summaryrefslogtreecommitdiff
path: root/old/grybr10h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/grybr10h.htm')
-rw-r--r--old/grybr10h.htm1884
1 files changed, 1884 insertions, 0 deletions
diff --git a/old/grybr10h.htm b/old/grybr10h.htm
new file mode 100644
index 0000000..491b51f
--- /dev/null
+++ b/old/grybr10h.htm
@@ -0,0 +1,1884 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html>
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>The Grey Brethren and Other Fragments in Prose and Verse</title>
+</head>
+<body>
+<h2>
+<a href="#startoftext">The Grey Brethren and Other Fragments in Prose and Verse, by Michael Fairless</a>
+</h2>
+<pre>
+The Project Gutenberg EBook of The Grey Brethren, by Michael Fairless
+(#3 in our series by Michael Fairless)
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: The Grey Brethren and Other Fragments in Prose and Verse
+
+Author: Michael Fairless
+
+Release Date: March, 1997 [EBook #835]
+[This file was first posted on March 2, 1997]
+[Most recently updated: September 25, 2002]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+</pre>
+<p><a name="startoftext"></a></p>
+<p>Transcribed from the 1911 Duckworth and Co. edition by David Price,
+email ccx074@coventry.ac.uk</p>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<h1>THE GREY BRETHREN AND OTHER FRAGMENTS IN PROSE AND VERSE</h1>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<p>Contents</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>The Grey Brethren<br />A Song of Low Degree<br />A German Christmas
+Eve<br />A Christmas Idyll<br />The Manifestation<br />All Souls&rsquo;
+Day in a German Town<br />By Rivers and Streams<br />Spring<br />A Lark&rsquo;s
+Song<br />&lsquo;Luvly Miss&rsquo;<br />Four Stories Told To Children:<br />&nbsp;&nbsp;&nbsp;The
+Dreadful Griffin<br />&nbsp;&nbsp;&nbsp;The Discontented Daffodils<br />&nbsp;&nbsp;&nbsp;The
+Fairy Fluffikins<br />&nbsp;&nbsp;&nbsp;The Story of the Tinkle-Tinkle</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>The Grey Brethren</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Some of the happiest remembrances of my childhood are of days spent
+in a little Quaker colony on a high hill.</p>
+<p>The walk was in itself a preparation, for the hill was long and steep
+and at the mercy of the north-east wind; but at the top, sheltered by
+a copse and a few tall trees, stood a small house, reached by a flagged
+pathway skirting one side of a bright trim garden.</p>
+<p>I, with my seven summers of lonely, delicate childhood, felt, when
+I gently closed the gate behind me, that I shut myself into Peace.&nbsp;
+The house was always somewhat dark, and there were no domestic sounds.&nbsp;
+The two old ladies, sisters, both born in the last century, sat in the
+cool, dim parlour, netting or sewing.&nbsp; Rebecca was small, with
+a nut-cracker nose and chin; Mary, tall and dignified, needed no velvet
+under the net cap.&nbsp; I can feel now the touch of the cool dove-coloured
+silk against my cheek, as I sat on the floor, watching the nimble fingers
+with the shuttle, and listened as Mary read aloud a letter received
+that morning, describing a meeting of the faithful and the &lsquo;moving
+of the Spirit&rsquo; among them.&nbsp; I had a mental picture of the
+&lsquo;Holy Heavenly Dove,&rsquo; with its wings of silvery grey, hovering
+over my dear old ladies; and I doubt not my vision was a true one.</p>
+<p>Once as I watched Benjamin, the old gardener - a most &lsquo;stiff-backed
+Friend&rsquo; despite his stoop and his seventy years - putting scarlet
+geraniums and yellow fever-few in the centre bed, I asked, awe-struck,
+whether such glowing colours were approved; and Rebecca smiled and said
+- &ldquo;Child, dost thee not think the Lord may have His glories?&rdquo;
+and I looked from the living robe of scarlet and gold to the dove-coloured
+gown, and said: &ldquo;Would it be pride in thee to wear His glories?&rdquo;
+and Mary answered for her - &ldquo;The change is not yet; better beseems
+us the ornament of a meek and quiet spirit.</p>
+<p>The &lsquo;change from glory to glory&rsquo; has come to them both
+long since, but it seems to me as if their robes must still be Quaker-grey.</p>
+<p>Upstairs was the invalid daughter and niece.&nbsp; For years she
+had been compelled to lie on her face; and in that position she had
+done wonderful drawings of the High Priest, the Ark of the Covenant,
+and other Levitical figures.&nbsp; She had a cageful of tame canary-birds
+which answered to their names and fed from her plate at meal-times.&nbsp;
+Of these I remember only Roger, a gorgeous fellow with a beautiful voice
+and strong will of his own, who would occasionally defy his mistress
+from the secure fastness of a high picture-frame, but always surrendered
+at last, and came to listen to his lecture with drooping wings.</p>
+<p>A city of Peace, this little house, for the same severely-gentle
+decorum reigned in the kitchen as elsewhere: and now, where is such
+a haunt to be found?</p>
+<p>In the earlier part of this century the Friends bore a most important
+witness.&nbsp; They were a standing rebuke to rough manners, rude speech,
+and to the too often mere outward show of religion.&nbsp; No one could
+fail to be impressed by the atmosphere of peace suggested by their bearing
+and presence; and the gentle, sheltered, contemplative lives lived by
+most of them undoubtedly made them unusually responsive to spiritual
+influence.&nbsp; Now, the young birds have left the parent nest and
+the sober plumage and soft speech; they are as other men; and in a few
+short years the word Quaker will sound as strange in our ears as the
+older appellation Shaker does now.</p>
+<p>This year I read for the first time the Journal of George Fox.&nbsp;
+It is hard to link the rude, turbulent son of Amos with the denizens
+in my city of Peace; but he had his work to do and did it, letting breezy
+truths into the stuffy &lsquo;steeple-houses&rsquo; of the &lsquo;lumps
+of clay.&rsquo;</p>
+<p>&ldquo;Come out from among them and be ye separate; touch not the
+accursed thing!&rdquo; he thundered; and out they came, obedient to
+his stentorian mandate; but alack, how many treasures in earthen vessels
+did they overlook in their terror of the curse!&nbsp; The good people
+made such haste to flee the city, that they imagined themselves as having
+already, in the spirit, reached the land that is very far off; and so
+they cast from them the outward and visible signs which are vehicles,
+in this material world, of inward graces.&nbsp; Measureless are the
+uncovenanted blessings of God; and to these the Friends have ever borne
+a witness of power; but now the Calvinist intruder no longer divides
+the sheep from the goats in our churches; now the doctrine of universal
+brotherhood and the respect due to all men are taught much more effectively
+than when George Fox refused to doff his hat to the Justice; the quaint
+old speech has lost its significance, the dress would imply all the
+vainglory that the wearer desires to avoid; the young Quakers of this
+generation are no longer &lsquo;disciplined&rsquo; in matters of the
+common social life; yet still they remain separate.</p>
+<p>We of the outward and visible covenant need them, with their inherited
+mysticism, ordered contemplation, and spiritual vision; we need them
+for ourselves.&nbsp; The mother they have left yearns for them, and
+with all her faults - faults the greater for their absence - and with
+the blinded eyes of their recognition, she is their mother still.&nbsp;
+&ldquo;<i>What advantage</i> <i>then hath the Jew</i>?&rdquo; asked
+St Paul, and answered in the same breath - &ldquo;<i>Much every way,
+chiefly because that unto them were committed the oracles of God</i>.&rdquo;&nbsp;
+What advantage then has the Churchman? is the oft repeated question
+today; and the answer is still the answer of St Paul.</p>
+<p>The Incarnation is the sum of all the Sacraments, the crown of the
+material revelation of God to man, the greatest of outward and visible
+signs, &ldquo;<i>that which we have heard, which we have seen with our
+eyes, which we have looked upon and our hands have handled of the word
+of life</i>.&rdquo;&nbsp; A strange beginning truly, to usher in a purely
+spiritual dispensation; but beautifully fulfilled in the taking up of
+the earthly into the heavenly - Bread and Wine, the natural fruits of
+the earth, sanctified by man&rsquo;s toil, a sufficiency for his needs;
+and instinct with Divine life through the operation of the Holy Ghost.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>&ldquo;In the sweat of thy face thou shalt eat bread.&rdquo;</p>
+<p>&ldquo;Except ye eat the flesh of the Son of Man and drink His blood
+ye have no life in you&rdquo;</p>
+<p>&ldquo;And the leaves of the tree were for the healing of the nations.&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>From Genesis to the Revelation of the Divine reaches the rainbow
+of the Sacramental system - outward and visible signs of inward and
+spiritual grace:-</p>
+<p>The sacrament of purging, purifying labour, to balance and control
+the knowledge of good and evil:-</p>
+<p>The sacrament of life, divine life, with the outward body of humiliation,
+bread and wine, fruit of the accursed ground, but useless without man&rsquo;s
+labour; and St Paul, caught up into the third heaven, and St John, with
+his wide-eyed vision of the Lamb, must eat this bread and drink this
+cup if they would live:-</p>
+<p>The sacrament of healing, the restoring of the Image of God in fallen
+man.</p>
+<p>The Church is one society, nay, the world is one society, for man
+without his fellow-men is not; and into the society, both of the Church
+and the world, are inextricably woven the most social sacraments.</p>
+<p>Herein is great purpose, we say, bending the knee; and with deep
+consciousness of sins and shortcomings we stretch out longing welcoming
+hands to our grey brethren with their inheritance of faithfulness and
+steadfastness under persecution, and their many gifts and graces; and
+we cry, in the words of the Song of Songs which is Solomon&rsquo;s:
+&ldquo;O my dove, that art in the clefts of the rock, in the secret
+places of the stairs, let me see thy countenance, let me hear thy voice;
+for sweet is thy voice, and thy countenance is comely.&rdquo;&nbsp;
+&ldquo;Rise up, my love, my fair one, and come away.&nbsp; For lo, the
+winter is past, the rain is over and gone.&rdquo;</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>A Song of Low Degree</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Lord, I am small, and yet so great,<br />The whole world stands to
+my estate,<br />And in Thine Image I create.<br />The sea is mine; and
+the broad sky<br />Is mine in its immensity:<br />The river and the
+river&rsquo;s gold;<br />The earth&rsquo;s hid treasures manifold;<br />The
+love of creatures small and great,<br />Save where I reap a precious
+hate;<br />The noon-tide sun with hot caress,<br />The night with quiet
+loneliness;<br />The wind that bends the pliant trees,<br />The whisper
+of the summer breeze;<br />The kiss of snow and rain; the star<br />That
+shines a greeting from afar;<br />All, all are mine; and yet so small<br />Am
+I, that lo, I needs must call,<br />Great King, upon the Babe in Thee,<br />And
+crave that Thou would&rsquo;st give to me<br />The grace of Thy humility.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>A German Christmas Eve</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>It was intensely cold; Father Rhine was frozen over, so he may speak
+for it; and for days we had lived to the merry jangle and clang of innumerable
+sleigh bells, in a white and frost-bound world.&nbsp; As I passed through
+the streets, crowded with stolidly admiring peasants from the villages
+round, I caught the dear remembered &lsquo;Gr&uuml;ss Gott!&rsquo; and
+&lsquo;All&rsquo; Heil!&rsquo; of the countryside, which town life quickly
+stamps out along with many other gentle observances.</p>
+<p>&ldquo;Gelobt sei Jesu Christ!&rdquo; cried little Sister Hilarius,
+coming on me suddenly at a corner, her round face aglow with the sharp
+air, her arms filled with queer-shaped bundles.&nbsp; She begs for her
+sick poor as she goes along - meat here, some bread there, a bottle
+of good red wine: I fancy few refuse her.&nbsp; She nursed me once,
+the good little sister, with unceasing care and devotion, and all the
+dignity of a scant five feet.&nbsp; &ldquo;Ach, Du lieber Gott, such
+gifts!&rdquo; she added, with a radiant smile, and vanished up a dirty
+stairway.</p>
+<p>In the Quergasse a jay fell dead at my feet - one of the many birds
+which perished thus - he had flown townwards too late.&nbsp; Up at the
+Jagdschloss the wild creatures, crying a common truce of hunger, trooped
+each day to the clearing by the J&auml;ger&rsquo;s cottage for the food
+spread for them.&nbsp; The great tusked boar of the Taunus with his
+brother of Westphalia, the timid roe deer with her scarcely braver mate,
+foxes, hares, rabbits, feathered game, and tiny songbirds of the woods,
+gathered fearlessly together and fed at the hand of their common enemy
+- a millennial banquet truly.</p>
+<p>The market-place was crowded, and there were Christmas trees everywhere,
+crying aloud in bushy nakedness for their rightful fruit.&nbsp; The
+old peasant women, rolled in shawls, with large handkerchiefs tied over
+their caps, warmed their numb and withered hands over little braziers
+while they guarded the gaily decked treasure-laden booths, from whose
+pent-roofs Father Winter had hung a fringe of glittering icicles.</p>
+<p>Many of the stalls were entirely given over to Christmas-tree splendours.&nbsp;
+Long trails of gold and silver <i>Engelshaar</i>, piles of candles -
+red, yellow, blue, green, violet, and white - a rainbow of the Christian
+virtues and the Church&rsquo;s Year; boxes of frost and snow, festoons
+of coloured beads, fishes with gleaming scales, glass-winged birds,
+Santa Klaus in frost-bedecked mantle and scarlet cap, angels with trumpets
+set to their waxen lips; and everywhere and above all the image of the
+Holy Child.&nbsp; Sometimes it was the tiny waxen Bambino, in its pathetic
+helplessness; sometimes the Babe Miraculous, standing with outstretched
+arms awaiting the world&rsquo;s embrace - Mary&rsquo;s Son, held up
+in loving hands to bless; or the Heavenly Child-King with crown and
+lily sceptre, borne high by Joseph, that gentle, faithful servitor.&nbsp;
+It was the festival of Bethlehem, feast of never-ending keeping, which
+has its crowning splendour on Christmas Day.</p>
+<p>A Sister passed with a fat, rosy little girl in either hand; they
+were chattering merrily of the gift they were to buy for the dear Christkind,
+the gift which Sister said He would send some ragged child to receive
+for Him.&nbsp; They came back to the poor booth close to where I was
+standing.&nbsp; It was piled with warm garments; and after much consultation
+a little white vest was chosen - the elder child rejected pink, she
+knew the Christkind would like white best - then they trotted off down
+a narrow turning to the church, and I followed.</p>
+<p>The Cr&ecirc;che stood without the chancel, between the High Altar
+and that of Our Lady of Sorrows.&nbsp; It was very simple.&nbsp; A blue
+paper background spangled with stars; a roughly thatched roof supported
+on four rude posts; at the back, ox and ass lying among the straw with
+which the ground was strewn.&nbsp; The figures were life-size, of carved
+and painted wood: Joseph, tall and dignified, stood as guardian, leaning
+on his staff; Mary knelt with hands slightly uplifted in loving adoration;
+and the Babe lay in front on a truss of straw disposed as a halo.&nbsp;
+It was the World&rsquo;s Child, and the position emphasised it.&nbsp;
+Two or three hard-featured peasants knelt telling their beads; and a
+group of children with round, blue eyes and stiff, flaxen pigtails,
+had gathered in front, and were pointing and softly whispering.&nbsp;
+My little friends trotted up, crossed themselves; it was evidently the
+little one&rsquo;s first visit.</p>
+<p>&ldquo;Guck! guck mal an,&rdquo; she cried, clapping her fat gloved
+hands, &ldquo;sieh mal an das Wickelkind!&rdquo;</p>
+<p>&ldquo;Dass ist unser Jesu,&rdquo; said the elder, and the little
+one echoed &ldquo;Unser Jesu, unser Jesu!&rdquo;</p>
+<p>Then the vest was brought out and shown - why not, it was the Christchild&rsquo;s
+own? - and the pair trotted away again followed by the bright, patient
+Sister.&nbsp; Presently everyone clattered out, and I was left alone
+at the crib of Bethlehem, the gate of the Kingdom of Heaven.</p>
+<p>It was my family, my only family; but like the ever-widening circle
+on the surface of a lake into which a stone has been flung, here, from
+this great centre, spread the wonderful ever-widening relationship -
+the real brotherhood of the world.&nbsp; It is at the Crib that everything
+has its beginning, not at the Cross; and it is only as little children
+that we can enter into the Kingdom of Heaven.</p>
+<p>When I went out again into the streets it was nearly dark.&nbsp;
+Anxious mothers hurried past on late, mysterious errands; papas who
+were not wanted until the last moment chatted gaily to each other at
+street corners, and exchanged recollections; maidservants hastened from
+shop to shop with large baskets already heavily laden; and the children
+were everywhere, important with secrets, comfortably secure in the knowledge
+of a tree behind the parlour doors, and a kindly, generous Saint who
+knew all their wants, and needed no rod <i>this</i> year.</p>
+<p>One little lad, with a pinched white face, and with only an empty
+certainty to look forward to, was singing shrilly in the sharp, still
+air, &ldquo;Zu Bethlehem geboren, ist uns ein Kindelein,&rdquo; as he
+gazed wistfully at a shop window piled high with crisp gingerbread,
+marzipan, chocolate under every guise, and tempting cakes.&nbsp; A great
+rough peasant coming out, saw him, turned back, and a moment later thrust
+a gingerbread Santa Klaus, with currant eyes and sugar trimming to his
+coat and cap, into the half-fearful little hands.&nbsp; &ldquo;Hab&rsquo;
+ebenso ein Kerlchen zu Haus&rsquo;,&rdquo; he said to me apologetically
+as he passed.</p>
+<p>I waited to see Santa Klaus disappear; but no, the child looked at
+the cake, sighed deeply with the cruel effort of resistance, and refrained.&nbsp;
+It was all his Christmas and he would keep it.&nbsp; He gazed and gazed,
+then a smile rippled across the wan little face and he broke out in
+another carol, &ldquo;Es kam ein Engel hell und klar vom Himmel zu der
+Hirten Schaar,&rdquo; and hugging his Santa Klaus carefully, wandered
+away down the now brilliant streets: he did not know he was hungry any
+more; the angel had come with good tidings.</p>
+<p>As I passed along the streets I could see through the uncurtained
+windows that in some houses Christmas had begun already for the little
+ones.&nbsp; Then the bells rang out deep-mouthed, carrying the call
+of the eager Church to her children, far up the valley and across the
+frozen river.&nbsp; And they answered; the great church was packed from
+end to end, and from my place by the door I saw that two tiny Christmas
+trees bright with coloured candles burnt either side of the Holy Child.</p>
+<p>A blue-black sky ablaze with stars for His glory, a fresh white robe
+for stained and tired earth; so we went to Bethlehem in the rare stillness
+of the early morning.&nbsp; The Church, having no stars, had lighted
+candles; and we poor sinful men having no white robes of our own had
+craved them of the Great King at her hands.</p>
+<p>And so in the stillness, with tapers within and stars alight without,
+with a white-clad earth, and souls forgiven, the Christ Child came to
+those who looked for His appearing.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>A Christmas Idyll</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>The Child with the wondering eyes sat on the doorstep, on either
+side of her a tramp cat in process of becoming a recognised member of
+society.&nbsp; On the flagged path in front the brown brethren were
+picking up crumbs.&nbsp; The cats&rsquo; whiskers trembled, but they
+sat still, proudly virtuous, and conscious each of a large saucer of
+warm milk within.</p>
+<p>&ldquo;What,&rdquo; said the Child, &ldquo;is a symbol?&rdquo;</p>
+<p>The cats looked grave.</p>
+<p>The Child rose, went into the house, and returned with a well-thumbed
+brown book.&nbsp; She turned the pages thoughtfully, and read aloud,
+presumably for the benefit of the cats: &ldquo;In a symbol there is
+concealment yet revelation, the infinite is made to blend with the finite,
+to stand visible, and as it were attainable there.&rdquo;&nbsp; The
+Child sighed, &ldquo;We had better go to the Recluse,&rdquo; she said.&nbsp;
+So the three went.</p>
+<p>It was a cold, clear, bright day, a typical Christmas Eve.&nbsp;
+There was a carpet of crisp snow on the ground, and a fringe of icicles
+hung from every vantage-point.&nbsp; The cats, not having been accustomed
+to the delights of domesticity, trotted along cheerfully despite the
+chill to their toes; and they soon came to the forest which all three
+knew very well indeed.&nbsp; It was a beautiful forest like a great
+cathedral, with long aisles cut between the splendid upstanding pine
+trees.&nbsp; The green-fringed boughs were heavy with snow, the straight
+strong stems caught and reflected the stray sun rays, and looking up
+through the arches and delicate tracery and interlaced branches the
+eye caught the wonderful blue of the great domed roof overhead.&nbsp;
+The cats walked delicately, fearful of temptation in the way of rabbits
+or frost-tamed birds, and the Child lilted a quaint German hymn to a
+strange old tune:-</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>&ldquo;Ein Kind gebor&rsquo;n zu Bethlehem.<br />Alleluja!<br />Dess
+freuet sich Jerusalem,<br />Alleluja!&nbsp; Alleluja!&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>The Recluse was sitting on a bench outside his cave.&nbsp; He was
+dressed in a brown robe, his eyes were like stars wrapped in brown velvet,
+his face was strong and gentle, his hair white although he looked quite
+young.&nbsp; He greeted the Child very kindly and stroked the cats.</p>
+<p>&ldquo;You have come to ask me a question, Child?&rdquo;</p>
+<p>&ldquo;If you please,&rdquo; said the Child, &ldquo;what is a symbol?&rdquo;</p>
+<p>&ldquo;Ah,&rdquo; said the Recluse, &ldquo;I might have known you
+would ask me that.&rdquo;</p>
+<p>&ldquo;The Sage says,&rdquo; went on the Child, &ldquo;that it is
+concealment yet revelation.&rdquo;</p>
+<p>The Recluse nodded.</p>
+<p>&ldquo;Just as a mystery that we cannot understand is the greatest
+possible wisdom.&nbsp; Go in and sit by my fire, Child; there are chestnuts
+on the hearth, and you will find milk in the brown jug.&nbsp; I will
+show you a symbol presently.&rdquo;</p>
+<p>The Child and the two cats went into the cave and sat down by the
+fire.&nbsp; It was warm and restful after the biting air.&nbsp; The
+cats purred pleasantly, the Child sat with her chin in her hand watching
+the glowing wood burn red and white on the great hearthstone.</p>
+<p>&ldquo;The Recluse generally answers my questions by showing me something
+I have seen for a long time but never beheld, or heard and never lent
+ear.&nbsp; I wonder what it will be this time,&rdquo; she said to herself.</p>
+<p>The grateful warmth made the Child sleepy, and she gave a start when
+she found the Recluse standing by her with outstretched hand.</p>
+<p>&ldquo;Come, dear Child,&rdquo; he said; and leaving the sleeping
+cats she followed him, her hand in his.</p>
+<p>The air was full of wonderful sound, voices and song, and the cry
+of the bells.</p>
+<p>The Child wondered, and then remembered it was Christmas night.&nbsp;
+The Recluse led her down a little passage and opened a door.&nbsp; They
+stepped out together, but not into the forest.</p>
+<p>&ldquo;This is the front door of my house,&rdquo; said the Recluse,
+with a little smile.</p>
+<p>They stood on a white road, on one side a stretch of limestone down,
+on the other steep terraces with gardens and vineyard.&nbsp; The air
+was soft and warm, and sweet with the breath of lilies.&nbsp; The heaven
+was ablaze with stars; across the plain to the east the dawn was breaking.&nbsp;
+A group of strangely-clad men went down the road followed by a flock
+of sheep.</p>
+<p>&ldquo;Let us go with them,&rdquo; said the Recluse; and hand in
+hand they went.</p>
+<p>The road curved to the right; round the bend, cut in the living rock,
+was a cave; the shepherds stopped and knelt, and there was no sound
+but the soft rapid breathing of the flock.&nbsp; Then the Child was
+filled with an overmastering longing, a desire so great that the tears
+sprang hot to her eyes.&nbsp; She dropped the Recluse&rsquo;s hand and
+went forward where the shepherds knelt.&nbsp; Once again the air was
+full of wonderful sound, voices and song, and the cry of the bells;
+but within all was silence.&nbsp; The cave was rough-hewn, and stabled
+an ox and an ass; close to the front a tall strong man leaning on a
+staff kept watch and ward; within knelt a peasant Maid, and on a heap
+of yellow straw lay a tiny new-born Babe loosely wrapped in a linen
+cloth: around and above were wonderful figures of fire and mist.</p>
+<p>The infinite, visible and attainable.</p>
+<p>The mystery which is the greatest possible wisdom.</p>
+<p>* * * * *</p>
+<p>&ldquo;Come, Child,&rdquo; said the Recluse.</p>
+<p>The fire had burnt low; it was quite dark, save for the glow of the
+live embers.</p>
+<p>He threw on a great dry pine log; it flared like a torch.&nbsp; The
+cats&rsquo; stretched in the sudden blaze, and then settled to sleep
+again.&nbsp; The Child and the Recluse passed out into the forest.&nbsp;
+The moon was very bright and the snow reflected its rays, so that it
+was light in spite of the great trees.&nbsp; The air was full of wonderful
+sound, voices and song, and the cry of the bells; and the Child sang
+as she went in a half-dream by the side of the Recluse:-</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>&ldquo;In dieser heil&rsquo;gen Weihnachtszeit,<br />Alleluja!<br />Sei,
+Gott der Herr, gebenedeit,<br />Alleluja! Alleluja!&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>and wondered when she would wake up.&nbsp; They came to the old,
+old church in the forest, and the pictured saints looked out at them
+from the lighted window; through the open door they could see figures
+moving about with tapers in their hands; save for these the church was
+still empty.</p>
+<p>The Recluse led the way up the nave to the north side of the Altar.&nbsp;
+The Child started a little; she was really dreaming then a kind of circular
+dream, for again she stood before the cave, again the reverend figure
+kept watch and ward over the kneeling Maid and the little Babe.&nbsp;
+The sheep and the shepherds were not there, but a little lamb had strayed
+in; and the wonderful figures of fire and mist - they were there in
+their place.</p>
+<p>&ldquo;Little one,&rdquo; said the Recluse softly, &ldquo;here is
+a symbol - concealment yet revelation - the King as servant - the strong
+helpless - the Almighty a little child; and thus the infinite stands
+revealed for all of us, visible and attainable, if we will have it so.&nbsp;
+It is the centre of all mystery, the greatest possible wisdom, the Eternal
+Child.&rdquo;</p>
+<p>&ldquo;You showed it me before,&rdquo; said the Child, &ldquo;only
+we were out of doors, and the shepherds were there with the sheep; but
+the angels are here just the same.&rdquo;</p>
+<p>The Recluse bowed his head.</p>
+<p>&ldquo;Wait for me here with them, dear Child, I will fetch you after
+service.&rdquo;</p>
+<p>The church began to fill; old men in smock frocks and tall hats,
+little children wrapped warm against the cold, lads, shining and spruce,
+old women in crossed shawls and wonderful bonnets.&nbsp; The service
+was not very long; then the Recluse went up into the old grey stone
+pulpit.&nbsp; The villagers settled to listen - he did not often preach.</p>
+<p>&ldquo;My brothers and sisters, to-night we keep the Birth of the
+Holy Babe, and to-night you and I stand at the gate of the Kingdom of
+Heaven, the gate which is undone only at the cry of a little child.&nbsp;
+&lsquo;Except ye be converted and become as little children, ye shall
+not enter.&rsquo;</p>
+<p>&ldquo;The Kingdom is a great one, nay, a limitless one; and many
+enter in calling it by another name.&nbsp; It includes your own hearts
+and this wonderful forest, all the wise and beautiful works that men
+have ever thought of or done, and your daily toil; it includes your
+nearest and dearest, the outcast, the prisoner, and the stranger; it
+holds your cottage home and the jewelled City, the New Jerusalem itself.&nbsp;
+People are apt to think the Kingdom of Heaven is like church on Sunday,
+a place to enter once a week in one&rsquo;s best: whereas it holds every
+flower, and has room for the ox and the ass, and the least of all creatures,
+as well as for our prayer and worship and praise.</p>
+<p>&ldquo;&lsquo;Except ye become as little children.&rsquo;&nbsp; How
+are we to be born again, simple children with wondering eyes?</p>
+<p>&ldquo;We must learn to lie in helpless dependence, to open our mouth
+wide that it may be filled, to speak with halting tongue the language
+we think we know; we must learn above all our own ignorance, and keep
+alight and cherish the flame of innocency in our hearts.</p>
+<p>&ldquo;It is a tired world, my brethren, and we are most of us tired
+men and women who live on it, for we seek ever after some new thing.&nbsp;
+Let us pass out through the gate into the Kingdom of Heaven and not
+be tired any more, because there we shall find the new thing that we
+seek.&nbsp; Heaven is on earth, the Kingdom is here and now; the gate
+stands wide to-night, for it is the birthright of the Eternal Child.&nbsp;
+We are none of us too poor, or stupid, or lowly; it was the simple shepherds
+who saw Him first.&nbsp; We are none of us too great, or learned, or
+rich; it was the three wise kings who came next and offered gifts.&nbsp;
+We are none of us too young; it was little children who first laid down
+their lives for Him; or too old, for Simeon saw and recognised Him.&nbsp;
+There is only one thing against most of us - we are too proud.</p>
+<p>&ldquo;My brethren, &lsquo;let us now go even to Bethlehem, and face
+this thing which is come to pass, which the LORD hath made known unto
+us.&rsquo;&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>The lights were out in the church when the Recluse came to fetch
+the Child.&nbsp; She was still kneeling by the cr&ecirc;che, keeping
+watch with the wonderful figures of fire and mist.</p>
+<p>&ldquo;Was <i>this</i> a dream or the other?&rdquo; said the Child.</p>
+<p>&ldquo;Neither,&rdquo; said the Recluse, and he blessed her in the
+moonlit dark.</p>
+<p>The air was full of wonderful sound, voices and song, and the cry
+of the bells.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>The Manifestation</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>God said; &ldquo;Let there be light&rdquo;; and in the East<br />A
+star rose flaming from night&rsquo;s purple sea -<br />The star of Truth,
+the star of Joy, the star<br />Seen by the prophets down the lonely
+years;<br />Set for a light to show the Perfect Way;<br />Set for a
+sign that wayfarers might find;<br />Set for a seal to mark the Godhead&rsquo;s
+home.<br />And three Kings in their palaces afar,<br />Who waited ardently
+for promised things,<br />Beheld, and read aright.&nbsp; Straightway
+the road<br />Was hot with pad of camel, horse&rsquo;s hoof,<br />While
+night was quick as day with spurring men<br />And light with flaring
+torch.&nbsp; &ldquo;Haste, haste!&rdquo; they cried,<br />&ldquo;We
+seek the King, the King! for in the East<br />His star&rsquo;s alight.&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>BETHLEHEM</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>The Angels</i></p>
+<p>Soft and slow, soft and slow,<br />With angels&rsquo; wings of fire
+and snow,<br />To rock Him gently to and fro.<br />Fire to stay the
+chill at night,<br />Snow to cool the noonday bright;<br />And overhead
+His star&rsquo;s alight.</p>
+<p>Pale and sweet, pale and sweet,<br />Maid Mary keeps her vigil meet,<br />While
+Joseph waits with patient feet.<br />Mary&rsquo;s love for soft embrace,<br />Joseph&rsquo;s
+strength to guard the place.<br />Lo! from the East Kings ride apace.</p>
+<p>Gold and myrrh, gold and myrrh,<br />Frankincense for harbinger,<br />Myrrh
+to make His sepulchre.<br />Roses white and roses red,<br />Thorns arrayed
+for His dear Head.<br />Hail! hail! Wise Men who seek His bed</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>Joseph</i></p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Little One, Little One, Saviour and Child,<br />Father and Mother,
+my Husband and Son;<br />Born of the lily, the maid undefiled,<br />Babe
+of my Love, the Beatified One.</p>
+<p>Little One, Little One, Master and LORD,<br />Kings of the Earth
+come, desiring Thy Face;<br />I, Thy poor servitor, lowly afford<br />All
+that my life holds, for all is Thy Grace.</p>
+<p>Little One, Little One, GOD over all,<br />Earth is thy footstool,
+and Heav&rsquo;n is Thy throne:<br />Joseph the carpenter, prostrate
+I fall;<br />Praise thee, adore Thee, and claim Thee mine own.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>Maid Mary</i></p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Babe, dear Babe!<br />Mine own, mine own, my heart&rsquo;s delight,<br />The
+myrrh between my breasts at night,<br />My little Rose, my Lily white,<br />My
+Babe for whom the star&rsquo;s alight.</p>
+<p>Babe, dear Babe!<br />Mine own, mine own, GOD&rsquo;S only SON,<br />Foretold,
+foreseen, since earth begun;<br />Desire of nations, Promised One<br />When
+Eve was first by sin undone.</p>
+<p>Babe, dear Babe!<br />Mine own, mine own, the whole world&rsquo;s
+Child!<br />Born of each heart that&rsquo;s undefiled,<br />Nursed at
+the breast of Mercy mild,<br />And in the arms of Love asiled.</p>
+<p>Babe, dear Babe!<br />My crown of glory, sorrow&rsquo;s sword,<br />My
+Maker, King, Redeemer, Lord,<br />My Saviour and my great Reward;<br />My
+little Son, my Babe adored.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>The Three Kings</i></p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Hail!&nbsp; Hail thou wondrous little King!<br />To Thy dear Feet<br />Our
+offerings meet<br />With bended knee we bring;<br />O mighty baby King,<br />Accept
+the offering.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>First King</i></p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>LORD, I stoop low<br />My head of snow,<br />Thus I, the great, hail
+Thee, the Least!<br />And swing the censer for the Priest,<br />The
+Priest with hands upraised to bless,<br />The Priest of this world&rsquo;s
+bitterness.<br />As I stoop low<br />My head of snow,<br />Bless me,
+O Priest, before I go.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>Second King</i></p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Behold me, King!<br />A man of might,<br />Who rules dominions infinite;<br />Strong
+in the harvest of the years,<br />And one who counts no kings as peers.<br />O
+little King,<br />Behold my crown!<br />I lay it down,<br />And bow
+before Thy lowly bed<br />My all unworthy uncrowned head,<br />For I
+am naught and Thou art All.<br />And Thou shalt climb a throne set high,<br />Between
+sad earth and silent sky,<br />Thereon to agonize and die;<br />And
+at Thy Feet the world shall fall.<br />Stretch out Thy little Hands,
+O King,<br />Behold the world&rsquo;s imagining!</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>Third King</i></p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Out of the shadow of the night<br />I come, led by the starshine
+bright,<br />With broken heart to bring to Thee<br />The fruit of Thine
+Epiphany,<br />The gift my fellows send by me,<br />The myrrh to bed
+Thine agony.<br />I set it here beneath Thy Feet,<br />In token of Death&rsquo;s
+great defeat;<br />And hail Thee Conqueror in the strife;<br />And hail
+Thee Lord of Light and Life.<br />All hail!&nbsp; All hail the Virgin&rsquo;s
+Son!<br />All hail!&nbsp; Thou little helpless One!<br />All hail!&nbsp;
+Thou King upon the Tree!<br />All hail!&nbsp; The Babe on Mary&rsquo;s
+knee,<br />The centre of all mystery!</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>All Souls&rsquo; Day in a German Town</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>The leaves fall softly: a wind of sighs<br />Whispers the world&rsquo;s
+infirmities,<br />Whispers the tale of the waning years,<br />While
+slow mists gather in shrouding tears<br />On All Souls&rsquo; Day; and
+the bells are slow<br />In steeple and tower.&nbsp; Sad folk go<br />Away
+from the township, past the mill,<br />And mount the slope of a grassy
+hill<br />Carved into terraces broad and steep,<br />To the inn where
+wearied travellers sleep,<br />Where the sleepers lie in ordered rows,<br />And
+no man stirs in his long repose.<br />They wend their way past the haunts
+of life,<br />Father and daughter, grandmother, wife,<br />To deck with
+candle and deathless cross,<br />The house which holds their dearest
+loss.<br />I, who stand on the crest of the hill,<br />Watch how beneath
+me, busied still,<br />The sad folk wreathe each grave with flowers.<br />Awhile
+the veil of the twilight hours<br />Falls softly, softly, over the hill,<br />Shadows
+the cross:- creeps on until<br />Swiftly upon us is flung the dark.<br />Then,
+as if lit by a sudden spark,<br />Each grave is vivid with points of
+light,<br />Earth is as Heaven&rsquo;s mirror to-night;<br />The air
+is still as a spirit&rsquo;s breath,<br />The lights burn bright in
+the realm of Death.<br />Then silent the mourners mourning go,<br />Wending
+their way to the church below;<br />While the bells toll out to bid
+them speed,<br />With eager Pater and prayerful bead,<br />The souls
+of the dead, whose bodies still<br />Lie in the churchyard under the
+hill;<br />While they wait and wonder in Paradise,<br />And gaze on
+the dawning mysteries,<br />Praying for us in our hours of need;<br />For
+us, who with Pater and prayerful bead<br />Have bidden those waiting
+spirits speed.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>Rivers and Streams</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Running water has a charm all its own; it proffers companionship
+of which one never tires; it adapts itself to moods; it is the guardian
+of secrets.&nbsp; It has cool draughts for the thirsty soul as well
+as for drooping flowers; and they who wander in the garden of God with
+listening ears learn of its many voices.</p>
+<p>When the strain of a working day has left me weary, perhaps troubled
+and perplexed, I find my way to the river.&nbsp; I step into a boat
+and pull up stream until the exertion has refreshed me; and then I make
+fast to the old alder-stump where last year the reed-piper nested, and
+lie back in the stern and think.</p>
+<p>The water laps against the keel as the boat rocks gently in the current;
+the river flows past, strong and quiet.&nbsp; There are side eddies,
+of course, and little disturbing whirlpools near the big stones, but
+they are all gathered into the broad sweep of the stream, carried down
+to the great catholic sea.&nbsp; And while I listen to the murmur of
+the water and watch its quiet strength the day&rsquo;s wrinkles are
+smoothed out of my face; and at last the river bears me homeward rested
+and at peace.</p>
+<p>There are long stretches of time for me when I must remain apart
+from the world of work, often unwilling, sometimes with a very sore
+heart.&nbsp; Then I turn my steps towards my friend and wander along
+the banks, a solitary not alone.&nbsp; In the quiet evening light I
+watch the stream &lsquo;never hasting, never resting&rsquo;: the grass
+that grows beside it is always green, the flowers are fresh; it makes
+long embracing curves - I could cross from point to point in a minute,
+but to follow takes five.&nbsp; The ways of the water are ways of healing;
+I have a companion who makes no mistakes, touches none of my tender
+spots.</p>
+<p>Presently I reach the silent pool, where the stream takes a wide
+sweep.&nbsp; Here the fair white water-lilies lie on their broad green
+leaves and wait for their lover the moon; for then they open their silvery
+leaves and bloom in the soft light fairer far than beneath the hot rays
+of the sun.&nbsp; Then, too, the buds rise out of the water and the
+moon kisses them into bloom and fragrance.&nbsp; Near by are the little
+yellow water-lilies, set for beauty against a background of great blue-eyed
+forget-me-nots and tall feathery meadowsweet.&nbsp; The river still
+sweeps on its way, but the pool is undisturbed; it lies out of the current.&nbsp;
+They say it is very deep - no one knows quite how deep - and it has
+its hidden tragedy.&nbsp; I gaze down through the clear water, following
+the thick lily-stalks - a forest where solemn carp sail in and out and
+perch chase each other through the maze - and beyond them I cannot see
+the bottom, the secret of its stillness; but I may watch the clouds
+mirrored on its surface, and the evening glow lying at my feet.</p>
+<p>I think of the fathomless depths of the peace of God, fair with flowers
+of hope; of still places wrought in man; of mirrors that reflect, in
+light uncomprehended, the Image of the Holy Face.</p>
+<p>I go home across the common, comforted, towards the little town where
+the red roofs lie glimmering in the evening shadows, and the old grey
+church stands out clear and distinct against the fading sky.</p>
+<p>* * * * *</p>
+<p>One of the happiest memories of my childhood is the little brook
+in the home field.&nbsp; I know it was not a very clean little brook
+- it passed through an industrious manufacturing world - but to me then
+this mattered not at all.</p>
+<p>Where it had its source I never found out; it came from a little
+cave in the side of the hill, and I remember that one of its banks was
+always higher than the other.&nbsp; I once sought to penetrate the cave,
+but with sad results in the shape of bed before dinner and no pudding,
+such small sympathy have one&rsquo;s elders with the spirit of research.&nbsp;
+Just beyond the cave the brook was quite a respectable width, - even
+my big boy cousin fell into mud and disgrace when he tried to jump it
+- and there was a gravelly beach, at least several inches square, where
+we launched our boats of hollowed elder-wood.&nbsp; Soon, however, it
+narrowed, it could even be stepped over; but it was still exciting and
+delightful, with two perilous rapids over which the boats had to be
+guided, and many boulders - for the brook was a brave stream, and had
+fashioned its bed in rocky soil.&nbsp; Further down was our bridge,
+one flat stone dragged thither by really herculean efforts.&nbsp; It
+was unnecessary, but a triumph.&nbsp; A little below this outcome of
+our engineering skill the brook widened again before disappearing under
+a flagged tunnel into the neighbouring field.&nbsp; Here, in the shallows,
+we built an aquarium.&nbsp; It was not altogether successful, because
+whenever it rained at all hard the beasts were washed out; but there
+was always joy in restocking it.&nbsp; Under one of the banks close
+by lived a fat frog for whom I felt great respect.&nbsp; We used to
+sit and gaze at each other in silent intercourse, until he became bored
+- I think I never did - and flopped into the water with a splash.</p>
+<p>But it was the brook itself that was my chief and dearest companion.&nbsp;
+It chattered and sang to me, and told me of the goblins who lived under
+the hill, of fairies dancing on the grass on moonlight nights, and scolding
+the pale lilac milk-maids on the banks; and of a sad little old man
+dressed in brown, always sad because his dear water-children ran away
+from him when they heard the voice of the great river telling them of
+the calling of the sea.</p>
+<p>It spoke to me of other more wonderful things, not even now to be
+put into words, things of the mysteries of a child&rsquo;s imagination;
+and these linger still in my life, and will linger, I think, until they
+are fulfilled.</p>
+<p>* * * * *</p>
+<p>I have another friend - a Devonshire stream.&nbsp; I found it in
+spring when the fields along its banks were golden with Lent-lilies.&nbsp;
+I do not even know its name; it has its source up among the old grey
+tors, and doubtless in its beginning had a hard fight for existence.&nbsp;
+When it reaches the plain it is a good-sized stream, although nowhere
+navigable.&nbsp; I do not think it even turns a mill; it just flows
+along and waters the flowers.&nbsp; I have seen it with my bodily eyes
+only once; but it has left in my life a blessing, a picture of blue
+sky, yellow bells, and clear rippling water - and whispered secrets
+not forgotten.</p>
+<p>All the Devonshire streams are full of life and strength.&nbsp; They
+chatter cheerily over stones, they toil bravely to shape out their bed.&nbsp;
+Some of them might tell horrible tales of the far-away past, of the
+worship of the false god when blood stained the clear waters; tales,
+too, of feud and warfare, of grave council and martial gathering; and
+happy stories of fairy and pixy our eyes are too dull to see, and of
+queer little hillmen with foreign ways and terror of all human beings.&nbsp;
+Their banks are bright with tormentil, blue with forget-me-not, rich
+in treasures of starry moss; the water is clear, cool in the hottest
+summer - they rise under the shadow of the everlasting hills, and their
+goal is the sea.</p>
+<p>* * * * *</p>
+<p>There are other times when I must leave the clean waters and the
+good brown earth, to live, for a while, in London: and there I go on
+pilgrimage that I may listen to the river&rsquo;s voice.</p>
+<p>I stand sometimes at a wharf where the ships are being unloaded of
+the riches of every country, of fruits of labour by my unknown brothers
+in strange lands; and the river speaks of citizenship in the great world
+of God, wherein all men have place, each man have his own place, and
+every one should be neighbour to him who may have need.</p>
+<p>I pass on to London Bridge, our Bridge of Sighs.&nbsp; How many of
+these my brethren have sought refuge in the cold grey arms of the river
+from something worse than death?&nbsp; What drove them to this dreadful
+resting-place?&nbsp; What spectre hurried them to the leap?&nbsp; These
+things, too, are my concern, the river says.</p>
+<p>Life is very grim in London: it is not painted in the fair, glowing
+colours of grass and sky and trees, and shining streams that bring peace.&nbsp;
+It is drawn in hard black and white; but the voice of its dark waters
+must be heard all the same.</p>
+<p>* * * * *</p>
+<p>I would not leave my rivers in the shadow.&nbsp; After all, this
+life is only a prelude, a beginning: we pass on to where &ldquo;the
+rivers and streams make glad the city of God.&rdquo;&nbsp; But if we
+will not listen here how shall we understand hereafter.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>Spring</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Hark how the merry daffodils,<br />Fling golden music to the hills!<br />And
+how the hills send echoing down,<br />Through wind-swept turf and moorland
+brown,<br />The murmurs of a thousand rills<br />That mock the song-birds&rsquo;
+liquid trills!<br />The hedge released from Winter&rsquo;s frown<br />Shews
+jewelled branch and willow crown;<br />While all the earth with pleasure
+trills,<br />And &lsquo;dances with the daffodils.&rsquo;</p>
+<p>Out, out, ye flowers!&nbsp; Up and shout!<br />Staid Winter&rsquo;s
+passed and Spring&rsquo;s about<br />To lead your ranks in joyous rout;<br />To
+string the hawthorn&rsquo;s milky pearls,<br />And gild the grass with
+celandine;<br />To dress the catkins&rsquo; tasselled curls,<br />To
+twist the tendrils of the vine.<br />She wakes the wind-flower from
+her sleep,<br />And lights the woods with April&rsquo;s moon;<br />The
+violets lift their heads to peep,<br />The daisies brave the sun at
+noon.</p>
+<p>The gentle wind from out the west<br />Toys with the lilac pretty
+maids;<br />Ruffles the meadow&rsquo;s verdant-vest,<br />And rings
+the bluebells in the glades;<br />The ash-buds change their sombre suit,<br />The
+orchards blossom white and red -<br />Promise of Autumn&rsquo;s riper
+fruit,<br />When Spring&rsquo;s voluptuousness has fled.<br />Awake!
+awake, O throstle sweet!<br />And haste with all your choir to greet<br />This
+Queen who comes with wakening feet.</p>
+<p>Persephone with grateful eyes<br />Salutes the Sun - &rsquo;tis Paradise:<br />Then
+hastens down the dewy meads,<br />Past where the herd contented feeds,<br />Past
+where the furrows hide the grain,<br />For harvesting of sun and rain;<br />To
+where Demeter patient stands<br />With longing lips and outstretched
+hands,<br />Until the dawning of one face<br />Across the void of time
+and space<br />Shall bring again her day of grace.<br />Rejoice, O Earth!&nbsp;
+Rejoice and sing!<br />This is the promise of the Spring,<br />And this
+the world&rsquo;s remembering.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>A Lark&rsquo;s Song</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Sweet, sweet!<br />I rise to greet<br />The sapphire sky<br />The
+air slips by<br />On either side<br />As up I ride<br />On mounting
+wing,<br />And sing and sing -<br />Then reach my bliss,<br />The sun&rsquo;s
+great kiss;<br />And poise a space<br />To see his face,<br />Sweet,
+sweet,<br />In radiant grace,<br />Ah, sweet! ah, sweet!</p>
+<p>Sweet, sweet!<br />Beneath my feet<br />My nestlings call:<br />And
+down I fall<br />Unerring, true,<br />Through heaven&rsquo;s blue;<br />And
+haste to fill<br />Each noisy bill.<br />My brooding breast<br />Stills
+their unrest.<br />Sweet, sweet,<br />Their quick hearts beat,<br />Safe
+in the nest:<br />Ah, sweet, sweet, sweet!<br />Ah, sweet!</p>
+<p>Sweet, sweet<br />The calling sky<br />That bids me fly<br />Up -
+up - on high.<br />Sweet, sweet<br />The claiming earth;<br />It holds
+my nest<br />And draws me down<br />To where Love&rsquo;s crown<br />Of
+priceless worth<br />Awaits my breast.<br />Sweet, sweet!<br />Ah, this
+is best<br />And this most meet,<br />Sweet, sweet! ah, sweet!</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>&lsquo;Luvly Miss&rsquo;</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Nobody thought of consequences.&nbsp; There was a lighted paraffin
+lamp on the table and nothing else handy.&nbsp; Mrs Brown&rsquo;s head
+presented a tempting mark, and of course Mr Brown&rsquo;s lengthy stay
+at &lsquo;The Three Fingers&rsquo; had something to do with it; but
+nobody thought of Miss Brown, aged four, who was playing happily on
+the floor, unruffled by the storm to which she was so well accustomed.</p>
+<p>Mrs Brown ducked; there was a smash, a scream, and poor little Miss
+Brown was in a blaze.&nbsp; The shock sobered the father and silenced
+the mother.&nbsp; Miss Brown was extinguished with the aid of a table-cover,
+much water, and many neighbours; but she was horribly burnt all over,
+except her face.</p>
+<p>* * * * *</p>
+<p>I made Miss Brown&rsquo;s acquaintance a few days later.&nbsp; She
+was lying on a bed made up on two chairs, and was covered with cotton
+wool.&nbsp; She had scarcely any pain, and could not move at all; and
+the small face that peered out of what she called her &ldquo;pitty warm
+snow&rdquo; was wan and drawn and had a far-away look in the dark eyes.</p>
+<p>Miss Brown possessed one treasure, her &lsquo;luvly miss.&rsquo;&nbsp;
+I suppose I must call it a doll, though in what its claim to the title
+consisted I dared not ask; Miss Brown would have deeply resented the
+enquiry.&nbsp; It was a very large potato with a large and a small bulge.&nbsp;
+Into the large bulge were inserted three pieces of fire-wood, the body
+and arms of &lsquo;luvly miss&rsquo;; legs she had none.</p>
+<p>How Miss Brown came by this treasure I never heard.&nbsp; She had
+an impression that it &ldquo;flied froo the winder&rdquo; - I fancy
+Mr Brown had a hand in the manufacture in one of his lucid moments;
+but it was a treasure indeed and the joy of Miss Brown&rsquo;s life.&nbsp;
+She held long conversations with &lsquo;luvly miss&rsquo; on all familiar
+subjects; and apparently obtained much strange and rare information
+from her.&nbsp; For example, Miss Brown and &lsquo;luvly miss&rsquo;
+in some previous stage of their existence had inhabited a large chimney-pot
+together, &ldquo;where it was always so warm and a bootie &lsquo;mell
+of cookin&rsquo;.&rsquo;&rdquo;&nbsp; Also she had a rooted belief that
+one day she and &lsquo;luvly miss&rsquo; would be &ldquo;hangels wiv&rsquo;
+black weils and basticks.&rdquo;&nbsp; This puzzled me for some time,
+until I discovered it to be an allusion to the good deaconess who attended
+her, and whom Mrs Brown in gratitude designated by this title.</p>
+<p>Alas for little Miss Brown and her &lsquo;luvly miss&rsquo;! their
+respective ends were drawing near.&nbsp; I went in one Friday, a week
+or so after the accident, and found Mrs Brown in tears and despair,
+and Miss Brown with a look of anguish on her poor little pinched face
+that was bad to see.&nbsp; &lsquo;Luvly Miss&rsquo; was no more.</p>
+<p>It was Mr Brown again; or, to trace back the links of occasion, it
+was the action of &lsquo;The Three Fingers&rsquo; on Mr Brown&rsquo;s
+frail constitution.&nbsp; He had come in late, seen &lsquo;luvly miss&rsquo;
+on the table, and, with his usual heedlessness of consequence, had chucked
+her into the dying embers where - alas that I should have to say it!
+- she slowly baked.&nbsp; Little Miss Brown, when the miserable truth
+was broken to her, neither wept nor remonstrated; she lay quite still
+with a look of utter forsaken wretchedness on her tiny white face, and
+moaned very softly for &lsquo;luvly miss.&rsquo;</p>
+<p>I came face to face with this state of things and I confess it staggered
+me.&nbsp; I knew Miss Brown too well to hope that any pink-and-white
+darling from the toy-shop could replace &lsquo;luvly miss,&rsquo; or
+that she could be persuaded to admit even a very image of the dear departed
+into her affections.&nbsp; Then, too, the doctor said Miss Brown had
+but a few days at the most, perhaps only hours, to live; and comforted
+she must be.</p>
+<p>All at once I had an inspiration, and never in my life have I welcomed
+one more.&nbsp; I knelt down by little Miss Brown and told her the story
+of the Phoenix.&nbsp; I had not reckoned in vain upon her imagination:
+would I &ldquo;yerely and twooly bwing&rdquo; her &ldquo;werry own luvly
+miss out of the ashes?&rdquo;&nbsp; I lied cheerfully and hastened away
+to the dust-bin, accompanied by Mrs Brown.</p>
+<p>In a few minutes we returned with a pail of ashes, the ashes, of
+course, of &lsquo;luvly miss&rsquo; mingled with those of the cruel
+fire which had consumed her.&nbsp; I danced solemnly round them, murmured
+mysterious words, parted the ashes, and revealed the form of &lsquo;luvly
+miss.&rsquo;&nbsp; Love&rsquo;s eyes were not sharp to mark a change,
+and little Miss Brown&rsquo;s misplaced faith in me was strong.&nbsp;
+Never shall I forget the scream of joy which greeted the restored treasure,
+or the relief with which I saw an expression of peace settle once more
+on Miss Brown&rsquo;s face.</p>
+<p>I saw them again next day.&nbsp; Little Miss Brown was asleep in
+her last little bed, still wrapped in the &ldquo;pitty warm snow,&rdquo;
+and &lsquo;luvly miss&rsquo; lay beside her.</p>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<h2>Four Stories Told to Children</h2>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<h3>The Story of the Dreadful Griffin.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>My Dear Children, - I am going to tell you a really breathless story
+for your holiday treat.&nbsp; It will have to begin with the moral,
+because everyone will be too much exhausted to read one at the end,
+and as the moral is the only part that really matters, it is important
+to come to it quite fresh.</p>
+<p>We will, therefore, endeavour to learn from this story:-</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>If we fly at all, to fly <i>high.<br /></i>To be extremely polite.<br />To
+be kind and grateful to cats and all other animals.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>All the trouble arose one day when the Princess (there is always
+a Princess in a fairy-tale, you know) was playing in the garden with
+her ball.&nbsp; She threw it up in the air much higher than usual and
+it never came down again.&nbsp; There was an awful shriek, like ten
+thousand steam-engines; all the ladies-in-waiting fainted in a row,
+the inhabitants of the place went stone-deaf, and the Captain of the
+Guard, who was in attendance with a company of his troops, seized the
+Princess, put her on his horse, galloped away followed by his soldiers
+to a castle on the top of a hill, deposited the Princess in the highest
+room, and then and only then, told her what had happened.</p>
+<p>&ldquo;Miss,&rdquo; he said, for he was so upset he forgot Court
+etiquette, &ldquo;Miss, your ball must have hit the Dreadful Griffin
+in the eye (I noticed he was taking a little fly in the neighbourhood),
+and that was the reason of the awful shriek.&nbsp; Well, Miss, the Dreadful
+Griffin never was known to forgive anybody anything, so I snatched you
+up quick before he could get at you and brought you to the Castle of
+the White Cats.&nbsp; There are seventeen of these animals sitting outside
+the door and twenty-seven more standing in the courtyard, so you&rsquo;re
+as safe as safe can be, for the Dreadful Griffin can&rsquo;t look at
+a white cat without getting the ague and then he shakes so a mouse wouldn&rsquo;t
+be afraid of him.&nbsp; And now, Miss, I must go back to your Royal
+Pa, so I will wish you good-morning.&rdquo;</p>
+<p>Having made this long speech the Captain suddenly remembered the
+Court etiquette, became very hot and red, went out of the room backwards,
+and instantly fell over the seventeen cats who all swore at him, which
+so confused the poor man that he rolled down the stairs and out into
+the court where the twenty-seven cats were having rations of mouse-pie
+served out to them; and the Captain rolled into the middle of the pie,
+scalded himself badly with the gravy, and was thankful to jump on his
+horse and ride away with his soldiers to report matters to the King.</p>
+<p>The King was so pleased with his promptitude that he made him the
+General of the Flying Squadron, which only fights in the air, and conferred
+on him the medal of the Society for the Suppression of Superfluous Salamanders,
+whereat the Captain was overjoyed.</p>
+<p>But this is a digression, and I only told you because I wanted you
+to see that virtue is always rewarded.</p>
+<p>Now for the poor Princess.</p>
+<p>Well, she cried a little, of course, but the cats brought her some
+mouse-pie, which she found very good, and she was soon quite happy playing
+with some of the kittens and nearly forgot all about the Dreadful Griffin;
+but he did not forget about <i>her</i>, oh dear no!&nbsp; He flew after
+the Captain when he galloped away with the Princess, but when he saw
+the White Cats he shook with ague so fearfully that his teeth rolled
+about in his mouth like billiard balls and he had to go and get a new
+set before he could eat his dinner.&nbsp; Well, he was in a perfect
+fury, and how to get at the Princess he did not know.&nbsp; He swallowed
+several buckets of hot brimstone, rolled his head in a red flannel petticoat,
+put his tail in a hot sand-bag, and went to bed hoping to cure the ague,
+which he did completely, so that he was quite well next day and more
+anxious to eat the Princess than ever.</p>
+<p>Now next door to the Dreadful Griffin (that is, a hundred miles away)
+there lived a Wicked Witch, and he went to consult her as to how he
+might get at the Princess.&nbsp; When the Wicked Witch heard what a
+sad effect White Cats had on the Griffin&rsquo;s constitution she said
+that she would have expected a Griffin of his coils to have had more
+sense.</p>
+<p>&ldquo;Any slow-worm knows,&rdquo; said the Wicked Witch, &ldquo;that
+cats love mice better than Princesses; therefore get a large sack of
+fat mice, let them loose a little way from the castle, and when the
+cats see them they will run after them, and you can eat the Princess.&rdquo;</p>
+<p>The Dreadful Griffin was so pleased with the Wicked Witch that he
+presented her with a pair of fire-bricks and a hot-water tin, and then
+flew away to the Purveyor of Mice, who lived in a town about seventy
+miles away.&nbsp; He bought twelve hundred dozen fat mice of the best
+quality, all the Purveyor had in stock that were home-grown, and flew
+on with them to the castle.&nbsp; When he was a little way off he let
+the mice out, expecting all the cats to arrive at once; but not a cat
+appeared.&nbsp; They <i>heard</i> mice and they <i>smelt</i> mice, but
+not a cat moved, for they were on their honour; so they kept guard and
+licked their lips sadly.&nbsp; When the Griffin saw the last of the
+twelve hundred dozen mice disappearing down the road with never a cat
+after them, he was in a tremendous temper and flew away to the house
+of the Wicked Witch, only stopping to pick up a steam engine which he
+dropped through her roof, and then went home to bed.&nbsp; Next day
+he remembered a friend of his called the Grumpy Giant, who lived six
+doors away, that is, about a thousand miles, so he flew to ask his advice.&nbsp;
+When the Giant heard his story, he said in the gruffest voice you ever
+heard, &ldquo;Mice is common, try sparrers&rdquo; (by which you can
+see that he was quite an uneducated person), and then he turned over
+and went to sleep.</p>
+<p>The Dreadful Griffin at once flew away to the Sparrow Preserves,
+bought eleven thousand, and then proceeded to let them fly close to
+the castle.&nbsp; Still not a cat moved.&nbsp; As the cats&rsquo; copy-book
+well says, &ldquo;Honour is dearer to cats than mice or birds,&rdquo;
+and all the kittens write this in round-hand as soon as they can do
+lessons at all, and never forget it.</p>
+<p>Well, I really dare not describe the state of mind the Griffin was
+in; but he made the air so hot that all the people put on their thinnest
+clothes, although it was the middle of winter.&nbsp; He flew home puffing
+and snorting, and on the way he passed the house of the Amiable Answerer.&nbsp;
+He went in and told his story, and his voice shook with rage.&nbsp;
+The Amiable Answerer gave him a penny pink ice to cool him down, and
+then said gently:-</p>
+<p>&ldquo;I think, dear Mr Griffin, that green spectacles would meet
+your case.&nbsp; Then the cats which are now white would appear to you
+green and . . . &rdquo;</p>
+<p>But the Griffin was already half-way to a Watchmaker&rsquo;s where
+they sold glasses.&nbsp; He burst into the shop, frightened the watchmaker
+so that he fell into the works of the watch he was mending and could
+only be got out with the greatest difficulty, seized twelve pairs of
+green spectacles, put them on all at once and flew towards the castle.</p>
+<p>Now the Dreadful Griffin was one of those creatures who do not stop
+to think, consequently he came to grief.&nbsp; White cats gave him the
+ague, but green dogs made him cough most fearfully; and a little way
+out of the town he met thirteen white poodles taking a walk, who of
+course all looked bright green to the Dreadful Griffin.&nbsp; He coughed
+so fearfully that all the twelve pairs of spectacles fell off his nose
+and were smashed to bits, and his plan was spoilt once more.</p>
+<p>No, I am not going to tell you what the Dreadful Griffin said and
+did then, it is too terrible to speak of, but he had to keep in bed
+for a week, and drink hot tar, and have his chest ironed with a steam
+roller, and his nose greased with seven pounds of tallow candles; but
+all his misfortunes did not cure him of wanting to eat the Princess.&nbsp;
+When his cough was better, he went for a walk in the wood near which
+he lived, to think out a new plan.&nbsp; Suddenly he heard something
+croaking, and saw the Fat Frog sitting under a tree.&nbsp; Now the Dreadful
+Griffin was so low in his mind that he wanted to tell someone his troubles,
+so he told the Fat Frog.</p>
+<p>&ldquo;Don&rsquo;t come near me,&rdquo; said the Fat Frog when he
+had finished, &ldquo;for I hate heat.&nbsp; If you look under the fifth
+tree from the end of the wood you&rsquo;ll find a thin packet.&nbsp;
+Put it in sixteen gallons of water and pour it over the cats, only mind
+you shut your eyes first, and for goodness sake don&rsquo;t come into
+this wood any more, you dry up the moisture.&rdquo;</p>
+<p>The Griffin quite forgot to thank the Fat Frog, he was a Griffin
+of <i>no</i> manners, but he didn&rsquo;t forget to take the packet.&nbsp;
+It was labelled &lsquo;Reckitt&rsquo;s,&rsquo; and when he put it in
+the water all the water turned bright blue.&nbsp; Then he took the pail
+in his claw, flew to the castle, shut his eyes and poured some of the
+contents of the pail over the cats in the courtyard.</p>
+<p>When he opened his eyes there were twenty-seven bright blue, damp,
+depressed cats; and he passed them without any difficulty.&nbsp; He
+shut his eyes, wriggled up the stairs, poured the remaining mixture
+over the seventeen cats, who all turned as blue as the rest, and then
+he burst open the door of the Princess&rsquo;s room.&nbsp; Fortunately
+there was a kind Fairy flying over the castle at that very moment, who,
+seeing what was happening, changed the Princess into a flea so that
+the Dreadful Griffin couldn&rsquo;t see her anywhere.</p>
+<p>No, if I couldn&rsquo;t tell you before, I certainly must not attempt
+now to describe the Griffin&rsquo;s behaviour when he found the Princess
+thus snatched from his jaws.&nbsp; He went grunting and bellowing and
+screaming along; and just as he was stopping to take breath he heard
+someone roaring with laughter, and saw a little yellow man sitting on
+the top bough of a tree.</p>
+<p>&ldquo;Are you laughing at ME?&rdquo; said the Dreadful Griffin (he
+was so angry that he was quite polite).&nbsp; And the little man said
+quite as politely that he certainly <i>was</i>.</p>
+<p>&ldquo;Why?&rdquo; said the Dreadful Griffin, still fearfully polite.</p>
+<p>&ldquo;Because you&rsquo;re such a green Griffin,&rdquo; said the
+yellow man; and he screamed with laughter again - &ldquo;I know all
+about it, you&rsquo;ve blued the cats and now the Princess has greened
+you.&nbsp; She&rsquo;s turned into a flea, and you still want to eat
+her, and it never occurred to you, you green old grampus of a Griffin,
+that fleas like <i>cats</i>.&nbsp; I suppose the Princess flea wouldn&rsquo;t
+jump on to a tabby kitten, and you couldn&rsquo;t swallow the kitten
+- oh dear, no - of course not . . . .&rdquo;</p>
+<p>But the Griffin was gone.&nbsp; He went to the Zoo, found a tabby
+kitten, though they are rare in that country, and flew back with it
+to the Princess&rsquo;s room.</p>
+<p>He waited half an hour and then swallowed the kitten at one gulp;
+but he instantly burst in four pieces, for the fluffy kitten tickled
+his digestive organs so much that they cracked his sides and he died;
+and the flea and the kitten came out quite unhurt, only a little damp.</p>
+<p>Then a wonderful thing happened.&nbsp; The tabby kitten changed into
+the little yellow man who had laughed at the Griffin.&nbsp; He grew,
+and grew, and in a few minutes he was a handsome prince.&nbsp; His name
+was Prince Orange Plushikins.&nbsp; One day a cruel witch whom he had
+offended had changed him into an ugly yellow man, and had sworn that
+he should only regain his shape if he was eaten by a Griffin when under
+the form of a tabby kitten; which you know was precisely what happened.&nbsp;
+Well, Prince Orange Plushikins at once asked the Princess flea to marry
+him, and the minute the flea said &ldquo;Yes,&rdquo; the Princess reappeared.&nbsp;
+She and the Prince were married next morning; and all the cats went
+to the steam laundry and were washed and bleached and had their tails
+crimped and their whiskers starched; and they danced at the wedding,
+and everybody lived happily ever after.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>The Discontented Daffodils.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>They had the very loveliest home you can imagine, with beautiful
+soft moss and grass to grow in, trees to form a cosy shelter from the
+wind, and a dear little babbling stream to water them.</p>
+<p>There were lots of daffodils in this pretty place, and nobody ever
+discovered the nook to gather them.&nbsp; They rejoiced in the spring
+sunshine and gentle breezes, the greeting of the birds, and the musical
+chatter of the brook; then when their brief visit to the upper world
+was over they nestled happily down in their warm mossy beds and slept
+till April came again to wake them.</p>
+<p>A little apart from the rest were four daffodils growing at the root
+of a gnarled oak tree, and one fine sunshiny morning three of them took
+it into their silly little heads that they were dull, the place was
+dull, the other daffodils were dull, and they wanted a change.</p>
+<p>It was mainly the fault of the cuckoo, for he was a grumbling, mischief-making
+bird and used to spend a good deal of time talking to the daffodils.&nbsp;
+This particular spring he had taken up his abode in the oak tree, and
+was fond of talking of all the grand things he had seen, and a great
+many he had not seen, for the cuckoo is a bird of fine imagination;
+and at last, as I have already said, three of the daffodils made up
+their minds that to be a flower and live in a wood was a very dreadful
+thing, and not to be put up with any longer.</p>
+<p>Now the cuckoo had told many strange tales about creatures with two
+legs and beautiful coloured leaves which grew in an odd way, and feathers
+only on their heads.&nbsp; They could not fly, but they could run about
+from place to place, and dance and sing; and at last the daffodils decided
+that they wished to be like these curious creatures, which the cuckoo
+called <i>girls.</i></p>
+<p>Then there were sad times in that sweet little nook under the oak
+tree.</p>
+<p>The naughty daffodils cried and quarrelled and bewailed their lot
+all day long, till they made themselves and everybody else extremely
+wretched.&nbsp; Their little sister shook her head at them, and scolded
+and said that for her part she was not meant to have legs; but it was
+all no use, the daffodils would not be quiet.</p>
+<p>One day the Fairy Visitor who looked after the flowers in that part
+heard the silly blossoms crying, and stopped to ask what was the matter.&nbsp;
+When she heard the story she told them they were very foolish and discontented,
+and that the cuckoo was a most mischievous bird and liked to get people
+into trouble; but the daffodils would not listen.&nbsp; So knowing there
+is nothing so likely to cure silly flower as to give them their own
+silly way, she said - &ldquo;Very well, my dears, you want to be girls,
+and girls you shall be.&rdquo;</p>
+<p>With that she waved her wand over the three daffodils and in a twinkle
+they were gone; in their places stood three tall pretty maidens dressed
+in soft yellow silk frocks with green stockings and shoes.&nbsp; For
+a minute they were too much astonished to speak, then clapping their
+hands they laughed and skipped for joy, and wanted to kiss the old fairy
+because they were so pleased at getting their own way; but the fairy
+would not look at them, and stooped over the little flower now growing
+all alone, saying kindly:-</p>
+<p>&ldquo;Well, little one, don&rsquo;t you want to be a pretty maiden,
+too?&rdquo;</p>
+<p>But the daffodil shook her head with great determination:-</p>
+<p>&ldquo;I don&rsquo;t want legs and I won&rsquo;t have legs.&nbsp;
+I was meant to be a flower and a flower I will be, but if you could
+keep that meddling, chattering cuckoo away from this tree for a time
+I should be much obliged.&rdquo;</p>
+<p>And the fairy laughed and promised.</p>
+<p>Meanwhile the three pretty maidens had set of hand in hand to seek
+their fortunes.</p>
+<p>They went singing and dancing over the meadows in the soft afternoon
+sunshine, and thought how wise and clever they were to be girls instead
+of little unnoticed flowers growing in a wood.</p>
+<p>Presently they came to a house and stopped to ask whether they could
+have a lodging for the night.&nbsp; There was no difficulty about it,
+for that is a happy country where there is no money and everything belongs
+to everybody, so the people of the house - an old man and woman - were
+delighted to see the beautiful maidens and made them heartily welcome,
+and the daffodils went to bed that night very happy and quite content
+with the result of their experiment.&nbsp; When they came to undress,
+however, they received a severe shock.</p>
+<p>They were girls, real proper girls, they could chatter and eat and
+sleep, for the fairy was not one to do things by halves; but when they
+pulled off the dainty green shoes and stockings, they discovered that
+although they had the prettiest little legs and feet and toes in the
+world, they were quite green, the colour of daffodil leaves.</p>
+<p>There wasn&rsquo;t anything said about a &ldquo;dear, darling, kind
+old fairy&rdquo; then, I can assure you.</p>
+<p>The first daffodil said she was a wicked old witch.&nbsp; The second
+said she was a horrible old woman; and the third said she knew the fairy
+meant to pay them out, and she would like to scratch her.&nbsp; Then
+they all set to work arguing and quarrelling and crying like silly babies,
+when suddenly a familiar &ldquo;Cuck-oo!&rdquo; sounded in their ears,
+and they saw our old acquaintance perched on the window sill.</p>
+<p>He looked at the six little green feet, and his eyes twinkled; but
+before he could speak the three angry maidens all began scolding him
+at once, for they were delighted to have somebody fresh to find fault
+with.</p>
+<p>The cuckoo, being in some respects a philosopher, did not attempt
+to interrupt, but when they were quite exhausted he said he really could
+not see any reason for their distress.&nbsp; No one would ever wish
+to see their feet, and they could always wear stockings.&nbsp; He added
+that he had great news, and had come on purpose to bring it.</p>
+<p>&ldquo;The King of Silverland,&rdquo; he said, &ldquo;is coming with
+all his court to hold high revel close to this place and celebrate the
+coming of age of his three sons.&nbsp; These princes were all born at
+once; and the king has decided to divide his kingdom into three equal
+parts and leave his sons to rule while he retires to his country place
+to study science.&nbsp; Now these Silver princes desire to marry three
+princesses, sisters born at once like themselves; but they are very
+hard to find, and the king is advertising everywhere for triplets.&nbsp;
+When I heard this I set off at once to tell you.&rdquo;</p>
+<p>The three maidens were so much interested and excited that they forgot
+their troubles and began to sing.</p>
+<p>The cuckoo was pleased with his success, but told them they must
+go to bed and to sleep, and he would fetch them in the morning to show
+them the way to the King of Silverland&rsquo;s court.</p>
+<p>Next morning, although he arrived quite early, the maidens were up
+and ready for him, looking very pretty in their yellow frocks.&nbsp;
+The kind people of the house were quite sorry to part with their guests
+and begged them to come again, and the daffodil maidens set off in high
+spirits, following the cuckoo as he flew slowly ahead across the sunlit
+meadows.&nbsp; About noon they came in sight of the king&rsquo;s court.&nbsp;
+The gorgeous tents were of cloth of silver fastened with silver ropes;
+fountains were playing in the open spaces, and flags flying everywhere.&nbsp;
+The daffodils attracted a great deal of attention as they made their
+way, blushing and a little frightened, through the crowds of soldiers,
+court ladies and attendants.&nbsp; At the door of the largest and most
+gorgeous tent stood three beautiful princes dressed in silver.</p>
+<p>When they saw the maidens approaching, hand in hand, they gave a
+cry of joy and ran forward to greet them.</p>
+<p>&ldquo;Dear beautiful princesses,&rdquo; they cried, &ldquo;welcome
+to our court!&nbsp; May we ask your names and the country you come from?&rdquo;</p>
+<p>The cuckoo, perched on a tent-pole hard by, answered for them.&nbsp;
+&ldquo;These are the Princesses Daffodil, daughters of the great King
+of Goldenland.&nbsp; They have come very many days&rsquo; journey to
+be present at your revels.&rdquo;</p>
+<p>Think of the cuckoo telling such a dreadful story and those naughty
+daffodils not contradicting him!</p>
+<p>When the princes heard the cuckoo&rsquo;s words they were almost
+beside themselves with joy, for, as it happened, there was a real King
+of Goldenland (but the cuckoo did not know it), and he had three daughters
+of the same age whom the Silver princes were anxious to see.&nbsp; They
+dropped on one knee, kissed the maidens&rsquo; hands very prettily,
+and then led them, blushing and delighted, into the royal tent.</p>
+<p>The king was out, but the queen received the daffodils very graciously.</p>
+<p>&ldquo;Triplet,&rdquo; she said significantly, and it was the princes&rsquo;
+turn to blush.</p>
+<p>Then the young people visited all the beautiful tents, and the great
+ballroom where there was to be a ball that night, and the princes whispered
+to the maidens that they would dance with no one else.&nbsp; When they
+had tasted the cowslip wine from the fountains and eaten lots of wonderful
+sweets the daffodils declared they were quite tired; so the princes
+put them into hammocks with little monkeys to swing them, and the happy
+hours wore on until the evening.</p>
+<p>The maidens had had a beautiful tent assigned to them by the queen,
+and they found lovely dresses of cloth of gold with shoes and stockings
+to match, all ready for them.&nbsp; They looked so beautiful when they
+were dressed that the colour of their feet did not seem to matter at
+all.</p>
+<p>All that night they danced with the princes, and everyone was charmed
+with their beauty and grace, especially the king, who had not received
+a single answer to his advertisement.&nbsp; At the great banquet which
+followed the ball the betrothal of the Silver princes to the Golden
+princesses was solemnly announced, and their health drunk amid great
+rejoicing.</p>
+<p>The dawn was red in the east before the festivities were over, and
+the daffodils went to bed happier than they had ever been before, happier
+than they ever would be again.&nbsp; A new and awful trouble of which
+they had never dreamt was about to befall them.</p>
+<p>When the princes came to meet their betrothed next morning the maidens
+noticed that, although very affectionate, they were downcast and somewhat
+silent.&nbsp; At last, after a great deal of questioning, the reason
+came out.&nbsp; The king and queen had both had exactly the same curious
+dream, and this strange occurrence had upset their majesties very much.&nbsp;
+They both dreamt that one of the princesses, as they believed them to
+be, had six toes on each foot; and as no monstrosity could ever share
+the throne of Silverland they demanded to see the princesses&rsquo;
+little feet with their own eyes, so as to be quite sure they all had
+only the right number of toes.</p>
+<p>When the princes with many blushes broke this news to their lady-loves,
+they each gave a short loud scream and fainted.</p>
+<p>Their lovers, of course, put this down to extreme modesty, and were
+much affected by such proper conduct; but when they succeeded in restoring
+them to consciousness they were not a little disturbed to find that
+the maidens positively refused to show their feet.</p>
+<p>Imagine the grief of the poor princes!&nbsp; The king had said quite
+positively that not one of the princes should marry till he, the queen,
+and the councillors of the kingdom, had seen the bride&rsquo;s feet;
+and the maidens now declared that they would never never show them.</p>
+<p>Matters were in this awkward state when the cuckoo appeared on the
+scene.&nbsp; He had as usual contrived to find out what was going on,
+and now announced that he had a private message for the Golden princesses,
+if they would take him to their tent.</p>
+<p>When they were alone the daffodils began to cry their eyes out, and
+the cuckoo to try and comfort them.</p>
+<p>&ldquo;Green feet,&rdquo; he said, &ldquo;are very uncommon and would
+no doubt be welcomed as a great rarity.&rdquo;</p>
+<p>But the maidens sobbed on.</p>
+<p>&ldquo;The princes love you so much they will think your little feet
+the most beautiful colour in the world.&rdquo;</p>
+<p>But they would not listen.</p>
+<p>&ldquo;I heard the king and queen say that green was their favourite
+colour,&rdquo; he remarked next.</p>
+<p>This was pure invention on the cuckoo&rsquo;s part, but the daffodils
+were somewhat cheered, and after a great deal of talking the cuckoo
+persuaded them to give in and consent to show their feet, as they could
+not possibly marry the princes without.&nbsp; Besides, perhaps when
+the king found their toes were all right he would think the colour rather
+ornamental than otherwise.&nbsp; So the princes were told to their great
+joy that the princesses had consented to show their feet; and the king
+and queen, on being informed, summoned a Cabinet Council for the next
+morning so that their ministers might be present at the counting of
+the princesses&rsquo; toes.</p>
+<p>Meantime the real Goldenland princesses had arrived near the camp;
+but as they and their suite were very tired they resolved not to visit
+the Silver king till the next day, and commanded that no one should
+mention their arrival.</p>
+<p>That night the daffodils never slept, for fear once more took possession
+of them.&nbsp; They scrubbed their feet, but the fairy&rsquo;s dye would
+not come off; then they scraped them, but that hurt very much and did
+no good.&nbsp; Finally they chalked them, but that was no use at all;
+so they had to give it up in despair, and hope for the best.</p>
+<p>Next morning two of the court ushers came to escort them to the Cabinet
+Council.&nbsp; Poor daffodils!&nbsp; Their eyes were red with weeping,
+and they could scarcely stand for terror when they entered the tent
+where the examination was to take place.</p>
+<p>In the middle on a raised dais sat the king and queen, on their right
+stood the three princes, on their left the councillors in their robes
+of state.&nbsp; Three chairs were placed for the maidens, and they were
+politely but firmly requested to take off their shoes and stockings.</p>
+<p>Blushing crimson the daffodils slowly and unwillingly took off their
+shoes.&nbsp; Then they cried a little and said they really truly couldn&rsquo;t,
+but it was no use, and the stockings had to follow, and six little green
+feet were exposed to view.</p>
+<p>&ldquo;They wear two pairs, I see,&rdquo; said the queen, who was
+a little short-sighted.&nbsp; &ldquo;Very sensible, I&rsquo;m sure,
+in this damp place.&nbsp; Take off the other pair, my dears.&rdquo;</p>
+<p>But the daffodils only hung their heads and wept.</p>
+<p>Then one of the councillors cried out, in a horrified tone - &ldquo;Their
+feet are green!&nbsp; They are monstrosities!&rdquo; and at that very
+moment heralds were heard outside announcing the arrival of the Princesses
+of Goldenland.</p>
+<p>Now the king was a shrewd old gentleman, and the true state of affairs
+suddenly flashed upon him.&nbsp; &ldquo;They are impostors!&rdquo; he
+cried, rising to his feet, &ldquo;turn the deceitful minxes out.&rdquo;</p>
+<p>At that the maidens rose and fled.&nbsp; They never stopped for shoes
+or stockings, but ran like hunted hares out of the tent across the fields;
+and when the people saw their little green feet a great shout of laughter
+went up, in which the king and the princes joined.&nbsp; As for the
+daffodils, they ran and ran and ran, not daring even to look behind
+them, till they suddenly stopped for want of breath; and where do you
+think they were?&nbsp; Why in their old home under the oak tree.&nbsp;
+Most of the daffodils had gone to sleep, but a few were left, and among
+them their little sister.&nbsp; At her side stood the fairy.</p>
+<p>&ldquo;Well, my dears, do you like being girls?&rdquo; and there
+was a twinkle in her eye as she spoke.</p>
+<p>But the daffodils were sobbing too bitterly to answer, and the fairy
+had a kind heart and did not press the question.&nbsp; &ldquo;Would
+you be content to be daffodils again?&rdquo; she asked, and smiled at
+them sweetly.</p>
+<p>They murmured a thankful &ldquo;Yes&rdquo;; the fairy waved her wand,
+and in a trice the maidens were gone and there were three more flowers,
+very pale faded ones, growing under the gnarled oak tree.&nbsp; Poor
+discontented daffodils!&nbsp; They had to pay a heavy price for their
+folly.</p>
+<p>The cuckoo came back time after time, and never wearied of teasing
+them; and their little sister made many very true but disagreeable remarks
+on the extreme silliness of being discontented with one&rsquo;s surroundings.</p>
+<p>Perhaps by next spring things may be better; but of this you may
+be quite sure, no amount of cuckoos will ever persuade the flowers in
+that nook to be anything but what nature intended them to be - sweet
+little daffodils.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>The Fairy Fluffikins</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>The Fairy Fluffikins lived in a warm woolly nest in a hole down an
+old oak tree.&nbsp; She was the sweetest, funniest little fairy you
+ever saw.&nbsp; She wore a little, soft, fluffy brown dress, and on
+her head a little red woolly cap; she had soft red hair and the brightest,
+naughtiest, merriest, sharpest brown eyes imaginable.</p>
+<p>What a life she led the animals!&nbsp; Fairy Fluffikins was a sad
+tease; she would creep into the nests where the fat baby dormice were
+asleep in bed while Mamma dormouse nodded over her knitting and Papa
+smoked his little acorn pipe; and she would tickle the babies till they
+screamed with laughter and nearly rolled out of bed, and Mamma scolded,
+and Papa said in a gruff voice - &ldquo;What a plague you are, you little
+dors; go to sleep this minute or I will fetch my big stick.&rdquo;</p>
+<p>And then the babies would shake, for they were afraid of the big
+stick; and naughty Fairy Fluffikins would dance off to find some fresh
+piece of mischief.</p>
+<p>One night she had fine fun.&nbsp; She found a little dead mouse in
+a field; and at first she was sorry for the mouse, and thought she would
+bury it and plant a daisy on its grave; but then an idea struck her.&nbsp;
+She hunted about till she found a piece of long, strong grass, and then
+she took the little mouse, tied the piece of grass round its tail, and
+ran away with it to the big tree where the Ancient Owl lived.&nbsp;
+There was a little hole at the bottom of the tree and into it Fairy
+Fluffikins crept, leaving the mouse outside in the moonlight.&nbsp;
+Presently she heard a gruff voice in the tree saying -</p>
+<p>&ldquo;I smell mouse, I smell mouse.&rdquo;&nbsp; Then there was
+a swoop of wings, and Fairy Fluffikins promptly drew the mouse into
+the little hole and stuffed its tail into her mouth so that she might
+not be heard laughing; and the gruff voice said angrily -</p>
+<p>&ldquo;Where&rsquo;s that mouse gone?&nbsp; I smelt mouse, I know
+I smelt mouse!&rdquo;</p>
+<p>She grew tired of this game after a few times, so she left the mouse
+in the hole and crept away to a new one.&nbsp; She really was a naughty
+fairy.&nbsp; She blew on the buttercups so that they thought the morning
+breeze had come to wake them up, and opened their cups in a great hurry.&nbsp;
+She buzzed outside the clover and made it talk in its sleep, so that
+it said in a cross, sleepy voice - &ldquo;Go away, you stupid busy bee,
+and don&rsquo;t wake me up in the middle of the night.&rdquo;</p>
+<p>She pulled the tail of the nightingale who was singing to his lady-love
+in the hawthorn bush, and he lost his place in his song and nearly tumbled
+over backwards into the garden.&nbsp; Then to her joy she met an elderly,
+domestic puss taking an evening walk with a view to field-mice.</p>
+<p>Here was sport.&nbsp; Fluffikins hid in the grass and squeaked; and
+when the elderly cat came tearing up she pulled his whiskers and flew
+away (I forgot to tell you that she had little, soft wings), and the
+elderly cat jumped and said -</p>
+<p>&ldquo;Mouse-traps and mince-meat!&nbsp; Fancy a cat of my age and
+experience taking a bat for a mouse!&nbsp; But by my claws I heard a
+mouse&rsquo;s squeak.&rdquo;</p>
+<p>Fairy Fluffikins often met the poor elderly cat, and always led him
+some dreadful dance, now and then taking a ride on his back into the
+bargain, till he thought he must have got the nightmare.</p>
+<p>One day Fairy Fluffikins was well paid out for some of her naughtiness.&nbsp;
+She was flying away from a tree where she had just wrapped a sleeping
+bat&rsquo;s head up in a large cobweb, when she heard the sweep of wings,
+felt a sharp nip - and in less time than it takes to tell found herself
+in the nest of the Ancient Owl.</p>
+<p>&ldquo;My wig!&rdquo; said the Ancient Owl, much surprised, &ldquo;I
+thought you were a bat.&rdquo;&nbsp; And he called his wife and three
+children to look.</p>
+<p>Now when Fairy Fluffikins saw five pairs of large round eyes blinking
+and staring at her she lost her head and cried out - &ldquo;Please,
+please, Mr Ancient Owl, don&rsquo;t be angry with me and I will never
+play tricks with mice any more,&rdquo; and so told the Ancient Owl what
+he had never even suspected before.</p>
+<p>Then the Ancient Owl was MOST DREADFULLY ANGRY and read Fairy Fluffikins
+a long sermon about the wickedness of deceiving Ancient Owls.&nbsp;
+The sermon took two hours and a half; and when it was over all the owls
+hooted at her and pecked her; and Fairy Fluffikins was very glad indeed
+when at last Mrs Ancient Owl gave her a push and said -</p>
+<p>&ldquo;Go along, you impertinent brown minx,&rdquo; and she was able
+to go out into the night.</p>
+<p>Even this sad adventure did not cure Fairy Fluffikins of getting
+into mischief - although she never teased the owls any more, you may
+be sure of that - she took to tormenting the squirrels instead.&nbsp;
+She used to find their stores of nuts and carry them away and fill the
+holes with pebbles; and this, when you are a hard-working squirrel with
+a large family to support, is very trying to the temper.&nbsp; Then
+she would tie acorns to their tails; and she would clap her hands to
+frighten them, and pull the baby-squirrels&rsquo; ears; till at last
+they offered a reward to anyone who could catch Fairy Fluffikins and
+bring her to be punished.</p>
+<p>No one caught Fairy Fluffikins; but she caught herself, as you shall
+hear.</p>
+<p>She was poking about round a haystack one night, trying to find something
+naughty to do, when she came upon a sweet little house with pretty wire
+walls and a wooden door standing invitingly open.&nbsp; In hopped Fluffikins,
+thinking she was going to have some new kind of fun.&nbsp; There was
+a little white thing dangling from the roof, and she laid hold of it.&nbsp;
+Immediately there was a bang; the wooden door slammed; and Fluffikins
+was caught.</p>
+<p>How she cried and stamped and pushed at the door, and promised to
+be a good fairy and a great many other things!&nbsp; But all to no purpose:
+the door was tight shut, and Fluffikins was not like some fortunate
+fairies who can get out of anywhere.</p>
+<p>There she remained, and in the morning one of the labourers found
+her, and, thinking she was some kind of dormouse, he carried her home
+to his little girl; and if you call on Mary Ann Smith you will see Fairy
+Fluffikins there still in a little cage.&nbsp; They give her nuts and
+cheese and bread, and all the things she doesn&rsquo;t like, and there
+is no one to tease and no mischief to get into; so if there is a miserable
+little Fairy anywhere it is Fairy Fluffikins, and I&rsquo;m not sure
+it doesn&rsquo;t serve her quite right.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>The Story of the Tinkle-Tinkle.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Once upon a time there lived a Tinkle-Tinkle.&nbsp; I cannot tell
+you what he was like, because no man knows, not even the Tinkle-Tinkle
+himself.&nbsp; Sometimes he lived on the ground, sometimes in a tree,
+sometimes in the water, sometimes in a cave; and I can&rsquo;t tell
+you what he lived on, for no man knows, not even the Tinkle-Tinkle himself.</p>
+<p>One day the Tinkle-Tinkle was going through a wood, when he heard
+a piteous weeping.&nbsp; He stopped, for he was a kindly Tinkle-Tinkle,
+and found two small dormice sobbing under a tree because they had been
+cruelly deserted by their parents.&nbsp; He wiped their eyes tenderly
+and took them to his cave home; but I cannot tell you how he went, for
+no man knows, not even the Tinkle-Tinkle.&nbsp; However, when he got
+there he put the dormice to bed in his grandmother&rsquo;s boots, for
+which he had never found any use before, and fed them on periwinkles
+and tea, and was very kind to them; and when they grew older he bought
+them caps and aprons, and they became the Tinkle-Tinkle&rsquo;s housemaid
+and parlourmaid.</p>
+<p>Now I must tell you that it was a great grief to the Tinkle-Tinkle
+not to know what he was, or how he lived, or where he was going to;
+and it often made him depressed, but he always concealed it from the
+dormice, appearing a most cheerful and contented creature.</p>
+<p>One day he found a poor green bird lying on the ground with its leg
+broken.&nbsp; Fortunately Tinkle-Tinkle had his grandmother&rsquo;s
+black silk reticule with him which had never been of any service to
+him before.&nbsp; He gently placed the green bird in the bottom and
+carried it to the cave.</p>
+<p>The dormice laid the poor sufferer on a soft bed and put the broken
+leg up carefully in plaster of Paris; and they nursed the green bird
+with the greatest attention so that it was soon well enough to hop about
+on crutches; and it sang so beautifully that all the inhabitants round
+gave it money, and its fame spread abroad; but it was so tenderly attached
+to the Tinkle-Tinkle and the dormice that it would not leave them.</p>
+<p>Now it happened on a certain evening that the Tinkle-Tinkle was travelling
+over the sea, when suddenly in the depths he caught sight of a most
+beautiful Creature.&nbsp; It was all sorts of colours - white, rosy
+pink, and deep crimson, and pale blue fading into white and gold.&nbsp;
+It had no face but a bright light; and it had quantities of beautiful
+iridescent wings, like the rainbow; and the most lovely voice you ever
+heard, like the sighing of the waves in the hollow of the sea.</p>
+<p>The Tinkle-Tinkle was so astonished and entranced that he stopped,
+and the beautiful Creature cried out to him, and its voice made Tinkle-Tinkle
+remember a dream he had once had of sunshine, and forest trees, and
+the song of birds; and the Creature said, &ldquo;Ah, Tinkle-Tinkle!
+you are lonely and perplexed and sad, and you do not know whence you
+came nor why you are here; but the dormice know and the green bird knows,
+and I know, and we are glad for your being.&nbsp; Go on, Tinkle-Tinkle,
+and do not sorrow, for some day you shall come back to me, and I will
+wrap you in my wings and take you where you belong, and then you will
+understand.&rdquo;</p>
+<p>When the Tinkle-Tinkle heard this he was glad with a new strange
+gladness, and he went back to his cave; but not alone, for the spirit
+of hope went with him.</p>
+<p>The Tinkle-Tinkle had one gift - he could sing - how, no man knew,
+not even the Tinkle-Tinkle himself; and this is how he discovered his
+gift.</p>
+<p>One day in a secluded spot in the forest he found a dying stag, and
+the Tinkle-Tinkle was moved with great compassion and yet could do nothing.</p>
+<p>The great stag&rsquo;s head drooped lower and lower till even the
+sun melted in a mist of pity, and the trees sighed, and the breezes
+hushed their voices.&nbsp; Then suddenly the Tinkle-Tinkle crept close
+and began to sing, why or how he knew not.&nbsp; As he sang, the birds
+and the stream were silenced and the breezes ceased, and the great stag&rsquo;s
+breathing grew less and less laboured, and his eyes brightened, and
+presently he rose slowly to his feet and paced away to join the rest
+of the herd, and the Tinkle-Tinkle went with him.</p>
+<p>When the stag&rsquo;s companions heard the story, they wept for all
+that had befallen their leader, but rejoiced also and blessed the Tinkle-Tinkle;
+and he sang once more for them, and the Star-spirits leaned out of their
+bright little windows to listen, and the night was glad.</p>
+<p>Many were the adventures of the Tinkle-Tinkle, and countless the
+creatures he cheered and helped, yet he never fancied himself any use
+or knew why he was in the world.&nbsp; He brought home a poor old crab
+without a claw, and the green bird and the dormice found a hook and
+screwed it in, and the poor old crab used to carry parcels for the neighbours;
+but he still lived with the Tinkle-Tinkle.</p>
+<p>Another time it was a snail with a broken shell; for him they built
+a beautiful little house, and he made little rush brooms and sold them
+to the passers-by; but he lived ever after close to the Tinkle-Tinkle&rsquo;s
+front door.</p>
+<p>So it went on till all the Tinkle-Tinkle&rsquo;s homes were full
+of strange occupants, and he began to feel very old and worn and weary.&nbsp;
+Then he remembered the promise of the beautiful Creature, and went slowly
+over the sea hoping the time had come for it to be fulfilled, and it
+had.&nbsp; The beautiful Creature stretched out its lovely rose and
+purple wings and wrapped the Tinkle-Tinkle in their warm soft greatness,
+and bore him down and down through the depths till they came to the
+Great Gate.&nbsp; At the beautiful Creature&rsquo;s voice it swung slowly
+back, and they passed down the Blue Pathway, which is all ice, cut and
+carved into lovely pinnacles and spires, very blue with the blue of
+the summer sky and the southern seas.&nbsp; The Tinkle-Tinkle could
+just see it from between the beautiful Creature&rsquo;s wings, stretching
+away in the blue distance, and at the end one star.</p>
+<p>Presently - and though the time had been one thousand years it had
+not seemed long to the Tinkle-Tinkle - they came out into a beautiful
+place that was nothing but light, and the beautiful Creature set the
+Tinkle-Tinkle down; he looked around him and saw many other Tinkle-Tinkles,
+and he knew them for what they were and loved their beauty; and the
+Creature gently swept one of its purple pinions across him, and the
+Tinkle-Tinkle took form.&nbsp; He had many, many little soft, strong
+hands and many little white feet, and long sweeping wings and a face
+which shone with something of the light of the beautiful Creature; and
+the Tinkle-Tinkle saw and understood and sang for joy.</p>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<p>End of the Project Gutenberg eBook The Grey Brethren</p>
+<p>*** END OF THE PROJECT GUTENBERG EBOOK, THE GREY BRETHREN ***</p>
+<pre>
+
+******This file should be named grybr10h.htm or grybr10h.zip******
+Corrected EDITIONS of our EBooks get a new NUMBER, grybr11h.htm
+VERSIONS based on separate sources get new LETTER, grybr10ah.htm
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext04 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04
+
+Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart hart@pobox.com
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+</pre></body>
+</html>