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+The Project Gutenberg EBook of Kokoro, by Lafcadio Hearn
+#9 in our series by Lafcadio Hearn
+
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+*****These eBooks Were Prepared By Thousands of Volunteers!*****
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+
+Title: Kokoro
+ Japanese Inner Life Hints
+
+Author: Lafcadio Hearn
+
+Release Date: September, 2005 [EBook #8882]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on August 20, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK KOKORO ***
+
+
+
+
+Produced by Liz Warren.
+
+
+
+
+THE papers composing this volume treat of the inner rather than
+of the outer life of Japan,--for which reason they have been
+grouped under the title Kokoro (heart). Written with the above
+character, this word signifies also mind, in the emotional sense;
+spirit; courage; resolve; sentiment; affection; and inner
+meaning,--just as we say in English, "the heart of things."
+
+KOBE September 15, 1895.
+
+
+CONTENTS
+
+I. AT A RAILWAY STATION
+II. THE GENIUS Of JAPANESE CIVILIZATION
+III. A STREET SINGER
+IV. FROM A TRAVELING DIARY
+V. THE NUN OF THE TEMPLE OF AMIDA
+VI. AFTER THE WAR
+VII. HARU
+VIII. A GLIMPSE OF TENDENCIES
+IX. BY FORCE OF KARMA
+X. A CONSERVATIVE
+XI. IN THE TWILIGHT OF THE GODS
+XII. THE IDEA OF PRE-EXISTENCE
+XIII. IN CHOLERA-TIME
+XIV. SOME THOUGHTS ABOUT ANCESTOR-WORSHIP
+XV. KIMIKO
+APPENDIX. THREE POPULAR BALLADS
+
+
+
+KOKORO
+
+I
+
+AT A RAILWAY STATION
+
+Seventh day of the sixth Month;--
+twenty-sixth of Meiji.
+
+Yesterday a telegram from Fukuoka announced that a desperate
+criminal captured there would be brought for trial to Kumamoto
+to-day, on the train due at noon. A Kumamoto policeman had gone
+to Fukuoka to take the prisoner in charge.
+
+Four years ago a strong thief entered some house by night in the
+Street of the Wrestlers, terrified and bound the inmates, and
+carried away a number of valuable things. Tracked skillfully by
+the police, he was captured within twenty-four hours,--even
+before he could dispose of his plunder. But as he was being taken
+to the police station he burst his bonds, snatched the sword of
+his captor, killed him, and escaped. Nothing more was heard of
+him until last week.
+
+Then a Kumamoto detective, happening to visit the Fukuoka prison,
+saw among the toilers a face that had been four years
+photographed upon his brain. "Who is that man?" he asked the
+guard. "A thief," was the reply,--"registered here as Kusabe."
+The detective walked up to the prisoner and said:--
+
+"Kusabe is not your name. Nomura Teichi, you are needed in
+Kumamoto for murder." The felon confessed all.
+
+
+I went with a great throng of people to witness the arrival at
+the station. I expected to hear and see anger; I even feared
+possibilities of violence. The murdered officer had been much
+liked; his relatives would certainly be among the spectators; and
+a Kumamoto crowd is not very gentle. I also thought to find many
+police on duty. My anticipations were wrong.
+
+The train halted in the usual scene of hurry and noise,--scurry
+and clatter of passengers wearing geta,--screaming of boys
+wanting to sell Japanese newspapers and Kumamoto lemonade.
+Outside the barrier we waited for nearly five minutes. Then,
+pushed through the wicket by a police-sergeant, the prisoner
+appeared,--a large wild-looking man, with head bowed down, and
+arms fastened behind his back. Prisoner and guard both halted in
+front of the wicket; and the people pressed forward to see--but
+in silence. Then the officer called out,--
+
+"Sugihara San! Sugihara O-Kibi! is she present?"
+
+A slight small woman standing near me, with a child on her back,
+answered, "Hai!" and advanced through the press. This was the
+widow of the murdered man; the child she carried was his son. At
+a wave of the officer's hand the crowd fell back, so as to leave
+a clear space about the prisoner and his escort. In that space
+the woman with the child stood facing the murderer. The hush was
+of death.
+
+Not to the woman at all, but to the child only, did the officer
+then speak. He spoke low, but so clearly that I could catch every
+syllable:--
+
+"Little one, this is the man who killed your father four years
+ago. You had not yet been born; you were in your mother's womb.
+That you have no father to love you now is the doing of this man.
+Look at him--[here the officer, putting a hand to the prisoner's
+chin, sternly forced him to lift his eyes]--look well at him,
+little boy! Do not be afraid. It is painful; but it is your duty.
+Look at him!"
+
+Over the mother's shoulder the boy gazed with eyes widely open,
+as in fear; then he began to sob; then tears came; but steadily
+and obediently he still looked--looked--looked--straight into the
+cringing face.
+
+The crowd seemed to have stopped breathing.
+
+I saw the prisoner's features distort; I saw him suddenly dash
+himself down upon his knees despite his fetters, and beat his
+face into the dust, crying out the while in a passion of hoarse
+remorse that made one's heart shake:--
+
+"Pardon! pardon! pardon me, little one! That I did--not for hate
+was it done, but in mad fear only, in my desire to escape. Very,
+very wicked have I been; great unspeakable wrong have I done you!
+But now for my sin I go to die. I wish to die; I am glad to die!
+Therefore, O little one, be pitiful!--forgive me!"
+
+The child still cried silently. The officer raised the shaking
+criminal; the dumb crowd parted left and right to let them by.
+Then, quite suddenly, the whole multitude began to sob. And as
+the bronzed guardian passed, I saw what I had never seen before,
+--what few men ever see,--what I shall probably never see again,
+--the tears of a Japanese policeman.
+
+The crowd ebbed, and left me musing on the strange morality of
+the spectacle. Here was justice unswerving yet compassionate,--
+forcing knowledge of a crime by the pathetic witness of its
+simplest result. Here was desperate remorse, praying only for
+pardon before death. And here was a populace--perhaps the most
+dangerous in the Empire when angered--comprehending all, touched
+by all, satisfied with the contrition and the shame, and filled,
+not with wrath, but only with the great sorrow of the
+sin,--through simple deep experience of the difficulties of life
+and the weaknesses of human nature.
+
+But the most significant, because the most Oriental, fact of the
+episode was that the appeal to remorse had been made through the
+criminal's sense of fatherhood,--that potential love of children
+which is so large a part of the soul of every Japanese.
+
+There is a story that the most famous of all Japanese robbers,
+Ishikawa Goemon, once by night entering a house to kill and
+steal, was charmed by the smile of a baby which reached out hands
+to him, and that he remained playing with the little creature
+until all chance of carrying out his purpose was lost.
+
+It is not hard to believe this story. Every year the police
+records tell of compassion shown to children by professional
+criminals. Some months ago a terrible murder case was reported in
+the local papers,--the slaughter of a household by robbers. Seven
+persons had been literally hewn to pieces while asleep; but the
+police discovered a little boy quite unharmed, crying alone in a
+pool of blood; and they found evidence unmistakable that the men
+who slew must have taken great care not to hurt the child.
+
+
+
+II
+
+
+THE GENIUS OF JAPANESE CIVILIZATION
+
+I
+
+Without losing a single ship or a single battle, Japan has broken
+down the power of China, made a new Korea, enlarged her own
+territory, and changed the whole political face of the East.
+Astonishing as this has seemed politically, it is much more
+astonishing psychologically; for it represents the result of a
+vast play of capacities with which the race had never been
+credited abroad,--capacities of a very high order. The
+psychologist knows that the so-called "adoption of Western
+civilization" within a time of thirty years cannot mean the
+addition to the Japanese brain of any organs or powers previously
+absent from it. He knows that it cannot mean any sudden change in
+the mental or moral character of the race. Such changes are not
+made in a generation. Transmitted civilization works much more
+slowly, requiring even hundreds of years to produce certain
+permanent psychological results.
+
+It is in this light that Japan appears the most extraordinary
+country in the world; and the most wonderful thing in the whole
+episode of her "Occidentalization" is that the race brain could
+bear so heavy a shock. Nevertheless, though the fact be unique in
+human history, what does it really mean? Nothing more than
+rearrangement of a part of the pre-existing machinery of thought.
+Even that, for thousands of brave young minds, was death. The
+adoption of Western civilization was not nearly such an easy
+matter as un-thinking persons imagined. And it is quite evident
+that the mental readjustments, effected at a cost which remains
+to be told, have given good results only along directions in
+which the race had always shown capacities of special kinds.
+Thus, the appliances of Western industrial invention have worked
+admirably in Japanese hands,--have produced excellent results in
+those crafts at which the nation had been skillful, in other and
+quainter ways, for ages. There has been no transformation,
+
+--nothing more than the turning of old abilities into new and
+larger channels. The scientific professions tell the same story.
+For certain forms of science, such as medicine, surgery (there
+are no better surgeons in the world than the
+Japanese), chemistry, microscopy, the Japanese genius is
+naturally adapted; and in all these it has done work already
+heard of round the world. In war and statecraft it has shown
+wonderful power; but throughout their history the Japanese have
+been characterized by great military and political capacity.
+Nothing remarkable has been done, however, in directions foreign
+to the national genius. In the study, for example, of Western
+music, Western art, Western literature, time would seem to have
+been simply wasted(1). These things make appeal extraordinary to
+emotional life with us; they make no such appeal to Japanese
+emotional life. Every serious thinker knows that emotional
+transformation of the individual through education is impossible.
+To imagine that the emotional character of an Oriental race could
+be transformed in the short space of thirty years, by the contact
+of Occidental ideas, is absurd. Emotional life, which is older
+than intellectual life, and deeper, can no more be altered
+suddenly by a change of milieu than the surface of a mirror can
+be changed by passing reflections. All that Japan has been able
+to do so miraculously well has been done without any
+self-transformation; and those who imagine her emotionally closer
+to us to-day than she may have been thirty years ago ignore facts
+of science which admit of no argument.
+
+Sympathy is limited by comprehension. We may sympathize to the
+same degree that we understand. One may imagine that he
+sympathizes with a Japanese or a Chinese; but the sympathy can
+never be real to more than a small extent outside of the simplest
+phases of common emotional life,--those phases in which child and
+man are at one. The more complex feelings of the Oriental have
+been composed by combinations of experiences, ancestral and
+individual, which have had no really precise correspondence in
+Western life, and which we can therefore not fully know. For
+converse reasons, the. Japanese cannot, even though they would,
+give Europeans their best sympathy.
+
+But while it remains impossible for the man of the West to
+discern the true color of Japanese life, either intellectual or
+emotional (since the one is woven into the other), it is equally
+impossible for him to escape the conviction that, compared with
+his own, it is very small. It is dainty; it holds delicate
+potentialities of rarest interest and value; but it is otherwise
+so small that Western life, by contrast with it, seems almost
+supernatural. For we must judge visible and measurable
+manifestations. So judging, what a contrast between the emotional
+and intellectual worlds of West and East! Far less striking that
+between the frail wooden streets of the Japanese capital and the
+tremendous solidity of a thoroughfare in Paris or London. When
+one compares the utterances which West and East have given to
+their dreams, their aspirations, their sensations,--a Gothic
+cathedral with a Shinto temple, an opera by Verdi or a trilogy by
+Wagner with a performance of geisha, a European epic with a
+Japanese poem,--how incalculable the difference in emotional
+volume, in imaginative power, in artistic synthesis! True, our
+music is an essentially modern art; but in looking back through
+all our past the difference in creative force is scarcely less
+marked,--not surely in the period of Roman magnificence, of
+marble amphitheatres and of aqueducts spanning provinces, nor in
+the Greek period of the divine in sculpture and of the supreme in
+literature.
+
+
+And this leads to the subject of another wonderful fact in the
+sudden development of Japanese power. Where are the outward
+material signs of that immense new force she has been showing
+both in productivity and in war? Nowhere! That which we miss in
+her emotional and intellectual life is missing also from her
+industrial and commercial life,--largeness! The land remains what
+it was before; its face has scarcely been modified by all the
+changes of Meiji. The miniature railways and telegraph poles, the
+bridges and tunnels, might almost escape notice in the ancient
+green of the landscapes. In all the cities, with the exception of
+the open ports and their little foreign settlements, there exists
+hardly a street vista suggesting the teaching of Western ideas.
+You might journey two hundred miles through the interior of the
+country, looking in vain for large manifestations of the new
+civilization. In no place do you find commerce exhibiting its
+ambition in gigantic warehouses, or industry expanding its
+machinery under acres of roofing. A Japanese city is still, as it
+was ten centuries ago, little more than a wilderness of wooden
+sheds,--picturesque, indeed, as paper lanterns are, but scarcely
+less frail. And there is no great stir and noise anywhere,--no
+heavy traffic, no booming and rumbling, no furious haste. In
+Tokyo itself you may enjoy, if you wish, the peace of a country
+village. This want of visible or audible signs of the new-found
+force which is now menacing the markets of the West and changing
+the maps of the far East gives one a queer, I might even say a
+weird feeling. It is almost the sensation received when, after
+climbing through miles of silence to reach some Shinto shrine,
+you find voidness only and solitude,--an elfish, empty little
+wooden structure, mouldering in shadows a thousand years old. The
+strength of Japan, like the strength of her ancient faith, needs
+little material display: both exist where the deepest real power
+of any great people exists,--in the Race Ghost.
+
+(1) In one limited sense, Western art has influenced Japanese.
+literature and drama; but the character of the influence proves
+the racial difference to which I refer. European plays have been
+reshaped for the Japanese stage, and European novels rewritten
+for Japanese readers. But a literal version is rarely attempted;
+for the original incidents, thoughts, and emotions would be
+unintelligible to the average reader or playgoer. Plots are
+adopted; sentiments and incidents are totally transformed. "The
+New Magdalen" becomes a Japanese girl who married an Eta. Victor
+Hugo's _Les Miserables_ becomes a tale of the Japanese civil war;
+and Enjolras a Japanese student. There have been a few rare
+exceptions, including the marked success of a literal translation
+of the _Sorrows of Werther_.
+
+
+
+II
+
+As I muse, the remembrance of a great city comes back to me,--a
+city walled up to the sky and roaring like the sea. The memory of
+that roar returns first; then the vision defines: a chasm, which
+is a street, between mountains, which are houses. I am tired,
+because I have walked many miles between those precipices of
+masonry, and have trodden no earth,--only slabs of rock,--and
+have heard nothing but thunder of tumult. Deep below those huge
+pavements I know there is a cavernous world tremendous: systems
+underlying systems of ways contrived for water and steam and
+fire. On either hand tower facades pierced by scores of tiers of
+windows,--cliffs of architecture shutting out the sun. Above, the
+pale blue streak of sky is cut by a maze of spidery lines,--an
+infinite cobweb of electric wires. In that block on the right
+there dwell nine thousand souls; the tenants of the edifice
+facing it pay the annual rent of a million dollars. Seven
+millions scarcely covered the cost of those bulks overshadowing
+the square beyond,--and there are miles of such. Stairways of
+steel and cement, of brass and stone, with costliest balustrades,
+ascend through the decades and double-decades of stories; but no
+foot treads them. By water-power, by steam, by electricity, men
+go up and down; the heights are too dizzy, the distances too
+great, for the use of the limbs. My friend who pays rent of five
+thousand dollars for his rooms in the fourteenth story of a
+monstrosity not far off has never trodden his stairway. I am
+walking for curiosity alone; with a serious purpose I should not
+walk: the spaces are too broad, the time is too precious, for
+such slow exertion,--men travel from district to district, from
+house to office, by steam. Heights are too great for the voice to
+traverse; orders are given and obeyed by machinery. By
+electricity far-away doors are opened; with one touch a hundred
+rooms are lighted or heated.
+
+And all this enormity is hard, grim, dumb; it is the enormity of
+mathematical power applied to utilitarian ends of solidity and
+durability. These leagues of palaces, of warehouses, of business
+structures, of buildings describable and indescribable, are not
+beautiful, but sinister. One feels depressed by the mere
+sensation of the enormous life which created them, life without
+sympathy; of their prodigious manifestation of power, power
+with-out pity. They are the architectural utterance of the new
+industrial age. And there is no halt in the thunder of wheels, in
+the storming of hoofs and of human feet. To ask a question, one
+must shout into the ear of the questioned; to see, to understand,
+to move in that high-pressure medium, needs experience. The
+unaccustomed feels the sensation of being in a panic, in a
+tempest, in a cyclone. Yet all this is order.
+
+The monster streets leap rivers, span sea-ways, with bridges of
+stone, bridges of steel. Far as the eye can reach, a bewilderment
+of masts, a web-work of rigging, conceals the shores, which are
+cliffs of masonry. Trees in a forest stand less thickly, branches
+in a forest mingle less closely, than the masts and spars of that
+immeasurable maze. Yet all is order.
+
+
+
+III
+
+Generally speaking, we construct for endurance, the Japanese for
+impermanency. Few things for common use are made in Japan with a
+view to durability. The straw sandals worn out and replaced at
+each stage of a journey, the robe consisting of a few simple
+widths loosely stitched together for wearing, and unstitched
+again for washing, the fresh chopsticks served to each new guest
+at a hotel, the light shoji frames serving at once for windows
+and walls, and repapered twice a year; the mattings renewed every
+autumn,--all these are but random examples of countless small
+things in daily life that illustrate the national contentment
+with impermanency.
+
+What is the story of a common Japanese dwelling? Leaving my home
+in the morning, I observe, as I pass the corner of the next
+street crossing mine, some men setting up bamboo poles on a
+vacant lot there. Returning after five hours' absence, I find on
+the same lot the skeleton of a two-story house. Next forenoon I
+see that the walls are nearly finished already,--mud and wattles.
+By sundown the roof has been completely tiled. On the following
+morning I observe that the mattings have been put down, and the
+inside plastering has been finished. In five days the house is
+completed. This, of course, is a cheap building; a fine one would
+take much longer to put up and finish. But Japanese cities are
+for the most part composed of such common buildings. They are as
+cheap as they are simple.
+
+I cannot now remember where I first met with the observation that
+the curve of the Chinese roof might preserve the memory of the
+nomad tent. The idea haunted me long after I had ungratefully
+forgotten the book in which I found it; and when I first saw, in
+Izumo, the singular structure of the old Shinto temples, with
+queer cross-projections at their gable-ends and upon their
+roof-ridges, the suggestion of the forgotten essayist about the
+possible origin of much less ancient forms returned to me with
+great force. But there is much in Japan besides primitive
+architectural traditions to indicate a nomadic ancestry for the
+race. Always and everywhere there is a total absence of what we
+would call solidity; and the characteristics of impermanence seem
+to mark almost everything in the exterior life of the people,
+except, indeed, the immemorial costume of the peasant and the
+shape of the implements of his toil. Not to dwell upon the fact
+that even during the comparatively brief period of her written
+history Japan has had more than sixty capitals, of which the
+greater number have completely disappeared, it may be broadly
+stated that every Japanese city is rebuilt within the time of a
+generation. Some temples and a few colossal fortresses offer
+exceptions; but, as a general rule, the Japanese city changes its
+substance, if not its form, in the lifetime of a man. Fires,
+earth-quakes, and many other causes partly account for this; the
+chief reason, however, is that houses are not built to last. The
+common people have no ancestral homes. The dearest spot to all
+is, not the place of birth, but the place of burial; and there is
+little that is permanent save the resting-places of the dead and
+the sites of the ancient shrines.
+
+The land itself is a land of impermanence. Rivers shift their
+courses, coasts their outline, plains their level; volcanic peaks
+heighten or crumble; valleys are blocked by lava-floods or
+landslides; lakes appear and disappear. Even the matchless shape
+of Fuji, that snowy miracle which has been the inspiration of
+artists for centuries, is said to have been slightly changed
+since my advent to the country; and not a few other mountains
+have in the same short time taken totally new forms. Only the
+general lines of the land, the general aspects of its nature, the
+general character of the seasons, remain fixed. Even the very
+beauty of the landscapes is largely illusive,--a beauty of
+shifting colors and moving mists. Only he to whom those
+landscapes are familiar can know bow their mountain vapors make
+mockery of real changes which have been, and ghostly predictions
+of other changes yet to be, in the history of the archipelago.
+
+The gods, indeed, remain,--haunt their homes upon the hills,
+diffuse a soft religious awe through the twilight of their
+groves, perhaps because they are without form and substance.
+Their shrines seldom pass utterly into oblivion, like the
+dwellings of men. But every Shinto temple is necessarily rebuilt
+at more or less brief intervals; and the holiest,--the shrine of
+Ise,--in obedience to immemorial custom, must be demolished every
+twenty years, and its timbers cut into thousands of tiny charms,
+which are distributed to pilgrims.
+
+
+From Aryan India, through China, came Buddhism, with its vast
+doctrine of impermanency. The builders of the first Buddhist
+temples in Japan--architects of another race--built well: witness
+the Chinese structures at Kamakura that have survived so many
+centuries, while of the great city which once surrounded them not
+a trace remains. But the psychical influence of Buddhism could in
+no land impel minds to the love of material stability. The
+teaching that the universe is an illusion; that life is but one
+momentary halt upon an infinite journey; that all attachment to
+persons, to places, or to things must be fraught with sorrow;
+that only through suppression of every desire--even the desire of
+Nirvana itself--can humanity reach the eternal peace, certainly
+harmonized with the older racial feeling. Though the people never
+much occupied themselves with the profounder philosophy of the
+foreign faith, its doctrine of impermanency must, in course of
+time, have profoundly influenced national character. It explained
+and consoled; it imparted new capacity to bear all things
+bravely; it strengthened that patience which is a trait of the
+race. Even in Japanese art--developed, if not actually created,
+under Buddhist influence--the doctrine of impermanency has left
+its traces. Buddhism taught that nature was a dream, an illusion,
+a phantasmagoria; but it also taught men how to seize the
+fleeting impressions of that dream, and how to interpret them in
+relation to the highest truth. And they learned well. In the
+flushed splendor of the blossom-bursts of spring, in the coming
+and the going of the cicada, in the dying crimson of autumn
+foliage, in the ghostly beauty of snow, in the delusive motion of
+wave or cloud, they saw old parables of perpetual meaning. Even
+their calamities--fire, flood, earthquake, pestilence--
+interpreted to them unceasingly the doctrine of the eternal
+Vanishing.
+
+_All things which exist in Time must perish. The forests, the
+mountains,--all things thus exist. In Time are born all things
+having desire._
+
+_The Sun and Moon, Sakra himself with all the multitude of his
+attendants, will all, without exception, perish; there is not one
+that will endure._
+
+_In the beginning things were fixed; in the end again they
+separate: different combinations cause other substance; for in
+nature there is no uniform and constant principle._
+
+_All component things must grow old; impermanent are all
+component things. Even unto a grain of sesamum seed there is no
+such thing as a compound which is permanent. All are transient;
+all have the inherent quality of dissolution._
+
+_All component things, without exception, are impermanent,
+unstable, despicable, sure to depart, disintegrating; all are
+temporary as a mirage, as a phantom, or as foam.... Even as all
+earthen vessels made by the potter end in being broken, so end
+the lives of men._
+
+_And a belief in matter itself is unmentionable and
+inexpressible,--it is neither a thing nor no-thing: and this is
+known even by children and ignorant persons._
+
+
+
+IV
+
+Now it is worth while to inquire if there be not some
+compensatory value attaching to this impermanency and this
+smallness in the national life.
+
+
+Nothing is more characteristic of that life than its extreme
+fluidity. The Japanese population represents a medium whose
+particles are in perpetual circulation. The motion is in itself
+peculiar. It is larger and more eccentric than the motion of
+Occidental populations, though feebler between points. It is also
+much more natural,--so natural that it could not exist in Western
+civilization. The relative mobility of a European population and
+the Japanese population might be expressed by a comparison
+between certain high velocities of vibration and certain low
+ones. But the high velocities would represent, in such a
+comparison, the consequence of artificial force applied; the
+slower vibrations would not. And this difference of kind would
+mean more than surface indications could announce. In one sense,
+Americans may be right in thinking themselves great travelers. In
+another, they are certainly wrong; the man of the people in
+America cannot compare, as a traveler, with the man of the people
+in Japan And of course, in considering relative mobility of
+populations, one must consider chiefly the great masses, the
+workers,--not merely the small class of wealth. In their own
+country, the Japanese are the greatest travelers of any civilized
+people. They are the greatest travelers because, even in a land
+composed mainly of mountain chains, they recognize no obstacles
+to travel. The Japanese who travels most is not the man who needs
+railways or steamers to carry him.
+
+Now, with us, the common worker is incomparably less free than
+the common worker in Japan. He is less free because of the more
+complicated mechanism of Occidental societies, whose forces tend
+to agglomeration and solid integration. He is less free because
+the social and industrial machinery on which he must depend
+reshapes him to its own particular requirements, and always so as
+to evolve some special and artificial capacity at the cost of
+other inherent capacity. He is less free because he must live at
+a standard making it impossible for him to win financial
+independence by mere thrift. To achieve any such independence, he
+must possess exceptional character and exceptional faculties
+greater than those of thousands of exceptional competitors
+equally eager to escape from the same thralldom. In brief, then,
+he is less independent because the special character of his
+civilization numbs his natural power to live without the help of
+machinery or large capital. To live thus artificially means to
+lose, sooner or later, the power of independent movement. Before
+a Western man can move he has many things to consider. Before a
+Japanese moves he has nothing to consider. He simply leaves the
+place he dislikes, and goes to the place he wishes, without any
+trouble. There is nothing to prevent him. Poverty is not an
+obstacle, but a stimulus. Impedimenta he has none, or only such
+as he can dispose of in a few minutes. Distances have no
+significance for him. Nature has given him perfect feet that can
+spring him over fifty miles a day without pain; a stomach whose
+chemistry can extract ample nourishment from food on which no
+European could live; and a constitution that scorns heat, cold,
+and damp alike, because still unimpaired by unhealthy clothing,
+by superfluous comforts, by the habit of seeking warmth from
+grates and stoves, and by the habit of wearing leather shoes.
+
+It seems to me that the character of our footgear signifies more
+than is commonly supposed. The footgear represents in itself a
+check upon individual freedom. It signifies this even in
+costliness; but in form it signifies infinitely more. It has
+distorted the Western foot out of the original shape, and
+rendered it incapable of the work for which it was evolved. The
+physical results are not limited to the foot. Whatever acts as a
+check, directly or indirectly, upon the organs of locomotion must
+extend its effects to the whole physical constitution. Does the
+evil stop even there? Perhaps we submit to conventions the most
+absurd of any existing in any civilization because we have too
+long submitted to the tyranny of shoemakers. There may be defects
+in our politics, in our social ethics, in our religious system,
+more or less related to the habit of wearing leather shoes.
+Submission to the cramping of the body must certainly aid in
+developing submission to the cramping of the mind.
+
+The Japanese man of the people--the skilled laborer able to
+underbid without effort any Western artisan in the same line of
+industry--remains happily independent of both shoemakers and
+tailors. His feet are good to look at, his body is healthy, and
+his heart is free. If he desire to travel a thousand miles, he
+can get ready for his journey in five minutes. His whole outfit
+need not cost seventy-five cents; and all his baggage can be put
+into a handkerchief. On ten dollars he can travel for a year
+without work, or he can travel simply on his ability to work, or
+he can travel as a pilgrim. You may reply that any savage can do
+the same thing. Yes, but any civilized man cannot; and the
+Japanese has been a highly civilized man for at least a thousand
+years. Hence his present capacity to threaten Western
+manufacturers.
+
+We have been too much accustomed to associate this kind of
+independent mobility with the life of our own beggars and tramps,
+to have any just conception of its intrinsic meaning. We have
+thought of it also in connection with unpleasant
+things,--uncleanliness and bad smells. But, as Professor
+Chamberlain has well said, "a Japanese crowd is the sweetest in
+the world" Your Japanese tramp takes his hot bath daily, if he
+has a fraction of a cent to pay for it, or his cold bath, if he
+has not. In his little bundle there are combs, toothpicks,
+razors, toothbrushes. He never allows himself to become
+unpleasant Reaching his destination, he can transform himself
+into a visitor of very nice manners, and faultless though simple
+attire(1).
+
+Ability to live without furniture, without impedimenta, with the
+least possible amount of neat clothing, shows more than the
+advantage held by this Japanese race in the struggle of life; it
+shows also the real character of some weaknesses in our own
+civilization. It forces reflection upon the useless multiplicity
+of our daily wants. We must have meat and bread and butter; glass
+windows and fire; hats, white shirts, and woolen underwear; boots
+and shoes; trunks, bags, and boxes; bedsteads, mattresses,
+sheets, and blankets: all of which a Japanese can do without, and
+is really better off without. Think for a moment how important an
+article of Occidental attire is the single costly item of white
+shirts! Yet even the linen shirt, the so-called "badge of a
+gentleman," is in itself a useless garment. It gives neither
+warmth nor comfort. It represents in our fashions the survival of
+something once a luxurious class distinction, but to-day
+meaningless and useless as the buttons sewn on the outside of
+coat-sleeves.
+
+(1) Critics have tried to make fun of Sir Edwin Arnold's
+remark that a Japanese crowd smells like a geranium-flower. Yet
+the simile is exact! The perfume called jako, when sparingly
+used, might easily be taken for the odor of a musk-geranium. In
+almost any Japanese assembly including women a slight perfume of
+jako is discernible; for the robes worn have been laid in drawers
+containing a few grains of jako. Except for this delicate scent,
+a Japanese crowd is absolutely odorless.
+
+
+V
+
+The absence of any huge signs of the really huge things that
+Japan has done bears witness to the very peculiar way in which
+her civilization has been working. It cannot forever so work; but
+it has so worked thus far with amazing success. Japan is
+producing without capital, in our large sense of the word. She
+has become industrial without becoming essentially mechanical and
+artificial The vast rice crop is raised upon millions of tiny,
+tiny farms; the silk crop, in millions of small poor homes, the
+tea crop, on countless little patches of soil. If you visit Kyoto
+to order something from one of the greatest porcelain makers in
+the world, one whose products are known better in London and in
+Paris than even in Japan, you will find the factory to be a
+wooden cottage in which no American farmer would live. The
+greatest maker of cloisonne vases, who may ask you two hundred
+dollars for something five inches high, produces his miracles
+behind a two-story frame dwelling containing perhaps six small
+rooms. The best girdles of silk made in Japan, and famous
+throughout the Empire, are woven in a house that cost scarcely
+five hundred dollars to build. The work is, of course,
+hand-woven. But the factories weaving by machinery--and weaving
+so well as to ruin foreign industries of far vaster capacity--are
+hardly more imposing, with very few exceptions. Long, light, low
+one-story or two-story sheds they are, about as costly to erect
+as a row of wooden stables with us. Yet sheds like these turn out
+silks that sell all round the world. Sometimes only by inquiry,
+or by the humming of the machinery, can you distinguish a factory
+from an old yashiki, or an old-fashioned Japanese school
+building,--unless indeed you can read the Chinese characters over
+the garden gate. Some big brick factories and breweries exist;
+but they are very few, and even when close to the foreign
+settlements they seem incongruities in the landscape.
+
+Our own architectural monstrosities and our Babels of machinery
+have been brought into existence by vast integrations of
+industrial capital. But such integrations do not exist in the Far
+East; indeed, the capital to make them does not exist. And
+supposing that in the course of a few generations there should
+form in Japan corresponding combinations of money power, it is
+not easy to suppose correspondences in architectural
+construction. Even two-story edifices of brick have given bad
+results in the leading commercial centre; and earthquakes seem to
+condemn Japan to perpetual simplicity in building. The very land
+revolts against the imposition of Western architecture, and
+occasionally even opposes the new course of traffic by. pushing
+railroad lines out of level and out of shape.
+
+Not industry alone still remains thus unintegrated; government
+itself exhibits a like condition. Nothing is fixed except the
+Throne. Perpetual change is identical with state policy.
+Ministers, governors, superintendents, inspectors, all high civil
+and military officials, are shifted at irregular and surprisingly
+short intervals, and hosts of smaller officials scatter each time
+with the whirl. The province in which I passed the first
+twelvemonth of my residence in Japan has had four different
+governors in five years. During my stay at Kumamoto, and before
+the war had begun, the military command of that important post
+was three times changed. The government college had in three
+years three directors. In educational circles, especially, the
+rapidity of such changes has been phenomenal There have been five
+different ministers of education in my own time, and more than
+five different educational policies The twenty-six thousand
+public schools are so related in their management to the local
+assemblies that, even were no other influences at work, constant
+change would be inevitable because of the changes in the
+assemblies. Directors and teachers keep circling from post to
+post; there are men little more than thirty years old who have
+taught in almost every province of the country. That any
+educational system could have produced any great results under
+these conditions seems nothing short of miraculous.
+
+We are accustomed to think that some degree of stability is
+necessary to all real progress, all great development. But Japan
+has given proof irrefutable that enormous development is possible
+without any stability at all. The explanation is in the race
+character,--a race character in more ways than one the very
+opposite of our own. Uniformly mobile, and thus uniformly
+impressionable, the nation has moved unitedly in the direction of
+great ends, submitting the whole volume of its forty millions to
+be moulded by the ideas of its rulers, even as sand or as water
+is shaped by wind. And this submissiveness to reshaping belongs
+to the old conditions of its soul life,--old conditions of rare
+unselfishness and perfect faith. The relative absence from the
+national character of egotistical individualism has been the
+saving of an empire; has enabled a great people to preserve its
+independence against prodigious odds. Wherefore Japan may well be
+grateful to her two great religions, the creators and the
+preservers of her moral power to Shinto, which taught the
+individual to think of his Emperor and of his country before
+thinking either of his own family or of himself; and to Buddhism,
+which trained him to master regret, to endure pain, and to accept
+as eternal law the vanishing of things loved and the tyranny of
+things hated.
+
+
+To-day there is visible a tendency to hardening,--a danger of
+changes leading to the integration of just such an officialism as
+that which has proved the curse and the weakness of China. The
+moral results of the new education have not been worthy of the
+material results. The charge of want of "individuality," in the
+accepted sense of pure selfishness, will scarcely be made against
+the Japanese of the next century. Even the compositions of
+students already reflect the new conception of intellectual
+strength only as a weapon of offense, and the new sentiment of
+aggressive egotism. "Impermanency," writes one, with a fading
+memory of Buddhism in his mind, "is the nature of our life. We
+see often persons who were rich yesterday, and are poor to-day.
+This is the result of human competition, according to the law of
+evolution. We are exposed to that competition. We must fight each
+other, even if we are not inclined to do so. With what sword
+shall we fight? With the sword of knowledge, forged by
+education."
+
+Well, there are two forms of the cultivation of Self. One leads
+to the exceptional development of the qualities which are noble,
+and the other signifies something about which the less said the
+better. But it is not the former which the New Japan is now
+beginning to study. I confess to being one of those who believe
+that the human heart, even in the history of a race, may be worth
+infinitely more than the human intellect, and that it will sooner
+or later prove itself infinitely better able to answer all the
+cruel enigmas of the Sphinx of Life. I still believe that the old
+Japanese were nearer to the solution of those enigmas than are
+we, just because they recognized moral beauty as greater than
+intellectual beauty. And, by way of conclusion, I may venture to
+quote from an article on education by Ferdinand Brunetiere:--
+
+"All our educational measures will prove vain, if there be no
+effort to force into the mind, and to deeply impress upon it, the
+sense of those fine words of Lamennais: '_Human society is based
+upon mutual giving, or upon the sacrifice of man for man, or of
+each man for all other men; and sacrifice is the very essence of
+all true society._' It is this that we have been unlearning for
+nearly a century; and if we have to put ourselves to school
+afresh, it will be in order that we may learn it again. Without
+such knowledge there can be no society and no education,--not, at
+least, if the object of education be to form man for society.
+Individualism is to-day the enemy of education, as it is also the
+enemy of social order. It has not been so always; but it has so
+become. It will not be so forever; but it is so now. And without
+striving to destroy it-which would mean to fall from one extreme
+into another--we must recognize that, no matter what we wish to
+do for the family, for society, for education, and for the
+country, it is against individualism that the work will have to
+be done."
+
+
+
+III
+
+A STREET SINGER
+
+A woman carrying a samisen, and accompanied by a little boy seven
+or eight years old, came to my house to sing. She wore the dress
+of a peasant, and a blue towel tied round her head. She was ugly;
+and her natural ugliness had been increased by a cruel attack of
+smallpox. The child carried a bundle of printed ballads.
+
+Neighbors then began to crowd into my front yard,--mostly young
+mothers and nurse girls with babies on their backs, but old women
+and men likewise--the inkyo of the vicinity. Also the
+jinrikisha-men came from their stand at the next street-corner;
+and presently there was no more room within the gate.
+
+
+The woman sat down on my doorstep, tuned her samisen, played a
+bar of accompaniment,--and a spell descended upon the people; and
+they stared at each other in smiling amazement.
+
+For out of those ugly disfigured lips there gushed and rippled a
+miracle of a voice--young, deep, unutterably touching in its
+penetrating sweetness. "Woman or wood-fairy?" queried a
+bystander. Woman only,--but a very, very great artist. The way
+she handled her instrument might have astounded the most skillful
+geisha; but no such voice had ever been heard from any geisha,
+and no such song. She sang as only a peasant can sing,--with
+vocal rhythms learned, perhaps, from the cicada and the wild
+nightingales,--and with fractions and semi-fractions and
+demi-semi-fractions of tones never written down in the musical
+language of the West.
+
+And as she sang, those who listened began to weep silently. I did
+not distinguish the words; but I felt the sorrow and the
+sweetness and the patience of the life of Japan pass with her
+voice into my heart,--plaintively seeking for something never
+there. A tenderness invisible seemed to gather and quiver about
+us; and sensations of places and of times forgotten came softly
+back, mingled with feelings ghostlier,--feelings not of any place
+or time in living memory.
+
+Then I saw that the singer was blind.
+
+
+When the song was finished, we coaxed the woman into the house,
+and questioned her. Once she had been fairly well to do, and had
+learned the samisen when a girl. The little boy was her son. Her
+husband was paralyzed. Her eyes had been destroyed by smallpox.
+But she was strong, and able to walk great distances. When the
+child became tired, she would carry him on her back. She could
+support the little one, as well as the bed-ridden husband,
+because whenever she sang the people cried, and gave her coppers
+and food.... Such was her story. We gave her some money and a
+meal; and she went away, guided by her boy.
+
+
+I bought a copy of the ballad, which was about a recent double
+suicide: "_The sorrowful ditty of Tamayone and Takejiro,--
+composed by Tabenaka Yone of Number Fourteen of the Fourth Ward
+of Nippon-bashi in the South District of the City of Osaka_." It
+had evidently been printed from a wooden block; and there were
+two little pictures. One showed a girl and boy sorrowing
+together. The other--a sort of tail-piece--represented a writing-
+stand, a dying lamp, an open letter, incense burning in a cup,
+and a vase containing shikimi,--that sacred plant used in the
+Buddhist ceremony of making offerings to the dead. The queer
+cursive text, looking like shorthand written perpendicularly,
+yielded to translation only lines like these:--
+
+"In the First Ward of Nichi-Hommachi, in far-famed Osaka--
+_O the sorrow of this tale of shinju!_
+
+"Tamayone, aged nineteen,--to see her was to love her, for
+Takejiro, the young workman.
+
+"For the time of two lives they exchange mutual vows--
+_O the sorrow of loving a courtesan!_
+
+"On their arms they tattoo a Raindragon, and the character
+'Bamboo'--thinking never of the troubles of life....
+
+"But he cannot pay the fifty-five yen for her freedom--
+_O the anguish of Takejiro's heart!_
+
+"Both then vow to pass away together, since never in this world
+can they become husband and wife....
+
+"Trusting to her comrades for incense and for flowers--
+_O the pity of their passing like the dew!_
+
+"Tamayone takes the wine-cup filled with water only, in which
+those about to die pledge each other....
+
+"_O the tumult of the lovers' suicide!--O the pity of their lives
+thrown away!_"
+
+In short, there was nothing very unusual in the story, and
+nothing at all remarkable in the verse. All the wonder of the
+performance had been in the voice of the woman. But long after
+the singer had gone that voice seemed still to stay,--making
+within me a sense of sweetness and of sadness so strange that I
+could not but try to explain to myself the secret of those
+magical tones.
+
+And I thought that which is hereafter set down:--
+
+
+All song, all melody, all music, means only some evolution of the
+primitive natural utterance of feeling,--of that untaught speech
+of sorrow, joy, or passion, whose words are tones. Even as other
+tongues vary, so varies this language of tone combinations.
+Wherefore melodies which move us deeply have no significance to
+Japanese ears; and melodies that touch us not at all make
+powerful appeal to the emotion of a race whose soul-life differs
+from our own as blue differs from yellow....Still, what is the
+reason of the deeper feelings evoked in me--an alien--by this
+Oriental chant that I could never even learn,--by this common
+song of a blind woman of the people? Surely that in the voice of
+the singer there were qualities able to make appeal to something
+larger than the sum of the experience of one race,--to something
+wide as human life, and ancient as the knowledge of good and
+evil.
+
+
+One summer evening, twenty-five years ago, in a London park, I
+heard a girl say "Good-night" to somebody passing by. Nothing but
+those two little words,--"Good-night." Who she was I do not know:
+I never even saw her face; and I never heard that voice again.
+But still, after the passing of one hundred seasons, the memory
+of her "Good-night" brings a double thrill incomprehensible of
+pleasure and pain,--pain and pleasure, doubtless, not of me, not
+of my own existence, but of pre-existences and dead suns.
+
+For that which makes the charm of a voice thus heard but once
+cannot be of this life. It is of lives innumerable and forgotten.
+Certainly there never have been two voices having precisely the
+same quality. But in the utterance of affection there is a
+tenderness of timbre common to the myriad million voices of all
+humanity. Inherited memory makes familiar to even the newly-born
+the meaning of tins tone of caress. Inherited, no doubt,
+likewise, our knowledge of the tones of sympathy, of grief, of
+pity. And so the chant of a blind woman in this city of the Far
+East may revive in even a Western mind emotion deeper than
+individual being,--vague dumb pathos of forgotten sorrows,--dim
+loving impulses of generations unremembered. The dead die never
+utterly. They sleep in the darkest cells of tired hearts and busy
+brains,--to be startled at rarest moments only by the echo of
+some voice that recalls their past.
+
+
+
+IV
+
+
+FROM A TRAVELING DIARY
+
+I
+
+OSAKA-KYOTO RAILWAY.
+April 15, 1895.
+
+Feeling drowsy in a public conveyance, and not being able to lie
+down, a Japanese woman will lift her long sleeve before her face
+era she begins to nod. In this second-class railway-carriage
+there are now three women asleep in a row, all with faces
+screened by the left sleeve, and all swaying together with the
+rocking of the train, like lotos-flowers in a soft current. (This
+use of the left sleeve is either fortuitous or instinctive;
+probably instinctive, as the right hand serves best to cling to
+strap or seat in case of shock.) The spectacle is at once pretty
+and funny, but especially pretty, as exemplifying that grace with
+which a refined Japanese woman does everything,--always in the
+daintiest and least selfish way possible. It is pathetic, too,
+for the attitude is also that of sorrow, and sometimes of weary
+prayer. All because of the trained sense of duty to show only
+one's happiest face to the world.
+
+Which fact reminds me of an experience.
+
+A male servant long in my house seemed to me the happiest of
+mortals. He laughed invariably when spoken to, looked always
+delighted while at work, appeared to know nothing of the small
+troubles of life. But one day I peeped at him when he thought
+himself quite alone, and his relaxed face startled me. It was not
+the face I had known. Hard lines of pain and anger appeared in
+it, making it seem twenty years older. I coughed gently to
+announce my presence. At once the face smoothed, softened,
+lighted up as by a miracle of rejuvenation. Miracle, indeed, of
+perpetual unselfish self-control.
+
+
+II
+
+Kyoto, April 16.
+
+The wooden shutters before my little room in the hotel are pushed
+away; and the morning sun immediately paints upon my shoji,
+across squares of gold light, the perfect sharp shadow of a
+little peach-tree. No mortal artist--not even a Japanese--could
+surpass that silhouette! Limned in dark blue against the yellow
+glow, the marvelous image even shows stronger or fainter tones
+according to the varying distance of the unseen branches outside.
+it sets me thinking about the possible influence on Japanese art
+of the use of paper for house-lighting purposes.
+
+By night a Japanese house with only its shoji closed looks like a
+great paper-sided lantern,--a magic-lantern making moving shadows
+within, instead of without itself. By day the shadows on the
+shoji are from outside only; but they may be very wonderful at
+the first rising of the sun, if his beams are leveled, as in this
+instance, across a space of quaint garden.
+
+There is certainly nothing absurd in that old Greek story which
+finds the origin of art in the first untaught attempt to trace
+upon some wall the outline of a lover's shadow. Very possibly all
+sense of art, as well as all sense of the supernatural, had its
+simple beginnings in the study of shadows. But shadows on shoji
+are so remarkable as to suggest explanation of certain Japanese
+faculties of drawing by no means primitive, but developed beyond
+all parallel, and otherwise difficult to account for. Of course,
+the quality of Japanese paper, which takes shadows better than
+any frosted glass, must be considered, and also the character of
+the shadows themselves. Western vegetation, for example, could
+scarcely furnish silhouettes so gracious as those of Japanese
+garden-trees, all trained by centuries of caressing care to look
+as lovely as Nature allows.
+
+I wish the paper of my shoji could have been, like a photographic
+plate, sensitive to that first delicious impression cast by a
+level sun. I am already regretting distortions: the beautiful
+silhouette has begun to lengthen.
+
+
+III
+
+Kyoto, April l6.
+
+Of all peculiarly beautiful things in Japan, the most beautiful
+are the approaches to high places of worship or of rest,--the
+Ways that go to Nowhere and the Steps that lead to Nothing.
+
+Certainly, their special charm is the charm of the adventitious,
+--the effect of man's handiwork in union with Nature's finest
+moods of light and form and color,--a charm which vanishes on
+rainy days; but it is none the less wonderful because fitful.
+
+Perhaps the ascent begins with a sloping paved avenue, half a
+mile long, lined with giant trees. Stone monsters guard the way
+at regular intervals. Then you come to some great flight of steps
+ascending through green gloom to a terrace umbraged by older and
+vaster trees; and other steps from thence lead to other terraces,
+all in shadow. And you climb and climb and climb, till at last,
+beyond a gray torii, the goal appears: a small, void, colorless
+wooden shrine,--a Shinto miya. The shock of emptiness thus
+received, in the high silence and the shadows, after all the
+sublimity of the long approach, is very ghostliness itself.
+
+Of similar Buddhist experiences whole multitudes wait for those
+who care to seek them. I might suggest, for example, a visit to
+the grounds of Higashi Otani, which are in the city of Kyoto. A
+grand avenue leads to the court of a temple, and from the court a
+flight of steps fully fifty feet wide--massy, mossed, and
+magnificently balustraded--leads to a walled terrace. The scene
+makes one think of the approach to some Italian pleasure-garden
+of Decameron days. But, reaching the terrace, you find only a
+gate, opening--into a cemetery! Did the Buddhist
+landscape-gardener wish to tell us that all pomp and power and
+beauty lead only to such silence at last?
+
+
+IV
+
+KYOTO, April 10-20.
+
+I have passed the greater part of three days in the national
+Exhibition,--time barely sufficient to discern the general
+character and significance of the display. It is essentially
+industrial, but nearly all delightful, notwithstanding, because
+of the wondrous application of art to all varieties of
+production. Foreign merchants and keener observers than I find in
+it other and sinister meaning,--the most formidable menace to
+Occidental trade and industry ever made by the Orient. "Compared
+with England," wrote a correspondent of the London Times, "it is
+farthings for pennies throughout.... The story of the Japanese
+invasion of Lancashire is older than that of the invasion of
+Korea and China. It has been a conquest of peace,--a painless
+process of depletion which is virtually achieved.... The Kyoto
+display is proof of a further immense development of industrial
+enterprise.... A country where laborers' hire is three shillings
+a week, with all other domestic charges in proportion,
+must--other things being equal--kill competitors whose expenses
+are quadruple the Japanese scale." Certainly the industrial
+jiujutsu promises unexpected results.
+
+The price of admission to the Exhibition is a significant matter
+also. Only five sen! Yet even at this figure an immense sum is
+likely to be realized,--so great is the swarm of visitors.
+Multitudes of peasants are pouring daily into the
+city,--pedestrians mostly, just as for a pilgrimage. And a
+pilgrimage for myriads the journey really is, because of the
+inauguration festival of the greatest of Shinshu temples.
+
+The art department proper I thought much inferior to that of the
+Tokyo Exhibition of 1890. Fine things there were, but few.
+Evidence, perhaps, of the eagerness with which the nation is
+turning all its energies and talents in directions where money is
+to be made; for in those larger departments where art is combined
+with industry,--such as ceramics, enamels, inlaid work,
+embroideries,--no finer and costlier work could ever have been
+shown. Indeed, the high value of certain articles on display
+suggested a reply to a Japanese friend who observed,
+thoughtfully, "If China adopts Western industrial methods, she
+will be able to underbid us in all the markets of the world."
+
+"Perhaps in cheap production," I made answer. "But there is no
+reason why Japan should depend wholly upon cheapness of
+production. I think she may rely more securely upon her
+superiority in art and good taste. The art-genius of a people may
+have a special value against which all competition by cheap labor
+is vain. Among Western nations, France offers an example. Her
+wealth is not due to her ability to underbid her neighbors. Her
+goods are the dearest in the world: she deals in things of luxury
+and beauty. But they sell in all civilized countries because they
+are the best of their kind. Why should not Japan become the
+France of the Further East?"
+
+
+The weakest part of the art display is that devoted to
+oil-painting,--oil-painting in the European manner. No reason
+exists why the Japanese should not be able to paint wonderfully
+in oil by following their own particular methods of artistic
+expression. But their attempts to follow Western methods have
+even risen to mediocrity only in studies requiring very realistic
+treatment. Ideal work in oil, according to Western canons of art,
+is still out of their reach. Perhaps they may yet discover for
+themselves a new gateway to the beautiful, even through
+oil-painting, by adaptation of the method to the particular needs
+of the race-genius; but there is yet no sign of such a tendency.
+
+A canvas representing a perfectly naked woman looking at herself
+in a very large mirror created a disagreeable impression. The
+Japanese press had been requesting the removal of the piece, and
+uttering comments not flattering to Western art ideas.
+Nevertheless the canvas was by a Japanese painter. It was a daub;
+but it had been boldly priced at three thousand dollars.
+
+I stood near the painting for a while to observe its effect upon
+the people,--peasants by a huge majority They would stare at it,
+laugh scornfully, utter some contemptuous phrase, and turn away
+to examine the kakemono, which were really far more worthy of
+notice though offered at prices ranging only from ten to fifty
+yen. The comments were chiefly leveled at "foreign" ideas of good
+taste (the figure having been painted with a European head). None
+seemed to consider the thing as a Japanese work. Had it
+represented a Japanese woman, I doubt whether the crowd would
+have even tolerated its existence.
+
+Now all this scorn for the picture itself was just. There was
+nothing ideal in the work. It was simply the representation of a
+naked woman doing what no woman could like to be seen doing. And
+a picture of a mere naked woman, however well executed, is never
+art if art means idealism. The realism of the thing was its
+offensiveness. Ideal nakedness may be divine,--the most godly of
+all human dreams of the superhuman. But a naked person is not
+divine at all. Ideal nudity needs no girdle, because the charm is
+of lines too beautiful to be veiled or broken. The living real
+human body has no such divine geometry. Question: Is an artist
+justified in creating nakedness for its own sake, unless he can
+divest that nakedness of every trace of the real and personal?
+
+There is a Buddhist text which truly declares that he alone is
+wise who can see things without their individuality. And it is
+this Buddhist way of seeing which makes the greatness of the true
+Japanese art.
+
+
+V
+
+These thoughts came:--
+
+That nudity which is divine, which is the abstract of beauty
+absolute, gives to the beholder a shock of astonishment and
+delight,--not unmixed with melancholy. Very few works of art give
+this, because very few approach perfection. But there are marbles
+and gems which give it, and certain fine studies of them, such as
+the engravings published by the Society of Dilettanti. The longer
+one looks, the more the wonder grows, since there appears no
+line, or part of a line, whose beauty does not surpass all
+remembrance. So the secret of such art was long thought
+supernatural; and, in very truth, the sense of beauty it
+communicates is more than human,--is superhuman, in the meaning
+of that which is outside of existing life,--is therefore
+supernatural as any sensation known to man can be.
+
+What is the shock?
+
+It resembles strangely, and is certainly akin to, that psychical
+shock which comes with the first experience of love. Plato
+explained the shock of beauty as being the Soul's sudden
+half-remembrance of the World of Divine Ideas. "They who see here
+any image or resemblance of the things which are there receive a
+shock like a thunderbolt, and are, after a manner, taken out of
+themselves." Schopenhauer explained, the shock of first love as
+the Willpower of the Soul of the Race. The positive psychology of
+Spencer declares in our own day that the most powerful of human
+passions, when it makes its first appearance, is absolutely
+antecedent to all individual experience. Thus do ancient thought
+and modern--metaphysics and science--accord in recognizing that
+the first deep sensation of human beauty known to the individual
+is not individual at all.
+
+Must not the same truth hold of that shock which supreme art
+gives? The human ideal expressed in such art appeals surely to
+the experience of all that Past enshrined in the emotional life
+of the beholder,--to something inherited from innumerable
+ancestors.
+
+Innumerable indeed!
+
+Allowing three generations to a century, and presupposing no
+consanguineous marriages, a French mathematician estimates that
+each existing individual of his nation would have in his veins
+the blood of twenty millions of contemporaries of the year 1000.
+Or calculating from the first year of our own era, the ancestry
+of a man of to-day would represent a total of eighteen
+quintillions. Yet what are twenty centuries to the time of the
+life of man!
+
+Well, the emotion of beauty, like all of our emotions, is
+certainly the inherited product of unimaginably countless
+experiences in an immeasurable past. In every aesthetic sensation
+is the stirring of trillions of trillions of ghostly memories
+buried in the magical soil of the brain. And each man carries
+within him an ideal of beauty which is but an infinite composite
+of dead perceptions of form, color, grace, once dear to look
+upon. It is dormant, this ideal,--potential in essence,--cannot
+be evoked at will before the imagination; but it may light up
+electrically at any perception by the living outer senses of some
+vague affinity. Then is felt that weird, sad, delicious thrill,
+which accompanies the sudden backward-flowing of the tides of
+life and time; then are the sensations of a million years and of
+myriad generations summed into the emotional feeling of a moment.
+
+Now, the artists of one civilization only--the Greeks--were able
+to perform the miracle of disengaging the Race-Ideal of beauty
+from their own souls, and fixing its wavering out-line in jewel
+and stone. Nudity, they made divine; and they still compel us to
+feel its divinity almost as they felt it themselves. Perhaps they
+could do this because, as Emerson suggested, they possessed
+all-perfect senses. Certainly it was not because they were as
+beautiful as their own statues. No man and no woman could be
+that. This only is sure,--that they discerned and clearly fixed
+their ideal,--composite of countless million remembrances of dead
+grace in eyes and eyelids, throat and cheek, mouth and chin, body
+and limbs.
+
+
+The Greek marble itself gives proof that there is no absolute
+individuality,--that the mind is as much a composite of souls as
+the body is of cells.
+
+
+VI
+
+Kyoto, April 21.
+
+The noblest examples of religious architecture in the whole
+empire have just been completed; and the great City of Temples is
+now enriched by two constructions probably never surpassed in all
+the ten centuries of its existence. One is the gift of the
+Imperial Government; the other, the gift of the common people.
+
+The government's gift is the Dai-Kioku-Den,--erected to
+commemorate the great festival of Kwammu Tenno, fifty-first
+emperor of Japan, and founder of the Sacred City. To the Spirit
+of this Emperor the Dai-Kioku-Den is dedicated: it is thus a
+Shinto temple, and the most superb of all Shinto temples.
+Nevertheless, it is not Shinto architecture, but a facsimile of
+the original palace of Kwammu Tenno upon the original scale. The
+effect upon national sentiment of this magnificent deviation from
+conventional forms, and the profound poetry of the reverential
+feeling which suggested it, can be fully comprehended only by
+those who know that Japan is still practically ruled by the dead.
+Much more than beautiful are the edifices of the Dai-Kioku-Den.
+Even in this most archaic of Japan cities they startle; they tell
+to the sky in every tilted line of their horned roofs the tale of
+another and more fantastic age. The most eccentrically striking
+parts of the whole are the two-storied and five-towered
+gates,--veritable Chinese dreams, one would say. In color the
+construction is not less oddly attractive than in form,--and this
+especially because of the fine use made of antique green tiles in
+the polychromatic roofing. Surely the august Spirit of Kwammu
+Tenno might well rejoice in this charming evocation of the past
+by architectural necromancy!
+
+But the gift of the people to Kyoto is still grander. It is
+represented by the glorious Higashi Hongwanji,--or eastern
+Hongwan temple (Shinshu). Western readers may form some idea of
+its character from the simple statement that it cost eight
+millions of dollars and required seventeen years to build. In
+mere dimension it is largely exceeded by other Japanese buildings
+of cheaper construction; but anybody familiar with the Buddhist
+temple architecture of Japan can readily perceive the difficulty
+of building a temple one hundred and, twenty-seven feet high, one
+hundred and ninety-two feet deep, and more than two hundred feet
+long. Because of its peculiar form, and especially because of the
+vast sweeping lines of its roof, the Hongwanji looks even far
+larger than it is,--looks mountainous. But in any country it
+would be deemed a wonderful structure. There are beams forty-two
+feet long and four feet thick; and there are pillars nine feet in
+circumference. One may guess the character of the interior
+decoration from the statement that the mere painting of the
+lotos-flowers on the screens behind the main altar coat ten
+thousand dollars. Nearly all this wonderful work was done with
+the money contributed in coppers by hard-working peasants. And
+yet there are people who think that Buddhism is dying!
+
+More than one hundred thousand peasants came to see the grand
+inauguration. They seated themselves by myriads on matting laid
+down by the acre in the great court. I saw them waiting thus at
+three in the afternoon. The court was a living sea. Yet all that
+host was to wait till seven o'clock for the beginning of the
+ceremony, without refreshment, in the hot sun. I saw at one
+corner of the court a band of about twenty young girls,--all in
+white, and wearing peculiar white caps,--and I asked who they
+were. A bystander replied: "As all these people must wait here
+many hours, it is to be feared that some may become ill.
+Therefore professional nurses have been stationed here to take
+care of any who may be sick. There are likewise stretchers in
+waiting, and carriers. And there are many physicians."
+
+I admired the patience and the faith. But those peasants might
+well love the magnificent temple,--their own creation in very
+truth, both directly and indirectly. For no small part of the
+actual labor of building was done for love only; and the mighty
+beams for the roof had been hauled to Kyoto from far-away
+mountain-slopes, with cables made of the hair of Buddhist wives
+and daughters. One such cable, preserved in the temple, is more
+than three hundred and sixty feet long, and nearly three inches
+in diameter.
+
+
+To me the lesson of those two magnificent monuments of national
+religious sentiment suggested the certain future increase in
+ethical power and value of that sentiment, concomitantly with the
+increase of national prosperity. Temporary poverty is the real
+explanation of the apparent temporary decline of Buddhism. But an
+era of great wealth is beginning. Some outward forms of Buddhism
+must perish; some superstitions of Shinto must die. The vital
+truths and recognitions will expand, strengthen, take only deeper
+root in the heart of the race, and potently prepare it for the
+trials of that larger and harsher life upon which it has to
+enter.
+
+
+
+VII
+
+Kobe, April 23.
+
+I have been visiting the exhibition of fishes and of fisheries
+which is at Hyogo, in a garden by the sea. Waraku-en is its name,
+which signifies, "The Garden of the Pleasure of Peace." It is
+laid out like a landscape garden of old time, and deserves its
+name. Over its verge you behold the great bay, and fishermen in
+boats, and the white far-gliding of sails splendid with light,
+and beyond all, shutting out the horizon, a lofty beautiful
+massing of peaks mauve-colored by distance.
+
+I saw ponds of curious shapes, filled with clear sea-water, in
+which fish of beautiful colors were swimming. I went to the
+aquarium where stranger kinds of fishes swam behind glass--fishes
+shaped like toy-kites, and fishes shaped like sword-blades, and
+fishes that seemed to turn themselves inside out, and funny,
+pretty fishes of butterfly-colors, that move like dancing-girls,
+waving sleeve-shaped fins.
+
+I saw models of all manner of boats and nets and hooks and
+fish-traps and torch-baskets for night-fishing. I saw pictures of
+every kind of fishing, and both models and pictures of men
+killing whales. One picture was terrible,--the death agony of a
+whale caught in a giant net, and the leaping of boats in a
+turmoil of red foam, and one naked man on the monstrous back--a
+single figure against the sky--striking with a great steel, and
+the fountain-gush of blood responding to the stroke.... Beside me
+I heard a Japanese father and mother explain the picture to their
+little boy; and the mother said:--
+
+"When the whale is going to die, it speaks; it cries to the Lord
+Buddha for help,--_Namu Amida Butsu!_"
+
+I went to another part of the garden where there were tame deer,
+and a "golden bear" in a cage, and peafowl in an aviary, and an
+ape. The people fed the deer and the bear with cakes, and tried
+to coax the peacock to open its tail, and grievously tormented
+the ape. I sat down to rest on the veranda of a pleasure-house
+near, the aviary, and the Japanese folk who had been looking at
+the picture of whale-fishing found their way to the same veranda;
+and presently I heard the little boy say:--
+
+"Father, there is an old, old fisherman in his boat. Why does he
+not go to the Palace of the Dragon-King of the Sea, like
+Urashima?"
+
+The father answered: "Urashima caught a turtle which was not
+really a turtle, but the Daughter of the Dragon-King. So he, was
+rewarded for his kindness. But that old fisherman has not caught
+any turtle, and even if he had caught one, he is much too old to
+marry. Therefore he will not go to the Palace."
+
+Then the boy looked at the flowers, and the fountains, and the
+sunned sea with its white sails, and the mauve-colored mountains
+be-yond all, and exclaimed:--
+
+"Father, do you think there is any place more beautiful than this
+in the whole world?"
+
+The father smiled deliciously, and seemed about to answer, but
+before he could speak the child cried out, and leaped, and
+clapped his little hands for delight, because the peacock had
+suddenly outspread the splendor of its tail. And all hastened to
+the aviary. So I never heard the reply to that pretty question.
+
+But afterwards I thought that it might have been answered thus:--
+
+
+"My boy, very beautiful this is. But the world is full of beauty;
+and there may be gardens more beautiful than this.
+
+"But the fairest of gardens is not in our world. It is the Garden
+of Amida, in the Paradise of the West.
+
+"And whosoever does no wrong what time he lives may after death
+dwell in that Garden.
+
+"There the divine Kujaku, bird of heaven, sings of the Seven
+Steps and the Five Powers, spreading its tail as a sun.
+
+"There lakes of jewel-water are, and in them lotos-flowers of a
+loveliness for which there is not any name. And from those
+flowers proceed continually rays of rainbow-light, and spirits of
+Buddhas newly-born.
+
+"And the water, murmuring among the lotos-buds, speaks to the
+souls in them of Infinite Memory and Infinite Vision, and of the
+Four Infinite Feelings.
+
+"And in that place there is no difference between gods and men,
+save that under the splendor of Amida even the gods must bend;
+and all sing the hymn of praise beginning, '_O Thou of
+Immeasurable Light!_'
+
+"But the Voice of the River Celestial chants forever, like the
+chanting of thousands in unison: '_Even this is not high; there
+is still a Higher! This is not real; this is not Peace!_'"
+
+
+
+V
+
+THE NUN OF THE TEMPLE OF AMIDA
+
+When O-Toyo's husband--a distant cousin, adopted into her family
+for love's sake--had been summoned by his lord to the capital,
+she did not feel anxious about the future. She felt sad only. It
+was the firs time since their bridal that they had ever been
+separated. But she had her father and mother to keep her company,
+and, dearer than either,--though she would never have confessed
+it even to herself,--her little son. Besides, she always had
+plenty to do. There were many household duties to perform, and
+there was much clothing to be woven--both silk and cotton.
+
+Once daily at a fixed hour, she would set for the absent husband,
+in his favorite room, little repasts faultlessly served on dainty
+lacquered trays,-miniature meals such as are offered to the
+ghosts of the ancestors, and to the gods(1). These repasts were
+served at the east side of the room, and his kneeling-cushion
+placed before them. The reason they were served at the east side,
+was because he had gone east. Before removing the food, she
+always lifted the cover of the little soup-bowl to see if there
+was vapor upon its lacquered inside surface. For it is said that
+if there be vapor on the inside of the lid covering food so
+offered, the absent beloved is well. But if there be none, he is
+dead,--because that is a sign that his soul has returned by
+itself to seek nourishment. O-Toyo found the lacquer thickly
+beaded with vapor day by day.
+
+The child was her constant delight. He was three years old, and
+fond of asking questions to which none but the gods know the real
+answers. When he wanted to play, she laid aside her work to play
+with him. When he wanted to rest, she told him wonderful stories,
+or gave pretty pious answers to his questions about those things
+which no man can ever understand. At evening, when the little
+lamps had been lighted before the holy tablets and the images,
+she taught his lips to shape the words of filial prayer. When he
+had been laid to sleep, she brought her work near him, and
+watched the still sweetness of his face. Sometimes he would smile
+in his dreams; and she knew that Kwannon the divine was playing
+shadowy play with him, and she would murmur the Buddhist
+invocation to that Maid "who looketh forever down above the sound
+of prayer."
+
+
+Sometimes, in the season of very clear days, she would climb the
+mountain of Dakeyama, carrying her little boy on her back. Such a
+trip delighted him much, not only because of what his mother
+taught him to see, but also of what she taught him to hear. The
+sloping way was through groves and woods, and over grassed
+slopes, and around queer rocks; and there were flowers with
+stories in their hearts, and trees holding tree-spirits. Pigeons
+cried korup-korup; and doves sobbed owao, owao and cicada wheezed
+and fluted and tinkled.
+
+All those who wait for absent dear ones make, if they can, a
+pilgrimage to the peak called Dakeyama. It is visible from any
+part of the city; and from its summit several provinces can be
+seen. At the very top is a stone of almost human height and
+shape, perpendicularly set up; and little pebbles are heaped
+before it and upon it. And near by there is a small Shinto shrine
+erected to the spirit of a princess of other days. For she
+mourned the absence of one she loved, and used to watch from this
+mountain for his coming until she pined away and was changed into
+a stone. The people therefore built the shrine; and lovers of the
+absent still pray there for the return of those dear to them; and
+each, after so praying, takes home one of the little pebbles
+heaped there. And when the beloved one returns, the pebble must
+be taken back to the pebble-pile upon the mountain-top, and other
+pebbles with it, for a thank-offering and commemoration.
+
+Always ere O-Toyo and her son could reach their home after such a
+day, the dusk would fall softly about them; for the way was long,
+and they had to both go and return by boat through the wilderness
+of rice-fields round the town,--which is a slow manner of
+journeying. Sometimes stars and fireflies lighted them; sometimes
+also the moon,--and O-Toyo would softly sing to her boy the Izumo
+child-song to the moon:--
+
+Nono-San,
+Little Lady Moon,
+How old are you?
+"Thirteen days,--
+Thirteen and nine."
+That is still young,
+And the reason must be
+For that bright red obi,
+So nicely tied(2),
+And that nice white girdle
+About your hips.
+Will you give it to the horse?
+"Oh, no, no!"
+Will you give it to the cow?
+"Oh, no, no!(3)"
+
+And up to the blue night would rise from all those wet leagues of
+labored field that great soft bubbling chorus which seems the
+very voice of the soil itself,--the chant of the frogs. And
+O-Toyo would interpret its syllables to the child: Me kayui! me
+kayui! "Mine eyes tickle; I want to sleep."
+
+All those were happy hours.
+
+(1) Such a repast, offered to the spirit of the absent one loved,
+is called a Kage-zen; lit., "Shadow-tray." The word zen is also
+use to signify the meal served on the lacquered tray,--which has
+feet, like miniature table. So that time term "Shadow-feast"
+would be a better translation of Kage-zen.
+
+(2) Because an obi or girdle of very bright color can be worn
+only by children.
+
+(3) Nono-San,
+or
+O-Tsuki-san
+Ikutsu?
+"Jiu-san,--
+Kokonotsu."
+
+Sore wa mada
+Wakai yo,
+Wakai ye mo
+Dori
+Akai iro no
+Obi to,
+Shire iro no
+Obi to
+Koshi ni shanto
+Musun de.
+Uma ni yaru?
+"Iyaiya!"
+Ushi ni yaru?
+"Iyaiya!"
+
+
+
+II
+
+Then twice, within the time of three days, those masters of life
+and death whose ways belong to the eternal mysteries struck at
+her heart. First she was taught that the gentle busband for whom
+she had so often prayed never could return to her,--having been
+returned unto that dust out of which all forms are borrowed. And
+in another little while she knew her boy slept so deep a sleep
+that the Chinese physician could not waken him. These things she
+learned only as shapes are learned in lightning flashes. Between
+and beyond the flashes was that absolute darkness which is the
+pity of the gods.
+
+It passed; and she rose to meet a foe whose name is Memory.
+Before all others she could keep her face, as in other days,
+sweet and smiling. But when alone with this visitant, she found
+herself less strong. She would arrange little toys and spread
+out little dresses on the matting, and look at them, and talk to
+them in whispers, and smile silently. But the smile would ever
+end in a burst of wild, loud weeping; and she would beat her head
+upon the floor, and ask foolish questions of the gods.
+
+
+One day she thought of a weird consolation,--that rite the
+people name Toritsu-banashi,--the evocation of the dead. Could
+she not call back her boy for one brief minute only? It would
+trouble the little soul; but would he not gladly bear a moment's
+pain for her dear sake? Surely!
+
+
+[To have the dead called back one must go to some priest--
+Buddhist or Shinto--who knows the rite of incantation. And the
+mortuary tablet, or ihai, of the dead must be brought to that
+priest.
+
+Then ceremonies of purification are performed; candles are
+lighted and incense is kindled before the ihai; and prayers or
+parts of sutras are recited; and offerings of flowers and of rice
+are made. But, in this case, the rice must not be cooked.
+And when everything has been made ready, the priest, taking in
+his left hand an instrument shaped like a bow, and striking it
+rapidly with his right, calls upon the name of the dead, and
+cries out the words, Kitazo yo! kitazo yo! kitazo yo! meaning, "I
+have come(1)." And, as he cries, the tone of his voice gradually
+changes until it becomes the very voice of the dead person,--for
+the ghost enters into him.
+
+Then the dead will answer questions quickly asked, but will cry
+continually: "Hasten, hasten! for this my coming back is painful,
+and I have but a little time to stay!" And having answered, the
+ghost passes; and the priest falls senseless upon his face.
+
+Now to call back the dead is not good. For by calling them back
+their condition is made worse. Returning to the underworld, they
+must take a place lower than that which they held before.
+
+To-day these rites are not allowed by law. They once consoled;
+but the law is a good law, and just,--since there exist men
+willing to mock the divine which is in human hearts.]
+
+
+So it came to pass that O-Toyo found herself one night in a
+lonely little temple at the verge of the city,--kneeling before
+the ihai of her boy, and hearing the rite of incantation. And
+presently, out of the lips of the officiant there came a voice
+she thought she knew,--a voice loved above all others,--but faint
+and very thin, like a sobbing of wind.
+
+And the thin voice cried to her:--
+
+"Ask quickly, quickly, mother! Dark is the way and long; and I
+may not linger."
+
+Then tremblingly she questioned:--
+
+"Why must I sorrow for my child? What is the justice of the
+gods?"
+
+And there was answer given:--
+
+"O mother, do not mourn me thus! That I died was only that you
+might not die. For the year was a year of sickness and of
+sorrow,--and it was given me to know that you were to die; and I
+obtained by prayer that I should take your place(2).
+
+"O mother, never weep for me! it is not kindness to mourn for the
+dead. Over the River of Tears(3) their silent road is; and when
+mothers weep, the flood of that river rises, and the soul cannot
+pass, but must wander to and fro.
+
+"Therefore, I pray you, do not grieve, O mother mine! Only give
+me a little water sometimes."
+
+(1) Whence the Izumo saying about one who too often announces his
+coming: "Thy talk is like the talk of
+necromancy!"--Toritsubanashi no yona.
+
+(2) Migawari, "substitute," is the religious term.
+
+(3) "Namida-no-Kawa."
+
+
+
+III
+
+From that hour she was not seen to weep. She performed, lightly
+and silently, as in former days, the gentle duties of a daughter.
+
+Seasons passed; and her father thought to find another husband
+for her. To the mother, he said:--
+
+"If our daughter again have a son, it will be great joy for her,
+and for all of us."
+
+But the wiser mother made answer:--
+
+"Unhappy she is not. It is impossible that she marry again. She
+has become as a little child, knowing nothing of trouble or sin."
+
+It was true that she had ceased to know real pain. She had begun
+to show a strange fondness for very small things. At first she
+had found her bed too large--perhaps through the sense of
+emptiness left by the loss of her child; then, day by day, other
+things seemed to grow too large,--the dwelling itself, the
+familiar rooms, the alcove and its great flower-vases,--even the
+household utensils. She wished to eat her rice with miniature
+chop-sticks out of a very small bowl such as children use.
+
+In these things she was lovingly humored; and in other matters
+she was not fantastic. The old people consulted together about
+her constantly. At last the father said:--
+
+"For our daughter to live with strangers might be painful. But as
+we are aged, we may soon have to leave her. Perhaps we could
+provide for her by making her a nun. We might build a little
+temple for her."
+
+Next day the mother asked O-Toyo:--
+
+"Would you not like to become a holy nun, and to live in a very,
+very small temple, with a very small altar, and little images of
+the Buddhas? We should be always near you. If you wish this, we
+shall get a priest to teach you the sutras."
+
+O-Toyo wished it, and asked that an extremely small nun's dress
+be got for her. But the mother said:--
+
+"Everything except the dress a good nun may have made small. But
+she must wear a large dress--that is the law of Buddha."
+
+So she was persuaded to wear the same dress as other nuns.
+
+
+IV
+
+They built for her a small An-dera, or Nun's-Temple, in an empty
+court where another and larger temple, called Amida-ji, had once
+stood. The An-dera was also called Amida-ji, and was dedicated to
+Amida-Nyorai and to other Buddhas. It was fitted up with a very
+small altar and with miniature altar furniture. There was a tiny
+copy of the sutras on a tiny reading-desk, and tiny screens and
+bells and kakemono. And she dwelt there long after her parents
+had passed away. People called her the Amida-ji no Bikuni,--which
+means The Nun of the Temple of Amida.
+
+A little outside the gate there was a statue of Jizo. This Jizo
+was a special Jizo--the friend of sick children. There were
+nearly always offerings of small rice-cakes to be seen before
+him. These signified that some sick child was being prayed for;
+and the number of the rice-cakes signified the number of the
+years of the child. Most often there were but two or three cakes;
+rarely there were seven or ten. The Amida-ji no Bikuni took care
+of the statue, and supplied it with incense-offerings, and
+flowers from the temple garden; for there was a small garden
+behind the An-dera.
+
+After making her morning round with her alms-bowl, she would
+usually seat herself before a very small loom, to weave cloth
+much too narrow for serious use. But her webs were bought always
+by certain shopkeepers who knew her story; and they made her
+presents of very small cups, tiny flower-vases, and queer
+dwarf-trees for her garden.
+
+Her greatest pleasure was the companionship of children; and this
+she never lacked. Japanese child-life, is mostly passed in temple
+courts; and many happy childhoods were spent in the court of the
+Amida-ji. All the mothers in that street liked to have their
+little ones play there, but cautioned them never to laugh at the
+Bikuni-San. "Sometimes her ways are strange," they would say;
+"but that is because she once had a little son, who died, and the
+pain became too great for her mother's heart. So you must be very
+good and respectful to her."
+
+Good they were, but not quite respectful in the reverential
+sense. They knew better than to be that. They called her
+"Bikuni-San" always, and saluted her nicely; but otherwise they
+treated her like one of themselves. They played games with her;
+and she gave them tea in extremely small cups, and made for them
+heaps of rice-cakes not much bigger than peas, and wove upon her
+loom cloth of cotton and cloth of silk for the robes of their
+dolls. So she became to them as a blood-sister.
+
+They played with her daily till they grew too big to play, and
+left the court of the temple of Amida to begin the bitter work of
+life, and to become the fathers and mothers of children whom they
+sent to play in their stead. These learned to love the Bikuni-San
+like their parents had done. And the Bikuni-San lived to play
+with the children of the children of the children of those who
+remembered when her temple was built.
+
+The people took good heed that she should not know want. There
+was always given to her more than she needed for herself. So she
+was able to be nearly as kind to the children as she wished, and
+to feed extravagantly certain small animals. Birds nested in her
+temple, and ate from her hand, and learned not to perch upon the
+heads of the Buddhas.
+
+
+Some days after her funeral, a crowd of children visited my
+house. A little girl of nine years spoke for them all:--
+
+"Sir, we are asking for the sake of the Bikuni-San who is dead. A
+very large haka(1) has been set up for her. It is a nice haka.
+But we want to give her also a very, very small haka because in
+the time she was with us she often said that she would like a
+very little haka. And the stone-cutter has promised to cut it for
+us, and to make it very pretty, if we can bring the money.
+Therefore perhaps you will honorably give something."
+
+"Assuredly," I said. "But now you will have nowhere to play."
+
+She answered, smiling:--"We shall still play in the court of the
+temple of Amida. She is buried there. She will hear our playing,
+and be glad."
+
+(1) Tombstone.
+
+
+VI
+
+AFTER THE WAR
+
+
+I
+
+Hyogo, May 5, 1895.
+
+Hyogo, this morning, lies bathed in a limpid magnificence of
+light indescribable,--spring light, which is vapory, and lends a
+sort of apparitional charm to far things seen through it. Forms
+remain sharply outlined, but are almost idealized by faint colors
+not belonging to them; and the great hills behind the town aspire
+into a cloudless splendor of tint that seems the ghost of azure
+rather than azure itself.
+
+Over the blue-gray slope of tiled roofs there is a vast quivering
+and fluttering of extraordinary shapes,--a spectacle not indeed
+new to me, but always delicious Everywhere are floating--tied to
+very tall bamboo poles--immense brightly colored paper fish,
+which look and move as if alive. The greater number vary from
+five to fifteen feet in length; but here and there I see a baby
+scarcely a foot long, hooked to the tail of a larger one. Some
+poles have four or five fish attached to them at heights
+proportioned to the dimensions of the fish, the largest always at
+the top. So cunningly shaped and colored these things are that
+the first sight of them is always startling to a stranger. The
+lines holding them are fastened within the head; and the wind,
+entering the open mouth, not only inflates the body to perfect
+form, but keeps it undulating,--rising and descending, turning
+and twisting, precisely like a real fish, while the tail plays
+and the fins wave irreproachably. In the garden of my next-door
+neighbor there are two very fine specimens. One has an orange
+belly and a bluish-gray back; the other is all a silvery tint;
+and both have big weird eyes. The rustling of their motion as
+they swim against the sky is like the sound of wind in a
+cane-field. A little farther off I see another very big fish,
+with a little red boy clinging to its back. That red boy
+represents Kintoki, strongest of all children ever born in Japan,
+who, while still a baby, wrestled with bears and set traps for
+goblin-birds.
+
+Everybody knows that these paper carp, or koi, are hoisted only
+during the period of the great birth festival of boys, in the
+fifth month; that their presence above a house signifies the
+birth of a son; and that they symbolize the hope of the parents
+that their lad will be able to win his way through the world
+against all obstacles,--even as the real koi, the great Japanese
+carp, ascends swift rivers against the stream. In many parts of
+southern and western Japan you rarely see these koi. You see,
+instead, very long narrow flags of cotton cloth, called nobori,
+which are fastened perpendicularly, like sails, with little spars
+and rings to poles of bamboo, and bear designs in various colors
+of the koi in an eddy,--or of Shoki, conqueror of demons,--or of
+pines,--or of tortoises,--or other fortunate symbols.
+
+
+II
+
+But in this radiant spring of the Japanese year 2555, the koi
+might be taken to symbolize something larger than parental hope,
+--the great trust of a nation regenerated through war. The
+military revival of the Empire--the real birthday of New
+Japan--began with the conquest of China. The war is ended; the
+future, though clouded, seems big with promise; and, however grim
+the obstacles to loftier and more enduring achievements, Japan
+has neither fears nor doubts.
+
+Perhaps the future danger is just in this immense self-confidence.
+It is not a new feeling created by victory. it is a race feeling,
+which repeated triumphs have served only to strengthen. From the
+instant of the declaration of war there was never the least doubt of
+ultimate victory. There was universal and profound enthusiasm, but
+no outward signs of emotional excitement. Men at once set to writing
+histories of the triumphs of Japan, and these histories--issued to
+subscribers in weekly or monthly parts, and illustrated with photo-
+lithographs or drawings on wood--were selling all over the country
+long before any foreign observers could have ventured to predict the
+final results of the campaign. From first to last the nation felt
+sure of its own strength, and of the impotence of China. The toy-
+makers put suddenly into the market legions of ingenious mechanisms,
+representing Chinese soldiers in flight, or being cut down by
+Japanese troopers, or tied together as prisoners by their queues, or
+kowtowing for mercy to illustrious generals. The old-fashioned
+military playthings, representing samurai in armor, were superseded
+by figures--in clay, wood, paper, or silk--of Japanese cavalry,
+infantry, and artillery; by models of forts and batteries; and
+models of men-of-war. The storming of the defenses of Port Arthur by
+the Kumamoto Brigade was the subject of one ingenious mechanical
+toy; another, equally clever, repeated the fight of the Matsushima
+Kan with the Chinese iron-clads. There were sold likewise myriads of
+toy-guns discharging corks by compressed air with a loud pop, and
+myriads of toy-swords, and countless tiny bugles, the constant
+blowing of which recalled to me the tin-horn tumult of a certain New
+Year's Eve in New Orleans. The announcement of each victory resulted
+in an enormous manufacture and sale of colored prints, rudely and
+cheaply executed, and mostly depicting the fancy of the artist only,
+-but well fitted to stimulate the popular love of glory. Wonderful
+sets of chessmen also appeared, each piece representing a Chinese or
+Japanese officer or soldier.
+
+Meanwhile, the theatres were celebrating the war after a much
+more complete fashion. It is no exaggeration to say that almost
+every episode of the campaign was repeated upon the stage. Actors
+even visited the battlefields to study scenes and backgrounds,
+and fit themselves to portray realistically, with the aid of
+artificial snowstorms, the hardships of the army in Manchuria.
+Every gallant deed was dramatized almost as soon as reported. The
+death of the bugler Shirakami Genjiro(1); the triumphant courage
+of Harada Jiukichi, who scaled a rampart and opened a fortress
+gate to his comrades; the heroism of the fourteen troopers who
+held their own against three hundred infantry; the successful
+charge of unarmed coolies upon a Chinese battalion,--all these
+and many other incidents were reproduced in a thousand theatres.
+Immense illuminations of paper lanterns, lettered with phrases of
+loyalty or patriotic cheer, celebrated the success of the
+imperial arms, or gladdened the eyes of soldiers going by train
+to the field. In Kobe,--constantly traversed by troop-trains,--
+such illuminations continued night after night for weeks
+together; and the residents of each street further subscribed for
+flags and triumphal arches.
+
+But the glories of the war were celebrated also in ways more
+durable by the various great industries of the country. Victories
+and incidents of sacrificial heroism were commemorated in
+porcelain, in metal-work, and in costly textures, not less than
+in new designs for envelopes and note-paper. They were portrayed
+on the silk linings of haori(2), on women's kerchiefs of
+chirimen(3), in the embroidery of girdles, in the designs of silk
+shirts and of children's holiday robes,--not to speak of cheaper
+printed goods, such as calicoes and toweling. They were
+represented in lacquer-ware of many kinds, on the sides and
+covers of carven boxes, on tobacco-pouches, on sleeve-buttons, in
+designs for hairpins, on women's combs, even on chopsticks.
+Bundles of toothpicks in tiny cases were offered for sale, each
+toothpick having engraved upon it, in microscopic text, a
+different poem about the war. And up to the time of peace, or at
+least up to the time of the insane attempt by a soshi(4) to kill
+the Chinese plenipotentiary during negotiations, all things
+happened as the people had wished and expected.
+
+But as soon as the terms of peace had been announced, Russia
+interfered, securing the help of France and Germany to bully
+Japan. The combination met with no opposition; the government
+played jiujutsu, and foiled expectations by unlooked-for
+yielding. Japan had long ceased to feel uneasy about her own
+military power. Her reserve strength is probably much greater
+than has ever been acknowledged, and her educational system, with
+its twenty-six thousand schools, is an enormous drilling-
+machine. On her own soil she could face any foreign power. Her
+navy was her weak point, and of this she was fully aware. It was
+a splendid fleet of small, light cruisers, and splendidly
+handled. Its admiral, without the loss of a single vessel, had
+annihilated the Chinese fleet in two engagements, but it was not
+yet sufficiently heavy to face the combined navies of three
+European powers; and the flower of the Japanese army was beyond
+the sea. The most opportune moment for interference had been
+cunningly chosen, and probably more than interference was
+intended. The heavy Russian battle-ships were stripped for
+fighting; and these alone could possibly have overpowered the
+Japanese fleet, though the victory would have been a costly one.
+But Russian action was suddenly checked by the sinister
+declaration of English sympathy for Japan. Within a few weeks
+England could bring into Asiatic waters a fleet capable of
+crushing, in one short battle, all the iron-clads assembled by
+the combination. And a single shot from a Russian cruiser might
+have plunged the whole world into war.
+
+But in the Japanese navy there was a furious desire to battle
+with the three hostile powers at once. It would have been a great
+fight, for no Japanese commander would have dreamed of yielding,
+no Japanese ship would have struck her colors. The army was
+equally desirous of war. It needed all the firmness of the
+government to hold the nation back. Free speech was gagged; the
+press was severely silenced; and by the return to China of the
+Liao-Tung peninsula, in exchange for a compensatory increase of
+the war indemnity previously exacted, peace was secured. The
+government really acted with faultless wisdom. At this period of
+Japanese development a costly war with Russia could not fail to
+have consequences the most disastrous to industry, commerce, and
+finance. But the national pride has been deeply wounded, and the
+country can still scarcely forgive its rulers.
+
+(1) At the battle of Song-Hwan, a Japanese bugler named
+Shirakami Genjiro was ordered to sound the charge (suzume). He
+had sounded it once when a bullet passed through his lungs,
+throwing him down.. His comrades tried to take the bugle away,
+seeing the wound was fatal. He wrested it from them, lifted it
+again to his lips, sounded the charge once more with all his
+strength, and fell back dead. I venture to offer this rough
+translation of a song now sung about him by every soldier and
+schoolboy in Japan:--
+
+SHIRAKAMI GENJIRO
+
+(After the Japanese military ballad, Rappa-no-hibiki.)
+Easy in other times than this
+Were Anjo's stream to cross;
+But now, beneath the storm of shot,
+Its waters seethe and toss.
+
+In other time to pass that stream
+Were sport for boys at play;
+But every man through blood must wade
+Who fords Anjo to-day.
+
+The bugle sounds;--through flood and flame
+Charges the line of steel;--
+Above the crash of battle rings
+The bugle's stern appeal.
+
+Why has that bugle ceased to call?
+Why does it call once more?
+Why sounds the stirring signal now
+More faintly than before?
+
+What time the bugle ceased to sound,
+The breast was smitten through;--
+What time the blast rang faintly, blood
+Gushed from the lips that blew.
+
+Death-stricken, still the bugler stands!
+He leans upon his gun,--
+Once more to sound the bugle-call
+Before his life be done.
+
+What though the shattered body fall?
+The spirit rushes free
+Through Heaven and Earth to sound anew
+That call to Victory!
+
+Far, far beyond our shore, the spot
+Now honored by his fall;--
+But forty million brethren
+Have heard that bugle-call.
+
+Comrade!--beyond the peaks and seas
+Your bugle sounds to-day
+In forty million loyal hearts
+A thousand miles away!
+
+(2) Haori, a sort of upper dress, worn by men as well as women.
+The linings are often of designs beautiful beyond praise.
+
+(3) Chirimen is crape-silk, of which there are many qualities;
+some very costly and durable.
+(4) Soshi form one of the modern curses of Japan. They are mostly
+ex-students who earn a living by hiring themselves out as rowdy
+terrorists. Politicians employ them either against the soshi of
+opponents, or as bullies in election time. Private persons
+sometimes employ them as defenders. They have figured in most of
+the election rows which have taken place of late years in Japan,
+also in a number of assaults made on distinguished personages.
+The causes which produced nihilism in Russia have several points
+of resemblance with the causes which developed the modern soshi
+class in Japan.
+
+
+
+III
+
+Hyogo, May 15.
+
+The Matsushima Kan, returned from China, is anchored before the
+Garden of the Pleasure of Peace. She is not a colossus, though
+she has done grand things; but she certainly looks quite
+formidable as she lies there in the clear light,--a stone-gray
+fortress of steel rising out of the smooth blue. Permission to
+visit her has been given to the delighted people, who don their
+best for the occasion, as for a temple festival, and I am
+suffered to accompany some of them. All the boats in the port
+would seem to have been hired for the visitors, so huge is the
+shoal hovering about the ironclad as we arrive. It is not
+possible for such a number of sightseers to go on board at once,
+and we have to wait while hundreds are being alternately admitted
+and dismissed. But the waiting in the cool sea air is not
+unpleasant; and the spectacle of the popular joy is worth
+watching. What eager rushing when the turn comes! what swarming
+and squeezing and clinging! Two women fall into the sea, and are
+pulled out by blue-jackets, and say they are not sorry to have
+fallen in, because they can now boast of owing their lives to the
+men of the Matsushima Kan! As a matter of fact, they could not
+very well have been drowned; there were legions of common boatmen
+to look after them.
+
+But something of larger importance to the nation than the lives
+of two young women is really owing to the men of the Matsushima
+Kan; and the people are rightly trying to pay them back with
+love,--for presents, such as thousands would like to make, are
+prohibited by disciplinary rule. Officers and crew must be weary;
+but the crowding and the questioning are borne with charming
+amiability. Everything is shown and explained in detail:
+the huge thirty-centimetre gun, with its loading apparatus and
+directing machinery; the quick-firing batteries; the torpedoes,
+with their impulse-tubes; the electric lantern, with its
+searching mechanism. I myself, though a foreigner, and therefore
+requiring a special permit, am guided all about, both below and
+above, and am even suffered to take a peep at the portraits of
+their Imperial Majesties, in the admiral's cabin; and I am told
+the stirring story of the great fight off the Yalu. Meanwhile,
+the old bald men and the women and the babies of the port hold
+for one golden day command of the Matsushima. Officers, cadets,
+blue-jackets, spare no effort to please. Some talk to the
+grandfathers; others let the children play with the hilts of
+their swords, or teach them how to throw up their little hands
+and shout "_Teikoku Banzai!_" And for tired mothers, matting has
+been spread, where they can squat down in the shade between
+decks.
+
+Those decks, only a few months ago, were covered with the blood
+of brave men. Here and there dark stains, which still resist
+holy-stoning, are visible; and the people look at them with
+tender reverence. The flagship was twice struck by enormous
+shells, and her vulnerable parts were pierced by a storm of small
+projectiles. She bore the brunt of the engagement, losing nearly
+half her crew. Her tonnage is only four thousand two hundred and
+eighty; and her immediate antagonists were two Chinese ironclads
+of seven thousand four hundred tons each. Outside, her cuirass
+shows no deep scars, for the shattered plates have been
+replaced;--but my guide points proudly to the numerous patchings
+of the decks, the steel masting supporting the fighting-tops, the
+smoke-stack,--and to certain terrible dents, with small cracks
+radiating from them, in the foot-thick steel of the barbette. He
+traces for us, below, the course of the thirty-and-a-half
+centimetre shell that pierced the ship. "When it came," he tells
+us, "the shock threw men into the air that high" (holding his
+hand some two feet above the deck). "At the same moment all
+became dark; you could not see your hand. Then we found that one
+of the starboard forward guns had been smashed, and the crew all
+killed. We had forty men killed instantly, and many more wounded:
+no man escaped in that part of the ship. The deck was on fire,
+because a lot of ammunition brought up for the guns had exploded;
+so we had to fight and to work to put out the fire at the same
+time. Even badly wounded men, with the skin blown from their
+hands and faces, worked as if they felt no pain; and dying men
+helped to pass water. But we silenced the Ting-yuen with one more
+shot from our big gun. The Chinese had European gunners helping
+them. If we had not had to fight against Western gunners, _our
+victory would have been too easy._"
+
+He gives the true note. Nothing, on this splendid spring day,
+could so delight the men of the Matsushima Kan as a command to
+clear for action, and attack the great belted Russian cruisers
+lying off the coast.
+
+
+IV
+
+Kobe, June 9.
+
+Last year, while traveling from Shimonoseki to the capital, I saw
+many regiments on their way to the seat of war, all uniformed in
+white, for the hot season was not yet over. Those soldiers looked
+so much like students whom I had taught (thousands, indeed, were
+really fresh from school) that I could not help feeling it was
+cruel to send such youths to battle. The boyish faces were so
+frank, so cheerful, so seemingly innocent of the greater sorrows
+of life! "Don't fear for them," said an English fellow-traveler,
+a man who had passed his life in camps; "they will give a
+splendid account of themselves." "I know it," was my answer; "but
+I am thinking of fever and frost and Manchurian winter: these are
+more to be feared than Chinese rifles(1)."
+
+The calling of the bugles, gathering the men together after dark,
+or signaling the hour of rest, had for years been one of the
+pleasures of my summer evenings in a Japanese garrison town. But
+during the months of war, those long, plaintive notes of the last
+call touched me in another way. I do not know that the melody is
+peculiar; but it was sometimes played, I used to think, with
+peculiar feeling; and when uttered to the starlight by all the
+bugles of a division at once, the multitudinously blending tones
+had a melancholy sweetness never to be forgotten. And I would
+dream of phantom buglers, summoning the youth and strength of
+hosts to the shadowy silence of perpetual rest.
+
+Well, to-day I went to see some of the regiments return. Arches
+of greenery had been erected over the street they were to pass
+through, leading from Kobe station to Nanko-San,--the great
+temple dedicated to the hero spirit of Kusunoki Masashige. The
+citizens had subscribed six thousand yen far the honor of serving
+the soldiers with the first meal after their return; and many
+battalions had already received such kindly welcome. The sheds
+under which they ate in the court of the temple had been
+decorated with flags and festoons; and there were gifts for all
+the troops,--sweetmeats, and packages of cigarettes, and little
+towels printed with poems in praise of valor. Before the gate of
+the temple a really handsome triumphal arch had been erected,
+bearing on each of its facades a phrase of welcome in Chinese
+text of gold, and on its summit a terrestrial globe surmounted by
+a hawk with outspread pinions(2).
+
+I waited first, with Manyemon, before the station, which is very
+near the temple. The train arrived; a military sentry ordered all
+spectators to quit the platform, and outside, in the street,
+police kept back the crowd, and stopped all traffic. After a few
+minutes, the battalions came, marching in regular column through
+the brick archway,--headed by a gray officer, who limped slightly
+as he walked, smoking a cigarette. The crowd thickened about us,
+but there was no cheering, not even speaking,--a hush broken only
+by the measured tramp of the passing troops. I could scarcely
+believe those were the same men I had seen going to the war; only
+the numbers on the shoulder-straps assured me of the fact.
+Sunburnt and grim the faces were; many had heavy beards. The dark
+blue winter uniforms were frayed and torn, the shoes worn into
+shapelessness; but the strong, swinging stride was the stride of
+the hardened soldier. Lads no longer these, but toughened men,
+able to face any troops in the world; men who had slaughtered and
+stormed; men who had also suffered many things which never will
+be written. The features showed neither joy nor pride; the
+quick-searching eyes hardly glanced at the welcoming flags, the
+decorations, the arch with its globe-shadowing hawk of battle,
+--perhaps because those eyes had seen too often the things which
+make men serious. (Only one man smiled as he passed; and I
+thought of a smile seen on the face of a Zouave when I was a boy,
+watching the return of a regiment from Africa,--a mocking smile,
+that stabbed.) Many of the spectators were visibly affected,
+feeling the reason of the change. But, for that, the soldiers
+were better soldiers now; and they were going to find welcome,
+and comforts, and gifts, and the great warm love of the
+people,--and repose thereafter, in their old familiar camps.
+
+I said to Manyemon: "This evening they will be in Osaka and
+Nagoya. They will hear the bugles calling; and they will think of
+comrades who never can return."
+
+The old man answered, with simple earnestness: "Perhaps by
+Western people it is thought that the dead never return. But we
+cannot so think. There are no Japanese dead who do not return.
+There are none who do not know the way. From China and from
+Chosen, and out of the bitter sea, all our dead have come
+back,--all! They are with us now. In every dusk they gather to
+hear the bugles that called them home. And they will hear them
+also in that day when the armies of the Son of Heaven shall be
+summoned against Russia."
+
+(1) The total number of Japanese actually killed in battle, from
+the fight at A-san to the capture of the Pescadores, was only
+739. But the deaths resulting from other causes, up to as late a
+date as the 8th of June, during the occupation of Formosa, were
+3,148. Of these, 1,602 were due to cholera alone. Such, at least,
+were the official figures as published in the Kobe Chronicle.
+
+(2) At the close of the great naval engagement of the 17th of
+September, 1894, a hawk alighted on the fighting-mast of the
+Japanese cruiser Takachiho, and suffered itself to be taken and
+fed. After much petting, this bird of good omen was presented to
+the Emperor. Falconry was a great feudal sport in Japan, and
+hawks were finely trained. The hawk is now likely to become, more
+than ever before in Japan, a symbol of victory.
+
+
+
+VII.
+
+HARU
+
+Haru was brought up, chiefly at home, in that old-fashioned way
+which produced one of the sweetest types of woman the world has
+ever seen. This domestic education cultivated simplicity of
+heart, natural grace of manner, obedience, and love of duty as
+they were never cultivated but in Japan. Its moral product was
+something too gentle and beautiful for any other than the old
+Japanese society: it was not the most judicious preparation for
+the much harsher life of the new,--in which it still survives.
+The refined girl was trained for the condition of being
+theoretically at the mercy of her husband. She was taught never
+to show jealousy, or grief, or anger,--even under circumstances
+compelling all three; she was expected to conquer the faults of
+her lord by pure sweetness. In short, she was required to be
+almost superhuman,--to realize, at least in outward seeming, the
+ideal of perfect unselfishness. And this she could do with a
+husband of her own rank, delicate in discernment,--able to divine
+her feelings, and never to wound them.
+
+Haru came of a much better family than her husband; and she was a
+little too good for him, because he could not really understand
+her. They had been married very young, had been poor at first,
+and then had gradually become well-off, because Haru's husband
+was a clever man of business. Sometimes she thought he had loved
+her most when they were less well off; and a woman is seldom
+mistaken about such matters.
+
+She still made all his clothes; and he commended her needle-work.
+She waited upon his wants, aided him to dress and undress, made
+everything comfortable for him in their pretty home; bade him a
+charming farewell as he went to business in the morning, and
+welcomed him upon his return; received his friends exquisitely;
+managed his household matters with wonderful economy, and seldom
+asked any favors that cost money. Indeed she scarcely needed such
+favors; for he was never ungenerous, and liked to see her
+daintily dressed,--looking like some beautiful silver moth robed
+in the folding of its own wings,--and to take her to theatres and
+other places of amusement. She accompanied him to
+pleasure-resorts famed for the blossoming of cherry-trees in
+spring, or the shimmering of fireflies on summer nights, or the
+crimsoning of maples in autumn. And sometimes they would pass a
+day together at Maiko, by the sea, where the pines seem to sway
+like dancing girls; or an afternoon at Kiyomidzu, in the old, old
+summer-house, where everything is like a dream of five hundred
+years ago,--and where there is a great shadowing of high woods,
+and a song of water leaping cold and clear from caverns, and
+always the plaint of flutes unseen, blown softly in the antique
+way,--a tone-caress of peace and sadness blending, just as the
+gold light glooms into blue over a dying sun.
+
+Except for such small pleasures and excursions, Haru went out
+seldom. Her only living relatives, and also those of her husband,
+were far away in other provinces, and she had few visits to make.
+She liked to be at home, arranging flowers for the alcoves or for
+the gods, decorating the rooms, and feeding the tame gold-fish of
+the garden-pond, which would lift up their heads when they saw
+her coming.
+
+No child had yet brought new joy or sorrow into her life. She
+looked, in spite of her wife's coiffure, like a very young girl;
+and she was still simple as a child,--notwithstanding that
+business capacity in small things which her husband so admired
+that he often condescended to ask her counsel in big things.
+Perhaps the heart then judged for him better than the pretty
+head; but, whether intuitive or not, her advice never proved
+wrong. She was happy enough with him for five years,--during
+which time he showed himself as considerate as any young Japanese
+merchant could well be towards a wife of finer character than his
+own.
+
+Then his manner suddenly became cold,--so suddenly that she felt
+assured the reason was not that which a childless wife might have
+reason to fear. Unable to discover the real cause, she tried to
+persuade herself that she had been remiss in her duties; examined
+her innocent conscience to no purpose; and tried very, very hard
+to please. But he remained unmoved. He spoke no unkind words,--
+though she felt behind his silence the repressed tendency to
+utter them. A Japanese of the better class is not very apt to be
+unkind to his wife in words. It is thought to be vulgar and
+brutal. The educated man of normal disposition will even answer a
+wife's reproaches with gentle phrases. Common politeness, by the
+Japanese code, exacts this attitude from every manly man;
+moreover, it is the only safe one. A refined and sensitive woman
+will not long submit to coarse treatment; a spirited one may even
+kill herself because of something said in a moment of passion,
+and such a suicide disgraces the husband for the rest of his
+life. But there are slow cruelties worse than words, and safer,--
+neglect or indifference, for example, of a sort to arouse
+jealousy. A Japanese wife has indeed been trained never to show
+jealousy; but the feeling is older than all training,--old as
+love, and likely to live as long. Beneath her passionless mask
+the Japanese wife feels like her Western sister,--just like that
+sister who prays and prays, even while delighting some evening
+assembly of beauty and fashion, for the coming of the hour which
+will set her free to relieve her pain alone.
+
+Haru had cause for jealousy; but she was too much of a child to
+guess the cause at once; and her servants too fond of her to
+suggest it. Her husband had been accustomed to pass his evenings
+in her company, either at home or elsewhere. But now, evening
+after evening, he went out by himself. The first time he had
+given her some business pretexts; afterwards he gave none, and
+did not even tell her when he expected to return. Latterly, also,
+he had been treating her with silent rudeness. He had become
+changed,--"as if there was a goblin in his heart,"-the servants
+said. As a matter of fact he had been deftly caught in a snare
+set for him. One whisper from a geisha had numbed, his will; one
+smile blinded his eyes. She was far less pretty than his wife;
+but she was very skillful in the craft of spinning webs,--webs of
+sensual delusion which entangle weak men; and always tighten more
+and more about them until the final hour of mockery and ruin.
+Haru did not know. She suspected no wrong till after her
+husband's strange conduct had become habitual,--and even then
+only because she found that his money was passing into unknown
+hands. He had never told her where he passed his evenings. And
+she was afraid to ask, lest he should think her jealous. Instead
+of exposing her feelings in words, she treated him with such
+sweetness that a more intelligent husband would have divined all.
+But, except in business, he was dull. He continued to pass his
+evenings away; and as his conscience grew feebler, his absences
+lengthened. Haru had been taught that a good wife should always
+sit up and wait for her lord's return at night; and by so doing
+she suffered from nervousness, and from the feverish conditions,
+that follow sleeplessness, and from the lonesomeness of her
+waiting after the servants, kindly dismissed at the usual hour,
+had left her with her thoughts. Once only, returning very late,
+her husband said to her: "I am sorry you should have sat up so
+late for me; do not wait like that again!" Then, fearing he might
+really have been pained on her account, she laughed pleasantly,
+and said: "I was not sleepy, and I am not tired; honorably please
+not to think about me." So he ceased to think about her,--glad to
+take her at her word; and not long after that he stayed away for
+one whole night. The next night he did likewise, and a third
+night. After that third night's absence he failed even to return
+for the morning meal; and Haru knew the time had come when her
+duty as a wife obliged her to speak.
+
+She waited through all the morning hours, fearing for him,
+fearing for herself also; conscious at last of the wrong by which
+a woman's heart can be most deeply wounded. Her faithful servants
+had told her something; the rest she could guess. She was very
+ill, and did not know it. She knew only that she was angry--
+selfishly angry, because of the pain given her, cruel, probing,
+sickening pain. Midday came as she sat thinking how she could say
+least selfishly what it was now her duty to say,--the first words
+of reproach that would ever have passed her lips. Then her heart
+leaped with a shock that made everything blur and swim before her
+sight in a whirl of dizziness,--because there was a sound of
+kuruma-wheels and the voice of a servant calling:
+"_Honorable-return-is!_"
+
+She struggled to the entrance to meet him, all her slender body
+a-tremble with fever and pain, and terror of betraying that pain.
+And the man was startled, because instead of greeting him with
+the accustomed smile, she caught the bosom of his silk robe in
+one quivering little hand,--and looked into his face with eyes
+that seemed to search for some shred of a soul,--and tried to
+speak, but could utter only the single word, "_Anata(1)?_" Almost
+in the same moment her weak grasp loosened, her eyes
+closed with a strange smile; and even before he could put out his
+arms to support her, she fell. He sought to lift her. But
+something in the delicate life had snapped. She was dead.
+
+There were astonishments, of course, and tears, and useless
+callings of her name, and much running for doctors. But she lay
+white and still and beautiful, all the pain and anger gone out of
+her face, and smiling as on her bridal day.
+
+Two physicians came from the public hospital,--Japanese military
+surgeons. They asked straight hard questions,--questions that cut
+open the self of the man down to the core. Then they told him
+truth cold and sharp as edged steel,--and left him with his dead.
+
+
+The people wondered he did not become a priest,--fair evidence
+that his conscience had been awakened. By day he sits among his
+bales of Kyoto silks and Osaka figured goods,--earnest and
+silent. His clerks think him a good master; he never speaks
+harshly. Often he works far into the night; and he has changed
+his dwelling-place. There are strangers in the pretty house where
+Haru lived; and the owner never visits it. Perhaps because he
+might see there one slender shadow, still arranging flowers, or
+bending with iris-grace above the goldfish in his pond. But
+wherever he rest, sometime in the silent hours he must see the
+same soundless presence near his pillow,--sewing, smoothing,
+softly seeming to make beautiful the robes he once put on only to
+betray. And at other times--in the busiest moments of his busy
+life--the clamor of the great shop dies; the ideographs of his
+ledger dim and vanish; and a plaintive little voice, which the
+gods refuse to silence, utters into the solitude of his heart,
+like a question, the single word,--"_Anata?_"
+(1) "Thou?"
+
+
+
+VIII
+
+A GLIMPSE OP TENDENCIES
+
+I
+
+The foreign concession of an open port offers a striking contrast
+to its far-Eastern environment. In the well-ordered ugliness of
+its streets one finds suggestions of places not on this side of
+the world,--just as though fragments of the Occident had been
+magically brought oversea: bits of Liverpool, of Marseilles, of
+New York, of New Orleans, and bits also of tropical towns in
+colonies twelve or fifteen thousand miles away. The mercantile
+buildings--immense by comparison with the low light Japanese
+shops--seem to utter the menace of financial power. The
+dwellings, of every conceivable design--from that of an Indian
+bungalow to that of an English or French country-manor, with
+turrets and bow-windows--are surrounded by commonplace gardens of
+clipped shrubbery; the white roadways are solid and level as
+tables, and bordered with boxed-up trees. Nearly all things
+conventional in England or America have been domiciled in these
+districts. You see church-steeples and factory-chimneys and
+telegraph-poles and street-lamps. You see warehouses of imported
+brick with iron shutters, and shop fronts with plate-glass
+windows, and sidewalks, and cast-iron railings. There are morning
+and evening and weekly newspapers; clubs and reading-rooms and
+bowling alleys; billiard halls and barrooms; schools and bethels.
+There are electric-light and telephone companies; hospitals,
+courts, jails, and a foreign police. There are foreign lawyers,
+doctors, and druggists; foreign grocers, confectioners, bakers,
+dairymen; foreign dress-makers and tailors; foreign
+school-teachers and music-teachers. There is a town-hall, for
+municipal business and public meetings of all kinds,--likewise
+for amateur theatricals or lectures and concerts; and very rarely
+some dramatic company, on a tour of the world, halts there awhile
+to make men laugh and women cry like they used to do at home.
+There are cricket-grounds, racecourses, public parks,--or, as we
+should call them in England, "squares,"--yachting associations,
+athletic societies, and swimming baths. Among the familiar noises
+are the endless tinkling of piano-practice, the crashing of a
+town-band, and an occasional wheezing of accordions: in fact, one
+misses only the organ-grinder. The population is English, French,
+German, American, Danish, Swedish, Swiss, Russian, with a thin
+sprinkling of Italians and Levantines. I had almost forgotten the
+Chinese. They are present in multitude, and have a little corner
+of the district to themselves. But the dominant element is
+English and American, the English being in the majority. All the
+faults and some of the finer qualities of the masterful races can
+be studied here to better advantage than beyond seas,--because
+everybody knows all about everybody else in communities so
+small,--mere oases of Occidental life in the vast unknown of the
+Far East. Ugly stories may be heard which are not worth writing
+about; also stories of nobility and generosity--about good brave
+things done by men who pretend to be selfish, and wear
+conventional masks to hide what is best in them from public
+knowledge.
+
+But the domains of the foreigner do not stretch beyond the
+distance of an easy walk, and may shrink back again into nothing
+before many years--for reasons I shall presently dwell upon. His
+settlements developed precociously,--almost like "mushroom
+cities" in the great American West,--and reached the apparent
+limit of their development soon after solidifying.
+
+About and beyond the concession, the "native town"--the real
+Japanese city--stretches away into regions imperfectly known. To
+the average settler this native town remains a world of
+mysteries; he may not think it worth his while to enter it for
+ten years at a time. It has no interest for him, as he is not a
+student of native customs, but simply a man of business; and he
+has no time to think how queer it all is. Merely to cross the
+concession line is almost the same thing as to cross the Pacific
+Ocean,--which is much less wide than the difference between the
+races. Enter alone into the interminable narrow maze of Japanese
+streets, and the dogs will bark at you, and the children stare at
+you as if you were the only foreigner they ever saw. Perhaps they
+will even call after you "Ijin," "Tojin," or "Ke-tojin,"--the
+last of which signifies "hairy foreigner," and is not intended as
+a compliment.
+
+
+II
+
+For a long time the merchants of the concessions had their own
+way in everything, and forced upon the native firms methods of
+business to which no Occidental merchant would think of
+submitting,--methods which plainly expressed the foreign
+conviction that all Japanese were tricksters. No foreigner would
+then purchase anything until it had been long enough in his hands
+to be examined and re-examined and "exhaustively" examined,--or
+accept any order for imports unless the order were accompanied by
+"a substantial payment of bargain money"(1). Japanese buyers and
+sellers protested in vain; they found themselves obliged to
+submit. But they bided their time,--yielding only with the
+determination to conquer. The rapid growth of the foreign town,
+and the immense capital successfully invested therein, proved to
+them how much they would have to learn before being able to help
+themselves. They wondered without admiring, and traded with the
+foreigners or worked for them, while secretly detesting them. In
+old Japan the merchant ranked below the common peasant; but these
+foreign invaders assumed the tone of princes and the insolence of
+conquerors. As employers they were usually harsh, and sometimes
+brutal. Nevertheless they were wonderfully wise in the matter of
+making money; they lived like kings and paid high salaries. It
+was desirable that young men should suffer in their service for
+the sake of learning things which would have to be learned to
+save the country from passing under foreign rule. Some day Japan
+would have a mercantile marine of her own, and foreign banking
+agencies, and foreign credit, and be well able to rid herself of
+these haughty strangers: in the meanwhile they should be endured
+as teachers.
+
+So the import and export trade remained entirely in foreign
+hands, and it grew from nothing to a value of hundreds of
+millions; and Japan was well exploited. But she knew that she was
+only paying to learn; and her patience was of that kind which
+endures so long as to be mistaken for oblivion of injuries. Her
+opportunities came in the natural order of things. The growing
+influx of aliens seeking fortune gave her the first advantage.
+The intercompetition for Japanese trade broke down old methods;
+and new firms being glad to take orders and risks without
+"bargain-money," large advance-payments could no longer be
+exacted. The relations between foreigners and Japanese
+simultaneously improved,--as the latter showed a dangerous
+capacity for sudden combination against ill-treatment, could not
+be cowed by revolvers, would not suffer abuse of any sort, and
+knew how to dispose of the most dangerous rowdy in the space of a
+few minutes. Already the rougher Japanese of the ports, the dregs
+of the populace, were ready to assume the aggressive on the least
+provocation.
+
+Within two decades from the founding of the settlements, those
+foreigners who once imagined it a mere question of time when the
+whole country would belong to them, began to understand bow
+greatly they had underestimated the race. The Japanese had been
+learning wonderfully well--"nearly as well as the Chinese." They
+were supplanting the small foreign shopkeepers; and various
+establishments had been compelled to close because of Japanese
+competition. Even for large firms the era of easy fortune-making
+was over; the period of hard work was commencing. In early days
+all the personal wants of foreigners had necessarily been
+supplied by foreigners,--so that a large retail trade had grown
+up under the patronage of the wholesale trade. The retail trade
+of the settlements was evidently doomed. Some of its branches had
+disappeared; the rest were visibly diminishing.
+
+To-day the economic foreign clerk or assistant in a business
+house cannot well afford to live at the local hotels. He can hire
+a Japanese cook at a very small sum per month, or can have his
+meals sent him from a Japanese restaurant at five to seven sen
+per plate. He lives in a house constructed in "semi-foreign
+style," and owned by a Japanese. The carpets or mattings on his
+floor are of Japanese manufacture. His furniture is supplied by a
+Japanese cabinet-maker. His suits, shirts, shoes, walking-cane,
+umbrella, are "Japanese make": even the soap on his washstand is
+stamped with Japanese ideographs. If a smoker, he buys his Manila
+cigars from a Japanese tobacconist half a dollar cheaper per box
+than any foreign house would charge him for the same quality. If
+he wants books he can buy them at much lower prices from a
+Japanese than from a foreign book dealer,--and select his
+purchases from a much larger and better-selected stock. If he
+wants a photograph taken he goes to a Japanese gallery: no
+foreign photographer could make a living in Japan. If he wants
+curios he visits a Japanese house;--the foreign dealer would
+charge him a hundred per cent. dearer.
+
+On the other hand, if he be a man of family, his daily marketing
+is supplied by Japanese butchers, fishmongers, dairymen,
+fruit-sellers, vegetable dealers. He may continue for a time to
+buy English or American hams, bacon, canned goods, etc., from
+some foreign provision dealer; but he has discovered that
+Japanese stores now offer the same class of goods at lower
+prices. If he drinks good beer, it probably comes from a Japanese
+brewery; and if he wants a good quality of ordinary wine or
+liquor, Japanese storekeepers can supply it at rates below those
+of the foreign importer. Indeed, the only things he cannot buy
+from the Japanese houses are just those things which he cannot
+afford,--high-priced goods such as only rich men are likely to
+purchase. And finally, if any of his family become sick, he can
+consult a Japanese physician who will charge him a fee perhaps
+one tenth less than he would have had to pay a foreign physician
+in former times. Foreign doctors now find it very hard to
+live,--unless they have something more than their practice to
+rely upon. Even when the foreign doctor brings down his fee to a
+dollar a visit, the high-class Japanese doctor can charge two,
+and still crush competition; for, he furnishes the medicine
+himself at prices which would ruin a foreign apothecary. There
+are doctors and doctors, of course, as in all countries; but the
+German-speaking Japanese physician capable of directing a public
+or military hospital is not easily surpassed in his profession;
+and the average foreign physician cannot possibly compete with
+him. He furnishes no prescriptions to be taken to a drugstore:
+his drugstore is either at home or in a room of the hospital he
+directs.
+
+
+These facts, taken at random out of a multitude, imply that
+foreign shops or as we call them in America, "stores," will soon
+cease to be. The existence of some has been prolonged only by
+needless and foolish trickery on the part of some petty Japanese
+dealers,--attempts to sell abominable decoctions in foreign
+bottles under foreign labels, to adulterate imported goods, or to
+imitate trade-marks. But the common sense of the Japanese
+dealers, as a mass, is strongly opposed to such immorality, and
+the evil will soon correct itself. The native storekeepers can
+honestly undersell the foreign ones, because able not only to
+underlive them, but to make fortunes during the competition.
+
+This has been for some time well recognized in the concessions.
+But the delusion prevailed that the great exporting and importing
+firms were impregnable; that they could still control the whole
+volume of commerce with the West; and that no Japanese companies
+could find means to oppose the weight of foreign capital, or to
+acquire the business methods according to which it was employed.
+Certainly the retail trade would go. But that signified little.
+The great firms would remain and multiply, and would increase
+their capacities.
+
+(1) See Japan Mail, July 21, 1895.
+
+
+III
+
+During all this time of outward changes the real feeling between
+the races--the mutual dislike of Oriental and Occidental--had
+continued to grow. Of the nine or ten English papers published in
+the open ports, the majority expressed, day after day, one side
+of this dislike, in the language of ridicule or contempt; and a
+powerful native press retorted in kind, with dangerous
+effectiveness. If the "anti-Japanese" newspapers did not actually
+represent--as I believe they did--an absolute majority in
+sentiment, they represented at least the weight of foreign
+capital, and the preponderant influences of the settlements. The
+English "pro-Japanese" newspapers, though conducted by shrewd
+men, and distinguished by journalistic abilities of no common
+order, could not appease the powerful resentment provoked by the
+language of their contemporaries. The charges of barbarism or
+immorality printed in English were promptly answered by the
+publication in Japanese dailies of the scandals of the open
+ports,--for all the millions of the empire to know. The race
+question was carried into Japanese politics by a strong anti-
+foreign league; the foreign concessions were openly denounced as
+hotbeds of vice; and the national anger became so formidable that
+only the most determined action on the part of the government
+could have prevented disastrous happenings. Nevertheless oil was
+still poured on the smothered fire by foreign editors, who at the
+outbreak of the war with China openly took the part of China.
+This policy was pursued throughout the campaign. Reports of
+imaginary reverses were printed recklessly, undeniable victories
+were unjustly belittled, and after the war had been decided, the
+cry was raised that the Japanese "had been allowed to become
+dangerous" Later on, the interference of Russia was applauded and
+the sympathy of England condemned by men of English blood. The
+effect of such utterances at such a time was that of insult never
+to be forgiven upon a people who never forgive. Utterances of
+hate they were, but also utterances of alarm,--alarm excited by
+the signing of those new treaties, bringing all aliens under
+Japanese jurisdiction,--and fear, not unfounded, of another
+anti-foreign agitation with the formidable new sense of national
+power behind it. Premonitory symptoms of such agitation were
+really apparent in a general tendency to insult or jeer at
+foreigners, and in some rare but exemplary acts of violence. The
+government again found it necessary to issue proclamations and
+warnings against such demonstrations of national anger; and they
+ceased almost as quickly as they began. But there is no doubt
+that their cessation was due largely to recognition of the
+friendly attitude of England as a naval power, and the worth of
+her policy to Japan in a moment of danger to the world's peace.
+England, too, had first rendered treaty-revision possible,--in
+spite of the passionate outcries of her own subjects in the Far
+East; and the leaders of the people were grateful. Otherwise the
+hatred between settlers and Japanese might have resulted quite as
+badly as had been feared.
+
+In the beginning, of course, this mutual antagonism was racial,
+and therefore natural; and the irrational violence of prejudice
+and malignity developed at a later day was inevitable with the
+ever-increasing conflict of interests. No foreigner really
+capable of estimating the conditions could have seriously
+entertained any hope of a rapprochement. The barriers of racial
+feeling, of emotional differentiation, of language, of manners
+and beliefs, are likely to remain insurmountable for centuries.
+Though instances of warm friendship, due to the mutual attraction
+of exceptional natures able to divine each other intuitively,
+might be cited, the foreigner, as a general rule, understands the
+Japanese quite as little as the Japanese understands him. What is
+worse for the alien than miscomprehension is the simple fact that
+he is in the position of an invader. Under no ordinary
+circumstances need he expect to be treated like a Japanese, and
+this not merely because he has more money at his command, but
+because of his race. One price for the foreigner, another for the
+Japanese, is the common regulation,--except in those Japanese
+stores which depend almost exclusively upon foreign trade. If you
+wish to enter a Japanese theatre, a figure-show, any place of
+amusement, or even an inn, you must pay a virtual tax upon your
+nationality. Japanese artisans, laborers, clerks, will not work
+for you at Japanese rates--unless they have some other object in
+view than wages. Japanese hotel-keepers--except in those hotels
+built and furnished especially for European or American
+travelers--will not make out your bill at regular prices. Large
+hotel-companies have been formed which maintain this rule,--
+companies controlling scores of establishments throughout the
+country, and able to dictate terms to local storekeepers and to
+the smaller hostelries. It has been generously confessed that
+foreigners ought to pay higher than Japanese for accommodation,
+since they give more trouble; and this is true. But under even
+these facts race-feeling is manifest. Those innkeepers who build
+for Japanese custom only, in the great centres, care nothing for
+foreign custom, and often lose by it,--partly because well-paying
+native guests do not like hotels patronized by foreigners, and
+partly because the Western guest wants all to himself the room
+which can be rented more profitably to a Japanese party of five
+or eight. Another fact not generally understood in connection
+with this is that in Old Japan the question of recompense for
+service was left to honor. The Japanese innkeeper always supplied
+(and in the country often still supplies) food at scarcely more
+than cost; and his real profit depended upon the conscience of
+the customer. Hence the importance of the chadai, or present of
+tea-money, to the hotel. From the poor a very small sum, from the
+rich a larger sum, was expected,--according to services rendered.
+In like manner the hired servant expected to be remunerated
+according to his master's ability to pay, even more than
+according to the value of the work done; the artist preferred,
+when working for a good patron, never to name a price: only the
+merchant tried to get the better of his customers by bargaining,
+--the immoral privilege of his class. It may be readily imagined
+that the habit of trusting to honor for payment produced no good
+results in dealing with Occidentals. All matters of buying and
+selling we think of as "business"; and business in the West is
+not conducted under purely abstract ideas of morality, but at
+best under relative and partial ideas of morality. A generous man
+extremely dislikes to have the price of an article which he wants
+to buy left to his conscience; for, unless he knows exactly the
+value of the material and the worth of the labor, he feels
+obliged to make such over-payment as will assure him that he has
+done more than right; while the selfish man takes advantage of
+the situation to give as nearly next to nothing as he can.
+Special rates have to be made, therefore, by the Japanese in all
+dealings with foreigners. But the dealing itself is made more or
+less aggressive, according to circumstance, because of race
+antagonism. The foreigner has not only to pay higher rates for
+every kind of skilled labor; but must sign costlier leases, and
+submit to higher rents. Only the lowest class of Japanese
+servants can be hired even at high wages by a foreign household;
+and their stay is usually brief, as they dislike the service
+required of them. Even the apparent eagerness of educated
+Japanese to enter foreign employ is generally misunderstood;
+their veritable purpose being simply, in most cases, to fit
+themselves for the same sort of work in Japanese business houses,
+stores, and hotels. The average Japanese would prefer to work
+fifteen hours a day for one of his own countrymen than eight
+hours a day for a foreigner paying higher wages. I have seen
+graduates of the university working as servants; but they were
+working only to learn special things.
+
+
+IV
+
+Really the dullest foreigner could not have believed that a
+people of forty millions, uniting all their energies to achieve
+absolute national independence, would remain content to leave the
+management of their country's import and export trade to aliens,
+--especially in view of the feeling in the open ports. The
+existence of foreign settlements in Japan, under consular
+jurisdiction, was in itself a constant exasperation to national
+pride,--an indication of national weakness. It had so been
+proclaimed in print,--in speeches by members of the anti-foreign
+league,--in speeches made in parliament. But knowledge of the
+national desire to control the whole of Japanese commerce, and
+the periodical manifestations of hostility to foreigners as
+settlers, excited only temporary uneasiness. It was confidently
+asserted that the Japanese could only injure themselves by any
+attempt to get rid of foreign negotiators. Though alarmed at the
+prospect of being brought under Japanese law, the merchants of
+the concessions never imagined a successful attack upon large
+interests possible, except by violation of that law itself. It
+signified little that the Nippon Yusen Kwaisha had become, during
+the war, one of the largest steamship companies in the world;
+that Japan was trading directly with India and China; that
+Japanese banking agencies were being established in the great
+manufacturing centres abroad; that Japanese merchants were
+sending their sons to Europe and America for a sound commercial
+education. Because Japanese lawyers were gaining a large foreign
+clientele; because Japanese shipbuilders, architects, engineers
+had replaced foreigners in government service, it did not at all
+follow that the foreign agents controlling the import and export
+trade with Europe and America could be dispensed with. The
+machinery of commerce would be useless in Japanese hands; and
+capacity for other professions by no means augured latent
+capacity for business. The foreign capital invested in Japan
+could not be successfully threatened by any combinations formed
+against it. Some Japanese houses might carry on a small import
+business, but the export trade required a thorough knowledge of
+business conditions on the other side of the world, and such
+connections and credits as the Japanese could not obtain.
+Nevertheless the self-confidence of the foreign importers, and
+exporters was rudely broken in July, 1895, when a British house
+having brought suit against a Japanese company in a Japanese
+court, for refusal to accept delivery of goods ordered, and
+having won a judgment for nearly thirty thousand dollars,
+suddenly found itself confronted and menaced by a guild whose
+power had never been suspected. The Japanese firm did not appeal
+against the decision of the court: it expressed itself ready to
+pay the whole sum at once--if required But the guild to which it
+belonged informed the triumphant plaintiffs that a compromise
+would be to their advantage. Then the English house discovered
+itself threatened with a boycott which could utterly ruin it,--a
+boycott operating in all the industrial centres of the Empire.
+The compromise was promptly effected at considerable loss to the
+foreign firm; and the settlements were dismayed. There was much
+denunciation of the immorality of the proceeding(1). But it was a
+proceeding against which the law could do nothing; for boycotting
+cannot be satisfactorily dealt with under law; and it
+afforded proof positive that the Japanese were able to force
+foreign firms to submit to their dictation,--by foul means if not
+by fair. Enormous guilds had been organized by the great
+industries,--combinations whose moves, perfectly regulated by
+telegraph, could ruin opposition, and could set at defiance even
+the judgment of tribunals. The Japanese had attempted boycotting
+in previous years with so little success that they were deemed
+incapable of combination. But the new situation showed how well
+they had learned through defeat, and that with further
+improvement of organization they could reasonably expect to get
+the foreign trade under control,--if not into their own hands. It
+would be the next great step toward the realization of the
+national desire,--Japan only for the Japanese. Even though the
+country should be opened to foreign settlement, foreign
+investments would always be at the mercy of Japanese
+combinations.
+
+(1) A Kobe merchant of great experience, writing to the Kobe
+Chronicle of August 7, 1895, observed:--"I am not attempting to
+defend boycotts; but I firmly believe from what has come to my
+knowledge that in each and every case there has been provocation
+irritating the Japanese, rousing their feelings and their sense
+of justice, and driving them to combination as a defense."
+
+
+V
+
+The foregoing brief account of existing conditions may suffice to
+prove the evolution in Japan of a social phenomenon of great
+significance. Of course the prospective opening of the country
+under new treaties, the rapid development of its industries, and
+the vast annual increase in the volume of trade with America and
+Europe, will probably bring about some increase of foreign
+settlers; and this temporary result might deceive many as to the
+inevitable drift of things. But old merchants of experience even
+now declare that the probable further expansion of the ports will
+really mean the growth of a native competitive commerce that must
+eventually dislodge foreign merchants. The foreign settlements,
+as communities, will disappear: there will remain only some few
+great agencies, such as exist in all the chief ports of the
+civilized world; and the abandoned streets of the concessions,
+and the costly foreign houses on the heights, will be peopled and
+tenanted by Japanese. Large foreign investments will not be made
+in the interior. And even Christian mission-work must be left to
+native missionaries; for just as Buddhism never took definite
+form in Japan until the teaching of its doctrines was left
+entirely to Japanese priests,--so Christianity will never take
+any fixed shape till it has been so remodeled as to harmonize
+with the emotional and social life of the race. Even thus
+remodeled it can scarcely hope to exist except in the form of a
+few small sects.
+
+The social phenomenon exhibited can be best explained by a
+simile. In many ways a human society may be compared biologically
+with an individual organism. Foreign elements introduced forcibly
+into the system of either, and impossible to assimilate, set up
+irritations and partial disintegration, until eliminated
+naturally or removed artificially. Japan is strengthening herself
+through elimination of disturbing elements; and this natural
+process is symbolized in the resolve to regain possession of all
+the concessions, to bring about the abolishment of consular
+jurisdiction, to leave nothing under foreign control within the
+Empire. It is also manifested in the dismissal of foreign
+employes, in the resistance offered by Japanese congregations to
+the authority of foreign missionaries, and in the resolute
+boycotting of foreign merchants. And behind all this
+race-movement there is more than race-feeling: there is also the
+definite conviction that foreign help is proof of national
+feebleness, and that the Empire remains disgraced before the eyes
+of the commercial world, so long as its import and export trade
+are managed by aliens. Several large Japanese firms have quite
+emancipated themselves from the domination of foreign middlemen;
+large trade with India and China is being carried on by Japanese
+steamship companies; and communication with the Southern States
+of America is soon to be established by the Nippon Yusen Kwaisha,
+for the direct importation of cotton. But the foreign settlements
+remain constant sources of irritation; and their commercial
+conquest by untiring national effort will alone satisfy the
+country, and will prove, even better than the war with China,
+Japan's real place among nations. That conquest, I think, will
+certainly be achieved.
+
+
+VI
+
+What of the future of Japan? No one can venture any positive
+prediction on the assumption that existing tendencies will
+continue far into that future. Not to dwell upon the grim
+probabilities of war, or the possibility of such internal
+disorder as might compel indefinite suspension of the
+constitution, and lead to a military dictatorship,--a resurrected
+Shogunate in modern uniform,--great changes there will assuredly
+be, both for better and for worse. Supposing these changes
+normal, however, one may venture some qualified predictions,
+based upon the reasonable supposition that the race will
+continue, through rapidly alternating periods of action and
+reaction, to assimilate its new-found knowledge with the best
+relative consequences.
+
+
+Physically, I think, the Japanese will become before the close of
+the next century much superior to what they now are. For such
+belief there are three good reasons. The first is that the
+systematic military and gymnastic training of the able-bodied
+youth of the Empire ought in a few generations to produce results
+as marked as those of the military system in Germany,--increase
+in stature, in average girth of chest, in muscular development
+Another reason is that the Japanese of the cities are taking to a
+richer diet,--a flesh diet; and that a more nutritive food must
+have physiological results favoring growth. Immense numbers of
+little restaurants are everywhere springing up, in which "Western
+Cooking" is furnished almost as cheaply as Japanese food.
+Thirdly, the delay of marriage necessitated by education and by
+military service must result in the production of finer and finer
+generations of children. As immature marriages become the
+exception rather than the rule, children of feeble constitution
+will correspondingly diminish in number. At present the
+extraordinary differences of stature noticeable in any Japanese
+crowd seem to prove that the race is capable of great physical
+development under a severer social discipline.
+
+Moral improvement is hardly to be expected--rather the reverse.
+The old moral ideals of Japan were at least quite as noble as our
+own; and men could really live up to them in the quiet benevolent
+times of patriarchal government. Untruthfulness, dishonesty, and
+brutal crime were rarer than now, as official statistics show,
+the percentage of crime having been for some years steadily on
+the increase--which proves of course, among other things, that
+the struggle for existence has been intensified. The old standard
+of chastity, as represented in public opinion, was that of a less
+developed society than our own; yet I do not believe it can be
+truthfully asserted that the moral conditions were worse than
+with us. In one respect they were certainly better; for the
+virtue of Japanese wives was generally in all ages above
+suspicion(1). If the morals of men were much more open to
+reproach, it is not necessary to cite Lecky for evidence as to
+whether a much better state of things prevails in the Occident.
+Early marriages were encouraged to guard young men from
+temptations to irregular life; and it is only fair to suppose
+that in a majority of cases this result was obtained.
+Concubinage, the privilege of the rich, had its evil side; but it
+had also the effect of relieving the wife from the physical
+strain of rearing many children in rapid succession. The social
+conditions were so different from those which Western religion
+assumes to be the best possible, that an impartial judgment of
+them cannot be ecclesiastical. One fact is indisputable,--that
+they were unfavorable to professional vice; and in many of the
+larger fortified towns,--the seats of princes,--no houses of
+prostitution were suffered to exist. When all things are fairly
+considered, it will be found that Old Japan might claim, in spite
+of her patriarchal system, to have been less open to reproach
+even in the matter of sexual morality than many a Western
+country. The people were better than their laws asked them to be.
+And now that the relations of the sexes are to be regulated by
+new codes,--at a time when new codes are really needed, the
+changes which it is desirable to bring about cannot result in
+immediate good. Sudden reforms are not made by legislation. Laws
+cannot directly create sentiment; and real social progress can be
+made only through change of ethical feeling developed by long
+discipline and training. Meanwhile increasing pressure of
+population and increasing competition must tend, while quickening
+intelligence, to harden character and develop selfishness.
+
+
+Intellectually there will doubtless be great progress, but not a
+progress so rapid as those who think that Japan has really
+transformed herself in thirty years would have us believe.
+However widely diffused among the people, scientific education
+cannot immediately raise the average of practical intelligence to
+the Western level. The common capacity must remain lower for
+generations. There will be plenty of remarkable exceptions,
+indeed; and a new aristocracy of intellect is coming into
+existence. But the real future of the nation depends rather upon
+the general capacity of the many than upon the exceptional
+capacity of the few. Perhaps it depends especially upon the
+development of the mathematical faculty, which is being
+everywhere assiduously cultivated. At present this is the weak
+point; hosts of students being yearly debarred from the more
+important classes of higher study through inability to pass in
+mathematics. At the Imperial naval and military colleges,
+however, such results have been obtained as suffice to show that
+this weakness will eventually be remedied. The most difficult
+branches of scientific study, will become less formidable to the
+children of those who have been able to distinguish themselves in
+such branches.
+
+
+In other respects, some temporary retrogression is to be looked
+for. Just so certainly as Japan has attempted that which is above
+the normal limit of her powers, so certainly must she fall back
+to that limit, or, rather, below it. Such retrogression will be
+natural as well as necessary: it will mean nothing more than a
+recuperative preparation for stronger and loftier efforts. Signs
+of it are oven now visible in the working of certain
+state-departments,--notably in that of education. The idea of
+forcing upon Oriental students a course of study above the
+average capacity of Western students; the idea of making English
+the language, or at least one of the languages of the country;
+and the idea of changing ancestral modes of feeling and thinking
+for the better by such training, were wild extravagances. Japan
+must develop her own soul: she cannot borrow another. A dear
+friend whose life has been devoted to philology once said to me
+while commenting upon the deterioration of manners among the
+students of Japan: "_Why, the English language itself has been a
+demoralizing influence!_" There was much depth in that
+observation. Setting the whole Japanese nation to study English
+(the language of a people who are being forever preached to about
+their "rights," and never about their "duties") was almost an
+imprudence. The policy was too wholesale as well as too sudden.
+It involved great waste of money and time, and it helped to sap
+ethical sentiment. In the future Japan will learn English, just
+as England learns German. But if this study has been wasted in
+some directions, it has not been wasted in others. The influence
+of English has effected modifications in the native tongue,
+making it richer, more flexible, and more capable of expressing
+the new forms of thought created by the discoveries of modern
+science. This influence must long continue. There will be a
+considerable absorption of English--perhaps also of French and
+German words--into Japanese: indeed this absorption is already
+marked in the changing speech of the educated classes, not less
+than in the colloquial of the ports which is mixed with curious
+modifications of foreign commercial words. Furthermore, the
+grammatical structure of Japanese is being influenced; and though
+I cannot agree with a clergyman who lately declared that the use
+of the passive voice by Tokyo street-urchins announcing the fall
+of Port Arthur--("_Ryojunko ga senryo sera-reta!_") represented
+the working of "divine providence," I do think it afforded some
+proof that the Japanese language, assimilative like the genius of
+the race, is showing capacity to meet all demands made upon it by
+the new conditions.
+
+
+Perhaps Japan will remember her foreign teachers more kindly in
+the twentieth century. But she will never feel toward the
+Occident, as she felt toward China before the Meiji era, the
+reverential respect due by ancient custom to a beloved,
+instructor; for the wisdom of China was voluntarily sought, while
+that of the West was thrust upon her by violence. She will have
+some Christian sects of her own; but she will not remember our
+American and English missionaries as she remembers even now those
+great Chinese priests who once educated her youth. And she will
+not preserve relics of our sojourn, carefully wrapped in septuple
+coverings of silk, and packed way in dainty whitewood boxes,
+because we had no new lesson of beauty to teach her,--nothing by
+which to appeal to her emotions.
+
+(1) The statement has been made that there is no word for
+chastity in the Japanese language. This is tree in the same sense
+only that we might say there is no word for chastity in the
+English language,--became such words as honor, virtue, purity,
+chastity have been adopted into English from other languages.
+Open any good Japanese-English dictionary and you will find many
+words for chastity. Just as it would be ridiculous to deny that
+the word "chastity" is modern English, because it came to us
+through the French from the Latin, so it is ridiculous to deny
+that Chinese moral terms, adopted into the Japanese tongue more
+than a thousand years ago are Japanese to-day. The statement,
+like a majority of missionary statements on these subjects, is
+otherwise misleading; for the reader is left to infer the absence
+of an adjective as well as a noun,--and the purely Japanese
+adjectives signifying chaste are numerous. The word most commonly
+used applies to both sexes,--and has the old Japanese sense of
+firm, strict, resisting, honorable. The deficiency of abstract
+terms in a language by no means implies the deficiency of
+concrete moral ideas,--a fact which has been vainly pointed out
+to missionaries more than once.
+
+
+
+IX
+
+BY FORCE OF KARMA
+
+"The face of the beloved and the face of the risen sun cannot be
+looked at."-Japanese Proverb.
+
+I
+
+Modern science assures us that the passion of first love, so far
+as the individual may be concerned, is "absolutely antecedent to
+all relative experience whatever(1)." In other words, that which
+might well seem to be the most strictly personal of all feelings,
+is not an individual matter at all. Philosophy discovered the
+same fact long ago, and never theorized more attractively than
+when trying to explain the mystery of the passion. Science, so
+far, has severely limited itself to a few suggestions on the
+subject. This seems a pity, because the metaphysicians could at
+no time give properly detailed explanations,--whether teaching
+that the first sight of the beloved quickens in the soul of the
+lover some dormant prenatal remembrance of divine truth, or that
+the illusion is made by spirits unborn seeking incarnation. But
+science and philosophy both agree as to one all-important fact,
+that the lovers themselves have no choice, that they are merely
+the subjects of an influence. Science is even the more positive
+on this point: it states quite plainly that the dead, not the
+living, are responsible. There would seem to be some sort of
+ghostly remembrance in first loves. It is true that science,
+unlike Buddhism, does not declare that under particular
+conditions we may begin to recollect our former lives. That
+psychology which is based upon physiology even denies the
+possibility of memory-inheritance in this individual sense. But
+it allows that something more powerful, though more indefinite,
+is inherited,--the sum of ancestral memories incalculable,--the
+sum of countless billions of trillions of experiences. Thus can
+it interpret our most enigmatical sensations,--our conflicting
+impulses,-our strangest intuitions; all those seemingly
+irrational attractions or repulsions,--all those vague sadnesses
+or joys, never to be accounted for by individual experience. But
+it has not yet found leisure to discourse much to us about first
+love,--although first love, in its relation to the world
+invisible, is the very weirdest of all human feelings, and the
+most mysterious.
+
+In our Occident the riddle runs thus. To the growing youth, whose
+life is normal and vigorous, there comes a sort of atavistic
+period in which he begins to feel for the feebler sex that
+primitive contempt created by mere consciousness of physical
+superiority. But it is just at the time when the society of girls
+has grown least interesting to him that he suddenly becomes
+insane. There crosses his life-path a maiden never seen
+before,--but little different from other daughters of men,--not
+at all wonderful to common vision. At the same instant, with a
+single surging shock, the blood rushes to his heart; and all his
+senses are bewitched. Thereafter, till the madness ends, his life
+belongs wholly to that new-found being, of whom he yet knows
+nothing, except that the sun's light seems more beautiful when it
+touches her. From that glamour no mortal science can disenthrall
+him. But whose the witchcraft? Is it any power in the living
+idol? No, psychology tells us that it is the power of the dead
+within the idolater. The dead cast the spell. Theirs the shock in
+the lover's heart; theirs the electric shiver that tingled
+through his veins at the first touch of one girl's hand.
+
+But why they should want her, rather than any other, is the
+deeper part of the riddle. The solution offered by the great
+German pessimist will not harmonize well with scientific
+psychology. The choice of the dead, evolutionally considered,
+would be a choice based upon remembrance rather than on
+prescience. And the enigma is not cheerful.
+
+There is, indeed, the romantic possibility that they want her
+because there survives in her, as in some composite photograph,
+the suggestion of each and all who loved them in the past. But
+there is the possibility also that they want her because there
+reappears in her something of the multitudinous charm of all the
+women they loved in vain.
+
+Assuming the more nightmarish theory, we should believe that
+passion, though buried again and again, can neither die nor rest.
+They who have vainly loved only seem to die; they really live on
+in generations of hearts, that their desire may be fulfilled.
+They wait, perhaps though centuries, for the reincarnation of
+shapes beloved,--forever weaving into the dreams of youth their
+vapory composite of memories. Hence the ideals unattainable,--the
+haunting of troubled souls by the Woman-never-to-be-known.
+
+In the Far East thoughts are otherwise; and what I am about to
+write concerns the interpretation of the Lord Buddha.
+
+(1) Herbert Spencer, Principles of Psychology: "The Feelings."
+
+
+II
+
+A priest died recently under very peculiar circumstances. He was
+the priest of a temple, belonging to one of the older Buddhist
+sects, in a village near Osaka. (You can see that temple from the
+Kwan-Setsu Railway, as you go by train to Kyoto.)
+
+He was young, earnest, and extremely handsome--very much too
+handsome for a priest, the women said. He looked like one of
+those beautiful figures of Amida made by the great Buddhist
+statuaries of other days.
+
+The men of his parish thought him a pure and learned priest, in
+which they were right. The women did not think about his virtue
+or his learning only: he possessed the unfortunate power to
+attract them, independently of his own will, as a mere man. He
+was admired by them, and even by women of other parishes also, in
+ways not holy; and their admiration interfered with his studies
+and disturbed his meditations. They found irreproachable pretexts
+for visiting the temple at all hours, just to look at him and
+talk to him; asking questions which it was his duty to answer,
+and making religious offerings which he could not well refuse.
+Some would ask questions, not of a religious kind, that caused
+him to blush. He was by nature too gentle to protect himself by
+severe speech, even when forward girls from the city said things
+that country-girls never would have said,--things that made him
+tell the speakers to leave his presence. And the more he shrank
+from the admiration of the timid, or the adulation of the
+unabashed, the more the persecution increased, till it became the
+torment of his life(1).
+
+His parents had long been dead; he had no worldly ties: he loved
+only his calling, and the studies belonging to it; and he did not
+wish to think of foolish and forbidden things. His extraordinary
+beauty--the beauty of a living idol--was only a misfortune.
+Wealth was offered him under conditions that he could not even
+discuss. Girls threw themselves at his feet, and prayed him in
+vain to love them. Love-letters were constantly being sent to
+him, letters which never brought a reply. Some were written in
+that classical enigmatic style which speaks of "the Rock-Pillow
+of Meeting," and "waves on the shadow of a face," and "streams
+that part to reunite." Others were artless and frankly tender,
+full of the pathos of a girl's first confession of love.
+
+For a long time such letters left the young priest as unmoved, to
+outward appearance, as any image of that Buddha in whose likeness
+he seemed to have been made. But, as a matter of fact, he was not
+a Buddha, but only a weak man; and his position was trying.
+
+One evening there came to the temple a little boy who gave him a
+letter, whispered the name of the sender, and ran away in the
+dark. According to the subsequent testimony of an acolyte, the
+priest read the letter, restored it to its envelope, and placed
+it on the matting, beside his kneeling cushion. After remaining
+motionless for a long time, as if buried in thought, he sought
+his writing-box, wrote a letter himself, addressed it to his
+spiritual superior, and left it upon the writing-stand. Then he
+consulted the clock, and a railway time-table in Japanese. The
+hour was early; the night windy and dark. He prostrated himself
+for a moment in prayer before the altar; then hurried out into
+the blackness, and reached the railway exactly in time to kneel
+down in the middle of the track, facing the roar and rush of the
+express from Kobe. And, in another moment, those who had
+worshiped the strange beauty of the man would have shrieked to
+see, even by lantern-light, all that remained of his poor
+earthliness, smearing the iron way.
+
+
+
+The letter written to his superior was found. It contained a bare
+statement to the effect that, feeling his spiritual strength
+departing from him, he had resolved to die in order that he might
+not sin.
+
+The other letter was still lying where he had left it on the
+floor,--a letter written in that woman-language of which every
+syllable is a little caress of humility. Like all such letters
+(they are never sent through the post) it contained no date, no
+name, no initial, and its envelope bore no address. Into our
+incomparably harsher English speech it might be imperfectly
+rendered as follows:--
+
+_To take such freedom may be to assume overmuch; yet I feel that
+I must speak to you, and therefore send this letter. As for my
+lowly self, I have to say only that when first seeing you in the
+period of the Festival of the Further Shore, I began to think;
+and that since then I have not, even for a moment, been able to
+forget. More and more each day I sink into that ever-growing
+thought of you; and when I sleep I dream; and when, awaking and
+seeing you not, I remember there was no truth in my thoughts of
+the night, I can do nothing but weep. Forgive me that, having
+been born into this world a woman, I should utter my wish for the
+exceeding favor of being found not hateful to one so high.
+Foolish and without delicacy I may seem in allowing my heart to
+be thus tortured by the thought of one so far above me. But only
+because knowing that I cannot restrain my heart, out of the depth
+of it I have suffered these poor words to come, that I may write
+them with my unskillful brush, and send them to you. I pray that
+you will deem me worthy of pity; I beseech that you will not send
+me cruel words in return. Compassionate me, seeing that this is
+but the overflowing of my humble feelings; deign to divine and
+justly to judge,--be it only with the least of kindliness,--this
+heart that, in its great distress alone, so ventures to address
+you. Each moment I shall hope and wait for some gladdening
+answer_.
+
+_Concerning all things fortunate, felicitation_.
+
+_To-day,--
+from the honorably-known,
+to the longed-for, beloved, august one,
+this letter goes._
+
+(1) Actors in Japan often exercise a similar fascination upon
+sensitive girls of the lower classes, and often take cruel
+advantage of the power so gained. It is very rarely, indeed, that
+such fascination can be exerted by a priest.
+
+
+III
+
+I called upon a Japanese friend, a Buddhist scholar, to ask some
+questions about the religious aspects of the incident. Even as a
+confession of human weakness, that suicide appeared to me a
+heroism.
+
+It did not so appear to my friend. He spoke words of rebuke. He
+reminded me that one who even suggested suicide as a means of
+escape from sin had been pronounced by the Buddha a spiritual
+outcast,--unfit to live with holy men. As for the dead priest, he
+had been one of those whom the Teacher called fools. Only a fool
+could imagine that by destroying his own body he was destroying
+also within himself the sources of sin.
+
+"But," I protested, "this man's life was pure.... Suppose he
+sought death that he might not, unwittingly, cause others to
+commit sin?"
+
+My friend smiled ironically. Then he said:--"There was once a
+lady of Japan, nobly torn and very beautiful, who wanted to
+become a nun. She went to a certain temple, and made her wish
+known. But the high-priest said to her, 'You are still very
+young. You have lived the life of courts. To the eyes of worldly
+men you are beautiful; and, because of your face, temptations to
+return to the pleasures of the world will be devised for you.
+Also this wish of yours may be due to some momentary sorrow.
+Therefore, I cannot now consent to your request.' But she still
+pleaded so earnestly, that he deemed it best to leave her
+abruptly. There was a large hibachi--a brazier of glowing
+charcoal--in the room where she found herself alone. She heated
+the iron tongs of the brazier till they were red, and with them
+horribly pierced and seamed her face, destroying her beauty
+forever. Then the priest, alarmed by the smell of the burning,
+returned in haste, and was very much grieved by what he saw. But
+she pleaded again, without any trembling in her voice: 'Because I
+was beautiful, you refused to take me. Will you take me now?' She
+was accepted into the Order, and became a holy nun.... Well,
+which was the wiser, that woman, or the priest you wanted to
+praise?"
+
+"But was it the duty of the priest," I asked, "to disfigure his
+face?"
+
+"Certainly not! Even the woman's action would have been very
+unworthy if done only as a protection against temptation. Self-
+mutilation of any sort is forbidden by the law of Buddha; and
+she transgressed. But, as she burned her face only that she might
+be able to enter at once upon the Path, and not because afraid of
+being unable by her own will to resist sin, her fault was a minor
+fault. On the other hand, the priest who took his own life
+committed a very great offense. He should have tried to convert
+those who tempted him. This he was too weak to do. If he felt it
+impossible to keep from sinning as a priest, then it would have
+been better for him to return to the world, and there try to
+follow the law for such as do not belong to the Order."
+
+"According to Buddhism, therefore, he has obtained no merit?" I
+queried.
+
+"It is not easy to imagine that he has. Only by those ignorant of
+the Law can his action be commended."
+
+"And by those knowing the Law, what will be thought of the
+results, the karma of his act?"
+
+My friend mused a little; then he said, thoughtfully:--"The whole
+truth of that suicide we cannot fully know. Perhaps it was not
+the first time."
+
+"Do you mean that in some former life also he may have tried to
+escape from sin by destroying his own body?"
+
+"Yes. Or in many former lives."
+
+"What of his future lives?"
+
+"Only a Buddha could answer that with certain knowledge."
+
+"But what is the teaching?"
+
+"You forget that it is not possible for us to know what was in
+the mind of that man."
+
+"Suppose that he sought death only to escape from sinning?"
+
+"Then he will have to face the like temptation again and again,
+and all the sorrow of it, and all the pain, even for a thousand
+times a thousand times, until he shall have learned to master
+himself. There is no escape through death from the supreme
+necessity of self-conquest."
+
+
+After parting with my friend, his words continued to haunt me;
+and they haunt me still. They forced new thoughts about some
+theories hazarded in the first part of this paper. I have not yet
+been able to assure myself that his weird interpretation of the
+amatory mystery is any less worthy of consideration than our
+Western interpretations. I have been wondering whether the loves
+that lead to death might not mean much more than the ghostly
+hunger of buried passions. Might they not signify also the
+inevitable penalty of long-forgotten sins?
+
+
+
+X
+
+
+A CONSERVATIVE
+
+Amazakaru
+Hi no iru kuni ni
+Kite wa aredo,
+Yamato-nishiki no
+Iro wa kawaraji.
+
+I
+
+He was born in a city of the interior, the seat of a daimyo of
+three hundred thousand koku, where no foreigner had ever been.
+The yashiki of his father, a samurai of high rank, stood within
+the outer fortifications surrounding the prince's castle. It was
+a spacious yashiki; and behind it and around it were landscape
+gardens, one of which contained a small shrine of the god of
+armies. Forty years ago there were many such homes. To artist
+eyes the few still remaining seem like fairy palaces, and their
+gardens like dreams of the Buddhist paradise.
+
+But sons of samurai were severely disciplined in those days; and
+the one of whom I write had little time for dreaming. The period
+of caresses was made painfully brief for him. Even before he was
+invested with his first hakama, or trousers,--a great ceremony in
+that epoch,--he was weaned as far as possible from tender
+influence, and taught to check the natural impulses of childish
+affection. Little comrades would ask him mockingly, "Do you still
+need milk?" if they saw him walking out with his mother, although
+he might love her in the house as demonstratively as he pleased,
+during the hours he could pass by her side. These were not many.
+All inactive pleasures were severely restricted by his
+discipline; and even comforts, except during illness, were not
+allowed him. Almost from the time he could speak he was enjoined
+to consider duty the guiding motive of life, self-control the
+first requisite of conduct, pain and death matters of no
+consequence in the selfish sense.
+
+There was a grimmer side to this Spartan discipline, designed to
+cultivate a cold sternness never to be relaxed during youth,
+except in the screened intimacy of the home. The boys were inured
+to sights of blood. They were taken to witness executions; they
+were expected to display no emotion; and they were obliged, on
+their return home, to quell any secret feeling of horror by
+eating plentifully of rice tinted blood-color by an admixture of
+salted plum juice.. Even more difficult things might be demanded
+of a very young boy,--to go alone at midnight to the
+execution-ground, for example, and bring back a head in proof of
+courage. For the fear of the dead was held not less contemptible
+in a samurai than the fear of man. The samurai child was pledged
+to fear nothing. In all such tests, the demeanor exacted was
+perfect impassiveness; any swaggering would have been judged
+quite as harshly as any sign of cowardice.
+
+As a boy grew up, he was obliged to find his pleasures chiefly in
+those bodily exercises which were the samurai's early and
+constant preparations for war,--archery and riding, wrestling and
+fencing. Playmates were found for him; but these were older
+youths, sons of retainers, chosen for ability to assist him in
+the practice of martial exercises. It was their duty also to
+teach him how to swim, to handle a boat, to develop his young
+muscles. Between such physical training and the study of the
+Chinese classics the greater part of each day was divided for
+him. His diet, though ample, was never dainty; his clothing,
+except in time of great ceremony, was light and coarse; and he
+was not allowed the use of fire merely to warm himself. While
+studying of winter mornings, if his hands became too cold to use
+the writing brush, he would be ordered to plunge them into icy
+water to restore the circulation; and if his feet were numbed by
+frost, he would be told to run about in the snow to make them
+warm. Still more rigid was his training in the special etiquette
+of the military class, and he was early made to know that the
+little sword in his girdle was neither an ornament nor a
+plaything. He was shown how to use it, how to take his own life
+at a moment's notice, without shrinking, whenever the code of his
+class might so order(1).
+
+Also in the matter of religion, the training of a samurai boy was
+peculiar. He was educated to revere the ancient gods and the
+spirits of his ancestors; he was well schooled in the Chinese
+ethics; and he was taught something of Buddhist philosophy and
+faith. But he was likewise taught that hope of heaven and fear of
+hell were for the ignorant only; and that the superior man should
+be influenced in his conduct by nothing more selfish than the
+love of right for its own sake, and the recognition of duty as a
+universal law.
+
+Gradually, as the period of boyhood ripened into youth, his
+conduct was less subjected to supervision. He was left more and
+more free to act upon his own judgment,--but with full knowledge
+that a mistake would not be forgotten; that a serious offense
+would never be fully condoned, and that a well-merited reprimand
+was more to be dreaded than death. On the other hand, there were
+few moral dangers against which to guard him. Professional vice
+was then strictly banished from many of the provincial
+castle-towns; and even so much of the non-moral side of life as
+might have been reflected in popular romance and drama, a young
+samurai could know little about. He was taught to despise that
+common literature appealing either to the softer emotions or the
+passions, as essentially unmanly reading; and the public theatre
+was forbidden to his class(2). Thus, in that innocent provincial
+life of Old Japan, a young samurai might grow up exceptionally
+pure-minded and simple-hearted.
+
+
+So grew up the young samurai concerning whom these things are
+written,--fearless, courteous, self-denying, despising pleasure,
+and ready at an instant's notice to give his life for love,
+loyalty, or honor. But though already a warrior in frame and
+spirit, he was in years scarcely more than a boy when the country
+was first startled by the coming of the Black Ships.
+
+
+II
+
+The policy of Iyemitsu, forbidding any Japanese to leave the
+country under pain of death, had left the nation for two hundred
+years ignorant of the outer world. About the colossal forces
+gathering beyond seas nothing was known. The long existence of
+the Dutch settlement at Nagasaki had in no wise enlightened Japan
+as to her true position,--an Oriental feudalism of the sixteenth
+century menaced by a Western world three centuries older.
+Accounts of the real wonders of that world would have sounded to
+Japanese ears like stories invented to please children, or have
+been classed with ancient tales of the fabled palaces of Horai.
+The advent of the American fleet, "the Black Ships," as they were
+then called, first awakened the government to some knowledge of
+its own weakness, and of danger from afar.
+
+National excitement at the news of the second coming of the Black
+Ships was followed by consternation at the discovery that the
+Shogunate confessed its inability to cope with the foreign
+powers. This could mean only a peril greater than that of the
+Tartar invasion in the days of Hojo Tokimune, when the people had
+prayed to the gods for help, and the Emperor himself, at Ise, had
+besought the spirits of his fathers. Those prayers had been
+answered by sudden darkness, a sea of thunder, and the coming of
+that mighty wind still called Kami-kaze,--"the Wind of the Gods,"
+by which the fleets of Kublai Khan were given to the abyss. Why
+should not prayers now also be made? They were, in countless
+homes and at thousands of shrines. But the Superior Ones gave
+this time no answer; the Kami-kaze did not come. And the samurai
+boy, praying vainly before the little shrine of Hachiman in his
+father's garden, wondered if the gods had lost their power, or if
+the people of the Black Ships were under the protection of
+stronger gods.
+
+(1) "Is that really the head of your father?" a prince once asked
+of a samurai boy only seven years old. The child at once realized
+the situation. The freshly-severed head set before him was not
+his father's: the daimyo had been deceived, but further deception
+was necessary. So the lad, after having saluted the head with
+every sign of reverential grief, suddenly cut out his own bowels.
+All the prince's doubts vanished before that bloody proof of
+filial piety; the outlawed father was able to make good his
+escape, and the memory of the child is still honored in Japanese
+drama and poetry.
+
+(2) Samurai women, in some province, at least, could go to the
+public theatre. The men could not,--without committing a breach
+of good manners. But in samurai homes, or within the grounds of
+the yashiki, some private performances of a particular character
+were given. Strolling players were the performers. I know several
+charming old samurai who have never been to a public theatre in
+their lives, and refuse all invitations to witness a performance.
+They still obey the rules of their samurai education.
+
+
+III
+
+It soon became evident that the foreign "barbarians" were not to
+be driven away. Hundreds had come, from the East as well as from
+the West; and all possible measures for their protection had been
+taken; and they had built queer cities of their own upon Japanese
+soil. The government had even commanded that Western knowledge
+was to be taught in all schools; that the study of English was to
+be made an important branch of public education; and that public
+education itself was to be remodeled upon Occidental lines. The
+government had also declared that the future of the country would
+depend upon the study and mastery of the languages and the
+science of the foreigners. During the interval, then, between
+such study and its successful results, Japan would practically
+remain under alien domination. The fact was not, indeed, publicly
+stated in so many words; but the signification of the policy was
+unmistakable. After the first violent emotions provoked by
+knowledge of the situation,--after the great dismay of the
+people, and the suppressed fury of the samurai,--there arose an
+intense curiosity regarding the appearance and character of those
+insolent strangers who had been able to obtain what they wanted
+by mere display of superior force. This general curiosity was
+partly satisfied by an immense production and distribution of
+cheap colored prints, picturing the manner and customs of the
+barbarians, and the extraordinary streets of their settlements.
+Caricatures only those flaring wood--prints could have seemed to
+foreign eyes. But caricature was not the conscious object of the
+artist. He tried to portray foreigners as he really saw them; and
+he saw them as green-eyed monsters, with red hair like Shojo(1),
+and with noses like Tengu(2), wearing clothes of absurd forms and
+colors; and dwelling in structures like storehouses or prisons.
+Sold by hundreds of thousands throughout the interior, these
+prints must have created many uncanny ideas. Yet as attempts to
+depict the unfamiliar they were only innocent. One should be able
+to study those old drawings in order to comprehend just how we
+appeared to the Japanese of that era; how ugly, how grotesque,
+how ridiculous.
+
+
+The young samurai of the town soon had the experience of seeing a
+real Western foreigner, a teacher hired for them by the prince.
+He was an Englishman. He came under the protection of an armed
+escort; and orders were given to treat him as a person of
+distinction. He did not seem quite so ugly as the foreigners in
+the Japanese prints: his hair was red, indeed, and his eyes of a
+strange color; but his face was not disagreeable. He at once
+became, and long remained, the subject of tireless observation.
+How closely his every act was watched could never be guessed by
+any one ignorant of the queer superstitions of the pre-Meiji era
+concerning ourselves. Although recognized as intelligent and
+formidable creatures, Occidentals were not generally regarded as
+quite human; they were thought of as more closely allied to
+animals than to mankind. They had hairy bodies of queer shape;
+their teeth were different from those of men; their internal
+organs were also peculiar; and their moral ideas those of
+goblins. The timidity which foreigners then inspired, not,
+indeed, to the samurai, but to the common people, was not a
+physical, but a superstitious fear. Even the Japanese peasant has
+never been a coward. But to know his feelings in that time toward
+foreigners, one must also know something of the ancient beliefs,
+common to both Japan and China, about animals gifted with
+supernatural powers, and capable of assuming human form; about
+the existence of races half-human and half-superhuman; and about
+the mythical beings of the old picture-books,--goblins
+long-legged and long-armed and bearded (ashinaga and tenaga),
+whether depicted by the illustrators of weird stories or
+comically treated by the brush of Hokusai. Really the aspect of
+the new strangers seemed to afford confirmation of the fables
+related by a certain Chinese Herodotus; and the clothing they
+wore might seem to have been devised for the purpose of hiding
+what would prove them not human. So the new English teacher,
+blissfully ignorant of the fact, was studied surreptitiously,
+just as one might study a curious animal! I Nevertheless, from
+his students he experienced only courtesy: they treated him by
+that Chinese code which ordains that "even the shadow of a
+teacher must not be trodden on." In any event it would have
+mattered little to samurai students whether their teacher were
+perfectly human or not, so long as he could teach. The hero
+Yoshitsune had been taught the art of the sword by a Tengu.
+Beings not human had proved themselves scholars and poets(3). But
+behind the never-lifted mask of delicate courtesy, the stranger's
+habits were minutely noted; and the ultimate judgment, based upon
+the comparison of such observation, was not altogether
+flattering. The teacher himself could never have imagined the
+comments made upon him by his two-sworded pupils; nor would it
+have increased his peace of mind, while overlooking compositions
+in the class-room, to have understood their conversation:--
+
+"See the color of his flesh, how soft it is! To take off his head
+with a single blow would be very easy."
+
+Once he was induced to try their mode of wrestling, just for fun,
+he supposed. But they really wanted to take his physical measure.
+He was not very highly estimated as an athlete.
+
+"Strong arms he certainly has," one said. "But he does not know
+how to use his body while using his arms; and his loins are very
+weak. To break his back would not be difficult."
+
+"I think," said another, "that it would be easy to fight with
+foreigners."
+
+"With swords it would be very easy," responded a third; "but they
+are more skilful than we in the use of guns and cannon."
+
+"We can learn all that," said the first speaker. "When we have
+learned Western military matters, we need not care for Western
+soldiers."
+
+"Foreigners," observed another, "are not hardy like we are. They
+soon tire, and they fear cold. All winter our teacher must have a
+great fire in his room. To stay there five minutes gives me the
+headache."
+
+
+But for all that, the lads were kind to their teacher, and made
+him love them.
+
+(1) Apish mythological beings with red hair, delighting in
+drunkenness.
+
+(2) Mythological beings of several kinds, supposed to live in the
+mountains. Some have long noses.
+
+(3) There is a legend that when Toryoko, a great poet, who was
+the teacher of Sugiwara-no-Michizane (now deified as Tenjin), was
+once passing the Gate called Ra-jo-mon, of the Emperor's palace
+at Kyoto, he recited aloud this single verse which he had just
+composed:--
+
+"Clear is the weather and fair;--and the wind waves the hair of
+young willows."
+Immediately a deep mocking voice from the gateway continued the
+poem, thus:--
+
+"Melted and vanished the ice; the waves comb the locks of old
+mosses."
+
+Toryoko looked, but there was no one to be seen. Reaching home,
+he told his pupil about the matter, and repeated the two
+compositions. Sugiwara-no-Michizane praised the second one,
+saying:--
+
+"Truly the words of the first are the words of a poet;
+but the words of the second are the words of a Demon!"
+
+
+
+IV
+
+Changes came as great earthquakes come, without warning: the
+transformation of daimyates into prefectures, the suppression of
+the military class, the reconstruction of the whole social
+system. These events filled the youth with sadness, although he
+felt no difficulty in transferring his allegiance from prince to
+emperor, and although the wealth of his family remained
+unimpaired by the shock. All this reconstruction told him of the
+greatness of the national danger, and announced the certain
+disappearance of the old high ideals, and of nearly all things
+loved. But he knew regret was vain. By self-transformation alone
+could the nation hope to save its independence; and the obvious
+duty of the patriot was to recognize necessity, and fitly prepare
+himself to play the man in the drama of the future.
+
+In the samurai school he had learned much English, and he knew
+himself able to converse with Englishmen. He cut his long hair,
+put away his swords, and went to Yokohama that he might continue
+his study of the language under more favorable conditions. At
+Yokohama everything at first seemed to him both unfamiliar and
+repellent. Even the Japanese of the port had been changed by
+foreign contact: they were rude and rough; they acted and spoke
+as common people would not have dared to do in his native town.
+The foreigners themselves impressed him still more disagreeably:
+it was the period when new settlers could assume the tone of
+conquerors to the conquered, and when the life of the "open
+ports" was much less decorous than now. The new buildings of
+brick or stuccoed timber revived for him unpleasant memories of
+the Japanese colored pictures of foreign manners and customs; and
+he could not quickly banish the fancies of his boyhood concerning
+Occidentals. Reason, based on larger knowledge and experience,
+fully assured him what they really were; but to his emotional
+life the intimate sense of their kindred humanity still failed to
+come. Race-feeling is older than intellectual development; and
+the superstitions attaching to race-feeling are not easy to get
+rid of. His soldier-spirit, too, was stirred at times by ugly
+things heard or seen,--incidents that filled him with the hot
+impulse of his fathers to avenge a cowardice or to redress a
+wrong. But he learned to conquer his repulsions as obstacles to
+knowledge: it was the patriot's duty to study calmly the nature
+of his country's foes. He trained himself at last to observe the
+new life about him without prejudice,--its merits not less than
+its defects; its strength not less than its weakness. He found
+kindness; he found devotion to ideals,--ideals not his own, but
+which he knew how to respect because they exacted, like the
+religion of his ancestors, abnegation of many things.
+
+Through such appreciation he learned to like and to trust an aged
+missionary entirely absorbed in the work of educating and
+proselytizing. The old man was especially anxious to convert this
+young samurai, in whom aptitudes of no common order were
+discernible; and he spared no pains to win the boy's confidence.
+He aided him in many ways, taught him something of French and
+German, of Greek and Latin, and placed entirely at his disposal a
+private library of considerable extent. The use of a foreign
+library, including works of history, philosophy, travel, and
+fiction, was not a privilege then easy for Japanese students to
+obtain. It was gratefully appreciated; and the owner of the
+library found no difficulty at a later day in persuading his
+favored and favorite pupil to read a part of the New Testament.
+The youth expressed surprise at finding among the doctrines of
+the "Evil Sect" ethical precepts like those of Confucius. To the
+old missionary he said: "This teaching is not new to us; but it
+is certainly very good. I shall study the book and think about
+it."
+
+
+V
+
+The study and the thinking were to lead the young man much
+further than he had thought possible. After the recognition of
+Christianity as a great religion came recognitions of another
+order, and various imaginings about the civilization of the races
+professing Christianity. It then seemed to many reflective
+Japanese, possibly even to the keen minds directing the national
+policy, that Japan was doomed to pass altogether under alien
+rule. There was hope, indeed; and while even the ghost of hope
+remained, the duty for all was plain. But the power that could be
+used against the Empire was irresistible. And studying the
+enormity of that power, the young. Oriental could not but ask
+himself, with a wonder approaching awe, whence and how it had
+been gained. Could it, as his aged teacher averred, have some
+occult relation to a higher religion? Certainly the ancient
+Chinese philosophy, which declared the prosperity of peoples
+proportionate to their observance of celestial law and their
+obedience to the teaching of sages, countenanced such a theory.
+And if the superior force of Western civilization really
+indicated the superior character of Western ethics, was it not
+the plain duty of every patriot to follow that higher faith, and
+to strive for the conversion of the whole nation? A youth of that
+era, educated in Chinese wisdom, and necessarily ignorant of the
+history of social evolution in the West, could never have
+imagined that the very highest forms of material progress were
+developed chiefly through a merciless competition out of all
+harmony with Christian idealism, and at variance with every great
+system of ethics. Even to-day in the West unthinking millions
+imagine some divine connection between military power and
+Christian belief, and utterances are made in our pulpits implying
+divine justification for political robberies, and heavenly
+inspiration for the invention of high explosives. There still
+survives among us the superstition that races professing
+Christianity are divinely destined to rob or exterminate races
+holding other beliefs. Some men occasionally express their
+conviction that we still worship Thor and Odin,--the only
+difference being that Odin has become a mathematician, and that
+the Hammer Mjolnir is now worked by steam. But such persons are
+declared by the missionaries to be atheists and men of shameless
+lives.
+
+Be this as it may, a time came when the young samurai resolved to
+proclaim himself a Christian, despite the opposition of his
+kindred. It was a bold step; but his early training had given him
+firmness; and he was not to be moved from his decision even by
+the sorrow of his parents. His rejection of the ancestral faith
+would signify more than temporary pain for him: it would mean
+disinheritance, the contempt of old comrades, loss of rank, and
+all the consequences of bitter poverty. But his samurai training
+had taught him to despise self. He saw what he believed to be his
+duty as a patriot and as a truthseeker, and he followed it
+without fear or regret.
+
+
+VI
+
+Those who hope to substitute their own Western creed in the room
+of one which they wreck by the aid of knowledge borrowed from
+modern science, do not imagine that the arguments used against
+the ancient faith can be used with equal force against the new.
+Unable himself to reach the higher levels of modern thought, the
+average missionary cannot foresee the result of his small
+teaching of science upon an Oriental mind naturally more powerful
+than his own. He is therefore astonished and shocked to discover
+that the more intelligent his pupil, the briefer the term of that
+pupil's Christianity. To destroy personal faith in a fine mind
+previously satisfied with Buddhist cosmogony, because innocent of
+science, is not extremely difficult. But to substitute, in the
+same mind, Western religious emotions for Oriental, Presbyterian
+or Baptist dogmatisms for Chinese and Buddhist ethics, is not
+possible. The psychological difficulties in the way are never
+recognized by our modern evangelists. In former ages, when the
+faith of the Jesuits and the friars was not less superstitious
+than the faith they strove to supplant, the same deep-lying
+obstacles existed; and the Spanish priest, even while
+accomplishing marvels by his immense sincerity and fiery zeal,
+must have felt that to fully realize his dream he would need the
+sword of the Spanish soldier. To-day the conditions are far less
+favorable for any work of conversion than they ever were in the
+sixteenth century. Education has been secularized and remodeled
+upon a scientific basis; our religions are being changed into
+mere social recognitions of ethical necessities; the functions of
+our clergy are being gradually transformed into those of a moral
+police; and the multitude of our church-spires proves no increase
+of our faith, but only the larger growth of our respect for
+conventions. Never can the conventions of the Occident become
+those of the Far East; and never will foreign missionaries be
+suffered in Japan to take the role of a police of morals. Already
+the most liberal of our churches, those of broadest culture,
+begin to recognize the vanity of missions. But it is not
+necessary to drop old dogmatisms in order to perceive the truth:
+thorough education should be enough to reveal it; and the most
+educated of nations, Germany, sends no missionaries to work in
+the interior of Japan. A result of missionary efforts, much more
+significant than the indispensable yearly report of new
+conversions, has been the reorganization of the native religions,
+and a recent government mandate insisting upon the higher
+education of the native priest-hoods. Indeed, long before this
+mandate the wealthier sects had established Buddhist schools on
+the Western plan; and the Shinshu could already boast of its
+scholars, educated in Paris or at Oxford,--men whose names are
+known to Sanscritists the world over. Certainly Japan will need
+higher forms of faith than her mediaeval ones; but these must be
+themselves evolved from the ancient forms,--from within, never
+from without. A Buddhism strongly fortified by Western science
+will meet the future needs of the race.
+
+
+The young convert at Yokohama proved a noteworthy example of
+missionary failures. Within a few years after having sacrificed a
+fortune in order to become a Christian,--or rather the member of
+a foreign religious sect,--he publicly renounced the creed
+accepted at such a cost. He had studied and comprehended the
+great minds of the age better than his religious teachers, who
+could no longer respond to the questions he propounded, except by
+the assurance that books of which they had recommended him to
+study parts were dangerous to faith as wholes. But as they could
+not prove the fallacies alleged to exist in such books, their
+warnings availed nothing. He had been converted to dogmatism by
+imperfect reasoning; by larger and deeper reasoning he found his
+way beyond dogmatism. He passed from the church after an open
+declaration that its tenets were not based upon true reason or
+fact; and that he felt himself obliged to accept the opinions of
+men whom his teachers had called the enemies of Christianity.
+There was great scandal at his "relapse."
+
+The real "relapse" was yet far away. Unlike many with a similar
+experience, he knew that the religious question had only receded
+for him, and that all he had learned was scarcely more than the
+alphabet of what remained to learn. He had not lost belief in the
+relative value of creeds,--in the worth of religion as a
+conserving and restraining force. A distorted perception of one
+truth--the truth of a relation subsisting between civilizations
+and their religions--had first deluded him into the path that led
+to his conversion. Chinese philosophy had taught him that which
+modern sociology recognizes in the law that societies without
+priesthoods have never developed; and Buddhism had taught him
+that even delusions--the parables, forms, and symbols presented
+as actualities to humble minds--have their value and their
+justification in aiding the development of human goodness. From
+such a point of view, Christianity had lost none of its interest
+for him; and though doubting what his teacher had told him about
+the superior morality of Christian nations, not at all
+illustrated in the life of the open ports, he desired to see for
+himself the influence of religion upon morals in the Occident; to
+visit European countries and to study the causes of their
+development and the reason of their power.
+
+This he set out to do sooner than he had purposed. That
+intellectual quickening which had made him a doubter in religious
+matters had made him also a freethinker in politics. He brought
+down upon himself the wrath of the government by public
+expressions of opinion antagonistic to the policy of the hour;
+and, like others equally imprudent under the stimulus of new
+ideas, he was obliged to leave the country. Thus began for him a
+series of wanderings destined to carry him round the world. Korea
+first afforded him a refuge; then China, where he lived as a
+teacher; and at last he found himself on board a steamer bound
+for Marseilles. He had little money; but he did not ask himself
+how he was going to live in Europe. Young, tall, athletic, frugal
+and inured to hardship, he felt sure of himself; and he had
+letters to men abroad who could smooth his way.
+
+But long years were to pass before he could see his native land
+again.
+
+
+
+VII
+
+During those years he saw Western civilization as few Japanese
+ever saw it; for he wandered through Europe and America, living
+in many cities, and toiling in many capacities,--sometimes with
+his brain, oftener with his hands,--and so was able to study the
+highest and the lowest, the best and the worst of the life about
+him. But he saw with the eyes of the Far East; and the ways of
+his judgments were not as our ways. For even as the Occident
+regards the Far East, so does the Far East regard the Occident,
+--only with this difference: that what each most esteems in
+itself is least likely to be esteemed by the other. And both are
+partly right and partly wrong; and there never has been, and
+never can be, perfect mutual comprehension.
+
+Larger than all anticipation the West appeared to him,--a world
+of giants; and that which depresses even the boldest Occidental
+who finds himself, without means or friends, alone in a great
+city, must often have depressed the Oriental exile: that vague
+uneasiness aroused by the sense of being invisible to hurrying
+millions; by the ceaseless roar of traffic drowning voices; by
+monstrosities of architecture without a soul; by the dynamic
+display of wealth forcing mind and hand, as mere cheap machinery,
+to the uttermost limits of the possible. Perhaps he saw such
+cities as Dore saw London: sullen majesty of arched glooms and
+granite deeps opening into granite deeps beyond range of vision,
+and mountains of masonry with seas of labor in turmoil at their
+base, and monumental spaces displaying the grimness of ordered
+power slow-gathering through centuries. Of beauty there was
+nothing to make appeal to him between those endless cliffs of
+stone which walled out the sunrise and the sunset, the sky and
+the wind. All that which draws us to great cities repelled or
+oppressed him; even luminous Paris soon filled him with
+weariness. It was the first foreign city in which he made a long
+sojourn. French art, as reflecting the aesthetic thought of the
+most gifted of European races, surprised him much, but charmed
+him not at all. What surprised him especially were its studies of
+the nude, in which he recognized only an open confession of the
+one human weakness which, next to disloyalty or cowardice, his
+stoical training had taught him to most despise. Modern French
+literature gave him other reasons for astonishment. He could
+little comprehend the amazing art of the story-teller; the worth
+of the workmanship in itself was not visible to him; and if he
+could have been made to understand it as a European understands,
+he would have remained none the less convinced that such
+application of genius to production signified social depravity.
+And gradually, in the luxurious life of the capital itself, he
+found proof for the belief suggested to him by the art and the
+literature of the period. He visited the pleasure-resorts, the
+theatres, the opera; he saw with the eyes of an ascetic and a
+soldier, and wondered why the Western conception of the worth of
+life differed so little from the Far-Eastern conception of folly
+and of effeminacy. He saw fashionable balls, and exposures de
+rigueur intolerable to the Far-Eastern sense of modesty,
+--artistically calculated to suggest what would cause a Japanese
+woman to die of shame; and he wondered at criticisms he had heard
+about the natural, modest, healthy half-nudity of Japanese
+toiling under a summer sun. He saw cathedrals and churches in
+vast number, and near to them the palaces of vice, and
+establishments enriched by the stealthy sale of artistic
+obscenities. He listened to sermons by great preachers; and he
+heard blasphemies against all faith and love by priest--haters.
+He saw the circles of wealth, and the circles of poverty, and the
+abysses underlying both. The "restraining influence" of religion
+he did not see. That world had no faith. It was a world of
+mockery and masquerade and pleasure-seeking selfishness, ruled
+not by religion, but by police; a world into which it were not
+good that a man should he born.
+
+England, more sombre, more imposing, more formidable furnished
+him with other problems to consider. He studied her wealth,
+forever growing, and the nightmares of squalor forever
+multiplying in the shadow of it. He saw the vast ports gorged
+with the riches of a hundred lands, mostly plunder; and knew the
+English still like their forefathers, a race of prey; and thought
+of the fate of her millions if she should find herself for even a
+single month unable to compel other races to feed them. He saw
+the harlotry and drunkenness that make night hideous in the
+world's greatest city; and he marveled at the conventional
+hypocrisy that pretends not to see, and at the religion that
+utters thanks for existing conditions, and at the ignorance that
+sends missionaries where they are not needed, and at the enormous
+charities that help disease and vice to propagate their kind. He
+saw also the declaration of a great Englishman(1) who had
+traveled in many countries that one tenth of the population of
+England were professional criminals or paupers. And this in spite
+of the myriads of churches, and the incomparable multiplication
+of laws! Certainly English civilization showed less than any
+other the pretended power of that religion which he had been
+taught to believe the inspiration of progress. English streets
+told him another story: there were no such sights to be seen in
+the streets of Buddhist cities. No: this civilization signified a
+perpetual wicked struggle between the simple and the cunning, the
+feeble and the strong; force and craft combining to thrust
+weakness into a yawning and visible hell. Never in Japan had
+there been even the sick dream of such conditions. Yet the merely
+material and intellectual results of those conditions he could
+not but confess to be astonishing; and though he saw evil beyond
+all he could have imagined possible, he also saw much good, among
+both poor and rich. The stupendous riddle of it all, the
+countless contradictions, were above his powers of
+interpretation.
+
+He liked the English people better than the people of other
+countries he had visited; and the manners of the English gentry
+impressed him as not unlike those of the Japanese samurai. Behind
+their formal coldness he could discern immense capacities of
+friendship and enduring kindness,--kindness he experienced more
+than once; the depth of emotional power rarely wasted; and the
+high courage that had won the dominion of half a world. But ere
+he left England for America, to study a still vaster field of
+human achievement, mere differences of nationality had ceased to
+interest him: they were blurred out of visibility in his growing
+perception of Occidental civilization as one amazing whole,
+everywhere displaying--whether through imperial, monarchical, or
+democratic forms--the working of the like merciless necessities
+with the like astounding results, and everywhere based on ideas
+totally the reverse of Far-Eastern ideas. Such civilization he
+could estimate only as one having no single emotion in harmony
+with it,--as one finding nothing to love while dwelling in its
+midst, and nothing to regret in the hour of leaving it forever.
+It was as far away from his soul as the life of another planet
+under another sun. But he could understand its cost in terms of
+human pain, feel the menace of its weight, and divine the
+prodigious range of its intellectual power. And he hated
+it,--hated its tremendous and perfectly calculated mechanism;
+hated its utilitarian stability; hated its conventions, its
+greed, its blind cruelty, its huge hypocrisy, the foulness of its
+want and the insolence of its wealth. Morally, it was monstrous;
+conventionally, it was brutal. Depths of degradation unfathomable
+it had shown him, but no ideals equal to the ideals of his youth.
+It was all one great wolfish struggle;--and that so much real
+goodness as he had found in it could exist, seemed to him
+scarcely less than miraculous. The real sublimities of the
+Occident were intellectual only; far steep cold heights of pure
+knowledge, below whose perpetual snow-line emotional ideals die.
+Surely the old Japanese civilization of benevolence and duty was
+incomparably better in its comprehension of happiness, in its
+moral ambitions, its larger faith, its joyous courage, its
+simplicity and unselfishness, its sobriety and contentment.
+Western superiority was not ethical. It lay in forces of
+intellect developed through suffering incalculable, and used for
+the destruction of the weak by the strong.
+
+And, nevertheless, that Western science whose logic he knew to be
+irrefutable assured him of the larger and larger expansion of the
+power of that civilization, as of an irresistible, inevitable,
+measureless inundation of world-pain. Japan would have to learn
+the new forms of action, to master the new forms of thought, or
+to perish utterly. There was no other alternative. And then the
+doubt of all doubts came to him, the question which all the sages
+have had to face: _Is the universe moral?_ To that question
+Buddhism had given the deepest answer.
+
+But whether moral or immoral the cosmic process, as measured by
+infinitesimal human emotion, one conviction remained with him
+that no logic could impair: the certainty that man should pursue
+the highest moral ideal with all his power to the unknown end,
+even though the suns in their courses should fight against him.
+The necessities of Japan would oblige her to master foreign
+science, to adopt much from the material civilization of her
+enemies; but the same necessities could not compel her to cast
+bodily away her ideas of right and wrong, of duty and of honor.
+Slowly a purpose shaped itself in his mind,--a purpose which was
+to make him in after years a leader and a teacher: to strive with
+all his strength for the conservation of all that, was best in
+the ancient life, and to fearlessly oppose further introduction
+of anything not essential to national self-preservation, or
+helpful to national, self-development. Fail he well, might, and
+without shame; but he could hope at least to save something of
+worth from the drift of wreckage. The wastefulness of Western
+life had impressed him more than its greed of pleasure and its
+capacity for pain: in the clean poverty of his own land he saw
+strength; in her unselfish thrift, the sole chance of competing
+with the Occident. Foreign civilization had taught him to
+under-stand, as he could never otherwise have understood, the
+worth and the beauty of his own; and he longed for the hour of
+permission to return to the country of his birth.
+
+(1)"Although we have progressed vastly beyond the savage state in
+intellectual achievements, we have not advanced equally in
+morals.... It is not too much to say that the mass of our
+populations have not at all advanced beyond the savage code of
+morals, and have in many cases sunk below it. A deficient
+morality is the great blot of modern civilization.... Our whole
+social and moral civilization remains in a state of barbarism....
+We are the richest country in the world; and yet nearly one
+twentieth of our population are parish paupers, and one thirtieth
+known criminals. Add to these the criminals who escape detection,
+and the poor who live mainly or partly on private charity (which,
+according to Dr. Hawkesley, expends seven millions sterling
+annually in London alone), and we may be sure that more than ONE
+TENTH of our population are actually Paupers and Criminals."
+--ALFRED RUSSEL WALLACE
+
+
+VIII
+
+It was through the transparent darkness of a cloudless April
+morning, a little before sunrise, that he saw again the mountains
+of his native land,--far lofty sharpening sierras, towering
+violet-black out of the circle of an inky sea. Behind the steamer
+which was bearing him back from exile the horizon was slowly
+filling with rosy flame. There were some foreigners already on
+deck, eager to obtain the first and fairest view of Fuji from the
+Pacific;--for the first sight of Fuji at dawn is not to be
+forgotten in this life or the next. They watched the long
+procession of the ranges, and looked over the jagged looming into
+the deep night, where stars were faintly burning still,--and they
+could not see Fuji. "Ah!" laughed an officer they questioned,
+"you are looking too low! higher up--much higher!" Then they
+looked up, up, up into the heart of the sky, and saw the mighty
+summit pinkening like a wondrous phantom lotos-bud in the flush
+of the coming day: a spectacle that smote them dumb. Swiftly the
+eternal snow yellowed into gold, then whitened as the sun reached
+out beams to it over the curve of the world, over the shadowy
+ranges, over the very stars, it seemed; for the giant base
+remained viewless. And the night fled utterly; and soft blue
+light bathed all the hollow heaven; and colors awoke from sleep;
+--and before the gazers there opened the luminous bay of
+Yokohama, with the sacred peak, its base ever invisible, hanging
+above all like a snowy ghost in the arch of the infinite day.
+
+Still in the wanderer's ears the words rang, "_Ah! you are
+looking too low!--higher up--much higher!_"--making vague rhythm
+with an immense, irresistible emotion swelling at his heart. Then
+everything dimmed: he saw neither Fuji above, nor the nearing
+hills below, changing their vapory blue to green, nor the
+crowding of the ships in the bay; nor anything of the modern
+Japan; he saw the Old. The land-wind, delicately scented with
+odors of spring, rushed to him, touched his blood, and startled
+from long-closed cells of memory the shades of all that he had
+once abandoned and striven to forget. He saw the faces of his
+dead: he knew their voices over the graves of the years. Again he
+was a very little boy in his father's yashiki, wandering from
+luminous room to room, playing in sunned spaces where
+leaf-shadows trembled on the matting, or gazing into the soft
+green dreamy peace of the landscape garden. Once more he felt the
+light touch of his mother's hand guiding his little steps to the
+place of morning worship, before the household shrine, before the
+tablets of the ancestors; and the lips of the man murmured again,
+with sudden new-found meaning, the simple prayer of the child.
+
+
+
+XI
+
+IN THE TWILIGHT OF THE GODS
+
+"Do you know anything about josses?"
+
+"Josses?"
+
+"Yes; idols, Japanese idols,--josses."
+"Something," I answered, "but not very much."
+
+"Well, come, and look at my collection, won't you? I've been
+collecting josses for twenty years, and I've got some worth
+seeing. They're not for sale, though,--except to the British
+Museum."
+
+I followed the curio dealer through the bric-a-brac of his shop,
+and across a paved yard into an unusually large go-down(1). Like
+all go-downs it was dark: I could barely discern a stairway
+sloping up through gloom. He paused at the foot.
+
+"You'll be able to see better in a moment," he said. "I had this
+place built expressly for them; but now it is scarcely big
+enough. They're all in the second story. Go right up; only be
+careful,--the steps are bad."
+
+I climbed, and reached a sort of gloaming, under a very high
+roof, and found myself face to face with the gods.
+
+In the dusk of the great go-down the spectacle was more than
+weird: it was apparitional. Arhats and Buddhas and Bodhisattvas,
+and the shapes of a mythology older than they, filled all the
+shadowy space; not ranked by hierarchies, as in a temple, but
+mingled without order, as in a silent panic. Out of the
+wilderness of multiple heads and broken aureoles and hands
+uplifted in menace or in prayer,--a shimmering confusion of dusty
+gold half lighted by cobwebbed air-holes in the heavy walls,--I
+could at first discern little; then, as the dimness cleared, I
+began to distinguish personalities. I saw Kwannon, of many forms;
+Jizo, of many names; Shaka, Yakushi, Amida, the Buddhas and their
+disciples. They were very old; and their art was not all of
+Japan, nor of any one place or time: there were shapes from
+Korea, China, India,--treasures brought over sea in the rich days
+of the early Buddhist missions. Some were seated upon
+lotos-flowers, the lotos-flowers of the Apparitional Birth. Some
+rode leopards, tigers, lions, or monsters mystical,--typifying
+lightning, typifying death. One, triple-headed and many-handed,
+sinister and splendid, seemed moving through the gloom on a
+throne of gold, uplifted by a phalanx of elephants. Fudo I saw,
+shrouded and shrined in fire, and Maya-Fujin, riding her
+celestial peacock; and strangely mingling with these Buddhist
+visions, as in the anachronism of a Limbo, armored effigies of
+Daimyo and images of the Chinese sages. There were huge forms of
+wrath, grasping thunderbolts, and rising to the roof: the
+Deva-kings, like impersonations of hurricane power; the Ni-O,
+guardians of long-vanished temple gates. Also there were forms
+voluptuously feminine: the light grace of the limbs folded within
+their lotos-cups, the suppleness of the fingers numbering the
+numbers of the Good Law, were ideals possibly inspired in some
+forgotten tune by the charm of an Indian dancing-girl. Shelved
+against the naked brickwork above, I could perceive multitudes of
+lesser shapes: demon figures with eyes that burned through the
+dark like the eyes of a black cat, and figures half man, half
+bird, winged and beaked like eagles,--the _Tengu_ of Japanese
+fancy.
+
+"Well?" queried the curio dealer, with a chuckle of satisfaction
+at my evident surprise.
+
+"It is a very great collection," I responded.
+
+He clapped his hand on my shoulder, and exclaimed triumphantly in
+my ear, "Cost me fifty thousand dollars."
+
+But the images themselves told me how much more was their cost to
+forgotten piety, notwithstanding the cheapness of artistic labor
+in the East. Also they told me of the dead millions whose pilgrim
+feet had worn hollow the steps leading to their shrines, of the
+buried mothers who used to suspend little baby-dresses before
+their altars, of the generations of children taught to murmur
+prayers to them, of the countless sorrows and hopes confided to
+them. Ghosts of the worship of centuries had followed them into
+exile; a thin, sweet odor of incense haunted the dusty place.
+
+"What would you call that?" asked the voice of the curio dealer.
+"I've been told it's the best of the lot."
+
+He pointed to a figure resting upon a triple golden
+lotos,--Avalokitesvara: she "_who looketh down above the sound of
+prayer."... Storms and hate give way to her name. Fire
+is quenched by her name. Demons vanish at the sound of her name.
+By her name one may stand firm in the sky, like a sun...._
+The delicacy of the limbs, the tenderness of the smile, were
+dreams of the Indian paradise.
+
+"It is a Kwannon," I made reply, "and very beautiful."
+
+"Somebody will have to pay me a very beautiful price for it," he
+said, with a shrewd wink. "It cost me enough! As a rule, though,
+I get these things pretty cheap. There are few people who care to
+buy them, and they have to be sold privately, you know: that
+gives me an advantage. See that Jizo in the corner,--the big
+black fellow? What is it?"
+
+"Emmei-Jizo," I answered,--"Jizo, the giver of long life. It must
+be very old."
+
+"Well," he said, again taking me by the shoulder, "the man from
+whom I got that piece was put in prison for selling it to me."
+
+Then he burst into a hearty laugh,--whether at the recollection
+of his own cleverness in the transaction, or at the unfortunate
+simplicity of the person who had sold the statue contrary to law,
+I could not decide.
+
+"Afterwards," he resumed, "they wanted to get it back again, and
+offered me more, than I had given for it. But I held on. I don't
+know everything about josses, but I do know what they are worth.
+There isn't another idol like that in the whole country. The
+British Museum will be glad to get it."
+
+"When do you intend to offer the collection to the British
+Museum?" I presumed to ask.
+
+"Well, I first want to get up a show," he replied. "There's money
+to be made by a show of josses in London. London people never saw
+anything like this in their lives. Then the church folks help
+that sort of a show, if you manage them properly: it advertises
+the missions. 'Heathen idols from Japan!'... How do you like the
+baby?"
+
+I was looking at a small gold-colored image of a naked child,
+standing, one tiny hand pointing upward, and the other downward,
+--representing the Buddha newly born. _Sparkling with light he
+came from the womb, as when the Sun first rises in the east....
+Upright he took deliberately seven steps; and the prints of his
+feet upon the ground remained burning as seven stars. And he
+spake with clearest utterance, saying, "This birth is a Buddha
+birth. Re-birth is not for me. Only this last time am I born for
+the salvation of all on earth and in heaven._"
+
+"That is what they call a Tanjo-Shaka," I said. "It looks like
+bronze."
+
+"Bronze it is," he responded, tapping it with his knuckles to
+make the metal ring. "The bronze alone is worth more than the
+price I paid."
+
+I looked at the four Devas whose heads almost touched the roof,
+and thought of the story of their apparition told in the
+Mahavagga. _On a beautiful night the Four Great Kings entered the
+holy grove, filling all the place with light; and having
+respectfully saluted the Blessed One, they stood in the four
+directions, like four great firebrands_.
+
+"How did you ever manage to get those big figures upstairs?" I
+asked.
+
+"Oh, hauled them up! We've got a hatchway. The real trouble was
+getting them here by train. It was the first railroad trip they
+ever made.... But look at these here: they will make the
+sensation of the show!"
+
+I looked, and saw two small wooden images, about three feet high.
+
+"Why do you think they will make a sensation?" I inquired
+innocently.
+
+"Don't you see what they are? They date from the time of the
+persecutions. _Japanese devils trampling on the Cross!_"
+
+They were small temple guardians only; but their feet rested upon
+X-shaped supports.
+
+"Did any person tell you these were devils trampling on the
+cross?" I made bold to ask.
+
+"What else are they doing?" he answered evasively. "Look at the
+crosses under their feet!"
+
+"But they are not devils," I insisted; "and those cross-pieces
+were put under their feet simply to give equilibrium."
+
+He said nothing, but looked disappointed; and I felt a little
+sorry for him. _Devils trampling on the Cross_, as a display line
+in some London poster announcing the arrival of "josses from
+Japan," might certainly have been relied on to catch the public
+eye.
+
+"This is more wonderful," I said, pointing to a beautiful group,
+--Maya with the infant Buddha issuing from her side, according to
+tradition. _Painlessly the Bodhisattva was born from her right
+side. It was the eighth day of the fourth moon_.
+
+"That's bronze, too," he remarked, tapping it. "Bronze josses are
+getting rare. We used to buy them up and sell them for old metal.
+Wish I'd kept some of them! You ought to have seen the bronzes,
+in those days, coming in from the temples,--bells and vases and
+josses! That was the time we tried to buy the Daibutsu at
+Kamakura."
+
+"For old bronze?" I queried.
+
+"Yes. We calculated the weight of the metal, and formed a
+syndicate. Our first offer was thirty thousand. We could have
+made a big profit, for there's a good deal of gold and silver in
+that work. The priests wanted to sell, but the people wouldn't
+let them."
+
+"It's one of the world's wonders," I said. "Would you really have
+broken it up?"
+
+"Certainly. Why not? What else could you do with it?... That one
+there looks just like a Virgin Mary, doesn't it?"
+
+He pointed to the gilded image of a female clasping a child to
+her breast.
+
+"Yes," I replied; "but it is Kishibojin, the goddess who loves
+little children."
+
+"People talk about idolatry," he went on musingly. "I've seen
+things like many of these in Roman Catholic chapels. Seems to me
+religion is pretty much the same the world over."
+
+"I think you are right," I said.
+
+"Why, the story of Buddha is like the story of Christ, isn't it?"
+
+"To some degree," I assented.
+
+"Only, he wasn't crucified."
+
+I did not answer; thinking of the text, _In all the world there
+is not one spot even so large as a mustard-seed where he has not
+surrendered his body for the sake of creatures_. Then it suddenly
+seemed to me that this was absolutely true. For the Buddha of the
+deeper Buddhism is not Gautama, nor yet any one Tathagata, but
+simply the divine in man. Chrysalides of the infinite we all are:
+each contains a ghostly Buddha, and the millions are but one. All
+humanity is potentially the Buddha-to-come, dreaming through the
+ages in Illusion; and the teacher's smile will make beautiful the
+world again when selfishness shall die. Every noble sacrifice
+brings nearer the hour of his awakening; and who may justly
+doubt--remembering the myriads of the centuries of man--that even
+now there does not remain one place on earth where life has not
+been freely given for love or duty?
+
+
+I felt the curio dealer's hand on my shoulder again.
+
+"At all events," he cried in a cheery tone, "they'll be
+appreciated in the British Museum--eh?"
+
+"I hope so. They ought to be."
+
+Then I fancied them immured somewhere in that vast necropolis of
+dead gods, under the gloom of a pea-soup-fog, chambered with
+forgotten divinities of Egypt or Babylon, and trembling faintly
+at the roar of London,--all to what end? Perhaps to aid another
+Alma Tadema to paint the beauty of another vanished civilization;
+perhaps to assist the illustration of an English Dictionary of
+Buddhism; perhaps to inspire some future laureate with a metaphor
+startling as Tennyson's figure of the "oiled and curled Assyrian
+bull." Assuredly they would not be preserved in vain. The
+thinkers of a less conventional and selfish era would teach new
+reverence for them. Each eidolon shaped by human faith remains
+the shell of a truth eternally divine, and even the shell itself
+may hold a ghostly power. The soft serenity, the passionless
+tenderness, of these Buddha faces might yet give peace of soul to
+a West weary of creeds transformed into conventions, eager for
+the coming of another teacher to proclaim, "_I have the same
+feeling for the high as for the low, for the moral as for the
+immoral, for the depraved as for the virtuous, for those holding
+sectarian views and false opinions as for those whose beliefs are
+good and true_."
+
+(1) A name given to fireproof storehouses in the open ports of
+the Far East. The word is derived from the Malay gadong.
+
+
+
+XII
+
+THE IDEA OF PRE-EXISTENCE
+
+"If A Bikkhu should desire, O brethren, to call to mind his
+various temporary states in days gone by--such as one birth, two
+births, three, four, five, ten, twenty, thirty, fifty, one
+hundred, or one thousand, or one hundred thousand births,-in all
+their modes and all their details, let him be devoted to quietude
+of heart,--let him look through things, let him be much alone."
+--Akankheyya Sutta.
+
+
+I
+
+Were I to ask any reflecting Occidental, who had passed some
+years in the real living atmosphere of Buddhism, what fundamental
+idea especially differentiates Oriental modes of thinking from
+our own, I am sure he would answer: "The Idea of Pre-existence."
+It is this idea, more than any other, which permeates the whole
+mental being of the Far East. It is universal as the wash of air:
+it colors every emotion; it influences, directly or indirectly,
+almost every act. Its symbols are perpetually visible, even in
+details of artistic decoration; and hourly by day or night, some
+echoes of its language float uninvited to the ear. The utterances
+of the people,--their household sayings, their proverbs, their
+pious or profane exclamations, their confessions of sorrow, hope,
+joy, or despair,--are all informed with it. It qualifies equally
+the expression of hate or the speech of affection; and the term
+_ingwa_, or _innen_,--meaning karma as inevitable retribution,
+--comes naturally to every lip as an interpretation, as a
+consolation, or as a reproach. The peasant toiling up some steep
+road, and feeling the weight of his handcart straining every
+muscle, murmurs patiently: "Since this is ingwa, it must be
+suffered." Servants disputing, ask each other, "By reason of what
+ingwa must I now dwell with such a one as you?" The incapable or
+vicious man is reproached with his ingwa; and the misfortunes of
+the wise or the virtuous are explained by the same Buddhist word.
+The law-breaker confesses his crime, saying: "That which I did I
+knew to be wicked when doing; but my ingwa was stronger than my
+heart." Separated lovers seek death under the belief that their
+union in this life is banned by the results of their sins in a
+former one; and, the victim of an injustice tries to allay his
+natural anger by the self-assurance that he is expiating some
+forgotten fault which had to, be expiated in the eternal order of
+things.... So likewise even the commonest references to a
+spiritual future imply the general creed of a spiritual past. The
+mother warns her little ones at play about the effect of
+wrong-doing upon their future births, as the children of other
+parents. The pilgrim or the street-beggar accepts your alms with
+the prayer that your next birth may be fortunate. The aged
+_inkyo_, whose sight and hearing begin to fail, talks cheerily of
+the impending change that is to provide him with a fresh young
+body. And the expressions _Yakusoku_, signifying the Buddhist
+idea of necessity; _mae no yo_, the last life; _akirame_,
+resignation, recur as frequently in Japanese common parlance as
+do the words "right" and "wrong" in English popular speech.
+
+After long dwelling in this psychological medium, you find that
+it has penetrated your own thought, and has effected therein
+various changes. All concepts of life implied by the idea of
+preexistence,--all those beliefs which, however sympathetically
+studied, must at first have seemed more than strange to you,--
+finally lose that curious or fantastic character with which
+novelty once invested them, and present themselves under a
+perfectly normal aspect. They explain so many things so well as
+even to look rational; and quite rational some assuredly are when
+measured by the scientific thought of the nineteenth century. But
+to judge them fairly, it is first necessary to sweep the mind
+clear of all Western ideas of metempsychosis. For there is no
+resemblance between the old Occidental conceptions of soul--the
+Pythagorean or the Platonic, for example--and the Buddhist
+conception; and it is precisely because of this unlikeness that
+the Japanese beliefs prove themselves reasonable. The profound
+difference between old-fashioned Western thought and Eastern
+thought in this regard is, that for the Buddhist the conventional
+soul--the single, tenuous, tremulous, transparent inner man, or
+ghost--does not exist. The Oriental Ego is not individual. Nor is
+it even a definitely numbered multiple like the Gnostic soul. It
+is an aggregate or composite of inconceivable complexity,--the
+concentrated sum of the creative thinking of previous lives
+beyond all reckoning.
+
+
+II
+
+The interpretative power of Buddhism, and the singular accord of
+its theories with the facts of modern science, appear especially
+in that domain of psychology whereof Herbert Spencer has been the
+greatest of all explorers. No small part of our psychological
+life is composed of feelings which Western theology never could
+explain. Such are those which cause the still speechless infant
+to cry at the sight of certain faces, or to smile at the sight of
+others. Such are those instantaneous likes or dislikes
+experienced on meeting strangers, those repulsions or attractions
+called "first impressions," which intelligent children are prone
+to announce with alarming frankness, despite all assurance that
+"people must not be judged by appearances": a doctrine no child
+in his heart believes. To call these feelings instinctive or
+intuitive, in the theological meaning of instinct or intuition,
+explains nothing at all--merely cuts off inquiry into the mystery
+of life, just like the special creation hypothesis. The idea that
+a personal impulse or emotion might be more than individual,
+except through demoniacal possession, still seems to
+old-fashioned orthodoxy a monstrous heresy. Yet it is now certain
+that most of our deeper feelings are superindividual,--both those
+which we classify as passional, and those which we call sublime.
+The individuality of the amatory passion is absolutely denied by
+science; and what is true of love at first sight is also true of
+hate: both are superindividual. So likewise are those vague
+impulses to wander which come and go with spring, and those vague
+depressions experienced in autumn,--survivals, perhaps, from an
+epoch in which human migration followed the course of the
+seasons, or even from an era preceding the apparition of man.
+Superindividual also those emotions felt by one who, after having
+passed the greater part of a life on plain or prairies, first
+looks upon a range of snow-capped peaks; or the sensations of
+some dweller in the interior of a continent when he first beholds
+the ocean, and hears its eternal thunder. The delight, always
+toned with awe, which the sight of a stupendous landscape evokes;
+Or that speechless admiration, mingled with melancholy
+inexpressible, which the splendor of a tropical sunset
+creates,--never can be interpreted by individual experience.
+Psychological analysis has indeed shown these emotions to be
+prodigiously complex, and interwoven with personal experiences of
+many kinds; but in either case the deeper wave of feeling is
+never individual: it is a surging up from that ancestral sea of
+life out of which we came. To the same psychological category
+possibly belongs likewise a peculiar feeling which troubled men's
+minds long before the time of Cicero, and troubles them even more
+betimes in our own generation,--the feeling of having already
+seen a place really visited for the first time. Some strange air
+of familiarity about the streets of a foreign town, or the forms
+of a foreign landscape, comes to the mind with a sort of soft
+weird shock, and leaves one vainly ransacking memory for
+interpretations. Occasionally, beyond question, similar
+sensations are actually produced by the revival or recombination
+of former relations in consciousness; but there would seem to be
+many which remain wholly mysterious when we attempt to explain
+them by individual experience.
+
+Even in the most common of our sensations there are enigmas never
+to be solved by those holding the absurd doctrine that all
+feeling and cognition belong to individual experience, and that
+the mind of the child newly-born is a _tabula rasa_. The pleasure
+excited by the perfume of a flower, by certain shades of color,
+by certain tones of music; the involuntary loathing or fear
+aroused by the first sight of dangerous or venomous life; even
+the nameless terror of dreams,--are all inexplicable upon the
+old-fashioned soul-hypothesis. How deeply-reaching into the life
+of the race some of these sensations are, such as the pleasure in
+odors and in colors, Grant Allen has most effectively suggested
+in his "Physiological Aesthetics," and in his charming treatise
+on the Color-Sense. But long before these were written, his
+teacher, the greatest of all psychologists, had clearly proven
+that the experience-hypothesis was utterly inadequate to account
+for many classes of psychological phenomena. "If possible,"
+observes Herbert Spencer, "it is even more at fault in respect to
+the emotions than to the cognitions. The doctrine that all the
+desires, all the sentiments, are generated by the experiences of
+the individual, is so glaringly at variance with facts that I
+cannot but wonder how any one should ever have ventured to
+entertain it." It was Mr. Spencer, also, who showed us that words
+like "instinct," "intuition," have no true signification in the
+old sense; they must hereafter be used in a very different one.
+Instinct, in the language of modern psychology, means "organized
+memory," and memory itself is "incipient instinct,"--the sum of
+impressions to be inherited by the next succeeding individual in
+the chain of life. Thus science recognizes inherited memory: not
+in the ghostly signification of a remembering of the details of
+former lives, but as a minute addition to psychological life
+accompanied by minute changes in the structure of the inherited
+nervous system. "The human brain is an organized register of
+infinitely numerous experiences received during the evolution of
+life, or rather, during the evolution of that series of organisms
+through which the human organism has been reached. The effects of
+the most uniform and frequent of these experiences have been
+successively bequeathed, principal and interest; and have slowly
+amounted to that high intelligence which lies latent in the brain
+of the infant--which the infant in after-life exercises and
+perhaps strengthens or further complicates--and which, with
+minute additions, it bequeaths to future generations(1)." Thus we
+have solid physiological ground for the idea of pre-existence and
+the idea of a multiple Ego. It is incontrovertible that in every
+individual brain is looked up the inherited memory of the
+absolutely inconceivable multitude of experiences received by all
+the brains of which it is the descendant. But this scientific
+assurance of self in the past is uttered in no materialistic
+sense. Science is the destroyer of materialism: it has proven
+matter incomprehensible; and it confesses the mystery of mind
+insoluble, even while obliged to postulate an ultimate unit of
+sensation. Out of the units of simple sensation, older than we by
+millions of years, have undoubtedly been built up all the
+emotions and faculties of man. Here Science, in accord with
+Buddhism, avows the Ego composite, and, like Buddhism, explains
+the psychical riddles of the present by the psychical experiences
+of the past.
+
+(1) Principles of Psychology: "The Feelings."
+
+
+
+III
+
+To many persons it must seem that the idea of Soul as an infinite
+multiple would render impossible any idea of religion in the
+Western sense; and those unable to rid themselves of old
+theological conceptions doubtless imagine that even in Buddhist
+countries, and despite the evidence of Buddhist texts, the faith
+of the common people is really based upon the idea of the soul as
+a single entity. But Japan furnishes remarkable proof to the
+contrary. The uneducated common people, the poorest country-folk
+who have never studied Buddhist metaphysics, believe the self
+composite. What is even more remarkable is that in the primitive
+faith, Shinto, a kindred doctrine exists; and various forms of
+the belief seem to characterize the thought of the Chinese and of
+the Koreans. All these peoples of the Far East seem to consider
+the soul compound; whether in the Buddhist sense, or in the
+primitive sense represented by Shinto (a sort of ghostly
+multiplying by fission), or in the fantastic sense elaborated by
+Chinese astrology. In Japan I have fully satisfied myself that
+the belief is universal. It is not necessary to quote here from
+the Buddhist texts, because the common or popular beliefs, and
+not the philosophy of a creed, can alone furnish evidence that
+religious fervor is compatible and consistent with the notion of
+a composite soul. Certainly the Japanese peasant does not think
+the psychical Self nearly so complex a thing as Buddhist
+philosophy considers it, or as Western science proves it to be.
+_But he thinks of himself as multiple_. The struggle within him
+between impulses good and evil he explains as a conflict between
+the various ghostly wills that make up his Ego; and his spiritual
+hope is to disengage his better self or selves from his worse
+selves,--Nirvana, or the supreme bliss, being attainable only
+through the survival of the best within him. Thus his religion
+appears to be founded upon a natural perception of psychical
+evolution not nearly so remote from scientific thought as are
+those conventional notions of soul held by our common people at
+home. Of course his ideas on these abstract subjects are vague
+and unsystematized; but their general character and tendencies
+are unmistakable; and there can be no question whatever as to the
+earnestness of his faith, or as to the influence of that faith
+upon his ethical life.
+
+Wherever belief survives among the educated classes, the same
+ideas obtain definition and synthesis. I may cite, in example,
+two selections from compositions, written by students aged
+respectively twenty-three and twenty-six. I might as easily cite
+a score; but the following will sufficiently indicate what I
+mean:--
+
+"Nothing is more foolish than to declare the immortality of the
+soul. The soul is a compound; and though its elements be eternal,
+we know they can never twice combine in exactly the same way. All
+compound things must change their character and their
+conditions."
+
+"Human life is composite. A combination of energies make the
+soul. When a man dies his soul may either remain unchanged, or be
+changed according to that which it combines with. Some
+philosophers say the soul is immortal; some, that it is mortal.
+They are both right. The soul is mortal or immortal according to
+the change of the combinations composing it. The elementary
+energies from which the soul is formed are, indeed, eternal; but
+the nature of the soul is determined by the character of the
+combinations into which those energies enter."
+
+
+Now the ideas expressed in these compositions will appear to the
+Western reader, at first view, unmistakably atheistic. Yet they
+are really compatible with the sincerest and deepest faith. It
+is the use of the English word "soul," not understood at all as
+we understand it, which creates the false impression. "Soul," in
+the sense used by the young writers, means an almost infinite
+combination of both good and evil tendencies,--a compound doomed
+to disintegration not only by the very fact of its being a
+compound, but also by the eternal law of spiritual progress.
+
+
+IV
+
+That the idea, which has been for thousands of years so vast a
+factor in Oriental thought-life, should have failed to develop
+itself in the West till within, our own day, is sufficiently
+explained by Western theology. Still, it would not be correct to
+say that theology succeeded in rendering the notion of
+pre-existence absolutely repellent to Occidental minds. Though
+Christian doctrine, holding each soul specially created out of
+nothing to fit each new body, permitted no avowed beliefs in
+pre-existence, popular common-sense recognized a contradiction of
+dogma in the phenomena of heredity. In the same way, while
+theology decided animals to be mere automata, moved by a sort of
+incomprehensible machinery called instinct, the people generally
+recognized that animals had reasoning powers. The theories of
+instinct and of intuition held even a generation ago seem utterly
+barbarous to-day. They were commonly felt to be useless as
+interpretations; but as dogmas they served to check speculation
+and to prevent heresy. Wordsworth's "Fidelity" and his
+marvelously overrated "Intimations of Immortality" bear witness
+to the extreme timidity and crudeness of Western notions on these
+subjects even at the beginning of the century. The love of the
+dog for his master is indeed "great beyond all human estimate,"
+but for reasons Wordsworth never dreamed about; and although the
+fresh sensations of childhood are certainly intimations of
+something much more wonderful than Wordsworth's denominational
+idea of immortality, his famous stanza concerning them has been
+very justly condemned by Mr. John Morley as nonsense. Before the
+decay of theology, no rational ideas of psychological
+inheritance, of the true nature of instinct, or of the unity of
+life, could possibly have forced their way to general
+recognition.
+
+But with the acceptance of the doctrine of evolution, old forms
+of thought crumbled; new ideas everywhere arose to take the place
+of worn-out dogmas; and we now have the spectacle of a general
+intellectual movement in directions strangely parallel with
+Oriental philosophy. The unprecedented rapidity and
+multiformity of scientific progress during the last fifty years
+could not have failed to provoke an equally unprecedented
+intellectual quickening among the non-scientific. That the
+highest and most complex organisms have been developed from the
+lowest and simplest; that a single physical basis of life is the
+substance of the whole living world; that no line of separation
+can be drawn between the animal and vegetable; that the
+difference between life and non-life is only a difference of
+degree, not of kind; that matter is not less incomprehensible
+than mind, while both are but varying manifestations of one and
+the same unknown reality,--these have already become the
+commonplaces of the new philosophy. After the first recognition
+even by theology of physical evolution, it was easy to predict
+that the recognition of psychical evolution could not be
+indefinitely delayed; for the barrier erected by old dogma to
+keep men from looking backward had been broken down. And to-day
+for the student of scientific psychology the idea of
+pre-existence passes out of the realm of theory into the realm of
+fact, proving the Buddhist explanation of the universal mystery
+quite as plausible as any other. "None but very hasty thinkers,"
+wrote the late Professor Huxley, "will reject it on the ground of
+inherent absurdity. Like the doc-trine of evolution itself, that
+of transmigration has its roots in the world of reality; and it
+may claim such support as the great argument from analogy is
+capable of supplying(1)."
+
+Now this support, as given by Professor Huxley, is singularly
+strong. It offers us no glimpse of a single soul flitting from
+darkness to light, from death to rebirth, through myriads of
+millions of years; but it leaves the main idea of pre-existence
+almost exactly in the form enunciated by the Buddha himself. In
+the Oriental doctrine, the psychical personality, like the
+individual body, is an aggregate doomed to disintegration By
+psychical personality I mean here that which distinguishes mind
+from mind,--the "me" from the "you": that which we call self. To
+Buddhism this is a temporary composite of illusions. What makes
+it is the karma. What reincarnates is the karma,--the sum-total
+of the acts and thoughts of countless anterior existences,--each
+existences,--each one of which, as an integer in some great
+spiritual system of addition and subtraction, may affect all the
+rest. Like a magnetism, the karma is transmitted from form to
+form, from phenomenon to phenomenon, determining conditions by
+combinations. The ultimate mystery of the concentrative and
+creative effects of karma the Buddhist acknowledges to be
+inscrutable; but the cohesion of effects he declares to be
+produced by tanha, the desire of life, corresponding to what
+Schopenhauer called the "will" to live. Now we find in Herbert
+Spencer's "Biology" a curious parallel for this idea. He explains
+the transmission of tendencies, and their variations, by a theory
+of polarities,--polarities of the physiological unit between
+this theory of polarities and the Buddhist theory of tanha, the
+difference is much less striking than the resemblance. Karma or
+heredity, tanha or polarity, are inexplicable as to their
+ultimate nature: Buddhism and Science are here at one. The fact
+worthy of attention is that both recognize the same phenomena
+under different names.
+
+(1) Evolution and Ethics, p.61 (ed 1894).
+
+
+V
+
+The prodigious complexity of the methods by which Science has
+arrived at conclusions so strangely in harmony with the ancient
+thought of the East, may suggest the doubt whether those
+conclusions could ever be made clearly comprehensible to the mass
+of Western minds. Certainly it would seem that just as the real
+doctrines of Buddhism can be taught to the majority of believers
+through forms only, so the philosophy of science can be
+communicated to the masses through suggestion only,--suggestion
+of such facts, or arrangements of fact, as must appeal to any
+naturally intelligent mind. But the history of scientific
+progress assures the efficiency of this method; and there is no
+strong reason for the supposition that, because the processes of
+the higher science remain above the mental reach of the
+unscientific classes, the conclusions of that science will not be
+generally accepted. The dimensions and weights of planets; the
+distances and the composition of stars; the law of gravitation;
+the signification of heat, light, and color; the nature of sound,
+and a host of other scientific discoveries, are familiar to
+thousands quite ignorant of the details of the methods by which
+such knowledge was obtained. Again we have evidence that every
+great progressive movement of science during the century has been
+followed by considerable modifications of popular beliefs.
+Already the churches, though clinging still to the hypothesis of
+a specially-created soul, have accepted the main doctrine of
+physical evolution; and neither fixity of belief nor intellectual
+retrogression can be rationally expected in the immediate future.
+Further changes of religious ideas are to be looked for; and it
+is even likely that they will be effected rapidly rather than
+slowly. Their exact nature, indeed, cannot be predicted; but
+existing intellectual tendencies imply that the doctrine of.
+psychological evolution must be accepted, though not at once so
+as to set any final limit to ontological speculation; and that
+the whole conception of the Ego will be eventually transformed
+through the consequently developed idea of pre-existence.
+
+
+VI
+
+More detailed consideration of these probabilities may be
+ventured. They will not, perhaps, be acknowledged as
+probabilities by persons who regard science as a destroyer rather
+than a modifier. But such thinkers forget that religious feeling
+is something infinitely more profound than dogma; that it
+survives all gods and all forms of creed; and that it only widens
+and deepens and gathers power with intellectual expansion. That
+as mere doctrine religion will ultimately pass away is a
+conclusion to which the study of evolution leads; but that
+religion as feeling, or even as faith in the unknown power
+shaping equally a brain or a constellation, can ever utterly die,
+is not at present conceivable. Science wars only upon erroneous
+interpretations of phenomena; it only magnifies the cosmic
+mystery, and proves that everything, however minute, is
+infinitely wonderful and incomprehensible. And it is this
+indubitable tendency of science to broaden beliefs and to magnify
+cosmic emotion which justifies the supposition that future
+modifications of Western religious ideas will be totally unlike
+any modifications effected in the past; that the Occidental
+conception of Self will orb into something akin to the Oriental
+conception of Self; and that all present petty metaphysical
+notions of personality and individuality as realities per se will
+be annihilated. Already the growing popular comprehension of the
+facts of heredity, as science teaches them, indicates the path by
+which some, at least, of these modifications will be reached. In
+the coming contest over the great question of psychological
+evolution, common intelligence will follow Science along the line
+of least resistance; and that line will doubtless be the study of
+heredity, since the phenomena to be considered, however in
+themselves uninterpretable, are familiar to general experience,
+and afford partial answers to countless old enigmas. It is thus
+quite possible to imagine a coming form of Western religion
+supported by the whole power of synthetic philosophy, differing
+from Buddhism mainly in the greater exactness of its conceptions,
+holding the soul as a composite, and teaching a new spiritual law
+resembling the doctrine of karma.
+
+An objection to this idea will, however, immediately present
+itself to many minds. Such a modification of belief, it will be
+averred, would signify the sudden conquest and transformation of
+feelings by ideas. "The world," says Herbert Spencer, "is not
+governed by ideas, but by feelings, to which ideas serve only as
+guides." How are the notions of a change, such as that supposed,
+to be reconciled with common knowledge of existing religious
+sentiment in the West, and the force of religious emotionalism?
+
+Were the ideas of pre-existence and of the soul as multiple
+really antagonistic to Western religious sentiment, no
+satisfactory answer could be made. But are they so antagonistic?
+The idea of pre-existence certainly is not; the Occidental mind
+is already prepared for it. It is true that the notion of Self as
+a composite, destined to dissolution, may seem little better than
+the materialistic idea of annihilation,--at least to those still
+unable to divest themselves of the old habits of thought.
+Nevertheless, impartial reflection will show that there is no
+emotional reason for dreading the disintegration of the Ego.
+Actually, though unwittingly, it is for this very disintegration
+that Christians and Buddhists alike perpetually pray. Who has not
+often wished to rid himself of the worse parts of his nature, of
+tendencies to folly or to wrong, of impulses to say or do unkind
+things,--of all that lower inheritance which still clings about
+the higher man, and weighs down his finest aspirations? Yet that
+of which we so earnestly desire the separation, the elimination,
+the death, is not less surely a part of psychological
+inheritance, of veritable Self, than are those younger and larger
+faculties which help to the realization of noble ideals. Rather
+than an end to be feared, the dissolution of Self is the one
+object of all objects to which our efforts should be turned. What
+no new philosophy can forbid us to hope is that the best elements
+of Self will thrill on to seek loftier affinities, to enter into
+grander and yet grander combinations, till the supreme revelation
+comes, and we discern, through infinite vision,--through the
+vanishing of all Self,--the Absolute Reality.
+
+For while we know that even the so-called elements themselves are
+evolving, we have no proof that anything utterly dies. That we
+are is the certainty that, we have been and will be. We have
+survived countless evolutions, countless universes. We know that
+through the Cosmos all is law. No chance decides what units shall
+form the planetary core, or what shall feel the sun; what shall
+be locked in granite and basalt, or shall multiply in plant and
+in animal. So far as reason can venture to infer from analogy,
+the cosmical history of every ultimate unit, psychological or
+physical, is determined just as surely and as exactly as in the
+Buddhist doctrine of karma.
+
+
+VII
+
+The influence of Science will not be the only factor in the
+modification of Western religious beliefs: Oriental philosophy
+will certainly furnish another. Sanscrit, Chinese, and Pali
+scholarship, and the tireless labor of philologists in all parts
+of the East, are rapidly familiarizing Europe and America with
+all the great forms of Oriental thought; Buddhism is being
+studied with interest throughout the Occident; and the results of
+these studies are yearly showing themselves more and more
+definitely in the mental products of the highest culture. The
+schools of philosophy are not more visibly affected than the
+literature of the period. Proof that a reconsideration of the
+problem of the Ego is everywhere forcing itself upon Occidental
+minds, may be found not only in the thoughtful prose of the time,
+but even in its poetry and its romance. Ideas impossible a
+generation ago are changing current thought, destroying old
+tastes, and developing higher feelings. Creative art, working
+under larger inspiration, is telling what absolutely novel and
+exquisite sensations, what hitherto unimaginable pathos, what
+marvelous deepening of emotional power, may be gained in
+literature with the recognition of the idea of pre-existence.
+Even in fiction we learn that we have been living in a hemisphere
+only; that we have been thinking but half-thoughts; that we need
+a new faith to join past with future over the great parallel of
+the present, and so to round out our emotional world into a
+perfect sphere. The clear conviction that the self is multiple,
+however paradoxical the statement seem, is the absolutely
+necessary step to the vaster conviction that the many are One,
+that life is unity, that there is no finite, but only infinite.
+Until that blind pride which imagines Self unique shall have been
+broken down, and the feeling of self and of selfishness shall
+have been utterly decomposed, the knowledge of the Ego as
+infinite,--as the very Cosmos,--never can be reached.
+
+
+Doubtless the simple emotional conviction that we have been in
+the past will be developed long before the intellectual
+conviction that the Ego as one is a fiction of selfishness. But
+the composite nature of Self must at last be acknowledged, though
+its mystery remain. Science postulates a hypothetical
+psychological unit as well as a hypothetical physiological unit;
+but either postulated entity defies the uttermost power of
+mathematical estimate,--seems to resolve itself into pure
+ghostliness. The chemist, for working purposes, must imagine an
+ultimate atom; but the fact of which the imagined atom is the
+symbol may be a force centre only,--nay, a void, a vortex, an
+emptiness, as in Buddhist concept. "_Form is emptiness, and
+emptiness is form. What is form, that is emptiness; what is
+emptiness, that is form. Perception and conception, name and
+knowledge,--all these are emptiness._" For science and for
+Buddhism alike the cosmos resolves itself into a vast
+phantasmagoria,--a mere play of unknown and immeasurable forces.
+Buddhist faith, however, answers the questions "Whence?" and
+"Whither?" in its own fashion, and predicts in every great cycle
+of evolution a period of spiritual expansion in which the memory
+of former births returns, and all the future simultaneously opens
+before the vision unveiled, even to the heaven of heavens.
+Science here remains dumb. But her silence is the Silence of the
+Gnostics,--Sige, the Daughter of Depth and the Mother of Spirit.
+
+What we may allow ourselves to believe, with the full consent of
+Science, is that marvelous revelations await us. Within recent
+time new senses and powers have been developed,--the sense of
+music, the ever-growing faculties of the mathematician.
+Reasonably it may be expected that still higher unimaginable
+faculties will be evolved in our descendants. Again it is known
+that certain mental capacities, undoubtedly inherited, develop in
+old age only; and the average life of the human race is steadily
+lengthening. With increased longevity there surely may come into
+sudden being, through the unfolding of the larger future brain,
+powers not less wonderful than the ability to remember former
+births. The dreams of Buddhism can scarcely be surpassed, because
+they touch the infinite; but who can presume to say they never
+will be realized?
+
+NOTE.
+
+It may be necessary to remind some of those kind enough to read
+the foregoing that the words "soul," "self," "ego,"
+"transmigration," "heredity," although freely used by me, convey
+meanings entirely foreign to Buddhist philosophy, "Soul," in the
+English sense of the word, does not exist for the Buddhist.
+"Self" is an illusion, or rather a plexus of illusions.
+"Transmigration," as the passing of soul from one body to
+another, is expressly denied in Buddhist texts of unquestionable
+authority. It will therefore be evident that the real analogy
+which does exist between the doctrine of karma and the scientific
+facts of heredity is far from complete. Karma signifies the
+survival, not of the same composite individuality, but of its
+tendencies, which recombine to form a new composite
+individuality. The new being does not necessarily take even a
+human form: the karma does not descend from parent to child; it
+is independent of the line of heredity, although physical
+conditions of life seem to depend upon karma. The karma-being of
+a beggar may have rebirth in the body of a king; that of a king
+in the body of a beggar; yet the conditions of either
+reincarnation have been predetermined by the influence of karma.
+
+It will be asked, What then is the spiritual element in each
+being that continues unchanged,--the spiritual kernel, so to
+speak, within the shell of karma,--the power that makes for
+righteousness? If soul and body alike are temporary composites,
+and the karma (itself temporary) the only source of personality,
+what is the worth or meaning of Buddhist doctrine? What is it
+that suffers by karma; what is it that lies within the illusion,
+--that makes progress,--that attains Nirvana? Is it not a self?
+Not in our sense of the word. The reality of what we call self is
+denied by Buddhism. That which forms and dissolves the karma;
+that which makes for righteousness; that which reaches Nirvana,
+is not our Ego in our Western sense of the word. Then what is it?
+It is the divine in each being. It is called in Japanese
+Muga-no-taiga,--the Great Self-without-selfishness. There Is no
+other true self. The self wrapped in illusion is called
+Nyorai-zo,--(Tathagata-gharba),--the Buddha yet unborn, as one in
+a womb. The Infinite exists potentially in every being. That is
+the Reality. The other self is a falsity,---a lie,--a mirage. The
+doctrine of extinction refers only to the extinction of
+Illusions; and those sensations and feelings and thoughts, which
+belong to this life of the flesh alone, are the illusions which
+make the complex illusive self. By the total decomposition of
+this false self,--as by a tearing away of veils, the Infinite
+Vision comes. There is no "soul": the Infinite All-Soul is the
+only eternal principle in any being;--all the rest is dream.
+
+What remains in Nirvana? According to one school of Buddhism
+potential identity in the infinite,--so that a Buddha, after
+having reached Nirvana, can return to earth. According to
+another, identity more than potential, yet not in our sense
+"personal." A Japanese friend says:--"I take a piece of gold, and
+say it is one. But this means that it produces on my visual
+organs a single impression. Really in the multitude of atoms
+composing it each atom is nevertheless distinct and separate, and
+independent of every other atom. In Buddhahood even so are united
+psychical atoms innumerable. They are one as to condition;--yet
+each has its own independent existence."
+
+But in Japan the primitive religion has so affected the common
+class of Buddhist beliefs that it is not incorrect to speak of
+the Japanese "idea of self." It is only necessary that the
+popular Shinto idea be simultaneously considered. In Shinto we
+have the plainest possible evidence of the conception of soul.
+But this soul is a composite,--not a mere "bundle of sensations,
+perceptions, and volitions," like the karma-being, but a number
+of souls united to form one ghostly personality. A dead man's
+ghost may appear as one or as many. It can separate its units,
+each of which remains capable of a special independent action.
+Such separation, however, appears to be temporary, the various
+souls of the composite naturally cohering even after death, and
+reuniting after any voluntary separation. The vast mass of the
+Japanese people are both Buddhists and Shintoists; but the
+primitive beliefs concerning the self are certainly the most
+powerful, and in the blending of the two faiths remain distinctly
+recognizable. They have probably supplied to common imagination a
+natural and easy explanation of the difficulties of the
+karma-doctrine, though to what extent I am not prepared to say.
+Be it also observed that in the primitive as well as in the
+Buddhist form of belief the self is not a principle transmitted
+from parent to offspring,--not an inheritance always dependent
+upon physiological descent.
+
+These facts will indicate how wide is the difference between
+Eastern ideas and our own upon the subject of the preceding
+essay. They will also show that any general consideration of the
+real analogies existing between this strange combination of
+Far-Eastern beliefs and the scientific thought of the nineteenth
+century could scarcely be made intelligible by strict
+philosophical accuracy in the use of terms relating to the idea
+of self. Indeed, there are no European words capable of rendering
+the exact meaning of the Buddhist terms belonging to Buddhist
+Idealism.
+
+
+Perhaps it may be regarded as illegitimate to wander from that
+position so tersely enunciated by Professor Huxley in his essay
+on "Sensation and the Sensiferous Organs:" "In ultimate analysis
+it appears that a sensation is the equivalent in terms of
+consciousness for a mode of motion of the matter of the
+sensorium. But if inquiry is pushed a stage further, and the
+question is asked, What, then, do we know about matter and
+motion? there is but one reply possible. All we know about motion
+is that it is a name for certain changes in the relations of our
+visual, tactile, and muscular sensations; and all we know about
+matter is that it is the hypothetical substance of physical
+phenomena, _the assumption of which is as pure a piece of
+metaphysical speculation as is that of a substance of mind_." But
+metaphysical speculation certainly will not cease because of
+scientific recognition that ultimate truth is beyond the utmost
+possible range of human knowledge. Rather, for that very reason,
+it will continue. Perhaps it will never wholly cease. Without it
+there can be no further modification of religious beliefs, and
+without modifications there can be no religious progress in
+harmony with scientific thought. Therefore, metaphysical
+speculation seems to me not only justifiable, but necessary.
+
+Whether we accept or deny a _substance_ of mind; whether we
+imagine thought produced by the play of some unknown element
+through the cells of the brain, as music is made by the play of
+wind through the strings of a harp; whether we regard the motion
+itself as a special mode of vibration inherent in and peculiar to
+the units of the cerebral structure,--still the mystery is
+infinite, and still Buddhism remains a noble moral working-
+hypothesis, in deep accord with the aspirations of mankind and
+with the laws of ethical progression. Whether we believe or
+disbelieve in the reality of that which is called the material
+universe, still the ethical significance of the inexplicable laws
+of heredity--of the transmission of both racial and personal
+tendencies in the unspecialized reproductive cell--remains to
+justify the doctrine of karma. Whatever be that which makes
+consciousness, its relation to all the past and to all the future
+is unquestionable. Nor can the doctrine of Nirvana ever cease to
+command the profound respect of the impartial thinker. Science
+has found evidence that known substance is not less a product of
+evolution than mind,--that all our so-called "elements" have been
+evolved out of "one primary undifferentiated form of matter." And
+this evidence is startlingly suggestive of some underlying truth
+in the Buddhist doctrine of emanation and illusion,--the
+evolution of all forms from the Formless, of all material
+phenomena from immaterial Unity,--and the ultimate return of all
+into "that state which is empty of lusts, of malice, of
+dullness,--that state in which the excitements of individuality
+are known no more, and which is therefore designated THE VOID
+SUPREME."
+
+
+
+XIII
+
+IN CHOLERA-TIME
+
+I
+
+China's chief ally in the late war, being deaf and blind, knew
+nothing, and still knows nothing, of treaties or of peace. It
+followed the returning armies of Japan, invaded the victorious
+empire, and killed about thirty thousand people during the hot
+season. It is still slaying; and the funeral pyres burn
+continually. Sometimes the smoke and the odor come wind-blown
+into my garden down from the hills behind the town, just to
+remind me that the cost of burning an adult of my own size is
+eighty sen,--about half a dollar in American money at the present
+rate of exchange.
+
+From the upper balcony of my house, the whole length of a
+Japanese street, with its rows of little shops, is visible down
+to the bay. Out of various houses in that street I have seen
+cholera-patients conveyed to the hospital,--the last one (only
+this morning) my neighbor across the way, who kept a porcelain
+shop. He was removed by force, in spite of the tears and cries of
+his family. The sanitary law forbids the treatment of cholera in
+private houses; yet people try to hide their sick, in spite of
+fines and other penalties, because the public cholera-hospitals
+are overcrowded and roughly managed, and the patients are
+entirely separated from all who love them. But the police are not
+often deceived: they soon discover unreported cases, and come
+with litters and coolies. It seems cruel; but sanitary law must
+be cruel. My neighbor's wife followed the litter, crying, until
+the police obliged her to return to her desolate little shop. It
+is now closed up, and will probably never be opened again by the
+owners.
+
+Such tragedies end as quickly as they begin. The bereaved, so
+soon as the law allows, remove their pathetic belongings, and
+disappear; and the ordinary life of the street goes on, by day
+and by night, exactly as if nothing particular had happened.
+Itinerant venders, with their bamboo poles and baskets or buckets
+or boxes, pass the empty houses, and utter their accustomed
+cries; religious processions go by, chanting fragments of sutras;
+the blind shampooer blows his melancholy whistle; the private
+watchman makes his heavy staff boom upon the gutter-flags; the
+boy who sells confectionery still taps his drum, and sings a
+love-song with a plaintive sweet voice, like a girl's:--
+
+"_You and I together_.... I remained long; yet in the moment of
+going I thought I had only just come.
+
+"_You and I together_.... Still I think of the tea. Old or new
+tea of Uji it might have seemed to others; but to me it was
+Gyokoro tea, of the beautiful yellow of the yamabuki flower.
+
+"_You and I together_.... I am the telegraph-operator; you are
+the one who waits the message. I send my heart, and you receive
+it. What care we now if the posts should fall, if the wires be
+broken?"
+
+And the children sport as usual. They chase one another with
+screams and laughter; they dance in chorus; they catch
+dragon-flies and tie them to long strings; they sing burdens of
+the war, about cutting off Chinese heads:--
+
+"_Chan-chan bozu no
+Kubi wo hane!_"
+
+Sometimes a child vanishes; but the survivers continue their
+play. And this is wisdom.
+
+
+It costs only forty-four sen to burn a child. The son of one of
+my neighbors was burned a few days ago. The little stones with
+which he used to play lie there in the sun just as he left
+them.... Curious, this child-love of stones! Stones are the toys
+not only of the children of the poor, but of all children at one
+period of existence: no matter how well supplied with other
+playthings, every Japanese child wants sometimes to play with
+stones. To the child-mind a stone is a marvelous thing, and ought
+so to be, since even to the understanding of the mathematician
+there can be nothing more wonderful than a common stone. The tiny
+urchin suspects the stone to be much more than it seems, which is
+an excellent suspicion; and if stupid grown-up folk did not
+untruthfully tell him that his plaything is not worth thinking
+about, he would never tire of it, and would always be finding
+something new and extraordinary in it. Only a very great mind
+could answer all a child's questions about stones.
+
+According to popular faith, my neighbor's darling is now playing
+with small ghostly stones in the Dry Bed of the River of Souls,
+--wondering, perhaps, why they cast no shadows. The true poetry
+in the legend of the Sai-no-Kawara is the absolute naturalness of
+its principal idea,--the phantom-continuation of that play which
+all little Japanese children play with stones.
+
+
+II
+
+The pipe-stem seller used to make his round with two large boxes
+suspended from a bamboo pole balanced upon his shoulder:
+one box containing stems of various diameters, lengths, and
+colors, together with tools for fitting them into metal pipes;
+and the other box containing a baby,--his own baby. Sometimes I
+saw it peeping over the edge of the box, and smiling at the
+passers-by; sometimes I saw it lying, well wrapped up and fast
+asleep, in the bottom of the box; sometimes I saw it playing with
+toys. Many people, I was told, used to give it toys. One of the
+toys bore a curious resemblance to a mortuary tablet (ihai); and
+this I always observed in the box, whether the child were asleep
+or awake.
+
+The other day I discovered that the pipe-stem seller had
+abandoned his bamboo pole and suspended boxes. He was coming up
+the street with a little hand-cart just big enough to hold his
+wares and his baby, and evidently built for that purpose in two
+compartments. Perhaps the baby had become too heavy for the more
+primitive method of conveyance. Above the cart fluttered a small
+white flag, bearing in cursive characters the legend _Ki-seru-rao
+kae_ (pipe-stems exchanged), and a brief petition for "honorable
+help," _O-tasuke wo negaimasu_. The child seemed well and happy;
+and I again saw the tablet-shaped object which had so often
+attracted my notice before. It was now fastened upright to a high
+box in the cart facing the infant's bed. As I watched the cart
+approaching, I suddenly felt convinced that the tablet was really
+an ihai: the sun shone full upon it, and there was no mistaking
+the conventional Buddhist text. This aroused my curiosity; and I
+asked Manyemon to tell the pipe-stem seller that we had a number
+of pipes needing fresh stems,--which was true. Presently the
+cartlet drew up at our gate, and I went to look at it.
+
+The child was not afraid, even of a foreign face,--a pretty boy.
+He lisped and laughed and held out his arms, being evidently used
+to petting; and while playing with him I looked closely at the
+tablet. It was a Shinshu ihai, bearing a woman's kaimyo, or
+posthumous name; and Manyemon translated the Chinese characters
+for me: _Revered and of good rank in the Mansion of Excellence,
+the thirty-first day of the third month of the twenty-eighth year
+of Meiji_. Meantime a servant had fetched the pipes which needed
+new stems; and I glanced at the face of the artisan as he worked.
+It was the face of a man past middle age, with those worn,
+sympathetic lines about the mouth, dry beds of old smiles, which
+give to so many Japanese faces an indescribable expression of
+resigned gentleness. Presently Manyemon began to ask questions;
+and when Manyemon asks questions, not to reply is possible for
+the wicked only. Sometimes behind that dear innocent old head I
+think I see the dawning of an aureole,--the aureole of the
+Bosatsu.
+
+The pipe-stem seller answered by telling his story. Two months
+after the birth of their little boy, his wife had died. In the
+last hour of her illness she had said: "From what time I die till
+three full years be past I pray you to leave the child always
+united with the Shadow of me: never let him be separated from my
+ihai, so that I may continue to care for him and to nurse him--
+since thou knowest that he should have the breast for three
+years. This, my last asking, I entreat thee, do not forget." But
+the mother being dead, the father could not labor as he had been
+wont to do, and also take care of so young a child, requiring
+continual attention both night and day; and he was too poor to
+hire a nurse. So he took to selling pipe-stems, as he could thus
+make a little money without leaving the child even for a minute
+alone. He could not afford to buy milk; but he had fed the boy
+for more than a year with rice gruel and ame syrup.
+
+I said that the child looked very strong, and none the worse for
+lack of milk.
+
+"That," declared Manyemon, in a tone of conviction bordering on
+reproof, "is because the dead mother nurses him. How should he
+want for milk?"
+
+And the boy laughed softly, as if conscious of a ghostly caress.
+
+
+
+XIV
+
+SOME THOUGHTS ABOUT ANCESTOR-WORSHIP
+
+"For twelve leagues, Ananda, around the Sala-Grove, there is no
+spot in size even as the pricking of the point of the tip of a
+hair, which is not pervaded by powerful spirits."
+--The Book Of the Great Decease.
+
+I
+
+The truth that ancestor-worship, in various unobtrusive forms,
+still survives in some of the most highly civilized countries of
+Europe, is not so widely known as to preclude the idea that any
+non-Aryan race actually practicing so primitive a cult must
+necessarily remain in the primitive stage of religious thought.
+Critics of Japan have pronounced this hasty judgment; and have
+professed themselves unable to reconcile the facts of her
+scientific progress, and the success of her advanced educational
+system, with the continuance of her ancestor-worship. How can the
+beliefs of Shinto coexist with the knowledge of modern science?
+How can the men who win distinction as scientific specialists
+still respect the household shrine or do reverence before the
+Shinto parish-temple? Can all this mean more than the ordered
+conservation of forms after the departure of faith? Is it not
+certain that with the further progress of education, Shinto, even
+as ceremonialism, must cease to exist?
+
+Those who put such questions appear to forget that similar
+questions might be asked about the continuance of any Western
+faith, and similar doubts expressed as to the possibility of its
+survival for another century. Really the doctrines of Shinto are
+not in the least degree more irreconcilable with modern science
+than are the doctrines of Orthodox Christianity. Examined with
+perfect impartiality, I would even venture to say that they are
+less irreconcilable in more respects than one. They conflict less
+with our human ideas of justice; and, like the Buddhist doctrine
+of karma, they offer some very striking analogies with the
+scientific facts of heredity,--analogies which prove Shinto to
+contain an element of truth as profound as any single element of
+truth in any of the world's great religions. Stated in the
+simplest possible form, the peculiar element of truth in Shinto
+is the belief that the world of the living is directly governed
+by the world of the dead.
+
+That every impulse or act of man is the work of a god, and that
+all the dead become gods, are the basic ideas of the cult. It
+must be remembered, however, that the term Kami, although
+translated by the term deity, divinity, or god, has really no
+such meaning as that which belongs to the English words: it has
+not even the meaning of those words as referring to the antique
+beliefs of Greece and Rome. It signifies that which is "above,"
+"superior," "upper," "eminent," in the non-religious sense; in
+the religious sense it signifies a human spirit having obtained
+supernatural power after death. The dead are the "powers above,"
+the "upper ones,"--the Kami. We have here a conception resembling
+very strongly the modern Spiritualistic notion of ghosts, only
+that the Shinto idea is in no true sense democratic. The Kami are
+ghosts of greatly varying dignity and power,--belonging to
+spiritual hierarchies like the hierarchies of ancient Japanese
+society. Although essentially superior to the living in certain
+respects, the living are, nevertheless, able to give them
+pleasure or displeasure, to gratify or to offend them,--even
+sometimes to ameliorate their spiritual condition. Wherefore
+posthumous honors are never mockeries, but realities, to the
+Japanese mind. During the present year(1), for example, several
+distinguished statesmen and soldiers were raised to higher rank
+immediately after their death; and I read only the other day, in
+the official gazette, that "His Majesty has been pleased to
+posthumously confer the Second Class of the Order of the Rising
+Sun upon Major-General Baron Yamane, who lately died in Formosa."
+Such imperial acts must not be regarded only as formalities
+intended to honor the memory of brave and patriotic men; neither
+should they be thought of as intended merely to confer
+distinction upon the family of the dead. They are essentially of
+Shinto, and exemplify that intimate sense of relation between the
+visible and invisible worlds which is the special religious
+characteristic of Japan among all civilized countries. To
+Japanese thought the dead are not less real than the living. They
+take part in the daily life of the people,--sharing the humblest
+sorrows and the humblest joys. They attend the family repasts,
+watch over the well-being of the household, assist and rejoice in
+the prosperity of their descendants. They are present at the
+public pageants, at all the sacred festivals of Shinto, at the
+military games, and at all the entertainments especially provided
+for them. And they are universally thought of as finding pleasure
+in the offerings made to them or the honors conferred upon them.
+
+For the purpose of this little essay, it will be sufficient to
+consider the Kami as the spirits of the dead,--without making any
+attempt to distinguish such Kami from those primal deities
+believed to have created the land. With this general
+interpretation of the term Kami, we return, then, to the great
+Shinto idea that all the dead still dwell in the world and rule
+it; influencing not only the thoughts and the acts of men, but
+the conditions of nature. "They direct," wrote Motowori, "the
+changes of the seasons, the wind and the rain, the good and the
+bad fortunes of states and of individual men." They are, in
+short, the viewless forces behind all phenomena.
+
+(1) Written in September, 1896.
+
+
+
+II
+
+The most interesting sub-theory of this ancient spiritualism is
+that which explains the impulses and acts of men as due to the
+influence of the dead. This hypothesis no modern thinker can
+declare irrational, since it can claim justification from the
+scientific doctrine of psychological evolution, according to
+which each living brain represents the structural work of
+innumerable dead lives,--each character a more or less
+imperfectly balanced sum of countless dead experiences with good
+and evil. Unless we deny psychological heredity, we cannot
+honestly deny that our impulses and feelings, and the higher
+capacities evolved through the feelings, have literally been
+shaped by the dead, and bequeathed to us by the dead; and even
+that the general direction of our mental activities has been
+determined by the power of the special tendencies bequeathed to
+us. In such a sense the dead are indeed our Kami and all our
+actions are truly influenced by them. Figuratively we may say
+that every mind is a world of ghosts,--ghosts incomparably more
+numerous than the acknowledged millions of the higher Shinto Kami
+and that the spectral population of one grain of brain-matter
+more than realizes the wildest fancies of the medieval schoolmen
+about the number of angels able to stand on the point of a
+needle. Scientifically we know that within one tiny living cell
+may be stored up the whole life of a race,--the sum of all the
+past sensation of millions of years; perhaps even (who knows?) of
+millions of dead planets.
+
+But devils would not be inferior to angels in the mere power of
+congregating upon the point of a needle. What, of bad men and of
+bad acts in this theory of Shinto? Motowori made answer;
+"Whenever anything goes wrong in the world, it is to be
+attributed to the action of the evil gods called the Gods of
+Crookedness, whose power is so great that the Sun-Goddess and the
+Creator-God are sometimes powerless to restrain them; much less
+are human beings always able to resist their influence. The
+prosperity of the wicked, and the misfortunes of the good, which
+seem opposed to ordinary justice, are thus explained." All bad
+acts are due to the influence of evil deities; and evil men may
+become evil Kami. There are no self-contradictions in this
+simplest of cults(1),--nothing complicated or hard to be
+understood. It is not certain that all men guilty of bad actions
+necessarily become "gods of crookedness," for reasons hereafter
+to be seen; but all men, good or bad, become Kami, or influences.
+And all evil acts are the results of evil influences.
+
+Now this teaching is in accord with certain facts of heredity.
+Our best faculties are certainly bequests from the best of our
+ancestors; our evil qualities are inherited from natures in which
+evil, or that which we now call evil, once predominated. The
+ethical knowledge evolved within us by civilization demands that
+we strengthen the high powers bequeathed us by the best
+experience of our dead, and diminish the force of the baser
+tendencies we inherit. We are under obligation to reverence and
+to obey our good Kami, and to strive against our gods of
+crookedness. The knowledge of the existence of both is old as
+human reason. In some form or other, the doctrine of evil and of
+good spirits in personal attendance upon every soul is common to
+most of the great religions. Our own mediaeval faith developed
+the idea to a degree which must leave an impress on our language
+for all time; yet the faith in guardian angels and tempting
+demons evolutionarily represents only the development of a cult
+once simple as the religion of the Kami. And this theory of
+mediaeval faith is likewise pregnant with truth. The white-winged
+form that whispered good into the right ear, the black shape that
+murmured evil into the left, do not indeed walk beside the man of
+the nineteenth century, but they dwell within his brain; and he
+knows their voices and feels their urging as well and as often as
+did his ancestors of the Middle Ages.
+
+The modern ethical objection to Shinto is that both good and evil
+Kami are to be respected. "Just as the Mikado worshiped the gods
+of heaven and of earth, so his people prayed to the good gods in
+order to obtain blessings, and performed rites in honor of the
+bad gods to avert their displeasure.... As there are bad as well
+as good gods, it is necessary to propitiate them with offerings
+of agreeable food, with the playing of harps and the blowing of
+flutes, with singing and dancing, and with whatever else is
+likely to put them in good-humor(2)." As a matter of fact, in
+modern Japan, the evil Kami appear to receive few offerings or
+honors, notwithstanding this express declaration that they are to
+be propitiated. But it will now be obvious why the early
+missionaries characterized such a cult as devil-worship,
+--although, to Shinto imagination, the idea of a devil, in the
+Western meaning of the word, never took shape. The seeming
+weakness of the doctrine is in the teaching that evil spirits are
+not to be warred upon,--a teaching essentially
+repellent to Roman Catholic feeling. But between the evil spirits
+of Christian and of Shinto belief there is a vast difference. The
+evil Kami is only the ghost of a dead man, and is not believed to
+be altogether evil,--since propitiation is possible. The
+conception of absolute, unmixed evil is not of the Far East.
+Absolute evil is certainly foreign to human nature, and therefore
+impossible in human ghosts. The evil Kami are not devils. They
+are simply ghosts, who influence the passions of men; and only in
+this sense the deities of the passions. Now Shinto is of all
+religions the most natural, and therefore in certain respects the
+most rational. It does not consider the passions necessarily evil
+in themselves, but evil only according to cause, conditions, and
+degrees of their indulgence. Being ghosts, the gods are
+altogether human,--having the various good and bad qualities of
+men in varying proportions. The majority are good, and the sum of
+the influence of all is toward good rather than evil. To
+appreciate the rationality of this view requires a tolerably high
+opinion of mankind,--such an opinion as the conditions of the old
+society of Japan might have justified. No pessimist could profess
+pure Shintoism. The doctrine is optimistic; and whoever has a
+generous faith in humanity will have no fault to find with the
+absence of the idea of implacable evil from its teaching.
+
+Now it is just in the recognition of the necessity for
+propitiating the evil ghosts that the ethically rational
+character of Shinto reveals itself. Ancient experience and modern
+knowledge unite in warning us against the deadly error of trying
+to extirpate or to paralyze certain tendencies in human
+nature,--tendencies which, if morbidly cultivated or freed from
+all restraint, lead to folly, to crime, and to countless social
+evils. The animal passions, the ape-and-tiger impulses, antedate
+human society, and are the accessories to nearly all crimes
+committed against it. But they cannot be killed; and they cannot
+be safely starved. Any attempt to extirpate them would signify
+also an effort to destroy some of the very highest emotional
+faculties with which they remain inseparably blended. The
+primitive impulses cannot even be numbed save at the cost of
+intellectual and emotional powers which give to human life all
+its beauty and all its tenderness, but which are, nevertheless,
+deeply rooted in the archaic soil of passion. The highest in us
+had its beginnings in the lowest. Asceticism, by warring against
+the natural feelings, has created monsters. Theological
+legislation, irrationally directed against human weaknesses, has
+only aggravated social disorders; and laws against pleasure have
+only provoked debaucheries. The history of morals teaches very
+plainly indeed that our bad Kami require some propitiation. The
+passions still remain more powerful than the reason in man,
+because they are incomparably older,--because they were once
+all-essential to self-preservation,-because they made that primal
+stratum of consciousness, out of which the nobler sentiments have
+slowly grown. Never can they be suffered to rule; but woe to
+whosoever would deny their immemorial rights!
+
+(1) I am considering only the pure Shinto belief as expounded by
+Shinto scholars. But it may be necessary to remind the reader
+that both Buddhism and Shintoism are blended in Japan, not only
+with each other, but with Chinese ideas of various kinds. It is
+doubtful whether the pure Shinto ideas now exist in their
+original form in popular belief. We are not quite clear as to the
+doctrine of multiple souls in Shinto,--whether the psychical
+combination was originally thought of as dissolved by death. My
+own opinion, the result of investigation in different parts of
+Japan, is that the multiple soul was formerly believed to remain
+multiple after death.
+
+(2) Motowori, translated by Satow.
+
+
+III
+
+Out of these primitive, but--as may now be perceived--not
+irrational beliefs about the dead, there have been evolved moral
+sentiments unknown to Western civilization. These are well worth
+considering, as they will prove in harmony with the most advanced
+conception of ethics,--and especially with that immense though
+yet indefinite expansion of the sense of duty which has followed
+upon the understanding of evolution. I do not know that we have
+any reason to congratulate ourselves upon the absence from our
+lives of the sentiments in question;--I am even inclined to think
+that we may yet find it morally necessary to cultivate sentiments
+of the same kind. One of the surprises of our future will
+certainly be a return to beliefs and ideas long ago abandoned
+upon the mere assumption that they contained no truth,--belief
+still called barbarous, pagan, mediaeval, by those who condemn
+them out of traditional habit. Year after year the researches of
+science afford us new proof that the savage, the barbarian, the
+idolater, the monk, each and all have arrived, by different
+paths, as near to some one point of eternal truth as any thinker
+of the nineteenth century. We are now learning, also, that the
+theories of the astrologers and of the alchemists were but
+partially, not totally, wrong. We have reason even to suppose
+that no dream of the invisible world has ever been dreamed,--that
+no hypothesis of the unseen has ever been imagined,--which future
+science will not prove to have contained some germ of reality.
+
+
+Foremost among the moral sentiments of Shinto is that of loving
+gratitude to the past,--a sentiment having no real correspondence
+in our own emotional life. We know our past better than the
+Japanese know theirs;--we have myriads of books recording or
+considering its every incident and condition: but we cannot in
+any sense be said to love it or to feel grateful to it. Critical
+recognitions of its merits and of its defects;--some rare
+enthusiasms excited by its beauties; many strong denunciations of
+its mistakes: these represent the sum of our thoughts and
+feelings about it. The attitude of our scholarship in reviewing
+it is necessarily cold; that of our art, often more than
+generous; that of our religion, condemnatory for the most part.
+Whatever the point of view from which we study it, our attention
+is mainly directed to the work of the dead,--either the visible
+work that makes our hearts beat a little faster than usual while
+looking at it, or the results of their thoughts and deeds in
+relation to the society of their time. Of past humanity as
+unity,--of the millions long-buried as real kindred,--we either
+think not at all, or think only with the same sort of curiosity
+that we give to the subject of extinct races. We do indeed find
+interest in the record of some individual lives that have left
+large marks in history;--our emotions re stirred by the memories
+of great captains, statesmen, discoverers, reformers,--but only
+because the magnitude of that which they accomplished appeals to
+our own ambitions, desires, egotisms, and not at all to our
+altruistic sentiments in ninety-nine cases out of a hundred. The
+nameless dead to whom we owe most we do not trouble ourselves
+about,--we feel no gratitude, no love to them. We even find it
+difficult to persuade ourselves that the love of ancestors can
+possibly be a real, powerful, penetrating, life-moulding,
+religious emotion in any form of human society,--which it
+certainly is in Japan. The mere idea is utterly foreign to our
+ways of thinking, feeling, acting. A partial reason for this, of
+course, is that we have no common faith in the existence of an
+active spiritual relation between our ancestors and ourselves. If
+we happen to be irreligious, we do not believe in ghosts. If we
+are profoundly religious, we think of the dead as removed from us
+by judgment,--as absolutely separated from us during the period
+of our lives. It is true that among the peasantry of Roman
+Catholic countries there still exists a belief that the dead are
+permitted to return to earth once a year,--on the night of All
+Souls. But even according to this belief they are not considered
+as related to the living by any stronger bond than memory; and
+they are thought of,--as our collections of folk-lore bear
+witness,--rather with fear than love.
+
+In Japan the feeling toward the dead is utterly different. It is
+a feeling of grateful and reverential love. It is probably the
+most profound and powerful of the emotions of the race,--that
+which especially directs national life and shapes national
+character. Patriotism belongs to it. Filial piety depends upon
+it. Family love is rooted in it. Loyalty is based upon it. The
+soldier who, to make a path for his comrades through the battle,
+deliberately flings away his life with a shout of "_Teikoku
+manzai!_"--the son or daughter who unmurmuring sacrifices all the
+happiness of existence for the sake, perhaps, of an undeserving
+or even cruel, parent; the partisan who gives up friends, family,
+and fortune, rather than break the verbal promise made in other
+years to a now poverty-stricken master; the wife who
+ceremoniously robes herself in white, utters a prayer, and
+thrusts a sword into her throat to atone for a wrong done to
+strangers by her husband,--all these obey the will and hear the
+approval of invisible witnesses. Even among the skeptical
+students of the new generation, this feeling survives many wrecks
+of faith, and the old sentiments are still uttered: "Never must
+we cause shame to our ancestors;" "it is our duty to give honor
+to our ancestors." During my former engagement as a teacher of
+English, it happened more than once that ignorance of the real
+meaning behind such phrases prompted me to change them in written
+composition. I would suggest, for example, that the expression,
+"to do honor to the memory of our ancestors," was more correct
+than the phrase given. I remember one day even attempting to
+explain why we ought not to speak of ancestors exactly as if they
+were living parents! Perhaps my pupils suspected me of trying to
+meddle with their beliefs; for the Japanese never think of an
+ancestor as having become "only a memory": their dead are alive.
+
+
+Were there suddenly to arise within us the absolute certainty
+that our dead are still with us,--seeing every act, knowing our
+every thought, hearing each word we utter, able to feel sympathy
+with us or anger against us, able to help us and delighted to
+receive our help, able to love us and greatly needing our love,--
+it is quite certain that our conceptions of life and duty would
+be vastly changed. We should have to recognize our obligations to
+the past in a very solemn way. Now, with the man of the Far East,
+the constant presence of the dead has been a matter of conviction
+for thousands of years: he speaks to them daily; he tries to give
+them happiness; and, unless a professional criminal he never
+quite forgets his duty towards them. No one, says Hirata, who
+constantly discharges that duty, will ever be disrespectful to
+the gods or to his living parents. "Such a man will also be loyal
+to his friends, and kind and gentle with his wife and children;
+for the essence of this devotion is in truth filial piety." And
+it is in this sentiment that the secret of much strange feeling
+in Japanese character must be sought. Far more foreign to our
+world of sentiment than the splendid courage with which death is
+faced, or the equanimity with which the most trying sacrifices
+are made, is the simple deep emotion of the boy who, in the
+presence of a Shinto shrine never seen before, suddenly feels the
+tears spring to his eyes. He is conscious in that moment of what
+we never emotionally recognize,--the prodigious debt of the
+present to the past, and the duty of love to the dead.
+
+
+IV
+
+If we think a little about our position as debtors, and our way
+of accepting that position, one striking difference between
+Western and Far-Eastern moral sentiment will become manifest.
+
+
+There is nothing more awful than the mere fact of life as mystery
+when that fact first rushes fully into consciousness. Out of
+unknown darkness we rise a moment into sun-light, look about us,
+rejoice and suffer, pass on the vibration of our being to other
+beings, and fall back again into darkness. So a wave rises,
+catches the light, transmits its motion, and sinks back into sea.
+So a plant ascends from clay, unfolds its leaves to light and
+air, flowers, seeds, and becomes clay again. Only, the wave has
+no knowledge; the plant has no perceptions. Each human life seems
+no more than a parabolic curve of motion out of earth and back to
+earth; but in that brief interval of change it perceives the
+universe. The awfulness of the phenomenon is that nobody knows
+anything about it No mortal can explain this most common, yet
+moat incomprehensible of all facts,--life in itself; yet every
+mortal who can think has been obliged betimes, to think about it
+in relation to self.
+
+I come out of mystery;--I see the sky and the land, men and women
+and their works; and I know that I must return to mystery;--and
+merely what this means not even the greatest of philosophers--not
+even Mr. Herbert Spencer--can tell me. We are all of us riddles
+to ourselves and riddles to each other; and space and motion and
+time are riddles; and matter is a riddle. About the before and
+the after neither the newly-born nor the dead have any message
+for us. The child is dumb; the skull only grins. Nature has no
+consolation for us. Out of her formlessness issue forms which
+return to formlessness,--that is all. The plant becomes clay; the
+clay becomes a plant. When the plant turns to clay, what becomes
+of the vibration which was its life? Does it go on existing
+viewlessly, like the forces that shape spectres of frondage in
+the frost upon a window-pane?
+
+Within the horizon-circle of the infinite enigma, countless
+lesser enigmas, old as the world, awaited the coming of man.
+Oedipus had to face one Sphinx; humanity, thousands of
+thousands,--all crouching among bones along the path of Time, and
+each with a deeper and a harder riddle. All the sphinxes have not
+been satisfied; myriads line the way of the future to devour
+lives yet unborn; but millions have been answered. We are now
+able to exist without perpetual horror because of the relative
+knowledge that guides us, the knowledge won out of the jaws of
+destruction.
+
+All our knowledge is bequeathed knowledge. The dead have left us
+record of all they were able to learn about themselves and the
+world,--about the laws of death and life,--about things to be
+acquired and things to be avoided,--about ways of making
+existence less painful than Nature willed it,--about right and
+wrong and sorrow and happiness,--about the error of selfishness,
+the wisdom of kindness, the obligation of sacrifice. They left us
+information of everything they could find out concerning climates
+and seasons and places,--the sun and moon and stars,--the motions
+and the composition of the universe. They bequeathed us also
+their delusions which long served the good purpose of saving us
+from falling into greater ones. They left us the story of their
+errors and efforts, their triumphs and failures, their pains and
+joys, their loves and hates,--for warning or example. They
+expected our sympathy, because they toiled with the kindest
+wishes and hopes for us, and because they made our world. They
+cleared the land; they extirpated monsters; they tamed and taught
+the animals most useful to us. "_The mother of Kullervo awoke
+within her tomb, and from the deeps of the dust she cried to him,
+--'I have left thee the Dog, tied to a tree, that thou mayest go
+with him to the chase.'_(1)" They domesticated likewise the
+useful trees and plants; and they discovered the places and the
+powers of the metals. Later they created all that we call
+civilization,--trusting us to correct such mistakes as they could
+not help making. The sum of their toil is incalculable; and all
+that they have given us ought surely to be very sacred, very
+precious, if only by reason of the infinite pain and thought
+which it cost. Yet what Occidental dreams of saying daily, like
+the Shinto believer:--"_Ye forefathers of the generations, and of
+our families, and of our kindred,--unto you, the founders of our
+homes, we utter the gladness of our thanks_"?
+
+None. It is not only because we think the dead cannot hear, but
+because we have not been trained for generations to exercise our
+powers of sympathetic mental representation except within a very
+narrow circle,--the family circle. The Occidental family circle
+is a very small affair indeed compared with the Oriental family
+circle. In this nineteenth century the Occidental family is
+almost disintegrated;--it practically means little more than
+husband, wife, and children well under age. The Oriental family
+means not only parents and their blood-kindred, but grandparents
+and their kindred, and great-grandparents, and all the dead
+behind them, This idea of the family cultivates sympathetic
+representation to such a degree that the range of the emotion
+belonging to such representation may extend, as in Japan, to many
+groups and sub-groups of living families, and even, in time of
+national peril, to the whole nation as one great family: a
+feeling much deeper than what we call patriotism. As a religious
+emotion the feeling is infinitely extended to all the past; the
+blended sense of love, of loyalty, and of gratitude is not less
+real, though necessarily more vague, than the feeling to living
+kindred.
+
+In the West, after the destruction of antique society, no such
+feeling could remain. The beliefs that condemned the ancients to
+hell, and forbade the praise of their works,--the doctrine that
+trained us to return thanks for everything to the God of the
+Hebrews,--created habits of thought and habits of
+thoughtlessness, both inimical to every feeling of gratitude to
+the past. Then, with the decay of theology and the dawn of larger
+knowledge, came the teaching that the dead had no choice in their
+work,--they had obeyed necessity, and we had only received from
+them of necessity the results of necessity. And to-day we still
+fail to recognize that the necessity itself ought to compel our
+sympathies with those who obeyed it, and that its bequeathed
+results are as pathetic as they are precious. Such thoughts
+rarely occur to us even in regard to the work of the living who
+serve us. We consider the cost of a thing purchased or obtained
+to ourselves;--about its cost in effort to the producer we do not
+allow ourselves to think: indeed, we should be laughed at for any
+exhibition of conscience on the subject. And our equal
+insensibility to the pathetic meaning of the work of the past,
+and to that of the work of the present, largely explains the
+wastefulness of our civilization,--the reckless consumption by
+luxury of the labor of years in the pleasure of an hour,--the
+inhumanity of the thousands of unthinking rich, each of whom
+dissipates yearly in the gratification of totally unnecessary
+wants the price of a hundred human lives. The cannibals of
+civilization are unconsciously more cruel than those of savagery,
+and require much more flesh. The deeper humanity,--the cosmic
+emotion of humanity,--is essentially the enemy of useless luxury,
+and essentially opposed to any form of society which places no
+restraints upon the gratifications of sense or the pleasures of
+egotism.
+
+In the Far East, on the other hand, the moral duty of simplicity
+of life has been taught from very ancient times, because
+ancestor-worship had developed and cultivated this cosmic emotion
+of humanity which we lack, but which we shall certainly be
+obliged to acquire at a later day, simply to save our selves from
+extermination, Two sayings of Iyeyasu exemplify the Oriental
+sentiment. When virtually master of the empire, this greatest of
+Japanese soldiers and statesmen was seen one day cleaning and
+smoothing with his own hands an old dusty pair of silk hakama or
+trousers. "What you see me do," he said to a retainer, "I am not
+doing because I think of the worth of the garment in itself, but
+because I think of what it needed to produce it. It is the result
+of the toil of a poor woman; and that is why I value it. _If we
+do not think, while using things, of the time and effort required
+to make them,--then our want of consideration puts us on a level
+with the beasts_." Again, in the days of his greatest wealth, we
+hear of him rebuking his wife for wishing to furnish him too
+often with new clothing. "When I think," he protested, "of the
+multitudes around me, and of the generations to come after me, I
+feel it my duty to be very sparing, for their sake, of the goods
+in my possession." Nor has this spirit of simplicity yet departed
+from Japan. Even the Emperor and Empress, in the privacy of their
+own apartments, continue to live as simply as their subjects, and
+devote most of their revenue to the alleviation of public
+distress.
+
+(1) Kalevala; thirty-sixth Rune.
+
+
+V
+
+It is through the teachings of evolution that there will
+ultimately be developed in the West a moral recognition of duty
+to the past like that which ancestor-worship created in the Far
+East. For even to-day whoever has mastered the first principles
+of the new philosophy cannot look at the commonest product of
+man's handiwork without perceiving something of its evolutional
+history. The most ordinary utensil will appear to him not the
+mere product of individual capacity on the part of carpenter or
+potter, smith or cutler, but the product of experiment continued
+through thousands of years with methods, with materials, and with
+forms. Nor will it be possible for him to consider the vast time
+and toil necessitated in the evolution, of any mechanical
+appliance, and yet experience no generous sentiment. Coming
+generations must think of the material bequests of the past in
+relation to dead humanity.
+
+But in the development of this "cosmic emotion" of humanity, a
+much more powerful factor than recognition of our material
+indebtedness to the past will be the recognition of our psychical
+indebtedness. For we owe to the dead our immaterial world
+also,--the world that lives within us,--the world of all that is
+lovable in impulse, emotion, thought. Whosoever understands
+scientifically what human goodness is, and the terrible cost of
+making it, can find in the commonest phases of the humblest lives
+that beauty, which is divine, and can feel that in one sense our
+dead are truly gods.
+
+
+So long as we supposed the woman soul one in itself,--a something
+specially created to fit one particular physical being,--the
+beauty and the wonder of mother-love could never be fully
+revealed to us. But with deeper knowledge we must perceive that
+the inherited love of myriads of millions of dead mothers has
+been treasured up in one life;--that only thus can be interpreted
+the infinite sweetness of the speech which the infant hears,--the
+infinite tenderness of the look of caress which meets its gaze.
+Unhappy the mortal who has not known these; yet what mortal can
+adequately speak of them! Truly is mother-love divine; for
+everything by human recognition called divine is summed up in
+that love; and every woman uttering and transmitting its highest
+expression is more than the mother of man: she is the _Mater
+Dei_.
+
+Needless to speak here about the ghostliness of first love,
+sexual love, which is illusion,--because the passion and the
+beauty of the dead revive in it, to dazzle, to delude; and to
+bewitch. It is very, very wonderful; but it is not all good,
+because it is not all true. The real charm of woman in herself is
+that which comes later,--when all the illusions fade away to
+reveal a reality, lovelier than any illusion, which has been
+evolving behind the phantom-curtain of them. What is the divine
+magic of the woman thus perceived? Only the affection, the
+sweetness, the faith, the unselfishness, the intuitions of
+millions of buried hearts. All live again;-all throb anew, in
+every fresh warm beat of her own.
+
+Certain amazing faculties exhibited in the highest social life
+tell in another way the story of soul structure built up by dead
+lives. Wonderful is the man who can really "be all things to all
+men," or the woman who can make herself twenty, fifty, a hundred
+different women,--comprehending all, penetrating all, unerring to
+estimate all others;--seeming to have no individual self, but
+only selves innumerable;--able to meet each varying personality
+with a soul exactly toned to the tone of that to be encountered.
+Rare these characters are, but not so rare that the traveler is
+unlikely to meet one or two of them in any cultivated society
+which he has a chance of studying. They are essentially multiple
+beings,--so visibly multiple that even those who think of the Ego
+as single have to describe them as "highly complex." Nevertheless
+this manifestation of forty or fifty different characters in the
+same person is a phenomenon so remarkable (especially remarkable
+because it is commonly manifested in youth long before relative
+experience could possibly account for it) that I cannot but
+wonder how few persons frankly realize its signification.
+
+So likewise with what have been termed the "intuitions" of some
+forms of genius,--particularly those which relate to the
+representation of the emotions. A Shakespeare would always remain
+incomprehensible on the ancient soul-theory. Taine attempted to
+explain him by the phrase, "a perfect imagination;"--and the
+phrase reaches far in the truth. But what is the meaning of a
+perfect imagination? Enormous multiplicity of
+soul-life,--countless past existences revived in one. Nothing
+else can explain it.... It is not however, in the world of pure
+intellect that the story of psychical complexity is most
+admirable: it is in the world which speaks to our simplest
+emotions of love honor, sympathy, heroism.
+
+"But by such a theory," some critic may observe, "the source of
+impulses to heroism is also the source of the impulses that
+people jails. Both are of the dead." This is true. We inherited
+evil as well as good. Being composites only,--still evolving,
+still becoming,--we inherit imperfections. But the survival of
+the fittest in impulses is certainly proven by the average moral
+condition of humanity,--using the word "fittest" in its ethical
+sense. In spite of all the misery and vice and crime, nowhere so
+terribly developed as under our own so-called Christian
+civilization, the fact must be patent to any one who has lived
+much, traveled much, and thought much, that the mass of humanity
+is good, and therefore that the vast majority of impulses
+bequeathed us by past humanity is good. Also it is certain that
+the more normal a social condition, the better its humanity.
+Through all the past the good Kami have always managed to keep
+the bad Kami from controlling the world. And with the acceptation
+of this truth, our future ideas of wrong and of right must take
+immense expansion. Just as a heroism, or any act of pure goodness
+for a noble end, must assume a preciousness heretofore
+unsuspected,--so a real crime must come to be regarded as a crime
+less against the existing individual or society, than against the
+sum of human experience, and the whole past struggle of ethical
+aspiration. Real goodness will, therefore, be more prized, and
+real crime less leniently judged. And the early Shinto teaching,
+that no code of ethics is necessary,--that the right rule of
+human conduct can always be known by consulting the heart,--is a
+teaching which will doubtless be accepted by a more perfect
+humanity than that of the present.
+
+
+VI
+
+"Evolution" the reader may say, "does indeed show through its
+doctrine of heredity that the living are in one sense really
+controlled by the dead. But it also shows that the dead are
+within us, not without us. They are part of us;--there is no
+proof that they have any existence which is not our own.
+Gratitude to the past would, therefore, be gratitude to
+ourselves; love of the dead would be self-love. So that your
+attempt at analogy ends in the absurd."
+
+No. Ancestor-worship in its primitive form may be a symbol only
+of truth. It may be an index or foreshadowing only of the new
+moral duty which larger knowledge must force upon as: the duty of
+reverence and obedience to the sacrificial past of human ethical
+experience. But it may also be much more. The facts of heredity
+can never afford but half an explanation of the facts of
+psychology. A plant produces ten, twenty, a hundred plants
+without yielding up its own life in the process. An animal gives
+birth to many young, yet lives on with all its physical
+capacities and its small powers of thought undiminished. Children
+are born; and the parents survive them. Inherited the mental life
+certainly is, not less than the physical; yet the reproductive
+cells, the least specialized of all cells, whether in plant or in
+animal, never take away, but only repeat the parental being.
+Continually multiplying, each conveys and transmits the whole
+experience of a race; yet leaves the whole experience of the race
+behind it. Here is the marvel inexplicable: the
+self-multiplication of physical and psychical being,--life after
+life thrown off from the parent life, each to become complete and
+reproductive. Were all the parental life given to the offspring,
+heredity might be said to favor the doctrine of materialism. But
+like the deities of Hindoo legend, the Self multiplies and still
+remains the same, with full capacities for continued
+multiplication. Shinto has its doctrine of souls multiplying by
+fission; but the facts of psychological emanation are infinitely
+more wonderful than any theory.
+
+The great religions have recognized that heredity could not
+explain the whole question of self,-could not account for the
+fate of the original residual self. So they have generally united
+in holding the inner independent of the outer being. Science can
+no more fully decide the issues they have raised than it can
+decide the nature of Reality-in-itself. Again we may vainly ask,
+What becomes of the forces which constituted the vitality of a
+dead plant? Much more difficult the question, What becomes of the
+sensations which formed the psychical life of a dead man?-since
+nobody can explain the simplest sensation. We know only that
+during life certain active forces within the body of the plant or
+the body of the man adjusted themselves continually to outer
+forces; and that after the interior forces could no longer
+respond to the pressure of the exterior forces,--then the body in
+which the former were stored was dissolved into the elements out
+of which it had been built up. We know nothing more of the
+ultimate nature of those elements than we know of the ultimate
+nature of the tendencies which united them. But we have more
+right to believe the ultimates of life persist after the
+dissolution of the forms they created, than to believe they
+cease. The theory of spontaneous generation (misnamed, for only
+in a qualified sense can the term "spontaneous" be applied to the
+theory of the beginnings of mundane life) is a theory which the
+evolutionist must accept, and which can frighten none aware of
+the evidence of chemistry that matter itself is in evolution. The
+real theory (not the theory of organized life beginning in
+bottled infusions, but of the life primordial arising upon a
+planetary surface) has enormous--nay, infinite--spiritual
+significance. It requires the belief that all potentialities of
+life and thought and emotion pass from nebula to universe, from
+system to system, from star to planet or moon, and again back to
+cyclonic storms of atomicity; it means that tendencies survive
+sunburnings,--survive all cosmic evolutions and disintegrations.
+The elements are evolutionary products only; and the difference
+of universe from universe must be the creation of tendencies,--of
+a form of heredity too vast and complex for imagination. There is
+no chance. There is only law. Each fresh evolution must be
+influenced by previous evolutions,--just as each individual human
+life is influenced by the experience of all the lives in its
+ancestral chain. Must not the tendencies even of the ancestral
+forms of matter be inherited by the forms of matter to come; and
+may not the acts and thoughts of men even now be helping to shape
+the character of future worlds? No longer is it possible to say
+that the dreams of the Alchemists were absurdities. And no longer
+can we even assert that all material phenomena are not
+determined, as in the thought of the ancient East, by soul-
+polarities.
+
+Whether our dead do or do not continue to dwell without us as
+well as within us,--a question not to be decided in our present
+undeveloped state of comparative blindness,--certain it is that
+the testimony of cosmic facts accords with one weird belief of
+Shinto: the belief that all things are determined by the
+dead,--whether by ghosts of men or ghosts of worlds. Even as our
+personal lives are ruled by the now viewless lives of the past,
+so doubtless the life of our Earth, and of the system to which it
+belongs, is ruled by ghosts of spheres innumerable: dead
+universes,--dead suns and planets and moons,--as forms long since
+dissolved into the night, but as forces immortal and eternally
+working.
+
+
+Back to the Sun, indeed, like the Shintoist, we can trace our
+descent; yet we know that even there the beginning of us was not.
+Infinitely more remote in time than a million sun-lives was that
+beginning,--if it can truly be said there was a beginning.
+The teaching of Evolution is that we are one with that unknown
+Ultimate, of which matter and human mind are but ever-changing
+manifestations. The teaching of Evolution is also that each of us
+is many, yet that all of us are still one with each other and
+with the cosmos;--that we must know all past humanity not only in
+ourselves, but likewise in the preciousness and beauty of every
+fellow-life;--that we can best love ourselves in others;--that we
+shall best serve ourselves in others;--that forms are but veils
+and phantoms;--and that to the formless Infinite alone really
+belong all human emotions, whether of the living or the dead.
+
+
+
+XV
+
+KIMIKO
+
+_Wasuraruru
+Mi naran to omo
+Kokoro koso
+Wasure nu yori mo
+Omoi nari-kere_.
+
+"To wish to be forgotten by the beloved is a soul-task harder far
+than trying not to forget."--Poem by Kimiko.
+
+I
+
+The name is on a paper-lantern at the entrance of a house in the
+Street of the Geisha.
+
+Seen at night the street is one of the queerest in the world. It
+is narrow as a gangway; and the dark shining woodwork of the
+house-fronts, all tightly closed,--each having a tiny sliding
+door with paper-panes that look just like frosted glass,--makes
+you think of first-class passenger-cabins. Really the buildings
+are several stories high; but you do not observe this at
+once,--especially if there be no moon,--because only the lower
+stories are illuminated up to their awnings, above which all is
+darkness. The illumination is made by lamps behind the narrow
+paper-paned doors, and by the paper-lanterns hanging
+outside,--one at every door. You look down the street between two
+lines of these lanterns,--lines converging far-off into one
+motionless bar of yellow light. Some of the lanterns are
+egg-shaped, some cylindrical; others four-sided or six-sided; and
+Japanese characters are beautifully written upon them. The street
+is very quiet,--silent as a display of cabinet-work in some great
+exhibition after closing-time. This is because the inmates are
+mostly away,--at tending banquets and other festivities. Their
+life is of the night.
+
+The legend upon the first lantern to the left as you go south is
+"Kinoya: uchi O-Kata;" and that means The House of Gold wherein
+O-Kata dwells. The lantern to the right tells of the House of
+Nishimura, and of a girl Miyotsuru,--which name signifies The
+Stork Magnificently Existing. Next upon the left comes the House
+of Kajita;--and in that house are Kohana, the Flower-Bud, and
+Hinako, whose face is pretty as the face of a doll. Opposite is
+the House Nagaye, wherein live Kimika and Kimiko.... And this
+luminous double litany of names is half-a-mile long.
+
+The inscription on the lantern of the last-named house reveals
+the relationship between Kimika and Kimiko,--and yet something
+more; for Kimiko is styled Ni-dai-me, an honorary untranslatable
+title which signifies that she is only Kimiko No.2. Kimika is the
+teacher and mistress: she has educated two geisha, both named, or
+rather renamed by her, Kimiko; and this use of the same name
+twice is proof positive that the first Kimiko--Ichi-dai-me--must
+have been celebrated. The professional appellation borne by an
+unlucky or unsuccessful geisha is never given to her successor.
+If you should ever have good and sufficient reason to enter the
+house,--pushing open that lantern-slide of a door which sets a
+gong-bell ringing to announce visits,--you might be able to see
+Kimika, provided her little troupe be not engaged for the
+evening. You would find her a very intelligent person, and well
+worth talking to. She can tell, when she pleases, the most
+remarkable stories,--real flesh-and-blood stories,--true stories
+of human nature. For the Street of the Geisha is full of
+traditions,--tragic, comic, melodramatic;--every house has its
+memories;--and Kimika knows them all. Some are very, very
+terrible; and some would make you laugh; and some would make you
+think. The story of the first Kimiko belongs to the last class.
+It is not one of the most extraordinary; but it is one of the
+least difficult for Western people to understand.
+
+
+II
+
+There is no more Ichi-dai-me Kimiko: she is only a remembrance.
+Kimika was quite young when she called that Kimiko her
+professional sister.
+
+"An exceedingly wonderful girl," is what Kimika says of Kimiko.
+To win any renown in her profession, a geisha must be pretty or
+very clever; and the famous ones are usually both,--having been
+selected at a very early age by their trainers according to the
+promise of such qualities Even the commoner class of
+singing-girls must have some charm in their best years,--if only
+that _beaute du diable_ which inspired the Japanese proverb that
+even a devil is pretty at eighteen(1). But Kimiko was much more
+than pretty. She was according to the Japanese ideal of beauty;
+and that standard is not reached by one woman in a hundred
+thousand. Also she was more than clever: she was accomplished.
+She composed very dainty poems,--could arrange flowers
+exquisitely, perform tea-ceremonies faultlessly, embroider, make
+silk mosaic: in short, she was genteel. And her first public
+appearance made a flutter in the fast world of Kyoto. it was
+evident that she could make almost any conquest she pleased, and
+that fortune was before her.
+
+But it soon became evident, also, that she had been perfectly
+trained for her profession. She had been taught how to conduct
+herself under almost any possible circumstances; for what she
+could not have known Kimika knew everything about: the power of
+beauty, and the weakness of passion; the craft of promises and
+the worth of indifference; and all the folly and evil in the
+hearts of men. So Kimiko made few mistakes and shed few tears. By
+and by she proved to be, as Kimika wished,--slightly dangerous.
+So a lamp is to night-fliers: otherwise some of them would put it
+out. The duty of the lamp is to make pleasant things visible: it
+has no malice. Kimiko had no malice, and was not too dangerous.
+Anxious parents discovered that she did not want to enter into
+respectable families, nor even to lend herself to any serious
+romances. But she was not particularly merciful to that class of
+youths who sign documents with their own blood, and ask a
+dancing-girl to cut off the extreme end of the little finger of
+her left hand as a pledge of eternal affection. She was
+mischievous enough with them to cure them of their folly. Some
+rich folks who offered her lands and houses on condition of
+owning her, body and soul, found her less merciful. One proved
+generous enough to purchase her freedom unconditionally, at a
+price which made Kimika a rich woman; and Kimiko was
+grateful,--but she remained a geisha. She managed her rebuffs
+with too much tact to excite hate, and knew how to heal despairs
+in most cases. There were exceptions, of course. One old man, who
+thought life not worth living unless he could get Kimiko all to
+himself, invited her to a banquet one evening, and asked her to
+drink wine with him. But Kimika, accustomed to read faces, deftly
+substituted tea (which has precisely the same color) for Kimiko's
+wine, and so instinctively saved the girl's precious life,--for
+only ten minutes later the soul of the silly host was on its way
+to the Meido alone, and doubtless greatly disappointed.... After
+that night Kimika watched over Kimiko as a wild cat guards her
+kitten.
+
+The kitten became a fashionable mania, a craze,-a delirium,--one
+of the great sights and sensations of the period. There is a
+foreign prince who remembers her name: he sent her a gift of
+diamonds which she never wore. Other presents in multitude she
+received from all who could afford the luxury of pleasing her;
+and to be in her good graces, even for a day, was the ambition of
+the "gilded youth." Nevertheless she allowed no one to imagine
+himself a special favorite, and refused to make any contracts for
+perpetual affection. To any protests on the subject she answered
+that she knew her place. Even respectable women spoke not
+unkindly of her,--because her name never figured in any story of
+family unhappiness. She really kept her place. Time seemed to
+make her more charming. Other geisha grew into fame, but no one
+was even classed with her. Some manufacturers secured the sole
+right to use her photograph for a label; and that label made a
+fortune for the firm.
+
+
+But one day the startling news was abroad that Kimiko had at last
+shown a very soft heart. She had actually said good-by to Kimika,
+and had gone away with somebody able to give her all the pretty
+dresses she could wish for,--somebody eager to give her social
+position also, and to silence gossip about her naughty
+past,--somebody willing to die for her ten times over, and
+already half-dead for love of her. Kimika said that a fool had
+tried to kill himself because of Kimiko, and that Kimiko had
+taken pity on him, and nursed him back to foolishness. Taiko
+Hideyoshi had said that there were only two things in this world
+which he feared,--a fool and a dark night. Kimika had always been
+afraid of a fool; and a fool had taken Kimiko away. And she
+added, with not unselfish tears, that Kimiko would never come
+back to her: it was a case of love on both sides for the time of
+several existences.
+
+Nevertheless, Kimika was only half right. She was very shrewd
+indeed; but she had never been able to see into certain private
+chambers in the soul of Kimiko. If she could have seen, she would
+have screamed for astonishment.
+
+(1) Oni mo jiuhachi, azami no hana. There is a similar saying of
+a dragon: ja mo hatachi ("even a dragon at twenty").
+
+
+III
+
+Between Kimiko and other geisha there was a difference of gentle
+blood. Before she took a professional name, her name was Ai,
+which, written with the proper character, means love. Written
+with another character the same word-sound signifies grief. The
+story of Ai was a story of both grief and love.
+
+She had been nicely brought up. As a child she had been sent to a
+private school kept by an old samurai,--where the little girls
+squatted on cushions before little writing-tables twelve inches
+high, and where the teachers taught without salary. In these days
+when teachers get better salaries than civil-service officials,
+the teaching is not nearly so honest or so pleasant as it used to
+be. A servant always accompanied the child to and from the
+school-house, carrying her books, her writing-box, her kneeling
+cushion, and her little table.
+
+Afterwards she attended an elementary public school. The first
+"modern" text-books had just been issued,--containing Japanese
+translations of English, German, and French stories about honor
+and duty and heroism, excellently chosen, and illustrated with
+tiny innocent pictures of Western people in costumes never of
+this world. Those dear pathetic little text-books are now
+curiosities: they have long been superseded by pretentious
+compilations much less lovingly and sensibly edited. Ai learned
+well. Once a year, at examination time, a great official would
+visit the school, and talk to the children as if they were all
+his own, and stroke each silky head as he distributed the prizes.
+He is now a retired statesman, and has doubtless forgotten
+Ai;--and in the schools of to-day nobody caresses little girls,
+or gives them prizes.
+
+Then came those reconstructive changes by which families of rank
+were reduced to obscurity and poverty; and Ai had to leave
+school. Many great sorrows followed, till there remained to her
+only her mother and an infant sister. The mother and Ai could do
+little but weave; and by weaving alone they could not earn enough
+to live. House and lands first,--then, article by article, all
+things not necessary to existence--heirlooms, trinkets, costly
+robes, crested lacquer-ware--passed cheaply to those whom misery
+makes rich, and whose wealth is called by the people _Namida no
+kane_,--"the Money of Tears." Help from the living was
+scanty,--for most of the samurai-families of kin were in like
+distress. But when there was nothing left to sell,--not even Al's
+little school-books,--help was sought from the dead.
+
+For it was remembered that the father of Al's father had been
+buried with his sword, the gift of a daimyo; and that the
+mountings of the weapon were of gold. So the grave was opened,
+and the grand hilt of curious workmanship exchanged for a common
+one, and the ornaments of the lacquered sheath removed. But the
+good blade was not taken, because the warrior might need it. Ai
+saw his face as he sat erect in the great red-clay urn which
+served in lieu of coffin to the samurai of high rank when buried
+by the ancient rite. His features were still recognizable after
+all those years of sepulture; and he seemed to nod a grim assent
+to what had been done as his sword was given back to him.
+
+At last the mother of Ai became too weak and ill to work at the
+loom; and the gold of the dead had been spent. Ai said:--"Mother,
+I know there is but one thing now to do. Let me be sold to the
+dancing-girls." The mother wept, and made no reply. Ai did not
+weep, but went out alone.
+
+She remembered that in other days, when banquets were given in
+her father's house, and dancers served the wine, a free geisha
+named Kimika had often caressed her. She went straight to the
+house of Kimika. "I want you to buy me," said Ai;--"and I want a
+great deal of money." Kimika laughed, and petted her, and made
+her eat, and heard her story,--which was bravely told, without
+one tear. "My child," said Kimika, "I cannot give you a great
+deal of money; for I have very little. But this I can do:--I can
+promise to support your mother. That will be better than to give
+her much money for you,--because your mother, my child, has been
+a great lady, and therefore cannot know how to use money
+cunningly. Ask your honored mother to sign the bond,--promising
+that you will stay with me till you are twenty-four years old, or
+until such time as you can pay me back. And what money I can now
+spare, take home with you as a free gift."
+
+Thus Ai became a geisha; and Kimika renamed her Kimiko, and kept
+the pledge to maintain the mother and the child-sister. The
+mother died before Kimiko became famous; the little sister was
+put to school. Afterwards those things already told came to pass.
+
+
+The young man who had wanted to die for love of a dancing-girl
+was worthy of better things. He was an only son and his parents,
+wealthy and titled people, were willing to make any sacrifice for
+him,--even that of accepting a geisha for daughter-in-law.
+Moreover they were not altogether displeased with Kimiko, because
+of her sympathy for their boy.
+
+Before going away, Kimiko attended the wedding of her young
+sister, Ume, who had just finished school. She was good and
+pretty. Kimiko had made the match, and used her wicked knowledge
+of men in making it. She chose a very plain, honest,
+old-fashioned merchant,--a man who could not have been bad, even
+if he tried. Ume did not question the wisdom of her sister's
+choice, which time proved fortunate.
+
+
+IV
+
+It was in the period of the fourth moon that Kimiko was carried
+away to the home prepared for her,--a place in which to forget
+all the unpleasant realities of life,-a sort of fairy-palace lost
+in the charmed repose of great shadowy silent high-walled
+gardens. Therein she might have felt as one reborn, by reason of
+good deeds, into the realm of Horai. But the spring passed, and
+the summer came,--and Kimiko remained simply Kimiko. Three times
+she had contrived, for reasons unspoken, to put off the
+wedding-day.
+
+
+In the period of the eighth moon, Kimiko ceased to be playful,
+and told her reasons very gently but very firmly:--"It is time
+that I should say what I have long delayed saying. For the sake
+of the mother who gave me life, and for the sake of my little
+sister, I have lived in hell. All that is past; but the scorch of
+the fire is upon me, and there is no power that can take it away.
+It is not for such as I to enter into an honored family,--nor to
+bear you a son,--nor to build up your house.... Suffer me to
+speak; for in the knowing of wrong I am very, very much wiser
+than you.... Never shall I be your wife to become your shame. I
+am your companion only, your play-fellow, your guest of an hour,
+--and this not for any gifts. When I shall be no longer with you
+nay! certainly that day must come!--you will have clearer sight.
+I shall still be dear to you, but not in the same way as
+now--which is foolishness. You will remember these words out of
+my heart. Some true sweet lady will be chosen for you, to become
+the mother of your children. I shall see them; but the place of a
+wife I shall never take, and the joy of a mother I must never
+know. I am only your folly, my beloved,--an illusion, a dream, a
+shadow flitting across your life. Somewhat more in later time I
+may become, but a wife to you never, neither in this existence
+nor in the next. Ask me again-and I go."
+
+
+In the period of the tenth moon, and without any reason
+imaginable, Kimiko disappeared,--vanished,--utterly ceased to
+exist.
+
+
+V
+
+Nobody knew when or how or whither she had gone. Even in the
+neighborhood of the home she had left, none had seen her pass. At
+first it seemed that she must soon return. Of all her beautiful
+and precious things-her robes, her ornaments, her presents: a
+fortune in themselves--she had taken nothing. But weeks passed
+without word or sign; and it was feared that something terrible
+had befallen her. Rivers were dragged, and wells were searched.
+Inquiries were made by telegraph and by letter. Trusted servants
+were sent to look for her. Rewards were offered for any
+news--especially a reward to Kimika, who was really attached to
+the girl, and would have been only too happy to find her without
+any reward at all. But the mystery remained a mystery.
+Application to the authorities would have been useless: the
+fugitive had done no wrong, broken no law; and the vast machinery
+of the imperial police-system was not to be set in motion by the
+passionate whim of a boy. Months grew into years; but neither
+Kimika, nor the little sister in Kyoto, nor any one of the
+thousands who had known and admired the beautiful dancer, ever
+saw Kimiko again.
+
+But what she had foretold came true ;--for time dries all tears
+and quiets all longing; and even in Japan one does not really try
+to die twice for the same despair. The lover of Kimiko became
+wiser; and there was found for him a very sweet person for wife,
+who gave him a son. And other years passed; and there was
+happiness in the fairy-home where Kimiko had once been.
+
+There came to that home one morning, as if seeking alms, a
+traveling nun; and the child, hearing her Buddhist cry of
+"_Ha--i! ha--i!_" ran to the gate. And presently a house-servant,
+bringing out the customary gift of rice, wondered to see the nun
+caressing the child, and whispering to him. Then the little one
+cried to the servant, "Let me give!"--and the nun pleaded from
+under the veiling shadow of her great straw hat: "Honorably allow
+the child to give me." So the boy put the rice into the
+mendicant's bowl. Then she thanked him, and asked:--"Now will
+you say again for me the little word which I prayed you to tell
+your honored father?" And the child lisped:--"_Father, one whom
+you will never see again in this world, says that her heart is
+glad because she has seen your son_."
+
+The nun laughed softly, and caressed him again, and passed away
+swiftly; and the servant wondered more than ever, while the child
+ran to tell his father the words of the mendicant.
+
+But the father's eyes dimmed as he heard the words, and he wept
+over his boy. For he, and only he, knew who had been at the gate,
+--and the sacrificial meaning of all that had been hidden.
+
+
+Now he thinks much, but tells his thought to no one.
+
+He knows that the space between sun and sun is less than the
+space between himself and the woman who loved him.
+
+He knows it were vain to ask in what remote city, in what
+fantastic riddle of narrow nameless streets, in what obscure
+little temple known only to the poorest poor, she waits for the
+darkness before the Dawn of the Immeasurable Light,--when the
+Face of the Teacher will smile upon her,--when the Voice of the
+Teacher will say to her, in tones of sweetness deeper than ever
+came from human lover's lips:--"_O my daughter in the Law, thou
+hast practiced the perfect way; thou hast believed and understood
+the highest truth;--therefore come I now to meet and to welcome
+thee!_"
+
+
+
+APPENDIX
+
+
+THREE POPULAR BALLADS
+
+Read before the Asiatic Society of Japan, October 17, 1894.
+
+
+During the spring of 1891, I visited the settlement in Matsue,
+Izumo, of an outcast people known as the _yama-no-mono_. Some
+results of the visit were subsequently communicated to the "Japan
+Mail," in a letter published June 13, 1891, and some extracts
+from that letter I think it may be worth while to cite here, by
+way of introduction to the subject of the present paper.
+
+
+"The settlement is at the southern end of Matsue in a tiny
+valley, or rather hollow among the hills which form a half-circle
+behind the city. Few Japanese of the better classes have ever
+visited such a village; and even the poorest of the common people
+shun the place as they would shun a centre of contagion; for the
+idea of defilement, both moral and physical, is still attached to
+the very name of its inhabitants. Thus, although the settlement
+is within half an hour's walk from the heart of the city,
+probably not half a dozen of the thirty-six thousand residents of
+Matsue have visited it.
+
+"There are four distinct outcast classes in Matsue and its
+environs: the _hachiya_, the _koya-no-mono_, the _yama-no-mono_,
+and the _eta_ of Suguta.
+
+"There are two settlements of _hachiya_. These were formerly the
+public executioners, and served under the police in various
+capacities. Although by ancient law the lowest class of pariahs,
+their intelligence was sufficiently cultivated by police service
+and by contact with superiors to elevate them in popular opinion
+above the other outcasts. They are now manufacturers of bamboo
+cages and baskets. They are said to be descendants of the family
+and retainers of Taira-no-Masakado-Heishino, the only man in
+Japan who ever seriously conspired to seize the imperial throes
+by armed force, and who was killed by the famous general
+Taira-no-Sadamori.
+
+"The _koya-no-mono_ are slaughterers and dealers in hides. They
+are never allowed to enter any house in Matsue except the shop of
+a dealer in geta and other footgear. Originally vagrants, they
+were permanently settled in Matsue by some famous daimyo, who
+built for them small houses--_koya_--on the bank of the canal.
+Hence their name. As for the _eta_ proper, their condition and
+calling are too familiar to need comment in this connection.
+
+"The _yama-no-mono_ are so called because they live among the
+hills (_yama_) at the southern end of Matsue. They have a
+monopoly of the rag-and-waste-paper business, and are buyers of
+all sorts of refuse, from old bottles to broken-down machinery.
+Some of them are rich. Indeed, the whole class is, compared with
+other outcast classes, prosperous. Nevertheless, public prejudice
+against them is still almost as strong as in the years previous
+to the abrogation of the special laws concerning them. Under no
+conceivable circumstances could any of them obtain employment as
+servants. Their prettiest girls in old times often became _joro_;
+but at no time could they enter a _joroya_ in any neighboring
+city, much less in their own, so they were sold to establishments
+in remote places. A _yama-no-mono_ to-day could not even become a
+_kurumaya_. He could not obtain employment as a common laborer in
+any capacity, except by going to some distant city where he could
+hope to conceal his origin. But if detected under such conditions
+he would run serious risk of being killed by his fellow-
+laborers. Under any circumstance it would be difficult for a
+_yama-no-mono_ to pass himself off for a _heimin_. Centuries of
+isolation and prejudice have fixed and moulded the manners of the
+class in recognizable ways; and even its language has become a
+special and curious dialect.
+
+"I was anxious to see something of a class so singularly situated
+and specialized; and I had the good fortune to meet a Japanese
+gentleman who, although belonging to the highest class of Matsue,
+was kind enough to agree to accompany me to their village, where
+he had never been himself. On the way thither he told me many
+curious things about the _yama-no-mono_. In feudal times these
+people had been kindly treated by the samurai; and they were
+often allowed or invited to enter the courts of samurai dwellings
+to sing and dance, for which performances they were paid. The
+songs and the dances with which they were able to entertain even
+those aristocratic families were known to no other people, and
+were called Daikoku-mai. Singing the Daikoku-mai was, in fact,
+the special hereditary art of the _yama-no-mono_, and represented
+their highest comprehension of aesthetic and emotional matters.
+In former times they could not obtain admittance to a respectable
+theatre; and, like the _hachiya_, had theatres of their own. It
+would be interesting, my friend added, to learn the origin of
+their songs and their dances; for their songs are not in their
+own special dialect, but in pure Japanese. And that they should
+have been able to preserve this oral literature without
+deterioration is especially remarkable from the fact that the
+_yama-no-mono_ were never taught to read or write. They could not
+even avail themselves of those new educational opportunities
+which the era of Meiji has given to the masses; prejudice is
+still far too strong to allow of their children being happy in a
+public school. A small special school might be possible, though
+there would perhaps be no small difficulty in obtaining willing
+teachers(1).
+
+"The hollow in which the village stands is immediately behind the
+Buddhist cemetery of Tokoji. The settlement has its own Shinto
+temple. I was extremely surprised at the aspect of the place; for
+I had expected to see a good deal of ugliness and filth. On the
+contrary, I saw a multitude of neat dwellings, with pretty
+gardens about them, and pictures on the walls of the rooms. There
+were many trees; the village was green with shrubs and plants,
+and picturesque to an extreme degree; for, owing to the
+irregularity of the ground, the tiny streets climbed up and down
+hill at all sorts of angles,--the loftiest street being fifty or
+sixty feet above the lowermost. A large public bath-house and a
+public laundry bore evidence that the _yama-no-mono_ liked clean
+linen as well as their _heimin_ neighbors on the other side of
+the hill.
+
+"A crowd soon gathered to look at the strangers who had come to
+their village,--a rare event for them. The faces I saw seemed
+much like the faces of the _heimin_, except that I fancied the
+ugly ones were uglier, making the pretty ones appear more pretty
+by contrast. There were one or two sinister faces, recalling
+faces of gypsies that I had seen; while some little girls, on the
+other hand, had remarkably pleasing features. There were no
+exchanges of civilities, as upon meeting _heimin_; a Japanese of
+the better class would as soon think of taking off his hat to a
+_yama-no-mono_ as a West-Indian planter would think of bowing to
+a negro. The _yama-no-mono_ themselves usually show by their
+attitude that they expect no forms. None of the men saluted us;
+but some of the women, on being kindly addressed, made obeisance.
+Other women, weaving coarse straw sandals (an inferior quality of
+zori), would answer only 'yes' or 'no' to questions, and seemed
+to be suspicious of us. My friend called my attention to the fact
+that the women were dressed differently from Japanese women of
+the ordinary classes. For example, even among the very poorest
+_heimin_ there are certain accepted laws of costume; there are
+certain colors which may or may not be worn, according to age.
+But even elderly women among these people wear obi of bright red
+or variegated hues, and kimono of a showy tint.
+
+"Those of the women seen in the city street, selling or buying,
+are the elders only. The younger stay at home. The elderly women
+always go into town with large baskets of a peculiar shape, by
+which the fact that they are _yama-no-mono_ is at once known.
+Numbers of these baskets were visible, principally at the doors
+of the smaller dwellings. They are carried on the back, and are
+used to contain all that the _yama-no-mono buy_,--old paper, old
+wearing apparel, bottles, broken glass, and scrap-metal.
+
+"A woman at last ventured to invite us to her house, to look at
+some old colored prints she wished to sell. Thither we went, and
+were as nicely received as in a _heimin_ residence. The pictures
+--including a number of drawings by Hiroshige--proved to be worth
+buying; and my friend then asked if we could have the pleasure of
+hearing the Daikoku-mai. To my great satisfaction the proposal
+was well received; and on our agreeing to pay a trifle to each
+singer, a small band of neat-looking young girls, whom we had not
+seen before, made their appearance, and prepared to sing, while
+an old woman made ready to dance. Both the old woman and the
+girls provided themselves with curious instruments for the
+performance. Three girls had instruments shaped like mallets,
+made of paper and bamboo: these were intended to represent the
+hammer of Dai-koku(2); they were held in the left hand, a fan
+being waved in the right. Other girls were provided with a kind
+of castanets,--two flat pieces of hard dark wood, connected by a
+string. Six girls formed in a line before the house. The old
+woman took her place facing the girls, holding in her hands two
+little sticks, one stick being notched along a part of its
+length. By drawing it across the other stick, a curious rattling
+noise was made.
+
+"My friend pointed out to me that the singers formed two distinct
+parties, of three each. Those bearing the hammer and fan were the
+Daikoku band: they were to sing the ballads Those with the
+castanets were the Ebisu party and formed the chorus.
+
+"The old woman rubbed her little sticks together, and from the
+throats of the Daikoku band there rang out a clear, sweet burst
+of song, quite different from anything I had heard before in
+Japan, while the tapping of the castanets kept exact time to the
+syllabification of the words, which were very rapidly uttered.
+When the first three girls had sung a certain number of lines,
+the voices of the other three joined in, producing a very
+pleasant though untrained harmony; and all sang the burden
+together. Then the Daikoku party began another verse; and, after
+a certain interval, the chorus was again sung. In the meanwhile
+the old woman was dancing a very fantastic dance which provoked
+laughter from the crowd, occasionally chanting a few comic words.
+
+"The song was not comic, however; it was a very pathetic ballad
+entitled 'Yaoya O-Shichi.' Yaoya O-Shichi was a beautiful girl,
+who set fire to her own house in order to obtain another meeting
+with her lover, an acolyte in a temple where she expected that
+her family would be obliged to take refuge after the fire. But
+being detected and convicted of arson, she was condemned by the
+severe law of that age to be burnt alive. The sentence was
+carried into effect; but the youth and beauty of the victim, and
+the motive of her offense, evoked a sympathy in the popular heart
+which found later expression in song and, drama.
+
+"None of the performers, except the old woman, lifted the feet
+from the ground while singing--but all swayed their bodies in
+time to the melody. The singing lasted more than one hour, during
+which the voices never failed in their quality; and yet, so far
+from being weary of it, and although I could not understand a
+word uttered, I felt very sorry when it was all over. And with
+the pleasure received there came to the foreign listener also a
+strong sense of sympathy for the young singers, victims of a
+prejudice so ancient that its origin is no longer known."
+
+(1) Since the time this letter to the Mail was written, a primary
+school has been established for the yama-no-mono, through the
+benevolence of Matsue citizens superior to prejudice. The
+undertaking did not escape severe local criticism, but it seems
+to have proved successful.
+
+(2) Daikoku is the popular God of Wealth. Ebisu is the patron of
+labor. See, for the history of these deities, an article
+(translated) entitled "The Seven Gods of Happiness," by Carlo
+Puini, vol. iii. Transactions of the Asiatic Society. See, also,
+for an account of their place in Shinto worship, Glimpses of
+Unfamiliar Japan, vol. 1.
+
+
+
+The foregoing extracts from my letter to the "Mail" tell the
+history of my interest in the Daikoku-mai. At a later time I was
+able to procure, through the kindness of my friend Nishida
+Sentaro, of Matsue, written copies of three of the ballads as
+sung by the _yama-no-mono_; and translations of these were
+afterwards made for me. I now venture to offer my prose
+renderings of the ballads,--based on the translations referred
+to,--as examples of folk-song not devoid of interest. An
+absolutely literal rendering, executed with the utmost care, and
+amply supplied with explanatory notes, would be, of course, more
+worthy the attention of a learned society. Such a version would,
+however, require a knowledge of Japanese which I do not possess,
+as well as much time and patient labor. Were the texts in
+them-selves of value sufficient to justify a scholarly
+translation, I should not have attempted any translation at all;
+but I felt convinced that their interest was of a sort which
+could not be much diminished by a free and easy treatment. From
+any purely literary point of view, the texts are disappointing,
+exhibiting no great power of imagination, and nothing really
+worthy to be called poetical art. While reading such verses, we
+find ourselves very far away indeed from the veritable poetry of
+Japan,--from those compositions which, with a few chosen
+syllables only, can either create a perfect colored picture in
+the mind, or bestir the finest sensations of memory with
+marvelous penetrative delicacy. The Daikoku-mai are extremely
+crude; and their long popularity has been due, I fancy, rather to
+the very interesting manner of singing them than to any quality
+which could permit us to compare them with the old English
+ballads.
+
+The legends upon which these chants were based still exist in
+many other forms, including dramatic compositions. I need
+scarcely refer to the vast number of artistic suggestions which
+they have given, but I may observe that their influence in this
+regard has not yet passed away. Only a few months ago, I saw a
+number of pretty cotton prints, fresh from the mill, picturing
+Oguri-Hangwan making the horse Onikage stand upon a chessboard.
+Whether the versions of the ballads I obtained in Izumo were
+composed there or elsewhere I am quite unable to say; but the
+stories of Shuntoku-maru, Oguri-Hangwan, and Yaoya O-Shichi are
+certainly well known in every part of Japan.
+
+Together with these prose translations, I submit to the Society
+the original texts, to which are appended some notes of interest
+about the local customs connected with the singing of the
+Daikoku-mai, about the symbols used by the dancers, and about the
+comic phrases chanted at intervals during the
+performances,--phrases of which the coarse humor sometimes
+forbids any rendering.
+
+All the ballads are written in the same measure, exemplified by
+the first four lines of "Yaoya O-Shichi."
+
+Koe ni yoru ne no, aki no skika
+Tsuma yori miwoba kogasu nari
+Go-nin musume no sanno de
+Iro mo kawasanu Edo-zakura.
+
+The chorus, or _hayashi_, does not seem to be sung at the end of
+a fixed number of lines, but rather at the termination of certain
+parts of the recitative. There is also no fixed limit to the
+number of singers in either band: these may be very many or very
+few. I think that the curious Izumo way of singing the burden--so
+that the vowel sounds in the word iya uttered by one band, and in
+the word sorei uttered by the other, are made to blend together
+--might be worth the attention of some one interested in Japanese
+folk-music. Indeed, I am convinced that a very delightful and
+wholly unexplored field of study offers itself in Japan to the
+student of folk-music and popular chants. The songs of the
+_Honen-odori_, or harvest dances, with their curious choruses;
+the chants of the _Bon-odori_, which differ in every district;
+the strange snatches of song, often sweet and weird, that one
+hears from the rice-fields or the mountain slopes in remote
+provinces, have qualities totally different from those we are
+accustomed to associate with the idea of Japanese music,--a charm
+indisputable even for Western ears, because not less in harmony
+with the nature inspiring it than the song of a bird or the
+shrilling of cicadae. To reproduce such melodies, with their
+extraordinary fractional tones, would be no easy task, but I
+cannot help believing that the result would fully repay the
+labor. Not only do they represent a very ancient, perhaps
+primitive musical sense: they represent also something
+essentially characteristic of the race; and there is surely much
+to be learned in regard to race-emotion from the comparative
+study of folk-music.
+
+The fact, however, that few of those peculiarities which give so
+strange a charm to the old peasant-chants are noticeable in the
+Izumo manner of singing the Daikoku-mai would perhaps indicate
+that the latter are comparatively modern.
+
+
+THE BALLAD OF SHUNTOKU-MARU
+
+_Ara!--Joyfully young Daikoko and Ebisu enter dancing_
+
+Shall we tell a tale, or shall we utter felicitations? A tale:
+then of what is it best that we should tell? Since we are bidden
+to your august house to relate a story, we shall relate the story
+of Shuntoku.
+
+
+Surely there once lived, in the Province of Kawachi, a very rich
+man called Nobuyoshi. And his eldest son was called
+Shuntoku-maru.
+
+When Shuntoku-maru, that eldest son, was only three years old,
+his mother died. And when he was five years old, there was given
+to him a stepmother.
+
+When he was seven years old, his stepmother gave birth to a son
+who was called Otowaka-maru. And the two brothers grew up
+together.
+
+When Shuntoku became sixteen years old, he went to Kyoto, to the
+temple of Tenjin-Sama, to make offerings to the god.
+
+There he saw a thousand people going to the temple, and a
+thousand returning, and a thousand remaining: there was a
+gathering of three thousand persons(1).
+
+Through that multitude the youngest daughter of a rich man called
+Hagiyama was being carried to the temple in a kago(2). Shuntoku
+also was traveling in a kago; and the two kago moved side by side
+along the way.
+
+Gazing on the girl, Shuntoku fell in love with her. And the two
+exchanged looks and letters of love.
+
+All this was told to the stepmother of Shuntoku by a servant that
+was a flatterer.
+
+
+Then the stepmother began to think that should the youth remain
+in his father's home, the store-houses east and west, and the
+granaries north and south, and the house that stood in the midst,
+could never belong to Otowaka-maru.
+
+Therefore she devised an evil thing, and spoke to her husband,
+saying, "Sir, my lord, may I have your honored permission to be
+free for seven days from the duties of the household?"
+
+Her husband answered, "Yes, surely; but what is it that you wish
+to do for seven days?" She said to him: "Before being wedded to
+my lord, I made a vow to the August Deity of Kiyomidzu; and now I
+desire to go to the temple to fulfill that vow."
+
+Said the master: "That is well. But which of the man servants or
+maid servants would you wish to go with you?" Then she made
+reply: "Neither man servant nor maid servant do I require. I wish
+to go all alone."
+
+And without paying heed to any advice about her journey, she
+departed from the house, and made great haste to Kyoto.
+
+
+Reaching the quarter Sanjo in the city of Kyoto, she asked the
+way to the street Kajiyamachi, which is the Street of the Smiths.
+And finding it, she saw three smithies side by side.
+
+Going to the middle one, she greeted the smith, and asked him:
+"Sir smith, can you make some fine small work in iron?" And he
+answered: "Ay, lady, that I can."
+
+Then she said: "Make me, I pray you, nine and forty nails without
+heads." But he answered: "I am of the seventh generation of a
+family of smiths; yet never did I hear till now of nails without
+heads, and such an order I cannot take. It were better that you
+should ask elsewhere."
+
+"Nay," said she, "since I came first to you, I do not want to go
+elsewhere. Make them for me, I pray, sir smith." He answered: "Of
+a truth, if I make such nails, I must be paid a thousand ryo(3)."
+
+She replied to him: "If you make them all for me, I care nothing
+whether you desire one thousand or two thousand ryo. Make them, I
+beseech you, sir smith." So the smith could not well refuse to
+make the nails.
+
+He arranged all things rightly to honor the God of the
+Bellows(4). Then taking up his first hammer, he recited the
+Kongo-Sutra(5); taking up his second, he recited the
+Kwannon-Sutra; taking up his third, he recited the
+Amida-Sutra,--because he feared those nails might be used for a
+wicked purpose.
+
+Thus in sorrow he finished the nails. Then was the woman much
+pleased. And receiving the nails in her left hand, she paid the
+money to the smith with her right, and bade him farewell, and
+went upon her way.
+
+When she was gone, then the smith thought: "Surely I have in gold
+koban(6) the sum of a thousand ryo. But this life of ours is only
+like the resting-place of a traveler journeying, and I must
+show to others some pity and kindness. To those who are cold I
+will give clothing, and to those who are hungry I will give
+food."
+
+And by announcing his intention in writings(7) set up at the
+boundaries of provinces and at the limits of villages, he was
+able to show his benevolence to many people.
+
+
+On her way the woman stopped at the house of a painter, and asked
+the painter to paint for her a picture.
+
+And the painter questioned her, sayings "Shall I paint you the
+picture of a very old plum-tree, or of an ancient pine?"
+
+She said to him; "No: I want neither the picture of an old
+plum-tree nor of an ancient pine. I want the picture of a boy of
+sixteen years, having a stature of five feet, and two moles upon
+his face."
+
+"That," said the painter, "will be an easy thing to paint." And
+he made the picture in a very little time. It was much like
+Shuntoku-maru; and the woman rejoiced as she departed.
+
+With that picture of Shuntoku she hastened to Kiyomidzu; and she
+pasted the picture upon one of the pillars in the rear of the
+temple.
+
+And with forty-seven out of the forty-nine nails she nailed the
+picture to the pillar; and with the two remaining nails she
+nailed the eyes.
+
+Then feeling assured that she had put a curse upon Shuntoku, that
+wicked woman went home. And she said humbly, "I have returned;"
+and she pretended to be faithful and true.
+
+(1) These numbers simply indicate a great multitude in the
+language of the people; they have no exact significance.
+
+(2) Kago, a kind of palanquin.
+
+(3) The ancient ryo or tael had a value approximating that of the
+dollar of 100 sen.
+
+(4) Fuigo Sama, deity of smiths.
+
+(5) "Diamond Sutra."
+
+(6) Koban, a gold coin. There were koban of a great many curious
+shapes and designs. The most common form was a flat or oval disk,
+stamped with Chinese characters. Some koban were fully five
+inches in length by four in width.
+
+(7) Public announcements are usually written upon small wooden
+tablets attached to a post; and in the country such announcements
+are still set up just as suggested in the ballad.
+
+
+Now three or four months after the stepmother of Shuntoku had
+thus invoked evil upon him he became very sick. Then that
+stepmother secretly rejoiced.
+
+And she spoke cunningly to Nobuyoshi, her husband, saying: "Sir,
+my lord, this sickness of Shuntoku seems to be a very bad
+sickness; and it is difficult to keep one having such sickness in
+the house of a rich man."
+
+Then Nobuyoshi was much surprised, and sorrowed greatly; but,
+thinking to himself that indeed it could not be helped, he called
+Shuntoku to him, and said:--
+
+"Son, this sickness which you have seems to be leprosy; and one
+having such a sickness cannot continue to dwell in this house.
+
+"It were best for you, therefore, to make a pilgrimage through
+all the provinces, in the hope that you may be healed by divine
+influence.
+
+"And my storehouses and my granaries I will not give to
+Otowaka-maru, but only to you, Shuntoku; so you must come back to
+us."
+
+Poor Shuntoku, not knowing how wicked his stepmother was,
+besought her in his sad condition, saying: "Dear mother, I have
+been told that I must go forth and wander as a pilgrim.
+
+"But now I am blind, and I cannot travel without difficulty. I
+should be content with one meal a day in place of three, and glad
+for permission to live in a corner of some storeroom or outhouse;
+but I should like to remain somewhere near my home.
+
+"Will you not please permit me to stay, if only for a little
+time? Honored mother, I beseech you, let me stay."
+
+But she answered: "As this trouble which you now have is only the
+beginning of the bad disease, it is not possible for me to suffer
+you to stay. You must go away from the house at once."
+
+
+Then Shuntoku was forced out of the house by the servants, and
+into the yard, sorrowing greatly.
+
+And the wicked stepmother, following, cried out: "As your father
+has commanded, you must go away at once, Shuntoku."
+
+Shuntoku answered: "See, I have not even a traveling-dress. A
+pilgrim's gown and leggings I ought to have, and a pilgrim's
+wallet for begging."
+
+At hearing these words, the wicked stepmother was glad; and she
+at once gave him all that he required.
+
+Shuntoku received the things, and thanked her, and made ready to
+depart, even in his piteous state.
+
+He put on the gown and hung a wooden mamori (charm) upon his
+breast(1), and he suspended the wallet about his neck. He put on
+his straw sandals and fastened them tightly, and took a bamboo
+staff in his hand, and placed a hat of woven rushes upon his
+head.
+
+And saying, "Farewell, father; farewell, mother," poor Shuntoku
+started on his journey.
+
+Sorrowfully Nobuyoshi accompanied his son a part of the way,
+saying: "It cannot be helped, Shuntoku. But if, through the
+divine favor Of those august deities to whom that charm is
+dedicated, your disease should become cured, then come back to us
+at once, my son."
+
+Hearing from his father these kind words of farewell, Shuntoku
+felt much happier, and covering his face with the great rush hat,
+so as not to be known to the neighbors, he went on alone.
+
+But in a little while, finding his limbs so weak that he was
+afraid he could not go far, and feeling his heart always drawn
+back toward his home, so that he could not help often stopping
+and turning his face thither, he became sad again.
+
+(1) See Professor Chamberlain's "Notes on some Minor Japanese
+Religious Practices," for full details of pilgrimages and pilgrim
+costumes, in Journal of the Anthropological Institute (1898). The
+paper is excellently illustrated.
+
+
+Since it would have been difficult for him to enter any dwelling,
+he had often to sleep under pine-trees or in the forests; but
+sometimes he was lucky enough to find shelter in some wayside
+shrine containing images of the Buddhas.
+
+And once in the darkness of the morning, before the breaking of
+the day, in the hour when the crows first begin to fly abroad and
+cry, the dead mother of Shuntoku came to him in a dream.
+
+And she said to him: "Son, your affliction has been caused by the
+witchcraft of your wicked stepmother. Go now to the divinity of
+Kiyomidzu, and beseech the goddess that you may be healed."
+
+Shuntoku arose, wondering, and took his way toward the city of
+Kyoto, toward the temple of Kiyomidzu.
+
+One day, as he traveled, he went to the gate of the house of a
+rich man named Hagiyama, crying out loudly: "Alms! alms!"
+
+Then a maid servant of the house, hearing the cry, came out and
+gave him food, and laughed aloud, saying: "Who could help
+laughing at the idea of trying to give anything to so comical a
+pilgrim?"
+
+Shuntoku asked: "Why do you laugh? I am the son of a rich and
+well-famed man, Nobuyoshi of Kawachi. But because of a
+malediction invoked upon me by my wicked stepmother, I have
+become as you see me."
+
+Then Otohime, a daughter of that family, hearing the voices, came
+out, and asked the maid: "Why did you laugh?"
+
+The servant answered: "Oh, my lady, there was a blind man from
+Kawachi, who seemed about twenty years old, clinging to the
+pillar of the gate, and loudly crying, 'Alms! alms.'
+
+"So I tried to give him some clean rice upon a tray; but when I
+held out the tray toward his right hand, he advanced his left;
+and when I held out the tray toward his left hand, he advanced
+his right: that was the reason I could not help laughing."
+
+Hearing the maid explaining thus to the young lady, the blind man
+became angry, and said: "You have no right to despise strangers.
+I am the son of a rich and well-famed man in Kawachi, and I am
+called Shuntoku-maru."
+
+Then the daughter of that house, Otohime, suddenly remembering
+him, also became quite angry, and said to the servant: "You must
+not laugh rudely. Laughing at others to-day, you might be laughed
+at yourself to-morrow."
+
+
+But Otohime had been so startled that she could not help
+trembling a little, and, retiring to her room, she suddenly
+fainted away.
+
+Then in the house all was confusion, and a doctor was summoned in
+great baste. But the girl, being quite unable to take any
+medicine, only became weaker and weaker.
+
+Then many famous physicians were sent for; and they consulted
+together about Otohime; and they decided at last that her
+sickness had been caused only by some sudden sorrow.
+
+So the mother said to her sick daughter "Tell me, without
+concealment, if you have any secret grief; and if there be
+anything you want, whatever it be, I will try to get it for you."
+
+Otohime replied: "I am very much ashamed; but I shall tell you
+what I wish.
+
+"The blind man who came here the other day was the son of a rich
+and well-famed citizen of Kawachi, called Nobuyoshi.
+
+"At the time of the festival of Tenjin at Kitano in Kyoto, I met
+that young man there, on my way to the temple; and we then
+exchanged letters of love, pledging ourselves to each other.
+
+"And therefore I very much wish that I may be allowed to travel
+in search of him, until I find him, wherever he may be."
+
+The mother kindly made answer: "That, indeed, will be well. If
+you wish for a kago, you may have one; or if you would like to
+have a horse, you can have one.
+
+"You can choose any servant you like to accompany you, and I can
+let you have as many koban as you desire."
+
+Otohime answered: "Neither horse nor kago do I need, nor any
+servant; I need only the dress of a pilgrim,--leggings and
+gown,--and a mendicant's wallet."
+
+For Otohime held it her duty to set out by herself all alone,
+just as Shuntoku had done.
+
+So she left home, saying farewell to her parents, with eyes full
+of tears: scarcely could she find voice to utter the word
+"good-by."
+
+
+Over mountains and mountains she passed, and again over
+mountains; hearing only the cries of wild deer and the sound of
+torrent-water.
+
+Sometimes she would lose her way; sometimes she would pursue
+alone a steep and difficult path; always she journeyed sorrowing.
+
+At last she saw before her--far, far away--the pine-tree called
+Kawama-matsu, and the two rocks called Ota(1); and when she saw
+those rocks, she thought of Shuntoku with love and hope.
+
+Hastening on, she met five or six persona going to Kumano; and
+she asked them: "Have you not met on your way a blind youth,
+about sixteen years old?"
+
+They made answer: "No, not yet; but should we meet him anywhere,
+we will tell him whatever you wish."
+
+This reply greatly disappointed Otohime; and she began to think
+that all her efforts to find her lover might be in vain; and she
+became very sad.
+
+At last she became so end that she resolved not to try to find
+him in this world anymore, but to drown herself at once in the
+pool of Sawara, that she might be able to meet him in a future
+state.
+
+She hurried there as fast as she could. And when she reached the
+pond, she fixed her pilgrim's staff in the ground, and hung her
+outer robe on a pine-tree, and threw away her wallet, and,
+loosening her hair, arranged it in the style called Shimada(2).
+
+Then, having filled her sleeves with stones, she was about to
+leap into the water, when there appeared suddenly before her a
+venerable man of seemingly not less than eighty years, robed all
+in white, and bearing a tablet in his hand.
+
+And the aged man said to her: "Be not thus in haste to die,
+Otohime! Shuntoku whom you seek is at Kiyomidzu San: go thither
+and meet him."
+
+These were, indeed, the happiest tidings she could have desired,
+and she became at once very happy. And she knew she had thus been
+saved by the august favor of her guardian deity, and that it was
+the god himself who had spoken to her those words.
+
+So she cast away the stones she had put into her sleeves, and
+donned again the outer robe she had taken off, and rearranged her
+hair, and took her way in all haste to the temple of Kiyomidzu.
+
+(l) One meaning of "Ota" in Japanese is "has met" or "have met."
+
+(2) The simple style in which the hair of dead woman is arranged.
+See chapter "Of Women's Hair," in Glimpses of Unfamiliar Japan,
+vol. ii.
+
+At last she reached the temple. She ascended the three lower
+steps, and glancing beneath a porch she saw her lover, Shuntoku,
+lying there asleep, covered with a straw mat; and she called to
+him, "Moshi! Moshi!(1)"
+
+Shuntoku, thus being suddenly awakened, seized his staff, which
+was lying by his side, and cried out, "Every day the children of
+this neighborhood come here and annoy me, because I am blind!"
+
+Otohime hearing these words, and feeling great sorrow, approached
+and laid her hands on her poor lover, and said to him:--
+
+
+"I am not one of those bad, mischievous children; I am the
+daughter of the wealthy Hagiyama. And because I promised myself
+to you at the, festival of Kitano Tenjin in Kyoto, I have come
+here to see you."
+
+Astonished at hearing the voice of his sweet-heart, Shuntoku rose
+up quickly, and cried out: "Oh! are you really Otohime? It is a
+long time since we last met--but this is so strange! Is it not
+all a lie?"
+
+And then, stroking each other, they could only cry, instead of
+speaking.
+
+But presently Shuntoku, giving way to the excitement of his
+grief, cried out to Otohime: "A malediction has been laid upon me
+by my stepmother, and my appearance has been changed, as you see.
+
+"Therefore never can I be united to you as your husband. Even as
+I now am, so must I remain until I fester to death.
+
+"And so you must go beck home at once, and live in happiness and
+splendor."
+
+But she answered in great sorrow: "Never! Are you really in
+earnest? Are you truly in your right senses?
+
+"No, no! I have disguised myself thus only because I loved you
+enough even to give my life for you.
+
+"And now I will never leave yea, no matter what may become of me
+in the future."
+
+Shuntoku was comforted by these words; but he was also filled
+with pity for her, so that he wept, without being able to speak a
+word.
+
+Then she said to him: "Since your wicked stepmother bewitched you
+only because you were rich, I am not afraid to revenge you by
+bewitching her also; for I, too, am the child of a rich man."
+
+And then, with her whole heart, she spoke thus to the divinity
+within the temple:--"For the space of seven days and seven nights
+I shall remain fasting in this temple, to prove my vow; and if
+you have any truth and pity, I beseech you to save us.
+
+"For so great a building as this a thatched roof is not the
+proper roof. I will re-roof it with feathers of little birds; and
+the ridge of the roof I will cover with thigh-feathers of
+falcons.
+
+"This torii and these lanterns of stone are ugly: I will erect a
+torii of gold; and I will make a thousand lamps of gold and a
+thousand of silver, and every evening I will light them.
+
+"In so large a garden as this there should be trees. I will plant
+a thousand hinoki, a thousand sugi, a thousand karamatsu.
+
+"But if Shuntoku should not be healed by reason of this vow, then
+he and I will drown ourselves together in yonder lotos-pond.
+
+"And after our death, taking the form of two great serpents, we
+will torment all who come to worship at this temple, and bar the
+way against pilgrims."
+
+(1) An exclamation uttered to call the attention of another to
+the presence of the speaker,--from the respectful verb "to say."
+Our colloquial "say" does not give the proper meaning. Our
+"please" comes nearer to it.
+
+Now, strange to say, on the night of the seventh day after she
+had vowed this vow, there came to her in a dream Kwannon-Sama who
+said to her:
+
+"The prayer which you prayed I shall grant."
+
+
+Forthwith Otohime awoke, and told her dream to Shuntoku, and they
+both wondered. They arose, and went down to the river together,
+and washed themselves, and worshiped the goddess.
+
+Then, strange to say, the eyes of blind Shuntoku were fully
+opened, and his clear sight came back to him, and the disease
+passed away from him. And both wept because of the greatness of
+their joy.
+
+Together they sought an inn, and there laid aside their
+pilgrim-dresses, and put on fresh robes, and hired kago and
+carriers to bear them home.
+
+
+Reaching the house of his father, Shuntoku cried out: "Honored
+parents, I have returned to you! By virtue of the written charm
+upon the sacred tablet, I have been healed of my sickness, as you
+may see. Is all well with you, honored parents?"
+
+And Shuntoku's father, hearing, ran out and cried: "Oh! how much
+troubled I have been for your sake!
+
+"Never for one moment could I cease to think of you; but now--how
+glad I am to see you, and the bride you have brought with you!"
+And all rejoiced together.
+
+But, on the other hand, it was very strange that the wicked
+stepmother at the same moment became suddenly blind, and that her
+fingers and her toes began to rot, so that she was in great
+torment.
+
+Then the bride and the bridegroom said to that wicked stepmother:
+"Lo! the leprosy has come upon you!
+
+"We cannot keep a leper in the house of a rich man. Please to go
+away at once!
+
+"We shall give you a pilgrim's gown and leggings, a rush hat, and
+a staff; for we have all these things ready here."
+
+Then the wicked stepmother knew that even to save her from death
+it could not be helped, because she herself had done so wicked a
+thing before. Shuntoku and his wife were very glad; how rejoiced
+they were!
+
+The stepmother prayed them to allow her only one small meal a
+day,--just as Shuntoku had done; but Otohime said to the stricken
+woman: "We cannot keep you here,--not even in the corner of an
+outhouse. Go away at once!"
+
+Also Nobuyoshi said to his wicked wife: "What do you mean by
+remaining here? How long do you require to go?"
+
+And he drove her out, and she could not help herself, and she
+went away crying, and striving to hide her face from the sight of
+the neighbors.
+
+Otowaka led his blind mother by the hand; and together they went
+to Kyoto and to the temple of Kiyomidzu.
+
+When they got there they ascended three of the temple steps, and
+knelt down, and prayed the goddess, saying: "Give us power to
+cast another malediction!"
+
+But the goddess suddenly appeared before them, and said: "Were it
+a good thing that you pray for, I would grant your prayer; but
+with an evil matter I will have no more to do.
+
+"If you must die, then die there! And after your death you shall
+be sent to hell, and there put into the bottom of an iron caldron
+to be boiled."
+
+_This is the end of the Story of Shuntoku. With a jubilant tap of
+the fan we finish so! Joyfully!-joyfully!-joyfully!_
+
+
+
+THE BALLAD OF OGURI-HANGWAN
+
+_To tell every word of the tale,--this is the story of
+Oguri-Hangwan_.
+
+
+I. THE BIRTH
+
+The famed Takakura Dainagon, whose other name was Kane-ie, was so
+rich that he had treasure-houses in every direction.
+
+He owned one precious stone that had power over fire, and another
+that had power over water.
+
+He also had the claws of a tiger, extracted from the paws of the
+living animal; he had the horns of a colt; and he likewise owned
+even a musk-cat (jako-neko)(1).
+
+Of all that a man might have in this world, he wanted nothing
+except an heir, and he had no other cause for sorrow.
+
+A trusted servant in his house named Ikenoshoji said at last to
+him these words:--
+
+"Seeing that the Buddhist deity Tamon-Ten, enshrined upon the
+holy mountain of Kurama, is famed for his divine favor far and
+near, I respectfully entreat you to go to that temple and make
+prayer to him; for then your wish will surely be fulfilled."
+
+To this the master agreed, and at once began to make preparation
+for a journey to the temple.
+
+As he traveled with great speed he reached the temple very soon;
+and there, having purified his body by pouring water over it, he
+prayed with all his heart for an heir.
+
+And during three days and three nights he abstained from food of
+every sort. But all seemed in vain.
+
+Wherefore the lord, despairing because of the silence of the god,
+resolved to perform _harakiri_ in the temple, and so to defile
+the sacred building.
+
+Moreover, he resolved that his spirit, after his death, should
+haunt the mountain of Kurama, to deter and terrify all pilgrims
+upon the nine-mile path of the mountain.
+
+The delay of even one moment would have been fatal; but good
+Ikenoshoji came running to the place just in time, and prevented
+the seppuku(2).
+
+"Oh, my lord!" the retainer cried, "you are surely too hasty in
+your resolve to die.
+
+"Rather first suffer me to try my fortune, and see if I may not
+be able to offer up prayer for your sake with more success."
+
+Then after having twenty-one times purified his body,--seven
+times washing with hot water, seven times with cold, and yet
+another seven times washing himself with a bundle of
+bamboo-grass,--he thus prayed to the god:--
+
+"If to my lord an heir be given by the divine favor, then I vow
+that I will make offering of paving-blocks of bronze wherewith to
+pave this temple court.
+
+"Also of lanterns of bronze to stand in rows without the temple,
+and of plating of pure gold and pure silver to cover all the
+pillars within!"
+
+And upon the third of the three nights which he passed in prayer
+before the god, Tamon-Ten revealed himself to the pious
+Ikenoshoji and said to him:--
+
+"Earnestly wishing to grant your petition, I sought far and near
+for a fitting heir,--even as far as Tenjiku (India) and Kara
+(China).
+
+"But though human beings are numerous as the stars in the sky or
+the countless pebbles upon the shore, I was grieved that I could
+not find of the seed of man one heir that might well be given to
+your master.
+
+"And at last, knowing not what else to do, I took away by stealth
+[the spirit?] of one of the eight children whose father was one
+of the Shi-Tenno(3), residing on the peak Ari-ari, far among the
+Dandoku mountains. And that child I will give to become the heir
+of your master."
+
+Having thus spoken, the deity retired within the innermost
+shrine. Then Ikenoshoji, starting from his real dream, nine times
+prostrated himself before the god, and hastened to the dwelling
+of his master.
+
+Erelong the wife of Takakura Dainagon found herself with child;
+and after the ten(4) happy months she bore a son with painless
+labor.
+
+It was strange that the infant had upon his forehead, marked
+quite plainly and naturally, the Chinese character for "rice."
+
+And it was yet more strange to find that in his eyes four
+Buddhas(5) were reflected.
+
+Ikenoshoji and the parents rejoiced; and the name Ari-waka (Young
+Ari) was given the child--after the name of the mountain Ari-ari
+--on the third day after the birth.
+
+(1)"Musk-rat" is the translation given by some dictionaries.
+"Musk-deer" was suggested by my translator. But as some
+mythological animal is evidently meant, I thought it better to
+translate the word literally.
+
+(2) The Chinese term for harakiri. It is thought to be the more
+refined word.
+
+(3) Shi-Tenno: the Four Deva Kings of Buddhism, who guard the
+Four Quarters of the World.
+
+(4) That is, ten by the ancient native manner of reckoning time.
+
+(5) Shitai-no-mi-Hotoke: literally, a four-bodied-august Buddha.
+The image in the eye is called the Buddha: the idea here
+expressed seems to be that the eyes of the child reflected four
+instead of two images. Children of supernatural beings were
+popularly said to have double pupils. But I am giving only a
+popular explanation of the term.
+
+
+II. THE BANISHMENT
+
+Very quickly the child grew; and when he became fifteen, the
+reigning Emperor gave him the name and title of Oguri-Hangwan
+Kane-uji.
+
+When he reached manhood his father resolved to get him a bride.
+
+So the Dainagon looked upon all the daughters of the ministers
+and high officials, but he found none that he thought worthy to
+become the wife of his son.
+
+But the young Hangwan, learning that he himself had been a gift
+to his parents from Tamon-Ten, resolved to pray to that deity for
+a spouse; and he hastened to the temple of the divinity,
+accompanied by Ikenoshoji.
+
+There they washed their hands and rinsed their mouths, and
+remained three nights without sleep, passing all the time in
+religious exercises.
+
+But as they had no companions, the young prince at last felt very
+lonesome, and began to play on his flute, made of the root of the
+bamboo.
+
+Seemingly charmed by these sweet sounds, the great serpent that
+lived in the temple pond came to the entrance of the
+temple,--transforming its fearful shape into the likeness of a
+lovely female attendant of the Imperial Court,--and fondly
+listened to the melody.
+
+Then Kane-uji thought he saw before him the very lady he desired
+for a wife. And thinking also that she was the one chosen for him
+by the deity, he placed the beautiful being in a palanquin and
+returned to his home.
+
+But no sooner had this happened than a fearful storm burst upon
+the capital, followed by a great flood; and the flood and the
+storm both lasted for seven days and seven nights.
+
+The Emperor was troubled greatly by these omens; and he sent for
+the astrologers, that they might explain the causes thereof.
+
+They said in answer to the questions asked of them that the
+terrible weather was caused only by the anger of the male
+serpent, seeking vengeance for the loss of its mate,--which was
+none other than the fair woman that Kane-uji had brought back
+with him.
+
+Whereupon the Emperor commanded that Kane-uji should be banished
+to the province of Hitachi, and that the transformed female
+serpent should at once be taken back to the pond upon the
+mountain of Kurama.
+
+And being thus compelled by imperial order to depart, Kane-uji
+went away to the province of Hitachi, followed only by his
+faithful retainer, Ikenoshoji.
+
+
+III. THE EXCHANGE OF LETTERS
+
+Only a little while after the banishment of Kane-uji, a traveling
+merchant, seeking to sell his wares, visited the house of the
+exiled prince at Hitachi.
+
+And being asked by the Hangwan where he lived, the merchant made
+answer, saying:--"I live in Kyoto, in the street called
+Muromachi, and my name is Goto Sayemon.
+
+"My stock consists of goods of one thousand and eight different
+kinds which I send to China, of one thousand and eight kinds
+which I send to India, and yet another thousand and eight kinds
+which I sell only in Japan.
+
+"So that my whole stock consists of three thousand and
+twenty-four different kinds of goods.
+
+"Concerning the countries to which I have already been, I may
+answer that I made three voyages to India and three to China and
+this is my seventh journey to this part of Japan."
+
+Having heard these things, Oguri-Hangwan asked the merchant
+whether he knew of any young girl who would make a worthy wife,
+since he, the prince, being still unmarried, desired to find such
+a girl.
+
+Then said Sayemon: "In the province of Sagami, to the west of us,
+there lives a rich man called Tokoyama Choja, who has eight sons.
+
+"Long he lamented that he had no daughter, and he long prayed for
+a daughter to the August Sun.
+
+"And a daughter was given him; and after her birth, her parents
+thought it behoved them to give her a higher rank than their own,
+because her birth had come to pass through the divine influence
+of the August Heaven-Shining Deity; so they built for her a
+separate dwelling.
+
+"She is, in very truth, superior to all other Japanese women; nor
+can I think of any other person in every manner worthy of you."
+
+This story much pleased Kane-uji; and he at once asked Sayemon to
+act the part of match-maker(1) for him; and Sayemon promised to
+do everything in his power to fulfill the wish of the Hangwan.
+
+Then Kane-uji called for inkstone and writing-brush, and wrote a
+love-letter, and tied it up with such a knot as love-letters are
+tied with.
+
+And he gave it to the merchant to be delivered to the lady; and
+he gave him also, in reward for his services, one hundred golden
+ryo.
+
+Sayemon again and again prostrated himself in thanks; and he put
+the letter into the box which he always carried with him. And
+then he lifted the box upon his back, and bade the prince
+fare-well.
+
+Now, although the journey from Hitachi to Sagami is commonly a
+journey of seven days, the merchant arrived there at noon upon
+the third day, having traveled in all haste, night and day
+together, without stopping.
+
+And he went to the building called Inui-no-Goshyo, which had been
+built by the rich Yokoyama for the sake of his only daughter,
+Terute-Hime, in the district of Soba, in the province of Sagami;
+and he asked permission to enter therein.
+
+But the stern gate-keepers bade him go away, announcing that the
+dwelling was the dwelling of Terute-Hime, daughter of the famed
+Choja Yokoyama, and that no person of the male sex whosoever
+could be permitted to enter; and furthermore, that guards had
+been appointed to guard the palace--ten by night and ten by
+day--with extreme caution and severity.
+
+But the merchant told the gate-keepers that he was Goto Sayemon,
+of the street called Muromachi, in the city of Kyoto; that he was
+a well-famed merchant there, and was by the people called
+Sendanya; that he had thrice been to India and thrice to China,
+and was now upon his seventh return journey to the great country
+of the Rising Sun.
+
+And he said also to them: "Into all the palaces of Nihon, save
+this one only, I have been freely admitted; so I shall be deeply
+grateful to you if you permit me to enter."
+
+Thus saying, he produced many rolls of silk, and presented them
+to the gate-keepers; and their cupidity made them blind; and the
+merchant, without more difficulty, entered, rejoicing.
+
+Through the great outer gate he passed, and over a bridge, and
+then found himself in front of the chambers of the female
+attendants of the superior class.
+
+And he called out with a very loud voice: "O my ladies, all
+things that you may require I have here with me!
+
+"I have all _jorogata-no-meshi-dogu_; I have hair-combs and
+needles and tweezers; I have _tategami_, and combs of silver, and
+_kamoji_ from Nagasaki, and even all kinds of Chinese mirrors!"
+
+Whereupon the ladies, delighted with the idea of seeing these
+things, suffered the merchant to enter their apartment, which he
+presently made to look like a shop for the sale of female toilet
+articles.
+
+(1) Nakodo. The profession of nakodo exists; but any person who
+arranges marriages for a consideration is for the time being
+called the nakodo.
+
+
+But while making bargains and selling very quickly, Sayemon did
+not lose the good chance offered him; and taking from his box the
+love-letter which had been confided to him, he said to the
+ladies:--
+
+"This letter, if I remember rightly, I picked up in some town in
+Hitachi, and I shall be very glad if you will accept it,--either
+to use it for a model if it be written beautifully, or to laugh
+at if it prove to have been written awkwardly."
+
+Then the chief among the maids, receiving the letter, tried to
+read the writing upon the envelope: _"Tsuki ni hoshi--ame ni
+arare ga--kori kana,_"--
+
+Which signified, "Moon and stars--rain and hail--make ice." But
+she could not read the riddle of the mysterious words.
+
+The other ladies, who were also unable to guess the meaning of
+the words, could not but laugh; and they laughed so shrilly that
+the Princess Terute heard, and came among them, fully robed, and
+wearing a veil over her night-black hair.
+
+And the bamboo-screen having been rolled up before her,
+Terute-Hime asked: "What is the cause of all this laughing? If
+there be anything amusing, I wish that you will let me share in
+the amusement."
+
+The maids then answered, saying: "We were laughing only at our
+being unable to read a letter which this merchant from the
+capital says that he picked up in some street. And here is the
+letter: even the address upon it is a riddle to us."
+
+And the letter, having been laid upon an open crimson fan, was
+properly presented to the princess, who received it, and admired
+the beauty of the writing, and said:--
+
+"Never have I seen so beautiful a hand as this: it is like the
+writing of Kobodaishi himself, or of Monju Bosatsu.
+
+"Perhaps the writer is one of those princes of the Ichijo, or
+Nijo, or Sanjo families, all famed for their skill in writing.
+
+"Or, if this guess of mine be wrong, then I should say that these
+characters have certainly been written by Oguri-Hangwan Kane-uji,
+now so famed in the province of Hitachi.... I shall read the
+letter for you."
+
+Then the envelope was removed; and the first phrase she read was
+_Fuji no yama_ (the Mountain of Fuji), which she interpreted as
+signifying loftiness of rank. And then she met with such phrases
+as these:--
+
+_Kiyomidzu kosaka_ (the name of a place); _arare ni ozasa_ (hail
+on the leaves of the bamboo-grass); _itaya ni arare_ (hail
+following upon a wooden roof);
+
+_Tamato ni kori_ (ice in the sleeve); _nonaka ni shimidzu_ (pure
+water running through a moor); _koike ni makomo_ (rushes in a
+little pond);
+
+_Inoba ni tsuyu_ (dew on the leaves of the taro); _shakunaga obi_
+(a very long girdle); _shika ni momiji_ (deer and maple-trees);
+
+_Futamata-gawa (a forked river); _hoso tanigawa-ni marukibashi_
+(a round log laid over a little stream for a bridge); _tsurunashi
+yumi ni hanuki dori_ (a stringless bow, and a wingless bird).
+
+And then she understood that the characters signified:--
+
+_Maireba au_--they would meet, for he would call upon her.
+_Arare nai_--then they would not be separated. _Korobi au_--they
+would repose together.
+
+And the meaning of the rest was thus:--
+
+"This letter should be opened within the sleeve, so that others
+may know nothing of it. Keep the secret in your own bosom.
+
+"You must yield to me even as the rush bends to the wind. I am
+earnest to serve you in all things.
+
+"We shall surely be united at last, whatever chance may separate
+us at the beginning. I wish for you even as the stag for its mate
+in the autumn.
+
+"Even though long kept apart we shall meet, as meet the waters of
+a river divided in its upper course into two branches.
+
+"Divine, I pray you, the meaning of this letter, and preserve it.
+I hope for a fortunate answer. Thinking of Terute-Hime, I feel as
+though I could fly."
+
+And the Princess Terute found at the end of the letter the name
+of him who wrote it,--Oguri-Hangwan Kane-uji himself,--together
+with her own name, as being written to her.
+
+Then she felt greatly troubled, because she had not at first
+supposed that the letter was addressed to her, and had, without
+thinking, read it aloud to the female attendants.
+
+For she well knew that her father would quickly kill her in a
+most cruel manner, should the iron-hearted Choja(1) come to know
+the truth.
+
+Wherefore, through fear of being mingled with the earth of the
+moor Uwanogahara,--fitting place for a father in wrath to slay
+his daughter,--she set the end of the letter between her teeth,
+and rent it to pieces, and withdrew to the inner apartment.
+
+(1) Choja is not a proper name: it signifies really a wealthy man
+only, like the French terms "un richard," "un riche." But it is
+used almost like a proper name in the country still; the richest
+man in the place, usually a person of influence, being often
+referred to as "the Choja."
+
+
+But the merchant, knowing that he could not go back to Hitachi
+without bearing some reply, resolved to obtain one by cunning.
+
+Wherefore he hurried after the princess even into her innermost
+apartment, without so much as waiting to remove his sandals, and
+he cried out loudly:--"Oh, my princess! I have been taught that
+written characters were invented in India by Monju Bosatsu, and
+in Japan by Kobodaishi.
+
+"And is it not like tearing the hands of Kobodaishi, thus to tear
+a letter written with characters?
+
+"Know you not that a woman is less pure than a man? Wherefore,
+then, do you, born a woman, thus presume to tear a letter?
+
+"Now, if you refuse to write a reply, I shall call upon all the
+gods; I shall announce to them this unwomanly act, and I shall
+invoke their malediction upon you!"
+
+And with these words he took from the box which he always carried
+with him a Buddhist rosary; and he began to twist it about with
+an awful appearance of anger.
+
+Then the Princess Terute, terrified and grieved, prayed him to
+cease his invocations, and promised that she would write an
+answer at once.
+
+So her answer was quickly written, and given to the merchant, who
+was overjoyed by his success, and speedily departed for Hitachi,
+carrying his box upon his back.
+
+
+IV. HOW KANE-UJI BECAME A BRIDEGROOM WITHOUT HIS FATHER-IN-LAW'S
+CONSENT
+
+Traveling with great speed, the nakodo quickly arrived at the
+dwelling of the Hangwan, and gave the letter to the master, who
+removed the cover with hands that trembled for joy.
+
+Very, very short the answer was,--only these words: _Oki naka
+bune_, "a boat floating in the offing."
+
+But Kane-uji guessed the meaning to be: "As fortunes and
+misfortunes are common to all, be not afraid, and try to come
+unseen."
+
+Therewith he summoned Ikenoshoji, and bade him make all needful
+preparation for a rapid journey. Goto Sayemon consented to serve
+as guide.
+
+He accompanied them; and when they reached the district of Soba,
+and were approaching the house of the princess, the guide said to
+the prince:--
+
+"That house before us, with the black gate, is the dwelling of
+the far-famed Yokoyama Choja; and that other house, to the
+northward of it, having a red gate, is the residence of the
+flower-fair Terute.
+
+"Be prudent in all things, and you will succeed." And with these
+words, the guide disappeared.
+
+Accompanied by his faithful retainer, the Hangwan approached the
+red gate.
+
+Both attempted to enter, when the gate-keeper sought to prevent
+them; declaring they were much too bold to seek to enter the
+dwelling of Terute-Hime, only daughter of the renowned Yokoyama
+Choja,--the sacred child begotten through the favor of the deity
+of the Sun.
+
+"You do but right to speak thus," the retainer made reply. "But
+you must learn that we are officers from the city in search of a
+fugitive.
+
+"And it is just because all males are prohibited from entering
+this dwelling that a search therein must be made."
+
+Then the guards, amazed, suffered them to pass, and saw the
+supposed officers of justice enter the court, and many of the
+ladies in waiting come forth to welcome them as guests.
+
+And the Lady Terute, marvelously pleased by the coming of the
+writer of that love-letter, appeared before her wooer, robed in
+her robes of ceremony, with a veil abut her shoulders.
+
+Kane-uji was also much delighted at being thus welcomed by the
+beautiful maiden. And the wedding ceremony was at once performed,
+to the great joy of both, and was followed by a great wine feast.
+
+So great was the mirth, and so joyful were all, that the
+followers of the prince and the maids of the princess danced
+together, and together made music.
+
+And Oguri-Hangwan himself produced his flute, made of the root of
+a bamboo, and began to play upon it sweetly.
+
+Then the father of Terute, hearing all this joyous din in the
+house of his daughter, wondered greatly what the cause might be.
+
+But when he had been told how the Hangwan had become the
+bridegroom of his daughter without his consent, the Choja grew
+wondrous angry, and in secret devised a scheme of revenge.
+
+
+V. THE POISONING
+
+The next day Yokoyama sent to Prince Kane-uji a message, inviting
+him to come to his house, there to perform the wine-drinking
+ceremony of greeting each other as father-in-law and son-in-law.
+
+Then the Princess Terute sought to dissuade the Hangwan from
+going there, because she had dreamed in the night a dream of ill
+omen.
+
+But the Hangwan, making light of her fears, went boldly to the
+dwelling of the Choja, followed by his young retainers.
+Then Yokoyama Choja, rejoicing, caused many dishes to be
+prepared, containing all delicacies furnished by the mountains
+and the sea(1), and well entertained the Hangwan.
+
+At last, when the wine-drinking began to flag, Yokoyama uttered
+the wish that his guest, the lord Kane-uji, would also furnish
+some entertainment(2).
+
+"And what shall it be?" the Hangwan asked.
+
+"Truly," replied the Choja, "I am desirous to see you show your
+great skill in riding."
+
+"Then I shall ride," the prince made answer. And presently the
+horse called Onikage(3) was led out.
+
+That horse was so fierce that he did not seem to be a real horse,
+but rather a demon or a dragon, so that few dared even to
+approach him.
+
+But the Prince Hangwan Kane-uji at once loosened the chain by
+which the horse was fastened, and rode upon him with wondrous
+ease.
+
+In spite of his fierceness, Onikage found himself obliged to do
+everything which his rider wished. All present, Yokoyama and the
+others, could not speak for astonishment.
+
+But soon the Choja, taking and setting up a six-folding screen,
+asked to see the prince ride his steed upon the upper edge of the
+screen.
+
+The lord Oguri, consenting, rode upon the top of the screen; and
+then he rode along the top of an upright shoji frame.
+
+Then a chessboard being set out, he rode upon it, making the
+horse rightly set his hoof upon the squares of the chessboard as
+he rode.
+
+And, lastly, he made the steed balance himself upon the frame of
+an andon(4).
+
+Then Yokoyama was at a loss what to do, and he could only say,
+bowing low to the prince:
+
+"Truly I am grateful for your entertainment; I am very much
+delighted."
+
+And the lord Oguri, having attached Onikage to a cherry-tree in
+the garden, reentered the apartment.
+
+But Saburo, the third son of the house, having persuaded his
+father to kill the Hangwan with poisoned wine, urged the prince
+to drink sake with which there had been mingled the venom of a
+blue centipede and of a blue lizard, and foul water that had long
+stood in the hollow joint of a bamboo.
+
+And the Hangwan and his followers, not suspecting the wine had
+been poisoned, drank the whole.
+
+Sad to say, the poison entered into their viscera and their
+intestines; and all their bones burst asunder by reason of the
+violence of that poison.
+
+(1) Or, "with all strange flavors of mountain and sea."
+
+(2) The word is really sakana, "fish." It has always been
+the rule to serve fish with sake; and gradually the word
+"fish" became used for any entertainment given during the
+wine-party by guests, such as songs, dances, etc.
+
+(3) Literally, "Demon-deer-hair." The term "deer-hair" refers to
+color. A less exact translation of the original characters would
+be "the demon chestnut". Kage, "deer-color" also means
+"chestnut." A chestnut horse is Kage-no-uma.
+
+(4) A large portable lantern, having a wooden frame and paper
+sides. There are andon of many forms, some remarkably beautiful.
+
+
+Their lives passed from them quickly as dew in the morning from
+the grass.
+
+And Saburo and his father buried their corpses in the moor
+Uwanogahara.
+
+
+VI. CAST ADRIFT
+
+The cruel Yokoyama thought that it would not do to suffer his
+daughter to live, after he had thus killed her husband. Therefore
+he felt obliged to order his faithful servants, Onio and Oniji,
+(1) who were brothers, to take her far out into the sea of
+Sagami, and to drown her there.
+
+And the two brothers, knowing their master was too stony-hearted
+to be persuaded otherwise, could do nothing but obey. So they
+went to the unhappy lady, and told her the purpose for which they
+had been sent.
+
+Terute-Hime was so astonished by her father's cruel decision that
+at first she thought all this was a dream, from which she
+earnestly prayed to be awakened.
+
+After a while she said: "Never in my whole life have I knowingly
+committed any crime.... But whatever happen to my own body, I am
+more anxious than I can say to learn what became of my husband
+after he visited my father's house."
+
+"Our master," answered the two brothers, "becoming very angry at
+learning that you two had been wedded without his lawful
+permission, poisoned the young prince, according to a plan
+devised by your brother Saburo."
+
+Then Terute, more and more astonished, invoked, with just cause,
+a malediction upon her father for his cruelty.
+
+But she was not even allowed time to lament her fate; for Onio
+and his brother at once removed her garments, and put her naked
+body into a roll of rush matting.
+
+When this piteous package was carried out of the house at night,
+the princess and her waiting-maids bade each other their last
+farewells, with sobs and cries of grief.
+
+(1) Onio, "the king of devils," Oniji, "the next greatest devil."
+
+
+The brothers Onio and Oniji then rowed far out to sea with their
+pitiful burden. But when they found themselves alone, then Oniji
+said to Onio that it were better they should try to save their
+young mistress.
+
+To this the elder brother at once agreed without difficulty; and
+both began to think of some plan to save her.
+
+Just at the same time an empty canoe came near them, drifting
+with the sea-current.
+
+At once the lady was placed in it; and the brothers, exclaiming,
+"That indeed was a fortunate happening," bade their mistress
+farewell, and rowed back to their master.
+
+
+VII. THE LADY YORIHIME
+
+The canoe bearing poor Terute was tossed about by the waves for
+seven days and seven nights, during which time there was much
+wind and rain. And at last it was discovered by some fishermen
+who were fishing near Nawoye.
+
+But they thought that the beautiful woman was certainly the
+spirit that had caused the long storm of many days; and Terute
+might have been killed by their oars, had not one of the men of
+Nawoye taken her under his protection.
+
+Now this man, whose name was Murakimi Dayu, resolved to adopt the
+princess as his daughter as he had no child of his own to be his
+heir.
+
+So he took her to his home, and named her Yorihime, and treated
+her so kindly that his wife grew jealous of the adopted daughter,
+and therefore was often cruel to her when the husband was absent.
+
+But being still more angered to find that Yorihime would not go
+away of her own accord, the evil-hearted woman began to devise
+some means of getting rid of her forever.
+
+Just at that time the ship of a kidnapper happened to cast anchor
+in the harbor. Needless to say that Yorihime was secretly sold to
+this dealer in human flesh.
+
+
+VIII. BECOMING A SERVANT
+
+After this misfortune, the unhappy princess passed from one
+master to another as many as seventy-five times. Her last
+purchaser was one Yorodzuya Chobei, well known as the keeper of a
+large joroya(1) in the province of Mino.
+
+When Terute-Hime was first brought before this new master, she
+spoke meekly to him, and begged him to excuse her ignorance of
+all refinements and of deportment. And Chobei then asked her to
+tell him all about herself, her native place, and her family.
+But Terute-Hime thought it would not be wise to mention even the
+name of her native province, lest she might possibly be forced to
+speak of the poisoning of her husband by her own father.
+
+So she resolved to answer only that she was born in Hitachi;
+feeling a sad pleasure in saying that she belonged to the same
+province in which the lord Hangwan, her lover, used to live.
+
+"I was born," she said, "in the province of Hitachi; but I am of
+too low birth to have a family name. Therefore may I beseech you
+to bestow some suitable name upon me?"
+
+Then Terute-Hime was named Kohagi of Hitachi, and she was told
+that she would have to serve her master very faithfully in his
+business.
+
+But this order she refused to obey, and said that she would
+perform with pleasure any work given her to do, however mean or
+hard, but that she would never follow the business of a joro.
+
+"Then," cried Chobei in anger, "your daily tasks shall be
+these:--
+
+"To feed all the horses, one hundred in number, that are kept in
+the stables, and to wait upon all other persons in the house when
+they take their meals.
+
+"To dress the hair of the thirty-six joro belonging to this
+house, dressing the hair of each in the style that best becomes
+her; and also to fill seven boxes with threads of twisted hemp.
+
+"Also to make the fire daily in seven furnaces, and to draw water
+from a spring in the mountains, half a mile from here."
+
+Terute knew that neither she nor any other being alive could
+possibly fulfill all the tasks thus laid upon her by this cruel
+master; and she wept over her misfortune.
+
+But she soon felt that to weep could avail her nothing. So wiping
+away her tears, she bravely resolved to try what she could do,
+and then putting on an apron, and tying back her sleeves, she set
+to work feeding the horses.
+
+The great mercy of the gods cannot be understood; but it is
+certain that as she fed the first horse, all the others, through
+divine influence, were fully fed at the same time.
+
+And the same wonderful thing happened when she waited upon the
+people of the house at mealtime, and when she dressed the hair of
+the girls, and when she twisted the threads of hemp, and when she
+went to kindle the fire in the furnaces.
+
+But saddest of all it was to see Terute-Hime bearing the
+water-buckets upon her shoulders, taking her way to the distant
+spring to draw water.
+
+And when she saw the reflection of her much-changed face in the
+water with which she filled her buckets, then indeed she wept
+very bitterly.
+
+But the sudden remembrance of the cruel Chobei filled her with
+exceeding fear, and urged her back in haste to her terrible
+abode.
+
+But soon the master of the joroya began to see that his new
+servant was no common woman, and to treat her with a great show
+of kindness.
+
+(1)A house of prostitution.
+
+
+IX. DRAWING THE CART
+
+And now we shall tell what became of Kane-uji.
+
+The far-famed Yugyo Shonin, of the temple of Fujisawa in Kagami,
+who traveled constantly in Japan to preach the law of Buddha in
+all the provinces, chanced to be passing over the moor
+Uwanogahara.
+
+There he saw many crows and kites flitting about a grave. Drawing
+nearer, he wondered much to see a nameless thing, seemingly
+without arms or legs, moving between the pieces of a broken
+tombstone.
+
+Then he remembered the old tradition, that those who are put to
+death before having completed the number of years allotted to
+them in this world reappear or revive in the form called
+_gaki-ami_.
+
+And he thought that the shape before him must be one of those
+unhappy spirits; and the desire arose in his kindly heart to have
+the monster taken to the hot springs belonging to the temple of
+Kumano, and thereby enable it to return to its former human
+state.
+
+So he had a cart made for the _gaki-ami_, and he placed the
+nameless shape in it, and fastened to its breast a wooden tablet,
+inscribed with large characters.
+
+And the words of the inscription were these: "Take pity upon this
+unfortunate being, and help it upon its journey to the hot
+springs of the temple of Kumano.
+
+"Those who draw the cart even a little way, by pulling the rope
+attached to it, will be rewarded with very great good fortune.
+
+"To draw the cart even one step shall be equal in merit to
+feeding one thousand priests, and to draw it two steps shall be
+equal in merit to feeding ten thousand priests;
+
+"And to draw it three steps shall be equal in merit to causing
+any dead relation--father, mother, or husband--to enter upon the
+way of Buddhahood."
+
+Thus very soon travelers who traveled that way took pity on the
+formless one: some drew the cart several miles, and, others were
+kind enough to draw it for many days together.
+
+And so, after much time, the _gaki-ami_ in its cart appeared
+before the joroya of Yorodzuya Chobei; and Kohagi of Hitachi,
+seeing it, was greatly moved by the inscription.
+
+Then becoming suddenly desirous to draw the cart if even for one
+day only, and so to obtain for her dead husband the merit
+resulting from such work of mercy, she prayed her master to allow
+her three days' liberty that she might draw the cart.
+
+And she asked this for the sake of her parents; for she dared not
+speak of her husband, fearing the master might become very angry
+were he to learn the truth.
+
+Chobei at first refused, declaring in a harsh voice that since
+she had not obeyed his former commands, she should never be
+allowed to leave the house, even for a single hour.
+
+But Kohagi said to him: "Lo, master! the hens go to their nests
+when the weather becomes cold, end the little birds hie to the
+deep forest. Even so do men in time of misfortune flee to the
+shelter of benevolence.
+
+"Surely it is because you are known as a kindly man that the
+_gaki-ami_ rested a while outside the fence of this house.
+
+"Now I shall promise to give up even a life for my master and
+mistress in case of need, providing you will only grant me three
+days' freedom now."
+
+So at last the miserly Chobei was persuaded to grant the prayer;
+and his wife was glad to add even two days more to the time
+permitted. And Kohagi, thus freed for five days, was so rejoiced
+that she at once without delay commenced her horrible task.
+
+After having, with much hardship, passed through such places as
+Fuhanoseki, Musa, Bamba, Samegaye, Ono, and Suenaga-toge, she
+reached the famed town of Otsu, in the space of three days.
+
+There she knew that she would have to leave the cart, since it
+would take her two days to return thence to the province of Mino.
+
+
+On her long way to Otsu, the only pleasing sights and sounds were
+the beautiful lilies growing wild by the roadside, the voices of
+the hibari and shijugara(1) and all the birds of spring that sang
+in the trees, and the songs of the peasant girls who were
+planting the rice.
+
+But such sights and sounds could please her only a moment; for
+most of them caused her to dream of other days, and gave her pain
+by making her recollect the hopeless condition into which she had
+now fallen.
+
+(1) Hibari, a species of field lark; shijugara, a kind of
+titmouse.
+
+
+Though greatly wearied by the hard labor she had undertaken for
+three whole days, she would not go to an inn. She passed the last
+night beside the nameless shape, which she would have to leave
+next day.
+
+"Often have I heard," she thought to herself, "that a _gaki-ami_
+is a being belonging to the world of the dead. This one, then,
+should know something about my dead husband.
+
+"Oh that this _gaki-ami_ had the sense either of hearing or of
+sight! Then I could question it about Kane-uji, either by word of
+mouth or in writing."
+
+When day dawned above the neighboring misty mountains, Kohagi
+went away to get an inkstone and a brush; and she soon returned
+with these to the place where the cart was.
+
+Then, with the brush, she wrote, below the inscription upon the
+wooden tablet attached to the breast of the _gaki-ami_, these
+words:--
+
+"When you shall have recovered and are able to return to your
+province, pray call upon Kohagi of Hitachi, a servant of
+Yorodzuya Chobei of the town of Obaka in the province of Mino.
+
+"For it will give me much joy to see the person for whose sake I
+obtained with difficulty five days' freedom, three of which I
+gave to drawing your cart as far as this place."
+
+Then she bade the _gaki-ami_ farewell, and turned back upon her
+homeward way, although she found it very difficult thus to leave
+the cart alone.
+
+
+X. THE REVIVAL
+
+At last the _gaki-ami_ was brought to the hot springs of the
+famed temple of Kumano Gongen, and, by the aid of those
+compassionate persons who pitied its state, was daily enabled to
+experience the healing effects of the bath.
+
+After a single week the effects of the bath caused the eyes,
+nose, ears, and mouth to reappear; after fourteen days all the
+limbs had been fully re-formed;
+
+And after one-and-twenty days the nameless shape was completely
+transformed into the real Oguri-Hangwan Kane-uji, perfect and
+handsome as he had been in other years.
+
+When this marvelous change had been effected, Kane-uji looked all
+about him, and wondered much when and how he had been brought to
+that strange place.
+
+But through the august influence of the god of Kumano things were
+so ordained that the revived prince could return safely to his
+home at Nijo in Kyoto, where his parents, the lord Kane-ie and
+his spouse, welcomed him with great joy.
+
+Then the august Emperor, hearing all that had happened, thought
+it a wonderful thing that an of his subjects, after having been
+dead three years, should have thus revived.
+
+And not only did he gladly pardon the fault for which the Hangwan
+had been banished, but further appointed him to be lord ruler of
+the three provinces, Hitachi, Sagami, and Mino.
+
+
+XI. THE INTERVIEW
+
+One day Oguri-Hangwan left his residence to make a journey of
+inspection through the provinces of which he had been appointed
+ruler. And reaching Mino, he resolved to visit Kohagi of Hitachi,
+and to utter his thanks to her for her exceeding goodness.
+
+Therefore he lodged at the house of Yorodzuya, where he was
+conducted to the finest of all the guest-chambers, which was made
+beautiful with screens of gold, with Chinese carpets, with Indian
+hangings, and with other precious things of great cost.
+
+When the lord ordered Kohagi of Hitachi to be summoned to his
+presence, he was answered that she was only one of the lowest
+menials, and too dirty to appear before him. But he paid no heed
+to these words, only commanding that she should come at once, no
+matter how dirty she might be.
+
+Therefore, much against her will, Kohagi was obliged to appear
+before the lord, whom she at first beheld through a screen, and
+saw that he so much like the Hangwan that she was greatly
+startled.
+
+Oguri then asked her to tell him her real name; but Kohagi
+refused, saying: "If I may not serve my lord with wine, except on
+condition of telling my real name, then I can only leave the
+presence of my lord."
+
+But as she was about to go, the Hangwan called to her: "Nay, stop
+a little while. I have a good reason to ask your name, because I
+am in truth that very _gaki-ami_ whom you so kindly drew last
+year to Otsu in a cart."
+
+And with these words he produced the wooden tablet upon which
+Kohagi had written.
+
+Then she was greatly moved, and said: "I am very happy to see you
+thus recovered. And now I shall gladly tell you all my history;
+hoping only that you, my lord, will tell me something of that
+ghostly world from which you have come back, and in which my
+husband, alas, now dwells.
+
+"I was born (it hurts my heart to speak of former times!) the
+only daughter of Yokoyama Choja, who dwelt in the district of
+Soba, in the province of Sagami, and my name was Terute-Hime.
+
+"I remember too well, alas! having been wedded, three years ago,
+to a famous person of rank, whose name was Oguri-Hangwan
+Kane-uji, who used to live in the province of Hitachi. But my
+husband was poisoned by my father at the instigation of his own
+third son, Saburo.
+
+"I myself was condemned by him to be drowned in the sea of
+Sagami. And I owe my present existence to the faithful servants
+of my father, Onio and Oniji."
+
+Then the lord Hangwan said, "You see here before you, Terute,
+your husband, Kane-uji. Although killed together with my
+followers, I had been destined to live in this world many years
+longer.
+
+"By the learned priest of Fujisawa temple I was saved, and, being
+provided with a cart, I was drawn by many kind persons to the hot
+springs of Kumano, where I was restored to my former health and
+shape. And now I have been appointed lord ruler of the three
+provinces, and can have all things that I desire."
+
+Hearing this tale, Terute could scarcely believe it was not all a
+dream, and she wept for joy. Then she said: "Ah! since last I saw
+you, what hardships have I not passed through!
+
+"For seven days and seven nights I was tossed about upon the sea
+in a canoe; then I was in a great danger in the bay of Nawoye,
+and was saved by a kind man called Murakami Deyu.
+
+"And after that I was sold and bought seventy-five times; and the
+last time I was brought here, where I have been made to suffer
+all kinds of hardship only because I refused to become a joro.
+That is why you now see me in so wretched a condition."
+
+Very angry was Kane-uji to hear of the cruel conduct of the
+inhuman Chobei, and desired to kill him at once.
+
+But Terute besought her husband to spare the man's life, and so
+fulfilled the promise she had long before made to Chobei,--that
+she would give even her own life, if necessary, for her master
+and mistress, on condition of being allowed five days' freedom to
+draw the cart of the _gaki-ami_.
+
+And for this Chobei was really grateful; and in compensation he
+presented the Hangwan with the hundred horses from his stable,
+and gave to Terute the thirty-six servants belonging to his
+house.
+
+And then Terute-Hime, appropriately attired, went away with the
+Prince Kane-uji; and, they began their journey to Sagami with
+hearts full of joy.
+
+
+XII. THE VENGEANCE
+
+This is the district of Soba, in the province of Sagami, the
+native land of Terute: how many beautiful and how many sorrowful
+thoughts does it recall to their minds!
+
+And here also are Yokoyama and his son, who killed Lord Ogiri
+with poison.
+
+So Saburo, the third son, being led to the moor called
+Totsuka-no-hara, was there punished.
+
+But Yokoyama Choja, wicked as he had been, was not punished;
+because parents, however bad, must be for their children always
+like the sun and moon. And hearing this order, Yokoyama repented
+very greatly for that which he had done.
+
+Qnio and Oniji, the brothers, were rewarded with many gifts for
+having saved the Princess Terute off the coast of Sagami.
+
+Thus those who were good prospered, and the bad were brought to
+destruction.
+
+Fortunate and happy, Oguri-Sama and Terute-Hime together returned
+to Miako, to dwell in the residence at Nijo, and their union was
+beautiful as the blossoming of spring.
+
+_Fortunate! Fortunate!_
+
+
+
+THE BALLAD OF O-SHICHI, THE DAUGHTER OF THE YAOYA (1)
+
+In autumn the deer are lured within reach of the hunters by the
+sounds of the flute, which resemble the sounds of the voices of
+their mates, and so are killed.
+
+Almost in like manner, one of the five most beautiful girls in
+Yedo, whose comely faces charmed all the capital even as the
+spring-blossoming of cherry-trees, cast away her life in the
+moment of blindness caused by love.
+
+When, having done a foolish thing, she was brought before the
+mayor of the city of Yedo, that high official questioned the
+young criminal, asking: "Are you not O-Shichi, the daughter of
+the yaoya? And being so young, how came you to commit such a
+dreadful crime as incendiarism?"
+
+Then O-Shichi, weeping and wringing her hands, made this answer:
+"Indeed, that is the only crime I ever committed; and I had no
+extraordinary reason for it but this:--
+
+"Once before, when there had been a great fire,--so great a fire
+that nearly all Yedo was consumed,--our house also was burned
+down. And we three,--my parents and I,--knowing no otherwhere to
+go, took shelter in a Buddhist temple, to remain there until our
+house could be rebuilt.
+
+"Surely the destiny that draws two young persons to each other is
+hard to understand!... In that temple there was a young acolyte,
+and love grew up between us.
+
+"In secret we met together, and promised never to forsake each
+other; and we pledged ourselves to each other by sucking blood
+from small cuts we made in our little fingers, and by exchanging
+written vows that we should love each other forever.
+
+"Before our pillows had yet become fixed(2), our new house in
+Hongo was built and made ready for us.
+
+"But from that day when I bade a sad farewell to Kichiza-Sama, to
+whom I had pledged myself for the time of two existences, never
+was my heart consoled by even one letter from the acolyte.
+
+"Alone in my bed at night, I used to think and think, and at last
+in a dream there came to me the dreadful idea of setting fire to
+the house, as the only means of again being able to meet my
+beautiful lover.
+
+"Then, one evening, I got a bundle of dry rushes, and placed
+inside it some pieces of live charcoal, and I secretly put the
+bundle into a shed at the back of the house.
+
+"A fire broke out, and there was a great tumult, and I was
+arrested and brought here--oh! how dreadful it was!
+
+"I will never, never commit such a fault again. But whatever
+happen, oh, pray save me, my Bugyo(3)! Oh, pray take pity on me!"
+
+Ah! the simple apology!... But what was her age? Not twelve? not
+thirteen? not fourteen? Fifteen comes after fourteen. Alas! she
+was fifteen, and could not be saved!
+
+Therefore O-Shichi was sentenced according to the law. But first
+she was bound with strong cords, and was for seven days exposed
+to public view on the bridge called Nihonbashi. Ah! what a
+piteous sight it was!
+
+Her aunts and cousins, even Bekurai and Kakusuke, the house
+servants, had often to wring their sleeves, so wet were their
+sleeves with tears.
+
+But, because the crime could not be forgiven, O-Shichi was bound
+to four posts, and fuel was kindled, and the fire rose up!... And
+poor O-Shichi in the midst of that fire!
+
+
+_Even so the insects of summer fly to the flame_.
+
+
+(1) Yaoya, a seller of vegetables.
+
+(2) This curious expression has its origin in the Japanese saying
+that lovers "exchange pillows." In the dark, the little Japanese
+wooden pillows might easily be exchanged by mistake. "While the
+pillows, were yet not definite or fixed" would mean, therefore,
+while the two lovers were still in the habit of seeking each
+other secretly at night.
+
+(3) Governor or local chief. The Bugyo of old days often acted as
+judge.
+
+
+
+
+
+End of the Project Gutenberg EBook of Kokoro, by Lafcadio Hearn
+
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