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diff --git a/8527-h/8527-h.htm b/8527-h/8527-h.htm new file mode 100644 index 0000000..dc912d8 --- /dev/null +++ b/8527-h/8527-h.htm @@ -0,0 +1,779 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<title>Eve's Diary, Part 2</title> +<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"> + + +<style type="text/css"> + <!-- + body {background:#faebd7; margin:20%; text-align:justify} + P { + text-indent: 1em; + margin-top: .75em; + margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; } + HR { width: 33%; text-align: center; } + blockquote {font-size: 95% } + .figleft {float: left;} + .figright {float: right;} + .toc { margin-left: 15%; margin-bottom: 0em;} + CENTER { padding: 10px;} + // --> +</style> + +</head> +<body> + +<h2>EVE'S DIARY, Part 2, By Mark Twain</h2> +<pre> + +Project Gutenberg's Eve's Diary, Part 2, by Mark Twain (Samuel Clemens) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Eve's Diary, Part 2 + +Author: Mark Twain (Samuel Clemens) + +Release Date: June 14, 2004 [EBook #8527] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK EVE'S DIARY, PART 2 *** + + + + +Produced by David Widger and Cindy Rosenthal + + + + + +</pre> + + + + + + +<br> +<hr> +<br><br><br><br><br><br> + + + +<center> +<h1>EVE'S DIARY</h1> +<br><br> +<h2>By Mark Twain</h2> +<br><br> +<h3>Illustrated by Lester Ralph</h3> + + +<br><br> + +<h3>Part II.</h3> +<br><br><br><br> +</center> + +<center> +<img alt="cover.jpg (111K)" src="images/cover.jpg" height="954" width="638"> +<br><br><br><br> + +<img alt="front.jpg (83K)" src="images/front.jpg" height="626" width="368"> +<br><br><br><br> + +<img alt="title.jpg (43K)" src="images/title.jpg" height="753" width="481"> +<br><br><br><br> +</center> + +<br><br> +<center> +<h1>Eve's Diary</h1> +<h3>Translated from the Original</h3> +</center> + + + + + + + + +<p>SUNDAY.—It is pleasant again, now, and I am happy; but those were +heavy days; I do not think of them when I can help it.</p> + +<br><br> +<center> +<img alt="039.jpg (83K)" src="images/039.jpg" height="627" width="371"> +</center> +<br><br> + +<p>I tried to get him some of those apples, but I cannot learn to +throw straight. I failed, but I think the good intention pleased him. +They are forbidden, and he says I shall come to harm; but so I +come to harm through pleasing him, why shall I care for that harm?</p> +<br><br><br><br> + +<p>MONDAY.—This morning I told him my name, hoping it would interest him. +But he did not care for it. It is strange. If he should tell me +his name, I would care. I think it would be pleasanter in my ears +than any other sound.</p> + +<br><br> +<center> +<img alt="041.jpg (81K)" src="images/041.jpg" height="624" width="374"> +</center> +<br><br> + +<p>He talks very little. Perhaps it is because he is not bright, +and is sensitive about it and wishes to conceal it. It is +such a pity that he should feel so, for brightness is nothing; +it is in the heart that the values lie. I wish I could make him +understand that a loving good heart is riches, and riches enough, +and that without it intellect is poverty.</p> + +<p>Although he talks so little, he has quite a considerable +vocabulary. This morning he used a surprisingly good word. +He evidently recognized, himself, that it was a good one, for he +worked in in twice afterward, casually. It was good casual art, +still it showed that he possesses a certain quality of perception. +Without a doubt that seed can be made to grow, if cultivated.</p> + +<br><br> +<center> +<img alt="043.jpg (90K)" src="images/043.jpg" height="628" width="378"> +</center> +<br><br> + +<p>Where did he get that word? I do not think I have ever used it.</p> + +<p>No, he took no interest in my name. I tried to hide my disappointment, +but I suppose I did not succeed. I went away and sat on the +moss-bank with my feet in the water. It is where I go when I hunger +for companionship, some one to look at, some one to talk to. +It is not enough—that lovely white body painted there in the +pool—but it is something, and something is better than utter loneliness. +It talks when I talk; it is sad when I am sad; it comforts me with +its sympathy; it says, "Do not be downhearted, you poor friendless girl; +I will be your friend." It IS a good friend to me, and my only one; +it is my sister.</p> + +<br><br> +<center> +<img alt="045.jpg (89K)" src="images/045.jpg" height="628" width="376"> +</center> +<br><br> + +<p>That first time that she forsook me! ah, I shall never forget +that—never, never. My heart was lead in my body! I said, "She was all +I had, and now she is gone!" In my despair I said, "Break, my heart; +I cannot bear my life any more!" and hid my face in my hands, +and there was no solace for me. And when I took them away, +after a little, there she was again, white and shining and beautiful, +and I sprang into her arms!</p> + +<br><br> +<center> +<img alt="047.jpg (77K)" src="images/047.jpg" height="616" width="369"> +</center> +<br><br> + +<p>That was perfect happiness; I had known happiness before, but it was +not like this, which was ecstasy. I never doubted her afterward. +Sometimes she stayed away—maybe an hour, maybe almost the +whole day, but I waited and did not doubt; I said, "She is busy, +or she is gone on a journey, but she will come." And it was so: +she always did. At night she would not come if it was dark, for she +was a timid little thing; but if there was a moon she would come. +I am not afraid of the dark, but she is younger than I am; she was +born after I was. Many and many are the visits I have paid her; +she is my comfort and my refuge when my life is hard—and it is +mainly that.</p> +<br><br><br><br> + +<p>TUESDAY.—All the morning I was at work improving the estate; +and I purposely kept away from him in the hope that he would get +lonely and come. But he did not.</p> + +<p>At noon I stopped for the day and took my recreation by flitting all +about with the bees and the butterflies and reveling in the flowers, +those beautiful creatures that catch the smile of God out of the +sky and preserve it! I gathered them, and made them into wreaths +and garlands and clothed myself in them while I ate my +luncheon—apples, of course; then I sat in the shade and wished and waited. +But he did not come.</p> + +<br><br> +<center> +<img alt="049.jpg (92K)" src="images/049.jpg" height="621" width="372"> +</center> +<br><br> + +<p>But no matter. Nothing would have come of it, for he does not +care for flowers. He called them rubbish, and cannot tell one +from another, and thinks it is superior to feel like that. He does +not care for me, he does not care for flowers, he does not care +for the painted sky at eventide—is there anything he does care for, +except building shacks to coop himself up in from the good clean rain, +and thumping the melons, and sampling the grapes, and fingering +the fruit on the trees, to see how those properties are coming along?</p> + +<br><br> +<center> +<img alt="051.jpg (86K)" src="images/051.jpg" height="629" width="373"> +</center> +<br><br> + +<p>I laid a dry stick on the ground and tried to bore a hole in it +with another one, in order to carry out a scheme that I had, +and soon I got an awful fright. A thin, transparent bluish film +rose out of the hole, and I dropped everything and ran! I thought +it was a spirit, and I WAS so frightened! But I looked back, and it +was not coming; so I leaned against a rock and rested and panted, +and let my limbs go on trembling until they got steady again; +then I crept warily back, alert, watching, and ready to fly if there +was occasion; and when I was come near, I parted the branches +of a rose-bush and peeped through—wishing the man was about, +I was looking so cunning and pretty—but the sprite was gone. +I went there, and there was a pinch of delicate pink dust in the hole. +I put my finger in, to feel it, and said OUCH! and took it +out again. It was a cruel pain. I put my finger in my mouth; +and by standing first on one foot and then the other, and grunting, +I presently eased my misery; then I was full of interest, and began +to examine.</p> + +<br><br> +<center> +<img alt="053.jpg (75K)" src="images/053.jpg" height="616" width="369"> +</center> +<br><br> + +<p>I was curious to know what the pink dust was. Suddenly the name of it +occurred to me, though I had never heard of it before. It was FIRE! +I was as certain of it as a person could be of anything in the world. +So without hesitation I named it that—fire.</p> + +<br><br> +<center> +<img alt="055.jpg (77K)" src="images/055.jpg" height="620" width="368"> +</center> +<br><br> + +<p>I had created something that didn't exist before; I had added +a new thing to the world's uncountable properties; I realized this, +and was proud of my achievement, and was going to run and find him +and tell him about it, thinking to raise myself in his +esteem—but I reflected, and did not do it. No—he would not care for it. +He would ask what it was good for, and what could I answer? for if it +was not GOOD for something, but only beautiful, merely beautiful—</p> + +<br><br> +<center> +<img alt="057.jpg (72K)" src="images/057.jpg" height="621" width="374"> +</center> +<br><br> + +<p>So I sighed, and did not go. For it wasn't good for anything; +it could not build a shack, it could not improve melons, it could +not hurry a fruit crop; it was useless, it was a foolishness +and a vanity; he would despise it and say cutting words. +But to me it was not despicable; I said, "Oh, you fire, I love you, +you dainty pink creature, for you are BEAUTIFUL—and that is enough!" +and was going to gather it to my breast. But refrained. +Then I made another maxim out of my head, though it was so nearly +like the first one that I was afraid it was only a plagiarism: +"THE BURNT EXPERIMENT SHUNS THE FIRE."</p> + +<p>I wrought again; and when I had made a good deal of fire-dust I emptied +it into a handful of dry brown grass, intending to carry it home +and keep it always and play with it; but the wind struck it and it +sprayed up and spat out at me fiercely, and I dropped it and ran. +When I looked back the blue spirit was towering up and stretching +and rolling away like a cloud, and instantly I thought of the name +of it—SMOKE!—though, upon my word, I had never heard of smoke before.</p> + +<br><br> +<center> +<img alt="059.jpg (82K)" src="images/059.jpg" height="623" width="374"> +</center> +<br><br> + +<p>Soon brilliant yellow and red flares shot up through the smoke, +and I named them in an instant—FLAMES—and I was right, too, +though these were the very first flames that had ever been +in the world. They climbed the trees, then flashed splendidly +in and out of the vast and increasing volume of tumbling smoke, +and I had to clap my hands and laugh and dance in my rapture, +it was so new and strange and so wonderful and so beautiful!</p> + +<br><br> +<center> +<img alt="061.jpg (79K)" src="images/061.jpg" height="621" width="366"> +</center> +<br><br> + +<p>He came running, and stopped and gazed, and said not a word for +many minutes. Then he asked what it was. Ah, it was too bad that he +should ask such a direct question. I had to answer it, of course, +and I did. I said it was fire. If it annoyed him that I should know +and he must ask; that was not my fault; I had no desire to annoy him. +After a pause he asked:</p> + +<p>"How did it come?"</p> + +<p>Another direct question, and it also had to have a direct answer.</p> + +<p>"I made it."</p> + +<p>The fire was traveling farther and farther off. He went to the edge +of the burned place and stood looking down, and said:</p> + +<p>"What are these?"</p> + +<p>"Fire-coals."</p> + +<p>He picked up one to examine it, but changed his mind and put it +down again. Then he went away. NOTHING interests him.</p> + +<br><br> +<center> +<img alt="063.jpg (72K)" src="images/063.jpg" height="621" width="367"> +</center> +<br><br> + +<p>But I was interested. There were ashes, gray and soft and delicate +and pretty—I knew what they were at once. And the embers; +I knew the embers, too. I found my apples, and raked them out, +and was glad; for I am very young and my appetite is active. +But I was disappointed; they were all burst open and spoiled. +Spoiled apparently; but it was not so; they were better than raw ones. +Fire is beautiful; some day it will be useful, I think.</p> + +<br><br> +<center> +<img alt="065.jpg (82K)" src="images/065.jpg" height="606" width="374"> +</center> +<br><br> +<br><br> + +<p>FRIDAY.—I saw him again, for a moment, last Monday at nightfall, +but only for a moment. I was hoping he would praise me for trying +to improve the estate, for I had meant well and had worked hard. +But he was not pleased, and turned away and left me. He was also +displeased on another account: I tried once more to persuade him +to stop going over the Falls. That was because the fire had revealed +to me a new passion—quite new, and distinctly different from love, +grief, and those others which I had already discovered—FEAR. And it +is horrible!—I wish I had never discovered it; it gives me dark moments, +it spoils my happiness, it makes me shiver and tremble and shudder. +But I could not persuade him, for he has not discovered fear yet, +and so he could not understand me.</p> + +<br><br> +<center> +<img alt="067.jpg (94K)" src="images/067.jpg" height="625" width="372"> +</center> +<br><br> +<br><br><br><br> + + + + + +<br> +<br> +<hr> +<br><br> + + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Eve's Diary, Part 2, by Mark Twain (Samuel Clemens) + +*** END OF THIS PROJECT GUTENBERG EBOOK EVE'S DIARY, PART 2 *** + +***** This file should be named 8527-h.htm or 8527-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/8/5/2/8527/ + +Produced by David Widger and Cindy Rosenthal + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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