summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--7891-0.txt2928
-rw-r--r--7891-0.zipbin0 -> 53745 bytes
-rw-r--r--7891-h.zipbin0 -> 57103 bytes
-rw-r--r--7891-h/7891-h.htm3601
-rw-r--r--7891.txt2927
-rw-r--r--7891.zipbin0 -> 53407 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/cdead10.txt2895
-rw-r--r--old/cdead10.zipbin0 -> 53701 bytes
11 files changed, 12367 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/7891-0.txt b/7891-0.txt
new file mode 100644
index 0000000..92a29ed
--- /dev/null
+++ b/7891-0.txt
@@ -0,0 +1,2928 @@
+The Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Dead Alive
+
+Author: Wilkie Collins
+
+Release Date: April, 2005 [EBook #7891]
+Posting Date: July 31, 2009
+Last Updated: September 13, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+
+
+
+Produced by James Rusk
+
+
+
+
+
+THE DEAD ALIVE
+
+By Wilkie Collins
+
+
+
+CHAPTER I.
+
+THE SICK MAN.
+
+“HEART all right,” said the doctor. “Lungs all right. No organic
+disease that I can discover. Philip Lefrank, don’t alarm yourself. You
+are not going to die yet. The disease you are suffering from
+is--overwork. The remedy in your case is--rest.”
+
+So the doctor spoke, in my chambers in the Temple (London); having been
+sent for to see me about half an hour after I had alarmed my clerk by
+fainting at my desk. I have no wish to intrude myself needlessly on the
+reader’s attention; but it may be necessary to add, in the way of
+explanation, that I am a “junior” barrister in good practice. I come
+from the channel Island of Jersey. The French spelling of my name
+(Lefranc) was Anglicized generations since--in the days when the letter
+“k” was still used in England at the end of words which now terminate
+in “c.” We hold our heads high, nevertheless, as a Jersey family. It is
+to this day a trial to my father to hear his son described as a member
+of the English bar.
+
+“Rest!” I repeated, when my medical adviser had done. “My good friend,
+are you aware that it is term-time? The courts are sitting. Look at the
+briefs waiting for me on that table! Rest means ruin in my case.”
+
+“And work,” added the doctor, quietly, “means death.”
+
+I started. He was not trying to frighten me: he was plainly in earnest.
+
+“It is merely a question of time,” he went on. “You have a fine
+constitution; you are a young man; but you cannot deliberately overwork
+your brain, and derange your nervous system, much longer. Go away at
+once. If you are a good sailor, take a sea-voyage. The ocean air is the
+best of all air to build you up again. No: I don’t want to write a
+prescription. I decline to physic you. I have no more to say.”
+
+With these words my medical friend left the room. I was obstinate: I
+went into court the same day.
+
+The senior counsel in the case on which I was engaged applied to me for
+some information which it was my duty to give him. To my horror and
+amazement, I was perfectly unable to collect my ideas; facts and dates
+all mingled together confusedly in my mind. I was led out of court
+thoroughly terrified about myself. The next day my briefs went back to
+the attorneys; and I followed my doctor’s advice by taking my passage
+for America in the first steamer that sailed for New York.
+
+I had chosen the voyage to America in preference to any other trip by
+sea, with a special object in view. A relative of my mother’s had
+emigrated to the United States many years since, and had thriven there
+as a farmer. He had given me a general invitation to visit him if I
+ever crossed the Atlantic. The long period of inaction, under the name
+of _rest_, to which the doctor’s decision had condemned me, could
+hardly be more pleasantly occupied, as I thought, than by paying a
+visit to my relation, and seeing what I could of America in that way.
+After a brief sojourn at New York, I started by railway for the
+residence of my host--Mr. Isaac Meadowcroft, of Morwick Farm.
+
+There are some of the grandest natural prospects on the face of
+creation in America. There is also to be found in certain States of the
+Union, by way of wholesome contrast, scenery as flat, as monotonous,
+and as uninteresting to the traveler, as any that the earth can show.
+The part of the country in which M. Meadowcroft’s farm was situated
+fell within this latter category. I looked round me when I stepped out
+of the railway-carriage on the platform at Morwick Station; and I said
+to myself, “If to be cured means, in my case, to be dull, I have
+accurately picked out the very place for the purpose.”
+
+I look back at those words by the light of later events; and I
+pronounce them, as you will soon pronounce them, to be the words of an
+essentially rash man, whose hasty judgment never stopped to consider
+what surprises time and chance together might have in store for him.
+
+Mr. Meadowcroft’s eldest son, Ambrose, was waiting at the station to
+drive me to the farm.
+
+There was no forewarning, in the appearance of Ambrose Meadowcroft, of
+the strange and terrible events that were to follow my arrival at
+Morwick. A healthy, handsome young fellow, one of thousands of other
+healthy, handsome young fellows, said, “How d’ye do, Mr. Lefrank? Glad
+to see you, sir. Jump into the buggy; the man will look after your
+portmanteau.” With equally conventional politeness I answered, “Thank
+you. How are you all at home?” So we started on the way to the farm.
+
+Our conversation on the drive began with the subjects of agriculture
+and breeding. I displayed my total ignorance of crops and cattle before
+we had traveled ten yards on our journey. Ambrose Meadowcroft cast
+about for another topic, and failed to find it. Upon this I cast about
+on my side, and asked, at a venture, if I had chosen a convenient time
+for my visit The young farmer’s stolid brown face instantly brightened.
+I had evidently hit, hap-hazard, on an interesting subject.
+
+“You couldn’t have chosen a better time,” he said. “Our house has never
+been so cheerful as it is now.”
+
+“Have you any visitors staying with you?”
+
+“It’s not exactly a visitor. It’s a new member of the family who has
+come to live with us.”
+
+“A new member of the family! May I ask who it is?”
+
+Ambrose Meadowcroft considered before he replied; touched his horse
+with the whip; looked at me with a certain sheepish hesitation; and
+suddenly burst out with the truth, in the plainest possible words:
+
+“It’s just the nicest girl, sir, you ever saw in your life.”
+
+“Ay, ay! A friend of your sister’s, I suppose?”
+
+“A friend? Bless your heart! it’s our little American cousin, Naomi
+Colebrook.”
+
+I vaguely remembered that a younger sister of Mr. Meadowcroft’s had
+married an American merchant in the remote past, and had died many
+years since, leaving an only child. I was now further informed that the
+father also was dead. In his last moments he had committed his helpless
+daughter to the compassionate care of his wife’s relations at Morwick.
+
+“He was always a speculating man,” Ambrose went on. “Tried one thing
+after another, and failed in all. Died, sir, leaving barely enough to
+bury him. My father was a little doubtful, before she came here, how
+his American niece would turn out. We are English, you know; and,
+though we do live in the United States, we stick fast to our English
+ways and habits. We don’t much like American women in general, I can
+tell you; but when Naomi made her appearance she conquered us all. Such
+a girl! Took her place as one of the family directly. Learned to make
+herself useful in the dairy in a week’s time. I tell you this--she
+hasn’t been with us quite two months yet, and we wonder already how we
+ever got on without her!”
+
+Once started on the subject of Naomi Colebrook, Ambrose held to that
+one topic and talked on it without intermission. It required no great
+gift of penetration to discover the impression which the American
+cousin had produced in this case. The young fellow’s enthusiasm
+communicated itself, in a certain tepid degree, to me. I really felt a
+mild flutter of anticipation at the prospect of seeing Naomi, when we
+drew up, toward the close of evening, at the gates of Morwick Farm.
+
+
+
+CHAPTER II.
+
+THE NEW FACES.
+
+IMMEDIATELY on my arrival, I was presented to Mr. Meadowcroft, the
+father.
+
+The old man had become a confirmed invalid, confined by chronic
+rheumatism to his chair. He received me kindly, and a little wearily as
+well. His only unmarried daughter (he had long since been left a
+widower) was in the room, in attendance on her father. She was a
+melancholy, middle-aged woman, without visible attractions of any
+sort--one of those persons who appear to accept the obligation of
+living under protest, as a burden which they would never have consented
+to bear if they had only been consulted first. We three had a dreary
+little interview in a parlor of bare walls; and then I was permitted to
+go upstairs, and unpack my portmanteau in my own room.
+
+“Supper will be at nine o’clock, sir,” said Miss Meadowcroft.
+
+She pronounced those words as if “supper” was a form of domestic
+offense, habitually committed by the men, and endured by the women. I
+followed the groom up to my room, not over-well pleased with my first
+experience of the farm.
+
+No Naomi and no romance, thus far!
+
+My room was clean--oppressively clean. I quite longed to see a little
+dust somewhere. My library was limited to the Bible and the
+Prayer-Book. My view from the window showed me a dead flat in a partial
+state of cultivation, fading sadly from view in the waning light. Above
+the head of my spruce white bed hung a scroll, bearing a damnatory
+quotation from Scripture in emblazoned letters of red and black. The
+dismal presence of Miss Meadowcroft had passed over my bedroom, and had
+blighted it. My spirits sank as I looked round me. Supper-time was
+still an event in the future. I lighted the candles and took from my
+portmanteau what I firmly believe to have been the first French novel
+ever produced at Morwick Farm. It was one of the masterly and charming
+stories of Dumas the elder. In five minutes I was in a new world, and
+my melancholy room was full of the liveliest French company. The sound
+of an imperative and uncompromising bell recalled me in due time to the
+regions of reality. I looked at my watch. Nine o’clock.
+
+Ambrose met me at the bottom of the stairs, and showed me the way to
+the supper-room.
+
+Mr. Meadowcroft’s invalid chair had been wheeled to the head of the
+table. On his right-hand side sat his sad and silent daughter. She
+signed to me, with a ghostly solemnity, to take the vacant place on the
+left of her father. Silas Meadowcroft came in at the same moment, and
+was presented to me by his brother. There was a strong family likeness
+between them, Ambrose being the taller and the handsomer man of the
+two. But there was no marked character in either face. I set them down
+as men with undeveloped qualities, waiting (the good and evil qualities
+alike) for time and circumstances to bring them to their full growth.
+
+The door opened again while I was still studying the two brothers,
+without, I honestly confess, being very favorably impressed by either
+of them. A new member of the family circle, who instantly attracted my
+attention, entered the room.
+
+He was short, spare, and wiry; singularly pale for a person whose life
+was passed in the country. The face was in other respects, besides
+this, a striking face to see. As to the lower part, it was covered with
+a thick black beard and mustache, at a time when shaving was the rule,
+and beards the rare exception, in America. As to the upper part of the
+face, it was irradiated by a pair of wild, glittering brown eyes, the
+expression of which suggested to me that there was something not quite
+right with the man’s mental balance. A perfectly sane person in all his
+sayings and doings, so far as I could see, there was still something in
+those wild brown eyes which suggested to me that, under exceptionally
+trying circumstances, he might surprise his oldest friends by acting in
+some exceptionally violent or foolish way. “A little cracked”--that in
+the popular phrase was my impression of the stranger who now made his
+appearance in the supper-room.
+
+Mr. Meadowcroft the elder, having not spoken one word thus far, himself
+introduced the newcomer to me, with a side-glance at his sons, which
+had something like defiance in it--a glance which, as I was sorry to
+notice, was returned with the defiance on their side by the two young
+men.
+
+“Philip Lefrank, this is my overlooker, Mr. Jago,” said the old man,
+formally presenting us. “John Jago, this is my young relative by
+marriage, Mr. Lefrank. He is not well; he has come over the ocean for
+rest, and change of scene. Mr. Jago is an American, Philip. I hope you
+have no prejudice against Americans. Make acquaintance with Mr. Jago.
+Sit together.” He cast another dark look at his sons; and the sons
+again returned it. They pointedly drew back from John Jago as he
+approached the empty chair next to me and moved round to the opposite
+side of the table. It was plain that the man with the beard stood high
+in the father’s favor, and that he was cordially disliked for that or
+for some other reason by the sons.
+
+The door opened once more. A young lady quietly joined the party at the
+supper-table.
+
+Was the young lady Naomi Colebrook? I looked at Ambrose, and saw the
+answer in his face. Naomi Colebrook at last!
+
+A pretty girl, and, so far as I could judge by appearances, a good girl
+too. Describing her generally, I may say that she had a small head,
+well carried, and well set on her shoulders; bright gray eyes, that
+looked at you honestly, and meant what they looked; a trim, slight
+little figure--too slight for our English notions of beauty; a strong
+American accent; and (a rare thing in America) a pleasantly toned
+voice, which made the accent agreeable to English ears. Our first
+impressions of people are, in nine cases out of ten, the right
+impressions. I liked Naomi Colebrook at first sight; liked her pleasant
+smile; liked her hearty shake of the hand when we were presented to
+each other. “If I get on well with nobody else in this house,” I
+thought to myself, “I shall certainly get on well with _you_.”
+
+For once in a way, I proved a true prophet. In the atmosphere of
+smoldering enmities at Morwick Farm, the pretty American girl and I
+remained firm and true friends from first to last. Ambrose made room
+for Naomi to sit between his brother and himself. She changed color for
+a moment, and looked at him, with a pretty, reluctant tenderness, as
+she took her chair. I strongly suspected the young farmer of squeezing
+her hand privately, under cover of the tablecloth.
+
+The supper was not a merry one. The only cheerful conversation was the
+conversation across the table between Naomi and me.
+
+For some incomprehensible reason, John Jago seemed to be ill at ease in
+the presence of his young countrywoman. He looked up at Naomi
+doubtingly from his plate, and looked down again slowly with a frown.
+When I addressed him, he answered constrainedly. Even when he spoke to
+Mr. Meadowcroft, he was still on his guard--on his guard against the
+two young men, as I fancied by the direction which his eyes took on
+these occasions. When we began our meal, I had noticed for the first
+time that Silas Meadowcroft’s left hand was strapped up with surgical
+plaster; and I now further observed that John Jago’s wandering brown
+eyes, furtively looking at everybody round the table in turn, looked
+with a curious, cynical scrutiny at the young man’s injured hand.
+
+By way of making my first evening at the farm all the more embarrassing
+to me as a stranger, I discovered before long that the father and sons
+were talking indirectly _at_ each other, through Mr. Jago and through
+me. When old Mr. Meadowcroft spoke disparagingly to his overlooker of
+some past mistake made in the cultivation of the arable land of the
+farm, old Mr. Meadowcroft’s eyes pointed the application of his hostile
+criticism straight in the direction of his two sons. When the two sons
+seized a stray remark of mine about animals in general, and applied it
+satirically to the mismanagement of sheep and oxen in particular, they
+looked at John Jago, while they talked to me. On occasions of this
+sort--and they happened frequently--Naomi struck in resolutely at the
+right moment, and turned the talk to some harmless topic. Every time
+she took a prominent part in this way in keeping the peace, melancholy
+Miss Meadowcroft looked slowly round at her in stern and silent
+disparagement of her interference. A more dreary and more disunited
+family party I never sat at the table with. Envy, hatred, malice and
+uncharitableness are never so essentially detestable to my mind as when
+they are animated by a sense of propriety, and work under the surface.
+But for my interest in Naomi, and my other interest in the little
+love-looks which I now and then surprised passing between her and
+Ambrose, I should never have sat through that supper. I should
+certainly have taken refuge in my French novel and my own room.
+
+At last the unendurably long meal, served with ostentatious profusion,
+was at an end. Miss Meadowcroft rose with her ghostly solemnity, and
+granted me my dismissal in these words:
+
+“We are early people at the farm, Mr. Lefrank. I wish you good-night.”
+
+She laid her bony hands on the back of Mr. Meadowcroft’s invalid-chair,
+cut him short in his farewell salutation to me, and wheeled him out to
+his bed as if she were wheeling him out to his grave.
+
+“Do you go to your room immediately, sir? If not, may I offer you a
+cigar--provided the young gentlemen will permit it?”
+
+So, picking his words with painful deliberation, and pointing his
+reference to “the young gentlemen” with one sardonic side-look at them,
+Mr. John Jago performed the duties of hospitality on his side. I
+excused myself from accepting the cigar. With studied politeness, the
+man of the glittering brown eyes wished me a good night’s rest, and left
+the room.
+
+Ambrose and Silas both approached me hospitably, with their open
+cigar-cases in their hands.
+
+“You were quite right to say ‘No,’” Ambrose began. “Never smoke with
+John Jago. His cigars will poison you.”
+
+“And never believe a word John Jago says to you,” added Silas. “He is
+the greatest liar in America, let the other be whom he may.”
+
+Naomi shook her forefinger reproachfully at them, as if the two sturdy
+young farmers had been two children.
+
+“What will Mr. Lefrank think,” she said, “if you talk in that way of a
+person whom your father respects and trusts? Go and smoke. I am ashamed
+of both of you.”
+
+Silas slunk away without a word of protest. Ambrose stood his ground,
+evidently bent on making his peace with Naomi before he left her.
+
+Seeing that I was in the way, I walked aside toward a glass door at the
+lower end of the room. The door opened on the trim little farm-garden,
+bathed at that moment in lovely moonlight. I stepped out to enjoy the
+scene, and found my way to a seat under an elm-tree. The grand repose
+of nature had never looked so unutterably solemn and beautiful as it
+now appeared, after what I had seen and heard inside the house. I
+understood, or thought I understood, the sad despair of humanity which
+led men into monasteries in the old times. The misanthropical side of
+my nature (where is the sick man who is not conscious of that side of
+him?) was fast getting the upper hand of me when I felt a light touch
+laid on my shoulder, and found myself reconciled to my species once
+more by Naomi Colebrook.
+
+
+
+CHAPTER III.
+
+THE MOONLIGHT MEETING.
+
+“I WANT to speak to you,” Naomi began “You don’t think ill of me for
+following you out here? We are not accustomed to stand much on ceremony
+in America.”
+
+“You are quite right in America. Pray sit down.”
+
+She seated herself by my side, looking at me frankly and fearlessly by
+the light of the moon.
+
+“You are related to the family here,” she resumed, “and I am related
+too. I guess I may say to you what I couldn’t say to a stranger. I am
+right glad you have come here, Mr. Lefrank; and for a reason, sir,
+which you don’t suspect.”
+
+“Thank you for the compliment you pay me, Miss Colebrook, whatever the
+reason may be.”
+
+She took no notice of my reply; she steadily pursued her own train of
+thought.
+
+“I guess you may do some good, sir, in this wretched house,” the girl
+went on, with her eyes still earnestly fixed on my face. “There is no
+love, no trust, no peace, at Morwick Farm. They want somebody here,
+except Ambrose. Don’t think ill of Ambrose; he is only thoughtless. I
+say, the rest of them want somebody here to make them ashamed of their
+hard hearts, and their horrid, false, envious ways. You are a
+gentleman; you know more than they know; they can’t help themselves;
+they must look up to _you_. Try, Mr. Lefrank, when you have the
+opportunity--pray try, sir, to make peace among them. You heard what
+went on at supper-time; and you were disgusted with it. Oh yes, you
+were! I saw you frown to yourself; and I know what _that_ means in you
+Englishmen.”
+
+There was no choice but to speak one’s mind plainly to Naomi. I
+acknowledged the impression which had been produced on me at
+supper-time just as plainly as I have acknowledged it in these pages.
+Naomi nodded her head in undisguised approval of my candor.
+
+“That will do, that’s speaking out,” she said. “But--oh my! you put it
+a deal too mildly, sir, when you say the men don’t seem to be on
+friendly terms together here. They hate each other. That’s the word,
+Mr. Lefrank--hate; bitter, bitter, bitter hate!” She clinched her
+little fists; she shook them vehemently, by way of adding emphasis to
+her last words; and then she suddenly remembered Ambrose. “Except
+Ambrose,” she added, opening her hand again, and laying it very
+earnestly on my arm. “Don’t go and misjudge Ambrose, sir. There is no
+harm in poor Ambrose.”
+
+The girl’s innocent frankness was really irresistible.
+
+“Should I be altogether wrong,” I asked, “if I guessed that you were a
+little partial to Ambrose?”
+
+An Englishwoman would have felt, or would at least have assumed, some
+little hesitation at replying to my question. Naomi did not hesitate
+for an instant.
+
+“You are quite right, sir,” she said with the most perfect composure.
+“If things go well, I mean to marry Ambrose.”
+
+“If things go well,” I repeated. “What does that mean? Money?”
+
+She shook her head.
+
+“It means a fear that I have in my own mind,” she answered--“a fear,
+Mr. Lefrank, of matters taking a bad turn among the men here--the
+wicked, hard-hearted, unfeeling men. I don’t mean Ambrose, sir; I mean
+his brother Silas, and John Jago. Did you notice Silas’s hand? John
+Jago did that, sir, with a knife.”
+
+“By accident?” I asked.
+
+“On purpose,” she answered. “In return for a blow.”
+
+This plain revelation of the state of things at Morwick Farm rather
+staggered me--blows and knives under the rich and respectable roof-tree
+of old Mr. Meadowcroft--blows and knives, not among the laborers, but
+among the masters! My first impression was like _your_ first
+impression, no doubt. I could hardly believe it.
+
+“Are you sure of what you say?” I inquired.
+
+“I have it from Ambrose. Ambrose would never deceive me. Ambrose knows
+all about it.”
+
+My curiosity was powerfully excited. To what sort of household had I
+rashly voyaged across the ocean in search of rest and quiet?
+
+“May I know all about it too?” I said.
+
+“Well, I will try and tell you what Ambrose told me. But you must
+promise me one thing first, sir. Promise you won’t go away and leave us
+when you know the whole truth. Shake hands on it, Mr. Lefrank; come,
+shake hands on it.”
+
+There was no resisting her fearless frankness. I shook hands on it.
+Naomi entered on her narrative the moment I had given her my pledge,
+without wasting a word by way of preface.
+
+“When you are shown over the farm here,” she began, “you will see that
+it is really two farms in one. On this side of it, as we look from
+under this tree, they raise crops: on the other side--on much the
+larger half of the land, mind--they raise cattle. When Mr. Meadowcroft
+got too old and too sick to look after his farm himself, the boys (I
+mean Ambrose and Silas) divided the work between them. Ambrose looked
+after the crops, and Silas after the cattle. Things didn’t go well,
+somehow, under their management. I can’t tell you why. I am only sure
+Ambrose was not in fault. The old man got more and more dissatisfied,
+especially about his beasts. His pride is in his beasts. Without saying
+a word to the boys, he looked about privately (_I_ think he was wrong
+in that, sir; don’t you?)--he looked about privately for help; and, in
+an evil hour, he heard of John Jago. Do you like John Jago, Mr.
+Lefrank?”
+
+“So far, no. I don’t like him.”
+
+“Just my sentiments, sir. But I don’t know: it’s likely we may be
+wrong. There’s nothing against John Jago, except that he is so odd in
+his ways. They do say he wears all that nasty hair on his face (I hate
+hair on a man’s face) on account of a vow he made when he lost his
+wife. Don’t you think, Mr. Lefrank, a man must be a little mad who
+shows his grief at losing his wife by vowing that he will never shave
+himself again? Well, that’s what they do say John Jago vowed. Perhaps
+it’s a lie. People are such liars here! Anyway, it’s truth (the boys
+themselves confess _that_), when John came to the farm, he came with a
+first-rate character. The old father here isn’t easy to please; and he
+pleased the old father. Yes, that’s so. Mr. Meadowcroft don’t like my
+countrymen in general. He’s like his sons--English, bitter English, to
+the marrow of his bones. Somehow, in spite of that, John Jago got round
+him; maybe because John does certainly know his business. Oh yes!
+Cattle and crops, John knows his business. Since he’s been overlooker,
+things have prospered as they didn’t prosper in the time of the boys.
+Ambrose owned as much to me himself. Still, sir, it’s hard to be set
+aside for a stranger; isn’t it? John gives the orders now. The boys do
+their work; but they have no voice in it when John and the old man put
+their heads together over the business of the farm. I have been long in
+telling you of it, sir, but now you know how the envy and the hatred
+grew among the men before my time. Since I have been here, things seem
+to get worse and worse. There’s hardly a day goes by that hard words
+don’t pass between the boys and John, or the boys and their father. The
+old man has an aggravating way, Mr. Lefrank--a nasty way, as we do call
+it--of taking John Jago’s part. Do speak to him about it when you get
+the chance. The main blame of the quarrel between Silas and John the
+other day lies at his door, as I think. I don’t want to excuse Silas,
+either. It was brutal of him--though he _is_ Ambrose’s brother--to
+strike John, who is the smaller and weaker man of the two. But it was
+worse than brutal in John, sir, to out with his knife and try to stab
+Silas. Oh, he did it! If Silas had not caught the knife in his hand
+(his hand’s awfully cut, I can tell you; I dressed it myself), it might
+have ended, for anything I know, in murder--”
+
+She stopped as the word passed her lips, looked back over her shoulder,
+and started violently.
+
+I looked where my companion was looking. The dark figure of a man was
+standing, watching us, in the shadow of the elm-tree. I rose directly
+to approach him. Naomi recovered her self-possession, and checked me
+before I could interfere.
+
+“Who are you?” she asked, turning sharply toward the stranger. “What do
+you want there?”
+
+The man stepped out from the shadow into the moonlight, and stood
+revealed to us as John Jago.
+
+“I hope I am not intruding?” he said, looking hard at me.
+
+“What do you want?” Naomi repeated.
+
+“I don’t wish to disturb you, or to disturb this gentleman,” he
+proceeded. “When you are quite at leisure, Miss Naomi, you would be
+doing me a favor if you would permit me to say a few words to you in
+private.”
+
+He spoke with the most scrupulous politeness; trying, and trying
+vainly, to conceal some strong agitation which was in possession of
+him. His wild brown eyes--wilder than ever in the moonlight--rested
+entreatingly, with a strange underlying expression of despair, on
+Naomi’s face. His hands, clasped lightly in front of him, trembled
+incessantly. Little as I liked the man, he did really impress me as a
+pitiable object at that moment.
+
+“Do you mean that you want to speak to me to-night?” Naomi asked, in
+undisguised surprise.
+
+“Yes, miss, if you please, at your leisure and at Mr. Lefrank’s.”
+
+Naomi hesitated.
+
+“Won’t it keep till to-morrow?” she said.
+
+“I shall be away on farm business to-morrow, miss, for the whole day.
+Please to give me a few minutes this evening.” He advanced a step
+toward her; his voice faltered, and dropped timidly to a whisper. “I
+really have something to say to you, Miss Naomi. It would be a kindness
+on your part--a very, very great kindness--if you will let me say it
+before I rest to-night.”
+
+I rose again to resign my place to him. Once more Naomi checked me.
+
+“No,” she said. “Don’t stir.” She addressed John Jago very reluctantly:
+“If you are so much in earnest about it, Mr. John, I suppose it must
+be. I can’t guess what _you_ can possibly have to say to me which
+cannot be said before a third person. However, it wouldn’t be civil, I
+suppose, to say ‘No’ in my place. You know it’s my business to wind up
+the hall-clock at ten every night. If you choose to come and help me,
+the chances are that we shall have the hall to ourselves. Will that
+do?”
+
+“Not in the hall, miss, if you will excuse me.”
+
+“Not in the hall!”
+
+“And not in the house either, if I may make so bold.”
+
+“What do you mean?” She turned impatiently, and appealed to me. “Do
+_you_ understand him?”
+
+John Jago signed to me imploringly to let him answer for himself.
+
+“Bear with me, Miss Naomi,” he said. “I think I can make you understand
+me. There are eyes on the watch, and ears on the watch, in the house;
+and there are some footsteps--I won’t say whose--so soft, that no
+person can hear them.”
+
+The last allusion evidently made itself understood. Naomi stopped him
+before he could say more.
+
+“Well, where is it to be?” she asked, resignedly. “Will the garden do,
+Mr. John?”
+
+“Thank you kindly, miss; the garden will do.” He pointed to a
+gravel-walk beyond us, bathed in the full flood of the moonlight.
+“There,” he said, “where we can see all round us, and be sure that
+nobody is listening. At ten o’clock.” He paused, and addressed himself
+to me. “I beg to apologize, sir, for intruding myself on your
+conversation. Please to excuse me.”
+
+His eyes rested with a last anxious, pleading look on Naomi’s face. He
+bowed to us, and melted away into the shadow of the tree. The distant
+sound of a door closed softly came to us through the stillness of the
+night. John Jago had re-entered the house.
+
+Now that he was out of hearing, Naomi spoke to me very earnestly:
+
+“Don’t suppose, sir, I have any secrets with _him_,” she said. “I know
+no more than you do what he wants with me. I have half a mind not to
+keep the appointment when ten o’clock comes. What would you do in my
+place?”
+
+“Having made the appointment,” I answered, “it seems to be due to
+yourself to keep it. If you feel the slightest alarm, I will wait in
+another part of the garden, so that I can hear if you call me.”
+
+She received my proposal with a saucy toss of the head, and a smile of
+pity for my ignorance.
+
+“You are a stranger, Mr. Lefrank, or you would never talk to me in that
+way. In America, we don’t do the men the honor of letting them alarm
+us. In America, the women take care of themselves. He has got my
+promise to meet him, as you say; and I must keep my promise. Only
+think,” she added, speaking more to herself than to me, “of John Jago
+finding out Miss Meadowcroft’s nasty, sly, underhand ways in the house!
+Most men would never have noticed her.”
+
+I was completely taken by surprise. Sad and severe Miss Meadowcroft a
+listener and a spy! What next at Morwick Farm?
+
+“Was that hint at the watchful eyes and ears, and the soft footsteps,
+really an allusion to Mr. Meadowcroft’s daughter?” I asked.
+
+“Of course it was. Ah! she has imposed on you as she imposes on
+everybody else. The false wretch! She is secretly at the bottom of half
+the bad feeling among the men. I am certain of it--she keeps Mr.
+Meadowcroft’s mind bitter toward the boys. Old as she is, Mr. Lefrank,
+and ugly as she is, she wouldn’t object (if she could only make him ask
+her) to be John Jago’s second wife. No, sir; and she wouldn’t break her
+heart if the boys were not left a stick or a stone on the farm when the
+father dies. I have watched her, and I know it. Ah! I could tell you
+such things! But there’s no time now--it’s close on ten o’clock; we
+must say good-night. I am right glad I have spoken to you, sir. I say
+again, at parting, what I have said already: Use your influence, pray
+use your influence, to soften them, and to make them ashamed of
+themselves, in this wicked house. We will have more talk about what you
+can do to-morrow, when you are shown over the farm. Say good-by now.
+Hark! there is ten striking! And look! here is John Jago stealing out
+again in the shadow of the tree! Good-night, friend Lefrank; and
+pleasant dreams.”
+
+With one hand she took mine, and pressed it cordially; with the other
+she pushed me away without ceremony in the direction of the house. A
+charming girl--an irresistible girl! I was nearly as bad as the boys. I
+declare, _I_ almost hated John Jago, too, as we crossed each other in
+the shadow of the tree.
+
+Arrived at the glass door, I stopped and looked back at the gravel-walk.
+
+They had met. I saw the two shadowy figures slowly pacing backward and
+forward in the moonlight, the woman a little in advance of the man.
+What was he saying to her? Why was he so anxious that not a word of it
+should be heard? Our presentiments are sometimes, in certain rare
+cases, the faithful prophecy of the future. A vague distrust of that
+moonlight meeting stealthily took a hold on my mind. “Will mischief
+come of it?” I asked myself as I closed the door and entered the house.
+
+Mischief _did_ come of it. You shall hear how.
+
+
+
+CHAPTER IV.
+
+THE BEECHEN STICK.
+
+PERSONS of sensitive, nervous temperament, sleeping for the first time
+in a strange house, and in a bed that is new to them, must make up
+their minds to pass a wakeful night. My first night at Morwick Farm was
+no exception to this rule. The little sleep I had was broken and
+disturbed by dreams. Toward six o’clock in the morning, my bed became
+unendurable to me. The sun was shining in brightly at the window. I
+determined to try the reviving influence of a stroll in the fresh
+morning air.
+
+Just as I got out of bed, I heard footsteps and voices under my window.
+
+The footsteps stopped, and the voices became recognizable. I had passed
+the night with my window open; I was able, without exciting notice from
+below, to look out.
+
+The persons beneath me were Silas Meadowcroft, John Jago, and three
+strangers, whose dress and appearance indicated plainly enough that
+they were laborers on the farm. Silas was swinging a stout beechen
+stick in his hand, and was speaking to Jago, coarsely and insolently
+enough, of his moonlight meeting with Naomi on the previous night.
+
+“Next time you go courting a young lady in secret,” said Silas, “make
+sure that the moon goes down first, or wait for a cloudy sky. You were
+seen in the garden, Master Jago; and you may as well tell us the truth
+for once in a way. Did you find her open to persuasion, sir? Did she
+say ‘Yes?’”
+
+John Jago kept his temper.
+
+“If you must have your joke, Mr. Silas,” he said, quietly and firmly,
+“be pleased to joke on some other subject. You are quite wrong, sir, in
+what you suppose to have passed between the young lady and me.”
+
+Silas turned about, and addressed himself ironically to the three
+laborers.
+
+“You hear him, boys? He can’t tell the truth, try him as you may. He
+wasn’t making love to Naomi in the garden last night--oh dear, no! He
+has had one wife already; and he knows better than to take the yoke on
+his shoulders for the second time!”
+
+Greatly to my surprise, John Jago met this clumsy jesting with a formal
+and serious reply.
+
+“You are quite right, sir,” he said. “I have no intention of marrying
+for the second time. What I was saying to Miss Naomi doesn’t matter to
+you. It was not at all what you choose to suppose; it was something of
+quite another kind, with which you have no concern. Be pleased to
+understand once for all, Mr. Silas, that not so much as the thought of
+making love to the young lady has ever entered my head. I respect her;
+I admire her good qualities; but if she was the only woman left in the
+world, and if I was a much younger man than I am, I should never think
+of asking her to be my wife.” He burst out suddenly into a harsh,
+uneasy laugh. “No, no! not my style, Mr. Silas--not my style!”
+
+Something in those words, or in his manner of speaking them, appeared
+to exasperate Silas. He dropped his clumsy irony, and addressed himself
+directly to John Jago in a tone of savage contempt.
+
+“Not your style?” he repeated. “Upon my soul, that’s a cool way of
+putting it, for a man in your place! What do you mean by calling her
+‘not your style?’ You impudent beggar! Naomi Colebrook is meat for your
+master!”
+
+John Jago’s temper began to give way at last. He approached defiantly a
+step or two nearer to Silas Meadowcroft.
+
+“Who is my master?” he asked.
+
+“Ambrose will show you, if you go to him,” answered the other. “Naomi
+is _his_ sweetheart, not mine. Keep out of his way, if you want to keep
+a whole skin on your bones.”
+
+John Jago cast one of his sardonic side-looks at the farmer’s wounded
+left hand. “Don’t forget your own skin, Mr. Silas, when you threaten
+mine! I have set my mark on you once, sir. Let me by on my business, or
+I may mark you for a second time.”
+
+Silas lifted his beechen stick. The laborers, roused to some rude sense
+of the serious turn which the quarrel was taking, got between the two
+men, and parted them. I had been hurriedly dressing myself while the
+altercation was proceeding; and I now ran downstairs to try what my
+influence could do toward keeping the peace at Morwick Farm.
+
+The war of angry words was still going on when I joined the men
+outside.
+
+“Be off with you on your business, you cowardly hound!” I heard Silas
+say. “Be off with you to the town! and take care you don’t meet Ambrose
+on the way!”
+
+“Take _you_ care you don’t feel my knife again before I go!” cried the
+other man.
+
+Silas made a desperate effort to break away from the laborers who were
+holding him.
+
+“Last time you only felt my fist!” he shouted “Next time you shall feel
+_this!_”
+
+He lifted the stick as he spoke. I stepped up and snatched it out of
+his hand.
+
+“Mr. Silas,” I said, “I am an invalid, and I am going out for a walk.
+Your stick will be useful to me. I beg leave to borrow it.”
+
+The laborers burst out laughing. Silas fixed his eyes on me with a
+stare of angry surprise. John Jago, immediately recovering his
+self-possession, took off his hat, and made me a deferential bow.
+
+“I had no idea, Mr. Lefrank, that we were disturbing you,” he said. “I
+am very much ashamed of myself, sir. I beg to apologize.”
+
+“I accept your apology, Mr. Jago,” I answered, “on the understanding
+that you, as the older man, will set the example of forbearance if your
+temper is tried on any future occasion as it has been tried today. And
+I have further to request,” I added, addressing myself to Silas, “that
+you will do me a favor, as your father’s guest. The next time your good
+spirits lead you into making jokes at Mr. Jago’s expense, don’t carry
+them quite so far. I am sure you meant no harm, Mr. Silas. Will you
+gratify me by saying so yourself? I want to see you and Mr. Jago shake
+hands.”
+
+John Jago instantly held out his hand, with an assumption of good
+feeling which was a little overacted, to my thinking. Silas Meadowcroft
+made no advance of the same friendly sort on his side.
+
+“Let him go about his business,” said Silas. “I won’t waste any more
+words on him, Mr. Lefrank, to please _you_. But (saving your presence)
+I’m d--d if I take his hand!”
+
+Further persuasion was plainly useless, addressed to such a man as
+this. Silas gave me no further opportunity of remonstrating with him,
+even if I had been inclined to do so. He turned about in sulky silence,
+and, retracing his steps along the path, disappeared round the corner
+of the house. The laborers withdrew next, in different directions, to
+begin the day’s work. John Jago and I were alone.
+
+I left it to the man of the wild brown eyes to speak first.
+
+“In half an hour’s time, sir,” he said, “I shall be going on business
+to Narrabee, our market-town here. Can I take any letters to the post
+for you? or is there anything else that I can do in the town?”
+
+I thanked him, and declined both proposals. He made me another
+deferential bow, and withdrew into the house. I mechanically followed
+the path in the direction which Silas had taken before me.
+
+Turning the corner of the house, and walking on for a little way, I
+found myself at the entrance to the stables, and face to face with
+Silas Meadowcroft once more. He had his elbows on the gate of the yard,
+swinging it slowly backward and forward, and turning and twisting a
+straw between his teeth. When he saw me approaching him, he advanced a
+step from the gate, and made an effort to excuse himself, with a very
+ill grace.
+
+“No offense, mister. Ask me what you will besides, and I’ll do it for
+you. But don’t ask me to shake hands with John Jago; I hate him too
+badly for that. If I touched him with one hand, sir, I tell you this, I
+should throttle him with the other.”
+
+“That’s your feeling toward the man, Mr. Silas, is it?”
+
+“That’s my feeling, Mr. Lefrank; and I’m not ashamed of it either.”
+
+“Is there any such place as a church in your neighborhood, Mr. Silas?”
+
+“Of course there is.”
+
+“And do you ever go to it?”
+
+“Of course I do.”
+
+“At long intervals, Mr. Silas?”
+
+“Every Sunday, sir, without fail.”
+
+Some third person behind me burst out laughing; some third person had
+been listening to our talk. I turned round, and discovered Ambrose
+Meadowcroft.
+
+“I understand the drift of your catechism, sir, though my brother
+doesn’t,” he said. “Don’t be hard on Silas, sir. He isn’t the only
+Christian who leaves his Christianity in the pew when he goes out of
+church. You will never make us friends with John Jago, try as you may.
+Why, what have you got there, Mr. Lefrank? May I die if it isn’t my
+stick! I have been looking for it everywhere!”
+
+The thick beechen stick had been feeling uncomfortably heavy in my
+invalid hand for some time past. There was no sort of need for my
+keeping it any longer. John Jago was going away to Narrabee, and Silas
+Meadowcroft’s savage temper was subdued to a sulky repose. I handed the
+stick back to Ambrose. He laughed as he took it from me.
+
+“You can’t think how strange it feels, Mr. Lefrank, to be out without
+one’s stick,” he said. “A man gets used to his stick, sir; doesn’t he?
+Are you ready for your breakfast?”
+
+“Not just yet. I thought of taking a little walk first.”
+
+“All right, sir. I wish I could go with you; but I have got my work to
+do this morning, and Silas has his work too. If you go back by the way
+you came, you will find yourself in the garden. If you want to go
+further, the wicket-gate at the end will lead you into the lane.”
+
+Through sheer thoughtlessness, I did a very foolish thing. I turned
+back as I was told, and left the brothers together at the gate of the
+stable-yard.
+
+
+
+CHAPTER V.
+
+THE NEWS FROM NARRABEE.
+
+ARRIVED at the garden, a thought struck me. The cheerful speech and
+easy manner of Ambrose plainly indicated that he was ignorant thus far
+of the quarrel which had taken place under my window. Silas might
+confess to having taken his brother’s stick, and might mention whose
+head he had threatened with it. It was not only useless, but
+undesirable, that Ambrose should know of the quarrel. I retraced my
+steps to the stable-yard. Nobody was at the gate. I called alternately
+to Silas and to Ambrose. Nobody answered. The brothers had gone away to
+their work.
+
+Returning to the garden, I heard a pleasant voice wishing me
+“Good-morning.” I looked round. Naomi Colebrook was standing at one of
+the lower windows of the farm. She had her working apron on, and she
+was industriously brightening the knives for the breakfast-table on an
+old-fashioned board. A sleek black cat balanced himself on her
+shoulder, watching the flashing motion of the knife as she passed it
+rapidly to and fro on the leather-covered surface of the board.
+
+“Come here,” she said; “I want to speak to you.”
+
+I noticed, as I approached, that her pretty face was clouded and
+anxious. She pushed the cat irritably off her shoulder; she welcomed me
+with only the faint reflection of her bright customary smile.
+
+“I have seen John Jago,” she said. “He has been hinting at something
+which he says happened under your bedroom window this morning. When I
+begged him to explain himself, he only answered, ‘Ask Mr. Lefrank; I
+must be off to Narrabee.’ What does it mean? Tell me right away, sir!
+I’m out of temper, and I can’t wait!”
+
+Except that I made the best instead of the worst of it, I told her what
+had happened under my window as plainly as I have told it here. She put
+down the knife that she was cleaning, and folded her hands before her,
+thinking.
+
+“I wish I had never given John Jago that meeting,” she said. “When a
+man asks anything of a woman, the woman, I find, mostly repents it if
+she says ‘Yes.’”
+
+She made that quaint reflection with a very troubled brow. The
+moonlight meeting had left some unwelcome remembrances in her mind. I
+saw that as plainly as I saw Naomi herself.
+
+What had John Jago said to her? I put the question with all needful
+delicacy, making my apologies beforehand.
+
+“I should like to tell _you_,” she began, with a strong emphasis on the
+last word.
+
+There she stopped. She turned pale; then suddenly flushed again to the
+deepest red. She took up the knife once more, and went on cleaning it
+as industriously as ever.
+
+“I mustn’t tell you,” she resumed, with her head down over the knife.
+“I have promised not to tell anybody. That’s the truth. Forget all
+about it, sir, as soon as you can. Hush! here’s the spy who saw us last
+night on the walk and who told Silas!”
+
+Dreary Miss Meadowcroft opened the kitchen door. She carried an
+ostentatiously large Prayer-Book; and she looked at Naomi as only a
+jealous woman of middle age _can_ look at a younger and prettier woman
+than herself.
+
+“Prayers, Miss Colebrook,” she said in her sourest manner. She paused,
+and noticed me standing under the window. “Prayers, Mr. Lefrank,” she
+added, with a look of devout pity, directed exclusively to my address.
+
+“We will follow you directly, Miss Meadowcroft,” said Naomi.
+
+“I have no desire to intrude on your secrets, Miss Colebrook.”
+
+With that acrid answer, our priestess took herself and her Prayer-Book
+out of the kitchen. I joined Naomi, entering the room by the garden
+door. She met me eagerly. “I am not quite easy about something,” she
+said. “Did you tell me that you left Ambrose and Silas together?”
+
+“Yes.”
+
+“Suppose Silas tells Ambrose of what happened this morning?”
+
+The same idea, as I have already mentioned, had occurred to my mind. I
+did my best to reassure Naomi.
+
+“Mr. Jago is out of the way,” I replied. “You and I can easily put
+things right in his absence.”
+
+She took my arm.
+
+“Come in to prayers,” she said. “Ambrose will be there, and I shall
+find an opportunity of speaking to him.”
+
+Neither Ambrose nor Silas was in the breakfast-room when we entered it.
+After waiting vainly for ten minutes, Mr. Meadowcroft told his daughter
+to read the prayers. Miss Meadowcroft read, thereupon, in the tone of
+an injured woman taking the throne of mercy by storm, and insisting on
+her rights. Breakfast followed; and still the brothers were absent.
+Miss Meadowcroft looked at her father, and said, “From bad to worse,
+sir. What did I tell you?” Naomi instantly applied the antidote: “The
+boys are no doubt detained over their work, uncle.” She turned to me.
+“You want to see the farm, Mr. Lefrank. Come and help me to find the
+boys.”
+
+For more than an hour we visited one part of the farm after another,
+without discovering the missing men. We found them at last near the
+outskirts of a small wood, sitting, talking together, on the trunk of a
+felled tree.
+
+Silas rose as we approached, and walked away, without a word of
+greeting or apology, into the wood. As he got on his feet, I noticed
+that his brother whispered something in his ear; and I heard him
+answer, “All right.”
+
+“Ambrose, does that mean you have something to keep a secret from us?”
+ asked Naomi, approaching her lover with a smile. “Is Silas ordered to
+hold his tongue?”
+
+Ambrose kicked sulkily at the loose stones lying about him. I noticed,
+with a certain surprise that his favorite stick was not in his hand,
+and was not lying near him.
+
+“Business,” he said in answer to Naomi, not very graciously--“business
+between Silas and me. That’s what it means, if you must know.”
+
+Naomi went on, woman-like, with her questioning, heedless of the
+reception which they might meet with from an irritated man.
+
+“Why were you both away at prayers and breakfast-time?” she asked next.
+
+“We had too much to do,” Ambrose gruffly replied, “and we were too far
+from the house.”
+
+“Very odd,” said Naomi. “This has never happened before since I have
+been at the farm.”
+
+“Well, live and learn. It has happened now.”
+
+The tone in which he spoke would have warned any man to let him alone.
+But warnings which speak by implication only are thrown away on women.
+The woman, having still something in her mind to say, said it.
+
+“Have you seen anything of John Jago this morning?”
+
+The smoldering ill-temper of Ambrose burst suddenly--why, it was
+impossible to guess--into a flame. “How many more questions am I to
+answer?” he broke out violently. “Are you the parson putting me through
+my catechism? I have seen nothing of John Jago, and I have got my work
+to go on with. Will that do for you?”
+
+He turned with an oath, and followed his brother into the wood. Naomi’s
+bright eyes looked up at me, flashing with indignation.
+
+“What does he mean, Mr. Lefrank, by speaking to me in that way? Rude
+brute! How dare he do it?” She paused; her voice, look and manner
+suddenly changed. “This has never happened before, sir. Has anything
+gone wrong? I declare, I shouldn’t know Ambrose again, he is so
+changed. Say, how does it strike you?”
+
+I still made the best of a bad case.
+
+“Something has upset his temper,” I said. “The merest trifle, Miss
+Colebrook, upsets a man’s temper sometimes. I speak as a man, and I
+know it. Give him time, and he will make his excuses, and all will be
+well again.”
+
+My presentation of the case entirely failed to re-assure my pretty
+companion. We went back to the house. Dinner-time came, and the
+brothers appeared. Their father spoke to them of their absence from
+morning prayers with needless severity, as I thought. They resented the
+reproof with needless indignation on their side, and left the room. A
+sour smile of satisfaction showed itself on Miss Meadowcroft’s thin
+lips. She looked at her father; then raised her eyes sadly to the
+ceiling, and said, “We can only pray for them, sir.”
+
+Naomi disappeared after dinner. When I saw her again, she had some news
+for me.
+
+“I have been with Ambrose,” she said, “and he has begged my pardon. We
+have made it up, Mr. Lefrank. Still--still--”
+
+“Still--_what_, Miss Naomi?”
+
+“He is not like himself, sir. He denies it; but I can’t help thinking
+he is hiding something from me.”
+
+The day wore on; the evening came. I returned to my French novel. But
+not even Dumas himself could keep my attention to the story. What else
+I was thinking of I cannot say. Why I was out of spirits I am unable to
+explain. I wished myself back in England: I took a blind, unreasoning
+hatred to Morwick Farm.
+
+Nine o’clock struck; and we all assembled again at supper, with the
+exception of John Jago. He was expected back to supper; and we waited
+for him a quarter of an hour, by Mr. Meadowcroft’s own directions. John
+Jago never appeared.
+
+The night wore on, and still the absent man failed to return. Miss
+Meadowcroft volunteered to sit up for him. Naomi eyed her, a little
+maliciously I must own, as the two women parted for the night. I
+withdrew to my room; and again I was unable to sleep. When sunrise
+came, I went out, as before, to breathe the morning air.
+
+On the staircase I met Miss Meadowcroft ascending to her own room. Not
+a curl of her stiff gray hair was disarranged; nothing about the
+impenetrable woman betrayed that she had been watching through the
+night.
+
+“Has Mr. Jago not returned?” I asked.
+
+Miss Meadowcroft slowly shook her head, and frowned at me.
+
+“We are in the hands of Providence, Mr. Lefrank. Mr. Jago must have
+been detained for the night at Narrabee.”
+
+The daily routine of the meals resumed its unalterable course.
+Breakfast-time came, and dinner-time came, and no John Jago darkened
+the doors of Morwick Farm. Mr. Meadowcroft and his daughter consulted
+together, and determined to send in search of the missing man. One of
+the more intelligent of the laborers was dispatched to Narrabee to make
+inquiries.
+
+The man returned late in the evening, bringing startling news to the
+farm. He had visited all the inns, and all the places of business
+resort in Narrabee; he had made endless inquiries in every direction,
+with this result--no one had set eyes on John Jago. Everybody declared
+that John Jago had not entered the town.
+
+We all looked at each other, excepting the two brothers, who were
+seated together in a dark corner of the room. The conclusion appeared
+to be inevitable. John Jago was a lost man.
+
+
+
+CHAPTER VI.
+
+THE LIME-KILN.
+
+MR. MEADOWCROFT was the first to speak. “Somebody must find John,” he
+said.
+
+“Without losing a moment,” added his daughter.
+
+Ambrose suddenly stepped out of the dark corner of the room.
+
+“_I_ will inquire,” he said.
+
+Silas followed him.
+
+“I will go with you,” he added.
+
+Mr. Meadowcroft interposed his authority.
+
+“One of you will be enough; for the present, at least. Go you, Ambrose.
+Your brother may be wanted later. If any accident has happened (which
+God forbid!) we may have to inquire in more than one direction. Silas,
+you will stay at the farm.”
+
+The brothers withdrew together; Ambrose to prepare for his journey,
+Silas to saddle one of the horses for him. Naomi slipped out after
+them. Left in company with Mr. Meadowcroft and his daughter (both
+devoured by anxiety about the missing man, and both trying to conceal
+it under an assumption of devout resignation to circumstances), I need
+hardly add that I, too, retired, as soon as it was politely possible
+for me to leave the room. Ascending the stairs on my way to my own
+quarters, I discovered Naomi half hidden by the recess formed by an
+old-fashioned window-seat on the first landing. My bright little friend
+was in sore trouble. Her apron was over her face, and she was crying
+bitterly. Ambrose had not taken his leave as tenderly as usual. She was
+more firmly persuaded than ever that “Ambrose was hiding something from
+her.” We all waited anxiously for the next day. The next day made the
+mystery deeper than ever.
+
+The horse which had taken Ambrose to Narrabee was ridden back to the
+farm by a groom from the hotel. He delivered a written message from
+Ambrose which startled us. Further inquiries had positively proved that
+the missing man had never been near Narrabee. The only attainable
+tidings of his whereabouts were tidings derived from vague report. It
+was said that a man like John Jago had been seen the previous day in a
+railway car, traveling on the line to New York. Acting on this
+imperfect information, Ambrose had decided on verifying the truth of
+the report by extending his inquiries to New York.
+
+This extraordinary proceeding forced the suspicion on me that something
+had really gone wrong. I kept my doubts to myself; but I was prepared,
+from that moment, to see the disappearance of John Jago followed by
+very grave results.
+
+The same day the results declared themselves.
+
+Time enough had now elapsed for report to spread through the district
+the news of what had happened at the farm. Already aware of the bad
+feeling existing between the men, the neighbors had been now informed
+(no doubt by the laborers present) of the deplorable scene that had
+taken place under my bedroom window. Public opinion declares itself in
+America without the slightest reserve, or the slightest care for
+consequences. Public opinion declared on this occasion that the lost
+man was the victim of foul play, and held one or both of the brothers
+Meadowcroft responsible for his disappearance. Later in the day, the
+reasonableness of this serious view of the case was confirmed in the
+popular mind by a startling discovery. It was announced that a
+Methodist preacher lately settled at Morwick, and greatly respected
+throughout the district, had dreamed of John Jago in the character of a
+murdered man, whose bones were hidden at Morwick Farm. Before night the
+cry was general for a verification of the preacher’s dream. Not only in
+the immediate district, but in the town of Narrabee itself, the public
+voice insisted on the necessity of a search for the mortal remains of
+John Jago at Morwick Farm.
+
+In the terrible turn which matters had now taken, Mr. Meadowcroft the
+elder displayed a spirit and an energy for which I was not prepared.
+
+“My sons have their faults,” he said, “serious faults; and nobody knows
+it better than I do. My sons have behaved badly and ungratefully toward
+John Jago; I don’t deny that, either. But Ambrose and Silas are not
+murderers. Make your search! I ask for it; no, I insist on it, after
+what has been said, in justice to my family and my name!”
+
+The neighbors took him at his word. The Morwick section of the American
+nation organized itself on the spot. The sovereign people met in
+committee, made speeches, elected competent persons to represent the
+public interests, and began the search the next day. The whole
+proceeding, ridiculously informal from a legal point of view, was
+carried on by these extraordinary people with as stern and strict a
+sense of duty as if it had been sanctioned by the highest tribunal in
+the land.
+
+Naomi met the calamity that had fallen on the household as resolutely
+as her uncle himself. The girl’s courage rose with the call which was
+made on it. Her one anxiety was for Ambrose.
+
+“He ought to be here,” she said to me. “The wretches in this
+neighborhood are wicked enough to say that his absence is a confession
+of his guilt.”
+
+She was right. In the present temper of the popular mind, the absence
+of Ambrose was a suspicious circumstance in itself.
+
+“We might telegraph to New York,” I suggested, “if you only knew where
+a message would be likely to find him.”
+
+“I know the hotel which the Meadowcrofts use at New York,” she replied.
+“I was sent there, after my father’s death, to wait till Miss
+Meadowcroft could take me to Morwick.”
+
+We decided on telegraphing to the hotel. I was writing the message, and
+Naomi was looking over my shoulder, when we were startled by a strange
+voice speaking close behind us.
+
+“Oh! that’s his address, is it?” said the voice. “We wanted his address
+rather badly.”
+
+The speaker was a stranger to me. Naomi recognized him as one of the
+neighbors.
+
+“What do you want his address for?” she asked, sharply.
+
+“I guess we’ve found the mortal remains of John Jago, miss,” the man
+replied. “We have got Silas already, and we want Ambrose too, on
+suspicion of murder.”
+
+“It’s a lie!” cried Naomi, furiously--“a wicked lie!”
+
+The man turned to me.
+
+“Take her into the next room, mister,” he said, “and let her see for
+herself.”
+
+We went together into the next room.
+
+In one corner, sitting by her father, and holding his hand, we saw
+stern and stony Miss Meadowcroft weeping silently. Opposite to them,
+crouched on the window-seat, his eyes wandering, his hands hanging
+helpless, we next discovered Silas Meadowcroft, plainly self-betrayed
+as a panic-stricken man. A few of the persons who had been engaged in
+the search were seated near, watching him. The mass of the strangers
+present stood congregated round a table in the middle of the room They
+drew aside as I approached with Naomi and allowed us to have a clear
+view of certain objects placed on the table.
+
+The center object of the collection was a little heap of charred bones.
+Round this were ranged a knife, two metal buttons, and a stick
+partially burned. The knife was recognized by the laborers as the
+weapon John Jago habitually carried about with him--the weapon with
+which he had wounded Silas Meadowcroft’s hand. The buttons Naomi
+herself declared to have a peculiar pattern on them, which had formerly
+attracted her attention to John Jago’s coat. As for the stick, burned
+as it was, I had no difficulty in identifying the quaintly-carved knob
+at the top. It was the heavy beechen stick which I had snatched out of
+Silas’s hand, and which I had restored to Ambrose on his claiming it as
+his own. In reply to my inquiries, I was informed that the bones, the
+knife, the buttons and the stick had all been found together in a
+lime-kiln then in use on the farm.
+
+“Is it serious?” Naomi whispered to me as we drew back from the table.
+
+It would have been sheer cruelty to deceive her now.
+
+“Yes,” I whispered back; “it is serious.”
+
+The search committee conducted its proceedings with the strictest
+regularity. The proper applications were made forthwith to a justice of
+the peace, and the justice issued his warrant. That night Silas was
+committed to prison; and an officer was dispatched to arrest Ambrose in
+New York.
+
+For my part, I did the little I could to make myself useful. With the
+silent sanction of Mr. Meadowcroft and his daughter, I went to
+Narrabee, and secured the best legal assistance for the defense which
+the town could place at my disposal. This done, there was no choice but
+to wait for news of Ambrose, and for the examination before the
+magistrate which was to follow. I shall pass over the misery in the
+house during the interval of expectation; no useful purpose could be
+served by describing it now. Let me only say that Naomi’s conduct
+strengthened me in the conviction that she possessed a noble nature. I
+was unconscious of the state of my own feelings at the time; but I am
+now disposed to think that this was the epoch at which I began to envy
+Ambrose the wife whom he had won.
+
+The telegraph brought us our first news of Ambrose. He had been
+arrested at the hotel, and he was on his way to Morwick. The next day
+he arrived, and followed his brother to prison. The two were confined
+in separate cells, and were forbidden all communication with each
+other.
+
+Two days later, the preliminary examination took place. Ambrose and
+Silas Meadowcroft were charged before the magistrate with the willful
+murder of John Jago. I was cited to appear as one of the witnesses;
+and, at Naomi’s own request, I took the poor girl into court, and sat
+by her during the proceedings. My host also was present in his
+invalid-chair, with his daughter by his side.
+
+Such was the result of my voyage across the ocean in search of rest and
+quiet; and thus did time and chance fulfill my first hasty foreboding
+of the dull life I was to lead at Morwick Farm!
+
+
+
+CHAPTER VII.
+
+THE MATERIALS IN THE DEFENSE.
+
+ON our way to the chairs allotted to us in the magistrate’s court, we
+passed the platform on which the prisoners were standing together.
+
+Silas took no notice of us. Ambrose made a friendly sign of
+recognition, and then rested his hand on the “bar” in front of him. As
+she passed beneath him, Naomi was just tall enough to reach his hand on
+tiptoe. She took it. “I know you are innocent,” she whispered, and gave
+him one look of loving encouragement as she followed me to her place.
+Ambrose never lost his self-control. I may have been wrong; but I
+thought this a bad sign.
+
+The case, as stated for the prosecution, told strongly against the
+suspected men.
+
+Ambrose and Silas Meadowcroft were charged with the murder of John Jago
+(by means of the stick or by use of some other weapon), and with the
+deliberate destruction of the body by throwing it into the quicklime.
+In proof of this latter assertion, the knife which the deceased
+habitually carried about him, and the metal buttons which were known to
+belong to his coat, were produced. It was argued that these
+indestructible substances, and some fragments of the larger bones had
+alone escaped the action of the burning lime. Having produced medical
+witnesses to support this theory by declaring the bones to be human,
+and having thus circumstantially asserted the discovery of the remains
+in the kiln, the prosecution next proceeded to prove that the missing
+man had been murdered by the two brothers, and had been by them thrown
+into the quicklime as a means of concealing their guilt.
+
+Witness after witness deposed to the inveterate enmity against the
+deceased displayed by Ambrose and Silas. The threatening language they
+habitually used toward him; their violent quarrels with him, which had
+become a public scandal throughout the neighborhood, and which had
+ended (on one occasion at least) in a blow; the disgraceful scene which
+had taken place under my window; and the restoration to Ambrose, on the
+morning of the fatal quarrel, of the very stick which had been found
+among the remains of the dead man--these facts and events, and a host
+of minor circumstances besides, sworn to by witnesses whose credit was
+unimpeachable, pointed with terrible directness to the conclusion at
+which the prosecution had arrived.
+
+I looked at the brothers as the weight of the evidence pressed more and
+more heavily against them. To outward view at least, Ambrose still
+maintained his self-possession. It was far otherwise with Silas. Abject
+terror showed itself in his ghastly face; in his great knotty hands,
+clinging convulsively to the bar at which he stood; in his staring
+eyes, fixed in vacant horror on each witness who appeared. Public
+feeling judged him on the spot. There he stood, self-betrayed already,
+in the popular opinion, as a guilty man!
+
+The one point gained in cross-examination by the defense related to the
+charred bones.
+
+Pressed on this point, a majority of the medical witnesses admitted
+that their examination had been a hurried one; and that it was just
+possible that the bones might yet prove to be the remains of an animal,
+and not of a man. The presiding magistrate decided upon this that a
+second examination should be made, and that the member of the medical
+experts should be increased.
+
+Here the preliminary proceedings ended. The prisoners were remanded for
+three days.
+
+The prostration of Silas, at the close of the inquiry, was so complete,
+that it was found necessary to have two men to support him on his
+leaving the court. Ambrose leaned over the bar to speak to Naomi before
+he followed the jailer out. “Wait,” he whispered, confidently, “till
+they hear what I have to say!” Naomi kissed her hand to him
+affectionately, and turned to me with the bright tears in her eyes.
+
+“Why don’t they hear what he has to say at once?” she asked. “Anybody
+can see that Ambrose is innocent. It’s a crying shame, sir, to send him
+back to prison. Don’t you think so yourself?”
+
+If I had confessed what I really thought, I should have said that
+Ambrose had proved nothing to my mind, except that he possessed rare
+powers of self-control. It was impossible to acknowledge this to my
+little friend. I diverted her mind from the question of her lover’s
+innocence by proposing that we should get the necessary order, and
+visit him in his prison on the next day. Naomi dried her tears, and
+gave me a little grateful squeeze of the hand.
+
+“Oh my! what a good fellow you are!” cried the outspoken American girl.
+“When your time comes to be married, sir, I guess the woman won’t
+repent saying yes to _you!_”
+
+Mr. Meadowcroft preserved unbroken silence as we walked back to the
+farm on either side of his invalid-chair. His last reserves of
+resolution seemed to have given way under the overwhelming strain laid
+on them by the proceedings in court. His daughter, in stern indulgence
+to Naomi, mercifully permitted her opinion to glimmer on us only
+through the medium of quotation from Scripture texts. If the texts
+meant anything, they meant that she had foreseen all that had happened;
+and that the one sad aspect of the case, to her mind, was the death of
+John Jago, unprepared to meet his end.
+
+I obtained the order of admission to the prison the next morning.
+
+We found Ambrose still confident of the favorable result, for his
+brother and for himself, of the inquiry before the magistrate. He
+seemed to be almost as eager to tell, as Naomi was to hear, the true
+story of what had happened at the lime-kiln. The authorities of the
+prison--present, of course, at the interview--warned him to remember
+that what he said might be taken down in writing, and produced against
+him in court.
+
+“Take it down, gentlemen, and welcome,” Ambrose replied. “I have
+nothing to fear; I am only telling the truth.”
+
+With that he turned to Naomi, and began his narrative, as nearly as I
+can remember, in these words:
+
+“I may as well make a clean breast of it at starting, my girl. After
+Mr. Lefrank left us that morning, I asked Silas how he came by my
+stick. In telling me how, Silas also told me of the words that had
+passed between him and John Jago under Mr. Lefrank’s window. I was
+angry and jealous; and I own it freely, Naomi, I thought the worst that
+could be thought about you and John.”
+
+Here Naomi stopped him without ceremony.
+
+“Was that what made you speak to me as you spoke when we found you at
+the wood?” she asked.
+
+“Yes.”
+
+“And was that what made you leave me, when you went away to Narrabee,
+without giving me a kiss at parting?”
+
+“It was.”
+
+“Beg my pardon for it before you say a word more.”
+
+“I beg your pardon.”
+
+“Say you are ashamed of yourself.”
+
+“I am ashamed of myself,” Ambrose answered penitently.
+
+“Now you may go on,” said Naomi. “Now I’m satisfied.”
+
+Ambrose went on.
+
+“We were on our way to the clearing at the other side of the wood while
+Silas was talking to me; and, as ill luck would have it, we took the
+path that led by the lime-kiln. Turning the corner, we met John Jago on
+his way to Narrabee. I was too angry, I tell you, to let him pass
+quietly. I gave him a bit of my mind. His blood was up too, I suppose;
+and he spoke out, on his side, as freely as I did. I own I threatened
+him with the stick; but I’ll swear to it I meant him no harm. You
+know--after dressing Silas’s hand--that John Jago is ready with his
+knife. He comes from out West, where they are always ready with one
+weapon or another handy in their pockets. It’s likely enough he didn’t
+mean to harm me, either; but how could I be sure of that? When he
+stepped up to me, and showed his weapon, I dropped the stick, and
+closed with him. With one hand I wrenched the knife away from him; and
+with the other I caught him by the collar of his rotten old coat, and
+gave him a shaking that made his bones rattle in his skin. A big piece
+of the cloth came away in my hand. I shied it into the quicklime close
+by us, and I pitched the knife after the cloth; and, if Silas hadn’t
+stopped me, I think it’s likely I might have shied John Jago himself
+into the lime next. As it was, Silas kept hold of me. Silas shouted out
+to him, ‘Be off with you! and don’t come back again, if you don’t want
+to be burned in the kiln!’ He stood looking at us for a minute,
+fetching his breath, and holding his torn coat round him. Then he spoke
+with a deadly-quiet voice and a deadly-quiet look: ‘Many a true word,
+Mr. Silas,’ he says, ‘is spoken in jest. _I shall not come back
+again_.’ He turned about, and left us. We stood staring at each other
+like a couple of fools. ‘You don’t think he means it?’ I says. ‘Bosh!’
+says Silas. ‘He’s too sweet on Naomi not to come back.’ What’s the
+matter now, Naomi?”
+
+I had noticed it too. She started and turned pale, when Ambrose
+repeated to her what Silas had said to him.
+
+“Nothing is the matter,” Naomi answered. “Your brother has no right to
+take liberties with my name. Go on. Did Silas say any more while he was
+about it?”
+
+“Yes; he looked into the kiln; and he says, ‘What made you throw away
+the knife, Ambrose?’--‘How does a man know why he does anything,’ I
+says, ‘when he does it in a passion?’--‘It’s a ripping good knife,’
+says Silas; ‘in your place, I should have kept it.’ I picked up the
+stick off the ground. ‘Who says I’ve lost it yet?’ I answered him; and
+with that I got up on the side of the kiln, and began sounding for the
+knife, to bring it, you know, by means of the stick, within easy reach
+of a shovel, or some such thing. ‘Give us your hand,’ I says to Silas.
+‘Let me stretch out a bit and I’ll have it in no time.’ Instead of
+finding the knife, I came nigh to falling myself into the burning lime.
+The vapor overpowered me, I suppose. All I know is, I turned giddy, and
+dropped the stick in the kiln. I should have followed the stick to a
+dead certainty, but for Silas pulling me back by the hand. ‘Let it be,’
+says Silas. ‘If I hadn’t had hold of you, John Jago’s knife would have
+been the death of you, after all!’ He led me away by the arm, and we
+went on together on the road to the wood. We stopped where you found
+us, and sat down on the felled tree. We had a little more talk about
+John Jago. It ended in our agreeing to wait and see what happened, and
+to keep our own counsel in the meantime. You and Mr. Lefrank came upon
+us, Naomi, while we were still talking; and you guessed right when you
+guessed that we had a secret from you. You know the secret now.”
+
+There he stopped. I put a question to him--the first that I had asked
+yet.
+
+“Had you or your brother any fear at that time of the charge which has
+since been brought against you?” I said.
+
+“No such thought entered our heads, sir,” Ambrose answered. “How could
+_we_ foresee that the neighbors would search the kiln, and say what
+they have said of us? All we feared was, that the old man might hear of
+the quarrel, and be bitterer against us than ever. I was the more
+anxious of the two to keep things secret, because I had Naomi to
+consider as well as the old man. Put yourself in my place, and you will
+own, sir, that the prospect at home was not a pleasant one for _me_, if
+John Jago really kept away from the farm, and if it came out that it
+was all my doing.”
+
+(This was certainly an explanation of his conduct; but it was not
+satisfactory to my mind.)
+
+“As _you_ believe, then,” I went on, “John Jago has carried out his
+threat of not returning to the farm? According to you, he is now alive,
+and in hiding somewhere?”
+
+“Certainly!” said Ambrose.
+
+“Certainly!” repeated Naomi.
+
+“Do you believe the report that he was seen traveling on the railway to
+New York?”
+
+“I believe it firmly, sir; and, what is more, I believe I was on his
+track. I was only too anxious to find him; and I say I could have found
+him if they would have let me stay in New York.”
+
+I looked at Naomi.
+
+“I believe it too,” she said. “John Jago is keeping away.”
+
+“Do you suppose he is afraid of Ambrose and Silas?”
+
+She hesitated.
+
+“He _may_ be afraid of them,” she replied, with a strong emphasis on
+the word “may.”
+
+“But you don’t think it likely?”
+
+She hesitated again. I pressed her again.
+
+“Do you think there is any other motive for his absence?”
+
+Her eyes dropped to the floor. She answered obstinately, almost
+doggedly,
+
+“I can’t say.”
+
+I addressed myself to Ambrose.
+
+“Have you anything more to tell us?” I asked.
+
+“No,” he said. “I have told you all I know about it.”
+
+I rose to speak to the lawyer whose services I had retained. He had
+helped us to get the order of admission, and he had accompanied us to
+the prison. Seated apart he had kept silence throughout, attentively
+watching the effect of Ambrose Meadowcroft’s narrative on the officers
+of the prison and on me.
+
+“Is this the defense?” I inquired, in a whisper.
+
+“This is the defense, Mr. Lefrank. What do you think, between
+ourselves?”
+
+“Between ourselves, I think the magistrate will commit them for trial.”
+
+“On the charge of murder?”
+
+“Yes, on the charge of murder.”
+
+
+
+CHAPTER VIII.
+
+THE CONFESSION.
+
+MY replies to the lawyer accurately expressed the conviction in my
+mind. The narrative related by Ambrose had all the appearance, in my
+eyes, of a fabricated story, got up, and clumsily got up, to pervert
+the plain meaning of the circumstantial evidence produced by the
+prosecution. I reached this conclusion reluctantly and regretfully, for
+Naomi’s sake. I said all I could say to shake the absolute confidence
+which she felt in the discharge of the prisoners at the next
+examination.
+
+The day of the adjourned inquiry arrived.
+
+Naomi and I again attended the court together. Mr. Meadowcroft was
+unable, on this occasion, to leave the house. His daughter was present,
+walking to the court by herself, and occupying a seat by herself.
+
+On his second appearance at the “bar,” Silas was more composed, and
+more like his brother. No new witnesses were called by the prosecution.
+We began the battle over the medical evidence relating to the charred
+bones; and, to some extent, we won the victory. In other words, we
+forced the doctors to acknowledge that they differed widely in their
+opinions. Three confessed that they were not certain. Two went still
+further, and declared that the bones were the bones of an animal, not
+of a man. We made the most of this; and then we entered upon the
+defense, founded on Ambrose Meadowcroft’s story.
+
+Necessarily, no witnesses could be called on our side. Whether this
+circumstance discouraged him, or whether he privately shared my opinion
+of his client’s statement, I cannot say. It is only certain that the
+lawyer spoke mechanically, doing his best, no doubt, but doing it
+without genuine conviction or earnestness on his own part. Naomi cast
+an anxious glance at me as he sat down. The girl’s hand, as I took it,
+turned cold in mine. She saw plain signs of the failure of the defense
+in the look and manner of the counsel for the prosecution; but she
+waited resolutely until the presiding magistrate announced his
+decision. I had only too clearly foreseen what he would feel it to be
+his duty to do. Naomi’s head dropped on my shoulder as he said the
+terrible words which committed Ambrose and Silas Meadowcroft to take
+their trial on the charge of murder.
+
+I led her out of the court into the air. As I passed the “bar,” I saw
+Ambrose, deadly pale, looking after us as we left him: the magistrate’s
+decision had evidently daunted him. His brother Silas had dropped in
+abject terror on the jailer’s chair; the miserable wretch shook and
+shuddered dumbly, like a cowed dog.
+
+Miss Meadowcroft returned with us to the farm, preserving unbroken
+silence on the way back. I could detect nothing in her bearing which
+suggested any compassionate feeling for the prisoners in her stern and
+secret nature. On Naomi’s withdrawal to her own room, we were left
+together for a few minutes; and then, to my astonishment, the outwardly
+merciless woman showed me that she, too, was one of Eve’s daughters,
+and could feel and suffer, in her own hard way, like the rest of us.
+She suddenly stepped close up to me, and laid her hand on my arm.
+
+“You are a lawyer, ain’t you?” she asked.
+
+“Yes.”
+
+“Have you had any experience in your profession?”
+
+“Ten years’ experience.”
+
+“Do _you_ think--” She stopped abruptly; her hard face softened; her
+eyes dropped to the ground. “Never mind,” she said, confusedly. “I’m
+upset by all this misery, though I may not look like it. Don’t notice
+me.”
+
+She turned away. I waited, in the firm persuasion that the unspoken
+question in her mind would sooner or later force its way to utterance
+by her lips. I was right. She came back to me unwillingly, like a woman
+acting under some influence which the utmost exertion of her will was
+powerless to resist.
+
+“Do _you_ believe John Jago is still a living man?”
+
+She put the question vehemently, desperately, as if the words rushed
+out of her mouth in spite of her.
+
+“I do _not_ believe it,” I answered.
+
+“Remember what John Jago has suffered at the hands of my brothers,” she
+persisted. “Is it not in your experience that he should take a sudden
+resolution to leave the farm?”
+
+I replied, as plainly as before,
+
+“It is _not_ in my experience.”
+
+She stood looking at me for a moment with a face of blank despair; then
+bowed her gray head in silence, and left me. As she crossed the room to
+the door, I saw her look upward; and I heard her say to herself softly,
+between her teeth, “Vengeance is mine, I will repay, saith the Lord.”
+
+It was the requiem of John Jago, pronounced by the woman who loved him.
+
+When I next saw her, her mask was on once more. Miss Meadowcroft was
+herself again. Miss Meadowcroft could sit by, impenetrably calm, while
+the lawyers discussed the terrible position of her brothers, with the
+scaffold in view as one of the possibilities of the “case.”
+
+Left by myself, I began to feel uneasy about Naomi. I went upstairs,
+and, knocking softly at her door, made my inquiries from outside. The
+clear young voice answered me sadly, “I am trying to bear it: I won’t
+distress you when we meet again.” I descended the stairs, feeling my
+first suspicion of the true nature of my interest in the American girl.
+Why had her answer brought the tears into my eyes? I went out, walking
+alone, to think undisturbedly. Why did the tones of her voice dwell on
+my ear all the way? Why did my hand still feel the last cold, faint
+pressure of her fingers when I led her out of court?
+
+I took a sudden resolution to go back to England.
+
+When I returned to the farm, it was evening. The lamp was not yet
+lighted in the hall. Pausing to accustom my eyes to the obscurity
+indoors, I heard the voice of the lawyer whom we had employed for the
+defense speaking to some one very earnestly.
+
+“I’m not to blame,” said the voice. “She snatched the paper out of my
+hand before I was aware of her.”
+
+“Do you want it back?” asked the voice of Miss Meadowcroft.
+
+“No; it’s only a copy. If keeping it will help to quiet her, let her keep
+it by all means. Good evening.”
+
+Saying these last words, the lawyer approached me on his way out of the
+house. I stopped him without ceremony; I felt an ungovernable curiosity
+to know more.
+
+“Who snatched the paper out of your hand?” I asked, bluntly.
+
+The lawyer started. I had taken him by surprise. The instinct of
+professional reticence made him pause before he answered me.
+
+In the brief interval of silence, Miss Meadowcroft replied to my
+question from the other end of the hall.
+
+“Naomi Colebrook snatched the paper out of his hand.”
+
+“What paper?”
+
+A door opened softly behind me. Naomi herself appeared on the
+threshold; Naomi herself answered my question.
+
+“I will tell you,” she whispered. “Come in here.”
+
+One candle only was burning in the room. I looked at her by the dim
+light. My resolution to return to England instantly became one of the
+lost ideas of my life.
+
+“Good God!” I exclaimed, “what has happened now?”
+
+She handed me the paper which she had taken from the lawyer’s hand.
+
+The “copy” to which he had referred was a copy of the written
+confession of Silas Meadowcroft on his return to prison. He accused his
+brother Ambrose of the murder of John Jago. He declared on his oath
+that he had seen his brother Ambrose commit the crime.
+
+In the popular phrase, I could “hardly believe my own eyes.” I read the
+last sentences of the confession for the second time:
+
+“...I heard their voices at the lime-kiln. They were having words about
+Cousin Naomi. I ran to the place to part them. I was not in time. I saw
+Ambrose strike the deceased a terrible blow on the head with his
+(Ambrose’s) heavy stick. The deceased dropped without a cry. I put my
+hand on his heart. He was dead. I was horribly frightened. Ambrose
+threatened to kill _me_ next if I said a word to any living soul. He
+took up the body and cast it into the quicklime, and threw the stick in
+after it. We went on together to the wood. We sat down on a felled tree
+outside the wood. Ambrose made up the story that we were to tell if
+what he had done was found out. He made me repeat it after him, like a
+lesson. We were still at it when Cousin Naomi and Mr. Lefrank came up
+to us. They know the rest. This, on my oath, is a true confession. I
+make it of my own free-will, repenting me sincerely that I did not make
+it before.”
+
+(Signed)
+
+“SILAS MEADOWCROFT.”
+
+
+I laid down the paper, and looked at Naomi once more. She spoke to me
+with a strange composure. Immovable determination was in her eye;
+immovable determination was in her voice.
+
+“Silas has lied away his brother’s life to save himself,” she said. “I
+see cowardly falsehood and cowardly cruelty in every line on that
+paper. Ambrose is innocent, and the time has come to prove it.”
+
+“You forget,” I said, “that we have just failed to prove it.”
+
+“John Jago is alive, in hiding from us and from all who know him,” she
+went on. “Help me, friend Lefrank, to advertise for him in the
+newspapers.”
+
+I drew back from her in speechless distress. I own I believed that the
+new misery which had fallen on her had affected her brain.
+
+“You don’t believe it,” she said. “Shut the door.”
+
+I obeyed her. She seated herself, and pointed to a chair near her.
+
+“Sit down,” she proceeded. “I am going to do a wrong thing; but there
+is no help for it. I am going to break a sacred promise. You remember
+that moonlight night when I met him on the garden walk?”
+
+“John Jago?”
+
+“Yes. Now listen. I am going to tell you what passed between John Jago
+and me.”
+
+
+
+CHAPTER IX.
+
+THE ADVERTISEMENT.
+
+I WAITED in silence for the disclosure that was now to come. Naomi
+began by asking me a question.
+
+“You remember when we went to see Ambrose in the prison?” she said.
+
+“Perfectly.”
+
+“Ambrose told us of something which his villain of a brother said of
+John Jago and me. Do you remember what it was?”
+
+I remembered perfectly. Silas had said, “John Jago is too sweet on
+Naomi not to come back.”
+
+“That’s so,” Naomi remarked when I had repeated the words. “I couldn’t
+help starting when I heard what Silas had said; and I thought you
+noticed me.”
+
+“I did notice you.”
+
+“Did you wonder what it meant?”
+
+“Yes.”
+
+“I’ll tell you. It meant this: What Silas Meadowcroft said to his
+brother of John Jago was what I myself was thinking of John Jago at
+that very moment. It startled me to find my own thought in a man’s mind
+spoken for me by a man. I am the person, sir, who has driven John Jago
+away from Morwick Farm; and I am the person who can and will bring him
+back again.”
+
+There was something in her manner, more than in her words, which let
+the light in suddenly on my mind.
+
+“You have told me the secret,” I said. “John Jago is in love with you.”
+
+“Mad about me!” she rejoined, dropping her voice to a whisper. “Stark,
+staring mad!--that’s the only word for him. After we had taken a few
+turns on the gravel-walk, he suddenly broke out like a man beside
+himself. He fell down on his knees; he kissed my gown, he kissed my
+feet; he sobbed and cried for love of me. I’m not badly off for
+courage, sir, considering I’m a woman. No man, that I can call to mind,
+ever really scared me before. But I own John Jago frightened me; oh my!
+he did frighten me! My heart was in my mouth, and my knees shook under
+me. I begged and prayed of him to get up and go away. No; there he
+knelt, and held by the skirt of my gown. The words poured out from him
+like--well, like nothing I can think of but water from a pump. His
+happiness and his life, and his hopes in earth and heaven, and Lord
+only knows what besides, all depended, he said, on a word from me. I
+plucked up spirit enough at that to remind him that I was promised to
+Ambrose. ‘I think you ought to be ashamed of yourself,’ I said, ‘to own
+that you’re wicked enough to love me when you know I am promised to
+another man!’ When I spoke to him he took a new turn; he began abusing
+Ambrose. _That_ straightened me up. I snatched my gown out of his hand,
+and I gave him my whole mind. ‘I hate you!’ I said. ‘Even if I wasn’t
+promised to Ambrose, I wouldn’t marry you--no! not if there wasn’t
+another man left in the world to ask me. I hate you, Mr. Jago! I hate
+you!’ He saw I was in earnest at last. He got up from my feet, and he
+settled down quiet again, all on a sudden. ‘You have said enough’ (that
+was how he answered me). ‘You have broken my life. I have no hopes and
+no prospects now. I had a pride in the farm, miss, and a pride in my
+work; I bore with your brutish cousins’ hatred of me; I was faithful to
+Mr. Meadowcroft’s interests; all for your sake, Naomi Colebrook--all
+for your sake! I have done with it now; I have done with my life at the
+farm. You will never be troubled with me again. I am going away, as the
+dumb creatures go when they are sick, to hide myself in a corner, and
+die. Do me one last favor. Don’t make me the laughing-stock of the whole
+neighborhood. I can’t bear that; it maddens me only to think of it.
+Give me your promise never to tell any living soul what I have said to
+you to-night--your sacred promise to the man whose life you have
+broken!’ I did as he bade me; I gave him my sacred promise with the
+tears in my eyes. Yes, that is so. After telling him I hated him (and I
+did hate him), I cried over his misery; I did! Mercy, what fools women
+are! What is the horrid perversity, sir, which makes us always ready to
+pity the men? He held out his hand to me; and he said, ‘Good-by
+forever!’ and I pitied him. I said, ‘I’ll shake hands with you if you
+will give me your promise in exchange for mine. I beg of you not to
+leave the farm. What will my uncle do if you go away? Stay here, and be
+friends with me, and forget and forgive, Mr. John.’ He gave me his
+promise (he can refuse me nothing); and he gave it again when I saw him
+again the next morning. Yes. I’ll do him justice, though I do hate him!
+I believe he honestly meant to keep his word as long as my eye was on
+him. It was only when he was left to himself that the Devil tempted him
+to break his promise and leave the farm. I was brought up to believe in
+the Devil, Mr. Lefrank; and I find it explains many things. It explains
+John Jago. Only let me find out where he has gone, and I’ll engage he
+shall come back and clear Ambrose of the suspicion which his vile
+brother has cast on him. Here is the pen all ready for you. Advertise
+for him, friend Lefrank; and do it right away, for my sake!”
+
+I let her run on, without attempting to dispute her conclusions, until
+she could say no more. When she put the pen into my hand, I began the
+composition of the advertisement as obediently as if I, too, believed
+that John Jago was a living man.
+
+In the case of any one else, I should have openly acknowledged that my
+own convictions remained unshaken. If no quarrel had taken place at the
+lime-kiln, I should have been quite ready, as I viewed the case, to
+believe that John Jago’s disappearance was referable to the terrible
+disappointment which Naomi had inflicted on him. The same morbid dread
+of ridicule which had led him to assert that he cared nothing for
+Naomi, when he and Silas had quarreled under my bedroom window, might
+also have impelled him to withdraw himself secretly and suddenly from
+the scene of his discomfiture. But to ask me to believe, after what had
+happened at the lime-kiln, that he was still living, was to ask me to
+take Ambrose Meadowcroft’s statement for granted as a true statement of
+facts.
+
+I had refused to do this from the first; and I still persisted in
+taking that course. If I had been called upon to decide the balance of
+probability between the narrative related by Ambrose in his defense and
+the narrative related by Silas in his confession, I must have owned, no
+matter how unwillingly, that the confession was, to my mind, the least
+incredible story of the two.
+
+Could I say this to Naomi? I would have written fifty advertisements
+inquiring for John Jago rather than say it; and you would have done the
+same, if you had been as fond of her as I was. I drew out the
+advertisement, for insertion in the Morwick _Mercury_, in these terms:
+
+
+MURDER.--Printers of newspapers throughout the United States are
+desired to publish that Ambrose Meadowcroft and Silas Meadowcroft, of
+Morwick Farm, Morwick County, are committed for trial on the charge of
+murdering John Jago, now missing from the farm and from the
+neighborhood. Any person who can give information of the existence of
+said Jago may save the lives of two wrongly-accused men by making
+immediate communication. Jago is about five feet four inches high. He
+is spare and wiry; his complexion is extremely pale, his eyes are dark,
+and very bright and restless. The lower part of his face is concealed
+by a thick black beard and mustache. The whole appearance of the man is
+wild and flighty.
+
+
+I added the date and the address. That evening a servant was sent on
+horseback to Narrabee to procure the insertion of the advertisement in
+the next issue of the newspaper.
+
+When we parted that night, Naomi looked almost like her brighter and
+happier self. Now that the advertisement was on its way to the
+printing-office, she was more than sanguine: she was certain of the
+result.
+
+“You don’t know how you have comforted me,” she said, in her frank,
+warm-hearted way, when we parted for the night. “All the newspapers
+will copy it, and we shall hear of John Jago before the week is out.”
+ She turned to go, and came back again to me. “I will never forgive
+Silas for writing that confession!” she whispered in my ear. “If he
+ever lives under the same roof with Ambrose again, I--well, I believe I
+wouldn’t marry Ambrose if he did! There!”
+
+She left me. Through the wakeful hours of the night my mind dwelt on
+her last words. That she should contemplate, under any circumstances,
+even the bare possibility of not marrying Ambrose, was, I am ashamed to
+say, a direct encouragement to certain hopes which I had already begun
+to form in secret. The next day’s mail brought me a letter on business.
+My clerk wrote to inquire if there was any chance of my returning to
+England in time to appear in court at the opening of next law term. I
+answered, without hesitation, “It is still impossible for me to fix the
+date of my return.” Naomi was in the room while I was writing. How
+would she have answered, I wonder, if I had told her the truth, and
+said, “You are responsible for this letter?”
+
+
+
+CHAPTER X.
+
+THE SHERIFF AND THE GOVERNOR.
+
+THE question of time was now a serious question at Morwick Farm. In six
+weeks the court for the trial of criminal cases was to be opened at
+Narrabee.
+
+During this interval no new event of any importance occurred.
+
+Many idle letters reached us relating to the advertisement for John
+Jago; but no positive information was received. Not the slightest trace
+of the lost man turned up; not the shadow of a doubt was cast on the
+assertion of the prosecution, that his body had been destroyed in the
+kiln. Silas Meadowcroft held firmly to the horrible confession that he
+had made. His brother Ambrose, with equal resolution, asserted his
+innocence, and reiterated the statement which he had already advanced.
+At regular periods I accompanied Naomi to visit him in the prison. As
+the day appointed for the opening of the court approached, he seemed to
+falter a little in his resolution; his manner became restless; and he
+grew irritably suspicious about the merest trifles. This change did not
+necessarily imply the consciousness of guilt: it might merely have
+indicated natural nervous agitation as the time for the trial drew
+near. Naomi noticed the alteration in her lover. It greatly increased
+her anxiety, though it never shook her confidence in Ambrose. Except at
+meal-times, I was left, during the period of which I am now writing,
+almost constantly alone with the charming American girl. Miss
+Meadowcroft searched the newspapers for tidings of the living John Jago
+in the privacy of her own room. Mr. Meadowcroft would see nobody but
+his daughter and his doctor, and occasionally one or two old friends. I
+have since had reason to believe that Naomi, in these days of our
+intimate association, discovered the true nature of the feeling with
+which she had inspired me. But she kept her secret. Her manner toward
+me steadily remained the manner of a sister; she never overstepped by a
+hair-breadth the safe limits of the character that she had assumed.
+
+The sittings of the court began. After hearing the evidence, and
+examining the confession of Silas Meadowcroft, the grand jury found a
+true bill against both the prisoners. The day appointed for their trial
+was the first day in the new week.
+
+I had carefully prepared Naomi’s mind for the decision of the grand
+jury. She bore the new blow bravely.
+
+“If you are not tired of it,” she said, “come with me to the prison
+tomorrow. Ambrose will need a little comfort by that time.” She paused,
+and looked at the day’s letters lying on the table. “Still not a word
+about John Jago,” she said. “And all the papers have copied the
+advertisement. I felt so sure we should hear of him long before this!”
+
+“Do you still feel sure that he is living?” I ventured to ask.
+
+“I am as certain of it as ever,” she replied, firmly. “He is somewhere
+in hiding; perhaps he is in disguise. Suppose we know no more of him
+than we know now when the trial begins? Suppose the jury--” She
+stopped, shuddering. Death--shameful death on the scaffold--might be
+the terrible result of the consultation of the jury. “We have waited
+for news to come to us long enough,” Naomi resumed. “We must find the
+tracks of John Jago for ourselves. There is a week yet before the trial
+begins. Who will help me to make inquiries? Will you be the man, friend
+Lefrank?”
+
+It is needless to add (though I knew nothing would come of it) that I
+consented to be the man.
+
+We arranged to apply that day for the order of admission to the prison,
+and, having seen Ambrose, to devote ourselves immediately to the
+contemplated search. How that search was to be conducted was more than
+I could tell, and more than Naomi could tell. We were to begin by
+applying to the police to help us to find John Jago, and we were then
+to be guided by circumstances. Was there ever a more hopeless programme
+than this?
+
+“Circumstances” declared themselves against us at starting. I applied,
+as usual, for the order of admission to the prison, and the order was
+for the first time refused; no reason being assigned by the persons in
+authority for taking this course. Inquire as I might, the only answer
+given was, “not to-day.”
+
+At Naomi’s suggestion, we went to the prison to seek the explanation
+which was refused to us at the office. The jailer on duty at the outer
+gate was one of Naomi’s many admirers. He solved the mystery cautiously
+in a whisper. The sheriff and the governor of the prison were then
+speaking privately with Ambrose Meadowcroft in his cell; they had
+expressly directed that no persons should be admitted to see the
+prisoner that day but themselves.
+
+What did it mean? We returned, wondering, to the farm. There Naomi,
+speaking by chance to one of the female servants, made certain
+discoveries.
+
+Early that morning the sheriff had been brought to Morwick by an old
+friend of the Meadowcrofts. A long interview had been held between Mr.
+Meadowcroft and his daughter and the official personage introduced by
+the friend. Leaving the farm, the sheriff had gone straight to the
+prison, and had proceeded with the governor to visit Ambrose in his
+cell. Was some potent influence being brought privately to bear on
+Ambrose? Appearances certainly suggested that inquiry. Supposing the
+influence to have been really exerted, the next question followed, What
+was the object in view? We could only wait and see.
+
+Our patience was not severely tried. The event of the next day
+enlightened us in a very unexpected manner. Before noon, the neighbors
+brought startling news from the prison to the farm.
+
+Ambrose Meadowcroft had confessed himself to be the murderer of John
+Jago! He had signed the confession in the presence of the sheriff and
+the governor on that very day.
+
+I saw the document. It is needless to reproduce it here. In substance,
+Ambrose confessed what Silas had confessed; claiming, however, to have
+only struck Jago under intolerable provocation, so as to reduce the
+nature of his offense against the law from murder to manslaughter. Was
+the confession really the true statement of what had taken place? or
+had the sheriff and the governor, acting in the interests of the family
+name, persuaded Ambrose to try this desperate means of escaping the
+ignominy of death on the scaffold? The sheriff and the governor
+preserved impenetrable silence until the pressure put on them
+judicially at the trial obliged them to speak.
+
+Who was to tell Naomi of this last and saddest of all the calamities
+which had fallen on her? Knowing how I loved her in secret, I felt an
+invincible reluctance to be the person who revealed Ambrose
+Meadowcroft’s degradation to his betrothed wife. Had any other member
+of the family told her what had happened? The lawyer was able to answer
+me; Miss Meadowcroft had told her.
+
+I was shocked when I heard it. Miss Meadowcroft was the last person in
+the house to spare the poor girl; Miss Meadowcroft would make the hard
+tidings doubly terrible to bear in the telling. I tried to find Naomi,
+without success. She had been always accessible at other times. Was she
+hiding herself from me now? The idea occurred to me as I was descending
+the stairs after vainly knocking at the door of her room. I was
+determined to see her. I waited a few minutes, and then ascended the
+stairs again suddenly. On the landing I met her, just leaving her room.
+
+She tried to run back. I caught her by the arm, and detained her. With
+her free hand she held her handkerchief over her face so as to hide it
+from me.
+
+“You once told me I had comforted you,” I said to her, gently. “Won’t
+you let me comfort you now?”
+
+She still struggled to get away, and still kept her head turned from
+me.
+
+“Don’t you see that I am ashamed to look you in the face?” she said, in
+low, broken tones. “Let me go.”
+
+I still persisted in trying to soothe her. I drew her to the
+window-seat. I said I would wait until she was able to speak to me.
+
+She dropped on the seat, and wrung her hands on her lap. Her downcast
+eyes still obstinately avoided meeting mine.
+
+“Oh!” she said to herself, “what madness possessed me? Is it possible
+that I ever disgraced myself by loving Ambrose Meadowcroft?” She
+shuddered as the idea found its way to expression on her lips. The
+tears rolled slowly over her cheeks. “Don’t despise me, Mr. Lefrank!”
+ she said, faintly.
+
+I tried, honestly tried, to put the confession before her in its least
+unfavorable light.
+
+“His resolution has given way,” I said. “He has done this, despairing
+of proving his innocence, in terror of the scaffold.”
+
+She rose, with an angry stamp of her foot. She turned her face on me
+with the deep-red flush of shame in it, and the big tears glistening in
+her eyes.
+
+“No more of him!” she said, sternly. “If he is not a murderer, what
+else is he? A liar and a coward! In which of his characters does he
+disgrace me most? I have done with him forever! I will never speak to
+him again!” She pushed me furiously away from her; advanced a few steps
+toward her own door; stopped, and came back to me. The generous nature
+of the girl spoke in her next words. “I am not ungrateful to _you_,
+friend Lefrank. A woman in my place is only a woman; and, when she is
+shamed as I am, she feels it very bitterly. Give me your hand! God
+bless you!”
+
+She put my hand to her lips before I was aware of her, and kissed it,
+and ran back into her room.
+
+I sat down on the place which she had occupied. She had looked at me
+for one moment when she kissed my hand. I forgot Ambrose and his
+confession; I forgot the coming trial; I forgot my professional duties
+and my English friends. There I sat, in a fool’s elysium of my own
+making, with absolutely nothing in my mind but the picture of Naomi’s
+face at the moment when she had last looked at me!
+
+I have already mentioned that I was in love with her. I merely add this
+to satisfy you that I tell the truth.
+
+
+
+CHAPTER XI.
+
+THE PEBBLE AND THE WINDOW.
+
+MISS MEADOWCROFT and I were the only representatives of the family at
+the farm who attended the trial. We went separately to Narrabee.
+Excepting the ordinary greetings at morning and night, Miss Meadowcroft
+had not said one word to me since the time when I had told her that I
+did _not_ believe John Jago to be a living man.
+
+I have purposely abstained from encumbering my narrative with legal
+details. I now propose to state the nature of the defense in the
+briefest outline only.
+
+We insisted on making both the prisoners plead not guilty. This done,
+we took an objection to the legality of the proceedings at starting. We
+appealed to the old English law, that there should be no conviction for
+murder until the body of the murdered person was found, or proof of its
+destruction obtained beyond a doubt. We denied that sufficient proof
+had been obtained in the case now before the court.
+
+The judges consulted, and decided that the trial should go on.
+
+We took our next objection when the confessions were produced in
+evidence. We declared that they had been extorted by terror, or by
+undue influence; and we pointed out certain minor particulars in which
+the two confessions failed to corroborate each other. For the rest, our
+defense on this occasion was, as to essentials, what our defense had
+been at the inquiry before the magistrate. Once more the judges
+consulted, and once more they overruled our objection. The confessions
+were admitted in evidence. On their side, the prosecution produced one
+new witness in support of their case. It is needless to waste time in
+recapitulating his evidence. He contradicted himself gravely on
+cross-examination. We showed plainly, and after investigation proved,
+that he was not to be believed on his oath.
+
+The chief-justice summed up.
+
+He charged, in relation to the confessions, that no weight should be
+attached to a confession incited by hope or fear; and he left it to the
+jury to determine whether the confessions in this case had been so
+influenced. In the course of the trial, it had been shown for the
+defense that the sheriff and the governor of the prison had told
+Ambrose, with his father’s knowledge and sanction, that the case was
+clearly against him; that the only chance of sparing his family the
+disgrace of his death by public execution lay in making a confession;
+and that they would do their best, if he did confess, to have his
+sentence commuted to imprisonment for life. As for Silas, he was proved
+to have been beside himself with terror when he made his abominable
+charge against his brother. We had vainly trusted to the evidence on
+these two points to induce the court to reject the confessions: and we
+were destined to be once more disappointed in anticipating that the
+same evidence would influence the verdict of the jury on the side of
+mercy. After an absence of an hour, they returned into court with a
+verdict of “Guilty” against both the prisoners.
+
+Being asked in due form if they had anything to say in mitigation of
+their sentence, Ambrose and Silas solemnly declared their innocence,
+and publicly acknowledged that their respective confessions had been
+wrung from them by the hope of escaping the hangman’s hands. This
+statement was not noticed by the bench. The prisoners were both
+sentenced to death.
+
+On my return to the farm, I did not see Naomi. Miss Meadowcroft
+informed her of the result of the trial. Half an hour later, one of the
+women-servants handed to me an envelope bearing my name on it in
+Naomi’s handwriting.
+
+The envelope inclosed a letter, and with it a slip of paper on which
+Naomi had hurriedly written these words: “For God’s sake, read the
+letter I send to you, and do something about it immediately!”
+
+I looked at the letter. It assumed to be written by a gentleman in New
+York. Only the day before, he had, by the merest accident, seen the
+advertisement for John Jago cut out of a newspaper and pasted into a
+book of “curiosities” kept by a friend. Upon this he wrote to Morwick
+Farm to say that he had seen a man exactly answering to the description
+of John Jago, but bearing another name, working as a clerk in a
+merchant’s office in Jersey City. Having time to spare before the mail
+went out, he had returned to the office to take another look at the man
+before he posted his letter. To his surprise, he was informed that the
+clerk had not appeared at his desk that day. His employer had sent to
+his lodgings, and had been informed that he had suddenly packed up his
+hand-bag after reading the newspaper at breakfast; had paid his rent
+honestly, and had gone away, nobody knew where!
+
+It was late in the evening when I read these lines. I had time for
+reflection before it would be necessary for me to act.
+
+Assuming the letter to be genuine, and adopting Naomi’s explanation of
+the motive which had led John Jago to absent himself secretly from the
+farm, I reached the conclusion that the search for him might be
+usefully limited to Narrabee and to the surrounding neighborhood.
+
+The newspaper at his breakfast had no doubt given him his first
+information of the “finding” of the grand jury, and of the trial to
+follow. It was in my experience of human nature that he should venture
+back to Narrabee under these circumstances, and under the influence of
+his infatuation for Naomi. More than this, it was again in my
+experience, I am sorry to say, that he should attempt to make the
+critical position of Ambrose a means of extorting Naomi’s consent to
+listen favorably to his suit. Cruel indifference to the injury and the
+suffering which his sudden absence might inflict on others was plainly
+implied in his secret withdrawal from the farm. The same cruel
+indifference, pushed to a further extreme, might well lead him to press
+his proposals privately on Naomi, and to fix her acceptance of them as
+the price to be paid for saving her cousin’s life.
+
+To these conclusions I arrived after much thinking. I had determined,
+on Naomi’s account, to clear the matter up; but it is only candid to
+add that my doubts of John Jago’s existence remained unshaken by the
+letter. I believed it to be nothing more nor less than a heartless and
+stupid “hoax.”
+
+
+The striking of the hall-clock roused me from my meditations. I counted
+the strokes--midnight!
+
+I rose to go up to my room. Everybody else in the farm had retired to
+bed, as usual, more than an hour since. The stillness in the house was
+breathless. I walked softly, by instinct, as I crossed the room to look
+out at the night. A lovely moonlight met my view; it was like the
+moonlight on the fatal evening when Naomi had met John Jago on the
+garden walk.
+
+My bedroom candle was on the side-table; I had just lighted it. I was
+just leaving the room, when the door suddenly opened, and Naomi herself
+stood before me!
+
+Recovering the first shook of her sudden appearance, I saw instantly in
+her eager eyes, in her deadly-pale cheeks, that something serious had
+happened. A large cloak was thrown over her; a white handkerchief was
+tied over her head. Her hair was in disorder; she had evidently just
+risen in fear and in haste from her bed.
+
+“What is it?” I asked, advancing to meet her.
+
+She clung, trembling with agitation, to my arm.
+
+“John Jago!” she whispered.
+
+You will think my obstinacy invincible. I could hardly believe it, even
+then!
+
+“Where?” I asked.
+
+“In the back-yard,” she replied, “under my bedroom window!”
+
+The emergency was far too serious to allow of any consideration for the
+small proprieties of every-day life.
+
+“Let me see him!” I said.
+
+“I am here to fetch you,” she answered, in her frank and fearless way.
+“Come upstairs with me.”
+
+Her room was on the first floor of the house, and was the only bedroom
+which looked out on the back-yard. On our way up the stairs she told me
+what had happened.
+
+“I was in bed,” she said, “but not asleep, when I heard a pebble strike
+against the window-pane. I waited, wondering what it meant. Another
+pebble was thrown against the glass. So far, I was surprised, but not
+frightened. I got up, and ran to the window to look out. There was John
+Jago looking up at me in the moonlight!”
+
+“Did he see you?”
+
+“Yes. He said, ‘Come down and speak to me! I have something serious to
+say to you!’”
+
+“Did you answer him?”
+
+“As soon as I could catch my breath, I said, ‘Wait a little,’ and ran
+downstairs to you. What shall I do?”
+
+“Let _me_ see him, and I will tell you.”
+
+We entered her room. Keeping cautiously behind the window-curtain, I
+looked out.
+
+There he was! His beard and mustache were shaved off; his hair was
+close cut. But there was no disguising his wild, brown eyes, or the
+peculiar movement of his spare, wiry figure, as he walked slowly to and
+fro in the moonlight waiting for Naomi. For the moment, my own
+agitation almost overpowered me; I had so firmly disbelieved that John
+Jago was a living man!
+
+“What shall I do?” Naomi repeated.
+
+“Is the door of the dairy open?” I asked.
+
+“No; but the door of the tool-house, round the corner, is not locked.”
+
+“Very good. Show yourself at the window, and say to him, ‘I am coming
+directly.’”
+
+The brave girl obeyed me without a moment’s hesitation.
+
+There had been no doubt about his eyes and his gait; there was no doubt
+now about his voice, as he answered softly from below--“All right!”
+
+“Keep him talking to you where he is now,” I said to Naomi, “until I
+have time to get round by the other way to the tool-house. Then pretend
+to be fearful of discovery at the dairy, and bring him round the
+corner, so that I can hear him behind the door.”
+
+We left the house together, and separated silently. Naomi followed my
+instructions with a woman’s quick intelligence where stratagems are
+concerned. I had hardly been a minute in the tool-house before I heard
+him speaking to Naomi on the other side of the door.
+
+The first words which I caught distinctly related to his motive for
+secretly leaving the farm. Mortified pride--doubly mortified by Naomi’s
+contemptuous refusal and by the personal indignity offered to him by
+Ambrose--was at the bottom of his conduct in absenting himself from
+Morwick. He owned that he had seen the advertisement, and that it had
+actually encouraged him to keep in hiding!
+
+“After being laughed at and insulted and denied, I was glad,” said the
+miserable wretch, “to see that some of you had serious reason to wish
+me back again. It rests with you, Miss Naomi, to keep me here, and to
+persuade me to save Ambrose by showing myself and owning to my name.”
+
+“What do you mean?” I heard Naomi ask, sternly.
+
+He lowered his voice; but I could still hear him.
+
+“Promise you will marry me,” he said, “and I will go before the
+magistrate to-morrow, and show him that I am a living man.”
+
+“Suppose I refuse?”
+
+“In that case you will lose me again, and none of you will find me till
+Ambrose is hanged.”
+
+“Are you villain enough, John Jago, to mean what you say?” asked the
+girl, raising her voice.
+
+“If you attempt to give the alarm,” he answered, “as true as God’s
+above us, you will feel my hand on your throat! It’s my turn now, miss;
+and I am not to be trifled with. Will you have me for your husband--yes
+or no?”
+
+“No!” she answered, loudly and firmly.
+
+I burst open the door, and seized him as he lifted his hand on her. He
+had not suffered from the nervous derangement which had weakened me,
+and he was the stronger man of the two. Naomi saved my life. She struck
+up his pistol as he pulled it out of his pocket with his free hand and
+presented it at my head. The bullet was fired into the air. I tripped
+up his heels at the same moment. The report of the pistol had alarmed
+the house. We two together kept him on the ground until help arrived.
+
+
+
+CHAPTER XII.
+
+THE END OF IT.
+
+JOHN JAGO was brought before the magistrate, and John Jago was
+identified the next day.
+
+The lives of Ambrose and Silas were, of course, no longer in peril, so
+far as human justice was concerned. But there were legal delays to be
+encountered, and legal formalities to be observed, before the brothers
+could be released from prison in the characters of innocent men.
+
+During the interval which thus elapsed, certain events happened which
+may be briefly mentioned here before I close my narrative.
+
+Mr. Meadowcroft the elder, broken by the suffering which he had gone
+through, died suddenly of a rheumatic affection of the heart. A codicil
+attached to his will abundantly justified what Naomi had told me of
+Miss Meadowcroft’s influence over her father, and of the end she had in
+view in exercising it. A life income only was left to Mr. Meadowcroft’s
+sons. The freehold of the farm was bequeathed to his daughter, with the
+testator’s recommendation added, that she should marry his “best and
+dearest friend, Mr. John Jago.”
+
+Armed with the power of the will, the heiress of Morwick sent an
+insolent message to Naomi, requesting her no longer to consider herself
+one of the inmates at the farm. Miss Meadowcroft, it should be here
+added, positively refused to believe that John Jago had ever asked
+Naomi to be his wife, or had ever threatened her, as I had heard him
+threaten her, if she refused. She accused me, as she accused Naomi, of
+trying meanly to injure John Jago in her estimation, out of hatred
+toward “that much-injured man;” and she sent to me, as she had sent to
+Naomi, a formal notice to leave the house.
+
+We two banished ones met the same day in the hall, with our
+traveling-bags in our hands.
+
+“We are turned out together, friend Lefrank,” said Naomi, with her
+quaintly-comical smile. “You will go back to England, I guess; and I
+must make my own living in my own country. Women can get employment in
+the States if they have a friend to speak for them. Where shall I find
+somebody who can give me a place?”
+
+I saw my way to saying the right word at the right moment.
+
+“I have got a place to offer you,” I replied.
+
+She suspected nothing, so far.
+
+“That’s lucky, sir,” was all she said. “Is it in a telegraph-office or
+in a dry-goods store?”
+
+I astonished my little American friend by taking her then and there in
+my arms, and giving her my first kiss.
+
+“The office is by my fireside,” I said; “the salary is anything in
+reason you like to ask me for; and the place, Naomi, if you have no
+objection to it, is the place of my wife.”
+
+I have no more to say, except that years have passed since I spoke
+those words and that I am as fond of Naomi as ever.
+
+Some months after our marriage, Mrs. Lefrank wrote to a friend at
+Narrabee for news of what was going on at the farm. The answer informed
+us that Ambrose and Silas had emigrated to New Zealand, and that Miss
+Meadowcroft was alone at Morwick Farm. John Jago had refused to marry
+her. John Jago had disappeared again, nobody knew where.
+
+NOTE IN CONCLUSION.--The first idea of this little story was suggested
+to the author by a printed account of a trial which actually took
+place, early in the present century, in the United States. The
+published narrative of this strange case is entitled “The Trial,
+Confessions, and Conviction of Jesse and Stephen Boorn for the Murder
+of Russell Colvin, and the Return of the Man supposed to have been
+murdered. By Hon. Leonard Sargeant, Ex-Lieutenant Governor of Vermont.
+(Manchester, Vermont, _Journal_ Book and Job Office, 1873.)” It may not
+be amiss to add, for the benefit of incredulous readers, that all the
+“improbable events” in the story are matters of fact, taken from the
+printed narrative. Anything which “looks like truth” is, in nine cases
+out of ten, the invention of the author.--W. C.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+***** This file should be named 7891-0.txt or 7891-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/8/9/7891/
+
+Produced by James Rusk
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/7891-0.zip b/7891-0.zip
new file mode 100644
index 0000000..68dc80a
--- /dev/null
+++ b/7891-0.zip
Binary files differ
diff --git a/7891-h.zip b/7891-h.zip
new file mode 100644
index 0000000..1ead428
--- /dev/null
+++ b/7891-h.zip
Binary files differ
diff --git a/7891-h/7891-h.htm b/7891-h/7891-h.htm
new file mode 100644
index 0000000..1e73131
--- /dev/null
+++ b/7891-h/7891-h.htm
@@ -0,0 +1,3601 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Dead Alive, by Wilkie Collins
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Dead Alive
+
+Author: Wilkie Collins
+
+Release Date: July 31, 2009 [EBook #7891]
+Last Updated: September 13, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+
+
+
+Produced by James Rusk, and David Widger
+
+
+
+
+
+
+</pre>
+
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THE DEAD ALIVE
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Wilkie Collins
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <a href="#link2HCH0001"> CHAPTER I. </a>
+ </td>
+ <td>
+ THE SICK MAN
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0002"> CHAPTER II. </a>
+ </td>
+ <td>
+ THE NEW FACES
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0003"> CHAPTER III. </a>
+ </td>
+ <td>
+ THE MOONLIGHT MEETING
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0004"> CHAPTER IV. </a>
+ </td>
+ <td>
+ THE BEECHEN STICK
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0005"> CHAPTER V. </a>
+ </td>
+ <td>
+ THE NEWS FROM NARRABEE
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0006"> CHAPTER VI. </a>
+ </td>
+ <td>
+ THE LIME-KILN
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0007"> CHAPTER VII. </a>
+ </td>
+ <td>
+ THE MATERIALS IN THE DEFENSE
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0008"> CHAPTER VIII. &nbsp;&nbsp;</a>
+ </td>
+ <td>
+ THE CONFESSION
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0009"> CHAPTER IX. </a>
+ </td>
+ <td>
+ THE ADVERTISEMENT
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0010"> CHAPTER X. </a>
+ </td>
+ <td>
+ THE SHERIFF AND THE GOVERNOR
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0011"> CHAPTER XI. </a>
+ </td>
+ <td>
+ THE PEBBLE AND THE WINDOW
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0012"> CHAPTER XII. </a>
+ </td>
+ <td>
+ THE END OF IT
+ </td>
+ </tr>
+ <tr>
+ <td>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ CHAPTER I. THE SICK MAN.
+ </h2>
+ <p>
+ &ldquo;HEART all right,&rdquo; said the doctor. &ldquo;Lungs all right. No organic disease
+ that I can discover. Philip Lefrank, don&rsquo;t alarm yourself. You are not
+ going to die yet. The disease you are suffering from is&mdash;overwork.
+ The remedy in your case is&mdash;rest.&rdquo;
+ </p>
+ <p>
+ So the doctor spoke, in my chambers in the Temple (London); having been
+ sent for to see me about half an hour after I had alarmed my clerk by
+ fainting at my desk. I have no wish to intrude myself needlessly on the
+ reader&rsquo;s attention; but it may be necessary to add, in the way of
+ explanation, that I am a &ldquo;junior&rdquo; barrister in good practice. I come from
+ the channel Island of Jersey. The French spelling of my name (Lefranc) was
+ Anglicized generations since&mdash;in the days when the letter &ldquo;k&rdquo; was
+ still used in England at the end of words which now terminate in &ldquo;c.&rdquo; We
+ hold our heads high, nevertheless, as a Jersey family. It is to this day a
+ trial to my father to hear his son described as a member of the English
+ bar.
+ </p>
+ <p>
+ &ldquo;Rest!&rdquo; I repeated, when my medical adviser had done. &ldquo;My good friend, are
+ you aware that it is term-time? The courts are sitting. Look at the briefs
+ waiting for me on that table! Rest means ruin in my case.&rdquo;
+ </p>
+ <p>
+ &ldquo;And work,&rdquo; added the doctor, quietly, &ldquo;means death.&rdquo;
+ </p>
+ <p>
+ I started. He was not trying to frighten me: he was plainly in earnest.
+ </p>
+ <p>
+ &ldquo;It is merely a question of time,&rdquo; he went on. &ldquo;You have a fine
+ constitution; you are a young man; but you cannot deliberately overwork
+ your brain, and derange your nervous system, much longer. Go away at once.
+ If you are a good sailor, take a sea-voyage. The ocean air is the best of
+ all air to build you up again. No: I don&rsquo;t want to write a prescription. I
+ decline to physic you. I have no more to say.&rdquo;
+ </p>
+ <p>
+ With these words my medical friend left the room. I was obstinate: I went
+ into court the same day.
+ </p>
+ <p>
+ The senior counsel in the case on which I was engaged applied to me for
+ some information which it was my duty to give him. To my horror and
+ amazement, I was perfectly unable to collect my ideas; facts and dates all
+ mingled together confusedly in my mind. I was led out of court thoroughly
+ terrified about myself. The next day my briefs went back to the attorneys;
+ and I followed my doctor&rsquo;s advice by taking my passage for America in the
+ first steamer that sailed for New York.
+ </p>
+ <p>
+ I had chosen the voyage to America in preference to any other trip by sea,
+ with a special object in view. A relative of my mother&rsquo;s had emigrated to
+ the United States many years since, and had thriven there as a farmer. He
+ had given me a general invitation to visit him if I ever crossed the
+ Atlantic. The long period of inaction, under the name of <i>rest</i>, to
+ which the doctor&rsquo;s decision had condemned me, could hardly be more
+ pleasantly occupied, as I thought, than by paying a visit to my relation,
+ and seeing what I could of America in that way. After a brief sojourn at
+ New York, I started by railway for the residence of my host&mdash;Mr.
+ Isaac Meadowcroft, of Morwick Farm.
+ </p>
+ <p>
+ There are some of the grandest natural prospects on the face of creation
+ in America. There is also to be found in certain States of the Union, by
+ way of wholesome contrast, scenery as flat, as monotonous, and as
+ uninteresting to the traveler, as any that the earth can show. The part of
+ the country in which M. Meadowcroft&rsquo;s farm was situated fell within this
+ latter category. I looked round me when I stepped out of the
+ railway-carriage on the platform at Morwick Station; and I said to myself,
+ &ldquo;If to be cured means, in my case, to be dull, I have accurately picked
+ out the very place for the purpose.&rdquo;
+ </p>
+ <p>
+ I look back at those words by the light of later events; and I pronounce
+ them, as you will soon pronounce them, to be the words of an essentially
+ rash man, whose hasty judgment never stopped to consider what surprises
+ time and chance together might have in store for him.
+ </p>
+ <p>
+ Mr. Meadowcroft&rsquo;s eldest son, Ambrose, was waiting at the station to drive
+ me to the farm.
+ </p>
+ <p>
+ There was no forewarning, in the appearance of Ambrose Meadowcroft, of the
+ strange and terrible events that were to follow my arrival at Morwick. A
+ healthy, handsome young fellow, one of thousands of other healthy,
+ handsome young fellows, said, &ldquo;How d&rsquo;ye do, Mr. Lefrank? Glad to see you,
+ sir. Jump into the buggy; the man will look after your portmanteau.&rdquo; With
+ equally conventional politeness I answered, &ldquo;Thank you. How are you all at
+ home?&rdquo; So we started on the way to the farm.
+ </p>
+ <p>
+ Our conversation on the drive began with the subjects of agriculture and
+ breeding. I displayed my total ignorance of crops and cattle before we had
+ traveled ten yards on our journey. Ambrose Meadowcroft cast about for
+ another topic, and failed to find it. Upon this I cast about on my side,
+ and asked, at a venture, if I had chosen a convenient time for my visit
+ The young farmer&rsquo;s stolid brown face instantly brightened. I had evidently
+ hit, hap-hazard, on an interesting subject.
+ </p>
+ <p>
+ &ldquo;You couldn&rsquo;t have chosen a better time,&rdquo; he said. &ldquo;Our house has never
+ been so cheerful as it is now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you any visitors staying with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s not exactly a visitor. It&rsquo;s a new member of the family who has come
+ to live with us.&rdquo;
+ </p>
+ <p>
+ &ldquo;A new member of the family! May I ask who it is?&rdquo;
+ </p>
+ <p>
+ Ambrose Meadowcroft considered before he replied; touched his horse with
+ the whip; looked at me with a certain sheepish hesitation; and suddenly
+ burst out with the truth, in the plainest possible words:
+ </p>
+ <p>
+ &ldquo;It&rsquo;s just the nicest girl, sir, you ever saw in your life.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ay, ay! A friend of your sister&rsquo;s, I suppose?&rdquo;
+ </p>
+ <p>
+ &ldquo;A friend? Bless your heart! it&rsquo;s our little American cousin, Naomi
+ Colebrook.&rdquo;
+ </p>
+ <p>
+ I vaguely remembered that a younger sister of Mr. Meadowcroft&rsquo;s had
+ married an American merchant in the remote past, and had died many years
+ since, leaving an only child. I was now further informed that the father
+ also was dead. In his last moments he had committed his helpless daughter
+ to the compassionate care of his wife&rsquo;s relations at Morwick.
+ </p>
+ <p>
+ &ldquo;He was always a speculating man,&rdquo; Ambrose went on. &ldquo;Tried one thing after
+ another, and failed in all. Died, sir, leaving barely enough to bury him.
+ My father was a little doubtful, before she came here, how his American
+ niece would turn out. We are English, you know; and, though we do live in
+ the United States, we stick fast to our English ways and habits. We don&rsquo;t
+ much like American women in general, I can tell you; but when Naomi made
+ her appearance she conquered us all. Such a girl! Took her place as one of
+ the family directly. Learned to make herself useful in the dairy in a
+ week&rsquo;s time. I tell you this&mdash;she hasn&rsquo;t been with us quite two
+ months yet, and we wonder already how we ever got on without her!&rdquo;
+ </p>
+ <p>
+ Once started on the subject of Naomi Colebrook, Ambrose held to that one
+ topic and talked on it without intermission. It required no great gift of
+ penetration to discover the impression which the American cousin had
+ produced in this case. The young fellow&rsquo;s enthusiasm communicated itself,
+ in a certain tepid degree, to me. I really felt a mild flutter of
+ anticipation at the prospect of seeing Naomi, when we drew up, toward the
+ close of evening, at the gates of Morwick Farm.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II. THE NEW FACES.
+ </h2>
+ <p>
+ IMMEDIATELY on my arrival, I was presented to Mr. Meadowcroft, the father.
+ </p>
+ <p>
+ The old man had become a confirmed invalid, confined by chronic rheumatism
+ to his chair. He received me kindly, and a little wearily as well. His
+ only unmarried daughter (he had long since been left a widower) was in the
+ room, in attendance on her father. She was a melancholy, middle-aged
+ woman, without visible attractions of any sort&mdash;one of those persons
+ who appear to accept the obligation of living under protest, as a burden
+ which they would never have consented to bear if they had only been
+ consulted first. We three had a dreary little interview in a parlor of
+ bare walls; and then I was permitted to go upstairs, and unpack my
+ portmanteau in my own room.
+ </p>
+ <p>
+ &ldquo;Supper will be at nine o&rsquo;clock, sir,&rdquo; said Miss Meadowcroft.
+ </p>
+ <p>
+ She pronounced those words as if &ldquo;supper&rdquo; was a form of domestic offense,
+ habitually committed by the men, and endured by the women. I followed the
+ groom up to my room, not over-well pleased with my first experience of the
+ farm.
+ </p>
+ <p>
+ No Naomi and no romance, thus far!
+ </p>
+ <p>
+ My room was clean&mdash;oppressively clean. I quite longed to see a little
+ dust somewhere. My library was limited to the Bible and the Prayer-Book.
+ My view from the window showed me a dead flat in a partial state of
+ cultivation, fading sadly from view in the waning light. Above the head of
+ my spruce white bed hung a scroll, bearing a damnatory quotation from
+ Scripture in emblazoned letters of red and black. The dismal presence of
+ Miss Meadowcroft had passed over my bedroom, and had blighted it. My
+ spirits sank as I looked round me. Supper-time was still an event in the
+ future. I lighted the candles and took from my portmanteau what I firmly
+ believe to have been the first French novel ever produced at Morwick Farm.
+ It was one of the masterly and charming stories of Dumas the elder. In
+ five minutes I was in a new world, and my melancholy room was full of the
+ liveliest French company. The sound of an imperative and uncompromising
+ bell recalled me in due time to the regions of reality. I looked at my
+ watch. Nine o&rsquo;clock.
+ </p>
+ <p>
+ Ambrose met me at the bottom of the stairs, and showed me the way to the
+ supper-room.
+ </p>
+ <p>
+ Mr. Meadowcroft&rsquo;s invalid chair had been wheeled to the head of the table.
+ On his right-hand side sat his sad and silent daughter. She signed to me,
+ with a ghostly solemnity, to take the vacant place on the left of her
+ father. Silas Meadowcroft came in at the same moment, and was presented to
+ me by his brother. There was a strong family likeness between them,
+ Ambrose being the taller and the handsomer man of the two. But there was
+ no marked character in either face. I set them down as men with
+ undeveloped qualities, waiting (the good and evil qualities alike) for
+ time and circumstances to bring them to their full growth.
+ </p>
+ <p>
+ The door opened again while I was still studying the two brothers,
+ without, I honestly confess, being very favorably impressed by either of
+ them. A new member of the family circle, who instantly attracted my
+ attention, entered the room.
+ </p>
+ <p>
+ He was short, spare, and wiry; singularly pale for a person whose life was
+ passed in the country. The face was in other respects, besides this, a
+ striking face to see. As to the lower part, it was covered with a thick
+ black beard and mustache, at a time when shaving was the rule, and beards
+ the rare exception, in America. As to the upper part of the face, it was
+ irradiated by a pair of wild, glittering brown eyes, the expression of
+ which suggested to me that there was something not quite right with the
+ man&rsquo;s mental balance. A perfectly sane person in all his sayings and
+ doings, so far as I could see, there was still something in those wild
+ brown eyes which suggested to me that, under exceptionally trying
+ circumstances, he might surprise his oldest friends by acting in some
+ exceptionally violent or foolish way. &ldquo;A little cracked&rdquo;&mdash;that in the
+ popular phrase was my impression of the stranger who now made his
+ appearance in the supper-room.
+ </p>
+ <p>
+ Mr. Meadowcroft the elder, having not spoken one word thus far, himself
+ introduced the newcomer to me, with a side-glance at his sons, which had
+ something like defiance in it&mdash;a glance which, as I was sorry to
+ notice, was returned with the defiance on their side by the two young men.
+ </p>
+ <p>
+ &ldquo;Philip Lefrank, this is my overlooker, Mr. Jago,&rdquo; said the old man,
+ formally presenting us. &ldquo;John Jago, this is my young relative by marriage,
+ Mr. Lefrank. He is not well; he has come over the ocean for rest, and
+ change of scene. Mr. Jago is an American, Philip. I hope you have no
+ prejudice against Americans. Make acquaintance with Mr. Jago. Sit
+ together.&rdquo; He cast another dark look at his sons; and the sons again
+ returned it. They pointedly drew back from John Jago as he approached the
+ empty chair next to me and moved round to the opposite side of the table.
+ It was plain that the man with the beard stood high in the father&rsquo;s favor,
+ and that he was cordially disliked for that or for some other reason by
+ the sons.
+ </p>
+ <p>
+ The door opened once more. A young lady quietly joined the party at the
+ supper-table.
+ </p>
+ <p>
+ Was the young lady Naomi Colebrook? I looked at Ambrose, and saw the
+ answer in his face. Naomi Colebrook at last!
+ </p>
+ <p>
+ A pretty girl, and, so far as I could judge by appearances, a good girl
+ too. Describing her generally, I may say that she had a small head, well
+ carried, and well set on her shoulders; bright gray eyes, that looked at
+ you honestly, and meant what they looked; a trim, slight little figure&mdash;too
+ slight for our English notions of beauty; a strong American accent; and (a
+ rare thing in America) a pleasantly toned voice, which made the accent
+ agreeable to English ears. Our first impressions of people are, in nine
+ cases out of ten, the right impressions. I liked Naomi Colebrook at first
+ sight; liked her pleasant smile; liked her hearty shake of the hand when
+ we were presented to each other. &ldquo;If I get on well with nobody else in
+ this house,&rdquo; I thought to myself, &ldquo;I shall certainly get on well with <i>you</i>.&rdquo;
+ </p>
+ <p>
+ For once in a way, I proved a true prophet. In the atmosphere of
+ smoldering enmities at Morwick Farm, the pretty American girl and I
+ remained firm and true friends from first to last. Ambrose made room for
+ Naomi to sit between his brother and himself. She changed color for a
+ moment, and looked at him, with a pretty, reluctant tenderness, as she
+ took her chair. I strongly suspected the young farmer of squeezing her
+ hand privately, under cover of the tablecloth.
+ </p>
+ <p>
+ The supper was not a merry one. The only cheerful conversation was the
+ conversation across the table between Naomi and me.
+ </p>
+ <p>
+ For some incomprehensible reason, John Jago seemed to be ill at ease in
+ the presence of his young countrywoman. He looked up at Naomi doubtingly
+ from his plate, and looked down again slowly with a frown. When I
+ addressed him, he answered constrainedly. Even when he spoke to Mr.
+ Meadowcroft, he was still on his guard&mdash;on his guard against the two
+ young men, as I fancied by the direction which his eyes took on these
+ occasions. When we began our meal, I had noticed for the first time that
+ Silas Meadowcroft&rsquo;s left hand was strapped up with surgical plaster; and I
+ now further observed that John Jago&rsquo;s wandering brown eyes, furtively
+ looking at everybody round the table in turn, looked with a curious,
+ cynical scrutiny at the young man&rsquo;s injured hand.
+ </p>
+ <p>
+ By way of making my first evening at the farm all the more embarrassing to
+ me as a stranger, I discovered before long that the father and sons were
+ talking indirectly <i>at</i> each other, through Mr. Jago and through me.
+ When old Mr. Meadowcroft spoke disparagingly to his overlooker of some
+ past mistake made in the cultivation of the arable land of the farm, old
+ Mr. Meadowcroft&rsquo;s eyes pointed the application of his hostile criticism
+ straight in the direction of his two sons. When the two sons seized a
+ stray remark of mine about animals in general, and applied it satirically
+ to the mismanagement of sheep and oxen in particular, they looked at John
+ Jago, while they talked to me. On occasions of this sort&mdash;and they
+ happened frequently&mdash;Naomi struck in resolutely at the right moment,
+ and turned the talk to some harmless topic. Every time she took a
+ prominent part in this way in keeping the peace, melancholy Miss
+ Meadowcroft looked slowly round at her in stern and silent disparagement
+ of her interference. A more dreary and more disunited family party I never
+ sat at the table with. Envy, hatred, malice and uncharitableness are never
+ so essentially detestable to my mind as when they are animated by a sense
+ of propriety, and work under the surface. But for my interest in Naomi,
+ and my other interest in the little love-looks which I now and then
+ surprised passing between her and Ambrose, I should never have sat through
+ that supper. I should certainly have taken refuge in my French novel and
+ my own room.
+ </p>
+ <p>
+ At last the unendurably long meal, served with ostentatious profusion, was
+ at an end. Miss Meadowcroft rose with her ghostly solemnity, and granted
+ me my dismissal in these words:
+ </p>
+ <p>
+ &ldquo;We are early people at the farm, Mr. Lefrank. I wish you good-night.&rdquo;
+ </p>
+ <p>
+ She laid her bony hands on the back of Mr. Meadowcroft&rsquo;s invalid-chair,
+ cut him short in his farewell salutation to me, and wheeled him out to his
+ bed as if she were wheeling him out to his grave.
+ </p>
+ <p>
+ &ldquo;Do you go to your room immediately, sir? If not, may I offer you a cigar&mdash;provided
+ the young gentlemen will permit it?&rdquo;
+ </p>
+ <p>
+ So, picking his words with painful deliberation, and pointing his
+ reference to &ldquo;the young gentlemen&rdquo; with one sardonic side-look at them,
+ Mr. John Jago performed the duties of hospitality on his side. I excused
+ myself from accepting the cigar. With studied politeness, the man of the
+ glittering brown eyes wished me a good night&rsquo;s rest, and left the room.
+ </p>
+ <p>
+ Ambrose and Silas both approached me hospitably, with their open
+ cigar-cases in their hands.
+ </p>
+ <p>
+ &ldquo;You were quite right to say &lsquo;No,&rsquo;&rdquo; Ambrose began. &ldquo;Never smoke with John
+ Jago. His cigars will poison you.&rdquo;
+ </p>
+ <p>
+ &ldquo;And never believe a word John Jago says to you,&rdquo; added Silas. &ldquo;He is the
+ greatest liar in America, let the other be whom he may.&rdquo;
+ </p>
+ <p>
+ Naomi shook her forefinger reproachfully at them, as if the two sturdy
+ young farmers had been two children.
+ </p>
+ <p>
+ &ldquo;What will Mr. Lefrank think,&rdquo; she said, &ldquo;if you talk in that way of a
+ person whom your father respects and trusts? Go and smoke. I am ashamed of
+ both of you.&rdquo;
+ </p>
+ <p>
+ Silas slunk away without a word of protest. Ambrose stood his ground,
+ evidently bent on making his peace with Naomi before he left her.
+ </p>
+ <p>
+ Seeing that I was in the way, I walked aside toward a glass door at the
+ lower end of the room. The door opened on the trim little farm-garden,
+ bathed at that moment in lovely moonlight. I stepped out to enjoy the
+ scene, and found my way to a seat under an elm-tree. The grand repose of
+ nature had never looked so unutterably solemn and beautiful as it now
+ appeared, after what I had seen and heard inside the house. I understood,
+ or thought I understood, the sad despair of humanity which led men into
+ monasteries in the old times. The misanthropical side of my nature (where
+ is the sick man who is not conscious of that side of him?) was fast
+ getting the upper hand of me when I felt a light touch laid on my
+ shoulder, and found myself reconciled to my species once more by Naomi
+ Colebrook.
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III. THE MOONLIGHT MEETING.
+ </h2>
+ <p>
+ &ldquo;I WANT to speak to you,&rdquo; Naomi began &ldquo;You don&rsquo;t think ill of me for
+ following you out here? We are not accustomed to stand much on ceremony in
+ America.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are quite right in America. Pray sit down.&rdquo;
+ </p>
+ <p>
+ She seated herself by my side, looking at me frankly and fearlessly by the
+ light of the moon.
+ </p>
+ <p>
+ &ldquo;You are related to the family here,&rdquo; she resumed, &ldquo;and I am related too.
+ I guess I may say to you what I couldn&rsquo;t say to a stranger. I am right
+ glad you have come here, Mr. Lefrank; and for a reason, sir, which you
+ don&rsquo;t suspect.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you for the compliment you pay me, Miss Colebrook, whatever the
+ reason may be.&rdquo;
+ </p>
+ <p>
+ She took no notice of my reply; she steadily pursued her own train of
+ thought.
+ </p>
+ <p>
+ &ldquo;I guess you may do some good, sir, in this wretched house,&rdquo; the girl went
+ on, with her eyes still earnestly fixed on my face. &ldquo;There is no love, no
+ trust, no peace, at Morwick Farm. They want somebody here, except Ambrose.
+ Don&rsquo;t think ill of Ambrose; he is only thoughtless. I say, the rest of
+ them want somebody here to make them ashamed of their hard hearts, and
+ their horrid, false, envious ways. You are a gentleman; you know more than
+ they know; they can&rsquo;t help themselves; they must look up to <i>you</i>.
+ Try, Mr. Lefrank, when you have the opportunity&mdash;pray try, sir, to
+ make peace among them. You heard what went on at supper-time; and you were
+ disgusted with it. Oh yes, you were! I saw you frown to yourself; and I
+ know what <i>that</i> means in you Englishmen.&rdquo;
+ </p>
+ <p>
+ There was no choice but to speak one&rsquo;s mind plainly to Naomi. I
+ acknowledged the impression which had been produced on me at supper-time
+ just as plainly as I have acknowledged it in these pages. Naomi nodded her
+ head in undisguised approval of my candor.
+ </p>
+ <p>
+ &ldquo;That will do, that&rsquo;s speaking out,&rdquo; she said. &ldquo;But&mdash;oh my! you put
+ it a deal too mildly, sir, when you say the men don&rsquo;t seem to be on
+ friendly terms together here. They hate each other. That&rsquo;s the word, Mr.
+ Lefrank&mdash;hate; bitter, bitter, bitter hate!&rdquo; She clinched her little
+ fists; she shook them vehemently, by way of adding emphasis to her last
+ words; and then she suddenly remembered Ambrose. &ldquo;Except Ambrose,&rdquo; she
+ added, opening her hand again, and laying it very earnestly on my arm.
+ &ldquo;Don&rsquo;t go and misjudge Ambrose, sir. There is no harm in poor Ambrose.&rdquo;
+ </p>
+ <p>
+ The girl&rsquo;s innocent frankness was really irresistible.
+ </p>
+ <p>
+ &ldquo;Should I be altogether wrong,&rdquo; I asked, &ldquo;if I guessed that you were a
+ little partial to Ambrose?&rdquo;
+ </p>
+ <p>
+ An Englishwoman would have felt, or would at least have assumed, some
+ little hesitation at replying to my question. Naomi did not hesitate for
+ an instant.
+ </p>
+ <p>
+ &ldquo;You are quite right, sir,&rdquo; she said with the most perfect composure. &ldquo;If
+ things go well, I mean to marry Ambrose.&rdquo;
+ </p>
+ <p>
+ &ldquo;If things go well,&rdquo; I repeated. &ldquo;What does that mean? Money?&rdquo;
+ </p>
+ <p>
+ She shook her head.
+ </p>
+ <p>
+ &ldquo;It means a fear that I have in my own mind,&rdquo; she answered&mdash;&ldquo;a fear,
+ Mr. Lefrank, of matters taking a bad turn among the men here&mdash;the
+ wicked, hard-hearted, unfeeling men. I don&rsquo;t mean Ambrose, sir; I mean his
+ brother Silas, and John Jago. Did you notice Silas&rsquo;s hand? John Jago did
+ that, sir, with a knife.&rdquo;
+ </p>
+ <p>
+ &ldquo;By accident?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;On purpose,&rdquo; she answered. &ldquo;In return for a blow.&rdquo;
+ </p>
+ <p>
+ This plain revelation of the state of things at Morwick Farm rather
+ staggered me&mdash;blows and knives under the rich and respectable
+ roof-tree of old Mr. Meadowcroft&mdash;blows and knives, not among the
+ laborers, but among the masters! My first impression was like <i>your</i>
+ first impression, no doubt. I could hardly believe it.
+ </p>
+ <p>
+ &ldquo;Are you sure of what you say?&rdquo; I inquired.
+ </p>
+ <p>
+ &ldquo;I have it from Ambrose. Ambrose would never deceive me. Ambrose knows all
+ about it.&rdquo;
+ </p>
+ <p>
+ My curiosity was powerfully excited. To what sort of household had I
+ rashly voyaged across the ocean in search of rest and quiet?
+ </p>
+ <p>
+ &ldquo;May I know all about it too?&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;Well, I will try and tell you what Ambrose told me. But you must promise
+ me one thing first, sir. Promise you won&rsquo;t go away and leave us when you
+ know the whole truth. Shake hands on it, Mr. Lefrank; come, shake hands on
+ it.&rdquo;
+ </p>
+ <p>
+ There was no resisting her fearless frankness. I shook hands on it. Naomi
+ entered on her narrative the moment I had given her my pledge, without
+ wasting a word by way of preface.
+ </p>
+ <p>
+ &ldquo;When you are shown over the farm here,&rdquo; she began, &ldquo;you will see that it
+ is really two farms in one. On this side of it, as we look from under this
+ tree, they raise crops: on the other side&mdash;on much the larger half of
+ the land, mind&mdash;they raise cattle. When Mr. Meadowcroft got too old
+ and too sick to look after his farm himself, the boys (I mean Ambrose and
+ Silas) divided the work between them. Ambrose looked after the crops, and
+ Silas after the cattle. Things didn&rsquo;t go well, somehow, under their
+ management. I can&rsquo;t tell you why. I am only sure Ambrose was not in fault.
+ The old man got more and more dissatisfied, especially about his beasts.
+ His pride is in his beasts. Without saying a word to the boys, he looked
+ about privately (<i>I</i> think he was wrong in that, sir; don&rsquo;t you?)&mdash;he
+ looked about privately for help; and, in an evil hour, he heard of John
+ Jago. Do you like John Jago, Mr. Lefrank?&rdquo;
+ </p>
+ <p>
+ &ldquo;So far, no. I don&rsquo;t like him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Just my sentiments, sir. But I don&rsquo;t know: it&rsquo;s likely we may be wrong.
+ There&rsquo;s nothing against John Jago, except that he is so odd in his ways.
+ They do say he wears all that nasty hair on his face (I hate hair on a
+ man&rsquo;s face) on account of a vow he made when he lost his wife. Don&rsquo;t you
+ think, Mr. Lefrank, a man must be a little mad who shows his grief at
+ losing his wife by vowing that he will never shave himself again? Well,
+ that&rsquo;s what they do say John Jago vowed. Perhaps it&rsquo;s a lie. People are
+ such liars here! Anyway, it&rsquo;s truth (the boys themselves confess <i>that</i>),
+ when John came to the farm, he came with a first-rate character. The old
+ father here isn&rsquo;t easy to please; and he pleased the old father. Yes,
+ that&rsquo;s so. Mr. Meadowcroft don&rsquo;t like my countrymen in general. He&rsquo;s like
+ his sons&mdash;English, bitter English, to the marrow of his bones.
+ Somehow, in spite of that, John Jago got round him; maybe because John
+ does certainly know his business. Oh yes! Cattle and crops, John knows his
+ business. Since he&rsquo;s been overlooker, things have prospered as they didn&rsquo;t
+ prosper in the time of the boys. Ambrose owned as much to me himself.
+ Still, sir, it&rsquo;s hard to be set aside for a stranger; isn&rsquo;t it? John gives
+ the orders now. The boys do their work; but they have no voice in it when
+ John and the old man put their heads together over the business of the
+ farm. I have been long in telling you of it, sir, but now you know how the
+ envy and the hatred grew among the men before my time. Since I have been
+ here, things seem to get worse and worse. There&rsquo;s hardly a day goes by
+ that hard words don&rsquo;t pass between the boys and John, or the boys and
+ their father. The old man has an aggravating way, Mr. Lefrank&mdash;a
+ nasty way, as we do call it&mdash;of taking John Jago&rsquo;s part. Do speak to
+ him about it when you get the chance. The main blame of the quarrel
+ between Silas and John the other day lies at his door, as I think. I don&rsquo;t
+ want to excuse Silas, either. It was brutal of him&mdash;though he <i>is</i>
+ Ambrose&rsquo;s brother&mdash;to strike John, who is the smaller and weaker man
+ of the two. But it was worse than brutal in John, sir, to out with his
+ knife and try to stab Silas. Oh, he did it! If Silas had not caught the
+ knife in his hand (his hand&rsquo;s awfully cut, I can tell you; I dressed it
+ myself), it might have ended, for anything I know, in murder&mdash;&rdquo;
+ </p>
+ <p>
+ She stopped as the word passed her lips, looked back over her shoulder,
+ and started violently.
+ </p>
+ <p>
+ I looked where my companion was looking. The dark figure of a man was
+ standing, watching us, in the shadow of the elm-tree. I rose directly to
+ approach him. Naomi recovered her self-possession, and checked me before I
+ could interfere.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo; she asked, turning sharply toward the stranger. &ldquo;What do
+ you want there?&rdquo;
+ </p>
+ <p>
+ The man stepped out from the shadow into the moonlight, and stood revealed
+ to us as John Jago.
+ </p>
+ <p>
+ &ldquo;I hope I am not intruding?&rdquo; he said, looking hard at me.
+ </p>
+ <p>
+ &ldquo;What do you want?&rdquo; Naomi repeated.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t wish to disturb you, or to disturb this gentleman,&rdquo; he proceeded.
+ &ldquo;When you are quite at leisure, Miss Naomi, you would be doing me a favor
+ if you would permit me to say a few words to you in private.&rdquo;
+ </p>
+ <p>
+ He spoke with the most scrupulous politeness; trying, and trying vainly,
+ to conceal some strong agitation which was in possession of him. His wild
+ brown eyes&mdash;wilder than ever in the moonlight&mdash;rested
+ entreatingly, with a strange underlying expression of despair, on Naomi&rsquo;s
+ face. His hands, clasped lightly in front of him, trembled incessantly.
+ Little as I liked the man, he did really impress me as a pitiable object
+ at that moment.
+ </p>
+ <p>
+ &ldquo;Do you mean that you want to speak to me to-night?&rdquo; Naomi asked, in
+ undisguised surprise.
+ </p>
+ <p>
+ &ldquo;Yes, miss, if you please, at your leisure and at Mr. Lefrank&rsquo;s.&rdquo;
+ </p>
+ <p>
+ Naomi hesitated.
+ </p>
+ <p>
+ &ldquo;Won&rsquo;t it keep till to-morrow?&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;I shall be away on farm business to-morrow, miss, for the whole day.
+ Please to give me a few minutes this evening.&rdquo; He advanced a step toward
+ her; his voice faltered, and dropped timidly to a whisper. &ldquo;I really have
+ something to say to you, Miss Naomi. It would be a kindness on your part&mdash;a
+ very, very great kindness&mdash;if you will let me say it before I rest
+ to-night.&rdquo;
+ </p>
+ <p>
+ I rose again to resign my place to him. Once more Naomi checked me.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she said. &ldquo;Don&rsquo;t stir.&rdquo; She addressed John Jago very reluctantly:
+ &ldquo;If you are so much in earnest about it, Mr. John, I suppose it must be. I
+ can&rsquo;t guess what <i>you</i> can possibly have to say to me which cannot be
+ said before a third person. However, it wouldn&rsquo;t be civil, I suppose, to
+ say &lsquo;No&rsquo; in my place. You know it&rsquo;s my business to wind up the hall-clock
+ at ten every night. If you choose to come and help me, the chances are
+ that we shall have the hall to ourselves. Will that do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not in the hall, miss, if you will excuse me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not in the hall!&rdquo;
+ </p>
+ <p>
+ &ldquo;And not in the house either, if I may make so bold.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; She turned impatiently, and appealed to me. &ldquo;Do <i>you</i>
+ understand him?&rdquo;
+ </p>
+ <p>
+ John Jago signed to me imploringly to let him answer for himself.
+ </p>
+ <p>
+ &ldquo;Bear with me, Miss Naomi,&rdquo; he said. &ldquo;I think I can make you understand
+ me. There are eyes on the watch, and ears on the watch, in the house; and
+ there are some footsteps&mdash;I won&rsquo;t say whose&mdash;so soft, that no
+ person can hear them.&rdquo;
+ </p>
+ <p>
+ The last allusion evidently made itself understood. Naomi stopped him
+ before he could say more.
+ </p>
+ <p>
+ &ldquo;Well, where is it to be?&rdquo; she asked, resignedly. &ldquo;Will the garden do, Mr.
+ John?&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you kindly, miss; the garden will do.&rdquo; He pointed to a gravel-walk
+ beyond us, bathed in the full flood of the moonlight. &ldquo;There,&rdquo; he said,
+ &ldquo;where we can see all round us, and be sure that nobody is listening. At
+ ten o&rsquo;clock.&rdquo; He paused, and addressed himself to me. &ldquo;I beg to apologize,
+ sir, for intruding myself on your conversation. Please to excuse me.&rdquo;
+ </p>
+ <p>
+ His eyes rested with a last anxious, pleading look on Naomi&rsquo;s face. He
+ bowed to us, and melted away into the shadow of the tree. The distant
+ sound of a door closed softly came to us through the stillness of the
+ night. John Jago had re-entered the house.
+ </p>
+ <p>
+ Now that he was out of hearing, Naomi spoke to me very earnestly:
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t suppose, sir, I have any secrets with <i>him</i>,&rdquo; she said. &ldquo;I
+ know no more than you do what he wants with me. I have half a mind not to
+ keep the appointment when ten o&rsquo;clock comes. What would you do in my
+ place?&rdquo;
+ </p>
+ <p>
+ &ldquo;Having made the appointment,&rdquo; I answered, &ldquo;it seems to be due to yourself
+ to keep it. If you feel the slightest alarm, I will wait in another part
+ of the garden, so that I can hear if you call me.&rdquo;
+ </p>
+ <p>
+ She received my proposal with a saucy toss of the head, and a smile of
+ pity for my ignorance.
+ </p>
+ <p>
+ &ldquo;You are a stranger, Mr. Lefrank, or you would never talk to me in that
+ way. In America, we don&rsquo;t do the men the honor of letting them alarm us.
+ In America, the women take care of themselves. He has got my promise to
+ meet him, as you say; and I must keep my promise. Only think,&rdquo; she added,
+ speaking more to herself than to me, &ldquo;of John Jago finding out Miss
+ Meadowcroft&rsquo;s nasty, sly, underhand ways in the house! Most men would
+ never have noticed her.&rdquo;
+ </p>
+ <p>
+ I was completely taken by surprise. Sad and severe Miss Meadowcroft a
+ listener and a spy! What next at Morwick Farm?
+ </p>
+ <p>
+ &ldquo;Was that hint at the watchful eyes and ears, and the soft footsteps,
+ really an allusion to Mr. Meadowcroft&rsquo;s daughter?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Of course it was. Ah! she has imposed on you as she imposes on everybody
+ else. The false wretch! She is secretly at the bottom of half the bad
+ feeling among the men. I am certain of it&mdash;she keeps Mr.
+ Meadowcroft&rsquo;s mind bitter toward the boys. Old as she is, Mr. Lefrank, and
+ ugly as she is, she wouldn&rsquo;t object (if she could only make him ask her)
+ to be John Jago&rsquo;s second wife. No, sir; and she wouldn&rsquo;t break her heart
+ if the boys were not left a stick or a stone on the farm when the father
+ dies. I have watched her, and I know it. Ah! I could tell you such things!
+ But there&rsquo;s no time now&mdash;it&rsquo;s close on ten o&rsquo;clock; we must say
+ good-night. I am right glad I have spoken to you, sir. I say again, at
+ parting, what I have said already: Use your influence, pray use your
+ influence, to soften them, and to make them ashamed of themselves, in this
+ wicked house. We will have more talk about what you can do to-morrow, when
+ you are shown over the farm. Say good-by now. Hark! there is ten striking!
+ And look! here is John Jago stealing out again in the shadow of the tree!
+ Good-night, friend Lefrank; and pleasant dreams.&rdquo;
+ </p>
+ <p>
+ With one hand she took mine, and pressed it cordially; with the other she
+ pushed me away without ceremony in the direction of the house. A charming
+ girl&mdash;an irresistible girl! I was nearly as bad as the boys. I
+ declare, <i>I</i> almost hated John Jago, too, as we crossed each other in
+ the shadow of the tree.
+ </p>
+ <p>
+ Arrived at the glass door, I stopped and looked back at the gravel-walk.
+ </p>
+ <p>
+ They had met. I saw the two shadowy figures slowly pacing backward and
+ forward in the moonlight, the woman a little in advance of the man. What
+ was he saying to her? Why was he so anxious that not a word of it should
+ be heard? Our presentiments are sometimes, in certain rare cases, the
+ faithful prophecy of the future. A vague distrust of that moonlight
+ meeting stealthily took a hold on my mind. &ldquo;Will mischief come of it?&rdquo; I
+ asked myself as I closed the door and entered the house.
+ </p>
+ <p>
+ Mischief <i>did</i> come of it. You shall hear how.
+ </p>
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV. THE BEECHEN STICK.
+ </h2>
+ <p>
+ PERSONS of sensitive, nervous temperament, sleeping for the first time in
+ a strange house, and in a bed that is new to them, must make up their
+ minds to pass a wakeful night. My first night at Morwick Farm was no
+ exception to this rule. The little sleep I had was broken and disturbed by
+ dreams. Toward six o&rsquo;clock in the morning, my bed became unendurable to
+ me. The sun was shining in brightly at the window. I determined to try the
+ reviving influence of a stroll in the fresh morning air.
+ </p>
+ <p>
+ Just as I got out of bed, I heard footsteps and voices under my window.
+ </p>
+ <p>
+ The footsteps stopped, and the voices became recognizable. I had passed
+ the night with my window open; I was able, without exciting notice from
+ below, to look out.
+ </p>
+ <p>
+ The persons beneath me were Silas Meadowcroft, John Jago, and three
+ strangers, whose dress and appearance indicated plainly enough that they
+ were laborers on the farm. Silas was swinging a stout beechen stick in his
+ hand, and was speaking to Jago, coarsely and insolently enough, of his
+ moonlight meeting with Naomi on the previous night.
+ </p>
+ <p>
+ &ldquo;Next time you go courting a young lady in secret,&rdquo; said Silas, &ldquo;make sure
+ that the moon goes down first, or wait for a cloudy sky. You were seen in
+ the garden, Master Jago; and you may as well tell us the truth for once in
+ a way. Did you find her open to persuasion, sir? Did she say &lsquo;Yes?&rsquo;&rdquo;
+ </p>
+ <p>
+ John Jago kept his temper.
+ </p>
+ <p>
+ &ldquo;If you must have your joke, Mr. Silas,&rdquo; he said, quietly and firmly, &ldquo;be
+ pleased to joke on some other subject. You are quite wrong, sir, in what
+ you suppose to have passed between the young lady and me.&rdquo;
+ </p>
+ <p>
+ Silas turned about, and addressed himself ironically to the three
+ laborers.
+ </p>
+ <p>
+ &ldquo;You hear him, boys? He can&rsquo;t tell the truth, try him as you may. He
+ wasn&rsquo;t making love to Naomi in the garden last night&mdash;oh dear, no! He
+ has had one wife already; and he knows better than to take the yoke on his
+ shoulders for the second time!&rdquo;
+ </p>
+ <p>
+ Greatly to my surprise, John Jago met this clumsy jesting with a formal
+ and serious reply.
+ </p>
+ <p>
+ &ldquo;You are quite right, sir,&rdquo; he said. &ldquo;I have no intention of marrying for
+ the second time. What I was saying to Miss Naomi doesn&rsquo;t matter to you. It
+ was not at all what you choose to suppose; it was something of quite
+ another kind, with which you have no concern. Be pleased to understand
+ once for all, Mr. Silas, that not so much as the thought of making love to
+ the young lady has ever entered my head. I respect her; I admire her good
+ qualities; but if she was the only woman left in the world, and if I was a
+ much younger man than I am, I should never think of asking her to be my
+ wife.&rdquo; He burst out suddenly into a harsh, uneasy laugh. &ldquo;No, no! not my
+ style, Mr. Silas&mdash;not my style!&rdquo;
+ </p>
+ <p>
+ Something in those words, or in his manner of speaking them, appeared to
+ exasperate Silas. He dropped his clumsy irony, and addressed himself
+ directly to John Jago in a tone of savage contempt.
+ </p>
+ <p>
+ &ldquo;Not your style?&rdquo; he repeated. &ldquo;Upon my soul, that&rsquo;s a cool way of putting
+ it, for a man in your place! What do you mean by calling her &lsquo;not your
+ style?&rsquo; You impudent beggar! Naomi Colebrook is meat for your master!&rdquo;
+ </p>
+ <p>
+ John Jago&rsquo;s temper began to give way at last. He approached defiantly a
+ step or two nearer to Silas Meadowcroft.
+ </p>
+ <p>
+ &ldquo;Who is my master?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Ambrose will show you, if you go to him,&rdquo; answered the other. &ldquo;Naomi is
+ <i>his</i> sweetheart, not mine. Keep out of his way, if you want to keep
+ a whole skin on your bones.&rdquo;
+ </p>
+ <p>
+ John Jago cast one of his sardonic side-looks at the farmer&rsquo;s wounded left
+ hand. &ldquo;Don&rsquo;t forget your own skin, Mr. Silas, when you threaten mine! I
+ have set my mark on you once, sir. Let me by on my business, or I may mark
+ you for a second time.&rdquo;
+ </p>
+ <p>
+ Silas lifted his beechen stick. The laborers, roused to some rude sense of
+ the serious turn which the quarrel was taking, got between the two men,
+ and parted them. I had been hurriedly dressing myself while the
+ altercation was proceeding; and I now ran downstairs to try what my
+ influence could do toward keeping the peace at Morwick Farm.
+ </p>
+ <p>
+ The war of angry words was still going on when I joined the men outside.
+ </p>
+ <p>
+ &ldquo;Be off with you on your business, you cowardly hound!&rdquo; I heard Silas say.
+ &ldquo;Be off with you to the town! and take care you don&rsquo;t meet Ambrose on the
+ way!&rdquo;
+ </p>
+ <p>
+ &ldquo;Take <i>you</i> care you don&rsquo;t feel my knife again before I go!&rdquo; cried
+ the other man.
+ </p>
+ <p>
+ Silas made a desperate effort to break away from the laborers who were
+ holding him.
+ </p>
+ <p>
+ &ldquo;Last time you only felt my fist!&rdquo; he shouted &ldquo;Next time you shall feel <i>this!</i>&rdquo;
+ </p>
+ <p>
+ He lifted the stick as he spoke. I stepped up and snatched it out of his
+ hand.
+ </p>
+ <p>
+ &ldquo;Mr. Silas,&rdquo; I said, &ldquo;I am an invalid, and I am going out for a walk. Your
+ stick will be useful to me. I beg leave to borrow it.&rdquo;
+ </p>
+ <p>
+ The laborers burst out laughing. Silas fixed his eyes on me with a stare
+ of angry surprise. John Jago, immediately recovering his self-possession,
+ took off his hat, and made me a deferential bow.
+ </p>
+ <p>
+ &ldquo;I had no idea, Mr. Lefrank, that we were disturbing you,&rdquo; he said. &ldquo;I am
+ very much ashamed of myself, sir. I beg to apologize.&rdquo;
+ </p>
+ <p>
+ &ldquo;I accept your apology, Mr. Jago,&rdquo; I answered, &ldquo;on the understanding that
+ you, as the older man, will set the example of forbearance if your temper
+ is tried on any future occasion as it has been tried today. And I have
+ further to request,&rdquo; I added, addressing myself to Silas, &ldquo;that you will
+ do me a favor, as your father&rsquo;s guest. The next time your good spirits
+ lead you into making jokes at Mr. Jago&rsquo;s expense, don&rsquo;t carry them quite
+ so far. I am sure you meant no harm, Mr. Silas. Will you gratify me by
+ saying so yourself? I want to see you and Mr. Jago shake hands.&rdquo;
+ </p>
+ <p>
+ John Jago instantly held out his hand, with an assumption of good feeling
+ which was a little overacted, to my thinking. Silas Meadowcroft made no
+ advance of the same friendly sort on his side.
+ </p>
+ <p>
+ &ldquo;Let him go about his business,&rdquo; said Silas. &ldquo;I won&rsquo;t waste any more words
+ on him, Mr. Lefrank, to please <i>you</i>. But (saving your presence) I&rsquo;m
+ d&mdash;d if I take his hand!&rdquo;
+ </p>
+ <p>
+ Further persuasion was plainly useless, addressed to such a man as this.
+ Silas gave me no further opportunity of remonstrating with him, even if I
+ had been inclined to do so. He turned about in sulky silence, and,
+ retracing his steps along the path, disappeared round the corner of the
+ house. The laborers withdrew next, in different directions, to begin the
+ day&rsquo;s work. John Jago and I were alone.
+ </p>
+ <p>
+ I left it to the man of the wild brown eyes to speak first.
+ </p>
+ <p>
+ &ldquo;In half an hour&rsquo;s time, sir,&rdquo; he said, &ldquo;I shall be going on business to
+ Narrabee, our market-town here. Can I take any letters to the post for
+ you? or is there anything else that I can do in the town?&rdquo;
+ </p>
+ <p>
+ I thanked him, and declined both proposals. He made me another deferential
+ bow, and withdrew into the house. I mechanically followed the path in the
+ direction which Silas had taken before me.
+ </p>
+ <p>
+ Turning the corner of the house, and walking on for a little way, I found
+ myself at the entrance to the stables, and face to face with Silas
+ Meadowcroft once more. He had his elbows on the gate of the yard, swinging
+ it slowly backward and forward, and turning and twisting a straw between
+ his teeth. When he saw me approaching him, he advanced a step from the
+ gate, and made an effort to excuse himself, with a very ill grace.
+ </p>
+ <p>
+ &ldquo;No offense, mister. Ask me what you will besides, and I&rsquo;ll do it for you.
+ But don&rsquo;t ask me to shake hands with John Jago; I hate him too badly for
+ that. If I touched him with one hand, sir, I tell you this, I should
+ throttle him with the other.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s your feeling toward the man, Mr. Silas, is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s my feeling, Mr. Lefrank; and I&rsquo;m not ashamed of it either.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is there any such place as a church in your neighborhood, Mr. Silas?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course there is.&rdquo;
+ </p>
+ <p>
+ &ldquo;And do you ever go to it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course I do.&rdquo;
+ </p>
+ <p>
+ &ldquo;At long intervals, Mr. Silas?&rdquo;
+ </p>
+ <p>
+ &ldquo;Every Sunday, sir, without fail.&rdquo;
+ </p>
+ <p>
+ Some third person behind me burst out laughing; some third person had been
+ listening to our talk. I turned round, and discovered Ambrose Meadowcroft.
+ </p>
+ <p>
+ &ldquo;I understand the drift of your catechism, sir, though my brother
+ doesn&rsquo;t,&rdquo; he said. &ldquo;Don&rsquo;t be hard on Silas, sir. He isn&rsquo;t the only
+ Christian who leaves his Christianity in the pew when he goes out of
+ church. You will never make us friends with John Jago, try as you may.
+ Why, what have you got there, Mr. Lefrank? May I die if it isn&rsquo;t my stick!
+ I have been looking for it everywhere!&rdquo;
+ </p>
+ <p>
+ The thick beechen stick had been feeling uncomfortably heavy in my invalid
+ hand for some time past. There was no sort of need for my keeping it any
+ longer. John Jago was going away to Narrabee, and Silas Meadowcroft&rsquo;s
+ savage temper was subdued to a sulky repose. I handed the stick back to
+ Ambrose. He laughed as he took it from me.
+ </p>
+ <p>
+ &ldquo;You can&rsquo;t think how strange it feels, Mr. Lefrank, to be out without
+ one&rsquo;s stick,&rdquo; he said. &ldquo;A man gets used to his stick, sir; doesn&rsquo;t he? Are
+ you ready for your breakfast?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not just yet. I thought of taking a little walk first.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right, sir. I wish I could go with you; but I have got my work to do
+ this morning, and Silas has his work too. If you go back by the way you
+ came, you will find yourself in the garden. If you want to go further, the
+ wicket-gate at the end will lead you into the lane.&rdquo;
+ </p>
+ <p>
+ Through sheer thoughtlessness, I did a very foolish thing. I turned back
+ as I was told, and left the brothers together at the gate of the
+ stable-yard.
+ </p>
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V. THE NEWS FROM NARRABEE.
+ </h2>
+ <p>
+ ARRIVED at the garden, a thought struck me. The cheerful speech and easy
+ manner of Ambrose plainly indicated that he was ignorant thus far of the
+ quarrel which had taken place under my window. Silas might confess to
+ having taken his brother&rsquo;s stick, and might mention whose head he had
+ threatened with it. It was not only useless, but undesirable, that Ambrose
+ should know of the quarrel. I retraced my steps to the stable-yard. Nobody
+ was at the gate. I called alternately to Silas and to Ambrose. Nobody
+ answered. The brothers had gone away to their work.
+ </p>
+ <p>
+ Returning to the garden, I heard a pleasant voice wishing me
+ &ldquo;Good-morning.&rdquo; I looked round. Naomi Colebrook was standing at one of the
+ lower windows of the farm. She had her working apron on, and she was
+ industriously brightening the knives for the breakfast-table on an
+ old-fashioned board. A sleek black cat balanced himself on her shoulder,
+ watching the flashing motion of the knife as she passed it rapidly to and
+ fro on the leather-covered surface of the board.
+ </p>
+ <p>
+ &ldquo;Come here,&rdquo; she said; &ldquo;I want to speak to you.&rdquo;
+ </p>
+ <p>
+ I noticed, as I approached, that her pretty face was clouded and anxious.
+ She pushed the cat irritably off her shoulder; she welcomed me with only
+ the faint reflection of her bright customary smile.
+ </p>
+ <p>
+ &ldquo;I have seen John Jago,&rdquo; she said. &ldquo;He has been hinting at something which
+ he says happened under your bedroom window this morning. When I begged him
+ to explain himself, he only answered, &lsquo;Ask Mr. Lefrank; I must be off to
+ Narrabee.&rsquo; What does it mean? Tell me right away, sir! I&rsquo;m out of temper,
+ and I can&rsquo;t wait!&rdquo;
+ </p>
+ <p>
+ Except that I made the best instead of the worst of it, I told her what
+ had happened under my window as plainly as I have told it here. She put
+ down the knife that she was cleaning, and folded her hands before her,
+ thinking.
+ </p>
+ <p>
+ &ldquo;I wish I had never given John Jago that meeting,&rdquo; she said. &ldquo;When a man
+ asks anything of a woman, the woman, I find, mostly repents it if she says
+ &lsquo;Yes.&rsquo;&rdquo;
+ </p>
+ <p>
+ She made that quaint reflection with a very troubled brow. The moonlight
+ meeting had left some unwelcome remembrances in her mind. I saw that as
+ plainly as I saw Naomi herself.
+ </p>
+ <p>
+ What had John Jago said to her? I put the question with all needful
+ delicacy, making my apologies beforehand.
+ </p>
+ <p>
+ &ldquo;I should like to tell <i>you</i>,&rdquo; she began, with a strong emphasis on
+ the last word.
+ </p>
+ <p>
+ There she stopped. She turned pale; then suddenly flushed again to the
+ deepest red. She took up the knife once more, and went on cleaning it as
+ industriously as ever.
+ </p>
+ <p>
+ &ldquo;I mustn&rsquo;t tell you,&rdquo; she resumed, with her head down over the knife. &ldquo;I
+ have promised not to tell anybody. That&rsquo;s the truth. Forget all about it,
+ sir, as soon as you can. Hush! here&rsquo;s the spy who saw us last night on the
+ walk and who told Silas!&rdquo;
+ </p>
+ <p>
+ Dreary Miss Meadowcroft opened the kitchen door. She carried an
+ ostentatiously large Prayer-Book; and she looked at Naomi as only a
+ jealous woman of middle age <i>can</i> look at a younger and prettier
+ woman than herself.
+ </p>
+ <p>
+ &ldquo;Prayers, Miss Colebrook,&rdquo; she said in her sourest manner. She paused, and
+ noticed me standing under the window. &ldquo;Prayers, Mr. Lefrank,&rdquo; she added,
+ with a look of devout pity, directed exclusively to my address.
+ </p>
+ <p>
+ &ldquo;We will follow you directly, Miss Meadowcroft,&rdquo; said Naomi.
+ </p>
+ <p>
+ &ldquo;I have no desire to intrude on your secrets, Miss Colebrook.&rdquo;
+ </p>
+ <p>
+ With that acrid answer, our priestess took herself and her Prayer-Book out
+ of the kitchen. I joined Naomi, entering the room by the garden door. She
+ met me eagerly. &ldquo;I am not quite easy about something,&rdquo; she said. &ldquo;Did you
+ tell me that you left Ambrose and Silas together?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose Silas tells Ambrose of what happened this morning?&rdquo;
+ </p>
+ <p>
+ The same idea, as I have already mentioned, had occurred to my mind. I did
+ my best to reassure Naomi.
+ </p>
+ <p>
+ &ldquo;Mr. Jago is out of the way,&rdquo; I replied. &ldquo;You and I can easily put things
+ right in his absence.&rdquo;
+ </p>
+ <p>
+ She took my arm.
+ </p>
+ <p>
+ &ldquo;Come in to prayers,&rdquo; she said. &ldquo;Ambrose will be there, and I shall find
+ an opportunity of speaking to him.&rdquo;
+ </p>
+ <p>
+ Neither Ambrose nor Silas was in the breakfast-room when we entered it.
+ After waiting vainly for ten minutes, Mr. Meadowcroft told his daughter to
+ read the prayers. Miss Meadowcroft read, thereupon, in the tone of an
+ injured woman taking the throne of mercy by storm, and insisting on her
+ rights. Breakfast followed; and still the brothers were absent. Miss
+ Meadowcroft looked at her father, and said, &ldquo;From bad to worse, sir. What
+ did I tell you?&rdquo; Naomi instantly applied the antidote: &ldquo;The boys are no
+ doubt detained over their work, uncle.&rdquo; She turned to me. &ldquo;You want to see
+ the farm, Mr. Lefrank. Come and help me to find the boys.&rdquo;
+ </p>
+ <p>
+ For more than an hour we visited one part of the farm after another,
+ without discovering the missing men. We found them at last near the
+ outskirts of a small wood, sitting, talking together, on the trunk of a
+ felled tree.
+ </p>
+ <p>
+ Silas rose as we approached, and walked away, without a word of greeting
+ or apology, into the wood. As he got on his feet, I noticed that his
+ brother whispered something in his ear; and I heard him answer, &ldquo;All
+ right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ambrose, does that mean you have something to keep a secret from us?&rdquo;
+ asked Naomi, approaching her lover with a smile. &ldquo;Is Silas ordered to hold
+ his tongue?&rdquo;
+ </p>
+ <p>
+ Ambrose kicked sulkily at the loose stones lying about him. I noticed,
+ with a certain surprise that his favorite stick was not in his hand, and
+ was not lying near him.
+ </p>
+ <p>
+ &ldquo;Business,&rdquo; he said in answer to Naomi, not very graciously&mdash;&ldquo;business
+ between Silas and me. That&rsquo;s what it means, if you must know.&rdquo;
+ </p>
+ <p>
+ Naomi went on, woman-like, with her questioning, heedless of the reception
+ which they might meet with from an irritated man.
+ </p>
+ <p>
+ &ldquo;Why were you both away at prayers and breakfast-time?&rdquo; she asked next.
+ </p>
+ <p>
+ &ldquo;We had too much to do,&rdquo; Ambrose gruffly replied, &ldquo;and we were too far
+ from the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very odd,&rdquo; said Naomi. &ldquo;This has never happened before since I have been
+ at the farm.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, live and learn. It has happened now.&rdquo;
+ </p>
+ <p>
+ The tone in which he spoke would have warned any man to let him alone. But
+ warnings which speak by implication only are thrown away on women. The
+ woman, having still something in her mind to say, said it.
+ </p>
+ <p>
+ &ldquo;Have you seen anything of John Jago this morning?&rdquo;
+ </p>
+ <p>
+ The smoldering ill-temper of Ambrose burst suddenly&mdash;why, it was
+ impossible to guess&mdash;into a flame. &ldquo;How many more questions am I to
+ answer?&rdquo; he broke out violently. &ldquo;Are you the parson putting me through my
+ catechism? I have seen nothing of John Jago, and I have got my work to go
+ on with. Will that do for you?&rdquo;
+ </p>
+ <p>
+ He turned with an oath, and followed his brother into the wood. Naomi&rsquo;s
+ bright eyes looked up at me, flashing with indignation.
+ </p>
+ <p>
+ &ldquo;What does he mean, Mr. Lefrank, by speaking to me in that way? Rude
+ brute! How dare he do it?&rdquo; She paused; her voice, look and manner suddenly
+ changed. &ldquo;This has never happened before, sir. Has anything gone wrong? I
+ declare, I shouldn&rsquo;t know Ambrose again, he is so changed. Say, how does
+ it strike you?&rdquo;
+ </p>
+ <p>
+ I still made the best of a bad case.
+ </p>
+ <p>
+ &ldquo;Something has upset his temper,&rdquo; I said. &ldquo;The merest trifle, Miss
+ Colebrook, upsets a man&rsquo;s temper sometimes. I speak as a man, and I know
+ it. Give him time, and he will make his excuses, and all will be well
+ again.&rdquo;
+ </p>
+ <p>
+ My presentation of the case entirely failed to re-assure my pretty
+ companion. We went back to the house. Dinner-time came, and the brothers
+ appeared. Their father spoke to them of their absence from morning prayers
+ with needless severity, as I thought. They resented the reproof with
+ needless indignation on their side, and left the room. A sour smile of
+ satisfaction showed itself on Miss Meadowcroft&rsquo;s thin lips. She looked at
+ her father; then raised her eyes sadly to the ceiling, and said, &ldquo;We can
+ only pray for them, sir.&rdquo;
+ </p>
+ <p>
+ Naomi disappeared after dinner. When I saw her again, she had some news
+ for me.
+ </p>
+ <p>
+ &ldquo;I have been with Ambrose,&rdquo; she said, &ldquo;and he has begged my pardon. We
+ have made it up, Mr. Lefrank. Still&mdash;still&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Still&mdash;<i>what</i>, Miss Naomi?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is not like himself, sir. He denies it; but I can&rsquo;t help thinking he
+ is hiding something from me.&rdquo;
+ </p>
+ <p>
+ The day wore on; the evening came. I returned to my French novel. But not
+ even Dumas himself could keep my attention to the story. What else I was
+ thinking of I cannot say. Why I was out of spirits I am unable to explain.
+ I wished myself back in England: I took a blind, unreasoning hatred to
+ Morwick Farm.
+ </p>
+ <p>
+ Nine o&rsquo;clock struck; and we all assembled again at supper, with the
+ exception of John Jago. He was expected back to supper; and we waited for
+ him a quarter of an hour, by Mr. Meadowcroft&rsquo;s own directions. John Jago
+ never appeared.
+ </p>
+ <p>
+ The night wore on, and still the absent man failed to return. Miss
+ Meadowcroft volunteered to sit up for him. Naomi eyed her, a little
+ maliciously I must own, as the two women parted for the night. I withdrew
+ to my room; and again I was unable to sleep. When sunrise came, I went
+ out, as before, to breathe the morning air.
+ </p>
+ <p>
+ On the staircase I met Miss Meadowcroft ascending to her own room. Not a
+ curl of her stiff gray hair was disarranged; nothing about the
+ impenetrable woman betrayed that she had been watching through the night.
+ </p>
+ <p>
+ &ldquo;Has Mr. Jago not returned?&rdquo; I asked.
+ </p>
+ <p>
+ Miss Meadowcroft slowly shook her head, and frowned at me.
+ </p>
+ <p>
+ &ldquo;We are in the hands of Providence, Mr. Lefrank. Mr. Jago must have been
+ detained for the night at Narrabee.&rdquo;
+ </p>
+ <p>
+ The daily routine of the meals resumed its unalterable course.
+ Breakfast-time came, and dinner-time came, and no John Jago darkened the
+ doors of Morwick Farm. Mr. Meadowcroft and his daughter consulted
+ together, and determined to send in search of the missing man. One of the
+ more intelligent of the laborers was dispatched to Narrabee to make
+ inquiries.
+ </p>
+ <p>
+ The man returned late in the evening, bringing startling news to the farm.
+ He had visited all the inns, and all the places of business resort in
+ Narrabee; he had made endless inquiries in every direction, with this
+ result&mdash;no one had set eyes on John Jago. Everybody declared that
+ John Jago had not entered the town.
+ </p>
+ <p>
+ We all looked at each other, excepting the two brothers, who were seated
+ together in a dark corner of the room. The conclusion appeared to be
+ inevitable. John Jago was a lost man.
+ </p>
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI. THE LIME-KILN.
+ </h2>
+ <p>
+ MR. MEADOWCROFT was the first to speak. &ldquo;Somebody must find John,&rdquo; he
+ said.
+ </p>
+ <p>
+ &ldquo;Without losing a moment,&rdquo; added his daughter.
+ </p>
+ <p>
+ Ambrose suddenly stepped out of the dark corner of the room.
+ </p>
+ <p>
+ &ldquo;<i>I</i> will inquire,&rdquo; he said.
+ </p>
+ <p>
+ Silas followed him.
+ </p>
+ <p>
+ &ldquo;I will go with you,&rdquo; he added.
+ </p>
+ <p>
+ Mr. Meadowcroft interposed his authority.
+ </p>
+ <p>
+ &ldquo;One of you will be enough; for the present, at least. Go you, Ambrose.
+ Your brother may be wanted later. If any accident has happened (which God
+ forbid!) we may have to inquire in more than one direction. Silas, you
+ will stay at the farm.&rdquo;
+ </p>
+ <p>
+ The brothers withdrew together; Ambrose to prepare for his journey, Silas
+ to saddle one of the horses for him. Naomi slipped out after them. Left in
+ company with Mr. Meadowcroft and his daughter (both devoured by anxiety
+ about the missing man, and both trying to conceal it under an assumption
+ of devout resignation to circumstances), I need hardly add that I, too,
+ retired, as soon as it was politely possible for me to leave the room.
+ Ascending the stairs on my way to my own quarters, I discovered Naomi half
+ hidden by the recess formed by an old-fashioned window-seat on the first
+ landing. My bright little friend was in sore trouble. Her apron was over
+ her face, and she was crying bitterly. Ambrose had not taken his leave as
+ tenderly as usual. She was more firmly persuaded than ever that &ldquo;Ambrose
+ was hiding something from her.&rdquo; We all waited anxiously for the next day.
+ The next day made the mystery deeper than ever.
+ </p>
+ <p>
+ The horse which had taken Ambrose to Narrabee was ridden back to the farm
+ by a groom from the hotel. He delivered a written message from Ambrose
+ which startled us. Further inquiries had positively proved that the
+ missing man had never been near Narrabee. The only attainable tidings of
+ his whereabouts were tidings derived from vague report. It was said that a
+ man like John Jago had been seen the previous day in a railway car,
+ traveling on the line to New York. Acting on this imperfect information,
+ Ambrose had decided on verifying the truth of the report by extending his
+ inquiries to New York.
+ </p>
+ <p>
+ This extraordinary proceeding forced the suspicion on me that something
+ had really gone wrong. I kept my doubts to myself; but I was prepared,
+ from that moment, to see the disappearance of John Jago followed by very
+ grave results.
+ </p>
+ <p>
+ The same day the results declared themselves.
+ </p>
+ <p>
+ Time enough had now elapsed for report to spread through the district the
+ news of what had happened at the farm. Already aware of the bad feeling
+ existing between the men, the neighbors had been now informed (no doubt by
+ the laborers present) of the deplorable scene that had taken place under
+ my bedroom window. Public opinion declares itself in America without the
+ slightest reserve, or the slightest care for consequences. Public opinion
+ declared on this occasion that the lost man was the victim of foul play,
+ and held one or both of the brothers Meadowcroft responsible for his
+ disappearance. Later in the day, the reasonableness of this serious view
+ of the case was confirmed in the popular mind by a startling discovery. It
+ was announced that a Methodist preacher lately settled at Morwick, and
+ greatly respected throughout the district, had dreamed of John Jago in the
+ character of a murdered man, whose bones were hidden at Morwick Farm.
+ Before night the cry was general for a verification of the preacher&rsquo;s
+ dream. Not only in the immediate district, but in the town of Narrabee
+ itself, the public voice insisted on the necessity of a search for the
+ mortal remains of John Jago at Morwick Farm.
+ </p>
+ <p>
+ In the terrible turn which matters had now taken, Mr. Meadowcroft the
+ elder displayed a spirit and an energy for which I was not prepared.
+ </p>
+ <p>
+ &ldquo;My sons have their faults,&rdquo; he said, &ldquo;serious faults; and nobody knows it
+ better than I do. My sons have behaved badly and ungratefully toward John
+ Jago; I don&rsquo;t deny that, either. But Ambrose and Silas are not murderers.
+ Make your search! I ask for it; no, I insist on it, after what has been
+ said, in justice to my family and my name!&rdquo;
+ </p>
+ <p>
+ The neighbors took him at his word. The Morwick section of the American
+ nation organized itself on the spot. The sovereign people met in
+ committee, made speeches, elected competent persons to represent the
+ public interests, and began the search the next day. The whole proceeding,
+ ridiculously informal from a legal point of view, was carried on by these
+ extraordinary people with as stern and strict a sense of duty as if it had
+ been sanctioned by the highest tribunal in the land.
+ </p>
+ <p>
+ Naomi met the calamity that had fallen on the household as resolutely as
+ her uncle himself. The girl&rsquo;s courage rose with the call which was made on
+ it. Her one anxiety was for Ambrose.
+ </p>
+ <p>
+ &ldquo;He ought to be here,&rdquo; she said to me. &ldquo;The wretches in this neighborhood
+ are wicked enough to say that his absence is a confession of his guilt.&rdquo;
+ </p>
+ <p>
+ She was right. In the present temper of the popular mind, the absence of
+ Ambrose was a suspicious circumstance in itself.
+ </p>
+ <p>
+ &ldquo;We might telegraph to New York,&rdquo; I suggested, &ldquo;if you only knew where a
+ message would be likely to find him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know the hotel which the Meadowcrofts use at New York,&rdquo; she replied. &ldquo;I
+ was sent there, after my father&rsquo;s death, to wait till Miss Meadowcroft
+ could take me to Morwick.&rdquo;
+ </p>
+ <p>
+ We decided on telegraphing to the hotel. I was writing the message, and
+ Naomi was looking over my shoulder, when we were startled by a strange
+ voice speaking close behind us.
+ </p>
+ <p>
+ &ldquo;Oh! that&rsquo;s his address, is it?&rdquo; said the voice. &ldquo;We wanted his address
+ rather badly.&rdquo;
+ </p>
+ <p>
+ The speaker was a stranger to me. Naomi recognized him as one of the
+ neighbors.
+ </p>
+ <p>
+ &ldquo;What do you want his address for?&rdquo; she asked, sharply.
+ </p>
+ <p>
+ &ldquo;I guess we&rsquo;ve found the mortal remains of John Jago, miss,&rdquo; the man
+ replied. &ldquo;We have got Silas already, and we want Ambrose too, on suspicion
+ of murder.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a lie!&rdquo; cried Naomi, furiously&mdash;&ldquo;a wicked lie!&rdquo;
+ </p>
+ <p>
+ The man turned to me.
+ </p>
+ <p>
+ &ldquo;Take her into the next room, mister,&rdquo; he said, &ldquo;and let her see for
+ herself.&rdquo;
+ </p>
+ <p>
+ We went together into the next room.
+ </p>
+ <p>
+ In one corner, sitting by her father, and holding his hand, we saw stern
+ and stony Miss Meadowcroft weeping silently. Opposite to them, crouched on
+ the window-seat, his eyes wandering, his hands hanging helpless, we next
+ discovered Silas Meadowcroft, plainly self-betrayed as a panic-stricken
+ man. A few of the persons who had been engaged in the search were seated
+ near, watching him. The mass of the strangers present stood congregated
+ round a table in the middle of the room They drew aside as I approached
+ with Naomi and allowed us to have a clear view of certain objects placed
+ on the table.
+ </p>
+ <p>
+ The center object of the collection was a little heap of charred bones.
+ Round this were ranged a knife, two metal buttons, and a stick partially
+ burned. The knife was recognized by the laborers as the weapon John Jago
+ habitually carried about with him&mdash;the weapon with which he had
+ wounded Silas Meadowcroft&rsquo;s hand. The buttons Naomi herself declared to
+ have a peculiar pattern on them, which had formerly attracted her
+ attention to John Jago&rsquo;s coat. As for the stick, burned as it was, I had
+ no difficulty in identifying the quaintly-carved knob at the top. It was
+ the heavy beechen stick which I had snatched out of Silas&rsquo;s hand, and
+ which I had restored to Ambrose on his claiming it as his own. In reply to
+ my inquiries, I was informed that the bones, the knife, the buttons and
+ the stick had all been found together in a lime-kiln then in use on the
+ farm.
+ </p>
+ <p>
+ &ldquo;Is it serious?&rdquo; Naomi whispered to me as we drew back from the table.
+ </p>
+ <p>
+ It would have been sheer cruelty to deceive her now.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I whispered back; &ldquo;it is serious.&rdquo;
+ </p>
+ <p>
+ The search committee conducted its proceedings with the strictest
+ regularity. The proper applications were made forthwith to a justice of
+ the peace, and the justice issued his warrant. That night Silas was
+ committed to prison; and an officer was dispatched to arrest Ambrose in
+ New York.
+ </p>
+ <p>
+ For my part, I did the little I could to make myself useful. With the
+ silent sanction of Mr. Meadowcroft and his daughter, I went to Narrabee,
+ and secured the best legal assistance for the defense which the town could
+ place at my disposal. This done, there was no choice but to wait for news
+ of Ambrose, and for the examination before the magistrate which was to
+ follow. I shall pass over the misery in the house during the interval of
+ expectation; no useful purpose could be served by describing it now. Let
+ me only say that Naomi&rsquo;s conduct strengthened me in the conviction that
+ she possessed a noble nature. I was unconscious of the state of my own
+ feelings at the time; but I am now disposed to think that this was the
+ epoch at which I began to envy Ambrose the wife whom he had won.
+ </p>
+ <p>
+ The telegraph brought us our first news of Ambrose. He had been arrested
+ at the hotel, and he was on his way to Morwick. The next day he arrived,
+ and followed his brother to prison. The two were confined in separate
+ cells, and were forbidden all communication with each other.
+ </p>
+ <p>
+ Two days later, the preliminary examination took place. Ambrose and Silas
+ Meadowcroft were charged before the magistrate with the willful murder of
+ John Jago. I was cited to appear as one of the witnesses; and, at Naomi&rsquo;s
+ own request, I took the poor girl into court, and sat by her during the
+ proceedings. My host also was present in his invalid-chair, with his
+ daughter by his side.
+ </p>
+ <p>
+ Such was the result of my voyage across the ocean in search of rest and
+ quiet; and thus did time and chance fulfill my first hasty foreboding of
+ the dull life I was to lead at Morwick Farm!
+ </p>
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VII. THE MATERIALS IN THE DEFENSE.
+ </h2>
+ <p>
+ ON our way to the chairs allotted to us in the magistrate&rsquo;s court, we
+ passed the platform on which the prisoners were standing together.
+ </p>
+ <p>
+ Silas took no notice of us. Ambrose made a friendly sign of recognition,
+ and then rested his hand on the &ldquo;bar&rdquo; in front of him. As she passed
+ beneath him, Naomi was just tall enough to reach his hand on tiptoe. She
+ took it. &ldquo;I know you are innocent,&rdquo; she whispered, and gave him one look
+ of loving encouragement as she followed me to her place. Ambrose never
+ lost his self-control. I may have been wrong; but I thought this a bad
+ sign.
+ </p>
+ <p>
+ The case, as stated for the prosecution, told strongly against the
+ suspected men.
+ </p>
+ <p>
+ Ambrose and Silas Meadowcroft were charged with the murder of John Jago
+ (by means of the stick or by use of some other weapon), and with the
+ deliberate destruction of the body by throwing it into the quicklime. In
+ proof of this latter assertion, the knife which the deceased habitually
+ carried about him, and the metal buttons which were known to belong to his
+ coat, were produced. It was argued that these indestructible substances,
+ and some fragments of the larger bones had alone escaped the action of the
+ burning lime. Having produced medical witnesses to support this theory by
+ declaring the bones to be human, and having thus circumstantially asserted
+ the discovery of the remains in the kiln, the prosecution next proceeded
+ to prove that the missing man had been murdered by the two brothers, and
+ had been by them thrown into the quicklime as a means of concealing their
+ guilt.
+ </p>
+ <p>
+ Witness after witness deposed to the inveterate enmity against the
+ deceased displayed by Ambrose and Silas. The threatening language they
+ habitually used toward him; their violent quarrels with him, which had
+ become a public scandal throughout the neighborhood, and which had ended
+ (on one occasion at least) in a blow; the disgraceful scene which had
+ taken place under my window; and the restoration to Ambrose, on the
+ morning of the fatal quarrel, of the very stick which had been found among
+ the remains of the dead man&mdash;these facts and events, and a host of
+ minor circumstances besides, sworn to by witnesses whose credit was
+ unimpeachable, pointed with terrible directness to the conclusion at which
+ the prosecution had arrived.
+ </p>
+ <p>
+ I looked at the brothers as the weight of the evidence pressed more and
+ more heavily against them. To outward view at least, Ambrose still
+ maintained his self-possession. It was far otherwise with Silas. Abject
+ terror showed itself in his ghastly face; in his great knotty hands,
+ clinging convulsively to the bar at which he stood; in his staring eyes,
+ fixed in vacant horror on each witness who appeared. Public feeling judged
+ him on the spot. There he stood, self-betrayed already, in the popular
+ opinion, as a guilty man!
+ </p>
+ <p>
+ The one point gained in cross-examination by the defense related to the
+ charred bones.
+ </p>
+ <p>
+ Pressed on this point, a majority of the medical witnesses admitted that
+ their examination had been a hurried one; and that it was just possible
+ that the bones might yet prove to be the remains of an animal, and not of
+ a man. The presiding magistrate decided upon this that a second
+ examination should be made, and that the member of the medical experts
+ should be increased.
+ </p>
+ <p>
+ Here the preliminary proceedings ended. The prisoners were remanded for
+ three days.
+ </p>
+ <p>
+ The prostration of Silas, at the close of the inquiry, was so complete,
+ that it was found necessary to have two men to support him on his leaving
+ the court. Ambrose leaned over the bar to speak to Naomi before he
+ followed the jailer out. &ldquo;Wait,&rdquo; he whispered, confidently, &ldquo;till they
+ hear what I have to say!&rdquo; Naomi kissed her hand to him affectionately, and
+ turned to me with the bright tears in her eyes.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t they hear what he has to say at once?&rdquo; she asked. &ldquo;Anybody can
+ see that Ambrose is innocent. It&rsquo;s a crying shame, sir, to send him back
+ to prison. Don&rsquo;t you think so yourself?&rdquo;
+ </p>
+ <p>
+ If I had confessed what I really thought, I should have said that Ambrose
+ had proved nothing to my mind, except that he possessed rare powers of
+ self-control. It was impossible to acknowledge this to my little friend. I
+ diverted her mind from the question of her lover&rsquo;s innocence by proposing
+ that we should get the necessary order, and visit him in his prison on the
+ next day. Naomi dried her tears, and gave me a little grateful squeeze of
+ the hand.
+ </p>
+ <p>
+ &ldquo;Oh my! what a good fellow you are!&rdquo; cried the outspoken American girl.
+ &ldquo;When your time comes to be married, sir, I guess the woman won&rsquo;t repent
+ saying yes to <i>you!</i>&rdquo;
+ </p>
+ <p>
+ Mr. Meadowcroft preserved unbroken silence as we walked back to the farm
+ on either side of his invalid-chair. His last reserves of resolution
+ seemed to have given way under the overwhelming strain laid on them by the
+ proceedings in court. His daughter, in stern indulgence to Naomi,
+ mercifully permitted her opinion to glimmer on us only through the medium
+ of quotation from Scripture texts. If the texts meant anything, they meant
+ that she had foreseen all that had happened; and that the one sad aspect
+ of the case, to her mind, was the death of John Jago, unprepared to meet
+ his end.
+ </p>
+ <p>
+ I obtained the order of admission to the prison the next morning.
+ </p>
+ <p>
+ We found Ambrose still confident of the favorable result, for his brother
+ and for himself, of the inquiry before the magistrate. He seemed to be
+ almost as eager to tell, as Naomi was to hear, the true story of what had
+ happened at the lime-kiln. The authorities of the prison&mdash;present, of
+ course, at the interview&mdash;warned him to remember that what he said
+ might be taken down in writing, and produced against him in court.
+ </p>
+ <p>
+ &ldquo;Take it down, gentlemen, and welcome,&rdquo; Ambrose replied. &ldquo;I have nothing
+ to fear; I am only telling the truth.&rdquo;
+ </p>
+ <p>
+ With that he turned to Naomi, and began his narrative, as nearly as I can
+ remember, in these words:
+ </p>
+ <p>
+ &ldquo;I may as well make a clean breast of it at starting, my girl. After Mr.
+ Lefrank left us that morning, I asked Silas how he came by my stick. In
+ telling me how, Silas also told me of the words that had passed between
+ him and John Jago under Mr. Lefrank&rsquo;s window. I was angry and jealous; and
+ I own it freely, Naomi, I thought the worst that could be thought about
+ you and John.&rdquo;
+ </p>
+ <p>
+ Here Naomi stopped him without ceremony.
+ </p>
+ <p>
+ &ldquo;Was that what made you speak to me as you spoke when we found you at the
+ wood?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;And was that what made you leave me, when you went away to Narrabee,
+ without giving me a kiss at parting?&rdquo;
+ </p>
+ <p>
+ &ldquo;It was.&rdquo;
+ </p>
+ <p>
+ &ldquo;Beg my pardon for it before you say a word more.&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon.&rdquo;
+ </p>
+ <p>
+ &ldquo;Say you are ashamed of yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am ashamed of myself,&rdquo; Ambrose answered penitently.
+ </p>
+ <p>
+ &ldquo;Now you may go on,&rdquo; said Naomi. &ldquo;Now I&rsquo;m satisfied.&rdquo;
+ </p>
+ <p>
+ Ambrose went on.
+ </p>
+ <p>
+ &ldquo;We were on our way to the clearing at the other side of the wood while
+ Silas was talking to me; and, as ill luck would have it, we took the path
+ that led by the lime-kiln. Turning the corner, we met John Jago on his way
+ to Narrabee. I was too angry, I tell you, to let him pass quietly. I gave
+ him a bit of my mind. His blood was up too, I suppose; and he spoke out,
+ on his side, as freely as I did. I own I threatened him with the stick;
+ but I&rsquo;ll swear to it I meant him no harm. You know&mdash;after dressing
+ Silas&rsquo;s hand&mdash;that John Jago is ready with his knife. He comes from
+ out West, where they are always ready with one weapon or another handy in
+ their pockets. It&rsquo;s likely enough he didn&rsquo;t mean to harm me, either; but
+ how could I be sure of that? When he stepped up to me, and showed his
+ weapon, I dropped the stick, and closed with him. With one hand I wrenched
+ the knife away from him; and with the other I caught him by the collar of
+ his rotten old coat, and gave him a shaking that made his bones rattle in
+ his skin. A big piece of the cloth came away in my hand. I shied it into
+ the quicklime close by us, and I pitched the knife after the cloth; and,
+ if Silas hadn&rsquo;t stopped me, I think it&rsquo;s likely I might have shied John
+ Jago himself into the lime next. As it was, Silas kept hold of me. Silas
+ shouted out to him, &lsquo;Be off with you! and don&rsquo;t come back again, if you
+ don&rsquo;t want to be burned in the kiln!&rsquo; He stood looking at us for a minute,
+ fetching his breath, and holding his torn coat round him. Then he spoke
+ with a deadly-quiet voice and a deadly-quiet look: &lsquo;Many a true word, Mr.
+ Silas,&rsquo; he says, &lsquo;is spoken in jest. <i>I shall not come back again</i>.&rsquo;
+ He turned about, and left us. We stood staring at each other like a couple
+ of fools. &lsquo;You don&rsquo;t think he means it?&rsquo; I says. &lsquo;Bosh!&rsquo; says Silas. &lsquo;He&rsquo;s
+ too sweet on Naomi not to come back.&rsquo; What&rsquo;s the matter now, Naomi?&rdquo;
+ </p>
+ <p>
+ I had noticed it too. She started and turned pale, when Ambrose repeated
+ to her what Silas had said to him.
+ </p>
+ <p>
+ &ldquo;Nothing is the matter,&rdquo; Naomi answered. &ldquo;Your brother has no right to
+ take liberties with my name. Go on. Did Silas say any more while he was
+ about it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; he looked into the kiln; and he says, &lsquo;What made you throw away the
+ knife, Ambrose?&rsquo;&mdash;&lsquo;How does a man know why he does anything,&rsquo; I says,
+ &lsquo;when he does it in a passion?&rsquo;&mdash;&lsquo;It&rsquo;s a ripping good knife,&rsquo; says
+ Silas; &lsquo;in your place, I should have kept it.&rsquo; I picked up the stick off
+ the ground. &lsquo;Who says I&rsquo;ve lost it yet?&rsquo; I answered him; and with that I
+ got up on the side of the kiln, and began sounding for the knife, to bring
+ it, you know, by means of the stick, within easy reach of a shovel, or
+ some such thing. &lsquo;Give us your hand,&rsquo; I says to Silas. &lsquo;Let me stretch out
+ a bit and I&rsquo;ll have it in no time.&rsquo; Instead of finding the knife, I came
+ nigh to falling myself into the burning lime. The vapor overpowered me, I
+ suppose. All I know is, I turned giddy, and dropped the stick in the kiln.
+ I should have followed the stick to a dead certainty, but for Silas
+ pulling me back by the hand. &lsquo;Let it be,&rsquo; says Silas. &lsquo;If I hadn&rsquo;t had
+ hold of you, John Jago&rsquo;s knife would have been the death of you, after
+ all!&rsquo; He led me away by the arm, and we went on together on the road to
+ the wood. We stopped where you found us, and sat down on the felled tree.
+ We had a little more talk about John Jago. It ended in our agreeing to
+ wait and see what happened, and to keep our own counsel in the meantime.
+ You and Mr. Lefrank came upon us, Naomi, while we were still talking; and
+ you guessed right when you guessed that we had a secret from you. You know
+ the secret now.&rdquo;
+ </p>
+ <p>
+ There he stopped. I put a question to him&mdash;the first that I had asked
+ yet.
+ </p>
+ <p>
+ &ldquo;Had you or your brother any fear at that time of the charge which has
+ since been brought against you?&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;No such thought entered our heads, sir,&rdquo; Ambrose answered. &ldquo;How could <i>we</i>
+ foresee that the neighbors would search the kiln, and say what they have
+ said of us? All we feared was, that the old man might hear of the quarrel,
+ and be bitterer against us than ever. I was the more anxious of the two to
+ keep things secret, because I had Naomi to consider as well as the old
+ man. Put yourself in my place, and you will own, sir, that the prospect at
+ home was not a pleasant one for <i>me</i>, if John Jago really kept away
+ from the farm, and if it came out that it was all my doing.&rdquo;
+ </p>
+ <p>
+ (This was certainly an explanation of his conduct; but it was not
+ satisfactory to my mind.)
+ </p>
+ <p>
+ &ldquo;As <i>you</i> believe, then,&rdquo; I went on, &ldquo;John Jago has carried out his
+ threat of not returning to the farm? According to you, he is now alive,
+ and in hiding somewhere?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly!&rdquo; said Ambrose.
+ </p>
+ <p>
+ &ldquo;Certainly!&rdquo; repeated Naomi.
+ </p>
+ <p>
+ &ldquo;Do you believe the report that he was seen traveling on the railway to
+ New York?&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe it firmly, sir; and, what is more, I believe I was on his
+ track. I was only too anxious to find him; and I say I could have found
+ him if they would have let me stay in New York.&rdquo;
+ </p>
+ <p>
+ I looked at Naomi.
+ </p>
+ <p>
+ &ldquo;I believe it too,&rdquo; she said. &ldquo;John Jago is keeping away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you suppose he is afraid of Ambrose and Silas?&rdquo;
+ </p>
+ <p>
+ She hesitated.
+ </p>
+ <p>
+ &ldquo;He <i>may</i> be afraid of them,&rdquo; she replied, with a strong emphasis on
+ the word &ldquo;may.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you don&rsquo;t think it likely?&rdquo;
+ </p>
+ <p>
+ She hesitated again. I pressed her again.
+ </p>
+ <p>
+ &ldquo;Do you think there is any other motive for his absence?&rdquo;
+ </p>
+ <p>
+ Her eyes dropped to the floor. She answered obstinately, almost doggedly,
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t say.&rdquo;
+ </p>
+ <p>
+ I addressed myself to Ambrose.
+ </p>
+ <p>
+ &ldquo;Have you anything more to tell us?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he said. &ldquo;I have told you all I know about it.&rdquo;
+ </p>
+ <p>
+ I rose to speak to the lawyer whose services I had retained. He had helped
+ us to get the order of admission, and he had accompanied us to the prison.
+ Seated apart he had kept silence throughout, attentively watching the
+ effect of Ambrose Meadowcroft&rsquo;s narrative on the officers of the prison
+ and on me.
+ </p>
+ <p>
+ &ldquo;Is this the defense?&rdquo; I inquired, in a whisper.
+ </p>
+ <p>
+ &ldquo;This is the defense, Mr. Lefrank. What do you think, between ourselves?&rdquo;
+ </p>
+ <p>
+ &ldquo;Between ourselves, I think the magistrate will commit them for trial.&rdquo;
+ </p>
+ <p>
+ &ldquo;On the charge of murder?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, on the charge of murder.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VIII. THE CONFESSION.
+ </h2>
+ <p>
+ MY replies to the lawyer accurately expressed the conviction in my mind.
+ The narrative related by Ambrose had all the appearance, in my eyes, of a
+ fabricated story, got up, and clumsily got up, to pervert the plain
+ meaning of the circumstantial evidence produced by the prosecution. I
+ reached this conclusion reluctantly and regretfully, for Naomi&rsquo;s sake. I
+ said all I could say to shake the absolute confidence which she felt in
+ the discharge of the prisoners at the next examination.
+ </p>
+ <p>
+ The day of the adjourned inquiry arrived.
+ </p>
+ <p>
+ Naomi and I again attended the court together. Mr. Meadowcroft was unable,
+ on this occasion, to leave the house. His daughter was present, walking to
+ the court by herself, and occupying a seat by herself.
+ </p>
+ <p>
+ On his second appearance at the &ldquo;bar,&rdquo; Silas was more composed, and more
+ like his brother. No new witnesses were called by the prosecution. We
+ began the battle over the medical evidence relating to the charred bones;
+ and, to some extent, we won the victory. In other words, we forced the
+ doctors to acknowledge that they differed widely in their opinions. Three
+ confessed that they were not certain. Two went still further, and declared
+ that the bones were the bones of an animal, not of a man. We made the most
+ of this; and then we entered upon the defense, founded on Ambrose
+ Meadowcroft&rsquo;s story.
+ </p>
+ <p>
+ Necessarily, no witnesses could be called on our side. Whether this
+ circumstance discouraged him, or whether he privately shared my opinion of
+ his client&rsquo;s statement, I cannot say. It is only certain that the lawyer
+ spoke mechanically, doing his best, no doubt, but doing it without genuine
+ conviction or earnestness on his own part. Naomi cast an anxious glance at
+ me as he sat down. The girl&rsquo;s hand, as I took it, turned cold in mine. She
+ saw plain signs of the failure of the defense in the look and manner of
+ the counsel for the prosecution; but she waited resolutely until the
+ presiding magistrate announced his decision. I had only too clearly
+ foreseen what he would feel it to be his duty to do. Naomi&rsquo;s head dropped
+ on my shoulder as he said the terrible words which committed Ambrose and
+ Silas Meadowcroft to take their trial on the charge of murder.
+ </p>
+ <p>
+ I led her out of the court into the air. As I passed the &ldquo;bar,&rdquo; I saw
+ Ambrose, deadly pale, looking after us as we left him: the magistrate&rsquo;s
+ decision had evidently daunted him. His brother Silas had dropped in
+ abject terror on the jailer&rsquo;s chair; the miserable wretch shook and
+ shuddered dumbly, like a cowed dog.
+ </p>
+ <p>
+ Miss Meadowcroft returned with us to the farm, preserving unbroken silence
+ on the way back. I could detect nothing in her bearing which suggested any
+ compassionate feeling for the prisoners in her stern and secret nature. On
+ Naomi&rsquo;s withdrawal to her own room, we were left together for a few
+ minutes; and then, to my astonishment, the outwardly merciless woman
+ showed me that she, too, was one of Eve&rsquo;s daughters, and could feel and
+ suffer, in her own hard way, like the rest of us. She suddenly stepped
+ close up to me, and laid her hand on my arm.
+ </p>
+ <p>
+ &ldquo;You are a lawyer, ain&rsquo;t you?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you had any experience in your profession?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ten years&rsquo; experience.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do <i>you</i> think&mdash;&rdquo; She stopped abruptly; her hard face softened;
+ her eyes dropped to the ground. &ldquo;Never mind,&rdquo; she said, confusedly. &ldquo;I&rsquo;m
+ upset by all this misery, though I may not look like it. Don&rsquo;t notice me.&rdquo;
+ </p>
+ <p>
+ She turned away. I waited, in the firm persuasion that the unspoken
+ question in her mind would sooner or later force its way to utterance by
+ her lips. I was right. She came back to me unwillingly, like a woman
+ acting under some influence which the utmost exertion of her will was
+ powerless to resist.
+ </p>
+ <p>
+ &ldquo;Do <i>you</i> believe John Jago is still a living man?&rdquo;
+ </p>
+ <p>
+ She put the question vehemently, desperately, as if the words rushed out
+ of her mouth in spite of her.
+ </p>
+ <p>
+ &ldquo;I do <i>not</i> believe it,&rdquo; I answered.
+ </p>
+ <p>
+ &ldquo;Remember what John Jago has suffered at the hands of my brothers,&rdquo; she
+ persisted. &ldquo;Is it not in your experience that he should take a sudden
+ resolution to leave the farm?&rdquo;
+ </p>
+ <p>
+ I replied, as plainly as before,
+ </p>
+ <p>
+ &ldquo;It is <i>not</i> in my experience.&rdquo;
+ </p>
+ <p>
+ She stood looking at me for a moment with a face of blank despair; then
+ bowed her gray head in silence, and left me. As she crossed the room to
+ the door, I saw her look upward; and I heard her say to herself softly,
+ between her teeth, &ldquo;Vengeance is mine, I will repay, saith the Lord.&rdquo;
+ </p>
+ <p>
+ It was the requiem of John Jago, pronounced by the woman who loved him.
+ </p>
+ <p>
+ When I next saw her, her mask was on once more. Miss Meadowcroft was
+ herself again. Miss Meadowcroft could sit by, impenetrably calm, while the
+ lawyers discussed the terrible position of her brothers, with the scaffold
+ in view as one of the possibilities of the &ldquo;case.&rdquo;
+ </p>
+ <p>
+ Left by myself, I began to feel uneasy about Naomi. I went upstairs, and,
+ knocking softly at her door, made my inquiries from outside. The clear
+ young voice answered me sadly, &ldquo;I am trying to bear it: I won&rsquo;t distress
+ you when we meet again.&rdquo; I descended the stairs, feeling my first
+ suspicion of the true nature of my interest in the American girl. Why had
+ her answer brought the tears into my eyes? I went out, walking alone, to
+ think undisturbedly. Why did the tones of her voice dwell on my ear all
+ the way? Why did my hand still feel the last cold, faint pressure of her
+ fingers when I led her out of court?
+ </p>
+ <p>
+ I took a sudden resolution to go back to England.
+ </p>
+ <p>
+ When I returned to the farm, it was evening. The lamp was not yet lighted
+ in the hall. Pausing to accustom my eyes to the obscurity indoors, I heard
+ the voice of the lawyer whom we had employed for the defense speaking to
+ some one very earnestly.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not to blame,&rdquo; said the voice. &ldquo;She snatched the paper out of my hand
+ before I was aware of her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you want it back?&rdquo; asked the voice of Miss Meadowcroft.
+ </p>
+ <p>
+ &ldquo;No; it&rsquo;s only a copy. If keeping it will help to quiet her, let her keep
+ it by all means. Good evening.&rdquo;
+ </p>
+ <p>
+ Saying these last words, the lawyer approached me on his way out of the
+ house. I stopped him without ceremony; I felt an ungovernable curiosity to
+ know more.
+ </p>
+ <p>
+ &ldquo;Who snatched the paper out of your hand?&rdquo; I asked, bluntly.
+ </p>
+ <p>
+ The lawyer started. I had taken him by surprise. The instinct of
+ professional reticence made him pause before he answered me.
+ </p>
+ <p>
+ In the brief interval of silence, Miss Meadowcroft replied to my question
+ from the other end of the hall.
+ </p>
+ <p>
+ &ldquo;Naomi Colebrook snatched the paper out of his hand.&rdquo;
+ </p>
+ <p>
+ &ldquo;What paper?&rdquo;
+ </p>
+ <p>
+ A door opened softly behind me. Naomi herself appeared on the threshold;
+ Naomi herself answered my question.
+ </p>
+ <p>
+ &ldquo;I will tell you,&rdquo; she whispered. &ldquo;Come in here.&rdquo;
+ </p>
+ <p>
+ One candle only was burning in the room. I looked at her by the dim light.
+ My resolution to return to England instantly became one of the lost ideas
+ of my life.
+ </p>
+ <p>
+ &ldquo;Good God!&rdquo; I exclaimed, &ldquo;what has happened now?&rdquo;
+ </p>
+ <p>
+ She handed me the paper which she had taken from the lawyer&rsquo;s hand.
+ </p>
+ <p>
+ The &ldquo;copy&rdquo; to which he had referred was a copy of the written confession
+ of Silas Meadowcroft on his return to prison. He accused his brother
+ Ambrose of the murder of John Jago. He declared on his oath that he had
+ seen his brother Ambrose commit the crime.
+ </p>
+ <p>
+ In the popular phrase, I could &ldquo;hardly believe my own eyes.&rdquo; I read the
+ last sentences of the confession for the second time:
+ </p>
+ <p>
+ &ldquo;...I heard their voices at the lime-kiln. They were having words about
+ Cousin Naomi. I ran to the place to part them. I was not in time. I saw
+ Ambrose strike the deceased a terrible blow on the head with his
+ (Ambrose&rsquo;s) heavy stick. The deceased dropped without a cry. I put my hand
+ on his heart. He was dead. I was horribly frightened. Ambrose threatened
+ to kill <i>me</i> next if I said a word to any living soul. He took up the
+ body and cast it into the quicklime, and threw the stick in after it. We
+ went on together to the wood. We sat down on a felled tree outside the
+ wood. Ambrose made up the story that we were to tell if what he had done
+ was found out. He made me repeat it after him, like a lesson. We were
+ still at it when Cousin Naomi and Mr. Lefrank came up to us. They know the
+ rest. This, on my oath, is a true confession. I make it of my own
+ free-will, repenting me sincerely that I did not make it before.&rdquo;
+ </p>
+ <p>
+ (Signed)
+ </p>
+ <p>
+ &ldquo;SILAS MEADOWCROFT.&rdquo;
+ </p>
+ <p>
+ I laid down the paper, and looked at Naomi once more. She spoke to me with
+ a strange composure. Immovable determination was in her eye; immovable
+ determination was in her voice.
+ </p>
+ <p>
+ &ldquo;Silas has lied away his brother&rsquo;s life to save himself,&rdquo; she said. &ldquo;I see
+ cowardly falsehood and cowardly cruelty in every line on that paper.
+ Ambrose is innocent, and the time has come to prove it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You forget,&rdquo; I said, &ldquo;that we have just failed to prove it.&rdquo;
+ </p>
+ <p>
+ &ldquo;John Jago is alive, in hiding from us and from all who know him,&rdquo; she
+ went on. &ldquo;Help me, friend Lefrank, to advertise for him in the
+ newspapers.&rdquo;
+ </p>
+ <p>
+ I drew back from her in speechless distress. I own I believed that the new
+ misery which had fallen on her had affected her brain.
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t believe it,&rdquo; she said. &ldquo;Shut the door.&rdquo;
+ </p>
+ <p>
+ I obeyed her. She seated herself, and pointed to a chair near her.
+ </p>
+ <p>
+ &ldquo;Sit down,&rdquo; she proceeded. &ldquo;I am going to do a wrong thing; but there is
+ no help for it. I am going to break a sacred promise. You remember that
+ moonlight night when I met him on the garden walk?&rdquo;
+ </p>
+ <p>
+ &ldquo;John Jago?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Now listen. I am going to tell you what passed between John Jago and
+ me.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IX. THE ADVERTISEMENT.
+ </h2>
+ <p>
+ I WAITED in silence for the disclosure that was now to come. Naomi began
+ by asking me a question.
+ </p>
+ <p>
+ &ldquo;You remember when we went to see Ambrose in the prison?&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;Perfectly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ambrose told us of something which his villain of a brother said of John
+ Jago and me. Do you remember what it was?&rdquo;
+ </p>
+ <p>
+ I remembered perfectly. Silas had said, &ldquo;John Jago is too sweet on Naomi
+ not to come back.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s so,&rdquo; Naomi remarked when I had repeated the words. &ldquo;I couldn&rsquo;t
+ help starting when I heard what Silas had said; and I thought you noticed
+ me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I did notice you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you wonder what it meant?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll tell you. It meant this: What Silas Meadowcroft said to his brother
+ of John Jago was what I myself was thinking of John Jago at that very
+ moment. It startled me to find my own thought in a man&rsquo;s mind spoken for
+ me by a man. I am the person, sir, who has driven John Jago away from
+ Morwick Farm; and I am the person who can and will bring him back again.&rdquo;
+ </p>
+ <p>
+ There was something in her manner, more than in her words, which let the
+ light in suddenly on my mind.
+ </p>
+ <p>
+ &ldquo;You have told me the secret,&rdquo; I said. &ldquo;John Jago is in love with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mad about me!&rdquo; she rejoined, dropping her voice to a whisper. &ldquo;Stark,
+ staring mad!&mdash;that&rsquo;s the only word for him. After we had taken a few
+ turns on the gravel-walk, he suddenly broke out like a man beside himself.
+ He fell down on his knees; he kissed my gown, he kissed my feet; he sobbed
+ and cried for love of me. I&rsquo;m not badly off for courage, sir, considering
+ I&rsquo;m a woman. No man, that I can call to mind, ever really scared me
+ before. But I own John Jago frightened me; oh my! he did frighten me! My
+ heart was in my mouth, and my knees shook under me. I begged and prayed of
+ him to get up and go away. No; there he knelt, and held by the skirt of my
+ gown. The words poured out from him like&mdash;well, like nothing I can
+ think of but water from a pump. His happiness and his life, and his hopes
+ in earth and heaven, and Lord only knows what besides, all depended, he
+ said, on a word from me. I plucked up spirit enough at that to remind him
+ that I was promised to Ambrose. &lsquo;I think you ought to be ashamed of
+ yourself,&rsquo; I said, &lsquo;to own that you&rsquo;re wicked enough to love me when you
+ know I am promised to another man!&rsquo; When I spoke to him he took a new
+ turn; he began abusing Ambrose. <i>That</i> straightened me up. I snatched
+ my gown out of his hand, and I gave him my whole mind. &lsquo;I hate you!&rsquo; I
+ said. &lsquo;Even if I wasn&rsquo;t promised to Ambrose, I wouldn&rsquo;t marry you&mdash;no!
+ not if there wasn&rsquo;t another man left in the world to ask me. I hate you,
+ Mr. Jago! I hate you!&rsquo; He saw I was in earnest at last. He got up from my
+ feet, and he settled down quiet again, all on a sudden. &lsquo;You have said
+ enough&rsquo; (that was how he answered me). &lsquo;You have broken my life. I have no
+ hopes and no prospects now. I had a pride in the farm, miss, and a pride
+ in my work; I bore with your brutish cousins&rsquo; hatred of me; I was faithful
+ to Mr. Meadowcroft&rsquo;s interests; all for your sake, Naomi Colebrook&mdash;all
+ for your sake! I have done with it now; I have done with my life at the
+ farm. You will never be troubled with me again. I am going away, as the
+ dumb creatures go when they are sick, to hide myself in a corner, and die.
+ Do me one last favor. Don&rsquo;t make me the laughing-stock of the whole
+ neighborhood. I can&rsquo;t bear that; it maddens me only to think of it. Give
+ me your promise never to tell any living soul what I have said to you
+ to-night&mdash;your sacred promise to the man whose life you have broken!&rsquo;
+ I did as he bade me; I gave him my sacred promise with the tears in my
+ eyes. Yes, that is so. After telling him I hated him (and I did hate him),
+ I cried over his misery; I did! Mercy, what fools women are! What is the
+ horrid perversity, sir, which makes us always ready to pity the men? He
+ held out his hand to me; and he said, &lsquo;Good-by forever!&rsquo; and I pitied him.
+ I said, &lsquo;I&rsquo;ll shake hands with you if you will give me your promise in
+ exchange for mine. I beg of you not to leave the farm. What will my uncle
+ do if you go away? Stay here, and be friends with me, and forget and
+ forgive, Mr. John.&rsquo; He gave me his promise (he can refuse me nothing); and
+ he gave it again when I saw him again the next morning. Yes. I&rsquo;ll do him
+ justice, though I do hate him! I believe he honestly meant to keep his
+ word as long as my eye was on him. It was only when he was left to himself
+ that the Devil tempted him to break his promise and leave the farm. I was
+ brought up to believe in the Devil, Mr. Lefrank; and I find it explains
+ many things. It explains John Jago. Only let me find out where he has
+ gone, and I&rsquo;ll engage he shall come back and clear Ambrose of the
+ suspicion which his vile brother has cast on him. Here is the pen all
+ ready for you. Advertise for him, friend Lefrank; and do it right away,
+ for my sake!&rdquo;
+ </p>
+ <p>
+ I let her run on, without attempting to dispute her conclusions, until she
+ could say no more. When she put the pen into my hand, I began the
+ composition of the advertisement as obediently as if I, too, believed that
+ John Jago was a living man.
+ </p>
+ <p>
+ In the case of any one else, I should have openly acknowledged that my own
+ convictions remained unshaken. If no quarrel had taken place at the
+ lime-kiln, I should have been quite ready, as I viewed the case, to
+ believe that John Jago&rsquo;s disappearance was referable to the terrible
+ disappointment which Naomi had inflicted on him. The same morbid dread of
+ ridicule which had led him to assert that he cared nothing for Naomi, when
+ he and Silas had quarreled under my bedroom window, might also have
+ impelled him to withdraw himself secretly and suddenly from the scene of
+ his discomfiture. But to ask me to believe, after what had happened at the
+ lime-kiln, that he was still living, was to ask me to take Ambrose
+ Meadowcroft&rsquo;s statement for granted as a true statement of facts.
+ </p>
+ <p>
+ I had refused to do this from the first; and I still persisted in taking
+ that course. If I had been called upon to decide the balance of
+ probability between the narrative related by Ambrose in his defense and
+ the narrative related by Silas in his confession, I must have owned, no
+ matter how unwillingly, that the confession was, to my mind, the least
+ incredible story of the two.
+ </p>
+ <p>
+ Could I say this to Naomi? I would have written fifty advertisements
+ inquiring for John Jago rather than say it; and you would have done the
+ same, if you had been as fond of her as I was. I drew out the
+ advertisement, for insertion in the Morwick <i>Mercury</i>, in these
+ terms:
+ </p>
+ <p>
+ MURDER.&mdash;Printers of newspapers throughout the United States are
+ desired to publish that Ambrose Meadowcroft and Silas Meadowcroft, of
+ Morwick Farm, Morwick County, are committed for trial on the charge of
+ murdering John Jago, now missing from the farm and from the neighborhood.
+ Any person who can give information of the existence of said Jago may save
+ the lives of two wrongly-accused men by making immediate communication.
+ Jago is about five feet four inches high. He is spare and wiry; his
+ complexion is extremely pale, his eyes are dark, and very bright and
+ restless. The lower part of his face is concealed by a thick black beard
+ and mustache. The whole appearance of the man is wild and flighty.
+ </p>
+ <p>
+ I added the date and the address. That evening a servant was sent on
+ horseback to Narrabee to procure the insertion of the advertisement in the
+ next issue of the newspaper.
+ </p>
+ <p>
+ When we parted that night, Naomi looked almost like her brighter and
+ happier self. Now that the advertisement was on its way to the
+ printing-office, she was more than sanguine: she was certain of the
+ result.
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t know how you have comforted me,&rdquo; she said, in her frank,
+ warm-hearted way, when we parted for the night. &ldquo;All the newspapers will
+ copy it, and we shall hear of John Jago before the week is out.&rdquo; She
+ turned to go, and came back again to me. &ldquo;I will never forgive Silas for
+ writing that confession!&rdquo; she whispered in my ear. &ldquo;If he ever lives under
+ the same roof with Ambrose again, I&mdash;well, I believe I wouldn&rsquo;t marry
+ Ambrose if he did! There!&rdquo;
+ </p>
+ <p>
+ She left me. Through the wakeful hours of the night my mind dwelt on her
+ last words. That she should contemplate, under any circumstances, even the
+ bare possibility of not marrying Ambrose, was, I am ashamed to say, a
+ direct encouragement to certain hopes which I had already begun to form in
+ secret. The next day&rsquo;s mail brought me a letter on business. My clerk
+ wrote to inquire if there was any chance of my returning to England in
+ time to appear in court at the opening of next law term. I answered,
+ without hesitation, &ldquo;It is still impossible for me to fix the date of my
+ return.&rdquo; Naomi was in the room while I was writing. How would she have
+ answered, I wonder, if I had told her the truth, and said, &ldquo;You are
+ responsible for this letter?&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0010" id="link2HCH0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER X. THE SHERIFF AND THE GOVERNOR.
+ </h2>
+ <p>
+ THE question of time was now a serious question at Morwick Farm. In six
+ weeks the court for the trial of criminal cases was to be opened at
+ Narrabee.
+ </p>
+ <p>
+ During this interval no new event of any importance occurred.
+ </p>
+ <p>
+ Many idle letters reached us relating to the advertisement for John Jago;
+ but no positive information was received. Not the slightest trace of the
+ lost man turned up; not the shadow of a doubt was cast on the assertion of
+ the prosecution, that his body had been destroyed in the kiln. Silas
+ Meadowcroft held firmly to the horrible confession that he had made. His
+ brother Ambrose, with equal resolution, asserted his innocence, and
+ reiterated the statement which he had already advanced. At regular periods
+ I accompanied Naomi to visit him in the prison. As the day appointed for
+ the opening of the court approached, he seemed to falter a little in his
+ resolution; his manner became restless; and he grew irritably suspicious
+ about the merest trifles. This change did not necessarily imply the
+ consciousness of guilt: it might merely have indicated natural nervous
+ agitation as the time for the trial drew near. Naomi noticed the
+ alteration in her lover. It greatly increased her anxiety, though it never
+ shook her confidence in Ambrose. Except at meal-times, I was left, during
+ the period of which I am now writing, almost constantly alone with the
+ charming American girl. Miss Meadowcroft searched the newspapers for
+ tidings of the living John Jago in the privacy of her own room. Mr.
+ Meadowcroft would see nobody but his daughter and his doctor, and
+ occasionally one or two old friends. I have since had reason to believe
+ that Naomi, in these days of our intimate association, discovered the true
+ nature of the feeling with which she had inspired me. But she kept her
+ secret. Her manner toward me steadily remained the manner of a sister; she
+ never overstepped by a hair-breadth the safe limits of the character that
+ she had assumed.
+ </p>
+ <p>
+ The sittings of the court began. After hearing the evidence, and examining
+ the confession of Silas Meadowcroft, the grand jury found a true bill
+ against both the prisoners. The day appointed for their trial was the
+ first day in the new week.
+ </p>
+ <p>
+ I had carefully prepared Naomi&rsquo;s mind for the decision of the grand jury.
+ She bore the new blow bravely.
+ </p>
+ <p>
+ &ldquo;If you are not tired of it,&rdquo; she said, &ldquo;come with me to the prison
+ tomorrow. Ambrose will need a little comfort by that time.&rdquo; She paused,
+ and looked at the day&rsquo;s letters lying on the table. &ldquo;Still not a word
+ about John Jago,&rdquo; she said. &ldquo;And all the papers have copied the
+ advertisement. I felt so sure we should hear of him long before this!&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you still feel sure that he is living?&rdquo; I ventured to ask.
+ </p>
+ <p>
+ &ldquo;I am as certain of it as ever,&rdquo; she replied, firmly. &ldquo;He is somewhere in
+ hiding; perhaps he is in disguise. Suppose we know no more of him than we
+ know now when the trial begins? Suppose the jury&mdash;&rdquo; She stopped,
+ shuddering. Death&mdash;shameful death on the scaffold&mdash;might be the
+ terrible result of the consultation of the jury. &ldquo;We have waited for news
+ to come to us long enough,&rdquo; Naomi resumed. &ldquo;We must find the tracks of
+ John Jago for ourselves. There is a week yet before the trial begins. Who
+ will help me to make inquiries? Will you be the man, friend Lefrank?&rdquo;
+ </p>
+ <p>
+ It is needless to add (though I knew nothing would come of it) that I
+ consented to be the man.
+ </p>
+ <p>
+ We arranged to apply that day for the order of admission to the prison,
+ and, having seen Ambrose, to devote ourselves immediately to the
+ contemplated search. How that search was to be conducted was more than I
+ could tell, and more than Naomi could tell. We were to begin by applying
+ to the police to help us to find John Jago, and we were then to be guided
+ by circumstances. Was there ever a more hopeless programme than this?
+ </p>
+ <p>
+ &ldquo;Circumstances&rdquo; declared themselves against us at starting. I applied, as
+ usual, for the order of admission to the prison, and the order was for the
+ first time refused; no reason being assigned by the persons in authority
+ for taking this course. Inquire as I might, the only answer given was,
+ &ldquo;not to-day.&rdquo;
+ </p>
+ <p>
+ At Naomi&rsquo;s suggestion, we went to the prison to seek the explanation which
+ was refused to us at the office. The jailer on duty at the outer gate was
+ one of Naomi&rsquo;s many admirers. He solved the mystery cautiously in a
+ whisper. The sheriff and the governor of the prison were then speaking
+ privately with Ambrose Meadowcroft in his cell; they had expressly
+ directed that no persons should be admitted to see the prisoner that day
+ but themselves.
+ </p>
+ <p>
+ What did it mean? We returned, wondering, to the farm. There Naomi,
+ speaking by chance to one of the female servants, made certain
+ discoveries.
+ </p>
+ <p>
+ Early that morning the sheriff had been brought to Morwick by an old
+ friend of the Meadowcrofts. A long interview had been held between Mr.
+ Meadowcroft and his daughter and the official personage introduced by the
+ friend. Leaving the farm, the sheriff had gone straight to the prison, and
+ had proceeded with the governor to visit Ambrose in his cell. Was some
+ potent influence being brought privately to bear on Ambrose? Appearances
+ certainly suggested that inquiry. Supposing the influence to have been
+ really exerted, the next question followed, What was the object in view?
+ We could only wait and see.
+ </p>
+ <p>
+ Our patience was not severely tried. The event of the next day enlightened
+ us in a very unexpected manner. Before noon, the neighbors brought
+ startling news from the prison to the farm.
+ </p>
+ <p>
+ Ambrose Meadowcroft had confessed himself to be the murderer of John Jago!
+ He had signed the confession in the presence of the sheriff and the
+ governor on that very day.
+ </p>
+ <p>
+ I saw the document. It is needless to reproduce it here. In substance,
+ Ambrose confessed what Silas had confessed; claiming, however, to have
+ only struck Jago under intolerable provocation, so as to reduce the nature
+ of his offense against the law from murder to manslaughter. Was the
+ confession really the true statement of what had taken place? or had the
+ sheriff and the governor, acting in the interests of the family name,
+ persuaded Ambrose to try this desperate means of escaping the ignominy of
+ death on the scaffold? The sheriff and the governor preserved impenetrable
+ silence until the pressure put on them judicially at the trial obliged
+ them to speak.
+ </p>
+ <p>
+ Who was to tell Naomi of this last and saddest of all the calamities which
+ had fallen on her? Knowing how I loved her in secret, I felt an invincible
+ reluctance to be the person who revealed Ambrose Meadowcroft&rsquo;s degradation
+ to his betrothed wife. Had any other member of the family told her what
+ had happened? The lawyer was able to answer me; Miss Meadowcroft had told
+ her.
+ </p>
+ <p>
+ I was shocked when I heard it. Miss Meadowcroft was the last person in the
+ house to spare the poor girl; Miss Meadowcroft would make the hard tidings
+ doubly terrible to bear in the telling. I tried to find Naomi, without
+ success. She had been always accessible at other times. Was she hiding
+ herself from me now? The idea occurred to me as I was descending the
+ stairs after vainly knocking at the door of her room. I was determined to
+ see her. I waited a few minutes, and then ascended the stairs again
+ suddenly. On the landing I met her, just leaving her room.
+ </p>
+ <p>
+ She tried to run back. I caught her by the arm, and detained her. With her
+ free hand she held her handkerchief over her face so as to hide it from
+ me.
+ </p>
+ <p>
+ &ldquo;You once told me I had comforted you,&rdquo; I said to her, gently. &ldquo;Won&rsquo;t you
+ let me comfort you now?&rdquo;
+ </p>
+ <p>
+ She still struggled to get away, and still kept her head turned from me.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you see that I am ashamed to look you in the face?&rdquo; she said, in
+ low, broken tones. &ldquo;Let me go.&rdquo;
+ </p>
+ <p>
+ I still persisted in trying to soothe her. I drew her to the window-seat.
+ I said I would wait until she was able to speak to me.
+ </p>
+ <p>
+ She dropped on the seat, and wrung her hands on her lap. Her downcast eyes
+ still obstinately avoided meeting mine.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; she said to herself, &ldquo;what madness possessed me? Is it possible that
+ I ever disgraced myself by loving Ambrose Meadowcroft?&rdquo; She shuddered as
+ the idea found its way to expression on her lips. The tears rolled slowly
+ over her cheeks. &ldquo;Don&rsquo;t despise me, Mr. Lefrank!&rdquo; she said, faintly.
+ </p>
+ <p>
+ I tried, honestly tried, to put the confession before her in its least
+ unfavorable light.
+ </p>
+ <p>
+ &ldquo;His resolution has given way,&rdquo; I said. &ldquo;He has done this, despairing of
+ proving his innocence, in terror of the scaffold.&rdquo;
+ </p>
+ <p>
+ She rose, with an angry stamp of her foot. She turned her face on me with
+ the deep-red flush of shame in it, and the big tears glistening in her
+ eyes.
+ </p>
+ <p>
+ &ldquo;No more of him!&rdquo; she said, sternly. &ldquo;If he is not a murderer, what else
+ is he? A liar and a coward! In which of his characters does he disgrace me
+ most? I have done with him forever! I will never speak to him again!&rdquo; She
+ pushed me furiously away from her; advanced a few steps toward her own
+ door; stopped, and came back to me. The generous nature of the girl spoke
+ in her next words. &ldquo;I am not ungrateful to <i>you</i>, friend Lefrank. A
+ woman in my place is only a woman; and, when she is shamed as I am, she
+ feels it very bitterly. Give me your hand! God bless you!&rdquo;
+ </p>
+ <p>
+ She put my hand to her lips before I was aware of her, and kissed it, and
+ ran back into her room.
+ </p>
+ <p>
+ I sat down on the place which she had occupied. She had looked at me for
+ one moment when she kissed my hand. I forgot Ambrose and his confession; I
+ forgot the coming trial; I forgot my professional duties and my English
+ friends. There I sat, in a fool&rsquo;s elysium of my own making, with
+ absolutely nothing in my mind but the picture of Naomi&rsquo;s face at the
+ moment when she had last looked at me!
+ </p>
+ <p>
+ I have already mentioned that I was in love with her. I merely add this to
+ satisfy you that I tell the truth.
+ </p>
+ <p>
+ <a name="link2HCH0011" id="link2HCH0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XI. THE PEBBLE AND THE WINDOW.
+ </h2>
+ <p>
+ MISS MEADOWCROFT and I were the only representatives of the family at the
+ farm who attended the trial. We went separately to Narrabee. Excepting the
+ ordinary greetings at morning and night, Miss Meadowcroft had not said one
+ word to me since the time when I had told her that I did <i>not</i>
+ believe John Jago to be a living man.
+ </p>
+ <p>
+ I have purposely abstained from encumbering my narrative with legal
+ details. I now propose to state the nature of the defense in the briefest
+ outline only.
+ </p>
+ <p>
+ We insisted on making both the prisoners plead not guilty. This done, we
+ took an objection to the legality of the proceedings at starting. We
+ appealed to the old English law, that there should be no conviction for
+ murder until the body of the murdered person was found, or proof of its
+ destruction obtained beyond a doubt. We denied that sufficient proof had
+ been obtained in the case now before the court.
+ </p>
+ <p>
+ The judges consulted, and decided that the trial should go on.
+ </p>
+ <p>
+ We took our next objection when the confessions were produced in evidence.
+ We declared that they had been extorted by terror, or by undue influence;
+ and we pointed out certain minor particulars in which the two confessions
+ failed to corroborate each other. For the rest, our defense on this
+ occasion was, as to essentials, what our defense had been at the inquiry
+ before the magistrate. Once more the judges consulted, and once more they
+ overruled our objection. The confessions were admitted in evidence. On
+ their side, the prosecution produced one new witness in support of their
+ case. It is needless to waste time in recapitulating his evidence. He
+ contradicted himself gravely on cross-examination. We showed plainly, and
+ after investigation proved, that he was not to be believed on his oath.
+ </p>
+ <p>
+ The chief-justice summed up.
+ </p>
+ <p>
+ He charged, in relation to the confessions, that no weight should be
+ attached to a confession incited by hope or fear; and he left it to the
+ jury to determine whether the confessions in this case had been so
+ influenced. In the course of the trial, it had been shown for the defense
+ that the sheriff and the governor of the prison had told Ambrose, with his
+ father&rsquo;s knowledge and sanction, that the case was clearly against him;
+ that the only chance of sparing his family the disgrace of his death by
+ public execution lay in making a confession; and that they would do their
+ best, if he did confess, to have his sentence commuted to imprisonment for
+ life. As for Silas, he was proved to have been beside himself with terror
+ when he made his abominable charge against his brother. We had vainly
+ trusted to the evidence on these two points to induce the court to reject
+ the confessions: and we were destined to be once more disappointed in
+ anticipating that the same evidence would influence the verdict of the
+ jury on the side of mercy. After an absence of an hour, they returned into
+ court with a verdict of &ldquo;Guilty&rdquo; against both the prisoners.
+ </p>
+ <p>
+ Being asked in due form if they had anything to say in mitigation of their
+ sentence, Ambrose and Silas solemnly declared their innocence, and
+ publicly acknowledged that their respective confessions had been wrung
+ from them by the hope of escaping the hangman&rsquo;s hands. This statement was
+ not noticed by the bench. The prisoners were both sentenced to death.
+ </p>
+ <p>
+ On my return to the farm, I did not see Naomi. Miss Meadowcroft informed
+ her of the result of the trial. Half an hour later, one of the
+ women-servants handed to me an envelope bearing my name on it in Naomi&rsquo;s
+ handwriting.
+ </p>
+ <p>
+ The envelope inclosed a letter, and with it a slip of paper on which Naomi
+ had hurriedly written these words: &ldquo;For God&rsquo;s sake, read the letter I send
+ to you, and do something about it immediately!&rdquo;
+ </p>
+ <p>
+ I looked at the letter. It assumed to be written by a gentleman in New
+ York. Only the day before, he had, by the merest accident, seen the
+ advertisement for John Jago cut out of a newspaper and pasted into a book
+ of &ldquo;curiosities&rdquo; kept by a friend. Upon this he wrote to Morwick Farm to
+ say that he had seen a man exactly answering to the description of John
+ Jago, but bearing another name, working as a clerk in a merchant&rsquo;s office
+ in Jersey City. Having time to spare before the mail went out, he had
+ returned to the office to take another look at the man before he posted
+ his letter. To his surprise, he was informed that the clerk had not
+ appeared at his desk that day. His employer had sent to his lodgings, and
+ had been informed that he had suddenly packed up his hand-bag after
+ reading the newspaper at breakfast; had paid his rent honestly, and had
+ gone away, nobody knew where!
+ </p>
+ <p>
+ It was late in the evening when I read these lines. I had time for
+ reflection before it would be necessary for me to act.
+ </p>
+ <p>
+ Assuming the letter to be genuine, and adopting Naomi&rsquo;s explanation of the
+ motive which had led John Jago to absent himself secretly from the farm, I
+ reached the conclusion that the search for him might be usefully limited
+ to Narrabee and to the surrounding neighborhood.
+ </p>
+ <p>
+ The newspaper at his breakfast had no doubt given him his first
+ information of the &ldquo;finding&rdquo; of the grand jury, and of the trial to
+ follow. It was in my experience of human nature that he should venture
+ back to Narrabee under these circumstances, and under the influence of his
+ infatuation for Naomi. More than this, it was again in my experience, I am
+ sorry to say, that he should attempt to make the critical position of
+ Ambrose a means of extorting Naomi&rsquo;s consent to listen favorably to his
+ suit. Cruel indifference to the injury and the suffering which his sudden
+ absence might inflict on others was plainly implied in his secret
+ withdrawal from the farm. The same cruel indifference, pushed to a further
+ extreme, might well lead him to press his proposals privately on Naomi,
+ and to fix her acceptance of them as the price to be paid for saving her
+ cousin&rsquo;s life.
+ </p>
+ <p>
+ To these conclusions I arrived after much thinking. I had determined, on
+ Naomi&rsquo;s account, to clear the matter up; but it is only candid to add that
+ my doubts of John Jago&rsquo;s existence remained unshaken by the letter. I
+ believed it to be nothing more nor less than a heartless and stupid
+ &ldquo;hoax.&rdquo;
+ </p>
+ <p>
+ The striking of the hall-clock roused me from my meditations. I counted
+ the strokes&mdash;midnight!
+ </p>
+ <p>
+ I rose to go up to my room. Everybody else in the farm had retired to bed,
+ as usual, more than an hour since. The stillness in the house was
+ breathless. I walked softly, by instinct, as I crossed the room to look
+ out at the night. A lovely moonlight met my view; it was like the
+ moonlight on the fatal evening when Naomi had met John Jago on the garden
+ walk.
+ </p>
+ <p>
+ My bedroom candle was on the side-table; I had just lighted it. I was just
+ leaving the room, when the door suddenly opened, and Naomi herself stood
+ before me!
+ </p>
+ <p>
+ Recovering the first shook of her sudden appearance, I saw instantly in
+ her eager eyes, in her deadly-pale cheeks, that something serious had
+ happened. A large cloak was thrown over her; a white handkerchief was tied
+ over her head. Her hair was in disorder; she had evidently just risen in
+ fear and in haste from her bed.
+ </p>
+ <p>
+ &ldquo;What is it?&rdquo; I asked, advancing to meet her.
+ </p>
+ <p>
+ She clung, trembling with agitation, to my arm.
+ </p>
+ <p>
+ &ldquo;John Jago!&rdquo; she whispered.
+ </p>
+ <p>
+ You will think my obstinacy invincible. I could hardly believe it, even
+ then!
+ </p>
+ <p>
+ &ldquo;Where?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;In the back-yard,&rdquo; she replied, &ldquo;under my bedroom window!&rdquo;
+ </p>
+ <p>
+ The emergency was far too serious to allow of any consideration for the
+ small proprieties of every-day life.
+ </p>
+ <p>
+ &ldquo;Let me see him!&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;I am here to fetch you,&rdquo; she answered, in her frank and fearless way.
+ &ldquo;Come upstairs with me.&rdquo;
+ </p>
+ <p>
+ Her room was on the first floor of the house, and was the only bedroom
+ which looked out on the back-yard. On our way up the stairs she told me
+ what had happened.
+ </p>
+ <p>
+ &ldquo;I was in bed,&rdquo; she said, &ldquo;but not asleep, when I heard a pebble strike
+ against the window-pane. I waited, wondering what it meant. Another pebble
+ was thrown against the glass. So far, I was surprised, but not frightened.
+ I got up, and ran to the window to look out. There was John Jago looking
+ up at me in the moonlight!&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he see you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. He said, &lsquo;Come down and speak to me! I have something serious to say
+ to you!&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you answer him?&rdquo;
+ </p>
+ <p>
+ &ldquo;As soon as I could catch my breath, I said, &lsquo;Wait a little,&rsquo; and ran
+ downstairs to you. What shall I do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Let <i>me</i> see him, and I will tell you.&rdquo;
+ </p>
+ <p>
+ We entered her room. Keeping cautiously behind the window-curtain, I
+ looked out.
+ </p>
+ <p>
+ There he was! His beard and mustache were shaved off; his hair was close
+ cut. But there was no disguising his wild, brown eyes, or the peculiar
+ movement of his spare, wiry figure, as he walked slowly to and fro in the
+ moonlight waiting for Naomi. For the moment, my own agitation almost
+ overpowered me; I had so firmly disbelieved that John Jago was a living
+ man!
+ </p>
+ <p>
+ &ldquo;What shall I do?&rdquo; Naomi repeated.
+ </p>
+ <p>
+ &ldquo;Is the door of the dairy open?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;No; but the door of the tool-house, round the corner, is not locked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good. Show yourself at the window, and say to him, &lsquo;I am coming
+ directly.&rsquo;&rdquo;
+ </p>
+ <p>
+ The brave girl obeyed me without a moment&rsquo;s hesitation.
+ </p>
+ <p>
+ There had been no doubt about his eyes and his gait; there was no doubt
+ now about his voice, as he answered softly from below&mdash;&ldquo;All right!&rdquo;
+ </p>
+ <p>
+ &ldquo;Keep him talking to you where he is now,&rdquo; I said to Naomi, &ldquo;until I have
+ time to get round by the other way to the tool-house. Then pretend to be
+ fearful of discovery at the dairy, and bring him round the corner, so that
+ I can hear him behind the door.&rdquo;
+ </p>
+ <p>
+ We left the house together, and separated silently. Naomi followed my
+ instructions with a woman&rsquo;s quick intelligence where stratagems are
+ concerned. I had hardly been a minute in the tool-house before I heard him
+ speaking to Naomi on the other side of the door.
+ </p>
+ <p>
+ The first words which I caught distinctly related to his motive for
+ secretly leaving the farm. Mortified pride&mdash;doubly mortified by
+ Naomi&rsquo;s contemptuous refusal and by the personal indignity offered to him
+ by Ambrose&mdash;was at the bottom of his conduct in absenting himself
+ from Morwick. He owned that he had seen the advertisement, and that it had
+ actually encouraged him to keep in hiding!
+ </p>
+ <p>
+ &ldquo;After being laughed at and insulted and denied, I was glad,&rdquo; said the
+ miserable wretch, &ldquo;to see that some of you had serious reason to wish me
+ back again. It rests with you, Miss Naomi, to keep me here, and to
+ persuade me to save Ambrose by showing myself and owning to my name.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; I heard Naomi ask, sternly.
+ </p>
+ <p>
+ He lowered his voice; but I could still hear him.
+ </p>
+ <p>
+ &ldquo;Promise you will marry me,&rdquo; he said, &ldquo;and I will go before the magistrate
+ to-morrow, and show him that I am a living man.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose I refuse?&rdquo;
+ </p>
+ <p>
+ &ldquo;In that case you will lose me again, and none of you will find me till
+ Ambrose is hanged.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you villain enough, John Jago, to mean what you say?&rdquo; asked the girl,
+ raising her voice.
+ </p>
+ <p>
+ &ldquo;If you attempt to give the alarm,&rdquo; he answered, &ldquo;as true as God&rsquo;s above
+ us, you will feel my hand on your throat! It&rsquo;s my turn now, miss; and I am
+ not to be trifled with. Will you have me for your husband&mdash;yes or
+ no?&rdquo;
+ </p>
+ <p>
+ &ldquo;No!&rdquo; she answered, loudly and firmly.
+ </p>
+ <p>
+ I burst open the door, and seized him as he lifted his hand on her. He had
+ not suffered from the nervous derangement which had weakened me, and he
+ was the stronger man of the two. Naomi saved my life. She struck up his
+ pistol as he pulled it out of his pocket with his free hand and presented
+ it at my head. The bullet was fired into the air. I tripped up his heels
+ at the same moment. The report of the pistol had alarmed the house. We two
+ together kept him on the ground until help arrived.
+ </p>
+ <p>
+ <a name="link2HCH0012" id="link2HCH0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XII. THE END OF IT.
+ </h2>
+ <p>
+ JOHN JAGO was brought before the magistrate, and John Jago was identified
+ the next day.
+ </p>
+ <p>
+ The lives of Ambrose and Silas were, of course, no longer in peril, so far
+ as human justice was concerned. But there were legal delays to be
+ encountered, and legal formalities to be observed, before the brothers
+ could be released from prison in the characters of innocent men.
+ </p>
+ <p>
+ During the interval which thus elapsed, certain events happened which may
+ be briefly mentioned here before I close my narrative.
+ </p>
+ <p>
+ Mr. Meadowcroft the elder, broken by the suffering which he had gone
+ through, died suddenly of a rheumatic affection of the heart. A codicil
+ attached to his will abundantly justified what Naomi had told me of Miss
+ Meadowcroft&rsquo;s influence over her father, and of the end she had in view in
+ exercising it. A life income only was left to Mr. Meadowcroft&rsquo;s sons. The
+ freehold of the farm was bequeathed to his daughter, with the testator&rsquo;s
+ recommendation added, that she should marry his &ldquo;best and dearest friend,
+ Mr. John Jago.&rdquo;
+ </p>
+ <p>
+ Armed with the power of the will, the heiress of Morwick sent an insolent
+ message to Naomi, requesting her no longer to consider herself one of the
+ inmates at the farm. Miss Meadowcroft, it should be here added, positively
+ refused to believe that John Jago had ever asked Naomi to be his wife, or
+ had ever threatened her, as I had heard him threaten her, if she refused.
+ She accused me, as she accused Naomi, of trying meanly to injure John Jago
+ in her estimation, out of hatred toward &ldquo;that much-injured man;&rdquo; and she
+ sent to me, as she had sent to Naomi, a formal notice to leave the house.
+ </p>
+ <p>
+ We two banished ones met the same day in the hall, with our traveling-bags
+ in our hands.
+ </p>
+ <p>
+ &ldquo;We are turned out together, friend Lefrank,&rdquo; said Naomi, with her
+ quaintly-comical smile. &ldquo;You will go back to England, I guess; and I must
+ make my own living in my own country. Women can get employment in the
+ States if they have a friend to speak for them. Where shall I find
+ somebody who can give me a place?&rdquo;
+ </p>
+ <p>
+ I saw my way to saying the right word at the right moment.
+ </p>
+ <p>
+ &ldquo;I have got a place to offer you,&rdquo; I replied.
+ </p>
+ <p>
+ She suspected nothing, so far.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s lucky, sir,&rdquo; was all she said. &ldquo;Is it in a telegraph-office or in
+ a dry-goods store?&rdquo;
+ </p>
+ <p>
+ I astonished my little American friend by taking her then and there in my
+ arms, and giving her my first kiss.
+ </p>
+ <p>
+ &ldquo;The office is by my fireside,&rdquo; I said; &ldquo;the salary is anything in reason
+ you like to ask me for; and the place, Naomi, if you have no objection to
+ it, is the place of my wife.&rdquo;
+ </p>
+ <p>
+ I have no more to say, except that years have passed since I spoke those
+ words and that I am as fond of Naomi as ever.
+ </p>
+ <p>
+ Some months after our marriage, Mrs. Lefrank wrote to a friend at Narrabee
+ for news of what was going on at the farm. The answer informed us that
+ Ambrose and Silas had emigrated to New Zealand, and that Miss Meadowcroft
+ was alone at Morwick Farm. John Jago had refused to marry her. John Jago
+ had disappeared again, nobody knew where.
+ </p>
+ <p>
+ NOTE IN CONCLUSION.&mdash;The first idea of this little story was
+ suggested to the author by a printed account of a trial which actually
+ took place, early in the present century, in the United States. The
+ published narrative of this strange case is entitled &ldquo;The Trial,
+ Confessions, and Conviction of Jesse and Stephen Boorn for the Murder of
+ Russell Colvin, and the Return of the Man supposed to have been murdered.
+ By Hon. Leonard Sargeant, Ex-Lieutenant Governor of Vermont. (Manchester,
+ Vermont, <i>Journal</i> Book and Job Office, 1873.)&rdquo; It may not be amiss
+ to add, for the benefit of incredulous readers, that all the &ldquo;improbable
+ events&rdquo; in the story are matters of fact, taken from the printed
+ narrative. Anything which &ldquo;looks like truth&rdquo; is, in nine cases out of ten,
+ the invention of the author.&mdash;W. C.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+***** This file should be named 7891-h.htm or 7891-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/8/9/7891/
+
+Produced by James Rusk, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/7891.txt b/7891.txt
new file mode 100644
index 0000000..1d120af
--- /dev/null
+++ b/7891.txt
@@ -0,0 +1,2927 @@
+The Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Dead Alive
+
+Author: Wilkie Collins
+
+Release Date: April, 2005 [EBook #7891]
+Posting Date: July 31, 2009
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+
+
+
+Produced by James Rusk
+
+
+
+
+
+THE DEAD ALIVE
+
+By Wilkie Collins
+
+
+
+CHAPTER I.
+
+THE SICK MAN.
+
+"HEART all right," said the doctor. "Lungs all right. No organic
+disease that I can discover. Philip Lefrank, don't alarm yourself. You
+are not going to die yet. The disease you are suffering from
+is--overwork. The remedy in your case is--rest."
+
+So the doctor spoke, in my chambers in the Temple (London); having been
+sent for to see me about half an hour after I had alarmed my clerk by
+fainting at my desk. I have no wish to intrude myself needlessly on the
+reader's attention; but it may be necessary to add, in the way of
+explanation, that I am a "junior" barrister in good practice. I come
+from the channel Island of Jersey. The French spelling of my name
+(Lefranc) was Anglicized generations since--in the days when the letter
+"k" was still used in England at the end of words which now terminate
+in "c." We hold our heads high, nevertheless, as a Jersey family. It is
+to this day a trial to my father to hear his son described as a member
+of the English bar.
+
+"Rest!" I repeated, when my medical adviser had done. "My good friend,
+are you aware that it is term-time? The courts are sitting. Look at the
+briefs waiting for me on that table! Rest means ruin in my case."
+
+"And work," added the doctor, quietly, "means death."
+
+I started. He was not trying to frighten me: he was plainly in earnest.
+
+"It is merely a question of time," he went on. "You have a fine
+constitution; you are a young man; but you cannot deliberately overwork
+your brain, and derange your nervous system, much longer. Go away at
+once. If you are a good sailor, take a sea-voyage. The ocean air is the
+best of all air to build you up again. No: I don't want to write a
+prescription. I decline to physic you. I have no more to say."
+
+With these words my medical friend left the room. I was obstinate: I
+went into court the same day.
+
+The senior counsel in the case on which I was engaged applied to me for
+some information which it was my duty to give him. To my horror and
+amazement, I was perfectly unable to collect my ideas; facts and dates
+all mingled together confusedly in my mind. I was led out of court
+thoroughly terrified about myself. The next day my briefs went back to
+the attorneys; and I followed my doctor's advice by taking my passage
+for America in the first steamer that sailed for New York.
+
+I had chosen the voyage to America in preference to any other trip by
+sea, with a special object in view. A relative of my mother's had
+emigrated to the United States many years since, and had thriven there
+as a farmer. He had given me a general invitation to visit him if I
+ever crossed the Atlantic. The long period of inaction, under the name
+of _rest_, to which the doctor's decision had condemned me, could
+hardly be more pleasantly occupied, as I thought, than by paying a
+visit to my relation, and seeing what I could of America in that way.
+After a brief sojourn at New York, I started by railway for the
+residence of my host--Mr. Isaac Meadowcroft, of Morwick Farm.
+
+There are some of the grandest natural prospects on the face of
+creation in America. There is also to be found in certain States of the
+Union, by way of wholesome contrast, scenery as flat, as monotonous,
+and as uninteresting to the traveler, as any that the earth can show.
+The part of the country in which M. Meadowcroft's farm was situated
+fell within this latter category. I looked round me when I stepped out
+of the railway-carriage on the platform at Morwick Station; and I said
+to myself, "If to be cured means, in my case, to be dull, I have
+accurately picked out the very place for the purpose."
+
+I look back at those words by the light of later events; and I
+pronounce them, as you will soon pronounce them, to be the words of an
+essentially rash man, whose hasty judgment never stopped to consider
+what surprises time and chance together might have in store for him.
+
+Mr. Meadowcroft's eldest son, Ambrose, was waiting at the station to
+drive me to the farm.
+
+There was no forewarning, in the appearance of Ambrose Meadowcroft, of
+the strange and terrible events that were to follow my arrival at
+Morwick. A healthy, handsome young fellow, one of thousands of other
+healthy, handsome young fellows, said, "How d'ye do, Mr. Lefrank? Glad
+to see you, sir. Jump into the buggy; the man will look after your
+portmanteau." With equally conventional politeness I answered, "Thank
+you. How are you all at home?" So we started on the way to the farm.
+
+Our conversation on the drive began with the subjects of agriculture
+and breeding. I displayed my total ignorance of crops and cattle before
+we had traveled ten yards on our journey. Ambrose Meadowcroft cast
+about for another topic, and failed to find it. Upon this I cast about
+on my side, and asked, at a venture, if I had chosen a convenient time
+for my visit The young farmer's stolid brown face instantly brightened.
+I had evidently hit, hap-hazard, on an interesting subject.
+
+"You couldn't have chosen a better time," he said. "Our house has never
+been so cheerful as it is now."
+
+"Have you any visitors staying with you?"
+
+"It's not exactly a visitor. It's a new member of the family who has
+come to live with us."
+
+"A new member of the family! May I ask who it is?"
+
+Ambrose Meadowcroft considered before he replied; touched his horse
+with the whip; looked at me with a certain sheepish hesitation; and
+suddenly burst out with the truth, in the plainest possible words:
+
+"It's just the nicest girl, sir, you ever saw in your life."
+
+"Ay, ay! A friend of your sister's, I suppose?"
+
+"A friend? Bless your heart! it's our little American cousin, Naomi
+Colebrook."
+
+I vaguely remembered that a younger sister of Mr. Meadowcroft's had
+married an American merchant in the remote past, and had died many
+years since, leaving an only child. I was now further informed that the
+father also was dead. In his last moments he had committed his helpless
+daughter to the compassionate care of his wife's relations at Morwick.
+
+"He was always a speculating man," Ambrose went on. "Tried one thing
+after another, and failed in all. Died, sir, leaving barely enough to
+bury him. My father was a little doubtful, before she came here, how
+his American niece would turn out. We are English, you know; and,
+though we do live in the United States, we stick fast to our English
+ways and habits. We don't much like American women in general, I can
+tell you; but when Naomi made her appearance she conquered us all. Such
+a girl! Took her place as one of the family directly. Learned to make
+herself useful in the dairy in a week's time. I tell you this--she
+hasn't been with us quite two months yet, and we wonder already how we
+ever got on without her!"
+
+Once started on the subject of Naomi Colebrook, Ambrose held to that
+one topic and talked on it without intermission. It required no great
+gift of penetration to discover the impression which the American
+cousin had produced in this case. The young fellow's enthusiasm
+communicated itself, in a certain tepid degree, to me. I really felt a
+mild flutter of anticipation at the prospect of seeing Naomi, when we
+drew up, toward the close of evening, at the gates of Morwick Farm.
+
+
+
+CHAPTER II.
+
+THE NEW FACES.
+
+IMMEDIATELY on my arrival, I was presented to Mr. Meadowcroft, the
+father.
+
+The old man had become a confirmed invalid, confined by chronic
+rheumatism to his chair. He received me kindly, and a little wearily as
+well. His only unmarried daughter (he had long since been left a
+widower) was in the room, in attendance on her father. She was a
+melancholy, middle-aged woman, without visible attractions of any
+sort--one of those persons who appear to accept the obligation of
+living under protest, as a burden which they would never have consented
+to bear if they had only been consulted first. We three had a dreary
+little interview in a parlor of bare walls; and then I was permitted to
+go upstairs, and unpack my portmanteau in my own room.
+
+"Supper will be at nine o'clock, sir," said Miss Meadowcroft.
+
+She pronounced those words as if "supper" was a form of domestic
+offense, habitually committed by the men, and endured by the women. I
+followed the groom up to my room, not over-well pleased with my first
+experience of the farm.
+
+No Naomi and no romance, thus far!
+
+My room was clean--oppressively clean. I quite longed to see a little
+dust somewhere. My library was limited to the Bible and the
+Prayer-Book. My view from the window showed me a dead flat in a partial
+state of cultivation, fading sadly from view in the waning light. Above
+the head of my spruce white bed hung a scroll, bearing a damnatory
+quotation from Scripture in emblazoned letters of red and black. The
+dismal presence of Miss Meadowcroft had passed over my bedroom, and had
+blighted it. My spirits sank as I looked round me. Supper-time was
+still an event in the future. I lighted the candles and took from my
+portmanteau what I firmly believe to have been the first French novel
+ever produced at Morwick Farm. It was one of the masterly and charming
+stories of Dumas the elder. In five minutes I was in a new world, and
+my melancholy room was full of the liveliest French company. The sound
+of an imperative and uncompromising bell recalled me in due time to the
+regions of reality. I looked at my watch. Nine o'clock.
+
+Ambrose met me at the bottom of the stairs, and showed me the way to
+the supper-room.
+
+Mr. Meadowcroft's invalid chair had been wheeled to the head of the
+table. On his right-hand side sat his sad and silent daughter. She
+signed to me, with a ghostly solemnity, to take the vacant place on the
+left of her father. Silas Meadowcroft came in at the same moment, and
+was presented to me by his brother. There was a strong family likeness
+between them, Ambrose being the taller and the handsomer man of the
+two. But there was no marked character in either face. I set them down
+as men with undeveloped qualities, waiting (the good and evil qualities
+alike) for time and circumstances to bring them to their full growth.
+
+The door opened again while I was still studying the two brothers,
+without, I honestly confess, being very favorably impressed by either
+of them. A new member of the family circle, who instantly attracted my
+attention, entered the room.
+
+He was short, spare, and wiry; singularly pale for a person whose life
+was passed in the country. The face was in other respects, besides
+this, a striking face to see. As to the lower part, it was covered with
+a thick black beard and mustache, at a time when shaving was the rule,
+and beards the rare exception, in America. As to the upper part of the
+face, it was irradiated by a pair of wild, glittering brown eyes, the
+expression of which suggested to me that there was something not quite
+right with the man's mental balance. A perfectly sane person in all his
+sayings and doings, so far as I could see, there was still something in
+those wild brown eyes which suggested to me that, under exceptionally
+trying circumstances, he might surprise his oldest friends by acting in
+some exceptionally violent or foolish way. "A little cracked"--that in
+the popular phrase was my impression of the stranger who now made his
+appearance in the supper-room.
+
+Mr. Meadowcroft the elder, having not spoken one word thus far, himself
+introduced the newcomer to me, with a side-glance at his sons, which
+had something like defiance in it--a glance which, as I was sorry to
+notice, was returned with the defiance on their side by the two young
+men.
+
+"Philip Lefrank, this is my overlooker, Mr. Jago," said the old man,
+formally presenting us. "John Jago, this is my young relative by
+marriage, Mr. Lefrank. He is not well; he has come over the ocean for
+rest, and change of scene. Mr. Jago is an American, Philip. I hope you
+have no prejudice against Americans. Make acquaintance with Mr. Jago.
+Sit together." He cast another dark look at his sons; and the sons
+again returned it. They pointedly drew back from John Jago as he
+approached the empty chair next to me and moved round to the opposite
+side of the table. It was plain that the man with the beard stood high
+in the father's favor, and that he was cordially disliked for that or
+for some other reason by the sons.
+
+The door opened once more. A young lady quietly joined the party at the
+supper-table.
+
+Was the young lady Naomi Colebrook? I looked at Ambrose, and saw the
+answer in his face. Naomi Colebrook at last!
+
+A pretty girl, and, so far as I could judge by appearances, a good girl
+too. Describing her generally, I may say that she had a small head,
+well carried, and well set on her shoulders; bright gray eyes, that
+looked at you honestly, and meant what they looked; a trim, slight
+little figure--too slight for our English notions of beauty; a strong
+American accent; and (a rare thing in America) a pleasantly toned
+voice, which made the accent agreeable to English ears. Our first
+impressions of people are, in nine cases out of ten, the right
+impressions. I liked Naomi Colebrook at first sight; liked her pleasant
+smile; liked her hearty shake of the hand when we were presented to
+each other. "If I get on well with nobody else in this house," I
+thought to myself, "I shall certainly get on well with _you_."
+
+For once in a way, I proved a true prophet. In the atmosphere of
+smoldering enmities at Morwick Farm, the pretty American girl and I
+remained firm and true friends from first to last. Ambrose made room
+for Naomi to sit between his brother and himself. She changed color for
+a moment, and looked at him, with a pretty, reluctant tenderness, as
+she took her chair. I strongly suspected the young farmer of squeezing
+her hand privately, under cover of the tablecloth.
+
+The supper was not a merry one. The only cheerful conversation was the
+conversation across the table between Naomi and me.
+
+For some incomprehensible reason, John Jago seemed to be ill at ease in
+the presence of his young countrywoman. He looked up at Naomi
+doubtingly from his plate, and looked down again slowly with a frown.
+When I addressed him, he answered constrainedly. Even when he spoke to
+Mr. Meadowcroft, he was still on his guard--on his guard against the
+two young men, as I fancied by the direction which his eyes took on
+these occasions. When we began our meal, I had noticed for the first
+time that Silas Meadowcroft's left hand was strapped up with surgical
+plaster; and I now further observed that John Jago's wandering brown
+eyes, furtively looking at everybody round the table in turn, looked
+with a curious, cynical scrutiny at the young man's injured hand.
+
+By way of making my first evening at the farm all the more embarrassing
+to me as a stranger, I discovered before long that the father and sons
+were talking indirectly _at_ each other, through Mr. Jago and through
+me. When old Mr. Meadowcroft spoke disparagingly to his overlooker of
+some past mistake made in the cultivation of the arable land of the
+farm, old Mr. Meadowcroft's eyes pointed the application of his hostile
+criticism straight in the direction of his two sons. When the two sons
+seized a stray remark of mine about animals in general, and applied it
+satirically to the mismanagement of sheep and oxen in particular, they
+looked at John Jago, while they talked to me. On occasions of this
+sort--and they happened frequently--Naomi struck in resolutely at the
+right moment, and turned the talk to some harmless topic. Every time
+she took a prominent part in this way in keeping the peace, melancholy
+Miss Meadowcroft looked slowly round at her in stern and silent
+disparagement of her interference. A more dreary and more disunited
+family party I never sat at the table with. Envy, hatred, malice and
+uncharitableness are never so essentially detestable to my mind as when
+they are animated by a sense of propriety, and work under the surface.
+But for my interest in Naomi, and my other interest in the little
+love-looks which I now and then surprised passing between her and
+Ambrose, I should never have sat through that supper. I should
+certainly have taken refuge in my French novel and my own room.
+
+At last the unendurably long meal, served with ostentatious profusion,
+was at an end. Miss Meadowcroft rose with her ghostly solemnity, and
+granted me my dismissal in these words:
+
+"We are early people at the farm, Mr. Lefrank. I wish you good-night."
+
+She laid her bony hands on the back of Mr. Meadowcroft's invalid-chair,
+cut him short in his farewell salutation to me, and wheeled him out to
+his bed as if she were wheeling him out to his grave.
+
+"Do you go to your room immediately, sir? If not, may I offer you a
+cigar--provided the young gentlemen will permit it?"
+
+So, picking his words with painful deliberation, and pointing his
+reference to "the young gentlemen" with one sardonic side-look at them,
+Mr. John Jago performed the duties of hospitality on his side. I
+excused myself from accepting the cigar. With studied politeness, the
+man of the glittering brown eyes wished me a good night's rest, and left
+the room.
+
+Ambrose and Silas both approached me hospitably, with their open
+cigar-cases in their hands.
+
+"You were quite right to say 'No,'" Ambrose began. "Never smoke with
+John Jago. His cigars will poison you."
+
+"And never believe a word John Jago says to you," added Silas. "He is
+the greatest liar in America, let the other be whom he may."
+
+Naomi shook her forefinger reproachfully at them, as if the two sturdy
+young farmers had been two children.
+
+"What will Mr. Lefrank think," she said, "if you talk in that way of a
+person whom your father respects and trusts? Go and smoke. I am ashamed
+of both of you."
+
+Silas slunk away without a word of protest. Ambrose stood his ground,
+evidently bent on making his peace with Naomi before he left her.
+
+Seeing that I was in the way, I walked aside toward a glass door at the
+lower end of the room. The door opened on the trim little farm-garden,
+bathed at that moment in lovely moonlight. I stepped out to enjoy the
+scene, and found my way to a seat under an elm-tree. The grand repose
+of nature had never looked so unutterably solemn and beautiful as it
+now appeared, after what I had seen and heard inside the house. I
+understood, or thought I understood, the sad despair of humanity which
+led men into monasteries in the old times. The misanthropical side of
+my nature (where is the sick man who is not conscious of that side of
+him?) was fast getting the upper hand of me when I felt a light touch
+laid on my shoulder, and found myself reconciled to my species once
+more by Naomi Colebrook.
+
+
+
+CHAPTER III.
+
+THE MOONLIGHT MEETING.
+
+"I WANT to speak to you," Naomi began "You don't think ill of me for
+following you out here? We are not accustomed to stand much on ceremony
+in America."
+
+"You are quite right in America. Pray sit down."
+
+She seated herself by my side, looking at me frankly and fearlessly by
+the light of the moon.
+
+"You are related to the family here," she resumed, "and I am related
+too. I guess I may say to you what I couldn't say to a stranger. I am
+right glad you have come here, Mr. Lefrank; and for a reason, sir,
+which you don't suspect."
+
+"Thank you for the compliment you pay me, Miss Colebrook, whatever the
+reason may be."
+
+She took no notice of my reply; she steadily pursued her own train of
+thought.
+
+"I guess you may do some good, sir, in this wretched house," the girl
+went on, with her eyes still earnestly fixed on my face. "There is no
+love, no trust, no peace, at Morwick Farm. They want somebody here,
+except Ambrose. Don't think ill of Ambrose; he is only thoughtless. I
+say, the rest of them want somebody here to make them ashamed of their
+hard hearts, and their horrid, false, envious ways. You are a
+gentleman; you know more than they know; they can't help themselves;
+they must look up to _you_. Try, Mr. Lefrank, when you have the
+opportunity--pray try, sir, to make peace among them. You heard what
+went on at supper-time; and you were disgusted with it. Oh yes, you
+were! I saw you frown to yourself; and I know what _that_ means in you
+Englishmen."
+
+There was no choice but to speak one's mind plainly to Naomi. I
+acknowledged the impression which had been produced on me at
+supper-time just as plainly as I have acknowledged it in these pages.
+Naomi nodded her head in undisguised approval of my candor.
+
+"That will do, that's speaking out," she said. "But--oh my! you put it
+a deal too mildly, sir, when you say the men don't seem to be on
+friendly terms together here. They hate each other. That's the word,
+Mr. Lefrank--hate; bitter, bitter, bitter hate!" She clinched her
+little fists; she shook them vehemently, by way of adding emphasis to
+her last words; and then she suddenly remembered Ambrose. "Except
+Ambrose," she added, opening her hand again, and laying it very
+earnestly on my arm. "Don't go and misjudge Ambrose, sir. There is no
+harm in poor Ambrose."
+
+The girl's innocent frankness was really irresistible.
+
+"Should I be altogether wrong," I asked, "if I guessed that you were a
+little partial to Ambrose?"
+
+An Englishwoman would have felt, or would at least have assumed, some
+little hesitation at replying to my question. Naomi did not hesitate
+for an instant.
+
+"You are quite right, sir," she said with the most perfect composure.
+"If things go well, I mean to marry Ambrose."
+
+"If things go well," I repeated. "What does that mean? Money?"
+
+She shook her head.
+
+"It means a fear that I have in my own mind," she answered--"a fear,
+Mr. Lefrank, of matters taking a bad turn among the men here--the
+wicked, hard-hearted, unfeeling men. I don't mean Ambrose, sir; I mean
+his brother Silas, and John Jago. Did you notice Silas's hand? John
+Jago did that, sir, with a knife."
+
+"By accident?" I asked.
+
+"On purpose," she answered. "In return for a blow."
+
+This plain revelation of the state of things at Morwick Farm rather
+staggered me--blows and knives under the rich and respectable roof-tree
+of old Mr. Meadowcroft--blows and knives, not among the laborers, but
+among the masters! My first impression was like _your_ first
+impression, no doubt. I could hardly believe it.
+
+"Are you sure of what you say?" I inquired.
+
+"I have it from Ambrose. Ambrose would never deceive me. Ambrose knows
+all about it."
+
+My curiosity was powerfully excited. To what sort of household had I
+rashly voyaged across the ocean in search of rest and quiet?
+
+"May I know all about it too?" I said.
+
+"Well, I will try and tell you what Ambrose told me. But you must
+promise me one thing first, sir. Promise you won't go away and leave us
+when you know the whole truth. Shake hands on it, Mr. Lefrank; come,
+shake hands on it."
+
+There was no resisting her fearless frankness. I shook hands on it.
+Naomi entered on her narrative the moment I had given her my pledge,
+without wasting a word by way of preface.
+
+"When you are shown over the farm here," she began, "you will see that
+it is really two farms in one. On this side of it, as we look from
+under this tree, they raise crops: on the other side--on much the
+larger half of the land, mind--they raise cattle. When Mr. Meadowcroft
+got too old and too sick to look after his farm himself, the boys (I
+mean Ambrose and Silas) divided the work between them. Ambrose looked
+after the crops, and Silas after the cattle. Things didn't go well,
+somehow, under their management. I can't tell you why. I am only sure
+Ambrose was not in fault. The old man got more and more dissatisfied,
+especially about his beasts. His pride is in his beasts. Without saying
+a word to the boys, he looked about privately (_I_ think he was wrong
+in that, sir; don't you?)--he looked about privately for help; and, in
+an evil hour, he heard of John Jago. Do you like John Jago, Mr.
+Lefrank?"
+
+"So far, no. I don't like him."
+
+"Just my sentiments, sir. But I don't know: it's likely we may be
+wrong. There's nothing against John Jago, except that he is so odd in
+his ways. They do say he wears all that nasty hair on his face (I hate
+hair on a man's face) on account of a vow he made when he lost his
+wife. Don't you think, Mr. Lefrank, a man must be a little mad who
+shows his grief at losing his wife by vowing that he will never shave
+himself again? Well, that's what they do say John Jago vowed. Perhaps
+it's a lie. People are such liars here! Anyway, it's truth (the boys
+themselves confess _that_), when John came to the farm, he came with a
+first-rate character. The old father here isn't easy to please; and he
+pleased the old father. Yes, that's so. Mr. Meadowcroft don't like my
+countrymen in general. He's like his sons--English, bitter English, to
+the marrow of his bones. Somehow, in spite of that, John Jago got round
+him; maybe because John does certainly know his business. Oh yes!
+Cattle and crops, John knows his business. Since he's been overlooker,
+things have prospered as they didn't prosper in the time of the boys.
+Ambrose owned as much to me himself. Still, sir, it's hard to be set
+aside for a stranger; isn't it? John gives the orders now. The boys do
+their work; but they have no voice in it when John and the old man put
+their heads together over the business of the farm. I have been long in
+telling you of it, sir, but now you know how the envy and the hatred
+grew among the men before my time. Since I have been here, things seem
+to get worse and worse. There's hardly a day goes by that hard words
+don't pass between the boys and John, or the boys and their father. The
+old man has an aggravating way, Mr. Lefrank--a nasty way, as we do call
+it--of taking John Jago's part. Do speak to him about it when you get
+the chance. The main blame of the quarrel between Silas and John the
+other day lies at his door, as I think. I don't want to excuse Silas,
+either. It was brutal of him--though he _is_ Ambrose's brother--to
+strike John, who is the smaller and weaker man of the two. But it was
+worse than brutal in John, sir, to out with his knife and try to stab
+Silas. Oh, he did it! If Silas had not caught the knife in his hand
+(his hand's awfully cut, I can tell you; I dressed it myself), it might
+have ended, for anything I know, in murder--"
+
+She stopped as the word passed her lips, looked back over her shoulder,
+and started violently.
+
+I looked where my companion was looking. The dark figure of a man was
+standing, watching us, in the shadow of the elm-tree. I rose directly
+to approach him. Naomi recovered her self-possession, and checked me
+before I could interfere.
+
+"Who are you?" she asked, turning sharply toward the stranger. "What do
+you want there?"
+
+The man stepped out from the shadow into the moonlight, and stood
+revealed to us as John Jago.
+
+"I hope I am not intruding?" he said, looking hard at me.
+
+"What do you want?" Naomi repeated.
+
+"I don't wish to disturb you, or to disturb this gentleman," he
+proceeded. "When you are quite at leisure, Miss Naomi, you would be
+doing me a favor if you would permit me to say a few words to you in
+private."
+
+He spoke with the most scrupulous politeness; trying, and trying
+vainly, to conceal some strong agitation which was in possession of
+him. His wild brown eyes--wilder than ever in the moonlight--rested
+entreatingly, with a strange underlying expression of despair, on
+Naomi's face. His hands, clasped lightly in front of him, trembled
+incessantly. Little as I liked the man, he did really impress me as a
+pitiable object at that moment.
+
+"Do you mean that you want to speak to me to-night?" Naomi asked, in
+undisguised surprise.
+
+"Yes, miss, if you please, at your leisure and at Mr. Lefrank's."
+
+Naomi hesitated.
+
+"Won't it keep till to-morrow?" she said.
+
+"I shall be away on farm business to-morrow, miss, for the whole day.
+Please to give me a few minutes this evening." He advanced a step
+toward her; his voice faltered, and dropped timidly to a whisper. "I
+really have something to say to you, Miss Naomi. It would be a kindness
+on your part--a very, very great kindness--if you will let me say it
+before I rest to-night."
+
+I rose again to resign my place to him. Once more Naomi checked me.
+
+"No," she said. "Don't stir." She addressed John Jago very reluctantly:
+"If you are so much in earnest about it, Mr. John, I suppose it must
+be. I can't guess what _you_ can possibly have to say to me which
+cannot be said before a third person. However, it wouldn't be civil, I
+suppose, to say 'No' in my place. You know it's my business to wind up
+the hall-clock at ten every night. If you choose to come and help me,
+the chances are that we shall have the hall to ourselves. Will that
+do?"
+
+"Not in the hall, miss, if you will excuse me."
+
+"Not in the hall!"
+
+"And not in the house either, if I may make so bold."
+
+"What do you mean?" She turned impatiently, and appealed to me. "Do
+_you_ understand him?"
+
+John Jago signed to me imploringly to let him answer for himself.
+
+"Bear with me, Miss Naomi," he said. "I think I can make you understand
+me. There are eyes on the watch, and ears on the watch, in the house;
+and there are some footsteps--I won't say whose--so soft, that no
+person can hear them."
+
+The last allusion evidently made itself understood. Naomi stopped him
+before he could say more.
+
+"Well, where is it to be?" she asked, resignedly. "Will the garden do,
+Mr. John?"
+
+"Thank you kindly, miss; the garden will do." He pointed to a
+gravel-walk beyond us, bathed in the full flood of the moonlight.
+"There," he said, "where we can see all round us, and be sure that
+nobody is listening. At ten o'clock." He paused, and addressed himself
+to me. "I beg to apologize, sir, for intruding myself on your
+conversation. Please to excuse me."
+
+His eyes rested with a last anxious, pleading look on Naomi's face. He
+bowed to us, and melted away into the shadow of the tree. The distant
+sound of a door closed softly came to us through the stillness of the
+night. John Jago had re-entered the house.
+
+Now that he was out of hearing, Naomi spoke to me very earnestly:
+
+"Don't suppose, sir, I have any secrets with _him_," she said. "I know
+no more than you do what he wants with me. I have half a mind not to
+keep the appointment when ten o'clock comes. What would you do in my
+place?"
+
+"Having made the appointment," I answered, "it seems to be due to
+yourself to keep it. If you feel the slightest alarm, I will wait in
+another part of the garden, so that I can hear if you call me."
+
+She received my proposal with a saucy toss of the head, and a smile of
+pity for my ignorance.
+
+"You are a stranger, Mr. Lefrank, or you would never talk to me in that
+way. In America, we don't do the men the honor of letting them alarm
+us. In America, the women take care of themselves. He has got my
+promise to meet him, as you say; and I must keep my promise. Only
+think," she added, speaking more to herself than to me, "of John Jago
+finding out Miss Meadowcroft's nasty, sly, underhand ways in the house!
+Most men would never have noticed her."
+
+I was completely taken by surprise. Sad and severe Miss Meadowcroft a
+listener and a spy! What next at Morwick Farm?
+
+"Was that hint at the watchful eyes and ears, and the soft footsteps,
+really an allusion to Mr. Meadowcroft's daughter?" I asked.
+
+"Of course it was. Ah! she has imposed on you as she imposes on
+everybody else. The false wretch! She is secretly at the bottom of half
+the bad feeling among the men. I am certain of it--she keeps Mr.
+Meadowcroft's mind bitter toward the boys. Old as she is, Mr. Lefrank,
+and ugly as she is, she wouldn't object (if she could only make him ask
+her) to be John Jago's second wife. No, sir; and she wouldn't break her
+heart if the boys were not left a stick or a stone on the farm when the
+father dies. I have watched her, and I know it. Ah! I could tell you
+such things! But there's no time now--it's close on ten o'clock; we
+must say good-night. I am right glad I have spoken to you, sir. I say
+again, at parting, what I have said already: Use your influence, pray
+use your influence, to soften them, and to make them ashamed of
+themselves, in this wicked house. We will have more talk about what you
+can do to-morrow, when you are shown over the farm. Say good-by now.
+Hark! there is ten striking! And look! here is John Jago stealing out
+again in the shadow of the tree! Good-night, friend Lefrank; and
+pleasant dreams."
+
+With one hand she took mine, and pressed it cordially; with the other
+she pushed me away without ceremony in the direction of the house. A
+charming girl--an irresistible girl! I was nearly as bad as the boys. I
+declare, _I_ almost hated John Jago, too, as we crossed each other in
+the shadow of the tree.
+
+Arrived at the glass door, I stopped and looked back at the gravel-walk.
+
+They had met. I saw the two shadowy figures slowly pacing backward and
+forward in the moonlight, the woman a little in advance of the man.
+What was he saying to her? Why was he so anxious that not a word of it
+should be heard? Our presentiments are sometimes, in certain rare
+cases, the faithful prophecy of the future. A vague distrust of that
+moonlight meeting stealthily took a hold on my mind. "Will mischief
+come of it?" I asked myself as I closed the door and entered the house.
+
+Mischief _did_ come of it. You shall hear how.
+
+
+
+CHAPTER IV.
+
+THE BEECHEN STICK.
+
+PERSONS of sensitive, nervous temperament, sleeping for the first time
+in a strange house, and in a bed that is new to them, must make up
+their minds to pass a wakeful night. My first night at Morwick Farm was
+no exception to this rule. The little sleep I had was broken and
+disturbed by dreams. Toward six o'clock in the morning, my bed became
+unendurable to me. The sun was shining in brightly at the window. I
+determined to try the reviving influence of a stroll in the fresh
+morning air.
+
+Just as I got out of bed, I heard footsteps and voices under my window.
+
+The footsteps stopped, and the voices became recognizable. I had passed
+the night with my window open; I was able, without exciting notice from
+below, to look out.
+
+The persons beneath me were Silas Meadowcroft, John Jago, and three
+strangers, whose dress and appearance indicated plainly enough that
+they were laborers on the farm. Silas was swinging a stout beechen
+stick in his hand, and was speaking to Jago, coarsely and insolently
+enough, of his moonlight meeting with Naomi on the previous night.
+
+"Next time you go courting a young lady in secret," said Silas, "make
+sure that the moon goes down first, or wait for a cloudy sky. You were
+seen in the garden, Master Jago; and you may as well tell us the truth
+for once in a way. Did you find her open to persuasion, sir? Did she
+say 'Yes?'"
+
+John Jago kept his temper.
+
+"If you must have your joke, Mr. Silas," he said, quietly and firmly,
+"be pleased to joke on some other subject. You are quite wrong, sir, in
+what you suppose to have passed between the young lady and me."
+
+Silas turned about, and addressed himself ironically to the three
+laborers.
+
+"You hear him, boys? He can't tell the truth, try him as you may. He
+wasn't making love to Naomi in the garden last night--oh dear, no! He
+has had one wife already; and he knows better than to take the yoke on
+his shoulders for the second time!"
+
+Greatly to my surprise, John Jago met this clumsy jesting with a formal
+and serious reply.
+
+"You are quite right, sir," he said. "I have no intention of marrying
+for the second time. What I was saying to Miss Naomi doesn't matter to
+you. It was not at all what you choose to suppose; it was something of
+quite another kind, with which you have no concern. Be pleased to
+understand once for all, Mr. Silas, that not so much as the thought of
+making love to the young lady has ever entered my head. I respect her;
+I admire her good qualities; but if she was the only woman left in the
+world, and if I was a much younger man than I am, I should never think
+of asking her to be my wife." He burst out suddenly into a harsh,
+uneasy laugh. "No, no! not my style, Mr. Silas--not my style!"
+
+Something in those words, or in his manner of speaking them, appeared
+to exasperate Silas. He dropped his clumsy irony, and addressed himself
+directly to John Jago in a tone of savage contempt.
+
+"Not your style?" he repeated. "Upon my soul, that's a cool way of
+putting it, for a man in your place! What do you mean by calling her
+'not your style?' You impudent beggar! Naomi Colebrook is meat for your
+master!"
+
+John Jago's temper began to give way at last. He approached defiantly a
+step or two nearer to Silas Meadowcroft.
+
+"Who is my master?" he asked.
+
+"Ambrose will show you, if you go to him," answered the other. "Naomi
+is _his_ sweetheart, not mine. Keep out of his way, if you want to keep
+a whole skin on your bones."
+
+John Jago cast one of his sardonic side-looks at the farmer's wounded
+left hand. "Don't forget your own skin, Mr. Silas, when you threaten
+mine! I have set my mark on you once, sir. Let me by on my business, or
+I may mark you for a second time."
+
+Silas lifted his beechen stick. The laborers, roused to some rude sense
+of the serious turn which the quarrel was taking, got between the two
+men, and parted them. I had been hurriedly dressing myself while the
+altercation was proceeding; and I now ran downstairs to try what my
+influence could do toward keeping the peace at Morwick Farm.
+
+The war of angry words was still going on when I joined the men
+outside.
+
+"Be off with you on your business, you cowardly hound!" I heard Silas
+say. "Be off with you to the town! and take care you don't meet Ambrose
+on the way!"
+
+"Take _you_ care you don't feel my knife again before I go!" cried the
+other man.
+
+Silas made a desperate effort to break away from the laborers who were
+holding him.
+
+"Last time you only felt my fist!" he shouted "Next time you shall feel
+_this!_"
+
+He lifted the stick as he spoke. I stepped up and snatched it out of
+his hand.
+
+"Mr. Silas," I said, "I am an invalid, and I am going out for a walk.
+Your stick will be useful to me. I beg leave to borrow it."
+
+The laborers burst out laughing. Silas fixed his eyes on me with a
+stare of angry surprise. John Jago, immediately recovering his
+self-possession, took off his hat, and made me a deferential bow.
+
+"I had no idea, Mr. Lefrank, that we were disturbing you," he said. "I
+am very much ashamed of myself, sir. I beg to apologize."
+
+"I accept your apology, Mr. Jago," I answered, "on the understanding
+that you, as the older man, will set the example of forbearance if your
+temper is tried on any future occasion as it has been tried today. And
+I have further to request," I added, addressing myself to Silas, "that
+you will do me a favor, as your father's guest. The next time your good
+spirits lead you into making jokes at Mr. Jago's expense, don't carry
+them quite so far. I am sure you meant no harm, Mr. Silas. Will you
+gratify me by saying so yourself? I want to see you and Mr. Jago shake
+hands."
+
+John Jago instantly held out his hand, with an assumption of good
+feeling which was a little overacted, to my thinking. Silas Meadowcroft
+made no advance of the same friendly sort on his side.
+
+"Let him go about his business," said Silas. "I won't waste any more
+words on him, Mr. Lefrank, to please _you_. But (saving your presence)
+I'm d--d if I take his hand!"
+
+Further persuasion was plainly useless, addressed to such a man as
+this. Silas gave me no further opportunity of remonstrating with him,
+even if I had been inclined to do so. He turned about in sulky silence,
+and, retracing his steps along the path, disappeared round the corner
+of the house. The laborers withdrew next, in different directions, to
+begin the day's work. John Jago and I were alone.
+
+I left it to the man of the wild brown eyes to speak first.
+
+"In half an hour's time, sir," he said, "I shall be going on business
+to Narrabee, our market-town here. Can I take any letters to the post
+for you? or is there anything else that I can do in the town?"
+
+I thanked him, and declined both proposals. He made me another
+deferential bow, and withdrew into the house. I mechanically followed
+the path in the direction which Silas had taken before me.
+
+Turning the corner of the house, and walking on for a little way, I
+found myself at the entrance to the stables, and face to face with
+Silas Meadowcroft once more. He had his elbows on the gate of the yard,
+swinging it slowly backward and forward, and turning and twisting a
+straw between his teeth. When he saw me approaching him, he advanced a
+step from the gate, and made an effort to excuse himself, with a very
+ill grace.
+
+"No offense, mister. Ask me what you will besides, and I'll do it for
+you. But don't ask me to shake hands with John Jago; I hate him too
+badly for that. If I touched him with one hand, sir, I tell you this, I
+should throttle him with the other."
+
+"That's your feeling toward the man, Mr. Silas, is it?"
+
+"That's my feeling, Mr. Lefrank; and I'm not ashamed of it either."
+
+"Is there any such place as a church in your neighborhood, Mr. Silas?"
+
+"Of course there is."
+
+"And do you ever go to it?"
+
+"Of course I do."
+
+"At long intervals, Mr. Silas?"
+
+"Every Sunday, sir, without fail."
+
+Some third person behind me burst out laughing; some third person had
+been listening to our talk. I turned round, and discovered Ambrose
+Meadowcroft.
+
+"I understand the drift of your catechism, sir, though my brother
+doesn't," he said. "Don't be hard on Silas, sir. He isn't the only
+Christian who leaves his Christianity in the pew when he goes out of
+church. You will never make us friends with John Jago, try as you may.
+Why, what have you got there, Mr. Lefrank? May I die if it isn't my
+stick! I have been looking for it everywhere!"
+
+The thick beechen stick had been feeling uncomfortably heavy in my
+invalid hand for some time past. There was no sort of need for my
+keeping it any longer. John Jago was going away to Narrabee, and Silas
+Meadowcroft's savage temper was subdued to a sulky repose. I handed the
+stick back to Ambrose. He laughed as he took it from me.
+
+"You can't think how strange it feels, Mr. Lefrank, to be out without
+one's stick," he said. "A man gets used to his stick, sir; doesn't he?
+Are you ready for your breakfast?"
+
+"Not just yet. I thought of taking a little walk first."
+
+"All right, sir. I wish I could go with you; but I have got my work to
+do this morning, and Silas has his work too. If you go back by the way
+you came, you will find yourself in the garden. If you want to go
+further, the wicket-gate at the end will lead you into the lane."
+
+Through sheer thoughtlessness, I did a very foolish thing. I turned
+back as I was told, and left the brothers together at the gate of the
+stable-yard.
+
+
+
+CHAPTER V.
+
+THE NEWS FROM NARRABEE.
+
+ARRIVED at the garden, a thought struck me. The cheerful speech and
+easy manner of Ambrose plainly indicated that he was ignorant thus far
+of the quarrel which had taken place under my window. Silas might
+confess to having taken his brother's stick, and might mention whose
+head he had threatened with it. It was not only useless, but
+undesirable, that Ambrose should know of the quarrel. I retraced my
+steps to the stable-yard. Nobody was at the gate. I called alternately
+to Silas and to Ambrose. Nobody answered. The brothers had gone away to
+their work.
+
+Returning to the garden, I heard a pleasant voice wishing me
+"Good-morning." I looked round. Naomi Colebrook was standing at one of
+the lower windows of the farm. She had her working apron on, and she
+was industriously brightening the knives for the breakfast-table on an
+old-fashioned board. A sleek black cat balanced himself on her
+shoulder, watching the flashing motion of the knife as she passed it
+rapidly to and fro on the leather-covered surface of the board.
+
+"Come here," she said; "I want to speak to you."
+
+I noticed, as I approached, that her pretty face was clouded and
+anxious. She pushed the cat irritably off her shoulder; she welcomed me
+with only the faint reflection of her bright customary smile.
+
+"I have seen John Jago," she said. "He has been hinting at something
+which he says happened under your bedroom window this morning. When I
+begged him to explain himself, he only answered, 'Ask Mr. Lefrank; I
+must be off to Narrabee.' What does it mean? Tell me right away, sir!
+I'm out of temper, and I can't wait!"
+
+Except that I made the best instead of the worst of it, I told her what
+had happened under my window as plainly as I have told it here. She put
+down the knife that she was cleaning, and folded her hands before her,
+thinking.
+
+"I wish I had never given John Jago that meeting," she said. "When a
+man asks anything of a woman, the woman, I find, mostly repents it if
+she says 'Yes.'"
+
+She made that quaint reflection with a very troubled brow. The
+moonlight meeting had left some unwelcome remembrances in her mind. I
+saw that as plainly as I saw Naomi herself.
+
+What had John Jago said to her? I put the question with all needful
+delicacy, making my apologies beforehand.
+
+"I should like to tell _you_," she began, with a strong emphasis on the
+last word.
+
+There she stopped. She turned pale; then suddenly flushed again to the
+deepest red. She took up the knife once more, and went on cleaning it
+as industriously as ever.
+
+"I mustn't tell you," she resumed, with her head down over the knife.
+"I have promised not to tell anybody. That's the truth. Forget all
+about it, sir, as soon as you can. Hush! here's the spy who saw us last
+night on the walk and who told Silas!"
+
+Dreary Miss Meadowcroft opened the kitchen door. She carried an
+ostentatiously large Prayer-Book; and she looked at Naomi as only a
+jealous woman of middle age _can_ look at a younger and prettier woman
+than herself.
+
+"Prayers, Miss Colebrook," she said in her sourest manner. She paused,
+and noticed me standing under the window. "Prayers, Mr. Lefrank," she
+added, with a look of devout pity, directed exclusively to my address.
+
+"We will follow you directly, Miss Meadowcroft," said Naomi.
+
+"I have no desire to intrude on your secrets, Miss Colebrook."
+
+With that acrid answer, our priestess took herself and her Prayer-Book
+out of the kitchen. I joined Naomi, entering the room by the garden
+door. She met me eagerly. "I am not quite easy about something," she
+said. "Did you tell me that you left Ambrose and Silas together?"
+
+"Yes."
+
+"Suppose Silas tells Ambrose of what happened this morning?"
+
+The same idea, as I have already mentioned, had occurred to my mind. I
+did my best to reassure Naomi.
+
+"Mr. Jago is out of the way," I replied. "You and I can easily put
+things right in his absence."
+
+She took my arm.
+
+"Come in to prayers," she said. "Ambrose will be there, and I shall
+find an opportunity of speaking to him."
+
+Neither Ambrose nor Silas was in the breakfast-room when we entered it.
+After waiting vainly for ten minutes, Mr. Meadowcroft told his daughter
+to read the prayers. Miss Meadowcroft read, thereupon, in the tone of
+an injured woman taking the throne of mercy by storm, and insisting on
+her rights. Breakfast followed; and still the brothers were absent.
+Miss Meadowcroft looked at her father, and said, "From bad to worse,
+sir. What did I tell you?" Naomi instantly applied the antidote: "The
+boys are no doubt detained over their work, uncle." She turned to me.
+"You want to see the farm, Mr. Lefrank. Come and help me to find the
+boys."
+
+For more than an hour we visited one part of the farm after another,
+without discovering the missing men. We found them at last near the
+outskirts of a small wood, sitting, talking together, on the trunk of a
+felled tree.
+
+Silas rose as we approached, and walked away, without a word of
+greeting or apology, into the wood. As he got on his feet, I noticed
+that his brother whispered something in his ear; and I heard him
+answer, "All right."
+
+"Ambrose, does that mean you have something to keep a secret from us?"
+asked Naomi, approaching her lover with a smile. "Is Silas ordered to
+hold his tongue?"
+
+Ambrose kicked sulkily at the loose stones lying about him. I noticed,
+with a certain surprise that his favorite stick was not in his hand,
+and was not lying near him.
+
+"Business," he said in answer to Naomi, not very graciously--"business
+between Silas and me. That's what it means, if you must know."
+
+Naomi went on, woman-like, with her questioning, heedless of the
+reception which they might meet with from an irritated man.
+
+"Why were you both away at prayers and breakfast-time?" she asked next.
+
+"We had too much to do," Ambrose gruffly replied, "and we were too far
+from the house."
+
+"Very odd," said Naomi. "This has never happened before since I have
+been at the farm."
+
+"Well, live and learn. It has happened now."
+
+The tone in which he spoke would have warned any man to let him alone.
+But warnings which speak by implication only are thrown away on women.
+The woman, having still something in her mind to say, said it.
+
+"Have you seen anything of John Jago this morning?"
+
+The smoldering ill-temper of Ambrose burst suddenly--why, it was
+impossible to guess--into a flame. "How many more questions am I to
+answer?" he broke out violently. "Are you the parson putting me through
+my catechism? I have seen nothing of John Jago, and I have got my work
+to go on with. Will that do for you?"
+
+He turned with an oath, and followed his brother into the wood. Naomi's
+bright eyes looked up at me, flashing with indignation.
+
+"What does he mean, Mr. Lefrank, by speaking to me in that way? Rude
+brute! How dare he do it?" She paused; her voice, look and manner
+suddenly changed. "This has never happened before, sir. Has anything
+gone wrong? I declare, I shouldn't know Ambrose again, he is so
+changed. Say, how does it strike you?"
+
+I still made the best of a bad case.
+
+"Something has upset his temper," I said. "The merest trifle, Miss
+Colebrook, upsets a man's temper sometimes. I speak as a man, and I
+know it. Give him time, and he will make his excuses, and all will be
+well again."
+
+My presentation of the case entirely failed to re-assure my pretty
+companion. We went back to the house. Dinner-time came, and the
+brothers appeared. Their father spoke to them of their absence from
+morning prayers with needless severity, as I thought. They resented the
+reproof with needless indignation on their side, and left the room. A
+sour smile of satisfaction showed itself on Miss Meadowcroft's thin
+lips. She looked at her father; then raised her eyes sadly to the
+ceiling, and said, "We can only pray for them, sir."
+
+Naomi disappeared after dinner. When I saw her again, she had some news
+for me.
+
+"I have been with Ambrose," she said, "and he has begged my pardon. We
+have made it up, Mr. Lefrank. Still--still--"
+
+"Still--_what_, Miss Naomi?"
+
+"He is not like himself, sir. He denies it; but I can't help thinking
+he is hiding something from me."
+
+The day wore on; the evening came. I returned to my French novel. But
+not even Dumas himself could keep my attention to the story. What else
+I was thinking of I cannot say. Why I was out of spirits I am unable to
+explain. I wished myself back in England: I took a blind, unreasoning
+hatred to Morwick Farm.
+
+Nine o'clock struck; and we all assembled again at supper, with the
+exception of John Jago. He was expected back to supper; and we waited
+for him a quarter of an hour, by Mr. Meadowcroft's own directions. John
+Jago never appeared.
+
+The night wore on, and still the absent man failed to return. Miss
+Meadowcroft volunteered to sit up for him. Naomi eyed her, a little
+maliciously I must own, as the two women parted for the night. I
+withdrew to my room; and again I was unable to sleep. When sunrise
+came, I went out, as before, to breathe the morning air.
+
+On the staircase I met Miss Meadowcroft ascending to her own room. Not
+a curl of her stiff gray hair was disarranged; nothing about the
+impenetrable woman betrayed that she had been watching through the
+night.
+
+"Has Mr. Jago not returned?" I asked.
+
+Miss Meadowcroft slowly shook her head, and frowned at me.
+
+"We are in the hands of Providence, Mr. Lefrank. Mr. Jago must have
+been detained for the night at Narrabee."
+
+The daily routine of the meals resumed its unalterable course.
+Breakfast-time came, and dinner-time came, and no John Jago darkened
+the doors of Morwick Farm. Mr. Meadowcroft and his daughter consulted
+together, and determined to send in search of the missing man. One of
+the more intelligent of the laborers was dispatched to Narrabee to make
+inquiries.
+
+The man returned late in the evening, bringing startling news to the
+farm. He had visited all the inns, and all the places of business
+resort in Narrabee; he had made endless inquiries in every direction,
+with this result--no one had set eyes on John Jago. Everybody declared
+that John Jago had not entered the town.
+
+We all looked at each other, excepting the two brothers, who were
+seated together in a dark corner of the room. The conclusion appeared
+to be inevitable. John Jago was a lost man.
+
+
+
+CHAPTER VI.
+
+THE LIME-KILN.
+
+MR. MEADOWCROFT was the first to speak. "Somebody must find John," he
+said.
+
+"Without losing a moment," added his daughter.
+
+Ambrose suddenly stepped out of the dark corner of the room.
+
+"_I_ will inquire," he said.
+
+Silas followed him.
+
+"I will go with you," he added.
+
+Mr. Meadowcroft interposed his authority.
+
+"One of you will be enough; for the present, at least. Go you, Ambrose.
+Your brother may be wanted later. If any accident has happened (which
+God forbid!) we may have to inquire in more than one direction. Silas,
+you will stay at the farm."
+
+The brothers withdrew together; Ambrose to prepare for his journey,
+Silas to saddle one of the horses for him. Naomi slipped out after
+them. Left in company with Mr. Meadowcroft and his daughter (both
+devoured by anxiety about the missing man, and both trying to conceal
+it under an assumption of devout resignation to circumstances), I need
+hardly add that I, too, retired, as soon as it was politely possible
+for me to leave the room. Ascending the stairs on my way to my own
+quarters, I discovered Naomi half hidden by the recess formed by an
+old-fashioned window-seat on the first landing. My bright little friend
+was in sore trouble. Her apron was over her face, and she was crying
+bitterly. Ambrose had not taken his leave as tenderly as usual. She was
+more firmly persuaded than ever that "Ambrose was hiding something from
+her." We all waited anxiously for the next day. The next day made the
+mystery deeper than ever.
+
+The horse which had taken Ambrose to Narrabee was ridden back to the
+farm by a groom from the hotel. He delivered a written message from
+Ambrose which startled us. Further inquiries had positively proved that
+the missing man had never been near Narrabee. The only attainable
+tidings of his whereabouts were tidings derived from vague report. It
+was said that a man like John Jago had been seen the previous day in a
+railway car, traveling on the line to New York. Acting on this
+imperfect information, Ambrose had decided on verifying the truth of
+the report by extending his inquiries to New York.
+
+This extraordinary proceeding forced the suspicion on me that something
+had really gone wrong. I kept my doubts to myself; but I was prepared,
+from that moment, to see the disappearance of John Jago followed by
+very grave results.
+
+The same day the results declared themselves.
+
+Time enough had now elapsed for report to spread through the district
+the news of what had happened at the farm. Already aware of the bad
+feeling existing between the men, the neighbors had been now informed
+(no doubt by the laborers present) of the deplorable scene that had
+taken place under my bedroom window. Public opinion declares itself in
+America without the slightest reserve, or the slightest care for
+consequences. Public opinion declared on this occasion that the lost
+man was the victim of foul play, and held one or both of the brothers
+Meadowcroft responsible for his disappearance. Later in the day, the
+reasonableness of this serious view of the case was confirmed in the
+popular mind by a startling discovery. It was announced that a
+Methodist preacher lately settled at Morwick, and greatly respected
+throughout the district, had dreamed of John Jago in the character of a
+murdered man, whose bones were hidden at Morwick Farm. Before night the
+cry was general for a verification of the preacher's dream. Not only in
+the immediate district, but in the town of Narrabee itself, the public
+voice insisted on the necessity of a search for the mortal remains of
+John Jago at Morwick Farm.
+
+In the terrible turn which matters had now taken, Mr. Meadowcroft the
+elder displayed a spirit and an energy for which I was not prepared.
+
+"My sons have their faults," he said, "serious faults; and nobody knows
+it better than I do. My sons have behaved badly and ungratefully toward
+John Jago; I don't deny that, either. But Ambrose and Silas are not
+murderers. Make your search! I ask for it; no, I insist on it, after
+what has been said, in justice to my family and my name!"
+
+The neighbors took him at his word. The Morwick section of the American
+nation organized itself on the spot. The sovereign people met in
+committee, made speeches, elected competent persons to represent the
+public interests, and began the search the next day. The whole
+proceeding, ridiculously informal from a legal point of view, was
+carried on by these extraordinary people with as stern and strict a
+sense of duty as if it had been sanctioned by the highest tribunal in
+the land.
+
+Naomi met the calamity that had fallen on the household as resolutely
+as her uncle himself. The girl's courage rose with the call which was
+made on it. Her one anxiety was for Ambrose.
+
+"He ought to be here," she said to me. "The wretches in this
+neighborhood are wicked enough to say that his absence is a confession
+of his guilt."
+
+She was right. In the present temper of the popular mind, the absence
+of Ambrose was a suspicious circumstance in itself.
+
+"We might telegraph to New York," I suggested, "if you only knew where
+a message would be likely to find him."
+
+"I know the hotel which the Meadowcrofts use at New York," she replied.
+"I was sent there, after my father's death, to wait till Miss
+Meadowcroft could take me to Morwick."
+
+We decided on telegraphing to the hotel. I was writing the message, and
+Naomi was looking over my shoulder, when we were startled by a strange
+voice speaking close behind us.
+
+"Oh! that's his address, is it?" said the voice. "We wanted his address
+rather badly."
+
+The speaker was a stranger to me. Naomi recognized him as one of the
+neighbors.
+
+"What do you want his address for?" she asked, sharply.
+
+"I guess we've found the mortal remains of John Jago, miss," the man
+replied. "We have got Silas already, and we want Ambrose too, on
+suspicion of murder."
+
+"It's a lie!" cried Naomi, furiously--"a wicked lie!"
+
+The man turned to me.
+
+"Take her into the next room, mister," he said, "and let her see for
+herself."
+
+We went together into the next room.
+
+In one corner, sitting by her father, and holding his hand, we saw
+stern and stony Miss Meadowcroft weeping silently. Opposite to them,
+crouched on the window-seat, his eyes wandering, his hands hanging
+helpless, we next discovered Silas Meadowcroft, plainly self-betrayed
+as a panic-stricken man. A few of the persons who had been engaged in
+the search were seated near, watching him. The mass of the strangers
+present stood congregated round a table in the middle of the room They
+drew aside as I approached with Naomi and allowed us to have a clear
+view of certain objects placed on the table.
+
+The center object of the collection was a little heap of charred bones.
+Round this were ranged a knife, two metal buttons, and a stick
+partially burned. The knife was recognized by the laborers as the
+weapon John Jago habitually carried about with him--the weapon with
+which he had wounded Silas Meadowcroft's hand. The buttons Naomi
+herself declared to have a peculiar pattern on them, which had formerly
+attracted her attention to John Jago's coat. As for the stick, burned
+as it was, I had no difficulty in identifying the quaintly-carved knob
+at the top. It was the heavy beechen stick which I had snatched out of
+Silas's hand, and which I had restored to Ambrose on his claiming it as
+his own. In reply to my inquiries, I was informed that the bones, the
+knife, the buttons and the stick had all been found together in a
+lime-kiln then in use on the farm.
+
+"Is it serious?" Naomi whispered to me as we drew back from the table.
+
+It would have been sheer cruelty to deceive her now.
+
+"Yes," I whispered back; "it is serious."
+
+The search committee conducted its proceedings with the strictest
+regularity. The proper applications were made forthwith to a justice of
+the peace, and the justice issued his warrant. That night Silas was
+committed to prison; and an officer was dispatched to arrest Ambrose in
+New York.
+
+For my part, I did the little I could to make myself useful. With the
+silent sanction of Mr. Meadowcroft and his daughter, I went to
+Narrabee, and secured the best legal assistance for the defense which
+the town could place at my disposal. This done, there was no choice but
+to wait for news of Ambrose, and for the examination before the
+magistrate which was to follow. I shall pass over the misery in the
+house during the interval of expectation; no useful purpose could be
+served by describing it now. Let me only say that Naomi's conduct
+strengthened me in the conviction that she possessed a noble nature. I
+was unconscious of the state of my own feelings at the time; but I am
+now disposed to think that this was the epoch at which I began to envy
+Ambrose the wife whom he had won.
+
+The telegraph brought us our first news of Ambrose. He had been
+arrested at the hotel, and he was on his way to Morwick. The next day
+he arrived, and followed his brother to prison. The two were confined
+in separate cells, and were forbidden all communication with each
+other.
+
+Two days later, the preliminary examination took place. Ambrose and
+Silas Meadowcroft were charged before the magistrate with the willful
+murder of John Jago. I was cited to appear as one of the witnesses;
+and, at Naomi's own request, I took the poor girl into court, and sat
+by her during the proceedings. My host also was present in his
+invalid-chair, with his daughter by his side.
+
+Such was the result of my voyage across the ocean in search of rest and
+quiet; and thus did time and chance fulfill my first hasty foreboding
+of the dull life I was to lead at Morwick Farm!
+
+
+
+CHAPTER VII.
+
+THE MATERIALS IN THE DEFENSE.
+
+ON our way to the chairs allotted to us in the magistrate's court, we
+passed the platform on which the prisoners were standing together.
+
+Silas took no notice of us. Ambrose made a friendly sign of
+recognition, and then rested his hand on the "bar" in front of him. As
+she passed beneath him, Naomi was just tall enough to reach his hand on
+tiptoe. She took it. "I know you are innocent," she whispered, and gave
+him one look of loving encouragement as she followed me to her place.
+Ambrose never lost his self-control. I may have been wrong; but I
+thought this a bad sign.
+
+The case, as stated for the prosecution, told strongly against the
+suspected men.
+
+Ambrose and Silas Meadowcroft were charged with the murder of John Jago
+(by means of the stick or by use of some other weapon), and with the
+deliberate destruction of the body by throwing it into the quicklime.
+In proof of this latter assertion, the knife which the deceased
+habitually carried about him, and the metal buttons which were known to
+belong to his coat, were produced. It was argued that these
+indestructible substances, and some fragments of the larger bones had
+alone escaped the action of the burning lime. Having produced medical
+witnesses to support this theory by declaring the bones to be human,
+and having thus circumstantially asserted the discovery of the remains
+in the kiln, the prosecution next proceeded to prove that the missing
+man had been murdered by the two brothers, and had been by them thrown
+into the quicklime as a means of concealing their guilt.
+
+Witness after witness deposed to the inveterate enmity against the
+deceased displayed by Ambrose and Silas. The threatening language they
+habitually used toward him; their violent quarrels with him, which had
+become a public scandal throughout the neighborhood, and which had
+ended (on one occasion at least) in a blow; the disgraceful scene which
+had taken place under my window; and the restoration to Ambrose, on the
+morning of the fatal quarrel, of the very stick which had been found
+among the remains of the dead man--these facts and events, and a host
+of minor circumstances besides, sworn to by witnesses whose credit was
+unimpeachable, pointed with terrible directness to the conclusion at
+which the prosecution had arrived.
+
+I looked at the brothers as the weight of the evidence pressed more and
+more heavily against them. To outward view at least, Ambrose still
+maintained his self-possession. It was far otherwise with Silas. Abject
+terror showed itself in his ghastly face; in his great knotty hands,
+clinging convulsively to the bar at which he stood; in his staring
+eyes, fixed in vacant horror on each witness who appeared. Public
+feeling judged him on the spot. There he stood, self-betrayed already,
+in the popular opinion, as a guilty man!
+
+The one point gained in cross-examination by the defense related to the
+charred bones.
+
+Pressed on this point, a majority of the medical witnesses admitted
+that their examination had been a hurried one; and that it was just
+possible that the bones might yet prove to be the remains of an animal,
+and not of a man. The presiding magistrate decided upon this that a
+second examination should be made, and that the member of the medical
+experts should be increased.
+
+Here the preliminary proceedings ended. The prisoners were remanded for
+three days.
+
+The prostration of Silas, at the close of the inquiry, was so complete,
+that it was found necessary to have two men to support him on his
+leaving the court. Ambrose leaned over the bar to speak to Naomi before
+he followed the jailer out. "Wait," he whispered, confidently, "till
+they hear what I have to say!" Naomi kissed her hand to him
+affectionately, and turned to me with the bright tears in her eyes.
+
+"Why don't they hear what he has to say at once?" she asked. "Anybody
+can see that Ambrose is innocent. It's a crying shame, sir, to send him
+back to prison. Don't you think so yourself?"
+
+If I had confessed what I really thought, I should have said that
+Ambrose had proved nothing to my mind, except that he possessed rare
+powers of self-control. It was impossible to acknowledge this to my
+little friend. I diverted her mind from the question of her lover's
+innocence by proposing that we should get the necessary order, and
+visit him in his prison on the next day. Naomi dried her tears, and
+gave me a little grateful squeeze of the hand.
+
+"Oh my! what a good fellow you are!" cried the outspoken American girl.
+"When your time comes to be married, sir, I guess the woman won't
+repent saying yes to _you!_"
+
+Mr. Meadowcroft preserved unbroken silence as we walked back to the
+farm on either side of his invalid-chair. His last reserves of
+resolution seemed to have given way under the overwhelming strain laid
+on them by the proceedings in court. His daughter, in stern indulgence
+to Naomi, mercifully permitted her opinion to glimmer on us only
+through the medium of quotation from Scripture texts. If the texts
+meant anything, they meant that she had foreseen all that had happened;
+and that the one sad aspect of the case, to her mind, was the death of
+John Jago, unprepared to meet his end.
+
+I obtained the order of admission to the prison the next morning.
+
+We found Ambrose still confident of the favorable result, for his
+brother and for himself, of the inquiry before the magistrate. He
+seemed to be almost as eager to tell, as Naomi was to hear, the true
+story of what had happened at the lime-kiln. The authorities of the
+prison--present, of course, at the interview--warned him to remember
+that what he said might be taken down in writing, and produced against
+him in court.
+
+"Take it down, gentlemen, and welcome," Ambrose replied. "I have
+nothing to fear; I am only telling the truth."
+
+With that he turned to Naomi, and began his narrative, as nearly as I
+can remember, in these words:
+
+"I may as well make a clean breast of it at starting, my girl. After
+Mr. Lefrank left us that morning, I asked Silas how he came by my
+stick. In telling me how, Silas also told me of the words that had
+passed between him and John Jago under Mr. Lefrank's window. I was
+angry and jealous; and I own it freely, Naomi, I thought the worst that
+could be thought about you and John."
+
+Here Naomi stopped him without ceremony.
+
+"Was that what made you speak to me as you spoke when we found you at
+the wood?" she asked.
+
+"Yes."
+
+"And was that what made you leave me, when you went away to Narrabee,
+without giving me a kiss at parting?"
+
+"It was."
+
+"Beg my pardon for it before you say a word more."
+
+"I beg your pardon."
+
+"Say you are ashamed of yourself."
+
+"I am ashamed of myself," Ambrose answered penitently.
+
+"Now you may go on," said Naomi. "Now I'm satisfied."
+
+Ambrose went on.
+
+"We were on our way to the clearing at the other side of the wood while
+Silas was talking to me; and, as ill luck would have it, we took the
+path that led by the lime-kiln. Turning the corner, we met John Jago on
+his way to Narrabee. I was too angry, I tell you, to let him pass
+quietly. I gave him a bit of my mind. His blood was up too, I suppose;
+and he spoke out, on his side, as freely as I did. I own I threatened
+him with the stick; but I'll swear to it I meant him no harm. You
+know--after dressing Silas's hand--that John Jago is ready with his
+knife. He comes from out West, where they are always ready with one
+weapon or another handy in their pockets. It's likely enough he didn't
+mean to harm me, either; but how could I be sure of that? When he
+stepped up to me, and showed his weapon, I dropped the stick, and
+closed with him. With one hand I wrenched the knife away from him; and
+with the other I caught him by the collar of his rotten old coat, and
+gave him a shaking that made his bones rattle in his skin. A big piece
+of the cloth came away in my hand. I shied it into the quicklime close
+by us, and I pitched the knife after the cloth; and, if Silas hadn't
+stopped me, I think it's likely I might have shied John Jago himself
+into the lime next. As it was, Silas kept hold of me. Silas shouted out
+to him, 'Be off with you! and don't come back again, if you don't want
+to be burned in the kiln!' He stood looking at us for a minute,
+fetching his breath, and holding his torn coat round him. Then he spoke
+with a deadly-quiet voice and a deadly-quiet look: 'Many a true word,
+Mr. Silas,' he says, 'is spoken in jest. _I shall not come back
+again_.' He turned about, and left us. We stood staring at each other
+like a couple of fools. 'You don't think he means it?' I says. 'Bosh!'
+says Silas. 'He's too sweet on Naomi not to come back.' What's the
+matter now, Naomi?"
+
+I had noticed it too. She started and turned pale, when Ambrose
+repeated to her what Silas had said to him.
+
+"Nothing is the matter," Naomi answered. "Your brother has no right to
+take liberties with my name. Go on. Did Silas say any more while he was
+about it?"
+
+"Yes; he looked into the kiln; and he says, 'What made you throw away
+the knife, Ambrose?'--'How does a man know why he does anything,' I
+says, 'when he does it in a passion?'--'It's a ripping good knife,'
+says Silas; 'in your place, I should have kept it.' I picked up the
+stick off the ground. 'Who says I've lost it yet?' I answered him; and
+with that I got up on the side of the kiln, and began sounding for the
+knife, to bring it, you know, by means of the stick, within easy reach
+of a shovel, or some such thing. 'Give us your hand,' I says to Silas.
+'Let me stretch out a bit and I'll have it in no time.' Instead of
+finding the knife, I came nigh to falling myself into the burning lime.
+The vapor overpowered me, I suppose. All I know is, I turned giddy, and
+dropped the stick in the kiln. I should have followed the stick to a
+dead certainty, but for Silas pulling me back by the hand. 'Let it be,'
+says Silas. 'If I hadn't had hold of you, John Jago's knife would have
+been the death of you, after all!' He led me away by the arm, and we
+went on together on the road to the wood. We stopped where you found
+us, and sat down on the felled tree. We had a little more talk about
+John Jago. It ended in our agreeing to wait and see what happened, and
+to keep our own counsel in the meantime. You and Mr. Lefrank came upon
+us, Naomi, while we were still talking; and you guessed right when you
+guessed that we had a secret from you. You know the secret now."
+
+There he stopped. I put a question to him--the first that I had asked
+yet.
+
+"Had you or your brother any fear at that time of the charge which has
+since been brought against you?" I said.
+
+"No such thought entered our heads, sir," Ambrose answered. "How could
+_we_ foresee that the neighbors would search the kiln, and say what
+they have said of us? All we feared was, that the old man might hear of
+the quarrel, and be bitterer against us than ever. I was the more
+anxious of the two to keep things secret, because I had Naomi to
+consider as well as the old man. Put yourself in my place, and you will
+own, sir, that the prospect at home was not a pleasant one for _me_, if
+John Jago really kept away from the farm, and if it came out that it
+was all my doing."
+
+(This was certainly an explanation of his conduct; but it was not
+satisfactory to my mind.)
+
+"As _you_ believe, then," I went on, "John Jago has carried out his
+threat of not returning to the farm? According to you, he is now alive,
+and in hiding somewhere?"
+
+"Certainly!" said Ambrose.
+
+"Certainly!" repeated Naomi.
+
+"Do you believe the report that he was seen traveling on the railway to
+New York?"
+
+"I believe it firmly, sir; and, what is more, I believe I was on his
+track. I was only too anxious to find him; and I say I could have found
+him if they would have let me stay in New York."
+
+I looked at Naomi.
+
+"I believe it too," she said. "John Jago is keeping away."
+
+"Do you suppose he is afraid of Ambrose and Silas?"
+
+She hesitated.
+
+"He _may_ be afraid of them," she replied, with a strong emphasis on
+the word "may."
+
+"But you don't think it likely?"
+
+She hesitated again. I pressed her again.
+
+"Do you think there is any other motive for his absence?"
+
+Her eyes dropped to the floor. She answered obstinately, almost
+doggedly,
+
+"I can't say."
+
+I addressed myself to Ambrose.
+
+"Have you anything more to tell us?" I asked.
+
+"No," he said. "I have told you all I know about it."
+
+I rose to speak to the lawyer whose services I had retained. He had
+helped us to get the order of admission, and he had accompanied us to
+the prison. Seated apart he had kept silence throughout, attentively
+watching the effect of Ambrose Meadowcroft's narrative on the officers
+of the prison and on me.
+
+"Is this the defense?" I inquired, in a whisper.
+
+"This is the defense, Mr. Lefrank. What do you think, between
+ourselves?"
+
+"Between ourselves, I think the magistrate will commit them for trial."
+
+"On the charge of murder?"
+
+"Yes, on the charge of murder."
+
+
+
+CHAPTER VIII.
+
+THE CONFESSION.
+
+MY replies to the lawyer accurately expressed the conviction in my
+mind. The narrative related by Ambrose had all the appearance, in my
+eyes, of a fabricated story, got up, and clumsily got up, to pervert
+the plain meaning of the circumstantial evidence produced by the
+prosecution. I reached this conclusion reluctantly and regretfully, for
+Naomi's sake. I said all I could say to shake the absolute confidence
+which she felt in the discharge of the prisoners at the next
+examination.
+
+The day of the adjourned inquiry arrived.
+
+Naomi and I again attended the court together. Mr. Meadowcroft was
+unable, on this occasion, to leave the house. His daughter was present,
+walking to the court by herself, and occupying a seat by herself.
+
+On his second appearance at the "bar," Silas was more composed, and
+more like his brother. No new witnesses were called by the prosecution.
+We began the battle over the medical evidence relating to the charred
+bones; and, to some extent, we won the victory. In other words, we
+forced the doctors to acknowledge that they differed widely in their
+opinions. Three confessed that they were not certain. Two went still
+further, and declared that the bones were the bones of an animal, not
+of a man. We made the most of this; and then we entered upon the
+defense, founded on Ambrose Meadowcroft's story.
+
+Necessarily, no witnesses could be called on our side. Whether this
+circumstance discouraged him, or whether he privately shared my opinion
+of his client's statement, I cannot say. It is only certain that the
+lawyer spoke mechanically, doing his best, no doubt, but doing it
+without genuine conviction or earnestness on his own part. Naomi cast
+an anxious glance at me as he sat down. The girl's hand, as I took it,
+turned cold in mine. She saw plain signs of the failure of the defense
+in the look and manner of the counsel for the prosecution; but she
+waited resolutely until the presiding magistrate announced his
+decision. I had only too clearly foreseen what he would feel it to be
+his duty to do. Naomi's head dropped on my shoulder as he said the
+terrible words which committed Ambrose and Silas Meadowcroft to take
+their trial on the charge of murder.
+
+I led her out of the court into the air. As I passed the "bar," I saw
+Ambrose, deadly pale, looking after us as we left him: the magistrate's
+decision had evidently daunted him. His brother Silas had dropped in
+abject terror on the jailer's chair; the miserable wretch shook and
+shuddered dumbly, like a cowed dog.
+
+Miss Meadowcroft returned with us to the farm, preserving unbroken
+silence on the way back. I could detect nothing in her bearing which
+suggested any compassionate feeling for the prisoners in her stern and
+secret nature. On Naomi's withdrawal to her own room, we were left
+together for a few minutes; and then, to my astonishment, the outwardly
+merciless woman showed me that she, too, was one of Eve's daughters,
+and could feel and suffer, in her own hard way, like the rest of us.
+She suddenly stepped close up to me, and laid her hand on my arm.
+
+"You are a lawyer, ain't you?" she asked.
+
+"Yes."
+
+"Have you had any experience in your profession?"
+
+"Ten years' experience."
+
+"Do _you_ think--" She stopped abruptly; her hard face softened; her
+eyes dropped to the ground. "Never mind," she said, confusedly. "I'm
+upset by all this misery, though I may not look like it. Don't notice
+me."
+
+She turned away. I waited, in the firm persuasion that the unspoken
+question in her mind would sooner or later force its way to utterance
+by her lips. I was right. She came back to me unwillingly, like a woman
+acting under some influence which the utmost exertion of her will was
+powerless to resist.
+
+"Do _you_ believe John Jago is still a living man?"
+
+She put the question vehemently, desperately, as if the words rushed
+out of her mouth in spite of her.
+
+"I do _not_ believe it," I answered.
+
+"Remember what John Jago has suffered at the hands of my brothers," she
+persisted. "Is it not in your experience that he should take a sudden
+resolution to leave the farm?"
+
+I replied, as plainly as before,
+
+"It is _not_ in my experience."
+
+She stood looking at me for a moment with a face of blank despair; then
+bowed her gray head in silence, and left me. As she crossed the room to
+the door, I saw her look upward; and I heard her say to herself softly,
+between her teeth, "Vengeance is mine, I will repay, saith the Lord."
+
+It was the requiem of John Jago, pronounced by the woman who loved him.
+
+When I next saw her, her mask was on once more. Miss Meadowcroft was
+herself again. Miss Meadowcroft could sit by, impenetrably calm, while
+the lawyers discussed the terrible position of her brothers, with the
+scaffold in view as one of the possibilities of the "case."
+
+Left by myself, I began to feel uneasy about Naomi. I went upstairs,
+and, knocking softly at her door, made my inquiries from outside. The
+clear young voice answered me sadly, "I am trying to bear it: I won't
+distress you when we meet again." I descended the stairs, feeling my
+first suspicion of the true nature of my interest in the American girl.
+Why had her answer brought the tears into my eyes? I went out, walking
+alone, to think undisturbedly. Why did the tones of her voice dwell on
+my ear all the way? Why did my hand still feel the last cold, faint
+pressure of her fingers when I led her out of court?
+
+I took a sudden resolution to go back to England.
+
+When I returned to the farm, it was evening. The lamp was not yet
+lighted in the hall. Pausing to accustom my eyes to the obscurity
+indoors, I heard the voice of the lawyer whom we had employed for the
+defense speaking to some one very earnestly.
+
+"I'm not to blame," said the voice. "She snatched the paper out of my
+hand before I was aware of her."
+
+"Do you want it back?" asked the voice of Miss Meadowcroft.
+
+"No; it's only a copy. If keeping it will help to quiet her, let her keep
+it by all means. Good evening."
+
+Saying these last words, the lawyer approached me on his way out of the
+house. I stopped him without ceremony; I felt an ungovernable curiosity
+to know more.
+
+"Who snatched the paper out of your hand?" I asked, bluntly.
+
+The lawyer started. I had taken him by surprise. The instinct of
+professional reticence made him pause before he answered me.
+
+In the brief interval of silence, Miss Meadowcroft replied to my
+question from the other end of the hall.
+
+"Naomi Colebrook snatched the paper out of his hand."
+
+"What paper?"
+
+A door opened softly behind me. Naomi herself appeared on the
+threshold; Naomi herself answered my question.
+
+"I will tell you," she whispered. "Come in here."
+
+One candle only was burning in the room. I looked at her by the dim
+light. My resolution to return to England instantly became one of the
+lost ideas of my life.
+
+"Good God!" I exclaimed, "what has happened now?"
+
+She handed me the paper which she had taken from the lawyer's hand.
+
+The "copy" to which he had referred was a copy of the written
+confession of Silas Meadowcroft on his return to prison. He accused his
+brother Ambrose of the murder of John Jago. He declared on his oath
+that he had seen his brother Ambrose commit the crime.
+
+In the popular phrase, I could "hardly believe my own eyes." I read the
+last sentences of the confession for the second time:
+
+"...I heard their voices at the lime-kiln. They were having words about
+Cousin Naomi. I ran to the place to part them. I was not in time. I saw
+Ambrose strike the deceased a terrible blow on the head with his
+(Ambrose's) heavy stick. The deceased dropped without a cry. I put my
+hand on his heart. He was dead. I was horribly frightened. Ambrose
+threatened to kill _me_ next if I said a word to any living soul. He
+took up the body and cast it into the quicklime, and threw the stick in
+after it. We went on together to the wood. We sat down on a felled tree
+outside the wood. Ambrose made up the story that we were to tell if
+what he had done was found out. He made me repeat it after him, like a
+lesson. We were still at it when Cousin Naomi and Mr. Lefrank came up
+to us. They know the rest. This, on my oath, is a true confession. I
+make it of my own free-will, repenting me sincerely that I did not make
+it before."
+
+(Signed)
+
+"SILAS MEADOWCROFT."
+
+
+I laid down the paper, and looked at Naomi once more. She spoke to me
+with a strange composure. Immovable determination was in her eye;
+immovable determination was in her voice.
+
+"Silas has lied away his brother's life to save himself," she said. "I
+see cowardly falsehood and cowardly cruelty in every line on that
+paper. Ambrose is innocent, and the time has come to prove it."
+
+"You forget," I said, "that we have just failed to prove it."
+
+"John Jago is alive, in hiding from us and from all who know him," she
+went on. "Help me, friend Lefrank, to advertise for him in the
+newspapers."
+
+I drew back from her in speechless distress. I own I believed that the
+new misery which had fallen on her had affected her brain.
+
+"You don't believe it," she said. "Shut the door."
+
+I obeyed her. She seated herself, and pointed to a chair near her.
+
+"Sit down," she proceeded. "I am going to do a wrong thing; but there
+is no help for it. I am going to break a sacred promise. You remember
+that moonlight night when I met him on the garden walk?"
+
+"John Jago?"
+
+"Yes. Now listen. I am going to tell you what passed between John Jago
+and me."
+
+
+
+CHAPTER IX.
+
+THE ADVERTISEMENT.
+
+I WAITED in silence for the disclosure that was now to come. Naomi
+began by asking me a question.
+
+"You remember when we went to see Ambrose in the prison?" she said.
+
+"Perfectly."
+
+"Ambrose told us of something which his villain of a brother said of
+John Jago and me. Do you remember what it was?"
+
+I remembered perfectly. Silas had said, "John Jago is too sweet on
+Naomi not to come back."
+
+"That's so," Naomi remarked when I had repeated the words. "I couldn't
+help starting when I heard what Silas had said; and I thought you
+noticed me."
+
+"I did notice you."
+
+"Did you wonder what it meant?"
+
+"Yes."
+
+"I'll tell you. It meant this: What Silas Meadowcroft said to his
+brother of John Jago was what I myself was thinking of John Jago at
+that very moment. It startled me to find my own thought in a man's mind
+spoken for me by a man. I am the person, sir, who has driven John Jago
+away from Morwick Farm; and I am the person who can and will bring him
+back again."
+
+There was something in her manner, more than in her words, which let
+the light in suddenly on my mind.
+
+"You have told me the secret," I said. "John Jago is in love with you."
+
+"Mad about me!" she rejoined, dropping her voice to a whisper. "Stark,
+staring mad!--that's the only word for him. After we had taken a few
+turns on the gravel-walk, he suddenly broke out like a man beside
+himself. He fell down on his knees; he kissed my gown, he kissed my
+feet; he sobbed and cried for love of me. I'm not badly off for
+courage, sir, considering I'm a woman. No man, that I can call to mind,
+ever really scared me before. But I own John Jago frightened me; oh my!
+he did frighten me! My heart was in my mouth, and my knees shook under
+me. I begged and prayed of him to get up and go away. No; there he
+knelt, and held by the skirt of my gown. The words poured out from him
+like--well, like nothing I can think of but water from a pump. His
+happiness and his life, and his hopes in earth and heaven, and Lord
+only knows what besides, all depended, he said, on a word from me. I
+plucked up spirit enough at that to remind him that I was promised to
+Ambrose. 'I think you ought to be ashamed of yourself,' I said, 'to own
+that you're wicked enough to love me when you know I am promised to
+another man!' When I spoke to him he took a new turn; he began abusing
+Ambrose. _That_ straightened me up. I snatched my gown out of his hand,
+and I gave him my whole mind. 'I hate you!' I said. 'Even if I wasn't
+promised to Ambrose, I wouldn't marry you--no! not if there wasn't
+another man left in the world to ask me. I hate you, Mr. Jago! I hate
+you!' He saw I was in earnest at last. He got up from my feet, and he
+settled down quiet again, all on a sudden. 'You have said enough' (that
+was how he answered me). 'You have broken my life. I have no hopes and
+no prospects now. I had a pride in the farm, miss, and a pride in my
+work; I bore with your brutish cousins' hatred of me; I was faithful to
+Mr. Meadowcroft's interests; all for your sake, Naomi Colebrook--all
+for your sake! I have done with it now; I have done with my life at the
+farm. You will never be troubled with me again. I am going away, as the
+dumb creatures go when they are sick, to hide myself in a corner, and
+die. Do me one last favor. Don't make me the laughing-stock of the whole
+neighborhood. I can't bear that; it maddens me only to think of it.
+Give me your promise never to tell any living soul what I have said to
+you to-night--your sacred promise to the man whose life you have
+broken!' I did as he bade me; I gave him my sacred promise with the
+tears in my eyes. Yes, that is so. After telling him I hated him (and I
+did hate him), I cried over his misery; I did! Mercy, what fools women
+are! What is the horrid perversity, sir, which makes us always ready to
+pity the men? He held out his hand to me; and he said, 'Good-by
+forever!' and I pitied him. I said, 'I'll shake hands with you if you
+will give me your promise in exchange for mine. I beg of you not to
+leave the farm. What will my uncle do if you go away? Stay here, and be
+friends with me, and forget and forgive, Mr. John.' He gave me his
+promise (he can refuse me nothing); and he gave it again when I saw him
+again the next morning. Yes. I'll do him justice, though I do hate him!
+I believe he honestly meant to keep his word as long as my eye was on
+him. It was only when he was left to himself that the Devil tempted him
+to break his promise and leave the farm. I was brought up to believe in
+the Devil, Mr. Lefrank; and I find it explains many things. It explains
+John Jago. Only let me find out where he has gone, and I'll engage he
+shall come back and clear Ambrose of the suspicion which his vile
+brother has cast on him. Here is the pen all ready for you. Advertise
+for him, friend Lefrank; and do it right away, for my sake!"
+
+I let her run on, without attempting to dispute her conclusions, until
+she could say no more. When she put the pen into my hand, I began the
+composition of the advertisement as obediently as if I, too, believed
+that John Jago was a living man.
+
+In the case of any one else, I should have openly acknowledged that my
+own convictions remained unshaken. If no quarrel had taken place at the
+lime-kiln, I should have been quite ready, as I viewed the case, to
+believe that John Jago's disappearance was referable to the terrible
+disappointment which Naomi had inflicted on him. The same morbid dread
+of ridicule which had led him to assert that he cared nothing for
+Naomi, when he and Silas had quarreled under my bedroom window, might
+also have impelled him to withdraw himself secretly and suddenly from
+the scene of his discomfiture. But to ask me to believe, after what had
+happened at the lime-kiln, that he was still living, was to ask me to
+take Ambrose Meadowcroft's statement for granted as a true statement of
+facts.
+
+I had refused to do this from the first; and I still persisted in
+taking that course. If I had been called upon to decide the balance of
+probability between the narrative related by Ambrose in his defense and
+the narrative related by Silas in his confession, I must have owned, no
+matter how unwillingly, that the confession was, to my mind, the least
+incredible story of the two.
+
+Could I say this to Naomi? I would have written fifty advertisements
+inquiring for John Jago rather than say it; and you would have done the
+same, if you had been as fond of her as I was. I drew out the
+advertisement, for insertion in the Morwick _Mercury_, in these terms:
+
+
+MURDER.--Printers of newspapers throughout the United States are
+desired to publish that Ambrose Meadowcroft and Silas Meadowcroft, of
+Morwick Farm, Morwick County, are committed for trial on the charge of
+murdering John Jago, now missing from the farm and from the
+neighborhood. Any person who can give information of the existence of
+said Jago may save the lives of two wrongly-accused men by making
+immediate communication. Jago is about five feet four inches high. He
+is spare and wiry; his complexion is extremely pale, his eyes are dark,
+and very bright and restless. The lower part of his face is concealed
+by a thick black beard and mustache. The whole appearance of the man is
+wild and flighty.
+
+
+I added the date and the address. That evening a servant was sent on
+horseback to Narrabee to procure the insertion of the advertisement in
+the next issue of the newspaper.
+
+When we parted that night, Naomi looked almost like her brighter and
+happier self. Now that the advertisement was on its way to the
+printing-office, she was more than sanguine: she was certain of the
+result.
+
+"You don't know how you have comforted me," she said, in her frank,
+warm-hearted way, when we parted for the night. "All the newspapers
+will copy it, and we shall hear of John Jago before the week is out."
+She turned to go, and came back again to me. "I will never forgive
+Silas for writing that confession!" she whispered in my ear. "If he
+ever lives under the same roof with Ambrose again, I--well, I believe I
+wouldn't marry Ambrose if he did! There!"
+
+She left me. Through the wakeful hours of the night my mind dwelt on
+her last words. That she should contemplate, under any circumstances,
+even the bare possibility of not marrying Ambrose, was, I am ashamed to
+say, a direct encouragement to certain hopes which I had already begun
+to form in secret. The next day's mail brought me a letter on business.
+My clerk wrote to inquire if there was any chance of my returning to
+England in time to appear in court at the opening of next law term. I
+answered, without hesitation, "It is still impossible for me to fix the
+date of my return." Naomi was in the room while I was writing. How
+would she have answered, I wonder, if I had told her the truth, and
+said, "You are responsible for this letter?"
+
+
+
+CHAPTER X.
+
+THE SHERIFF AND THE GOVERNOR.
+
+THE question of time was now a serious question at Morwick Farm. In six
+weeks the court for the trial of criminal cases was to be opened at
+Narrabee.
+
+During this interval no new event of any importance occurred.
+
+Many idle letters reached us relating to the advertisement for John
+Jago; but no positive information was received. Not the slightest trace
+of the lost man turned up; not the shadow of a doubt was cast on the
+assertion of the prosecution, that his body had been destroyed in the
+kiln. Silas Meadowcroft held firmly to the horrible confession that he
+had made. His brother Ambrose, with equal resolution, asserted his
+innocence, and reiterated the statement which he had already advanced.
+At regular periods I accompanied Naomi to visit him in the prison. As
+the day appointed for the opening of the court approached, he seemed to
+falter a little in his resolution; his manner became restless; and he
+grew irritably suspicious about the merest trifles. This change did not
+necessarily imply the consciousness of guilt: it might merely have
+indicated natural nervous agitation as the time for the trial drew
+near. Naomi noticed the alteration in her lover. It greatly increased
+her anxiety, though it never shook her confidence in Ambrose. Except at
+meal-times, I was left, during the period of which I am now writing,
+almost constantly alone with the charming American girl. Miss
+Meadowcroft searched the newspapers for tidings of the living John Jago
+in the privacy of her own room. Mr. Meadowcroft would see nobody but
+his daughter and his doctor, and occasionally one or two old friends. I
+have since had reason to believe that Naomi, in these days of our
+intimate association, discovered the true nature of the feeling with
+which she had inspired me. But she kept her secret. Her manner toward
+me steadily remained the manner of a sister; she never overstepped by a
+hair-breadth the safe limits of the character that she had assumed.
+
+The sittings of the court began. After hearing the evidence, and
+examining the confession of Silas Meadowcroft, the grand jury found a
+true bill against both the prisoners. The day appointed for their trial
+was the first day in the new week.
+
+I had carefully prepared Naomi's mind for the decision of the grand
+jury. She bore the new blow bravely.
+
+"If you are not tired of it," she said, "come with me to the prison
+tomorrow. Ambrose will need a little comfort by that time." She paused,
+and looked at the day's letters lying on the table. "Still not a word
+about John Jago," she said. "And all the papers have copied the
+advertisement. I felt so sure we should hear of him long before this!"
+
+"Do you still feel sure that he is living?" I ventured to ask.
+
+"I am as certain of it as ever," she replied, firmly. "He is somewhere
+in hiding; perhaps he is in disguise. Suppose we know no more of him
+than we know now when the trial begins? Suppose the jury--" She
+stopped, shuddering. Death--shameful death on the scaffold--might be
+the terrible result of the consultation of the jury. "We have waited
+for news to come to us long enough," Naomi resumed. "We must find the
+tracks of John Jago for ourselves. There is a week yet before the trial
+begins. Who will help me to make inquiries? Will you be the man, friend
+Lefrank?"
+
+It is needless to add (though I knew nothing would come of it) that I
+consented to be the man.
+
+We arranged to apply that day for the order of admission to the prison,
+and, having seen Ambrose, to devote ourselves immediately to the
+contemplated search. How that search was to be conducted was more than
+I could tell, and more than Naomi could tell. We were to begin by
+applying to the police to help us to find John Jago, and we were then
+to be guided by circumstances. Was there ever a more hopeless programme
+than this?
+
+"Circumstances" declared themselves against us at starting. I applied,
+as usual, for the order of admission to the prison, and the order was
+for the first time refused; no reason being assigned by the persons in
+authority for taking this course. Inquire as I might, the only answer
+given was, "not to-day."
+
+At Naomi's suggestion, we went to the prison to seek the explanation
+which was refused to us at the office. The jailer on duty at the outer
+gate was one of Naomi's many admirers. He solved the mystery cautiously
+in a whisper. The sheriff and the governor of the prison were then
+speaking privately with Ambrose Meadowcroft in his cell; they had
+expressly directed that no persons should be admitted to see the
+prisoner that day but themselves.
+
+What did it mean? We returned, wondering, to the farm. There Naomi,
+speaking by chance to one of the female servants, made certain
+discoveries.
+
+Early that morning the sheriff had been brought to Morwick by an old
+friend of the Meadowcrofts. A long interview had been held between Mr.
+Meadowcroft and his daughter and the official personage introduced by
+the friend. Leaving the farm, the sheriff had gone straight to the
+prison, and had proceeded with the governor to visit Ambrose in his
+cell. Was some potent influence being brought privately to bear on
+Ambrose? Appearances certainly suggested that inquiry. Supposing the
+influence to have been really exerted, the next question followed, What
+was the object in view? We could only wait and see.
+
+Our patience was not severely tried. The event of the next day
+enlightened us in a very unexpected manner. Before noon, the neighbors
+brought startling news from the prison to the farm.
+
+Ambrose Meadowcroft had confessed himself to be the murderer of John
+Jago! He had signed the confession in the presence of the sheriff and
+the governor on that very day.
+
+I saw the document. It is needless to reproduce it here. In substance,
+Ambrose confessed what Silas had confessed; claiming, however, to have
+only struck Jago under intolerable provocation, so as to reduce the
+nature of his offense against the law from murder to manslaughter. Was
+the confession really the true statement of what had taken place? or
+had the sheriff and the governor, acting in the interests of the family
+name, persuaded Ambrose to try this desperate means of escaping the
+ignominy of death on the scaffold? The sheriff and the governor
+preserved impenetrable silence until the pressure put on them
+judicially at the trial obliged them to speak.
+
+Who was to tell Naomi of this last and saddest of all the calamities
+which had fallen on her? Knowing how I loved her in secret, I felt an
+invincible reluctance to be the person who revealed Ambrose
+Meadowcroft's degradation to his betrothed wife. Had any other member
+of the family told her what had happened? The lawyer was able to answer
+me; Miss Meadowcroft had told her.
+
+I was shocked when I heard it. Miss Meadowcroft was the last person in
+the house to spare the poor girl; Miss Meadowcroft would make the hard
+tidings doubly terrible to bear in the telling. I tried to find Naomi,
+without success. She had been always accessible at other times. Was she
+hiding herself from me now? The idea occurred to me as I was descending
+the stairs after vainly knocking at the door of her room. I was
+determined to see her. I waited a few minutes, and then ascended the
+stairs again suddenly. On the landing I met her, just leaving her room.
+
+She tried to run back. I caught her by the arm, and detained her. With
+her free hand she held her handkerchief over her face so as to hide it
+from me.
+
+"You once told me I had comforted you," I said to her, gently. "Won't
+you let me comfort you now?"
+
+She still struggled to get away, and still kept her head turned from
+me.
+
+"Don't you see that I am ashamed to look you in the face?" she said, in
+low, broken tones. "Let me go."
+
+I still persisted in trying to soothe her. I drew her to the
+window-seat. I said I would wait until she was able to speak to me.
+
+She dropped on the seat, and wrung her hands on her lap. Her downcast
+eyes still obstinately avoided meeting mine.
+
+"Oh!" she said to herself, "what madness possessed me? Is it possible
+that I ever disgraced myself by loving Ambrose Meadowcroft?" She
+shuddered as the idea found its way to expression on her lips. The
+tears rolled slowly over her cheeks. "Don't despise me, Mr. Lefrank!"
+she said, faintly.
+
+I tried, honestly tried, to put the confession before her in its least
+unfavorable light.
+
+"His resolution has given way," I said. "He has done this, despairing
+of proving his innocence, in terror of the scaffold."
+
+She rose, with an angry stamp of her foot. She turned her face on me
+with the deep-red flush of shame in it, and the big tears glistening in
+her eyes.
+
+"No more of him!" she said, sternly. "If he is not a murderer, what
+else is he? A liar and a coward! In which of his characters does he
+disgrace me most? I have done with him forever! I will never speak to
+him again!" She pushed me furiously away from her; advanced a few steps
+toward her own door; stopped, and came back to me. The generous nature
+of the girl spoke in her next words. "I am not ungrateful to _you_,
+friend Lefrank. A woman in my place is only a woman; and, when she is
+shamed as I am, she feels it very bitterly. Give me your hand! God
+bless you!"
+
+She put my hand to her lips before I was aware of her, and kissed it,
+and ran back into her room.
+
+I sat down on the place which she had occupied. She had looked at me
+for one moment when she kissed my hand. I forgot Ambrose and his
+confession; I forgot the coming trial; I forgot my professional duties
+and my English friends. There I sat, in a fool's elysium of my own
+making, with absolutely nothing in my mind but the picture of Naomi's
+face at the moment when she had last looked at me!
+
+I have already mentioned that I was in love with her. I merely add this
+to satisfy you that I tell the truth.
+
+
+
+CHAPTER XI.
+
+THE PEBBLE AND THE WINDOW.
+
+MISS MEADOWCROFT and I were the only representatives of the family at
+the farm who attended the trial. We went separately to Narrabee.
+Excepting the ordinary greetings at morning and night, Miss Meadowcroft
+had not said one word to me since the time when I had told her that I
+did _not_ believe John Jago to be a living man.
+
+I have purposely abstained from encumbering my narrative with legal
+details. I now propose to state the nature of the defense in the
+briefest outline only.
+
+We insisted on making both the prisoners plead not guilty. This done,
+we took an objection to the legality of the proceedings at starting. We
+appealed to the old English law, that there should be no conviction for
+murder until the body of the murdered person was found, or proof of its
+destruction obtained beyond a doubt. We denied that sufficient proof
+had been obtained in the case now before the court.
+
+The judges consulted, and decided that the trial should go on.
+
+We took our next objection when the confessions were produced in
+evidence. We declared that they had been extorted by terror, or by
+undue influence; and we pointed out certain minor particulars in which
+the two confessions failed to corroborate each other. For the rest, our
+defense on this occasion was, as to essentials, what our defense had
+been at the inquiry before the magistrate. Once more the judges
+consulted, and once more they overruled our objection. The confessions
+were admitted in evidence. On their side, the prosecution produced one
+new witness in support of their case. It is needless to waste time in
+recapitulating his evidence. He contradicted himself gravely on
+cross-examination. We showed plainly, and after investigation proved,
+that he was not to be believed on his oath.
+
+The chief-justice summed up.
+
+He charged, in relation to the confessions, that no weight should be
+attached to a confession incited by hope or fear; and he left it to the
+jury to determine whether the confessions in this case had been so
+influenced. In the course of the trial, it had been shown for the
+defense that the sheriff and the governor of the prison had told
+Ambrose, with his father's knowledge and sanction, that the case was
+clearly against him; that the only chance of sparing his family the
+disgrace of his death by public execution lay in making a confession;
+and that they would do their best, if he did confess, to have his
+sentence commuted to imprisonment for life. As for Silas, he was proved
+to have been beside himself with terror when he made his abominable
+charge against his brother. We had vainly trusted to the evidence on
+these two points to induce the court to reject the confessions: and we
+were destined to be once more disappointed in anticipating that the
+same evidence would influence the verdict of the jury on the side of
+mercy. After an absence of an hour, they returned into court with a
+verdict of "Guilty" against both the prisoners.
+
+Being asked in due form if they had anything to say in mitigation of
+their sentence, Ambrose and Silas solemnly declared their innocence,
+and publicly acknowledged that their respective confessions had been
+wrung from them by the hope of escaping the hangman's hands. This
+statement was not noticed by the bench. The prisoners were both
+sentenced to death.
+
+On my return to the farm, I did not see Naomi. Miss Meadowcroft
+informed her of the result of the trial. Half an hour later, one of the
+women-servants handed to me an envelope bearing my name on it in
+Naomi's handwriting.
+
+The envelope inclosed a letter, and with it a slip of paper on which
+Naomi had hurriedly written these words: "For God's sake, read the
+letter I send to you, and do something about it immediately!"
+
+I looked at the letter. It assumed to be written by a gentleman in New
+York. Only the day before, he had, by the merest accident, seen the
+advertisement for John Jago cut out of a newspaper and pasted into a
+book of "curiosities" kept by a friend. Upon this he wrote to Morwick
+Farm to say that he had seen a man exactly answering to the description
+of John Jago, but bearing another name, working as a clerk in a
+merchant's office in Jersey City. Having time to spare before the mail
+went out, he had returned to the office to take another look at the man
+before he posted his letter. To his surprise, he was informed that the
+clerk had not appeared at his desk that day. His employer had sent to
+his lodgings, and had been informed that he had suddenly packed up his
+hand-bag after reading the newspaper at breakfast; had paid his rent
+honestly, and had gone away, nobody knew where!
+
+It was late in the evening when I read these lines. I had time for
+reflection before it would be necessary for me to act.
+
+Assuming the letter to be genuine, and adopting Naomi's explanation of
+the motive which had led John Jago to absent himself secretly from the
+farm, I reached the conclusion that the search for him might be
+usefully limited to Narrabee and to the surrounding neighborhood.
+
+The newspaper at his breakfast had no doubt given him his first
+information of the "finding" of the grand jury, and of the trial to
+follow. It was in my experience of human nature that he should venture
+back to Narrabee under these circumstances, and under the influence of
+his infatuation for Naomi. More than this, it was again in my
+experience, I am sorry to say, that he should attempt to make the
+critical position of Ambrose a means of extorting Naomi's consent to
+listen favorably to his suit. Cruel indifference to the injury and the
+suffering which his sudden absence might inflict on others was plainly
+implied in his secret withdrawal from the farm. The same cruel
+indifference, pushed to a further extreme, might well lead him to press
+his proposals privately on Naomi, and to fix her acceptance of them as
+the price to be paid for saving her cousin's life.
+
+To these conclusions I arrived after much thinking. I had determined,
+on Naomi's account, to clear the matter up; but it is only candid to
+add that my doubts of John Jago's existence remained unshaken by the
+letter. I believed it to be nothing more nor less than a heartless and
+stupid "hoax."
+
+
+The striking of the hall-clock roused me from my meditations. I counted
+the strokes--midnight!
+
+I rose to go up to my room. Everybody else in the farm had retired to
+bed, as usual, more than an hour since. The stillness in the house was
+breathless. I walked softly, by instinct, as I crossed the room to look
+out at the night. A lovely moonlight met my view; it was like the
+moonlight on the fatal evening when Naomi had met John Jago on the
+garden walk.
+
+My bedroom candle was on the side-table; I had just lighted it. I was
+just leaving the room, when the door suddenly opened, and Naomi herself
+stood before me!
+
+Recovering the first shook of her sudden appearance, I saw instantly in
+her eager eyes, in her deadly-pale cheeks, that something serious had
+happened. A large cloak was thrown over her; a white handkerchief was
+tied over her head. Her hair was in disorder; she had evidently just
+risen in fear and in haste from her bed.
+
+"What is it?" I asked, advancing to meet her.
+
+She clung, trembling with agitation, to my arm.
+
+"John Jago!" she whispered.
+
+You will think my obstinacy invincible. I could hardly believe it, even
+then!
+
+"Where?" I asked.
+
+"In the back-yard," she replied, "under my bedroom window!"
+
+The emergency was far too serious to allow of any consideration for the
+small proprieties of every-day life.
+
+"Let me see him!" I said.
+
+"I am here to fetch you," she answered, in her frank and fearless way.
+"Come upstairs with me."
+
+Her room was on the first floor of the house, and was the only bedroom
+which looked out on the back-yard. On our way up the stairs she told me
+what had happened.
+
+"I was in bed," she said, "but not asleep, when I heard a pebble strike
+against the window-pane. I waited, wondering what it meant. Another
+pebble was thrown against the glass. So far, I was surprised, but not
+frightened. I got up, and ran to the window to look out. There was John
+Jago looking up at me in the moonlight!"
+
+"Did he see you?"
+
+"Yes. He said, 'Come down and speak to me! I have something serious to
+say to you!'"
+
+"Did you answer him?"
+
+"As soon as I could catch my breath, I said, 'Wait a little,' and ran
+downstairs to you. What shall I do?"
+
+"Let _me_ see him, and I will tell you."
+
+We entered her room. Keeping cautiously behind the window-curtain, I
+looked out.
+
+There he was! His beard and mustache were shaved off; his hair was
+close cut. But there was no disguising his wild, brown eyes, or the
+peculiar movement of his spare, wiry figure, as he walked slowly to and
+fro in the moonlight waiting for Naomi. For the moment, my own
+agitation almost overpowered me; I had so firmly disbelieved that John
+Jago was a living man!
+
+"What shall I do?" Naomi repeated.
+
+"Is the door of the dairy open?" I asked.
+
+"No; but the door of the tool-house, round the corner, is not locked."
+
+"Very good. Show yourself at the window, and say to him, 'I am coming
+directly.'"
+
+The brave girl obeyed me without a moment's hesitation.
+
+There had been no doubt about his eyes and his gait; there was no doubt
+now about his voice, as he answered softly from below--"All right!"
+
+"Keep him talking to you where he is now," I said to Naomi, "until I
+have time to get round by the other way to the tool-house. Then pretend
+to be fearful of discovery at the dairy, and bring him round the
+corner, so that I can hear him behind the door."
+
+We left the house together, and separated silently. Naomi followed my
+instructions with a woman's quick intelligence where stratagems are
+concerned. I had hardly been a minute in the tool-house before I heard
+him speaking to Naomi on the other side of the door.
+
+The first words which I caught distinctly related to his motive for
+secretly leaving the farm. Mortified pride--doubly mortified by Naomi's
+contemptuous refusal and by the personal indignity offered to him by
+Ambrose--was at the bottom of his conduct in absenting himself from
+Morwick. He owned that he had seen the advertisement, and that it had
+actually encouraged him to keep in hiding!
+
+"After being laughed at and insulted and denied, I was glad," said the
+miserable wretch, "to see that some of you had serious reason to wish
+me back again. It rests with you, Miss Naomi, to keep me here, and to
+persuade me to save Ambrose by showing myself and owning to my name."
+
+"What do you mean?" I heard Naomi ask, sternly.
+
+He lowered his voice; but I could still hear him.
+
+"Promise you will marry me," he said, "and I will go before the
+magistrate to-morrow, and show him that I am a living man."
+
+"Suppose I refuse?"
+
+"In that case you will lose me again, and none of you will find me till
+Ambrose is hanged."
+
+"Are you villain enough, John Jago, to mean what you say?" asked the
+girl, raising her voice.
+
+"If you attempt to give the alarm," he answered, "as true as God's
+above us, you will feel my hand on your throat! It's my turn now, miss;
+and I am not to be trifled with. Will you have me for your husband--yes
+or no?"
+
+"No!" she answered, loudly and firmly.
+
+I burst open the door, and seized him as he lifted his hand on her. He
+had not suffered from the nervous derangement which had weakened me,
+and he was the stronger man of the two. Naomi saved my life. She struck
+up his pistol as he pulled it out of his pocket with his free hand and
+presented it at my head. The bullet was fired into the air. I tripped
+up his heels at the same moment. The report of the pistol had alarmed
+the house. We two together kept him on the ground until help arrived.
+
+
+
+CHAPTER XII.
+
+THE END OF IT.
+
+JOHN JAGO was brought before the magistrate, and John Jago was
+identified the next day.
+
+The lives of Ambrose and Silas were, of course, no longer in peril, so
+far as human justice was concerned. But there were legal delays to be
+encountered, and legal formalities to be observed, before the brothers
+could be released from prison in the characters of innocent men.
+
+During the interval which thus elapsed, certain events happened which
+may be briefly mentioned here before I close my narrative.
+
+Mr. Meadowcroft the elder, broken by the suffering which he had gone
+through, died suddenly of a rheumatic affection of the heart. A codicil
+attached to his will abundantly justified what Naomi had told me of
+Miss Meadowcroft's influence over her father, and of the end she had in
+view in exercising it. A life income only was left to Mr. Meadowcroft's
+sons. The freehold of the farm was bequeathed to his daughter, with the
+testator's recommendation added, that she should marry his "best and
+dearest friend, Mr. John Jago."
+
+Armed with the power of the will, the heiress of Morwick sent an
+insolent message to Naomi, requesting her no longer to consider herself
+one of the inmates at the farm. Miss Meadowcroft, it should be here
+added, positively refused to believe that John Jago had ever asked
+Naomi to be his wife, or had ever threatened her, as I had heard him
+threaten her, if she refused. She accused me, as she accused Naomi, of
+trying meanly to injure John Jago in her estimation, out of hatred
+toward "that much-injured man;" and she sent to me, as she had sent to
+Naomi, a formal notice to leave the house.
+
+We two banished ones met the same day in the hall, with our
+traveling-bags in our hands.
+
+"We are turned out together, friend Lefrank," said Naomi, with her
+quaintly-comical smile. "You will go back to England, I guess; and I
+must make my own living in my own country. Women can get employment in
+the States if they have a friend to speak for them. Where shall I find
+somebody who can give me a place?"
+
+I saw my way to saying the right word at the right moment.
+
+"I have got a place to offer you," I replied.
+
+She suspected nothing, so far.
+
+"That's lucky, sir," was all she said. "Is it in a telegraph-office or
+in a dry-goods store?"
+
+I astonished my little American friend by taking her then and there in
+my arms, and giving her my first kiss.
+
+"The office is by my fireside," I said; "the salary is anything in
+reason you like to ask me for; and the place, Naomi, if you have no
+objection to it, is the place of my wife."
+
+I have no more to say, except that years have passed since I spoke
+those words and that I am as fond of Naomi as ever.
+
+Some months after our marriage, Mrs. Lefrank wrote to a friend at
+Narrabee for news of what was going on at the farm. The answer informed
+us that Ambrose and Silas had emigrated to New Zealand, and that Miss
+Meadowcroft was alone at Morwick Farm. John Jago had refused to marry
+her. John Jago had disappeared again, nobody knew where.
+
+NOTE IN CONCLUSION.--The first idea of this little story was suggested
+to the author by a printed account of a trial which actually took
+place, early in the present century, in the United States. The
+published narrative of this strange case is entitled "The Trial,
+Confessions, and Conviction of Jesse and Stephen Boorn for the Murder
+of Russell Colvin, and the Return of the Man supposed to have been
+murdered. By Hon. Leonard Sargeant, Ex-Lieutenant Governor of Vermont.
+(Manchester, Vermont, _Journal_ Book and Job Office, 1873.)" It may not
+be amiss to add, for the benefit of incredulous readers, that all the
+"improbable events" in the story are matters of fact, taken from the
+printed narrative. Anything which "looks like truth" is, in nine cases
+out of ten, the invention of the author.--W. C.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+***** This file should be named 7891.txt or 7891.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/8/9/7891/
+
+Produced by James Rusk
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/7891.zip b/7891.zip
new file mode 100644
index 0000000..b342fed
--- /dev/null
+++ b/7891.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..04188a2
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #7891 (https://www.gutenberg.org/ebooks/7891)
diff --git a/old/cdead10.txt b/old/cdead10.txt
new file mode 100644
index 0000000..7eeabfa
--- /dev/null
+++ b/old/cdead10.txt
@@ -0,0 +1,2895 @@
+The Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+#31 in our series by Wilkie Collins
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: The Dead Alive
+
+Author: Wilkie Collins
+
+Release Date: April, 2005 [EBook #7891]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on May 31, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+
+
+
+Produced by James Rusk
+
+
+
+
+THE DEAD ALIVE.
+
+By Wilkie Collins
+
+
+
+CHAPTER I.
+
+THE SICK MAN.
+
+"HEART all right," said the doctor. "Lungs all right. No organic
+disease that I can discover. Philip Lefrank, don't alarm yourself. You
+are not going to die yet. The disease you are suffering from
+is--overwork. The remedy in your case is--rest."
+
+So the doctor spoke, in my chambers in the Temple (London); having been
+sent for to see me about half an hour after I had alarmed my clerk by
+fainting at my desk. I have no wish to intrude myself needlessly on the
+reader's attention; but it may be necessary to add, in the way of
+explanation, that I am a "junior" barrister in good practice. I come
+from the channel Island of Jersey. The French spelling of my name
+(Lefranc) was Anglicized generations since--in the days when the letter
+"k" was still used in England at the end of words which now terminate
+in "c." We hold our heads high, nevertheless, as a Jersey family. It is
+to this day a trial to my father to hear his son described as a member
+of the English bar.
+
+"Rest!" I repeated, when my medical adviser had done. "My good friend,
+are you aware that it is term-time? The courts are sitting. Look at the
+briefs waiting for me on that table! Rest means ruin in my case."
+
+"And work," added the doctor, quietly, "means death."
+
+I started. He was not trying to frighten me: he was plainly in earnest.
+
+"It is merely a question of time," he went on. "You have a fine
+constitution; you are a young man; but you cannot deliberately overwork
+your brain, and derange your nervous system, much longer. Go away at
+once. If you are a good sailor, take a sea-voyage. The ocean air is the
+best of all air to build you up again. No: I don't want to write a
+prescription. I decline to physic you. I have no more to say."
+
+With these words my medical friend left the room. I was obstinate: I
+went into court the same day.
+
+The senior counsel in the case on which I was engaged applied to me for
+some information which it was my duty to give him. To my horror and
+amazement, I was perfectly unable to collect my ideas; facts and dates
+all mingled together confusedly in my mind. I was led out of court
+thoroughly terrified about myself. The next day my briefs went back to
+the attorneys; and I followed my doctor's advice by taking my passage
+for America in the first steamer that sailed for New York.
+
+I had chosen the voyage to America in preference to any other trip by
+sea, with a special object in view. A relative of my mother's had
+emigrated to the United States many years since, and had thriven there
+as a farmer. He had given me a general invitation to visit him if I
+ever crossed the Atlantic. The long period of inaction, under the name
+of _rest_, to which the doctor's decision had condemned me, could
+hardly be more pleasantly occupied, as I thought, than by paying a
+visit to my relation, and seeing what I could of America in that way.
+After a brief sojourn at New York, I started by railway for the
+residence of my host--Mr. Isaac Meadowcroft, of Morwick Farm.
+
+There are some of the grandest natural prospects on the face of
+creation in America. There is also to be found in certain States of the
+Union, by way of wholesome contrast, scenery as flat, as monotonous,
+and as uninteresting to the traveler, as any that the earth can show.
+The part of the country in which M. Meadowcroft's farm was situated
+fell within this latter category. I looked round me when I stepped out
+of the railway-carriage on the platform at Morwick Station; and I said
+to myself, "If to be cured means, in my case, to be dull, I have
+accurately picked out the very place for the purpose."
+
+I look back at those words by the light of later events; and I
+pronounce them, as you will soon pronounce them, to be the words of an
+essentially rash man, whose hasty judgment never stopped to consider
+what surprises time and chance together might have in store for him.
+
+Mr. Meadowcroft's eldest son, Ambrose, was waiting at the station to
+drive me to the farm.
+
+There was no forewarning, in the appearance of Ambrose Meadowcroft, of
+the strange and terrible events that were to follow my arrival at
+Morwick. A healthy, handsome young fellow, one of thousands of other
+healthy, handsome young fellows, said, "How d'ye do, Mr. Lefrank? Glad
+to see you, sir. Jump into the buggy; the man will look after your
+portmanteau." With equally conventional politeness I answered, "Thank
+you. How are you all at home?" So we started on the way to the farm.
+
+Our conversation on the drive began with the subjects of agriculture
+and breeding. I displayed my total ignorance of crops and cattle before
+we had traveled ten yards on our journey. Ambrose Meadowcroft cast
+about for another topic, and failed to find it. Upon this I cast about
+on my side, and asked, at a venture, if I had chosen a convenient time
+for my visit The young farmer's stolid brown face instantly brightened.
+I had evidently hit, hap-hazard, on an interesting subject.
+
+"You couldn't have chosen a better time," he said. "Our house has never
+been so cheerful as it is now."
+
+"Have you any visitors staying with you?"
+
+"It's not exactly a visitor. It's a new member of the family who has
+come to live with us."
+
+"A new member of the family! May I ask who it is?"
+
+Ambrose Meadowcroft considered before he replied; touched his horse
+with the whip; looked at me with a certain sheepish hesitation; and
+suddenly burst out with the truth, in the plainest possible words:
+
+"It's just the nicest girl, sir, you ever saw in your life."
+
+"Ay, ay! A friend of your sister's, I suppose?"
+
+"A friend? Bless your heart! it's our little American cousin, Naomi
+Colebrook."
+
+I vaguely remembered that a younger sister of Mr. Meadowcroft's had
+married an American merchant in the remote past, and had died many
+years since, leaving an only child. I was now further informed that the
+father also was dead. In his last moments he had committed his helpless
+daughter to the compassionate care of his wife's relations at Morwick.
+
+"He was always a speculating man," Ambrose went on. "Tried one thing
+after another, and failed in all. Died, sir, leaving barely enough to
+bury him. My father was a little doubtful, before she came here, how
+his American niece would turn out. We are English, you know; and,
+though we do live in the United States, we stick fast to our English
+ways and habits. We don't much like American women in general, I can
+tell you; but when Naomi made her appearance she conquered us all. Such
+a girl! Took her place as one of the family directly. Learned to make
+herself useful in the dairy in a week's time. I tell you this--she
+hasn't been with us quite two months yet, and we wonder already how we
+ever got on without her!"
+
+Once started on the subject of Naomi Colebrook, Ambrose held to that
+one topic and talked on it without intermission. It required no great
+gift of penetration to discover the impression which the American
+cousin had produced in this case. The young fellow's enthusiasm
+communicated itself, in a certain tepid degree, to me. I really felt a
+mild flutter of anticipation at the prospect of seeing Naomi, when we
+drew up, toward the close of evening, at the gates of Morwick Farm.
+
+
+CHAPTER II.
+
+THE NEW FACES.
+
+IMMEDIATELY on my arrival, I was presented to Mr. Meadowcroft, the
+father.
+
+The old man had become a confirmed invalid, confined by chronic
+rheumatism to his chair. He received me kindly, and a little wearily as
+well. His only unmarried daughter (he had long since been left a
+widower) was in the room, in attendance on her father. She was a
+melancholy, middle-aged woman, without visible attractions of any
+sort--one of those persons who appear to accept the obligation of
+living under protest, as a burden which they would never have consented
+to bear if they had only been consulted first. We three had a dreary
+little interview in a parlor of bare walls; and then I was permitted to
+go upstairs, and unpack my portmanteau in my own room.
+
+"Supper will be at nine o'clock, sir," said Miss Meadowcroft.
+
+She pronounced those words as if "supper" was a form of domestic
+offense, habitually committed by the men, and endured by the women. I
+followed the groom up to my room, not over-well pleased with my first
+experience of the farm.
+
+No Naomi and no romance, thus far!
+
+My room was clean--oppressively clean. I quite longed to see a little
+dust somewhere. My library was limited to the Bible and the
+Prayer-book. My view from the window showed me a dead flat in a partial
+state of cultivation, fading sadly from view in the waning light. Above
+the head of my spruce white bed hung a scroll, bearing a damnatory
+quotation from Scripture in emblazoned letters of red and black. The
+dismal presence of Miss Meadowcroft had passed over my bedroom, and had
+blighted it. My spirits sank as I looked round me. Supper-time was
+still an event in the future. I lighted the candles and took from my
+portmanteau what I firmly believe to have been the first French novel
+ever produced at Morwick Farm. It was one of the masterly and charming
+stories of Dumas the elder. In five minutes I was in a new world, and
+my melancholy room was full of the liveliest French company. The sound
+of an imperative and uncompromising bell recalled me in due time to the
+regions of reality. I looked at my watch. Nine o'clock.
+
+Ambrose met me at the bottom of the stairs, and showed me the way to
+the supper-room.
+
+Mr. Meadowcroft's invalid chair had been wheeled to the head of the
+table. On his right-hand side sat his sad and silent daughter. She
+signed to me, with a ghostly solemnity, to take the vacant place on the
+left of her father. Silas Meadowcroft came in at the same moment, and
+was presented to me by his brother. There was a strong family likeness
+between them, Ambrose being the taller and the handsomer man of the
+two. But there was no marked character in either face. I set them down
+as men with undeveloped qualities, waiting (the good and evil qualities
+alike) for time and circumstances to bring them to their full growth.
+
+The door opened again while I was still studying the two brothers,
+without, I honestly confess, being very favorably impressed by either
+of them. A new member of the family circle, who instantly attracted my
+attention, entered the room.
+
+He was short, spare, and wiry; singularly pale for a person whose life
+was passed in the country. The face was in other respects, besides
+this, a striking face to see. As to the lower part, it was covered with
+a thick black beard and mustache, at a time when shaving was the rule,
+and beards the rare exception, in America. As to the upper part of the
+face, it was irradiated by a pair of wild, glittering brown eyes, the
+expression of which suggested to me that there was something not quite
+right with the man's mental balance. A perfectly sane person in all his
+sayings and doings, so far as I could see, there was still something in
+those wild brown eyes which suggested to me that, under exceptionally
+trying circumstances, he might surprise his oldest friends by acting in
+some exceptionally violent or foolish way. "A little cracked"--that in
+the popular phrase was my impression of the stranger who now made his
+appearance in the supper-room.
+
+Mr. Meadowcroft the elder, having not spoken one word thus far, himself
+introduced the newcomer to me, with a side-glance at his sons, which
+had something like defiance in it--a glance which, as I was sorry to
+notice, was returned with the defiance on their side by the two young
+men.
+
+"Philip Lefrank, this is my overlooker, Mr. Jago," said the old man,
+formally presenting us. "John Jago, this is my young relative by
+marriage, Mr. Lefrank. He is not well; he has come over the ocean for
+rest, and change of scene. Mr. Jago is an American, Philip. I hope you
+have no prejudice against Americans. Make acquaintance with Mr. Jago.
+Sit together." He cast another dark look at his sons; and the sons
+again returned it. They pointedly drew back from John Jago as he
+approached the empty chair next to me and moved round to the opposite
+side of the table. It was plain that the man with the beard stood high
+in the father's favor, and that he was cordially disliked for that or
+for some other reason by the sons.
+
+The door opened once more. A young lady quietly joined the party at the
+supper-table.
+
+Was the young lady Naomi Colebrook? I looked at Ambrose, and saw the
+answer in his face. Naomi Colebrook at last!
+
+A pretty girl, and, so far as I could judge by appearances, a good girl
+too. Describing her generally, I may say that she had a small head,
+well carried, and well set on her shoulders; bright gray eyes, that
+looked at you honestly, and meant what they looked; a trim, slight
+little figure--too slight for our English notions of beauty; a strong
+American accent; and (a rare thing in America) a pleasantly toned
+voice, which made the accent agreeable to English ears. Our first
+impressions of people are, in nine cases out of ten, the right
+impressions. I liked Naomi Colebrook at first sight; liked her pleasant
+smile; liked her hearty shake of the hand when we were presented to
+each other. "If I get on well with nobody else in this house," I
+thought to myself, "I shall certainly get on well with _you_."
+
+For once in a way, I proved a true prophet. In the atmosphere of
+smoldering enmities at Morwick Farm, the pretty American girl and I
+remained firm and true friends from first to last. Ambrose made room
+for Naomi to sit between his brother and himself. She changed color for
+a moment, and looked at him, with a pretty, reluctant tenderness, as
+she took her chair. I strongly suspected the young farmer of squeezing
+her hand privately, under cover of the tablecloth.
+
+The supper was not a merry one. The only cheerful conversation was the
+conversation across the table between Naomi and me.
+
+For some incomprehensible reason, John Jago seemed to be ill at ease in
+the presence of his young countrywoman. He looked up at Naomi
+doubtingly from his plate, and looked down again slowly with a frown.
+When I addressed him, he answered constrainedly. Even when he spoke to
+Mr. Meadowcroft, he was still on his guard--on his guard against the
+two young men, as I fancied by the direction which his eyes took on
+these occasions. When we began our meal, I had noticed for the first
+time that Silas Meadowcroft's left hand was strapped up with surgical
+plaster; and I now further observed that John Jago's wandering brown
+eyes, furtively looking at everybody round the table in turn, looked
+with a curious, cynical scrutiny at the young man's injured hand.
+
+By way of making my first evening at the farm all the more embarrassing
+to me as a stranger, I discovered before long that the father and sons
+were talking indirectly _at_ each other, through Mr. Jago and through
+me. When old Mr. Meadowcroft spoke disparagingly to his overlooker of
+some past mistake made in the cultivation of the arable land of the
+farm, old Mr. Meadowcroft's eyes pointed the application of his hostile
+criticism straight in the direction of his two sons When the two sons
+seized a stray remark of mine about animals in general, and applied it
+satirically to the mismanagement of sheep and oxen in particular, they
+looked at John Jago, while they talked to me. On occasions of this
+sort--and they happened frequently--Naomi struck in resolutely at the
+right moment, and turned the talk to some harmless topic. Every time
+she took a prominent part in this way in keeping the peace, melancholy
+Miss Meadowcroft looked slowly round at her in stern and silent
+disparagement of her interference. A more dreary and more disunited
+family party I never sat at the table with. Envy, hatred, malice and
+uncharitableness are never so essentially detestable to my mind as when
+they are animated by a sense of propriety, and work under the surface.
+But for my interest in Naomi, and my other interest in the little
+love-looks which I now and then surprised passing between her and
+Ambrose, I should never have sat through that supper. I should
+certainly have taken refuge in my French novel and my own room.
+
+At last the unendurably long meal, served with ostentatious profusion,
+was at an end. Miss Meadowcroft rose with her ghostly solemnity, and
+granted me my dismissal in these words:
+
+"We are early people at the farm, Mr. Lefrank. I wish you good-night."
+
+She laid her bony hands on the back of Mr. Meadowcroft's invalid-chair,
+cut him short in his farewell salutation to me, and wheeled him out to
+his bed as if she were wheeling him out to his grave.
+
+"Do you go to your room immediately, sir? If not, may I offer you a
+cigar--provided the young gentlemen will permit it?"
+
+So, picking his words with painful deliberation, and pointing his
+reference to "the young gentlemen" with one sardonic side-look at them,
+Mr. John Jago performed the duties of hospitality on his side. I
+excused myself from accepting the cigar. With studied politeness, the
+man of the glittering brown eyes wished me a goodnight's rest, and left
+the room.
+
+Ambrose and Silas both approached me hospitably, with their open
+cigar-cases in their hands.
+
+"You were quite right to say 'No,'" Ambrose began. "Never smoke with
+John Jago. His cigars will poison you."
+
+"And never believe a word John Jago says to you," added Silas. "He is
+the greatest liar in America, let the other be whom he may."
+
+Naomi shook her forefinger reproachfully at them, as if the two sturdy
+young farmers had been two children.
+
+"What will Mr. Lefrank think," she said, "if you talk in that way of a
+person whom your father respects and trusts? Go and smoke. I am ashamed
+of both of you."
+
+Silas slunk away without a word of protest. Ambrose stood his ground,
+evidently bent on making his peace with Naomi before he left her.
+
+Seeing that I was in the way, I walked aside toward a glass door at the
+lower end of the room. The door opened on the trim little farm-garden,
+bathed at that moment in lovely moonlight. I stepped out to enjoy the
+scene, and found my way to a seat under an elm-tree. The grand repose
+of nature had never looked so unutterably solemn and beautiful as it
+now appeared, after what I had seen and heard inside the house. I
+understood, or thought I understood, the sad despair of humanity which
+led men into monasteries in the old times. The misanthropical side of
+my nature (where is the sick man who is not conscious of that side of
+him?) was fast getting the upper hand of me when I felt a light touch
+laid on my shoulder, and found myself reconciled to my species once
+more by Naomi Colebrook.
+
+
+CHAPTER III.
+
+THE MOONLIGHT MEETING.
+
+"I WANT to speak to you," Naomi began "You don't think ill of me for
+following you out here? We are not accustomed to stand much on ceremony
+in America."
+
+"You are quite right in America. Pray sit down."
+
+She seated herself by my side, looking at me frankly and fearlessly by
+the light of the moon.
+
+"You are related to the family here," she resumed, "and I am related
+too. I guess I may say to you what I couldn't say to a stranger. I am
+right glad you have come here, Mr. Lefrank; and for a reason, sir,
+which you don't suspect."
+
+"Thank you for the compliment you pay me, Miss Colebrook, whatever the
+reason may be."
+
+She took no notice of my reply; she steadily pursued her own train of
+thought.
+
+"I guess you may do some good, sir, in this wretched house," the girl
+went on, with her eyes still earnestly fixed on my face. "There is no
+love, no trust, no peace, at Morwick Farm. They want somebody here,
+except Ambrose. Don't think ill of Ambrose; he is only thoughtless. I
+say, the rest of them want somebody here to make them ashamed of their
+hard hearts, and their horrid, false, envious ways. You are a
+gentleman; you know more than they know; they can't help themselves;
+they must look up to _you_. Try, Mr. Lefrank, when you have the
+opportunity--pray try, sir, to make peace among them. You heard what
+went on at supper-time; and you were disgusted with it. Oh yes, you
+were! I saw you frown to yourself; and I know what _that_ means in you
+Englishmen."
+
+There was no choice but to speak one's mind plainly to Naomi. I
+acknowledged the impression which had been produced on me at
+supper-time just as plainly as I have acknowledged it in these pages.
+Naomi nodded her head in undisguised approval of my candor.
+
+"That will do, that's speaking out," she said. "But--oh my! you put it
+a deal too mildly, sir, when you say the men don't seem to be on
+friendly terms together here. They hate each other. That's the word,
+Mr. Lefrank--hate; bitter, bitter, bitter hate!" She clinched her
+little fists; she shook them vehemently, by way of adding emphasis to
+her last words; and then she suddenly remembered Ambrose. "Except
+Ambrose," she added, opening her hand again, and laying it very
+earnestly on my arm. "Don't go and misjudge Ambrose, sir. There is no
+harm in poor Ambrose."
+
+The girl's innocent frankness was really irresistible.
+
+"Should I be altogether wrong," I asked, "if I guessed that you were a
+little partial to Ambrose?"
+
+An Englishwoman would have felt, or would at least have assumed, some
+little hesitation at replying to my question. Naomi did not hesitate
+for an instant.
+
+"You are quite right, sir," she said with the most perfect composure.
+"If things go well, I mean to marry Ambrose."
+
+"If things go well," I repeated. "What does that mean? Money?"
+
+She shook her head.
+
+"It means a fear that I have in my own mind," she answered--"a fear,
+Mr. Lefrank, of matters taking a bad turn among the men here--the
+wicked, hard-hearted, unfeeling men. I don't mean Ambrose, sir; I mean
+his brother Silas, and John Jago. Did you notice Silas's hand? John
+Jago did that, sir, with a knife."
+
+"By accident?" I asked.
+
+"On purpose," she answered. "In return for a blow."
+
+This plain revelation of the state of things at Morwick Farm rather
+staggered me--blows and knives under the rich and respectable roof-tree
+of old Mr. Meadowcroft--blows and knives, not among the laborers, but
+among the masters! My first impression was like _your_ first
+impression, no doubt. I could hardly believe it.
+
+"Are you sure of what you say?" I inquired.
+
+"I have it from Ambrose. Ambrose would never deceive me. Ambrose knows
+all about it."
+
+My curiosity was powerfully excited. To what sort of household had I
+rashly voyaged across the ocean in search of rest and quiet?
+
+"May I know all about it too?" I said.
+
+"Well, I will try and tell you what Ambrose told me. But you must
+promise me one thing first, sir. Promise you won't go away and leave us
+when you know the whole truth. Shake hands on it, Mr. Lefrank; come,
+shake hands on it."
+
+There was no resisting her fearless frankness. I shook hands on it.
+Naomi entered on her narrative the moment I had given her my pledge,
+without wasting a word by way of preface.
+
+"When you are shown over the farm here," she began, "you will see that
+it is really two farms in one. On this side of it, as we look from
+under this tree, they raise crops: on the other side--on much the
+larger half of the land, mind--they raise cattle. When Mr. Meadowcroft
+got too old and too sick to look after his farm himself, the boys (I
+mean Ambrose and Silas) divided the work between them. Ambrose looked
+after the crops, and Silas after the cattle. Things didn't go well,
+somehow, under their management. I can't tell you why. I am only sure
+Ambrose was not in fault. The old man got more and more dissatisfied,
+especially about his beasts. His pride is in his beasts. Without saying
+a word to the boys, he looked about privately (_I_ think he was wrong
+in that, sir; don't you?)--he looked about privately for help; and, in
+an evil hour, he heard of John Jago. Do you like John Jago, Mr.
+Lefrank?"
+
+"So far, no. I don't like him."
+
+"Just my sentiments, sir. But I don't know: it's likely we may be
+wrong. There's nothing against John Jago, except that he is so odd in
+his ways. They do say he wears all that nasty hair on his face (I hate
+hair on a man's face) on account of a vow he made when he lost his
+wife. Don't you think, Mr. Lefrank, a man must be a little mad who
+shows his grief at losing his wife by vowing that he will never shave
+himself again? Well, that's what they do say John Jago vowed. Perhaps
+it's a lie. People are such liars here! Anyway, it's truth (the boys
+themselves confess _that_), when John came to the farm, he came with a
+first-rate character. The old father here isn't easy to please; and he
+pleased the old father. Yes, that's so. Mr. Meadowcroft don't like my
+countrymen in general. He's like his sons--English, bitter English, to
+the marrow of his bones. Somehow, in spite of that, John Jago got round
+him; maybe because John does certainly know his business. Oh yes!
+Cattle and crops, John knows his business. Since he's been overlooker,
+things have prospered as they didn't prosper in the time of the boys.
+Ambrose owned as much to me himself. Still, sir, it's hard to be set
+aside for a stranger; isn't it? John gives the orders now. The boys do
+their work; but they have no voice in it when John and the old man put
+their heads together over the business of the farm. I have been long in
+telling you of it, sir, but now you know how the envy and the hatred
+grew among the men before my time. Since I have been here, things seem
+to get worse and worse. There's hardly a day goes by that hard words
+don't pass between the boys and John, or the boys and their father. The
+old man has an aggravating way, Mr. Lefrank--a nasty way, as we do call
+it--of taking John Jago's part. Do speak to him about it when you get
+the chance. The main blame of the quarrel between Silas and John the
+other day lies at his door, as I think. I don't want to excuse Silas,
+either. It was brutal of him--though he _is_ Ambrose's brother--to
+strike John, who is the smaller and weaker man of the two. But it was
+worse than brutal in John, sir, to out with his knife and try to stab
+Silas. Oh, he did it! If Silas had not caught the knife in his hand
+(his hand's awfully cut, I can tell you; I dressed it myself), it might
+have ended, for anything I know, in murder--"
+
+She stopped as the word passed her lips, looked back over her shoulder,
+and started violently.
+
+I looked where my companion was looking. The dark figure of a man was
+standing, watching us, in the shadow of the elm-tree. I rose directly
+to approach him. Naomi recovered her self-possession, and checked me
+before I could interfere.
+
+"Who are you?" she asked, turning sharply toward the stranger. "What do
+you want there?"
+
+The man stepped out from the shadow into the moonlight, and stood
+revealed to us as John Jago.
+
+"I hope I am not intruding?" he said, looking hard at me.
+
+"What do you want?" Naomi repeated.
+
+"I don't wish to disturb you, or to disturb this gentleman," he
+proceeded. "When you are quite at leisure, Miss Naomi, you would be
+doing me a favor if you would permit me to say a few words to you in
+private."
+
+He spoke with the most scrupulous politeness; trying, and trying
+vainly, to conceal some strong agitation which was in possession of
+him. His wild brown eyes--wilder than ever in the moonlight--rested
+entreatingly, with a strange underlying expression of despair, on
+Naomi's face. His hands, clasped lightly in front of him, trembled
+incessantly. Little as I liked the man, he did really impress me as a
+pitiable object at that moment.
+
+"Do you mean that you want to speak to me to-night?" Naomi asked, in
+undisguised surprise.
+
+"Yes, miss, if you please, at your leisure and at Mr. Lefrank's."
+
+Naomi hesitated.
+
+"Won't it keep till to-morrow?" she said.
+
+"I shall be away on farm business to-morrow, miss, for the whole day.
+Please to give me a few minutes this evening." He advanced a step
+toward her; his voice faltered, and dropped timidly to a whisper. "I
+really have something to say to you, Miss Naomi. It would be a kindness
+on your part--a very, very great kindness--if you will let me say it
+before I rest to-night."
+
+I rose again to resign my place to him. Once more Naomi checked me.
+
+"No," she said. "Don't stir." She addressed John Jago very reluctantly:
+"If you are so much in earnest about it, Mr. John, I suppose it must
+be. I can't guess what _you_ can possibly have to say to me which
+cannot be said before a third person. However, it wouldn't be civil, I
+suppose, to say 'No' in my place. You know it's my business to wind up
+the hall-clock at ten every night. If you choose to come and help me,
+the chances are that we shall have the hall to ourselves. Will that
+do?"
+
+"Not in the hall, miss, if you will excuse me."
+
+"Not in the hall!"
+
+"And not in the house either, if I may make so bold."
+
+"What do you mean?" She turned impatiently, and appealed to me. "Do
+_you_ understand him?"
+
+John Jago signed to me imploringly to let him answer for himself.
+
+"Bear with me, Miss Naomi," he said. "I think I can make you understand
+me. There are eyes on the watch, and ears on the watch, in the house;
+and there are some footsteps--I won't say whose--so soft, that no
+person can hear them."
+
+The last allusion evidently made itself understood. Naomi stopped him
+before he could say more.
+
+"Well, where is it to be?" she asked, resignedly. "Will the garden do,
+Mr. John?"
+
+"Thank you kindly, miss; the garden will do." He pointed to a
+gravel-walk beyond us, bathed in the full flood of the moonlight.
+"There," he said, "where we can see all round us, and be sure that
+nobody is listening. At ten o'clock." He paused, and addressed himself
+to me. "I beg to apologize, sir, for intruding myself on your
+conversation. Please to excuse me."
+
+His eyes rested with a last anxious, pleading look on Naomi's face. He
+bowed to us, and melted away into the shadow of the tree. The distant
+sound of a door closed softly came to us through the stillness of the
+night. John Jago had re-entered the house.
+
+Now that he was out of hearing, Naomi spoke to me very earnestly:
+
+"Don't suppose, sir, I have any secrets with _him_," she said. "I know
+no more than you do what he wants with me. I have half a mind not to
+keep the appointment when ten o'clock comes. What would you do in my
+place?"
+
+"Having made the appointment," I answered, "it seems to be due to
+yourself to keep it. If you feel the slightest alarm, I will wait in
+another part of the garden, so that I can hear if you call me."
+
+She received my proposal with a saucy toss of the head, and a smile of
+pity for my ignorance.
+
+"You are a stranger, Mr. Lefrank, or you would never talk to me in that
+way. In America, we don't do the men the honor of letting them alarm
+us. In America, the women take care of themselves. He has got my
+promise to meet him, as you say; and I must keep my promise. Only
+think," she added, speaking more to herself than to me, "of John Jago
+finding out Miss Meadowcroft's nasty, sly, underhand ways in the house!
+Most men would never have noticed her."
+
+I was completely taken by surprise. Sad and severe Miss Meadowcroft a
+listener and a spy! What next at Morwick Farm?
+
+"Was that hint at the watchful eyes and ears, and the soft footsteps,
+really an allusion to Mr. Meadowcroft's daughter?" I asked.
+
+"Of course it was. Ah! she has imposed on you as she imposes on
+everybody else. The false wretch! She is secretly at the bottom of half
+the bad feeling among the men. I am certain of it--she keeps Mr.
+Meadowcroft's mind bitter toward the boys. Old as she is, Mr. Lefrank,
+and ugly as she is, she wouldn't object (if she could only make him ask
+her) to be John Jago's second wife. No, sir; and she wouldn't break her
+heart if the boys were not left a stick or a stone on the farm when the
+father dies. I have watched her, and I know it. Ah! I could tell you
+such things! But there's no time now--it's close on ten o'clock; we
+must say good-night. I am right glad I have spoken to you, sir. I say
+again, at parting, what I have said already: Use your influence, pray
+use your influence, to soften them, and to make them ashamed of
+themselves, in this wicked house. We will have more talk about what you
+can do to-morrow, when you are shown over the farm. Say good-by now.
+Hark! there is ten striking! And look! here is John Jago stealing out
+again in the shadow of the tree! Good-night, friend Lefrank; and
+pleasant dreams."
+
+With one hand she took mine, and pressed it cordially; with the other
+she pushed me away without ceremony in the direction of the house. A
+charming girl--an irresistible girl! I was nearly as bad as the boys. I
+declare, _I_ almost hated John Jago, too, as we crossed each other in
+the shadow of the tree.
+
+Arrived at the glass door, I stopped and looked back at the gravelwalk.
+
+They had met. I saw the two shadowy figures slowly pacing backward and
+forward in the moonlight, the woman a little in advance of the man.
+What was he saying to her? Why was he so anxious that not a word of it
+should be heard? Our presentiments are sometimes, in certain rare
+cases, the faithful prophecy of the future. A vague distrust of that
+moonlight meeting stealthily took a hold on my mind. "Will mischief
+come of it?" I asked myself as I closed the door and entered the house.
+
+Mischief _did_ come of it. You shall hear how.
+
+
+CHAPTER IV.
+
+THE BEECHEN STICK.
+
+PERSONS of sensitive, nervous temperament, sleeping for the first time
+in a strange house, and in a bed that is new to them, must make up
+their minds to pass a wakeful night. My first night at Morwick Farm was
+no exception to this rule. The little sleep I had was broken and
+disturbed by dreams. Toward six o'clock in the morning, my bed became
+unendurable to me. The sun was shining in brightly at the window. I
+determined to try the reviving influence of a stroll in the fresh
+morning air.
+
+Just as I got out of bed, I heard footsteps and voices under my window.
+
+The footsteps stopped, and the voices became recognizable. I had passed
+the night with my window open; I was able, without exciting notice from
+below, to look out.
+
+The persons beneath me were Silas Meadowcroft, John Jago, and three
+strangers, whose dress and appearance indicated plainly enough that
+they were laborers on the farm. Silas was swinging a stout beechen
+stick in his hand, and was speaking to Jago, coarsely and insolently
+enough, of his moonlight meeting with Naomi on the previous night.
+
+"Next time you go courting a young lady in secret," said Silas, "make
+sure that the moon goes down first, or wait for a cloudy sky. You were
+seen in the garden, Master Jago; and you may as well tell us the truth
+for once in a way. Did you find her open to persuasion, sir? Did she
+say 'Yes?'"
+
+John Jago kept his temper.
+
+"If you must have your joke, Mr. Silas," he said, quietly and firmly,
+"be pleased to joke on some other subject. You are quite wrong, sir, in
+what you suppose to have passed between the young lady and me."
+
+Silas turned about, and addressed himself ironically to the three
+laborers.
+
+"You hear him, boys? He can't tell the truth, try him as you may. He
+wasn't making love to Naomi in the garden last night--oh dear, no! He
+has had one wife already; and he knows better than to take the yoke on
+his shoulders for the second time!"
+
+Greatly to my surprise, John Jago met this clumsy jesting with a formal
+and serious reply.
+
+"You are quite right, sir," he said. "I have no intention of marrying
+for the second time. What I was saying to Miss Naomi doesn't matter to
+you. It was not at all what you choose to suppose; it was something of
+quite another kind, with which you have no concern. Be pleased to
+understand once for all, Mr. Silas, that not so much as the thought of
+making love to the young lady has ever entered my head. I respect her;
+I admire her good qualities; but if she was the only woman left in the
+world, and if I was a much younger man than I am, I should never think
+of asking her to be my wife." He burst out suddenly into a harsh,
+uneasy laugh. "No, no! not my style, Mr. Silas--not my style!"
+
+Something in those words, or in his manner of speaking them, appeared
+to exasperate Silas. He dropped his clumsy irony, and addressed himself
+directly to John Jago in a tone of savage contempt.
+
+"Not your style?" he repeated. "Upon my soul, that's a cool way of
+putting it, for a man in your place! What do you mean by calling her
+'not your style?' You impudent beggar! Naomi Colebrook is meat for your
+master!"
+
+John Jago's temper began to give way at last. He approached defiantly a
+step or two nearer to Silas Meadowcroft.
+
+"Who is my master?" he asked.
+
+"Ambrose will show you, if you go to him," answered the other. "Naomi
+is _his_ sweetheart, not mine. Keep out of his way, if you want to keep
+a whole skin on your bones."
+
+John Jago cast one of his sardonic side-looks at the farmer's wounded
+left hand. "Don't forget your own skin, Mr. Silas, when you threaten
+mine! I have set my mark on you once, sir. Let me by on my business, or
+I may mark you for a second time."
+
+Silas lifted his beechen stick. The laborers, roused to some rude sense
+of the serious turn which the quarrel was taking, got between the two
+men, and parted them. I had been hurriedly dressing myself while the
+altercation was proceeding; and I now ran downstairs to try what my
+influence could do toward keeping the peace at Morwick Farm.
+
+The war of angry words was still going on when I joined the men
+outside.
+
+"Be off with you on your business, you cowardly hound!" I heard Silas
+say. "Be off with you to the town! and take care you don't meet Ambrose
+on the way!"
+
+"Take _you_ care you don't feel my knife again before I go!" cried the
+other man.
+
+Silas made a desperate effort to break away from the laborers who were
+holding him.
+
+"Last time you only felt my fist!" he shouted "Next time you shall feel
+_this!_"
+
+He lifted the stick as he spoke. I stepped up and snatched it out of
+his hand.
+
+"Mr. Silas," I said, "I am an invalid, and I am going out for a walk.
+Your stick will be useful to me. I beg leave to borrow it."
+
+The laborers burst out laughing. Silas fixed his eyes on me with a
+stare of angry surprise. John Jago, immediately recovering his
+self-possession, took off his hat, and made me a deferential bow.
+
+"I had no idea, Mr. Lefrank, that we were disturbing you," he said. "I
+am very much ashamed of myself, sir. I beg to apologize."
+
+"I accept your apology, Mr. Jago," I answered, "on the understanding
+that you, as the older man, will set the example of forbearance if your
+temper is tried on any future occasion as it has been tried today. And
+I have further to request," I added, addressing myself to Silas, "that
+you will do me a favor, as your father's guest. The next time your good
+spirits lead you into making jokes at Mr. Jago's expense, don't carry
+them quite so far. I am sure you meant no harm, Mr. Silas. Will you
+gratify me by saying so yourself? I want to see you and Mr. Jago shake
+hands."
+
+John Jago instantly held out his hand, with an assumption of good
+feeling which was a little overacted, to my thinking. Silas Meadowcroft
+made no advance of the same friendly sort on his side.
+
+"Let him go about his business," said Silas. "I won't waste any more
+words on him, Mr. Lefrank, to please _you_. But (saving your presence)
+I'm d--d if I take his hand!"
+
+Further persuasion was plainly useless, addressed to such a man as
+this. Silas gave me no further opportunity of remonstrating with him,
+even if I had been inclined to do so. He turned about in sulky silence,
+and, retracing his steps along the path, disappeared round the corner
+of the house. The laborers withdrew next, in different directions, to
+begin the day's, work. John Jago and I were alone.
+
+I left it to the man of the wild brown eyes to speak first.
+
+"In half an hour's time, sir," he said, "I shall be going on business
+to Narrabee, our market-town here. Can I take any letters to the post
+for you? or is there anything else that I can do in the town?"
+
+I thanked him, and declined both proposals. He made me another
+deferential bow, and withdrew into the house. I mechanically followed
+the path in the direction which Silas had taken before me.
+
+Turning the corner of the house, and walking on for a little way, I
+found myself at the entrance to the stables, and face to face with
+Silas Meadowcroft once more. He had his elbows on the gate of the yard,
+swinging it slowly backward and forward, and turning and twisting a
+straw between his teeth. When he saw me approaching him, he advanced a
+step from the gate, and made an effort to excuse himself, with a very
+ill grace.
+
+"No offense, mister. Ask me what you will besides, and I'll do it for
+you. But don't ask me to shake hands with John Jago; I hate him too
+badly for that. If I touched him with one hand, sir, I tell you this, I
+should throttle him with the other."
+
+"That's your feeling toward the man, Mr. Silas, is it?"
+
+"That's my feeling, Mr. Lefrank; and I'm not ashamed of it either."
+
+"Is there any such place as a church in your neighborhood, Mr. Silas?"
+
+"Of course there is."
+
+"And do you ever go to it?"
+
+"Of course I do."
+
+"At long intervals, Mr. Silas?"
+
+"Every Sunday, sir, without fail."
+
+Some third person behind me burst out laughing; some third person had
+been listening to our talk. I turned round, and discovered Ambrose
+Meadowcroft.
+
+"I understand the drift of your catechism, sir, though my brother
+doesn't," he said. "Don't be hard on Silas, sir. He isn't the only
+Christian who leaves his Christianity in the pew when he goes out of
+church. You will never make us friends with John Jago, try as you may.
+Why, what have you got there, Mr. Lefrank? May I die if it isn't my
+stick! I have been looking for it everywhere!"
+
+The thick beechen stick had been feeling uncomfortably heavy in my
+invalid hand for some time past. There was no sort of need for my
+keeping it any longer. John Jago was going away to Narrabee, and Silas
+Meadowcroft's savage temper was subdued to a sulky repose. I handed the
+stick back to Ambrose. He laughed as he took it from me.
+
+"You can't think how strange it feels, Mr. Lefrank, to be out without
+one's stick," he said. "A man gets used to his stick, sir; doesn't he?
+Are you ready for your breakfast?"
+
+"Not just yet. I thought of taking a little walk first."
+
+"All right, sir. I wish I could go with you; but I have got my work to
+do this morning, and Silas has his work too. If you go back by the way
+you came, you will find yourself in the garden. If you want to go
+further, the wicket-gate at the end will lead you into the lane."
+
+Through sheer thoughtlessness, I did a very foolish thing. I turned
+back as I was told, and left the brothers together at the gate of the
+stable-yard.
+
+
+CHAPTER V.
+
+THE NEWS FROM NARRABEE.
+
+ARRIVED at the garden, a thought struck me. The cheerful speech and
+easy manner of Ambrose plainly indicated that he was ignorant thus far
+of the quarrel which had taken place under my window. Silas might
+confess to having taken his brother's stick, and might mention whose
+head he had threatened with it. It was not only useless, but
+undesirable, that Ambrose should know of the quarrel. I retraced my
+steps to the stable-yard. Nobody was at the gate. I called alternately
+to Silas and to Ambrose. Nobody answered. The brothers had gone away to
+their work.
+
+Returning to the garden, I heard a pleasant voice wishing me
+"Good-morning." I looked round. Naomi Colebrook was standing at one of
+the lower windows of the farm. She had her working apron on, and she
+was industriously brightening the knives for the breakfast-table on an
+old-fashioned board. A sleek black cat balanced himself on her
+shoulder, watching the flashing motion of the knife as she passed it
+rapidly to and fro on the leather-covered surface of the board.
+
+"Come here," she said; "I want to speak to you."
+
+I noticed, as I approached, that her pretty face was clouded and
+anxious. She pushed the cat irritably off her shoulder; she welcomed me
+with only the faint reflection of her bright customary smile.
+
+"I have seen John Jago," she said. "He has been hinting at something
+which he says happened under your bedroom window this morning. When I
+begged him to explain himself, he only answered, 'Ask Mr. Lefrank; I
+must be off to Narrabee.' What does it mean? Tell me right away, sir!
+I'm out of temper, and I can't wait!"
+
+Except that I made the best instead of the worst of it, I told her what
+had happened under my window as plainly as I have told it here. She put
+down the knife that she was cleaning, and folded her hands before her,
+thinking.
+
+"I wish I had never given John Jago that meeting," she said. "When a
+man asks anything of a woman, the woman, I find, mostly repents it if
+she says 'Yes.'"
+
+She made that quaint reflection with a very troubled brow. The
+moonlight meeting had left some unwelcome remembrances in her mind. I
+saw that as plainly as I saw Naomi herself.
+
+What had John Jago said to her? I put the question with all needful
+delicacy, making my apologies beforehand.
+
+"I should like to tell _you_," she began, with a strong emphasis on the
+last word.
+
+There she stopped. She turned pale; then suddenly flushed again to the
+deepest red. She took up the knife once more, and went on cleaning it
+as industriously as ever.
+
+"I mustn't tell you," she resumed, with her head down over the knife.
+"I have promised not to tell anybody. That's the truth. Forget all
+about it, sir, as soon as you can. Hush! here's the spy who saw us last
+night on the walk and who told Silas!"
+
+Dreary Miss Meadowcroft opened the kitchen door. She carried an
+ostentatiously large Prayer-book; and she looked at Naomi as only a
+jealous woman of middle age _can_ look at a younger and prettier woman
+than herself.
+
+"Prayers, Miss Colebrook," she said in her sourest manner. She paused,
+and noticed me standing under the window. "Prayers, Mr. Lefrank," she
+added, with a look of devout pity, directed exclusively to my address.
+
+"We will follow you directly, Miss Meadowcroft," said Naomi.
+
+"I have no desire to intrude on your secrets Miss Colebrook."
+
+With that acrid answer, our priestess took herself and her Prayer-book
+out of the kitchen. I joined Naomi, entering the room by the garden
+door. She met me eagerly. "I am not quite easy about something," she
+said. "Did you tell me that you left Ambrose and Silas together?"
+
+"Yes."
+
+"Suppose Silas tells Ambrose of what happened this morning?"
+
+The same idea, as I have already mentioned, had occurred to my mind. I
+did my best to reassure Naomi.
+
+"Mr. Jago is out of the way," I replied. "You and I can easily put
+things right in his absence."
+
+She took my arm.
+
+"Come in to prayers," she said. "Ambrose will be there, and I shall
+find an opportunity of speaking to him."
+
+Neither Ambrose nor Silas was in the breakfast-room when we entered it.
+After waiting vainly for ten minutes, Mr. Meadowcroft told his daughter
+to read the prayers. Miss Meadowcroft read, thereupon, in the tone of
+an injured woman taking the throne of mercy by storm, and insisting on
+her rights. Breakfast followed; and still the brothers were absent.
+Miss Meadowcroft looked at her father, and said, "From bad to worse,
+sir. What did I tell you?" Naomi instantly applied the antidote: "The
+boys are no doubt detained over their work, uncle." She turned to me.
+"You want to see the farm, Mr. Lefrank. Come and help me to find the
+boys."
+
+For more than an hour we visited one part of the farm after another,
+without discovering the missing men. We found them at last near the
+outskirts of a small wood, sitting, talking together, on the trunk of a
+felled tree.
+
+Silas rose as we approached, and walked away, without a word of
+greeting or apology, into the wood. As he got on his feet, I noticed
+that his brother whispered something in his ear; and I heard him
+answer, "All right."
+
+"Ambrose, does that mean you have something to keep a secret from us?"
+asked Naomi, approaching her lover with a smile. "Is Silas ordered to
+hold his tongue?"
+
+Ambrose kicked sulkily at the loose stones lying about him. I noticed,
+with a certain surprise that his favorite stick was not in his hand,
+and was not lying near him.
+
+"Business," he said in answer to Naomi, not very graciously--"business
+between Silas and me. That's what it means, if you must know."
+
+Naomi went on, woman-like, with her questioning, heedless of the
+reception which they might meet with from an irritated man.
+
+"Why were you both away at prayers and breakfast-time?" she asked next.
+
+"We had too much to do," Ambrose gruffly replied, "and we were too far
+from the house."
+
+"Very odd," said Naomi. "This has never happened before since I have
+been at the farm."
+
+"Well, live and learn. It has happened now."
+
+The tone in which he spoke would have warned any man to let him alone.
+But warnings which speak by implication only are thrown away on women.
+The woman, having still something in her mind to say, said it.
+
+"Have you seen anything of John Jago this morning?"
+
+The smoldering ill-temper of Ambrose burst suddenly--why, it was
+impossible to guess--into a flame. "How many more questions am I to
+answer?" he broke out violently. "Are you the parson putting me through
+my catechism? I have seen nothing of John Jago, and I have got my work
+to go on with. Will that do for you?"
+
+He turned with an oath, and followed his brother into the wood. Naomi's
+bright eyes looked up at me, flashing with indignation.
+
+"What does he mean, Mr. Lefrank, by speaking to me in that way? Rude
+brute! How dare he do it?" She paused; her voice, look and manner
+suddenly changed. "This has never happened before, sir. Has anything
+gone wrong? I declare, I shouldn't know Ambrose again, he is so
+changed. Say, how does it strike you?"
+
+I still made the best of a bad case.
+
+"Something has upset his temper," I said. "The merest trifle, Miss
+Colebrook, upsets a man's temper sometimes. I speak as a man, and I
+know it. Give him time, and he will make his excuses, and all will be
+well again."
+
+My presentation of the case entirely failed to re-assure my pretty
+companion. We went back to the house. Dinner-time came, and the
+brothers appeared. Their father spoke to them of their absence from
+morning prayers with needless severity, as I thought. They resented the
+reproof with needless indignation on their side, and left the room. A
+sour smile of satisfaction showed itself on Miss Meadowcroft's thin
+lips. She looked at her father; then raised her eyes sadly to the
+ceiling, and said, "We can only pray for them, sir."
+
+Naomi disappeared after dinner. When I saw her again, she had some news
+for me.
+
+"I have been with Ambrose," she said, "and he has begged my pardon. We
+have made it up, Mr. Lefrank. Still--still--"
+
+"Still--_what_, Miss Naomi?"
+
+"He is not like himself, sir. He denies it; but I can't help thinking
+he is hiding something from me."
+
+The day wore on; the evening came. I returned to my French novel. But
+not even Dumas himself could keep my attention to the story. What else
+I was thinking of I cannot say. Why I was out of spirits I am unable to
+explain. I wished myself back in England: I took a blind, unreasoning
+hatred to Morwick Farm.
+
+Nine o'clock struck; and we all assembled again at supper, with the
+exception of John Jago. He was expected back to supper; and we waited
+for him a quarter of an hour, by Mr. Meadowcroft's own directions. John
+Jago never appeared.
+
+The night wore on, and still the absent man failed to return. Miss
+Meadowcroft volunteered to sit up for him. Naomi eyed her, a little
+maliciously I must own, as the two women parted for the night. I
+withdrew to my room; and again I was unable to sleep. When sunrise
+came, I went out, as before, to breathe the morning air.
+
+On the staircase I met Miss Meadowcroft ascending to her own room. Not
+a curl of her stiff gray hair was disarranged; nothing about the
+impenetrable woman betrayed that she had been watching through the
+night.
+
+"Has Mr. Jago not returned?" I asked.
+
+Miss Meadowcroft slowly shook her head, and frowned at me.
+
+"We are in the hands of Providence, Mr. Lefrank. Mr. Jago must have
+been detained for the night at Narrabee."
+
+The daily routine of the meals resumed its unalterable course.
+Breakfast-time came, and dinner-time came, and no John Jago darkened
+the doors of Morwick Farm. Mr. Meadowcroft and his daughter consulted
+together, and determined to send in search of the missing man. One of
+the more intelligent of the laborers was dispatched to Narrabee to make
+inquiries.
+
+The man returned late in the evening, bringing startling news to the
+farm. He had visited all the inns, and all the places of business
+resort in Narrabee; he had made endless inquiries in every direction,
+with this result--no one had set eyes on John Jago. Everybody declared
+that John Jago had not entered the town.
+
+We all looked at each other, excepting the two brothers, who were
+seated together in a dark corner of the room. The conclusion appeared
+to be inevitable. John Jago was a lost man.
+
+
+CHAPTER VI.
+
+THE LIMEKILN.
+
+MR. MEADOWCROFT was the first to speak. "Somebody must find John," he
+said.
+
+"Without losing a moment," added his daughter.
+
+Ambrose suddenly stepped out of the dark corner of the room.
+
+"_I_ will inquire," he said.
+
+Silas followed him.
+
+"I will go with you," he added.
+
+Mr. Meadowcroft interposed his authority.
+
+"One of you will be enough; for the present, at least. Go you, Ambrose.
+Your brother may be wanted later. If any accident has happened (which
+God forbid!) we may have to inquire in more than one direction. Silas,
+you will stay at the farm."
+
+The brothers withdrew together; Ambrose to prepare for his journey,
+Silas to saddle one of the horses for him. Naomi slipped out after
+them. Left in company with Mr. Meadowcroft and his daughter (both
+devoured by anxiety about the missing man, and both trying to conceal
+it under an assumption of devout resignation to circumstances), I need
+hardly add that I, too, retired, as soon as it was politely possible
+for me to leave the room. Ascending the stairs on my way to my own
+quarters, I discovered Naomi half hidden by the recess formed by an
+old-fashioned window-seat on the first landing. My bright little friend
+was in sore trouble. Her apron was over her face, and she was crying
+bitterly. Ambrose had not taken his leave as tenderly as usual. She was
+more firmly persuaded than ever that "Ambrose was hiding something from
+her." We all waited anxiously for the next day. The next day made the
+mystery deeper than ever.
+
+The horse which had taken Ambrose to Narrabee was ridden back to the
+farm by a groom from the hotel. He delivered a written message from
+Ambrose which startled us. Further inquiries had positively proved that
+the missing man had never been near Narrabee. The only attainable
+tidings of his whereabouts were tidings derived from vague report. It
+was said that a man like John Jago had been seen the previous day in a
+railway car, traveling on the line to New York. Acting on this
+imperfect information, Ambrose had decided on verifying the truth of
+the report by extending his inquiries to New York.
+
+This extraordinary proceeding forced the suspicion on me that something
+had really gone wrong. I kept my doubts to myself; but I was prepared,
+from that moment, to see the disappearance of John Jago followed by
+very grave results.
+
+The same day the results declared themselves.
+
+Time enough had now elapsed for report to spread through the district
+the news of what had happened at the farm. Already aware of the bad
+feeling existing between the men, the neighbors had been now informed
+(no doubt by the laborers present) of the deplorable scene that had
+taken place under my bedroom window. Public opinion declares itself in
+America without the slightest reserve, or the slightest care for
+consequences. Public opinion declared on this occasion that the lost
+man was the victim of foul play, and held one or both of the brothers
+Meadowcroft responsible for his disappearance. Later in the day, the
+reasonableness of this serious view of the case was confirmed in the
+popular mind by a startling discovery. It was announced that a
+Methodist preacher lately settled at Morwick, and greatly respected
+throughout the district, had dreamed of John Jago in the character of a
+murdered man, whose bones were hidden at Morwick Farm. Before night the
+cry was general for a verification of the preacher's dream. Not only in
+the immediate district, but in the town of Narrabee itself, the public
+voice insisted on the necessity of a search for the mortal remains of
+John Jago at Morwick Farm.
+
+In the terrible turn which matters had now taken, Mr. Meadowcroft the
+elder displayed a spirit and an energy for which I was not prepared.
+
+"My sons have their faults," he said, "serious faults; and nobody knows
+it better than I do. My sons have behaved badly and ungratefully toward
+John Jago; I don't deny that, either. But Ambrose and Silas are not
+murderers. Make your search! I ask for it; no, I insist on it, after
+what has been said, in justice to my family and my name!"
+
+The neighbors took him at his word. The Morwick section of the American
+nation organized itself on the spot. The sovereign people met in
+committee, made speeches, elected competent persons to represent the
+public interests, and began the search the next day. The whole
+proceeding, ridiculously informal from a legal point of view, was
+carried on by these extraordinary people with as stern and strict a
+sense of duty as if it had been sanctioned by the highest tribunal in
+the land.
+
+Naomi met the calamity that had fallen on the household as resolutely
+as her uncle himself. The girl's courage rose with the call which was
+made on it. Her one anxiety was for Ambrose.
+
+"He ought to be here," she said to me. "The wretches in this
+neighborhood are wicked enough to say that his absence is a confession
+of his guilt."
+
+She was right. In the present temper of the popular mind, the absence
+of Ambrose was a suspicious circumstance in itself.
+
+"We might telegraph to New York," I suggested, "if you only knew where
+a message would be likely to find him."
+
+"I know the hotel which the Meadowcrofts use at New York," she replied.
+"I was sent there, after my father's death, to wait till Miss
+Meadowcroft could take me to Morwick."
+
+We decided on telegraphing to the hotel. I was writing the message, and
+Naomi was looking over my shoulder, when we were startled by a strange
+voice speaking close behind us.
+
+"Oh! that's his address, is it?" said the voice. "We wanted his address
+rather badly."
+
+The speaker was a stranger to me. Naomi recognized him as one of the
+neighbors.
+
+"What do you want his address for?" she asked, sharply.
+
+"I guess we've found the mortal remains of John Jago, miss," the man
+replied. "We have got Silas already, and we want Ambrose too, on
+suspicion of murder."
+
+"It's a lie!" cried Naomi, furiously--"a wicked lie!"
+
+The man turned to me.
+
+"Take her into the next room, mister," he said, "and let her see for
+herself."
+
+We went together into the next room.
+
+In one corner, sitting by her father, and holding his hand, we saw
+stern and stony Miss Meadowcroft weeping silently. Opposite to them,
+crouched on the window-seat, his eyes wandering, his hands hanging
+helpless, we next discovered Silas Meadowcroft, plainly self-betrayed
+as a panic-stricken man. A few of the persons who had been engaged in
+the search were seated near, watching him. The mass of the strangers
+present stood congregated round a table in the middle of the room They
+drew aside as I approached with Naomi and allowed us to have a clear
+view of certain objects placed on the table.
+
+The center object of the collection was a little heap of charred bones.
+Round this were ranged a knife, two metal buttons, and a stick
+partially burned. The knife was recognized by the laborers as the
+weapon John Jago habitually carried about with him--the weapon with
+which he had wounded Silas Meadowcroft's hand. The buttons Naomi
+herself declared to have a peculiar pattern on them, which had formerly
+attracted her attention to John Jago's coat. As for the stick, burned
+as it was, I had no difficulty in identifying the quaintly-carved knob
+at the top. It was the heavy beechen stick which I had snatched out of
+Silas's hand, and which I had restored to Ambrose on his claiming it as
+his own. In reply to my inquiries, I was informed that the bones, the
+knife, the buttons and the stick had all been found together in a
+limekiln then in use on the farm.
+
+"Is it serious?" Naomi whispered to me as we drew back from the table.
+
+It would have been sheer cruelty to deceive her now.
+
+"Yes," I whispered back; "it is serious."
+
+The search committee conducted its proceedings with the strictest
+regularity. The proper applications were made forthwith to a justice of
+the peace, and the justice issued his warrant. That night Silas was
+committed to prison; and an officer was dispatched to arrest Ambrose in
+New York.
+
+For my part, I did the little I could to make myself useful. With the
+silent sanction of Mr. Meadowcroft and his daughter, I went to
+Narrabee, and secured the best legal assistance for the defense which
+the town could place at my disposal. This done, there was no choice but
+to wait for news of Ambrose, and for the examination before the
+magistrate which was to follow. I shall pass over the misery in the
+house during the interval of expectation; no useful purpose could be
+served by describing it now. Let me only say that Naomi's conduct
+strengthened me in the conviction that she possessed a noble nature. I
+was unconscious of the state of my own feelings at the time; but I am
+now disposed to think that this was the epoch at which I began to envy
+Ambrose the wife whom he had won.
+
+The telegraph brought us our first news of Ambrose. He had been
+arrested at the hotel, and he was on his way to Morwick. The next day
+he arrived, and followed his brother to prison. The two were confined
+in separate cells, and were forbidden all communication with each
+other.
+
+Two days later, the preliminary examination took place. Ambrose and
+Silas Meadowcroft were charged before the magistrate with the willful
+murder of John Jago. I was cited to appear as one of the witnesses;
+and, at Naomi's own request, I took the poor girl into court, and sat
+by her during the proceedings. My host also was present in his
+invalid-chair, with his daughter by his side.
+
+Such was the result of my voyage across the ocean in search of rest and
+quiet; and thus did time and chance fulfill my first hasty foreboding
+of the dull life I was to lead at Morwick Farm!
+
+
+CHAPTER VII.
+
+THE MATERIALS IN THE DEFENSE.
+
+ON our way to the chairs allotted to us in the magistrate's court, we
+passed the platform on which the prisoners were standing together.
+
+Silas took no notice of us. Ambrose made a friendly sign of
+recognition, and then rested his hand on the "bar" in front of him. As
+she passed beneath him, Naomi was just tall enough to reach his hand on
+tiptoe. She took it. "I know you are innocent," she whispered, and gave
+him one look of loving encouragement as she followed me to her place.
+Ambrose never lost his self-control. I may have been wrong; but I
+thought this a bad sign.
+
+The case, as stated for the prosecution, told strongly against the
+suspected men.
+
+Ambrose and Silas Meadowcroft were charged with the murder of John Jago
+(by means of the stick or by use of some other weapon), and with the
+deliberate destruction of the body by throwing it into the quicklime.
+In proof of this latter assertion, the knife which the deceased
+habitually carried about him, and the metal buttons which were known to
+belong to his coat, were produced. It was argued that these
+indestructible substances, and some fragments of the larger bones had
+alone escaped the action of the burning lime. Having produced medical
+witnesses to support this theory by declaring the bones to be human,
+and having thus circumstantially asserted the discovery of the remains
+in the kiln, the prosecution next proceeded to prove that the missing
+man had been murdered by the two brothers, and had been by them thrown
+into the quicklime as a means of concealing their guilt.
+
+Witness after witness deposed to the inveterate enmity against the
+deceased displayed by Ambrose and Silas. The threatening language they
+habitually used toward him; their violent quarrels with him, which had
+become a public scandal throughout the neighborhood, and which had
+ended (on one occasion at least) in a blow; the disgraceful scene which
+had taken place under my window; and the restoration to Ambrose, on the
+morning of the fatal quarrel, of the very stick which had been found
+among the remains of the dead man--these facts and events, and a host
+of minor circumstances besides, sworn to by witnesses whose credit was
+unimpeachable, pointed with terrible directness to the conclusion at
+which the prosecution had arrived.
+
+I looked at the brothers as the weight of the evidence pressed more and
+more heavily against them. To outward view at least, Ambrose still
+maintained his self-possession. It was far otherwise with Silas. Abject
+terror showed itself in his ghastly face; in his great knotty hands,
+clinging convulsively to the bar at which he stood; in his staring
+eyes, fixed in vacant horror on each witness who appeared. Public
+feeling judged him on the spot. There he stood, self-betrayed already,
+in the popular opinion, as a guilty man!
+
+The one point gained in cross-examination by the defense related to the
+charred bones.
+
+Pressed on this point, a majority of the medical witnesses admitted
+that their examination had been a hurried one; and that it was just
+possible that the bones might yet prove to be the remains of an animal,
+and not of a man. The presiding magistrate decided upon this that a
+second examination should be made, and that the member of the medical
+experts should be increased.
+
+Here the preliminary proceedings ended. The prisoners were remanded for
+three days.
+
+The prostration of Silas, at the close of the inquiry, was so complete,
+that it was found necessary to have two men to support him on his
+leaving the court. Ambrose leaned over the bar to speak to Naomi before
+he followed the jailer out. "Wait," he whispered, confidently, "till
+they hear what I have to say!" Naomi kissed her hand to him
+affectionately, and turned to me with the bright tears in her eyes.
+
+"Why don't they hear what he has to say at once?" she asked. "Anybody
+can see that Ambrose is innocent. It's a crying shame, sir, to send him
+back to prison. Don't you think so yourself?"
+
+If I had confessed what I really thought, I should have said that
+Ambrose had proved nothing to my mind, except that he possessed rare
+powers of self-control. It was impossible to acknowledge this to my
+little friend. I diverted her mind from the question of her lover's
+innocence by proposing that we should get the necessary order, and
+visit him in his prison on the next day. Naomi dried her tears, and
+gave me a little grateful squeeze of the hand.
+
+"Oh my! what a good fellow you are!" cried the outspoken American girl.
+"When your time comes to be married, sir, I guess the woman won't
+repent saying yes to _you!_"
+
+Mr. Meadowcroft preserved unbroken silence as we walked back to the
+farm on either side of his invalid-chair. His last reserves of
+resolution seemed to have given way under the overwhelming strain laid
+on them by the proceedings in court. His daughter, in stern indulgence
+to Naomi, mercifully permitted her opinion to glimmer on us only
+through the medium of quotation from Scripture texts. If the texts
+meant anything, they meant that she had foreseen all that had happened;
+and that the one sad aspect of the case, to her mind, was the death of
+John Jago, unprepared to meet his end.
+
+I obtained the order of admission to the prison the next morning.
+
+We found Ambrose still confident of the favorable result, for his
+brother and for himself, of the inquiry before the magistrate. He
+seemed to be almost as eager to tell, as Naomi was to hear, the true
+story of what had happened at the limekiln. The authorities of the
+prison--present, of course, at the interview--warned him to remember
+that what he said might be taken down in writing, and produced against
+him in court.
+
+"Take it down, gentlemen, and welcome," Ambrose replied. "I have
+nothing to fear; I am only telling the truth."
+
+With that he turned to Naomi, and began his narrative, as nearly as I
+can remember, in these words:
+
+"I may as well make a clean breast of it at starting, my girl. After
+Mr. Lefrank left us that morning, I asked Silas how he came by my
+stick. In telling me how, Silas also told me of the words that had
+passed between him and John Jago under Mr. Lefrank's window. I was
+angry and jealous; and I own it freely, Naomi, I thought the worst that
+could be thought about you and John."
+
+Here Naomi stopped him without ceremony.
+
+"Was that what made you speak to me as you spoke when we found you at
+the wood?" she asked.
+
+"Yes."
+
+"And was that what made you leave me, when you went away to Narrabee,
+without giving me a kiss at parting?"
+
+"It was."
+
+"Beg my pardon for it before you say a word more."
+
+"I beg your pardon."
+
+"Say you are ashamed of yourself."
+
+"I am ashamed of myself," Ambrose answered penitently.
+
+"Now you may go on," said Naomi. "Now I'm satisfied."
+
+Ambrose went on.
+
+"We were on our way to the clearing at the other side of the wood while
+Silas was talking to me; and, as ill luck would have it, we took the
+path that led by the limekiln. Turning the corner, we met John Jago on
+his way to Narrabee. I was too angry, I tell you, to let him pass
+quietly. I gave him a bit of my mind. His blood was up too, I suppose;
+and he spoke out, on his side, as freely as I did. I own I threatened
+him with the stick; but I'll swear to it I meant him no harm. You
+know--after dressing Silas's hand--that John Jago is ready with his
+knife. He comes from out West, where they are always ready with one
+weapon or another handy in their pockets. It's likely enough he didn't
+mean to harm me, either; but how could I be sure of that? When he
+stepped up to me, and showed his weapon, I dropped the stick, and
+closed with him. With one hand I wrenched the knife away from him; and
+with the other I caught him by the collar of his rotten old coat, and
+gave him a shaking that made his bones rattle in his skin. A big piece
+of the cloth came away in my hand. I shied it into the quicklime close
+by us, and I pitched the knife after the cloth; and, if Silas hadn't
+stopped me, I think it's likely I might have shied John Jago himself
+into the lime next. As it was, Silas kept hold of me. Silas shouted out
+to him, 'Be off with you! and don't come back again, if you don't want
+to be burned in the kiln!' He stood looking at us for a minute,
+fetching his breath, and holding his torn coat round him. Then he spoke
+with a deadly-quiet voice and a deadly-quiet look: 'Many a true word,
+Mr. Silas,' he says, 'is spoken in jest. _I shall not come back
+again_.' He turned about, and left us. We stood staring at each other
+like a couple of fools. 'You don't think he means it?' I says. 'Bosh!'
+says Silas. 'He's too sweet on Naomi not to come back.' What's the
+matter now, Naomi?"
+
+I had noticed it too. She started and turned pale, when Ambrose
+repeated to her what Silas had said to him.
+
+"Nothing is the matter," Naomi answered. "Your brother has no right to
+take liberties with my name. Go on. Did Silas say any more while he was
+about it?"
+
+"Yes; he looked into the kiln; and he says, 'What made you throw away
+the knife, Ambrose?'--'How does a man know why he does anything,' I
+says, 'when he does it in a passion?'--'It's a ripping good knife,'
+says Silas; 'in your place, I should have kept it.' I picked up the
+stick off the ground. 'Who says I've lost it yet?' I answered him; and
+with that I got up on the side of the kiln, and began sounding for the
+knife, to bring it, you know, by means of the stick, within easy reach
+of a shovel, or some such thing. 'Give us your hand,' I says to Silas.
+'Let me stretch out a bit and I'll have it in no time.' Instead of
+finding the knife, I came nigh to falling myself into the burning lime.
+The vapor overpowered me, I suppose. All I know is, I turned giddy, and
+dropped the stick in the kiln. I should have followed the stick to a
+dead certainty, but for Silas pulling me back by the hand. 'Let it be,'
+says Silas. 'If I hadn't had hold of you, John Jago's knife would have
+been the death of you, after all!' He led me away by the arm, and we
+went on together on the road to the wood. We stopped where you found
+us, and sat down on the felled tree. We had a little more talk about
+John Jago. It ended in our agreeing to wait and see what happened, and
+to keep our own counsel in the meantime. You and Mr. Lefrank came upon
+us, Naomi, while we were still talking; and you guessed right when you
+guessed that we had a secret from you. You know the secret now."
+
+There he stopped. I put a question to him--the first that I had asked
+yet.
+
+"Had you or your brother any fear at that time of the charge which has
+since been brought against you?" I said.
+
+"No such thought entered our heads, sir," Ambrose answered. "How could
+_we_ foresee that the neighbors would search the kiln, and say what
+they have said of us? All we feared was, that the old man might hear of
+the quarrel, and be bitterer against us than ever. I was the more
+anxious of the two to keep things secret, because I had Naomi to
+consider as well as the old man. Put yourself in my place, and you will
+own, sir, that the prospect at home was not a pleasant one for _me_, if
+John Jago really kept away from the farm, and if it came out that it
+was all my doing."
+
+(This was certainly an explanation of his conduct; but it was not
+satisfactory to my mind.)
+
+"As _you_ believe, then," I went on, "John Jago has carried out his
+threat of not returning to the farm? According to you, he is now alive,
+and in hiding somewhere?"
+
+"Certainly!" said Ambrose.
+
+"Certainly!" repeated Naomi.
+
+"Do you believe the report that he was seen traveling on the railway to
+New York?"
+
+"I believe it firmly, sir; and, what is more, I believe I was on his
+track. I was only too anxious to find him; and I say I could have found
+him if they would have let me stay in New York."
+
+I looked at Naomi.
+
+"I believe it too," she said. "John Jago is keeping away."
+
+"Do you suppose he is afraid of Ambrose and Silas?"
+
+She hesitated.
+
+"He _may_ be afraid of them," she replied, with a strong emphasis on
+the word "may."
+
+"But you don't think it likely?"
+
+She hesitated again. I pressed her again.
+
+"Do you think there is any other motive for his absence?"
+
+Her eyes dropped to the floor. She answered obstinately, almost
+doggedly,
+
+"I can't say."
+
+I addressed myself to Ambrose.
+
+"Have you anything more to tell us?" I asked.
+
+"No," he said. "I have told you all I know about it."
+
+I rose to speak to the lawyer whose services I had retained. He had
+helped us to get the order of admission, and he had accompanied us to
+the prison. Seated apart he had kept silence throughout, attentively
+watching the effect of Ambrose Meadowcroft's narrative on the officers
+of the prison and on me.
+
+"Is this the defense?" I inquired, in a whisper.
+
+"This is the defense, Mr. Lefrank. What do you think, between
+ourselves?"
+
+"Between ourselves, I think the magistrate will commit them for trial."
+
+"On the charge of murder?"
+
+"Yes, on the charge of murder."
+
+
+CHAPTER VIII.
+
+THE CONFESSION.
+
+MY replies to the lawyer accurately expressed the conviction in my
+mind. The narrative related by Ambrose had all the appearance, in my
+eyes, of a fabricated story, got up, and clumsily got up, to pervert
+the plain meaning of the circumstantial evidence produced by the
+prosecution. I reached this conclusion reluctantly and regretfully, for
+Naomi's sake. I said all I could say to shake the absolute confidence
+which she felt in the discharge of the prisoners at the next
+examination.
+
+The day of the adjourned inquiry arrived.
+
+Naomi and I again attended the court together. Mr. Meadowcroft was
+unable, on this occasion, to leave the house. His daughter was present,
+walking to the court by herself, and occupying a seat by herself.
+
+On his second appearance at the "bar," Silas was more composed, and
+more like his brother. No new witnesses were called by the prosecution.
+We began the battle over the medical evidence relating to the charred
+bones; and, to some extent, we won the victory. In other words, we
+forced the doctors to acknowledge that they differed widely in their
+opinions. Three confessed that they were not certain. Two went still
+further, and declared that the bones were the bones of an animal, not
+of a man. We made the most of this; and then we entered upon the
+defense, founded on Ambrose Meadowcroft's story.
+
+Necessarily, no witnesses could be called on our side. Whether this
+circumstance discouraged him, or whether he privately shared my opinion
+of his client's statement, I cannot say. It is only certain that the
+lawyer spoke mechanically, doing his best, no doubt, but doing it
+without genuine conviction or earnestness on his own part. Naomi cast
+an anxious glance at me as he sat down. The girl's hand, as I took it,
+turned cold in mine. She saw plain signs of the failure of the defense
+in the look and manner of the counsel for the prosecution; but she
+waited resolutely until the presiding magistrate announced his
+decision. I had only too clearly foreseen what he would feel it to be
+his duty to do. Naomi's head dropped on my shoulder as he said the
+terrible words which committed Ambrose and Silas Meadowcroft to take
+their trial on the charge of murder.
+
+I led her out of the court into the air. As I passed the "bar," I saw
+Ambrose, deadly pale, looking after us as we left him: the magistrate's
+decision had evidently daunted him. His brother Silas had dropped in
+abject terror on the jailer's chair; the miserable wretch shook and
+shuddered dumbly, like a cowed dog.
+
+Miss Meadowcroft returned with us to the farm, preserving unbroken
+silence on the way back. I could detect nothing in her bearing which
+suggested any compassionate feeling for the prisoners in her stern and
+secret nature. On Naomi's withdrawal to her own room, we were left
+together for a few minutes; and then, to my astonishment, the outwardly
+merciless woman showed me that she, too, was one of Eve's daughters,
+and could feel and suffer, in her own hard way, like the rest of us.
+She suddenly stepped close up to me, and laid her hand on my arm.
+
+"You are a lawyer, ain't you?" she asked.
+
+"Yes."
+
+"Have you had any experience in your profession?"
+
+"Ten years' experience."
+
+"Do _you_ think--" She stopped abruptly; her hard face softened; her
+eyes dropped to the ground. "Never mind," she said, confusedly. "I'm
+upset by all this misery, though I may not look like it. Don't notice
+me."
+
+She turned away. I waited, in the firm persuasion that the unspoken
+question in her mind would sooner or later force its way to utterance
+by her lips. I was right. She came back to me unwillingly, like a woman
+acting under some influence which the utmost exertion of her will was
+powerless to resist.
+
+"Do _you_ believe John Jago is still a living man?"
+
+She put the question vehemently, desperately, as if the words rushed
+out of her mouth in spite of her.
+
+"I do _not_ believe it," I answered.
+
+"Remember what John Jago has suffered at the hands of my brothers," she
+persisted. "Is it not in your experience that he should take a sudden
+resolution to leave the farm?"
+
+I replied, as plainly as before,
+
+"It is _not_ in my experience."
+
+She stood looking at me for a moment with a face of blank despair; then
+bowed her gray head in silence, and left me. As she crossed the room to
+the door, I saw her look upward; and I heard her say to herself softly,
+between her teeth, "Vengeance is mine, I will repay, saith the Lord."
+
+It was the requiem of John Jago, pronounced by the woman who loved him.
+
+When I next saw her, her mask was on once more. Miss Meadowcroft was
+herself again. Miss Meadowcroft could sit by, impenetrably calm, while
+the lawyers discussed the terrible position of her brothers, with the
+scaffold in view as one of the possibilities of the "case."
+
+Left by myself, I began to feel uneasy about Naomi. I went upstairs,
+and, knocking softly at her door, made my inquiries from outside. The
+clear young voice answered me sadly, "I am trying to bear it: I won't
+distress you when we meet again." I descended the stairs, feeling my
+first suspicion of the true nature of my interest in the American girl.
+Why had her answer brought the tears into my eyes? I went out, walking
+alone, to think undisturbedly. Why did the tones of her voice dwell on
+my ear all the way? Why did my hand still feel the last cold, faint
+pressure of her fingers when I led her out of court?
+
+I took a sudden resolution to go back to England.
+
+When I returned to the farm, it was evening. The lamp was not yet
+lighted in the hall. Pausing to accustom my eyes to the obscurity
+indoors, I heard the voice of the lawyer whom we had employed for the
+defense speaking to some one very earnestly.
+
+"I'm not to blame," said the voice. "She snatched the paper out of my
+hand before I was aware of her."
+
+"Do you want it back?" asked the voice of Miss Meadowcroft.
+
+"No; it's only copy. If keeping it will help to quiet her, let her keep
+it by all means. Good evening."
+
+Saying these last words, the lawyer approached me on his way out of the
+house. I stopped him without ceremony; I felt an ungovernable curiosity
+to know more.
+
+"Who snatched the paper out of your hand?" I asked, bluntly.
+
+The lawyer started. I had taken him by surprise. The instinct of
+professional reticence made him pause before he answered me.
+
+In the brief interval of silence, Miss Meadowcroft replied to my
+question from the other end of the hall.
+
+"Naomi Colebrook snatched the paper out of his hand."
+
+"What paper?"
+
+A door opened softly behind me. Naomi herself appeared on the
+threshold; Naomi herself answered my question.
+
+"I will tell you," she whispered. "Come in here."
+
+One candle only was burning in the room. I looked at her by the dim
+light. My resolution to return to England instantly became one of the
+lost ideas of my life.
+
+"Good God!" I exclaimed, "what has happened now?"
+
+She handed me the paper which she had taken from the lawyer's hand.
+
+The "copy" to which he had referred was a copy of the written
+confession of Silas Meadowcroft on his return to prison. He accused his
+brother Ambrose of the murder of John Jago. He declared on his oath
+that he had seen his brother Ambrose commit the crime.
+
+In the popular phrase, I could "hardly believe my own eyes." I read the
+last sentences of the confession for the second time:
+
+"...I heard their voices at the limekiln. They were having words about
+Cousin Naomi. I ran to the place to part them. I was not in time. I saw
+Ambrose strike the deceased a terrible blow on the head with his
+(Ambrose's) heavy stick. The deceased dropped without a cry. I put my
+hand on his heart. He was dead. I was horribly frightened. Ambrose
+threatened to kill _me_ next if I said a word to any living soul. He
+took up the body and cast it into the quicklime, and threw the stick in
+after it. We went on together to the wood. We sat down on a felled tree
+outside the wood. Ambrose made up the story that we were to tell if
+what he had done was found out. He made me repeat it after him, like a
+lesson. We were still at it when Cousin Naomi and Mr. Lefrank came up
+to us. They know the rest. This, on my oath, is a true confession. I
+make it of my own free-will, repenting me sincerely that I did not make
+it before."
+
+(Signed)
+
+"SILAS MEADOWCROFT."
+
+
+I laid down the paper, and looked at Naomi once more. She spoke to me
+with a strange composure. Immovable determination was in her eye;
+immovable determination was in her voice.
+
+"Silas has lied away his brother's life to save himself," she said. "I
+see cowardly falsehood and cowardly cruelty in every line on that
+paper. Ambrose is innocent, and the time has come to prove it."
+
+"You forget," I said, "that we have just failed to prove it."
+
+"John Jago is alive, in hiding from us and from all who know him," she
+went on. "Help me, friend Lefrank, to advertise for him in the
+newspapers."
+
+I drew back from her in speechless distress. I own I believed that the
+new misery which had fallen on her had affected her brain.
+
+"You don't believe it," she said. "Shut the door."
+
+I obeyed her. She seated herself, and pointed to a chair near her.
+
+"Sit down," she proceeded. "I am going to do a wrong thing; but there
+is no help for it. I am going to break a sacred promise. You remember
+that moonlight night when I met him on the garden walk?"
+
+"John Jago?"
+
+"Yes. Now listen. I am going to tell you what passed between John Jago
+and me."
+
+
+CHAPTER IX.
+
+THE ADVERTISEMENT.
+
+I WAITED in silence for the disclosure that was now to come. Naomi
+began by asking me a question.
+
+"You remember when we went to see Ambrose in the prison?" she said.
+
+"Perfectly."
+
+"Ambrose told us of something which his villain of a brother said of
+John Jago and me. Do you remember what it was?"
+
+I remembered perfectly. Silas had said, "John Jago is too sweet on
+Naomi not to come back."
+
+"That's so," Naomi remarked when I had repeated the words. "I couldn't
+help starting when I heard what Silas had said; and I thought you
+noticed me."
+
+"I did notice you."
+
+"Did you wonder what it meant?"
+
+"Yes."
+
+"I'll tell you. It meant this: What Silas Meadowcroft said to his
+brother of John Jago was what I myself was thinking of John Jago at
+that very moment. It startled me to find my own thought in a man's mind
+spoken for me by a man. I am the person, sir, who has driven John Jago
+away from Morwick Farm; and I am the person who can and will bring him
+back again."
+
+There was something in her manner, more than in her words, which let
+the light in suddenly on my mind.
+
+"You have told me the secret," I said. "John Jago is in love with you."
+
+"Mad about me!" she rejoined, dropping her voice to a whisper. "Stark,
+staring mad!--that's the only word for him. After we had taken a few
+turns on the gravel-walk, he suddenly broke out like a man beside
+himself. He fell down on his knees; he kissed my gown, he kissed my
+feet; he sobbed and cried for love of me. I'm not badly off for
+courage, sir, considering I'm a woman. No man, that I can call to mind,
+ever really scared me before. But I own John Jago frightened me; oh my!
+he did frighten me! My heart was in my mouth, and my knees shook under
+me. I begged and prayed of him to get up and go away. No; there he
+knelt, and held by the skirt of my gown. The words poured out from him
+like--well, like nothing I can think of but water from a pump. His
+happiness and his life, and his hopes in earth and heaven, and Lord
+only knows what besides, all depended, he said, on a word from me. I
+plucked up spirit enough at that to remind him that I was promised to
+Ambrose. 'I think you ought to be ashamed of yourself,' I said, 'to own
+that you're wicked enough to love me when you know I am promised to
+another man!' When I spoke to him he took a new turn; he began abusing
+Ambrose. _That_ straightened me up. I snatched my gown out of his hand,
+and I gave him my whole mind. 'I hate you!' I said. 'Even if I wasn't
+promised to Ambrose, I wouldn't marry you--no! not if there wasn't
+another man left in the world to ask me. I hate you, Mr. Jago! I hate
+you!' He saw I was in earnest at last. He got up from my feet, and he
+settled down quiet again, all on a sudden. 'You have said enough' (that
+was how he answered me). 'You have broken my life. I have no hopes and
+no prospects now. I had a pride in the farm, miss, and a pride in my
+work; I bore with your brutish cousins' hatred of me; I was faithful to
+Mr. Meadowcroft's interests; all for your sake, Naomi Colebrook--all
+for your sake! I have done with it now; I have done with my life at the
+farm. You will never be troubled with me again. I am going away, as the
+dumb creatures go when they are sick, to hide myself in a corner, and
+die. Do me one last favor. Don't make me the laughingstock of the whole
+neighborhood. I can't bear that; it maddens me only to think of it.
+Give me your promise never to tell any living soul what I have said to
+you to-night--your sacred promise to the man whose life you have
+broken!' I did as he bade me; I gave him my sacred promise with the
+tears in my eyes. Yes, that is so. After telling him I hated him (and I
+did hate him), I cried over his misery; I did! Mercy, what fools women
+are! What is the horrid perversity, sir, which makes us always ready to
+pity the men? He held out his hand to me; and he said, 'Good-by
+forever!' and I pitied him. I said, 'I'll shake hands with you if you
+will give me your promise in exchange for mine. I beg of you not to
+leave the farm. What will my uncle do if you go away? Stay here, and be
+friends with me, and forget and forgive, Mr. John.' He gave me his
+promise (he can refuse me nothing); and he gave it again when I saw him
+again the next morning. Yes. I'll do him justice, though I do hate him!
+I believe he honestly meant to keep his word as long as my eye was on
+him. It was only when he was left to himself that the Devil tempted him
+to break his promise and leave the farm. I was brought up to believe in
+the Devil, Mr. Lefrank; and I find it explains many things. It explains
+John Jago. Only let me find out where he has gone, and I'll engage he
+shall come back and clear Ambrose of the suspicion which his vile
+brother has cast on him. Here is the pen all ready for you. Advertise
+for him, friend Lefrank; and do it right away, for my sake!"
+
+I let her run on, without attempting to dispute her conclusions, until
+she could say no more. When she put the pen into my hand, I began the
+composition of the advertisement as obediently as if I, too, believed
+that John Jago was a living man.
+
+In the case of any one else, I should have openly acknowledged that my
+own convictions remained unshaken. If no quarrel had taken place at the
+limekiln, I should have been quite ready, as I viewed the case, to
+believe that John Jago's disappearance was referable to the terrible
+disappointment which Naomi had inflicted on him. The same morbid dread
+of ridicule which had led him to assert that he cared nothing for
+Naomi, when he and Silas had quarreled under my bedroom window, might
+also have impelled him to withdraw himself secretly and suddenly from
+the scene of his discomfiture. But to ask me to believe, after what had
+happened at the limekiln, that he was still living, was to ask me to
+take Ambrose Meadowcroft's statement for granted as a true statement of
+facts.
+
+I had refused to do this from the first; and I still persisted in
+taking that course. If I had been called upon to decide the balance of
+probability between the narrative related by Ambrose in his defense and
+the narrative related by Silas in his confession, I must have owned, no
+matter how unwillingly, that the confession was, to my mind, the least
+incredible story of the two.
+
+Could I say this to Naomi? I would have written fifty advertisements
+inquiring for John Jago rather than say it; and you would have done the
+same, if you had been as fond of her as I was. I drew out the
+advertisement, for insertion in the Morwick _Mercury_, in these terms:
+
+
+MURDER.--Printers of newspapers throughout the United States are
+desired to publish that Ambrose Meadowcroft and Silas Meadowcroft, of
+Morwick Farm, Morwick County, are committed for trial on the charge of
+murdering John Jago, now missing from the farm and from the
+neighborhood. Any person who can give information of the existence of
+said Jago may save the lives of two wrongly-accused men by making
+immediate communication. Jago is about five feet four inches high. He
+is spare and wiry; his complexion is extremely pale, his eyes are dark,
+and very bright and restless. The lower part of his face is concealed
+by a thick black beard and mustache. The whole appearance of the man is
+wild and flighty.
+
+
+I added the date and the address. That evening a servant was sent on
+horseback to Narrabee to procure the insertion of the advertisement in
+the next issue of the newspaper.
+
+When we parted that night, Naomi looked almost like her brighter and
+happier self. Now that the advertisement was on its way to the
+printing-office, she was more than sanguine: she was certain of the
+result.
+
+"You don't know how you have comforted me," she said, in her frank,
+warm-hearted way, when we parted for the night. "All the newspapers
+will copy it, and we shall hear of John Jago before the week is out."
+She turned to go, and came back again to me. "I will never forgive
+Silas for writing that confession!" she whispered in my ear. "If he
+ever lives under the same roof with Ambrose again, I--well, I believe I
+wouldn't marry Ambrose if he did! There!"
+
+She left me. Through the wakeful hours of the night my mind dwelt on
+her last words. That she should contemplate, under any circumstances,
+even the bare possibility of not marrying Ambrose, was, I am ashamed to
+say, a direct encouragement to certain hopes which I had already begun
+to form in secret. The next day's mail brought me a letter on business.
+My clerk wrote to inquire if there was any chance of my returning to
+England in time to appear in court at the opening of next law term. I
+answered, without hesitation, "It is still impossible for me to fix the
+date of my return." Naomi was in the room while I was writing. How
+would she have answered, I wonder, if I had told her the truth, and
+said, "You are responsible for this letter?"
+
+
+CHAPTER X.
+
+THE SHERIFF AND THE GOVERNOR.
+
+THE question of time was now a serious question at Morwick Farm. In six
+weeks the court for the trial of criminal cases was to be opened at
+Narrabee.
+
+During this interval no new event of any importance occurred.
+
+Many idle letters reached us relating to the advertisement for John
+Jago; but no positive information was received. Not the slightest trace
+of the lost man turned up; not the shadow of a doubt was cast on the
+assertion of the prosecution, that his body had been destroyed in the
+kiln. Silas Meadowcroft held firmly to the horrible confession that he
+had made. His brother Ambrose, with equal resolution, asserted his
+innocence, and reiterated the statement which he had already advanced.
+At regular periods I accompanied Naomi to visit him in the prison. As
+the day appointed for the opening of the court approached, he seemed to
+falter a little in his resolution; his manner became restless; and he
+grew irritably suspicious about the merest trifles. This change did not
+necessarily imply the consciousness of guilt: it might merely have
+indicated natural nervous agitation as the time for the trial drew
+near. Naomi noticed the alteration in her lover. It greatly increased
+her anxiety, though it never shook her confidence in Ambrose. Except at
+meal-times, I was left, during the period of which I am now writing,
+almost constantly alone with the charming American girl. Miss
+Meadowcroft searched the newspapers for tidings of the living John Jago
+in the privacy of her own room. Mr. Meadowcroft would see nobody but
+his daughter and his doctor, and occasionally one or two old friends. I
+have since had reason to believe that Naomi, in these days of our
+intimate association, discovered the true nature of the feeling with
+which she had inspired me. But she kept her secret. Her manner toward
+me steadily remained the manner of a sister; she never overstepped by a
+hair-breadth the safe limits of the character that she had assumed.
+
+The sittings of the court began. After hearing the evidence, and
+examining the confession of Silas Meadowcroft, the grand jury found a
+true bill against both the prisoners. The day appointed for their trial
+was the first day in the new week.
+
+I had carefully prepared Naomi's mind for the decision of the grand
+jury. She bore the new blow bravely.
+
+"If you are not tired of it," she said, "come with me to the prison
+tomorrow. Ambrose will need a little comfort by that time." She paused,
+and looked at the day's letters lying on the table. "Still not a word
+about John Jago," she said. "And all the papers have copied the
+advertisement. I felt so sure we should hear of him long before this!"
+
+"Do you still feel sure that he is living?" I ventured to ask.
+
+"I am as certain of it as ever," she replied, firmly. "He is somewhere
+in hiding; perhaps he is in disguise. Suppose we know no more of him
+than we know now when the trial begins? Suppose the jury--" She
+stopped, shuddering. Death--shameful death on the scaffold--might be
+the terrible result of the consultation of the jury. "We have waited
+for news to come to us long enough," Naomi resumed. "We must find the
+tracks of John Jago for ourselves. There is a week yet before the trial
+begins. Who will help me to make inquiries? Will you be the man, friend
+Lefrank!"
+
+It is needless to add (though I knew nothing would come of it) that I
+consented to be the man.
+
+We arranged to apply that day for the order of admission to the prison,
+and, having seen Ambrose, to devote ourselves immediately to the
+contemplated search. How that search was to be conducted was more than
+I could tell, and more than Naomi could tell. We were to begin by
+applying to the police to help us to find John Jago, and we were then
+to be guided by circumstances. Was there ever a more hopeless programme
+than this?
+
+"Circumstances" declared themselves against us at starting. I applied,
+as usual, for the order of admission to the prison, and the order was
+for the first time refused; no reason being assigned by the persons in
+authority for taking this course. Inquire as I might, the only answer
+given was, "not to-day."
+
+At Naomi's suggestion, we went to the prison to seek the explanation
+which was refused to us at the office. The jailer on duty at the outer
+gate was one of Naomi's many admirers. He solved the mystery cautiously
+in a whisper. The sheriff and the governor of the prison were then
+speaking privately with Ambrose Meadowcroft in his cell; they had
+expressly directed that no persons should be admitted to see the
+prisoner that day but themselves.
+
+What did it mean? We returned, wondering, to the farm. There Naomi,
+speaking by chance to one of the female servants, made certain
+discoveries.
+
+Early that morning the sheriff had been brought to Morwick by an old
+friend of the Meadowcrofts. A long interview had been held between Mr.
+Meadowcroft and his daughter and the official personage introduced by
+the friend. Leaving the farm, the sheriff had gone straight to the
+prison, and had proceeded with the governor to visit Ambrose in his
+cell. Was some potent influence being brought privately to bear on
+Ambrose? Appearances certainly suggested that inquiry. Supposing the
+influence to have been really exerted, the next question followed, What
+was the object in view? We could only wait and see.
+
+Our patience was not severely tried. The event of the next day
+enlightened us in a very unexpected manner. Before noon, the neighbors
+brought startling news from the prison to the farm.
+
+Ambrose Meadowcroft had confessed himself to be the murderer of John
+Jago! He had signed the confession in the presence of the sheriff and
+the governor on that very day.
+
+I saw the document. It is needless to reproduce it here. In substance,
+Ambrose confessed what Silas had confessed; claiming, however, to have
+only struck Jago under intolerable provocation, so as to reduce the
+nature of his offense against the law from murder to manslaughter. Was
+the confession really the true statement of what had taken place? or
+had the sheriff and the governor, acting in the interests of the family
+name, persuaded Ambrose to try this desperate means of escaping the
+ignominy of death on the scaffold? The sheriff and the governor
+preserved impenetrable silence until the pressure put on them
+judicially at the trial obliged them to speak.
+
+Who was to tell Naomi of this last and saddest of all the calamities
+which had fallen on her? Knowing how I loved her in secret, I felt an
+invincible reluctance to be the person who revealed Ambrose
+Meadowcroft's degradation to his betrothed wife. Had any other member
+of the family told her what had happened? The lawyer was able to answer
+me; Miss Meadowcroft had told her.
+
+I was shocked when I heard it. Miss Meadowcroft was the last person in
+the house to spare the poor girl; Miss Meadowcroft would make the hard
+tidings doubly terrible to bear in the telling. I tried to find Naomi,
+without success. She had been always accessible at other times. Was she
+hiding herself from me now? The idea occurred to me as I was descending
+the stairs after vainly knocking at the door of her room. I was
+determined to see her. I waited a few minutes, and then ascended the
+stairs again suddenly. On the landing I met her, just leaving her room.
+
+She tried to run back. I caught her by the arm, and detained her. With
+her free hand she held her handkerchief over her face so as to hide it
+from me.
+
+"You once told me I had comforted you," I said to her, gently. "Won't
+you let me comfort you now?"
+
+She still struggled to get away, and still kept her head turned from
+me.
+
+"Don't you see that I am ashamed to look you in the face?" she said, in
+low, broken tones. "Let me go."
+
+I still persisted in trying to soothe her. I drew her to the
+window-seat. I said I would wait until she was able to speak to me.
+
+She dropped on the seat, and wrung her hands on her lap. Her downcast
+eyes still obstinately avoided meeting mine.
+
+"Oh!" she said to herself, "what madness possessed me? Is it possible
+that I ever disgraced myself by loving Ambrose Meadowcroft?" She
+shuddered as the idea found its way to expression on her lips. The
+tears rolled slowly over her cheeks. "Don't despise me, Mr. Lefrank!"
+she said, faintly.
+
+I tried, honestly tried, to put the confession before her in its least
+unfavorable light.
+
+"His resolution has given way," I said. "He has done this, despairing
+of proving his innocence, in terror of the scaffold."
+
+She rose, with an angry stamp of her foot. She turned her face on me
+with the deep-red flush of shame in it, and the big tears glistening in
+her eyes.
+
+"No more of him!" she said, sternly. "If he is not a murderer, what
+else is he? A liar and a coward! In which of his characters does he
+disgrace me most? I have done with him forever! I will never speak to
+him again!" She pushed me furiously away from her; advanced a few steps
+toward her own door; stopped, and came back to me. The generous nature
+of the girl spoke in her next words. "I am not ungrateful to _you_,
+friend Lefrank. A woman in my place is only a woman; and, when she is
+shamed as I am, she feels it very bitterly. Give me your hand! God
+bless you!"
+
+She put my hand to her lips before I was aware of her, and kissed it,
+and ran back into her room.
+
+I sat down on the place which she had occupied. She had looked at me
+for one moment when she kissed my hand. I forgot Ambrose and his
+confession; I forgot the coming trial; I forgot my professional duties
+and my English friends. There I sat, in a fool's elysium of my own
+making, with absolutely nothing in my mind but the picture of Naomi's
+face at the moment when she had last looked at me!
+
+I have already mentioned that I was in love with her. I merely add this
+to satisfy you that I tell the truth.
+
+
+CHAPTER XI.
+
+THE PEBBLE AND THE WINDOW.
+
+MISS MEADOWCROFT and I were the only representatives of the family at
+the farm who attended the trial. We went separately to Narrabee.
+Excepting the ordinary greetings at morning and night, Miss Meadowcroft
+had not said one word to me since the time when I had told her that I
+did _not_ believe John Jago to be a living man.
+
+I have purposely abstained from encumbering my narrative with legal
+details. I now propose to state the nature of the defense in the
+briefest outline only.
+
+We insisted on making both the prisoners plead not guilty. This done,
+we took an objection to the legality of the proceedings at starting. We
+appealed to the old English law, that there should be no conviction for
+murder until the body of the murdered person was found, or proof of its
+destruction obtained beyond a doubt. We denied that sufficient proof
+had been obtained in the case now before the court.
+
+The judges consulted, and decided that the trial should go on.
+
+We took our next objection when the confessions were produced in
+evidence. We declared that they had been extorted by terror, or by
+undue influence; and we pointed out certain minor particulars in which
+the two confessions failed to corroborate each other. For the rest, our
+defense on this occasion was, as to essentials, what our defense had
+been at the inquiry before the magistrate. Once more the judges
+consulted, and once more they overruled our objection. The confessions
+were admitted in evidence. On their side, the prosecution produced one
+new witness in support of their case. It is needless to waste time in
+recapitulating his evidence. He contradicted himself gravely on
+cross-examination. We showed plainly, and after investigation proved,
+that he was not to be believed on his oath.
+
+The chief-justice summed up.
+
+He charged, in relation to the confessions, that no weight should be
+attached to a confession incited by hope or fear; and he left it to the
+jury to determine whether the confessions in this case had been so
+influenced. In the course of the trial, it had been shown for the
+defense that the sheriff and the governor of the prison had told
+Ambrose, with his father's knowledge and sanction, that the case was
+clearly against him; that the only chance of sparing his family the
+disgrace of his death by public execution lay in making a confession;
+and that they would do their best, if he did confess, to have his
+sentence commuted to imprisonment for life. As for Silas, he was proved
+to have been beside himself with terror when he made his abominable
+charge against his brother. We had vainly trusted to the evidence on
+these two points to induce the court to reject the confessions: and we
+were destined to be once more disappointed in anticipating that the
+same evidence would influence the verdict of the jury on the side of
+mercy. After an absence of an hour, they returned into court with a
+verdict of "Guilty" against both the prisoners.
+
+Being asked in due form if they had anything to say in mitigation of
+their sentence, Ambrose and Silas solemnly declared their innocence,
+and publicly acknowledged that their respective confessions had been
+wrung from them by the hope of escaping the hangman's hands. This
+statement was not noticed by the bench. The prisoners were both
+sentenced to death.
+
+On my return to the farm, I did not see Naomi. Miss Meadowcroft
+informed her of the result of the trial. Half an hour later, one of the
+women-servants handed to me an envelope bearing my name on it in
+Naomi's handwriting.
+
+The envelope inclosed a letter, and with it a slip of paper on which
+Naomi had hurriedly written these words: "For God's sake, read the
+letter I send to you, and do something about it immediately!"
+
+I looked at the letter. It assumed to be written by a gentleman in New
+York. Only the day before, he had, by the merest accident, seen the
+advertisement for John Jago cut out of a newspaper and pasted into a
+book of "curiosities" kept by a friend. Upon this he wrote to Morwick
+Farm to say that he had seen a man exactly answering to the description
+of John Jago, but bearing another name, working as a clerk in a
+merchant's office in Jersey City. Having time to spare before the mail
+went out, he had returned to the office to take another look at the man
+before he posted his letter. To his surprise, he was informed that the
+clerk had not appeared at his desk that day. His employer had sent to
+his lodgings, and had been informed that he had suddenly packed up his
+hand-bag after reading the newspaper at breakfast; had paid his rent
+honestly, and had gone away, nobody knew where!
+
+It was late in the evening when I read these lines. I had time for
+reflection before it would be necessary for me to act.
+
+Assuming the letter to be genuine, and adopting Naomi's explanation of
+the motive which had led John Jago to absent himself secretly from the
+farm, I reached the conclusion that the search for him might be
+usefully limited to Narrabee and to the surrounding neighborhood.
+
+The newspaper at his breakfast had no doubt given him his first
+information of the "finding" of the grand jury, and of the trial to
+follow. It was in my experience of human nature that he should venture
+back to Narrabee under these circumstances, and under the influence of
+his infatuation for Naomi. More than this, it was again in my
+experience, I am sorry to say, that he should attempt to make the
+critical position of Ambrose a means of extorting Naomi's consent to
+listen favorably to his suit. Cruel indifference to the injury and the
+suffering which his sudden absence might inflict on others was plainly
+implied in his secret withdrawal from the farm. The same cruel
+indifference, pushed to a further extreme, might well lead him to press
+his proposals privately on Naomi, and to fix her acceptance of them as
+the price to be paid for saving her cousin's life.
+
+To these conclusions I arrived after much thinking. I had determined,
+on Naomi's account, to clear the matter up; but it is only candid to
+add that my doubts of John Jago's existence remained unshaken by the
+letter. I believed it to be nothing more nor less than a heartless and
+stupid "hoax."
+
+
+The striking of the hall-clock roused me from my meditations. I counted
+the strokes--midnight!
+
+I rose to go up to my room. Everybody else in the farm had retired to
+bed, as usual, more than an hour since. The stillness in the house was
+breathless. I walked softly, by instinct, as I crossed the room to look
+out at the night. A lovely moonlight met my view; it was like the
+moonlight on the fatal evening when Naomi had met John Jago on the
+garden walk.
+
+My bedroom candle was on the side-table; I had just lighted it. I was
+just leaving the room, when the door suddenly opened, and Naomi herself
+stood before me!
+
+Recovering the first shook of her sudden appearance, I saw instantly in
+her eager eyes, in her deadly-pale cheeks, that something serious had
+happened. A large cloak was thrown over her; a white handkerchief was
+tied over her head. Her hair was in disorder; she had evidently just
+risen in fear and in haste from her bed.
+
+"What is it?" I asked, advancing to meet her.
+
+She clung, trembling with agitation, to my arm.
+
+"John Jago!" she whispered.
+
+You will think my obstinacy invincible. I could hardly believe it, even
+then!
+
+"Where?" I asked.
+
+"In the back-yard," she replied, "under my bedroom window!"
+
+The emergency was far too serious to allow of any consideration for the
+small proprieties of every-day life.
+
+"Let me see him!" I said.
+
+"I am here to fetch you," she answered, in her frank and fearless way.
+"Come upstairs with me."
+
+Her room was on the first floor of the house, and was the only bedroom
+which looked out on the back-yard. On our way up the stairs she told me
+what had happened.
+
+"I was in bed," she said, "but not asleep, when I heard a pebble strike
+against the window-pane. I waited, wondering what it meant. Another
+pebble was thrown against the glass. So far, I was surprised, but not
+frightened. I got up, and ran to the window to look out. There was John
+Jago looking up at me in the moonlight!"
+
+"Did he see you?"
+
+"Yes. He said, 'Come down and speak to me! I have something serious to
+say to you!'"
+
+"Did you answer him?"
+
+"As soon as I could catch my breath, I said, 'Wait a little,' and ran
+downstairs to you. What shall I do?"
+
+"Let _me_ see him, and I will tell you."
+
+We entered her room. Keeping cautiously behind the window-curtain, I
+looked out.
+
+There he was! His beard and mustache were shaved off; his hair was
+close cut. But there was no disguising his wild, brown eyes, or the
+peculiar movement of his spare, wiry figure, as he walked slowly to and
+fro in the moonlight waiting for Naomi. For the moment, my own
+agitation almost overpowered me; I had so firmly disbelieved that John
+Jago was a living man!
+
+"What shall I do?" Naomi repeated.
+
+"Is the door of the dairy open?" I asked.
+
+"No; but the door of the tool-house, round the corner, is not locked."
+
+"Very good. Show yourself at the window, and say to him, 'I am coming
+directly.'"
+
+The brave girl obeyed me without a moment's hesitation.
+
+There had been no doubt about his eyes and his gait; there was no doubt
+now about his voice, as he answered softly from below--"All right!"
+
+"Keep him talking to you where he is now," I said to Naomi, "until I
+have time to get round by the other way to the tool-house. Then pretend
+to be fearful of discovery at the dairy, and bring him round the
+corner, so that I can hear him behind the door."
+
+We left the house together, and separated silently. Naomi followed my
+instructions with a woman's quick intelligence where stratagems are
+concerned. I had hardly been a minute in the tool-house before I heard
+him speaking to Naomi on the other side of the door.
+
+The first words which I caught distinctly related to his motive for
+secretly leaving the farm. Mortified pride--doubly mortified by Naomi's
+contemptuous refusal and by the personal indignity offered to him by
+Ambrose--was at the bottom of his conduct in absenting himself from
+Morwick. He owned that he had seen the advertisement, and that it had
+actually encouraged him to keep in hiding!
+
+"After being laughed at and insulted and denied, I was glad," said the
+miserable wretch, "to see that some of you had serious reason to wish
+me back again. It rests with you, Miss Naomi, to keep me here, and to
+persuade me to save Ambrose by showing myself and owning to my name."
+
+"What do you mean?" I heard Naomi ask, sternly.
+
+He lowered his voice; but I could still hear him.
+
+"Promise you will marry me," he said, "and I will go before the
+magistrate to-morrow, and show him that I am a living man."
+
+"Suppose I refuse?"
+
+"In that case you will lose me again, and none of you will find me till
+Ambrose is hanged."
+
+"Are you villain enough, John Jago, to mean what you say?" asked the
+girl, raising her voice.
+
+"If you attempt to give the alarm," he answered, "as true as God's
+above us, you will feel my hand on your throat! It's my turn now, miss;
+and I am not to be trifled with. Will you have me for your husband--yes
+or no?"
+
+"No!" she answered, loudly and firmly.
+
+I burst open the door, and seized him as he lifted his hand on her. He
+had not suffered from the nervous derangement which had weakened me,
+and he was the stronger man of the two. Naomi saved my life. She struck
+up his pistol as he pulled it out of his pocket with his free hand and
+presented it at my head. The bullet was fired into the air. I tripped
+up his heels at the same moment The report of the pistol had alarmed
+the house. We two together kept him on the ground until help arrived.
+
+
+CHAPTER XII.
+
+THE END OF IT.
+
+JOHN JAGO was brought before the magistrate, and John Jago was
+identified the next day.
+
+The lives of Ambrose and Silas were, of course, no longer in peril, so
+far as human justice was concerned. But there were legal delays to be
+encountered, and legal formalities to be observed, before the brothers
+could be released from prison in the characters of innocent men.
+
+During the interval which thus elapsed, certain events happened which
+may be briefly mentioned here before I close my narrative.
+
+Mr. Meadowcroft the elder, broken by the suffering which he had gone
+through, died suddenly of a rheumatic affection of the heart. A codicil
+attached to his will abundantly justified what Naomi had told me of
+Miss Meadowcroft's influence over her father, and of the end she had in
+view in exercising it. A life income only was left to Mr. Meadowcroft's
+sons. The freehold of the farm was bequeathed to his daughter, with the
+testator's recommendation added, that she should marry his "best and
+dearest friend, Mr. John Jago."
+
+Armed with the power of the will, the heiress of Morwick sent an
+insolent message to Naomi, requesting her no longer to consider herself
+one of the inmates at the farm. Miss Meadowcroft, it should be here
+added, positively refused to believe that John Jago had ever asked
+Naomi to be his wife, or had ever threatened her, as I had heard him
+threaten her, if she refused. She accused me, as she accused Naomi, of
+trying meanly to injure John Jago in her estimation, out of hatred
+toward "that much-injured man;" and she sent to me, as she had sent to
+Naomi, a formal notice to leave the house.
+
+We two banished ones met the same day in the hall, with our
+traveling-bags in our hands.
+
+"We are turned out together, friend Lefrank," said Naomi, with her
+quaintly-comical smile. "You will go back to England, I guess; and I
+must make my own living in my own country. Women can get employment in
+the States if they have a friend to speak for them. Where shall I find
+somebody who can give me a place?"
+
+I saw my way to saying the right word at the right moment.
+
+"I have got a place to offer you," I replied.
+
+She suspected nothing, so far.
+
+"That's lucky, sir," was all she said. "Is it in a telegraph-office or
+in a dry-goods store?"
+
+I astonished my little American friend by taking her then and there in
+my arms, and giving her my first kiss.
+
+"The office is by my fireside," I said; "the salary is anything in
+reason you like to ask me for; and the place, Naomi, if you have no
+objection to it, is the place of my wife."
+
+I have no more to say, except that years have passed since I spoke
+those words and that I am as fond of Naomi as ever.
+
+Some months after our marriage, Mrs. Lefrank wrote to a friend at
+Narrabee for news of what was going on at the farm. The answer informed
+us that Ambrose and Silas had emigrated to New Zealand, and that Miss
+Meadowcroft was alone at Morwick Farm. John Jago had refused to marry
+her. John Jago had disappeared again, nobody knew where.
+
+NOTE IN CONCLUSION.--The first idea of this little story was suggested
+to the author by a printed account of a trial which actually took
+place, early in the present century, in the United States. The
+published narrative of this strange case is entitled "The Trial,
+Confessions, and Conviction of Jesse and Stephen Boorn for the Murder
+of Russell Colvin, and the Return of the Man supposed to have been
+murdered. By Hon. Leonard Sargeant, Ex-Lieutenant Governor of Vermont.
+(Manchester, Vermont, _Journal_ Book and Job Office, 1873.)" It may not
+be amiss to add, for the benefit of incredulous readers, that all the
+"improbable events" in the story are matters of fact, taken from the
+printed narrative. Anything which "looks like truth" is, in nine cases
+out of ten, the invention of the author.--W. C.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Dead Alive, by Wilkie Collins
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE DEAD ALIVE ***
+
+This file should be named cdead10.txt or cdead10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, cdead11.txt
+VERSIONS based on separate sources get new LETTER, cdead10a.txt
+
+Produced by James Rusk
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/cdead10.zip b/old/cdead10.zip
new file mode 100644
index 0000000..7b7f23a
--- /dev/null
+++ b/old/cdead10.zip
Binary files differ