1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
|
The Project Gutenberg eBook, The Grey Brethren, by Michael Fairless,
Edited by Mary Emily Dowson
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.
Title: The Grey Brethren
and other Fragments in Prose and Verse
Author: Michael Fairless
Editor: Mary Emily Dowson
Release Date: August 4, 2019 [eBook #835]
[This file was first posted on March 2, 1997]
Language: English
Character set encoding: UTF-8
***START OF THE PROJECT GUTENBERG EBOOK THE GREY BRETHREN***
Transcribed from the 1911 Duckworth and Co. edition by David Price, email
ccx074@pglaf.org
[Picture: Book cover]
The Grey Brethren
And Other Fragments in Prose
and Verse
* * * * *
By
Michael Fairless
Author of
‘The Roadmender’
[Picture: Decorative graphic]
London
Duckworth and Co.
3 Henrietta Street, W.C.
1911
* * * * *
_Third Impression_
* * * * *
_All rights reserved_
* * * * *
Prefatory Note
THERE is need to ask indulgence for this little book, because at first
sight it seems to possess no other unity than that of type and cover.
The root of its unity lies deeper, deeper even than any of subject or of
method; it lies in the personal gift, the communication of heart to
heart, which is the secret of charm in all the author’s work. For this
reason its publication is justified.
The papers, poems, and stories it contains have, with two exceptions,
appeared elsewhere, most of them in ‘The Pilot,’ where the Roadmender
found his first welcome and his literary home.
The fairy-tales were told by word of mouth to one child and another of
widely differing ages; and three of them were afterwards published in
‘The Parents’ Review.’ ‘The Grey Brethren’ is from ‘The Commonwealth.’
The Christmas papers and poems were brought out as a booklet by Messrs
Mowbray & Son.
The author’s characteristic quality is best displayed in these last, and
in ‘The Grey Brethren,’ but there will be interest for many readers in
the rest of the book as well. That which afterwards became a firm
artistic touch is seen in its uncertain beginning in ‘By Rivers and
Streams’; and the delightful headlong humour of ‘The Dreadful Griffin’
(invented for the “boy named Cecco Hewlett,” of whom Mr Barrie speaks in
his ‘Little White Bird’) will shew Michael Fairless in a new light to
those who have known her only in her books.
Some of the many readers who have found her there will understand me when
I say that the story of her life and death, and of her life too (as I
believe) after death, is written down in the little tale of ‘The
Tinkle-Tinkle,’ first told to her best beloved in the wild garden at Kew,
among blue hyacinths and shining grasses of the spring that spoke to her
of Paradise.
M. E. D.
Contents
PAGE
PREFATORY NOTE v
THE GREY BRETHREN 1
A SONG OF LOW DEGREE 13
A GERMAN CHRISTMAS EVE 15
A CHRISTMAS IDYLL 27
THE MANIFESTATION 43
ALL SOULS’ DAY IN A GERMAN TOWN 52
BY RIVERS AND STREAMS 55
SPRING 68
A LARK’S SONG 72
‘LUVLY MISS’ 75
FOUR STORIES TOLD TO CHILDREN
THE DREADFUL GRIFFIN 85
THE DISCONTENTED DAFFODILS 103
THE FAIRY FLUFFIKINS 128
THE STORY OF THE TINKLE-TINKLE 138
The Grey Brethren
SOME of the happiest remembrances of my childhood are of days spent in a
little Quaker colony on a high hill.
The walk was in itself a preparation, for the hill was long and steep and
at the mercy of the north-east wind; but at the top, sheltered by a copse
and a few tall trees, stood a small house, reached by a flagged pathway
skirting one side of a bright trim garden.
I, with my seven summers of lonely, delicate childhood, felt, when I
gently closed the gate behind me, that I shut myself into Peace. The
house was always somewhat dark, and there were no domestic sounds. The
two old ladies, sisters, both born in the last century, sat in the cool,
dim parlour, netting or sewing. Rebecca was small, with a nut-cracker
nose and chin; Mary, tall and dignified, needed no velvet under the net
cap. I can feel now the touch of the cool dove-coloured silk against my
cheek, as I sat on the floor, watching the nimble fingers with the
shuttle, and listened as Mary read aloud a letter received that morning,
describing a meeting of the faithful and the ‘moving of the Spirit’ among
them. I had a mental picture of the ‘Holy Heavenly Dove,’ with its wings
of silvery grey, hovering over my dear old ladies; and I doubt not my
vision was a true one.
Once as I watched Benjamin, the old gardener—a most ‘stiff-backed Friend’
despite his stoop and his seventy years—putting scarlet geraniums and
yellow fever-few in the centre bed, I asked, awe-struck, whether such
glowing colours were approved; and Rebecca smiled and said—“Child, dost
thee not think the Lord may have His glories?” and I looked from the
living robe of scarlet and gold to the dove-coloured gown, and said:
“Would it be pride in thee to wear His glories?” and Mary answered for
her—“The change is not yet; better beseems us the ornament of a meek and
quiet spirit.”
The ‘change from glory to glory’ has come to them both long since, but it
seems to me as if their robes must still be Quaker-grey.
Upstairs was the invalid daughter and niece. For years she had been
compelled to lie on her face; and in that position she had done wonderful
drawings of the High Priest, the Ark of the Covenant, and other Levitical
figures. She had a cageful of tame canary-birds which answered to their
names and fed from her plate at meal-times. Of these I remember only
Roger, a gorgeous fellow with a beautiful voice and strong will of his
own, who would occasionally defy his mistress from the secure fastness of
a high picture-frame, but always surrendered at last, and came to listen
to his lecture with drooping wings.
A city of Peace, this little house, for the same severely-gentle decorum
reigned in the kitchen as elsewhere: and now, where is such a haunt to be
found?
In the earlier part of this century the Friends bore a most important
witness. They were a standing rebuke to rough manners, rude speech, and
to the too often mere outward show of religion. No one could fail to be
impressed by the atmosphere of peace suggested by their bearing and
presence; and the gentle, sheltered, contemplative lives lived by most of
them undoubtedly made them unusually responsive to spiritual influence.
Now, the young birds have left the parent nest and the sober plumage and
soft speech; they are as other men; and in a few short years the word
Quaker will sound as strange in our ears as the older appellation Shaker
does now.
This year I read for the first time the Journal of George Fox. It is
hard to link the rude, turbulent son of Amos with the denizens in my city
of Peace; but he had his work to do and did it, letting breezy truths
into the stuffy ‘steeple-houses’ of the ‘lumps of clay.’
“Come out from among them and be ye separate; touch not the accursed
thing!” he thundered; and out they came, obedient to his stentorian
mandate; but alack, how many treasures in earthen vessels did they
overlook in their terror of the curse! The good people made such haste
to flee the city, that they imagined themselves as having already, in the
spirit, reached the land that is very far off; and so they cast from them
the outward and visible signs which are vehicles, in this material world,
of inward graces. Measureless are the uncovenanted blessings of God; and
to these the Friends have ever borne a witness of power; but now the
Calvinist intruder no longer divides the sheep from the goats in our
churches; now the doctrine of universal brotherhood and the respect due
to all men are taught much more effectively than when George Fox refused
to doff his hat to the Justice; the quaint old speech has lost its
significance, the dress would imply all the vainglory that the wearer
desires to avoid; the young Quakers of this generation are no longer
‘disciplined’ in matters of the common social life; yet still they remain
separate.
We of the outward and visible covenant need them, with their inherited
mysticism, ordered contemplation, and spiritual vision; we need them for
ourselves. The mother they have left yearns for them, and with all her
faults—faults the greater for their absence—and with the blinded eyes of
their recognition, she is their mother still. “_What advantage then hath
the Jew_?” asked St Paul, and answered in the same breath—“_Much every
way_, _chiefly because that unto them were committed the oracles of
God_.” What advantage then has the Churchman? is the oft repeated
question today; and the answer is still the answer of St Paul.
The Incarnation is the sum of all the Sacraments, the crown of the
material revelation of God to man, the greatest of outward and visible
signs, “_that which we have heard_, _which we have seen with our eyes_,
_which we have looked upon and our hands have handled of the word of
life_.” A strange beginning truly, to usher in a purely spiritual
dispensation; but beautifully fulfilled in the taking up of the earthly
into the heavenly—Bread and Wine, the natural fruits of the earth,
sanctified by man’s toil, a sufficiency for his needs; and instinct with
Divine life through the operation of the Holy Ghost.
“_In the sweat of thy face thou shalt eat bread_.”
“_Except ye eat the flesh of the Son of Man and drink His blood ye
have no life in you_.”
“_And the leaves of the tree were for the healing of the nations_.”
From Genesis to the Revelation of the Divine reaches the rainbow of the
Sacramental system—outward and visible signs of inward and spiritual
grace:—
The sacrament of purging, purifying labour, to balance and control the
knowledge of good and evil:—
The sacrament of life, divine life, with the outward body of humiliation,
bread and wine, fruit of the accursed ground, but useless without man’s
labour; and St Paul, caught up into the third heaven, and St John, with
his wide-eyed vision of the Lamb, must eat this bread and drink this cup
if they would live:—
The sacrament of healing, the restoring of the Image of God in fallen
man.
The Church is one society, nay, the world is one society, for man without
his fellow-men is not; and into the society, both of the Church and the
world, are inextricably woven the most social sacraments.
Herein is great purpose, we say, bending the knee; and with deep
consciousness of sins and shortcomings we stretch out longing welcoming
hands to our grey brethren with their inheritance of faithfulness and
steadfastness under persecution, and their many gifts and graces; and we
cry, in the words of the Song of Songs which is Solomon’s: “O my dove,
that art in the clefts of the rock, in the secret places of the stairs,
let me see thy countenance, let me hear thy voice; for sweet is thy
voice, and thy countenance is comely.” “Rise up, my love, my fair one,
and come away. For lo, the winter is past, the rain is over and gone.”
A Song of Low Degree
LORD, I am small, and yet so great,
The whole world stands to my estate,
And in Thine Image I create.
The sea is mine; and the broad sky
Is mine in its immensity:
The river and the river’s gold;
The earth’s hid treasures manifold;
The love of creatures small and great,
Save where I reap a precious hate;
The noon-tide sun with hot caress,
The night with quiet loneliness;
The wind that bends the pliant trees,
The whisper of the summer breeze;
The kiss of snow and rain; the star
That shines a greeting from afar;
All, all are mine; and yet so small
Am I, that lo, I needs must call,
Great King, upon the Babe in Thee,
And crave that Thou would’st give to me
The grace of Thy humility.
A German Christmas Eve
IT was intensely cold; Father Rhine was frozen over, so he may speak for
it; and for days we had lived to the merry jangle and clang of
innumerable sleigh bells, in a white and frost-bound world. As I passed
through the streets, crowded with stolidly admiring peasants from the
villages round, I caught the dear remembered ‘Grüss Gott!’ and ‘All’
Heil!’ of the countryside, which town life quickly stamps out along with
many other gentle observances.
“Gelobt sei Jesu Christ!” cried little Sister Hilarius, coming on me
suddenly at a corner, her round face aglow with the sharp air, her arms
filled with queer-shaped bundles. She begs for her sick poor as she goes
along—meat here, some bread there, a bottle of good red wine: I fancy few
refuse her. She nursed me once, the good little sister, with unceasing
care and devotion, and all the dignity of a scant five feet. “Ach, Du
lieber Gott, such gifts!” she added, with a radiant smile, and vanished
up a dirty stairway.
In the Quergasse a jay fell dead at my feet—one of the many birds which
perished thus—he had flown townwards too late. Up at the Jagdschloss the
wild creatures, crying a common truce of hunger, trooped each day to the
clearing by the Jäger’s cottage for the food spread for them. The great
tusked boar of the Taunus with his brother of Westphalia, the timid roe
deer with her scarcely braver mate, foxes, hares, rabbits, feathered
game, and tiny songbirds of the woods, gathered fearlessly together and
fed at the hand of their common enemy—a millennial banquet truly.
The market-place was crowded, and there were Christmas trees everywhere,
crying aloud in bushy nakedness for their rightful fruit. The old
peasant women, rolled in shawls, with large handkerchiefs tied over their
caps, warmed their numb and withered hands over little braziers while
they guarded the gaily decked treasure-laden booths, from whose
pent-roofs Father Winter had hung a fringe of glittering icicles.
Many of the stalls were entirely given over to Christmas-tree splendours.
Long trails of gold and silver _Engelshaar_, piles of candles—red,
yellow, blue, green, violet, and white—a rainbow of the Christian virtues
and the Church’s Year; boxes of frost and snow, festoons of coloured
beads, fishes with gleaming scales, glass-winged birds, Santa Klaus in
frost-bedecked mantle and scarlet cap, angels with trumpets set to their
waxen lips; and everywhere and above all the image of the Holy Child.
Sometimes it was the tiny waxen Bambino, in its pathetic helplessness;
sometimes the Babe Miraculous, standing with outstretched arms awaiting
the world’s embrace—Mary’s Son, held up in loving hands to bless; or the
Heavenly Child-King with crown and lily sceptre, borne high by Joseph,
that gentle, faithful servitor. It was the festival of Bethlehem, feast
of never-ending keeping, which has its crowning splendour on Christmas
Day.
A Sister passed with a fat, rosy little girl in either hand; they were
chattering merrily of the gift they were to buy for the dear Christkind,
the gift which Sister said He would send some ragged child to receive for
Him. They came back to the poor booth close to where I was standing. It
was piled with warm garments; and after much consultation a little white
vest was chosen—the elder child rejected pink, she knew the Christkind
would like white best—then they trotted off down a narrow turning to the
church, and I followed.
The Crêche stood without the chancel, between the High Altar and that of
Our Lady of Sorrows. It was very simple. A blue paper background
spangled with stars; a roughly thatched roof supported on four rude
posts; at the back, ox and ass lying among the straw with which the
ground was strewn. The figures were life-size, of carved and painted
wood: Joseph, tall and dignified, stood as guardian, leaning on his
staff; Mary knelt with hands slightly uplifted in loving adoration; and
the Babe lay in front on a truss of straw disposed as a halo. It was the
World’s Child, and the position emphasised it. Two or three
hard-featured peasants knelt telling their beads; and a group of children
with round, blue eyes and stiff, flaxen pigtails, had gathered in front,
and were pointing and softly whispering. My little friends trotted up,
crossed themselves; it was evidently the little one’s first visit.
“Guck! guck mal an,” she cried, clapping her fat gloved hands, “sieh mal
an das Wickelkind!”
“Dass ist unser Jesu,” said the elder, and the little one echoed “Unser
Jesu, unser Jesu!”
Then the vest was brought out and shown—why not, it was the Christchild’s
own?—and the pair trotted away again followed by the bright, patient
Sister. Presently everyone clattered out, and I was left alone at the
crib of Bethlehem, the gate of the Kingdom of Heaven.
It was my family, my only family; but like the ever-widening circle on
the surface of a lake into which a stone has been flung, here, from this
great centre, spread the wonderful ever-widening relationship—the real
brotherhood of the world. It is at the Crib that everything has its
beginning, not at the Cross; and it is only as little children that we
can enter into the Kingdom of Heaven.
When I went out again into the streets it was nearly dark. Anxious
mothers hurried past on late, mysterious errands; papas who were not
wanted until the last moment chatted gaily to each other at street
corners, and exchanged recollections; maidservants hastened from shop to
shop with large baskets already heavily laden; and the children were
everywhere, important with secrets, comfortably secure in the knowledge
of a tree behind the parlour doors, and a kindly, generous Saint who knew
all their wants, and needed no rod _this_ year.
One little lad, with a pinched white face, and with only an empty
certainty to look forward to, was singing shrilly in the sharp, still
air, “Zu Bethlehem geboren, ist uns ein Kindelein,” as he gazed wistfully
at a shop window piled high with crisp gingerbread, marzipan, chocolate
under every guise, and tempting cakes. A great rough peasant coming out,
saw him, turned back, and a moment later thrust a gingerbread Santa
Klaus, with currant eyes and sugar trimming to his coat and cap, into the
half-fearful little hands. “Hab’ ebenso ein Kerlchen zu Haus’,” he said
to me apologetically as he passed.
I waited to see Santa Klaus disappear; but no, the child looked at the
cake, sighed deeply with the cruel effort of resistance, and refrained.
It was all his Christmas and he would keep it. He gazed and gazed, then
a smile rippled across the wan little face and he broke out in another
carol, “Es kam ein Engel hell und klar vom Himmel zu der Hirten Schaar,”
and hugging his Santa Klaus carefully, wandered away down the now
brilliant streets: he did not know he was hungry any more; the angel had
come with good tidings.
As I passed along the streets I could see through the uncurtained windows
that in some houses Christmas had begun already for the little ones.
Then the bells rang out deep-mouthed, carrying the call of the eager
Church to her children, far up the valley and across the frozen river.
And they answered; the great church was packed from end to end, and from
my place by the door I saw that two tiny Christmas trees bright with
coloured candles burnt either side of the Holy Child.
A blue-black sky ablaze with stars for His glory, a fresh white robe for
stained and tired earth; so we went to Bethlehem in the rare stillness of
the early morning. The Church, having no stars, had lighted candles; and
we poor sinful men having no white robes of our own had craved them of
the Great King at her hands.
And so in the stillness, with tapers within and stars alight without,
with a white-clad earth, and souls forgiven, the Christ Child came to
those who looked for His appearing.
A Christmas Idyll
THE Child with the wondering eyes sat on the doorstep, on either side of
her a tramp cat in process of becoming a recognised member of society.
On the flagged path in front the brown brethren were picking up crumbs.
The cats’ whiskers trembled, but they sat still, proudly virtuous, and
conscious each of a large saucer of warm milk within.
“What,” said the Child, “is a symbol?”
The cats looked grave.
The Child rose, went into the house, and returned with a well-thumbed
brown book. She turned the pages thoughtfully, and read aloud,
presumably for the benefit of the cats: “In a symbol there is concealment
yet revelation, the infinite is made to blend with the finite, to stand
visible, and as it were attainable there.” The Child sighed, “We had
better go to the Recluse,” she said. So the three went.
It was a cold, clear, bright day, a typical Christmas Eve. There was a
carpet of crisp snow on the ground, and a fringe of icicles hung from
every vantage-point. The cats, not having been accustomed to the
delights of domesticity, trotted along cheerfully despite the chill to
their toes; and they soon came to the forest which all three knew very
well indeed. It was a beautiful forest like a great cathedral, with long
aisles cut between the splendid upstanding pine trees. The green-fringed
boughs were heavy with snow, the straight strong stems caught and
reflected the stray sun rays, and looking up through the arches and
delicate tracery and interlaced branches the eye caught the wonderful
blue of the great domed roof overhead. The cats walked delicately,
fearful of temptation in the way of rabbits or frost-tamed birds, and the
Child lilted a quaint German hymn to a strange old tune:—
“Ein Kind gebor’n zu Bethlehem.
Alleluja!
Dess freuet sich Jerusalem,
Alleluja! Alleluja!”
The Recluse was sitting on a bench outside his cave. He was dressed in a
brown robe, his eyes were like stars wrapped in brown velvet, his face
was strong and gentle, his hair white although he looked quite young. He
greeted the Child very kindly and stroked the cats.
“You have come to ask me a question, Child?”
“If you please,” said the Child, “what is a symbol?”
“Ah,” said the Recluse, “I might have known you would ask me that.”
“The Sage says,” went on the Child, “that it is concealment yet
revelation.”
The Recluse nodded.
“Just as a mystery that we cannot understand is the greatest possible
wisdom. Go in and sit by my fire, Child; there are chestnuts on the
hearth, and you will find milk in the brown jug. I will show you a
symbol presently.”
The Child and the two cats went into the cave and sat down by the fire.
It was warm and restful after the biting air. The cats purred
pleasantly, the Child sat with her chin in her hand watching the glowing
wood burn red and white on the great hearthstone.
“The Recluse generally answers my questions by showing me something I
have seen for a long time but never beheld, or heard and never lent ear.
I wonder what it will be this time,” she said to herself.
The grateful warmth made the Child sleepy, and she gave a start when she
found the Recluse standing by her with outstretched hand.
“Come, dear Child,” he said; and leaving the sleeping cats she followed
him, her hand in his.
The air was full of wonderful sound, voices and song, and the cry of the
bells.
The Child wondered, and then remembered it was Christmas night. The
Recluse led her down a little passage and opened a door. They stepped
out together, but not into the forest.
“This is the front door of my house,” said the Recluse, with a little
smile.
They stood on a white road, on one side a stretch of limestone down, on
the other steep terraces with gardens and vineyard. The air was soft and
warm, and sweet with the breath of lilies. The heaven was ablaze with
stars; across the plain to the east the dawn was breaking. A group of
strangely-clad men went down the road followed by a flock of sheep.
“Let us go with them,” said the Recluse; and hand in hand they went.
The road curved to the right; round the bend, cut in the living rock, was
a cave; the shepherds stopped and knelt, and there was no sound but the
soft rapid breathing of the flock. Then the Child was filled with an
overmastering longing, a desire so great that the tears sprang hot to her
eyes. She dropped the Recluse’s hand and went forward where the
shepherds knelt. Once again the air was full of wonderful sound, voices
and song, and the cry of the bells; but within all was silence. The cave
was rough-hewn, and stabled an ox and an ass; close to the front a tall
strong man leaning on a staff kept watch and ward; within knelt a peasant
Maid, and on a heap of yellow straw lay a tiny new-born Babe loosely
wrapped in a linen cloth: around and above were wonderful figures of fire
and mist.
The infinite, visible and attainable.
The mystery which is the greatest possible wisdom.
* * * * *
“Come, Child,” said the Recluse.
The fire had burnt low; it was quite dark, save for the glow of the live
embers.
He threw on a great dry pine log; it flared like a torch. The cats’
stretched in the sudden blaze, and then settled to sleep again. The
Child and the Recluse passed out into the forest. The moon was very
bright and the snow reflected its rays, so that it was light in spite of
the great trees. The air was full of wonderful sound, voices and song,
and the cry of the bells; and the Child sang as she went in a half-dream
by the side of the Recluse:—
“In dieser heil’gen Weihnachtszeit,
Alleluja!
Sei, Gott der Herr, gebenedeit,
Alleluja! Alleluja!”
and wondered when she would wake up. They came to the old, old church in
the forest, and the pictured saints looked out at them from the lighted
window; through the open door they could see figures moving about with
tapers in their hands; save for these the church was still empty.
The Recluse led the way up the nave to the north side of the Altar. The
Child started a little; she was really dreaming then a kind of circular
dream, for again she stood before the cave, again the reverend figure
kept watch and ward over the kneeling Maid and the little Babe. The
sheep and the shepherds were not there, but a little lamb had strayed in;
and the wonderful figures of fire and mist—they were there in their
place.
“Little one,” said the Recluse softly, “here is a symbol—concealment yet
revelation—the King as servant—the strong helpless—the Almighty a little
child; and thus the infinite stands revealed for all of us, visible and
attainable, if we will have it so. It is the centre of all mystery, the
greatest possible wisdom, the Eternal Child.”
“You showed it me before,” said the Child, “only we were out of doors,
and the shepherds were there with the sheep; but the angels are here just
the same.”
The Recluse bowed his head.
“Wait for me here with them, dear Child, I will fetch you after service.”
The church began to fill; old men in smock frocks and tall hats, little
children wrapped warm against the cold, lads, shining and spruce, old
women in crossed shawls and wonderful bonnets. The service was not very
long; then the Recluse went up into the old grey stone pulpit. The
villagers settled to listen—he did not often preach.
“My brothers and sisters, to-night we keep the Birth of the Holy Babe,
and to-night you and I stand at the gate of the Kingdom of Heaven, the
gate which is undone only at the cry of a little child. ‘Except ye be
converted and become as little children, ye shall not enter.’
“The Kingdom is a great one, nay, a limitless one; and many enter in
calling it by another name. It includes your own hearts and this
wonderful forest, all the wise and beautiful works that men have ever
thought of or done, and your daily toil; it includes your nearest and
dearest, the outcast, the prisoner, and the stranger; it holds your
cottage home and the jewelled City, the New Jerusalem itself. People are
apt to think the Kingdom of Heaven is like church on Sunday, a place to
enter once a week in one’s best: whereas it holds every flower, and has
room for the ox and the ass, and the least of all creatures, as well as
for our prayer and worship and praise.
“‘Except ye become as little children.’ How are we to be born again,
simple children with wondering eyes?
“We must learn to lie in helpless dependence, to open our mouth wide that
it may be filled, to speak with halting tongue the language we think we
know; we must learn above all our own ignorance, and keep alight and
cherish the flame of innocency in our hearts.
“It is a tired world, my brethren, and we are most of us tired men and
women who live on it, for we seek ever after some new thing. Let us pass
out through the gate into the Kingdom of Heaven and not be tired any
more, because there we shall find the new thing that we seek. Heaven is
on earth, the Kingdom is here and now; the gate stands wide to-night, for
it is the birthright of the Eternal Child. We are none of us too poor,
or stupid, or lowly; it was the simple shepherds who saw Him first. We
are none of us too great, or learned, or rich; it was the three wise
kings who came next and offered gifts. We are none of us too young; it
was little children who first laid down their lives for Him; or too old,
for Simeon saw and recognised Him. There is only one thing against most
of us—we are too proud.
“My brethren, ‘let us now go even to Bethlehem, and face this thing which
is come to pass, which the LORD hath made known unto us.’”
* * * * *
The lights were out in the church when the Recluse came to fetch the
Child. She was still kneeling by the crêche, keeping watch with the
wonderful figures of fire and mist.
“Was _this_ a dream or the other?” said the Child.
“Neither,” said the Recluse, and he blessed her in the moonlit dark.
The air was full of wonderful sound, voices and song, and the cry of the
bells.
The Manifestation
GOD said; “Let there be light”; and in the East
A star rose flaming from night’s purple sea—
The star of Truth, the star of Joy, the star
Seen by the prophets down the lonely years;
Set for a light to show the Perfect Way;
Set for a sign that wayfarers might find;
Set for a seal to mark the Godhead’s home.
And three Kings in their palaces afar,
Who waited ardently for promised things,
Beheld, and read aright. Straightway the road
Was hot with pad of camel, horse’s hoof,
While night was quick as day with spurring men
And light with flaring torch. “Haste, haste!” they cried,
“We seek the King, the King! for in the East
His star’s alight.”
BETHLEHEM
_The Angels_
Soft and slow, soft and slow,
With angels’ wings of fire and snow,
To rock Him gently to and fro.
Fire to stay the chill at night,
Snow to cool the noonday bright;
And overhead His star’s alight.
Pale and sweet, pale and sweet,
Maid Mary keeps her vigil meet,
While Joseph waits with patient feet.
Mary’s love for soft embrace,
Joseph’s strength to guard the place.
Lo! from the East Kings ride apace.
Gold and myrrh, gold and myrrh,
Frankincense for harbinger,
Myrrh to make His sepulchre.
Roses white and roses red,
Thorns arrayed for His dear Head.
Hail! hail! Wise Men who seek His bed
_Joseph_
Little One, Little One, Saviour and Child,
Father and Mother, my Husband and Son;
Born of the lily, the maid undefiled,
Babe of my Love, the Beatified One.
Little One, Little One, Master and LORD,
Kings of the Earth come, desiring Thy Face;
I, Thy poor servitor, lowly afford
All that my life holds, for all is Thy Grace.
Little One, Little One, GOD over all,
Earth is thy footstool, and Heav’n is Thy throne:
Joseph the carpenter, prostrate I fall;
Praise thee, adore Thee, and claim Thee mine own.
_Maid Mary_
Babe, dear Babe!
Mine own, mine own, my heart’s delight,
The myrrh between my breasts at night,
My little Rose, my Lily white,
My Babe for whom the star’s alight.
Babe, dear Babe!
Mine own, mine own, GOD’S only SON,
Foretold, foreseen, since earth begun;
Desire of nations, Promised One
When Eve was first by sin undone.
Babe, dear Babe!
Mine own, mine own, the whole world’s Child!
Born of each heart that’s undefiled,
Nursed at the breast of Mercy mild,
And in the arms of Love asiled.
Babe, dear Babe!
My crown of glory, sorrow’s sword,
My Maker, King, Redeemer, Lord,
My Saviour and my great Reward;
My little Son, my Babe adored.
_The Three Kings_
Hail! Hail thou wondrous little King!
To Thy dear Feet
Our offerings meet
With bended knee we bring;
O mighty baby King,
Accept the offering.
_First King_
LORD, I stoop low
My head of snow,
Thus I, the great, hail Thee, the Least!
And swing the censer for the Priest,
The Priest with hands upraised to bless,
The Priest of this world’s bitterness.
As I stoop low
My head of snow,
Bless me, O Priest, before I go.
_Second King_
Behold me, King!
A man of might,
Who rules dominions infinite;
Strong in the harvest of the years,
And one who counts no kings as peers.
O little King,
Behold my crown!
I lay it down,
And bow before Thy lowly bed
My all unworthy uncrowned head,
For I am naught and Thou art All.
And Thou shalt climb a throne set high,
Between sad earth and silent sky,
Thereon to agonize and die;
And at Thy Feet the world shall fall.
Stretch out Thy little Hands, O King,
Behold the world’s imagining!
_Third King_
Out of the shadow of the night
I come, led by the starshine bright,
With broken heart to bring to Thee
The fruit of Thine Epiphany,
The gift my fellows send by me,
The myrrh to bed Thine agony.
I set it here beneath Thy Feet,
In token of Death’s great defeat;
And hail Thee Conqueror in the strife;
And hail Thee Lord of Light and Life.
All hail! All hail the Virgin’s Son!
All hail! Thou little helpless One!
All hail! Thou King upon the Tree!
All hail! The Babe on Mary’s knee,
The centre of all mystery!
All Souls’ Day in a German Town
THE leaves fall softly: a wind of sighs
Whispers the world’s infirmities,
Whispers the tale of the waning years,
While slow mists gather in shrouding tears
On All Souls’ Day; and the bells are slow
In steeple and tower. Sad folk go
Away from the township, past the mill,
And mount the slope of a grassy hill
Carved into terraces broad and steep,
To the inn where wearied travellers sleep,
Where the sleepers lie in ordered rows,
And no man stirs in his long repose.
They wend their way past the haunts of life,
Father and daughter, grandmother, wife,
To deck with candle and deathless cross,
The house which holds their dearest loss.
I, who stand on the crest of the hill,
Watch how beneath me, busied still,
The sad folk wreathe each grave with flowers.
Awhile the veil of the twilight hours
Falls softly, softly, over the hill,
Shadows the cross:—creeps on until
Swiftly upon us is flung the dark.
Then, as if lit by a sudden spark,
Each grave is vivid with points of light,
Earth is as Heaven’s mirror to-night;
The air is still as a spirit’s breath,
The lights burn bright in the realm of Death.
Then silent the mourners mourning go,
Wending their way to the church below;
While the bells toll out to bid them speed,
With eager Pater and prayerful bead,
The souls of the dead, whose bodies still
Lie in the churchyard under the hill;
While they wait and wonder in Paradise,
And gaze on the dawning mysteries,
Praying for us in our hours of need;
For us, who with Pater and prayerful bead
Have bidden those waiting spirits speed.
Rivers and Streams
RUNNING water has a charm all its own; it proffers companionship of which
one never tires; it adapts itself to moods; it is the guardian of
secrets. It has cool draughts for the thirsty soul as well as for
drooping flowers; and they who wander in the garden of God with listening
ears learn of its many voices.
When the strain of a working day has left me weary, perhaps troubled and
perplexed, I find my way to the river. I step into a boat and pull up
stream until the exertion has refreshed me; and then I make fast to the
old alder-stump where last year the reed-piper nested, and lie back in
the stern and think.
The water laps against the keel as the boat rocks gently in the current;
the river flows past, strong and quiet. There are side eddies, of
course, and little disturbing whirlpools near the big stones, but they
are all gathered into the broad sweep of the stream, carried down to the
great catholic sea. And while I listen to the murmur of the water and
watch its quiet strength the day’s wrinkles are smoothed out of my face;
and at last the river bears me homeward rested and at peace.
There are long stretches of time for me when I must remain apart from the
world of work, often unwilling, sometimes with a very sore heart. Then I
turn my steps towards my friend and wander along the banks, a solitary
not alone. In the quiet evening light I watch the stream ‘never hasting,
never resting’: the grass that grows beside it is always green, the
flowers are fresh; it makes long embracing curves—I could cross from
point to point in a minute, but to follow takes five. The ways of the
water are ways of healing; I have a companion who makes no mistakes,
touches none of my tender spots.
Presently I reach the silent pool, where the stream takes a wide sweep.
Here the fair white water-lilies lie on their broad green leaves and wait
for their lover the moon; for then they open their silvery leaves and
bloom in the soft light fairer far than beneath the hot rays of the sun.
Then, too, the buds rise out of the water and the moon kisses them into
bloom and fragrance. Near by are the little yellow water-lilies, set for
beauty against a background of great blue-eyed forget-me-nots and tall
feathery meadowsweet. The river still sweeps on its way, but the pool is
undisturbed; it lies out of the current. They say it is very deep—no one
knows quite how deep—and it has its hidden tragedy. I gaze down through
the clear water, following the thick lily-stalks—a forest where solemn
carp sail in and out and perch chase each other through the maze—and
beyond them I cannot see the bottom, the secret of its stillness; but I
may watch the clouds mirrored on its surface, and the evening glow lying
at my feet.
I think of the fathomless depths of the peace of God, fair with flowers
of hope; of still places wrought in man; of mirrors that reflect, in
light uncomprehended, the Image of the Holy Face.
I go home across the common, comforted, towards the little town where the
red roofs lie glimmering in the evening shadows, and the old grey church
stands out clear and distinct against the fading sky.
* * * * *
One of the happiest memories of my childhood is the little brook in the
home field. I know it was not a very clean little brook—it passed
through an industrious manufacturing world—but to me then this mattered
not at all.
Where it had its source I never found out; it came from a little cave in
the side of the hill, and I remember that one of its banks was always
higher than the other. I once sought to penetrate the cave, but with sad
results in the shape of bed before dinner and no pudding, such small
sympathy have one’s elders with the spirit of research. Just beyond the
cave the brook was quite a respectable width,—even my big boy cousin fell
into mud and disgrace when he tried to jump it—and there was a gravelly
beach, at least several inches square, where we launched our boats of
hollowed elder-wood. Soon, however, it narrowed, it could even be
stepped over; but it was still exciting and delightful, with two perilous
rapids over which the boats had to be guided, and many boulders—for the
brook was a brave stream, and had fashioned its bed in rocky soil.
Further down was our bridge, one flat stone dragged thither by really
herculean efforts. It was unnecessary, but a triumph. A little below
this outcome of our engineering skill the brook widened again before
disappearing under a flagged tunnel into the neighbouring field. Here,
in the shallows, we built an aquarium. It was not altogether successful,
because whenever it rained at all hard the beasts were washed out; but
there was always joy in restocking it. Under one of the banks close by
lived a fat frog for whom I felt great respect. We used to sit and gaze
at each other in silent intercourse, until he became bored—I think I
never did—and flopped into the water with a splash.
But it was the brook itself that was my chief and dearest companion. It
chattered and sang to me, and told me of the goblins who lived under the
hill, of fairies dancing on the grass on moonlight nights, and scolding
the pale lilac milk-maids on the banks; and of a sad little old man
dressed in brown, always sad because his dear water-children ran away
from him when they heard the voice of the great river telling them of the
calling of the sea.
It spoke to me of other more wonderful things, not even now to be put
into words, things of the mysteries of a child’s imagination; and these
linger still in my life, and will linger, I think, until they are
fulfilled.
* * * * *
I have another friend—a Devonshire stream. I found it in spring when the
fields along its banks were golden with Lent-lilies. I do not even know
its name; it has its source up among the old grey tors, and doubtless in
its beginning had a hard fight for existence. When it reaches the plain
it is a good-sized stream, although nowhere navigable. I do not think it
even turns a mill; it just flows along and waters the flowers. I have
seen it with my bodily eyes only once; but it has left in my life a
blessing, a picture of blue sky, yellow bells, and clear rippling
water—and whispered secrets not forgotten.
All the Devonshire streams are full of life and strength. They chatter
cheerily over stones, they toil bravely to shape out their bed. Some of
them might tell horrible tales of the far-away past, of the worship of
the false god when blood stained the clear waters; tales, too, of feud
and warfare, of grave council and martial gathering; and happy stories of
fairy and pixy our eyes are too dull to see, and of queer little hillmen
with foreign ways and terror of all human beings. Their banks are bright
with tormentil, blue with forget-me-not, rich in treasures of starry
moss; the water is clear, cool in the hottest summer—they rise under the
shadow of the everlasting hills, and their goal is the sea.
* * * * *
There are other times when I must leave the clean waters and the good
brown earth, to live, for a while, in London: and there I go on
pilgrimage that I may listen to the river’s voice.
I stand sometimes at a wharf where the ships are being unloaded of the
riches of every country, of fruits of labour by my unknown brothers in
strange lands; and the river speaks of citizenship in the great world of
God, wherein all men have place, each man have his own place, and every
one should be neighbour to him who may have need.
I pass on to London Bridge, our Bridge of Sighs. How many of these my
brethren have sought refuge in the cold grey arms of the river from
something worse than death? What drove them to this dreadful
resting-place? What spectre hurried them to the leap? These things,
too, are my concern, the river says.
Life is very grim in London: it is not painted in the fair, glowing
colours of grass and sky and trees, and shining streams that bring peace.
It is drawn in hard black and white; but the voice of its dark waters
must be heard all the same.
* * * * *
I would not leave my rivers in the shadow. After all, this life is only
a prelude, a beginning: we pass on to where “the rivers and streams make
glad the city of God.” But if we will not listen here how shall we
understand hereafter.
Spring
HARK how the merry daffodils,
Fling golden music to the hills!
And how the hills send echoing down,
Through wind-swept turf and moorland brown,
The murmurs of a thousand rills
That mock the song-birds’ liquid trills!
The hedge released from Winter’s frown
Shews jewelled branch and willow crown;
While all the earth with pleasure trills,
And ‘dances with the daffodils.’
Out, out, ye flowers! Up and shout!
Staid Winter’s passed and Spring’s about
To lead your ranks in joyous rout;
To string the hawthorn’s milky pearls,
And gild the grass with celandine;
To dress the catkins’ tasselled curls,
To twist the tendrils of the vine.
She wakes the wind-flower from her sleep,
And lights the woods with April’s moon;
The violets lift their heads to peep,
The daisies brave the sun at noon.
The gentle wind from out the west
Toys with the lilac pretty maids;
Ruffles the meadow’s verdant-vest,
And rings the bluebells in the glades;
The ash-buds change their sombre suit,
The orchards blossom white and red—
Promise of Autumn’s riper fruit,
When Spring’s voluptuousness has fled.
Awake! awake, O throstle sweet!
And haste with all your choir to greet
This Queen who comes with wakening feet.
Persephone with grateful eyes
Salutes the Sun—’tis Paradise:
Then hastens down the dewy meads,
Past where the herd contented feeds,
Past where the furrows hide the grain,
For harvesting of sun and rain;
To where Demeter patient stands
With longing lips and outstretched hands,
Until the dawning of one face
Across the void of time and space
Shall bring again her day of grace.
Rejoice, O Earth! Rejoice and sing!
This is the promise of the Spring,
And this the world’s remembering.
A Lark’s Song
SWEET, sweet!
I rise to greet
The sapphire sky
The air slips by
On either side
As up I ride
On mounting wing,
And sing and sing—
Then reach my bliss,
The sun’s great kiss;
And poise a space
To see his face,
Sweet, sweet,
In radiant grace,
Ah, sweet! ah, sweet!
Sweet, sweet!
Beneath my feet
My nestlings call:
And down I fall
Unerring, true,
Through heaven’s blue;
And haste to fill
Each noisy bill.
My brooding breast
Stills their unrest.
Sweet, sweet,
Their quick hearts beat,
Safe in the nest:
Ah, sweet, sweet, sweet!
Ah, sweet!
Sweet, sweet
The calling sky
That bids me fly
Up—up—on high.
Sweet, sweet
The claiming earth;
It holds my nest
And draws me down
To where Love’s crown
Of priceless worth
Awaits my breast.
Sweet, sweet!
Ah, this is best
And this most meet,
Sweet, sweet! ah, sweet!
‘Luvly Miss’
NOBODY thought of consequences. There was a lighted paraffin lamp on the
table and nothing else handy. Mrs Brown’s head presented a tempting
mark, and of course Mr Brown’s lengthy stay at ‘The Three Fingers’ had
something to do with it; but nobody thought of Miss Brown, aged four, who
was playing happily on the floor, unruffled by the storm to which she was
so well accustomed.
Mrs Brown ducked; there was a smash, a scream, and poor little Miss Brown
was in a blaze. The shock sobered the father and silenced the mother.
Miss Brown was extinguished with the aid of a table-cover, much water,
and many neighbours; but she was horribly burnt all over, except her
face.
* * * * *
I made Miss Brown’s acquaintance a few days later. She was lying on a
bed made up on two chairs, and was covered with cotton wool. She had
scarcely any pain, and could not move at all; and the small face that
peered out of what she called her “pitty warm snow” was wan and drawn and
had a far-away look in the dark eyes.
Miss Brown possessed one treasure, her ‘luvly miss.’ I suppose I must
call it a doll, though in what its claim to the title consisted I dared
not ask; Miss Brown would have deeply resented the enquiry. It was a
very large potato with a large and a small bulge. Into the large bulge
were inserted three pieces of fire-wood, the body and arms of ‘luvly
miss’; legs she had none.
How Miss Brown came by this treasure I never heard. She had an
impression that it “flied froo the winder”—I fancy Mr Brown had a hand in
the manufacture in one of his lucid moments; but it was a treasure indeed
and the joy of Miss Brown’s life. She held long conversations with
‘luvly miss’ on all familiar subjects; and apparently obtained much
strange and rare information from her. For example, Miss Brown and
‘luvly miss’ in some previous stage of their existence had inhabited a
large chimney-pot together, “where it was always so warm and a bootie
‘mell of cookin’.’” Also she had a rooted belief that one day she and
‘luvly miss’ would be “hangels wiv’ black weils and basticks.” This
puzzled me for some time, until I discovered it to be an allusion to the
good deaconess who attended her, and whom Mrs Brown in gratitude
designated by this title.
Alas for little Miss Brown and her ‘luvly miss’! their respective ends
were drawing near. I went in one Friday, a week or so after the
accident, and found Mrs Brown in tears and despair, and Miss Brown with a
look of anguish on her poor little pinched face that was bad to see.
‘Luvly Miss’ was no more.
It was Mr Brown again; or, to trace back the links of occasion, it was
the action of ‘The Three Fingers’ on Mr Brown’s frail constitution. He
had come in late, seen ‘luvly miss’ on the table, and, with his usual
heedlessness of consequence, had chucked her into the dying embers
where—alas that I should have to say it!—she slowly baked. Little Miss
Brown, when the miserable truth was broken to her, neither wept nor
remonstrated; she lay quite still with a look of utter forsaken
wretchedness on her tiny white face, and moaned very softly for ‘luvly
miss.’
I came face to face with this state of things and I confess it staggered
me. I knew Miss Brown too well to hope that any pink-and-white darling
from the toy-shop could replace ‘luvly miss,’ or that she could be
persuaded to admit even a very image of the dear departed into her
affections. Then, too, the doctor said Miss Brown had but a few days at
the most, perhaps only hours, to live; and comforted she must be.
All at once I had an inspiration, and never in my life have I welcomed
one more. I knelt down by little Miss Brown and told her the story of
the Phoenix. I had not reckoned in vain upon her imagination: would I
“yerely and twooly bwing” her “werry own luvly miss out of the ashes?” I
lied cheerfully and hastened away to the dust-bin, accompanied by Mrs
Brown.
In a few minutes we returned with a pail of ashes, the ashes, of course,
of ‘luvly miss’ mingled with those of the cruel fire which had consumed
her. I danced solemnly round them, murmured mysterious words, parted the
ashes, and revealed the form of ‘luvly miss.’ Love’s eyes were not sharp
to mark a change, and little Miss Brown’s misplaced faith in me was
strong. Never shall I forget the scream of joy which greeted the
restored treasure, or the relief with which I saw an expression of peace
settle once more on Miss Brown’s face.
* * * * *
I saw them again next day. Little Miss Brown was asleep in her last
little bed, still wrapped in the “pitty warm snow,” and ‘luvly miss’ lay
beside her.
Four Stories Told to Children
The Story of the Dreadful Griffin.
MY DEAR CHILDREN,—I am going to tell you a really breathless story for
your holiday treat. It will have to begin with the moral, because
everyone will be too much exhausted to read one at the end, and as the
moral is the only part that really matters, it is important to come to it
quite fresh.
We will, therefore, endeavour to learn from this story:—
If we fly at all, to fly _high_.
To be extremely polite.
To be kind and grateful to cats and all other animals.
All the trouble arose one day when the Princess (there is always a
Princess in a fairy-tale, you know) was playing in the garden with her
ball. She threw it up in the air much higher than usual and it never
came down again. There was an awful shriek, like ten thousand
steam-engines; all the ladies-in-waiting fainted in a row, the
inhabitants of the place went stone-deaf, and the Captain of the Guard,
who was in attendance with a company of his troops, seized the Princess,
put her on his horse, galloped away followed by his soldiers to a castle
on the top of a hill, deposited the Princess in the highest room, and
then and only then, told her what had happened.
“Miss,” he said, for he was so upset he forgot Court etiquette, “Miss,
your ball must have hit the Dreadful Griffin in the eye (I noticed he was
taking a little fly in the neighbourhood), and that was the reason of the
awful shriek. Well, Miss, the Dreadful Griffin never was known to
forgive anybody anything, so I snatched you up quick before he could get
at you and brought you to the Castle of the White Cats. There are
seventeen of these animals sitting outside the door and twenty-seven more
standing in the courtyard, so you’re as safe as safe can be, for the
Dreadful Griffin can’t look at a white cat without getting the ague and
then he shakes so a mouse wouldn’t be afraid of him. And now, Miss, I
must go back to your Royal Pa, so I will wish you good-morning.”
Having made this long speech the Captain suddenly remembered the Court
etiquette, became very hot and red, went out of the room backwards, and
instantly fell over the seventeen cats who all swore at him, which so
confused the poor man that he rolled down the stairs and out into the
court where the twenty-seven cats were having rations of mouse-pie served
out to them; and the Captain rolled into the middle of the pie, scalded
himself badly with the gravy, and was thankful to jump on his horse and
ride away with his soldiers to report matters to the King.
The King was so pleased with his promptitude that he made him the General
of the Flying Squadron, which only fights in the air, and conferred on
him the medal of the Society for the Suppression of Superfluous
Salamanders, whereat the Captain was overjoyed.
But this is a digression, and I only told you because I wanted you to see
that virtue is always rewarded.
Now for the poor Princess.
Well, she cried a little, of course, but the cats brought her some
mouse-pie, which she found very good, and she was soon quite happy
playing with some of the kittens and nearly forgot all about the Dreadful
Griffin; but he did not forget about _her_, oh dear no! He flew after
the Captain when he galloped away with the Princess, but when he saw the
White Cats he shook with ague so fearfully that his teeth rolled about in
his mouth like billiard balls and he had to go and get a new set before
he could eat his dinner. Well, he was in a perfect fury, and how to get
at the Princess he did not know. He swallowed several buckets of hot
brimstone, rolled his head in a red flannel petticoat, put his tail in a
hot sand-bag, and went to bed hoping to cure the ague, which he did
completely, so that he was quite well next day and more anxious to eat
the Princess than ever.
Now next door to the Dreadful Griffin (that is, a hundred miles away)
there lived a Wicked Witch, and he went to consult her as to how he might
get at the Princess. When the Wicked Witch heard what a sad effect White
Cats had on the Griffin’s constitution she said that she would have
expected a Griffin of his coils to have had more sense.
“Any slow-worm knows,” said the Wicked Witch, “that cats love mice better
than Princesses; therefore get a large sack of fat mice, let them loose a
little way from the castle, and when the cats see them they will run
after them, and you can eat the Princess.”
The Dreadful Griffin was so pleased with the Wicked Witch that he
presented her with a pair of fire-bricks and a hot-water tin, and then
flew away to the Purveyor of Mice, who lived in a town about seventy
miles away. He bought twelve hundred dozen fat mice of the best quality,
all the Purveyor had in stock that were home-grown, and flew on with them
to the castle. When he was a little way off he let the mice out,
expecting all the cats to arrive at once; but not a cat appeared. They
_heard_ mice and they _smelt_ mice, but not a cat moved, for they were on
their honour; so they kept guard and licked their lips sadly. When the
Griffin saw the last of the twelve hundred dozen mice disappearing down
the road with never a cat after them, he was in a tremendous temper and
flew away to the house of the Wicked Witch, only stopping to pick up a
steam engine which he dropped through her roof, and then went home to
bed. Next day he remembered a friend of his called the Grumpy Giant, who
lived six doors away, that is, about a thousand miles, so he flew to ask
his advice. When the Giant heard his story, he said in the gruffest
voice you ever heard, “Mice is common, try sparrers” (by which you can
see that he was quite an uneducated person), and then he turned over and
went to sleep.
The Dreadful Griffin at once flew away to the Sparrow Preserves, bought
eleven thousand, and then proceeded to let them fly close to the castle.
Still not a cat moved. As the cats’ copy-book well says, “Honour is
dearer to cats than mice or birds,” and all the kittens write this in
round-hand as soon as they can do lessons at all, and never forget it.
Well, I really dare not describe the state of mind the Griffin was in;
but he made the air so hot that all the people put on their thinnest
clothes, although it was the middle of winter. He flew home puffing and
snorting, and on the way he passed the house of the Amiable Answerer. He
went in and told his story, and his voice shook with rage. The Amiable
Answerer gave him a penny pink ice to cool him down, and then said
gently:—
“I think, dear Mr Griffin, that green spectacles would meet your case.
Then the cats which are now white would appear to you green and . . . ”
But the Griffin was already half-way to a Watchmaker’s where they sold
glasses. He burst into the shop, frightened the watchmaker so that he
fell into the works of the watch he was mending and could only be got out
with the greatest difficulty, seized twelve pairs of green spectacles,
put them on all at once and flew towards the castle.
Now the Dreadful Griffin was one of those creatures who do not stop to
think, consequently he came to grief. White cats gave him the ague, but
green dogs made him cough most fearfully; and a little way out of the
town he met thirteen white poodles taking a walk, who of course all
looked bright green to the Dreadful Griffin. He coughed so fearfully
that all the twelve pairs of spectacles fell off his nose and were
smashed to bits, and his plan was spoilt once more.
No, I am not going to tell you what the Dreadful Griffin said and did
then, it is too terrible to speak of, but he had to keep in bed for a
week, and drink hot tar, and have his chest ironed with a steam roller,
and his nose greased with seven pounds of tallow candles; but all his
misfortunes did not cure him of wanting to eat the Princess. When his
cough was better, he went for a walk in the wood near which he lived, to
think out a new plan. Suddenly he heard something croaking, and saw the
Fat Frog sitting under a tree. Now the Dreadful Griffin was so low in
his mind that he wanted to tell someone his troubles, so he told the Fat
Frog.
“Don’t come near me,” said the Fat Frog when he had finished, “for I hate
heat. If you look under the fifth tree from the end of the wood you’ll
find a thin packet. Put it in sixteen gallons of water and pour it over
the cats, only mind you shut your eyes first, and for goodness sake don’t
come into this wood any more, you dry up the moisture.”
The Griffin quite forgot to thank the Fat Frog, he was a Griffin of _no_
manners, but he didn’t forget to take the packet. It was labelled
‘Reckitt’s,’ and when he put it in the water all the water turned bright
blue. Then he took the pail in his claw, flew to the castle, shut his
eyes and poured some of the contents of the pail over the cats in the
courtyard.
When he opened his eyes there were twenty-seven bright blue, damp,
depressed cats; and he passed them without any difficulty. He shut his
eyes, wriggled up the stairs, poured the remaining mixture over the
seventeen cats, who all turned as blue as the rest, and then he burst
open the door of the Princess’s room. Fortunately there was a kind Fairy
flying over the castle at that very moment, who, seeing what was
happening, changed the Princess into a flea so that the Dreadful Griffin
couldn’t see her anywhere.
No, if I couldn’t tell you before, I certainly must not attempt now to
describe the Griffin’s behaviour when he found the Princess thus snatched
from his jaws. He went grunting and bellowing and screaming along; and
just as he was stopping to take breath he heard someone roaring with
laughter, and saw a little yellow man sitting on the top bough of a tree.
“Are you laughing at ME?” said the Dreadful Griffin (he was so angry that
he was quite polite). And the little man said quite as politely that he
certainly _was_.
“Why?” said the Dreadful Griffin, still fearfully polite.
“Because you’re such a green Griffin,” said the yellow man; and he
screamed with laughter again—“I know all about it, you’ve blued the cats
and now the Princess has greened you. She’s turned into a flea, and you
still want to eat her, and it never occurred to you, you green old
grampus of a Griffin, that fleas like _cats_. I suppose the Princess
flea wouldn’t jump on to a tabby kitten, and you couldn’t swallow the
kitten—oh dear, no—of course not . . .”
But the Griffin was gone. He went to the Zoo, found a tabby kitten,
though they are rare in that country, and flew back with it to the
Princess’s room.
He waited half an hour and then swallowed the kitten at one gulp; but he
instantly burst in four pieces, for the fluffy kitten tickled his
digestive organs so much that they cracked his sides and he died; and the
flea and the kitten came out quite unhurt, only a little damp.
Then a wonderful thing happened. The tabby kitten changed into the
little yellow man who had laughed at the Griffin. He grew, and grew, and
in a few minutes he was a handsome prince. His name was Prince Orange
Plushikins. One day a cruel witch whom he had offended had changed him
into an ugly yellow man, and had sworn that he should only regain his
shape if he was eaten by a Griffin when under the form of a tabby kitten;
which you know was precisely what happened. Well, Prince Orange
Plushikins at once asked the Princess flea to marry him, and the minute
the flea said “Yes,” the Princess reappeared. She and the Prince were
married next morning; and all the cats went to the steam laundry and were
washed and bleached and had their tails crimped and their whiskers
starched; and they danced at the wedding, and everybody lived happily
ever after.
The Discontented Daffodils.
THEY had the very loveliest home you can imagine, with beautiful soft
moss and grass to grow in, trees to form a cosy shelter from the wind,
and a dear little babbling stream to water them.
There were lots of daffodils in this pretty place, and nobody ever
discovered the nook to gather them. They rejoiced in the spring sunshine
and gentle breezes, the greeting of the birds, and the musical chatter of
the brook; then when their brief visit to the upper world was over they
nestled happily down in their warm mossy beds and slept till April came
again to wake them.
A little apart from the rest were four daffodils growing at the root of a
gnarled oak tree, and one fine sunshiny morning three of them took it
into their silly little heads that they were dull, the place was dull,
the other daffodils were dull, and they wanted a change.
It was mainly the fault of the cuckoo, for he was a grumbling,
mischief-making bird and used to spend a good deal of time talking to the
daffodils. This particular spring he had taken up his abode in the oak
tree, and was fond of talking of all the grand things he had seen, and a
great many he had not seen, for the cuckoo is a bird of fine imagination;
and at last, as I have already said, three of the daffodils made up their
minds that to be a flower and live in a wood was a very dreadful thing,
and not to be put up with any longer.
Now the cuckoo had told many strange tales about creatures with two legs
and beautiful coloured leaves which grew in an odd way, and feathers only
on their heads. They could not fly, but they could run about from place
to place, and dance and sing; and at last the daffodils decided that they
wished to be like these curious creatures, which the cuckoo called
_girls_.
Then there were sad times in that sweet little nook under the oak tree.
The naughty daffodils cried and quarrelled and bewailed their lot all day
long, till they made themselves and everybody else extremely wretched.
Their little sister shook her head at them, and scolded and said that for
her part she was not meant to have legs; but it was all no use, the
daffodils would not be quiet.
One day the Fairy Visitor who looked after the flowers in that part heard
the silly blossoms crying, and stopped to ask what was the matter. When
she heard the story she told them they were very foolish and
discontented, and that the cuckoo was a most mischievous bird and liked
to get people into trouble; but the daffodils would not listen. So
knowing there is nothing so likely to cure silly flower as to give them
their own silly way, she said—“Very well, my dears, you want to be girls,
and girls you shall be.”
With that she waved her wand over the three daffodils and in a twinkle
they were gone; in their places stood three tall pretty maidens dressed
in soft yellow silk frocks with green stockings and shoes. For a minute
they were too much astonished to speak, then clapping their hands they
laughed and skipped for joy, and wanted to kiss the old fairy because
they were so pleased at getting their own way; but the fairy would not
look at them, and stooped over the little flower now growing all alone,
saying kindly:—
“Well, little one, don’t you want to be a pretty maiden, too?”
But the daffodil shook her head with great determination:—
“I don’t want legs and I won’t have legs. I was meant to be a flower and
a flower I will be, but if you could keep that meddling, chattering
cuckoo away from this tree for a time I should be much obliged.”
And the fairy laughed and promised.
Meanwhile the three pretty maidens had set of hand in hand to seek their
fortunes.
They went singing and dancing over the meadows in the soft afternoon
sunshine, and thought how wise and clever they were to be girls instead
of little unnoticed flowers growing in a wood.
Presently they came to a house and stopped to ask whether they could have
a lodging for the night. There was no difficulty about it, for that is a
happy country where there is no money and everything belongs to
everybody, so the people of the house—an old man and woman—were delighted
to see the beautiful maidens and made them heartily welcome, and the
daffodils went to bed that night very happy and quite content with the
result of their experiment. When they came to undress, however, they
received a severe shock.
They were girls, real proper girls, they could chatter and eat and sleep,
for the fairy was not one to do things by halves; but when they pulled
off the dainty green shoes and stockings, they discovered that although
they had the prettiest little legs and feet and toes in the world, they
were quite green, the colour of daffodil leaves.
There wasn’t anything said about a “dear, darling, kind old fairy” then,
I can assure you.
The first daffodil said she was a wicked old witch. The second said she
was a horrible old woman; and the third said she knew the fairy meant to
pay them out, and she would like to scratch her. Then they all set to
work arguing and quarrelling and crying like silly babies, when suddenly
a familiar “Cuck-oo!” sounded in their ears, and they saw our old
acquaintance perched on the window sill.
He looked at the six little green feet, and his eyes twinkled; but before
he could speak the three angry maidens all began scolding him at once,
for they were delighted to have somebody fresh to find fault with.
The cuckoo, being in some respects a philosopher, did not attempt to
interrupt, but when they were quite exhausted he said he really could not
see any reason for their distress. No one would ever wish to see their
feet, and they could always wear stockings. He added that he had great
news, and had come on purpose to bring it.
“The King of Silverland,” he said, “is coming with all his court to hold
high revel close to this place and celebrate the coming of age of his
three sons. These princes were all born at once; and the king has
decided to divide his kingdom into three equal parts and leave his sons
to rule while he retires to his country place to study science. Now
these Silver princes desire to marry three princesses, sisters born at
once like themselves; but they are very hard to find, and the king is
advertising everywhere for triplets. When I heard this I set off at once
to tell you.”
The three maidens were so much interested and excited that they forgot
their troubles and began to sing.
The cuckoo was pleased with his success, but told them they must go to
bed and to sleep, and he would fetch them in the morning to show them the
way to the King of Silverland’s court.
Next morning, although he arrived quite early, the maidens were up and
ready for him, looking very pretty in their yellow frocks. The kind
people of the house were quite sorry to part with their guests and begged
them to come again, and the daffodil maidens set off in high spirits,
following the cuckoo as he flew slowly ahead across the sunlit meadows.
About noon they came in sight of the king’s court. The gorgeous tents
were of cloth of silver fastened with silver ropes; fountains were
playing in the open spaces, and flags flying everywhere. The daffodils
attracted a great deal of attention as they made their way, blushing and
a little frightened, through the crowds of soldiers, court ladies and
attendants. At the door of the largest and most gorgeous tent stood
three beautiful princes dressed in silver.
When they saw the maidens approaching, hand in hand, they gave a cry of
joy and ran forward to greet them.
“Dear beautiful princesses,” they cried, “welcome to our court! May we
ask your names and the country you come from?”
The cuckoo, perched on a tent-pole hard by, answered for them. “These
are the Princesses Daffodil, daughters of the great King of Goldenland.
They have come very many days’ journey to be present at your revels.”
Think of the cuckoo telling such a dreadful story and those naughty
daffodils not contradicting him!
When the princes heard the cuckoo’s words they were almost beside
themselves with joy, for, as it happened, there was a real King of
Goldenland (but the cuckoo did not know it), and he had three daughters
of the same age whom the Silver princes were anxious to see. They
dropped on one knee, kissed the maidens’ hands very prettily, and then
led them, blushing and delighted, into the royal tent.
The king was out, but the queen received the daffodils very graciously.
“Triplet,” she said significantly, and it was the princes’ turn to blush.
Then the young people visited all the beautiful tents, and the great
ballroom where there was to be a ball that night, and the princes
whispered to the maidens that they would dance with no one else. When
they had tasted the cowslip wine from the fountains and eaten lots of
wonderful sweets the daffodils declared they were quite tired; so the
princes put them into hammocks with little monkeys to swing them, and the
happy hours wore on until the evening.
The maidens had had a beautiful tent assigned to them by the queen, and
they found lovely dresses of cloth of gold with shoes and stockings to
match, all ready for them. They looked so beautiful when they were
dressed that the colour of their feet did not seem to matter at all.
All that night they danced with the princes, and everyone was charmed
with their beauty and grace, especially the king, who had not received a
single answer to his advertisement. At the great banquet which followed
the ball the betrothal of the Silver princes to the Golden princesses was
solemnly announced, and their health drunk amid great rejoicing.
The dawn was red in the east before the festivities were over, and the
daffodils went to bed happier than they had ever been before, happier
than they ever would be again. A new and awful trouble of which they had
never dreamt was about to befall them.
When the princes came to meet their betrothed next morning the maidens
noticed that, although very affectionate, they were downcast and somewhat
silent. At last, after a great deal of questioning, the reason came out.
The king and queen had both had exactly the same curious dream, and this
strange occurrence had upset their majesties very much. They both dreamt
that one of the princesses, as they believed them to be, had six toes on
each foot; and as no monstrosity could ever share the throne of
Silverland they demanded to see the princesses’ little feet with their
own eyes, so as to be quite sure they all had only the right number of
toes.
When the princes with many blushes broke this news to their lady-loves,
they each gave a short loud scream and fainted.
Their lovers, of course, put this down to extreme modesty, and were much
affected by such proper conduct; but when they succeeded in restoring
them to consciousness they were not a little disturbed to find that the
maidens positively refused to show their feet.
Imagine the grief of the poor princes! The king had said quite
positively that not one of the princes should marry till he, the queen,
and the councillors of the kingdom, had seen the bride’s feet; and the
maidens now declared that they would never never show them.
Matters were in this awkward state when the cuckoo appeared on the scene.
He had as usual contrived to find out what was going on, and now
announced that he had a private message for the Golden princesses, if
they would take him to their tent.
When they were alone the daffodils began to cry their eyes out, and the
cuckoo to try and comfort them.
“Green feet,” he said, “are very uncommon and would no doubt be welcomed
as a great rarity.”
But the maidens sobbed on.
“The princes love you so much they will think your little feet the most
beautiful colour in the world.”
But they would not listen.
“I heard the king and queen say that green was their favourite colour,”
he remarked next.
This was pure invention on the cuckoo’s part, but the daffodils were
somewhat cheered, and after a great deal of talking the cuckoo persuaded
them to give in and consent to show their feet, as they could not
possibly marry the princes without. Besides, perhaps when the king found
their toes were all right he would think the colour rather ornamental
than otherwise. So the princes were told to their great joy that the
princesses had consented to show their feet; and the king and queen, on
being informed, summoned a Cabinet Council for the next morning so that
their ministers might be present at the counting of the princesses’ toes.
Meantime the real Goldenland princesses had arrived near the camp; but as
they and their suite were very tired they resolved not to visit the
Silver king till the next day, and commanded that no one should mention
their arrival.
That night the daffodils never slept, for fear once more took possession
of them. They scrubbed their feet, but the fairy’s dye would not come
off; then they scraped them, but that hurt very much and did no good.
Finally they chalked them, but that was no use at all; so they had to
give it up in despair, and hope for the best.
Next morning two of the court ushers came to escort them to the Cabinet
Council. Poor daffodils! Their eyes were red with weeping, and they
could scarcely stand for terror when they entered the tent where the
examination was to take place.
In the middle on a raised dais sat the king and queen, on their right
stood the three princes, on their left the councillors in their robes of
state. Three chairs were placed for the maidens, and they were politely
but firmly requested to take off their shoes and stockings.
Blushing crimson the daffodils slowly and unwillingly took off their
shoes. Then they cried a little and said they really truly couldn’t, but
it was no use, and the stockings had to follow, and six little green feet
were exposed to view.
“They wear two pairs, I see,” said the queen, who was a little
short-sighted. “Very sensible, I’m sure, in this damp place. Take off
the other pair, my dears.”
But the daffodils only hung their heads and wept.
Then one of the councillors cried out, in a horrified tone—“Their feet
are green! They are monstrosities!” and at that very moment heralds were
heard outside announcing the arrival of the Princesses of Goldenland.
Now the king was a shrewd old gentleman, and the true state of affairs
suddenly flashed upon him. “They are impostors!” he cried, rising to his
feet, “turn the deceitful minxes out.”
At that the maidens rose and fled. They never stopped for shoes or
stockings, but ran like hunted hares out of the tent across the fields;
and when the people saw their little green feet a great shout of laughter
went up, in which the king and the princes joined. As for the daffodils,
they ran and ran and ran, not daring even to look behind them, till they
suddenly stopped for want of breath; and where do you think they were?
Why in their old home under the oak tree. Most of the daffodils had gone
to sleep, but a few were left, and among them their little sister. At
her side stood the fairy.
“Well, my dears, do you like being girls?” and there was a twinkle in her
eye as she spoke.
But the daffodils were sobbing too bitterly to answer, and the fairy had
a kind heart and did not press the question. “Would you be content to be
daffodils again?” she asked, and smiled at them sweetly.
They murmured a thankful “Yes”; the fairy waved her wand, and in a trice
the maidens were gone and there were three more flowers, very pale faded
ones, growing under the gnarled oak tree. Poor discontented daffodils!
They had to pay a heavy price for their folly.
The cuckoo came back time after time, and never wearied of teasing them;
and their little sister made many very true but disagreeable remarks on
the extreme silliness of being discontented with one’s surroundings.
Perhaps by next spring things may be better; but of this you may be quite
sure, no amount of cuckoos will ever persuade the flowers in that nook to
be anything but what nature intended them to be—sweet little daffodils.
The Fairy Fluffikins
THE Fairy Fluffikins lived in a warm woolly nest in a hole down an old
oak tree. She was the sweetest, funniest little fairy you ever saw. She
wore a little, soft, fluffy brown dress, and on her head a little red
woolly cap; she had soft red hair and the brightest, naughtiest,
merriest, sharpest brown eyes imaginable.
What a life she led the animals! Fairy Fluffikins was a sad tease; she
would creep into the nests where the fat baby dormice were asleep in bed
while Mamma dormouse nodded over her knitting and Papa smoked his little
acorn pipe; and she would tickle the babies till they screamed with
laughter and nearly rolled out of bed, and Mamma scolded, and Papa said
in a gruff voice—“What a plague you are, you little dors; go to sleep
this minute or I will fetch my big stick.”
And then the babies would shake, for they were afraid of the big stick;
and naughty Fairy Fluffikins would dance off to find some fresh piece of
mischief.
One night she had fine fun. She found a little dead mouse in a field;
and at first she was sorry for the mouse, and thought she would bury it
and plant a daisy on its grave; but then an idea struck her. She hunted
about till she found a piece of long, strong grass, and then she took the
little mouse, tied the piece of grass round its tail, and ran away with
it to the big tree where the Ancient Owl lived. There was a little hole
at the bottom of the tree and into it Fairy Fluffikins crept, leaving the
mouse outside in the moonlight. Presently she heard a gruff voice in the
tree saying—
“I smell mouse, I smell mouse.” Then there was a swoop of wings, and
Fairy Fluffikins promptly drew the mouse into the little hole and stuffed
its tail into her mouth so that she might not be heard laughing; and the
gruff voice said angrily—
“Where’s that mouse gone? I smelt mouse, I know I smelt mouse!”
She grew tired of this game after a few times, so she left the mouse in
the hole and crept away to a new one. She really was a naughty fairy.
She blew on the buttercups so that they thought the morning breeze had
come to wake them up, and opened their cups in a great hurry. She buzzed
outside the clover and made it talk in its sleep, so that it said in a
cross, sleepy voice—“Go away, you stupid busy bee, and don’t wake me up
in the middle of the night.”
She pulled the tail of the nightingale who was singing to his lady-love
in the hawthorn bush, and he lost his place in his song and nearly
tumbled over backwards into the garden. Then to her joy she met an
elderly, domestic puss taking an evening walk with a view to field-mice.
Here was sport. Fluffikins hid in the grass and squeaked; and when the
elderly cat came tearing up she pulled his whiskers and flew away (I
forgot to tell you that she had little, soft wings), and the elderly cat
jumped and said—
“Mouse-traps and mince-meat! Fancy a cat of my age and experience taking
a bat for a mouse! But by my claws I heard a mouse’s squeak.”
Fairy Fluffikins often met the poor elderly cat, and always led him some
dreadful dance, now and then taking a ride on his back into the bargain,
till he thought he must have got the nightmare.
One day Fairy Fluffikins was well paid out for some of her naughtiness.
She was flying away from a tree where she had just wrapped a sleeping
bat’s head up in a large cobweb, when she heard the sweep of wings, felt
a sharp nip—and in less time than it takes to tell found herself in the
nest of the Ancient Owl.
“My wig!” said the Ancient Owl, much surprised, “I thought you were a
bat.” And he called his wife and three children to look.
Now when Fairy Fluffikins saw five pairs of large round eyes blinking and
staring at her she lost her head and cried out—“Please, please, Mr
Ancient Owl, don’t be angry with me and I will never play tricks with
mice any more,” and so told the Ancient Owl what he had never even
suspected before.
Then the Ancient Owl was MOST DREADFULLY ANGRY and read Fairy Fluffikins
a long sermon about the wickedness of deceiving Ancient Owls. The sermon
took two hours and a half; and when it was over all the owls hooted at
her and pecked her; and Fairy Fluffikins was very glad indeed when at
last Mrs Ancient Owl gave her a push and said—
“Go along, you impertinent brown minx,” and she was able to go out into
the night.
Even this sad adventure did not cure Fairy Fluffikins of getting into
mischief—although she never teased the owls any more, you may be sure of
that—she took to tormenting the squirrels instead. She used to find
their stores of nuts and carry them away and fill the holes with pebbles;
and this, when you are a hard-working squirrel with a large family to
support, is very trying to the temper. Then she would tie acorns to
their tails; and she would clap her hands to frighten them, and pull the
baby-squirrels’ ears; till at last they offered a reward to anyone who
could catch Fairy Fluffikins and bring her to be punished.
No one caught Fairy Fluffikins; but she caught herself, as you shall
hear.
She was poking about round a haystack one night, trying to find something
naughty to do, when she came upon a sweet little house with pretty wire
walls and a wooden door standing invitingly open. In hopped Fluffikins,
thinking she was going to have some new kind of fun. There was a little
white thing dangling from the roof, and she laid hold of it. Immediately
there was a bang; the wooden door slammed; and Fluffikins was caught.
How she cried and stamped and pushed at the door, and promised to be a
good fairy and a great many other things! But all to no purpose: the
door was tight shut, and Fluffikins was not like some fortunate fairies
who can get out of anywhere.
There she remained, and in the morning one of the labourers found her,
and, thinking she was some kind of dormouse, he carried her home to his
little girl; and if you call on Mary Ann Smith you will see Fairy
Fluffikins there still in a little cage. They give her nuts and cheese
and bread, and all the things she doesn’t like, and there is no one to
tease and no mischief to get into; so if there is a miserable little
Fairy anywhere it is Fairy Fluffikins, and I’m not sure it doesn’t serve
her quite right.
The Story of the Tinkle-Tinkle.
Once upon a time there lived a Tinkle-Tinkle. I cannot tell you what he
was like, because no man knows, not even the Tinkle-Tinkle himself.
Sometimes he lived on the ground, sometimes in a tree, sometimes in the
water, sometimes in a cave; and I can’t tell you what he lived on, for no
man knows, not even the Tinkle-Tinkle himself.
One day the Tinkle-Tinkle was going through a wood, when he heard a
piteous weeping. He stopped, for he was a kindly Tinkle-Tinkle, and
found two small dormice sobbing under a tree because they had been
cruelly deserted by their parents. He wiped their eyes tenderly and took
them to his cave home; but I cannot tell you how he went, for no man
knows, not even the Tinkle-Tinkle. However, when he got there he put the
dormice to bed in his grandmother’s boots, for which he had never found
any use before, and fed them on periwinkles and tea, and was very kind to
them; and when they grew older he bought them caps and aprons, and they
became the Tinkle-Tinkle’s housemaid and parlourmaid.
Now I must tell you that it was a great grief to the Tinkle-Tinkle not to
know what he was, or how he lived, or where he was going to; and it often
made him depressed, but he always concealed it from the dormice,
appearing a most cheerful and contented creature.
One day he found a poor green bird lying on the ground with its leg
broken. Fortunately Tinkle-Tinkle had his grandmother’s black silk
reticule with him which had never been of any service to him before. He
gently placed the green bird in the bottom and carried it to the cave.
The dormice laid the poor sufferer on a soft bed and put the broken leg
up carefully in plaster of Paris; and they nursed the green bird with the
greatest attention so that it was soon well enough to hop about on
crutches; and it sang so beautifully that all the inhabitants round gave
it money, and its fame spread abroad; but it was so tenderly attached to
the Tinkle-Tinkle and the dormice that it would not leave them.
Now it happened on a certain evening that the Tinkle-Tinkle was
travelling over the sea, when suddenly in the depths he caught sight of a
most beautiful Creature. It was all sorts of colours—white, rosy pink,
and deep crimson, and pale blue fading into white and gold. It had no
face but a bright light; and it had quantities of beautiful iridescent
wings, like the rainbow; and the most lovely voice you ever heard, like
the sighing of the waves in the hollow of the sea.
The Tinkle-Tinkle was so astonished and entranced that he stopped, and
the beautiful Creature cried out to him, and its voice made Tinkle-Tinkle
remember a dream he had once had of sunshine, and forest trees, and the
song of birds; and the Creature said, “Ah, Tinkle-Tinkle! you are lonely
and perplexed and sad, and you do not know whence you came nor why you
are here; but the dormice know and the green bird knows, and I know, and
we are glad for your being. Go on, Tinkle-Tinkle, and do not sorrow, for
some day you shall come back to me, and I will wrap you in my wings and
take you where you belong, and then you will understand.”
When the Tinkle-Tinkle heard this he was glad with a new strange
gladness, and he went back to his cave; but not alone, for the spirit of
hope went with him.
The Tinkle-Tinkle had one gift—he could sing—how, no man knew, not even
the Tinkle-Tinkle himself; and this is how he discovered his gift.
One day in a secluded spot in the forest he found a dying stag, and the
Tinkle-Tinkle was moved with great compassion and yet could do nothing.
The great stag’s head drooped lower and lower till even the sun melted in
a mist of pity, and the trees sighed, and the breezes hushed their
voices. Then suddenly the Tinkle-Tinkle crept close and began to sing,
why or how he knew not. As he sang, the birds and the stream were
silenced and the breezes ceased, and the great stag’s breathing grew less
and less laboured, and his eyes brightened, and presently he rose slowly
to his feet and paced away to join the rest of the herd, and the
Tinkle-Tinkle went with him.
When the stag’s companions heard the story, they wept for all that had
befallen their leader, but rejoiced also and blessed the Tinkle-Tinkle;
and he sang once more for them, and the Star-spirits leaned out of their
bright little windows to listen, and the night was glad.
Many were the adventures of the Tinkle-Tinkle, and countless the
creatures he cheered and helped, yet he never fancied himself any use or
knew why he was in the world. He brought home a poor old crab without a
claw, and the green bird and the dormice found a hook and screwed it in,
and the poor old crab used to carry parcels for the neighbours; but he
still lived with the Tinkle-Tinkle.
Another time it was a snail with a broken shell; for him they built a
beautiful little house, and he made little rush brooms and sold them to
the passers-by; but he lived ever after close to the Tinkle-Tinkle’s
front door.
So it went on till all the Tinkle-Tinkle’s homes were full of strange
occupants, and he began to feel very old and worn and weary. Then he
remembered the promise of the beautiful Creature, and went slowly over
the sea hoping the time had come for it to be fulfilled, and it had. The
beautiful Creature stretched out its lovely rose and purple wings and
wrapped the Tinkle-Tinkle in their warm soft greatness, and bore him down
and down through the depths till they came to the Great Gate. At the
beautiful Creature’s voice it swung slowly back, and they passed down the
Blue Pathway, which is all ice, cut and carved into lovely pinnacles and
spires, very blue with the blue of the summer sky and the southern seas.
The Tinkle-Tinkle could just see it from between the beautiful Creature’s
wings, stretching away in the blue distance, and at the end one star.
Presently—and though the time had been one thousand years it had not
seemed long to the Tinkle-Tinkle—they came out into a beautiful place
that was nothing but light, and the beautiful Creature set the
Tinkle-Tinkle down; he looked around him and saw many other
Tinkle-Tinkles, and he knew them for what they were and loved their
beauty; and the Creature gently swept one of its purple pinions across
him, and the Tinkle-Tinkle took form. He had many, many little soft,
strong hands and many little white feet, and long sweeping wings and a
face which shone with something of the light of the beautiful Creature;
and the Tinkle-Tinkle saw and understood and sang for joy.
***END OF THE PROJECT GUTENBERG EBOOK THE GREY BRETHREN***
******* This file should be named 835-0.txt or 835-0.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/8/3/835
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary
Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
|