, Jaques}.
+ </p>
+ <p>
+ "Life is no more than a dramatic scene, in which the hero should
+ preserve his consistency to the last."&mdash;Junius.]
+ </p>
+ <a name="link257" id="link257"></a><br />
+ <p>
+ 257.&mdash;Gravity is a mysterious carriage of the body invented to
+ conceal the want of mind.
+ </p>
+ <p>
+ ["Gravity is the very essence of imposture."&mdash;Shaftesbury, <i>Characteristics</i>,
+ p. 11, vol. I. "The very essence of gravity is design, and consequently
+ deceit; a taught trick to gain credit with the world for more sense and
+ knowledge than a man was worth, and that with all its pretensions it was
+ no better, but often worse, than what a French wit had long ago defined
+ it&mdash;a mysterious carriage of the body to cover the defects of the
+ mind."&mdash;Sterne, <i>Tristram Shandy</i>, vol. I., chap. ii.]
+ </p>
+ <a name="link258" id="link258"></a><br />
+ <p>
+ 258.&mdash;Good taste arises more from judgment than wit.
+ </p>
+ <a name="link259" id="link259"></a><br />
+ <p>
+ 259.&mdash;The pleasure of love is in loving, we are happier in the
+ passion we feel than in that we inspire.
+ </p>
+ <a name="link260" id="link260"></a><br />
+ <p>
+ 260.&mdash;Civility is but a desire to receive civility, and to be
+ esteemed polite.
+ </p>
+ <a name="link261" id="link261"></a><br />
+ <p>
+ 261.&mdash;The usual education of young people is to inspire them with a
+ second self-love.
+ </p>
+ <a name="link262" id="link262"></a><br />
+ <p>
+ 262.&mdash;There is no passion wherein self-love reigns so powerfully as
+ in love, and one is always more ready to sacrifice the peace of the
+ loved one than his own.
+ </p>
+ <a name="link263" id="link263"></a><br />
+ <p>
+ 263.&mdash;What we call liberality is often but the vanity of giving,
+ which we like more than that we give away.
+ </p>
+ <a name="link264" id="link264"></a><br />
+ <p>
+ 264.&mdash;Pity is often a reflection of our own evils in the ills of
+ others. It is a delicate foresight of the troubles into which we may
+ fall. We help others that on like occasions we may be helped ourselves,
+ and these services which we render, are in reality benefits we confer on
+ ourselves by anticipation.
+ </p>
+ <p>
+ ["<i>Grief</i> for the calamity of another is pity, and ariseth from the
+ imagination that a like calamity may befal himself{;} and therefore is
+ called compassion."&mdash;<i>Hobbes' Leviathan</i>{, (1651), Part I,
+ Chapter VI}.]
+ </p>
+ <a name="link265" id="link265"></a><br />
+ <p>
+ 265.&mdash;A narrow mind begets obstinacy, and we do not easily believe
+ what we cannot see.
+ </p>
+ <p>
+ ["Stiff in opinion, always in the wrong." Dryden, <i>Absalom And
+ Achitophel</i>{, line 547}.]
+ </p>
+ <a name="link266" id="link266"></a><br />
+ <p>
+ 266.&mdash;We deceive ourselves if we believe that there are violent
+ passions like ambition and love that can triumph over others. Idleness,
+ languishing as she is, does not often fail in being mistress; she usurps
+ authority over all the plans and actions of life; imperceptibly
+ consuming and destroying both passions and virtues.
+ </p>
+ <a name="link267" id="link267"></a><br />
+ <p>
+ 267.&mdash;A quickness in believing evil without having sufficiently
+ examined it, is the effect of pride and laziness. We wish to find the
+ guilty, and we do not wish to trouble ourselves in examining the crime.
+ </p>
+ <a name="link268" id="link268"></a><br />
+ <p>
+ 268.&mdash;We credit judges with the meanest motives, and yet we desire
+ our reputation and fame should depend upon the judgment of men, who are
+ all, either from their jealousy or pre-occupation or want of
+ intelligence, opposed to us&mdash;and yet 'tis only to make these men
+ decide in our favour that we peril in so many ways both our peace and
+ our life.
+ </p>
+ <a name="link269" id="link269"></a><br />
+ <p>
+ 269.&mdash;No man is clever enough to know all the evil he does.
+ </p>
+ <a name="link270" id="link270"></a><br />
+ <p>
+ 270.&mdash;One honour won is a surety for more.
+ </p>
+ <a name="link271" id="link271"></a><br />
+ <p>
+ 271.&mdash;Youth is a continual intoxication; it is the fever of reason.
+ </p>
+ <p>
+ ["The best of life is but intoxication."&mdash;{Lord Byron, } Don Juan{,
+ Canto II, stanza 179}. In the 1st Edition, 1665, the maxim finishes with&mdash;"it
+ is the fever of health, the folly of reason."]
+ </p>
+ <a name="link272" id="link272"></a><br />
+ <p>
+ 272.&mdash;Nothing should so humiliate men who have deserved great
+ praise, as the care they have taken to acquire it by the smallest means.
+ </p>
+ <a name="link273" id="link273"></a><br />
+ <p>
+ 273.&mdash;There are persons of whom the world approves who have no
+ merit beyond the vices they use in the affairs of life.
+ </p>
+ <a name="link274" id="link274"></a><br />
+ <p>
+ 274.&mdash;The beauty of novelty is to love as the flower to the fruit;
+ it lends a lustre which is easily lost, but which never returns.
+ </p>
+ <a name="link275" id="link275"></a><br />
+ <p>
+ 275.&mdash;Natural goodness, which boasts of being so apparent, is often
+ smothered by the least interest.
+ </p>
+ <a name="link276" id="link276"></a><br />
+ <p>
+ 276.&mdash;Absence extinguishes small passions and increases great ones,
+ as the wind will blow out a candle, and blow in a fire.
+ </p>
+ <a name="link277" id="link277"></a><br />
+ <p>
+ 277.&mdash;Women often think they love when they do not love. The
+ business of a love affair, the emotion of mind that sentiment induces,
+ the natural bias towards the pleasure of being loved, the difficulty of
+ refusing, persuades them that they have real passion when they have but
+ flirtation.
+ </p>
+ <p>
+ ["And if in fact she takes a {"}<i>Grande Passion</i>{"}, It is a very
+ serious thing indeed: Nine times in ten 'tis but caprice or fashion,
+ Coquetry, or a wish to take the lead, The pride of a mere child with a
+ new sash on. Or wish to make a rival's bosom bleed: But the {<i>Tenth</i>}
+ instance will be a tornado, For there's no saying what they will or may
+ do." {&mdash;Lord Byron, }<i>Don Juan</i>, canto xii. stanza 77.]
+ </p>
+ <a name="link278" id="link278"></a><br />
+ <p>
+ 278.&mdash;What makes us so often discontented with those who transact
+ business for us is that they almost always abandon the interest of their
+ friends for the interest of the business, because they wish to have the
+ honour of succeeding in that which they have undertaken.
+ </p>
+ <a name="link279" id="link279"></a><br />
+ <p>
+ 279.&mdash;When we exaggerate the tenderness of our friends towards us,
+ it is often less from gratitude than from a desire to exhibit our own
+ merit.
+ </p>
+ <a name="link280" id="link280"></a><br />
+ <p>
+ 280.&mdash;The praise we give to new comers into the world arises from
+ the envy we bear to those who are established.
+ </p>
+ <a name="link281" id="link281"></a><br />
+ <p>
+ 281.&mdash;Pride, which inspires, often serves to moderate envy.
+ </p>
+ <a name="link282" id="link282"></a><br />
+ <p>
+ 282.&mdash;Some disguised lies so resemble truth, that we should judge
+ badly were we not deceived.
+ </p>
+ <a name="link283" id="link283"></a><br />
+ <p>
+ 283.&mdash;Sometimes there is not less ability in knowing how to use
+ than in giving good advice.
+ </p>
+ <a name="link284" id="link284"></a><br />
+ <p>
+ 284.&mdash;There are wicked people who would be much less dangerous if
+ they were wholly without goodness.
+ </p>
+ <a name="link285" id="link285"></a><br />
+ <p>
+ 285.&mdash;Magnanimity is sufficiently defined by its name, nevertheless
+ one can say it is the good sense of pride, the most noble way of
+ receiving praise.
+ </p>
+ <a name="link286" id="link286"></a><br />
+ <p>
+ 286.&mdash;It is impossible to love a second time those whom we have
+ really ceased to love.
+ </p>
+ <a name="link287" id="link287"></a><br />
+ <p>
+ 287.&mdash;Fertility of mind does not furnish us with so many resources
+ on the same matter, as the lack of intelligence makes us hesitate at
+ each thing our imagination presents, and hinders us from at first
+ discerning which is the best.
+ </p>
+ <a name="link288" id="link288"></a><br />
+ <p>
+ 288.&mdash;There are matters and maladies which at certain times
+ remedies only serve to make worse; true skill consists in knowing when
+ it is dangerous to use them.
+ </p>
+ <a name="link289" id="link289"></a><br />
+ <p>
+ 289.&mdash;Affected simplicity is refined imposture.
+ </p>
+ <p>
+ [Domitianus simplicitatis ac modestiae imagine studium litterarum et
+ amorem carminum simulabat quo velaret animum et fratris aemulationi
+ subduceretur.&mdash;Tacitus, <i>Ann.</i> iv.]
+ </p>
+ <a name="link290" id="link290"></a><br />
+ <p>
+ 290.&mdash;There are as many errors of temper as of mind.
+ </p>
+ <a name="link291" id="link291"></a><br />
+ <p>
+ 291.&mdash;Man's merit, like the crops, has its season.
+ </p>
+ <a name="link292" id="link292"></a><br />
+ <p>
+ 292.&mdash;One may say of temper as of many buildings; it has divers
+ aspects, some agreeable, others disagreeable.
+ </p>
+ <a name="link293" id="link293"></a><br />
+ <p>
+ 293.&mdash;Moderation cannot claim the merit of opposing and overcoming
+ Ambition: they are never found together. Moderation is the languor and
+ sloth of the soul, Ambition its activity and heat.
+ </p>
+ <a name="link294" id="link294"></a><br />
+ <p>
+ 294.&mdash;We always like those who admire us, we do not always like
+ those whom we admire.
+ </p>
+ <a name="link295" id="link295"></a><br />
+ <p>
+ 295.&mdash;It is well that we know not all our wishes.
+ </p>
+ <a name="link296" id="link296"></a><br />
+ <p>
+ 296.&mdash;It is difficult to love those we do not esteem, but it is no
+ less so to love those whom we esteem much more than ourselves.
+ </p>
+ <a name="link297" id="link297"></a><br />
+ <p>
+ 297.&mdash;Bodily temperaments have a common course and rule which
+ imperceptibly affect our will. They advance in combination, and
+ successively exercise a secret empire over us, so that, without our
+ perceiving it, they become a great part of all our actions.
+ </p>
+ <a name="link298" id="link298"></a><br />
+ <p>
+ 298.&mdash;The gratitude of most men is but a secret desire of receiving
+ greater benefits.
+ </p>
+ <p>
+ [Hence the common proverb "Gratitude is merely a lively sense of favors
+ to come."]
+ </p>
+ <a name="link299" id="link299"></a><br />
+ <p>
+ 299.&mdash;Almost all the world takes pleasure in paying small debts;
+ many people show gratitude for trifling, but there is hardly one who
+ does not show ingratitude for great favours.
+ </p>
+ <a name="link300" id="link300"></a><br />
+ <p>
+ 300.&mdash;There are follies as catching as infections.
+ </p>
+ <a name="link301" id="link301"></a><br />
+ <p>
+ 301.&mdash;Many people despise, but few know how to bestow wealth.
+ </p>
+ <a name="link302" id="link302"></a><br />
+ <p>
+ 302.&mdash;Only in things of small value we usually are bold enough not
+ to trust to appearances.
+ </p>
+ <a name="link303" id="link303"></a><br />
+ <p>
+ 303.&mdash;Whatever good quality may be imputed to us, we ourselves find
+ nothing new in it.
+ </p>
+ <a name="link304" id="link304"></a><br />
+ <p>
+ 304.&mdash;We may forgive those who bore us, we cannot forgive those
+ whom we bore.
+ </p>
+ <a name="link305" id="link305"></a><br />
+ <p>
+ 305.&mdash;Interest which is accused of all our misdeeds often should be
+ praised for our good deeds.
+ </p>
+ <a name="link306" id="link306"></a><br />
+ <p>
+ 306.&mdash;We find very few ungrateful people when we are able to confer
+ favours.
+ </p>
+ <a name="link307" id="link307"></a><br />
+ <p>
+ 307.&mdash;It is as proper to be boastful alone as it is ridiculous to
+ be so in company.
+ </p>
+ <a name="link308" id="link308"></a><br />
+ <p>
+ 308.&mdash;Moderation is made a virtue to limit the ambition of the
+ great; to console ordinary people for their small fortune and equally
+ small ability.
+ </p>
+ <a name="link309" id="link309"></a><br />
+ <p>
+ 309.&mdash;There are persons fated to be fools, who commit follies not
+ only by choice, but who are forced by fortune to do so.
+ </p>
+ <a name="link310" id="link310"></a><br />
+ <p>
+ 310.&mdash;Sometimes there are accidents in our life the skilful
+ extrication from which demands a little folly.
+ </p>
+ <a name="link311" id="link311"></a><br />
+ <p>
+ 311.&mdash;If there be men whose folly has never appeared, it is because
+ it has never been closely looked for.
+ </p>
+ <a name="link312" id="link312"></a><br />
+ <p>
+ 312.&mdash;Lovers are never tired of each other,&mdash;they always speak
+ of themselves.
+ </p>
+ <a name="link313" id="link313"></a><br />
+ <p>
+ 313.&mdash;How is it that our memory is good enough to retain the least
+ triviality that happens to us, and yet not good enough to recollect how
+ often we have told it to the same person?
+ </p>
+ <p>
+ ["Old men who yet retain the memory of things past, and forget how often
+ they have told them, are most tedious companions."&mdash;Montaigne, {<i>Essays</i>,
+ Book I, Chapter IX}.]
+ </p>
+ <a name="link314" id="link314"></a><br />
+ <p>
+ 314.&mdash;The extreme delight we take in talking of ourselves should
+ warn us that it is not shared by those who listen.
+ </p>
+ <a name="link315" id="link315"></a><br />
+ <p>
+ 315.&mdash;What commonly hinders us from showing the recesses of our
+ heart to our friends, is not the distrust we have of them, but that we
+ have of ourselves.
+ </p>
+ <a name="link316" id="link316"></a><br />
+ <p>
+ 316.&mdash;Weak persons cannot be sincere.
+ </p>
+ <a name="link317" id="link317"></a><br />
+ <p>
+ 317.&mdash;'Tis a small misfortune to oblige an ungrateful man; but it
+ is unbearable to be obliged by a scoundrel.
+ </p>
+ <a name="link318" id="link318"></a><br />
+ <p>
+ 318.&mdash;We may find means to cure a fool of his folly, but there are
+ none to set straight a cross-grained spirit.
+ </p>
+ <a name="link319" id="link319"></a><br />
+ <p>
+ 319.&mdash;If we take the liberty to dwell on their faults we cannot
+ long preserve the feelings we should hold towards our friends and
+ benefactors.
+ </p>
+ <a name="link320" id="link320"></a><br />
+ <p>
+ 320.&mdash;To praise princes for virtues they do not possess is but to
+ reproach them with impunity.
+ </p>
+ <p>
+ ["Praise undeserved is satire in disguise," quoted by Pope from a poem
+ which has not survived, "The Garland," by Mr. Broadhurst. "In some cases
+ exaggerated or inappropriate praise becomes the most severe satire."&mdash;
+ Scott, <i>Woodstock.</i>]
+ </p>
+ <a name="link321" id="link321"></a><br />
+ <p>
+ 321.&mdash;We are nearer loving those who hate us, than those who love
+ us more than we desire.
+ </p>
+ <a name="link322" id="link322"></a><br />
+ <p>
+ 322.&mdash;Those only are despicable who fear to be despised.
+ </p>
+ <a name="link323" id="link323"></a><br />
+ <p>
+ 323.&mdash;Our wisdom is no less at the mercy of Fortune than our goods.
+ </p>
+ <a name="link324" id="link324"></a><br />
+ <p>
+ 324.&mdash;There is more self-love than love in jealousy.
+ </p>
+ <a name="link325" id="link325"></a><br />
+ <p>
+ 325.&mdash;We often comfort ourselves by the weakness of evils, for
+ which reason has not the strength to console us.
+ </p>
+ <a name="link326" id="link326"></a><br />
+ <p>
+ 326.&mdash;Ridicule dishonours more than dishonour itself.
+ </p>
+ <p>
+ ["No," says a commentator, "Ridicule may do harm, but it cannot
+ dishonour; it is vice which confers dishonour."]
+ </p>
+ <a name="link327" id="link327"></a><br />
+ <p>
+ 327.&mdash;We own to small faults to persuade others that we have not
+ great ones.
+ </p>
+ <a name="link328" id="link328"></a><br />
+ <p>
+ 328.&mdash;Envy is more irreconcilable than hatred.
+ </p>
+ <a name="link329" id="link329"></a><br />
+ <p>
+ 329.&mdash;We believe, sometimes, that we hate flattery &mdash;we only
+ dislike the method.
+ </p>
+ <p>
+ ["{But} when I tell him he hates flatter{ers}, He says he does, being
+ then most flattered." Shakespeare, <i>Julius Caesar</i> {,Act II, Scene
+ I, Decius}.]
+ </p>
+ <a name="link330" id="link330"></a><br />
+ <p>
+ 330.&mdash;We pardon in the degree that we love.
+ </p>
+ <a name="link331" id="link331"></a><br />
+ <p>
+ 331.&mdash;It is more difficult to be faithful to a mistress when one is
+ happy, than when we are ill-treated by her.
+ </p>
+ <p>
+ [Si qua volet regnare diu contemnat amantem.&mdash;Ovid, <i>Amores,</i>
+ ii. 19.]
+ </p>
+ <a name="link332" id="link332"></a><br />
+ <p>
+ 332.&mdash;Women do not know all their powers of flirtation.
+ </p>
+ <a name="link333" id="link333"></a><br />
+ <p>
+ 333.&mdash;Women cannot be completely severe unless they hate.
+ </p>
+ <a name="link334" id="link334"></a><br />
+ <p>
+ 334.&mdash;Women can less easily resign flirtations than love.
+ </p>
+ <a name="link335" id="link335"></a><br />
+ <p>
+ 335.&mdash;In love deceit almost always goes further than mistrust.
+ </p>
+ <a name="link336" id="link336"></a><br />
+ <p>
+ 336.&mdash;There is a kind of love, the excess of which forbids
+ jealousy.
+ </p>
+ <a name="link337" id="link337"></a><br />
+ <p>
+ 337.&mdash;There are certain good qualities as there are senses, and
+ those who want them can neither perceive nor understand them.
+ </p>
+ <a name="link338" id="link338"></a><br />
+ <p>
+ 338.&mdash;When our hatred is too bitter it places us below those whom
+ we hate.
+ </p>
+ <a name="link339" id="link339"></a><br />
+ <p>
+ 339.&mdash;We only appreciate our good or evil in proportion to our
+ self-love.
+ </p>
+ <a name="link340" id="link340"></a><br />
+ <p>
+ 340.&mdash;The wit of most women rather strengthens their folly than
+ their reason.
+ </p>
+ <p>
+ ["Women have an entertaining tattle, and sometimes wit, but for solid
+ reasoning and good sense I never knew one in my life that had it, and
+ who reasoned and acted consequentially for four and twenty hours
+ together."&mdash;Lord Chesterfield, <i>Letter</i> 129.]
+ </p>
+ <a name="link341" id="link341"></a><br />
+ <p>
+ 341.&mdash;The heat of youth is not more opposed to safety than the
+ coldness of age.
+ </p>
+ <a name="link342" id="link342"></a><br />
+ <p>
+ 342.&mdash;The accent of our native country dwells in the heart and mind
+ as well as on the tongue.
+ </p>
+ <a name="link343" id="link343"></a><br />
+ <p>
+ 343.&mdash;To be a great man one should know how to profit by every
+ phase of fortune.
+ </p>
+ <a name="link344" id="link344"></a><br />
+ <p>
+ 344.&mdash;Most men, like plants, possess hidden qualities which chance
+ discovers.
+ </p>
+ <a name="link345" id="link345"></a><br />
+ <p>
+ 345.&mdash;Opportunity makes us known to others, but more to ourselves.
+ </p>
+ <a name="link346" id="link346"></a><br />
+ <p>
+ 346.&mdash;If a woman's temper is beyond control there can be no control
+ of the mind or heart.
+ </p>
+ <a name="link347" id="link347"></a><br />
+ <p>
+ 347.&mdash;We hardly find any persons of good sense, save those who
+ agree with us.
+ </p>
+ <p>
+ ["That was excellently observed, say I, when I read an author when his
+ opinion agrees with mine."&mdash;Swift, <i>Thoughts On Various Subjects.</i>]
+ </p>
+ <a name="link348" id="link348"></a><br />
+ <p>
+ 348.&mdash;When one loves one doubts even what one most believes.
+ </p>
+ <a name="link349" id="link349"></a><br />
+ <p>
+ 349.&mdash;The greatest miracle of love is to eradicate flirtation.
+ </p>
+ <a name="link350" id="link350"></a><br />
+ <p>
+ 350.&mdash;Why we hate with so much bitterness those who deceive us is
+ because they think themselves more clever than we are.
+ </p>
+ <p>
+ ["I could pardon all his (Louis XI.'s) deceit, but I cannot forgive his
+ supposing me capable of the gross folly of being duped by his
+ professions."&mdash;Sir Walter Scott, <i>Quentin Durward.</i>]
+ </p>
+ <a name="link351" id="link351"></a><br />
+ <p>
+ 351.&mdash;We have much trouble to break with one, when we no longer are
+ in love.
+ </p>
+ <a name="link352" id="link352"></a><br />
+ <p>
+ 352.&mdash;We almost always are bored with persons with whom we should
+ not be bored.
+ </p>
+ <a name="link353" id="link353"></a><br />
+ <p>
+ 353.&mdash;A gentleman may love like a lunatic, but not like a beast.
+ </p>
+ <a name="link354" id="link354"></a><br />
+ <p>
+ 354.&mdash;There are certain defects which well mounted glitter like
+ virtue itself.
+ </p>
+ <a name="link355" id="link355"></a><br />
+ <p>
+ 355.&mdash;Sometimes we lose friends for whose loss our regret is
+ greater than our grief, and others for whom our grief is greater than
+ our regret.
+ </p>
+ <a name="link356" id="link356"></a><br />
+ <p>
+ 356.&mdash;Usually we only praise heartily those who admire us.
+ </p>
+ <a name="link357" id="link357"></a><br />
+ <p>
+ 357.&mdash;Little minds are too much wounded by little things; great
+ minds see all and are not even hurt.
+ </p>
+ <a name="link358" id="link358"></a><br />
+ <p>
+ 358.&mdash;Humility is the true proof of Christian virtues; without it
+ we retain all our faults, and they are only covered by pride to hide
+ them from others, and often from ourselves.
+ </p>
+ <a name="link359" id="link359"></a><br />
+ <p>
+ 359.&mdash;Infidelities should extinguish love, and we ought not to be
+ jealous when we have cause to be so. No persons escape causing jealousy
+ who are worthy of exciting it.
+ </p>
+ <a name="link360" id="link360"></a><br />
+ <p>
+ 360.&mdash;We are more humiliated by the least infidelity towards us,
+ than by our greatest towards others.
+ </p>
+ <a name="link361" id="link361"></a><br />
+ <p>
+ 361.&mdash;Jealousy is always born with love, but does not always die
+ with it.
+ </p>
+ <a name="link362" id="link362"></a><br />
+ <p>
+ 362.&mdash;Most women do not grieve so much for the death of their
+ lovers for love's-sake, as to show they were worthy of being beloved.
+ </p>
+ <a name="link363" id="link363"></a><br />
+ <p>
+ 363.&mdash;The evils we do to others give us less pain than those we do
+ to ourselves.
+ </p>
+ <a name="link364" id="link364"></a><br />
+ <p>
+ 364.&mdash;We well know that it is bad taste to talk of our wives; but
+ we do not so well know that it is the same to speak of ourselves.
+ </p>
+ <a name="link365" id="link365"></a><br />
+ <p>
+ 365.&mdash;There are virtues which degenerate into vices when they arise
+ from Nature, and others which when acquired are never perfect. For
+ example, reason must teach us to manage our estate and our confidence,
+ while Nature should have given us goodness and valour.
+ </p>
+ <a name="link366" id="link366"></a><br />
+ <p>
+ 366.&mdash;However we distrust the sincerity of those whom we talk with,
+ we always believe them more sincere with us than with others.
+ </p>
+ <a name="link367" id="link367"></a><br />
+ <p>
+ 367.&mdash;There are few virtuous women who are not tired of their part.
+ </p>
+ <p>
+ ["Every woman is at heart a rake."&mdash;Pope. <i>Moral Essays,</i> ii.]
+ </p>
+ <a name="link368" id="link368"></a><br />
+ <p>
+ 368.&mdash;The greater number of good women are like concealed
+ treasures, safe as no one has searched for them.
+ </p>
+ <a name="link369" id="link369"></a><br />
+ <p>
+ 369.&mdash;The violences we put upon ourselves to escape love are often
+ more cruel than the cruelty of those we love.
+ </p>
+ <a name="link370" id="link370"></a><br />
+ <p>
+ 370.&mdash;There are not many cowards who know the whole of their fear.
+ </p>
+ <a name="link371" id="link371"></a><br />
+ <p>
+ 371.&mdash;It is generally the fault of the loved one not to perceive
+ when love ceases.
+ </p>
+ <a name="link372" id="link372"></a><br />
+ <p>
+ 372.&mdash;Most young people think they are natural when they are only
+ boorish and rude.
+ </p>
+ <a name="link373" id="link373"></a><br />
+ <p>
+ 373.&mdash;Some tears after having deceived others deceive ourselves.
+ </p>
+ <a name="link374" id="link374"></a><br />
+ <p>
+ 374.&mdash;If we think we love a woman for love of herself we are
+ greatly deceived.
+ </p>
+ <a name="link375" id="link375"></a><br />
+ <p>
+ 375.&mdash;Ordinary men commonly condemn what is beyond them.
+ </p>
+ <a name="link376" id="link376"></a><br />
+ <p>
+ 376.&mdash;Envy is destroyed by true friendship, flirtation by true
+ love.
+ </p>
+ <a name="link377" id="link377"></a><br />
+ <p>
+ 377.&mdash;The greatest mistake of penetration is not to have fallen
+ short, but to have gone too far.
+ </p>
+ <a name="link378" id="link378"></a><br />
+ <p>
+ 378.&mdash;We may bestow advice, but we cannot inspire the conduct.
+ </p>
+ <a name="link379" id="link379"></a><br />
+ <p>
+ 379.&mdash;As our merit declines so also does our taste.
+ </p>
+ <a name="link380" id="link380"></a><br />
+ <p>
+ 380.&mdash;Fortune makes visible our virtues or our vices, as light does
+ objects.
+ </p>
+ <a name="link381" id="link381"></a><br />
+ <p>
+ 381.&mdash;The struggle we undergo to remain faithful to one we love is
+ little better than infidelity.
+ </p>
+ <a name="link382" id="link382"></a><br />
+ <p>
+ 382.&mdash;Our actions are like the rhymed ends of blank verses (<i>Bouts-Rim&eacute;s</i>)
+ where to each one puts what construction he pleases.
+ </p>
+ <p>
+ [The <i>Bouts-Rim&eacute;s</i> was a literary game popular in the 17th
+ and 18th centuries&mdash;the rhymed words at the end of a line being
+ given for others to fill up. Thus Horace Walpole being given, "brook,
+ why, crook, I," returned the burlesque verse&mdash; "I sits with my toes
+ in a <i>Brook</i>, And if any one axes me <i>Why?</i> I gies 'em a rap
+ with my <i>Crook,</i> 'Tis constancy makes me, ses I."]
+ </p>
+ <a name="link383" id="link383"></a><br />
+ <p>
+ 383.&mdash;The desire of talking about ourselves, and of putting our
+ faults in the light we wish them to be seen, forms a great part of our
+ sincerity.
+ </p>
+ <a name="link384" id="link384"></a><br />
+ <p>
+ 384.&mdash;We should only be astonished at still being able to be
+ astonished.
+ </p>
+ <a name="link385" id="link385"></a><br />
+ <p>
+ 385.&mdash;It is equally as difficult to be contented when one has too
+ much or too little love.
+ </p>
+ <a name="link386" id="link386"></a><br />
+ <p>
+ 386.&mdash;No people are more often wrong than those who will not allow
+ themselves to be wrong.
+ </p>
+ <a name="link387" id="link387"></a><br />
+ <p>
+ 387.&mdash;A fool has not stuff in him to be good.
+ </p>
+ <a name="link388" id="link388"></a><br />
+ <p>
+ 388.&mdash;If vanity does not overthrow all virtues, at least she makes
+ them totter.
+ </p>
+ <a name="link389" id="link389"></a><br />
+ <p>
+ 389.&mdash;What makes the vanity of others unsupportable is that it
+ wounds our own.
+ </p>
+ <a name="link390" id="link390"></a><br />
+ <p>
+ 390.&mdash;We give up more easily our interest than our taste.
+ </p>
+ <a name="link391" id="link391"></a><br />
+ <p>
+ 391.&mdash;Fortune appears so blind to none as to those to whom she has
+ done no good.
+ </p>
+ <a name="link392" id="link392"></a><br />
+ <p>
+ 392.&mdash;We should manage fortune like our health, enjoy it when it is
+ good, be patient when it is bad, and never resort to strong remedies but
+ in an extremity.
+ </p>
+ <a name="link393" id="link393"></a><br />
+ <p>
+ 393.&mdash;Awkwardness sometimes disappears in the camp, never in the
+ court.
+ </p>
+ <a name="link394" id="link394"></a><br />
+ <p>
+ 394.&mdash;A man is often more clever than one other, but not than all
+ others.
+ </p>
+ <p>
+ ["Singuli decipere ac decipi possunt, nemo omnes, omnes neminem
+ fefellerunt."&mdash;Pliny{ the Younger, <i>Panegyricus,</i> LXII}.]
+ </p>
+ <a name="link395" id="link395"></a><br />
+ <p>
+ 395.&mdash;We are often less unhappy at being deceived by one we loved,
+ than on being deceived.
+ </p>
+ <a name="link396" id="link396"></a><br />
+ <p>
+ 396.&mdash;We keep our first lover for a long time&mdash;if we do not
+ get a second.
+ </p>
+ <a name="link397" id="link397"></a><br />
+ <p>
+ 397.&mdash;We have not the courage to say generally that we have no
+ faults, and that our enemies have no good qualities; but in fact we are
+ not far from believing so.
+ </p>
+ <a name="link398" id="link398"></a><br />
+ <p>
+ 398.&mdash;Of all our faults that which we most readily admit is
+ idleness: we believe that it makes all virtues ineffectual, and that
+ without utterly destroying, it at least suspends their operation.
+ </p>
+ <a name="link399" id="link399"></a><br />
+ <p>
+ 399.&mdash;There is a kind of greatness which does not depend upon
+ fortune: it is a certain manner what distinguishes us, and which seems
+ to destine us for great things; it is the value we insensibly set upon
+ ourselves; it is by this quality that we gain the deference of other
+ men, and it is this which commonly raises us more above them, than
+ birth, rank, or even merit itself.
+ </p>
+ <a name="link400" id="link400"></a><br />
+ <p>
+ 400.&mdash;There may be talent without position, but there is no
+ position without some kind of talent.
+ </p>
+ <a name="link401" id="link401"></a><br />
+ <p>
+ 401.&mdash;Rank is to merit what dress is to a pretty woman.
+ </p>
+ <a name="link402" id="link402"></a><br />
+ <p>
+ 402.&mdash;What we find the least of in flirtation is love.
+ </p>
+ <a name="link403" id="link403"></a><br />
+ <p>
+ 403.&mdash;Fortune sometimes uses our faults to exalt us, and there are
+ tiresome people whose deserts would be ill rewarded if we did not desire
+ to purchase their absence.
+ </p>
+ <a name="link404" id="link404"></a><br />
+ <p>
+ 404.&mdash;It appears that nature has hid at the bottom of our hearts
+ talents and abilities unknown to us. It is only the passions that have
+ the power of bringing them to light, and sometimes give us views more
+ true and more perfect than art could possibly do.
+ </p>
+ <a name="link405" id="link405"></a><br />
+ <p>
+ 405.&mdash;We reach quite inexperienced the different stages of life,
+ and often, in spite of the number of our years, we lack experience.
+ </p>
+ <p>
+ ["To most men experience is like the stern lights of a ship which
+ illumine only the track it has passed."&mdash; Coleridge.]
+ </p>
+ <a name="link406" id="link406"></a><br />
+ <p>
+ 406.&mdash;Flirts make it a point of honour to be jealous of their
+ lovers, to conceal their envy of other women.
+ </p>
+ <a name="link407" id="link407"></a><br />
+ <p>
+ 407.&mdash;It may well be that those who have trapped us by their tricks
+ do not seem to us so foolish as we seem to ourselves when trapped by the
+ tricks of others.
+ </p>
+ <a name="link408" id="link408"></a><br />
+ <p>
+ 408.&mdash;The most dangerous folly of old persons who have been
+ loveable is to forget that they are no longer so.
+ </p>
+ <p>
+ ["Every woman who is not absolutely ugly thinks herself handsome. The
+ suspicion of age no woman, let her be ever so old, forgives."&mdash;Lord
+ Chesterfield, <i>Letter</i> 129.]
+ </p>
+ <a name="link409" id="link409"></a><br />
+ <p>
+ 409.&mdash;We should often be ashamed of our very best actions if the
+ world only saw the motives which caused them.
+ </p>
+ <a name="link410" id="link410"></a><br />
+ <p>
+ 410.&mdash;The greatest effort of friendship is not to show our faults
+ to a friend, but to show him his own.
+ </p>
+ <a name="link411" id="link411"></a><br />
+ <p>
+ 4ll.&mdash;We have few faults which are not far more excusable than the
+ means we adopt to hide them.
+ </p>
+ <a name="link412" id="link412"></a><br />
+ <p>
+ 412.&mdash;Whatever disgrace we may have deserved, it is almost always
+ in our power to re-establish our character.
+ </p>
+ <p>
+ ["This is hardly a period at which the most irregular character may not
+ be redeemed. The mistakes of one sin find a retreat in patriotism, those
+ of the other in devotion." &mdash;Junius, <i>Letter To The King</i>.]
+ </p>
+ <a name="link413" id="link413"></a><br />
+ <p>
+ 413.&mdash;A man cannot please long who has only one kind of wit.
+ </p>
+ <p>
+ [According to Segrais this maxim was a hit at Racine and Boileau, who,
+ despising ordinary conversation, talked incessantly of literature; but
+ there is some doubt as to Segrais' statement.&mdash;Aim&eacute; Martin.]
+ </p>
+ <a name="link414" id="link414"></a><br />
+ <p>
+ 414.&mdash;Idiots and lunatics see only their own wit.
+ </p>
+ <p>
+ 415.&mdash;Wit sometimes enables us to act rudely with impunity.
+ </p>
+ <a name="link415" id="link415"></a><br />
+ <p>
+ 416.&mdash;The vivacity which increases in old age is not far removed
+ from folly.
+ </p>
+ <a name="link416" id="link416"></a><br />
+ <p>
+ ["How ill {white} hairs become {a} fool and jester."&mdash;
+ {Shakespeare, King Henry IV, Part II, Act. V, Scene V, King}.
+ </p>
+ <p>
+ "Can age itself forget that you are now in the last act of life? Can
+ grey hairs make folly venerable, and is there no period to be reserved
+ for meditation or retirement."&mdash; Junius, <i>To The Duke Of Bedford</i>,
+ 19th Sept. 1769.]
+ </p>
+ <a name="link417" id="link417"></a><br />
+ <p>
+ 417.&mdash;In love the quickest is always the best cure.
+ </p>
+ <a name="link418" id="link418"></a><br />
+ <p>
+ 418.&mdash;Young women who do not want to appear flirts, and old men who
+ do not want to appear ridiculous, should not talk of love as a matter
+ wherein they can have any interest.
+ </p>
+ <a name="link419" id="link419"></a><br />
+ <p>
+ 419.&mdash;We may seem great in a post beneath our capacity, but we
+ oftener seem little in a post above it.
+ </p>
+ <a name="link420" id="link420"></a><br />
+ <p>
+ 420.&mdash;We often believe we have constancy in misfortune when we have
+ nothing but debasement, and we suffer misfortunes without regarding them
+ as cowards who let themselves be killed from fear of defending
+ themselves.
+ </p>
+ <a name="link421" id="link421"></a><br />
+ <p>
+ 421.&mdash;Conceit causes more conversation than wit.
+ </p>
+ <a name="link422" id="link422"></a><br />
+ <p>
+ 422.&mdash;All passions make us commit some faults, love alone makes us
+ ridiculous.
+ </p>
+ <p>
+ ["In love we all are fools alike."&mdash;Gay{,<i> The Beggar's Opera,</i>
+ (1728), Act III, Scene I, Lucy}.]
+ </p>
+ <a name="link423" id="link423"></a><br />
+ <p>
+ 423.&mdash;Few know how to be old.
+ </p>
+ <a name="link424" id="link424"></a><br />
+ <p>
+ 424.&mdash;We often credit ourselves with vices the reverse of what we
+ have, thus when weak we boast of our obstinacy.
+ </p>
+ <a name="link425" id="link425"></a><br />
+ <p>
+ 425.&mdash;Penetration has a spice of divination in it which tickles our
+ vanity more than any other quality of the mind.
+ </p>
+ <a name="link426" id="link426"></a><br />
+ <p>
+ 426.&mdash;The charm of novelty and old custom, however opposite to each
+ other, equally blind us to the faults of our friends.
+ </p>
+ <p>
+ ["Two things the most opposite blind us equally, custom and novelty."-La
+ Bruy&egrave;re, <i>Des Judgements.</i>]
+ </p>
+ <a name="link427" id="link427"></a><br />
+ <p>
+ 427.&mdash;Most friends sicken us of friendship, most devotees of
+ devotion.
+ </p>
+ <a name="link428" id="link428"></a><br />
+ <p>
+ 428.&mdash;We easily forgive in our friends those faults we do not
+ perceive.
+ </p>
+ <a name="link429" id="link429"></a><br />
+ <p>
+ 429.&mdash;Women who love, pardon more readily great indiscretions than
+ little infidelities.
+ </p>
+ <a name="link430" id="link430"></a><br />
+ <p>
+ 430.&mdash;In the old age of love as in life we still survive for the
+ evils, though no longer for the pleasures.
+ </p>
+ <p>
+ ["The youth of friendship is better than its old age." &mdash;Hazlitt's
+ <i>Characteristics,</i> 229.]
+ </p>
+ <a name="link431" id="link431"></a><br />
+ <p>
+ 431.&mdash;Nothing prevents our being unaffected so much as our desire
+ to seem so.
+ </p>
+ <a name="link432" id="link432"></a><br />
+ <p>
+ 432.&mdash;To praise good actions heartily is in some measure to take
+ part in them.
+ </p>
+ <a name="link433" id="link433"></a><br />
+ <p>
+ 433.&mdash;The most certain sign of being born with great qualities is
+ to be born without envy.
+ </p>
+ <p>
+ ["Nemo alienae virtuti invidet qui satis confidet suae." &mdash;Cicero
+ <i>In Marc Ant.</i>]
+ </p>
+ <a name="link434" id="link434"></a><br />
+ <p>
+ 434.&mdash;When our friends have deceived us we owe them but
+ indifference to the tokens of their friendship, yet for their
+ misfortunes we always owe them pity.
+ </p>
+ <a name="link435" id="link435"></a><br />
+ <p>
+ 435.&mdash;Luck and temper rule the world.
+ </p>
+ <a name="link436" id="link436"></a><br />
+ <p>
+ 436.&mdash;It is far easier to know men than to know man.
+ </p>
+ <a name="link437" id="link437"></a><br />
+ <p>
+ 437.&mdash;We should not judge of a man's merit by his great abilities,
+ but by the use he makes of them.
+ </p>
+ <a name="link438" id="link438"></a><br />
+ <p>
+ 438.&mdash;There is a certain lively gratitude which not only releases
+ us from benefits received, but which also, by making a return to our
+ friends as payment, renders them indebted to us.
+ </p>
+ <p>
+ ["And understood not that a grateful mind, By owing owes not, but is at
+ once Indebted and discharged." Milton. <i>Paradise Lost.</i>]
+ </p>
+ <a name="link439" id="link439"></a><br />
+ <p>
+ 439.&mdash;We should earnestly desire but few things if we clearly knew
+ what we desired.
+ </p>
+ <a name="link440" id="link440"></a><br />
+ <p>
+ 440.&mdash;The cause why the majority of women are so little given to
+ friendship is, that it is insipid after having felt love.
+ </p>
+ <p>
+ ["Those who have experienced a great passion neglect friendship, and
+ those who have united themselves to friendship have nought to do with
+ love."&mdash;La Bruy&egrave;re. <i>Du Coeur.</i>]
+ </p>
+ <a name="link441" id="link441"></a><br />
+ <p>
+ 441.&mdash;As in friendship so in love, we are often happier from
+ ignorance than from knowledge.
+ </p>
+ <a name="link442" id="link442"></a><br />
+ <p>
+ 442.&mdash;We try to make a virtue of vices we are loth to correct.
+ </p>
+ <a name="link443" id="link443"></a><br />
+ <p>
+ 443.&mdash;The most violent passions give some respite, but vanity
+ always disturbs us.
+ </p>
+ <a name="link444" id="link444"></a><br />
+ <p>
+ 444.&mdash;Old fools are more foolish than young fools.
+ </p>
+ <p>
+ ["<i>Malvolio.</i> Infirmity{,} that decays the wise{,} doth eve{r} make
+ the better fool. <i>Clown.</i> God send you, sir, a speedy infirmity{,}
+ for the better increasing of your folly."&mdash;Shakespeare. <i>Twelfth
+ Night</i>{, Act I, Scene V}.]
+ </p>
+ <a name="link445" id="link445"></a><br />
+ <p>
+ 445.&mdash;Weakness is more hostile to virtue than vice.
+ </p>
+ <a name="link446" id="link446"></a><br />
+ <p>
+ 446.&mdash;What makes the grief of shame and jealousy so acute is that
+ vanity cannot aid us in enduring them.
+ </p>
+ <a name="link447" id="link447"></a><br />
+ <p>
+ 447.&mdash;Propriety is the least of all laws, but the most obeyed.
+ </p>
+ <p>
+ [Honour has its supreme laws, to which education is bound to
+ conform....Those things which honour forbids are more rigorously
+ forbidden when the laws do not concur in the prohibition, and those it
+ commands are more strongly insisted upon when they happen not to be
+ commanded by law.&mdash;Montesquieu, {<i>The Spirit Of Laws,</i> }b. 4,
+ c. ii.]
+ </p>
+ <a name="link448" id="link448"></a><br />
+ <p>
+ 448.&mdash;A well-trained mind has less difficulty in submitting to than
+ in guiding an ill-trained mind.
+ </p>
+ <a name="link449" id="link449"></a><br />
+ <p>
+ 449.&mdash;When fortune surprises us by giving us some great office
+ without having gradually led us to expect it, or without having raised
+ our hopes, it is well nigh impossible to occupy it well, and to appear
+ worthy to fill it.
+ </p>
+ <a name="link450" id="link450"></a><br />
+ <p>
+ 450.&mdash;Our pride is often increased by what we retrench from our
+ other faults.
+ </p>
+ <p>
+ ["The loss of sensual pleasures was supplied and compensated by
+ spiritual pride."&mdash;Gibbon. <i>Decline And Fall,</i> chap. xv.]
+ </p>
+ <a name="link451" id="link451"></a><br />
+ <p>
+ 451.&mdash;No fools so wearisome as those who have some wit.
+ </p>
+ <a name="link452" id="link452"></a><br />
+ <p>
+ 452.&mdash;No one believes that in every respect he is behind the man he
+ considers the ablest in the world.
+ </p>
+ <a name="link453" id="link453"></a><br />
+ <p>
+ 453.&mdash;In great matters we should not try so much to create
+ opportunities as to utilise those that offer themselves.
+ </p>
+ <p>
+ [Yet Lord Bacon says "A wise man will make more opportunities than he
+ finds."&mdash;Essays, {(1625), "Of Ceremonies and Respects"}]
+ </p>
+ <a name="link454" id="link454"></a><br />
+ <p>
+ 454.&mdash;There are few occasions when we should make a bad bargain by
+ giving up the good on condition that no ill was said of us.
+ </p>
+ <a name="link455" id="link455"></a><br />
+ <p>
+ 455.&mdash;However disposed the world may be to judge wrongly, it far
+ oftener favours false merit than does justice to true.
+ </p>
+ <a name="link456" id="link456"></a><br />
+ <p>
+ 456.&mdash;Sometimes we meet a fool with wit, never one with discretion.
+ </p>
+ <a name="link457" id="link457"></a><br />
+ <p>
+ 457.&mdash;We should gain more by letting the world see what we are than
+ by trying to seem what we are not.
+ </p>
+ <a name="link458" id="link458"></a><br />
+ <p>
+ 458.&mdash;Our enemies come nearer the truth in the opinions they form
+ of us than we do in our opinion of ourselves.
+ </p>
+ <a name="link459" id="link459"></a><br />
+ <p>
+ 459.&mdash;There are many remedies to cure love, yet none are
+ infallible.
+ </p>
+ <a name="link460" id="link460"></a><br />
+ <p>
+ 460.&mdash;It would be well for us if we knew all our passions make us
+ do.
+ </p>
+ <a name="link461" id="link461"></a><br />
+ <p>
+ 461.&mdash;Age is a tyrant who forbids at the penalty of life all the
+ pleasures of youth.
+ </p>
+ <a name="link462" id="link462"></a><br />
+ <p>
+ 462.&mdash;The same pride which makes us blame faults from which we
+ believe ourselves free causes us to despise the good qualities we have
+ not.
+ </p>
+ <a name="link463" id="link463"></a><br />
+ <p>
+ 463.&mdash;There is often more pride than goodness in our grief for our
+ enemies' miseries; it is to show how superior we are to them, that we
+ bestow on them the sign of our compassion.
+ </p>
+ <a name="link464" id="link464"></a><br />
+ <p>
+ 464.&mdash;There exists an excess of good and evil which surpasses our
+ comprehension.
+ </p>
+ <a name="link465" id="link465"></a><br />
+ <p>
+ 465.&mdash;Innocence is most fortunate if it finds the same protection
+ as crime.
+ </p>
+ <a name="link466" id="link466"></a><br />
+ <p>
+ 466.&mdash;Of all the violent passions the one that becomes a woman best
+ is love.
+ </p>
+ <a name="link467" id="link467"></a><br />
+ <p>
+ 467.&mdash;Vanity makes us sin more against our taste than reason.
+ </p>
+ <a name="link468" id="link468"></a><br />
+ <p>
+ 468.&mdash;Some bad qualities form great talents.
+ </p>
+ <a name="link469" id="link469"></a><br />
+ <p>
+ 469.&mdash;We never desire earnestly what we desire in reason.
+ </p>
+ <a name="link470" id="link470"></a><br />
+ <p>
+ 470.&mdash;All our qualities are uncertain and doubtful, both the good
+ as well as the bad, and nearly all are creatures of opportunities.
+ </p>
+ <a name="link471" id="link471"></a><br />
+ <p>
+ 471.&mdash;In their first passion women love their lovers, in all the
+ others they love love.
+ </p>
+ <p>
+ ["In her first passion woman loves her lover, In all her others what she
+ loves is love." {&mdash;Lord Byron, }Don Juan, Canto iii., stanza 3. "We
+ truly love once, the first time; the subsequent passions are more or
+ less involuntary." La Bruy&egrave;re: <i>Du Coeur</i>.]
+ </p>
+ <a name="link472" id="link472"></a><br />
+ <p>
+ 472.&mdash;Pride as the other passions has its follies. We are ashamed
+ to own we are jealous, and yet we plume ourselves in having been and
+ being able to be so.
+ </p>
+ <a name="link473" id="link473"></a><br />
+ <p>
+ 473.&mdash;However rare true love is, true friendship is rarer.
+ </p>
+ <p>
+ ["It is more common to see perfect love than real friendship."&mdash;La
+ Bruy&egrave;re. <i>Du Coeur.</i>]
+ </p>
+ <a name="link474" id="link474"></a><br />
+ <p>
+ 474.&mdash;There are few women whose charm survives their beauty.
+ </p>
+ <a name="link475" id="link475"></a><br />
+ <p>
+ 475.&mdash;The desire to be pitied or to be admired often forms the
+ greater part of our confidence.
+ </p>
+ <a name="link476" id="link476"></a><br />
+ <p>
+ 476.&mdash;Our envy always lasts longer than the happiness of those we
+ envy.
+ </p>
+ <a name="link477" id="link477"></a><br />
+ <p>
+ 477.&mdash;The same firmness that enables us to resist love enables us
+ to make our resistance durable and lasting. So weak persons who are
+ always excited by passions are seldom really possessed of any.
+ </p>
+ <a name="link478" id="link478"></a><br />
+ <p>
+ 478.&mdash;Fancy does not enable us to invent so many different
+ contradictions as there are by nature in every heart.
+ </p>
+ <a name="link479" id="link479"></a><br />
+ <p>
+ 479.&mdash;It is only people who possess firmness who can possess true
+ gentleness. In those who appear gentle it is generally only weakness,
+ which is readily converted into harshness.
+ </p>
+ <a name="link480" id="link480"></a><br />
+ <p>
+ 480.&mdash;Timidity is a fault which is dangerous to blame in those we
+ desire to cure of it.
+ </p>
+ <a name="link481" id="link481"></a><br />
+ <p>
+ 481.&mdash;Nothing is rarer than true good nature, those who think they
+ have it are generally only pliant or weak.
+ </p>
+ <a name="link482" id="link482"></a><br />
+ <p>
+ 482.&mdash;The mind attaches itself by idleness and habit to whatever is
+ easy or pleasant. This habit always places bounds to our knowledge, and
+ no one has ever yet taken the pains to enlarge and expand his mind to
+ the full extent of its capacities.
+ </p>
+ <a name="link483" id="link483"></a><br />
+ <p>
+ 483.&mdash;Usually we are more satirical from vanity than malice.
+ </p>
+ <a name="link484" id="link484"></a><br />
+ <p>
+ 484.&mdash;When the heart is still disturbed by the relics of a passion
+ it is proner to take up a new one than when wholly cured.
+ </p>
+ <a name="link485" id="link485"></a><br />
+ <p>
+ 485.&mdash;Those who have had great passions often find all their lives
+ made miserable in being cured of them.
+ </p>
+ <a name="link486" id="link486"></a><br />
+ <p>
+ 486.&mdash;More persons exist without self-love than without envy.
+ </p>
+ <p>
+ ["I do not believe that there is a human creature in his senses arrived
+ at maturity, that at some time or other has not been carried away by
+ this passion (envy) in good earnest, and yet I never met with any who
+ dared own he was guilty of it, but in jest."&mdash;Mandeville: <i>Fable
+ Of The Bees</i>; Remark N.]
+ </p>
+ <a name="link487" id="link487"></a><br />
+ <p>
+ 487.&mdash;We have more idleness in the mind than in the body.
+ </p>
+ <a name="link488" id="link488"></a><br />
+ <p>
+ 488.&mdash;The calm or disturbance of our mind does not depend so much
+ on what we regard as the more important things of life, as in a
+ judicious or injudicious arrangement of the little things of daily
+ occurrence.
+ </p>
+ <a name="link489" id="link489"></a><br />
+ <p>
+ 489.&mdash;However wicked men may be, they do not dare openly to appear
+ the enemies of virtue, and when they desire to persecute her they either
+ pretend to believe her false or attribute crimes to her.
+ </p>
+ <a name="link490" id="link490"></a><br />
+ <p>
+ 490.&mdash;We often go from love to ambition, but we never return from
+ ambition to love.
+ </p>
+ <p>
+ ["Men commence by love, finish by ambition, and do not find a quieter
+ seat while they remain there."&mdash;La Bruy&egrave;re: <i>Du Coeur</i>.]
+ </p>
+ <a name="link491" id="link491"></a><br />
+ <p>
+ 491.&mdash;Extreme avarice is nearly always mistaken, there is no
+ passion which is oftener further away from its mark, nor upon which the
+ present has so much power to the prejudice of the future.
+ </p>
+ <a name="link492" id="link492"></a><br />
+ <p>
+ 492.&mdash;Avarice often produces opposite results: there are an
+ infinite number of persons who sacrifice their property to doubtful and
+ distant expectations, others mistake great future advantages for small
+ present interests.
+ </p>
+ <p>
+ [<i>Aim&eacute; Martin</i> says, "The author here confuses greediness,
+ the desire and avarice&mdash;passions which probably have a common
+ origin, but produce different results. The greedy man is nearly always
+ desirous to possess, and often foregoes great future advantages for
+ small present interests. The avaricious man, on the other hand, mistakes
+ present advantages for the great expectations of the future. Both desire
+ to possess and enjoy. But the miser possesses and enjoys nothing but the
+ pleasure of possessing; he risks nothing, gives nothing, hopes nothing,
+ his life is centred in his strong box, beyond that he has no want."]
+ </p>
+ <a name="link493" id="link493"></a><br />
+ <p>
+ 493.&mdash;It appears that men do not find they have enough faults, as
+ they increase the number by certain peculiar qualities that they affect
+ to assume, and which they cultivate with so great assiduity that at
+ length they become natural faults, which they can no longer correct.
+ </p>
+ <a name="link494" id="link494"></a><br />
+ <p>
+ 494.&mdash;What makes us see that men know their faults better than we
+ imagine, is that they are never wrong when they speak of their conduct;
+ the same self-love that usually blinds them enlightens them, and gives
+ them such true views as to make them suppress or disguise the smallest
+ thing that might be censured.
+ </p>
+ <a name="link495" id="link495"></a><br />
+ <p>
+ 495.&mdash;Young men entering life should be either shy or bold; a
+ solemn and sedate manner usually degenerates into impertinence.
+ </p>
+ <a name="link496" id="link496"></a><br />
+ <p>
+ 496.&mdash;Quarrels would not last long if the fault was only on one
+ side.
+ </p>
+ <a name="link497" id="link497"></a><br />
+ <p>
+ 497.&mdash;It is valueless to a woman to be young unless pretty, or to
+ be pretty unless young.
+ </p>
+ <a name="link498" id="link498"></a><br />
+ <p>
+ 498.&mdash;Some persons are so frivolous and fickle that they are as far
+ removed from real defects as from substantial qualities.
+ </p>
+ <a name="link499" id="link499"></a><br />
+ <p>
+ 499.&mdash;We do not usually reckon a woman's first flirtation until she
+ has had a second.
+ </p>
+ <a name="link500" id="link500"></a><br />
+ <p>
+ 500.&mdash;Some people are so self-occupied that when in love they find
+ a mode by which to be engrossed with the passion without being so with
+ the person they love.
+ </p>
+ <a name="link501" id="link501"></a><br />
+ <p>
+ 501.&mdash;Love, though so very agreeable, pleases more by its ways than
+ by itself.
+ </p>
+ <a name="link502" id="link502"></a><br />
+ <p>
+ 502.&mdash;A little wit with good sense bores less in the long run than
+ much wit with ill nature.
+ </p>
+ <a name="link503" id="link503"></a><br />
+ <p>
+ 503.&mdash;Jealousy is the worst of all evils, yet the one that is least
+ pitied by those who cause it.
+ </p>
+ <a name="link504" id="link504"></a><br />
+ <p>
+ 504.&mdash;Thus having treated of the hollowness of so many apparent
+ virtues, it is but just to say something on the hollowness of the
+ contempt for death. I allude to that contempt of death which the heathen
+ boasted they derived from their unaided understanding, without the hope
+ of a future state. There is a difference between meeting death with
+ courage and despising it. The first is common enough, the last I think
+ always feigned. Yet everything that could be has been written to
+ persuade us that death is no evil, and the weakest of men, equally with
+ the bravest, have given many noble examples on which to found such an
+ opinion, still I do not think that any man of good sense has ever yet
+ believed in it. And the pains we take to persuade others as well as
+ ourselves amply show that the task is far from easy. For many reasons we
+ may be disgusted with life, but for none may we despise it. Not even
+ those who commit suicide regard it as a light matter, and are as much
+ alarmed and startled as the rest of the world if death meets them in a
+ different way than the one they have selected. The difference we observe
+ in the courage of so great a number of brave men, is from meeting death
+ in a way different from what they imagined, when it shows itself nearer
+ at one time than at another. Thus it ultimately happens that having
+ despised death when they were ignorant of it, they dread it when they
+ become acquainted with it. If we could avoid seeing it with all its
+ surroundings, we might perhaps believe that it was not the greatest of
+ evils. The wisest and bravest are those who take the best means to avoid
+ reflecting on it, as every man who sees it in its real light regards it
+ as dreadful. The necessity of dying created all the constancy of
+ philosophers. They thought it but right to go with a good grace when
+ they could not avoid going, and being unable to prolong their lives
+ indefinitely, nothing remained but to build an immortal reputation, and
+ to save from the general wreck all that could be saved. To put a good
+ face upon it, let it suffice, not to say all that we think to ourselves,
+ but rely more on our nature than on our fallible reason, which might
+ make us think we could approach death with indifference. The glory of
+ dying with courage, the hope of being regretted, the desire to leave
+ behind us a good reputation, the assurance of being enfranchised from
+ the miseries of life and being no longer dependent on the wiles of
+ fortune, are resources which should not be passed over. But we must not
+ regard them as infallible. They should affect us in the same proportion
+ as a single shelter affects those who in war storm a fortress. At a
+ distance they think it may afford cover, but when near they find it only
+ a feeble protection. It is only deceiving ourselves to imagine that
+ death, when near, will seem the same as at a distance, or that our
+ feelings, which are merely weaknesses, are naturally so strong that they
+ will not suffer in an attack of the rudest of trials. It is equally as
+ absurd to try the effect of self-esteem and to think it will enable us
+ to count as naught what will of necessity destroy it. And the mind in
+ which we trust to find so many resources will be far too weak in the
+ struggle to persuade us in the way we wish. For it is this which betrays
+ us so frequently, and which, instead of filling us with contempt of
+ death, serves but to show us all that is frightful and fearful. The most
+ it can do for us is to persuade us to avert our gaze and fix it on other
+ objects. Cato and Brutus each selected noble ones. A lackey sometime ago
+ contented himself by dancing on the scaffold when he was about to be
+ broken on the wheel. So however diverse the motives they but realize the
+ same result. For the rest it is a fact that whatever difference there
+ may be between the peer and the peasant, we have constantly seen both
+ the one and the other meet death with the same composure. Still there is
+ always this difference, that the contempt the peer shows for death is
+ but the love of fame which hides death from his sight; in the peasant it
+ is but the result of his limited vision that hides from him the extent
+ of the evil, end leaves him free to reflect on other things.
+ </p>
+ <br />
+ </div>
+ <p>
+ <br /> <br /> <a name="linksup1" id="linksup1"></a> <br />
+ </p>
+ <h2>
+ THE FIRST SUPPLEMENT
+ </h2>
+ <p>
+ [The following reflections are extracted from the first two editions of La
+ Rochefoucauld, having been suppressed by the author in succeeding issues.]
+ </p>
+ <p>
+ <a name="linkI" id="linkI">I</a>.&mdash;Self-love is the love <i>of</i>
+ self, and of all things <i>for</i> self. It makes men self-worshippers,
+ and if fortune permits them, causes them to tyrannize over others; it is
+ never quiet when out of itself, and only rests upon other subjects as a
+ bee upon flowers, to extract from them its proper food. Nothing is so
+ headstrong as its desires, nothing so well concealed as its designs,
+ nothing so skilful as its management; its suppleness is beyond
+ description; its changes surpass those of the metamorphoses, its
+ refinements those of chemistry. We can neither plumb the depths nor pierce
+ the shades of its recesses. Therein it is hidden from the most far-seeing
+ eyes, therein it takes a thousand imperceptible folds. There it is often
+ to itself invisible; it there conceives, there nourishes and rears,
+ without being aware of it, numberless loves and hatreds, some so monstrous
+ that when they are brought to light it disowns them, and cannot resolve to
+ avow them. In the night which covers it are born the ridiculous
+ persuasions it has of itself, thence come its errors, its ignorance, its
+ silly mistakes; thence it is led to believe that its passions which sleep
+ are dead, and to think that it has lost all appetite for that of which it
+ is sated. But this thick darkness which conceals it from itself does not
+ hinder it from seeing that perfectly which is out of itself; and in this
+ it resembles our eyes which behold all, and yet cannot set their own
+ forms. In fact, in great concerns and important matters when the violence
+ of its desires summons all its attention, it sees, feels, hears, imagines,
+ suspects, penetrates, divines all: so that we might think that each of its
+ passions had a magic power proper to it. Nothing is so close and strong as
+ its attachments, which, in sight of the extreme misfortunes which threaten
+ it, it vainly attempts to break. Yet sometimes it effects that without
+ trouble and quickly, which it failed to do with its whole power and in the
+ course of years, whence we may fairly conclude that it is by itself that
+ its desires are inflamed, rather than by the beauty and merit of its
+ objects, that its own taste embellishes and heightens them; that it is
+ itself the game it pursues, and that it follows eagerly when it runs after
+ that upon which itself is eager. It is made up of contraries. It is
+ imperious and obedient, sincere and false, piteous and cruel, timid and
+ bold. It has different desires according to the diversity of temperaments,
+ which turn and fix it sometimes upon riches, sometimes on pleasures. It
+ changes according to our age, our fortunes, and our hopes; it is quite
+ indifferent whether it has many or one, because it can split itself into
+ many portions, and unite in one as it pleases. It is inconstant, and
+ besides the changes which arise from strange causes it has an infinity
+ born of itself, and of its own substance. It is inconstant through
+ inconstancy, of lightness, love, novelty, lassitude and distaste. It is
+ capricious, and one sees it sometimes work with intense eagerness and with
+ incredible labour to obtain things of little use to it which are even
+ hurtful, but which it pursues because it wishes for them. It is silly, and
+ often throws its whole application on the utmost frivolities. It finds all
+ its pleasure in the dullest matters, and places its pride in the most
+ contemptible. It is seen in all states of life, and in all conditions; it
+ lives everywhere and upon everything; it subsists on nothing; it
+ accommodates itself either to things or to the want of them; it goes over
+ to those who are at war with it, enters into their designs, and, this is
+ wonderful, it, with them, hates even itself; it conspires for its own
+ loss, it works towards its own ruin&mdash;in fact, caring only to exist,
+ and providing that it may <i>be</i>, it will be its own enemy! We must
+ therefore not be surprised if it is sometimes united to the rudest
+ austerity, and if it enters so boldly into partnership to destroy her,
+ because when it is rooted out in one place it re-establishes itself in
+ another. When it fancies that it abandons its pleasure it merely changes
+ or suspends its enjoyment. When even it is conquered in its full flight,
+ we find that it triumphs in its own defeat. Here then is the picture of
+ self-love whereof the whole of our life is but one long agitation. The sea
+ is its living image; and in the flux and reflux of its continuous waves
+ there is a faithful expression of the stormy succession of its thoughts
+ and of its eternal motion. (Edition of 1665, No. 1.)
+ </p>
+ <p>
+ <a name="linkII" id="linkII">II</a>.&mdash;Passions are only the different
+ degrees of the heat or coldness of the blood. (1665, No. 13.)
+ </p>
+ <p>
+ <a name="linkIII" id="linkIII">III</a>.&mdash;Moderation in good fortune
+ is but apprehension of the shame which follows upon haughtiness, or a fear
+ of losing what we have. (1665, No. 18.)
+ </p>
+ <p>
+ <a name="linkIV" id="linkIV">IV</a>.&mdash;Moderation is like temperance
+ in eating; we could eat more but we fear to make ourselves ill. (1665, No.
+ 21.)
+ </p>
+ <p>
+ <a name="linkV" id="linkV">V</a>.&mdash;Everybody finds that to abuse in
+ another which he finds worthy of abuse in himself. (1665, No. 33.)
+ </p>
+ <p>
+ <a name="linkVI" id="linkVI">VI</a>.&mdash;Pride, as if tired of its
+ artifices and its different metamorphoses, after having solely filled the
+ divers parts of the comedy of life, exhibits itself with its natural face,
+ and is discovered by haughtiness; so much so that we may truly say that
+ haughtiness is but the flash and open declaration of pride. (1665, No.
+ 37.)
+ </p>
+ <p>
+ <a name="linkVII" id="linkVII">VII</a>.&mdash;One kind of happiness is to
+ know exactly at what point to be miserable. (1665, No. 53.)
+ </p>
+ <p>
+ <a name="linkVIII" id="linkVIII">VIII</a>.&mdash;When we do not find peace
+ of mind (REPOS) in ourselves it is useless to seek it elsewhere. (1665,
+ No. 53.)
+ </p>
+ <p>
+ <a name="linkIX" id="linkIX">IX</a>.&mdash;One should be able to answer
+ for one's fortune, so as to be able to answer for what we shall do. (1665,
+ No. 70.)
+ </p>
+ <p>
+ <a name="linkX" id="linkX">X</a>.&mdash;Love is to the soul of him who
+ loves, what the soul is to the body which it animates. (1665, No. 77.)
+ </p>
+ <p>
+ <a name="linkXI" id="linkXI">XI</a>.&mdash;As one is never at liberty to
+ love or to cease from loving, the lover cannot with justice complain of
+ the inconstancy of his mistress, nor she of the fickleness of her lover.
+ (1665, No. 81.)
+ </p>
+ <p>
+ <a name="linkXII" id="linkXII">XII</a>.&mdash;Justice in those judges who
+ are moderate is but a love of their place. (1665, No. 89.)
+ </p>
+ <p>
+ <a name="linkXIII" id="linkXIII">XIII</a>.&mdash;When we are tired of
+ loving we are quite content if our mistress should become faithless, to
+ loose us from our fidelity. (1665, No. 85.)
+ </p>
+ <p>
+ <a name="linkXIV" id="linkXIV">XIV</a>.&mdash;The first impulse of joy
+ which we feel at the happiness of our friends arises neither from our
+ natural goodness nor from friendship; it is the result of self-love, which
+ flatters us with being lucky in our own turn, or in reaping something from
+ the good fortune of our friends. (1665, No. 97.)
+ </p>
+ <p>
+ <a name="linkXV" id="linkXV">XV</a>.&mdash;In the adversity of our best
+ friends we always find something which is not wholly displeasing to us.
+ (1665, No. 99.)
+ </p>
+ <p>
+ [This gave occasion to Swift's celebrated "Verses on his own Death." The
+ four first are quoted opposite the title, then follow these lines:&mdash;
+ "This maxim more than all the rest, Is thought too base for human breast;
+ In all distresses of our friends, We first consult our private ends; While
+ nature kindly bent to ease us, Points out some circumstance to please us."
+ </p>
+ <p>
+ See also Chesterfield's defence of this in his 129th letter; "they who
+ know the deception and wickedness of the human heart will not be either
+ romantic or blind enough to deny what Rochefoucauld and Swift have
+ affirmed as a general truth."]
+ </p>
+ <p>
+ <a name="linkXVI" id="linkXVI">XVI</a>.&mdash;How shall we hope that
+ another person will keep our secret if we do not keep it ourselves. (1665,
+ No. 100.)
+ </p>
+ <p>
+ <a name="linkXVII" id="linkXVII">XVII</a>.&mdash;As if it was not
+ sufficient that self-love should have the power to change itself, it has
+ added that of changing other objects, and this it does in a very
+ astonishing manner; for not only does it so well disguise them that it is
+ itself deceived, but it even changes the state and nature of things. Thus,
+ when a female is adverse to us, and she turns her hate and persecution
+ against us, self-love pronounces on her actions with all the severity of
+ justice; it exaggerates the faults till they are enormous, and looks at
+ her good qualities in so disadvantageous a light that they become more
+ displeasing than her faults. If however the same female becomes favourable
+ to us, or certain of our interests reconcile her to us, our sole self
+ interest gives her back the lustre which our hatred deprived her of. The
+ bad qualities become effaced, the good ones appear with a redoubled
+ advantage; we even summon all our indulgence to justify the war she has
+ made upon us. Now although all passions prove this truth, that of love
+ exhibits it most clearly; for we may see a lover moved with rage by the
+ neglect or the infidelity of her whom he loves, and meditating the utmost
+ vengeance that his passion can inspire. Nevertheless as soon as the sight
+ of his beloved has calmed the fury of his movements, his passion holds
+ that beauty innocent; he only accuses himself, he condemns his
+ condemnations, and by the miraculous power of selflove, he whitens the
+ blackest actions of his mistress, and takes from her all crime to lay it
+ on himself.
+ </p>
+ <p>
+ {No date or number is given for this maxim}
+ </p>
+ <p>
+ <a name="linkXVIII" id="linkXVIII">XVIII</a>.&mdash;There are none who
+ press so heavily on others as the lazy ones, when they have satisfied
+ their idleness, and wish to appear industrious. (1666, No. 91.)
+ </p>
+ <p>
+ <a name="linkXIX" id="linkXIX">XIX</a>.&mdash;The blindness of men is the
+ most dangerous effect of their pride; it seems to nourish and augment it,
+ it deprives us of knowledge of remedies which can solace our miseries and
+ can cure our faults. (1665, No. 102.)
+ </p>
+ <p>
+ <a name="linkXX" id="linkXX">XX</a>.&mdash;One has never less reason than
+ when one despairs of finding it in others. (1665, No. 103.)
+ </p>
+ <p>
+ <a name="linkXXI" id="linkXXI">XXI</a>.&mdash;Philosophers, and Seneca
+ above all, have not diminished crimes by their precepts; they have only
+ used them in the building up of pride. (1665, No. 105.)
+ </p>
+ <p>
+ <a name="linkXXII" id="linkXXII">XXII</a>.&mdash;It is a proof of little
+ friendship not to perceive the growing coolness of that of our friends.
+ (1666, No. 97.)
+ </p>
+ <p>
+ <a name="linkXXIII" id="linkXXIII">XXIII</a>.&mdash;The most wise may be
+ so in indifferent and ordinary matters, but they are seldom so in their
+ most serious affairs. (1665, No. 132.)
+ </p>
+ <p>
+ <a name="linkXXIV" id="linkXXIV">XXIV</a>.&mdash;The most subtle folly
+ grows out of the most subtle wisdom. (1665, No. 134.)
+ </p>
+ <p>
+ <a name="linkXXV" id="linkXXV">XXV</a>.&mdash;Sobriety is the love of
+ health, or an incapacity to eat much. (1665, No. 135.)
+ </p>
+ <p>
+ <a name="linkXXVI" id="linkXXVI">XXVI</a>.&mdash;We never forget things so
+ well as when we are tired of talking of them. (1665, No. 144.)
+ </p>
+ <p>
+ <a name="linkXXVII" id="linkXXVII">XXVII</a>.&mdash;The praise bestowed
+ upon us is at least useful in rooting us in the practice of virtue. (1665,
+ No. 155.)
+ </p>
+ <p>
+ <a name="linkXXVIII" id="linkXXVIII">XXVIII</a>.&mdash;Self-love takes
+ care to prevent him whom we flatter from being him who most flatters us.
+ (1665, No. 157.)
+ </p>
+ <p>
+ <a name="linkXXIX" id="linkXXIX">XXIX</a>.&mdash;Men only blame vice and
+ praise virtue from interest. (1665, No. 151.)
+ </p>
+ <p>
+ <a name="linkXXX" id="linkXXX">XXX</a>.&mdash;We make no difference in the
+ kinds of anger, although there is that which is light and almost innocent,
+ which arises from warmth of complexion, temperament, and another very
+ criminal, which is, to speak properly, the fury of pride. (1665, No. 159.)
+ </p>
+ <p>
+ <a name="linkXXXI" id="linkXXXI">XXXI</a>.&mdash;Great souls are not those
+ who have fewer passions and more virtues than the common, but those only
+ who have greater designs. (1665, No. 161.)
+ </p>
+ <p>
+ <a name="linkXXXII" id="linkXXXII">XXXII</a>.&mdash;Kings do with men as
+ with pieces of money; they make them bear what value they will, and one is
+ forced to receive them according to their currency value, and not at their
+ true worth. (1665, No. 165.)
+ </p>
+ <p>
+ [See Burns{, <i>For A' That An A' That</i>}&mdash; "The rank is but the
+ guinea's stamp, {The} man's {the gowd} for a' that." Also Farquhar and
+ other parallel passages pointed out in <i>Familiar Words</i>.]
+ </p>
+ <p>
+ <a name="linkXXXIII" id="linkXXXIII">XXXIII</a>.&mdash;Natural ferocity
+ makes fewer people cruel than self-love. (1665, No. 174.)
+ </p>
+ <p>
+ <a name="linkXXXIV" id="linkXXXIV">XXXIV</a>.&mdash;One may say of all our
+ virtues as an Italian poet says of the propriety of women, that it is
+ often merely the art of appearing chaste. (1665, No. 176.)
+ </p>
+ <p>
+ <a name="linkXXXV" id="linkXXXV">XXXV</a>.&mdash;There are crimes which
+ become innocent and even glorious by their brilliancy,* their number, or
+ their excess; thus it happens that public robbery is called financial
+ skill, and the unjust capture of provinces is called a conquest. (1665,
+ No. 192.)
+ </p>
+ <blockquote>
+ <blockquote>
+ <p>
+ *Some crimes may be excused by their brilliancy, such as those of
+ Jael, of Deborah, of Brutus, and of Charlotte Corday&mdash;further
+ than this the maxim is satire.
+ </p>
+ </blockquote>
+ </blockquote>
+ <p>
+ <a name="linkXXXVI" id="linkXXXVI">XXXVI</a>.&mdash;One never finds in man
+ good or evil in excess. (1665, No. 201.)
+ </p>
+ <p>
+ <a name="linkXXXVII" id="linkXXXVII">XXXVII</a>.&mdash;Those who are
+ incapable of committing great crimes do not easily suspect others. (1665,
+ No. {2}08.)
+ </p>
+ <p>
+ {The text incorrectly numbers this maxim as 508. It is 208.}
+ </p>
+ <p>
+ <a name="linkXXXVIII" id="linkXXXVIII">XXXVIII</a>.&mdash;The pomp of
+ funerals concerns rather the vanity of the living, than the honour of the
+ dead. (1665, No. 213.)
+ </p>
+ <p>
+ <a name="linkXXXIX" id="linkXXXIX">XXXIX</a>.&mdash;Whatever variety and
+ change appears in the world, we may remark a secret chain, and a regulated
+ order of all time by Providence, which makes everything follow in due rank
+ and fall into its destined course. (1665, No. 225.)
+ </p>
+ <p>
+ <a name="linkXL" id="linkXL">XL</a>.&mdash;Intrepidity should sustain the
+ heart in conspiracies in place of valour which alone furnishes all the
+ firmness which is necessary for the perils of war. (1665, No. 231.)
+ </p>
+ <p>
+ <a name="linkXLI" id="linkXLI">XLI</a>.&mdash;Those who wish to define
+ victory by her birth will be tempted to imitate the poets, and to call her
+ the Daughter of Heaven, since they cannot find her origin on earth. Truly
+ she is produced from an infinity of actions, which instead of wishing to
+ beget her, only look to the particular interests of their masters, since
+ all those who compose an army, in aiming at their own rise and glory,
+ produce a good so great and general. (1665, No. 232.)
+ </p>
+ <p>
+ <a name="linkXLII" id="linkXLII">XLII</a>.&mdash;That man who has never
+ been in danger cannot answer for his courage. (1665, No. 236.)
+ </p>
+ <p>
+ <a name="linkXLIII" id="linkXLIII">XLIII</a>.&mdash;We more often place
+ bounds on our gratitude than on our desires and our hopes. (1665, No.
+ 241.)
+ </p>
+ <p>
+ <a name="linkXLIV" id="linkXLIV">XLIV</a>.&mdash;Imitation is always
+ unhappy, for all which is counterfeit displeases by the very things which
+ charm us when they are original (<i>Naturelles</i>). (1665, No. 245.)
+ </p>
+ <p>
+ <a name="linkXLV" id="linkXLV">XLV</a>.&mdash;We do not regret the loss of
+ our friends according to <i>their</i> merits, but according to OUR wants,
+ and the opinion with which we believed we had impressed them of our worth.
+ (1665, No. 248.)
+ </p>
+ <p>
+ <a name="linkXLVI" id="linkXLVI">XLVI</a>.&mdash;It is very hard to
+ separate the general goodness spread all over the world from great
+ cleverness. (1665, No. 252.)
+ </p>
+ <p>
+ <a name="linkXLVII" id="linkXLVII">XLVII</a>.&mdash;For us to be always
+ good, others should believe that they cannot behave wickedly to us with
+ impunity. (1665, No. 254.)
+ </p>
+ <p>
+ <a name="linkXLVIII" id="linkXLVIII">XLVIII</a>.&mdash;A confidence in
+ being able to please is often an infallible means of being displeasing.
+ (1665, No. 256.)
+ </p>
+ <p>
+ <a name="linkXLIX" id="linkXLIX">XLIX</a>.&mdash;The confidence we have in
+ ourselves arises in a great measure from that that we have in others.
+ (1665, No. 258.)
+ </p>
+ <p>
+ <a name="linkL" id="linkL">L</a>.&mdash;There is a general revolution
+ which changes the tastes of the mind as well as the fortunes of the world.
+ (1665, No. 250.)
+ </p>
+ <p>
+ <a name="linkLI" id="linkLI">LI</a>.&mdash;Truth is foundation and the
+ reason of the perfection of beauty, for of whatever stature a thing may
+ be, it cannot be beautiful and perfect unless it be truly that she should
+ be, and possess truly all that she should have (1665, No. 260.)
+ </p>
+ <p>
+ [Beauty is truth, truth beauty.{&mdash;John Keats, "Ode on a a Grecian
+ Urn," (1820), Stanza 5}]
+ </p>
+ <p>
+ <a name="linkLII" id="linkLII">LII</a>.&mdash;There are fine things which
+ are more brilliant when unfinished than when finished too much. (1665, No.
+ 262.)
+ </p>
+ <p>
+ <a name="linkLIII" id="linkLIII">LIII</a>.&mdash;Magnanimity is a noble
+ effort of pride which makes a man master of himself, to make him master of
+ all things. (1665, No. 271.)
+ </p>
+ <p>
+ <a name="linkLIV" id="linkLIV">LIV</a>.&mdash;Luxury and too refined a
+ policy in states are a sure presage of their fall, because all parties
+ looking after their own interest turn away from the public good. (1665,
+ No. 282.)
+ </p>
+ <p>
+ <a name="linkLV" id="linkLV">LV</a>.&mdash;Of all passions that which is
+ least known to us is idleness; she is the most ardent and evil of all,
+ although her violence may be insensible, and the evils she causes
+ concealed; if we consider her power attentively we shall find that in all
+ encounters she makes herself mistress of our sentiments, our interests,
+ and our pleasures; like the (fabled) Remora, she can stop the greatest
+ vessels, she is a hidden rock, more dangerous in the most important
+ matters than sudden squalls and the most violent tempests. The repose of
+ idleness is a magic charm which suddenly suspends the most ardent pursuits
+ and the most obstinate resolutions. In fact to give a true notion of this
+ passion we must add that idleness, like a beatitude of the soul, consoles
+ us for all losses and fills the vacancy of all our wants. (1665, No. 290.)
+ </p>
+ <p>
+ <a name="linkLVI" id="linkLVI">LVI</a>.&mdash;We are very fond of reading
+ others' characters, but we do not like to be read ourselves. (1665, No.
+ 296.)
+ </p>
+ <p>
+ <a name="linkLVII" id="linkLVII">LVII</a>.&mdash;What a tiresome malady is
+ that which forces one to preserve your health by a severe regimen. (<i>Ibid,</i>
+ No. 298.)
+ </p>
+ <p>
+ <a name="linkLVIII" id="linkLVIII">LVIII</a>.&mdash;It is much easier to
+ take love when one is free, than to get rid of it after having taken it.
+ (1665, No. 300.)
+ </p>
+ <p>
+ <a name="linkLIX" id="linkLIX">LIX</a>.&mdash;Women for the most part
+ surrender themselves more from weakness than from passion. Whence it is
+ that bold and pushing men succeed better than others, although they are
+ not so loveable. (1665, No. 301.)
+ </p>
+ <p>
+ <a name="linkLX" id="linkLX">LX</a>.&mdash;Not to love is in love, an
+ infallible means of being beloved. (1665, No. 302.)
+ </p>
+ <p>
+ <a name="linkLXI" id="linkLXI">LXI</a>.&mdash;The sincerity which lovers
+ and mistresses ask that both should know when they cease to love each
+ other, arises much less from a wish to be warned of the cessation of love,
+ than from a desire to be assured that they are beloved although no one
+ denies it. (1665, No. 303.)
+ </p>
+ <p>
+ <a name="linkLXII" id="linkLXII">LXII</a>.&mdash;The most just comparison
+ of love is that of a fever, and we have no power over either, as to its
+ violence or its duration. (1665, No. 305.)
+ </p>
+ <p>
+ <a name="linkLXIII" id="linkLXIII">LXIII</a>.&mdash;The greatest skill of
+ the least skilful is to know how to submit to the direction of another.
+ (1665, No. 309.)
+ </p>
+ <p>
+ <a name="linkLXIV" id="linkLXIV">LXIV</a>.&mdash;We always fear to see
+ those whom we love when we have been flirting with others. (16{74}, No.
+ 372.)
+ </p>
+ <p>
+ <a name="linkLXV" id="linkLXV">LXV</a>.&mdash;We ought to console
+ ourselves for our faults when we have strength enough to own them.
+ (16{74}, No. 375.)
+ </p>
+ <p>
+ {The date of the previous two maxims is incorrectly cited as 1665 in the
+ text. I found this date immediately suspect because the translators'
+ introduction states that the 1665 edition only had 316 maxims. In fact,
+ the two maxims only appeared in the fourth of the first five editions
+ (1674).}
+ </p>
+ <p>
+ <br /> <br /> <a name="linksup2" id="linksup2"></a> <br />
+ </p>
+ <h2>
+ SECOND SUPPLEMENT.
+ </h2>
+ <h3>
+ REFLECTIONS, EXTRACTED FROM MS. LETTERS IN THE ROYAL LIBRARY.*
+ </h3>
+ <blockquote>
+ <blockquote>
+ <p>
+ *<i>A La Bibliotheque Du Roi</i>, it is difficult at present (June
+ 1871) to assign a name to the magnificent collection of books in
+ Paris, the property of the nation.
+ </p>
+ </blockquote>
+ </blockquote>
+ <p>
+ <a name="linkLXVI" id="linkLXVI">LXVI</a>.&mdash;Interest is the soul of
+ self-love, in as much as when the body deprived of its soul is without
+ sight, feeling or knowledge, without thought or movement, so self-love,
+ riven so to speak from its interest, neither sees, nor hears, nor smells,
+ nor moves; thus it is that the same man who will run over land and sea for
+ his own interest becomes suddenly paralyzed when engaged for that of
+ others; from this arises that sudden dulness and, as it were, death, with
+ which we afflict those to whom we speak of our own matters; from this also
+ their sudden resurrection when in our narrative we relate something
+ concerning them; from this we find in our conversations and business that
+ a man becomes dull or bright just as his own interest is near to him or
+ distant from him. (<i>Letter To Madame De Sabl&eacute;, Ms., Fol</i>.
+ 211.)
+ </p>
+ <p>
+ <a name="linkLXVII" id="linkLXVII">LXVII</a>.&mdash;Why we cry out so much
+ against maxims which lay bare the heart of man, is because we fear that
+ our own heart shall be laid bare. (<i>Maxim</i> 103, MS., fol. 310.*)
+ </p>
+ <blockquote>
+ <blockquote>
+ <p>
+ *The reader will recognise in these extracts portions of the Maxims
+ previously given, sometimes the author has carefully polished them; at
+ other times the words are identical. Our numbers will indicate where
+ they are to be found in the foregoing collection.
+ </p>
+ </blockquote>
+ </blockquote>
+ <p>
+ <a name="linkLXVIII" id="linkLXVIII">LXVIII</a>.&mdash;Hope and fear are
+ inseparable. (<i>To Madame De Sabl&eacute;, Ms., Fol.</i> 222, MAX. 168.)
+ </p>
+ <p>
+ <a name="linkLXIX" id="linkLXIX">LXIX</a>.&mdash;It is a common thing to
+ hazard life to escape dishonour; but, when this is done, the actor takes
+ very little pain to make the enterprise succeed in which he is engaged,
+ and certain it is that they who hazard their lives to take a city or to
+ conquer a province are better officers, have more merit, and wider and
+ more useful, views than they who merely expose themselves to vindicate
+ their honour; it is very common to find people of the latter class, very
+ rare to find those of the former. (<i>Letter To M. Esprit, Ms., Fol</i>.
+ 173, MAX. 219.)
+ </p>
+ <p>
+ <a name="linkLXX" id="linkLXX">LXX</a>.&mdash;The taste changes, but the
+ will remains the same. (<i>To Madame De Sabl&eacute;, Fol.</i> 223, <i>Max.</i>
+ 252.)
+ </p>
+ <p>
+ <a name="linkLXXI" id="linkLXXI">LXXI</a>.&mdash;The power which women
+ whom we love have over us is greater than that which we have over
+ ourselves. (<i>To The Same, Ms., Fol. 211, Max.</i> 259)
+ </p>
+ <p>
+ <a name="linkLXXII" id="linkLXXII">LXXII</a>.&mdash;That which makes us
+ believe so easily that others have defects is that we all so easily
+ believe what we wish. (<i>To The Same, Ms., Fol. 223, Max.</i> 397.)
+ </p>
+ <p>
+ <a name="linkLXXIII" id="linkLXXIII">LXXIII</a>.&mdash;I am perfectly
+ aware that good sense and fine wit are tedious to every age, but tastes
+ are not always the same, and what is good at one time will not seem so at
+ another. This makes me think that few persons know how to be old. (<i>To
+ The Same, Fol. 202, Max. 423.</i>)
+ </p>
+ <p>
+ <a name="linkLXXIV" id="linkLXXIV">LXXIV</a>.&mdash;God has permitted, to
+ punish man for his original sin, that he should be so fond of his
+ self-love, that he should be tormented by it in all the actions of his
+ life. (<i>Ms., Fol. 310, Max. 494.</i>)
+ </p>
+ <p>
+ <a name="linkLXXV" id="linkLXXV">LXXV</a>.&mdash;And so far it seems to me
+ the philosophy of a lacquey can go; I believe that all gaity in that state
+ of life is very doubtful indeed. (<i>To Madame De Sabl&eacute;, Fol. 161,
+ Max. 504.</i>)
+ </p>
+ <p>
+ [In the maxim cited the author relates how a footman about to be broken on
+ the wheel danced on the scaffold. He seems to think that in his day the
+ life of such servants was so miserable that their merriment was very
+ doubtful.]
+ </p>
+ <p>
+ <br /> <br /> <a name="linksup3" id="linksup3"></a> <br />
+ </p>
+ <h2>
+ THIRD SUPPLEMENT
+ </h2>
+ <p>
+ [The fifty following Maxims are taken from the Sixth Edition of the <i>Pens&eacute;es
+ De La Rochefoucauld,</i> published by Claude Barbin, in 1693, more than
+ twelve years after the death of the author (17th May, 1680). The reader
+ will find some repetitions, but also some very valuable maxims.]
+ </p>
+ <p>
+ <a name="linkLXXVI" id="linkLXXVI">LXXVI</a>.&mdash;Many persons wish to
+ be devout; but no one wishes to be humble.
+ </p>
+ <p>
+ <a name="linkLXXVII" id="linkLXXVII">LXXVII</a>.&mdash;The labour of the
+ body frees us from the pains of the mind, and thus makes the poor happy.
+ </p>
+ <p>
+ <a name="linkLXXVIII" id="linkLXXVIII">LXXVIII</a>.&mdash;True penitential
+ sorrows (mortifications) are those which are not known, vanity renders the
+ others easy enough.
+ </p>
+ <p>
+ <a name="linkLXXIX" id="linkLXXIX">LXXIX</a>.&mdash;Humility is the altar
+ upon which God wishes that we should offer him his sacrifices.
+ </p>
+ <p>
+ <a name="linkLXXX" id="linkLXXX">LXXX</a>.&mdash;Few things are needed to
+ make a wise man happy; nothing can make a fool content; that is why most
+ men are miserable.
+ </p>
+ <p>
+ <a name="linkLXXXI" id="linkLXXXI">LXXXI</a>.&mdash;We trouble ourselves
+ less to become happy, than to make others believe we are so.
+ </p>
+ <p>
+ <a name="linkLXXXII" id="linkLXXXII">LXXXII</a>.&mdash;It is more easy to
+ extinguish the first desire than to satisfy those which follow.
+ </p>
+ <p>
+ <a name="linkLXXXIII" id="linkLXXXIII">LXXXIII</a>.&mdash;Wisdom is to the
+ soul what health is to the body.
+ </p>
+ <p>
+ <a name="linkLXXXIV" id="linkLXXXIV">LXXXIV</a>.&mdash;The great ones of
+ the earth can neither command health of body nor repose of mind, and they
+ buy always at too dear a price the good they can acquire.
+ </p>
+ <p>
+ <a name="linkLXXXV" id="linkLXXXV">LXXXV</a>.&mdash;Before strongly
+ desiring anything we should examine what happiness he has who possesses
+ it.
+ </p>
+ <p>
+ <a name="linkLXXXVI" id="linkLXXXVI">LXXXVI</a>.&mdash;A true friend is
+ the greatest of all goods, and that of which we think least of acquiring.
+ </p>
+ <p>
+ <a name="linkLXXXVII" id="linkLXXXVII">LXXXVII</a>.&mdash;Lovers do not
+ wish to see the faults of their mistresses until their enchantment is at
+ an end.
+ </p>
+ <p>
+ <a name="linkLXXXVIII" id="linkLXXXVIII">LXXXVIII</a>.&mdash;Prudence and
+ love are not made for each other; in the ratio that love increases,
+ prudence diminishes.
+ </p>
+ <p>
+ <a name="linkLXXXIX" id="linkLXXXIX">LXXXIX</a>.&mdash;It is sometimes
+ pleasing to a husband to have a jealous wife; he hears her always speaking
+ of the beloved object.
+ </p>
+ <p>
+ <a name="linkXC" id="linkXC">XC</a>.&mdash;How much is a woman to be
+ pitied who is at the same time possessed of virtue and love!
+ </p>
+ <p>
+ <a name="linkXCI" id="linkXCI">XCI</a>.&mdash;The wise man finds it better
+ not to enter the encounter than to conquer.
+ </p>
+ <p>
+ [Somewhat similar to Goldsmith's sage&mdash; "Who quits {a} world where
+ strong temptations try, And since 'tis hard to co{mbat}, learns to fly."]
+ </p>
+ <p>
+ <a name="linkXCII" id="linkXCII">XCII</a>.&mdash;It is more necessary to
+ study men than books.
+ </p>
+ <p>
+ ["The proper study of mankind is man."&mdash;Pope {<i>Essay On Man,
+ (1733), Epistle II,</i> line 2}.]
+ </p>
+ <p>
+ <a name="linkXCIII" id="linkXCIII">XCIII</a>.&mdash;Good and evil
+ ordinarily come to those who have most of one or the other.
+ </p>
+ <p>
+ <a name="linkXCIV" id="linkXCIV">XCIV</a>.&mdash;The accent and character
+ of one's native country dwells in the mind and heart as on the tongue. (<i>Repitition
+ Of Maxim</i> 342.)
+ </p>
+ <p>
+ <a name="linkXCV" id="linkXCV">XCV</a>.&mdash;The greater part of men have
+ qualities which, like those of plants, are discovered by chance. (<i>Repitition
+ Of Maxim</i> 344.)
+ </p>
+ <p>
+ <a name="linkXCVI" id="linkXCVI">XCVI</a>.&mdash;A good woman is a hidden
+ treasure; he who discovers her will do well not to boast about it. (<i>See
+ Maxim</i> 368.)
+ </p>
+ <p>
+ <a name="linkXCVII" id="linkXCVII">XCVII</a>.&mdash;Most women do not weep
+ for the loss of a lover to show that they have been loved so much as to
+ show that they are worth being loved. (<i>See Maxim</i> 362.)
+ </p>
+ <p>
+ <a name="linkXCVIII" id="linkXCVIII">XCVIII</a>.&mdash;There are many
+ virtuous women who are weary of the part they have played. (<i>See Maxim</i>
+ 367.)
+ </p>
+ <p>
+ <a name="linkXCIX" id="linkXCIX">XCIX</a>.&mdash;If we think we love for
+ love's sake we are much mistaken. (<i>See Maxim</i> 374.)
+ </p>
+ <p>
+ <a name="linkC" id="linkC">C</a>.&mdash;The restraint we lay upon
+ ourselves to be constant, is not much better than an inconstancy. (<i>See
+ Maxim</i> 369, 381.)
+ </p>
+ <p>
+ <a name="linkCI" id="linkCI">CI</a>.&mdash;There are those who avoid our
+ jealousy, of whom we ought to be jealous. (<i>See Maxim</i> 359.)
+ </p>
+ <p>
+ <a name="linkCII" id="linkCII">CII</a>.&mdash;Jealousy is always born with
+ love, but does not always die with it. (<i>See Maxim</i> 361.)
+ </p>
+ <p>
+ <a name="linkCIII" id="linkCIII">CIII</a>.&mdash;When we love too much it
+ is difficult to discover when we have ceased to be beloved.
+ </p>
+ <p>
+ <a name="linkCIV" id="linkCIV">CIV</a>.&mdash;We know very well that we
+ should not talk about our wives, but we do not remember that it is not so
+ well to speak of ourselves. (<i>See Maxim</i> 364.)
+ </p>
+ <p>
+ <a name="linkCV" id="linkCV">CV</a>.&mdash;Chance makes us known to others
+ and to ourselves. (<i>See Maxim</i> 345.)
+ </p>
+ <p>
+ <a name="linkCVI" id="linkCVI">CVI</a>.&mdash;We find very few people of
+ good sense, except those who are of our own opinion. (<i>See Maxim</i>
+ 347.)
+ </p>
+ <p>
+ <a name="linkCVII" id="linkCVII">CVII</a>.&mdash;We commonly praise the
+ good hearts of those who admire us. (<i>See Maxim</i> 356.)
+ </p>
+ <p>
+ <a name="linkCVIII" id="linkCVIII">CVIII</a>.&mdash;Man only blames
+ himself in order that he may be praised.
+ </p>
+ <p>
+ <a name="linkCIX" id="linkCIX">CIX</a>.&mdash;Little minds are wounded by
+ the smallest things. (<i>See Maxim</i> 357.)
+ </p>
+ <p>
+ <a name="linkCX" id="linkCX">CX</a>.&mdash;There are certain faults which
+ placed in a good light please more than perfection itself. (<i>See Maxim</i>
+ 354.)
+ </p>
+ <p>
+ <a name="linkCXI" id="linkCXI">CXI</a>.&mdash;That which makes us so
+ bitter against those who do us a shrewd turn, is because they think
+ themselves more clever than we are. (<i>See Maxim</i> 350.)
+ </p>
+ <p>
+ <a name="linkCXII" id="linkCXII">CXII</a>.&mdash;We are always bored by
+ those whom we bore. (<i>See Maxim</i> 352.)
+ </p>
+ <p>
+ <a name="linkCXIII" id="linkCXIII">CXIII</a>.&mdash;The harm that others
+ do us is often less than that we do ourselves. (<i>See Maxim</i> 363.)
+ </p>
+ <p>
+ <a name="linkCXIV" id="linkCXIV">CXIV</a>.&mdash;It is never more
+ difficult to speak well than when we are ashamed of being silent.
+ </p>
+ <p>
+ <a name="linkCXV" id="linkCXV">CXV</a>.&mdash;Those faults are always
+ pardonable that we have the courage to avow.
+ </p>
+ <p>
+ <a name="linkCXVI" id="linkCXVI">CXVI</a>.&mdash;The greatest fault of
+ penetration is not that it goes to the bottom of a matter&mdash;but beyond
+ it. (<i>See Maxim</i> 377.)
+ </p>
+ <p>
+ <a name="linkCXVII" id="linkCXVII">CXVII</a>.&mdash;We give advice, but we
+ cannot give the wisdom to profit by it. (<i>See Maxim</i> 378.)
+ </p>
+ <p>
+ <a name="linkCXVIII" id="linkCXVIII">CXVIII</a>.&mdash;When our merit
+ declines, our taste declines also. (<i>See Maxim</i> 379.)
+ </p>
+ <p>
+ <a name="linkCXIX" id="linkCXIX">CXIX</a>.&mdash;Fortune discovers our
+ vices and our virtues, as the light makes objects plain to the sight. (<i>See
+ Maxim</i> 380.)
+ </p>
+ <p>
+ <a name="linkCXX" id="linkCXX">CXX</a>.&mdash;Our actions are like rhymed
+ verse-ends (<i>Bouts-Rim&eacute;s</i>) which everyone turns as he pleases.
+ (<i>See Maxim</i> 382.)
+ </p>
+ <p>
+ <a name="linkCXXI" id="linkCXXI">CXXI</a>.&mdash;There is nothing more
+ natural, nor more deceptive, than to believe that we are beloved.
+ </p>
+ <p>
+ <a name="linkCXXII" id="linkCXXII">CXXII</a>.&mdash;We would rather see
+ those to whom we have done a benefit, than those who have done us one.
+ </p>
+ <p>
+ <a name="linkCXXIII" id="linkCXXIII">CXXIII</a>.&mdash;It is more
+ difficult to hide the opinions we have than to feign those which we have
+ not.
+ </p>
+ <p>
+ <a name="linkCXXIV" id="linkCXXIV">CXXIV</a>.&mdash;Renewed friendships
+ require more care than those that have never been broken.
+ </p>
+ <p>
+ <a name="linkCXXV" id="linkCXXV">CXXV</a>.&mdash;A man to whom no one is
+ pleasing is much more unhappy than one who pleases nobody.
+ </p>
+ <p>
+ <br /> <br /> <a name="linkreflect" id="linkreflect"></a> <br />
+ </p>
+ <h2>
+ REFLECTIONS ON VARIOUS SUBJECTS, BY THE DUKE DE LA ROCHEFOUCAULD
+ </h2>
+ <p>
+ <a name="linkR.I" id="linkR.I"></a>
+ </p>
+ <h3>
+ I. On Confidence.
+ </h3>
+ <p>
+ Though sincerity and confidence have many points of resemblance, they have
+ yet many points of difference.
+ </p>
+ <p>
+ Sincerity is an openness of heart, which shows us what we are, a love of
+ truth, a dislike to deception, a wish to compensate our faults and to
+ lessen them by the merit of confessing them.
+ </p>
+ <p>
+ Confidence leaves us less liberty, its rules are stricter, it requires
+ more prudence and reticence, and we are not always free to give it. It
+ relates not only to ourselves, since our interests are often mixed up with
+ those of others; it requires great delicacy not to expose our friends in
+ exposing ourselves, not to draw upon their goodness to enhance the value
+ of what we give.
+ </p>
+ <p>
+ Confidence always pleases those who receive it. It is a tribute we pay to
+ their merit, a deposit we commit to their trust, a pledge which gives them
+ a claim upon us, a kind of dependence to which we voluntarily submit. I do
+ not wish from what I have said to depreciate confidence, so necessary to
+ man. It is in society the link between acquaintance and friendship. I only
+ wish to state its limits to make it true and real. I would that it was
+ always sincere, always discreet, and that it had neither weakness nor
+ interest. I know it is hard to place proper limits on being taken into all
+ our friends' confidence, and taking them into all ours.
+ </p>
+ <p>
+ Most frequently we make confidants from vanity, a love of talking, a wish
+ to win the confidence of others, and make an exchange of secrets.
+ </p>
+ <p>
+ Some may have a motive for confiding in us, towards whom we have no motive
+ for confiding. With them we discharge the obligation in keeping their
+ secrets and trusting them with small confidences.
+ </p>
+ <p>
+ Others whose fidelity we know trust nothing to us, but we confide in them
+ by choice and inclination.
+ </p>
+ <p>
+ We should hide from them nothing that concerns us, we should always show
+ them with equal truth, our virtues and our vices, without exaggerating the
+ one or diminishing the other. We should make it a rule never to have half
+ confidences. They always embarrass those who give them, and dissatisfy
+ those who receive them. They shed an uncertain light on what we want
+ hidden, increase curiosity, entitling the recipients to know more, giving
+ them leave to consider themselves free to talk of what they have guessed.
+ It is far safer and more honest to tell nothing than to be silent when we
+ have begun to tell. There are other rules to be observed in matters
+ confided to us, all are important, to all prudence and trust are
+ essential.
+ </p>
+ <p>
+ Everyone agrees that a secret should be kept intact, but everyone does not
+ agree as to the nature and importance of secresy. Too often we consult
+ ourselves as to what we should say, what we should leave unsaid. There are
+ few permanent secrets, and the scruple against revealing them will not
+ last for ever.
+ </p>
+ <p>
+ With those friends whose truth we know we have the closest intimacy. They
+ have always spoken unreservedly to us, we should always do the same to
+ them. They know our habits and connexions, and see too clearly not to
+ perceive the slightest change. They may have elsewhere learnt what we have
+ promised not to tell. It is not in our power to tell them what has been
+ entrusted to us, though it might tend to their interest to know it. We
+ feel as confident of them as of ourselves, and we are reduced to the hard
+ fate of losing their friendship, which is dear to us, or of being
+ faithless as regards a secret. This is doubtless the hardest test of
+ fidelity, but it should not move an honest man; it is then that he can
+ sacrifice himself to others. His first duty is to rigidly keep his trust
+ in its entirety. He should not only control and guard his and his voice,
+ but even his lighter talk, so that nothing be seen in his conversation or
+ manner that could direct the curiosity of others towards that which he
+ wishes to conceal.
+ </p>
+ <p>
+ We have often need of strength and prudence wherewith to oppose the
+ exigencies of most of our friends who make a claim on our confidence, and
+ seek to know all about us. We should never allow them to acquire this
+ unexceptionable right. There are accidents and circumstances which do not
+ fall in their cognizance; if they complain, we should endure their
+ complaints and excuse ourselves with gentleness, but if they are still
+ unreasonable, we should sacrifice their friendship to our duty, and choose
+ between two inevitable evils, the one reparable, the other irreparable.
+ </p>
+ <p>
+ <a name="linkR.II" id="linkR.II"></a>
+ </p>
+ <h3>
+ II. On Difference of Character.
+ </h3>
+ <p>
+ Although all the qualities of mind may be united in a great genius, yet
+ there are some which are special and peculiar to him; his views are
+ unlimited; he always acts uniformly and with the same activity; he sees
+ distant objects as if present; he comprehends and grasps the greatest,
+ sees and notices the smallest matters; his thoughts are elevated, broad,
+ just and intelligible. Nothing escapes his observation, and he often finds
+ truth in spite of the obscurity that hides her from others.
+ </p>
+ <p>
+ A lofty mind always thinks nobly, it easily creates vivid, agreeable, and
+ natural fancies, places them in their best light, clothes them with all
+ appropriate adornments, studies others' tastes, and clears away from its
+ own thoughts all that is useless and disagreeable.
+ </p>
+ <p>
+ A clever, pliant, winning mind knows how to avoid and overcome
+ difficulties. Bending easily to what it wants, it understands the
+ inclination and temper it is dealing with, and by managing their interests
+ it advances and establishes its own.
+ </p>
+ <p>
+ A well regulated mind sees all things as they should be seen, appraises
+ them at their proper value, turns them to its own advantage, and adheres
+ firmly to its own opinions as it knows all their force and weight.
+ </p>
+ <p>
+ A difference exists between a working mind and a business-like mind. We
+ can undertake business without turning it to our own interest. Some are
+ clever only in what does not concern them, and the reverse in all that
+ does. There are others again whose cleverness is limited to their own
+ business, and who know how to turn everything to their own advantage.
+ </p>
+ <p>
+ It is possible to have a serious turn of mind, and yet to talk pleasantly
+ and cheerfully. This class of mind is suited to all persons in all times
+ of life. Young persons have usually a cheerful and satirical turn,
+ untempered by seriousness, thus often making themselves disagreeable.
+ </p>
+ <p>
+ No part is easier to play than that of being always pleasant; and the
+ applause we sometimes receive in censuring others is not worth being
+ exposed to the chance of offending them when they are out of temper.
+ </p>
+ <p>
+ Satire is at once the most agreeable and most dangerous of mental
+ qualities. It always pleases when it is refined, but we always fear those
+ who use it too much, yet satire should be allowed when unmixed with spite,
+ and when the person satirised can join in the satire.
+ </p>
+ <p>
+ It is unfortunate to have a satirical turn without affecting to be pleased
+ or without loving to jest. It requires much adroitness to continue
+ satirical without falling into one of these extremes.
+ </p>
+ <p>
+ Raillery is a kind of mirth which takes possession of the imagination, and
+ shows every object in an absurd light; wit combines more or less softness
+ or harshness.
+ </p>
+ <p>
+ There is a kind of refined and flattering raillery that only hits the
+ faults that persons admit, which understands how to hide the praise it
+ gives under the appearance of blame, and shows the good while feigning a
+ wish to hide it.
+ </p>
+ <p>
+ An acute mind and a cunning mind are very dissimilar. The first always
+ pleases; it is unfettered, it perceives the most delicate and sees the
+ most imperceptible matters. A cunning spirit never goes straight, it
+ endeavours to secure its object by byeways and short cuts. This conduct is
+ soon found out, it always gives rise to distrust and never reaches
+ greatness.
+ </p>
+ <p>
+ There is a difference between an ardent and a brilliant mind, a fiery
+ spirit travels further and faster, while a brilliant mind is sparkling,
+ attractive, accurate.
+ </p>
+ <p>
+ Gentleness of mind is an easy and accommodating manner which always
+ pleases when not insipid.
+ </p>
+ <p>
+ A mind full of details devotes itself to the management and regulation of
+ the smallest particulars it meets with. This distinction is usually
+ limited to little matters, yet it is not absolutely incompatible with
+ greatness, and when these two qualities are united in the same mind they
+ raise it infinitely above others.
+ </p>
+ <p>
+ The expression "<i>Bel Esprit</i>" is much perverted, for all that one can
+ say of the different kinds of mind meet together in the "<i>Bel Esprit</i>."
+ Yet as the epithet is bestowed on an infinite number of bad poets and
+ tedious authors, it is more often used to ridicule than to praise.
+ </p>
+ <p>
+ There are yet many other epithets for the mind which mean the same thing,
+ the difference lies in the tone and manner of saying them, but as tones
+ and manner cannot appear in writing I shall not go into distinctions I
+ cannot explain. Custom explains this in saying that a man has wit, has
+ much wit, that he is a great wit; there are tones and manners which make
+ all the difference between phrases which seem all alike on paper, and yet
+ express a different order of mind.
+ </p>
+ <p>
+ So we say that a man has only one kind of wit, that he has several, that
+ he has every variety of wit.
+ </p>
+ <p>
+ One can be a fool with much wit, and one need not be a fool even with very
+ little wit.
+ </p>
+ <p>
+ To have much mind is a doubtful expression. It may mean every class of
+ mind that can be mentioned, it may mean none in particular. It may mean
+ that he talks sensibly while he acts foolishly. We may have a mind, but a
+ narrow one. A mind may be fitted for some things, not for others. We may
+ have a large measure of mind fitted for nothing, and one is often
+ inconvenienced with much mind; still of this kind of mind we may say that
+ it is sometimes pleasing in society.
+ </p>
+ <p>
+ Though the gifts of the mind are infinite, they can, it seems to me, be
+ thus classified.
+ </p>
+ <p>
+ There are some so beautiful that everyone can see and feel their beauty.
+ </p>
+ <p>
+ There are some lovely, it is true, but which are wearisome.
+ </p>
+ <p>
+ There are some which are lovely, which all the world admire, but without
+ knowing why.
+ </p>
+ <p>
+ There are some so refined and delicate that few are capable even of
+ remarking all their beauties.
+ </p>
+ <p>
+ There are others which, though imperfect, yet are produced with such
+ skill, and sustained and managed with such sense and grace, that they even
+ deserve to be admired.
+ </p>
+ <p>
+ <a name="linkR.III" id="linkR.III"></a>
+ </p>
+ <h3>
+ III. On Taste.
+ </h3>
+ <p>
+ Some persons have more wit than taste, others have more taste than wit.
+ There is greater vanity and caprice in taste than in wit.
+ </p>
+ <p>
+ The word taste has different meanings, which it is easy to mistake. There
+ is a difference between the taste which in certain objects has an
+ attraction for us, and the taste that makes us understand and distinguish
+ the qualities we judge by.
+ </p>
+ <p>
+ We may like a comedy without having a sufficiently fine and delicate taste
+ to criticise it accurately. Some tastes lead us imperceptibly to objects,
+ from which others carry us away by their force or intensity.
+ </p>
+ <p>
+ Some persons have bad taste in everything, others have bad taste only in
+ some things, but a correct and good taste in matters within their
+ capacity. Some have peculiar taste, which they know to be bad, but which
+ they still follow. Some have a doubtful taste, and let chance decide,
+ their indecision makes them change, and they are affected with pleasure or
+ weariness on their friends' judgment. Others are always prejudiced, they
+ are the slaves of their tastes, which they adhere to in everything. Some
+ know what is good, and are horrified at what is not; their opinions are
+ clear and true, and they find the reason for their taste in their mind and
+ understanding.
+ </p>
+ <p>
+ Some have a species of instinct (the source of which they are ignorant
+ of), and decide all questions that come before them by its aid, and always
+ decide rightly.
+ </p>
+ <p>
+ These follow their taste more than their intelligence, because they do not
+ permit their temper and self-love to prevail over their natural
+ discernment. All they do is in harmony, all is in the same spirit. This
+ harmony makes them decide correctly on matters, and form a correct
+ estimate of their value. But speaking generally there are few who have a
+ taste fixed and independent of that of their friends, they follow example
+ and fashion which generally form the standard of taste.
+ </p>
+ <p>
+ In all the diversities of taste that we discern, it is very rare and
+ almost impossible to meet with that sort of good taste that knows how to
+ set a price on the particular, and yet understands the right value that
+ should be placed on all. Our knowledge is too limited, and that correct
+ discernment of good qualities which goes to form a correct judgment is too
+ seldom to be met with except in regard to matters that do not concern us.
+ </p>
+ <p>
+ As regards ourselves our taste has not this all-important discernment.
+ Preoccupation, trouble, all that concern us, present it to us in another
+ aspect. We do not see with the same eyes what does and what does not
+ relate to us. Our taste is guided by the bent of our self-love and temper,
+ which supplies us with new views which we adapt to an infinite number of
+ changes and uncertainties. Our taste is no longer our own, we cease to
+ control it, without our consent it changes, and the same objects appear to
+ us in such divers aspects that ultimately we fail to perceive what we have
+ seen and heard.
+ </p>
+ <p>
+ <a name="linkR.IV" id="linkR.IV"></a>
+ </p>
+ <h3>
+ IV. On Society.
+ </h3>
+ <p>
+ In speaking of society my plan is not to speak of friendship, for, though
+ they have some connection, they are yet very different. The former has
+ more in it of greatness and humility, and the greatest merit of the latter
+ is to resemble the former.
+ </p>
+ <p>
+ For the present I shall speak of that particular kind of intercourse that
+ gentlemen should have with each other. It would be idle to show how far
+ society is essential to men: all seek for it, and all find it, but few
+ adopt the method of making it pleasant and lasting.
+ </p>
+ <p>
+ Everyone seeks to find his pleasure and his advantage at the expense of
+ others. We prefer ourselves always to those with whom we intend to live,
+ and they almost always perceive the preference. It is this which disturbs
+ and destroys society. We should discover a means to hide this love of
+ selection since it is too ingrained in us to be in our power to destroy.
+ We should make our pleasure that of other persons, to humour, never to
+ wound their self-love.
+ </p>
+ <p>
+ The mind has a great part to do in so great a work, but it is not merely
+ sufficient for us to guide it in the different courses it should hold.
+ </p>
+ <p>
+ The agreement we meet between minds would not keep society together for
+ long if she was not governed and sustained by good sense, temper, and by
+ the consideration which ought to exist between persons who have to live
+ together.
+ </p>
+ <p>
+ It sometimes happens that persons opposite in temper and mind become
+ united. They doubtless hold together for different reasons, which cannot
+ last for long. Society may subsist between those who are our inferiors by
+ birth or by personal qualities, but those who have these advantages should
+ not abuse them. They should seldom let it be perceived that they serve to
+ instruct others. They should let their conduct show that they, too, have
+ need to be guided and led by reason, and accommodate themselves as far as
+ possible to the feeling and the interests of the others.
+ </p>
+ <p>
+ To make society pleasant, it is essential that each should retain his
+ freedom of action. A man should not see himself, or he should see himself
+ without dependence, and at the same time amuse himself. He should have the
+ power of separating himself without that separation bringing any change on
+ the society. He should have the power to pass by one and the other, if he
+ does not wish to expose himself to occasional embarrassments; and he
+ should remember that he is often bored when he believes he has not the
+ power even to bore. He should share in what he believes to be the
+ amusement of persons with whom he wishes to live, but he should not always
+ be liable to the trouble of providing them.
+ </p>
+ <p>
+ Complaisance is essential in society, but it should have its limits, it
+ becomes a slavery when it is extreme. We should so render a free consent,
+ that in following the opinion of our friends they should believe that they
+ follow ours.
+ </p>
+ <p>
+ We should readily excuse our friends when their faults are born with them,
+ and they are less than their good qualities. We should often avoid to show
+ what they have said, and what they have left unsaid. We should try to make
+ them perceive their faults, so as to give them the merit of correcting
+ them.
+ </p>
+ <p>
+ There is a kind of politeness which is necessary in the intercourse among
+ gentlemen, it makes them comprehend badinage, and it keeps them from using
+ and employing certain figures of speech, too rude and unrefined, which are
+ often used thoughtlessly when we hold to our opinion with too much warmth.
+ </p>
+ <p>
+ The intercourse of gentlemen cannot subsist without a certain kind of
+ confidence; this should be equal on both sides. Each should have an
+ appearance of sincerity and of discretion which never causes the fear of
+ anything imprudent being said.
+ </p>
+ <p>
+ There should be some variety in wit. Those who have only one kind of wit
+ cannot please for long unless they can take different roads, and not both
+ use the same talents, thus adding to the pleasure of society, and keeping
+ the same harmony that different voices and different instruments should
+ observe in music; and as it is detrimental to the quiet of society, that
+ many persons should have the same interests, it is yet as necessary for it
+ that their interests should not be different.
+ </p>
+ <p>
+ We should anticipate what can please our friends, find out how to be
+ useful to them so as to exempt them from annoyance, and when we cannot
+ avert evils, seem to participate in them, insensibly obliterate without
+ attempting to destroy them at a blow, and place agreeable objects in their
+ place, or at least such as will interest them. We should talk of subjects
+ that concern them, but only so far as they like, and we should take great
+ care where we draw the line. There is a species of politeness, and we may
+ say a similar species of humanity, which does not enter too quickly into
+ the recesses of the heart. It often takes pains to allow us to see all
+ that our friends know, while they have still the advantage of not knowing
+ to the full when we have penetrated the depth of the heart.
+ </p>
+ <p>
+ Thus the intercourse between gentlemen at once gives them familiarity and
+ furnishes them with an infinite number of subjects on which to talk
+ freely.
+ </p>
+ <p>
+ Few persons have sufficient tact and good sense fairly to appreciate many
+ matters that are essential to maintain society. We desire to turn away at
+ a certain point, but we do not want to be mixed up in everything, and we
+ fear to know all kinds of truth.
+ </p>
+ <p>
+ As we should stand at a certain distance to view objects, so we should
+ also stand at a distance to observe society; each has its proper point of
+ view from which it should be regarded. It is quite right that it should
+ not be looked at too closely, for there is hardly a man who in all matters
+ allows himself to be seen as he really is.
+ </p>
+ <p>
+ <a name="linkR.V" id="linkR.V"></a>
+ </p>
+ <h3>
+ V. On Conversation.
+ </h3>
+ <p>
+ The reason why so few persons are agreeable in conversation is that each
+ thinks more of what he desires to say, than of what the others say, and
+ that we make bad listeners when we want to speak.
+ </p>
+ <p>
+ Yet it is necessary to listen to those who talk, we should give them the
+ time they want, and let them say even senseless things; never contradict
+ or interrupt them; on the contrary, we should enter into their mind and
+ taste, illustrate their meaning, praise anything they say that deserves
+ praise, and let them see we praise more from our choice than from
+ agreement with them.
+ </p>
+ <p>
+ To please others we should talk on subjects they like and that interest
+ them, avoid disputes upon indifferent matters, seldom ask questions, and
+ never let them see that we pretend to be better informed than they are.
+ </p>
+ <p>
+ We should talk in a more or less serious manner, and upon more or less
+ abstruse subjects, according to the temper and understanding of the
+ persons we talk with, and readily give them the advantage of deciding
+ without obliging them to answer when they are not anxious to talk.
+ </p>
+ <p>
+ After having in this way fulfilled the duties of politeness, we can speak
+ our opinions to our listeners when we find an opportunity without a sign
+ of presumption or opinionatedness. Above all things we should avoid often
+ talking of ourselves and giving ourselves as an example; nothing is more
+ tiresome than a man who quotes himself for everything.
+ </p>
+ <p>
+ We cannot give too great study to find out the manner and the capacity of
+ those with whom we talk, so as to join in the conversation of those who
+ have more than ourselves without hurting by this preference the wishes or
+ interests of others.
+ </p>
+ <p>
+ Then we should modestly use all the modes abovementioned to show our
+ thoughts to them, and make them, if possible, believe that we take our
+ ideas from them.
+ </p>
+ <p>
+ We should never say anything with an air of authority, nor show any
+ superiority of mind. We should avoid far-fetched expressions, expressions
+ hard or forced, and never let the words be grander than the matter.
+ </p>
+ <p>
+ It is not wrong to retain our opinions if they are reasonable, but we
+ should yield to reason, wherever she appears and from whatever side she
+ comes, she alone should govern our opinions, we should follow her without
+ opposing the opinions of others, and without seeming to ignore what they
+ say.
+ </p>
+ <p>
+ It is dangerous to seek to be always the leader of the conversation, and
+ to push a good argument too hard, when we have found one. Civility often
+ hides half its understanding, and when it meets with an opinionated man
+ who defends the bad side, spares him the disgrace of giving way.
+ </p>
+ <p>
+ We are sure to displease when we speak too long and too often of one
+ subject, and when we try to turn the conversation upon subjects that we
+ think more instructive than others, we should enter indifferently upon
+ every subject that is agreeable to others, stopping where they wish, and
+ avoiding all they do not agree with.
+ </p>
+ <p>
+ Every kind of conversation, however witty it may be, is not equally fitted
+ for all clever persons; we should select what is to their taste and
+ suitable to their condition, their sex, their talents, and also choose the
+ time to say it.
+ </p>
+ <p>
+ We should observe the place, the occasion, the temper in which we find the
+ person who listens to us, for if there is much art in speaking to the
+ purpose, there is no less in knowing when to be silent. There is an
+ eloquent silence which serves to approve or to condemn, there is a silence
+ of discretion and of respect. In a word, there is a tone, an air, a
+ manner, which renders everything in conversation agreeable or
+ disagreeable, refined or vulgar.
+ </p>
+ <p>
+ But it is given to few persons to keep this secret well. Those who lay
+ down rules too often break them, and the safest we are able to give is to
+ listen much, to speak little, and to say nothing that will ever give
+ ground for regret.
+ </p>
+ <p>
+ <a name="linkR.VI" id="linkR.VI"></a>
+ </p>
+ <h3>
+ VI. Falsehood.
+ </h3>
+ <p>
+ We are false in different ways. There are some men who are false from
+ wishing always to appear what they are not. There are some who have better
+ faith, who are born false, who deceive themselves, and who never see
+ themselves as they really are; to some is given a true understanding and a
+ false taste, others have a false understanding and some correctness in
+ taste; there are some who have not any falsity either in taste or mind.
+ These last are very rare, for to speak generally, there is no one who has
+ not some falseness in some corner of his mind or his taste.
+ </p>
+ <p>
+ What makes this falseness so universal, is that as our qualities are
+ uncertain and confused, so too, are our tastes; we do not see things
+ exactly as they are, we value them more or less than they are worth, and
+ do not bring them into unison with ourselves in a manner which suits them
+ or suits our condition or qualities.
+ </p>
+ <p>
+ This mistake gives rise to an infinite number of falsities in the taste
+ and in the mind. Our self-love is flattered by all that presents itself to
+ us under the guise of good.
+ </p>
+ <p>
+ But as there are many kinds of good which affect our vanity and our
+ temper, so they are often followed from custom or advantage. We follow
+ because the others follow, without considering that the same feeling ought
+ not to be equally embarrassing to all kinds of persons, and that it should
+ attach itself more or less firmly, according as persons agree more or less
+ with those who follow them.
+ </p>
+ <p>
+ We dread still more to show falseness in taste than in mind. Gentleness
+ should approve without prejudice what deserves to be approved, follow what
+ deserves to be followed, and take offence at nothing. But there should be
+ great distinction and great accuracy. We should distinguish between what
+ is good in the abstract and what is good for ourselves, and always follow
+ in reason the natural inclination which carries us towards matters that
+ please us.
+ </p>
+ <p>
+ If men only wished to excel by the help of their own talents, and in
+ following their duty, there would be nothing false in their taste or in
+ their conduct. They would show what they were, they would judge matters by
+ their lights, and they would attract by their reason. There would be a
+ discernment in their views, in their sentiments, their taste would be
+ true, it would come to them direct, and not from others, they would follow
+ from choice and not from habit or chance. If we are false in admiring what
+ should not be admired, it is oftener from envy that we affix a value to
+ qualities which are good in themselves, but which do not become us. A
+ magistrate is false when he flatters himself he is brave, and that he will
+ be able to be bold in certain cases. He should be as firm and stedfast in
+ a plot which ought to be stifled without fear of being false, as he would
+ be false and absurd in fighting a duel about it.
+ </p>
+ <p>
+ A woman may like science, but all sciences are not suitable for her, and
+ the doctrines of certain sciences never become her, and when applied by
+ her are always false.
+ </p>
+ <p>
+ We should allow reason and good sense to fix the value of things, they
+ should determine our taste and give things the merit they deserve, and the
+ importance it is fitting we should give them. But nearly all men are
+ deceived in the price and in the value, and in these mistakes there is
+ always a kind of falseness.
+ </p>
+ <p>
+ <a name="linkR.VII" id="linkR.VII"></a>
+ </p>
+ <h3>
+ VII. On Air and Manner.
+ </h3>
+ <p>
+ There is an air which belongs to the figure and talents of each
+ individual; we always lose it when we abandon it to assume another.
+ </p>
+ <p>
+ We should try to find out what air is natural to us and never abandon it,
+ but make it as perfect as we can. This is the reason that the majority of
+ children please. It is because they are wrapt up in the air and manner
+ nature has given them, and are ignorant of any other. They are changed and
+ corrupted when they quit infancy, they think they should imitate what they
+ see, and they are not altogether able to imitate it. In this imitation
+ there is always something of falsity and uncertainty. They have nothing
+ settled in their manner and opinions. Instead of being in reality what
+ they want to appear, they seek to appear what they are not.
+ </p>
+ <p>
+ All men want to be different, and to be greater than they are; they seek
+ for an air other than their own, and a mind different from what they
+ possess; they take their style and manner at chance. They make experiments
+ upon themselves without considering that what suits one person will not
+ suit everyone, that there is no universal rule for taste or manners, and
+ that there are no good copies.
+ </p>
+ <p>
+ Few men, nevertheless, can have unison in many matters without being a
+ copy of each other, if each follow his natural turn of mind. But in
+ general a person will not wholly follow it. He loves to imitate. We often
+ imitate the same person without perceiving it, and we neglect our own good
+ qualities for the good qualities of others, which generally do not suit
+ us.
+ </p>
+ <p>
+ I do not pretend, from what I say, that each should so wrap himself up in
+ himself as not to be able to follow example, or to add to his own, useful
+ and serviceable habits, which nature has not given him. Arts and sciences
+ may be proper for the greater part of those who are capable for them. Good
+ manners and politeness are proper for all the world. But, yet acquired
+ qualities should always have a certain agreement and a certain union with
+ our own natural qualities, which they imperceptibly extend and increase.
+ We are elevated to a rank and dignity above ourselves. We are often
+ engaged in a new profession for which nature has not adapted us. All these
+ conditions have each an air which belong to them, but which does not
+ always agree with our natural manner. This change of our fortune often
+ changes our air and our manners, and augments the air of dignity, which is
+ always false when it is too marked, and when it is not united and
+ amalgamated with that which nature has given us. We should unite and blend
+ them together, and thus render them such that they can never be separated.
+ </p>
+ <p>
+ We should not speak of all subjects in one tone and in the same manner. We
+ do not march at the head of a regiment as we walk on a promenade; and we
+ should use the same style in which we should naturally speak of different
+ things in the same way, with the same difference as we should walk, but
+ always naturally, and as is suitable, either at the head of a regiment or
+ on a promenade. There are some who are not content to abandon the air and
+ manner natural to them to assume those of the rank and dignities to which
+ they have arrived. There are some who assume prematurely the air of the
+ dignities and rank to which they aspire. How many lieutenantgenerals
+ assume to be marshals of France, how many barristers vainly repeat the
+ style of the Chancellor and how many female citizens give themselves the
+ airs of duchesses.
+ </p>
+ <p>
+ But what we are most often vexed at is that no one knows how to conform
+ his air and manners with his appearance, nor his style and words with his
+ thoughts and sentiments, that every one forgets himself and how far he is
+ insensibly removed from the truth. Nearly every one falls into this fault
+ in some way. No one has an ear sufficiently fine to mark perfectly this
+ kind of cadence.
+ </p>
+ <p>
+ Thousands of people with good qualities are displeasing; thousands
+ pleasing with far less abilities, and why? Because the first wish to
+ appear to be what they are not, the second are what they appear.
+ </p>
+ <p>
+ Some of the advantages or disadvantages that we have received from nature
+ please in proportion as we know the air, the style, the manner, the
+ sentiments that coincide with our condition and our appearance, and
+ displease in the proportion they are removed from that point.
+ </p>
+ <p>
+ <br /> <br /> <a name="linkindex" id="linkindex"></a> <br />
+ </p>
+ <h1>
+ INDEX
+ </h1>
+ <h6>
+ THE LETTER R PRECEDING A REFERENCE REFERS TO THE REFLECTIONS, THE ROMAN
+ NUMERALS REFER TO THE SUPPLEMENTS.
+ </h6>
+ <p>
+ Ability, <a href="#link162">162</a>, <a href="#link165">165</a>, <a
+ href="#link199">199</a>, <a href="#link245">245</a>, <a href="#link283">283</a>,
+ <a href="#link288">288</a>. SEE Cleverness<br /> &mdash;&mdash;&mdash;,
+ Sovereign, <a href="#link244">244</a>.<br /> Absence, <a href="#link276">276</a>.<br />
+ Accent, country, <a href="#link342">342</a>, <a href="#linkXCIV">XCIV</a>.<br />
+ Accidents, <a href="#link59">59</a>, <a href="#link310">310</a>.<br />
+ Acquaintances, <a href="#link426">426</a>. SEE FRIENDS.<br />
+ Acknowledgements, <a href="#link225">225</a>.<br /> Actions, <a
+ href="#link1">1</a>, <a href="#link7">7</a>, <a href="#link57">57</a>, <a
+ href="#link58">58</a>, <a href="#link160">160</a>, <a href="#link161">161</a>,
+ <a href="#link382">382</a>, <a href="#link409">409</a>, <a href="#linkCXX">CXX</a>.<br />
+ Actors, <a href="#link256">256</a>.<br /> Admiration, <a href="#link178">178</a>,
+ <a href="#link294">294</a>, <a href="#link474">474</a>.<br /> Adroitness of
+ mind, <a href="#linkR.II">R.II</a>.<br /> Adversity, <a href="#link25">25</a>.<br />
+ &mdash;&mdash;&mdash;&mdash; of Friends, <a href="#linkXV">XV</a>.<br />
+ Advice, <a href="#link110">110</a>, <a href="#link116">116</a>, <a
+ href="#link283">283</a>, <a href="#link378">378</a>, <a href="#linkCXVII">CXVII</a>.<br />
+ Affairs, <a href="#link453">453</a><br /> Affectation, <a href="#link134">134</a>,
+ <a href="#link493">493</a>.<br /> Affections, <a href="#link232">232</a>.<br />
+ Afflictions, <a href="#link233">233</a>, <a href="#link355">355</a>, <a
+ href="#link362">362</a>, <a href="#link493">493</a>, <a href="#linkXCVII">XCVII</a>,
+ <a href="#linkXV">XV</a>.<br /> Age, <a href="#link222">222</a>, <a
+ href="#link405">405</a>, <a href="#linkLXXIII">LXXIII</a>. SEE Old Age.<br />
+ Agreeableness, <a href="#link255">255</a>, <a href="#linkR.V">R.V</a>.<br />
+ Agreement, <a href="#link240">240</a>.<br /> Air, <a href="#link399">399</a>,
+ <a href="#link495">495</a><br /> &mdash; Of a Citizen, <a href="#link393">393</a>.<br />
+ Ambition, <a href="#link24">24</a>, <a href="#link91">91</a>, <a
+ href="#link246">246</a>, <a href="#link293">293</a>, <a href="#link490">490</a>.<br />
+ Anger, <a href="#linkXXX">XXX</a>.<br /> Application, <a href="#link41">41</a>,
+ <a href="#link243">243</a>.<br /> Appearances, <a href="#link64">64</a>, <a
+ href="#link166">166</a>, <a href="#link199">199</a>, <a href="#link256">256</a>,
+ <a href="#link302">302</a>, <a href="#link431">431</a>, <a href="#link457">457</a>,
+ <a href="#linkR.VII">R.VII</a>.<br /> &mdash;&mdash;&mdash;&mdash;&mdash;,
+ Conformity of Manners with, R.7.<br /> Applause, <a href="#link272">272</a>.<br />
+ Approbation, <a href="#link51">51</a>, <a href="#link280">280</a>.<br />
+ Artifices, <a href="#link117">117</a>, <a href="#link124">124</a>, <a
+ href="#link125">125</a>, <a href="#link126">126</a>, <a href="#linkR.II">R.II</a>.<br />
+ Astonishment, <a href="#link384">384</a>.<br /> Avarice, <a href="#link167">167</a>,
+ <a href="#link491">491</a>, <a href="#link492">492</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Ballads, <a href="#link211">211</a>.<br /> Beauty, <a href="#link240">240</a>,
+ <a href="#link474">474</a>, <a href="#link497">497</a>, <a href="#linkLI">LI</a>.<br />
+ &mdash;&mdash;&mdash; of the Mind, <a href="#linkR.II">R.II</a>.<br /> Bel
+ esprit defined, <a href="#linkR.II">R.II</a>.<br /> Benefits, <a
+ href="#link14">14</a>, <a href="#link298">298</a>, <a href="#link299">299</a>,
+ <a href="#link301">301</a>, <a href="#linkCXXII">CXXII</a>.<br />
+ Benefactors, <a href="#link96">96</a>, <a href="#link317">317</a>, <a
+ href="#linkCXXII">CXXII</a>.<br /> Blame, <a href="#linkCVIII">CVIII</a>.<br />
+ Blindness, <a href="#linkXIX">XIX</a>.<br /> Boasting, <a href="#link141">141</a>,
+ <a href="#link307">307</a>.<br /> Boredom, <a href="#link141">141</a>, <a
+ href="#link304">304</a>, <a href="#link352">352</a>. SEE Ennui.<br /> Bouts
+ rim&eacute;s, <a href="#link382">382</a>, <a href="#linkCXX">CXX</a>.<br />
+ Bravery, <a href="#link1">1</a>, <a href="#link213">213</a>, <a
+ href="#link214">214</a>, <a href="#link215">215</a>, <a href="#link216">216</a>,
+ <a href="#link217">217</a>, <a href="#link219">219</a>, <a href="#link220">220</a>,
+ <a href="#link221">221</a>, <a href="#link365">365</a>,<br /> <a
+ href="#link504">504</a>. SEE Courage and Valour.<br /> Brilliancy of Mind,
+ <a href="#linkR.II">R.II</a>.<br /> Brilliant things, <a href="#linkLII">LII</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Capacity, <a href="#link375">375</a>.<br /> Caprice, <a href="#link45">45</a>.<br />
+ Chance, <a href="#link57">57</a>, <a href="#link344">344</a>, <a
+ href="#linkXCV">XCV</a>. SEE Fortune.<br /> Character, <a href="#linkLVI">LVI</a>,
+ <a href="#linkR.II">R.II</a>.<br /> Chastity, <a href="#link1">1</a>. SEE
+ Virtue of Women.<br /> Cheating, <a href="#link114">114</a>, <a
+ href="#link127">127</a>.<br /> Circumstances, <a href="#link59">59</a>, <a
+ href="#link470">470</a>.<br /> Civility, <a href="#link260">260</a>.<br />
+ Clemency, <a href="#link15">15</a>, <a href="#link16">16</a>.<br />
+ Cleverness, <a href="#link162">162</a>, <a href="#link269">269</a>, <a
+ href="#link245">245</a>, <a href="#link399">399</a>.<br /> Coarseness, <a
+ href="#link372">372</a>.<br /> Comedy, <a href="#link211">211</a>, <a
+ href="#linkR.III">R.III</a>.<br /> Compassion, <a href="#link463">463</a>.
+ SEE Pity.<br /> Complaisance, <a href="#link481">481</a>, <a
+ href="#linkR.IV">R.IV</a>.<br /> Conduct, <a href="#link163">163</a>, <a
+ href="#link277">227</a>, <a href="#link378">378</a>, <a href="#linkCXVII">CXVII</a>.<br />
+ Confidants, whom we make, <a href="#linkR.I">R.I</a>.<br /> Confidence, <a
+ href="#link239">239</a>, <a href="#link365">365</a>, <a href="#link475">475</a>,
+ <a href="#linkXLIX">XLIX</a>, <a href="#linkR.I">R.1</a>, <a
+ href="#linkR.IV">R.IV</a>.<br /> Confidence, difference from Sincerity<br />
+ &mdash;&mdash;&mdash;&mdash;&mdash;, defined, <a href="#linkR.I">R.I</a>.<br />
+ Consolation, <a href="#link325">325</a>.<br /> Constancy, <a href="#link19">19</a>,
+ <a href="#link20">20</a>, <a href="#link21">21</a>, <a href="#link175">175</a>,
+ <a href="#link176">176</a>, <a href="#link420">420</a>.<br /> Contempt,
+ 322.<br /> &mdash;&mdash;&mdash;&mdash; of Death, <a href="#link504">504</a>.<br />
+ Contentment, <a href="#linkLXXX">LXXX</a>.<br /> Contradictions, <a
+ href="#link478">478</a>.<br /> Conversation, <a href="#link139">139</a>, <a
+ href="#link140">140</a>, <a href="#link142">142</a>, <a href="#link312">312</a>,
+ <a href="#link313">313</a>, <a href="#link314">314</a>, <a href="#link364">364</a>,
+ <a href="#link391">391</a>,<br /> <a href="#link421">421</a>, <a
+ href="#linkCIV">CIV</a>, <a href="#linkR.V">R.V</a>.<br /> Copies, <a
+ href="#link133">133</a>.<br /> Coquetry, <a href="#link241">241</a>. SEE
+ Flirtation.<br /> Country Manner, <a href="#link393">393</a>.<br /> &mdash;&mdash;&mdash;
+ Accent, <a href="#link342">342</a>.<br /> Courage, <a href="#link1">1</a>,
+ <a href="#link214">214</a>, <a href="#link215">215</a>, <a href="#link216">216</a>,
+ <a href="#link219">219</a>, <a href="#link221">221</a>, <a href="#linkXLII">XLII</a>.
+ SEE Bravery.<br /> Covetousness, opposed to Reason, <a href="#link469">469</a><br />
+ Cowardice, <a href="#link215">215</a>, <a href="#link480">480</a>.<br />
+ Cowards, <a href="#link370">370</a>.<br /> Crimes, <a href="#link183">183</a>,
+ <a href="#link465">465</a>, <a href="#linkXXXV">XXXV</a>, <a
+ href="#linkXXXVII">XXXVII</a>.<br /> Cunning, <a href="#link126">126</a>,
+ <a href="#link129">129</a>, <a href="#link394">394</a>, <a href="#link407">407</a>.<br />
+ Curiosity, <a href="#link173">173</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Danger, <a href="#linkXLII">XLII</a>.<br /> Death, <a href="#link21">21</a>,
+ <a href="#link23">23</a>, <a href="#link26">26</a>.<br /> &mdash;&mdash;,
+ Contempt of, <a href="#link504">504</a>.<br /> Deceit, <a href="#link86">86</a>,
+ <a href="#link117">117</a>, <a href="#link118">118</a>, <a href="#link124">124</a>,
+ <a href="#link127">127</a>, <a href="#link129">129</a>, <a href="#link395">395</a>,
+ <a href="#link434">434</a>. SEE ALSO<br /> Self-Deceit.<br /> Deception, <a
+ href="#linkCXXI">CXXI</a>.<br /> Decency, <a href="#link447">447</a>.<br />
+ Defects, <a href="#link31">31</a>, <a href="#link90">90</a>, <a
+ href="#link493">493</a>, <a href="#linkLXXII">LXXII</a>. SEE Faults.<br />
+ Delicacy, <a href="#link128">128</a>, <a href="#linkR.II">R.II</a>.<br />
+ Dependency, result of Confidence, <a href="#linkR.I">R.I</a>.<br />
+ Designs, <a href="#link160">160</a>, <a href="#link161">161</a>.<br />
+ Desires, <a href="#link439">439</a>, <a href="#link469">469</a>, <a
+ href="#linkLXXXII">LXXXII</a>, <a href="#linkLXXXV">LXXXV</a>.<br />
+ Despicable Persons, <a href="#link322">322</a>.<br /> Detail, Mind given
+ to, <a href="#linkR.II">R.II</a>.<br /> Details, <a href="#link41">41</a>,
+ <a href="#link106">106</a>.<br /> Devotion, <a href="#link427">427</a>.<br />
+ Devotees, <a href="#link427">427</a>.<br /> Devout, <a href="#linkLXXVI">LXXVI</a>.<br />
+ Differences, <a href="#link135">135</a>.<br /> Dignities, <a
+ href="#linkR.VII">R.VII</a>.<br /> Discretion, <a href="#linkR.V">R.V</a>.<br />
+ Disguise, <a href="#link119">119</a>, <a href="#link246">246</a>, <a
+ href="#link282">282</a>.<br /> Disgrace, <a href="#link235">235</a>, <a
+ href="#link412">412</a>.<br /> Dishonour, <a href="#link326">326</a>, <a
+ href="#linkLXIX">LXIX</a>.<br /> Distrust, <a href="#link84">84</a>, <a
+ href="#link86">86</a>, <a href="#link335">335</a>.<br /> Divination, <a
+ href="#link425">425</a>.<br /> Doubt, <a href="#link348">348</a>.<br />
+ Docility, <a href="#linkR.IV">R.IV</a>.<br /> Dupes, <a href="#link87">87</a>,
+ <a href="#link102">102</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Education, <a href="#link261">261</a>.<br /> Elevation, <a href="#link399">399</a>,
+ <a href="#link400">400</a>, <a href="#link403">403</a>.<br /> Eloquence, <a
+ href="#link8">8</a>, <a href="#link249">249</a>, <a href="#link250">250</a>.<br />
+ Employments, <a href="#link164">164</a>, <a href="#link419">419</a>, <a
+ href="#link449">449</a>.<br /> Enemies, <a href="#link114">114</a>, <a
+ href="#link397">397</a>, <a href="#link458">458</a>, <a href="#link463">463</a>.<br />
+ Ennui, <a href="#link122">122</a>, <a href="#link141">141</a>, <a
+ href="#link304">304</a>, <a href="#link312">312</a>, <a href="#link352">352</a>,
+ <a href="#linkCXII">CXII</a>, <a href="#linkR.II">R.II</a>.<br /> Envy, <a
+ href="#link27">27</a>, <a href="#link28">28</a>, <a href="#link280">280</a>,
+ <a href="#link281">281</a>, <a href="#link328">328</a>, <a href="#link376">376</a>,
+ <a href="#link433">433</a>, <a href="#link476">476</a>, <a href="#link486">486</a>.<br />
+ Epithets assigned to the Mind, <a href="#linkR.II">R.II</a>.<br /> Esteem,
+ <a href="#link296">296</a>.<br /> Establish, <a href="#link56">56</a>, <a
+ href="#link280">280</a>.<br /> Evils, <a href="#link121">121</a>, <a
+ href="#link197">197</a>, <a href="#link269">269</a>, <a href="#link454">454</a>,
+ <a href="#link464">464</a>, <a href="#linkXCIII">XCIII</a>.<br /> Example,
+ <a href="#link230">230</a>.<br /> Exchange of secrets, <a href="#linkR.I">R.I</a>.<br />
+ Experience, <a href="#link405">405</a>.<br /> Expedients, <a href="#link287">287</a>.<br />
+ Expression, refined, <a href="#linkR.V">R.V</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Faculties of the Mind, <a href="#link174">174</a>.<br /> Failings, <a
+ href="#link397">397</a>, <a href="#link403">403</a>.<br /> Falseness, <a
+ href="#linkR.VI">R.VI</a>.<br /> &mdash;&mdash;&mdash;&mdash;, disguised,
+ <a href="#link282">282</a>.<br /> &mdash;&mdash;&mdash;&mdash;, kinds of,
+ <a href="#linkR.VI">R.VI</a>.<br /> Familiarity, <a href="#linkR.IV">R.IV</a>.<br />
+ Fame, <a href="#link157">157</a>.<br /> Farces, men compared to, <a
+ href="#link211">211</a>.<br /> Faults, <a href="#link37">37</a>, <a
+ href="#link112">112</a>, <a href="#link155">155</a>, <a href="#link184">184</a>,
+ <a href="#link190">190</a>, <a href="#link194">194</a>, <a href="#link196">196</a>,
+ <a href="#link251">251</a>, <a href="#link354">354</a>, <a href="#link365">365</a>,<br />
+ <a href="#link372">372</a>, <a href="#link397">397</a>, <a href="#link403">403</a>,
+ <a href="#link411">411</a>, <a href="#link428">428</a>, <a href="#link493">493</a>,
+ <a href="#link494">494</a>, <a href="#linkV">V</a>, <a href="#linkLXV">LXV</a>,
+ <a href="#linkCX">CX</a>,<br /> <a href="#linkCXV">CXV</a>.<br />
+ Favourites, <a href="#link55">55</a>.<br /> Fear, <a href="#link370">370</a>,
+ <a href="#linkLXVIII">LXVIII</a>.<br /> Feeling, <a href="#link255">255</a>.<br />
+ Ferocity, <a href="#linkXXXIII">XXXIII</a>.<br /> Fickleness, <a
+ href="#link179">179</a>, <a href="#link181">181</a>, <a href="#link498">498</a>.<br />
+ Fidelity, <a href="#link247">247</a>.<br /> &mdash;&mdash;&mdash;&mdash;,
+ hardest test of, <a href="#linkR.I">R.I</a>.<br /> &mdash;&mdash;&mdash;&mdash;
+ in love, <a href="#link331">331</a>, <a href="#link381">381</a>, <a
+ href="#linkC">C</a>.<br /> Figure and air, <a href="#linkR.VII">R.VII</a>.<br />
+ Firmness, <a href="#link19">19</a>, <a href="#link479">479</a>.<br />
+ Flattery, <a href="#link123">123</a>, <a href="#link144">144</a>, <a
+ href="#link152">152</a>, <a href="#link198">198</a>, <a href="#link320">320</a>,
+ <a href="#link329">329</a>.<br /> Flirts, <a href="#link406">406</a>, <a
+ href="#link418">418</a>.<br /> Flirtation, <a href="#link107">107</a>, <a
+ href="#link241">241</a>, <a href="#link277">277</a>, <a href="#link332">332</a>,
+ <a href="#link334">334</a>, <a href="#link349">349</a>, <a href="#link376">376</a>,
+ <a href="#linkLXIV">LXIV</a>.<br /> Follies, <a href="#link156">156</a>, <a
+ href="#link300">300</a>, <a href="#link408">408</a>, <a href="#link416">416</a>.<br />
+ Folly, <a href="#link207">207</a>, <a href="#link208">208</a>, <a
+ href="#link209">209</a>, <a href="#link210">210</a>, <a href="#link231">231</a>,
+ <a href="#link300">300</a>, <a href="#link310">310</a>, <a href="#link311">311</a>,
+ <a href="#link318">318</a>,<br /> <a href="#linkXXIV">XXIV</a>.<br /> Fools,
+ <a href="#link140">140</a>, <a href="#link210">210</a>, <a href="#link310">309</a>,
+ <a href="#link318">318</a>, <a href="#link357">357</a>, <a href="#link414">414</a>,
+ <a href="#link451">451</a>, <a href="#link456">456</a>,<br /> &mdash;&mdash;,
+ old, <a href="#link444">444</a>.<br /> &mdash;&mdash;, witty, <a
+ href="#link451">451</a>, <a href="#link456">456</a>.<br /> Force of Mind,
+ <a href="#link30">30</a>, <a href="#link42">42</a>, <a href="#link237">237</a>.<br />
+ Forgetfulness, <a href="#linkXXVI">XXVI</a>.<br /> Forgiveness, <a
+ href="#link330">330</a>.<br /> Fortitude, <a href="#link19">19</a>. SEE
+ Bravery.<br /> Fortune, <a href="#link1">1</a>, <a href="#link17">17</a>,
+ <a href="#link45">45</a>, <a href="#link52">52</a>, <a href="#link53">53</a>,
+ <a href="#link58">58</a>, <a href="#link60">60</a>, <a href="#link61">61</a>,
+ <a href="#link154">154</a>, <a href="#link212">212</a>, <a href="#link227">227</a>,
+ <a href="#link323">323</a>,<br /> <a href="#link343">343</a>, <a
+ href="#link380">380</a>, <a href="#link391">391</a>, <a href="#link392">392</a>,
+ <a href="#link399">399</a>, <a href="#link403">403</a>, <a href="#link435">435</a>,
+ <a href="#link449">449</a>, <a href="#linkIX">IX</a>., <a href="#linkCXIX">CXIX</a>.<br />
+ Friends, <a href="#link84">84</a>, <a href="#link114">114</a>, <a
+ href="#link179">179</a>, <a href="#link235">235</a>, <a href="#link279">279</a>,
+ <a href="#link315">315</a>, <a href="#link319">319</a>, <a href="#link428">428</a>.<br />
+ &mdash;&mdash;&mdash;, adversity of, <a href="#linkXV">XV</a>.<br />
+ &mdash;&mdash;&mdash;, disgrace of, <a href="#link235">235</a>.<br />
+ &mdash;&mdash;&mdash;, faults of, <a href="#link428">428</a>.<br /> &mdash;&mdash;&mdash;,
+ true ones, <a href="#linkLXXXVI">LXXXVI</a>.<br /> Friendship, <a
+ href="#link80">80</a>, <a href="#link81">81</a>, <a href="#link83">83</a>,
+ <a href="#link376">376</a>, <a href="#link410">410</a>, <a href="#link427">427</a>,
+ <a href="#link440">440</a>, <a href="#link441">441</a>, <a href="#link443">473</a>,<br />
+ <a href="#linkXXII">XXII</a>, <a href="#linkCXXIV">CXXIV</a>.<br /> &mdash;&mdash;&mdash;&mdash;&mdash;,
+ defined, <a href="#link83">83</a>.<br /> &mdash;&mdash;&mdash;&mdash;&mdash;,
+ women do not care for, <a href="#link440">440</a>.<br /> &mdash;&mdash;&mdash;&mdash;&mdash;,
+ rarer than love, <a href="#link473">473</a>.<br /> Funerals, <a
+ href="#linkXXXVIII">XXXVIII</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Gallantry, <a href="#link100">100</a>. SEE Flirtation.<br /> &mdash;&mdash;&mdash;&mdash;
+ of mind, <a href="#link100">100</a>.<br /> Generosity, <a href="#link246">246</a>.<br />
+ Genius, <a href="#linkR.II">R.II</a>.<br /> Gentleness, <a href="#linkR.VI">R.VI</a>.<br />
+ Ghosts, <a href="#link76">76</a>.<br /> Gifts of the mind, <a
+ href="#linkR.II">R.II</a>.<br /> Glory, <a href="#link157">157</a>, <a
+ href="#link198">198</a>, <a href="#link221">221</a>, <a href="#link268">268</a>.<br />
+ Good, <a href="#link121">121</a>, <a href="#link185">185</a>, <a
+ href="#link229">229</a>, <a href="#link238">238</a>, <a href="#link303">303</a>,
+ <a href="#linkXCIII">XCIII</a>.<br /> &mdash;&mdash;, how to be, <a
+ href="#linkXLVII">XLVII</a>.<br /> Goodness, <a href="#link237">237</a>, <a
+ href="#link275">275</a>, <a href="#link284">284</a>, <a href="#linkXLVI">XLVI</a>.<br />
+ Good grace, <a href="#link67">67</a>, <a href="#linkR.VII">R.VII</a>.<br />
+ Good man, who is a, <a href="#link206">206</a>.<br /> God nature, <a
+ href="#link481">481</a>.<br /> Good qualities, <a href="#link29">29</a>, <a
+ href="#link90">90</a>, <a href="#link337">337</a>, <a href="#link365">365</a>,
+ <a href="#link397">397</a>, <a href="#link462">462</a>.<br /> Good sense,
+ <a href="#link67">67</a>, <a href="#link347">347</a>, <a href="#linkCVI">CVI</a>.<br />
+ Good taste, <a href="#link258">258</a>.<br /> &mdash;&mdash;&mdash;&mdash;&mdash;,
+ rarity of, <a href="#linkR.III">R.III</a>.<br /> &mdash;&mdash;, women, <a
+ href="#link368">368</a>, <a href="#linkXCVI">XCVI</a>.<br /> Government of
+ others, <a href="#link151">151</a>.<br /> Grace, <a href="#link67">67</a>.<br />
+ Gracefulness, <a href="#link240">240</a>.<br /> Gratitude, <a
+ href="#link223">223</a>, <a href="#link224">224</a>, <a href="#link225">225</a>,
+ <a href="#link279">279</a>, <a href="#link298">298,</a> <a href="#link438">438</a>,
+ <a href="#linkXLIII">XLIII</a>.<br /> Gravity, <a href="#link257">257</a>.<br />
+ Great men, what they cannot acquire, <a href="#linkLXXXIV">LXXXIV</a>.<br />
+ Great minds, <a href="#link142">142</a>.<br /> Great names, <a
+ href="#link94">94</a>.<br /> Greediness, <a href="#link66">66</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Habit, <a href="#link426">426</a>.<br /> Happy, who are, <a href="#link49">49</a>.<br />
+ Happiness, <a href="#link48">48</a>, <a href="#link61">61</a>, <a
+ href="#linkVII">VII</a>, <a href="#linkLXXX">LXXX</a>, <a href="#linkLXXXI">LXXXI</a>.<br />
+ hatred, <a href="#link338">338</a>.<br /> Head, <a href="#link102">102</a>,
+ <a href="#link108">108</a>.<br /> Health, <a href="#link188">188</a>, <a
+ href="#linkLVII">LVII</a>.<br /> Heart, <a href="#link98">98</a>, <a
+ href="#link102">102</a>, <a href="#link103">103</a>, <a href="#link108">108</a>,
+ <a href="#link478">478</a>, <a href="#link484">484</a>.<br /> Heroes, <a
+ href="#link24">24</a>, <a href="#link53">53</a>, <a href="#link185">185</a>.<br />
+ Honesty, 202<a href="#link202"></a>, <a href="#link206">206</a>.<br />
+ Honour, <a href="#link270">270</a>.<br /> Hope, <a href="#link168">168</a>,
+ <a href="#linkLXVIII">LXVIII</a>.<br /> Humility, <a href="#link254">254</a>,
+ <a href="#link358">358</a>, <a href="#linkLXXVI">LXXVI</a>, <a
+ href="#linkLXXIX">LXXIX</a><br /> Humiliation, <a href="#link272">272</a>.<br />
+ Humour, 47<a href="#link47"></a>. SEE Temper.<br /> Hypocrisy, <a
+ href="#link218">218</a>.<br /> &mdash;&mdash;&mdash;&mdash; of afflictions,
+ <a href="#link233">233</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Idleness, <a href="#link169">169</a>, <a href="#link266">266</a>, <a
+ href="#link267">267</a>, <a href="#link398">398</a>, <a href="#link482">482</a>,
+ <a href="#link487">487</a>, <a href="#linkXVIII">XVIII</a>., <a
+ href="#linkLV">LV</a>.<br /> Ills, <a href="#link174">174</a>. SEE Evils.<br />
+ Illusions, <a href="#link123">123</a>.<br /> Imagination, <a href="#link478">478</a>.<br />
+ Imitation, <a href="#link230">230</a>, <a href="#linkXLIV">XLIV</a>, <a
+ href="#linkR.V">R.V</a>.<br /> Impertinence, <a href="#link502">502</a>.<br />
+ Impossibilities, <a href="#link30">30</a>.<br /> Incapacity, <a
+ href="#link126">126</a>.<br /> Inclination, <a href="#link253">253</a>, <a
+ href="#link390">390</a>.<br /> Inconsistency, <a href="#link135">135</a>.<br />
+ Inconstancy, <a href="#link181">181</a>.<br /> Inconvenience, <a
+ href="#link242">242</a>.<br /> Indifference, <a href="#link172">172</a>, <a
+ href="#linkXXIII">XXIII</a>.<br /> Indiscretion, <a href="#link429">429</a>.<br />
+ Indolence. SEE Idleness, and Laziness.<br /> Infidelity, <a href="#link359">359</a>,
+ <a href="#link360">360</a>, <a href="#link381">381</a>, <a href="#link429">429</a>.<br />
+ Ingratitude, <a href="#link96">96</a>, <a href="#link226">226</a>, <a
+ href="#link306">306</a>, <a href="#link317">317</a>.<br /> Injuries, <a
+ href="#link14">14</a>.<br /> Injustice, <a href="#link78">78</a>.<br />
+ Innocence, <a href="#link465">465</a>.<br /> Instinct, <a href="#link123">123</a>.<br />
+ Integrity, <a href="#link170">170</a>.<br /> Interest, <a href="#link39">39</a>,
+ <a href="#link40">40</a>, <a href="#link66">66</a>, <a href="#link85">85</a>,
+ <a href="#link172">172</a>, <a href="#link187">187</a>, <a href="#link232">232</a>,
+ <a href="#link253">253</a>, <a href="#link305">305</a>, <a href="#link390">390</a>.<br />
+ Interests, <a href="#link66">66</a>.<br /> Intrepidity, <a href="#link217">217</a>,
+ <a href="#linkXL">XL</a>.<br /> Intrigue, <a href="#link73">73</a>.<br />
+ Invention, <a href="#link287">287</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Jealousy, <a href="#link28">28</a>, <a href="#link32">32</a>, <a
+ href="#link324">324</a>, <a href="#link336">336</a>, <a href="#link359">359</a>,
+ <a href="#link361">361</a>, <a href="#link446">446</a>, <a href="#link503">503</a>,
+ <a href="#linkCII">CII</a>.<br /> Joy, <a href="#linkXIV">XIV</a>.<br />
+ Judges, <a href="#link268">268</a>.<br /> Judgment, <a href="#link89">89</a>,
+ <a href="#link97">97</a>, <a href="#link248">248</a>.<br /> &mdash;&mdash;&mdash;&mdash;
+ of the World, <a href="#link212">212</a>, <a href="#link455">455</a>.<br />
+ Justice, <a href="#link78">78</a>, <a href="#link458">458</a>, <a
+ href="#linkXII">XII</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Kindness, <a href="#link14">14</a>, <a href="#link85">85</a>.<br />
+ Knowledge, <a href="#link106">106</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Labour of Body, effect of, <a href="#linkLXXVII">LXXVII</a>.<br /> Laments,
+ <a href="#link355">355</a>.<br /> Laziness, <a href="#link367">367</a>. SEE
+ Idleness.<br /> Leader, <a href="#link43">43</a>.<br /> Levity, <a
+ href="#link179">179</a>, <a href="#link181">181</a>.<br /> Liberality, <a
+ href="#link167">167</a>, <a href="#link263">263</a>.<br /> Liberty in
+ Society, <a href="#linkR.IV">R.IV</a>.<br /> Limits to Confidence, <a
+ href="#linkR.I">R.I</a>.<br /> Little Minds, <a href="#link142">142</a>.<br />
+ Love, <a href="#link168">68</a>, <a href="#link69">69</a>, <a
+ href="#link70">70</a>, <a href="#link71">71</a>, <a href="#link72">72</a>,
+ <a href="#link73">73</a>, <a href="#link74">74</a>, <a href="#link75">75</a>,
+ <a href="#link76">76</a>, <a href="#link136">136</a>, <a href="#link259">259</a>,
+ <a href="#link262">262</a>,<br /> <a href="#link274">274</a>, <a
+ href="#link286">286</a>, <a href="#link296">296</a>, <a href="#link321">321</a>,
+ <a href="#link335">335</a>, <a href="#link336">336</a>, <a href="#link348">348</a>,
+ <a href="#link349">349</a>, <a href="#link351">351</a>, <a href="#link353">353</a>,<br />
+ <a href="#link361">361</a>, <a href="#link371">371</a>, <a href="#link374">374</a>,
+ <a href="#link385">385</a>, <a href="#link395">395</a>, <a href="#link396">396</a>,
+ <a href="#link402">402</a>, <a href="#link417">417</a>, <a href="#link418">418</a>,
+ <a href="#link422">422</a>,<br /> <a href="#link430">430</a>, <a
+ href="#link440">440</a>, <a href="#link441">441</a>, <a href="#link459">459</a>,
+ <a href="#link466">466</a>, <a href="#link471">471</a>, <a href="#link473">473</a>,
+ <a href="#link499">499</a>, <a href="#link500">500</a>, <a href="#link501">501</a>,<br />
+ <a href="#linkX">X</a>, <a href="#linkXI">XI</a>, <a href="#linkXIII">XIII</a>,
+ <a href="#linkLVIII">LVIII</a>, <a href="#linkLX">LX</a>, <a
+ href="#linkLXII">LXII</a>, <a href="#linkLXXXVIII">LXXXVIII</a>,<br /> <a
+ href="#linkXCIX">XCIX</a>, <a href="#linkCIII"> CIII</a>, <a
+ href="#linkCXXI">CXXI</a>.<br /> &mdash;&mdash; defined, <a href="#link68">68</a>.<br />
+ &mdash;&mdash;, Coldness in, <a href="#linkLX">LX</a>.<br /> &mdash;&mdash;,
+ Effect of absence on, <a href="#link276">276</a>.<br /> &mdash;&mdash; akin
+ to Hate, <a href="#link111">111</a>.<br /> &mdash;&mdash; of Women, <a
+ href="#link466">466</a>, <a href="#link471">471</a>, <a href="#link499">499</a>.<br />
+ &mdash;&mdash;, Novelty in, <a href="#link274">274</a>.<br /> &mdash;&mdash;,
+ Infidelity in, <a href="#linkLXIV">LXIV</a>.<br /> &mdash;&mdash;, Old age
+ of, <a href="#link430">430</a>.<br /> &mdash;&mdash;, Cure for, <a
+ href="#link417">417</a>, <a href="#link459">459</a>.<br /> Loss of Friends,
+ <a href="#linkXLV">XLV</a>.<br /> Lovers, <a href="#link312">312</a>, <a
+ href="#link362">362</a>, <a href="#linkLXXXVII">LXXXVII</a>, <a
+ href="#linkXCVII">XCVII</a>.<br /> Lunatic, <a href="#link353">353</a>.<br />
+ Luxury, <a href="#linkLIV">LIV</a>.<br /> Lying, <a href="#link63">63</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Madmen, <a href="#link353">353</a>, <a href="#link414">414</a>.<br />
+ Malady, <a href="#linkLVII">LVII</a>.<br /> Magistrates, <a href="#linkR.VI">R.VI</a>.<br />
+ Magnanimity, <a href="#link248">248</a>, <a href="#linkLIII">LIII</a>.<br />
+ &mdash;&mdash;&mdash;&mdash;&mdash; defined, <a href="#link285">285</a>.<br />
+ Malice, <a href="#link483">483</a>.<br /> Manners, <a href="#linkR.VII">R.VII</a>.<br />
+ Mankind, <a href="#link436">436</a>,<a href="#linkXXXVI"> XXXVI</a>.<br />
+ Marriages, <a href="#link113">113</a>.<br /> Maxims, <a href="#linkLXVII">LXVII</a>.<br />
+ Mediocrity, <a href="#link375">375</a>.<br /> Memory, <a href="#link89">89</a>,
+ <a href="#link313">313</a>.<br /> Men easier to know than Man, <a
+ href="#link436">436</a>.<br /> Merit, <a href="#link50">50</a>, <a
+ href="#link92">92</a>, <a href="#link95">95</a>, <a href="#link153">153</a>,
+ <a href="#link156">156</a>, <a href="#link165">165</a>, <a href="#link166">166</a>,
+ <a href="#link273">273</a>, <a href="#link291">291</a>, <a href="#link379">379</a>,<br />
+ <a href="#link401">401</a>, <a href="#link437">437</a>, <a href="#link455">455</a>,
+ <a href="#linkCXVIII">CXVIII</a>.<br /> Mind, <a href="#link101">101</a>,
+ <a href="#link103">103</a>, <a href="#link265">265</a>, <a href="#link357">357</a>,
+ <a href="#link448">448</a>, <a href="#link482">482</a>, <a href="#linkCIX">CIX</a>.<br />
+ Mind, Capacities of, <a href="#linkR.II">R.II</a>.<br /> Miserable, <a
+ href="#link49">49</a>.<br /> Misfortunes, <a href="#link19">19</a>, <a
+ href="#link24">24</a>, <a href="#link174">174</a>, <a href="#link325">325</a>.<br />
+ &mdash;&mdash;&mdash;&mdash;&mdash; of Friends. <a href="#linkXV">XV</a>.<br />
+ &mdash;&mdash;&mdash;&mdash;&mdash; of Enemies, <a href="#link463">463</a>.<br />
+ Mistaken people, <a href="#link386">386</a>.<br /> Mistrust, <a
+ href="#link86">86</a>.<br /> Mockery, <a href="#linkR.II">R.II</a>.<br />
+ Moderation, <a href="#link17">17</a>, <a href="#link18">18</a>, <a
+ href="#link293">293</a>, <a href="#link308">308</a>, <a href="#linkIII">III</a>,
+ <a href="#linkIV">IV</a>.<br /> Money, Man compared to, <a href="#linkXXXII">XXXII</a>.<br />
+ Motives, <a href="#link409">409</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Names, Great, <a href="#link95">94</a>.<br /> Natural goodness, <a
+ href="#link275">275</a>.<br /> Natural, to be, <a href="#link431">431</a>.<br />
+ &mdash;&mdash;&mdash;, always pleasing, <a href="#linkR.VII">R.VII</a>.<br />
+ Nature, <a href="#link53">53</a>, <a href="#link153">153</a>, <a
+ href="#link189">189</a>, <a href="#link365">365</a>, <a href="#link404">404</a>.<br />
+ Negotiations, <a href="#link278">278</a>.<br /> Novelty in study, <a
+ href="#link178">178</a>.<br /> &mdash;&mdash;&mdash; in love, <a
+ href="#link274">274</a>.<br /> &mdash;&mdash;&mdash; in friendship, <a
+ href="#link426">426</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Obligations, <a href="#link299">299</a>, <a href="#link317">317</a>, <a
+ href="#link438">438</a>. SEE Benefits and Gratitude.<br /> Obstinacy, <a
+ href="#link234">234</a>, <a href="#link424">424</a>.<br /> &mdash;&mdash;&mdash;&mdash;
+ its cause, <a href="#link265">265</a>.<br /> Occasions. SEE Opportunities.<br />
+ Old Age, <a href="#link109">109</a>, <a href="#link210">210</a>, <a
+ href="#link418">418</a>, <a href="#link423">423</a>, <a href="#link430">430</a>,
+ <a href="#link461">461</a>.<br /> Old Men, <a href="#link93">93</a>.<br />
+ Openness of heart, R.1.<br /> Opinions, <a href="#link13">13</a>, <a
+ href="#link234">234</a>, <a href="#linkCXXIII">CXXIII</a>, <a
+ href="#linkR.V">R.V</a>.<br /> Opinionatedness, <a href="#linkR.V">R.V</a>.<br />
+ Opportunities, <a href="#link345">345</a>, <a href="#link453">453</a>, <a
+ href="#linkCV">CV</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Passions, <a href="#link5">5</a>, <a href="#link6">6</a>, <a href="#link8">8</a>,
+ <a href="#link9">9</a>, <a href="#link10">10</a>, <a href="#link11">11</a>,
+ <a href="#link12">12</a>, <a href="#link122">122</a>, <a href="#link188">188</a>,
+ <a href="#link266">266</a>, <a href="#link276">276</a>, <a href="#link404">404</a>,<br />
+ <a href="#link422">422</a>, <a href="#link443">443</a>, <a href="#link460">460</a>,
+ <a href="#link471">471</a>, <a href="#link477">477</a>, <a href="#link484">484</a>,
+ <a href="#link485">485</a>, <a href="#link486">486</a>, <a href="#link500">500</a>,
+ <a href="#linkII">II</a>.<br /> Peace of Mind, <a href="#linkVIII">VIII</a>.<br />
+ Penetration, <a href="#link377">377</a>, <a href="#link425">425</a>, <a
+ href="#linkCXVI">CXVI</a>.<br /> Perfection, <a href="#linkR.II">R.II</a>.<br />
+ Perseverance, <a href="#link177">177</a>.<br /> Perspective, <a
+ href="#link104">104</a>.<br /> Persuasion, <a href="#link8">8</a>.<br />
+ Philosophers, <a href="#link46">46</a>, <a href="#link54">54</a>, <a
+ href="#link504">504</a>, <a href="#linkXXI">XXI</a>.<br /> Philosophy, <a
+ href="#link22">22</a>.<br /> &mdash;&mdash;&mdash;&mdash;&mdash; of a
+ Footman, <a href="#link504">504</a>, <a href="#linkLXXV">LXXV</a>.<br />
+ Pity, <a href="#link264">264</a>.<br /> Pleasing, <a href="#link413">413</a>,
+ <a href="#linkCXXV">CXXV</a>.<br /> &mdash;&mdash;&mdash;&mdash;, Mode of,
+ <a href="#linkXLVIII">XLVIII</a>, <a href="#linkR.V">R.V</a>.<br /> &mdash;&mdash;&mdash;&mdash;,
+ Mind a, <a href="#linkR.II">R.II</a>.<br /> Point of view, <a
+ href="#linkR.IV">R.IV</a>.<br /> Politeness, <a href="#link372">372</a>, <a
+ href="#linkR.V">R.V</a>.<br /> Politeness of Mind, <a href="#link99">99</a>.<br />
+ Praise, <a href="#link143">143</a>, <a href="#link144">144</a>, <a
+ href="#link145">145</a>, <a href="#link146">146</a>, <a href="#link147">147</a>,
+ <a href="#link148">148</a>, <a href="#link149">149</a>, <a href="#link150">150</a>,
+ <a href="#link272">272</a>, <a href="#link356">356</a>,<br /> <a
+ href="#link432">432</a>, <a href="#linkXXVII">XXVII</a>, <a
+ href="#linkCVII">CVII</a>.<br /> Preoccupation, <a href="#link92">92</a>,
+ <a href="#linkR.III">R.III</a>.<br /> Pride, <a href="#link33">33</a>, <a
+ href="#link34">34</a>, <a href="#link35">35</a>, <a href="#link36">36</a>,
+ <a href="#link37">37</a>, <a href="#link228">228</a>, <a href="#link234">234</a>,
+ <a href="#link239">239</a>, <a href="#link254">254</a>, <a href="#link267">267</a>,
+ <a href="#link281">281</a>,<br /> <a href="#link450">450</a>, <a
+ href="#link462">462</a>, <a href="#link463">463</a>, <a href="#link472">472</a>,
+ <a href="#linkVI">VI</a>, <a href="#linkXIX">XIX</a>.<br /> Princes, <a
+ href="#link15">15</a>, <a href="#link320">320</a>.<br /> Proceedings, <a
+ href="#link170">170</a>.<br /> Productions of the Mind, <a href="#linkR.II">R.II</a>.<br />
+ Professions, <a href="#link256">256</a>.<br /> Promises, <a href="#link38">38</a>.<br />
+ Proportion, <a href="#linkR.VI">R.VI</a>.<br /> Propriety, <a
+ href="#link447">447</a>.<br /> &mdash;&mdash;&mdash;&mdash; in Women, <a
+ href="#linkXXXIV">XXXIV</a>.<br /> Prosperity, <a href="#link25">25</a>.<br />
+ Providence, <a href="#linkXXXIX">XXXIX</a>.<br /> Prudence, 65, <a
+ href="#linkLXXXVIII">LXXXVIII</a>, <a href="#linkR.I">R.I</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Qualities, <a href="#link29">29</a>, <a href="#link162">162</a>, <a
+ href="#link397">397</a>, <a href="#link470">470</a>, <a href="#link498">498</a>,
+ <a href="#linkR.VI">R.VI</a>, <a href="#linkR.VII">R.VII</a>.<br /> &mdash;&mdash;&mdash;&mdash;,
+ Bad, <a href="#link468">468</a>.<br /> &mdash;&mdash;&mdash;&mdash;, Good,
+ <a href="#link88">88</a>, <a href="#link337">337</a>, <a href="#link462">462</a>.<br />
+ &mdash;&mdash;&mdash;&mdash;, Great, <a href="#link159">159</a>, <a
+ href="#link433">433</a>.<br /> &mdash;&mdash;&mdash;&mdash;, of Mind,
+ classified, <a href="#linkR.II">R.II</a>.<br /> Quarrels, <a href="#link496">496</a>,<br />
+ Quoting oneself, <a href="#linkR.V">R.V</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Raillery, <a href="#linkR.II">R.II</a>, <a href="#linkR.IV">R.IV</a>.<br />
+ Rank, <a href="#link401">401</a>.<br /> Reason, <a href="#link42">42</a>,
+ <a href="#link105">105</a>, <a href="#link325">325</a>, <a href="#link365">365</a>,
+ <a href="#link467">467</a>, <a href="#link469">469</a>, <a href="#linkXX">XX</a>,
+ <a href="#linkR.VI">R.VI</a>.<br /> Recollection in Memory{, <a
+ href="#link313">313</a>}.<br /> Reconciliation, <a href="#link82">82</a>.<br />
+ Refinement, <a href="#linkR.II">R.II</a>.<br /> Regret, <a href="#link355">355</a>.<br />
+ Relapses, <a href="#link193">193</a>.<br /> Remedies, <a href="#link288">288</a>.<br />
+ &mdash;&mdash;&mdash;&mdash; for love <a href="#link459">459</a>.<br />
+ Remonstrances, <a href="#link37">37</a>.<br /> Repentance, <a
+ href="#link180">180</a>.<br /> Repose, <a href="#link268">268</a>.<br />
+ Reproaches, <a href="#link148">148</a>.<br /> Reputation, <a href="#link268">268</a>,
+ <a href="#link412">412</a>.<br /> Resolution, <a href="#linkL">L</a>.<br />
+ Revenge, <a href="#link14">14</a>.<br /> Riches, <a href="#link54">54</a>.<br />
+ Ridicule, <a href="#link133">133</a>, <a href="#link134">134</a>, <a
+ href="#link326">326</a>, <a href="#link418">418</a>, <a href="#link422">422</a>.<br />
+ Rules for Conversation, <a href="#linkR.V">R.V</a>.<br /> Rusticity, <a
+ href="#link393">393</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Satire, <a href="#link483">483</a>, <a href="#linkR.II">R.II</a>, <a
+ href="#linkR.IV">R.IV</a>.<br /> Sciences, <a href="#linkR.VI">R.VI</a>.<br />
+ Secrets, <a href="#linkXVI">XVI</a>, <a href="#linkR.I">R.I</a>.<br />
+ &mdash;&mdash;&mdash;, How they should be kept, <a href="#linkR.I">R.I</a>.<br />
+ Self-deceit, <a href="#link115">115</a>, 452.<br /> Self-love, <a
+ href="#link2">2</a>, <a href="#link3">3</a>, <a href="#link4">4</a>, <a
+ href="#link228">228</a>, <a href="#link236">236</a>, <a href="#link247">247</a>,
+ <a href="#link261">261</a>, <a href="#link262">262</a>, <a href="#link339">339</a>,
+ <a href="#link494">494</a>, <a href="#link500">500</a>,<br /> <a
+ href="#linkI">I</a>, <a href="#linkXVII">XVII</a>, <a href="#linkXXVIII">XXVIII</a>,
+ <a href="#linkXXXIII">XXXIII</a>, <a href="#linkLXVI">LXVI</a>, <a
+ href="#linkLXXIV">LXXIV</a>.<br /> &mdash;&mdash;&mdash;&mdash; in love, <a
+ href="#link262">262</a>.<br /> Self-satisfaction, <a href="#link52">51</a>.<br />
+ Sensibility, <a href="#link275">275</a>.<br /> Sensible People, <a
+ href="#link347">347</a>, <a href="#linkCVI">CVI</a>.<br /> Sentiment, <a
+ href="#link255">255</a>, <a href="#linkR.VI">R.VI</a>.<br /> Severity of
+ Women, <a href="#link204">204</a>, <a href="#link333">333</a>.<br /> Shame,
+ <a href="#link213">213</a>, <a href="#link220">220</a>.<br /> Silence, <a
+ href="#link79">79</a>, <a href="#link137">137</a>, <a href="#link138">138</a>,
+ <a href="#linkCXIV">CXIV</a>.<br /> Silliness. SEE Folly.<br /> Simplicity,
+ <a href="#link289">289</a>.<br /> Sincerity, <a href="#link62">62</a>, <a
+ href="#link316">316</a>, <a href="#link366">366</a>, <a href="#link383">383</a>,
+ <a href="#link457">457</a>.<br /> &mdash;&mdash;&mdash;&mdash;, Difference
+ between it and Confidence, <a href="#linkR.I">R.I</a>.<br /> &mdash;&mdash;&mdash;&mdash;,
+ defined, <a href="#linkR.I">R.I</a>.<br /> &mdash;&mdash;&mdash;&mdash; of
+ Lovers, <a href="#linkLXI">LXI</a>.<br /> Skill, <a href="#linkLXIV">LXIV</a>.<br />
+ Sobriety, <a href="#linkXXV">XXV</a>.<br /> Society, <a href="#link87">87</a>,
+ <a href="#link201">201</a>, <a href="#linkR.IV">R.IV</a>.<br /> &mdash;&mdash;&mdash;,
+ Distinction between it and Friendship, <a href="#linkR.IV">R.IV</a>.<br />
+ Soul, <a href="#link80">80</a>, <a href="#link188">188</a>, <a
+ href="#link194">194</a>.<br /> Souls, Great, <a href="#linkXXXI">XXXI</a>.<br />
+ Sorrows, <a href="#linkLXXVIII">LXXVIII</a>.<br /> Stages of Life, <a
+ href="#link405">405</a>.<br /> Strength of mind, <a href="#link19">19</a>,
+ <a href="#link20">20</a>, <a href="#link21">21</a>, <a href="#link504">504</a>.<br />
+ Studies, why new ones are pleasing, <a href="#link178">178</a>.<br />
+ &mdash;&mdash;&mdash;, what to study, <a href="#linkXCII">XCII</a>.<br />
+ Subtilty, <a href="#link128">128</a>.<br /> Sun, <a href="#link26">26</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Talents, <a href="#link468">468</a>.<br /> &mdash;&mdash;&mdash;, latent,
+ <a href="#link344">344</a>, <a href="#linkXCV">XCV</a>.<br />
+ Talkativeness, <a href="#link314">314</a>.<br /> Taste, <a href="#link13">13</a>,
+ <a href="#link109">109</a>, <a href="#link252">252</a>, <a href="#link390">390</a>,
+ <a href="#link467">467</a>, <a href="#linkCXX">CXX</a>, <a
+ href="#linkR.III">R.III</a>, <a href="#linkR.VI">R.VI</a>.<br /> &mdash;&mdash;,
+ good, <a href="#link258">258</a>, <a href="#linkR.III">R.III</a>.<br />
+ &mdash;&mdash;, cause of diversities in, <a href="#linkR.III">R.III</a>.<br />
+ &mdash;&mdash;, false, <a href="#linkR.III">R.III</a>.<br /> Tears, <a
+ href="#link233">233</a>, <a href="#link373">373</a>.<br /> Temper, <a
+ href="#link47">47</a>, <a href="#link290">290</a>, <a href="#link292">292</a>.<br />
+ Temperament, <a href="#link220">220</a>, <a href="#link222">222</a>, <a
+ href="#link297">297</a>, <a href="#link346">346</a>.<br /> Times for
+ speaking, <a href="#linkR.V">R.V</a>.<br /> Timidity, <a href="#link169">169</a>,
+ <a href="#link480">480</a>.<br /> Titles, <a href="#linkXXXII">XXXII</a>.<br />
+ Tranquillity, <a href="#link488">488</a>.<br /> Treachery, <a
+ href="#link120">120</a>, <a href="#link126">126</a>.<br /> Treason, <a
+ href="#link120">120</a>.<br /> Trickery, <a href="#link86">86</a>, <a
+ href="#link350">350</a>, <a href="#linkXCI">XCI</a>. SEE Deceit.<br />
+ Trifles, <a href="#link41">41</a>.<br /> Truth, <a href="#link64">64</a>,
+ <a href="#linkLI">LI</a>.<br /> Tyranny, <a href="#linkR.I">R.I</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Understanding, <a href="#link89">89</a>.<br /> Untruth, <a href="#link63">63</a>.
+ SEE Lying.<br /> Unhappy, <a href="#linkCXXV">CXXV</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Valour, <a href="#link1">1</a>, <a href="#link213">213</a>, <a
+ href="#link214">214</a>, <a href="#link215">215</a>, <a href="#link216">216</a>.
+ SEE Bravery and Courage.<br /> Vanity, <a href="#link137">137</a>, <a
+ href="#link158">158</a>, <a href="#link200">200</a>, <a href="#link232">232</a>,
+ <a href="#link388">388</a>, <a href="#link389">389</a>, <a href="#link443">443</a>,
+ <a href="#link467">467</a>, <a href="#link483">483</a>.<br /> Variety of
+ mind, <a href="#linkR.IV">R.IV</a>.<br /> Vice, <a href="#link182">182</a>,
+ <a href="#link186">186</a>, <a href="#link187">187</a>, <a href="#link189">189</a>,
+ <a href="#link191">191</a>, <a href="#link192">192</a>, <a href="#link195">195</a>,
+ <a href="#link218">218</a>, <a href="#link253">253</a>, <a href="#link273">273</a>,<br />
+ <a href="#link380">380</a>, <a href="#link442">442</a>, <a href="#link445">445</a>,
+ <a href="#linkXXIX">XXIX</a>.<br /> Violence, <a href="#link363">363</a>,
+ <a href="#link369">369</a>, <a href="#link466">466</a>, <a
+ href="#linkCXIII">CXIII</a>.<br /> Victory, <a href="#linkXII">XII</a>.<br />
+ Virtue, <a href="#link1">1</a>, <a href="#link25">25</a>, <a
+ href="#link169">169</a>, <a href="#link171">171</a>, <a href="#link182">182</a>,
+ <a href="#link186">186</a>, <a href="#link187">187</a>, <a href="#link189">189</a>,
+ <a href="#link200">200</a>, <a href="#link218">218</a>,<br /> <a
+ href="#link253">253</a>, <a href="#link380">380</a>, <a href="#link388">388</a>,
+ <a href="#link442">442</a>, <a href="#link445">445</a>, <a href="#link489">489</a>,
+ <a href="#linkXXIX">XXIX</a>.<br /> Virtue of Women, <a href="#link1">1</a>,
+ <a href="#link220">220</a>, <a href="#link367">367</a>, <a
+ href="#linkXCVIII">XCVIII</a>.<br /> Vivacity, <a href="#link416">416</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Weakness, <a href="#link130">130</a>, <a href="#link445">445</a>.<br />
+ Wealth, Contempt of, <a href="#link301">301</a>.<br /> Weariness. SEE
+ Ennui.<br /> Wicked people, <a href="#link284">284</a>.<br /> Wife jealous
+ sometimes desirable, <a href="#linkLXXXIX">LXXXIX</a>.<br /> Will, <a
+ href="#link30">30</a>.<br /> Wisdom, <a href="#link132">132</a>, <a
+ href="#link210">210</a>, <a href="#link231">231</a>, <a href="#link323">323</a>,
+ <a href="#link444">444</a>, <a href="#linkLXXXIII">LXXXIII</a>.<br /> Wise
+ Man, who is a, <a href="#link203">203</a>, <a href="#linkXCI">XCI</a>.<br />
+ Wishes, <a href="#link295">295</a>.<br /> Wit, <a href="#link199">199</a>,
+ <a href="#link340">340</a>, <a href="#link413">413</a>, <a href="#link415">415</a>,
+ <a href="#link421">421</a>, <a href="#link502">502</a>.<br /> Wives, <a
+ href="#link364">364</a>, <a href="#linkCIV">CIV</a>.<br /> Woman, <a
+ href="#link131">131</a>, <a href="#link204">204</a>, <a href="#link205">205</a>,
+ <a href="#link220">220</a>, <a href="#link241">241</a>, <a href="#link277">277</a>,
+ <a href="#link332">332</a>, <a href="#link333">333</a>, <a href="#link334">334</a>,<br />
+ <a href="#link340">340</a>, <a href="#link346">346</a>, <a href="#link362">362</a>,
+ <a href="#link367">367</a>, <a href="#link368">368</a>, <a href="#link418">418</a>,
+ <a href="#link429">429</a>, <a href="#link440">440</a>, <a href="#link466">466</a>,
+ <a href="#link471">471</a>,<br /> <a href="#link474">474</a>, <a
+ href="#linkLXX">LXX</a>, <a href="#linkXC">XC</a>.<br /> Women, Severity
+ of, <a href="#link333">333</a>.<br /> &mdash;&mdash;, Virtue of, <a
+ href="#link205">205</a>, <a href="#link220">220</a>, <a href="#linkXC">XC</a>.<br />
+ &mdash;&mdash;, Power of, <a href="#linkLXXI">LXXI</a>.<br /> Wonder, <a
+ href="#link384">384</a>.<br /> World, <a href="#link201">201</a>.<br />
+ &mdash;&mdash;, Judgment of, <a href="#link268">268</a>.<br /> &mdash;&mdash;,
+ Approbation of, <a href="#link201">201</a>.<br /> &mdash;&mdash;,
+ Establishment in, <a href="#link56">56</a>.<br /> &mdash;&mdash;, Praise
+ and censure of, <a href="#link454">454</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Young men, <a href="#link378">378</a>, <a href="#link495">495</a>.<br />
+ Youth, <a href="#link271">271</a>, <a href="#link341">341</a>.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
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+</pre>
+ </body>
+</html>