summaryrefslogtreecommitdiff
path: root/8525-h
diff options
context:
space:
mode:
Diffstat (limited to '8525-h')
-rw-r--r--8525-h/8525-h.htm1706
-rw-r--r--8525-h/images/003.jpgbin0 -> 72042 bytes
-rw-r--r--8525-h/images/005.jpgbin0 -> 64292 bytes
-rw-r--r--8525-h/images/007.jpgbin0 -> 75131 bytes
-rw-r--r--8525-h/images/009.jpgbin0 -> 63330 bytes
-rw-r--r--8525-h/images/011.jpgbin0 -> 95685 bytes
-rw-r--r--8525-h/images/013.jpgbin0 -> 85798 bytes
-rw-r--r--8525-h/images/015.jpgbin0 -> 88654 bytes
-rw-r--r--8525-h/images/017.jpgbin0 -> 78560 bytes
-rw-r--r--8525-h/images/019.jpgbin0 -> 80993 bytes
-rw-r--r--8525-h/images/021.jpgbin0 -> 83844 bytes
-rw-r--r--8525-h/images/023.jpgbin0 -> 79778 bytes
-rw-r--r--8525-h/images/025.jpgbin0 -> 71847 bytes
-rw-r--r--8525-h/images/027.jpgbin0 -> 98669 bytes
-rw-r--r--8525-h/images/029.jpgbin0 -> 76837 bytes
-rw-r--r--8525-h/images/031.jpgbin0 -> 64032 bytes
-rw-r--r--8525-h/images/033.jpgbin0 -> 78470 bytes
-rw-r--r--8525-h/images/035.jpgbin0 -> 93056 bytes
-rw-r--r--8525-h/images/037.jpgbin0 -> 84658 bytes
-rw-r--r--8525-h/images/039.jpgbin0 -> 85138 bytes
-rw-r--r--8525-h/images/041.jpgbin0 -> 83729 bytes
-rw-r--r--8525-h/images/043.jpgbin0 -> 92876 bytes
-rw-r--r--8525-h/images/045.jpgbin0 -> 91333 bytes
-rw-r--r--8525-h/images/047.jpgbin0 -> 79251 bytes
-rw-r--r--8525-h/images/049.jpgbin0 -> 94353 bytes
-rw-r--r--8525-h/images/051.jpgbin0 -> 88458 bytes
-rw-r--r--8525-h/images/053.jpgbin0 -> 77709 bytes
-rw-r--r--8525-h/images/055.jpgbin0 -> 79132 bytes
-rw-r--r--8525-h/images/057.jpgbin0 -> 74208 bytes
-rw-r--r--8525-h/images/059.jpgbin0 -> 84044 bytes
-rw-r--r--8525-h/images/061.jpgbin0 -> 81756 bytes
-rw-r--r--8525-h/images/063.jpgbin0 -> 74087 bytes
-rw-r--r--8525-h/images/065.jpgbin0 -> 84830 bytes
-rw-r--r--8525-h/images/067.jpgbin0 -> 96717 bytes
-rw-r--r--8525-h/images/069.jpgbin0 -> 67243 bytes
-rw-r--r--8525-h/images/071.jpgbin0 -> 76797 bytes
-rw-r--r--8525-h/images/073.jpgbin0 -> 71228 bytes
-rw-r--r--8525-h/images/075.jpgbin0 -> 74181 bytes
-rw-r--r--8525-h/images/077.jpgbin0 -> 72496 bytes
-rw-r--r--8525-h/images/079.jpgbin0 -> 87864 bytes
-rw-r--r--8525-h/images/081.jpgbin0 -> 82536 bytes
-rw-r--r--8525-h/images/083.jpgbin0 -> 91184 bytes
-rw-r--r--8525-h/images/085.jpgbin0 -> 97617 bytes
-rw-r--r--8525-h/images/087.jpgbin0 -> 98901 bytes
-rw-r--r--8525-h/images/089.jpgbin0 -> 56777 bytes
-rw-r--r--8525-h/images/091.jpgbin0 -> 83579 bytes
-rw-r--r--8525-h/images/093.jpgbin0 -> 82880 bytes
-rw-r--r--8525-h/images/095.jpgbin0 -> 94917 bytes
-rw-r--r--8525-h/images/097.jpgbin0 -> 76123 bytes
-rw-r--r--8525-h/images/099.jpgbin0 -> 87349 bytes
-rw-r--r--8525-h/images/101.jpgbin0 -> 95595 bytes
-rw-r--r--8525-h/images/103.jpgbin0 -> 84444 bytes
-rw-r--r--8525-h/images/105.jpgbin0 -> 62424 bytes
-rw-r--r--8525-h/images/107.jpgbin0 -> 67236 bytes
-rw-r--r--8525-h/images/109.jpgbin0 -> 64662 bytes
-rw-r--r--8525-h/images/cover.jpgbin0 -> 113942 bytes
-rw-r--r--8525-h/images/front.jpgbin0 -> 85383 bytes
-rw-r--r--8525-h/images/title.jpgbin0 -> 44777 bytes
58 files changed, 1706 insertions, 0 deletions
diff --git a/8525-h/8525-h.htm b/8525-h/8525-h.htm
new file mode 100644
index 0000000..3f39f78
--- /dev/null
+++ b/8525-h/8525-h.htm
@@ -0,0 +1,1706 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <title>
+ Eve's Diary, By Mark Twain
+ </title>
+ <link rel="coverpage" href="images/cover.jpg" style="width:100%;" />
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent30 { margin-left: 30%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 100%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ .side { float: left; font-size: 75%; width: 25%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 1 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+ <h2>
+ EVE'S DIARY, By Mark Twain
+ </h2>
+<pre xml:space="preserve">
+
+Project Gutenberg's Eve's Diary, Complete, by Mark Twain (Samuel Clemens)
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Eve's Diary, Complete
+
+Author: Mark Twain (Samuel Clemens)
+
+Release Date: June 14, 2004 [EBook #8525]
+Last Updated: February 23, 2018
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK EVE'S DIARY, COMPLETE ***
+
+
+
+
+Produced by David Widger and Cindy Rosenthal
+
+
+
+
+
+</pre>
+
+ <p>
+ <br />
+ </p>
+
+ <p>
+ <br />
+ </p>
+ <p>
+ </p>
+ <p>
+ <br />
+ </p>
+ <hr />
+ <p>
+ <br /><br /><br /><br /><br /><br />
+ </p>
+ <h1>
+ EVE'S DIARY
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Mark Twain
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Illustrated by Lester Ralph
+ </h3>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="cover.jpg (111K)" src="images/cover.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="front.jpg (83K)" src="images/front.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="title.jpg (43K)" src="images/title.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /><br /><br /> <br /><br />
+ </p>
+ <h1>
+ Eve's Diary
+ </h1>
+ <h3>
+ Translated from the Original
+ </h3>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="003.jpg (70K)" src="images/003.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ SATURDAY.&mdash;I am almost a whole day old, now. I arrived yesterday.
+ That is as it seems to me. And it must be so, for if there was a
+ day-before-yesterday I was not there when it happened, or I should
+ remember it. It could be, of course, that it did happen, and that I was
+ not noticing. Very well; I will be very watchful now, and if any
+ day-before-yesterdays happen I will make a note of it. It will be best to
+ start right and not let the record get confused, for some instinct tells
+ me that these details are going to be important to the historian some day.
+ For I feel like an experiment, I feel exactly like an experiment; it would
+ be impossible for a person to feel more like an experiment than I do, and
+ so I am coming to feel convinced that that is what I AM&mdash;an
+ experiment; just an experiment, and nothing more.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="005.jpg (62K)" src="images/005.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Then if I am an experiment, am I the whole of it? No, I think not; I think
+ the rest of it is part of it. I am the main part of it, but I think the
+ rest of it has its share in the matter. Is my position assured, or do I
+ have to watch it and take care of it? The latter, perhaps. Some instinct
+ tells me that eternal vigilance is the price of supremacy. [That is a good
+ phrase, I think, for one so young.]
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="007.jpg (73K)" src="images/007.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Everything looks better today than it did yesterday. In the rush of
+ finishing up yesterday, the mountains were left in a ragged condition, and
+ some of the plains were so cluttered with rubbish and remnants that the
+ aspects were quite distressing. Noble and beautiful works of art should
+ not be subjected to haste; and this majestic new world is indeed a most
+ noble and beautiful work. And certainly marvelously near to being perfect,
+ notwithstanding the shortness of the time. There are too many stars in
+ some places and not enough in others, but that can be remedied presently,
+ no doubt. The moon got loose last night, and slid down and fell out of the
+ scheme&mdash;a very great loss; it breaks my heart to think of it. There
+ isn't another thing among the ornaments and decorations that is comparable
+ to it for beauty and finish. It should have been fastened better. If we
+ can only get it back again&mdash;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="009.jpg (61K)" src="images/009.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ But of course there is no telling where it went to. And besides, whoever
+ gets it will hide it; I know it because I would do it myself. I believe I
+ can be honest in all other matters, but I already begin to realize that
+ the core and center of my nature is love of the beautiful, a passion for
+ the beautiful, and that it would not be safe to trust me with a moon that
+ belonged to another person and that person didn't know I had it. I could
+ give up a moon that I found in the daytime, because I should be afraid
+ some one was looking; but if I found it in the dark, I am sure I should
+ find some kind of an excuse for not saying anything about it. For I do
+ love moons, they are so pretty and so romantic. I wish we had five or six;
+ I would never go to bed; I should never get tired lying on the moss-bank
+ and looking up at them.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="011.jpg (93K)" src="images/011.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Stars are good, too. I wish I could get some to put in my hair. But I
+ suppose I never can. You would be surprised to find how far off they are,
+ for they do not look it. When they first showed, last night, I tried to
+ knock some down with a pole, but it didn't reach, which astonished me;
+ then I tried clods till I was all tired out, but I never got one. It was
+ because I am left-handed and cannot throw good. Even when I aimed at the
+ one I wasn't after I couldn't hit the other one, though I did make some
+ close shots, for I saw the black blot of the clod sail right into the
+ midst of the golden clusters forty or fifty times, just barely missing
+ them, and if I could have held out a little longer maybe I could have got
+ one.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="013.jpg (83K)" src="images/013.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ So I cried a little, which was natural, I suppose, for one of my age, and
+ after I was rested I got a basket and started for a place on the extreme
+ rim of the circle, where the stars were close to the ground and I could
+ get them with my hands, which would be better, anyway, because I could
+ gather them tenderly then, and not break them. But it was farther than I
+ thought, and at last I had to give it up; I was so tired I couldn't drag
+ my feet another step; and besides, they were sore and hurt me very much.
+ </p>
+ <p>
+ I couldn't get back home; it was too far and turning cold; but I found
+ some tigers and nestled in among them and was most adorably comfortable,
+ and their breath was sweet and pleasant, because they live on
+ strawberries. I had never seen a tiger before, but I knew them in a minute
+ by the stripes. If I could have one of those skins, it would make a lovely
+ gown.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="015.jpg (86K)" src="images/015.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Today I am getting better ideas about distances. I was so eager to get
+ hold of every pretty thing that I giddily grabbed for it, sometimes when
+ it was too far off, and sometimes when it was but six inches away but
+ seemed a foot&mdash;alas, with thorns between! I learned a lesson; also I
+ made an axiom, all out of my own head&mdash;my very first one; THE
+ SCRATCHED EXPERIMENT SHUNS THE THORN. I think it is a very good one for
+ one so young.
+ </p>
+ <p>
+ I followed the other Experiment around, yesterday afternoon, at a
+ distance, to see what it might be for, if I could. But I was not able to
+ make [it] out. I think it is a man. I had never seen a man, but it looked
+ like one, and I feel sure that that is what it is. I realize that I feel
+ more curiosity about it than about any of the other reptiles. If it is a
+ reptile, and I suppose it is; for it has frowzy hair and blue eyes, and
+ looks like a reptile. It has no hips; it tapers like a carrot; when it
+ stands, it spreads itself apart like a derrick; so I think it is a
+ reptile, though it may be architecture.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="017.jpg (76K)" src="images/017.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ I was afraid of it at first, and started to run every time it turned
+ around, for I thought it was going to chase me; but by and by I found it
+ was only trying to get away, so after that I was not timid any more, but
+ tracked it along, several hours, about twenty yards behind, which made it
+ nervous and unhappy. At last it was a good deal worried, and climbed a
+ tree. I waited a good while, then gave it up and went home.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="019.jpg (79K)" src="images/019.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Today the same thing over. I've got it up the tree again.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <p>
+ SUNDAY.&mdash;It is up there yet. Resting, apparently. But that is a
+ subterfuge: Sunday isn't the day of rest; Saturday is appointed for that.
+ It looks to me like a creature that is more interested in resting than in
+ anything else. It would tire me to rest so much. It tires me just to sit
+ around and watch the tree. I do wonder what it is for; I never see it do
+ anything.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="021.jpg (81K)" src="images/021.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ They returned the moon last night, and I was SO happy! I think it is very
+ honest of them. It slid down and fell off again, but I was not distressed;
+ there is no need to worry when one has that kind of neighbors; they will
+ fetch it back. I wish I could do something to show my appreciation. I
+ would like to send them some stars, for we have more than we can use. I
+ mean I, not we, for I can see that the reptile cares nothing for such
+ things.
+ </p>
+ <p>
+ It has low tastes, and is not kind. When I went there yesterday evening in
+ the gloaming it had crept down and was trying to catch the little speckled
+ fishes that play in the pool, and I had to clod it to make it go up the
+ tree again and let them alone. I wonder if THAT is what it is for? Hasn't
+ it any heart? Hasn't it any compassion for those little creature? Can it
+ be that it was designed and manufactured for such ungentle work? It has
+ the look of it. One of the clods took it back of the ear, and it used
+ language. It gave me a thrill, for it was the first time I had ever heard
+ speech, except my own. I did not understand the words, but they seemed
+ expressive.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="023.jpg (77K)" src="images/023.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ When I found it could talk I felt a new interest in it, for I love to
+ talk; I talk, all day, and in my sleep, too, and I am very interesting,
+ but if I had another to talk to I could be twice as interesting, and would
+ never stop, if desired.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="025.jpg (70K)" src="images/025.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ If this reptile is a man, it isn't an IT, is it? That wouldn't be
+ grammatical, would it? I think it would be HE. I think so. In that case
+ one would parse it thus: nominative, HE; dative, HIM; possessive, HIS'N.
+ Well, I will consider it a man and call it he until it turns out to be
+ something else. This will be handier than having so many uncertainties.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <p>
+ NEXT WEEK SUNDAY.&mdash;All the week I tagged around after him and tried
+ to get acquainted. I had to do the talking, because he was shy, but I
+ didn't mind it. He seemed pleased to have me around, and I used the
+ sociable &ldquo;we&rdquo; a good deal, because it seemed to flatter him to be
+ included.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="027.jpg (96K)" src="images/027.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br />
+ </p>
+ <p>
+ WEDNESDAY.&mdash;We are getting along very well indeed, now, and getting
+ better and better acquainted. He does not try to avoid me any more, which
+ is a good sign, and shows that he likes to have me with him. That pleases
+ me, and I study to be useful to him in every way I can, so as to increase
+ his regard.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="029.jpg (75K)" src="images/029.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ During the last day or two I have taken all the work of naming things off
+ his hands, and this has been a great relief to him, for he has no gift in
+ that line, and is evidently very grateful. He can't think of a rational
+ name to save him, but I do not let him see that I am aware of his defect.
+ Whenever a new creature comes along I name it before he has time to expose
+ himself by an awkward silence. In this way I have saved him many
+ embarrassments. I have no defect like this. The minute I set eyes on an
+ animal I know what it is. I don't have to reflect a moment; the right name
+ comes out instantly, just as if it were an inspiration, as no doubt it is,
+ for I am sure it wasn't in me half a minute before. I seem to know just by
+ the shape of the creature and the way it acts what animal it is.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="031.jpg (62K)" src="images/031.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ When the dodo came along he thought it was a wildcat&mdash;I saw it in his
+ eye. But I saved him. And I was careful not to do it in a way that could
+ hurt his pride. I just spoke up in a quite natural way of pleasing
+ surprise, and not as if I was dreaming of conveying information, and said,
+ &ldquo;Well, I do declare, if there isn't the dodo!&rdquo; I explained&mdash;without
+ seeming to be explaining&mdash;how I know it for a dodo, and although I
+ thought maybe he was a little piqued that I knew the creature when he
+ didn't, it was quite evident that he admired me. That was very agreeable,
+ and I thought of it more than once with gratification before I slept. How
+ little a thing can make us happy when we feel that we have earned it!
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="033.jpg (76K)" src="images/033.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br />
+ </p>
+ <p>
+ THURSDAY.&mdash;my first sorrow. Yesterday he avoided me and seemed to
+ wish I would not talk to him. I could not believe it, and thought there
+ was some mistake, for I loved to be with him, and loved to hear him talk,
+ and so how could it be that he could feel unkind toward me when I had not
+ done anything? But at last it seemed true, so I went away and sat lonely
+ in the place where I first saw him the morning that we were made and I did
+ not know what he was and was indifferent about him; but now it was a
+ mournful place, and every little thing spoke of him, and my heart was very
+ sore. I did not know why very clearly, for it was a new feeling; I had not
+ experienced it before, and it was all a mystery, and I could not make it
+ out.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="035.jpg (90K)" src="images/035.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ But when night came I could not bear the lonesomeness, and went to the new
+ shelter which he has built, to ask him what I had done that was wrong and
+ how I could mend it and get back his kindness again; but he put me out in
+ the rain, and it was my first sorrow.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="037.jpg (82K)" src="images/037.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br />
+ </p>
+ <p>
+ SUNDAY.&mdash;It is pleasant again, now, and I am happy; but those were
+ heavy days; I do not think of them when I can help it.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="039.jpg (83K)" src="images/039.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ I tried to get him some of those apples, but I cannot learn to throw
+ straight. I failed, but I think the good intention pleased him. They are
+ forbidden, and he says I shall come to harm; but so I come to harm through
+ pleasing him, why shall I care for that harm?
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <p>
+ MONDAY.&mdash;This morning I told him my name, hoping it would interest
+ him. But he did not care for it. It is strange. If he should tell me his
+ name, I would care. I think it would be pleasanter in my ears than any
+ other sound.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="041.jpg (81K)" src="images/041.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ He talks very little. Perhaps it is because he is not bright, and is
+ sensitive about it and wishes to conceal it. It is such a pity that he
+ should feel so, for brightness is nothing; it is in the heart that the
+ values lie. I wish I could make him understand that a loving good heart is
+ riches, and riches enough, and that without it intellect is poverty.
+ </p>
+ <p>
+ Although he talks so little, he has quite a considerable vocabulary. This
+ morning he used a surprisingly good word. He evidently recognized,
+ himself, that it was a good one, for he worked it in twice afterward,
+ casually. It was good casual art, still it showed that he possesses a
+ certain quality of perception. Without a doubt that seed can be made to
+ grow, if cultivated.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="043.jpg (90K)" src="images/043.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Where did he get that word? I do not think I have ever used it.
+ </p>
+ <p>
+ No, he took no interest in my name. I tried to hide my disappointment, but
+ I suppose I did not succeed. I went away and sat on the moss-bank with my
+ feet in the water. It is where I go when I hunger for companionship, some
+ one to look at, some one to talk to. It is not enough&mdash;that lovely
+ white body painted there in the pool&mdash;but it is something, and
+ something is better than utter loneliness. It talks when I talk; it is sad
+ when I am sad; it comforts me with its sympathy; it says, &ldquo;Do not be
+ downhearted, you poor friendless girl; I will be your friend.&rdquo; It IS a
+ good friend to me, and my only one; it is my sister.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="045.jpg (89K)" src="images/045.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ That first time that she forsook me! ah, I shall never forget that&mdash;never,
+ never. My heart was lead in my body! I said, &ldquo;She was all I had, and now
+ she is gone!&rdquo; In my despair I said, &ldquo;Break, my heart; I cannot bear my
+ life any more!&rdquo; and hid my face in my hands, and there was no solace for
+ me. And when I took them away, after a little, there she was again, white
+ and shining and beautiful, and I sprang into her arms!
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="047.jpg (77K)" src="images/047.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ That was perfect happiness; I had known happiness before, but it was not
+ like this, which was ecstasy. I never doubted her afterward. Sometimes she
+ stayed away&mdash;maybe an hour, maybe almost the whole day, but I waited
+ and did not doubt; I said, &ldquo;She is busy, or she is gone on a journey, but
+ she will come.&rdquo; And it was so: she always did. At night she would not come
+ if it was dark, for she was a timid little thing; but if there was a moon
+ she would come. I am not afraid of the dark, but she is younger than I am;
+ she was born after I was. Many and many are the visits I have paid her;
+ she is my comfort and my refuge when my life is hard&mdash;and it is
+ mainly that.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <p>
+ TUESDAY.&mdash;All the morning I was at work improving the estate; and I
+ purposely kept away from him in the hope that he would get lonely and
+ come. But he did not.
+ </p>
+ <p>
+ At noon I stopped for the day and took my recreation by flitting all about
+ with the bees and the butterflies and reveling in the flowers, those
+ beautiful creatures that catch the smile of God out of the sky and
+ preserve it! I gathered them, and made them into wreaths and garlands and
+ clothed myself in them while I ate my luncheon&mdash;apples, of course;
+ then I sat in the shade and wished and waited. But he did not come.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="049.jpg (92K)" src="images/049.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ But no matter. Nothing would have come of it, for he does not care for
+ flowers. He called them rubbish, and cannot tell one from another, and
+ thinks it is superior to feel like that. He does not care for me, he does
+ not care for flowers, he does not care for the painted sky at eventide&mdash;is
+ there anything he does care for, except building shacks to coop himself up
+ in from the good clean rain, and thumping the melons, and sampling the
+ grapes, and fingering the fruit on the trees, to see how those properties
+ are coming along?
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="051.jpg (86K)" src="images/051.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ I laid a dry stick on the ground and tried to bore a hole in it with
+ another one, in order to carry out a scheme that I had, and soon I got an
+ awful fright. A thin, transparent bluish film rose out of the hole, and I
+ dropped everything and ran! I thought it was a spirit, and I WAS so
+ frightened! But I looked back, and it was not coming; so I leaned against
+ a rock and rested and panted, and let my limbs go on trembling until they
+ got steady again; then I crept warily back, alert, watching, and ready to
+ fly if there was occasion; and when I was come near, I parted the branches
+ of a rose-bush and peeped through&mdash;wishing the man was about, I was
+ looking so cunning and pretty&mdash;but the sprite was gone. I went there,
+ and there was a pinch of delicate pink dust in the hole. I put my finger
+ in, to feel it, and said OUCH! and took it out again. It was a cruel pain.
+ I put my finger in my mouth; and by standing first on one foot and then
+ the other, and grunting, I presently eased my misery; then I was full of
+ interest, and began to examine.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="053.jpg (75K)" src="images/053.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ I was curious to know what the pink dust was. Suddenly the name of it
+ occurred to me, though I had never heard of it before. It was FIRE! I was
+ as certain of it as a person could be of anything in the world. So without
+ hesitation I named it that&mdash;fire.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="055.jpg (77K)" src="images/055.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ I had created something that didn't exist before; I had added a new thing
+ to the world's uncountable properties; I realized this, and was proud of
+ my achievement, and was going to run and find him and tell him about it,
+ thinking to raise myself in his esteem&mdash;but I reflected, and did not
+ do it. No&mdash;he would not care for it. He would ask what it was good
+ for, and what could I answer? for if it was not GOOD for something, but
+ only beautiful, merely beautiful&mdash;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="057.jpg (72K)" src="images/057.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ So I sighed, and did not go. For it wasn't good for anything; it could not
+ build a shack, it could not improve melons, it could not hurry a fruit
+ crop; it was useless, it was a foolishness and a vanity; he would despise
+ it and say cutting words. But to me it was not despicable; I said, &ldquo;Oh,
+ you fire, I love you, you dainty pink creature, for you are BEAUTIFUL&mdash;and
+ that is enough!&rdquo; and was going to gather it to my breast. But refrained.
+ Then I made another maxim out of my head, though it was so nearly like the
+ first one that I was afraid it was only a plagiarism: &ldquo;THE BURNT
+ EXPERIMENT SHUNS THE FIRE.&rdquo;
+ </p>
+ <p>
+ I wrought again; and when I had made a good deal of fire-dust I emptied it
+ into a handful of dry brown grass, intending to carry it home and keep it
+ always and play with it; but the wind struck it and it sprayed up and spat
+ out at me fiercely, and I dropped it and ran. When I looked back the blue
+ spirit was towering up and stretching and rolling away like a cloud, and
+ instantly I thought of the name of it&mdash;SMOKE!&mdash;though, upon my
+ word, I had never heard of smoke before.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="059.jpg (82K)" src="images/059.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Soon brilliant yellow and red flares shot up through the smoke, and I
+ named them in an instant&mdash;FLAMES&mdash;and I was right, too, though
+ these were the very first flames that had ever been in the world. They
+ climbed the trees, then flashed splendidly in and out of the vast and
+ increasing volume of tumbling smoke, and I had to clap my hands and laugh
+ and dance in my rapture, it was so new and strange and so wonderful and so
+ beautiful!
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="061.jpg (79K)" src="images/061.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ He came running, and stopped and gazed, and said not a word for many
+ minutes. Then he asked what it was. Ah, it was too bad that he should ask
+ such a direct question. I had to answer it, of course, and I did. I said
+ it was fire. If it annoyed him that I should know and he must ask; that
+ was not my fault; I had no desire to annoy him. After a pause he asked:
+ </p>
+ <p>
+ &ldquo;How did it come?&rdquo;
+ </p>
+ <p>
+ Another direct question, and it also had to have a direct answer.
+ </p>
+ <p>
+ &ldquo;I made it.&rdquo;
+ </p>
+ <p>
+ The fire was traveling farther and farther off. He went to the edge of the
+ burned place and stood looking down, and said:
+ </p>
+ <p>
+ &ldquo;What are these?&rdquo;
+ </p>
+ <p>
+ &ldquo;Fire-coals.&rdquo;
+ </p>
+ <p>
+ He picked up one to examine it, but changed his mind and put it down
+ again. Then he went away. NOTHING interests him.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="063.jpg (72K)" src="images/063.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ But I was interested. There were ashes, gray and soft and delicate and
+ pretty&mdash;I knew what they were at once. And the embers; I knew the
+ embers, too. I found my apples, and raked them out, and was glad; for I am
+ very young and my appetite is active. But I was disappointed; they were
+ all burst open and spoiled. Spoiled apparently; but it was not so; they
+ were better than raw ones. Fire is beautiful; some day it will be useful,
+ I think.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="065.jpg (82K)" src="images/065.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br />
+ </p>
+ <p>
+ FRIDAY.&mdash;I saw him again, for a moment, last Monday at nightfall, but
+ only for a moment. I was hoping he would praise me for trying to improve
+ the estate, for I had meant well and had worked hard. But he was not
+ pleased, and turned away and left me. He was also displeased on another
+ account: I tried once more to persuade him to stop going over the Falls.
+ That was because the fire had revealed to me a new passion&mdash;quite
+ new, and distinctly different from love, grief, and those others which I
+ had already discovered&mdash;FEAR. And it is horrible!&mdash;I wish I had
+ never discovered it; it gives me dark moments, it spoils my happiness, it
+ makes me shiver and tremble and shudder. But I could not persuade him, for
+ he has not discovered fear yet, and so he could not understand me.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="067.jpg (94K)" src="images/067.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br /><br /><br />
+ </p>
+ <h2>
+ <i> Extract from Adam's Diary</i>
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="069.jpg (65K)" src="images/069.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ <i> Perhaps I ought to remember that she is very young, a mere girl and
+ make allowances. She is all interest, eagerness, vivacity, the world is to
+ her a charm, a wonder, a mystery, a joy; she can't speak for delight when
+ she finds a new flower, she must pet it and caress it and smell it and
+ talk to it, and pour out endearing names upon it. And she is color-mad:
+ brown rocks, yellow sand, gray moss, green foliage, blue sky; the pearl of
+ the dawn, the purple shadows on the mountains, the golden islands floating
+ in crimson seas at sunset, the pallid moon sailing through the shredded
+ cloud-rack, the star-jewels glittering in the wastes of space&mdash;none
+ of them is of any practical value, so far as I can see, but because they
+ have color and majesty, that is enough for her, and she loses her mind
+ over them. If she could quiet down and keep still a couple minutes at a
+ time, it would be a reposeful spectacle. In that case I think I could
+ enjoy looking at her; indeed I am sure I could, for I am coming to realize
+ that she is a quite remarkably comely creature&mdash;lithe, slender, trim,
+ rounded, shapely, nimble, graceful; and once when she was standing
+ marble-white and sun-drenched on a boulder, with her young head tilted
+ back and her hand shading her eyes, watching the flight of a bird in the
+ sky, I recognized that she was beautiful.</i>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="071.jpg (74K)" src="images/071.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br />
+ </p>
+ <p>
+ <i>MONDAY NOON.&mdash;If there is anything on the planet that she is not
+ interested in it is not in my list. There are animals that I am
+ indifferent to, but it is not so with her. She has no discrimination, she
+ takes to all of them, she thinks they are all treasures, every new one is
+ welcome.</i>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="073.jpg (69K)" src="images/073.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ <i>When the mighty brontosaurus came striding into camp, she regarded it
+ as an acquisition, I considered it a calamity; that is a good sample of
+ the lack of harmony that prevails in our views of things. She wanted to
+ domesticate it, I wanted to make it a present of the homestead and move
+ out. She believed it could be tamed by kind treatment and would be a good
+ pet; I said a pet twenty-one feet high and eighty-four feet long would be
+ no proper thing to have about the place, because, even with the best
+ intentions and without meaning any harm, it could sit down on the house
+ and mash it, for any one could see by the look of its eye that it was
+ absent-minded.</i>
+ </p>
+ <p>
+ <i>Still, her heart was set upon having that monster, and she couldn't
+ give it up. She thought we could start a dairy with it, and wanted me to
+ help milk it; but I wouldn't; it was too risky. The sex wasn't right, and
+ we hadn't any ladder anyway. Then she wanted to ride it, and look at the
+ scenery. Thirty or forty feet of its tail was lying on the ground, like a
+ fallen tree, and she thought she could climb it, but she was mistaken;
+ when she got to the steep place it was too slick and down she came, and
+ would have hurt herself but for me.</i>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="075.jpg (72K)" src="images/075.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ <i>Was she satisfied now? No. Nothing ever satisfies her but
+ demonstration; untested theories are not in her line, and she won't have
+ them. It is the right spirit, I concede it; it attracts me; I feel the
+ influence of it; if I were with her more I think I should take it up
+ myself. Well, she had one theory remaining about this colossus: she
+ thought that if we could tame it and make him friendly we could stand in
+ the river and use him for a bridge. It turned out that he was already
+ plenty tame enough&mdash;at least as far as she was concerned&mdash;so she
+ tried her theory, but it failed: every time she got him properly placed in
+ the river and went ashore to cross over him, he came out and followed her
+ around like a pet mountain. Like the other animals. They all do that.</i>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="077.jpg (70K)" src="images/077.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br />
+ </p>
+ <p>
+ Tuesday&mdash;Wednesday&mdash;Thursday&mdash;and today: all without seeing
+ him. It is a long time to be alone; still, it is better to be alone than
+ unwelcome.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ <p>
+ FRIDAY&mdash;I HAD to have company&mdash;I was made for it, I think&mdash;so
+ I made friends with the animals. They are just charming, and they have the
+ kindest disposition and the politest ways; they never look sour, they
+ never let you feel that you are intruding, they smile at you and wag their
+ tail, if they've got one, and they are always ready for a romp or an
+ excursion or anything you want to propose. I think they are perfect
+ gentlemen. All these days we have had such good times, and it hasn't been
+ lonesome for me, ever.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="079.jpg (85K)" src="images/079.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Lonesome! No, I should say not. Why, there's always a swarm of them around&mdash;sometimes
+ as much as four or five acres&mdash;you can't count them; and when you
+ stand on a rock in the midst and look out over the furry expanse it is so
+ mottled and splashed and gay with color and frisking sheen and sun-flash,
+ and so rippled with stripes, that you might think it was a lake, only you
+ know it isn't; and there's storms of sociable birds, and hurricanes of
+ whirring wings; and when the sun strikes all that feathery commotion, you
+ have a blazing up of all the colors you can think of, enough to put your
+ eyes out.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="081.jpg (80K)" src="images/081.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ We have made long excursions, and I have seen a great deal of the world;
+ almost all of it, I think; and so I am the first traveler, and the only
+ one. When we are on the march, it is an imposing sight&mdash;there's
+ nothing like it anywhere. For comfort I ride a tiger or a leopard, because
+ it is soft and has a round back that fits me, and because they are such
+ pretty animals; but for long distance or for scenery I ride the elephant.
+ He hoists me up with his trunk, but I can get off myself; when we are
+ ready to camp, he sits and I slide down the back way.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="083.jpg (89K)" src="images/083.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The birds and animals are all friendly to each other, and there are no
+ disputes about anything. They all talk, and they all talk to me, but it
+ must be a foreign language, for I cannot make out a word they say; yet
+ they often understand me when I talk back, particularly the dog and the
+ elephant. It makes me ashamed. It shows that they are brighter than I am,
+ for I want to be the principal Experiment myself&mdash;and I intend to be,
+ too.
+ </p>
+ <p>
+ I have learned a number of things, and am educated, now, but I wasn't at
+ first. I was ignorant at first. At first it used to vex me because, with
+ all my watching, I was never smart enough to be around when the water was
+ running uphill; but now I do not mind it. I have experimented and
+ experimented until now I know it never does run uphill, except in the
+ dark. I know it does in the dark, because the pool never goes dry, which
+ it would, of course, if the water didn't come back in the night. It is
+ best to prove things by actual experiment; then you KNOW; whereas if you
+ depend on guessing and supposing and conjecturing, you never get educated.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="085.jpg (95K)" src="images/085.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Some things you CAN'T find out; but you will never know you can't by
+ guessing and supposing: no, you have to be patient and go on experimenting
+ until you find out that you can't find out. And it is delightful to have
+ it that way, it makes the world so interesting. If there wasn't anything
+ to find out, it would be dull. Even trying to find out and not finding out
+ is just as interesting as trying to find out and finding out, and I don't
+ know but more so. The secret of the water was a treasure until I GOT it;
+ then the excitement all went away, and I recognized a sense of loss.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="087.jpg (96K)" src="images/087.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ By experiment I know that wood swims, and dry leaves, and feathers, and
+ plenty of other things; therefore by all that cumulative evidence you know
+ that a rock will swim; but you have to put up with simply knowing it, for
+ there isn't any way to prove it&mdash;up to now. But I shall find a way&mdash;then
+ THAT excitement will go. Such things make me sad; because by and by when I
+ have found out everything there won't be any more excitements, and I do
+ love excitements so! The other night I couldn't sleep for thinking about
+ it.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="089.jpg (55K)" src="images/089.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ At first I couldn't make out what I was made for, but now I think it was
+ to search out the secrets of this wonderful world and be happy and thank
+ the Giver of it all for devising it. I think there are many things to
+ learn yet&mdash;I hope so; and by economizing and not hurrying too fast I
+ think they will last weeks and weeks. I hope so. When you cast up a
+ feather it sails away on the air and goes out of sight; then you throw up
+ a clod and it doesn't. It comes down, every time. I have tried it and
+ tried it, and it is always so. I wonder why it is? Of course it DOESN'T
+ come down, but why should it SEEM to? I suppose it is an optical illusion.
+ I mean, one of them is. I don't know which one. It may be the feather, it
+ may be the clod; I can't prove which it is, I can only demonstrate that
+ one or the other is a fake, and let a person take his choice.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="091.jpg (81K)" src="images/091.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ By watching, I know that the stars are not going to last. I have seen some
+ of the best ones melt and run down the sky. Since one can melt, they can
+ all melt; since they can all melt, they can all melt the same night. That
+ sorrow will come&mdash;I know it. I mean to sit up every night and look at
+ them as long as I can keep awake; and I will impress those sparkling
+ fields on my memory, so that by and by when they are taken away I can by
+ my fancy restore those lovely myriads to the black sky and make them
+ sparkle again, and double them by the blur of my tears.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="093.jpg (80K)" src="images/093.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br /><br /><br />
+ </p>
+ <h2>
+ After the Fall
+ </h2>
+ <p>
+ When I look back, the Garden is a dream to me. It was beautiful,
+ surpassingly beautiful, enchantingly beautiful; and now it is lost, and I
+ shall not see it any more.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="095.jpg (92K)" src="images/095.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The Garden is lost, but I have found HIM, and am content. He loves me as
+ well as he can; I love him with all the strength of my passionate nature,
+ and this, I think, is proper to my youth and sex. If I ask myself why I
+ love him, I find I do not know, and do not really much care to know; so I
+ suppose that this kind of love is not a product of reasoning and
+ statistics, like one's love for other reptiles and animals. I think that
+ this must be so. I love certain birds because of their song; but I do not
+ love Adam on account of his singing&mdash;no, it is not that; the more he
+ sings the more I do not get reconciled to it. Yet I ask him to sing,
+ because I wish to learn to like everything he is interested in. I am sure
+ I can learn, because at first I could not stand it, but now I can. It
+ sours the milk, but it doesn't matter; I can get used to that kind of
+ milk.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="097.jpg (74K)" src="images/097.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ It is not on account of his brightness that I love him&mdash;no, it is not
+ that. He is not to blame for his brightness, such as it is, for he did not
+ make it himself; he is as God make him, and that is sufficient. There was
+ a wise purpose in it, THAT I know. In time it will develop, though I think
+ it will not be sudden; and besides, there is no hurry; he is well enough
+ just as he is.
+ </p>
+ <p>
+ It is not on account of his gracious and considerate ways and his delicacy
+ that I love him. No, he has lacks in this regard, but he is well enough
+ just so, and is improving.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="099.jpg (85K)" src="images/099.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ It is not on account of his industry that I love him&mdash;no, it is not
+ that. I think he has it in him, and I do not know why he conceals it from
+ me. It is my only pain. Otherwise he is frank and open with me, now. I am
+ sure he keeps nothing from me but this. It grieves me that he should have
+ a secret from me, and sometimes it spoils my sleep, thinking of it, but I
+ will put it out of my mind; it shall not trouble my happiness, which is
+ otherwise full to overflowing.
+ </p>
+ <p>
+ It is not on account of his education that I love him&mdash;no, it is not
+ that. He is self-educated, and does really know a multitude of things, but
+ they are not so.
+ </p>
+ <p>
+ It is not on account of his chivalry that I love him&mdash;no, it is not
+ that. He told on me, but I do not blame him; it is a peculiarity of sex, I
+ think, and he did not make his sex. Of course I would not have told on
+ him, I would have perished first; but that is a peculiarity of sex, too,
+ and I do not take credit for it, for I did not make my sex.
+ </p>
+ <p>
+ Then why is it that I love him? MERELY BECAUSE HE IS MASCULINE, I think.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="101.jpg (93K)" src="images/101.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ At bottom he is good, and I love him for that, but I could love him
+ without it. If he should beat me and abuse me, I should go on loving him.
+ I know it. It is a matter of sex, I think.
+ </p>
+ <p>
+ He is strong and handsome, and I love him for that, and I admire him and
+ am proud of him, but I could love him without those qualities. If he were
+ plain, I should love him; if he were a wreck, I should love him; and I
+ would work for him, and slave over him, and pray for him, and watch by his
+ bedside until I died.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="103.jpg (82K)" src="images/103.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Yes, I think I love him merely because he is MINE and is MASCULINE. There
+ is no other reason, I suppose. And so I think it is as I first said: that
+ this kind of love is not a product of reasonings and statistics. It just
+ COMES&mdash;none knows whence&mdash;and cannot explain itself. And doesn't
+ need to.
+ </p>
+ <p>
+ It is what I think. But I am only a girl, the first that has examined this
+ matter, and it may turn out that in my ignorance and inexperience I have
+ not got it right.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="105.jpg (60K)" src="images/105.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br /><br /><br />
+ </p>
+ <h2>
+ Forty Years Later
+ </h2>
+ <p>
+ It is my prayer, it is my longing, that we may pass from this life
+ together&mdash;a longing which shall never perish from the earth, but
+ shall have place in the heart of every wife that loves, until the end of
+ time; and it shall be called by my name.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="107.jpg (65K)" src="images/107.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ But if one of us must go first, it is my prayer that it shall be I; for he
+ is strong, I am weak, I am not so necessary to him as he is to me&mdash;life
+ without him would not be life; how could I endure it? This prayer is also
+ immortal, and will not cease from being offered up while my race
+ continues. I am the first wife; and in the last wife I shall be repeated.
+ </p>
+ <p>
+ <br /><br /><br /><br /><br /><br />
+ </p>
+ <h2>
+ At Eve's Grave
+ </h2>
+ <h4>
+ ADAM: Wheresoever she was, THERE was Eden.
+ </h4>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:40%;">
+ <img alt="109.jpg (63K)" src="images/109.jpg" style="width:100%;" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Eve's Diary, Complete
+by Mark Twain (Samuel Clemens)
+
+*** END OF THIS PROJECT GUTENBERG EBOOK EVE'S DIARY, COMPLETE ***
+
+***** This file should be named 8525-h.htm or 8525-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/8/5/2/8525/
+
+Produced by David Widger and Cindy Rosenthal
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/8525-h/images/003.jpg b/8525-h/images/003.jpg
new file mode 100644
index 0000000..8c69e0b
--- /dev/null
+++ b/8525-h/images/003.jpg
Binary files differ
diff --git a/8525-h/images/005.jpg b/8525-h/images/005.jpg
new file mode 100644
index 0000000..5135ad2
--- /dev/null
+++ b/8525-h/images/005.jpg
Binary files differ
diff --git a/8525-h/images/007.jpg b/8525-h/images/007.jpg
new file mode 100644
index 0000000..6959b2c
--- /dev/null
+++ b/8525-h/images/007.jpg
Binary files differ
diff --git a/8525-h/images/009.jpg b/8525-h/images/009.jpg
new file mode 100644
index 0000000..873da5a
--- /dev/null
+++ b/8525-h/images/009.jpg
Binary files differ
diff --git a/8525-h/images/011.jpg b/8525-h/images/011.jpg
new file mode 100644
index 0000000..c814140
--- /dev/null
+++ b/8525-h/images/011.jpg
Binary files differ
diff --git a/8525-h/images/013.jpg b/8525-h/images/013.jpg
new file mode 100644
index 0000000..62520c4
--- /dev/null
+++ b/8525-h/images/013.jpg
Binary files differ
diff --git a/8525-h/images/015.jpg b/8525-h/images/015.jpg
new file mode 100644
index 0000000..02825ff
--- /dev/null
+++ b/8525-h/images/015.jpg
Binary files differ
diff --git a/8525-h/images/017.jpg b/8525-h/images/017.jpg
new file mode 100644
index 0000000..0b3020d
--- /dev/null
+++ b/8525-h/images/017.jpg
Binary files differ
diff --git a/8525-h/images/019.jpg b/8525-h/images/019.jpg
new file mode 100644
index 0000000..8043871
--- /dev/null
+++ b/8525-h/images/019.jpg
Binary files differ
diff --git a/8525-h/images/021.jpg b/8525-h/images/021.jpg
new file mode 100644
index 0000000..7826cb7
--- /dev/null
+++ b/8525-h/images/021.jpg
Binary files differ
diff --git a/8525-h/images/023.jpg b/8525-h/images/023.jpg
new file mode 100644
index 0000000..fddcc89
--- /dev/null
+++ b/8525-h/images/023.jpg
Binary files differ
diff --git a/8525-h/images/025.jpg b/8525-h/images/025.jpg
new file mode 100644
index 0000000..795e94f
--- /dev/null
+++ b/8525-h/images/025.jpg
Binary files differ
diff --git a/8525-h/images/027.jpg b/8525-h/images/027.jpg
new file mode 100644
index 0000000..559fb4e
--- /dev/null
+++ b/8525-h/images/027.jpg
Binary files differ
diff --git a/8525-h/images/029.jpg b/8525-h/images/029.jpg
new file mode 100644
index 0000000..326f0de
--- /dev/null
+++ b/8525-h/images/029.jpg
Binary files differ
diff --git a/8525-h/images/031.jpg b/8525-h/images/031.jpg
new file mode 100644
index 0000000..3a0c95a
--- /dev/null
+++ b/8525-h/images/031.jpg
Binary files differ
diff --git a/8525-h/images/033.jpg b/8525-h/images/033.jpg
new file mode 100644
index 0000000..8f569d3
--- /dev/null
+++ b/8525-h/images/033.jpg
Binary files differ
diff --git a/8525-h/images/035.jpg b/8525-h/images/035.jpg
new file mode 100644
index 0000000..1cc1680
--- /dev/null
+++ b/8525-h/images/035.jpg
Binary files differ
diff --git a/8525-h/images/037.jpg b/8525-h/images/037.jpg
new file mode 100644
index 0000000..2b301e5
--- /dev/null
+++ b/8525-h/images/037.jpg
Binary files differ
diff --git a/8525-h/images/039.jpg b/8525-h/images/039.jpg
new file mode 100644
index 0000000..f4f08d0
--- /dev/null
+++ b/8525-h/images/039.jpg
Binary files differ
diff --git a/8525-h/images/041.jpg b/8525-h/images/041.jpg
new file mode 100644
index 0000000..bb9f91d
--- /dev/null
+++ b/8525-h/images/041.jpg
Binary files differ
diff --git a/8525-h/images/043.jpg b/8525-h/images/043.jpg
new file mode 100644
index 0000000..b8df8d7
--- /dev/null
+++ b/8525-h/images/043.jpg
Binary files differ
diff --git a/8525-h/images/045.jpg b/8525-h/images/045.jpg
new file mode 100644
index 0000000..2545c1b
--- /dev/null
+++ b/8525-h/images/045.jpg
Binary files differ
diff --git a/8525-h/images/047.jpg b/8525-h/images/047.jpg
new file mode 100644
index 0000000..444648f
--- /dev/null
+++ b/8525-h/images/047.jpg
Binary files differ
diff --git a/8525-h/images/049.jpg b/8525-h/images/049.jpg
new file mode 100644
index 0000000..1fb955a
--- /dev/null
+++ b/8525-h/images/049.jpg
Binary files differ
diff --git a/8525-h/images/051.jpg b/8525-h/images/051.jpg
new file mode 100644
index 0000000..8f8a496
--- /dev/null
+++ b/8525-h/images/051.jpg
Binary files differ
diff --git a/8525-h/images/053.jpg b/8525-h/images/053.jpg
new file mode 100644
index 0000000..eedd4b5
--- /dev/null
+++ b/8525-h/images/053.jpg
Binary files differ
diff --git a/8525-h/images/055.jpg b/8525-h/images/055.jpg
new file mode 100644
index 0000000..b2537f7
--- /dev/null
+++ b/8525-h/images/055.jpg
Binary files differ
diff --git a/8525-h/images/057.jpg b/8525-h/images/057.jpg
new file mode 100644
index 0000000..4ecfebd
--- /dev/null
+++ b/8525-h/images/057.jpg
Binary files differ
diff --git a/8525-h/images/059.jpg b/8525-h/images/059.jpg
new file mode 100644
index 0000000..62a8a53
--- /dev/null
+++ b/8525-h/images/059.jpg
Binary files differ
diff --git a/8525-h/images/061.jpg b/8525-h/images/061.jpg
new file mode 100644
index 0000000..b6bef39
--- /dev/null
+++ b/8525-h/images/061.jpg
Binary files differ
diff --git a/8525-h/images/063.jpg b/8525-h/images/063.jpg
new file mode 100644
index 0000000..450ffad
--- /dev/null
+++ b/8525-h/images/063.jpg
Binary files differ
diff --git a/8525-h/images/065.jpg b/8525-h/images/065.jpg
new file mode 100644
index 0000000..dae9325
--- /dev/null
+++ b/8525-h/images/065.jpg
Binary files differ
diff --git a/8525-h/images/067.jpg b/8525-h/images/067.jpg
new file mode 100644
index 0000000..f57aadd
--- /dev/null
+++ b/8525-h/images/067.jpg
Binary files differ
diff --git a/8525-h/images/069.jpg b/8525-h/images/069.jpg
new file mode 100644
index 0000000..44d2d79
--- /dev/null
+++ b/8525-h/images/069.jpg
Binary files differ
diff --git a/8525-h/images/071.jpg b/8525-h/images/071.jpg
new file mode 100644
index 0000000..5bad082
--- /dev/null
+++ b/8525-h/images/071.jpg
Binary files differ
diff --git a/8525-h/images/073.jpg b/8525-h/images/073.jpg
new file mode 100644
index 0000000..87d4037
--- /dev/null
+++ b/8525-h/images/073.jpg
Binary files differ
diff --git a/8525-h/images/075.jpg b/8525-h/images/075.jpg
new file mode 100644
index 0000000..edc94d9
--- /dev/null
+++ b/8525-h/images/075.jpg
Binary files differ
diff --git a/8525-h/images/077.jpg b/8525-h/images/077.jpg
new file mode 100644
index 0000000..971e996
--- /dev/null
+++ b/8525-h/images/077.jpg
Binary files differ
diff --git a/8525-h/images/079.jpg b/8525-h/images/079.jpg
new file mode 100644
index 0000000..e763333
--- /dev/null
+++ b/8525-h/images/079.jpg
Binary files differ
diff --git a/8525-h/images/081.jpg b/8525-h/images/081.jpg
new file mode 100644
index 0000000..dd755cc
--- /dev/null
+++ b/8525-h/images/081.jpg
Binary files differ
diff --git a/8525-h/images/083.jpg b/8525-h/images/083.jpg
new file mode 100644
index 0000000..9974205
--- /dev/null
+++ b/8525-h/images/083.jpg
Binary files differ
diff --git a/8525-h/images/085.jpg b/8525-h/images/085.jpg
new file mode 100644
index 0000000..9a26ee0
--- /dev/null
+++ b/8525-h/images/085.jpg
Binary files differ
diff --git a/8525-h/images/087.jpg b/8525-h/images/087.jpg
new file mode 100644
index 0000000..c967d86
--- /dev/null
+++ b/8525-h/images/087.jpg
Binary files differ
diff --git a/8525-h/images/089.jpg b/8525-h/images/089.jpg
new file mode 100644
index 0000000..fae016c
--- /dev/null
+++ b/8525-h/images/089.jpg
Binary files differ
diff --git a/8525-h/images/091.jpg b/8525-h/images/091.jpg
new file mode 100644
index 0000000..372ba9c
--- /dev/null
+++ b/8525-h/images/091.jpg
Binary files differ
diff --git a/8525-h/images/093.jpg b/8525-h/images/093.jpg
new file mode 100644
index 0000000..26237dc
--- /dev/null
+++ b/8525-h/images/093.jpg
Binary files differ
diff --git a/8525-h/images/095.jpg b/8525-h/images/095.jpg
new file mode 100644
index 0000000..929876f
--- /dev/null
+++ b/8525-h/images/095.jpg
Binary files differ
diff --git a/8525-h/images/097.jpg b/8525-h/images/097.jpg
new file mode 100644
index 0000000..d03d09a
--- /dev/null
+++ b/8525-h/images/097.jpg
Binary files differ
diff --git a/8525-h/images/099.jpg b/8525-h/images/099.jpg
new file mode 100644
index 0000000..27d03ca
--- /dev/null
+++ b/8525-h/images/099.jpg
Binary files differ
diff --git a/8525-h/images/101.jpg b/8525-h/images/101.jpg
new file mode 100644
index 0000000..3269ba4
--- /dev/null
+++ b/8525-h/images/101.jpg
Binary files differ
diff --git a/8525-h/images/103.jpg b/8525-h/images/103.jpg
new file mode 100644
index 0000000..6ca974c
--- /dev/null
+++ b/8525-h/images/103.jpg
Binary files differ
diff --git a/8525-h/images/105.jpg b/8525-h/images/105.jpg
new file mode 100644
index 0000000..f88ca76
--- /dev/null
+++ b/8525-h/images/105.jpg
Binary files differ
diff --git a/8525-h/images/107.jpg b/8525-h/images/107.jpg
new file mode 100644
index 0000000..c50d62f
--- /dev/null
+++ b/8525-h/images/107.jpg
Binary files differ
diff --git a/8525-h/images/109.jpg b/8525-h/images/109.jpg
new file mode 100644
index 0000000..beb5c4e
--- /dev/null
+++ b/8525-h/images/109.jpg
Binary files differ
diff --git a/8525-h/images/cover.jpg b/8525-h/images/cover.jpg
new file mode 100644
index 0000000..e8aa135
--- /dev/null
+++ b/8525-h/images/cover.jpg
Binary files differ
diff --git a/8525-h/images/front.jpg b/8525-h/images/front.jpg
new file mode 100644
index 0000000..fa2b43f
--- /dev/null
+++ b/8525-h/images/front.jpg
Binary files differ
diff --git a/8525-h/images/title.jpg b/8525-h/images/title.jpg
new file mode 100644
index 0000000..5f821f1
--- /dev/null
+++ b/8525-h/images/title.jpg
Binary files differ