summaryrefslogtreecommitdiff
path: root/old/hntdn10h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/hntdn10h.htm')
-rw-r--r--old/hntdn10h.htm1450
1 files changed, 1450 insertions, 0 deletions
diff --git a/old/hntdn10h.htm b/old/hntdn10h.htm
new file mode 100644
index 0000000..4663d0c
--- /dev/null
+++ b/old/hntdn10h.htm
@@ -0,0 +1,1450 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<HTML><HEAD>
+<TITLE>The Project Gutenberg eBook of Hunted Down, by Charles Dickens</TITLE>
+<META http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<STYLE TYPE="text/css">
+<!--
+DIV.book { margin-left: 5%; margin-right: 5%; text-align: justify; }
+P { text-indent: 2em; margin-top: 0; margin-bottom: 0; }
+P.pg { text-indent: 0em; margin-top: 1em; margin-bottom: 1em; }
+-->
+</STYLE>
+</HEAD>
+<BODY>
+<center><h1>The Project Gutenberg EBook of<br><a href="#title"><i>Hunted Down</i></a><br>by Charles Dickens</h1>
+<h2>(#16 in our series of stories by Charles Dickens)</h2></center>
+<DIV align="justify">
+<p class="pg"><br>
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+<p class="pg">
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+<p class="pg">
+Please read the <a href="#legal">&#8220;legal small print,&#8221;</a> and <a href="#footer">other information</a> about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+<p class="pg">
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+<p class="pg">
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+<p class="pg">
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+<p class="pg">
+Title: Hunted Down
+<p class="pg">
+Author: Charles Dickens
+<p class="pg">
+Release Date: February, 1997 [EBook #807]
+<br>[Yes, we are more than one year ahead of schedule]
+<br>[This HTML edition was first posted on April 15, 2003]
+<p class="pg">
+Edition: 10
+<p class="pg">
+Language: English
+<p class="pg">
+Character set encoding: ISO-8859-1
+<p class="pg">
+*** START OF THE PROJECT GUTENBERG EBOOK, HUNTED DOWN ***
+<p class="pg"><br><br>
+This eBook was converted to HTML, with additional editing, by Jose Menendez
+from the text edition produced by David Price.
+<br><br><br></DIV>
+<DIV class="book">
+<a name="title"></a><hr size="3" noshade>
+<center>
+<h1>HUNTED DOWN</h1><br><h3>BY</h3><br><h2>CHARLES DICKENS</h2>
+<hr size="3" noshade>
+<h3>I.</h3></center>
+<p><br>
+<big><big>M</big></big>OST of us see some romances in life. In my capacity as Chief
+Manager of a Life Assurance Office, I think I have within the last
+thirty years seen more romances than the generality of men, however
+unpromising the opportunity may, at first sight, seem.
+<p>
+As I have retired, and live at my ease, I possess the means that I
+used to want, of considering what I have seen, at leisure. My
+experiences have a more remarkable aspect, so reviewed, than they
+had when they were in progress. I have come home from the Play
+now, and can recall the scenes of the Drama upon which the curtain
+has fallen, free from the glare, bewilderment, and bustle of the
+Theatre.
+<p>
+Let me recall one of these Romances of the real world.
+<p>
+There is nothing truer than physiognomy, taken in connection with
+manner. The art of reading that book of which Eternal Wisdom
+obliges every human creature to present his or her own page with
+the individual character written on it, is a difficult one,
+perhaps, and is little studied. It may require some natural
+aptitude, and it must require (for everything does) some patience
+and some pains. That these are not usually given to it,&#8212;that
+numbers of people accept a few stock commonplace expressions of the
+face as the whole list of characteristics, and neither seek nor
+know the refinements that are truest,&#8212;that You, for instance,
+give a great deal of time and attention to the reading of music,
+Greek, Latin, French, Italian, Hebrew, if you please, and do not
+qualify yourself to read the face of the master or mistress looking
+over your shoulder teaching it to you,&#8212;I assume to be five
+hundred times more probable than improbable. Perhaps a little
+self-sufficiency may be at the bottom of this; facial expression
+requires no study from you, you think; it comes by nature to you to
+know enough about it, and you are not to be taken in.
+<p>
+I confess, for my part, that I <i>have</i> been taken in, over and over
+again. I have been taken in by acquaintances, and I have been
+taken in (of course) by friends; far oftener by friends than by any
+other class of persons. How came I to be so deceived? Had I quite
+misread their faces?
+<p>
+No. Believe me, my first impression of those people, founded on
+face and manner alone, was invariably true. My mistake was in
+suffering them to come nearer to me and explain themselves away.
+<br><br>
+<center><hr width="200"><br>
+<h3>II.</h3></center>
+<p><br>
+The partition which separated my own office from our general outer
+office in the City was of thick plate-glass. I could see through
+it what passed in the outer office, without hearing a word. I had
+it put up in place of a wall that had been there for years,&#8212;ever
+since the house was built. It is no matter whether I did or did
+not make the change in order that I might derive my first
+impression of strangers, who came to us on business, from their
+faces alone, without being influenced by anything they said.
+Enough to mention that I turned my glass partition to that account,
+and that a Life Assurance Office is at all times exposed to be
+practised upon by the most crafty and cruel of the human race.
+<p>
+It was through my glass partition that I first saw the gentleman
+whose story I am going to tell.
+<p>
+He had come in without my observing it, and had put his hat and
+umbrella on the broad counter, and was bending over it to take some
+papers from one of the clerks. He was about forty or so, dark,
+exceedingly well dressed in black,&#8212;being in mourning,&#8212;and the
+hand he extended with a polite air, had a particularly well-fitting
+black-kid glove upon it. His hair, which was elaborately brushed
+and oiled, was parted straight up the middle; and he presented this
+parting to the clerk, exactly (to my thinking) as if he had said,
+in so many words: &#8216;You must take me, if you please, my friend, just
+as I show myself. Come straight up here, follow the gravel path,
+keep off the grass, I allow no trespassing.&#8217;
+<p>
+I conceived a very great aversion to that man the moment I thus saw
+him.
+<p>
+He had asked for some of our printed forms, and the clerk was
+giving them to him and explaining them. An obliged and agreeable
+smile was on his face, and his eyes met those of the clerk with a
+sprightly look. (I have known a vast quantity of nonsense talked
+about bad men not looking you in the face. Don&#8217;t trust that
+conventional idea. Dishonesty will stare honesty out of
+countenance, any day in the week, if there is anything to be got by
+it.)
+<p>
+I saw, in the corner of his eyelash, that he became aware of my
+looking at him. Immediately he turned the parting in his hair
+toward the glass partition, as if he said to me with a sweet smile,
+&#8216;Straight up here, if you please. Off the grass!&#8217;
+<p>
+In a few moments he had put on his hat and taken up his umbrella,
+and was gone.
+<p>
+I beckoned the clerk into my room, and asked, &#8216;Who was that?&#8217;
+<p>
+He had the gentleman&#8217;s card in his hand. &#8216;Mr. Julius Slinkton,
+Middle Temple.&#8217;
+<p>
+&#8216;A barrister, Mr. Adams?&#8217;
+<p>
+&#8216;I think not, sir.&#8217;
+<p>
+&#8216;I should have thought him a clergyman, but for his having no
+Reverend here,&#8217; said I.
+<p>
+&#8216;Probably, from his appearance,&#8217; Mr. Adams replied, &#8216;he is reading
+for orders.&#8217;
+<p>
+I should mention that he wore a dainty white cravat, and dainty
+linen altogether.
+<p>
+&#8216;What did he want, Mr. Adams?&#8217;
+<p>
+&#8216;Merely a form of proposal, sir, and form of reference.&#8217;
+<p>
+&#8216;Recommended here? Did he say?&#8217;
+<p>
+&#8216;Yes, he said he was recommended here by a friend of yours. He
+noticed you, but said that as he had not the pleasure of your
+personal acquaintance he would not trouble you.&#8217;
+<p>
+&#8216;Did he know my name?&#8217;
+<p>
+&#8216;O yes, sir! He said, &#8220;There <i>is</i> Mr. Sampson, I see!&#8221; &#8217;
+<p>
+&#8216;A well-spoken gentleman, apparently?&#8217;
+<p>
+&#8216;Remarkably so, sir.&#8217;
+<p>
+&#8216;Insinuating manners, apparently?&#8217;
+<p>
+&#8216;Very much so, indeed, sir.&#8217;
+<p>
+&#8216;Hah!&#8217; said I. &#8216;I want nothing at present, Mr. Adams.&#8217;
+<p>
+Within a fortnight of that day I went to dine with a friend of
+mine, a merchant, a man of taste, who buys pictures and books, and
+the first man I saw among the company was Mr. Julius Slinkton.
+There he was, standing before the fire, with good large eyes and an
+open expression of face; but still (I thought) requiring everybody
+to come at him by the prepared way he offered, and by no other.
+<p>
+I noticed him ask my friend to introduce him to Mr. Sampson, and my
+friend did so. Mr. Slinkton was very happy to see me. Not too
+happy; there was no over-doing of the matter; happy in a thoroughly
+well-bred, perfectly unmeaning way.
+<p>
+&#8216;I thought you had met,&#8217; our host observed.
+<p>
+&#8216;No,&#8217; said Mr. Slinkton. &#8216;I did look in at Mr. Sampson&#8217;s office,
+on your recommendation; but I really did not feel justified in
+troubling Mr. Sampson himself, on a point in the everyday routine
+of an ordinary clerk.&#8217;
+<p>
+I said I should have been glad to show him any attention on our
+friend&#8217;s introduction.
+<p>
+&#8216;I am sure of that,&#8217; said he, &#8216;and am much obliged. At another
+time, perhaps, I may be less delicate. Only, however, if I have
+real business; for I know, Mr. Sampson, how precious business time
+is, and what a vast number of impertinent people there are in the
+world.&#8217;
+<p>
+I acknowledged his consideration with a slight bow. &#8216;You were
+thinking,&#8217; said I, &#8216;of effecting a policy on your life.&#8217;
+<p>
+&#8216;O dear no! I am afraid I am not so prudent as you pay me the
+compliment of supposing me to be, Mr. Sampson. I merely inquired
+for a friend. But you know what friends are in such matters.
+Nothing may ever come of it. I have the greatest reluctance to
+trouble men of business with inquiries for friends, knowing the
+probabilities to be a thousand to one that the friends will never
+follow them up. People are so fickle, so selfish, so
+inconsiderate. Don&#8217;t you, in your business, find them so every
+day, Mr. Sampson?&#8217;
+<p>
+I was going to give a qualified answer; but he turned his smooth,
+white parting on me with its &#8216;Straight up here, if you please!&#8217; and
+I answered &#8216;Yes.&#8217;
+<p>
+&#8216;I hear, Mr. Sampson,&#8217; he resumed presently, for our friend had a
+new cook, and dinner was not so punctual as usual, &#8216;that your
+profession has recently suffered a great loss.&#8217;
+<p>
+&#8216;In money?&#8217; said I.
+<p>
+He laughed at my ready association of loss with money, and replied,
+&#8216;No, in talent and vigour.&#8217;
+<p>
+Not at once following out his allusion, I considered for a moment.
+&#8216;<i>Has</i> it sustained a loss of that kind?&#8217; said I. &#8216;I was not aware
+of it.&#8217;
+<p>
+&#8216;Understand me, Mr. Sampson. I don&#8217;t imagine that you have
+retired. It is not so bad as that. But Mr. Meltham&#8212;&#8217;
+<p>
+&#8216;O, to be sure!&#8217; said I. &#8216;Yes! Mr. Meltham, the young actuary of
+the &#8220;Inestimable.&#8221; &#8217;
+<p>
+&#8216;Just so,&#8217; he returned in a consoling way.
+<p>
+&#8216;He is a great loss. He was at once the most profound, the most
+original, and the most energetic man I have ever known connected
+with Life Assurance.&#8217;
+<p>
+I spoke strongly; for I had a high esteem and admiration for
+Meltham; and my gentleman had indefinitely conveyed to me some
+suspicion that he wanted to sneer at him. He recalled me to my
+guard by presenting that trim pathway up his head, with its
+internal &#8216;Not on the grass, if you please&#8212;the gravel.&#8217;
+<p>
+&#8216;You knew him, Mr. Slinkton.&#8217;
+<p>
+&#8216;Only by reputation. To have known him as an acquaintance or as a
+friend, is an honour I should have sought if he had remained in
+society, though I might never have had the good fortune to attain
+it, being a man of far inferior mark. He was scarcely above
+thirty, I suppose?&#8217;
+<p>
+&#8216;About thirty.&#8217;
+<p>
+&#8216;Ah!&#8217; he sighed in his former consoling way. &#8216;What creatures we
+are! To break up, Mr. Sampson, and become incapable of business at
+that time of life!&#8212;Any reason assigned for the melancholy fact?&#8217;
+<p>
+(&#8216;Humph!&#8217; thought I, as I looked at him. &#8216;But I <i>won&#8217;t</i> go up the
+track, and I <i>will</i> go on the grass.&#8217;)
+<p>
+&#8216;What reason have you heard assigned, Mr. Slinkton?&#8217; I asked,
+point-blank.
+<p>
+&#8216;Most likely a false one. You know what Rumour is, Mr. Sampson. I
+never repeat what I hear; it is the only way of paring the nails
+and shaving the head of Rumour. But when <i>you</i> ask me what reason I
+have heard assigned for Mr. Meltham&#8217;s passing away from among men,
+it is another thing. I am not gratifying idle gossip then. I was
+told, Mr. Sampson, that Mr. Meltham had relinquished all his
+avocations and all his prospects, because he was, in fact,
+broken-hearted. A disappointed attachment I heard,&#8212;though
+it hardly seems probable, in the case of a man so distinguished and so
+attractive.&#8217;
+<p>
+&#8216;Attractions and distinctions are no armour against death,&#8217; said I.
+<p>
+&#8216;O, she died? Pray pardon me. I did not hear that. That, indeed,
+makes it very, very sad. Poor Mr. Meltham! She died? Ah, dear
+me! Lamentable, lamentable!&#8217;
+<p>
+I still thought his pity was not quite genuine, and I still
+suspected an unaccountable sneer under all this, until he said, as
+we were parted, like the other knots of talkers, by the
+announcement of dinner:
+<p>
+&#8216;Mr. Sampson, you are surprised to see me so moved on behalf of a
+man whom I have never known. I am not so disinterested as you may
+suppose. I have suffered, and recently too, from death myself. I
+have lost one of two charming nieces, who were my constant
+companions. She died young&#8212;barely three-and-twenty; and even her
+remaining sister is far from strong. The world is a grave!&#8217;
+<p>
+He said this with deep feeling, and I felt reproached for the
+coldness of my manner. Coldness and distrust had been engendered
+in me, I knew, by my bad experiences; they were not natural to me;
+and I often thought how much I had lost in life, losing
+trustfulness, and how little I had gained, gaining hard caution.
+This state of mind being habitual to me, I troubled myself more
+about this conversation than I might have troubled myself about a
+greater matter. I listened to his talk at dinner, and observed how
+readily other men responded to it, and with what a graceful
+instinct he adapted his subjects to the knowledge and habits of
+those he talked with. As, in talking with me, he had easily
+started the subject I might be supposed to understand best, and to
+be the most interested in, so, in talking with others, he guided
+himself by the same rule. The company was of a varied character;
+but he was not at fault, that I could discover, with any member of
+it. He knew just as much of each man&#8217;s pursuit as made him
+agreeable to that man in reference to it, and just as little as
+made it natural in him to seek modestly for information when the
+theme was broached.
+<p>
+As he talked and talked&#8212;but really not too much, for the rest of
+us seemed to force it upon him&#8212;I became quite angry with myself.
+I took his face to pieces in my mind, like a watch, and examined it
+in detail. I could not say much against any of his features
+separately; I could say even less against them when they were put
+together. &#8216;Then is it not monstrous,&#8217; I asked myself, &#8216;that
+because a man happens to part his hair straight up the middle of
+his head, I should permit myself to suspect, and even to detest
+him?&#8217;
+<p>
+(I may stop to remark that this was no proof of my sense. An
+observer of men who finds himself steadily repelled by some
+apparently trifling thing in a stranger is right to give it great
+weight. It may be the clue to the whole mystery. A hair or two
+will show where a lion is hidden. A very little key will open a
+very heavy door.)
+<p>
+I took my part in the conversation with him after a time, and we
+got on remarkably well. In the drawing-room I asked the host how
+long he had known Mr. Slinkton. He answered, not many months; he
+had met him at the house of a celebrated painter then present, who
+had known him well when he was travelling with his nieces in Italy
+for their health. His plans in life being broken by the death of
+one of them, he was reading with the intention of going back to
+college as a matter of form, taking his degree, and going into
+orders. I could not but argue with myself that here was the true
+explanation of his interest in poor Meltham, and that I had been
+almost brutal in my distrust on that simple head.
+<br><br>
+<center><hr width="200"><br>
+<h3>III.</h3></center>
+<p><br>
+On the very next day but one I was sitting behind my glass
+partition, as before, when he came into the outer office, as
+before. The moment I saw him again without hearing him, I hated
+him worse than ever.
+<p>
+It was only for a moment that I had this opportunity; for he waved
+his tight-fitting black glove the instant I looked at him, and came
+straight in.
+<p>
+&#8216;Mr. Sampson, good-day! I presume, you see, upon your kind
+permission to intrude upon you. I don&#8217;t keep my word in being
+justified by business, for my business here&#8212;if I may so abuse the
+word&#8212;is of the slightest nature.&#8217;
+<p>
+I asked, was it anything I could assist him in?
+<p>
+&#8216;I thank you, no. I merely called to inquire outside whether my
+dilatory friend had been so false to himself as to be practical and
+sensible. But, of course, he has done nothing. I gave him your
+papers with my own hand, and he was hot upon the intention, but of
+course he has done nothing. Apart from the general human
+disinclination to do anything that ought to be done, I dare say
+there is especially about assuring one&#8217;s life. You find it like
+will-making. People are so superstitious, and take it for granted
+they will die soon afterwards.&#8217;
+<p>
+&#8216;Up here, if you please; straight up here, Mr. Sampson. Neither to
+the right nor to the left.&#8217; I almost fancied I could hear him
+breathe the words as he sat smiling at me, with that intolerable
+parting exactly opposite the bridge of my nose.
+<p>
+&#8216;There is such a feeling sometimes, no doubt,&#8217; I replied; &#8216;but I
+don&#8217;t think it obtains to any great extent.&#8217;
+<p>
+&#8216;Well,&#8217; said he, with a shrug and a smile, &#8216;I wish some good angel
+would influence my friend in the right direction. I rashly
+promised his mother and sister in Norfolk to see it done, and he
+promised them that he would do it. But I suppose he never will.&#8217;
+<p>
+He spoke for a minute or two on indifferent topics, and went away.
+<p>
+I had scarcely unlocked the drawers of my writing-table next
+morning, when he reappeared. I noticed that he came straight to
+the door in the glass partition, and did not pause a single moment
+outside.
+<p>
+&#8216;Can you spare me two minutes, my dear Mr. Sampson?&#8217;
+<p>
+&#8216;By all means.&#8217;
+<p>
+&#8216;Much obliged,&#8217; laying his hat and umbrella on the table; &#8216;I came
+early, not to interrupt you. The fact is, I am taken by surprise
+in reference to this proposal my friend has made.&#8217;
+<p>
+&#8216;Has he made one?&#8217; said I.
+<p>
+&#8216;Ye-es,&#8217; he answered, deliberately looking at me; and then a bright
+idea seemed to strike him&#8212;&#8216;or he only tells me he has. Perhaps
+that may be a new way of evading the matter. By Jupiter, I never
+thought of that!&#8217;
+<p>
+Mr. Adams was opening the morning&#8217;s letters in the outer office.
+&#8216;What is the name, Mr. Slinkton?&#8217; I asked.
+<p>
+&#8216;Beckwith.&#8217;
+<p>
+I looked out at the door and requested Mr. Adams, if there were a
+proposal in that name, to bring it in. He had already laid it out
+of his hand on the counter. It was easily selected from the rest,
+and he gave it me. Alfred Beckwith. Proposal to effect a policy
+with us for two thousand pounds. Dated yesterday.
+<p>
+&#8216;From the Middle Temple, I see, Mr. Slinkton.&#8217;
+<p>
+&#8216;Yes. He lives on the same staircase with me; his door is
+opposite. I never thought he would make me his reference though.&#8217;
+<p>
+&#8216;It seems natural enough that he should.&#8217;
+<p>
+&#8216;Quite so, Mr. Sampson; but I never thought of it. Let me see.&#8217;
+He took the printed paper from his pocket. &#8216;How am I to answer all
+these questions?&#8217;
+<p>
+&#8216;According to the truth, of course,&#8217; said I.
+<p>
+&#8216;O, of course!&#8217; he answered, looking up from the paper with a
+smile; &#8216;I meant they were so many. But you do right to be
+particular. It stands to reason that you must be particular. Will
+you allow me to use your pen and ink?&#8217;
+<p>
+&#8216;Certainly.&#8217;
+<p>
+&#8216;And your desk?&#8217;
+<p>
+&#8216;Certainly.&#8217;
+<p>
+He had been hovering about between his hat and his umbrella for a
+place to write on. He now sat down in my chair, at my blotting-paper
+and inkstand, with the long walk up his head in accurate
+perspective before me, as I stood with my back to the fire.
+<p>
+Before answering each question he ran over it aloud, and discussed
+it. How long had he known Mr. Alfred Beckwith? That he had to
+calculate by years upon his fingers. What were his habits? No
+difficulty about them; temperate in the last degree, and took a
+little too much exercise, if anything. All the answers were
+satisfactory. When he had written them all, he looked them over,
+and finally signed them in a very pretty hand. He supposed he had
+now done with the business. I told him he was not likely to be
+troubled any farther. Should he leave the papers there? If he
+pleased. Much obliged. Good-morning.
+<p>
+I had had one other visitor before him; not at the office, but at
+my own house. That visitor had come to my bedside when it was not
+yet daylight, and had been seen by no one else but by my faithful
+confidential servant.
+<p>
+A second reference paper (for we required always two) was sent down
+into Norfolk, and was duly received back by post. This, likewise,
+was satisfactorily answered in every respect. Our forms were all
+complied with; we accepted the proposal, and the premium for one
+year was paid.
+<br><br>
+<center><hr width="200"><br>
+<h3>IV.</h3></center>
+<p><br>
+For six or seven months I saw no more of Mr. Slinkton. He called
+once at my house, but I was not at home; and he once asked me to
+dine with him in the Temple, but I was engaged. His friend&#8217;s
+assurance was effected in March. Late in September or early in
+October I was down at Scarborough for a breath of sea-air, where I
+met him on the beach. It was a hot evening; he came toward me with
+his hat in his hand; and there was the walk I had felt so strongly
+disinclined to take in perfect order again, exactly in front of the
+bridge of my nose.
+<p>
+He was not alone, but had a young lady on his arm.
+<p>
+She was dressed in mourning, and I looked at her with great
+interest. She had the appearance of being extremely delicate, and
+her face was remarkably pale and melancholy; but she was very
+pretty. He introduced her as his niece, Miss Niner.
+<p>
+&#8216;Are you strolling, Mr. Sampson? Is it possible you can be idle?&#8217;
+<p>
+It <i>was</i> possible, and I <i>was</i> strolling.
+<p>
+&#8216;Shall we stroll together?&#8217;
+<p>
+&#8216;With pleasure.&#8217;
+<p>
+The young lady walked between us, and we walked on the cool sea
+sand, in the direction of Filey.
+<p>
+&#8216;There have been wheels here,&#8217; said Mr. Slinkton. &#8216;And now I look
+again, the wheels of a hand-carriage! Margaret, my love, your
+shadow without doubt!&#8217;
+<p>
+&#8216;Miss Niner&#8217;s shadow?&#8217; I repeated, looking down at it on the sand.
+<p>
+&#8216;Not that one,&#8217; Mr. Slinkton returned, laughing. &#8216;Margaret, my
+dear, tell Mr. Sampson.&#8217;
+<p>
+&#8216;Indeed,&#8217; said the young lady, turning to me, &#8216;there is nothing to
+tell&#8212;except that I constantly see the same invalid old gentleman
+at all times, wherever I go. I have mentioned it to my uncle, and
+he calls the gentleman my shadow.&#8217;
+<p>
+&#8216;Does he live in Scarborough?&#8217; I asked.
+<p>
+&#8216;He is staying here.&#8217;
+<p>
+&#8216;Do you live in Scarborough?&#8217;
+<p>
+&#8216;No, I am staying here. My uncle has placed me with a family here,
+for my health.&#8217;
+<p>
+&#8216;And your shadow?&#8217; said I, smiling.
+<p>
+&#8216;My shadow,&#8217; she answered, smiling too, &#8216;is&#8212;like myself&#8212;not
+very robust, I fear; for I lose my shadow sometimes, as my shadow
+loses me at other times. We both seem liable to confinement to the
+house. I have not seen my shadow for days and days; but it does
+oddly happen, occasionally, that wherever I go, for many days
+together, this gentleman goes. We have come together in the most
+unfrequented nooks on this shore.&#8217;
+<p>
+&#8216;Is this he?&#8217; said I, pointing before us.
+<p>
+The wheels had swept down to the water&#8217;s edge, and described a
+great loop on the sand in turning. Bringing the loop back towards
+us, and spinning it out as it came, was a hand-carriage, drawn by a
+man.
+<p>
+&#8216;Yes,&#8217; said Miss Niner, &#8216;this really is my shadow, uncle.&#8217;
+<p>
+As the carriage approached us and we approached the carriage, I saw
+within it an old man, whose head was sunk on his breast, and who
+was enveloped in a variety of wrappers. He was drawn by a very
+quiet but very keen-looking man, with iron-gray hair, who was
+slightly lame. They had passed us, when the carriage stopped, and
+the old gentleman within, putting out his arm, called to me by my
+name. I went back, and was absent from Mr. Slinkton and his niece
+for about five minutes.
+<p>
+When I rejoined them, Mr. Slinkton was the first to speak. Indeed,
+he said to me in a raised voice before I came up with him:
+<p>
+&#8216;It is well you have not been longer, or my niece might have died
+of curiosity to know who her shadow is, Mr. Sampson.&#8217;
+<p>
+&#8216;An old East India Director,&#8217; said I. &#8216;An intimate friend of our
+friend&#8217;s, at whose house I first had the pleasure of meeting you.
+A certain Major Banks. You have heard of him?&#8217;
+<p>
+&#8216;Never.&#8217;
+<p>
+&#8216;Very rich, Miss Niner; but very old, and very crippled. An
+amiable man, sensible&#8212;much interested in you. He has just been
+expatiating on the affection that he has observed to exist between
+you and your uncle.&#8217;
+<p>
+Mr. Slinkton was holding his hat again, and he passed his hand up
+the straight walk, as if he himself went up it serenely, after me.
+<p>
+&#8216;Mr. Sampson,&#8217; he said, tenderly pressing his niece&#8217;s arm in his,
+&#8216;our affection was always a strong one, for we have had but few
+near ties. We have still fewer now. We have associations to bring
+us together, that are not of this world, Margaret.&#8217;
+<p>
+&#8216;Dear uncle!&#8217; murmured the young lady, and turned her face aside to
+hide her tears.
+<p>
+&#8216;My niece and I have such remembrances and regrets in common, Mr.
+Sampson,&#8217; he feelingly pursued, &#8216;that it would be strange indeed if
+the relations between us were cold or indifferent. If I remember a
+conversation we once had together, you will understand the
+reference I make. Cheer up, dear Margaret. Don&#8217;t droop, don&#8217;t
+droop. My Margaret! I cannot bear to see you droop!&#8217;
+<p>
+The poor young lady was very much affected, but controlled herself.
+His feelings, too, were very acute. In a word, he found himself
+under such great need of a restorative, that he presently went
+away, to take a bath of sea-water, leaving the young lady and me
+sitting by a point of rock, and probably presuming&#8212;but that you
+will say was a pardonable indulgence in a luxury&#8212;that she would
+praise him with all her heart.
+<p>
+She did, poor thing! With all her confiding heart, she praised him
+to me, for his care of her dead sister, and for his untiring
+devotion in her last illness. The sister had wasted away very
+slowly, and wild and terrible fantasies had come over her toward
+the end, but he had never been impatient with her, or at a loss;
+had always been gentle, watchful, and self-possessed. The sister
+had known him, as she had known him, to be the best of men, the
+kindest of men, and yet a man of such admirable strength of
+character, as to be a very tower for the support of their weak
+natures while their poor lives endured.
+<p>
+&#8216;I shall leave him, Mr. Sampson, very soon,&#8217; said the young lady;
+&#8216;I know my life is drawing to an end; and when I am gone, I hope he
+will marry and be happy. I am sure he has lived single so long,
+only for my sake, and for my poor, poor sister&#8217;s.&#8217;
+<p>
+The little hand-carriage had made another great loop on the damp
+sand, and was coming back again, gradually spinning out a slim
+figure of eight, half a mile long.
+<p>
+&#8216;Young lady,&#8217; said I, looking around, laying my hand upon her arm,
+and speaking in a low voice, &#8216;time presses. You hear the gentle
+murmur of that sea?&#8217;
+<p>
+She looked at me with the utmost wonder and alarm, saying, &#8216;Yes!&#8217;
+<p>
+&#8216;And you know what a voice is in it when the storm comes?&#8217;
+<p>
+&#8216;Yes!&#8217;
+<p>
+&#8216;You see how quiet and peaceful it lies before us, and you know
+what an awful sight of power without pity it might be, this very
+night!&#8217;
+<p>
+&#8216;Yes!&#8217;
+<p>
+&#8216;But if you had never heard or seen it, or heard of it in its
+cruelty, could you believe that it beats every inanimate thing in
+its way to pieces, without mercy, and destroys life without
+remorse?&#8217;
+<p>
+&#8216;You terrify me, sir, by these questions!&#8217;
+<p>
+&#8216;To save you, young lady, to save you! For God&#8217;s sake, collect
+your strength and collect your firmness! If you were here alone,
+and hemmed in by the rising tide on the flow to fifty feet above
+your head, you could not be in greater danger than the danger you
+are now to be saved from.&#8217;
+<p>
+The figure on the sand was spun out, and straggled off into a
+crooked little jerk that ended at the cliff very near us.
+<p>
+&#8216;As I am, before Heaven and the Judge of all mankind, your friend,
+and your dead sister&#8217;s friend, I solemnly entreat you, Miss Niner,
+without one moment&#8217;s loss of time, to come to this gentleman with
+me!&#8217;
+<p>
+If the little carriage had been less near to us, I doubt if I could
+have got her away; but it was so near that we were there before she
+had recovered the hurry of being urged from the rock. I did not
+remain there with her two minutes. Certainly within five, I had
+the inexpressible satisfaction of seeing her&#8212;from the point we
+had sat on, and to which I had returned&#8212;half supported and half
+carried up some rude steps notched in the cliff, by the figure of
+an active man. With that figure beside her, I knew she was safe
+anywhere.
+<p>
+I sat alone on the rock, awaiting Mr. Slinkton&#8217;s return. The
+twilight was deepening and the shadows were heavy, when he came
+round the point, with his hat hanging at his button-hole, smoothing
+his wet hair with one of his hands, and picking out the old path
+with the other and a pocket-comb.
+<p>
+&#8216;My niece not here, Mr. Sampson?&#8217; he said, looking about.
+<p>
+&#8216;Miss Niner seemed to feel a chill in the air after the sun was
+down, and has gone home.&#8217;
+<p>
+He looked surprised, as though she were not accustomed to do
+anything without him; even to originate so slight a proceeding.
+<p>
+&#8216;I persuaded Miss Niner,&#8217; I explained.
+<p>
+&#8216;Ah!&#8217; said he. &#8216;She is easily persuaded&#8212;for her good. Thank
+you, Mr. Sampson; she is better within doors. The bathing-place
+was farther than I thought, to say the truth.&#8217;
+<p>
+&#8216;Miss Niner is very delicate,&#8217; I observed.
+<p>
+He shook his head and drew a deep sigh. &#8216;Very, very, very. You
+may recollect my saying so. The time that has since intervened has
+not strengthened her. The gloomy shadow that fell upon her sister
+so early in life seems, in my anxious eyes, to gather over her,
+ever darker, ever darker. Dear Margaret, dear Margaret! But we
+must hope.&#8217;
+<p>
+The hand-carriage was spinning away before us at a most indecorous
+pace for an invalid vehicle, and was making most irregular curves
+upon the sand. Mr. Slinkton, noticing it after he had put his
+handkerchief to his eyes, said;
+<p>
+&#8216;If I may judge from appearances, your friend will be upset, Mr.
+Sampson.&#8217;
+<p>
+&#8216;It looks probable, certainly,&#8217; said I.
+<p>
+&#8216;The servant must be drunk.&#8217;
+<p>
+&#8216;The servants of old gentlemen will get drunk sometimes,&#8217; said I.
+<p>
+&#8216;The major draws very light, Mr. Sampson.&#8217;
+<p>
+&#8216;The major does draw light,&#8217; said I.
+<p>
+By this time the carriage, much to my relief, was lost in the
+darkness. We walked on for a little, side by side over the sand,
+in silence. After a short while he said, in a voice still affected
+by the emotion that his niece&#8217;s state of health had awakened in
+him,
+<p>
+&#8216;Do you stay here long, Mr. Sampson?&#8217;
+<p>
+&#8216;Why, no. I am going away to-night.&#8217;
+<p>
+&#8216;So soon? But business always holds you in request. Men like Mr.
+Sampson are too important to others, to be spared to their own need
+of relaxation and enjoyment.&#8217;
+<p>
+&#8216;I don&#8217;t know about that,&#8217; said I. &#8216;However, I am going back.&#8217;
+<p>
+&#8216;To London?&#8217;
+<p>
+&#8216;To London.&#8217;
+<p>
+&#8216;I shall be there too, soon after you.&#8217;
+<p>
+I knew that as well as he did. But I did not tell him so. Any
+more than I told him what defensive weapon my right hand rested on
+in my pocket, as I walked by his side. Any more than I told him
+why I did not walk on the sea side of him with the night closing
+in.
+<p>
+We left the beach, and our ways diverged. We exchanged good-night,
+and had parted indeed, when he said, returning,
+<p>
+&#8216;Mr. Sampson, <i>may</i> I ask? Poor Meltham, whom we spoke of,&#8212;dead
+yet?&#8217;
+<p>
+&#8216;Not when I last heard of him; but too broken a man to live long,
+and hopelessly lost to his old calling.&#8217;
+<p>
+&#8216;Dear, dear, dear!&#8217; said he, with great feeling. &#8216;Sad, sad, sad!
+The world is a grave!&#8217; And so went his way.
+<p>
+It was not his fault if the world were not a grave; but I did not
+call that observation after him, any more than I had mentioned
+those other things just now enumerated. He went his way, and I
+went mine with all expedition. This happened, as I have said,
+either at the end of September or beginning of October. The next
+time I saw him, and the last time, was late in November.
+<br><br>
+<center><hr width="200"><br>
+<h3>V.</h3></center>
+<p><br>
+I had a very particular engagement to breakfast in the Temple. It
+was a bitter north-easterly morning, and the sleet and slush lay
+inches deep in the streets. I could get no conveyance, and was
+soon wet to the knees; but I should have been true to that
+appointment, though I had to wade to it up to my neck in the same
+impediments.
+<p>
+The appointment took me to some chambers in the Temple. They were
+at the top of a lonely corner house overlooking the river. The
+name, M<small>R</small>. A<small>LFRED</small> B<small>ECKWITH</small>, was painted on the outer door. On the
+door opposite, on the same landing, the name M<small>R</small>. J<small>ULIUS</small> S<small>LINKTON</small>.
+The doors of both sets of chambers stood open, so that anything
+said aloud in one set could be heard in the other.
+<p>
+I had never been in those chambers before. They were dismal,
+close, unwholesome, and oppressive; the furniture, originally good,
+and not yet old, was faded and dirty,&#8212;the rooms were in great
+disorder; there was a strong prevailing smell of opium, brandy, and
+tobacco; the grate and fire-irons were splashed all over with
+unsightly blotches of rust; and on a sofa by the fire, in the room
+where breakfast had been prepared, lay the host, Mr. Beckwith, a
+man with all the appearances of the worst kind of drunkard, very
+far advanced upon his shameful way to death.
+<p>
+&#8216;Slinkton is not come yet,&#8217; said this creature, staggering up when
+I went in; &#8216;I&#8217;ll call him.&#8212;Halloa! Julius Caesar! Come and
+drink!&#8217; As he hoarsely roared this out, he beat the poker and
+tongs together in a mad way, as if that were his usual manner of
+summoning his associate.
+<p>
+The voice of Mr. Slinkton was heard through the clatter from the
+opposite side of the staircase, and he came in. He had not
+expected the pleasure of meeting me. I have seen several artful
+men brought to a stand, but I never saw a man so aghast as he was
+when his eyes rested on mine.
+<p>
+&#8216;Julius Caesar,&#8217; cried Beckwith, staggering between us, &#8216;Mist&#8217;
+Sampson! Mist&#8217; Sampson, Julius Caesar! Julius, Mist&#8217; Sampson, is
+the friend of my soul. Julius keeps me plied with liquor, morning,
+noon, and night. Julius is a real benefactor. Julius threw the tea
+and coffee out of window when I used to have any. Julius empties
+all the water-jugs of their contents, and fills &#8217;em with spirits.
+Julius winds me up and keeps me going.&#8212;Boil the brandy, Julius!&#8217;
+<p>
+There was a rusty and furred saucepan in the ashes,&#8212;the ashes
+looked like the accumulation of weeks,&#8212;and Beckwith, rolling and
+staggering between us as if he were going to plunge headlong into
+the fire, got the saucepan out, and tried to force it into
+Slinkton&#8217;s hand.
+<p>
+&#8216;Boil the brandy, Julius Caesar! Come! Do your usual office.
+Boil the brandy!&#8217;
+<p>
+He became so fierce in his gesticulations with the saucepan, that I
+expected to see him lay open Slinkton&#8217;s head with it. I therefore
+put out my hand to check him. He reeled back to the sofa, and sat
+there panting, shaking, and red-eyed, in his rags of dressing-gown,
+looking at us both. I noticed then that there was nothing to drink
+on the table but brandy, and nothing to eat but salted herrings,
+and a hot, sickly, highly-peppered stew.
+<p>
+&#8216;At all events, Mr. Sampson,&#8217; said Slinkton, offering me the smooth
+gravel path for the last time, &#8216;I thank you for interfering between
+me and this unfortunate man&#8217;s violence. However you came here, Mr.
+Sampson, or with whatever motive you came here, at least I thank
+you for that.&#8217;
+<p>
+&#8216;Boil the brandy,&#8217; muttered Beckwith.
+<p>
+Without gratifying his desire to know how I came there, I said,
+quietly, &#8216;How is your niece, Mr. Slinkton?&#8217;
+<p>
+He looked hard at me, and I looked hard at him.
+<p>
+&#8216;I am sorry to say, Mr. Sampson, that my niece has proved
+treacherous and ungrateful to her best friend. She left me without
+a word of notice or explanation. She was misled, no doubt, by some
+designing rascal. Perhaps you may have heard of it.&#8217;
+<p>
+&#8216;I did hear that she was misled by a designing rascal. In fact, I
+have proof of it.&#8217;
+<p>
+&#8216;Are you sure of that?&#8217; said he.
+<p>
+&#8216;Quite.&#8217;
+<p>
+&#8216;Boil the brandy,&#8217; muttered Beckwith. &#8216;Company to breakfast,
+Julius Caesar. Do your usual office,&#8212;provide the usual
+breakfast, dinner, tea, and supper. Boil the brandy!&#8217;
+<p>
+The eyes of Slinkton looked from him to me, and he said, after a
+moment&#8217;s consideration,
+<p>
+&#8216;Mr. Sampson, you are a man of the world, and so am I. I will be
+plain with you.&#8217;
+<p>
+&#8216;O no, you won&#8217;t,&#8217; said I, shaking my head.
+<p>
+&#8216;I tell you, sir, I will be plain with you.&#8217;
+<p>
+&#8216;And I tell you you will not,&#8217; said I. &#8216;I know all about you. <i>You</i>
+plain with any one? Nonsense, nonsense!&#8217;
+<p>
+&#8216;I plainly tell you, Mr. Sampson,&#8217; he went on, with a manner almost
+composed, &#8216;that I understand your object. You want to save your
+funds, and escape from your liabilities; these are old tricks of
+trade with you Office-gentlemen. But you will not do it, sir; you
+will not succeed. You have not an easy adversary to play against,
+when you play against me. We shall have to inquire, in due time,
+when and how Mr. Beckwith fell into his present habits. With that
+remark, sir, I put this poor creature, and his incoherent
+wanderings of speech, aside, and wish you a good morning and a
+better case next time.&#8217;
+<p>
+While he was saying this, Beckwith had filled a half-pint glass
+with brandy. At this moment, he threw the brandy at his face, and
+threw the glass after it. Slinkton put his hands up, half blinded
+with the spirit, and cut with the glass across the forehead. At
+the sound of the breakage, a fourth person came into the room,
+closed the door, and stood at it; he was a very quiet but very
+keen-looking man, with iron-gray hair, and slightly lame.
+<p>
+Slinkton pulled out his handkerchief, assuaged the pain in his
+smarting eyes, and dabbled the blood on his forehead. He was a
+long time about it, and I saw that in the doing of it, a tremendous
+change came over him, occasioned by the change in Beckwith,&#8212;who
+ceased to pant and tremble, sat upright, and never took his eyes
+off him. I never in my life saw a face in which abhorrence and
+determination were so forcibly painted as in Beckwith&#8217;s then.
+<p>
+&#8216;Look at me, you villain,&#8217; said Beckwith, &#8216;and see me as I really
+am. I took these rooms, to make them a trap for you. I came into
+them as a drunkard, to bait the trap for you. You fell into the
+trap, and you will never leave it alive. On the morning when you
+last went to Mr. Sampson&#8217;s office, I had seen him first. Your plot
+has been known to both of us, all along, and you have been
+counter-plotted all along. What? Having been cajoled into putting that
+prize of two thousand pounds in your power, I was to be done to
+death with brandy, and, brandy not proving quick enough, with
+something quicker? Have I never seen you, when you thought my
+senses gone, pouring from your little bottle into my glass? Why,
+you Murderer and Forger, alone here with you in the dead of night,
+as I have so often been, I have had my hand upon the trigger of a
+pistol, twenty times, to blow your brains out!&#8217;
+<p>
+This sudden starting up of the thing that he had supposed to be his
+imbecile victim into a determined man, with a settled resolution to
+hunt him down and be the death of him, mercilessly expressed from
+head to foot, was, in the first shock, too much for him. Without
+any figure of speech, he staggered under it. But there is no
+greater mistake than to suppose that a man who is a calculating
+criminal, is, in any phase of his guilt, otherwise than true to
+himself, and perfectly consistent with his whole character. Such a
+man commits murder, and murder is the natural culmination of his
+course; such a man has to outface murder, and will do it with
+hardihood and effrontery. It is a sort of fashion to express
+surprise that any notorious criminal, having such crime upon his
+conscience, can so brave it out. Do you think that if he had it on
+his conscience at all, or had a conscience to have it upon, he
+would ever have committed the crime?
+<p>
+Perfectly consistent with himself, as I believe all such monsters
+to be, this Slinkton recovered himself, and showed a defiance that
+was sufficiently cold and quiet. He was white, he was haggard, he
+was changed; but only as a sharper who had played for a great stake
+and had been outwitted and had lost the game.
+<p>
+&#8216;Listen to me, you villain,&#8217; said Beckwith, &#8216;and let every word you
+hear me say be a stab in your wicked heart. When I took these
+rooms, to throw myself in your way and lead you on to the scheme
+that I knew my appearance and supposed character and habits would
+suggest to such a devil, how did I know that? Because you were no
+stranger to me. I knew you well. And I knew you to be the cruel
+wretch who, for so much money, had killed one innocent girl while
+she trusted him implicitly, and who was by inches killing another.&#8217;
+<p>
+Slinkton took out a snuff-box, took a pinch of snuff, and laughed.
+<p>
+&#8216;But see here,&#8217; said Beckwith, never looking away, never raising
+his voice, never relaxing his face, never unclenching his hand.
+&#8216;See what a dull wolf you have been, after all! The infatuated
+drunkard who never drank a fiftieth part of the liquor you plied
+him with, but poured it away, here, there, everywhere&#8212;almost
+before your eyes; who bought over the fellow you set to watch him
+and to ply him, by outbidding you in his bribe, before he had been
+at his work three days&#8212;with whom you have observed no caution,
+yet who was so bent on ridding the earth of you as a wild beast,
+that he would have defeated you if you had been ever so prudent&#8212;that
+drunkard whom you have, many a time, left on the floor of this
+room, and who has even let you go out of it, alive and undeceived,
+when you have turned him over with your foot&#8212;has, almost as
+often, on the same night, within an hour, within a few minutes,
+watched you awake, had his hand at your pillow when you were
+asleep, turned over your papers, taken samples from your bottles
+and packets of powder, changed their contents, rifled every secret
+of your life!&#8217;
+<p>
+He had had another pinch of snuff in his hand, but had gradually
+let it drop from between his fingers to the floor; where he now
+smoothed it out with his foot, looking down at it the while.
+<p>
+&#8216;That drunkard,&#8217; said Beckwith, &#8216;who had free access to your rooms
+at all times, that he might drink the strong drinks that you left
+in his way and be the sooner ended, holding no more terms with you
+than he would hold with a tiger, has had his master-key for all
+your locks, his test for all your poisons, his clue to your
+cipher-writing. He can tell you, as well as you can tell him, how long it
+took to complete that deed, what doses there were, what intervals,
+what signs of gradual decay upon mind and body; what distempered
+fancies were produced, what observable changes, what physical pain.
+He can tell you, as well as you can tell him, that all this was
+recorded day by day, as a lesson of experience for future service.
+He can tell you, better than you can tell him, where that journal
+is at this moment.&#8217;
+<p>
+Slinkton stopped the action of his foot, and looked at Beckwith.
+<p>
+&#8216;No,&#8217; said the latter, as if answering a question from him. &#8216;Not
+in the drawer of the writing-desk that opens with a spring; it is
+not there, and it never will be there again.&#8217;
+<p>
+&#8216;Then you are a thief!&#8217; said Slinkton.
+<p>
+Without any change whatever in the inflexible purpose, which it was
+quite terrific even to me to contemplate, and from the power of
+which I had always felt convinced it was impossible for this wretch
+to escape, Beckwith returned,
+<p>
+&#8216;And I am your niece&#8217;s shadow, too.&#8217;
+<p>
+With an imprecation Slinkton put his hand to his head, tore out
+some hair, and flung it to the ground. It was the end of the
+smooth walk; he destroyed it in the action, and it will soon be
+seen that his use for it was past.
+<p>
+Beckwith went on: &#8216;Whenever you left here, I left here. Although I
+understood that you found it necessary to pause in the completion
+of that purpose, to avert suspicion, still I watched you close,
+with the poor confiding girl. When I had the diary, and could read
+it word by word,&#8212;it was only about the night before your last
+visit to Scarborough,&#8212;you remember the night? you slept with a
+small flat vial tied to your wrist,&#8212;I sent to Mr. Sampson, who
+was kept out of view. This is Mr. Sampson&#8217;s trusty servant
+standing by the door. We three saved your niece among us.&#8217;
+<p>
+Slinkton looked at us all, took an uncertain step or two from the
+place where he had stood, returned to it, and glanced about him in
+a very curious way,&#8212;as one of the meaner reptiles might, looking
+for a hole to hide in. I noticed at the same time, that a singular
+change took place in the figure of the man,&#8212;as if it collapsed
+within his clothes, and they consequently became ill-shapen and
+ill-fitting.
+<p>
+&#8216;You shall know,&#8217; said Beckwith, &#8216;for I hope the knowledge will be
+bitter and terrible to you, why you have been pursued by one man,
+and why, when the whole interest that Mr. Sampson represents would
+have expended any money in hunting you down, you have been tracked
+to death at a single individual&#8217;s charge. I hear you have had the
+name of Meltham on your lips sometimes?&#8217;
+<p>
+I saw, in addition to those other changes, a sudden stoppage come
+upon his breathing.
+<p>
+&#8216;When you sent the sweet girl whom you murdered (you know with what
+artfully made-out surroundings and probabilities you sent her) to
+Meltham&#8217;s office, before taking her abroad to originate the
+transaction that doomed her to the grave, it fell to Meltham&#8217;s lot
+to see her and to speak with her. It did not fall to his lot to
+save her, though I know he would freely give his own life to have
+done it. He admired her;&#8212;I would say he loved her deeply, if I
+thought it possible that you could understand the word. When she
+was sacrificed, he was thoroughly assured of your guilt. Having
+lost her, he had but one object left in life, and that was to
+avenge her and destroy you.&#8217;
+<p>
+I saw the villain&#8217;s nostrils rise and fall convulsively; but I saw
+no moving at his mouth.
+<p>
+&#8216;That man Meltham,&#8217; Beckwith steadily pursued, &#8216;was as absolutely
+certain that you could never elude him in this world, if he devoted
+himself to your destruction with his utmost fidelity and
+earnestness, and if he divided the sacred duty with no other duty
+in life, as he was certain that in achieving it he would be a poor
+instrument in the hands of Providence, and would do well before
+Heaven in striking you out from among living men. I am that man,
+and I thank God that I have done my work!&#8217;
+<p>
+If Slinkton had been running for his life from swift-footed
+savages, a dozen miles, he could not have shown more emphatic signs
+of being oppressed at heart and labouring for breath, than he
+showed now, when he looked at the pursuer who had so relentlessly
+hunted him down.
+<p>
+&#8216;You never saw me under my right name before; you see me under my
+right name now. You shall see me once again in the body, when you
+are tried for your life. You shall see me once again in the
+spirit, when the cord is round your neck, and the crowd are crying
+against you!&#8217;
+<p>
+When Meltham had spoken these last words, the miscreant suddenly
+turned away his face, and seemed to strike his mouth with his open
+hand. At the same instant, the room was filled with a new and
+powerful odour, and, almost at the same instant, he broke into a
+crooked run, leap, start,&#8212;I have no name for the spasm,&#8212;and
+fell, with a dull weight that shook the heavy old doors and windows
+in their frames.
+<p>
+That was the fitting end of him.
+<p>
+When we saw that he was dead, we drew away from the room, and
+Meltham, giving me his hand, said, with a weary air,
+<p>
+&#8216;I have no more work on earth, my friend. But I shall see her
+again elsewhere.&#8217;
+<p>
+It was in vain that I tried to rally him. He might have saved her,
+he said; he had not saved her, and he reproached himself; he had
+lost her, and he was broken-hearted.
+<p>
+&#8216;The purpose that sustained me is over, Sampson, and there is
+nothing now to hold me to life. I am not fit for life; I am weak
+and spiritless; I have no hope and no object; my day is done.&#8217;
+<p>
+In truth, I could hardly have believed that the broken man who then
+spoke to me was the man who had so strongly and so differently
+impressed me when his purpose was before him. I used such
+entreaties with him, as I could; but he still said, and always
+said, in a patient, undemonstrative way,&#8212;nothing could avail
+him,&#8212;he was broken-hearted.
+<p>
+He died early in the next spring. He was buried by the side of the
+poor young lady for whom he had cherished those tender and unhappy
+regrets; and he left all he had to her sister. She lived to be a
+happy wife and mother; she married my sister&#8217;s son, who succeeded
+poor Meltham; she is living now, and her children ride about the
+garden on my walking-stick when I go to see her.
+<br><br><hr size="3" noshade></DIV>
+<br><DIV align="justify">
+<a name="footer">*** END OF THE PROJECT GUTENBERG EBOOK, HUNTED DOWN ***</a>
+<p class="pg">
+This file should be named hntdn10h.htm or hntdn10h.zip<br>
+Corrected EDITIONS of our eBooks get a new NUMBER, hntdn11h.htm<br>
+VERSIONS based on separate sources get a new LETTER, hntdn10a.htm
+<p class="pg">
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+<p class="pg">
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+<p class="pg">
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+<p class="pg">
+Most people start at our Web sites at:<br>
+<a href="http://gutenberg.net">http://gutenberg.net</a> or<br>
+<a href="http://promo.net/pg">http://promo.net/pg</a>
+<p class="pg">
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+<p class="pg"><br>
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+<p class="pg">
+<a href="http://www.ibiblio.org/gutenberg/etext04">http://www.ibiblio.org/gutenberg/etext04</a> or<br>
+<a href="ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04">ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04</a>
+<p class="pg">
+Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 91 or 90
+<p class="pg">
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+<p class="pg"><br>
+Information about Project Gutenberg (one page)
+<p class="pg">
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1&#8211;2% of the world&#8217;s population then the total
+will reach over half a trillion eBooks given away by year&#8217;s end.
+<p class="pg">
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+<p class="pg">
+Here is the briefest record of our progress (* means estimated):
+<br><br>
+<table width="375" cellpadding="0" summary="eBooks released">
+<col align="right" width="100">
+<col align="center" width="100">
+<col align="left" width="175">
+<tr><th>eBooks<th>Year<th>Month</tr>
+<tr><td>1<td>1971<td>July</tr>
+<tr><td>10<td>1991<td>January</tr>
+<tr><td>100<td>1994<td>January</tr>
+<tr><td>1000<td>1997<td>August</tr>
+<tr><td>1500<td>1998<td>October</tr>
+<tr><td>2000<td>1999<td>December</tr>
+<tr><td>2500<td>2000<td>December</tr>
+<tr><td>3000<td>2001<td>November</tr>
+<tr><td>4000<td>2001<td>October/November</tr>
+<tr><td>6000<td>2002<td>December*</tr>
+<tr><td>9000<td>2003<td>November*</tr>
+<tr><td>10000<td>2004<td>January*</tr>
+</table>
+<p class="pg"><br>
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+<p class="pg">
+We need your donations more than ever!
+<p class="pg">
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+<p class="pg">
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+<p class="pg">
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+<p class="pg">
+In answer to various questions we have received on this:
+<p class="pg">
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+<p class="pg">
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+<p class="pg">
+International donations are accepted, but we don&#8217;t know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don&#8217;t have the staff to handle it even if there are
+ways.
+<p class="pg">
+Donations by check or money order may be sent to:
+<p class="pg">
+Project Gutenberg Literary Archive Foundation<br>
+PMB 113<br>
+1739 University Ave.<br>
+Oxford, MS 38655&#8211;4109<br>
+<p class="pg">
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+<p class="pg">
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64&#8211;622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+<p class="pg">
+We need your donations more than ever!
+<p class="pg">
+You can get up to date donation information online at:
+<p class="pg">
+<a href="http://www.gutenberg.net/donation.html">http://www.gutenberg.net/donation.html</a>
+<p class="pg"><br>
+***
+<p class="pg">
+If you can&#8217;t reach Project Gutenberg,<br>
+you can always email directly to:
+<p class="pg">
+Michael S. Hart   <a href="mailto:hart@pobox.com">hart@pobox.com</a>
+<p class="pg">
+Prof. Hart will answer or forward your message.
+<p class="pg">
+We would prefer to send you information by email.
+<p class="pg"><br>
+<a name="legal">**The Legal Small Print**</a>
+<p class="pg"><br>
+(Three Pages)
+<p class="pg">
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***<br>
+Why is this &#8220;Small Print!&#8221; statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what&#8217;s wrong is not our
+fault. So, among other things, this &#8220;Small Print!&#8221; statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+<p class="pg">
+*BEFORE!* YOU USE OR READ THIS EBOOK<br>
+By using or reading any part of this PROJECT GUTENBERG&#8211;tm
+eBook, you indicate that you understand, agree to and accept
+this &#8220;Small Print!&#8221; statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+<p class="pg">
+ABOUT PROJECT GUTENBERG&#8211;TM EBOOKS<br>
+This PROJECT GUTENBERG&#8211;tm eBook, like most PROJECT GUTENBERG&#8211;tm eBooks,
+is a &#8220;public domain&#8221; work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the &#8220;Project&#8221;).
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the &#8220;PROJECT GUTENBERG&#8221; trademark.
+<p class="pg">
+Please do not use the &#8220;PROJECT GUTENBERG&#8221; trademark to market
+any commercial products without permission.
+<p class="pg">
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project&#8217;s eBooks and any
+medium they may be on may contain &#8220;Defects&#8221;. Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+<p class="pg">
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES<br>
+But for the &#8220;Right of Replacement or Refund&#8221; described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG&#8211;tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+<p class="pg">
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+<p class="pg">
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU &#8220;AS-IS&#8221;. NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+<p class="pg">
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+<p class="pg">
+INDEMNITY<br>
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+<p class="pg">
+DISTRIBUTION UNDER &#8220;PROJECT GUTENBERG&#8211;tm&#8221;<br>
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+&#8220;Small Print!&#8221; and all other references to Project Gutenberg,
+or:
+<table width="90%" cellpadding="4" cellspacing="4" summary="legal fine print">
+<tr><td width="5%"> </td><td width="5%"> </td><td width="80%"> </td></tr>
+<tr valign="top">
+<td align="right">[1]</td>
+<td colspan="2"><DIV align="justify">Only give exact copies of it. Among other things, this
+requires that you do not remove, alter or modify the
+eBook or this &#8220;small print!&#8221; statement. You may however,
+if you wish, distribute this eBook in machine readable
+binary, compressed, mark-up, or proprietary form,
+including any form resulting from conversion by word
+processing or hypertext software, but only so long as
+*EITHER*:</DIV></td></tr>
+<tr valign="top">
+<td colspan="2" align="right">[*]</td>
+<td><DIV align="justify">The eBook, when displayed, is clearly readable, and
+does *not* contain characters other than those
+intended by the author of the work, although tilde
+(~), asterisk (*) and underline (_) characters may
+be used to convey punctuation intended by the
+author, and additional characters may be used to
+indicate hypertext links; OR</DIV></td></tr>
+<tr valign="top">
+<td colspan="2" align="right">[*]</td>
+<td><DIV align="justify">The eBook may be readily converted by the reader at
+no expense into plain ASCII, EBCDIC or equivalent
+form by the program that displays the eBook (as is
+the case, for instance, with most word processors);
+OR</DIV></td></tr>
+<tr valign="top">
+<td colspan="2" align="right">[*]</td>
+<td><DIV align="justify">You provide, or agree to also provide on request at
+no additional cost, fee or expense, a copy of the
+eBook in its original plain ASCII form (or in EBCDIC
+or other equivalent proprietary form).</DIV></td></tr>
+<tr valign="top">
+<td align="right">[2]</td>
+<td colspan="2"><DIV align="justify">Honor the eBook refund and replacement provisions of this
+&#8220;Small Print!&#8221; statement.</DIV></td></tr>
+<tr valign="top">
+<td align="right">[3]</td>
+<td colspan="2"><DIV align="justify">Pay a trademark license fee to the Foundation of 20% of the
+gross profits you derive calculated using the method you
+already use to calculate your applicable taxes.  If you
+don&#8217;t derive profits, no royalty is due.  Royalties are
+payable to &#8220;Project Gutenberg Literary Archive Foundation&#8221;
+the 60 days following each date you prepare (or were
+legally required to prepare) your annual (or equivalent
+periodic) tax return.  Please contact us beforehand to
+let us know your plans and to work out the details.</DIV></td></tr>
+</table>
+<p class="pg"><br>
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON&#8217;T HAVE TO?<br>
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+<p class="pg">
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:<br>
+&#8220;Project Gutenberg Literary Archive Foundation.&#8221;
+<p class="pg">
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:<br>
+<a href="mailto:hart@pobox.com">hart@pobox.com</a>
+<p class="pg">
+[Portions of this eBook&#8217;s header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+<p class="pg">
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+</DIV></BODY></HTML>