path: root/9094.txt

The Project Gutenberg EBook of Wild Flowers, by Robert Bloomfield

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Wild Flowers
       Or, Pastoral and Local Poetry

Author: Robert Bloomfield

Posting Date: October 15, 2012 [EBook #9094]
Release Date: October, 2005
First Posted: September 4, 2003

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK WILD FLOWERS ***




Produced by Jonathan Ingram, Charles Bidwell and Distributed
Proofreaders










[Illustration]

WILD FLOWERS

OR,

PASTORAL AND LOCAL POETRY.

By ROBERT BLOOMFIELD
Author of "The Farmer's Boy" and "Rural Tales".

LONDON:
Printed for Vernor, Hood, and Sharpe, Poultry;
and Longman, Hurst, Rees, and Orme, Paternoster-Row.

1806.

WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.




PREFACE

A man of the first eminence, in whose day (fortunately perhaps for me) I
was not destined to appear before the public, or to abide the Herculean
crab-tree of his criticism, Dr. Johnson, has said, in his preface to
Shakspeare, that--"Nothing can please many, and please long, but just
representations of general nature." My representations of nature, whatever
may be said of their _justness_, are not _general_, unless we admit, what
I suspect to be the case, that nature in a village is very much like
nature every where else. It will be observed that all my pictures are from
humble life, and most of my heroines servant maids. Such I would have
them: being fully persuaded that, in no other way would my endeavours,
either to please or to instruct, have an equal chance of success.

The path I have thus taken, from necessity, as well as from choice, is
well understood and approved by hundreds, who are capable of ranging in
the higher walks of literature.--But with due deference to their superior
claim, I confess, that no recompense has been half so grateful or half so
agreeable to me as female approbation. To be readily and generally
understood, to have my simple Tales almost instinctively relished by those
who have so decided an influence over the lives, hearts, and manners of us
all, is the utmost stretch of my ambition.

I here venture, before the public eye, a selection from the various pieces
which have been the source of much pleasure, and the solace of my leisure
hours during the last four years, and since the publication of the "Rural
Tales." Perhaps, in some of them, more of mirth is intermingled than many
who know me would expect, or than the severe will be inclined to approve.
But surely what I can say, or can be expected to say, on subjects of
country life, would gain little by the seriousness of a preacher, or by
exhibiting fallacious representations of what has long been termed _Rural
Innocence_.

The Poem of "Good Tidings" is partially known to the world, but, as it
was originally intended to assume its present appearance and size, I have
gladly availed myself of an endeavour to improve it; and, from its present
extended circulation, I trust it will be new to thousands.

I anticipate some approbation from such readers as have been pleased with
the "Rural Tales;" yet, though I will not falsify my own feelings by
assuming a diffidence which I do not conceive to be either manly or
becoming, the conviction that some reputation is hazarded in "a third
attempt," is impressed deeply on my mind.

With such sentiments, and with a lively sense of the high honour, and a
hope of the bright recompence, of applause from the good, when heightened
by the self-approving voice of my own conscience, I commit the book to its
fate.

ROBERT BLOOMFIELD.



    DEDICATION.

    TO MY ONLY SON.

MY DEAR BOY,

In thus addressing myself to you, and in expressing my regard for your
person, my anxiety for your health, and my devotion to your welfare, I
enjoy an advantage over those dedicators who indulge in adulation;--I
shall at least be believed.

Should you arrive at that period when reason shall be mature, and
affection or curiosity induce you to look back on your father's
poetical progress through life, you may conclude that he had many to boast
as friends, whose names, in a dedication, would have honoured both him and
his children; but you must also reflect, that to particularize such
friends was a point of peculiar delicacy. The earliest patron of my
unprotected strains has the warm thanks which are his due, for the
introduction of blessings which have been diffused through our whole
family, and nothing will ever change this sentiment. But amidst a general
feeling of gratitude, which those who know me will never dispute, I feel
for you, Charles, what none but parents can conceive; and on your account,
my dear boy, there can be no harm in telling the world that I hope these
"Wild Flowers" will be productive of sweets of the worldly kind; for your
unfortunate lameness (should it never be removed) may preclude you from
the means of procuring comforts and advantages which might otherwise have
fallen to your share.

What a lasting, what an unspeakable satisfaction would it be to know that
the Ballads, the Plowman Stories, and the "Broken Crutch" of your father
would eventually contribute to lighten your steps to manhood, and make
your own crutch, through life, rather a memorial of affection than an
object of sorrow.

With a parent's feelings, and a parent's cares and hopes,

I am, Charles, yours,

R. B.




    CONTENTS

Abner and the Widow Jones, a Familiar Ballad
To My Old Oak Table
The Horkey, a Provincial Ballad
The Broken Crutch, a Tale
Shooter's Hill
A Visit to Ranelagh
Love of the Country
The Woodland Hallo
Barnham Water
Mary's Evening Sigh
Good Tidings; or, News from the Farm



    ABNER AND THE WIDOW JONES,

    A Familiar Ballad.


Well! I'm determin'd; that's enough:--
  Gee, Bayard! move your poor old bones,
I'll take to-morrow, smooth or rough,
  To go and court the Widow Jones.

Our master talks of stable-room,
  And younger horses on his grounds;
'Tis easy to foresee thy doom,
  Bayard, thou'lt go to feed the hounds.

The first Determination.

But could I win the widow's hand,
  I'd make a truce 'twixt death and thee;
For thou upon the best of land
  Should'st feed, and live, and die with me.

And must the pole-axe lay thee low?
  And will they pick thy poor old bones?
No--hang me if it shall be so,--
  If I can win the Widow Jones.

Twirl went his stick; his curly pate
  A bran-new hat uplifted bore;
And Abner, as he leapt the gate,
  Had never look'd so gay before.

Old Love revived.

And every spark of love reviv'd
  That had perplex'd him long ago,
When busy folks and fools contriv'd
  To make his Mary answer--_no_.

But whether, freed from recent vows,
  _Her_ heart had back to Abner flown,
And mark'd him for a second spouse,
  In truth is not exactly known.

Howbeit, as he came in sight,
  She turn'd her from the garden stile,
And downward look'd with pure delight,
  With half a sigh and half a smile.

Rustic Salutation.

She heard his sounding step behind,
  The blush of joy crept up her cheek,
As cheerly floated on the wind,
  "Hoi! Mary Jones--what wont you speak?"

Then, with a look that ne'er deceives,
  She turn'd, but found her courage fled;
And scolding sparrows from the eaves
  Peep'd forth upon the stranger's head.

Down Abner sat, with glowing heart,
  Resolv'd, whatever might betide,
To speak his mind, no other art
  He ever knew, or ever tried.

[Illustration: a couple.]

A clear Question.

And gently twitching Mary's hand,
  The bench had ample room for two,
His first word made her understand
  The plowman's errand was to woo.

"My Mary--may I call thee so?
  For many a happy day we've seen,
And if not mine, aye, years ago,
  Whose was the fault? you might have been!

"All that's gone by: but I've been musing,
  And vow'd, and hope to keep it true,
That she shall be my own heart's choosing
  Whom I call wife.--Hey, what say you?

Past Thoughts stated.

"And as I drove my plough along,
  And felt the strength that's in my arm,
Ten years, thought I, amidst my song,
  I've been head-man at Harewood farm.

"And now, my own dear Mary's free,
  Whom I have lov'd this many a day,
Who knows but she may think on _me?_
  I'll go hear what she has to say.

"Perhaps that little stock of land
  She holds, but knows not how to till,
Will suffer in the widow's hand,
  And make poor Mary poorer still

The Avowal.

"That scrap of land, with one like her,
  How we might live! and be so blest!
And who should Mary Jones prefer?
  Why, surely, him who loves her best!

"Therefore I'm come to-night, sweet wench,
  I would not idly thus intrude,"--
Mary look'd downward on the bench,
  O'erpower'd by love and gratitude.

And lean'd her head against the vine,
  With quick'ning sobs of silent bliss,
Till Abner cried, "You must be mine,
  You must,"--and seal'd it with a kiss.

The Interest of an old Horse asserted.

She talk'd of shame, and wip'd her check,
  But what had shame with them to do,
Who nothing meant but truth to speak,
  And downright honour to pursue?

His eloquence improv'd apace,
  As manly pity fill'd his mind;
"You know poor Bayard; here's the case,--
  He's past his labour, old, and blind:

"If you and I should but agree
  To settle here for good and all,
Could you give all your heart to me,
  And grudge that poor old rogue a stall?

His Character.

"I'll buy him, for the dogs shall never
  Set tooth upon a friend so true;
He'll not live long, but I for ever
  Shall know I gave the beast his due.

"'Mongst all I've known of plows and carts,
  And ever since I learn'd to drive,
He was not match'd in all these parts;
  There was not such a horse alive!

"Ready, as birds to meet the morn,
  Were all his efforts at the plough;
Then, the mill-brook with hay or corn,
  Good creature! how he'd spatter through!

Character continued.

"He was a horse of mighty pow'r,
  Compact in frame, and strong of limb;
Went with a chirp from hour to hour;
  Whip-cord! 'twas never made for him.

"I left him in the shafts behind,
  His fellows all unhook'd and gone,
He neigh'd, and deem'd the thing unkind.
  Then, starting, drew the load alone!

"But I might talk till pitch-dark night,
  And then have something left to say;
But, Mary, am I wrong or right,
  Or, do I throw my words away?

Something like Consent.

"Leave me, or take me and my horse;
  I've told thee truth, and all I know:
Truth _should_ breed truth; that comes of course;
  If I sow wheat, why wheat will grow."

"Yes, Abner, but thus soon to yield,
  Neighbours would fleer, and look behind 'em;
Though, with a husband in the field,
  Perhaps, indeed, I should not mind 'em.

"I've known your generous nature well,
  My first denial cost me dear;
How this may end we cannot tell,
  But, as for Bayard, bring him here."

Parting of the Lovers.--Sad News.

"Bless thee for that," the plowman cried,
  At once both starting from the seat,
He stood a guardian by her side,
  But talk'd of home,--'twas growing late.

Then step for step within his arm,
  She cheer'd him down the dewy way;
And no two birds upon the farm
  E'er prated with more joy than they.

What news at home? The smile he wore
  One little sentence turn'd to sorrow;
An order met him at the door.
  "Take Bayard to the dogs to-morrow."

The Journey renewed.

Yes, yes, thought he; and heav'd a sigh,
  Die when he will he's not your debtor:
I must obey, and he must die,--
  That's if I can't contrive it better.

He left his Mary late at night,
  And had succeeded in the main,
No sooner peep'd the morning light
  But he was on the road again!

Suppose she should refuse her hand?
  Such thoughts will come, I know not why;
Shall I, without a wife or land,
  Want an old horse? then wherefore buy?

Perplexity

From bush to bush, from stile to stile,
  Perplex'd he trod the fallow ground,
And told his money all the while
  And weigh'd the matter round and round.

"I'll borrow," that's the best thought yet;
  Mary shall save the horse's life.--
Kind-hearted wench! what, run in debt
  Before I know she'll be my wife?

These women wo'nt speak plain and free.--
  Well, well, I'll keep my service still;
She has not _said_ she'd marry me,
  But yet I dare to say she will.

A fresh Thought--Turns back.

But while I take this shay brain'd course,
  And like a fool run to and fro,
Master, perhaps, may sell the horse!
  Therefore this instant home I'll go.

The nightly rains had drench'd the grove,
  He plung'd right on with headlong pace;
A man but half as much in love
  Perhaps had found a cleaner place.

The day rose fair; with team a-field,
  He watch'd the farmer's cheerful brow;
And in a lucky hour reveal'd
  His secret at his post, the plough.

Coming to the Point--Generosity

And there without a whine began,
  "Master, you'll give me your advice;
I'm going to marry--if I can--
  And want old Bayard; what's his price!

"For Mary Jones last night agreed,
  Or near upon't, to be my wife:
The horse's value I don't heed,
  I only want to save his life."

"Buy him, hey! Abner! trust me I
  Have not the thought of gain in view;
Bayard's best days we've seen go by;
  He shall be cheap enough to you."

Symptoms of good Feelings.

The wages paid, the horse brought out,
  The hour of separation come;
The farmer turn'd his chair about,
  "Good fellow, take him, take him home.

"You're welcome, Abner, to the beast,
  For you're a faithful servant been;
They'll thrive I doubt not in the least,
  Who know what work and service mean."

The maids at parting, one and all,
  From different windows different tones;
Bade him farewel with many a bawl,
  And sent their love to Mary Jones.

Victory!

He wav'd his hat, and turn'd away,
  When loud the cry of children rose;
"Abner, good bye!" they stopt their play;
  "There goes poor Bayard! there he goes!"

Half choak'd with joy, with love, and pride,
  He now with dainty clover fed him,
Now took a short triumphant ride,
  And then again got down and led him.

And hobbling onward up the hill,
  The widow's house was full in sight,
He pull'd the bridle harder still,
  "Come on, we shan't be there to-night."

Victory!

She met them with a smile so sweet,
  The stable-door was open thrown;
The blind horse lifted high his feet,
  And loudly snorting, laid him down.

O Victory! from that stock of laurels
  You keep so snug for camps and thrones,
Spare us _one twig_ from all their quarrels
  For Abner and the Widow Jones.

[Illustration: a table.]



    TO MY OLD OAK TABLE.

Friend of my peaceful days! substantial friend,
Whom wealth can never change, nor int'rest bend,
I love thee like a child. Thou wert to me
The dumb companion of my misery,
And oftner of my joys;--then as I spoke,
I shar'd thy sympathy, Old Heart of Oak!
For surely when my labour ceas'd at night,
With trembling, feverish hands, and aching sight,
The draught that cheer'd me and subdu'd my care,
On thy broad shoulders thou wert proud to bear
O'er thee, with expectation's fire elate,
I've sat and ponder'd on my future fate:
On thee, with winter muffins for thy store,
I've lean'd, and quite forgot that I was poor.

Where dropp'd the acorn that gave birth to thee?
Can'st thou trace back thy line of ancestry?
We're match'd, old friend, and let us not repine,
Darkness o'erhangs thy origin and mine;
Both may be truly honourable: yet,
We'll date our honours from the day we met;
When, of my worldly wealth the parent stock,
Right welcome up the Thames from Woolwich Dock
Thou cam'st, when hopes ran high and love was young;
But soon our olive-branches round thee sprung;
Soon came the days that tried a faithful wife,
The noise of children, and the cares of life.
Then, midst the threat'nings of a wintry sky,
_That cough_ which blights the bud of infancy,
The dread of parents, Rest's inveterate foe,
Came like a plague, and turn'd my songs to woe.

Rest! without thee what strength can long survive,
What spirit keep the flame of Hope alive?
The midnight murmur of the cradle gave
Sounds of despair; and chilly as the grave.
We felt its undulating blast arise,
Midst whisper'd sorrows and ten thousand sighs.
Expiring embers warn'd us each to sleep,
By turns to watch alone, by turns to weep,
By turns to hear, and keep from starting wild,
The sad, faint wailings of a dying child.
But Death, obedient to Heav'n's high command,
Withdrew his jav'lin, and unclench'd his hand;
The little sufferers triumph'd over pain,
Their mother smil'd, and bade me hope again.
Yet Care gain'd ground, Exertion triumph'd less,
Thick fell the gathering terrors of Distress;
Anxiety, and Griefs without a name,
Had made their dreadful inroads on my frame;
The creeping Dropsy, cold as cold could be,
Unnerv'd my arm, and bow'd my head to thee.
Thou to thy trust, old friend, hast not been true;
These eyes the bitterest tears they ever knew
Let fall upon thee; now all wip'd away;
But what from memory shall wipe out that day?
The great, the wealthy of my native land,
To whom a guinea is a grain of sand,
I thought upon them, for my _thoughts_ were free,
But all unknown were then my woes and me.

Still, Resignation was my dearest friend,
And Reason pointed to a glorious end;
With anxious sighs, a parent's hopes and pride,
I wish'd to live--I trust I could have died!
But winter's clouds pursu'd their stormy way,
And March brought sunshine with the length'ning day,
And bade my heart arise, that morn and night
Now throbb'd with irresistible delight.
Delightful 'twas to leave disease behind,
And feel the renovation of the mind!
To lead abroad upborne on Pleasure's wing,
Our children, midst the glories of the spring;
Our fellow sufferers, our only wealth,
To gather daisies in the breeze of health!

'Twas then, too, when our prospects grew so fair,
And Sabbath bells announc'd the morning pray'r;
Beneath that vast gigantic dome we bow'd,
That lifts its flaming cross above the cloud;
Had gain'd the centre of the checquer'd floor;--
That instant, with reverberating roar
Burst forth the pealing organ----mute we stood;--
The strong sensation boiling through my blood,
Rose in a storm of joy, allied to pain,
I wept, and worshipp'd GOD, and wept again;
And felt, amidst the fervor of my praise,
The sweet assurances of better days.

In that gay season, honest friend of mine,
I mark'd the brilliant sun upon thee shine;
Imagination took her flights so free,
_Home_ was delicious with my book and thee,
The purchas'd nosegay, or brown ears of corn,
Were thy gay plumes upon a summer's morn,
Awakening memory, that disdains control,
They spoke the darling language of my soul:
They whisper'd tales of joy, of peace, of truth,
And conjur'd back the sunshine of my youth:
Fancy presided at the joyful birth,
I pour'd the torrent of my feelings forth;
Conscious of _truth_ in Nature's humble track,
And wrote "The Farmer's Boy" upon thy back!
Enough, old friend:--thou'rt mine; and shalt partake,
While I have pen to write, or tongue to speak,
Whatever fortune deals me.--Part with thee!
No, not till death shall set my spirit free;
For know, should plenty crown my life's decline,
A most important duty may be thine:
Then, guard me from Temptation's base control,
From apathy and littleness of soul
The sight of thy old frame, so rough, so rode,
Shall twitch the sleeve of nodding Gratitude;
Shall teach me but to venerate the more
Honest Oak Tables and their guests--the poor:
Teach me unjust distinctions to deride,
And falsehoods gender'd in the brain of Pride;
Shall give to Fancy still the cheerful hour,
To Intellect, its freedom and its power;
To Hospitality's enchanting ring
A charm, which nothing but thyself can bring.
The man who would not look with honest pride
On the tight bark that stemm'd the roaring tide,
And bore him, when he bow'd the trembling knee,
Home, through the mighty perils of the sea,
I love him not.--He ne'er shall be my guest;
Nor sip my cup, nor witness how I'm blest;
Nor lean, to bring my honest friend to shame,
A sacrilegious elbow on thy frame;
But thou through life a monitor shalt prove,
Sacred to Truth, to Poetry, and Love.

Dec. 1803.



    THE HORKEY.    A Provincial Ballad.

    ADVERTISEMENT.

In the descriptive ballad which follows, it will be evident that I have
endeavoured to preserve the style of a gossip, and to transmit the
memorial of a custom, the extent or antiquity of which I am not acquainted
with, and pretend not to enquire.

In Suffolk husbandry the man who, (whether by merit or by sufferance I
know not) goes foremost through the harvest with the scythe or the sickle,
is honoured with the title of "_Lord_," and at the Horkey, or harvest-home
feast, collects what he can, for himself and brethren, from the farmers
and visitors, to make a "frolick" afterwards, called "the largess
spending." By way of returning thanks, though perhaps formerly of much
more, or of different signification, they immediately leave the seat of
festivity, and with a very long and repeated shout of "a largess," the
number of shouts being regulated by the sums given, seem to wish to make
themselves heard by the people of the surrounding farms. And before they
rejoin the company within, the pranks and the jollity I have endeavoured
to describe, usually take place. These customs, I believe, are going fast
out of use; which is one great reason for my trying to tell the rising
race of mankind that such were the customs when I was a boy.

I have annexed a glossary of such words as may be found by general readers
to require explanation. And will add a short extract from Sir Thomas
Brown, of Norwich, M. D. who was born three years before Milton, and
outlived him eight years.

"It were not impossible to make an original reduction of many words of no
general reception in _England_, but of common use in _Norfolk_, or
peculiar to the _East-Angle_ counties; as, Bawnd, Bunny, Thurck, Enemis,
Matchly, Sainmodithee, Mawther, Kedge, Seele, Straft, Clever, Dere,
Nicked, Stingy, Noneare, Fett, Thepes, Gosgood, Kamp, Sibrit, Fangast,
Sap, Cothish, Thokish, Bide-owe, Paxwax. Of these, and some others, of no
easy originals, when time will permit, the resolution shall be attempted;
which to effect, the Danish language, new, and more ancient, may prove of
good advantage: which nation remained here fifty years upon agreement, and
have left many families in it, and the language of these parts had surely
been more commixed and perplex, if the fleet of _Hugo de Bones_ had not
been cast away, wherein three-score thousand souldiers, out of Britany and
Flanders, were to be wafted over, and were, by King _John's_ appointment,
to have a settled habitation in the counties of _Norfolk_ and _Suffolk_."
Tract the viii. on Languages, particularly the Saxon. Folio, 1686, page
48.



    THE HORKEY.

    A Provincial Ballad.


What gossips prattled in the sun,
  Who talk'd him fairly down,
Up, memory! tell; 'tis Suffolk fun,
  And lingo of their own.

Ah! _Judie Twitchet!_[A] though thou'rt dead,
  With thee the tale begins;
For still seems thrumming in my head
  The rattling of thy pins.

[Footnote A: Judie Twitchet was a real person, who lived many years with
my mother's cousin Bannock, at Honnington.]

Thou Queen of knitters! for a ball
  Of worsted was thy pride;
With dangling stockings great and small,
  And world of clack beside!

"We did so laugh; the moon shone bright;
  "More fun you never knew;
"'Twas Farmer Cheerum's _Horkey night_,
  "And I, and Grace, and Sue----

"But bring a stool, sit round about,
  "And boys, be quiet, pray;
"And let me tell my story out;
 "'Twas _sitch_ a merry day!

"The butcher whistled at the door,
  "And brought a load of meat;
"Boys rubb'd their hands, and cried, 'there's more,'
  "Dogs wagg'd their tails to see't.

"On went the boilers till the _hake_[Footnote: A sliding pot-hook]
  "Had much ado to bear 'em;
"The magpie talk'd for talking sake,
  "Birds sung;--but who could hear 'em?

"Creak went the jack; the cats were _scar'd_,
  "We had not time to heed 'em,
"The _owd hins_ cackled in the yard,
  "For we forgot to feed 'em!

"Yet 'twas not I, as I may say,
  "Because as how, d'ye see;
"I only help'd there for the day;
  "They cou'dn't lay't to me.

"Now Mrs. Cheerum's best lace cap
  "Was mounted on her head;
"Guests at the door began to rap,
  "And now the cloth was spread.

"Then clatter went the earthen plates--
  "'Mind Judie,' was the cry;
"I could have _cop't_[Footnote: Thrown] them at their pates;
  "'Trenchers for me,' said I.

"'That look so clean upon the ledge,
  "'And never mind a fall;
"'Nor never turn a sharp knife's edge;--
  "'But fashion rules us all.'

"Home came the jovial _Horkey load_,
  "Last of the whole year's crop;
"And Grace amongst the green boughs rode
  "Right plump upon the top.

"This way and that the waggon reel'd,
  "And never queen rode higher;
"_Her_ cheeks were colour'd in the field,
  "And ours before the fire.

"The laughing harvest-folks, and John,
  "Came in and look'd askew;
"'Twas my red face that set them on,
  "And then they leer'd at Sue.

"And Farmer Cheerum went, good man,
  "And broach'd the _Horkey beer_;
"And _sitch a mort_[Footnote: Such a number.] of folks began
  "To eat up our good cheer.

"Says he, 'Thank God for what's before us;
  "'That thus we meet agen,'
"The mingling voices, like a chorus,
  "Join'd cheerfully, 'Amen.'--

"Welcome and plenty, there they found 'em,
  "The ribs of beef grew light;
"And puddings--till the boys got round 'em,
  "And then they vanish'd quite!

"Now all the guests, with Farmer Crouder,
  "Began to prate of corn;
"And we found out they talk'd the louder,
  "The oftner pass'd the Horn.

"Out came the nuts; we set a cracking;
  "The ale came round our way;
"_By gom_ we women fell a clacking
  "As loud again as they.

"John sung 'Old Benbow' loud and strong,
  "And I, 'The Constant Swain,'
"'Cheer up my Lads,' was Simon's song,
  "'We'll conquer them again.'

"Now twelve o'clock was drawing nigh,
  "And all in merry cue;
"I knock'd the cask, 'O, ho!' said I,
  "'We've almost conquer'd you.'

"_My Lord_[Footnote: The leader of the reapers.] begg'd round, and held
his hat,
  "Says Farmer Gruff, says he,
"There's many a Lord, Sam, I know that,
  "Has begg'd as well as thee.'

"Bump in his hat the shillings tumbl'd
  "All round among the folks;
"'Laugh if you wool,' said Sam, and mumbl'd,
  "'You pay for all your jokes.'

"Joint stock you know among the men,
  "To drink at their own charges;
"So up they got full drive, and then
  "Went out to _halloo largess_.[Footnote: See advertisement.]

"And sure enough the noise they made!!--
  --"But let me mind my tale;
"We follow'd them, we wor'nt afraid,
  "We'ad all been drinking ale.

"As they stood hallooing back to back,
  "We, lightly as a feather,
"Went sideling round, and in a crack
  "Had pinn'd their coats together.

"'Twas near upon't as light as noon;
  "'_A largess_,' on the hill,
"They shouted to the full round moon,
  "I think I hear 'em still!

"But when they found the trick, my stars!
  "They well knew who to blame,
"Our giggles turn'd to ha, ha, ha's,
  "And _arter_ us they came.

"Grace by the tumbril made a squat,
  "Then ran as Sam came by,
"They said she could not run for fat;
  "_I know_ she did not try.

"Sue round the _neathouse_[Footnote: Cow-house.] squalling ran,
  "Where Simon scarcely dare;
"He stopt,--for he's a fearful man--
  "'_By gom_ there's _suffen_[Footnote: Something.] there!'

"And off set John, with all his might,
  "To chase me down the yard,
"Till I was nearly _gran'd_[Footnote: Strangled.] outright;
  "He hugg'd so woundly hard.

"Still they kept up the race and laugh,
  "And round the house we flew;
"But hark ye! the best fun by half
  "Was Simon _arter_ Sue.

"She car'd not, dark nor light, not she,
  "So, near the dairy door
"She pass'd a clean white hog, you see,
  "They'd _kilt_ the day before.

"High on the spirket [Footnote: An iron hook.] there it hung,--
  "'Now Susie--what can save ye?'
"Round the cold pig his arms he flung,
  "And cried, 'Ah! here I have ye!'

"The farmers heard what Simon said,
  "And what a noise! good lack!
"Some almost laugh'd themselves _to dead_,
  "And others clapt his back.

"We all at once began to tell
  "What fun we had abroad;
"But Simon stood our jeers right well;
  --"He fell asleep and snor'd.

"Then in his button-hole upright,
  "Did Farmer Crouder put,
"A slip of paper twisted tight,
  "And held the candle _to't_.

"It smok'd, and smok'd, beneath his nose,
  "The harmless blaze crept higher;
"Till with a vengeance up he rose,
  "Grace, Judie, Sue! fire, fire!

"The clock struck one--some talk'd of parting,
  "Some said it was a sin,
"And _kilch'd_ their chairs;--but those for starting
  "Now let the moonlight in.

"_Owd_ women, loitering _for the nonce_,[Footnote: For the purpose.]
  "Stood praising the fine weather;
"The menfolks took the hint at once
  "To kiss them altogether.

"And out ran every soul beside,
  "A _shanny-pated_[Footnote: Giddy, thoughtless.] crew;
"_Owd_ folks could neither run nor hide,
  "So some _ketch'd_ one, some _tew_.

"They _skriggl'd_[Footnote: To struggle quick.] and began to scold.
  "But laughing got the master;
"Some _quack'ling_[Footnote: Choaking.] cried, 'let go your hold;'
  "The farmers held the faster.

"All innocent, that I'll be sworn,
  "There wor'nt a bit of sorrow,
"And women, if their gowns _are_ torn,
  "Can mend them on the morrow.

"Our shadows helter skelter danc'd
  "About the moonlight ground;
"The wondering sheep, as on we pranc'd,
  "Got up and gaz'd around,

"And well they might--till Farmer Chcerum,
  "Now with a hearty glee,
"Bade all good morn as he came near 'em,
  "And then to bed went he.

"Then off we stroll'd this way and that,
  "With merry voices ringing;
"And Echo answered us right pat,
  "As home we rambl'd singing.

"For, when we laugh'd, it laugh'd again,
  "And to our own doors follow'd!
"'Yo, ho!' we cried; 'Yo, ho!' so plain
  "The misty meadow halloo'd.

"That's all my tale, and all the fun,
  "Come, turn your wheels about;
"My worsted, see!--that's nicely done,
  "Just held my story out!!"

Poor Judie!--Thus Time knits or spins
  The worsted from Life's ball!
Death stopt thy tales, and stopt thy pins,
  --And so he'll serve us all.




    THE BROKEN CRUTCH.

    A Tale.

"I tell you, Peggy," said a voice behind
A hawthorn hedge, with wild briars thick entwin'd,
Where unseen trav'llers down a shady way
Journey'd beside the swaths of new-mown hay,
"I tell you, Peggy, 'tis a time to prove
Your fortitude, your virtue, and your love.
From honest poverty our lineage sprung,
Your mother was a servant quite as young;--
You weep; perhaps _she_ wept at leaving home,
Courage, my girl, nor fear the days to come.
Go still to church, my Peggy, plainly drest,
And keep a living conscience in your breast;
Look to yourself, my lass, the maid's best fame,
Beware, nor bring the Meldrums into shame:
Be modest, to the voice of age attend,
Be honest, and you'll always find a friend:
Your uncle Gilbert, stronger far than I,
Will see you safe; on him you must rely;
I've walk'd too far; this lameness, oh! the pain;
Heav'n bless thee, child! I'll halt me back again;
But when your first fair holiday may be,
Rise with the lark, and spend your hours with me."

Young Herbert Brooks, in strength and manhood bold,
Who, round the meads, his own possessions, stroll'd,
O'erheard the charge, and with a heart so gay,
Whistled his spaniel and pursu'd his way.

A Hint for a Libertine.

Soon cross'd his path, and short obeisance paid,
Stout Gilbert Meldrum and a country maid;
A box upon his shoulder held full well
Her worldly riches, but the truth to tell
She bore the chief herself; that nobler part.
That beauteous gem, an uncorrupted heart.
And then that native loveliness! that cheek!
It bore the very tints her betters seek;
At such a sight the libertine would glow,
With all the warmth that _he_ can ever know;
Would send his thoughts abroad without control,
The glimmering moon-shine of his little soul.
"Above the reach of justice I shall soar,
Her friends may weep, not punish; they're too poor:
That very thought the rapture will enhance,
Poor, young, and friendless; what a glorious chance!

Herbert's Character.

A few spare guineas may the conquest make,--
I love the treachery for treachery's sake,--
And when her wounded honour jealous grows,
I'll cut away ten thousand oaths and vows,
And tell my comrades, with a manly stride,
How I, _a girl out-witten and out-lied_."
Such was not Herbert--he had never known
Love's genuine smiles, nor suffer'd from his frown;
And as to that most honourable part
Of planting daggers in a parent's heart,
A novice quite:--he past his hours away,
Free as a bird and buxom as the day;
Yet, should a lovely girl by chance arise,
Think not that Herbert Brooks would shut his eyes.

On thy calm joys with what delight I dream,
Thou dear green valley of my native stream!

Regret for Devastation by Enclosures.

Fancy o'er thee still waves th' enchanting wand,
And every nook of thine is fairy land,
And ever will be, though the axe should smite
In Gain's rude service, and in Pity's spite,
Thy clustering alders, and at length invade
The last, last poplars, that compose thy shade:
Thy stream shall then in native freedom stray,
And undermine the willows in its way,
These, nearly worthless, may survive this storm,
This scythe of desolation call'd "Reform."
No army past that way! yet are they fled,
The boughs that, when a school-boy, screen'd my head:
I hate the murderous axe; estranging more
The winding vale from what it was of yore,
Than e'en mortality in all its rage,
And all the change of faces in an age.

The Tale pursued.

"Warmth," will they term it, that I speak so free?
They strip thy shades,--thy shades so dear to me!
In Herbert's days woods cloth'd both hill and dale;
But peace, Remembrance! let us tell the tale.

His home was in the valley, elms grew round
His moated mansion, and the pleasant sound
Of woodland birds that loud at day-break sing,
With the first cuckoos that proclaim the spring,
Flock'd round his dwelling; and his kitchen smoke,
That from the towering rookery upward broke,
Of joyful import to the poor hard by,
Stream'd a glad sign of hospitality;
So fancy pictures; but its day is o'er;
The moat remains, the dwelling is no more!
Its name denotes its melancholy fall,
For village children call the spot "Burnt-Hall."

[Illustration: a woman kneeling.]

The Church.

But where's the maid, who in the meadow-way
Met Herbert Brooks amongst the new-mown hay?

Th' adventure charm'd him, and next morning rose
The Sabbath, with its silence and repose,
The bells ceas'd chiming, and the broad blue sky
Smil'd on his peace, and met his tranquil eye
Inverted, from the foot-bridge on his way
To that still house where all his fathers lay;
There in his seat, each neighbour's face he knew--
The stranger girl was just before his pew!
He saw her kneel, with meek, but cheerful air,
And whisper the response to every prayer;
And, when the humble roof with praises rung,
He caught the Hallelujah from her tongue,
Rememb'ring with delight the tears that fell
When the poor father bade his child farewell;

Love strengthened by Reflection.

And now, by kindling tenderness beguil'd,
He blest the prompt obedience of that child,
And link'd his fate with hers:--for, from that day,
Whether the weeks past cheerily away,
Or deep revolving doubts procur'd him pain,
The same bells chim'd--and there she was again!
What could be done? they came not there to woo,
On holy ground,--though love is holy too.

They met upon the foot-bridge one clear morn,
She in the garb by village lasses worn;
He, with unbutton'd frock that careless flew,
And buskin'd to resist the morning dew;
With downcast look she courtsied to the ground,
Just in his path--no room to sidle round.

An Interview.

"Well, pretty girl, this early rising yields
The best enjoyment of the groves and fields,
And makes the heart susceptible and meek,
And keeps alive that rose upon your cheek.
I long'd to meet you, Peggy, though so shy,
I've watch'd your steps and learn'd your history;
You love your poor lame father, let that be
A happy presage of your love for me.
Come then, I'll stroll these meadows by your side,
I've seen enough to wish you for my bride,
And plainly tell you so.--Nay, let me hold
This guiltless hand, I prize it more than gold;
Of that I have my share, but now pursue
Such lasting wealth as I behold in you.
My lands are fruitful and my gardens gay,
My houshold cheerful as the summer's day;
One blessing more will crown my happy life,
Like Adam, pretty girl, I want a wife."

Frequent Meetings.--Family Pride.

Need it be told his suit was not denied,
With youth, and wealth, and candour on his side
Honour took charge of love so well began,
And accidental meetings, one by one,
Increas'd so fast midst time's unheeded flight,
That village rumour married them outright;
Though wiser matrons, doubtful in debate,
Pitied deluded Peggy's hapless fate.
Friends took th' alarm, "And will he then disgrace
"The name of Brooks with this plebeian race?"
Others, more lax in virtue, not in pride,
Sported the wink of cunning on one side;
"He'll buy, no doubt, what Peggy has to sell,
A little gallantry becomes him well."
Meanwhile the youth with self-determin'd aim,
Disdaining fraud, and pride's unfeeling claim,

Marriage proposed

Above control pursued his generous way,
And talk'd to Peggy of the marriage day.
Poor girl! she heard, with anguish and with doubt,
What her too knowing neighbours preach'd about,
That Herbert would some nobler match prefer,
And surely never, never marry her;
Yet, with what trembling and delight she bore
The kiss, and heard the vow, "I'll doubt no more;"
"Protect me Herbert, for your honour's sake
You will," she cried, "nor leave my heart to break."
Then wrote to uncle Gilbert, joys, and fears,
And hope, and trust, and sprinkled all with tears.

Rous'd was the dormant spirit of the brave,
E'en lameness rose to succour and to save;
For, though they both rever'd young Herbert's name,
And knew his unexceptionable fame;

Doubts.--Parental Feelings.

And though the girl had honestly declar'd
Love's first approaches, and their counsel shar'd,
Yet, that he truly meant to take for life
The poor and lowly Peggy for a wife;
Or, that she was not doom'd to be deceiv'd,
Was out of bounds:--it _could not_ be believ'd.
"Go, Gilbert; save her; I, you know, am lame;
Go, brother, go; and save my child from shame.
Haste, and I'll pray for your success the while,
Go, go;"--then bang'd his crutch upon the stile:--
It snapt.--E'en Gilbert trembled while he smote,
Then whipt the broken end beneath his coat;
"Aye, aye, I'll settle them; I'll let them see
Who's to be conqu'ror this time, I or he!"

[Illustration: two men at a stile.]

Gilbert on the Road!--An Adventure.

Then off he set, and with enormous strides,
Rebellious mutterings and oaths besides,
O'er clover-field and fallow, bank and brier,
Pursu'd the nearest cut, and fann'd the fire
That burnt within him.--Soon the Hall he spied,
And the grey willows by the water side;
Nature cried "halt!" nor could he well refuse;
Stop, Gilbert, breathe awhile, and ask _the news_.
"News?" cried a stooping grandame of the vale,
Aye, rare news too; I'll tell you such a tale;
But let me rest; this bank is dry and warm;
Do you know Peggy Meldrum at the farm?
Young Herbert's girl? He'as cloath'd her all in white.
You never saw so beautiful a sight!
Ah! he's a fine young man, and such a face!
I knew his grandfather and all his race;
He rode a tall white horse, and look'd so big,
But how shall I describe his hat and wig?"

A promising Story cut short.

"Plague take his wig," cried Gilbert, "and his hat,
Where's Peggy Meldrum? can you tell me _that_?"
"Aye; but have patience man, you'll hear anon,
For I shall come to her as I go on,
So hark 'ye friend; his grandfather I say,"--
"Poh, poh,"--cried Gilbert, as he turn'd away.
Her eyes were fix'd, her story at a stand,
The snuff-box lay half open'd in her hand;
"You great ill-manner'd clown! but I must bear it;
You oaf; to ask the news, and then won't hear it!"
But Gilbert had gain'd forty paces clear,
When the reproof came murmuring on his ear.

Again he ask'd the first that past him by;
A cow-boy stopt his whistle to reply.
"Why, I've a mistress coming home, that's all,
They're playing Meg's diversion at the Hall;

A Cow-Boy's Bravery

"For master's gone, with Peggy, and his cousin,
And all the lady folks, about a dozen,
To church, down there; he'll marry one no doubt,
For that it seems is what they're gone about;
I know it by their laughing and their jokes,
Tho' they _wor'nt_ ask'd at church like other folks."

Gilbert kept on, and at the Hall-door found
The winking servants, where the jest went round:
All expectation; aye, and so was he,
But not with heart so merry and so free.
The kitchen table, never clear from beef,
Where hunger found its solace and relief,
Free to all strangers, had no charms for him,
For agitation worried every limb;
Ale he partook, but appetite had none,
And grey-hounds watch'd in vain to catch the bone.

Sitting upon Thorns.

All sounds alarm'd him, and all thoughts perplex'd,
With dogs, and beef, himself, and all things vex'd,
Till with one mingled caw above his head,
Their gliding shadows o'er the court-yard spread,
The rooks by thousands rose: the bells struck up;
He guess'd the cause, and down he set the cup,
And listening, heard, amidst the general hum,
A joyful exclamation, "Here they come!"--
Soon Herbert's cheerful voice was heard above,
Amidst the rustling hand-maids of his love,
And Gilbert follow'd without thought or dread,
The broad oak stair-case thundr'd with his tread;
Light tript the party, gay as gay could be,
Amidst their bridal dresses--there came he!
And with a look that guilt could ne'er withstand,
Approach'd his niece and caught her by the hand,

Anger disarmed.

"Now are you married, Peggy, yes or no?
Tell me at once, before I let you go!"
Abrupt he spoke, and gave her arm a swing,
But the same moment felt the wedding ring,
And stood confus'd.--She wip'd th' empassion'd tear,
"I am, I am; but is my father here?"
Herbert stood by, and sharing with his bride,
That perturbation which she strove to hide;
"Come, honest Gilbert, you're too rough this time,
Indeed here's not the shadow of a crime;
But where's your brother? When did you arrive?
We waited long, for Nathan went at five!"

All this was Greek to Gilbert, downright Greek:
He knew not what to think, nor how to speak.
The case was this; that Nathan with a cart
To fetch them both at day-break was to start,

An Explanation.

And so he did--but ere he could proceed,
He suck'd a charming portion with a reed,
Of that same wedding-ale, which was that day
To make the hearts of all the village gay;
Brim full of glee he trundled from the Hall,
And as for sky-larks, he out-sung them all;
Till growing giddy with his morning cup.
He, stretch'd beneath a hedge, the reins gave up;
The horse graz'd soberly without mishap,
And Nathan had a most delightful nap
For three good hours--Then, doubting, when he woke,
Whether his conduct would be deem'd a joke,
With double haste perform'd just half his part,
And brought the lame John Meldrum in his cart:
And at the moment Gilbert's wrath was high,
And while young Herbert waited his reply,

A general Meeting.

The sound of rattling wheels was at the door;
"There's my dear father now,"--they heard no more,
The bridegroom glided like an arrow down,
And Gilbert ran, though something of a clown,
With his best step; and cheer'd with smiles and pray'rs
They bore old John in triumph up the stairs:
Poor Peggy, who her joy no more could check,
Clung like a dewy woodbine round his neck,
And all stood silent--Gilbert, off his guard,
And marvelling at virtue's rich reward,
Loos'd the one loop that held his coat before,
Down thumpt the broken crutch upon the floor!
They started, half alarm'd, scarce knowing why,
But through the glist'ning rapture of his eye
The bridegroom smil'd, then chid their simple fears,
And rous'd the blushing Peggy from her tears;

Gilbert put upon his Defense.

Around the uncle in a ring they came,
And mark'd his look of mingled pride and shame.
"Now honestly, good Gilbert, tell us true
What meant this cudgel? What was it to do?
I know your heart suspected me of wrong,
And that most true affection urg'd along
Your feelings and your wrath; you were beside
Till now the rightful guardian of the bride.
But why this cudgel?"--"Guardian! that's the case,
Or else to day you had not seen my face,
But John about the girl was so perplex'd,
And I, to tell the truth, so mortal vex'd,
That when he broke _this crutch_, and stampt and cried,
For John and Peggy, Sir, I could have died,
I know I could; for she was such a child,
So tractable, so sensible, and mild,

The plain Truth.

That if between you roguery had grown,
(Begging your pardon,) 'twould have been your own;
She would not hurt a fly.--So off I came
And had you only sought to blast her fame,
Been base enough to act as hundreds would,
And ruin a poor maid--because you _could_,
With this same cudgel, (you may smile or frown)
An' please you, Sir, I meant to knock you down."

A burst of laughter rang throughout the hall,
And Peggy's tongue, though overborne by all,
Pour'd its warm blessings, for, without control
The sweet unbridled transport of her soul
Was obviously seen, till Herbert's kiss
Stole, as it were, the eloquence of bliss.

Mirth and Reconciliation.

"Welcome, my friends; good Gilbert, here's my hand;
Eat, drink, or rest, they're all at your command:
And whatsoever pranks the rest may play,
Still you shall be the hero of to-day,
Doubts might torment, and blunders may have teaz'd,
But ale can cure them; let us all be pleas'd.
Thou, venerable man, let me defend
The father of my new dear bosom friend;
You broke your crutch, well, well, worse luck might be,
I'll be your crutch, John Meldrum, lean on me,
And when your lovely daughter shall complain,
Send Gilbert's wooden argument again.
If still you wonder that I take a wife
From the unpolish'd walks of humble life,
I'll tell you on what ground my love began,
And let the wise confute it if they can.
I saw a girl, with nature's untaught grace,
Turn from my gaze a most engaging face;

Herbert's Apology.

I saw her drop the tear, I knew full well
She felt for _you_ much more than she could tell.
I found her understanding, bright as day,
Through all impediments still forc'd its way;
On that foundation shall my soul rely,
The rock of genuine humility.
Call'd as she is to act a nobler part,
To rule my houshold, and to share my heart,
I trust her prudence, confident to prove
Days of delight, and still unfading love;
For, while her inborn tenderness survives,
That heav'nly charm of mothers and of wives,
I'll look for joy:--Here come the neighbours all;
Broach the old barrel, feast them great and small,
For I'm determin'd while the sun's so bright,
That this shall be a wedding-day outright:

John Meldrum's wish.--Conclusion.

How cheerly sound the bells! my charmer, come,
Expand your heart, and know yourself at home.
Sit down, good John;"--"I will," the old man cried,
"And let me drink to you, Sir, and the bride;
My blessing on you: I am lame and old,
I can't make speeches, and I wo'nt be bold;
But from my soul I wish, and wish with pain,
_That brave good gentlemen would not disdain_
_The poor, because they're poor_: for, if they live
Midst crimes that parents _never can_ forgive,
If, like the forest beast they wander wild,
To rob a father, or to crush a child,
Nature _will_ speak, aye, just as Nature feels,
And wish--a Gilbert Meldrum at their heels."




    SHOOTER'S HILL.
[Footnote: Sickness may be often an incentive to poetical composition;
I found it so; and I esteem the following lines only because they remind
me of past feelings which I would not willingly forget.]


Health! I seek thee;--dost thou love
  The mountain top or quiet vale,
Or deign o'er humbler hills to rove
  On showery June's dark south-west gale?
If so, I'll meet all blasts that blow,
  With silent step, but not forlorn;
Though, goddess, at thy shrine I bow,
  And woo thee each returning morn.

I seek thee where, with all his might,
  The joyous bird his rapture tells,
Amidst the half-excluded light,
  That gilds the fox-glove's pendant bells;
Where, cheerly up this bold hill's side
  The deep'ning groves triumphant climb;
In groves Delight and Peace abide,
  And Wisdom marks the lapse of time.

To hide me from the public eye,
  To keep the throne of Reason clear,
Amidst fresh air to breathe or die,
  I took my staff and wander'd here.
Suppressing every sigh that heaves,
  And coveting no wealth but thee,
I nestle in the honied leaves,
  And hug my stolen liberty.

O'er eastward uplands, gay or rude,
  Along to Erith's ivied spire,
I start, with strength and hope renew'd,
  And cherish life's rekindling fire.
Now measure vales with straining eyes,
  Now trace the church-yard's humble names:
Or, climb brown heaths, abrupt that rise,
  And overlook the winding Thames.

I love to mark the flow'ret's eye,
  To rest where pebbles form my bed,
Where shapes and colours scatter'd lie
  In varying millions round my head.
The soul rejoices when alone,
  And feels her glorious empire free;
Sees GOD in every shining stone,
  And revels in variety.

Ah me! perhaps within my sight,
  Deep in the smiling dales below,
Gigantic talents, Heav'n's pure light,
  And all the rays of genius glow
In some lone soul, whom no one sees
  With _power_ and _will_ to say "Arise,"
Or chase away the slow disease,
And Want's foul picture from his eyes.

A worthier man by far than I,
  With more of industry and fire,
Shall see fair Virtue's meed pass by,
  Without one spark of fame expire!
Bleed not my heart, it will be so.
  The throb of care was thine full long;
Rise, like the Psalmist from his woe,
  And pour abroad the joyful song.

Sweet Health, I seek thee! hither bring
  Thy balm that softens human ills;
Come, on the long drawn clouds that fling
  Their shadows o'er the Surry-Hills.
Yon green-topt hills, and far away
  Where late as now I freedom stole,
And spent one dear delicious day
  On thy wild banks, romantic _Mole_.


Aye, there's the scene![1] beyond the sweep
  Of London's congregated cloud,
The dark-brow'd wood, the headlong steep,
  And valley-paths without a crowd!
Here, Thames, I watch thy flowing tides,
  Thy thousand sails am proud to see;
But where the _Mole_ all silent glides
  Dwells Peace--and Peace is wealth to me.

[Footnote 1: Box-Hill, and the beautiful neighbourhood of Dorking, in
Surry.]

Of Cambrian mountains still I dream,
  And mouldering vestiges of war;
By time-worn cliff or classic stream
  Would rove,--but prudence holds a bar.
Conic then, O Health, I'll strive to bound
  My wishes to this airy stand;
'Tis not for _me_ to trace around
  The wonders of my native land.

Yet, the loud torrent's dark retreat,
  Yet Grampian hills shall Fancy give,
And, towering in her giddy scat,
  Amidst her own creation live,
Live, if thou'lt urge my climbing feet,
  Give strength of nerve and vigorous breath,
If not, with dauntless soul I meet
  The deep solemnity of death.

This far-seen monumental tower
  Records th' achievements of the brave,
And Angria's subjugated power,
  Who plunder'd on the eastern wave.
I would not that such turrets rise
  To point out where my bones arc laid;
Save that some wandering bard might prize
  The comforts of its broad cool shade.

O Vanity! since thou'rt decreed
  Companion of our lives to be,
I'll seek the moral songster's meed,
  An earthly immortality;
Most vain!--O let me, from the past
  Remembering what to man is given,
Lay Virtue's broad foundations fast,
  Whose glorious turrets reach to Heav'n:



    A VISIT TO RENELAGH

To Ranelagh, once in my life,
  By good-natur'd force I was driv'n;
The nations had ceas'd their long strife,
  And PEACE[1] beam'd her radiance from Heav'n.
What wonders-were there to be found
  That a clown might enjoy or disdain?
First we trac'd the gay ring all around,
  Aye--and then we went round it again.

[Footnote 1: A grand Fete, in honour of the peace of 1802.]

A thousand feet rustled on mats,
  A carpet that once had been green;
Men bow'd with their outlandish hats,
  With corners so fearfully keen!
Fair maids, who at home in their haste
  Had left all clothing else but a train,
Swept the floor clean, as slowly they pac'd,
  And then--walk'd round and swept it again.

The music was truly enchanting!
  Right glad was I when I came near it;
But in fashion I found I was wanting:--
  'Twas the fashion to walk and not hear it!
A fine youth, as beauty beset him,
  Look'd smilingly round on the train;
"The king's nephew," they cried, as they met him;
  Then--we went round and met him again.

Huge paintings of Heroes and Peace
  Seem'd to smile at the sound of the fiddle,
Proud to fill up each tall shining space
  Round the lanthorn[1] that stood in the middle.
And GEORGE'S head too; Heav'n screen him!
  May he finish in peace his long reign!
And what did we when we had seen him?
  Why--went round and saw him again.

[Footnote 1: The intervals between the pillars in the centre of the
Rotunda were filled up by transparent paintings]

A bell rang, announcing new pleasures,
  A crowd in an instant prest hard,
Feathers nodded, perfumes shed their treasures.
  Round a door that led into the yard.
'Twas peopled all o'er in a minute,
  As a white flock would cover a plain!
We had seen every soul that was in it,
  Then we went round and saw them again.

But now came a scene worth the showing,
  The fireworks! midst langhs and huzzas,
With explosions the sky was all glowing,
  Then down stream'd a million of stars;
With a rush the bright rockets ascended,
  Wheels spurted blue fires like a rain;
We turn'd with regret when 'twas ended,
  Then--star'd at each other again.

There thousands of gay lamps aspir'd
  To the tops of the trees and beyond;
And, what was most hugely admir'd,
  They look'd all up-side-down in a pond!
The blaze scarce an eagle could bear;
  And an owl had most surely been slain;
We return'd to the circle, and there--
  And there we went round it again.

'Tis not wisdom to love without reason,
  Or to censure without knowing why:
I had witness'd no crime, nor no treason,
  "O Life, 'tis thy picture," said I.
'Tis just thus we saunter along,
  Months and years bring their pleasures or pain;
We sigh midst the _right_ and the _wrong_;
--And then _we go round them again_!




    LOVE OF THE COUNTRY.

    Written At Clare-Hall, Herts. June 1804.

Welcome silence! welcome peace!
  O most welcome, holy shade!
Thus I prove as years increase,
  My heart and soul for quiet made.
Thus I fix my firm belief
  While rapture's gushing tears descend;
That every flower and every leaf
  Is moral Truth's unerring friend.

I would not for a world of gold
  That Nature's lovely face should tire;
Fountain of blessings yet untold;
  Pure source of intellectual fire!
Fancy's fair buds, the germs of song,
  Unquicken'd midst the world's rude strife,
Shall sweet retirement render strong,
  And morning silence bring to life.

Then tell me not that I shall grow
  Forlorn, that fields and woods will cloy;
From Nature and her changes flow
  An everlasting tide of joy.
I grant that summer heats will burn,
  That keen will come the frosty night;
But both shall please: and each in turn
  Yield Reason's most supreme delight.

Build me a shrine, and I could kneel
  To Rural Gods, or prostrate fall;
Did I not see, did I not feel,
  That one GREAT SPIRIT governs all.
O heav'n permit that I may lie
  Where o'er my corse green branches ware;
And those who from life's tumult fly
  With kindred feelings press my grave.




THE WOODLAND HALLO.

_(Perhaps) adapted for Music._

In our cottage, that peeps from the skirts of the wood,
  I am mistress, no mother have I;
Yet blithe are my days, for my father is good,
  And kind is my lover hard by;
They both work together beneath the green shade,
  Both woodmen, my father and Joe.
Where I've listen'd whole hours to the echo that made
  So much of a laugh or--_Hallo_.

From my basket at noon they expect their supply,
  And with joy from my threshold I spring;
For the woodlands I love, and the oaks waring high,
  And Echo that sings as I sing.
Though deep shades delight me, yet love is my food,
  As I call the dear name of my Joe;
His musical shout is the pride of the wood,
  And my heart leaps to hear the--Hallo.

Simple flowers of the grove, little birds live at ease,
  I wish not to wander from you;
I'll still dwell beneath the deep roar of your trees,
  For I know that my Joe will be true.
The trill of the robin, the coo of the dove,
  Are charms that I'll never forego;
But resting through life on the bosom of love,
  Will remember the Woodland Hallo.

 [Illustration: a woman with a basket walking past a cottage]




    BARNHAM WATER

Fresh from the Hall of Bounty sprung,[1]
  With glowing heart and ardent eye,
With song and rhyme upon my tongue,
  And fairy visions dancing by,
The mid-day sun in all his pow'r
  The backward valley painted gay;
Mine was a road without a flower,
  Where one small streamlet cross'd the way.

[Footnote 1: On a sultry afternoon, late in the summer of 1802,
Euston-Hall lay in my way to Thetford, which place I did not reach until
the evening, on a visit to my sister: the lines lose much of their
interest except they could be read on the spot, or at least at a
coresponding season of the year.]

What was it rous'd my soul to love?
  What made the simple brook so dear?
It glided like the weary dove,
  And never brook seem'd half so clear.
Cool pass'd the current o'er my feet,
  Its shelving brink for rest was made,
But every charm was incomplete,
  For Barnham Water wants a shade.

There, faint beneath the fervid sun,
  I gaz'd in ruminating mood;
For who can see the current run
  And snatch no feast of mental food?
"Keep pure thy soul," it seem'd to say,
  "Keep that fair path by wisdom trod,
"That thou may'st hope to wind thy way
  "To fame worth boasting, and to God."

Long and delightful was the dream,
  A waking dream that Fancy yields,
Till with regret I left the stream
  And plung'd across the barren fields;
To where of old rich abbeys smil'd
  In all the pomp of gothic taste,
By fond tradition proudly styl'd,
  The mighty "City in the East."

Near, on a slope of burning sand,
  The shepherd boys had met to play,
To hold the plains at their command,
  And mark the trav'ller's leatless way.
The trav'ller with a cheerful look
  Would every pining thought forbear,
If boughs but shelter'd Barnham brook
  He'd stop and leave his blessing there.

The Danish mounds of partial green,
  Still, as each mouldering tower decays,
Far o'er the bleak unwooded scene
  Proclaim their wond'rous length of days.
My burning feet, my aching sight,
  Demanded rest,--why did I weep?
The moon arose, and such a night!
  Good Heav'n! it was a sin to sleep.

All rushing came thy hallow'd sighs,
  Sweet Melancholy, from my breast;
"'Tis here that eastern greatness lies,
  "That Might, Renown, and Wisdom rest!
"Here funeral rites the priesthood gave
  "To chiefs who sway'd prodigious powers,
"The Bigods and the Mowbrays brave,
  "From Framlingham's imperial towers.

Full of the mighty deeds of yore,
  I bade good night the trembling beam;
Fancy e'en heard the battle's roar,
  Of what but slaughter could I dream?
Bless'd be that night, that trembling beam,
  Peaceful excursions Fancy made;
All night I heard the bubbling stream,
  Yet, Barnham Water wants a shade.

Whatever hurts my country's fame,
  When wits and mountaineers deride,
To me grows serious, for I name
  My native plains and streams with pride.
No mountain charms have I to sing,
  No loftier minstrel's rights invade;
From trifles oft _my_ raptures spring;
  --Sweet Barnham Water wants a shade




    MARY'S EVENING SIGH

How bright with pearl the western sky!
  How glorious far and wide,
Yon lines of golden clouds that lie
  So peaceful side by side!
Their deep'ning tints, the arch of light,
  All eyes with rapture see;
E'en while I sigh I bless the sight
  That lures my love from me.

Green hill, that shad'st the valley here,
  Thou bear'st upon thy brow
The only wealth to Mary dear,
  And all she'll ever know.
There, in the crimson light I see,
  Above thy summit rise,
My Edward's form, he looks to me
  A statue in the skies.

Descend my love, the hour is come,
  Why linger on the hill?
The sun hath left my quiet home,
  But thou canst see him still;
Yet why a lonely wanderer stray,
  Alone the joy pursue?
The glories of the closing day
  Can charm thy Mary too.

Dear Edward, when we stroll'd along
  Beneath the waving corn,
And both confess'd the power of song,
  And bless'd the dewy morn;
Your eye o'erflow'd, "How sweet," you cried.
  (My presence then could move)
"How sweet, with Mary by my side,
  "To gaze and talk of love"

Thou art not false! that cannot be;
  Yet I my rivals deem
Each woodland charm, the moss, the tree,
  The silence, and the stream;
Whate'er my love, detains thee now,
  I'll yet forgive thy stay;
But with to-morrow's dawn come thou,
  We'll brush the dews away.




    GOOD TIDINGS OR, _NEWS FROM THE FARM_.

How vain this tribute; vain, this lowly lay;
Yet nought is vain which gratitude inspires!
The Muse, besides, her duty thus approves
To virtue, to her country, to mankind!
_Thomson._


ADVERTISEMENT

To the few who know that I have employed my thoughts on the importance of
Dr. Jenners's discovery, it has generally and almost unexceptionably
appeared a subject of little promise; peculiarly unfit indeed for poetry.
My method of treating it has endeared it to myself, for it indulges in
domestic anecdote. The account given of my infancy and of my father's
burial, is not only poetically, but strictly true, and with me it has its
weight accordingly. I have witnessed the destruction described in my
brother's family: and I have, in my own, insured the lives of four
children by Vaccine Inoculation, who, I trust, are destined to look back
upon the Small-pox of the scourge of days gone by.--My hopes are high, and
my prayers sincere, for its universal adoption.

The few notes subjoined are chiefly from "Woodville on Inoculation;" and
if I may escape the appearance of affectation of research, or a scientific
treatment of the subject, I think the egotism, so conspicuous in the poem,
(as facts give force to argument,) ought to be forgiven.



    GOOD TIDINGS;

    OR,

    _NEWS FROM THE FARM_.

Where's the Blind Child, so admirably fair,
With guileless dimples, and with flaxen hair
That waves in ev'ry breeze? he's often seen
Beside yon cottage wall, or on the green,
With others match'd in spirit and in size,
Health on their cheeks and rapture in their eyes;
That full expanse of voice, to childhood dear,
Soul of their sports, is duly cherish'd here:
And, hark! that laugh is his, that jovial cry;
He hears the ball and trundling hoop brush by,
And runs the giddy course with all his might,
A very child in every thing but sight;
With circumscrib'd but not abated pow'rs,--
Play! the great object of his infant hours;--
In many a game he takes a noisy part,
And shows the native gladness of his heart;
But soon he hears, on pleasure all intent,
The new suggestion and the quick assent;
The grove invites, delight thrills every breast--
To leap the ditch and seek the downy nest
Away they start, leave balls and hoops behind,
And one companion leave----the boy is blind!

[Illustration: a child beneath a tree.]

His fancy paints their distant paths so gay,
That childish fortitude awhile gives way,
He feels his dreadful loss--yet short the pain,
Soon he resumes his cheerfulness again;
Pond'ring how best his moments to employ,
He sings his little songs of nameless joy,
Creeps on the warm green turf for many an hour,
And plucks by chance the white and yellow flow'r;
Smoothing their stems, while resting on his knees,
He binds a nosegay which he never sees;
Along the homeward path then feels his way,
Lifting his brow against the shining day,
And, with a playful rapture round his eyes,
Presents a sighing parent with the prize.

She blest _that_ day, which he remembers too,
When he could gaze on heav'n's ethereal blue,
See the green Spring, and Summer's countless dies,
And all the colours of the morning rise.--
'When was this work of bitterness begun?
How came the blindness of your only son?'
Thus pity prompts full many a tongue to say,
But never, till she slowly wipes away
Th' obtruding tear that trembles in her eye.
This dagger of a question meets reply:--
"My boy was healthy, and my rest was sound,
When last year's corn was green upon the ground
From yonder town infection found its way;
Around me putrid dead and dying lay,
I trembled for his fate: but all my care
Avail'd not, for he breath'd the tainted air;
Sickness ensu'd--in terror and dismay
I nurs'd him in my arms both night and day,
When his soft skin from head to foot became
One swelling purple sore, unfit to name:
Hour after hour, when all was still beside,
When the pale night-light in its socket died,
Alone I sat; the thought still sooths my heart,
That surely I perform'd a mother's part,
Watching with such anxiety and pain
Till he might smile and look on me again;
But that was not to be--ask me no more:
GOD keep small-pox and blindness from your door!"

Now, ye who think, whose souls abroad take wing,
And trace out human troubles to their spring,
Say, should Heav'n grant us, in some hallow'd hour,
Means to divest this demon of his power,
To loose his horrid grasp from early worth,
To spread a saving conquest round the earth,
Till ev'ry land shall bow the grateful knee,
Would it not be a glorious day to see?--
That day is come! my soul, in strength arise,
Invoke no muse, no power below the skies;
To Heav'n the energies of verse belong,
Truth is the theme, and truth shall be the song;
Arm with conviction ev'ry joyful line,
Source of all mercies, for the praise is thine!
Sweet beam'd the star of peace upon those days
When Virtue watch'd my childhood's quiet ways,
Whence a warm spark of Nature's holy flame
Gave the farm-yard an honourable name,
But left one theme unsung: then, who had seen
In herds that feast upon the vernal green,
Or dreamt that in the blood of kine there ran
Blessings beyond the sustenance of man?
We tread the meadow, and we scent the thorn,
We hail the day-spring of a summer's morn
Nor mead at dawning day, nor thymy heath,
Transcends the fragrance of the heifer's breath:
May that dear fragrance, as it floats along
O'er ev'ry flow'r that lives in rustic song;
May all the sweets of meadows and of kine
Embalm, O Health! this offering at thy shrine.

Dear must that moment be when first the mind,
Ranging the paths of science unconfin'd,
Strikes a new light; when, obvious to the sense,
Springs the fresh spark of bright intelligence.
So felt the towering soul of MONTAGU,
Her sex's glory, and her country's too;
Who gave the spotted plague one deadly blow,
And bade its mitigated poison flow
With half its terrors; yet, with loathing still,
We hous'd a visitant with pow'r to kill.
Then when the healthful blood, though often tried,
Foil'd the keen lancet by the Severn side,
Resisting, uncontaminated still,
The purple pest and unremitting skill;
When the plain truth tradition seem'd to know,
By simply pointing to the harmless Cow,
Though wise distrust to reason might appeal;
What, when hope triumph'd, what did JENNER feel!
Where even hope itself could scarcely rise
To scan the vast, inestimable prize?
Perhaps supreme, alone, triumphant stood
The great, the conscious power of doing good,
The power to will, and wishes to embrace
Th' emancipation of the human race;
A joy that must all mortal praise outlive,
A wealth that grateful nations cannot give.
Forth sped the truth immediate from his hand,
And confirmations sprung in ev'ry land;
In ev'ry land, on beauty's lily arm,
On infant softness, like a magic charm,
Appear'd the gift that conquers as it goes;
The dairy's boast, the simple, saving Rose!
Momentous triumph--fiend! thy reign is o'er;
Thou, whose blind rage hath ravag'd ev'ry shore,
Whose name denotes destruction, whose foul breath
For ever hov'ring round the dart of death,
Fells, mercilessly fells, the brave and base,
Through all the kindreds of the human race.

Who has not heard, in warm, poetic tales,
Of eastern fragrance and Arabian gales?
Bowers of delight, of languor, and repose,
Where beauty triumph'd as the song arose?
Fancy may revel, fiction boldly dare,
But truth shall not forget that _thou_ wert there,
Scourge of the world! who, borne on ev'ry wind,
From bow'rs of roses [1] sprang to curse mankind.
[Footnote 1: The first medical account of the small-pox is given by the
Arabian physicians, and is traced no farther back than the siege of
Alexandria, about the year of Christ, 640.--Woodville.]


The Indian palm thy devastation knows:
Thou sweep'st the regions of eternal snows [2]:
[Footnote 2: First introduced into Greenland in 1733, and almost
depopulated the country.--Ibid.]

Climbing the mighty period of his years,
The British oak his giant bulk uprears;
He, in his strength, while toll'd the passing bell,
Rejoic'd whole centuries as thy victims fell:
Armies have bled, and shouts of vict'ry rung,
Fame crown'd _their_ deaths, _thy_ deaths are all unsung:
'Twas thine, while victories claim'd th' immortal lay,
Through private life to cut thy desperate way;
And when full power the wondrous magnet gave
Ambition's sons to dare the ocean wave,
Thee, in their train of horrid ills, they drew
Beneath the blessed sunshine of Peru [3].
[Footnote 3: In 1520, says Mr. Woodville, when the small-pox visited New
Spain, it proved fatal to one half of the people in the provinces to which
the infection extended; being carried thither by a negro slave, who
attended Narvaez in his expedition against Cortes. He adds, about fifty
years after the discovery of Peru, The small-pox was carried over from
Europe to America by way of Carthagena, when it overran the Continent of
the New World, and destroyed upwards of 100,000 Indians in the single
province of Quito.--_Hist. of Inoculation._]

But why unskill'd th' historic page explore?
Why thus pursue thee to a foreign shore?
A homely narrative of days gone by,
Familiar griefs, and kindred's tender sigh
Shall still survive; for thou on ev'ry mind
Hast left some traces of thy wrath behind.
There dwelt, beside a brook that creeps along
Midst infant hills and meads unknown to song,
One to whom poverty and faith were giv'n,
Calm village silence, and the hope of heav'n:
Alone she dwelt; and while each morn brought peace
And health was smiling on her years' increase,
Sudden and fearful, rushing through her frame,
Unusual pains and feverish symptoms came.
Then, when debilitated, faint, and poor,
How sweet to hear a footstep at her door!
To see a neighbour watch life's silent sand,
To hear the sigh, and feel the helping hand!
Soon woe o'erspread the interdicted ground,
And consternation seiz'd the hamlets round:
Uprose the pest--its widow'd victim died;
And foul contagion spread on ev'ryside;
The helping neighbour for her kind regard,
Bore home _that_ dreadful tribute of reward,
_Home_, where six children, yielding to its pow'r,
Gave hope and patience a most trying hour;
One at her breast still drew the living stream,
And, sense of danger never marr'd his dream;
Yet all exclaim'd, and with a pitying eye,
"Whoe'er survives the shock, _that child will die!_"
But vain the fiat,--Heav'n restor'd them all,
And destin'd one of riper years to fall.
Midnight beheld the close of all his pain,
His grave was clos'd when midnight came again;
No bell was heard to toll, no funeral pray'r,
No kindred bow'd, no wife, no children there;
Its horrid nature could inspire a dread
That cut the bonds of custom like a thread
The humble church-tow'r higher seem'd to shew,
Illumin'd by their trembling light below;
The solemn night-breeze struck each shiv'ring check;
Religious reverence forbade to speak:
The starting Sexton his short sorrow chid
When the earth murmur'd on the coffin lid,
And falling bones and sighs of holy dread
Sounded a requiem to the silent dead!

'Why tell us tales of woe, thou who didst give
Thy soul to rural themes, and bade them live?
What means this zeal of thine, this kindling fire?
The rescu'd infant and the dying sire.'
Kind heart, who o'er the pictur'd Seasons glow'd,
When smiles approv'd the verse, or tears have flow'd,
Was then the lowly minstrel dear to thee?
Himself appeals--What, if _that child_ were HE!

[Illustration: men digging a grave?]

What, if those midnight sighs a farewel gave,
While hands, all trembling, clos'd his father's grave!
Though love enjoin'd not infant eyes to weep,
In manhood's zenith shall his feelings sleep?
Sleep not my soul! indulge a nobler flame;
_Still_ the destroyer persecutes thy name.
  Seven winter's cannot pluck from memory's store
That mark'd affliction which a brother bore;
That storm of trouble bursting on his head,
When the fiend came, and left _two children_ dead!
Yet, still superior to domestic woes,
The native vigour of his mind arose,
And, as new summers teem'd with brighter views,
He trac'd the wand'rings of his darling Muse,
And all was joy--this instant all is pain,
The foe implacable returns again,
And claims a sacrifice; the deed is done--
_Another child_ has fall'n, another son [4]!
[Footnote 4: I had proceeded thus far with the Poem, when the above fact
became a powerfull stimulus to my feelings, and to the earnestness of my
exhortations.]

His young cheek even now is scarcely cold,
And shall his early doom remain untold?
No! let the tide of passion roll along,
Truth _will_ be heard, and GOD will bless the song
Indignant Reason, Pity, Joy, arise,
And speak in thunder to the heart that sighs:
Speak loud to parents;--knew ye not the time
When age itself, and manhood's hardy prime,
With horror saw their short-liv'd friendships end.
Yet dar'd not visit e'en the dying friend?
Contagion, a foul serpent lurking near,
Mock'd Nature's sigh and Friendship's holy tear.
Love ye your children?--let that love arise,
Pronounce the sentence, and the serpent dies;
Bid welcome a mild stranger at your door,
Distress shall cease, those terrors reign no more.
Love ye your neighbours?--let that love be shown;
Risk not _their_ children while you guard your own;
Give not a foe dominion o'er your blood,
Plant not a poison, e'en to bring forth good;
For, woo the pest discreetly as you will,
Deadly infection must attend him still.
Then, let the serpent die! this glorious prize
Sets more than life and health before our eyes,
For beauty triumphs too! Beauty! sweet name,
The mother's feelings kindling into flame!
For, where dwells she, who, while the virtues grow.
With cold indifference marks the arching brow?
Or, with a lifeless heart and recreant blood,
Sighs not for daughters fair as well as good?
That sigh is nature, and cannot decay,
'Tis universal as the beams of day;
Man knows and feels its truth; for, Beauty's call
Rouses the coldest mortal of us all;
A glance warms age itself, and gives the boy
The pulse of rapture and the sigh of joy.
And is it then no conquest to insure
Our lilies spotless and our roses pure?
Is it no triumph that the lovely face
Inherits every line of Nature's grace?
That the sweet precincts of the laughing eye
Dread no rude scars, no foul deformity?
Our boast, old Time himself shall not impair.
Of British maids pre-eminently fair;
But, as he rolls his years on years along,
Shall keep the record of immortal song;
For song shall rise with ampler power to speak
The new-born influence of Beauty's cheek,
Shall catch new fires in every sacred grove,
Fresh inspiration from the lips of Love,
And write for ever on the rising mind--
DEAD IS ONE MORTAL FOE OF HUMAN KIND!

Yes, we have conquer'd! and the thought should raise
A spirit in our prayers as well as praise,
For who will say, in Nature's wide domain
There lurk not remedies for every pain?
Who will assert, where Turkish banners fly,
Woe still shall reign--the plague shall never die?
Or who predict, with bosom all unblest,
An everlasting fever in the West?
Forbid it Heav'n!--Hope cheers us with a smile,
The sun of Mercy's risen on our isle:
Its beams already, o'er th' Atlantic wave,
Pierce the dark forests of the suffering brave:
There, e'en th' abandon'd sick imbib'd a glow,
When warrior nations, resting on the bow,
Astonish'd heard the joyful rumour rise,
And call'd the council of their great and wise:
The truth by female pray'rs was urg'd along,
Youth ceas'd the chorus of the warrior song,
And present ills bade present feelings press
With all the eloquence of deep distress;
Till forth their chiefs [A] o'er dying thousands trod
To seek the white man and his bounteous God:
[Footnote A: The chiefs of the Cherokee Indians, in North America, have
applied to the government of the United States for information on the
subject of Vaccine Inoculation, and have spread the practice in the
Woods.]

Well sped their errand; with a patriot zeal
They spread the blessing for their country's weal.

Where India's swarthy millions crowd the strand,
And round that isle, which crowns their pointed land,
Speeds the good angel with the balmy breath,
And checks the dreadful tyranny of death:
Whate'er we hear to hurt the peace of life,
Of Candian treachery and British strife,
The sword of commerce, nations bought and sold,
They owe to England more than mines of gold;
England has sent a balm for private woe;
England strikes down the nations' bitterest foe.

Europe, amidst the clangor of her arms,
While life was threaten'd with a thousand harms,
And Charity was freezing to its source,
Still saw fair Science keep her steady course;
And, while whole legions fell, by friends deplor'd,
New germs of life sprung up beneath the sword,
And spread amain.--Then, in our bosoms, why
Must exultation mingle with a sigh?

Thought takes the retrospect of years just fled,
And, conjuring up the spirits of the dead,
Whispers each dear and venerated name
Of the last victims ere the blessing came,
Worthies, who through the lands that gave them birth
Breath'd the strong evidence of growing worth;
Parents, cut down in life's meridian day,
And childhood's thousand thousand swept away;
Life's luckless mariners! ye, we deplore
Who sunk within a boat's length of the shore [A].
[Footnote A: So lately as the year 1793, the small-pox was carried to the
Isle of France by a Dutch ship, and there destroyed five thousand four
hundred persons in six weeks.--Woodville.]

A stranger youth, from his meridian sky,
Buoyant with hopes, came here but came to _die_!
O'er his sad fate I've ponder'd hours away,
It suits the languor of a gloomy day:
He left his bamboo groves, his pleasant shore,
He left his friends to hear new oceans roar,
All confident, ingenuous, and bold,
He heard the wonders by the white men told;
With firm assurance trod the rolling deck,
And saw his isle diminish to a speck,
Plough'd the rough waves, and gain'd our northern clime,
In manhood's ripening sense and nature's prime.
Oh! had the fiend been vanquished ere he came,
The gen'rous youth had spread my country's fame.
Had known that honour dwells among the brave,
And England had not prov'd the stranger's grave:
Then, ere his waning sand of life had run,
Poor ABBA THULE might hare seen his son! [A]
[Footnote A: Lee Boo, second son of the King of the Pelew Islands, was
brought to England by Capt. Wilson, and died of the Small-pox at
Rotherhithe, in 1784.]

Rise, exultation! spirit, louder speak!
Pity, dislodge thy dewdrops from my cheek:
Sleep sound, forefathers; sleep, brave stranger boy,
While truth impels the current of my joy:
To all mankind, to all the earth 'tis giv'n,
Conviction travels like the light of heav'n:
Go, blessing, from thy birth-place still expand,
For that dear birth-place is my native land!
A nation consecrates th' auspicious day,
And wealth, and rank, and talents lead the way!
Time, with triumphant hand, shall truth diffuse,
Nor ask the unbought efforts of the Muse.
Mothers! the pledges of your loves caress,
And heave no sighs but sighs of tenderness.
Fathers, be firm! keep down the fallen foe,
And on the memory of domestic woe
Build resolution,--Victory shall increase
Th' incalculable wealth of private peace;
And such a victory, unstain'd with gore,
That strews its laurels at the cottage door,
Sprung from the farm, and from the yellow mead,
Should be the glory of the pastoral reed.
In village paths, hence, may we never find
Their youth on crutches, and their children blind;
Nor, when the milk-maid, early from her bed,
Beneath the may bush that embow'rs her head,
Sings like a bird, e'er grieve to meet again
The fair cheek injur'd by the scars of pain;
Pure, in her morning path, where'er she treads,
Like April sunshine and the flow'rs it feeds,
She'll boast new conquests; Love, new shafts to fling;
And Life, an uncontaminated spring.
In pure delight didst thou, my soul, pursue
A task to conscience and to kindred due,
And, true to feeling and to Nature, deem
The dairy's boast thy own appropriate theme;
Hail now the meed of pleasurable hours,
And, at the foot of Science, strew thy flow'rs!


THE END










End of the Project Gutenberg EBook of Wild Flowers, by Robert Bloomfield

*** END OF THIS PROJECT GUTENBERG EBOOK WILD FLOWERS ***

***** This file should be named 9094.txt or 9094.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/9/0/9/9094/

Produced by Jonathan Ingram, Charles Bidwell and Distributed
Proofreaders


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.