diff options
Diffstat (limited to '8707-h')
| -rw-r--r-- | 8707-h/8707-h.htm | 1101 | ||||
| -rw-r--r-- | 8707-h/images/068.jpg | bin | 0 -> 149430 bytes | |||
| -rw-r--r-- | 8707-h/images/068th.jpg | bin | 0 -> 32499 bytes | |||
| -rw-r--r-- | 8707-h/images/069.jpg | bin | 0 -> 166096 bytes | |||
| -rw-r--r-- | 8707-h/images/069th.jpg | bin | 0 -> 36905 bytes | |||
| -rw-r--r-- | 8707-h/images/070.jpg | bin | 0 -> 190204 bytes | |||
| -rw-r--r-- | 8707-h/images/070th.jpg | bin | 0 -> 40663 bytes | |||
| -rw-r--r-- | 8707-h/images/071.jpg | bin | 0 -> 176814 bytes | |||
| -rw-r--r-- | 8707-h/images/071th.jpg | bin | 0 -> 36128 bytes | |||
| -rw-r--r-- | 8707-h/images/072.jpg | bin | 0 -> 142446 bytes | |||
| -rw-r--r-- | 8707-h/images/072th.jpg | bin | 0 -> 27936 bytes | |||
| -rw-r--r-- | 8707-h/images/073.jpg | bin | 0 -> 140598 bytes | |||
| -rw-r--r-- | 8707-h/images/073th.jpg | bin | 0 -> 27431 bytes | |||
| -rw-r--r-- | 8707-h/images/074.jpg | bin | 0 -> 178954 bytes | |||
| -rw-r--r-- | 8707-h/images/074th.jpg | bin | 0 -> 36305 bytes | |||
| -rw-r--r-- | 8707-h/images/075.jpg | bin | 0 -> 184356 bytes | |||
| -rw-r--r-- | 8707-h/images/075th.jpg | bin | 0 -> 42119 bytes | |||
| -rw-r--r-- | 8707-h/images/076.jpg | bin | 0 -> 179307 bytes | |||
| -rw-r--r-- | 8707-h/images/076th.jpg | bin | 0 -> 40957 bytes | |||
| -rw-r--r-- | 8707-h/images/077.jpg | bin | 0 -> 155191 bytes | |||
| -rw-r--r-- | 8707-h/images/077th.jpg | bin | 0 -> 30502 bytes | |||
| -rw-r--r-- | 8707-h/images/078.jpg | bin | 0 -> 175442 bytes | |||
| -rw-r--r-- | 8707-h/images/078th.jpg | bin | 0 -> 39402 bytes | |||
| -rw-r--r-- | 8707-h/images/cover2.jpg | bin | 0 -> 133068 bytes | |||
| -rw-r--r-- | 8707-h/images/cover3.jpg | bin | 0 -> 34423 bytes | |||
| -rw-r--r-- | 8707-h/images/front.jpg | bin | 0 -> 297233 bytes | |||
| -rw-r--r-- | 8707-h/images/front2.jpg | bin | 0 -> 59238 bytes | |||
| -rw-r--r-- | 8707-h/images/titlepage.jpg | bin | 0 -> 192106 bytes | |||
| -rw-r--r-- | 8707-h/images/titlepg.jpg | bin | 0 -> 40264 bytes |
29 files changed, 1101 insertions, 0 deletions
diff --git a/8707-h/8707-h.htm b/8707-h/8707-h.htm new file mode 100644 index 0000000..45e7837 --- /dev/null +++ b/8707-h/8707-h.htm @@ -0,0 +1,1101 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<title>Dore Bible Gallery, Vol. 7</title> +<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"> + +<style type="text/css"> + <!-- + body {background:#faebd7; margin:15%; text-align:justify} + P { text-indent: 1em; + margin-top: .75em; + margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; } + HR { width: 33%; text-align: center; } + blockquote {font-size: 97%; } + .figleft {float: left;} + .figright {float: right;} + .toc { margin-left: 15%; margin-bottom: 0em;} + CENTER { padding: 10px;} + PRE { font-family: Times; font-size: 97%; margin-left: 15%;} + // --> +</style> + +</head> +<body> + +<h2> +<a href="#begin">GALLERY OF BIBLE ILLUSTRATIONS, Volume 7. +<br>By Gustave Dore</a> +</h2> +<pre> + +The Project Gutenberg EBook of The Dore Gallery of Bible Illustrations, +Volume 7, by Anonymous, Illustrated by Gustave Dore + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Dore Gallery of Bible Illustrations, Volume 7 + Illustrated by Gustave Dore + +Author: Anonymous + +Release Date: July 28, 2004 [EBook #8707] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK DORE BIBLE GALLERY, VOL. 7 *** + + + + +Produced by David Widger + + + + + +</pre> + + + + + +<br> +<hr> +<br><br><br><br><br><br> + +<a name="begin"></a> + + +<center> +<h1>THE DORE GALLERY OF BIBLE ILLUSTRATIONS</h1> +<br><br> +<h2>By Gustave Dore</h2> +<br><br> +<h3>Volume 7.</h3> +</center> +<br><br> + +<center><i> With a click all images will expand to their full size</i></center> + +<br><br> + +<center> +<a href="images/cover2.jpg"><img alt="cover3.jpg (34K)" src="images/cover3.jpg" height="658" width="478"></a> +</center> +<br><br> +<center> +<a name="front"></a> +<br><br> +<a href="images/front.jpg"><img alt="front2.jpg (57K)" src="images/front2.jpg" height="660" width="484"></a> +</center> +<br><br><br><br> +<center> +<a href="images/titlepage.jpg"><img alt="titlepg.jpg (39K)" src="images/titlepg.jpg" height="725" width="539"></a> +</center> +<br><br><br><br> + +<p>This volume, as its title indicates, is a collection of +engravings illustrative of the Bible—the designs being all from +the pencil of the greatest of modern delineators, Gustave Dore. +The original work, from which this collection has been made, met +with an immediate and warm recognition and acceptance among those +whose means admitted of its purchase, and its popularity has in +no wise diminished since its first publication, but has even +extended to those who could only enjoy it casually, or in +fragmentary parts. That work, however, in its entirety, was far +too costly for the larger and ever-widening circle of M. Dore's +admirers, and to meet the felt and often-expressed want of this +class, and to provide a volume of choice and valuable designs +upon sacred subjects for art-loving Biblical students generally, +this work was projected and has been carried forward. The aim has +been to introduce subjects of general interest—that is, those +relating to the most prominent events and personages of +Scripture—those most familiar to all readers; the plates being +chosen with special reference to the known taste of the American +people. To each cut is prefixed a page of letter-press—in, +narrative form, and containing generally a brief analysis of the +design. Aside from the labors of the editor and publishers, the +work, while in progress, was under the pains-taking and careful +scrutiny of artists and scholars not directly interested in the +undertaking, but still having a generous solicitude for its +success. It is hoped, therefore, that its general plan and +execution will render it acceptable both to the appreciative and +friendly patrons of the great artist, and to those who would wish +to possess such a work solely as a choice collection of +illustrations upon sacred themes.</p> +<br><br><br><br> +<center><h2>GUSTAVE DORE.</h2></center> +<br> +<p>The subject of this sketch is, perhaps, the most original and +variously gifted designer the world has ever known. At an age +when most men have scarcely passed their novitiate in art, and +are still under the direction and discipline of their masters and +the schools, he had won a brilliant reputation, and readers and +scholars everywhere were gazing on his work with ever-increasing +wonder and delight at his fine fancy and multifarious gifts. He +has raised illustrative art to a dignity and importance before +unknown, and has developed capacities for the pencil before +unsuspected. He has laid all subjects tribute to his genius, +explored and embellished fields hitherto lying waste, and opened +new and shining paths and vistas where none before had trod. To +the works of the great he has added the lustre of his genius, +bringing their beauties into clearer view and warming them to a +fuller life.</p> + +<p>His delineations of character, in the different phases of +life, from the horrible to the grotesque, the grand to the comic, +attest the versatility of his powers; and, whatever faults may be +found by critics, the public will heartily render their quota of +admiration to his magic touch, his rich and facile rendering of +almost every thought that stirs, or lies yet dormant, in the +human heart. It is useless to attempt a sketch of his various +beauties; those who would know them best must seek them in the +treasure—house that his genius is constantly augmenting with +fresh gems and wealth. To one, however, of his most prominent +traits we will refer—his wonderful rendering of the powers of +Nature.</p> + +<p>His early wanderings in the wild and romantic passes of the +Vosges doubtless developed this inherent tendency of his mind. +There he wandered, and there, mayhap, imbibed that deep delight +of wood and valley, mountain—pass and rich ravine, whose variety +of form and detail seems endless to the enchanted eye. He has +caught the very spell of the wilderness; she has laid her hand +upon him, and he has gone forth with her blessing. So bold and +truthful and minute are his countless representations of forest +scenery; so delicate the tracery of branch and stem; so +patriarchal the giant boles of his woodland monarchs, that the' +gazer is at once satisfied and entranced. His vistas lie +slumbering with repose either in shadowy glade or fell ravine, +either with glint of lake or the glad, long course of some +rejoicing stream, and above all, supreme in a beauty all its own, +he spreads a canopy of peerless sky, or a wilderness, perhaps, of +angry storm, or peaceful stretches of soft, fleecy cloud, or +heavens serene and fair—another kingdom to his teeming art, +after the earth has rendered all her gifts.</p> + +<p>Paul Gustave Dore was born in the city of Strasburg, January +10, 1833. Of his boyhood we have no very particular account. At +eleven years of age, however, he essayed his first artistic +creation—a set' of lithographs, published in his native city. +The following year found him in Paris, entered as a 7. student at +the Charlemagne Lyceum. His first actual work began in 1848, when +his fine series of sketches, the "Labors of Hercules," was given +to the public through the medium of an illustrated, journal with +which he was for a long time connected as designer. In 1856 were +published the illustrations for Balzac's "Contes Drolatiques" and +those for "The Wandering Jew "—the first humorous and grotesque +in the highest degree—indeed, showing a perfect abandonment to +fancy; the other weird and supernatural, with fierce battles, +shipwrecks, turbulent mobs, and nature in her most forbidding and +terrible aspects. Every incident or suggestion that could +possibly make the story more effective, or add to the horror of +the scenes was seized upon and portrayed with wonderful power. +These at once gave the young designer a great reputation, which +was still more enhanced by his subsequent works.</p> + +<p>With all his love for nature and his power of interpreting her +in her varying moods, Dore was a dreamer, and many of his finest +achievements were in the realm of the imagination. But he was at +home in the actual world also, as witness his designs for +"Atala," "London—a Pilgrimage," and many of the scenes in "Don +Quixote."</p> + +<p>When account is taken of the variety of his designs, and the +fact considered that in almost every task he attempted none had +ventured before him, the amount of work he accomplished is fairly +incredible. To enumerate the immense tasks he undertook—some +single volumes alone containing hundreds of illustrations—will +give some faint idea of his industry. Besides those already +mentioned are Montaigne, Dante, the Bible, Milton, Rabelais, +Tennyson's "Idyls of the King," "The Ancient Mariner, +Shakespeare, "Legende de Croquemitaine," La Fontaine's "Fables," +and others still.</p> + +<p>Take one of these works—the Dante, La Fontaine, or "Don +Quixote"—and glance at the pictures. The mere hand labor +involved in their production is surprising; but when the quality +of the work is properly estimated, what he accomplished seems +prodigious. No particular mention need be made of him as painter +or sculptor, for his reputation rests solely upon his work as an +illustrator.</p> + +<p>Dore's nature was exuberant and buoyant, and he was youthful +in appearance. He had a passion for music, possessed rare skill +as a violinist, and it is assumed that, had he failed to succeed +with his pencil, he could have won a brilliant reputation as a +musician.</p> + +<p>He was a bachelor, and lived a quiet, retired life with his +mother—married, as he expressed it, to her and his art. His +death occurred on January 23, 1883.</p> +<br><br><br><br> + +<center> +<table summary="Illustrations"> +<tr><td> +<h2>LIST OF ILLUSTRATIONS</h2> +<br> + +<a href="#front">GUSTAVE DORE</a><br> +<a href="#068">JESUS WALKING ON THE WATER</a><br> +<a href="#069">CHRIST'S ENTRY INTO JERUSALEM</a><br> +<a href="#070">JESUS AND THE TRIBUTE MONEY</a><br> +<a href="#071">THE WIDOW'S MITE</a><br> +<a href="#072">RAISING OF THE DAUGHTER OF JAIRUS</a><br> +<a href="#073">THE GOOD SAMARITAN</a><br> +<a href="#074">ARRIVAL OF THE SAMARITAN AT THE INN</a><br> +<a href="#075">THE PRODIGAL SON</a><br> +<a href="#076">LAZARUS AND THE RICH MAN</a><br> +<a href="#077">THE PHARISEE AND THE PUBLICAN</a><br> +<a href="#078">JESUS AND THE WOMAN OF SAMARIA</a><br> + + + + +</td></tr> +</table> +</center> + + + +<br><br> +<a name="068"></a> +<br><br> +<center> +<h2>JESUS WALKING ON THE WATER.</h2> +<br><br> +<a href="images/068.jpg"><img alt="068th.jpg (31K)" src="images/068th.jpg" height="384" width="486"></a> +</center> +<br> + +<p>And when he had sent them away, he departed into a mountain to +pray. And when, even was come, the ship was in the midst of the +sea, and he alone on the land. And he saw them toiling in rowing; +for the wind was contrary unto them: and about the fourths watch +of the night he cometh unto them, walking upon the sea, and would +have passed: by them. But when they saw him walking upon the sea, +they supposed it had been a spirit, and cried out: for they all +saw him, and were troubled. And immediately he talked with them, +and saith unto them, Be of good cheer: it is I; be not +afraid.</p> + +<p>And he went up unto them into the ship; and the wind ceased: +and they were sore amazed in themselves beyond measure, and +wondered. For they considered not the miracle of the loaves; for +their heart was hardened.—Mark vi, 46-52.</p> + +<br><br> +<a name="069"></a> +<br><br> +<center> +<h2>CHRIST'S ENTRY INTO JERUSALEM.</h2> +<br><br> +<a href="images/069.jpg"><img alt="069th.jpg (36K)" src="images/069th.jpg" height="468" width="390"></a> +</center> +<br> + +<p>And when they drew nigh unto Jerusalem, and were come to +Bethphage, unto the mount of Olives, then sent Jesus two +disciples, saying unto them, Go into the village over against +you, and straightway ye shall find an ass tied, and a colt with +her: loose them, and bring the unto me. And if any man say ought +unto you, ye shall say, The Lord hath need of them; and +straightway he will send them.</p> + +<p>All this was done that it might be fulfilled which was spoken +by the prophet, saying, Tell ye the daughter of Sion, Behold, thy +King cometh unto thee, meek, and sitting upon an ass'; and a colt +the foal of an ass.</p> + +<p>And the disciples went, and did as Jesus commanded them, and +brought the ass, and the colt, and put on them their clothes, and +they set him thereon.</p> + +<p>And a very great multitude spread their garments in the way; +others cut down branches; from the trees, and strewed them in the +way. And the multitudes that went before, and that followed, +cried, saying, Hosanna to the son of David: Blessed is he that +cometh in the name of the Lord; Hosanna in the highest.</p> + +<p>And when he was come into Jerusalem, all the city was moved, +saying, Who is this? And the multitude said, This is Jesus the +prophet of Nazareth of Galilee.—Matthew xxi, I-II.</p> + +<br><br> +<a name="070"></a> +<br><br> +<center> +<h2>JESUS AND THE TRIBUTE MONEY.</h2> +<br><br> +<a href="images/070.jpg"><img alt="070th.jpg (39K)" src="images/070th.jpg" height="491" width="384"></a> +</center> +<br> + +<p>And they send unto him certain of the Pharisees and of the +Herodians, to catch him in his words.</p> + +<p>And when they were come, they say unto him, Master, we know +that thou art true, and carest for no man: for thou regardest not +the person of men, but teachest the way of God in truth: Is it +lawful to give tribute to Caesar, or not? Shall we give, or shall +we not give?</p> + +<p>But he, knowing their hypocrisy, said unto them, Why tempt ye +me? bring me a penny, that I may see it. And they brought it.</p> + +<p>And he saith unto them, Whose is this image and +superscription? And they said unto him, Caesar's.</p> + +<p>And Jesus answering said unto them, Render to Caesar the +things that are Caesar's, and to God the things that are +God's.</p> + +<p>And they marveled at him.—Mark xii, 13-17.</p> + +<br><br> +<a name="071"></a> +<br><br> +<center> +<h2>THE WIDOW'S MITE.</h2> +<br><br> +<a href="images/071.jpg"><img alt="071th.jpg (35K)" src="images/071th.jpg" height="487" width="383"></a> +</center> +<br> + +<p>And Jesus sat over against the treasury, and beheld how the +people cast money into the treasury: and many that were rich cast +in much.</p> + +<p>And there came a certain poor widow, and she threw in two +mites, which make a farthing. And he called unto him his +disciples, and saith unto them, Verily I say unto you, That this +poor widow hath cast more in, than all they which have cast into +the treasury: for all they did cast in of their abundance; but +she of her want did cast in all that she had, even all her +living.—Mark xii, 13-17</p> + +<br><br> +<a name="072"></a> +<br><br> +<center> +<h2>RAISING OF THE DAUGHTER OF JAIRUS.</h2> +<br><br> +<a href="images/072.jpg"><img alt="072th.jpg (27K)" src="images/072th.jpg" height="454" width="377"></a> +</center> +<br> + +<p>And, behold, there cometh one of the rulers of the synagogue, +Jairus by name; and when he saw him, he fell at his feet, and +besought him greatly, saying, My little daughter lieth at the +point of death: I pray thee, come and lay thy hands on her, that +she may be healed and she shall live. And Jesus went with him; +and much people followed him, and thronged him.</p> + +<p>And a certain woman which had an issue of blood twelve years, +and had suffered many things of many physicians, and had spent +all that she had, and was nothing bettered, but rather grew, +worse, when she had heard of Jesus, came in the press behind, and +touched his garment. For she said, If I may touch but his +clothes, I shall be whole. And straightway the fountain of her +blood was dried up; and she felt in her body that she was healed +of that plague. And Jesus, immediately knowing in himself that +virtue had gone out of him, turned him about in the press, and +said, Who touched my clothes? And his disciples said unto him, +Thou seest the multitude thronging thee, and sayest thou, Who +touched me? And he looked round about to see her that had done +this thing. But the woman fearing and trembling, knowing what was +done in her, came and fell down before him, and told him all the +truth. And he said unto her Daughter, thy faith hath made the +whole; go in peace, and be whole of thy plague.</p> + +<p>While he yet spake, there came from the ruler of the +synagogue's house certain which said, Thy daughter is dead: why +troublest thou the Master any further? As soon as Jesus heard the +word that was spoken, he saith unto the ruler of the synagogue, +Be not afraid, only believe. And he suffered no man to follow +him, save Peter, and James, and John the brother of James. And he +cometh to the house of the ruler of the synagogue, and seeth the +tumult, and them that wept and wailed greatly. And when he was +come in, he saith unto them, Why make ye this ado, and weep? the +damsel is not dead, but sleepeth. And they laughed him to scorn. +But when he had put them all out, he taketh the father and the +mother of the damsel, and them that were with him, and entereth +in where the damsel was lying. And he took the damsel by the +hand, and said unto her, Talitha cumi; which is, being +interpreted, Damsel, I say unto thee, arise. And straightway the +damsel arose, and walked; for she was of the age of twelve years. +And they were astonished with a great astonishment.</p> + +<p>And he charged them straitly that no man should know it; and +commanded that something should be given her to eat.—Mark v, +22-43.</p> + +<br><br> +<a name="073"></a> +<br><br> +<center> +<h2>THE GOOD SAMARITAN.</h2> +<br><br> +<a href="images/073.jpg"><img alt="073th.jpg (26K)" src="images/073th.jpg" height="464" width="367"></a> +</center> +<br> + +<p>But he, willing to justify himself, said unto Jesus, And who +is my neighbor?</p> + +<p>And Jesus answering said, A certain man went down from +Jerusalem to Jericho, and fell among thieves, which stripped him +of his raiment, and wounded him, and departed, leaving him half +dead. And by chance there came down a certain priest that way: +and when he saw him, he passed by on the other side. And likewise +a Levite, when he was at the place, came and looked on him, and +passed by on the other side. But a certain Samaritan, as he +journeyed, came where he was: and when he saw him, he had +compassion on him. And went to him, and bound up his wounds, +pouring in oil and wine, and set him on his own beast, and +brought him to an inn, and took care of him. And on the morrow +when he departed, he took out two pence, and gave them to the +host, and said unto him, Take care of him; and whatsoever thou +spendest more, when I come again, I will repay thee. Which now of +these three, thinkest thou, was neighbor unto him that fell among +the thieves?</p> + +<p>And he said, He that shewed mercy on him.</p> + +<p>Then said Jesus unto him, Go, and do thou likewise.—Luke x, +29-37.</p> + +<br><br> +<a name="074"></a> +<br><br> +<center> +<h2>ARRIVAL OF THE SAMARITAN AT THE INN.</h2> +<br><br> +<a href="images/074.jpg"><img alt="074th.jpg (35K)" src="images/074th.jpg" height="477" width="376"></a> +</center> +<br> + +<p>But a certain Samaritan, as he journeyed, came where he was; +and when he saw him, he had compassion on him, and went to him, +and bound up his wounds, pouring in oil and wine, and set him on +his own beast, and brought him to an inn, and took care of him. +Luke x, 33-34</p> + +<br><br> +<a name="075"></a> +<br><br> +<center> +<h2>THE PRODIGAL SON.</h2> +<br><br> +<a href="images/075.jpg"><img alt="075th.jpg (41K)" src="images/075th.jpg" height="464" width="373"></a> +</center> +<br> + +<p>Likewise, I say unto you, there is joy in the presence of the +angels of God over one sinner that repenteth.</p> + +<p>And he said, a certain man had two sons: and the younger of +them said to his father, Father, give me the portion of goods +that falleth to me. And he divided unto them his living.</p> + +<p>And not many days after the younger son gathered all together, +and took his journey into a far country, and there wasted his +substance with riotous living. And when he had spent all, there +arose a mighty famine in that land; and he began to be in want. +And he went and joined himself to a citizen of that country; and +he sent him into his fields to feed swine. And he would fain have +filled his belly with the husks that the swine did eat: and no +man gave unto him.</p> + +<p>And when he came to himself, he said, How many hired servants +of my father's have bread enough and to spare, and I perish with +hunger! I will arise and go to my father, and will say unto him, +Father, I have sinned against heaven, and before thee, and am no +more worthy to be called thy son: make me as one of thy hired +servants.</p> + +<p>And he arose, and came to his father. But when he was yet a +great way off, his father saw him, and had compassion, and ran, +and fell on his neck, and kissed him. And the son said unto him, +Father, I have sinned against heaven, and in thy sight, and am no +more worthy to be called thy son. But the father said to his +servants, Bring forth the best robe, and put it on him; and put a +ring on his hand, and shoes on his feet: And bring hither the +fatted calf, and kill it; and let us eat, and be merry: for this +my son was dead, and is alive again; he was lost, and is found. +And they began to be merry.</p> + +<p>Now his elder son was in the field: and as he came and drew +nigh to the house, he heard music and dancing. And he called one +of the servants, and asked what these things meant.</p> + +<p>And he said unto him, thy brother is come; and thy father hath +killed the fatted calf, because he hath received him safe and +sound.</p> + +<p>And he was angry, and would not go in: therefore came his +father out, and intreated him. And he answering said to his +father, Lo, these many years do I serve thee, neither +transgressed I at any time thy commandment: and yet thou never +gavest me a kid, that I might make merry with my friends: but as +soon as this thy son was come, which hath devoured thy living +with harlots, thou hast killed for him the fatted calf.</p> + +<p>And he said unto him, Son, thou art ever with me, and all that +I have is thine. It was meet that we should make merry, and be +glad: for this thy brother was dead, and is alive again; and was +lost, and is found.—Luke xv, 10-32</p> + +<br><br> +<a name="076"></a> +<br><br> +<center> +<h2>LAZARUS AND THE RICH MAN.</h2> +<br><br> +<a href="images/076.jpg"><img alt="076th.jpg (39K)" src="images/076th.jpg" height="487" width="373"></a> +</center> +<br> + +<p>There was a certain rich man, which was clothed in purple and +fine linen, and fared sumptuously every day:</p> + +<p>And there was a certain beggar named Lazarus, which was laid +at his gate, full of sores, and desiring to be fed with the +crumbs which fell from the rich man's table: moreover the dogs +came and licked his sores.</p> + +<p>And it came to pass, that the beggar died, and was carried by +the angels into Abraham's bosom: the rich man also died, and was +buried; and in hell he lifted up his eyes, being in torments, and +seeth Abraham afar off, and Lazarus in his bosom. And he cried +and said, Father Abraham, have mercy on me, and send Lazarus, +that he may dip the tip of his finger in water and cool my +tongue; for I am tormented in this flame.</p> + +<p>But Abraham said, Son, remember that thou in thy lifetime +receivedst thy good things, and likewise Lazarus evil things: but +now he is comforted, and thou art tormented. And beside all this, +between us and you there is a great gulf fixed: so that they +which would pass from hence to you cannot; neither can they pass +to us, that would come from thence.</p> + +<p>Then he said, I pray thee therefore, father, that thou +wouldest send him to my father's house: for I have five brethren; +that he may testify unto them, lest they also come into this +place of torment.</p> + +<p>Abraham saith unto him, They have Moses and the prophets; let +them hear them.</p> + +<p>And he said, Nay, father Abraham: but if one went unto them +from the dead, they will repent.</p> + +<p>And he said unto him, If they hear not Moses and the prophets, +neither will they be persuaded though one rose from the +dead.—Luke xvi, 19-31</p> + +<br><br> +<a name="077"></a> +<br><br> +<center> +<h2>THE PHARISEE AND THE PUBLICAN.</h2> +<br><br> +<a href="images/077.jpg"><img alt="077th.jpg (29K)" src="images/077th.jpg" height="464" width="378"></a> +</center> +<br> + +<p>And he spake this parable unto certain which trusted in +themselves that they were righteous, and despised others.</p> + +<p>Two men went up into the temple to pray; the one a Pharisee, +and the other a publican; The Pharisee stood and prayed thus with +himself, God, I thank thee, that I am not as other men are, +extortioners, unjust, adulterers, or even as this publican. I +fast twice in the week, I give tithes of all that I possess. And +the publican, standing afar off, would not lift up as much as his +eyes unto heaven, but smote upon his breast, saying, God be +merciful to me a sinner. I tell you, this man went down to his +house justified rather than the other: for every: one that +exalteth himself shall be abased; and he that humbleth himself +shall be exalted. Luke xviii, 9-14.</p> + +<br><br> +<a name="078"></a> +<br><br> +<center> +<h2>JESUS AND THE WOMAN OF SAMARIA.</h2> +<br><br> +<a href="images/078.jpg"><img alt="078th.jpg (38K)" src="images/078th.jpg" height="491" width="381"></a> +</center> +<br> + +<p>Then cometh he to a city of Samaria, which is called Sychar, +near to the parcel of ground that Jacob gave to his son Joseph. +Now Jacob's well was there. Jesus therefore, being wearied with +his journey, sat thus on the well: and it was about the sixth +hour. There cometh a woman of Samaria to draw water: Jesus saith +unto her, Give me to drink.</p> + +<p>(For his disciples were gone away unto the city to buy +meat.)</p> + +<p>Then saith the woman of Samaria unto him, How is it that thou, +being a Jew, askest drink of me, which am a woman of Samaria? for +the Jews have no dealings with the Samaritans.</p> + +<p>Jesus answered and said unto her, If thou knewest the gift of +God, and who it is that saith to thee, Give me to drink; thou +wouldest have asked of him, and he would have given thee living +water.</p> + +<p>The woman saith unto him, Sir, thou hast nothing to draw with, +and the well is deep from whence then hast thou that living +water? Art thou greater than our father Jacob, which gave us the +well, and drank thereof himself, and his children, and his +cattle?</p> + +<p>Jesus answered and said unto her, Whosoever drinketh of this +water shall thirst again but whosoever drinketh of the water that +I shall give him shall never thirst; but the water that I shall +give him shall be in him a well of water springing up into +everlasting life.</p> + +<p>The woman saith unto him, Sir, give me this water, that I +thirst not, neither come hither to draw.</p> + +<p>Jesus saith unto her, Go, call thy husband, and come hither. +The woman answered and said, I have no husband.</p> + +<p>Jesus said unto her, Thou hast well said, I have no husband: +for thou hast had five husbands; and he whom thou now hast is not +thy husband: in that saidst thou truly.</p> + +<p>The woman saith unto him, Sir, I perceive that thou art a +prophet. Our fathers worshiped in this mountain; and ye say, that +in Jerusalem is the place where men ought to worship.</p> + +<p>Jesus saith unto her, Woman, believe me, the hour cometh, when +ye shall neither in this mountain, nor yet at Jerusalem, worship +the Father. Ye worship ye know not what: we know what we worship; +for salvation is of the Jews. But the hour cometh, and now is, +when the true worshipers shall worship the Father in spirit and +in truth: for the Father seeketh such to worship him. God is a +Spirit: and they that worship him must worship him in spirit and +in truth.</p> + +<p>The woman saith unto him, I know that Messias cometh, which is +called Christ: when he is come, he will tell us all things.</p> + +<p>Jesus saith unto her, I that speak unto thee am he.</p> + +<p>And upon this came his disciples, and marveled that he talked +with the woman: yet no man said, What seekest thou? or, Why +talkest thou with her?</p> + +<p>The woman then left her waterpot, and went her way into the +city, and saith to the men, Come, see a man, which told me all +things, that ever I did: is not this the Christ? Then they went +out of the city, and came unto him.—John iv 5-30</p> + + + + +<br> +<br> +<hr> +<br><br> + + + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Dore Gallery of Bible +Illustrations, Volume 7, by Anonymous, Illustrated by Gustave Dore + +*** END OF THIS PROJECT GUTENBERG EBOOK DORE BIBLE GALLERY, VOL. 7 *** + +***** This file should be named 8707-h.htm or 8707-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/8/7/0/8707/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> + diff --git a/8707-h/images/068.jpg b/8707-h/images/068.jpg Binary files differnew file mode 100644 index 0000000..fba59ba --- /dev/null +++ b/8707-h/images/068.jpg diff --git a/8707-h/images/068th.jpg b/8707-h/images/068th.jpg Binary files differnew file mode 100644 index 0000000..2214639 --- /dev/null +++ b/8707-h/images/068th.jpg diff --git a/8707-h/images/069.jpg b/8707-h/images/069.jpg Binary files differnew file mode 100644 index 0000000..cbc47fe --- /dev/null +++ b/8707-h/images/069.jpg diff --git a/8707-h/images/069th.jpg b/8707-h/images/069th.jpg Binary files differnew file mode 100644 index 0000000..8ecfb2e --- /dev/null +++ b/8707-h/images/069th.jpg diff --git a/8707-h/images/070.jpg b/8707-h/images/070.jpg Binary files differnew file mode 100644 index 0000000..5e01d81 --- /dev/null +++ b/8707-h/images/070.jpg diff --git a/8707-h/images/070th.jpg b/8707-h/images/070th.jpg Binary files differnew file mode 100644 index 0000000..7beac2c --- /dev/null +++ b/8707-h/images/070th.jpg diff --git a/8707-h/images/071.jpg b/8707-h/images/071.jpg Binary files differnew file mode 100644 index 0000000..f56e962 --- /dev/null +++ b/8707-h/images/071.jpg diff --git a/8707-h/images/071th.jpg b/8707-h/images/071th.jpg Binary files differnew file mode 100644 index 0000000..c565233 --- /dev/null +++ b/8707-h/images/071th.jpg diff --git a/8707-h/images/072.jpg b/8707-h/images/072.jpg Binary files differnew file mode 100644 index 0000000..526670e --- /dev/null +++ b/8707-h/images/072.jpg diff --git a/8707-h/images/072th.jpg b/8707-h/images/072th.jpg Binary files differnew file mode 100644 index 0000000..6848ab5 --- /dev/null +++ b/8707-h/images/072th.jpg diff --git a/8707-h/images/073.jpg b/8707-h/images/073.jpg Binary files differnew file mode 100644 index 0000000..5379694 --- /dev/null +++ b/8707-h/images/073.jpg diff --git a/8707-h/images/073th.jpg b/8707-h/images/073th.jpg Binary files differnew file mode 100644 index 0000000..deea70c --- /dev/null +++ b/8707-h/images/073th.jpg diff --git a/8707-h/images/074.jpg b/8707-h/images/074.jpg Binary files differnew file mode 100644 index 0000000..6e3d1e6 --- /dev/null +++ b/8707-h/images/074.jpg diff --git a/8707-h/images/074th.jpg b/8707-h/images/074th.jpg Binary files differnew file mode 100644 index 0000000..4cca7fd --- /dev/null +++ b/8707-h/images/074th.jpg diff --git a/8707-h/images/075.jpg b/8707-h/images/075.jpg Binary files differnew file mode 100644 index 0000000..cbe5f19 --- /dev/null +++ b/8707-h/images/075.jpg diff --git a/8707-h/images/075th.jpg b/8707-h/images/075th.jpg Binary files differnew file mode 100644 index 0000000..8a11a2a --- /dev/null +++ b/8707-h/images/075th.jpg diff --git a/8707-h/images/076.jpg b/8707-h/images/076.jpg Binary files differnew file mode 100644 index 0000000..0e87cbf --- /dev/null +++ b/8707-h/images/076.jpg diff --git a/8707-h/images/076th.jpg b/8707-h/images/076th.jpg Binary files differnew file mode 100644 index 0000000..7a501a1 --- /dev/null +++ b/8707-h/images/076th.jpg diff --git a/8707-h/images/077.jpg b/8707-h/images/077.jpg Binary files differnew file mode 100644 index 0000000..d188915 --- /dev/null +++ b/8707-h/images/077.jpg diff --git a/8707-h/images/077th.jpg b/8707-h/images/077th.jpg Binary files differnew file mode 100644 index 0000000..ba69b57 --- /dev/null +++ b/8707-h/images/077th.jpg diff --git a/8707-h/images/078.jpg b/8707-h/images/078.jpg Binary files differnew file mode 100644 index 0000000..4cf7fed --- /dev/null +++ b/8707-h/images/078.jpg diff --git a/8707-h/images/078th.jpg b/8707-h/images/078th.jpg Binary files differnew file mode 100644 index 0000000..0993ca0 --- /dev/null +++ b/8707-h/images/078th.jpg diff --git a/8707-h/images/cover2.jpg b/8707-h/images/cover2.jpg Binary files differnew file mode 100644 index 0000000..3dc4040 --- /dev/null +++ b/8707-h/images/cover2.jpg diff --git a/8707-h/images/cover3.jpg b/8707-h/images/cover3.jpg Binary files differnew file mode 100644 index 0000000..2e70189 --- /dev/null +++ b/8707-h/images/cover3.jpg diff --git a/8707-h/images/front.jpg b/8707-h/images/front.jpg Binary files differnew file mode 100644 index 0000000..6bc6a85 --- /dev/null +++ b/8707-h/images/front.jpg diff --git a/8707-h/images/front2.jpg b/8707-h/images/front2.jpg Binary files differnew file mode 100644 index 0000000..7bd2150 --- /dev/null +++ b/8707-h/images/front2.jpg diff --git a/8707-h/images/titlepage.jpg b/8707-h/images/titlepage.jpg Binary files differnew file mode 100644 index 0000000..39e9dcb --- /dev/null +++ b/8707-h/images/titlepage.jpg diff --git a/8707-h/images/titlepg.jpg b/8707-h/images/titlepg.jpg Binary files differnew file mode 100644 index 0000000..dc4e791 --- /dev/null +++ b/8707-h/images/titlepg.jpg |
