summaryrefslogtreecommitdiff
path: root/8681-h
diff options
context:
space:
mode:
Diffstat (limited to '8681-h')
-rw-r--r--8681-h/8681-h.htm10974
1 files changed, 10974 insertions, 0 deletions
diff --git a/8681-h/8681-h.htm b/8681-h/8681-h.htm
new file mode 100644
index 0000000..8f797fc
--- /dev/null
+++ b/8681-h/8681-h.htm
@@ -0,0 +1,10974 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <title>The Face And The Mask, by Robert Barr</title>
+ <meta content="pg2html (binary v0.17)" />
+ <style type="text/css" xml:space="preserve">
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
+ blockquote {font-size: 97%; font-style: italic; margin-left: 20%; margin-right: 20%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .xx-small {font-size: 60%;}
+ .x-small {font-size: 75%;}
+ .small {font-size: 85%;}
+ .large {font-size: 115%;}
+ .x-large {font-size: 130%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent25 { margin-left: 25%;}
+ .indent30 { margin-left: 30%;}
+ .indent35 { margin-left: 35%;}
+ .indent40 { margin-left: 40%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {position: absolute; right: 1%; font-size: 0.6em;
+ font-variant: normal; font-style: normal;
+ text-align: right; background-color: #FFFACD;
+ border: 1px solid; padding: 0.3em;text-indent: 0em;}
+ .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: center;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+The Project Gutenberg eBook, The Face And The Mask, by Robert Barr
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Face And The Mask
+
+Author: Robert Barr
+
+Release Date: November 14, 2004 [eBook #8681]
+Last Updated: August 3, 2018
+
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE FACE AND THE MASK***
+
+
+
+E-text prepared by Lee Dawei, Michelle Shephard, David Moynihan, Charles
+Franks, and the Online Distributed Proofreading Team
+
+HTML file produced by David Widger
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE FACE AND THE MASK
+ </h1>
+ <h2>
+ By Robert Barr
+ </h2>
+ <div style="height: 8em;">
+ <br /><br /><br />
+ <hr />
+ <br /><br /><br />
+ </div>
+ <h3>
+ THE HON. WILLIAM E. QUINBY
+ </h3>
+ <h5>
+ (<i>United States Minister to the Netherlands</i>)
+ </h5>
+ <blockquote>
+ <p>
+ HAS HELPED SO MANY UNKNOWN LITERARY ASPIRANTS THAT HE CAN HARDLY HAVE
+ HOPED TO ESCAPE THE DEDICATION TO HIM OF A BOOK BY AT LEAST ONE OF THEM
+ </p>
+ </blockquote>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ <b>CONTENTS</b>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> THE WOMAN OF STONE. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> THE CHEMISTRY OF ANARCHY. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> THE FEAR OF IT. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> THE METAMORPHOSES OF JOHNSON. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> THE RECLAMATION OF JOE HOLLENDS. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> THE TYPE-WRITTEN LETTER. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> THE DOOM OF LONDON. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> WHY LONDON, WARNED, WAS UNPREPARED. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> THE COINCIDENCE THAT CAME AT LAST. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> THE AMERICAN WHO WANTED TO SELL. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> THE AMERICAN SEES SIR JOHN. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> HOW THE SMOKE HELD DOWN THE FOG. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> THE TRAIN WITH ITS TRAIL OF THE DEAD. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> THE PREDICAMENT OF DE PLONVILLE. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> A NEW EXPLOSIVE. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> THE GREAT PEGRAM MYSTERY. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> DEATH COMETH SOON OR LATE. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> HIGH STAKES. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> &ldquo;WHERE IGNORANCE IS BLISS.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> THE DEPARTURE OF CUB MCLEAN. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> OLD NUMBER EIGHTY-SIX. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> PLAYING WITH MARKED CARDS. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> THE BRUISER&rsquo;S COURTSHIP. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0024"> THE RAID ON MELLISH. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0025"> STRIKING BACK. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0026"> CRANDALL&rsquo;S CHOICE. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0027"> THE FAILURE OF BRADLEY. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0028"> RINGAMY&rsquo;S CONVERT. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0029"> A SLIPPERY CUSTOMER. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0030"> THE SIXTH BENCH. </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE WOMAN OF STONE.
+ </h2>
+ <p>
+ Lurine, was pretty, <i>petite</i>, and eighteen. She had a nice situation
+ at the Pharmacie de Siam, in the Rue St. Honoré. She had no one dependent
+ upon her, and all the money she earned was her own. Her dress was of cheap
+ material perhaps, but it was cut and fitted with that daintiness of
+ perfection which seems to be the natural gift of the Parisienne, so that
+ one never thought of the cheapness, but admired only the effect, which was
+ charming. She was book-keeper and general assistant at the Pharmacie, and
+ had a little room of her own across the Seine, in the Rue de Lille. She
+ crossed the river twice every day&mdash;once in the morning when the sun
+ was shining, and again at night when the radiant lights along the river&rsquo;s
+ bank glittered like jewels in a long necklace. She had her little walk
+ through the Gardens of the Tuileries every morning after crossing the Pont
+ Royal, but she did not return through the gardens in the evening, for a
+ park in the morning is a different thing to a park at night. On her return
+ she always walked along the Rue de Tuileries until she came to the bridge.
+ Her morning ramble through the gardens was a daily delight to her, for the
+ Rue de Lille is narrow, and not particularly bright, so it was pleasant to
+ walk beneath the green trees, to feel the crisp gravel under her feet, and
+ to see the gleaming white statues in the sunlight, with the sparkle on the
+ round fountain pond, by the side of which she sometimes sat. Her favorite
+ statue was one of a woman that stood on a pedestal near the Rue de Rivoli.
+ The arm was thrown over her head, and there was a smile on the marble face
+ which was inscrutable. It fascinated the girl as she looked up to it, and
+ seemed to be the morning greeting to her busy day&rsquo;s work in the
+ city. If no one was in sight, which was often the case at eight o&rsquo;clock
+ in the morning, the girl kissed the tips of her fingers, and tossed the
+ salute airily up to the statue, and the woman of stone always smiled back
+ at her the strange mystical smile which seemed to indicate that it knew
+ much more of this world and its ways than did the little Parisienne who
+ daily gazed up at her.
+ </p>
+ <p>
+ Lurine was happy, as a matter of course, for was not Paris always
+ beautiful? Did not the sun shine brightly? And was not the air always
+ clear? What more, then, could a young girl wish? There was one thing which
+ was perhaps lacking, but that at last was supplied; and then there was not
+ a happier girl in all Paris than Lurine. She almost cried it aloud to her
+ favorite statue the next morning, for it seemed to her that the smile had
+ broadened since she had passed it the morning before, and she felt as if
+ the woman of stone had guessed the secret of the woman of flesh.
+ </p>
+ <p>
+ Lurine had noticed him for several days hovering about the Pharmacie, and
+ looking in at her now and then; she saw it all, but pretended not to see.
+ He was a handsome young fellow with curly hair, and hands long, slender,
+ and white as if he were not accustomed to doing hard, manual labor. One
+ night he followed her as far as the bridge, but she walked rapidly on, and
+ he did not overtake her. He never entered the Pharmacie, but lingered
+ about as if waiting for a chance to speak with her. Lurine had no one to
+ confide in but the woman of stone, and it seemed by her smile that she
+ understood already, and there was no need to tell her, that the inevitable
+ young man had come. The next night he followed her quite across the
+ bridge, and this time Lurine did not walk so quickly. Girls in her
+ position are not supposed to have normal introductions to their lovers,
+ and are generally dependent upon a haphazard acquaintance, although that
+ Lurine did not know. The young man spoke to her on the bridge, raising his
+ hat from his black head as he did so.
+ </p>
+ <p>
+ &ldquo;Good evening!&rdquo; was all he said to her.
+ </p>
+ <p>
+ She glanced sideways shyly at him, but did not answer, and the young man
+ walked on beside her.
+ </p>
+ <p>
+ &ldquo;You come this way every night,&rdquo; he said. &ldquo;I have been
+ watching you. Are you offended?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she answered, almost in a whisper.
+ </p>
+ <p>
+ &ldquo;Then may I walk with you to your home?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;You may walk with me as far as the corner of the Rue de Lille,&rdquo;
+ she replied.
+ </p>
+ <p>
+ &ldquo;Thank you!&rdquo; said the young fellow, and together they walked
+ the short distance, and there he bade her good night, after asking
+ permission to meet her at the corner of the Rue St. Honoré, and walk home
+ with her, the next night.
+ </p>
+ <p>
+ &ldquo;You must not come to the shop,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;I understand,&rdquo; he replied, nodding his head in assent to her
+ wishes. He told her his name was Jean Duret, and by-and-by she called him
+ Jean, and he called her Lurine. He never haunted the Pharmacie now, but
+ waited for her at the corner, and one Sunday he took her for a little
+ excursion on the river, which she enjoyed exceedingly. Thus time went on,
+ and Lurine was very happy. The statue smiled its enigmatical smile,
+ though, when the sky was overcast, there seemed to her a subtle warning in
+ the smile. Perhaps it was because they had quarrelled the night before.
+ Jean had seemed to her harsh and unforgiving. He had asked her if she
+ could not bring him some things from the Pharmacie, and gave her a list of
+ three chemicals, the names of which he had written on a paper.
+ </p>
+ <p>
+ &ldquo;You can easily get them,&rdquo; he had said; &ldquo;they are in
+ every Pharmacie, and will never be missed.&rdquo;
+ </p>
+ <p>
+ &ldquo;But,&rdquo; said the girl in horror, &ldquo;that would be stealing.&rdquo;
+ </p>
+ <p>
+ The young man laughed.
+ </p>
+ <p>
+ &ldquo;How much do they pay you there?&rdquo; he asked. And when she told
+ him, he laughed again and said,
+ </p>
+ <p>
+ &ldquo;Why, bless you, if I got so little as that I would take something
+ from the shelves every day and sell it.&rdquo;
+ </p>
+ <p>
+ The girl looked at him in amazement, and he, angry at her, turned upon his
+ heel and left her. She leaned her arms upon the parapet of the bridge, and
+ looked down into the dark water. The river always fascinated her at night,
+ and she often paused to look at it when crossing the bridge, shuddering as
+ she did so. She cried a little as she thought of his abrupt departure, and
+ wondered if she had been too harsh with him. After all, it was not very
+ much he had asked her to do, and they did pay her so little at the
+ Pharmacie. And then perhaps her lover was poor, and needed the articles he
+ had asked her to get. Perhaps he was ill, and had said nothing. There was
+ a touch on her shoulder. She looked round. Jean was standing beside her,
+ but the frown had not yet disappeared from his brow.
+ </p>
+ <p>
+ &ldquo;Give me that paper,&rdquo; he said, abruptly.
+ </p>
+ <p>
+ She unclosed her hand, and he picked the paper from it, and was turning
+ away.
+ </p>
+ <p>
+ &ldquo;Stop!&rdquo; she said, &ldquo;I will get you what you want, but I
+ will myself put the money in the till for what they cost.&rdquo;
+ </p>
+ <p>
+ He stood there, looking at her for a moment, and then said&mdash;&ldquo;Lurine,
+ I think you are a little fool. They owe you ever so much more than that.
+ However, I must have the things,&rdquo; and he gave her back the paper
+ with the caution&mdash;&ldquo;Be sure you let no one see that, and be very
+ certain that you get the right things.&rdquo; He walked with her as far as
+ the corner of the Rue de Lille. &ldquo;You are not angry with me?&rdquo;
+ he asked her before they parted.
+ </p>
+ <p>
+ &ldquo;I would do anything for you,&rdquo; she whispered, and then he
+ kissed her good night.
+ </p>
+ <p>
+ She got the chemicals when the proprietor was out, and tied them up
+ neatly, as was her habit, afterwards concealing them in the little basket
+ in which she carried her lunch. The proprietor was a sharp-eyed old lynx,
+ who looked well after his shop and his pretty little assistant.
+ </p>
+ <p>
+ &ldquo;Who has been getting so much chlorate of potash?&rdquo; he asked,
+ taking down the jar, and looking sharply at her.
+ </p>
+ <p>
+ The girl trembled.
+ </p>
+ <p>
+ &ldquo;It is all right,&rdquo; she said. &ldquo;Here is the money in the
+ till.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; he said. &ldquo;I did not expect you to give it
+ away for nothing. Who bought it?&rdquo;
+ </p>
+ <p>
+ &ldquo;An old man,&rdquo; replied the girl, trembling still, but the
+ proprietor did not notice that&mdash;he was counting the money, and found
+ it right.
+ </p>
+ <p>
+ &ldquo;I was wondering what he wanted with so much of it. If he comes in
+ again look sharply at him, and be able to describe him to me. It seems
+ suspicious.&rdquo; Why it seemed suspicious Lurine did not know, but she
+ passed an anxious time until she took the basket in her hand and went to
+ meet her lover at the corner of the Rue des Pyramides. His first question
+ was&mdash;
+ </p>
+ <p>
+ &ldquo;Have you brought me the things?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she answered. &ldquo;Will you take them here, now?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not here, not here,&rdquo; he replied hurriedly, and then asked
+ anxiously, &ldquo;Did anyone see you take them?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, but the proprietor knows of the large package, for he counted
+ the money.&rdquo;
+ </p>
+ <p>
+ &ldquo;What money?&rdquo; asked Jean.
+ </p>
+ <p>
+ &ldquo;Why, the money for the things. You didn&rsquo;t think I was going
+ to steal them, did you?&rdquo;
+ </p>
+ <p>
+ The young man laughed, and drew her into a quiet corner of the Gardens of
+ the Tuileries.
+ </p>
+ <p>
+ &ldquo;I will not have time to go with you to the Rue de Lille to-night,&rdquo;
+ he said.
+ </p>
+ <p>
+ &ldquo;But you will come as usual to-morrow night?&rdquo; she asked,
+ anxiously.
+ </p>
+ <p>
+ &ldquo;Certainly, certainly.&rdquo; he replied, as he rapidly concealed
+ the packages in his pockets.
+ </p>
+ <p>
+ The next night the girl waited patiently for her lover at the corner where
+ they were in the habit of meeting, but he did not come. She stood under
+ the glaring light of a lamp-post so that he would recognize her at once.
+ Many people accosted her as she stood there, but she answered none,
+ looking straight before her with clear honest eyes, and they passed on
+ after a moment&rsquo;s hesitation. At last she saw a man running rapidly
+ down the street, and as he passed a brilliantly-lighted window she
+ recognized Jean. He came quickly towards her.
+ </p>
+ <p>
+ &ldquo;Here I am,&rdquo; she cried, running forward. She caught him by the
+ arm, saying, &ldquo;Oh, Jean, what is the matter?&rdquo;
+ </p>
+ <p>
+ He shook her rudely, and shouted at her&mdash;&ldquo;Let me go, you fool!&rdquo;
+ But she clung to him, until he raised his fist and struck her squarely in
+ the face. Lurine staggered against the wall, and Jean ran on. A stalwart
+ man who had spoken to Lurine a few moments before, and, not understanding
+ her silence, stood in a doorway near watching her, sprang out when he saw
+ the assault, and thrust his stick between the feet of the flying man,
+ flinging him face forward on the pavement. The next instant he placed his
+ foot upon Jean&rsquo;s neck holding him down as if he were a snake.
+ </p>
+ <p>
+ &ldquo;You villain!&rdquo; he cried. &ldquo;Strike a woman, would you?&rdquo;
+ </p>
+ <p>
+ Jean lay there as if stunned, and two gens d&rsquo;armes came pantingly
+ upon the scene.
+ </p>
+ <p>
+ &ldquo;This scoundrel,&rdquo; said the man, &ldquo;has just assaulted a
+ woman. I saw him.&rdquo;
+ </p>
+ <p>
+ &ldquo;He has done more than that,&rdquo; said one of the officers,
+ grimly, as if, after all, the striking of a woman was but a trivial
+ affair.
+ </p>
+ <p>
+ They secured the young man, and dragged him with them. The girl came up to
+ them and said, falteringly&mdash;
+ </p>
+ <p>
+ &ldquo;It is all a mistake, it was an accident. He didn&rsquo;t mean to do
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, he didn&rsquo;t, and pray how do you know?&rdquo; asked one of
+ the officers.
+ </p>
+ <p>
+ &ldquo;You little devil,&rdquo; said Jean to the girl, through his
+ clinched teeth, &ldquo;it&rsquo;s all your fault.&rdquo;
+ </p>
+ <p>
+ The officers hurried him off.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; said one, &ldquo;that we should have arrested the
+ girl; you heard what she said.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the other, &ldquo;but we have enough on our hands
+ now, if the crowd find out who he is.&rdquo;
+ </p>
+ <p>
+ Lurine thought of following them, but she was so stunned by the words that
+ her lover had said to her, rather than by the blow he had given her that
+ she turned her steps sadly towards the Pont Royal and went to her room.
+ </p>
+ <p>
+ The next morning she did not go through the gardens, as usual, to her
+ work, and when she entered the Pharmacie de Siam, the proprietor cried
+ out, &ldquo;Here she is, the vixen! Who would have thought it of her? You
+ wretch, you stole my drugs to give to that villain!&rdquo;
+ </p>
+ <p>
+ &ldquo;I did not,&rdquo; said Lurine, stoutly. &ldquo;I put the money in
+ the till for them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hear her! She confesses!&rdquo; said the proprietor.
+ </p>
+ <p>
+ The two concealed officers stepped forward and arrested her where she
+ stood as the accomplice of Jean Duret, who, the night before, had flung a
+ bomb in the crowded Avenue de l&rsquo;Opéra.
+ </p>
+ <p>
+ Even the prejudiced French judges soon saw that the girl was innocent of
+ all evil intent, and was but the victim of the scoundrel who passed by the
+ name of Jean Duret. He was sentenced for life; she was set free. He had
+ tried to place the blame on her, like the craven he was, to shield another
+ woman. This was what cut Lurine to the heart. She might have tried to find
+ an excuse for his crime, but she realized that he had never cared for her,
+ and had but used her as his tool to get possession of the chemicals he
+ dared not buy.
+ </p>
+ <p>
+ In the drizzling rain she walked away from her prison, penniless, and
+ broken in body and in spirit. She passed the little Pharmacie de Siam, not
+ daring to enter. She walked in the rain along the Rue des Pyramides, and
+ across the Rue de Rivoli, and into the Tuileries Gardens. She had
+ forgotten about her stone woman, but, unconsciously her steps were
+ directed to her. She looked up at her statue with amazement, at first not
+ recognizing it. It was no longer the statue of a smiling woman. The head
+ was thrown back, the eyes closed. The last mortal agony was on the face.
+ It was a ghastly monument to Death. The girl was so perplexed by the
+ change in her statue that for the moment she forgot the ruin of her own
+ life. She saw that the smiling face was but a mask, held in place by the
+ curving of the left arm over it. Life, she realized now, was made up of
+ tragedy and comedy, and he who sees but the smiling face, sees but the
+ half of life. The girl hurried on to the bridge, sobbing quietly to
+ herself, and looked down at the grey river water. The passers-by paid no
+ attention to her. Why, she wondered, had she ever thought the river cold
+ and cruel and merciless? It is the only home of the homeless, the only
+ lover that does not change. She turned back to the top of the flight of
+ steps which lead down, to the water&rsquo;s brink. She looked toward the
+ Tuileries Gardens, but she could not see her statue for the trees which
+ intervened. &ldquo;I, too, will be a woman of stone,&rdquo; she said, as
+ she swiftly descended the steps.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE CHEMISTRY OF ANARCHY.
+ </h2>
+ <p>
+ It has been said in the London papers that the dissolution of the Soho
+ Anarchist League was caused by want of funds. This is very far from being
+ the case. An Anarchist League has no need for funds and so long as there
+ is money enough to buy beer the League is sure of continued existence. The
+ truth about the scattering of the Soho organization was told me by a young
+ newspaper-man who was chairman at the last meeting.
+ </p>
+ <p>
+ The young man was not an anarchist, though he had to pretend to be one in
+ the interests of his paper, and so joined the Soho League, where he made
+ some fiery speeches that were much applauded. At last Anarchist news
+ became a drug in the market, and the editor of the paper young Marshall
+ Simkins belonged to, told him that he would now have to turn his attention
+ to Parliamentary work, as he would print no more Anarchist news in the
+ sheet.
+ </p>
+ <p>
+ One might think that young Simkins would have been glad to get rid of his
+ anarchist work, as he had no love for the cause. He was glad to get rid of
+ it, but he found some difficulty in sending in his resignation. The moment
+ he spoke of resigning, the members became suspicious of him. He had always
+ been rather better dressed than the others, and, besides, he drank less
+ beer. If a man wishes to be in good standing in the League he must not be
+ fastidious as to dress, and he must be constructed to hold at least a
+ gallon of beer at a sitting. Simkins was merely a &ldquo;quart&rdquo; man,
+ and this would have told against him all along if it had not been for the
+ extra gunpowder he put in his speeches. On several occasions seasoned
+ Anarchists had gathered about him and begged him to give up his designs on
+ the Parliament buildings.
+ </p>
+ <p>
+ The older heads claimed that, desirable as was the obliteration of the
+ Houses of Parliament, the time was not yet ripe for it. England, they
+ pointed out, was the only place where Anarchists could live and talk
+ unmolested, so, while they were quite anxious that Simkins should go and
+ blow up Vienna, Berlin, or Paris, they were not willing for him to begin
+ on London. Simkins was usually calmed down with much difficulty, and
+ finally, after hissing &ldquo;Cowards!&rdquo; two or three times under his
+ breath, he concluded with, &ldquo;Oh, very well, then, you know better
+ than I do&mdash;I am only a young recruit; but allow me at least to blow
+ up Waterloo Bridge, or spring a bomb in Fleet Street just to show that we
+ are up and doing.&rdquo;
+ </p>
+ <p>
+ But this the Anarchists would not sanction. If he wanted to blow up
+ bridges, he could try his hand on those across the Seine. They had given
+ their word that there would be no explosions in London so long as England
+ afforded them an asylum.
+ </p>
+ <p>
+ &ldquo;But look at Trafalgar Square,&rdquo; cried Simkins angrily; &ldquo;we
+ are not allowed to meet there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who wants to meet there?&rdquo; said the chairman. &ldquo;It is
+ ever so much more comfortable in these rooms, and there is no beer in
+ Trafalgar Square.&rdquo; &ldquo;Yes, yes,&rdquo; put in several others;
+ &ldquo;the time is not yet ripe for it.&rdquo; Thus was Simkins calmed
+ down, and beer allowed to flow again in tranquillity, while some foreign
+ Anarchist, who was not allowed to set foot in his native country, would
+ get up and harangue the crowd in broken English and tell them what great
+ things would yet be done by dynamite.
+ </p>
+ <p>
+ But when Simkins sent in his resignation a change came over their feelings
+ towards him, and he saw at once that he was a marked man. The chairman, in
+ a whisper, advised him to withdraw his resignation. So Simkins, who was a
+ shrewd young fellow, understanding the temper of the assembly, arose and
+ said:&mdash;
+ </p>
+ <p>
+ &ldquo;I have no desire to resign, but you do nothing except talk, and I
+ want to belong to an Anarchist Society that acts.&rdquo; He stayed away
+ from the next meeting, and tried to drop them in that way, but a committee
+ from the League called upon him at his lodgings, and his landlady thought
+ that young Simkins had got into bad ways when he had such evil-looking men
+ visiting him.
+ </p>
+ <p>
+ Simkins was in a dilemma, and could not make up his mind what to do. The
+ Anarchists apparently were not to be shaken off. He applied to his editor
+ for advice on the situation, but that good man could think of no way out
+ of the trouble.
+ </p>
+ <p>
+ &ldquo;You ought to have known better,&rdquo; he said, &ldquo;than to mix
+ up with such people.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how was I to get the news?&rdquo; asked Simkins, with some
+ indignation. The editor shrugged his shoulders. That was not his part of
+ the business; and if the Anarchists chose to make things uncomfortable for
+ the young man, he could not help it.
+ </p>
+ <p>
+ Simkins&rsquo; fellow-lodger, a student who was studying chemistry in
+ London, noticed that the reporter was becoming gaunt with anxiety.
+ </p>
+ <p>
+ &ldquo;Simkins,&rdquo; said Sedlitz to him one morning, &ldquo;you are
+ haggard and careworn: what is the matter with you? Are you in love, or is
+ it merely debt that is bothering you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Neither,&rdquo; replied Simkins.
+ </p>
+ <p>
+ &ldquo;Then cheer up,&rdquo; said Sedlitz. &ldquo;If one or the other is
+ not interfering with you, anything else is easily remedied.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not so sure of that,&rdquo; rejoined Simkins; and then he sat
+ down and told his friend just what was troubling him.
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; said Sedlitz, &ldquo;that accounts for it. There has
+ been an unkempt ruffian marching up and down watching this house. They are
+ on your track, Simkins, my boy, and when they discover that you are a
+ reporter, and therefore necessarily a traitor, you will be nabbed some
+ dark night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, that&rsquo;s encouraging,&rdquo; said Simkins, with his head
+ in his hands.
+ </p>
+ <p>
+ &ldquo;Are these Anarchists brave men, and would they risk their lives in
+ any undertaking?&rdquo; asked Sedlitz.
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know. They talk enough, but I don&rsquo;t know
+ what they would do. They are quite capable, though, of tripping me up in a
+ dark lane.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here,&rdquo; said Sedlitz, &ldquo;suppose you let me try a
+ plan. Let me give them a lecture on the Chemistry of Anarchy. It&rsquo;s a
+ fascinating subject.&rdquo;
+ </p>
+ <p>
+ &ldquo;What good would that do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, wait till you have heard the lecture. If I don&rsquo;t make the
+ hair of some of them stand on end, they are braver men than I take them to
+ be. We have a large room in Clement&rsquo;s Inn, where we students meet to
+ try experiments and smoke tobacco. It is half club, and half a lecture-
+ room. Now, I propose to get those Anarchists in there, lock the doors, and
+ tell them something about dynamite and other explosives. You give out that
+ I am an Anarchist from America. Tell them that the doors will be locked to
+ prevent police interference, and that there will be a barrel of beer. You
+ can introduce me as a man from America, where they know as much about
+ Anarchism in ten minutes as they do here in ten years. Tell them that I
+ have spent my life in the study of explosives. I will have to make-up a
+ little, but you know that I am a very good amateur actor, and I don&rsquo;t
+ think there will be any trouble about that. At the last you must tell them
+ that you have an appointment and will leave me to amuse them for a couple
+ of hours.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I don&rsquo;t see what good it is all going to do, though I am
+ desperate,&rdquo; said Simkins, &ldquo;and willing to try anything. I have
+ thought some of firing a bomb off myself at an Anarchist meeting.&rdquo;
+ </p>
+ <p>
+ When the Friday night of meeting arrived the large hall in Clement&rsquo;s
+ Inn was filled to the doors. Those assembled there saw a platform at one
+ end of the apartment, and a door that led from it to a room at the back of
+ the hall. A table was on the platform, and boxes, chemical apparatus, and
+ other scientific-looking paraphernalia were on it. At the hour of eight
+ young Simkins appeared before the table alone.
+ </p>
+ <p>
+ &ldquo;Fellow Anarchists,&rdquo; he said, &ldquo;you are well aware that I
+ am tired of the great amount of talk we indulge in, and the little action
+ which follows it. I have been fortunate enough to secure the co-operation
+ of an Anarchist from America, who will tell you something of the cause
+ there. We have had the doors locked, and those who keep the keys are now
+ down at the entrance of the Inn, so that if a fire should occur, they can
+ quickly come and let us out. There is no great danger of fire, however,
+ but the interruption of the police must be guarded against very carefully.
+ The windows, as you see, are shuttered and barred, and no ray of light can
+ penetrate from this room outside. Until the lecture is over no one can
+ leave the room, and by the same token no one can enter it, which is more
+ to the purpose.
+ </p>
+ <p>
+ &ldquo;My friend, Professor Josiah P. Slivers, has devoted his life to the
+ Chemistry of Anarchy, which is the title of this lecture. He will tell you
+ of some important discoveries, which are now to be made known for the
+ first time. I regret to say that the Professor is not in a very good state
+ of health, because the line of life which he has adopted has its
+ drawbacks. His left eye has been blown away by a premature explosion
+ during his experiments. His right leg is also permanently disabled. His
+ left arm, as you will notice, is in a sling, having been injured by a
+ little disaster in his workshop since he came to London. He is a man, as
+ you will see, devoted body and soul to the cause, so I hope you will
+ listen to him attentively. I regret that I am unable to remain with you
+ to-night, having other duties to perform which are imperative. I will
+ therefore, if you will permit me, leave by the back entrance after I have
+ introduced the Professor to you.&rdquo;
+ </p>
+ <p>
+ At this moment the stumping of a wooden leg was heard, and those in the
+ audience saw appear a man on crutches, with one arm in a sling and a
+ bandage over an eye, although he beamed upon them benevolently with the
+ other.
+ </p>
+ <p>
+ &ldquo;Fellow Anarchists,&rdquo; said Simkins, &ldquo;allow me to
+ introduce to you Professor Josiah P. Slivers, of the United States.&rdquo;
+ </p>
+ <p>
+ The Professor bowed and the audience applauded. As soon as the applause
+ began the Professor held up his unmaimed arm and said, &ldquo;Gentlemen, I
+ beg that you will not applaud.&rdquo;
+ </p>
+ <p>
+ It seems the fashion in America to address a11 sorts and conditions of men
+ as &ldquo;Gentlemen.&rdquo;
+ </p>
+ <p>
+ The Professor continued, &ldquo;I have here some explosives so sensitive
+ that the slightest vibration will cause them to go off, and I therefore
+ ask you to listen in silence to what I have to say. I must particularly
+ ask you also not to stamp on the floor.&rdquo;
+ </p>
+ <p>
+ Before these remarks were concluded Simkins had slipped out by the back
+ entrance, and somehow his desertion seemed to have a depressing effect
+ upon the company, who looked upon the broken-up Professor with eyes of
+ wonder and apprehension.
+ </p>
+ <p>
+ The Professor drew towards him one of the boxes and opened the lid. He
+ dipped his one useful hand into the box and, holding it aloft, allowed
+ something which looked like wet sawdust to drip through his fingers.
+ &ldquo;That, gentlemen,&rdquo; he said, with an air of the utmost
+ contempt, &ldquo;is what is known to the world as dynamite. I have nothing
+ at all to say against dynamite. It has, in its day, been a very powerful
+ medium through which our opinions have been imparted to a listening world,
+ but its day is past. It is what the lumbering stage-coach is to the
+ locomotive, what the letter is to the telegram, what the sailing-vessel is
+ to the steamship. It will be my pleasant duty to-night to exhibit to you
+ an explosive so powerful and deadly that hereafter, having seen what it
+ can accomplish, you will have nothing but derision for such simple and
+ harmless compounds as dynamite and nitro-glycerine.&rdquo;
+ </p>
+ <p>
+ The Professor looked with kindly sympathy over his audience as he allowed
+ the yellow mixture to percolate slowly through his fingers back into the
+ box again. Ever and anon he took up a fresh handful and repeated the
+ action.
+ </p>
+ <p>
+ The Anarchists in the audience exchanged uneasy glances one with the
+ other.
+ </p>
+ <p>
+ &ldquo;Yet,&rdquo; continued the Professor, &ldquo;it will be useful for
+ us to consider this substance for a few moments, if but for the purpose of
+ comparison. Here,&rdquo; he said, diving his hand into another box and
+ bringing up before their gaze a yellow brick, &ldquo;is dynamite in a
+ compressed form. There is enough here to wreck all this part of London,
+ were it exploded. This simple brick would lay St. Paul&rsquo;s Cathedral
+ in ruins, so, however antiquated dynamite may become, we must always look
+ upon it with respect, just as we look upon reformers of centuries ago who
+ perished for their opinions, even though their opinions were far behind
+ what ours are now. I shall take the liberty of performing some experiments
+ with this block of dynamite.&rdquo; Saying which the Professor, with his
+ free arm, flung the block of dynamite far down the aisle, where it fell on
+ the floor with a sickening thud. The audience sprang from their seats and
+ tumbled back one over the other. A wild shriek went up into the air, but
+ the Professor gazed placidly on the troubled mob below him with a superior
+ smile on his face. &ldquo;I beg you to seat yourselves,&rdquo; he said,
+ &ldquo;and for reasons which I have already explained, I trust that you
+ will not applaud any of my remarks. You have just now portrayed one of the
+ popular superstitions about dynamite, and you show by your actions how
+ necessary a lecture of this sort is in order that you may comprehend
+ thoroughly the substance with which you have to deal. That brick is
+ perfectly harmless, because it is frozen. Dynamite in its frozen state
+ will not explode&mdash;a fact well understood by miners and all those who
+ have to work with it, and who, as a rule, generally prefer to blow
+ themselves to pieces trying to thaw the substance before a fire. Will you
+ kindly bring that brick back to me, before it thaws out in the heated
+ atmosphere of this room?&rdquo;
+ </p>
+ <p>
+ One of the men stepped gingerly forward and picked up the brick, holding
+ it far from his body, as he tip-toed up to the platform, where he laid it
+ down carefully on the desk before the Professor.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; said the Professor, blandly.
+ </p>
+ <p>
+ The man drew a long breath of relief as he went back to his seat.
+ </p>
+ <p>
+ &ldquo;That is frozen dynamite,&rdquo; continued the Professor, &ldquo;and
+ is, as I have said, practically harmless. Now, it will be my pleasure to
+ perform two startling experiments with the unfrozen substance,&rdquo; and
+ with that he picked up a handful of the wet sawdust and flung it on a
+ small iron anvil that stood on the table. &ldquo;You will enjoy these
+ experiments,&rdquo; he said, &ldquo;because it will show you with what
+ ease dynamite may be handled. It is a popular error that concussion will
+ cause dynamite to explode. There is enough dynamite here to blow up this
+ hall and to send into oblivion every person in it, yet you will see
+ whether or not concussion will explode it.&rdquo; The Professor seized a
+ hammer and struck the substance on the anvil two or three sharp blows,
+ while those in front of him scrambled wildly back over their comrades,
+ with hair standing on end. The Professor ceased his pounding and gazed
+ reproachfully at them; then something on the anvil appeared to catch his
+ eye. He bent over it and looked critically on the surface of the iron.
+ Drawing himself up to his full height again, he said,
+ </p>
+ <p>
+ &ldquo;I was about to reproach you for what might have appeared to any
+ other man as evidence of fear, but I see my mistake. I came very near
+ making a disastrous error. I have myself suffered from time to time from
+ similar errors. I notice upon the anvil a small spot of grease; if my
+ hammer had happened to strike that spot you would all now be writhing in
+ your death-agonies under the ruins of this building. Nevertheless, the
+ lesson is not without its value. That spot of grease is free nitro-
+ glycerine that has oozed out from the dynamite. Therein rests, perhaps,
+ the only danger in handling dynamite. As I have shown you, you can smash
+ up dynamite on an anvil without danger, but if a hammer happened to strike
+ a spot of free nitroglycerine it would explode in a moment. I beg to
+ apologize to you for my momentary neglect.&rdquo;
+ </p>
+ <p>
+ A man rose up in the middle of the hall, and it was some little time
+ before he could command voice enough to speak, for he was shaking as if
+ from palsy. At last he said, after he had moistened his lips several
+ times:&mdash;
+ </p>
+ <p>
+ &ldquo;Professor, we are quite willing to take your word about the
+ explosive. I think I speak for all my comrades here. We have no doubt at
+ all about your learning, and would much prefer to hear from your own lips
+ what you have to say on the subject, and not have you waste any more
+ valuable time with experiments. I have not consulted with my comrades
+ before speaking, but I think I voice the sense of the meeting.&rdquo;
+ Cries of &ldquo;You do, you do,&rdquo; came from all parts of the hall.
+ The Professor once more beamed upon them benevolently.
+ </p>
+ <p>
+ &ldquo;Your confidence in me is indeed touching,&rdquo; he said, &ldquo;but
+ a chemical lecture without experiments is like a body without a soul.
+ Experiment is the soul of research. In chemistry we must take nothing for
+ granted. I have shown you how many popular errors have arisen regarding
+ the substance with which we are dealing. It would have been impossible for
+ these errors to have arisen if every man had experimented for himself; and
+ although I thank you for the mark of confidence you have bestowed upon me,
+ I cannot bring myself to deprive you of the pleasure which my experiments
+ will afford you. There is another very common error to the effect that
+ fire will explode dynamite. Such, gentlemen, is not the case.&rdquo;
+ </p>
+ <p>
+ The Professor struck a match on his trousers-leg and lighted the substance
+ on the anvil. It burnt with a pale bluish flame, and the Professor gazed
+ around triumphantly at his fellow Anarchists.
+ </p>
+ <p>
+ While the shuddering audience watched with intense fascination the pale
+ blue flame the Professor suddenly stooped over and blew it out.
+ Straightening himself once more he said, &ldquo;Again I must apologize to
+ you, for again I have forgotten the small spot of grease. If the flame had
+ reached the spot of nitro-glycerine it would have exploded, as you all
+ know. When a man has his thoughts concentrated on one subject he is apt to
+ forget something else. I shall make no more experiments with dynamite.
+ Here, John,&rdquo; he said to the trembling attendant, &ldquo;take this
+ box away, and move it carefully, for I see that the nitro-glycerine is
+ oozing out. Put it as tenderly down in the next room as if it were a box
+ of eggs.&rdquo;
+ </p>
+ <p>
+ As the box disappeared there was a simultaneous long-drawn sigh of relief
+ from the audience.
+ </p>
+ <p>
+ &ldquo;Now, gentlemen,&rdquo; said the Professor, &ldquo;we come to the
+ subject that ought to occupy the minds of all thoughtful men.&rdquo; He
+ smoothed his hair complacently with the palm of his practicable hand, and
+ smiled genially around him.
+ </p>
+ <p>
+ &ldquo;The substance that I am about to tell you of is my own invention,
+ and compares with dynamite as prussic acid does with new milk as a
+ beverage.&rdquo; The Professor dipped his fingers in his vest pocket and
+ drew out what looked like a box of pills. Taking one pill out he placed it
+ upon the anvil and as he tip-toed back he smiled on it with a smile of
+ infinite tenderness. &ldquo;Before I begin on this subject I want to warn
+ you once more that if any man as much as stamps upon the floor, or moves
+ about except on tip-toe this substance will explode and will lay London
+ from here to Charing Cross in one mass of indistinguishable ruins. I have
+ spent ten years of my life in completing this invention. And these pills,
+ worth a million a box, will cure all ills to which the flesh is heir.&rdquo;
+ </p>
+ <p>
+ &ldquo;John,&rdquo; he said, turning to his attendant, &ldquo;bring me a
+ basin of water!&rdquo; The basin of water was placed gingerly upon the
+ table, and the Professor emptied all the pills into it, picking up also
+ the one that was on the anvil and putting it with the others.
+ </p>
+ <p>
+ &ldquo;Now,&rdquo; he said, with a deep sigh, &ldquo;we can breathe
+ easier. A man can put one of these pills in a little vial of water, place
+ the vial in his vest-pocket, go to Trafalgar Square, take the pill from
+ the vial, throw it in the middle of the Square, and it will shatter
+ everything within the four-mile radius, he himself having the glorious
+ privilege of suffering instant martyrdom for the cause. People have told
+ me that this is a drawback to my invention, but I am inclined to differ
+ with them. The one who uses this must make up his mind to share the fate
+ of those around him. I claim that this is the crowning glory of my
+ invention. It puts to instant test our interest in the great cause. John,
+ bring in very carefully that machine with the electric-wire attachment
+ from the next room.&rdquo;
+ </p>
+ <p>
+ The machine was placed upon the table. &ldquo;This,&rdquo; said the
+ Professor, holding up some invisible object between his thumb and
+ forefinger, &ldquo;is the finest cambric needle. I will take upon the
+ point of it an invisible portion of the substance I speak of.&rdquo; Here
+ he carefully picked out a pill from the basin, and as carefully placed it
+ upon the table, where he detached an infinitesimal atom of it and held it
+ up on the point of the needle. &ldquo;This particle,&rdquo; he said,
+ &ldquo;is so small that it cannot be seen except with the aid of a
+ microscope. I will now place needle and all on the machine and touch it
+ off with electric current;&rdquo; and as his hand hovered over the
+ push-button there were cries of &ldquo;Stop! stop!&rdquo; but the finger
+ descended, and instantly there was a terrific explosion. The very
+ foundation seemed shaken, and a dense cloud of smoke rolled over the heads
+ of the audience. As the Professor became visible through the thinning
+ smoke, he looked around for his audience. Every man was under the benches,
+ and groans came from all parts of the hall. &ldquo;I hope,&rdquo; said the
+ Professor, in anxious tones, &ldquo;that no one has been hurt. I am afraid
+ that I took up too much of the substance on the point of the needle, but
+ it will enable you to imagine the effect of a larger quantity. Pray seat
+ yourselves again. This is my last experiment.&rdquo;
+ </p>
+ <p>
+ As the audience again seated itself, another mutual sigh ascended to the
+ roof. The Professor drew the chairman&rsquo;s chair towards him and sat
+ down, wiping his grimy brow.
+ </p>
+ <p>
+ A man instantly arose and said, &ldquo;I move a vote of thanks to
+ Professor Slivers for the interesting&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ The Professor raised his hand. &ldquo;One moment,&rdquo; he said, &ldquo;I
+ have not quite finished. I have a proposal to make to you. You see that
+ cloud of smoke hovering over our heads? In twenty minutes that smoke will
+ percolate down through the atmosphere. I have told you but half of the
+ benefits of this terrific explosive. When that smoke mixes with the
+ atmosphere of the room it becomes a deadly poison. We all can live here
+ for the next nineteen minutes in perfect safety, then at the first breath
+ we draw we expire instantly. It is a lovely death. There is no pain, no
+ contortion of the countenance, but we will be found here in the morning
+ stark and stiff in our seats. I propose, gentlemen, that we teach London
+ the great lesson it so much needs. No cause is without its martyrs. Let us
+ be the martyrs of the great religion of Anarchy. I have left in my room
+ papers telling just how and why we died. At midnight these sheets will be
+ distributed to all the newspapers of London, and to-morrow the world will
+ ring with our heroic names. I will now put the motion. All in favor of
+ this signify it by the usual upraising of the right hand.&rdquo;
+ </p>
+ <p>
+ The Professor&rsquo;s own right hand was the only one that was raised.
+ </p>
+ <p>
+ &ldquo;Now all of a contrary opinion,&rdquo; said the Professor, and at
+ once every hand in the audience went up.
+ </p>
+ <p>
+ &ldquo;The noes have it,&rdquo; said the Professor, but he did not seem to
+ feel badly about it. &ldquo;Gentlemen,&rdquo; he continued, &ldquo;I see
+ that you have guessed my second proposal, as I imagined you would, and
+ though there will be no newspapers in London to-morrow to chronicle the
+ fact, yet the newspapers of the rest of the world will tell of the
+ destruction of this wicked city. I see by your looks that you are with me
+ in this, my second proposal, which is the most striking thing ever
+ planned, and is that we explode the whole of these pills in the basin. To
+ make sure of this, I have sent to an agent in Manchester the full account
+ of how it was done, and the resolutions brought forward at this meeting,
+ and which doubtless you will accept.
+ </p>
+ <p>
+ &ldquo;Gentlemen, all in favor of the instant destruction of London
+ signify it in the usual manner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Professor,&rdquo; said the man who had spoken previously,
+ &ldquo;before you put that resolution I would like to move an amendment.
+ This is a very serious proposal, and should not be lightly undertaken. I
+ move as an amendment, therefore, that we adjourn this meeting to our rooms
+ at Soho, and do the exploding there. I have some little business that must
+ be settled before this grand project is put in motion.&rdquo;
+ </p>
+ <p>
+ The Professor then said, &ldquo;Gentlemen, the amendment takes precedence.
+ It is moved that this meeting be adjourned, so that you may consider the
+ project at your club-rooms in Soho.&rdquo;
+ </p>
+ <p>
+ &ldquo;I second that amendment,&rdquo; said fifteen of the audience rising
+ together to their feet.
+ </p>
+ <p>
+ &ldquo;In the absence of the regular chairman,&rdquo; said the Professor,
+ &ldquo;it is my duty to put the amendment. All in favor of the amendment
+ signify it by raising the right hand.&rdquo;
+ </p>
+ <p>
+ Every hand was raised. &ldquo;The amendment, gentlemen, is carried. I
+ shall be only too pleased to meet you to-morrow night at your club, and I
+ will bring with me a larger quantity of my explosive. John, kindly go
+ round and tell the man to unlock the doors.&rdquo;
+ </p>
+ <p>
+ When Simkins and Slivers called round the next night at the regular
+ meeting-place of the Anarchists, they found no signs of a gathering, and
+ never since the lecture has the Soho Anarchist League been known to hold a
+ meeting. The Club has mysteriously dissolved.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE FEAR OF IT.
+ </h2>
+ <p>
+ The sea was done with him. He had struggled manfully for his life, but
+ exhaustion came at last, and, realizing the futility of further fighting,
+ he gave up the battle. The tallest wave, the king of that roaring
+ tumultuous procession racing from the wreck to the shore, took him in its
+ relentless grasp, held him towering for a moment against the sky, whirled
+ his heels in the air, dashed him senseless on the sand, and, finally,
+ rolled him over and over, a helpless bundle, high up upon the sandy beach.
+ </p>
+ <p>
+ Human life seems of little account when we think of the trifles that make
+ toward the extinction or the extension of it. If the wave that bore
+ Stanford had been a little less tall, he would have been drawn back into
+ the sea by one that followed. If, as a helpless bundle, he had been turned
+ over one time more or one less, his mouth would have pressed into the
+ sand, and he would have died. As it was, he lay on his back with arms
+ outstretched on either side, and a handful of dissolving sand in one
+ clinched fist. Succeeding waves sometimes touched him, but he lay there
+ unmolested by the sea with his white face turned to the sky.
+ </p>
+ <p>
+ Oblivion has no calendar. A moment or an eternity are the same to it. When
+ consciousness slowly returned, he neither knew nor cared how time had
+ fled. He was not quite sure that he was alive, but weakness rather than
+ fear kept him from opening his eyes to find out whether the world they
+ would look upon was the world they had last gazed at. His interest,
+ however, was speedily stimulated by the sound of the English tongue. He
+ was still too much dazed to wonder at it, and to remember that he was cast
+ away on some unknown island in the Southern Seas. But the purport of the
+ words startled him.
+ </p>
+ <p>
+ &ldquo;Let us be thankful. He is undoubtedly dead.&rdquo; This was said in
+ a tone of infinite satisfaction.
+ </p>
+ <p>
+ There seemed to be a murmur of pleasure at the announcement from those who
+ were with the speaker. Stanford slowly opened his eyes, wondering what
+ these savages were who rejoiced in the death of an inoffensive stranger
+ cast upon their shores. He saw a group standing around him, but his
+ attention speedily became concentrated on one face. The owner of it, he
+ judged, was not more than nineteen years of age, and the face&mdash;at
+ least so it seemed to Stanford at the time&mdash;was the most beautiful he
+ had ever beheld. There was an expression of sweet gladness upon it until
+ her eyes met his, then the joy faded from the face, and a look of dismay
+ took its place. The girl seemed to catch her breath in fear, and tears
+ filled her eyes.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; she cried, &ldquo;he is going to live.&rdquo;
+ </p>
+ <p>
+ She covered her face with her hands, and sobbed.
+ </p>
+ <p>
+ Stanford closed his eyes wearily. &ldquo;I am evidently insane,&rdquo; he
+ said to himself. Then, losing faith in the reality of things, he lost
+ consciousness as well, and when his senses came to him again he found
+ himself lying on a bed in a clean but scantily furnished room. Through an
+ open window came the roar of the sea, and the thunderous boom of the
+ falling waves brought to his mind the experiences through which he had
+ passed. The wreck and the struggle with the waves he knew to be real, but
+ the episode on the beach he now believed to have been but a vision
+ resulting from his condition.
+ </p>
+ <p>
+ A door opened noiselessly, and, before he knew of anyone&rsquo;s entrance,
+ a placid-faced nurse stood by his bed and asked him how he was.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. I am at least alive.&rdquo;
+ </p>
+ <p>
+ The nurse sighed, and cast down her eyes. Her lips moved, but she said
+ nothing. Stanford looked at her curiously. A fear crept over him that he
+ was hopelessly crippled for life, and that death was considered preferable
+ to a maimed existence. He felt wearied, though not in pain, but he knew
+ that sometimes the more desperate the hurt, the less the victim feels it
+ at first.
+ </p>
+ <p>
+ &ldquo;Are&mdash;are any of my&mdash;my bones broken, do you know?&rdquo;
+ he asked.
+ </p>
+ <p>
+ &ldquo;No. You are bruised, but not badly hurt. You will soon recover.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Stanford, with a sigh of relief. &ldquo;By the way,&rdquo;
+ he added, with sudden interest, &ldquo;who was that girl who stood near me
+ as I lay on the beach?&rdquo;
+ </p>
+ <p>
+ &ldquo;There were several.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, there was but one. I mean the girl with the beautiful eyes and
+ a halo of hair like a glorified golden crown on her head.&rdquo;
+ </p>
+ <p>
+ &ldquo;We speak not of our women in words like those,&rdquo; said the
+ nurse, severely; &ldquo;you mean Ruth, perhaps, whose hair is plentiful
+ and yellow.&rdquo;
+ </p>
+ <p>
+ Stanford smiled. &ldquo;Words matter little,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;We must be temperate in speech,&rdquo; replied the nurse.
+ </p>
+ <p>
+ &ldquo;We may be temperate without, being teetotal. Plentiful and yellow,
+ indeed! I have had a bad dream concerning those who found me. I thought
+ that they&mdash;but it does not matter. She at least is not a myth. Do you
+ happen to know if any others were saved?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am thankful to be able to say that every one was drowned.&rdquo;
+ </p>
+ <p>
+ Stanford started up with horror in his eyes. The demure nurse, with
+ sympathetic tones, bade him not excite himself. He sank back on his
+ pillow.
+ </p>
+ <p>
+ &ldquo;Leave the room,&rdquo; he cried, feebly, &ldquo;Leave me&mdash;leave
+ me.&rdquo; He turned his face toward the wall, while the woman left as
+ silently as she had entered.
+ </p>
+ <p>
+ When she was gone Stanford slid from the bed, intending to make his way to
+ the door and fasten it. He feared that these savages, who wished him dead,
+ would take measures to kill him when they saw he was going to recover. As
+ he leaned against the bed, he noticed that the door had no fastening.
+ There was a rude latch, but neither lock nor bolt. The furniture of the
+ room was of the most meagre description, clumsily made. He staggered to
+ the open window, and looked out. The remnants of the disastrous gale blew
+ in upon him and gave him new life, as it had formerly threatened him with
+ death. He saw that he was in a village of small houses, each cottage
+ standing in its own plot of ground. It was apparently a village of one
+ street, and over the roofs of the houses opposite he saw in the distance
+ the white waves of the sea. What astonished him most was a church with its
+ tapering spire at the end of the street&mdash;a wooden church such as he
+ had seen in remote American settlements. The street was deserted, and
+ there were no signs of life in the houses.
+ </p>
+ <p>
+ &ldquo;I must have fallen in upon some colony of lunatics,&rdquo; he said
+ to himself. &ldquo;I wonder to what country these people belong&mdash;either
+ to England or the United States, I imagine&mdash;yet in all my travels I
+ never heard of such a community.&rdquo;
+ </p>
+ <p>
+ There was no mirror in the room, and it was impossible for him to know how
+ he looked. His clothes were dry and powdered with salt. He arranged them
+ as well as he could, and slipped out of the house unnoticed. When he
+ reached the outskirts of the village he saw that the inhabitants, both men
+ and women, were working in the fields some distance away. Coming towards
+ the village was a girl with a water-can in either hand. She was singing as
+ blithely as a lark until she saw Stanford, whereupon she paused both in
+ her walk and in her song. Stanford, never a backward man, advanced, and
+ was about to greet her when she forestalled him by saying:
+ </p>
+ <p>
+ &ldquo;I am grieved, indeed, to see that you have recovered.&rdquo;
+ </p>
+ <p>
+ The young man&rsquo;s speech was frozen on his lip, and a frown settled
+ off his brow. Seeing that he was annoyed, though why she could not guess,
+ Ruth hastened to amend matters by adding:
+ </p>
+ <p>
+ &ldquo;Believe me, what I say is true. I am indeed sorry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sorry that I live?&rdquo;
+ </p>
+ <p>
+ &ldquo;Most heartily am I.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is hard to credit such a statement from one so&mdash;from you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not say so. Miriam has already charged me with being glad that
+ you were not drowned. It would pain me deeply if you also believed as she
+ does.&rdquo;
+ </p>
+ <p>
+ The girl looked at him with swimming eyes, and the young man knew not what
+ to answer. Finally he said:
+ </p>
+ <p>
+ &ldquo;There is some horrible mistake. I cannot make it out. Perhaps our
+ words, though apparently the same, have a different meaning. Sit down,
+ Ruth, I want to ask you some questions.&rdquo;
+ </p>
+ <p>
+ Ruth cast a timorous glance towards the workers, and murmured something
+ about not having much time to spare, but she placed the water-cans on the
+ ground and sank down on the grass. Stanford throwing himself on the sward
+ at her feet, but, seeing that she shrank back, he drew himself further
+ from her, resting where he might gaze upon her face.
+ </p>
+ <p>
+ Ruth&rsquo;s eyes were downcast, which was necessary, for she occupied
+ herself in pulling blade after blade of grass, sometimes weaving them
+ together. Stanford had said he wished to question her, but he apparently
+ forgot his intention, for he seemed wholly satisfied with merely looking
+ at her. After the silence had lasted for some time, she lifted her eyes
+ for one brief moment, and then asked the first question herself.
+ </p>
+ <p>
+ &ldquo;From what land do you come?&rdquo;
+ </p>
+ <p>
+ &ldquo;From England.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! that also is an island, is it not?&rdquo;
+ </p>
+ <p>
+ He laughed at the &ldquo;also,&rdquo; and remembered that he had some
+ questions to ask.
+ </p>
+ <p>
+ &ldquo;Yes, it is an island&mdash;also. The sea dashes wrecks on all four
+ sides of it, but there is no village on its shores so heathenish that if a
+ man is cast upon the beach the inhabitants do not rejoice because he has
+ escaped death.&rdquo;
+ </p>
+ <p>
+ Ruth looked at him with amazement in her eyes.
+ </p>
+ <p>
+ &ldquo;Is there, then, no religion in England?&rdquo;
+ </p>
+ <p>
+ &ldquo;Religion? England is the most religious country on the face of the
+ earth. There are more cathedrals, more churches, more places of worship in
+ England than in any other State that I know of. We send missionaries to
+ all heathenish lands. The Government, itself, supports the Church.&rdquo;
+ </p>
+ <p>
+ &ldquo;I imagine, then, I mistook your meaning. I thought from what you
+ said that the people of England feared death, and did not welcome it or
+ rejoice when one of their number died.&rdquo;
+ </p>
+ <p>
+ &ldquo;They do not fear death, and they do not rejoice when it comes. Far
+ from it. From the peer to the beggar, everyone fights death as long as he
+ can; the oldest cling to life as eagerly as the youngest. Not a man but
+ will spend his last gold piece to ward off the inevitable even for an
+ hour.&rdquo;
+ </p>
+ <p>
+ &ldquo;Gold piece&mdash;what is that?&rdquo;
+ </p>
+ <p>
+ Stanford plunged his hand into his pocket.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; he said, &ldquo;there are some coins left. Here is a
+ gold piece.&rdquo;
+ </p>
+ <p>
+ The girl took it, and looked at it with keen interest.
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it pretty?&rdquo; she said, holding the yellow coin on
+ her pink palm, and glancing up at him.
+ </p>
+ <p>
+ &ldquo;That is the general opinion. To accumulate coins like that, men
+ will lie, and cheat, and steal&mdash;yes, and work. Although they will
+ give their last sovereign to prolong their lives, yet will they risk life
+ itself to accumulate gold. Every business in England is formed merely for
+ the gathering together of bits of metal like that in your hand; huge
+ companies of men are formed so that it may be piled up in greater
+ quantities. The man who has most gold has most power, and is generally the
+ most respected; the company which makes most money is the one people are
+ most anxious to belong to.&rdquo;
+ </p>
+ <p>
+ Ruth listened to him with wonder and dismay in her eyes. As he talked she
+ shuddered, and allowed the yellow coin to slip from her hand to the
+ ground. &ldquo;No wonder such a people fears death.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you not fear death?&rdquo;
+ </p>
+ <p>
+ &ldquo;How can we, when we believe in heaven?&rdquo;
+ </p>
+ <p>
+ &ldquo;But would you not be sorry if someone died whom you loved?&rdquo;
+ </p>
+ <p>
+ &ldquo;How could we be so selfish? Would you be sorry if your brother, or
+ someone you loved, became possessed of whatever you value in England&mdash;a
+ large quantity of this gold, for instance?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not. But then you see&mdash;well, it isn&rsquo;t exactly
+ the same thing. If one you care for dies you are separated from him, and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But only for a short time, and that gives but another reason for
+ welcoming death. It seems impossible that Christian people should fear to
+ enter Heaven. Now I begin to understand why our forefathers left England,
+ and why our teachers will never tell us anything about the people there. I
+ wonder why missionaries are not sent to England to teach them the truth,
+ and try to civilize the people?&rdquo;
+ </p>
+ <p>
+ &ldquo;That would, indeed, be coals to Newcastle. But there comes one of
+ the workers.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is my father,&rdquo; cried the girl, rising. &ldquo;I fear I
+ have been loitering. I never did such a thing before.&rdquo;
+ </p>
+ <p>
+ The man who approached was stern of countenance.
+ </p>
+ <p>
+ &ldquo;Ruth,&rdquo; he said, &ldquo;the workers are athirst.&rdquo;
+ </p>
+ <p>
+ The girl, without reply, picked up her pails and departed.
+ </p>
+ <p>
+ &ldquo;I have been receiving,&rdquo; said the young man, coloring
+ slightly, &ldquo;some instruction regarding your belief. I had been
+ puzzled by several remarks I had heard, and wished to make inquiries
+ concerning them.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is more fitting,&rdquo; said the man, coldly, &ldquo;that you
+ should receive instruction from me or from some of the elders than from
+ one of the youngest in the community. When you are so far recovered as to
+ be able to listen to an exposition of our views, I hope to put forth such
+ arguments as will convince you that they are the true views. If it should
+ so happen that my arguments are not convincing, then I must request that
+ you will hold no communication with our younger members. They must not be
+ contaminated by the heresies of the outside world.&rdquo;
+ </p>
+ <p>
+ Stanford looked at Ruth standing beside the village well.
+ </p>
+ <p>
+ &ldquo;Sir,&rdquo; he said, &ldquo;you underrate the argumentative powers
+ of the younger members. There is a text bearing upon the subject which I
+ need not recall to you. I am already convinced.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE METAMORPHOSES OF JOHNSON.
+ </h2>
+ <p>
+ I was staying for some weeks at a lovely town in the Tyrol which I shall
+ take the liberty of naming Schwindleburg. I conceal its real title because
+ it charges what is termed a visitors&rsquo; tax, and a heavy visitors&rsquo;
+ tax, exacting the same from me through the medium of my hotel bill. The
+ town also made me pay for the excellent band that performs morning and
+ afternoon in the Kurpark. Many continental health resorts support
+ themselves by placing a tax upon visitors, a practice resorted to by no
+ English town, and so I regard the imposition as a swindle, and I refuse to
+ advertise any place that practises it. It is true that if you stay in
+ Schwindleburg less than a week they do not tax you, but I didn&rsquo;t
+ know that, and the hotel man, being wise in his own generation, did not
+ present his bill until a day after the week was out, so I found myself in
+ for the visitors&rsquo; tax and the music money before I was aware of it.
+ Thus does a foolish person accumulate wisdom by foreign travel. I stayed
+ on at this picturesque place, listening to the band every day, trying to
+ get value for my money. I intended to keep much to myself, having work to
+ do, and make no acquaintances, but I fell under the fascination of
+ Johnson, thus breaking my rule. What is the use of making a rule if you
+ can&rsquo;t have the pleasure of breaking it?
+ </p>
+ <p>
+ I think the thing that first attracted me to Johnson was his utter
+ negligence in the matter of his personal appearance. When he stepped down
+ from the hotel &lsquo;bus he looked like a semi-respectable tramp. He wore
+ a blue woolen shirt, with no collar or necktie. He had a slouch hat,
+ without the usual affectation of a Tyrolese feather in it. His full beard
+ had evidently not been trimmed for weeks, and he had one trouser-leg
+ turned up. He had no alpenstock, and that also was a merit. So I said to
+ myself, &ldquo;Here is a man free from the conventionalities of society.
+ If I become acquainted with anybody it will be with him.&rdquo;
+ </p>
+ <p>
+ I found Johnson was an American from a Western city named Chicago, which I
+ had heard of, and we &ldquo;palled on.&rdquo; He was very fond of music,
+ and the band in the Kurpark was a good one, so we went there together
+ twice a day, and talked as we walked up and down the gravel paths. He had
+ been everywhere, and knew his way about; his conversation was interesting.
+ In about a week I had come to love Johnson, and I think he rather liked
+ me.
+ </p>
+ <p>
+ One day, as we returned together to the Hotel Post, he held out his hand.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m off to-morrow,&rdquo; he said; &ldquo;off to Innsbruck.
+ So I shall bid you good-bye. I am very glad indeed to have met you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;m sorry to hear that.&rdquo; I replied. &ldquo;But I
+ won&rsquo;t say good-bye now, I&rsquo;ll see you to the station to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, don&rsquo;t do that. I shall be away before you are up. We&rsquo;ll
+ say good- bye here.&rdquo;
+ </p>
+ <p>
+ We did, and when I had breakfast next morning I found Johnson had left by
+ the early train. I wandered around the park that forenoon mourning for
+ Johnson. The place seemed lonely without him. In the afternoon I explored
+ some of the by-paths of the park within hearing distance of the band, when
+ suddenly, to my intense surprise, I met my departed friend.
+ </p>
+ <p>
+ &ldquo;Hello! Johnson,&rdquo; I cried, &ldquo;I thought you left this
+ morning.&rdquo;
+ </p>
+ <p>
+ The man looked at me with no recognition in his face.
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; he said, &ldquo;my name is Baumgarten.&rdquo;
+ </p>
+ <p>
+ Looking more closely at him I at once saw I was mistaken. I had been
+ thinking of Johnson at the time, which probably accounted for the error.
+ Still, his likeness to Johnson was remarkable&mdash;to Johnson well
+ groomed. He had neatly-trimmed side-whiskers and moustache, while Johnson
+ had a full beard. His round hat was new, and he wore an irreproachable
+ collar, and even cuffs. Besides this he sported a cane, and evidently
+ possessed many weaknesses to which Johnson was superior. I apologized for
+ my mistake, and was about to walk on when Baumgarten showed signs of
+ wishing to become acquainted.
+ </p>
+ <p>
+ &ldquo;I have just arrived,&rdquo; he said, &ldquo;and know nothing of the
+ place. Have you been here long?&rdquo;
+ </p>
+ <p>
+ &ldquo;About two weeks,&rdquo; I answered.
+ </p>
+ <p>
+ &ldquo;Ah! then, you are a resident as it were. Are there any good ascents
+ to be made around here?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have not been informed that there are. I am not a climber myself,
+ except by funicular railway. I am always content to take other people&rsquo;s
+ figures for the heights. The only use I have for a mountain is to look at
+ it.&rdquo;
+ </p>
+ <p>
+ Then Baumgarten launched into a very interesting account of mountain
+ dangers he had passed through. I found him a most entertaining talker,
+ almost as fascinating as Johnson himself. He told me he was from Hanover,
+ but he had been educated in Great Britain, which accounted for his perfect
+ English.
+ </p>
+ <p>
+ &ldquo;What hotel are you at?&rdquo; he asked, as the band ceased playing.
+ </p>
+ <p>
+ &ldquo;I am staying at the Post,&rdquo; I answered. &ldquo;And you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am at the Adler. You must come to dine with me some evening, and
+ I will make it even by dining with you. We can thus compare <i>table d&rsquo;hôtes</i>.&rdquo;
+ </p>
+ <p>
+ Baumgarten improved on acquaintance in spite of his foppishness in dress.
+ I almost forgot Johnson until one day I was reminded of him one day by
+ Baumgarten saying, &ldquo;I leave to-night for Innsbruck.&rdquo;
+ </p>
+ <p>
+ &ldquo;Innsbruck? Why, that&rsquo;s where Johnson is. You ought to meet
+ him. He&rsquo;s an awfully good fellow. A little careless about his
+ clothes, that&rsquo;s all.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should like to meet him. I know no one in Innsbruck. Do you
+ happen to know the name of his hotel?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not. I don&rsquo;t even know Johnson&rsquo;s first name. But I&rsquo;ll
+ write you a note of introduction on my card, and if you should come across
+ him, give him my regards.&rdquo;
+ </p>
+ <p>
+ Baumgarten accepted the card with thanks, and we parted.
+ </p>
+ <p>
+ Next day, being warm, I sat on a bench in the shade listening to the
+ music. Now that Baumgarten had gone, I was meditating on his strange
+ resemblance to Johnson, and remembering things. Someone sat down beside
+ me, but I paid no attention to him. Finally he said: &ldquo;This seems to
+ be a very good band.&rdquo;
+ </p>
+ <p>
+ I started at the sound of his voice, and looked at him too much astonished
+ to reply.
+ </p>
+ <p>
+ He wore a moustache, but no whiskers, and a green Tyrolese felt hat with a
+ feather in it. An alpenstock leaned against the bench beside him, its iron
+ point in the gravel. He wore knickerbockers; in fact, his whole appearance
+ was that of the conventional mountaineer-tourist. But the voice! And the
+ expression of the eyes!
+ </p>
+ <p>
+ &ldquo;What did you say?&rdquo;
+ </p>
+ <p>
+ &ldquo;I said the band is very good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes. Quite so. It&rsquo;s expensive, and it ought to be good. I&rsquo;m
+ helping to pay for it. By the way, you arrived this morning, I take it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I came last night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, indeed. And you depart in a few days for Innsbruck?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I go to Salzburg when I leave here.&rdquo;
+ </p>
+ <p>
+ &ldquo;And your name isn&rsquo;t Johnson&mdash;or&mdash;or Baumgarten, by
+ any chance?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is not.&rdquo;
+ </p>
+ <p>
+ &ldquo;You come neither from Chicago nor Hanover?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have never been in America, nor do I know Hanover. Anything else?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing else. It&rsquo;s all right. It&rsquo;s none of my business,
+ of course.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is none of your business?&rdquo;
+ </p>
+ <p>
+ &ldquo;Who are you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, there&rsquo;s no secret about that. I am a Russian. My name is
+ Katzoff. At least, these are the first and last syllables of my name. I
+ never use my full name when I travel; it is too complicated.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks. And how do you account for your perfect English? Educated
+ in England, I presume? Baumgarten was.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I was not. You know we Russians are reputed to be good
+ linguists.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I had forgotten that. We will now return to the point from
+ which we started. The band is excellent, and it is about to play one of
+ four favorite selections, Mr. Katzburg.&rdquo;
+ </p>
+ <p>
+ &ldquo;Katzoff is the name. As to the selection, I don&rsquo;t know much
+ about music, although I am fond of popular pieces.&rdquo;
+ </p>
+ <p>
+ Katzoff and I got along very nicely, although I did not seem to like him
+ as well as either Johnson or Baumgarten. He left for Salzburg without
+ bidding me good-bye. Missing him one day, I called at the Angleterre, and
+ the porter told me he had gone.
+ </p>
+ <p>
+ Next day I searched for him, wondering in what garb I should find him. I
+ passed him twice as he sat on the bench, before I was sure enough to
+ accost him. The sacrifice of his moustache had made a remarkable
+ difference. His clean-shaven face caused him to look at least ten years
+ younger. He wore a tall silk hat, and a long black morning coat. I found
+ myself hardly able to withdraw my eyes from the white spats that partially
+ covered his polished boots. He was reading an English paper, and did not
+ observe my scrutiny. I approached him.
+ </p>
+ <p>
+ &ldquo;Well, Johnson,&rdquo; I said, &ldquo;this <i>is</i> a lay out. You&rsquo;re
+ English this time, I suppose?&rdquo;
+ </p>
+ <p>
+ The man looked up in evident surprise. Fumbling around the front of his
+ waistcoat for a moment, he found a black silk string, which he pulled,
+ bringing to his hand a little round disc of glass. This he stuck in one
+ eye, grimacing slightly to keep it in place, and so regarded me apparently
+ with some curiosity. My certainty that it was Johnson wavered for a
+ moment, but I braved it out.
+ </p>
+ <p>
+ &ldquo;That monocle is a triumph, Johnson. In combination with the spats
+ it absolutely staggers me. If you had tried that on as Baumgarten I don&rsquo;t
+ know that I should have recognized you. Johnson, what&rsquo;s your game?&rdquo;
+ </p>
+ <p>
+ &ldquo;You seem to be laboring under some delusion,&rdquo; he said at
+ last. &ldquo;My name is not Johnson. I am Lord Somerset Campbell, if you
+ care to know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Really? Oh, well, that&rsquo;s all right. I&rsquo;m the Duke of
+ Argyll, so we must be relatives. Blood is thicker than water, Campbell.
+ Confess. Whom have you murdered?&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew,&rdquo; said his lordship, slowly, &ldquo;that the largest
+ lunatic asylum in the Tyrol is near here, but I was not aware that the
+ patients were allowed to stroll in the Kurpark.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s all very well, Johnson, but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Campbell, if you please.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t please, as it happens. This masquerade has gone on
+ long enough. What&rsquo;s your crime? Or are you on the other side of the
+ fence? Are you practising the detective business?&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear fellow, I don&rsquo;t know you, and I resent your
+ impertinent curiosity. Allow me to wish you good-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;It won&rsquo;t do, Johnson, it has gone too far. You have played on
+ my feelings, and I won&rsquo;t stand it. I&rsquo;ll go to the authorities
+ and relate the circumstances. They are just suspicious enough to&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Which? The authorities or the circumstances?&rdquo; asked Johnson,
+ sitting down again.
+ </p>
+ <p>
+ &ldquo;Both, my dear boy, both, and you know it. Now, Johnson, make a
+ clean breast of it, I won&rsquo;t give you away.&rdquo;
+ </p>
+ <p>
+ Johnson sighed, and his glass dropped from his eye. He looked around
+ cautiously. &ldquo;Sit down,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Then you <i>are</i> Johnson!&rdquo; I cried, with some exultation.
+ </p>
+ <p>
+ &ldquo;I thought you weren&rsquo;t very sure,&rdquo; began Johnson.
+ &ldquo;However, it doesn&rsquo;t matter, but you should be above
+ threatening a man. That was playing it low down.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see you&rsquo;re from Chicago. Go on.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all on account of this accursed visitors&rsquo; tax.
+ That I decline to pay. I stay just under the week at a hotel, and then
+ take a &lsquo;bus to the station, and another &lsquo;bus to another hotel.
+ Of course my mistake was getting acquainted with you. I never suspected
+ you were going to stay here a month.&rdquo;
+ </p>
+ <p>
+ &ldquo;But why didn&rsquo;t you let me know? Your misdemeanor is one I
+ thoroughly sympathize with. I wouldn&rsquo;t have said anything.&rdquo;
+ </p>
+ <p>
+ Johnson shook his head.
+ </p>
+ <p>
+ &ldquo;I took a fellow into my confidence once before. He told it as a
+ dead secret to a friend, and the friend thought it a good joke, and
+ related it, always under oath that it should go no further. The
+ authorities had me arrested before the week was out, and fined me heavily
+ besides exacting the tax.&rdquo;
+ </p>
+ <p>
+ &ldquo;But doesn&rsquo;t the &lsquo;bus fares, the changing, and all that
+ amount to as much as the tax?&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose it does. It isn&rsquo;t the money I object to, it&rsquo;s
+ the principle of the thing.&rdquo;
+ </p>
+ <p>
+ This interview was the last I ever had with Johnson. About a week later I
+ read in the Visitors&rsquo; List that Lord Somerset Campbell, who had been
+ a guest of the Victoria (the swell hotel of the place), had left
+ Schwindleburg for Innsbruck.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE RECLAMATION OF JOE HOLLENDS.
+ </h2>
+ <p>
+ The public-houses of Burwell Road&mdash;and there were many of them for
+ the length of the street&mdash;were rather proud of Joe Hollends. He was a
+ perfected specimen of the work a pub produces. He was probably the most
+ persistent drunkard the Road possessed, and the periodical gathering in of
+ Joe by the police was one of the stock sights of the street. Many of the
+ inhabitants could be taken to the station by one policeman; some required
+ two; but Joe&rsquo;s average was four. He had been heard to boast that on
+ one occasion he had been accompanied to the station by seven bobbies, but
+ that was before the force had studied Joe and got him down to his correct
+ mathematical equivalent. Now they tripped him up, a policeman taking one
+ kicking leg and another the other, while the remaining two attended to the
+ upper part of his body. Thus they carried him, followed by an admiring
+ crowd, and watched by other envious drunkards who had to content
+ themselves with a single officer when they went on a similar spree.
+ Sometimes Joe managed to place a kick where it would do the most good
+ against the stomach of a policeman, and when the officer rolled over there
+ was for a few moments a renewal of the fight, silent on the part of the
+ men and vociferous on the part of the drunkard, who had a fine flow of
+ abusive language. Then the procession went on again. It was perfectly
+ useless to put Joe on the police ambulance, for it required two men to sit
+ on him while in transit, and the barrow is not made to stand such a load.
+ </p>
+ <p>
+ Of course, when Joe staggered out of the pub and fell in the gutter, the
+ ambulance did its duty, and trundled Joe to his abiding place, but the
+ real fun occurred when Joe was gathered in during the third stage of his
+ debauch. He passed through the oratorical stage, then the maudlin or
+ sentimental stage, from which he emerged into the fighting stage, when he
+ was usually ejected into the street, where he forthwith began to make Rome
+ howl, and paint the town red. At this point the policeman&rsquo;s whistle
+ sounded, and the force knew Joe was on the warpath, and that duty called
+ them to the fray.
+ </p>
+ <p>
+ It was believed in the neighborhood that Joe had been a college man, and
+ this gave him additional standing with his admirers. His eloquence was
+ undoubted, after several glasses varying in number according to the
+ strength of their contents, and a man who had heard the great political
+ speakers of the day admitted that none of them could hold a candle to Joe
+ when he got on the subject of the wrongs of the working man and the
+ tyranny of the capitalist. It was generally understood that Joe might have
+ been anything he liked, and that he was no man&rsquo;s enemy but his own.
+ It was also hinted that he could tell the bigwigs a thing or two if he had
+ been consulted in affairs of State.
+ </p>
+ <p>
+ One evening, when Joe was slowly progressing as usual, with his feet in
+ the air, towards the station, supported by the requisite number of
+ policemen, and declaiming to the delight of the accompanying crowd, a
+ woman stood with her back to the brick wall, horror-stricken at the sight.
+ She had a pale, refined face, and was dressed in black. Her self-imposed
+ mission was among these people, but she had never seen Joe taken to the
+ station before, and the sight, which was so amusing to the neighborhood,
+ was shocking to her. She enquired about Joe, and heard the usual story
+ that he was no man&rsquo;s enemy but his own, although they might in
+ justice have added the police. Still, a policeman was hardly looked upon
+ as a human being in that neighborhood. Miss Johnson reported the case to
+ the committee of the Social League, and took counsel. Then it was that the
+ reclamation of Joe Hollends was determined on.
+ </p>
+ <p>
+ Joe received Miss Johnson with subdued dignity, and a demeanor that
+ delicately indicated a knowledge on his part of her superiority and his
+ own degradation. He knew how a lady should be treated even if he was a
+ drunkard, as he told his cronies afterwards. Joe was perfectly willing to
+ be reclaimed. Heretofore in his life, no one had ever extended the hand of
+ fellowship to him. Human sympathy was what Joe needed, and precious little
+ he had had of it. There were more kicks than halfpence in this world for a
+ poor man. The rich did not care what became of the poor; not they&mdash;a
+ proposition which Miss Johnson earnestly denied.
+ </p>
+ <p>
+ It was one of the tenets of the committee that where possible the poor
+ should help the poor. It was resolved to get Joe a decent suit of clothes
+ and endeavor to find him a place where work would enable him to help
+ himself. Miss Johnson went around the neighborhood and collected pence for
+ the reclamation. Most people were willing to help Joe, although it was
+ generally felt that the Road would be less gay when he took on sober
+ habits. In one room, however, Miss Johnson was refused the penny she
+ pleaded for.
+ </p>
+ <p>
+ &ldquo;We cannot spare even a penny,&rdquo; said the woman, whose sickly
+ little boy clung to her skirts. &ldquo;My husband is just out of work
+ again. He has had only four weeks&rsquo; work this time.&rdquo;
+ </p>
+ <p>
+ Miss Johnson looked around the room and saw why there was no money. It was
+ quite evident where the earnings of the husband had gone.
+ </p>
+ <p>
+ The room was much better furnished than the average apartment of the
+ neighborhood. There were two sets of dishes where one would have been
+ quite sufficient. On the mantelshelf and around the walls were various
+ unnecessary articles which cost money.
+ </p>
+ <p>
+ Miss Johnson noted all this but said nothing, although she resolved to
+ report it to the committee. In union is strength and in multitude of
+ counsel there is wisdom. Miss Johnson had great faith in the wisdom of the
+ committee.
+ </p>
+ <p>
+ &ldquo;How long has your husband been out of work?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Only a few days, but times are very bad and he is afraid he will
+ not get another situation soon.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is his trade?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is a carpenter and a good workman&mdash;sober and steady.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you give me his name I will put it down in our books. Perhaps we
+ may be able to help him.&rdquo;
+ </p>
+ <p>
+ &ldquo;John Morris is his name.&rdquo;
+ </p>
+ <p>
+ Miss Johnson wrote it down on her tablets, and when she left, the wife
+ felt vaguely grateful for benefits to come.
+ </p>
+ <p>
+ The facts of the case were reported to the committee, and Miss Johnson was
+ deputed to expostulate with Mrs. Morris upon her extravagance. John Morris&rsquo;s
+ name was put upon the books among the names of many other unemployed
+ persons. The case of Joe Hollends then came up, and elicited much
+ enthusiasm. A decent suit of clothing had been purchased with part of the
+ money collected for him, and it was determined to keep the rest in trust,
+ to be doled out to him as occasion warranted.
+ </p>
+ <p>
+ Two persuasive ladies undertook to find a place for him in one of the
+ factories, if such a thing were possible.
+ </p>
+ <p>
+ Joe felt rather uncomfortable in his new suit of clothes, and seemed to
+ regard the expenditure as, all in all, a waste of good money. He was also
+ disappointed to find that the funds collected were not to be handed over
+ to him in a lump. It was not the money he cared about, he said, but the
+ evident lack of trust. If people had trusted him more, he might have been
+ a better man. Trust and human sympathy were what Joe Hollends needed.
+ </p>
+ <p>
+ The two persuasive ladies appealed to Mr. Stillwell, the proprietor of a
+ small factory for the making of boxes. They said that if Hollends got a
+ chance they were sure he would reform. Stillwell replied that he had no
+ place for anyone. He had enough to do to keep the men already in his
+ employ. Times were dull in the box business, and he was turning away
+ applicants every day who were good workmen and who didn&rsquo;t need to be
+ reformed. However, the ladies were very persuasive, and it is not given to
+ every man to be able to refuse the appeal of a pretty woman, not to
+ mention two of them. Stillwell promised to give Hollends a chance, said he
+ would consult with his foreman, and let the ladies know what could be
+ done.
+ </p>
+ <p>
+ Joe Hollends did not receive the news of his luck with the enthusiasm that
+ might have been expected. Many a man was tramping London in search of
+ employment and finding none, therefore even the ladies who were so
+ solicitous about Joe&rsquo;s welfare thought he should be thankful that
+ work came unsought. He said he would do his best, which is, when you come
+ to think of it, all that we have a right to expect from any man.
+ </p>
+ <p>
+ Some days afterwards Jack Morris applied to Mr. Stillwell for a job, but
+ he had no sub-committee of persuasive ladies to plead for him. He would be
+ willing to work half-time or quarter-time for that matter. He had a wife
+ and boy dependent on him. He could show that he was a good workman and he
+ did not drink. Thus did Morris recite his qualifications to the unwilling
+ ears of Stillwell the box maker. As he left the place disheartened with
+ another refusal, he was overtaken by Joe Hollends. Joe was a lover of his
+ fellow-man, and disliked seeing anyone downhearted. He had one infallible
+ cure for dejection. Having just been discharged, he was in high spirits,
+ because his prediction of his own failure as a reformed character, if work
+ were a condition of the reclamation, had just been fulfilled.
+ </p>
+ <p>
+ &ldquo;Cheer up, old man,&rdquo; he cried, slapping Morris on the
+ shoulder, &ldquo;what&rsquo;s the matter? Come and have a drink with me. I&rsquo;ve
+ got the money.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Morris, who knew the professional drunkard but
+ slightly, and did not care for further acquaintance with him, &ldquo;I
+ want work, not beer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Every man to his taste. Why don&rsquo;t you ask at the box factory?
+ You can have my job and welcome. The foreman&rsquo;s just discharged me.
+ Said I wouldn&rsquo;t work myself, and kept the men off theirs. Thought I
+ talked too much about capital and labor.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you think I could get your job?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very likely. No harm in trying. If they don&rsquo;t take you on,
+ come into the Red Lion&mdash;I&rsquo;ll be there&mdash;and have a drop. It&rsquo;ll
+ cheer you up a bit.&rdquo;
+ </p>
+ <p>
+ Morris appealed in vain to the foreman. They had more men now in the
+ factory than they needed, he said. So Morris went to the Red Lion, where
+ he found Hollends ready to welcome him. They had several glasses together,
+ and Hollends told him of the efforts of the Social League in the
+ reclamation line, and his doubts of their ultimate success. Hollends
+ seemed to think the ladies of the League were deeply indebted to him for
+ furnishing them with such a good subject for reformation. That night Joe&rsquo;s
+ career reached a triumphant climax, for the four policeman had to appeal
+ to the bystanders for help in the name of the law.
+ </p>
+ <p>
+ Jack Morris went home unaided. He had not taken many glasses, but he knew
+ he should have avoided drink altogether, for he had some experience of its
+ power in his younger days. He was, therefore, in a quarrelsome mood, ready
+ to blame everyone but himself.
+ </p>
+ <p>
+ He found his wife in tears, and saw Miss Johnson sitting there, evidently
+ very miserable.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s all this?&rdquo; asked Morris.
+ </p>
+ <p>
+ His wife dried her eyes, and said it was nothing. Miss Johnson had been
+ giving her some advice, which she was thankful for. Morris glared at the
+ visitor.
+ </p>
+ <p>
+ &ldquo;What have you got to do with us?&rdquo; he demanded rudely. His
+ wife caught him by the arm, but he angrily tossed aside her hand. Miss
+ Johnson arose, fearing.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ve no business here. We want none of your advice. You get
+ out of this.&rdquo; Then, impatiently to his wife, who strove to calm him,
+ &ldquo;Shut up, will you?&rdquo;
+ </p>
+ <p>
+ Miss Johnson was afraid he would strike her as she passed him going to the
+ door, but he merely stood there, following her exit with lowering brow.
+ </p>
+ <p>
+ The terrified lady told her experience to the sympathizing members of the
+ committee. She had spoken to Mrs. Morris of her extravagance in buying so
+ many things that were not necessary when her husband had work. She advised
+ the saving of the money. Mrs. Morris had defended her apparent lavish
+ expenditure by saying that there was no possibility of saving money. She
+ bought useful things, and when her husband was out of work she could
+ always get a large percentage of their cost from the pawnbroker. The
+ pawnshop, she had tearfully explained to Miss Johnson, was the only bank
+ of the poor. The idea of the pawnshop as a bank, and not as a place of
+ disgrace, was new to Miss Johnson, but before anything further could be
+ said the husband had come in. One of the committee, who knew more about
+ the district than Miss Johnson, affirmed that there was something to say
+ for the pawnbroker as the banker of the poor. The committee were unanimous
+ in condemning the conduct of Morris, and it says much for the members
+ that, in spite of the provocation one of them had received, they did not
+ take the name of so undeserving a man from their list of the unemployed.
+ </p>
+ <p>
+ The sad relapse of Joe Hollends next occupied the attention of the League.
+ His fine had been paid, and he had expressed himself as deeply grieved at
+ his own frailty. If the foreman had been less harsh with him and had given
+ him a chance, things might have been different. It was resolved to send
+ Joe to the seaside so that he might have an opportunity of toning up his
+ system to resist temptation. Joe enjoyed his trip to the sea. He always
+ liked to encounter a new body of police unaccustomed to his methods. He
+ toned up his system so successfully the first day on the sands that he
+ spent the night in the cells.
+ </p>
+ <p>
+ Little by little, the portable property in the rooms of the Morrises
+ disappeared into the pawnshop. Misfortune, as usual, did not come singly.
+ The small boy was ill, and Morris himself seemed to be unable to resist
+ the temptation of the Red Lion. The unhappy woman took her boy to the
+ parish doctor, who was very busy, but he gave what attention he could to
+ the case. He said all the boy needed was nourishing food and country air.
+ Mrs. Morris sighed, and decided to take the little boy oftener to the
+ park, but the way was long, and he grew weaker day by day.
+ </p>
+ <p>
+ At last, she succeeded in interesting her husband in the little fellow&rsquo;s
+ condition. He consented to take the boy to the doctor with her.
+ </p>
+ <p>
+ &ldquo;The doctor doesn&rsquo;t seem to mind what I say,&rdquo; she
+ complained. &ldquo;Perhaps he will pay attention to a man.&rdquo;
+ </p>
+ <p>
+ Morris was not naturally a morose person, but continued disappointment was
+ rapidly making him so. He said nothing, but took the boy in his arms, and,
+ followed by his wife, went to the doctor.
+ </p>
+ <p>
+ &ldquo;This boy was here before,&rdquo; said the physician, which tended
+ to show that he had paid more attention to the case than Mrs. Morris
+ thought. &ldquo;He is very much worse. You will have to take him to the
+ country or he will die.&rdquo;
+ </p>
+ <p>
+ &ldquo;How can I send him to the country?&rdquo; asked Morris, sullenly.
+ &ldquo;I&rsquo;ve been out of work for months.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you friends in the country?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hasn&rsquo;t your wife any friends in the country who would take
+ her and the lad for a month or so?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you anything to pawn?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very little.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I would advise you to pawn everything you own, or sell it if
+ you can, and take the boy on your back and tramp to the country. You will
+ get work there probably more easily than in the city. Here are ten
+ shillings to help you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want your money,&rdquo; said Morris, in a surly tone.
+ &ldquo;I want work.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have no work to give you, so I offer you what I have. I haven&rsquo;t
+ as much of that as I could wish. You are a fool not to take what the gods
+ send.&rdquo;
+ </p>
+ <p>
+ Morris, without replying, gathered up his son in his arms and departed.
+ </p>
+ <p>
+ &ldquo;Here is a bottle of tonic for him.&rdquo; said the doctor to Mrs.
+ Morris.
+ </p>
+ <p>
+ He placed the half-sovereign on the bottle as he passed it to her. She
+ silently thanked him with her wet eyes, hoping that a time would come when
+ she could repay the money. The doctor had experience enough to know that
+ they were not to be classed among his usual visitors. He was not in the
+ habit of indiscriminately bestowing gold coins.
+ </p>
+ <p>
+ It was a dreary journey, and they were a long time shaking off the
+ octopus-like tentacles of the great city, that reached further and further
+ into he country each year, as if it lived on consuming the green fields.
+ Morris walked ahead with the boy on his back, and his wife followed.
+ Neither spoke, and the sick lad did not complain. As they were nearing a
+ village, the boy&rsquo;s head sunk on his father&rsquo;s shoulder. The
+ mother quickened her pace, and came up to them stroking the head of her
+ sleeping son. Suddenly, she uttered a smothered cry and took the boy in
+ her arms.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter?&rdquo; asked Morris, turning round.
+ </p>
+ <p>
+ She did not answer, but sat by the roadside with the boy on her lap,
+ swaying her body to and fro over him, moaning as she did so. Morris needed
+ no answer. He stood on the road with hardening face, and looked down on
+ his wife and child without speaking.
+ </p>
+ <p>
+ The kindly villagers arranged the little funeral, and when it was over
+ Jack Morris and his wife stood again on the road.
+ </p>
+ <p>
+ &ldquo;Jack, dear,&rdquo; she pleaded, &ldquo;don&rsquo;t go back to that
+ horrible place. We belong to the country, and the city is so hard and
+ cruel.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m going back. You can do as you like.&rdquo; Then,
+ relenting a little, he added, &ldquo;I haven&rsquo;t brought much luck to
+ you, my girl.&rdquo;
+ </p>
+ <p>
+ She knew her husband was a stubborn man, and set in his way, so,
+ unprotesting, she followed him in, as she had followed out, stumbling many
+ times, for often her eyes did not see the road. And so they returned to
+ their empty rooms.
+ </p>
+ <p>
+ Jack Morris went to look for work at the Red Lion. There he met that
+ genial comrade, Joe Hollends, who had been reformed, and who had backslid
+ twice since Jack had foregathered with him before. It is but fair to Joe
+ to admit that he had never been optimistic about his own reclamation, but
+ being an obliging man, even when he was sober, he was willing to give the
+ Social League every chance. Jack was deeply grieved at the death of his
+ son, although he had said no word to his wife that would show it. It
+ therefore took more liquor than usual to bring him up to the point of good
+ comradeship that reigned at the Red Lion. When he and Joe left the tavern
+ that night it would have taken an expert to tell which was the more
+ inebriated. They were both in good fighting trim, and were both in the
+ humor for a row. The police, who had reckoned on Joe alone, suddenly found
+ a new element in the fight that not only upset their calculations but
+ themselves as well. It was a glorious victory, and, as both fled down a
+ side street, Morris urged Hollends to come along, for the representatives
+ of law and order have the habit of getting reinforcements which often turn
+ a victory into a most ignominious defeat.
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t,&rdquo; panted Hollends. &ldquo;The beggars have hurt
+ me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come along. I know a place where we are safe.&rdquo;
+ </p>
+ <p>
+ Drunk as he was, Jack succeeded in finding the hole in the wall that
+ allowed him to enter a vacant spot behind the box factory. There Hollends
+ lay down with a groan, and there Morris sank beside him in a drunken
+ sleep. The police were at last revenged, and finally.
+ </p>
+ <p>
+ When the grey daylight brought Morris to a dazed sense of where he was, he
+ found his companion dead beside him. He had a vague fear that he would be
+ tried for murder, but it was not so. From the moment that Hollends, in his
+ fall, struck his head on the curb, the Providence which looks after the
+ drunken deserted him.
+ </p>
+ <p>
+ But the inquest accomplished one good object. It attracted the attention
+ of the Social League to Jack Morris, and they are now endeavoring to
+ reclaim him.
+ </p>
+ <p>
+ Whether they succeed or not, he was a man that was certainly once worth
+ saving.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE TYPE-WRITTEN LETTER.
+ </h2>
+ <p>
+ When a man has battled with poverty all his life, fearing it as he fought
+ it, feeling for its skinny throat to throttle it, and yet dreading all the
+ while the coming of the time when it would gain the mastery and throttle
+ him&mdash;when such a man is told that he is rich, it might be imagined he
+ would receive the announcement with hilarity. When Richard Denham realized
+ that he was wealthy he became even more sobered than usual, and drew a
+ long breath as if he had been running a race and had won it. The man who
+ brought him the news had no idea he had told Denham anything novel.
+ </p>
+ <p>
+ He merely happened to say, &ldquo;You are a rich man, Mr. Denham, and will
+ never miss it.&rdquo;
+ </p>
+ <p>
+ Denham had never before been called a rich man, and up to that moment he
+ had not thought of himself as wealthy. He wrote out the check asked of
+ him, and his visitor departed gratefully, leaving the merchant with
+ something to ponder over. He was as surprised with the suddenness of the
+ thing as if someone had left him a legacy. Yet the money was all of his
+ own accumulating, but his struggle had been so severe, and he had been so
+ hopeless about it, that from mere habit he exerted all his energies long
+ after the enemy was overcome&mdash;just as the troops at New Orleans
+ fought a fierce battle not knowing that the war was over. He had sprung
+ from such a hopelessly poor family. Poverty had been their inheritance
+ from generation to generation. It was the invariable legacy that father
+ had left to son in the Denham family. All had accepted their lot with
+ uncomplaining resignation, until Richard resolved he would at least have a
+ fight for it. And now the fight had been won. Denham sat in his office
+ staring at the dingy wall-paper so long, that Rogers, the chief clerk, put
+ his head in and said in a deferential voice:
+ </p>
+ <p>
+ &ldquo;Anything more to-night, Mr. Denham?&rdquo;
+ </p>
+ <p>
+ Denham started as if that question in that tone had not been asked him
+ every night for years.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s that, what&rsquo;s that?&rdquo; he cried.
+ </p>
+ <p>
+ Rogers was astonished, but too well trained to show it.
+ </p>
+ <p>
+ &ldquo;Anything more to-night, Mr. Denham?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, quite so. No, Rogers, thank you, nothing more.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-night, Mr. Denham.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eh? Oh, yes. Good-night, Rogers, good-night.&rdquo;
+ </p>
+ <p>
+ When Mr. Denham left his office and went out into the street everything
+ had an unusual appearance to him. He walked along, unheeding the
+ direction. He looked at the fine residences and realized that he might
+ have a fine residence if he wanted it. He saw handsome carriages; he too
+ might set up an equipage. The satisfaction these thoughts produced was
+ brief. Of what use would a fine house or an elegant carriage be to him? He
+ knew no one to invite to the house or to ride with him in the carriage. He
+ began to realize how utterly alone in the world he was. He had no friends,
+ no acquaintances even. The running dog, with its nose to the ground, sees
+ nothing of the surrounding scenery. He knew men in a business way, of
+ course, and doubtless each of them had a home in the suburbs somewhere,
+ but he could not take a business man by the shoulders and say to him,
+ &ldquo;Invite me to your house; I am lonely; I want to know people.&rdquo;
+ </p>
+ <p>
+ If he got such an invitation, he would not know what to do with himself.
+ He was familiar with the counting-room and its language, but the
+ drawing-room was an unexplored country to him, where an unknown tongue was
+ spoken. On the road to wealth he had missed something, and it was now too
+ late to go back for it. Only the day before, he had heard one of the
+ clerks, who did not know he was within earshot, allude to him as &ldquo;the
+ old man.&rdquo; He felt as young as ever he did, but the phrase, so
+ lightly spoken, made him catch his breath.
+ </p>
+ <p>
+ As he was now walking through the park, and away from the busy streets, he
+ took off his hat and ran his fingers through his grizzled hair, looking at
+ his hand when he had done so, as if the grey, like wet paint, might have
+ come off. He thought of a girl he knew once, who perhaps would have
+ married him if he had asked her, as he was tempted to do. But that had
+ always been the mistake of the Denhams. They had all married young except
+ himself, and so sunk deeper into the mire of poverty, pressed down by a
+ rapidly-increasing progeny. The girl had married a baker, he remembered.
+ Yes, that was a long time ago. The clerk was not far wrong when he called
+ him an old man. Suddenly, another girl arose before his mental vision&mdash;a
+ modern girl&mdash;very different indeed to the one who married the baker.
+ She was the only woman in the world with whom he was on speaking terms,
+ and he knew her merely because her light and nimble fingers played the
+ business sonata of one note on his office typewriter. Miss Gale was
+ pretty, of course&mdash; all typewriter girls are&mdash;and it was
+ generally understood in the office that she belonged to a good family who
+ had come down in the world. Her somewhat independent air deepened this
+ conviction and kept the clerks at a distance. She was a sensible girl who
+ realized that the typewriter paid better than the piano, and accordingly
+ turned the expertness of her white fingers to the former instrument.
+ Richard Denham sat down upon a park bench. &ldquo;Why not?&rdquo; he asked
+ himself. There was no reason against it except that he felt he had not the
+ courage. Nevertheless, he formed a desperate resolution.
+ </p>
+ <p>
+ Next day, business went on as usual. Letters were answered, and the time
+ arrived when Miss Gale came in to see if he had any further commands that
+ day. Denham hesitated. He felt vaguely that a business office was not the
+ proper place for a proposal; yet he knew he would be at a disadvantage
+ anywhere else. In the first place, he had no plausible excuse for calling
+ upon the young woman at home, and, in the second place, he knew if he once
+ got there he would be stricken dumb. It must either be at his office or
+ nowhere.
+ </p>
+ <p>
+ &ldquo;Sit down a moment, Miss Gale,&rdquo; he said at last; &ldquo;I
+ wanted to consult you about a matter&mdash;about a business matter.&rdquo;
+ </p>
+ <p>
+ Miss Gale seated herself, and automatically placed on her knee the
+ shorthand writing-pad ready to take down his instructions. She looked up
+ at him expectantly. Denham, in an embarrassed manner, ran his fingers
+ through his hair.
+ </p>
+ <p>
+ &ldquo;I am thinking,&rdquo; he began, &ldquo;of taking a partner. The
+ business is very prosperous now. In fact, it has been so for some time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo; said Miss Gale interrogatively.
+ </p>
+ <p>
+ &ldquo;Yes. I think I should have a partner. It is about that I wanted to
+ speak to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you think it would be better to consult with Mr.
+ Rogers? He knows more about business than I. But perhaps it is Mr. Rogers
+ who is to be the partner?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, it is not Rogers. Rogers is a good man. But&mdash;it is not
+ Rogers.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I think in an important matter like this Mr. Rogers, or
+ someone who knows the business as thoroughly as he does, would be able to
+ give you advice that would be of some value.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want advice exactly. I have made up my mind to have a
+ partner, if the partner is willing.&rdquo;
+ </p>
+ <p>
+ Denham mopped his brow. It was going to be even more difficult than he had
+ anticipated.
+ </p>
+ <p>
+ &ldquo;Is it, then, a question of the capital the partner is to bring in?&rdquo;
+ asked Miss Gale, anxious to help him.
+ </p>
+ <p>
+ &ldquo;No, no. I don&rsquo;t wish any capital. I have enough for both. And
+ the business is very prosperous, Miss Gale&mdash;and&mdash;and has been.&rdquo;
+ </p>
+ <p>
+ The young woman raised her eyebrows in surprise.
+ </p>
+ <p>
+ &ldquo;You surely don&rsquo;t intend to share the profits with a partner
+ who brings no capital into the business?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;yes, I do. You see, as I said, I have no need for more
+ capital.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, if that is the case, I think you should consult Mr. Rogers
+ before you commit yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;But Rogers wouldn&rsquo;t understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m afraid I don&rsquo;t understand either. It seems to me a
+ foolish thing to do&mdash;that is, if you want my advice.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, I want it. But it isn&rsquo;t as foolish as you think. I
+ should have had a partner long ago. That is where I made the mistake. I&rsquo;ve
+ made up my mind on that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I don&rsquo;t see that I can be of any use&mdash;if your mind
+ is already made up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, you can. I&rsquo;m a little afraid that my offer may not
+ be accepted.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is sure to be, if the man has any sense. No fear of such an
+ offer being refused! Offers like that are not to be had every day. It will
+ be accepted.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you really think so, Miss Gale? I am glad that is your opinion.
+ Now, what I wanted to consult you about, is the form of the offer. I would
+ like to put it&mdash;well&mdash;delicately, you know, so that it would not
+ be refused, nor give offence.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see. You want me to write a letter to him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly, exactly,&rdquo; cried Denham with some relief. He had not
+ thought of sending a letter before. Now, he wondered why he had not
+ thought of it. It was so evidently the best way out of a situation that
+ was extremely disconcerting.
+ </p>
+ <p>
+ &ldquo;Have you spoken to him about it?&rdquo;
+ </p>
+ <p>
+ &ldquo;To him? What him?&rdquo;
+ </p>
+ <p>
+ &ldquo;To your future partner, about the proposal?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no. Oh, no. That is&mdash;I have spoken to nobody but you.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you are determined not to speak to Mr. Rogers before you write?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not. It&rsquo;s none of Roger&rsquo;s business.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, very well,&rdquo; said Miss Gale shortly, bending over her
+ writing-pad.
+ </p>
+ <p>
+ It was evident that her opinion of Denham&rsquo;s wisdom was steadily
+ lowering. Suddenly, she looked up.
+ </p>
+ <p>
+ &ldquo;How much shall I say the annual profits are? Or do you want that
+ mentioned?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I don&rsquo;t think I would mention that. You see, I don&rsquo;t
+ wish this arrangement to be carried out on a monetary basis&mdash;not
+ altogether.&rdquo;
+ </p>
+ <p>
+ &ldquo;On what basis then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&mdash;I can hardly say. On a personal basis, perhaps. I rather
+ hope that the person&mdash;that my partner&mdash;would, you know, like to
+ be associated with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;On a friendly basis, do you mean?&rdquo; asked Miss Gale,
+ mercilessly.
+ </p>
+ <p>
+ &ldquo;Certainly. Friendly, of course&mdash;and perhaps more than that.&rdquo;
+ </p>
+ <p>
+ Miss Gale looked up at him with a certain hopelessness of expression.
+ </p>
+ <p>
+ &ldquo;Why not write a note inviting your future partner to call upon you
+ here, or anywhere else that would be convenient, and then discuss the
+ matter?&rdquo;
+ </p>
+ <p>
+ Denham looked frightened.
+ </p>
+ <p>
+ &ldquo;I thought of that, but it wouldn&rsquo;t do. No; it wouldn&rsquo;t
+ do. I would much rather settle everything by correspondence.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am afraid I shall not be able to compose a letter that will suit
+ you. There seem to be so many difficulties. It is very unusual.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is true, and that is why I knew no one but you could help me,
+ Miss Gale. If it pleases you, it will please me.&rdquo;
+ </p>
+ <p>
+ Miss Gale shook her head, but, after a few moments, she said, &ldquo;How
+ will this do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear Sir&rdquo;&mdash;
+ </p>
+ <p>
+ &ldquo;Wait a moment,&rdquo; cried Mr. Denham; &ldquo;that seems rather a
+ formal opening, doesn&rsquo;t it? How would it read if you put it &lsquo;Dear
+ friend&rsquo;?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you wish it so.&rdquo; She crossed out the &ldquo;sir&rdquo; and
+ substituted the word suggested. Then, she read the letter:
+ </p>
+ <p>
+ &ldquo;Dear Friend,&mdash;I have for some time past been desirous of
+ taking a partner, and would be glad if you would consider the question and
+ consent to join me in this business. The business is, and has been for
+ several years, very prosperous, and, as I shall require no capital from
+ you, I think you will find my offer a very advantageous one. I will&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I don&rsquo;t think I would put it quite that way.&rdquo;
+ said Denham, with some hesitation. &ldquo;It reads as if I were offering
+ everything, and that my partner&mdash;well, you see what I mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s the truth,&rdquo; said Miss Gale, defiantly.
+ </p>
+ <p>
+ &ldquo;Better put it on the friendly basis, as you suggested a moment ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t suggest anything, Mr. Denham. Perhaps it would be
+ better if you would dictate the letter exactly as you want it. I knew I
+ could not write one that would please you.&rdquo;
+ </p>
+ <p>
+ &ldquo;It does please me, but I&rsquo;m thinking of my future partner. You
+ are doing first-rate&mdash;better than I could do. But just put it on the
+ friendly basis.&rdquo;
+ </p>
+ <p>
+ A moment later she read:
+ </p>
+ <p>
+ &ldquo;... join me in this business. I make you this offer entirely from a
+ friendly, and not from a financial, standpoint, hoping that you like me
+ well enough to be associated with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Anything else, Mr. Denham?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. I think that covers the whole ground. It will look rather
+ short, type-written, won&rsquo;t it? Perhaps you might add something to
+ show that I shall be exceedingly disappointed if my offer is not accepted.&rdquo;
+ </p>
+ <p>
+ &ldquo;No fear,&rdquo; said Miss Gale. &ldquo;I&rsquo;ll add that though.
+ &lsquo;Yours truly,&rsquo; or 'Yours very truly&rsquo;?&rdquo;
+ </p>
+ <p>
+ &ldquo;You might end it &lsquo;Your friend.&rsquo;&rdquo;
+ </p>
+ <p>
+ The rapid click of the typewriter was heard for a few moments in the next
+ room, and then Miss Gale came out with the completed letter in her hand.
+ </p>
+ <p>
+ &ldquo;Shall I have the boy copy it?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Oh, bless you, no!&rdquo; answered Mr. Denham, with evident
+ trepidation.
+ </p>
+ <p>
+ The young woman said to herself, &ldquo;He doesn&rsquo;t want Mr. Rogers
+ to know, and no wonder. It is a most unbusiness-like proposal.&rdquo;
+ </p>
+ <p>
+ Then she said aloud, &ldquo;Shall you want me again to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Miss Gale; and thank you very much.&rdquo;
+ </p>
+ <p>
+ Next morning, Miss Gale came into Mr. Denham&rsquo;s office with a smile
+ on her face.
+ </p>
+ <p>
+ &ldquo;You made a funny mistake last night, Mr. Denham,&rdquo; she said,
+ as she took off her wraps.
+ </p>
+ <p>
+ &ldquo;Did I?&rdquo; he asked, in alarm.
+ </p>
+ <p>
+ &ldquo;Yes. You sent that letter to my address. I got it this morning. I
+ opened it, for I thought it was for me, and that perhaps you did not need
+ me to-day. But I saw at once that you put it in the wrong envelope. Did
+ you want me to-day?&rdquo;
+ </p>
+ <p>
+ It was on his tongue to say, &ldquo;I want you every day,&rdquo; but he
+ merely held out his hand for the letter, and looked at it as if he could
+ not account for its having gone astray.
+ </p>
+ <p>
+ The next day Miss Gale came late, and she looked frightened. It was
+ evident that Denham was losing his mind. She put the letter down before
+ him and said:
+ </p>
+ <p>
+ &ldquo;You addressed that to me the second time, Mr. Denham.&rdquo;
+ </p>
+ <p>
+ There was a look of haggard anxiety about Denham that gave color to her
+ suspicions. He felt that it was now or never.
+ </p>
+ <p>
+ &ldquo;Then why don&rsquo;t you answer it, Miss Gale?&rdquo; he said
+ gruffly.
+ </p>
+ <p>
+ She backed away from him.
+ </p>
+ <p>
+ &ldquo;Answer it?&rdquo; she repeated faintly.
+ </p>
+ <p>
+ &ldquo;Certainly. If I got a letter twice, I would answer it.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; she cried, with her hand on the door-knob.
+ </p>
+ <p>
+ &ldquo;Exactly what the letter says. I want you for my partner. I want to
+ marry you, and d&mdash;n financial considerations&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; cried Miss Gale, in a long-drawn, quivering sigh. She
+ was doubtless shocked at the word he had used, and fled to her typewriting
+ room, closing the door behind her.
+ </p>
+ <p>
+ Richard Denham paced up and down the floor for a few moments, then rapped
+ lightly at her door, but there was no response. He put on his hat and went
+ out into the street. After a long and aimless walk, he found himself again
+ at his place of business. When he went in, Rogers said to him:
+ </p>
+ <p>
+ &ldquo;Miss Gale has left, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has she?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and she has given notice. Says she is not coming back, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well.&rdquo;
+ </p>
+ <p>
+ He went into his own room and found a letter marked &ldquo;personal&rdquo;
+ on his desk. He tore it open, and read in neatly type-written characters:
+ </p>
+ <p>
+ &ldquo;I have resigned my place as typewriter girl, having been offered a
+ better situation. I am offered a partnership in the house of Richard
+ Denham. I have decided to accept the position, not so much on account of
+ its financial attractions, as because I shall be glad, on a friendly
+ basis, to be associated with the gentleman I have named. Why did you put
+ me to all that worry writing that idiotic letter, when a few words would
+ have saved ever so much bother? You evidently <i>need</i> a partner. My
+ mother will be pleased to meet you any time you call. You have the
+ address,&mdash;Your friend,
+ </p>
+<pre xml:space="preserve">
+ &ldquo;MARGARET GALE.&rdquo;
+ </pre>
+ <p>
+ &ldquo;Rogers!&rdquo; shouted Denham, joyfully.
+ </p>
+ <p>
+ &ldquo;Yes, sir,&rdquo; answered that estimable man, putting his head into
+ the room.
+ </p>
+ <p>
+ &ldquo;Advertise for another typewriter girl, Rogers.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir,&rdquo; said Rogers.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DOOM OF LONDON.
+ </h2>
+ <h3>
+ I.&mdash;THE SELF-CONCEIT OF THE 20TH CENTURY.
+ </h3>
+ <p>
+ I trust I am thankful my life has been spared until I have seen that most
+ brilliant epoch of the world&rsquo;s history&mdash;the middle of the 20th
+ century. It would be useless for any man to disparage the vast
+ achievements of the past fifty years, and if I venture to call attention
+ to the fact, now apparently forgotten, that the people of the 19th century
+ succeeded in accomplishing many notable things, it must not be imagined
+ that I intend thereby to discount in any measure the marvellous inventions
+ of the present age. Men have always been somewhat prone to look with a
+ certain condescension upon those who lived fifty or a hundred years before
+ them. This seems to me the especial weakness of the present age; a feeling
+ of national self-conceit, which, when it exists, should at least be kept
+ as much in the background as possible. It will astonish many to know that
+ such also was a failing of the people of the 19th century. They imagined
+ themselves living in an age of progress, and while I am not foolish enough
+ to attempt to prove that they did anything really worth recording, yet it
+ must be admitted by any unprejudiced man of research that their inventions
+ were at least stepping-stones to those of to-day. Although the telephone
+ and telegraph, and all other electrical appliances, are now to be found
+ only in our national museums, or in the private collections of those few
+ men who take any interest in the doings of the last century, nevertheless,
+ the study of the now obsolete science of electricity led up to the recent
+ discovery of vibratory ether which does the work of the world so
+ satisfactorily. The people of the 19th century were not fools, and
+ although I am well aware that this statement will be received with scorn
+ where it attracts any attention whatever, yet who can say that the
+ progress of the next half-century may not be as great as that of the one
+ now ended, and that the people of the next century may not look upon us
+ with the same contempt which we feel toward those who lived fifty years
+ ago?
+ </p>
+ <p>
+ Being an old man, I am, perhaps, a laggard who dwells in the past rather
+ than the present; still, it seems to me that such an article as that which
+ appeared recently in <i>Blackwood</i> from the talented pen of Prof.
+ Mowberry, of Oxford University, is utterly unjustifiable. Under the title
+ of &ldquo;Did the People of London Deserve their Fate?&rdquo; he endeavors
+ to show that the simultaneous blotting out of millions of human beings was
+ a beneficial event, the good results of which we still enjoy. According to
+ him, Londoners were so dull-witted and stupid, so incapable of
+ improvement, so sodden in the vice of mere money- gathering, that nothing
+ but their total extinction would have sufficed, and that, instead of being
+ an appalling catastrophe, the doom of London was an unmixed blessing. In
+ spite of the unanimous approval with which this article has been received
+ by the press, I still maintain that such writing is uncalled for, and that
+ there is something to be said for the London of the 19th century.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ WHY LONDON, WARNED, WAS UNPREPARED.
+ </h2>
+ <p>
+ The indignation I felt in first reading the article alluded to still
+ remains with me, and it has caused me to write these words, giving some
+ account of what I must still regard, in spite of the sneers of the present
+ age, as the most terrible disaster that ever overtook a portion of the
+ human race. I shall not endeavor to place before those who read, any
+ record of the achievements pertaining to the time in question. But I would
+ like to say a few words about the alleged stupidity of the people of
+ London in making no preparations for a disaster regarding which they had
+ continual and ever-recurring warning. They have been compared with the
+ inhabitants of Pompeii making merry at the foot of a volcano. In the first
+ place, fogs were so common in London, especially in winter, that no
+ particular attention was paid to them. They were merely looked upon as
+ inconvenient annoyances, interrupting traffic and prejudicial to health,
+ but I doubt if anyone thought it possible for a fog to become one vast
+ smothering mattress pressed down upon a whole metropolis, extinguishing
+ life as if the city suffered from hopeless hydrophobia. I have read that
+ victims bitten by mad dogs were formerly put out of their sufferings in
+ that way, although I doubt much if such things were ever actually done,
+ notwithstanding the charges of savage barbarity now made against the
+ people of the 19th century.
+ </p>
+ <p>
+ Probably, the inhabitants of Pompeii were so accustomed to the eruptions
+ of Vesuvius that they gave no thought to the possibility of their city
+ being destroyed by a storm of ashes and an overflow of lava. Rain
+ frequently descended upon London, and if a rainfall continued long enough
+ it would certainly have flooded the metropolis, but no precautions were
+ taken against a flood from the clouds. Why, then, should the people have
+ been expected to prepare for a catastrophe from fog, such as there had
+ never been any experience of in the world&rsquo;s history? The people of
+ London were far from being the sluggish dolts present-day writers would
+ have us believe.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE COINCIDENCE THAT CAME AT LAST.
+ </h2>
+ <p>
+ As fog has now been abolished both on sea and land, and as few of the
+ present generation have even seen one, it may not be out of place to give
+ a few lines on the subject of fogs in general, and the London fogs in
+ particular, which through local peculiarities differed from all others. A
+ fog was simply watery vapor rising from the marshy surface of the land or
+ from the sea, or condensed into a cloud from the saturated atmosphere. In
+ my day, fogs were a great danger at sea, for people then travelled by
+ means of steamships that sailed upon the surface of the ocean.
+ </p>
+ <p>
+ London at the end of the 19th century consumed vast quantities of a soft
+ bituminous coal for the purpose of heating rooms and of preparing food. In
+ the morning and during the day, clouds of black smoke were poured forth
+ from thousands of chimneys. When a mass of white vapor arose in the night
+ these clouds of smoke fell upon the fog, pressing it down, filtering
+ slowly through it, and adding to its density. The sun would have absorbed
+ the fog but for the layer of smoke that lay thick above the vapor and
+ prevented the rays reaching it. Once this condition of things prevailed,
+ nothing could clear London but a breeze of wind from any direction. London
+ frequently had a seven days&rsquo; fog, and sometimes a seven days&rsquo;
+ calm, but these two conditions never coincided until the last year of the
+ last century. The coincidence, as everyone knows, meant death&mdash;death
+ so wholesale that no war the earth has ever seen left such slaughter
+ behind it. To understand the situation, one has only to imagine the fog as
+ taking the place of the ashes at Pompeii, and the coal-smoke as being the
+ lava that covered it. The result to the inhabitants in both cases was
+ exactly the same.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE AMERICAN WHO WANTED TO SELL.
+ </h2>
+ <p>
+ I was at the time confidential clerk to the house of Fulton, Brixton &amp;
+ Co., a firm in Cannon Street, dealing largely in chemicals and chemical
+ apparatus. Fulton I never knew; he died long before my time. Sir John
+ Brixton was my chief, knighted, I believe, for services to his party, or
+ because he was an official in the City during some royal progress through
+ it; I have forgotten which. My small room was next to his large one, and
+ my chief duty was to see that no one had an interview with Sir John unless
+ he was an important man or had important business. Sir John was a
+ difficult man to see, and a difficult man to deal with when he was seen.
+ He had little respect for most men&rsquo;s feelings, and none at all for
+ mine. If I allowed a man to enter his room who should have been dealt with
+ by one of the minor members of the company, Sir John made no effort to
+ conceal his opinion of me. One day, in the autumn of the last year of the
+ century, an American was shown into my room. Nothing would do but he must
+ have an interview with Sir John Brixton. I told him that it was
+ impossible, as Sir John was extremely busy, but that if he explained his
+ business to me I would lay it before Sir John at the first favorable
+ opportunity. The American demurred at this, but finally accepted the
+ inevitable. He was the inventor, he said, of a machine that would
+ revolutionize life in London, and he wanted Fulton, Brixton &amp; Co. to
+ become agents for it. The machine, which he had in a small handbag with
+ him, was of white metal, and it was so constructed that by turning an
+ index it gave out greater or less volumes of oxygen gas. The gas, I
+ understood, was stored in the interior in liquid form under great
+ pressure, and would last, if I remember rightly, for six months without
+ recharging. There was also a rubber tube with a mouthpiece attached to it,
+ and the American said that if a man took a few whiffs a day, he would
+ experience beneficial results. Now, I knew there was not the slightest use
+ in showing the machine to Sir John, because we dealt in old-established
+ British apparatus, and never in any of the new- fangled Yankee
+ contraptions. Besides, Sir John had a prejudice against Americans, and I
+ felt sure this man would exasperate him, as he was a most cadaverous
+ specimen of the race, with high nasal tones, and a most deplorable
+ pronunciation, much given to phrases savoring of slang; and he exhibited
+ also a certain nervous familiarity of demeanor towards people to whom he
+ was all but a complete stranger. It was impossible for me to allow such a
+ man to enter the presence of Sir John Brixton, and when he returned some
+ days later I explained to him, I hope with courtesy, that the head of the
+ house regretted very much his inability to consider his proposal regarding
+ the machine. The ardor of the American seemed in no way dampened by this
+ rebuff. He said I could not have explained the possibilities of the
+ apparatus properly to Sir John; he characterized it as a great invention,
+ and said it meant a fortune to whoever obtained the agency for it. He
+ hinted that other noted London houses were anxious to secure it, but for
+ some reason not stated he preferred to deal with us. He left some printed
+ pamphlets referring to the invention, and said he would call again.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE AMERICAN SEES SIR JOHN.
+ </h2>
+ <p>
+ Many a time I have since thought of that persistent American, and wondered
+ whether he left London before the disaster, or was one of the unidentified
+ thousands who were buried in unmarked graves. Little did Sir John think
+ when he expelled him with some asperity from his presence, that he was
+ turning away an offer of life, and that the heated words he used were, in
+ reality, a sentence of death upon himself. For my own part, I regret that
+ I lost my temper, and told the American his business methods did not
+ commend themselves to me. Perhaps he did not feel the sting of this;
+ indeed, I feel certain he did not, for, unknowingly, he saved my life. Be
+ that as it may, he showed no resentment, but immediately asked me out to
+ drink with him, an offer I was compelled to refuse. But I am getting ahead
+ of my story. Indeed, being unaccustomed to writing, it is difficult for me
+ to set down events in their proper sequence. The American called upon me
+ several times after I told him our house could not deal with him. He got
+ into the habit of dropping in upon me unannounced, which I did not at all
+ like, but I gave no instructions regarding his intrusions, because I had
+ no idea of the extremes to which he was evidently prepared to go. One day,
+ as he sat near my desk reading a paper, I was temporarily called from the
+ room. When I returned I thought he had gone, taking his machine with him,
+ but a moment later I was shocked to hear his high nasal tones in Sir John&rsquo;s
+ room alternating with the deep notes of my chief&rsquo;s voice, which
+ apparently exercised no such dread upon the American as upon those who
+ were more accustomed to them. I at once entered the room, and was about to
+ explain to Sir John that the American was there through no connivance of
+ mine, when my chief asked me to be silent, and, turning to his visitor,
+ gruffly requested him to proceed with his interesting narration. The
+ inventor needed no second invitation, but went on with his glib talk,
+ while Sir John&rsquo;s frown grew deeper, and his face became redder under
+ his fringe of white hair. When the American had finished, Sir John roughly
+ bade him begone, and take his accursed machine with him. He said it was an
+ insult for a person with one foot in the grave to bring a so-called health
+ invention to a robust man who never had a day&rsquo;s illness, I do not
+ know why he listened so long to the American, when he had made up his mind
+ from the first not to deal with him, unless it was to punish me for
+ inadvertently allowing the stranger to enter. The interview distressed me
+ exceedingly, as I stood there helpless, knowing Sir John was becoming more
+ and more angry with every word the foreigner uttered, but, at last, I
+ succeeded in drawing the inventor and his work into my own room and
+ closing the door. I sincerely hoped I would never see the American again,
+ and my wish was gratified. He insisted on setting his machine going, and
+ placing it on a shelf in my room. He asked me to slip it into Sir John&rsquo;s
+ room some foggy day and note the effect. The man said he would call again,
+ but he never did.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ HOW THE SMOKE HELD DOWN THE FOG.
+ </h2>
+ <p>
+ It was on a Friday that the fog came down upon us. The weather was very
+ fine up to the middle of November that autumn. The fog did not seem to
+ have anything unusual about it. I have seen many worse fogs than that
+ appeared to be. As day followed day, however, the atmosphere became denser
+ and darker, caused, I suppose, by the increasing volume of coal- smoke
+ poured out upon it. The peculiarity about those seven days was the intense
+ stillness of the air. We were, although we did not know it, under an
+ air-proof canopy, and were slowly but surely exhausting the life-giving
+ oxygen around us, and replacing it by poisonous carbonic acid gas.
+ Scientific men have since showed that a simple mathematical calculation
+ might have told us exactly when the last atom of oxygen would have been
+ consumed; but it is easy to be wise after the event. The body of the
+ greatest mathematician in England was found in the Strand. He came that
+ morning from Cambridge. During the fog there was always a marked increase
+ in the death rate, and on this occasion the increase was no greater than
+ usual until the sixth day. The newspapers on the morning of the seventh
+ were full of startling statistics, but at the time of going to press the
+ full significance of the alarming figures was not realized. The editorials
+ of the morning papers on the seventh day contained no warning of the
+ calamity that was so speedily to follow their appearance. I lived then at
+ Ealing, a Western suburb of London, and came every morning to Cannon
+ Street by a certain train. I had up to the sixth day experienced no
+ inconvenience from the fog, and this was largely due, I am convinced, to
+ the unnoticed operations of the American machine.
+ </p>
+ <p>
+ On the fifth and sixth days Sir John did not come to the City, but he was
+ in his office on the seventh. The door between his room and mine was
+ closed. Shortly after ten o&rsquo;clock I heard a cry in his room,
+ followed by a heavy fall. I opened the door, and saw Sir John lying face
+ downwards on the floor. Hastening towards him, I felt for the first time
+ the deadly effect of the deoxygenized atmosphere, and before I reached him
+ I fell first on one knee and then headlong. I realized that my senses were
+ leaving me, and instinctively crawled back to my own room, where the
+ oppression was at once lifted, and I stood again upon my feet, gasping. I
+ closed the door of Sir John&rsquo;s room, thinking it filled with
+ poisonous fumes, as, indeed, it was. I called loudly for help, but there
+ was no answer. On opening the door to the main office I met again what I
+ thought was the noxious vapor. Speedily as I closed the door, I was
+ impressed by the intense silence of the usually busy office, and saw that
+ some of the clerks were motionless on the floor, and others sat with their
+ heads on their desks as if asleep. Even at this awful moment I did not
+ realize that what I saw was common to all London, and not, as I imagined,
+ a local disaster, caused by the breaking of some carboys in our cellar.
+ (It was filled with chemicals of every kind, of whose properties I was
+ ignorant, dealing as I did with the accountant, and not the scientific
+ side of our business.) I opened the only window in my room, and again
+ shouted for help. The street was silent and dark in the ominously still
+ fog, and what now froze me with horror was meeting the same deadly,
+ stifling atmosphere that was in the rooms. In falling I brought down the
+ window, and shut out the poisonous air. Again I revived, and slowly the
+ true state of things began to dawn upon me.
+ </p>
+ <p>
+ I was in an oasis of oxygen. I at once surmised that the machine on my
+ shelf was responsible for the existence of this oasis in a vast desert of
+ deadly gas. I took down the American&rsquo;s machine, fearful in moving it
+ that I might stop its working. Taking the mouthpiece between my lips I
+ again entered Sir John&rsquo;s room, this time without feeling any ill
+ effects. My poor master was long beyond human help. There was evidently no
+ one alive in the building except myself. Out in the street all was silent
+ and dark. The gas was extinguished, but here and there in shops the
+ incandescent lights were still weirdly burning, depending, as they did, on
+ accumulators, and not on direct engine power. I turned automatically
+ towards Cannon Street Station, knowing my way to it even if blindfolded,
+ stumbling over bodies prone on the pavement, and in crossing the street I
+ ran against a motionless &lsquo;bus, spectral in the fog, with dead horses
+ lying in front, and their reins dangling from the nerveless hand of a dead
+ driver. The ghostlike passengers, equally silent, sat bolt upright, or
+ hung over the edge boards in attitudes horribly grotesque.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE TRAIN WITH ITS TRAIL OF THE DEAD.
+ </h2>
+ <p>
+ If a man&rsquo;s reasoning faculties were alert at such a time (I confess
+ mine were dormant), he would have known there could be no trains at Cannon
+ Street Station, for if there was not enough oxygen in the air to keep a
+ man alive, or a gas-jet alight, there would certainly not be enough to
+ enable an engine fire to burn, even if the engineer retained sufficient
+ energy to attend to his task. At times instinct is better than reason, and
+ it proved so in this case. The railway from Ealing in those days came
+ under the City in a deep tunnel. It would appear that in this underground
+ passage the carbonic acid gas would first find a resting-place on account
+ of its weight; but such was not the fact. I imagine that a current through
+ the tunnel brought from the outlying districts a supply of comparatively
+ pure air that, for some minutes after the general disaster, maintained
+ human life. Be this as it may, the long platforms of Cannon Street
+ Underground Station presented a fearful spectacle. A train stood at the
+ down platform. The electric lights burned fitfully. This platform was
+ crowded with men, who fought each other like demons, apparently for no
+ reason, because the train was already packed as full as it could hold.
+ Hundreds were dead under foot, and every now and then a blast of foul air
+ came along the tunnel, whereupon hundreds more would relax their grips,
+ and succumb. Over their bodies the survivors fought, with continually
+ thinning ranks. It seemed to me that most of those in the standing train
+ were dead. Sometimes a desperate body of fighters climbed over those lying
+ in heaps and, throwing open a carriage door, hauled out passengers already
+ in, and took their places, gasping. Those in the train offered no
+ resistance, and lay motionless where they were flung, or rolled helplessly
+ under the wheels of the train. I made my way along the wall as well as I
+ could to the engine, wondering why the train did not go. The engineer lay
+ on the floor of his cab, and the fires were out.
+ </p>
+ <p>
+ Custom is a curious thing. The struggling mob, fighting wildly for places
+ in the carriages, were so accustomed to trains arriving and departing that
+ it apparently occurred to none of them that the engineer was human and
+ subject to the same atmospheric conditions as themselves. I placed the
+ mouthpiece between his purple lips, and, holding my own breath like a
+ submerged man, succeeded in reviving him. He said that if I gave him the
+ machine he would take out the train as far as the steam already in the
+ boiler would carry it. I refused to do this, but stepped on the engine
+ with him, saying it would keep life in both of us until we got out into
+ better air. In a surly manner he agreed to this and started the train, but
+ he did not play fair. Each time he refused to give up the machine until I
+ was in a fainting condition with holding in my breath, and, finally, he
+ felled me to the floor of the cab. I imagine that the machine rolled off
+ the train as I fell and that he jumped after it. The remarkable thing is
+ that neither of us needed the machine, for I remember that just after we
+ started I noticed through the open iron door that the engine fire suddenly
+ became aglow again, although at the time I was in too great a state of
+ bewilderment and horror to understand what it meant. A western gale had
+ sprung up&mdash;an hour too late. Even before we left Cannon Street those
+ who still survived were comparatively safe, for one hundred and
+ sixty-seven persons were rescued from that fearful heap of dead on the
+ platforms, although many died within a day or two after, and others never
+ recovered their reason. When I regained my senses after the blow dealt by
+ the engineer, I found myself alone, and the train speeding across the
+ Thames near Kew. I tried to stop the engine, but did not succeed. However,
+ in experimenting, I managed to turn on the air brake, which in some degree
+ checked the train, and lessened the impact when the crash came at Richmond
+ terminus. I sprang off on the platform before the engine reached the
+ terminal buffers, and saw passing me like a nightmare the ghastly
+ trainload of the dead. Most of the doors were swinging open, and every
+ compartment was jammed full, although, as I afterwards learned, at each
+ curve of the permanent way, or extra lurch of the train, bodies had fallen
+ out all along the line. The smash at Richmond made no difference to the
+ passengers. Besides myself, only two persons were taken alive from the
+ train, and one of these, his clothes torn from his back in the struggle
+ was sent to an asylum, where he was never able to tell who he was;
+ neither, as far as I know, did anyone ever claim him.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE PREDICAMENT OF DE PLONVILLE.
+ </h2>
+ <p>
+ This story differs from others in having an assortment of morals. Most
+ stories have one moral; here are several. The moral usually appears at the
+ end&mdash;in this case a few are mentioned at the beginning, so that they
+ may be looked out for as the reading progresses. First: it is well for a
+ man&mdash;especially a young man&mdash;to attend to his own business.
+ Second: in planning a person&rsquo;s life for some little distance ahead,
+ it will be a mistake if an allowance of ten per cent. at least, is not
+ made for that unknown quantity&mdash;woman. Third: it is beneficial to
+ remember that one man rarely knows everything. Other morals will doubtless
+ present themselves, and at the end the cynically-inclined person may
+ reflect upon the adage about the frying-pan and the fire.
+ </p>
+ <p>
+ Young M. de Plonville of Paris enjoyed a most enviable position. He had
+ all the money he needed, which is quite a different thing from saying he
+ had all the money he wanted. He was well educated, and spoke three
+ languages, that is, he spoke his own well and the other two badly, but as
+ a man always prides himself on what he is least able to do, De Plonville
+ fancied himself a linguist. His courage in speaking English to Englishmen
+ and German to Germans showed that he was, at least, a brave man. There was
+ a great deal of good and even of talent in De Plonville. This statement is
+ made at the beginning, because everyone who knows De Plonville will at
+ once unhesitatingly contradict it. His acquaintances thought him one of
+ the most objectionable young men in Paris, and naval officers, when his
+ name was mentioned, usually gave themselves over to strong and
+ unjustifiable language. This was all on account of De Plonville&rsquo;s
+ position, which, although enviable had its drawbacks.
+ </p>
+ <p>
+ His rank in the navy was such that it entitled him to no consideration
+ whatever, but, unfortunately for his own popularity, De Plonville had a
+ method of giving force to his suggestions. His father was a very big man
+ in the French Government. He was so big a man that he could send a censure
+ to the commander of a squadron in the navy, and the commander dare not
+ talk back. It takes a very big man indeed to do this, and that was the
+ elder De Plonville&rsquo;s size. But then it was well known that the elder
+ De Plonville was an easy-going man who loved comfort, and did not care to
+ trouble himself too much about the navy in his charge, and so when there
+ was trouble, young De Plonville got the credit of it; consequently, the
+ love of the officers did not flow out to him.
+ </p>
+ <p>
+ Often young De Plonville&rsquo;s idiotic impetuosity gave color to these
+ suspicions. For instance, there is the well-known Toulon incident. In a
+ heated controversy young De Plonville had claimed that the firing of the
+ French ironclads was something execrable, and that the whole fleet could
+ not hold their own at the cannon with any ten of the British navy. Some
+ time after, the naval officers learned that the Government at Paris was
+ very much displeased with the inaccurate gun practice of the fleet, and
+ the hope was expressed that the commander would see his way to improving
+ it. Of course, the officers could do nothing but gnash their teeth, try to
+ shoot better, and hope for a time to come when the Government then in
+ power would be out, and they could find some tangible pretence for hanging
+ young De Plonville from the yard-arm.
+ </p>
+ <p>
+ All this has only a remote bearing upon this story, but we now come to a
+ matter on which the story sinks or swims. De Plonville had a secret&mdash;
+ not such a secret as is common in Parisian life, but one entirely
+ creditable to him. It related to an invention intended to increase the
+ efficiency of the French army. The army being a branch of the defences of
+ his country with which De Plonville had nothing whatever to do, his
+ attention naturally turned towards it. He spoke of this invention, once,
+ to a friend, a lieutenant in the army. He expected to get some practical
+ suggestions. He never mentioned it again to anyone.
+ </p>
+ <p>
+ &ldquo;It is based on the principle of the umbrella,&rdquo; he said to his
+ friend; &ldquo;in fact, it was the umbrella that suggested it to me. If it
+ could be made very light so as not to add seriously to the impedimenta at
+ present carried by the soldier, it seems to me it would be exceedingly
+ useful. Instead of being circular as an umbrella is, it must be oblong
+ with sharp ends. It would have to be arranged so as to be opened and
+ closed quickly, with the cloth thin, but impervious to water. When the
+ army reached a river each soldier could open this, place it in the water,
+ enter it with some care, and then paddle himself across with the butt-end
+ of his gun, or even with a light paddle, if the carrying of it added but
+ little to the weight, thus saving the building of temporary bridges. It
+ seems to me such an invention ought to be of vast use in a forced march.
+ Then at night it might be used as a sort of tent, or in a heavy rain it
+ would form a temporary shelter. What do you think of the idea?&rdquo; His
+ friend had listened with half-closed eyes. He blew a whiff of cigarette
+ smoke from his nostrils and answered:
+ </p>
+ <p>
+ &ldquo;It is wonderful, De Plonville,&rdquo; he said drawlingly. &ldquo;Its
+ possibilities are vast&mdash;more so than even you appear to think. It
+ would be very useful in our Alpine corps as well.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am glad you think so. But why there?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you see, if the army reached a high peak looking into a deep
+ valley, only to be reached over an inaccessible precipice, all the army
+ would have to do would be to spread out your superb invention and use it
+ as a parachute. The sight of the army of France gradually floating down
+ into the valley would be so terrifying to the nations of Europe, that I
+ imagine no enemy would wait for a gun to be fired. De Plonville, your
+ invention will immortalize you, and immortalize the French army.&rdquo;
+ </p>
+ <p>
+ Young De Plonville waited to hear no more, but turned on his heel and
+ strode away.
+ </p>
+ <p>
+ This conversation caused young De Plonville to make two resolutions;
+ first, to mention his scheme to no one; second, to persevere and perfect
+ his invention, thus causing confusion to the scoffer. There were several
+ sub-resolutions dependent on these two. He would not enter a club, he
+ would abjure society, he would not speak to a woman&mdash;he would, in
+ short, be a hermit until his invention stood revealed before an astonished
+ world.
+ </p>
+ <p>
+ All of which goes to show that young De Plonville was not the conceited,
+ meddlesome fop his acquaintances thought him. But in the large and small
+ resolutions he did not deduct the ten per cent. for the unknown quantity.
+ </p>
+ <p>
+ Where? That was the question. De Plonville walked up and down his room,
+ and thought it out. A large map of France was spread on the table. Paris
+ and the environs thereof were manifestly impossible. He needed a place of
+ seclusion. He needed a stretch of water. Where then should be the spot to
+ which coming generations would point and say, &ldquo;Here, at this place,
+ was perfected De Plonville&rsquo;s celebrated parachute-tent- bateau
+ invention.&rdquo;
+ </p>
+ <p>
+ No, not parachute. Hang the parachute! That was the scoffing lieutenant&rsquo;s
+ word. De Plonville paused for a moment to revile his folly in making a
+ confidant of any army man.
+ </p>
+ <p>
+ There was a sufficiency of water around the French coast, but it was too
+ cold at that season of the year to experiment in the north and east. There
+ was left the Mediterranean. He thought rapidly of the different delightful
+ spots along the Riviera&mdash;Cannes, St. Raphael, Nice, Monte Carlo,&mdash;but
+ all of these were too public and too much thronged with visitors. The name
+ of the place came to him suddenly, and, as he stopped his march to and
+ fro, De Plonville wondered why it had not suggested itself to him at the
+ very first. Hyères! It seemed to have been planned in the Middle Ages for
+ the perfecting of just such an invention. It was situated two or three
+ miles back from the sea, the climate was perfect, there was no marine
+ parade, the sea coast was lonely, and the bay sheltered by the islands. It
+ was an ideal spot.
+ </p>
+ <p>
+ De Plonville easily secured leave of absence. Sons of fathers high up in
+ the service of a grateful country seldom have any difficulty about a
+ little thing like that. He purchased a ticket for that leisurely train
+ which the French with their delicious sense of humor call the &ldquo;Rapide,&rdquo;
+ and in due time found himself with his various belongings standing on the
+ station platform at Hyères.
+ </p>
+ <p>
+ Few of us are as brave as we think ourselves. De Plonville flinched when
+ the supreme moment came, and perhaps that is why the Gods punished him. He
+ had resolved to go to one of the country inns at Carqueyranne on the
+ coast, but this was in a heroic mood when the lieutenant had laughed at
+ his project. Now in a cooler moment he thought of the cuisine of
+ Carqueyranne and shuddered. There are sacrifices which no man should be
+ called upon to endure, so the naval officer hesitated, and at last
+ directed the porter to put his luggage on the top of the Costebelle Hotel
+ &ldquo;bus.&rdquo; There would be society at the hotel it is true, but he
+ could avoid it, while if he went to the rural tavern he could not avoid
+ the cooking. Thus he smothered his conscience. Lunch at Costebelle seemed
+ to justify his choice of an abiding-place. The surroundings of the hotel
+ were dangerously charming to a man whose natural inclination was towards
+ indolent enjoyment. It was a place to &ldquo;Loaf and invite your soul,&rdquo;
+ as Walt Whitman phrases it. Plonville, who was there incognito, for he had
+ temporarily dropped the &ldquo;De,&rdquo; strolled towards the sea in the
+ afternoon, with the air of one who has nothing on his mind. No one to see
+ him would have suspected he was the future Edison of France. When he
+ reached the coast at the ruins of the ancient Roman naval station called
+ Pomponiana, he smote his thigh with joy. He had forgotten that at this
+ spot there had been erected a number of little wooden houses, each larger
+ than a bathing-machine and smaller than a cottage, which were used in
+ summer by the good people of Hyères, and in winter were silently vacant.
+ The largest of these would be exactly the place for him, and he knew he
+ would have no difficulty in renting it for a month or two. Here, he could
+ bring down his half- finished invention; here, work at it all day
+ unmolested; and here test its sailing qualities with no onlookers.
+ </p>
+ <p>
+ He walked up the road, and hailed the ancient bus which jogs along between
+ Toulon and Hyères by way of the coast; mounted beside the driver, and
+ speedily got information about the owner of the cottages at Pomponiana.
+ </p>
+ <p>
+ As he expected, he had no difficulty in arranging with the proprietor for
+ the largest of the little cottages, but he thought he detected a slight
+ depression on the right eyelid as that person handed him the key. Had the
+ owner suspected his purpose? he asked himself anxiously, as he drove back
+ from the town to Costebelle. Impossible. He felt, however, that he could
+ not be too secret about his intentions. He had heard of inventors being
+ forestalled just at the very moment of success.
+ </p>
+ <p>
+ He bade the driver wait, and placed that part of his luggage in the cab
+ which consisted of his half-finished invention and the materials for
+ completing it. Then he drove to the coast, and after placing the packages
+ on the ground, paid and dismissed the man. When the cab was out of sight,
+ he carried the things to the cottage and locked them in. His walk up the
+ hill to the hotel rendered the excellent dinner provided doubly
+ attractive.
+ </p>
+ <p>
+ Next morning he was early at work, and speedily began to realize how many
+ necessary articles he had forgotten at Paris. He hoped he would be able to
+ get them at Hyères, but his remembrance of the limited resources of the
+ town made him somewhat doubtful. The small windows on each side gave him
+ scarcely enough light, but he did not open the door, fearing the curiosity
+ of a chance passer-by. One cannot be too careful in maturing a great
+ invention.
+ </p>
+ <p>
+ Plonville had been at work for possibly an hour and a half, when he heard
+ someone singing, and that very sweetly. She sang with the joyous freedom
+ of one who suspected no listener. The song came nearer and nearer.
+ Plonville standing amazed, dropped his implements, and stole to the
+ somewhat obscure little window. He saw a vision of fresh loveliness
+ dressed in a costume he never before beheld on a vision. She came down the
+ bank with a light, springy step to the next cottage, took a key that hung
+ at her belt, and threw open the door. The song was hushed, but not
+ silenced, for a moment, and then there came from out the cottage door the
+ half of a boat that made Plonville gasp. Like the costume, he had never
+ before seen such a boat. It was exactly the shape in which he had designed
+ his invention, and was of some extra light material, for the sylph-like
+ girl in the extraordinary dress pushed it forth without even ceasing her
+ song. Next moment, she came out herself and stood there while she adjusted
+ her red head-gear. She drew the boat down to the water, picked out of it a
+ light, silver-mounted paddle, stepped deftly aboard, and settled down to
+ her place with the airy grace of a thistle-down. There was no seat in the
+ boat, Plonville noted with astonishment. The sea was very smooth, and a
+ few strokes of the paddle sent girl and craft out of sight along the
+ coast. Plonville drew a deep breath of bewilderment. It was his first
+ sight of a Thames boating costume and a canoe.
+ </p>
+ <p>
+ This, then, was why the man winked when he gave him the key. Plonville was
+ in a quandary. Should he reveal himself when she returned? It did not seem
+ to be quite the thing to allow the girl to believe she had the coast to
+ herself when in fact she hadn&rsquo;t. But then there was his invention to
+ think of. He had sworn allegiance to that. He sat down and pondered.
+ English, evidently. He had no idea English girls were so pretty, and then
+ that costume! It was <i>very</i> taking. The rich, creamy folds of the
+ white flannel, so simple, yet so complete, lingered in his memory. Still,
+ what was he there for? His invention certainly. The sneer of the
+ lieutenant stung his memory. That Miss Whatever-her- name-might-be had
+ rented the next box was nothing to him; of course not. He waved her aside
+ and turned to his work. He had lost enough of time as it was; he would
+ lose no more.
+ </p>
+ <p>
+ Although armed with this heroic resolution, his task somehow did not seem
+ so interesting as before, and he found himself listening now and then for
+ the siren&rsquo;s song. He dramatized imaginary situations, which is
+ always bad for practical work. He saw the frail craft shattered or
+ overturned, and beheld himself bravely buffeting the waves rescuing the
+ fair girl in white. Then he remembered with a sigh that he was not a good
+ swimmer. Possibly she was more at home in the waves than he was. Those
+ English seemed on such terms of comradeship with the sea.
+ </p>
+ <p>
+ At last, intuition rather than hearing told him she had returned. He
+ walked on tip-toe to the dingy window. She was pulling the light canoe up
+ from the water. He checked his impulse to offer assistance. When the girl
+ sprang lightly up the bank, Plonville sighed and concluded he had done
+ enough work for the day. As he reached the road, he noticed that the white
+ figure in the distance did not take the way to the hotel, but towards one
+ of the neighboring Chateaux.
+ </p>
+ <p>
+ In the afternoon, Plonville worked long at his invention, and made
+ progress. He walked back to his hotel with the feeling of self-
+ satisfaction which indolent men have on those rare occasions when they are
+ industrious. He had been uninterrupted, and his resolutions were again
+ heroic. What had been done one afternoon might be done all afternoons. He
+ would think no more of the vision he had seen and he would work only after
+ lunch, thus avoiding the necessity of revealing himself, or of being a
+ concealed watcher of her actions. Of course she came always in the
+ morning, for the English are a methodical people, and Plonville was so
+ learned in their ways that he knew what they did one day they were sure to
+ do the next. An extraordinary nation, Plonville said to himself with a
+ shrug of his shoulders, but then of course, we cannot all be French.
+ </p>
+ <p>
+ It is rather a pity that temptation should step in just when a man has
+ made up his mind not to deviate from a certain straight line of conduct.
+ There was to be a ball that night at the big hotel. Plonville had refused
+ to have anything to do with it. He had renounced the frivolities of life.
+ He was there for rest, quiet, and study. He was adamant. That evening the
+ invitation was again extended to him, the truth being that there was a
+ scarcity of young men, as is usually the case at such functions. Plonville
+ was about to re-state his objections to frivolity when through the open
+ door he caught a glimpse of two of the arriving guests ascending the
+ stair. The girl had on a long opera cloak with some fluffy white material
+ round the neck and down the front. A filmy lace arrangement rested lightly
+ on her fair hair. It was the lady of the canoe&mdash;glorified. Plonville
+ wavered and was lost. He rushed to his room and donned his war paint. Say
+ what you like, evening dress improves the appearance of a man. Besides
+ this, he had resumed the De once more, and his back was naturally
+ straighter. De Plonville looked well.
+ </p>
+ <p>
+ They were speedily introduced, of course. De Plonville took care of that,
+ and the manager of the ball was very grateful to him for coming, and for
+ looking so nice. There was actually an air of distinction about De
+ Plonville. She was the Hon. Margaret Stansby, he learned. Besides being
+ unfair, it would be impossible to give their conversation. It would read
+ like a section from Ollendorf&rsquo;s French-English exercises. De
+ Plonville, as has been said, was very proud of his English, and,
+ unfortunately, the Hon. Margaret had a sense of humor. He complimented her
+ by saying that she talked French even better than he talked English,
+ which, while doubtless true, was not the most tactful thing De Plonville
+ might have said. It was difficult to listen to such a statement given in
+ his English, and refrain from laughing. Margaret, however, scored a great
+ victory and did not laugh. The evening passed pleasantly, she thought;
+ delightfully, De Plonville thought.
+ </p>
+ <p>
+ It was hard after this to come down to the prosaic work of completing a
+ cloth canoe-tent, but, to De Plonville&rsquo;s credit, he persevered. He
+ met the young lady on several occasions, but never by the coast. The
+ better they became acquainted the more he wished to have the privilege of
+ rescuing her from some deadly danger; but the opportunity did not come. It
+ seldom does, except in books, as he bitterly remarked to himself. The sea
+ was exasperatingly calm, and Miss Margaret was mistress of her craft, as
+ so many charming women are. He thought of buying a telescope and watching
+ her, for she had told him that one of her own delights was looking at the
+ evolutions of the ironclads through a telescope on the terrace in front of
+ the Chateau.
+ </p>
+ <p>
+ At last, in spite of his distractions, De Plonville added the finishing
+ touches to his notable invention, and all that remained was to put it to a
+ practical test. He chose a day when that portion of the French navy which
+ frequents the Rade d&rsquo;Hyères was not in sight, for he did not wish to
+ come within the field of the telescope at the Chateau terrace. He felt
+ that he would not look his best as he paddled his new-fangled boat.
+ Besides, it might sink with him.
+ </p>
+ <p>
+ There was not a sail in sight as he put forth. Even the fishing boats of
+ Carqueyranne were in shelter. The sea was very calm, and the sun shone
+ brightly. He had some little difficulty in getting seated, but he was
+ elated to find that his invention answered all expectations. As he went
+ further out he noticed a great buoy floating a long distance away. His
+ evil genius suggested that it would be a good thing to paddle out to the
+ buoy and back. Many men can drink champagne and show no sign, but few can
+ drink success and remain sober. The eccentric airs assumed by noted
+ authors prove the truth of this. De Plonville was drunk, and never
+ suspected it. The tide, what little there is of it in the Mediterranean,
+ helped him, and even the gentle breeze blew from the shore. He had some
+ doubts as to the wisdom of his course before he reached the gigantic red
+ buoy, but when he turned around and saw the appalling distance to the
+ coast, he shuddered.
+ </p>
+ <p>
+ The great buoy was of iron, apparently boiler plate, and there were rings
+ fastened to its side. It was pear-shaped with the point in the water,
+ fastened to a chain that evidently led to an anchor. He wondered what it
+ was for. As he looked up it was moved by some unseen current, and rolled
+ over as if bent on the destruction of his craft. Forgetting himself, he
+ sprang up to ward it off, and instantly one foot went through the thin
+ waterproof that formed the bottom and sides of his boat. He found himself
+ struggling in the water almost before he realized what had happened.
+ Kicking his foot free from the entanglement that threatened to drag him
+ under, he saw his invention slowly settle down through the clear, green
+ water. He grasped one of the rings of the buoy, and hung there for a
+ moment to catch his breath and consider his position. He rapidly came to
+ the conclusion that it was not a pleasant one, but further than that he
+ found it difficult to go. Attempting to swim ashore would be simply one
+ form of suicide. The thing to do was evidently to get on top of the buoy,
+ but he realized that if he tried to pull himself up by the rings it would
+ simply roll him under. He was surprised to find, however, that such was
+ not the case. He had under- estimated both its size and its weight.
+ </p>
+ <p>
+ He sat down on top of it and breathed heavily after his exertions, gazing
+ for a few moments at the vast expanse of shimmering blue water. It was
+ pretty, but discouraging. Not even a fishing-boat was in sight, and he was
+ in a position where every prospect pleases, and only man is in a vile
+ situation. The big iron island had an uncomfortable habit every now and
+ then of lounging partly over to one side or the other, so that De
+ Plonville had to scramble this way or that to keep from falling off. He
+ vaguely surmised that his motions on these occasions lacked dignity. The
+ hot sun began to dry the clothes on his back, and he felt his hair become
+ crisp with salt. He recollected that swimming should be easy here, for he
+ was on the saltest portion of the saltest open sea in the world. Then his
+ gaze wandered over the flat lands about Les Salins where acres of ground
+ were covered artificially with Mediterranean water so that the sun may
+ evaporate it, and leave the coarse salt used by the fishermen of the
+ coast. He did not yet feel hungry, but he thought with regret of the good
+ dinner which would be spread at the hotel that evening, when, perhaps, he
+ would not be there.
+ </p>
+ <p>
+ He turned himself around and scanned the distant Islands of Gold, but
+ there was as little prospect of help from that quarter as from the
+ mainland. Becoming more accustomed to the swayings of the big globe, he
+ stood up. What a fool he had been to come so far, and he used French words
+ between his teeth that sounded terse and emphatic. Still there was little
+ use thinking of that. Here he was, and here he would stay, as a President
+ of his country had once remarked. The irksomeness and restraint of his
+ position began to wear on his nerves, and he cried aloud for something&mdash;anything&mdash;to
+ happen rather than what he was enduring.
+ </p>
+ <p>
+ Something happened.
+ </p>
+ <p>
+ From between the Islands, there slowly appeared a great modern French ship
+ of war, small in the distance. Hope lighted up the face of De Plonville.
+ She must pass near enough to enable his signalling to be seen by the
+ lookout. Heavens! how leisurely she moved! Then a second war vessel
+ followed the first into view, and finally a third. The three came slowly
+ along in stately procession. De Plonville removed his coat and waved it up
+ and down to attract attention. So intent was he upon this that he nearly
+ lost his footing, and, realizing that the men-of- war were still too far
+ away, he desisted. He sat down as his excitement abated, and watched their
+ quiet approach. Once it seemed to him they had stopped, and he leaned
+ forward, shading his eyes with his hand, and watched them eagerly. They
+ were just moving&mdash;that was all.
+ </p>
+ <p>
+ Suddenly, from the black side of the foremost battle-ship, there rolled
+ upward a cloud of white smoke, obscuring the funnels and the rigging,
+ thinning out into the blue sky over the top-masts. After what seemed a
+ long interval the low, dull roar of a cannon reached him, followed by the
+ echo from the high hills of the island, and later by the fainter re-echo
+ from the mountains on the mainland. This depressed De Plonville, for, if
+ the ships were out for practice, the obscuring smoke around them would
+ make the seeing of his signalling very improbable; and then that portion
+ of the fleet might return the way it came, leaving him in his predicament.
+ From the second ironclad arose a similar cloud, and this time far to his
+ left there spurted up from the sea a jet of water, waving in the air like
+ a plume for a moment, then dropping back in a shower on the ruffled
+ surface.
+ </p>
+ <p>
+ The buoy was a target!
+ </p>
+ <p>
+ As De Plonville realized its use, he felt that uncomfortable creeping of
+ the scalp which we call, the hair standing on end. The third cannon sent
+ up its cloud, and De Plonville&rsquo;s eyes extended at what they saw.
+ Coming directly towards him was a cannon ball, skipping over the water
+ like a thrown pebble. His experience in the navy&mdash;at Paris&mdash;had
+ never taught him that such a thing was possible. He slid down flat on the
+ buoy, till his chin rested on the iron, and awaited the shock. A hundred
+ yards from him the ball dipped into the water and disappeared. He found
+ that he had ineffectually tried to drive his nails into the boiler plate,
+ until his fingers&rsquo; ends were sore. He stood up and waved his arms,
+ but the first vessel fired again, and the ball came shrieking over him so
+ low that he intuitively ducked his head. Like a pang of physical pain, the
+ thought darted through his brain that he had instigated a censure on the
+ bad firing of these very boats. Doubtless they saw a man on the buoy, but
+ as no man had any business there, the knocking of him off by a cannon ball
+ would be good proof of accuracy of aim. The investigation which followed
+ would be a feather in the cap of the officer in charge, whatever the
+ verdict. De Plonville, with something like a sigh, more than suspected
+ that his untimely death would not cast irretrievable gloom over the fleet.
+ </p>
+ <p>
+ Well, a man has to die but once, and there is little use in making a fuss
+ over the inevitable. He would meet his fate calmly and as a Frenchman
+ should, with his face to the guns. There was a tinge of regret that there
+ would be no one to witness his heroism. It is always pleasant on such
+ occasions to have a war correspondent, or at least a reporter, present. It
+ is best to be as comfortable as possible under any circumstances, so De
+ Plonville sat down on the spheroid and let his feet dangle toward the
+ water. The great buoy for some reason floated around until it presented
+ its side to the ships. None of the balls came so near as those first fired&mdash;perhaps
+ because of the accumulated smoke. New features of the situation continued
+ to present themselves to De Plonville as he sat there. The firing had been
+ going on for some time before he reflected that if a shot punctured the
+ buoy it would fill and sink. Perhaps their orders were to fire until the
+ buoy disappeared. There was little comfort in this suggestion.
+ </p>
+ <p>
+ Firing had ceased for some minutes before he noticed the fact. A bank of
+ thinning smoke rested on the water between the buoy and the ships. He saw
+ the ironclads move ponderously around and steam through this bank turning
+ broadside on again in one, two, three, order. He watched the evolution
+ with his chin resting on his hands, not realizing that the moment for
+ signalling had come. When the idea penetrated his somewhat dazed mind, he
+ sprang to his feet, but his opportunity had gone. The smoke of the first
+ gun rose in the air, there was a clang of iron on iron, and De Plonville
+ found himself whirling in space: then sinking in the sea. Coming
+ breathless to the surface, he saw the buoy revolving slowly, and a deep
+ dinge in its side seemed to slide over its top and disappear into the
+ water, showing where the shot had struck. The second boat did not fire,
+ and he knew that they were examining the buoy with their glasses. He swam
+ around to the other side, intending to catch a ring and have it haul him
+ up where he could be seen. Before he reached the place the buoy was at
+ rest again, and as he laboriously climbed on top more dead than alive, the
+ second ship opened fire. He lay down at full length exhausted, and hoped
+ if they were going to hit they would hit quick. Life was not worth having
+ on these conditions. He felt the hot sun on his back, and listened
+ dreamily to the cannon. Hope was gone, and he wondered at himself for
+ feeling a remote rather than an active interest in his fate. He thought of
+ himself as somebody else, and felt a vague impersonal pity. He criticised
+ the random firing, and suspected the hit was merely a fluke. When his back
+ was dry he rolled lazily over and lay gazing up at the cloudless sky. For
+ greater comfort he placed his hands beneath his head. The sky faded, and a
+ moment&rsquo;s unconsciousness intervened.
+ </p>
+ <p>
+ &ldquo;This won&rsquo;t do,&rdquo; he cried, shaking himself. &ldquo;If I
+ fall asleep I shall roll off.&rdquo;
+ </p>
+ <p>
+ He sat up again, his joints stiff with his immersion, and watched the
+ distant ironclads. He saw with languid interest a ball strike the water,
+ take a new flight, and plunge into the sea far to the right. He thought
+ that the vagaries of cannon-balls at sea would make an interesting study.
+ </p>
+ <p>
+ &ldquo;Are you injured?&rdquo; cried a clear voice behind him.
+ </p>
+ <p>
+ &ldquo;<i>Mon Dieu!</i>&rdquo; shouted the young man in a genuine fright,
+ as he sprang to his feet.
+ </p>
+ <p>
+ &ldquo;Oh, I beg pardon,&rdquo; as if a rescuer need apologize, &ldquo;I
+ thought you were M. De Plonville.&rdquo;
+ </p>
+ <p>
+ &ldquo;I <i>am</i> De Plonville.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your hair is grey,&rdquo; she said in an awed whisper; then added,
+ &ldquo;and no wonder.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mademoiselle,&rdquo; replied the stricken young man, placing his
+ hand on his heart, &ldquo;it is needless to deny&mdash;I do not deny&mdash;that
+ I was frightened&mdash; but&mdash;I did not think&mdash;not so much as
+ that, I regret. It is so&mdash;so&mdash; theatrical&mdash;I am deeply
+ sorrowful.&rdquo;
+ </p>
+ <p>
+ &ldquo;Please say no more, but come quickly. Can you come down? Step
+ exactly in the middle of the canoe. Be careful&mdash;it is easily upset&mdash;and
+ sit down at once. That was very nicely done.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mademoiselle, allow me at least to row the boat.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is paddling, and you do not understand it. I do. Please do not
+ speak until we are out of range. I am horribly frightened.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very, very brave.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hs&mdash;s&mdash;sh.&rdquo;
+ </p>
+ <p>
+ Miss Stansby wielded the double-bladed paddle in a way a Red Indian might
+ have envied. Once she uttered a little feminine shriek as a cannon ball
+ plunged into the water behind them; but as they got further away from the
+ buoy those on the iron-clads appeared to notice that a boat was within
+ range, and the firing ceased.
+ </p>
+ <p>
+ Miss Stansby looked fixedly at the solemn young man sitting before her;
+ then placed her paddle across the canoe, bent over it, and laughed. De
+ Plonville saw the reaction had come. He said sympathetically:&mdash;
+ </p>
+ <p>
+ &ldquo;Ah, Mademoiselle, do not, I beg. All danger is over, I think.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not frightened, don&rsquo;t think it,&rdquo; she cried,
+ flashing a look of defiance at him, and forgetting her admission of fear a
+ moment before. &ldquo;My father was an Admiral. I am laughing at my
+ mistake. It is salt.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is?&rdquo; asked her astonished passenger.
+ </p>
+ <p>
+ &ldquo;In your hair.&rdquo;
+ </p>
+ <p>
+ He ran his fingers through his hair, and the salt rattled down to the
+ bottom of the canoe. There was something of relief in <i>his</i> laugh.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ De Plonville always believes the officers on board the gunboats recognized
+ him. When it was known in Paris that he was to be married to the daughter
+ of an English Admiral, whom rumor said he had bravely saved from imminent
+ peril, the army lieutenant remarked that she could never have heard him
+ speak her language&mdash;which, as we know, is not true.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A NEW EXPLOSIVE.
+ </h2>
+ <p>
+ The French Minister of War sat in his very comfortable chair in his own
+ private yet official room, and pondered over a letter he had received.
+ Being Minister of War, he was naturally the most mild, the most humane,
+ and least quarrelsome man in the Cabinet. A Minister of War receives many
+ letters that, as a matter of course, he throws into his waste basket, but
+ this particular communication had somehow managed to rivet his attention.
+ When a man becomes Minister of War he learns for the first time that
+ apparently the great majority of mankind are engaged in the manufacture or
+ invention of rifles, gunpowders, and devices of all kinds for the
+ destruction of the rest of the world.
+ </p>
+ <p>
+ That morning, the Minister of War had received a letter which announced to
+ him that the writer of it had invented an explosive so terrible that all
+ known destructive agencies paled before it. As a Frenchman, he made the
+ first offer of his discovery to the French Government. It would cost the
+ Minister nothing, he said, to make a test which would corroborate his
+ amazing claims for the substance, and the moment that test was made, any
+ intelligent man would recognize the fact that the country which possessed
+ the secret of this destructive compound would at once occupy an
+ unassailable position in a contentious world.
+ </p>
+ <p>
+ The writer offered personally to convince the Minister of the truth of his
+ assertions, provided they could go to some remote spot where the results
+ of the explosion would do no damage, and where they would be safe from
+ espionage. The writer went on very frankly to say that if the Minister
+ consulted with the agents of the police, they would at once see in this
+ invitation a trap for the probable assassination of the Minister. But the
+ inventor claimed that the Minister&rsquo;s own good sense should show him
+ that his death was desired by none. He was but newly appointed, and had
+ not yet had time to make enemies. France was at peace with all the world,
+ and this happened before the time of the Anarchist demonstrations in
+ Paris. It was but right, the letter went on, that the Minister should have
+ some guarantee as to the <i>bona fides</i> of the inventor. He therefore
+ gave his name and address, and said if the Minister made inquiries from
+ the police, he would find nothing stood in their books against him. He was
+ a student, whose attention, for years, had been given to the subject of
+ explosives. To further show that he was entirely unselfish in this matter,
+ he added that he had no desire to enrich himself by his discovery. He had
+ a private income quite sufficient for his needs, and he intended to give,
+ and not to sell, his secret to France. The only proviso he made was that
+ his name should be linked with this terrible compound, which he maintained
+ would secure universal peace to the world, for, after its qualities were
+ known, no nation would dare to fight with another. The sole ambition of
+ the inventor, said the letter in conclusion, was to place his name high in
+ the list of celebrated French scientists. If, however, the Minister
+ refused to treat with him he would go to other Governments until his
+ invention was taken up, but the Government which secured it would at once
+ occupy the leading position among nations. He entreated the Minister,
+ therefore, for the sake of his country, to make at least one test of the
+ compound.
+ </p>
+ <p>
+ It was, as I have said, before the time of the Paris explosions, and
+ ministers were not so suspicious then as they are now. The Minister made
+ inquiries regarding the scientist, who lived in a little suburb of Paris,
+ and found that there was nothing against him on the books of the police.
+ Inquiry showed that all he had said about his own private fortune was
+ true. The Minister therefore wrote to the inventor, and named an hour at
+ which he would receive him in his private office.
+ </p>
+ <p>
+ The hour and the man arrived together. The Minister had had some slight
+ doubts regarding his sanity, but the letter had been so straightforwardly
+ written, and the appearance of the man himself was so kindly and
+ benevolent and intelligent that the doubts of the official vanished.
+ </p>
+ <p>
+ &ldquo;I beg you to be seated,&rdquo; said the Minister. &ldquo;We are
+ entirely alone, and nothing you say will be heard by any one but myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thank you, Monsieur le Ministre,&rdquo; replied the inventor,
+ &ldquo;for this mark of confidence; for I am afraid the claims I made in
+ the letter were so extraordinary that you might well have hesitated about
+ granting me an interview.&rdquo;
+ </p>
+ <p>
+ The Minister smiled. &ldquo;I understand,&rdquo; he said, &ldquo;the
+ enthusiasm of an inventor for his latest triumph, and I was enabled thus
+ to take, as it were, some discount from your statements, although I doubt
+ not that you have discovered something that may be of benefit to the War
+ Department.&rdquo;
+ </p>
+ <p>
+ The inventor hesitated, looking seriously at the great official before
+ him.
+ </p>
+ <p>
+ &ldquo;From what you say,&rdquo; he began at last, &ldquo;I am rather
+ afraid that my letter misled you, for, fearing it would not be credited I
+ was obliged to make my claims so mild that I erred in under-estimating
+ rather than in over-stating them. I have the explosive here in my pocket.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; cried the Minister, a shade of pallor coming over his
+ countenance, as he pushed back his chair. &ldquo;I thought I stated in my
+ note that you were not to bring it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Forgive me for not obeying. It is perfectly harmless while in this
+ state. This is one of the peculiarities&mdash;a beneficent peculiarity if
+ I may so term it&mdash;of this terrible agent. It may be handled with
+ perfect safety, and yet its effects are as inevitable as death,&rdquo;
+ saying which, he took out of his pocket and held up to the light a bottle
+ filled with a clear colorless liquid like water.
+ </p>
+ <p>
+ &ldquo;You could pour that on the fire,&rdquo; he said, &ldquo;with no
+ other effect than to put out the blaze. You might place it under a steam
+ hammer and crush the bottle to powder, yet no explosion would follow. It
+ is as harmless as water in its present condition.&rdquo;
+ </p>
+ <p>
+ &ldquo;How, then,&rdquo; said the Minister, &ldquo;do you deal with it?&rdquo;
+ </p>
+ <p>
+ Again the man hesitated.
+ </p>
+ <p>
+ &ldquo;I am almost afraid to tell you,&rdquo; he said; &ldquo;and if I
+ could not demonstrate to your entire satisfaction that what I say is true,
+ it would be folly for me to say what I am about to say. If I were to take
+ this bottle and cut a notch in the cork, and walk with it neck downwards
+ along the Boulevard des Italiens, allowing this fluid to fall drop by drop
+ on the pavement, I could walk in that way in safety through every street
+ in Paris. If it rained that day nothing would happen. If it rained the
+ next or for a week nothing would happen, but the moment the sun came out
+ and dried the moisture, the light step of a cat on any pavement over which
+ I had passed would instantly shatter to ruins the whole of Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;Impossible!&rdquo; cried the Minister, an expression of horror
+ coming into his face.
+ </p>
+ <p>
+ &ldquo;I knew you would say that. Therefore I ask you to come with me to
+ the country, where I can prove the truth of what I allege. While I carry
+ this bottle around with me in this apparently careless fashion, it is
+ corked, as you see with the utmost security. Not a drop of the fluid must
+ be left on the outside of the cork or of the bottle. I have wiped the
+ bottle and cork most thoroughly, and burned the cloth which I used in
+ doing so. Fire will not cause this compound, even when dry, to explode,
+ but the slightest touch will set it off. I have to be extremely careful in
+ its manufacture, so that not a single drop is left unaccounted for in any
+ place where it might evaporate.&rdquo;
+ </p>
+ <p>
+ The Minister, with his finger-tips together and his eyes on the ceiling,
+ mused for a few moments on the amazing statement he had heard.
+ </p>
+ <p>
+ &ldquo;If what you say is true,&rdquo; he began at last, &ldquo;don&rsquo;t
+ you think it would be more humane to destroy all traces of the experiments
+ by which you discovered this substance, and to divulge the secret to no
+ one? The devastation such a thing would cause, if it fell into
+ unscrupulous hands, is too appalling even to contemplate.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have thought of that,&rdquo; said the inventor; &ldquo;but some
+ one else&mdash;the time may be far off or it may be near&mdash;is bound to
+ make the discovery. My whole ambition, as I told you in my letter, is to
+ have my name coupled with this discovery. I wish it to be known as the
+ Lambelle Explosive. The secret would be safe with the French Government.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not so sure of that,&rdquo; returned the Minister. &ldquo;Some
+ unscrupulous man may become Minister of War, and may use his knowledge to
+ put himself in the position of Dictator. An unscrupulous man in the
+ possession of such a secret would be invincible.&rdquo;
+ </p>
+ <p>
+ &ldquo;What you say,&rdquo; replied the inventor, &ldquo;is undoubtedly
+ true; yet I am determined that the name of Lambelle shall go down in
+ history coupled with the most destructive agent the world has ever known,
+ or will know. If the Government of France will build for me a large stone
+ structure as secure as a fortress, I will keep my secret, but will fill
+ that building with bottles like this, and then&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not see,&rdquo; said the Minister, &ldquo;that that would
+ lessen the danger, if the unscrupulous man I speak of once became
+ possessed of the keys; and, besides, the mere fact that such a secret
+ existed would put other inventors upon the track, and some one else less
+ benevolent than yourself would undoubtedly make the discovery. You
+ admitted a moment ago that the chances were a future investigator would
+ succeed in getting the right ingredients together, even without the
+ knowledge that such an explosive existed. See what an incentive it would
+ be to inventors all over the world, if it were known that France had in
+ its possession such a fearful explosive! No Government has ever yet been
+ successful in keeping the secret of either a gun or a gunpowder.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is, of course,&rdquo; said Lambelle, &ldquo;much in what you
+ say; but, equally of course, all that you say might have been said to the
+ inventor of gunpowder, for gunpowder in its day was as wonderful as this
+ is now.&rdquo;
+ </p>
+ <p>
+ Suddenly the Minister laughed aloud.
+ </p>
+ <p>
+ &ldquo;I am talking seriously with you on this subject,&rdquo; he
+ exclaimed, &ldquo;as if I really believed in it. Of course, I may say I do
+ nothing of the kind. I think you must have hypnotized me with those calm
+ eyes of yours into crediting your statements for even a few moments.&rdquo;
+ </p>
+ <p>
+ &ldquo;All that I say,&rdquo; said the inventor quietly, &ldquo;can be
+ corroborated to- morrow. Make an appointment with me in the country, and
+ if it chances to be a calm and sunny day you will no longer doubt the
+ evidence of your own eyes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where do you wish the experiment to be made?&rdquo; asked the
+ Minister.
+ </p>
+ <p>
+ &ldquo;It must be in some wild and desolate region, on a hill-top for
+ preference. There should be either trees or old buildings there that we
+ can destroy, otherwise the full effects can hardly be estimated.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have a place in the country,&rdquo; said the Minister, &ldquo;which
+ is wild and desolate and unprofitable enough. There are some useless stone
+ buildings, not on a hill-top, but by the edge of a quarry which has been
+ unworked for many years. There is no habitation for several miles around.
+ Would such a spot be suitable?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perfectly so. When would it be convenient for you to go?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will leave with you to-night,&rdquo; said the Minister, &ldquo;and
+ we can spend the day to-morrow experimenting.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well,&rdquo; answered Lambelle, rising when the Minister had
+ told him the hour and the railway station at which they should meet.
+ </p>
+ <p>
+ That evening, when the Minister drove to the railway station in time for
+ his train, he found Lambelle waiting for him, holding, by a leash, two
+ sorry-looking dogs.
+ </p>
+ <p>
+ &ldquo;Do you travel with such animals as these?&rdquo; asked the
+ Minister.
+ </p>
+ <p>
+ &ldquo;The poor brutes,&rdquo; said Lambelle, with regret in his voice,
+ &ldquo;are necessary for our experiments. They will be in atoms by this
+ time to- morrow.&rdquo;
+ </p>
+ <p>
+ The dogs were put into the railway-van, and the inventor brought his
+ portmanteau with him into the private carriage reserved for the use of the
+ Minister.
+ </p>
+ <p>
+ The place, as the Minister of War had said, was desolate enough. The stone
+ buildings near the edge of the deserted quarry were stout and strong,
+ although partly in ruins.
+ </p>
+ <p>
+ &ldquo;I have here with me in my portmanteau,&rdquo; said Lambelle,
+ &ldquo;some hundreds of metres of electric wire. I will attach one of the
+ dogs by this clip, which we can release from a distance by pressing an
+ electric button. The moment the dog escapes he will undoubtedly explode
+ the compound.&rdquo;
+ </p>
+ <p>
+ The insulated wire was run along the ground to a distant elevation. The
+ dog was attached by the electric clip, and chained to a doorpost of one of
+ the buildings. Lambelle then carefully uncorked his bottle, holding it at
+ arm&rsquo;s length from his person. The Minister looked on with strange
+ interest as Lambelle allowed the fluid to drip in a semicircular line
+ around the chained dog. The inventor carefully re-corked the bottle, wiped
+ it thoroughly with a cloth he had with him, and threw the cloth into one
+ of the deserted houses.
+ </p>
+ <p>
+ They waited near, until the spots caused by the fluid on the stone
+ pavement in front of the house had disappeared.
+ </p>
+ <p>
+ &ldquo;By the time we reach the hill,&rdquo; said Lambelle, &ldquo;it will
+ be quite dry in this hot sun.&rdquo;
+ </p>
+ <p>
+ As they departed towards the elevation, the forlorn dog howled mournfully,
+ as if in premonition of his fate.
+ </p>
+ <p>
+ &ldquo;I think, to make sure,&rdquo; said the inventor, when they reached
+ the electrical apparatus, &ldquo;that we might wait for half an hour.&rdquo;
+ </p>
+ <p>
+ The Minister lit a cigarette, and smoked silently, a strange battle going
+ on in his mind. He found himself believing in the extraordinary claims
+ made by the inventor, and his thought dwelt on the awful possibilities of
+ such an explosive.
+ </p>
+ <p>
+ &ldquo;Will you press the electric lever?&rdquo; asked Lambelle quietly.
+ &ldquo;Remember that you are inaugurating a new era.&rdquo;
+ </p>
+ <p>
+ The Minister pressed down the key, and then, putting his field-glass to
+ his eye, he saw that the dog was released, but the animal sat there
+ scratching its ear with its paw. Then, realizing that it was loose, it
+ sniffed for a moment at the chain. Finally, it threw up its head and
+ barked, although the distance was too great for them to hear any sound.
+ The dog started in the direction the two men had gone, but, before it had
+ taken three steps, the Minister was appalled to see the buildings suddenly
+ crumble into dust, and a few moments later the thunder of the rocks
+ falling into the deserted quarry came toward them. The whole ledge had
+ been flung forwards into the chasm. There was no smoke, but a haze of dust
+ hovered over the spot.
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; cried the Minister. &ldquo;That is awful!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Lambelle quietly; &ldquo;I put more of the
+ substance on the flagging than I need to have done. A few drops would have
+ answered quite as well, but I wanted to make sure. You were very
+ sceptical, you know.&rdquo;
+ </p>
+ <p>
+ The Minister looked at him. &ldquo;I beg of you, M. Lambelle, never to
+ divulge this secret to the Government of France, or to any other power.
+ Take the risk of it being discovered in the future. I implore you to
+ reconsider your original intention. If you desire money, I will see that
+ you get what you want from the secret funds.&rdquo;
+ </p>
+ <p>
+ Lambelle shrugged his shoulders.
+ </p>
+ <p>
+ &ldquo;I have no desire for money,&rdquo; he said; &ldquo;but what you
+ have seen will show you that I shall be the most famous scientist of the
+ century. The name of Lambelle will be known till the end of the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my God, man!&rdquo; said the Minister, &ldquo;the end of the
+ world is here the moment your secret is in the possession of another. With
+ you or me it would be safe: but who can tell the minds of those who may
+ follow us? You are putting the power of the Almighty into the hands of a
+ man.&rdquo;
+ </p>
+ <p>
+ Lambelle flushed with pride as the pale-faced Minister said this.
+ </p>
+ <p>
+ &ldquo;You speak the truth!&rdquo; he cried, &ldquo;it is the power of
+ Omnipotence.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; implored the Minister, &ldquo;reconsider your
+ decision.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have labored too long,&rdquo; said Lambelle, &ldquo;to forego my
+ triumph now. You are convinced at last, I see. Now then, tell me: will
+ you, as Minister of France, secure for your country this greatest of all
+ inventions?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered the Minister; &ldquo;no other power must be
+ allowed to obtain the secret. Have you ever written down the names of the
+ ingredients?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never,&rdquo; answered Lambelle.
+ </p>
+ <p>
+ &ldquo;Is it not possible for any one to have suspected what your
+ experiments were? If a man got into your laboratory&mdash;a scientific man&mdash;could
+ he not, from what he saw there, obtain the secret?&rdquo;
+ </p>
+ <p>
+ &ldquo;It would be impossible,&rdquo; said Lambelle. &ldquo;I have been
+ too anxious to keep the credit for myself, to leave any traces that might
+ give a hint of what I was doing.&rdquo;
+ </p>
+ <p>
+ &ldquo;You were wise in that,&rdquo; said the Minister, drawing a deep
+ breath. &ldquo;Now let us go and look at the ruins.&rdquo;
+ </p>
+ <p>
+ As they neared the spot the official&rsquo;s astonishment at the
+ extraordinary destruction became greater and greater. The rock had been
+ rent as if by an earthquake, to the distance of hundreds of yards.
+ </p>
+ <p>
+ &ldquo;You say,&rdquo; said the Minister, &ldquo;that the liquid is
+ perfectly safe until evaporation takes place.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perfectly,&rdquo; answered Lambelle. &ldquo;Of course one has to be
+ careful, as I told you, in the use of it. You must not get a drop on your
+ clothes, or leave it anywhere on the outside of the bottle to evaporate.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me see the stuff.&rdquo;
+ </p>
+ <p>
+ Lambelle handed him the bottle.
+ </p>
+ <p>
+ &ldquo;Have you any more of this in your laboratory?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not a drop.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you wished to destroy this, how would you do it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should empty the bottle into the Seine. It would flow down to the
+ sea, and no harm would be done.&rdquo;
+ </p>
+ <p>
+ &ldquo;See if you can find any traces of the dog,&rdquo; said the
+ Minister. &ldquo;I will clamber down into the quarry, and look there.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will find nothing,&rdquo; said Lambelle confidently.
+ </p>
+ <p>
+ There was but one path by which the bottom of the quarry could be reached.
+ The Minister descended by this until he was out of sight of the man above;
+ then he quickly uncorked the bottle, and allowed the fluid to drip along
+ the narrowest part of the path which faced the burning sun. He corked the
+ bottle, wiped it carefully with his handkerchief, which he rolled into a
+ ball, and threw into the quarry. Coming up to the surface again, he said
+ to the mild and benevolent scientist: &ldquo;I cannot find a trace of the
+ dog.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nor can I,&rdquo; said Lambelle. &ldquo;Of course when you can
+ hardly find a sign of the building it is not to be expected that there
+ should be any remnants of the dog.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose we get back to the hill now and have lunch,&rdquo; said the
+ Minister.
+ </p>
+ <p>
+ &ldquo;Do you wish to try another experiment?&rdquo;
+ </p>
+ <p>
+ &ldquo;I would like to try one more after we have had something to eat.
+ What would be the effect if you poured the whole bottleful into the quarry
+ and set it off?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, impossible!&rdquo; cried Lambelle. &ldquo;It would rend this
+ whole part of the country to pieces. In fact, I am not sure that the shock
+ would not be felt as far as Paris. With a very few drops I can shatter the
+ whole quarry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we&rsquo;ll try that after lunch. We have another dog left.&rdquo;
+ </p>
+ <p>
+ When an hour had passed, Lambelle was anxious to try his quarry
+ experiment.
+ </p>
+ <p>
+ &ldquo;By-and-by,&rdquo; he said, &ldquo;the sun will not be shining in
+ the quarry, and then it will be too late.&rdquo;
+ </p>
+ <p>
+ &ldquo;We can easily wait until to-morrow, unless you are in a hurry.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am in no hurry,&rdquo; rejoined the inventor. &ldquo;I thought
+ perhaps you might be, with so much to do.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied the official. &ldquo;Nothing I shall do during
+ my administration will be more important than this.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am glad to hear you say so,&rdquo; answered Lambelle; &ldquo;and
+ if you will give me the bottle again I will now place a few drops in the
+ sunny part of the quarry.&rdquo;
+ </p>
+ <p>
+ The Minister handed him the bottle, apparently with some reluctance.
+ </p>
+ <p>
+ &ldquo;I still think,&rdquo; he said, &ldquo;that it would be much better
+ to allow this secret to die. No one knows it at present but yourself. With
+ you, as I have said, it will be safe, or with me; but think of the awful
+ possibilities of a disclosure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Every great invention has its risks,&rdquo; said Lambelle firmly.
+ &ldquo;Nothing would induce me to forego the fruits of my life-work. It is
+ too much to ask of any man.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well,&rdquo; said the Minister. &ldquo;Then let us be sure of
+ our facts. I want to see the effects of the explosive on the quarry.&rdquo;
+ </p>
+ <p>
+ &ldquo;You shall,&rdquo; said Lambelle, as he departed.
+ </p>
+ <p>
+ &ldquo;I will wait for you here,&rdquo; said the Minister, &ldquo;and
+ smoke a cigarette.&rdquo;
+ </p>
+ <p>
+ When the inventor approached the quarry, leading the dog behind him, the
+ Minister&rsquo;s hand trembled so that he was hardly able to hold the
+ field-glass to his eye. Lambelle disappeared down the path. The next
+ instant the ground trembled even where the Minister sat, and a haze of
+ dust arose above the ruined quarry.
+ </p>
+ <p>
+ Some moments after the pallid Minister looked over the work of
+ destruction, but no trace of humanity was there except himself.
+ </p>
+ <p>
+ &ldquo;I could not do otherwise,&rdquo; he murmured, &ldquo;It was too
+ great a risk to run.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE GREAT PEGRAM MYSTERY.
+ </h2>
+ <p>
+ (<i>With apologies to Dr. Conan Doyle, and our mutual and lamented friend
+ the late Sherlock Holmes</i>.)
+ </p>
+ <p>
+ I dropped in on my friend, Sherlaw Kombs, to hear what he had to say about
+ the Pegram mystery, as it had come to be called in the newspapers. I found
+ him playing the violin with a look of sweet peace and serenity on his
+ face, which I never noticed on the countenances of those within hearing
+ distance. I knew this expression of seraphic calm indicated that Kombs had
+ been deeply annoyed about something. Such, indeed, proved to be the case,
+ for one of the morning papers had contained an article, eulogizing the
+ alertness and general competence of Scotland Yard. So great was Sherlaw
+ Kombs&rsquo;s contempt for Scotland Yard that he never would visit
+ Scotland during his vacations, nor would he ever admit that a Scotchman
+ was fit for anything but export.
+ </p>
+ <p>
+ He generously put away his violin, for he had a sincere liking for me, and
+ greeted me with his usual kindness.
+ </p>
+ <p>
+ &ldquo;I have come,&rdquo; I began, plunging at once into the matter on my
+ mind, &ldquo;to hear what you think of the great Pegram mystery.&rdquo;
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t heard of it,&rdquo; he said quietly, just as if all
+ London were not talking of that very thing. Kombs was curiously ignorant
+ on some subjects, and abnormally learned on others. I found, for instance,
+ that political discussion with him was impossible, because he did not know
+ who Salisbury and Gladstone were. This made his friendship a great boon.
+ </p>
+ <p>
+ &ldquo;The Pegram mystery has baffled even Gregory, of Scotland Yard.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can well believe it,&rdquo; said my friend, calmly. &ldquo;Perpetual
+ motion, or squaring the circle, would baffle Gregory. He&rsquo;s an
+ infant, is Gregory.&rdquo;
+ </p>
+ <p>
+ This was one of the things I always liked about Kombs. There was no
+ professional jealousy in him, such as characterizes so many other men.
+ </p>
+ <p>
+ He filled his pipe, threw himself into his deep-seated arm-chair, placed
+ his feet on the mantel, and clasped his hands behind his head.
+ </p>
+ <p>
+ &ldquo;Tell me about it,&rdquo; he said simply.
+ </p>
+ <p>
+ &ldquo;Old Barrie Kipson,&rdquo; I began, &ldquo;was a stockbroker in the
+ City. He lived in Pegram, and it was his custom to&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;COME IN!&rdquo; shouted Kombs, without changing his position, but
+ with a suddenness that startled me. I had heard no knock.
+ </p>
+ <p>
+ &ldquo;Excuse me,&rdquo; said my friend, laughing, &ldquo;my invitation to
+ enter was a trifle premature. I was really so interested in your recital
+ that I spoke before I thought, which a detective should never do. The fact
+ is, a man will be here in a moment who will tell me all about this crime,
+ and so you will be spared further effort in that line.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, you have an appointment. In that case I will not intrude,&rdquo;
+ I said, rising.
+ </p>
+ <p>
+ &ldquo;Sit down; I have no appointment. I did not know until I spoke that
+ he was coming.&rdquo;
+ </p>
+ <p>
+ I gazed at him in amazement. Accustomed as I was to his extraordinary
+ talents, the man was a perpetual surprise to me. He continued to smoke
+ quietly, but evidently enjoyed my consternation.
+ </p>
+ <p>
+ &ldquo;I see you are surprised. It is really too simple to talk about,
+ but, from my position opposite the mirror, I can see the reflection of
+ objects in the street. A man stopped, looked at one of my cards, and then
+ glanced across the street. I recognized my card, because, as you know,
+ they are all in scarlet. If, as you say, London is talking of this
+ mystery, it naturally follows that <i>he</i> will talk of it, and the
+ chances are he wished to consult me about it. Anyone can see that, besides
+ there is always&mdash;<i>Come</i> in!&rdquo;
+ </p>
+ <p>
+ There was a rap at the door this time.
+ </p>
+ <p>
+ A stranger entered. Sherlaw Kombs did not change his lounging attitude.
+ </p>
+ <p>
+ &ldquo;I wish to see Mr. Sherlaw Kombs, the detective,&rdquo; said the
+ stranger, coming within the range of the smoker&rsquo;s vision.
+ </p>
+ <p>
+ &ldquo;This is Mr. Kombs,&rdquo; I remarked at last, as my friend smoked
+ quietly, and seemed half-asleep.
+ </p>
+ <p>
+ &ldquo;Allow me to introduce myself,&rdquo; continued the stranger,
+ fumbling for a card.
+ </p>
+ <p>
+ &ldquo;There is no need. You are a journalist,&rdquo; said Kombs.
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; said the stranger, somewhat taken aback, &ldquo;you know
+ me, then.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never saw or heard of you in my life before.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then how in the world&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing simpler. You write for an evening paper. You have written
+ an article slating the book of a friend. He will feel badly about it, and
+ you will condole with him. He will never know who stabbed him unless I
+ tell him.&rdquo;
+ </p>
+ <p>
+ &ldquo;The devil!&rdquo; cried the journalist, sinking into a chair and
+ mopping his brow, while his face became livid.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; drawled Kombs, &ldquo;it is a devil of a shame that
+ such things are done. But what would you? as we say in France.&rdquo;
+ </p>
+ <p>
+ When the journalist had recovered his second wind he pulled himself
+ together somewhat. &ldquo;Would you object to telling me how you know
+ these particulars about a man you say you have never seen?&rdquo;
+ </p>
+ <p>
+ &ldquo;I rarely talk about these things,&rdquo; said Kombs with great
+ composure. &ldquo;But as the cultivation of the habit of observation may
+ help you in your profession, and thus in a remote degree benefit me by
+ making your paper less deadly dull, I will tell you. Your first and second
+ fingers are smeared with ink, which shows that you write a great deal.
+ This smeared class embraces two sub-classes, clerks or accountants, and
+ journalists. Clerks have to be neat in their work. The ink-smear is slight
+ in their case. Your fingers are badly and carelessly smeared; therefore,
+ you are a journalist. You have an evening paper in your pocket. Anyone
+ might have any evening paper, but yours is a Special Edition, which will
+ not be on the streets for half-an-hour yet. You must have obtained it
+ before you left the office, and to do this you must be on the staff. A
+ book notice is marked with a blue pencil. A journalist always despises
+ every article in his own paper not written by himself; therefore, you
+ wrote the article you have marked, and doubtless are about to send it to
+ the author of the book referred to. Your paper makes a specialty of
+ abusing all books not written by some member of its own staff. That the
+ author is a friend of yours, I merely surmised. It is all a trivial
+ example of ordinary observation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Really, Mr. Kombs, you are the most wonderful man on earth. You are
+ the equal of Gregory, by Jove, you are.&rdquo;
+ </p>
+ <p>
+ A frown marred the brow of my friend as he placed his pipe on the
+ sideboard and drew his self-cocking six-shooter.
+ </p>
+ <p>
+ &ldquo;Do you mean to insult me, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not&mdash;I&mdash;I assure you. You are fit to take charge of
+ Scotland Yard to-morrow&mdash;&mdash;. I am in earnest, indeed I am, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then Heaven help you,&rdquo; cried Kombs, slowly raising his right
+ arm.
+ </p>
+ <p>
+ I sprang between them.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t shoot!&rdquo; I cried. &ldquo;You will spoil the
+ carpet. Besides, Sherlaw, don&rsquo;t you see the man means well. He
+ actually thinks it is a compliment!&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps you are right,&rdquo; remarked the detective, flinging his
+ revolver carelessly beside his pipe, much to the relief of the third
+ party. Then, turning to the journalist, he said, with his customary bland
+ courtesy&mdash;
+ </p>
+ <p>
+ &ldquo;You wanted to see me, I think you said. What can I do for you, Mr.
+ Wilber Scribbings?&rdquo;
+ </p>
+ <p>
+ The journalist started.
+ </p>
+ <p>
+ &ldquo;How do you know my name?&rdquo; he gasped.
+ </p>
+ <p>
+ Kombs waved his hand impatiently.
+ </p>
+ <p>
+ &ldquo;Look inside your hat if you doubt your own name?&rdquo;
+ </p>
+ <p>
+ I then noticed for the first time that the name was plainly to be seen
+ inside the top-hat Scribbings held upside down in his hands.
+ </p>
+ <p>
+ &ldquo;You have heard, of course, of the Pegram mystery&mdash;&mdash;&ldquo;.
+ </p>
+ <p>
+ &ldquo;Tush,&rdquo; cried the detective; &ldquo;do not, I beg of you, call
+ it a mystery. There is no such thing. Life would become more tolerable if
+ there ever <i>was</i> a mystery. Nothing is original. Everything has been
+ done before. What about the Pegram affair?&rdquo;
+ </p>
+ <p>
+ &ldquo;The Pegram&mdash;ah&mdash;case has baffled everyone. The <i>Evening
+ Blade</i> wishes you to investigate, so that it may publish the result. It
+ will pay you well. Will you accept the commission?&rdquo;
+ </p>
+ <p>
+ &ldquo;Possibly. Tell me about the case.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought everybody knew the particulars. Mr. Barrie Kipson lived
+ at Pegram. He carried a first-class season ticket between the terminus and
+ that station. It was his custom to leave for Pegram on the 5.30 train each
+ evening. Some weeks ago, Mr. Kipson was brought down by the influenza. On
+ his first visit to the City after his recovery, he drew something like
+ £300 in notes, and left the office at his usual hour to catch the 5.30. He
+ was never seen again alive, as far as the public have been able to learn.
+ He was found at Brewster in a first-class compartment on the Scotch
+ Express, which does not stop between London and Brewster. There was a
+ bullet in his head, and his money was gone, pointing plainly to murder and
+ robbery.&rdquo;
+ </p>
+ <p>
+ &ldquo;And where is the mystery, may I ask?&rdquo;
+ </p>
+ <p>
+ &ldquo;There are several unexplainable things about the case. First, how
+ came he on the Scotch Express, which leaves at six, and does not stop at
+ Pegram? Second, the ticket examiners at the terminus would have turned him
+ out if he showed his season ticket; and all the tickets sold for the
+ Scotch Express on the 21st are accounted for. Third, how could the
+ murderer have escaped? Fourth, the passengers in the two compartments on
+ each side of the one where the body was found heard no scuffle and no shot
+ fired.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you sure the Scotch Express on the 21st did not stop between
+ London and Brewster?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now that you mention the fact, it did. It was stopped by signal
+ just outside of Pegram. There was a few moments&rsquo; pause, when the
+ line was reported clear, and it went on again. This frequently happens, as
+ there is a branch line beyond Pegram.&rdquo;
+ </p>
+ <p>
+ Mr. Sherlaw Kombs pondered for a few moments, smoking his pipe silently.
+ </p>
+ <p>
+ &ldquo;I presume you wish the solution in time for to-morrow&rsquo;s
+ paper?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bless my soul, no. The editor thought if you evolved a theory in a
+ month you would do well.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear sir, I do not deal with theories, but with facts. If you
+ can make it convenient to call here to-morrow at 8 a.m. I will give you
+ the full particulars early enough for the first edition. There is no sense
+ in taking up much time over so simple an affair as the Pegram case. Good
+ afternoon, sir.&rdquo;
+ </p>
+ <p>
+ Mr. Scribbings was too much astonished to return the greeting. He left in
+ a speechless condition, and I saw him go up the street with his hat still
+ in his hand.
+ </p>
+ <p>
+ Sherlaw Kombs relapsed into his old lounging attitude, with his hands
+ clasped behind his head. The smoke came from his lips in quick puffs at
+ first, then at longer intervals. I saw he was coming to a conclusion, so I
+ said nothing.
+ </p>
+ <p>
+ Finally he spoke in his most dreamy manner. &ldquo;I do not wish to seem
+ to be rushing things at all, Whatson, but I am going out to-night on the
+ Scotch Express. Would you care to accompany me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bless me!&rdquo; I cried, glancing at the clock, &ldquo;you haven&rsquo;t
+ time, it is after five now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ample time, Whatson&mdash;ample,&rdquo; he murmured, without
+ changing his position. &ldquo;I give myself a minute and a half to change
+ slippers and dressing gown for boots and coat, three seconds for hat,
+ twenty-five seconds to the street, forty-two seconds waiting for a hansom,
+ and then seven at the terminus before the express starts. I shall be glad
+ of your company.&rdquo;
+ </p>
+ <p>
+ I was only too happy to have the privilege of going with him. It was most
+ interesting to watch the workings of so inscrutable a mind. As we drove
+ under the lofty iron roof of the terminus I noticed a look of annoyance
+ pass over his face.
+ </p>
+ <p>
+ &ldquo;We are fifteen seconds ahead of our time,&rdquo; he remarked,
+ looking at the big clock. &ldquo;I dislike having a miscalculation of that
+ sort occur.&rdquo;
+ </p>
+ <p>
+ The great Scotch Express stood ready for its long journey. The detective
+ tapped one of the guards on the shoulder.
+ </p>
+ <p>
+ &ldquo;You have heard of the so-called Pegram mystery, I presume?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly, sir. It happened on this very train, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Really? Is the same carriage still on the train?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, yes, sir, it is,&rdquo; replied the guard, lowering his
+ voice, &ldquo;but of course, sir, we have to keep very quiet about it.
+ People wouldn&rsquo;t travel in it, else, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doubtless. Do you happen to know if anybody occupies the
+ compartment in which the body was found?&rdquo;
+ </p>
+ <p>
+ &ldquo;A lady and gentleman, sir; I put &lsquo;em in myself, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Would you further oblige me,&rdquo; said the detective, deftly
+ slipping half-a-sovereign into the hand of the guard, &ldquo;by going to
+ the window and informing them in an offhand casual sort of way that the
+ tragedy took place in that compartment?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly, sir.&rdquo;
+ </p>
+ <p>
+ We followed the guard, and the moment he had imparted his news there was a
+ suppressed scream in the carriage. Instantly a lady came out, followed by
+ a florid-faced gentleman, who scowled at the guard. We entered the now
+ empty compartment, and Kombs said: &ldquo;We would like to be alone here
+ until we reach Brewster.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll see to that, sir,&rdquo; answered the guard, locking the
+ door.
+ </p>
+ <p>
+ When the official moved away, I asked my friend what he expected to find
+ in the carriage that would cast any light on the case.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; was his brief reply.
+ </p>
+ <p>
+ &ldquo;Then why do you come?&rdquo;
+ </p>
+ <p>
+ &ldquo;Merely to corroborate the conclusions I have already arrived at.&rdquo;
+ </p>
+ <p>
+ &ldquo;And may I ask what those conclusions are?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly,&rdquo; replied the detective, with a touch of lassitude
+ in his voice. &ldquo;I beg to call your attention, first, to the fact that
+ this train stands between two platforms, and can be entered from either
+ side. Any man familiar with the station for years would be aware of that
+ fact. This shows how Mr. Kipson entered the train just before it started.&rdquo;
+ </p>
+ <p>
+ &ldquo;But the door on this side is locked,&rdquo; I objected, trying it.
+ </p>
+ <p>
+ &ldquo;Of course. But every season ticket-holder carries a key. This
+ accounts for the guard not seeing him, and for the absence of a ticket.
+ Now let me give you some information about the influenza. The patient&rsquo;s
+ temperature rises several degrees above normal, and he has a fever. When
+ the malady has run its course, the temperature falls to three- quarters of
+ a degree below normal. These, facts are unknown to you, I imagine, because
+ you are a doctor.&rdquo;
+ </p>
+ <p>
+ I admitted such was the case.
+ </p>
+ <p>
+ &ldquo;Well, the consequence of this fall in temperature is that the
+ convalescent&rsquo;s mind turns toward thoughts of suicide. Then is the
+ time he should be watched by his friends. Then was the time Mr. Barrie
+ Kipson&rsquo;s friends did <i>not</i> watch him. You remember the 21st, of
+ course. No? It was a most depressing day. Fog all around and mud under
+ foot. Very good. He resolves on suicide. He wishes to be unidentified, if
+ possible but forgets his season ticket. My experience is that a man about
+ to commit a crime always forgets something.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how do you account for the disappearance of the money?&rdquo;
+ </p>
+ <p>
+ &ldquo;The money has nothing to do with the matter. If he was a deep man,
+ and knew the stupidness of Scotland Yard, he probably sent the notes to an
+ enemy. If not, they may have been given to a friend. Nothing is more
+ calculated to prepare the mind for self-destruction than the prospect of a
+ night ride on the Scotch Express, and the view from the windows of the
+ train as it passes through the northern part of London is particularly
+ conducive to thoughts of annihilation.&rdquo;
+ </p>
+ <p>
+ &ldquo;What became of the weapon?&rdquo;
+ </p>
+ <p>
+ &ldquo;That is just the point on which I wish to satisfy myself. Excuse me
+ for a moment.&rdquo;
+ </p>
+ <p>
+ Mr. Sherlaw Kombs drew down the window on the right hand side, and
+ examined the top of the casing minutely with a magnifying glass. Presently
+ he heaved a sigh of relief, and drew up the sash.
+ </p>
+ <p>
+ &ldquo;Just as I expected,&rdquo; he remarked, speaking more to himself
+ than to me. &ldquo;There is a slight dent on the top of the window-frame.
+ It is of such a nature as to be made only by the trigger of a pistol
+ falling from the nerveless hand of a suicide. He intended to throw the
+ weapon far out of the window, but had not the strength. It might have
+ fallen into the carriage. As a matter of fact, it bounced away from the
+ line and lies among the grass about ten feet six inches from the outside
+ rail. The only question that now remains is where the deed was committed,
+ and the exact present position of the pistol reckoned in miles from
+ London, but that, fortunately, is too simple to even need explanation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Great heavens, Sherlaw!&rdquo; I cried. &ldquo;How can you call
+ that simple? It seems to me impossible to compute.&rdquo;
+ </p>
+ <p>
+ We were now flying over Northern London, and the great detective leaned
+ back with every sign of <i>ennui</i>, closing his eyes. At last he spoke
+ wearily:
+ </p>
+ <p>
+ &ldquo;It is really too elementary, Whatson, but I am always willing to
+ oblige a friend. I shall be relieved, however, when you are able to work
+ out the A B C of detection for yourself, although I shall never object to
+ helping you with the words of more than three syllables. Having made up
+ his mind to commit suicide, Kipson naturally intended to do it before he
+ reached Brewster, because tickets are again examined at that point. When
+ the train began to stop at the signal near Pegram, he came to the false
+ conclusion that it was stopping at Brewster. The fact that the shot was
+ not heard is accounted for by the screech of the air- brake, added to the
+ noise of the train. Probably the whistle was also sounding at the same
+ moment. The train being a fast express would stop as near the signal as
+ possible. The air-brake will stop a train in twice its own length. Call it
+ three times in this case. Very well. At three times the length of this
+ train from the signalpost towards London, deducting half the length of the
+ train, as this carriage is in the middle, you will find the pistol.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wonderful!&rdquo; I exclaimed.
+ </p>
+ <p>
+ &ldquo;Commonplace,&rdquo; he murmured.
+ </p>
+ <p>
+ At this moment the whistle sounded shrilly, and we felt the grind of the
+ air-brakes.
+ </p>
+ <p>
+ &ldquo;The Pegram signal again,&rdquo; cried Kombs, with something almost
+ like enthusiasm. &ldquo;This is indeed luck. We will get out here,
+ Whatson, and test the matter.&rdquo;
+ </p>
+ <p>
+ As the train stopped, we got out on the right-hand side of the line. The
+ engine stood panting impatiently under the red light, which changed to
+ green as I looked at it. As the train moved on with increasing speed, the
+ detective counted the carriages, and noted down the number. It was now
+ dark, with the thin crescent of the moon hanging in the western sky
+ throwing a weird half-light on the shining metals. The rear lamps of the
+ train disappeared around a curve, and the signal stood at baleful red
+ again. The black magic of the lonesome night in that strange place
+ impressed me, but the detective was a most practical man. He placed his
+ back against the signal-post, and paced up the line with even strides,
+ counting his steps. I walked along the permanent way beside him silently.
+ At last he stopped, and took a tapeline from his pocket. He ran it out
+ until the ten feet six inches were unrolled, scanning the figures in the
+ wan light of the new moon. Giving me the end, he placed his knuckles on
+ the metals, motioning me to proceed down the embankment. I stretched out
+ the line, and then sank my hand in the damp grass to mark the spot.
+ </p>
+ <p>
+ &ldquo;Good God!&rdquo; I cried, aghast, &ldquo;what is this?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is the pistol,&rdquo; said Kombs quietly.
+ </p>
+ <p>
+ It was!!
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Journalistic London will not soon forget the sensation that was caused by
+ the record of the investigations of Sherlaw Kombs, as printed at length in
+ the next day&rsquo;s <i>Evening Blade</i>. Would that my story ended here.
+ Alas! Kombs contemptuously turned over the pistol to Scotland Yard. The
+ meddlesome officials, actuated, as I always hold, by jealousy, found the
+ name of the seller upon it. They investigated. The seller testified that
+ it had never been in the possession of Mr. Kipson, as far as he knew. It
+ was sold to a man whose description tallied with that of a criminal long
+ watched by the police. He was arrested, and turned Queen&rsquo;s evidence
+ in the hope of hanging his pal. It seemed that Mr. Kipson, who was a
+ gloomy, taciturn man, and usually came home in a compartment by himself,
+ thus escaping observation, had been murdered in the lane leading to his
+ house. After robbing him, the miscreants turned their thoughts towards the
+ disposal of the body&mdash;a subject that always occupies a first-class
+ criminal mind before the deed is done. They agreed to place it on the
+ line, and have it mangled by the Scotch Express, then nearly due. Before
+ they got the body half- way up the embankment the express came along and
+ stopped. The guard got out and walked along the other side to speak with
+ the engineer. The thought of putting the body into an empty first-class
+ carriage instantly occurred to the murderers. They opened the door with
+ the deceased&rsquo;s key. It is supposed that the pistol dropped when they
+ were hoisting the body in the carriage.
+ </p>
+ <p>
+ The Queen&rsquo;s evidence dodge didn&rsquo;t work, and Scotland Yard
+ ignobly insulted my friend Sherlaw Kombs by sending him a pass to see the
+ villains hanged.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ DEATH COMETH SOON OR LATE.
+ </h2>
+ <p>
+ It was Alick Robbins who named the invalid the Living Skeleton, and
+ probably remorse for having thus given him a title so descriptively
+ accurate, caused him to make friends with the Living Skeleton, a man who
+ seemed to have no friends.
+ </p>
+ <p>
+ Robbins never forgot their first conversation. It happened in this way. It
+ was the habit of the Living Skeleton to leave his hotel every morning
+ promptly at ten o&rsquo;clock, if the sun was shining, and to shuffle
+ rather than walk down the gravel street to the avenue of palms. There,
+ picking out a seat on which the sun shone, the Living Skeleton would sit
+ down and seem to wait patiently for someone who never came. He wore a
+ shawl around his neck and a soft cloth cap on his skull. Every bone in his
+ face stood out against the skin, for there seemed to be no flesh, and his
+ clothes hung as loosely upon him as they would have upon a skeleton. It
+ required no second glance at the Living Skeleton to know that the
+ remainder of his life was numbered by days or hours, and not by weeks or
+ months. He didn&rsquo;t seem to have energy enough even to read, and so it
+ was that Robbins sat down one day on the bench beside him, and said
+ sympathetically:&mdash;
+ </p>
+ <p>
+ &ldquo;I hope you are feeling better to-day.&rdquo;
+ </p>
+ <p>
+ The Skeleton turned towards him, laughed a low, noiseless, mirthless laugh
+ for a moment, and then said, in a hollow, far-away voice that had no lungs
+ behind it: &ldquo;I am done with feeling either better or worse.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I trust it is not so bad as that,&rdquo; said Robbins; &ldquo;the
+ climate is doing you good down here, is it not?&rdquo;
+ </p>
+ <p>
+ Again the Skeleton laughed silently, and Robbins began to feel uneasy. The
+ Skeleton&rsquo;s eyes were large and bright, and they fastened themselves
+ upon Robbins in a way that increased that gentleman&rsquo;s uneasiness,
+ and made him think that perhaps the Skeleton knew he had so named him.
+ </p>
+ <p>
+ &ldquo;I have no more interest in climate,&rdquo; said the Skeleton.
+ &ldquo;I merely seem to live because I have been in the habit of living
+ for some years; I presume that is it, because my lungs are entirely gone.
+ Why I can talk or why I can breathe is a mystery to me. You are perfectly
+ certain you can hear me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I hear you quite distinctly,&rdquo; said Robbins.
+ </p>
+ <p>
+ &ldquo;Well, if it wasn&rsquo;t that people tell me that they can hear me,
+ I wouldn&rsquo;t believe I was really speaking, because, you see, I have
+ nothing to speak with. Isn&rsquo;t it Shakespeare who says something about
+ when the brains are out the man is dead? Well, I have seen some men who
+ make me think Shakespeare was wrong in his diagnosis, but it is generally
+ supposed that when the lungs are gone a man is dead. To tell the truth, I
+ <i>am</i> dead, practically. You know the old American story about the man
+ who walked around to save funeral expenses; well, it isn&rsquo;t quite
+ that way with me, but I can appreciate how the man felt. Still I take a
+ keen interest in life, although you might not think so. You see, I haven&rsquo;t
+ much time left; I am going to die at eight o&rsquo;clock on the 30th of
+ April. Eight o&rsquo;clock at night, not in the morning, just after <i>table
+ d&rsquo;hôte</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are going to <i>what</i>!&rdquo; cried Robbins in astonishment.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m going to die that day. You see I have got things to such
+ a fine point, that I can die any time I want to. I could die right here,
+ now, if I wished. If you have any mortal interest in the matter I&rsquo;ll
+ do it, and show you what I say is true. I don&rsquo;t mind much, you know,
+ although I had fixed April the 30th as the limit. It wouldn&rsquo;t matter
+ a bit for me to go off now, if it would be of any interest to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg you,&rdquo; said Robbins, very much alarmed, &ldquo;not to
+ try any experiments on my account. I am quite willing to believe anything
+ you say about the matter&mdash;of course you ought to know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I do know.&rdquo; answered the Living Skeleton sadly. &ldquo;Of
+ course I have had my struggle with hope and fear, but that is all past
+ now, as you may well understand. The reason that I have fixed the date for
+ April 30th is this: you see I have only a certain amount of money&mdash;I
+ do not know why I should make any secret of it. I have exactly 240 francs
+ today, over and above another 100 francs which I have set aside for
+ another purpose. I am paying 8 francs a day at the Golden Dragon; that
+ will keep me just thirty days, and then I intend to die.&rdquo;
+ </p>
+ <p>
+ The Skeleton laughed again, without sound, and Robbins moved uneasily on
+ the seat.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t see,&rdquo; he said finally, &ldquo;what there is to
+ laugh about in that condition of affairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t suppose there is very much; but there is something
+ else that I consider very laughable, and that I will tell you if you will
+ keep it a secret. You see, the Golden Dragon himself&mdash;I always call
+ our innkeeper the Golden Dragon, just as you call me, the Living Skeleton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&mdash;I&mdash;beg your pardon,&rdquo; stammered Robbins,
+ &ldquo;I&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;It really doesn&rsquo;t matter at all. You are perfectly right, and
+ I think it a very apt term. Well, the old Golden Dragon makes a great deal
+ of his money by robbing the dead. You didn&rsquo;t know that, did you? You
+ thought it was the living who supported him, and goodness knows he robs <i>them</i>
+ when he has a chance. Well, you are very much mistaken. When a man dies in
+ the Golden Dragon, he, or his friends rather, have to pay very sweetly for
+ it. The Dragon charges them for re-furnishing the room. Every stick of
+ furniture is charged for, all the wall-paper, and so on. I suppose it is
+ perfectly right to charge something, but the Dragon is not content with
+ what is right. He knows he has finally lost a customer, and so he makes
+ all he can out of him. The furniture so paid for, is not re-placed, and
+ the walls are not papered again, but the Dragon doesn&rsquo;t abate a
+ penny of his bill on that account. Now, I have inquired of the furnishing
+ man, on the street back of the hotel, and he has written on his card just
+ the cost of mattress, sheets, pillows, and all that sort of thing, and the
+ amount comes to about 50 francs. I have put in an envelope a 50-franc
+ note, and with it the card of the furniture man. I have written a letter
+ to the hotel-keeper, telling him just what the things will cost that he
+ needs, and have referred the Dragon to the card of the furniture man who
+ has given me the figures. This envelope I have addressed to the Dragon,
+ and he will find it when I am dead. This is the joke that old man Death
+ and myself have put up on our host, and my only regret is that I shall not
+ be able to enjoy a look at the Dragon&rsquo;s countenance as he reads my
+ last letter to him. Another sum of money I have put away, in good hands
+ where he won&rsquo;t have a chance to get it, for my funeral expenses, and
+ then you see I am through with the world. I have nobody to leave that I
+ need worry about, or who would either take care of me or feel sorry for me
+ if I needed care or sympathy, which I do not. So that is why I laugh, and
+ that is why I come down and sit upon this bench, in the sunshine, and
+ enjoy the posthumous joke.&rdquo;
+ </p>
+ <p>
+ Robbins did not appear to see the humor of the situation quite as strongly
+ as the Living Skeleton did. At different times after, when they met he had
+ offered the Skeleton more money if he wanted it, so that he might prolong
+ his life a little, but the Skeleton always refused.
+ </p>
+ <p>
+ A sort of friendship sprang up between Robbins and the Living Skeleton, at
+ least, as much of a friendship as can exist between the living and the
+ dead, for Robbins was a muscular young fellow who did not need to live at
+ the Riviera on account of his health, but merely because he detested an
+ English winter. Besides this, it may be added, although it really is
+ nobody&rsquo;s business, that a Nice Girl and her parents lived in this
+ particular part of the South of France.
+ </p>
+ <p>
+ One day Robbins took a little excursion in a carriage to Toulon. He had
+ invited the Nice Girl to go with him, but on that particular day she could
+ not go. There was some big charity function on hand, and one necessary
+ part of the affair was the wheedling of money out of people&rsquo;s
+ pockets, so the Nice Girl had undertaken to do part of the wheedling.
+ </p>
+ <p>
+ She was very good at it, and she rather prided herself upon it, but then
+ she was a very nice girl, pretty as well, and so people found it difficult
+ to refuse her. On the evening of the day there was to be a ball at the
+ principal hotel of the place, also in connection with this very desirable
+ charity. Robbins had reluctantly gone to Toulon alone, but you may depend
+ upon it he was back in time for the ball.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he said to the Nice Girl when he met her, &ldquo;what
+ luck collecting, to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, the greatest luck,&rdquo; she replied enthusiastically, &ldquo;and
+ whom do you think I got the most money from?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am sure I haven&rsquo;t the slightest idea&mdash;that old English
+ Duke, he certainly has money enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not from him at all; the very last person you would expect it
+ from&mdash;your friend, the Living Skeleton.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo; cried Robbins, in alarm.
+ </p>
+ <p>
+ &ldquo;Oh, I found him on the bench where he usually sits, in the avenue
+ of the palms. I told him all about the charity and how useful it was, and
+ how necessary, and how we all ought to give as much as we could towards
+ it, and he smiled and smiled at me in that curious way of his. &lsquo;Yes,&rsquo;
+ he said in a whisper, &lsquo;I believe the charity should be supported by
+ everyone; I will give you eighty francs.&rsquo; Now, wasn&rsquo;t that
+ very generous of him? Eighty francs, that was ten times what the Duke
+ gave, and as he handed me the money he looked up at me and said in that
+ awful whisper of his: &lsquo;Count this over carefully when you get home
+ and see if you can find out what else I have given you. There is more than
+ eighty francs there.&rsquo; Then, after I got home, I&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ But here the Nice Girl paused, when she looked at the face of Robbins, to
+ whom she was talking. That face was ghastly pale and his eyes were staring
+ at her but not seeing her.
+ </p>
+ <p>
+ &ldquo;Eighty francs,&rdquo; he was whispering to himself, and he seemed
+ to be making a mental calculation. Then noticing the Nice Girl&rsquo;s
+ amazed look at him, he said:
+ </p>
+ <p>
+ &ldquo;Did you take the money?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course I took it,&rdquo; she said, &ldquo;why shouldn&rsquo;t I?&rdquo;
+ </p>
+ <p>
+ &ldquo;Great Heavens!&rdquo; gasped Robbins, and without a word he turned
+ and fled, leaving the Nice Girl transfixed with astonishment and staring
+ after him with a frown on her pretty brow.
+ </p>
+ <p>
+ &ldquo;What does he mean by such conduct?&rdquo; she asked herself. But
+ Robbins disappeared from the gathering throng in the large room of the
+ hotel, dashed down the steps, and hurried along the narrow pavements
+ toward the &ldquo;Golden Dragon.&rdquo; The proprietor was standing in the
+ hallway with his hands behind him, a usual attitude with the Dragon.
+ </p>
+ <p>
+ &ldquo;Where,&rdquo; gasped Robbins, &ldquo;is Mr.&mdash;Mr.&mdash;&mdash;&rdquo;
+ and then he remembered he didn&rsquo;t know the name. &ldquo;Where is the
+ Living Skeleton?&rdquo;
+ </p>
+ <p>
+ &ldquo;He has gone to his room,&rdquo; answered the Dragon, &ldquo;he went
+ early to- night, he wasn&rsquo;t feeling well, I think.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is the number of his room?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. 40,&rdquo; and the proprietor rang a loud, jangling bell,
+ whereupon one of the chambermaids appeared. &ldquo;Show this gentleman to
+ No. 40.&rdquo;
+ </p>
+ <p>
+ The girl preceded Robbins up the stairs. Once she looked over her
+ shoulder, and said in a whisper, &ldquo;Is he worse?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; answered Robbins, &ldquo;that&rsquo;s
+ what I have come to see.&rdquo;
+ </p>
+ <p>
+ At No. 40 the girl paused, and rapped lightly on the door panel. There was
+ no response. She rapped again, this time louder. There was still no
+ response.
+ </p>
+ <p>
+ &ldquo;Try the door,&rdquo; said Robbins.
+ </p>
+ <p>
+ &ldquo;I am afraid to,&rdquo; said the girl.
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because he said if he were asleep the door would be locked, and if
+ he were dead the door would be open.&rdquo;
+ </p>
+ <p>
+ &ldquo;When did he say that?&rdquo;
+ </p>
+ <p>
+ &ldquo;He said it several times, sir; about a week ago the last time.&rdquo;
+ </p>
+ <p>
+ Robbins turned the handle of the door; it was not locked. A dim light was
+ in the room, but a screen before the door hid it from sight. When he
+ passed round the screen he saw, upon the square marble-topped arrangement
+ at the head of the bed, a candle burning, and its light shone on the dead
+ face of the Skeleton, which had a grim smile on its thin lips, while in
+ its clenched hand was a letter addressed to the proprietor of the hotel.
+ </p>
+ <p>
+ The Living Skeleton had given more than the eighty francs to that
+ deserving charity.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ HIGH STAKES.
+ </h2>
+ <p>
+ The snow was gently sifting down through the white glare of the electric
+ light when Pony Rowell buttoned his overcoat around him and left the
+ Metropolitan Hotel, which was his home. He was a young man, not more than
+ thirty, and his face was a striking one. It was clean cut and clean
+ shaven. It might have been the face of an actor or the face of a
+ statesman. An actor&rsquo;s face has a certain mobility of expression
+ resulting from the habit of assuming characters differing widely. Rowell&rsquo;s
+ face, when you came to look at it closely, showed that it had been
+ accustomed to repress expression rather than to show emotion of any kind.
+ A casual look at Pony Rowell made you think his face would tell you
+ something; a closer scrutiny showed you that it would tell you nothing.
+ His eyes were of a piercing steely gray that seemed to read the thoughts
+ of others, while they effectually concealed his own. Pony Rowell was known
+ as a man who never went back on his word. He was a professional gambler.
+ </p>
+ <p>
+ On this particular evening he strolled up the avenue with the easy
+ carriage of a man of infinite leisure. He hesitated for a moment at an
+ illy-lighted passage-way in the middle of a large building on a side
+ street, then went in and mounted a stair. He rapped lightly at a door. A
+ slide was shoved back and a man inside peered out at him for a moment.
+ Instantly the door was opened, for Pony&rsquo;s face was good for
+ admittance at any of the gambling rooms in the city. There was still
+ another guarded door to pass, for an honest gambling-house keeper can
+ never tell what streak of sudden morality may strike the police, and it is
+ well to have a few moments&rsquo; time in which to conceal the
+ paraphernalia of the business. Of course, Mellish&rsquo;s gambling rooms
+ were as well known to the police as to Pony Rowell, but unless some fuss
+ was made by the public, Mellish knew he would be free from molestation.
+ </p>
+ <p>
+ Mellish was a careful man, and a visitor had to be well vouched for,
+ before he gained admission. There never was any trouble in Mellish&rsquo;s
+ rooms. He was often known to advise a player to quit when he knew the
+ young gambler could not afford to lose, and instances were cited where he
+ had been the banker of some man in despair. Everybody liked Mellish, for
+ his generosity was unbounded, and he told a good story well.
+ </p>
+ <p>
+ Inside the room that Pony Rowell had penetrated, a roulette table was at
+ its whirling work and faro was going on in another spot. At small tables
+ various visitors were enjoying the game of poker.
+ </p>
+ <p>
+ &ldquo;Hello, Pony,&rdquo; cried Bert Ragstock, &ldquo;are you going to
+ give me my revenge to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m always willing to give anyone his revenge.&rdquo;
+ answered Pony imperturbably, lighting a fresh cigarette.
+ </p>
+ <p>
+ &ldquo;All right then; come and sit down here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not going to play just yet. I want to look on for a
+ while.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nonsense. I&rsquo;ve been waiting for you ever so long already. Sit
+ down.&rdquo;
+ </p>
+ <p>
+ &ldquo;You ought to know by this time, Bert, that when I say a thing I
+ mean it. I won&rsquo;t touch a card till the clock begins to strike 12.
+ Then I&rsquo;m wid ye.&rdquo;
+ </p>
+ <p>
+ &ldquo;Pshaw, Pony, you ought to be above that sort of thing. That&rsquo;s
+ superstition, Rowell. You&rsquo;re too cool a man to mind when you touch a
+ card. Come on.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s all right. At midnight, I said to myself, and at
+ midnight it shall be or not at all.&rdquo;
+ </p>
+ <p>
+ The old gamblers in the place nodded approval of this resolution. It was
+ all right enough for Bert Ragstock to sneer at superstition, because he
+ was not a real gambler. He merely came to Mellish&rsquo;s rooms in the
+ evening because the Stock Exchange did not keep open all night. Strange to
+ say Ragstock was a good business man as well as a cool gambler. He
+ bemoaned the fate that made him so rich that gambling had not the
+ exhilarating effect on him which it would have had if he had been playing
+ in desperation.
+ </p>
+ <p>
+ When the clock began to chime midnight Pony Rowell took up the pack and
+ began to shuffle.
+ </p>
+ <p>
+ &ldquo;Now, old man,&rdquo; he said, &ldquo;I&rsquo;m going in to win. I&rsquo;m
+ after big game to- night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right you are.&rdquo; cried Bert, with enthusiasm. &ldquo;I&rsquo;ll
+ stand by you as long as the spots stay on the cards.&rdquo;
+ </p>
+ <p>
+ In the gray morning, when most of the others had left and even Mellish
+ himself was yawning, they were still at it. The professional gambler had
+ won a large sum of money; the largest sum he ever possessed. Yet there was
+ no gleam of triumph in his keen eyes. Bert might have been winning for all
+ the emotion his face showed. They were a well matched pair, and they
+ enjoyed playing with each other.
+ </p>
+ <p>
+ &ldquo;There,&rdquo; cried Pony at last, &ldquo;haven&rsquo;t you had
+ enough? Luck&rsquo;s against you. I wouldn&rsquo;t run my head any longer
+ against a brick wall, if I were you.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear Pony, how often have I told you there is no such thing as
+ luck. But to tell the truth I&rsquo;m tired and I&rsquo;m going home. The
+ revenge is postponed. When do I meet the enemy again?&rdquo;
+ </p>
+ <p>
+ Pony Rowell shuffled the cards idly for a few moments without replying or
+ raising his eyes. At last he said:
+ </p>
+ <p>
+ &ldquo;The next time I play you, Bert, it will be for high stakes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good heavens, aren&rsquo;t you satisfied with the stakes we played
+ for to- night?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. I want to play you for a stake that will make even your hair
+ stand on end. Will you do it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly. When?&rdquo;
+ </p>
+ <p>
+ &ldquo;That I can&rsquo;t tell just yet. I have a big scheme on hand. I am
+ to see a man to-day about it. All I want to know is that you promise to
+ play.&rdquo;
+ </p>
+ <p>
+ &ldquo;Pony, this is mysterious. I guess you&rsquo;re not afraid I will
+ flunk out. I&rsquo;m ready to meet you on any terms and for any stake.&rdquo;
+ </p>
+ <p>
+ &ldquo;Enough said. I&rsquo;ll let you know some of the particulars as
+ soon as I find out all I want myself. Good-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-night to you, rather,&rdquo; said Bert, as Mellish helped him
+ on with his overcoat. &ldquo;You&rsquo;ve won the pile: robbing a poor man
+ of his hard- earned gains!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, the poor man does not need the money as badly as I do. Besides,
+ I&rsquo;m going to give you a chance to win it all back again and more.&rdquo;
+ </p>
+ <p>
+ When Ragstock had left, Pony still sat by the table absent-mindedly
+ shuffling the cards.
+ </p>
+ <p>
+ &ldquo;If I were you,&rdquo; said Mellish, laying his hand on his
+ shoulder, &ldquo;I would put that pile in the bank and quit.&rdquo;
+ </p>
+ <p>
+ &ldquo;The faro bank?&rdquo; asked Pony, looking up with a smile.
+ </p>
+ <p>
+ &ldquo;No, I&rsquo;d quit the business altogether if I were you. I&rsquo;m
+ going to myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, we all know that. You&rsquo;ve been going to quit for the last
+ twenty years. Well, I&rsquo;m going to quit, too, but not just yet. That&rsquo;s
+ what they all say, of course, but I mean it.&rdquo;
+ </p>
+ <p>
+ In the early and crisp winter air Pony Rowell walked to the Metropolitan
+ Hotel and to bed. At 3 that afternoon the man he had an appointment with,
+ called to see him.
+ </p>
+ <p>
+ &ldquo;You wanted to see me about an Insurance policy,&rdquo; the visitor
+ began. An agent is always ready to talk of business. &ldquo;Now, were you
+ thinking of an endowment scheme or have you looked into our new bond
+ system of insurance? The twenty-pay-life style of thing seems to be very
+ popular.&rdquo;
+ </p>
+ <p>
+ &ldquo;I want to ask you a few questions,&rdquo; said Pony. &ldquo;If I
+ were to insure my life in your company and were to commit suicide would
+ that invalidate the policy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not after two years. After two years, in our company, the policy is
+ incontestable.&rdquo;
+ </p>
+ <p>
+ &ldquo;Two years? That won&rsquo;t do for me. Can&rsquo;t you make it one
+ year?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll tell you what I will do,&rdquo; said the agent, lowering
+ his voice, &ldquo;I can ante-date the policy, so that the two years will
+ end just when you like, say a year from now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well. If you can legally fix it so that the two years come to
+ an end about this date next year I will insure in your company for
+ $100,000.&rdquo;
+ </p>
+ <p>
+ The agent opened his eyes when the amount was mentioned.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want endowments or bonds, but the cheapest form of
+ life insurance you have, and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Straight life is what you want.&rdquo;
+ </p>
+ <p>
+ &ldquo;Straight life it is, then, and I will pay you for the two years or
+ say, to make it sure, for two years and a half down, when you bring me the
+ papers.&rdquo;
+ </p>
+ <p>
+ Thus it was that with part of the money he had won, Pony Rowell insured
+ his life for $100,000, and with another part he paid his board and lodging
+ for a year ahead at the Metropolitan Hotel.
+ </p>
+ <p>
+ The remainder he kept to speculate on.
+ </p>
+ <p>
+ During the year that followed he steadily refused to play with Bert
+ Ragstock, and once or twice they nearly had a quarrel about it&mdash;that
+ is as near as Pony could come to having a row with anybody, for
+ quarrelling was not in his line. If he had lived in a less civilized part
+ of the community Pony might have shot, but as it was quarrels never came
+ to anything, therefore he did not indulge in any.
+ </p>
+ <p>
+ &ldquo;A year from the date of our last game? What nonsense it is waiting
+ all that time. You play with others, why not with me? Think of the chances
+ we are losing,&rdquo; complained Bert.
+ </p>
+ <p>
+ &ldquo;We will have a game then that will make up for all the waiting,&rdquo;
+ answered Rowell.
+ </p>
+ <p>
+ At last the anniversary came and when the hour struck that ushered it in
+ Pony Rowell and Bert Ragstock sat facing each other, prepared to resume
+ business on the old stand.
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; said Bert, rubbing his hands, &ldquo;it feels good to
+ get opposite you once more. Pony, you&rsquo;re a crank. We might have had
+ a hundred games like this during the past year, if there wasn&rsquo;t so
+ much superstition about you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not quite like this. This is to be the last game I play, win or
+ lose. I tell you that now, so that there won&rsquo;t be any talk of
+ revenge if I win.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t mean it! I&rsquo;ve heard talk like that before.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. I&rsquo;ve warned you. Now I propose that this be a game
+ of pure luck. We get a new pack of cards, shuffle them, cut, then you pull
+ one card and I another. Ace high. The highest takes the pot. Best two out
+ of three. Do you agree?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course. How much is the pile to be?&rdquo;
+ </p>
+ <p>
+ &ldquo;One hundred thousand dollars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you&rsquo;re dreaming.&rdquo;
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it enough?&rdquo;
+ </p>
+ <p>
+ &ldquo;Thunder! You never <i>saw</i> $100,000.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will get the money if I lose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Say, Pony, that&rsquo;s coming it a little strong. One hundred
+ thousand dollars! Heavens and earth! How many business men in this whole
+ city would expect their bare word to be taken for $100,000?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not a business man. I&rsquo;m a gambler.&rdquo;
+ </p>
+ <p>
+ &ldquo;True, true. Is the money in sight?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; but you&rsquo;ll be paid. Your money is not in sight. I trust
+ you. Can&rsquo;t you trust me?
+ </p>
+ <p>
+ &ldquo;It isn&rsquo;t quite the same thing, Pony. I&rsquo;ll trust you for
+ three times the money you have in sight, but when you talk about $100,000
+ you are talking of a lot of cash.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I can convince Mellish here that you will get your money, will
+ you play?&rdquo;
+ </p>
+ <p>
+ &ldquo;You can convince me just as easily as you can Mellish. What&rsquo;s
+ the use of dragging him in?&rdquo;
+ </p>
+ <p>
+ &ldquo;I could convince you in a minute, but you might still refuse to
+ play. Now I&rsquo;m bound to play this game and I can&rsquo;t take any
+ risks. If my word and Mellish&rsquo;s isn&rsquo;t good enough for you,
+ why, say so.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; cried Bert. &ldquo;If you can convince Mellish
+ that you will pay if you lose I&rsquo;ll play you.&rdquo;
+ </p>
+ <p>
+ Rowell and Mellish retired into an inner room and after a few minutes
+ reappeared again.
+ </p>
+ <p>
+ Mellish&rsquo;s face was red when he went in. He was now a trifle pale.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t like this, Bert,&rdquo; Mellish said, &ldquo;and I
+ think this game had better stop right here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you are not convinced that I am sure of my money?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am, but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s enough for me. Get out your new pack.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;ve given your word, Mellish,&rdquo; said Pony, seeing the
+ keeper of the house was about to speak. &ldquo;Don&rsquo;t say any more.&rdquo;
+ </p>
+ <p>
+ &ldquo;For such a sum two out of three is too sudden. Make it five out of
+ nine,&rdquo; put in Bert.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m willing.&rdquo;
+ </p>
+ <p>
+ The new pack of cards was brought and the wrappings torn off.
+ </p>
+ <p>
+ &ldquo;You shuffle first; I&rsquo;ll cut,&rdquo; said Rowell. His lips
+ seemed parched and he moistened them now and then, which was unusual for
+ so cool a gambler. Mellish fidgeted around with lowered brow. Bert
+ shuffled the cards as nonchalantly as if he had merely a $5 bill on the
+ result. When each had taken a card, Bert held an ace and Pony a king. Pony
+ shuffled and the turn up was a spot in Pony&rsquo;s hand and queen in that
+ of his opponent. Bert smiled and drops began to show on Pony&rsquo;s
+ forehead in spite of his efforts at self-control. No word was spoken by
+ either players or onlookers. After the next deal Pony again lost. His
+ imperturbability seemed to be leaving him. He swept the cards from the
+ table with an oath. &ldquo;Bring another pack,&rdquo; he said hoarsely.
+ </p>
+ <p>
+ Bert smiled at him across the table. He thought, of course, that they were
+ playing for even stakes.
+ </p>
+ <p>
+ Mellish couldn&rsquo;t stand it any longer. He retired to one of the inner
+ rooms. The first deal with the new pack turned in Pony&rsquo;s favor and
+ he seemed to feel that his luck had changed, but the next deal went
+ against him and also the one following.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s your shuffle,&rdquo; said Rowell, pushing the cards
+ towards his opponent. Bert did not touch the cards, but smiled across at
+ the gambler.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter with you? Why don&rsquo;t you shuffle?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t have to,&rdquo; said Bert, quietly, &ldquo;I&rsquo;ve
+ won five.&rdquo;
+ </p>
+ <p>
+ Rowell drew his hand across his perspiring brow and stared at the man
+ across the table. Then he seemed to pull himself together.
+ </p>
+ <p>
+ &ldquo;So you have,&rdquo; he said, &ldquo;I hadn&rsquo;t noticed it.
+ Excuse me. I guess I&rsquo;ll go now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sit where you are and let us have a game for something more modest.
+ I don&rsquo;t care about these splurges myself and I don&rsquo;t suppose
+ you do&mdash; now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks, no. I told you this was my last game. As to the splurge, if
+ I had the money I would willingly try it again. So long.&rdquo;
+ </p>
+ <p>
+ When Mellish came in and saw that the game was over he asked where Pony
+ was.
+ </p>
+ <p>
+ &ldquo;He knew when he had enough, I guess,&rdquo; answered Bert. &ldquo;He&rsquo;s
+ gone home.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come in here, Bert. I want to speak with you,&rdquo; said Mellish.
+ </p>
+ <p>
+ When they were alone Mellish turned to him.
+ </p>
+ <p>
+ &ldquo;I suppose Pony didn&rsquo;t tell you where the money is to come
+ from?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he told you. That was enough for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, there&rsquo;s no reason why you should not know now. I
+ promised silence till the game was finished. He&rsquo;s insured his life
+ for $100,000 and is going to commit suicide so that you may be paid.&rdquo;
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; cried Bert, aghast. &ldquo;Why did you let the game
+ go on?&rdquo;
+ </p>
+ <p>
+ &ldquo;I tried to stop it, but I had given my word and you&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, don&rsquo;t let us stand chattering here. He&rsquo;s at the
+ Metropolitan, isn&rsquo;t he? Then come along. Hurry into your coat.&rdquo;
+ </p>
+ <p>
+ Mellish knew the number of Rowell&rsquo;s room and so no time was lost in
+ the hotel office with inquiries. He tried the door, but, as he expected,
+ it was locked.
+ </p>
+ <p>
+ &ldquo;Who&rsquo;s that?&rdquo; cried a voice within.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s me&mdash;Mellish. I want to speak with you a moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want to see you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bert wants to say something. It&rsquo;s important. Let us in.&rdquo;
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t let you in. Go away and don&rsquo;t make a fuss. It
+ will do no good. You can get in ten minutes from now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here, Pony, you open that door at once, or I&rsquo;ll kick it
+ in. You hear me? I want to see you a minute, and then you can do what you
+ like,&rdquo; said Bert, in a voice that meant business.
+ </p>
+ <p>
+ After a moment&rsquo;s hesitation Rowell opened the door and the two
+ stepped in. Half of the carpet had been taken up and the bare floor was
+ covered with old newspapers. A revolver lay on the table, also writing
+ materials and a half-finished letter. Pony was in his shirt sleeves and he
+ did not seem pleased at the interruption.
+ </p>
+ <p>
+ &ldquo;What do you want?&rdquo; he asked shortly.
+ </p>
+ <p>
+ &ldquo;Look here, Pony,&rdquo; said Bert, &ldquo;I have confessed to
+ Mellish and I&rsquo;ve come to confess to you. I want you to be easy with
+ me and hush the thing up. I cheated. I stocked the cards.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re a liar,&rdquo; said Rowell, looking him straight in
+ the eye.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t say that again,&rdquo; cried Ragstock, with his fingers
+ twitching. &ldquo;There&rsquo;s mighty few men I would take that from.&rdquo;
+ </p>
+ <p>
+ &ldquo;You stocked the cards on me? I&rsquo;d like to see the man that
+ could do it!&rdquo;
+ </p>
+ <p>
+ &ldquo;You were excited and didn&rsquo;t notice it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re not only a liar, but you&rsquo;re an awkward liar. I
+ have lost the money and I&rsquo;ll pay it. It would have been ready for
+ you now, only I had a letter to write. Mellish has told you about the
+ insurance policy and my will attached to it. Here they are. They&rsquo;re
+ yours. I&rsquo;m no kicker. I know when a game&rsquo;s played fair.&rdquo;
+ </p>
+ <p>
+ Bert took the policy and evidently intended to tear it in pieces, while
+ Mellish, with a wink at him, edged around to get at the revolver. Ragstock&rsquo;s
+ eye caught the name in big letters at the head of the policy, beautifully
+ engraved. His eyes opened wide, then he sank into a chair and roared with
+ laughter. Both the other men looked at him in astonishment.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter?&rdquo; asked Mellish.
+ </p>
+ <p>
+ &ldquo;Matter? Why, this would have been a joke on Pony. It would do both
+ of you some good to know a little about business as well as of gambling.
+ The Hardfast Life Insurance Company went smash six months ago. It&rsquo;s
+ the truth this time, Pony, even if I didn&rsquo;t stock the cards. Better
+ make some inquiries in business circles before you try to collect any
+ money from this institution. Now, Pony, order up the drinks, if anything
+ can be had at this untimely hour. We are your guests so you are expected
+ to be hospitable. I&rsquo;ve had all the excitement I want for one night.
+ We&rsquo;ll call it square and begin over again.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ &ldquo;WHERE IGNORANCE IS BLISS.&rdquo;
+ </h2>
+ <p>
+ The splendid steamship Adamant, of the celebrated Cross Bow line, left New
+ York on her February trip under favorable auspices. There had just been a
+ storm on the ocean, so there was every chance that she would reach
+ Liverpool before the next one was due.
+ </p>
+ <p>
+ Capt. Rice had a little social problem to solve at the outset, but he
+ smoothed that out with the tact which is characteristic of him. Two
+ Washington ladies&mdash;official ladies&mdash;were on board, and the
+ captain, old British sea-dog that he was, always had trouble in the matter
+ of precedence with Washington ladies. Capt. Rice never had any bother with
+ the British aristocracy, because precedence is all set down in the bulky
+ volume of &ldquo;Burke&rsquo;s Peerage,&rdquo; which the captain kept in
+ his cabin, and so there was no difficulty. But a republican country is
+ supposed not to meddle with precedence. It wouldn&rsquo;t, either, if it
+ weren&rsquo;t for the women.
+ </p>
+ <p>
+ So it happened that Mrs. Assistant-Attorney-to-the-Senate Brownrig came to
+ the steward and said that, ranking all others on board, she must sit at
+ the right hand of the captain. Afterwards Mrs. Second-Adjutant-to-
+ the-War-Department Digby came to the same perplexed official and said she
+ must sit at the captain&rsquo;s right hand because in Washington she took
+ precedence over everyone else on board. The bewildered steward confided
+ his woes to the captain, and the captain said he would attend to the
+ matter. So he put Mrs. War-Department on his right hand and then walked
+ down the deck with Mrs. Assistant-Attorney and said to her:
+ </p>
+ <p>
+ &ldquo;I want to ask a favor, Mrs. Brownrig. Unfortunately I am a little
+ deaf in the right ear, caused, I presume, by listening so much with that
+ ear to the fog horn year in and year out. Now, I always place the lady
+ whose conversation I wish most to enjoy on my left hand at table. Would
+ you oblige me by taking that seat this voyage? I have heard of you, you
+ see, Mrs. Brownrig, although you have never crossed with me before.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, certainly, captain,&rdquo; replied Mrs. Brownrig; &ldquo;I
+ feel especially complimented.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I assure you, madam,&rdquo; said the polite captain, &ldquo;that
+ I would not for the world miss a single word that,&rdquo; etc.
+ </p>
+ <p>
+ And thus it was amicably arranged between the two ladies. All this has
+ nothing whatever to do with the story. It is merely an incident given to
+ show what a born diplomat Capt. Rice was and is to this day. I don&rsquo;t
+ know any captain more popular with the ladies than he, and besides he is
+ as good a sailor as crosses the ocean.
+ </p>
+ <p>
+ Day by day the good ship ploughed her way toward the east, and the
+ passengers were unanimous in saying that they never had a pleasanter
+ voyage for that time of the year. It was so warm on deck that many steamer
+ chairs were out, and below it was so mild that a person might think he was
+ journeying in the tropics. Yet they had left New York in a snow storm with
+ the thermometer away below zero.
+ </p>
+ <p>
+ &ldquo;Such,&rdquo; said young Spinner, who knew everything, &ldquo;such
+ is the influence of the Gulf Stream.&rdquo;
+ </p>
+ <p>
+ Nevertheless when Capt. Rice came down to lunch the fourth day out his
+ face was haggard and his look furtive and anxious.
+ </p>
+ <p>
+ &ldquo;Why, captain,&rdquo; cried Mrs. Assistant-Attorney, you look as if
+ you hadn&rsquo;t slept a wink last night.&rdquo;
+ </p>
+ <p>
+ &ldquo;I slept very well, thank you, madam.&rdquo; replied the captain.
+ &ldquo;I always do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I hope your room was more comfortable than mine. It seemed to
+ me too hot for anything. Didn&rsquo;t you find it so, Mrs. Digby?&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought it very nice,&rdquo; replied the lady at the captain&rsquo;s
+ right, who generally found it necessary to take an opposite view from the
+ lady at the left.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; said the captain, &ldquo;we have many delicate
+ women and children on board and it is necessary to keep up the
+ temperature. Still, perhaps the man who attends to the steam rather
+ overdoes it. I will speak him.&rdquo;
+ </p>
+ <p>
+ Then the captain pushed from him his untasted food and went up on the
+ bridge, casting his eye aloft at the signal waving from the masthead,
+ silently calling for help to all the empty horizon.
+ </p>
+ <p>
+ &ldquo;Nothing in sight, Johnson?&rdquo; said the captain.
+ </p>
+ <p>
+ &ldquo;Not a speck, sir.&rdquo;
+ </p>
+ <p>
+ The captain swept the circular line of sea and sky with his glasses, then
+ laid them down with a sigh.
+ </p>
+ <p>
+ &ldquo;We ought to raise something this afternoon, sir,&rdquo; said
+ Johnson; &ldquo;we are right in their track, sir. The Fulda ought to be
+ somewhere about.&rdquo;
+ </p>
+ <p>
+ &ldquo;We are too far north for the Fulda, I am afraid,&rdquo; answered
+ the captain.
+ </p>
+ <p>
+ &ldquo;Well, sir, we should see the Vulcan before night, sir. She&rsquo;s
+ had good weather from Queenstown.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Keep a sharp lookout, Johnson.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir.&rdquo;
+ </p>
+ <p>
+ The captain moodily paced the bridge with his head down.
+ </p>
+ <p>
+ &ldquo;I ought to have turned back to New York,&rdquo; he said to himself.
+ </p>
+ <p>
+ Then he went down to his own room, avoiding the passengers as much as he
+ could, and had the steward bring him some beef-tea. Even a captain cannot
+ live on anxiety.
+ </p>
+ <p>
+ &ldquo;Steamer off the port bow, sir,&rdquo; rang out the voice of the
+ lookout at the prow. The man had sharp eyes, for a landsman could have
+ seen nothing.
+ </p>
+ <p>
+ &ldquo;Run and tell the captain,&rdquo; cried Johnson to the sailor at his
+ elbow, but as the sailor turned the captain&rsquo;s head appeared up the
+ stairway. He seized the glass and looked long at a single point in the
+ horizon.
+ </p>
+ <p>
+ &ldquo;It must be the Vulcan,&rdquo; he said at last.
+ </p>
+ <p>
+ &ldquo;I think so, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Turn your wheel a few points to port and bear down on her.&rdquo;
+ </p>
+ <p>
+ Johnson gave the necessary order and the great ship veered around.
+ </p>
+ <p>
+ &ldquo;Hello!&rdquo; cried Spinner, on deck. &ldquo;Here&rsquo;s a
+ steamer. I found her. She&rsquo;s mine.&rdquo;
+ </p>
+ <p>
+ Then there was a rush to the side of the ship. &ldquo;A steamer in sight!&rdquo;
+ was the cry, and all books and magazines at once lost interest. Even the
+ placid, dignified Englishman who was so uncommunicative, rose from his
+ chair and sent his servant for his binocular. Children were held up and
+ told to be careful, while they tried to see the dim line of smoke so far
+ ahead.
+ </p>
+ <p>
+ &ldquo;Talk about lane routes at sea,&rdquo; cried young Spinner, the
+ knowing. &ldquo;Bosh, I say. See! we&rsquo;re going directly for her.
+ Think what it might be in a fog! Lane routes! Pure luck, I call it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will we signal to her, Mr. Spinner?&rdquo; gently asked the young
+ lady from Boston.
+ </p>
+ <p>
+ &ldquo;Oh, certainly,&rdquo; answered young Spinner. &ldquo;See there&rsquo;s
+ our signal flying from the masthead now. That shows them what line we
+ belong to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear me, how interesting,&rdquo; said the young lady. &ldquo;You
+ have crossed many times, I suppose, Mr. Spinner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I know my way about,&rdquo; answered the modest Spinner.
+ </p>
+ <p>
+ The captain kept the glasses glued to his eyes. Suddenly he almost let
+ them drop.
+ </p>
+ <p>
+ &ldquo;My God! Johnson,&rdquo; he cried.
+ </p>
+ <p>
+ &ldquo;What is it, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>She&rsquo;s</i> flying a signal of distress, <i>too</i>!&rdquo;
+ </p>
+ <p>
+ The two steamers slowly approached each other and, when nearly alongside
+ and about a mile apart, the bell of the Adamant rang to stop.
+ </p>
+ <p>
+ &ldquo;There, you see,&rdquo; said young Spinner to the Boston girl,
+ &ldquo;she is flying the same flag at her masthead that we are.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then she belongs to the same line as this boat?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, certainly,&rdquo; answered Mr. Cock-Sure Spinner.
+ </p>
+ <p>
+ &ldquo;Oh, look! look! look!&rdquo; cried the enthusiastic Indianapolis
+ girl who was going to take music in Germany.
+ </p>
+ <p>
+ Everyone looked aloft and saw running up to the masthead a long line of
+ fluttering, many-colored flags. They remained in place for a few moments
+ and then fluttered down again, only to give place to a different string.
+ The same thing was going on on the other steamer.
+ </p>
+ <p>
+ &ldquo;Oh, this is too interesting for anything,&rdquo; said Mrs.
+ Assistant. &ldquo;I am just dying to know what it all means. I have read
+ of it so often but never saw it before. I wonder when the captain will
+ come down. What does it all mean?&rdquo; she asked the deck steward.
+ </p>
+ <p>
+ &ldquo;They are signalling to each other, madam.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I know <i>that</i>. But what <i>are</i> they signalling?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know, madam.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, see! see!&rdquo; cried the Indianapolis girl, clapping her
+ hands with delight. &ldquo;The other steamer is turning round.&rdquo;
+ </p>
+ <p>
+ It was indeed so. The great ship was thrashing the water with her screw,
+ and gradually the masts came in line and then her prow faced the east
+ again. When this had been slowly accomplished the bell on the Adamant rang
+ full speed ahead, and then the captain came slowly down the ladder that
+ led from the bridge.
+ </p>
+ <p>
+ &ldquo;Oh, captain, what does it all mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;Is she going back, captain? Nothing wrong, I hope.&rdquo;
+ </p>
+ <p>
+ &ldquo;What ship is it, captain?&rdquo;
+ </p>
+ <p>
+ &ldquo;She belongs to our line, doesn&rsquo;t she?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why is she going back?&rdquo;
+ </p>
+ <p>
+ &ldquo;The ship,&rdquo; said the captain slowly, &ldquo;is the Vulcan, of
+ the Black Bowling Line, that left Queenstown shortly after we left New
+ York. She has met with an accident. Ran into some wreckage, it is thought,
+ from the recent storm. Anyhow there is a hole in her, and whether she sees
+ Queenstown or not will depend a great deal on what weather we have and
+ whether her bulkheads hold out. We will stand by her till we reach
+ Queenstown.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are there many on board, do you think, captain?&rdquo;
+ </p>
+ <p>
+ &ldquo;There are thirty-seven in the cabin and over 800 steerage
+ passengers,&rdquo; answered the captain.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you take them on board, out of danger, captain?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, madam, there is no need to do that. It would delay us, and time
+ is everything in a case like this. Besides, they will have ample warning
+ if she is going down and they will have time to get everybody in the
+ boats. We will stand by them, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, the poor creatures,&rdquo; cried the sympathetic Mrs.
+ Second-Adjutant. &ldquo;Think of their awful position. May be engulfed at
+ any moment. I suppose they are all on their knees in the cabin. How
+ thankful they must have been to see the Adamant.&rdquo;
+ </p>
+ <p>
+ On all sides there was the profoundest sympathy for the unfortunate
+ passengers of the Vulcan. Cheeks paled at the very thought of the
+ catastrophe that might take place at any moment within sight of the sister
+ ship. It was a realistic object lesson on the ever-present dangers of the
+ sea. While those on deck looked with new interest at the steamship
+ plunging along within a mile of them, the captain slipped away to his
+ room. As he sat there there was a tap at his door.
+ </p>
+ <p>
+ &ldquo;Come in,&rdquo; shouted the captain.
+ </p>
+ <p>
+ The silent Englishman slowly entered.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s wrong, captain,&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Oh, the Vulcan has had a hole stove in her and I signalled&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I know all that, of course, but what&rsquo;s wrong <i>with us</i>?&rdquo;
+ </p>
+ <p>
+ &ldquo;With us?&rdquo; echoed the captain blankly.
+ </p>
+ <p>
+ &ldquo;Yes, with the Adamant? What has been amiss for the last two or
+ three days? I&rsquo;m not a talker, nor am I afraid any more than you are,
+ but I want to know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly,&rdquo; said the captain. &ldquo;Please shut the door,
+ Sir John.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Meanwhile there was a lively row on board the Vulcan. In the saloon Capt.
+ Flint was standing at bay with his knuckles on the table.
+ </p>
+ <p>
+ &ldquo;Now what the devil&rsquo;s the meaning of all this?&rdquo; cried
+ Adam K. Vincent, member of Congress.
+ </p>
+ <p>
+ A crowd of frightened women were standing around, many on the verge of
+ hysterics. Children clung, with pale faces, to their mother&rsquo;s
+ skirts, fearing they knew not what. Men were grouped with anxious faces,
+ and the bluff old captain fronted them all.
+ </p>
+ <p>
+ &ldquo;The meaning of all <i>what</i>, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;You know very well. What is the meaning of our turning-round?&rdquo;
+ </p>
+ <p>
+ &ldquo;It means, sir, that the Adamant has eighty-five saloon passengers
+ and nearly 500 intermediate and steerage passengers who are in the most
+ deadly danger. The cotton in the hold is on fire, and they have been
+ fighting it night and day. A conflagration may break out at any moment. It
+ means, then, sir, that the Vulcan is going to stand by the Adamant.&rdquo;
+ </p>
+ <p>
+ A wail of anguish burst from the frightened women at the awful fate that
+ might be in store for so many human beings so near to them, and they clung
+ closer to their children and thanked God that no such danger threatened
+ them and those dear to them.
+ </p>
+ <p>
+ &ldquo;And dammit, sir,&rdquo; cried the Congressman, &ldquo;do you mean
+ to tell us that we have to go against our will&mdash;without even being
+ consulted&mdash;back to Queenstown?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean to tell you so, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, by the gods, that&rsquo;s an outrage, and I won&rsquo;t stand
+ it, sir. I must be in New York by the 27th. I won&rsquo;t stand it, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am very sorry, sir, that anybody should be delayed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Delayed? Hang it all, why don&rsquo;t you take the people on board
+ and take 'em to New York? I protest against this. I&rsquo;ll bring a
+ lawsuit against the company, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Vincent,&rdquo; said the captain sternly, &ldquo;permit me to
+ remind you that <i>I</i> am captain of this ship. Good afternoon, sir.&rdquo;
+ </p>
+ <p>
+ The Congressman departed from the saloon exceeding wroth, breathing dire
+ threats of legal proceedings against the line and the captain personally,
+ but most of the passengers agreed that it would be an inhuman thing to
+ leave the Adamant alone in mid-ocean in such terrible straits.
+ </p>
+ <p>
+ &ldquo;Why didn&rsquo;t they turn back, Captain Flint?&rdquo; asked Mrs.
+ General Weller.
+ </p>
+ <p>
+ &ldquo;Because, madam, every moment is of value in such a case, and we are
+ nearer Queenstown than New York.&rdquo;
+ </p>
+ <p>
+ And so the two steamships, side by side, worried their way toward the
+ east, always within sight of each other by day, and with the rows of
+ lights in each visible at night to the sympathetic souls on the other. The
+ sweltering men poured water into the hold of the one and the pounding
+ pumps poured water out of the hold of the other, and thus they reached
+ Queenstown.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ On board the tender that took the passengers ashore at Queenstown from
+ both steamers two astonished women met each other.
+ </p>
+ <p>
+ &ldquo;Why! <i>Mrs.&mdash;General</i>&mdash;WELLER!!! You don&rsquo;t mean
+ to say you were on board that unfortunate Vulcan!&rdquo;
+ </p>
+ <p>
+ &ldquo;For the land&rsquo;s sake, Mrs. Assistant Brownrig! Is that really
+ <i>you</i>? Will wonders never cease? Unfortunate, did you say? Mightily
+ fortunate for you, I think. Why! weren&rsquo;t you just frightened to
+ death?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was, but I had no idea anyone I knew was on board.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you were on board yourself. That would have been enough to
+ have killed me.&rdquo;
+ </p>
+ <p>
+ &ldquo;On board myself? Why, what <i>do</i> you mean? I wasn&rsquo;t on
+ board the Vulcan. Did you get any sleep at all after you knew you might go
+ down at any moment?&rdquo;
+ </p>
+ <p>
+ &ldquo;My sakes, Jane, what <i>are</i> you talking about? <i>Down</i> at
+ any moment? It was you that might have gone down at any moment or, worse
+ still, have been burnt to death if the fire had got ahead. You don&rsquo;t
+ mean to say you didn&rsquo;t know the Adamant was on fire most of the way
+ across?&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Mrs.&mdash;General&mdash;Weller!!</i> There&rsquo;s some <i>horrible</i>
+ mistake. It was the Vulcan. Everything depended on her bulkheads, the
+ captain said. There was a hole as big as a barn door in the Vulcan. The
+ pumps were going night and day.&rdquo;
+ </p>
+ <p>
+ Mrs. General looked at Mrs. Assistant as the light began to dawn on both
+ of them.
+ </p>
+ <p>
+ &ldquo;Then it wasn&rsquo;t the engines, but the pumps,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;And it wasn&rsquo;t the steam, but the fire,&rdquo; screamed Mrs.
+ Assistant. &ldquo;Oh, dear, how that captain lied, and I thought him such
+ a nice man, too. Oh, I shall go into hysterics, I know I shall.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wouldn&rsquo;t if I were you,&rdquo; said the sensible Mrs.
+ General, who was a strong-minded woman; &ldquo;besides, it is too late. We&rsquo;re
+ all safe now. I think both captains were pretty sensible men. Evidently
+ married, both of &lsquo;em.&rdquo;
+ </p>
+ <p>
+ Which was quite true.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DEPARTURE OF CUB MCLEAN.
+ </h2>
+ <p>
+ Of course no one will believe me when I say that Mellish was in every
+ respect, except one, an exemplary citizen and a good-hearted man. He was
+ generous to a fault and he gave many a young fellow a start in life where
+ a little money or a few encouraging words were needed. He drank, of
+ course, but he was a connoisseur in liquors, and a connoisseur never goes
+ in for excess. Few could tell a humorous story as well as Mellish, and he
+ seldom dealt in chestnuts. No man can be wholly bad who never inflicts an
+ old story on his friends, locating it on some acquaintance of his, and
+ alleging that it occurred the day before.
+ </p>
+ <p>
+ If I wished to write a heart-rending article on the evils of gambling,
+ Mellish would be the man I would go to for my facts and for the moral of
+ the tale. He spent his life persuading people not to gamble. He never
+ gambled himself, he said. But if no attention was paid to his advice, why
+ then he furnished gamblers with the most secluded and luxurious gambling
+ rooms in the city. It was supposed that Mellish stood in with the police,
+ which was, of course, a libel. The idea of the guardians of the city
+ standing in with a gambler or a gambling house! The statement was absurd
+ on the face of it. If you asked any policeman in the city where Mellish&rsquo;s
+ gambling rooms were, you would speedily learn that not one of them had
+ ever even heard of the place. All this goes to show how scandalously
+ people will talk, and if Mellish&rsquo;s rooms were free from raids, it
+ was merely Mellish&rsquo;s good luck, that was all. Anyhow, in Mellish&rsquo;s
+ rooms you could have a quiet, gentlemanly game for stakes about as high as
+ you cared to go, and you were reasonably sure there would be no fuss and
+ that your name would not appear in the papers next morning.
+ </p>
+ <p>
+ One night as Mellish cast his eye around his well-filled main room he
+ noticed a stranger sitting at the roulette table. Mellish had a keen eye
+ for strangers and in an unobtrusive way generally managed to find out
+ something about them. A stranger in a gambling room brings in with him a
+ certain sense of danger to the habitués.
+ </p>
+ <p>
+ &ldquo;Who is that boy?&rdquo; whispered Mellish to his bartender,
+ generally known as Sotty, an ex-prize fighter and a dangerous man to
+ handle if it came to trouble. It rarely came to trouble there, but Sotty
+ was, in a measure, the silent symbol of physical force, backing the
+ well-known mild morality of Mellish.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know him,&rdquo; answered Sotty.
+ </p>
+ <p>
+ &ldquo;Whom did he come in with?&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t see him come in. Hadn&rsquo;t noticed him till now.&rdquo;
+ </p>
+ <p>
+ Mellish looked at the boy for a few minutes. He had the fresh, healthy,
+ smooth face of a lad from the country, and he seemed strangely out of
+ place in the heated atmosphere of that room, under the glare of the gas.
+ Mellish sighed as he looked at him, then he turned to Sotty and said:
+ </p>
+ <p>
+ &ldquo;Just get him away quietly and bring him to the small poker room. I
+ want to have a few words with him.&rdquo;
+ </p>
+ <p>
+ Sotty, who had the utmost contempt for the humanitarian feelings of his
+ boss, said nothing, but a look of disdain swept over his florid features
+ as he went on his mission. If he had his way, he would not throw even a
+ sprat out of the net. Many a time he had known Mellish to persuade a
+ youngster with more money than brains to go home, giving orders at the
+ double doors that he was not to be admitted again.
+ </p>
+ <p>
+ The young man rose with a look of something like consternation on his face
+ and followed Sotty. The thing was done quietly, and all those around the
+ tables were too much absorbed in the game to pay much attention.
+ </p>
+ <p>
+ &ldquo;Look here, my boy,&rdquo; said Mellish, when they were alone,
+ &ldquo;who brought you to this place?&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess,&rdquo; said the lad, with an expression of resentment,
+ &ldquo;I&rsquo;m old enough to go where I like without being brought.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, certainly, certainly,&rdquo; said Mellish, diplomatically,
+ knowing how much very young men dislike being accused of youth, &ldquo;but
+ I like to know all visitors here. You couldn&rsquo;t get in unless you
+ came with someone known at the door. Who vouched for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;See here, Mr. Mellish,&rdquo; said the youth angrily, &ldquo;what
+ are you driving at? If your doorkeepers don&rsquo;t know their own
+ business why don&rsquo;t you speak to them about it? Are you going to have
+ me turned out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing of the sort,&rdquo; said Mellish, soothingly, putting his
+ hand in a fatherly manner on the young fellow&rsquo;s shoulder. &ldquo;Don&rsquo;t
+ mistake my meaning. The fact that you are here shows that you have a right
+ to be here. We&rsquo;ll say no more about that. But you take my advice and
+ quit the business here and now. I was a gambler before you were born,
+ although I don&rsquo;t gamble any more. Take the advice of a man who
+ knows. It doesn&rsquo;t pay.&rdquo;
+ </p>
+ <p>
+ &ldquo;It seems to have paid you reasonably well.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t complain. It has its ups and downs like all
+ businesses. Still, it doesn&rsquo;t pay me nearly as well as perhaps you
+ think, and you can take my word that in the long run it won&rsquo;t pay
+ you at all. How much money have you got?&rdquo;
+ </p>
+ <p>
+ &ldquo;Enough to pay if I lose,&rdquo; said the boy impudently; then
+ seeing the look of pain that passed over Mellish&rsquo;s face, he added
+ more civilly:
+ </p>
+ <p>
+ &ldquo;I have three or four hundred dollars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, take my advice and go home. You&rsquo;ll be just that much
+ better off in the morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;What! Don&rsquo;t you play a square game here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course we play a square game here,&rdquo; answered Mellish with
+ indignation. &ldquo;Do you think I am a card-sharper?&rdquo;
+ </p>
+ <p>
+ &ldquo;You seem so cock-sure I&rsquo;ll lose my money that I was just
+ wondering. Now, I can afford to lose all the money I&rsquo;ve got and not
+ feel it. Are you going to allow me to play, or are you going to chuck me
+ out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you can play if you want to. But don&rsquo;t come whining to me
+ when you lose. I&rsquo;ve warned you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not a whiner,&rdquo; said the young fellow; &ldquo;I take
+ my medicine like a man.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right you are,&rdquo; said Mellish with a sigh. He realized that
+ this fellow, young as he looked, was probably deeper in vice than his
+ appearance indicated and he knew the uselessness of counsel in such a
+ case. They went into the main room together and the boy, abandoning
+ roulette, began to play at one of the card tables for ever-increasing
+ stakes. Mellish kept an eye on him for a time. The boy was having the luck
+ of most beginners. He played a reckless game and won hand over fist. As
+ one man had enough and rose from the table another eagerly took his place,
+ but there was no break in the boy&rsquo;s winnings.
+ </p>
+ <p>
+ Pony Rowell was always late in arriving at the gambling rooms. On this
+ occasion he entered, irreproachably dressed, and with the quiet,
+ gentlemanly demeanor habitual with him. The professional gambler was never
+ known to lose his temper. When displeased he became quieter, if possible,
+ than before. The only sign of inward anger was a mark like an old scar
+ which extended from his right temple, beginning over the eye and
+ disappearing in his closely-cropped hair behind the ear. This line became
+ an angry red that stood out against the general pallor of his face when
+ things were going in a way that did not please him. He spoke in a low tone
+ to Mellish.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the excitement down at the other end of the room?
+ Every one seems congregated there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; answered Mellish, &ldquo;it&rsquo;s a boy&mdash;a
+ stranger&mdash;who is having the devil&rsquo;s own luck at the start. It
+ will be the ruin of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is he playing high?&rdquo;
+ </p>
+ <p>
+ &ldquo;High? I should say so. He&rsquo;s perfectly reckless. He&rsquo;ll
+ be brought up with a sharp turn and will borrow money from me to get out
+ of town. I&rsquo;ve seen a flutter like that before.&rdquo;
+ </p>
+ <p>
+ &ldquo;In that case,&rdquo; said Pony tranquilly, &ldquo;I must have a go
+ at him. I like to tackle a youngster in the first flush of success,
+ especially if he is plunging.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will soon have a chance,&rdquo; answered Mellish, &ldquo;for
+ even Ragstock knows when he has enough. He will get up in a moment. I know
+ the signs.&rdquo;
+ </p>
+ <p>
+ With the air of a gentleman of leisure, somewhat tired of the frivolities
+ of this world, Rowell made his way slowly to the group. As he looked over
+ their shoulders at the boy a curious glitter came into his piercing eyes,
+ and his lips, usually so well under control, tightened. The red mark began
+ to come out as his face paled. It was evident that he did not intend to
+ speak and that he was about to move away again, but the magnetism of his
+ keen glance seemed to disturb the player, who suddenly looked up over the
+ head of his opponent and met the stern gaze of Rowell.
+ </p>
+ <p>
+ The boy did three things. He placed his cards face downward on the table,
+ put his right hand over the pile of money, and moved his chair back.
+ </p>
+ <p>
+ &ldquo;What do you mean by that?&rdquo; cried Ragstock.
+ </p>
+ <p>
+ The youth ignored the question, still keeping his eyes on Rowell.
+ </p>
+ <p>
+ &ldquo;Do you squeal?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I squeal,&rdquo; said Pony, whatever the question and answer might
+ mean. Then Rowell cried, slightly raising his voice so that all might
+ hear:
+ </p>
+ <p>
+ &ldquo;This man is Cub McLean, the most notorious card-sharper, thief, and
+ murderer in the west. He couldn&rsquo;t play straight if he tried.&rdquo;
+ </p>
+ <p>
+ McLean laughed. &ldquo;Yes,&rdquo; he said; &ldquo;and if you want to see
+ my trademark look at the side of Greggs&rsquo; face.&rdquo;
+ </p>
+ <p>
+ Every man looked at Pony, learning for the first time that he had gone
+ under a different name at some period of his life.
+ </p>
+ <p>
+ During the momentary distraction McLean swept the money off the table and
+ put it in his pockets.
+ </p>
+ <p>
+ &ldquo;Hold on,&rdquo; cried Ragstock, seemingly not quite understanding
+ the situation. &ldquo;You haven&rsquo;t won that yet.&rdquo;
+ </p>
+ <p>
+ Again McLean laughed.
+ </p>
+ <p>
+ &ldquo;It would have been the same in ten minutes.&rdquo;
+ </p>
+ <p>
+ He jumped up, scattering the crowd behind him.
+ </p>
+ <p>
+ &ldquo;Look to the doors,&rdquo; cried Pony. &ldquo;Don&rsquo;t let this
+ man out.&rdquo;
+ </p>
+ <p>
+ McLean had his back to the wall. From under his coat he whipped two
+ revolvers which he held out, one in each hand.
+ </p>
+ <p>
+ &ldquo;You ought to know me better than that, Greggs,&rdquo; he said,
+ &ldquo;do you want me to have another shot at you? I won&rsquo;t miss this
+ time. Drop that.&rdquo;
+ </p>
+ <p>
+ The last command was given in a ringing voice that attracted every one&rsquo;s
+ attention to Sotty. He had picked up a revolver from somewhere behind the
+ bar and had come out with it in his hand. McLean&rsquo;s eye seemed to
+ take in every motion in the room and he instantly covered the bartender
+ with one of the pistols as he gave the command.
+ </p>
+ <p>
+ &ldquo;Drop it,&rdquo; said Mellish. &ldquo;There must be no shooting. You
+ may go quietly. No one will interfere with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;You bet your sweet life they won&rsquo;t,&rdquo; said McLean with a
+ laugh.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; continued Mellish, &ldquo;the house will stand
+ the loss. If I allow a swindler in my rooms it is but right that I alone
+ should suffer. Now you put up your guns and walk out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good old Mellish,&rdquo; sneered McLean, &ldquo;you ought to be
+ running a Sunday- school.&rdquo;
+ </p>
+ <p>
+ Notwithstanding the permission to depart McLean did not relax his
+ precautions for a moment. His shoulders scraped their way along the wall
+ as he gradually worked towards the door. He kept Pony covered with his
+ left hand while the polished barrel of the revolver in his right seemed to
+ have a roving commission all over the room, to the nervous dread of many
+ respectable persons who cowered within range. When he reached the door he
+ said to Pony:
+ </p>
+ <p>
+ &ldquo;I hope you&rsquo;ll excuse me, Greggs, but this is too good an
+ opportunity to miss. I&rsquo;m going to kill you in your tracks.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s about your size,&rdquo; said Pony putting his hands
+ behind him and standing in his place, while those near him edged away.
+ &ldquo;I&rsquo;m unarmed, so it is perfectly safe. You will insure your
+ arrest so blaze away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dodge under the table, then, and I will spare you.&rdquo;
+ </p>
+ <p>
+ Pony invited him to take up his abode in tropical futurity.
+ </p>
+ <p>
+ Cub laughed once more good naturedly, and lowered the muzzle of his
+ revolver. As he shoved back his soft felt hat, Mellish, who stood nearest
+ him, saw that the hair on his temples was grey. Lines of anxiety had come
+ into his apparently youthful face as he had scraped his way along the
+ wall.
+ </p>
+ <p>
+ &ldquo;Good-night, all,&rdquo; he shouted back from the stairway.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ OLD NUMBER EIGHTY-SIX.
+ </h2>
+ <p>
+ John Saggart stood in a dark corner of the terminus, out of the rays of
+ the glittering arc lamps, and watched engine Number Eighty-six. The
+ engineer was oiling her, and the fireman, as he opened the furnace-door
+ and shovelled in the coal, stood out like a red Rembrandt picture in the
+ cab against the darkness beyond. As the engineer with his oil can went
+ carefully around Number Eighty-six, John Saggart drew his sleeve across
+ his eyes, and a gulp came up his throat. He knew every joint and bolt in
+ that contrary old engine&mdash;the most cantankerous iron brute on the
+ road&mdash;and yet, if rightly managed, one of the swiftest and most
+ powerful machines the company had, notwithstanding the many improvements
+ that had been put upon locomotives since old Eighty-six had left the
+ foundry.
+ </p>
+ <p>
+ Saggart, as he stood there, thought of the seven years he had spent on the
+ foot-board of old Eighty-six, and of the many tricks she had played him
+ during that period. If, as the poet says, the very chains and the prisoner
+ become friends through long association, it may be imagined how much of a
+ man&rsquo;s affection goes out to a machine that he thoroughly understands
+ and likes&mdash;a machine that is his daily companion for years, in danger
+ and out of it. Number Eighty-six and John had been in many a close pinch
+ together, and at this moment the man seemed to have forgotten that often
+ the pinch was caused by the pure cussedness of Eighty-six herself, and he
+ remembered only that she had bravely done her part several times when the
+ situation was exceedingly serious.
+ </p>
+ <p>
+ The cry &ldquo;All aboard&rdquo; rang out and was echoed down from the
+ high-arched roof of the great terminus, and John with a sigh turned from
+ his contemplation of the engine, and went to take his seat in the car. It
+ was a long train with many sleeping-cars at the end of it. The engineer
+ had put away his oil-can, and had taken his place on the engine, standing
+ ready to begin the long journey at the moment the signal was given.
+ </p>
+ <p>
+ John Saggart climbed into the smoking-carriage at the front part of the
+ train. He found a place in one of the forward seats, and sank down into it
+ with a vague feeling of uneasiness at being inside the coach instead of on
+ the engine. He gazed out of the window and saw the glittering electric
+ lights slide slowly behind, then, more quickly, the red, green, and white
+ lights of the signal lamps, and finally there flickered swiftly past the
+ brilliant constellation of city windows, showing that the town had not yet
+ gone to bed. At last the flying train plunged into the country, and
+ Saggart pressed his face against the cold glass of the window, unable to
+ shake off his feeling of responsibility, although he knew there was
+ another man at the throttle.
+ </p>
+ <p>
+ He was aroused from his reverie by a touch on the shoulder, and a curt
+ request, &ldquo;Tickets, please.&rdquo;
+ </p>
+ <p>
+ He pulled out of his pocket a pass, and turned to hand it to the conductor
+ who stood there with a glittering, plated, and crystal lantern on his arm.
+ </p>
+ <p>
+ &ldquo;Hello, John, is this you?&rdquo; cried the conductor, as soon as he
+ saw the face. &ldquo;Hang it, man, you didn&rsquo;t need a pass in
+ travelling with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;They gave it to me to take me home,&rdquo; said Saggart, a touch of
+ sadness in his voice, &ldquo;and I may as well use it as not. I don&rsquo;t
+ want to get you into trouble.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;d risk the trouble,&rdquo; said the conductor, placing
+ the lantern on the floor and taking his seat beside the engineer. &ldquo;I
+ heard about your worry to-day. It&rsquo;s too bad. If a man had got drunk
+ at his post, as you and I have known &lsquo;em to do, it wouldn&rsquo;t
+ have seemed so hard; but at its worst your case was only an error of
+ judgment, and then nothing really happened. Old Eighty-six seems to have
+ the habit of pulling herself through. I suppose you and she have been in
+ worse fixes than that, with not a word said about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes,&rdquo; said John, &ldquo;we&rsquo;ve been in many a tight
+ place together, but we won&rsquo;t be any more. It&rsquo;s rough, as you
+ say. I&rsquo;ve been fifteen years with the company, and seven on old
+ Eighty-six, and at first it comes mighty hard. But I suppose I&rsquo;ll
+ get used to it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here, John,&rdquo; said the conductor, lowering his voice to a
+ confidential tone, &ldquo;the president of the road is with us to-night;
+ his private car is the last but one on the train. How would it do to speak
+ to him? If you are afraid to tackle him, I&rsquo;ll put in a word for you
+ in a minute, and tell him your side of the story.&rdquo;
+ </p>
+ <p>
+ John Saggart shook his head.
+ </p>
+ <p>
+ &ldquo;It wouldn&rsquo;t do,&rdquo; he said; &ldquo;he wouldn&rsquo;t
+ overrule what one of his subordinates had done, unless there was serious
+ injustice in the case. It&rsquo;s the new manager, you know. There&rsquo;s
+ always trouble with a new manager. He sweeps clean. And I suppose that he
+ thinks by &lsquo;bouncing&rsquo; one of the oldest engineers on the road,
+ he will scare the rest.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t think much of him between ourselves,&rdquo;
+ said the conductor. &ldquo;What do you think he has done to-night? He&rsquo;s
+ put a new man on Eighty-six. A man from one of the branch lines who doesn&rsquo;t
+ know the road. I doubt if he&rsquo;s ever been over the main line before.
+ Now, it&rsquo;s an anxious enough time for me anyhow with a heavy train to
+ take through, with the thermometer at zero, and the rails like glass, and
+ I like to have a man in front that I can depend on.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s bad enough not to know the road,&rdquo; said John
+ gloomily, &ldquo;but it&rsquo;s worse not to know old Eighty-six. She&rsquo;s
+ a brute if she takes a notion.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t suppose there is another engine that could draw this
+ train and keep her time,&rdquo; said the conductor.
+ </p>
+ <p>
+ &ldquo;No! She&rsquo;ll do her work all right if you&rsquo;ll only humor
+ her,&rdquo; admitted Saggart, who could not conceal his love for the
+ engine even while he blamed her.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the conductor, rising and picking up his lantern,
+ &ldquo;the man in front may be all right, but I would feel safer if you
+ were further ahead than the smoker. I&rsquo;m sorry I can&rsquo;t offer
+ you a berth to-night, John, but we&rsquo;re full clear through to the rear
+ lights. There isn&rsquo;t even a vacant upper on the train.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, it doesn&rsquo;t matter,&rdquo; said Saggart. &ldquo;I couldn&rsquo;t
+ sleep, anyhow. I&rsquo;d rather sit here and look out of the window.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, so long,&rdquo; said the conductor. &ldquo;I&rsquo;ll drop in
+ and see you as the night passes on.&rdquo;
+ </p>
+ <p>
+ Saggart lit his pipe and gazed out into darkness. He knew every inch of
+ the road&mdash;all the up grades and the down grades and the levels. He
+ knew it even better in the murkiest night than in the clearest day. Now
+ and then the black bulk of a barn or a clump of trees showed for one
+ moment against the sky, and Saggart would say to himself, &ldquo;Now he
+ should shut off an inch of steam,&rdquo; or, &ldquo;Now he should throw
+ her wide open.&rdquo; The train made few stops, but he saw that they were
+ losing time. Eighty-six was sulking, very likely. Thinking of the engine
+ turned his mind to his own fate. No man was of very much use in the world,
+ after all, for the moment he steps down another is ready to stand in his
+ place. The wise men in the city who had listened to his defence knew so
+ well that an engine was merely a combination of iron and steel and brass,
+ and that a given number of pounds of steam would get it over a given
+ number of miles in a given number of hours, and they had smiled
+ incredulously when he told them that an engine had her tantrums, and
+ informed them that sometimes she had to be coddled up like any other
+ female. Even when a man did his best there were occasions when nothing he
+ could do would mollify her, and then there was sure to be trouble,
+ although, he added, in his desire to be fair, she was always sorry for it
+ afterward. Which remark, to his confusion, had turned the smile into a
+ laugh.
+ </p>
+ <p>
+ He wondered what Eighty-six thought of the new man. Not much, evidently,
+ for she was losing time, which she had no business to do on that section
+ of the road. Still it might be the fault of the new man not knowing when
+ to push her for all she was worth and when to ease up. All these things go
+ to the making of time. But it was more than probable that old Eighty-six,
+ like Gilpin&rsquo;s horse, was wondering more and more what thing upon her
+ back had got. &ldquo;He&rsquo;ll have trouble,&rdquo; muttered John to
+ himself, &ldquo;when she finds out.&rdquo;
+ </p>
+ <p>
+ The conductor came in again and sat down beside the engineer. He said
+ nothing, but sat there sorting his tickets, while Saggart gazed out of the
+ window. Suddenly the engineer sprang to his feet with his eyes wide open.
+ The train was swaying from side to side and going at great speed.
+ </p>
+ <p>
+ The conductor looked up with a smile.
+ </p>
+ <p>
+ &ldquo;Old Eighty-six,&rdquo; he said, &ldquo;is evidently going to make
+ up for lost time.&rdquo;
+ </p>
+ <p>
+ &ldquo;She should be slowing down for crossing the G. &amp; M. line,&rdquo;
+ replied the engineer. &ldquo;Good heavens!&rdquo; he cried a moment after,
+ &ldquo;we&rsquo;ve gone across the G. &amp; M. track on the keen jump.&rdquo;
+ </p>
+ <p>
+ The conductor sprang to his feet. He knew the seriousness of such a thing.
+ Even the fastest expresses must stop dead before crossing on the level the
+ line of another railway. It is the law.
+ </p>
+ <p>
+ &ldquo;Doesn&rsquo;t that fool in front know enough to stop at a crossing?&rdquo;
+ </p>
+ <p>
+ &ldquo;It isn&rsquo;t that.&rdquo; said Saggart. &ldquo;He knows all
+ right. Even the train boys know that. Old Eighty-six has taken the bit
+ between her teeth. He can&rsquo;t stop her. Where do you pass No. 6
+ to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;At Pointsville.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s only six miles ahead,&rdquo; said the engineer;
+ &ldquo;and in five minutes at this rate we will be running on her time and
+ on her rails. She&rsquo;s always late, and won&rsquo;t be on the side
+ track. I must get to Eighty-six.&rdquo;
+ </p>
+ <p>
+ Saggart quickly made his way through the baggage-coach, climbed on the
+ express car, and jumped on the coal of the tender. He cast his eye up the
+ track and saw glimmering in the distance, like a faint wavering star, the
+ headlight of No. 6. Looking down into the cab he realized the situation in
+ a glance. The engineer, with fear in his face and beads of perspiration on
+ his brow, was throwing his whole weight on the lever, the fireman helping
+ him. Saggart leaped down to the floor of the cab.
+ </p>
+ <p>
+ &ldquo;Stand aside,&rdquo; he shouted; and there was such a ring of
+ confident command in his voice that both men instantly obeyed.
+ </p>
+ <p>
+ Saggart grasped the lever, and instead of trying to shut off steam flung
+ it wide open. Number Eighty-six gave a quiver and a jump forward. &ldquo;You
+ old fiend!&rdquo; muttered John between his teeth. Then he pushed the
+ lever home, and it slid into place as if there had never been any
+ impediment. The steam was shut off, but the lights of Pointsville flashed
+ past them with the empty side-track on the left, and they were now flying
+ along the single line of rails with the headlight of No. 6 growing
+ brighter and brighter in front of them.
+ </p>
+ <p>
+ &ldquo;Reverse her, reverse her!&rdquo; cried the other engineer, with
+ fear in his voice.
+ </p>
+ <p>
+ &ldquo;Reverse nothing,&rdquo; said Saggart. &ldquo;She&rsquo;ll slide ten
+ miles if you do. Jump, if you&rsquo;re afraid.&rdquo;
+ </p>
+ <p>
+ The man from the branch line promptly jumped.
+ </p>
+ <p>
+ &ldquo;Save yourself,&rdquo; said Saggart to the stoker; &ldquo;there&rsquo;s
+ bound to be a smash.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll stick by you, Mr. Saggart,&rdquo; said the fireman, who
+ knew him. But his hand trembled.
+ </p>
+ <p>
+ The air-brake was grinding the long train and sending a shiver of fear
+ through every timber, but the rails were slippery with frost, and the
+ speed of the train seemed as great as ever. At the right moment Saggart
+ reversed the engine, and the sparks flew up from her great drivers like
+ catharine wheels.
+ </p>
+ <p>
+ &ldquo;Brace yourself,&rdquo; cried Saggart. &ldquo;No. 6 is backing up,
+ thank God!&rdquo;
+ </p>
+ <p>
+ Next instant the crash came. Two headlights and two cow-catchers went to
+ flinders, and the two trains stood there with horns locked, but no great
+ damage done, except a shaking up for a lot of panic-stricken passengers.
+ </p>
+ <p>
+ The burly engineer of No. 6 jumped down and came forward, his mouth full
+ of oaths.
+ </p>
+ <p>
+ &ldquo;What the h&mdash;l do you mean by running in on our time like this?
+ Hello, is that you, Saggart? I thought there was a new man on to-night. I
+ didn&rsquo;t expect this from <i>you</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all right, Billy. It wasn&rsquo;t the new man&rsquo;s
+ fault. He&rsquo;s back in the ditch with a broken leg, I should say, from
+ the way he jumped. Old Eighty-six is to blame. She got on the rampage.
+ Took advantage of the greenhorn.&rdquo;
+ </p>
+ <p>
+ The conductor came running up.
+ </p>
+ <p>
+ &ldquo;How is it?&rdquo; he cried.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all right. Number Eighty-six got her nose broke, and
+ served her right, that&rsquo;s all. Tell the passengers there&rsquo;s no
+ danger, and get &lsquo;em on board. We&rsquo;re going to back up to
+ Pointsville. Better send the brakesmen to pick up the other engineer. The
+ ground&rsquo;s hard tonight, and he may be hurt.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m going back to talk to the president,&rdquo; said the
+ conductor emphatically. &ldquo;He&rsquo;s in a condition of mind to listen
+ to reason, judging from the glimpse I got of his face at the door of his
+ car a moment ago. Either he re-instates you or I go gathering tickets on a
+ street-car. This kind of thing is too exciting for my nerves.&rdquo;
+ </p>
+ <p>
+ The conductor&rsquo;s interview with the president of the road was
+ apparently satisfactory, for old Number Eighty-six is trying to lead a
+ better life under the guidance of John Saggart.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PLAYING WITH MARKED CARDS.
+ </h2>
+ <p>
+ &ldquo;I&rsquo;m bothered about that young fellow,&rdquo; said Mellish
+ early one morning, to the professional gambler, Pony Rowell.
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;He comes here night after night, and he loses more than he can
+ afford, I imagine. He has no income, so far as I can find out, except what
+ he gets as salary, and it takes a mighty sight bigger salary than his to
+ stand the strain he&rsquo;s putting on it.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is his business?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is cashier in the Ninth National Bank. I don&rsquo;t know how
+ much he gets, but it can&rsquo;t be enough to permit this sort of thing to
+ go on.&rdquo;
+ </p>
+ <p>
+ Pony Rowell shrugged his shoulders.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think I would let it trouble me, if I were you,
+ Mellish.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nevertheless it does. I have advised him to quit, but it is no use.
+ If I tell the doorkeeper not to let him in here, he will merely go
+ somewhere else where they are not so particular.&rdquo;
+ </p>
+ <p>
+ &ldquo;I must confess I don&rsquo;t quite understand you, Mellish, long as
+ I have known you. In your place, now, I would either give up keeping a
+ gambling saloon or I would give up the moral reformation line of business.
+ I wouldn&rsquo;t try to ride two horses of such different tempers at the
+ same time.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve never tried to reform you, Pony,&rdquo; said Mellish,
+ with reproach in his voice.
+ </p>
+ <p>
+ &ldquo;No; I will give you credit for that much sense.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all right with old stagers like you and me, Pony, but
+ with a boy just beginning life, it is different. Now it struck me that you
+ might be able to help me in this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I thought that was what you were leading up to,&rdquo; said
+ Rowell, thrusting his hands deep in his trousers&rsquo; pockets. &ldquo;I&rsquo;m
+ no missionary, remember. What did you want me to do?&rdquo;
+ </p>
+ <p>
+ &ldquo;I wanted you to give him a sharp lesson. Couldn&rsquo;t you mark a
+ pack of cards and get him to play high? Then, when you have taken all his
+ ready money and landed him in debt to you so that he can&rsquo;t move,
+ give him back his cash if he promises not to gamble again.&rdquo;
+ </p>
+ <p>
+ Rowell looked across at the subject of their conversation. &ldquo;I don&rsquo;t
+ think I would flatter him so much as to even stock the cards on him. I&rsquo;ll
+ clean him out if you like. But it won&rsquo;t do any good, Mellish. Look
+ at his eyes. The insanity of gambling is in them. I used to think if I had
+ $100,000, I would quit. I&rsquo;m old enough now to know that I wouldn&rsquo;t.
+ I&rsquo;d gamble if I had a million.&rdquo;
+ </p>
+ <p>
+ &ldquo;I stopped after I was your age.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, Mellish, you are the virtuous exception that proves the
+ rule. You quit gambling the way the old woman kept tavern,&rdquo; and
+ Rowell cast a glance over the busy room.
+ </p>
+ <p>
+ Mellish smiled somewhat grimly, then he sighed. &ldquo;I wish I was out of
+ it,&rdquo; he said. &ldquo;But, anyhow, you think over what I&rsquo;ve
+ been talking about, and if you can see your way to giving him a sharp
+ lesson I wish you would.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right I will, but merely to ease your tender conscience,
+ Mellish. It&rsquo;s no use, I tell you. When the snake has bitten, the
+ victim is doomed. Gambling isn&rsquo;t a simple thing like the opium
+ habit.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Reggie Forme, the bank cashier, rose at last from the roulette table. He
+ was flushed with success, for there was a considerable addition to the sum
+ he had in his pockets when he sat down. He flattered himself that the
+ result was due to the system he had elaborately studied out.
+ </p>
+ <p>
+ Nothing lures a man to destruction quicker than a system that can be
+ mathematically demonstrated. It gives an air of business to gambling which
+ is soothing to the conscience of a person brought up on statistics. The
+ system generally works beautifully at first; then a cog slips and you are
+ mangled in the machinery before you know where you are. As young Forme
+ left the table he felt a hand on his shoulder, and looking around, met the
+ impassive gaze of Pony Rowell.
+ </p>
+ <p>
+ &ldquo;You&rsquo;re young at the business, I see,&rdquo; remarked the
+ professional quietly.
+ </p>
+ <p>
+ &ldquo;Why do you think that?&rdquo; asked the youngster, coloring, for
+ one likes to be taken for a veteran, especially when one is an amateur.
+ </p>
+ <p>
+ &ldquo;Because you fool away your time at roulette. That is a game for
+ boys and women. Have you nerve enough to play a real game?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you call a real game?&rdquo;
+ </p>
+ <p>
+ &ldquo;A game with cards in a private room for something bigger than half-
+ dollar points.&rdquo;
+ </p>
+ <p>
+ &ldquo;How big?&rdquo;
+ </p>
+ <p>
+ &ldquo;Depends on what capital you have. How much capital can you command?&rdquo;
+ </p>
+ <p>
+ The cashier hesitated for a moment and his eyes fell from the steady light
+ of Rowell&rsquo;s, which seemed to have an uncomfortable habit of looking
+ into one&rsquo;s inmost soul.
+ </p>
+ <p>
+ &ldquo;I can bring $1,000 here on Saturday night.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. That will do as a starter. Is it an appointment then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, if you like. What time?&rdquo;
+ </p>
+ <p>
+ &ldquo;I generally get here pretty late, but I can make an exception in
+ your case. What do you say to 10 o&rsquo;clock?&rdquo;
+ </p>
+ <p>
+ &ldquo;That will suit me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, then. Don&rsquo;t fool away any of your money or nerve
+ until I come. You will need all you have of both.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The professional gambler and the amateur began their series of games a few
+ minutes after ten in a little private room. The young man became more and
+ more excited as the play went on. As for Pony, he was cool under any
+ circumstances. Before an hour had passed the $1,000 was transferred from
+ the possession of Forme into the pockets of the professional, and by
+ midnight the younger man was another $1,000 in Rowell&rsquo;s debt.
+ </p>
+ <p>
+ &ldquo;It isn&rsquo;t my practice,&rdquo; said Rowell slowly, &ldquo;to
+ play with a man unless he has the money in sight. I&rsquo;ve made an
+ exception in your case, as luck was against you, but I think this has gone
+ far enough. You may bring me the $1,000 you owe any day next week. No
+ particular hurry, you know.&rdquo;
+ </p>
+ <p>
+ The young fellow appeared to be dazed. He drew his hand across his brow
+ and then said mechanically, as if he had just heard his opponent&rsquo;s
+ remark:
+ </p>
+ <p>
+ &ldquo;No hurry? All right. Next week. Certainly. I guess I&rsquo;ll go
+ home now.&rdquo;
+ </p>
+ <p>
+ Forme went out, leaving Rowell idly shuffling the cards at the small
+ table. The moment the young man had disappeared all Rowell&rsquo;s
+ indolence vanished. He sprang up and put on his overcoat, then slipped out
+ by the rear exit into the alley. He had made up his mind what Forme would
+ do. Mentally he tracked him from the gambling rooms to the river and he
+ even went so far as to believe he would take certain streets on his way
+ thither. A gambler is nothing if not superstitious and so Rowell was not
+ in the least surprised when he saw the young man emerge from the dark
+ stairway, hesitate for a moment between the two directions open to him,
+ and finally choose the one that the gambler expected him to take. The cold
+ streets were deserted and so Rowell had more difficulty in following his
+ late victim unperceived than he would have had earlier in the evening.
+ Several times the older man thought the pursued had become aware of the
+ pursuit, for Forme stopped and looked around him; once coming back and
+ taking another street as if trying to double on the man who was following
+ him.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Rowell began to realize the difficulty of the task he had set for himself,
+ and as he had never had any faith in it anyhow, he began to feel
+ uncomfortable and to curse the tender heart of Mellish. If the youngster
+ got the idea into his head that he was followed he might succeed in giving
+ his pursuer the slip, and then Rowell would find himself with the fool&rsquo;s
+ death on his conscience, and what was to him infinitely worse, with a
+ thousand dollars in his pocket that had been unfairly won. This thought
+ made him curse Mellish afresh. It had been entirely against his own will
+ that he had played with marked cards, but Mellish had insisted that they
+ should take no chances, and the veteran knew too well the uncertainties of
+ playing a fair game where a great object lesson was to be taught. It would
+ make them look like two fools, Mellish had said, if Forme won the money.
+ In answer to this Rowell had remarked that they were two fools anyhow, but
+ he had finally succumbed to Mellish as the whole scheme was Mellish&rsquo;s.
+ As Rowell thought bitterly of these things his attention was diverted from
+ the very matter he had in hand. Few men can pursue a course of thought and
+ a fellow-creature at the same time. He suddenly realized that young Forme
+ had escaped him. Rowell stood alone in the dimly-lighted silent street and
+ poured unuttered maledictions on his own stupidity. Suddenly a voice rang
+ out from a dark doorway.
+ </p>
+ <p>
+ &ldquo;What the devil are you following me for?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you&rsquo;re there, are you?&rdquo; said Pony calmly.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m here. Now what do you want of me? Aren&rsquo;t you
+ satisfied with what you have done to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Naturally not, or I wouldn&rsquo;t be fool-chasing at such an hour
+ as this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you admit you have been following me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I never denied it.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you want of me? Do I belong to myself or do you think I
+ belong to you, because I owe you some money?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not know, I am sure, to whom you belong,&rdquo; said Rowell
+ with his slow drawl. &ldquo;I suspect, however, that the city police, who
+ seem to be scarce at this hour, have the first claim upon you. What do I
+ want of you? I want to ask you a question. Where did you get the money you
+ played with to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s none of your business.&rdquo;
+ </p>
+ <p>
+ &ldquo;I presume not. But as there are no witnesses to this interesting
+ conversation I will venture an opinion that you robbed the bank.&rdquo;
+ </p>
+ <p>
+ The young man took a step forward, but Pony stood his ground, using the
+ interval to light another cigarette.
+ </p>
+ <p>
+ &ldquo;I will also venture an opinion, Mr. Rowell, and say that the money
+ came as honestly into my pocket as it did into yours.&rdquo;
+ </p>
+ <p>
+ &ldquo;That wouldn&rsquo;t be saying much for it. I have the advantage of
+ you, however, because the nine points are in my favor. I have possession.&rdquo;
+ </p>
+ <p>
+ &ldquo;What are you following me for? To give me up?&rdquo;
+ </p>
+ <p>
+ &ldquo;You admit the robbery, then.&rdquo;
+ </p>
+ <p>
+ &ldquo;I admit nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;It won&rsquo;t be used against you. As I told you, there are no
+ witnesses. It will pay you to be frank. Where did you get the money?&rdquo;
+ </p>
+ <p>
+ &ldquo;Where many another man gets it. Out of the bank.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought so. Now, Forme, you are not such a fool as you look&mdash;or
+ act. You know where all that sort of thing leads to. You haven&rsquo;t any
+ chance. All the rules of the game are against you. You have no more show
+ than you had against me to-night. Why not chuck it, before it is too late?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is easy for you to talk like that when you have my money in your
+ pocket.&rdquo;
+ </p>
+ <p>
+ &ldquo;But that simply is another rule of the game. The money of a thief
+ is bound to go into someone else&rsquo;s pocket. Whoever enjoys the cash
+ ultimately, he never does. Now if you had the money in your pocket what
+ would you do?&rdquo;
+ </p>
+ <p>
+ &ldquo;I would go back to Mellish&rsquo;s and have another try.&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe you,&rdquo; said Rowell with, for the first time, some
+ cordiality in his voice. He recognized a kindred spirit in this young man.
+ &ldquo;Nevertheless it would be a foolish thing to do. You have two
+ chances before you. You can become a sport as I am and spend your life in
+ gambling rooms. Or you can become what is called a respectable business
+ man. But you can&rsquo;t be both. In a very short time you will not have
+ the choice. You will be found out and then you can only be what I am&mdash;
+ probably not as successful as I have been. If you add bank robbery to your
+ other accomplishments then you will go to prison or, what is perhaps
+ worse, to Canada. Which career are you going to choose?&rdquo;
+ </p>
+ <p>
+ &ldquo;Come down to plain facts. What do you mean by all this talk? If I
+ say I&rsquo;ll quit gambling do you mean that you will return to me the
+ thousand dollars and call the other thousand square?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you give me your word of honor that you will quit.&rdquo;
+ </p>
+ <p>
+ &ldquo;And if I don&rsquo;t, what then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Then on Monday I will hand over this money to the bank and advise
+ them to look into your accounts.&rdquo;
+ </p>
+ <p>
+ &ldquo;And suppose my accounts prove to be all right, what then?&rdquo;
+ </p>
+ <p>
+ Rowell shrugged his shoulders. &ldquo;In that remote possibility I will
+ give the thousand dollars to you and play you another game for it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see. Which means that you cheated to-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you like to put it that way.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what if I denounced you as a self-confessed cheat?&rdquo;
+ </p>
+ <p>
+ &ldquo;It wouldn&rsquo;t matter to me. I wouldn&rsquo;t take the trouble
+ to deny it. Nobody would believe you.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re a cool hand, Pony, I admire your cheek. Still, you&rsquo;ve
+ got some silly elements in you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you mean my trying to reform you? Don&rsquo;t make any mistake
+ about that. It is Mellish&rsquo;s idea, not mine. I don&rsquo;t believe in
+ you for a moment.&rdquo;
+ </p>
+ <p>
+ The young man laughed. He reflected for a few seconds, then said: &ldquo;I&rsquo;ll
+ take your offer. You give me back the money and I will promise never to
+ gamble again in any shape or form.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will return the cash to the bank, if you took it from there?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly. I will put it back the first thing on Monday morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then here is your pile,&rdquo; said Rowell, handing him the roll of
+ bills.
+ </p>
+ <p>
+ Forme took it eagerly and, standing where the light struck down upon him,
+ counted the bills, while Rowell looked on silently with a cynical smile on
+ his lips.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; said the young man, &ldquo;you&rsquo;re a good
+ fellow, Rowell.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m obliged for your good opinion. I hope you found the money
+ correct?&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite right,&rdquo; said Forme, flushing a little. &ldquo;I hope
+ you did not mind my counting it. Merely a business habit, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, stick to business habits, Mr. Forme. Good night.&rdquo;
+ </p>
+ <p>
+ Rowell walked briskly back to Mellish&rsquo;s. Forme walked toward the
+ railway station and found that there was a train for Chicago at 4 in the
+ morning. He had one clear day and part of another before he was missed,
+ and as it turned out all trace of him was lost in the big city. The bank
+ found about $6,000 missing. Two years after, news came that Forme had been
+ shot dead in a gambling hall in Southern Texas.
+ </p>
+ <p>
+ &ldquo;We are two first-class fools,&rdquo; said Rowell to Mellish,
+ &ldquo;and I for one don&rsquo;t feel proud of the episode, so we&rsquo;ll
+ say nothing more about it. The gambling mania was in his blood. Gambling
+ is not a vice; it is a disease, latent in all of us.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE BRUISER&rsquo;S COURTSHIP.
+ </h2>
+ <p>
+ While the Northern Bruiser sat in the chair in his corner and was being
+ fanned he resolved to finish the fight at the next round. The superior
+ skill of his opponent was telling upon him, and although the Bruiser was a
+ young man of immense strength, yet, up to that time, the alertness and
+ dexterity of the Yorkshire Chicken had baffled him, and prevented him from
+ landing one of his tremendous shoulder thrusts. But even though skill had
+ checkmated strength up to this point, the Chicken had not entirely
+ succeeded in defending himself, and was in a condition described by the
+ yelling crowd as &ldquo;groggy.&rdquo;
+ </p>
+ <p>
+ When time was called the Bruiser was speedily on his feet. His face did
+ not present the repulsive appearance so visible on the countenance of his
+ opponent, but the Bruiser had experience enough to know that the body
+ blows received in this fight had had their effect on his wind and staying
+ powers; and that although the Chicken presented an appalling appearance
+ with his swollen lips and cheeks, and his eyes nearly closed, yet he was
+ in better trim for continuing the battle than the Bruiser.
+ </p>
+ <p>
+ The Chicken came up to the mark less promptly than his big antagonist, but
+ whether it was from weakness or lack of sight, he seemed uncertain in his
+ movements, and the hearts of his backers sank as they saw him stagger
+ rather than walk to his place.
+ </p>
+ <p>
+ Before the Chicken, as it were, fully waked up to the situation, the
+ Bruiser lunged forward and planted a blow on his temple that would have
+ broken the guard of a man who was in better condition than the Chicken.
+ The Yorkshireman fell like a log, and lay where he fell. Then the Bruiser
+ got a lesson which terrified him. A sickly ashen hue came over the purple
+ face of the man on the ground. The Bruiser had expected some defence, and
+ the terrible blow had been even more powerful than he intended. A
+ shivering whisper went round the crowd, &ldquo;He is killed,&rdquo; and
+ instantly the silenced mob quietly scattered. It was every man for himself
+ before the authorities took a hand in the game.
+ </p>
+ <p>
+ The Bruiser stood there swaying from side to side, his gaze fixed upon the
+ prostrate man. He saw himself indicted and hanged for murder, and he swore
+ that if the Chicken recovered he would never again enter the ring. This
+ was a phase of prize-fighting that he had never before had experience of.
+ On different occasions he had, it is true, knocked out his various
+ opponents, and once or twice he had been knocked out himself; but the
+ Chicken had fought so pluckily up to the last round that the Bruiser had
+ put forth more of his tremendous strength than he had bargained for, and
+ now the man&rsquo;s life hung on a thread.
+ </p>
+ <p>
+ The unconscious pugilist was carried to an adjoining room. Two physicians
+ were in attendance upon him, and at first the reports were most gloomy,
+ but towards daylight the Bruiser learned with relief that the chances were
+ in favor of his opponent.
+ </p>
+ <p>
+ The Bruiser had been urged to fly, but he was a man of strong common
+ sense, and he thoroughly understood the futility of flight. His face and
+ his form were too well known all around the country. It would have been
+ impossible for him to escape, even if he had tried to do so.
+ </p>
+ <p>
+ When the Yorkshire Chicken recovered, the Bruiser&rsquo;s friends laughed
+ at his resolve to quit the ring, but they could not shake it. The money he
+ had won in his last fight, together with what he had accumulated before&mdash;for
+ he was a frugal man&mdash;was enough to keep him for the rest of his days,
+ and he resolved to return to the Border town where he was born, and where
+ doubtless his fame had preceded him.
+ </p>
+ <p>
+ He buckled his guineas in a belt around him, and with a stout stick in his
+ hand he left London for the North. He was a strong and healthy young man,
+ and had not given way to dissipation, as so many prizefighters had done
+ before, and will again. He had a horror of a cramped and confined, seat in
+ a stage coach. He loved the free air of the heights and the quiet
+ stillness of the valleys.
+ </p>
+ <p>
+ It was in the days of highwaymen, and travelling by coach was not
+ considered any too safe. The Bruiser was afraid of no man that lived, if
+ he met him in the open with a stick in his hand, or with nature&rsquo;s
+ weapons, but he feared the muzzle of a pistol held at his head in the dark
+ by a man with a mask over his face. So he buckled his belt around him with
+ all his worldly gear in gold, took his own almost forgotten name, Abel
+ Trenchon, set his back to the sun and his face to the north wind, and
+ journeyed on foot along the king&rsquo;s highway. He stopped at night in
+ the wayside inns, taking up his quarters before the sun had set, and
+ leaving them when it was broad daylight in the morning. He disputed his
+ reckonings like a man who must needs count the pennies, and no one
+ suspected the sturdy wayfarer of carrying a fortune around his body.
+ </p>
+ <p>
+ As his face turned toward the North his thought went to the Border town
+ where he had spent his childhood. His father and mother were dead, and he
+ doubted now if anyone there remembered him, or would have a welcome for
+ him. Nevertheless no other spot on earth was so dear to him, and it had
+ always been his intention, when he settled down and took a wife, to retire
+ to the quiet little town.
+ </p>
+ <p>
+ The weather, at least, gave him a surly welcome. On the last day&rsquo;s
+ tramp the wind howled and the rain beat in gusts against him, but he was a
+ man who cared little for the tempest, and he bent his body to the blast,
+ trudging sturdily on. It was evening when he began to recognize familiar
+ objects by the wayside, and he was surprised to see how little change
+ there had been in all the years he was away. He stopped at an inn for
+ supper, and, having refreshed himself, resolved to break the rule he had
+ made for himself throughout the journey. He would push on through the
+ night, and sleep in his native village.
+ </p>
+ <p>
+ The storm became more pitiless as he proceeded, and he found himself
+ sympathizing with those poor creatures who were compelled to be out in it,
+ but he never gave a thought to himself.
+ </p>
+ <p>
+ It was nearly midnight when he saw the square church tower standing
+ blackly out against the dark sky; and when he began to descend the valley,
+ on the other side of which the town stood, a thrill of fear came over him,
+ as he remembered what he had so long forgotten&mdash;that the valley was
+ haunted, and was a particularly dangerous place about the hour of
+ midnight. To divert his thoughts he then began to wonder who the woman was
+ he would marry. She was doubtless now sleeping calmly in the village on
+ the hill, quite unconscious of the approach of her lover and her husband.
+ He could not conceal from himself the fact that he would be reckoned a
+ good match when his wealth was known, for, excepting the Squire, he would
+ probably be the richest man in the place. However, he resolved to be
+ silent about his riches, so that the girl he married would little dream of
+ the good fortune that awaited her. He laughed aloud as he thought of the
+ pleasure he would have in telling his wife of her luck, but the laugh died
+ on his lips as he saw, or thought he saw, something moving stealthily
+ along the hedge.
+ </p>
+ <p>
+ He was now in the depth of the valley in a most lonesome and eerie spot.
+ The huge trees on each side formed an arch over the roadway and partially
+ sheltered it from the rain.
+ </p>
+ <p>
+ He stood in his tracks, grasped his stick with firmer hold, and shouted
+ valiantly, &ldquo;Who goes there?&rdquo;
+ </p>
+ <p>
+ There was no answer, but in the silence which followed he thought he heard
+ a woman&rsquo;s sob.
+ </p>
+ <p>
+ &ldquo;Come out into the road,&rdquo; he cried, &ldquo;or I shall fire.&rdquo;
+ </p>
+ <p>
+ His own fear of pistols was so great that he expected everyone else to be
+ terrorized by the threat of using them; and yet he had never possessed nor
+ carried a pistol in his life.
+ </p>
+ <p>
+ &ldquo;Please&mdash;please don&rsquo;t fire,&rdquo; cried a trembling
+ voice, from out the darkness. &ldquo;I will do as you tell me.&rdquo; And
+ so saying the figure moved out upon the road.
+ </p>
+ <p>
+ Trenchon peered at her through the darkness, but whether she was old or
+ young he could not tell. Her voice seemed to indicate that she was young.
+ </p>
+ <p>
+ &ldquo;Why, lass,&rdquo; said Trenchon, kindly, &ldquo;what dost thou here
+ at such an hour and in such a night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Alas!&rdquo; she cried, weeping; &ldquo;my father turned me out, as
+ he has often done before, but to-night is a bitter night, and I had
+ nowhere to go, so I came here to be sheltered from the rain. He will be
+ asleep ere long, and he sleeps soundly. I may perhaps steal in by a
+ window, although sometimes he fastens them down.&rdquo;
+ </p>
+ <p>
+ &ldquo;God&rsquo;s truth!&rdquo; cried Trenchon, angrily. &ldquo;Who is
+ thy brute of a father?&rdquo;
+ </p>
+ <p>
+ The girl hesitated, and then spoke as if to excuse him, but again Trenchon
+ demanded his name.
+ </p>
+ <p>
+ &ldquo;He is the blacksmith of the village, and Cameron is his name.&rdquo;
+ </p>
+ <p>
+ &ldquo;I remember him,&rdquo; said Trenchon. &ldquo;Is thy mother, then,
+ dead?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered the girl, weeping afresh. &ldquo;She has been
+ dead these five years.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew her when I was a boy,&rdquo; said Trenchon. &ldquo;Thy
+ father also, and many a grudge I owe him, although I had forgotten about
+ them. Still, I doubt not but as a boy I was as much in fault as he,
+ although he was harsh to all of us, and now it seems he is harsh to thee.
+ My name is Trenchon. I doubt if any in the village now remember me,
+ although, perhaps, they may have heard of me from London,&rdquo; he said,
+ with some pride, and a hope that the girl would confirm his thoughts. But
+ she shook her head.
+ </p>
+ <p>
+ &ldquo;I have never heard thy name,&rdquo; she said.
+ </p>
+ <p>
+ Trenchon sighed. This, then, was fame!
+ </p>
+ <p>
+ &ldquo;Ah, well!&rdquo; he cried, &ldquo;that matters not; they shall hear
+ more of me later. I will go with thee to thy father&rsquo;s house and
+ demand for thee admittance and decent usage.&rdquo;
+ </p>
+ <p>
+ But the girl shrank back. &ldquo;Oh, no, no!&rdquo; she cried; &ldquo;that
+ will never do. My father is a hard man to cross. There are none in the
+ village who dare contend with him.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is as it may be,&rdquo; said Trenchon, with easy confidence.
+ &ldquo;I, for one, fear him not. Come, lass, with me, and see if I cannot,
+ after all these years, pick out thy father&rsquo;s dwelling. Come, I say,
+ thou must not longer tarry here; the rain is coming on afresh, and these
+ trees, thick as they are, form scant protection. It is outrageous that
+ thou should wander in this storm, while thy brutal father lies in shelter.
+ Nay, do not fear harm for either thee or me; and as for him, he shall not
+ suffer if thou but wish it so.&rdquo; And, drawing the girl&rsquo;s hand
+ through his arm, he took her reluctantly with him, and without direction
+ from her soon stood before the blacksmith&rsquo;s house.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; he said, triumphantly, &ldquo;I knew the place, and
+ yet I have not seen the town for years.&rdquo;
+ </p>
+ <p>
+ Trenchon rapped soundly on the oaken door with his heavy stick, and the
+ blows re-echoed through the silent house. The girl shrank timidly behind
+ him, and would have fled, but that he held her firmly by the wrist.
+ </p>
+ <p>
+ &ldquo;Nay, nay,&rdquo; he said: &ldquo;believe me there is naught to
+ fear. I will see that thou art not ill-used.&rdquo;
+ </p>
+ <p>
+ As he spoke the window above was thrown up, and a string of fearful oaths
+ greeted the two, whereat the girl once more tried to release her
+ imprisoned wrist, but Trenchon held it lightly, though with a grip like
+ steel.
+ </p>
+ <p>
+ The stout old man thrust his head through the open window.
+ </p>
+ <p>
+ &ldquo;God&rsquo;s blight on thee!&rdquo; he cried, &ldquo;thou pair of
+ fools who wish to wed so much that ye venture out in such a night as this.
+ Well, have your way, and let me have my rest. In the name of the law of
+ Scotland I pronounce ye man and wife. There, that will bind two fools
+ together as strongly as if the Archbishop spoke the words. Place thou the
+ money on the steps. I warrant none will venture to touch it when it
+ belongs to me.&rdquo; And with that he closed the window.
+ </p>
+ <p>
+ &ldquo;Is he raving mad or drunk?&rdquo; cried Trenchon.
+ </p>
+ <p>
+ The girl gave a wailing cry. &ldquo;Alas! alas!&rdquo; she said; &ldquo;he
+ is neither. He is so used to marrying folk who come from England across
+ the Border that he thinks not it his daughter who came with thee, but two
+ who wished to wed. They come at all hours of the night and day, and he has
+ married us. I am thy wife.&rdquo;
+ </p>
+ <p>
+ The astonished man dropped her wrist, and she put her hands before her
+ eyes and wept.
+ </p>
+ <p>
+ &ldquo;Married!&rdquo; cried Trenchon. &ldquo;We two married!&rdquo;
+ </p>
+ <p>
+ He looked with interest at the girl, but in the darkness could see nothing
+ of her. The unheeded rain pelted on them both.
+ </p>
+ <p>
+ &ldquo;Hast thou&rdquo;&mdash;he hesitated&mdash;&ldquo;hast thou some
+ other lover, since you weep?&rdquo;
+ </p>
+ <p>
+ The girl shook her head. &ldquo;No one,&rdquo; she said, &ldquo;comes near
+ us. They fear my father.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, if this be true, why dost thou weep? I am not considered so
+ bad a fellow.&rdquo;
+ </p>
+ <p>
+ &ldquo;I weep not for myself, but for thee, who through the kindness of
+ thy heart hast been led into this trap. Believe me, it was not my
+ intention.&rdquo;
+ </p>
+ <p>
+ &ldquo;Judging from thy voice, my girl, and if thou favorest thy mother,
+ as I think, whom I remember well, this is a trap that I shall make little
+ effort to get my foot out of. But thou art dripping, and I stand
+ chattering here. Once more I will arouse my father-in-law.&rdquo;
+ </p>
+ <p>
+ So saying, he stoutly rapped again with his stick upon the door.
+ </p>
+ <p>
+ Once more the window was pushed up, and again the angry head appeared.
+ </p>
+ <p>
+ &ldquo;Get you gone!&rdquo; cried the maddened blacksmith, but before he
+ could say anything further Trenchon cried out:
+ </p>
+ <p>
+ &ldquo;It is thy daughter here who waits. Open the door, thou limb of
+ hell, or I will burst it in and cast thee out as thou hast done thy
+ daughter.&rdquo;
+ </p>
+ <p>
+ The blacksmith, who had never in his life been spoken to in tones or words
+ like these, was so amazed that he could neither speak nor act, but one
+ stout kick against the door so shook the fabric that he speedily saw
+ another such would break into his domicile; so, leaving the window open
+ that his curses might the better reach them, the blacksmith came down and
+ threw the barrier from the door, flinging it open and standing on the
+ threshold so as to bar all ingress.
+ </p>
+ <p>
+ &ldquo;Out of the way,&rdquo; cried Trenchon, roughly placing his hand on
+ the other&rsquo;s breast with apparent lightness, but with a push that
+ sent him staggering into the room.
+ </p>
+ <p>
+ The young man pulled the girl in after him and closed the door.
+ </p>
+ <p>
+ &ldquo;Thou knowest the way,&rdquo; he whispered. &ldquo;Strike thou a
+ light.&rdquo;
+ </p>
+ <p>
+ The trembling girl lit a candle, and as it shone upon her face Trenchon
+ gave a deep sigh of happiness and relief. No girl in the village could be
+ more fair.
+ </p>
+ <p>
+ The blacksmith stood, his fingers clenched with rage; but he looked with
+ hesitation and respect upon the burly form of the prizefighter. Yet the
+ old man did not flinch.
+ </p>
+ <p>
+ &ldquo;Throw aside thy stick,&rdquo; he cried, &ldquo;or wait until I can
+ get me another.&rdquo;
+ </p>
+ <p>
+ Trenchon flung his stick into the corner.
+ </p>
+ <p>
+ &ldquo;Oh! oh!&rdquo; cried the girl, clasping her hands. &ldquo;You must
+ not fight.&rdquo; But she appealed to her husband and not to her father,
+ which caused a glow of satisfaction to rise from the heart of the young
+ man.
+ </p>
+ <p>
+ &ldquo;Get thee out of this house,&rdquo; cried her father, fiercely,
+ turning upon her.
+ </p>
+ <p>
+ &ldquo;Talk not thus to my wife,&rdquo; said Trenchon, advancing upon him.
+ </p>
+ <p>
+ &ldquo;Thy wife?&rdquo; cried the blacksmith, in amaze.
+ </p>
+ <p>
+ &ldquo;My wife,&rdquo; repeated the young man with emphasis. &ldquo;They
+ tell me, blacksmith, that thou art strong. That thou art brutal I know,
+ but thy strength I doubt. Come to me and test it.&rdquo;
+ </p>
+ <p>
+ The old man sprang upon him, and the Bruiser caught him by the elbows and
+ held him helpless as a child. He pressed him up against the wall, pushed
+ his wrists together, and clasped them both in his one gigantic hand. Then,
+ placing the other on the blacksmith&rsquo;s shoulder, he put his weight
+ upon him, and the blacksmith, cursing but helpless, sank upon his knees.
+ </p>
+ <p>
+ &ldquo;Now, thou hardened sinner,&rdquo; cried the Bruiser, bending over
+ him. &ldquo;Beg from thy daughter on thy knees for a night&rsquo;s shelter
+ in this house. Beg, or I will thrust thy craven face against the floor.&rdquo;
+ </p>
+ <p>
+ The girl clung to her newly-found husband, and entreated him not to hurt
+ her father.
+ </p>
+ <p>
+ &ldquo;I shall not hurt him if he do but speak. If he has naught but
+ curses on his lips, why then those lips must kiss the flags that are
+ beneath him. Speak out, blacksmith: what hast thou to say?&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg for shelter,&rdquo; said the conquered man.
+ </p>
+ <p>
+ Instantly the Bruiser released him.
+ </p>
+ <p>
+ &ldquo;Get thee to bed,&rdquo; he said, and the old man slunk away.
+ </p>
+ <p>
+ &ldquo;Wife,&rdquo; said Abel Trenchon, opening his arms, &ldquo;I have
+ come all the way from London for thee. I knew not then what drew me north,
+ but now I know that One wiser than me led my steps hither. As far as
+ erring man may promise I do promise thee that thou shalt ne&rsquo;er
+ regret being cast out this night into the storm.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0024" id="link2H_4_0024"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE RAID ON MELLISH.
+ </h2>
+ <p>
+ Some newspapers differ from others. One peculiarity about the Argus was
+ the frequency with which it changed its men. Managing editors came who
+ were going to revolutionize the world and incidentally the Argus, but they
+ were in the habit of disappearing to give place to others who also
+ disappeared. Newspaper men in that part of the country never considered
+ themselves full-fledged unless they had had a turn at managing the Argus.
+ If you asked who was at the head of the Argus the answer would very likely
+ be: &ldquo;Well, So-and-so was managing it this morning. I don&rsquo;t
+ know who is running it this afternoon.&rdquo;
+ </p>
+ <p>
+ Perhaps the most weird period in the history of the Argus was when the
+ owners imported a crank from Pittsburg and put him in as local editor,
+ over the heads of the city staff. His name was McCrasky, christened Angus
+ or Archie, I forget which, at this period of time. In fact, his Christian
+ name was always a moot point; some of the reporters saying it was Angus
+ and others Archie, no one having the courage to ask him. Anyhow, he signed
+ himself A. McCrasky. He was a good man, which was rather an oddity on the
+ staff, and puzzled the reporters not a little. Most of his predecessors
+ had differed much from each other, but they were all alike in one thing,
+ and that was profanity. They expressed disapproval in language that made
+ the hardened printers&rsquo; towel in the composing room shrink.
+ </p>
+ <p>
+ McCrasky&rsquo;s great point was that the local pages of the paper should
+ have a strong moral influence on the community. He knocked the sporting
+ editor speechless by telling him that they would have no more reports of
+ prize-fights. Poor Murren went back to the local room, sat down at his
+ table and buried his head in his hands. Every man on a local staff
+ naturally thinks the paper is published mainly to give his department a
+ show, and Murren considered a fight to a finish as being of more real
+ importance to the world than a presidential election. The rest of the boys
+ tried to cheer him up. &ldquo;A fine state of things,&rdquo; said Murren
+ bitterly. &ldquo;Think of the scrap next week between the California
+ Duffer and Pigeon Billy and no report of it in the Argus! Imagine the
+ walk- over for the other papers. What in thunder does he think people want
+ to read?&rdquo;
+ </p>
+ <p>
+ But there was another surprise in store for the boys. McCrasky assembled
+ them all in his room and held forth to them. He suddenly sprung a question
+ on the criminal reporter&mdash;so suddenly that Thompson, taken unawares,
+ almost spoke the truth.
+ </p>
+ <p>
+ &ldquo;Do you know of any gambling houses in this city?&rdquo;
+ </p>
+ <p>
+ Thompson caught his breath and glanced quickly at Murren.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he said at last. &ldquo;I don&rsquo;t, but perhaps the
+ religious editor does. Better ask him.&rdquo;
+ </p>
+ <p>
+ The religious editor smiled and removed his corn-cob pipe.
+ </p>
+ <p>
+ &ldquo;There aren&rsquo;t any,&rdquo; he said. &ldquo;Didn&rsquo;t you
+ know it was against the law to keep a gambling house in this state? Yes,
+ sir!&rdquo; Then he put his corn- cob pipe back in its place.
+ </p>
+ <p>
+ McCrasky was pleased to see that his young men knew so little of the
+ wickedness of a great city; nevertheless he was there to give them some
+ information, so he said quietly:
+ </p>
+ <p>
+ &ldquo;Certainly it is against the law; but many things that are against
+ the law flourish in a city like this. Now I want you to find out before
+ the week is past how many gambling houses there are and where they are
+ located. When you are sure of your facts we will organize a raid and the
+ news will very likely be exclusive, for it will be late at night and the
+ other papers may not hear of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose,&rdquo; said the religious editor, with a twinkle in his
+ eye, as he again removed his corn-cob, &ldquo;that&mdash;assuming such
+ places to exist&mdash;you found some representatives of the other papers
+ there? They are a bad lot, the fellows on the other papers.&rdquo;
+ </p>
+ <p>
+ &ldquo;If they are there,&rdquo; said the local editor, &ldquo;they will
+ go to prison.&rdquo;
+ </p>
+ <p>
+ &ldquo;They won&rsquo;t mind that, if they can write something about it,&rdquo;
+ said Murren gloomily. In his opinion the Argus was going to the dogs.
+ </p>
+ <p>
+ &ldquo;Now, Thompson,&rdquo; said McCrasky, &ldquo;you as criminal
+ reporter must know a lot of men who can give you particulars for a
+ first-rate article on the evils of gambling. Get it ready for Saturday&rsquo;s
+ paper&mdash;a column and a half, with scare heads. We must work up public
+ opinion.&rdquo;
+ </p>
+ <p>
+ When the boys got back into the local room again, Murren sat with his head
+ in his hands, while Thompson leaned back in his chair and laughed.
+ </p>
+ <p>
+ &ldquo;Work up public opinion,&rdquo; he said. &ldquo;Mac had better work
+ up his own knowledge of the city streets, and not put Bolder avenue in the
+ East End, as he did this morning.&rdquo;
+ </p>
+ <p>
+ The religious editor was helping himself to tobacco from Murren&rsquo;s
+ drawer. &ldquo;Are you going to put Mellish on his guard?&rdquo; he asked
+ Thompson.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t just know what I&rsquo;m going to do,&rdquo; said
+ Thompson; &ldquo;are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll think about it,&rdquo; replied the R. E. &ldquo;Beastly
+ poor tobacco, this of yours, Murren. Why don&rsquo;t you buy cut plug?&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re not compelled to smoke it,&rdquo; said the sporting
+ editor, without raising his head.
+ </p>
+ <p>
+ &ldquo;I am when mine is out, and the other fellows keep their drawers
+ locked.&rdquo;
+ </p>
+ <p>
+ Thompson dropped in on Mellish, the keeper of the swell gambling rooms, to
+ consult with him on the article for Saturday&rsquo;s paper. Mellish took a
+ great interest in it, and thought it would do good. He willingly gave
+ Thompson several instances where the vice had led to ruin of promising
+ young men.
+ </p>
+ <p>
+ &ldquo;All men gamble in some way or another,&rdquo; said Mellish
+ meditatively. &ldquo;Some take it one way and some another. It is inherent
+ in human nature, like original sin. The beginning of every business is a
+ gamble. If I had $30,000 I would rather run my chance of doubling it at
+ these tables here than I would, for instance, by starting a new newspaper
+ or putting it on wheat or in railway stocks. Take a land boom, for
+ instance, such as there was in California or at Winnipeg&mdash;the
+ difference between putting your money in a thing like that or going in for
+ legitimate gambling is that, in the one case, you are sure to lose your
+ cash, while in the other you have a chance of winning some. I hold that
+ all kinds of gambling are bad, unless a man can easily afford to lose what
+ he stakes. The trouble is that gambling affects some people like liquor. I
+ knew a man once who&mdash;&mdash;&rdquo; but you can read the whole
+ article if you turn up the back numbers of the Argus.
+ </p>
+ <p>
+ Thompson told Mellish about McCrasky. Mellish was much interested, and
+ said he would like to meet the local editor. He thought the papers should
+ take more interest in the suppression of gambling dens than they did, and
+ for his part he said he would like to see them all stopped, his own
+ included. &ldquo;Of course,&rdquo; he added, &ldquo;I could shut up my
+ shop, but it would simply mean that someone else would open another, and I
+ don&rsquo;t think any man ever ran such a place fairer than I do.&rdquo;
+ </p>
+ <p>
+ McCrasky called on the chief of police, and introduced himself as the
+ local editor of the Argus.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; said the chief, &ldquo;has Gorman gone, then?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know about Gorman,&rdquo; said McCrasky; &ldquo;the
+ man I succeeded was Finnigan. I believe he is in Cincinnati now.&rdquo;
+ </p>
+ <p>
+ When the chief learned the purport of the local editor&rsquo;s visit he
+ became very official and somewhat taciturn. He presumed that there were
+ gambling houses in the city. If there were, they were very quiet and no
+ complaints ever reached his ears. There were many things, he said, that it
+ was impossible to suppress, and the result of attempted suppression was to
+ drive the evil deeper down. He seemed to be in favor rather of regulating,
+ than of attempting the impossible; still, if McCrasky brought him
+ undoubted evidence that a gambling house was in operation, he would
+ consider it his duty to make a raid on it. He advised McCrasky to go very
+ cautiously about it, as the gamblers had doubtless many friends who would
+ give a tip and so frustrate a raid, perhaps letting somebody in for
+ damages. McCrasky said he would be careful.
+ </p>
+ <p>
+ Chance played into the hands of McCrasky and &ldquo;blew in&rdquo; on him
+ a man who little recked what he was doing when he entered the local editor&rsquo;s
+ room. Gus Hammerly, sport and man-about-town, dropped into the Argus
+ office late one night to bring news of an &ldquo;event&rdquo; to the
+ sporting editor. He knew his way about in the office, and, finding Murren
+ was not in, he left the item on his table. Then he wandered into the local
+ editor&rsquo;s room. The newspaper boys all liked Hammerly, and many a
+ good item they got from him. They never gave him away, and he saw that
+ they never got left, as the vernacular is.
+ </p>
+ <p>
+ &ldquo;Good-evening. You&rsquo;re the new local editor, I take it. I&rsquo;ve
+ just left a little item for Murren, I suppose he&rsquo;s not in from the
+ wrestle yet. My name&rsquo;s Hammerly. All the boys know me and I&rsquo;ve
+ known in my time fourteen of your predecessors, so I may as well know you.
+ You&rsquo;re from Pittsburg, I hear.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Sit down, Mr. Hammerly. Do you know Pittsburg at all?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes. Borden, who keeps the gambling den on X street, is an old
+ friend of mine. Do you happen to know how old Borden&rsquo;s getting
+ along?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, his place was raided and closed up by the police.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s just the old man&rsquo;s luck. Same thing in Kansas
+ City.&rdquo;
+ </p>
+ <p>
+ &ldquo;By the way, Mr. Hammerly, do you know of any gambling houses in
+ this city?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, bless you, haven&rsquo;t the boys taken you round yet? Well,
+ now, that&rsquo;s inhospitable. Mellish&rsquo;s is the best place in town.
+ I&rsquo;m going up there now. If you come along with me I&rsquo;ll give
+ you the knock-down at the door and you&rsquo;ll have no trouble after
+ that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll go with you,&rdquo; said McCrasky, reaching for his hat,
+ and so the innocent Hammerly led the lamb into the lion&rsquo;s den.
+ </p>
+ <p>
+ McCrasky, unaccustomed to the sight, was somewhat bewildered with the
+ rapidity of the play. There was a sort of semicircular table, around the
+ outside rim of which were sitting as many men as could be comfortably
+ placed there. A man at the inside of the table handled the cards. He
+ flicked out one to each player, face downward, with an expertness and
+ speed that dazzled McCrasky. Next he dealt out one to each player face
+ upward and people put sums of money on the table beside their cards, after
+ looking at them. There was another deal and so on, but the stranger found
+ it impossible to understand or follow the game. He saw money being raked
+ in and paid out rapidly and over the whole affair was a solemn decorum
+ that he had not been prepared for. He had expected fierce oaths and the
+ drawing of revolvers.
+ </p>
+ <p>
+ &ldquo;Here, Mellish,&rdquo; said the innocent Hammerly, &ldquo;let me
+ introduce you to the new local editor of the Argus. I didn&rsquo;t catch
+ your name,&rdquo; he said in a whisper.
+ </p>
+ <p>
+ &ldquo;My name&rsquo;s McCrasky.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. McCrasky; Mr. Mellish. Mellish is proprietor here and you&rsquo;ll
+ find him a first-rate fellow.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am pleased to meet you,&rdquo; said Mellish quietly; &ldquo;any
+ friend of Hammerly&rsquo;s is welcome. Make yourself at home.&rdquo;
+ </p>
+ <p>
+ Edging away from the two, Mellish said in a quick whisper to Sotty, the
+ bartender: &ldquo;Go and tell the doorkeeper to warn Thompson, or any of
+ the rest of the Argus boys, that their boss is in here.&rdquo;
+ </p>
+ <p>
+ At 12 o&rsquo;clock that night the local editor sat in his room. &ldquo;Is
+ that you, Thompson?&rdquo; he shouted, as he heard a step.
+ </p>
+ <p>
+ &ldquo;Yes, sir;&rdquo; answered Thompson, coming into the presence.
+ </p>
+ <p>
+ &ldquo;Shut the door, Thompson. Now I have a big thing on for to-night,
+ but it must be done quietly. I&rsquo;ve unearthed a gambling den in full
+ blast. It will be raided to-night at 2 o&rsquo;clock. I want you to be on
+ the ground with Murren; will you need anybody else?&rdquo;
+ </p>
+ <p>
+ &ldquo;Depends on how much you wish to make of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I want to make it the feature of to-morrow&rsquo;s paper. I think
+ we three can manage, but bring some of the rest if you like. The place is
+ run by a man named Mellish. Now, if you boys kept your eyes open you would
+ know more of what is going on in your own city than you do.&rdquo;
+ </p>
+ <p>
+ &ldquo;We haven&rsquo;t all had the advantage of metropolitan training,&rdquo;
+ said Thompson humbly.
+ </p>
+ <p>
+ &ldquo;I will go there with the police. You and Murren had better be on
+ the ground, but don&rsquo;t go too soon, and don&rsquo;t make yourselves
+ conspicuous or they might take alarm. Here is the address. You had better
+ take it down.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;ll find the place all&mdash;&mdash;&rdquo; Then
+ Thompson thought a moment and pulled himself together. &ldquo;Thanks,&rdquo;
+ he said, carefully noting down the street and number.
+ </p>
+ <p>
+ The detachment of police drew up in front of the place a few minutes
+ before 2 o&rsquo;clock. The streets were deserted, and so silent were the
+ blue coats that the footsteps of a belated wayfarer sounded sharply in the
+ night air from the stone pavement of a distant avenue.
+ </p>
+ <p>
+ &ldquo;Are you sure,&rdquo; said McCrasky to the man in charge of the
+ police, &ldquo;that there is not a private entrance somewhere?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly there is,&rdquo; was the impatient reply: &ldquo;Sergeant
+ McCollum and four men are stationed in the alley behind. We know our
+ business, sir.&rdquo;
+ </p>
+ <p>
+ McCrasky thought this was a snub, and he was right. He looked around in
+ the darkness for his reporters. He found them standing together in a
+ doorway on the opposite side of the street.
+ </p>
+ <p>
+ &ldquo;Been here long?&rdquo; he whispered.
+ </p>
+ <p>
+ Murren was gloomy and did not answer. The religious editor removed his
+ corn-cob and said briefly; &ldquo;About ten minutes, sir.&rdquo; Thompson
+ was gazing with interest at the dark building across the way.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ve seen nobody come out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody. On the contrary, about half a dozen have gone up that
+ stairway.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is that the place, sir?&rdquo; asked Thompson with the lamb-like
+ innocence of the criminal reporter.
+ </p>
+ <p>
+ &ldquo;Yes, upstairs there.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did I tell you?&rdquo; said the religious editor. &ldquo;Thompson
+ insisted it was next door.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come along,&rdquo; said McCrasky, &ldquo;the police are moving at
+ last.&rdquo;
+ </p>
+ <p>
+ A big bell in the neighborhood solemnly struck two slow strokes, and all
+ over the city the hour sounded in various degrees of tone and speed. A
+ whistle rang out and was distantly answered. The police moved quickly and
+ quietly up the stairway.
+ </p>
+ <p>
+ &ldquo;Have you tickets, gentlemen,&rdquo; asked the man at the door
+ politely; &ldquo;this is a private assembly.&rdquo;
+ </p>
+ <p>
+ &ldquo;The police,&rdquo; said the sergeant shortly, &ldquo;stand aside.&rdquo;
+ </p>
+ <p>
+ If the police were astonished at the sight which met their gaze, their
+ faces did not show it. But McCrasky had not such control over his features
+ and he looked dumbfounded. The room was the same, undoubtedly, but there
+ was not the vestige of a card to be seen. There were no tables, and even
+ the bar had disappeared. The chairs were nicely arranged and most of them
+ were occupied. At the further end of the room Pony Rowell stood on a
+ platform or on a box or some elevation, and his pale, earnest face was
+ lighted up with the enthusiasm of the public speaker. He was saying:
+ &ldquo;On the purity of the ballot, gentlemen, depends the very life of
+ the republic. That every man should be permitted, without interference or
+ intimidation, to cast his vote, and that every vote so cast should be
+ honestly counted is, I take it, the desire of all who now listen to my
+ words.&rdquo; (Great applause, during which Pony took a sip from a glass
+ that may have contained water.)
+ </p>
+ <p>
+ The police had come in so quietly that no one, apparently, had noticed
+ their entrance, except that good man Mellish, who hurried forward to
+ welcome the intruders.
+ </p>
+ <p>
+ &ldquo;Will you take a seat?&rdquo; he asked. &ldquo;We are having a
+ little political talk from Mr. Rowell, sergeant.&rdquo;
+ </p>
+ <p>
+ &ldquo;Rather an unusual hour, Mr. Mellish,&rdquo; said the sergeant
+ grimly.
+ </p>
+ <p>
+ &ldquo;It is a little late,&rdquo; admitted Mellish, as if the idea had
+ not occurred to him before.
+ </p>
+ <p>
+ The police who had come in by the back entrance appeared at the other end
+ of the room and it was evident that Rowell&rsquo;s oration had come to an
+ untimely end. Pony looked grieved and hurt, but said nothing.
+ </p>
+ <p>
+ &ldquo;We will have to search the premises, Mr. Mellish,&rdquo; said the
+ sergeant.
+ </p>
+ <p>
+ Mellish gave them every assistance, but nothing was found.
+ </p>
+ <p>
+ As the four men walked back together to the Argus office, McCrasky was
+ very indignant.
+ </p>
+ <p>
+ &ldquo;We will expose the police to-morrow,&rdquo; he said. &ldquo;They
+ evidently gave Mellish the tip.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think so,&rdquo; said Thompson. &ldquo;We will say
+ nothing about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You forget yourself, Mr. Thompson. It rests with me to say what
+ shall go on the local page. Not with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t forget myself,&rdquo; answered Thompson sadly;
+ &ldquo;I&rsquo;ve just remembered myself. The Directors of the Argus
+ appointed me local editor yesterday. Didn&rsquo;t they tell you about it?
+ That&rsquo;s just like them. They forgot to mention the fact to Corbin
+ that he had been superseded and the manager went off fishing after
+ appointing Jonsey local editor, so that for a week we had two local
+ editors, each one countermanding the orders of the other. It was an awful
+ week. You remember it, Murren?&rdquo; Murren&rsquo;s groan seemed to
+ indicate that his recollection of the exciting time was not a pleasant
+ memory.
+ </p>
+ <p>
+ &ldquo;In case of doubt,&rdquo; murmured the religious editor, this time
+ without removing his corn-cob, &ldquo;obey the orders of the new man where
+ the Argus is concerned. Thompson, old man, I&rsquo;m wid you. When did the
+ blow fall?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yesterday afternoon,&rdquo; said Thompson, almost with a sob;
+ &ldquo;I&rsquo;ll be dismissed within a month, so I am rather sorry. I
+ liked working on the Argus&mdash;as a reporter. I never looked for such
+ ill luck as promotion. But we all have our troubles, haven&rsquo;t we,
+ Mac?&rdquo;
+ </p>
+ <p>
+ McCrasky did not answer. He is now connected with some paper in Texas.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0025" id="link2H_4_0025"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ STRIKING BACK.
+ </h2>
+ <p>
+ George Streeter was in Paris, because he hoped and expected to meet Alfred
+ Davison there. He knew that Davison was going to be in Paris for at least
+ a fortnight, and he had a particular reason for wishing to come across him
+ in the streets of that city rather than in the streets of London.
+ </p>
+ <p>
+ Streeter was a young author who had published several books, and who was
+ getting along as well as could be expected, until suddenly he met a check.
+ The check was only a check as far as his own self-esteem was concerned;
+ for it did not in the least retard the sale of his latest book, but rather
+ appeared to increase it. The check was unexpected, for where he had looked
+ for a caress, he received a blow. The blow was so well placed, and so
+ vigorous, that at first it stunned him. Then he became unreasonably angry.
+ He resolved to strike back.
+ </p>
+ <p>
+ The review of his book in the Argus was vigorously severe, and perhaps
+ what maddened him more than anything else was the fact that, in spite of
+ his self-esteem he realized the truth of the criticism. If his books had
+ been less successful, or if he had been newer as an author, he might
+ possibly have set himself out to profit by the keen thrusts given him by
+ the Argus. He might have remembered that although Tennyson struck back at
+ Christopher North, calling him rusty, crusty, and musty, yet the poet
+ eliminated from later editions all blemishes which musty Christopher had
+ pointed out.
+ </p>
+ <p>
+ Streeter resolved to strike back with something more tangible than a
+ sarcastic verse. He quite admitted, even to himself, that a critic had
+ every right to criticise&mdash;that was what he was for&mdash;but he
+ claimed that a man who pretended to be an author&rsquo;s friend and who
+ praised his books to his face, had no right to go behind his back and pen
+ a criticism so scathing as that which appeared in the Argus: for Streeter
+ knew that Alfred Davison had written the criticism in the Argus, and
+ Davison had posed as his friend; and had pretended as well, that he had a
+ great admiration for Streeter&rsquo;s books.
+ </p>
+ <p>
+ As Streeter walked down the Boulevard des Italians, he saw, seated in
+ front of a café, the man whom he hoped to meet: and furthermore, he was
+ pleased to see that the man had a friend with him. The recognition of
+ author and critic was mutual.
+ </p>
+ <p>
+ &ldquo;Hallo, Streeter,&rdquo; cried Davison; &ldquo;when did you come
+ over?&rdquo;
+ </p>
+ <p>
+ &ldquo;I left London yesterday,&rdquo; answered Streeter.
+ </p>
+ <p>
+ &ldquo;Then sit down and have something with us,&rdquo; said Davison,
+ cordially. &ldquo;Streeter, this is my friend Harmon. He is an exile and a
+ resident in Paris, and, consequently, likes to meet his countrymen.&rdquo;
+ </p>
+ <p>
+ &ldquo;In that case,&rdquo; said Streeter, &ldquo;he is probably well
+ acquainted with the customs of the place?&rdquo;
+ </p>
+ <p>
+ &ldquo;Rather!&rdquo; returned Davison; &ldquo;he has become so much of a
+ Frenchman&mdash;he has been so contaminated, if I may put it that way&mdash;that
+ I believe quite recently he was either principal or second in a duel. By
+ the way, which was it, Harmon?&rdquo;
+ </p>
+ <p>
+ &ldquo;Merely a second,&rdquo; answered the other.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t believe in duelling myself,&rdquo; continued Davison:
+ &ldquo;it seems to me an idiotic custom, and so futile.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t agree with you,&rdquo; replied Streeter, curtly;
+ &ldquo;there is no reason why a duel should be futile, and there seem to
+ be many reasons why a duel might be fought. There are many things, worse
+ than crimes, which exist in all countries, and for which there is no
+ remedy except calling a man out; misdemeanors, if I may so term them, that
+ the law takes no cognisance of; treachery, for instance;&mdash;a person
+ pretending to be a man&rsquo;s friend, and then the first chance he gets,
+ stabbing him in the back.&rdquo;
+ </p>
+ <p>
+ Harmon nodded his approval of these sentiments, while Davison said
+ jauntily:
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know about that! It seems to me these things,
+ which I suppose undoubtedly exist, should not be made important by taking
+ much notice of them. What will you have to drink, Streeter?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bring me a liqueur of brandy,&rdquo; said Streeter to the garçon
+ who stood ready to take the order.
+ </p>
+ <p>
+ When the waiter returned with a small glass, into which he poured the
+ brandy with the deftness of a Frenchman, filling it so that not a drop
+ more could be added, and yet without allowing the glass to overflow,
+ Streeter pulled out his purse.
+ </p>
+ <p>
+ &ldquo;No, no!&rdquo; cried Davison; &ldquo;you are not going to pay for
+ this&mdash;you are drinking with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I pay for my own drinks,&rdquo; said Streeter, surlily.
+ </p>
+ <p>
+ &ldquo;Not when I invite you to drink with me,&rdquo; protested the
+ critic. &ldquo;I pay for this brandy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, take it, then!&rdquo; said Streeter, picking up the
+ little glass and dashing the contents in the face of Davison.
+ </p>
+ <p>
+ Davison took out his handkerchief.
+ </p>
+ <p>
+ &ldquo;What the devil do you mean by that, Streeter?&rdquo; he asked, as
+ the color mounted to his brow.
+ </p>
+ <p>
+ Streeter took out his card and pencilled a word or two on the pasteboard.
+ </p>
+ <p>
+ &ldquo;There,&rdquo; he said, &ldquo;is my Paris address. If you do not
+ know what I mean by that, ask your friend here; he will inform you.&rdquo;
+ </p>
+ <p>
+ And with that the novelist arose, bowed to the two, and departed.
+ </p>
+ <p>
+ When he returned to his hotel, after a stroll along the brilliantly-
+ lighted Boulevards, he found waiting for him Mr. Harmon and a Frenchman.
+ </p>
+ <p>
+ &ldquo;I had no idea you would come so soon,&rdquo; said Streeter, &ldquo;otherwise
+ I would not have kept you waiting.&rdquo;
+ </p>
+ <p>
+ &ldquo;It does not matter,&rdquo; replied Harmon; &ldquo;we have not
+ waited long. Affairs of this kind require prompt action. An insult lasts
+ but twenty-four hours, and my friend and principal has no desire to put
+ you to the inconvenience of repeating your action of this evening. We are
+ taking it for granted that you have a friend prepared to act for you; for
+ your conduct appeared to be premeditated.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are quite right,&rdquo; answered Streeter; &ldquo;I have two
+ friends to whom I shall be pleased to introduce you. Come this way, if you
+ will be so kind.&rdquo;
+ </p>
+ <p>
+ The preliminaries were speedily arranged, and the meeting was to take
+ place next morning at daylight, with pistols.
+ </p>
+ <p>
+ Now that everything was settled, the prospect did not look quite so
+ pleasant to Streeter as it had done when he left London. Davison had asked
+ for no explanation; but that, of course, could be accounted for, because
+ this critical sneak must be well aware of the reason for the insult.
+ Still, Streeter had rather expected that he would perhaps have simulated
+ ignorance, and on receiving enlightenment might have avoided a meeting to
+ apologizing.
+ </p>
+ <p>
+ Anyhow, Streeter resolved to make a night of it. He left his friends to
+ arrange for a carriage, and see to all that was necessary, while he donned
+ his war-paint and departed for a gathering to which he had been invited,
+ and where he was to meet many of his countrymen and countrywomen, in a
+ fashionable part of Paris.
+ </p>
+ <p>
+ His hostess appeared to be overjoyed at seeing him.
+ </p>
+ <p>
+ &ldquo;You are so late,&rdquo; she said, &ldquo;that I was afraid
+ something had occurred to keep you from coming altogether.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing could have prevented me from coming,&rdquo; said Streeter,
+ gallantly, &ldquo;where Mrs. Woodford is hostess!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that is very nice of you, Mr. Streeter!&rdquo; answered the
+ lady; &ldquo;but I must not stand here talking with you, for I have
+ promised to introduce you to Miss Neville, who wishes very much to meet
+ you. She is a great admirer of yours, and has read all your books.&rdquo;
+ </p>
+ <p>
+ &ldquo;There are not very many of them,&rdquo; said Streeter, with a
+ laugh; &ldquo;and such as they are, I hope Miss Neville thinks more of
+ them than I do myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, we all know how modest authors are!&rdquo; replied his hostess,
+ leading him away to be introduced.
+ </p>
+ <p>
+ Miss Neville was young and pretty, and she was evidently pleased to meet
+ the rising young author.
+ </p>
+ <p>
+ &ldquo;I have long wanted to see you,&rdquo; she said, &ldquo;to have a
+ talk with you about your books.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very kind,&rdquo; said Streeter, &ldquo;but perhaps we
+ might choose something more profitable to talk about?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not so sure of that. Doubtless you have been accustomed to
+ hear only the nice things people say about you. That is the misfortune of
+ many authors.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is a misfortune,&rdquo; answered Streeter.
+ </p>
+ <p>
+ &ldquo;What a writer needs is somebody to tell him the truth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Miss Neville, &ldquo;that is another thing I am not
+ so sure about. Mrs. Woodford has told you, I suppose, that I have read all
+ your books? Did she add that I detested them?&rdquo;
+ </p>
+ <p>
+ Even Streeter was not able to conceal the fact that this remark caused him
+ some surprise. He laughed uneasily, and said:
+ </p>
+ <p>
+ &ldquo;On the contrary, Mrs. Woodford led me to believe that you had liked
+ them.&rdquo;
+ </p>
+ <p>
+ The girl leaned back in her chair, and looked at him with half-closed
+ eyes.
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; she said, &ldquo;Mrs. Woodford does not know. It
+ is not likely that I would tell her I detested your books while I asked
+ for an introduction to you. She took it for granted that I meant to say
+ pleasant things to you, whereas I had made up my mind to do the exact
+ reverse. No one would be more shocked than Mrs. Woodford&mdash;unless,
+ perhaps, it is yourself&mdash;if she knew I was going to speak frankly
+ with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not shocked,&rdquo; said the young man, seriously; &ldquo;I
+ recognize that there are many things in my books that are blemishes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course you don&rsquo;t mean that,&rdquo; said the frank young
+ woman; &ldquo;because if you did you would not repeat the faults in book
+ after book.&rdquo;
+ </p>
+ <p>
+ &ldquo;A man can but do his best,&rdquo; said Streeter, getting annoyed in
+ spite of himself, for no man takes kindly to the candid friend. &ldquo;A
+ man can but do his best, as Hubert said, whose grandsire drew a longbow at
+ Hastings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; returned Miss Neville, &ldquo;a man can but do his
+ best, although we should remember that the man who said that, said it just
+ before he was defeated. What I feel is that you are not doing your best,
+ and that you will not do your best until some objectionable person like
+ myself has a good serious talk with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Begin the serious talk,&rdquo; said Streeter; &ldquo;I am ready and
+ eager to listen.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you read the review of your latest book which appeared in the
+ Argus?&rdquo;
+ </p>
+ <p>
+ &ldquo;Did I?&rdquo; said Streeter, somewhat startled&mdash;the thought of
+ the meeting that was so close, which he had forgotten for the moment,
+ flashing over him. &ldquo;Yes, I did; and I had the pleasure of meeting
+ the person who wrote it this evening.&rdquo;
+ </p>
+ <p>
+ Miss Neville almost jumped in her chair.
+ </p>
+ <p>
+ &ldquo;Oh, I did not intend you to know that!&rdquo; she said. &ldquo;Who
+ told you? How did you find out that I wrote reviews for the Argus?&rdquo;
+ </p>
+ <p>
+ &ldquo;You!&rdquo; cried Streeter, astonished in his turn. &ldquo;Do you
+ mean to say that you wrote that review?&rdquo;
+ </p>
+ <p>
+ Miss Neville sank back in her chair with a sigh.
+ </p>
+ <p>
+ &ldquo;There!&rdquo; she said, &ldquo;my impetuosity has, as the Americans
+ say, given me away. After all, you did not know I was the writer!&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought Davison was the writer. I had it on the very best
+ authority.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor Davison!&rdquo; said Miss Neville, laughing, &ldquo;why, he is
+ one of the best and staunchest friends you have: and so am I, for that
+ matter&mdash; indeed, I am even more your friend than Mr. Davison; for I
+ think you <i>can</i> do good work, while Mr. Davison is foolish enough to
+ believe you are doing it.&rdquo;
+ </p>
+ <p>
+ At this point in the conversation Streeter looked hurriedly at his watch.
+ </p>
+ <p>
+ &ldquo;Ah! I see,&rdquo; said Miss Neville; &ldquo;this conversation is
+ not to your taste. You are going to plead an appointment&mdash;as if
+ anyone could have an appointment at this hour in the morning!&rdquo;
+ </p>
+ <p>
+ &ldquo;Nevertheless,&rdquo; said Streeter, &ldquo;I have; and I must bid
+ you good-bye. But I assure you that my eyes have been opened, and that I
+ have learned a lesson to-night which I will not soon forget. I hope I may
+ have the pleasure of meeting you again, and continuing this conversation.
+ Perhaps some time I may tell you why I have to leave.&rdquo;
+ </p>
+ <p>
+ Streeter found his friends waiting for him. He knew it was no use trying
+ to see Davison before the meeting. There was a long drive ahead of them,
+ and it was grey daylight when they reached the ground, where they found
+ the other party waiting.
+ </p>
+ <p>
+ Each man took his place and the pistol that was handed to him. When the
+ word &ldquo;Fire!&rdquo; was given, Streeter dropped his hand to his side.
+ Davison stood with his pistol still pointed, but he did not fire.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you shoot, George?&rdquo; said Davison.
+ </p>
+ <p>
+ Harmon, at this point, rebuked his principal, and said he must have no
+ communication with the other except through a second.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; said Davison, impatiently, &ldquo;I don&rsquo;t pretend
+ to know the rules of this idiotic game!&rdquo;
+ </p>
+ <p>
+ Streeter stepped forward.
+ </p>
+ <p>
+ &ldquo;I merely wished to give you the opportunity of firing at me if you
+ cared to do so,&rdquo; he said; &ldquo;and now I desire to apologize for
+ my action at the café. I may say that what I did was done under a
+ misapprehension. Anything that I can do to make reparation I am willing to
+ do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that&rsquo;s all right!&rdquo; said Davison; &ldquo;nothing
+ more need be said. I am perfectly satisfied. Let us get back to the city;
+ I find it somewhat chilly out here.&rdquo;
+ </p>
+ <p>
+ &ldquo;And yet,&rdquo; said Harmon, with a sigh, &ldquo;Englishmen have
+ the cheek to talk of the futility of French duels!&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0026" id="link2H_4_0026"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CRANDALL&rsquo;S CHOICE.
+ </h2>
+ <p>
+ John Crandall sat at his office desk and thought the situation over.
+ Everybody had gone and he was in the office alone. Crandall was rather
+ tired and a little sleepy, so he was inclined to take a gloomy view of
+ things. Not that there was anything wrong with his business; in fact, it
+ was in a first-rate condition so far as it went, but it did not go far
+ enough; that was what John thought as he brooded over his affairs. He was
+ making money, of course, but the trouble was that he was not making it
+ fast enough.
+ </p>
+ <p>
+ As he thought of these things John gradually and imperceptibly went to
+ sleep, and while he slept he dreamt a dream. It would be quite easy to
+ pretend that the two persons who came to him in the vision, actually
+ entered the office and that he thought them regular customers or something
+ of that sort, while at the end of the story, when everybody was
+ bewildered, the whole matter might be explained by announcing the fact
+ that it was all a dream, but this account being a true and honest one, no
+ such artifice will be used and at the very beginning the admission is made
+ that John was the victim of a vision.
+ </p>
+ <p>
+ In this dream two very beautiful ladies approached him. One was richly
+ dressed and wore the most dazzling jewelry. The other was clad in plain
+ attire. At first, the dreaming Mr. Crandall thought, or dreamt he thought,
+ that the richly dressed one was the prettier. She was certainly very
+ attractive, but, as she came closer, John imagined that much of her beauty
+ was artificial. He said to himself that she painted artistically perhaps,
+ but at any rate she laid it on rather thick.
+ </p>
+ <p>
+ About the other there was no question. She was a beauty, and what
+ loveliness she possessed was due to the bounties of Providence and not to
+ the assistance of the chemist. She was the first to speak.
+ </p>
+ <p>
+ &ldquo;Mr. Crandall,&rdquo; she said, in the sweetest of voices, &ldquo;we
+ have come here together so that you may choose between us. Which one will
+ you have?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bless me,&rdquo; said Crandall, so much surprised at the unblushing
+ proposal that he nearly awoke himself, &ldquo;bless me, don&rsquo;t you
+ know that I am married?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, <i>that</i> doesn&rsquo;t matter,&rdquo; answered the fair
+ young lady, with the divinest of smiles.
+ </p>
+ <p>
+ &ldquo;Doesn&rsquo;t it?&rdquo; said Mr. Crandall. &ldquo;If you had the
+ pleasure of meeting Mrs. Crandall I think you would find that it did&mdash;very
+ much indeed.&rdquo;
+ </p>
+ <p>
+ &ldquo;But we are not mortals; we are spirits.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, are you? Well, of course that makes a difference,&rdquo;
+ replied Mr. Crandall much relieved, for he began to fear from the turn the
+ conversation had taken that he was in the presence of two writers of
+ modern novels.
+ </p>
+ <p>
+ &ldquo;This lady,&rdquo; continued the first speaker, &ldquo;is the spirit
+ of wealth. If you choose her you will be a very rich man before you die.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, ho!&rdquo; cried Crandall. &ldquo;Are you sure of that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite certain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then I won&rsquo;t be long making my choice. I choose her, of
+ course.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you don&rsquo;t know who I am. Perhaps when you know, you may
+ wish to reverse your decision.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose you are the spirit of power or of fame or something of
+ that sort. I am not an ambitious person; money is good enough for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I am the spirit of health. Think well before you make your
+ choice. Many have rejected me, and afterwards, have offered all their
+ possessions fruitlessly, hoping to lure me to them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; said Mr. Crandall, with some hesitation. &ldquo;You are
+ a very pleasant young person to have around the house. But why cannot I
+ have both of you? How does <i>that</i> strike you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am very sorry, but I am not permitted to give you the choice of
+ both.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why is that? Many people are allowed to choose both.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know that; still we must follow our instructions.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, if that is the case, without wishing to offend you in the
+ least, I think I will stand by my first choice. I choose wealth.&rdquo;
+ </p>
+ <p>
+ As he said this the other lady advanced toward him and smiled somewhat
+ triumphantly as she held out her hand. Crandall grasped it and the first
+ spirit sighed. Just as the spirit of wealth seemed about to speak, there
+ was a shake at the office door, and Mr. John Crandall saw the spirits fade
+ away. He rubbed his eyes and said to himself: &ldquo;By George! I have
+ been asleep. What a remarkably vivid dream that was.&rdquo;
+ </p>
+ <p>
+ As he yawned and stretched his arms above his head, the impatient rattle
+ at the door told him that at least was not a part of the dream.
+ </p>
+ <p>
+ He arose and unlocked the door.
+ </p>
+ <p>
+ &ldquo;Hello, Mr. Bullion,&rdquo; he said, as that solid man came in.
+ &ldquo;You&rsquo;re late, aren&rsquo;t you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, for that matter, so are you. You must have been absorbed in
+ your accounts or you would have heard me sooner. I thought I would have to
+ shake the place down.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you know, the policeman sometimes tries the door and I
+ thought at first it was he. Won&rsquo;t you sit down?&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks! Don&rsquo;t care if I do. Busy tonight?&rdquo;
+ </p>
+ <p>
+ &ldquo;Just got through.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, how are things going?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, slowly as usual. Slowly because we have not facilities enough,
+ but we&rsquo;ve got all the work we can do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does it pay you for what work you do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly. I&rsquo;m not in this business as a philanthropist, you
+ know.&rdquo;
+ </p>
+ <p>
+ &ldquo;No. I didn&rsquo;t suppose you were. Now, see here, Crandall, I
+ think you have a good thing of it here and one of the enterprises that if
+ extended would develop into a big business.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know it. But what am I to do? I&rsquo;ve practically no capital
+ to enlarge the business, and I don&rsquo;t care to mortgage what I have
+ and pay a high rate of interest when, just at the critical moment, we
+ might have a commercial crisis and I would then lose everything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite right; quite right, and a safe principle. Well, that&rsquo;s
+ what I came to see you about. I have had my eye on you and this factory
+ for some time. Now, if you want capital I will furnish it on the condition
+ that an accountant of mine examines the books and finds everything
+ promising a fair return for enlarging the business. Of course I take your
+ word for the state of affairs all right enough, but business is business,
+ you know, and besides I want to get an expert opinion on how much
+ enlargement it will stand. I suppose you could manage a manufactory ten or
+ twenty times larger as easily as you do this one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite,&rdquo; said Mr. Crandall.
+ </p>
+ <p>
+ &ldquo;Then what do you say to my coming round to-morrow at 9 with my man?&rdquo;
+ </p>
+ <p>
+ &ldquo;That would suit me all right.&rdquo;
+ </p>
+ <p>
+ Mr. John Crandall walked home a very much elated man that night.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ &ldquo;Well, doctor,&rdquo; said the patient in a very weak voice, &ldquo;what
+ is the verdict!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is just as I said before. You will have to take a rest. You know
+ I predicted this breakdown.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can&rsquo;t you give me something that will fix me up temporarily?
+ It is almost imperative that I should stay on just now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course it is. It has been so for the last five years. You forget
+ that in that time you have been fixed up temporarily on several occasions.
+ Now, I will get you &lsquo;round so that you can travel in a few days and
+ then I insist on a sea voyage or a quiet time somewhere on the continent.
+ You will have to throw off business cares entirely. There are no ifs or
+ buts about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here, doctor. I don&rsquo;t see how I am to leave at this
+ time. I have been as bad as this a dozen times before. <i>You</i> know
+ that. I&rsquo;m just a little fagged out and when I go back to the office
+ I can take things easier. You see, we have a big South American contract
+ on hand that I am very anxious about. New business, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose you could draw your cheque for a pretty large amount, Mr.
+ Crandall.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I can. If money can bridge the thing over, I will arrange it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, money can&rsquo;t. What I wanted to say was that if, instead
+ of having a large sum in the bank, you had overdrawn your account about as
+ much as the bank would stand, would you be surprised if your cheque were
+ not honored?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I wouldn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, that is your state physically. You&rsquo;ve overdrawn your
+ vitality account. You&rsquo;ve got to make a deposit. You must take a
+ vacation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Any other time, doctor. I&rsquo;ll go sure, as soon as this
+ contract is off. Upon my word I will. You needn&rsquo;t shake your head. A
+ vacation just now would only aggravate the difficulty. I wouldn&rsquo;t
+ have a moment&rsquo;s peace knowing this South American business might be
+ bungled. I&rsquo;d worry myself to death.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The funeral of Mr. Crandall was certainly one of the most splendid
+ spectacles the city had seen for many a day. The papers all spoke highly
+ of the qualities of the dead manufacturer, whose growth had been typical
+ of the growth of the city. The eloquent minister spoke of the inscrutable
+ ways of Providence in cutting off a man in his prime, and in the very
+ height of his usefulness.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0027" id="link2H_4_0027"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE FAILURE OF BRADLEY.
+ </h2>
+<pre xml:space="preserve">
+ The skater lightly laughs and glides,
+ Unknowing that beneath the ice
+ On which he carves his fair device
+ A stiffened corpse in silence glides.
+
+ It glareth upward at his play;
+ Its cold, blue, rigid fingers steal
+ Beneath the tracings of his heel.
+ It floats along and floats away.
+
+ &mdash;Unknown Poem.
+</pre>
+ <p>
+ &ldquo;If I only had the courage,&rdquo; said Bradley, as he looked over
+ the stone parapet of the embankment at the dark waters of the Thames as
+ they flashed for a moment under the glitter of the gaslight and then
+ disappeared in the black night to flash again farther down.
+ </p>
+ <p>
+ &ldquo;Very likely I would struggle to get out again the moment I went
+ over,&rdquo; he muttered to himself. &ldquo;But if no help came it would
+ all be done with, in a minute. Two minutes perhaps. I&rsquo;ll warrant
+ those two minutes would seem an eternity. I would see a hundred ways of
+ making a living, if I could only get out again. Why can&rsquo;t I see one
+ now while I <i>am</i> out. My father committed suicide, why shouldn&rsquo;t
+ I? I suppose it runs in the family. There seems to come a time when it is
+ the only way out. I wonder if he hesitated? I&rsquo;m a coward, that&rsquo;s
+ the trouble.&rdquo;
+ </p>
+ <p>
+ After a moment&rsquo;s hesitation the man slowly climbed on the top of the
+ stone wall and then paused again. He looked with a shudder at the gloomy
+ river.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll do it,&rdquo; he cried aloud, and was about to slide
+ down, when a hand grasped his arm and a voice said:
+ </p>
+ <p>
+ &ldquo;<i>What</i> will you do?&rdquo;
+ </p>
+ <p>
+ In the light of the gas-lamp Bradley saw a man whose face seemed familiar
+ and although he thought rapidly, &ldquo;Where have I seen that man before?&rdquo;
+ he could not place him.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; answered Bradley sullenly.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s right,&rdquo; was the answer. &ldquo;I&rsquo;d do
+ nothing of that kind, if I were you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course you wouldn&rsquo;t. You have everything that I haven&rsquo;t&mdash;food,
+ clothes, shelter. Certainly you wouldn&rsquo;t. Why should you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why should you, if it comes to that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because ten shillings stands between me and a job. That&rsquo;s
+ why, if you want to know. There&rsquo;s eight shillings railway fare, a
+ shilling for something to eat to-night and a shilling for something in the
+ morning. But I haven&rsquo;t the ten shillings. So that&rsquo;s why.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I give you the ten shillings what assurance have I that you will
+ not go and get drunk on it?&rdquo;
+ </p>
+ <p>
+ &ldquo;None at all. I have not asked you for ten shillings, nor for one. I
+ have simply answered your question.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is true. I will give you a pound if you will take it, and so
+ if unfortunately you spent half of it in cheering yourself, you will still
+ have enough left to get that job. What is the job?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a carpenter.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are welcome to the pound.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will take it gladly. But, mind you, I am not a beggar. I will
+ take it if you give me your address, so that I may send it back to you
+ when I earn it.&rdquo;
+ </p>
+ <p>
+ By this time Bradley had come down on the pavement. The other man laughed
+ quietly.
+ </p>
+ <p>
+ &ldquo;I cannot agree to that. You are welcome to the money. More if you
+ like. I merely doubled the sum you mentioned to provide for anything
+ unseen.&rdquo;
+ </p>
+ <p>
+ &ldquo;Unless you let me return it, I will not take the money.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have perfect confidence in your honesty. If I had not, I would
+ not offer the money. I cannot give you my address, or, rather, I will not.
+ If you will pay the pound to some charity or will give it to someone who
+ is in need, I am more than satisfied. If you give it to the right man and
+ tell him to do the same, the pound will do more good than ever it will in
+ my pocket or in my usual way of spending it.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how are you to know I will do that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am considered rather a good judge of men. I am certain you will
+ do what you say.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll take the money. I doubt if there is anyone in London
+ to-night who needs it much worse than I do.&rdquo;
+ </p>
+ <p>
+ Bradley looked after the disappearing figure of the man who had befriended
+ him.
+ </p>
+ <p>
+ &ldquo;I have seen that man somewhere before,&rdquo; he said to himself.
+ But in that he was wrong. He hadn&rsquo;t.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Wealth is most unevenly and most unfairly divided. All of us admit that,
+ but few of us agree about the remedy. Some of the best minds of the
+ century have wrestled with this question in vain. &ldquo;The poor ye have
+ always with you&rdquo; is as true to-day as it was 1800 years ago. Where
+ so many are in doubt, it is perhaps a comfort to meet men who have no
+ uncertainty as to the cause and the remedy. Such a body of men met in a
+ back room off Soho Square.
+ </p>
+ <p>
+ &ldquo;We are waiting for you, Bradley,&rdquo; said the chairman, as the
+ carpenter took his place and the doors were locked. He looked better than
+ he had done a year before on the Thames embankment.
+ </p>
+ <p>
+ &ldquo;I know I&rsquo;m late, but I couldn&rsquo;t help it. They are
+ rushing things at the exhibition grounds. The time is short now, and they
+ are beginning to be anxious for fear everything will not be ready in time.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s it,&rdquo; said one of the small group, &ldquo;we are
+ slaves and must be late or early as our so-called masters choose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, there is extra pay,&rdquo; said Bradley with a smile, as he
+ took a seat.
+ </p>
+ <p>
+ &ldquo;Comrades,&rdquo; said the chairman, rapping on the desk, &ldquo;we
+ will now proceed to business. The secret committee has met and made a
+ resolution. After the lots are drawn it will be my task to inform the man
+ chosen what the job is. It is desirable that as few as possible, even
+ among ourselves, should know who the man is, who has drawn the marked
+ paper. Perhaps it may be my own good fortune to be the chosen man. One of
+ the papers is marked with a cross. Whoever draws that paper is to
+ communicate with me at my room within two days. He is to come alone. It is
+ commanded by the committee that no man is to look at his paper until he
+ leaves this room and then to examine it in secret. He is bound by his oath
+ to tell no one at any time whether or not he is the chosen man.&rdquo;
+ </p>
+ <p>
+ The papers were put into a hat and each man in the room drew one. The
+ chairman put his in his pocket, as did the others. The doors were unlocked
+ and each man went to his home, if he had one.
+ </p>
+ <p>
+ Next evening Bradley called at the room of the chairman and said: &ldquo;There
+ is the marked paper I drew last night.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The exhibition building was gay with bunting and was sonorous with the
+ sounds of a band of music. The machinery that would not stop for six
+ months was still motionless, for it was to be started in an hour&rsquo;s
+ time by His Highness. His Highness and suite had not yet arrived but the
+ building was crowded by a well-dressed throng of invited guests&mdash;the
+ best in the land as far as fame, title or money was concerned. Underneath
+ the grand stand where His Highness and the distinguished guests were to
+ make speeches and where the finger of nobility was to press the electric
+ button, Bradley walked anxiously about, with the same haggard look on his
+ face that was there the night he thought of slipping into the Thames. The
+ place underneath was a wilderness of beams and braces. Bradley&rsquo;s
+ wooden tool chest stood on the ground against one of the timbers. The
+ foremen came through and struck a beam or a brace here and there.
+ </p>
+ <p>
+ &ldquo;Everything is all right,&rdquo; he said to Bradley. &ldquo;There
+ will be no trouble, even if it was put up in a hurry, and in spite of the
+ strain that will be on it to-day.&rdquo;
+ </p>
+ <p>
+ Bradley was not so sure of that, but he said nothing. When the foreman
+ left him alone, he cautiously opened the lid of his tool chest and removed
+ the carpenter&rsquo;s apron which covered something in the bottom. This
+ something was a small box with a clockwork arrangement and a miniature
+ uplifted hammer that hung like the sword of Damocles over a little copper
+ cap. He threw the apron over it again, closed the lid of the chest, leaned
+ against one of the timbers, folded his arms and waited.
+ </p>
+ <p>
+ Presently there was a tremendous cheer and the band struck up. &ldquo;He
+ is coming,&rdquo; said Bradley to himself, closing his lips tighter.
+ &ldquo;Carpenter,&rdquo; cried the policeman putting in his head through
+ the little wooden door at the foot of the stage, &ldquo;come here, quick.
+ You can get a splendid sight of His Highness as he comes up the passage.&rdquo;
+ Bradley walked to the opening and gazed at the distinguished procession
+ coming toward him. Suddenly he grasped the arm of the policeman like a
+ vice.
+ </p>
+ <p>
+ &ldquo;Who is that man in the robes&mdash;at the head of the procession?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you know? That is His Highness.&rdquo;
+ </p>
+ <p>
+ Bradley gasped for breath. He recognized His Highness as the man he had
+ met on the embankment.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; he said to the policeman, who looked at him
+ curiously. Then he went under the grand stand among the beams and braces
+ and leaned against one of the timbers with knitted brows.
+ </p>
+ <p>
+ After a few moments he stepped to his chest, pulled off the apron and
+ carefully lifted out the machine. With a quick jerk he wrenched off the
+ little hammer and flung it from him. The machinery inside whirred for a
+ moment with a soft purr like a clock running down. He opened the box and
+ shook out into his apron a substance like damp sawdust. He seemed puzzled
+ for a moment what to do with it. Finally he took it out and scattered it
+ along the grass-grown slope of a railway cutting. Then he returned to his
+ tool chest, took out a chisel and grimly felt its edge with his thumb.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ It was admitted on all hands that His Highness never made a better speech
+ in his life than on the occasion of the opening of that exhibition. He
+ touched lightly on the country&rsquo;s unexampled prosperity, of which the
+ marvelous collection within those walls was an indication. He alluded to
+ the general contentment that reigned among the classes to whose handiwork
+ was due the splendid examples of human skill there exhibited. His Highness
+ was thankful that peace and contentment reigned over the happy land and he
+ hoped they would long continue so to reign. Then there were a good many
+ light touches of humor in the discourse&mdash; touches that are so
+ pleasing when they come from people in high places. In fact, the chairman
+ said at the club afterwards (confidentially, of course) that the man who
+ wrote His Highness&rsquo;s speeches had in that case quite outdone
+ himself.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The papers had very full accounts of the opening of the exhibition next
+ morning, and perhaps because these graphic articles occupied so much
+ space, there was so little room for the announcement about the man who
+ committed suicide. The papers did not say where the body was found, except
+ that it was near the exhibition buildings, and His Highness never knew
+ that he made that excellent speech directly over the body of a dead man.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0028" id="link2H_4_0028"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ RINGAMY&rsquo;S CONVERT.
+ </h2>
+ <p>
+ Mr. Johnson Ringamy, the author, sat in his library gazing idly out of the
+ window. The view was very pleasant, and the early morning sun brought out
+ in strong relief the fresh greenness of the trees that now had on their
+ early spring suits of foliage. Mr. Ringamy had been a busy man, but now,
+ if he cared to take life easy, he might do so, for few books had had the
+ tremendous success of his latest work. Mr. Ringamy was thinking about
+ this, when the door opened, and a tall, intellectual-looking young man
+ entered from the study that communicated with the library. He placed on
+ the table the bunch of letters he had in his hand, and, drawing up a
+ chair, opened a blank notebook that had, between the leaves, a lead pencil
+ sharpened at both ends.
+ </p>
+ <p>
+ &ldquo;Good morning, Mr. Scriver,&rdquo; said the author, also hitching up
+ his chair towards the table. He sighed as he did so, for the fair spring
+ prospect from the library window was much more attractive than the task of
+ answering an extensive correspondence.
+ </p>
+ <p>
+ &ldquo;Is there a large mail this morning, Scriver?&rdquo;
+ </p>
+ <p>
+ &ldquo;A good-sized one, sir. Many of them, however, are notes asking for
+ your autograph.&rdquo;
+ </p>
+ <p>
+ &ldquo;Enclose stamps, do they?&rdquo;
+ </p>
+ <p>
+ &ldquo;Most of them, sir; those that did not, I threw in the waste basket.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite right. And as to the autographs you might write them this
+ afternoon, if you have time.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have already done so, sir. I flatter myself that even your most
+ intimate friend could not tell my version of your autograph from your own.&rdquo;
+ </p>
+ <p>
+ As he said this, the young man shoved towards the author a letter which he
+ had written, and Mr. Ringamy looked at it critically.
+ </p>
+ <p>
+ &ldquo;Very good, Scriver, very good indeed. In fact, if I were put in the
+ witness-box I am not sure that I would be able to swear that this was not
+ my signature. What&rsquo;s this you have said in the body of the letter
+ about sentiment? Not making me write anything sentimental, I hope. Be
+ careful, my boy, I don&rsquo;t want the newspapers to get hold of anything
+ that they could turn into ridicule. They are too apt to do that sort of
+ thing if they get half a chance.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I think you will find that all right,&rdquo; said the young
+ man; &ldquo;still I thought it best to submit it to you before sending it
+ off. You see the lady who writes has been getting up a &lsquo;Ringamy Club&rsquo;
+ in Kalamazoo, and she asks you to give her an autographic sentiment which
+ they will cherish as the motto of the club. So I wrote the sentence,
+ &lsquo;All classes of labor should have equal compensation.&rsquo; If that
+ won&rsquo;t do, I can easily change it.&rsquo;
+ </p>
+ <p>
+ &ldquo;Oh, that will do first rate&mdash;first rate.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course it is awful rot, but I thought it would please the
+ feminine mind.&rdquo;
+ </p>
+ <p>
+ &ldquo;Awful <i>what</i> did you say, Mr. Scriver?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, slush&mdash;if that expresses it better. Of course, you don&rsquo;t
+ believe any such nonsense.&rdquo;
+ </p>
+ <p>
+ Mr. Johnson Ringamy frowned as he looked at his secretary.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think I understand you,&rdquo; he said, at last.
+ </p>
+ <p>
+ &ldquo;Well, look here, Mr. Ringamy, speaking now, not as a paid servant
+ to his master, but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Now, Scriver, I won&rsquo;t have any talk like that. There is no
+ master or servant idea between us. There oughtn&rsquo;t to be between
+ anybody. All men are free and equal.&rdquo;
+ </p>
+ <p>
+ &ldquo;They are in theory, and in my eye, as I might say if I wanted to
+ make it more expressive.&rdquo;
+ </p>
+ <p>
+ &ldquo;Scriver, I cannot congratulate you on your expressive language, if
+ I may call it so. But we are wandering from the argument. You were going
+ to say that speaking as&mdash;&mdash;Well, go on.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was going to say that, speaking as one reasonably sensible man to
+ another, without any gammon about it; don&rsquo;t you think it is rank
+ nonsense to hold that one class of labor should be as well compensated as
+ another. Honestly now?&rdquo;
+ </p>
+ <p>
+ The author sat back in his chair and gazed across the table at his
+ secretary. Finally, he said:
+ </p>
+ <p>
+ &ldquo;My dear Scriver, you can&rsquo;t really mean what you say. You know
+ that I hold that all classes of labor should have exactly the same
+ compensation. The miner, the blacksmith, the preacher, the postal clerk,
+ the author, the publisher, the printer&mdash;yes, the man who sweeps out
+ the office, or who polishes boots, should each share alike, if this world
+ were what it should be&mdash;yes, and what it <i>will</i> be. Why,
+ Scriver, you surely couldn&rsquo;t have read my book&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Read it? why, hang it, I <i>wrote</i> it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You wrote it? The deuce you did! I always thought I was the author
+ of &mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;So you are. But didn&rsquo;t I take it all down in shorthand, and
+ didn&rsquo;t I whack it out on the type-writer, and didn&rsquo;t I go over
+ the proof sheets with you. And yet you ask me if I have read it!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, quite right, I see what you mean. Well, if you paid as
+ much attention to the arguments as you did to the mechanical production of
+ the book, I should think you would not ask if I really meant what I said.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I suppose you meant it all right enough&mdash;in a way&mdash;in
+ theory, perhaps, but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear sir, allow me to say that a theory which is not practical,
+ is simply no theory at all. The great success of &lsquo;Gazing Upward,&rsquo;
+ has been due to the fact that it is an eminently practical work. The
+ nationalization of everything is not a matter of theory. The ideas
+ advocated in that book, can be seen at work at any time. Look at the Army,
+ look at the Post Office.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that&rsquo;s all right, looking at things in bulk. Let us come
+ down to practical details. Detail is the real test of any scheme. Take
+ this volume, &lsquo;Gazing Upward.&rsquo; Now, may I ask how much this
+ book has netted you up to date?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know exactly. Somewhere in the neighborhood of
+ £20,000.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well then. Now let us look for a moment at the method by which
+ that book was produced. You walked up and down this room with your hands
+ behind your back, and dictated chapter after chapter, and I sat at this
+ table taking it all down in shorthand. Then you went out and took the air
+ while I industriously whacked it out on the type-writer.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wish you wouldn&rsquo;t say &lsquo;whacked,&rsquo; Scriver. That&rsquo;s
+ twice you&rsquo;ve used it.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right:&mdash;typographical error&mdash;For &lsquo;whacked&rsquo;
+ read &lsquo;manipulated.&rsquo; Then you looked over the type-written
+ pages, and I erased and wrote in and finally got out a perfect copy. Now I
+ worked as hard&mdash;probably harder&mdash;than you did, yet the success
+ of that book was entirely due to you, and not to me. Therefore it is quite
+ right that you should get £20,000 and that I should get two pounds a week.
+ Come now, isn&rsquo;t it? Speaking as a man of common sense.&rdquo;
+ </p>
+ <p>
+ &ldquo;Speaking exactly in that way I say no it is not right. If the world
+ were properly ruled the compensation of author and secretary would have
+ been exactly the same.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, if you go so far as that,&rdquo; replied the Secretary,
+ &ldquo;I have nothing more to say.&rdquo;
+ </p>
+ <p>
+ The author laughed, and the two men bent their energies to the
+ correspondence. When the task was finished, Scriver said:
+ </p>
+ <p>
+ &ldquo;I would like to get a couple of days off, Mr. Ringamy. I have some
+ private business to attend to.&rdquo;
+ </p>
+ <p>
+ &ldquo;When could you get back?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll report to you on Thursday morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, then. Not later than Thursday. I think I&rsquo;ll take a
+ couple of days off myself.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ On Thursday morning Mr. Johnson Ringamy sat in his library looking out of
+ the window, but the day was not as pleasant as when he last gazed at the
+ hills, and the woods, and green fields. A wild spring storm lashed the
+ landscape, and rattled the raindrops against the pane. Mr. Ringamy waited
+ for some time and then opened the study door and looked in. The little
+ room was empty. He rang the bell, and the trim servant-girl appeared.
+ </p>
+ <p>
+ &ldquo;Has Mr. Scriver come in yet?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, sir, he haven&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps the rain has kept him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Scriver said that when you come back, sir, there was a letter
+ on the table as was for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, so there is. Thank you, that will do.&rdquo;
+ </p>
+ <p>
+ The author opened the letter and read as follows:
+ </p>
+<pre xml:space="preserve">
+&ldquo;MY DEAR MR. RINGAMY,&mdash;Your arguments the other day fully convinced me
+that you were right, and I was wrong (&ldquo;Ah! I thought they would,&rdquo;
+ murmured the author). I have therefore taken a step toward putting your
+theories into practice. The scheme is an old one in commercial life,
+but new in its present application, so much so that I fear it will find
+no defenders except yourself, and I trust that now when I am far away
+(&ldquo;Dear me, what does this mean!&rdquo; cried the author) you will show any
+doubters that I acted on the principles which will govern the world
+when the theories of &lsquo;Gazing Upward&rsquo; are put into practice. For fear
+that all might not agree with you at present, I have taken the
+precaution of going to that undiscovered country, from whose bourne no
+extradition treaty forces the traveler to return&mdash;sunny Spain. You said
+you could not tell my rendition of your signature from your own.
+Neither could the bank cashier. My exact mutation of your signature has
+enabled me to withdraw £10,000 from your bank account. Half the
+profits, you know. You can send future accumulations, for the book will
+continue to sell, to the address of
+ &ldquo;ADAM SCRIVER.
+<i>&ldquo;Poste Restant, Madrid, Spain&rdquo;</i>
+</pre>
+ <p>
+ Mr. Ringamy at once put the case in the hands of the detectives, where it
+ still remains.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0029" id="link2H_4_0029"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A SLIPPERY CUSTOMER.
+ </h2>
+ <p>
+ When John Armstrong stepped off the train at the Union Station, in
+ Toronto, Canada, and walked outside, a small boy accosted him.
+ </p>
+ <p>
+ &ldquo;Carry your valise up for you, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, thank you,&rdquo; said Mr. Armstrong.
+ </p>
+ <p>
+ &ldquo;Carry it up for ten cents, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Take it up for five cents, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;Get out of my way, will you?&rdquo;
+ </p>
+ <p>
+ The boy got out of the way, and John Armstrong carried the valise himself.
+ </p>
+ <p>
+ There was nearly half a million dollars in it, so Mr. Armstrong thought it
+ best to be his own porter.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ In the bay window of one of the handsomest residences in Rochester, New
+ York, sat Miss Alma Temple, waiting for her father to come home from the
+ bank. Mr. Horace Temple was one of the solid men of Rochester, and was
+ president of the Temple National Bank. Although still early in December,
+ the winter promised to be one of the most severe for many years, and the
+ snow lay crisp and hard on the streets, but not enough for sleighing. It
+ was too cold for snow, the weatherwise said. Suddenly Miss Alma drew back
+ from the window with a quick flush on her face that certainly was not
+ caused by the coming of her father. A dapper young man sprang lightly up
+ the steps, and pressed the electric button at the door. When the young man
+ entered the room a moment later Miss Alma was sitting demurely by the open
+ fire. He advanced quickly toward her, and took both her outstretched hands
+ in his. Then, furtively looking around the room, he greeted her still more
+ affectionately, in a manner that the chronicler of these incidents, is not
+ bound to particularize. However, the fact may be mentioned that whatever
+ resistance the young woman thought fit to offer was of the faintest and
+ most futile kind, and so it will be understood, at the beginning, that
+ these two young persons had a very good understanding with each other.
+ </p>
+ <p>
+ &ldquo;You seem surprised to see me,&rdquo; he began.
+ </p>
+ <p>
+ &ldquo;Well, Walter, I understood that you left last time with some
+ energetically expressed resolutions never to darken our doors again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you see, my dear, I am sometimes a little hasty; and, in
+ fact, the weather is so dark nowadays, anyhow, that a little extra
+ darkness does not amount to much, and so I thought I would take the risk
+ of darkening them once more.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I also understood that my father made you promise, or that you
+ promised voluntarily, not to see me again without his permission?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not voluntarily. Far from it. Under compulsion, I assure you. But I
+ didn&rsquo;t come to see you at all. That&rsquo;s where you are mistaken.
+ The seeing you is merely an accident, which I have done my best to avoid.
+ Fact! The girl said, &lsquo;Won&rsquo;t you walk into the drawing-room,&rsquo;
+ and naturally I did so. Never expected to find you here. I thought I saw a
+ young lady at the window as I came up, but I got such a momentary glimpse
+ that I might have been mistaken.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I will leave you and not interrupt&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all. Now I beg of you not to leave on my account, Alma. You
+ know I would not put you to any trouble for the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very kind, I am sure, Mr. Brown.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am indeed, Miss Temple. All my friends admit that. But now that
+ you are here&mdash;by the way, I came to see Mr. Temple. Is he at home?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am expecting him every moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, I&rsquo;m disappointed; but I guess I will bear up for
+ awhile&mdash; until he comes, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought your last interview with him was not so pleasant that you
+ would so soon seek another.&rdquo;
+ </p>
+ <p>
+ &ldquo;The fact is, Alma, we both lost our tempers a bit, and no good ever
+ comes of that. You can&rsquo;t conduct business in a heat, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, then the asking of his daughter&rsquo;s hand was business&mdash;a
+ mere business proposition, was it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I confess he put it that way&mdash;very strongly, too. Of
+ course, with me there would have been pleasure mixed with it if he had&mdash;but
+ he didn&rsquo;t. See here, Alma&mdash;tell me frankly (of course he talked
+ with you about it) what objection he has to me anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose you consider yourself such a desirable young man that it
+ astonishes you greatly that any person should have any possible objection
+ to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, come now, Alma; don&rsquo;t hit a fellow when he&rsquo;s down,
+ you know. I don&rsquo;t suppose I have more conceit than the average young
+ man; but then, on the other hand, I am not such a fool, despite
+ appearances, as not to know that I am considered by some people as quite
+ an eligible individual. I am not a pauper exactly, and your father knows
+ that. I don&rsquo;t think I have many very bad qualities. I don&rsquo;t
+ get drunk; I don&rsquo;t &mdash;oh, I could give quite a list of the
+ things I don&rsquo;t do.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are certainly frank enough, my eligible young man. Still you
+ must not forget that my papa is considered quite an eligible
+ father-in-law, if it comes to that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, of course, I admit it. How could it be otherwise when he has
+ such a charming daughter?&rdquo;
+ </p>
+ <p>
+ &ldquo;You know I don&rsquo;t mean that, Walter. You were speaking of
+ wealth and so was I. Perhaps we had better change the subject.&rdquo;
+ </p>
+ <p>
+ &ldquo;By the way, that reminds me of what I came to see you about. What
+ do&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;To see me? I thought you came to see my father.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes&mdash;certainly&mdash;I did come to see him, of course, but
+ in case I saw you, I thought I would ask you for further particulars in
+ the case. I have asked you the question but you have evaded the answer.
+ You did not tell me why he is so prejudiced against me. Why did he receive
+ me in such a gruff manner when I spoke to him about it? It is not a
+ criminal act to ask a man for his daughter. It is not, I assure you. I
+ looked up the law on the subject, and a young friend of mine, who is a
+ barrister, says there is no statute in the case made and provided. The law
+ of the State of New York does not recognize my action as against the peace
+ and prosperity of the commonwealth. Well, he received me as if I had been
+ caught robbing the bank. Now I propose to know what the objection is. I am
+ going to hear&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush! Here is papa now.&rdquo;
+ </p>
+ <p>
+ Miss Alma quickly left the room, and met her father in the hall. Mr. Brown
+ stood with his hands in his pockets and his back to the fire. He heard the
+ gruff voice of Mr. Temple say, apparently in answer to some information
+ given him by his daughter: &ldquo;Is he? What does he want?&rdquo;
+ </p>
+ <p>
+ There was a moment&rsquo;s pause, and then the same voice said:
+ </p>
+ <p>
+ &ldquo;Very well, I will see him in the library in a few minutes.&rdquo;
+ </p>
+ <p>
+ Somehow the courage of young Mr. Brown sank as he heard the banker&rsquo;s
+ voice, and the information he had made up his mind to demand with some
+ hauteur, he thought he would ask, perhaps, in a milder manner.
+ </p>
+ <p>
+ Mr. Brown brightened up as the door opened, but it was not Miss Alma who
+ came in. The servant said to him:
+ </p>
+ <p>
+ &ldquo;Mr. Temple is in the library, sir. Will you come this way!&rdquo;
+ </p>
+ <p>
+ He followed and found the banker seated at his library table, on which he
+ had just placed some legal-looking papers, bound together with a thick
+ rubber band. It was evident that his work did not stop when he left the
+ bank. Young Brown noticed that Mr. Temple looked careworn and haggard, and
+ that his manner was very different from what it had been on the occasion
+ of the last interview.
+ </p>
+ <p>
+ &ldquo;Good evening, Mr. Brown. I am glad you called. I was on the point
+ of writing to you, but the subject of our talk the other night was crowded
+ from my mind by more important matters.&rdquo;
+ </p>
+ <p>
+ Young Mr. Brown thought bitterly that there ought not to be matters more
+ important to a father than his daughter&rsquo;s happiness, but he had the
+ good sense not to say so.
+ </p>
+ <p>
+ &ldquo;I spoke to you on that occasion with a&mdash;in a manner that was&mdash;well,
+ hardly excusable, and I wish to say that I am sorry I did so. What I had
+ to state might have been stated with more regard for your feelings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then may I hope, Mr. Temple, that you have changed your mind with&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, sir. What I said then&mdash;that is, the substance of what I
+ said, not the manner of saying it&mdash;I still adhere to.&rdquo;
+ </p>
+ <p>
+ &ldquo;May I ask what objection you have to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly. I have the same objection that I have to the majority of
+ the society young men of the present day. If I make inquiries about you,
+ what do I find? That you are a noted oarsman&mdash;that you have no
+ profession&mdash;that your honors at college consisted in being captain of
+ the football team, and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, the baseball club.&rdquo;
+ </p>
+ <p>
+ &ldquo;Same thing, I suppose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite different, I assure you, Mr. Temple.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it is the same to me at any rate. Now, in my time young men
+ had a harder row to hoe, and they hoed it. I am what they call a self-made
+ man and probably I have a harsher opinion of the young men of the present
+ day than I should have. But if I had a son I would endeavor to have him
+ know how to do something, and then I would see that he did it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am obliged to you for stating your objection, Mr. Temple. I have
+ taken my degree in Harvard law school, but I have never practiced,
+ because, as the little boy said, I didn&rsquo;t have to. Perhaps if some
+ one had spoken to me as you have done I would have pitched in and gone to
+ work. It is not too late yet. Will you give me a chance? The position of
+ cashier in your bank, for instance?&rdquo;
+ </p>
+ <p>
+ The effect of these apparently innocent words on Mr. Temple was startling.
+ He sprang to his feet and brought down his clenched fist on the table with
+ a vehemence that made young Mr. Brown jump. &ldquo;What do you mean, sir?&rdquo;
+ he cried, sternly. &ldquo;What do you mean by saying such a thing?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, I&mdash;I&mdash;I&mdash;mean&mdash;&mdash;&rdquo; stammered
+ Brown, but he could get no further. He thought the old man had suddenly
+ gone crazy. He glared across the library table at Brown as if the next
+ instant he would spring at his throat. Then the haggard look came into his
+ face again, he passed his hand across his brow, and sank into his chair
+ with a groan.
+ </p>
+ <p>
+ &ldquo;My dear sir,&rdquo; said Brown, approaching him, &ldquo;what is the
+ matter? Is there anything I can&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Sit down, please,&rdquo; answered the banker, melancholy. &ldquo;You
+ will excuse me I hope, I am very much troubled. I did not intend to speak
+ of it, but some explanation is due to you. A month from now, if you are
+ the kind of man that most of your fellows are, you will not wish to marry
+ my daughter. There is every chance that at that time the doors of my bank
+ will be closed.&rdquo;
+ </p>
+ <p>
+ &ldquo;You astonish me, sir. I thought&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and so every one thinks. I have seldom in my life trusted the
+ wrong man, but this time I have done so, and the one mistake seems likely
+ to obliterate all that I have succeeded in doing in a life of hard work.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I can be of any financial assistance I will be glad to help you.&rdquo;
+ </p>
+ <p>
+ &ldquo;How much?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t know&mdash;50,000 dollars perhaps or&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I must have 250,000 dollars before the end of this month.&rdquo;
+ </p>
+ <p>
+ &ldquo;Two hundred and fifty thousand!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir. William L. Staples, the cashier of our bank, is now in
+ Canada with half a million of the bank funds. No one knows it but myself
+ and one or two of the directors. It is generally supposed that he has gone
+ to Washington on a vacation.&rdquo;
+ </p>
+ <p>
+ &ldquo;But can&rsquo;t you put detectives on his track?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly. Then the theft would be made public at once. The papers
+ would be full of it. There might be a run on the bank, and we would have
+ to close the doors the next day. To put the detectives on his track would
+ merely mean bringing disaster on our own heads. Staples is quite safe, and
+ he knows it. Thanks to an idiotic international arrangement he is as free
+ from danger of arrest in Canada as you are here. It is impossible to
+ extradite him for stealing.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I think there is a law against bringing stolen money into
+ Canada.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps there is. It would not help us at the present moment. We
+ must compromise with him, if we can find him in time. Of course, even if
+ the bank closed, we would pay everything when there was time to realize.
+ But that is not the point. It would mean trouble and disaster, and would
+ probably result in other failures all through one man&rsquo;s rascality.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then it all resolves itself to this. Staples must be found quietly
+ and negotiated with. Mr. Temple, let me undertake the finding of him, and
+ the negotiating, also, if you will trust me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you know him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never saw him in my life.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here is his portrait. He is easily recognized from that. You couldn&rsquo;t
+ mistake him. He is probably living at Montreal under an assumed name. He
+ may have sailed for Europe. You will say nothing of this to anybody?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not. I will leave on to-night&rsquo;s train for Montreal,
+ or on the first train that goes.&rdquo;
+ </p>
+ <p>
+ Young Mr. Brown slipped the photograph into his pocket and shook hands
+ with the banker. Somehow his confident, alert bearing inspired the old man
+ with more hope than he would have cared to admit, for, as a general thing,
+ he despised the average young man.
+ </p>
+ <p>
+ &ldquo;How long can you hold out if this does not become public?&rdquo;
+ </p>
+ <p>
+ &ldquo;For a month at least; probably for two or three.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, don&rsquo;t expect to hear from me too soon. I shall not risk
+ writing. If there is anything to communicate, I will come myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is very good of you to take my trouble on your shoulders like
+ this. I am very much obliged to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not a philanthropist, Mr. Temple,&rdquo; replied young Brown.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ When young Mr. Brown stepped off the train at the Central Station in
+ Toronto, a small boy accosted him.
+ </p>
+ <p>
+ &ldquo;Carry your valise up for you, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly,&rdquo; said Brown, handing it to him.
+ </p>
+ <p>
+ &ldquo;How much do I owe you?&rdquo; he asked at the lobby of the hotel.
+ </p>
+ <p>
+ &ldquo;Twenty-five cents,&rdquo; said the boy promptly, and he got it.
+ </p>
+ <p>
+ Brown registered on the books of the hotel as John A. Walker, of Montreal.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Mr. Walter Brown, of Rochester, was never more discouraged in his life
+ than at the moment he wrote on the register the words, &ldquo;John A.
+ Walker, Montreal.&rdquo; He had searched Montreal from one end to the
+ other, but had found no trace of the man for whom he was looking. Yet,
+ strange to say, when he raised his eyes from the register they met the
+ face of William L. Staples, ex-cashier. It was lucky for Brown that
+ Staples was looking at the words he had written, and not at himself, or he
+ would have noticed Brown&rsquo;s involuntary start of surprise, and flush
+ of pleasure. It was also rather curious that Mr. Brown had a dozen schemes
+ in his mind for getting acquainted with Staples when he met him, and yet
+ that the first advance should be made by Staples himself.
+ </p>
+ <p>
+ &ldquo;You are from Montreal,&rdquo; said Mr. Staples, alias John
+ Armstrong.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s my town,&rdquo; said Mr. Brown.
+ </p>
+ <p>
+ &ldquo;What sort of a place is it in winter? Pretty lively?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes. Good deal of a winter city, Montreal is. How do you mean,
+ business or sport?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, both. Generally where there&rsquo;s lots of business there&rsquo;s
+ lots of fun.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that&rsquo;s so,&rdquo; assented Brown. He did not wish to
+ prolong the conversation. He had some plans to make, so he followed his
+ luggage up to his room. It was evident that he would have to act quickly.
+ Staples was getting tired of Toronto.
+ </p>
+ <p>
+ Two days after Brown had his plans completed. He met Staples one evening
+ in the smoking-room of the hotel.
+ </p>
+ <p>
+ &ldquo;Think of going to Montreal?&rdquo; asked Brown.
+ </p>
+ <p>
+ &ldquo;I did think of it. I don&rsquo;t know, though. Are you in business
+ there?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. If you go, I could give you some letters of introduction to a
+ lot of fellows who would show you some sport, that is, if you care for
+ snow-shoeing, toboganning, and the like of that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I never went in much for athletics,&rdquo; said Staples.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t care much for exertion myself,&rdquo; answered Brown.
+ &ldquo;I come up here every winter for some ice-yachting. That&rsquo;s my
+ idea of sport. I own one of the fastest ice-boats on the bay. Ever been
+ out?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I haven&rsquo;t. I&rsquo;ve seen them at it a good deal. Pretty
+ cold work such weather as we&rsquo;ve been having, isn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think so. Better come out with me tomorrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t care if I do.&rdquo;
+ </p>
+ <p>
+ The next day and the next they spun around the bay on the ice-boat. Even
+ Staples, who seemed to be tired of almost everything, liked the swiftness
+ and exhilaration of the iceboat.
+ </p>
+ <p>
+ One afternoon, Brown walked into the bar of the hotel, where he found
+ Staples standing.
+ </p>
+ <p>
+ &ldquo;See here, Armstrong.&rdquo; he cried, slapping that gentleman on
+ the shoulder. &ldquo;Are you in for a bit of sport? It&rsquo;s a nice
+ moonlight night, and I&rsquo;m going to take a spin down to Hamilton to
+ meet some chaps, and we can come back on the iceboat, or if you think it
+ too late, you can stay over, and come back on the train.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hamilton? That&rsquo;s up the lake, isn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, just a nice run from here. Come along&mdash;I counted on you.&rdquo;
+ </p>
+ <p>
+ An hour later they were skimming along the frozen surface of the lake.
+ </p>
+ <p>
+ &ldquo;Make yourself warm and snug,&rdquo; said Brown. &ldquo;That&rsquo;s
+ what the buffalo robes are for. I must steer, so I have to keep in the
+ open. If I were you I&rsquo;d wrap up in those robes and go to sleep. I&rsquo;ll
+ wake you when we&rsquo;re there.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; answered Staples. &ldquo;That&rsquo;s not a bad
+ idea.&rdquo;
+ </p>
+ <p>
+ &ldquo;General George Washington!&rdquo; said young Brown to himself.
+ &ldquo;This is too soft a snap altogether. I&rsquo;m going to run him
+ across the lake like a lamb. Before he opens his eyes we&rsquo;ll have
+ skimmed across the frozen lake, and he&rsquo;ll find himself in the States
+ again when he wakes up. The only thing now to avoid are the air-holes and
+ ice-hills, and I&rsquo;m all right.&rdquo;
+ </p>
+ <p>
+ He had been over the course before and knew pretty well what was ahead of
+ him. The wind was blowing stiffly straight up the lake and the boat
+ silently, and swifter than the fastest express, was flying from Canada and
+ lessening the distance to the American shore.
+ </p>
+ <p>
+ &ldquo;How are you getting along, Walker,&rdquo; cried Staples, rousing
+ himself up. &ldquo;First rate,&rdquo; answered Brown. &ldquo;We&rsquo;ll
+ soon be there, Staples.&rdquo;
+ </p>
+ <p>
+ That unfortunate slip of the tongue almost cost young Mr. Brown his life.
+ He had been, thinking of the man under his own name, and the name had come
+ out unconsciously. He did not even notice it himself in time to prepare,
+ and the next instant the thief flung himself upon him and jammed his head
+ against the iron rod that guided the rudder, with such a force that the
+ rudder stayed in its place and the boat flew along the ice without a
+ swerve.
+ </p>
+ <p>
+ &ldquo;You scoundrel!&rdquo; roared the bank-robber. &ldquo;That&rsquo;s
+ your game, is it? By the gods, I&rsquo;ll teach you a lesson in the
+ detective business!&rdquo;
+ </p>
+ <p>
+ Athlete as young Brown was, the suddenness of the attack, and the fact
+ that Staples clutched both hands round his neck and had his knee on his
+ breast, left him as powerless as an infant. Even then he did not realize
+ what had caused the robber to guess his position.
+ </p>
+ <p>
+ &ldquo;For God&rsquo;s sake, let me up!&rdquo; gasped Brown. &ldquo;We&rsquo;ll
+ be into an air-hole and drowned in a moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll risk it, you dog! till I&rsquo;ve choked the breath out
+ of your body.&rdquo; Brown wriggled his head away from the rudder iron,
+ hoping that the boat would slew around, but it kept its course. He
+ realized that if he was to save his life he would have to act promptly. He
+ seemed to feel his tongue swell in his parched mouth. His strength was
+ gone and his throat was in an iron vice. He struck out wildly with his
+ feet and one fortunate kick sent the rudder almost at right angles.
+ </p>
+ <p>
+ Instantly the boat flashed around into the wind. Even if a man is prepared
+ for such a thing, it takes all his nerve and strength to keep him on an
+ iceboat. Staples was not prepared. He launched head first into space and
+ slid for a long distance on the rough ice. Brown was also flung on the ice
+ and lay for a moment gasping for breath. Then he gathered himself
+ together, and slipping his hand under his coat, pulled out his revolver.
+ He thought at first that Staples was shamming, but a closer examination of
+ him showed that the fall on the ice had knocked him senseless.
+ </p>
+ <p>
+ There was only one thing that young Mr. Brown was very anxious to know. He
+ wanted to know where the money was. He had played the part of private
+ detective well in Toronto, after the very best French style, and had
+ searched the room of Staples in his absence, but he knew the money was not
+ there nor in his valise. He knew equally well that the funds were in some
+ safe deposit establishment in the city, but where he could not find out.
+ He had intended to work on Staples&rsquo; fears of imprisonment when once
+ he had him safe on the other side of the line. But now that the man was
+ insensible, he argued that it was a good time to find whether or not he
+ had a record of the place of deposit in his pocket-book. He found no such
+ book in his pockets. In searching, however, he heard the rustling of paper
+ apparently in the lining of his coat. Then he noticed how thickly it was
+ padded. The next moment he had it ripped open, and a glance showed him
+ that it was lined with bonds. Both coat and vest were padded in this way&mdash;the
+ vest being filled with Bank of England notes, so the chances were that
+ Staples had meditated a tour in Europe. The robber evidently put no trust
+ in Safe Deposits nor banks. Brown flung the thief over on his face, after
+ having unbuttoned coat and vest, doubled back his arms and pulled off
+ these garments. His own, Brown next discarded, and with some difficulty
+ got them on the fallen man and then put on the clothes of mammon.
+ </p>
+ <p>
+ &ldquo;This is what I call rolling in wealth.&rdquo; said Brown to
+ himself. He admitted that he felt decidedly better after the change of
+ clothing, cold as it was.
+ </p>
+ <p>
+ Buttoning his own garments on the prostrate man, Brown put a flask of
+ liquor to his lips and speedily revived him. Staples sat on the ice in a
+ dazed manner, and passed his hand across his brow. In the cold gleam of
+ the moonlight he saw the shining barrel of Brown&rsquo;s revolver &ldquo;covering&rdquo;
+ him.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all up, Mr. Staples. Get on board the iceboat.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where are you going to take me to?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll let you go when we come to the coast if you tell me
+ where the money is.&rdquo;
+ </p>
+ <p>
+ &ldquo;You know you are guilty of the crime of kidnapping,&rdquo; said Mr.
+ Staples, apparently with the object of gaining time. &ldquo;So you are in
+ some danger of the law yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is a question that can be discussed later on. You came
+ voluntarily, don&rsquo;t forget that fact. Where&rsquo;s the money?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is on deposit in the Bank of Commerce.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, here&rsquo;s paper and a stylographic pen, if the ink isn&rsquo;t
+ frozen&mdash; no, it&rsquo;s all right&mdash;write a cheque quickly for
+ the amount payable to bearer. Hurry up, or the ink will freeze.&rdquo;
+ </p>
+ <p>
+ There was a smile of satisfaction on the face of Staples as he wrote the
+ check.
+ </p>
+ <p>
+ &ldquo;There,&rdquo; he said, with a counterfeited sigh. &ldquo;That is
+ the amount.&rdquo;
+ </p>
+ <p>
+ The check was for 480,000 dollars.
+ </p>
+ <p>
+ When they came under the shadow of the American coast, Brown ordered his
+ passenger off.
+ </p>
+ <p>
+ &ldquo;You can easily reach land from here, and the walk will do you good.
+ I&rsquo;m going further up the lake.&rdquo;
+ </p>
+ <p>
+ When Staples was almost at the land he shouted through the clear night
+ air: &ldquo;Don&rsquo;t spend the money recklessly when you get it,
+ Walker.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll take care of it, Staples,&rdquo; shouted back young
+ Brown.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Young Mr. Brown sprang lightly up the steps of the Temple mansion,
+ Rochester, and pressed the electric button.
+ </p>
+ <p>
+ &ldquo;Has Mr. Temple gone to the bank yet?&rdquo; he asked the servant.
+ </p>
+ <p>
+ &ldquo;No, sir; he is in the library.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you. Don&rsquo;t trouble. I know the way.&rdquo;
+ </p>
+ <p>
+ Mr. Temple looked around as the young man entered, and, seeing who it was,
+ sprang to his feet with a look of painful expectancy on his face. &ldquo;There&rsquo;s
+ a little present for you,&rdquo; said Mr. Brown, placing a package on the
+ table. &ldquo;Four hundred and seventy-eight thousand: Bank of England
+ notes and United States bonds.&rdquo; The old man grasped his hand, strove
+ to speak, but said nothing.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ People wondered why young Mr. and Mrs. Brown went to Toronto on their
+ wedding tour in the depth of winter. It was so very unusual, don&rsquo;t
+ you know.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0030" id="link2H_4_0030"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE SIXTH BENCH.
+ </h2>
+ <p>
+ She was in earnest; he was not. When that state of things exists anything
+ may happen. The occurrence may be commonplace, comic, or tragic, depending
+ on the temperament and experience of the woman. In this instance the
+ result was merely an appointment&mdash;which both of them kept.
+ </p>
+ <p>
+ Hector McLane came to Paris with noble resolutions, a theory of color, and
+ a small allowance. Paris played havoc with all of these. He was engaged to
+ a nice girl at home, who believed him destined to become a great painter;
+ a delusion which McLane shared.
+ </p>
+ <p>
+ He entered with great zest into the life of a Parisian art student, but
+ somehow the experience did not equal his anticipations. What he had read
+ in books&mdash;poetry and prose&mdash;had thrown a halo around the Latin
+ Quarter, and he was therefore disappointed in finding the halo missing.
+ The romance was sordid and mercenary, and after a few months of it he
+ yearned for something better.
+ </p>
+ <p>
+ In Paris you may have nearly everything&mdash;except the something better.
+ It exists, of course, but it rarely falls in the way of the usually
+ impecunious art student. Yet it happened that, as luck was not against the
+ young man, he found it when he had abandoned the search for it.
+ </p>
+ <p>
+ McLane&rsquo;s theory was that art had become too sombre. The world was
+ running overmuch after the subdued in color. He wanted to be able to paint
+ things as they are, and was not to be deterred if his pictures were called
+ gaudy. He obtained permission to set up his easel in the Church of Notre
+ Dame, and in the dim light there, he endeavored to place on canvas some
+ semblance of the splendor of color that came through the huge rose window
+ high above him. He was discouraged to see how opaque the colors in the
+ canvas were as compared with the translucent hues of the great window. As
+ he leaned back with a sigh of defeat, his wandering eyes met, for one
+ brief instant, something more beautiful than the stained glass, as the
+ handiwork of God must always be more beautiful than the handiwork of man.
+ The fleeting glimpse was of a melting pair of dark limpid eyes, which,
+ meeting his, were instantly veiled, and then he had a longer view of the
+ sweet face they belonged to. It was evident that the young girl had been
+ admiring his work, which was more than he could hope to have the professor
+ at Julien&rsquo;s do.
+ </p>
+ <p>
+ Lack of assurance was never considered, even by his dearest friend, to be
+ among McLane&rsquo;s failings. He rose from his painting stool, bowed and
+ asked her if she would not sit down for a moment; she could see the&mdash;
+ the&mdash;painting so much better. The girl did not answer, but turned a
+ frightened look upon him, and fled under the wing of her kneeling duenna,
+ who had not yet finished her devotions. It was evident that the prayers of
+ the girl had been briefer than those of the old woman in whose charge she
+ was. Where the need is greatest the prayer is often the shortest. McLane
+ had one more transitory glimpse of those dark eyes as he held open the
+ swinging door. The unconscious woman and the conscious girl passed out of
+ the church.
+ </p>
+ <p>
+ This was how it began.
+ </p>
+ <p>
+ The painting of the colored window of Notre Dame now occupied almost all
+ the time at the disposal of Hector McLane. No great work is ever
+ accomplished without unwearied perseverance. It was remarkable that the
+ realization of this truth came upon him just after he had definitely made
+ up his mind to abandon the task. Before he allowed the swinging door to
+ close he had resolved to pursue his study in color. It thus happened,
+ incidentally, that he saw the young girl again, always at the same hour,
+ and always with the same companion. Once he succeeded, unnoticed by the
+ elder, in slipping a note into her hand, which he was pleased and
+ flattered to see she retained and concealed. Another day he had the joy of
+ having a few whispered words with her in the dim shadow of one of the
+ gigantic pillars. After that, progress was comparatively easy.
+ </p>
+ <p>
+ Her name was Yvette, he learned, and he was amused to find with what
+ expert dexterity a perfectly guileless and innocent little creature such
+ as she was, managed to elude the vigilance of the aged and experienced
+ woman who had her in charge. The stolen interviews usually took place in
+ the little park behind Notre Dame. There they sat on the bench facing the
+ fountain, or walked up and down on the crunching gravel under the trees.
+ In the afternoons they walked in the secluded part of the park, in the
+ shadow of the great church. It was her custom to send him dainty little
+ notes telling him when she expected to be in the park, giving the number
+ of the bench, for sometimes the duenna could not be eluded, and was seated
+ there with Yvette. On these occasions McLane had to content himself with
+ gazing from afar.
+ </p>
+ <p>
+ She was so much in earnest that the particular emotion which occupied the
+ place of conscience in McLane&rsquo;s being, was troubled. He thought of
+ the nice girl at home, and fervently hoped nothing of this would ever
+ reach her ears. No matter how careful a man is, chance sometimes plays him
+ a scurvy trick. McLane remembered instances, and regretted the world was
+ so small. Sometimes a cry of recognition from one on the pavement to a
+ comrade in the park, shouted through the iron railings, sent a shiver
+ through McLane. Art students had an uncomfortable habit of roaming
+ everywhere, and they were boisterous in hailing an acquaintance. Besides,
+ they talked, and McLane dreaded having his little intrigue the joke of the
+ school. At any moment an objectionable art student might drop into the
+ park to sketch the fountain, or the nurses and children, or the back of
+ the cathedral at one end of the park, or even the low, gloomy, unimposing
+ front of the Morgue at the other.
+ </p>
+ <p>
+ He was an easy-going young fellow, who hated trouble, and perhaps, knowing
+ that the inevitable day of reckoning was approaching, this accounted for
+ the somewhat tardy awakening of his conscience.
+ </p>
+ <p>
+ He sometimes thought it would be best simply to leave Paris without any
+ explanation, but he remembered that she knew his address, having written
+ to him often, and that by going to the school she could easily find out
+ where his home was. So if there was to be a scene it was much better that
+ it should take place in Paris, rather than where the nice girl lived.
+ </p>
+ <p>
+ He nerved himself up many times to make the explanation and bring down the
+ avalanche, but when the time came he postponed it. But the inevitable
+ ultimately arrives. He had some difficulty at first in getting her to
+ understand the situation clearly, but when he at last succeeded there was
+ no demonstration. She merely kept her eyes fixed on the gravel and gently
+ withdrew her hand from his. To his surprise she did not cry, nor even
+ answer him, but walked silently to and fro with downcast eyes in the
+ shadow of the church. No one, he said, would ever occupy the place in his
+ heart that she held. He was engaged to the other girl, but he had not
+ known what love was until he met Yvette. He was bound to the other girl by
+ ties he could not break, which was quite true, because the nice girl had a
+ rich father. He drew such a pathetic picture of the loveless life he must
+ in the future lead, that a great wave of self-pity surged up within him
+ and his voice quavered. He felt almost resentful that she should take the
+ separation in such an unemotional manner. When a man gets what he most
+ desires he is still unsatisfied. This was exactly the way he had hoped she
+ would take it.
+ </p>
+ <p>
+ All things come to an end, even explanations.
+ </p>
+ <p>
+ &ldquo;Well, good-bye, Yvette,&rdquo; he said, reaching out his hand. She
+ hesitated an instant, then without looking up, placed her small palm in
+ his.
+ </p>
+ <p>
+ They stood thus for a moment under the trees, while the fountain beside
+ them plashed and trickled musically. The shadow of the church was slowly
+ creeping towards them over the gravel. The park was deserted, except by
+ themselves. She tried gently to withdraw her hand, which he retained.
+ </p>
+ <p>
+ &ldquo;Have you nothing to say to me, Yvette?&rdquo; he asked, with a
+ touch of reproach in his voice.
+ </p>
+ <p>
+ She did not answer. He held her fingers, which were slipping from his
+ grasp, and the shadow touched her feet.
+ </p>
+ <p>
+ &ldquo;Yvette, you will at least kiss me goodbye?&rdquo;
+ </p>
+ <p>
+ She quickly withdrew her hand from his, shook her head and turned away. He
+ watched her until she was out of sight, and then walked slowly towards his
+ rooms on the Boulevard St. Germain. His thoughts were not comfortable. He
+ was disappointed in Yvette. She was so clever, so witty, that he had at
+ least expected she would have said something cutting, which he felt he
+ thoroughly deserved. He had no idea she could be so heartless. Then his
+ thoughts turned to the nice girl at home. She, too, had elements in her
+ character that were somewhat bewildering to an honest young man. Her
+ letters for a long time had been infrequent and unsatisfactory. It couldn&rsquo;t
+ be possible that she had heard anything. Still, there is nothing so easy
+ as point-blank denial, and he would see to that when he reached home.
+ </p>
+ <p>
+ An explanation awaited him at his rooms on the Boulevard. There was a
+ foreign stamp on the envelope, and it was from the nice girl. There had
+ been a mistake, she wrote, but happily she had discovered it before it was
+ too late. She bitterly reproached herself, taking three pages to do it in,
+ and on the fourth page he gathered that she would be married by the time
+ he had the letter. There appeared to be no doubt that the nice girl fully
+ realized how basely she had treated a talented, hard- working, aspiring,
+ sterling young man, but the realization had not seemingly postponed the
+ ringing of the wedding-bells to any appreciable extent.
+ </p>
+ <p>
+ Young McLane crushed the letter in his hand and used strong language, as,
+ indeed, he was perfectly justified in doing. He laughed a hard dry laugh
+ at the perfidy of woman. Then his thoughts turned towards Yvette. What a
+ pity it was she was not rich! Like so many other noble, talented men, he
+ realized he could not marry a poor woman. Suddenly it occurred to him that
+ Yvette might not be poor. The more he pondered over the matter the more
+ astonished he was that he had ever taken her poverty for granted. She
+ dressed richly, and that cost money in Paris. He remembered that she wore
+ a watch which flashed with jewels on the one occasion when he had seen it
+ for a moment. He wished he had postponed his explanation for one more day;
+ still, that was something easily remedied. He would tell her he had thrown
+ over the other girl for her sake. Like a pang there came to him the
+ remembrance that he did not know her address, nor even her family name.
+ Still, she would be sure to visit the little park, and he would haunt it
+ until she came. The haunting would give additional point to his story of
+ consuming love. Anyhow, nothing could be done that night.
+ </p>
+ <p>
+ In the morning he was overjoyed to receive a letter from Yvette, and he
+ was more than pleased when he read its contents. It asked for one more
+ meeting behind the church.
+ </p>
+<pre xml:space="preserve">
+&ldquo;I could not tell you to-day,&rdquo; she wrote, &ldquo;all I felt. To-morrow you
+shall know, if you meet me. Do not fear that I will reproach you. You
+will receive this letter in the morning. At twelve o&rsquo;clock I shall be
+waiting for you on the sixth bench on the row south of the fountain&mdash;
+the sixth bench&mdash;the farthest from the church.&rdquo;
+ &ldquo;YVETTE.&rdquo;
+ </pre>
+ <p>
+ McLane was overjoyed at his good luck. He felt that he hardly merited it.
+ He was early at the spot, and sat down on the last bench of the row facing
+ the fountain. Yvette had not yet arrived, but it was still half an hour
+ before the time. McLane read the morning paper and waited. At last the
+ bells all around him chimed the hour of twelve. She had not come. This was
+ unusual, but always possible. She might not have succeeded in getting
+ away. The quarter and then the half hour passed before McLane began to
+ suspect that he had been made the victim of a practical joke. He dismissed
+ the thought; such a thing was so unlike her. He walked around the little
+ park, hoping he had mistaken the row of benches. She was not there. He
+ read the letter again. It was plain enough&mdash;the sixth bench. He
+ counted the benches beginning at the church. One&mdash;two&mdash;three&mdash;four&mdash;five.
+ There were only five benches in the row.
+ </p>
+ <p>
+ As he gazed stupidly at the fifth bench a man beside him said&mdash;&ldquo;That
+ is the bench, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; cried McLane, turning toward him,
+ astonished at the remark.
+ </p>
+ <p>
+ &ldquo;It was there that the young girl was found dead this morning&mdash;
+ poisoned, they say.&rdquo;
+ </p>
+ <p>
+ McLane stared at him&mdash;and then he said huskily&mdash;
+ </p>
+ <p>
+ &ldquo;Who&mdash;was she?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody knows that&mdash;yet. We will soon know, for everybody, as
+ you see, is going into the Morgue. She&rsquo;s the only one on the bench
+ to-day. Better go before the crowd gets greater. I have been twice.&rdquo;
+ </p>
+ <p>
+ McLane sank on the seat and drew his hand across his forehead.
+ </p>
+ <p>
+ He knew she was waiting for him on the sixth bench&mdash;the furthest from
+ the church!
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE FACE AND THE MASK ***
+
+******* This file should be named 8681-h.htm or 8681-h.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/8/6/8/8681
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+
+</pre>
+ </body>
+</html>