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+ <head>
+ <title>
+ Polly of the Circus, by Margaret Mayo
+ </title>
+ <style type="text/css" xml:space="preserve">
+
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+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
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+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
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+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
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+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Polly of the Circus, by Margaret Mayo
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Polly of the Circus
+
+Author: Margaret Mayo
+
+Release Date: August 2, 2008 [EBook #859]
+Last Updated: March 16, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK POLLY OF THE CIRCUS ***
+
+
+
+
+Produced by Charles Keller, and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ POLLY OF THE CIRCUS
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By Margaret Mayo
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ To My &ldquo;<i>KLEINE MUTTER</i>&rdquo;
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0001"> Chapter I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0002"> Chapter II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0003"> Chapter III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0004"> Chapter IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0005"> Chapter V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0006"> Chapter VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0007"> Chapter VII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0008"> Chapter VIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0009"> Chapter IX </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0010"> Chapter X </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0011"> Chapter XI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0012"> Chapter XII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0013"> Chapter XIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0014"> Chapter XIV </a>
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ Chapter I
+ </h2>
+ <p>
+ The band of the &ldquo;Great American Circus&rdquo; was playing noisily. The
+ performance was in full swing.
+ </p>
+ <p>
+ Beside a shabby trunk in the women's dressing tent sat a young,
+ wistful-faced girl, chin in hand, unheeding the chatter of the women about
+ her or the picturesque disarray of the surrounding objects. Her eyes had
+ been so long accustomed to the glitter and tinsel of circus fineries that
+ she saw nothing unusual in a picture that might have held a painter
+ spellbound.
+ </p>
+ <p>
+ Circling the inside of the tent and forming a double line down the centre
+ were partially unpacked trunks belching forth impudent masses of satins,
+ laces, artificial hair, paper flowers, and paste jewels. The scent of
+ moist earth mingled oddly with the perfumed odours of the garments heaped
+ on the grass. Here and there high circles of lights threw a strong, steady
+ glare upon the half-clad figure of a robust acrobat, or the thin, drooping
+ shoulders of a less stalwart sister. Temporary ropes stretched from one
+ pole to another, were laden with bright-coloured stockings, gaudy,
+ spangled gowns, or dusty street clothes, discarded by the performers
+ before slipping into their circus attire. There were no nails or hooks, so
+ hats and veils were pinned to the canvas walls.
+ </p>
+ <p>
+ The furniture was limited to one camp chair in front of each trunk, the
+ till of which served as a tray for the paints, powders and other
+ essentials of &ldquo;make-up.&rdquo;
+ </p>
+ <p>
+ A pail of water stood by the side of each chair, so that the performers
+ might wash the delicately shaded tights, handkerchiefs and other small
+ articles not to be entrusted to the slow, careless process of the village
+ laundry. Some of these had been washed to-night and hung to dry on the
+ lines between the dusty street garments.
+ </p>
+ <p>
+ Women whose &ldquo;turns&rdquo; came late sat about half-clothed reading, crocheting
+ or sewing, while others added pencilled eyebrows, powder or rouge to their
+ already exaggerated &ldquo;make-ups.&rdquo; Here and there a child was putting her
+ sawdust baby to sleep in the till of her trunk, before beginning her part
+ in the evening's entertainment. Young and old went about their duties with
+ a systematic, business-like air, and even the little knot of excited women
+ near Polly&mdash;it seemed that one of the men had upset a circus
+ tradition&mdash;kept a sharp lookout for their &ldquo;turns.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you think about it, Polly?&rdquo; asked a handsome brunette, as she
+ surveyed herself in the costume of a Roman charioteer.
+ </p>
+ <p>
+ &ldquo;About what?&rdquo; asked Polly vacantly.
+ </p>
+ <p>
+ &ldquo;Leave Poll alone; she's in one of her trances!&rdquo; called a motherly,
+ good-natured woman whose trunk stood next to Polly's, and whose business
+ was to support a son and three daughters upon stalwart shoulders, both
+ figuratively and literally.
+ </p>
+ <p>
+ &ldquo;Well, <i>I</i> ain't in any trance,&rdquo; answered the dark girl, &ldquo;and <i>I</i>
+ think it's pretty tough for him to take up with a rank outsider, and
+ expect us to warm up to her as though he'd married one of our own folks.&rdquo;
+ She tossed her head, the pride of class distinction welling high in her
+ ample bosom.
+ </p>
+ <p>
+ &ldquo;He ain't asking us to warm up to her,&rdquo; contradicted Mademoiselle Eloise,
+ a pale, light-haired sprite, who had arrived late and was making
+ undignified efforts to get out of her clothes by way of her head. She was
+ Polly's understudy and next in line for the star place in the bill.
+ </p>
+ <p>
+ &ldquo;Well, Barker has put her into the 'Leap of Death' stunt, ain't he?&rdquo;
+ continued the brunette. &ldquo;'Course that ain't a regular circus act,&rdquo; she
+ added, somewhat mollified, &ldquo;and so far she's had to dress with the
+ 'freaks,' but the next thing we know, he'll be ringin' her in on a regular
+ stunt and be puttin' her in to dress with US.&rdquo;
+ </p>
+ <p>
+ &ldquo;No danger of that,&rdquo; sneered the blonde; &ldquo;Barker is too old a stager to
+ mix up his sheep and his goats.&rdquo;
+ </p>
+ <p>
+ Polly had again lost the thread of the conversation. Her mind had gone
+ roving to the night when the frightened girl about whom they were talking
+ had made her first appearance in the circus lot, clinging timidly to the
+ hand of the man who had just made her his wife. Her eyes had met Polly's,
+ with a look of appeal that had gone straight to the child's simple heart.
+ </p>
+ <p>
+ A few nights later the newcomer had allowed herself to be strapped into
+ the cumbersome &ldquo;Leap of Death&rdquo; machine which hurled itself through space
+ at each performance, and flung itself down with force enough to break the
+ neck of any unskilled rider. Courage and steady nerve were the requisites
+ for the job, so the manager had said; but any physician would have told
+ him that only a trained acrobat could long endure the nervous strain, the
+ muscular tension, and the physical rack of such an ordeal.
+ </p>
+ <p>
+ What matter? The few dollars earned in this way would mean a great deal to
+ the mother, whom the girl's marriage had left desolate.
+ </p>
+ <p>
+ Polly had looked on hungrily the night that the mother had taken the
+ daughter in her arms to say farewell in the little country town where the
+ circus had played before her marriage. She could remember no woman's arms
+ about HER, for it was fourteen years since tender hands had carried her
+ mother from the performers' tent into the moonlit lot to die. The baby was
+ so used to seeing &ldquo;Mumsie&rdquo; throw herself wearily on the ground after
+ coming out of the &ldquo;big top&rdquo; exhausted, that she crept to the woman's side
+ as usual that night, and gazed laughingly into the sightless eyes,
+ gurgling and prattling and stroking the unresponsive face. There were
+ tears from those who watched, but no word was spoken.
+ </p>
+ <p>
+ Clown Toby and the big &ldquo;boss canvas-man&rdquo; Jim had always taken turns
+ amusing and guarding little Polly, while her mother rode in the ring. So
+ Toby now carried the babe to another side of the lot, and Jim bore the
+ lifeless body of the mother to the distant ticket-wagon, now closed for
+ the night, and laid it upon the seller's cot.
+ </p>
+ <p>
+ &ldquo;It's allus like this in the end,&rdquo; he murmured, as he drew a piece of
+ canvas over the white face and turned away to give orders to the men who
+ were beginning to load the &ldquo;props&rdquo; used earlier in the performance.
+ </p>
+ <p>
+ When the show moved on that night it was Jim's strong arms that lifted the
+ mite of a Polly close to his stalwart heart, and climbed with her to the
+ high seat on the head wagon. Uncle Toby was entrusted with the brown
+ satchel in which the mother had always carried Polly's scanty wardrobe. It
+ seemed to these two men that the eyes of the woman were fixed steadily
+ upon them.
+ </p>
+ <p>
+ Barker, the manager, a large, noisy, good-natured fellow, at first mumbled
+ something about the kid being &ldquo;excess baggage,&rdquo; but his objections were
+ only half-hearted, for like the others, he was already under the hypnotic
+ spell of the baby's round, confiding eyes, and he eventually contented
+ himself with an occasional reprimand to Toby, who was now sometimes late
+ on his cues. Polly wondered, at these times, why the old man's stories
+ were so suddenly cut short just as she was so &ldquo;comfy&rdquo; in the soft grass at
+ his feet. The boys who used to &ldquo;look sharp&rdquo; because of their boss at
+ loading time, now learned that they might loiter so long as &ldquo;Muvver Jim&rdquo;
+ was &ldquo;hikin' it round for the kid.&rdquo; It was Polly who had dubbed big Jim
+ &ldquo;Muvver,&rdquo; and the sobriquet had stuck to him in spite of his six feet two,
+ and shoulders that an athlete might have envied. Little by little, Toby
+ grew more stooped and small lines of anxiety crept into the brownish
+ circles beneath Jim's eyes, the lips that had once shut so firmly became
+ tender and tremulous, but neither of the men would willingly have gone
+ back to the old emptiness.
+ </p>
+ <p>
+ It was a red letter day in the circus, when Polly first managed to climb
+ up on the pole of an unhitched wagon and from there to the back of a
+ friendly, Shetland pony. Jim and Toby had been &ldquo;neglectin' her eddication&rdquo;
+ they declared, and from that time on, the blood of Polly's ancestors was
+ given full encouragement.
+ </p>
+ <p>
+ Barker was quick to grasp the advantage of adding the kid to the daily
+ parade. She made her first appearance in the streets upon something very
+ like a Newfoundland dog, guarded from the rear by Jim, and from the fore
+ by a white-faced clown who was thought to be all the funnier because he
+ twisted his neck so much.
+ </p>
+ <p>
+ From the street parade to Polly's first appearance in the &ldquo;big top,&rdquo; had
+ seemed a short while to Jim and Toby. They were proud to see her circling
+ the ring in bright colours and to hear the cheers of the people, but a
+ sense of loss was upon them.
+ </p>
+ <p>
+ &ldquo;I always said she'd do it,&rdquo; cried Barker, who now took upon himself the
+ credit of Polly's triumph.
+ </p>
+ <p>
+ And what a triumph it was!
+ </p>
+ <p>
+ Polly danced as serenely on Bingo's back as she might have done on the
+ &ldquo;concert boards.&rdquo; She swayed gracefully with the music. Her tiny sandals
+ twinkled as she stood first upon one foot and then upon the other.
+ </p>
+ <p>
+ Uncle Toby forgot to use many of his tricks that night; and Jim left the
+ loading of the wagons to take care of itself, while he hovered near the
+ entrance, anxious and breathless. The performers crowded around the girl
+ with outstretched hands and congratulations, as she came out of the ring
+ to cheers and applause.
+ </p>
+ <p>
+ But Big Jim stood apart. He was thinking of the buttons that his clumsy
+ fingers used to force into the stiff, starchy holes too small for them and
+ of the pigtails so stubborn at the ends; and Toby was remembering the
+ little shoes that had once needed to be laced in the cold, dark mornings,
+ and the strings that were always snapping.
+ </p>
+ <p>
+ Something had gone.
+ </p>
+ <p>
+ They were not philosophers to reason like Emerson, that for everything we
+ lose we gain something; they were simple souls, these two, they could only
+ feel.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter II
+ </h2>
+ <p>
+ WHILE Polly sat in the dressing tent, listening indifferently to the
+ chatter about the &ldquo;Leap of Death&rdquo; girl, Jim waited in the lot outside,
+ opening and shutting a small, leather bag which he had bought for her that
+ day. He was as blind to the picturesque outdoor life as she to her indoor
+ surroundings, for he, too, had been with the circus since his earliest
+ recollection.
+ </p>
+ <p>
+ The grass enclosure, where he waited, was shut in by a circle of tents and
+ wagons. The great, red property vans were waiting to be loaded with the
+ costumes and tackle which were constantly being brought from the &ldquo;big
+ top,&rdquo; where the evening performance was now going on. The gay striped
+ curtains at the rear of the tent were looped back to give air to the
+ panting musicians, who sat just inside. Through the opening, a glimpse of
+ the audience might be had, tier upon tier, fanning and shifting uneasily.
+ Near the main tent stood the long, low dressing &ldquo;top,&rdquo; with the women
+ performers stowed away in one end, the &ldquo;ring horses&rdquo; in the centre, and
+ the men performers in the other end.
+ </p>
+ <p>
+ A temporary curtain was hung between the main and the dressing tent, to
+ shut out the curious mob that tried to peep in at the back lot for a
+ glimpse of things not to be seen in the ring.
+ </p>
+ <p>
+ Coloured streamers, fastened to the roofs of the tents, waved and floated
+ in the night air and beckoned to the towns-people on the other side to
+ make haste to get their places, forget their cares, and be children again.
+ </p>
+ <p>
+ Over the tops of the tents, the lurid light of the distant red fire shot
+ into the sky, accompanied by the cries of the peanut &ldquo;butchers,&rdquo; the
+ popcorn boys, the lemonade venders,{sic} and the exhortations of the
+ side-show &ldquo;spieler,&rdquo; whose flying banners bore the painted reproductions
+ of his &ldquo;freaks.&rdquo; Here and there stood unhitched chariots, half filled
+ trunks, trapeze tackle, paper hoops, stake pullers or other &ldquo;properties&rdquo;
+ necessary to the show.
+ </p>
+ <p>
+ Torches flamed at the tent entrances, while oil lamps and lanterns gave
+ light for the loading of the wagons.
+ </p>
+ <p>
+ There was a constant stream of life shooting in and out from the dressing
+ tent to the &ldquo;big top,&rdquo; as gaily decked men, women and animals came or
+ went.
+ </p>
+ <p>
+ Drowsy dogs were stretched under the wagons, waiting their turn to be
+ dressed as lions or bears. The wise old goose, with his modest grey mate,
+ pecked at the green grass or turned his head from side to side, watching
+ the singing clown, who rolled up the painted carcass and long neck of the
+ imitation giraffe from which two property men had just slipped, their legs
+ still encased in stripes.
+ </p>
+ <p>
+ Ambitious canvas-men and grooms were exercising, feet in air, in the hope
+ of some day getting into the performers' ring. Property men stole a
+ minute's sleep in the soft warm grass while they waited for more tackle to
+ load in the wagons. Children of the performers were swinging on the tent
+ ropes, chattering monkeys sat astride the Shetland ponies, awaiting their
+ entrance to the ring. The shrieks of the hyenas in the distant animal
+ tent, the roaring of the lions and the trumpeting of the elephants mingled
+ with the incessant clamour of the band. And back of all this, pointing
+ upward in mute protest, rose a solemn church spire, white and majestic
+ against a vast panorama of blue, moonlit hills, that encircled the whole
+ lurid picture. Jim's eyes turned absently toward the church as he sat
+ fumbling with the lock of the little brown satchel.
+ </p>
+ <p>
+ He had gone from store to store in the various towns where they had played
+ looking for something to inspire wonder in the heart of a miss, newly
+ arrived at her sixteenth year. Only the desperation of a last moment had
+ forced him to decide upon the imitation alligator bag, which he now held
+ in his hand.
+ </p>
+ <p>
+ It looked small and mean to him as the moment of presentation approached,
+ and he was glad that the saleswoman in the little country store had
+ suggested the addition of ribbons and laces, which he now drew from the
+ pocket of his corduroys. He placed his red and blue treasures very
+ carefully in the bottom of the satchel, and remembered with regret the
+ strand of coral beads which he had so nearly bought to go with them.
+ </p>
+ <p>
+ He opened the large property trunk by his side, and took from it a laundry
+ box, which held a little tan coat, that was to be Toby's contribution to
+ the birthday surprise. He was big-hearted enough to be glad that Toby's
+ gift seemed finer and more useful than his.
+ </p>
+ <p>
+ It was only when the &ldquo;Leap of Death&rdquo; act preceding Polly's turn was
+ announced, that the big fellow gave up feasting his eyes on the satchel
+ and coat, and hid them away in the big property trunk. She would be out in
+ a minute, and these wonders were not to be revealed to her until the close
+ of the night's performance.
+ </p>
+ <p>
+ Jim put down the lid of the trunk and sat upon it, feeling like a criminal
+ because he was hiding something from Polly.
+ </p>
+ <p>
+ His consciousness of guilt was increased as he recalled how often she had
+ forbidden Toby and himself to rush into reckless extravagances for her
+ sake, and how she had been more nearly angry than he had ever seen her,
+ when they had put their month's salaries together to buy her the spangled
+ dress for her first appearance. It had taken a great many apologies and
+ promises as to their future behaviour to calm her, and now they had again
+ disobeyed her. It would be a great relief when to-night's ordeal was over.
+ </p>
+ <p>
+ Jim watched Polly uneasily as she came from the dressing tent and stopped
+ to gaze at the nearby church steeple. The incongruity of the slang, that
+ soon came from her delicately formed lips, was lost upon him as she turned
+ her eyes toward him.
+ </p>
+ <p>
+ &ldquo;Say, Jim,&rdquo; she said, with a Western drawl, &ldquo;them's a funny lot of guys
+ what goes to them church places, ain't they?&rdquo;
+ </p>
+ <p>
+ &ldquo;Most everybody has got some kind of a bug,&rdquo; Jim assented; &ldquo;I guess they
+ don't do much harm.&rdquo;
+ </p>
+ <p>
+ &ldquo;'Member the time you took me into one of them places to get me out a the
+ rain, the Sunday our wagon broke down? Well, that bunch WE butted into
+ wouldn't a give Sell's Brothers no cause for worry with that show a'
+ theirn, would they, Jim?&rdquo; She looked at him with withering disgust. &ldquo;Say,
+ wasn't that the punkiest stunt that fellow in black was doin' on the
+ platform? You said Joe was only ten minutes gettin' the tire onto our
+ wheel, but say, you take it from me, Jim, if I had to wait another ten
+ minutes as long as that one, I'd be too old to go on a-ridin'.&rdquo;
+ </p>
+ <p>
+ Jim &ldquo;'lowed&rdquo; some church shows might be better than &ldquo;that un,&rdquo; but Polly
+ said he could have her end of the bet, and summed up by declaring it no
+ wonder that the yaps in these towns was daffy about circuses, if they
+ didn't have nothin' better an' church shows to go to.
+ </p>
+ <p>
+ One of the grooms was entering the lot with Polly's horse. She stooped to
+ tighten one of her sandals, and as she rose, Jim saw her sway slightly and
+ put one hand to her head. He looked at her sharply, remembering her
+ faintness in the parade that morning.
+ </p>
+ <p>
+ &ldquo;You ain't feeling right,&rdquo; he said uneasily.
+ </p>
+ <p>
+ &ldquo;You just bet I am,&rdquo; Polly answered with an independent toss of her head.
+ &ldquo;This is the night we're goin' to make them rubes in there sit up, ain't
+ it, Bingo?&rdquo; she added, placing one arm affectionately about the neck of
+ the big, white horse that stood waiting near the entrance.
+ </p>
+ <p>
+ &ldquo;You bin ridin' too reckless lately,&rdquo; said Jim, sternly, as he followed
+ her. &ldquo;I don't like it. There ain't no need of your puttin' in all them
+ extra stunts. Your act is good enough without 'em. Nobody else ever done
+ 'em, an' nobody'd miss 'em if you left 'em out.&rdquo;
+ </p>
+ <p>
+ Polly turned with a triumphant ring in her voice. The music was swelling
+ for her entrance.
+ </p>
+ <p>
+ &ldquo;You ain't my MOTHER, Jim, you're my GRANDmother,&rdquo; she taunted; and, with
+ a crack of her whip she was away on Bingo's back.
+ </p>
+ <p>
+ &ldquo;It's the spirit of the dead one that's got into her,&rdquo; Jim mumbled as he
+ turned away, still seeing the flash in the departing girl's eyes.
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter III
+ </h2>
+ <p>
+ Polly and Bingo always made the audience &ldquo;sit up&rdquo; when they swept into the
+ ring. She was so young, so gaily clad, so light and joyous in all her
+ poses. She seemed scarcely to touch the back of the white horse, as they
+ dashed round the ring in the glare of the tent lights. The other
+ performers went through their work mechanically while Polly rode, for they
+ knew the audience was watching her only.
+ </p>
+ <p>
+ As for Polly, her work had never lost its first interest. Jim may have
+ been right when he said that the spirit of the dead mother had got into
+ her; but it must have been an unsatisfied spirit, unable to fulfil its
+ ambition in the body that once held it, for it sometimes played strange
+ pranks with Polly. To-night, her eyes shone and her lips were parted in
+ anticipation, as she leaped lightly over the many coloured streamers of
+ the wheel of silken ribbons held by Barker in the centre of the ring, and
+ by Toby and the &ldquo;tumblers&rdquo; on the edge of the bank.
+ </p>
+ <p>
+ With each change of her act, the audience cheered and frantically
+ applauded. The band played faster; Bingo's pace increased; the end of her
+ turn was coming. The &ldquo;tumblers&rdquo; arranged themselves around the ring with
+ paper hoops; Bingo was fairly racing. She went through the first hoop with
+ a crash of tearing paper and cheers from the audience.
+ </p>
+ <p>
+ &ldquo;Heigh, Bingo!&rdquo; she shouted, as she bent her knees to make ready for the
+ final leap.
+ </p>
+ <p>
+ Bingo's neck was stretched. He had never gone so fast before. Barker
+ looked uneasy. Toby forgot to go on with his accustomed tricks. Jim
+ watched anxiously from the entrance.
+ </p>
+ <p>
+ The paper of one hoop was still left unbroken. The attendant turned his
+ eyes to glance at the oncoming girl; the hoop shifted slightly in his
+ clumsy hand as Polly leapt straight up from Bingo's back, trusting to her
+ first calculation. Her forehead struck the edge of the hoop. She clutched
+ wildly at the air. Bingo galloped on, and she fell to the ground, striking
+ her head against the iron-bound stake at the edge of the ring.
+ </p>
+ <p>
+ Everything stopped. There was a gasp of horror; the musicians dropped
+ their instruments; Bingo halted and looked back uneasily; she lay
+ unconscious and seemingly lifeless.
+ </p>
+ <p>
+ A great cry went up in the tent. Panic-stricken, men, women and children
+ began to clamber down from their seats, while others nearest the ground
+ attempted to jump into the ring. Barker, still grasping his long whip,
+ rushed to the girl's side, and shouted wildly to Toby:
+ </p>
+ <p>
+ &ldquo;Say something, you. Get 'em back!&rdquo;
+ </p>
+ <p>
+ Old Toby turned his white face to the crowd, his features worked
+ convulsively, but he could not speak. His grief was so grotesque, that the
+ few who saw him laughed hysterically. He could not even go to Polly, his
+ feet seemed pinned to the earth.
+ </p>
+ <p>
+ Jim rushed into the tent at the first cry of the audience. He lifted the
+ limp form tenderly, and kneeling in the ring held her bruised head in his
+ hands.
+ </p>
+ <p>
+ &ldquo;Can't you get a doctor!&rdquo; he shouted desperately to Barker.
+ </p>
+ <p>
+ &ldquo;Here's the doctor!&rdquo; some one called; and a stranger came toward them. He
+ bent over the seemingly lifeless form, his fingers on the tiny wrist, his
+ ear to the heart.
+ </p>
+ <p>
+ &ldquo;Well, sir?&rdquo; Jim faltered, for he had caught the puzzled look in the
+ doctor's eyes as his deft hand pressed the cruelly wounded head.
+ </p>
+ <p>
+ &ldquo;I can't tell just yet,&rdquo; said the doctor. &ldquo;She must be taken away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where can we take her?&rdquo; asked Jim, a look of terror in his great,
+ troubled eyes.
+ </p>
+ <p>
+ &ldquo;The parsonage is the nearest house,&rdquo; said the doctor. &ldquo;I am sure the
+ pastor will be glad to have her there until we can find out how badly she
+ is hurt.&rdquo;
+ </p>
+ <p>
+ In an instant Barker was back in the centre of the ring. He announced that
+ Polly's injuries were slight, called the attention of the audience to the
+ wonderful concert to take place, and bade them make ready for the
+ thrilling chariot race which would end the show.
+ </p>
+ <p>
+ Jim, blind with despair, lifted the light burden and staggered out of the
+ tent, while the band played furiously and the people fell back into their
+ seats. The Roman chariots thundered and clattered around the outside of
+ the ring, the audience cheered the winner of the race, and for the moment
+ Polly was forgotten.
+ </p>
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter IV
+ </h2>
+ <p>
+ THE blare of the circus band had been a sore temptation to Mandy Jones all
+ afternoon and evening. Again and again it had dragged her from her work to
+ the study window, from which she could see the wonders so tantalisingly
+ near. Mandy was housekeeper for the Rev. John Douglas, but the unwashed
+ supper dishes did not trouble her, as she watched the lumbering elephants,
+ the restless lions, the long-necked giraffes and the striped zebras, that
+ came and went in the nearby circus lot. And yet, in spite of her own
+ curiosity, she could not forgive her vagrant &ldquo;worse half,&rdquo; Hasty, who had
+ been lured from duty early in the day. She had once dubbed him Hasty, in a
+ spirit of derision, and the name had clung to him. The sarcasm seemed
+ doubly appropriate to-night, for he had been away since ten that morning,
+ and it was now past nine.
+ </p>
+ <p>
+ The young pastor for a time had enjoyed Mandy's tirades against her
+ husband, but when she began calling shrilly out of the window to chance
+ acquaintances for news of him, he slipped quietly into the next room to
+ finish to-morrow's sermon. Mandy renewed her operations at the window with
+ increased vigour when the pastor had gone. She was barely saved from
+ pitching head foremost into the lot, by the timely arrival of Deacon
+ Strong's daughter, who managed, with difficulty, to connect the excited
+ woman's feet with the floor.
+ </p>
+ <p>
+ &ldquo;Foh de Lor' sake!&rdquo; Mandy gasped, as she stood panting for breath and
+ blinking at the pretty, young, apple-faced Julia; &ldquo;I was suah most gone
+ dat time.&rdquo; Then followed another outburst against the delinquent Hasty.
+ </p>
+ <p>
+ But the deacon's daughter did not hear; her eyes were already wandering
+ anxiously to the lights and the tinsel of the little world beyond the
+ window.
+ </p>
+ <p>
+ This was not the first time to-day that Mandy had found herself talking to
+ space. There had been a steady stream of callers at the parsonage since
+ eleven that morning, but she had long ago confided to the pastor that she
+ suspected their reasons.
+ </p>
+ <p>
+ &ldquo;Dey comes in here a-trackin' up my floors,&rdquo; she said, &ldquo;and a-askin' why
+ you don' stop de circus from a-showin' nex' to de church and den a-cranin'
+ afar necks out de winder, till I can't get no housework done.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's only human nature,&rdquo; Douglas had answered with a laugh; but Mandy
+ had declared that she knew another name for it, and had mumbled something
+ about &ldquo;hypocritters,&rdquo; as she seized her broom and began to sweep imaginary
+ tracks from in front of the door.
+ </p>
+ <p>
+ Many times she had made up her mind to let the next caller know just what
+ she thought of &ldquo;hypocritters,&rdquo; but her determination was usually weakened
+ by her still greater desire to excite increased wonder in the faces of her
+ visitors.
+ </p>
+ <p>
+ Divided between these two inclinations, she gazed at Julia now; the
+ shining eyes of the deacon's daughter conquered, and she launched forth
+ into an eager description of how she had just seen a &ldquo;wondeful striped
+ anamule&rdquo; with a &ldquo;pow'ful long neck walk right out of the tent,&rdquo; and how he
+ had &ldquo;come apart afore her very eyes,&rdquo; and two men had slipped &ldquo;right out
+ a' his insides.&rdquo; Mandy was so carried away by her own eloquence and so
+ busy showing Julia the sights beyond the window, that she did not hear
+ Miss Perkins, the thin-lipped spinster, who entered, followed by the Widow
+ Willoughby dragging her seven-year-old son Willie by the hand.
+ </p>
+ <p>
+ The women were protesting because their choir practice of &ldquo;What Shall the
+ Harvest Be?&rdquo; had been interrupted by the unrequested acompaniment{sic} of
+ the &ldquo;hoochie coochie&rdquo; from the nearby circus band.
+ </p>
+ <p>
+ &ldquo;It's scandalous!&rdquo; Miss Perkins snapped. &ldquo;Scandalous! And SOMEBODY ought
+ to stop it.&rdquo; She glanced about with an unmistakable air of grievance at
+ the closed doors, feeling that the pastor was undoubtedly behind one of
+ them, when he ought to be out taking action against the things that her
+ soul abominated.
+ </p>
+ <p>
+ &ldquo;Well, I'm sure I'VE done all that <i>I</i> could,&rdquo; piped the widow, with
+ a meek, martyred air. She was always martyred. She considered it an
+ appropriate attitude for a widow. &ldquo;He can't blame ME if the choir is out
+ of key to-morrow.&rdquo; &ldquo;Mercy me!&rdquo; interrupted the spinster, &ldquo;if there isn't
+ Julia Strong a-leaning right out of that window a-looking at the circus,
+ and her pa a deacon of the church, and this the house of the pastor. It's
+ shocking! I must go to her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ma, let me see, too,&rdquo; begged Willie, as he tugged at his mother's skirts.
+ </p>
+ <p>
+ Mrs. Willoughby hesitated. Miss Perkins was certainly taking a long while
+ for her argument with Julia. The glow from the red powder outside the
+ window was positively alarming.
+ </p>
+ <p>
+ &ldquo;Dear me!&rdquo; she said, &ldquo;I wonder if there can be a fire.&rdquo; And with this
+ pretext for investigation, she, too, joined the little group at the
+ window.
+ </p>
+ <p>
+ A few moments later when Douglas entered for a fresh supply of paper, the
+ backs of the company were toward him. He crossed to the study table
+ without disturbing his visitors, and smiled to himself at the eager way in
+ which they were hanging out of the window.
+ </p>
+ <p>
+ Douglas was a sturdy young man of eight and twenty, frank and boyish in
+ manner, confident and light-hearted in spirit. He had seemed too young to
+ the deacons when he was appointed to their church, and his keen enjoyment
+ of outdoor games and other healthful sports robbed him of a certain
+ dignity in their eyes. Some of the women of the congregation had been
+ inclined to side with the deacons, for it hurt their vanity that the
+ pastor found so many other interests when he might have been sitting in
+ dark, stuffy rooms discussing theology with them; but Douglas had been
+ either unconscious of or indifferent to their resentment, and had gone on
+ his way with a cheery nod and an unconquerable conviction of right, that
+ had only left them floundering. He intended to quit the room now
+ unnoticed, but was unfortunate enough to upset a chair as he turned from
+ the table. This brought a chorus of exclamations from the women, who
+ chattering rushed quickly toward him.
+ </p>
+ <p>
+ &ldquo;What do you think of my naughty boy, Willie?&rdquo; simpered the widow. &ldquo;He
+ dragged me quite to the window.&rdquo;
+ </p>
+ <p>
+ Douglas glanced amusedly first at the five-foot-six widow and then at the
+ helpless, red-haired urchin by her side, but he made no comment beyond
+ offering a chair to each of the women.
+ </p>
+ <p>
+ &ldquo;Our choir practice had to be entirely discontinued,&rdquo; declared Miss
+ Perkins sourly, as she accepted the proffered chair, adjusted her skirts
+ for a stay, and glanced defiantly at the parson, who had dutifully seated
+ himself near the table.
+ </p>
+ <p>
+ &ldquo;I am sure <i>I</i> have as true an ear as anybody,&rdquo; whimpered the widow,
+ with an injured air; &ldquo;but I defy ANY ONE to lead 'What Shall the Harvest
+ Be?' to an accompaniment like THAT.&rdquo; She jerked her hand in the direction
+ of the window. The band was again playing the &ldquo;hoochie coochie.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind about the choir practice,&rdquo; said Douglas, with a smile. &ldquo;It is
+ SOUL not SKILL that our congregation needs in its music. As for that music
+ out there, it is NOT without its compensations. Why, the small boys would
+ rather hear that band than the finest church organ in the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the SMALL BOYS would rather see the circus than to hear you preach,
+ most likely,&rdquo; snapped Miss Perkins. It was adding insult to injury for him
+ to try to CONSOLE her.
+ </p>
+ <p>
+ &ldquo;Of course they would; and so would some of the grown-ups if they'd only
+ tell the truth about it,&rdquo; said Douglas, laughing.
+ </p>
+ <p>
+ &ldquo;What!&rdquo; exclaimed Miss Perkins.
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo; asked Douglas. &ldquo;I am sure I don't know what they do inside the
+ tents, but the parade looked very promising.&rdquo;
+ </p>
+ <p>
+ &ldquo;The PARADE!&rdquo; the two women echoed in one breath. &ldquo;Did YOU see the
+ parade?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, indeed,&rdquo; said Douglas, enthusiastically. &ldquo;But it didn't compare with
+ the one I saw at the age of eight.&rdquo; He turned his head to one side and
+ looked into space with a reminiscent smile. The widow's red-haired boy
+ crept close to him.
+ </p>
+ <p>
+ &ldquo;The Shetland ponies seemed as small as mice,&rdquo; he continued, dreamily,
+ &ldquo;the elephants huge as mountains, the great calliope wafted my soul to the
+ very skies, and I followed that parade right into the circus lot.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you seed inside de tent?&rdquo; Willie asked, eagerly.
+ </p>
+ <p>
+ &ldquo;I didn't have enough money for that,&rdquo; Douglas answered, frankly. He
+ turned to the small boy and pinched his ear. There was sad disappointment
+ in the youngster's face, but he brightened again, when the parson
+ confessed that he &ldquo;peeped.&rdquo;
+ </p>
+ <p>
+ &ldquo;A parson peeping!&rdquo; cried the thin-lipped Miss Perkins.
+ </p>
+ <p>
+ &ldquo;I was not a parson then,&rdquo; corrected Douglas, good-naturedly.
+ </p>
+ <p>
+ &ldquo;You were GOING to be,&rdquo; persisted the spinster.
+ </p>
+ <p>
+ &ldquo;I had to be a boy first, in spite of that fact.&rdquo;
+ </p>
+ <p>
+ The sudden appearance of Hasty proved a diversion. He was looking very
+ sheepish.
+ </p>
+ <p>
+ &ldquo;Hyar he is, Mars John; look at him!&rdquo; said Mandy.
+ </p>
+ <p>
+ &ldquo;Hasty, where have you been all day?&rdquo; demanded Douglas, severely.
+ </p>
+ <p>
+ Hasty fumbled with his hat and sparred for time. &ldquo;Did yo' say whar's I
+ been, sah?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dat's what he done ast yo',&rdquo; Mandy prompted, threateningly.
+ </p>
+ <p>
+ &ldquo;I bin 'ceived, Mars John,&rdquo; declared Hasty, solemnly. Mandy snorted
+ incredulously. Douglas waited.
+ </p>
+ <p>
+ &ldquo;A gemmen in de circus done tole me dis mawnin' dat ef I carry water fo'
+ de el'phants, he'll let me in de circus fo' nuffin', an' I make a
+ 'greement wid him. Mars John, did yo' ebber seed an' el'phant drink?&rdquo; he
+ asked, rolling his eyes. John shook his head.
+ </p>
+ <p>
+ &ldquo;Well, sah, he jes' put dat trunk a'his'n into de pail, jes' once an&mdash;swish&mdash;water
+ gone.&rdquo;
+ </p>
+ <p>
+ Douglas laughed; and Mandy muttered, sullenly.
+ </p>
+ <p>
+ &ldquo;Well, sah,&rdquo; continued Hasty, &ldquo;I tote water fo' dem el'phants all day
+ long, an' when I cum roun' to see de circus, de gemmen won't let me in.
+ An' when I try to crawl under de tent, dey pulls me out by de laigs an'
+ beats me.&rdquo; He looked from one to the other expecting sympathy.
+ </p>
+ <p>
+ &ldquo;Serves you right,&rdquo; was Mandy's unfeeling reply. &ldquo;If yo's so anxious to be
+ a-totin' water, jes' yo' come along outside and tote some fo' Mandy.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can't do no mo' carryin', Mandy,&rdquo; protested Hasty. &ldquo;I'se hurted in mah
+ arm.&rdquo;
+ </p>
+ <p>
+ &ldquo;What hurt yo'?&rdquo;
+ </p>
+ <p>
+ &ldquo;Tiger.&rdquo;
+ </p>
+ <p>
+ &ldquo;A tiger?&rdquo; exclaimed the women in unison.
+ </p>
+ <p>
+ &ldquo;Done chawed it mos' off,&rdquo; he declared, solemnly. &ldquo;Deacon Elverson, he
+ seed it, an' he says I's hurt bad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Deacon Elverson?&rdquo; cried the spinster. &ldquo;Was Deacon Elverson at the
+ circus?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was in de lot, a-tryin' to look in, same as me,&rdquo; Hasty answered,
+ innocently.
+ </p>
+ <p>
+ &ldquo;You'd better take Hasty into the kitchen,&rdquo; said Douglas to Mandy, with a
+ dry smile; &ldquo;he's talking too much for a wounded man.&rdquo;
+ </p>
+ <p>
+ Mandy disappeared with the disgraced Hasty, advising him with fine scorn
+ &ldquo;to get de tiger to chew off his laigs, so's he wouldn't have to walk no
+ mo'.&rdquo;
+ </p>
+ <p>
+ The women gazed at each other with lips closed tightly. Elverson's
+ behaviour was beyond their power of expression. Miss Perkins turned to the
+ pastor, as though he were somehow to blame for the deacon's backsliding,
+ but before she could find words to argue the point, the timid little
+ deacon appeared in the doorway, utterly unconscious of the hostile
+ reception that Hasty had prepared for him. He glanced nervously from one
+ set face to the other, then coughed behind his hat.
+ </p>
+ <p>
+ &ldquo;We're all very much interested in the circus,&rdquo; said Douglas. &ldquo;Can't you
+ tell us about it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I just went into the lot to look for my son,&rdquo; stammered the deacon. &ldquo;I
+ feared Peter had strayed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, deacon,&rdquo; said Mrs. Willoughby. &ldquo;I just stopped by your house and saw
+ Mrs. Elverson putting Peter to bed.&rdquo;
+ </p>
+ <p>
+ The deacon was saved from further embarrassment by an exclamation from
+ Julia, who had stayed at the window. &ldquo;Oh, look; something has happened!&rdquo;
+ she cried. &ldquo;There's a crowd. They are coming this way.&rdquo;
+ </p>
+ <p>
+ Douglas crossed quickly to Julia's side, and saw an excited mob collecting
+ before the entrance to the main tent. He had time to discover no more
+ before Mandy burst in at the door, panting with excitement and rolling her
+ large, white-rimmed eyeballs.
+ </p>
+ <p>
+ &ldquo;Mars John, a little circus girl done fall off her hoss!&rdquo; she cried. &ldquo;Dr.
+ Hartley say can dey bring her in heah?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; said Douglas, hurrying outside.
+ </p>
+ <p>
+ There were horrified exclamations from the women, who were aghast at the
+ idea of a circus rider in the parsonage. In their helpless indignation,
+ they turned upon the little deacon, feeling intuitively that he was
+ enjoying the drama. Elverson was retreating toward the door when he was
+ suddenly thrust aside by Douglas.
+ </p>
+ <p>
+ In the young pastor's arms was a white, spangled burden of humanity, her
+ slender arm hung lifeless over his shoulder. The silk stocking was torn
+ from one bruised ankle; her hair fell across her face, veiling it from the
+ unfriendly glances of the women. Douglas passed out of sight up the
+ stairway without looking to the right or left, followed by the doctor.
+ </p>
+ <p>
+ Mandy reached the front door in time to push back a crowd of intruders.
+ She had barely closed the door when it was thrust open by Jim.
+ </p>
+ <p>
+ &ldquo;Where is she?&rdquo; he demanded.
+ </p>
+ <p>
+ &ldquo;Go 'way f'um here!&rdquo; cried Mandy, as her eyes unconsciously sought the
+ stairs.
+ </p>
+ <p>
+ Jim followed the direction of her glance, and cleared the steps at a
+ bound. Mandy pursued him, muttering angrily. Deacon Elverson, too, was
+ about to follow, when a grim reminder from Miss Perkins brought him around
+ and he made for the door instead. He started back on opening it, for
+ standing on the threshold was a clown in his grotesque &ldquo;make-up&rdquo;; his
+ white clothes were partially concealed by a large, travelling ulster, held
+ together by one button. In one hand he carried a small leather satchel; in
+ the other a girl's sailor hat; a little tan coat was thrown across his
+ arm. The giggles of the boy hiding behind his mother's skirt were the only
+ greetings received by the trembling old man in the doorway.
+ </p>
+ <p>
+ He glanced uncertainly from one unfriendly face to the other, waiting for
+ a word of invitation to enter; but none came.
+ </p>
+ <p>
+ &ldquo;Excuse me,&rdquo; he said; &ldquo;I just brought some of her little things. She'd
+ better put on her coat when she goes out. It's gettin' kinder chilly.&rdquo;
+ </p>
+ <p>
+ He looked again into the blank faces; still no one spoke. He stepped
+ forward, trembling with anxiety. A sudden fear clutched at his heart, the
+ muscles of his face worked pitifully, the red painted lips began to
+ quiver.
+ </p>
+ <p>
+ &ldquo;It ain't&mdash;It ain't that, is it?&rdquo; he faltered, unable to utter the
+ word that filled him with horror.
+ </p>
+ <p>
+ Even Miss Perkins was momentarily touched by the anguish in the old man's
+ voice. &ldquo;I guess you will find the person you are looking for upstairs,&rdquo;
+ she answered tartly; and flounced out of the house, calling to Julia and
+ the others to follow her, and declaring that she would soon let folks know
+ how the parson had brought a &ldquo;circus ridin' girl&rdquo; into the parsonage.
+ </p>
+ <p>
+ The painted clown stood alone, looking from one wall to the other, then he
+ crossed the room and placed the alligator satchel and the little coat and
+ hat on the study table. He was careful not to wrinkle the coat, for this
+ was Polly's birthday gift. Jim and he had planned to have sandwiches and
+ soda pop on the top of the big wagon when they offered their treasures
+ tonight; but now the wagons would soon be leaving&mdash;and where was
+ Polly? He turned to ask this question as Mandy came down the stairs.
+ </p>
+ <p>
+ &ldquo;Well, if dar ain't anudder one,&rdquo; she cried.
+ </p>
+ <p>
+ &ldquo;Never mind, Mandy,&rdquo; said Douglas, who was just behind her, carrying a
+ small water pitcher, and searching for a bottle of brandy which had been
+ placed in the medicine chest for emergencies.
+ </p>
+ <p>
+ &ldquo;You can take these upstairs,&rdquo; he told her, when he had filled the pitcher
+ with water and found the liquor. Mandy looked threateningly at Toby, then
+ reluctantly went on her way.
+ </p>
+ <p>
+ Douglas turned to the old man pleasantly. His was the first greeting that
+ Toby had received, and he at last found voice to ask whether Polly was
+ badly hurt.
+ </p>
+ <p>
+ &ldquo;The doctor hasn't told us yet,&rdquo; said Douglas, kindly.
+ </p>
+ <p>
+ &ldquo;I'm her Uncle Toby&mdash;not her REAL uncle,&rdquo; the old man explained, &ldquo;but
+ that's what she calls me. I couldn't come out right away, because I'm on
+ in the concert. Could I see her now, please?&rdquo;
+ </p>
+ <p>
+ &ldquo;Here's the doctor,&rdquo; said Douglas, as Hartley came down the stairs,
+ followed by Jim. &ldquo;Well, doctor, not bad, I hope?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, rather bad,&rdquo; said the doctor, adding quickly, as he saw the
+ suffering in Toby's face, &ldquo;but don't be alarmed. She's going to get well.&rdquo;
+ </p>
+ <p>
+ &ldquo;How long will it be before we can have her back&mdash;before she can ride
+ again?&rdquo; asked Jim gruffly, as he stood apart, twisting his brown, worn hat
+ in his hands.
+ </p>
+ <p>
+ &ldquo;Probably several months,&rdquo; said the doctor. &ldquo;No bones are broken, but the
+ ligaments of one ankle are torn, and she received a bad blow on the head.
+ It will be some time before she recovers consciousness.&rdquo; &ldquo;What are we
+ goin' to do, Jim?&rdquo; asked Toby, helplessly.
+ </p>
+ <p>
+ &ldquo;You needn't worry, we'll take good care of her here,&rdquo; said Douglas,
+ seeing desperation written on their faces.
+ </p>
+ <p>
+ &ldquo;Here?&rdquo; They looked at him incredulously.&mdash;And this was a parson!
+ </p>
+ <p>
+ &ldquo;Where are her parents?&rdquo; the doctor asked, looking at Jim and Toby.
+ </p>
+ <p>
+ &ldquo;She ain't got no parents 'cept Toby an' me,&rdquo; replied Jim. &ldquo;We've took
+ care of her ever since she was a baby.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I see,&rdquo; said the doctor. &ldquo;Well, one of you'd better stay here until
+ she can be moved.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's the trouble; we can't,&rdquo; said Toby, hanging his head. &ldquo;You see,
+ sir, circus folks is like soldiers. No matter what happens, the show has
+ to go on, and we got to be in our places.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well, she'll be safe enough, here,&rdquo; said the doctor. &ldquo;It is a
+ fortunate thing that Mr. Douglas can manage this. Our town hospital burned
+ down a few months ago, and we've been rather puzzled as to what to do with
+ such cases.&rdquo; He took his leave with a cheery &ldquo;Good night,&rdquo; and a promise
+ to look in upon the little patient later. Jim shuffled awkwardly toward
+ the pastor.
+ </p>
+ <p>
+ &ldquo;It's mighty good of you to do this,&rdquo; he mumbled, &ldquo;but she ain't goin' to
+ be no charity patient. Me and Toby is goin' to look after her keep.&rdquo;
+ </p>
+ <p>
+ &ldquo;Her wants will be very few,&rdquo; Douglas answered, kindly. &ldquo;You needn't
+ trouble much about that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean it,&rdquo; said Jim, savagely. He met Douglas's glance of surprise with
+ a determined look, for he feared that his chance of being useful to Polly
+ might be slipping out of his life.
+ </p>
+ <p>
+ &ldquo;You mustn't mind Jim,&rdquo; the clown pleaded at the pastor's elbow. &ldquo;You see
+ pain gets some folks different from others; and it always kinder makes him
+ savage.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that's all right,&rdquo; Douglas answered, quickly. His own life had been
+ so lonely, that he could understand the selfish yearning in the big man's
+ heart. &ldquo;You must do what you think best about these things; Mandy and I
+ will look after the rest.&rdquo;
+ </p>
+ <p>
+ Jim hung his head, feeling somehow that the pastor had seen straight into
+ his heart and discovered his petty weakness. He was about to turn toward
+ the door when it was thrown open by Barker.
+ </p>
+ <p>
+ &ldquo;Where is she?&rdquo; shouted the manager, looking from one to the other.
+ </p>
+ <p>
+ &ldquo;She can't come,&rdquo; said Jim in a low, steady voice, for he knew the storm
+ of opposition with which Barker would meet the announcement.
+ </p>
+ <p>
+ &ldquo;Can't come?&rdquo; shrieked Barker. &ldquo;Of course she'll come. I can't get along
+ without her. She's GOT to come.&rdquo; He looked at Jim, who remained silent and
+ firm. &ldquo;WHY ain't she comin'?&rdquo; he asked, feeling himself already defeated.
+ </p>
+ <p>
+ &ldquo;She's hurt bad,&rdquo; was Jim's laconic reply.
+ </p>
+ <p>
+ &ldquo;The devil she is!&rdquo; said Barker, looking at Douglas for confirmation. &ldquo;Is
+ that right?&rdquo;
+ </p>
+ <p>
+ &ldquo;She won't be able to travel for some time,&rdquo; said Douglas.
+ </p>
+ <p>
+ &ldquo;Mr. Barker is our manager,&rdquo; Toby explained, as he edged his way to the
+ pastor's side.
+ </p>
+ <p>
+ &ldquo;Some time!&rdquo; Barker looked at Douglas as though he were to blame for their
+ misfortune. &ldquo;Well, you just bet she will,&rdquo; he declared menacingly.
+ </p>
+ <p>
+ &ldquo;See here, Barker, don't you talk to him like that,&rdquo; said Jim, facing the
+ manager. &ldquo;He's darned square even if he is a parson.&rdquo; Barker turned away.
+ He was not a bad-hearted man, but he was irritated and upset at losing the
+ star feature of his bill.
+ </p>
+ <p>
+ &ldquo;Ain't this my dod-gasted luck?&rdquo; he muttered to himself, as his eye again
+ travelled to the boss canvas-man. &ldquo;You get out a' here, Jim,&rdquo; he shouted,
+ &ldquo;an' start them wagons. The show's got to go on, Poll or no Poll.&rdquo;
+ </p>
+ <p>
+ He turned with his hand on the door-knob and jerked out a grudging thanks
+ to the pastor. &ldquo;It's all fired good of you to take her in,&rdquo; he said, &ldquo;but
+ it's tough to lose her. Good night!&rdquo; He banged the door and clattered down
+ the steps.
+ </p>
+ <p>
+ Jim waited. He was trying to find words in which to tell his gratitude.
+ None came; and he turned to go with a short &ldquo;good-bye!&rdquo;
+ </p>
+ <p>
+ &ldquo;Good night, Jim,&rdquo; said the pastor. He crossed the room and took the big
+ fellow's hand.
+ </p>
+ <p>
+ &ldquo;Much obliged,&rdquo; Jim answered gruffly. It was his only polite phrase, and
+ he had taught Polly to say it. Douglas waited until Jim had passed down
+ the steps, then turned to Toby, who still lingered near the table.
+ </p>
+ <p>
+ &ldquo;You'll tell her how it was, me and Jim had to leave her without sayin'
+ 'good-bye,' won't you, sir?&rdquo; Toby pleaded.
+ </p>
+ <p>
+ &ldquo;Yes, indeed,&rdquo; Douglas promised.
+ </p>
+ <p>
+ &ldquo;I'll jes' put this little bit o' money into her satchel.&rdquo; He picked up
+ the little brown bag that was to have been Polly's birthday gift. &ldquo;Me an'
+ Jim will be sendin' her more soon.&rdquo;
+ </p>
+ <p>
+ &ldquo;You're going to miss her, I'm afraid,&rdquo; Douglas said, feeling an
+ irresistible desire to gain the old man's confidence.
+ </p>
+ <p>
+ &ldquo;Lord bless you, yes, sir,&rdquo; Toby answered, turning upon him eagerly. &ldquo;Me
+ an' Jim has been father an' mother and jes' about everythin' to that
+ little one. She wan't much bigger'n a handful of peanuts when we begun
+ a-worryin' about her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Mandy will do the worrying now,&rdquo; Douglas laughed. &ldquo;She's been dying
+ for a chance to mother somebody all along. Why, she even tried it on me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I noticed as how some of those church people seemed to look kinder queer
+ at me,&rdquo; said Toby, &ldquo;and I been a-wonderin' if mebbe they might feel the
+ same about her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, they're all right,&rdquo; Douglas assured him; &ldquo;they'll be her friends in
+ no time.&rdquo;
+ </p>
+ <p>
+ &ldquo;She's fit for 'em, sir,&rdquo; Toby pleaded. &ldquo;She's good, clean into the middle
+ of her heart.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm sure of it,&rdquo; Douglas answered.
+ </p>
+ <p>
+ &ldquo;I've heard how some church folks feels towards us circus people, sir, and
+ I jes' wanted ye to know that there ain't finer families, or better
+ mothers or fathers or grandfathers or grandmothers anywhere than we got
+ among us. Why, that girl's mother rode the horses afore her, and her
+ mother afore that, and her grandmother and grandfather afore that, an'
+ there ain't nobody what's cared more for their good name and their
+ children's good name an' her people has. You see, sir, circus folks is all
+ like that; they's jes' like one big family; they tends to their business
+ and takes good care o' theirselves&mdash;they has to&mdash;or they
+ couldn't do their work. It's 'cause I'm leavin' her with you that I'm
+ sayin' all this,&rdquo; the old man apologised.
+ </p>
+ <p>
+ &ldquo;I'm glad you told me, Toby,&rdquo; Douglas answered, kindly. &ldquo;I've never known
+ much about circus folks.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess I'd better be goin',&rdquo; Toby faltered, as his eyes roved hungrily
+ toward the stairway.
+ </p>
+ <p>
+ &ldquo;I'll send you our route, and mebbe you'll be lettin' us know how she is.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed I will,&rdquo; Douglas assured him, heartily.
+ </p>
+ <p>
+ &ldquo;You might tell her we'll write ever' day or so,&rdquo; he added.
+ </p>
+ <p>
+ &ldquo;I'll tell her,&rdquo; Douglas promised earnestly.
+ </p>
+ <p>
+ &ldquo;Good night!&rdquo; The old man hesitated, unwilling to go, but unable to find
+ further pretext for staying.
+ </p>
+ <p>
+ &ldquo;Good night, Toby.&rdquo; Douglas extended his hand toward the bent figure that
+ was about to shuffle past him. The withered hand of the white-faced clown
+ rested in the strong grasp of the pastor, and his pale, little eyes sought
+ the face of the stalwart man before him; a numb desolation was growing in
+ his heart; the object for which he had gone on day by day was being left
+ behind and he must stumble forth into the night alone.
+ </p>
+ <p>
+ &ldquo;It's hard to leave her,&rdquo; he mumbled; &ldquo;but the show has got to go on.&rdquo;
+ </p>
+ <p>
+ The door shut out the bent, old figure. Douglas stood for some time where
+ Toby had left him, still thinking of his prophetic words. His revery was
+ broken by the sounds of the departing wagons, the low muttered curses of
+ the drivers, the shrieking and roaring of the animals, as the circus train
+ moved up the distant hill. &ldquo;The show has got to go on,&rdquo; he repeated as he
+ crossed to his study table and seated himself for work in the dim light of
+ the old-fashioned lamp. He put out one hand to draw the sheets of his
+ interrupted sermon toward him, but instead it fell upon a small sailor
+ hat. He twisted the hat absently in his fingers, not yet realising the new
+ order of things that was coming into his life. Mandy tiptoed softly down
+ the stairs. She placed one pudgy forefinger on her lips, and rolled her
+ large eyes skyward. &ldquo;Dat sure am an angel chile straight from Hebben,&rdquo; she
+ whispered. &ldquo;She done got a face jes' like a little flower.&rdquo;
+ </p>
+ <p>
+ &ldquo;Straight from heaven,&rdquo; Douglas repeated, as she crossed softly to the
+ table and picked up the satchel and coat.
+ </p>
+ <p>
+ &ldquo;You can leave the lamp, Mandy&mdash;I must finish to-morrow's sermon.&rdquo;
+ </p>
+ <p>
+ She turned at the threshold and shook her head rather sadly as she saw the
+ imprint of the day's cares on the young pastor's face.
+ </p>
+ <p>
+ &ldquo;Yo' mus' be pow'ful tired,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;No, no; not at all. Good night, Mandy!&rdquo;
+ </p>
+ <p>
+ She closed the door behind her, and Douglas was alone. He gazed absently
+ at the pages of his unfinished sermon as he tapped his idle pen on the
+ desk. &ldquo;The show has got to go on,&rdquo; he repeated, and far up the hillside
+ with the slow-moving wagons, Jim and Toby looked with unseeing eyes into
+ the dim, star-lit distance, and echoed the thought: &ldquo;The show has got to
+ go on.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter V
+ </h2>
+ <p>
+ THE church bells were ringing their first warning for the morning service
+ when Mandy peeped into the spare bedroom for the second time, and glanced
+ cautiously at the wisp of hair that bespoke a feminine head somewhere
+ between the covers and the little white pillow on the four-poster bed.
+ There was no sound from the sleeper, so Mandy ventured across the room on
+ tiptoe and raised the shades. The drooping boughs of Autumn foliage lay
+ shimmering against the window panes, and through them might be seen the
+ grey outline of the church. Mandy glanced again toward the bed to make
+ sure that the burst of sunlight had not wakened the invalid, then crossed
+ to a small, rickety chair, laden with the discarded finery of the little
+ circus rider.
+ </p>
+ <p>
+ &ldquo;Lawdy sakes!&rdquo; she cried, holding up a spangled dress, admiringly. &ldquo;Ain't
+ dat beautiful!&rdquo; She drew near the mirror, attempting to see the reflection
+ of the tinsel and chiffon against her very ample background of gingham and
+ avoirdupois. &ldquo;You'd sure be a swell nigger wid dat on, Honey,&rdquo; she
+ chuckled to herself. &ldquo;Wouldn't dem deacons holler if dey done see dat?&rdquo;
+ </p>
+ <p>
+ The picture of the deacons' astonishment at such a spectacle so grew upon
+ Mandy, that she was obliged to cover her generous mouth to shut in her
+ convulsive laughter, lest it awaken the little girl in the bed. She
+ crossed to the old-fashioned bureau which for many months had stood unused
+ against the wall. The drawer creaked as she opened it to lay away the gay,
+ spangled gown.
+ </p>
+ <p>
+ &ldquo;It'll be a mighty long time afore she puts on dem tings agin,&rdquo; she said,
+ with a doubtful shake of her large, round head.
+ </p>
+ <p>
+ Then she went back to the chair and picked up Polly's sandals, and
+ examined the bead-work with a great deal of interest. &ldquo;Lawdy, lawdy!&rdquo; she
+ cried, as she compared the size of the sandals to that of her own rough,
+ worn shoes. She was again upon the point of exploding with laughter, as
+ the church bell added a few, final and more emphatic clangs to its
+ warning.
+ </p>
+ <p>
+ She turned with a start, motioning a vain warning out of the window for
+ the bell to be silent, but the little sleeper was already stirring
+ uneasily on her pillow. One soft arm was thrown languidly over her head.
+ The large, blue eyes opened and closed dreamily as she murmured the words
+ of the clown song that Jim and Toby had taught her years ago:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Ting ling,
+ That's what the bells sing&mdash;&mdash;&rdquo;
+ </pre>
+ <p>
+ Mandy reached the side of the bed as the girl's eyes opened a second time
+ and met hers with a blank stare of astonishment. A tiny frown came into
+ the small, white forehead.
+ </p>
+ <p>
+ &ldquo;What's the matter?&rdquo; she asked faintly, trying to find something familiar
+ in the black face before her.
+ </p>
+ <p>
+ &ldquo;Hush, child, hush,&rdquo; Mandy whispered; &ldquo;jes' you lie puffickly still. Dat's
+ only de furs' bell a-ringin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;First bell?&rdquo; the girl repeated, as her eyes travelled quickly about the
+ strange walls and the unfamiliar fittings of the room. &ldquo;This ain't the
+ show!&rdquo; she cried, suddenly.
+ </p>
+ <p>
+ &ldquo;Lor' bless you, no; dis ain't no show,&rdquo; Mandy answered; and she laughed
+ reassuringly.
+ </p>
+ <p>
+ &ldquo;Then where am I?&rdquo; Polly asked, half breathless with bewilderment.
+ </p>
+ <p>
+ &ldquo;Nebber you mind 'bout dat,&rdquo; was Mandy's unsatisfactory reply.
+ </p>
+ <p>
+ &ldquo;But I DO mind,&rdquo; protested Polly, trying to raise herself to a sitting
+ position. &ldquo;Where's the bunch?&rdquo;
+ </p>
+ <p>
+ &ldquo;De wat?&rdquo; asked Mandy in surprise.
+ </p>
+ <p>
+ &ldquo;The bunch&mdash;Jim and Toby and the rest of the push!&rdquo;
+ </p>
+ <p>
+ &ldquo;Lor' bless you!&rdquo; Mandy exclaimed. &ldquo;Dey's done gone 'long wid de circus,
+ hours ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;Gone! Show gone!&rdquo; Polly cried in amazement. &ldquo;Then what am I doing here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hole on dar, honey! hole on!&rdquo; Mandy cautioned. &ldquo;Don't you 'cite yo'se'f.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me alone!&rdquo; Polly put aside the arm that was trying to place a shawl
+ around her. &ldquo;I got to get out a-here.&rdquo;
+ </p>
+ <p>
+ &ldquo;You'se got plenty o' time for dat,&rdquo; Mandy answered, &ldquo;yes' yo' wait
+ awhile.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can't wait, and I won't!&rdquo; Polly shrieked, almost beside herself with
+ anxiety. &ldquo;I got to get to the next burg&mdash;Wakefield, ain't it? What
+ time is it? Let me alone! Let me go!&rdquo; she cried, struggling desperately.
+ </p>
+ <p>
+ The door opened softly and the young pastor stood looking down at the
+ picture of the frail, white-faced child, and her black, determined captor.
+ </p>
+ <p>
+ &ldquo;Here, here! What's all this about?&rdquo; he asked, in a firm tone, though
+ evidently amused.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo; returned the girl, as she shoved herself quickly back
+ against the pillows and drew the covers close under her chin, looking at
+ him oddly over their top.
+ </p>
+ <p>
+ &ldquo;She done been cuttin' up somefin' awful,&rdquo; Mandy explained, as she tried
+ to regain enough breath for a new encounter.
+ </p>
+ <p>
+ &ldquo;Cutting up? You surprise me, Miss Polly,&rdquo; he said, with mock seriousness.
+ </p>
+ <p>
+ &ldquo;How do you know I'm Polly?&rdquo; the little rebel asked, her eyes gleaming
+ large and desperate above the friendly covers.
+ </p>
+ <p>
+ &ldquo;If you will be VERY good and keep very quiet, I will try to tell you,&rdquo; he
+ said, as he crossed to the bed.
+ </p>
+ <p>
+ &ldquo;I won't be quiet, not for nobody,&rdquo; Polly objected, with a bold disregard
+ of double negatives. &ldquo;I got to get a move. If you ain't goin' to help me,
+ you needn't butt in.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am afraid I can't help you to go just yet,&rdquo; Douglas replied. He was
+ beginning to perceive that there were tasks before him other than the
+ shaping of Polly's character.
+ </p>
+ <p>
+ &ldquo;What are you trying to do to me, anyhow?&rdquo; she asked, as she shot a glance
+ of suspicion from the pastor to Mandy. &ldquo;What am I up against?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't yuh be scared, honey,&rdquo; Mandy reassured her. &ldquo;You's jes' as safe
+ here as you done been in de circus.&rdquo;
+ </p>
+ <p>
+ &ldquo;Safer, we hope,&rdquo; Douglas added, with a smile.
+ </p>
+ <p>
+ &ldquo;Are you two bug?&rdquo; Polly questioned, as she turned her head from one side
+ to the other and studied them with a new idea. &ldquo;Well, you can't get none
+ the best of me. I can get away all right, and I will, too.&rdquo;
+ </p>
+ <p>
+ She made a desperate effort to put one foot to the floor, but fell back
+ with a cry of pain.
+ </p>
+ <p>
+ &ldquo;Dar, dar,&rdquo; Mandy murmured, putting the pillow under the poor, cramped
+ neck, and smoothing the tangled hair from Polly's forehead. &ldquo;Yuh done hurt
+ yo'sef for suah dis time.&rdquo;
+ </p>
+ <p>
+ The pastor had taken a step toward the bed. His look of amusement had
+ changed to one of pity.
+ </p>
+ <p>
+ &ldquo;You see, Miss Polly, you have had a very bad fall, and you can't get away
+ just yet, nor see your friends until you are better.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's only a scratch,&rdquo; Polly whimpered. &ldquo;I can do my work; I got to.&rdquo; One
+ more feeble effort and she succumbed, with a faint &ldquo;Jimminy Crickets!&rdquo;
+ </p>
+ <p>
+ &ldquo;Uncle Toby told me that you were a very good little girl,&rdquo; Douglas said,
+ as he drew up a chair and sat down by her side, confident by the
+ expression on her face that at last he was master of the situation. &ldquo;Do
+ you think he would like you to behave like this?&rdquo;
+ </p>
+ <p>
+ &ldquo;I sure am on the blink,&rdquo; she sighed, as she settled back wearily upon the
+ pillow.
+ </p>
+ <p>
+ &ldquo;You'll be all right soon,&rdquo; Douglas answered, cheerily. &ldquo;Mandy and I will
+ help the time to go.&rdquo;
+ </p>
+ <p>
+ &ldquo;I recollect now,&rdquo; Polly faltered, without hearing him. &ldquo;It was the last
+ hoop. Jim seemed to have a hunch I was goin' to be in for trouble when I
+ went into the ring. Bingo must a felt it, too. He kept a-pullin' and
+ a-jerkin' from the start. I got myself together to make the last jump an'&mdash;I
+ can't remember no more.&rdquo; Her head drooped and her eyes closed.
+ </p>
+ <p>
+ &ldquo;I wouldn't try just now if I were you,&rdquo; Douglas answered tenderly.
+ </p>
+ <p>
+ &ldquo;It's my WHEEL, ain't it?&rdquo; Polly questioned, after a pause.
+ </p>
+ <p>
+ &ldquo;Yoah what, chile?&rdquo; Mandy exclaimed, as she turned from the table, where
+ she had been rolling up the unused bandages left from the doctor's call
+ the night before.
+ </p>
+ <p>
+ &ldquo;I say it's my creeper, my paddle,&rdquo; Polly explained, trying to locate a
+ few of her many pains. &ldquo;Gee, but that hurts!&rdquo; She tried to bend her ankle.
+ &ldquo;Is it punctured?&rdquo;
+ </p>
+ <p>
+ &ldquo;Only sprained,&rdquo; Douglas answered, striving to control his amusement at
+ the expression on Mandy's puzzled face. &ldquo;Better not talk any more about
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't anything the matter with my tongue, is there?&rdquo; she asked, turning
+ her head to one side and studying him quizzically.
+ </p>
+ <p>
+ &ldquo;I don't think there is,&rdquo; he replied good-naturedly.
+ </p>
+ <p>
+ &ldquo;How did I come to fall in here, anyhow?&rdquo; she asked, as she studied the
+ walls of the unfamiliar room.
+ </p>
+ <p>
+ &ldquo;We brought you here.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's a swell place,&rdquo; she conceded grudgingly.
+ </p>
+ <p>
+ &ldquo;We are comfortable,&rdquo; he admitted, as a tell-tale smile again hovered
+ about his lips. He was thinking of the changes that he must presently make
+ in Miss Polly's vocabulary.
+ </p>
+ <p>
+ &ldquo;Is this the 'big top?' she asked.
+ </p>
+ <p>
+ &ldquo;The&mdash;what?&rdquo; he stammered.
+ </p>
+ <p>
+ &ldquo;The main tent,&rdquo; she explained.
+ </p>
+ <p>
+ &ldquo;Well, no; not exactly. It's going to be your room now, Miss Polly.&rdquo;
+ </p>
+ <p>
+ &ldquo;My room! Gee! Think a' that!&rdquo; she gasped, as the possibility of her
+ actually having a room all of her own took hold of her mind. &ldquo;Much
+ obliged,&rdquo; she said with a nod, feeling that something was expected of her.
+ She knew no other phrase of gratitude than the one &ldquo;Muvver&rdquo; Jim and Toby
+ had taught her to say to the manager when she received from him the first
+ stick of red and white striped candy.
+ </p>
+ <p>
+ &ldquo;You're very welcome,&rdquo; Douglas answered with a ring of genuine feeling in
+ his voice.
+ </p>
+ <p>
+ &ldquo;Awful quiet, ain't it?&rdquo; she ventured, after a pause. &ldquo;Guess that's what
+ woke me up.&rdquo;
+ </p>
+ <p>
+ Douglas laughed good-naturedly at the thought of quiet as a disturber, and
+ added that he feared it might at first be rather dull for her, but that
+ Jim and Toby would send her news of the circus, and that she could write
+ to them as soon as she was better.
+ </p>
+ <p>
+ &ldquo;I'll have to be a heap better 'an I ever was 'fore I can write much,&rdquo;
+ Polly drawled, with a whimsical little smile.
+ </p>
+ <p>
+ &ldquo;I will write for you,&rdquo; the pastor volunteered, understanding her plight.
+ </p>
+ <p>
+ &ldquo;You will?&rdquo; For the first time he saw a show of real pleasure in her eyes.
+ </p>
+ <p>
+ &ldquo;Every day,&rdquo; Douglas promised solemnly.
+ </p>
+ <p>
+ &ldquo;And you will show me how?&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed I will.&rdquo;
+ </p>
+ <p>
+ &ldquo;How long am I in for?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;The doctor can tell better about that when he comes.&rdquo;
+ </p>
+ <p>
+ &ldquo;The doctor! So&mdash;it's as bad as that, eh?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that need not frighten you,&rdquo; Douglas answered consolingly.
+ </p>
+ <p>
+ &ldquo;I ain't frightened,&rdquo; she bridled quickly; &ldquo;I ain't never scared of
+ nothin.' It's only 'cause they need me in the show that I'm a-kickin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, they will get along all right,&rdquo; he said reassuringly.
+ </p>
+ <p>
+ &ldquo;Get along?&rdquo; Polly flashed with sudden resentment. &ldquo;Get along WITHOUT MY
+ ACT!&rdquo; It was apparent from her look of astonishment that Douglas had
+ completely lost whatever ground he had heretofore gained in her respect.
+ &ldquo;Say, have you seen that show?&rdquo; She waited for his answer with pity and
+ contempt.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; admitted John, weakly.
+ </p>
+ <p>
+ &ldquo;Well I should say you ain't, or you wouldn't make no crack like that. I'm
+ the whole thing in that push,&rdquo; she said with an air of self-complacency;
+ &ldquo;and with me down and out, that show will be on the bum for fair.&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; was all Douglas could say, confused by the sudden
+ volley of unfamiliar words.
+ </p>
+ <p>
+ &ldquo;You're kiddin' me,&rdquo; she said, turning her head to one side as was her
+ wont when assailed by suspicion; &ldquo;you MUST a seen me ride?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Miss Polly, I have never seen a circus,&rdquo; Douglas told her
+ half-regretfully, a sense of his deep privation stealing upon him.
+ </p>
+ <p>
+ &ldquo;What!&rdquo; cried Polly, incredulously.
+ </p>
+ <p>
+ &ldquo;Lordy no, chile; he ain't nebber seed none ob dem tings,&rdquo; Mandy
+ interrupted, as she tried to arrange a few short-stemmed posies in a
+ variegated bouquet.
+ </p>
+ <p>
+ &ldquo;Well, what do you think of that!&rdquo; Polly gasped. &ldquo;You're the first rube I
+ ever saw that hadn't.&rdquo; She was looking at him as though he were a
+ curiosity.
+ </p>
+ <p>
+ &ldquo;So I'm a rube!&rdquo; Douglas shook his head with a sad, little smile and
+ good-naturedly agreed that he had sometimes feared as much.
+ </p>
+ <p>
+ &ldquo;That's what we always calls a guy like you,&rdquo; she explained ingenuously,
+ and added hopefully: &ldquo;Well, you MUST a' seen our parade&mdash;all the
+ pikers see that&mdash;IT don't cost nothin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm afraid I must also plead guilty to the charge of being a piker,&rdquo;
+ Douglas admitted half-sheepishly, &ldquo;for I did see the parade.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I was the one on the white horse right behind the lion cage,&rdquo; she
+ began excitedly. &ldquo;You remember?&rdquo;
+ </p>
+ <p>
+ &ldquo;It's a little confused in my mind&mdash;&rdquo; he caught her look of
+ amazement, &ldquo;just AT PRESENT,&rdquo; he stammered, feeling her wrath again about
+ to descend upon him.
+ </p>
+ <p>
+ &ldquo;Well, I'm the twenty-four sheet stand,&rdquo; she explained.
+ </p>
+ <p>
+ &ldquo;Sheet!&rdquo; Mandy shrieked from her corner.
+ </p>
+ <p>
+ &ldquo;Yes&mdash;the billboards&mdash;the pictures,&rdquo; Polly said, growing
+ impatient at their persistent stupidity.
+ </p>
+ <p>
+ &ldquo;She sure am a funny talkin' thing!&rdquo; mumbled Mandy to herself, as she
+ clipped the withered leaves from a plant near the window.
+ </p>
+ <p>
+ &ldquo;You are dead sure they know I ain't comin' on?&rdquo; Polly asked with a
+ lingering suspicion in her voice.
+ </p>
+ <p>
+ &ldquo;Dead sure&rdquo;; and Douglas smiled to himself as he lapsed into her
+ vernacular.
+ </p>
+ <p>
+ There was a moment's pause. Polly realised for the first time that she
+ must actually readjust herself to a new order of things. Her eyes again
+ roved about the room. It was a cheerful place in which to be imprisoned&mdash;even
+ Polly could not deny that. The broad window at the back with its white and
+ pink chintz curtains on the inside, and its frame of ivy on the outside,
+ spoke of singing birds and sunshine all day long. Everything from the
+ white ceiling to the sweet-smelling matting that covered the floor was
+ spotlessly clean; the cane-bottomed rocker near the curved window-seat
+ with its pretty pillows told of days when a convalescent might look in
+ comfort at the garden beneath; the counterpane, with its old-fashioned
+ rose pattern, the little white tidies on the back of each chair, and Mandy
+ crooning beside the window, all helped to make a homelike picture.
+ </p>
+ <p>
+ She wondered what Jim and Toby would say if they could see her now,
+ sitting like a queen in the midst of her soft coverlets, with no need to
+ raise even a finger to wait upon herself.
+ </p>
+ <p>
+ &ldquo;Ain't it the limit?&rdquo; she sighed, and with that Jim and Toby seemed to
+ drift farther away. She began to see their life apart from hers. She could
+ picture Jim with his head in his hands. She could hear his sharp orders to
+ the men. He was always short with the others when anything went wrong with
+ her.
+ </p>
+ <p>
+ &ldquo;I'll bet 'Muvver Jim's' in the dumps,&rdquo; she murmured, as a cloud stole
+ across the flower-like face; then the tired muscles relaxed, and she
+ ceased to rebel.
+ </p>
+ <p>
+ &ldquo;Muvver Jim&rdquo;? Douglas repeated, feeling that he must recall her to a
+ knowledge of his presence.
+ </p>
+ <p>
+ &ldquo;That's what I calls him,&rdquo; Polly explained, &ldquo;but the fellows calls him
+ 'Big Jim.' You might not think Jim could be a good mother just to look at
+ him, but he is; only, sometimes, you can't tell him things you could a
+ real mother,&rdquo; she added, half sadly.
+ </p>
+ <p>
+ &ldquo;And your real mother went away when you were very young?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, she didn't go AWAY&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No?&rdquo; There was a puzzled note in the pastor's voice.
+ </p>
+ <p>
+ &ldquo;She went out,&rdquo; Polly corrected.
+ </p>
+ <p>
+ &ldquo;Out!&rdquo; he echoed blankly.
+ </p>
+ <p>
+ &ldquo;Yes&mdash;finished&mdash;Lights out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, an accident.&rdquo; Douglas understood at last.
+ </p>
+ <p>
+ &ldquo;I don't like to talk about it.&rdquo; Polly raised herself on her elbow and
+ looked at him solemnly, as though about to impart a bit of forbidden
+ family history. It was this look in the round eyes that had made Jim so
+ often declare that the kid knew everything.
+ </p>
+ <p>
+ &ldquo;Why mother'd a been ashamed if she'd a knowed how she wound up. She was
+ the best rider of her time, everybody says so, but she cashed in by
+ fallin' off a skate what didn't have no more ginger 'an a kitten. If you
+ can beat that?&rdquo; She gazed at him with her lips pressed tightly together,
+ evidently expecting some startling expression of wonder.
+ </p>
+ <p>
+ &ldquo;And your father?&rdquo; Douglas asked rather lamely, being at a loss for any
+ adequate comment upon a tragedy which the child before him was too
+ desolate even to understand.
+ </p>
+ <p>
+ &ldquo;Oh, DAD'S finish was all right. He got his'n in a lion's cage where he
+ worked. There was nothing slow about his end.&rdquo; She looked up for his
+ approval.
+ </p>
+ <p>
+ &ldquo;For de Lord's sake!&rdquo; Mandy groaned as the wonder of the child's
+ conversation grew upon her.
+ </p>
+ <p>
+ &ldquo;And now I'm down and out,&rdquo; Polly concluded with a sigh.
+ </p>
+ <p>
+ &ldquo;But THIS is nothing serious,&rdquo; said the pastor, trying to cheer her.
+ </p>
+ <p>
+ &ldquo;It's serious ENOUGH, with a whole show a'-dependin' on you. Maybe you
+ don't know how it feels to have to knock off work.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, I do,&rdquo; Douglas answered quickly. &ldquo;I was ill a while ago myself.
+ I had to be in bed day after day, thinking of dozens of things that I
+ ought to be doing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Was you ever floored?&rdquo; Polly asked with a touch of unbelief as she
+ studied the fine, healthy physique at the side of her bed.
+ </p>
+ <p>
+ &ldquo;'Deed he was, chile,&rdquo; Mandy cried, feeling that her opportunity had now
+ arrived; &ldquo;an' I had the wors' time a-keepin' him in bed. He act jes' like
+ you did.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he?&rdquo; Polly was delighted to find that the pastor had &ldquo;nothin' on
+ her,&rdquo; as she would have put it.
+ </p>
+ <p>
+ &ldquo;You ought to have heard him,&rdquo; continued Mandy, made eloquent by Polly's
+ show of interest. &ldquo;'What will dose poor folks do?' he kept a-sayin'. 'yes'
+ yo' lie where yo' is,' I tole him. 'Dem poor folks will be better off dan
+ dey would be a-comin' to yoah funeral.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor folks?&rdquo; Polly questioned. &ldquo;Do you give money to folks? We are always
+ itchin' to get it AWAY from 'em.&rdquo;
+ </p>
+ <p>
+ Before Douglas could think of words with which to defend his disapproved
+ methods, Mandy had continued eagerly:
+ </p>
+ <p>
+ &ldquo;An' den on Sunday, when he can't go to church and preach&mdash;&rdquo; She got
+ no further. A sharp exclamation brought both Mandy and Douglas to
+ attention.
+ </p>
+ <p>
+ &ldquo;Preach!&rdquo; Polly almost shouted. She looked at him with genuine alarm this
+ time.
+ </p>
+ <p>
+ &ldquo;That will do, Mandy,&rdquo; Douglas commanded, feeling an unwelcome drama
+ gathering about his head.
+ </p>
+ <p>
+ &ldquo;Great Barnum and Bailey!&rdquo; Polly exclaimed, looking at him as though he
+ were the very last thing in the world she had ever expected to see. &ldquo;Are
+ you a skypilot?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's what he am, chile.&rdquo; Mandy slipped the words in slyly, for she knew
+ that they were against the pastor's wishes, but she was unable to restrain
+ her mischievous impulse to sow the seeds of curiosity that would soon bear
+ fruit in the inquisitive mind of the little invalid.
+ </p>
+ <p>
+ &ldquo;Will you get onto me a-landin' into a mix-up like this?&rdquo; She continued to
+ study the uncomfortable man at her side. &ldquo;I never thought I'd be a-talkin'
+ to one of you guys. What's your name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Douglas.&rdquo; He spoke shortly.
+ </p>
+ <p>
+ &ldquo;Ain't you got no handle to it?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you mean my Christian name, it's John.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, that sounds like a skypilot, all right. But you don't look like I
+ s'posed they did.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo;
+ </p>
+ <p>
+ &ldquo;I always s'posed skypilots was old and grouchy-like. You're a'most as
+ good lookin' as our strong man.&rdquo;
+ </p>
+ <p>
+ &ldquo;I done tole him he was too good-lookin' to be an unmarried parson,&rdquo; Mandy
+ chuckled, more and more amused at the pastor's discomfort.
+ </p>
+ <p>
+ &ldquo;Looks don't play a very important part in my work,&rdquo; Douglas answered
+ curtly. Mandy's confidential snickers made him doubly anxious to get to a
+ less personal topic.
+ </p>
+ <p>
+ &ldquo;Well, they count for a whole lot with us.&rdquo; She nodded her head decidedly.
+ &ldquo;How long you been showin' in this town, anyhow?&rdquo;
+ </p>
+ <p>
+ &ldquo;About a year,&rdquo; Douglas answered, with something of a sigh.
+ </p>
+ <p>
+ &ldquo;A year!&rdquo; she gasped. &ldquo;In a burg like this? You must have an awful lot of
+ laughs in your act to keep 'em a-comin' that long.&rdquo; She was wise in the
+ ways of professional success.
+ </p>
+ <p>
+ &ldquo;Not many, I'm afraid.&rdquo; He wondered, for the first time, if this might be
+ the reason for his rather indifferent success.
+ </p>
+ <p>
+ &ldquo;Do you give them the same stuff, or have you got a rep?&rdquo;
+ </p>
+ <p>
+ &ldquo;A rep?&rdquo; he repeated in surprise.
+ </p>
+ <p>
+ &ldquo;Sure, repertory&mdash;different acts&mdash;entries, some calls 'em. Uncle
+ Toby's got twenty-seven entries. It makes a heap of difference in the big
+ towns where you have a run.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I understand,&rdquo; Douglas answered in a tone of relief. &ldquo;Well, I try to
+ say something new each Sunday.&rdquo;
+ </p>
+ <p>
+ &ldquo;What kind of spiels do you give 'em?&rdquo; she inquired with growing interest.
+ </p>
+ <p>
+ &ldquo;I try to help my people to get on better terms with themselves and to
+ forget their week-day troubles.&rdquo; He had never had occasion to define his
+ efforts so minutely.
+ </p>
+ <p>
+ &ldquo;Well, that's jes' the same as us,&rdquo; Polly told him with an air of
+ condescension; &ldquo;only circuses draws more people 'an churches.&rdquo;
+ </p>
+ <p>
+ &ldquo;YOURS does seem to be a more popular form of entertainment,&rdquo; Douglas
+ answered drily. He was beginning to feel that there were many tricks in
+ the entertainment trade which he had not mastered. And, after all, what
+ was his preaching but an effort at entertainment? If he failed to hold his
+ congregation by what he was saying, his listeners grew drowsy, and his
+ sermon fell short of its desired effect. It was true that his position and
+ hers had points of similarity. She was apparently successful; as for
+ himself, he could not be sure. He knew he tried very hard and that
+ sometimes a tired mother or a sad-faced child looked up at him with a
+ smile that made the service seem worth while.
+ </p>
+ <p>
+ Polly mistook the pastor's revery for envy, and her tender heart was quick
+ to find consolation for him.
+ </p>
+ <p>
+ &ldquo;You ain't got all the worst of it,&rdquo; she said. &ldquo;If we tried to play a dump
+ like this for six months, we'd starve to death. You certainly must give
+ 'em a great show,&rdquo; she added, surveying him with growing interest.
+ </p>
+ <p>
+ &ldquo;It doesn't make much difference about the show&mdash;&rdquo; Douglas began, but
+ he was quickly interrupted.
+ </p>
+ <p>
+ &ldquo;That's right, it's jes' the same with a circus. One year ye give 'em the
+ rottenest kind of a thing, and they eat it up; the next year you hand 'em
+ a knock-out, and it's a frost. Is that the way it is with a church show?&rdquo;
+ </p>
+ <p>
+ &ldquo;Much the same,&rdquo; Douglas admitted half-amusedly, half-regretfully. &ldquo;Very
+ often when I work the hardest, I seem to do the least good.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess our troubles is pretty much alike.&rdquo; Polly nodded with a motherly
+ air of condescension. &ldquo;Only there ain't so much danger in your act.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm not so sure about that,&rdquo; he laughed.
+ </p>
+ <p>
+ &ldquo;Well, you take my tip,&rdquo; she leaned forward as though about to impart a
+ very valuable bit of information. &ldquo;Don't you never go in for ridin'. There
+ ain't no act on earth so hard as a ridin' act. The rest of the bunch has
+ got it easy alongside of us. Take the fellows on the trapeze. They always
+ get their tackle up in jes' the same place. Take the balancin' acts; there
+ ain't no difference in their layouts. Take any of 'em as depends on
+ regular props; and they ain't got much chance a-goin' wrong. But say, when
+ yer have ter do a ridin' act, there ain't never no two times alike. If
+ your horse is feelin' good, the ground is stumbly; if the ground ain't on
+ the blink the horse is wobbly. Ther's always somethin' wrong somewheres,
+ and yer ain't never knowin' how it's goin' ter end&mdash;especially when
+ you got to do a careful act like mine. There's a girl, Eloise, in our
+ bunch, what does a SHOWY act on a horse what Barker calls Barbarian. She
+ goes on in my place sometimes&mdash;and say, them rubes applauds her as
+ much as me, an' her stunts is baby tricks alongside o' mine. It's enough
+ to make you sick o' art.&rdquo; She shook her head dolefully, then sat up with
+ renewed interest.
+ </p>
+ <p>
+ &ldquo;You see, mine is careful balancin' an' all that, an' you got ter know
+ your horse an' your ground for that. Now you get wise ter what I'm
+ a-tellin' yer, and don't you NEVER go into ANYTHIN' what depends on
+ ANYTHIN' else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you, Polly, I won't.&rdquo; Douglas somehow felt that he was very much
+ indebted to her.
+ </p>
+ <p>
+ &ldquo;I seen a church show once,&rdquo; Polly said suddenly.
+ </p>
+ <p>
+ &ldquo;You did?&rdquo; Douglas asked, with new interest.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she answered, closing her lips and venturing no further comment.
+ </p>
+ <p>
+ &ldquo;Did you like it?&rdquo; he questioned, after a pause.
+ </p>
+ <p>
+ &ldquo;Couldn't make nothin' out of it&mdash;I don't care much for readin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, it isn't ALL reading,&rdquo; he corrected.
+ </p>
+ <p>
+ &ldquo;Well, the guy I saw read all of his'n. He got the whole thing right out
+ of a book.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that was only his text,&rdquo; laughed Douglas. &ldquo;Text?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. And later he tried to interpret to his congrega&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Easy! Easy!&rdquo; she interrupted; &ldquo;come again with that, will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;He told them the meaning of what he read.&rdquo; &ldquo;Well, I don't know what he
+ told 'em, but it didn't mean anythin' to me. But maybe your show is
+ better'n his was,&rdquo; she added, trying to pacify him.
+ </p>
+ <p>
+ Douglas was undecided whether to feel amused or grateful for Polly's
+ ever-increasing sympathy. Before he could trust his twitching lips to
+ answer, she had put another question to him.
+ </p>
+ <p>
+ &ldquo;Are you goin' to do a stunt while I am here?&rdquo;
+ </p>
+ <p>
+ &ldquo;I preach every Sunday, if that's what you mean; I preach this morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is this Sunday?&rdquo; she asked, sitting up with renewed energy and looking
+ about the room as though everything had changed colour.
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;And YOU GOT A MATINEE?&rdquo; she exclaimed, incredulously.
+ </p>
+ <p>
+ &ldquo;We have services,&rdquo; he corrected, gently.
+ </p>
+ <p>
+ &ldquo;WE rest up on SUNDAYS,&rdquo; she said in a tone of deep commiseration.
+ </p>
+ <p>
+ &ldquo;Oh, I see,&rdquo; he answered, feeling it no time to enter upon another
+ discussion as to the comparative advantages of their two professions.
+ </p>
+ <p>
+ &ldquo;What are you goin' ter spiel about to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;About Ruth and Naomi.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ruth and who?&rdquo;
+ </p>
+ <p>
+ &ldquo;Naomi,&rdquo; he repeated.
+ </p>
+ <p>
+ &ldquo;Naomi,&rdquo; she echoed, tilting her head from side to side, as she listened
+ to the soft cadences of the word. &ldquo;I never heard that name afore. It 'ud
+ look awful swell on a billboard, wouldn't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;It's a Bible name, honey,&rdquo; Mandy said, eager to get into the
+ conversation. &ldquo;Dar's a balful picture 'bout her. I seed it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I LIKE to look at PICTURES,&rdquo; Polly answered tentatively. Mandy crossed
+ the room to fetch the large Bible with its steel engravings.
+ </p>
+ <p>
+ &ldquo;We got a girl named Ruth in our 'Leap of Death' stunt. Some of the folks
+ is kinder down on 'er, but I ain't.&rdquo;
+ </p>
+ <p>
+ She might have told Douglas more of her forlorn, little friend, but just
+ then Mandy came to the bed, hugging a large, old-fashioned Bible, and
+ Douglas helped to place the ponderous book before the invalid.
+ </p>
+ <p>
+ &ldquo;See, honey, dar dey is,&rdquo; the old woman said, pointing to the picture of
+ Ruth and Naomi.
+ </p>
+ <p>
+ &ldquo;Them's crackerjacks, ain't they?&rdquo; Polly gasped, and her eyes shone with
+ wonder. &ldquo;Which one 's Ruth?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dis one,&rdquo; said Mandy, pointing with her thumb.
+ </p>
+ <p>
+ &ldquo;Why, they're dressed just like our chariot drivers. What does it say
+ about 'em?&rdquo;
+ </p>
+ <p>
+ &ldquo;You can read it for yourself,&rdquo; Douglas answered gently. There was
+ something pathetic in the eagerness of the starved little mind.
+ </p>
+ <p>
+ &ldquo;Well, I ain't much on readin'&mdash;OUT LOUD,&rdquo; she faltered, growing
+ suddenly conscious of her deficiencies. &ldquo;Read it for me, will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly,&rdquo; and he drew his chair nearer to the bed. One strong hand
+ supported the other half of the Bible, and his head was very near to hers
+ as his deep, full voice pronounced the solemn words in which Ruth pleaded
+ so many years before.
+ </p>
+ <p>
+ &ldquo;'Entreat me not to leave thee,'&rdquo; he read, &ldquo;'or to return from following
+ after thee, for whither thou goest I will go, and where thou lodgest I
+ will lodge. Thy people shall be my people, and thy God my God.'&rdquo;
+ </p>
+ <p>
+ He stopped to ponder over the poetry of the lines.
+ </p>
+ <p>
+ &ldquo;Kind o' pretty, ain't it?&rdquo; Polly said softly. She felt awkward and
+ constrained and a little overawed.
+ </p>
+ <p>
+ &ldquo;There are far more beautiful things than that,&rdquo; Douglas assured her
+ enthusiastically, as the echo of many such rang in his ears.
+ </p>
+ <p>
+ &ldquo;There are?&rdquo; And her eyes opened wide with wonder.
+ </p>
+ <p>
+ &ldquo;Yes, indeed,&rdquo; he replied, pitying more and more the starvation of mind
+ and longing to bring to it floods of light and enrichment.
+ </p>
+ <p>
+ &ldquo;I guess I'd LIKE to hear YOU spiel,&rdquo; and she fell to studying him
+ solemnly.
+ </p>
+ <p>
+ &ldquo;You would?&rdquo; he asked eagerly.
+ </p>
+ <p>
+ &ldquo;Is there any more to that story?&rdquo; she asked, ignoring his question.
+ </p>
+ <p>
+ &ldquo;Yes, indeed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Would you read me a little more?&rdquo; She was very humble now.
+ </p>
+ <p>
+ &ldquo;Where thou diest will I die, and there will I be buried; the Lord do so
+ to me and more also, if ought but death part me and thee.'&rdquo;
+ </p>
+ <p>
+ Their eyes met. There was a long pause. Suddenly the sharp, sweet notes of
+ the church bell brought John Douglas to his feet with a start of surprise.
+ </p>
+ <p>
+ &ldquo;Have you got to go?&rdquo; Polly asked regretfully.
+ </p>
+ <p>
+ &ldquo;Yes, I must; but I'll read the rest from the church. Open the window,
+ Mandy!&rdquo; And he passed out of the door and quickly down the stairs.
+ </p>
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter VI
+ </h2>
+ <p>
+ WHEN John Douglas's uncle offered to educate his nephew for the ministry,
+ the boy was less enthusiastic than his mother. He did not remonstrate,
+ however, for it had been the custom of generations for at least one son of
+ each Douglas family to preach the gospel of Calvinism, and his father's
+ career as an architect and landscape gardener had not left him much
+ capital.
+ </p>
+ <p>
+ Douglas, senior, had been recognised as an artist by the few who
+ understood his talents, but there is small demand for the builder of
+ picturesque houses in the little business towns of the Middle West, and at
+ last he passed away, leaving his son only the burden of his financial
+ failure and an ardent desire to succeed at the profession in which his
+ father had fared so badly. The hopeless, defeated look on the departed
+ man's face had always haunted the boy, who was artist enough to feel his
+ father's genius intuitively, and human enough to resent the injustice of
+ his fate.
+ </p>
+ <p>
+ Douglas's mother had suffered so much because of the impractical efforts
+ of her husband, that she discouraged the early tendencies of the son
+ toward drawing and mathematics and tried to direct his thoughts toward
+ creeds and Bible history. When he went away for his collegiate course, she
+ was less in touch with him; and he was able to steal time from his
+ athletics to devote to his art. He spent his vacations in a neighbouring
+ city before a drawing board in the office of a distinguished architect,
+ his father's friend.
+ </p>
+ <p>
+ Douglas was not a brilliant divinity student, and he was relieved when at
+ last he received his degree in theology and found himself appointed to a
+ small church in the Middle West.
+ </p>
+ <p>
+ His step was very bright the morning he first went up the path that led to
+ his new home. His artistic sense was charmed by the picturesque approach
+ to the church and parsonage. The view toward the tree-encircled spire was
+ unobstructed, for the church had been built on the outskirts of the town
+ to allow for a growth that had not materialised. He threw up his head and
+ gazed at the blue hills, with their background of soft, slow-moving
+ clouds. The smell of the fresh earth, the bursting of the buds, the
+ forming of new life, set him thrilling with a joy that was very near to
+ pain.
+ </p>
+ <p>
+ He stopped half way up the path and considered the advantages of a new
+ front to the narrow-eaved cottage, and when his foot touched the first
+ step of the vine-covered porch, he was far more concerned about a new
+ portico than with any thought of his first sermon.
+ </p>
+ <p>
+ His speculations were abruptly cut short by Mandy, who bustled out of the
+ door with a wide smile of welcome on her black face, and an unmistakable
+ ambition to take him immediately under her motherly wing. She was much
+ concerned because the church people had not met the new pastor at the
+ station and brought him to the house. Upon learning that Douglas had
+ purposely avoided their escort, preferring to come to his new home the
+ first time alone, she made up her mind that she was going to like him.
+ </p>
+ <p>
+ Mandy had long been a fixture in the parsonage. She and her worse half,
+ Hasty Jones, had come to know and discuss the weaknesses of the many
+ clergymen who had come and gone, the deacons, and the congregation, both
+ individually and collectively. She confided to Hasty, that she &ldquo;didn't
+ blame de new parson fer not wantin' to mix up wid dat ar crowd.&rdquo;
+ </p>
+ <p>
+ In the study that night, when she and Hasty helped Douglas to unpack his
+ many boxes of books, they were as eager as children about the drawings and
+ pictures which he showed them. His mind had gone beyond the parsonage
+ front now, and he described to them the advantage of adding an extra ten
+ feet to the church spire.
+ </p>
+ <p>
+ Mandy felt herself almost an artist when she and Hasty bade the pastor
+ good night, for she was still quivering from the contagion of Douglas's
+ enthusiasm. Here, at last, was a master who could do something besides
+ find fault with her.
+ </p>
+ <p>
+ &ldquo;I jest wan' to be on de groun' de firs' time dat Mars Douglas and dat ere
+ Deacon Strong clinches,&rdquo; she said to Hasty as they locked the doors and
+ turned out the hall light. &ldquo;Did yuh done see his jaw?&rdquo; she whispered. &ldquo;He
+ look laughin' enough NOW, but jes' yuh wait till he done set dat'ere jaw a
+ his'n and afar ain't nobody what's goin' ter unsot it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Maybe dar ain't goin' ter be no clinchin',&rdquo; said Hasty, hoping for
+ Mandy's assurance to the contrary.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; shrieked Mandy. &ldquo;Wid dat 'ere sneakin' Widow Willoughby already
+ a-tellin' de deacons how to start de new parson a-goin' proper?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now, why you's always a-pickin' onto dat 'ere widow?&rdquo; asked Hasty,
+ already enjoying the explosion which he knew his defence of the widow was
+ sure to excite.
+ </p>
+ <p>
+ &ldquo;I don' like no woman what's allus braggin' 'bout her clean floors,&rdquo;
+ answered Mandy, shortly. She turned out the last light, and tiptoed
+ upstairs, trying not to disturb the pastor.
+ </p>
+ <p>
+ John Douglas was busy already with pencil and paper, making notes of the
+ plans for the church and parsonage, which he would perfect later on. Alas,
+ for Douglas's day dreams! It was not many weeks before he understood with
+ a heavy heart that the deacons were far too dull and uninspired to share
+ his faith in beauty as an aid to man's spiritual uplift.
+ </p>
+ <p>
+ &ldquo;We think we've done pretty well by this church,&rdquo; said Deacon Strong, who
+ was the business head, the political boss, and the moral mentor of the
+ small town's affairs. &ldquo;Just you worry along with the preachin', young man,
+ and we'll attend to the buyin' and buildin' operations.&rdquo;
+ </p>
+ <p>
+ Douglas's mind was too active to content itself wholly with the writing of
+ sermons and the routine of formal, pastoral calls. He was a keen
+ humanitarian, so little by little, he came to be interested in the heart
+ stories and disappointments of many of the village unfortunates, some of
+ whom were outside his congregation. The mentally sick, the despondent, who
+ needed words of hope and courage more than dry talks on theology, found in
+ him an ever ready friend and adviser, and these came to love and depend on
+ him. But he was never popular with the creed-bound element of the church.
+ </p>
+ <p>
+ Mandy had her wish about being on the spot the first time that the
+ parson's jaw squared itself at Deacon Strong. The deacon had called at the
+ parsonage to demand that Douglas put a stop to the boys playing baseball
+ in the adjoining lot on Sunday. Douglas had been unable to see the
+ deacon's point of view. He declared that baseball was a healthy and
+ harmless form of exercise, that the air was meant to be breathed, and that
+ the boys who enjoyed the game on Sunday were principally those who were
+ kept indoors by work on other days. The close of the interview was
+ unsatisfactory both to Douglas and the deacon.
+ </p>
+ <p>
+ &ldquo;Dey kinder made me cold an' prickly all up an' down de back,&rdquo; Mandy said
+ later, when she described their talk to Hasty. &ldquo;Dat 'ere deacon don' know
+ nuffin' 'bout gittin' 'roun' de parson.&rdquo; She tossed her head with a
+ feeling of superiority. She knew the way. Make him forget himself with a
+ laugh. Excite his sympathy with some village underdog.
+ </p>
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter VII
+ </h2>
+ <p>
+ MANDY had secretly enjoyed the commotion caused by the little circus-rider
+ being left in the parsonage, at first, because of her inborn love of
+ mischief, and later, because Polly had become second in her heart only to
+ the pastor. She went about her work, crooning softly during the days of
+ Polly's convalescence. The deep, steady voice of the pastor reading aloud
+ in the pretty window overhead was company. She would often climb the
+ stairs to tell them some bit of village gossip, and leave them laughing at
+ a quaint comment about some inquisitive sister of the church, who had
+ happened to incur her displeasure.
+ </p>
+ <p>
+ As spring came on, Douglas carried Polly down to the sun-lit garden
+ beneath the window; and Mandy fluttered about arranging the cushions with
+ motherly solicitude.
+ </p>
+ <p>
+ More days slipped by, and Polly began to creep through the little,
+ soft-leaved trees at the back of the church, and to look for the deep,
+ blue, sweet-scented violets. When she was able, Douglas took her with him
+ to visit some of the outlying houses of the poor. Her woman's instinct was
+ quick to perceive many small needs in their lives that he had overlooked,
+ and to suggest simple, inexpensive joys that made them her devoted
+ friends.
+ </p>
+ <p>
+ Their evenings were divided between making plans for these unfortunates
+ and reading aloud from the Bible or other books.
+ </p>
+ <p>
+ When Polly gained courage, Douglas sometimes persuaded her to read to him&mdash;and
+ the little corrections that he made at these times soon became noticeable
+ in her manner of speech. She was so eager, so starved for knowledge, that
+ she drank it as fast as he could give it. It was during their talks about
+ grammar that Mandy generally fell asleep in her rocker, her unfinished
+ sewing still in her lap.
+ </p>
+ <p>
+ When a letter came from Jim and Toby, it was always shared equally by
+ Mandy and Hasty, Polly and the pastor. But at last a letter came from Jim
+ only, and Douglas, who was asked to read it, faltered and stopped after
+ the first few words.
+ </p>
+ <p>
+ &ldquo;It's no use my tryin' to keep it from you any longer, Poll,&rdquo; the letter
+ began, &ldquo;we ain't got Toby with us no more. He didn't have no accident, it
+ wasn't that. He just seemed kinder sick and ailin' like, ever since the
+ night we had to leave you behind. I used to get him warm drinks and
+ things, and try to pull 'im through, but he was always a-chillin' and
+ a-achin'. If it wasn't one thing the matter, it was another. I done all I
+ knowed you'd a-wanted me to, an' the rest of the folks was mighty white to
+ him, too. I guess they kinder felt how lonesome he was. He couldn't get no
+ more laughs in the show, so Barker had to put on another man with him.
+ That kinder hurt him too&mdash;I s'pose&mdash;an' showed him the way that
+ things was a-goin'. It was just after that, he wrote the parson a-tellin'
+ him to never let you come back. He seemed to a' got an idee in his head
+ that you was happier where you was. He wouldn't let me tell ye 'bout his
+ feelin' so rocky, 'cause he thought it might mebbe make you come back.
+ 'She's diff'runt from us,' he was allus a-sayin'. 'I never 'spected to
+ keep 'er.'&rdquo;
+ </p>
+ <p>
+ Douglas stopped. Polly was waiting, her face white and drawn. He had not
+ told her of Toby's letter, because with it had come a request to &ldquo;say
+ nothin' to the kid.&rdquo;
+ </p>
+ <p>
+ He felt that Polly was controlling herself with an effort until he should
+ reach the end of Jim's letter, so he hurried on.
+ </p>
+ <p>
+ &ldquo;The parson's promise didn't get to him none too quick,&rdquo; he read. &ldquo;That
+ seemed to be what he was waitin' for. He give up the night it come, and I
+ got him a little room in a hotel after the show, and let one of the other
+ fellers get the stuff out o' town, so's I could stay with him up to the
+ finish. It come 'round mornin'. There wasn't much to it&mdash;he just
+ seemed tired and peaceful like. 'I'm glad he wrote what he did,' he said,
+ meanin' the parson. 'She knows, she allus knows,' he whispered, meanin'
+ you, Poll, and then he was on his way. He'd already give me what was saved
+ up for you, and I'm sendin' it along with this&mdash;&rdquo; A blue money order
+ for two hundred and fifty dollars had fluttered from the envelope when
+ Douglas opened it.
+ </p>
+ <p>
+ &ldquo;I got everythin' ready afore I went on the next day, an' I went up and
+ saw the little spot on the hill where they was goin' to stow him. It
+ looked kinder nice and the digger's wife said she'd put some flowers on to
+ it now and then. It was YOU what made me think o' that, Poll, 'cause it
+ seemed to me what you would a' done; you was always so daffy about
+ flowers, you and him.
+ </p>
+ <p>
+ &ldquo;I guess this letter's too long for me to be a-sayin' much about the show,
+ but the 'Leap-a-Death' girl got hern last week. She wasn't strong enough
+ for the job, nohow. I done what I could for her outside the show, 'cause I
+ knowed how you was always a-feelin' 'bout her. I guess the
+ 'Leap-a-Death's' husband is goin' to jump his job soon, if he gets enough
+ saved up, 'cause him and Barker can't hit it off no more. We got a good
+ deal o' trouble among the animals, too. None o' the snakes is sheddin'
+ like they ought to, and Jumbo's a-carryin' a sixteen foot bandage around
+ that trunk a' hisn, 'cause he got too fresh with Trixy's grub the other
+ night, and the new giraffe's got the croup in that seven-foot neck o'
+ his'n. I guess you'll think I got the pip for fair this time, so I'll just
+ get onto myself now and cut this short. I'll be writin' you agin when we
+ hit Morgantown.
+ </p>
+ <p>
+ &ldquo;Your old Muvver Jim.&rdquo;
+ </p>
+ <p>
+ Douglas laid the letter gently on the table, his hand still resting upon
+ it. He looked helplessly at the little, shrunken figure in the opposite
+ chair. Polly had made no sound, but her head had slipped lower and lower
+ and she now sat very quietly with her face in her hands. She had been
+ taught by Toby and Jim never to whimper.
+ </p>
+ <p>
+ &ldquo;What a plucky lot they are,&rdquo; thought Douglas, as he considered these
+ three lonely souls, each accepting whatever fate brought with no rebellion
+ or even surprise. It was a strange world of stoics in which these children
+ of the amusement arena fought and lost. They came and went like phantoms,
+ with as little consciousness of their own best interests as of the great,
+ moving powers of the world about them. They felt no throes of envy, no
+ bitterness. They loved and worked and &ldquo;went their way.&rdquo;
+ </p>
+ <p>
+ For once the pastor was powerless in the presence of grief. Both he and
+ Mandy left the room quietly, feeling that Polly wished to be spared the
+ outburst of tears that a sympathetic word might bring upon her. They
+ allowed her to remain alone for a time, then Mandy entered softly with a
+ tender good night and Douglas followed her cheerily as though nothing at
+ all had happened.
+ </p>
+ <p>
+ It was many weeks before Polly again became a companion to Douglas and
+ Mandy, but they did not intrude upon her grief. They waited patiently for
+ the time when youth should again assert itself, and bring back their
+ laughing mate to them.
+ </p>
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter VIII
+ </h2>
+ <p>
+ When Polly understood that Toby was ACTUALLY GONE, it seemed to her that
+ she could never laugh again. She had been too young to realise the
+ inevitableness of death when it came to her mother, and now she could
+ scarcely believe that Toby would never, never come back to her. She felt
+ that she must be able to DRAG him back, that she could not go on without
+ him. She wanted to tell him how grateful she was for all his care of her.
+ She thought of the thousand little things that she might have done for
+ him. She longed to recall every impatient word to him. His gentle
+ reproachful eyes were always haunting her. &ldquo;You must come back, Toby!&rdquo; she
+ cried. &ldquo;You must!&rdquo;
+ </p>
+ <p>
+ It was only when body and mind had worn themselves out with yearning, that
+ a numbness at last crept over her, and out of this grew a gradual
+ consciousness of things about her and a returning sense of her obligation
+ to others. She tried to answer in her old, smiling way and to keep her
+ mind upon what they were saying, instead of letting it wander away to the
+ past.
+ </p>
+ <p>
+ Douglas and Mandy were overjoyed to see the colour creeping back to her
+ cheeks.
+ </p>
+ <p>
+ She joined the pastor again in his visits to the poor. The women of the
+ town would often see them passing and would either whisper to each other,
+ shrug their shoulders, or lift their eyebrows with smiling insinuations;
+ but Polly and the pastor were too much absorbed in each other to take much
+ notice of what was going on about them.
+ </p>
+ <p>
+ They had not gone for their walk to-day, because Mandy had needed Polly to
+ help make ready for the social to be held in the Sunday-school-room
+ to-night.
+ </p>
+ <p>
+ Early in the afternoon, Polly had seen Douglas shut himself up in the
+ study, and she was sure that he was writing; so when the village children
+ stopped in on the way from school for Mandy's new-made cookies, she used
+ her customary trick to get them away. &ldquo;Tag&mdash;you're it!&rdquo; she cried,
+ and then dashed out the back door, pursued by the laughing, screaming
+ youngsters. Mandy followed the children to the porch and stood looking
+ after them, as the mad, little band scurried about the back yard, darted
+ in and out amongst the trees, then up the side of the wooded hill, just
+ beyond the church.
+ </p>
+ <p>
+ The leaves once more were red and yellow on the trees, but to-day the air
+ was warm, and the children were wearing their summer dresses. Polly's
+ lithe, girlish figure looked almost tall by comparison with the children
+ about her. She wore a plain, simple gown of white, which Mandy had helped
+ her to make. It had been cut ankle-length, for Polly was now seventeen.
+ Her quaint, old-fashioned manner, her serious eyes, and her trick of
+ knotting her heavy, brown hair low on her neck, made her seem older.
+ </p>
+ <p>
+ Mandy waited until the children had disappeared over the hill, then began
+ bustling about looking for the step-ladder which Hasty had left under the
+ vines of the porch. It had been a busy day at the parsonage. A social
+ always meant perturbation for Mandy. She called sharply to Hasty, as he
+ came down the path which made a short cut to the village:
+ </p>
+ <p>
+ &ldquo;So's you'se back, is you?&rdquo; she asked, sarcastically.
+ </p>
+ <p>
+ &ldquo;Sure, I'se back,&rdquo; answered Hasty, good-naturedly, as he sank upon an
+ empty box that had held some things for the social, and pretended to wipe
+ the perspiration from his forehead.
+ </p>
+ <p>
+ &ldquo;Masse John done send you to de post office two hours ago,&rdquo; said Mandy, as
+ she took the letters and papers from his hand. &ldquo;Five minutes is plenty ob
+ time for any nigger to do dat job.&rdquo;
+ </p>
+ <p>
+ &ldquo;I done been detained,&rdquo; Hasty drawled.
+ </p>
+ <p>
+ &ldquo;You'se always 'tained when dar's any work a-goin' on,&rdquo; Mandy snapped at
+ him.
+ </p>
+ <p>
+ &ldquo;Whar's Miss Polly?&rdquo; Hasty asked, ignoring Mandy's reference to work.
+ </p>
+ <p>
+ &ldquo;Nebber you mind 'bout Miss Polly. She don't want you. Jes' you done fetch
+ that step-ladder into de Sunday-school-room.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I wants her,&rdquo; Hasty insisted. &ldquo;I'se been on very 'ticular business
+ what she ought to know 'bout.&rdquo;
+ </p>
+ <p>
+ &ldquo;Business?&rdquo; she repeated. &ldquo;What kind ob business?&rdquo;
+ </p>
+ <p>
+ &ldquo;I got to fix de Sunday-school-room,&rdquo; said Hasty, as he perceived her
+ growing curiosity.
+ </p>
+ <p>
+ &ldquo;You come heah, nigger!&rdquo; Mandy called, determined that none of the village
+ doings should escape her. &ldquo;Out wid it!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it's 'bout de circus,&rdquo; Hasty answered? seating himself again on the
+ box. &ldquo;Dey's showin' in Wakefield to-night, and next month dey's comin'
+ here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dat same circus what Miss Polly used to be wid?&rdquo; Mandy's eyes grew large
+ with curiosity.
+ </p>
+ <p>
+ &ldquo;De very same,&rdquo; and Hasty nodded mysteriously.
+ </p>
+ <p>
+ &ldquo;How you know dat?&rdquo; Mandy was uncertain whether to believe him.
+ </p>
+ <p>
+ &ldquo;'Cause da's a big, red wagon downtown wid de name ob de show painted on
+ it. It's de advertisin' one what goes ahead wid all de pictures what dey
+ pastes up.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you been hangin' 'roun' dat wagon?&rdquo;
+ </p>
+ <p>
+ &ldquo;I done thought Miss Polly might want to know.&rdquo;
+ </p>
+ <p>
+ &ldquo;See here, lazy nigger, don' you go puttin' no circus notions into Miss
+ Polly's head. She don' care no more 'bout dem things since her Uncle Toby
+ done die. She done been satisfied right whar she am. Jes' you let her be.&rdquo;
+ </p>
+ <p>
+ &ldquo;I ain't done nothin',&rdquo; Hasty protested.
+ </p>
+ <p>
+ &ldquo;Nebber do do nothin',&rdquo; growled Mandy. &ldquo;Go long now, and get a-work. Mos'
+ four o'clock and dat Sunday-school-room ain't ready yet.&rdquo;
+ </p>
+ <p>
+ Hasty picked up the empty box and the step-ladder and went out through the
+ gate. He had barely disappeared when a peal of laughter was heard from the
+ hillside, and before Mandy could get out of the way, the youngsters came
+ tumbling down the path again.
+ </p>
+ <p>
+ &ldquo;Lawsy, lawsy,&rdquo; she gasped, as Polly circled around her, dodging the
+ children. &ldquo;You'se cheeks is red as pineys, honey.&rdquo;
+ </p>
+ <p>
+ &ldquo;Tag! you're it!&rdquo; Polly cried, as she touched the widow's auburn-haired
+ offspring on the sleeve. There was much wailing when Willie passed the tag
+ to little Jennie, the smallest girl in the crowd.
+ </p>
+ <p>
+ &ldquo;I won't play no more,&rdquo; she sobbed; &ldquo;'cause I's always it.&rdquo;
+ </p>
+ <p>
+ To comfort her, Polly began to sing an old circus song that the children
+ had learned to love; and the little ones huddled about her in a circle to
+ hear of the wonderful &ldquo;Van Amberg&rdquo; who used to &ldquo;walk right into the lion's
+ cage and put his head in the lion's mouth.&rdquo; The children were in a state
+ of nerves that did credit to Polly as an entertainer, when Hasty broke in
+ upon the song.
+ </p>
+ <p>
+ &ldquo;When you get a minute I want ter tell yer somethin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have one right now.&rdquo; And turning to the eager mites at her side, Polly
+ told them to run along into the grove, and that she'd come pretty soon to
+ teach them a new game.
+ </p>
+ <p>
+ The youngsters went screaming and laughing on their way, and she breathed
+ a sigh of relief as she threw herself down on the rustic seat that
+ encircled the elm tree.
+ </p>
+ <p>
+ &ldquo;What is it, Hasty?&rdquo; she asked, suspecting that he was in trouble with
+ Mandy.
+ </p>
+ <p>
+ &ldquo;It's 'bout de circus,&rdquo; Hasty informed her bluntly.
+ </p>
+ <p>
+ &ldquo;The circus?&rdquo; She rose and crossed to him quickly.
+ </p>
+ <p>
+ &ldquo;It's in Wakefield&mdash;en' nex' month it's a-comin' here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here?&rdquo; Polly gasped.
+ </p>
+ <p>
+ &ldquo;I thought you'd want ter know,&rdquo; said Hasty, little surprised at her lack
+ of enthusiasm.
+ </p>
+ <p>
+ &ldquo;Yes, of course.&rdquo; She turned away and pretended to look at the flowers.
+ </p>
+ <p>
+ &ldquo;Don' yous tell Mandy I been talkin' 'bout dat circus,&rdquo; said Hasty,
+ uneasily. He was beginning to fear that he had made a mistake; but before
+ Polly could answer, Mandy came out of the house, carrying baskets and
+ food, which Hasty was to take to the Sunday-school-room. She looked at the
+ girl's troubled face and drooping shoulders in surprise.
+ </p>
+ <p>
+ &ldquo;What make you look so serious, Honey?&rdquo;
+ </p>
+ <p>
+ &ldquo;Just thinking,&rdquo; said Polly absently.
+ </p>
+ <p>
+ &ldquo;My! Don' you look fine in your new dress!&rdquo; She was anxious to draw the
+ girl out of her reverie.
+ </p>
+ <p>
+ &ldquo;Do you like it?&rdquo; Polly asked eagerly, forgetting her depression of a
+ moment before. &ldquo;Do you think Mr. John will like it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Masse John? Mercy me! He nebber takes no notice ob dem things. I done got
+ a bran', spankin' new allapaca, one time, an' do you think HE ebber seed
+ it? Lawsy, no! We might jes' well be goin' roun' like Mudder Eve for all
+ dat man know.&rdquo; Polly looked disappointed. &ldquo;But udder folks sees,&rdquo; Mandy
+ continued, comfortingly, &ldquo;an' you certainly look mighty fine. Why, you's
+ just as good now as you was afore you got hurled!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I'm well now and able to work again.&rdquo; There was no enthusiasm in her
+ tone, for Hasty's news had made her realise how unwelcome the old life
+ would be to her.
+ </p>
+ <p>
+ &ldquo;Work! You does work all de time. My stars! de help you is to Massa John.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you think so? Do I help him?&mdash;Do I?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course you does. You tells him things to do in Sunday-school what the
+ chillun like, an' you learns him to laugh and 'joy himself, an' a lot of
+ things what nobody else could a-learned 'im.&rdquo;
+ </p>
+ <p>
+ &ldquo;You mustn't say 'learned him,'&rdquo; Polly corrected; &ldquo;you must say 'taught
+ him.' You can't 'learn' anybody anything. You can only 'teach' them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Lordy sakes! I didn't know dat.&rdquo; She rolled her large eyes at her young
+ instructress, and saw that Polly looked very serious. &ldquo;She's gwine ter
+ have anudder one a dem 'ticlar spells&rdquo; thought Mandy, and she made ready
+ to protest.
+ </p>
+ <p>
+ &ldquo;See here, ain't you nebber&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She was interrupted by a quick &ldquo;Have you never&rdquo; from Polly.
+ </p>
+ <p>
+ &ldquo;It dun make no difference what you say,&rdquo; Mandy snapped, &ldquo;so long as folks
+ understands you.&rdquo; She always grew restive under these ordeals; but Polly's
+ firm controlled manner generally conquered.
+ </p>
+ <p>
+ &ldquo;Oh, yes, it does,&rdquo; answered Polly. &ldquo;I used to think it didn't; but it
+ does. You have to say things in a certain way or folks look down on you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I's satisfied de way I be,&rdquo; declared Mandy, as she plumped herself down
+ on the garden bench and began to fidget with resentment.
+ </p>
+ <p>
+ &ldquo;The way I am,&rdquo; Polly persisted, sweetly.
+ </p>
+ <p>
+ &ldquo;See here, chile, is day why you been a-settin' up nights an' keepin de
+ light burnin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;You mustn't say 'setting up;' you must say 'sitting up.' Hens set&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;So do I,&rdquo; interrupted Mandy; &ldquo;I's doin' it NOW.&rdquo; For a time she preserved
+ an injured silence, then turned upon Polly vehemently. &ldquo;If I had to think
+ ob all dat ere foolishness eber' time I open my mouth, I'd done been
+ tongue-tied afore I was born.&rdquo;
+ </p>
+ <p>
+ &ldquo;I could teach you in no time,&rdquo; volunteered Polly, eagerly.
+ </p>
+ <p>
+ &ldquo;I don't want to be teached,&rdquo; protested Mandy, doggedly. &ldquo;Hast Jones says
+ I's too smart anyhow. Men don't like women knowin' too much&mdash;it
+ skeers 'em. I's good enough for my old man, and I ain't a-tryin' to get
+ nobody else's,&rdquo; Mandy wound up flatly.
+ </p>
+ <p>
+ &ldquo;But he'd like you all the better,&rdquo; persisted Polly, laughing.
+ </p>
+ <p>
+ &ldquo;I don' WANT to be liked no better by NO nigger,&rdquo; snapped Mandy. &ldquo;I's a
+ busy woman, I is.&rdquo; She made for the house, then curiosity conquered her
+ and she came back to Polly's side. &ldquo;See here, honey, whose been l'arnin'
+ you all dem nonsense?&rdquo;
+ </p>
+ <p>
+ &ldquo;I learn from Mr. Douglas. I remember all the things he tells me, and at
+ night I write them down and say them over. Do you see this, Mandy?&rdquo; She
+ took a small red book from her belt and put it into Mandy's black chubby
+ fists.
+ </p>
+ <p>
+ &ldquo;I see some writin', if dat's what you mean,&rdquo; Mandy answered, helplessly.
+ </p>
+ <p>
+ &ldquo;These are my don'ts,&rdquo; Polly confided, as she pointed enthusiastically to
+ worn pages of finely written notes.
+ </p>
+ <p>
+ &ldquo;You'se WHAT, chile?&rdquo;
+ </p>
+ <p>
+ &ldquo;The things I mustn't do or say.&rdquo;
+ </p>
+ <p>
+ &ldquo;An' you'se been losin' yoah beauty sleep for dem tings?&rdquo; Mandy looked
+ incredulous.
+ </p>
+ <p>
+ &ldquo;I don't want Mr. John to feel ashamed of me,&rdquo; she said with growing
+ pride.
+ </p>
+ <p>
+ &ldquo;Well, you'd catch Mandy a-settin' up for&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, oh! What did I tell you, Mandy?&rdquo; Polly pointed reproachfully to the
+ reminder in the little red book. It was a fortunate thing that Willie
+ interrupted the lesson at this point, for Mandy's temper was becoming very
+ uncertain. The children had grown weary waiting for Polly, and Willie had
+ been sent to fetch her. Polly offered to help Mandy with the decorations,
+ but Willie won the day, and she was running away hand in hand with him
+ when Douglas came out of the house.
+ </p>
+ <p>
+ &ldquo;Wait a minute!&rdquo; he called. &ldquo;My, how fine you look!&rdquo; He turned Polly about
+ and surveyed the new gown admiringly.
+ </p>
+ <p>
+ &ldquo;He did see it! He did see it!&rdquo; cried Polly, gleefully.
+ </p>
+ <p>
+ &ldquo;Of course I did. I always notice everything, don't I, Mandy?&rdquo;
+ </p>
+ <p>
+ &ldquo;You suah am improvin' since Miss Polly come,&rdquo; Mandy grunted.
+ </p>
+ <p>
+ &ldquo;Come, Willie!&rdquo; called the girl, and ran out laughing through the trees.
+ </p>
+ <p>
+ &ldquo;What's this?&rdquo; Douglas took the small book from Mandy's awkward fingers,
+ and began to read: &ldquo;'Hens set&mdash;'&rdquo; He frowned.
+ </p>
+ <p>
+ &ldquo;Oh, dem's jes' Miss Polly's 'don'ts,'&rdquo; interrupted Mandy, disgustedly.
+ </p>
+ <p>
+ &ldquo;Her 'don'ts'?&rdquo;
+ </p>
+ <p>
+ &ldquo;She done been set&mdash;sit&mdash;settin' up nights tryin' to learn what
+ you done tole her,&rdquo; stuttered Mandy.
+ </p>
+ <p>
+ &ldquo;Dear little Polly,&rdquo; he murmured, then closed the book and put it into his
+ pocket.
+ </p>
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter IX
+ </h2>
+ <p>
+ DOUGLAS was turning toward the house when the Widow Willoughby came
+ through the wicker gate to the left of the parsonage, carrying bunting for
+ the social. She was followed by Miss Perkins with a bucket of pickles,
+ which Mandy promptly placed on top of Mrs. Elverson's ice cream. The women
+ explained that they had come to put the finishing touches to the
+ decorations. If anything was needed to increase Mandy's dislike of the
+ widow, it was this announcement.
+ </p>
+ <p>
+ Mrs. Willoughby was greatly worried because her children had not been home
+ since the afternoon school session. Upon learning that they were with
+ Polly, she plainly showed her displeasure; and Douglas dispatched Mandy
+ for them. She saw that her implied distrust of Polly had annoyed him, and
+ she was about to apologise, when two of the deacons arrived on the scene,
+ also carrying baskets and parcels for the social.
+ </p>
+ <p>
+ Strong led the way. He always led the way and always told Elverson what to
+ think. They had been talking excitedly as they neared the parsonage, for
+ Strong disapproved of the recent changes which the pastor had made in the
+ church service. He and Douglas had clashed more than once since the
+ baseball argument, and the deacon had realised more and more that he had
+ met a will quite as strong as his own. His failure to bend the parson to
+ his way of thinking was making him irritable, and taking his mind from his
+ business.
+ </p>
+ <p>
+ &ldquo;Can you beat that!&rdquo; he would exclaim as he turned away from some
+ disagreement with Douglas, his temper ruffled for the day.
+ </p>
+ <p>
+ Polly was utterly unconscious of the unfriendly glances cast in her
+ direction as she came running into the garden, leading the widow's two
+ children.
+ </p>
+ <p>
+ She nodded gaily to Julia Strong, who was coming through the gate, then
+ hurried to Mrs. Willoughby, begging that the children be allowed to remain
+ a little longer. She was making up a new game, she said, and needed Willie
+ and Jennie for the set.
+ </p>
+ <p>
+ &ldquo;My children do not play in promiscuous games,&rdquo; said the widow, icily.
+ </p>
+ <p>
+ &ldquo;Oh, but this isn't pro-pro-pro&rdquo;&mdash;Polly stammered. &ldquo;It's a new game.
+ You put two here, and two here, and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't care to know.&rdquo; The widow turned away, and pretended to talk to
+ Julia.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; gasped Polly, stunned by the widow's rebuff.
+ </p>
+ <p>
+ She stood with bowed head in the centre of the circle. The blood flew from
+ her cheeks, then she turned to go.
+ </p>
+ <p>
+ Douglas stepped quickly to her side. &ldquo;Wait a minute,&rdquo; he said. She paused,
+ all eyes were turned upon them. &ldquo;Is this a game that grown-ups can play?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, yes, of course.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good! Then I'll make up your set. I need a little amusement just now.
+ Excuse me,&rdquo; he added, turning to the deacons. Then he ran with her out
+ through the trees.
+ </p>
+ <p>
+ The deacons and the women stared at each other, aghast.
+ </p>
+ <p>
+ &ldquo;Well, what do you think of that?&rdquo; said Mrs. Willoughby, as the flying
+ skirts of the girl and the black figure of the man disappeared up the
+ path.
+ </p>
+ <p>
+ &ldquo;I think it's scandalous, if you are talking to me,&rdquo; said Miss Perkins.
+ &ldquo;The idea of a full-grown parson a-runnin' off to play children's games
+ with a circus ridin' girl!&rdquo;
+ </p>
+ <p>
+ &ldquo;She isn't such a child,&rdquo; sneered Julia.
+ </p>
+ <p>
+ &ldquo;It's ENOUGH to make folks talk,&rdquo; put in Mrs. Willoughby, with a sly look
+ at the deacons.
+ </p>
+ <p>
+ &ldquo;And me a-waitin' to discuss the new church service,&rdquo; bellowed Strong.
+ </p>
+ <p>
+ &ldquo;And me a-waiting to give him Mrs. Elverson's message,&rdquo; piped Elverson.
+ </p>
+ <p>
+ &ldquo;The church bore all this in silence so long as that girl was sick,&rdquo;
+ snapped Miss Perkins. &ldquo;But now she's perfectly well, and still a-hanging
+ on. No wonder folks are talking.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who's talking?&rdquo; thundered Strong.
+ </p>
+ <p>
+ &ldquo;Didn't you know?&rdquo; simpered Mrs. Willoughby, not knowing herself nor
+ caring, so long as the suspicion grew.
+ </p>
+ <p>
+ &ldquo;Know what?&rdquo; yelled the excited deacon. Mrs. Willoughby floundered. Miss
+ Perkins rushed into the breach.
+ </p>
+ <p>
+ &ldquo;Well, if <i>I</i> was deacon of this church, it seems to me I'd know
+ something about what's going on in it.&rdquo;
+ </p>
+ <p>
+ &ldquo;What IS goin' on?&rdquo; shrieked the now desperate deacon.
+ </p>
+ <p>
+ The women looked at him pityingly, exchanged knowing glances, then shook
+ their heads at his hopeless stupidity.
+ </p>
+ <p>
+ Strong was not accustomed to criticism. He prided himself upon his
+ acuteness, and was, above all, vain about his connection with the church.
+ He looked from one woman to the other. He was seething with helpless rage.
+ The little deacon at his side coughed nervously. Strong's pent up wrath
+ exploded. &ldquo;Why didn't YOU tell me, Elverson, that people was a-talkin',&rdquo;
+ he roared in the frightened man's ear.
+ </p>
+ <p>
+ Elverson sputtered and stammered, but nothing definite came of the sounds;
+ so Strong again turned to Miss Perkins:
+ </p>
+ <p>
+ &ldquo;What is going on?&rdquo; he demanded.
+ </p>
+ <p>
+ The spinster shrugged her shoulders and lifted her eyes heavenward,
+ knowing that nothing could so madden the deacon as this mysterious
+ inference of things too terrible to mention. She was right. Strong uttered
+ a desperate &ldquo;Bah!&rdquo; and began pacing up and down the garden with reckless
+ strides.
+ </p>
+ <p>
+ Mrs. Willoughby watched him with secret delight, and when he came to a
+ halt, she wriggled to his side with simpering sweetness.
+ </p>
+ <p>
+ &ldquo;What COULD folks say?&rdquo; she asked. &ldquo;A minister and a young circus riding
+ girl living here like this with no one to&mdash;&rdquo; She found no words at
+ this point and Strong, now thoroughly roused, declared that the
+ congregation should have no further cause for gossip, and went out quickly
+ in search of Douglas.
+ </p>
+ <p>
+ When Strong was gone, Elverson looked at the set faces of the women, and
+ attempted a weak apology for the pastor. &ldquo;I dare say the young man was
+ very lonely&mdash;very&mdash;before she came.&rdquo;
+ </p>
+ <p>
+ &ldquo;Lonely?&rdquo; snapped Miss Perkins. &ldquo;Well, if HE was LONELY, <i>I</i> didn't
+ know it.&rdquo;
+ </p>
+ <p>
+ The deacon excused himself nervously, and went to join Strong.
+ </p>
+ <p>
+ The women gathered up their buntings, and retired with bland smiles to the
+ Sunday-school-room, feeling that they had accomplished enough for the time
+ being.
+ </p>
+ <p>
+ Strong and Elverson crossed the yard, still in search of the pastor. They
+ turned at the sound of fluttering leaves and beheld Douglas, hatless,
+ tearing down the path. Strong called to him, but Douglas darted quickly
+ behind the hedge. The deacons looked at one another in speechless
+ astonishment. Presently the silence was broken by the distant voice of
+ Polly counting from one to one hundred. The secret was out! The pastor, a
+ leader of the church, was playing hide-and-seek.
+ </p>
+ <p>
+ &ldquo;Mr. Douglas!&rdquo; shouted Strong, when his breath had returned.
+ </p>
+ <p>
+ &ldquo;Hush, hush!&rdquo; whispered Douglas, looking over the hedge. He peeped
+ cautiously about him, then came toward the men with a sigh of relief.
+ &ldquo;It's all right. She has gone the other way.&rdquo;
+ </p>
+ <p>
+ &ldquo;It'll be a good thing for you if she never comes back,&rdquo; said Strong, and
+ Douglas's quick ear caught an unpleasant meaning in his tone.
+ </p>
+ <p>
+ &ldquo;What's that?&rdquo; the pastor asked, in a low, steady voice.
+ </p>
+ <p>
+ &ldquo;We don't like some of the things that are going on here, and I want to
+ talk to you about 'em.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, but see if you can't talk in a lower key.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind about the key,&rdquo; shouted Strong, angrily.
+ </p>
+ <p>
+ &ldquo;But I DO mind.&rdquo; Something in his eyes made the deacon lower his voice.
+ </p>
+ <p>
+ &ldquo;We want to know how much longer that girl is goin' to stay here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed! And why?&rdquo; The colour was leaving Douglas's face, and his jaw was
+ becoming very square.
+ </p>
+ <p>
+ &ldquo;Because she's been here long enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't agree with you there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it don't make no difference whether you do or not. She's got to
+ go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Go?&rdquo; echoed Douglas.
+ </p>
+ <p>
+ &ldquo;Yes, sir-e-bob. We've made up our minds to that.&rdquo;
+ </p>
+ <p>
+ &ldquo;And who do you mean by 'we'?&rdquo;
+ </p>
+ <p>
+ &ldquo;The members of this congregation,&rdquo; replied Strong, impatiently.
+ </p>
+ <p>
+ &ldquo;Am I to understand that YOU are speaking for THEM?&rdquo; There was a deep
+ frown between the young pastor's eyes. He was beginning to be perplexed.
+ </p>
+ <p>
+ &ldquo;Yes, and as deacon of this church.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, as deacon of this church, you tell the congregation for me that
+ that is MY affair.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your affair!&rdquo; shouted Strong. &ldquo;When that girl is living under the
+ church's roof, eating the church's bread!&rdquo;
+ </p>
+ <p>
+ &ldquo;Just one moment! You don't quite understand. I am minister of this
+ church, and for that position I receive, or am supposed to receive, a
+ salary to live on, and this parsonage, rent free, to live in. Any guests
+ that I may have here are MY guests, and NOT guests of the church. Remember
+ that, please.&rdquo;
+ </p>
+ <p>
+ There was an embarrassing silence. The deacons recalled that the pastor's
+ salary WAS slightly in arrears. Elverson coughed meekly. Strong started.
+ </p>
+ <p>
+ &ldquo;You keep out of this, Elverson!&rdquo; he cried. &ldquo;I'm running this affair and I
+ ain't forgetting my duty nor the parson's.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall endeavour to do MY duty as I see it,&rdquo; answered Douglas, turning
+ away and dismissing the matter.
+ </p>
+ <p>
+ &ldquo;Your duty is to your church,&rdquo; thundered Strong.
+ </p>
+ <p>
+ &ldquo;You're right about that, Deacon Strong'&rdquo; answered Douglas, wheeling about
+ sharply, &ldquo;and my duty to the church is reason enough for my acting exactly
+ as I am doing in this case.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is your duty to the church the ONLY reason you keep that girl here?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, there are other reasons.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought so.&rdquo;
+ </p>
+ <p>
+ &ldquo;You've heard her story&mdash;you MUST have heard. She was left with me by
+ an old clown who belonged in the circus where she worked. Before he died
+ he asked me to look after her. She has no one else. I shall certainly do
+ so.&rdquo;
+ </p>
+ <p>
+ &ldquo;That was when she was hurt. She's well now, and able to go back where she
+ came from. Do you expect us to have our young folks associatin' with a
+ circus ridin' girl?&rdquo;
+ </p>
+ <p>
+ &ldquo;So, that's it!&rdquo; cried the pastor, with a pitying look. &ldquo;You think this
+ child is unfit for your homes because she was once in a circus. For some
+ reason, circus to you spells crime. You call yourself a Christian, Deacon
+ Strong, and yet you insist that I send a good, innocent girl back to a
+ life which you say is sinful. I'm ashamed of you, Strong&mdash;I'm ashamed
+ of you!&rdquo;
+ </p>
+ <p>
+ &ldquo;That talk don't do no good with me,&rdquo; roared Strong. He was desperate at
+ being accused of an unchristian attitude.
+ </p>
+ <p>
+ &ldquo;I ain't askin' you to send her back to the circus. I don't care WHERE you
+ send her. Get her away from HERE, that's all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not so long as she wishes to stay.&rdquo;
+ </p>
+ <p>
+ &ldquo;You won't?&rdquo; Strong saw that he must try a new attack. He came close to
+ Douglas and spoke with a marked insinuation. &ldquo;If you was a friend to the
+ girl, you wouldn't want the whole congregation a-pointin' fingers at her.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that you're living here alone with her and it looks bad&mdash;bad
+ for the girl, and bad for YOU&mdash;and folks is talkin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you trying to tell me that my people are evil-minded enough to think
+ that I&mdash;&rdquo; Douglas stopped. He could not frame the question. &ldquo;I don't
+ believe it,&rdquo; he concluded shortly.
+ </p>
+ <p>
+ &ldquo;You'll be MADE to believe it if you don't get rid of that girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do YOU believe it?&rdquo; He turned upon the little man at his side! &ldquo;Do you
+ believe it, Elverson?&rdquo;
+ </p>
+ <p>
+ Elverson had been so accustomed to Strong monopolising the conversation,
+ that he had become hopelessly lost as the discussion went on, and the
+ sudden appeal to him all but paralysed his power of speech. He was still
+ gurgling and sputtering when Strong interrupted, impatiently.
+ </p>
+ <p>
+ &ldquo;It makes no difference whether we believe it or not. We're going to do
+ our duty by the church, and that girl must leave or&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Or I must.&rdquo; Douglas pieced out Strong's phrase for himself. &ldquo;That threat
+ doesn't frighten me at all, deacon. After what you have said, I should
+ refuse to remain in this church&rdquo;&mdash;the deacon stepped forward eagerly&mdash;&ldquo;were
+ it not that I realise more than ever before how much you need me, how much
+ you ignorant, narrow-minded creatures need to be taught the meaning of
+ true Christianity.&rdquo; The deacon was plainly disappointed.
+ </p>
+ <p>
+ &ldquo;Is it possible?&rdquo; gasped Elverson, weakly.
+ </p>
+ <p>
+ &ldquo;Well, what are you going to do about it?&rdquo; asked Strong, when he could
+ trust himself to speak again.
+ </p>
+ <p>
+ &ldquo;I shall do what is best for Miss Polly,&rdquo; said the pastor quietly but
+ firmly.
+ </p>
+ <p>
+ He turned away to show that the interview was at an end. Strong followed
+ him. Douglas pointed to the gate with a meaning not to be mistaken. &ldquo;Good
+ afternoon, deacon.&rdquo;
+ </p>
+ <p>
+ Strong hesitated. He looked at the pastor, then at the gate, then at the
+ pastor again. &ldquo;I'll go,&rdquo; he shouted; &ldquo;but it ain't the end!&rdquo; He slammed
+ the gate behind him.
+ </p>
+ <p>
+ &ldquo;Quite so, quite so,&rdquo; chirped Elverson, not having the slightest idea of
+ what he was saying. He saw the frigid expression on the pastor's face, he
+ coughed behind his hat, and followed Strong.
+ </p>
+ <p>
+ <a name="link2HCH0010" id="link2HCH0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter X
+ </h2>
+ <p>
+ Douglas dropped wearily onto the rustic bench. He sat with drooped head
+ and unseeing eyes. He did not hear Polly as she scurried down the path,
+ her arms filled with autumn leaves. She glanced at him, dropped the
+ bright-coloured foliage, and slipped quickly to the nearest tree. &ldquo;One,
+ two, three for Mr. John,&rdquo; she cried, as she patted the huge, brown trunk.
+ </p>
+ <p>
+ &ldquo;Is that you, Polly?&rdquo; he asked absently.
+ </p>
+ <p>
+ &ldquo;Now, it's your turn to catch me,&rdquo; she said, lingering near the tree. The
+ pastor was again lost in thought. &ldquo;Aren't you going to play any more?&rdquo;
+ There was a shade of disappointment in her voice. She came slowly to his
+ side.
+ </p>
+ <p>
+ &ldquo;Sit here, Polly,&rdquo; he answered gravely, pointing to a place on the bench.
+ &ldquo;I want to talk to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Now, I've done something wrong,&rdquo; she pouted. She gathered up her garlands
+ and brought them to a place near his feet, ignoring the seat at his side.
+ &ldquo;You might just as well tell me and get it over.&rdquo;
+ </p>
+ <p>
+ &ldquo;You couldn't do anything wrong,&rdquo; he answered, looking down at her.
+ </p>
+ <p>
+ &ldquo;Oh, yes, I could&mdash;and I've done it&mdash;I can see it in your face.
+ What is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;What have you there?&rdquo; he asked, trying to gain time, and not knowing how
+ to broach the subject that in justice to her must be discussed.
+ </p>
+ <p>
+ &ldquo;Some leaves to make garlands for the social,&rdquo; Polly answered more
+ cheerfully. &ldquo;Would you mind holding this?&rdquo; She gave him one end of a
+ string of leaves.
+ </p>
+ <p>
+ &ldquo;Where are the children?&rdquo;
+ </p>
+ <p>
+ &ldquo;Gone home.&rdquo;
+ </p>
+ <p>
+ &ldquo;You like the children very much, don't you, Polly?&rdquo; Douglas was striving
+ for a path that might lead them to the subject that was troubling him.
+ </p>
+ <p>
+ &ldquo;Oh, no, I don't LIKE them, I LOVE them.&rdquo; She looked at him with tender
+ eyes.
+ </p>
+ <p>
+ &ldquo;You're the greatest baby of all.&rdquo; A puzzled line came between his eyes as
+ he studied her more closely. &ldquo;And yet, you're not such a child, are you,
+ Polly? You're quite grown up, almost a young lady.&rdquo; He looked at her from
+ a strange, unwelcome point of view. She was all of that as she sat at his
+ feet, yearning and slender and fair, at the turning of her seventeenth
+ year.
+ </p>
+ <p>
+ &ldquo;I wonder how you would like to go way?&rdquo; Her eyes met his in terror. &ldquo;Away
+ to a great school,&rdquo; he added quickly, flinching from the very first hurt
+ that he had inflicted; &ldquo;where there are a lot of other young ladies.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is it a place where you would be?&rdquo; She looked up at him anxiously. She
+ wondered if his &ldquo;show&rdquo; was about to &ldquo;move on.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm afraid not,&rdquo; Douglas answered, smiling in spite of his heavy heart.
+ </p>
+ <p>
+ &ldquo;I wouldn't like any place without you,&rdquo; she said decidedly, and seemed to
+ consider the subject dismissed.
+ </p>
+ <p>
+ &ldquo;But if it was for your GOOD,&rdquo; Douglas persisted.
+ </p>
+ <p>
+ &ldquo;It could never be for my good to leave you.&rdquo;
+ </p>
+ <p>
+ &ldquo;But just for a little while,&rdquo; he pleaded. How was she ever to understand?
+ How could he take from her the sense of security that he had purposely
+ taught her to feel in his house?
+ </p>
+ <p>
+ &ldquo;Not even for a moment,&rdquo; Polly answered, with a decided shake of her head.
+ </p>
+ <p>
+ &ldquo;But you must get ahead in your studies,&rdquo; he argued.
+ </p>
+ <p>
+ She looked at him anxiously. She was beginning to be alarmed at his
+ persistence.
+ </p>
+ <p>
+ &ldquo;Maybe I've been playing too many periscous games.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not periscous, Polly, promiscuous.&rdquo;
+ </p>
+ <p>
+ &ldquo;Pro-mis-cuous,&rdquo; she repeated, haltingly. &ldquo;What does that mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;Indiscriminate.&rdquo; He rubbed his forehead as he saw the puzzled look on her
+ face. &ldquo;Mixed up,&rdquo; he explained, more simply.
+ </p>
+ <p>
+ &ldquo;Our game wasn't mixed up.&rdquo; She was thinking of the one to which the widow
+ had objected. &ldquo;Is it promiscuous to catch somebody?&rdquo;
+ </p>
+ <p>
+ &ldquo;It depends upon whom you catch,&rdquo; he answered with a dry, whimsical smile.
+ </p>
+ <p>
+ &ldquo;Well, I don't catch anybody but the children.&rdquo; She looked up at him with
+ serious, inquiring eyes.
+ </p>
+ <p>
+ &ldquo;Never mind, Polly. Your games aren't promiscuous.&rdquo; She did not hear him.
+ She was searching for her book.
+ </p>
+ <p>
+ &ldquo;Is this what you are looking for?&rdquo; he asked, drawing the missing article
+ from his pocket.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; cried Polly, with a flush of embarrassment. &ldquo;Mandy told you.&rdquo;
+ </p>
+ <p>
+ &ldquo;You've been working a long time on that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought I might help you if I learned everything you told me,&rdquo; she
+ answered, timidly. &ldquo;But I don't suppose I could.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can never tell you how much you help me, Polly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do I?&rdquo; she cried, eagerly.
+ </p>
+ <p>
+ &ldquo;I can help more if you will only let me. I can teach a bigger class in
+ Sunday-school now. I got to the book of Ruth to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;You did?&rdquo; He pretended to be astonished. He was anxious to encourage her
+ enthusiasm.
+ </p>
+ <p>
+ &ldquo;Um hum!&rdquo; She answered solemnly. A dreamy look came into her eyes. &ldquo;Do you
+ remember the part that you read to me the first day I came?&rdquo; He nodded. He
+ was thinking how care-free they were that day. How impossible such
+ problems as the present one would have seemed then. &ldquo;I know every bit of
+ what you read by heart. It's our next Sunday-school lesson.&rdquo;
+ </p>
+ <p>
+ &ldquo;So it is.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you think now that it would be best for me to go away?&rdquo; She looked up
+ into his troubled face.
+ </p>
+ <p>
+ &ldquo;We'll see, we'll see,&rdquo; he murmured, then tried to turn her mind toward
+ other things. &ldquo;Come now, let's find out whether you DO know your
+ Sunday-school lesson. How does it begin?&rdquo; There was no answer. She had
+ turned away with trembling lips. &ldquo;And Ruth said&rdquo;&mdash;he took her two
+ small hands and drew her face toward him, meaning to prompt her.
+ </p>
+ <p>
+ &ldquo;Entreat me not to leave thee,&rdquo; she pleaded. Her eyes met his. His face
+ was close to hers. The small features before him were quivering with
+ emotion. She was so frail, so helpless, so easily within his grasp. His
+ muscles grew tense and his lips closed firmly. He was battling with an
+ impulse to draw her toward him and comfort her in the shelter of his
+ strong, brave arms. &ldquo;They shan't!&rdquo; he cried, starting toward her.
+ </p>
+ <p>
+ Polly drew back, overawed. Her soul had heard and seen the things revealed
+ to each of us only once. She would never again be a child.
+ </p>
+ <p>
+ Douglas braced himself against the back of the bench.
+ </p>
+ <p>
+ &ldquo;What was the rest of the lesson?&rdquo; he asked in a firm, hard voice.
+ </p>
+ <p>
+ &ldquo;I can't say it now,&rdquo; Polly murmured. Her face was averted; her white lids
+ fluttered and closed.
+ </p>
+ <p>
+ &ldquo;Nonsense, of course you can. Come, come, I'll help you.&rdquo; Douglas spoke
+ sharply. He was almost vexed with her and with himself for the weakness
+ that was so near overcoming them. &ldquo;And Ruth said, 'Entreat me not to leave
+ thee&mdash;&mdash;'&rdquo;
+ </p>
+ <p>
+ &ldquo;'Or to return from following after thee.'&rdquo; She was struggling to keep
+ back the tears. &ldquo;'For whither thou goest, I will go, and where thou
+ lodgest, I will lodge. Thy people shall be my people, and thy God my' &ldquo;&mdash;She
+ stopped.
+ </p>
+ <p>
+ &ldquo;That's right, go on,&rdquo; said Douglas, striving to control the unsteadiness
+ in his own voice.
+ </p>
+ <p>
+ &ldquo;Where thou diest, will I die'&rdquo;&mdash;her arms went out blindly.
+ </p>
+ <p>
+ &ldquo;Oh, you won't send me away, will you?&rdquo; she sobbed. &ldquo;I don't want to learn
+ anything else just&mdash;except&mdash;from you.&rdquo; She covered her face and
+ slipped, a little, broken heap at his feet.
+ </p>
+ <p>
+ In an instant the pastor's strong arms were about her, his stalwart body
+ was supporting her. &ldquo;You shan't go away. I won't let you&mdash;I won't! Do
+ you hear me, Polly? I won't!&rdquo;
+ </p>
+ <p>
+ Her breath was warm against his cheek. He could feel her tears, her arms
+ about him, as she clung to him helplessly, sobbing and quivering in the
+ shelter of his strong embrace. &ldquo;You are never going to leave me&mdash;never!&rdquo;
+ </p>
+ <p>
+ A new purpose had come into his life, the realisation of a new necessity,
+ and he knew that the fight which he must henceforth make for this child
+ was the same that he must make for himself.
+ </p>
+ <p>
+ <a name="link2HCH0011" id="link2HCH0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter XI
+ </h2>
+ <p>
+ &ldquo;I'se goin' into de Sunday-school-room to take off dat ere widow's
+ finishin' touches,&rdquo; said Mandy, as she came down the steps.
+ </p>
+ <p>
+ &ldquo;All right!&rdquo; called Douglas. &ldquo;Take these with you, perhaps they may help.&rdquo;
+ He gathered up the garlands which Polly had left on the ground. His eyes
+ were shining, he looked younger than Mandy had ever seen him.
+ </p>
+ <p>
+ Polly had turned her back at the sound of Mandy's voice and crossed to the
+ elm tree, drying her tears of happiness and trying to control her newly
+ awakened emotions. Douglas felt intuitively that she needed this moment
+ for recovery, so he piled the leaves and garlands high in Mandy's arms,
+ then ran into the house with the light step of a boy.
+ </p>
+ <p>
+ &ldquo;I got the set-sit-settin' room all tidied up,&rdquo; said Mandy as she shot a
+ sly glance at Polly.
+ </p>
+ <p>
+ &ldquo;That's good,&rdquo; Polly answered, facing Mandy at last and dimpling and
+ blushing guiltily.
+ </p>
+ <p>
+ &ldquo;Mos' de sociable folks will mos' likely be hangin' roun' de parsonage
+ to-night, 'stead ob stayin' in de Sunday-school-room, whar dey belongs.
+ Las' time dat ere Widow Willoughby done set aroun' all ebenin' a-tellin'
+ de parson as how folks could jes' eat off'n her kitchen floor, an' I ups
+ an' tells her as how folks could pick up a good, squar' meal off'n MANDY'S
+ floor, too. Guess she'll be mighty careful what she says afore Mandy
+ to-night.&rdquo; She chuckled as she disappeared down the walk to the
+ Sunday-school-room.
+ </p>
+ <p>
+ Polly stood motionless where Mandy had left her. She hardly knew which way
+ to turn. She was happy, yet afraid. She felt like sinking upon her knees
+ and begging God to be good to her, to help her. She who had once been so
+ independent, so self-reliant, now felt the need of direction from above.
+ She was no longer master of her own soul, something had gone from her,
+ something that would never, never come again. While she hesitated, Hasty
+ came through the gate looking anxiously over his shoulder.
+ </p>
+ <p>
+ &ldquo;Well, Hasty?&rdquo; she said, for it was apparent that Hasty had something
+ important on his mind.
+ </p>
+ <p>
+ &ldquo;It's de big one from de circus,&rdquo; he whispered, excitedly.
+ </p>
+ <p>
+ &ldquo;The big one?&rdquo;
+ </p>
+ <p>
+ &ldquo;You know&mdash;De one what brung you.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don't mean&mdash;?&rdquo; Polly's question was answered by Jim himself who
+ had followed Hasty quickly through the gate. Their arms were instantly
+ about each other. Jim forgot Hasty and every one in the world except
+ Polly, and neither of them noticed the horrified Miss Perkins and the
+ Widow Willoughby, who had been crossing the yard on their way from the
+ Sunday-school-room with Julia.
+ </p>
+ <p>
+ &ldquo;You're just as big as ever,&rdquo; said Polly, when she could let go of Jim
+ long enough to look at him. &ldquo;You haven't changed a bit.&rdquo;
+ </p>
+ <p>
+ &ldquo;You've changed enough for both of us.&rdquo; He looked at the unfamiliar long
+ skirts and the new way of doing her hair. &ldquo;You're bigger, Poll; more grown
+ up like.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Jim!&rdquo; She glanced admiringly at the new brown suit, the rather
+ startling tie, and the neat little posy in Jim's buttonhole.
+ </p>
+ <p>
+ &ldquo;The fellows said I'd have to slick up a bit if I was a-comin' to see you,
+ so as not to make you ashamed of me. Do you like 'em?&rdquo; he asked, looking
+ down approvingly at his new brown clothes.
+ </p>
+ <p>
+ &ldquo;Very much.&rdquo; For the first time Jim noticed the unfamiliar manner of her
+ speech. He began to feel self-conscious. A year ago she would have said,
+ &ldquo;You bet!&rdquo; He looked at her awkwardly. She hurried on: &ldquo;Hasty told me you
+ were showing in Wakefield. I knew you'd come to see me. How's Barker and
+ all the boys?&rdquo; She stopped with a catch in her throat, and added more
+ slowly: &ldquo;I suppose everything's different, now that Toby is gone.&rdquo;
+ </p>
+ <p>
+ &ldquo;He'd a-liked to a-seen you afore he cashed in,&rdquo; Jim answered; &ldquo;but maybe
+ it was just as well he didn't. You'd hardly a-knowed him toward the last,
+ he got so thin an' peeked like. He wasn't the same after we lost you,
+ nobody was, not even Bingo.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you still got Bingo?&rdquo; she asked, through her tears.
+ </p>
+ <p>
+ &ldquo;Yep, we got him,&rdquo; drawled Jim, &ldquo;but he ain't much good no more. None of
+ the other riders can get used to his gait like you was. There ain't nobody
+ with the show what can touch you ridin', there never will be. Say, mebbe
+ you think Barker won't let out a yell when he sees yer comin' back.&rdquo; Jim
+ was jubilant now, and he let out a little yell of his own at the mere
+ thought of her return. He was too excited to notice the look on Polly's
+ face. &ldquo;Toby had a notion before he died that you was never a-comin' back,
+ but I told him I'd change all that once I seed yer, and when Barker sent
+ me over here to-day to look arter the advertisin', he said he guessed
+ you'd had all you wanted a' church folks. 'Jes' you bring her along to
+ Wakefield,' he said, 'an' tell her that her place is waitin' for her,' and
+ I will, too.&rdquo; He turned upon Polly with sudden decision. &ldquo;Why, I feel jes'
+ like pickin' yer up in my arms and carryin' you right off now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wait, Jim!&rdquo; She put one tiny hand on his arm to restrain him.
+ </p>
+ <p>
+ &ldquo;I don't mean&mdash;not&mdash;to-day&mdash;mebbe&rdquo;&mdash;he stammered,
+ uncertainly, &ldquo;but we'll be back here a-showin' next month.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't look at me now,&rdquo; Polly answered, as the dog-like eyes searched her
+ face, &ldquo;because I have to say something that is going to hurt you, Jim.&rdquo;
+ </p>
+ <p>
+ &ldquo;You're comin', ain't yer, Poll?&rdquo; The big face was wrinkled and care-worn
+ with trouble.
+ </p>
+ <p>
+ &ldquo;No, Jim,&rdquo; she replied in a tone so low that he could scarcely hear her.
+ </p>
+ <p>
+ &ldquo;You mean that you ain't NEVER comin' back?&rdquo; He tried to realise what such
+ a decision might mean to him.
+ </p>
+ <p>
+ &ldquo;No, Jim.&rdquo; She answered tenderly, for she dreaded the pain that she must
+ cause the great, good-hearted fellow. &ldquo;You mustn't care like that,&rdquo; she
+ pleaded, seeing the blank desolation that had come into his face. &ldquo;It
+ isn't because I don't love you just the same, and it was good of Barker to
+ keep my place for me, but I can't go back.&rdquo;
+ </p>
+ <p>
+ He turned away; she clung to the rough, brown sleeve. &ldquo;Why, Jim, when I
+ lie in my little room up there at night&rdquo;&mdash;she glanced toward the
+ window above them&mdash;&ldquo;and everything is peaceful and still, I think how
+ it used to be in the old days, the awful noise and the rush of it all, the
+ cheerless wagons, the mob in the tent, the ring with its blazing lights,
+ the whirling round and round on Bingo, and the hoops, always the hoops,
+ till my head got dizzy and my eyes all dim; and then the hurry after the
+ show, and the heat and the dust or the mud and the rain, and the rumble of
+ the wheels in the plains at night, and the shrieks of the animals, and
+ then the parade, the awful, awful parade, and I riding through the streets
+ in tights, Jim! Tights!&rdquo; She covered her face to shut out the memory. &ldquo;I
+ couldn't go back to it, Jim! I just couldn't!&rdquo; She turned away, her face
+ still hidden in her hands. He looked at her a long while in silence.
+ </p>
+ <p>
+ &ldquo;I didn't know how you'd come to feel about it,&rdquo; he said doggedly.
+ </p>
+ <p>
+ &ldquo;You aren't ANGRY, Jim?&rdquo; She turned to him anxiously, her eyes pleading
+ for his forgiveness.
+ </p>
+ <p>
+ &ldquo;Angry?&rdquo; he echoed, almost bitterly. &ldquo;I guess it couldn't ever come to
+ that a-tween you an' me. I'll be all right.&rdquo; He shrugged his great
+ shoulders. &ldquo;It's just kinder sudden, that's all. You see, I never figured
+ on givin' yer up, and when you said you wasn't comin' back, it kinder
+ seemed as though I couldn't see nothin' all my life but long, dusty roads,
+ and nobody in 'em. But it's all right now, and I'll just be gettin' along
+ to the wagon.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, Jim, you haven't seen Mr. Douglas,&rdquo; Polly protested, trying to keep
+ him with her until she could think of some way to comfort him.
+ </p>
+ <p>
+ &ldquo;I'll look in on him comin' back,&rdquo; said Jim, anxious to be alone with his
+ disappointment. He was out of the gate before she could stop him.
+ </p>
+ <p>
+ &ldquo;Hurry back, won't you, Jim? I'll be waiting for you.&rdquo; She watched him
+ going quickly down the road, his fists thrust into his brown coat pockets,
+ and his hat pulled over his eyes. He did not look back, as he used to do,
+ to wave a parting farewell, and she turned toward the house with a
+ troubled heart. She had reached the lower step when Strong and Elverson
+ approached her from the direction of the church.
+ </p>
+ <p>
+ &ldquo;Was that feller here to take you back to the circus?&rdquo; demanded Strong.
+ </p>
+ <p>
+ She opened her lips to reply, but before she could speak, Strong assured
+ her that the congregation wouldn't do anything to stop her if she wished
+ to go. He saw the blank look on her face. &ldquo;We ain't tryin' to pry into
+ none of your private affairs,&rdquo; he explained; &ldquo;but my daughter saw you and
+ that there feller a makin' up to each other. If you're calculatin' to run
+ away with him, you'll save a heap of trouble for the parson by doin' it
+ quick.&rdquo;
+ </p>
+ <p>
+ &ldquo;The parson!&rdquo;
+ </p>
+ <p>
+ &ldquo;YOU can't blame the congregation for not wantin' him to keep you here.
+ You got sense enough to see how it looks. HE'D see it, too, if he wasn't
+ just plain, bull-headed. Well he'd better get over his stubbornness right
+ now, if he don't we'll get another minister, that's all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Another minister? You don't mean&mdash;?&rdquo; It was clear enough now. She
+ recalled Douglas's troubled look of an hour ago. She remembered how he had
+ asked if she couldn't go away. It was this that he meant when he promised
+ not to give her up, no matter what happened. In an instant she was at the
+ deacon's side pleading and terrified. &ldquo;You wouldn't get another minister!
+ Oh, please, Deacon Strong, listen to me, listen! You were right about Jim,
+ he DID come to get me and I am going back to the circus&mdash;only you
+ won't send Mr. Douglas away, you won't! Say you won't!&rdquo; She was searching
+ his eyes for mercy. &ldquo;It wasn't HIS fault that I kept staying on. He didn't
+ know how to get rid of me. He DID try, he tried only to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;So he's comin' 'round,&rdquo; sneered Strong.
+ </p>
+ <p>
+ &ldquo;Yes, yes, and you won't blame him any more, will you?&rdquo; she hurried on
+ anxiously. &ldquo;You'll let him stay, no matter what he does, if I promise to
+ go away and never, never come back again?&rdquo;
+ </p>
+ <p>
+ &ldquo;I ain't holdin' no grudge agin him,&rdquo; Strong grumbled. &ldquo;He talks pretty
+ rough sometimes, but he's been a good enough minister. I ain't forgettin'
+ that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, thank you, Mr. Strong, thank you. I'll get my things; it won't take a
+ minute.&rdquo; She was running up the steps when a sudden thought stopped her.
+ She returned quickly to Strong. &ldquo;We'd better not let him know just yet.
+ You can tell him afterward. Tell him that I ran away&mdash;Tell him that&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She was interrupted by Douglas, who came from the house. &ldquo;Hello, Strong,
+ back again?&rdquo; he asked, in some surprise. Polly remained with her eyes
+ fixed upon the deacon, searching for some way of escape. The pastor
+ approached; she burst into nervous laughter. &ldquo;What's the joke?&rdquo; Douglas
+ asked.
+ </p>
+ <p>
+ &ldquo;It's only a little surprise that the deacon and I are planning.&rdquo; She
+ tried to control the catch in her voice. &ldquo;You'll know about it soon, won't
+ he, deacon? Good afternoon, Mr. Strong!&rdquo; She flew into the house, laughing
+ hysterically.
+ </p>
+ <p>
+ Douglas followed her to the steps with a puzzled frown. It was unlike
+ Polly to give way to her moods before others. &ldquo;Have you gentlemen changed
+ your minds about the little girl staying on?&rdquo; he asked, uneasily.
+ </p>
+ <p>
+ &ldquo;It's all right now,&rdquo; said Strong, seating himself with a complacent air.
+ </p>
+ <p>
+ &ldquo;All right? How so?&rdquo; questioned Douglas, more and more puzzled by the
+ deacon's evident satisfaction.
+ </p>
+ <p>
+ &ldquo;Because,&rdquo; said Strong, rising and facing the pastor, &ldquo;because your
+ circus-ridin' gal is goin' to leave you of her own accord.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you been talking to that girl?&rdquo; asked Douglas, sternly.
+ </p>
+ <p>
+ &ldquo;I have,&rdquo; said Strong, holding his ground.
+ </p>
+ <p>
+ &ldquo;See here, deacon, if you've been browbeating that child, I may forget
+ that I'm a minister.&rdquo; The knuckles on Douglas's large fists grew whiter.
+ </p>
+ <p>
+ &ldquo;She's goin', I tell yer, and it ain't because of what I said either.
+ She's goin' back to the circus.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't believe you.&rdquo;
+ </p>
+ <p>
+ &ldquo;You would a-believed me if you'd seen the fellow that was just a-callin'
+ on her, and her a-huggin' and a-kissin' of him and a-promisin' that she'd
+ be a-waitin' for him here when he come back.&rdquo;
+ </p>
+ <p>
+ &ldquo;You lie!&rdquo; cried Douglas, taking a step toward the retreating deacon.
+ </p>
+ <p>
+ &ldquo;There's the fellow now,&rdquo; cried Strong, as he pointed to the gate.
+ &ldquo;Suppose you ask him afore yer call me a liar.&rdquo;
+ </p>
+ <p>
+ Douglas turned quickly and saw Jim approaching. His face lighted up with
+ relief at the sight of the big, lumbering fellow.
+ </p>
+ <p>
+ &ldquo;How are yer, Mr. Douglas?&rdquo; said Jim, awkwardly.
+ </p>
+ <p>
+ &ldquo;You've seen Polly?&rdquo; asked Douglas, shaking Jim cordially by the hand.
+ </p>
+ <p>
+ &ldquo;Yes, I've seen her.&rdquo;
+ </p>
+ <p>
+ &ldquo;The deacon here has an idea that Polly is going back to the circus with
+ you.&rdquo; He nodded toward Strong, almost laughing at the surprise in store
+ for him.
+ </p>
+ <p>
+ &ldquo;Back to the circus?&rdquo; asked Jim.
+ </p>
+ <p>
+ &ldquo;Did she say anything to you about it?&rdquo; He was worried by the bewilderment
+ in Jim's manner.
+ </p>
+ <p>
+ Before Jim could reply, Polly, who had reached the steps in time to catch
+ the last few words, slipped quickly between them. She wore her coat and
+ hat, and carried a small brown satchel.
+ </p>
+ <p>
+ &ldquo;Of course I did, didn't I, Jim?&rdquo; she said, turning her back upon the
+ pastor and motioning to Jim not to answer. Douglas gazed at her in
+ astonishment.
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; he asked in a hoarse, strained voice. He glanced at
+ the coat and hat. &ldquo;Where are you going?&rdquo;
+ </p>
+ <p>
+ Polly avoided his eyes and continued nervously to Jim.
+ </p>
+ <p>
+ &ldquo;What made you come back? Why didn't you wait for me down the street? Now,
+ you've spoiled everything.&rdquo; She pretended to be very vexed with him. The
+ big fellow looked puzzled. He tried to protest, but she put a warning
+ finger to her lips and pressed the little brown satchel into his hand.
+ &ldquo;It's no use,&rdquo; she went on hurriedly. &ldquo;We might as well tell them
+ everything now.&rdquo; She turned to Douglas and pretended to laugh. &ldquo;You have
+ found us out.&rdquo;
+ </p>
+ <p>
+ The deacons were slightly uneasy; the frown on Douglas's forehead was
+ deepening.
+ </p>
+ <p>
+ &ldquo;Oh, see how serious he looks,&rdquo; she teased, with a toss of her head toward
+ the grim-visaged pastor.
+ </p>
+ <p>
+ &ldquo;Is this some trick?&rdquo; he demanded, sternly.
+ </p>
+ <p>
+ &ldquo;Don't be angry,&rdquo; she pleaded. &ldquo;Wish me luck.&rdquo;
+ </p>
+ <p>
+ She held out one small hand; he did not take it. She wavered, then she
+ felt the eyes of the deacons upon her. Courage returned and she spoke in a
+ firm, clear voice: &ldquo;I am going to run away.&rdquo;
+ </p>
+ <p>
+ Douglas stepped before her and studied her keenly.
+ </p>
+ <p>
+ &ldquo;Run away?&rdquo; he exclaimed incredulously.
+ </p>
+ <p>
+ &ldquo;Yes, to the circus with Jim.&rdquo;
+ </p>
+ <p>
+ &ldquo;You couldn't DO such a thing,&rdquo; he answered, excitedly. &ldquo;Why, only a
+ moment ago you told me you would never leave me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but that was a moment ago,&rdquo; she cried, in a strained, high voice.
+ &ldquo;That was before Jim came. You see, I didn't know HOW I felt until I saw
+ Jim and heard all about my old friends, how Barker is keeping my place for
+ me, and how they all want to see me. And I want to see them, and to hear
+ the music and the laughter and the clown songs&mdash;Oh, the clown songs!&rdquo;
+ She waltzed about, humming the snatch of melody that Mandy had heard the
+ morning that Polly first woke in the parsonage.
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Ting, ling.
+ That's how the bells ring,
+ Ting, ling, pretty young thing.&rdquo;
+ </pre>
+ <p>
+ She paused, her hands clasped behind her head, and gazed at them with a
+ brave, little smile. &ldquo;Oh, it's going to be fine! Fine!&rdquo;
+ </p>
+ <p>
+ &ldquo;You don't know what you're doing,&rdquo; said Douglas. He seized her roughly by
+ the arm. Pain was making him brutal. &ldquo;I won't LET you go! Do you hear me?
+ I won't&mdash;not until you've thought it over.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have thought it over,&rdquo; Polly answered, meeting his eyes and trying to
+ speak lightly. Her lips trembled. She could not bear for him to think her
+ so ungrateful. She remembered his great kindness; the many thoughtful acts
+ that had made the past year so precious to her.
+ </p>
+ <p>
+ &ldquo;You've been awfully good to me, Mr. John.&rdquo; She tried to choke back a sob.
+ &ldquo;I'll never forget it&mdash;never! I'll always feel the same toward you.
+ But you mustn't ask me to stay. I want to get back to them that knew me
+ first&mdash;to my OWN! Circus folks aren't cut out for parsons' homes, and
+ I was born in the circus. I love it&mdash;I love it!&rdquo; She felt her
+ strength going, and cried out wildly: &ldquo;I want Bingo! I want to go round
+ and round the ring! I want the lights and the music and the hoops! I want
+ the shrieks of the animals, and the rumble of the wheels in the plains at
+ night! I want to ride in the big parade! I want to live and die&mdash;just
+ die&mdash;as circus folks die! I want to go back! I want to go back!&rdquo;
+ </p>
+ <p>
+ She put out one trembling hand to Jim and rushed quickly through the gate
+ laughing and sobbing hysterically and calling to him to follow.
+ </p>
+ <p>
+ <a name="link2HCH0012" id="link2HCH0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter XII
+ </h2>
+ <p>
+ LONELY days followed Polly's desertion of the parsonage. Mandy went about
+ her duties very quietly, feeling that the little comments which once
+ amused the pastor had now become an interruption to thoughts in which she
+ had no part. He would sit for hours with his head in his hands, taking no
+ notice of what passed before him. She tried to think of new dishes to
+ tempt his appetite, and shook her head sadly as she bore the untasted food
+ back to the kitchen.
+ </p>
+ <p>
+ She sometimes found a portfolio of drawings lying open upon his study
+ table. She remembered the zeal with which he had planned to remodel the
+ church and parsonage, when he first came to them; how his enthusiasm had
+ gradually died for lack of encouragement; and how he had at last put his
+ books in a cupboard, where they grew dusty from long neglect. She
+ marvelled at their reappearance now, but something in his set, far-away
+ look made her afraid to inquire. Thus she went on from day to day, growing
+ more impatient with Hasty and more silent with the pastor.
+ </p>
+ <p>
+ Mandy needed humor and companionship to oil the wheels of her humdrum
+ life; there was no more laughter in the house, and she began to droop.
+ </p>
+ <p>
+ Polly had been away from the parsonage a month, when the complacency of
+ the village was again upset by the arrival of the &ldquo;Great American Circus.&rdquo;
+ </p>
+ <p>
+ There were many callers at the parsonage that day, for speculation was now
+ at fever heat about the pastor. &ldquo;Would he try to see her? had he forgotten
+ her? and what had he ever found in her?&rdquo; were a few of the many questions
+ that the women were asking each other. Now, that the cause of their envy
+ was removed, they would gladly have reinstated the pastor as their idol;
+ for, like all truly feminine souls, they could not bear to see a man
+ unhappy without wishing to comfort him, nor happy unless they were the
+ direct cause of his state. &ldquo;How dare any man be happy without me?&rdquo; has
+ been the cry of each woman since Eve was created to mate with Adam.
+ </p>
+ <p>
+ Douglas had held himself more and more aloof from the day of Polly's
+ disappearance. He expressed no opinion about the deacons or their recent
+ disapproval of him. He avoided meeting them oftener than duty required;
+ and Strong felt so uncomfortable and tongue-tied in his presence that he,
+ too, was glad to make their talks as few as possible.
+ </p>
+ <p>
+ Nothing was said about the pastor's plans for the future, or about his
+ continued connection with the church, and the inquisitive sisterhood was
+ on the point of exploding from an over-accumulation of unanswered
+ questions.
+ </p>
+ <p>
+ He delivered his sermons conscientiously, called upon his poor, listened
+ to the sorrows, real and fancied, of his parishioners, and shut himself up
+ with his books or walked alone on the hill behind the church.
+ </p>
+ <p>
+ He had been absent all day, when Mandy looked out on the circus lot for
+ the dozenth time, and saw that the afternoon performance was closing. It
+ had driven her to desperation to learn that Miss Polly was not in the
+ parade that morning, and to know that the pastor had made no effort to
+ find out about her. For weeks both she and Hasty had hoped that the return
+ of the circus might bring Polly back to them; but now it was nearly night
+ and there had been no word from her. Why didn't she come running in to see
+ them, as Mandy had felt so sure she would? Why had the pastor stayed away
+ on the hills all day?
+ </p>
+ <p>
+ Unanswered questions were always an abomination to Mandy, so finally she
+ drew a quarter from the knotted gingham rag that held her small wad of
+ savings, and told Hasty &ldquo;to go long to de show and find out 'bout Miss
+ Polly.&rdquo;
+ </p>
+ <p>
+ She was anxiously waiting for him, when Deacon Strong knocked at the door
+ for the second time that afternoon.
+ </p>
+ <p>
+ &ldquo;Is Mr. Douglas back yet?' he asked.
+ </p>
+ <p>
+ &ldquo;No, sah, he ain't,&rdquo; said Mandy, very shortly. She felt that Strong and
+ Elverson had been &ldquo;a-tryin' to spy on de parson all day,&rdquo; and she resented
+ their visits more than she usually did.
+ </p>
+ <p>
+ &ldquo;What time are you expectin' him?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't nebber spec' Massa Douglas till I sees him.&rdquo;
+ </p>
+ <p>
+ Strong grunted uncivilly, and went down the steps. She saw from the window
+ that he met Elverson in front of the church.
+ </p>
+ <p>
+ &ldquo;Dey sure am a-meanin' trouble,&rdquo; she mumbled.
+ </p>
+ <p>
+ The band had stopped playing; the last of the audience had straggled down
+ the street. She opened the door and stood on the porch; the house seemed
+ to suffocate her. What was keeping Hasty?
+ </p>
+ <p>
+ He came at last, but Mandy could tell from his gait that he brought
+ unwelcome news.
+ </p>
+ <p>
+ &ldquo;Ain't she dar?&rdquo;
+ </p>
+ <p>
+ &ldquo;She's wid 'em, all right,&rdquo; said Hasty.
+ </p>
+ <p>
+ &ldquo;Yuh seed her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Naw, I didn't done SEED her.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;She want in de show.&rdquo;
+ </p>
+ <p>
+ &ldquo;What you jes' tell me?&rdquo;
+ </p>
+ <p>
+ &ldquo;She's a-trabbelin' wid 'em, Mandy, but she didn't done ride.&rdquo;
+ </p>
+ <p>
+ &ldquo;See heah, Hasty Jones, is dat ere chile sick?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don' rightly know,&rdquo; said Hasty. &ldquo;A great big man, what wored clothes
+ like a gemmen, comed out wid a whip in his hand and says as how he's
+ 'bliged to 'nounce anudder gal in Miss Polly's place. An' den he says as
+ how de udder gal was jes' as good, an' den everybody look disappinted
+ like, an' den out comes de udder gal on a hoss an' do tricks, an' I ain't
+ heard no more 'bout Miss Polly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why didn't you done ask somebody?&rdquo;
+ </p>
+ <p>
+ &ldquo;Warn't nobody ter ask but de man what wuz hurryin' ever'body to get out
+ of de tent. I done ast him, but he say as 'didn't I git ma money's worth?'
+ an' den ebberbody laugh, an' he shove me 'long wid de rest of de folks,
+ an' here I is.&rdquo;
+ </p>
+ <p>
+ &ldquo;She's sick, dat's what <i>I</i> says,&rdquo; Mandy declared, excitedly; &ldquo;an'
+ somebody's got to do somethin'!&rdquo;
+ </p>
+ <p>
+ &ldquo;I done all I knowed,&rdquo; drawled Hasty, fearing that Mandy was regretting
+ her twenty-five-cent investment.
+ </p>
+ <p>
+ &ldquo;Go 'long out an' fix up dat ere kitchen fire,&rdquo; was Mandy's impatient
+ reply. &ldquo;I got to keep dem vittels warm fer Massa John.&rdquo;
+ </p>
+ <p>
+ She wished to be alone, so that she could think of some way to get hold of
+ Polly. &ldquo;Dat baby-faced mornin'-glory done got Mandy all wobbly 'bout de
+ heart,&rdquo; she declared to herself, as she crossed to the window for a sight
+ of the pastor.
+ </p>
+ <p>
+ It was nearly dark when she saw him coming slowly down the path from the
+ hill. She lighted the study-lamp, rearranged the cushions, and tried to
+ make the room look cheery for his entrance. He stopped in the hall and
+ hung up his hat. There was momentary silence. Would he shut himself in his
+ room for the night, or would he come into the study? At last the door
+ opened and Mandy hastened to place a chair for him.
+ </p>
+ <p>
+ &ldquo;Ah's 'fraid you'se mighty tired,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;Oh, no,&rdquo; answered Douglas, absently.
+ </p>
+ <p>
+ &ldquo;Mebbe you'd like Mandy to be sarvin' your supper in here to-night. It's
+ more cheerfuller.&rdquo;
+ </p>
+ <p>
+ The side-showman was already beginning his spiel in the lot below. The
+ lemonade venders{sic} and the popcorn sellers were heard crying their
+ wares. Douglas did not answer her. She bustled from the room, declaring
+ &ldquo;she was jes' goin' ter bring him a morsel.&rdquo;
+ </p>
+ <p>
+ He crossed to the window and looked out upon the circus lot. The flare of
+ the torches and the red fire came up to meet his pale, tense face. &ldquo;How
+ like the picture of thirteen months ago,&rdquo; he thought, and old Toby's words
+ came back to him&mdash;&ldquo;The show has got to go on.&rdquo;
+ </p>
+ <p>
+ Above the church steeple, the moon was battling its way through the
+ clouds. His eyes travelled from heaven to earth. There was a spirit of
+ unreality in it all. Something made him mistrust himself, his very
+ existence. He longed to have done with dreams and speculation, to feel
+ something tangible, warm, and real within his grasp. &ldquo;I can't go on like
+ this!&rdquo; he cried. &ldquo;I can't!&rdquo; He turned from the window and walked hurriedly
+ up and down the room; indoors or out, he found no rest. He threw himself
+ in the armchair near the table, and sat buried in thought.
+ </p>
+ <p>
+ Mandy came softly into the room. She was followed by Hasty, who carried a
+ tray, laden with things that ought to have tempted any man. She motioned
+ for Hasty to put the tray on the table, and then began arranging the
+ dishes. Hasty stole to the window, and peeped out at the tempting flare of
+ red fire.
+ </p>
+ <p>
+ When Douglas discovered the presence of his two &ldquo;faithfuls&rdquo; he was touched
+ with momentary contrition. He knew that he often neglected to chat with
+ them now, and he made an effort to say something that might restore the
+ old feeling of comradeship.
+ </p>
+ <p>
+ &ldquo;Have you had a hard day with the new gravel walk?&rdquo; he asked Hasty,
+ remembering that he had been laying a fresh path to the
+ Sunday-school-room.
+ </p>
+ <p>
+ Hasty glanced uneasily at Mandy, afraid either to lie or tell the truth
+ about the disposition she had made of his afternoon.
+ </p>
+ <p>
+ &ldquo;Jes' you come eat yo' supper,&rdquo; Mandy called to Douglas. &ldquo;Don' yous worry
+ your head 'bout dat lazy husban' ob mine. He ain' goin' ter work 'nuff to
+ hurt hisself.&rdquo; For an instant she had been tempted to let the pastor know
+ how Hasty had gone to the circus and seen nothing of Polly; but her
+ motherly instinct won the day and she urged him to eat before disturbing
+ him with her own anxieties. It was no use. He only toyed with his food; he
+ was clearly ill at ease and eager to be alone. She gave up trying to tempt
+ his appetite, and began to lead up in a roundabout way to the things which
+ she wished to ask.
+ </p>
+ <p>
+ &ldquo;Dar's quite some racket out dar in de lot tonight,&rdquo; she said; Douglas did
+ not answer. After a moment, she went on: &ldquo;Hasty didn't work on no walk
+ to-day.&rdquo; Douglas looked at her quizzically, while Hasty, convinced that
+ for reasons of her own she was going to get him into trouble, was making
+ frantic motions. &ldquo;He done gone to de circus,&rdquo; she blurted out. Douglas's
+ face became suddenly grave. Mandy saw that she had touched an open wound.
+ </p>
+ <p>
+ &ldquo;I jes' couldn't stan' it, Massa John. I HAD to find out 'bout dat angel
+ chile.&rdquo; There was a pause. She felt that he was waiting for her to go on.
+ </p>
+ <p>
+ &ldquo;She didn't done ride to-day.&rdquo;
+ </p>
+ <p>
+ He looked up with the eyes of a dumb, persecuted animal. &ldquo;And de gemmen in
+ de show didn't tell nobody why&mdash;jes' speaked about de udder gal
+ takin' her place.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why DIDN'T she ride?&rdquo; cried Douglas, in an agony of suspense.
+ </p>
+ <p>
+ &ldquo;Dat's what I don' know, sah.&rdquo; Mandy began to cry. It was the first time
+ in his experience that Douglas had ever known her to give way to any such
+ weakness. He walked up and down the room, uncertain what to do.
+ </p>
+ <p>
+ Hasty came down from the window and tried to put one arm about Mandy's
+ shoulders.
+ </p>
+ <p>
+ &ldquo;Leab me alone, you nigga!&rdquo; she exclaimed, trying to cover her tears with
+ a show of anger that she did not feel; then she rushed from the room,
+ followed by Hasty.
+ </p>
+ <p>
+ The band was playing loudly; the din of the night performance was
+ increasing. Douglas's nerves were strained to a point of breaking. He
+ would not let himself go near the window. He stood by the side of the
+ table, his fists clenched, and tried to beat back the impulse that was
+ pulling him toward the door. Again and again he set his teeth.
+ </p>
+ <p>
+ It was uncertainty that gnawed at him so. Was she ill? Could she need him?
+ Was she sorry for having left him? Would she be glad if he went for her
+ and brought her back with him? He recalled the hysterical note in her
+ behaviour the day that she went away; how she had pleaded, only a few
+ moments before Jim came, never to be separated from him. Had she really
+ cared for Jim and for the old life? Why had she never written? Was she
+ ashamed? Was she sorry for what she had done? What could it mean? He threw
+ his hands above his head with a gesture of despair. A moment later, he
+ passed out into the night.
+ </p>
+ <p>
+ <a name="link2HCH0013" id="link2HCH0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter XIII
+ </h2>
+ <p>
+ JIM was slow to-night. The big show was nearly over, yet many of the props
+ used in the early part of the bill were still unloaded.
+ </p>
+ <p>
+ He was tinkering absent-mindedly with one of the wagons in the back lot,
+ and the men were standing about idly, waiting for orders, when Barker came
+ out of the main tent and called to him sharply:
+ </p>
+ <p>
+ &ldquo;Hey, there, Jim! What's your excuse to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Excuse for what?&rdquo; Jim crossed slowly to Barker.
+ </p>
+ <p>
+ &ldquo;The cook tent was started half an hour late, and the side show top ain't
+ loaded yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your wagons is on the bum, that's what! Number thirty-eight carries the
+ cook tent and the blacksmith has been tinkering with it all day. Ask HIM
+ what shape it's in.&rdquo;
+ </p>
+ <p>
+ &ldquo;You're always stallin',&rdquo; was Barker's sullen complaint. &ldquo;It's the wagons,
+ or the black-smiths, or anything but the truth. <i>I</i> know what's the
+ matter, all right.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean by that?&rdquo; asked Jim, sharply.
+ </p>
+ <p>
+ &ldquo;I mean that all your time's took up a-carryin' and a-fetchin' for that
+ girl what calls you 'Muvver Jim.'&rdquo;
+ </p>
+ <p>
+ &ldquo;What have yer got to say about her?&rdquo; Jim eyed him with a threatening
+ look.
+ </p>
+ <p>
+ &ldquo;I got a-plenty,&rdquo; said Barker, as he turned to snap his whip at the small
+ boys who had stolen into the back lot to peek under the rear edge of the
+ &ldquo;big top.&rdquo; &ldquo;She's been about as much good as a sick cat since she come
+ back. You saw her act last night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered Jim, doggedly.
+ </p>
+ <p>
+ &ldquo;Wasn't it punk? She didn't show at ALL this afternoon&mdash;said she was
+ sick. And me with all them people inside what knowed her, waitin' ter see
+ 'er.&rdquo;
+ </p>
+ <p>
+ &ldquo;Give her a little time,&rdquo; Jim pleaded. &ldquo;She ain't rode for a year.&rdquo;
+ </p>
+ <p>
+ &ldquo;Time!&rdquo; shouted Barker. &ldquo;How much does she want? She's been back a month
+ and instead o' bracin' up, she's a-gettin' worse. There's only one thing
+ for me to do.&rdquo;
+ </p>
+ <p>
+ &ldquo;What's that?&rdquo; asked Jim, uneasily.
+ </p>
+ <p>
+ &ldquo;I'm goin' ter call her, and call her hard.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here, Barker,&rdquo; and Jim squared his shoulders as he looked steadily
+ at the other man; &ldquo;you're boss here, and I takes orders from you, but if I
+ catches you abusin' Poll, your bein' boss won't make no difference.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can't bluff me,&rdquo; shouted Barker.
+ </p>
+ <p>
+ &ldquo;I ain't bluffin'; I'm only TELLIN' yer,&rdquo; said Jim, very quietly.
+ </p>
+ <p>
+ &ldquo;Well, you TELL her to get onto her job. If she don't she quits, that's
+ all.&rdquo; He hurried into the ring.
+ </p>
+ <p>
+ Jim took one step to follow him, then stopped and gazed at the ground with
+ thoughtful eyes. He, too, had seen the change in Polly. He had tried to
+ rouse her; it was no use. She had looked at him blankly. &ldquo;If she would
+ only complain,&rdquo; he said to himself. &ldquo;If she would only get mad, anything,
+ anything to wake her.&rdquo; But she did not complain. She went through her
+ daily routine very humbly and quietly. She sometimes wondered how Jim
+ could talk so much about her work, but before she could answer the
+ question, her mind drifted back to other days, to a garden and flowers,
+ and Jim stole away unmissed, and left her with folded hands and wide,
+ staring eyes, gazing into the distance.
+ </p>
+ <p>
+ The memory of these times made Jim helpless to-night. He had gone on
+ hoping from day to day that Barker might not notice the &ldquo;let-down&rdquo; in her
+ work, and now the blow had fallen. How could he tell her?
+ </p>
+ <p>
+ One of the acts came tumbling out of the main tent. There was a moment's
+ confusion, as clowns, acrobats and animals passed each other on their way
+ to and from the ring, then the lot cleared again, and Polly came slowly
+ from the dressing tent. She looked very different from the little girl
+ whom Jim had led away from the parson's garden in a simple, white frock
+ one month before. Her thin, pensive face contrasted oddly with her
+ glittering attire. Her hair was knotted high on her head {a}nd intertwined
+ with flowers and jewels. Her slender neck seemed scarcely able to support
+ its burden. Her short, full skirt and low cut bodice were ablaze with
+ white and coloured stones.
+ </p>
+ <p>
+ &ldquo;What's on, Jim?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;The 'Leap o' Death.' You got plenty a' time.&rdquo;
+ </p>
+ <p>
+ Polly's mind went back to the girl who answered that call a year ago. Her
+ spirit seemed very near to-night. The band stopped playing. Barker made
+ his grandiloquent announcement about the wonderful act about to be seen,
+ and her eyes wandered to the distant church steeple. The moonlight seemed
+ to shun it to-night. It looked cold and grim and dark. She wondered
+ whether the solemn bell that once called its flock to worship had become
+ as mute as her own dead heart. She did not hear the whirr of the great
+ machine inside the tent, as it plunged through space with its girl
+ occupant. These things were a part of the daily routine, part of the
+ strange, vague dream through which she must stumble for the rest of her
+ life.
+ </p>
+ <p>
+ Jim watched her in silence. Her face was turned from him. She had
+ forgotten his presence.
+ </p>
+ <p>
+ &ldquo;Star gazin', Poll?&rdquo; he asked at length, dreading to disturb her revery.
+ </p>
+ <p>
+ &ldquo;I guess I was, Jim.&rdquo; She turned to him with a little, forced smile. He
+ longed to save her from Barker's threatened rebuke.
+ </p>
+ <p>
+ &ldquo;How yer feelin' to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm all right,&rdquo; she answered, cheerfully
+ </p>
+ <p>
+ &ldquo;Anythin' yer want?&rdquo;
+ </p>
+ <p>
+ &ldquo;Want?&rdquo; she turned upon him with startled eyes. There was so much that she
+ wanted, that the mere mention of the word had opened a well of pain in her
+ heart.
+ </p>
+ <p>
+ &ldquo;I mean, can I do anythin' for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, of course not.&rdquo; She remembered how little ANY ONE could do.
+ </p>
+ <p>
+ &ldquo;What is it, Poll?&rdquo; he begged; but she only turned away and shook her head
+ with a sigh. He followed her with anxious eyes. &ldquo;What made yer cut out the
+ show to-day? Was it because you didn't want ter ride afore folks what
+ knowed yer? Ride afore HIM, mebbe?&rdquo;
+ </p>
+ <p>
+ &ldquo;HIM?&rdquo; Her face was white. Jim feared she might swoon. &ldquo;You don't mean
+ that he was&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no,&rdquo; he answered, quickly, &ldquo;of course not. Parsons don't come to
+ places like this one. I was only figurin' that yer didn't want OTHER folks
+ to see yer and to tell him how you was ridin'.&rdquo; She did not answer.
+ </p>
+ <p>
+ &ldquo;Was that it, Poll?&rdquo; he urged.
+ </p>
+ <p>
+ &ldquo;I don't know.&rdquo; She stared into space.
+ </p>
+ <p>
+ &ldquo;Was it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess it was,&rdquo; she said, after a long time.
+ </p>
+ <p>
+ &ldquo;I knowed it,&rdquo; he cried. &ldquo;I was a fool to a-brung you back. Yer don't
+ belong with us no more.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, don't, Jim! don't! Don't make me feel I'm in the way here, too!&rdquo;
+ </p>
+ <p>
+ &ldquo;Here, too?&rdquo; He looked at her in astonishment. &ldquo;Yer wasn't in HIS way, was
+ yer, Poll?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Jim.&rdquo; She saw his look of unbelief and continued hurriedly. &ldquo;Oh, I
+ tried not to be. I tried so hard. He used to read me verses out of a Bible
+ about my way being his way and my people his people, but it isn't so, Jim.
+ Your way is the way you are born, and your people are the people you are
+ born with, and you can't change it, Jim, no matter how hard you try.&rdquo;
+ </p>
+ <p>
+ &ldquo;YOU was changin' it,&rdquo; he answered, savagely. &ldquo;You was gettin' jes' like
+ them people. It was me what took yer away and spoiled it all. You oughtn't
+ to a come. What made yer, after yer said yer wouldn't?&rdquo;
+ </p>
+ <p>
+ She did not answer. Strange things were going through the mind of the
+ slow-witted Jim. He braced himself for a difficult question.
+ </p>
+ <p>
+ &ldquo;Will yer answer me somethin' straight?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Why, of course,&rdquo; she said as she met his gaze.
+ </p>
+ <p>
+ &ldquo;Do you love the parson, Poll?&rdquo;
+ </p>
+ <p>
+ She started.
+ </p>
+ <p>
+ &ldquo;Is that it?&rdquo;
+ </p>
+ <p>
+ Her lids fluttered and closed, she caught her breath quickly, her lips
+ apart, then looked far into the distance.
+ </p>
+ <p>
+ &ldquo;Yes, Jim, I'm afraid&mdash;that's it.&rdquo; The little figure drooped, and she
+ stood before him with lowered eyes, unarmed. Jim looked at her helplessly,
+ then shook his big, stupid head.
+ </p>
+ <p>
+ &ldquo;Ain't that hell?&rdquo;
+ </p>
+ <p>
+ It seemed such a short time to Jim since he had picked her up, a cooing
+ babe, at her dead mother's side. He watched the tender, averted face.
+ Things had turned out so differently from what he had planned.
+ </p>
+ <p>
+ &ldquo;And he didn't care about you&mdash;like that?&rdquo; he asked, after a pause.
+ </p>
+ <p>
+ &ldquo;No, not in that way.&rdquo; She was anxious to defend the pastor from even the
+ thought of such a thing. &ldquo;He was good and kind always, but he didn't care
+ THAT WAY. He's not like that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess I'll have a talk with him,&rdquo; said Jim, and he turned to go.
+ </p>
+ <p>
+ &ldquo;Talk!&rdquo; she cried.
+ </p>
+ <p>
+ He stopped and looked at her in astonishment. It was the first time that
+ he had ever heard that sharp note in her voice. Her tiny figure was
+ stiffened with decision. Her eyes were blazing.
+ </p>
+ <p>
+ &ldquo;If you ever DARE to speak to him&mdash;about me, you'll never see me
+ again.&rdquo;
+ </p>
+ <p>
+ Jim was perplexed.
+ </p>
+ <p>
+ &ldquo;I mean it, Jim. I've made my choice, and I've come back to you. If you
+ ever try to fix up things between him and me, I'll run away&mdash;really
+ and truly away&mdash;and you'll never, never get me back.&rdquo;
+ </p>
+ <p>
+ He shuffled awkwardly to her side and reached apologetically for the
+ little, clenched fist. He held it in his big, rough hand, toying nervously
+ with the tiny fingers.
+ </p>
+ <p>
+ &ldquo;I wouldn't do nothin' that you wasn't a-wantin', Poll. I was just a
+ tryin' to help yer, only I&mdash;I never seem to know how.&rdquo;
+ </p>
+ <p>
+ She turned to him with tear-dimmed eyes, and rested her hands on his
+ great, broad shoulders, and he saw the place where he dwelt in her heart.
+ </p>
+ <p>
+ <a name="link2HCH0014" id="link2HCH0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter XIV
+ </h2>
+ <p>
+ THE &ldquo;Leap of Death&rdquo; implements were being carried from the ring, and Jim
+ turned away to superintend their loading.
+ </p>
+ <p>
+ Performers again rushed by each other on their way to and from the main
+ tent.
+ </p>
+ <p>
+ Polly stood in the centre of the lot, frowning and anxious. The mere
+ mention of the pastor's name had made it seem impossible for her to ride
+ to-night. For hours she had been whipping herself up to the point of doing
+ it, and now her courage failed her. She followed Barker as he came from
+ the ring.
+ </p>
+ <p>
+ &ldquo;Mr. Barker, please!&rdquo;
+ </p>
+ <p>
+ He turned upon her sharply.
+ </p>
+ <p>
+ &ldquo;Well, what is it NOW?&rdquo;
+ </p>
+ <p>
+ &ldquo;I want to ask you to let me off again to-night.&rdquo; She spoke in a short,
+ jerky, desperate way.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; he shrieked. &ldquo;Not go into the ring, with all them people inside
+ what's paid their money a-cause they knowed yer?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's it,&rdquo; she cried. &ldquo;I can't! I can't!&rdquo;
+ </p>
+ <p>
+ &ldquo;YER gettin' too tony!&rdquo; Barker sneered. &ldquo;That's the trouble with you. You
+ ain't been good for nothin' since you was at that parson's house. Yer
+ didn't stay there, and yer no use here. First thing yer know yer'll be out
+ all 'round.&rdquo;
+ </p>
+ <p>
+ &ldquo;Out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sure. Yer don't think I'm goin' ter head my bill with a 'dead one,' do
+ you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not a 'dead one,'&rdquo; she answered, excitedly. &ldquo;I'm the best rider
+ you've had since mother died. You've said so yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;That was afore yer got in with them church cranks. You talk about yer
+ mother! Why, she'd be ashamed ter own yer.&rdquo;
+ </p>
+ <p>
+ &ldquo;She wouldn't,&rdquo; cried Polly. Her eyes were flashing, her face was scarlet.
+ The pride of hundreds of years of ancestry was quivering with indignation.
+ &ldquo;I can ride as well as I EVER could, and I'll do it, too. I'll do it
+ to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;To-morrow?&rdquo; echoed Barker. &ldquo;What do you mean by that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that I CAN'T go into that ring TO-NIGHT,&rdquo; she declared, &ldquo;and I
+ won't.&rdquo;
+ </p>
+ <p>
+ She was desperate now, and trading upon a strength beyond her own.
+ </p>
+ <p>
+ He looked at her with momentary indecision. She WAS a good rider&mdash;the
+ best since her mother, as he had often told her. He could see this meant
+ an issue. He felt she would be on her mettle to-morrow, as far as her work
+ was concerned, if he left her alone to-night.
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; he said, sullenly. &ldquo;Yer can stay off to-night. I got the
+ crowd in there, anyway, and I got their money. I'll let Eloise do a turn
+ on Barbarian, but TO-MORROW you'd better show me your old act.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll show you!&rdquo; she cried. &ldquo;I'll show you!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, see that you do.&rdquo; He crossed into the ring.
+ </p>
+ <p>
+ Polly stood where Barker had left her, white and tense. Jim came toward
+ her from the direction of the wagons. He glanced at her uneasily. &ldquo;What's
+ he been a-sayin' ter you?&rdquo;
+ </p>
+ <p>
+ &ldquo;He says I can't ride any more.&rdquo; Her lips closed tightly. She stared
+ straight ahead of her. &ldquo;He says I was no good to the people that took me
+ in, and I'm no use here.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's not so!&rdquo; thundered Jim.
+ </p>
+ <p>
+ &ldquo;No; it's not!&rdquo; she cried. &ldquo;I'll show him, Jim! I'll show him&mdash;to-morrow!&rdquo;
+ She turned toward the dressing tent; Jim caught her firmly by the wrist.
+ </p>
+ <p>
+ &ldquo;Wait, Poll! You ain't ever goin' into the ring a-feelin' THAT WAY.&rdquo; Her
+ eyes met his, defiantly.
+ </p>
+ <p>
+ &ldquo;What's the difference? What's the difference?&rdquo; She wrenched her wrist
+ quickly from him, and ran into the dressing tent laughing hysterically.
+ </p>
+ <p>
+ &ldquo;And I brung her back to it,&rdquo; mumbled Jim as he turned to give orders to
+ the property men.
+ </p>
+ <p>
+ Most of the &ldquo;first-half props&rdquo; were loaded, and some of the men were
+ asleep under the wagons. The lot was clear. Suddenly he felt some one
+ approaching from the back of the enclosure. He turned and found himself
+ face to face with the stern, solitary figure of the pastor, wrapped in his
+ long, black cloak. The moonlight slipped through a rift in the clouds, and
+ fell in a circle around them.
+ </p>
+ <p>
+ &ldquo;What made you come here?&rdquo; was all Jim said.
+ </p>
+ <p>
+ &ldquo;I heard that Miss Polly didn't ride to-day. I was afraid she might be
+ ill.&rdquo;
+ </p>
+ <p>
+ &ldquo;What's that to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;She ISN'T ill?&rdquo; Douglas demanded anxiously, oblivious to the gruffness in
+ the big fellow's voice.
+ </p>
+ <p>
+ &ldquo;She's all right,&rdquo; Jim answered shortly as he shifted uneasily from one
+ foot to the other, and avoided the pastor's burning gaze.
+ </p>
+ <p>
+ &ldquo;And she's happy? she's content?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sure.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm glad,&rdquo; said Douglas, dully. He tried to think of some way to prolong
+ their talk. &ldquo;I've never heard from her, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Us folks don't get much time to write.&rdquo; Jim turned away and began
+ tinkering with one of the wagons.
+ </p>
+ <p>
+ Douglas had walked up and down in front of the tents again and again,
+ fighting against a desire to do the very thing that he was doing, but to
+ no purpose, and now that he was here, it seemed impossible that he should
+ go away so unsatisfied. He crossed to Jim and came determinedly to the
+ point.
+ </p>
+ <p>
+ &ldquo;Can't I see her, Jim?&rdquo;
+ </p>
+ <p>
+ &ldquo;It's agin the rules.&rdquo; He did not turn.
+ </p>
+ <p>
+ There was another pause, then Douglas started slowly out of the lot.
+ </p>
+ <p>
+ &ldquo;Wait a minute,&rdquo; called Jim, as though the words had been wrung from him.
+ The pastor came back with a question in his eyes.
+ </p>
+ <p>
+ &ldquo;I lied to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;She's NOT well, then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, she's well enough. It ain't that; it's about her being happy.&rdquo;
+ </p>
+ <p>
+ &ldquo;She isn't?&rdquo; There was a note of unconscious exultation in his voice.
+ </p>
+ <p>
+ &ldquo;No. She AIN'T happy here, and she WAS happy WITH YOU.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, why did she leave me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know. She wasn't goin' ter do it at first. Somethin' must
+ a-happened afterwards, somethin' that you an' me didn't know about.&rdquo;
+ </p>
+ <p>
+ &ldquo;We WILL know about it, Jim. Where is she?&rdquo; His quick eye searched the
+ lot. His voice had regained it's old command. He felt that he could
+ conquer worlds.
+ </p>
+ <p>
+ &ldquo;You can't do no good that way,&rdquo; answered Jim. &ldquo;She don't want ter see you
+ again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know, but she told me she'd run away if I ever even talked to you
+ about her.&rdquo;
+ </p>
+ <p>
+ &ldquo;You needn't talk, Jim; I'll talk for myself. Where is she?&rdquo;
+ </p>
+ <p>
+ &ldquo;She'll be comin' out soon. You can wait around out here with me. I'll let
+ you know in time.&rdquo; He led the way through a narrow passage between the
+ wagons.
+ </p>
+ <p>
+ Jim and Douglas had barely left the lot when Deacon Elverson's small,
+ round head slipped cautiously around the corner of the dressing tent. The
+ little deacon glanced exultantly about him. He was monarch of all he
+ surveyed. It was very thrilling to stand here, on this forbidden ground,
+ smelling the saw-dust, gazing at the big red wagons, studying the
+ unprotected circus properties, and listening to the lightening tempo of
+ the band.
+ </p>
+ <p>
+ &ldquo;Did you see him?&rdquo; shouted Strong, who had followed closely upon
+ Elverson's heels.
+ </p>
+ <p>
+ The little deacon started. Strong was certainly a disturbing factor at
+ times.
+ </p>
+ <p>
+ &ldquo;Yes, I&mdash;I saw him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;He&mdash;he&mdash;didn't see HER.&rdquo;
+ </p>
+ <p>
+ &ldquo;What DID he do?&rdquo; Strong was beside himself with impatience.
+ </p>
+ <p>
+ &ldquo;He&mdash;he just talked to the big 'un, and went out that way.&rdquo; Elverson
+ nodded toward the wagons.
+ </p>
+ <p>
+ &ldquo;I guess he ain't gone far,&rdquo; sneered Strong. &ldquo;He come over to this lot to
+ see her, and he ain't goin' ter give up till he does it. You wait here;
+ I'll take a look round.&rdquo; He went quickly in the direction of the wagons.
+ </p>
+ <p>
+ Elverson needed no second invitation to wait. He was congratulating
+ himself upon his good fortune, when he all but collided with a flying
+ apparition, vanishing in the direction of the main tent. Sophisticated
+ eyes would have seen only a rather stout acrobat clad in pink tights; but
+ Elverson was not sophisticated, and he teetered after the flitting angel,
+ even unto the forbidden portals of the &ldquo;big top.&rdquo;
+ </p>
+ <p>
+ He was peeping through the curtains which had fallen behind her, and was
+ getting his first glimpse of the great, sawdust world beyond, when one of
+ the clowns dashed from the dressing tent on his way to the ring.
+ </p>
+ <p>
+ The clown was late. He saw the limp coat tails of the deacon, who was
+ three-quarters in the tent. Here was a chance to make a funny entrance. He
+ grabbed the unsuspecting little man from the rear. The terrified deacon
+ struck out blindly in all directions, his black arms and legs moving like
+ centipede, but the clown held him firmly by the back and thrust him, head
+ foremost, into the tent.
+ </p>
+ <p>
+ Strong returned almost immediately from his unsuccessful search for the
+ pastor. He looked about the lot for Elverson.
+ </p>
+ <p>
+ &ldquo;Hey, there, Elverson!&rdquo; he called lustily. There was no response.
+ </p>
+ <p>
+ &ldquo;Now where's he got to,&rdquo; grumbled Strong. He disappeared quickly around
+ the corner of the dressing tent, resolved to keep a sharp lookout for
+ Douglas.
+ </p>
+ <p>
+ Elverson was thrust from the tent soon after, spitting sawdust and much
+ discomfited by the laughing performers who followed him. His knees almost
+ gave way beneath him when Barker came out of the ring, snapping his long,
+ black whip.
+ </p>
+ <p>
+ &ldquo;Get out of here, you bloke!&rdquo; roared Barker. And Elverson &ldquo;got.&rdquo;
+ </p>
+ <p>
+ No one had remembered to tell the groom that Polly was not to ride
+ to-night. So Bingo was brought out as usual, when their &ldquo;turn&rdquo; approached.
+ </p>
+ <p>
+ &ldquo;Take him back, Tom,&rdquo; Polly called from the entrance, when she learned
+ that Bingo was waiting, &ldquo;and bring Barbarian. I'm not going on to-night.
+ Eloise is going to ride in my place.&rdquo;
+ </p>
+ <p>
+ This was the second time to-day that Bingo had been led away without going
+ into the ring. Something in his big, wondering eyes made Polly follow him
+ and apologise. He was very proud, was Bingo, and very conscientious. He
+ felt uneasy when he saw the other horses going to their work without him.
+ </p>
+ <p>
+ &ldquo;Never mind, Bingo,&rdquo; she said, patting his great, arched neck, &ldquo;we'll show
+ 'em to-morrow.&rdquo; He rubbed his satiny nose against her cheek. &ldquo;We'll make
+ them SIT UP again. Barker says our act's no good&mdash;that I've let down.
+ But it's not YOUR fault, Bingo. I've not been fair to you. I'll give you a
+ chance to-morrow. You wait. He'll never say it again, Bingo! Never again!&rdquo;
+ She watched him go out of the lot, and laughed a little as he nipped the
+ attendant on the arm. He was still irritated at not going into the ring.
+ </p>
+ <p>
+ Polly had nothing more to do to-night except to get into her street
+ clothes. The wagons would soon be moving away. For a moment she glanced at
+ the dark church steeple, then she turned to go inside the tent. A deep,
+ familiar voice stopped her.
+ </p>
+ <p>
+ &ldquo;Polly!&rdquo;
+ </p>
+ <p>
+ She turned quickly. She could not answer. Douglas came toward her. He
+ gazed at her in amazement. She drew her cape about her slightly clad
+ figure. She seemed older to him, more unapproachable with her hair heaped
+ high and sparkling with jewels. Her bodice of satin and lace shimmered
+ through the opening of her cape. The moonlight lent mystery and indecision
+ to her betinselled attire. The band was playing the andante for the
+ balancing act.
+ </p>
+ <p>
+ She found strength at last to open her lips, but still no sound came from
+ them. She and the pastor looked at each other strangely, like spirits
+ newly met from far-apart worlds. She, too, thought her companion changed.
+ He was older, the circles beneath his eyes were deeper, the look in their
+ depths more grave.
+ </p>
+ <p>
+ &ldquo;We were such close neighbours to-day, I&mdash;I rather thought you'd
+ call,&rdquo; he stammered. He was uncertain what he was saying&mdash;it did not
+ matter&mdash;he was there with her.
+ </p>
+ <p>
+ &ldquo;When you're in a circus there isn't much time for calling.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's why I've come to call on you.&rdquo; They might have been sheppherd and
+ sheppherdess on a May-day wooing, for the halting way in which their words
+ came.
+ </p>
+ <p>
+ &ldquo;You're all right?&rdquo; he went on. &ldquo;You're happy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, very,&rdquo; she said. Her eyes were downcast.
+ </p>
+ <p>
+ He did not believe her, the effort in her voice, her drawn, white face
+ belied her words. How COULD he get the truth from her?
+ </p>
+ <p>
+ &ldquo;Jim said you might not want to see me.&rdquo;
+ </p>
+ <p>
+ She started.
+ </p>
+ <p>
+ &ldquo;Has Jim been talking to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but I didn't let him stop me, for you told me the day you left that
+ you'd never change&mdash;toward me. Have you, Poll?&rdquo; He studied her,
+ anxiously.
+ </p>
+ <p>
+ &ldquo;Why, no, of course not,&rdquo; she said, evasively.
+ </p>
+ <p>
+ &ldquo;And you'll be quite frank when I ask you something?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, of course.&rdquo; She was growing more and more uneasy. She glanced about
+ for a way of escape.
+ </p>
+ <p>
+ &ldquo;Why did you leave me as you did?&rdquo;
+ </p>
+ <p>
+ &ldquo;I told you then.&rdquo; She tried to cross toward the dressing tent.
+ </p>
+ <p>
+ He stepped quickly in front of her.
+ </p>
+ <p>
+ &ldquo;You aren't answering FRANKLY, and you aren't happy.&rdquo;
+ </p>
+ <p>
+ She was growing desperate. She felt she must get away, anywhere, anywhere.
+ </p>
+ <p>
+ He seized her small wrists and forced her to look at him.
+ </p>
+ <p>
+ &ldquo;And <i>I</i> am not happy without YOU, and I never, NEVER can be.&rdquo; The
+ floodgates were open, his eyes were aglow, he bent toward her eagerly.
+ </p>
+ <p>
+ &ldquo;Oh, you mustn't,&rdquo; she begged. &ldquo;You MUSTN'T.&rdquo;
+ </p>
+ <p>
+ &ldquo;You've grown so close,&rdquo; he cried. &ldquo;So close!&rdquo; She struggled to be free.
+ He did not heed her. &ldquo;You know&mdash;you must know what I mean.&rdquo; He drew
+ her toward him and forced her into his arms. &ldquo;You're more precious to me
+ than all else on this earth.&rdquo;
+ </p>
+ <p>
+ For the first time he saw the extreme pallor on her face. He felt her
+ growing limp and lifeless in his arms. A doubt crossed his mind. &ldquo;If I am
+ wrong in thinking you feel as I do, if you honestly care for all this,&rdquo; he
+ glanced about at the tents, &ldquo;more than for any life that I can give you, I
+ shan't interfere. You'll be going on your way in an hour. I'll say
+ good-bye and God bless you; but if you do care for me, Polly,&rdquo; he was
+ pleading now, &ldquo;if you're NOT happy here&mdash;won't you come back to me?
+ Won't you, Polly?&rdquo;
+ </p>
+ <p>
+ She dared not meet his eyes, nor yet to send him away. She stood
+ irresolute. The voice of Deacon Strong answered for her.
+ </p>
+ <p>
+ &ldquo;So! You're HERE, are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Deacon Strong, I'm here,&rdquo; answered the pastor, as he turned to meet
+ the accusing eyes of the deacon, who had come quickly from behind the
+ dressing tent.
+ </p>
+ <p>
+ &ldquo;As for you, miss,&rdquo; continued Strong, with an insolent nod toward Polly,
+ &ldquo;I might have known how you'd keep your part of the bargain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bargain?&rdquo; echoed Douglas. &ldquo;What bargain?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, please, Deacon Strong, please. I didn't mean to see him, I didn't,
+ truly.&rdquo; She hardly knew what she was saying.
+ </p>
+ <p>
+ &ldquo;What bargain?&rdquo; demanded Douglas sternly.
+ </p>
+ <p>
+ &ldquo;She told me that you and her wasn't ever goin' ter see each other agin,&rdquo;
+ roared Strong. &ldquo;If I'd a-knowed she was goin' to keep on with this kind o'
+ thing, you wouldn't er got off so easy.&rdquo;
+ </p>
+ <p>
+ &ldquo;So! That's it!&rdquo; cried Douglas. It was all clear to him now. He recalled
+ everything, her hysterical behaviour, her laughter, her tears. &ldquo;It was you
+ who drove that child back to this.&rdquo; He glanced at Polly. The narrow
+ shoulders were bent forward. The nervous little fingers were clasping and
+ unclasping each other. Never before had she seemed so small and helpless.
+ </p>
+ <p>
+ &ldquo;Oh, please, Mr. John, please! Don't make him any worse!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why didn't you tell me?&rdquo; he demanded.
+ </p>
+ <p>
+ &ldquo;It would have done no good,&rdquo; she sobbed. &ldquo;Oh, why&mdash;why won't you
+ leave me alone?&rdquo;
+ </p>
+ <p>
+ &ldquo;It would have done all the good in the world. What right had he to send
+ you back to this?&rdquo;
+ </p>
+ <p>
+ &ldquo;I had every right,&rdquo; said Strong, stubbornly.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; cried Douglas.
+ </p>
+ <p>
+ &ldquo;It was my duty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your duty? Your narrow-minded bigotry!&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't allow no man to talk to me like that, not even my parson.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm NOT your parson any longer,&rdquo; declared Douglas. He faced Strong
+ squarely. He was master of his own affairs at last. Polly clung to him,
+ begging and beseeching.
+ </p>
+ <p>
+ &ldquo;Oh, Mr. John! Mr. John!&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean by that?&rdquo; shouted Strong.
+ </p>
+ <p>
+ &ldquo;I mean that I stayed with you and your narrow-minded congregation before,
+ because I believed you needed me. But now this girl needs me more. She
+ needs me to protect her from just such injustice as yours.&rdquo;
+ </p>
+ <p>
+ &ldquo;You'd better be protectin' YOURSELF. That's my advice to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can do that WITHOUT your advice.&rdquo;
+ </p>
+ <p>
+ &ldquo;Maybe you can find another church with that circus ridin' girl a-hangin'
+ 'round your neck.&rdquo;
+ </p>
+ <p>
+ &ldquo;He's right,&rdquo; cried Polly. &ldquo;You couldn't.&rdquo; She clung to the pastor in
+ terrified entreaty. &ldquo;You COULDN'T get another church. They'd never, never
+ forgive you. It's no use. You've got to let me go! you've GOT to!&rdquo;
+ </p>
+ <p>
+ &ldquo;Listen, Polly.&rdquo; He drew her toward him. &ldquo;God is greater than any church
+ or creed. There's work to be done EVERYWHERE&mdash;HIS work.&rdquo;
+ </p>
+ <p>
+ &ldquo;You'll soon find out about that,&rdquo; thundered Strong.
+ </p>
+ <p>
+ &ldquo;So I will,&rdquo; answered Douglas, with his head thrown high. &ldquo;This child has
+ opened a new world to me; she has shown me a broader, deeper humanity; she
+ and I will find the way together.&rdquo;
+ </p>
+ <p>
+ &ldquo;It won't be an easy one, I'll promise you that.&rdquo; Strong turned to go.
+ </p>
+ <p>
+ &ldquo;I'm not looking for the easy way!&rdquo; Douglas called after him, then he
+ turned to draw Polly's arm within his; but Polly had slipped from his side
+ to follow the deacon.
+ </p>
+ <p>
+ &ldquo;Oh, please, Deacon Strong, please!&rdquo; she pleaded. &ldquo;You won't go away like
+ that. He'll be all right if you'll only wait. I'm NOT coming back. I'm not&mdash;honestly.
+ I'm going on with the show, to-night, and I'm going this time FOREVER.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are going to stay here with me,&rdquo; cried Douglas.
+ </p>
+ <p>
+ &ldquo;No, no, Mr. John. I've made up my mind, and I won't be to blame for your
+ unhappiness.&rdquo; She faced him firmly now. &ldquo;I don't belong to your world, and
+ I don't want to try any more. I'm what he called me&mdash;I'm a circus
+ riding girl. I was born in the circus, and I'll never change. That's my
+ work&mdash;riding, and it's yours to preach. You must do your work, and
+ I'LL do MINE.&rdquo;
+ </p>
+ <p>
+ She started toward the ring. Eloise and Barbarian were already waiting at
+ the entrance.
+ </p>
+ <p>
+ &ldquo;Eloise!&rdquo; She took one step toward her, then stopped at the sound of
+ Barker's voice.
+ </p>
+ <p>
+ &ldquo;Ladies and gentlemen,&rdquo; he called. &ldquo;Although we are obliged to announce
+ that our star rider, Miss Polly, will not appear to-night, we offer you in
+ her place an able substitute, Mademoiselle Eloise, on her black, untamed
+ horse, Barbarian.&rdquo;
+ </p>
+ <p>
+ Eloise put her hands on the horse's back to mount.
+ </p>
+ <p>
+ &ldquo;No! No!&rdquo; cried Polly.
+ </p>
+ <p>
+ The other girl turned in astonishment at the agony in her voice.
+ </p>
+ <p>
+ &ldquo;Polly!&rdquo;
+ </p>
+ <p>
+ &ldquo;Wait, Eloise! I'M going to ride!&rdquo;
+ </p>
+ <p>
+ &ldquo;You can't, not Barbarian! He don't know your turn.&rdquo;
+ </p>
+ <p>
+ &ldquo;So much the better!&rdquo; She seized the bridle from the frightened girl's
+ hand.
+ </p>
+ <p>
+ &ldquo;Polly!&rdquo; shouted Douglas. He had followed her to the entrance.
+ </p>
+ <p>
+ &ldquo;I must! I will!&rdquo;
+ </p>
+ <p>
+ She flew into the ring before he could stop her. He took one step to
+ follow her.
+ </p>
+ <p>
+ &ldquo;You'd better let her alone and get out o' here,&rdquo; said Strong. His voice
+ was like a firebrand to Douglas. He turned upon him, white with rage.
+ </p>
+ <p>
+ &ldquo;You drove her to this.&rdquo; His fists were clenched. He drew back to strike.
+ </p>
+ <p>
+ Jim came from behind the wagons just in time to catch the uplifted arm.
+ </p>
+ <p>
+ &ldquo;Leave HIM to ME, this ain't no parson's job.&rdquo; The pastor lowered his arm,
+ but kept his threatening eyes on the deacon's face.
+ </p>
+ <p>
+ &ldquo;Where's Poll?&rdquo; asked Jim.
+ </p>
+ <p>
+ &ldquo;In there! Douglas pointed toward the main tent without turning his head.
+ He was still glaring at the deacon, and breathing hard.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; cried Jim, in alarm. He faced about and saw Eloise. He guessed the
+ truth. A few quick strides brought him to the entrance curtains. He threw
+ them back and looked into the ring.
+ </p>
+ <p>
+ &ldquo;My God! Why don't Barker stop her?&rdquo;
+ </p>
+ <p>
+ &ldquo;What is it?&rdquo; called Douglas. He forgot the deacon in his terror at Jim's
+ behaviour, and Strong was able to slip away, unnoticed.
+ </p>
+ <p>
+ &ldquo;She's goin' ter ride! She's goin' ter ride Barbarian!&rdquo;
+ </p>
+ <p>
+ Douglas crossed to his side and looked.
+ </p>
+ <p>
+ Polly was springing onto the back of Barbarian. He was a poorly trained
+ horse, used by the other girl for more showy, but less dangerous feats
+ than Polly's.
+ </p>
+ <p>
+ &ldquo;She's goin' through her regular turn with him, she's tryin' ter break her
+ neck,&rdquo; said Jim. &ldquo;She wants ter do it. It's your fault!&rdquo; he cried, turning
+ upon Douglas with bloodshot eyes. He was half insane, he cared little whom
+ he wounded.
+ </p>
+ <p>
+ &ldquo;Why can't we stop her?&rdquo; cried Douglas, unable to endure the strain. He
+ took one step inside the entrance.
+ </p>
+ <p>
+ &ldquo;No, no; not that!&rdquo; Jim dragged him back roughly. &ldquo;If she sees you now, it
+ will be the end.&rdquo; They watched in silence. &ldquo;She's over the first part,&rdquo;
+ Jim whispered, at last.
+ </p>
+ <p>
+ Douglas drew back, his muscles tense, as he watched the scene inside the
+ ring. Eloise stood at the pastor's side, horror-stricken at Polly's
+ reckless behaviour. She knew Barbarian. It was easy to guess the end.
+ </p>
+ <p>
+ &ldquo;She's comin' to the hoops,&rdquo; Jim whispered, hoarsely.
+ </p>
+ <p>
+ &ldquo;Barbarian don't know that part, I never trained him,&rdquo; the other girl
+ said.
+ </p>
+ <p>
+ Polly made the first leap toward the hoops. The horse was not at fault; it
+ was Polly. She plunged wildly, the audience started. She caught her
+ footing with an effort. One, two, three hoops were passed. She threw
+ herself across the back of the horse and hung, head downward, as he
+ galloped around the ring. The band was playing loudly, the people were
+ cheering. She rose to meet the last two hoops.
+ </p>
+ <p>
+ &ldquo;She's swayin',&rdquo; Jim shrieked in agony. &ldquo;She's goin' to fall.&rdquo; He covered
+ his face with his hands.
+ </p>
+ <p>
+ Polly reeled and fell at the horse's side. She mounted and fell again. She
+ rose and staggered in pursuit.
+ </p>
+ <p>
+ &ldquo;I can't bear it,&rdquo; groaned Douglas. He rushed into the ring, unconscious
+ of the thousands of eyes bent upon his black, ministerial garb, and caught
+ the slip of a girl in his arms just as she was about to sink fainting
+ beneath the horse's hoofs.
+ </p>
+ <p>
+ Barker brought the performance to a halt with a crack of his whip. The
+ audience stood on tiptoe. White-faced clowns and gaily attired acrobats
+ crowded around Polly and the pastor.
+ </p>
+ <p>
+ Douglas did not see them. He had come into his own.
+ </p>
+ <p>
+ &ldquo;He's bringin' her out,&rdquo; whispered Eloise, who still watched at the
+ entrance. Jim dared not look up, his head was still in his hands.
+ </p>
+ <p>
+ &ldquo;Is it over?&rdquo; he groaned.
+ </p>
+ <p>
+ &ldquo;I don't know. I can't tell yet.&rdquo; She stepped aside as Douglas came out of
+ the tent, followed by a swarm of performers. He knelt on the soft grass
+ and rested Polly's head upon his knee. The others pressed about them. It
+ seemed to Douglas that he waited hours; then her white lids quivered and
+ opened and the colour crept back to her lips.
+ </p>
+ <p>
+ &ldquo;It's all right, Jim!&rdquo; called one of the men from the crowd. &ldquo;She's only
+ fainted.&rdquo; The big fellow had waited in his tracks for the verdict.
+ </p>
+ <p>
+ Polly's eyes looked up into those of the parson&mdash;a thrill shot
+ through his veins.
+ </p>
+ <p>
+ &ldquo;It was no use, was it?&rdquo; She shook her head with a sad little smile. He
+ knew that she was thinking of her failure to get out of his way.
+ </p>
+ <p>
+ &ldquo;That's because I need you so much, Polly, that God won't let you go away
+ from me.&rdquo; He drew her nearer to him, and the warm blood that shot to her
+ cheeks brought back her strength. She rose unsteadily, and looked about
+ her. Jim came toward her, white and trembling.
+ </p>
+ <p>
+ &ldquo;All right, Poll?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Muvver Jim!&rdquo; She threw herself into his arms and clung to him,
+ sobbing weakly.
+ </p>
+ <p>
+ No one could ever remember just how the audience left the big top that
+ night, and even Barker had no clear idea of how Jim took down the tents,
+ loaded the great wagons, and sent the caravan on its way.
+ </p>
+ <p>
+ When the last wagon was beginning to climb the long, winding road of the
+ moon-lit hill, Jim turned to Polly, who stood near the side of the
+ deserted ring. His eyes travelled from her to the parson, who waited near
+ her. She was in her street clothes now, the little brown Quakerish dress
+ which she had chosen to wear so much since her return from the parsonage.
+ </p>
+ <p>
+ &ldquo;I guess I won't be makin' no mistake this time,&rdquo; he said, and he placed
+ her hand in that of the parson.
+ </p>
+ <p>
+ &ldquo;Good-bye, Muvver Jim,&rdquo; faltered Polly.
+ </p>
+ <p>
+ He stooped and touched her forehead with his lips. A mother's spirit
+ breathed through his kiss.
+ </p>
+ <p>
+ &ldquo;I'm glad it's like this,&rdquo; he said, then turned away and followed the
+ long, dotted line of winding lights disappearing slowly over the hill.
+ </p>
+ <p>
+ Her eyes travelled after him.
+ </p>
+ <p>
+ Douglas touched the cold, little hand at her side.
+ </p>
+ <p>
+ &ldquo;I belong with them,&rdquo; she said, still gazing after Jim and the wagons.
+ </p>
+ <p>
+ &ldquo;You belong with me,&rdquo; he answered in a firm, grave voice, and something in
+ the deep, sure tones told her that he was speaking the truth. She lifted
+ one trembling hand to his shoulder, and looked up into his face.
+ </p>
+ <p>
+ &ldquo;Whither thou goest, will I go, where thou diest, will I die.&rdquo;
+ </p>
+ <p>
+ He drew her into his arms.
+ </p>
+ <p>
+ &ldquo;The Lord do so to me and more also, if aught but death part thee and me.&rdquo;
+ </p>
+ <p>
+ THE END <br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
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+</pre>
+ </body>
+</html>