diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:15 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:15 -0700 |
| commit | 00649cb981e008512e5eaf4e98c18aa98e986b36 (patch) | |
| tree | 01be955216e07105fe7673183e9d594e24c535f9 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 8793-h.zip | bin | 0 -> 2682578 bytes | |||
| -rw-r--r-- | 8793-h/8793-h.htm | 1634 | ||||
| -rw-r--r-- | 8793-h/images/19-131.jpg | bin | 0 -> 216491 bytes | |||
| -rw-r--r-- | 8793-h/images/19-131th.jpg | bin | 0 -> 45818 bytes | |||
| -rw-r--r-- | 8793-h/images/19-51.jpg | bin | 0 -> 184483 bytes | |||
| -rw-r--r-- | 8793-h/images/19-51th.jpg | bin | 0 -> 38963 bytes | |||
| -rw-r--r-- | 8793-h/images/20-17.jpg | bin | 0 -> 179840 bytes | |||
| -rw-r--r-- | 8793-h/images/20-17th.jpg | bin | 0 -> 39449 bytes | |||
| -rw-r--r-- | 8793-h/images/23-47.jpg | bin | 0 -> 215045 bytes | |||
| -rw-r--r-- | 8793-h/images/23-47th.jpg | bin | 0 -> 47453 bytes | |||
| -rw-r--r-- | 8793-h/images/24-112.jpg | bin | 0 -> 205090 bytes | |||
| -rw-r--r-- | 8793-h/images/24-112th.jpg | bin | 0 -> 44251 bytes | |||
| -rw-r--r-- | 8793-h/images/24-4.jpg | bin | 0 -> 180703 bytes | |||
| -rw-r--r-- | 8793-h/images/24-4th.jpg | bin | 0 -> 39414 bytes | |||
| -rw-r--r-- | 8793-h/images/25-107.jpg | bin | 0 -> 180502 bytes | |||
| -rw-r--r-- | 8793-h/images/25-107th.jpg | bin | 0 -> 39567 bytes | |||
| -rw-r--r-- | 8793-h/images/25-117.jpg | bin | 0 -> 185100 bytes | |||
| -rw-r--r-- | 8793-h/images/25-117th.jpg | bin | 0 -> 39727 bytes | |||
| -rw-r--r-- | 8793-h/images/25-119.jpg | bin | 0 -> 160464 bytes | |||
| -rw-r--r-- | 8793-h/images/25-119th.jpg | bin | 0 -> 34238 bytes | |||
| -rw-r--r-- | 8793-h/images/cover.jpg | bin | 0 -> 198187 bytes | |||
| -rw-r--r-- | 8793-h/images/coverth.jpg | bin | 0 -> 43974 bytes | |||
| -rw-r--r-- | 8793-h/images/front2.jpg | bin | 0 -> 42357 bytes | |||
| -rw-r--r-- | 8793-h/images/frontispiece.jpg | bin | 0 -> 190636 bytes | |||
| -rw-r--r-- | 8793-h/images/title2.jpg | bin | 0 -> 21966 bytes | |||
| -rw-r--r-- | 8793-h/images/titlepage.jpg | bin | 0 -> 76731 bytes | |||
| -rw-r--r-- | 8793.txt | 1505 | ||||
| -rw-r--r-- | 8793.zip | bin | 0 -> 27414 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/dprg410h.zip | bin | 0 -> 2681422 bytes |
32 files changed, 3155 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/8793-h.zip b/8793-h.zip Binary files differnew file mode 100644 index 0000000..77bceb3 --- /dev/null +++ b/8793-h.zip diff --git a/8793-h/8793-h.htm b/8793-h/8793-h.htm new file mode 100644 index 0000000..6a1512c --- /dev/null +++ b/8793-h/8793-h.htm @@ -0,0 +1,1634 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<title>Dante's Purgatory, Part 4.</title> +<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"> + +<style type="text/css"> + <!-- + body {background:#faebd7; margin:15%; text-align:justify} + P { text-indent: 1em; + margin-top: .75em; + margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; } + HR { width: 33%; text-align: center; } + blockquote {font-size: 97%; } + table {font-size: 120%;} + .figleft {float: left;} + .figright {float: right;} + .toc { margin-left: 15%; margin-bottom: 0em;} + CENTER { padding: 10px;} + PRE { font-family: Times; font-size: 97%; margin-left: 15%;} + // --> +</style> + +</head> +<body> + +<h2>THE VISION OF PURGATORY, Part 4. +<br>By Dante Alighieri, Illustrated by Dore</h2> +<pre> + +Project Gutenberg's The Vision of Purgatory, Part 4, by Dante Alighieri + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Vision of Purgatory, Part 4 + +Author: Dante Alighieri + +Release Date: August 5, 2004 [EBook #8793] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE VISION OF PURGATORY, PART 4 *** + + + + +Produced by David Widger + + + + + +</pre> + + + + + + +<br> +<hr> +<br><br><br><br><br><br> + + +<center> +<h1>THE VISION</h1><br> +<h2>OF</h2><br> +<h1>HELL, PURGATORY, AND PARADISE</h1><br> +<h2>BY</h2><br> +<h1>DANTE ALIGHIERI</h1> + + + +<br><br><br> +<br><br><br> +<h2>PURGATORY</h2> +<h3>Part 4</h3> +<br><br><br> +<h3>TRANSLATED BY</h3><br> +<h2>THE REV. H. F. CARY, M.A.</h2> + +<br><br><br><br> +<a href="images/cover.jpg"><img alt="coverth.jpg (42K)" src="images/coverth.jpg" height="478" width="553"></a> +<br><br><br><br> +<a href="images/frontispiece.jpg"><img alt="front2.jpg (41K)" src="images/front2.jpg" height="477" width="431"></a> +<br><br><br><br> +<a href="images/titlepage.jpg"><img alt="title2.jpg (21K)" src="images/title2.jpg" height="535" width="416"></a> + +<br><br><br><br> +<br><br><br><br> +<h1>PURGATORY</h1> +</center> +<br><br><br><br> + + +<center> +<h2>LIST OF CANTOS</h2> +</center> + +<center> +<table summary="Contents"> +<tr><td> + + +<a href="#19">Canto 19</a><br> +<a href="#20">Canto 20</a><br> +<a href="#21">Canto 21</a><br> +<a href="#22">Canto 22</a><br> +<a href="#23">Canto 23</a><br> +<a href="#24">Canto 24</a><br> +<a href="#25">Canto 25</a><br> + + + + +</td></tr> +</table> +</center> +<br><br><br><br> +<center> +<table summary="Purgatory"> +<tr><td> +<br><br> + + + + + +<br><br> +<a name="19"></a> +<br><br> +<h2>CANTO XIX</h2> +<br> + +<p>It was the hour, when of diurnal heat<br> +No reliques chafe the cold beams of the moon,<br> +O'erpower'd by earth, or planetary sway<br> +Of Saturn; and the geomancer sees<br> +His Greater Fortune up the east ascend,<br> +Where gray dawn checkers first the shadowy cone;<br> +When 'fore me in my dream a woman's shape<br> +There came, with lips that stammer'd, eyes aslant,<br> +Distorted feet, hands maim'd, and colour pale.<br> +<br>I look'd upon her; and as sunshine cheers<br> +Limbs numb'd by nightly cold, e'en thus my look<br> +Unloos'd her tongue, next in brief space her form<br> +Decrepit rais'd erect, and faded face<br> +With love's own hue illum'd. Recov'ring speech<br> +She forthwith warbling such a strain began,<br> +That I, how loth soe'er, could scarce have held<br> +Attention from the song. "I," thus she sang,<br> +"I am the Siren, she, whom mariners<br> +On the wide sea are wilder'd when they hear:<br> +Such fulness of delight the list'ner feels.<br> +I from his course Ulysses by my lay<br> +Enchanted drew. Whoe'er frequents me once<br> +Parts seldom; so I charm him, and his heart<br> +Contented knows no void." Or ere her mouth<br> +Was clos'd, to shame her at her side appear'd<br> +A dame of semblance holy. With stern voice<br> +She utter'd; "Say, O Virgil, who is this?"<br> +Which hearing, he approach'd, with eyes still bent<br> +Toward that goodly presence: th' other seiz'd her,<br> +And, her robes tearing, open'd her before,<br> +And show'd the belly to me, whence a smell,<br> +Exhaling loathsome, wak'd me. Round I turn'd<br> +Mine eyes, and thus the teacher: "At the least<br> +Three times my voice hath call'd thee. Rise, begone.<br> +Let us the opening find where thou mayst pass."<br> +<br>I straightway rose. Now day, pour'd down from high,<br> +Fill'd all the circuits of the sacred mount;<br> +And, as we journey'd, on our shoulder smote<br> +The early ray. I follow'd, stooping low<br> +My forehead, as a man, o'ercharg'd with thought,<br> +Who bends him to the likeness of an arch,<br> +That midway spans the flood; when thus I heard,<br> +"Come, enter here," in tone so soft and mild,<br> +As never met the ear on mortal strand.<br> +<br>With swan-like wings dispread and pointing up,<br> +Who thus had spoken marshal'd us along,<br> +Where each side of the solid masonry<br> +The sloping, walls retir'd; then mov'd his plumes,<br> +And fanning us, affirm'd that those, who mourn,<br> +Are blessed, for that comfort shall be theirs.<br> +<br>"What aileth thee, that still thou look'st to earth?"<br> +Began my leader; while th' angelic shape<br> +A little over us his station took.<br> + + +<br><br><br><br> +<a href="images/19-51.jpg"><img alt="19-51th.jpg (38K)" src="images/19-51th.jpg" height="476" width="436"></a> +<br><br><br><br> + + +<br>"New vision," I replied, "hath rais'd in me<br> +Surmizings strange and anxious doubts, whereon<br> +My soul intent allows no other thought<br> +Or room or entrance."—"Hast thou seen," said he,<br> +"That old enchantress, her, whose wiles alone<br> +The spirits o'er us weep for? Hast thou seen<br> +How man may free him of her bonds? Enough.<br> +Let thy heels spurn the earth, and thy rais'd ken<br> +Fix on the lure, which heav'n's eternal King<br> +Whirls in the rolling spheres." As on his feet<br> +The falcon first looks down, then to the sky<br> +Turns, and forth stretches eager for the food,<br> +That woos him thither; so the call I heard,<br> +So onward, far as the dividing rock<br> +Gave way, I journey'd, till the plain was reach'd.<br> +<br>On the fifth circle when I stood at large,<br> +A race appear'd before me, on the ground<br> +All downward lying prone and weeping sore.<br> +"My soul hath cleaved to the dust," I heard<br> +With sighs so deep, they well nigh choak'd the words.<br> +"O ye elect of God, whose penal woes<br> +Both hope and justice mitigate, direct<br> +Tow'rds the steep rising our uncertain way."<br> +<br>"If ye approach secure from this our doom,<br> +Prostration—and would urge your course with speed,<br> +See that ye still to rightward keep the brink."<br> +<br>So them the bard besought; and such the words,<br> +Beyond us some short space, in answer came.<br> +<br>I noted what remain'd yet hidden from them:<br> +Thence to my liege's eyes mine eyes I bent,<br> +And he, forthwith interpreting their suit,<br> +Beckon'd his glad assent. Free then to act,<br> +As pleas'd me, I drew near, and took my stand<br> +O`er that shade, whose words I late had mark'd.<br> +And, "Spirit!" I said, "in whom repentant tears<br> +Mature that blessed hour, when thou with God<br> +Shalt find acceptance, for a while suspend<br> +For me that mightier care. Say who thou wast,<br> +Why thus ye grovel on your bellies prone,<br> +And if in aught ye wish my service there,<br> +Whence living I am come." He answering spake<br> +"The cause why Heav'n our back toward his cope<br> +Reverses, shalt thou know: but me know first<br> +The successor of Peter, and the name<br> +And title of my lineage from that stream,<br> +That' twixt Chiaveri and Siestri draws<br> +His limpid waters through the lowly glen.<br> +A month and little more by proof I learnt,<br> +With what a weight that robe of sov'reignty<br> +Upon his shoulder rests, who from the mire<br> +Would guard it: that each other fardel seems<br> +But feathers in the balance. Late, alas!<br> +Was my conversion: but when I became<br> +Rome's pastor, I discern'd at once the dream<br> +And cozenage of life, saw that the heart<br> +Rested not there, and yet no prouder height<br> +Lur'd on the climber: wherefore, of that life<br> +No more enamour'd, in my bosom love<br> +Of purer being kindled. For till then<br> +I was a soul in misery, alienate<br> +From God, and covetous of all earthly things;<br> +Now, as thou seest, here punish'd for my doting.<br> +Such cleansing from the taint of avarice<br> +Do spirits converted need. This mount inflicts<br> +No direr penalty. E'en as our eyes<br> +Fasten'd below, nor e'er to loftier clime<br> +Were lifted, thus hath justice level'd us<br> +Here on the earth. As avarice quench'd our love<br> +Of good, without which is no working, thus<br> +Here justice holds us prison'd, hand and foot<br> +Chain'd down and bound, while heaven's just Lord shall please.<br> +So long to tarry motionless outstretch'd."<br> +<br>My knees I stoop'd, and would have spoke; but he,<br> +Ere my beginning, by his ear perceiv'd<br> +I did him reverence; and "What cause," said he,<br> +"Hath bow'd thee thus!"—"Compunction," I rejoin'd.<br> +"And inward awe of your high dignity."<br> + + +<br><br><br><br> +<a href="images/19-131.jpg"><img alt="19-131th.jpg (44K)" src="images/19-131th.jpg" height="465" width="425"></a> +<br><br><br><br> + + +<br>"Up," he exclaim'd, "brother! upon thy feet<br> +Arise: err not: thy fellow servant I,<br> +(Thine and all others') of one Sovran Power.<br> +If thou hast ever mark'd those holy sounds<br> +Of gospel truth, 'nor shall be given ill marriage,'<br> +Thou mayst discern the reasons of my speech.<br> +Go thy ways now; and linger here no more.<br> +Thy tarrying is a let unto the tears,<br> +With which I hasten that whereof thou spak'st.<br> +I have on earth a kinswoman; her name<br> +Alagia, worthy in herself, so ill<br> +Example of our house corrupt her not:<br> +And she is all remaineth of me there."</p> + +<br><br> +<a name="20"></a> +<br><br> +<h2>CANTO XX</h2> +<br> + +<p>Ill strives the will, 'gainst will more wise that strives<br> +His pleasure therefore to mine own preferr'd,<br> +I drew the sponge yet thirsty from the wave.<br> +<br>Onward I mov'd: he also onward mov'd,<br> +Who led me, coasting still, wherever place<br> +Along the rock was vacant, as a man<br> +Walks near the battlements on narrow wall.<br> +For those on th' other part, who drop by drop<br> +Wring out their all-infecting malady,<br> +Too closely press the verge. Accurst be thou!<br> +Inveterate wolf! whose gorge ingluts more prey,<br> +Than every beast beside, yet is not fill'd!<br> +So bottomless thy maw!—Ye spheres of heaven!<br> +To whom there are, as seems, who attribute<br> +All change in mortal state, when is the day<br> +Of his appearing, for whom fate reserves<br> +To chase her hence? —With wary steps and slow<br> +We pass'd; and I attentive to the shades,<br> +Whom piteously I heard lament and wail;<br> + + +<br><br><br><br> +<a href="images/20-17.jpg"><img alt="20-17th.jpg (38K)" src="images/20-17th.jpg" height="477" width="440"></a> +<br><br><br><br> + + +And, 'midst the wailing, one before us heard<br> +Cry out "O blessed Virgin!" as a dame<br> +In the sharp pangs of childbed; and "How poor<br> +Thou wast," it added, "witness that low roof<br> +Where thou didst lay thy sacred burden down.<br> +O good Fabricius! thou didst virtue choose<br> +With poverty, before great wealth with vice."<br> +<br>The words so pleas'd me, that desire to know<br> +The spirit, from whose lip they seem'd to come,<br> +Did draw me onward. Yet it spake the gift<br> +Of Nicholas, which on the maidens he<br> +Bounteous bestow'd, to save their youthful prime<br> +Unblemish'd. "Spirit! who dost speak of deeds<br> +So worthy, tell me who thou was," I said,<br> +"And why thou dost with single voice renew<br> +Memorial of such praise. That boon vouchsaf'd<br> +Haply shall meet reward; if I return<br> +To finish the Short pilgrimage of life,<br> +Still speeding to its close on restless wing."<br> +<br>"I," answer'd he, "will tell thee, not for hell,<br> +Which thence I look for; but that in thyself<br> +Grace so exceeding shines, before thy time<br> +Of mortal dissolution. I was root<br> +Of that ill plant, whose shade such poison sheds<br> +O'er all the Christian land, that seldom thence<br> +Good fruit is gather'd. Vengeance soon should come,<br> +Had Ghent and Douay, Lille and Bruges power;<br> +And vengeance I of heav'n's great Judge implore.<br> +Hugh Capet was I high: from me descend<br> +The Philips and the Louis, of whom France<br> +Newly is govern'd; born of one, who ply'd<br> +The slaughterer's trade at Paris. When the race<br> +Of ancient kings had vanish'd (all save one<br> +Wrapt up in sable weeds) within my gripe<br> +I found the reins of empire, and such powers<br> +Of new acquirement, with full store of friends,<br> +That soon the widow'd circlet of the crown<br> +Was girt upon the temples of my son,<br> +He, from whose bones th' anointed race begins.<br> +Till the great dower of Provence had remov'd<br> +The stains, that yet obscur'd our lowly blood,<br> +Its sway indeed was narrow, but howe'er<br> +It wrought no evil: there, with force and lies,<br> +Began its rapine; after, for amends,<br> +Poitou it seiz'd, Navarre and Gascony.<br> +To Italy came Charles, and for amends<br> +Young Conradine an innocent victim slew,<br> +And sent th' angelic teacher back to heav'n,<br> +Still for amends. I see the time at hand,<br> +That forth from France invites another Charles<br> +To make himself and kindred better known.<br> +Unarm'd he issues, saving with that lance,<br> +Which the arch-traitor tilted with; and that<br> +He carries with so home a thrust, as rives<br> +The bowels of poor Florence. No increase<br> +Of territory hence, but sin and shame<br> +Shall be his guerdon, and so much the more<br> +As he more lightly deems of such foul wrong.<br> +I see the other, who a prisoner late<br> +Had steps on shore, exposing to the mart<br> +His daughter, whom he bargains for, as do<br> +The Corsairs for their slaves. O avarice!<br> +What canst thou more, who hast subdued our blood<br> +So wholly to thyself, they feel no care<br> +Of their own flesh? To hide with direr guilt<br> +Past ill and future, lo! the flower-de-luce<br> +Enters Alagna! in his Vicar Christ<br> +Himself a captive, and his mockery<br> +Acted again! Lo! lo his holy lip<br> +The vinegar and gall once more applied!<br> +And he 'twixt living robbers doom'd to bleed!<br> +Lo! the new Pilate, of whose cruelty<br> +Such violence cannot fill the measure up,<br> +With no degree to sanction, pushes on<br> +Into the temple his yet eager sails!<br> +<br>"O sovran Master! when shall I rejoice<br> +To see the vengeance, which thy wrath well-pleas'd<br> +In secret silence broods?—While daylight lasts,<br> +So long what thou didst hear of her, sole spouse<br> +Of the Great Spirit, and on which thou turn'dst<br> +To me for comment, is the general theme<br> +Of all our prayers: but when it darkens, then<br> +A different strain we utter, then record<br> +Pygmalion, whom his gluttonous thirst of gold<br> +Made traitor, robber, parricide: the woes<br> +Of Midas, which his greedy wish ensued,<br> +Mark'd for derision to all future times:<br> +And the fond Achan, how he stole the prey,<br> +That yet he seems by Joshua's ire pursued.<br> +Sapphira with her husband next, we blame;<br> +And praise the forefeet, that with furious ramp<br> +Spurn'd Heliodorus. All the mountain round<br> +Rings with the infamy of Thracia's king,<br> +Who slew his Phrygian charge: and last a shout<br> +Ascends: "Declare, O Crassus! for thou know'st,<br> +The flavour of thy gold." The voice of each<br> +Now high now low, as each his impulse prompts,<br> +Is led through many a pitch, acute or grave.<br> +Therefore, not singly, I erewhile rehears'd<br> +That blessedness we tell of in the day:<br> +But near me none beside his accent rais'd."<br> +<br>From him we now had parted, and essay'd<br> +With utmost efforts to surmount the way,<br> +When I did feel, as nodding to its fall,<br> +The mountain tremble; whence an icy chill<br> +Seiz'd on me, as on one to death convey'd.<br> +So shook not Delos, when Latona there<br> +Couch'd to bring forth the twin-born eyes of heaven.<br> +<br>Forthwith from every side a shout arose<br> +So vehement, that suddenly my guide<br> +Drew near, and cried: "Doubt not, while I conduct thee."<br> +"Glory!" all shouted (such the sounds mine ear<br> +Gather'd from those, who near me swell'd the sounds)<br> +"Glory in the highest be to God." We stood<br> +Immovably suspended, like to those,<br> +The shepherds, who first heard in Bethlehem's field<br> +That song: till ceas'd the trembling, and the song<br> +Was ended: then our hallow'd path resum'd,<br> +Eying the prostrate shadows, who renew'd<br> +Their custom'd mourning. Never in my breast<br> +Did ignorance so struggle with desire<br> +Of knowledge, if my memory do not err,<br> +As in that moment; nor through haste dar'd I<br> +To question, nor myself could aught discern,<br> +So on I far'd in thoughtfulness and dread.</p> + +<br><br> +<a name="21"></a> +<br><br> +<h2>CANTO XXI</h2> +<br> + +<p>The natural thirst, ne'er quench'd but from the well,<br> +Whereof the woman of Samaria crav'd,<br> +Excited: haste along the cumber'd path,<br> +After my guide, impell'd; and pity mov'd<br> +My bosom for the 'vengeful deed, though just.<br> +When lo! even as Luke relates, that Christ<br> +Appear'd unto the two upon their way,<br> +New-risen from his vaulted grave; to us<br> +A shade appear'd, and after us approach'd,<br> +Contemplating the crowd beneath its feet.<br> +We were not ware of it; so first it spake,<br> +Saying, "God give you peace, my brethren!" then<br> +Sudden we turn'd: and Virgil such salute,<br> +As fitted that kind greeting, gave, and cried:<br> +"Peace in the blessed council be thy lot<br> +Awarded by that righteous court, which me<br> +To everlasting banishment exiles!"<br> +<br>"How!" he exclaim'd, nor from his speed meanwhile<br> +Desisting, "If that ye be spirits, whom God<br> +Vouchsafes not room above, who up the height<br> +Has been thus far your guide?" To whom the bard:<br> +"If thou observe the tokens, which this man<br> +Trac'd by the finger of the angel bears,<br> +'Tis plain that in the kingdom of the just<br> +He needs must share. But sithence she, whose wheel<br> +Spins day and night, for him not yet had drawn<br> +That yarn, which, on the fatal distaff pil'd,<br> +Clotho apportions to each wight that breathes,<br> +His soul, that sister is to mine and thine,<br> +Not of herself could mount, for not like ours<br> +Her ken: whence I, from forth the ample gulf<br> +Of hell was ta'en, to lead him, and will lead<br> +Far as my lore avails. But, if thou know,<br> +Instruct us for what cause, the mount erewhile<br> +Thus shook and trembled: wherefore all at once<br> +Seem'd shouting, even from his wave-wash'd foot."<br> +<br>That questioning so tallied with my wish,<br> +The thirst did feel abatement of its edge<br> +E'en from expectance. He forthwith replied,<br> +"In its devotion nought irregular<br> +This mount can witness, or by punctual rule<br> +Unsanction'd; here from every change exempt.<br> +Other than that, which heaven in itself<br> +Doth of itself receive, no influence<br> +Can reach us. Tempest none, shower, hail or snow,<br> +Hoar frost or dewy moistness, higher falls<br> +Than that brief scale of threefold steps: thick clouds<br> +Nor scudding rack are ever seen: swift glance<br> +Ne'er lightens, nor Thaumantian Iris gleams,<br> +That yonder often shift on each side heav'n.<br> +Vapour adust doth never mount above<br> +The highest of the trinal stairs, whereon<br> +Peter's vicegerent stands. Lower perchance,<br> +With various motion rock'd, trembles the soil:<br> +But here, through wind in earth's deep hollow pent,<br> +I know not how, yet never trembled: then<br> +Trembles, when any spirit feels itself<br> +So purified, that it may rise, or move<br> +For rising, and such loud acclaim ensues.<br> +Purification by the will alone<br> +Is prov'd, that free to change society<br> +Seizes the soul rejoicing in her will.<br> +Desire of bliss is present from the first;<br> +But strong propension hinders, to that wish<br> +By the just ordinance of heav'n oppos'd;<br> +Propension now as eager to fulfil<br> +Th' allotted torment, as erewhile to sin.<br> +And I who in this punishment had lain<br> +Five hundred years and more, but now have felt<br> +Free wish for happier clime. Therefore thou felt'st<br> +The mountain tremble, and the spirits devout<br> +Heard'st, over all his limits, utter praise<br> +To that liege Lord, whom I entreat their joy<br> +To hasten." Thus he spake: and since the draught<br> +Is grateful ever as the thirst is keen,<br> +No words may speak my fullness of content.<br> +<br>"Now," said the instructor sage, "I see the net<br> +That takes ye here, and how the toils are loos'd,<br> +Why rocks the mountain and why ye rejoice.<br> +Vouchsafe, that from thy lips I next may learn,<br> +Who on the earth thou wast, and wherefore here<br> +So many an age wert prostrate."—"In that time,<br> +When the good Titus, with Heav'n's King to help,<br> +Aveng'd those piteous gashes, whence the blood<br> +By Judas sold did issue, with the name<br> +Most lasting and most honour'd there was I<br> +Abundantly renown'd," the shade reply'd,<br> +"Not yet with faith endued. So passing sweet<br> +My vocal Spirit, from Tolosa, Rome<br> +To herself drew me, where I merited<br> +A myrtle garland to inwreathe my brow.<br> +Statius they name me still. Of Thebes I sang,<br> +And next of great Achilles: but i' th' way<br> +Fell with the second burthen. Of my flame<br> +Those sparkles were the seeds, which I deriv'd<br> +From the bright fountain of celestial fire<br> +That feeds unnumber'd lamps, the song I mean<br> +Which sounds Aeneas' wand'rings: that the breast<br> +I hung at, that the nurse, from whom my veins<br> +Drank inspiration: whose authority<br> +Was ever sacred with me. To have liv'd<br> +Coeval with the Mantuan, I would bide<br> +The revolution of another sun<br> +Beyond my stated years in banishment."<br> +<br>The Mantuan, when he heard him, turn'd to me,<br> +And holding silence: by his countenance<br> +Enjoin'd me silence but the power which wills,<br> +Bears not supreme control: laughter and tears<br> +Follow so closely on the passion prompts them,<br> +They wait not for the motions of the will<br> +In natures most sincere. I did but smile,<br> +As one who winks; and thereupon the shade<br> +Broke off, and peer'd into mine eyes, where best<br> +Our looks interpret. "So to good event<br> +Mayst thou conduct such great emprize," he cried,<br> +"Say, why across thy visage beam'd, but now,<br> +The lightning of a smile!" On either part<br> +Now am I straiten'd; one conjures me speak,<br> +Th' other to silence binds me: whence a sigh<br> +I utter, and the sigh is heard. "Speak on;"<br> +The teacher cried; "and do not fear to speak,<br> +But tell him what so earnestly he asks."<br> +Whereon I thus: "Perchance, O ancient spirit!<br> +Thou marvel'st at my smiling. There is room<br> +For yet more wonder. He who guides my ken<br> +On high, he is that Mantuan, led by whom<br> +Thou didst presume of men and gods to sing.<br> +If other cause thou deem'dst for which I smil'd,<br> +Leave it as not the true one; and believe<br> +Those words, thou spak'st of him, indeed the cause."<br> +<br>Now down he bent t' embrace my teacher's feet;<br> +But he forbade him: "Brother! do it not:<br> +Thou art a shadow, and behold'st a shade."<br> +He rising answer'd thus: "Now hast thou prov'd<br> +The force and ardour of the love I bear thee,<br> +When I forget we are but things of air,<br> +And as a substance treat an empty shade."</p> + +<br><br> +<a name="22"></a> +<br><br> +<h2>CANTO XXII</h2> +<br> + +<p>Now we had left the angel, who had turn'd<br> +To the sixth circle our ascending step,<br> +One gash from off my forehead raz'd: while they,<br> +Whose wishes tend to justice, shouted forth:<br> +"Blessed!" and ended with, "I thirst:" and I,<br> +More nimble than along the other straits,<br> +So journey'd, that, without the sense of toil,<br> +I follow'd upward the swift-footed shades;<br> +When Virgil thus began: "Let its pure flame<br> +From virtue flow, and love can never fail<br> +To warm another's bosom' so the light<br> +Shine manifestly forth. Hence from that hour,<br> +When 'mongst us in the purlieus of the deep,<br> +Came down the spirit of Aquinum's hard,<br> +Who told of thine affection, my good will<br> +Hath been for thee of quality as strong<br> +As ever link'd itself to one not seen.<br> +Therefore these stairs will now seem short to me.<br> +But tell me: and if too secure I loose<br> +The rein with a friend's license, as a friend<br> +Forgive me, and speak now as with a friend:<br> +How chanc'd it covetous desire could find<br> +Place in that bosom, 'midst such ample store<br> +Of wisdom, as thy zeal had treasur'd there?"<br> +<br>First somewhat mov'd to laughter by his words,<br> +Statius replied: "Each syllable of thine<br> +Is a dear pledge of love. Things oft appear<br> +That minister false matters to our doubts,<br> +When their true causes are remov'd from sight.<br> +Thy question doth assure me, thou believ'st<br> +I was on earth a covetous man, perhaps<br> +Because thou found'st me in that circle plac'd.<br> +Know then I was too wide of avarice:<br> +And e'en for that excess, thousands of moons<br> +Have wax'd and wan'd upon my sufferings.<br> +And were it not that I with heedful care<br> +Noted where thou exclaim'st as if in ire<br> +With human nature, 'Why, thou cursed thirst<br> +Of gold! dost not with juster measure guide<br> +The appetite of mortals?' I had met<br> +The fierce encounter of the voluble rock.<br> +Then was I ware that with too ample wing<br> +The hands may haste to lavishment, and turn'd,<br> +As from my other evil, so from this<br> +In penitence. How many from their grave<br> +Shall with shorn locks arise, who living, aye<br> +And at life's last extreme, of this offence,<br> +Through ignorance, did not repent. And know,<br> +The fault which lies direct from any sin<br> +In level opposition, here With that<br> +Wastes its green rankness on one common heap.<br> +Therefore if I have been with those, who wail<br> +Their avarice, to cleanse me, through reverse<br> +Of their transgression, such hath been my lot."<br> +<br>To whom the sovran of the pastoral song:<br> +"While thou didst sing that cruel warfare wag'd<br> +By the twin sorrow of Jocasta's womb,<br> +From thy discourse with Clio there, it seems<br> +As faith had not been shine: without the which<br> +Good deeds suffice not. And if so, what sun<br> +Rose on thee, or what candle pierc'd the dark<br> +That thou didst after see to hoist the sail,<br> +And follow, where the fisherman had led?"<br> +<br>He answering thus: "By thee conducted first,<br> +I enter'd the Parnassian grots, and quaff'd<br> +Of the clear spring; illumin'd first by thee<br> +Open'd mine eyes to God. Thou didst, as one,<br> +Who, journeying through the darkness, hears a light<br> +Behind, that profits not himself, but makes<br> +His followers wise, when thou exclaimedst, 'Lo!<br> +A renovated world! Justice return'd!<br> +Times of primeval innocence restor'd!<br> +And a new race descended from above!'<br> +Poet and Christian both to thee I owed.<br> +That thou mayst mark more clearly what I trace,<br> +My hand shall stretch forth to inform the lines<br> +With livelier colouring. Soon o'er all the world,<br> +By messengers from heav'n, the true belief<br> +Teem'd now prolific, and that word of thine<br> +Accordant, to the new instructors chim'd.<br> +Induc'd by which agreement, I was wont<br> +Resort to them; and soon their sanctity<br> +So won upon me, that, Domitian's rage<br> +Pursuing them, I mix'd my tears with theirs,<br> +And, while on earth I stay'd, still succour'd them;<br> +And their most righteous customs made me scorn<br> +All sects besides. Before I led the Greeks<br> +In tuneful fiction, to the streams of Thebes,<br> +I was baptiz'd; but secretly, through fear,<br> +Remain'd a Christian, and conform'd long time<br> +To Pagan rites. Five centuries and more,<br> +T for that lukewarmness was fain to pace<br> +Round the fourth circle. Thou then, who hast rais'd<br> +The covering, which did hide such blessing from me,<br> +Whilst much of this ascent is yet to climb,<br> +Say, if thou know, where our old Terence bides,<br> +Caecilius, Plautus, Varro: if condemn'd<br> +They dwell, and in what province of the deep."<br> +"These," said my guide, "with Persius and myself,<br> +And others many more, are with that Greek,<br> +Of mortals, the most cherish'd by the Nine,<br> +In the first ward of darkness. There ofttimes<br> +We of that mount hold converse, on whose top<br> +For aye our nurses live. We have the bard<br> +Of Pella, and the Teian, Agatho,<br> +Simonides, and many a Grecian else<br> +Ingarlanded with laurel. Of thy train<br> +Antigone is there, Deiphile,<br> +Argia, and as sorrowful as erst<br> +Ismene, and who show'd Langia's wave:<br> +Deidamia with her sisters there,<br> +And blind Tiresias' daughter, and the bride<br> +Sea-born of Peleus." Either poet now<br> +Was silent, and no longer by th' ascent<br> +Or the steep walls obstructed, round them cast<br> +Inquiring eyes. Four handmaids of the day<br> +Had finish'd now their office, and the fifth<br> +Was at the chariot-beam, directing still<br> +Its balmy point aloof, when thus my guide:<br> +"Methinks, it well behooves us to the brink<br> +Bend the right shoulder' circuiting the mount,<br> +As we have ever us'd." So custom there<br> +Was usher to the road, the which we chose<br> +Less doubtful, as that worthy shade complied.<br> +<br>They on before me went; I sole pursued,<br> +List'ning their speech, that to my thoughts convey'd<br> +Mysterious lessons of sweet poesy.<br> +But soon they ceas'd; for midway of the road<br> +A tree we found, with goodly fruitage hung,<br> +And pleasant to the smell: and as a fir<br> +Upward from bough to bough less ample spreads,<br> +So downward this less ample spread, that none.<br> +Methinks, aloft may climb. Upon the side,<br> +That clos'd our path, a liquid crystal fell<br> +From the steep rock, and through the sprays above<br> +Stream'd showering. With associate step the bards<br> +Drew near the plant; and from amidst the leaves<br> +A voice was heard: "Ye shall be chary of me;"<br> +And after added: "Mary took more thought<br> +For joy and honour of the nuptial feast,<br> +Than for herself who answers now for you.<br> +The women of old Rome were satisfied<br> +With water for their beverage. Daniel fed<br> +On pulse, and wisdom gain'd. The primal age<br> +Was beautiful as gold; and hunger then<br> +Made acorns tasteful, thirst each rivulet<br> +Run nectar. Honey and locusts were the food,<br> +Whereon the Baptist in the wilderness<br> +Fed, and that eminence of glory reach'd<br> +And greatness, which the' Evangelist records."</p> + +<br><br> +<a name="23"></a> +<br><br> +<h2>CANTO XXIII</h2> +<br> + +<p>On the green leaf mine eyes were fix'd, like his<br> +Who throws away his days in idle chase<br> +Of the diminutive, when thus I heard<br> +The more than father warn me: "Son! our time<br> +Asks thriftier using. Linger not: away."<br> +<br>Thereat my face and steps at once I turn'd<br> +Toward the sages, by whose converse cheer'd<br> +I journey'd on, and felt no toil: and lo!<br> +A sound of weeping and a song: "My lips,<br> +O Lord!" and these so mingled, it gave birth<br> +To pleasure and to pain. "O Sire, belov'd!<br> +Say what is this I hear?" Thus I inquir'd.<br> +<br>"Spirits," said he, "who as they go, perchance,<br> +Their debt of duty pay." As on their road<br> +The thoughtful pilgrims, overtaking some<br> +Not known unto them, turn to them, and look,<br> +But stay not; thus, approaching from behind<br> +With speedier motion, eyed us, as they pass'd,<br> +A crowd of spirits, silent and devout.<br> +The eyes of each were dark and hollow: pale<br> +Their visage, and so lean withal, the bones<br> +Stood staring thro' the skin. I do not think<br> +Thus dry and meagre Erisicthon show'd,<br> +When pinc'ed by sharp-set famine to the quick.<br> +<br>"Lo!" to myself I mus'd, "the race, who lost<br> +Jerusalem, when Mary with dire beak<br> +Prey'd on her child." The sockets seem'd as rings,<br> +From which the gems were drops. Who reads the name<br> +Of man upon his forehead, there the M<br> +Had trac'd most plainly. Who would deem, that scent<br> +Of water and an apple, could have prov'd<br> +Powerful to generate such pining want,<br> +Not knowing how it wrought? While now I stood<br> +Wond'ring what thus could waste them (for the cause<br> +Of their gaunt hollowness and scaly rind<br> +Appear'd not) lo! a spirit turn'd his eyes<br> +In their deep-sunken cell, and fasten'd then<br> +On me, then cried with vehemence aloud:<br> +"What grace is this vouchsaf'd me?" By his looks<br> +I ne'er had recogniz'd him: but the voice<br> +Brought to my knowledge what his cheer conceal'd.<br> +Remembrance of his alter'd lineaments<br> +Was kindled from that spark; and I agniz'd<br> +The visage of Forese. "Ah! respect<br> +This wan and leprous wither'd skin," thus he<br> +Suppliant implor'd, "this macerated flesh.<br> +Speak to me truly of thyself. And who<br> +Are those twain spirits, that escort thee there?<br> +Be it not said thou Scorn'st to talk with me."<br> + + +<br><br><br><br> +<a href="images/23-47.jpg"><img alt="23-47th.jpg (46K)" src="images/23-47th.jpg" height="471" width="430"></a> +<br><br><br><br> + + +<br>"That face of thine," I answer'd him, "which dead<br> +I once bewail'd, disposes me not less<br> +For weeping, when I see It thus transform'd.<br> +Say then, by Heav'n, what blasts ye thus? The whilst<br> +I wonder, ask not Speech from me: unapt<br> +Is he to speak, whom other will employs."<br> +<br>He thus: "The water and tee plant we pass'd,<br> +Virtue possesses, by th' eternal will<br> +Infus'd, the which so pines me. Every spirit,<br> +Whose song bewails his gluttony indulg'd<br> +Too grossly, here in hunger and in thirst<br> +Is purified. The odour, which the fruit,<br> +And spray, that showers upon the verdure, breathe,<br> +Inflames us with desire to feed and drink.<br> +Nor once alone encompassing our route<br> +We come to add fresh fuel to the pain:<br> +Pain, said I? solace rather: for that will<br> +To the tree leads us, by which Christ was led<br> +To call Elias, joyful when he paid<br> +Our ransom from his vein." I answering thus:<br> +"Forese! from that day, in which the world<br> +For better life thou changedst, not five years<br> +Have circled. If the power of sinning more<br> +Were first concluded in thee, ere thou knew'st<br> +That kindly grief, which re-espouses us<br> +To God, how hither art thou come so soon?<br> +I thought to find thee lower, there, where time<br> +Is recompense for time." He straight replied:<br> +"To drink up the sweet wormwood of affliction<br> +I have been brought thus early by the tears<br> +Stream'd down my Nella's cheeks. Her prayers devout,<br> +Her sighs have drawn me from the coast, where oft<br> +Expectance lingers, and have set me free<br> +From th' other circles. In the sight of God<br> +So much the dearer is my widow priz'd,<br> +She whom I lov'd so fondly, as she ranks<br> +More singly eminent for virtuous deeds.<br> +The tract most barb'rous of Sardinia's isle,<br> +Hath dames more chaste and modester by far<br> +Than that wherein I left her. O sweet brother!<br> +What wouldst thou have me say? A time to come<br> +Stands full within my view, to which this hour<br> +Shall not be counted of an ancient date,<br> +When from the pulpit shall be loudly warn'd<br> +Th' unblushing dames of Florence, lest they bare<br> +Unkerchief'd bosoms to the common gaze.<br> +What savage women hath the world e'er seen,<br> +What Saracens, for whom there needed scourge<br> +Of spiritual or other discipline,<br> +To force them walk with cov'ring on their limbs!<br> +But did they see, the shameless ones, that Heav'n<br> +Wafts on swift wing toward them, while I speak,<br> +Their mouths were op'd for howling: they shall taste<br> +Of Borrow (unless foresight cheat me here)<br> +Or ere the cheek of him be cloth'd with down<br> +Who is now rock'd with lullaby asleep.<br> +Ah! now, my brother, hide thyself no more,<br> +Thou seest how not I alone but all<br> +Gaze, where thou veil'st the intercepted sun."<br> +<br>Whence I replied: "If thou recall to mind<br> +What we were once together, even yet<br> +Remembrance of those days may grieve thee sore.<br> +That I forsook that life, was due to him<br> +Who there precedes me, some few evenings past,<br> +When she was round, who shines with sister lamp<br> +To his, that glisters yonder," and I show'd<br> +The sun. "Tis he, who through profoundest night<br> +Of he true dead has brought me, with this flesh<br> +As true, that follows. From that gloom the aid<br> +Of his sure comfort drew me on to climb,<br> +And climbing wind along this mountain-steep,<br> +Which rectifies in you whate'er the world<br> +Made crooked and deprav'd I have his word,<br> +That he will bear me company as far<br> +As till I come where Beatrice dwells:<br> +But there must leave me. Virgil is that spirit,<br> +Who thus hath promis'd," and I pointed to him;<br> +"The other is that shade, for whom so late<br> +Your realm, as he arose, exulting shook<br> +Through every pendent cliff and rocky bound."</p> + +<br><br> +<a name="24"></a> +<br><br> +<h2>CANTO XXIV</h2> +<br> + +<p>Our journey was not slacken'd by our talk,<br> +Nor yet our talk by journeying. Still we spake,<br> +And urg'd our travel stoutly, like a ship<br> +When the wind sits astern. The shadowy forms,<br> + + +<br><br><br><br> +<a href="images/24-4.jpg"><img alt="24-4th.jpg (38K)" src="images/24-4th.jpg" height="464" width="434"></a> +<br><br><br><br> + + +That seem'd things dead and dead again, drew in<br> +At their deep-delved orbs rare wonder of me,<br> +Perceiving I had life; and I my words<br> +Continued, and thus spake; "He journeys up<br> +Perhaps more tardily then else he would,<br> +For others' sake. But tell me, if thou know'st,<br> +Where is Piccarda? Tell me, if I see<br> +Any of mark, among this multitude,<br> +Who eye me thus."—"My sister (she for whom,<br> +'Twixt beautiful and good I cannot say<br> +Which name was fitter ) wears e'en now her crown,<br> +And triumphs in Olympus." Saying this,<br> +He added: "Since spare diet hath so worn<br> +Our semblance out, 't is lawful here to name<br> +Each one. This," and his finger then he rais'd,<br> +"Is Buonaggiuna,—Buonaggiuna, he<br> +Of Lucca: and that face beyond him, pierc'd<br> +Unto a leaner fineness than the rest,<br> +Had keeping of the church: he was of Tours,<br> +And purges by wan abstinence away<br> +Bolsena's eels and cups of muscadel."<br> +<br>He show'd me many others, one by one,<br> +And all, as they were nam'd, seem'd well content;<br> +For no dark gesture I discern'd in any.<br> +I saw through hunger Ubaldino grind<br> +His teeth on emptiness; and Boniface,<br> +That wav'd the crozier o'er a num'rous flock.<br> +I saw the Marquis, who tad time erewhile<br> +To swill at Forli with less drought, yet so<br> +Was one ne'er sated. I howe'er, like him,<br> +That gazing 'midst a crowd, singles out one,<br> +So singled him of Lucca; for methought<br> +Was none amongst them took such note of me.<br> +Somewhat I heard him whisper of Gentucca:<br> +The sound was indistinct, and murmur'd there,<br> +Where justice, that so strips them, fix'd her sting.<br> +<br>"Spirit!" said I, "it seems as thou wouldst fain<br> +Speak with me. Let me hear thee. Mutual wish<br> +To converse prompts, which let us both indulge."<br> +<br>He, answ'ring, straight began: "Woman is born,<br> +Whose brow no wimple shades yet, that shall make<br> +My city please thee, blame it as they may.<br> +Go then with this forewarning. If aught false<br> +My whisper too implied, th' event shall tell<br> +But say, if of a truth I see the man<br> +Of that new lay th' inventor, which begins<br> +With 'Ladies, ye that con the lore of love'."<br> +<br>To whom I thus: "Count of me but as one<br> +Who am the scribe of love; that, when he breathes,<br> +Take up my pen, and, as he dictates, write."<br> +<br>"Brother!" said he, "the hind'rance which once held<br> +The notary with Guittone and myself,<br> +Short of that new and sweeter style I hear,<br> +Is now disclos'd. I see how ye your plumes<br> +Stretch, as th' inditer guides them; which, no question,<br> +Ours did not. He that seeks a grace beyond,<br> +Sees not the distance parts one style from other."<br> +And, as contented, here he held his peace.<br> +<br>Like as the bird, that winter near the Nile,<br> +In squared regiment direct their course,<br> +Then stretch themselves in file for speedier flight;<br> +Thus all the tribe of spirits, as they turn'd<br> +Their visage, faster deaf, nimble alike<br> +Through leanness and desire. And as a man,<br> +Tir'd With the motion of a trotting steed,<br> +Slacks pace, and stays behind his company,<br> +Till his o'erbreathed lungs keep temperate time;<br> +E'en so Forese let that holy crew<br> +Proceed, behind them lingering at my side,<br> +And saying: "When shall I again behold thee?"<br> +<br>"How long my life may last," said I, "I know not;<br> +This know, how soon soever I return,<br> +My wishes will before me have arriv'd.<br> +Sithence the place, where I am set to live,<br> +Is, day by day, more scoop'd of all its good,<br> +And dismal ruin seems to threaten it."<br> +<br>"Go now," he cried: "lo! he, whose guilt is most,<br> +Passes before my vision, dragg'd at heels<br> +Of an infuriate beast. Toward the vale,<br> +Where guilt hath no redemption, on it speeds,<br> +Each step increasing swiftness on the last;<br> +Until a blow it strikes, that leaveth him<br> +A corse most vilely shatter'd. No long space<br> +Those wheels have yet to roll" (therewith his eyes<br> +Look'd up to heav'n) "ere thou shalt plainly see<br> +That which my words may not more plainly tell.<br> +I quit thee: time is precious here: I lose<br> +Too much, thus measuring my pace with shine."<br> +<br>As from a troop of well-rank'd chivalry<br> +One knight, more enterprising than the rest,<br> +Pricks forth at gallop, eager to display<br> +His prowess in the first encounter prov'd<br> +So parted he from us with lengthen'd strides,<br> +And left me on the way with those twain spirits,<br> +Who were such mighty marshals of the world.<br> +<br>When he beyond us had so fled mine eyes<br> +No nearer reach'd him, than my thought his words,<br> +The branches of another fruit, thick hung,<br> +And blooming fresh, appear'd. E'en as our steps<br> +Turn'd thither, not far off it rose to view.<br> +Beneath it were a multitude, that rais'd<br> +Their hands, and shouted forth I know not What<br> +Unto the boughs; like greedy and fond brats,<br> +That beg, and answer none obtain from him,<br> +Of whom they beg; but more to draw them on,<br> +He at arm's length the object of their wish<br> +Above them holds aloft, and hides it not.<br> + + +<br><br><br><br> +<a href="images/24-112.jpg"><img alt="24-112th.jpg (43K)" src="images/24-112th.jpg" height="476" width="434"></a> +<br><br><br><br> + + +<br>At length, as undeceiv'd they went their way:<br> +And we approach the tree, who vows and tears<br> +Sue to in vain, the mighty tree. "Pass on,<br> +And come not near. Stands higher up the wood,<br> +Whereof Eve tasted, and from it was ta'en<br> +'this plant." Such sounds from midst the thickets came.<br> +Whence I, with either bard, close to the side<br> +That rose, pass'd forth beyond. "Remember," next<br> +We heard, "those noblest creatures of the clouds,<br> +How they their twofold bosoms overgorg'd<br> +Oppos'd in fight to Theseus: call to mind<br> +The Hebrews, how effeminate they stoop'd<br> +To ease their thirst; whence Gideon's ranks were thinn'd,<br> +As he to Midian march'd adown the hills."<br> +<br>Thus near one border coasting, still we heard<br> +The sins of gluttony, with woe erewhile<br> +Reguerdon'd. Then along the lonely path,<br> +Once more at large, full thousand paces on<br> +We travel'd, each contemplative and mute.<br> +<br>"Why pensive journey thus ye three alone?"<br> +Thus suddenly a voice exclaim'd: whereat<br> +I shook, as doth a scar'd and paltry beast;<br> +Then rais'd my head to look from whence it came.<br> +<br>Was ne'er, in furnace, glass, or metal seen<br> +So bright and glowing red, as was the shape<br> +I now beheld. "If ye desire to mount,"<br> +He cried, "here must ye turn. This way he goes,<br> +Who goes in quest of peace." His countenance<br> +Had dazzled me; and to my guides I fac'd<br> +Backward, like one who walks, as sound directs.<br> +<br>As when, to harbinger the dawn, springs up<br> +On freshen'd wing the air of May, and breathes<br> +Of fragrance, all impregn'd with herb and flowers,<br> +E'en such a wind I felt upon my front<br> +Blow gently, and the moving of a wing<br> +Perceiv'd, that moving shed ambrosial smell;<br> +And then a voice: "Blessed are they, whom grace<br> +Doth so illume, that appetite in them<br> +Exhaleth no inordinate desire,<br> +Still hung'ring as the rule of temperance wills."</p> + +<br><br> +<a name="25"></a> +<br><br> +<h2>CANTO XXV</h2> +<br> + +<p>It was an hour, when he who climbs, had need<br> +To walk uncrippled: for the sun had now<br> +To Taurus the meridian circle left,<br> +And to the Scorpion left the night. As one<br> +That makes no pause, but presses on his road,<br> +Whate'er betide him, if some urgent need<br> +Impel: so enter'd we upon our way,<br> +One before other; for, but singly, none<br> +That steep and narrow scale admits to climb.<br> +<br>E'en as the young stork lifteth up his wing<br> +Through wish to fly, yet ventures not to quit<br> +The nest, and drops it; so in me desire<br> +Of questioning my guide arose, and fell,<br> +Arriving even to the act, that marks<br> +A man prepar'd for speech. Him all our haste<br> +Restrain'd not, but thus spake the sire belov'd:<br> +"Fear not to speed the shaft, that on thy lip<br> +Stands trembling for its flight." Encourag'd thus<br> +I straight began: "How there can leanness come,<br> +Where is no want of nourishment to feed?"<br> +<br>"If thou," he answer'd, "hadst remember'd thee,<br> +How Meleager with the wasting brand<br> +Wasted alike, by equal fires consum'd,<br> +This would not trouble thee: and hadst thou thought,<br> +How in the mirror your reflected form<br> +With mimic motion vibrates, what now seems<br> +Hard, had appear'd no harder than the pulp<br> +Of summer fruit mature. But that thy will<br> +In certainty may find its full repose,<br> +Lo Statius here! on him I call, and pray<br> +That he would now be healer of thy wound."<br> +<br>"If in thy presence I unfold to him<br> +The secrets of heaven's vengeance, let me plead<br> +Thine own injunction, to exculpate me."<br> +So Statius answer'd, and forthwith began:<br> +"Attend my words, O son, and in thy mind<br> +Receive them: so shall they be light to clear<br> +The doubt thou offer'st. Blood, concocted well,<br> +Which by the thirsty veins is ne'er imbib'd,<br> +And rests as food superfluous, to be ta'en<br> +From the replenish'd table, in the heart<br> +Derives effectual virtue, that informs<br> +The several human limbs, as being that,<br> +Which passes through the veins itself to make them.<br> +Yet more concocted it descends, where shame<br> +Forbids to mention: and from thence distils<br> +In natural vessel on another's blood.<br> +Then each unite together, one dispos'd<br> +T' endure, to act the other, through meet frame<br> +Of its recipient mould: that being reach'd,<br> +It 'gins to work, coagulating first;<br> +Then vivifies what its own substance caus'd<br> +To bear. With animation now indued,<br> +The active virtue (differing from a plant<br> +No further, than that this is on the way<br> +And at its limit that) continues yet<br> +To operate, that now it moves, and feels,<br> +As sea sponge clinging to the rock: and there<br> +Assumes th' organic powers its seed convey'd.<br> +'This is the period, son! at which the virtue,<br> +That from the generating heart proceeds,<br> +Is pliant and expansive; for each limb<br> +Is in the heart by forgeful nature plann'd.<br> +How babe of animal becomes, remains<br> +For thy consid'ring. At this point, more wise,<br> +Than thou hast err'd, making the soul disjoin'd<br> +From passive intellect, because he saw<br> +No organ for the latter's use assign'd.<br> +<br>"Open thy bosom to the truth that comes.<br> +Know soon as in the embryo, to the brain,<br> +Articulation is complete, then turns<br> +The primal Mover with a smile of joy<br> +On such great work of nature, and imbreathes<br> +New spirit replete with virtue, that what here<br> +Active it finds, to its own substance draws,<br> +And forms an individual soul, that lives,<br> +And feels, and bends reflective on itself.<br> +And that thou less mayst marvel at the word,<br> +Mark the sun's heat, how that to wine doth change,<br> +Mix'd with the moisture filter'd through the vine.<br> +<br>"When Lachesis hath spun the thread, the soul<br> +Takes with her both the human and divine,<br> +Memory, intelligence, and will, in act<br> +Far keener than before, the other powers<br> +Inactive all and mute. No pause allow'd,<br> +In wond'rous sort self-moving, to one strand<br> +Of those, where the departed roam, she falls,<br> +Here learns her destin'd path. Soon as the place<br> +Receives her, round the plastic virtue beams,<br> +Distinct as in the living limbs before:<br> +And as the air, when saturate with showers,<br> +The casual beam refracting, decks itself<br> +With many a hue; so here the ambient air<br> +Weareth that form, which influence of the soul<br> +Imprints on it; and like the flame, that where<br> +The fire moves, thither follows, so henceforth<br> +The new form on the spirit follows still:<br> +Hence hath it semblance, and is shadow call'd,<br> +With each sense even to the sight endued:<br> +Hence speech is ours, hence laughter, tears, and sighs<br> +Which thou mayst oft have witness'd on the mount<br> +Th' obedient shadow fails not to present<br> +Whatever varying passion moves within us.<br> +And this the cause of what thou marvel'st at."<br> + + +<br><br><br><br> +<a href="images/25-107.jpg"><img alt="25-107th.jpg (38K)" src="images/25-107th.jpg" height="477" width="429"></a> +<br><br><br><br> + + +<br>Now the last flexure of our way we reach'd,<br> +And to the right hand turning, other care<br> +Awaits us. Here the rocky precipice<br> +Hurls forth redundant flames, and from the rim<br> +A blast upblown, with forcible rebuff<br> +Driveth them back, sequester'd from its bound.<br> +<br>Behoov'd us, one by one, along the side,<br> +That border'd on the void, to pass; and I<br> +Fear'd on one hand the fire, on th' other fear'd<br> +Headlong to fall: when thus th' instructor warn'd:<br> +"Strict rein must in this place direct the eyes.<br> +A little swerving and the way is lost."<br> + + +<br><br><br><br> +<a href="images/25-117.jpg"><img alt="25-117th.jpg (38K)" src="images/25-117th.jpg" height="475" width="434"></a> +<br><br><br><br> + + +<br>Then from the bosom of the burning mass,<br> +"O God of mercy!" heard I sung; and felt<br> +No less desire to turn. And when I saw<br> +Spirits along the flame proceeding, I<br> +Between their footsteps and mine own was fain<br> +To share by turns my view. At the hymn's close<br> +They shouted loud, "I do not know a man;"<br> +Then in low voice again took up the strain,<br> +Which once more ended, "To the wood," they cried,<br> +"Ran Dian, and drave forth Callisto, stung<br> +With Cytherea's poison:" then return'd<br> +Unto their song; then marry a pair extoll'd,<br> +Who liv'd in virtue chastely, and the bands<br> +Of wedded love. Nor from that task, I ween,<br> +Surcease they; whilesoe'er the scorching fire<br> +Enclasps them. Of such skill appliance needs<br> +To medicine the wound, that healeth last.</p> + + +<br><br><br><br> +<a href="images/25-119.jpg"><img alt="25-119th.jpg (33K)" src="images/25-119th.jpg" height="473" width="440"></a> +<br><br><br><br> + + + + + + + + + + +</td></tr> +</table> +</center> + + + +<br> +<br> + + + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's The Vision of Purgatory, Part 4, by Dante Alighieri + +*** END OF THIS PROJECT GUTENBERG EBOOK THE VISION OF PURGATORY, PART 4 *** + +***** This file should be named 8793-h.htm or 8793-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/8/7/9/8793/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> + diff --git a/8793-h/images/19-131.jpg b/8793-h/images/19-131.jpg Binary files differnew file mode 100644 index 0000000..250a304 --- /dev/null +++ b/8793-h/images/19-131.jpg diff --git a/8793-h/images/19-131th.jpg b/8793-h/images/19-131th.jpg Binary files differnew file mode 100644 index 0000000..4165da9 --- /dev/null +++ b/8793-h/images/19-131th.jpg diff --git a/8793-h/images/19-51.jpg b/8793-h/images/19-51.jpg Binary files differnew file mode 100644 index 0000000..78549e3 --- /dev/null +++ b/8793-h/images/19-51.jpg diff --git a/8793-h/images/19-51th.jpg b/8793-h/images/19-51th.jpg Binary files differnew file mode 100644 index 0000000..cd7460f --- /dev/null +++ b/8793-h/images/19-51th.jpg diff --git a/8793-h/images/20-17.jpg b/8793-h/images/20-17.jpg Binary files differnew file mode 100644 index 0000000..438f7ea --- /dev/null +++ b/8793-h/images/20-17.jpg diff --git a/8793-h/images/20-17th.jpg b/8793-h/images/20-17th.jpg Binary files differnew file mode 100644 index 0000000..134d7bc --- /dev/null +++ b/8793-h/images/20-17th.jpg diff --git a/8793-h/images/23-47.jpg b/8793-h/images/23-47.jpg Binary files differnew file mode 100644 index 0000000..00e7ac8 --- /dev/null +++ b/8793-h/images/23-47.jpg diff --git a/8793-h/images/23-47th.jpg b/8793-h/images/23-47th.jpg Binary files differnew file mode 100644 index 0000000..363760f --- /dev/null +++ b/8793-h/images/23-47th.jpg diff --git a/8793-h/images/24-112.jpg b/8793-h/images/24-112.jpg Binary files differnew file mode 100644 index 0000000..84aa212 --- /dev/null +++ b/8793-h/images/24-112.jpg diff --git a/8793-h/images/24-112th.jpg b/8793-h/images/24-112th.jpg Binary files differnew file mode 100644 index 0000000..c63481e --- /dev/null +++ b/8793-h/images/24-112th.jpg diff --git a/8793-h/images/24-4.jpg b/8793-h/images/24-4.jpg Binary files differnew file mode 100644 index 0000000..44a1f3f --- /dev/null +++ b/8793-h/images/24-4.jpg diff --git a/8793-h/images/24-4th.jpg b/8793-h/images/24-4th.jpg Binary files differnew file mode 100644 index 0000000..b0d1031 --- /dev/null +++ b/8793-h/images/24-4th.jpg diff --git a/8793-h/images/25-107.jpg b/8793-h/images/25-107.jpg Binary files differnew file mode 100644 index 0000000..2f27d51 --- /dev/null +++ b/8793-h/images/25-107.jpg diff --git a/8793-h/images/25-107th.jpg b/8793-h/images/25-107th.jpg Binary files differnew file mode 100644 index 0000000..4f2257b --- /dev/null +++ b/8793-h/images/25-107th.jpg diff --git a/8793-h/images/25-117.jpg b/8793-h/images/25-117.jpg Binary files differnew file mode 100644 index 0000000..d380e59 --- /dev/null +++ b/8793-h/images/25-117.jpg diff --git a/8793-h/images/25-117th.jpg b/8793-h/images/25-117th.jpg Binary files differnew file mode 100644 index 0000000..d72686c --- /dev/null +++ b/8793-h/images/25-117th.jpg diff --git a/8793-h/images/25-119.jpg b/8793-h/images/25-119.jpg Binary files differnew file mode 100644 index 0000000..29614dd --- /dev/null +++ b/8793-h/images/25-119.jpg diff --git a/8793-h/images/25-119th.jpg b/8793-h/images/25-119th.jpg Binary files differnew file mode 100644 index 0000000..663469a --- /dev/null +++ b/8793-h/images/25-119th.jpg diff --git a/8793-h/images/cover.jpg b/8793-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..1b9cf59 --- /dev/null +++ b/8793-h/images/cover.jpg diff --git a/8793-h/images/coverth.jpg b/8793-h/images/coverth.jpg Binary files differnew file mode 100644 index 0000000..2fff41a --- /dev/null +++ b/8793-h/images/coverth.jpg diff --git a/8793-h/images/front2.jpg b/8793-h/images/front2.jpg Binary files differnew file mode 100644 index 0000000..677a58f --- /dev/null +++ b/8793-h/images/front2.jpg diff --git a/8793-h/images/frontispiece.jpg b/8793-h/images/frontispiece.jpg Binary files differnew file mode 100644 index 0000000..0c1de2b --- /dev/null +++ b/8793-h/images/frontispiece.jpg diff --git a/8793-h/images/title2.jpg b/8793-h/images/title2.jpg Binary files differnew file mode 100644 index 0000000..db3998b --- /dev/null +++ b/8793-h/images/title2.jpg diff --git a/8793-h/images/titlepage.jpg b/8793-h/images/titlepage.jpg Binary files differnew file mode 100644 index 0000000..d46c1e0 --- /dev/null +++ b/8793-h/images/titlepage.jpg diff --git a/8793.txt b/8793.txt new file mode 100644 index 0000000..4082ac7 --- /dev/null +++ b/8793.txt @@ -0,0 +1,1505 @@ +Project Gutenberg's The Vision of Purgatory, Part 4, by Dante Alighieri +Translated By The Rev. H. F. Cary, Illustrated by Gustave Dore + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Vision of Purgatory, Part 4 + Translated By The Rev. H. F. Cary, Illustrated by Gustave Dore + +Author: Dante Alighieri + +Release Date: August 5, 2004 [EBook #8793] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE VISION OF PURGATORY, PART 4 *** + + + + +Produced by David Widger + + + + + +THE VISION + +OF + +HELL, PURGATORY, AND PARADISE + +BY DANTE ALIGHIERI + + +TRANSLATED BY + +THE REV. H. F. CARY + + + + +PURGATORY + +Part 4 + +Cantos 19 - 25 + + + + +CANTO XIX + +It was the hour, when of diurnal heat +No reliques chafe the cold beams of the moon, +O'erpower'd by earth, or planetary sway +Of Saturn; and the geomancer sees +His Greater Fortune up the east ascend, +Where gray dawn checkers first the shadowy cone; +When 'fore me in my dream a woman's shape +There came, with lips that stammer'd, eyes aslant, +Distorted feet, hands maim'd, and colour pale. + +I look'd upon her; and as sunshine cheers +Limbs numb'd by nightly cold, e'en thus my look +Unloos'd her tongue, next in brief space her form +Decrepit rais'd erect, and faded face +With love's own hue illum'd. Recov'ring speech +She forthwith warbling such a strain began, +That I, how loth soe'er, could scarce have held +Attention from the song. "I," thus she sang, +"I am the Siren, she, whom mariners +On the wide sea are wilder'd when they hear: +Such fulness of delight the list'ner feels. +I from his course Ulysses by my lay +Enchanted drew. Whoe'er frequents me once +Parts seldom; so I charm him, and his heart +Contented knows no void." Or ere her mouth +Was clos'd, to shame her at her side appear'd +A dame of semblance holy. With stern voice +She utter'd; "Say, O Virgil, who is this?" +Which hearing, he approach'd, with eyes still bent +Toward that goodly presence: th' other seiz'd her, +And, her robes tearing, open'd her before, +And show'd the belly to me, whence a smell, +Exhaling loathsome, wak'd me. Round I turn'd +Mine eyes, and thus the teacher: "At the least +Three times my voice hath call'd thee. Rise, begone. +Let us the opening find where thou mayst pass." + +I straightway rose. Now day, pour'd down from high, +Fill'd all the circuits of the sacred mount; +And, as we journey'd, on our shoulder smote +The early ray. I follow'd, stooping low +My forehead, as a man, o'ercharg'd with thought, +Who bends him to the likeness of an arch, +That midway spans the flood; when thus I heard, +"Come, enter here," in tone so soft and mild, +As never met the ear on mortal strand. + +With swan-like wings dispread and pointing up, +Who thus had spoken marshal'd us along, +Where each side of the solid masonry +The sloping, walls retir'd; then mov'd his plumes, +And fanning us, affirm'd that those, who mourn, +Are blessed, for that comfort shall be theirs. + +"What aileth thee, that still thou look'st to earth?" +Began my leader; while th' angelic shape +A little over us his station took. + +"New vision," I replied, "hath rais'd in me +Surmisings strange and anxious doubts, whereon +My soul intent allows no other thought +Or room or entrance."--"Hast thou seen," said he, +"That old enchantress, her, whose wiles alone +The spirits o'er us weep for? Hast thou seen +How man may free him of her bonds? Enough. +Let thy heels spurn the earth, and thy rais'd ken +Fix on the lure, which heav'n's eternal King +Whirls in the rolling spheres." As on his feet +The falcon first looks down, then to the sky +Turns, and forth stretches eager for the food, +That woos him thither; so the call I heard, +So onward, far as the dividing rock +Gave way, I journey'd, till the plain was reach'd. + +On the fifth circle when I stood at large, +A race appear'd before me, on the ground +All downward lying prone and weeping sore. +"My soul hath cleaved to the dust," I heard +With sighs so deep, they well nigh choak'd the words. +"O ye elect of God, whose penal woes +Both hope and justice mitigate, direct +Tow'rds the steep rising our uncertain way." + +"If ye approach secure from this our doom, +Prostration--and would urge your course with speed, +See that ye still to rightward keep the brink." + +So them the bard besought; and such the words, +Beyond us some short space, in answer came. + +I noted what remain'd yet hidden from them: +Thence to my liege's eyes mine eyes I bent, +And he, forthwith interpreting their suit, +Beckon'd his glad assent. Free then to act, +As pleas'd me, I drew near, and took my stand +O`er that shade, whose words I late had mark'd. +And, "Spirit!" I said, "in whom repentant tears +Mature that blessed hour, when thou with God +Shalt find acceptance, for a while suspend +For me that mightier care. Say who thou wast, +Why thus ye grovel on your bellies prone, +And if in aught ye wish my service there, +Whence living I am come." He answering spake +"The cause why Heav'n our back toward his cope +Reverses, shalt thou know: but me know first +The successor of Peter, and the name +And title of my lineage from that stream, +That' twixt Chiaveri and Siestri draws +His limpid waters through the lowly glen. +A month and little more by proof I learnt, +With what a weight that robe of sov'reignty +Upon his shoulder rests, who from the mire +Would guard it: that each other fardel seems +But feathers in the balance. Late, alas! +Was my conversion: but when I became +Rome's pastor, I discern'd at once the dream +And cozenage of life, saw that the heart +Rested not there, and yet no prouder height +Lur'd on the climber: wherefore, of that life +No more enamour'd, in my bosom love +Of purer being kindled. For till then +I was a soul in misery, alienate +From God, and covetous of all earthly things; +Now, as thou seest, here punish'd for my doting. +Such cleansing from the taint of avarice +Do spirits converted need. This mount inflicts +No direr penalty. E'en as our eyes +Fasten'd below, nor e'er to loftier clime +Were lifted, thus hath justice level'd us +Here on the earth. As avarice quench'd our love +Of good, without which is no working, thus +Here justice holds us prison'd, hand and foot +Chain'd down and bound, while heaven's just Lord shall please. +So long to tarry motionless outstretch'd." + +My knees I stoop'd, and would have spoke; but he, +Ere my beginning, by his ear perceiv'd +I did him reverence; and "What cause," said he, +"Hath bow'd thee thus!"--"Compunction," I rejoin'd. +"And inward awe of your high dignity." + +"Up," he exclaim'd, "brother! upon thy feet +Arise: err not: thy fellow servant I, +(Thine and all others') of one Sovran Power. +If thou hast ever mark'd those holy sounds +Of gospel truth, 'nor shall be given ill marriage,' +Thou mayst discern the reasons of my speech. +Go thy ways now; and linger here no more. +Thy tarrying is a let unto the tears, +With which I hasten that whereof thou spak'st. +I have on earth a kinswoman; her name +Alagia, worthy in herself, so ill +Example of our house corrupt her not: +And she is all remaineth of me there." + + + + +CANTO XX + +Ill strives the will, 'gainst will more wise that strives +His pleasure therefore to mine own preferr'd, +I drew the sponge yet thirsty from the wave. + +Onward I mov'd: he also onward mov'd, +Who led me, coasting still, wherever place +Along the rock was vacant, as a man +Walks near the battlements on narrow wall. +For those on th' other part, who drop by drop +Wring out their all-infecting malady, +Too closely press the verge. Accurst be thou! +Inveterate wolf! whose gorge ingluts more prey, +Than every beast beside, yet is not fill'd! +So bottomless thy maw!--Ye spheres of heaven! +To whom there are, as seems, who attribute +All change in mortal state, when is the day +Of his appearing, for whom fate reserves +To chase her hence?--With wary steps and slow +We pass'd; and I attentive to the shades, +Whom piteously I heard lament and wail; + +And, 'midst the wailing, one before us heard +Cry out "O blessed Virgin!" as a dame +In the sharp pangs of childbed; and "How poor +Thou wast," it added, "witness that low roof +Where thou didst lay thy sacred burden down. +O good Fabricius! thou didst virtue choose +With poverty, before great wealth with vice." + +The words so pleas'd me, that desire to know +The spirit, from whose lip they seem'd to come, +Did draw me onward. Yet it spake the gift +Of Nicholas, which on the maidens he +Bounteous bestow'd, to save their youthful prime +Unblemish'd. "Spirit! who dost speak of deeds +So worthy, tell me who thou was," I said, +"And why thou dost with single voice renew +Memorial of such praise. That boon vouchsaf'd +Haply shall meet reward; if I return +To finish the Short pilgrimage of life, +Still speeding to its close on restless wing." + +"I," answer'd he, "will tell thee, not for hell, +Which thence I look for; but that in thyself +Grace so exceeding shines, before thy time +Of mortal dissolution. I was root +Of that ill plant, whose shade such poison sheds +O'er all the Christian land, that seldom thence +Good fruit is gather'd. Vengeance soon should come, +Had Ghent and Douay, Lille and Bruges power; +And vengeance I of heav'n's great Judge implore. +Hugh Capet was I high: from me descend +The Philips and the Louis, of whom France +Newly is govern'd; born of one, who ply'd +The slaughterer's trade at Paris. When the race +Of ancient kings had vanish'd (all save one +Wrapt up in sable weeds) within my gripe +I found the reins of empire, and such powers +Of new acquirement, with full store of friends, +That soon the widow'd circlet of the crown +Was girt upon the temples of my son, +He, from whose bones th' anointed race begins. +Till the great dower of Provence had remov'd +The stains, that yet obscur'd our lowly blood, +Its sway indeed was narrow, but howe'er +It wrought no evil: there, with force and lies, +Began its rapine; after, for amends, +Poitou it seiz'd, Navarre and Gascony. +To Italy came Charles, and for amends +Young Conradine an innocent victim slew, +And sent th' angelic teacher back to heav'n, +Still for amends. I see the time at hand, +That forth from France invites another Charles +To make himself and kindred better known. +Unarm'd he issues, saving with that lance, +Which the arch-traitor tilted with; and that +He carries with so home a thrust, as rives +The bowels of poor Florence. No increase +Of territory hence, but sin and shame +Shall be his guerdon, and so much the more +As he more lightly deems of such foul wrong. +I see the other, who a prisoner late +Had steps on shore, exposing to the mart +His daughter, whom he bargains for, as do +The Corsairs for their slaves. O avarice! +What canst thou more, who hast subdued our blood +So wholly to thyself, they feel no care +Of their own flesh? To hide with direr guilt +Past ill and future, lo! the flower-de-luce +Enters Alagna! in his Vicar Christ +Himself a captive, and his mockery +Acted again! Lo! to his holy lip +The vinegar and gall once more applied! +And he 'twixt living robbers doom'd to bleed! +Lo! the new Pilate, of whose cruelty +Such violence cannot fill the measure up, +With no degree to sanction, pushes on +Into the temple his yet eager sails! + +"O sovran Master! when shall I rejoice +To see the vengeance, which thy wrath well-pleas'd +In secret silence broods?--While daylight lasts, +So long what thou didst hear of her, sole spouse +Of the Great Spirit, and on which thou turn'dst +To me for comment, is the general theme +Of all our prayers: but when it darkens, then +A different strain we utter, then record +Pygmalion, whom his gluttonous thirst of gold +Made traitor, robber, parricide: the woes +Of Midas, which his greedy wish ensued, +Mark'd for derision to all future times: +And the fond Achan, how he stole the prey, +That yet he seems by Joshua's ire pursued. +Sapphira with her husband next, we blame; +And praise the forefeet, that with furious ramp +Spurn'd Heliodorus. All the mountain round +Rings with the infamy of Thracia's king, +Who slew his Phrygian charge: and last a shout +Ascends: "Declare, O Crassus! for thou know'st, +The flavour of thy gold." The voice of each +Now high now low, as each his impulse prompts, +Is led through many a pitch, acute or grave. +Therefore, not singly, I erewhile rehears'd +That blessedness we tell of in the day: +But near me none beside his accent rais'd." + +From him we now had parted, and essay'd +With utmost efforts to surmount the way, +When I did feel, as nodding to its fall, +The mountain tremble; whence an icy chill +Seiz'd on me, as on one to death convey'd. +So shook not Delos, when Latona there +Couch'd to bring forth the twin-born eyes of heaven. + +Forthwith from every side a shout arose +So vehement, that suddenly my guide +Drew near, and cried: "Doubt not, while I conduct thee." +"Glory!" all shouted (such the sounds mine ear +Gather'd from those, who near me swell'd the sounds) +"Glory in the highest be to God." We stood +Immovably suspended, like to those, +The shepherds, who first heard in Bethlehem's field +That song: till ceas'd the trembling, and the song +Was ended: then our hallow'd path resum'd, +Eying the prostrate shadows, who renew'd +Their custom'd mourning. Never in my breast +Did ignorance so struggle with desire +Of knowledge, if my memory do not err, +As in that moment; nor through haste dar'd I +To question, nor myself could aught discern, +So on I far'd in thoughtfulness and dread. + + + + +CANTO XXI + +The natural thirst, ne'er quench'd but from the well, +Whereof the woman of Samaria crav'd, +Excited: haste along the cumber'd path, +After my guide, impell'd; and pity mov'd +My bosom for the 'vengeful deed, though just. +When lo! even as Luke relates, that Christ +Appear'd unto the two upon their way, +New-risen from his vaulted grave; to us +A shade appear'd, and after us approach'd, +Contemplating the crowd beneath its feet. +We were not ware of it; so first it spake, +Saying, "God give you peace, my brethren!" then +Sudden we turn'd: and Virgil such salute, +As fitted that kind greeting, gave, and cried: +"Peace in the blessed council be thy lot +Awarded by that righteous court, which me +To everlasting banishment exiles!" + +"How!" he exclaim'd, nor from his speed meanwhile +Desisting, "If that ye be spirits, whom God +Vouchsafes not room above, who up the height +Has been thus far your guide?" To whom the bard: +"If thou observe the tokens, which this man +Trac'd by the finger of the angel bears, +'Tis plain that in the kingdom of the just +He needs must share. But sithence she, whose wheel +Spins day and night, for him not yet had drawn +That yarn, which, on the fatal distaff pil'd, +Clotho apportions to each wight that breathes, +His soul, that sister is to mine and thine, +Not of herself could mount, for not like ours +Her ken: whence I, from forth the ample gulf +Of hell was ta'en, to lead him, and will lead +Far as my lore avails. But, if thou know, +Instruct us for what cause, the mount erewhile +Thus shook and trembled: wherefore all at once +Seem'd shouting, even from his wave-wash'd foot." + +That questioning so tallied with my wish, +The thirst did feel abatement of its edge +E'en from expectance. He forthwith replied, +"In its devotion nought irregular +This mount can witness, or by punctual rule +Unsanction'd; here from every change exempt. +Other than that, which heaven in itself +Doth of itself receive, no influence +Can reach us. Tempest none, shower, hail or snow, +Hoar frost or dewy moistness, higher falls +Than that brief scale of threefold steps: thick clouds +Nor scudding rack are ever seen: swift glance +Ne'er lightens, nor Thaumantian Iris gleams, +That yonder often shift on each side heav'n. +Vapour adust doth never mount above +The highest of the trinal stairs, whereon +Peter's vicegerent stands. Lower perchance, +With various motion rock'd, trembles the soil: +But here, through wind in earth's deep hollow pent, +I know not how, yet never trembled: then +Trembles, when any spirit feels itself +So purified, that it may rise, or move +For rising, and such loud acclaim ensues. +Purification by the will alone +Is prov'd, that free to change society +Seizes the soul rejoicing in her will. +Desire of bliss is present from the first; +But strong propension hinders, to that wish +By the just ordinance of heav'n oppos'd; +Propension now as eager to fulfil +Th' allotted torment, as erewhile to sin. +And I who in this punishment had lain +Five hundred years and more, but now have felt +Free wish for happier clime. Therefore thou felt'st +The mountain tremble, and the spirits devout +Heard'st, over all his limits, utter praise +To that liege Lord, whom I entreat their joy +To hasten." Thus he spake: and since the draught +Is grateful ever as the thirst is keen, +No words may speak my fullness of content. + +"Now," said the instructor sage, "I see the net +That takes ye here, and how the toils are loos'd, +Why rocks the mountain and why ye rejoice. +Vouchsafe, that from thy lips I next may learn, +Who on the earth thou wast, and wherefore here +So many an age wert prostrate."--"In that time, +When the good Titus, with Heav'n's King to help, +Aveng'd those piteous gashes, whence the blood +By Judas sold did issue, with the name +Most lasting and most honour'd there was I +Abundantly renown'd," the shade reply'd, +"Not yet with faith endued. So passing sweet +My vocal Spirit, from Tolosa, Rome +To herself drew me, where I merited +A myrtle garland to inwreathe my brow. +Statius they name me still. Of Thebes I sang, +And next of great Achilles: but i' th' way +Fell with the second burthen. Of my flame +Those sparkles were the seeds, which I deriv'd +From the bright fountain of celestial fire +That feeds unnumber'd lamps, the song I mean +Which sounds Aeneas' wand'rings: that the breast +I hung at, that the nurse, from whom my veins +Drank inspiration: whose authority +Was ever sacred with me. To have liv'd +Coeval with the Mantuan, I would bide +The revolution of another sun +Beyond my stated years in banishment." + +The Mantuan, when he heard him, turn'd to me, +And holding silence: by his countenance +Enjoin'd me silence but the power which wills, +Bears not supreme control: laughter and tears +Follow so closely on the passion prompts them, +They wait not for the motions of the will +In natures most sincere. I did but smile, +As one who winks; and thereupon the shade +Broke off, and peer'd into mine eyes, where best +Our looks interpret. "So to good event +Mayst thou conduct such great emprize," he cried, +"Say, why across thy visage beam'd, but now, +The lightning of a smile!" On either part +Now am I straiten'd; one conjures me speak, +Th' other to silence binds me: whence a sigh +I utter, and the sigh is heard. "Speak on;" +The teacher cried; "and do not fear to speak, +But tell him what so earnestly he asks." +Whereon I thus: "Perchance, O ancient spirit! +Thou marvel'st at my smiling. There is room +For yet more wonder. He who guides my ken +On high, he is that Mantuan, led by whom +Thou didst presume of men and gods to sing. +If other cause thou deem'dst for which I smil'd, +Leave it as not the true one; and believe +Those words, thou spak'st of him, indeed the cause." + +Now down he bent t' embrace my teacher's feet; +But he forbade him: "Brother! do it not: +Thou art a shadow, and behold'st a shade." +He rising answer'd thus: "Now hast thou prov'd +The force and ardour of the love I bear thee, +When I forget we are but things of air, +And as a substance treat an empty shade." + + + + +CANTO XXII + +Now we had left the angel, who had turn'd +To the sixth circle our ascending step, +One gash from off my forehead raz'd: while they, +Whose wishes tend to justice, shouted forth: +"Blessed!" and ended with, "I thirst:" and I, +More nimble than along the other straits, +So journey'd, that, without the sense of toil, +I follow'd upward the swift-footed shades; +When Virgil thus began: "Let its pure flame +From virtue flow, and love can never fail +To warm another's bosom' so the light +Shine manifestly forth. Hence from that hour, +When 'mongst us in the purlieus of the deep, +Came down the spirit of Aquinum's hard, +Who told of thine affection, my good will +Hath been for thee of quality as strong +As ever link'd itself to one not seen. +Therefore these stairs will now seem short to me. +But tell me: and if too secure I loose +The rein with a friend's license, as a friend +Forgive me, and speak now as with a friend: +How chanc'd it covetous desire could find +Place in that bosom, 'midst such ample store +Of wisdom, as thy zeal had treasur'd there?" + +First somewhat mov'd to laughter by his words, +Statius replied: "Each syllable of thine +Is a dear pledge of love. Things oft appear +That minister false matters to our doubts, +When their true causes are remov'd from sight. +Thy question doth assure me, thou believ'st +I was on earth a covetous man, perhaps +Because thou found'st me in that circle plac'd. +Know then I was too wide of avarice: +And e'en for that excess, thousands of moons +Have wax'd and wan'd upon my sufferings. +And were it not that I with heedful care +Noted where thou exclaim'st as if in ire +With human nature, 'Why, thou cursed thirst +Of gold! dost not with juster measure guide +The appetite of mortals?' I had met +The fierce encounter of the voluble rock. +Then was I ware that with too ample wing +The hands may haste to lavishment, and turn'd, +As from my other evil, so from this +In penitence. How many from their grave +Shall with shorn locks arise, who living, aye +And at life's last extreme, of this offence, +Through ignorance, did not repent. And know, +The fault which lies direct from any sin +In level opposition, here With that +Wastes its green rankness on one common heap. +Therefore if I have been with those, who wail +Their avarice, to cleanse me, through reverse +Of their transgression, such hath been my lot." + +To whom the sovran of the pastoral song: +"While thou didst sing that cruel warfare wag'd +By the twin sorrow of Jocasta's womb, +From thy discourse with Clio there, it seems +As faith had not been shine: without the which +Good deeds suffice not. And if so, what sun +Rose on thee, or what candle pierc'd the dark +That thou didst after see to hoist the sail, +And follow, where the fisherman had led?" + +He answering thus: "By thee conducted first, +I enter'd the Parnassian grots, and quaff'd +Of the clear spring; illumin'd first by thee +Open'd mine eyes to God. Thou didst, as one, +Who, journeying through the darkness, hears a light +Behind, that profits not himself, but makes +His followers wise, when thou exclaimedst, 'Lo! +A renovated world! Justice return'd! +Times of primeval innocence restor'd! +And a new race descended from above!' +Poet and Christian both to thee I owed. +That thou mayst mark more clearly what I trace, +My hand shall stretch forth to inform the lines +With livelier colouring. Soon o'er all the world, +By messengers from heav'n, the true belief +Teem'd now prolific, and that word of thine +Accordant, to the new instructors chim'd. +Induc'd by which agreement, I was wont +Resort to them; and soon their sanctity +So won upon me, that, Domitian's rage +Pursuing them, I mix'd my tears with theirs, +And, while on earth I stay'd, still succour'd them; +And their most righteous customs made me scorn +All sects besides. Before I led the Greeks +In tuneful fiction, to the streams of Thebes, +I was baptiz'd; but secretly, through fear, +Remain'd a Christian, and conform'd long time +To Pagan rites. Five centuries and more, +T for that lukewarmness was fain to pace +Round the fourth circle. Thou then, who hast rais'd +The covering, which did hide such blessing from me, +Whilst much of this ascent is yet to climb, +Say, if thou know, where our old Terence bides, +Caecilius, Plautus, Varro: if condemn'd +They dwell, and in what province of the deep." +"These," said my guide, "with Persius and myself, +And others many more, are with that Greek, +Of mortals, the most cherish'd by the Nine, +In the first ward of darkness. There ofttimes +We of that mount hold converse, on whose top +For aye our nurses live. We have the bard +Of Pella, and the Teian, Agatho, +Simonides, and many a Grecian else +Ingarlanded with laurel. Of thy train +Antigone is there, Deiphile, +Argia, and as sorrowful as erst +Ismene, and who show'd Langia's wave: +Deidamia with her sisters there, +And blind Tiresias' daughter, and the bride +Sea-born of Peleus." Either poet now +Was silent, and no longer by th' ascent +Or the steep walls obstructed, round them cast +Inquiring eyes. Four handmaids of the day +Had finish'd now their office, and the fifth +Was at the chariot-beam, directing still +Its balmy point aloof, when thus my guide: +"Methinks, it well behooves us to the brink +Bend the right shoulder' circuiting the mount, +As we have ever us'd." So custom there +Was usher to the road, the which we chose +Less doubtful, as that worthy shade complied. + +They on before me went; I sole pursued, +List'ning their speech, that to my thoughts convey'd +Mysterious lessons of sweet poesy. +But soon they ceas'd; for midway of the road +A tree we found, with goodly fruitage hung, +And pleasant to the smell: and as a fir +Upward from bough to bough less ample spreads, +So downward this less ample spread, that none. +Methinks, aloft may climb. Upon the side, +That clos'd our path, a liquid crystal fell +From the steep rock, and through the sprays above +Stream'd showering. With associate step the bards +Drew near the plant; and from amidst the leaves +A voice was heard: "Ye shall be chary of me;" +And after added: "Mary took more thought +For joy and honour of the nuptial feast, +Than for herself who answers now for you. +The women of old Rome were satisfied +With water for their beverage. Daniel fed +On pulse, and wisdom gain'd. The primal age +Was beautiful as gold; and hunger then +Made acorns tasteful, thirst each rivulet +Run nectar. Honey and locusts were the food, +Whereon the Baptist in the wilderness +Fed, and that eminence of glory reach'd +And greatness, which the' Evangelist records." + + + + +CANTO XXIII + +On the green leaf mine eyes were fix'd, like his +Who throws away his days in idle chase +Of the diminutive, when thus I heard +The more than father warn me: "Son! our time +Asks thriftier using. Linger not: away." + +Thereat my face and steps at once I turn'd +Toward the sages, by whose converse cheer'd +I journey'd on, and felt no toil: and lo! +A sound of weeping and a song: "My lips, +O Lord!" and these so mingled, it gave birth +To pleasure and to pain. "O Sire, belov'd! +Say what is this I hear?" Thus I inquir'd. + +"Spirits," said he, "who as they go, perchance, +Their debt of duty pay." As on their road +The thoughtful pilgrims, overtaking some +Not known unto them, turn to them, and look, +But stay not; thus, approaching from behind +With speedier motion, eyed us, as they pass'd, +A crowd of spirits, silent and devout. +The eyes of each were dark and hollow: pale +Their visage, and so lean withal, the bones +Stood staring thro' the skin. I do not think +Thus dry and meagre Erisicthon show'd, +When pinc'ed by sharp-set famine to the quick. + +"Lo!" to myself I mus'd, "the race, who lost +Jerusalem, when Mary with dire beak +Prey'd on her child." The sockets seem'd as rings, +From which the gems were drops. Who reads the name +Of man upon his forehead, there the M +Had trac'd most plainly. Who would deem, that scent +Of water and an apple, could have prov'd +Powerful to generate such pining want, +Not knowing how it wrought? While now I stood +Wond'ring what thus could waste them (for the cause +Of their gaunt hollowness and scaly rind +Appear'd not) lo! a spirit turn'd his eyes +In their deep-sunken cell, and fasten'd then +On me, then cried with vehemence aloud: +"What grace is this vouchsaf'd me?" By his looks +I ne'er had recogniz'd him: but the voice +Brought to my knowledge what his cheer conceal'd. +Remembrance of his alter'd lineaments +Was kindled from that spark; and I agniz'd +The visage of Forese. "Ah! respect +This wan and leprous wither'd skin," thus he +Suppliant implor'd, "this macerated flesh. +Speak to me truly of thyself. And who +Are those twain spirits, that escort thee there? +Be it not said thou Scorn'st to talk with me." + +"That face of thine," I answer'd him, "which dead +I once bewail'd, disposes me not less +For weeping, when I see It thus transform'd. +Say then, by Heav'n, what blasts ye thus? The whilst +I wonder, ask not Speech from me: unapt +Is he to speak, whom other will employs." + +He thus: "The water and tee plant we pass'd, +Virtue possesses, by th' eternal will +Infus'd, the which so pines me. Every spirit, +Whose song bewails his gluttony indulg'd +Too grossly, here in hunger and in thirst +Is purified. The odour, which the fruit, +And spray, that showers upon the verdure, breathe, +Inflames us with desire to feed and drink. +Nor once alone encompassing our route +We come to add fresh fuel to the pain: +Pain, said Iolace rather: for that will +To the tree leads us, by which Christ was led +To call Elias, joyful when he paid +Our ransom from his vein." I answering thus: +"Forese! from that day, in which the world +For better life thou changedst, not five years +Have circled. If the power of sinning more +Were first concluded in thee, ere thou knew'st +That kindly grief, which re-espouses us +To God, how hither art thou come so soon? +I thought to find thee lower, there, where time +Is recompense for time." He straight replied: +"To drink up the sweet wormwood of affliction +I have been brought thus early by the tears +Stream'd down my Nella's cheeks. Her prayers devout, +Her sighs have drawn me from the coast, where oft +Expectance lingers, and have set me free +From th' other circles. In the sight of God +So much the dearer is my widow priz'd, +She whom I lov'd so fondly, as she ranks +More singly eminent for virtuous deeds. +The tract most barb'rous of Sardinia's isle, +Hath dames more chaste and modester by far +Than that wherein I left her. O sweet brother! +What wouldst thou have me say? A time to come +Stands full within my view, to which this hour +Shall not be counted of an ancient date, +When from the pulpit shall be loudly warn'd +Th' unblushing dames of Florence, lest they bare +Unkerchief'd bosoms to the common gaze. +What savage women hath the world e'er seen, +What Saracens, for whom there needed scourge +Of spiritual or other discipline, +To force them walk with cov'ring on their limbs! +But did they see, the shameless ones, that Heav'n +Wafts on swift wing toward them, while I speak, +Their mouths were op'd for howling: they shall taste +Of Borrow (unless foresight cheat me here) +Or ere the cheek of him be cloth'd with down +Who is now rock'd with lullaby asleep. +Ah! now, my brother, hide thyself no more, +Thou seest how not I alone but all +Gaze, where thou veil'st the intercepted sun." + +Whence I replied: "If thou recall to mind +What we were once together, even yet +Remembrance of those days may grieve thee sore. +That I forsook that life, was due to him +Who there precedes me, some few evenings past, +When she was round, who shines with sister lamp +To his, that glisters yonder," and I show'd +The sun. "Tis he, who through profoundest night +Of he true dead has brought me, with this flesh +As true, that follows. From that gloom the aid +Of his sure comfort drew me on to climb, +And climbing wind along this mountain-steep, +Which rectifies in you whate'er the world +Made crooked and deprav'd I have his word, +That he will bear me company as far +As till I come where Beatrice dwells: +But there must leave me. Virgil is that spirit, +Who thus hath promis'd," and I pointed to him; +"The other is that shade, for whom so late +Your realm, as he arose, exulting shook +Through every pendent cliff and rocky bound." + + + + +CANTO XXIV + +Our journey was not slacken'd by our talk, +Nor yet our talk by journeying. Still we spake, +And urg'd our travel stoutly, like a ship +When the wind sits astern. The shadowy forms, + +That seem'd things dead and dead again, drew in +At their deep-delved orbs rare wonder of me, +Perceiving I had life; and I my words +Continued, and thus spake; "He journeys up +Perhaps more tardily then else he would, +For others' sake. But tell me, if thou know'st, +Where is Piccarda? Tell me, if I see +Any of mark, among this multitude, +Who eye me thus."--"My sister (she for whom, +'Twixt beautiful and good I cannot say +Which name was fitter ) wears e'en now her crown, +And triumphs in Olympus." Saying this, +He added: "Since spare diet hath so worn +Our semblance out, 't is lawful here to name +Each one. This," and his finger then he rais'd, +"Is Buonaggiuna,--Buonaggiuna, he +Of Lucca: and that face beyond him, pierc'd +Unto a leaner fineness than the rest, +Had keeping of the church: he was of Tours, +And purges by wan abstinence away +Bolsena's eels and cups of muscadel." + +He show'd me many others, one by one, +And all, as they were nam'd, seem'd well content; +For no dark gesture I discern'd in any. +I saw through hunger Ubaldino grind +His teeth on emptiness; and Boniface, +That wav'd the crozier o'er a num'rous flock. +I saw the Marquis, who tad time erewhile +To swill at Forli with less drought, yet so +Was one ne'er sated. I howe'er, like him, +That gazing 'midst a crowd, singles out one, +So singled him of Lucca; for methought +Was none amongst them took such note of me. +Somewhat I heard him whisper of Gentucca: +The sound was indistinct, and murmur'd there, +Where justice, that so strips them, fix'd her sting. + +"Spirit!" said I, "it seems as thou wouldst fain +Speak with me. Let me hear thee. Mutual wish +To converse prompts, which let us both indulge." + +He, answ'ring, straight began: "Woman is born, +Whose brow no wimple shades yet, that shall make +My city please thee, blame it as they may. +Go then with this forewarning. If aught false +My whisper too implied, th' event shall tell +But say, if of a truth I see the man +Of that new lay th' inventor, which begins +With 'Ladies, ye that con the lore of love'." + +To whom I thus: "Count of me but as one +Who am the scribe of love; that, when he breathes, +Take up my pen, and, as he dictates, write." + +"Brother!" said he, "the hind'rance which once held +The notary with Guittone and myself, +Short of that new and sweeter style I hear, +Is now disclos'd. I see how ye your plumes +Stretch, as th' inditer guides them; which, no question, +Ours did not. He that seeks a grace beyond, +Sees not the distance parts one style from other." +And, as contented, here he held his peace. + +Like as the bird, that winter near the Nile, +In squared regiment direct their course, +Then stretch themselves in file for speedier flight; +Thus all the tribe of spirits, as they turn'd +Their visage, faster deaf, nimble alike +Through leanness and desire. And as a man, +Tir'd With the motion of a trotting steed, +Slacks pace, and stays behind his company, +Till his o'erbreathed lungs keep temperate time; +E'en so Forese let that holy crew +Proceed, behind them lingering at my side, +And saying: "When shall I again behold thee?" + +"How long my life may last," said I, "I know not; +This know, how soon soever I return, +My wishes will before me have arriv'd. +Sithence the place, where I am set to live, +Is, day by day, more scoop'd of all its good, +And dismal ruin seems to threaten it." + +"Go now," he cried: "lo! he, whose guilt is most, +Passes before my vision, dragg'd at heels +Of an infuriate beast. Toward the vale, +Where guilt hath no redemption, on it speeds, +Each step increasing swiftness on the last; +Until a blow it strikes, that leaveth him +A corse most vilely shatter'd. No long space +Those wheels have yet to roll" (therewith his eyes +Look'd up to heav'n) "ere thou shalt plainly see +That which my words may not more plainly tell. +I quit thee: time is precious here: I lose +Too much, thus measuring my pace with shine." + +As from a troop of well-rank'd chivalry +One knight, more enterprising than the rest, +Pricks forth at gallop, eager to display +His prowess in the first encounter prov'd +So parted he from us with lengthen'd strides, +And left me on the way with those twain spirits, +Who were such mighty marshals of the world. + +When he beyond us had so fled mine eyes +No nearer reach'd him, than my thought his words, +The branches of another fruit, thick hung, +And blooming fresh, appear'd. E'en as our steps +Turn'd thither, not far off it rose to view. +Beneath it were a multitude, that rais'd +Their hands, and shouted forth I know not What +Unto the boughs; like greedy and fond brats, +That beg, and answer none obtain from him, +Of whom they beg; but more to draw them on, +He at arm's length the object of their wish +Above them holds aloft, and hides it not. + +At length, as undeceiv'd they went their way: +And we approach the tree, who vows and tears +Sue to in vain, the mighty tree. "Pass on, +And come not near. Stands higher up the wood, +Whereof Eve tasted, and from it was ta'en +'this plant." Such sounds from midst the thickets came. +Whence I, with either bard, close to the side +That rose, pass'd forth beyond. "Remember," next +We heard, "those noblest creatures of the clouds, +How they their twofold bosoms overgorg'd +Oppos'd in fight to Theseus: call to mind +The Hebrews, how effeminate they stoop'd +To ease their thirst; whence Gideon's ranks were thinn'd, +As he to Midian march'd adown the hills." + +Thus near one border coasting, still we heard +The sins of gluttony, with woe erewhile +Reguerdon'd. Then along the lonely path, +Once more at large, full thousand paces on +We travel'd, each contemplative and mute. + +"Why pensive journey thus ye three alone?" +Thus suddenly a voice exclaim'd: whereat +I shook, as doth a scar'd and paltry beast; +Then rais'd my head to look from whence it came. + +Was ne'er, in furnace, glass, or metal seen +So bright and glowing red, as was the shape +I now beheld. "If ye desire to mount," +He cried, "here must ye turn. This way he goes, +Who goes in quest of peace." His countenance +Had dazzled me; and to my guides I fac'd +Backward, like one who walks, as sound directs. + +As when, to harbinger the dawn, springs up +On freshen'd wing the air of May, and breathes +Of fragrance, all impregn'd with herb and flowers, +E'en such a wind I felt upon my front +Blow gently, and the moving of a wing +Perceiv'd, that moving shed ambrosial smell; +And then a voice: "Blessed are they, whom grace +Doth so illume, that appetite in them +Exhaleth no inordinate desire, +Still hung'ring as the rule of temperance wills." + + + + +CANTO XXV + +It was an hour, when he who climbs, had need +To walk uncrippled: for the sun had now +To Taurus the meridian circle left, +And to the Scorpion left the night. As one +That makes no pause, but presses on his road, +Whate'er betide him, if some urgent need +Impel: so enter'd we upon our way, +One before other; for, but singly, none +That steep and narrow scale admits to climb. + +E'en as the young stork lifteth up his wing +Through wish to fly, yet ventures not to quit +The nest, and drops it; so in me desire +Of questioning my guide arose, and fell, +Arriving even to the act, that marks +A man prepar'd for speech. Him all our haste +Restrain'd not, but thus spake the sire belov'd: +Fear not to speed the shaft, that on thy lip +Stands trembling for its flight. Encourag'd thus +I straight began: "How there can leanness come, +Where is no want of nourishment to feed?" + +"If thou," he answer'd, "hadst remember'd thee, +How Meleager with the wasting brand +Wasted alike, by equal fires consum'd, +This would not trouble thee: and hadst thou thought, +How in the mirror your reflected form +With mimic motion vibrates, what now seems +Hard, had appear'd no harder than the pulp +Of summer fruit mature. But that thy will +In certainty may find its full repose, +Lo Statius here! on him I call, and pray +That he would now be healer of thy wound." + +"If in thy presence I unfold to him +The secrets of heaven's vengeance, let me plead +Thine own injunction, to exculpate me." +So Statius answer'd, and forthwith began: +"Attend my words, O son, and in thy mind +Receive them: so shall they be light to clear +The doubt thou offer'st. Blood, concocted well, +Which by the thirsty veins is ne'er imbib'd, +And rests as food superfluous, to be ta'en +From the replenish'd table, in the heart +Derives effectual virtue, that informs +The several human limbs, as being that, +Which passes through the veins itself to make them. +Yet more concocted it descends, where shame +Forbids to mention: and from thence distils +In natural vessel on another's blood. +Then each unite together, one dispos'd +T' endure, to act the other, through meet frame +Of its recipient mould: that being reach'd, +It 'gins to work, coagulating first; +Then vivifies what its own substance caus'd +To bear. With animation now indued, +The active virtue (differing from a plant +No further, than that this is on the way +And at its limit that) continues yet +To operate, that now it moves, and feels, +As sea sponge clinging to the rock: and there +Assumes th' organic powers its seed convey'd. +'This is the period, son! at which the virtue, +That from the generating heart proceeds, +Is pliant and expansive; for each limb +Is in the heart by forgeful nature plann'd. +How babe of animal becomes, remains +For thy consid'ring. At this point, more wise, +Than thou hast err'd, making the soul disjoin'd +From passive intellect, because he saw +No organ for the latter's use assign'd. + +"Open thy bosom to the truth that comes. +Know soon as in the embryo, to the brain, +Articulation is complete, then turns +The primal Mover with a smile of joy +On such great work of nature, and imbreathes +New spirit replete with virtue, that what here +Active it finds, to its own substance draws, +And forms an individual soul, that lives, +And feels, and bends reflective on itself. +And that thou less mayst marvel at the word, +Mark the sun's heat, how that to wine doth change, +Mix'd with the moisture filter'd through the vine. + +"When Lachesis hath spun the thread, the soul +Takes with her both the human and divine, +Memory, intelligence, and will, in act +Far keener than before, the other powers +Inactive all and mute. No pause allow'd, +In wond'rous sort self-moving, to one strand +Of those, where the departed roam, she falls, +Here learns her destin'd path. Soon as the place +Receives her, round the plastic virtue beams, +Distinct as in the living limbs before: +And as the air, when saturate with showers, +The casual beam refracting, decks itself +With many a hue; so here the ambient air +Weareth that form, which influence of the soul +Imprints on it; and like the flame, that where +The fire moves, thither follows, so henceforth +The new form on the spirit follows still: +Hence hath it semblance, and is shadow call'd, +With each sense even to the sight endued: +Hence speech is ours, hence laughter, tears, and sighs +Which thou mayst oft have witness'd on the mount +Th' obedient shadow fails not to present +Whatever varying passion moves within us. +And this the cause of what thou marvel'st at." + +Now the last flexure of our way we reach'd, +And to the right hand turning, other care +Awaits us. Here the rocky precipice +Hurls forth redundant flames, and from the rim +A blast upblown, with forcible rebuff +Driveth them back, sequester'd from its bound. + +Behoov'd us, one by one, along the side, +That border'd on the void, to pass; and I +Fear'd on one hand the fire, on th' other fear'd +Headlong to fall: when thus th' instructor warn'd: +"Strict rein must in this place direct the eyes. +A little swerving and the way is lost." + +Then from the bosom of the burning mass, +"O God of mercy!" heard I sung; and felt +No less desire to turn. And when I saw +Spirits along the flame proceeding, I +Between their footsteps and mine own was fain +To share by turns my view. At the hymn's close +They shouted loud, "I do not know a man;" +Then in low voice again took up the strain, +Which once more ended, "To the wood," they cried, +"Ran Dian, and drave forth Callisto, stung +With Cytherea's poison:" then return'd +Unto their song; then marry a pair extoll'd, +Who liv'd in virtue chastely, and the bands +Of wedded love. Nor from that task, I ween, +Surcease they; whilesoe'er the scorching fire +Enclasps them. Of such skill appliance needs +To medicine the wound, that healeth last. + + + + + +End of Project Gutenberg's The Vision of Purgatory, Part 4, by Dante Alighieri +Translated By The Rev. H. F. Cary, Illustrated by Gustave Dore + +*** END OF THIS PROJECT GUTENBERG EBOOK THE VISION OF PURGATORY, PART 4 *** + +***** This file should be named 8793.txt or 8793.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/8/7/9/8793/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/8793.zip b/8793.zip Binary files differnew file mode 100644 index 0000000..48a1705 --- /dev/null +++ b/8793.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..485cbbc --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #8793 (https://www.gutenberg.org/ebooks/8793) diff --git a/old/dprg410h.zip b/old/dprg410h.zip Binary files differnew file mode 100644 index 0000000..9e24813 --- /dev/null +++ b/old/dprg410h.zip |
