diff options
Diffstat (limited to '8528.txt')
| -rw-r--r-- | 8528.txt | 670 |
1 files changed, 670 insertions, 0 deletions
diff --git a/8528.txt b/8528.txt new file mode 100644 index 0000000..3aaa3c2 --- /dev/null +++ b/8528.txt @@ -0,0 +1,670 @@ +Project Gutenberg's Eve's Diary, Part 3, by Mark Twain (Samuel Clemens) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Eve's Diary, Part 3 + +Author: Mark Twain (Samuel Clemens) + +Release Date: June 14, 2004 [EBook #8528] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK EVE'S DIARY, PART 3 *** + + + + +Produced by David Widger and Cindy Rosenthal + + + + + +EVE'S DIARY + + +By Mark Twain + + +Illustrated by Lester Ralph + + + + +Translated from the Original + + + +Part 3. + + + + EXTRACT FROM ADAM'S DIARY + + +Perhaps I ought to remember that she is very young, a mere girl and make +allowances. She is all interest, eagerness, vivacity, the world is to +her a charm, a wonder, a mystery, a joy; she can't speak for delight +when she finds a new flower, she must pet it and caress it and smell it +and talk to it, and pour out endearing names upon it. And she is +color-mad: brown rocks, yellow sand, gray moss, green foliage, blue sky; +the pearl of the dawn, the purple shadows on the mountains, the golden +islands floating in crimson seas at sunset, the pallid moon sailing +through the shredded cloud-rack, the star-jewels glittering in the +wastes of space--none of them is of any practical value, so far as I can +see, but because they have color and majesty, that is enough for her, +and she loses her mind over them. If she could quiet down and keep still +a couple minutes at a time, it would be a reposeful spectacle. In that +case I think I could enjoy looking at her; indeed I am sure I could, for +I am coming to realize that she is a quite remarkably comely creature +--lithe, slender, trim, rounded, shapely, nimble, graceful; and once +when she was standing marble-white and sun-drenched on a boulder, with +her young head tilted back and her hand shading her eyes, watching the +flight of a bird in the sky, I recognized that she was beautiful. + + + +MONDAY NOON.--If there is anything on the planet that she is not +interested in it is not in my list. There are animals that I am +indifferent to, but it is not so with her. She has no discrimination, +she takes to all of them, she thinks they are all treasures, every new +one is welcome. + +When the mighty brontosaurus came striding into camp, she regarded it as +an acquisition, I considered it a calamity; that is a good sample of the +lack of harmony that prevails in our views of things. She wanted to +domesticate it, I wanted to make it a present of the homestead and move +out. She believed it could be tamed by kind treatment and would be a +good pet; I said a pet twenty-one feet high and eighty-four feet long +would be no proper thing to have about the place, because, even with the +best intentions and without meaning any harm, it could sit down on the +house and mash it, for any one could see by the look of its eye that it +was absent-minded. + +Still, her heart was set upon having that monster, and she couldn't give +it up. She thought we could start a dairy with it, and wanted me to +help milk it; but I wouldn't; it was too risky. The sex wasn't right, +and we hadn't any ladder anyway. Then she wanted to ride it, and look +at the scenery. Thirty or forty feet of its tail was lying on the +ground, like a fallen tree, and she thought she could climb it, but she +was mistaken; when she got to the steep place it was too slick and down +she came, and would have hurt herself but for me. + +Was she satisfied now? No. Nothing ever satisfies her but +demonstration; untested theories are not in her line, and she won't have +them. It is the right spirit, I concede it; it attracts me; I feel the +influence of it; if I were with her more I think I should take it up +myself. Well, she had one theory remaining about this colossus: she +thought that if we could tame it and make him friendly we could stand in +the river and use him for a bridge. It turned out that he was already +plenty tame enough--at least as far as she was concerned--so she tried +her theory, but it failed: every time she got him properly placed in +the river and went ashore to cross over him, he came out and followed +her around like a pet mountain. Like the other animals. They all do +that. + + + +Tuesday--Wednesday--Thursday--and today: all without seeing him. It is +a long time to be alone; still, it is better to be alone than unwelcome. + + + +FRIDAY--I HAD to have company--I was made for it, I think--so I made +friends with the animals. They are just charming, and they have the +kindest disposition and the politest ways; they never look sour, they +never let you feel that you are intruding, they smile at you and wag +their tail, if they've got one, and they are always ready for a romp or +an excursion or anything you want to propose. I think they are perfect +gentlemen. All these days we have had such good times, and it hasn't +been lonesome for me, ever. + +Lonesome! No, I should say not. Why, there's always a swarm of them +around--sometimes as much as four or five acres--you can't count them; +and when you stand on a rock in the midst and look out over the furry +expanse it is so mottled and splashed and gay with color and frisking +sheen and sun-flash, and so rippled with stripes, that you might think +it was a lake, only you know it isn't; and there's storms of sociable +birds, and hurricanes of whirring wings; and when the sun strikes all +that feathery commotion, you have a blazing up of all the colors you can +think of, enough to put your eyes out. + +We have made long excursions, and I have seen a great deal of the world; +almost all of it, I think; and so I am the first traveler, and the only +one. When we are on the march, it is an imposing sight--there's nothing +like it anywhere. For comfort I ride a tiger or a leopard, because it +is soft and has a round back that fits me, and because they are such +pretty animals; but for long distance or for scenery I ride the +elephant. He hoists me up with his trunk, but I can get off myself; +when we are ready to camp, he sits and I slide down the back way. + +The birds and animals are all friendly to each other, and there are no +disputes about anything. They all talk, and they all talk to me, but it +must be a foreign language, for I cannot make out a word they say; yet +they often understand me when I talk back, particularly the dog and the +elephant. It makes me ashamed. It shows that they are brighter than I +am, for I want to be the principal Experiment myself--and I intend to +be, too. + +I have learned a number of things, and am educated, now, but I wasn't at +first. I was ignorant at first. At first it used to vex me because, +with all my watching, I was never smart enough to be around when the +water was running uphill; but now I do not mind it. I have experimented +and experimented until now I know it never does run uphill, except in +the dark. I know it does in the dark, because the pool never goes dry, +which it would, of course, if the water didn't come back in the night. +It is best to prove things by actual experiment; then you KNOW; whereas +if you depend on guessing and supposing and conjecturing, you never get +educated. + +Some things you CAN'T find out; but you will never know you can't by +guessing and supposing: no, you have to be patient and go on +experimenting until you find out that you can't find out. And it is +delightful to have it that way, it makes the world so interesting. If +there wasn't anything to find out, it would be dull. Even trying to +find out and not finding out is just as interesting as trying to find +out and finding out, and I don't know but more so. The secret of the +water was a treasure until I GOT it; then the excitement all went away, +and I recognized a sense of loss. + +By experiment I know that wood swims, and dry leaves, and feathers, and +plenty of other things; therefore by all that cumulative evidence you +know that a rock will swim; but you have to put up with simply knowing +it, for there isn't any way to prove it--up to now. But I shall find a +way--then THAT excitement will go. Such things make me sad; because by +and by when I have found out everything there won't be any more +excitements, and I do love excitements so! The other night I couldn't +sleep for thinking about it. + +At first I couldn't make out what I was made for, but now I think it was +to search out the secrets of this wonderful world and be happy and thank +the Giver of it all for devising it. I think there are many things to +learn yet--I hope so; and by economizing and not hurrying too fast I +think they will last weeks and weeks. I hope so. When you cast up a +feather it sails away on the air and goes out of sight; then you throw +up a clod and it doesn't. It comes down, every time. I have tried it and +tried it, and it is always so. I wonder why it is? Of course it +DOESN'T come down, but why should it SEEM to? I suppose it is an optical +illusion. I mean, one of them is. I don't know which one. It may be +the feather, it may be the clod; I can't prove which it is, I can only +demonstrate that one or the other is a fake, and let a person take his +choice. + +By watching, I know that the stars are not going to last. I have seen +some of the best ones melt and run down the sky. Since one can melt, +they can all melt; since they can all melt, they can all melt the same +night. That sorrow will come--I know it. I mean to sit up every night +and look at them as long as I can keep awake; and I will impress those +sparkling fields on my memory, so that by and by when they are taken +away I can by my fancy restore those lovely myriads to the black sky and +make them sparkle again, and double them by the blur of my tears. + + + +After the Fall + +When I look back, the Garden is a dream to me. It was beautiful, +surpassingly beautiful, enchantingly beautiful; and now it is lost, and +I shall not see it any more. + +The Garden is lost, but I have found HIM, and am content. He loves me as +well as he can; I love him with all the strength of my passionate +nature, and this, I think, is proper to my youth and sex. If I ask +myself why I love him, I find I do not know, and do not really much care +to know; so I suppose that this kind of love is not a product of +reasoning and statistics, like one's love for other reptiles and +animals. I think that this must be so. I love certain birds because of +their song; but I do not love Adam on account of his singing--no, it is +not that; the more he sings the more I do not get reconciled to it. Yet +I ask him to sing, because I wish to learn to like everything he is +interested in. I am sure I can learn, because at first I could not stand +it, but now I can. It sours the milk, but it doesn't matter; I can get +used to that kind of milk. + +It is not on account of his brightness that I love him--no, it is not +that. He is not to blame for his brightness, such as it is, for he did +not make it himself; he is as God make him, and that is sufficient. +There was a wise purpose in it, THAT I know. In time it will develop, +though I think it will not be sudden; and besides, there is no hurry; he +is well enough just as he is. + +It is not on account of his gracious and considerate ways and his +delicacy that I love him. No, he has lacks in this regard, but he is +well enough just so, and is improving. + +It is not on account of his industry that I love him--no, it is not +that. I think he has it in him, and I do not know why he conceals it +from me. It is my only pain. Otherwise he is frank and open with me, +now. I am sure he keeps nothing from me but this. It grieves me that he +should have a secret from me, and sometimes it spoils my sleep, thinking +of it, but I will put it out of my mind; it shall not trouble my +happiness, which is otherwise full to overflowing. + +It is not on account of his education that I love him--no, it is not +that. He is self-educated, and does really know a multitude of things, +but they are not so. + +It is not on account of his chivalry that I love him--no, it is not +that. He told on me, but I do not blame him; it is a peculiarity of sex, +I think, and he did not make his sex. Of course I would not have told +on him, I would have perished first; but that is a peculiarity of sex, +too, and I do not take credit for it, for I did not make my sex. + +Then why is it that I love him? MERELY BECAUSE HE IS MASCULINE, I +think. + +At bottom he is good, and I love him for that, but I could love him +without it. If he should beat me and abuse me, I should go on loving +him. I know it. It is a matter of sex, I think. + +He is strong and handsome, and I love him for that, and I admire him and +am proud of him, but I could love him without those qualities. If he +were plain, I should love him; if he were a wreck, I should love him; +and I would work for him, and slave over him, and pray for him, and +watch by his bedside until I died. + +Yes, I think I love him merely because he is MINE and is MASCULINE. +There is no other reason, I suppose. And so I think it is as I first +said: that this kind of love is not a product of reasonings and +statistics. It just COMES--none knows whence--and cannot explain +itself. And doesn't need to. + +It is what I think. But I am only a girl, the first that has examined +this matter, and it may turn out that in my ignorance and inexperience I +have not got it right. + + + +Forty Years Later + +It is my prayer, it is my longing, that we may pass from this life +together--a longing which shall never perish from the earth, but shall +have place in the heart of every wife that loves, until the end of time; +and it shall be called by my name. + +But if one of us must go first, it is my prayer that it shall be I; for +he is strong, I am weak, I am not so necessary to him as he is to me +--life without him would not be life; how could I endure it? This prayer +is also immortal, and will not cease from being offered up while my race +continues. I am the first wife; and in the last wife I shall be +repeated. + + + +At Eve's Grave + +ADAM: Wheresoever she was, THERE was Eden. + + + + + + +End of Project Gutenberg's Eve's Diary, Part 3, by Mark Twain (Samuel Clemens) + +*** END OF THIS PROJECT GUTENBERG EBOOK EVE'S DIARY, PART 3 *** + +***** This file should be named 8528.txt or 8528.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/8/5/2/8528/ + +Produced by David Widger and Cindy Rosenthal + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
