summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--7881.txt15477
-rw-r--r--7881.zipbin0 -> 382343 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
5 files changed, 15493 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/7881.txt b/7881.txt
new file mode 100644
index 0000000..b621250
--- /dev/null
+++ b/7881.txt
@@ -0,0 +1,15477 @@
+The Project Gutenberg EBook of Passages From the French and Italian
+Notebooks, Complete, by Nathaniel Hawthorne
+#22 in our series by Nathaniel Hawthorne
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: Passages From the French and Italian Notebooks, Complete
+
+Author: Nathaniel Hawthorne
+
+Release Date: April, 2005 [EBook #7881]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on May 29, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK FRENCH/ITALIAN NOTEBOOKS, COMPLETE ***
+
+
+
+
+Produced by Tapio Riikonen and David Widger [widger@cecomet.net]
+
+
+
+
+PASSAGES FROM THE FRENCH AND ITALIAN NOTE-BOOKS
+
+OF
+
+NATHANIEL HAWTHORNE
+
+
+
+VOL. I.
+
+
+
+PASSAGES FROM HAWTHORNE'S NOTE-BOOKS IN FRANCE AND ITALY.
+
+
+
+
+FRANCE.
+
+
+Hotel de Louvre, January 6th, 1858.--On Tuesday morning, our dozen trunks
+and half-dozen carpet-bags being already packed and labelled, we began to
+prepare for our journey two or three hours before light. Two cabs were at
+the door by half past six, and at seven we set out for the London Bridge
+station, while it was still dark and bitterly cold. There were already
+many people in the streets, growing more numerous as we drove city-ward;
+and, in Newgate Street, there was such a number of market-carts, that we
+almost came to a dead lock with some of them. At the station we found
+several persons who were apparently going in the same train with us,
+sitting round the fire of the waiting-room. Since I came to England
+there has hardly been a morning when I should have less willingly
+bestirred myself before daylight; so sharp and inclement was the
+atmosphere. We started at half past eight, having taken through tickets
+to Paris by way of Folkestone and Boulogne. A foot-warmer (a long, flat
+tin utensil, full of hot water) was put into the carriage just before we
+started; but it did not make us more than half comfortable, and the frost
+soon began to cloud the windows, and shut out the prospect, so that we
+could only glance at the green fields--immortally green, whatever winter
+can do against them--and at, here and there, a stream or pool with the
+ice forming on its borders. It was the first cold weather of a very mild
+season. The snow began to fall in scattered and almost invisible flakes;
+and it seemed as if we had stayed our English welcome out, and were to
+find nothing genial and hospitable there any more.
+
+At Folkestone, we were deposited at a railway station close upon a
+shingly beach, on which the sea broke in foam, and which J----- reported
+as strewn with shells and star-fish; behind was the town, with an old
+church in the midst; and, close, at hand, the pier, where lay the steamer
+in which we were to embark. But the air was so wintry, that I had no
+heart to explore the town, or pick up shells with J----- on the beach; so
+we kept within doors during the two hours of our stay, now and then
+looking out of the windows at a fishing-boat or two, as they pitched and
+rolled with an ugly and irregular motion, such as the British Channel
+generally communicates to the craft that navigate it.
+
+At about one o'clock we went on board, and were soon under steam, at a
+rate that quickly showed a long line of the white cliffs of Albion behind
+us. It is a very dusky white, by the by, and the cliffs themselves do
+not seem, at a distance, to be of imposing height, and have too even an
+outline to be picturesque.
+
+As we increased our distance from England, the French coast came more and
+more distinctly in sight, with a low, wavy outline, not very well worth
+looking at, except because it was the coast of France. Indeed, I looked
+at it but little; for the wind was bleak and boisterous, and I went down
+into the cabin, where I found the fire very comfortable, and several
+people were stretched on sofas in a state of placid wretchedness. . . . .
+I have never suffered from sea-sickness, but had been somewhat
+apprehensive of this rough strait between England and France, which seems
+to have more potency over people's stomachs than ten times the extent of
+sea in other quarters. Our passage was of two hours, at the end of which
+we landed on French soil, and found ourselves immediately in the clutches
+of the custom-house officers, who, however, merely made a momentary
+examination of my passport, and allowed us to pass without opening even
+one of our carpet-bags. The great bulk of our luggage had been
+registered through to Paris, for examination after our arrival there.
+
+We left Boulogne in about an hour after our arrival, when it was already
+a darkening twilight. The weather had grown colder than ever, since our
+arrival in sunny France, and the night was now setting in, wickedly black
+and dreary. The frost hardened upon the carriage windows in such
+thickness that I could scarcely scratch a peep-hole through it; but, from
+such glimpses as I could catch, the aspect of the country seemed pretty
+much to resemble the December aspect of my dear native land,--broad,
+bare, brown fields, with streaks of snow at the foot of ridges, and along
+fences, or in the furrows of ploughed soil. There was ice wherever there
+happened to be water to form it.
+
+We had feet-warmers in the carriage, but the cold crept in nevertheless;
+and I do not remember hardly in my life a more disagreeable short journey
+than this, my first advance into French territory. My impression of
+France will always be that it is an Arctic region. At any season of the
+year, the tract over which we passed yesterday must be an uninteresting
+one as regards its natural features; and the only adornment, as far as I
+could observe, which art has given it, consists in straight rows of very
+stiff-looking and slender-stemmed trees. In the dusk they resembled
+poplar-trees.
+
+Weary and frost-bitten,--morally, if not physically,--we reached Amiens
+in three or four hours, and here I underwent much annoyance from the
+French railway officials and attendants, who, I believe, did not mean to
+incommode me, but rather to forward my purposes as far as they well
+could. If they would speak slowly and distinctly I might understand them
+well enough, being perfectly familiar with the written language, and
+knowing the principles of its pronunciation; but, in their customary
+rapid utterance, it sounds like a string of mere gabble. When left to
+myself, therefore, I got into great difficulties. . . . . It gives a
+taciturn personage like myself a new conception as to the value of
+speech, even to him, when he finds himself unable either to speak or
+understand.
+
+Finally, being advised on all hands to go to the Hotel du Rhin, we were
+carried thither in an omnibus, rattling over a rough pavement, through an
+invisible and frozen town; and, on our arrival, were ushered into a
+handsome salon, as chill as a tomb. They made a little bit of a
+wood-fire for us in a low and deep chimney-hole, which let a hundred
+times more heat escape up the flue than it sent into the room.
+
+In the morning we sallied forth to see the cathedral.
+
+The aspect of the old French town was very different from anything
+English; whiter, infinitely cleaner; higher and narrower houses, the
+entrance to most of which seeming to be through a great gateway,
+affording admission into a central court-yard; a public square, with a
+statue in the middle, and another statue in a neighboring street. We met
+priests in three-cornered hats, long frock-coats, and knee-breeches; also
+soldiers and gendarmes, and peasants and children, clattering over the
+pavements in wooden shoes.
+
+It makes a great impression of outlandishness to see the signs over the
+shop doors in a foreign tongue. If the cold had not been such as to dull
+my sense of novelty, and make all my perceptions torpid, I should have
+taken in a set of new impressions, and enjoyed them very much. As it
+was, I cared little for what I saw, but yet had life enough left to enjoy
+the cathedral of Amiens, which has many features unlike those of English
+cathedrals.
+
+It stands in the midst of the cold, white town, and has a high-shouldered
+look to a spectator accustomed to the minsters of England, which cover a
+great space of ground in proportion to their height. The impression the
+latter gives is of magnitude and mass; this French cathedral strikes one
+as lofty. The exterior is venerable, though but little time-worn by the
+action of the atmosphere; and statues still keep their places in numerous
+niches, almost as perfect as when first placed there in the thirteenth
+century. The principal doors are deep, elaborately wrought, pointed
+arches; and the interior seemed to us, at the moment, as grand as any
+that we had seen, and to afford as vast an idea of included space; it
+being of such an airy height, and with no screen between the chancel and
+nave, as in all the English cathedrals. We saw the differences, too,
+betwixt a church in which the same form of worship for which it was
+originally built is still kept up, and those of England, where it has
+been superseded for centuries; for here, in the recess of every arch of
+the side aisles, beneath each lofty window, there was a chapel dedicated
+to some Saint, and adorned with great marble sculptures of the
+crucifixion, and with pictures, execrably bad, in all cases, and various
+kinds of gilding and ornamentation. Immensely tall wax candles stand
+upon the altars of these chapels, and before one sat a woman, with a
+great supply of tapers, one of which was burning. I suppose these were
+to be lighted as offerings to the saints, by the true believers.
+Artificial flowers were hung at some of the shrines, or placed under
+glass. In every chapel, moreover, there was a confessional,--a little
+oaken structure, about as big as a sentry-box, with a closed part for the
+priest to sit in, and an open one for the penitent to kneel at, and
+speak, through the open-work of the priest's closet. Monuments, mural
+and others, to long-departed worthies, and images of the Saviour, the
+Virgin, and saints, were numerous everywhere about the church; and in the
+chancel there was a great deal of quaint and curious sculpture, fencing
+in the Holy of Holies, where the High Altar stands. There is not much
+painted glass; one or two very rich and beautiful rose-windows, however,
+that looked antique; and the great eastern window which, I think, is
+modern. The pavement has, probably, never been renewed, as one piece of
+work, since the structure was erected, and is foot-worn by the successive
+generations, though still in excellent repair. I saw one of the small,
+square stones in it, bearing the date of 1597, and no doubt there are a
+thousand older ones. It was gratifying to find the cathedral in such
+good condition, without any traces of recent repair; and it is perhaps a
+mark of difference between French and English character, that the
+Revolution in the former country, though all religious worship disappears
+before it, does not seem to have caused such violence to ecclesiastical
+monuments, as the Reformation and the reign of Puritanism in the latter.
+I did not see a mutilated shrine, or even a broken-nosed image, in the
+whole cathedral. But, probably, the very rage of the English fanatics
+against idolatrous tokens, and their smashing blows at them, were
+symptoms of sincerer religious faith than the French were capable of.
+These last did not care enough about their Saviour to beat down his
+crucified image; and they preserved the works of sacred art, for the sake
+only of what beauty there was in them.
+
+While we were in the cathedral, we saw several persons kneeling at their
+devotions on the steps of the chancel and elsewhere. One dipped his
+fingers in the holy water at the entrance: by the by, I looked into the
+stone basin that held it, and saw it full of ice. Could not all that
+sanctity at least keep it thawed? Priests--jolly, fat, mean-looking
+fellows, in white robes--went hither and thither, but did not interrupt
+or accost us.
+
+There were other peculiarities, which I suppose I shall see more of in my
+visits to other churches, but now we were all glad to make our stay as
+brief as possible, the atmosphere of the cathedral being so bleak, and
+its stone pavement so icy cold beneath our feet. We returned to the
+hotel, and the chambermaid brought me a book, in which she asked me to
+inscribe my name, age, profession, country, destination, and the
+authorization under which I travelled. After the freedom of an English
+hotel, so much greater than even that of an American one, where they make
+you disclose your name, this is not so pleasant.
+
+We left Amiens at half past one; and I can tell as little of the country
+between that place and Paris, as between Boulogne and Amiens. The
+windows of our railway carriage were already frosted with French breath
+when we got into it, and the ice grew thicker and thicker continually. I
+tried, at various times, to rub a peep-hole through, as before; but the
+ice immediately shot its crystallized tracery over it again; and, indeed,
+there was little or nothing to make it worth while to look out, so bleak
+was the scene. Now and then a chateau, too far off for its
+characteristics to be discerned; now and then a church, with a tall gray
+tower, and a little peak atop; here and there a village or a town, which
+we could not well see. At sunset there was just that clear, cold, wintry
+sky which I remember so well in America, but have never seen in England.
+
+At five we reached Paris, and were suffered to take a carriage to the
+hotel de Louvre, without any examination of the little luggage we had
+with us. Arriving, we took a suite of apartments, and the waiter
+immediately lighted a wax candle in each separate room.
+
+We might have dined at the table d'hote, but preferred the restaurant
+connected with and within the hotel. All the dishes were very delicate,
+and a vast change from the simple English system, with its joints,
+shoulders, beefsteaks, and chops; but I doubt whether English cookery,
+for the very reason that it is so simple, is not better for men's moral
+and spiritual nature than French. In the former case, you know that you
+are gratifying your animal needs and propensities, and are duly ashamed
+of it; but, in dealing with these French delicacies, you delude yourself
+into the idea that you are cultivating your taste while satisfying your
+appetite. This last, however, it requires a good deal of perseverance to
+accomplish.
+
+In the cathedral at Amiens there were printed lists of acts of devotion
+posted on the columns, such as prayers at the shrines of certain saints,
+whereby plenary indulgences might be gained. It is to be observed,
+however, that all these external forms were necessarily accompanied with
+true penitence and religious devotion.
+
+
+Hotel de Louvre, January 8th.--It was so fearfully cold this morning that
+I really felt little or no curiosity to see the city. . . . . Until after
+one o'clock, therefore, I knew nothing of Paris except the lights which I
+had seen beneath our window the evening before, far, far downward, in the
+narrow Rue St. Honore, and the rumble of the wheels, which continued
+later than I was awake to hear it, and began again before dawn. I could
+see, too, tall houses, that seemed to be occupied in every story, and
+that had windows on the steep roofs. One of these houses is six stories
+high. This Rue St. Honore is one of the old streets in Paris, and is
+that in which Henry IV. was assassinated; but it has not, in this part of
+it, the aspect of antiquity.
+
+After one o'clock we all went out and walked along the Rue de
+Rivoli. . . . . We are here, right in the midst of Paris, and close to
+whatever is best known to those who hear or read about it,--the Louvre
+being across the street, the Palais Royal but a little way off, the
+Tuileries joining to the Louvre, the Place de la Concorde just beyond,
+verging on which is the Champs Elysees. We looked about us for a
+suitable place to dine, and soon found the Restaurant des Echelles, where
+we entered at a venture, and were courteously received. It has a
+handsomely furnished saloon, much set off with gilding and mirrors; and
+appears to be frequented by English and Americans; its carte, a bound
+volume, being printed in English as well as French. . . . .
+
+It was now nearly four o'clock, and too late to visit the galleries of
+the Louvre, or to do anything else but walk a little way along the
+street. The splendor of Paris, so far as I have seen, takes me
+altogether by surprise: such stately edifices, prolonging themselves in
+unwearying magnificence and beauty, and, ever and anon, a long vista of a
+street, with a column rising at the end of it, or a triumphal arch,
+wrought in memory of some grand event. The light stone or stucco, wholly
+untarnished by smoke and soot, puts London to the blush, if a blush could
+be seen on its dingy face; but, indeed, London is not to be mentioned,
+nor compared even, with Paris. I never knew what a palace was till I had
+a glimpse of the Louvre and the Tuileries; never had my idea of a city
+been gratified till I trod these stately streets. The life of the scene,
+too, is infinitely more picturesque than that of London, with its
+monstrous throng of grave faces and black coats; whereas, here, you see
+soldiers and priests, policemen in cocked hats, Zonaves with turbans,
+long mantles, and bronzed, half-Moorish faces; and a great many people
+whom you perceive to be outside of your experience, and know them ugly to
+look at, and fancy them villanous. Truly, I have no sympathies towards
+the French people; their eyes do not win me, nor do their glances melt
+and mingle with mine. But they do grand and beautiful things in the
+architectural way; and I am grateful for it. The Place de la Concorde is
+a most splendid square, large enough for a nation to erect trophies in of
+all its triumphs; and on one side of it is the Tuileries, on the opposite
+side the Champs Elysees, and, on a third, the Seine, adown which we saw
+large cakes of ice floating, beneath the arches of a bridge. The Champs
+Elysees, so far as I saw it, had not a grassy soil beneath its trees, but
+the bare earth, white and dusty. The very dust, if I saw nothing else,
+would assure me that I was out of England.
+
+We had time only to take this little walk, when it began to grow dusk;
+and, being so pitilessly cold, we hurried back to our hotel. Thus far, I
+think, what I have seen of Paris is wholly unlike what I expected; but
+very like an imaginary picture which I had conceived of St. Petersburg,--
+new, bright, magnificent, and desperately cold.
+
+A great part of this architectural splendor is due to the present
+Emperor, who has wrought a great change in the aspect of the city within
+a very few years. A traveller, if he looks at the thing selfishly, ought
+to wish him a long reign and arbitrary power, since he makes it his
+policy to illustrate his capital with palatial edifices, which are,
+however, better for a stranger to look at, than for his own people to pay
+for.
+
+We have spent to-day chiefly in seeing some of the galleries of the
+Louvre. I must confess that the vast and beautiful edifice struck me far
+more than the pictures, sculpture, and curiosities which it contains,--
+the shell more than the kernel inside; such noble suites of rooms and
+halls were those through which we first passed, containing Egyptian, and,
+farther onward, Greek and Roman antiquities; the walls cased in
+variegated marbles; the ceilings glowing with beautiful frescos; the
+whole extended into infinite vistas by mirrors that seemed like vacancy,
+and multiplied everything forever. The picture-rooms are not so
+brilliant, and the pictures themselves did not greatly win upon me in
+this one day. Many artists were employed in copying them, especially in
+the rooms hung with the productions of French painters. Not a few of
+these copyists were females; most of them were young men, picturesquely
+mustached and bearded; but some were elderly, who, it was pitiful to
+think, had passed through life without so much success as now to paint
+pictures of their own.
+
+From the pictures we went into a suite of rooms where are preserved many
+relics of the ancient and later kings of France; more relics of the elder
+ones, indeed, than I supposed had remained extant through the Revolution.
+The French seem to like to keep memorials of whatever they do, and of
+whatever their forefathers have done, even if it be ever so little to
+their credit; and perhaps they do not take matters sufficiently to heart
+to detest anything that has ever happened. What surprised me most were
+the golden sceptre and the magnificent sword and other gorgeous relics of
+Charlemagne,--a person whom I had always associated with a sheepskin
+cloak. There were suits of armor and weapons that had been worn and
+handled by a great many of the French kings; and a religious book that
+had belonged to St. Louis; a dressing-glass, most richly set with
+precious stones, which formerly stood on the toilet-table of Catherine
+de' Medici, and in which I saw my own face where hers had been. And
+there were a thousand other treasures, just as well worth mentioning as
+these. If each monarch could have been summoned from Hades to claim his
+own relics, we should have had the halls full of the old Childerics,
+Charleses, Bourbons and Capets, Henrys and Louises, snatching with
+ghostly hands at sceptres, swords, armor, and mantles; and Napoleon would
+have seen, apparently, almost everything that personally belonged to
+him,--his coat, his cocked hats, his camp-desk, his field-bed, his
+knives, forks, and plates, and even a lock of his hair. I must let it
+all go. These things cannot be reproduced by pen and ink.
+
+
+Hotel de Louvre, January 9th.--. . . . Last evening Mr. Fezaudie called.
+He spoke very freely respecting the Emperor and the hatred entertained
+against him in France; but said that he is more powerful, that is, more
+firmly fixed as a ruler, than ever the first Napoleon was. We, who look
+back upon the first Napoleon as one of the eternal facts of the past, a
+great bowlder in history, cannot well estimate how momentary and
+insubstantial the great Captain may have appeared to those who beheld his
+rise out of obscurity. They never, perhaps, took the reality of his
+career fairly into their minds, before it was over. The present Emperor,
+I believe, has already been as long in possession of the supreme power as
+his uncle was. I should like to see him, and may, perhaps, do--so, as he
+is our neighbor, across the way.
+
+This morning Miss ------, the celebrated astronomical lady, called. She
+had brought a letter of introduction to me, while consul; and her purpose
+now was to see if we could take her as one of our party to Rome, whither
+she likewise is bound. We readily consented, for she seems to be a
+simple, strong, healthy-humored woman, who will not fling herself as a
+burden on our shoulders; and my only wonder is that a person evidently so
+able to take care of herself should wish to have an escort.
+
+We issued forth at about eleven, and went down the Rue St. Honore, which
+is narrow, and has houses of five or six stories on either side, between
+which run the streets like a gully in a rock. One face of our hotel
+borders and looks on this street. After going a good way, we came to an
+intersection with another street, the name of which I forget; but, at
+this point, Ravaillac sprang at the carriage of Henry IV. and plunged his
+dagger into him. As we went down the Rue St. Honore, it grew more and
+more thronged, and with a meaner class of people. The houses still were
+high, and without the shabbiness of exterior that distinguishes the old
+part of London, being of light-colored stone; but I never saw anything
+that so much came up to my idea of a swarming city as this narrow,
+crowded, and rambling street.
+
+Thence we turned into the Rue St. Denis, which is one of the oldest
+streets in Paris, and is said to have been first marked out by the track
+of the saint's footsteps, where, after his martyrdom, he walked along it,
+with his head under his arm, in quest of a burial-place. This legend may
+account for any crookedness of the street; for it could not reasonably be
+asked of a headless man that he should walk straight.
+
+Through some other indirections we at last found the Rue Bergere, down
+which I went with J----- in quest of Hottinguer et Co., the bankers,
+while the rest of us went along the Boulevards, towards the Church of the
+Madeleine. . . . . This business accomplished, J----- and I threaded our
+way back, and overtook the rest of the party, still a good distance from
+the Madeleine. I know not why the Boulevards are called so. They are a
+succession of broad walks through broad streets, and were much thronged
+with people, most of whom appeared to be bent more on pleasure than
+business. The sun, long before this, had come out brightly, and gave us
+the first genial and comfortable sensations which we have had in Paris.
+
+Approaching the Madeleine, we found it a most beautiful church, that
+might have been adapted from Heathenism to Catholicism; for on each side
+there is a range of magnificent pillars, unequalled, except by those of
+the Parthenon. A mourning-coach, arrayed in black and silver, was drawn
+up at the steps, and the front of the church was hung with black cloth,
+which covered the whole entrance. However, seeing the people going in,
+we entered along with them. Glorious and gorgeous is the Madeleine. The
+entrance to the nave is beneath a most stately arch; and three arches of
+equal height open from the nave to the side aisles; and at the end of the
+nave is another great arch, rising, with a vaulted half-dome, over the
+high altar. The pillars supporting these arches are Corinthian, with
+richly sculptured capitals; and wherever gilding might adorn the church,
+it is lavished like sunshine; and within the sweeps of the arches there
+are fresco paintings of sacred subjects, and a beautiful picture covers
+the hollow of the vault over the altar; all this, besides much sculpture;
+and especially a group above and around the high altar, representing the
+Magdalen smiling down upon angels and archangels, some of whom are
+kneeling, and shadowing themselves with their heavy marble wings. There
+is no such thing as making my page glow with the most distant idea of the
+magnificence of this church, in its details and in its whole. It was
+founded a hundred or two hundred years ago; then Bonaparte contemplated
+transforming it into a Temple of Victory, or building it anew as one.
+The restored Bourbons remade it into a church; but it still has a
+heathenish look, and will never lose it.
+
+When we entered we saw a crowd of people, all pressing forward towards
+the high altar, before which burned a hundred wax lights, some of which
+were six or seven feet high; and, altogether, they shone like a galaxy of
+stars. In the middle of the nave, moreover, there was another galaxy of
+wax candles burning around an immense pall of black velvet, embroidered
+with silver, which seemed to cover, not only a coffin, but a sarcophagus,
+or something still more huge. The organ was rumbling forth a deep,
+lugubrious bass, accompanied with heavy chanting of priests, out of which
+sometimes rose the clear, young voices of choristers, like light flashing
+out of the gloom. The church, between the arches, along the nave, and
+round the altar, was hung with broad expanses of black cloth; and all the
+priests had their sacred vestments covered with black. They looked
+exceedingly well; I never saw anything half so well got up on the stage.
+Some of these ecclesiastical figures were very stately and noble, and
+knelt and bowed, and bore aloft the cross, and swung the censers in a way
+that I liked to see. The ceremonies of the Catholic Church were a superb
+work of art, or perhaps a true growth of man's religious nature; and so
+long as men felt their original meaning, they must have been full of awe
+and glory. Being of another parish, I looked on coldly, but not
+irreverently, and was glad to see the funeral service so well performed,
+and very glad when it was over. What struck me as singular, the person
+who performed the part usually performed by a verger, keeping order among
+the audience, wore a gold-embroidered scarf, a cocked hat, and, I
+believe, a sword, and had the air of a military man.
+
+Before the close of the service a contribution-box--or, rather, a black
+velvet bag--was handed about by this military verger; and I gave J----- a
+franc to put in, though I did not in the least know for what.
+
+Issuing from the church, we inquired of two or three persons who was the
+distinguished defunct at whose obsequies we had been assisting, for we
+had some hope that it might be Rachel, who died last week, and is still
+above ground. But it proved to be only a Madame Mentel, or some such
+name, whom nobody had ever before heard of. I forgot to say that her
+coffin was taken from beneath the illuminated pall, and carried out of
+the church before us.
+
+When we left the Madeleine we took our way to the Place de la Concorde,
+and thence through the Elysian Fields (which, I suppose, are the French
+idea of heaven) to Bonaparte's triumphal arch. The Champs Elysees may
+look pretty in summer; though I suspect they must be somewhat dry and
+artificial at whatever season,--the trees being slender and scraggy, and
+requiring to be renewed every few years. The soil is not genial to them.
+The strangest peculiarity of this place, however, to eyes fresh from
+moist and verdant England, is, that there is not one blade of grass in
+all the Elysian Fields, nothing but hard clay, now covered with white
+dust. It gives the whole scene the air of being a contrivance of man, in
+which Nature has either not been invited to take any part, or has
+declined to do so. There were merry-go-rounds, wooden horses, and other
+provision for children's amusements among the trees; and booths, and
+tables of cakes, and candy-women; and restaurants on the borders of the
+wood; but very few people there; and doubtless we can form no idea of
+what the scene might become when alive with French gayety and vivacity.
+
+As we walked onward the Triumphal Arch began to loom up in the distance,
+looking huge and massive, though still a long way off. It was not,
+however, till we stood almost beneath it that we really felt the grandeur
+of this great arch, including so large a space of the blue sky in its
+airy sweep. At a distance it impresses the spectator with its solidity;
+nearer, with the lofty vacancy beneath it. There is a spiral staircase
+within one of its immense limbs; and, climbing steadily upward, lighted
+by a lantern which the doorkeeper's wife gave us, we had a bird's-eye
+view of Paris, much obscured by smoke or mist. Several interminable
+avenues shoot with painful directness right towards it.
+
+On our way homeward we visited the Place Vendome, in the centre of which
+is a tall column, sculptured from top to bottom, all over the pedestal,
+and all over the shaft, and with Napoleon himself on the summit. The
+shaft is wreathed round and roundabout with representations of what, as
+far as I could distinguish, seemed to be the Emperor's victories. It has
+a very rich effect. At the foot of the column we saw wreaths of
+artificial flowers, suspended there, no doubt, by some admirer of
+Napoleon, still ardent enough to expend a franc or two in this way.
+
+
+Hotel de Louvre, January 10th.--We had purposed going to the Cathedral
+of Notre Dame to-day, but the weather and walking were too unfavorable
+for a distant expedition; so we merely went across the street to the
+Louvre. . . . . .
+
+Our principal object this morning was to see the pencil drawings by
+eminent artists. Of these the Louvre has a very rich collection,
+occupying many apartments, and comprising sketches by Annibale Caracci,
+Claude, Raphael, Leonardo da Vinci, Michel Angelo, Rubens, Rembrandt, and
+almost all the other great masters, whether French, Italian, Dutch, or
+whatever else; the earliest drawings of their great pictures, when they
+had the glory of their pristine idea directly before their minds' eye,--
+that idea which inevitably became overlaid with their own handling of it
+in the finished painting. No doubt the painters themselves had often a
+happiness in these rude, off-hand sketches, which they never felt again
+in the same work, and which resulted in disappointment, after they had
+done their best. To an artist, the collection must be most deeply
+interesting: to myself, it was merely curious, and soon grew wearisome.
+
+In the same suite of apartments, there is a collection of miniatures,
+some of them very exquisite, and absolutely lifelike, on their small
+scale. I observed two of Franklin, both good and picturesque, one of
+them especially so, with its cloud-like white hair. I do not think we
+have produced a man so interesting to contemplate, in many points of
+view, as he. Most of our great men are of a character that I find it
+impossible to warm into life by thought, or by lavishing any amount of
+sympathy upon them. Not so Franklin, who had a great deal of common and
+uncommon human nature in him.
+
+Much of the time, while my wife was looking at the drawings, I sat
+observing the crowd of Sunday visitors. They were generally of a lower
+class than those of week-days; private soldiers in a variety of uniforms,
+and, for the most part, ugly little men, but decorous and well behaved.
+I saw medals on many of their breasts, denoting Crimean service; some
+wore the English medal, with Queen Victoria's head upon it. A blue
+coat, with red baggy trousers, was the most usual uniform. Some had
+short-breasted coats, made in the same style as those of the first
+Napoleon, which we had seen in the preceding rooms. The policemen,
+distributed pretty abundantly about the rooms, themselves looked
+military, wearing cocked hats and swords. There were many women of the
+middling classes; some, evidently, of the lowest, but clean and decent,
+in colored gowns and caps; and laboring men, citizens, Sunday gentlemen,
+young artists, too, no doubt looking with educated eyes at these
+art-treasures, and I think, as a general thing, each man was mated with a
+woman. The soldiers, however, came in pairs or little squads,
+accompanied by women. I did not much like any of the French faces, and
+yet I am not sure that there is not more resemblance between them and the
+American physiognomy, than between the latter and the English. The women
+are not pretty, but in all ranks above the lowest they have a trained
+expression that supplies the place of beauty.
+
+I was wearied to death with the drawings, and began to have that dreary
+and desperate feeling which has often come upon me when the sights last
+longer than my capacity for receiving them. As our time in Paris,
+however, is brief and precious, we next inquired our way to the galleries
+of sculpture, and these alone are of astounding extent, reaching, I
+should think, all round one quadrangle of the Louvre, on the basement
+floor. Hall after hall opened interminably before us, and on either side
+of us, paved and incrusted with variegated and beautifully polished
+marble, relieved against which stand the antique statues and groups,
+interspersed with great urns and vases, sarcophagi, altars, tablets,
+busts of historic personages, and all manner of shapes of marble which
+consummate art has transmuted into precious stones. Not that I really
+did feel much impressed by any of this sculpture then, nor saw more than
+two or three things which I thought very beautiful; but whether it be
+good or no, I suppose the world has nothing better, unless it be a few
+world-renowned statues in Italy. I was even more struck by the skill and
+ingenuity of the French in arranging these sculptural remains, than by
+the value of the sculptures themselves. The galleries, I should judge,
+have been recently prepared, and on a magnificent system,--the adornments
+being yet by no means completed,--for besides the floor and wall-casings
+of rich, polished marble, the vaulted ceilings of some of the apartments
+are painted in fresco, causing them to glow as if the sky were opened.
+It must be owned, however, that the statuary, often time-worn and
+darkened from its original brilliancy by weather-stains, does not suit
+well as furniture for such splendid rooms. When we see a perfection of
+modern finish around them, we recognize that most of these statues have
+been thrown down from their pedestals, hundreds of years ago, and have
+been battered and externally degraded; and though whatever spiritual
+beauty they ever had may still remain, yet this is not made more apparent
+by the contrast betwixt the new gloss of modern upholstery, and their
+tarnished, even if immortal grace. I rather think the English have given
+really the more hospitable reception to the maimed Theseus, and his
+broken-nosed, broken-legged, headless companions, because flouting them
+with no gorgeous fittings up.
+
+By this time poor J----- (who, with his taste for art yet undeveloped, is
+the companion of all our visits to sculpture and picture galleries) was
+wofully hungry, and for bread we had given him a stone,--not one stone,
+but a thousand. We returned to the hotel, and it being too damp and raw
+to go to our Restaurant des Echelles, we dined at the hotel. In my
+opinion it would require less time to cultivate our gastronomic taste
+than taste of any other kind; and, on the whole, I am not sure that a man
+would not be wise to afford himself a little discipline in this line. It
+is certainly throwing away the bounties of Providence, to treat them as
+the English do, producing from better materials than the French have to
+work upon nothing but sirloins, joints, joints, steaks, steaks, steaks,
+chops, chops, chops, chops! We had a soup to-day, in which twenty kinds
+of vegetables were represented, and manifested each its own aroma; a
+fillet of stewed beef, and a fowl, in some sort of delicate fricassee.
+We had a bottle of Chablis, and renewed ourselves, at the close of the
+banquet, with a plate of Chateaubriand ice. It was all very good, and we
+respected ourselves far more than if we had eaten a quantity of red roast
+beef; but I am not quite sure that we were right. . . . .
+
+Among the relics of kings and princes, I do not know that there was
+anything more interesting than a little brass cannon, two or three inches
+long, which had been a toy of the unfortunate Dauphin, son of Louis XVI.
+There was a map,--a hemisphere of the world,--which his father had drawn
+for this poor boy; very neatly done, too. The sword of Louis XVI., a
+magnificent rapier, with a beautifully damasked blade, and a jewelled
+scabbard, but without a hilt, is likewise preserved, as is the hilt of
+Henry IV.'s sword. But it is useless to begin a catalogue of these
+things. What a collection it is, including Charlemagne's sword and
+sceptre, and the last Dauphin's little toy cannon, and so much between
+the two!
+
+
+Hotel de Louvre, January 11th.--This was another chill, raw day,
+characterized by a spitefulness of atmosphere which I do not remember
+ever to have experienced in my own dear country. We meant to have
+visited the Hotel des Invalides, but J----- and I walked to the Tivoli,
+the Place de la Concorde, the Champs Elysees, and to the Place de
+Beaujou, and to the residence of the American minister, where I wished to
+arrange about my passport. After speaking with the Secretary of
+Legation, we were ushered into the minister's private room, where he
+received me with great kindness. Mr. ------ is an old gentleman with a
+white head, and a large, florid face, which has an expression of
+amiability, not unmingled with a certain dignity. He did not rise from
+his arm-chair to greet me,--a lack of ceremony which I imputed to the
+gout, feeling it impossible that he should have willingly failed in
+courtesy to one of his twenty-five million sovereigns. In response to
+some remark of mine about the shabby way in which our government treats
+its officials pecuniarily, he gave a detailed account of his own troubles
+on that score; then expressed a hope that I had made a good thing out of
+my consulate, and inquired whether I had received a hint to resign; to
+which I replied that, for various reasons, I had resigned of my own
+accord, and before Mr. Buchanan's inauguration. We agreed, however, in
+disapproving the system of periodical change in our foreign officials;
+and I remarked that a consul or an ambassador ought to be a citizen both
+of his native country and of the one in which he resided; and that his
+possibility of beneficent influence depended largely on his being so.
+Apropos to which Mr. ------ said that he had once asked a diplomatic
+friend of long experience, what was the first duty of a minister. "To
+love his own country, and to watch over its interests," answered the
+diplomatist. "And his second duty?" asked Mr. ------. "To love and to
+promote the interests of the country to which he is accredited," said his
+friend. This is a very Christian and sensible view of the matter; but it
+can scarcely have happened once in our whole diplomatic history, that a
+minister can have had time to overcome his first rude and ignorant
+prejudice against the country of his mission; and if there were any
+suspicion of his having done so, it would be held abundantly sufficient
+ground for his recall. I like Mr. ------, a good-hearted, sensible old
+man.
+
+J----- and I returned along the Champs Elysees, and, crossing the Seine,
+kept on our way by the river's brink, looking at the titles of books on
+the long lines of stalls that extend between the bridges. Novels,
+fairy-tales, dream books, treatises of behavior and etiquette,
+collections of bon-mots and of songs, were interspersed with volumes in
+the old style of calf and gilt binding, the works of the classics of
+French literature. A good many persons, of the poor classes, and of
+those apparently well to do, stopped transitorily to look at these books.
+On the other side of the street was a range of tall edifices with shops
+beneath, and the quick stir of French life hurrying, and babbling, and
+swarming along the sidewalk. We passed two or three bridges, occurring
+at short intervals, and at last we recrossed the Seine by a bridge which
+oversteps the river, from a point near the National Institute, and
+reaches the other side, not far from the Louvre. . . . .
+
+Though the day was so disagreeable, we thought it best not to lose the
+remainder of it, and therefore set out to visit the Cathedral of Notre
+Dame. We took a fiacre in the Place de Carousel, and drove to the door.
+On entering, we found the interior miserably shut off from view by the
+stagings erected for the purpose of repairs. Penetrating from the nave
+towards the chancel, an official personage signified to us that we must
+first purchase a ticket for each grown person, at the price of half a
+franc each. This expenditure admitted us into the sacristy, where we
+were taken in charge by a guide, who came down upon us with an avalanche
+or cataract of French, descriptive of a great many treasures reposited in
+this chapel. I understood hardly more than one word in ten, but gathered
+doubtfully that a bullet which was shown us was the one that killed the
+late Archbishop of Paris, on the floor of the cathedral. [But this was a
+mistake. It was the archbishop who was killed in the insurrection of
+1848. Two joints of his backbone were also shown.] Also, that some
+gorgeously embroidered vestments, which he drew forth, had been used at
+the coronation of Napoleon I. There were two large, full-length
+portraits hanging aloft in the sacristy, and a gold or silver gilt, or,
+at all events, gilt image of the Virgin, as large as life, standing on a
+pedestal. The guide had much to say about these, but, understanding him
+so imperfectly, I have nothing to record.
+
+The guide's supervision of us seemed not to extend beyond this sacristy,
+on quitting which he gave us permission to go where we pleased, only
+intimating a hope that we would not forget him; so I gave him half a
+franc, though thereby violating an inhibition on the printed ticket of
+entrance.
+
+We had been much disappointed at first by the apparently narrow limits
+of the interior of this famous church; but now, as we made our way round
+the choir, gazing into chapel after chapel, each with its painted window,
+its crucifix, its pictures, its confessional, and afterwards came back
+into the nave, where arch rises above arch to the lofty roof, we came to
+the conclusion that it was very sumptuous. It is the greatest of pities
+that its grandeur and solemnity should just now be so infinitely marred
+by the workmen's boards, timber, and ladders occupying the whole centre
+of the edifice, and screening all its best effects. It seems to have
+been already most richly ornamented, its roof being painted, and the
+capitals of the pillars gilded, and their shafts illuminated in fresco;
+and no doubt it will shine out gorgeously when all the repairs and
+adornments shall be completed. Even now it gave to my actual sight what
+I have often tried to imagine in my visits to the English cathedrals,--
+the pristine glory of those edifices, when they stood glowing with gold
+and picture, fresh from the architects' and adorners' hands.
+
+The interior loftiness of Notre Dame, moreover, gives it a sublimity
+which would swallow up anything that might look gewgawy in its
+ornamentation, were we to consider it window by window, or pillar by
+pillar. It is an advantage of these vast edifices, rising over us and
+spreading about us in such a firmamental way, that we cannot spoil them
+by any pettiness of our own, but that they receive (or absorb) our
+pettiness into their own immensity. Every little fantasy finds its place
+and propriety in them, like a flower on the earth's broad bosom.
+
+When we emerged from the cathedral, we found it beginning to rain or
+snow, or both; and, as we had dismissed our fiacre at the door, and could
+find no other, we were at a loss what to do. We stood a few moments on
+the steps of the Hotel Dieu, looking up at the front of Notre Dame, with
+its twin towers, and its three deep-pointed arches, piercing through a
+great thickness of stone, and throwing a cavern-like gloom around these
+entrances. The front is very rich. Though so huge, and all of gray
+stone, it is carved and fretted with statues and innumerable devices, as
+cunningly as any ivory casket in which relics are kept; but its size did
+not so much impress me. . . . .
+
+
+Hotel de Louvre, January 12th.--This has been a bright day as regards
+weather; but I have done little or nothing worth recording. After
+breakfast, I set out in quest of the consul, and found him up a court, at
+51 Rue Caumartin, in an office rather smaller, I think, than mine at
+Liverpool; but, to say the truth, a little better furnished. I was
+received in the outer apartment by an elderly, brisk-looking man, in
+whose air, respectful and subservient, and yet with a kind of authority
+in it, I recognized the vice-consul. He introduced me to Mr. ------, who
+sat writing in an inner room; a very gentlemanly, courteous, cool man of
+the world, whom I should take to be an excellent person for consul at
+Paris. He tells me that he has resided here some years, although his
+occupancy of the consulate dates only from November last. Consulting him
+respecting my passport, he gave me what appear good reasons why I should
+get all the necessary vises here; for example, that the vise of a
+minister carries more weight than that of a consul; and especially that
+an Austrian consul will never vise a passport unless he sees his
+minister's name upon it. Mr. ------ has travelled much in Italy, and
+ought to be able to give me sound advice. His opinion was, that at this
+season of the year I had better go by steamer to Civita Veechia, instead
+of landing at Leghorn, and thence journeying to Rome. On this point I
+shall decide when the time comes. As I left the office the vice-consul
+informed me that there was a charge of five francs and some sous for the
+consul's vise, a tax which surprised me,--the whole business of passports
+having been taken from consuls before I quitted office, and the consular
+fee having been annulled even earlier. However, no doubt Mr. ------ had
+a fair claim to my five francs; but, really, it is not half so pleasant
+to pay a consular fee as it used to be to receive it.
+
+Afterwards I walked to Notre Dame, the rich front of which I viewed with
+more attention than yesterday. There are whole histories, carved in
+stone figures, within the vaulted arches of the three entrances in this
+west front, and twelve apostles in a row above, and as much other
+sculpture as would take a month to see. We then walked quite round it,
+but I had no sense of immensity from it, not even that of great height,
+as from many of the cathedrals in England. It stands very near the
+Seine; indeed, if I mistake not, it is on an island formed by two
+branches of the river. Behind it, is what seems to be a small public
+ground (or garden, if a space entirely denuded of grass or other green
+thing, except a few trees, can be called so), with benches, and a
+monument in the midst. This quarter of the city looks old, and appears
+to be inhabited by poor people, and to be busied about small and petty
+affairs; the most picturesque business that I saw being that of the old
+woman who sells crucifixes of pearl and of wood at the cathedral door.
+We bought two of these yesterday.
+
+I must again speak of the horrible muddiness, not only of this part of
+the city, but of all Paris, so far as I have traversed it to-day. My
+ways, since I came to Europe, have often lain through nastiness, but I
+never before saw a pavement so universally overspread with mud-padding as
+that of Paris. It is difficult to imagine where so much filth can come
+from.
+
+After dinner I walked through the gardens of the Tuileries; but as dusk
+was coming on, and as I was afraid of being shut up within the iron
+railing, I did not have time to examine them particularly. There are
+wide, intersecting walks, fountains, broad basins, and many statues; but
+almost the whole surface of the gardens is barren earth, instead of the
+verdure that would beautify an English pleasure-ground of this sort. In
+the summer it has doubtless an agreeable shade; but at this season the
+naked branches look meagre, and sprout from slender trunks. Like the
+trees in the Champs Elysees, those, I presume, in the gardens of the
+Tuileries need renewing every few years. The same is true of the human
+race,--families becoming extinct after a generation or two of residence
+in Paris. Nothing really thrives here; man and vegetables have but an
+artificial life, like flowers stuck in a little mould, but never taking
+root. I am quite tired of Paris, and long for a home more than ever.
+
+
+
+MARSEILLES.
+
+
+Hotel d'Angleterre, January 15th.--On Tuesday morning, (12th) we took our
+departure from the Hotel de Louvre. It is a most excellent and perfectly
+ordered hotel, and I have not seen a more magnificent hall, in any
+palace, than the dining-saloon, with its profuse gilding, and its
+ceiling, painted in compartments; so that when the chandeliers are all
+alight, it looks a fit place for princes to banquet in, and not very fit
+for the few Americans whom I saw scattered at its long tables.
+
+By the by, as we drove to the railway, we passed through the public
+square, where the Bastille formerly stood; and in the centre of it now
+stands a column, surmounted by a golden figure of Mercury (I think),
+which seems to be just on the point of casting itself from a gilt ball
+into the air. This statue is so buoyant, that the spectator feels quite
+willing to trust it to the viewless element, being as sure that it would
+be borne up as that a bird would fly.
+
+Our first day's journey was wholly without interest, through a country
+entirely flat, and looking wretchedly brown and barren. There were rows
+of trees, very slender, very prim and formal; there was ice wherever
+there happened to be any water to form it; there were occasional
+villages, compact little streets, or masses of stone or plastered
+cottages, very dirty and with gable ends and earthen roofs; and a
+succession of this same landscape was all that we saw, whenever we rubbed
+away the congelation of our breath from the carriage windows. Thus we
+rode on, all day long, from eleven o'clock, with hardly a five minutes'
+stop, till long after dark, when we came to Dijon, where there was a halt
+of twenty-five minutes for dinner. Then we set forth again, and rumbled
+forward, through cold and darkness without, until we reached Lyons at
+about ten o'clock. We left our luggage at the railway station, and took
+an omnibus for the Hotel de Provence, which we chose at a venture, among
+a score of other hotels.
+
+As this hotel was a little off the direct route of the omnibus, the
+driver set us down at the corner of a street, and pointed to some lights,
+which he said designated the Hotel do Provence; and thither we proceeded,
+all seven of us, taking along a few carpet-bags and shawls, our equipage
+for the night. The porter of the hotel met us near its doorway, and
+ushered us through an arch, into the inner quadrangle, and then up some
+old and worn steps,--very broad, and appearing to be the principal
+staircase. At the first landing-place, an old woman and a waiter or two
+received us; and we went up two or three more flights of the same broad
+and worn stone staircases. What we could see of the house looked very
+old, and had the musty odor with which I first became acquainted at
+Chester.
+
+After ascending to the proper level, we were conducted along a
+corridor, paved with octagonal earthen tiles; on one side were
+windows, looking into the courtyard, on the other doors opening into the
+sleeping-chambers. The corridor was of immense length, and seemed still
+to lengthen itself before us, as the glimmer of our conductor's candle
+went farther and farther into the obscurity. Our own chamber was at a
+vast distance along this passage; those of the rest of the party were on
+the hither side; but all this immense suite of rooms appeared to
+communicate by doors from one to another, like the chambers through which
+the reader wanders at midnight, in Mrs. Radcliffe's romances. And they
+were really splendid rooms, though of an old fashion, lofty, spacious,
+with floors of oak or other wood, inlaid in squares and crosses,
+and waxed till they were slippery, but without carpets. Our own
+sleeping-room had a deep fireplace, in which we ordered a fire, and asked
+if there were not some saloon already warmed, where we could get a cup of
+tea.
+
+Hereupon the waiter led us back along the endless corridor, and down the
+old stone staircases, and out into the quadrangle, and journeyed with us
+along an exterior arcade, and finally threw open the door of the salle a
+manger, which proved to be a room of lofty height, with a vaulted roof, a
+stone floor, and interior spaciousness sufficient for a baronial hall,
+the whole bearing the same aspect of times gone by, that characterized
+the rest of the house. There were two or three tables covered with white
+cloth, and we sat down at one of them and had our tea. Finally we wended
+back to our sleeping-rooms,--a considerable journey, so endless seemed
+the ancient hotel. I should like to know its history.
+
+The fire made our great chamber look comfortable, and the fireplace threw
+out the heat better than the little square hole over which we cowered in
+our saloon at the Hotel de Louvre. . . . .
+
+In the morning we began our preparations for starting at ten. Issuing
+into the corridor, I found a soldier of the line, pacing to and fro there
+as sentinel. Another was posted in another corridor, into which I
+wandered by mistake; another stood in the inner court-yard, and another
+at the porte-cochere. They were not there the night before, and I know
+not whence nor why they came, unless that some officer of rank may have
+taken up his quarters at the hotel. Miss M------ says she heard at
+Paris, that a considerable number of troops had recently been drawn
+together at Lyons, in consequence of symptoms of disaffection that have
+recently shown themselves here.
+
+Before breakfast I went out to catch a momentary glimpse of the city.
+The street in which our hotel stands is near a large public square; in
+the centre is a bronze equestrian statue of Louis XIV.; and the square
+itself is called the Place de Louis le Grand. I wonder where this statue
+hid itself while the Revolution was raging in Lyons, and when the
+guillotine, perhaps, stood on that very spot.
+
+The square was surrounded by stately buildings, but had what seemed to be
+barracks for soldiers,--at any rate, mean little huts, deforming its
+ample space; and a soldier was on guard before the statue of Louis le
+Grand. It was a cold, misty morning, and a fog lay throughout the area,
+so that I could scarcely see from one side of it to the other.
+
+Returning towards our hotel, I saw that it had an immense front, along
+which ran, in gigantic letters, its title,--
+
+ HOTEL DE PROVENCE ET DES AMBASSADEURS.
+
+The excellence of the hotel lay rather in the faded pomp of its
+sleeping-rooms, and the vastness of its salle a manger, than in anything
+very good to eat or drink.
+
+We left it, after a poor breakfast, and went to the railway station.
+Looking at the mountainous heap of our luggage the night before, we had
+missed a great carpet-bag; and we now found that Miss M------'s trunk had
+been substituted for it, and, there being the proper number of packages
+as registered, it was impossible to convince the officials that anything
+was wrong. We, of course, began to generalize forthwith, and pronounce
+the incident to be characteristic of French morality. They love a
+certain system and external correctness, but do not trouble themselves to
+be deeply in the right; and Miss M------ suggested that there used to be
+parallel cases in the French Revolution, when, so long as the assigned
+number were sent out of prison to be guillotined, the jailer did not much
+care whether they were the persons designated by the tribunal or not. At
+all events, we could get no satisfaction about the carpet-bag, and shall
+very probably be compelled to leave Marseilles without it.
+
+This day's ride was through a far more picturesque country than that we
+saw yesterday. Heights began to rise imminent above our way, with
+sometimes a ruined castle wall upon them; on our left, the rail-track
+kept close to the hills; on the other side there was the level bottom of
+a valley, with heights descending upon it a mile or a few miles away.
+Farther off we could see blue hills, shouldering high above the
+intermediate ones, and themselves worthy to be called mountains. These
+hills arranged themselves in beautiful groups, affording openings between
+them, and vistas of what lay beyond, and gorges which I suppose held a
+great deal of romantic scenery. By and by a river made its appearance,
+flowing swiftly in the same direction that we were travelling,--a
+beautiful and cleanly river, with white pebbly shores, and itself of a
+peculiar blue. It rushed along very fast, sometimes whitening over
+shallow descents, and even in its calmer intervals its surface was all
+covered with whirls and eddies, indicating that it dashed onward in
+haste. I do not now know the name of this river, but have set it down as
+the "arrowy Rhone." It kept us company a long while, and I think we did
+not part with it as long as daylight remained. I have seldom seen
+hill-scenery that struck me more than some that we saw to-day, and the
+old feudal towers and old villages at their feet; and the old churches,
+with spires shaped just like extinguishers, gave it an interest
+accumulating from many centuries past.
+
+Still going southward, the vineyards began to border our track, together
+with what I at first took to be orchards, but soon found were plantations
+of olive-trees, which grow to a much larger size than I supposed, and
+look almost exactly like very crabbed and eccentric apple-trees. Neither
+they nor the vineyards add anything to the picturesqueness of the
+landscape.
+
+On the whole, I should have been delighted with all this scenery if it
+had not looked so bleak, barren, brown, and bare; so like the wintry New
+England before the snow has fallen. It was very cold, too; ice along the
+borders of streams, even among the vineyards and olives. The houses are
+of rather a different shape here than, farther northward, their roofs
+being not nearly so sloping. They are almost invariably covered with
+white plaster; the farm-houses have their outbuildings in connection with
+the dwelling,--the whole surrounding three sides of a quadrangle.
+
+We travelled far into the night, swallowed a cold and hasty dinner at
+Avignon, and reached Marseilles sorely wearied, at about eleven o'clock.
+We took a cab to the Hotel d'Angleterre (two cabs, to be quite accurate),
+and find it a very poor place.
+
+To go back a little, as the sun went down, we looked out of the window of
+our railway carriage, and saw a sky that reminded us of what we used to
+see day after day in America, and what we have not seen since; and, after
+sunset, the horizon burned and glowed with rich crimson and orange
+lustre, looking at once warm and cold. After it grew dark, the stars
+brightened, and Miss M------ from her window pointed out some of the
+planets to the children, she being as familiar with them as a gardener
+with his flowers. They were as bright as diamonds.
+
+We had a wretched breakfast, and J----- and I then went to the railway
+station to see about our luggage. On our walk back we went astray,
+passing by a triumphal arch, erected by the Marseillais, in honor of
+Louis Napoleon; but we inquired our way of old women and soldiers, who
+were very kind and courteous,--especially the latter,--and were directed
+aright. We came to a large, oblong, public place, set with trees, but
+devoid of grass, like all public places in France. In the middle of it
+was a bronze statue of an ecclesiastical personage, stretching forth his
+hands in the attitude of addressing the people or of throwing a
+benediction over them. It was some archbishop, who had distinguished
+himself by his humanity and devotedness during the plague of 1720. At
+the moment of our arrival the piazza was quite thronged with people, who
+seemed to be talking amongst themselves with considerable earnestness,
+although without any actual excitement. They were smoking cigars;
+and we judged that they were only loitering here for the sake of the
+sunshine, having no fires at home, and nothing to do. Some looked like
+gentlemen, others like peasants; most of them I should have taken for the
+lazzaroni of this Southern city,--men with cloth caps, like the classic
+liberty-cap, or with wide-awake hats. There were one or two women of the
+lower classes, without bonnets, the elder ones with white caps, the
+younger bareheaded. I have hardly seen a lady in Marseilles; and I
+suspect, it being a commercial city, and dirty to the last degree,
+ill-built, narrow-streeted, and sometimes pestilential, there are few or
+no families of gentility resident here.
+
+Returning to the hotel, we found the rest of the party ready to go
+out; so we all issued forth in a body, and inquired our way to the
+telegraph-office, in order to send my message about the carpet-bag. In a
+street through which we had to pass (and which seemed to be the Exchange,
+or its precincts), there was a crowd even denser, yes, much denser, than
+that which we saw in the square of the archbishop's statue; and each man
+was talking to his neighbor in a vivid, animated way, as if business were
+very brisk to-day.
+
+At the telegraph-office, we discovered the cause that had brought out
+these many people. There had been attempts on the Emperor's life,--
+unsuccessful, as they seem fated to be, though some mischief was done to
+those near him. I rather think the good people of Marseilles were glad
+of the attempt, as an item of news and gossip, and did not very greatly
+care whether it were successful or no. It seemed to have roused their
+vivacity rather than their interest. The only account I have seen of it
+was in the brief public despatch from the Syndic (or whatever he be) of
+Paris to the chief authority of Marseilles, which was printed and posted
+in various conspicuous places. The only chance of knowing the truth with
+any fulness of detail would be to come across an English paper. We have
+had a banner hoisted half-mast in front of our hotel to-day as a token,
+the head-waiter tells me, of sympathy and sorrow for the General and
+other persons who were slain by this treasonable attempt.
+
+J----- and I now wandered by ourselves along a circular line of quays,
+having, on one side of us, a thick forest of masts, while, on the
+other, was a sweep of shops, bookstalls, sailors' restaurants and
+drinking-houses, fruit-sellers, candy-women, and all manner of open-air
+dealers and pedlers; little children playing, and jumping the rope, and
+such a babble and bustle as I never saw or heard before; the sun lying
+along the whole sweep, very hot, and evidently very grateful to those who
+basked in it. Whenever I passed into the shade, immediately from too
+warm I became too cold. The sunshine was like hot air; the shade, like
+the touch of cold steel,--sharp, hard, yet exhilarating. From the broad
+street of the quays, narrow, thread-like lanes pierced up between the
+edifices, calling themselves streets, yet so narrow, that a person in the
+middle could almost touch the houses on either hand. They ascended
+steeply, bordered on each side by long, contiguous walls of high houses,
+and from the time of their first being built, could never have had a
+gleam of sunshine in them,--always in shadow, always unutterably nasty,
+and often pestiferous. The nastiness which I saw in Marseilles exceeds
+my heretofore experience. There is dirt in the hotel, and everywhere
+else; and it evidently troubles nobody,--no more than if all the people
+were pigs in a pigsty. . . . .
+
+Passing by all this sweep of quays, J----- and I ascended to an elevated
+walk, overlooking the harbor, and far beyond it; for here we had our
+first view of the Mediterranean, blue as heaven, and bright with
+sunshine. It was a bay, widening forth into the open deep, and bordered
+with heights, and bold, picturesque headlands, some of which had either
+fortresses or convents on them. Several boats and one brig were under
+sail, making their way towards the port. I have never seen a finer
+sea-view. Behind the town, there seemed to be a mountainous landscape,
+imperfectly visible, in consequence of the intervening edifices.
+
+
+
+THE MEDITERRANEAN SEA.
+
+
+Steamer Calabrese, January 17th.--If I had remained at Marseilles, I
+might have found many peculiarities and characteristics of that Southern
+city to notice; but I fear that these will not be recorded if I leave
+them till I touch the soil of Italy. Indeed, I doubt whether there be
+anything really worth recording in the little distinctions between one
+nation and another; at any rate, after the first novelty is over, new
+things seem equally commonplace with the old. There is but one little
+interval when the mind is in such a state that it can catch the fleeting
+aroma of a new scene. And it is always so much pleasanter to enjoy this
+delicious newness than to attempt arresting it, that it requires great
+force of will to insist with one's self upon sitting down to write. I
+can do nothing with Marseilles, especially here on the Mediterranean,
+long after nightfall, and when the steamer is pitching in a pretty lively
+way.
+
+(Later.)--I walked out with J----- yesterday morning, and reached the
+outskirts of the city, whence we could see the bold and picturesque
+heights that surround Marseilles as with a semicircular wall. They rise
+into peaks, and the town, being on their lower slope, descends from them
+towards the sea with a gradual sweep. Adown the streets that descend
+these declivities come little rivulets, running along over the pavement,
+close to the sidewalks, as over a pebbly bed; and though they look vastly
+like kennels, I saw women washing linen in these streams, and others
+dipping up the water for household purposes. The women appear very much
+in public at Marseilles. In the squares and places you see half a dozen
+of them together, sitting in a social circle on the bottoms of upturned
+baskets, knitting, talking, and enjoying the public sunshine, as if it
+were their own household fire. Not one in a thousand of them, probably,
+ever has a household fire for the purpose of keeping themselves warm, but
+only to do their little cookery; and when there is sunshine they take
+advantage of it, and in the short season of rain and frost they shrug
+their shoulders, put on what warm garments they have, and get through the
+winter somewhat as grasshoppers and butterflies do,--being summer insects
+like then. This certainly is a very keen and cutting air, sharp as a
+razor, and I saw ice along the borders of the little rivulets almost at
+noonday. To be sure, it is midwinter, and yet in the sunshine I found
+myself uncomfortably warm, but in the shade the air was like the touch of
+death itself. I do not like the climate.
+
+There are a great number of public places in Marseilles, several of
+which are adorned with statues or fountains, or triumphal arches or
+columns, and set out with trees, and otherwise furnished as a kind of
+drawing-rooms, where the populace may meet together and gossip. I never
+before heard from human lips anything like this bustle and babble, this
+thousand-fold talk which you hear all round about you in the crowd of a
+public square; so entirely different is it from the dulness of a crowd in
+England, where, as a rule, everybody is silent, and hardly half a dozen
+monosyllables will come from the lips of a thousand people. In
+Marseilles, on the contrary, a stream of unbroken talk seems to bubble
+from the lips of every individual. A great many interesting scenes take
+place in these squares. From the window of our hotel (which looked into
+the Place Royale) I saw a juggler displaying his art to a crowd, who
+stood in a regular square about him, none pretending to press nearer than
+the prescribed limit. While the juggler wrought his miracles his wife
+supplied him with his magic materials out of a box; and when the
+exhibition was over she packed up the white cloth with which his table
+was covered, together with cups, cards, balls, and whatever else, and
+they took their departure.
+
+I have been struck with the idle curiosity, and, at the same time, the
+courtesy and kindness of the populace of Marseilles, and I meant to
+exemplify it by recording how Miss S------ and I attracted their notice,
+and became the centre of a crowd of at least fifty of them while doing no
+more remarkable thing than settling with a cab-driver. But really this
+pitch and swell is getting too bad, and I shall go to bed, as the best
+chance of keeping myself in an equable state.
+
+
+
+ROME.
+
+
+37 Palazzo Larazani, Via Porta Pinciana, January 24th.--We left
+Marseilles in the Neapolitan steamer Calabrese, as noticed above, a week
+ago this morning. There was no fault to be found with the steamer, which
+was very clean and comfortable, contrary to what we had understood
+beforehand; except for the coolness of the air (and I know not that this
+was greater than that of the Atlantic in July), our voyage would have
+been very pleasant; but for myself, I enjoyed nothing, having a cold upon
+me, or a low fever, or something else that took the light and warmth out
+of everything.
+
+I went to bed immediately after my last record, and was rocked to sleep
+pleasantly enough by the billows of the Mediterranean; and, coming on
+deck about sunrise next morning, found the steamer approaching Genoa. We
+saw the city, lying at the foot of a range of hills, and stretching a
+little way up their slopes, the hills sweeping round it in the segment of
+a circle, and looking like an island rising abruptly out of the sea; for
+no connection with the mainland was visible on either side. There was
+snow scattered on their summits and streaking their sides a good way
+down. They looked bold, and barren, and brown, except where the snow
+whitened them. The city did not impress me with much expectation of size
+or splendor. Shortly after coming into the port our whole party landed,
+and we found ourselves at once in the midst of a crowd of cab-drivers,
+hotel-runnets, and coin missionaires, who assaulted us with a volley of
+French, Italian, and broken English, which beat pitilessly about our
+ears; for really it seemed as if all the dictionaries in the world had
+been torn to pieces, and blown around us by a hurricane. Such a pother!
+We took a commissionaire, a respectable-looking man, in a cloak, who said
+his name was Salvator Rosa; and he engaged to show us whatever was
+interesting in Genoa.
+
+In the first place, he took us through narrow streets to an old church,
+the name of which I have forgotten, and, indeed, its peculiar features;
+but I know that I found it pre-eminently magnificent,--its whole interior
+being incased in polished marble, of various kinds and colors, its
+ceiling painted, and its chapels adorned with pictures. However, this
+church was dazzled out of sight by the Cathedral of San Lorenzo, to which
+we were afterwards conducted, whose exterior front is covered with
+alternate slabs of black and white marble, which were brought, either in
+whole or in part, from Jerusalem. Within, there was a prodigious
+richness of precious marbles, and a pillar, if I mistake not, from
+Solomon's Temple; and a picture of the Virgin by St. Luke; and others
+(rather more intrinsically valuable, I imagine), by old masters, set in
+superb marble frames, within the arches of the chapels. I used to try to
+imagine how the English cathedrals must have looked in their primeval
+glory, before the Reformation, and before the whitewash of Cromwell's
+time had overlaid their marble pillars; but I never imagined anything at
+all approaching what my eyes now beheld: this sheen of polished and
+variegated marble covering every inch of its walls; this glow of
+brilliant frescos all over the roof, and up within the domes; these
+beautiful pictures by great masters, painted for the places which they
+now occupied, and making an actual portion of the edifice; this wealth of
+silver, gold, and gems, that adorned the shrines of the saints, before
+which wax candles burned, and were kept burning, I suppose, from year's
+end to year's end; in short, there is no imagining nor remembering a
+hundredth part of the rich details. And even the cathedral (though I
+give it up as indescribable) was nothing at all in comparison with a
+church to which the commissionaire afterwards led us; a church that had
+been built four or five hundred years ago, by a pirate, in expiation of
+his sins, and out of the profit of his rapine. This last edifice, in its
+interior, absolutely shone with burnished gold, and glowed with pictures;
+its walls were a quarry of precious stones, so valuable were the marbles
+out of which they were wrought; its columns and pillars were of
+inconceivable costliness; its pavement was a mosaic of wonderful beauty,
+and there were four twisted pillars made out of stalactites. Perhaps the
+best way to form some dim conception of it is to fancy a little
+casket, inlaid inside with precious stones, so that there shall not a
+hair's-breadth be left unprecious-stoned, and then to conceive this
+little bit of a casket iucreased to the magnitude of a great church,
+without losing anything of the excessive glory that was compressed into
+its original small compass, but all its pretty lustre made sublime by the
+consequent immensity. At any rate, nobody who has not seen a church
+like this can imagine what a gorgeous religion it was that reared it.
+
+In the cathedral, and in all the churches, we saw priests and many
+persons kneeling at their devotions; and our Salvator Rosa, whenever we
+passed a chapel or shrine, failed not to touch the pavement with one
+knee, crossing himself the while; and once, when a priest was going
+through some form of devotion, he stopped a few moments to share in it.
+
+He conducted us, too, to the Balbi Palace, the stateliest and most
+sumptuous residence, but not more so than another which he afterwards
+showed us, nor perhaps than many others which exist in Genoa, THE SUPERB.
+The painted ceilings in these palaces are a glorious adornment; the walls
+of the saloons, incrusted with various-colored marbles, give an idea of
+splendor which I never gained from anything else. The floors, laid in
+mosaic, seem too precious to tread upon. In the royal palace, many of
+the floors were of various woods, inlaid by an English artist, and they
+looked like a magnification of some exquisite piece of Tunbridge ware;
+but, in all respects, this palace was inferior to others which we saw. I
+say nothing of the immense pictorial treasures which hung upon the walls
+of all the rooms through which we passed; for I soon grew so weary of
+admirable things, that I could neither enjoy nor understand them. My
+receptive faculty is very limited, and when the utmost of its small
+capacity is full, I become perfectly miserable, and the more so the
+better worth seeing are the things I am forced to reject. I do not know
+a greater misery; to see sights, after such repletion, is to the mind
+what it would be to the body to have dainties forced down the throat long
+after the appetite was satiated.
+
+All this while, whenever we emerged into the vaultlike streets,
+we were wretchedly cold. The commissionaire took us to a sort of
+pleasure-garden, occupying the ascent of a hill, and presenting seven
+different views of the city, from as many stations. One of the objects
+pointed out to us was a large yellow house, on a hillside, in the
+outskirts of Genoa, which was formerly inhabited for six months by
+Charles Dickens. Looking down from the elevated part of the
+pleasure-gardens, we saw orange-trees beneath us, with the golden fruit
+hanging upon them, though their trunks were muffled in straw; and, still
+lower down, there was ice and snow.
+
+Gladly (so far as I myself was concerned) we dismissed the
+commissionaire, after he had brought us to the hotel of the Cross of
+Malta, where we dined; needlessly, as it proved, for another dinner
+awaited us, after our return on board the boat.
+
+We set sail for Leghorn before dark, and I retired early, feeling still
+more ill from my cold than the night before. The next morning we were in
+the crowded port of Leghorn. We all went ashore, with some idea of
+taking the rail for Pisa, which is within an hour's distance, and might
+have been seen in time for our departure with the steamer. But a
+necessary visit to a banker's, and afterwards some unnecessary
+formalities about our passports, kept us wandering through the streets
+nearly all day; and we saw nothing in the slightest degree interesting,
+except the tomb of Smollett, in the burial-place attached to the English
+Chapel. It is surrounded by an iron railing, and marked by a slender
+obelisk of white marble, the pattern of which is many times repeated over
+surrounding graves.
+
+We went into a Jewish synagogue,--the interior cased in marbles, and
+surrounded with galleries, resting upon arches above arches. There were
+lights burning at the altar, and it looked very like a Christian church;
+but it was dirty, and had an odor not of sanctity.
+
+In Leghorn, as everywhere else, we were chilled to the heart, except when
+the sunshine fell directly upon us; and we returned to the steamer with a
+feeling as if we were getting back to our home; for this life of
+wandering makes a three days' residence in one place seem like home.
+
+We found several new passengers on board, and among others a monk, in a
+long brown frock of woollen cloth, with an immense cape, and a little
+black covering over his tonsure. He was a tall figure, with a gray
+beard, and might have walked, just as he stood, out of a picture by one
+of the old masters. This holy person addressed me very affably in
+Italian; but we found it impossible to hold much conversation.
+
+The evening was beautiful, with a bright young moonlight, not yet
+sufficiently powerful to overwhelm the stars, and as we walked the deck,
+Miss M------ showed the children the constellations, and told their
+names. J----- made a slight mistake as to one of them, pointing it out
+to me as "O'Brien's belt!"
+
+Elba was presently in view, and we might have seen many other interesting
+points, had it not been for our steamer's practice of resting by day, and
+only pursuing its voyage by night. The next morning we found ourselves
+in the harbor of Civita Vecchia, and, going ashore with our luggage, went
+through a blind turmoil with custom-house officers, inspectors of
+passports, soldiers, and vetturino people. My wife and I strayed a
+little through Civita Vecchia, and found its streets narrow, like clefts
+in a rock (which seems to be the fashion of Italian towns), and smelling
+nastily. I had made a bargain with a vetturino to send us to Rome in a
+carriage, with four horses, in eight hours; and as soon as the
+custom-house and passport people would let us, we started, lumbering
+slowly along with our mountain of luggage. We had heard rumors of
+robberies lately committed on this route; especially of a Nova Scotia
+bishop, who was detained on the road an hour and a half, and utterly
+pillaged; and certainly there was not a single mile of the dreary and
+desolate country over which we passed, where we might not have been
+robbed and murdered with impunity. Now and then, at long distances, we
+came to a structure that was either a prison, a tavern, or a barn, but
+did not look very much like either, being strongly built of stone, with
+iron-grated windows, and of ancient and rusty aspect. We kept along by
+the seashore a great part of the way, and stopped to feed our horses at a
+village, the wretched street of which stands close along the shore of the
+Mediterranean, its loose, dark sand being made nasty by the vicinity.
+The vetturino cheated us, one of the horses giving out, as he must have
+known it would do, half-way on our journey; and we staggered on through
+cold and darkness, and peril, too, if the banditti were not a myth,--
+reaching Rome not much before midnight. I perpetrated unheard-of
+briberies on the custom-house officers at the gates, and was permitted to
+pass through and establish myself at Spillman's Hotel, the only one where
+we could gain admittance, and where we have been half frozen ever since.
+
+And this is sunny Italy, and genial Rome!
+
+
+Palazzo Larazani, Via Porta Pinciana, February 3d.--We have been in Rome
+a fortnight to-day, or rather at eleven o'clock to-night; and I have
+seldom or never spent so wretched a time anywhere. Our impressions were
+very unfortunate, arriving at midnight, half frozen in the wintry rain,
+and being received into a cold and cheerless hotel, where we shivered
+during two or three days; meanwhile seeking lodgings among the sunless,
+dreary alleys which are called streets in Rome. One cold, bright day
+after another has pierced me to the heart, and cut me in twain as with a
+sword, keen and sharp, and poisoned at point and edge. I did not think
+that cold weather could have made me so very miserable. Having caught a
+feverish influenza, I was really glad of being muffled up comfortably in
+the fever heat. The atmosphere certainly has a peculiar quality of
+malignity. After a day or two we settled ourselves in a suite of ten
+rooms, comprehending one flat, or what is called the second piano of this
+house. The rooms, thus far, have been very uncomfortable, it being
+impossible to warm them by means of the deep, old-fashioned, inartificial
+fireplaces, unless we had the great logs of a New England forest to burn
+in them; so I have sat in my corner by the fireside with more clothes on
+than I ever wore before, and my thickest great-coat over all. In the
+middle of the day I generally venture out for an hour or two, but have
+only once been warm enough even in the sunshine, and out of the sun never
+at any time. I understand now the force of that story of Diogenes when
+he asked the Conqueror, as the only favor he could do him, to stand out
+of his sunshine, there being such a difference in these Southern climes
+of Europe between sun and shade. If my wits had not been too much
+congealed, and my fingers too numb, I should like to have kept a minute
+journal of my feelings and impressions during the past fortnight. It
+would have shown modern Rome in an aspect in which it has never yet been
+depicted. But I have now grown somewhat acclimated, and the first
+freshness of my discomfort has worn off, so that I shall never be able to
+express how I dislike the place, and how wretched I have been in it; and
+soon, I suppose, warmer weather will come, and perhaps reconcile
+me to Rome against my will. Cold, narrow lanes, between tall, ugly,
+mean-looking whitewashed houses, sour bread, pavements most uncomfortable
+to the feet, enormous prices for poor living; beggars, pickpockets,
+ancient temples and broken monuments, and clothes hanging to dry about
+them; French soldiers, monks, and priests of every degree; a shabby
+population, smoking bad cigars,--these would have been some of the points
+of my description. Of course there are better and truer things to be
+said. . . . .
+
+It would be idle for me to attempt any sketches of these famous sites and
+edifices,--St. Peter's, for example,--which have been described by a
+thousand people, though none of them have ever given me an idea of what
+sort of place Rome is. . . . .
+
+The Coliseum was very much what I had preconceived it, though I was not
+prepared to find it turned into a sort of Christian church, with a pulpit
+on the verge of the open space. . . . . The French soldiers, who keep
+guard within it, as in other public places in Rome, have an excellent
+opportunity to secure the welfare of their souls.
+
+
+February 7th.--I cannot get fairly into the current of my journal since
+we arrived, and already I perceive that the nice peculiarities of Roman
+life are passing from my notice before I have recorded them. It is a
+very great pity. During the past week I have plodded daily, for an hour
+or two, through the narrow, stony streets, that look worse than the worst
+backside lanes of any other city; indescribably ugly and disagreeable
+they are, . . . . without sidewalks, but provided with a line of larger
+square stones, set crosswise to each other, along which there is somewhat
+less uneasy walking. . . . . Ever and anon, even in the meanest streets,
+--though, generally speaking, one can hardly be called meaner than
+another,--we pass a palace, extending far along the narrow way on a line
+with the other houses, but distinguished by its architectural windows,
+iron-barred on the basement story, and by its portal arch, through which
+we have glimpses, sometimes of a dirty court-yard, or perhaps of a clean,
+ornamented one, with trees, a colonnade, a fountain, and a statue in the
+vista; though, more likely, it resembles the entrance to a stable, and
+may, perhaps, really be one. The lower regions of palaces come to
+strange uses in Rome. . . . . In the basement story of the Barberini
+Palace a regiment of French soldiers (or soldiers of some kind [we find
+them to be retainers of the Barberini family, not French]) seems to be
+quartered, while no doubt princes have magnificent domiciles above. Be
+it palace or whatever other dwelling, the inmates climb through rubbish
+often to the comforts, such as they may be, that await them above. I
+vainly try to get down upon paper the dreariness, the ugliness,
+shabbiness, un-home-likeness of a Roman street. It is also to be said
+that you cannot go far in any direction without coming to a piazza, which
+is sometimes little more than a widening and enlarging of the dingy
+street, with the lofty facade of a church or basilica on one side, and a
+fountain in the centre, where the water squirts out of some fantastic
+piece of sculpture into a great stone basin. These fountains are often
+of immense size and most elaborate design. . . . .
+
+There are a great many of these fountain-shapes, constructed under the
+orders of one pope or another, in all parts of the city; and only the
+very simplest, such as a jet springing from a broad marble or porphyry
+vase, and falling back into it again, are really ornamental. If an
+antiquary were to accompany me through the streets, no doubt he would
+point out ten thousand interesting objects that I now pass over
+unnoticed, so general is the surface of plaster and whitewash; but often
+I can see fragments of antiquity built into the walls, or perhaps a
+church that was a Roman temple, or a basement of ponderous stones that
+were laid above twenty centuries ago. It is strange how our ideas of
+what antiquity is become altered here in Rome; the sixteenth century, in
+which many of the churches and fountains seem to have been built or
+re-edified, seems close at hand, even like our own days; a thousand
+years, or the days of the latter empire, is but a modern date, and
+scarcely interests us; and nothing is really venerable of a more recent
+epoch than the reign of Constantine. And the Egyptian obelisks that
+stand in several of the piazzas put even the Augustan or Republican
+antiquities to shame. I remember reading in a New York newspaper an
+account of one of the public buildings of that city,--a relic of "the
+olden time," the writer called it; for it was erected in 1825! I am glad
+I saw the castles and Gothic churches and cathedrals of England before
+visiting Rome, or I never could have felt that delightful reverence for
+their gray and ivy-hung antiquity after seeing these so much older
+remains. But, indeed, old things are not so beautiful in this dry
+climate and clear atmosphere as in moist England. . . . .
+
+Whatever beauty there may be in a Roman ruin is the remnant of what was
+beautiful originally; whereas an English ruin is more beautiful often in
+its decay than even it was in its primal strength. If we ever build such
+noble structures as these Roman ones, we can have just as good ruins,
+after two thousand years, in the United States; but we never can have a
+Furness Abbey or a Kenilworth. The Corso, and perhaps some other
+streets, does not deserve all the vituperation which I have bestowed on
+the generality of Roman vias, though the Corso is narrow, not averaging
+more than nine paces, if so much, from sidewalk to sidewalk. But palace
+after palace stands along almost its whole extent,--not, however, that
+they make such architectural show on the street as palaces should. The
+enclosed courts were perhaps the only parts of these edifices which the
+founders cared to enrich architecturally. I think Linlithgow Palace, of
+which I saw the ruins during my last tour in Scotland, was built, by an
+architect who had studied these Roman palaces. There was never any idea
+of domestic comfort, or of what we include in the name of home, at all
+implicated in such structures, they being generally built by wifeless and
+childless churchmen for the display of pictures and statuary in galleries
+and long suites of rooms.
+
+I have not yet fairly begun the sight-seeing of Rome. I have been four
+or five times to St. Peter's, and always with pleasure, because there is
+such a delightful, summerlike warmth the moment we pass beneath the
+heavy, padded leather curtains that protect the entrances. It is almost
+impossible not to believe that this genial temperature is the result of
+furnace-heat, but, really, it is the warmth of last summer, which will be
+included within those massive walls, and in that vast immensity of space,
+till, six months hence, this winter's chill will just have made its way
+thither. It would be an excellent plan for a valetudinarian to lodge
+during the winter in St. Peter's, perhaps establishing his household in
+one of the papal tombs. I become, I think, more sensible of the size of
+St. Peter's, but am as yet far from being overwhelmed by it. It is not,
+as one expects, so big as all out of doors, nor is its dome so immense as
+that of the firmament. It looked queer, however, the other day, to see a
+little ragged boy, the very least of human things, going round and
+kneeling at shrine after shrine, and a group of children standing on
+tiptoe to reach the vase of holy water. . . . .
+
+On coming out of St. Peter's at my last visit, I saw a great sheet of ice
+around the fountain on the right hand, and some little Romans awkwardly
+sliding on it. I, too, took a slide, just for the sake of doing what I
+never thought to do in Rome. This inclement weather, I should suppose,
+must make the whole city very miserable; for the native Romans, I am
+told, never keep any fire, except for culinary purposes, even in the
+severest winter. They flee from their cheerless houses into the open
+air, and bring their firesides along with them in the shape of small
+earthen vases, or pipkins, with a handle by which they carry them up and
+down the streets, and so warm at least their hands with the lighted
+charcoal. I have had glimpses through open doorways into interiors, and
+saw them as dismal as tombs. Wherever I pass my summers, let me spend my
+winters in a cold country.
+
+We went yesterday to the Pantheon. . . . .
+
+When I first came to Rome, I felt embarrassed and unwilling to pass, with
+my heresy, between a devotee and his saint; for they often shoot their
+prayers at a shrine almost quite across the church. But there seems to
+be no violation of etiquette in so doing. A woman begged of us in
+the Pantheon, and accused my wife of impiety for not giving her an
+alms. . . . . People of very decent appearance are often unexpectedly
+converted into beggars as you approach them; but in general they take a
+"No" at once.
+
+
+February 9th.--For three or four days it has been cloudy and rainy, which
+is the greater pity, as this should be the gayest and merriest part of
+the Carnival. I go out but little,--yesterday only as far as Pakenham's
+and Hooker's bank in the Piazza de' Spagna, where I read Galignani and
+the American papers. At last, after seeing in England more of my
+fellow-compatriots than ever before, I really am disjoined from my
+country.
+
+To-day I walked out along the Pincian Hill. . . . . As the clouds still
+threatened rain, I deemed it my safest course to go to St. Peter's for
+refuge. Heavy and dull as the day was, the effect of this great world of
+a church was still brilliant in the interior, as if it had a sunshine of
+its own, as well as its own temperature; and, by and by, the sunshine of
+the outward world came through the windows, hundreds of feet aloft, and
+fell upon the beautiful inlaid pavement. . . . . Against a pillar, on one
+side of the nave, is a mosaic copy of Raphael's Transfiguration, fitly
+framed within a great arch of gorgeous marble; and, no doubt, the
+indestructible mosaic has preserved it far more completely than the
+fading and darkening tints in which the artist painted it. At any rate,
+it seemed to me the one glorious picture that I have ever seen. The
+pillar nearest the great entrance, on the left of the nave, supports the
+monument to the Stuart family, where two winged figures, with inverted
+torches, stand on either side of a marble door, which is closed forever.
+It is an impressive monument, for you feel as if the last of the race had
+passed through that door.
+
+Emerging from the church, I saw a French sergeant drilling his men in the
+piazza. These French soldiers are prominent objects everywhere about the
+city, and make up more of its sight and sound than anything else that
+lives. They stroll about individually; they pace as sentinels in all the
+public places; and they march up and down in squads, companies, and
+battalions, always with a very great din of drum, fife, and trumpet; ten
+times the proportion of music that the same number of men would require
+elsewhere; and it reverberates with ten times the noise, between the high
+edifices of these lanes, that it could make in broader streets.
+Nevertheless, I have no quarrel with the French soldiers; they are fresh,
+healthy, smart, honest-looking young fellows enough, in blue coats and
+red trousers; . . . . and, at all events, they serve as an efficient
+police, making Rome as safe as London; whereas, without them, it would
+very likely be a den of banditti.
+
+On my way home I saw a few tokens of the Carnival, which is now in full
+progress; though, as it was only about one o'clock, its frolics had not
+commenced for the day. . . . . I question whether the Romans themselves
+take any great interest in the Carnival. The balconies along the Corso
+were almost entirely taken by English and Americans, or other foreigners.
+
+As I approached the bridge of St. Angelo, I saw several persons engaged,
+as I thought, in fishing in the Tiber, with very strong lines; but on
+drawing nearer I found that they were trying to hook up the branches, and
+twigs, and other drift-wood, which the recent rains might have swept into
+the river. There was a little heap of what looked chiefly like willow
+twigs, the poor result of their labor. The hook was a knot of wood, with
+the lopped-off branches projecting in three or four prongs. The Tiber
+has always the hue of a mud-puddle; but now, after a heavy rain which has
+washed the clay into it, it looks like pease-soup. It is a broad and
+rapid stream, eddying along as if it were in haste to disgorge its
+impurities into the sea. On the left side, where the city mostly is
+situated, the buildings hang directly over the stream; on the other,
+where stand the Castle of St. Angelo and the Church of St. Peter, the
+town does not press so imminent upon the shore. The banks are clayey,
+and look as if the river had been digging them away for ages; but I
+believe its bed is higher than of yore.
+
+
+February 10th.--I went out to-day, and, going along the Via Felice and
+the Via delle Quattro Fontane, came unawares to the Basilica of Santa
+Maria Maggiore, on the summit of the Esquiline Hill. I entered it,
+without in the least knowing what church it was, and found myself in a
+broad and noble nave, both very simple and very grand. There was a long
+row of Ionic columns of marble, twenty or thereabouts on each side,
+supporting a flat roof. There were vaulted side aisles, and, at the
+farther end, a bronze canopy over the high altar; and all along the
+length of the side aisles were shrines with pictures, sculpture, and
+burning lamps; the whole church, too, was lined with marble: the roof was
+gilded; and yet the general effect of severe and noble simplicity
+triumphed over all the ornament. I should have taken it for a Roman
+temple, retaining nearly its pristine aspect; but Murray tells us that it
+was founded A. D. 342 by Pope Liberius, on the spot precisely marked out
+by a miraculous fall of snow, in the month of August, and it has
+undergone many alterations since his time. But it is very fine, and
+gives the beholder the idea of vastness, which seems harder to attain
+than anything else. On the right hand, approaching the high altar, there
+is a chapel, separated from the rest of the church by an iron paling;
+and, being admitted into it with another party, I found it most
+elaborately magnificent. But one magnificence outshone another, and made
+itself the brightest conceivable for the moment. However, this chapel
+was as rich as the most precious marble could make it, in pillars and
+pilasters, and broad, polished slabs, covering the whole walls (except
+where there were splendid and glowing frescos; or where some monumental
+statuary or bas-relief, or mosaic picture filled up an arched niche).
+Its architecture was a dome, resting on four great arches; and in size it
+would alone have been a church. In the centre of the mosaic pavement
+there was a flight of steps, down which we went, and saw a group in
+marble, representing the nativity of Christ, which, judging by the
+unction with which our guide talked about it, must have been of peculiar
+sanctity. I hate to leave this chapel and church, without being able to
+say any one thing that may reflect a portion of their beauty, or of the
+feeling which they excite. Kneeling against many of the pillars there
+were persons in prayer, and I stepped softly, fearing lest my tread on
+the marble pavement should disturb them,--a needless precaution, however,
+for nobody seems to expect it, nor to be disturbed by the lack of it.
+
+The situation of the church, I should suppose, is the loftiest in Rome:
+it has a fountain at one end, and a column at the other; but I did not
+pay particular attention to either, nor to the exterior of the church
+itself.
+
+On my return, I turned aside from the Via delle Quattro Fontane into the
+Via Quirinalis, and was led by it into the Piazza di Monte Cavallo. The
+street through which I passed was broader, cleanlier, and statelier than
+most streets in Rome, and bordered by palaces; and the piazza had noble
+edifices around it, and a fountain, an obelisk, and two nude statues in
+the centre. The obelisk was, as the inscription indicated, a relic of
+Egypt; the basin of the fountain was an immense bowl of Oriental granite,
+into which poured a copious flood of water, discolored by the rain; the
+statues were colossal,--two beautiful young men, each holding a fiery
+steed. On the pedestal of one was the inscription, OPUS PHIDIAE; on the
+other, OPUS PRAXITELIS. What a city is this, when one may stumble, by
+mere chance,--at a street corner, as it were,--on the works of two such
+sculptors! I do not know the authority on which these statues (Castor
+and Pollux, I presume) are attributed to Phidias and Praxiteles; but they
+impressed me as noble and godlike, and I feel inclined to take them for
+what they purport to be. On one side of the piazza is the Pontifical
+Palace; but, not being aware of this at the time, I did not look
+particularly at the edifice.
+
+I came home by way of the Corso, which seemed a little enlivened by
+Carnival time; though, as it was not yet two o'clock, the fun had not
+begun for the day. The rain throws a dreary damper on the festivities.
+
+
+February 13th.--Day before yesterday we took J----- and R----- in a
+carriage, and went to see the Carnival, by driving up and down the Corso.
+It was as ugly a day, as respects weather, as has befallen us since we
+came to Rome,--cloudy, with an indecisive wet, which finally settled into
+a rain; and people say that such is generally the weather in Carnival
+time. There is very little to be said about the spectacle. Sunshine
+would have improved it, no doubt; but a person must have very broad
+sunshine within himself to be joyous on such shallow provocation. The
+street, at all events, would have looked rather brilliant under a sunny
+sky, the balconies being hung with bright-colored draperies, which were
+also flung out of some of the windows. . . . . Soon I had my first
+experience of the Carnival in a handful of confetti, right slap in my
+face. . . . . Many of the ladies wore loose white dominos, and some of
+the gentlemen had on defensive armor of blouses; and wire masks over the
+face were a protection for both sexes,--not a needless one, for I
+received a shot in my right eye which cost me many tears. It seems to be
+a point of courtesy (though often disregarded by Americans and English)
+not to fling confetti at ladies, or at non-combatants, or quiet
+bystanders; and the engagements with these missiles were generally
+between open carriages, manned with youths, who were provided with
+confetti for such encounters, and with bouquets for the ladies. We had
+one real enemy on the Corso; for our former friend Mrs. T------ was
+there, and as often as we passed and repassed her, she favored us with a
+handful of lime. Two or three times somebody ran by the carriage and
+puffed forth a shower of winged seeds through a tube into our faces and
+over our clothes; and, in the course of the afternoon, we were hit with
+perhaps half a dozen sugar-plums. Possibly we may not have received our
+fair share of these last salutes, for J----- had on a black mask, which
+made him look like an imp of Satan, and drew many volleys of confetti
+that we might otherwise have escaped. A good many bouquets were flung at
+our little R-----, and at us generally. . . . . This was what is called
+masking-day, when it is the rule to wear masks in the Corso, but the
+great majority of people appeared without them. . . . . Two fantastic
+figures, with enormous heads, set round with frizzly hair, came and
+grinned into our carriage, and J----- tore out a handful of hair
+(which proved to be sea-weed) from one of their heads, rather to
+the discomposure of the owner, who muttered his indignation in
+Italian. . . . . On comparing notes with J----- and R-----, indeed with
+U---- too, I find that they all enjoyed the Carnival much more than I
+did. Only the young ought to write descriptions of such scenes. My cold
+criticism chills the life out of it.
+
+
+February 14th.--Friday, 12th, was a sunny day, the first that we had had
+for some time; and my wife and I went forth to see sights as well as to
+make some calls that had long been due. We went first to the church of
+Santa Maria Maggiore, which I have already mentioned, and, on our return,
+we went to the Piazza di Monte Cavallo, and saw those admirable ancient
+statues of Castor and Pollux, which seem to me sons of the morning, and
+full of life and strength. The atmosphere, in such a length of time, has
+covered the marble surface of these statues with a gray rust, that
+envelops both the men and horses as with a garment; besides which, there
+are strange discolorations, such as patches of white moss on the elbows,
+and reddish streaks down the sides; but the glory of form overcomes all
+these defects of color. It is pleasant to observe how familiar some
+little birds are with these colossal statues,--hopping about on their
+heads and over their huge fists, and very likely they have nests in their
+ears or among their hair.
+
+We called at the Barberini Palace, where William Story has established
+himself and family for the next seven years, or more, on the third piano,
+in apartments that afford a very fine outlook over Rome, and have the sun
+in them through most of the day. Mrs. S---- invited us to her fancy
+ball, but we declined.
+
+On the staircase ascending to their piano we saw the ancient Greek
+bas-relief of a lion, whence Canova is supposed to have taken the idea of
+his lions on the monument in St. Peter's. Afterwards we made two or
+three calls in the neighborhood of the Piazza de' Spagna, finding only
+Mr. Hamilton Fish and family, at the Hotel d'Europe, at home, and next
+visited the studio of Mr. C. G. Thompson, whom I knew in Boston. He has
+very greatly improved since those days, and, being always a man of
+delicate mind, and earnestly desiring excellence for its own sake, he has
+won himself the power of doing beautiful and elevated works. He is now
+meditating a series of pictures from Shakespeare's "Tempest," the
+sketches of one or two of which he showed us, likewise a copy of a small
+Madonna, by Raphael, wrought with a minute faithfulness which it makes
+one a better man to observe. . . . . Mr. Thompson is a true artist, and
+whatever his pictures have of beauty comes from very far beneath the
+surface; and this, I suppose, is one weighty reason why he has but
+moderate success. I should like his pictures for the mere color, even if
+they represented nothing. His studio is in the Via Sistina; and at a
+little distance on the other side of the same street is William Story's,
+where we likewise went, and found him at work on a sitting statue of
+Cleopatra.
+
+William Story looks quite as vivid, in a graver way, as when I saw him
+last, a very young man. His perplexing variety of talents and
+accomplishments--he being a poet, a prose writer, a lawyer, a painter, a
+musician, and a sculptor--seems now to be concentrating itself into this
+latter vocation, and I cannot see why he should not achieve something
+very good. He has a beautiful statue, already finished, of Goethe's
+Margaret, pulling a flower to pieces to discover whether Faust loves her;
+a very type of virginity and simplicity. The statue of Cleopatra, now
+only fourteen days advanced in the clay, is as wide a step from the
+little maidenly Margaret as any artist could take; it is a grand subject,
+and he is conceiving it with depth and power, and working it out with
+adequate skill. He certainly is sensible of something deeper in his art
+than merely to make beautiful nudities and baptize them by classic names.
+By the by, he told me several queer stories of American visitors to his
+studio: one of them, after long inspecting Cleopatra, into which he has
+put all possible characteristics of her time and nation and of her own
+individuality, asked, "Have you baptized your statue yet?" as if the
+sculptor were waiting till his statue were finished before he chose the
+subject of it,--as, indeed, I should think many sculptors do. Another
+remarked of a statue of Hero, who is seeking Leander by torchlight, and
+in momentary expectation of finding his drowned body, "Is not the face a
+little sad?" Another time a whole party of Americans filed into his
+studio, and ranged themselves round his father's statue, and, after much
+silent examination, the spokesman of the party inquired, "Well, sir, what
+is this intended to represent?" William Story, in telling these little
+anecdotes, gave the Yankee twang to perfection. . . . .
+
+The statue of his father, his first work, is very noble, as noble and
+fine a portrait-statue as I ever saw. In the outer room of his studio a
+stone-cutter, or whatever this kind of artisan is called, was at work,
+transferring the statue of Hero from the plaster-cast into marble; and
+already, though still in some respects a block of stone, there was a
+wonderful degree of expression in the face. It is not quite pleasant to
+think that the sculptor does not really do the whole labor on his
+statues, but that they are all but finished to his hand by merely
+mechanical people. It is generally only the finishing touches that are
+given by his own chisel.
+
+Yesterday, being another bright day, we went to the basilica of St. John
+Lateran, which is the basilica next in rank to St. Peter's, and has the
+precedence of it as regards certain sacred privileges. It stands on a
+most noble site, on the outskirts of the city, commanding a view of the
+Sabine and Alban hills, blue in the distance, and some of them hoary with
+sunny snow. The ruins of the Claudian aqueduct are close at hand. The
+church is connected with the Lateran palace and museum, so that the whole
+is one edifice; but the facade of the church distinguishes it, and is
+very lofty and grand,--more so, it seems to me, than that of St. Peter's.
+Under the portico is an old statue of Constantine, representing him as a
+very stout and sturdy personage. The inside of the church disappointed
+me, though no doubt I should have been wonderstruck had I seen it a month
+ago. We went into one of the chapels, which was very rich in colored
+marbles; and, going down a winding staircase, found ourselves among the
+tombs and sarcophagi of the Corsini family, and in presence of a marble
+Pieta very beautifully sculptured. On the other side of the church we
+looked into the Torlonia Chapel, very rich and rather profusely gilded,
+but, as it seemed to me, not tawdry, though the white newness of the
+marble is not perfectly agreeable after being accustomed to the milder
+tint which time bestows on sculpture. The tombs and statues appeared
+like shapes and images of new-fallen snow. The most interesting thing
+which we saw in this church (and, admitting its authenticity, there can
+scarcely be a more interesting one anywhere) was the table at which the
+Last Supper was eaten. It is preserved in a corridor, on one side of the
+tribune or chancel, and is shown by torchlight suspended upon the wall
+beneath a covering of glass. Only the top of the table is shown,
+presenting a broad, flat surface of wood, evidently very old, and showing
+traces of dry-rot in one or two places. There are nails in it, and the
+attendant said that it had formerly been covered with bronze. As well as
+I can remember, it may be five or six feet square, and I suppose would
+accommodate twelve persons, though not if they reclined in the Roman
+fashion, nor if they sat as they do in Leonardo da Vinci's picture. It
+would be very delightful to believe in this table.
+
+There are several other sacred relics preserved in the church; for
+instance, the staircase of Pilate's house up which Jesus went, and the
+porphyry slab on which the soldiers cast lots for his garments. These,
+however, we did not see. There are very glowing frescos on portions of
+the walls; but, there being much whitewash instead of incrusted marble,
+it has not the pleasant aspect which one's eye learns to demand in Roman
+churches. There is a good deal of statuary along the columns of the
+nave, and in the monuments of the side aisles.
+
+In reference to the interior splendor of Roman churches, I must say that
+I think it a pity that painted windows are exclusively a Gothic ornament;
+for the elaborate ornamentation of these interiors puts the ordinary
+daylight out of countenance, so that a window with only the white
+sunshine coming through it, or even with a glimpse of the blue Italian
+sky, looks like a portion left unfinished, and therefore a blotch in the
+rich wall. It is like the one spot in Aladdin's palace which he left for
+the king, his father-in-law, to finish, after his fairy architects had
+exhausted their magnificence on the rest; and the sun, like the king,
+fails in the effort. It has what is called a porta santa, which we saw
+walled up, in front of the church, one side of the main entrance. I know
+not what gives it its sanctity, but it appears to be opened by the pope
+on a year of jubilee, once every quarter of a century.
+
+After our return . . . . . I took R----- along the Pincian Hill, and
+finally, after witnessing what of the Carnival could be seen in the
+Piazza del Popolo from that safe height, we went down into the Corso, and
+some little distance along it. Except for the sunshine, the scene was
+much the same as I have already described; perhaps fewer confetti and
+more bouquets. Some Americans and English are said to have been brought
+before the police authorities, and fined for throwing lime. It is
+remarkable that the jollity, such as it is, of the Carnival, does not
+extend an inch beyond the line of the Corso; there it flows along in a
+narrow stream, while in the nearest street we see nothing but the
+ordinary Roman gravity.
+
+
+February 15th.--Yesterday was a bright day, but I did not go out till the
+afternoon, when I took an hour's walk along the Pincian, stopping a good
+while to look at the old beggar who, for many years past, has occupied
+one of the platforms of the flight of steps leading from the Piazza de'
+Spagna to the Triniti de' Monti. Hillard commemorates him in his book.
+He is an unlovely object, moving about on his hands and knees,
+principally by aid of his hands, which are fortified with a sort of
+wooden shoes; while his poor, wasted lower shanks stick up in the air
+behind him, loosely vibrating as he progresses. He is gray, old, ragged,
+a pitiable sight, but seems very active in his own fashion, and bestirs
+himself on the approach of his visitors with the alacrity of a spider
+when a fly touches the remote circumference of his web. While I looked
+down at him he received alms from three persons, one of whom was a young
+woman of the lower orders; the other two were gentlemen, probably either
+English or American. I could not quite make out the principle on which
+he let some people pass without molestation, while he shuffled from one
+end of the platform to the other to intercept an occasional individual.
+He is not persistent in his demands, nor, indeed, is this a usual fault
+among Italian beggars. A shake of the head will stop him when wriggling
+towards you from a distance. I fancy he reaps a pretty fair harvest, and
+no doubt leads as contented and as interesting a life as most people,
+sitting there all day on those sunny steps, looking at the world, and
+making his profit out of it. It must be pretty much such an occupation
+as fishing, in its effect upon the hopes and apprehensions; and probably
+he suffers no more from the many refusals he meets with than the angler
+does, when he sees a fish smell at his bait and swim away. One success
+pays for a hundred disappointments, and the game is all the better for
+not being entirely in his own favor.
+
+Walking onward, I found the Pincian thronged with promenaders, as also
+with carriages, which drove round the verge of the gardens in an unbroken
+ring.
+
+To-day has been very rainy. I went out in the forenoon, and took a
+sitting for my bust in one of a suite of rooms formerly occupied by
+Canova. It was large, high, and dreary from the want of a carpet,
+furniture, or anything but clay and plaster. A sculptor's studio has not
+the picturesque charm of that of a painter, where there is color, warmth,
+and cheerfulness, and where the artist continually turns towards you the
+glow of some picture, which is resting against the wall. . . . . I was
+asked not to look at the bust at the close of the sitting, and, of
+course, I obeyed; though I have a vague idea of a heavy-browed
+physiognomy, something like what I have seen in the glass, but looking
+strangely in that guise of clay. . . . .
+
+It is a singular fascination that Rome exercises upon artists. There is
+clay elsewhere, and marble enough, and heads to model, and ideas may be
+made sensible objects at home as well as here. I think it is the
+peculiar mode of life that attracts, and its freedom from the
+inthralments of society, more than the artistic advantages which Rome
+offers; and, no doubt, though the artists care little about one another's
+works, yet they keep each other warm by the presence of so many of them.
+
+The Carnival still continues, though I hardly see how it can have
+withstood such a damper as this rainy day. There were several people--
+three, I think--killed in the Corso on Saturday; some accounts say that
+they were run over by the horses in the race; others, that they were
+ridden down by the dragoons in clearing the course.
+
+After leaving Canova's studio, I stepped into the church of San Luigi de'
+Francesi, in the Via di Ripetta. It was built, I believe, by Catherine
+de' Medici, and is under the protection of the French government, and a
+most shamefully dirty place of worship, the beautiful marble columns
+looking dingy, for the want of loving and pious care. There are many
+tombs and monuments of French people, both of the past and present,--
+artists, soldiers, priests, and others, who have died in Rome. It was so
+dusky within the church that I could hardly distinguish the pictures in
+the chapels and over the altar, nor did I know that there were any worth
+looking for. Nevertheless, there were frescos by Domenichino, and
+oil-paintings by Guido and others. I found it peculiarly touching to
+read the records, in Latin or French, of persons who had died in this
+foreign laud, though they were not my own country-people, and though I
+was even less akin to them than they to Italy. Still, there was a sort
+of relationship in the fact that neither they nor I belonged here.
+
+
+February 17th.--Yesterday morning was perfectly sunny, and we went out
+betimes to see churches; going first to the Capuchins', close by the
+Piazza Barberini.
+
+["The Marble Faun" takes up this description of the church and of the
+dead monk, which we really saw, just as recounted, even to the sudden
+stream of blood which flowed from the nostrils, as we looked at him.--
+ED.]
+
+We next went to the Trinita de' Monti, which stands at the head of the
+steps, leading, in several flights, from the Piazza de' Spagna. It is
+now connected with a convent of French nuns, and when we rang at a side
+door, one of the sisterhood answered the summons, and admitted us into
+the church. This, like that of the Capuchins', had a vaulted roof over
+the nave, and no side aisles, but rows of chapels instead. Unlike the
+Capuchins', which was filthy, and really disgraceful to behold, this
+church was most exquisitely neat, as women alone would have thought it
+worth while to keep it. It is not a very splendid church, not rich in
+gorgeous marbles, but pleasant to be in, if it were only for the sake of
+its godly purity. There was only one person in the nave; a young girl,
+who sat perfectly still, with her face towards the altar, as long as we
+stayed. Between the nave and the rest of the church there is a high iron
+railing, and on the other side of it were two kneeling figures in black,
+so motionless that I at first thought them statues; but they proved to be
+two nuns at their devotions; and others of the sisterhood came by and by
+and joined them. Nuns, at least these nuns, who are French, and probably
+ladies of refinement, having the education of young girls in charge, are
+far pleasanter objects to see and think about than monks; the odor of
+sanctity, in the latter, not being an agreeable fragrance. But these
+holy sisters, with their black crape and white muslin, looked really pure
+and unspotted from the world.
+
+On the iron railing above mentioned was the representation of a golden
+heart, pierced with arrows; for these are nuns of the Sacred Heart. In
+the various chapels there are several paintings in fresco, some by
+Daniele da Volterra; and one of them, the "Descent from the Cross," has
+been pronounced the third greatest picture in the world. I never should
+have had the slightest suspicion that it was a great picture at all, so
+worn and faded it looks, and so hard, so difficult to be seen, and so
+undelightful when one does see it.
+
+From the Trinita we went to the Santa Maria del Popolo, a church built on
+a spot where Nero is said to have been buried, and which was afterwards
+made horrible by devilish phantoms. It now being past twelve, and all
+the churches closing from twelve till two, we had not time to pay much
+attention to the frescos, oil-pictures, and statues, by Raphael and other
+famous men, which are to be seen here. I remember dimly the magnificent
+chapel of the Chigi family, and little else, for we stayed but a short
+time; and went next to the sculptor's studio, where I had another sitting
+for my bust. After I had been moulded for about an hour, we turned
+homeward; but my wife concluded to hire a balcony for this last afternoon
+and evening of the Carnival, and she took possession of it, while I went
+home to send to her Miss S------ and the two elder children. For my
+part, I took R-----, and walked, by way of the Pincian, to the Piazza del
+Popolo, and thence along the Corso, where, by this time, the warfare of
+bouquets and confetti raged pretty fiercely. The sky being blue and the
+sun bright, the scene looked much gayer and brisker than I had before
+found it; and I can conceive of its being rather agreeable than
+otherwise, up to the age of twenty. We got several volleys of confetti.
+R----- received a bouquet and a sugar-plum, and I a resounding hit from
+something that looked more like a cabbage than a flower. Little as I
+have enjoyed the Carnival, I think I could make quite a brilliant sketch
+of it, without very widely departing from truth.
+
+
+February 19th.--Day before yesterday, pretty early, we went to St.
+Peter's, expecting to see the pope cast ashes on the heads of the
+cardinals, it being Ash-Wednesday. On arriving, however, we found no
+more than the usual number of visitants and devotional people scattered
+through the broad interior of St. Peter's; and thence concluded that the
+ceremonies were to be performed in the Sistine Chapel. Accordingly, we
+went out of the cathedral, through the door in the left transept, and
+passed round the exterior, and through the vast courts of the Vatican,
+seeking for the chapel. We had blundered into the carriage-entrance of
+the palace; there is an entrance from some point near the front of the
+church, but this we did not find. The papal guards, in the strangest
+antique and antic costume that was ever seen,--a party-colored dress,
+striped with blue, red, and yellow, white and black, with a doublet and
+ruff, and trunk-breeches, and armed with halberds,--were on duty at the
+gateways, but suffered us to pass without question. Finally, we reached
+a large court, where some cardinals' red equipages and other carriages
+were drawn up, but were still at a loss as to the whereabouts of the
+chapel. At last an attendant kindly showed us the proper door, and led
+us up flights of stairs, along passages and galleries, and through halls,
+till at last we came to a spacious and lofty apartment adorned with
+frescos; this was the Sala Regia, and the antechamber to the Sistine
+Chapel.
+
+The attendant, meanwhile, had informed us that my wife could not be
+admitted to the chapel in her bonnet, and that I myself could not enter
+at all, for lack of a dress-coat; so my wife took off her bonnet, and,
+covering her head with her black lace veil, was readily let in, while I
+remained in the Sala Regia, with several other gentlemen, who found
+themselves in the same predicament as I was. There was a wonderful
+variety of costume to be seen and studied among the persons around me,
+comprising garbs that have been elsewhere laid aside for at least three
+centuries,--the broad, plaited, double ruff, and black velvet cloak,
+doublet, trunk-breeches, and sword of Queen Elizabeth's time,--the papal
+guard, in their striped and party-colored dress as before described,
+looking not a little like harlequins; other soldiers in helmets and
+jackboots; French officers of various uniform; monks and priests;
+attendants in old-fashioned and gorgeous livery; gentlemen, some in black
+dress-coats and pantaloons, others in wide-awake hats and tweed
+overcoats; and a few ladies in the prescribed costume of black; so that,
+in any other country, the scene might have been taken for a fancy ball.
+By and by, the cardinals began to arrive, and added their splendid purple
+robes and red hats to make the picture still more brilliant. They were
+old men, one or two very aged and infirm, and generally men of bulk and
+substance, with heavy faces, fleshy about the chin. Their red hats,
+trimmed with gold-lace, are a beautiful piece of finery, and are
+identical in shape with the black, loosely cocked beavers worn by the
+Catholic ecclesiastics generally. Wolsey's hat, which I saw at the
+Manchester Exhibition, might have been made on the same block, but
+apparently was never cocked, as the fashion now is. The attendants
+changed the upper portions of their master's attire, and put a little cap
+of scarlet cloth on each of their heads, after which the cardinals, one
+by one, or two by two, as they happened to arrive, went into the chapel,
+with a page behind each holding up his purple train. In the mean while,
+within the chapel, we heard singing and chanting; and whenever the
+voluminous curtains that hung before the entrance were slightly drawn
+apart, we outsiders glanced through, but could see only a mass of people,
+and beyond them still another chapel, divided from the hither one by a
+screen. When almost everybody had gone in, there was a stir among the
+guards and attendants, and a door opened, apparently communicating with
+the inner apartments of the Vatican. Through this door came, not the
+pope, as I had partly expected, but a bulky old lady in black, with a red
+face, who bowed towards the spectators with an aspect of dignified
+complaisance as she passed towards the entrance of the chapel. I took
+off my hat, unlike certain English gentlemen who stood nearer, and found
+that I had not done amiss, for it was the Queen of Spain.
+
+There was nothing else to be seen; so I went back through the
+antechambers (which are noble halls, richly frescoed on the walls and
+ceilings), endeavoring to get out through the same passages that had let
+me in. I had already tried to descend what I now supposed to be the
+Scala Santa, but had been turned back by a sentinel. After wandering to
+and fro a good while, I at last found myself in a long, long gallery, on
+each side of which were innumerable inscriptions, in Greek and Latin, on
+slabs of marble, built into the walls; and classic altars and tablets
+were ranged along, from end to end. At the extremity was a closed iron
+grating, from which I was retreating; but a French gentleman accosted me,
+with the information that the custode would admit me, if I chose, and
+would accompany me through the sculpture department of the Vatican. I
+acceded, and thus took my first view of those innumerable art-treasures,
+passing from one object to another, at an easy pace, pausing hardly a
+moment anywhere, and dismissing even the Apollo, and the Laocoon, and the
+Torso of Hercules, in the space of half a dozen breaths. I was well
+enough content to do so, in order to get a general idea of the contents
+of the galleries, before settling down upon individual objects.
+
+Most of the world-famous sculptures presented themselves to my eye with a
+kind of familiarity, through the copies and casts which I had seen; but I
+found the originals more different than I anticipated. The Apollo, for
+instance, has a face which I have never seen in any cast or copy. I must
+confess, however, taking such transient glimpses as I did, I was more
+impressed with the extent of the Vatican, and the beautiful order in
+which it is kept, and its great sunny, open courts, with fountains,
+grass, and shrubs, and the views of Rome and the Campagna from its
+windows,--more impressed with these, and with certain vastly capacious
+vases, and two seat sarcophagi,--than with the statuary. Thus I went
+round the whole, and was dismissed through the grated barrier into the
+gallery of inscriptions again; and after a little more wandering, I made
+my way out of the palace. . . . .
+
+Yesterday I went out betimes, and strayed through some portion of ancient
+Rome, to the Column of Trajan, to the Forum, thence along the Appian Way;
+after which I lost myself among the intricacies of the streets, and
+finally came out at the bridge of St. Angelo. The first observation
+which a stranger is led to make, in the neighborhood of Roman ruins, is
+that the inhabitants seem to be strangely addicted to the washing of
+clothes; for all the precincts of Trajan's Forum, and of the Roman Forum,
+and wherever else an iron railing affords opportunity to hang them, were
+whitened with sheets, and other linen and cotton, drying in the sun. It
+must be that washerwomen burrow among the old temples. The second
+observation is not quite so favorable to the cleanly character of the
+modern Romans; indeed, it is so very unfavorable, that I hardly know how
+to express it. But the fact is, that, through the Forum, . . . . and
+anywhere out of the commonest foot-track and roadway, you must look well
+to your steps. . . . . If you tread beneath the triumphal arch of Titus
+or Constantine, you had better look downward than upward, whatever be the
+merit of the sculptures aloft. . . . .
+
+After a while the visitant finds himself getting accustomed to this
+horrible state of things; and the associations of moral sublimity and
+beauty seem to throw a veil over the physical meannesses to which I
+allude. Perhaps there is something in the mind of the people of these
+countries that enables them quite to dissever small ugliness from great
+sublimity and beauty. They spit upon the glorious pavement of St.
+Peter's, and wherever else they like; they place paltry-looking wooden
+confessionals beneath its sublime arches, and ornament them with cheap
+little colored prints of the crucifixion; they hang tin hearts and other
+tinsel and trumpery at the gorgeous shrines of the saints, in chapels
+that are incrusted with gems, or marbles almost as precious; they put
+pasteboard statues of saints beneath the dome of the Pantheon; in short,
+they let the sublime and the ridiculous come close together, and are not
+in the least troubled by the proximity. It must be that their sense of
+the beautiful is stronger than in the Anglo-Saxon mind, and that it
+observes only what is fit to gratify it.
+
+To-day, which was bright and cool, my wife and I set forth immediately
+after breakfast, in search of the Baths of Diocletian, and the church of
+Santa Maria degl' Angeli. We went too far along the Via di Porta Pia,
+and after passing by two or three convents, and their high garden walls,
+and the villa Bonaparte on one side, and the villa Torlonia on the other,
+at last issued through the city gate. Before us, far away, were the
+Alban hills, the loftiest of which was absolutely silvered with snow and
+sunshine, and set in the bluest and brightest of skies. We now retraced
+our steps to the Fountain of the Termini, where is a ponderous heap of
+stone, representing Moses striking the rock; a colossal figure, not
+without a certain enormous might and dignity, though rather too evidently
+looking his awfullest. This statue was the death of its sculptor, whose
+heart was broken on account of the ridicule it excited. There are many
+more absurd aquatic devices in Rome, however, and few better.
+
+We turned into the Piazza de' Termini, the entrance of which is at this
+fountain; and after some inquiry of the French soldiers, a numerous
+detachment of whom appear to be quartered in the vicinity, we found our
+way to the portal of Santa Maria degl' Angeli. The exterior of this
+church has no pretensions to beauty or majesty, or, indeed, to
+architectural merit of any kind, or to any architecture whatever; for it
+looks like a confused pile of ruined brickwork, with a facade resembling
+half the inner curve of a large oven. No one would imagine that there
+was a church under that enormous heap of ancient rubbish. But the door
+admits you into a circular vestibule, once an apartment of Diocletian's
+Baths, but now a portion of the nave of the church, and surrounded with
+monumental busts; and thence you pass into what was the central hall;
+now, with little change, except of detail and ornament, transformed into
+the body of the church. This space is so lofty, broad, and airy, that
+the soul forthwith swells out and magnifies itself, for the sake of
+filling it. It was Michael Angelo who contrived this miracle; and I feel
+even more grateful to him for rescuing such a noble interior from
+destruction, than if he had originally built it himself. In the ceiling
+above, you see the metal fixtures whereon the old Romans hung their
+lamps; and there are eight gigantic pillars of Egyptian granite, standing
+as they stood of yore. There is a grand simplicity about the church,
+more satisfactory than elaborate ornament; but the present pope has paved
+and adorned one of the large chapels of the transept in very beautiful
+style, and the pavement of the central part is likewise laid in rich
+marbles. In the choir there are several pictures, one of which was
+veiled, as celebrated pictures frequently are in churches. A person, who
+seemed to be at his devotions, withdrew the veil for us, and we saw a
+Martyrdom of St. Sebastian, by Domenichino, originally, I believe,
+painted in fresco in St. Peter's, but since transferred to canvas, and
+removed hither. Its place at St. Peter's is supplied by a mosaic copy.
+I was a good deal impressed by this picture,--the dying saint, amid the
+sorrow of those who loved him, and the fury of his enemies, looking
+upward, where a company of angels, and Jesus with them, are waiting to
+welcome him and crown him; and I felt what an influence pictures might
+have upon the devotional part of our nature. The nailmarks in the hands
+and feet of Jesus, ineffaceable, even after he had passed into bliss and
+glory, touched my heart with a sense of his love for us. I think this
+really a great picture. We walked round the church, looking at other
+paintings and frescos, but saw no others that greatly interested us. In
+the vestibule there are monuments to Carlo Maratti and Salvator Rosa, and
+there is a statue of St. Bruno, by Houdon, which is pronounced to be very
+fine. I thought it good, but scarcely worthy of vast admiration. Houdon
+was the sculptor of the first statue of Washington, and of the bust,
+whence, I suppose, all subsequent statues have been, and will be, mainly
+modelled.
+
+After emerging from the church, I looked back with wonder at the stack of
+shapeless old brickwork that hid the splendid interior. I must go there
+again, and breathe freely in that noble space.
+
+
+February 20th.--This morning, after breakfast, I walked across the city,
+making a pretty straight course to the Pantheon, and thence to the bridge
+of St. Angelo, and to St. Peter's. It had been my purpose to go to the
+Fontana Paolina; but, finding that the distance was too great, and being
+weighed down with a Roman lassitude, I concluded to go into St. Peter's.
+Here I looked at Michael Angelo's Pieta, a representation of the dead
+Christ, in his mother's lap. Then I strolled round the great church, and
+find that it continues to grow upon me both in magnitude and beauty, by
+comparison with the many interiors of sacred edifices which I have lately
+seen. At times, a single, casual, momentary glimpse of its magnificence
+gleams upon my soul, as it were, when I happen to glance at arch opening
+beyond arch, and I am surprised into admiration. I have experienced that
+a landscape and the sky unfold the deepest beauty in a similar way; not
+when they are gazed at of set purpose, but when the spectator looks
+suddenly through a vista, among a crowd of other thoughts. Passing near
+the confessional for foreigners to-day, I saw a Spaniard, who had just
+come out of the one devoted to his native tongue, taking leave of his
+confessor, with an affectionate reverence, which--as well as the benign
+dignity of the good father--it was good to behold. . . . .
+
+I returned home early, in order to go with my wife to the Barberini
+Palace at two o'clock. We entered through the gateway, through the Via
+delle Quattro Fontane, passing one or two sentinels; for there is
+apparently a regiment of dragoons quartered on the ground-floor of the
+palace; and I stumbled upon a room containing their saddles, the other
+day, when seeking for Mr. Story's staircase. The entrance to the
+picture-gallery is by a door on the right hand, affording us a sight of a
+beautiful spiral staircase, which goes circling upward from the very
+basement to the very summit of the palace, with a perfectly easy ascent,
+yet confining its sweep within a moderate compass. We looked up through
+the interior of the spiral, as through a tube, from the bottom to the
+top. The pictures are contained in three contiguous rooms of the lower
+piano, and are few in number, comprising barely half a dozen which I
+should care to see again, though doubtless all have value in their way.
+One that attracted our attention was a picture of "Christ disputing with
+the Doctors," by Albert Duerer, in which was represented the ugliest,
+most evil-minded, stubborn, pragmatical, and contentious old Jew that
+ever lived under the law of Moses; and he and the child Jesus were
+arguing, not only with their tongues, but making hieroglyphics, as it
+were, by the motion of their hands and fingers. It is a very queer, as
+well as a very remarkable picture. But we passed hastily by this, and
+almost all others, being eager to see the two which chiefly make the
+collection famous,--Raphael's Fornarina, and Guido's portrait of Beatrice
+Cenci. These were found in the last of the three rooms, and as regards
+Beatrice Cenci, I might as well not try to say anything; for its spell is
+indefinable, and the painter has wrought it in a way more like magic than
+anything else. . . . .
+
+It is the most profoundly wrought picture in the world; no artist did it,
+nor could do it, again. Guido may have held the brush, but he painted
+"better than he knew." I wish, however, it were possible for some
+spectator, of deep sensibility, to see the picture without knowing
+anything of its subject or history; for, no doubt, we bring all our
+knowledge of the Cenci tragedy to the interpretation of it.
+
+Close beside Beatrice Cenci hangs the Fornarina. . . . .
+
+While we were looking at these works Miss M------ unexpectedly joined us,
+and we went, all three together, to the Rospigliosi Palace, in the Piazza
+di Monte Cavallo. A porter, in cocked hat, and with a staff of office,
+admitted us into a spacious court before the palace, and directed us to a
+garden on one side, raised as much as twenty feet above the level on
+which we stood. The gardener opened the gate for us, and we ascended a
+beautiful stone staircase, with a carved balustrade, bearing many marks
+of time and weather. Reaching the garden-level, we found it laid out in
+walks, bordered with box and ornamental shrubbery, amid which were
+lemon-trees, and one large old exotic from some distant clime. In the
+centre of the garden, surrounded by a stone balustrade, like that of the
+staircase, was a fish-pond, into which several jets of water were
+continually spouting; and on pedestals, that made part of the balusters,
+stood eight marble statues of Apollo, Cupid, nymphs, and other such sunny
+and beautiful people of classic mythology. There had been many more of
+these statues, but the rest had disappeared, and those which remained had
+suffered grievous damage, here to a nose, there to a hand or foot, and
+often a fracture of the body, very imperfectly mended. There was a
+pleasant sunshine in the garden, and a springlike, or rather a genial,
+autumnal atmosphere, though elsewhere it was a day of poisonous Roman
+chill.
+
+At the end of the garden, which was of no great extent, was an edifice,
+bordering on the piazza, called the Casino, which, I presume, means a
+garden-house. The front is richly ornamented with bas-reliefs, and
+statues in niches; as if it were a place for pleasure and enjoyment, and
+therefore ought to be beautiful. As we approached it, the door swung
+open, and we went into a large room on the ground-floor, and, looking up
+to the ceiling, beheld Guido's Aurora. The picture is as fresh and
+brilliant as if he had painted it with the morning sunshine which it
+represents. It could not be more lustrous in its lines, if he had given
+it the last touch an hour ago. Three or four artists were copying it at
+that instant, and positively their colors did not look brighter, though a
+great deal newer than his. The alacrity and movement, briskness and
+morning stir and glow, of the picture are wonderful. It seems impossible
+to catch its glory in a copy. Several artists, as I said, were making
+the attempt, and we saw two other attempted copies leaning against the
+wall, but it was easy to detect failure in just essential points. My
+memory, I believe, will be somewhat enlivened by this picture hereafter:
+not that I remember it very distinctly even now; but bright things leave
+a sheen and glimmer in the mind, like Christian's tremulous glimpse of
+the Celestial City.
+
+In two other rooms of the Casino we saw pictures by Domenichino, Rubens,
+and other famous painters, which I do not mean to speak of, because I
+cared really little or nothing about them. Returning into the garden,
+the sunny warmth of which was most grateful after the chill air and cold
+pavement of the Casino, we walked round the laguna, examining the
+statues, and looking down at some little fishes that swarmed at the stone
+margin of the pool. There were two infants of the Rospigliosi family:
+one, a young child playing with a maid and head-servant; another, the
+very chubbiest and rosiest boy in the world, sleeping on its nurse's
+bosom. The nurse was a comely woman enough, dressed in bright colors,
+which fitly set off the deep lines of her Italian face. An old painter
+very likely would have beautified and refined the pair into a Madonna,
+with the child Jesus; for an artist need not go far in Italy to find a
+picture ready composed and tinted, needing little more than to be
+literally copied.
+
+Miss M------ had gone away before us; but my wife and I, after leaving
+the Palazzo Rospigliosi, and on our way hone, went into the Church of St.
+Andrea, which belongs to a convent of Jesuits. I have long ago exhausted
+all my capacity of admiration for splendid interiors of churches, but
+methinks this little, little temple (it is not more than fifty or sixty
+feet across) has a more perfect and gem-like beauty than any other. Its
+shape is oval, with an oval dome, and, above that, another little dome,
+both of which are magnificently frescoed. Around the base of the larger
+dome is wreathed a flight of angels, and the smaller and upper one is
+encircled by a garland of cherubs,--cherub and angel all of pure white
+marble. The oval centre of the church is walled round with precious and
+lustrous marble of a red-veined variety interspersed with columns and
+pilasters of white; and there are arches opening through this rich wall,
+forming chapels, which the architect seems to have striven hard to make
+even more gorgeous than the main body of the church. They contain
+beautiful pictures, not dark and faded, but glowing, as if just from the
+painter's hands; and the shrines are adorned with whatever is most rare,
+and in one of them was the great carbuncle; at any rate, a bright, fiery
+gem as big as a turkey's egg. The pavement of the church was one star of
+various-colored marble, and in the centre was a mosaic, covering, I
+believe, the tomb of the founder. I have not seen, nor expect to see,
+anything else so entirely and satisfactorily finished as this small oval
+church; and I only wish I could pack it in a large box, and send it home.
+
+I must not forget that, on our way from the Barberini Palace, we stopped
+an instant to look at the house, at the corner of the street of the four
+fountains, where Milton was a guest while in Rome. He seems quite a man
+of our own day, seen so nearly at the hither extremity of the vista
+through which we look back, from the epoch of railways to that of the
+oldest Egyptian obelisk. The house (it was then occupied by the Cardinal
+Barberini) looks as if it might have been built within the present
+century; for mediaeval houses in Rome do not assume the aspect of
+antiquity; perhaps because the Italian style of architecture, or
+something similar, is the one more generally in vogue in most cities.
+
+
+February 21st.--This morning I took my way through the Porta del Popolo,
+intending to spend the forenoon in the Campagna; but, getting weary of
+the straight, uninteresting street that runs out of the gate, I turned
+aside from it, and soon found myself on the shores of the Tiber. It
+looked, as usual, like a saturated solution of yellow mud, and eddied
+hastily along between deep banks of clay, and over a clay bed, in which
+doubtless are hidden many a richer treasure than we now possess. The
+French once proposed to draw off the river, for the purpose of recovering
+all the sunken statues and relics; but the Romans made strenuous
+objection, on account of the increased virulence of malaria which would
+probably result. I saw a man on the immediate shore of the river, fifty
+feet or so beneath the bank on which I stood, sitting patiently, with an
+angling rod; and I waited to see what he might catch. Two other persons
+likewise sat down to watch him; but he caught nothing so long as I
+stayed, and at last seemed to give it up. The banks and vicinity of the
+river are very bare and uninviting, as I then saw them; no shade, no
+verdure,--a rough, neglected aspect, and a peculiar shabbiness about the
+few houses that were visible. Farther down the stream the dome of St.
+Peter's showed itself on the other side, seeming to stand on the
+outskirts of the city. I walked along the banks, with some expectation
+of finding a ferry, by which I might cross the river; but my course was
+soon interrupted by the wall, and I turned up a lane that led me straight
+back again to the Porta del Popolo. I stopped a moment, however, to see
+some young men pitching quoits, which they appeared to do with a good
+deal of skill.
+
+I went along the Via di Ripetta, and through other streets, stepping into
+two or three churches, one of which was the Pantheon. . . . .
+
+There are, I think, seven deep, pillared recesses around the
+circumference of it, each of which becomes a sufficiently capacious
+chapel; and alternately with these chapels there is a marble structure,
+like the architecture of a doorway, beneath which is the shrine of a
+saint; so that the whole circle of the Pantheon is filled up with the
+seven chapels and seven shrines. A number of persons were sitting or
+kneeling around; others came in while I was there, dipping their fingers
+in the holy water, and bending the knee, as they passed the shrines and
+chapels, until they reached the one which, apparently, they had selected
+as the particular altar for their devotions. Everybody seemed so devout,
+and in a frame of mind so suited to the day and place, that it really
+made me feel a little awkward not to be able to kneel down along with
+them. Unlike the worshippers in our own churches, each individual here
+seems to do his own individual acts of devotion, and I cannot but think
+it better so than to make an effort for united prayer as we do. It is my
+opinion that a great deal of devout and reverential feeling is kept alive
+in people's hearts by the Catholic mode of worship.
+
+Soon leaving the Pantheon, a few minutes' walk towards the Corso brought
+me to the Church of St. Ignazio, which belongs to the College of the
+Jesuits. It is spacious and of beautiful architecture, but not
+strikingly distinguished, in the latter particular, from many others; a
+wide and lofty nave, supported upon marble columns, between which arches
+open into the side aisles, and at the junction of the nave and transept a
+dome, resting on four great arches. The church seemed to be purposely
+somewhat darkened, so that I could not well see the details of the
+ornamentation, except the frescos on the ceiling of the nave, which were
+very brilliant, and done in so effectual a style, that I really could not
+satisfy myself that some of the figures did not actually protrude from
+the ceiling,--in short, that they were not colored bas-reliefs, instead
+of frescos. No words can express the beautiful effect, in an upholstery
+point of view, of this kind of decoration. Here, as at the Pantheon,
+there were many persons sitting silent, kneeling, or passing from shrine
+to shrine.
+
+I reached home at about twelve, and, at one, set out again, with my wife,
+towards St. Peter's, where we meant to stay till after vespers. We
+walked across the city, and through the Piazza de Navona, where we
+stopped to look at one of Bernini's absurd fountains, of which the water
+makes but the smallest part,--a little squirt or two amid a prodigious
+fuss of gods and monsters. Thence we passed by the poor, battered-down
+torso of Pasquin, and came, by devious ways, to the bridge of St. Angelo;
+the streets bearing pretty much their weekday aspect, many of the shops
+open, the market-stalls doing their usual business, and the people brisk
+and gay, though not indecorously so. I suppose there was hardly a man or
+woman who had not heard mass, confessed, and said their prayers; a thing
+which--the prayers, I mean--it would be absurd to predicate of London,
+New York, or any Protestant city. In however adulterated a guise, the
+Catholics do get a draught of devotion to slake the thirst of their
+souls, and methinks it must needs do them good, even if not quite so pure
+as if it came from better cisterns, or from the original fountain-head.
+
+Arriving at St. Peter's shortly after two, we walked round the whole
+church, looking at all the pictures and most of the monuments, . . . .
+and paused longest before Guido's "Archangel Michael overcoming Lucifer."
+This is surely one of the most beautiful things in the world, one of the
+human conceptions that are imbued most deeply with the celestial. . . . .
+
+We then sat down in one of the aisles and awaited the beginning of
+vespers, which we supposed would take place at half past three. Four
+o'clock came, however, and no vespers; and as our dinner-hour is
+five, . . . . we at last cane away without hearing the vesper hymn.
+
+
+February 23d.--Yesterday, at noon, we set out for the Capitol, and after
+going up the acclivity (not from the Forum, but from the opposite
+direction), stopped to look at the statues of Castor and Pollux, which,
+with other sculptures, look down the ascent. Castor and his brother seem
+to me to have heads disproportionately large, and are not so striking, in
+any respect, as such great images ought to be. But we heartily admired
+the equestrian statue of Marcus Aurelius Antoninus, . . . . and looked at
+a fountain, principally composed, I think, of figures representing the
+Nile and the Tiber, who loll upon their elbows and preside over the
+gushing water; and between them, against the facade of the Senator's
+Palace, there is a statue of Minerva, with a petticoat of red porphyry.
+Having taken note of these objects, we went to the museum, in an edifice
+on our left, entering the piazza, and here, in the vestibule, we found
+various old statues and relics. Ascending the stairs, we passed through
+a long gallery, and, turning to our left, examined somewhat more
+carefully a suite of rooms running parallel with it. The first of these
+contained busts of the Caesars and their kindred, from the epoch of the
+mightiest Julius downward; eighty-three, I believe, in all. I had seen a
+bust of Julius Caesar in the British Museum, and was surprised at its
+thin and withered aspect; but this head is of a very ugly old man
+indeed,--wrinkled, puckered, shrunken, lacking breadth and substance;
+careworn, grim, as if he had fought hard with life, and had suffered in
+the conflict; a man of schemes, and of eager effort to bring his schemes
+to pass. His profile is by no means good, advancing from the top of his
+forehead to the tip of his nose, and retreating, at about the same angle,
+from the latter point to the bottom of his chin, which seems to be thrust
+forcibly down into his meagre neck,--not that he pokes his head forward,
+however, for it is particularly erect.
+
+The head of Augustus is very beautiful, and appears to be that of a
+meditative, philosophic man, saddened with the sense that it is not very
+much worth while to be at the summit of human greatness after all. It is
+a sorrowful thing to trace the decay of civilization through this series
+of busts, and to observe how the artistic skill, so requisite at first,
+went on declining through the dreary dynasty of the Caesars, till at
+length the master of the world could not get his head carved in better
+style than the figure-head of a ship.
+
+In the next room there were better statues than we had yet seen; but in
+the last room of the range we found the "Dying Gladiator," of which I had
+already caught a glimpse in passing by the open door. It had made all
+the other treasures of the gallery tedious in my eagerness to come to
+that. I do not believe that so much pathos is wrought into any other
+block of stone. Like all works of the highest excellence, however, it
+makes great demands upon the spectator. He must make a generous gift of
+his sympathies to the sculptor, and help out his skill with all his
+heart, or else he will see little more than a skilfully wrought surface.
+It suggests far more than it shows. I looked long at this statue, and
+little at anything else, though, among other famous works, a statue of
+Antinous was in the same room.
+
+I was glad when we left the museum, which, by the by, was piercingly
+chill, as if the multitude of statues radiated cold out of their marble
+substance. We might have gone to see the pictures in the Palace of the
+Conservatori, and S-----, whose receptivity is unlimited and forever
+fresh, would willingly have done so; but I objected, and we went towards
+the Forum. I had noticed, two or three times, an inscription over a
+mean-looking door in this neighborhood, stating that here was the
+entrance to the prison of the holy apostles Peter and Paul; and we soon
+found the spot, not far from the Forum, with two wretched frescos of the
+apostles above the inscription. We knocked at the door without effect;
+but a lame beggar, who sat at another door of the same house (which
+looked exceedingly like a liquor-shop), desired us to follow him, and
+began to ascend to the Capitol, by the causeway leading from the Forum.
+A little way upward we met a woman, to whom the beggar delivered us over,
+and she led us into a church or chapel door, and pointed to a long flight
+of steps, which descended through twilight into utter darkness. She
+called to somebody in the lower regions, and then went away, leaving us
+to get down this mysterious staircase by ourselves. Down we went,
+farther and farther from the daylight, and found ourselves, anon, in a
+dark chamber or cell, the shape or boundaries of which we could not make
+out, though it seemed to be of stone, and black and dungeon-like.
+Indistinctly, and from a still farther depth in the earth, we heard
+voices,--one voice, at least,--apparently not addressing ourselves, but
+some other persons; and soon, directly beneath our feet, we saw a
+glimmering of light through a round, iron-grated hole in the bottom of
+the dungeon. In a few moments the glimmer and the voice came up through
+this hole, and the light disappeared, and it and the voice came
+glimmering and babbling up a flight of stone stairs, of which we had not
+hitherto been aware. It was the custode, with a party of visitors, to
+whom he had been showing St. Peter's dungeon. Each visitor was provided
+with a wax taper, and the custode gave one to each of us, bidding us wait
+a moment while he conducted the other party to the upper air. During his
+absence we examined the cell, as well as our dim lights would permit, and
+soon found an indentation in the wall, with an iron grate put over it for
+protection, and an inscription above informing us that the Apostle Peter
+had here left the imprint of his visage; and, in truth, there is a
+profile there,--forehead, nose, mouth, and chin,--plainly to be seen, an
+intaglio in the solid rock. We touched it with the tips of our fingers,
+as well as saw it with our eyes.
+
+The custode soon returned, and led us down the darksome steps, chattering
+in Italian all the time. It is not a very long descent to the lower
+cell, the roof of which is so low that I believe I could have reached it
+with my hand. We were now in the deepest and ugliest part of the old
+Mamertine Prison, one of the few remains of the kingly period of Rome,
+and which served the Romans as a state-prison for hundreds of years
+before the Christian era. A multitude of criminals or innocent persons,
+no doubt, have languished here in misery, and perished in darkness. Here
+Jugurtha starved; here Catiline's adherents were strangled; and,
+methinks, there cannot be in the world another such an evil den, so
+haunted with black memories and indistinct surmises of guilt and
+suffering. In old Rome, I suppose, the citizens never spoke of this
+dungeon above their breath. It looks just as bad as it is; round, only
+seven paces across, yet so obscure that our tapers could not illuminate
+it from side to side,-- the stones of which it is constructed being as
+black as midnight. The custode showed us a stone post, at the side of
+the cell, with the hole in the top of it, into which, he said, St.
+Peter's chain had been fastened; and he uncovered a spring of water, in
+the middle of the stone floor, which he told us had miraculously gushed
+up to enable the saint to baptize his jailer. The miracle was perhaps
+the more easily wrought, inasmuch as Jugurtha had found the floor of the
+dungeon oozy with wet. However, it is best to be as simple and childlike
+as we can in these matters; and whether St. Peter stamped his visage into
+the stone, and wrought this other miracle or no, and whether or no he
+ever was in the prison at all, still the belief of a thousand years and
+more gives a sort of reality and substance to such traditions. The
+custode dipped an iron ladle into the miraculous water, and we each of us
+drank a sip; and, what is very remarkable, to me it seemed hard water and
+almost brackish, while many persons think it the sweetest in Rome. I
+suspect that St. Peter still dabbles in this water, and tempers its
+qualities according to the faith of those who drink it.
+
+The staircase descending into the lower dungeon is comparatively modern,
+there having been no entrance of old, except through the small circular
+opening in the roof. In the upper cell the custode showed us an ancient
+flight of stairs, now built into the wall, which used to lead from the
+Capitol. The whole precincts are now consecrated, and I believe the
+upper portion, perhaps both upper and lower, are a shrine or a chapel.
+
+I now left S------ in the Forum, and went to call on Mr. J. P. K------ at
+the Hotel d'Europe. I found him just returned from a drive,--a gentleman
+of about sixty, or more, with gray hair, a pleasant, intellectual face,
+and penetrating, but not unkindly eyes. He moved infirmly, being on the
+recovery from an illness. We went up to his saloon together, and had a
+talk,--or, rather, he had it nearly all to himself,--and particularly
+sensible talk, too, and full of the results of learning and experience.
+In the first place, he settled the whole Kansas difficulty; then he made
+havoc of St. Peter, who came very shabbily out of his hands, as regarded
+his early character in the Church, and his claims to the position he now
+holds in it. Mr. K------ also gave a curious illustration, from
+something that happened to himself, of the little dependence that can be
+placed on tradition purporting to be ancient, and I capped his story by
+telling him how the site of my town-pump, so plainly indicated in the
+sketch itself, has already been mistaken in the city council and in the
+public prints.
+
+
+February 24th.--Yesterday I crossed the Ponte Sisto, and took a short
+ramble on the other side of the river; and it rather surprised me to
+discover, pretty nearly opposite the Capitoline Hill, a quay, at which
+several schooners and barks, of two or three hundred tons' burden, were
+moored. There was also a steamer, armed with a large gun and two brass
+swivels on her forecastle, and I know not what artillery besides.
+Probably she may have been a revenue-cutter.
+
+Returning I crossed the river by way of the island of St. Bartholomew
+over two bridges. The island is densely covered with buildings, and is a
+separate small fragment of the city. It was a tradition of the ancient
+Romans that it was formed by the aggregation of soil and rubbish brought
+down by the river, and accumulating round the nucleus of some sunken
+baskets.
+
+On reaching the hither side of the river, I soon struck upon the ruins of
+the theatre of Marcellus, which are very picturesque, and the more so
+from being closely linked in, indeed, identified with the shops,
+habitations, and swarming life of modern Rome. The most striking portion
+was a circular edifice, which seemed to have been composed of a row of
+Ionic columns standing upon a lower row of Doric, many of the antique
+pillars being yet perfect; but the intervening arches built up with
+brickwork, and the whole once magnificent structure now tenanted by poor
+and squalid people, as thick as mites within the round of an old cheese.
+From this point I cannot very clearly trace out my course; but I passed,
+I think, between the Circus Maximus and the Palace of the Caesars, and
+near the Baths of Caracalla, and went into the cloisters of the Church of
+San Gregorio. All along I saw massive ruins, not particularly
+picturesque or beautiful, but huge, mountainous piles, chiefly of
+brickwork, somewhat tweed-grown here and there, but oftener bare and
+dreary. . . . . All the successive ages since Rome began to decay have
+done their best to ruin the very ruins by taking away the marble and the
+hewn stone for their own structures, and leaving only the inner filling
+up of brickwork, which the ancient architects never designed to be seen.
+The consequence of all this is, that, except for the lofty and poetical
+associations connected with it, and except, too, for the immense
+difference in magnitude, a Roman ruin may be in itself not more
+picturesque than I have seen an old cellar, with a shattered brick
+chimney half crumbling down into it, in New England.
+
+By this time I knew not whither I was going, and turned aside from a
+broad, paved road (it was the Appian Way) into the Via Latina, which I
+supposed would lead to one of the city gates. It was a lonely path: on
+my right hand extensive piles of ruin, in strange shapes or
+shapelessness, built of the broad and thin old Roman bricks, such as may
+be traced everywhere, when the stucco has fallen away from a modern Roman
+house; for I imagine there has not been a new brick made here for a
+thousand years. On my left, I think, was a high wall, and before me,
+grazing in the road . . . . [the buffalo calf of the Marble Faun.--ED.].
+The road went boldly on, with a well-worn track up to the very walls of
+the city; but there it abruptly terminated at an ancient, closed-up
+gateway. From a notice posted against a door, which appeared to be the
+entrance to the ruins on my left, I found that these were the remains of
+Columbaria, where the dead used to be put away in pigeon-holes. Reaching
+the paved road again, I kept on my course, passing the tomb of the
+Scipios, and soon came to the gate of San Sebastiano, through which I
+entered the Campagna. Indeed, the scene around was so rural, that I had
+fancied myself already beyond the walls. As the afternoon was getting
+advanced, I did not proceed any farther towards the blue hills which I
+saw in the distance, but turned to my left, following a road that runs
+round the exterior of the city wall. It was very dreary and solitary,--
+not a house on the whole track, with the broad and shaggy Campagna on one
+side, and the high, bare wall, looking down over my head, on the other.
+It is not, any more than the other objects of the scene, a very
+picturesque wall, but is little more than a brick garden-fence seen
+through a magnifying-glass, with now and then a tower, however, and
+frequent buttresses, to keep its height of fifty feet from toppling over.
+The top was ragged, and fringed with a few weeds; there had been
+embrasures for guns and eyelet-holes for musketry, but these were
+plastered up with brick or stone. I passed one or two walled-up gateways
+(by the by, the Parts, Latina was the gate through which Belisarius first
+entered Rome), and one of these had two high, round towers, and looked
+more Gothic and venerable with antique strength than any other portion of
+the wall. Immediately after this I came to the gate of San Giovanni,
+just within which is the Basilica of St. John Lateran, and there I was
+glad to rest myself upon a bench before proceeding homeward.
+
+There was a French sentinel at this gateway, as at all the others; for
+the Gauls have always been a pest to Rome, and now gall her worse than
+ever. I observed, too, that an official, in citizen's dress, stood there
+also, and appeared to exercise a supervision over some carts with country
+produce, that were entering just then.
+
+
+February 25th.--We went this forenoon to the Palazzo Borghese, which is
+situated on a street that runs at right angles with the Corso, and very
+near the latter. Most of the palaces in Rome, and the Borghese among
+them, were built somewhere about the sixteenth century; this in 1590, I
+believe. It is an immense edifice, standing round the four sides of a
+quadrangle; and though the suite of rooms comprising the picture-gallery
+forms an almost interminable vista, they occupy only a part of the
+ground-floor of one side. We enter from the street into a large court,
+surrounded with a corridor, the arches of which support a second series
+of arches above. The picture-rooms open from one into another, and have
+many points of magnificence, being large and lofty, with vaulted ceilings
+and beautiful frescos, generally of mythological subjects, in the flat
+central part of the vault. The cornices are gilded; the deep embrasures
+of the windows are panelled with wood-work; the doorways are of polished
+and variegated marble, or covered with a composition as hard, and
+seemingly as durable. The whole has a kind of splendid shabbiness thrown
+over it, like a slight coating of rust; the furniture, at least the
+damask chairs, being a good deal worn, though there are marble and mosaic
+tables, which may serve to adorn another palace when this one crumbles
+away with age. One beautiful hall, with a ceiling more richly gilded
+than the rest, is panelled all round with large looking-glasses, on which
+are painted pictures, both landscapes and human figures, in oils; so that
+the effect is somewhat as if you saw these objects represented in the
+mirrors. These glasses must be of old date, perhaps coeval with the
+first building of the palace; for they are so much dimmed, that one's own
+figure appears indistinct in them, and more difficult to be traced than
+the pictures which cover them half over. It was very comfortless,--
+indeed, I suppose nobody ever thought of being comfortable there, since
+the house was built,--but especially uncomfortable on a chill, damp day
+like this. My fingers were quite numb before I got half-way through the
+suite of apartments, in spite of a brazier of charcoal which was
+smouldering into ashes in two or three of the rooms. There was not, so
+far as I remember, a single fireplace in the suite. A considerable
+number of visitors--not many, however--were there; and a good many
+artists; and three or four ladies among them were making copies of the
+more celebrated pictures, and in all or in most cases missing the
+especial points that made their celebrity and value. The Prince Borghese
+certainly demeans himself like a kind and liberal gentleman, in throwing
+open this invaluable collection to the public to see, and for artists to
+carry away with them, and diffuse all over the world, so far as their own
+power and skill will permit. It is open every day of the week, except
+Saturday and Sunday, without any irksome restriction or supervision; and
+the fee, which custom requires the visitor to pay to the custode, has the
+good effect of making us feel that we are not intruders, nor received in
+an exactly eleemosynary way. The thing could not be better managed.
+
+The collection is one of the most celebrated in the world, and contains
+between eight and nine hundred pictures, many of which are esteemed
+masterpieces. I think I was not in a frame for admiration to-day, nor
+could achieve that free and generous surrender of myself which I have
+already said is essential to the proper estimate of anything excellent.
+Besides, how is it possible to give one's soul, or any considerable part
+of it, to a single picture, seen for the first time, among a thousand
+others, all of which set forth their own claims in an equally good light?
+Furthermore, there is an external weariness, and sense of a thousand-fold
+sameness to be overcome, before we can begin to enjoy a gallery of the
+old Italian masters. . . . . I remember but one painter, Francia, who
+seems really to have approached this awful class of subjects (Christs and
+Madonnas) in a fitting spirit; his pictures are very singular and
+awkward, if you look at them with merely an external eye, but they are
+full of the beauty of holiness, and evidently wrought out as acts of
+devotion, with the deepest sincerity; and are veritable prayers upon
+canvas. . . . .
+
+I was glad, in the very last of the twelve rooms, to come upon some Dutch
+and Flemish pictures, very few, but very welcome; Rubens, Rembrandt,
+Vandyke, Paul Potter, Teniers, and others,--men of flesh and blood, and
+warm fists, and human hearts. As compared with them, these mighty
+Italian masters seem men of polished steel; not human, nor addressing
+themselves so much to human sympathies, as to a formed, intellectual
+taste.
+
+
+March 1st.--To-day began very unfavorably; but we ventured out at about
+eleven o'clock, intending to visit the gallery of the Colonna Palace.
+Finding it closed, however, on account of the illness of the custode, we
+determined to go to the picture-gallery of the Capitol; and, on our way
+thither, we stepped into Il Gesu, the grand and rich church of the
+Jesuits, where we found a priest in white, preaching a sermon, with vast
+earnestness of action and variety of tones, insomuch that I fancied
+sometimes that two priests were in the agony of sermonizing at once. He
+had a pretty large and seemingly attentive audience clustered round him
+from the entrance of the church, half-way down the nave; while in the
+chapels of the transepts and in the remoter distances were persons
+occupied with their own individual devotion. We sat down near the chapel
+of St. Ignazio, which is adorned with a picture over the altar, and with
+marble sculptures of the Trinity aloft, and of angels fluttering at the
+sides. What I particularly noted (for the angels were not very real
+personages, being neither earthly nor celestial) was the great ball of
+lapis lazuli, the biggest in the world, at the feet of the First Person
+in the Trinity. The church is a splendid one, lined with a great variety
+of precious marbles, . . . . but partly, perhaps, owing to the dusky
+light, as well as to the want of cleanliness, there was a dingy effect
+upon the whole. We made but a very short stay, our New England breeding
+causing us to feel shy of moving about the church in sermon time.
+
+It rained when we reached the Capitol, and, as the museum was not yet
+open, we went into the Palace of the Conservators, on the opposite side
+of the piazza. Around the inner court of the ground-floor, partly under
+two opposite arcades, and partly under the sky, are several statues and
+other ancient sculptures; among them a statue of Julius Caesar, said to
+be the only authentic one, and certainly giving an impression of him more
+in accordance with his character than the withered old face in the
+museum; also, a statue of Augustus in middle age, still retaining a
+resemblance to the bust of him in youth; some gigantic heads and hands
+and feet in marble and bronze; a stone lion and horse, which lay long at
+the bottom of a river, broken and corroded, and were repaired by
+Michel Angelo; and other things which it were wearisome to set down.
+We inquired of two or three French soldiers the way into the
+picture-gallery; but it is our experience that French soldiers in
+Rome never know anything of what is around them, not even the name of
+the palace or public place over which they stand guard; and though
+invariably civil, you might as well put a question to a statue of an old
+Roman as to one of them. While we stood under the loggia, however,
+looking at the rain plashing into the court, a soldier of the Papal Guard
+kindly directed us up the staircase, and even took pains to go with us to
+the very entrance of the picture-rooms. Thank Heaven, there are but two
+of them, and not many pictures which one cares to look at very long.
+
+Italian galleries are at a disadvantage as compared with English ones,
+inasmuch as the pictures are not nearly such splendid articles of
+upholstery; though, very likely, having undergone less cleaning and
+varnishing, they may retain more perfectly the finer touches of the
+masters. Nevertheless, I miss the mellow glow, the rich and mild
+external lustre, and even the brilliant frames of the pictures I have
+seen in England. You feel that they have had loving care taken of them;
+even if spoiled, it is because they have been valued so much. But these
+pictures in Italian galleries look rusty and lustreless, as far as the
+exterior is concerned; and, really, the splendor of the painting, as a
+production of intellect and feeling, has a good deal of difficulty in
+shining through such clouds.
+
+There is a picture at the Capitol, the "Rape of Europa," by Paul
+Veronese, that would glow with wonderful brilliancy if it were set in a
+magnificent frame, and covered with a sunshine of varnish; and it is a
+kind of picture that would not be desecrated, as some deeper and holier
+ones might be, by any splendor of external adornment that could be
+bestowed on it. It is deplorable and disheartening to see it in faded
+and shabby plight,--this joyous, exuberant, warm, voluptuous work. There
+is the head of a cow, thrust into the picture, and staring with wild,
+ludicrous wonder at the godlike bull, so as to introduce quite a new
+sentiment.
+
+Here, and at the Borghese Palace, there were some pictures by Garofalo,
+an artist of whom I never heard before, but who seemed to have been a man
+of power. A picture by Marie Subleyras--a miniature copy from one by her
+husband, of the woman anointing the feet of Christ--is most delicately
+and beautifully finished, and would be an ornament to a drawing-room; a
+thing that could not truly be said of one in a hundred of these grim
+masterpieces. When they were painted life was not what it is now, and
+the artists had not the same ends in view. . . . . It depresses the
+spirits to go from picture to picture, leaving a portion of your vital
+sympathy at every one, so that you come, with a kind of half-torpid
+desperation, to the end. On our way down the staircase we saw several
+noteworthy bas-reliefs, and among them a very ancient one of Curtius
+plunging on horseback into the chasm in the Forum. It seems to me,
+however, that old sculpture affects the spirits even more dolefully than
+old painting; it strikes colder to the heart, and lies heavier upon it,
+being marble, than if it were merely canvas.
+
+My wife went to revisit the museum, which we had already seen, on the
+other side of the piazza; but, being cold, I left her there, and went out
+to ramble in the sun; for it was now brightly, though fitfully, shining
+again. I walked through the Forum (where a thorn thrust itself out and
+tore the sleeve of my talma) and under the Arch of Titus, towards the
+Coliseum. About a score of French drummers were beating a long, loud
+roll-call, at the base of the Coliseum, and under its arches; and a score
+of trumpeters responded to these, from the rising ground opposite the
+Arch of Constantine; and the echoes of the old Roman ruins, especially
+those of the Palace of the Caesars, responded to this martial uproar of
+the barbarians. There seemed to be no cause for it; but the drummers
+beat, and the trumpeters blew, as long as I was within hearing.
+
+I walked along the Appian Way as far as the Baths of Caracalla. The
+Palace of the Caesars, which I have never yet explored, appears to be
+crowned by the walls of a convent, built, no doubt, out of some of the
+fragments that would suffice to build a city; and I think there is
+another convent among the baths. The Catholics have taken a peculiar
+pleasure in planting themselves in the very citadels of paganism, whether
+temples or palaces. There has been a good deal of enjoyment in the
+destruction of old Rome. I often think so when I see the elaborate pains
+that have been taken to smash and demolish some beautiful column, for no
+purpose whatever, except the mere delight of annihilating a noble piece
+of work. There is something in the impulse with which one sympathizes;
+though I am afraid the destroyers were not sufficiently aware of the
+mischief they did to enjoy it fully. Probably, too, the early Christians
+were impelled by religious zeal to destroy the pagan temples, before the
+happy thought occurred of converting them into churches.
+
+
+March 3d.--This morning was U----'s birthday, and we celebrated it by
+taking a barouche, and driving (the whole family) out on the Appian Way
+as far as the tomb of Cecilia Metella. For the first time since we came
+to Rome, the weather was really warm,--a kind of heat producing languor
+and disinclination to active movement, though still a little breeze which
+was stirring threw an occasional coolness over us, and made us distrust
+the almost sultry atmosphere. I cannot think the Roman climate healthy
+in any of its moods that I have experienced.
+
+Close on the other side of the road are the ruins of a Gothic chapel,
+little more than a few bare walls and painted windows, and some other
+fragmentary structures which we did not particularly examine. U---- and
+I clambered through a gap in the wall, extending from the basement of the
+tomb, and thus, getting into the field beyond, went quite round the
+mausoleum and the remains of the castle connected with it. The latter,
+though still high and stalwart, showed few or no architectural features
+of interest, being built, I think, principally of large bricks, and not
+to be compared to English ruins as a beautiful or venerable object.
+
+A little way beyond Cecilia Metella's tomb, the road still shows a
+specimen of the ancient Roman pavement, composed of broad, flat
+flagstones, a good deal cracked and worn, but sound enough, probably, to
+outlast the little cubes which make the other portions of the road so
+uncomfortable. We turned back from this point and soon re-entered the
+gate of St. Sebastian, which is flanked by two small towers, and just
+within which is the old triumphal arch of Drusus,--a sturdy construction,
+much dilapidated as regards its architectural beauty, but rendered far
+more picturesque than it could have been in its best days by a crown of
+verdure on its head. Probably so much of the dust of the highway has
+risen in clouds and settled there, that sufficient soil for shrubbery to
+root itself has thus been collected, by small annual contributions, in
+the course of two thousand years. A little farther towards the city we
+turned aside from the Appian Way, and came to the site of some ancient
+Columbaria, close by what seemed to partake of the character of a villa
+and a farm-house. A man came out of the house and unlocked a door in a
+low building, apparently quite modern; but on entering we found ourselves
+looking into a large, square chamber, sunk entirely beneath the surface
+of the ground. A very narrow and steep staircase of stone, and evidently
+ancient, descended into this chamber; and, going down, we found the walls
+hollowed on all sides into little semicircular niches, of which, I
+believe, there were nine rows, one above another, and nine niches in
+each row. Thus they looked somewhat like the little entrances to a
+pigeon-house, and hence the name of Columbarium. Each semicircular niche
+was about a foot in its semidiameter. In the centre of this subterranean
+chamber was a solid square column, or pier, rising to the roof, and
+containing other niches of the same pattern, besides one that was high
+and deep, rising to the height of a man from the floor on each of the
+four sides. In every one of the semicircular niches were two round holes
+covered with an earthen plate, and in each hole were ashes and little
+fragments of bones,--the ashes and bones of the dead, whose names were
+inscribed in Roman capitals on marble slabs inlaid into the wall over
+each individual niche. Very likely the great ones in the central pier
+had contained statues, or busts, or large urns; indeed, I remember that
+some such things were there, as well as bas-reliefs in the walls; but
+hardly more than the general aspect of this strange place remains in my
+mind. It was the Columbarium of the connections or dependants of the
+Caesars; and the impression left on me was, that this mode of disposing
+of the dead was infinitely preferable to any which has been adopted since
+that day. The handful or two of dry dust and bits of dry bones in each
+of the small round holes had nothing disgusting in them, and they are no
+drier now than they were when first deposited there. I would rather have
+my ashes scattered over the soil to help the growth of the grass and
+daisies; but still I should not murmur much at having them decently
+pigeon-holed in a Roman tomb.
+
+After ascending out of this chamber of the dead, we looked down into
+another similar one, containing the ashes of Pompey's household, which
+was discovered only a very few years ago. Its arrangement was the same
+as that first described, except that it had no central pier with a
+passage round it, as the former had.
+
+While we were down in the first chamber the proprietor of the spot--a
+half-gentlemanly and very affable kind of person--came to us, and
+explained the arrangements of the Columbarium, though, indeed, we
+understood them better by their own aspect than by his explanation. The
+whole soil around his dwelling is elevated much above the level of the
+road, and it is probable that, if he chose to excavate, he might bring to
+light many more sepulchral chambers, and find his profit in them too, by
+disposing of the urns and busts. What struck me as much as anything was
+the neatness of these subterranean apartments, which were quite as fit to
+sleep in as most of those occupied by living Romans; and, having
+undergone no wear and tear, they were in as good condition as on the day
+they were built.
+
+In this Columbarium, measuring about twenty feet square, I roughly
+estimate that there have been deposited together the remains of at least
+seven or eight hundred persons, reckoning two little heaps of bones and
+ashes in each pigeon-hole, nine pigeon-holes in each row, and nine rows
+on each side, besides those on the middle pier. All difficulty in
+finding space for the dead would be obviated by returning to the ancient
+fashion of reducing them to ashes,--the only objection, though a very
+serious one, being the quantity of fuel that it would require. But
+perhaps future chemists may discover some better means of consuming or
+dissolving this troublesome mortality of ours.
+
+We got into the carriage again, and, driving farther towards the city,
+came to the tomb of the Scipios, of the exterior of which I retain no
+very definite idea. It was close upon the Appian Way, however, though
+separated from it by a high fence, and accessible through a gateway,
+leading into a court. I think the tomb is wholly subterranean, and that
+the ground above it is covered with the buildings of a farm-house; but of
+this I cannot be certain, as we were led immediately into a dark,
+underground passage, by an elderly peasant, of a cheerful and affable
+demeanor. As soon as he had brought us into the twilight of the tomb, he
+lighted a long wax taper for each of us, and led us groping into blacker
+and blacker darkness. Even little R----- followed courageously in the
+procession, which looked very picturesque as we glanced backward or
+forward, and beheld a twinkling line of seven lights, glimmering faintly
+on our faces, and showing nothing beyond. The passages and niches of the
+tomb seem to have been hewn and hollowed out of the rock, not built by
+any art of masonry; but the walls were very dark, almost black, and our
+tapers so dim that I could not gain a sufficient breadth of view to
+ascertain what kind of place it was. It was very dark, indeed; the
+Mammoth Cave of Kentucky could not be darker. The rough-hewn roof was
+within touch, and sometimes we had to stoop to avoid hitting our heads;
+it was covered with damps, which collected and fell upon us in occasional
+drops. The passages, besides being narrow, were so irregular and
+crooked, that, after going a little way, it would have been impossible to
+return upon our steps without the help of the guide; and we appeared to
+be taking quite an extensive ramble underground, though in reality I
+suppose the tomb includes no great space. At several turns of our dismal
+way, the guide pointed to inscriptions in Roman capitals, commemorating
+various members of the Scipio family who were buried here; among them, a
+son of Scipio Africanus, who himself had his death and burial in a
+foreign land. All these inscriptions, however, are copies,--the
+originals, which were really found here, having been removed to the
+Vatican. Whether any bones and ashes have been left, or whether any were
+found, I do not know. It is not, at all events, a particularly
+interesting spot, being such shapeless blackness, and a mere dark hole,
+requiring a stronger illumination than that of our tapers to distinguish
+it from any other cellar. I did, at one place, see a sort of frieze,
+rather roughly sculptured; and, as we returned towards the twilight of
+the entrance-passage, I discerned a large spider, who fled hastily away
+from our tapers,--the solitary living inhabitant of the tomb of the
+Scipios.
+
+One visit that we made, and I think it was before entering the city
+gates, I forgot to mention. It was to an old edifice, formerly called
+the Temple of Bacchus, but now supposed to have been the Temple of Virtue
+and Honor. The interior consists of a vaulted hall, which was converted
+from its pagan consecration into a church or chapel, by the early
+Christians; and the ancient marble pillars of the temple may still be
+seen built in with the brick and stucco of the later occupants. There is
+an altar, and other tokens of a Catholic church, and high towards the
+ceiling, there are some frescos of saints or angels, very curious
+specimens of mediaeval, and earlier than mediaeval art. Nevertheless,
+the place impressed me as still rather pagan than Christian. What is
+most remarkable about this spot or this vicinity lies in the fact that
+the Fountain of Egeria was formerly supposed to be close at hand; indeed,
+the custode of the chapel still claims the spot as the identical one
+consecrated by the legend. There is a dark grove of trees, not far from
+the door of the temple; but Murray, a highly essential nuisance on such
+excursions as this, throws such overwhelming doubt, or rather
+incredulity, upon the site, that I seized upon it as a pretext for not
+going thither. In fact, my small capacity for sight-seeing was already
+more than satisfied.
+
+On account of ------ I am sorry that we did not see the grotto, for her
+enthusiasm is as fresh as the waters of Egeria's well can be, and she has
+poetical faith enough to light her cheerfully through all these mists of
+incredulity.
+
+Our visits to sepulchral places ended with Scipio's tomb, whence we
+returned to our dwelling, and Miss M------ came to dine with us.
+
+
+March 10th.--On Saturday last, a very rainy day, we went to the Sciarra
+Palace, and took U---- with us. It is on the Corso, nearly opposite to
+the Piazza Colonna. It has (Heaven be praised!) but four rooms of
+pictures, among which, however, are several very celebrated ones. Only a
+few of these remain in my memory,--Raphael's "Violin Player," which I am
+willing to accept as a good picture; and Leonardo da Vinci's "Vanity and
+Modesty," which also I can bring up before my mind's eye, and find it
+very beautiful, although one of the faces has an affected smile, which I
+have since seen on another picture by the same artist, Joanna of Aragon.
+The most striking picture in the collection, I think, is Titian's "Bella
+Donna,"--the only one of Titian's works that I have yet seen which makes
+an impression on me corresponding with his fame. It is a very splendid
+and very scornful lady, as beautiful and as scornful as Gainsborough's
+Lady Lyndoch, though of an entirely different type. There were two
+Madonnas by Guido, of which I liked the least celebrated one best; and
+several pictures by Garofalo, who always produces something noteworthy.
+All the pictures lacked the charm (no doubt I am a barbarian to think it
+one) of being in brilliant frames, and looked as if it were a long, long
+while since they were cleaned or varnished. The light was so scanty,
+too, on that heavily clouded day, and in those gloomy old rooms of the
+palace, that scarcely anything could be fairly made out.
+
+[I cannot refrain from observing here, that Mr. Hawthorne's inexorable
+demand for perfection in all things leads him to complain of grimy
+pictures and tarnished frames and faded frescos, distressing beyond
+measure to eyes that never failed to see everything before him with the
+keenest apprehension. The usual careless observation of people both of
+the good and the imperfect is much more comfortable in this imperfect
+world. But the insight which Mr. Hawthorne possessed was only equalled
+by his outsight, and he suffered in a way not to be readily conceived,
+from any failure in beauty, physical, moral, or intellectual. It is not,
+therefore, mere love of upholstery that impels him to ask for perfect
+settings to priceless gems of art; but a native idiosyncrasy, which
+always made me feel that "the New Jerusalem," "even like a jasper stone,
+clear as crystal," "where shall in no wise enter anything that defileth,
+neither what worketh abomination nor maketh a lie," would alone satisfy
+him, or rather alone not give him actual pain. It may give an idea of
+this exquisite nicety of feeling to mention, that one day he took in his
+fingers a half-bloomed rose, without blemish, and, smiling with an
+infinite joy, remarked, "This is perfect. On earth a flower only can be
+perfect."--ED.]
+
+The palace is about two hundred and fifty years old, and looks as if it
+had never been a very cheerful place; most shabbily and scantily
+furnished, moreover, and as chill as any cellar. There is a small
+balcony, looking down on the Corso, which probably has often been filled
+with a merry little family party, in the carnivals of days long past. It
+has faded frescos, and tarnished gilding, and green blinds, and a few
+damask chairs still remain in it.
+
+On Monday we all went to the sculpture-gallery of the Vatican, and saw as
+much of the sculpture as we could in the three hours during which the
+public are admissible. There were a few things which I really enjoyed,
+and a few moments during which I really seemed to see them; but it is in
+vain to attempt giving the impression produced by masterpieces of art,
+and most in vain when we see them best. They are a language in
+themselves, and if they could be expressed as well any way except by
+themselves, there would have been no need of expressing those particular
+ideas and sentiments by sculpture. I saw the Apollo Belvedere as
+something ethereal and godlike; only for a flitting moment, however, and
+as if he had alighted from heaven, or shone suddenly out of the sunlight,
+and then had withdrawn himself again. I felt the Laocoon very
+powerfully, though very quietly; an immortal agony, with a strange
+calmness diffused through it, so that it resembles the vast rage of the
+sea, calm on account of its immensity; or the tumult of Niagara, which
+does not seem to be tumult, because it keeps pouring on for ever and
+ever. I have not had so good a day as this (among works of art) since we
+came to Rome; and I impute it partly to the magnificence of the
+arrangements of the Vatican,--its long vistas and beautiful courts, and
+the aspect of immortality which marble statues acquire by being kept free
+from dust. A very hungry boy, seeing in one of the cabinets a vast
+porphyry vase, forty-four feet in circumference, wished that he had it
+full of soup.
+
+Yesterday, we went to the Pamfili Doria Palace, which, I believe, is the
+most splendid in Rome. The entrance is from the Corso into a court,
+surrounded by a colonnade, and having a space of luxuriant verdure and
+ornamental shrubbery in the centre. The apartments containing pictures
+and sculptures are fifteen in number, and run quite round the court in
+the first piano,--all the rooms, halls, and galleries of beautiful
+proportion, with vaulted roofs, some of which glow with frescos; and all
+are colder and more comfortless than can possibly be imagined without
+having been in them. The pictures, most of them, interested me very
+little. I am of opinion that good pictures are quite as rare as good
+poets; and I do not see why we should pique ourselves on admiring any but
+the very best. One in a thousand, perhaps, ought to live in the applause
+of men, from generation to generation, till its colors fade or blacken
+out of sight, and its canvas rots away; the rest should be put in
+garrets, or painted over by newer artists, just as tolerable poets are
+shelved when their little day is over. Nevertheless, there was one long
+gallery containing many pictures that I should be glad to see again under
+more favorable circumstances, that is, separately, and where I might
+contemplate them quite undisturbed, reclining in an easy-chair. At one
+end of the long vista of this gallery is a bust of the present Prince
+Doria, a smooth, sharp-nosed, rather handsome young man, and at the other
+end his princess, an English lady of the Talbot family, apparently a
+blonde, with a simple and sweet expression. There is a noble and
+striking portrait of the old Venetian admiral, Andrea Doria, by Sebastian
+del Piombo, and some other portraits and busts of the family.
+
+In the whole immense range of rooms I saw but a single fireplace, and
+that so deep in the wall that no amount of blaze would raise the
+atmosphere of the room ten degrees. If the builder of the palace, or any
+of his successors, have committed crimes worthy of Tophet, it would be a
+still worse punishment for him to wander perpetually through this suite
+of rooms on the cold floors of polished brick tiles or marble or mosaic,
+growing a little chiller and chiller through every moment of eternity,--
+or, at least, till the palace crumbles down upon him.
+
+Neither would it assuage his torment in the least to be compelled to gaze
+up at the dark old pictures,--the ugly ghosts of what may once have been
+beautiful. I am not going to try any more to receive pleasure from a
+faded, tarnished, lustreless picture, especially if it be a landscape.
+There were two or three landscapes of Claude in this palace, which I
+doubt not would have been exquisite if they had been in the condition of
+those in the British National Gallery; but here they looked most forlorn,
+and even their sunshine was sunless. The merits of historical painting
+may be quite independent of the attributes that give pleasure, and a
+superficial ugliness may even heighten the effect; but not so of
+landscapes.
+
+
+Via Porta, Palazzo Larazani, March 11th.--To-day we called at Mr.
+Thompson's studio, and . . . . he had on the easel a little picture of
+St. Peter released from prison by the angel, which I saw once before. It
+is very beautiful indeed, and deeply and spiritually conceived, and I
+wish I could afford to have it finished for myself. I looked again, too,
+at his Georgian slave, and admired it as much as at first view; so very
+warm and rich it is, so sensuously beautiful, and with an expression of
+higher life and feeling within. I do not think there is a better painter
+than Mr. Thompson living,--among Americans at least; not one so earnest,
+faithful, and religious in his worship of art. I had rather look at his
+pictures than at any except the very finest of the old masters, and,
+taking into consideration only the comparative pleasure to be derived, I
+would not except more than one or two of those. In painting, as in
+literature, I suspect there is something in the productions of the day
+that takes the fancy more than the works of any past age,--not greater
+merit, nor nearly so great, but better suited to this very present time.
+
+After leaving him, we went to the Piazza de' Termini, near the Baths of
+Diocletian, and found our way with some difficulty to Crawford's studio.
+It occupies several great rooms, connected with the offices of the Villa
+Negroni; and all these rooms were full of plaster casts and a few works
+in marble,--principally portions of his huge Washington monument, which
+he left unfinished at his death. Close by the door at which we entered
+stood a gigantic figure of Mason, in bag-wig, and the coat, waistcoat,
+breeches, and knee and shoe buckles of the last century, the enlargement
+of these unheroic matters to far more than heroic size having a very odd
+effect. There was a figure of Jefferson on the same scale; another of
+Patrick Henry, besides a horse's head, and other portions of the
+equestrian group which is to cover the summit of the monument. In one of
+the rooms was a model of the monument itself, on a scale, I should think,
+of about an inch to afoot. It did not impress me as having grown out of
+any great and genuine idea in the artist's mind, but as being merely an
+ingenious contrivance enough. There were also casts of statues that
+seemed to be intended for some other monument referring to Revolutionary
+times and personages; and with these were intermixed some ideal statues
+or groups,--a naked boy playing marbles, very beautiful; a girl with
+flowers; the cast of his Orpheus, of which I long ago saw the marble
+statue; Adam and Eve; Flora,--all with a good deal of merit, no doubt,
+but not a single one that justifies Crawford's reputation, or that
+satisfies me of his genius. They are but commonplaces in marble and
+plaster, such as we should not tolerate on a printed page. He seems to
+have been a respectable man, highly respectable, but no more, although
+those who knew him seem to have rated him much higher. It is said that
+he exclaimed, not very long before his death, that he had fifteen years
+of good work still in him; and he appears to have considered all his life
+and labor, heretofore, as only preparatory to the great things that he
+was to achieve hereafter. I should say, on the contrary, that he was a
+man who had done his best, and had done it early; for his Orpheus is
+quite as good as anything else we saw in his studio.
+
+People were at work chiselling several statues in marble from the plaster
+models,--a very interesting process, and which I should think a doubtful
+and hazardous one; but the artists say that there is no risk of mischief,
+and that the model is sure to be accurately repeated in the marble.
+These persons, who do what is considered the mechanical part of the
+business, are often themselves sculptors, and of higher reputation than
+those who employ them.
+
+It is rather sad to think that Crawford died before he could see his
+ideas in the marble, where they gleam with so pure and celestial a light
+as compared with the plaster. There is almost as much difference as
+between flesh and spirit.
+
+The floor of one of the rooms was burdened with immense packages,
+containing parts of the Washington monument, ready to be forwarded to its
+destination. When finished, and set up, it will probably make a very
+splendid appearance, by its height, its mass, its skilful execution; and
+will produce a moral effect through its images of illustrious men, and
+the associations that connect it with our Revolutionary history; but I do
+not think it will owe much to artistic force of thought or depth of
+feeling. It is certainly, in one sense, a very foolish and illogical
+piece of work,--Washington, mounted on an uneasy steed, on a very narrow
+space, aloft in the air, whence a single step of the horse backward,
+forward, or on either side, must precipitate him; and several of his
+contemporaries standing beneath him, not looking up to wonder at his
+predicament, but each intent on manifesting his own personality to the
+world around. They have nothing to do with one another, nor with
+Washington, nor with any great purpose which all are to work out
+together.
+
+
+March 14th.--On Friday evening I dined at Mr. T. B. Read's, the poet and
+artist, with a party composed of painters and sculptors,--the only
+exceptions being the American banker and an American tourist who has
+given Mr. Read a commission. Next to me at table sat Mr. Gibson, the
+English sculptor, who, I suppose, stands foremost in his profession at
+this day. He must be quite an old man now, for it was whispered about
+the table that he is known to have been in Rome forty-two years ago, and
+he himself spoke to me of spending thirty-seven years here, before he
+once returned home. I should hardly take him to be sixty, however,
+his hair being more dark than gray, his forehead unwrinkled, his
+features unwithered, his eye undimmed, though his beard is somewhat
+venerable. . . . .
+
+He has a quiet, self-contained aspect, and, being a bachelor, has
+doubtless spent a calm life among his clay and marble, meddling little
+with the world, and entangling himself with no cares beyond his studio.
+He did not talk a great deal; but enough to show that he is still an
+Englishman in many sturdy traits, though his accent has something foreign
+about it. His conversation was chiefly about India, and other topics of
+the day, together with a few reminiscences of people in Liverpool, where
+he once resided. There was a kind of simplicity both in his manner and
+matter, and nothing very remarkable in the latter. . . . .
+
+The gist of what he said (upon art) was condemnatory of the
+Pre-Raphaelite modern school of painters, of whom he seemed to spare
+none, and of their works nothing; though he allowed that the old
+Pre-Raphaelites had some exquisite merits, which the moderns entirely
+omit in their imitations. In his own art, he said the aim should be to
+find out the principles on which the Greek sculptors wrought, and to do
+the work of this day on those principles and in their spirit; a fair
+doctrine enough, I should think, but which Mr. Gibson can scarcely be
+said to practise. . . . . The difference between the Pre-Raphaelites and
+himself is deep and genuine, they being literalists and realists, in a
+certain sense, and he a pagan idealist. Methinks they have hold of the
+best end of the matter.
+
+
+March 18th.--To-day, it being very bright and mild, we set out, at noon,
+for an expedition to the Temple of Vesta, though I did not feel much
+inclined for walking, having been ill and feverish for two or three days
+past with a cold, which keeps renewing itself faster than I can get rid
+of it. We kept along on this side of the Corso, and crossed the Forum,
+skirting along the Capitoline Hill, and thence towards the Circus
+Maximus. On our way, looking down a cross street, we saw a heavy arch,
+and, on examination, made it out to be the Arch of Janus Quadrifrons,
+standing in the Forum Boarium. Its base is now considerably below the
+level of the surrounding soil, and there is a church or basilica close
+by, and some mean edifices looking down upon it. There is something
+satisfactory in this arch, from the immense solidity of its structure.
+It gives the idea, in the first place, of a solid mass constructed of
+huge blocks of marble, which time can never wear away, nor earthquakes
+shake down; and then this solid mass is penetrated by two arched
+passages, meeting in the centre. There are empty niches, three in a row,
+and, I think, two rows on each face; but there seems to have been very
+little effort to make it a beautiful object. On the top is some
+brickwork, the remains of a mediaeval fortress built by the Frangipanis,
+looking very frail and temporary being brought thus in contact with the
+antique strength of the arch.
+
+A few yards off, across the street, and close beside the basilica, is
+what appears to be an ancient portal, with carved bas-reliefs, and an
+inscription which I could not make out. Some Romans were lying dormant
+in the sun, on the steps of the basilica; indeed, now that the sun is
+getting warmer, they seem to take advantage of every quiet nook to bask
+in, and perhaps to go to sleep.
+
+We had gone but a little way from the arch, and across the Circus
+Maximus, when we saw the Temple of Vesta before us, on the hank of the
+Tiber, which, however, we could not see behind it. It is a most
+perfectly preserved Roman ruin, and very beautiful, though so small that,
+in a suitable locality, one would take it rather for a garden-house than
+an ancient temple. A circle of white marble pillars, much time-worn and
+a little battered, though but one of them broken, surround the solid
+structure of the temple, leaving a circular walk between it and the
+pillars, the whole covered by a modern roof which looks like wood, and
+disgraces and deforms the elegant little building. This roof resembles,
+as much as anything else, the round wicker cover of a basket, and gives a
+very squat aspect to the temple. The pillars are of the Corinthian
+order, and when they were new and the marble snow-white and sharply
+carved and cut, there could not have been a prettier object in all Rome;
+but so small an edifice does not appear well as a ruin.
+
+Within view of it, and, indeed, a very little way off, is the Temple of
+Fortuna Virilis, which likewise retains its antique form in better
+preservation than we generally find a Roman ruin, although the Ionic
+pillars are now built up with blocks of stone and patches of brickwork,
+the whole constituting a church which is fixed against the side of a tall
+edifice, the nature of which I do not know.
+
+I forgot to say that we gained admittance into the Temple of Vesta, and
+found the interior a plain cylinder of marble, about ten paces across,
+and fitted up as a chapel, where the Virgin takes the place of Vesta.
+
+In very close vicinity we came upon the Ponto Rotto, the old Pons Emilius
+which was broken down long ago, and has recently been pieced out by
+connecting a suspension bridge with the old piers. We crossed by this
+bridge, paying a toll of a baioccho each, and stopped in the midst of the
+river to look at the Temple of Vesta, which shows well, right on the
+brink of the Tiber. We fancied, too, that we could discern, a little
+farther down the river, the ruined and almost submerged piers of the
+Sublician bridge, which Horatius Cocles defended. The Tiber here whirls
+rapidly along, and Horatius must have had a perilous swim for his life,
+and the enemy a fair mark at his head with their arrows. I think this is
+the most picturesque part of the Tiber in its passage through Rome.
+
+After crossing the bridge, we kept along the right bank of the river,
+through the dirty and hard-hearted streets of Trastevere (which have in
+no respect the advantage over those of hither Rome), till we reached St.
+Peter's. We saw a family sitting before their door on the pavement in
+the narrow and sunny street, engaged in their domestic avocations,--the
+old woman spinning with a wheel. I suppose the people now begin to live
+out of doors. We entered beneath the colonnade of St. Peter's and
+immediately became sensible of an evil odor,--the bad odor of our fallen
+nature, which there is no escaping in any nook of Rome. . . . .
+
+Between the pillars of the colonnade, however, we had the pleasant
+spectacle of the two fountains, sending up their lily-shaped gush, with
+rainbows shining in their falling spray. Parties of French soldiers, as
+usual, were undergoing their drill in the piazza. When we entered the
+church, the long, dusty sunbeams were falling aslantwise through the dome
+and through the chancel behind it. . . . .
+
+
+March 23d.--On the 21st we all went to the Coliseum, and enjoyed
+ourselves there in the bright, warm sun,--so bright and warm that we were
+glad to get into the shadow of the walls and under the arches, though,
+after all, there was the freshness of March in the breeze that stirred
+now and then. J----- and baby found some beautiful flowers growing round
+about the Coliseum; and far up towards the top of the walls we saw tufts
+of yellow wall-flowers and a great deal of green grass growing along the
+ridges between the arches. The general aspect of the place, however, is
+somewhat bare, and does not compare favorably with an English ruin both
+on account of the lack of ivy and because the material is chiefly brick,
+the stone and marble having been stolen away by popes and cardinals to
+build their palaces. While we sat within the circle, many people, of
+both sexes, passed through, kissing the iron cross which stands in the
+centre, thereby gaining an indulgence of seven years, I believe. In
+front of several churches I have seen an inscription in Latin,
+"INDULGENTIA PLENARIA ET PERPETUA PRO CUNCTIS MORTUIS ET VIVIS"; than
+which, it seems to me, nothing more could be asked or desired. The terms
+of this great boon are not mentioned.
+
+Leaving the Coliseum, we went and sat down in the vicinity of the Arch of
+Constantine, and J----- and R----- went in quest of lizards. J----- soon
+caught a large one with two tails; one, a sort of afterthought, or
+appendix, or corollary to the original tail, and growing out from it
+instead of from the body of the lizard. These reptiles are very
+abundant, and J----- has already brought home several, which make their
+escape and appear occasionally darting to and fro on the carpet. Since
+we have been here, J----- has taken up various pursuits in turn. First
+he voted himself to gathering snail-shells, of which there are many
+sorts; afterwards he had a fever for marbles, pieces of which he found on
+the banks of the Tiber, just on the edge of its muddy waters, and in the
+Palace of the Caesars, the Baths of Caracalla, and indeed wherever else
+his fancy led him; verde antique, rosso antico, porphyry, giallo antico,
+serpentine, sometimes fragments of bas-reliefs and mouldings, bits of
+mosaic, still firmly stuck together, on which the foot of a Caesar had
+perhaps once trodden; pieces of Roman glass, with the iridescence glowing
+on them; and all such things, of which the soil of Rome is full. It
+would not be difficult, from the spoil of his boyish rambles, to furnish
+what would be looked upon as a curious and valuable museum in America.
+
+Yesterday we went to the sculpture-galleries of the Vatican. I think I
+enjoy these noble galleries and their contents and beautiful arrangement
+better than anything else in the way of art, and often I seem to have a
+deep feeling of something wonderful in what I look at. The Laocoon on
+this visit impressed me not less than before; it is such a type of human
+beings, struggling with an inextricable trouble, and entangled in a
+complication which they cannot free themselves from by their own efforts,
+and out of which Heaven alone can help them. It was a most powerful
+mind, and one capable of reducing a complex idea to unity, that imagined
+this group. I looked at Canova's Perseus, and thought it exceedingly
+beautiful, but, found myself less and less contented after a moment or
+two, though I could not tell why. Afterwards, looking at the Apollo, the
+recollection of the Perseus disgusted me, and yet really I cannot explain
+how one is better than the other.
+
+I was interested in looking at the busts of the Triumvirs, Antony,
+Augustus, and Lepidus. The first two are men of intellect, evidently,
+though they do not recommend themselves to one's affections by their
+physiognomy; but Lepidus has the strangest, most commonplace countenance
+that can be imagined,--small-featured, weak, such a face as you meet
+anywhere in a man of no mark, but are amazed to find in one of the three
+foremost men of the world. I suppose that it is these weak and shallow
+men, when chance raises them above their proper sphere, who commit
+enormous crimes without any such restraint as stronger men would feel,
+and without any retribution in the depth of their conscience. These old
+Roman busts, of which there are so many in the Vatican, have often a most
+lifelike aspect, a striking individuality. One recognizes them as
+faithful portraits, just as certainly as if the living originals were
+standing beside them. The arrangement of the hair and beard too, in many
+cases, is just what we see now, the fashions of two thousand years ago
+having come round again.
+
+
+March 25th.--On Tuesday we went to breakfast at William Story's in the
+Palazzo Barberini. We had a very pleasant time. He is one of the most
+agreeable men I know in society. He showed us a note from Thackeray, an
+invitation to dinner, written in hieroglyphics, with great fun and
+pictorial merit. He spoke of an expansion of the story of Blue Beard,
+which he himself had either written or thought of writing, in which the
+contents of the several chambers which Fatima opened, before arriving at
+the fatal one, were to be described. This idea has haunted my mind ever
+since, and if it had but been my own I am pretty sure that it would
+develop itself into something very rich. I mean to press William Story
+to work it out. The chamber of Blue Beard, too (and this was a part of
+his suggestion), might be so handled as to become powerfully interesting.
+Were I to take up the story I would create an interest by suggesting a
+secret in the first chamber, which would develop itself more and more in
+every successive hall of the great palace, and lead the wife irresistibly
+to the chamber of horrors.
+
+After breakfast, we went to the Barberini Library, passing through the
+vast hall, which occupies the central part of the palace. It is the most
+splendid domestic hall I have seen, eighty feet in length at least, and
+of proportionate breadth and height; and the vaulted ceiling is entirely
+covered, to its utmost edge and remotest corners, with a brilliant
+painting in fresco, looking like a whole heaven of angelic people
+descending towards the floor. The effect is indescribably gorgeous. On
+one side stands a Baldacchino, or canopy of state, draped with scarlet
+cloth, and fringed with gold embroidery; the scarlet indicating that the
+palace is inhabited by a cardinal. Green would be appropriate to a
+prince. In point of fact, the Palazzo Barberini is inhabited by a
+cardinal, a prince, and a duke, all belonging to the Barberini family,
+and each having his separate portion of the palace, while their servants
+have a common territory and meeting-ground in this noble hall.
+
+After admiring it for a few minutes, we made our exit by a door on the
+opposite side, and went up the spiral staircase of marble to the library,
+where we were received by an ecclesiastic, who belongs to the Barberini
+household, and, I believe, was born in it. He is a gentle, refined,
+quiet-looking man, as well he may be, having spent all his life among
+these books, where few people intrude, and few cares can come. He showed
+us a very old Bible in parchment, a specimen of the earliest printing,
+beautifully ornamented with pictures, and some monkish illuminations of
+indescribable delicacy and elaboration. No artist could afford to
+produce such work, if the life that he thus lavished on one sheet of
+parchment had any value to him, either for what could be done or enjoyed
+in it. There are about eight thousand volumes in this library, and,
+judging by their outward aspect, the collection must be curious and
+valuable; but having another engagement, we could spend only a little
+time here. We had a hasty glance, however, of some poems of Tasso, in
+his own autograph.
+
+We then went to the Palazzo Galitzin, where dwell the Misses Weston, with
+whom we lunched, and where we met a French abbe, an agreeable man, and an
+antiquarian, under whose auspices two of the ladies and ourselves took
+carriage for the Castle of St. Angelo. Being admitted within the
+external gateway, we found ourselves in the court of guard, as I presume
+it is called, where the French soldiers were playing with very dirty
+cards, or lounging about, in military idleness. They were well behaved
+and courteous, and when we had intimated our wish to see the interior of
+the castle, a soldier soon appeared, with a large unlighted torch in his
+hand, ready to guide us. There is an outer wall, surrounding the solid
+structure of Hadrian's tomb; to which there is access by one or two
+drawbridges; the entrance to the tomb, or castle, not being at the base,
+but near its central height. The ancient entrance, by which Hadrian's
+ashes, and those of other imperial personages, were probably brought into
+this tomb, has been walled up,--perhaps ever since the last emperor was
+buried here. We were now in a vaulted passage, both lofty and broad,
+which circles round the whole interior of the tomb, from the base to the
+summit. During many hundred years, the passage was filled with earth and
+rubbish, and forgotten, and it is but partly excavated, even now;
+although we found it a long, long and gloomy descent by torchlight to the
+base of the vast mausoleum. The passage was once lined and vaulted with
+precious marbles (which are now entirely gone), and paved with fine
+mosaics, portions of which still remain; and our guide lowered his
+flaming torch to show them to us, here and there, amid the earthy
+dampness over which we trod. It is strange to think what splendor and
+costly adornment were here wasted on the dead.
+
+After we had descended to the bottom of this passage, and again retraced
+our steps to the highest part, the guide took a large cannon-ball, and
+sent it, with his whole force, rolling down the hollow, arched way,
+rumbling, and reverberating, and bellowing forth long thunderous echoes,
+and winding up with a loud, distant crash, that seemed to come from the
+very bowels of the earth.
+
+We saw the place, near the centre of the mausoleum, and lighted from
+above, through an immense thickness of stone and brick, where the ashes
+of the emperor and his fellow-slumberers were found. It is as much as
+twelve centuries, very likely, since they were scattered to the winds,
+for the tomb has been nearly or quite that space of time a fortress; The
+tomb itself is merely the base and foundation of the castle, and, being
+so massively built, it serves just as well for the purpose as if it were
+a solid granite rock. The mediaeval fortress, with its antiquity of more
+than a thousand years, and having dark and deep dungeons of its own, is
+but a modern excrescence on the top of Hadrian's tomb.
+
+We now ascended towards the upper region, and were led into the vaults
+which used to serve as a prison, but which, if I mistake not, are
+situated above the ancient structure, although they seem as damp and
+subterranean as if they were fifty feet under the earth. We crept down
+to them through narrow and ugly passages, which the torchlight would not
+illuminate, and, stooping under a low, square entrance, we followed the
+guide into a small, vaulted room,--not a room, but an artificial cavern,
+remote from light or air, where Beatrice Cenci was confined before her
+execution. According to the abbe, she spent a whole year in this
+dreadful pit, her trial having dragged on through that length of time.
+How ghostlike she must have looked when she came forth! Guido never
+painted that beautiful picture from her blanched face, as it appeared
+after this confinement. And how rejoiced she must have been to die at
+last, having already been in a sepulchre so long!
+
+Adjacent to Beatrice's prison, but not communicating with it, was that of
+her step-mother; and next to the latter was one that interested me almost
+as much as Beatrice's,--that of Benvenuto Cellini, who was confined here,
+I believe, for an assassination. All these prison vaults are more
+horrible than can be imagined without seeing them; but there are worse
+places here, for the guide lifted a trap-door in one of the passages, and
+held his torch down into an inscrutable pit beneath our feet. It was an
+oubliette, a dungeon where the prisoner might be buried alive, and never
+come forth again, alive or dead. Groping about among these sad
+precincts, we saw various other things that looked very dismal; but at
+last emerged into the sunshine, and ascended from one platform and
+battlement to another, till we found ourselves right at the feet of the
+Archangel Michael. He has stood there in bronze for I know not how many
+hundred years, in the act of sheathing a (now) rusty sword, such being
+the attitude in which he appeared to one of the popes in a vision, in
+token that a pestilence which was then desolating Rome was to be stayed.
+
+There is a fine view from the lofty station over Rome and the whole
+adjacent country, and the abbe pointed out the site of Ardea, of
+Corioli, of Veii, and other places renowned in story. We were ushered,
+too, into the French commandant's quarters in the castle. There is
+a large hall, ornamented with frescos, and accessible from this a
+drawing-room, comfortably fitted up, and where we saw modern furniture,
+and a chess-board, and a fire burning clear, and other symptoms that the
+place had perhaps just been vacated by civilized and kindly people. But
+in one corner of the ceiling the abbe pointed out a ring, by which, in
+the times of mediaeval anarchy, when popes, cardinals, and barons were
+all by the ears together, a cardinal was hanged. It was not an
+assassination, but a legal punishment, and he was executed in the best
+apartment of the castle as an act of grace.
+
+The fortress is a straight-lined structure on the summit of the immense
+round tower of Hadrian's tomb; and to make out the idea of it we must
+throw in drawbridges, esplanades, piles of ancient marble balls for
+cannon; battlements and embrasures, lying high in the breeze and
+sunshine, and opening views round the whole horizon; accommodation for
+the soldiers; and many small beds in a large room.
+
+How much mistaken was the emperor in his expectation of a stately, solemn
+repose for his ashes through all the coming centuries, as long as the
+world should endure! Perhaps his ghost glides up and down disconsolate,
+in that spiral passage which goes from top to bottom of the tomb, while
+the barbarous Gauls plant themselves in his very mausoleum to keep the
+imperial city in awe.
+
+Leaving the Castle of St. Angelo, we drove, still on the same side of the
+Tiber, to the Villa Pamfili, which lies a short distance beyond the
+walls. As we passed through one of the gates (I think it was that of San
+Pancrazio) the abbe pointed out the spot where the Constable de Bourbon
+was killed while attempting to scale the walls. If we are to believe
+Benvenuto Cellini, it was he who shot the constable. The road to the
+villa is not very interesting, lying (as the roads in the vicinity of
+Rome often do) between very high walls, admitting not a glimpse of the
+surrounding country; the road itself white and dusty, with no verdant
+margin of grass or border of shrubbery. At the portal of the villa we
+found many carriages in waiting, for the Prince Doria throws open the
+grounds to all comers, and on a pleasant day like this they are probably
+sure to be thronged. We left our carriage just within the entrance, and
+rambled among these beautiful groves, admiring the live-oak trees, and
+the stone-pines, which latter are truly a majestic tree, with tall
+columnar stems, supporting a cloud-like density of boughs far aloft, and
+not a straggling branch between there and the ground. They stand in
+straight rows, but are now so ancient and venerable as to have lost the
+formal look of a plantation, and seem like a wood that might have
+arranged itself almost of its own will. Beneath them is a flower-strewn
+turf, quite free of underbrush. We found open fields and lawns,
+moreover, all abloom with anemones, white and rose-colored and purple and
+golden, and far larger than could be found out of Italy, except in
+hot-houses. Violets, too, were abundant and exceedingly fragrant. When
+we consider that all this floral exuberance occurs in the midst of March,
+there does not appear much ground for complaining of the Roman climate;
+and so long ago as the first week of February I found daisies among the
+grass, on the sunny side of the Basilica of St. John Lateran. At this
+very moment I suppose the country within twenty miles of Boston may be
+two feet deep with snow, and the streams solid with ice.
+
+We wandered about the grounds, and found them very beautiful indeed;
+nature having done much for them by an undulating variety of surface, and
+art having added a good many charms, which have all the better effect now
+that decay and neglect have thrown a natural grace over them likewise.
+There is an artificial ruin, so picturesque that it betrays itself;
+weather-beaten statues, and pieces of sculpture, scattered here and
+there; an artificial lake, with upgushing fountains; cascades, and
+broad-bosomed coves, and long, canal-like reaches, with swans taking
+their delight upon them. I never saw such a glorious and resplendent
+lustre of white as shone between the wings of two of these swans. It was
+really a sight to see, and not to be imagined beforehand. Angels, no
+doubt, have just such lustrous wings as those. English swans partake of
+the dinginess of the atmosphere, and their plumage has nothing at all to
+be compared to this; in fact, there is nothing like it in the world,
+unless it be the illuminated portion of a fleecy, summer cloud.
+
+While we were sauntering along beside this piece of water, we were
+surprised to see U---- on the other side. She had come hither with E----
+S------ and her two little brothers, and with our R-----, the whole under
+the charge of Mrs. Story's nursery-maids. U---- and E---- crossed, not
+over, but beneath the water, through a grotto, and exchanged greetings
+with us. Then, as it was getting towards sunset and cool, we took our
+departure; the abbe, as we left the grounds, taking me aside to give me a
+glimpse of a Columbarium, which descends into the earth to about the
+depth to which an ordinary house might rise above it. These grounds, it
+is said, formed the country residence of the Emperor Galba, and he was
+buried here after his assassination. It is a sad thought that so much
+natural beauty and long refinement of picturesque culture is thrown away,
+the villa being uninhabitable during all the most delightful season of
+the year on account of malaria. There is truly a curse on Rome and all
+its neighborhood.
+
+On our way home we passed by the great Paolina fountain, and were
+assailed by many beggars during the short time we stopped to look at it.
+It is a very copious fountain, but not so beautiful as the Trevi, taking
+into view merely the water-gush of the latter.
+
+
+March 26th.--Yesterday, between twelve and one, our whole family went to
+the Villa Ludovisi, the entrance to which is at the termination of a
+street which passes out of the Piazza Barberini, and it is no very great
+distance from our own street, Via Porta Pinciana. The grounds, though
+very extensive, are wholly within the walls of the city, which skirt
+them, and comprise a part of what were formerly the gardens of Sallust.
+The villa is now the property of Prince Piombini, a ticket from whom
+procured us admission. A little within the gateway, to the right, is a
+casino, containing two large rooms filled with sculpture, much of which
+is very valuable. A colossal head of Juno, I believe, is considered the
+greatest treasure of the collection, but I did not myself feel it to be
+so, nor indeed did I receive any strong impression of its excellence. I
+admired nothing so much, I think, as the face of Penelope (if it be her
+face) in the group supposed also to represent Electra and Orestes. The
+sitting statue of Mars is very fine; so is the Arria and Paetus; so are
+many other busts and figures.
+
+By and by we left the casino and wandered among the grounds, threading
+interminable alleys of cypress, through the long vistas of which we could
+see here and there a statue, an urn, a pillar, a temple, or garden-house,
+or a bas-relief against the wall. It seems as if there must have been a
+time, and not so very long ago,--when it was worth while to spend money
+and thought upon the ornamentation of grounds in the neighborhood of
+Rome. That time is past, however, and the result is very melancholy; for
+great beauty has been produced, but it can be enjoyed in its perfection
+only at the peril of one's life. . . . . For my part, and judging from my
+own experience, I suspect that the Roman atmosphere, never wholesome, is
+always more or less poisonous.
+
+We came to another and larger casino remote from the gateway, in which
+the Prince resides during two months of the year. It was now under
+repair, but we gained admission, as did several other visitors, and saw
+in the entrance-hall the Aurora of Guercino, painted in fresco on the
+ceiling. There is beauty in the design; but the painter certainly was
+most unhappy in his black shadows, and in the work before us they give
+the impression of a cloudy and lowering morning which is likely enough to
+turn to rain by and by. After viewing the fresco we mounted by a spiral
+staircase to a lofty terrace, and found Rome at our feet, and, far off,
+the Sabine and Alban mountains, some of them still capped with snow. In
+another direction there was a vast plain, on the horizon of which, could
+our eyes have reached to its verge, we might perhaps have seen the
+Mediterranean Sea. After enjoying the view and the warm sunshine we
+descended, and went in quest of the gardens of Sallust, but found no
+satisfactory remains of them.
+
+One of the most striking objects in the first casino was a group by
+Bernini,--Pluto, an outrageously masculine and strenuous figure, heavily
+bearded, ravishing away a little, tender Proserpine, whom he holds aloft,
+while his forcible gripe impresses itself into her soft virgin flesh. It
+is very disagreeable, but it makes one feel that Bernini was a man of
+great ability. There are some works in literature that bear an analogy
+to his works in sculpture, when great power is lavished a little outside
+of nature, and therefore proves to be only a fashion,--and not
+permanently adapted to the tastes of mankind.
+
+
+March 27th.--Yesterday forenoon my wife and I went to St. Peter's to see
+the pope pray at the chapel of the Holy Sacrament. We found a good many
+people in the church, but not an inconvenient number; indeed, not so many
+as to make any remarkable show in the great nave, nor even in front of
+the chapel. A detachment of the Swiss Guard, in their strange,
+picturesque, harlequin-like costume, were on duty before the chapel, in
+which the wax tapers were all lighted, and a prie-dieu was arranged near
+the shrine, and covered with scarlet velvet. On each side, along the
+breadth of the side aisle, were placed seats, covered with rich tapestry
+or carpeting; and some gentlemen and ladies--English, probably, or
+American--had comfortably deposited themselves here, but were compelled
+to move by the guards before the pope's entrance. His Holiness should
+have appeared precisely at twelve, but we waited nearly half an hour
+beyond that time; and it seemed to me particularly ill-mannered in the
+pope, who owes the courtesy of being punctual to the people, if not to
+St. Peter. By and by, however, there was a stir; the guard motioned to
+us to stand away from the benches, against the backs of which we had been
+leaning; the spectators in the nave looked towards the door, as if they
+beheld something approaching; and first, there appeared some cardinals,
+in scarlet skull-caps and purple robes, intermixed with some of the Noble
+Guard and other attendants. It was not a very formal and stately
+procession, but rather straggled onward, with ragged edges, the
+spectators standing aside to let it pass, and merely bowing, or perhaps
+slightly bending the knee, as good Catholics are accustomed to do when
+passing before the shrines of saints. Then, in the midst of the purple
+cardinals, all of whom were gray-haired men, appeared a stout old man,
+with a white skull-cap, a scarlet, gold-embroidered cape falling over
+his shoulders, and a white silk robe, the train of which was borne up by
+an attendant. He walked slowly, with a sort of dignified movement,
+stepping out broadly, and planting his feet (on which were red shoes)
+flat upon the pavement, as if he were not much accustomed to locomotion,
+and perhaps had known a twinge of the gout. His face was kindly
+and venerable, but not particularly impressive. Arriving at the
+scarlet-covered prie-dieu, he kneeled down and took off his white
+skull-cap; the cardinals also kneeled behind and on either side of him,
+taking off their scarlet skull-caps; while the Noble Guard remained
+standing, six on one side of his Holiness and six on the other. The pope
+bent his head upon the prie-dieu, and seemed to spend three or four
+minutes in prayer; then rose, and all the purple cardinals, and bishops,
+and priests, of whatever degree, rose behind and beside him. Next, he
+went to kiss St. Peter's toe; at least I believe he kissed it, but I was
+not near enough to be certain; and lastly, he knelt down, and directed
+his devotions towards the high altar. This completed the ceremonies, and
+his Holiness left the church by a side door, making a short passage into
+the Vatican.
+
+I am very glad I have seen the pope, because now he may be crossed out of
+the list of sights to be seen. His proximity impressed me kindly and
+favorably towards him, and I did not see one face among all his cardinals
+(in whose number, doubtless, is his successor) which I would so soon
+trust as that of Pio Nono.
+
+This morning I walked as far as the gate of San Paolo, and, on
+approaching it, I saw the gray sharp pyramid of Caius Cestius pointing
+upward close to the two dark-brown, battlemented Gothic towers of the
+gateway, each of these very different pieces of architecture looking the
+more picturesque for the contrast of the other. Before approaching the
+gateway and pyramid, I walked onward, and soon came in sight of Monte
+Testaccio, the artificial hill made of potsherds. There is a gate
+admitting into the grounds around the hill, and a road encircling its
+base. At a distance, the hill looks greener than any other part of the
+landscape, and has all the curved outlines of a natural hill, resembling
+in shape a headless sphinx, or Saddleback Mountain, as I used to see it
+from Lenox. It is of very considerable height,--two or three hundred
+feet at least, I should say,--and well entitled, both by its elevation
+and the space it covers, to be reckoned among the hills of Rome. Its
+base is almost entirely surrounded with small structures, which seem to
+be used as farm-buildings. On the summit is a large iron cross, the
+Church having thought it expedient to redeem these shattered pipkins from
+the power of paganism, as it has so many other Roman ruins. There was a
+pathway up the hill, but I did not choose to ascend it under the hot sun,
+so steeply did it clamber up. There appears to be a good depth of soil
+on most parts of Monte Testaccio, but on some of the sides you observe
+precipices, bristling with fragments of red or brown earthenware, or
+pieces of vases of white unglazed clay; and it is evident that this
+immense pile is entirely composed of broken crockery, which I should
+hardly have thought would have aggregated to such a heap had it all been
+thrown here,--urns, teacups, porcelain, or earthen,--since the beginning
+of the world.
+
+I walked quite round the hill, and saw, at no great distance from it, the
+enclosure of the Protestant burial-ground, which lies so close to the
+pyramid of Caius Cestius that the latter may serve as a general monument
+to the dead. Deferring, for the present, a visit to the cemetery, or to
+the interior of the pyramid, I returned to the gateway of San Paolo, and,
+passing through it, took a view of it from the outside of the city wall.
+It is itself a portion of the wall, having been built into it by the
+Emperor Aurelian, so that about half of it lies within and half without.
+The brick or red stone material of the wall being so unlike the marble of
+the pyramid, the latter is as distinct, and seems as insulated, as if it
+stood alone in the centre of a plain; and really I do not think there is
+a more striking architectural object in Rome. It is in perfect
+condition, just as little ruined or decayed as on the day when the
+builder put the last peak on the summit; and it ascends steeply from its
+base, with a point so sharp that it looks as if it would hardly afford
+foothold to a bird. The marble was once white, but is now covered with a
+gray coating like that which has gathered upon the statues of Castor and
+Pollux on Monte Cavallo. Not one of the great blocks is displaced, nor
+seems likely to be through all time to come. They rest one upon another,
+in straight and even lines, and present a vast smooth triangle, ascending
+from a base of a hundred feet, and narrowing to an apex at the height of
+a hundred and twenty-five, the junctures of the marble slabs being so
+close that, in all these twenty centuries, only a few little tufts of
+grass, and a trailing plant or two, have succeeded in rooting themselves
+into the interstices.
+
+It is good and satisfactory to see anything which, being built for an
+enduring monument, has endured so faithfully, and has a prospect of such
+an interminable futurity before it. Once, indeed, it seemed likely to be
+buried; for three hundred years ago it had become covered to the depth of
+sixteen feet, but the soil has since been dug away from its base, which
+is now lower than that of the road which passes through the neighboring
+gate of San Paolo. Midway up the pyramid, cut in the marble, is an
+inscription in large Roman letters, still almost as legible as when first
+wrought.
+
+I did not return through the Paolo gateway, but kept onward, round the
+exterior of the wall, till I came to the gate of San Sebastiano. It was
+a hot and not a very interesting walk, with only a high bare wall of
+brick, broken by frequent square towers, on one side of the road, and a
+bank and hedge or a garden wall on the other. Roman roads are most
+inhospitable, offering no shade, and no seat, and no pleasant views of
+rustic domiciles; nothing but the wheel-track of white dust, without a
+foot path running by its side, and seldom any grassy margin to refresh
+the wayfarer's feet.
+
+
+April 3d.--A few days ago we visited the studio of Mr. ------, an
+American, who seems to have a good deal of vogue as a sculptor. We found
+a figure of Pocahontas, which he has repeated several times; another,
+which he calls "The Wept of the Wish-ton-Wish," a figure of a smiling
+girl playing with a cat and dog, and a schoolboy mending a pen. These
+two last were the only ones that gave me any pleasure, or that really had
+any merit; for his cleverness and ingenuity appear in homely subjects,
+but are quite lost in attempts at a higher ideality. Nevertheless, he
+has a group of the Prodigal Son, possessing more merit than I should have
+expected from Mr. ------, the son reclining his head on his father's
+breast, with an expression of utter weariness, at length finding perfect
+rest, while the father bends his benign countenance over him, and seems
+to receive him calmly into himself. This group (the plaster-cast
+standing beside it) is now taking shape out of an immense block of
+marble, and will be as indestructible as the Laocoon; an idea at once
+awful and ludicrous, when we consider that it is at best but a
+respectable production. I have since been told that Mr. ------ had
+stolen, adopted, we will rather say, the attitude and idea of the group
+from one executed by a student of the French Academy, and to be seen
+there in plaster. (We afterwards saw it in the Medici Casino.)
+
+Mr. ------ has now been ten years in Italy, and, after all this time, he
+is still entirely American in everything but the most external surface of
+his manners; scarcely Europeanized, or much modified even in that. He is
+a native of ------, but had his early breeding in New York, and might,
+for any polish or refinement that I can discern in him, still be a
+country shopkeeper in the interior of New York State or New England. How
+strange! For one expects to find the polish, the close grain and white
+purity of marble, in the artist who works in that noble material; but,
+after all, he handles club, and, judging by the specimens I have seen
+here, is apt to be clay, not of the finest, himself. Mr. ------ is
+sensible, shrewd, keen, clever; an ingenious workman, no doubt; with tact
+enough, and not destitute of taste; very agreeable and lively in his
+conversation, talking as fast and as naturally as a brook runs, without
+the slightest affectation. His naturalness is, in fact, a rather
+striking characteristic, in view of his lack of culture, while yet his
+life has been concerned with idealities and a beautiful art. What degree
+of taste he pretends to, he seems really to possess, nor did I hear a
+single idea from him that struck me as otherwise than sensible.
+
+He called to see us last evening, and talked for about two hours in a
+very amusing and interesting style, his topics being taken from his own
+personal experience, and shrewdly treated. He spoke much of Greenough,
+whom he described as an excellent critic of art, but possessed of not the
+slightest inventive genius. His statue of Washington, at the Capitol, is
+taken precisely from the Plodian Jupiter; his Chanting Cherubs are copied
+in marble from two figures in a picture by Raphael. He did nothing that
+was original with himself To-day we took R-----, and went to see Miss
+------, and as her studio seems to be mixed up with Gibson's, we had an
+opportunity of glancing at some of his beautiful works. We saw a Venus
+and a Cupid, both of them tinted; and, side by side with them, other
+statues identical with these, except that the marble was left in its pure
+whiteness.
+
+We found Miss ------ in a little upper room. She has a small, brisk,
+wide-awake figure, not ungraceful; frank, simple, straightforward, and
+downright. She had on a robe, I think, but I did not look so low, my
+attention being chiefly drawn to a sort of man's sack of purple or
+plum-colored broadcloth, into the side-pockets of which her hands were
+thrust as she came forward to greet us. She withdrew one hand, however,
+and presented it cordially to my wife (whom she already knew) and to
+myself, without waiting for an introduction. She had on a shirt-front,
+collar, and cravat like a man's, with a brooch of Etruscan gold, and on
+her curly head was a picturesque little cap of black velvet, and her face
+was as bright and merry, and as small of feature as a child's. It looked
+in one aspect youthful, and yet there was something worn in it too.
+There never was anything so jaunty as her movement and action; she was
+very peculiar, but she seemed to be her actual self, and nothing affected
+or made up; so that, for my part, I gave her full leave to wear what may
+suit her best, and to behave as her inner woman prompts. I don't quite
+see, however, what she is to do when she grows older, for the decorum of
+age will not be consistent with a costume that looks pretty and excusable
+enough in a young woman.
+
+Miss ------ led us into a part of the extensive studio, or collection of
+studios, where some of her own works were to be seen: Beatrice Cenci,
+which did not very greatly impress me; and a monumental design, a female
+figure,--wholly draped even to the stockings and shoes,--in a quiet
+sleep. I liked this last. There was also a Puck, doubtless full of fun;
+but I had hardly time to glance at it. Miss ------ evidently has good
+gifts in her profession, and doubtless she derives great advantage from
+her close association with a consummate artist like Gibson; nor yet does
+his influence seem to interfere with the originality of her own
+conceptions. In one way, at least, she can hardly fail to profit,--that
+is, by the opportunity of showing her works to the throngs of people who
+go to see Gibson's own; and these are just such people as an artist would
+most desire to meet, and might never see in a lifetime, if left to
+himself. I shook hands with this frank and pleasant little person, and
+took leave, not without purpose of seeing her again.
+
+Within a few days, there have been many pilgrims in Rome, who come hither
+to attend the ceremonies of holy week, and to perform their vows, and
+undergo their penances. I saw two of them near the Forum yesterday, with
+their pilgrim staves, in the fashion of a thousand years ago. . . . . I
+sat down on a bench near one of the chapels, and a woman immediately came
+up to me to beg. I at first refused; but she knelt down by my side, and
+instead of praying to the saint prayed to me; and, being thus treated as
+a canonized personage, I thought it incumbent on me to be gracious to the
+extent of half a paul. My wife, some time ago, came in contact with a
+pickpocket at the entrance of a church; and, failing in his enterprise
+upon her purse, he passed in, dipped his thieving fingers in the holy
+water, and paid his devotions at a shrine. Missing the purse, he said
+his prayers, in the hope, perhaps, that the saint would send him better
+luck another time.
+
+
+April 10th.--I have made no entries in my journal recently, being
+exceedingly lazy, partly from indisposition, as well as from an
+atmosphere that takes the vivacity out of everybody. Not much has
+happened or been effected. Last Sunday, which was Easter Sunday, I went
+with J----- to St. Peter's, where we arrived at about nine o'clock, and
+found a multitude of people already assembled in the church. The
+interior was arrayed in festal guise, there being a covering of scarlet
+damask over the pilasters of the nave, from base to capital, giving an
+effect of splendor, yet with a loss as to the apparent dimensions of the
+interior. A guard of soldiers occupied the nave, keeping open a wide
+space for the passage of a procession that was momently expected, and
+soon arrived. The crowd was too great to allow of my seeing it in
+detail; but I could perceive that there were priests, cardinals, Swiss
+guards, some of them with corselets on, and by and by the pope himself
+was borne up the nave, high over the heads of all, sitting under a
+canopy, crowned with his tiara. He floated slowly along, and was set
+down in the neighborhood of the high altar; and the procession being
+broken up, some of its scattered members might be seen here and there,
+about the church,--officials in antique Spanish dresses; Swiss guards, in
+polished steel breastplates; serving-men, in richly embroidered liveries;
+officers, in scarlet coats and military boots; priests, and divers other
+shapes of men; for the papal ceremonies seem to forego little or nothing
+that belongs to times past, while it includes everything appertaining to
+the present. I ought to have waited to witness the papal benediction
+from the balcony in front of the church; or, at least, to hear the famous
+silver trumpets, sounding from the dome; but J----- grew weary (to say
+the truth, so did I), and we went on a long walk, out of the nearest city
+gate, and back through the Janiculum, and, finally, homeward over the
+Ponto Rotto. Standing on the bridge, I saw the arch of the Cloaca
+Maxima, close by the Temple of Vesta, with the water rising within two or
+three feet of its keystone.
+
+The same evening we went to Monte Cavallo, where, from the gateway of the
+Pontifical Palace, we saw the illumination of St. Peter's. Mr. Akers,
+the sculptor, had recommended this position to us, and accompanied us
+thither, as the best point from which the illumination could be witnessed
+at a distance, without the incommodity of such a crowd as would be
+assembled at the Pincian. The first illumination, the silver one, as it
+is called, was very grand and delicate, describing the outline of the
+great edifice and crowning dome in light; while the day was not yet
+wholly departed. As ------ finally remarked, it seemed like the
+glorified spirit of the Church, made visible, or, as I will add, it
+looked as this famous and never-to-be-forgotten structure will look to
+the imaginations of men, through the waste and gloom of future ages,
+after it shall have gone quite to decay and ruin: the brilliant, though
+scarcely distinct gleam of a statelier dome than ever was seen, shining
+on the background of the night of Time. This simile looked prettier in
+my fancy than I have made it look on paper.
+
+After we had enjoyed the silver illumination a good while, and when all
+the daylight had given place to the constellated night, the distant
+outline of St. Peter's burst forth, in the twinkling of an eye, into a
+starry blaze, being quite the finest effect that I ever witnessed. I
+stayed to see it, however, only a few minutes; for I was quite ill and
+feverish with a cold,--which, indeed, I have seldom been free from, since
+my first breathing of the genial atmosphere of Rome. This pestilence
+kept me within doors all the next day, and prevented me from seeing the
+beautiful fireworks that were exhibited in the evening from the platform
+on the Pincian, above the Piazza del Popolo.
+
+On Thursday, I paid another visit to the sculpture-gallery of the
+Capitol, where I was particularly struck with a bust of Cato the Censor,
+who must have been the most disagreeable, stubborn, ugly-tempered,
+pig-headed, narrow-minded, strong-willed old Roman that ever lived. The
+collection of busts here and at the Vatican are most interesting, many of
+the individual heads being full of character, and commending themselves
+by intrinsic evidence as faithful portraits of the originals. These
+stone people have stood face to face with Caesar, and all the other
+emperors, and with statesmen, soldiers, philosophers, and poets of the
+antique world, and have been to them like their reflections in a mirror.
+It is the next thing to seeing the men themselves.
+
+We went afterwards into the Palace of the Conservatori, and saw, among
+various other interesting things, the bronze wolf suckling Romulus and
+Remus, who sit beneath her dugs, with open mouths to receive the milk.
+
+On Friday, we all went to see the Pope's Palace on the Quirinal. There
+was a vast hall, and an interminable suite of rooms, cased with marble,
+floored with marble or mosaics or inlaid wood, adorned with frescos on
+the vaulted ceilings, and many of them lined with Gobelin tapestry; not
+wofully faded, like almost all that I have hitherto seen, but brilliant
+as pictures. Indeed, some of them so closely resembled paintings, that I
+could hardly believe they were not so; and the effect was even richer
+than that of oil-paintings. In every room there was a crucifix; but I
+did not see a single nook or corner where anybody could have dreamed of
+being comfortable. Nevertheless, as a stately and solemn residence for
+his Holiness, it is quite a satisfactory affair. Afterwards, we went
+into the Pontifical Gardens, connected with the palace. They are very
+extensive, and laid out in straight avenues, bordered with walls of box,
+as impervious as if of stone,--not less than twenty feet high, and
+pierced with lofty archways, cut in the living wall. Some of the avenues
+were overshadowed with trees, the tops of which bent over and joined one
+another from either side, so as to resemble a side aisle of a Gothic
+cathedral. Marble sculptures, much weather-stained, and generally
+broken-nosed, stood along these stately walks; there were many fountains
+gushing up into the sunshine; we likewise found a rich flower-garden,
+containing rare specimens of exotic flowers, and gigantic cactuses, and
+also an aviary, with vultures, doves, and singing birds. We did not see
+half the garden, but, stiff and formal as its general arrangement is, it
+is a beautiful place,--a delightful, sunny, and serene seclusion.
+Whatever it may be to the pope, two young lovers might find the Garden of
+Eden here, and never desire to stray out of its precincts. They might
+fancy angels standing in the long, glimmering vistas of the avenues.
+
+It would suit me well enough to have my daily walk along such straight
+paths, for I think them favorable to thought, which is apt to be
+disturbed by variety and unexpectedness.
+
+
+April 12th.--We all, except R-----, went to-day to the Vatican, where we
+found our way to the Stanze of Raphael, these being four rooms, or halls,
+painted with frescos. No doubt they were once very brilliant and
+beautiful; but they have encountered hard treatment since Raphael's time,
+especially when the soldiers of the Constable de Bourbon occupied these
+apartments, and made fires on the mosaic floors. The entire walls and
+ceilings are covered with pictures; but the handiwork or designs of
+Raphael consist of paintings on the four sides of each room, and include
+several works of art. The School of Athens is perhaps the most
+celebrated; and the longest side of the largest hall is occupied by a
+battle-piece, of which the Emperor Constantine is the hero, and which
+covers almost space enough for a real battle-field. There was a
+wonderful light in one of the pictures,--that of St. Peter awakened in
+his prison, by the angel; it really seemed to throw a radiance into the
+hall below. I shall not pretend, however, to have been sensible of any
+particular rapture at the sight of these frescos; so faded as they are,
+so battered by the mischances of years, insomuch that, through all the
+power and glory of Raphael's designs, the spectator cannot but be
+continually sensible that the groundwork of them is an old plaster wall.
+They have been scrubbed, I suppose,--brushed, at least,--a thousand times
+over, till the surface, brilliant or soft, as Raphael left it, must have
+been quite rubbed off, and with it, all the consummate finish, and
+everything that made them originally delightful. The sterner features
+remain, the skeleton of thought, but not the beauty that once clothed it.
+In truth, the frescos, excepting a few figures, never had the real touch
+of Raphael's own hand upon them, having been merely designed by him, and
+finished by his scholars, or by other artists.
+
+The halls themselves are specimens of antique magnificence, paved with
+elaborate mosaics; and wherever there is any wood-work, it is richly
+carved with foliage and figures. In their newness, and probably for a
+hundred years afterwards, there could not have been so brilliant a suite
+of rooms in the world.
+
+Connected with them--at any rate, not far distant--is the little Chapel
+of San Lorenzo, the very site of which, among the thousands of apartments
+of the Vatican, was long forgotten, and its existence only known by
+tradition. After it had been walled up, however, beyond the memory of
+man, there was still a rumor of some beautiful frescos by Fra Angelico,
+in an old chapel of Pope Nicholas V., that had strangely disappeared out
+of the palace, and, search at length being made, it was discovered, and
+entered through a window. It is a small, lofty room, quite covered over
+with frescos of sacred subjects, both on the walls and ceiling, a good
+deal faded, yet pretty distinctly preserved. It would have been no
+misfortune to me, if the little old chapel had remained still hidden.
+
+We next issued into the Loggie, which consist of a long gallery, or
+arcade or colonnade, the whole extent of which was once beautifully
+adorned by Raphael. These pictures are almost worn away, and so defaced
+as to be untraceable and unintelligible, along the side wall of the
+gallery; although traceries of Arabesque, and compartments where there
+seem to have been rich paintings, but now only an indistinguishable waste
+of dull color, are still to be seen. In the coved ceiling, however,
+there are still some bright frescos, in better preservation than any
+others; not particularly beautiful, nevertheless. I remember to have
+seen (indeed, we ourselves possess them) a series of very spirited and
+energetic engravings, old and coarse, of these frescos, the subject being
+the Creation, and the early Scripture history; and I really think that
+their translation of the pictures is better than the original. On
+reference to Murray, I find that little more than the designs is
+attributed to Raphael, the execution being by Giulio Romano and other
+artists.
+
+Escaping from these forlorn splendors, we went into the
+sculpture-gallery, where I was able to enjoy, in some small degree, two
+or three wonderful works of art; and had a perception that there were a
+thousand other wonders around me. It is as if the statues kept, for the
+most part, a veil about them, which they sometimes withdraw, and let
+their beauty gleam upon my sight; only a glimpse, or two or three
+glimpses, or a little space of calm enjoyment, and then I see nothing but
+a discolored marble image again. The Minerva Medica revealed herself
+to-day. I wonder whether other people are more fortunate than myself,
+and can invariably find their way to the inner soul of a work of art. I
+doubt it; they look at these things for just a minute, and pass on,
+without any pang of remorse, such as I feel, for quitting them so soon
+and so willingly. I am partly sensible that some unwritten rules of
+taste are making their way into my mind; that all this Greek beauty has
+done something towards refining me, though I am still, however, a very
+sturdy Goth. . . . .
+
+
+April 15th.--Yesterday I went with J----- to the Forum, and descended
+into the excavations at the base of the Capitol, and on the site of the
+Basilica of Julia. The essential elements of old Rome are there:
+columns, single, or in groups of two or three, still erect, but battered
+and bruised at some forgotten time with infinite pains and labor;
+fragments of other columns lying prostrate, together with rich capitals
+and friezes; the bust of a colossal female statue, showing the bosom and
+upper part of the arms, but headless; a long, winding space of pavement,
+forming part of the ancient ascent to the Capitol, still as firm and
+solid as ever; the foundation of the Capitol itself, wonderfully massive,
+built of immense square blocks of stone, doubtless three thousand years
+old, and durable for whatever may be the lifetime of the world; the Arch
+of Septimius, Severus, with bas-reliefs of Eastern wars; the Column of
+Phocas, with the rude series of steps ascending on four sides to its
+pedestal; the floor of beautiful and precious marbles in the Basilica of
+Julia, the slabs cracked across,--the greater part of them torn up and
+removed, the grass and weeds growing up through the chinks of what
+remain; heaps of bricks, shapeless bits of granite, and other ancient
+rubbish, among which old men are lazily rummaging for specimens that a
+stranger may be induced to buy,--this being an employment that suits the
+indolence of a modern Roman. The level of these excavations is about
+fifteen feet, I should judge, below the present street, which passes
+through the Forum, and only a very small part of this alien surface has
+been removed, though there can be no doubt that it hides numerous
+treasures of art and monuments of history. Yet these remains do not make
+that impression of antiquity upon me which Gothic ruins do. Perhaps it
+is so because they belong to quite another system of society and epoch of
+time, and, in view of them, we forget all that has intervened betwixt
+them and us; being morally unlike and disconnected with them, and not
+belonging to the same train of thought; so that we look across a gulf to
+the Roman ages, and do not realize how wide the gulf is. Yet in that
+intervening valley lie Christianity, the Dark Ages, the feudal system,
+chivalry and romance, and a deeper life of the human race than Rome
+brought to the verge of the gulf.
+
+To-day we went to the Colonna Palace, where we saw some fine pictures,
+but, I think, no masterpieces. They did not depress and dishearten me so
+much as the pictures in Roman palaces usually do; for they were in
+remarkably good order as regards frames and varnish; indeed, I rather
+suspect some of them had been injured by the means adopted to preserve
+their beauty. The palace is now occupied by the French Ambassador, who
+probably looks upon the pictures as articles of furniture and household
+adornment, and does not choose to have squares of black and forlorn
+canvas upon his walls. There were a few noble portraits by Vandyke; a
+very striking one by Holbein, one or two by Titian, also by Guercino, and
+some pictures by Rubens, and other forestieri painters, which refreshed
+my weary eyes. But--what chiefly interested me was the magnificent and
+stately hall of the palace; fifty-five of my paces in length, besides a
+large apartment at either end, opening into it through a pillared space,
+as wide as the gateway of a city. The pillars are of giallo antico, and
+there are pilasters of the same all the way up and down the walls,
+forming a perspective of the richest aspect, especially as the broad
+cornice flames with gilding, and the spaces between the pilasters are
+emblazoned with heraldic achievements and emblems in gold, and there are
+Venetian looking-glasses, richly decorated over the surface with
+beautiful pictures of flowers and Cupids, through which you catch the
+gleam of the mirror; and two rows of splendid chandeliers extend from end
+to end of the hall, which, when lighted up, if ever it be lighted up,
+now-a-nights, must be the most brilliant interior that ever mortal eye
+beheld. The ceiling glows with pictures in fresco, representing scenes
+connected with the history of the Colonna family; and the floor is paved
+with beautiful marbles, polished and arranged in square and circular
+compartments; and each of the many windows is set in a great
+architectural frame of precious marble, as large as the portal of a door.
+The apartment at the farther end of the hall is elevated above it, and is
+attained by several marble steps, whence it must have been glorious in
+former days to have looked down upon a gorgeous throng of princes,
+cardinals, warriors, and ladies, in such rich attire as might be worn
+when the palace was built. It is singular how much freshness and
+brightness it still retains; and the only objects to mar the effect were
+some ancient statues and busts, not very good in themselves, and now made
+dreary of aspect by their corroded surfaces,--the result of long burial
+under ground.
+
+In the room at the entrance of the hall are two cabinets, each a wonder
+in its way,--one being adorned with precious stones; the other with ivory
+carvings of Michael Angelo's Last Judgment, and of the frescos of
+Raphael's Loggie. The world has ceased to be so magnificent as it once
+was. Men make no such marvels nowadays. The only defect that I remember
+in this hall was in the marble steps that ascend to the elevated
+apartment at the end of it; a large piece had been broken out of one of
+them, leaving a rough irregular gap in the polished marble stair. It is
+not easy to conceive what violence can have done this, without also doing
+mischief to all the other splendor around it.
+
+
+April 16th.--We went this morning to the Academy of St. Luke (the Fine
+Arts Academy at Rome) in the Via Bonella, close by the Forum. We rang
+the bell at the house door; and after a few moments it was unlocked or
+unbolted by some unseen agency from above, no one making his appearance
+to admit us. We ascended two or three flights of stairs, and entered a
+hall, where was a young man, the custode, and two or three artists
+engaged in copying some of the pictures. The collection not being vastly
+large, and the pictures being in more presentable condition than usual, I
+enjoyed them more than I generally do; particularly a Virgin and Child by
+Vandyke, where two angels are singing and playing, one on a lute and the
+other on a violin, to remind the holy infant of the strains he used to
+hear in heaven. It is one of the few pictures that there is really any
+pleasure in looking at. There were several paintings by Titian, mostly
+of a voluptuous character, but not very charming; also two or more by
+Guido, one of which, representing Fortune, is celebrated. They did not
+impress me much, nor do I find myself strongly drawn towards Guido,
+though there is no other painter who seems to achieve things so magically
+and inscrutably as he sometimes does. Perhaps it requires a finer taste
+than mine to appreciate him; and yet I do appreciate him so far as to see
+that his Michael, for instance, is perfectly beautiful. . . . . In the
+gallery, there are whole rows of portraits of members of the Academy of
+St. Luke, most of whom, judging by their physiognomies, were very
+commonplace people; a fact which makes itself visible in a portrait,
+however much the painter may try to flatter his sitter. Several of the
+pictures by Titian, Paul Veronese, and other artists, now exhibited in
+the gallery, were formerly kept in a secret cabinet in the Capitol, being
+considered of a too voluptuous character for the public eye. I did not
+think them noticeably indecorous, as compared with a hundred other
+pictures that are shown and looked at without scruple;--Calypso and her
+nymphs, a knot of nude women by Titian, is perhaps as objectionable as
+any. But even Titian's flesh-tints cannot keep, and have not kept their
+warmth through all these centuries. The illusion and lifelikeness
+effervesces and exhales out of a picture as it grows old; and we go on
+talking of a charm that has forever vanished.
+
+From St. Luke's we went to San Pietro in Vincoli, occupying a fine
+position on or near the summit of the Esquiline mount. A little abortion
+of a man (and, by the by, there are more diminutive and ill-shapen men
+and women in Rome than I ever saw elsewhere, a phenomenon to be accounted
+for, perhaps, by their custom of wrapping the new-born infant in
+swaddling-clothes), this two-foot abortion hastened before us, as we drew
+nigh, to summon the sacristan to open the church door. It was a needless
+service, for which we rewarded him with two baiocchi. San Pietro is a
+simple and noble church, consisting of a nave divided from the side
+aisles by rows of columns, that once adorned some ancient temple; and its
+wide, unencumbered interior affords better breathing-space than most
+churches in Rome. The statue of Moses occupies a niche in one of the
+side aisles on the right, not far from the high altar. I found it grand
+and sublime, with a beard flowing down like a cataract; a truly majestic
+figure, but not so benign as it were desirable that such strength should
+be. The horns, about which so much has been said, are not a very
+prominent feature of the statue, being merely two diminutive tips rising
+straight up over his forehead, neither adding to the grandeur of the
+head, nor detracting sensibly from it. The whole force of this statue is
+not to be felt in one brief visit, but I agree with an English gentleman,
+who, with a large party, entered the church while we were there, in
+thinking that Moses has "very fine features,"--a compliment for which the
+colossal Hebrew ought to have made the Englishman a bow.
+
+Besides the Moses, the church contains some attractions of a pictorial
+kind, which are reposited in the sacristy, into which we passed through a
+side door. The most remarkable of these pictures is a face and bust of
+Hope, by Guido, with beautiful eyes lifted upwards; it has a grace which
+artists are continually trying to get into their innumerable copies, but
+always without success; for, indeed, though nothing is more true than the
+existence of this charm in the picture, yet if you try to analyze it, or
+even look too intently at it, it vanishes, till you look again with more
+trusting simplicity.
+
+Leaving the church, we wandered to the Coliseum, and to the public
+grounds contiguous to them, where a score and more of French drummers
+were beating each man his drum, without reference to any rub-a-dub but
+his own. This seems to be a daily or periodical practice and point of
+duty with them. After resting ourselves on one of the marble benches, we
+came slowly home, through the Basilica of Constantine, and along the
+shady sides of the streets and piazzas, sometimes, perforce, striking
+boldly through the white sunshine, which, however, was not so hot as to
+shrivel us up bodily. It has been a most beautiful and perfect day as
+regards weather, clear and bright, very warm in the sunshine, yet
+freshened throughout by a quiet stir in the air. Still there is
+something in this air malevolent, or, at least, not friendly. The Romans
+lie down and fall asleep in it, in any vacant part of the streets, and
+wherever they can find any spot sufficiently clean, and among the ruins
+of temples. I would not sleep in the open air for whatever my life may
+be worth.
+
+On our way home, sitting in one of the narrow streets, we saw an old
+woman spinning with a distaff; a far more ancient implement than the
+spinning-wheel, which the housewives of other nations have long since
+laid aside.
+
+
+April 18th.--Yesterday, at noon, the whole family of us set out on a
+visit to the Villa Borghese and its grounds, the entrance to which is
+just outside of the Porta del Popolo. After getting within the grounds,
+however, there is a long walk before reaching the casino, and we found
+the sun rather uncomfortably hot, and the road dusty and white in the
+sunshine; nevertheless, a footpath ran alongside of it most of the way
+through the grass and among the young trees. It seems to me that the
+trees do not put forth their leaves with nearly the same magical rapidity
+in this southern land at the approach of summer, as they do in more
+northerly countries. In these latter, having a much shorter time to
+develop themselves, they feel the necessity of making the most of it.
+But the grass, in the lawns and enclosures along which we passed, looked
+already fit to be mowed, and it was interspersed with many flowers.
+
+Saturday being, I believe, the only day of the week on which visitors are
+admitted to the casino, there were many parties in carriages, artists on
+foot, gentlemen on horseback, and miscellaneous people, to whom the door
+was opened by a custode on ringing a bell. The whole of the basement
+floor of the casino, comprising a suite of beautiful rooms, is filled
+with statuary. The entrance hall is a very splendid apartment, brightly
+frescoed, and paved with ancient mosaics, representing the combats with
+beasts and gladiators in the Coliseum, curious, though very rudely and
+awkwardly designed, apparently after the arts had begun to decline. Many
+of the specimens of sculpture displayed in these rooms are fine, but none
+of them, I think, possess the highest merit. An Apollo is beautiful; a
+group of a fighting Amazon, and her enemies trampled under her horse's
+feet, is very impressive; a Faun, copied from that of Praxiteles, and
+another, who seems to be dancing, were exceedingly pleasant to look at.
+I like these strange, sweet, playful, rustic creatures, . . . . linked so
+prettily, without monstrosity, to the lower tribes. . . . . Their
+character has never, that I know of, been wrought out in literature; and
+something quite good, funny, and philosophical, as well as poetic, might
+very likely be educed from them. . . . . The faun is a natural and
+delightful link betwixt human and brute life, with something of a divine
+character intermingled.
+
+The gallery, as it is called, on the basement floor of the casino, is
+sixty feet in length, by perhaps a third as much in breadth, and is
+(after all I have seen at the Colonna Palace and elsewhere) a more
+magnificent hall than I imagined to be in existence. It is floored with
+rich marble in beautifully arranged compartments, and the walls are
+almost entirely eased with marble of various sorts, the prevailing kind
+being giallo antico, intermixed with verd antique, and I know not what
+else; but the splendor of the giallo antico gives the character to the
+room, and the large and deep niches along the walls appear to be lined
+with the same material. Without coming to Italy, one can have no idea of
+what beauty and magnificence are produced by these fittings up of
+polished marble. Marble to an American means nothing but white
+limestone.
+
+This hall, moreover, is adorned with pillars of Oriental alabaster, and
+wherever is a space vacant of precious and richly colored marble it is
+frescoed with arabesque ornaments; and over the whole is a coved and
+vaulted ceiling, glowing with picture. There never can be anything
+richer than the whole effect. As to the sculpture here it was not very
+fine, so far as I can remember, consisting chiefly of busts of the
+emperors in porphyry; but they served a good purpose in the upholstery
+way. There were also magnificent tables, each composed of one great slab
+of porphyry; and also vases of nero antico, and other rarest substance.
+It remains to be mentioned that, on this almost summer day, I was quite
+chilled in passing through these glorious halls; no fireplace anywhere;
+no possibility of comfort; and in the hot season, when their coolness
+might be agreeable, it would be death to inhabit them.
+
+Ascending a long winding staircase, we arrived at another suite of rooms,
+containing a good many not very remarkable pictures, and a few more
+pieces of statuary. Among the latter, is Canova's statue of Pauline, the
+sister of Bonaparte, who is represented with but little drapery, and in
+the character of Venus holding the apple in her hand. It is admirably
+done, and, I have no doubt, a perfect likeness; very beautiful too; but
+it is wonderful to see how the artificial elegance of the woman of this
+world makes itself perceptible in spite of whatever simplicity she could
+find in almost utter nakedness. The statue does not afford pleasure in
+the contemplation.
+
+In one of these upper rooms are some works of Bernini; two of them,
+Aeneas and Anchises, and David on the point of slinging a stone at
+Goliath, have great merit, and do not tear and rend themselves quite out
+of the laws and limits of marble, like his later sculpture. Here is also
+his Apollo overtaking Daphne, whose feet take root, whose, finger-tips
+sprout into twigs, and whose tender body roughens round about with bark,
+as he embraces her. It did not seem very wonderful to me; not so good as
+Hillard's description of it made me expect; and one does not enjoy these
+freaks in marble.
+
+We were glad to emerge from the casino into the warm sunshine; and, for
+my part, I made the best of my way to a large fountain, surrounded by a
+circular stone seat of wide sweep, and sat down in a sunny segment of the
+circle. Around grew a solemn company of old trees,--ilexes, I believe,--
+with huge, contorted trunks and evergreen branches, . . . . deep groves,
+sunny openings, the airy gush of fountains, marble statues, dimly visible
+in recesses of foliage, great urns and vases, terminal figures, temples,
+--all these works of art looking as if they had stood there long enough
+to feel at home, and to be on friendly and familiar terms with the grass
+and trees. It is a most beautiful place, . . . . and the Malaria is its
+true master and inhabitant!
+
+
+April 22d.--We have been recently to the studio of Mr. Brown [now dead],
+the American landscape-painter, and were altogether surprised and
+delighted with his pictures. He is a plain, homely Yankee, quite
+unpolished by his many years' residence in Italy; he talks
+ungrammatically, and in Yankee idioms; walks with a strange, awkward gait
+and stooping shoulders; is altogether unpicturesque; but wins one's
+confidence by his very lack of grace. It is not often that we see an
+artist so entirely free from affectation in his aspect and deportment.
+His pictures were views of Swiss and Italian scenery, and were most
+beautiful and true. One of them, a moonlight picture, was really
+magical,-- the moon shining so brightly that it seemed to throw a light
+even beyond the limits of the picture,--and yet his sunrises and sunsets,
+and noontides too, were nowise inferior to this, although their
+excellence required somewhat longer study, to be fully appreciated. I
+seemed to receive more pleasure front Mr. Brown's pictures than from any
+of the landscapes by the old masters; and the fact serves to strengthen
+me in the belief that the most delicate if not the highest charm of a
+picture is evanescent, and that we continue to admire pictures
+prescriptively and by tradition, after the qualities that first won
+them their fame have vanished. I suppose Claude was a greater
+landscape-painter than Brown; but for my own pleasure I would prefer one
+of the latter artist's pictures,--those of the former being quite changed
+from what he intended them to be by the effect of time on his pigments.
+Mr. Brown showed us some drawings from nature, done with incredible care
+and minuteness of detail, as studies for his paintings. We complimented
+him on his patience; but he said, "O, it's not patience,--it's love!" In
+fact, it was a patient and most successful wooing of a beloved object,
+which at last rewarded him by yielding itself wholly.
+
+We have likewise been to Mr. B------'s [now dead] studio, where we saw
+several pretty statues and busts, and among them an Eve, with her wreath
+of fig-leaves lying across her poor nudity; comely in some points, but
+with a frightful volume of thighs and calves. I do not altogether see
+the necessity of ever sculpturing another nakedness. Man is no longer a
+naked animal; his clothes are as natural to him as his skin, and
+sculptors have no more right to undress him than to flay him.
+
+Also, we have seen again William Story's Cleopatra,--a work of genuine
+thought and energy, representing a terribly dangerous woman; quiet enough
+for the moment, but very likely to spring upon you like a tigress. It is
+delightful to escape to his creations from this universal prettiness,
+which seems to be the highest conception of the crowd of modern
+sculptors, and which they almost invariably attain.
+
+Miss Bremer called on us the other day. We find her very little changed
+from what she was when she came to take tea and spend an evening at our
+little red cottage, among the Berkshire hills, and went away so
+dissatisfied with my conversational performances, and so laudatory of my
+brow and eyes, while so severely criticising my poor mouth and chin. She
+is the funniest little old fairy in person whom one can imagine, with a
+huge nose, to which all the rest of her is but an insufficient appendage;
+but you feel at once that she is most gentle, kind, womanly, sympathetic,
+and true. She talks English fluently, in a low quiet voice, but with
+such an accent that it is impossible to understand her without the
+closest attention. This was the real cause of the failure of our
+Berkshire interview; for I could not guess, half the time, what she was
+saying, and, of course, had to take an uncertain aim with my responses.
+A more intrepid talker than myself would have shouted his ideas across
+the gulf; but, for me, there must first be a close and unembarrassed
+contiguity with my companion, or I cannot say one real word. I doubt
+whether I have ever really talked with half a dozen persons in my life,
+either men or women.
+
+To-day my wife and I have been at the picture and sculpture galleries of
+the Capitol. I rather enjoyed looking at several of the pictures, though
+at this moment I particularly remember only a very beautiful face of a
+man, one of two heads on the same canvas by Vandyke. Yes; I did look
+with new admiration at Paul Veronese's "Rape of Europa." It must have
+been, in its day, the most brilliant and rejoicing picture, the most
+voluptuous, the most exuberant, that ever put the sunshine to shame. The
+bull has all Jupiter in him, so tender and gentle, yet so passionate,
+that you feel it indecorous to look at him; and Europa, under her thick
+rich stuffs and embroideries, is all a woman. What a pity that such a
+picture should fade, and perplex the beholder with such splendor shining
+through such forlornness!
+
+We afterwards went into the sculpture-gallery, where I looked at the Faun
+of Praxiteles, and was sensible of a peculiar charm in it; a sylvan
+beauty and homeliness, friendly and wild at once. The lengthened, but
+not preposterous ears, and the little tail, which we infer, have an
+exquisite effect, and make the spectator smile in his very heart. This
+race of fauns was the most delightful of all that antiquity imagined. It
+seems to me that a story, with all sorts of fun and pathos in it, might
+be contrived on the idea of their species having become intermingled with
+the human race; a family with the faun blood in them, having prolonged
+itself from the classic era till our own days. The tail might have
+disappeared, by dint of constant intermarriages with ordinary mortals;
+but the pretty hairy ears should occasionally reappear in members of the
+family; and the moral instincts and intellectual characteristics of the
+faun might be most picturesquely brought out, without detriment to the
+human interest of the story. Fancy this combination in the person of a
+young lady!
+
+I have spoken of Mr. Gibson's colored statues. It seems (at least Mr.
+Nichols tells me) that he stains them with tobacco juice. . . . . Were he
+to send a Cupid to America, he need not trouble himself to stain it
+beforehand.
+
+
+April 25th.--Night before last, my wife and I took a moonlight ramble
+through Rome, it being a very beautiful night, warm enough for comfort,
+and with no perceptible dew or dampness. We set out at about nine
+o'clock, and, our general direction being towards the Coliseum, we soon
+came to the Fountain of Trevi, full on the front of which the moonlight
+fell, making Bernini's sculptures look stately and beautiful, though the
+semicircular gush and fall of the cascade, and the many jets of the
+water, pouring and bubbling into the great marble basin, are of far more
+account than Neptune and his steeds, and the rest of the figures. . . . .
+
+We ascended the Capitoline Hill, and I felt a satisfaction in placing my
+hand on those immense blocks of stone, the remains of the ancient
+Capitol, which form the foundation of the present edifice, and will make
+a sure basis for as many edifices as posterity may choose to rear upon
+it, till the end of the world. It is wonderful, the solidity with which
+those old Romans built; one would suppose they contemplated the whole
+course of Time as the only limit of their individual life. This is not
+so strange in the days of the Republic, when, probably, they believed in
+the permanence of their institutions; but they still seemed to build for
+eternity, in the reigns of the emperors, when neither rulers nor people
+had any faith or moral substance, or laid any earnest grasp on life.
+
+Reaching the top of the Capitoline Hill, we ascended the steps of the
+portal of the Palace of the Senator, and looked down into the piazza,
+with the equestrian statue of Marcus Aurelius in the centre of it. The
+architecture that surrounds the piazza is very ineffective; and so, in my
+opinion, are all the other architectural works of Michael Angelo,
+including St. Peter's itself, of which he has made as little as could
+possibly be made of such a vast pile of material. He balances everything
+in such a way that it seems but half of itself.
+
+We soon descended into the piazza, and walked round and round the statue
+of Marcus Aurelius, contemplating it from every point and admiring it in
+all. . . . . On these beautiful moonlight nights, Rome appears to keep
+awake and stirring, though in a quiet and decorous way. It is, in fact,
+the pleasantest time for promenades, and we both felt less wearied than
+by any promenade in the daytime, of similar extent, since our residence
+in Rome. In future, I mean to walk often after nightfall.
+
+Yesterday, we set out betimes, and ascended the dome of St. Peter's. The
+best view of the interior of the church, I think, is from the first
+gallery beneath the dome. The whole inside of the dome is set with
+mosaic-work, the separate pieces being, so far as I could see, about half
+an inch square. Emerging on the roof, we had a fine view of all the
+surrounding Rome, including the Mediterranean Sea in the remote distance.
+Above us still rose the whole mountain of the great dome, and it made an
+impression on me of greater height and size than I had yet been able to
+receive. The copper ball at the summit looked hardly bigger than a man
+could lift; and yet, a little while afterwards, U----, J-----, and I
+stood all together in that ball, which could have contained a dozen more
+along with us. The esplanade of the roof is, of course, very extensive;
+and along the front of it are ranged the statues which we see from below,
+and which, on nearer examination, prove to be roughly hewn giants. There
+is a small house on the roof, where, probably, the custodes of this part
+of the edifice reside; and there is a fountain gushing abundantly into a
+stone trough, that looked like an old sarcophagus. It is strange where
+the water comes from at such a height. The children tasted it, and
+pronounced it very warm and disagreeable. After taking in the prospect
+on all sides we rang a bell, which summoned a man, who directed us
+towards a door in the side of the dome, where a custode was waiting to
+admit us. Hitherto the ascent had been easy, along a slope without
+stairs, up which, I believe, people sometimes ride on donkeys. The rest
+of the way we mounted steep and narrow staircases, winding round within
+the wall, or between the two walls of the dome, and growing narrower and
+steeper, till, finally, there is but a perpendicular iron ladder, by
+means of which to climb into the copper ball. Except through small
+windows and peep-holes, there is no external prospect of a higher point
+than the roof of the church. Just beneath the ball there is a circular
+room capable of containing a large company, and a door which ought to
+give access to a gallery on the outside; but the custode informed us that
+this door is never opened. As I have said, U----, J-----, and I
+clambered into the copper ball, which we found as hot as an oven; and,
+after putting our hands on its top, and on the summit of St. Peter's,
+were glad to clamber down again. I have made some mistake, after all, in
+my narration. There certainly is a circular balcony at the top of the
+dome, for I remember walking round it, and looking, not only across the
+country, but downwards along the ribs of the dome; to which are attached
+the iron contrivances for illuminating it on Easter Sunday. . . . .
+
+Before leaving the church we went to look at the mosaic copy of the
+"Transfiguration," because we were going to see the original in the
+Vatican, and wished to compare the two. Going round to the entrance of
+the Vatican, we went first to the manufactory of mosaics, to which we had
+a ticket of admission. We found it a long series of rooms, in which the
+mosaic artists were at work, chiefly in making some medallions of the
+heads of saints for the new church of St. Paul's. It was rather coarse
+work, and it seemed to me that the mosaic copy was somewhat stiffer and
+more wooden than the original, the bits of stone not flowing into color
+quite so freely as paint from a brush. There was no large picture now in
+process of being copied; but two or three artists were employed on small
+and delicate subjects. One had a Holy Family of Raphael in hand; and the
+Sibyls of Guercino and Domenichino were hanging on the wall, apparently
+ready to be put into mosaic. Wherever great skill and delicacy, on the
+artists' part were necessary, they seemed quite adequate to the occasion;
+but, after all, a mosaic of any celebrated picture is but a copy of a
+copy. The substance employed is a stone-paste, of innumerable different
+views, and in bits of various sizes, quantities of which were seen in
+cases along the whole series of rooms.
+
+We next ascended an amazing height of staircases, and walked along I know
+not what extent of passages, . . . . till we reached the picture-gallery
+of the Vatican, into which I had never been before. There are but three
+rooms, all lined with red velvet, on which hung about fifty pictures,
+each one of them, no doubt, worthy to be considered a masterpiece. In
+the first room were three Murillos, all so beautiful that I could have
+spent the day happily in looking at either of them; for, methinks, of all
+painters he is the tenderest and truest. I could not enjoy these
+pictures now, however, because in the next room, and visible through the
+open door, hung the "Transfiguration." Approaching it, I felt that the
+picture was worthy of its fame, and was far better than I could at once
+appreciate; admirably preserved, too, though I fully believe it must have
+possessed a charm when it left Raphael's hand that has now vanished
+forever. As church furniture and an external adornment, the mosaic copy
+is preferable to the original, but no copy could ever reproduce all the
+life and expression which we see here. Opposite to it hangs the
+"Communion of St. Jerome," the aged, dying saint, half torpid with death
+already, partaking of the sacrament, and a sunny garland of cherubs in
+the upper part of the picture, looking down upon him, and quite
+comforting the spectator with the idea that the old man needs only to be
+quite dead in order to flit away with them. As for the other pictures I
+did but glance at, and have forgotten them.
+
+The "Transfiguration" is finished with great minuteness and detail, the
+weeds and blades of grass in the foreground being as distinct as if they
+were growing in a natural soil. A partly decayed stick of wood with the
+bark is likewise given in close imitation of nature. The reflection of a
+foot of one of the apostles is seen in a pool of water at the verge of
+the picture. One or two heads and arms seem almost to project from the
+canvas. There is great lifelikeness and reality, as well as higher
+qualities. The face of Jesus, being so high aloft and so small in the
+distance, I could not well see; but I am impressed with the idea that it
+looks too much like human flesh and blood to be in keeping with the
+celestial aspect of the figure, or with the probabilities of the scene,
+when the divinity and immortality of the Saviour beamed from within him
+through the earthly features that ordinarily shaded him. As regards the
+composition of the picture, I am not convinced of the propriety of its
+being in two so distinctly separate parts,--the upper portion not
+thinking of the lower, and the lower portion not being aware of the
+higher. It symbolizes, however, the spiritual short-sightedness of
+mankind that, amid the trouble and grief of the lower picture, not a
+single individual, either of those who seek help or those who would
+willingly afford it, lifts his eyes to that region, one glimpse of which
+would set everything right. One or two of the disciples point upward,
+but without really knowing what abundance of help is to be had there.
+
+
+April 27th.--To-day we have all been with Mr. Akers to some studios of
+painters; first to that of Mr. Wilde, an artist originally from Boston.
+His pictures are principally of scenes from Venice, and are miracles of
+color, being as bright as if the light were transmitted through rubies
+and sapphires. And yet, after contemplating them awhile, we became
+convinced that the painter had not gone in the least beyond nature, but,
+on the contrary, had fallen short of brilliancies which no palette, or
+skill, or boldness in using color, could attain. I do not quite know
+whether it is best to attempt these things. They may be found in nature,
+no doubt, but always so tempered by what surrounds them, so put out of
+sight even while they seem full before our eyes, that we question the
+accuracy of a faithful reproduction of them on canvas. There was a
+picture of sunset, the whole sky of which would have outshone any gilded
+frame that could have been put around it. There was a most gorgeous
+sketch of a handful of weeds and leaves, such as may be seen strewing
+acres of forest-ground in an American autumn. I doubt whether any other
+man has ever ventured to paint a picture like either of these two, the
+Italian sunset or the American autumnal foliage. Mr. Wilde, who is still
+young, talked with genuine feeling and enthusiasm of his art, and is
+certainly a man of genius.
+
+We next went to the studio of an elderly Swiss artist, named Mueller, I
+believe, where we looked at a great many water-color and crayon drawings
+of scenes in Italy, Greece, and Switzerland. The artist was a quiet,
+respectable, somewhat heavy-looking old gentleman, from whose aspect one
+would expect a plodding pertinacity of character rather than quickness of
+sensibility. He must have united both these qualities, however, to
+produce such pictures as these, such faithful transcripts of whatever
+Nature has most beautiful to show, and which she shows only to those who
+love her deeply and patiently. They are wonderful pictures, compressing
+plains, seas, and mountains, with miles and miles of distance, into the
+space of a foot or two, without crowding anything or leaving out a
+feature, and diffusing the free, blue atmosphere throughout. The works
+of the English watercolor artists which I saw at the Manchester
+Exhibition seemed to me nowise equal to these. Now, here are three
+artists, Mr. Brown, Mr. Wilde, and Mr. Mueller, who have smitten me with
+vast admiration within these few days past, while I am continually
+turning away disappointed from the landscapes of the most famous among
+the old masters, unable to find any charm or illusion in them. Yet I
+suppose Claude, Poussin, and Salvator Rosa must have won their renown by
+real achievements. But the glory of a picture fades like that of a
+flower.
+
+Contiguous to Mr. Mueller's studio was that of a young German artist, not
+long resident in Rome, and Mr. Akers proposed that we should go in there,
+as a matter of kindness to the young man, who is scarcely known at all,
+and seldom has a visitor to look at his pictures. His studio comprised
+his whole establishment; for there was his little bed, with its white
+drapery, in a corner of the small room, and his dressing-table, with its
+brushes and combs, while the easel and the few sketches of Italian scenes
+and figures occupied the foreground. I did not like his pictures very
+well, but would gladly have bought them all if I could have afforded it,
+the artist looked so cheerful, patient, and quiet, doubtless amidst huge
+discouragement. He is probably stubborn of purpose, and is the sort of
+man who will improve with every year of his life. We could not speak his
+language, and were therefore spared the difficulty of paying him any
+compliments; but Miss Shepard said a few kind words to him in German.
+and seemed quite to win his heart, insomuch that he followed her with
+bows and smiles a long way down the staircase. It is a terrible
+business, this looking at pictures, whether good or bad, in the presence
+of the artists who paint them; it is as great a bore as to hear a poet
+read his own verses. It takes away all my pleasure in seeing the
+pictures, and even remakes me question the genuineness of the impressions
+which I receive from them.
+
+After this latter visit Mr. Akers conducted us to the shop of the
+jeweller Castellani, who is a great reproducer of ornaments in the old
+Roman and Etruscan fashion. These antique styles are very fashionable
+just now, and some of the specimens he showed us were certainly very
+beautiful, though I doubt whether their quaintness and old-time
+curiousness, as patterns of gewgaws dug out of immemorial tombs, be not
+their greatest charm. We saw the toilet-case of an Etruscan lady,--that
+is to say, a modern imitation of it,--with her rings for summer and
+winter, and for every day of the week, and for thumb and fingers; her
+ivory comb; her bracelets; and more knick-knacks than I can half
+remember. Splendid things of our own time were likewise shown us; a
+necklace of diamonds worth eighteen thousand scudi, together with
+emeralds and opals and great pearls. Finally we came away, and my wife
+and Miss Shepard were taken up by the Misses Weston, who drove with them
+to visit the Villa Albani. During their drive my wife happened to raise
+her arm, and Miss Shepard espied a little Greek cross of gold which had
+attached itself to the lace of her sleeve. . . . . Pray heaven the
+jeweller may not discover his loss before we have time to restore the
+spoil! He is apparently so free and careless in displaying his precious
+wares,--putting inestimable genes and brooches great and small into the
+hands of strangers like ourselves, and leaving scores of them strewn on
+the top of his counter,--that it would seem easy enough to take a diamond
+or two; but I suspect there must needs be a sharp eye somewhere. Before
+we left the shop he requested me to honor him with my autograph in a
+large book that was full of the names of his visitors. This is probably
+a measure of precaution.
+
+
+April 30th.--I went yesterday to the sculpture-gallery of the Capitol,
+and looked pretty thoroughly through the busts of the illustrious men,
+and less particularly at those of the emperors and their relatives. I
+likewise took particular note of the Faun of Praxiteles, because the idea
+keeps recurring to me of writing a little romance about it, and for that
+reason I shall endeavor to set down a somewhat minutely itemized detail
+of the statue and its surroundings. . . . .
+
+We have had beautiful weather for two or three days, very warm in the
+sun, yet always freshened by the gentle life of a breeze, and quite cool
+enough the moment you pass within the limit of the shade. . . . .
+
+In the morning there are few people there (on the Pincian) except the
+gardeners, lazily trimming the borders, or filling their watering-pots
+out of the marble-brimmed basin of the fountain; French soldiers, in
+their long mixed-blue surtouts, and wide scarlet pantaloons, chatting
+with here and there a nursery-maid and playing with the child in her
+care; and perhaps a few smokers, . . . . choosing each a marble seat or
+wooden bench in sunshine or shade as best suits him. In the afternoon,
+especially within an hour or two of sunset, the gardens are much more
+populous, and the seats, except when the sun falls full upon them, are
+hard to come by. Ladies arrive in carriages, splendidly dressed;
+children are abundant, much impeded in their frolics, and rendered stiff
+and stately by the finery which they wear; English gentlemen and
+Americans with their wives and families; the flower of the Roman
+population, too, both male and female, mostly dressed with great nicety;
+but a large intermixture of artists, shabbily picturesque; and other
+persons, not of the first stamp. A French band, comprising a great many
+brass instruments, by and by begins to play; and what with music,
+sunshine, a delightful atmosphere, flowers, grass, well-kept pathways,
+bordered with box-hedges, pines, cypresses, horse-chestnuts, flowering
+shrubs, and all manner of cultivated beauty, the scene is a very lively
+and agreeable one. The fine equipages that drive round and round through
+the carriage-paths are another noticeable item. The Roman aristocracy
+are magnificent in their aspect, driving abroad with beautiful horses,
+and footmen in rich liveries, sometimes as many as three behind and one
+sitting by the coachman.
+
+
+May 1st.--This morning, I wandered for the thousandth time through some
+of the narrow intricacies of Rome, stepping here and there into a church.
+I do not know the name of the first one, nor had it anything that in Rome
+could be called remarkable, though, till I came here, I was not aware
+that any such churches existed,--a marble pavement in variegated
+compartments, a series of shrines and chapels round the whole floor, each
+with its own adornment of sculpture and pictures, its own altar with tall
+wax tapers before it, some of which were burning; a great picture over
+the high altar, the whole interior of the church ranged round with
+pillars and pilasters, and lined, every inch of it, with rich yellow
+marble. Finally, a frescoed ceiling over the nave and transepts, and a
+dome rising high above the central part, and filled with frescos brought
+to such perspective illusion, that the edges seem to project into the
+air. Two or three persons are kneeling at separate shrines; there are
+several wooden confessionals placed against the walls, at one of which
+kneels a lady, confessing to a priest who sits within; the tapers are
+lighted at the high altar and at one of the shrines; an attendant is
+scrubbing the marble pavement with a broom and water, a process, I should
+think, seldom practised in Roman churches. By and by the lady finishes
+her confession, kisses the priest's hand, and sits down in one of the
+chairs which are placed about the floor, while the priest, in a black
+robe, with a short, white, loose jacket over his shoulders, disappears by
+a side door out of the church. I, likewise, finding nothing attractive
+in the pictures, take my departure. Protestantism needs a new apostle to
+convert it into something positive. . . . .
+
+I now found my way to the Piazza Navona. It is to me the most
+interesting piazza in Rome; a large oblong space, surrounded with tall,
+shabby houses, among which there are none that seem to be palaces. The
+sun falls broadly over the area of the piazza, and shows the fountains in
+it;--one a large basin with great sea-monsters, probably of Bernini's
+inventions, squirting very small streams of water into it; another of the
+fountains I do not at all remember; but the central one is an immense
+basin, over which is reared an old Egyptian obelisk, elevated on a rock,
+which is cleft into four arches. Monstrous devices in marble, I know not
+of what purport, are clambering about the cloven rock or burrowing
+beneath it; one and all of them are superfluous and impertinent, the only
+essential thing being the abundant supply of water in the fountain. This
+whole Piazza Navona is usually the scene of more business than seems to
+be transacted anywhere else in Rome; in some parts of it rusty iron is
+offered for sale, locks and keys, old tools, and all such rubbish; in
+other parts vegetables, comprising, at this season, green peas, onions,
+cauliflowers, radishes, artichokes, and others with which I have never
+made acquaintance; also, stalls or wheelbarrows containing apples,
+chestnuts (the meats dried and taken out of the shells), green almonds in
+their husks, and squash-seeds,--salted and dried in an oven,--apparently
+a favorite delicacy of the Romans. There are also lemons and oranges;
+stalls of fish, mostly about the size of smelts, taken from the Tiber;
+cigars of various qualities, the best at a baioccho and a half apiece;
+bread in loaves or in small rings, a great many of which are strung
+together on a long stick, and thus carried round for sale. Women and men
+sit with these things for sale, or carry them about in trays or on boards
+on their heads, crying them with shrill and hard voices. There is a
+shabby crowd and much babble; very little picturesqueness of costume or
+figure, however, the chief exceptions being, here and there, an old
+white-bearded beggar. A few of the men have the peasant costume,--a
+short jacket and breeches of light blue cloth and white stockings,--the
+ugliest dress I ever saw. The women go bareheaded, and seem fond of
+scarlet and other bright colors, but are homely and clumsy in form. The
+piazza is dingy in its general aspect, and very dirty, being strewn with
+straw, vegetable-tops, and the rubbish of a week's marketing; but there
+is more life in it than one sees elsewhere in Rome.
+
+On one side of the piazza is the Church of St. Agnes, traditionally said
+to stand on the site of the house where that holy maiden was exposed to
+infamy by the Roman soldiers, and where her modesty and innocence were
+saved by miracle. I went into the church, and found it very splendid,
+with rich marble columns, all as brilliant as if just built; a frescoed
+dome above; beneath, a range of chapels all round the church, ornamented
+not with pictures but bas-reliefs, the figures of which almost step and
+struggle out of the marble. They did not seem very admirable as works of
+art, none of them explaining themselves or attracting me long enough to
+study out their meaning; but, as part of the architecture of the church,
+they had a good effect. Out of the busy square two or three persons had
+stepped into this bright and calm seclusion to pray and be devout, for a
+little while; and, between sunrise and sunset of the bustling market-day,
+many doubtless snatch a moment to refresh their souls.
+
+In the Pantheon (to-day) it was pleasant looking up to the circular
+opening, to see the clouds flitting across it, sometimes covering it
+quite over, then permitting a glimpse of sky, then showing all the circle
+of sunny blue. Then would come the ragged edge of a cloud, brightened
+throughout with sunshine, passing and changing quickly,--not that the
+divine smile was not always the same, but continually variable through
+the medium of earthly influences. The great slanting beam of sunshine
+was visible all the way down to the pavement, falling upon motes of dust,
+or a thin smoke of incense imperceptible in the shadow. Insects were
+playing to and fro in the beam, high up toward the opening. There is a
+wonderful charm in the naturalness of all this, and one might fancy a
+swarm of cherubs coming down through the opening and sporting in the
+broad ray, to gladden the faith of worshippers on the pavement beneath;
+or angels bearing prayers upward, or bringing down responses to them,
+visible with dim brightness as they pass through the pathway of heaven's
+radiance, even the many hues of their wings discernible by a trusting
+eye; though, as they pass into the shadow, they vanish like the motes.
+So the sunbeam would represent those rays of divine intelligence which
+enable us to see wonders and to know that they are natural things.
+
+Consider the effect of light and shade in a church where the windows are
+open and darkened with curtains that are occasionally lifted by a breeze,
+letting in the sunshine, which whitens a carved tombstone on the pavement
+of the church, disclosing, perhaps, the letters of the name and
+inscription, a death's-head, a crosier, or other emblem; then the curtain
+falls and the bright spot vanishes.
+
+
+May 8th.--This morning my wife and I went to breakfast with Mrs. William
+Story at the Barberini Palace, expecting to meet Mrs. Jameson, who has
+been in Rome for a month or two. We had a very pleasant breakfast, but
+Mrs. Jameson was not present on account of indisposition, and the only
+other guests were Mrs. A------ and Mrs. H------, two sensible American
+ladies. Mrs. Story, however, received a note from Mrs. Jameson, asking
+her to bring us to see her at her lodgings; so in the course of the
+afternoon she called on us, and took us thither in her carriage. Mrs.
+Jameson lives on the first piano of an old palazzo on the Via di Ripetta,
+nearly opposite the ferry-way across the Tiber, and affording a pleasant
+view of the yellow river and the green bank and fields on the other side.
+I had expected to see an elderly lady, but not quite so venerable a one
+as Mrs. Jameson proved to be; a rather short, round, and massive
+personage, of benign and agreeable aspect, with a sort of black skullcap
+on her head, beneath which appeared her hair, which seemed once to have
+been fair, and was now almost white. I should take her to be about
+seventy years old. She began to talk to us with affectionate
+familiarity, and was particularly kind in her manifestations towards
+myself, who, on my part, was equally gracious towards her. In truth, I
+have found great pleasure and profit in her works, and was glad to hear
+her say that she liked mine. We talked about art, and she showed us a
+picture leaning up against the wall of the room; a quaint old Byzantine
+painting, with a gilded background, and two stiff figures (our Saviour
+and St. Catherine) standing shyly at a sacred distance from one another,
+and going through the marriage ceremony. There was a great deal of
+expression in their faces and figures; and the spectator feels, moreover,
+that the artist must have been a devout man,--an impression which we
+seldom receive from modern pictures, however awfully holy the subject, or
+however consecrated the place they hang in. Mrs. Jameson seems to be
+familiar with Italy, its people and life, as well as with its
+picture-galleries. She is said to be rather irascible in her temper; but
+nothing could be sweeter than her voice, her look, and all her
+manifestations to-day. When we were coming away she clasped my hand in
+both of hers, and again expressed the pleasure of having seen me, and her
+gratitude to me for calling on her; nor did I refrain from responding
+Amen to these effusions. . . . .
+
+Taking leave of Mrs. Jameson, we drove through the city, and out of the
+Lateran Gate; first, however, waiting a long while at Monaldini's
+bookstore in the Piazza de' Spagna for Mr. Story, whom we finally took up
+in the street, after losing nearly an hour.
+
+Just two miles beyond the gate is a space on the green campagna where,
+for some time past, excavations have been in progress, which thus far
+have resulted in the discovery of several tombs, and the old, buried, and
+almost forgotten church or basilica of San Stefano. It is a beautiful
+spot, that of the excavations, with the Alban hills in the distance, and
+some heavy, sunlighted clouds hanging above, or recumbent at length upon
+them, and behind the city and its mighty dome. The excavations are an
+object of great interest both to the Romans and to strangers, and there
+were many carriages and a great many visitors viewing the progress of the
+works, which are carried forward with greater energy than anything else I
+have seen attempted at Rome. A short time ago the ground in the vicinity
+was a green surface, level, except here and there a little hillock, or
+scarcely perceptible swell; the tomb of Cecilia Metella showing itself a
+mile or two distant, and other rugged ruins of great tombs rising on the
+plain. Now the whole site of the basilica is uncovered, and they have
+dug into the depths of several tombs, bringing to light precious marbles,
+pillars, a statue, and elaborately wrought sarcophagi; and if they were
+to dig into almost every other inequality that frets the surface of the
+campagna, I suppose the result might be the same. You cannot dig six
+feet downward anywhere into the soil, deep enough to hollow out a grave,
+without finding some precious relic of the past; only they lose somewhat
+of their value when you think that you can almost spurn them out of the
+ground with your foot. It is a very wonderful arrangement of Providence
+that these things should have been preserved for a long series of coming
+generations by that accumulation of dust and soil and grass and trees and
+houses over them, which will keep them safe, and cause their reappearance
+above ground to be gradual, so that the rest of the world's lifetime may
+have for one of its enjoyments the uncovering of old Rome.
+
+The tombs were accessible by long flights of steps going steeply
+downward, and they were thronged with so many visitors that we had to
+wait some little time for our own turn. In the first into which we
+descended we found two tombs side by side, with only a partition wall
+between; the outer tomb being, as is supposed, a burial-place constructed
+by the early Christians, while the adjoined and minor one was a work of
+pagan Rome about the second century after Christ. The former was much
+less interesting than the latter. It contained some large sarcophagi,
+with sculpture upon them of rather heathenish aspect; and in the centre
+of the front of each sarcophagus was a bust in bas-relief, the features
+of which had never been wrought, but were left almost blank, with only
+the faintest indications of a nose, for instance. It is supposed that
+sarcophagi were kept on hand by the sculptors, and were bought ready
+made, and that it was customary to work out the portrait of the deceased
+upon the blank face in the centre; but when there was a necessity for
+sudden burial, as may have been the case in the present instance, this
+was dispensed with.
+
+The inner tomb was found without any earth in it, just as it had been
+left when the last old Roman was buried there; and it being only a week
+or two since it was opened, there was very little intervention of
+persons, though much of time, between the departure of the friends of the
+dead and our own visit. It is a square room, with a mosaic pavement, and
+is six or seven paces in length and breadth, and as much in height to the
+vaulted roof. The roof and upper walls are beautifully ornamented with
+frescos, which were very bright when first discovered, but have rapidly
+faded since the admission of the air, though the graceful and joyous
+designs, flowers and fruits and trees, are still perfectly discernible.
+The room must have been anything but sad and funereal; on the contrary,
+as cheerful a saloon, and as brilliant, if lighted up, as one could
+desire to feast in. It contained several marble sarcophagi, covering
+indeed almost the whole floor, and each of them as much as three or four
+feet in length, and two much longer. The longer ones I did not
+particularly examine, and they seemed comparatively plainer; but the
+smaller sarcophagi were covered with the most delicately wrought and
+beautiful bas-reliefs that I ever beheld; a throng of glad and lovely
+shapes in marble clustering thickly and chasing one another round the
+sides of these old stone coffins. The work was as perfect as when the
+sculptor gave it his last touch; and if he had wrought it to be placed in
+a frequented hall, to be seen and admired by continual crowds as long as
+the marble should endure, he could not have chiselled with better skill
+and care, though his work was to be shut up in the depths of a tomb
+forever. This seems to me the strangest thing in the world, the most
+alien from modern sympathies. If they had built their tombs above
+ground, one could understand the arrangement better; but no sooner had
+they adorned them so richly, and furnished them with such exquisite
+productions of art, than they annihilated them with darkness. It was an
+attempt, no doubt, to render the physical aspect of death cheerful, but
+there was no good sense in it.
+
+We went down also into another tomb close by, the walls of which were
+ornamented with medallions in stucco. These works presented a numerous
+series of graceful designs, wrought by the hand in the short space of
+(Mr. Story said it could not have been more than) five or ten minutes,
+while the wet plaster remained capable of being moulded; and it was
+marvellous to think of the fertility of the artist's fancy, and the
+rapidity and accuracy with which he must have given substantial existence
+to his ideas. These too--all of them such adornments as would have
+suited a festal hall--were made to be buried forthwith in eternal
+darkness. I saw and handled in this tomb a great thigh-bone, and
+measured it with my own; it was one of many such relics of the guests who
+were laid to sleep in these rich chambers. The sarcophagi that served
+them for coffins could not now be put to a more appropriate use than as
+wine-coolers in a modern dining-room; and it would heighten the enjoyment
+of a festival to look at them.
+
+We would gladly have stayed much longer; but it was drawing towards
+sunset, and the evening, though bright, was unusually cool, so we drove
+home; and on the way, Mr. Story told us of the horrible practices of the
+modern Romans with their dead,--how they place them in the church, where,
+at midnight, they are stripped of their last rag of funeral attire, put
+into the rudest wooden coffins, and thrown into a trench,--a half-mile,
+for instance, of promiscuous corpses. This is the fate of all, except
+those whose friends choose to pay an exorbitant sum to have them buried
+under the pavement of a church. The Italians have an excessive dread of
+corpses, and never meddle with those of their nearest and dearest
+relatives. They have a horror of death, too, especially of sudden death,
+and most particularly of apoplexy; and no wonder, as it gives no time for
+the last rites of the Church, and so exposes them to a fearful risk of
+perdition forever. On the whole, the ancient practice was, perhaps, the
+preferable one; but Nature has made it very difficult for us to do
+anything pleasant and satisfactory with a dead body. God knows best; but
+I wish he had so ordered it that our mortal bodies, when we have done
+with them, might vanish out of sight and sense, like bubbles. A person
+of delicacy hates to think of leaving such a burden as his decaying
+mortality to the disposal of his friends; but, I say again, how
+delightful it would be, and how helpful towards our faith in a blessed
+futurity, if the dying could disappear like vanishing bubbles, leaving,
+perhaps, a sweet fragrance diffused for a minute or two throughout the
+death-chamber. This would be the odor of sanctity! And if sometimes the
+evaporation of a sinful soul should leave an odor not so delightful, a
+breeze through the open windows would soon waft it quite away.
+
+Apropos of the various methods of disposing of dead bodies, William Story
+recalled a newspaper paragraph respecting a ring, with a stone of a new
+species in it, which a widower was observed to wear upon his finger.
+Being questioned as to what the gem was, he answered, "It is my wife."
+He had procured her body to be chemically resolved into this stone. I
+think I could make a story on this idea: the ring should be one of the
+widower's bridal gifts to a second wife; and, of course, it should have
+wondrous and terrible qualities, symbolizing all that disturbs the quiet
+of a second marriage,--on the husband's part, remorse for his
+inconstancy, and the constant comparison between the dead wife of his
+youth, now idealized, and the grosser reality which he had now adopted
+into her place; while on the new wife's finger it should give pressures,
+shooting pangs into her heart, jealousies of the past, and all such
+miserable emotions.
+
+By the by, the tombs which we looked at and entered may have been
+originally above ground, like that of Cecilia Metella, and a hundred
+others along the Appian Way; though, even in this case, the beautiful
+chambers must have been shut up in darkness. Had there been windows,
+letting in the light upon the rich frescos and exquisite sculptures,
+there would have been a satisfaction in thinking of the existence of so
+much visual beauty, though no eye had the privilege to see it. But
+darkness, to objects of sight, is annihilation, as long as the darkness
+lasts.
+
+
+May 9th.--Mrs. Jameson called this forenoon to ask us to go and see her
+this evening; . . . . so that I had to receive her alone, devolving part
+of the burden on Miss Shepard and the three children, all of whom I
+introduced to her notice. Finding that I had not been farther beyond the
+walls of Rome than the tomb of Cecilia Metella, she invited me to take a
+drive of a few miles with her this afternoon. . . . . The poor lady seems
+to be very lame; and I am sure I was grateful to her for having taken the
+trouble to climb up the seventy steps of our staircase, and felt pain at
+seeing her go down them again. It looks fearfully like the gout, the
+affection being apparently in one foot. The hands, by the way, are
+white, and must once have been, perhaps now are, beautiful. She must
+have been a perfectly pretty woman in her day,--a blue or gray eyed,
+fair-haired beauty. I think that her hair is not white, but only flaxen
+in the extreme.
+
+At half past four, according to appointment, I arrived at her lodgings,
+and had not long to wait before her little one-horse carriage drove up to
+the door, and we set out, rumbling along the Via Scrofa, and through the
+densest part of the city, past the theatre of Marcellus, and thence along
+beneath the Palatine Hill, and by the Baths of Caracalla, through the
+gate of San Sebastiano. After emerging from the gate, we soon came to
+the little Church of "Domine, quo vadis?" Standing on the spot where St.
+Peter is said to have seen a vision of our Saviour bearing his cross,
+Mrs. Jameson proposed to alight; and, going in, we saw a cast from
+Michael Angelo's statue of the Saviour; and not far from the threshold of
+the church, yet perhaps in the centre of the edifice, which is extremely
+small, a circular stone is placed, a little raised above the pavement,
+and surrounded by a low wooden railing. Pointing to this stone, Mrs.
+Jameson showed me the prints of two feet side by side, impressed into its
+surface, as if a person had stopped short while pursuing his way to Rome.
+These, she informed me, were supposed to be the miraculous prints of the
+Saviour's feet; but on looking into Murray, I am mortified to find that
+they are merely facsimiles of the original impressions, which are
+treasured up among the relics of the neighboring Basilica of San
+Sebastiano. The marks of sculpture seemed to me, indeed, very evident in
+these prints, nor did they indicate such beautiful feet as should have
+belonged to the hearer of the best of glad tidings.
+
+Hence we drove on a little way farther, and came to the Basilica of San
+Sebastiano, where also we alighted, and, leaning on my arm, Mrs. Jameson
+went in. It is a stately and noble interior, with a spacious
+unencumbered nave, and a flat ceiling frescoed and gilded. In a chapel
+at the left of the entrance is the tomb of St. Sebastian,--a sarcophagus
+containing his remains, raised on high before the altar, and beneath it a
+recumbent statue of the saint pierced with gilded arrows. The sculpture
+is of the school of Bernini,--done after the design of Bernini himself,
+Mrs. Jameson said, and is more agreeable and in better taste than most of
+his works. We walked round the basilica, glancing at the pictures in the
+various chapels, none of which seemed to be of remarkable merit, although
+Mrs. Jameson pronounced rather a favorable verdict on one of St. Francis.
+She says that she can read a picture like the page of a book; in fact,
+without perhaps assuming more taste and judgment than really belong to
+her, it was impossible not to perceive that she gave her companion no
+credit for knowing one single simplest thing about art. Nor, on the
+whole, do I think she underrated me; the only mystery is, how she came to
+be so well aware of my ignorance on artistical points.
+
+In the basilica the Franciscan monks were arranging benches on the floor
+of the nave, and some peasant children and grown people besides were
+assembling, probably to undergo an examination in the catechism, and we
+hastened to depart, lest our presence should interfere with their
+arrangements. At the door a monk met us, and asked for a contribution in
+aid of his church, or some other religious purpose. Boys, as we drove
+on, ran stoutly along by the side of the chaise, begging as often as they
+could find breath, but were constrained finally to give up the pursuit.
+The great ragged bulks of the tombs along the Appian Way now hove in
+sight, one with a farm-house on its summit, and all of them
+preposterously huge and massive. At a distance, across the green
+campagna on our left, the Claudian aqueduct strode away over miles of
+space, and doubtless reached even to that circumference of blue hills
+which stand afar off, girdling Rome about. The tomb of Cecilia Metella
+came in sight a long while before we reached it, with the warm buff hue
+of its travertine, and the gray battlemented wall which the Caetanis
+erected on the top of its circular summit six hundred years ago. After
+passing it, we saw an interminable line of tombs on both sides of the
+way, each of which might, for aught I know, have been as massive as that
+of Cecilia Metella, and some perhaps still more monstrously gigantic,
+though now dilapidated and much reduced in size. Mrs. Jameson had an
+engagement to dinner at half past six, so that we could go but a little
+farther along this most interesting road, the borders of which are strewn
+with broken marbles; fragments of capitals, and nameless rubbish that
+once was beautiful. Methinks the Appian Way should be the only entrance
+to Rome,--through an avenue of tombs.
+
+The day had been cloudy, chill, and windy, but was now grown calmer and
+more genial, and brightened by a very pleasant sunshine, though great
+dark clouds were still lumbering up the sky. We drove homeward, looking
+at the distant dome of St. Peter's and talking of many things,--painting,
+sculpture, America, England, spiritualism, and whatever else came up.
+She is a very sensible old lady, and sees a great deal of truth; a good
+woman, too, taking elevated views of matters; but I doubt whether she has
+the highest and finest perceptions in the world. At any rate, she
+pronounced a good judgment on the American sculptors now in Rome,
+condemning them in the mass as men with no high aims, no worthy
+conception of the purposes of their art, and desecrating marble by the
+things they wrought in it. William Story, I presume, is not to be
+included in this censure, as she had spoken highly of his sculpturesque
+faculty in our previous conversation. On my part, I suggested that the
+English sculptors were little or nothing better than our own, to which
+she acceded generally, but said that Gibson had produced works equal to
+the antique,--which I did not dispute, but still questioned whether the
+world needed Gibson, or was any the better for him. We had a great
+dispute about the propriety of adopting the costume of the day in modern
+sculpture, and I contended that either the art ought to be given up
+(which possibly would be the best course), or else should be used for
+idealizing the man of the day to himself; and that, as Nature makes us
+sensible of the fact when men and women are graceful, beautiful, and
+noble, through whatever costume they wear, so it ought to be the test of
+the sculptor's genius that he should do the same. Mrs. Jameson decidedly
+objected to buttons, breeches, and all other items of modern costume;
+and, indeed, they do degrade the marble, and make high sculpture utterly
+impossible. Then let the art perish as one that the world has done with,
+as it has done with many other beautiful things that belonged to an
+earlier time.
+
+It was long past the hour of Mrs. Jameson's dinner engagement when we
+drove up to her door in the Via Ripetta. I bade her farewell with much
+good-feeling on my own side, and, I hope, on hers, excusing myself,
+however, from keeping the previous engagement to spend the evening with
+her, for, in point of fact, we had mutually had enough of one another for
+the time being. I am glad to record that she expressed a very favorable
+opinion of our friend Mr. Thompson's pictures.
+
+
+May 12th.--To-day we have been to the Villa Albani, to which we had a
+ticket of admission through the agency of Mr. Cass (the American
+Minister). We set out between ten and eleven o'clock, and walked through
+the Via Felice, the Piazza Barberini, and a long, heavy, dusty range of
+streets beyond, to the Porta Salara, whence the road extends, white and
+sunny, between two high blank walls to the gate of the villa, which is at
+no great distance. We were admitted by a girl, and went first to the
+casino, along an aisle of overshadowing trees, the branches of which met
+above our heads. In the portico of the casino, which extends along its
+whole front, there are many busts and statues, and, among them, one of
+Julius Caesar, representing him at an earlier period of life than others
+which I have seen. His aspect is not particularly impressive; there is a
+lack of chin, though not so much as in the older statues and busts.
+Within the edifice there is a large hall, not so brilliant, perhaps, with
+frescos and gilding as those at the Villa Borghese, but lined with the
+most beautiful variety of marbles. But, in fact, each new splendor of
+this sort outshines the last, and unless we could pass from one to
+another all in the same suite, we cannot remember them well enough to
+compare the Borghese with the Albani, the effect being more on the fancy
+than on the intellect. I do not recall any of the sculpture, except a
+colossal bas-relief of Antinous, crowned with flowers, and holding
+flowers in his hand, which was found in the ruins of Hadrian's Villa.
+This is said to be the finest relic of antiquity next to the Apollo and
+the Laocoon; but I could not feel it to be so, partly, I suppose, because
+the features of Autinous do not seem to me beautiful in themselves; and
+that heavy, downward look is repeated till I am more weary of it than of
+anything else in sculpture. We went up stairs and down stairs, and saw a
+good many beautiful things, but none, perhaps, of the very best and
+beautifullest; and second-rate statues, with the corroded surface of old
+marble that has been dozens of centuries under the ground, depress the
+spirits of the beholder. The bas-relief of Antinous has at least the
+merit of being almost as white and fresh, and quite as smooth, as if it
+had never been buried and dug up again. The real treasures of this
+villa, to the number of nearly three hundred, were removed to Paris by
+Napoleon, and, except the Antinous, not one of them ever came back.
+
+There are some pictures in one or two of the rooms, and among them I
+recollect one by Perugino, in which is a St. Michael, very devout and
+very beautiful; indeed, the whole picture (which is in compartments,
+representing the three principal points of the Saviour's history)
+impresses the beholder as being painted devoutly and earnestly by a
+religious man. In one of the rooms there is a small bronze Apollo,
+supposed by Winckelmann to be an original of Praxiteles; but I could not
+make myself in the least sensible of its merit.
+
+The rest of the things in the casino I shall pass over, as also those in
+the coffee-house,--an edifice which stands a hundred yards or more from
+the casino, with an ornamental garden, laid out in walks and flower-plats
+between. The coffee-house has a semicircular sweep of porch with a good
+many statues and busts beneath it, chiefly of distinguished Romans. In
+this building, as in the casino, there are curious mosaics, large vases
+of rare marble, and many other things worth long pauses of admiration;
+but I think that we were all happier when we had done with the works of
+art, and were at leisure to ramble about the grounds. The Villa Albani
+itself is an edifice separate from both the coffee-house and casino, and
+is not opened to strangers. It rises, palace-like, in the midst of the
+garden, and, it is to be hoped, has some possibility of comfort amidst
+its splendors.--Comfort, however, would be thrown away upon it; for
+besides that the site shares the curse that has fallen upon every
+pleasant place in the vicinity of Rome, . . . . it really has no occupant
+except the servants who take care of it. The Count of Castelbarco, its
+present proprietor, resides at Milan. The grounds are laid out in the
+old fashion of straight paths, with borders of box, which form hedges of
+great height and density, and as even as a brick wall at the top and
+sides. There are also alleys forming long vistas between the trunks and
+beneath the boughs of oaks, ilexes, and olives; and there are shrubberies
+and tangled wildernesses of palm, cactus, rhododendron, and I know not
+what; and a profusion of roses that bloom and wither with nobody to pluck
+and few to look at them. They climb about the sculpture of fountains,
+rear themselves against pillars and porticos, run brimming over the
+walls, and strew the path with their falling leaves. We stole a few, and
+feel that we have wronged our consciences in not stealing more. In one
+part of the grounds we saw a field actually ablaze with scarlet poppies.
+There are great lagunas; fountains presided over by naiads, who squirt
+their little jets into basins; sunny lawns; a temple, so artificially
+ruined that we half believed it a veritable antique; and at its base a
+reservoir of water, in which stone swans seemed positively to float;
+groves of cypress; balustrades and broad flights of stone stairs,
+descending to lower levels of the garden; beauty, peace, sunshine, and
+antique repose on every side; and far in the distance the blue hills that
+encircle the campagna of Rome. The day was very fine for our purpose;
+cheerful, but not too bright, and tempered by a breeze that seemed even a
+little too cool when we sat long in the shade. We enjoyed it till three
+o'clock. . . . .
+
+At the Capitol there is a sarcophagus with a most beautiful bas-relief of
+the discovery of Achilles by Ulysses, in which there is even an
+expression of mirth on the faces of many of the spectators. And to-day
+at the Albani a sarcophagus was ornamented with the nuptials of Peleus
+and Thetis.
+
+Death strides behind every man, to be sure, at more or less distance,
+and, sooner or later, enters upon any event of his life; so that, in this
+point of view, they might each and all serve for bas-reliefs on a
+sarcophagus; but the Romans seem to have treated Death as lightly and
+playfully as they could, and tried to cover his dart with flowers,
+because they hated it so much.
+
+
+May 15th.--My wife and I went yesterday to the Sistine Chapel, it being
+my first visit. It is a room of noble proportions, lofty and long,
+though divided in the midst by a screen or partition of white marble,
+which rises high enough to break the effect of spacious unity. There are
+six arched windows on each side of the chapel, throwing down their light
+from the height of the walls, with as much as twenty feet of space (more
+I should think) between them and the floor. The entire walls and ceiling
+of this stately chapel are covered with paintings in fresco, except the
+space about ten feet in height from the floor, and that portion was
+intended to be adorned by tapestries from pictures by Raphael, but, the
+design being prevented by his premature death, the projected tapestries
+have no better substitute than paper-hangings. The roof, which is flat
+at top, and coved or vaulted at the sides, is painted in compartments by
+Michael Angelo, with frescos representing the whole progress of the world
+and of mankind from its first formation by the Almighty . . . . till
+after the flood. On one of the sides of the chapel are pictures by
+Perugino, and other old masters, of subsequent events in sacred history;
+and the entire wall behind the altar, a vast expanse from the ceiling to
+the floor, is taken up with Michael Angelo's summing up of the world's
+history and destinies in his "Last Judgment."
+
+There can be no doubt that while these frescos continued in their
+perfection, there was nothing else to be compared with the magnificent
+and solemn beauty of this chapel. Enough of ruined splendor still
+remains to convince the spectator of all that has departed; but methinks
+I have seen hardly anything else so forlorn and depressing as it is now,
+all dusky and dim, even the very lights having passed into shadows, and
+the shadows into utter blackness; so that it needs a sunshiny day, under
+the bright Italian heavens, to make the designs perceptible at all. As
+we sat in the chapel there were clouds flitting across the sky; when the
+clouds came the pictures vanished; when the sunshine broke forth the
+figures sadly glimmered into something like visibility,--the Almighty
+moving in chaos,--the noble shape of Adam, the beautiful Eve; and,
+beneath where the roof curves, the mighty figures of sibyls and prophets,
+looking as if they were necessarily so gigantic because the thought
+within them was so massive. In the "Last Judgment" the scene of the
+greater part of the picture lies in the upper sky, the blue of which
+glows through betwixt the groups of naked figures; and above sits Jesus,
+not looking in the least like the Saviour of the world, but, with
+uplifted arm, denouncing eternal misery on those whom he came to save. I
+fear I am myself among the wicked, for I found myself inevitably taking
+their part, and asking for at least a little pity, some few regrets, and
+not such a stern denunciatory spirit on the part of Him who had thought
+us worth dying for. Around him stand grim saints, and, far beneath,
+people are getting up sleepily out of their graves, not well knowing what
+is about to happen; many of them, however, finding themselves clutched by
+demons before they are half awake. It would be a very terrible picture
+to one who should really see Jesus, the Saviour, in that inexorable
+judge; but it seems to me very undesirable that he should ever be
+represented in that aspect, when it is so essential to our religion to
+believe him infinitely kinder and better towards us than we deserve. At
+the last day--I presume, that is, in all future days, when we see
+ourselves as we are--man's only inexorable judge will be himself, and the
+punishment of his sins will be the perception of them.
+
+In the lower corner of this great picture, at the right hand of the
+spectator, is a hideous figure of a damned person, girdled about with a
+serpent, the folds of which are carefully knotted between his thighs, so
+as, at all events, to give no offence to decency. This figure represents
+a man who suggested to Pope Paul III. that the nudities of the "Last
+Judgment" ought to be draped, for which offence Michael Angelo at once
+consigned him to hell. It shows what a debtor's prison and dungeon of
+private torment men would make of hell if they had the control of it. As
+to the nudities, if they were ever more nude than now, I should suppose,
+in their fresh brilliancy, they might well have startled a not very
+squeamish eye. The effect, such as it is, of this picture, is much
+injured by the high altar and its canopy, which stands close against the
+wall, and intercepts a considerable portion of the sprawl of nakedness
+with which Michael Angelo has filled his sky. However, I am not
+unwilling to believe, with faith beyond what I can actually see, that the
+greatest pictorial miracles ever yet achieved have been wrought upon the
+walls and ceiling of the Sistine Chapel.
+
+In the afternoon I went with Mr. Thompson to see what bargain could be
+made with vetturinos for taking myself and family to Florence. We talked
+with three or four, and found them asking prices of various enormity,
+from a hundred and fifty scudi down to little more than ninety; but Mr.
+Thompson says that they always begin in this way, and will probably come
+down to somewhere about seventy-five. Mr. Thompson took me into the Via
+Portoghese, and showed me an old palace, above which rose--not a very
+customary feature of the architecture of Rome--a tall, battlemented
+tower. At one angle of the tower we saw a shrine of the Virgin, with a
+lamp, and all the appendages of those numerous shrines which we see at
+the street-corners, and in hundreds of places about the city. Three or
+four centuries ago, this palace was inhabited by a nobleman who had an
+only son and a large pet monkey, and one day the monkey caught the infant
+up and clambered to this lofty turret, and sat there with him in his arms
+grinning and chattering like the Devil himself. The father was in
+despair, but was afraid to pursue the monkey lest he should fling down
+the child from the height of the tower and make his escape. At last he
+vowed that if the boy were safely restored to him he would build a shrine
+at the summit of the tower, and cause it to be kept as a sacred place
+forever. By and by the monkey came down and deposited the child on the
+ground; the father fulfilled his vow, built the shrine, and made it
+obligatory, on all future possessors of the palace to keep the lamp
+burning before it. Centuries have passed, the property has changed
+hands; but still there is the shrine on the giddy top of the tower, far
+aloft over the street, on the very spot where the monkey sat, and there
+burns the lamp, in memory of the father's vow. This being the tenure by
+which the estate is held, the extinguishment of that flame might yet turn
+the present owner out of the palace.
+
+May 21st.--Mamma and I went, yesterday forenoon, to the Spada Palace,
+which we found among the intricacies of Central Rome; a dark and massive
+old edifice, built around a court, the fronts giving on which are adorned
+with statues in niches, and sculptured ornaments. A woman led us up a
+staircase, and ushered us into a great gloomy hall, square and lofty, and
+wearing a very gray and ancient aspect, its walls being painted in
+chiaroscuro, apparently a great many years ago. The hall was lighted by
+small windows, high upward from the floors, and admitting only a dusky
+light. The only furniture or ornament, so far as I recollect, was the
+colossal statue of Pompey, which stands on its pedestal at one side,
+certainly the sternest and severest of figures, and producing the most
+awful impression on the spectator. Much of the effect, no doubt, is due
+to the sombre obscurity of the hall, and to the loneliness in which the
+great naked statue stands. It is entirely nude, except for a cloak that
+hangs down from the left shoulder; in the left hand, it holds a globe;
+the right arm is extended. The whole expression is such as the statue
+might have assumed, if, during the tumult of Caesar's murder, it had
+stretched forth its marble hand, and motioned the conspirators to give
+over the attack, or to be quiet, now that their victim had fallen at its
+feet. On the left leg, about midway above the ankle, there is a dull,
+red stain, said to be Caesar's blood; but, of course, it is just such a
+red stain in the marble as may be seen on the statue of Antinous at the
+Capitol. I could not see any resemblance in the face of the statue to
+that of the bust of Pompey, shown as such at the Capitol, in which there
+is not the slightest moral dignity, or sign of intellectual eminence. I
+am glad to have seen this statue, and glad to remember it in that gray,
+dim, lofty hall; glad that there were no bright frescos on the walls, and
+that the ceiling was wrought with massive beams, and the floor paved with
+ancient brick.
+
+From this anteroom we passed through several saloons containing pictures,
+some of which were by eminent artists; the Judith of Guido, a copy of
+which used to weary me to death, year after year, in the Boston
+Athenaeum; and many portraits of Cardinals in the Spada family, and other
+pictures, by Guido. There were some portraits, also of the family, by
+Titian; some good pictures by Guercino; and many which I should have been
+glad to examine more at leisure; but, by and by, the custode made his
+appearance, and began to close the shutters, under pretence that the
+sunshine would injure the paintings,--an effect, I presume, not very
+likely to follow after two or three centuries' exposure to light, air,
+and whatever else might hurt them. However, the pictures seemed to be in
+much better condition, and more enjoyable, so far as they had merit, than
+those in most Roman picture-galleries; although the Spada Palace itself
+has a decayed and impoverished aspect, as if the family had dwindled from
+its former state and grandeur, and now, perhaps, smuggled itself into
+some out-of-the-way corner of the old edifice. If such be the case,
+there is something touching in their still keeping possession of Pompey's
+statue, which makes their house famous, and the sale of which might give
+them the means of building it up anew; for surely it is worth the whole
+sculpture-gallery of the Vatican.
+
+In the afternoon Mr. Thompson and I went, for the third or fourth time,
+to negotiate with vetturinos. . . . . So far as I know them they are a
+very tricky set of people, bent on getting as much as they can, by hook
+or by crook, out of the unfortunate individual who falls into their
+hands. They begin, as I have said, by asking about twice as much as they
+ought to receive; and anything between this exorbitant amount and the
+just price is what they thank heaven for, as so much clear gain.
+Nevertheless, I am not quite sure that the Italians are worse than other
+people even in this matter. In other countries it is the custom of
+persons in trade to take as much as they can get from the public,
+fleecing one man to exactly the same extent as another; here they take
+what they can obtain from the individual customer. In fact, Roman
+tradesmen do not pretend to deny that they ask and receive different
+prices from different people, taxing them according to their supposed
+means of payment; the article supplied being the same in one case as in
+another. A shopkeeper looked into his books to see if we were of the
+class who paid two pauls, or only a paul and a half for candles; a
+charcoal-dealer said that seventy baiocchi was a very reasonable sum for
+us to pay for charcoal, and that some persons paid eighty; and Mr.
+Thompson, recognizing the rule, told the old vetturino that "a hundred
+and fifty scudi was a very proper charge for carrying a prince to
+Florence, but not for carrying me, who was merely a very good artist."
+The result is well enough; the rich man lives expensively, and pays a
+larger share of the profits which people of a different system of
+trade-morality would take equally from the poor man. The effect on the
+conscience of the vetturino, however, and of tradesmen of all kinds,
+cannot be good; their only intent being, not to do justice between man
+and man, but to go as deep as they can into all pockets, and to the very
+bottom of some.
+
+We had nearly concluded a bargain, a day or two ago, with a vetturino to
+take or send us to Florence, via Perugia, in eight days, for a hundred
+scudi; but he now drew back, under pretence of having misunderstood the
+terms, though, in reality, no doubt, he was in hopes of getting a better
+bargain from somebody else. We made an agreement with another man, whom
+Mr. Thompson knows and highly recommends, and immediately made it sure
+and legally binding by exchanging a formal written contract, in which
+everything is set down, even to milk, butter, bread, eggs, and coffee,
+which we are to have for breakfast; the vetturino being to pay every
+expense for himself, his horses, and his passengers, and include it
+within ninety-five scudi, and five crowns in addition for
+buon-mano. . . . . .
+
+
+May 22d.--Yesterday, while we were at dinner, Mr. ------ called. I never
+saw him but once before, and that was at the door of our little red
+cottage in Lenox; he sitting in a wagon with one or two of the
+Sedgewicks, merely exchanging a greeting with me from under the brim of
+his straw hat, and driving on. He presented himself now with a long
+white beard, such as a palmer might have worn as the growth of his long
+pilgrimages, a brow almost entirely bald, and what hair he has quite
+hoary; a forehead impending, yet not massive; dark, bushy eyebrows and
+keen eyes, without much softness in them; a dark and sallow complexion; a
+slender figure, bent a little with age; but at once alert and infirm. It
+surprised me to see him so venerable; for, as poets are Apollo's kinsmen,
+we are inclined to attribute to them his enviable quality of never
+growing old. There was a weary look in his face, as if he were tired of
+seeing things and doing things, though with certainly enough still to see
+and do, if need were. My family gathered about him, and he conversed
+with great readiness and simplicity about his travels, and whatever other
+subject came up; telling us that he had been abroad five times, and was
+now getting a little home-sick, and had no more eagerness for sights,
+though his "gals" (as he called his daughter and another young lady)
+dragged him out to see the wonders of Rome again. His manners and whole
+aspect are very particularly plain, though not affectedly so; but it
+seems as if in the decline of life, and the security of his position, he
+had put off whatever artificial polish he may have heretofore had, and
+resumed the simpler habits and deportment of his early New England
+breeding. Not but what you discover, nevertheless, that he is a man of
+refinement, who has seen the world, and is well aware of his own place in
+it. He spoke with great pleasure of his recent visit to Spain. I
+introduced the subject of Kansas, and methought his face forthwith
+assumed something of the bitter keenness of the editor of a political
+newspaper, while speaking of the triumph of the administration over the
+Free-Soil opposition. I inquired whether he had seen S------, and he
+gave a very sad account of him as he appeared at their last meeting,
+which was in Paris. S------, he thought, had suffered terribly, and
+would never again be the man he was; he was getting fat; he talked
+continually of himself, and of trifles concerning himself, and seemed to
+have no interest for other matters; and Mr. ------ feared that the shock
+upon his nerves had extended to his intellect, and was irremediable. He
+said that S------ ought to retire from public life, but had no friend
+true enough to tell him so. This is about as sad as anything can be. I
+hate to have S------ undergo the fate of a martyr, because he was not
+naturally of the stuff that martyrs are made of, and it is altogether by
+mistake that he has thrust himself into the position of one. He was
+merely, though with excellent abilities, one of the best of fellows, and
+ought to have lived and died in good fellowship with all the world.
+
+S------ was not in the least degree excited about this or any other
+subject. He uttered neither passion nor poetry, but excellent good
+sense, and accurate information on whatever subject transpired; a very
+pleasant man to associate with, but rather cold, I should imagine, if one
+should seek to touch his heart with one's own. He shook hands kindly all
+round, but not with any warmth of gripe; although the ease of his
+deportment had put us all on sociable terms with him.
+
+At seven o'clock we went by invitation to take tea with Miss Bremer.
+After much search, and lumbering painfully up two or three staircases in
+vain, and at last going about in a strange circuity, we found her in a
+small chamber of a large old building, situated a little way from the
+brow of the Tarpeian Rock. It was the tiniest and humblest domicile that
+I have seen in Rome, just large enough to hold her narrow bed, her
+tea-table, and a table covered with books,--photographs of Roman ruins,
+and some pages written by herself. I wonder whether she be poor.
+Probably so; for she told us that her expense of living here is only five
+pauls a day. She welcomed us, however, with the greatest cordiality and
+lady-like simplicity, making no allusion to the humbleness of her
+environment (and making us also lose sight of it, by the absence of all
+apology) any more than if she were receiving us in a palace. There is
+not a better bred woman; and yet one does not think whether she has any
+breeding or no. Her little bit of a round table was already spread for
+us with her blue earthenware teacups; and after she had got through an
+interview with the Swedish Minister, and dismissed him with a hearty
+pressure of his hand between both her own, she gave us our tea, and some
+bread, and a mouthful of cake. Meanwhile, as the day declined, there had
+been the most beautiful view over the campagna, out of one of her
+windows; and, from the other, looking towards St. Peter's, the broad
+gleam of a mildly glorious sunset; not so pompous and magnificent as many
+that I have seen in America, but softer and sweeter in all its changes.
+As its lovely hues died slowly away, the half-moon shone out brighter and
+brighter; for there was not a cloud in the sky, and it seemed like the
+moonlight of my younger days. In the garden, beneath her window, verging
+upon the Tarpeian Rock, there was shrubbery and one large tree, softening
+the brow of the famous precipice, adown which the old Romans used to
+fling their traitors, or sometimes, indeed, their patriots.
+
+Miss Bremer talked plentifully in her strange manner,--good English
+enough for a foreigner, but so oddly intonated and accented, that it is
+impossible to be sure of more than one word in ten. Being so little
+comprehensible, it is very singular how she contrives to make her
+auditors so perfectly certain, as they are, that she is talking the best
+sense, and in the kindliest spirit. There is no better heart than hers,
+and not many sounder heads; and a little touch of sentiment comes
+delightfully in, mixed up with a quick and delicate humor and the most
+perfect simplicity. There is also a very pleasant atmosphere of
+maidenhood about her; we are sensible of a freshness and odor of the
+morning still in this little withered rose,--its recompense for never
+having been gathered and worn, but only diffusing fragrance on its stem.
+I forget mainly what we talked about,--a good deal about art, of course,
+although that is a subject of which Miss Bremer evidently knows nothing.
+Once we spoke of fleas,--insects that, in Rome, come home to everybody's
+business and bosom, and are so common and inevitable, that no delicacy is
+felt about alluding to the sufferings they inflict. Poor little Miss
+Bremer was tormented with one while turning out our tea. . . . . She
+talked, among other things, of the winters in Sweden, and said that she
+liked them, long and severe as they are; and this made me feel ashamed of
+dreading the winters of New England, as I did before coming from home,
+and do now still more, after five or six mild English Decembers.
+
+By and by, two young ladies came in,--Miss Bremen's neighbors, it
+seemed,--fresh from a long walk on the campagna, fresh and weary at the
+same time. One apparently was German, and the other French, and they
+brought her an offering of flowers, and chattered to her with
+affectionate vivacity; and, as we were about taking leave, Miss Bremer
+asked them to accompany her and us on a visit to the edge of the Tarpeian
+Rock. Before we left the room, she took a bunch of roses that were in a
+vase, and gave them to Miss Shepard, who told her that she should make
+her six sisters happy by giving one to each. Then we went down the
+intricate stairs, and, emerging into the garden, walked round the brow of
+the hill, which plunges headlong with exceeding abruptness; but, so far
+as I could see in the moonlight, is no longer quite a precipice. Then
+we re-entered the house, and went up stairs and down again, through
+intricate passages, till we got into the street, which was still peopled
+with the ragamuffins who infest and burrow in that part of Rome. We
+returned through an archway, and descended the broad flight of steps into
+the piazza of the Capitol; and from the extremity of it, just at the head
+of the long graded way, where Castor and Pollux and the old milestones
+stand, we turned to the left, and followed a somewhat winding path, till
+we came into the court of a palace. This court is bordered by a parapet,
+leaning over which we saw the sheer precipice of the Tarpeian Rock, about
+the height of a four-story house. . . . .
+
+On the edge of this, before we left the court, Miss Bremer bade us
+farewell, kissing my wife most affectionately on each cheek, . . . . and
+then turning towards myself, . . . . she pressed my hand, and we parted,
+probably never to meet again. God bless her good heart! . . . . She is a
+most amiable little woman, worthy to be the maiden aunt of the whole
+human race. I suspect, by the by, that she does not like me half so well
+as I do her; it is my impression that she thinks me unamiable, or that
+there is something or other not quite right about me. I am sorry if it
+be so, because such a good, kindly, clear-sighted, and delicate person is
+very apt to have reason at the bottom of her harsh thoughts, when, in
+rare cases, she allows them to harbor with her.
+
+To-day, and for some days past, we have been in quest of lodgings for
+next winter; a weary search, up interminable staircases, which seduce us
+upward to no successful result. It is very disheartening not to be able
+to place the slightest reliance on the integrity of the people we are to
+deal with; not to believe in any connection between their words and their
+purposes; to know that they are certainly telling you falsehoods, while
+you are not in a position to catch hold of the lie, and hold it up in
+their faces.
+
+This afternoon we called on Mr. and Mrs. ------ at the Hotel de l'Europe,
+but found only the former at home. We had a pleasant visit, but I made
+no observations of his character save such as I have already sufficiently
+recorded; and when we had been with him a little while, Mrs. Chapman, the
+artist's wife, Mr. Terry, and my friend, Mr. Thompson, came in. ------
+received them all with the same good degree of cordiality that he did
+ourselves, not cold, not very warm, not annoyed, not ecstatically
+delighted; a man, I should suppose, not likely to have ardent individual
+preferences, though perhaps capable of stern individual dislikes. But I
+take him, at all events, to be a very upright man, and pursuing a narrow
+track of integrity; he is a man whom I would never forgive (as I would a
+thousand other men) for the slightest moral delinquency. I would not be
+bound to say, however, that he has not the little sin of a fretful and
+peevish habit; and yet perhaps I am a sinner myself for thinking so.
+
+
+May 23d.--This morning I breakfasted at William Story's, and met there
+Mr. Bryant, Mr. T------ (an English gentleman), Mr. and Mrs. Apthorp,
+Miss Hosmer, and one or two other ladies. Bryant was very quiet, and
+made no conversation audible to the general table. Mr. T------ talked of
+English politics and public men; the "Times" and other newspapers,
+English clubs and social habits generally; topics in which I could well
+enough bear my part of the discussion. After breakfast, and aside from
+the ladies, he mentioned an illustration of Lord Ellenborough's lack of
+administrative ability,--a proposal seriously made by his lordship in
+reference to the refractory Sepoys. . . . .
+
+We had a very pleasant breakfast, and certainly a breakfast is much
+preferable to a dinner, not merely in the enjoyment, while it is passing,
+but afterwards. I made a good suggestion to Miss Hosmer for the design
+of a fountain,--a lady bursting into tears, water gushing from a thousand
+pores, in literal translation of the phrase; and to call the statue
+"Niobe, all Tears." I doubt whether she adopts the idea; but Bernini
+would have been delighted with it. I should think the gush of water
+might be so arranged as to form a beautiful drapery about the figure,
+swaying and fluttering with every breath of wind, and rearranging itself
+in the calm; in which case, the lady might be said to have "a habit of
+weeping." . . . . Apart, with William Story, he and I talked of the
+unluckiness of Friday, etc. I like him particularly well. . . . .
+
+We have been plagued to-day with our preparations for leaving Rome
+to-morrow, and especially with verifying the inventory of furniture,
+before giving up the house to our landlord. He and his daughter have
+been examining every separate article, down even to the kitchen skewers,
+I believe, and charging us to the amount of several scudi for cracks and
+breakages, which very probably existed when we came into possession. It
+is very uncomfortable to have dealings with such a mean people (though
+our landlord is German),--mean in their business transactions; mean even
+in their beggary; for the beggars seldom ask for more than a mezzo
+baioccho, though they sometimes grumble when you suit your gratuity
+exactly to their petition. It is pleasant to record that the Italians
+have great faith in the honor of the English and Americans, and never
+hesitate to trust entire strangers, to any reasonable extent, on the
+strength of their being of the honest Anglo-Saxon race.
+
+This evening, U---- and I took a farewell walk in the Pincian Gardens to
+see the sunset; and found them crowded with people, promenading and
+listening to the music of the French baud. It was the feast of
+Whitsunday, which probably brought a greater throng than usual abroad.
+
+When the sun went down, we descended into the Piazza del Popolo, and
+thence into the Via Ripetta, and emerged through a gate to the shore of
+the Tiber, along which there is a pleasant walk beneath a grove of trees.
+We traversed it once and back again, looking at the rapid river, which
+still kept its mud-puddly aspect even in the clear twilight, and beneath
+the brightening moon. The great bell of St. Peter's tolled with a deep
+boom, a grand and solemn sound; the moon gleamed through the branches of
+the trees above us; and U---- spoke with somewhat alarming fervor of her
+love for Rome, and regret at leaving it. We shall have done the child no
+good office in bringing her here, if the rest of her life is to be a
+dream of this "city of the soul," and an unsatisfied yearning to come
+back to it. On the other hand, nothing elevating and refining can be
+really injurious, and so I hope she will always be the better for Rome,
+even if her life should be spent where there are no pictures, no statues,
+nothing but the dryness and meagreness of a New England village.
+
+
+
+JOURNEY TO FLORENCE.
+
+
+Civita Castellana, May 24th.--We left Rome this morning, after troubles
+of various kinds, and a dispute in the first place with Lalla, our female
+servant, and her mother. . . . . Mother and daughter exploded into a
+livid rage, and cursed us plentifully,--wishing that we might never come
+to our journey's end, and that we might all break our necks or die of
+apoplexy,--the most awful curse that an Italian knows how to invoke upon
+his enemies, because it precludes the possibility of extreme unction.
+However, as we are heretics, and certain of damnation therefore, anyhow,
+it does not much matter to us; and also the anathemas may have been blown
+back upon those who invoked them, like the curses that were flung out
+from the balcony of St Peter's during Holy Week and wafted by heaven's
+breezes right into the faces of some priests who stood near the pope.
+Next we had a disagreement, with two men who brought down our luggage,
+and put it on the vettura; . . . . and, lastly, we were infested with
+beggars, who hung round the carriages with doleful petitions, till we
+began to move away; but the previous warfare had put me into too stern a
+mood for almsgiving, so that they also were doubtless inclined to curse
+more than to bless, and I am persuaded that we drove off under a perfect
+shower of anathemas.
+
+We passed through the Porta del Popolo at about eight o'clock; and after
+a moment's delay, while the passport was examined, began our journey
+along the Flaminian Way, between two such high and inhospitable walls of
+brick or stone as seem to shut in all the avenues to Rome. We had not
+gone far before we heard military music in advance of us, and saw the
+road blocked up with people, and then the glitter of muskets, and soon
+appeared the drummers, fifers, and trumpeters, and then the first
+battalion of a French regiment, marching into the city, with two mounted
+officers at their head; then appeared a second and then a third
+battalion, the whole seeming to make almost an army, though the number on
+their caps showed them all to belong to one regiment,--the 1st; then came
+a battery of artillery, then a detachment of horse,--these last, by the
+crossed keys on their helmets, being apparently papal troops. All were
+young, fresh, good-looking men, in excellent trim as to uniform and
+equipments, and marched rather as if they were setting out on a campaign
+than returning from it; the fact being, I believe, that they have been
+encamped or in barracks within a few miles of the city. Nevertheless, it
+reminded me of the military processions of various kinds which so often,
+two thousand years ago and more, entered Rome over the Flaminian Way, and
+over all the roads that led to the famous city,--triumphs oftenest, but
+sometimes the downcast train of a defeated army, like those who retreated
+before Hannibal. On the whole, I was not sorry to see the Gauls still
+pouring into Rome; but yet I begin to find that I have a strange
+affection for it, and so did we all,--the rest of the family in a greater
+degree than myself even. It is very singular, the sad embrace with which
+Rome takes possession of the soul. Though we intend to return in a few
+months, and for a longer residence than this has been, yet we felt the
+city pulling at our heartstrings far more than London did, where we shall
+probably never spend much time again. It may be because the intellect
+finds a home there more than in any other spot in the world, and wins the
+heart to stay with it, in spite of a good many things strewn all about to
+disgust us.
+
+The road in the earlier part of the way was not particularly
+picturesque,--the country undulated, but scarcely rose into hills, and
+was destitute of trees; there were a few shapeless ruins, too indistinct
+for us to make out whether they were Roman or mediaeval. Nothing struck
+one so much, in the forenoon, as the spectacle of a peasant-woman riding
+on horseback as if she were a man. The houses were few, and those of a
+dreary aspect, built of gray stone, and looking bare and desolate, with
+not the slightest promise of comfort within doors. We passed two or
+three locandas or inns, and finally came to the village (if village it
+were, for I remember no houses except our osteria) of Castel Nuovo di
+Porta, where we were to take a dejeuner a la fourchette, which was put
+upon the table between twelve and one. On this journey, according to the
+custom of travellers in Italy, we pay the vetturino a certain sum, and
+live at his expense; and this meal was the first specimen of his catering
+on our behalf. It consisted of a beefsteak, rather dry and hard, but not
+unpalatable, and a large omelette; and for beverage, two quart bottles of
+red wine, which, being tasted, had an agreeable acid flavor. . . . . The
+locanda was built of stone, and had what looked like an old Roman altar
+in the basement-hall, and a shrine, with a lamp before it, on the
+staircase; and the large public saloon in which we ate had a brick floor,
+a ceiling with cross-beams, meagrely painted in fresco, and a scanty
+supply of chairs and settees.
+
+After lunch, we wandered out into a valley or ravine near the house,
+where we gathered some flowers, and J----- found a nest with the young
+birds in it, which, however, he put back into the bush whence he took it.
+
+Our afternoon drive was more picturesque and noteworthy. Soracte rose
+before us, bulging up quite abruptly out of the plain, and keeping itself
+entirely distinct from a whole horizon of hills. Byron well compares it
+to a wave just on the bend, and about to break over towards the
+spectator. As we approached it nearer and nearer, it looked like the
+barrenest great rock that ever protruded out of the substance of the
+earth, with scarcely a strip or a spot of verdure upon its steep and gray
+declivities. The road kept trending towards the mountain, following the
+line of the old Flaminian Way, which we could see, at frequent intervals,
+close beside the modern track. It is paved with large flag-stones, laid
+so accurately together, that it is still, in some places, as smooth and
+even as the floor of a church; and everywhere the tufts of grass find it
+difficult to root themselves into the interstices. Its course is
+straighter than that of the road of to-day, which often turns aside to
+avoid obstacles which the ancient one surmounted. Much of it, probably,
+is covered with the soil and overgrowth deposited in later years; and,
+now and then, we could see its flag-stones partly protruding from the
+bank through which our road has been cut, and thus showing that the
+thickness of this massive pavement was more than a foot of solid stone.
+We lost it over and over again; but still it reappeared, now on one side
+of us, now on the other; perhaps from beneath the roots of old trees, or
+the pasture-land of a thousand years old, and leading on towards the base
+of Soracte. I forget where we finally lost it. Passing through a town
+called Rignano, we found it dressed out in festivity, with festoons of
+foliage along both sides of the street, which ran beneath a triumphal
+arch, bearing an inscription in honor of a ducal personage of the Massimi
+family. I know no occasion for the feast, except that it is Whitsuntide.
+The town was thronged with peasants, in their best attire, and we met
+others on their way thither, particularly women and girls, with heads
+bare in the sunshine; but there was no tiptoe jollity, nor, indeed,
+any more show of festivity than I have seen in my own country at a
+cattle-show or muster. Really, I think, not half so much.
+
+The road still grew more and more picturesque, and now lay along ridges,
+at the bases of which were deep ravines and hollow valleys. Woods were
+not wanting; wilder forests than I have seen since leaving America, of
+oak-trees chiefly; and, among the green foliage, grew golden tufts of
+broom, making a gay and lovely combination of hues. I must not forget to
+mention the poppies, which burned like live coals along the wayside, and
+lit up the landscape, even a single one of them, with wonderful effect.
+At other points, we saw olive-trees, hiding their eccentricity of boughs
+under thick masses of foliage of a livid tint, which is caused, I
+believe, by their turning their reverse sides to the light and to the
+spectator. Vines were abundant, but were of little account in the scene.
+By and by we came in sight, of the high, flat table-land, on which stands
+Civita Castellana, and beheld, straight downward, between us and the
+town, a deep level valley with a river winding through it; it was the
+valley of the Treja. A precipice, hundreds of feet in height, falls
+perpendicularly upon the valley, from the site of Civita Castellana;
+there is an equally abrupt one, probably, on the side from which we saw
+it; and a modern road, skilfully constructed, goes winding down to the
+stream, crosses it by a narrow stone bridge, and winds upward into the
+town. After passing over the bridge, I alighted, with J----- and R-----,
+. . . . and made the ascent on foot, along walls of natural rock, in
+which old Etruscan tombs were hollowed out. There are likewise antique
+remains of masonry, whether Roman or of what earlier period, I cannot
+tell. At the summit of the acclivity, which brought us close to the
+town, our vetturino took us into the carriage again and quickly brought
+us to what appears to be really a good hotel, where all of us are
+accommodated with sleeping-chambers in a range, beneath an arcade,
+entirely secluded from the rest of the population of the hotel. After a
+splendid dinner (that is, splendid, considering that it was ordered by
+our hospitable vetturino), U----, Miss Shepard, J-----, and I walked out
+of the little town, in the opposite direction from our entrance, and
+crossed a bridge at the height of the table-land, instead of at its base.
+On either side, we had a view down into a profound gulf, with sides of
+precipitous rock, and heaps of foliage in its lap, through which ran the
+snowy track of a stream; here snowy, there dark; here hidden among the
+foliage, there quite revealed in the broad depths of the gulf. This was
+wonderfully fine. Walking on a little farther, Soracte came fully into
+view, starting with bold abruptness out of the middle of the country; and
+before we got back, the bright Italian moon was throwing a shower of
+silver over the scene, and making it so beautiful that it seemed
+miserable not to know how to put it into words; a foolish thought,
+however, for such scenes are an expression in themselves, and need not be
+translated into any feebler language. On our walk we met parties of
+laborers, both men and women, returning from the fields, with rakes and
+wooden forks over their shoulders, singing in chorus. It is very
+customary for women to be laboring in the fields.
+
+
+
+TO TERNI.--BORGHETTO.
+
+
+May 25th.--We were aroused at four o'clock this morning; had some eggs
+and coffee, and were ready to start between five and six; being thus
+matutinary, in order to get to Terni in time to see the falls. The road
+was very striking and picturesque; but I remember nothing particularly,
+till we came to Borghetto, which stands on a bluff, with a broad valley
+sweeping round it, through the midst of which flows the Tiber. There is
+an old castle on a projecting point; and we saw other battlemented
+fortresses, of mediaeval date, along our way, forming more beautiful
+ruins than any of the Roman remains to which we have become accustomed.
+This is partly, I suppose, owing to the fact that they have been
+neglected, and allowed to mantle their decay with ivy, instead of being
+cleaned, propped up, and restored. The antiquarian is apt to spoil the
+objects that interest him.
+
+Sometimes we passed through wildernesses of various trees, each
+contributing a different hue of verdure to the scene; the vine, also,
+marrying itself to the fig-tree, so that a man might sit in the shadow of
+both at once, and temper the luscious sweetness of the one fruit with the
+fresh flavor of the other. The wayside incidents were such as meeting a
+man and woman borne along as prisoners, handcuffed and in a cart; two men
+reclining across one another, asleep, and lazily lifting their heads to
+gaze at us as we passed by; a woman spinning with a distaff as she walked
+along the road. An old tomb or tower stood in a lonely field, and
+several caves were hollowed in the rocks, which might have been either
+sepulchres or habitations. Soracte kept us company, sometimes a little
+on one side, sometimes behind, looming up again and again, when we
+thought that we had done with it, and so becoming rather tedious at last,
+like a person who presents himself for another and another leave-taking
+after the one which ought to have been final. Honeysuckles sweetened the
+hedges along the road.
+
+After leaving Borghetto, we crossed the broad valley of the Tiber, and
+skirted along one of the ridges that border it, looking back upon the
+road that we had passed, lying white behind us. We saw a field covered
+with buttercups, or some other yellow flower, and poppies burned along
+the roadside, as they did yesterday, and there were flowers of a
+delicious blue, as if the blue Italian sky had been broken into little
+bits, and scattered down upon the green earth. Otricoli by and by
+appeared, situated on a bold promontory above the valley, a village of a
+few gray houses and huts, with one edifice gaudily painted in white and
+pink. It looked more important at a distance than we found it on our
+nearer approach. As the road kept ascending, and as the hills grew to be
+mountains, we had taken two additional horses, making six in all, with a
+man and boy running beside them, to keep them in motion. The boy had two
+club feet, so inconveniently disposed that it seemed almost inevitable
+for him to stumble over them at every step; besides which, he seemed to
+tread upon his ankles, and moved with a disjointed gait, as if each of
+his legs and thighs had been twisted round together with his feet.
+Nevertheless, he had a bright, cheerful, intelligent face, and was
+exceedingly active, keeping up with the horses at their trot, and
+inciting them to better speed when they lagged. I conceived a great
+respect for this poor boy, who had what most Italian peasants would
+consider an enviable birthright in those two club feet, as giving him a
+sufficient excuse to live on charity, but yet took no advantage of them;
+on the contrary, putting his poor misshapen hoofs to such good use as
+might have shamed many a better provided biped. When he quitted us, he
+asked no alms of the travellers, but merely applied to Gaetano for some
+slight recompense for his well-performed service. This behavior
+contrasted most favorably with that of some other boys and girls, who ran
+begging beside the carriage door, keeping up a low, miserable murmur,
+like that of a kennel-stream, for a long, long way. Beggars, indeed,
+started up at every point, when we stopped for a moment, and whenever a
+hill imposed a slower pace upon us; each village had its deformity or its
+infirmity, offering his wretched petition at the step of the carriage;
+and even a venerable, white-haired patriarch, the grandfather of all the
+beggars, seemed to grow up by the roadside, but was left behind from
+inability to join in the race with his light-footed juniors. No shame is
+attached to begging in Italy. In fact, I rather imagine it to be held an
+honorable profession, inheriting some of the odor of sanctity that used
+to be attached to a mendicant and idle life in the days of early
+Christianity, when every saint lived upon Providence, and deemed it
+meritorious to do nothing for his support.
+
+Murray's guide-book is exceedingly vague and unsatisfactory along this
+route; and whenever we asked Gaetano the name of a village or a castle,
+he gave some one which we had never heard before, and could find nothing
+of in the book. We made out the river Nar, however, or what I supposed
+to be such, though he called it Nera. It flows through a most stupendous
+mountain-gorge; winding its narrow passage between high hills, the broad
+sides of which descend steeply upon it, covered with trees and shrubbery,
+that mantle a host of rocky roughnesses, and make all look smooth. Here
+and there a precipice juts sternly forth. We saw an old castle on a
+hillside, frowning down into the gorge; and farther on, the gray tower of
+Narni stands upon a height, imminent over the depths below, and with its
+battlemented castle above now converted into a prison, and therefore kept
+in excellent repair. A long winding street passes through Narni,
+broadening at one point into a market-place, where an old cathedral
+showed its venerable front, and the great dial of its clock, the figures
+on which were numbered in two semicircles of twelve points each; one, I
+suppose, for noon, and the other for midnight. The town has, so far as
+its principal street is concerned, a city-like aspect, with large, fair
+edifices, and shops as good as most of those at Rome, the smartness of
+which contrasts strikingly with the rude and lonely scenery of mountain
+and stream, through which we had come to reach it. We drove through
+Narni without stopping, and came out from it on the other side, where a
+broad, level valley opened before us, most unlike the wild, precipitous
+gorge which had brought us to the town. The road went winding down into
+the peaceful vale, through the midst of which flowed the same stream that
+cuts its way between the impending hills, as already described. We
+passed a monk and a soldier,--the two curses of Italy, each in his way,--
+walking sociably side by side; and from Narni to Terni I remember nothing
+that need be recorded.
+
+Terni, like so many other towns in the neighborhood, stands in a high and
+commanding position, chosen doubtless for its facilities of defence, in
+days long before the mediaeval warfares of Italy made such sites
+desirable. I suppose that, like Narni and Otricoli, it was a city of the
+Umbrians. We reached it between eleven and twelve o'clock, intending to
+employ the afternoon on a visit to the famous falls of Terni; but, after
+lowering all day, it has begun to rain, and we shall probably have to
+give them up.
+
+
+Half past eight o'clock.--It has rained in torrents during the afternoon,
+and we have not seen the cascade of Terni; considerably to my regret, for
+I think I felt the more interest in seeing it, on account of its being
+artificial. Methinks nothing was more characteristic of the energy and
+determination of the old Romans, than thus to take a river, which they
+wished to be rid of, and fling it over a giddy precipice, breaking it
+into ten million pieces by the fall. . . . . We are in the Hotel delle
+tre Colonne, and find it reasonably good, though not, so far as we are
+concerned, justifying the rapturous commendations of previous tourists,
+who probably travelled at their own charges. However, there is nothing
+really to be complained of, either in our accommodations or table, and
+the only wonder is how Gaetano contrives to get any profit out of our
+contract, since the hotel bills would alone cost us more than we pay him
+for the journey and all. It is worth while to record as history of
+vetturino commissary customs, that for breakfast this morning we had
+coffee, eggs, and bread and butter; for lunch an omelette, some stewed
+veal, and a dessert of figs and grapes, besides two decanters of a
+light-colored acid wine, tasting very like indifferent cider; for dinner,
+an excellent vermicelli soup, two young fowls, fricasseed, and a hind
+quarter of roast lamb, with fritters, oranges, and figs, and two more
+decanters of the wine aforesaid.
+
+This hotel is an edifice with a gloomy front upon a narrow street, and
+enterable through an arch, which admits you into an enclosed court;
+around the court, on each story, run the galleries, with which the
+parlors and sleeping-apartments communicate. The whole house is dingy,
+probably old, and seems not very clean; but yet bears traces of former
+magnificence; for instance, in our bedroom, the door of which is
+ornamented with gilding, and the cornices with frescos, some of which
+appear to represent the cascade of Terni, the roof is crossed with carved
+beams, and is painted in the interstices; the floor has a carpet, but
+rough tiles underneath it, which show themselves at the margin. The
+windows admit the wind; the door shuts so loosely as to leave great
+cracks; and, during the rain to-day, there was a heavy shower through our
+ceiling, which made a flood upon the carpet. We see no chambermaids;
+nothing of the comfort and neatness of an English hotel, nor of the smart
+splendors of an American one; but still this dilapidated palace affords
+us a better shelter than I expected to find in the decayed country towns
+of Italy. In the album of the hotel I find the names of more English
+travellers than of any other nation except the Americans, who, I think,
+even exceed the former; and, the route being the favorite one for
+tourists between Rome and Florence, whatever merit the inns have is
+probably owing to the demands of the Anglo-Saxons. I doubt not, if we
+chose to pay for it, this hotel would supply us with any luxury we might
+ask for; and perhaps even a gorgeous saloon and state bedchamber.
+
+After dinner, J----- and I walked out in the dusk to see what we could of
+Terni. We found it compact and gloomy (but the latter characteristic
+might well enough be attributed to the dismal sky), with narrow streets,
+paved from wall to wall of the houses, like those of all the towns in
+Italy; the blocks of paving-stone larger than the little square torments
+of Rome. The houses are covered with dingy stucco, and mostly low,
+compared with those of Rome, and inhospitable as regards their dismal
+aspects and uninviting doorways. The streets are intricate, as well as
+narrow; insomuch that we quickly lost our way, and could not find it
+again, though the town is of so small dimensions, that we passed through
+it in two directions, in the course of our brief wanderings. There are
+no lamp-posts in Terni; and as it was growing dark, and beginning to rain
+again, we at last inquired of a person in the principal piazza, and found
+our hotel, as I expected, within two minutes' walk of where we stood.
+
+
+
+FOLIGNO.
+
+
+May 26th.--At six o'clock this morning, we packed ourselves into our
+vettura, my wife and I occupying the coupe, and drove out of the city
+gate of Terni. There are some old towers near it, ruins of I know not
+what, and care as little, in the plethora of antiquities and other
+interesting objects. Through the arched gateway, as we approached, we
+had a view of one of the great hills that surround the town, looking
+partly bright in the early sunshine, and partly catching the shadows of
+the clouds that floated about the sky. Our way was now through the Vale
+of Terni, as I believe it is called, where we saw somewhat of the
+fertility of Italy: vines trained on poles, or twining round mulberry and
+other trees, ranged regularly like orchards; groves of olives and fields
+of grain. There are interminable shrines in all sorts of situations;
+some under arched niches, or little penthouses, with a brick-tiled roof,
+just large enough to cover them; or perhaps in some bit of old Roman
+masonry, on the wall of a wayside inn, or in a shallow cavity of the
+natural rock, or high upward in the deep cuts of the road; everywhere, in
+short, so that nobody need be at a loss when he feels the religious
+sentiment stir within him. Our way soon began to wind among the hills,
+which rose steep and lofty from the scanty, level space that lay between;
+they continually thrust themselves across the passage, and appeared as if
+determined to shut us completely in. A great hill would put its foot
+right before us; but, at the last moment, would grudgingly withdraw it,
+and allow us just room enough to creep by. Adown their sides we
+discerned the dry beds of mountain torrents, which had lived too fierce a
+life to let it be a long one. On here and there a hillside or promontory
+we saw a ruined castle or a convent, looking from its commanding height
+upon the road, which very likely some robber-knight had formerly infested
+with his banditti, retreating with his booty to the security of such
+strongholds. We came, once in a while, to wretched villages, where there
+was no token of prosperity or comfort; but perhaps there may have been
+more than we could appreciate, for the Italians do not seem to have any
+of that sort of pride which we find in New England villages, where every
+man, according to his taste and means, endeavors to make his homestead an
+ornament to the place. We miss nothing in Italy more than the neat
+doorsteps and pleasant porches and thresholds and delightful lawns or
+grass-plots, which hospitably invite the imagination into a sweet
+domestic interior. Everything, however sunny and luxuriant may be the
+scene around, is especially dreary and disheartening in the immediate
+vicinity of an Italian home.
+
+At Strettura (which, as the name indicates, is a very narrow part of the
+valley) we added two oxen to our horses, and began to ascend the Monte
+Somma, which, according to Murray, is nearly four thousand feet high
+where we crossed it. When we came to the steepest part of the ascent,
+Gaetano, who exercises a pretty decided control over his passengers,
+allowed us to walk; and we all, with one exception, alighted, and began
+to climb the mountain on foot. I walked on briskly, and soon left the
+rest of the party behind, reaching the top of the pass in such a short
+time that I could not believe it, and kept onward, expecting still
+another height to climb. But the road began to descend, winding among
+the depths of the hills as heretofore; now beside the dry, gravelly bed
+of a departed stream, now crossing it by a bridge, and perhaps passing
+through some other gorge, that yet gave no decided promise of an outlet
+into the world beyond. A glimpse might occasionally be caught, through a
+gap between the hill-tops, of a company of distant mountain-peaks,
+pyramidal, as these hills are apt to be, and resembling the camp of an
+army of giants. The landscape was not altogether savage; sometimes a
+hillside was covered with a rich field of grain, or an orchard of
+olive-trees, looking not unlike puffs of smoke, from the peculiar line of
+their foliage; but oftener there was a vast mantle of trees and shrubbery
+from top to bottom, the golden tufts of the broom shining out amid the
+verdure, and gladdening the whole. Nothing was dismal except the houses;
+those were always so, whether the compact, gray lines of village hovels,
+with a narrow street between, or the lonely farm-house, standing far
+apart from the road, built of stone, with window-gaps high in the wall,
+empty of glass; or the half-castle, half-dwelling, of which I saw a
+specimen or two, with what looked like a defensive rampart, drawn around
+its court. I saw no look of comfort anywhere; and continually, in this
+wild and solitary region, I met beggars, just as if I were still in the
+streets of Rome. Boys and girls kept beside me, till they delivered me
+into the hands of others like themselves; hoary grandsires and
+grandmothers caught a glimpse of my approach, and tottered as fast as
+they could to intercept me; women came out of the cottages, with rotten
+cherries on a plate, entreating me to buy them for a mezzo baioccho; a
+man, at work on the road, left his toil to beg, and was grateful for the
+value of a cent; in short, I was never safe from importunity, as long as
+there was a house or a human being in sight.
+
+We arrived at Spoleto before noon, and while our dejeuner was being
+prepared, looked down from the window of the inn into the narrow street
+beneath, which, from the throng of people in it, I judged to be the
+principal one: priests, papal soldiers, women with no bonnets on their
+heads; peasants in breeches and mushroom hats; maids and matrons, drawing
+water at a fountain; idlers, smoking on a bench under the window; a talk,
+a bustle, but no genuine activity. After lunch we walked out to see the
+lions of Spoleto, and found our way up a steep and narrow street that led
+us to the city gate, at which, it is traditionally said, Hannibal sought
+to force an entrance, after the battle of Thrasymene, and was repulsed.
+The gateway has a double arch, on the inner one of which is a tablet,
+recording the above tradition as an unquestioned historical fact. From
+the gateway we went in search of the Duomo, or cathedral, and were kindly
+directed thither by an officer, who was descending into the town from the
+citadel, which is an old castle, now converted into a prison. The
+cathedral seemed small, and did not much interest us, either by the
+Gothic front or its modernized interior. We saw nothing else in Spoleto,
+but went back to the inn and resumed our journey, emerging from the city
+into the classic valley of the Clitumnus, which we did not view under the
+best of auspices, because it was overcast, and the wind as chill as if it
+had the cast in it. The valley, though fertile, and smilingly
+picturesque, perhaps, is not such as I should wish to celebrate, either
+in prose or poetry. It is of such breadth and extent, that its frame of
+mountains and ridgy hills hardly serve to shut it in sufficiently, and
+the spectator thinks of a boundless plain, rather than of a secluded
+vale. After passing Le Vene, we came to the little temple which Byron
+describes, and which has been supposed to be the one immortalized by
+Pliny. It is very small, and stands on a declivity that falls
+immediately from the road, right upon which rises the pediment of the
+temple, while the columns of the other front find sufficient height to
+develop themselves in the lower ground. A little farther down than the
+base of the edifice we saw the Clitumnus, so recently from its source in
+the marble rock, that it was still as pure as a child's heart, and as
+transparent as truth itself. It looked airier than nothing, because it
+had not substance enough to brighten, and it was clearer than the
+atmosphere. I remember nothing else of the valley of Clitumnus, except
+that the beggars in this region of proverbial fertility are wellnigh
+profane in the urgency of their petitions; they absolutely fall down on
+their knees as you approach, in the same attitude as if they were praying
+to their Maker, and beseech you for alms with a fervency which I am
+afraid they seldom use before an altar or shrine. Being denied, they ran
+hastily beside the carriage, but got nothing, and finally gave over.
+
+I am so very tired and sleepy that I mean to mention nothing else
+to-night, except the city of Trevi, which, on the approach from Spoleto,
+seems completely to cover a high, peaked hill, from its pyramidal tip to
+its base. It was the strangest situation in which to build a town,
+where, I should suppose, no horse can climb, and whence no inhabitant
+would think of descending into the world, after the approach of age
+should begin to stiffen his joints. On looking back on this most
+picturesque of towns (which the road, of course, did not enter, as
+evidently no road could), I saw that the highest part of the hill was
+quite covered with a crown of edifices, terminating in a church-tower;
+while a part of the northern side was apparently too steep for building;
+and a cataract of houses flowed down the western and southern slopes.
+There seemed to be palaces, churches, everything that a city should have;
+but my eyes are heavy, and I can write no more about them, only that I
+suppose the summit of the hill was artificially tenured, so as to prevent
+its crumbling down, and enable it to support the platform of edifices
+which crowns it.
+
+
+May 27th.--We reached Foligno in good season yesterday afternoon. Our
+inn seemed ancient; and, under the same roof, on one side of the
+entrance, was the stable, and on the other the coach-house. The house is
+built round a narrow court, with a well of water at bottom, and an
+opening in the roof at top, whence the staircases are lighted that wind
+round the sides of the court, up to the highest story. Our dining-room
+and bedrooms were in the latter region, and were all paved with brick,
+and without carpets; and the characteristic of the whole was all
+exceeding plainness and antique clumsiness of fitting up. We found
+ourselves sufficiently comfortable, however; and, as has been the case
+throughout our journey, had a very fair and well-cooked dinner. It
+shows, as perhaps I have already remarked, that it is still possible to
+live well in Italy, at no great expense, and that the high prices charged
+to the forestieri at Rome and elsewhere are artificial, and ought to be
+abated. . . . .
+
+The day had darkened since morning, and was now ominous of rain; but as
+soon as we were established, we sallied out to see whatever was worth
+looking at. A beggar-boy, with one leg, followed us, without asking for
+anything, apparently only for the pleasure of our company, though he kept
+at too great a distance for conversation, and indeed did not attempt to
+speak.
+
+We went first to the cathedral, which has a Gothic front, and a
+modernized interior, stuccoed and whitewashed, looking as neat as a New
+England meeting-house, and very mean, after our familiarity with the
+gorgeous churches in other cities. There were some pictures in the
+chapels, but, I believe, all modern, and I do not remember a single one
+of them. Next we went, without any guide, to a church attached to a
+convent of Dominican monks, with a Gothic exterior, and two hideous
+pictures of Death,--the skeleton leaning on his scythe, one on each side
+of the door. This church, likewise, was whitewashed, but we understood
+that it had been originally frescoed all over, and by famous hands; but
+these pictures, having become much injured, they were all obliterated, as
+we saw,--all, that is to say, except a few specimens of the best
+preserved, which were spared to show the world what the whole had been.
+I thanked my stars that the obliteration of the rest had taken place
+before our visit; for if anything is dreary and calculated to make the
+beholder utterly miserable, it is a faded fresco, with spots of the white
+plaster dotted over it.
+
+Our one-legged boy had followed us into the church and stood near the
+door till he saw us ready to come out, when he hurried on before us, and
+waited a little way off to see whither we should go. We still went on at
+random, taking the first turn that offered itself, and soon came to
+another old church,--that of St. Mary within the Walls,--into which we
+entered, and found it whitewashed, like the other two. This was
+especially fortunate, for the doorkeeper informed us that, two years ago,
+the whole church (except, I suppose, the roof, which is of timber) had
+been covered with frescos by Pinturicchio, all of which had been
+ruthlessly obliterated, except a very few fragments. These he proceeded
+to show us; poor, dim ghosts of what may once have been beautiful,--now
+so far gone towards nothingness that I was hardly sure whether I saw a
+glimmering of the design or not. By the by, it was not Pinturicchio, as
+I have written above, but Giotto, assisted, I believe, by Cimabue, who
+painted these frescos. Our one-legged attendant had followed us also
+into this church, and again hastened out of it before us; and still we
+heard the dot of his crutch upon the pavement, as we passed from street
+to street. By and by a sickly looking man met us, and begged for
+"qualche cosa"; but the boy shouted to him, "Niente!" whether intimating
+that we would give him nothing, or that he himself had a prior claim to
+all our charity, I cannot tell. However, the beggar-man turned round,
+and likewise followed our devious course. Once or twice we missed him;
+but it was only because he could not walk so fast as we; for he appeared
+again as we emerged from the door of another church. Our one-legged
+friend we never missed for a moment; he kept pretty near us,--near enough
+to be amused by our indecision whither to go; and he seemed much
+delighted when it began to rain, and he saw us at a loss how to find our
+way back to the hotel. Nevertheless, he did not offer to guide us; but
+stumped on behind with a faster or slower dot of his crutch, according to
+our pace. I began to think that he must have been engaged as a spy upon
+our movements by the police who had taken away my passport at the city
+gate. In this way he attended us to the door of the hotel, where the
+beggar had already arrived. The latter again put in his doleful
+petition; the one-legged boy said not a word, nor seemed to expect
+anything, and both had to go away without so much as a mezzo baioccho out
+of our pockets. The multitude of beggars in Italy makes the heart as
+obdurate as a paving-stone.
+
+We left Foligno this morning, and, all ready for us at the door of the
+hotel, as we got into the carriage, were our friends, the beggar-man and
+the one-legged boy; the latter holding out his ragged hat, and smiling
+with as confident an air as if he had done us some very particular
+service, and were certain of being paid for it, as from contract. It was
+so very funny, so impudent, so utterly absurd, that I could not help
+giving him a trifle; but the man got nothing,--a fact that gives me a
+twinge or two, for he looked sickly and miserable. But where everybody
+begs, everybody, as a general rule, must be denied; and, besides, they
+act their misery so well that you are never sure of the genuine article.
+
+
+
+PERUGIA.
+
+
+May 25th.--As I said last night, we left Foligno betimes in the morning,
+which was bleak, chill, and very threatening, there being very little
+blue sky anywhere, and the clouds lying heavily on some of the
+mountain-ridges. The wind blew sharply right in U----'s face and mine,
+as we occupied the coupe, so that there must have been a great deal of
+the north in it. We drove through a wide plain--the Umbrian valley, I
+suppose--and soon passed the old town of Spello, just touching its
+skirts, and wondering how people, who had this rich and convenient plain
+from which to choose a site, could think of covering a huge island of
+rock with their dwellings,--for Spello tumbled its crooked and narrow
+streets down a steep descent, and cannot well have a yard of even space
+within its walls. It is said to contain some rare treasures of ancient
+pictorial art.
+
+I do not remember much that we saw on our route. The plains and the
+lower hillsides seemed fruitful of everything that belongs to Italy,
+especially the olive and the vine. As usual, there were a great many
+shrines, and frequently a cross by the wayside. Hitherto it had been
+merely a plain wooden cross; but now almost every cross was hung with
+various instruments, represented in wood, apparently symbols of the
+crucifixion of our Saviour,--the spear, the sponge, the crown of thorns,
+the hammer, a pair of pincers, and always St. Peter's cock, made a
+prominent figure, generally perched on the summit of the cross.
+
+From our first start this morning we had seen mists in various quarters,
+betokening that there was rain in those spots, and now it began to
+spatter in our own faces, although within the wide extent of our prospect
+we could see the sunshine falling on portions of the valley. A rainbow,
+too, shone out, and remained so long visible that it appeared to have
+made a permanent stain in the sky.
+
+By and by we reached Assisi, which is magnificently situated for
+pictorial purposes, with a gray castle above it, and a gray wall around
+it, itself on a mountain, and looking over the great plain which we had
+been traversing, and through which lay our onward way. We drove through
+the Piazza Grande to an ancient house a little beyond, where a hospitable
+old lady receives travellers for a consideration, without exactly keeping
+an inn.
+
+In the piazza we saw the beautiful front of a temple of Minerva,
+consisting of several marble pillars, fluted, and with rich capitals
+supporting a pediment. It was as fine as anything I had seen at Rome,
+and is now, of course, converted into a Catholic church.
+
+I ought to have said that, instead of driving straight to the old lady's,
+we alighted at the door of a church near the city gate, and went in to
+inspect some melancholy frescos, and thence clambered up a narrow street
+to the cathedral, which has a Gothic front, old enough, but not very
+impressive. I really remember not a single object that we saw within,
+but am pretty certain that the interior had been stuccoed and
+whitewashed. The ecclesiastics of old time did an excellent thing in
+covering the interiors of their churches with brilliant frescos, thus
+filling the holy places with saints and angels, and almost with the
+presence of the Divinity. The modern ecclesiastics do the next best
+thing in obliterating the wretched remnants of what has had its day and
+done its office. These frescos might be looked upon as the symbol of the
+living spirit that made Catholicism a true religion, and glorified it as
+long as it did live; now the glory and beauty have departed from one and
+the other.
+
+My wife, U----, and Miss Shepard now set out with a cicerone to visit the
+great Franciscan convent, in the church of which are preserved some
+miraculous specimens, in fresco and in oils, of early Italian art; but as
+I had no mind to suffer any further in this way, I stayed behind with
+J----- and R-----, who we're equally weary of these things.
+
+After they were gone we took a ramble through the city, but were almost
+swept away by the violence of the wind, which struggled with me for my
+hat, and whirled R----- before it like a feather. The people in the
+public square seemed much diverted at our predicament, being, I suppose,
+accustomed to these rude blasts in their mountain-home. However, the
+wind blew in momentary gusts, and then became more placable till another
+fit of fury came, and passed as suddenly as before. We walked out of the
+same gate through which we had entered,--an ancient gate, but recently
+stuccoed and whitewashed, in wretched contrast to the gray, venerable
+wall through which it affords ingress,--and I stood gazing at the
+magnificent prospect of the wide valley beneath. It was so vast that
+there appeared to be all varieties of weather in it at the same instant;
+fields of sunshine, tracts of storm,--here the coming tempest, there the
+departing one. It was a picture of the world on a vast canvas, for there
+was rural life and city life within the great expanse, and the whole set
+in a frame of mountains,--the nearest bold and dust-net, with the rocky
+ledges showing through their sides, the distant ones blue and dim,--so
+far stretched this broad valley.
+
+When I had looked long enough,--no, not long enough, for it would take a
+great while to read that page,--we returned within the gate, and we
+clambered up, past the cathedral and into the narrow streets above it.
+The aspect of everything was immeasurably old; a thousand years would be
+but a middle age for one of those houses, built so massively with huge
+stones and solid arches, that I do not see how they are ever to tumble
+down, or to be less fit for human habitation than they are now. The
+streets crept between them, and beneath arched passages, and up and down
+steps of stone or ancient brick, for it would be altogether impossible
+for a carriage to ascend above the Grand Piazza, though possibly a donkey
+or a chairman's mule might find foothold. The city seems like a stony
+growth out of the hillside, or a fossilized city,--so old and singular it
+is, without enough life and juiciness in it to be susceptible of decay.
+An earthquake is the only chance of its ever being ruined, beyond its
+present ruin. Nothing is more strange than to think that this now dead
+city--dead, as regards the purposes for which men live nowadays--was,
+centuries ago, the seat and birthplace almost of art, the only art in
+which the beautiful part of the human mind then developed itself. How
+came that flower to grow among these wild mountains? I do not conceive,
+however, that the people of Assisi were ever much more enlightened or
+cultivated on the side of art than they are at present. The
+ecclesiastics were then the only patrons; and the flower grew here
+because there was a great ecclesiastical garden in which it was sheltered
+and fostered. But it is very curious to think of Assisi, a school of art
+within, and mountain and wilderness without.
+
+My wife and the rest of the party returned from the convent before noon,
+delighted with what they had seen, as I was delighted not to have seen
+it. We ate our dejeuner, and resumed our journey, passing beneath the
+great convent, after emerging from the gate opposite to that of our
+entrance. The edifice made a very good spectacle, being of great extent,
+and standing on a double row of high and narrow arches, on which it is
+built up from the declivity of the hill.
+
+We soon reached the Church of St. Mary of the Angels, which is a modern
+structure, and very spacious, built in place of one destroyed by an
+earthquake. It is a fine church, opening out a magnificent space in its
+nave and aisles; and beneath the great dome stands the small old chapel,
+with its rude stone walls, in which St. Francis founded his order. This
+chapel and the dome appear to have been the only portions of the ancient
+church that were not destroyed by the earthquake. The dwelling of St.
+Francis is said to be also preserved within the church; but we did not
+see it, unless it were a little dark closet into which we squeezed to see
+some frescos by La Spagna. It had an old wooden door, of which U----
+picked off a little bit of a chip, to serve as a relic. There is a
+fresco in the church, on the pediment of the chapel, by Overbeck,
+representing the Assumption of the Virgin. It did not strike me as
+wonderfully fine. The other pictures, of which there were many, were
+modern, and of no great merit.
+
+We pursued our way, and came, by and by, to the foot of the high hill on
+which stands Perugia, and which is so long and steep that Gaetano took a
+yoke of oxen to aid his horses in the ascent. We all, except my wife,
+walked a part of the way up, and I myself, with J----- for my companion,
+kept on even to the city gate,--a distance, I should think, of two or
+three miles, at least. The lower part of the road was on the edge of the
+hill, with a narrow valley on our left; and as the sun had now broken
+out, its verdure and fertility, its foliage and cultivation, shone forth
+in miraculous beauty, as green as England, as bright as only Italy.
+Perugia appeared above us, crowning a mighty hill, the most picturesque
+of cities; and the higher we ascended, the more the view opened before
+us, as we looked back on the course that we had traversed, and saw the
+wide valley, sweeping down and spreading out, bounded afar by mountains,
+and sleeping in sun and shadow. No language nor any art of the pencil
+can give an idea of the scene. When God expressed himself in the
+landscape to mankind, he did not intend that it should be translated into
+any tongue save his own immediate one. J----- meanwhile, whose heart is
+now wholly in snail-shells, was rummaging for them among the stones and
+hedges by the roadside; yet, doubtless, enjoyed the prospect more than he
+knew. The coach lagged far behind us, and when it came up, we entered
+the gate, where a soldier appeared, and demanded my passport. We drove
+to the Grand Hotel de France, which is near the gate, and two fine little
+boys ran beside the carriage, well dressed and well looking enough to
+have been a gentleman's sons, but claiming Gaetano for their father. He
+is an inhabitant of Perugia, and has therefore reached his own home,
+though we are still little more than midway to our journey's end.
+
+Our hotel proves, thus far, to be the best that we have yet met with. We
+are only in the outskirts of Perugia; the bulk of the city, where the
+most interesting churches and the public edifices are situated, being far
+above us on the hill. My wife, U----, Miss Shepard, and R----- streamed
+forth immediately, and saw a church; but J-----, who hates them, and I
+remained behind; and, for my part, I added several pages to this volume
+of scribble.
+
+This morning was as bright as morning could be, even in Italy, and in
+this transparent mountain atmosphere. We at first declined the services
+of a cicerone, and went out in the hopes of finding our way to whatever
+we wished to see, by our own instincts. This proved to be a mistaken
+hope, however; and we wandered about the upper city, much persecuted by a
+shabby old man who wished to guide us; so, at last, Miss Shepard went
+back in quest of the cicerone at the hotel, and, meanwhile, we climbed to
+the summit of the hill of Perugia, and, leaning over a wall, looked forth
+upon a most magnificent view of mountain and valley, terminating in some
+peaks, lofty and dim, which surely must be the Apennines. There again a
+young man accosted us, offering to guide us to the Cambio or Exchange;
+and as this was one of the places which we especially wished to see, we
+accepted his services. By the by, I ought to have mentioned that we had
+already entered a church (San Luigi, I believe), the interior of which we
+found very impressive, dim with the light of stained and painted windows,
+insomuch that it at first seemed almost dark, and we could only see the
+bright twinkling of the tapers at the shrines; but, after a few minutes,
+we discerned the tall octagonal pillars of the nave, marble, and
+supporting a beautiful roof of crossed arches. The church was neither
+Gothic nor classic, but a mixture of both, and most likely barbarous; yet
+it had a grand effect in its tinted twilight, and convinced me more than
+ever how desirable it is that religious edifices should have painted
+windows.
+
+The door of the Cambio proved to be one that we had passed several times,
+while seeking for it, and was very near the church just mentioned, which
+fronts on one side of the same piazza. We were received by an old
+gentleman, who appeared to be a public officer, and found ourselves in a
+small room, wainscoted with beautifully carved oak, roofed with a coved
+ceiling, painted with symbols of the planets, and arabesqued in rich
+designs by Raphael, and lined with splendid frescos of subjects,
+scriptural and historical, by Perugino. When the room was in its first
+glory, I can conceive that the world had not elsewhere to show, within so
+small a space, such magnificence and beauty as were then displayed here.
+Even now, I enjoyed (to the best of my belief, for we can never feel sure
+that we are not bamboozling ourselves in such matters) some real pleasure
+in what I saw; and especially seemed to feel, after all these ages, the
+old painter's devout sentiment still breathing forth from the religious
+pictures, the work of a hand that had so long been dust.
+
+When we had looked long at these, the old gentleman led us into a chapel,
+of the same size as the former room, and built in the same fashion,
+wainscoted likewise with old oak. The walls were also frescoed, entirely
+frescoed, and retained more of their original brightness than those we
+had already seen, although the pictures were the production of a somewhat
+inferior hand, a pupil of Perugino. They seemed to be very striking,
+however, not the less so, that one of them provoked an unseasonable
+smile. It was the decapitation of John the Baptist; and this holy
+personage was represented as still on his knees, with his hands clasped
+in prayer, although the executioner was already depositing the head in a
+charger, and the blood was spouting from the headless trunk, directly, as
+it were, into the face of the spectator.
+
+While we were in the outer room, the cicerone who first offered his
+services at the hotel had come in; so we paid our chance guide, and
+expected him to take his leave. It is characteristic of this idle
+country, however, that if you once speak to a person, or connect yourself
+with him by the slightest possible tie, you will hardly get rid of him by
+anything short of main force. He still lingered in the room, and was
+still there when I came away; for, having had as many pictures as I could
+digest, I left my wife and U---- with the cicerone, and set out on a
+ramble with J-----. We plunged from the upper city down through some of
+the strangest passages that ever were called streets; some of them,
+indeed, being arched all over, and, going down into the unknown darkness,
+looked like caverns; and we followed one of them doubtfully, till it
+opened out upon the light. The houses on each side were divided only by
+a pace or two, and communicated with one another, here and there, by
+arched passages. They looked very ancient, and may have been inhabited
+by Etruscan princes, judging from the massiveness of some of the
+foundation stones. The present inhabitants, nevertheless, are by no
+means princely,--shabby men, and the careworn wives and mothers of the
+people,--one of whom was guiding a child in leading-strings through these
+antique alleys, where hundreds of generations have trod before those
+little feet. Finally we came out through a gateway, the same gateway at
+which we entered last night.
+
+I ought to have mentioned, in the narrative of yesterday, that we crossed
+the Tiber shortly before reaching Perugia, already a broad and rapid
+stream, and already distinguished by the same turbid and mud-puddly
+quality of water that we see in it at Rome. I think it will never be so
+disagreeable to me hereafter, now that I find this turbidness to be its
+native color, and not (like that of the Thames) accruing from city sewers
+or any impurities of the lowlands.
+
+As I now remember, the small Chapel of Santa Maria degl' Angeli seems to
+have been originally the house of St. Francis.
+
+
+May 29th.--This morning we visited the Church of the Dominicans, where we
+saw some quaint pictures by Fra Angelico, with a good deal of religious
+sincerity in them; also a picture of St. Columba by Perugino, which
+unquestionably is very good. To confess the truth, I took more interest
+in a fair Gothic monument, in white marble, of Pope Benedict XII.,
+representing him reclining under a canopy, while two angels draw aside
+the curtain, the canopy being supported by twisted columns, richly
+ornamented. I like this overflow and gratuity of device with which
+Gothic sculpture works out its designs, after seeing so much of the
+simplicity of classic art in marble.
+
+We then tried to find the Church of San Pietro in Martire, but without
+success, although every person of whom we inquired immediately attached
+himself or herself to us, and could hardly be got rid of by any efforts
+on our part. Nobody seemed to know the church we wished for, but all
+directed us to another Church of San Pietro, which contains nothing of
+interest; whereas the right church is supposed to contain a celebrated
+picture by Perugino.
+
+Finally, we ascended the hill and the city proper of Perugia (for our
+hotel is in one of the suburbs), and J----- and I set out on a ramble
+about the city. It was market-day, and the principal piazza, with the
+neighboring streets, was crowded with people. . . . .
+
+The best part of Perugia, that in which the grand piazzas and the
+principal public edifices stand, seems to be a nearly level plateau on
+the summit of the hill; but it is of no very great extent, and the
+streets rapidly run downward on either side. J----- and I followed one
+of these descending streets, and were led a long way by it, till we at
+last emerged from one of the gates of the city, and had another view of
+the mountains and valleys, the fertile and sunny wilderness in which this
+ancient civilization stands.
+
+On the right of the gate there was a rude country-path, partly overgrown
+with grass, bordered by a hedge on one side, and on the other by the gray
+city wall, at the base of which the track kept onward. We followed it,
+hoping that it would lead us to some other gate by which we might
+re-enter the city; but it soon grew so indistinct and broken, that it
+was evidently on the point of melting into somebody's olive-orchard or
+wheat-fields or vineyards, all of which lay on the other side of the
+hedge; and a kindly old woman of whom I inquired told me (if I rightly
+understood her Italian) that I should find no further passage in that
+direction. So we turned back, much broiled in the hot sun, and only now
+and then relieved by the shadow of an angle or a tower.
+
+A lame beggar-man sat by the gate, and as we passed him J----- gave him
+two baiocchi (which he himself had begged of me to buy an orange with),
+and was loaded with the pauper's prayers and benedictions as we entered
+the city. A great many blessings can be bought for very little money
+anywhere in Italy; and whether they avail anything or no, it is pleasant
+to see that the beggars have gratitude enough to bestow them in such
+abundance.
+
+Of all beggars I think a little fellow, who rode beside our carriage on a
+stick, his bare feet scampering merrily, while he managed his steed with
+one hand, and held out the other for charity, howling piteously the
+while, amused me most.
+
+
+
+PASSIGNANO.
+
+
+May 29th.--We left Perugia at about three o'clock to-day, and went down a
+pretty steep descent; but I have no particular recollection of the road
+till it again began to descend, before reaching the village of Magione.
+We all, except my wife, walked up the long hill, while the vettura was
+dragged after us with the aid of a yoke of oxen. Arriving first at the
+village, I leaned over the wall to admire the beautiful paese ("le bel
+piano," as a peasant called it, who made acquaintance with me) that lay
+at the foot of the hill, so level, so bounded within moderate limits by a
+frame of hills and ridges, that it looked like a green lake. In fact, I
+think it was once a real lake, which made its escape from its bed, as I
+have known some lakes to have done in America.
+
+Passing through and beyond the village, I saw, on a height above the
+road, a half-ruinous tower, with great cracks running down its walls,
+half-way from top to bottom. Some little children had mounted the hill
+with us, begging all the way; they were recruited with additional members
+in the village; and here, beneath the ruinous tower, a madman, as it
+seemed, assaulted us, and ran almost under the carriage-wheels, in his
+earnestness to get a baioccho. Ridding ourselves of these annoyances, we
+drove on, and, between five and six o'clock, came in sight of the Lake of
+Thrasymene, obtaining our first view of it, I think, in its longest
+extent. There were high hills, and one mountain with its head in the
+clouds, visible on the farther shore, and on the horizon beyond it; but
+the nearer banks were long ridges, and hills of only moderate height.
+The declining sun threw a broad sheen of brightness over the surface of
+the lake, so that we could not well see it for excess of light; but had a
+vision of headlands and islands floating about in a flood of gold, and
+blue, airy heights bounding it afar. When we first drew near the lake,
+there was but a narrow tract, covered with vines and olives, between it
+and the hill that rose on the other side. As we advanced, the tract grew
+wider, and was very fertile, as was the hillside, with wheat-fields, and
+vines, and olives, especially the latter, which, symbol of peace as it
+is, seemed to find something congenial to it in the soil stained long ago
+with blood. Farther onward, the space between the lake and hill grew
+still narrower, the road skirting along almost close to the water-side;
+and when we reached the town of Passignano there was but room enough for
+its dirty and ugly street to stretch along the shore. I have seldom
+beheld a lovelier scene than that of the lake and the landscape around
+it; never an uglier one than that of this idle and decaying village,
+where we were immediately surrounded by beggars of all ages, and by men
+vociferously proposing to row us out upon the lake. We declined their
+offers of a boat, for the evening was very fresh and cool, insomuch that
+I should have liked an outside garment,--a temperature that I had not
+anticipated, so near the beginning of June, in sunny Italy. Instead
+of a row, we took a walk through the village, hoping to come upon the
+shore of the lake, in some secluded spot; but an incredible number of
+beggar-children, both boys and girls, but more of the latter, rushed out
+of every door, and went along with us, all howling their miserable
+petitions at the same moment.
+
+The village street is long, and our escort waxed more numerous at every
+step, till Miss Shepard actually counted forty of these little
+reprobates, and more were doubtless added afterwards. At first, no
+doubt, they begged in earnest hope of getting some baiocchi; but, by and
+by, perceiving that we had determined not to give them anything, they
+made a joke of the matter, and began to laugh and to babble, and turn
+heels over head, still keeping about us, like a swarm of flies, and now
+and then begging again with all their might. There were as few pretty
+faces as I ever saw among the same number of children; and they were as
+ragged and dirty little imps as any in the world, and, moreover, tainted
+the air with a very disagreeable odor from their rags and dirt; rugged
+and healthy enough, nevertheless, and sufficiently intelligent; certainly
+bold and persevering too; so that it is hard to say what they needed to
+fit them for success in life. Yet they begin as beggars, and no doubt
+will end so, as all their parents and grandparents do; for in our walk
+through the village, every old woman and many younger ones held out their
+hands for alms, as if they had all been famished. Yet these people kept
+their houses over their heads; had firesides in winter, I suppose, and
+food out of their little gardens every day; pigs to kill, chickens,
+olives, wine, and a great many things to make life comfortable. The
+children, desperately as they begged, looked in good bodily ease, and
+happy enough; but, certainly, there was a look of earnest misery in the
+faces of some of the old women, either genuine or exceedingly well acted.
+
+I could not bear the persecution, and went into our hotel, determining
+not to venture out again till our departure; at least not in the
+daylight. My wife and the rest of the family, however, continued their
+walk, and at length were relieved from their little pests by three
+policemen (the very images of those in Rome, in their blue, long-skirted
+coats, cocked chapeaux-bras, white shoulder-belts, and swords), who boxed
+their ears, and dispersed them. Meanwhile, they had quite driven away
+all sentimental effusion (of which I felt more, really, than I expected)
+about the Lake of Thrasymene.
+
+The inn of Passignano promised little from its outward appearance; a
+tall, dark old house, with a stone staircase leading us up from one
+sombre story to another, into a brick-paved dining-room, with our
+sleeping-chambers on each side. There was a fireplace of tremendous
+depth and height, fit to receive big forest-logs, and with a queer,
+double pair of ancient andirons, capable of sustaining them; and in a
+handful of ashes lay a small stick of olive-wood,--a specimen, I suppose,
+of the sort of fuel which had made the chimney black, in the course of a
+good many years. There must have been much shivering and misery of cold
+around this fireplace. However, we needed no fire now, and there was
+promise of good cheer in the spectacle of a man cleaning some lake-fish
+for our dinner, while the poor things flounced and wriggled under the
+knife.
+
+The dinner made its appearance, after a long while, and was most
+plentiful, . . . . so that, having measured our appetite in anticipation
+of a paucity of food, we had to make more room for such overflowing
+abundance.
+
+When dinner was over, it was already dusk, and before retiring I opened
+the window, and looked out on Lake Thrasymene, the margin of which lies
+just on the other side of the narrow village street. The moon was a day
+or two past the full, just a little clipped on the edge, but gave light
+enough to show the lake and its nearer shores almost as distinctly as by
+day; and there being a ripple on the surface of the water, it made a
+sheen of silver over a wide space.
+
+
+
+AREZZO.
+
+
+May 30th.--We started at six o'clock, and left the one ugly street of
+Passignano, before many of the beggars were awake. Immediately in the
+vicinity of the village there is very little space between the lake in
+front and the ridge of hills in the rear; but the plain widened as we
+drove onward, so that the lake was scarcely to be seen, or often quite
+hidden among the intervening trees, although we could still discern the
+summits of the mountains that rise far beyond its shores. The country
+was fertile, presenting, on each side of the road, vines trained on
+fig-trees; wheat-fields and olives, in greater abundance than any other
+product. On our right, with a considerable width of plain between, was
+the bending ridge of hills that shut in the Roman army, by its close
+approach to the lake at Passignano. In perhaps half all hour's drive, we
+reached the little bridge that throws its arch over the Sanguinetto, and
+alighted there. The stream has but about a yard's width of water; and
+its whole course, between the hills and the lake, might well have been
+reddened and swollen with the blood of the multitude of slain Romans.
+Its name put me in mind of the Bloody Brook at Deerfield, where a company
+of Massachusetts men were massacred by the Indians.
+
+The Sanguinetto flows over a bed of pebbles; and J----- crept under the
+bridge, and got one of them for a memorial, while U----, Miss Shepard,
+and R----- plucked some olive twigs and oak leaves, and made them into
+wreaths together,--symbols of victory and peace. The tower, which is
+traditionally named after Hannibal, is seen on a height that makes part
+of the line of enclosing hills. It is a large, old castle, apparently of
+the Middle Ages, with a square front, and a battlemented sweep of wall.
+The town of Torres (its name, I think), where Hannibal's main army is
+supposed to have lain while the Romans came through the pass, was in full
+view; and I could understand the plan of the battle better than any
+system of military operations which I have hitherto tried to fathom.
+Both last night and to-day, I found myself stirred more sensibly than I
+expected by the influences of this scene. The old battle-field is still
+fertile in thoughts and emotions, though it is so many ages since the
+blood spilt there has ceased to make the grass and flowers grow more
+luxuriantly. I doubt whether I should feel so much on the field of
+Saratoga or Monmouth; but these old classic battle-fields belong to the
+whole world, and each man feels as if his own forefathers fought them.
+Mine, by the by, if they fought them at all, must have been on the side
+of Hannibal; for, certainly, I sympathized with him, and exulted in the
+defeat of the Romans on their own soil. They excite much the same
+emotion of general hostility that the English do. Byron has written some
+very fine stanzas on the battle-field,--not so good as others that he has
+written on classical scenes and subjects, yet wonderfully impressing his
+own perception of the subject on the reader. Whenever he has to deal
+with a statue, a ruin, a battle-field, he pounces upon the topic like a
+vulture, and tears out its heart in a twinkling, so that there is nothing
+more to be said.
+
+If I mistake not, our passport was examined by the papal officers at the
+last custom-house in the pontifical territory, before we traversed the
+path through which the Roman army marched to its destruction. Lake
+Thrasymene, of which we took our last view, is not deep set among the
+hills, but is bordered by long ridges, with loftier mountains receding
+into the distance. It is not to be compared to Windermere or Loch Lomond
+for beauty, nor with Lake Champlain and many a smaller lake in my own
+country, none of which, I hope, will ever become so historically
+interesting as this famous spot. A few miles onward our passport was
+countersigned at the Tuscan custom-house, and our luggage permitted to
+pass without examination on payment of a fee of nine or ten pauls,
+besides two pauls to the porters. There appears to be no concealment on
+the part of the officials in thus waiving the exercise of their duty, and
+I rather imagine that the thing is recognized and permitted by their
+superiors. At all events, it is very convenient for the traveller.
+
+We saw Cortona, sitting, like so many other cities in this region, on its
+hill, and arrived about noon at Arezzo, which also stretches up a high
+hillside, and is surrounded, as they all are, by its walls or the remains
+of one, with a fortified gate across every entrance.
+
+I remember one little village, somewhere in the neighborhood of the
+Clitumnus, which we entered by one gateway, and, in the course of two
+minutes at the utmost, left by the opposite one, so diminutive was this
+walled town. Everything hereabouts bears traces of times when war was
+the prevalent condition, and peace only a rare gleam of sunshine.
+
+At Arezzo we have put up at the Hotel Royal, which has the appearance of
+a grand old house, and proves to be a tolerable inn enough. After lunch,
+we wandered forth to see the town, which did not greatly interest me
+after Perugia, being much more modern and less picturesque in its aspect.
+We went to the cathedral,--a Gothic edifice, but not of striking
+exterior. As the doors were closed, and not to be opened till three
+o'clock, we seated ourselves under the trees, on a high, grassy space
+surrounded and intersected with gravel-walks,--a public promenade, in
+short, near the cathedral; and after resting ourselves here we went in
+search of Petrarch's house, which Murray mentions as being in this
+neighborhood. We inquired of several people, who knew nothing about the
+matter; one woman misdirected us, out of mere fun, I believe, for she
+afterwards met us and asked how we had succeeded. But finally, through
+------'s enterprise and perseverance, we found the spot, not a
+stone's-throw from where we had been sitting.
+
+Petrarch's house stands below the promenade which I have just mentioned,
+and within hearing of the reverberations between the strokes of the
+cathedral bell. It is two stories high, covered with a light-colored
+stucco, and has not the slightest appearance of antiquity, no more than
+many a modern and modest dwelling-house in an American city. Its only
+remarkable feature is a pointed arch of stone, let into the plastered
+wall, and forming a framework for the doorway. I set my foot on the
+doorsteps, ascended them, and Miss Shepard and J----- gathered some weeds
+or blades of grass that grew in the chinks between the steps. There is a
+long inscription on a slab of marble set in the front of the house, as is
+the fashion in Arezzo when a house has been the birthplace or residence
+of a distinguished man.
+
+Right opposite Petrarch's birth-house--and it must have been the well
+whence the water was drawn that first bathed him--is a well which
+Boccaccio has introduced into one of his stories. It is surrounded with
+a stone curb, octagonal in shape, and evidently as ancient as Boccaccio's
+time. It has a wooden cover, through which is a square opening, and
+looking down I saw my own face in the water far beneath.
+
+There is no familiar object connected with daily life so interesting as a
+well; and this well or old Arezzo, whence Petrarch had drunk, around
+which he had played in his boyhood, and which Boccaccio has made famous,
+really interested me more than the cathedral. It lies right under the
+pavement of the street, under the sunshine, without any shade of trees
+about it, or any grass, except a little that grows in the crevices of its
+stones; but the shape of its stone-work would make it a pretty object in
+an engraving. As I lingered round it I thought of my own town-pump in
+old Salem, and wondered whether my townspeople would ever point it out to
+strangers, and whether the stranger would gaze at it with any degree of
+such interest as I felt in Boccaccio's well. O, certainly not; but yet I
+made that humble town-pump the most celebrated structure in the good
+town. A thousand and a thousand people had pumped there, merely to water
+oxen or fill their teakettles; but when once I grasped the handle, a rill
+gushed forth that meandered as far as England, as far as India, besides
+tasting pleasantly in every town and village of our own country. I like
+to think of this, so long after I did it, and so far from home, and am
+not without hopes of some kindly local remembrance on this score.
+
+Petrarch's house is not a separate and insulated building, but stands in
+contiguity and connection with other houses on each side; and all, when I
+saw them, as well as the whole street, extending down the slope of the
+hill, had the bright and sunny aspect of a modern town.
+
+As the cathedral was not yet open, and as J----- and I had not so much
+patience as my wife, we left her and Miss Shepard, and set out to return
+to the hotel. We lost our way, however, and finally had to return to the
+cathedral, to take a fresh start; and as the door was now open we went
+in. We found the cathedral very stately with its great arches, and
+darkly magnificent with the dim rich light coming through its painted
+windows, some of which are reckoned the most beautiful that the whole
+world has to show. The hues are far more brilliant than those of any
+painted glass I saw in England, and a great wheel window looks like a
+constellation of many-colored gems. The old English glass gets so smoky
+and dull with dust, that its pristine beauty cannot any longer be even
+imagined; nor did I imagine it till I saw these Italian windows. We saw
+nothing of my wife and Miss Shepard; but found afterwards that they had
+been much annoyed by the attentions of a priest who wished to show them
+the cathedral, till they finally told him that they had no money with
+them, when he left them without another word. The attendants in churches
+seem to be quite as venal as most other Italians, and, for the sake of
+their little profit, they do not hesitate to interfere with the great
+purposes for which their churches were built and decorated; hanging
+curtains, for instance, before all the celebrated pictures, or hiding
+them away in the sacristy, so that they cannot be seen without a fee.
+
+Returning to the hotel, we looked out of the window, and, in the street
+beneath, there was a very busy scene, it being Sunday, and the whole
+population, apparently, being astir, promenading up and down the smooth
+flag-stones, which made the breadth of the street one sidewalk, or at
+their windows, or sitting before their doors.
+
+The vivacity of the population in these parts is very striking, after the
+gravity and lassitude of Rome; and the air was made cheerful with the
+talk and laughter of hundreds of voices. I think the women are prettier
+than the Roman maids and matrons, who, as I think I have said before,
+have chosen to be very uncomely since the rape of their ancestresses, by
+way of wreaking a terrible spite and revenge.
+
+I have nothing more to say of Arezzo, except that, finding the ordinary
+wine very bad, as black as ink, and tasting as if it had tar and vinegar
+in it, we called for a bottle of Monte Pulciano, and were exceedingly
+gladdened and mollified thereby.
+
+
+
+INCISA.
+
+
+We left Arezzo early on Monday morning, the sun throwing the long shadows
+of the trees across the road, which at first, after we had descended the
+hill, lay over a plain. As the morning advanced, or as we advanced, the
+country grew more hilly. We saw many bits of rustic life,--such as old
+women tending pigs or sheep by the roadside, and spinning with a distaff;
+women sewing under trees, or at their own doors; children leading goats,
+tied by the horns, while they browse; sturdy, sunburnt creatures, in
+petticoats, but otherwise manlike, at work side by side with male
+laborers in the fields. The broad-brimmed, high-crowned hat of Tuscan
+straw is the customary female head-dress, and is as unbecoming as can
+possibly be imagined, and of little use, one would suppose, as a shelter
+from the sun, the brim continually blowing upward from the face. Some of
+the elder women wore black felt hats, likewise broad-brimmed; and the men
+wore felt hats also, shaped a good deal like a mushroom, with hardly any
+brim at all. The scenes in the villages through which we passed were
+very lively and characteristic, all the population seeming to be out of
+doors: some at the butcher's shop, others at the well; a tailor sewing in
+the open air, with a young priest sitting sociably beside him; children
+at play; women mending clothes, embroidering, spinning with the distaff
+at their own doorsteps; many idlers, letting the pleasant morning pass in
+the sweet-do-nothing; all assembling in the street, as in the common room
+of one large household, and thus brought close together, and made
+familiar with one another, as they can never be in a different system
+of society. As usual along the road we passed multitudes of shrines,
+where the Virgin was painted in fresco, or sometimes represented in
+bas-reliefs, within niches, or under more spacious arches. It would be a
+good idea to place a comfortable and shady seat beneath all these wayside
+shrines, where the wayfarer might rest himself, and thank the Virgin for
+her hospitality; nor can I believe that it would offend her, any more
+than other incense, if he were to regale himself, even in such
+consecrated spots, with the fragrance of a pipe or cigar.
+
+In the wire-work screen, before many of the shrines, hung offerings of
+roses and other flowers, some wilted and withered, some fresh with that
+morning's dew, some that never bloomed and never faded,--being
+artificial. I wonder that they do not plant rose-trees and all kinds of
+fragrant and flowering shrubs under the shrines, and twine and wreathe
+them all around, so that the Virgin may dwell within a bower of perpetual
+freshness; at least put flower-pots, with living plants, into the niche.
+There are many things in the customs of these people that might be made
+very beautiful, if the sense of beauty were as much alive now as it must
+have been when these customs were first imagined and adopted.
+
+I must not forget, among these little descriptive items, the spectacle of
+women and girls bearing huge bundles of twigs and shrubs, or grass, with
+scarlet poppies and blue flowers intermixed; the bundles sometimes so
+huge as almost to hide the woman's figure from head to heel, so that she
+looked like a locomotive mass of verdure and flowers; sometimes reaching
+only half-way down her back, so as to show the crooked knife slung
+behind, with which she had been reaping this strange harvest-sheaf. A
+Pre-Raphaelite painter--the one, for instance, who painted the heap of
+autumnal leaves, which we saw at the Manchester Exhibition--would find an
+admirable subject in one of these girls, stepping with a free, erect, and
+graceful carriage, her burden on her head; and the miscellaneous herbage
+and flowers would give him all the scope he could desire for minute and
+various delineation of nature.
+
+The country houses which we passed had sometimes open galleries or
+arcades on the second story and above, where the inhabitants might
+perform their domestic labor in the shade and in the air. The houses
+were often ancient, and most picturesquely time-stained, the plaster
+dropping in spots from the old brickwork; others were tinted of pleasant
+and cheerful lines; some were frescoed with designs in arabesques, or
+with imaginary windows; some had escutcheons of arms painted on the
+front. Wherever there was a pigeon-house, a flight of doves were
+represented as flying into the holes, doubtless for the invitation and
+encouragement of the real birds.
+
+Once or twice I saw a bush stuck up before the door of what seemed to be
+a wine-shop. If so, it is the ancient custom, so long disused in
+England, and alluded to in the proverb, "Good wine needs no bush."
+Several times we saw grass spread to dry on the road, covering half the
+track, and concluded it to have been cut by the roadside for the winter
+forage of his ass by some poor peasant, or peasant's wife, who had no
+grass land, except the margin of the public way.
+
+A beautiful feature of the scene to-day, as the preceding day, were the
+vines growing on fig-trees (?) [This interrogation-mark must mean that
+Mr. Hawthorne was not sure they were fig-trees.--ED.], and often wreathed
+in rich festoons from one tree to another, by and by to be hung with
+clusters of purple grapes. I suspect the vine is a pleasanter object of
+sight under this mode of culture than it can be in countries where it
+produces a more precious wine, and therefore is trained more
+artificially. Nothing can be more picturesque than the spectacle of an
+old grapevine, with almost a trunk of its own, clinging round its tree,
+imprisoning within its strong embrace the friend that supported its
+tender infancy, converting the tree wholly to its own selfish ends, as
+seemingly flexible natures are apt to do, stretching out its innumerable
+arms on every bough, and allowing hardly a leaf to sprout except its own.
+I must not yet quit this hasty sketch, without throwing in, both in the
+early morning, and later in the forenoon, the mist that dreamed among the
+hills, and which, now that I have called it mist, I feel almost more
+inclined to call light, being so quietly cheerful with the sunshine
+through it. Put in, now and then, a castle on a hilltop; a rough ravine,
+a smiling valley; a mountain stream, with a far wider bed than it at
+present needs, and a stone bridge across it, with ancient and massive
+arches;--and I shall say no more, except that all these particulars, and
+many better ones which escape me, made up a very pleasant whole.
+
+At about noon we drove into the village of Incisa, and alighted at the
+albergo where we were to lunch. It was a gloomy old house, as much like
+my idea of an Etruscan tomb as anything else that I can compare it to.
+We passed into a wide and lofty entrance-hall, paved with stone, and
+vaulted with a roof of intersecting arches, supported by heavy columns of
+stuccoed-brick, the whole as sombre and dingy as can well be. This
+entrance-hall is not merely the passageway into the inn, but is likewise
+the carriage-house, into which our vettura is wheeled; and it has, on one
+side, the stable, odorous with the litter of horses and cattle, and on
+the other the kitchen, and a common sitting-room. A narrow stone
+staircase leads from it to the dining-room, and chambers above,
+which are paved with brick, and adorned with rude frescos instead of
+paper-hangings. We look out of the windows, and step into a little
+iron-railed balcony, before the principal window, and observe the scene
+in the village street. The street is narrow, and nothing can exceed the
+tall, grim ugliness of the village houses, many of them four stories
+high, contiguous all along, and paved quite across; so that nature is as
+completely shut out from the precincts of this little town as from the
+heart of the widest city. The walls of the houses are plastered, gray,
+dilapidated; the windows small, some of them drearily closed with wooden
+shutters, others flung wide open, and with women's heads protruding,
+others merely frescoed, for a show of light and air. It would be a
+hideous street to look at in a rainy day, or when no human life pervaded
+it. Now it has vivacity enough to keep it cheerful. People lounge round
+the door of the albergo, and watch the horses as they drink from a stone
+trough, which is built against the wall of the house, and filled with the
+unseen gush of a spring.
+
+At first there is a shade entirely across the street, and all the
+within-doors of the village empties itself there, and keeps up a
+babblement that seems quite disproportioned even to the multitude of
+tongues that make it. So many words are not spoken in a New England
+village in a whole year as here in this single day. People talk about
+nothing as if they were terribly in earnest, and laugh at nothing as if
+it were all excellent joke.
+
+As the hot noon sunshine encroaches on our side of the street, it grows a
+little more quiet. The loungers now confine themselves to the shady
+margin (growing narrower and narrower) of the other side, where, directly
+opposite the albergo, there are two cafes and a wine-shop, "vendita di
+pane, vino, ed altri generi," all in a row with benches before them. The
+benchers joke with the women passing by, and are joked with back again.
+The sun still eats away the shadow inch by inch, beating down with such
+intensity that finally everybody disappears except a few passers-by.
+
+Doubtless the village snatches this half-hour for its siesta. There is a
+song, however, inside one of the cafes, with a burden in which several
+voices join. A girl goes through the street, sheltered under her great
+bundle of freshly cut grass. By and by the song ceases, and two young
+peasants come out of the cafe, a little affected by liquor, in their
+shirt-sleeves and bare feet, with their trousers tucked up. They resume
+their song in the street, and dance along, one's arm around his fellow's
+neck, his own waist grasped by the other's arm. They whirl one another
+quite round about, and come down upon their feet. Meeting a village maid
+coming quietly along, they dance up and intercept her for a moment, but
+give way to her sobriety of aspect. They pass on, and the shadow soon
+begins to spread from one side of the street, which presently fills
+again, and becomes once more, for its size, the noisiest place I ever
+knew.
+
+We had quite a tolerable dinner at this ugly inn, where many preceding
+travellers had written their condemnatory judgments, as well as a few
+their favorable ones, in pencil on the walls of the dining-room.
+
+
+
+TO FLORENCE.
+
+
+At setting off [from Incisa], we were surrounded by beggars as usual, the
+most interesting of whom were a little blind boy and his mother, who had
+besieged us with gentle pertinacity during our whole stay there. There
+was likewise a man with a maimed hand, and other hurts or deformities;
+also, an old woman who, I suspect, only pretended to be blind, keeping
+her eyes tightly squeezed together, but directing her hand very
+accurately where the copper shower was expected to fall. Besides these,
+there were a good many sturdy little rascals, vociferating in proportion
+as they needed nothing. It was touching, however, to see several
+persons--themselves beggars for aught I know--assisting to hold up the
+little blind boy's tremulous hand, so that he, at all events, might not
+lack the pittance which we had to give. Our dole was but a poor one,
+after all, consisting of what Roman coppers we had brought into Tuscany
+with us; and as we drove off, some of the boys ran shouting and whining
+after us in the hot sunshine, nor stopped till we reached the summit of
+the hill, which rises immediately from the village street. We heard
+Gaetano once say a good thing to a swarm of beggar-children, who were
+infesting us, "Are your fathers all dead?"--a proverbial expression, I
+suppose. The pertinacity of beggars does not, I think, excite the
+indignation of an Italian, as it is apt to do that of Englishmen or
+Americans. The Italians probably sympathize more, though they give less.
+Gaetano is very gentle in his modes of repelling them, and, indeed, never
+interferes at all, as long as there is a prospect of their getting
+anything.
+
+Immediately after leaving Incisa, we saw the Arno, already a considerable
+river, rushing between deep banks, with the greenish line of a duck-pond
+diffused through its water. Nevertheless, though the first impression
+was not altogether agreeable, we soon became reconciled to this line, and
+ceased to think it an indication of impurity; for, in spite of it, the
+river is still to a certain degree transparent, and is, at any rate, a
+mountain stream, and comes uncontaminated from its source. The pure,
+transparent brown of the New England rivers is the most beautiful color;
+but I am content that it should be peculiar to them.
+
+Our afternoon's drive was through scenery less striking than some which
+we had traversed, but still picturesque and beautiful. We saw deep
+valleys and ravines, with streams at the bottom; long, wooded hillsides,
+rising far and high, and dotted with white dwellings, well towards the
+summits. By and by, we had a distant glimpse of Florence, showing its
+great dome and some of its towers out of a sidelong valley, as if we were
+between two great waves of the tumultuous sea of hills; while, far
+beyond, rose in the distance the blue peaks of three or four of the
+Apennines, just on the remote horizon. There being a haziness in the
+atmosphere, however, Florence was little more distinct to us than the
+Celestial City was to Christian and Hopeful, when they spied at it from
+the Delectable Mountains.
+
+Keeping steadfastly onward, we ascended a winding road, and passed a
+grand villa, standing very high, and surrounded with extensive grounds.
+It must be the residence of some great noble; and it has an avenue of
+poplars or aspens, very light and gay, and fit for the passage of the
+bridal procession, when the proprietor or his heir brings home his bride;
+while, in another direction from the same front of the palace, stretches
+an avenue or grove of cypresses, very long, and exceedingly black and
+dismal, like a train of gigantic mourners. I have seen few things more
+striking, in the way of trees, than this grove of cypresses.
+
+From this point we descended, and drove along an ugly, dusty avenue, with
+a high brick wall on one side or both, till we reached the gate of
+Florence, into which we were admitted with as little trouble as
+custom-house officers, soldiers, and policemen can possibly give. They
+did not examine our luggage, and even declined a fee, as we had already
+paid one at the frontier custom-house. Thank heaven, and the Grand Duke!
+
+As we hoped that the Casa del Bello had been taken for us, we drove
+thither in the first place, but found that the bargain had not been
+concluded. As the house and studio of Mr. Powers were just on the
+opposite side of the street, I went to it, but found him too much
+engrossed to see me at the moment; so I returned to the vettura, and we
+told Gaetano to carry us to a hotel. He established us at the Albergo
+della Fontana, a good and comfortable house. . . . . Mr. Powers called in
+the evening,--a plain personage, characterized by strong simplicity and
+warm kindliness, with an impending brow, and large eyes, which kindle as
+he speaks. He is gray, and slightly bald, but does not seem elderly, nor
+past his prime. I accept him at once as an honest and trustworthy man,
+and shall not vary from this judgment. Through his good offices, the
+next day, we engaged the Casa del Bello, at a rent of fifty dollars a
+month, and I shall take another opportunity (my fingers and head being
+tired now) to write about the house, and Mr. Powers, and what appertains
+to him, and about the beautiful city of Florence. At present, I shall
+only say further, that this journey from Rome has been one of the
+brightest and most uncareful interludes of my life; we have all enjoyed
+it exceedingly, and I am happy that our children have it to look back
+upon.
+
+
+June 4th.--At our visit to Powers's studio on Tuesday, we saw a marble
+copy of the fisher-boy holding a shell to his ear, and the bust of
+Proserpine, and two or three other ideal busts; various casts of most of
+the ideal statues and portrait busts which he has executed. He talks
+very freely about his works, and is no exception to the rule that an
+artist is not apt to speak in a very laudatory style of a brother artist.
+He showed us a bust of Mr. Sparks by Persico,--a lifeless and thoughtless
+thing enough, to be sure,--and compared it with a very good one of the
+same gentleman by himself; but his chiefest scorn was bestowed on a
+wretched and ridiculous image of Mr. King, of Alabama, by Clark Mills, of
+which he said he had been employed to make several copies for Southern
+gentlemen. The consciousness of power is plainly to be seen, and the
+assertion of it by no means withheld, in his simple and natural
+character; nor does it give me an idea of vanity on his part to see and
+hear it. He appears to consider himself neglected by his country,--by
+the government of it, at least,--and talks with indignation of the byways
+and political intrigue which, he thinks, win the rewards that ought to be
+bestowed exclusively on merit. An appropriation of twenty-five thousand
+dollars was made, some years ago, for a work of sculpture by him, to be
+placed in the Capitol; but the intermediate measures necessary to render
+it effective have been delayed; while the above-mentioned Clark Mills--
+certainly the greatest bungler that ever botched a block of marble--has
+received an order for an equestrian statue of Washington. Not that Mr.
+Powers is made bitter or sour by these wrongs, as he considers them; he
+talks of them with the frankness of his disposition when the topic comes
+in his way, and is pleasant, kindly, and sunny when he has done with it.
+
+His long absence from our country has made him think worse of us than we
+deserve; and it is an effect of what I myself am sensible, in my shorter
+exile: the most piercing shriek, the wildest yell, and all the ugly
+sounds of popular turmoil, inseparable from the life of a republic, being
+a million times more audible than the peaceful hum of prosperity and
+content which is going on all the while.
+
+He talks of going home, but says that he has been talking of it every
+year since he first came to Italy; and between his pleasant life of
+congenial labor, and his idea of moral deterioration in America, I think
+it doubtful whether he ever crosses the sea again. Like most exiles of
+twenty years, he has lost his native country without finding another; but
+then it is as well to recognize the truth,--that an individual country is
+by no means essential to one's comfort.
+
+Powers took us into the farthest room, I believe, of his very extensive
+studio, and showed us a statue of Washington that has much dignity and
+stateliness. He expressed, however, great contempt for the coat and
+breeches, and masonic emblems, in which he had been required to drape the
+figure. What would he do with Washington, the most decorous and
+respectable personage that ever went ceremoniously through the realities
+of life? Did anybody ever see Washington nude? It is inconceivable. He
+had no nakedness, but I imagine he was born with his clothes on, and his
+hair powdered, and made a stately bow on his first appearance in the
+world. His costume, at all events, was a part of his character, and must
+be dealt with by whatever sculptor undertakes to represent him. I wonder
+that so very sensible a man as Powers should not see the necessity of
+accepting drapery, and the very drapery of the day, if he will keep his
+art alive. It is his business to idealize the tailor's actual work. But
+he seems to be especially fond of nudity, none of his ideal statues, so
+far as I know them, having so much as a rag of clothes. His statue of
+California, lately finished, and as naked as Venus, seemed to me a very
+good work; not an actual woman, capable of exciting passion, but
+evidently a little out of the category of human nature. In one hand she
+holds a divining-rod. "She says to the emigrants," observed Powers,
+"'Here is the gold, if you choose to take it.'" But in her face, and in
+her eyes, very finely expressed, there is a look of latent mischief,
+rather grave than playful, yet somewhat impish or sprite-like; and, in
+the other hand, behind her back, she holds a bunch of thorns. Powers
+calls her eyes Indian. The statue is true to the present fact and
+history of California, and includes the age-long truth as respects the
+"auri sacra fames." . . . .
+
+When we had looked sufficiently at the sculpture, Powers proposed that we
+should now go across the street and see the Casa del Bello. We did so in
+a body, Powers in his dressing-gown and slippers, and his wife and
+daughters without assuming any street costume.
+
+The Casa del Bello is a palace of three pianos, the topmost of which is
+occupied by the Countess of St. George, an English lady, and two lower
+pianos are to be let, and we looked at both. The upper one would have
+suited me well enough; but the lower has a terrace, with a rustic
+summer-house over it, and is connected with a garden, where there are
+arbors and a willow-tree, and a little wilderness of shrubbery and roses,
+with a fountain in the midst. It has likewise an immense suite of rooms,
+round the four sides of a small court, spacious, lofty, with frescoed
+ceilings and rich hangings, and abundantly furnished with arm-chairs,
+sofas, marble tables, and great looking-glasses. Not that these last are
+a great temptation, but in our wandering life I wished to be perfectly
+comfortable myself, and to make my family so, for just this summer, and
+so I have taken the lower piano, the price being only fifty dollars per
+month (entirely furnished, even to silver and linen). Certainly this is
+something like the paradise of cheapness we were told of, and which we
+vainly sought in Rome. . . . .
+
+To me has been assigned the pleasantest room for my study; and when I
+like I can overflow into the summer-house or an arbor, and sit there
+dreaming of a story. The weather is delightful, too warm to walk, but
+perfectly fit to do nothing in, in the coolness of these great rooms.
+Every day I shall write a little, perhaps,--and probably take a brief nap
+somewhere between breakfast and tea,--but go to see pictures and statues
+occasionally, and so assuage and mollify myself a little after that
+uncongenial life of the consulate, and before going back to my own hard
+and dusty New England.
+
+After concluding the arrangement for the Casa del Bello, we stood talking
+a little while with Powers and his wife and daughter before the door of
+the house, for they seem so far to have adopted the habits of the
+Florentines as to feel themselves at home on the shady side of the
+street. The out-of-door life and free communication with the pavement,
+habitual apparently among the middle classes, reminds me of the plays of
+Moliere and other old dramatists, in which the street or the square
+becomes a sort of common parlor, where most of the talk and scenic
+business of the people is carried on.
+
+
+June 5th.--For two or three mornings after breakfast I have rambled a
+little about the city till the shade grew narrow beneath the walls of the
+houses, and the heat made it uncomfortable to be in motion. To-day I
+went over the Ponte Carraja, and thence into and through the heart of the
+city, looking into several churches, in all of which I found people
+taking advantage of the cool breadth of these sacred interiors to refresh
+themselves and say their prayers. Florence at first struck me as having
+the aspect of a very new city in comparison with Rome; but, on closer
+acquaintance, I find that many of the buildings are antique and massive,
+though still the clear atmosphere, the bright sunshine, the light,
+cheerful hues of the stucco, and--as much as anything else, perhaps--the
+vivacious character of the human life in the streets, take away the sense
+of its being an ancient city. The streets are delightful to walk in
+after so many penitential pilgrimages as I have made over those little
+square, uneven blocks of the Roman pavement, which wear out the boots and
+torment the soul. I absolutely walk on the smooth flags of Florence for
+the mere pleasure of walking, and live in its atmosphere for the mere
+pleasure of living; and, warm as the weather is getting to be, I never
+feel that inclination to sink down in a heap and never stir again, which
+was my dull torment and misery as long as I stayed in Rome. I hardly
+think there can be a place in the world where life is more delicious for
+its own simple sake than here.
+
+I went to-day into the Baptistery, which stands near the Duomo, and, like
+that, is covered externally with slabs of black and white marble, now
+grown brown and yellow with age. The edifice is octagonal, and on
+entering, one immediately thinks of the Pantheon,--the whole space within
+being free from side to side, with a dome above; but it differs from the
+severe simplicity of the former edifice, being elaborately ornamented
+with marble and frescos, and lacking that great eye in the roof that
+looks so nobly and reverently heavenward from the Pantheon. I did little
+more than pass through the Baptistery, glancing at the famous bronze
+doors, some perfect and admirable casts of which I had already seen at
+the Crystal Palace.
+
+The entrance of the Duomo being just across the piazza, I went in there
+after leaving the Baptistery, and was struck anew--for this is the third
+or fourth visit--with the dim grandeur of the interior, lighted as it is
+almost exclusively by painted windows, which seem to me worth all the
+variegated marbles and rich cabinet-work of St. Peter's. The Florentine
+Cathedral has a spacious and lofty nave, and side aisles divided from it
+by pillars; but there are no chapels along the aisles, so that there is
+far more breadth and freedom of interior, in proportion to the actual
+space, than is usual in churches. It is woful to think how the vast
+capaciousness within St. Peter's is thrown away, and made to seem smaller
+than it is by every possible device, as if on purpose. The pillars and
+walls of this Duomo are of a uniform brownish, neutral tint; the
+pavement, a mosaic work of marble; the ceiling of the dome itself is
+covered with frescos, which, being very imperfectly lighted, it is
+impossible to trace out. Indeed, it is but a twilight region that is
+enclosed within the firmament of this great dome, which is actually
+larger than that of St. Peter's, though not lifted so high from the
+pavement. But looking at the painted windows, I little cared what
+dimness there might be elsewhere; for certainly the art of man has never
+contrived any other beauty and glory at all to be compared to this.
+
+The dome sits, as it were, upon three smaller domes,--smaller, but still
+great,--beneath which are three vast niches, forming the transepts of the
+cathedral and the tribune behind the high altar. All round these hollow,
+dome-covered arches or niches are high and narrow windows crowded with
+saints, angels, and all manner of blessed shapes, that turn the common
+daylight into a miracle of richness and splendor as it passes through
+their heavenly substance. And just beneath the swell of the great
+central dome is a wreath of circular windows quite round it, as brilliant
+as the tall and narrow ones below. It is a pity anybody should die
+without seeing an antique painted window, with the bright Italian
+sunshine glowing through it. This is "the dim, religious light" that
+Milton speaks of; but I doubt whether he saw these windows when he was in
+Italy, or any but those faded or dusty and dingy ones of the English
+cathedrals, else he would have illuminated that word "dim" with some
+epithet that should not chase away the dimness, yet should make it shine
+like a million of rubies, sapphires, emeralds, and topazes,--bright in
+themselves, but dim with tenderness and reverence because God himself was
+shining through them. I hate what I have said.
+
+All the time that I was in the cathedral the space around the high altar,
+which stands exactly under the dome, was occupied by priests or acolytes
+in white garments, chanting a religious service.
+
+After coming out, I took a view of the edifice from a corner of the
+street nearest to the dome, where it and the smaller domes can be seen at
+once. It is greatly more satisfactory than St. Peter's in any view I
+ever had of it,--striking in its outline, with a mystery, yet not a
+bewilderment, in its masses and curves and angles, and wrought out with a
+richness of detail that gives the eyes new arches, new galleries, new
+niches, new pinnacles, new beauties, great and small, to play with when
+wearied with the vast whole. The hue, black and white marbles, like the
+Baptistery, turned also yellow and brown, is greatly preferable to the
+buff travertine of St. Peter's.
+
+From the Duomo it is but a moderate street's length to the Piazza del
+Gran Duca, the principal square of Florence. It is a very interesting
+place, and has on one side the old Governmental Palace,--the Palazzo
+Vecchio,--where many scenes of historic interest have been enacted; for
+example, conspirators have been hanged from its windows, or precipitated
+from them upon the pavement of the square below.
+
+It is a pity that we cannot take as much interest in the history of
+these Italian Republics as in that of England, for the former is much the
+more picturesque and fuller of curious incident. The sobriety of the
+Anglo-Saxon race--in connection, too, with their moral sense--keeps them
+from doing a great many things that would enliven the page of history;
+and their events seem to come in great masses, shoved along by the agency
+of many persons, rather than to result from individual will and
+character. A hundred plots for a tragedy might be found in Florentine
+history for one in English.
+
+At one corner of the Palazzo Vecchio is a bronze equestrian statue of
+Cosmo de' Medici, the first Grand Duke, very stately and majestic; there
+are other marble statues--one of David, by Michael Angelo--at each side
+of the palace door; and entering the court I found a rich antique arcade
+within, surrounded by marble pillars, most elaborately carved, supporting
+arches that were covered with faded frescos. I went no farther, but
+stepped across a little space of the square to the Loggia di Lanzi, which
+is broad and noble, of three vast arches, at the end of which, I take it,
+is a part of the Palazzo Uffizi fronting on the piazza. I should call it
+a portico if it stood before the palace door; but it seems to have been
+constructed merely for itself, and as a shelter for the people from sun
+and rain, and to contain some fine specimens of sculpture, as well
+antique as of more modern times. Benvenuto Cellini's Perseus stands
+here; but it did not strike me so much as the cast of it in the Crystal
+Palace.
+
+A good many people were under these great arches; some of whom were
+reclining, half or quite asleep, on the marble seats that are built
+against the back of the loggia. A group was reading an edict of the
+Grand Duke, which appeared to have been just posted on a board, at the
+farther end of it; and I was surprised at the interest which they
+ventured to manifest, and the freedom with which they seemed to discuss
+it. A soldier was on guard, and doubtless there were spies enough to
+carry every word that was said to the ear of absolute authority.
+Glancing myself at the edict, however, I found it referred only to the
+furtherance of a project, got up among the citizens themselves, for
+bringing water into the city; and on such topics, I suppose there is
+freedom of discussion.
+
+
+June 7th.--Saturday evening we walked with U---- and J----- into the
+city, and looked at the exterior of the Duomo with new admiration. Since
+my former view of it, I have noticed--which, strangely enough, did not
+strike me before--that the facade is but a great, bare, ugly space,
+roughly plastered over, with the brickwork peeping through it in spots,
+and a faint, almost invisible fresco of colors upon it. This front was
+once nearly finished with an incrustation of black and white marble, like
+the rest of the edifice; but one of the city magistrates, Benedetto
+Uguccione, demolished it, three hundred years ago, with the idea of
+building it again in better style. He failed to do so, and, ever since,
+the magnificence of the great church has been marred by this unsightly
+roughness of what should have been its richest part; nor is there, I
+suppose, any hope that it will ever be finished now.
+
+The campanile, or bell-tower, stands within a few paces of the cathedral,
+but entirely disconnected from it, rising to a height of nearly three
+hundred feet, a square tower of light marbles, now discolored by time.
+It is impossible to give an idea of the richness of effect produced by
+its elaborate finish; the whole surface of the four sides, from top to
+bottom, being decorated with all manner of statuesque and architectural
+sculpture. It is like a toy of ivory, which some ingenious and pious
+monk might have spent his lifetime in adorning with scriptural designs
+and figures of saints; and when it was finished, seeing it so beautiful,
+he prayed that it might be miraculously magnified from the size of one
+foot to that of three hundred. This idea somewhat satisfies me, as
+conveying an impression how gigantesque the campanile is in its mass and
+height, and how minute and varied in its detail. Surely these mediaeval
+works have an advantage over the classic. They combine the telescope and
+the microscope.
+
+The city was all alive in the summer evening, and the streets humming
+with voices. Before the doors of the cafes were tables, at which people
+were taking refreshment, and it went to my heart to see a bottle of
+English ale, some of which was poured foaming into a glass; at least, it
+had exactly the amber hue and the foam of English bitter ale; but perhaps
+it may have been merely a Florentine imitation.
+
+As we returned home over the Arno, crossing the Ponte di Santa Trinita,
+we were struck by the beautiful scene of the broad, calm river, with the
+palaces along its shores repeated in it, on either side, and the
+neighboring bridges, too, just as perfect in the tide beneath as in the
+air above,--a city of dream and shadow so close to the actual one. God
+has a meaning, no doubt, in putting this spiritual symbol continually
+beside us.
+
+Along the river, on both sides, as far as we could see, there was a row
+of brilliant lamps, which, in the far distance, looked like a cornice of
+golden light; and this also shone as brightly in the river's depths. The
+lilies of the evening, in the quarter where the sun had gone down, were
+very soft and beautiful, though not so gorgeous as thousands that I have
+seen in America. But I believe I must fairly confess that the Italian
+sky, in the daytime, is bluer and brighter than our own, and that the
+atmosphere has a quality of showing objects to better advantage. It is
+more than mere daylight; the magic of moonlight is somehow mixed up with
+it, although it is so transparent a medium of light.
+
+Last evening, Mr. Powers called to see us, and sat down to talk in a
+friendly and familiar way. I do not know a man of more facile
+intercourse, nor with whom one so easily gets rid of ceremony. His
+conversation, too, is interesting. He talked, to begin with, about
+Italian food, as poultry, mutton, beef, and their lack of savoriness as
+compared with our own; and mentioned an exquisite dish of vegetables
+which they prepare from squash or pumpkin blossoms; likewise another
+dish, which it will be well for us to remember when we get back to
+the Wayside, where we are overrun with acacias. It consists of the
+acacia-blossoms in a certain stage of their development fried in
+olive-oil. I shall get the receipt from Mrs. Powers, and mean to deserve
+well of my country by first trying it, and then making it known; only I
+doubt whether American lard, or even butter, will produce the dish quite
+so delicately as fresh Florence oil.
+
+Meanwhile, I like Powers all the better, because he does not put his life
+wholly into marble. We had much talk, nevertheless, on matters of
+sculpture, for he drank a cup of tea with us, and stayed a good while.
+
+He passed a condemnatory sentence on classic busts in general, saying
+that they were conventional, and not to be depended upon as trite
+representations of the persons. He particularly excepted none but the
+bust of Caracalla; and, indeed, everybody that has seen this bust must
+feel the justice of the exception, and so be the more inclined to accept
+his opinion about the rest. There are not more than half a dozen--that
+of Cato the Censor among the others--in regard to which I should like to
+ask his judgment individually. He seems to think the faculty of making a
+bust an extremely rare one. Canova put his own likeness into all the
+busts he made. Greenough could not make a good one; nor Crawford, nor
+Gibson. Mr. Harte, he observed,--an American sculptor, now a resident in
+Florence,--is the best man of the day for making busts. Of course, it is
+to be presumed that he excepts himself; but I would not do Powers the
+great injustice to imply that there is the slightest professional
+jealousy in his estimate of what others have done, or are now doing, in
+his own art. If he saw a better man than himself, he would recognize him
+at once, and tell the world of him; but he knows well enough that, in
+this line, there is no better, and probably none so good. It would not
+accord with the simplicity of his character to blink a fact that stands
+so broadly before him.
+
+We asked him what he thought, of Mr. Gibson's practice of coloring his
+statues, and he quietly and slyly said that he himself had made wax
+figures in his earlier days, but had left off making them now. In short,
+he objected to the practice wholly, and said that a letter of his on the
+subject had been published in the London "Athenaeum," and had given great
+offence to some of Mr. Gibson's friends. It appeared to me, however,
+that his arguments did not apply quite fairly to the case, for he seems
+to think Gibson aims at producing an illusion of life in the statue,
+whereas I think his object is merely to give warmth and softness to the
+snowy marble, and so bring it a little nearer to our hearts and
+sympathies. Even so far, nevertheless, I doubt whether the practice is
+defensible, and I was glad to see that Powers scorned, at all events, the
+argument drawn from the use of color by the antique sculptors, on which
+Gibson relies so much. It might almost be implied, from the contemptuous
+way in which Powers spoke of color, that he considers it an impertinence
+on the face of visible nature, and would rather the world had been made
+without it; for he said that everything in intellect or feeling can be
+expressed as perfectly, or more so, by the sculptor in colorless marble,
+as by the painter with all the resources of his palette. I asked him
+whether he could model the face of Beatrice Cenci from Guido's picture so
+as to retain the subtle expression, and he said he could, for that the
+expression depended entirely on the drawing, "the picture being a badly
+colored thing." I inquired whether he could model a blush, and he said
+"Yes"; and that he had once proposed to an artist to express a blush in
+marble, if he would express it in picture. On consideration, I believe
+one to be as impossible as the other; the life and reality of the blush
+being in its tremulousness, coming and going. It is lost in a settled
+red just as much as in a settled paleness, and neither the sculptor nor
+painter can do more than represent the circumstances of attitude and
+expression that accompany the blush. There was a great deal of truth in
+what Powers said about this matter of color, and in one of our
+interminable New England winters it ought to comfort us to think how
+little necessity there is for any hue but that of the snow.
+
+Mr. Powers, nevertheless, had brought us a bunch of beautiful roses, and
+seemed as capable of appreciating their delicate blush as we were. The
+best thing he said against the use of color in marble was to the effect
+that the whiteness removed the object represented into a sort of
+spiritual region, and so gave chaste permission to those nudities which
+would otherwise suggest immodesty. I have myself felt the truth of this
+in a certain sense of shame as I looked at Gibson's tinted Venus.
+
+He took his leave at about eight o'clock, being to make a call on the
+Bryants, who are at the Hotel de New York, and also on Mrs. Browning, at
+Casa Guidi.
+
+
+END OF VOL. I.
+
+
+
+
+
+
+PASSAGES FROM THE FRENCH AND ITALIAN NOTE-BOOKS
+
+OF
+
+NATHANIEL HAWTHORNE
+
+
+VOL. II.
+
+
+
+
+PASSAGES FROM HAWTHORNE'S NOTE-BOOKS IN FRANCE AND ITALY.
+
+
+
+
+FLORENCE (Continued).
+
+
+June 8th.--I went this morning to the Uffizi gallery. The entrance is
+from the great court of the palace, which communicates with Lung' Arno at
+one end, and with the Grand Ducal Piazza at the other. The gallery is in
+the upper story of the palace, and in the vestibule are some busts of the
+princes and cardinals of the Medici family,--none of them beautiful, one
+or two so ugly as to be ludicrous, especially one who is all but buried
+in his own wig. I at first travelled slowly through the whole extent of
+this long, long gallery, which occupies the entire length of the palace
+on both sides of the court, and is full of sculpture and pictures. The
+latter, being opposite to the light, are not seen to the best advantage;
+but it is the most perfect collection, in a chronological series, that I
+have seen, comprehending specimens of all the masters since painting
+began to be an art. Here are Giotto, and Cimabue, and Botticelli, and
+Fra Angelico, and Filippo Lippi, and a hundred others, who have haunted
+me in churches and galleries ever since I have been in Italy, and who
+ought to interest me a great deal more than they do. Occasionally to-day
+I was sensible of a certain degree of emotion in looking at an old
+picture; as, for example, by a large, dark, ugly picture of Christ
+hearing the cross and sinking beneath it, when, somehow or other, a sense
+of his agony, and the fearful wrong that mankind did (and does) its
+Redeemer, and the scorn of his enemies, and the sorrow of those who loved
+him, came knocking at any heart and got entrance there. Once more I deem
+it a pity that Protestantism should have entirely laid aside this mode of
+appealing to the religious sentiment.
+
+I chiefly paid attention to the sculpture, and was interested in a long
+series of busts of the emperors and the members of their families, and
+some of the great men of Rome. There is a bust of Pompey the Great,
+bearing not the slightest resemblance to that vulgar and unintellectual
+one in the gallery of the Capitol, altogether a different cast of
+countenance. I could not judge whether it resembled the face of the
+statue, having seen the latter so imperfectly in the duskiness of the
+hall of the Spada Palace. These, I presume, are the busts which Mr.
+Powers condemns, from internal evidence, as unreliable and conventional.
+He may be right,--and is far more likely, of course, to be right than I
+am,--yet there certainly seems to be character in these marble faces, and
+they differ as much among themselves as the same number of living faces
+might. The bust of Caracalla, however, which Powers excepted from his
+censure, certainly does give stronger assurance of its being an
+individual and faithful portrait than any other in the series. All the
+busts of Caracalla--of which I have seen many--give the same evidence of
+their truth; and I should like to know what it was in this abominable
+emperor that made him insist upon having his actual likeness perpetuated,
+with all the ugliness of its animal and moral character. I rather
+respect him for it, and still more the sculptor, whose hand, methinks,
+must have trembled as he wrought the bust. Generally these wicked old
+fellows, and their wicked wives and daughters, are not so hideous as we
+might expect. Messalina, for instance, has small and pretty features,
+though with rather a sensual development of the lower part of the face.
+The busts, it seemed to me, are usually superior as works of art to those
+in the Capitol, and either better preserved or more thoroughly restored.
+The bust of Nero might almost be called handsome here, though bearing his
+likeness unmistakably.
+
+I wish some competent person would undertake to analyze and develop his
+character, and how and by what necessity--with all his elegant tastes,
+his love of the beautiful, his artist nature--he grew to be such a
+monster. Nero has never yet had justice done him, nor have any of the
+wicked emperors; not that I suppose them to have been any less monstrous
+than history represents them; but there must surely have been something
+in their position and circumstances to render the terrible moral disease
+which seized upon them so generally almost inevitable. A wise and
+profound man, tender and reverent of the human soul, and capable of
+appreciating it in its height and depth, has a great field here for the
+exercise of his powers. It has struck me, in reading the history of the
+Italian republics, that many of the tyrants, who sprung up after the
+destruction of their liberties, resembled the worst of the Roman
+emperors. The subject of Nero and his brethren has often perplexed me
+with vain desires to come at the truth.
+
+There were many beautiful specimens of antique, ideal sculpture all along
+the gallery,--Apollos, Bacchuses, Venuses, Mercurys, Fauns,--with the
+general character of all of which I was familiar enough to recognize them
+at a glance. The mystery and wonder of the gallery, however, the Venus
+de' Medici, I could nowhere see, and indeed was almost afraid to see it;
+for I somewhat apprehended the extinction of another of those lights that
+shine along a man's pathway, and go out in a snuff the instant he comes
+within eyeshot of the fulfilment of his hopes. My European experience
+has extinguished many such. I was pretty well contented, therefore, not
+to find the famous statue in the whole of my long journey from end to end
+of the gallery, which terminates on the opposite side of the court from
+that where it commences. The ceiling, by the by, through the entire
+length, is covered with frescos, and the floor paved with a composition
+of stone smooth and polished like marble. The final piece of sculpture,
+at the end of the gallery, is a copy of the Laocoon, considered very
+fine. I know not why, but it did not impress me with the sense of mighty
+and terrible repose--a repose growing out of the infinitude of trouble--
+that I had felt in the original.
+
+Parallel with the gallery, on both sides of the palace-court, there runs
+a series of rooms devoted chiefly to pictures, although statues and
+bas-reliefs are likewise contained in some of them. I remember an
+unfinished bas-relief by Michael Angelo of a Holy Family, which I touched
+with my finger, because it seemed as if he might have been at work upon
+it only an hour ago. The pictures I did little more than glance at, till
+I had almost completed again the circuit of the gallery, through this
+series of parallel rooms, and then I came upon a collection of French and
+Dutch and Flemish masters, all of which interested me more than the
+Italian generally. There was a beautiful picture by Claude, almost as
+good as those in the British National Gallery, and very like in subject;
+the sun near the horizon, of course, and throwing its line of light over
+the ripple of water, with ships at the strand, and one or two palaces of
+stately architecture on the shore. Landscapes by Rembrandt; fat Graces
+and other plump nudities by Rubens; brass pans and earthen pots and
+herrings by Terriers and other Dutchmen; none by Gerard Douw, I think,
+but several by Mieris; all of which were like bread and beef and ale,
+after having been fed too long on made dishes. This is really a
+wonderful collection of pictures; and from first, to last--from Giotto to
+the men of yesterday--they are in admirable condition, and may be
+appreciated for all the merit that they ever possessed.
+
+I could not quite believe that I was not to find the Venus de' Medici;
+and still, as I passed from one room to another, my breath rose and fell
+a little, with the half-hope, half-fear, that she might stand before me.
+Really, I did not know that I cared so much about Venus, or any possible
+woman of marble. At last, when I had come from among the Dutchmen, I
+believe, and was looking at some works of Italian artists, chiefly
+Florentines, I caught a glimpse of her through the door of the next room.
+It is the best room of the series, octagonal in shape, and hung with red
+damask, and the light comes down from a row of windows, passing quite
+round, beneath an octagonal dome. The Venus stands somewhat aside from
+the centre of the room, and is surrounded by an iron railing, a pace or
+two from her pedestal in front, and less behind. I think she might
+safely be left to the reverence her womanhood would win, without any
+other protection. She is very beautiful, very satisfactory; and has a
+fresh and new charm about her unreached by any cast or copy. The line of
+the marble is just so much mellowed by time, as to do for her all that
+Gibson tries, or ought to try to do for his statues by color, softening
+her, warming her almost imperceptibly, making her an inmate of the heart,
+as well as a spiritual existence. I felt a kind of tenderness for her;
+an affection, not as if she were one woman, but all womanhood in one.
+Her modest attitude, which, before I saw her I had not liked, deeming
+that it might be an artificial shame, is partly what unmakes her as the
+heathen goddess, and softens her into woman. There is a slight degree of
+alarm, too, in her face; not that she really thinks anybody is looking at
+her, yet the idea has flitted through her mind, and startled her a
+little. Her face is so beautiful and intellectual, that it is not
+dazzled out of sight by her form. Methinks this was a triumph for the
+sculptor to achieve. I may as well stop here. It is of no use to throw
+heaps of words upon her; for they all fall away, and leave her standing
+in chaste and naked grace, as untouched as when I began.
+
+She has suffered terribly by the mishaps of her long existence in the
+marble. Each of her legs has been broken into two or three fragments,
+her arms have been severed, her body has been broken quite across at the
+waist, her head has been snapped off at the neck. Furthermore, there
+have been grievous wounds and losses of substance in various tender parts
+of her person. But on account of the skill with which the statue has
+been restored, and also because the idea is perfect and indestructible,
+all these injuries do not in the least impair the effect, even when you
+see where the dissevered fragments have been reunited. She is just as
+whole as when she left the hands of the sculptor. I am glad to have seen
+this Venus, and to have found her so tender and so chaste. On the wall
+of the room, and to be taken in at the same glance, is a painted Venus by
+Titian, reclining on a couch, naked and lustful.
+
+The room of the Venus seems to be the treasure-place of the whole Uffizi
+Palace, containing more pictures by famous masters than are to be found
+in all the rest of the gallery. There were several by Raphael, and the
+room was crowded with the easels of artists. I did not look half enough
+at anything, but merely took a preliminary taste, as a prophecy of
+enjoyment to come.
+
+As we were at dinner to-day, at half past three, there was a ring at the
+door, and a minute after our servant brought a card. It was Mr. Robert
+Browning's, and on it was written in pencil an invitation for us to go to
+see them this evening. He had left the card and gone away; but very soon
+the bell rang again, and he had come back, having forgotten to give his
+address. This time he came in; and he shook hands with all of us,
+children and grown people, and was very vivacious and agreeable. He
+looked younger and even handsomer than when I saw him in London, two
+years ago, and his gray hairs seemed fewer than those that had then
+strayed into his youthful head. He talked a wonderful quantity in a
+little time, and told us--among other things that we should never have
+dreamed of--that Italian people will not cheat you, if you construe them
+generously, and put them upon their honor.
+
+Mr. Browning was very kind and warm in his expressions of pleasure at
+seeing us; and, on our part, we were all very glad to meet him. He must
+be an exceedingly likable man. . . . . They are to leave Florence very
+soon, and are going to Normandy, I think he said, for the rest of the
+summer.
+
+The Venus de' Medici has a dimple in her chin.
+
+
+June 9th.--We went last evening, at eight o'clock, to see the Brownings;
+and, after some search and inquiry, we found the Casa Guidi, which is a
+palace in a street not very far from our own. It being dusk, I could not
+see the exterior, which, if I remember, Browning has celebrated in song;
+at all events, Mrs. Browning has called one of her poems "Casa Guidi
+Windows."
+
+The street is a narrow one; but on entering the palace, we found a
+spacious staircase and ample accommodations of vestibule and hall, the
+latter opening on a balcony, where we could hear the chanting of priests
+in a church close by. Browning told us that this was the first church
+where an oratorio had ever been performed. He came into the anteroom to
+greet us, as did his little boy, Robert, whom they call Pennini for
+fondness. The latter cognomen is a diminutive of Apennino, which was
+bestowed upon him at his first advent into the world because he was so
+very small, there being a statue in Florence of colossal size called
+Apennino. I never saw such a boy as this before; so slender, fragile,
+and spirit-like,--not as if he were actually in ill health, but as if he
+had little or nothing to do with human flesh and blood. His face is very
+pretty and most intelligent, and exceedingly like his mother's. He is
+nine years old, and seems at once less childlike and less manly than
+would befit that age. I should not quite like to be the father of such a
+boy, and should fear to stake so much interest and affection on him as he
+cannot fail to inspire. I wonder what is to become of him,--whether he
+will ever grow to be a man,--whether it is desirable that he should. His
+parents ought to turn their whole attention to making him robust and
+earthly, and to giving him a thicker scabbard to sheathe his spirit in.
+He was born in Florence, and prides himself on being a Florentine, and is
+indeed as un-English a production as if he were native of another planet.
+
+Mrs. Browning met us at the door of the drawing-room, and greeted us most
+kindly,--a pale, small person, scarcely embodied at all; at any rate,
+only substantial enough to put forth her slender fingers to be grasped,
+and to speak with a shrill, yet sweet, tenuity of voice. Really, I do
+not see how Mr. Browning can suppose that he has an earthly wife any more
+than an earthly child; both are of the elfin race, and will flit away
+from him some day when he least thinks of it. She is a good and kind
+fairy, however, and sweetly disposed towards the human race, although
+only remotely akin to it. It is wonderful to see how small she is, how
+pale her cheek, how bright and dark her eyes. There is not such another
+figure in the world; and her black ringlets cluster down into her neck,
+and make her face look the whiter by their sable profusion. I could not
+form any judgment about her age; it may range anywhere within the limits
+of human life or elfin life. When I met her in London at Lord Houghton's
+breakfast-table, she did not impress me so singularly; for the morning
+light is more prosaic than the dim illumination of their great tapestried
+drawing-room; and besides, sitting next to her, she did not have occasion
+to raise her voice in speaking, and I was not sensible what a slender
+voice she has. It is marvellous to me how so extraordinary, so acute, so
+sensitive a creature can impress us, as she does, with the certainty of
+her benevolence. It seems to me there were a million chances to one that
+she would have been a miracle of acidity and bitterness.
+
+We were not the only guests. Mr. and Mrs. E------, Americans, recently
+from the East, and on intimate terms with the Brownings, arrived after
+us; also Miss F. H------, an English literary lady, whom I have met
+several times in Liverpool; and lastly came the white head and
+palmer-like beard of Mr. ------ with his daughter. Mr. Browning was very
+efficient in keeping up conversation with everybody, and seemed to be in
+all parts of the room and in every group at the same moment; a most vivid
+and quick-thoughted person, logical and common-sensible, as, I presume,
+poets generally are in their daily talk.
+
+Mr. ------, as usual, was homely and plain of manner, with an
+old-fashioned dignity, nevertheless, and a remarkable deference and
+gentleness of tone in addressing Mrs. Browning. I doubt, however,
+whether he has any high appreciation either of her poetry or her
+husband's, and it is my impression that they care as little about his.
+
+We had some tea and some strawberries, and passed a pleasant evening.
+There was no very noteworthy conversation; the most interesting topic
+being that disagreeable and now wearisome one of spiritual
+communications, as regards which Mrs. Browning is a believer, and her
+husband an infidel. Mr. ------ appeared not to have made up his mind on
+the matter, but told a story of a successful communication between Cooper
+the novelist and his sister, who had been dead fifty years. Browning and
+his wife had both been present at a spiritual session held by Mr. Hume,
+and had seen and felt the unearthly hands, one of which had placed a
+laurel wreath on Mrs. Browning's head. Browning, however, avowed his
+belief that these hands were affixed to the feet of Mr. Hume, who lay
+extended in his chair, with his legs stretched far under the table. The
+marvellousness of the fact, as I have read of it, and heard it from other
+eye-witnesses, melted strangely away in his hearty gripe, and at the
+sharp touch of his logic; while his wife, ever and anon, put in a little
+gentle word of expostulation.
+
+I am rather surprised that Browning's conversation should be so clear,
+and so much to the purpose at the moment, since his poetry can seldom
+proceed far without running into the high grass of latent meanings and
+obscure allusions.
+
+Mrs. Browning's health does not permit late hours, so we began to take
+heave at about ten o'clock. I heard her ask Mr. ------ if he did not
+mean to revisit Europe, and heard him answer, not uncheerfully, taking
+hold of his white hair, "It is getting rather too late in the evening
+now." If any old age can be cheerful, I should think his might be; so
+good a man, so cool, so calm, so bright, too, we may say. His life has
+been like the days that end in pleasant sunsets. He has a great loss,
+however, or what ought to be a great loss,--soon to be encountered in the
+death of his wife, who, I think, can hardly live to reach America. He is
+not eminently an affectionate man. I take him to be one who cannot get
+closely home to his sorrow, nor feel it so sensibly as he gladly would;
+and, in consequence of that deficiency, the world lacks substance to him.
+It is partly the result, perhaps, of his not having sufficiently
+cultivated his emotional nature. His poetry shows it, and his personal
+intercourse, though kindly, does not stir one's blood in the least.
+
+Little Pennini, during the evening, sometimes helped the guests to cake
+and strawberries; joined in the conversation, when he had anything to
+say, or sat down upon a couch to enjoy his own meditations. He has long
+curling hair, and has not yet emerged from his frock and short hose. It
+is funny to think of putting him into trousers. His likeness to his
+mother is strange to behold.
+
+
+June 10th.--My wife and I went to the Pitti Palace to-day; and first
+entered a court where, yesterday, she had seen a carpet of flowers,
+arranged for some great ceremony. It must have been a most beautiful
+sight, the pavement of the court being entirely covered by them, in a
+regular pattern of brilliant lines, so as really to be a living mosaic.
+This morning, however, the court had nothing but its usual stones, and
+the show of yesterday seemed so much the more inestimable as having been
+so evanescent. Around the walls of the court there were still some
+pieces of splendid tapestry which had made part of yesterday's
+magnificence. We went up the staircase, of regally broad and easy
+ascent, and made application to be admitted to see the grand-ducal
+apartments. An attendant accordingly took the keys, and ushered us first
+into a great hall with a vaulted ceiling, and then through a series of
+noble rooms, with rich frescos above and mosaic floors, hung with damask,
+adorned with gilded chandeliers, and glowing, in short, with more
+gorgeousness than I could have imagined beforehand, or can now remember.
+In many of the rooms were those superb antique cabinets which I admire
+more than any other furniture ever invented; only these were of
+unexampled art and glory, inlaid with precious stones, and with beautiful
+Florentine mosaics, both of flowers and landscapes,--each cabinet worth a
+lifetime's toil to make it, and the cost a whole palace to pay for it.
+Many of the rooms were covered with arras, of landscapes, hunting-scenes,
+mythological subjects, or historical scenes, equal to pictures in truth
+of representation, and possessing an indescribable richness that makes
+them preferable as a mere adornment of princely halls and chambers. Some
+of the rooms, as I have said, were laid in mosaic of stone and marble,
+otherwise in lovely patterns of various woods; others were covered with
+carpets, delightful to tread upon, and glowing like the living floor of
+flowers which my wife saw yesterday. There were tables, too, of
+Florentine mosaic, the mere materials of which--lapis lazuli, malachite,
+pearl, and a hundred other precious things--were worth a fortune, and
+made a thousand times more valuable by the artistic skill of the
+manufacturer. I toss together brilliant words by the handful, and make a
+rude sort of patchwork, but can record no adequate idea of what I saw in
+this suite of rooms; and the taste, the subdued splendor, so that it did
+not shine too high, but was all tempered into an effect at once grand and
+soft,--this was quite as remarkable as the gorgeous material. I have
+seen a very dazzling effect produced in the principal cabin of an
+American clipper-ship quite opposed to this in taste.
+
+After making the circuit of the grand-ducal apartments, we went into a
+door in the left wing of the palace, and ascended a narrow flight of
+stairs,--several tortuous flights indeed,--to the picture-gallery. It
+fills a great many stately halls, which themselves are well worth a visit
+for the architecture and frescos; only these matters become commonplace
+after travelling through a mile or two of them. The collection of
+pictures--as well for their number as for the celebrity and excellence of
+many of them--is the most interesting that I have seen, and I do not yet
+feel in a condition, nor perhaps ever shall, to speak of a single one.
+It gladdened my very heart to find that they were not darkened out of
+sight, nor apparently at all injured by time, but were well kept and
+varnished, brilliantly framed, and, no doubt, restored by skilful touches
+if any of them needed it. The artists and amateurs may say what they
+like; for my part, I know no drearier feeling than that inspired by a
+ruined picture,--ruined, that is, by time, damp, or rough treatment,--and
+I would a thousand times rather an artist should do his best towards
+reviving it, than have it left in such a condition. I do not believe,
+however, that these pictures have been sacrilegiously interfered with; at
+all events, I saw in the masterpieces no touch but what seemed worthy of
+the master-hand.
+
+The most beautiful picture in the world, I am convinced, is Raphael's
+"Madonna della Seggiola." I was familiar with it in a hundred engravings
+and copies, and therefore it shone upon one as with a familiar beauty,
+though infinitely more divine than I had ever seen it before. An artist
+was copying it, and producing certainly something very like a fac-simile,
+yet leaving out, as a matter of course, that mysterious something that
+renders the picture a miracle. It is my present opinion that the
+pictorial art is capable of something more like magic, more wonderful and
+inscrutable in its methods, than poetry or any other mode of developing
+the beautiful. But how does this accord with what I have been saying
+only a minute ago? How then can the decayed picture of a great master
+ever be restored by the touches of an inferior hand? Doubtless it never
+can be restored; but let some devoted worshipper do his utmost, and the
+whole inherent spirit of the divine picture may pervade his restorations
+likewise.
+
+I saw the "Three Fates" of Michael Angelo, which were also being copied,
+as were many other of the best pictures. Miss Fanny Howorth, whom I met
+in the gallery, told me that to copy the "Madonna della Seggiola,"
+application must be made five years beforehand, so many are the artists
+who aspire to copy it. Michael Angelo's Fates are three very grim and
+pitiless old women, who respectively spin, hold, and cut the thread of
+human destiny, all in a mood of sombre gloom, but with no more sympathy
+than if they had nothing to do with us. I remember seeing an etching of
+this when I was a child, and being struck, even then, with the terrible,
+stern, passionless severity, neither loving us nor hating us, that
+characterizes these ugly old women. If they were angry, or had the least
+spite against human kind, it would render them the more tolerable. They
+are a great work, containing and representing the very idea that makes a
+belief in fate such a cold torture to the human soul. God give me the
+sure belief in his Providence!
+
+In a year's time, with the advantage of access to this magnificent
+gallery, I think I might come to have some little knowledge of pictures.
+At present I still know nothing; but am glad to find myself capable, at
+least, of loving one picture better than another. I cannot always "keep
+the heights I gain," however, and after admiring and being moved by a
+picture one day, it is within my experience to look at it the next as
+little moved as if it were a tavern-sign. It is pretty much the same
+with statuary; the same, too, with those pictured windows of the Duomo,
+which I described so rapturously a few days ago. I looked at them again
+the next morning, and thought they would have been hardly worthy of my
+eulogium, even had all the separate windows of the cathedral combined
+their narrow lights into one grand, resplendent, many-colored arch at the
+eastern end. It is a pity they are so narrow. England has many a great
+chancel-window that, though dimmer in its hues, dusty, and perhaps made
+up of heterogeneous fragments, eclipses these by its spacious breadth.
+
+From the gallery, I went into the Boboli Gardens, which are contiguous to
+the palace; but found them too sunny for enjoyment. They seem to consist
+partly of a wilderness; but the portion into which I strayed was laid out
+with straight walks, lined with high box-hedges, along which there was
+only a narrow margin of shade. I saw an amphitheatre, with a wide sweep
+of marble seat around it, enclosing a grassy space, where, doubtless, the
+Medici may have witnessed splendid spectacles.
+
+
+June 11th.--I paid another visit to the Uffizi gallery this morning, and
+found that the Venus is one of the things the charm of which does not
+diminish on better acquaintance. The world has not grown weary of her in
+all these ages; and mortal man may look on her with new delight from
+infancy to old age, and keep the memory of her, I should imagine, as one
+of the treasures of spiritual existence hereafter. Surely, it makes me
+more ready to believe in the high destinies of the human race, to think
+that this beautiful form is but nature's plan for all womankind, and that
+the nearer the actual woman approaches it, the more natural she is. I do
+not, and cannot think of her as a senseless image, but as a being that
+lives to gladden the world, incapable of decay and death; as young and
+fair to-day as she was three thousand years ago, and still to be young
+and fair as long as a beautiful thought shall require physical
+embodiment. I wonder how any sculptor has had the impertinence to aim at
+any other presentation of female beauty. I mean no disrespect to Gibson
+or Powers, or a hundred other men who people the world with nudities, all
+of which are abortions as compared with her; but I think the world would
+be all the richer if their Venuses, their Greek Slaves, their Eves, were
+burnt into quicklime, leaving us only this statue as our image of the
+beautiful. I observed to-day that the eyes of the statue are slightly
+hollowed out, in a peculiar way, so as to give them a look of depth and
+intelligence. She is a miracle. The sculptor must have wrought
+religiously, and have felt that something far beyond his own skill was
+working through his hands. I mean to leave off speaking of the Venus
+hereafter, in utter despair of saying what I wish; especially as the
+contemplation of the statue will refine and elevate my taste, and make it
+continually more difficult to express my sense of its excellence, as the
+perception of it grows upon one. If at any time I become less sensible
+of it, it will be my deterioration, not any defect in the statue.
+
+I looked at many of the pictures, and found myself in a favorable mood
+for enjoying them. It seems to me that a work of art is entitled to
+credit for all that it makes us feel in our best moments; and we must
+judge of its merits by the impression it then makes, and not by the
+coldness and insensibility of our less genial moods.
+
+After leaving the Uffizi Palace, . . . . I went into the Museum of
+Natural History, near the Pitti Palace. It is a very good collection of
+almost everything that Nature has made,--or exquisite copies of what she
+has made,--stones, shells, vegetables, insects, fishes, animals, man; the
+greatest wonders of the museum being some models in wax of all parts of
+the human frame. It is good to have the wholeness and summed-up beauty
+of woman in the memory, when looking at the details of her system as here
+displayed; for these last, to the natural eye, are by no means beautiful.
+But they are what belong only to our mortality. The beauty that makes
+them invisible is our immortal type, which we shall take away with us.
+Under glass cases, there were some singular and horribly truthful
+representations, in small wax figures, of a time of pestilence; the hasty
+burial, or tossing into one common sepulchre, of discolored corpses,--a
+very ugly piece of work, indeed. I think Murray says that these things
+were made for the Grand Duke Cosmo; and if so, they do him no credit,
+indicating something dark and morbid in his character.
+
+
+June 13th.--We called at the Powers's yesterday morning to leave R-----
+there for an hour or two to play with the children; and it being not yet
+quite time for the Pitti Palace, we stopped into the studio. Soon Mr.
+Powers made his appearance, in his dressing-gown and slippers and
+sculptor's cap, smoking a cigar. . . . . He was very cordial and
+pleasant, as I have always found him, and began immediately to be
+communicative about his own works, or any other subject that came up.
+There were two casts of the Venus de' Medici in the rooms, which he said
+were valuable in a commercial point of view, being genuine casts from the
+mould taken from the statue. He then gave us a quite unexpected but most
+interesting lecture on the Venus, demonstrating it, as he proceeded, by
+reference to the points which he criticised. The figure, he seemed to
+allow, was admirable, though I think he hardly classes it so high as his
+own Greek Slave or Eva; but the face, he began with saying, was that of
+an idiot. Then, leaning on the pedestal of the cast, he continued, "It
+is rather a bold thing to say, isn't it, that the sculptor of the Venus
+de' Medici did not know what he was about?"
+
+Truly, it appeared to me so; but Powers went on remorselessly, and
+showed, in the first place, that the eye was not like any eye that Nature
+ever made; and, indeed, being examined closely, and abstracted from the
+rest of the face, it has a very queer look,--less like a human eye than a
+half-worn buttonhole! Then he attacked the ear, which, he affirmed and
+demonstrated, was placed a good deal too low on the head, thereby giving
+an artificial and monstrous height to the portion of the head above it.
+The forehead met with no better treatment in his hands, and as to the
+mouth, it was altogether wrong, as well in its general make as in such
+niceties as the junction of the skin of the lips to the common skin
+around them. In a word, the poor face was battered all to pieces and
+utterly demolished; nor was it possible to doubt or question that it fell
+by its own demerits. All that could be urged in its defence--and even
+that I did not urge--being that this very face had affected me, only the
+day before, with a sense of higher beauty and intelligence than I had
+ever then received from sculpture, and that its expression seemed to
+accord with that of the whole figure, as if it were the sweetest note of
+the same music. There must be something in this; the sculptor
+disregarded technicalities, and the imitation of actual nature, the
+better to produce the effect which he really does produce, in somewhat
+the same way as a painter works his magical illusions by touches that
+have no relation to the truth if looked at from the wrong point of view.
+But Powers considers it certain that the antique sculptor had bestowed
+all his care on the study of the human figure, and really did not know
+how to make a face. I myself used to think that the face was a much less
+important thing with the Greeks, among whom the entire beauty of the form
+was familiarly seen, than with ourselves, who allow no other nudity.
+
+After annihilating the poor visage, Powers showed us his two busts of
+Proserpine and Psyche, and continued his lecture by showing the truth to
+nature with which these are modelled. I freely acknowledge the fact;
+there is no sort of comparison to be made between the beauty,
+intelligence, feeling, and accuracy of representation in these two faces
+and in that of the Venus de' Medici. A light--the light of a soul proper
+to each individual character--seems to shine from the interior of the
+marble, and beam forth from the features, chiefly from the eyes. Still
+insisting upon the eye, and hitting the poor Venus another and another
+and still another blow on that unhappy feature, Mr. Powers turned up and
+turned inward and turned outward his own Titanic orb,--the biggest, by
+far, that ever I saw in mortal head,--and made us see and confess that
+there was nothing right in the Venus and everything right in Psyche and
+Proserpine. To say the truth, their marble eyes have life, and, placing
+yourself in the proper position towards them, you can meet their glances,
+and feel them mingle with your own. Powers is a great man, and also a
+tender and delicate one, massive and rude of surface as he looks; and it
+is rather absurd to feel how he impressed his auditor, for the time
+being, with his own evident idea that nobody else is worthy to touch
+marble. Mr. B------ told me that Powers has had many difficulties on
+professional grounds, as I understood him, and with his brother artists.
+No wonder! He has said enough in my hearing to put him at swords' points
+with sculptors of every epoch and every degree between the two inclusive
+extremes of Phidias and Clark Mills.
+
+He has a bust of the reigning Grand Duchess of Tuscany, who sat to him
+for it. The bust is that of a noble-looking lady; and Powers remarked
+that royal personages have a certain look that distinguishes them from
+other people, and is seen in individuals of no lower rank. They all have
+it; the Queen of England and Prince Albert have it; and so likewise has
+every other Royalty, although the possession of this kingly look implies
+nothing whatever as respects kingly and commanding qualities. He said
+that none of our public men, whatever authority they may have held, or
+for whatever length of time, possess this look, but he added afterwards
+that Washington had it. Commanders of armies sometimes have it, but not
+in the degree that royal personages do. It is, as well as I could make
+out Powers's idea, a certain coldness of demeanor, and especially of eye,
+that surrounds them with an atmosphere through which the electricity of
+human brotherhood cannot pass. From their youth upward they are taught
+to feel themselves apart from the rest of mankind, and this manner
+becomes a second nature to them in consequence, and as a safeguard to
+their conventional dignity. They put themselves under glass, as it were
+(the illustration is my own), so that, though you see them, and see them
+looking no more noble and dignified than other mortals, nor so much so as
+many, still they keep themselves within a sort of sanctity, and repel you
+by an invisible barrier. Even if they invite you with a show of warmth
+and hospitality, you cannot get through. I, too, recognize this look in
+the portraits of Washington; in him, a mild, benevolent coldness and
+apartness, but indicating that formality which seems to have been deeper
+in him than in any other mortal, and which built up an actual
+fortification between himself and human sympathy. I wish, for once,
+Washington could come out of his envelopment and show us what his real
+dimensions were.
+
+Among other models of statues heretofore made, Powers showed us one of
+Melancholy, or rather of Contemplation, from Milton's "Penseroso"; a
+female figure with uplifted face and rapt look, "communing with the
+skies." It is very fine, and goes deeply into Milton's thought; but, as
+far as the outward form and action are concerned, I remember seeing a
+rude engraving in my childhood that probably suggested the idea. It was
+prefixed to a cheap American edition of Milton's poems, and was probably
+as familiar to Powers as to myself. It is very remarkable how difficult
+it seems to be to strike out a new attitude in sculpture; a new group, or
+a new single figure.
+
+One piece of sculpture Powers exhibited, however, which was very
+exquisite, and such as I never saw before. Opening a desk, he took out
+something carefully enclosed between two layers of cotton-wool, on
+removing which there appeared a little baby's hand most delicately
+represented in the whitest marble; all the dimples where the knuckles
+were to be, all the creases in the plump flesh, every infantine wrinkle
+of the soft skin being lovingly recorded. "The critics condemn minute
+representation," said Powers; "but you may look at this through a
+microscope and see if it injures the general effect." Nature herself
+never made a prettier or truer little hand. It was the hand of his
+daughter,--"Luly's hand," Powers called it,--the same that gave my own
+such a frank and friendly grasp when I first met "Luly." The sculptor
+made it only for himself and his wife, but so many people, he said, had
+insisted on having a copy, that there are now forty scattered about the
+world. At sixty years, Luly ought to have her hand sculptured again, and
+give it to her grandchildren with the baby's hand of five months old.
+The baby-hand that had done nothing, and felt only its mother's kiss;
+the old lady's hand that had exchanged the love-pressure, worn the
+marriage-ring, closed dead eyes,--done a lifetime's work, in short. The
+sentiment is rather obvious, but true nevertheless.
+
+Before we went away, Powers took us into a room apart--apparently the
+secretest room he had--and showed us some tools and machinery, all of his
+own contrivance and invention. "You see I am a bit of a Yankee," he
+observed.
+
+This machinery is chiefly to facilitate the process of modelling his
+works, for--except in portrait-busts--he makes no clay model as other
+sculptors do, but models directly in the plaster; so that instead of
+being crumbled, like clay, the original model remains a permanent
+possession. He has also invented a certain open file, which is of great
+use in finishing the surface of the marble; and likewise a machine for
+making these files and for punching holes through iron, and he
+demonstrated its efficiency by punching a hole through an iron bar, with
+a force equivalent to ten thousand pounds, by the mere application of a
+part of his own weight. These inventions, he says, are his amusement,
+and the bent of his nature towards sculpture must indeed have been
+strong, to counteract, in an American, such a capacity for the
+contrivance of steam-engines. . . . .
+
+I had no idea of filling so many pages of this journal with the sayings
+and characteristics of Mr. Powers, but the man and his talk are fresh,
+original, and full of bone and muscle, and I enjoy him much.
+
+We now proceeded to the Pitti Palace, and spent several hours pleasantly
+in its saloons of pictures. I never enjoyed pictures anywhere else as I
+do in Florence. There is an admirable Judith in this gallery by Allori;
+a face of great beauty and depth, and her hand clutches the head of
+Holofernes by the hair in a way that startles the spectator. There are
+two peasant Madonnas by Murillo; simple women, yet with a thoughtful
+sense of some high mystery connected with the baby in their arms.
+
+Raphael grows upon me; several other famous painters--Guido, for
+instance--are fading out of my mind. Salvator Rosa has two really
+wonderful landscapes, looking from the shore seaward; and Rubens too,
+likewise on a large scale, of mountain and plain. It is very idle and
+foolish to talk of pictures; yet, after poring over them and into them,
+it seems a pity to let all the thought excited by them pass into
+nothingness.
+
+The copyists of pictures are very numerous, both in the Pitti and Uffizi
+galleries; and, unlike sculptors, they appear to be on the best of terms
+with one another, chatting sociably, exchanging friendly criticism, and
+giving their opinions as to the best mode of attaining the desired
+effects. Perhaps, as mere copyists, they escape the jealousy that might
+spring up between rival painters attempting to develop original ideas.
+Miss Howorth says that the business of copying pictures, especially those
+of Raphael, is a regular profession, and she thinks it exceedingly
+obstructive to the progress or existence of a modern school of painting,
+there being a regular demand and sure sale for all copies of the old
+masters, at prices proportioned to their merit; whereas the effort to be
+original insures nothing, except long neglect, at the beginning of a
+career, and probably ultimate failure, and the necessity of becoming a
+copyist at last. Some artists employ themselves from youth to age in
+nothing else but the copying of one single and selfsame picture by
+Raphael, and grow at last to be perfectly mechanical, making, I suppose,
+the same identical stroke of the brush in fifty successive pictures.
+
+The weather is very hot now,--hotter in the sunshine, I think, than a
+midsummer day usually is in America, but with rather a greater
+possibility of being comfortable in the shade. The nights, too, are
+warm, and the bats fly forth at dusk, and the fireflies quite light up
+the green depths of our little garden. The atmosphere, or something
+else, causes a sort of alacrity in my mind and an affluence of ideas,
+such as they are; but it does not thereby make me the happier. I feel an
+impulse to be at work, but am kept idle by the sense of being unsettled
+with removals to be gone through, over and over again, before I can shut
+myself into a quiet room of my own, and turn the key. I need monotony
+too, an eventless exterior life, before I can live in the world within.
+
+
+June 15th.--Yesterday we went to the Uffizi gallery, and, of course, I
+took the opportunity to look again at the Venus de' Medici after Powers's
+attack upon her face. Some of the defects he attributed to her I could
+not see in the statue; for instance, the ear appeared to be in accordance
+with his own rule, the lowest part of it being about in a straight line
+with the upper lip. The eyes must be given up, as not, when closely
+viewed, having the shape, the curve outwards, the formation of the lids,
+that eyes ought to have; but still, at a proper distance, they seemed to
+have intelligence in them beneath the shadow cast by the brow. I cannot
+help thinking that the sculptor intentionally made every feature what it
+is, and calculated them all with a view to the desired effect. Whatever
+rules may be transgressed, it is a noble and beautiful face,--more so,
+perhaps, than if all rules had been obeyed. I wish Powers would do his
+best to fit the Venus's figure (which he does not deny to be admirable)
+with a face which he would deem equally admirable and in accordance with
+the sentiment of the form.
+
+We looked pretty thoroughly through the gallery, and I saw many pictures
+that impressed me; but among such a multitude, with only one poor mind to
+take note of them, the stamp of each new impression helps to obliterate a
+former one. I am sensible, however, that a process is going on, and has
+been ever since I came to Italy, that puts me in a state to see pictures
+with less toil, and more pleasure, and makes me more fastidious, yet more
+sensible of beauty where I saw none before. It is the sign, I presume,
+of a taste still very defective, that I take singular pleasure in the
+elaborate imitations of Van Mieris, Gerard Douw, and other old Dutch
+wizards, who painted such brass pots that you can see your face in them,
+and such earthen pots that they will surely hold water; and who spent
+weeks and months in turning a foot or two of canvas into a perfect
+microscopic illusion of some homely scene. For my part, I wish Raphael
+had painted the "Transfiguration" in this style, at the same time
+preserving his breadth and grandeur of design; nor do I believe that
+there is any real impediment to the combination of the two styles, except
+that no possible space of human life could suffice to cover a quarter
+part of the canvas of the "Transfiguration" with such touches as Gerard
+Douw's. But one feels the vast scope of this wonderful art, when we
+think of two excellences so far apart as that of this last painter and
+Raphael. I pause a good while, too, before the Dutch paintings of fruit
+and flowers, where tulips and roses acquire an immortal bloom, and grapes
+have kept the freshest juice in them for two or three hundred years.
+Often, in these pictures, there is a bird's-nest, every straw perfectly
+represented, and the stray feather, or the down that the mother-bird
+plucked from her bosom, with the three or four small speckled eggs, that
+seem as if they might be yet warm. These pretty miracles have their use
+in assuring us that painters really can do something that takes hold of
+us in our most matter-of-fact moods; whereas, the merits of the grander
+style of art may be beyond our ordinary appreciation, and leave us in
+doubt whether we have not befooled ourselves with a false admiration.
+
+Until we learn to appreciate the cherubs and angels that Raphael scatters
+through the blessed air, in a picture of the "Nativity," it is not amiss
+to look at, a Dutch fly settling on a peach, or a bumblebee burying
+himself in a flower.
+
+It is another token of imperfect taste, no doubt, that queer pictures and
+absurd pictures remain in my memory, when better ones pass away by the
+score. There is a picture of Venus, combing her son Cupid's head with a
+small-tooth comb, and looking with maternal care among his curls; this I
+shall not forget. Likewise, a picture of a broad, rubicund Judith by
+Bardone,--a widow of fifty, of an easy, lymphatic, cheerful temperament,
+who has just killed Holofernes, and is as self-complacent as if she had
+been carving a goose. What could possibly have stirred up this pudding
+of a woman (unless it were a pudding-stick) to do such a deed! I looked
+with much pleasure at an ugly, old, fat, jolly Bacchus, astride on a
+barrel, by Rubens; the most natural and lifelike representation of a
+tipsy rotundity of flesh that it is possible to imagine. And sometimes,
+amid these sensual images, I caught the divine pensiveness of a Madonna's
+face, by Raphael, or the glory and majesty of the babe Jesus in her arm,
+with his Father shining through him. This is a sort of revelation,
+whenever it comes.
+
+This morning, immediately after breakfast, I walked into the city,
+meaning to make myself better acquainted with its appearance, and to go
+into its various churches; but it soon grew so hot, that I turned
+homeward again. The interior of the Duomo was deliciously cool, to be
+sure,--cool and dim, after the white-hot sunshine; but an old woman began
+to persecute me, so that I came away. A male beggar drove me out of
+another church; and I took refuge in the street, where the beggar and I
+would have been two cinders together, if we had stood long enough on the
+sunny sidewalk. After my five summers' experience of England, I may have
+forgotten what hot weather is; but it does appear to me that an American
+summer is not so fervent as this. Besides the direct rays, the white
+pavement throws a furnace-heat up into one's face; the shady margin of
+the street is barely tolerable; but it is like going through the ordeal
+of fire to cross the broad bright glare of an open piazza. The narrow
+streets prove themselves a blessing at this season, except when the sun
+looks directly into them; the broad eaves of the houses, too, make a
+selvage of shade, almost always. I do not know what becomes of the
+street-merchants at the noontide of these hot days. They form a numerous
+class in Florence, displaying their wares--linen or cotton cloth,
+threads, combs, and all manner of haberdashery--on movable counters that
+are borne about on wheels. In the shady morning, you see a whole side of
+a street in a piazza occupied by them, all offering their merchandise at
+full cry. They dodge as they can from shade to shade; but at last the
+sunshine floods the whole space, and they seem to have melted away,
+leaving not a rag of themselves or what they dealt in.
+
+Cherries are very abundant now, and have been so ever since we came here,
+in the markets and all about the streets. They are of various kinds,
+some exceedingly large, insomuch that it is almost necessary to disregard
+the old proverb about making two bites of a cherry. Fresh figs are
+already spoken of, though I have seen none; but I saw some peaches this
+morning, looking as if they might be ripe.
+
+
+June 16th.--Mr. and Mrs. Powers called to see us last evening. Mr.
+Powers, as usual, was full of talk, and gave utterance to a good many
+instructive and entertaining ideas.
+
+As one instance of the little influence the religion of the Italians has
+upon their morals, he told a story of one of his servants, who desired
+leave to set up a small shrine of the Virgin in their room--a cheap
+print, or bas-relief, or image, such as are sold everywhere at the shops
+--and to burn a lamp before it; she engaging, of course, to supply the
+oil at her own expense. By and by, her oil-flask appeared to possess a
+miraculous property of replenishing itself, and Mr. Powers took measures
+to ascertain where the oil came from. It turned out that the servant had
+all the time been stealing the oil from them, and keeping up her daily
+sacrifice and worship to the Virgin by this constant theft.
+
+His talk soon turned upon sculpture, and he spoke once more of the
+difficulty imposed upon an artist by the necessity of clothing portrait
+statues in the modern costume. I find that he does not approve either of
+nudity or of the Roman toga for a modern statue; neither does he think it
+right to shirk the difficulty--as Chantrey did in the case of Washington
+--by enveloping him in a cloak; but acknowledges the propriety of taking
+the actual costume of the age and doing his best with it. He himself did
+so with his own Washington, and also with a statue that he made of Daniel
+Webster. I suggested that though this costume might not appear
+ridiculous to us now, yet, two or three centuries hence, it would create,
+to the people of that day, an impossibility of seeing the real man
+through the absurdity of his envelopment, after it shall have entirely
+grown out of fashion and remembrance; and Webster would seem as absurd to
+them then as he would to us now in the masquerade of some bygone day. It
+might be well, therefore, to adopt some conventional costume, never
+actual, but always graceful and noble. Besides, Webster, for example,
+had other costumes than that which he wore in public, and perhaps it was
+in those that he lived his most real life; his dressing-gown, his drapery
+of the night, the dress that he wore on his fishing-excursions; in these
+other costumes he spent three fourths of his time, and most probably was
+thus arrayed when he conceived the great thoughts that afterwards, in
+some formal and outside mood, he gave forth to the public. I scarcely
+think I was right, but am not sure of the contrary. At any rate, I know
+that I should have felt much more sure that I knew the real Webster, if I
+had seen him in any of the above-mentioned dresses, than either in his
+swallow-tailed coat or frock.
+
+Talking of a taste for painting and sculpture, Powers observed that it
+was something very different and quite apart from the moral sense, and
+that it was often, perhaps generally, possessed by unprincipled men of
+ability and cultivation. I have had this perception myself. A genuine
+love of painting and sculpture, and perhaps of music, seems often to have
+distinguished men capable of every social crime, and to have formed a
+fine and hard enamel over their characters. Perhaps it is because such
+tastes are artificial, the product of cultivation, and, when highly
+developed, imply a great remove from natural simplicity.
+
+This morning I went with U---- to the Uffizi gallery, and again looked
+with more or less attention at almost every picture and statue. I saw a
+little picture of the golden age, by Zucchero, in which the charms of
+youths and virgins are depicted with a freedom that this iron age can
+hardly bear to look at. The cabinet of gems happened to be open for the
+admission of a privileged party, and we likewise went in and saw a
+brilliant collection of goldsmiths' work, among which, no doubt, were
+specimens from such hands as Benvenuto Cellini. Little busts with
+diamond eyes; boxes of gems; cups carved out of precious material;
+crystal vases, beautifully chased and engraved, and sparkling with
+jewels; great pearls, in the midst of rubies; opals, rich with all manner
+of lovely lights. I remember Benvenuto Cellini, in his memoirs, speaks
+of manufacturing such playthings as these.
+
+I observed another characteristic of the summer streets of Florence
+to-day; tables, movable to and fro, on wheels, and set out with cool iced
+drinks and cordials.
+
+
+June 17th.--My wife and I went, this morning, to the Academy of Fine
+Arts, and, on our way thither, went into the Duomo, where we found a
+deliciously cool twilight, through which shone the mild gleam of the
+painted windows. I cannot but think it a pity that St. Peter's is not
+lighted by such windows as these, although I by no means saw the glory in
+them now that I have spoken of in a record of my former visit. We found
+out the monument of Giotto, a tablet, and portrait in bas-relief, on the
+wall, near the entrance of the cathedral, on the right hand; also a
+representation, in fresco, of a knight on horseback, the memorial of one
+John Rawkwood, close by the door, to the left. The priests were chanting
+a service of some kind or other in the choir, terribly inharmonious, and
+out of tune. . . . .
+
+On reaching the Academy, the soldier or policeman at the entrance
+directed us into the large hall, the walls of which were covered on both
+sides with pictures, arranged as nearly as possible in a progressive
+series, with reference to the date of the painters; so that here the
+origin and procession of the art may be traced through the course of, at
+least, two hundred years. Giotto, Cimabue, and others of unfamiliar
+names to me, are among the earliest; and, except as curiosities, I should
+never desire to look once at them, nor think of looking twice. They seem
+to have been executed with great care and conscientiousness, and the
+heads are often wrought out with minuteness and fidelity, and have so
+much expression that they tell their own story clearly enough; but it
+seems not to have been the painter's aim to effect a lifelike illusion,
+the background and accessories being conventional. The trees are no more
+like real trees than the feather of a pen, and there is no perspective,
+the figure of the picture being shadowed forth on a surface of burnished
+gold. The effect, when these pictures, some of them very large, were new
+and freshly gilded, must have been exceedingly brilliant, and much
+resembling, on an immensely larger scale, the rich illuminations in an
+old monkish missal. In fact, we have not now, in pictorial ornament,
+anything at all comparable to what their splendor must have been. I was
+most struck with a picture, by Fabriana Gentile, of the Adoration of the
+Magi, where the faces and figures have a great deal of life and action,
+and even grace, and where the jewelled crowns, the rich embroidered
+robes, and cloth of gold, and all the magnificence of the three kings,
+are represented with the vividness of the real thing: a gold sword-hilt,
+for instance, or a pair of gold spurs, being actually embossed on the
+picture. The effect is very powerful, and though produced in what modern
+painters would pronounce an unjustifiable way, there is yet pictorial art
+enough to reconcile it to the spectator's mind. Certainly, the people of
+the Middle Ages knew better than ourselves what is magnificence, and how
+to produce it; and what a glorious work must that have been, both in its
+mere sheen of burnished gold, and in its illuminating art, which shines
+thus through the gloom of perhaps four centuries.
+
+Fra Angelico is a man much admired by those who have a taste for
+Pre-Raphaelite painters; and, though I take little or no pleasure in his
+works, I can see that there is great delicacy of execution in his heads,
+and that generally he produces such a Christ, and such a Virgin, and such
+saints, as he could not have foreseen, except in a pure and holy
+imagination, nor have wrought out without saying a prayer between every
+two touches of his brush. I might come to like him, in time, if I
+thought it worth while; but it is enough to have an outside perception of
+his kind and degree of merit, and so to let him pass into the garret of
+oblivion, where many things as good, or better, are piled away, that our
+own age may not stumble over them. Perugino is the first painter whose
+works seem really worth preserving for the genuine merit that is in them,
+apart from any quaintness and curiosity of an ancient and new-born art.
+Probably his religion was more genuine than Raphael's, and therefore the
+Virgin often revealed herself to him in a loftier and sweeter face of
+divine womanhood than all the genius of Raphael could produce. There is
+a Crucifixion by him in this gallery, which made me partly feel as if I
+were a far-off spectator,--no, I did not mean a Crucifixion, but a
+picture of Christ dead, lying, with a calm, sweet face, on his mother's
+knees ["a Pieta"].
+
+The most inadequate and utterly absurd picture here, or in any other
+gallery, is a head of the Eternal Father, by Carlo Dolce; it looks like a
+feeble saint, on the eve of martyrdom, and very doubtful how he shall be
+able to bear it; very finely and prettily painted, nevertheless.
+
+After getting through the principal gallery we went into a smaller room,
+in which are contained a great many small specimens of the old Tuscan
+artists, among whom Fra Angelico makes the principal figure. These
+pictures are all on wood, and seem to have been taken from the shrines
+and altars of ancient churches; they are predellas and triptychs, or
+pictures on three folding tablets, shaped quaintly, in Gothic peaks or
+arches, and still gleaming with backgrounds of antique gold. The wood is
+much worm-eaten, and the colors have often faded or changed from what the
+old artists meant then to be; a bright angel darkening into what looks
+quite as much like the Devil. In one of Fra Angelico's pictures,--a
+representation of the Last Judgment,--he has tried his saintly hand at
+making devils indeed, and showing them busily at work, tormenting the
+poor, damned souls in fifty ghastly ways. Above sits Jesus, with the
+throng of blessed saints around him, and a flow of tender and powerful
+love in his own face, that ought to suffice to redeem all the damned, and
+convert the very fiends, and quench the fires of hell. At any rate, Fra
+Angelico had a higher conception of his Saviour than Michael Angelo.
+
+
+June 19th.--This forenoon we have been to the Church of St. Lorenzo,
+which stands on the site of an ancient basilica, and was itself built
+more than four centuries ago. The facade is still an ugly height of
+rough brickwork, as is the case with the Duomo, and, I think, some other
+churches in Florence; the design of giving them an elaborate and
+beautiful finish having been delayed from cycle to cycle, till at length
+the day for spending mines of wealth on churches is gone by. The
+interior had a nave with a flat roof, divided from the side aisles by
+Corinthian pillars, and, at the farther end, a raised space around the
+high altar. The pavement is a mosaic of squares of black and white
+marble, the squares meeting one another cornerwise; the pillars,
+pilasters, and other architectural material is dark brown or grayish
+stone; and the general effect is very sombre, especially as the church is
+somewhat dimly lighted, and as the shrines along the aisles, and the
+statues, and the monuments of whatever kind, look dingy with time and
+neglect. The nave is thickly set with wooden seats, brown and worn.
+What pictures there are, in the shrines and chapels, are dark and faded.
+On the whole, the edifice has a shabby aspect. On each side of the high
+altar, elevated on four pillars of beautiful marble, is what looks like a
+great sarcophagus of bronze. They are, in fact, pulpits, and are
+ornamented with mediaeval bas-reliefs, representing scenes in the life of
+our Saviour. Murray says that the resting-place of the first Cosmo de'
+Medici, the old banker, who so managed his wealth as to get the
+posthumous title of "father of his country," and to make his posterity
+its reigning princes,--is in front of the high altar, marked by red and
+green porphyry and marble, inlaid into the pavement. We looked, but
+could not see it there.
+
+There were worshippers at some of the shrines, and persons sitting here
+and there along the nave, and in the aisles, rapt in devotional thought,
+doubtless, and sheltering themselves here from the white sunshine of the
+piazzas. In the vicinity of the choir and the high altar, workmen were
+busy repairing the church, or perhaps only making arrangements for
+celebrating the great festival of St. John.
+
+On the left hand of the choir is what is called the old sacristy, with
+the peculiarities or notabilities of which I am not acquainted. On the
+right hand is the new sacristy, otherwise called the Capella dei
+Depositi, or Chapel of the Buried, built by Michael Angelo, to contain
+two monuments of the Medici family. The interior is of somewhat severe
+and classic architecture, the walls and pilasters being of dark stone,
+and surmounted by a dome, beneath which is a row of windows, quite round
+the building, throwing their light down far beneath, upon niches of white
+marble. These niches are ranged entirely around the chapel, and might
+have sufficed to contain more than all the Medici monuments that the
+world would ever care to have. Only two of these niches are filled,
+however. In one of them sits Giuliano de' Medici, sculptured by Michael
+Angelo,--a figure of dignity, which would perhaps be very striking in any
+other presence than that of the statue which occupies the corresponding
+niche. At the feet of Giuliano recline two allegorical statues, Day and
+Night, whose meaning there I do not know, and perhaps Michael Angelo knew
+as little. As the great sculptor's statues are apt to do, they fling
+their limbs abroad with adventurous freedom. Below the corresponding
+niche, on the opposite side of the chapel, recline two similar statues,
+representing Morning and Evening, sufficiently like Day and Night to be
+their brother and sister; all, in truth, having sprung from the same
+father. . . . .
+
+But the statue that sits above these two latter allegories, Morning and
+Evening, is like no other that ever came from a sculptor's hand. It is
+the one work worthy of Michael Angelo's reputation, and grand enough to
+vindicate for him all the genius that the world gave him credit for. And
+yet it seems a simple thing enough to think of or to execute; merely a
+sitting figure, the face partly overshadowed by a helmet, one hand
+supporting the chin, the other resting on the thigh. But after looking
+at it a little while the spectator ceases to think of it as a marble
+statue; it comes to life, and you see that the princely figure is
+brooding over some great design, which, when he has arranged in his own
+mind, the world will be fain to execute for him. No such grandeur and
+majesty has elsewhere been put into human shape. It is all a miracle;
+the deep repose, and the deep life within it. It is as much a miracle to
+have achieved this as to make a statue that would rise up and walk. The
+face, when one gazes earnestly into it, beneath the shadow of its helmet,
+is seen to be calmly sombre; a mood which, I think, is generally that of
+the rulers of mankind, except in moments of vivid action. This statue is
+one of the things which I look at with highest enjoyment, but also with
+grief and impatience, because I feel that I do not come at all which it
+involves, and that by and by I must go away and leave it forever. How
+wonderful! To take a block of marble, and convert it wholly into
+thought, and to do it through all the obstructions and impediments of
+drapery; for there is nothing nude in this statue but the face and hands.
+The vest is the costume of Michael Angelo's century. This is what I
+always thought a sculptor of true genius should be able to do,--to show
+the man of whatever epoch, nobly and heroically, through the costume
+which he might actually have worn.
+
+The statue sits within a square niche of white marble, and completely
+fills it. It seems to me a pity that it should be thus confined. At the
+Crystal Palace, if I remember, the effect is improved by a free
+surrounding space. Its naturalness is as if it came out of the marble of
+its own accord, with all its grandeur hanging heavily about it, and sat
+down there beneath its weight. I cannot describe it. It is like trying
+to stop the ghost of Hamlet's father, by crossing spears before it.
+
+Communicating with the sacristy is the Medicean Chapel, which was built
+more than two centuries ago, for the reception of the Holy Sepulchre;
+arrangements having been made about that time to steal this most sacred
+relic from the Turks. The design failing, the chapel was converted by
+Cosmo II. into a place of sepulture for the princes of his family. It is
+a very grand and solemn edifice, octagonal in shape, with a lofty dome,
+within which is a series of brilliant frescos, painted not more than
+thirty years ago. These pictures are the only portion of the adornment
+of the chapel which interferes with the sombre beauty of the general
+effect; for though the walls are incrusted, from pavement to dome, with
+marbles of inestimable cost, and it is a Florentine mosaic on a grander
+scale than was ever executed elsewhere, the result is not gaudy, as in
+many of the Roman chapels, but a dark and melancholy richness. The
+architecture strikes me as extremely fine; each alternate side of the
+octagon being an arch, rising as high as the cornice of the lofty dome,
+and forming the frame of a vast niche. All the dead princes, no doubt,
+according to the general design, were to have been honored with statues
+within this stately mausoleum; but only two--those of Ferdinand I. and
+Cosmo II.--seem to have been placed here. They were a bad breed, and few
+of them deserved any better monument than a dunghill; and yet they have
+this grand chapel for the family at large, and yonder grand statue for
+one of its most worthless members. I am glad of it; and as for the
+statue, Michael Angelo wrought it through the efficacy of a kingly idea,
+which had no reference to the individual whose name it bears.
+
+In the piazza adjoining the church is a statue of the first Cosmo, the
+old banker, in Roman costume, seated, and looking like a man fit to hold
+authority. No, I mistake; the statue is of John de' Medici, the father
+of Cosmo, and himself no banker, but a soldier.
+
+
+June 21st.--Yesterday, after dinner, we went, with the two eldest
+children, to the Boboli Gardens. . . . . We entered by a gate, nearer to
+our house than that by the Pitti Palace, and found ourselves almost
+immediately among embowered walks of box and shrubbery, and little
+wildernesses of trees, with here and there a seat under an arbor, and a
+marble statue, gray with ancient weather-stains. The site of the garden
+is a very uneven surface, and the paths go upward and downward, and
+ascend, at their ultimate point, to a base of what appears to be a
+fortress, commanding the city. A good many of the Florentines were
+rambling about the gardens, like ourselves: little parties of
+school-boys; fathers and mothers, with their youthful progeny; young men
+in couples, looking closely into every female face; lovers, with a maid
+or two attendant on the young lady. All appeared to enjoy themselves,
+especially the children, dancing on the esplanades, or rolling down the
+slopes of the hills; and the loving pairs, whom it was rather
+embarrassing to come upon unexpectedly, sitting together on the stone
+seat of an arbor, with clasped hands, a passionate solemnity in the young
+man's face, and a downcast pleasure in the lady's. Policemen, in cocked
+hats and epaulets, cross-belts, and swords, were scattered about the
+grounds, but interfered with nobody, though they seemed to keep an eye on
+all. A sentinel stood in the hot sunshine, looking down over the garden
+from the ramparts of the fortress.
+
+For my part, in this foreign country, I have no objection to policemen or
+any other minister of authority; though I remember, in America, I had an
+innate antipathy to constables, and always sided with the mob against
+law. This was very wrong and foolish, considering that I was one of
+the sovereigns; but a sovereign, or any number of sovereigns, or the
+twenty-millionth part of a sovereign, does not love to find himself, as
+an American must, included within the delegated authority of his own
+servants.
+
+There is a sheet of water somewhere in the Boboli Gardens, inhabited by
+swans; but this we did not see. We found a smaller pond, however, set
+in marble, and surrounded by a parapet, and alive with a multitude of
+fish. There were minnows by the thousand, and a good many gold-fish; and
+J-----, who had brought some bread to feed the swans, threw in handfuls
+of crumbs for the benefit of these finny people. They seemed to be
+accustomed to such courtesies on the part of visitors; and immediately
+the surface of the water was blackened, at the spot where each crumb
+fell, with shoals of minnows, thrusting one another even above the
+surface in their eagerness to snatch it. Within the depths of the pond,
+the yellowish-green water--its hue being precisely that of the Arno--
+would be reddened duskily with the larger bulk of two or three
+gold-fishes, who finally poked their great snouts up among the minnows,
+but generally missed the crumb. Beneath the circular margin of the pond,
+there are little arches, into the shelter of which the fish retire, when
+the noonday sun burns straight down into their dark waters. We went on
+through the garden-paths, shadowed quite across by the high walls of box,
+and reached an esplanade, whence we had a good view of Florence, with the
+bare brown ridges on the northern side of the Arno, and glimpses of the
+river itself, flowing like a street, between two rows of palaces. A
+great way off, too, we saw some of the cloud-like peaks of the Apennines,
+and, above them, the clouds into which the sun was descending, looking
+quite as substantial as the distant mountains. The city did not present
+a particularly splendid aspect, though its great Duomo was seen in the
+middle distance, sitting in its circle of little domes, with the tall
+campanile close by, and within one or two hundred yards of it, the high,
+cumbrous bulk of the Palazzo Vecchio, with its lofty, machicolated, and
+battlemented tower, very picturesque, yet looking exceedingly like a
+martin-box, on a pole. There were other domes and towers and spires, and
+here and there the distinct shape of an edifice; but the general picture
+was of a contiguity of red earthen roofs, filling a not very broad or
+extensive valley, among dry and ridgy hills, with a river-gleam
+lightening up the landscape a little. U---- took out her pencil and
+tablets, and began to sketch the tower of the Palazzo Vecchio; in doing
+which, she immediately became an object of curiosity to some little boys
+and larger people, who failed not, under such pretences as taking a
+grasshopper off her dress, or no pretence at all, to come and look over
+her shoulder. There is a kind of familiarity among these Florentines,
+which is not meant to be discourteous, and ought to be taken in good
+part.
+
+We continued to ramble through the gardens, in quest of a good spot from
+which to see the sunset, and at length found a stone bench, on the slope
+of a hill, whence the entire cloud and sun scenery was fully presented to
+us. At the foot of the hill were statues, and among them a Pegasus, with
+wings outspread; and, a little beyond, the garden-front of the Pitti
+Palace, which looks a little less like a state-prison here, than as it
+fronts the street. Girls and children, and young men and old, were
+taking their pleasure in our neighborhood; and, just before us, a lady
+stood talking with her maid. By and by, we discovered her to be Miss
+Howorth. There was a misty light, streaming down on the hither side of
+the ridge of hills, that was rather peculiar; but the most remarkable
+thing was the shape into which the clouds gathered themselves, after the
+disappearance of the sun. It was like a tree, with a broad and heavy
+mass of foliage, spreading high upward on the sky, and a dark and
+well-defined trunk, which rooted itself on the verge of the horizon.
+
+This morning we went to the Pitti Palace. The air was very sultry, and
+the pavements, already heated with the sun, made the space between the
+buildings seem like a close room. The earth, I think, is too much stoned
+out of the streets of an Italian city,--paved, like those of Florence,
+quite across, with broad flagstones, to the line where the stones of the
+houses on each side are piled up. Thunder rumbled over our heads,
+however, and the clouds were so dark that we scarcely hoped to reach the
+palace without feeling the first drops of the shower. The air still
+darkened and darkened, so that by the time we arrived at the suite of
+picture-rooms the pictures seemed all to be changed to Rembrandts; the
+shadows as black as midnight, with only some highly illuminated portions
+gleaming out. The obscurity of the atmosphere made us sensible how
+splendid is the adornment of these saloons. For the gilded cornices
+shone out, as did the gilding of the arches and wreathed circles that
+divide the ceiling into compartments, within which the frescos are
+painted, and whence the figures looked dimly down, like gods out of a
+mysterious sky. The white marble sculptures also gleamed from their
+height, where winged cupids or cherubs gambolled aloft in bas-reliefs; or
+allegoric shapes reclined along the cornices, hardly noticed, when the
+daylight comes brightly into the window. On the walls, all the rich
+picture-frames glimmered in gold, as did the framework of the chairs, and
+the heavy gilded pedestals of the marble, alabaster, and mosaic tables.
+These are very magnificent saloons; and since I have begun to speak of
+their splendor, I may as well add that the doors are framed in polished,
+richly veined marble, and the walls hung with scarlet damask.
+
+It was useless to try to see the pictures. All the artists engaged in
+copying laid aside their brushes; and we looked out into the square
+before the palace, where a mighty wind sprang up, and quickly raised a
+prodigious cloud of dust. It hid the opposite side of the street, and
+was carried, in a great dusky whirl, higher than the roofs of the houses,
+higher than the top of the Pitti Palace itself. The thunder muttered and
+grumbled, the lightning now and then flashed, and a few rain-drops
+pattered against the windows; but, for a long time, the shower held off.
+At last it came down in a stream, and lightened the air to such a degree
+that we could see some of the pictures, especially those of Rubens, and
+the illuminated parts of Salvator Rosa's, and, best of all, Titian's
+"Magdalen," the one with golden hair clustering round her naked body.
+The golden hair, indeed, seemed to throw out a glory of its own. This
+Magdalen is very coarse and sensual, with only an impudent assumption of
+penitence and religious sentiment, scarcely so deep as the eyelids; but
+it is a splendid picture, nevertheless, with those naked, lifelike arms,
+and the hands that press the rich locks about her, and so carefully
+permit those voluptuous breasts to be seen. She a penitent! She would
+shake off all pretence to it as easily as she would shake aside that
+clustering hair. . . . . Titian must have been a very good-for-nothing
+old man.
+
+I looked again at Michael Angelo's Fates to-day; but cannot
+satisfactorily make out what he meant by them. One of them--she who
+holds the distaff--has her mouth open, as if uttering a cry, and might be
+fancied to look somewhat irate. The second, who holds the thread, has a
+pensive air, but is still, I think, pitiless at heart. The third sister
+looks closely and coldly into the eyes of the second, meanwhile cutting
+the thread with a pair of shears. Michael Angelo, if I may presume to
+say so, wished to vary the expression of these three sisters, and give
+each a different one, but did not see precisely how, inasmuch as all the
+fatal Three are united, heart and soul, in one purpose. It is a very
+impressive group. But, as regards the interpretation of this, or of any
+other profound picture, there are likely to be as many interpretations as
+there are spectators. It is very curious to read criticisms upon
+pictures, and upon the same face in a picture, and by men of taste and
+feeling, and to find what different conclusions they arrive at. Each man
+interprets the hieroglyphic in his own way; and the painter, perhaps, had
+a meaning which none of them have reached; or possibly he put forth a
+riddle, without himself knowing the solution. There is such a necessity,
+at all events, of helping the painter out with the spectator's own
+resources of feeling and imagination, that you can never be sure how much
+of the picture you have yourself made. There is no doubt that the public
+is, to a certain extent, right and sure of its ground, when it declares,
+through a series of ages, that a certain picture is a great work. It is
+so; a great symbol, proceeding out of a great mind; but if it means one
+thing, it seems to mean a thousand, and, often, opposite things.
+
+
+June 27th.--I have had a heavy cold and fever almost throughout the past
+week, and have thereby lost the great Florentine festivity, the Feast of
+St. John, which took place on Thursday last, with the fireworks and
+illuminations the evening before, and the races and court ceremonies on
+the day itself. However, unless it were more characteristic and peculiar
+than the Carnival, I have not missed anything very valuable.
+
+Mr. Powers called to see me one evening, and poured out, as usual, a
+stream of talk, both racy and oracular in its character. Speaking of
+human eyes, he observed that they did not depend for their expression
+upon color, nor upon any light of the soul beaming through them, nor any
+glow of the eyeball, nor upon anything but the form and action of the
+surrounding muscles. He illustrates it by saying, that if the eye of a
+wolf, or of whatever fiercest animal, could be placed in another setting,
+it would be found capable of the utmost gentleness of expression. "You
+yourself," said he, "have a very bright and sharp look sometimes; but it
+is not in the eye itself." His own eyes, as I could have sworn, were
+glowing all the time he spoke; and, remembering how many times I have
+seemed to see eyes glow, and blaze, and flash, and sparkle, and melt, and
+soften; and how all poetry is illuminated with the light of ladies' eyes;
+and how many people have been smitten by the lightning of an eye, whether
+in love or anger, it was difficult to allow that all this subtlest and
+keenest fire is illusive, not even phosphorescent, and that any other
+jelly in the same socket would serve as well as the brightest eye.
+Nevertheless, he must be right; of course he must, and I am rather
+ashamed ever to have thought otherwise. Where should the light come
+from? Has a man a flame inside of his head? Does his spirit manifest
+itself in the semblance of flame? The moment we think of it, the
+absurdity becomes evident. I am not quite sure, however, that the outer
+surface of the eye may not reflect more light in some states of feeling
+than in others; the state of the health, certainly, has an influence of
+this kind.
+
+I asked Powers what he thought of Michael Angelo's statue of Lorenzo de'
+Medici. He allowed that its effect was very grand and mysterious; but
+added that it owed this to a trick,--the effect being produced by the
+arrangement of the hood, as he called it, or helmet, which throws the
+upper part of the face into shadow. The niche in which it sits has, I
+suppose, its part to perform in throwing a still deeper shadow. It is
+very possible that Michael Angelo may have calculated upon this effect of
+sombre shadow, and legitimately, I think; but it really is not worthy of
+Mr. Powers to say that the whole effect of this mighty statue depends,
+not on the positive efforts of Michael Angelo's chisel, but on the
+absence of light in a space of a few inches. He wrought the whole statue
+in harmony with that small part of it which he leaves to the spectator's
+imagination, and if he had erred at any point, the miracle would have
+been a failure; so that, working in marble, he has positively reached a
+degree of excellence above the capability of marble, sculpturing his
+highest touches upon air and duskiness.
+
+Mr. Powers gave some amusing anecdotes of his early life, when he was a
+clerk in a store in Cincinnati. There was a museum opposite, the
+proprietor of which had a peculiar physiognomy that struck Powers,
+insomuch that he felt impelled to make continual caricatures of it. He
+used to draw them upon the door of the museum, and became so familiar
+with the face, that he could draw them in the dark; so that, every
+morning, here was this absurd profile of himself, greeting the museum-man
+when he came to open his establishment. Often, too, it would reappear
+within an hour after it was rubbed out. The man was infinitely annoyed,
+and made all possible efforts to discover the unknown artist, but in
+vain; and finally concluded, I suppose, that the likeness broke out upon
+the door of its own accord, like the nettle-rash. Some years afterwards,
+the proprietor of the museum engaged Powers himself as an assistant; and
+one day Powers asked him if he remembered this mysterious profile.
+"Yes," said he, "did you know who drew them?" Powers took a piece of
+chalk, and touched off the very profile again, before the man's eyes.
+"Ah," said he, "if I had known it at the time, I would have broken every
+bone in your body!"
+
+Before he began to work in marble, Powers had greater practice and
+success in making wax figures, and he produced a work of this kind called
+"The Infernal Regions," which he seemed to imply had been very famous.
+He said he once wrought a face in wax which was life itself, having made
+the eyes on purpose for it, and put in every hair in the eyebrows
+individually, and finished the whole with similar minuteness; so that,
+within the distance of a foot or two, it was impossible to tell that the
+face did not live.
+
+I have hardly ever before felt an impulse to write down a man's
+conversation as I do that of Mr. Powers. The chief reason is, probably,
+that it is so possible to do it, his ideas being square, solid, and
+tangible, and therefore readily grasped and retained. He is a very
+instructive man, and sweeps one's empty and dead notions out of the way
+with exceeding vigor; but when you have his ultimate thought and
+perception, you feel inclined to think and see a little further for
+yourself. He sees too clearly what is within his range to be aware of
+any region of mystery beyond. Probably, however, this latter remark does
+him injustice. I like the man, and am always glad to encounter the
+mill-stream of his talk. . . . . Yesterday he met me in the street
+(dressed in his linen blouse and slippers, with a little bit of a
+sculptor's cap on the side of his head), and gave utterance to a theory
+of colds, and a dissertation on the bad effects of draughts, whether of
+cold air or hot, and the dangers of transfusing blood from the veins of
+one living subject to those of another. On the last topic, he remarked
+that, if a single particle of air found its way into the veins, along
+with the transfused blood, it caused convulsions and inevitable death;
+otherwise the process might be of excellent effect.
+
+Last evening, we went to pass the evening with Miss Blagden, who inhabits
+a villa at Bellosguardo, about a mile outside of the walls. The
+situation is very lofty, and there are good views from every window of
+the house, and an especially fine one of Florence and the hills beyond,
+from the balcony of the drawing-room. By and by came Mr. Browning, Mr.
+Trollope, Mr. Boott and his young daughter, and two or three other
+gentlemen. . . . .
+
+Browning was very genial and full of life, as usual, but his conversation
+has the effervescent aroma which you cannot catch, even if you get the
+very words that seem to be imbued with it. He spoke most rapturously of
+a portrait of Mrs. Browning, which an Italian artist is painting for the
+wife of an American gentleman, as a present from her husband. The
+success was already perfect, although there had been only two sittings as
+yet, and both on the same day; and in this relation, Mr. Browning
+remarked that P------, the American artist, had had no less than
+seventy-three sittings of him for a portrait. In the result, every hair
+and speck of him was represented; yet, as I inferred from what he did not
+say, this accumulation of minute truths did not, after all, amount to the
+true whole.
+
+I do not remember much else that Browning said, except a playful abuse of
+a little King Charles spaniel, named Frolic, Miss Blagden's lap-dog,
+whose venerable age (he is eleven years old) ought to have pleaded in his
+behalf. Browning's nonsense is of very genuine and excellent quality,
+the true babble and effervescence of a bright and powerful mind; and he
+lets it play among his friends with the faith and simplicity of a child.
+He must be an amiable man. I should like him much, and should make him
+like me, if opportunities were favorable.
+
+I conversed principally with Mr. Trollope, the son, I believe, of the
+Mrs. Trollope to whom America owes more for her shrewd criticisms than we
+are ever likely to repay. Mr. Trollope is a very sensible and cultivated
+man, and, I suspect, an author: at least, there is a literary man of
+repute of this name, though I have never read his works. He has resided
+in Italy eighteen years. It seems a pity to do this. It needs the
+native air to give life a reality; a truth which I do not fail to take
+home regretfully to myself, though without feeling much inclination to go
+back to the realities of my own.
+
+We had a pleasant cup of tea, and took a moonlight view of Florence from
+the balcony. . . . .
+
+
+June 28th.--Yesterday afternoon, J----- and I went to a horse-race, which
+took place in the Corso and contiguous line of streets, in further
+celebration of the Feast of St. John. A crowd of people was already
+collected, all along the line of the proposed race, as early as six
+o'clock; and there were a great many carriages driving amid the throng,
+open barouches mostly, in which the beauty and gentility of Florence were
+freely displayed. It was a repetition of the scene in the Corso at Rome,
+at Carnival time, without the masks, the fun, and the confetti. The
+Grand Duke and Duchess and the Court likewise made their appearance in as
+many as seven or eight coaches-and-six, each with a coachman, three
+footmen, and a postilion in the royal livery, and attended by a troop of
+horsemen in scarlet coats and cocked hats. I did not particularly notice
+the Grand Duke himself; but, in the carriage behind him, there sat only a
+lady, who favored the people along the street with a constant succession
+of bows, repeated at such short intervals, and so quickly, as to be
+little more than nods; therefore not particularly graceful or majestic.
+Having the good fortune, to be favored with one of these nods, I lifted
+my hat in response, and may therefore claim a bowing acquaintance with
+the Grand Duchess. She is a Bourbon of the Naples family, and was a
+pale, handsome woman, of princely aspect enough. The crowd evinced no
+enthusiasm, nor the slightest feeling of any kind, in acknowledgment of
+the presence of their rulers; and, indeed, I think I never saw a crowd so
+well behaved; that is, with so few salient points, so little ebullition,
+so absolutely tame, as the Florentine one. After all, and much contrary
+to my expectations, an American crowd has incomparably more life than any
+other; and, meeting on any casual occasion, it will talk, laugh, roar,
+and be diversified with a thousand characteristic incidents and gleams
+and shadows, that you see nothing of here. The people seems to have no
+part even in its own gatherings. It comes together merely as a mass of
+spectators, and must not so much as amuse itself by any activity of mind.
+
+The race, which was the attraction that drew us all together, turned out
+a very pitiful affair. When we had waited till nearly dusk, the street
+being thronged quite across, insomuch that it seemed impossible that it
+should be cleared as a race-course, there came suddenly from every throat
+a quick, sharp exclamation, combining into a general shout. Immediately
+the crowd pressed back on each side of the street; a moment afterwards,
+there was a rapid pattering of hoofs over the earth with which the
+pavement was strewn, and I saw the head and back of a horse rushing past.
+A few seconds more, and another horse followed; and at another little
+interval, a third. This was all that we had waited for; all that I saw,
+or anybody else, except those who stood on the utmost verge of the
+course, at the risk of being trampled down and killed. Two men were
+killed in this way on Thursday, and certainly human life was never spent
+for a poorer object. The spectators at the windows, to be sure, having
+the horses in sight for a longer time, might get a little more enjoyment
+out of the affair. By the by, the most picturesque aspect of the scene
+was the life given to it by the many faces, some of them fair ones, that
+looked out from window and balcony, all along the curving line of lofty
+palaces and edifices, between which the race-course lay; and from nearly
+every window, and over every balcony, was flung a silken texture, or
+cloth of brilliant line, or piece of tapestry or carpet, or whatever
+adornment of the kind could be had, so as to dress up the street in gala
+attire. But, the Feast of St. John, like the Carnival, is but a meagre
+semblance of festivity, kept alive factitiously, and dying a lingering
+death of centuries. It takes the exuberant mind and heart of a people to
+keep its holidays alive.
+
+I do not know whether there be any populace in Florence, but I saw none
+that I recognized as such, on this occasion. All the people were
+respectably dressed and perfectly well behaved; and soldiers and priests
+were scattered abundantly among the throng. On my way home, I saw the
+Teatro Goldoni, which is in our own street, lighted up for a
+representation this Sunday evening. It shocked my New England prejudices
+a little.
+
+Thus forenoon, my wife and I went to the Church of Santa Croce, the great
+monumental deposit of Florentine worthies. The piazza before it is a
+wide, gravelled square, where the liberty of Florence, if it really ever
+had any genuine liberty, came into existence some hundreds of years ago,
+by the people's taking its own rights into its hands, and putting its own
+immediate will in execution. The piazza has not much appearance of
+antiquity, except that the facade of one of the houses is quite covered
+with ancient frescos, a good deal faded and obliterated, yet with traces
+enough of old glory to show that the colors must have been well laid on.
+
+The front of the church, the foundation of which was laid six centuries
+ago, is still waiting for its casing of marbles, and I suppose will wait
+forever, though a carpenter's staging is now erected before it, as if
+with the purpose of doing something.
+
+The interior is spacious, the length of the church being between four and
+five hundred feet. There is a nave, roofed with wooden cross-beams,
+lighted by a clere-story and supported on each side by seven great
+pointed arches, which rest upon octagonal pillars. The octagon seems to
+be a favorite shape in Florence. These pillars were clad in yellow and
+scarlet damask, in honor of the Feast of St. John. The aisles, on each
+side of the nave, are lighted with high and somewhat narrow windows of
+painted glass, the effect of which, however, is much diminished by the
+flood of common daylight that comes in through the windows of the
+clere-story. It is like admitting too much of the light of reason and
+worldly intelligence into the mind, instead of illuminating it wholly
+through a religious medium. The many-hued saints and angels lose their
+mysterious effulgence, when we get white light enough, and find we see
+all the better without their help.
+
+The main pavement of the church is brickwork; but it is inlaid with many
+sepulchral slabs of marble, on some of which knightly or priestly figures
+are sculptured in bas-relief. In both of the side aisles there are
+saintly shrines, alternating with mural monuments, some of which record
+names as illustrious as any in the world. As you enter, the first
+monument, on your right is that of Michael Angelo, occupying the ancient
+burial-site of his family. The general design is a heavy sarcophagus of
+colored marble, with the figures of Sculpture, Painting, and Architecture
+as mourners, and Michael Angelo's bust above, the whole assuming a
+pyramidal form. You pass a shrine, within its framework of marble
+pillars and a pediment, and come next to Dante's monument, a modern work,
+with likewise its sarcophagus, and some huge, cold images weeping and
+sprawling over it, and an unimpressive statue of Dante sitting above.
+
+Another shrine intervenes, and next you see the tomb of Alfieri, erected
+to his memory by the Countess of Albany, who pays, out of a woman's love,
+the honor which his country owed him. Her own monument is in one of the
+chapels of the transept.
+
+Passing the next shrine you see the tomb of Macchiavelli, which, I think,
+was constructed not many years after his death. The rest of the
+monuments, on this side of the church, commemorate people of less than
+world-wide fame; and though the opposite side has likewise a monument
+alternating with each shrine, I remember only the names of Raphael
+Morghen and of Galileo. The tomb of the latter is over against that of
+Michael Angelo, being the first large tomb on the left-hand wall as you
+enter the church. It has the usual heavy sarcophagus, surmounted by a
+bust of Galileo, in the habit of his time, and is, of course, duly
+provided with mourners in the shape of Science or Astronomy, or some such
+cold-hearted people. I wish every sculptor might be at once imprisoned
+for life who shall hereafter chisel an allegoric figure; and as for those
+who have sculptured them heretofore, let them be kept in purgatory till
+the marble shall have crumbled away. It is especially absurd to assign
+to this frozen sisterhood of the allegoric family the office of weeping
+for the dead, inasmuch as they have incomparably less feeling than a lump
+of ice, which might contrive to shed a tear if the sun shone on it. But
+they seem to let themselves out, like the hired mourners of an English
+funeral, for the very reason that, having no interest in the dead person,
+nor any affections or emotions whatever, it costs them no wear and tear
+of heart.
+
+All round both transepts of the church there is a series of chapels, into
+most of which we went, and generally found an inscrutably dark picture
+over the altar, and often a marble bust or two, or perhaps a mediaeval
+statue of a saint or a modern monumental bas-relief in marble, as white
+as new-fallen snow. A chapel of the Bonapartes is here, containing
+memorials of two female members of the family. In several chapels,
+moreover, there were some of those distressing frescos, by Giotto,
+Cimabue, or their compeers, which, whenever I see them,--poor, faded
+relics, looking as if the Devil had been rubbing and scrubbing them for
+centuries, in spite against the saints,--my heart sinks and my stomach
+sickens. There is no other despondency like this; it is a new shade of
+human misery, akin to the physical disease that comes from dryrot in a
+wall. These frescos are to a church what dreary, old remembrances are to
+a mind; the drearier because they were once bright: Hope fading into
+Disappointment, Joy into Grief, and festal splendor passing into funereal
+duskiness, and saddening you all the more by the grim identity that you
+find to exist between gay things and sorrowful ones. Only wait long
+enough, and they turn out to be the very same.
+
+All the time we were in the church some great religious ceremony had been
+going forward; the organ playing and the white-robed priests bowing,
+gesticulating, and making Latin prayers at the high altar, where at least
+a hundred wax tapers were burning in constellations. Everybody knelt,
+except ourselves, yet seemed not to be troubled by the echoes of our
+passing footsteps, nor to require that we should pray along with them.
+They consider us already lost irrevocably, no doubt, and therefore right
+enough in taking no heed of their devotions; not but what we took so much
+heed, however, as to give the smallest possible disturbance. By and by
+we sat down in the nave of the church till the ceremony should be
+concluded; and then my wife left me to go in quest of yet another chapel,
+where either Cimabue or Giotto, or both, have left some of their now
+ghastly decorations. While she was gone I threw my eyes about the
+church, and came to the conclusion that, in spite of its antiquity, its
+size, its architecture, its painted windows, its tombs of great men, and
+all the reverence and interest that broods over them, it is not an
+impressive edifice. Any little Norman church in England would impress me
+as much, and more. There is something, I do not know what, but it is in
+the region of the heart, rather than in the intellect, that Italian
+architecture, of whatever age or style, never seems to reach.
+
+Leaving the Santa Croce, we went next in quest of the Riccardi Palace.
+On our way, in the rear of the Grand Ducal Piazza, we passed by the
+Bargello, formerly the palace of the Podesta of Florence, and now
+converted into a prison. It is an immense square edifice of dark stone,
+with a tall, lank tower rising high above it at one corner. Two stone
+lions, symbols of the city, lash their tails and glare at the passers-by;
+and all over the front of the building windows are scattered irregularly,
+and grated with rusty iron bars; also there are many square holes, which
+probably admit a little light and a breath or two of air into prisoners'
+cells. It is a very ugly edifice, but looks antique, and as if a vast
+deal of history might have been transacted within it, or have beaten,
+like fierce blasts, against its dark, massive walls, since the thirteenth
+century. When I first saw the city it struck me that there were few
+marks of antiquity in Florence; but I am now inclined to think otherwise,
+although the bright Italian atmosphere, and the general squareness and
+monotony of the Italian architecture, have their effect in apparently
+modernizing everything. But everywhere we see the ponderous Tuscan
+basements that never can decay, and which will look, five hundred years
+hence, as they look now; and one often passes beneath an abbreviated
+remnant of what was once a lofty tower, perhaps three hundred feet high,
+such as used to be numerous in Florence when each noble of the city had
+his own warfare to wage; and there are patches of sculpture that look old
+on houses, the modern stucco of which causes them to look almost new.
+Here and there an unmistakable antiquity stands in its own impressive
+shadow; the Church of Or San Michele, for instance, once a market, but
+which grew to be a church by some inherent fitness and inevitable
+consecration. It has not the least the aspect of a church, being high
+and square, like a mediaeval palace; but deep and high niches are let
+into its walls, within which stand great statues of saints, masterpieces
+of Donatello, and other sculptors of that age, before sculpture began to
+be congealed by the influence of Greek art.
+
+The Riccardi Palace is at the corner of the Via Larga. It was built by
+the first Cosmo de' Medici, the old banker, more than four centuries ago,
+and was long the home of the ignoble race of princes which he left behind
+him. It looks fit to be still the home of a princely race, being nowise
+dilapidated nor decayed externally, nor likely to be so, its high Tuscan
+basement being as solid as a ledge of rock, and its upper portion not
+much less so, though smoothed into another order of stately architecture.
+Entering its court from the Via Larga, we found ourselves beneath a
+pillared arcade, passing round the court like a cloister; and on the
+walls of the palace, under this succession of arches, were statues,
+bas-reliefs, and sarcophagi, in which, first, dead Pagans had slept, and
+then dead Christians, before the sculptured coffins were brought hither
+to adorn the palace of the Medici. In the most prominent place was a
+Latin inscription of great length and breadth, chiefly in praise of old
+Cosino and his deeds and wisdom. This mansion gives the visitor a
+stately notion of the life of a commercial man in the days when merchants
+were princes; not that it seems to be so wonderfully extensive, nor so
+very grand, for I suppose there are a dozen Roman palaces that excel it
+in both these particulars. Still, we cannot but be conscious that it
+must have been, in some sense, a great man who thought of founding a
+homestead like this, and was capable of filling it with his personality,
+as the hand fills a glove. It has been found spacious enough, since
+Cosmo's time, for an emperor and a pope and a king, all of whom have been
+guests in this house. After being the family mansion of the Medici for
+nearly two centuries, it was sold to the Riccardis, but was subsequently
+bought of then by the government, and it is now occupied by public
+offices and societies.
+
+After sufficiently examining the court and its antiquities, we ascended a
+noble staircase that passes, by broad flights and square turns, to the
+region above the basement. Here the palace is cut up and portioned off
+into little rooms and passages, and everywhere there were desks,
+inkstands, and men, with pens in their fingers or behind their ears. We
+were shown into a little antique chapel, quite covered with frescos in
+the Giotto style, but painted by a certain Gozzoli. They were in pretty
+good preservation, and, in fact, I am wrong in comparing them to Giotto's
+works, inasmuch as there must have been nearly two hundred years between
+the two artists. The chapel was furnished with curiously carved old
+chairs, and looked surprisingly venerable within its little precinct.
+
+We were next guided into the grand gallery, a hall of respectable size,
+with a frescoed ceiling, on which is represented the blue sky, and
+various members of the Medici family ascending through it by the help of
+angelic personages, who seem only to have waited for their society to be
+perfectly happy. At least, this was the meaning, so far as I could
+make it out. Along one side of the gallery were oil-pictures on
+looking-glasses, rather good than otherwise; but Rome, with her palaces
+and villas, takes the splendor out of all this sort of thing elsewhere.
+
+On our way home, and on our own side of the Ponte Vecchio, we passed the
+Palazzo Guicciardini, the ancient residence of the historian of Italy,
+who was a politic statesman of his day, and probably as cruel and
+unprincipled as any of those whose deeds he has recorded. Opposite,
+across the narrow way, stands the house of Macchiavelli, who was his
+friend, and, I should judge, an honester man than he. The house is
+distinguished by a marble tablet, let into the wall, commemorative of
+Macchiavelli, but has nothing antique or picturesque about it, being in a
+continuous line with other smooth-faced and stuccoed edifices.
+
+
+June 30th.--Yesterday, at three o'clock P. M., I went to see the final
+horse-race of the Feast of St. John, or rather to see the concourse of
+people and grandees whom it brought together. I took my stand in the
+vicinity of the spot whence the Grand Duke and his courtiers view the
+race, and from this point the scene was rather better worth looking at
+than from the street-corners whence I saw it before. The vista of the
+street, stretching far adown between two rows of lofty edifices, was
+really gay and gorgeous with the silks, damasks, and tapestries of all
+bright hues, that flaunted from windows and balconies, whence ladies
+looked forth and looked down, themselves making the liveliest part of the
+show. The whole capacity of the street swarmed with moving heads,
+leaving scarce room enough for the carriages, which, as on Sunday, passed
+up and down, until the signal for the race was given. Equipages, too,
+were constantly arriving at the door of the building which communicates
+with the open loggia, where the Grand Ducal party sit to see and to be
+seen. Two sentinels were standing at the door, and presented arms as
+each courtier or ambassador, or whatever dignity it might be, alighted.
+Most of them had on gold-embroidered court-dresses; some of them had
+military uniforms, and medals in abundance at the breast; and ladies also
+came, looking like heaps of lace and gauze in the carriages, but lightly
+shaking themselves into shape as they went up the steps. By and by a
+trumpet sounded, a drum beat, and again appeared a succession of half a
+dozen royal equipages, each with its six horses, its postilion, coachman,
+and three footmen, grand with cocked hats and embroidery; and the
+gray-headed, bowing Grand Duke and his nodding Grand Duchess as before.
+The Noble Guard ranged themselves on horseback opposite the loggia; but
+there was no irksome and impertinent show of ceremony and restraint upon
+the people. The play-guard of volunteer soldiers, who escort the
+President of the United States in his Northern progresses, keep back
+their fellow-citizens much more sternly and immitigably than the
+Florentine guard kept back the populace from its despotic sovereign.
+
+This morning J----- and I have been to the Uffizi gallery. It was his
+first visit there, and he passed a sweeping condemnation upon everything
+he saw, except a fly, a snail-shell, a caterpillar, a lemon, a piece of
+bread, and a wineglass, in some of the Dutch pictures. The Venus de'
+Medici met with no sort of favor. His feeling of utter distaste reacted
+upon me, and I was sensible of the same weary lack of appreciation that
+used to chill me through, in my earlier visits to picture-galleries; the
+same doubt, moreover, whether we do not bamboozle ourselves in the
+greater part of the admiration which we learn to bestow. I looked with
+some pleasure at one of Correggio's Madonnas in the Tribune,--no divine
+and deep-thoughted mother of the Saviour, but a young woman playing with
+her first child, as gay and thoughtless as itself. I looked at Michael
+Angelo's Madonna, in which William Ware saw such prophetic depth of
+feeling; but I suspect it was one of the many instances in which the
+spectator sees more than the painter ever dreamed of.
+
+Straying through the city, after leaving the gallery, we went into the
+Church of Or San Michele, and saw in its architecture the traces of its
+transformation from a market into a church. In its pristine state it
+consisted of a double row of three great open arches, with the wind
+blowing through them, and the sunshine falling aslantwise into them,
+while the bustle of the market, the sale of fish, flesh, or fruit went on
+within, or brimmed over into the streets that enclosed them on every
+side. But, four or five hundred years ago, the broad arches were built
+up with stone-work; windows were pierced through and filled with painted
+glass; a high altar, in a rich style of pointed Gothic, was raised;
+shrines and confessionals were set up; and here it is, a solemn and
+antique church, where a man may buy his salvation instead of his dinner.
+At any rate, the Catholic priests will insure it to him, and take the
+price. The sculpture within the beautifully decorated niches, on the
+outside of the church, is very curious and interesting. The statues of
+those old saints seem to have that charm of earnestness which so attracts
+the admirers of the Pre-Raphaelite painters.
+
+It appears that a picture of the Virgin used to hang against one of the
+pillars of the market-place while it was still a market, and in the year
+1291 several miracles were wrought by it, insomuch that a chapel was
+consecrated for it. So many worshippers came to the shrine that the
+business of the market was impeded, and ultimately the Virgin and St.
+Michael won the whole space for themselves. The upper part of the
+edifice was at that time a granary, and is still used for other than
+religious purposes. This church was one spot to which the inhabitants
+betook themselves much for refuge and divine assistance during the great
+plague described by Boccaccio.
+
+
+July 2d.--We set out yesterday morning to visit the Palazzo Buonarotti,
+Michael Angelo's ancestral home. . . . . It is in the Via Ghibellina, an
+ordinary-looking, three-story house, with broad-brimmed eaves, a stuccoed
+front, and two or three windows painted in fresco, besides the real ones.
+Adown the street, there is a glimpse of the hills outside of Florence.
+The sun shining heavily directly upon the front, we rang the door-bell,
+and then drew back into the shadow that fell from the opposite side of
+the street. After we had waited some time a man looked out from an upper
+window, and a woman from a lower one, and informed us that we could not
+be admitted now, nor for two or three months to come, the house being
+under repairs. It is a pity, for I wished to see Michael Angelo's sword
+and walking-stick and old slippers, and whatever other of his closest
+personalities are to be shown. . . . .
+
+We passed into the Piazza of the Grand Duke, and looked into the court of
+the Palazzo Vecchio, with its beautifully embossed pillars; and, seeing
+just beyond the court a staircase of broad and easy steps, we ascended it
+at a venture. Upward and upward we went, flight after flight of stairs,
+and through passages, till at last we found an official who ushered us
+into a large saloon. It was the Hall of Audience. Its heavily embossed
+ceiling, rich with tarnished gold, was a feature of antique magnificence,
+and the only one that it retained, the floor being paved with tiles and
+the furniture scanty or none. There were, however, three cabinets
+standing against the walls, two of which contained very curious and
+exquisite carvings and cuttings in ivory; some of them in the Chinese
+style of hollow, concentric balls; others, really beautiful works of art:
+little crucifixes, statues, saintly and knightly, and cups enriched with
+delicate bas-reliefs. The custode pointed to a small figure of St.
+Sebastian, and also to a vase around which the reliefs seemed to assume
+life. Both these specimens, he said, were by Benvenuto Cellini, and
+there were many others that might well have been wrought by his famous
+hand. The third cabinet contained a great number and variety of
+crucifixes, chalices, and whatever other vessels are needed in altar
+service, exquisitely carved out of amber. They belong to the chapel of
+the palace, and into this holy closet we were now conducted. It is large
+enough to accommodate comfortably perhaps thirty worshippers, and is
+quite covered with frescos by Ghirlandaio in good preservation, and with
+remnants enough of gilding and bright color to show how splendid the
+chapel must have been when the Medicean Grand Dukes used to pray here.
+The altar is still ready for service, and I am not sure that some of the
+wax tapers were not burning; but Lorenzo the Magnificent was nowhere to
+be seen.
+
+The custode now led us back through the Hall of Audience into a smaller
+room, hung with pictures chiefly of the Medici and their connections,
+among whom was one Carolina, an intelligent and pretty child, and Bianca
+Capella.
+
+There was nothing else to show us, except a very noble and most spacious
+saloon, lighted by two large windows at each end, coming down level with
+the floor, and by a row of windows on one side just beneath the cornice.
+A gilded framework divides the ceiling into squares, circles, and
+octagons, the compartments of which are filled with pictures in oil; and
+the walls are covered with immense frescos, representing various battles
+and triumphs of the Florentines. Statues by Michael Angelo, John of
+Bologna, and Bandinello, as well historic as ideal, stand round the hall,
+and it is really a fit theatre for the historic scenes of a country to be
+acted in. It was built, moreover, with the idea of its being the
+council-hall of a free people; but our own little Faneuil, which was
+meant, in all simplicity, to be merely a spot where the townspeople
+should meet to choose their selectmen, has served the world better in
+that respect. I wish I had more room to speak of this vast, dusky,
+historic hall. [This volume of journal closes here.]
+
+
+July 4th 1858.--Yesterday forenoon we went to see the Church of Santa
+Maria Novella. We found the piazza, on one side of which the church
+stands, encumbered with the amphitheatrical ranges of wooden seats that
+had been erected to accommodate the spectators of the chariot-races, at
+the recent Feast of St. John. The front of the church is composed of
+black and white marble, which, in the course of the five centuries that
+it has been built, has turned brown and yellow. On the right hand, as
+you approach, is a long colonnade of arches, extending on a line with the
+facade, and having a tomb beneath every arch. This colonnade forms one
+of the enclosing walls of a cloister. We found none of the front
+entrances open, but on our left, in a wall at right angles with the
+church, there was an open gateway, approaching which, we saw, within the
+four-sided colonnade, an enclosed green space of a cloister. This is
+what is called the Chiostro Verde, so named from the prevailing color of
+the frescos with which the walls beneath the arches are adorned.
+
+This cloister is the reality of what I used to imagine when I saw the
+half-ruinous colonnades connected with English cathedrals, or endeavored
+to trace out the lines along the broken wall of some old abbey. Not that
+this extant cloister, still perfect and in daily use for its original
+purposes, is nearly so beautiful as the crumbling ruin which has ceased
+to be trodden by monkish feet for more than three centuries. The
+cloister of Santa Maria has not the seclusion that is desirable, being
+open, by its gateway, to the public square; and several of the neighbors,
+women as well as men, were loitering within its precincts. The convent,
+however, has another and larger cloister, which I suppose is kept free
+from interlopers. The Chiostro Verde is a walk round the four sides of a
+square, beneath an arched and groined roof. One side of the walk looks
+upon an enclosed green space with a fountain or a tomb (I forget which)
+in the centre; the other side is ornamented all along with a succession
+of ancient frescos, representing subjects of Scripture history. In the
+days when the designs were more distinct than now, it must have been a
+very effective way for a monk to read Bible history, to see its
+personages and events thus passing visibly beside him in his morning and
+evening walks. Beneath the frescos on one side of the cloistered walk,
+and along the low stone parapet that separates it from the grass-plat on
+the other, are inscriptions to the memory of the dead who are buried
+underneath the pavement. The most of these were modern, and recorded the
+names of persons of no particular note. Other monumental slabs were
+inlaid with the pavement itself. Two or three Dominican monks, belonging
+to the convent, passed in and out, while we were there, in their white
+habits.
+
+After going round three sides, we came to the fourth, formed by the wall
+of the church, and heard the voice of a priest behind a curtain that fell
+down before a door. Lifting it aside, we went in, and found ourselves in
+the ancient chapter-house, a large interior formed by two great pointed
+arches crossing one another in a groined roof. The broad spaces of the
+walls were entirely covered with frescos that are rich even now, and must
+have glowed with an inexpressible splendor, when fresh from the artists'
+hands, five hundred years ago. There is a long period, during which
+frescos illuminate a church or a hall in a way that no other adornment
+can; when this epoch of brightness is past, they become the dreariest
+ghosts of perished magnificence. . . . . This chapter-house is the only
+part of the church that is now used for the purposes of public worship.
+There are several confessionals, and two chapels or shrines, each with
+its lighted tapers. A priest performed mass while we were there, and
+several persons, as usual, stepped in to do a little devotion, either
+praying on their own account, or uniting with the ceremony that was going
+forward. One man was followed by two little dogs, and in the midst of
+his prayers, as one of the dogs was inclined to stray about the church,
+he kept snapping his fingers to call him back. The cool, dusky
+refreshment of these holy places, affording such a refuge from the hot
+noon of the streets and piazzas, probably suggests devotional ideas to
+the people, and it may be, when they are praying, they feel a breath of
+Paradise fanning them. If we could only see any good effects in their
+daily life, we might deem it an excellent thing to be able to find
+incense and a prayer always ascending, to which every individual may join
+his own. I really wonder that the Catholics are not better men and
+women.
+
+When we had looked at the old frescos, . . . . we emerged into the
+cloister again, and thence ventured into a passage which would have led
+us to the Chiostro Grande, where strangers, and especially ladies,
+have no right to go. It was a secluded corridor, very neatly kept,
+bordered with sepulchral monuments, and at the end appeared a vista of
+cypress-trees, which indeed were but an illusory perspective, being
+painted in fresco. While we loitered along the sacristan appeared and
+offered to show us the church, and led us into the transept on the right
+of the high altar, and ushered us into the sacristy, where we found two
+artists copying some of Fra Angelico's pictures. These were painted on
+the three wooden leaves of a triptych, and, as usual, were glorified with
+a great deal of gilding, so that they seemed to float in the brightness
+of a heavenly element. Solomon speaks of "apples of gold in pictures of
+silver." The pictures of Fra Angelico, and other artists of that age,
+are really pictures of gold; and it is wonderful to see how rich the
+effect, and how much delicate beauty is attained (by Fra Angelico at
+least) along with it. His miniature-heads appear to me much more
+successful than his larger ones. In a monkish point of view, however,
+the chief value of the triptych of which I am speaking does not lie in
+the pictures, for they merely serve as the framework of some relics,
+which are set all round the edges of the three leaves. They consist of
+little bits and fragments of bones, and of packages carefully tied up in
+silk, the contents of which are signified in Gothic letters appended to
+each parcel. The sacred vessels of the church are likewise kept in the
+sacristy. . . . .
+
+Re-entering the transept, our guide showed us the chapel of the Strozzi
+family, which is accessible by a flight of steps from the floor of the
+church. The walls of this chapel are covered with frescos by Orcagna,
+representing around the altar the Last Judgment, and on one of the walls
+heaven and the assembly of the blessed, and on the other, of course,
+hell. I cannot speak as to the truth of the representation; but, at all
+events, it was purgatory to look at it. . . . .
+
+We next passed into the choir, which occupies the extreme end of the
+church behind the great square mass of the high altar, and is surrounded
+with a double row of ancient oaken seats of venerable shape and carving.
+The choir is illuminated by a threefold Gothic window, full of richly
+painted glass, worth all the frescos that ever stained a wall or ceiling;
+but these walls, nevertheless, are adorned with frescos by Ghirlandaio,
+and it is easy to see must once have made a magnificent appearance. I
+really was sensible of a sad and ghostly beauty in many of the figures;
+but all the bloom, the magic of the painter's touch, his topmost art,
+have long ago been rubbed off, the white plaster showing through the
+colors in spots, and even in large spaces. Any other sort of ruin
+acquires a beauty proper to its decay, and often superior to that of its
+pristine state; but the ruin of a picture, especially of a fresco, is
+wholly unredeemed; and, moreover, it dies so slowly that many generations
+are likely to be saddened by it.
+
+We next saw the famous picture of the Virgin by Cimabue, which was deemed
+a miracle in its day, . . . . and still brightens the sombre walls with
+the lustre of its gold ground. As to its artistic merits, it seems to me
+that the babe Jesus has a certain air of state and dignity; but I could
+see no charm whatever in the broad-faced Virgin, and it would relieve my
+mind and rejoice my spirit if the picture were borne out of the church in
+another triumphal procession (like the one which brought it there), and
+reverently burnt. This should be the final honor paid to all human works
+that have served a good office in their day, for when their day is
+over, if still galvanized into false life, they do harm instead of good.
+. . . . The interior of Santa Maria Novella is spacious and in the Gothic
+style, though differing from English churches of that order of
+architecture. It is not now kept open to the public, nor were any of the
+shrines and chapels, nor even the high altar itself, adorned and lighted
+for worship. The pictures that decorated the shrines along the side
+aisles have been removed, leaving bare, blank spaces of brickwork, very
+dreary and desolate to behold. This is almost worse than a black
+oil-painting or a faded fresco. The church was much injured by the
+French, and afterwards by the Austrians, both powers having quartered
+their troops within the holy precincts. Its old walls, however, are yet
+stalwart enough to outlast another set of frescos, and to see the
+beginning and the end of a new school of painting as long-lived as
+Cimabue's. I should be sorry to have the church go to decay, because it
+was here that Boccaccio's dames and cavaliers encountered one another,
+and formed their plan of retreating into the country during the
+plague. . . . .
+
+At the door we bought a string of beads, with a small crucifix appended,
+in memory of the place. The beads seem to be of a grayish, pear-shaped
+seed, and the seller assured us that they were the tears of St. Job.
+They were cheap, probably because Job shed so many tears in his lifetime.
+
+It being still early in the day, we went to the Uffizi gallery, and after
+loitering a good while among the pictures, were so fortunate as to find
+the room of the bronzes open. The first object that attracted us was
+John of Bologna's Mercury, poising himself on tiptoe, and looking not
+merely buoyant enough to float, but as if he possessed more than the
+eagle's power of lofty flight. It seems a wonder that he did not
+absolutely fling himself into the air when the artist gave him the last
+touch. No bolder work was ever achieved; nothing so full of life has
+been done since. I was much interested, too, in the original little wax
+model, two feet high, of Benvenuto Cellini's Perseus. The wax seems to
+be laid over a wooden framework, and is but roughly finished off. . . . .
+
+In an adjoining room are innumerable specimens of Roman and Etruscan
+bronzes, great and small. A bronze Chimera did not strike me as very
+ingeniously conceived, the goat's head being merely an adjunct, growing
+out of the back of the monster, without possessing any original and
+substantive share in its nature. The snake's head is at the end of the
+tail. The object most really interesting was a Roman eagle, the standard
+of the Twenty-fourth Legion, about the size of a blackbird.
+
+
+July 8th.--On the 6th we went to the Church of the Annunziata, which
+stands in the piazza of the same name. On the corner of the Via dei
+Servi is the palace which I suppose to be the one that Browning makes the
+scene of his poem, "The Statue and the Bust," and the statue of Duke
+Ferdinand sits stately on horseback, with his face turned towards the
+window, where the lady ought to appear. Neither she nor the bust,
+however, was visible, at least not to my eyes. The church occupies one
+side of the piazza, and in front of it, as likewise on the two adjoining
+sides of the square, there are pillared arcades, constructed by
+Brunelleschi or his scholars. After passing through these arches, and
+still before entering the church itself, you come to an ancient cloister,
+which is now quite enclosed in glass as a means of preserving some
+frescos of Andrea del Sarto and others, which are considered valuable.
+
+Passing the threshold of the church, we were quite dazzled by the
+splendor that shone upon us from the ceiling of the nave, the great
+parallelograms of which, viewed from one end, look as if richly
+embossed all over with gold. The whole interior, indeed, has an effect
+of brightness and magnificence, the walls being covered mostly with
+light-colored marble, into which are inlaid compartments of rarer and
+richer marbles. The pillars and pilasters, too, are of variegated
+marbles, with Corinthian capitals, that shine just as brightly as if they
+were of solid gold, so faithfully have they been gilded and burnished.
+The pavement is formed of squares of black and white marble. There are
+no side aisles, but ranges of chapels, with communication from one to
+another, stand round the whole extent of the nave and choir; all of
+marble, all decorated with pictures, statues, busts, and mural monuments;
+all worth, separately, a day's inspection. The high altar is of great
+beauty and richness, . . . . and also the tomb of John of Bologna in a
+chapel at the remotest extremity of the church. In this chapel there are
+some bas-reliefs by him, and also a large crucifix, with a marble Christ
+upon it. I think there has been no better sculptor since the days of
+Phidias. . . . .
+
+The church was founded by seven gentlemen of Florence, who formed
+themselves into a religious order called "Servants of Mary." Many
+miraculous cures were wrought here; and the church, in consequence, was
+so thickly hung with votive offerings of legs, arms, and other things in
+wax, that they used to tumble upon people's heads, so that finally they
+were all cleared out as rubbish. The church is still, I should imagine,
+looked upon as a place of peculiar sanctity; for while we were there it
+had an unusual number of kneeling worshippers, and persons were passing
+from shrine to shrine all round the nave and choir, praying awhile at
+each, and thus performing a pilgrimage at little cost of time and labor.
+One old gentleman, I observed, carried a cushion or pad, just big enough
+for one knee, on which he carefully adjusted his genuflexions before each
+altar. An old woman in the choir prayed alternately to us and to the
+saints, with most success, I hope, in her petitions to the latter, though
+certainly her prayers to ourselves seemed the more fervent of the two.
+
+When we had gone entirely round the church, we came at last to the chapel
+of the Annunziata, which stands on the floor of the nave, on the left
+hand as we enter. It is a very beautiful piece of architecture,--a sort
+of canopy of marble, supported upon pillars; and its magnificence within,
+in marble and silver, and all manner of holy decoration, is quite
+indescribable. It was built four hundred years ago, by Pietro de'
+Medici, and has probably been growing richer ever since. The altar is
+entirely of silver, richly embossed. As many people were kneeling on the
+steps before it as could find room, and most of them, when they finished
+their prayers, ascended the steps, kissed over and over again the margin
+of the silver altar, laid their foreheads upon it, and then deposited an
+offering in a box placed upon the altar's top. From the dulness of the
+chink in the only case when I heard it, I judged it to be a small copper
+coin.
+
+In the inner part of this chapel is preserved a miraculous picture of the
+"Santissima Annunziata," painted by angels, and held in such holy repute
+that forty thousand dollars have lately been expended in providing a new
+crown for the sacred personage represented. The picture is now veiled
+behind a curtain; and as it is a fresco, and is not considered to do much
+credit to the angelic artists, I was well contented not to see it.
+
+We found a side door of the church admitting us into the great cloister,
+which has a walk of intersecting arches round its four sides, paved with
+flat tombstones, and broad enough for six people to walk abreast. On the
+walls, in the semicircles of each successive arch, are frescos
+representing incidents in the lives of the seven founders of the church,
+and all the lower part of the wall is incrusted with marble inscriptions
+to the memory of the dead, and mostly of persons who have died not very
+long ago. The space enclosed by the cloistered walk, usually made
+cheerful by green grass, has a pavement of tombstones laid in regular
+ranges. In the centre is a stone octagonal structure, which at first I
+supposed to be the tomb of some deceased mediaeval personage; but, on
+approaching, I found it a well, with its bucket hanging within the curb,
+and looking as if it were in constant use. The surface of the water lay
+deep beneath the deepest dust of the dead people, and thence threw up its
+picture of the sky; but I think it would not be a moderate thirst that
+would induce me to drink of that well.
+
+On leaving the church we bought a little gilt crucifix. . . . .
+
+On Sunday evening I paid a short visit to Mr. Powers, and, as usual, was
+entertained and instructed with his conversation. It did not, indeed,
+turn upon artistical subjects; but the artistic is only one side of his
+character, and, I think, not the principal side. He might have achieved
+valuable success as an engineer and mechanician. He gave a dissertation
+on flying-machines, evidently from his own experience, and came to the
+conclusion that it is impossible to fly by means of steam or any other
+motive-power now known to man. No force hitherto attained would suffice
+to lift the engine which generated it. He appeared to anticipate that
+flying will be a future mode of locomotion, but not till the moral
+condition of mankind is so improved as to obviate the bad uses to which
+the power might be applied. Another topic discussed was a cure for
+complaints of the chest by the inhalation of nitric acid; and he produced
+his own apparatus for that purpose, being merely a tube inserted into a
+bottle containing a small quantity of the acid, just enough to produce
+the gas for inhalation. He told me, too, a remedy for burns accidentally
+discovered by himself; viz., to wear wash-leather, or something
+equivalent, over the burn, and keep it constantly wet. It prevents all
+pain, and cures by the exclusion of the air. He evidently has a great
+tendency to empirical remedies, and would have made a natural doctor of
+mighty potency, possessing the shrewd sense, inventive faculty, and
+self-reliance that such persons require. It is very singular that there
+should be an ideal vein in a man of this character.
+
+This morning he called to see me, with intelligence of the failure of the
+new attempt to lay the electric cable between England and America; and
+here, too, it appears the misfortune might have been avoided if a plan of
+his own for laying the cable had been adopted. He explained his process,
+and made it seem as practicable as to put up a bell-wire. I do not
+remember how or why (but appositely) he repeated some verses, from a
+pretty little ballad about fairies, that had struck his fancy, and he
+wound up his talk with some acute observations on the characters of
+General Jackson and other public men. He told an anecdote, illustrating
+the old general's small acquaintance with astronomical science, and his
+force of will in compelling a whole dinner-party of better instructed
+people than himself to succumb to him in an argument about eclipses and
+the planetary system generally. Powers witnessed the scene himself. He
+thinks that General Jackson was a man of the keenest and surest
+intuitions, in respect to men and measures, but with no power of
+reasoning out his own conclusions, or of imparting them intellectually to
+other persons. Men who have known Jackson intimately, and in great
+affairs, would not agree as to this intellectual and argumentative
+deficiency, though they would fully allow the intuitive faculty. I have
+heard General Pierce tell a striking instance of Jackson's power of
+presenting his own view of a subject with irresistible force to the mind
+of the auditor. President Buchanan has likewise expressed to me as high
+admiration of Jackson as I ever heard one man award to another. Surely
+he was a great man, and his native strength, as well of intellect as
+character, compelled every man to be his tool that came within his reach;
+and the more cunning the individual might be, it served only to make him
+the sharper tool.
+
+Speaking of Jackson, and remembering Raphael's picture of Pope Julius
+II., the best portrait in the whole world, and excellent in all its
+repetitions, I wish it had been possible for Raphael to paint General
+Jackson!
+
+Referring again to General Jackson's intuitions, and to Powers's idea
+that he was unable to render a reason to himself or others for what he
+chose to do, I should have thought that this very probably might have
+been the case, were there not such strong evidence to the contrary. The
+highest, or perhaps any high administrative ability is intuitive, and
+precedes argument, and rises above it. It is a revelation of the very
+thing to be done, and its propriety and necessity are felt so strongly
+that very likely it cannot be talked about; if the doer can likewise
+talk, it is an additional and gratuitous faculty, as little to be
+expected as that a poet should be able to write an explanatory criticism
+on his own poem. The English overlook this in their scheme of
+government, which requires that the members of the national executive
+should be orators, and the readiest and most fluent orators that can be
+found. The very fact (on which they are selected) that they are men of
+words makes it improbable that they are likewise men of deeds. And it is
+only tradition and old custom, founded on an obsolete state of things,
+that assigns any value to parliamentary oratory. The world has done with
+it, except as an intellectual pastime. The speeches have no effect till
+they are converted into newspaper paragraphs; and they had better be
+composed as such, in the first place, and oratory reserved for churches,
+courts of law, and public dinner-tables.
+
+
+July 10th.--My wife and I went yesterday forenoon to see the Church of
+San Marco, with which is connected a convent of Dominicans. . . . . The
+interior is not less than three or four hundred years old, and is in the
+classic style, with a flat ceiling, gilded, and a lofty arch, supported
+by pillars, between the nave and choir. There are no side aisles, but
+ranges of shrines on both sides of the nave, each beneath its own pair of
+pillars and pediments. The pavement is of brick, with here and there a
+marble tombstone inlaid. It is not a magnificent church; but looks dingy
+with time and apparent neglect, though rendered sufficiently interesting
+by statues of mediaeval date by John of Bologna and other old sculptors,
+and by monumental busts and bas-reliefs: also, there is a wooden crucifix
+by Giotto, with ancient gilding on it; and a painting of Christ, which
+was considered a wonderful work in its day. Each shrine, or most of
+them, at any rate, had its dark old picture, and there is a very old and
+hideous mosaic of the Virgin and two saints, which I looked at very
+slightly, with the purpose of immediately forgetting it. Savonarola, the
+reforming monk, was a brother of this convent, and was torn from its
+shelter, to be subsequently hanged and burnt in the Grand Ducal Piazza.
+A large chapel in the left transept is of the Salviati family, dedicated
+to St. Anthony, and decorated with several statues of saints, and with
+some old frescos. When we had more than sufficiently examined these, the
+custode proposed to show us some frescos of Fra Angelico, and conducted
+us into a large cloister, under the arches of which, and beneath a
+covering of glass, he pointed to a picture of St. Dominic kneeling at the
+Cross. There are two or three others by the angelic friar in different
+parts of the cloister, and a regular series, filling up all the arches,
+by various artists. Its four-sided, cloistered walk surrounds a square,
+open to the sky as usual, and paved with gray stones that have no
+inscriptions, but probably are laid over graves. Its walls, however, are
+incrusted, and the walk itself is paved with monumental inscriptions on
+marble, none of which, so far as I observed, were of ancient date.
+Either the fashion of thus commemorating the dead is not ancient in
+Florence, or the old tombstones have been removed to make room for new
+ones. I do not know where the monks themselves have their burial-place;
+perhaps in an inner cloister, which we did not see. All the inscriptions
+here, I believe, were in memory of persons not connected with the
+convent.
+
+A door in the wall of the cloister admitted us into the chapter-house,
+its interior moderately spacious, with a roof formed by intersecting
+arches. Three sides of the walls were covered with blessed whitewash;
+but on the fourth side, opposite to the entrance, was a great fresco of
+the Crucifixion, by Fra Angelico, surrounded with a border or pictured
+framework, in which are represented the heads of saints, prophets, and
+sibyls, as large as life. The cross of the Saviour and those of the
+thieves were painted against a dark red sky; the figures upon them were
+lean and attenuated, evidently the vague conceptions of a man who had
+never seen a naked figure. Beneath, was a multitude of people, most of
+whom were saints who had lived and been martyred long after the
+Crucifixion; and some of these had wounds from which gilded rays shone
+forth, as if the inner glory and blessedness of the holy men blazed
+through them. It is a very ugly picture, and its ugliness is not that of
+strength and vigor, but of weakness and incompetency. Fra Angelico
+should have confined himself to miniature heads, in which his delicacy of
+touch and minute labor often produce an excellent effect. The custode
+informed us that there were more frescos of this pious artist in the
+interior of the convent, into which I might be allowed admittance, but
+not my wife. I declined seeing them, and heartily thanked heaven for my
+escape.
+
+Returning through the church, we stopped to look at a shrine on the right
+of the entrance, where several wax candles were lighted, and the steps of
+which were crowded with worshippers. It was evidently a spot of special
+sanctity, and, approaching the steps, we saw, behind a gilded framework
+of stars and protected by glass, a wooden image of the Saviour, naked,
+covered with spots of blood, crowned with thorns, and expressing all the
+human wretchedness that the carver's skill could represent. The whole
+shrine, within the glass, was hung with offerings, as well of silver and
+gold as of tinsel and trumpery, and the body of Christ glistened with
+gold chains and ornaments, and with watches of silver and gold, some of
+which appeared to be of very old manufacture, and others might be new.
+Amid all this glitter the face of pain and grief looked forth, not a whit
+comforted. While we stood there, a woman, who had been praying, arose
+from her knees and laid an offering of a single flower upon the shrine.
+
+The corresponding arch, on the opposite side of the entrance, contained a
+wax-work within a large glass case, representing the Nativity. I do not
+remember how the Blessed Infant looked, but the Virgin was gorgeously
+dressed in silks, satins, and gauzes, with spangles and ornaments of all
+kinds, and, I believe, brooches of real diamonds on her bosom. Her
+attire, judging from its freshness and newness of glitter, might have
+been put on that very morning.
+
+
+July 13th.--We went for the second time, this morning, to the Academy of
+Fine Arts, and I looked pretty thoroughly at the Pre-Raphaelite pictures,
+few of which are really worth looking at nowadays. Cimabue and Giotto
+might certainly be dismissed, henceforth and forever, without any
+detriment to the cause of good art. There is what seems to me a better
+picture than either of these has produced, by Bonamico Buffalmacco, an
+artist of about their date or not long after. The first real picture in
+the series is the "Adoration of the Magi," by Gentile da Fabriano, a
+really splendid work in all senses, with noble and beautiful figures in
+it, and a crowd of personages, managed with great skill. Three pictures
+by Perugino are the only other ones I cared to look at. In one of these,
+the face of the Virgin who holds the dead Christ on her knees has a
+deeper expression of woe than can ever have been painted since. After
+Perugino the pictures cease to be interesting; the art came forward with
+rapid strides, but the painters and their productions do not take nearly
+so much hold of the spectator as before. They all paint better than
+Giotto and Cimabue,--in some respects better than Perugino; but they
+paint in vain, probably because they were not nearly so much in earnest,
+and meant far less, though possessing the dexterity to express far more.
+Andrea del Sarto appears to have been a good painter, yet I always turn
+away readily from his pictures. I looked again, and for a good while, at
+Carlo Dolce's portrait of the Eternal Father, for it is a miracle and
+masterpiece of absurdity, and almost equally a miracle of pictorial art.
+It is the All-powerless, a fair-haired, soft, consumptive deity, with a
+mouth that has fallen open through very weakness. He holds one hand on
+his stomach, as if the wickedness and wretchedness of mankind made him
+qualmish; and he is looking down out of Heaven with an expression of
+pitiable appeal, or as if seeking somewhere for assistance in his heavy
+task of ruling the universe. You might fancy such a being falling on his
+knees before a strong-willed man, and beseeching him to take the reins of
+omnipotence out of his hands. No wonder that wrong gets the better of
+right, and that good and ill are confounded, if the Supreme Head were as
+here depicted; for I never saw, and nobody else ever saw, so perfect a
+representation of a person burdened with a task infinitely above his
+strength. If Carlo Dolce had been wicked enough to know what he was
+doing, the picture would have been most blasphemous,--a satire, in the
+very person of the Almighty, against all incompetent rulers, and against
+the rickety machine and crazy action of the universe. Heaven forgive me
+for such thoughts as this picture has suggested! It must be added that
+the great original defect in the character as here represented is an easy
+good-nature. I wonder what Michael Angelo would have said to this
+painting.
+
+In the large, enclosed court connected with the Academy there are a
+number of statues, bas-reliefs, and casts, and what was especially
+interesting, the vague and rude commencement of a statue of St. Matthew
+by Michael Angelo. The conceptions of this great sculptor were so
+godlike that he seems to have been discontented at not likewise
+possessing the godlike attribute of creating and embodying them with an
+instantaneous thought, and therefore we often find sculptures from his
+hand left at the critical point of their struggle to get out of the
+marble. The statue of St. Matthew looks like the antediluvian fossil of
+a human being of an epoch when humanity was mightier and more majestic
+than now, long ago imprisoned in stone, and half uncovered again.
+
+
+July 16th.--We went yesterday forenoon to see the Bargello. I do not
+know anything more picturesque in Florence than the great interior court
+of this ancient Palace of the Podesta, with the lofty height of the
+edifice looking down into the enclosed space, dark and stern, and the
+armorial bearings of a long succession of magistrates carved in stone
+upon the walls, a garland, as it were, of these Gothic devices extending
+quite round the court. The best feature of the whole is the broad stone
+staircase, with its heavy balustrade, ascending externally from the court
+to the iron-grated door in the second story. We passed the sentinels
+under the lofty archway that communicates with the street, and went up
+the stairs without being questioned or impeded. At the iron-grated door,
+however, we were met by two officials in uniform, who courteously
+informed us that there was nothing to be exhibited in the Bargello except
+an old chapel containing some frescos by Giotto, and that these could
+only be seen by making a previous appointment with the custode, he not
+being constantly on hand. I was not sorry to escape the frescos, though
+one of them is a portrait of Dante.
+
+We next went to the Church of the Badia, which is built in the form of a
+Greek cross, with a flat roof embossed and once splendid with now
+tarnished gold. The pavement is of brick, and the walls of dark stone,
+similar to that of the interior of the cathedral (pietra serena), and
+there being, according to Florentine custom, but little light, the effect
+was sombre, though the cool gloomy dusk was refreshing after the hot
+turmoil and dazzle of the adjacent street. Here we found three or four
+Gothic tombs, with figures of the deceased persons stretched in marble
+slumber upon them. There were likewise a picture or two, which it was
+impossible to see; indeed, I have hardly ever met with a picture in a
+church that was not utterly wasted and thrown away in the deep shadows of
+the chapel it was meant to adorn. If there is the remotest chance of its
+being seen, the sacristan hangs a curtain before it for the sake of his
+fee for withdrawing it. In the chapel of the Bianco family we saw (if it
+could be called seeing) what is considered the finest oil-painting of Fra
+Filippo Lippi. It was evidently hung with reference to a lofty window on
+the other side of the church, whence sufficient light might fall upon it
+to show a picture so vividly painted as this is, and as most of Fra
+Filippo Lippi's are. The window was curtained, however, and the chapel
+so dusky that I could make out nothing.
+
+Several persons came in to say their prayers during the little time that
+we remained in the church, and as we came out we passed a good woman who
+sat knitting in the coolness of the vestibule, which was lined with mural
+tombstones. Probably she spends the day thus, keeping up the little
+industry of her fingers, slipping into the church to pray whenever a
+devotional impulse swells into her heart, and asking an alms as often as
+she sees a person of charitable aspect.
+
+From the church we went to the Uffizi gallery, and reinspected the
+greater part of it pretty faithfully. We had the good fortune, too,
+again to get admittance into the cabinet of bronzes, where we admired
+anew the wonderful airiness of John of Bologna's Mercury, which, as I now
+observed, rests on nothing substantial, but on the breath of a zephyr
+beneath him. We also saw a bronze bust of one of the Medici by Benvenuto
+Cellini, and a thousand other things the curiosity of which is overlaid
+by their multitude. The Roman eagle, which I have recorded to be about
+the size of a blackbird, I now saw to be as large as a pigeon.
+
+On our way towards the door of the gallery, at our departure, we saw the
+cabinet of gems open, and again feasted our eyes with its concentrated
+brilliancies and magnificences. Among them were two crystal cups, with
+engraved devices, and covers of enamelled gold, wrought by Benvenuto
+Cellini, and wonderfully beautiful. But it is idle to mention one or two
+things, when all are so beautiful and curious; idle, too, because
+language is not burnished gold, with here and there a brighter word
+flashing like a diamond; and therefore no amount of talk will give the
+slightest idea of one of these elaborate handiworks.
+
+
+July 27th.--I seldom go out nowadays, having already seen Florence
+tolerably well, and the streets being very hot, and myself having been
+engaged in sketching out a romance [The Marble Faun.--ED.], which whether
+it will ever come to anything is a point yet to be decided. At any rate,
+it leaves me little heart for journalizing and describing new things; and
+six months of uninterrupted monotony would be more valuable to me just
+now, than the most brilliant succession of novelties.
+
+Yesterday I spent a good deal of time in watching the setting out of a
+wedding party from our door; the bride being the daughter of an English
+lady, the Countess of ------. After all, there was nothing very
+characteristic. The bridegroom is a young man of English birth, son of
+the Countess of St. G------, who inhabits the third piano of this Casa
+del Bello. The very curious part of the spectacle was the swarm of
+beggars who haunted the street all day; the most wretched mob
+conceivable, chiefly women, with a few blind people, and some old men and
+boys. Among these the bridal party distributed their beneficence in the
+shape of some handfuls of copper, with here and there a half-paul
+intermixed; whereupon the whole wretched mob flung themselves in a heap
+upon the pavement, struggling, lighting, tumbling one over another, and
+then looking up to the windows with petitionary gestures for more and
+more, and still for more. Doubtless, they had need enough, for they
+looked thin, sickly, ill-fed, and the women ugly to the last degree. The
+wedding party had a breakfast above stairs, which lasted till four
+o'clock, and then the bridegroom took his bride in a barouche and pair,
+which was already crammed with his own luggage and hers. . . . . He was a
+well-looking young man enough, in a uniform of French gray with silver
+epaulets; more agreeable in aspect than his bride, who, I think, will
+have the upper hand in their domestic life. I observed that, on getting
+into the barouche, he sat down on her dress, as he could not well help
+doing, and received a slight reprimand in consequence. After their
+departure, the wedding guests took their leave; the most noteworthy
+person being the Pope's Nuncio (the young man being son of the Pope's
+Chamberlain, and one of the Grand Duke's Noble Guard), an ecclesiastical
+personage in purple stockings, attended by two priests, all of whom got
+into a coach, the driver and footmen of which wore gold-laced cocked hats
+and other splendors.
+
+To-day I paid a short visit to the gallery of the Pitti Palace. I looked
+long at a Madonna of Raphael's, the one which is usually kept in the
+Grand Duke's private apartments, only brought into the public gallery for
+the purpose of being copied. It is the holiest of all Raphael's
+Madonnas, with a great reserve in the expression, a sense of being apart,
+and yet with the utmost tenderness and sweetness; although she drops her
+eyelids before her like a veil, as it were, and has a primness of eternal
+virginity about the mouth. It is one of Raphael's earlier works, when he
+mixed more religious sentiment with his paint than afterwards.
+Perugino's pictures give the impression of greater sincerity and
+earnestness than Raphael's, though the genius of Raphael often gave him
+miraculous vision.
+
+
+July 28th.--Last evening we went to the Powers's, and sat with them on
+the terrace, at the top of the house, till nearly ten o'clock. It was a
+delightful, calm, summer evening, and we were elevated far above all the
+adjacent roofs, and had a prospect of the greater part of Florence and
+its towers, and the surrounding hills, while directly beneath us rose the
+trees of a garden, and they hardly sent their summits higher than we sat.
+At a little distance, with only a house or two between, was a theatre in
+full action, the Teatro Goldoni, which is an open amphitheatre, in the
+ancient fashion, without any roof. We could see the upper part of the
+proscenium, and, had we been a little nearer, might have seen the whole
+performance, as did several boys who crept along the tops of the
+surrounding houses. As it was, we heard the music and the applause, and
+now and then an actor's stentorian tones, when we chose to listen. Mrs.
+P------ and my wife, U---- and Master Bob, sat in a group together, and
+chatted in one corner of our aerial drawing-room, while Mr. Powers and
+myself leaned against the parapet, and talked of innumerable things.
+When the clocks struck the hour, or the bells rang from the steeples, as
+they are continually doing, I spoke of the sweetness of the Florence
+bells, the tones of some of them being as if the bell were full of liquid
+melody, and shed it through the air on being upturned. I had supposed,
+in my lack of musical ear, that the bells of the Campanile were the
+sweetest; but Mr. Powers says that there is a defect in their tone, and
+that the bell of the Palazzo Vecchio is the most melodious he ever heard.
+Then he spoke of his having been a manufacturer of organs, or, at least,
+of reeds for organs, at one period of his life. I wonder what he has not
+been! He told me of an invention of his in the musical line, a jewsharp
+with two tongues; and by and by he produced it for my inspection. It was
+carefully kept in a little wooden case, and was very neatly and
+elaborately constructed, with screws to tighten it, and a silver
+centre-piece between the two tongues. Evidently a great deal of thought
+had been bestowed on this little harp; but Mr. Powers told me that it was
+an utter failure, because the tongues were apt to interfere and jar with
+one another, although the strain of music was very sweet and melodious--
+as he proved, by playing on it a little--when everything went right. It
+was a youthful production, and he said that its failure had been a great
+disappointment to him at the time; whereupon I congratulated him that his
+failures had been in small matters, and his successes in great ones.
+
+We talked, furthermore, about instinct and reason, and whether the brute
+creation have souls, and, if they have none, how justice is to be done
+them for their sufferings here; and Mr. Powers came finally to the
+conclusion that brutes suffer only in appearance, and that God enjoys for
+them all that they seem to enjoy, and that man is the only intelligent
+and sentient being. We reasoned high about other states of being; and I
+suggested the possibility that there might be beings inhabiting this
+earth, contemporaneously with us, and close beside us, but of whose
+existence and whereabout we could have no perception, nor they of ours,
+because we are endowed with different sets of senses; for certainly it
+was in God's power to create beings who should communicate with nature by
+innumerable other senses than those few which we possess. Mr. Powers
+gave hospitable reception to this idea, and said that it had occurred to
+himself; and he has evidently thought much and earnestly about such
+matters; but is apt to let his idea crystallize into a theory, before he
+can have sufficient data for it. He is a Swedenborgian in faith.
+
+The moon had risen behind the trees, while we were talking, and Powers
+intimated his idea that beings analogous to men--men in everything except
+the modifications necessary to adapt them to their physical
+circumstances--inhabited the planets, and peopled them with beautiful
+shapes. Each planet, however, must have its own standard of the
+beautiful, I suppose; and probably his sculptor's eye would not see much
+to admire in the proportions of an inhabitant of Saturn.
+
+The atmosphere of Florence, at least when we ascend a little way into it,
+suggests planetary speculations. Galileo found it so, and Mr. Powers and
+I pervaded the whole universe; but finally crept down his garret-stairs,
+and parted, with a friendly pressure of the hand.
+
+
+
+VILLA MONTANTO. MONTE BENI.
+
+
+August 2d.--We had grown weary of the heat of Florence within the walls,
+. . . . there being little opportunity for air and exercise except within
+the precincts of our little garden, which, also, we feared might breed
+malaria, or something akin to it. We have therefore taken this suburban
+villa for the two next months, and, yesterday morning, we all came out
+hither. J----- had preceded us with B. P------. The villa is on a hill
+called Bellosguardo, about a mile beyond the Porta Romana. Less than
+half an hour's walk brought us, who were on foot, to the iron gate of our
+villa, which we found shut and locked. We shouted to be let in, and
+while waiting for somebody to appear, there was a good opportunity to
+contemplate the external aspect of the villa. After we had waited a few
+minutes, J----- came racing down to the gate, laughing heartily, and said
+that Bob and he had been in the house, but had come out, shutting the
+door behind them; and as the door closed with a springlock, they could
+not get in again. Now as the key of the outer gate as well as that of
+the house itself was in the pocket of J-----'s coat, left inside, we were
+shut out of our own castle, and compelled to carry on a siege against it,
+without much likelihood of taking it, although the garrison was willing
+to surrender. But B. P------ called in the assistance of the contadini
+who cultivate the ground, and live in the farm-house close by; and one of
+them got into a window by means of a ladder, so that the keys were got,
+the gates opened, and we finally admitted. Before examining any other
+part of the house, we climbed to the top of the tower, which, indeed, is
+not very high, in proportion to its massive square. Very probably,
+its original height was abbreviated, in compliance with the law that
+lowered so many of the fortified towers of noblemen within the walls of
+Florence. . . . . The stairs were not of stone, built in with the
+original mass of the tower, as in English castles, but of now decayed
+wood, which shook beneath us, and grew more and more crazy as we
+ascended. It will not be many years before the height of the tower
+becomes unattainable. . . . . Near at hand, in the vicinity of the city,
+we saw the convent of Monte Olivetto, and other structures that looked
+like convents, being built round an enclosed square; also numerous white
+villas, many of which had towers, like that we were standing upon, square
+and massive, some of them battlemented on the summit, and others
+apparently modernized for domestic purposes. Among them U---- pointed
+out Galileo's tower, whither she made an excursion the other day. It
+looked lower than our own, but seemed to stand on a higher elevation. We
+also saw the duke's villa, the Poggio, with a long avenue of cypresses
+leading from it, as if a funeral were going forth. And having wasted
+thus much of description on the landscape, I will finish with saying that
+it lacked only water to be a very fine one. It is strange what a
+difference the gleam of water makes, and how a scene awakens and comes to
+life wherever it is visible. The landscape, moreover, gives the beholder
+(at least, this beholder) a sense of oppressive sunshine and scanty
+shade, and does not incite a longing to wander through it on foot, as a
+really delightful landscape should. The vine, too, being cultivated in
+so trim a manner, does not suggest that idea of luxuriant fertility,
+which is the poetical notion of a vineyard. The olive-orchards have a
+pale and unlovely hue. An English view would have been incomparably
+richer in its never-fading green; and in my own country, the wooded hills
+would have been more delightful than these peaks and ridges of dreary and
+barren sunshine; and there would have been the bright eyes of half a
+dozen little lakes, looking heavenward, within an extent like that of the
+Val d' Arno.
+
+By and by mamma's carriage came along the dusty road, and passed through
+the iron gateway, which we had left open for her reception. We shouted
+down to her and R-----, and they waved their handkerchiefs upward to us;
+and, on my way down, I met R----- and the servant coming up through the
+ghostly rooms.
+
+The rest of the day we spent mostly in exploring the premises. The house
+itself is of almost bewildering extent, insomuch that we might each of us
+have a suite of rooms individually. I have established myself on the
+ground-floor, where I have a dressing-room, a large vaulted saloon, hung
+with yellow damask, and a square writing-study, the walls and ceilings of
+the two latter apartments being ornamented with angels and cherubs aloft
+in fresco, and with temples, statues, vases, broken columns, peacocks,
+parrots, vines, and sunflowers below. I know not how many more saloons,
+anterooms, and sleeping-chambers there are on this same basement story,
+besides an equal number over them, and a great subterranean
+establishment. I saw some immense jars there, which I suppose were
+intended to hold oil; and iron kettles, for what purpose I cannot tell.
+There is also a chapel in the house, but it is locked up, and we cannot
+yet with certainty find the door of it, nor even, in this great
+wilderness of a house, decide absolutely what space the holy precincts
+occupy. Adjoining U----'s chamber, which is in the tower, there is a
+little oratory, hung round with sacred prints of very ancient date, and
+with crucifixes, holy-water vases, and other consecrated things; and
+here, within a glass case, there is the representation of an undraped
+little boy in wax, very prettily modelled, and holding up a heart that
+looks like a bit of red sealing-wax. If I had found him anywhere else I
+should have taken him for Cupid; but, being in an oratory, I presume him
+to have some religious signification. In the servants' room a crucifix
+hung on one side of the bed, and a little vase for holy water, now
+overgrown with a cobweb, on the other; and, no doubt, all the other
+sleeping-apartments would have been equally well provided, only that
+their occupants were to be heretics.
+
+The lower floor of the house is tolerably furnished, and looks cheerful
+with its frescos, although the bare pavements in every room give an
+impression of discomfort. But carpets are universally taken up in Italy
+during summer-time. It must have been an immense family that could have
+ever filled such a house with life. We go on voyages of discovery, and
+when in quest of any particular point, are likely enough to fetch up at
+some other. This morning I had difficulty in finding my way again to the
+top of the tower. One of the most peculiar rooms is constructed close to
+the tower, under the roof of the main building, but with no external
+walls on two sides! It is thus left open to the air, I presume for the
+sake of coolness. A parapet runs round the exposed sides for the sake of
+security. Some of the palaces in Florence have such open loggias in
+their upper stories, and I saw others on our journey hither, after
+arriving in Tuscany.
+
+The grounds immediately around the house are laid out in gravel-walks,
+and ornamented with shrubbery, and with what ought to be a grassy lawn;
+but the Italian sun is quite as little favorable to beauty of that kind
+as our own. I have enjoyed the luxury, however, almost for the first
+time since I left my hill-top at the Wayside, of flinging myself at full
+length on the ground without any fear of catching cold. Moist England
+would punish a man soundly for taking such liberties with her greensward.
+A podere, or cultivated tract, comprising several acres, belongs to the
+villa, and seems to be fertile, like all the surrounding country. The
+possessions of different proprietors are not separated by fences, but
+only marked out by ditches; and it seems possible to walk miles and
+miles, along the intersecting paths, without obstruction. The rural
+laborers, so far as I have observed, go about in their shirt-sleeves, and
+look very much like tanned and sunburnt Yankees.
+
+Last night it was really a work of time and toil to go about making our
+defensive preparations for the night; first closing the iron gate, then
+the ponderous and complicated fastenings of the house door, then the
+separate barricadoes of each iron-barred window on the lower floor, with
+a somewhat slighter arrangement above. There are bolts and shutters,
+however, for every window in the house, and I suppose it would not be
+amiss to put them all in use. Our garrison is so small that we must
+depend more upon the strength of our fortifications than upon our own
+active efforts in case of an attack. In England, in an insulated country
+house, we should need all these bolts and bars, and Italy is not thought
+to be the safer country of the two.
+
+It deserves to be recorded that the Count Montanto, a nobleman, and
+seemingly a man of property, should deem it worth while to let his
+country seat, and reside during the hot months in his palace in the city,
+for the consideration of a comparatively small sum a month. He seems to
+contemplate returning hither for the autumn and winter, when the
+situation must be very windy and bleak, and the cold death-like in these
+great halls; and then, it is to be supposed, he will let his palace in
+town. The Count, through the agency of his son, bargained very stiffly
+for, and finally obtained, three dollars in addition to the sum which we
+at first offered him. This indicates that even a little money is still a
+matter of great moment in Italy. Signor del Bello, who, I believe, is
+also a nobleman, haggled with us about some cracked crockery at our late
+residence, and finally demanded and received fifty cents in compensation.
+But this poor gentleman has been a spendthrift, and now acts as the agent
+of another.
+
+
+August 3d.--Yesterday afternoon William Story called on me, he being on a
+day or two's excursion from Siena, where he is spending the summer with
+his family. He was very entertaining and conversative, as usual, and
+said, in reply to my question whether he were not anxious to return to
+Cleopatra, that he had already sketched out another subject for
+sculpture, which would employ him during next winter. He told me, what I
+was glad to hear, that his sketches of Italian life, intended for the
+"Atlantic Monthly," and supposed to be lost, have been recovered.
+Speaking of the superstitiousness of the Italians, he said that they
+universally believe in the influence of the evil eye. The evil influence
+is supposed not to be dependent on the will of the possessor of the evil
+eye; on the contrary, the persons to whom he wishes well are the very
+ones to suffer by it. It is oftener found in monks than in any other
+class of people; and on meeting a monk, and encountering his eye, an
+Italian usually makes a defensive sign by putting both hands behind him,
+with the forefingers and little fingers extended, although it is a
+controverted point whether it be not more efficacious to extend the hand
+with its outspread fingers towards the suspected person. It is
+considered an evil omen to meet a monk on first going out for the day.
+The evil eye may be classified with the phenomena of mesmerism. The
+Italians, especially the Neapolitans, very generally wear amulets. Pio
+Nono, perhaps as being the chief of all monks and other religious people,
+is supposed to have an evil eye of tenfold malignancy; and its effect has
+been seen in the ruin of all schemes for the public good so soon as they
+are favored by him. When the pillar in the Piazza de' Spagna,
+commemorative of his dogma of the Immaculate Conception, was to be
+erected, the people of Rome refused to be present, or to have anything to
+do with it, unless the pope promised to abstain from interference. His
+Holiness did promise, but so far broke his word as to be present one day
+while it was being erected, and on that day a man was killed. A little
+while ago there was a Lord Clifford, an English Catholic nobleman,
+residing in Italy, and, happening to come to Rome, he sent his
+compliments to Pio Nono, and requested the favor of an interview. The
+pope, as it happened, was indisposed, or for some reason could not see
+his lordship, but very kindly sent him his blessing. Those who knew of
+it shook their heads, and intimated that it would go ill with his
+lordship now that he had been blessed by Pio Nono, and the very next day
+poor Lord Clifford was dead! His Holiness had better construe the
+scriptural injunction literally, and take to blessing his enemies.
+
+I walked into town with J------ this morning, and, meeting a monk in the
+Via Furnace, I thought it no more than reasonable, as the good father
+fixed his eyes on me, to provide against the worst by putting both hands
+behind me, with the forefingers and little fingers stuck out.
+
+In speaking of the little oratory connected with U----'s chamber, I
+forgot to mention the most remarkable object in it. It is a skull, the
+size of life (or death). . . . . This part of the house must be very old,
+probably coeval with the tower. The ceiling of U----'s apartment is
+vaulted with intersecting arches; and adjoining it is a very large
+saloon, likewise with a vaulted and groined ceiling, and having a
+cushioned divan running all round the walls. The windows of these rooms
+look out on the Val d' Arno.
+
+The apartment above this saloon is of the same size, and hung with
+engraved portraits, printed on large sheets by the score and hundred
+together, and enclosed in wooden frames. They comprise the whole series
+of Roman emperors, the succession of popes, the kings of Europe, the
+doges of Venice, and the sultans of Turkey. The engravings bear
+different dates between 1685 and thirty years later, and were executed at
+Rome.
+
+
+August 4th.--We ascended our tower yesterday afternoon to see the sunset.
+In my first sketch of the Val d' Arno I said that the Arno seemed to hold
+its course near the bases of the hills. I now observe that the line of
+trees which marks its current divides the valley into two pretty equal
+parts, and the river runs nearly east and west. . . . . At last, when it
+was growing dark, we went down, groping our way over the shaky
+staircases, and peeping into each dark chamber as we passed. I gratified
+J----- exceedingly by hitting my nose against the wall. Reaching the
+bottom, I went into the great saloon, and stood at a window watching the
+lights twinkle forth, near and far, in the valley, and listening to the
+convent bells that sounded from Monte Olivetto, and more remotely still.
+The stars came out, and the constellation of the Dipper hung exactly over
+the Val d' Arno, pointing to the North Star above the hills on my right.
+
+
+August 12th.--We drove into town yesterday afternoon, with Miss Blagden,
+to call on Mr. Kirkup, an old Englishman who has resided a great many
+years in Florence. He is noted as an antiquarian, and has the reputation
+of being a necromancer, not undeservedly, as he is deeply interested in
+spirit-rappings, and holds converse, through a medium, with dead poets
+and emperors. He lives in an old house, formerly a residence of the
+Knights Templars, hanging over the Arno, just as you come upon the Ponte
+Vecchio; and, going up a dark staircase and knocking at a door on one
+side of the landing-place, we were received by Mr. Kirkup. He had had
+notice of our visit, and was prepared for it, being dressed in a blue
+frock-coat of rather an old fashion, with a velvet collar, and in a thin
+waistcoat and pantaloons fresh from the drawer; looking very sprucely, in
+short, and unlike his customary guise, for Miss Blagden hinted to us that
+the poor gentleman is generally so untidy that it is not quite pleasant
+to take him by the hand. He is rather low of stature, with a pale,
+shrivelled face, and hair and beard perfectly white, and the hair of a
+particularly soft and silken texture. He has a high, thin nose, of the
+English aristocratic type; his eyes have a queer, rather wild look, and
+the eyebrows are arched above them, so that he seems all the time to be
+seeing something that strikes him with surprise. I judged him to be a
+little crack-brained, chiefly on the strength of this expression. His
+whole make is delicate, his hands white and small, and his appearance and
+manners those of a gentleman, with rather more embroidery of courtesy
+than belongs to an Englishman. He appeared to be very nervous,
+tremulous, indeed, to his fingers' ends, without being in any degree
+disturbed or embarrassed by our presence. Finally, he is very deaf; an
+infirmity that quite took away my pleasure in the interview, because it
+is impossible to say anything worth while when one is compelled to raise
+one's voice above its ordinary level.
+
+He ushered us through two or three large rooms, dark, dusty, hung with
+antique-looking pictures, and lined with bookcases containing, I doubt
+not, a very curious library. Indeed, he directed my attention to one
+case, and said that he had collected those works, in former days, merely
+for the sake of laughing at them. They were books of magic and occult
+sciences. What he seemed really to value, however, were some manuscript
+copies of Dante, of which he showed us two: one, a folio on parchment,
+beautifully written in German text, the letters as clear and accurately
+cut as printed type; the other a small volume, fit, as Mr. Kirkup said,
+to be carried in a capacious mediaeval sleeve. This also was on vellum,
+and as elegantly executed as the larger one; but the larger had beautiful
+illuminations, the vermilion and gold of which looked as brilliant now as
+they did five centuries ago. Both of these books were written early in
+the fourteenth century. Mr. Kirkup has also a plaster cast of Dante's
+face, which he believes to be the original one taken from his face after
+death; and he has likewise his own accurate tracing from Giotto's fresco
+of Dante in the chapel of the Bargello. This fresco was discovered
+through Mr. Kirkup's means, and the tracing is particularly valuable,
+because the original has been almost destroyed by rough usage in drawing
+out a nail that had been driven into the eye. It represents the profile
+of a youthful but melancholy face, and has the general outline of Dante's
+features in other portraits.
+
+Dante has held frequent communications with Mr. Kirkup through a medium,
+the poet being described by the medium as wearing the same dress seen in
+the youthful portrait, but as hearing more resemblance to the cast taken
+from his dead face than to the picture from his youthful one.
+
+There was a very good picture of Savonarola in one of the rooms, and many
+other portraits, paintings, and drawings, some of them ancient, and
+others the work of Mr. Kirkup himself. He has the torn fragment of an
+exquisite drawing of a nude figure by Rubens, and a portfolio of other
+curious drawings. And besides books and works of art, he has no end of
+antique knick-knackeries, none of which we had any time to look at; among
+others some instruments with which nuns used to torture themselves in
+their convents by way of penance. But the greatest curiosity of all, and
+no antiquity, was a pale, large-eyed little girl, about four years old,
+who followed the conjurer's footsteps wherever he went. She was the
+brightest and merriest little thing in the world, and frisked through
+those shadowy old chambers, among the dead people's trumpery, as gayly as
+a butterfly flits among flowers and sunshine.
+
+The child's mother was a beautiful girl named Regina, whose portrait Mr.
+Kirkup showed us on the wall. I never saw a more beautiful and striking
+face claiming to be a real one. She was a Florentine, of low birth, and
+she lived with the old necromancer as his spiritual medium. He showed us
+a journal, kept during her lifetime, and read from it his notes of an
+interview with the Czar Alexander, when that potentate communicated to
+Mr. Kirkup that he had been poisoned. The necromancer set a great value
+upon Regina, . . . . and when she died he received her poor baby into his
+heart, and now considers it absolutely his own. At any rate, it is a
+happy belief for him, since he has nothing else in the world to love, and
+loves the child entirely, and enjoys all the bliss of fatherhood, though
+he must have lived as much as seventy years before he began to taste it.
+
+The child inherits her mother's gift of communication with the spiritual
+world, so that the conjurer can still talk with Regina through the baby
+which she left, and not only with her, but with Dante, and any other
+great spirit that may choose to visit him. It is a very strange story,
+and this child might be put at once into a romance, with all her history
+and environment; the ancient Knight Templar palace, with the Arno flowing
+under the iron-barred windows, and the Ponte Vecchio, covered with its
+jewellers' shops, close at hand; the dark, lofty chambers with faded
+frescos on the ceilings, black pictures hanging on the walls, old books
+on the shelves, and hundreds of musty antiquities, emitting an odor of
+past centuries; the shrivelled, white-bearded old man, thinking all the
+time of ghosts, and looking into the child's eyes to seek them; and the
+child herself, springing so freshly out of the soil, so pretty, so
+intelligent, so playful, with never a playmate save the conjurer and a
+kitten. It is a Persian kitten, and lay asleep in a window; but when I
+touched it, it started up at once in as gamesome a mood as the child
+herself.
+
+The child looks pale, and no wonder, seldom or never stirring out of that
+old palace, or away from the river atmosphere. Miss Blagden advised Mr.
+Kirkup to go with her to the seaside or into the country, and he did not
+deny that it might do her good, but seemed to be hampered by an old man's
+sluggishness and dislike of change. I think he will not live a great
+while, for he seems very frail. When he dies the little girl will
+inherit what property he may leave. A lady, Catharine Fleeting, an
+Englishwoman, and a friend of Mr. Kirkup, has engaged to take her in
+charge. She followed us merrily to the door, and so did the Persian
+kitten, and Mr. Kirkup shook hands with us, over and over again, with
+vivacious courtesy, his manner having been characterized by a great deal
+of briskness throughout the interview. He expressed himself delighted to
+have met one (whose books he had read), and said that the day would be a
+memorable one to him,--which I did not in the least believe.
+
+Mr. Kirkup is an intimate friend of Trelawny, author of "Adventures of a
+Younger Son," and, long ago, the latter promised him that, if he ever
+came into possession of the family estate, he would divide it with him.
+Trelawny did really succeed to the estate, and lost no time in forwarding
+to his friend the legal documents, entitling him to half of the property.
+But Mr. Kirkup declined the gift, as he himself was not destitute, and
+Trelawny had a brother. There were two pictures of Trelawny in the
+saloons, one a slight sketch on the wall, the other a half-length
+portrait in a Turkish dress; both handsome, but indicating no very
+amiable character. It is not easy to forgive Trelawny for uncovering
+dead Byron's limbs, and telling that terrible story about them,--equally
+disgraceful to himself, be it truth or a lie.
+
+It seems that Regina had a lover, and a sister who was very disreputable
+It rather adds than otherwise to the romance of the affair,--the idea
+that this pretty little elf has no right whatever to the asylum which she
+has found. Her name is Imogen.
+
+The small manuscript copy of Dante which he showed me was written by a
+Florentine gentleman of the fourteenth century, one of whose ancestors
+the poet had met and talked with in Paradise.
+
+
+August 19th.--Here is a good Italian incident, which I find in Valery.
+Andrea del Castagno was a painter in Florence in the fifteenth century;
+and he had a friend, likewise a painter, Domenico of Venice. The latter
+had the secret of painting in oils, and yielded to Castagno's entreaties
+to impart it to him. Desirous of being the sole possessor of this great
+secret, Castagno waited only the night to assassinate Domenico, who so
+little suspected his treachery, that he besought those who found him
+bleeding and dying to take him to his friend Castagno, that he might die
+in his arms. The murderer lived to be seventy-four years old, and his
+crime was never suspected till he himself revealed it on his death-bed.
+Domenico did actually die in Castagno's arms. The death scene would have
+been a good one for the latter to paint in oils.
+
+
+September 1st.--Few things journalizable have happened during the last
+month, because Florence and the neighborhood have lost their novelty; and
+furthermore, I usually spend the whole day at home, having been engaged
+in planning and sketching out a romance. I have now done with this for
+the present, and mean to employ the rest of the time we stay here chiefly
+in revisiting the galleries, and seeing what remains to be seen in
+Florence.
+
+Last Saturday, August 28th, we went to take tea at Miss Blagden's, who
+has a weekly reception on that evening. We found Mr. Powers there, and
+by and by Mr. Boott and Mr. Trollope came in. Miss ------ has lately
+been exercising her faculties as a spiritual writing-medium; and, the
+conversation turning on that subject, Mr. Powers related some things that
+he had witnessed through the agency of Mr. Home, who had held a session
+or two at his house. He described the apparition of two mysterious hands
+from beneath a table round which the party were seated. These hands
+purported to belong to the aunt of the Countess Cotterel, who was
+present, and were a pair of thin, delicate, aged, lady-like hands and
+arms, appearing at the edge of the table, and terminating at the elbow in
+a sort of white mist. One of the hands took up a fan and began to use
+it. The countess then said, "Fan yourself as you used to do, dear aunt";
+and forthwith the hands waved the fan back and forth in a peculiar
+manner, which the countess recognized as the manner of her dead aunt.
+The spirit was then requested to fan each member of the party; and
+accordingly, each separate individual round the table was fanned in turn,
+and felt the breeze sensibly upon his face. Finally, the hands sank
+beneath the table, I believe Mr. Powers said; but I am not quite sure
+that they did not melt into the air. During this apparition, Mr. Home
+sat at the table, but not in such a position or within such distance that
+he could have put out or managed the spectral hands; and of this Mr.
+Powers satisfied himself by taking precisely the same position after the
+party had retired. Mr. Powers did not feel the hands at this time, but
+he afterwards felt the touch of infant hands, which were at the time
+invisible. He told of many of the wonders, which seem to have as much
+right to be set down as facts as anything else that depends on human
+testimony. For example, Mr. K------, one of the party, gave a sudden
+start and exclamation. He had felt on his knee a certain token, which
+could have been given him only by a friend, long ago in his grave. Mr.
+Powers inquired what was the last thing that had been given as a present
+to a deceased child; and suddenly both he and his wife felt a prick as of
+some sharp instrument, on their knees. The present had been a penknife.
+I have forgotten other incidents quite as striking as these; but, with
+the exception of the spirit-hands, they seemed to be akin to those that
+have been produced by mesmerism, returning the inquirer's thoughts and
+veiled recollections to himself, as answers to his queries. The hands
+are certainly an inexplicable phenomenon. Of course, they are not
+portions of a dead body, nor any other kind of substance; they are
+impressions on the two senses, sight and touch, but how produced I cannot
+tell. Even admitting their appearance,--and certainly I do admit it as
+freely and fully as if I had seen them myself,--there is no need of
+supposing them to come from the world of departed spirits.
+
+Powers seems to put entire faith in the verity of spiritual
+communications, while acknowledging the difficulty of identifying spirits
+as being what they pretend to be. He is a Swedenborgian, and so far
+prepared to put faith in many of these phenomena. As for Home, Powers
+gives a decided opinion that he is a knave, but thinks him so organized,
+nevertheless, as to be a particularly good medium for spiritual
+communications. Spirits, I suppose, like earthly people, are obliged to
+use such instruments as will answer their purposes; but rather than
+receive a message from a dead friend through the organism of a rogue or
+charlatan, methinks I would choose to wait till we meet. But what most
+astonishes me is the indifference with which I listen to these marvels.
+They throw old ghost stories quite into the shade; they bring the whole
+world of spirits down amongst us, visibly and audibly; they are
+absolutely proved to be sober facts by evidence that would satisfy us of
+any other alleged realities; and yet I cannot force my mind to interest
+myself in them. They are facts to my understanding, which, it might have
+been anticipated, would have been the last to acknowledge them; but they
+seem not to be facts to my intuitions and deeper perceptions. My inner
+soul does not in the least admit them; there is a mistake somewhere. So
+idle and empty do I feel these stories to be, that I hesitated long
+whether or no to give up a few pages of this not very important journal
+to the record of them.
+
+We have had written communications through Miss ------ with several
+spirits; my wife's father, mother, two brothers, and a sister, who died
+long ago, in infancy; a certain Mary Hall, who announces herself as the
+guardian spirit of Miss ------; and, queerest of all, a Mary Runnel, who
+seems to be a wandering spirit, having relations with nobody, but thrusts
+her finger into everybody's affairs. My wife's mother is the principal
+communicant; she expresses strong affection, and rejoices at the
+opportunity of conversing with her daughter. She often says very pretty
+things; for instance, in a dissertation upon heavenly music; but there is
+a lack of substance in her talk, a want of gripe, a delusive show, a
+sentimental surface, with no bottom beneath it. The same sort of thing
+has struck me in all the poetry and prose that I have read from spiritual
+sources. I should judge that these effusions emanated from earthly
+minds, but had undergone some process that had deprived them of solidity
+and warmth. In the communications between my wife and her mother, I
+cannot help thinking that (Miss ------ being unconsciously in a mesmeric
+state) all the responses are conveyed to her fingers from my wife's
+mind. . . . .
+
+We have tried the spirits by various test questions, on every one of
+which they have failed egregiously. Here, however, the aforesaid Mary
+Runnel comes into play. The other spirits have told us that the veracity
+of this spirit is not to be depended upon; and so, whenever it is
+possible, poor Mary Runnel is thrust forward to bear the odium of every
+mistake or falsehood. They have avowed themselves responsible for all
+statements signed by themselves, and have thereby brought themselves into
+more than one inextricable dilemma; but it is very funny, where a
+response or a matter of fact has not been thus certified, how invariably
+Mary Runnel is made to assume the discredit of it, on its turning out to
+be false. It is the most ingenious arrangement that could possibly have
+been contrived; and somehow or other, the pranks of this lying spirit
+give a reality to the conversations which the more respectable ghosts
+quite fail in imparting.
+
+The whole matter seems to me a sort of dreaming awake. It resembles a
+dream, in that the whole material is, from the first, in the dreamer's
+mind, though concealed at various depths below the surface; the dead
+appear alive, as they always do in dreams; unexpected combinations occur,
+as continually in dreams; the mind speaks through the various persons of
+the drama, and sometimes astonishes itself with its own wit, wisdom, and
+eloquence, as often in dreams; but, in both cases, the intellectual
+manifestations are really of a very flimsy texture. Mary Runnel is the
+only personage who does not come evidently from dream-land; and she, I
+think, represents that lurking scepticism, that sense of unreality, of
+which we are often conscious, amid the most vivid phantasmagoria of a
+dream. I should be glad to believe in the genuineness of these spirits,
+if I could; but the above is the conclusion to which my soberest thoughts
+tend. There remains, of course, a great deal for which I cannot account,
+and I cannot sufficiently wonder at the pigheadedness both of
+metaphysicians and physiologists, in not accepting the phenomena, so far
+as to make them the subject of investigation.
+
+In writing the communications, Miss ------ holds the pencil rather
+loosely between her fingers; it moves rapidly, and with equal facility
+whether she fixes her eyes on the paper or not. The handwriting has far
+more freedom than her own. At the conclusion of a sentence, the pencil
+lays itself down. She sometimes has a perception of each word before it
+is written; at other times, she is quite unconscious what is to come
+next. Her integrity is absolutely indubitable, and she herself totally
+disbelieves in the spiritual authenticity of what is communicated through
+her medium.
+
+
+September 3d.--We walked into Florence yesterday, betimes after
+breakfast, it being comfortably cool, and a gray, English sky; though,
+indeed, the clouds had a tendency to mass themselves more than they do on
+an overcast English day. We found it warmer in Florence, but, not
+inconveniently so, even in the sunniest streets and squares.
+
+We went to the Uffizi gallery, the whole of which with its contents is
+now familiar to us, except the room containing drawings; and our to-day's
+visit was especially to them. The door giving admittance to them is the
+very last in the gallery; and the rooms, three in number, are, I should
+judge, over the Loggia de' Lanzi, looking on the Grand Ducal Piazza. The
+drawings hang on the walls, framed and glazed; and number, perhaps, from
+one to two hundred in each room; but this is only a small portion of the
+collection, which amounts, it is said, to twenty thousand, and is
+reposited in portfolios. The sketches on the walls are changed, from
+time to time, so as to exhibit all the most interesting ones in turn.
+Their whole charm is artistic, imaginative, and intellectual, and in no
+degree of the upholstery kind; their outward presentment being, in
+general, a design hastily shadowed out, by means of colored crayons, on
+tinted paper, or perhaps scratched rudely in pen and ink; or drawn in
+pencil or charcoal, and half rubbed out; very rough things, indeed, in
+many instances, and the more interesting on that account, because it
+seems as if the artist had bestirred himself to catch the first glimpse
+of an image that did but reveal itself and vanish. The sheets, or
+sometimes scraps of paper, on which they are drawn, are discolored with
+age, creased, soiled; but yet you are magnetized by the hand of Raphael,
+Michael Angelo, Leonardo, or whoever may have jotted down those
+rough-looking master-touches. They certainly possess a charm that is
+lost in the finished picture; and I was more sensible of forecasting
+thought, skill, and prophetic design, in these sketches than in the most
+consummate works that have been elaborated from them. There is something
+more divine in these; for I suppose the first idea of a picture is real
+inspiration, and all the subsequent elaboration of the master serves but
+to cover up the celestial germ with something that belongs to himself.
+At any rate, the first sketch is the more suggestive, and sets the
+spectator's imagination at work; whereas the picture, if a good one,
+leaves him nothing to do; if bad, it confuses, stupefies, disenchants,
+and disheartens him. First thoughts have an aroma and fragrance in them,
+that they do not lose in three hundred years; for so old, and a good deal
+more, are some of these sketches.
+
+None interested me more than some drawings, on separate pieces of paper,
+by Perugino, for his picture of the mother and friends of Jesus round his
+dead body, now at the Pitti Palace. The attendant figures are distinctly
+made out, as if the Virgin, and John, and Mary Magdalen had each favored
+the painter with a sitting; but the body of Jesus lies in the midst,
+dimly hinted with a few pencil-marks.
+
+There were several designs by Michael Angelo, none of which made much
+impression on me; the most striking was a very ugly demon, afterwards
+painted in the Sistine Chapel. Raphael shows several sketches of
+Madonnas,--one of which has flowered into the Grand Duke's especial
+Madonna at the Pitti Palace, but with a different face. His sketches
+were mostly very rough in execution; but there were two or three designs
+for frescos, I think, in the Vatican, very carefully executed; perhaps
+because these works were mainly to be done by other hands than his own.
+It seems to one that the Pre-Raphaelite artists made more careful
+drawings than the later ones; and it rather surprised me to see how much
+science they possessed.
+
+We looked at few other things in the gallery; and, indeed, it was not one
+of the days when works of art find me impressible. We stopped a little
+while in the Tribune, but the Venus de' Medici seemed to me to-day little
+more than any other piece of yellowish white marble. How strange that a
+goddess should stand before us absolutely unrecognized, even when we know
+by previous revelations that she is nothing short of divine! It is also
+strange that, unless when one feels the ideal charm of a statue, it
+becomes one of the most tedious and irksome things in the world. Either
+it must be a celestial thing or an old lump of stone, dusty and
+time-soiled, and tiring out your patience with eternally looking just the
+same. Once in a while you penetrate through the crust of the old
+sameness, and see the statue forever new and immortally young.
+
+Leaving the gallery we walked towards the Duomo, and on our way stopped
+to look at the beautiful Gothic niches hollowed into the exterior walls
+of the Church of San Michele. They are now in the process of being
+cleaned, and each niche is elaborately inlaid with precious marbles, and
+some of them magnificently gilded; and they are all surmounted with
+marble canopies as light and graceful as frost-work. Within stand
+statues, St. George, and many other saints, by Donatello and others, and
+all taking a hold upon one's sympathies, even if they be not beautiful.
+Classic statues escape you with their slippery beauty, as if they were
+made of ice. Rough and ugly things can be clutched. This is nonsense,
+and yet it means something. . . . . The streets were thronged and
+vociferative with more life and outcry than usual. It must have been
+market-day in Florence, for the commerce of the streets was in great
+vigor, narrow tables being set out in them, and in the squares, burdened
+with all kinds of small merchandise, such as cheap jewelry, glistening as
+brightly as what we had just seen in the gem-room of the Uffizi; crockery
+ware; toys, books, Italian and French; silks; slippers; old iron; all
+advertised by the dealers with terribly loud and high voices, that
+reverberated harshly from side to side of the narrow streets. Italian
+street-cries go through the head; not that they are so very sharp, but
+exceedingly hard, like a blunt iron bar.
+
+We stood at the base of the Campanile, and looked at the bas-reliefs
+which wreathe it round; and, above them, a row of statues; and from
+bottom to top a marvellous minuteness of inlaid marbles, filling up the
+vast and beautiful design of this heaven-aspiring tower. Looking upward
+to its lofty summit,--where angels might alight, lapsing downward from
+heaven, and gaze curiously at the bustle of men below,--I could not but
+feel that there is a moral charm in this faithful minuteness of Gothic
+architecture, filling up its outline with a million of beauties that
+perhaps may never be studied out by a single spectator. It is the very
+process of nature, and no doubt produces an effect that we know not of.
+Classic architecture is nothing but an outline, and affords no little
+points, no interstices where human feelings may cling and overgrow it
+like ivy. The charm, as I said, seems to be moral rather than
+intellectual; for in the gem-room of the Uffizi you may see fifty
+designs, elaborated on a small scale, that have just as much merit as the
+design of the Campanile. If it were only five inches long, it might be a
+case for some article of toilet; being two hundred feet high, its
+prettiness develops into grandeur as well as beauty, and it becomes
+really one of the wonders of the world. The design of the Pantheon, on
+the contrary, would retain its sublimity on whatever scale it might be
+represented.
+
+Returning homewards, we crossed the Ponte Vecchio, and went to the Museum
+of Natural History, where we gained admittance into the rooms dedicated
+to Galileo. They consist of a vestibule, a saloon, and a semicircular
+tribune, covered with a frescoed dome, beneath which stands a colossal
+statue of Galileo, long-bearded, and clad in a student's gown, or some
+voluminous garb of that kind. Around the tribune, beside and behind the
+statue, are six niches,--in one of which is preserved a forefinger of
+Galileo, fixed on a little gilt pedestal, and pointing upward, under a
+glass cover. It is very much shrivelled and mummy-like, of the color of
+parchment, and is little more than a finger-bone, with the dry skin or
+flesh flaking away from it; on the whole, not a very delightful relic;
+but Galileo used to point heavenward with this finger, and I hope has
+gone whither he pointed.
+
+Another niche contains two telescopes, wherewith he made some of his
+discoveries; they are perhaps a yard long, and of very small calibre.
+Other astronomical instruments are displayed in the glass cases that line
+the rooms; but I did not understand their use any better than the monks,
+who wished to burn Galileo for his heterodoxy about the planetary
+system. . . . .
+
+After dinner I climbed the tower. . . . . Florence lay in the sunshine,
+level, compact, and small of compass. Above the tiled roofs rose the
+tower of the Palazzo Vecchio, the loftiest and the most picturesque,
+though built, I suppose, with no idea of making it so. But it attains,
+in a singular degree, the end of causing the imagination to fly upward
+and alight on its airy battlements. Near it I beheld the square mass of
+Or San Michele, and farther to the left the bulky Duomo and the Campanile
+close beside it, like a slender bride or daughter; the dome of San
+Lorenzo too. The Arno is nowhere visible. Beyond, and on all sides of
+the city, the hills pile themselves lazily upward in ridges, here and
+there developing into a peak; towards their bases white villas were
+strewn numerously, but the upper region was lonely and bare.
+
+As we passed under the arch of the Porta Romana this morning, on our way
+into the city, we saw a queer object. It was what we at first took for a
+living man, in a garb of light reddish or yellowish red color, of antique
+or priestly fashion, and with a cowl falling behind. His face was of the
+same hue, and seemed to have been powdered, as the faces of maskers
+sometimes are. He sat in a cart, which he seemed to be driving into the
+Deity with a load of earthen jars and pipkins, the color of which was
+precisely like his own. On closer inspection, this priestly figure
+proved to be likewise an image of earthenware, but his lifelikeness had a
+very strange and rather ghastly effect. Adam, perhaps, was made of just
+such red earth, and had the complexion of this figure.
+
+
+September 7th.--I walked into town yesterday morning, by way of the Porta
+San Frediano. The gate of a city might be a good locality for a chapter
+in a novel, or for a little sketch by itself, whether by painter or
+writer. The great arch of the gateway, piercing through the depth and
+height of the massive masonry beneath the battlemented summit; the shadow
+brooding below, in the immense thickness of the wall and beyond it, the
+vista of the street, sunny and swarming with life; outside of the gate, a
+throng of carts, laden with fruits, vegetables, small flat barrels of
+wine, waiting to be examined by the custom-house officers; carriages too,
+and foot-passengers entering, and others swarming outward. Under the
+shadowy arch are the offices of the police and customs, and probably the
+guard-room of the soldiers, all hollowed out in the mass of the gateway.
+Civil officers loll on chairs in the shade, perhaps with an awning over
+their heads. Where the sun falls aslantwise under the arch a sentinel,
+with musket and bayonet, paces to and fro in the entrance, and other
+soldiers lounge close by. The life of the city seems to be compressed
+and made more intense by this barrier; and on passing within it you do
+not breathe quite so freely, yet are sensible of an enjoyment in the
+close elbowing throng, the clamor of high voices from side to side of the
+street, and the million of petty sights, actions, traffics, and
+personalities, all so squeezed together as to become a great whole.
+
+The street by which I entered led me to the Carraja Bridge; crossing
+which, I kept straight onward till I came to the Church of Santa Maria
+Novella. Doubtless, it looks just the same as when Boccaccio's party
+stood in a cluster on its broad steps arranging their excursion to the
+villa. Thence I went to the Church of St. Lorenzo, which I entered by
+the side door, and found the organ sounding and a religious ceremony
+going forward. It is a church of sombre aspect, with its gray walls and
+pillars, but was decked out for some festivity with hangings of scarlet
+damask and gold. I sat awhile to rest myself, and then pursued my way to
+the Duomo. I entered, and looked at Sir John Hawkwood's painted effigy,
+and at several busts and statues, and at the windows of the chapel
+surrounding the dome, through which the sunshine glowed, white in the
+outer air, but a hundred-hued splendor within. I tried to bring up the
+scene of Lorenzo de' Medici's attempted assassination, but with no great
+success; and after listening a little while to the chanting of the
+priests and acolytes, I went to the Bank. It is in a palace of which
+Raphael was the architect, in the Piazza Gran Duca.
+
+I next went, as a matter of course, to the Uffizi gallery, and, in the
+first place, to the Tribune, where the Venus de' Medici deigned to reveal
+herself rather more satisfactorily than at my last visit. . . . . I
+looked into all the rooms, bronzes, drawings, and gem-room; a volume
+might easily be written upon either subject. The contents of the
+gem-room especially require to be looked at separately in order to
+convince one's self of their minute magnificences; for, among so many,
+the eye slips from one to another with only a vague outward sense that
+here are whole shelves full of little miracles, both of nature's material
+and man's workmanship. Greater [larger] things can be reasonably well
+appreciated with a less scrupulous though broader attention; but in order
+to estimate the brilliancy of the diamond eyes of a little agate bust,
+for instance, you have to screw your mind down to them and nothing else.
+You must sharpen your faculties of observation to a point, and touch the
+object exactly on the right spot, or you do not appreciate it at all. It
+is a troublesome process when there are a thousand such objects to be
+seen.
+
+I stood at an open window in the transverse corridor, and looked down
+upon the Arno, and across at the range of edifices that impend over it on
+the opposite side. The river, I should judge, may be a hundred or a
+hundred and fifty yards wide in its course between the Ponte alle Grazie
+and the Ponte Vecchio; that is, the width between strand and strand is at
+least so much. The river, however, leaves a broad margin of mud and
+gravel on its right bank, on which water-weeds grow pretty abundantly,
+and creep even into the stream. On my first arrival in Florence I
+thought the goose-pond green of the water rather agreeable than
+otherwise; but its hue is now that of unadulterated mud, as yellow as the
+Tiber itself, yet not impressing me as being enriched with city sewerage
+like that other famous river. From the Ponte alle Grazie downward,
+half-way towards the Ponte Vecchio, there is an island of gravel, and the
+channel on each side is so shallow as to allow the passage of men and
+horses wading not overleg. I have seen fishermen wading the main channel
+from side to side, their feet sinking into the dark mud, and thus
+discoloring the yellow water with a black track visible, step by step,
+through its shallowness. But still the Arno is a mountain stream, and
+liable to be tetchy and turbulent like all its kindred, and no doubt it
+often finds its borders of hewn stone not too far apart for its
+convenience.
+
+Along the right shore, beneath the Uffizi and the adjacent buildings,
+there is a broad paved way, with a parapet; on the opposite shore the
+edifices are built directly upon the river's edge, and impend over the
+water, supported upon arches and machicolations, as I think that peculiar
+arrangement of buttressing arcades is called. The houses are
+picturesquely various in height, from two or three stories to seven;
+picturesque in hue likewise,--pea-green, yellow, white, and of aged
+discoloration,--but all with green blinds; picturesque also in the courts
+and galleries that look upon the river, and in the wide arches that open
+beneath, intended perhaps to afford a haven for the household boat. Nets
+were suspended before one or two of the houses, as if the inhabitants
+were in the habit of fishing out of window. As a general effect, the
+houses, though often palatial in size and height, have a shabby,
+neglected aspect, and are jumbled too closely together. Behind their
+range the city swells upward in a hillside, which rises to a great height
+above, forming, I believe, a part of the Boboli Gardens.
+
+I returned homewards over the Ponte Vecchio, which is a continuous street
+of ancient houses, except over the central arch, so that a stranger might
+easily cross the river without knowing it. In these small, old houses
+there is a community of goldsmiths, who set out their glass cases, and
+hang their windows with rings, bracelets, necklaces, strings of pearl,
+ornaments of malachite and coral, and especially with Florentine mosaics;
+watches, too, and snuff-boxes of old fashion or new; offerings for
+shrines also, such as silver hearts pierced with swords; an infinity of
+pretty things, the manufacture of which is continually going on in the
+little back-room of each little shop. This gewgaw business has been
+established on the Ponte Vecchio for centuries, although, long since, it
+was an art of far higher pretensions than now. Benvenuto Cellini had his
+workshop here, probably in one of these selfsame little nooks. It would
+have been a ticklish affair to be Benvenuto's fellow-workman within such
+narrow limits.
+
+Going out of the Porta Romana, I walked for some distance along the city
+wall, and then, turning to the left, toiled up the hill of Bellosguardo,
+through narrow zigzag lanes between high walls of stone or plastered
+brick, where the sun had the fairest chance to frizzle me. There were
+scattered villas and houses, here and there concentrating into a little
+bit of a street, paved with flag-stones from side to side, as in the
+city, and shadowed quite across its narrowness by the height of the
+houses. Mostly, however, the way was inhospitably sunny, and shut out by
+the high wall from every glimpse of a view, except in one spot, where
+Florence spread itself before my eyes, with every tower, dome, and spire
+which it contains. A little way farther on my own gray tower rose before
+me, the most welcome object that I had seen in the course of the day.
+
+
+September 10th.--I went into town again yesterday, by way of the Porta
+San Frediano, and observed that this gate (like the other gates of
+Florence, as far as I have observed) is a tall, square structure of stone
+or brick, or both, rising high above the adjacent wall, and having a
+range of open loggie in the upper story. The arch externally is about
+half the height of the structure. Inside, towards the town, it rises
+nearly to the roof. On each side of the arch there is much room for
+offices, apartments, storehouses, or whatever else. On the outside of
+the gate, along the base, are those iron rings and sockets for torches,
+which are said to be the distinguishing symbol of illustrious houses. As
+contrasted with the vista of the narrow, swarming street through the arch
+from without, the view from the inside might be presented with a glimpse
+of the free blue sky.
+
+I strolled a little about Florence, and went into two or three churches;
+into that of the Annunziata for one. I have already described this
+church, with its general magnificence, and it was more magnificent than
+ever to-day, being hung with scarlet silk and gold-embroidery. A great
+many people were at their devotions, thronging principally around the
+Virgin's shrine. I was struck now with the many bas-reliefs and busts in
+the costume of their respective ages, and seemingly with great accuracy
+of portraiture, in the passage leading from the front of the church
+into the cloisters. The marble was not at all abashed nor degraded by
+being made to assume the guise of the mediaeval furred robe, or the
+close-fitting tunic with elaborate ruff, or the breastplate and gorget,
+or the flowing wig, or whatever the actual costume might be; and one is
+sensible of a rectitude and reality in the affair, and respects the dead
+people for not putting themselves into an eternal masquerade. The dress
+of the present day will look equally respectable in one or two hundred
+years.
+
+The Fair is still going on, and one of its principal centres is before
+this church, in the Piazza of the Annunziata. Cloth is the chief
+commodity offered for sale, and none of the finest; coarse, unbleached
+linen and cotton prints for country-people's wear, together with yarn,
+stockings, and here and there an assortment of bright-colored ribbons.
+Playthings, of a very rude fashion, were also displayed; likewise books
+in Italian and French; and a great deal of iron-work. Both here and in
+Rome they have this odd custom of offering rusty iron implements for
+sale, spread out on the pavements. There was a good deal of tinware,
+too, glittering in the sunshine, especially around the pedestal of the
+bronze statue of Duke Ferdinand, who curbs his horse and looks down upon
+the bustling piazza in a very stately way. . . . . The people attending
+the fair had mostly a rustic appearance; sunburnt faces, thin frames; no
+beauty, no bloom, no joyousness of young or old; an anxious aspect, as if
+life were no easy or holiday matter with them; but I should take them to
+be of a kindly nature, and reasonably honest. Except the broad-brimmed
+Tuscan hats of the women, there was no peculiarity of costume. At a
+careless glance I could very well have mistaken most of the men for
+Yankees; as for the women, there is very little resemblance between them
+and ours,--the old being absolutely hideous, and the young ones very
+seldom pretty. It was a very dull crowd. They do not generate any
+warmth among themselves by contiguity; they have no pervading sentiment,
+such as is continually breaking out in rough merriment from an American
+crowd; they have nothing to do with one another; they are not a crowd,
+considered as one mass, but a collection of individuals. A despotic
+government has perhaps destroyed their principle of cohesion, and
+crumbled them to atoms. Italian crowds are noted for their civility;
+possibly they deserve credit for native courtesy and gentleness;
+possibly, on the other hand, the crowd has not spirit and
+self-consciousness enough to be rampant. I wonder whether they will ever
+hold another parliament in the Piazza of Santa Croce!
+
+I paid a visit to the gallery of the Pitti Palace. There is too large an
+intermixture of Andrea del Sarto's pictures in this gallery; everywhere
+you see them, cold, proper, and uncriticisable, looking so much like
+first-rate excellence, that you inevitably quarrel with your own taste
+for not admiring them. . . . .
+
+It was one of the days when my mind misgives me whether the pictorial art
+be not a humbug, and when the minute accuracy of a fly in a Dutch picture
+of fruit and flowers seems to me something more reliable than the
+master-touches of Raphael. The gallery was considerably thronged, and
+many of the visitors appeared to be from the country, and of a class
+intermediate between gentility and labor. Is there such a rural class in
+Italy? I saw a respectable-looking man feeling awkward and uncomfortable
+in a new and glossy pair of pantaloons not yet bent and creased to his
+natural movement.
+
+Nothing pleased me better to-day than some amber cups, in one of the
+cabinets of curiosities. They are richly wrought, and the material is as
+if the artist had compressed a great deal of sunshine together, and when
+sufficiently solidified had moulded these cups out of it and let them
+harden. This simile was suggested by ------.
+
+Leaving the palace, I entered the Boboli Gardens, and wandered up and
+down a good deal of its uneven surface, through broad, well-kept edges of
+box, sprouting loftily, trimmed smoothly, and strewn between with cleanly
+gravel; skirting along plantations of aged trees, throwing a deep shadow
+within their precincts; passing many statues, not of the finest art, yet
+approaching so near it, as to serve just as good a purpose for garden
+ornament; coming now and then to the borders of a fishpool, or a pond,
+where stately swans circumnavigated an island of flowers;--all very fine
+and very wearisome. I have never enjoyed this garden; perhaps because it
+suggests dress-coats, and such elegant formalities.
+
+
+September 11th.--We have heard a good deal of spirit matters of late,
+especially of wonderful incidents that attended Mr. Home's visit to
+Florence, two or three years ago. Mrs. Powers told a very marvellous
+thing; how that when Mr. Home was holding a seance in her house, and
+several persons present, a great scratching was heard in a neighboring
+closet. She addressed the spirit, and requested it not to disturb the
+company then, as they were busy with other affairs, promising to converse
+with it on a future occasion. On a subsequent night, accordingly, the
+scratching was renewed, with the utmost violence; and in reply to Mrs.
+Powers's questions, the spirit assured her that it was not one, but
+legion, being the ghosts of twenty-seven monks, who were miserable and
+without hope! The house now occupied by Powers was formerly a convent,
+and I suppose these were the spirits of all the wicked monks that had
+ever inhabited it; at least, I hope that there were not such a number of
+damnable sinners extant at any one time. These ghostly fathers must have
+been very improper persons in their lifetime, judging by the
+indecorousness of their behavior even after death, and in such dreadful
+circumstances; for they pulled Mrs. Powers's skirts so hard as to break
+the gathers. . . . . It was not ascertained that they desired to have
+anything done for their eternal welfare, or that their situation was
+capable of amendment anyhow; but, being exhorted to refrain from further
+disturbance, they took their departure, after making the sign of the
+cross on the breast of each person present. This was very singular in
+such reprobates, who, by their own confession, had forfeited all claim to
+be benefited by that holy symbol: it curiously suggests that the forms of
+religion may still be kept up in purgatory and hell itself. The sign was
+made in a way that conveyed the sense of something devilish and spiteful;
+the perpendicular line of the cross being drawn gently enough, but the
+transverse one sharply and violently, so as to leave a painful
+impression. Perhaps the monks meant this to express their contempt and
+hatred for heretics; and how queer, that this antipathy should survive
+their own damnation! But I cannot help hoping that the case of these
+poor devils may not be so desperate as they think. They cannot be wholly
+lost, because their desire for communication with mortals shows that they
+need sympathy, therefore are not altogether hardened, therefore, with
+loving treatment, may be restored.
+
+A great many other wonders took place within the knowledge and experience
+of Mrs. P------. She saw, not one pair of hands only, but many. The
+head of one of her dead children, a little boy, was laid in her lap, not
+in ghastly fashion, as a head out of the coffin and the grave, but just
+as the living child might have laid it on his mother's knees. It was
+invisible, by the by, and she recognized it by the features and the
+character of the hair, through the sense of touch. Little hands grasped
+hers. In short, these soberly attested incredibilities are so numerous
+that I forget nine tenths of them, and judge the others too cheap to be
+written down. Christ spoke the truth surely, in saying that men would
+not believe, "though one rose from the dead." In my own case, the fact
+makes absolutely no impression. I regret such confirmation of truth as
+this.
+
+Within a mile of our villa stands the Villa Columbaria, a large house,
+built round a square court. Like Mr. Powers's residence, it was formerly
+a convent. It is inhabited by Major Gregorie, an old soldier of Waterloo
+and various other fights, and his family consists of Mrs. ------, the
+widow of one of the Major's friends, and her two daughters. We have
+become acquainted with the family, and Mrs. ------, the married daughter,
+has lent us a written statement of her experiences with a ghost, who has
+haunted the Villa Columbaria for many years back.
+
+He had made Mrs. ------ aware of his presence in her room by a sensation
+of extreme cold, as if a wintry breeze were blowing over her; also by a
+rustling of the bed-curtains; and, at such times, she had a certain
+consciousness, as she says, that she was not ALONE. Through Mr.
+Home's agency, the ghost was enabled to explain himself, and declared
+that he was a monk, named Giannane, who died a very long time ago in
+Mrs. ------'s present bedchamber. He was a murderer, and had been in a
+restless and miserable state ever since his death, wandering up and down
+the house, but especially haunting his own death-chamber and a staircase
+that communicated with the chapel of the villa. All the interviews with
+this lost spirit were attended with a sensation of severe cold, which was
+felt by every one present. He made his communications by means of
+table-rapping, and by the movements of chairs and other articles, which
+often assumed an angry character. The poor old fellow does not seem to
+have known exactly what he wanted with Mrs. ------, but promised to
+refrain from disturbing her any more, on condition that she would pray
+that he might find some repose. He had previously declined having any
+masses said for his soul. Rest, rest, rest, appears to be the continual
+craving of unhappy spirits; they do not venture to ask for positive
+bliss: perhaps, in their utter weariness, would rather forego the trouble
+of active enjoyment, but pray only for rest. The cold atmosphere around
+this monk suggests new ideas as to the climate of Hades. If all the
+afore-mentioned twenty-seven monks had a similar one, the combined
+temperature must have been that of a polar winter.
+
+Mrs. ------ saw, at one time, the fingers of her monk, long, yellow, and
+skinny; these fingers grasped the hands of individuals of the party, with
+a cold, clammy, and horrible touch.
+
+After the departure of this ghost other seances were held in her
+bedchamber, at which good and holy spirits manifested themselves, and
+behaved in a very comfortable and encouraging way. It was their
+benevolent purpose, apparently, to purify her apartments from all traces
+of the evil spirit, and to reconcile her to what had been so long the
+haunt of this miserable monk, by filling it with happy and sacred
+associations, in which, as Mrs. ------ intimates, they entirely
+succeeded.
+
+These stories remind me of an incident that took place at the old manse,
+in the first summer of our marriage. . . . .
+
+
+September 17th.--We walked yesterday to Florence, and visited the church
+of St. Lorenzo, where we saw, for the second time, the famous Medici
+statues of Michael Angelo. I found myself not in a very appreciative
+state, and, being a stone myself, the statue of Lorenzo was at first
+little more to me than another stone; but it was beginning to assume
+life, and would have impressed me as it did before if I had gazed long
+enough. There was a better light upon the face, under the helmet, than
+at my former visit, although still the features were enough overshadowed
+to produce that mystery on which, according to Mr. Powers, the effect of
+the statue depends. I observe that the costume of the figure, instead of
+being mediaeval, as I believe I have stated, is Roman; but, be it what it
+may, the grand and simple character of the figure imbues the robes with
+its individual propriety. I still think it the greatest miracle ever
+wrought in marble.
+
+We crossed the church and entered a cloister on the opposite side, in
+quest of the Laurentian Library. Ascending a staircase we found an old
+man blowing the bellows of the organ, which was in full blast in the
+church; nevertheless he found time to direct us to the library door. We
+entered a lofty vestibule, of ancient aspect and stately architecture,
+and thence were admitted into the library itself; a long and wide gallery
+or hall, lighted by a row of windows on which were painted the arms of
+the Medici. The ceiling was inlaid with dark wood, in an elaborate
+pattern, which was exactly repeated in terra-cotta on the pavement
+beneath our feet. Long desks, much like the old-fashioned ones in
+schools, were ranged on each side of the mid aisle, in a series from end
+to end, with seats for the convenience of students; and on these desks
+were rare manuscripts, carefully preserved under glass; and books,
+fastened to the desks by iron chains, as the custom of studious antiquity
+used to be. Along the centre of the hall, between the two ranges of
+desks, were tables and chairs, at which two or three scholarly persons
+were seated, diligently consulting volumes in manuscript or old type. It
+was a very quiet place, imbued with a cloistered sanctity, and remote
+from all street-cries and rumble of the city,--odorous of old
+literature,--a spot where the commonest ideas ought not to be expressed
+in less than Latin.
+
+The librarian--or custode he ought rather to be termed, for he was a man
+not above the fee of a paul--now presented himself, and showed us some of
+the literary curiosities; a vellum manuscript of the Bible, with a
+splendid illumination by Ghirlandaio, covering two folio pages, and just
+as brilliant in its color as if finished yesterday. Other illuminated
+manuscripts--or at least separate pages of them, for the volumes were
+kept under glass, and not to be turned over--were shown us, very
+magnificent, but not to be compared with this of Ghirlandaio. Looking at
+such treasures I could almost say that we have left behind us more
+splendor than we have kept alive to our own age. We publish beautiful
+editions of books, to be sure, and thousands of people enjoy them; but in
+ancient times the expense that we spread thinly over a thousand volumes
+was all compressed into one, and it became a great jewel of a book, a
+heavy folio, worth its weight in gold. Then, what a spiritual charm it
+gives to a book to feel that every letter has been individually wrought,
+and the pictures glow for that individual page alone! Certainly the
+ancient reader had a luxury which the modern one lacks. I was surprised,
+moreover, to see the clearness and accuracy of the chirography. Print
+does not surpass it in these respects.
+
+The custode showed us an ancient manuscript of the Decameron; likewise, a
+volume containing the portraits of Petrarch and of Laura, each covering
+the whole of a vellum page, and very finely done. They are authentic
+portraits, no doubt, and Laura is depicted as a fair-haired beauty, with
+a very satisfactory amount of loveliness. We saw some choice old
+editions of books in a small separate room; but as these were all ranged
+in shut bookcases, and as each volume, moreover, was in a separate cover
+or modern binding, this exhibition did us very little good. By the by,
+there is a conceit struggling blindly in my mind about Petrarch and
+Laura, suggested by those two lifelike portraits, which have been
+sleeping cheek to cheek through all these centuries. But I cannot lay
+hold of it.
+
+
+September 21st.--Yesterday morning the Val d' Arno was entirely filled
+with a thick fog, which extended even up to our windows, and concealed
+objects within a very short distance. It began to dissipate itself
+betimes, however, and was the forerunner of an unusually bright and warm
+day. We set out after breakfast and walked into town, where we looked at
+mosaic brooches. These are very pretty little bits of manufacture; but
+there seems to have been no infusion of fresh fancy into the work, and
+the specimens present little variety. It is the characteristic commodity
+of the place; the central mart and manufacturing locality being on the
+Ponte Vecchio, from end to end of which they are displayed in cases; but
+there are other mosaic shops scattered about the town. The principal
+devices are roses,--pink, yellow, or white,--jasmines, lilies of the
+valley, forget-me-nots, orange blossoms, and others, single or in sprigs,
+or twined into wreaths; parrots, too, and other birds of gay plumage,--
+often exquisitely done, and sometimes with precious materials, such as
+lapis lazuli, malachite, and still rarer gems. Bracelets, with several
+different, yet relative designs, are often very beautiful. We find, at
+different shops, a great inequality of prices for mosaics that seemed to
+be of much the same quality.
+
+We went to the Uffizi gallery, and found it much thronged with the middle
+and lower classes of Italians; and the English, too, seemed more numerous
+than I have lately seen them. Perhaps the tourists have just arrived
+here, starting at the close of the London season. We were amused with a
+pair of Englishmen who went through the gallery; one of them criticising
+the pictures and statues audibly, for the benefit of his companion. The
+critic I should take to be a country squire, and wholly untravelled; a
+tall, well-built, rather rough, but gentlemanly man enough; his friend, a
+small personage, exquisitely neat in dress, and of artificial deportment,
+every attitude and gesture appearing to have been practised before a
+glass. Being but a small pattern of a man, physically and
+intellectually, he had thought it worth while to finish himself off with
+the elaborateness of a Florentine mosaic; and the result was something
+like a dancing-master, though without the exuberant embroidery of such
+persons. Indeed, he was a very quiet little man, and, though so
+thoroughly made up, there was something particularly green, fresh, and
+simple in him. Both these Englishmen were elderly, and the smaller one
+had perfectly white hair, glossy and silken. It did not make him in the
+least venerable, however, but took his own character of neatness and
+prettiness. He carried his well-brushed and glossy hat in his hand in
+such a way as not to ruffle its surface; and I wish I could put into one
+word or one sentence the pettiness, the minikinfinical effect of this
+little man; his self-consciousness so lifelong, that, in some sort, he
+forgot himself even in the midst of it; his propriety, his cleanliness
+and unruffledness; his prettiness and nicety of manifestation, like a
+bird hopping daintily about.
+
+His companion, as I said, was of a completely different type; a tall,
+gray-haired man, with the rough English face, a little tinted with port
+wine; careless, natural manner, betokening a man of position in his own
+neighborhood; a loud voice, not vulgar, nor outraging the rules of
+society, but betraying a character incapable of much refinement. He
+talked continually in his progress through the gallery, and audibly
+enough for us to catch almost everything he said, at many yards'
+distance. His remarks and criticisms, addressed to his small friend,
+were so entertaining, that we strolled behind him for the sake of being
+benefited by them; and I think he soon became aware of this, and
+addressed himself to us as well as to his more immediate friend. Nobody
+but an Englishman, it seems to me, has just this kind of vanity,--a
+feeling mixed up with scorn and good-nature; self-complacency on his own
+merits, and as an Englishman; pride at being in foreign parts; contempt
+for everybody around him; a rough kindliness towards people in general.
+I liked the man, and should be glad to know him better. As for his
+criticism, I am sorry to remember only one. It was upon the picture of
+the Nativity, by Correggio, in the Tribune, where the mother is kneeling
+before the Child, and adoring it in an awful rapture, because she sees
+the eternal God in its baby face and figure. The Englishman was highly
+delighted with this picture, and began to gesticulate, as if dandling a
+baby, and to make a chirruping sound. It was to him merely a
+representation of a mother fondling her infant. He then said, "If I
+could have my choice of the pictures and statues in the Tribune, I would
+take this picture, and that one yonder" (it was a good enough
+Enthronement of the Virgin by Andrea del Sarto) "and the Dancing Faun,
+and let the rest go." A delightful man; I love that wholesome coarseness
+of mind and heart, which no education nor opportunity can polish out of
+the genuine Englishman; a coarseness without vulgarity. When a Yankee is
+coarse, he is pretty sure to be vulgar too.
+
+The two critics seemed to be considering whether it were practicable to
+go from the Uffizi to the Pitti gallery; but "it confuses one," remarked
+the little man, "to see more than one gallery in a day." (I should think
+so,--the Pitti Palace tumbling into his small receptacle on the top of
+the Uffizi.) "It does so," responded the big man, with heavy emphasis.
+
+
+September 23d.--The vintage has been going on in our podere for about a
+week, and I saw a part of the process of making wine, under one of our
+back windows. It was on a very small scale, the grapes being thrown into
+a barrel, and crushed with a sort of pestle; and as each estate seems to
+make its own wine, there are probably no very extensive and elaborate
+appliances in general use for the manufacture. The cider-making of New
+England is far more picturesque; the great heap of golden or rosy apples
+under the trees, and the cider-mill worked by a circumgyratory horse,
+and all agush with sweet juice. Indeed, nothing connected with the
+grape-culture and the vintage here has been picturesque, except the large
+inverted pyramids in which the clusters hang; those great bunches, white
+or purple, really satisfy my idea both as to aspect and taste. We can
+buy a large basketful for less than a paul; and they are the only things
+that one can never devour too much of--and there is no enough short of a
+little too much without subsequent repentance. It is a shame to turn
+such delicious juice into such sour wine as they make in Tuscany. I
+tasted a sip or two of a flask which the contadini sent us for trial,--
+the rich result of the process I had witnessed in the barrel. It took me
+altogether by surprise; for I remembered the nectareousness of the new
+cider which I used to sip through a straw in my boyhood, and I never
+doubted that this would be as dulcet, but finer and more ethereal; as
+much more delectable, in short, as these grapes are better than puckery
+cider apples. Positively, I never tasted anything so detestable, such a
+sour and bitter juice, still lukewarm with fermentation; it was a wail of
+woe, squeezed out of the wine-press of tribulation, and the more a man
+drinks of such, the sorrier he will be.
+
+Besides grapes, we have had figs, and I have now learned to be very fond
+of them. When they first began to appear, two months ago, they had
+scarcely any sweetness, and tasted very like a decaying squash: this was
+an early variety, with purple skins. There are many kinds of figs, the
+best being green-skinned, growing yellower as they ripen; and the riper
+they are, the more the sweetness within them intensifies, till they
+resemble dried figs in everything, except that they retain the fresh
+fruit-flavor; rich, luscious, yet not palling. We have had pears, too,
+some of them very tolerable; and peaches, which look magnificently, as
+regards size and downy blush, but, have seldom much more taste than a
+cucumber. A succession of fruits has followed us, ever since our arrival
+in Florence:--first, and for a long time, abundance of cherries; then
+apricots, which lasted many weeks, till we were weary of them; then
+plums, pears, and finally figs, peaches, and grapes. Except the figs and
+grapes, a New England summer and autumn would give us better fruit than
+any we have found in Italy.
+
+Italy beats us I think in mosquitoes; they are horribly pungent little
+satanic particles. They possess strange intelligence, and exquisite
+acuteness of sight and smell,--prodigious audacity and courage to match
+it, insomuch that they venture on the most hazardous attacks, and get
+safe off. One of them flew into my mouth, the other night, and sting me
+far down in my throat; but luckily I coughed him up in halves. They are
+bigger than American mosquitoes; and if you crush them, after one of
+their feasts, it makes a terrific bloodspot. It is a sort of suicide--at
+least, a shedding of one's own blood--to kill them; but it gratifies the
+old Adam to do it. It shocks me to feel how revengeful I am; but it is
+impossible not to impute a certain malice and intellectual venom to these
+diabolical insects. I wonder whether our health, at this season of the
+year, requires that we should be kept in a state of irritation, and so
+the mosquitoes are Nature's prophetic remedy for some disease; or whether
+we are made for the mosquitoes, not they for us. It is possible, just
+possible, that the infinitesimal doses of poison which they infuse into
+us are a homoeopathic safeguard against pestilence; but medicine never
+was administered in a more disagreeable way.
+
+The moist atmosphere about the Arno, I suppose, produces these insects,
+and fills the broad, ten-mile valley with them; and as we are just on the
+brim of the basin, they overflow into our windows.
+
+
+September 25th.--U---- and I walked to town yesterday morning, and went
+to the Uffizi gallery. It is not a pleasant thought that we are so soon
+to give up this gallery, with little prospect (none, or hardly any, on my
+part) of ever seeing it again. It interests me and all of us far more
+than the gallery of the Pitti Palace, wherefore I know not, for the
+latter is the richer of the two in admirable pictures. Perhaps it is the
+picturesque variety of the Uffizi--the combination of painting,
+sculpture, gems, and bronzes--that makes the charm. The Tribune, too, is
+the richest room in all the world; a heart that draws all hearts to it.
+The Dutch pictures, moreover, give a homely, human interest to the
+Uffizi; and I really think that the frequency of Andrea del Santo's
+productions at the Pitti Palace--looking so very like masterpieces, yet
+lacking the soul of art and nature--have much to do with the weariness
+that comes from better acquaintance with the latter gallery. The
+splendor of the gilded and frescoed saloons is perhaps another bore; but,
+after all, my memory will often tread there as long as I live. What
+shall we do in America?
+
+Speaking of Dutch pictures, I was much struck yesterday, as frequently
+before, with a small picture by Teniers the elder. It seems to be a
+pawnbroker in the midst of his pledges; old earthen jugs, flasks, a brass
+kettle, old books, and a huge pile of worn-out and broken rubbish, which
+he is examining. These things are represented with vast fidelity, yet
+with bold and free touches, unlike the minute, microscopic work of other
+Dutch masters; and a wonderful picturesqueness is wrought out of these
+humble materials, and even the figure and head of the pawnbroker have a
+strange grandeur.
+
+We spent no very long time at the Uffizi, and afterwards crossed the
+Ponte alle Grazie, and went to the convent of San Miniato, which stands
+on a hill outside of the Porta San Gallo. A paved pathway, along which
+stand crosses marking stations at which pilgrims are to kneel and pray,
+goes steeply to the hill-top, where, in the first place, is a smaller
+church and convent than those of San Miniato. The latter are seen at a
+short distance to the right, the convent being a large, square
+battlemented mass, adjoining which is the church, showing a front of aged
+white marble, streaked with black, and having an old stone tower behind.
+I have seen no other convent or monastery that so well corresponds with
+my idea of what such structures were. The sacred precincts are enclosed
+by a high wall, gray, ancient, and luxuriously ivy-grown, and lofty and
+strong enough for the rampart of a fortress. We went through the gateway
+and entered the church, which we found in much disarray, and masons at
+work upon the pavement. The tribune is elevated considerably above the
+nave, and accessible by marble staircases; there are great arches and a
+chapel, with curious monuments in the Gothic style, and ancient carvings
+and mosaic works, and, in short, a dim, dusty, and venerable interior,
+well worth studying in detail. . . . . The view of Florence from the
+church door is very fine, and seems to include every tower, dome, or
+whatever object emerges out of the general mass.
+
+
+September 28th.--I went to the Pitti Palace yesterday, and to the Uffizi
+to-day, paying them probably my last visit, yet cherishing an
+unreasonable doubt whether I may not see them again. At all events, I
+have seen them enough for the present, even what is best of them; and, at
+the same time, with a sad reluctance to bid them farewell forever, I
+experience an utter weariness of Raphael's old canvas, and of the
+time-yellowed marble of the Venus de' Medici. When the material
+embodiment presents itself outermost, and we perceive them only by the
+grosser sense, missing their ethereal spirit, there is nothing so heavily
+burdensome as masterpieces of painting and sculpture. I threw my
+farewell glance at the Venus de' Medici to-day with strange
+insensibility.
+
+The nights are wonderfully beautiful now. When the moon was at the full,
+a few nights ago, its light was an absolute glory, such as I seem only to
+have dreamed of heretofore, and that only in my younger days. At its
+rising I have fancied that the orb of the moon has a kind of purple
+brightness, and that this tinge is communicated to its radiance until it
+has climbed high aloft and sheds a flood of white over hill and valley.
+Now that the moon is on the wane, there is a gentler lustre, but still
+bright; and it makes the Val d' Arno with its surrounding hills, and its
+soft mist in the distance, as beautiful a scene as exists anywhere out of
+heaven. And the morning is quite as beautiful in its own way. This
+mist, of which I have so often spoken, sets it beyond the limits of
+actual sense and makes it ideal; it is as if you were dreaming about the
+valley,--as if the valley itself were dreaming, and met you half-way in
+your own dream. If the mist were to be withdrawn, I believe the whole
+beauty of the valley would go with it.
+
+Until pretty late in the morning, we have the comet streaming through the
+sky, and dragging its interminable tail among the stars. It keeps
+brightening from night to night, and I should think must blaze fiercely
+enough to cast a shadow by and by. I know not whether it be in the
+vicinity of Galileo's tower, and in the influence of his spirit, but I
+have hardly ever watched the stars with such interest as now.
+
+
+September 29th.--Last evening I met Mr. Powers at Miss Blagden's, and he
+talked about his treatment, by our government in reference, to an
+appropriation of twenty-five thousand dollars made by Congress for a
+statue by him. Its payment and the purchase of the statue were left at
+the option of the President, and he conceived himself wronged because the
+affair was never concluded. . . . . As for the President, he knows
+nothing of art, and probably acted in the matter by the advice of the
+director of public works. No doubt a sculptor gets commissions as
+everybody gets public employment and emolument of whatever kind from our
+government, not by merit or fitness, but by political influence skilfully
+applied. As Powers himself observed, the ruins of our Capitol are not
+likely to afford sculptures equal to those which Lord Elgin took from the
+Parthenon, if this be the system under which they are produced. . . . . I
+wish our great Republic had the spirit to do as much, according to its
+vast means, as Florence did for sculpture and architecture when it was a
+republic; but we have the meanest government and the shabbiest, and--if
+truly represented by it--we are the meanest and shabbiest people known in
+history. And yet the less we attempt to do for art the better, if our
+future attempts are to have no better result than such brazen troopers as
+the equestrian statue of General Jackson, or even such naked
+respectabilities as Greenough's Washington. There is something false and
+affected in our highest taste for art; and I suppose, furthermore, we are
+the only people who seek to decorate their public institutions, not by
+the highest taste among them, but by the average at best.
+
+There was also at Miss Blagden's, among other company, Mr. ------, an
+artist in Florence, and a sensible man. I talked with him about Home,
+the medium, whom he had many opportunities of observing when the latter
+was in these parts. Mr. ------ says that Home is unquestionably a knave,
+but that he himself is as much perplexed at his own preternatural
+performances as any other person; he is startled and affrighted at the
+phenomena which he produces. Nevertheless, when his spiritual powers
+fall short, he does his best to eke them out with imposture. This moral
+infirmity is a part of his nature, and I suggested that perhaps if he
+were of a firmer and healthier moral make, if his character were
+sufficiently sound and dense to be capable of steadfast principle, he
+would not have possessed the impressibility that fits him for the
+so-called spiritual influences. Mr. ------ says that Louis Napoleon is
+literally one of the most skilful jugglers in the world, and that
+probably the interest he has taken in Mr. Home was caused partly by a
+wish to acquire his art.
+
+This morning Mr. Powers invited me to go with him to the Grand Duke's new
+foundry, to see the bronze statue of Webster which has just been cast
+from his model. It is the second cast of the statue, the first having
+been shipped some months ago on board of a vessel which was lost; and, as
+Powers observed, the statue now lies at the bottom of the Atlantic Ocean
+somewhere in the vicinity of the telegraphic cable.
+
+We were received with much courtesy and emphasis by the director of the
+foundry, and conducted into a large room walled with bare, new brick,
+where the statue was standing in front of the extinct furnace: a majestic
+Webster indeed, eight feet high, and looking even more colossal than
+that. The likeness seemed to me perfect, and, like a sensible man,
+Powers' has dressed him in his natural costume, such as I have seen
+Webster have on while making a speech in the open air at a mass meeting
+in Concord,--dress-coat buttoned pretty closely across the breast,
+pantaloons and boots,--everything finished even to a seam and a stitch.
+Not an inch of the statue but is Webster; even his coat-tails are imbued
+with the man, and this true artist has succeeded in showing him through
+the broadcloth as nature showed him. He has felt that a man's actual
+clothes are as much a part of him as his flesh, and I respect him for
+disdaining to shirk the difficulty by throwing the meanness of a cloak
+over it, and for recognizing the folly of masquerading our Yankee
+statesman in a Roman toga, and the indecorousness of presenting him as a
+brassy nudity. It would have been quite as unjustifiable to strip him to
+his skeleton as to his flesh. Webster is represented as holding in his
+right hand the written roll of the Constitution, with which he points to
+a bundle of fasces, which he keeps from falling by the grasp of his left,
+thus symbolizing him as the preserver of the Union. There is an
+expression of quiet, solid, massive strength in the whole figure; a deep,
+pervading energy, in which any exaggeration of gesture would lessen and
+lower the effect. He looks really like a pillar of the state. The face
+is very grand, very Webster stern and awful, because he is in the act of
+meeting a great crisis, and yet with the warmth of a great heart glowing
+through it. Happy is Webster to have been so truly and adequately
+sculptured; happy the sculptor in such a subject, which no idealization
+of a demigod could have supplied him with. Perhaps the statue at the
+bottom of the sea will be cast up in some future age, when the present
+race of man is forgotten, and if so, that far posterity will look up to
+us as a grander race than we find ourselves to be. Neither was Webster
+altogether the man he looked. His physique helped him out, even when he
+fell somewhat short of its promise; and if his eyes had not been in such
+deep caverns their fire would not have looked so bright.
+
+Powers made me observe how the surface of the statue was wrought to a
+sort of roughness instead of being smoothed, as is the practice of other
+artists. He said that this had cost him great pains, and certainly it
+has an excellent effect. The statue is to go to Boston, and I hope will
+be placed in the open air, for it is too mighty to be kept under any roof
+that now exists in America. . . . .
+
+After seeing this, the director showed us some very curious and exquisite
+specimens of castings, such as baskets of flowers, in which the most
+delicate and fragile blossoms, the curl of a petal, the finest veins in a
+leaf, the lightest flower-spray that ever quivered in a breeze, were
+perfectly preserved; and the basket contained an abundant heap of such
+sprays. There were likewise a pair of hands, taken actually from life,
+clasped together as they were, and they looked like parts of a man who
+had been changed suddenly from flesh to brass. They were worn and rough
+and unhandsome hands, and so very real, with all their veins and the
+pores of the skin, that it was shocking to look at them. A bronze leaf,
+cast also from the life, was as curious and more beautiful.
+
+Taking leave of Powers, I went hither and thither about Florence, seeing
+for the last time things that I have seen many times before: the market,
+for instance, blocking up a line of narrow streets with fruit-stalls, and
+obstreperous dealers crying their peaches, their green lemons, their
+figs, their delicious grapes, their mushrooms, their pomegranates, their
+radishes, their lettuces. They use one vegetable here which I have not
+known so used elsewhere; that is, very young pumpkins or squashes, of the
+size of apples, and to be cooked by boiling. They are not to my taste,
+but the people here like unripe things,--unripe fruit, unripe chickens,
+unripe lamb. This market is the noisiest and swarmiest centre of noisy
+and swarming Florence, and I always like to pass through it on that
+account.
+
+I went also to Santa Croce, and it seemed to me to present a longer vista
+and broader space than almost any other church, perhaps because the
+pillars between the nave and aisles are not so massive as to obstruct the
+view. I looked into the Duomo, too, and was pretty well content to leave
+it. Then I came homeward, and lost my way, and wandered far off through
+the white sunshine, and the scanty shade of the vineyard walls, and the
+olive-trees that here and there branched over them. At last I saw our
+own gray battlements at a distance, on one side, quite out of the
+direction in which I was travelling, so was compelled to the grievous
+mortification of retracing a great many of my weary footsteps. It was a
+very hot day. This evening I have been on the towertop star-gazing, and
+looking at the comet, which waves along the sky like an immense feather
+of flame. Over Florence there was an illuminated atmosphere, caused by
+the lights of the city gleaming upward into the mists which sleep and
+dream above that portion of the valley, as well as the rest of it. I saw
+dimly, or fancied I saw, the hill of Fiesole on the other side of
+Florence, and remembered how ghostly lights were seen passing thence to
+the Duomo on the night when Lorenzo the Magnificent died. From time to
+time the sweet bells of Florence rang out, and I was loath to come down
+into the lower world, knowing that I shall never again look heavenward
+from an old tower-top in such a soft calm evening as this. Yet I am not
+loath to go away; impatient rather; for, taking no root, I soon weary of
+any soil in which I may be temporarily deposited. The same impatience I
+sometimes feel or conceive of as regards this earthly life. . . . .
+
+I forgot to mention that Powers showed me, in his studio, the model of
+the statue of America, which he wished the government to buy. It has
+great merit, and embodies the ideal of youth, freedom, progress, and
+whatever we consider as distinctive of our country's character and
+destiny. It is a female figure, vigorous, beautiful, planting its foot
+lightly on a broken chain, and pointing upward. The face has a high look
+of intelligence and lofty feeling; the form, nude to the middle, has all
+the charms of womanhood, and is thus warmed and redeemed out of the cold
+allegoric sisterhood who have generally no merit in chastity, being
+really without sex. I somewhat question whether it is quite the thing,
+however, to make a genuine woman out of an allegory we ask, Who is to wed
+this lovely virgin? and we are not satisfied to banish her into the realm
+of chilly thought. But I liked the statue, and all the better for what I
+criticise, and was sorry to see the huge package in which the finished
+marble lies bundled up, ready to be sent to our country,--which does not
+call for it.
+
+Mr. Powers and his two daughters called to take leave of us, and at
+parting I expressed a hope of seeing him in America. He said that it
+would make him very unhappy to believe that he should never return
+thither; but it seems to me that he has no such definite purpose of
+return as would be certain to bring itself to pass. It makes a very
+unsatisfactory life, thus to spend the greater part of it in exile. In
+such a case we are always deferring the reality of life till a future
+moment, and, by and by, we have deferred it till there are no future
+moments; or, if we do go back, we find that life has shifted whatever of
+reality it had to the country where we deemed ourselves only living
+temporarily; and so between two stools we come to the ground, and make
+ourselves a part of one or the other country only by laying our bones in
+its soil. It is particularly a pity in Powers's case, because he is so
+very American in character, and the only convenience for him of his
+Italian residence is, that here he can supply himself with marble, and
+with workmen to chisel it according to his designs.
+
+
+
+SIENA.
+
+
+October 2d.--Yesterday morning, at six o'clock, we left our ancient
+tower, and threw a parting glance--and a rather sad one--over the misty
+Val d' Arno. This summer will look like a happy one in our children's
+retrospect, and also, no doubt, in the years that remain to ourselves;
+and, in truth, I have found it a peaceful and not uncheerful one.
+
+It was not a pleasant morning, and Monte Morello, looking down on
+Florence, had on its cap, betokening foul weather, according to the
+proverb. Crossing the suspension-bridge, we reached the Leopoldo railway
+without entering the city. By some mistake,--or perhaps because nobody
+ever travels by first-class carriages in Tuscany,--we found we had
+received second-class tickets, and were put into a long, crowded
+carriage, full of priests, military men, commercial travellers, and other
+respectable people, facing one another lengthwise along the carriage, and
+many of them smoking cigars. They were all perfectly civil, and I think
+I must own that the manners of this second-class would compare favorably
+with those of an American first-class one.
+
+At Empoli, about an hour after we started, we had to change carriages,
+the main train proceeding to Leghorn. . . . . My observations along the
+road were very scanty: a hilly country, with several old towns seated on
+the most elevated hill-tops, as is common throughout Tuscany, or
+sometimes a fortress with a town on the plain at its base; or, once or
+twice, the towers and battlements of a mediaeval castle, commanding the
+pass below it. Near Florence the country was fertile in the vine and
+olive, and looked as unpicturesque as that sort of fertility usually
+makes it; not but what I have come to think better of the tint of the
+olive-leaf than when I first saw it. In the latter part of our journey I
+remember a wild stream, of a greenish hue, but transparent, rushing along
+over a rough bed, and before reaching Siena we rumbled into a long
+tunnel, and emerged from it near the city. . . . .
+
+We drove up hill and down (for the surface of Siena seems to be nothing
+but an irregularity) through narrow old streets, and were set down at
+the Aquila Nera, a grim-looking albergo near the centre of the town.
+Mrs. S------ had already taken rooms for us there, and to these we were
+now ushered up the highway of a dingy stone staircase, and into a small,
+brick-paved parlor. The house seemed endlessly old, and all the glimpses
+that we caught of Siena out of window seemed more ancient still. Almost
+within arm's reach, across a narrow street, a tall palace of gray,
+time-worn stone clambered skyward, with arched windows, and square
+windows, and large windows and small, scattered up and down its side. It
+is the Palazzo Tolomei, and looks immensely venerable. From the windows
+of our bedrooms we looked into a broader street, though still not very
+wide, and into a small piazza, the most conspicuous object in which was a
+column, hearing on its top a bronze wolf suckling Romulus and Remus.
+This symbol is repeated in other parts of the city, and scours to
+indicate that the Sienese people pride themselves in a Roman origin. In
+another direction, over the tops of the houses, we saw a very high tower,
+with battlements projecting around its summit, so that it was a fortress
+in the air; and this I have since found to be the Palazzo Publico. It
+was pleasant, looking downward into the little old piazza and narrow
+streets, to see the swarm of life on the pavement, the life of to-day
+just as new as if it had never been lived before; the citizens, the
+priests, the soldiers, the mules and asses with their panniers, the
+diligence lumbering along, with a postilion in a faded crimson coat
+bobbing up and down on the off-horse. Such a bustling scene, vociferous,
+too, with various street-cries, is wonderfully set off by the gray
+antiquity of the town, and makes the town look older than if it were a
+solitude.
+
+Soon Mr. and Mrs. Story came, and accompanied us to look for lodgings.
+They also drove us about the city in their carriage, and showed us the
+outside of the Palazzo Publico, and of the cathedral and other remarkable
+edifices. The aspect of Siena is far more picturesque than that of any
+other town in Italy, so far as I know Italian towns; and yet, now that I
+have written it, I remember Perugia, and feel that the observation is a
+mistake. But at any rate Siena is remarkably picturesque, standing on
+such a site, on the verge and within the crater of an extinct volcano,
+and therefore being as uneven as the sea in a tempest; the streets so
+narrow, ascending between tall, ancient palaces, while the side streets
+rush headlong down, only to be threaded by sure-footed mules, such as
+climb Alpine heights; old stone balconies on the palace fronts; old
+arched doorways, and windows set in frames of Gothic architecture;
+arcades, resembling canopies of stone, with quaintly sculptured statues
+in the richly wrought Gothic niches of each pillar;--everything massive
+and lofty, yet minutely interesting when you look at it stone by stone.
+The Florentines, and the Romans too, have obliterated, as far as they
+could, all the interest of their mediaeval structures by covering them
+with stucco, so that they have quite lost their character, and affect the
+spectator with no reverential idea of age. Here the city is all
+overwritten with black-letter, and the glad Italian sun makes the effect
+so much the stronger.
+
+We took a lodging, and afterwards J----- and I rambled about, and went
+into the cathedral for a moment, and strayed also into the Piazza del
+Campo, the great public square of Siena. I am not in the mood for
+further description of public places now, so shall say a word or two
+about the old palace in which we have established ourselves. We have the
+second piano, and dwell amid faded grandeur, having for our saloon what
+seems to have been a ball-room. It is ornamented with a great fresco in
+the centre of the vaulted ceiling, and others covering the sides of the
+apartment, and surrounded with arabesque frameworks, where Cupids gambol
+and chase one another. The subjects of the frescos I cannot make out,
+not that they are faded like Giotto's, for they are as fresh as roses,
+and are done in an exceedingly workmanlike style; but they are allegories
+of Fame and Plenty and other matters, such as I could never understand.
+Our whole accommodation is in similar style,--spacious, magnificent, and
+mouldy.
+
+In the evening Miss S------ and I drove to the railway, and on the
+arrival of the train from Florence we watched with much eagerness the
+unlading of the luggage-van. At last the whole of our ten trunks and tin
+bandbox were produced, and finally my leather bag, in which was my
+journal and a manuscript book containing my sketch of a romance. It
+gladdened my very heart to see it, and I shall think the better of Tuscan
+promptitude and accuracy for so quickly bringing it back to me. (It was
+left behind, under one of the rail-carriage seats.) We find all the
+public officials, whether of railway, police, or custom-house, extremely
+courteous and pleasant to encounter; they seem willing to take trouble
+and reluctant to give it, and it is really a gratification to find that
+such civil people will sometimes oblige you by taking a paul or two
+aside.
+
+
+October 3d.--I took several strolls about the city yesterday, and find it
+scarcely extensive enough to get lost in; and if we go far from the
+centre we soon come to silent streets, with only here and there an
+individual; and the inhabitants stare from their doors and windows at the
+stranger, and turn round to look at him after he has passed. The
+interest of the old town would soon be exhausted for the traveller, but I
+can conceive that a thoughtful and shy man might settle down here with
+the view of making the place a home, and spend many years in a sombre
+kind of happiness. I should prefer it to Florence as a residence, but it
+would be terrible without an independent life in one's own mind.
+
+U---- and I walked out in the afternoon, and went into the Piazza del
+Campo, the principal place of the city, and a very noble and peculiar
+one. It is much in the form of an amphitheatre, and the surface of the
+ground seems to be slightly scooped out, so that it resembles the shallow
+basin of a shell. It is thus a much better site for an assemblage of the
+populace than if it were a perfect level. A semicircle or truncated
+ellipse of stately and ancient edifices surround the piazza, with arches
+opening beneath them, through which streets converge hitherward. One
+side of the piazza is a straight line, and is occupied by the Palazzo
+Publico, which is a most noble and impressive Gothic structure. It has
+not the mass of the Palazzo Vecchio at Florence, but is more striking.
+It has a long battlemented front, the central part of which rises eminent
+above the rest, in a great square bulk, which is likewise crowned with
+battlements. This is much more picturesque than the one great block of
+stone into which the Palazzo Vecchio is consolidated. At one extremity
+of this long front of the Palazzo Publico rises a tower, shooting up its
+shaft high, high into the air, and bulging out there into a battlemented
+fortress, within which the tower, slenderer than before, climbs to a
+still higher region. I do not know whether the summit of the tower is
+higher or so high as that of the Palazzo Vecchio; but the length of the
+shaft, free of the edifice, is much greater, and so produces the more
+elevating effect. The whole front of the Palazzo Publico is exceedingly
+venerable, with arched windows, Gothic carvings, and all the old-time
+ornaments that betoken it to have stood a great while, and the gray
+strength that will hold it up at least as much longer. At one end of the
+facade, beneath the shadow of the tower, is a grand and beautiful porch,
+supported on square pillars, within each of which is a niche containing a
+statue of mediaeval sculpture.
+
+The great Piazza del Campo is the market-place of Siena. In the morning
+it was thronged with booths and stalls, especially of fruit and vegetable
+dealers; but as in Florence, they melted away in the sunshine, gradually
+withdrawing themselves into the shadow thrown from the Palazzo Publico.
+
+On the side opposite the palace is an antique fountain of marble,
+ornamented with two statues and a series of bas-reliefs; and it was so
+much admired in its day that its sculptor received the name "Del Fonte."
+I am loath to leave the piazza and palace without finding some word or
+two to suggest their antique majesty, in the sunshine and the shadow; and
+how fit it seemed, notwithstanding their venerableness, that there should
+be a busy crowd filling up the great, hollow amphitheatre, and crying
+their fruit and little merchandises, so that all the curved line of
+stately old edifices helped to reverberate the noise. The life of
+to-day, within the shell of a time past, is wonderfully fascinating.
+
+Another point to which a stranger's footsteps are drawn by a kind of
+magnetism, so that he will be apt to find himself there as often as he
+strolls out of his hotel, is the cathedral. It stands in the highest
+part of the city, and almost every street runs into some other street
+which meanders hitherward. On our way thither, U---- and I came to a
+beautiful front of black and white marble, in somewhat the same style as
+the cathedral; in fact, it was the baptistery, and should have made a
+part of it, according to the original design, which contemplated a
+structure of vastly greater extent than this actual one. We entered the
+baptistery, and found the interior small, but very rich in its clustered
+columns and intersecting arches, and its frescos, pictures, statues, and
+ornaments. Moreover, a father and mother had brought their baby to be
+baptized, and the poor little thing, in its gay swaddling-clothes, looked
+just like what I have seen in old pictures, and a good deal like an
+Indian pappoose. It gave one little slender squeak when the priest put
+the water on its forehead, and then was quiet again.
+
+We now went round to the facade of the cathedral. . . . . It is of black
+and white marble, with, I believe, an intermixture of red and other
+colors; but time has toned them down, so that white, black, and red do
+not contrast so strongly with one another as they may have done five
+hundred years ago. The architecture is generally of the pointed Gothic
+style, but there are likewise carved arches over the doors and windows,
+and a variety which does not produce the effect of confusion,--a
+magnificent eccentricity, an exuberant imagination flowering out in
+stone. On high, in the great peak of the front, and throwing its colored
+radiance into the nave within, there is a round window of immense
+circumference, the painted figures in which we can see dimly from the
+outside. But what I wish to express, and never can, is the multitudinous
+richness of the ornamentation of the front: the arches within arches,
+sculptured inch by inch, of the deep doorways; the statues of saints,
+some making a hermitage of a niche, others standing forth; the scores of
+busts, that look like faces of ancient people gazing down out of the
+cathedral; the projecting shapes of stone lions,--the thousand forms of
+Gothic fancy, which seemed to soften the marble and express whatever it
+liked, and allow it to harden again to last forever. But my description
+seems like knocking off the noses of some of the busts, the fingers and
+toes of the statues, the projecting points of the architecture, jumbling
+them all up together, and flinging them down upon the page. This gives
+no idea of the truth, nor, least of all, can it shadow forth that solemn
+whole, mightily combined out of all these minute particulars, and
+sanctifying the entire space of ground over which this cathedral-front
+flings its shadow, or on which it reflects the sun. A majesty and a
+minuteness, neither interfering with the other, each assisting the
+other; this is what I love in Gothic architecture. We went in and walked
+about; but I mean to go again before sketching the interior in my poor
+water-colors.
+
+
+October 4th.--On looking again at the Palazzo Publico, I see that the
+pillared portal which I have spoken of does not cover an entrance to the
+palace, but is a chapel, with an altar, and frescos above it. Bouquets
+of fresh flowers are on the altar, and a lamp burns, in all the daylight,
+before the crucifix. The chapel is quite unenclosed, except by an
+openwork balustrade of marble, on which the carving looks very ancient.
+Nothing could be more convenient for the devotions of the crowd in the
+piazza, and no doubt the daily prayers offered at the shrine might be
+numbered by the thousand,--brief, but I hope earnest,--like those
+glimpses I used to catch at the blue sky, revealing so much in an
+instant, while I was toiling at Brook Farm. Another picturesque thing
+about the Palazzo Publico is a great stone balcony quaintly wrought,
+about midway in the front and high aloft, with two arched windows opening
+into it.
+
+After another glimpse at the cathedral, too, I realize how utterly I have
+failed in conveying the idea of its elaborate ornament, its twisted and
+clustered pillars, and numberless devices of sculpture; nor did I mention
+the venerable statues that stand all round the summit of the edifice,
+relieved against the sky,--the highest of all being one of the Saviour,
+on the topmost peak of the front; nor the tall tower that ascends from
+one side of the building, and is built of layers of black and white
+marble piled one upon another in regular succession; nor the dome that
+swells upward close beside this tower.
+
+Had the cathedral been constructed on the plan and dimensions at first
+contemplated, it would have been incomparably majestic; the finished
+portion, grand as it is, being only what was intended for a transept.
+One of the walls of what was to have been the nave is still standing, and
+looks like a ruin, though, I believe, it has been turned to account as
+the wall of a palace, the space of the never-completed nave being now a
+court or street.
+
+The whole family of us were kindly taken out yesterday, to dine and spend
+the day at the Villa Belvedere with our friends Mr. and Mrs. Story. The
+vicinity of Siena is much more agreeable than that of Florence, being
+cooler, breezier, with more foliage and shrubbery both near at hand and
+in the distance; and the prospect, Mr. Story told us, embraces a diameter
+of about a hundred miles between hills north and south. The Villa
+Belvedere was built and owned by an Englishman now deceased, who has left
+it to his butler, and its lawns and shrubbery have something English in
+their character, and there was almost a dampness in the grass, which
+really pleased me in this parched Italy. Within the house the walls are
+hung with fine old-fashioned engravings from the pictures of
+Gainsborough, West, and other English painters. The Englishman, though
+he had chosen to live and die in Italy, had evidently brought his native
+tastes and peculiarities along with him. Mr. Story thinks of buying this
+villa: I do not know but I might be tempted to buy it myself if Siena
+were a practicable residence for the entire year; but the winter here,
+with the bleak mountain-winds of a hundred miles round about blustering
+against it, must be terribly disagreeable.
+
+We spent a very pleasant day, turning over books or talking on the lawn,
+whence we could behold scenes picturesque afar, and rich vineyard
+glimpses near at hand. Mr. Story is the most variously accomplished and
+brilliant person, the fullest of social life and fire, whom I ever met;
+and without seeming to make an effort, he kept us amused and entertained
+the whole day long; not wearisomely entertained neither, as we should
+have been if he had not let his fountain play naturally. Still, though
+he bubbled and brimmed over with fun, he left the impression on me
+that . . . . there is a pain and care, bred, it may be, out of the very
+richness of his gifts and abundance of his outward prosperity. Rich, in
+the prime of life, . . . . and children budding and blossoming around him
+as fairly as his heart could wish, with sparkling talents,--so many, that
+if he choose to neglect or fling away one, or two, or three, he would
+still have enough left to shine with,--who should be happy if not
+he? . . . .
+
+Towards sunset we all walked out into the podere, pausing a little while
+to look down into a well that stands on the verge of the lawn. Within
+the spacious circle of its stone curb was an abundant growth of
+maidenhair, forming a perfect wreath of thickly clustering leaves quite
+round, and trailing its tendrils downward to the water which gleamed
+beneath. It was a very pretty sight. Mr. Story bent over the well and
+uttered deep, musical tones, which were reverberated from the hollow
+depths with wonderful effect, as if a spirit dwelt within there, and
+(unlike the spirits that speak through mediums) sent him back responses
+even profounder and more melodious than the tones that awakened them.
+Such a responsive well as this might have been taken for an oracle in old
+days.
+
+We went along paths that led from one vineyard to another, and which
+might have led us for miles across the country. The grapes had been
+partly gathered, but still there were many purple or white clusters
+hanging heavily on the vines. We passed cottage doors, and saw groups of
+contadini and contadine in their festal attire, and they saluted us
+graciously; but it was observable that one of the men generally lingered
+on our track to see that no grapes were stolen, for there were a good
+many young people and children in our train, not only our own, but some
+from a neighboring villa. These Italian peasants are a kindly race, but,
+I doubt, not very hospitable of grape or fig.
+
+There was a beautiful sunset, and by the time we reached the house again
+the comet was already visible amid the unextinguished glow of daylight.
+A Mr. and Mrs. B------, Scotch people from the next villa, had come to
+see the Storys, and we sat till tea-time reading, talking, William Story
+drawing caricatures for his children's amusement and ours, and all of us
+sometimes getting up to look at the comet, which blazed brighter and
+brighter till it went down into the mists of the horizon. Among the
+caricatures was one of a Presidential candidate, evidently a man of very
+malleable principles, and likely to succeed.
+
+Late in the evening (too late for little Rosebud) we drove homeward. The
+streets of old Siena looked very grim at night, and it seemed like gazing
+into caverns to glimpse down some of the side streets as we passed, with
+a light burning dimly at the end of them. It was after ten when we
+reached home, and climbed up our gloomy staircase, lighted by the glimmer
+of some wax moccoli which I had in my pocket.
+
+
+October 5th.--I have been two or three times into the cathedral; . . . .
+the whole interior is of marble, in alternate lines of black and white,
+each layer being about eight inches in width and extending horizontally.
+It looks very curiously, and might remind the spectator of a stuff with
+horizontal stripes. Nevertheless, the effect is exceedingly rich, these
+alternate lines stretching away along the walls and round the clustered
+pillars, seen aloft, and through the arches; everywhere, this inlay of
+black and white. Every sort of ornament that could be thought of seems
+to have been crammed into the cathedral in one place or another: gilding,
+frescos, pictures; a roof of blue, spangled with golden stars; a
+magnificent wheel-window of old painted glass over the entrance, and
+another at the opposite end of the cathedral; statues, some of marble,
+others of gilded bronze; pulpits of carved marble; a gilded organ; a
+cornice of marble busts of the popes, extending round the entire church;
+a pavement, covered all over with a strange kind of mosaic work in
+various marbles, wrought into marble pictures of sacred subjects; immense
+clustered pillars supporting the round arches that divide the nave from
+the side aisles; a clere-story of windows within pointed arches;--it
+seemed as if the spectator were reading an antique volume written in
+black-letter of a small character, but conveying a high and solemn
+meaning. I can find no way of expressing its effect on me, so quaint and
+venerable as I feel this cathedral to be in its immensity of striped
+waistcoat, now dingy with five centuries of wear. I ought not to say
+anything that might detract from the grandeur and sanctity of the blessed
+edifice, for these attributes are really uninjured by any of the Gothic
+oddities which I have hinted at.
+
+We went this morning to the Institute of the Fine Arts, which is
+interesting as containing a series of the works of the Sienese painters
+from a date earlier than that of Cimabue. There is a dispute, I believe,
+between Florence and Siena as to which city may claim the credit of
+having originated the modern art of painting. The Florentines put
+forward Cimabue as the first artist, but as the Sienese produce a
+picture, by Guido da Siena, dated before the birth of Cimabue, the
+victory is decidedly with them. As to pictorial merit, to my taste there
+is none in either of these old painters, nor in any of their successors
+for a long time afterwards. At the Institute there are several rooms
+hung with early productions of the Sienese school, painted before the
+invention of oil-colors, on wood shaped into Gothic altar-pieces. The
+backgrounds still retain a bedimmed splendor of gilding. There is a
+plentiful use of red, and I can conceive that the pictures must have shed
+an illumination through the churches where they were displayed. There is
+often, too, a minute care bestowed on the faces in the pictures, and
+sometimes a very strong expression, stronger than modern artists get, and
+it is very strange how they attained this merit while they were so
+inconceivably rude in other respects. It is remarkable that all the
+early faces of the Madonna are especially stupid, and all of the same
+type, a sort of face such as one might carve on a pumpkin, representing a
+heavy, sulky, phlegmatic woman, with a long and low arch of the nose.
+This same dull face continues to be assigned to the Madonna, even when
+the countenances of the surrounding saints and angels are characterized
+with power and beauty, so that I think there must have been some portrait
+of this sacred personage reckoned authentic, which the early painters
+followed and religiously repeated.
+
+At last we came to a picture by Sodoma, the most illustrious
+representative of the Sienese school. It was a fresco; Christ bound to
+the pillar, after having been scourged. I do believe that painting has
+never done anything better, so far as expression is concerned, than this
+figure. In all these generations since it was painted it must have
+softened thousands of hearts, drawn down rivers of tears, been more
+effectual than a million of sermons. Really, it is a thing to stand and
+weep at. No other painter has done anything that can deserve to be
+compared to this.
+
+There are some other pictures by Sodoma, among them a Judith, very noble
+and admirable, and full of a profound sorrow for the deed which she has
+felt it her mission to do.
+
+
+Aquila Nera, October 7th.--Our lodgings in Siena had been taken only for
+five days, as they were already engaged after that period; so yesterday
+we returned to our old quarters at the Black Eagle.
+
+In the forenoon J----- and I went out of one of the gates (the road from
+it leads to Florence) and had a pleasant country walk. Our way wound
+downward, round the hill on which Siena stands, and gave us views of the
+Duomo and its campanile, seemingly pretty near, after we had walked long
+enough to be quite remote from them. Sitting awhile on the parapet of a
+bridge, I saw a laborer chopping the branches off a poplar-tree which he
+had felled; and, when it was trimmed, he took up the large trunk on one
+of his shoulders and carried it off, seemingly with ease. He did not
+look like a particularly robust man; but I have never seen such an
+herculean feat attempted by an Englishman or American. It has frequently
+struck me that the Italians are able to put forth a great deal of
+strength in such insulated efforts as this; but I have been told that
+they are less capable of continued endurance and hardship than our own
+race. I do not know why it should be so, except that I presume their
+food is less strong than ours. There was no other remarkable incident in
+our walk, which lay chiefly through gorges of the hills, winding beneath
+high cliffs of the brown Siena earth, with many pretty scenes of rural
+landscape; vineyards everywhere, and olive-trees; a mill on its little
+stream, over which there was an old stone bridge, with a graceful arch;
+farm-houses; a villa or two; subterranean passages, passing from the
+roadside through the high banks into the vineyards. At last we turned
+aside into a road which led us pretty directly to another gate of the
+city, and climbed steeply upward among tanneries, where the young men
+went about with their well-shaped legs bare, their trousers being tucked
+up till they were strictly breeches and nothing else. The campanile
+stood high above us; and by and by, and very soon, indeed, the steep
+ascent of the street brought us into the neighborhood of the Piazza del
+Campo, and of our own hotel. . . . . From about twelve o'clock till one,
+I sat at my chamber window watching the specimens of human life as
+displayed in the Piazza Tolomei. [Here follow several pages of moving
+objects.] . . . . Of course, a multitude of other people passed by, but
+the curiousness of the catalogue is the prevalence of the martial and
+religious elements. The general costume of the inhabitants is frocks or
+sacks, loosely made, and rather shabby; often, shirt-sleeves; or the coat
+hung over one shoulder. They wear felt hats and straw. People of
+respectability seem to prefer cylinder hats, either black or drab, and
+broadcloth frock-coats in the French fashion; but, like the rest, they
+look a little shabby. Almost all the women wear shawls. Ladies in
+swelling petticoats, and with fans, some of which are highly gilded,
+appear. The people generally are not tall, but have a sufficient breadth
+of shoulder; in complexion, similar to Americans; bearded, universally.
+The vehicle used for driving is a little gig without a top; but these are
+seldom seen, and still less frequently a cab or other carriages. The
+gait of the people has not the energy of business or decided purpose.
+Everybody appears to lounge, and to have time for a moment's chat, and a
+disposition to rest, reason or none.
+
+After dinner I walked out of another gate of the city, and wandered among
+some pleasant country lanes, bordered with hedges, and wearing an English
+aspect; at least, I could fancy so. The vicinity of Siena is delightful
+to walk about in; there being a verdant outlook, a wide prospect of
+purple mountains, though no such level valley as the Val d' Arno; and the
+city stands so high that its towers and domes are seen more picturesquely
+from many points than those of Florence can be. Neither is the
+pedestrian so cruelly shut into narrow lanes, between high stone-walls,
+over which he cannot get a glimpse of landscape. As I walked by the
+hedges yesterday I could have fancied that the olive-trunks were those of
+apple-trees, and that I was in one or other of the two lands that I love
+better than Italy. But the great white villas and the farm-houses were
+unlike anything I have seen elsewhere, or that I should wish to see
+again, though proper enough to Italy.
+
+
+October 9th.--Thursday forenoon, 8th, we went to see the Palazzo Publico.
+There are some fine old halls and chapels, adorned with ancient frescos
+and pictures, of which I remember a picture of the Virgin by Sodoma, very
+beautiful, and other fine pictures by the same master. The architecture
+of these old rooms is grand, the roofs being supported by ponderous
+arches, which are covered with frescos, still magnificent, though faded,
+darkened, and defaced. We likewise saw an antique casket of wood,
+enriched with gilding, which had once contained an arm of John the
+Baptist,--so the custode told us. One of the halls was hung with the
+portraits of eight popes and nearly forty cardinals, who were natives of
+Siena. I have done hardly any other sight-seeing except a daily visit to
+the cathedral, which I admire and love the more the oftener I go thither.
+Its striped peculiarity ceases entirely to interfere with the grandeur
+and venerable beauty of its impression; and I am never weary of gazing
+through the vista of its arches, and noting continually something that I
+had not seen before in its exuberant adornment. The pavement alone is
+inexhaustible, being covered all over with figures of life-size or
+larger, which look like immense engravings of Gothic or Scriptural
+scenes. There is Absalom hanging by his hair, and Joab slaying him with
+a spear. There is Samson belaboring the Philistines with the jawbone of
+an ass. There are armed knights in the tumult of battle, all wrought
+with wonderful expression. The figures are in white marble, inlaid with
+darker stone, and the shading is effected by means of engraved lines in
+the marble, filled in with black. It would be possible, perhaps, to
+print impressions from some of these vast plates, for the process of
+cutting the lines was an exact anticipation of the modern art of
+engraving. However, the same thing was done--and I suppose at about the
+same period--on monumental brasses, and I have seen impressions or
+rubbings from those for sale in the old English churches.
+
+Yesterday morning, in the cathedral, I watched a woman at confession,
+being curious to see how long it would take her to tell her sins, the
+growth of a week perhaps. I know not how long she had been confessing
+when I first observed her, but nearly an hour passed before the priest
+came suddenly from the confessional, looking weary and moist with
+perspiration, and took his way out of the cathedral. The woman was left
+on her knees. This morning I watched another woman, and she too was very
+long about it, and I could see the face of the priest behind the curtain
+of the confessional, scarcely inclining his ear to the perforated tin
+through which the penitent communicated her outpourings. It must be very
+tedious to listen, day after day, to the minute and commonplace
+iniquities of the multitude of penitents, and it cannot be often that
+these are redeemed by the treasure-trove of a great sin. When her
+confession was over the woman came and sat down on the same bench with
+me, where her broad-brimmed straw hat was lying. She seemed to be a
+country woman, with a simple, matronly face, which was solemnized and
+softened with the comfort that she had obtained by disburdening herself
+of the soil of worldly frailties and receiving absolution. An old woman,
+who haunts the cathedral, whispered to her, and she went and knelt down
+where a procession of priests were to pass, and then the old lady begged
+a cruzia of me, and got a half-paul. It almost invariably happens, in
+church or cathedral, that beggars address their prayers to the heretic
+visitor, and probably with more unction than to the Virgin or saints.
+However, I have nothing to say against the sincerity of this people's
+devotion. They give all the proof of it that a mere spectator can
+estimate.
+
+Last evening we all went out to see the comet, which then reached its
+climax of lustre. It was like a lofty plume of fire, and grew very
+brilliant as the night darkened.
+
+
+October 10th.--This morning, too, we went to the cathedral, and sat long
+listening to the music of the organ and voices, and witnessing rites and
+ceremonies which are far older than even the ancient edifice where they
+were exhibited. A good many people were present, sitting, kneeling, or
+walking about,--a freedom that contrasts very agreeably with the grim
+formalities of English churches and our own meeting-houses. Many persons
+were in their best attire; but others came in, with unabashed simplicity,
+in their old garments of labor, sunburnt women from their toil among the
+vines and olives. One old peasant I noticed with his withered shanks in
+breeches and blue yarn stockings. The people of whatever class are
+wonderfully tolerant of heretics, never manifesting any displeasure or
+annoyance, though they must see that we are drawn thither by curiosity
+alone, and merely pry while they pray. I heartily wish the priests were
+better men, and that human nature, divinely influenced, could be depended
+upon for a constant supply and succession of good and pure ministers,
+their religion has so many admirable points. And then it is a sad pity
+that this noble and beautiful cathedral should be a mere fossil shell,
+out of which the life has died long ago. But for many a year yet to come
+the tapers will burn before the high altar, the Host will be elevated,
+the incense diffuse its fragrance, the confessionals be open to receive
+the penitents. I saw a father entering with two little bits of boys,
+just big enough to toddle along, holding his hand on either side. The
+father dipped his fingers into the marble font of holy water,--which, on
+its pedestals, was two or three times as high as those small Christians,
+--and wetted a hand of each, and taught them how to cross themselves.
+When they come to be men it will be impossible to convince those children
+that there is no efficacy in holy water, without plucking up all
+religious faith and sentiment by the roots. Generally, I suspect, when
+people throw off the faith they were born in, the best soil of their
+hearts is apt to cling to its roots.
+
+Raised several feet above the pavement, against every clustered pillar
+along the nave of the cathedral, is placed a statue of Gothic sculpture.
+In various places are sitting statues of popes of Sienese nativity, all
+of whom, I believe, have a hand raised in the act of blessing. Shrines
+and chapels, set in grand, heavy frames of pillared architecture, stand
+all along the aisles and transepts, and these seem in many instances to
+have been built and enriched by noble families, whose arms are sculptured
+on the pedestals of the pillars, sometimes with a cardinal's hat above to
+denote the rank of one of its members. How much pride, love, and
+reverence in the lapse of ages must have clung to the sharp points of all
+this sculpture and architecture! The cathedral is a religion in itself,
+--something worth dying for to those who have an hereditary interest in
+it. In the pavement, yesterday, I noticed the gravestone of a person who
+fell six centuries ago in the battle of Monte Aperto, and was buried here
+by public decree as a meed of valor.
+
+This afternoon I took a walk out of one of the city gates, and found the
+country about Siena as beautiful in this direction as in all others. I
+came to a little stream flowing over into a pebbly bed, and collecting
+itself into pools, with a scanty rivulet between. Its glen was deep, and
+was crossed by a bridge of several lofty and narrow arches like those of
+a Roman aqueduct. It is a modern structure, however. Farther on, as I
+wound round along the base of a hill which fell down upon the road by
+precipitous cliffs of brown earth, I saw a gray, ruined wall on the
+summit, surrounded with cypress-trees. This tree is very frequent about
+Siena, and the scenery is made soft and beautiful by a variety of other
+trees and shrubbery, without which these hills and gorges would have
+scarcely a charm. The road was thronged with country people, mostly
+women and children, who had been spending the feast-day in Siena; and
+parties of boys were chasing one another through the fields, pretty much
+as boys do in New England of a Sunday, but the Sienese lads had not the
+sense of Sabbath-breaking like our boys. Sunday with these people is
+like any other feast-day, and consecrated cheerful enjoyment. So much
+religious observance, as regards outward forms, is diffused through the
+whole week that they have no need to intensify the Sabbath except by
+making it gladden the other days.
+
+Returning through the same gate by which I had come out, I ascended into
+the city by a long and steep street, which was paved with bricks set
+edgewise. This pavement is common in many of the streets, which, being
+too steep for horses and carriages, are meant only to sustain the lighter
+tread of mules and asses. The more level streets are paved with broad,
+smooth flag-stones, like those of Florence,--a fashion which I heartily
+regret to change for the little penitential blocks of Rome. The walls of
+Siena in their present state, and so far as I have seen them, are chiefly
+brick; but there are intermingled fragments of ancient stone-work, and I
+wonder why the latter does not prevail more largely. The Romans,
+however,--and Siena had Roman characteristics,--always liked to build of
+brick, a taste that has made their ruins (now that the marble slabs are
+torn off) much less grand than they ought to have been. I am grateful to
+the old Sienese for having used stone so largely in their domestic
+architecture, and thereby rendered their city so grimly picturesque, with
+its black palaces frowning upon one another from arched windows, across
+narrow streets, to the height of six stories, like opposite ranks of tall
+men looking sternly into one another's eyes.
+
+
+October 11th.--Again I went to the cathedral this morning, and spent an
+hour listening to the music and looking through the orderly intricacies
+of the arches, where many vistas open away among the columns of the
+choir. There are five clustered columns on each side of the nave; then
+under the dome there are two more arches, not in a straight line, but
+forming the segment of a circle; and beyond the circle of the dome there
+are four more arches, extending to the extremity of the chancel. I
+should have said, instead of "clustered columns" as above, that there are
+five arches along the nave supported by columns. This cathedral has
+certainly bewitched me, to write about it so much, effecting nothing with
+my pains. I should judge the width of each arch to be about twenty feet,
+and the thickness of each clustered pillar is eight; or ten more, and the
+length of the entire building may be between two and three hundred feet;
+not very large, certainly, but it makes an impression of grandeur
+independent of size. . . . .
+
+I never shall succeed even in reminding myself of the venerable
+magnificence of this minster, with its arches, its columns, its cornice
+of popes' heads, its great wheel windows, its manifold ornament, all
+combining in one vast effect, though many men have labored individually,
+and through a long course of time, to produce this multifarious handiwork
+and headwork.
+
+I now took a walk out of the city. A road turned immediately to the left
+as I emerged from the city, and soon proved to be a rustic lane leading
+past several villas and farm-houses. It was a very pleasant walk, with
+vineyards and olive-orchards on each side, and now and then glimpses of
+the towers and sombre heaped-up palaces of Siena, and now a rural
+seclusion again; for the hills rise and the valleys fall like the swell
+and subsidence of the sea after a gale, so that Siena may be quite hidden
+within a quarter of a mile of its wall, or may be visible, I doubt not,
+twenty miles away. It is a fine old town, with every promise of health
+and vigor in its atmosphere, and really, if I could take root anywhere, I
+know not but it could as well be here as in another place. It would only
+be a kind of despair, however, that would ever make me dream of finding a
+home in Italy; a sense that I had lost my country through absence or
+incongruity, and that earth is not an abiding-place. I wonder that we
+Americans love our country at all, it having no limits and no oneness;
+and when you try to make it a matter of the heart, everything falls away
+except one's native State; neither can you seize hold of that unless you
+tear it out of the Union, bleeding and quivering. Yet unquestionably, we
+do stand by our national flag as stoutly as any people in the world, and
+I myself have felt the heart throb at sight of it as sensibly as other
+men. I think the singularity of our form of government contributes to
+give us a kind of patriotism, by separating us from other nations more
+entirely. If other nations had similar institutions,--if England,
+especially, were a democracy,--we should as readily make ourselves at
+home in another country as now in a new State.
+
+
+October 12th.--And again we went to the cathedral this forenoon, and the
+whole family, except myself, sketched portions of it. Even Rosebud stood
+gravely sketching some of the inlaid figures of the pavement. As for me,
+I can but try to preserve some memorial of this beautiful edifice in
+ill-fitting words that never hit the mark. This morning visit was not my
+final one, for I went again after dinner and walked quite round the whole
+interior. I think I have not yet mentioned the rich carvings of the old
+oaken seats round the choir, and the curious mosaic of lighter and darker
+woods, by which figures and landscapes are skilfully represented on the
+backs of some of the stalls. The process seems to be the same as the
+inlaying and engraving of the pavement, the material in one case being
+marble, in the other wood. The only other thing that I particularly
+noticed was, that in the fonts of holy water at the front entrance,
+marble fish are sculptured in the depths of the basin, and eels and
+shellfish crawling round the brim. Have I spoken of the sumptuous
+carving of the capitals of the columns? At any rate I have left a
+thousand beauties without a word. Here I drop the subject. As I took my
+parting glance the cathedral had a gleam of golden sunshine in its far
+depths, and it seemed to widen and deepen itself, as if to convince me of
+my error in saying, yesterday, that it is not very large. I wonder how I
+could say it.
+
+After taking leave of the cathedral, I found my way out of another of the
+city gates, and soon turned aside into a green lane. . . . . Soon the
+lane passed through a hamlet consisting of a few farm-houses, the
+shabbiest and dreariest that can be conceived, ancient, and ugly, and
+dilapidated, with iron-grated windows below, and heavy wooden shutters on
+the windows above,--high, ruinous walls shutting in the courts, and
+ponderous gates, one of which was off its hinges. The farm-yards were
+perfect pictures of disarray and slovenly administration of home affairs.
+Only one of these houses had a door opening on the road, and that was the
+meanest in the hamlet. A flight of narrow stone stairs ascended from the
+threshold to the second story. All these houses were specimens of a rude
+antiquity, built of brick and stone, with the marks of arched doors and
+windows where a subsequent generation had shut up the lights, or the
+accesses which the original builders had opened. Humble as these
+dwellings are,--though large and high compared with rural residences in
+other countries,--they may very probably date back to the times when
+Siena was a warlike republic, and when every house in its neighborhood
+had need to be a fortress. I suppose, however, prowling banditti were
+the only enemies against whom a defence would be attempted. What lives
+must now be lived there,--in beastly ignorance, mental sluggishness, hard
+toil for little profit, filth, and a horrible discomfort of fleas; for if
+the palaces of Italy are overrun with these pests, what must the country
+hovels be! . . . .
+
+We are now all ready for a start to-morrow.
+
+
+
+RADICOFANI.
+
+
+October 13th.--We arranged to begin our journey at six. . . . . It was a
+chill, lowering morning, and the rain blew a little in our faces before
+we had gone far, but did not continue long. The country soon lost the
+pleasant aspect which it wears immediately about Siena, and grew very
+barren and dreary. Then it changed again for the better, the road
+leading us through a fertility of vines and olives, after which the
+dreary and barren hills came back again, and formed our prospect
+throughout most of the day. We stopped for our dejeuner a la fourchette
+at a little old town called San Quirico, which we entered through a
+ruined gateway, the town being entirely surrounded by its ancient wall.
+This wall is far more picturesque than that of Siena, being lofty and
+built of stone, with a machicolation of arches running quite round its
+top, like a cornice. It has little more than a single street, perhaps a
+quarter of a mile long, narrow, paved with flag-stones in the Florentine
+fashion, and lined with two rows of tall, rusty stone houses, without a
+gap between them from end to end. The cafes were numerous in relation to
+the size of the town, and there were two taverns,--our own, the Eagle,
+being doubtless the best, and having three arched entrances in its front.
+Of these, the middle one led to the guests' apartments, the one on the
+right to the barn, and that on the left to the stable, so that, as is
+usual in Italian inns, the whole establishment was under one roof. We
+were shown into a brick-paved room on the first floor, adorned with a
+funny fresco of Aurora on the ceiling, and with some colored prints, both
+religious and profane. . . . .
+
+As we drove into the town we noticed a Gothic church with two doors of
+peculiar architecture, and while our dejeuner was being prepared we went
+to see it. The interior had little that was remarkable, for it had been
+repaired early in the last century, and spoilt of course; but an old
+triptych is still hanging in a chapel beside the high altar. It is
+painted on wood, and dates back beyond the invention of oil-painting, and
+represents the Virgin and some saints and angels. Neither is the
+exterior of the church particularly interesting, with the exception of
+the carving and ornaments of two of the doors. Both of them have round
+arches, deep and curiously wrought, and the pillars of one of the two are
+formed of a peculiar knot or twine in stone-work, such as I cannot well
+describe, but it is both ingenious and simple. These pillars rest on two
+nondescript animals, which look as much like walruses as anything else.
+The pillars of the other door consist of two figures supporting the
+capitals, and themselves standing on two handsomely carved lions. The
+work is curious, and evidently very ancient, and the material a red
+freestone.
+
+After lunch, J----- and I took a walk out of the gate of the town
+opposite to that of our entrance. There were no soldiers on guard, as at
+city gates of more importance; nor do I think that there is really any
+gate to shut, but the massive stone gateway still stands entire over the
+empty arch. Looking back after we had passed through, I observed that
+the lofty upper story is converted into a dove-cot, and that pumpkins
+were put to ripen in some open chambers at one side. We passed near the
+base of a tall, square tower, which is said to be of Roman origin. The
+little town is in the midst of a barren region, but its immediate
+neighborhood is fertile, and an olive-orchard, venerable of aspect, lay
+on the other side of the pleasant lane with its English hedges, and
+olive-trees grew likewise along the base of the city wall. The arched
+machicolations, which I have before mentioned, were here and there
+interrupted by a house which was built upon the old wall or incorporated
+into it; and from the windows of one of then I saw ears of Indian corn
+hung out to ripen in the sun, and somebody was winnowing grain at a
+little door that opened through the wall. It was very pleasant to see
+the ancient warlike rampart thus overcome with rustic peace. The ruined
+gateway is partly overgrown with ivy.
+
+Returning to our inn, along the street, we saw ------ sketching one of
+the doors of the Gothic church, in the midst of a crowd of the good
+people of San Quirico, who made no scruple to look over her shoulder,
+pressing so closely as hardly to allow her elbow-room. I must own that I
+was too cowardly to come forward and take my share of this public notice,
+so I turned away to the inn and there awaited her coming. Indeed, she
+has seldom attempted to sketch without finding herself the nucleus of a
+throng.
+
+
+
+VITERBO.
+
+
+The Black Eagle, October 14th.--Perhaps I had something more to say of
+San Quirico, but I shall merely add that there is a stately old palace of
+the Piccolomini close to the church above described. It is built in the
+style of the Roman palaces, and looked almost large enough to be one of
+them. Nevertheless, the basement story, or part of it, seems to be used
+as a barn and stable, for I saw a yoke of oxen in the entrance. I cannot
+but mention a most wretched team of vettura-horses which stopped at the
+door of our albergo: poor, lean, downcast creatures, with deep furrows
+between their ribs; nothing but skin and bone, in short, and not even so
+much skin as they should have had, for it was partially worn off from
+their backs. The harness was fastened with ropes, the traces and reins
+were ropes; the carriage was old and shabby, and out of this miserable
+equipage there alighted an ancient gentleman and lady, whom our waiter
+affirmed to be the Prefect of Florence and his wife.
+
+We left San Quirico at two o'clock, and followed an ascending road till
+we got into the region above the clouds; the landscape was very wide, but
+very dreary and barren, and grew more and more so till we began to climb
+the mountain of Radicofani, the peak of which had been blackening itself
+on the horizon almost the whole day. When we had come into a pretty high
+region we were assailed by a real mountain tempest of wind, rain, and
+hail, which pelted down upon us in good earnest, and cooled the air a
+little below comfort. As we toiled up the mountain its upper region
+presented a very striking aspect, looking as if a precipice had been
+smoothed and squared for the purpose of rendering the old castle on its
+summit more inaccessible than it was by nature. This is the castle of
+the robber-knight, Ghino di Tacco, whom Boccaccio introduces into the
+Decameron. A freebooter of those days must have set a higher value on
+such a rock as this than if it had been one mass of diamond, for no art
+of mediaeval warfare could endanger him in such a fortress. Drawing yet
+nearer, we found the hillside immediately above us strewn with thousands
+upon thousands of great fragments of stone. It looked as if some great
+ruin had taken place there, only it was too vast a ruin to have been the
+dismemberment and dissolution of anything made by man.
+
+We could now see the castle on the height pretty distinctly. It seemed
+to impend over the precipice; and close to the base of the latter we saw
+the street of a town on as strange and inconvenient a foundation as ever
+one was built upon. I suppose the inhabitants of the village were
+dependants of the old knight of the castle; his brotherhood of robbers,
+as they married and had families, settled there under the shelter of the
+eagle's nest. But the singularity is, how a community of people have
+contrived to live and perpetuate themselves so far out of the reach of
+the world's help, and seemingly with no means of assisting in the world's
+labor. I cannot imagine how they employ themselves except in begging,
+and even that branch of industry appears to be left to the old women and
+the children. No house was ever built in this immediate neighborhood for
+any such natural purpose as induces people to build them on other sites.
+Even our hotel, at which we now arrived, could not be said to be a
+natural growth of the soil; it had originally been a whim of one of the
+Grand Dukes of Tuscany,--a hunting-palace,--intended for habitation only
+during a few weeks of the year. Of all dreary hotels I ever alighted at,
+methinks this is the most so; but on first arriving I merely followed the
+waiter to look at our rooms, across stone-paved basement-halls dismal as
+Etruscan tombs; up dim staircases, and along shivering corridors, all of
+stone, stone, stone, nothing but cold stone. After glancing at these
+pleasant accommodations, my wife and I, with J-----, set out to ascend
+the hill and visit the town of Radicofani.
+
+It is not more than a quarter of a mile above our hotel, and is
+accessible by a good piece of road, though very steep. As we approached
+the town, we were assailed by some little beggars; but this is the case
+all through Italy, in city or solitude, and I think the mendicants of
+Radicofani are fewer than its proportion. We had not got far towards the
+village, when, looking back over the scene of many miles that lay
+stretched beneath us, we saw a heavy shower apparently travelling
+straight towards us over hill and dale. It seemed inevitable that it
+should soon be upon us, so I persuaded my wife to return to the hotel;
+but J----- and I kept onward, being determined to see Radicofani with or
+without a drenching. We soon entered the street; the blackest, ugliest,
+rudest old street, I do believe, that ever human life incrusted itself
+with. The first portion of it is the overbrimming of the town in
+generations subsequent to that in which it was surrounded by a wall; but
+after going a little way we came to a high, square tower planted right
+across the way, with an arched gateway in its basement story, so that it
+looked like a great short-legged giant striding over the street of
+Radicofani. Within the gateway is the proper and original town, though
+indeed the portion outside of the gate is as densely populated, as ugly,
+and as ancient, as that within.
+
+The street was very narrow, and paved with flag-stones not quite so
+smooth as those of Florence; the houses are tall enough to be stately, if
+they were not so inconceivably dingy and shabby; but, with their
+half-dozen stories, they make only the impression of hovel piled upon
+hovel,--squalor immortalized in undecaying stone. It was now getting far
+into the twilight, and I could not distinguish the particularities of the
+little town, except that there were shops, a cafe or two, and as many
+churches, all dusky with age, crowded closely together, inconvenient
+stifled too in spite of the breadth and freedom of the mountain
+atmosphere outside the scanty precincts of the street. It was a
+death-in-life little place, a fossilized place, and yet the street was
+thronged, and had all the bustle of a city; even more noise than a city's
+street, because everybody in Radicofani knows everybody, and probably
+gossips with everybody, being everybody's blood relation, as they cannot
+fail to have become after they and their forefathers have been shut up
+together within the narrow walls for many hundred years. They looked
+round briskly at J----- and me, but were courteous, as Italians always
+are, and made way for us to pass through the throng, as we kept on still
+ascending the steep street. It took us but a few minutes to reach the
+still steeper and winding pathway which climbs towards the old castle.
+
+After ascending above the village, the path, though still paved, becomes
+very rough, as if the hoofs of Ghino di Tacco's robber cavalry had
+displaced the stones and they had never been readjusted. On every side,
+too, except where the path just finds space enough, there is an enormous
+rubbish of huge stones, which seems to have fallen from the precipice
+above, or else to have rained down out of the sky. We kept on, and by
+and by reached what seemed to have been a lower outwork of the castle on
+the top; there was the massive old arch of a gateway, and a great deal of
+ruin of man's work, beside the large stones that here, as elsewhere, were
+scattered so abundantly. Within the wall and gateway just mentioned,
+however, there was a kind of farm-house, adapted, I suppose, out of the
+old ruin, and I noticed some ears of Indian corn hanging out of a window.
+There were also a few stacks of hay, but no signs of human or animal
+life; and it is utterly inexplicable to me, where these products of the
+soil could have come from, for certainly they never grew amid that
+barrenness.
+
+We had not yet reached Ghino's castle, and, being now beneath it, we had
+to bend our heads far backward to see it rising up against the clear sky
+while we were now in twilight. The path upward looked terribly steep and
+rough, and if we had climbed it we should probably have broken our necks
+in descending again into the lower obscurity. We therefore stopped here,
+much against J-----'s will, and went back as we came, still wondering at
+the strange situation of Radicofani; for its aspect is as if it had
+stepped off the top of the cliff and lodged at its base, though still in
+danger of sliding farther down the hillside. Emerging from the compact,
+grimy life of its street, we saw that the shower had swept by, or
+probably had expended itself in a region beneath us, for we were above
+the scope of many of the showery clouds that haunt a hill-country. There
+was a very bright star visible, I remember, and we saw the new moon, now
+a third towards the full, for the first time this evening. The air was
+cold and bracing.
+
+But I am excessively sleepy, so will not describe our great dreary hotel,
+where a blast howled in an interminable corridor all night. It did not
+seem to have anything to do with the wind out of doors, but to be a blast
+that had been casually shut in when the doors were closed behind the last
+Grand Duke who came hither and departed, and ever since it has been kept
+prisoner, and makes a melancholy wail along the corridor. The dreamy
+stupidity of this conceit proves how sleepy I am.
+
+
+
+SETTE VENE.
+
+
+October 15th.--We left Radicofani long before sunrise, and I saw that
+ceremony take place from the coupe of the vettura for the first time in a
+long while. A sunset is the better sight of the two. I have always
+suspected it, and have been strengthened in the idea whenever I have had
+an opportunity of comparison. Our departure from Radicofani was most
+dreary, except that we were very glad to get away; but, the cold
+discomfort of dressing in a chill bedroom by candlelight, and our
+uncertain wandering through the immense hotel with a dim taper in search
+of the breakfast-room, and our poor breakfast of eggs, Italian bread, and
+coffee,--all these things made me wish that people were created with
+roots like trees, so they could not befool themselves with wandering
+about. However, we had not long been on our way before the morning air
+blew away all our troubles, and we rumbled cheerfully onward, ready to
+encounter even the papal custom-house officers at Ponte Centino. Our
+road thither was a pretty steep descent. I remember the barren landscape
+of hills, with here and there a lonely farm-house, which there seemed to
+be no occasion for, where nothing grew.
+
+At Ponte Centino my passport was examined, and I was invited into an
+office where sat the papal custom-house officer, a thin, subtle-looking,
+keen-eyed, sallow personage, of aspect very suitable to be the agent of a
+government of priests. I communicated to him my wish to pass the
+custom-house without giving the officers the trouble of examining my
+luggage. He inquired whether I had any dutiable articles, and wrote for
+my signature a declaration in the negative; and then he lifted a
+sand-box, beneath which was a little heap of silver coins. On this
+delicate hint I asked what was the usual fee, and was told that fifteen
+pauls was the proper sum. I presume it was entirely an illegal charge,
+and that he had no right to pass any luggage without examination; but the
+thing is winked at by the authorities, and no money is better spent for
+the traveller's convenience than these fifteen pauls. There was a papal
+military officer in the room, and he, I believe, cheated me in the change
+of a Napoleon, as his share of the spoil. At the door a soldier met me
+with my passport, and looked as if he expected a fee for handing it to
+me; but in this he was disappointed. After I had resumed my seat in the
+coupe, the porter of the custom-house--a poor, sickly-looking creature,
+half dead with the malaria of the place--appeared, and demanded a fee for
+doing nothing to my luggage. He got three pauls, and looked but half
+contented. This whole set of men seem to be as corrupt as official
+people can possibly be; and yet I hardly know whether to stigmatize them
+as corrupt, because it is not their individual delinquency, but the
+operation of a regular system. Their superiors know what men they are,
+and calculate upon their getting a living by just these means. And,
+indeed, the custom-house and passport regulations, as they exist in
+Italy, would be intolerable if there were not this facility of evading
+them at little cost. Such laws are good for nothing but to be broken.
+
+We now began to ascend again, and the country grew fertile and
+picturesque. We passed many mules and donkeys, laden with a sort of deep
+firkin on each side of the saddle, and these were heaped up with grapes,
+both purple and white. We bought some, and got what we should have
+thought an abundance at small price, only we used to get twice as many at
+Montanto for the same money. However, a Roman paul bought us three or
+four pounds even here. We still ascended, and came soon to the gateway
+of the town of Acquapendente, which stands on a height that seems to
+descend by natural terraces to the valley below. . . . .
+
+French soldiers, in their bluish-gray coats and scarlet trousers, were on
+duty at the gate, and one of them took my passport and the vetturino's,
+and we then drove into the town to wait till they should be vised. We
+saw but one street, narrow, with tall, rusty, aged houses, built of
+stone, evil smelling; in short, a kind of place that would be intolerably
+dismal in cloudy England, and cannot be called cheerful even under the
+sun of Italy. . . . . Priests passed, and burly friars, one of whom was
+carrying a wine-barrel on his head. Little carts, laden with firkins of
+grapes, and donkeys with the same genial burden, brushed passed our
+vettura, finding scarce room enough in the narrow street. All the idlers
+of Acquapendente--and they were many--assembled to gaze at us, but not
+discourteously. Indeed, I never saw an idle curiosity exercised in such
+a pleasant way as by the country-people of Italy. It almost deserves to
+be called a kindly interest and sympathy, instead of a hard and cold
+curiosity, like that of our own people, and it is displayed with such
+simplicity that it is evident no offence is intended.
+
+By and by the vetturino brought his passport and my own, with the
+official vise, and we kept on our way, still ascending, passing through
+vineyards and olives, and meeting grape-laden donkeys, till we came to
+the town of San Lorenzo Nuovo, a place built by Pius VI. as the refuge
+for the people of a lower town which had been made uninhabitable by
+malaria. The new town, which I suppose is hundreds of years old, with
+all its novelty shows strikingly the difference between places that grow
+up and shape out their streets of their own accord, as it were, and one
+that is built on a settled plan of malice aforethought. This little
+rural village has gates of classic architecture, a spacious piazza, and a
+great breadth of straight and rectangular streets, with houses of uniform
+style, airy and wholesome looking to a degree seldom seen on the
+Continent. Nevertheless, I must say that the town looked hatefully dull
+and ridiculously prim, and, of the two, I had rather spend my life in
+Radicofani. We drove through it, from gate to gate, without stopping,
+and soon came to the brow of a hill, whence we beheld, right beneath us,
+the beautiful lake of Bolsena; not exactly at our feet, however, for a
+portion of level ground lay between, haunted by the pestilence which has
+depopulated all these shores, and made the lake and its neighborhood a
+solitude. It looked very beautiful, nevertheless, with a sheen of a
+silver mid a gray like that of steel as the wind blew and the sun shone
+over it; and, judging by my own feelings, I should really have thought
+that the breeze from its surface was bracing and healthy.
+
+Descending the hill, we passed the ruins of the old town of San Lorenzo,
+of which the prim village on the hill-top may be considered the daughter.
+There is certainly no resemblance between parent and child, the former
+being situated on a sort of precipitous bluff, where there could have
+been no room for piazzas and spacious streets, nor accessibility except
+by mules, donkeys, goats, and people of Alpine habits. There was an
+ivy-covered tower on the top of the bluff, and some arched cavern mouths
+that looked as if they opened into the great darkness. These were the
+entrances to Etruscan tombs, for the town on top had been originally
+Etruscan, and the inhabitants had buried themselves in the heart of the
+precipitous bluffs after spending their lives on its summit.
+
+Reaching the plain, we drove several miles along the shore of the lake,
+and found the soil fertile and generally well cultivated, especially with
+the vine, though there were tracks apparently too marshy to be put to any
+agricultural purpose. We met now and then a flock of sheep, watched by
+sallow-looking and spiritless men and boys, who, we took it for granted,
+would soon perish of malaria, though, I presume, they never spend their
+nights in the immediate vicinity of the lake. I should like to inquire
+whether animals suffer from the bad qualities of the air. The lake is
+not nearly so beautiful on a nearer view as it is from the hill above,
+there being no rocky margin, nor bright, sandy beach, but everywhere this
+interval of level ground, and often swampy marsh, betwixt the water and
+the hill. At a considerable distance from the shore we saw two islands,
+one of which is memorable as having been the scene of an empress's
+murder, but I cannot stop to fill my journal with historical
+reminiscences.
+
+We kept onward to the town of Bolsena, which stands nearly a mile from
+the lake, and on a site higher than the level margin, yet not so much so,
+I should apprehend, as to free it from danger of malaria. We stopped at
+an albergo outside of the wall of the town, and before dinner had time to
+see a good deal of the neighborhood. The first aspect of the town was
+very striking, with a vista into its street through the open gateway, and
+high above it an old, gray, square-built castle, with three towers
+visible at the angles, one of them battlemented, one taller than the
+rest, and one partially ruined. Outside of the town-gate there were some
+fragments of Etruscan ruin, capitals of pillars and altars with
+inscriptions; these we glanced at, and then made our entrance through the
+gate.
+
+There it was again,--the same narrow, dirty, time-darkened street of
+piled-up houses which we have so often seen; the same swarm of ill-to-do
+people, grape-laden donkeys, little stands or shops of roasted chestnuts,
+peaches, tomatoes, white and purple figs; the same evidence of a fertile
+land, and grimy poverty in the midst of abundance which nature tries to
+heap into their hands. It seems strange that they can never grasp it.
+
+We had gone but a little way along this street, when we saw a narrow lane
+that turned aside from it and went steeply upward. Its name was on the
+corner,--the Via di Castello,--and as the castle promised to be more
+interesting than anything else, we immediately began to ascend. The
+street--a strange name for such an avenue--clambered upward in the oddest
+fashion, passing under arches, scrambling up steps, so that it was more
+like a long irregular pair of stairs than anything that Christians call a
+street; and so large a part of it was under arches that we scarcely
+seemed to be out of doors. At last U----, who was in advance, emerged
+into the upper air, and cried out that we had ascended to an upper town,
+and a larger one than that beneath.
+
+It really seemed like coming up out of the earth into the midst of the
+town, when we found ourselves so unexpectedly in upper Bolsena. We were
+in a little nook, surrounded by old edifices, and called the Piazza del
+Orologio, on account of a clock that was apparent somewhere. The castle
+was close by, and from its platform there was a splendid view of the lake
+and all the near hill-country. The castle itself is still in good
+condition, and apparently as strong as ever it was as respects the
+exterior walls; but within there seemed to be neither floor nor chamber,
+nothing but the empty shell of the dateless old fortress. The stones at
+the base and lower part of the building were so massive that I should
+think the Etrurians must have laid them; and then perhaps the Romans
+built a little higher, and the mediaeval people raised the battlements
+and towers. But we did not look long at the castle, our attention being
+drawn to the singular aspect of the town itself, which--to speak first of
+its most prominent characteristic--is the very filthiest place, I do
+believe, that was ever inhabited by man. Defilement was everywhere; in
+the piazza, in nooks and corners, strewing the miserable lanes from side
+to side, the refuse of every day, and of accumulated ages. I wonder
+whether the ancient Romans were as dirty a people as we everywhere find
+those who have succeeded them; for there seems to have been something in
+the places that have been inhabited by Romans, or made famous in their
+history, and in the monuments of every kind that they have raised, that
+puts people in mind of their very earthliness, and incites them to defile
+therewith whatever temple, column, ruined palace, or triumphal arch may
+fall in their way. I think it must be an hereditary trait, probably
+weakened and robbed of a little of its horror by the influence of milder
+ages; and I am much afraid that Caesar trod narrower and fouler ways in
+his path to power than those of modern Rome, or even of this disgusting
+town of Bolsena. I cannot imagine anything worse than these, however.
+Rotten vegetables thrown everywhere about, musty straw, standing puddles,
+running rivulets of dissolved nastiness,--these matters were a relief
+amid viler objects. The town was full of great black hogs wallowing
+before every door, and they grunted at us with a kind of courtesy and
+affability as if the town were theirs, and it was their part to be
+hospitable to strangers. Many donkeys likewise accosted us with braying;
+children, growing more uncleanly every day they lived, pestered us with
+begging; men stared askance at us as they lounged in corners, and women
+endangered us with slops which they were flinging from doorways into the
+street. No decent words can describe, no admissible image can give an
+idea of this noisome place. And yet, I remember, the donkeys came up the
+height loaded with fruit, and with little flat-sided barrels of wine; the
+people had a good atmosphere--except as they polluted it themselves--on
+their high site, and there seemed to be no reason why they should not
+live a beautiful and jolly life.
+
+I did not mean to write such an ugly description as the above, but it is
+well, once for all, to have attempted conveying an idea of what disgusts
+the traveller, more or less, in all these Italian towns. Setting aside
+this grand characteristic, the upper town of Bolsena is a most curious
+and interesting place. It was originally an Etruscan city, the ancient
+Volsinii, and when taken and destroyed by the Romans was said to contain
+two thousand statues. Afterwards the Romans built a town upon the site,
+including, I suppose, the space occupied by the lower city, which looks
+as if it had brimmed over like Radicofani, and fallen from the
+precipitous height occupied by the upper. The latter is a strange
+confusion of black and ugly houses, piled massively out of the ruins of
+former ages, built rudely and without plan, as a pauper would build his
+hovel, and yet with here and there an arched gateway, a cornice, a
+pillar, that might have adorned a palace. . . . . The streets are the
+narrowest I have seen anywhere,--of no more width, indeed, than may
+suffice for the passage of a donkey with his panniers. They wind in and
+out in strange confusion, and hardly look like streets at all, but,
+nevertheless, have names printed on the corners, just as if they were
+stately avenues. After looking about us awhile and drawing half-breaths
+so as to take in the less quantity of gaseous pollution, we went back to
+the castle, and descended by a path winding downward from it into the
+plain outside of the town-gate.
+
+It was now dinner-time, . . . . and we had, in the first place, some fish
+from the pestiferous lake; not, I am sorry to say, the famous stewed eels
+which, Dante says, killed Pope Martin, but some trout. . . . . By the by,
+the meal was not dinner, but our midday colazione. After despatching it,
+we again wandered forth and strolled round the outside of the lower town,
+which, with the upper one, made as picturesque a combination as could be
+desired. The old wall that surrounds the lower town has been
+appropriated, long since, as the back wall of a range of houses; windows
+have been pierced through it; upper chambers and loggie have been built
+upon it; so that it looks something like a long row of rural dwellings
+with one continuous front or back, constructed in a strange style of
+massive strength, contrasting with the vines that here and there are
+trained over it, and with the wreaths of yellow corn that hang from the
+windows. But portions of the old battlements are interspersed with the
+line of homely chambers and tiled house-tops. Within the wall the town
+is very compact, and above its roofs rises a rock, the sheer, precipitous
+bluff on which stands the upper town, whose foundations impend over the
+highest roof in the lower. At one end is the old castle, with its towers
+rising above the square battlemented mass of the main fortress; and if we
+had not seen the dirt and squalor that dwells within this venerable
+outside, we should have carried away a picture of gray, grim dignity,
+presented by a long past age to the present one, to put its mean ways and
+modes to shame. ------ sat diligently sketching, and children came about
+her, exceedingly unfragrant, but very courteous and gentle, looking over
+her shoulders, and expressing delight as they saw each familiar edifice
+take its place in the sketch. They are a lovable people, these Italians,
+as I find from almost all with whom we come in contact; they have great
+and little faults, and no great virtues that I know of; but still are
+sweet, amiable, pleasant to encounter, save when they beg, or when you
+have to bargain with them.
+
+We left Bolsena and drove to Viterbo, passing the gate of the picturesque
+town of Montefiascone, over the wall of which I saw spires and towers,
+and the dome of a cathedral. I was sorry not to taste, in its own town,
+the celebrated est, which was the death-draught of the jolly prelate. At
+Viterbo, however, I called for some wine of Montefiascone, and had a
+little straw-covered flask, which the waiter assured us was the genuine
+est-wine. It was of golden color, and very delicate, somewhat resembling
+still champagne, but finer, and requiring a calmer pause to appreciate
+its subtle delight. Its good qualities, however, are so evanescent, that
+the finer flavor became almost imperceptible before we finished the
+flask.
+
+Viterbo is a large, disagreeable town, built at the foot of a mountain,
+the peak of which is seen through the vista of some of the narrow streets.
+
+There are more fountains in Viterbo than I have seen in any other city of
+its size, and many of them of very good design. Around most of them
+there were wine-hogsheads, waiting their turn to be cleansed and rinsed,
+before receiving the wine of the present vintage. Passing a doorway,
+J----- saw some men treading out the grapes in a great vat with their
+naked feet.
+
+Among the beggars here, the loudest and most vociferous was a crippled
+postilion, wearing his uniform jacket, green, faced with red; and he
+seemed to consider himself entitled still to get his living from
+travellers, as having been disabled in the way of his profession. I
+recognized his claim, and was rewarded with a courteous and grateful bow
+at our departure. . . . . To beggars--after my much experience both in
+England and Italy--I give very little, though I am not certain that it
+would not often be real beneficence in the latter country. There being
+little or no provision for poverty and age, the poor must often suffer.
+Nothing can be more earnest than their entreaties for aid; nothing
+seemingly more genuine than their gratitude when they receive it.
+
+They return you the value of their alms in prayers, and say, "God will
+accompany you." Many of them have a professional whine, and a certain
+doleful twist of the neck and turn of the head, which hardens my heart
+against them at once. A painter might find numerous models among them,
+if canvas had not already been more than sufficiently covered with their
+style of the picturesque. There is a certain brick-dust colored cloak
+worn in Viterbo, not exclusively by beggars, which, when ragged enough,
+is exceedingly artistic.
+
+
+
+ROME.
+
+
+68 Piazza Poli, October 17th.--We left Viterbo on the 15th, and
+proceeded, through Monterosi, to Sette Verse. There was nothing
+interesting at Sette Verse, except an old Roman bridge, of a single arch,
+which had kept its sweep, composed of one row of stones, unbroken for two
+or more thousand years, and looked just as strong as ever, though gray
+with age, and fringed with plants that found it hard to fix themselves in
+its close crevices.
+
+The next day we drove along the Cassian Way towards Rome. It was a most
+delightful morning, a genial atmosphere; the more so, I suppose, because
+this was the Campagna, the region of pestilence and death. I had a
+quiet, gentle, comfortable pleasure, as if, after many wanderings, I was
+drawing near Rome, for, now that I have known it once, Rome certainly
+does draw into itself my heart, as I think even London, or even little
+Concord itself, or old sleepy Salem, never did and never will. Besides,
+we are to stay here six months, and we had now a house all prepared to
+receive us; so that this present approach, in the noontide of a genial
+day, was most unlike our first one, when we crept towards Rome through
+the wintry midnight, benumbed with cold, ill, weary, and not knowing
+whither to betake ourselves. Ah! that was a dismal tine! One thing,
+however, that disturbed even my present equanimity a little was the
+necessity of meeting the custom-house at the Porta del Popolo; but my
+past experience warranted me in believing that even these ogres might be
+mollified by the magic touch of a scudo; and so it proved. We should
+have escaped any examination at all, the officer whispered me, if his
+superior had not happened to be present; but, as the case stood, they
+took down only one trunk from the top of the vettura, just lifted the
+lid, closed it again, and gave us permission to proceed. So we came to
+68 Piazza Poli, and found ourselves at once at home, in such a
+comfortable, cosey little house, as I did not think existed in Rome.
+
+I ought to say a word about our vetturino, Constantino Bacci, an
+excellent and most favorable specimen of his class; for his magnificent
+conduct, his liberality, and all the good qualities that ought to be
+imperial, S----- called him the Emperor. He took us to good hotels, and
+feasted us with the best; he was kind to us all, and especially to little
+Rosebud, who used to run by his side, with her small white hand in his
+great brown one; he was cheerful in his deportment, and expressed his
+good spirits by the smack of his whip, which is the barometer of a
+vetturino's inward weather; he drove admirably, and would rumble up to
+the door of an albergo, and stop to a hair's-breadth just where it was
+most convenient for us to alight; he would hire postilions and horses,
+where other vetturini would take nothing better than sluggish oxen, to
+help us up the hilly roads, so that sometimes we had a team of seven; he
+did all that we could possibly require of him, and was content and more,
+with a buon mono of five scudi, in addition to the stipulated price.
+Finally, I think the tears had risen almost to his eyelids when we parted
+with him.
+
+Our friends, the Thompsons, through whose kindness we procured this
+house, called to see us soon after our arrival. In the afternoon, I
+walked with Rosebud to the Medici Gardens, and on our way thither, we
+espied our former servant, Lalla, who flung so many and such bitter
+curses after us, on our departure from Rome, sitting at her father's
+fruit-stall. Thank God, they have not taken effect. After going to the
+Medici, we went to the Pincian Gardens, and looked over into the Borghese
+grounds, which, methought, were more beautiful than ever. The same was
+true of the sky, and of every object beneath it; and as we came homeward
+along the Corso, I wondered at the stateliness and palatial magnificence
+of that noble street. Once, I remember, I thought it narrow, and far
+unworthy of its fame.
+
+In the way of costume, the men in goat-skin breeches, whom we met on the
+Campagna, were very striking, and looked like Satyrs.
+
+
+October 21st.--. . . . I have been twice to St. Peter's, and was
+impressed more than at any former visit by a sense of breadth and
+loftiness, and, as it were, a visionary splendor and magnificence. I
+also went to the Museum of the Capitol; and the statues seemed to me more
+beautiful than formerly, and I was not sensible of the cold despondency
+with which I have so often viewed them. Yesterday we went to the Corsini
+Palace, which we had not visited before. It stands in the Trastevere, in
+the Longara, and is a stately palace, with a grand staircase, leading to
+the first floor, where is situated the range of picture-rooms. There
+were a good many fine pictures, but none of them have made a memorable
+impression on my mind, except a portrait by Vandyke, of a man in
+point-lace, very grand and very real. The room in which this picture
+hung had many other portraits by Holbein, Titian, Rembrandt, Rubens, and
+other famous painters, and was wonderfully rich in this department. In
+another, there was a portrait of Pope Julius II., by Raphael, somewhat
+differing from those at the Pitti and the Uffizi galleries in Florence,
+and those I have seen in England and Paris; thinner, paler, perhaps
+older, more severely intellectual, but at least, as high a work of art as
+those.
+
+The palace has some handsome old furniture, and gilded chairs, covered
+with leather cases, possibly relics of Queen Christina's time, who died
+here. I know not but the most curious object was a curule chair of
+marble, sculptured all out of one piece, and adorned with bas-reliefs.
+It is supposed to be Etruscan. It has a circular back, sweeping round,
+so as to afford sufficient rests for the elbows; and, sitting down in it,
+I discovered that modern ingenuity has not made much real improvement on
+this chair of three or four thousand years ago. But some chairs are
+easier for the moment, yet soon betray you, and grow the more irksome.
+
+We strolled along Longara, and found the piazza of St. Peter's full of
+French soldiers at their drill. . . . . We went quite round the interior
+of the church, and perceiving the pavement loose and broken near the
+altar where Guido's Archangel is placed, we picked up some bits of rosso
+antico and gray marble, to be set in brooches, as relics.
+
+We have the snuggest little set of apartments in Rome, seven rooms,
+including an antechamber; and though the stairs are exceedingly narrow,
+there is really a carpet on them,--a civilized comfort, of which the
+proudest palaces in the Eternal City cannot boast. The stairs are very
+steep, however, and I should not wonder if some of us broke our noses
+down them. Narrowness of space within doors strikes us all rather
+ludicrously, yet not unpleasantly, after being accustomed to the wastes
+and deserts of the Montanto Villa. It is well thus to be put in training
+for the over-snugness of our cottage in Concord. Our windows here look
+out on a small and rather quiet piazza, with an immense palace on the
+left hand, and a smaller yet statelier one on the right, and just round
+the corner of the street, leading out of our piazza, is the Fountain of
+Trevi, of which I can hear the plash in the evening, when other sounds
+are hushed.
+
+Looking over what I have said of Sodoma's "Christ Bound," at Sierra, I
+see that I have omitted to notice what seems to me one of its most
+striking characteristics,--its loneliness. You feel as if the Saviour
+were deserted, both in heaven and earth; the despair is in him which made
+him say, "My God, why hast thou forsaken me?" Even in this extremity,
+however, he is still Divine, and Sodoma almost seems to have reconciled
+the impossibilities of combining an omnipresent divinity with a suffering
+and outraged humanity. But this is one of the cases in which the
+spectator's imagination completes what the artist merely hints at.
+
+Mr. ------, the sculptor, called to see us, the other evening, and quite
+paid Powers off for all his trenchant criticisms on his brother artists.
+He will not allow Powers to be an artist at all, or to know anything of
+the laws of art, although acknowledging him to be a great bust-maker, and
+to have put together the Greek Slave and the Fisher-Boy very ingeniously.
+The latter, however (he says), is copied from the Apollino in the Tribune
+of the Uzi; and the former is made up of beauties that had no reference
+to one another; and he affirms that Powers is ready to sell, and has
+actually sold, the Greek Slave, limb by limb, dismembering it by
+reversing the process of putting it together,--a head to one purchaser,
+an arm or a foot to another, a hand to a third. Powers knows nothing
+scientifically of the human frame, and only succeeds in representing it
+as a natural bone-doctor succeeds in setting a dislocated limb by a happy
+accident or special providence. (The illustration was my own, and
+adopted by Mr. ------.) Yet Mr. ------ seems to acknowledge that he did
+succeed. I repeat these things only as another instance how invariably
+every sculptor uses his chisel and mallet to smash and deface the
+marble-work of every other. I never heard Powers speak of Mr. ------,
+but can partly imagine what he would have said.
+
+Mr. ------ spoke of Powers's disappointment about the
+twenty-five-thousand-dollar appropriation from Congress, and said that he
+was altogether to blame, inasmuch as he attempted to sell to the nation
+for that sum a statue which, to Mr. ------'s certain knowledge, he had
+already offered to private persons for a fifth part of it. I have not
+implicit faith in Mr. ------'s veracity, and doubt not Powers acted
+fairly in his own eyes.
+
+
+October 23d.--I am afraid I have caught one of the colds which the Roman
+air continually affected me with last winter; at any rate, a sirocco has
+taken the life out of me, and I have no spirit to do anything. This
+morning I took a walk, however, out of the Porta Maggiore, and looked at
+the tomb of the baker Eurysaces, just outside of the gate,--a very
+singular ruin covered with symbols of the man's trade in stone-work, and
+with bas-reliefs along the cornice, representing people at work, making
+bread. An inscription states that the ashes of his wife are likewise
+reposited there, in a bread-basket. The mausoleum is perhaps twenty feet
+long, in its largest extent, and of equal height; and if good bakers were
+as scarce in ancient Rome as in the modern city, I do not wonder that
+they were thought worthy of stately monuments. None of the modern ones
+deserve any better tomb than a pile of their own sour loaves.
+
+I walked onward a good distance beyond the gate alongside of the arches
+of the Claudian aqueduct, which, in this portion of it, seems to have had
+little repair, and to have needed little, since it was built. It looks
+like a long procession, striding across the Campagna towards the city,
+and entering the gate, over one of its arches, within the gate, I saw two
+or three slender jets of water spurting from the crevices; this aqueduct
+being still in use to bring the Acqua Felice into Rome.
+
+Returning within the walls, I walked along their inner base, to the
+Church of St. John Lateran, into which I went, and sat down to rest
+myself, being languid and weary, and hot with the sun, though afraid to
+trust the coolness of the shade. I hate the Roman atmosphere; indeed,
+all my pleasure in getting back--all my home-feeling--has already
+evaporated, and what now impresses me, as before, is the languor of
+Rome,--its weary pavements, its little life, pressed down by a weight of
+death.
+
+Quitting St. John Lateran, I went astray, as I do nine times out of ten
+in these Roman intricacies, and at last, seeing the Coliseum in the vista
+of a street, I betook myself thither to get a fresh start. Its round of
+stones looked vast and dreary, but not particularly impressive. The
+interior was quite deserted; except that a Roman, of respectable
+appearance, was making a pilgrimage at the altars, kneeling and saying a
+prayer at each one.
+
+Outside of the Coliseum, a neat-looking little boy came and begged of me;
+and I gave him a baiocco, rather because he seemed to need it so little
+than for any other reason. I observed that he immediately afterwards
+went and spoke to a well-dressed man, and supposed that the child was
+likewise begging of him. I watched the little boy, however, and saw
+that, in two or three other instances, after begging of other
+individuals, he still returned to this well-dressed man; the fact being,
+no doubt, that the latter was fishing for baiocci through the medium of
+his child,--throwing the poor little fellow out as a bait, while he
+himself retained his independent respectability. He had probably come
+out for a whole day's sport; for, by and by, he went between the arches
+of the Coliseum, followed by the child, and taking with him what looked
+like a bottle of wine, wrapped in a handkerchief.
+
+
+November 2d.--The weather lately would have suited one's ideal of an
+English November, except that there have been no fogs; but of ugly,
+hopeless clouds, chill, shivering winds, drizzle, and now and then
+pouring rain, much more than enough. An English coal-fire, if we could
+see its honest face within doors, would compensate for all the
+unamiableness of the outside atmosphere; but we might ask for the
+sunshine of the New Jerusalem, with as much hope of getting it. It is
+extremely spirit-crushing, this remorseless gray, with its icy heart; and
+the more to depress the whole family, U---- has taken what seems to be
+the Roman fever, by sitting down in the Palace of the Caesars, while Mrs.
+S----- sketched the ruins. . . . .
+
+[During four months of the illness of his daughter, Mr. Hawthorne wrote
+no word of Journal.--ED.]
+
+
+February 27th, 1859.--For many days past, there have been tokens of the
+coming Carnival in the Corso and the adjacent streets; for example, in
+the shops, by the display of masks of wire, pasteboard, silk, or cloth,
+some of beautiful features, others hideous, fantastic, currish, asinine,
+huge-nosed, or otherwise monstrous; some intended to cover the whole
+face, others concealing only the upper part, also white dominos, or robes
+bedizened with gold-lace and theatric splendors, displayed at the windows
+of mercers or flaunting before the doors. Yesterday, U---- and I came
+along the Corso, between one and two o'clock, after a walk, and found all
+these symptoms of impending merriment multiplied and intensified; . . . .
+rows of chairs, set out along the sidewalks, elevated a foot or two by
+means of planks; great baskets, full of confetti, for sale in the nooks
+and recesses of the streets; bouquets of all qualities and prices. The
+Corso was becoming pretty well thronged with people; but, until two
+o'clock, nobody dared to fling as much as a rosebud or a handful of
+sugar-plums. There was a sort of holiday expression, however, on almost
+everybody's face, such as I have not hitherto seen in Rome, or in any
+part of Italy; a smile gleaming out, an aurora of mirth, which probably
+will not be very exuberant in its noontide. The day was so sunny and
+bright that it made this opening scene far more cheerful than any day of
+the last year's carnival. As we threaded our way through the Corso,
+U---- kept wishing she could plunge into the fun and uproar as J-----
+would, and for my own part, though I pretended to take no interest in the
+matter, I could have bandied confetti and nosegays as readily and as
+riotously as any urchin there. But my black hat and grave talma would
+have been too good a mark for the combatants, . . . . so we went home
+before a shot was fired. . . . .
+
+
+March 7th.--I, as well as the rest of the family, have followed up the
+Carnival pretty faithfully, and enjoyed it as well, or rather better
+than could have been expected; principally in the street, as a more
+looker-on,--which does not let one into the mystery of the fun,--and
+twice from a balcony, where I threw confetti, and partly understood why
+the young people like it so much. Certainly, there cannot well be a more
+picturesque spectacle in human life, than that stately, palatial avenue
+of the Corso, the more picturesque because so narrow, all hung with
+carpets and Gobelin tapestry, and the whole palace-heights alive with
+faces; and all the capacity of the street thronged with the most
+fantastic figures that either the fancies of folks alive at this day are
+able to contrive, or that live traditionally from year to year. . . . .
+The Prince of Wales has fought manfully through the Carnival with
+confetti and bouquets, and U---- received several bouquets from him, on
+Saturday, as her carriage moved along.
+
+
+March 8th.--I went with U---- to Mr. Motley's balcony, in the Corso, and
+saw the Carnival from it yesterday afternoon; but the spectacle is
+strangely like a dream, in respect to the difficulty of retaining it in
+the mind and solidifying it into a description. I enjoyed it a good
+deal, and assisted in so far as to pelt all the people in cylinder hats
+with handfuls of confetti. The scene opens with a long array of cavalry,
+who ride through the Corso, preceded by a large band, playing loudly on
+their brazen instruments. . . . . There were some splendid dresses,
+particularly contadina costumes of scarlet and gold, which seem to be
+actually the festal attire of that class of people, and must needs be so
+expensive that one must serve for a lifetime, if indeed it be not an
+inheritance. . . . .
+
+
+March 9th.--I was, yesterday, an hour or so among the people on the
+sidewalks of the Corso, just on the edges of the fun. They appeared to
+be in a decorous, good-natured mood, neither entering into the merriment,
+nor harshly repelling; and when groups of maskers overflowed among them,
+they received their jokes in good part. Many women of the lower class
+were in the crowd of bystanders; generally broad and sturdy figures, clad
+evidently in their best attire, and wearing a good many ornaments; such
+as gold or coral beads and necklaces, combs of silver or gold, heavy
+ear-rings, curiously wrought brooches, perhaps cameos or mosaics, though
+I think they prefer purely metallic work to these. One ornament very
+common among them is a large bodkin, which they stick through their hair.
+It is usually of silver, but sometimes it looks like steel, and is made
+in the shape of a sword,--a long Spanish thrusting sword, for example.
+Dr. Franco told us a story of a woman of Trastevere, who was addressed
+rudely at the Carnival by a gentleman; she warned him to desist, but as
+he still persisted, she drew the bodkin from her hair, and stabbed him to
+the heart.
+
+By and by I went to Mr. Motley's balcony, and looked down on the closing
+scenes of the Carnival. Methought the merry-makers labored harder to be
+mirthful, and yet were somewhat tired of their eight play-days; and their
+dresses looked a little shabby, rumpled, and draggled; but the lack of
+sunshine--which we have had on all the preceding days--may have produced
+this effect. The wheels of some of the carriages were wreathed round and
+spoked with green foliage, making a very pretty and fanciful appearance,
+as did likewise the harnesses of the horses, which were trimmed with
+roses. The pervading noise and uproar of human voices is one of the most
+effective points of the matter; but the scene is quite indescribable, and
+its effect not to be conceived without both witnessing and taking part in
+it. If you merely look at it, it depresses you; if you take even the
+slightest share in it, you become aware that it has a fascination, and
+you no longer wonder that the young people, at least, take such delight
+in plunging into this mad river of fun that goes roaring between the
+narrow limits of the Corso.
+
+As twilight came on, the moccoli commenced, and as it grew darker the
+whole street twinkled with lights, which would have been innumerable if
+every torch-bearer had not been surrounded by a host of enemies, who
+tried to extinguish his poor little twinkle. It was a pity to lose so
+much splendor as there might have been; but yet there was a kind of
+symbolism in the thought that every one of those thousands of twinkling
+lights was in charge of somebody, who was striving with all his might to
+keep it alive. Not merely the street-way, but all the balconies and
+hundreds of windows were lit up with these little torches; so that it
+seemed as if the stars had crumbled into glittering fragments, and rained
+down upon the Corso, some of them lodging upon the palace-fronts, some
+falling on the ground. Besides this, there were gas-lights burning with
+a white flame; but this illumination was not half so interesting as that
+of the torches, which indicated human struggle. All this time there were
+myriad voices shouting, "SENZA MOCCOLO!" and mingling into one long roar.
+We, in our balcony, carried on a civil war against one another's torches,
+as is the custom of human beings, within even the narrowest precincts;
+but after a while we grew tired, and so did the crowd, apparently; for
+the lights vanished, one after another, till the gas-lights--which at
+first were an unimportant part of the illumination--shone quietly out,
+overpowering the scattered twinkles of the moccoli. They were what the
+fixed stars are to the transitory splendors of human life.
+
+Mr. Motley tells me, that it was formerly the custom to have a mock
+funeral of harlequin, who was supposed to die at the close of the
+Carnival, during which he had reigned supreme, and all the people, or as
+many as chose, bore torches at his burial. But this being considered an
+indecorous mockery of Popish funereal customs, the present frolic of the
+moccoli was instituted,--in some sort, growing out of it.
+
+All last night, or as much of it as I was awake, there was a noise of
+song and of late revellers in the streets; but to-day we have waked up in
+the sad and sober season of Lent.
+
+It is worthy of remark, that all the jollity of the Carnival is a genuine
+ebullition of spirit, without the aid of wine or strong drink.
+
+
+March 11th.--Yesterday we went to the Catacomb of St. Calixtus, the
+entrance to which is alongside of the Appian Way, within sight of the
+tomb of Cecilia Metella. We descended not a very great way under ground,
+by a broad flight of stone steps, and, lighting some wax tapers, with
+which we had provided ourselves, we followed the guide through a great
+many intricate passages, which mostly were just wide enough for me to
+touch the wall on each side, while keeping my elbows close to my body;
+and as to height, they were from seven to ten feet, and sometimes a good
+deal higher It was rather picturesque, when we saw the long line of our
+tapers, for another large party had joined us, twinkling along the dark
+passage, and it was interesting to think of the former inhabitants of
+these caverns. . . . . In one or two places there was the round mark in
+the stone or plaster, where a bottle had been deposited. This was said
+to have been the token of a martyr's burial-place, and to have contained
+his blood. After leaving the Catacomb, we drove onward to Cecilia
+Metella's tomb, which we entered and inspected. Within the immensely
+massive circular substance of the tomb was a round, vacant space, and
+this interior vacancy was open at the top, and had nothing but some
+fallen stones and a heap of earth at the bottom.
+
+On our way home we entered the Church of "Domine, quo vadis," and looked
+at the old fragment of the Appian Way, where our Saviour met St. Peter,
+and left the impression of his feet in one of the Roman paving-stones.
+The stone has been removed, and there is now only a fac-simile engraved
+in a block of marble, occupying the place where Jesus stood. It is a
+great pity they had not left the original stone; for then all its
+brother-stones in the pavement would have seemed to confirm the truth of
+the legend.
+
+While we were at dinner, a gentleman called and was shown into the
+parlor. We supposed it to be Mr. May; but soon his voice grew familiar,
+and my wife was sure it was General Pierce, so I left the table, and
+found it to be really he. I was rejoiced to see him, though a little
+saddened to see the marks of care and coming age, in many a whitening
+hair, and many a furrow, and, still more, in something that seemed to
+have passed away out of him, without leaving any trace. His voice,
+sometimes, sounded strange and old, though generally it was what it used
+to be. He was evidently glad to see me, glad to see my wife, glad to see
+the children, though there was something melancholy in his tone, when he
+remarked what a stout boy J----- had grown. Poor fellow! he has neither
+son nor daughter to keep his heart warm. This morning I have been with
+him to St. Peter's, and elsewhere about the city, and find him less
+changed than he seemed to be last night; not at all changed in heart and
+affections. We talked freely about all matters that came up; among the
+rest, about the project--recognizable by many tokens--for bringing him
+again forward as a candidate for the Presidency next year. He appears to
+be firmly resolved not again to present himself to the country, and is
+content to let his one administration stand, and to be judged by the
+public and posterity on the merits of that. No doubt he is perfectly
+sincere; no doubt, too, he would again be a candidate, if a pretty
+unanimous voice of the party should demand it. I retain all my faith in
+his administrative faculty, and should be glad, for his sake, to have it
+fully rccognized; but the probabilities, as far as I can see, do not
+indicate for him another Presidential term.
+
+
+March 15th.--This morning I went with my wife and Miss Hoar to Miss
+Hosmer's studio, to see her statue of Zenobia. We found her in her
+premises, springing about with a bird-like action. She has a lofty room,
+with a skylight window; it was pretty well warmed with a stove, and there
+was a small orange-tree in a pot, with the oranges growing on it, and two
+or three flower-shrubs in bloom. She herself looked prettily, with her
+jaunty little velvet cap on the side of her head, whence came clustering
+out, her short brown curls; her face full of pleasant life and quick
+expression; and though somewhat worn with thought and struggle, handsome
+and spirited. She told us that "her wig was growing as gray as a rat."
+
+There were but very few things in the room; two or three plaster busts, a
+headless cast of a plaster statue, and a cast of the Minerva Medica,
+which perhaps she had been studying as a help towards the design of her
+Zenobia; for, at any rate, I seemed to discern a resemblance or analogy
+between the two. Zenobia stood in the centre of the room, as yet
+unfinished in the clay, but a very noble and remarkable statue indeed,
+full of dignity and beauty. It is wonderful that so brisk a woman could
+have achieved a work so quietly impressive; and there is something in
+Zenobia's air that conveys the idea of music, uproar, and a great throng
+all about her; whilst she walks in the midst of it, self-sustained, and
+kept in a sort of sanctity by her native pride. The idea of motion is
+attained with great success; you not only perceive that she is walking,
+but know at just what tranquil pace she steps, amid the music of the
+triumph. The drapery is very fine and full; she is decked with
+ornaments; but the chains of her captivity hang from wrist to wrist; and
+her deportment--indicating a soul so much above her misfortune, yet not
+insensible to the weight of it--makes these chains a richer decoration
+than all her other jewels. I know not whether there be some magic in the
+present imperfect finish of the statue, or in the material of clay, as
+being a better medium of expression than even marble; but certainly I
+have seldom been more impressed by a piece of modern sculpture. Miss
+Hosmer showed us photographs of her Puck--which I have seen in the
+marble--and likewise of the Will-o'-the-Wisp, both very pretty and
+fanciful. It indicates much variety of power, that Zenobia should be the
+sister of these, which would seem the more natural offspring of her quick
+and vivid character. But Zenobia is a high, heroic ode.
+
+. . . . On my way up the Via Babuino, I met General Pierce. We have
+taken two or three walks together, and stray among the Roman ruins, and
+old scenes of history, talking of matters in which he is personally
+concerned, yet which are as historic as anything around us. He is
+singularly little changed; the more I see him, the more I get him back,
+just such as he was in our youth. This morning, his face, air, and smile
+were so wonderfully like himself of old, that at least thirty years are
+annihilated.
+
+Zenobia's manacles serve as bracelets; a very ingenious and suggestive
+idea.
+
+
+March 18th.--I went to the sculpture-gallery of the Capitol yesterday,
+and saw, among other things, the Venus in her secret cabinet. This was
+my second view of her: the first time, I greatly admired her; now, she
+made no very favorable impression. There are twenty Venuses whom I like
+as well, or better. On the whole, she is a heavy, clumsy,
+unintellectual, and commonplace figure; at all events, not in good looks
+to-day. Marble beauties seem to suffer the same occasional eclipses as
+those of flesh and blood. We looked at the Faun, the Dying Gladiator,
+and other famous sculptures; but nothing had a glory round it, perhaps
+because the sirocco was blowing. These halls of the Capitol have always
+had a dreary and depressing effect upon me, very different from those of
+the Vatican. I know not why, except that the rooms of the Capitol have a
+dingy, shabby, and neglected look, and that the statues are dusty, and
+all the arrangements less magnificent than at the Vatican. The corroded
+and discolored surfaces of the statues take away from the impression of
+immortal youth, and turn Apollo [The Lycian Apollo] himself into an old
+stone; unless at rare intervals, when he appears transfigured by a light
+gleaming from within.
+
+
+March 23d.--I am wearing away listlessly these last precious days of my
+abode in Rome. U----'s illness is disheartening, and by confining
+------, it takes away the energy and enterprise that were the spring of
+all our movements. I am weary of Rome, without having seen and known it
+as I ought, and I shall be glad to get away from it, though no doubt
+there will be many yearnings to return hereafter, and many regrets that I
+did not make better use of the opportunities within my grasp. Still, I
+have been in Rome long enough to be imbued with its atmosphere, and this
+is the essential condition of knowing a place; for such knowledge does
+not consist in having seen every particular object it contains. In the
+state of mind in which I now stand towards Rome, there is very little
+advantage to be gained by staying here longer.
+
+And yet I had a pleasant stroll enough yesterday afternoon, all by
+myself, from the Corso down past the Church of St. Andrea della Valle,--
+the site where Caesar was murdered,--and thence to the Farnese Palace,
+the noble court of which I entered; thence to the Piazza Cenci, where I
+looked at one or two ugly old palaces, and fixed on one of them as the
+residence of Beatrice's father; then past the Temple of Vesta, and
+skirting along the Tiler, and beneath the Aventine, till I somewhat
+unexpectedly came in sight of the gray pyramid of Caius Cestius. I went
+out of the city gate, and leaned on the parapet that encloses the
+pyramid, advancing its high, unbroken slope and peak, where the great
+blocks of marble still fit almost as closely to one another as when they
+were first laid; though, indeed, there are crevices just large enough for
+plants to root themselves, and flaunt and trail over the face of this
+great tomb; only a little verdure, however, over a vast space of marble,
+still white in spots, but pervadingly turned gray by two thousand years'
+action of the atmosphere. Thence I came home by the Caelian, and sat
+down on an ancient flight of steps under one of the arches of the
+Coliseum, into which the sunshine fell sidelong. It was a delightful
+afternoon, not precisely like any weather that I have known elsewhere;
+certainly never in America, where it is always too cold or too hot. It,
+resembles summer more than anything which we New-Englanders recognize in
+our idea of spring, but there was an indescribable something, sweet,
+fresh, gentle, that does not belong to summer, and that thrilled and
+tickled my heart with a feeling partly sensuous, partly spiritual.
+
+I go to the Bank and read Galignani and the American newspapers; thence I
+stroll to the Pincian or to the Medici Gardens; I see a good deal of
+General Pierce, and we talk over his Presidential life, which, I now
+really think, he has no latent desire nor purpose to renew. Yet he seems
+to have enjoyed it while it lasted, and certainly he was in his element
+as an administrative man; not far-seeing, not possessed of vast stores of
+political wisdom in advance of his occasions, but endowed with a
+miraculous intuition of what ought to be done just at the time for
+action. His judgment of things about him is wonderful, and his Cabinet
+recognized it as such; for though they were men of great ability, he was
+evidently the master-mind among them. None of them were particularly his
+personal friends when he selected them; they all loved him when they
+parted; and he showed me a letter, signed by all, in which they expressed
+their feelings of respect and attachment at the close of his
+administration. There was a noble frankness on his part, that kept the
+atmosphere always clear among them, and in reference to this
+characteristic Governor Marcy told him that the years during which he had
+been connected with his Cabinet had been the happiest of his life.
+Speaking of Caleb Cushing, he told me that the unreliability, the
+fickleness, which is usually attributed to him, is an actual
+characteristic, but that it is intellectual, not moral. He has such
+comprehensiveness, such mental variety and activity, that, if left to
+himself, he cannot keep fast hold of one view of things, and so cannot,
+without external help, be a consistent man. He needs the influence of a
+more single and stable judgment to keep him from divergency, and, on this
+condition, he is a most inestimable coadjutor. As regards learning and
+ability, he has no superior.
+
+Pierce spoke the other day of the idea among some of his friends that his
+life had been planned, from a very early period, with a view to the
+station which he ultimately reached. He smiled at the notion, said that
+it was inconsistent with his natural character, and that it implied
+foresight and dexterity beyond what any mortal is endowed with. I think
+so too; but nevertheless, I was long and long ago aware that he cherished
+a very high ambition, and that, though he might not anticipate the
+highest things, he cared very little about inferior objects. Then as to
+plans, I do not think that he had any definite ones; but there was in him
+a subtle faculty, a real instinct, that taught him what was good for
+him,--that is to say, promotive of his political success,--and made him
+inevitably do it. He had a magic touch, that arranged matters with a
+delicate potency, which he himself hardly recognized; and he wrought
+through other minds so that neither he nor they always knew when and how
+far they were under his influence. Before his nomination for the
+Presidency I had a sense that it was coming, and it never seemed to me an
+accident. He is a most singular character; so frank, so true, so
+immediate, so subtle, so simple, so complicated.
+
+I passed by the tower in the Via Portoghese to-day, and observed that the
+nearest shop appears to be for the sale of cotton or linen cloth. . . . .
+The upper window of the tower was half open; of course, like all or
+almost all other Roman windows, it is divided vertically, and each half
+swings back on hinges. . . . .
+
+Last week a fritter-establishment was opened in our piazza. It was a
+wooden booth erected in the open square, and covered with canvas painted
+red, which looked as if it had withstood much rain and sunshine. In
+front were three great boughs of laurel, not so much for shade, I think,
+as ornament. There were two men, and their apparatus for business was a
+sort of stove, or charcoal furnace, and a frying-pan to place over it;
+they had an armful or two of dry sticks, some flour, and I suppose oil,
+and this seemed to be all. It was Friday, and Lent besides, and possibly
+there was some other peculiar propriety in the consumption of fritters
+just then. At all events, their fire burned merrily from morning till
+night, and pretty late into the evening, and they had a fine run of
+custom; the commodity being simply dough, cut into squares or rhomboids,
+and thrown into the boiling oil, which quickly turned them to a light
+brown color. I sent J----- to buy some, and, tasting one, it resembled
+an unspeakably bad doughnut, without any sweetening. In fact, it was
+sour, for the Romans like their bread, and all their preparations of
+flour, in a state of acetous fermentation, which serves them instead of
+salt or other condiment. This fritter-shop had grown up in a night, like
+Aladdin's palace, and vanished as suddenly; for after standing through
+Friday, Saturday, and Sunday, it was gone on Monday morning, and a
+charcoal-strewn place on the pavement where the furnace had been was the
+only memorial of it. It was curious to observe how immediately it became
+a lounging-place for idle people, who stood and talked all day with the
+fritter-friers, just as they might at any old shop in the basement, of a
+palace, or between the half-buried pillars of the Temple of Minerva,
+which had been familiar to them and their remote grandfathers.
+
+
+April 14th.--Yesterday afternoon I drove with Mr. and Mrs. Story and Mr.
+Wilde to see a statue of Venus, which has just been discovered, outside
+of the Porta Portese, on the other side of the Tiber. A little distance
+beyond the gate we came to the entrance of a vineyard, with a wheel-track
+through the midst of it; and, following this, we soon came to a hillside,
+in which an excavation had been made with the purpose of building a
+grotto for keeping and storing wine. They had dug down into what seemed
+to be an ancient bathroom, or some structure of that kind, the excavation
+being square and cellar-like, and built round with old subterranean walls
+of brick and stone. Within this hollow space the statue had been found,
+and it was now standing against one of the walls, covered with a coarse
+cloth, or a canvas bag. This being removed, there appeared a headless
+marble figure, earth-stained, of course, and with a slightly corroded
+surface, but wonderfully delicate and beautiful, the shape, size, and
+attitude, apparently, of the Venus de' Medici, but, as we all thought,
+more beautiful than that. It is supposed to be the original, from which
+the Venus de' Medici was copied. Both arms were broken off, but the
+greater part of both, and nearly the whole of one hand, had been found,
+and these being adjusted to the figure, they took the well-known position
+before the bosom and the middle, as if the fragmentary woman retained her
+instinct of modesty to the last. There were the marks on the bosom and
+thigh where the fingers had touched; whereas in the Venus de' Medici, if
+I remember rightly, the fingers are sculptured quite free of the person.
+The man who showed the statue now lifted from a corner a round block of
+marble, which had been lying there among other fragments, and this he
+placed upon the shattered neck of the Venus; and behold, it was her head
+and face, perfect, all but the nose! Even in spite of this mutilation,
+it seemed immediately to light up and vivify the entire figure; and,
+whatever I may heretofore have written about the countenance of the Venus
+de' Medici, I here record my belief that that head has been wrongfully
+foisted upon the statue; at all events, it is unspeakably inferior to
+this newly discovered one. This face has a breadth and front which are
+strangely deficient in the other. The eyes are well opened, most unlike
+the buttonhole lids of the Venus de' Medici; the whole head is so much
+larger as to entirely obviate the criticism that has always been made on
+the diminutive head of the De' Medici statue. If it had but a nose!
+They ought to sift every handful of earth that has been thrown out of the
+excavation, for the nose and the missing hand and fingers must needs be
+there; and, if they were found, the effect would be like the reappearance
+of a divinity upon earth. Mutilated as we saw her, it was strangely
+interesting to be present at the moment, as it were, when she had just
+risen from her long burial, and was shedding the unquenchable lustre
+around her which no eye had seen for twenty or more centuries. The earth
+still clung about her; her beautiful lips were full of it, till Mr. Story
+took a thin chip of wood and cleared it away from between them.
+
+The proprietor of the vineyard stood by; a man with the most purple face
+and hugest and reddest nose that I ever beheld in my life. It must have
+taken innumerable hogsheads of his thin vintage to empurple his face in
+this manner. He chuckled much over the statue, and, I suppose, counts
+upon making his fortune by it. He is now awaiting a bid from the Papal
+government, which, I believe, has the right of pre-emption whenever any
+relics of ancient art are discovered. If the statue could but be
+smuggled out of Italy, it might command almost any price. There is not,
+I think, any name of a sculptor on the pedestal, as on that of the Venus
+de' Medici. A dolphin is sculptured on the pillar against which she
+leans. The statue is of Greek marble. It was first found about eight
+days ago, but has been offered for inspection only a day or two, and
+already the visitors come in throngs, and the beggars gather about the
+entrance of the vineyard. A wine shop, too, seems to have been opened on
+the premises for the accommodation of this great concourse, and we saw a
+row of German artists sitting at a long table in the open air, each with
+a glass of thin wine and something to eat before him; for the Germans
+refresh nature ten times to other persons once.
+
+How the whole world might be peopled with antique beauty if the Romans
+would only dig!
+
+
+April 19th.--General Pierce leaves Rome this morning for Venice, by way
+of Ancona, and taking the steamer thence to Trieste. I had hoped to make
+the journey along with him; but U----'s terrible illness has made it
+necessary for us to continue here another mouth, and we are thankful that
+this seems now to be the extent of our misfortune. Never having had any
+trouble before that pierced into my very vitals, I did not know what
+comfort there might be in the manly sympathy of a friend; but Pierce has
+undergone so great a sorrow of his own, and has so large and kindly a
+heart, and is so tender and so strong, that he really did the good, and I
+shall always love him the better for the recollection of his
+ministrations in these dark days. Thank God, the thing we dreaded did
+not come to pass.
+
+Pierce is wonderfully little changed. Indeed, now that he has won and
+enjoyed--if there were any enjoyment in it--the highest success that
+public life could give him, he seems more like what he was in his early
+youth than at any subsequent period. He is evidently happier than I have
+ever known him since our college days; satisfied with what he has been,
+and with the position in the country that remains to him, after filling
+such an office. Amid all his former successes,--early as they came, and
+great as they were,--I always perceived that something gnawed within him,
+and kept him forever restless and miserable. Nothing he won was worth
+the winning, except as a step gained toward the summit. I cannot tell
+how early he began to look towards the Presidency; but I believe he would
+have died an unhappy man without it. And yet what infinite chances there
+seemed to be against his attaining it! When I look at it in one way, it
+strikes me as absolutely miraculous; in another, it came like an event
+that I had all along expected. It was due to his wonderful tact, which
+is of so subtle a character that he himself is but partially sensible
+of it.
+
+I have found in him, here in Rome, the whole of my early friend, and even
+better than I used to know him; a heart as true and affectionate, a mind
+much widened and deepened by his experience of life. We hold just the
+same relation to each other as of yore, and we have passed all the
+turning-off places, and may hope to go on together still the same dear
+friends as long as we live. I do not love him one whit the less for
+having been President, nor for having done me the greatest good in his
+power; a fact that speaks eloquently in his favor, and perhaps says a
+little for myself. If he had been merely a benefactor, perhaps I might
+not have borne it so well; but each did his best for the other as friend
+for friend.
+
+
+May 15th.--Yesterday afternoon we went to the Barberini picture-gallery
+to take a farewell look at the Beatrice Cenci, which I have twice visited
+before since our return from Florence. I attempted a description of it
+at my first visit, more than a year ago, but the picture is quite
+indescribable and unaccountable in its effect, for if you attempt to
+analyze it you can never succeed in getting at the secret of its
+fascination. Its peculiar expression eludes a straightforward glance,
+and can only be caught by side glimpses, or when the eye falls upon it
+casually, as it were, and without thinking to discover anything, as if
+the picture had a life and consciousness of its own, and were resolved
+not to betray its secret of grief or guilt, though it wears the full
+expression of it when it imagines itself unseen. I think no other such
+magical effect can ever have been wrought by pencil. I looked close into
+its eyes, with a determination to see all that there was in them, and
+could see nothing that might not have been in any young girl's eyes; and
+yet, a moment afterwards, there was the expression--seen aside, and
+vanishing in a moment--of a being unhumanized by some terrible fate, and
+gazing at me out of a remote and inaccessible region, where she was
+frightened to be alone, but where no sympathy could reach her. The mouth
+is beyond measure touching; the lips apart, looking as innocent as a
+baby's after it has been crying. The picture never can be copied. Guido
+himself could not have done it over again. The copyists get all sorts of
+expression, gay, as well as grievous; some copies have a coquettish air,
+a half-backward glance, thrown alluring at the spectator, but nobody ever
+did catch, or ever will, the vanishing charm of that sorrow. I hated to
+leave the picture, and yet was glad when I had taken my last glimpse,
+because it so perplexed and troubled me not to be able to get hold of its
+secret.
+
+Thence we went to the Church of the Capuchins, and saw Guido's Archangel.
+I have been several times to this church, but never saw the picture
+before, though I am familiar with the mosaic copy at St. Peter's, and had
+supposed the latter to be an equivalent representation of the original.
+It is nearly or quite so as respects the general effect; but there is a
+beauty in the archangel's face that immeasurably surpasses the copy,--the
+expression of heavenly severity, and a degree of pain, trouble, or
+disgust, at being brought in contact with sin, even for the purpose of
+quelling and punishing it. There is something finical in the copy, which
+I do not find in the original. The sandalled feet are here those of an
+angel; in the mosaic they are those of a celestial coxcomb, treading
+daintily, as if he were afraid they would be soiled by the touch of
+Lucifer.
+
+After looking at the Archangel we went down under the church, guided
+by a fleshy monk, and saw the famous cemetery, where the dead monks of
+many centuries back have been laid to sleep in sacred earth from
+Jerusalem. . . . .
+
+
+
+FRANCE.
+
+
+Hotel des Colonies, Marseilles, May 29th, Saturday.--Wednesday was the
+day fixed for our departure from Rome, and after breakfast I walked to
+the Pincian, and saw the garden and the city, and the Borghese grounds,
+and St. Peter's in an earlier sunlight than ever before. Methought they
+never looked so beautiful, nor the sky so bright and blue. I saw Soracte
+on the horizon, and I looked at everything as if for the last time; nor
+do I wish ever to see any of these objects again, though no place ever
+took so strong a hold of my being as Rome, nor ever seemed so close to me
+and so strangely familiar. I seem to know it better than my birthplace,
+and to have known it longer; and though I have been very miserable there,
+and languid with the effects of the atmosphere, and disgusted with a
+thousand things in its daily life, still I cannot say I hate it, perhaps
+might fairly own a love for it. But life being too short for such
+questionable and troublesome enjoyments, I desire never to set eyes on it
+again. . . . .
+
+. . . . We traversed again that same weary and dreary tract of country
+which we passed over in a winter afternoon and night on our first arrival
+in Rome. It is as desolate a country as can well be imagined, but about
+midway of our journey we came to the sea-shore, and kept very near it
+during the rest of the way. The sight and fragrance of it were
+exceedingly refreshing after so long an interval, and U---- revived
+visibly as we rushed along, while J----- chuckled and contorted himself
+with ineffable delight.
+
+We reached Civita Vecchia in three or four hours, and were there
+subjected to various troubles. . . . . All the while Miss S------ and I
+were bothering about the passport, the rest of the family sat in the sun
+on the quay, with all kinds of bustle and confusion around them; a very
+trying experience to U---- after the long seclusion and quiet of her
+sick-chamber. But she did not seem to suffer from it, and we finally
+reached the steamer in good condition and spirits. . . . .
+
+I slept wretchedly in my short and narrow berth, more especially as there
+was an old gentleman who snored as if he were sounding a charge; it was
+terribly hot too, and I rose before four o'clock, and was on deck amply
+in time to watch the distant approach of sunrise. We arrived at Leghorn
+pretty early, and might have gone ashore and spent the day. Indeed, we
+had been recommended by Dr. Franco, and had fully purposed to spend a
+week or ten days there, in expectation of benefit to U----'s health from
+the sea air and sea bathing, because he thought her still too feeble to
+make the whole voyage to Marseilles at a stretch. But she showed herself
+so strong that we thought she would get as much good from our three days'
+voyage as from the days by the sea-shore. Moreover, . . . . we all of us
+still felt the languor of the Roman atmosphere, and dreaded the hubbub
+and crazy confusion of landing at an Italian port. . . . . So we lay in
+the harbor all day without stirring from the steamer. . . . . It would
+have been pleasant, however, to have gone to Pisa, fifteen miles off, and
+seen the leaning tower; but, for my part, I have arrived at that point
+where it is somewhat pleasanter to sit quietly in any spot whatever than
+to see whatever grandest or most beautiful thing. At least this was my
+mood in the harbor of Leghorn. From the deck of the steamer there were
+many things visible that might have been interesting to describe: the
+boats of peculiar rig, and covered with awning; the crowded shipping; the
+disembarkation of horses from the French cavalry, which were lowered from
+steamers into gondolas or lighters, and hung motionless, like the sign of
+the Golden Fleece, during the transit, only kicking a little when their
+feet happened to graze the vessel's side. One horse plunged overboard,
+and narrowly escaped drowning. There was likewise a disembarkation of
+French soldiers in a train of boats, which rowed shoreward with sound of
+trumpet. The French are concentrating a considerable number of troops at
+this point.
+
+Our steamer was detained by order of the French government to take on
+board despatches; so that, instead of sailing at dusk, as is customary,
+we lay in the harbor till seven of the next morning. A number of young
+Sardinian officers, in green uniform, came on board, and a pale and
+picturesque-looking Italian, and other worthies of less note,--English,
+American, and of all races,--among them a Turk with a little boy in
+Christian dress; also a Greek gentleman with his young bride.
+
+At the appointed time we weighed anchor for Genoa, and had a beautiful
+day on the Mediterranean, and for the first time in my life I saw the
+real dark blue of the sea. I do not remember noticing it on my outward
+voyage to Italy. It is the most beautiful hue that can be imagined, like
+a liquid sky; and it retains its lustrous blue directly under the side of
+the ship, where the water of the mid-Atlantic looks greenish. . . . . We
+reached Genoa at seven in the afternoon. . . . . Genoa looks most
+picturesquely from the sea, at the foot of a sheltering semicircle of
+lofty hills; and as we lay in the harbor we saw, among other interesting
+objects, the great Doria Palace, with its gardens, and the cathedral, and
+a heap and sweep of stately edifices, with the mountains looking down
+upon he city, and crowned with fortresses. The variety of hue in the
+houses, white, green, pink, and orange, was very remarkable. It would
+have been well to go ashore here for an hour or two and see the streets,
+--having already seen the palaces, churches, and public buildings at our
+former visit,--and buy a few specimens of Genoa goldsmiths' work; but I
+preferred the steamer's deck, so the evening passed pleasantly away; the
+two lighthouses at the entrance of the port kindled up their fires, and
+at nine o'clock the evening gun thundered from the fortress, and was
+reverberated from the heights. We sailed away at eleven, and I was
+roused from my first sleep by the snortings and hissings of the vessel as
+she got under way.
+
+At Genoa we took on board some more passengers, an English nobleman with
+his lady being of the number. These were Lord and Lady J------, and
+before the end of our voyage his lordship talked to me of a translation
+of Tasso in which he is engaged, and a stanza or two of which he repeated
+to me. I really liked the lines, and liked too the simplicity and
+frankness with which he spoke of it to me a stranger, and the way be
+seemed to separate his egotism from the idea which he evidently had that
+he is going to make an excellent translation. I sincerely hope it may be
+so. He began it without any idea of publishing it, or of ever bringing
+it to a conclusion, but merely as a solace and occupation while in great
+trouble during an illness of his wife, but he has gradually come to find
+it the most absorbing occupation he ever undertook; and as Mr. Gladstone
+and other high authorities give him warm encouragement, he now means to
+translate the entire poem, and to publish it with beautiful
+illustrations, and two years hence the world may expect to see it. I do
+not quite perceive how such a man as this--a man of frank, warm, simple,
+kindly nature, but surely not of a poetical temperament, or very refined,
+or highly cultivated--should make a good version of Tasso's poems; but
+perhaps the dead poet's soul may take possession of this healthy
+organization, and wholly turn him to its own purposes.
+
+The latter part of our voyage to-day lay close along the coast of France,
+which was hilly and picturesque, and as we approached Marseilles was very
+bold and striking. We steered among rocky islands, rising abruptly out
+of the sea, mere naked crags, without a trace of verdure upon them, and
+with the surf breaking at their feet. They were unusual specimens of
+what hills would look like without the soil, that is to them what flesh
+is to a skeleton. Their shapes were often wonderfully fine, and the
+great headlands thrust themselves out, and took such lines of light and
+shade that it seemed like sailing through a picture. In the course of
+the afternoon a squall came up and blackened the sky all over in a
+twinkling; our vessel pitched and tossed, and a brig a little way from us
+had her sails blown about in wild fashion. The blue of the sea turned as
+black as night, and soon the rain began to spatter down upon us, and
+continued to sprinkle and drizzle a considerable time after the wind had
+subsided. It was quite calm and pleasant when we entered the harbor of
+Marseilles, which lies at the foot of very fair hills, and is set among
+great cliffs of stone. I did not attend much to this, however, being in
+dread of the difficulty of landing and passing through the custom-house
+with our twelve or fourteen trunks and numberless carpet-bags. The
+trouble vanished into thin air, nevertheless, as we approached it, for
+not a single trunk or bag was opened, and, moreover, our luggage and
+ourselves were not only landed, but the greater part of it conveyed to
+the railway without any expense. Long live Louis Napoleon, say I. We
+established ourselves at the Hotel des Colonies, and then Mss S------,
+J-----, and I drove hither and thither about Marseilles, making
+arrangements for our journey to Avignon, where we mean to go to-day. We
+might have avoided a good deal of this annoyance; but travellers, like
+other people, are continually getting their experience just a little too
+late. It was after nine before we got back to the hotel and took our tea
+in peace.
+
+
+
+AVIGNON.
+
+
+Hotel de l'Europe, June 1st.--I remember nothing very special to record
+about Marseilles; though it was really like passing from death into life,
+to find ourselves in busy, cheerful, effervescing France, after living so
+long between asleep and awake in sluggish Italy. Marseilles is a very
+interesting and entertaining town, with its bold surrounding heights, its
+wide streets,--so they seemed to us after the Roman alleys,--its squares,
+shady with trees, its diversified population of sailors, citizens,
+Orientals, and what not; but I have no spirit for description any longer;
+being tired of seeing things, and still more of telling myself about
+them. Only a young traveller can have patience to write his travels.
+The newest things, nowadays, have a familiarity to my eyes; whereas in
+their lost sense of novelty lies the charm and power of description.
+
+On Monday (30th May), though it began with heavy rain, we set early about
+our preparations for departure, . . . . and, at about three, we left the
+Hotel des Colonies. It is a very comfortable hotel, though expensive.
+The Restaurant connected with it occupies the enclosed court-yard and the
+arcades around it; and it was a good amusement to look down from the
+surrounding gallery, communicating with our apartments, and see the
+fashion and manner of French eating, all the time going forward. In
+sunny weather a great awning is spread over the whole court, across from
+the upper stories of the house. There is a grass-plat in the middle, and
+a very spacious and airy dining-saloon is thus formed.
+
+Our railroad carriage was comfortable, and we found in it, besides two
+other Frenchwomen, two nuns. They were very devout, and sedulously read
+their little books of devotion, repeated prayers under their breath,
+kissed the crucifixes which hung at their girdles, and told a string of
+beads, which they passed from one to the other. So much were they
+occupied with these duties, that they scarcely looked at the scenery
+along the road, though, probably, it is very rare for them to see
+anything outside of their convent walls. They never failed to mutter a
+prayer and kiss the crucifix whenever we plunged into a tunnel. If they
+glanced at their fellow-passengers, it was shyly and askance, with their
+lips in motion all the time, like children afraid to let their eyes
+wander from their lesson-book. One of them, however, took occasion to
+pull down R-----'s dress, which, in her frisky movements about the
+carriage, had got out of place, too high for the nun's sense of decorum.
+Neither of them was at all pretty, nor was the black stuff dress and
+white muslin cap in the least becoming, neither were their features of an
+intelligent or high-bred stamp. Their manners, however, or such little
+glimpses as I could get of them, were unexceptionable; and when I drew a
+curtain to protect one of them from the sun, she made me a very courteous
+gesture of thanks.
+
+We had some very good views both of sea and hills; and a part of our way
+lay along the banks of the Rhone. . . . . By the by, at the station at
+Marseilles I bought the two volumes of the "Livre des Merveilles," by a
+certain author of my acquaintance, translated into French, and printed
+and illustrated in very pretty style. Miss S------ also bought them,
+and, in answer to her inquiry for other works by the same author, the
+bookseller observed that "she did not think Monsieur Nathaniel had
+published anything else." The Christian name deems to be the most
+important one in France, and still more especially in Italy.
+
+We arrived at Avignon, Hotel de l'Europe, in the dusk of the
+evening. . . . . The lassitude of Rome still clings to us, and I, at
+least, feel no spring of life or activity, whether at morn or eve. In
+the morning we found ourselves very pleasantly situated as regards
+lodgings. The gallery of our suite of rooms looks down as usual into an
+enclosed court, three sides of which are formed by the stone house and
+its two wings, and the third by a high wall, with a gateway of iron
+between two lofty stone pillars, which, for their capitals, have great
+stone vases, with grass growing in them, and hanging over the brim.
+There is a large plane-tree in one corner of the court, and creeping
+plants clamber up trellises; and there are pots of flowers and
+bird-cages, all of which give a very fresh and cheerful aspect to the
+enclosure. The court is paved with small round stones; the omnibus
+belonging to the hotel, and all the carriages of guests drive into it;
+and the wide arch of the stable-door opens under the central part of
+the house. Nevertheless, the scene is not in all respects that of a
+stable-yard; for gentlemen and ladies come from the salle a manger and
+other rooms, and stand talking in the court, or occupy chairs and seats
+there; children play about; the hostess or her daughter often appears and
+talks with her guests or servants; dogs lounge, and, in short, the court
+might well enough be taken for the one scene of a classic play. The
+hotel seems to be of the first class, though such would not be indicated,
+either in England or America, by thus mixing up the stable with the
+lodgings. I have taken two or three rambles about the town, and have
+climbed a high rock which dominates over it, and gives a most extensive
+view from the broad table-land of its summit. The old church of Avignon
+--as old as the times of its popes, and older--stands close beside this
+mighty and massive crag. We went into it, and found it a dark old place,
+with broad, interior arches, and a singularly shaped dome; a venerable
+Gothic and Grecian porch, with ancient frescos in its arched spaces; some
+dusky pictures within; an ancient chair of stone, formerly occupied by
+the popes, and much else that would have been exceedingly interesting
+before I went to Rome. But Rome takes the charm out of an inferior
+antiquity, as well as the life out of human beings.
+
+This forenoon J----- and I have crossed the Rhone by a bridge, just the
+other side of one of the city gates, which is near our hotel. We walked
+along the riverside, and saw the ruins of an ancient bridge, which ends
+abruptly in the midst of the stream; two or three arches still making
+tremendous strides across, while the others have long ago been crumbled
+away by the rush of the rapid river. The bridge was originally founded
+by St. Benezet, who received a Divine order to undertake the work, while
+yet a shepherd-boy, with only three sous in his pocket; and he proved the
+authenticity of the mission by taking an immense stone on his shoulder,
+and laying it for the foundation. There is still an ancient chapel
+midway on the bridge, and I believe St. Benezet lies buried there, in the
+midst of his dilapidated work. The bridge now used is considerably lower
+down the stream. It is a wooden suspension-bridge, broader than the
+ancient one, and doubtless more than supplies its place; else,
+unquestionably, St. Benezet would think it necessary to repair his own.
+The view from the inner side of this ruined structure, grass-grown and
+weedy, and leading to such a precipitous plunge into the swift river, is
+very picturesque, in connection with the gray town and above it, the
+great, massive bulk of the cliff, the towers of the church, and of a vast
+old edifice, shapeless, ugly, and venerable, which the popes built and
+occupied as their palace, many centuries ago. . . . .
+
+After dinner we all set out on a walk, in the course of which we called
+at a bookseller's shop to show U---- an enormous cat, which I had already
+seen. It is of the Angora breed, of a mottled yellow color, and is
+really a wonder; as big and broad as a tolerably sized dog, very soft and
+silken, and apparently of the gentlest disposition. I never imagined the
+like, nor felt anything so deeply soft as this great beast. Its master
+seems very fond and proud of it; and, great favorite as the cat is, she
+does not take airs upon herself, but is gently shy and timid in her
+demonstrations.
+
+We ascended the great Rocher above the palace of the popes, and on our
+way looked into the old church, which was so dim in the decline of day
+that we could not see within the dusky arches, through which the chapels
+communicated with the nave. Thence we pursued our way up the farther
+ascent, and, standing on the edge of the precipice,--protected by a
+parapet of stone, and in other places by an iron railing,--we could look
+down upon the road that winds its dusky track far below, and at the river
+Rhone, which eddies close beside it. This is indeed a massive and lofty
+cliff, and it tumbles down so precipitously that I could readily have
+flung myself from the bank, and alighted on my head in the middle of the
+river. The Rhone passes so near its base that I threw stones a good way
+into its current. We talked with a man of Avignon, who leaned over the
+parapet near by, and he was very kind in explaining the points of view,
+and told us that the river, which winds and doubles upon itself so as to
+look like at least two rivers, is really the Rhone alone. The Durance
+joins with it within a few miles below Avignon, but is here invisible.
+
+
+Hotel de l'Europe, June 2d.--This morning we went again to the Duomo of
+the popes; and this time we allowed the custode, or sacristan, to show us
+the curiosities of it. He led us into a chapel apart, and showed us the
+old Gothic tomb of Pope John XXII., where the recumbent statue of the
+pope lies beneath one of those beautiful and venerable canopies of stone
+which look at once so light and so solemn. I know not how many hundred
+years old it is, but everything of Gothic origin has a faculty of
+conveying the idea of age; whereas classic forms seem to have nothing to
+do with time, and so lose the kind of impressiveness that arises from
+suggestions of decay and the past.
+
+In the sacristy the guide opened a cupboard that contained the jewels and
+sacred treasures of the church, and showed a most exquisite figure of
+Christ in ivory, represented as on a cross of ebony; and it was executed
+with wonderful truth and force of expression, and with great beauty
+likewise. I do not see what a full-length marble statue could have had
+that was lacking in this little ivory figure of hardly more than a foot
+high. It is about two centuries old, by an unknown artist. There is
+another famous ivory statuette in Avignon which seems to be more
+celebrated than this, but can hardly be superior. I shall gladly look at
+it if it comes in my way.
+
+Next to this, the prettiest thing the man showed us was a circle of
+emeralds, in one of the holy implements; and then he exhibited a little
+bit or a pope's skull; also a great old crozier, that looked as if made
+chiefly of silver, and partly gilt; but I saw where the plating of silver
+was worn away, and betrayed the copper of its actual substance. There
+were two or three pictures in the sacristy, by ancient and modern French
+artists, very unlike the productions of the Italian masters, but not
+without a beauty of their own.
+
+Leaving the sacristy, we returned into the church, where U---- and J-----
+began to draw the pope's old stone chair. There is a beast, or perhaps
+more than one, grotesquely sculptured upon it; the seat is high and
+square, the back low and pointed, and it offers no enticing promise to a
+weary man.
+
+The interior of the church is massively picturesque, with its vaulted
+roof, and a stone gallery, heavily ornamented, running along each side of
+the nave. Each arch of the nave gives admittance to a chapel, in all of
+which there are pictures, and sculptures in most of them. One of these
+chapels is of the time of Charlemagne, and has a vaulted roof of
+admirable architecture, covered with frescos of modern date and little
+merit. In an adjacent chapel is the stone monument of Pope Benedict,
+whose statue reposes on it, like many which I have seen in the cathedral
+of York and other old English churches. In another part we saw a
+monument, consisting of a plain slab supported on pillars; it is said to
+be of a Roman or very early Christian epoch. In another chapel was a
+figure of Christ in wax, I believe, and clothed in real drapery; a very
+ugly object. Also, a figure reposing under a slab, which strikes the
+spectator with the idea that it is really a dead person enveloped in a
+shroud. There are windows of painted glass in some of the chapels; and
+the gloom of the dimly lighted interior, especially beneath the broad,
+low arches, is very impressive.
+
+While we were there some women assembled at one of the altars, and went
+through their acts of devotion without the help of a priest; one and
+another of them alternately repeating prayers, to which the rest
+responded. The murmur of their voices took a musical tone, which was
+reverberated by the vaulted arches.
+
+U---- and I now came out; and, under the porch, we found an old woman
+selling rosaries, little religious books, and other holy things. We
+bought two little medals of the Immaculate Virgin, one purporting to be
+of silver, the other of gold; but as both together cost only two or three
+sous, the genuineness of the material may well be doubted. We sat down
+on the steps, of a crucifix which is placed in front of the church, and
+the children began to draw the porch, of which I hardly know whether to
+call the architecture classic or Gothic (as I said before); at all events
+it has a venerable aspect, and there are frescos within its arches by
+Simone Memmi. . . . . The popes' palace is contiguous to the church, and
+just below it, on the hillside. It is now occupied as barracks by some
+regiments of soldiers, a number of whom were lounging before the
+entrance; but we passed the sentinel without being challenged, and
+addressed ourselves to the concierge, who readily assented to our request
+to be shown through the edifice. A French gentleman and lady, likewise,
+came with similar purpose, and went the rounds along with us. The palace
+is such a confused heap and conglomeration of buildings, that it is
+impossible to get within any sort of a regular description. It is a
+huge, shapeless mass of architecture; and if it ever had any pretence to
+a plan, it has lost it in the modern alterations. For instance, an
+immense and lofty chapel, or rather church, has had two floors, one above
+the other, laid at different stages of its height; and the upper one of
+these floors, which extends just where the arches of the vaulted root
+begin to spring from the pillars, is ranged round with the beds of one of
+the regiments of soldiers. They are small iron bedsteads, each with its
+narrow mattress, and covered with a dark blanket. On some of them lay or
+lounged a soldier; other soldiers were cleaning their accoutrements;
+elsewhere we saw parties of them playing cards. So it was wherever we
+went among those large, dingy, gloomy halls and chambers, which, no
+doubt, were once stately and sumptuous, with pictures, with tapestry, and
+all sorts of adornment that the Middle Ages knew how to use. The windows
+threw a sombre light through embrasures at least two feet thick. There
+were staircases of magnificent breadth. We were shown into two small
+chapels, in different parts of the building, both containing the remains
+of old frescos wofully defaced. In one of them was a light, spiral
+staircase of iron, built in the centre of the room as a means of
+contemplating the frescos, which were said to be the work of our old
+friend Giotto. . . . . Finally, we climbed a long, long, narrow stair,
+built in the thickness of the wall, and thus gained access to the top of
+one of the towers, whence we saw the noblest landscapes, mountains,
+plains, and the Rhone, broad and bright, winding hither and thither, as
+if it had lost its way.
+
+Beneath our feet was the gray, ugly old palace, and its many courts, just
+as void of system and as inconceivable as when we were burrowing through
+its bewildering passages. No end of historical romances might be made
+out of this castle of the popes; and there ought to be a ghost in every
+room, and droves of them in some of the rooms; for there have been
+murders here in the gross and in detail, as well hundreds of years ago,
+as no longer back than the French Revolution, when there was a great
+massacre in one of the courts. Traces of this bloody business were
+visible in actual stains on the wall only a few years ago.
+
+Returning to the room of the concierge, who, being a little stiff with
+age, had sent an attendant round with us, instead of accompanying us in
+person, he showed us a picture of Rienzi, the last of the Roman tribunes,
+who was once a prisoner here. On a table, beneath the picture, stood a
+little vase of earthenware containing some silver coin. We took it as a
+hint, in the customary style of French elegance, that a fee should be
+deposited here, instead of being put into the hand of the concierge; so
+the French gentleman deposited half a franc, and I, in my magnificence,
+twice as much.
+
+
+Hotel de l'Europe, June 6th.--We are still here. . . . . I have been
+daily to the Rocher des Dons, and have grown familiar with the old church
+on its declivity. I think I might become attached to it by seeing it
+often. A sombre old interior, with its heavy arches, and its roof
+vaulted like the top of a trunk; its stone gallery, with ponderous
+adornments, running round three sides. I observe that it is a daily
+custom of the old women to say their prayers in concert, sometimes making
+a pilgrimage, as it were, from chapel to chapel. The voice of one of
+them is heard running through the series of petitions, and at intervals
+the voices of the others join and swell into a chorus, so that it is like
+a river connecting a series of lakes; or, not to use so gigantic a
+simile, the one voice is like a thread, on which the beads of a rosary
+are strung.
+
+One day two priests came and sat down beside these prayerful women, and
+joined in their petitions. I am inclined to hope that there is something
+genuine in the devotion of these old women.
+
+The view from the top of the Rocker des Dons (a contraction of Dominis)
+grows upon me, and is truly magnificent; a vast mountain-girdled plain,
+illuminated by the far windings and reaches of the Rhone. The river is
+here almost as turbid as the Tiber itself; but, I remember, in the upper
+part of its course the waters are beautifully transparent. A powerful
+rush is indicated by the swirls and eddies of its broad surface.
+
+Yesterday was a race day at Avignon, and apparently almost the whole
+population and a great many strangers streamed out of the city gate
+nearest our hotel, on their way to the race-course. There were many
+noticeable figures that might come well into a French picture or
+description; but only one remains in my memory,--a young man with a
+wooden leg, setting off for the course--a walk of several miles, I
+believe--with prodigious courage and alacrity, flourishing his wooden leg
+with an air and grace that seemed to render it positively flexible. The
+crowd returned towards sunset, and almost all night long, the streets and
+the whole air of the old town were full of song and merriment. There was
+a ball in a temporary structure, covered with an awning, in the Place
+d'Horloge, and a showman has erected his tent and spread forth his great
+painted canvases, announcing an anaconda and a sea-tiger to be seen.
+J----- paid four sous for admittance, and found that the sea-tiger was
+nothing but a large seal, and the anaconda altogether a myth.
+
+I have rambled a good deal about the town. Its streets are crooked and
+perplexing, and paved with round pebbles for the most part, which afford
+more uncomfortable pedestrianism than the pavement of Rome itself. It is
+an ancient-looking place, with some large old mansions, but few that are
+individually impressive; though here and there one sees an antique
+entrance, a corner tower, or other bit of antiquity, that throws a
+venerable effect over the gray commonplace of past centuries. The town
+is not overclean, and often there is a kennel of unhappy odor. There
+appear to have been many more churches and devotional establishments
+under the ancient dominion of the popes than have been kept intact in
+subsequent ages; the tower and facade of a church, for instance, form the
+front of a carpenter's shop, or some such plebeian place. The church
+where Laura lay has quite disappeared, and her tomb along with it. The
+town reminds me of Chester, though it does not in the least resemble it,
+and is not nearly so picturesque. Like Chester, it is entirely
+surrounded by a wall; and that of Avignon--though it has no delightful
+promenade on its top, as the wall of Chester has--is the more perfectly
+preserved in its mediaeval form, and the more picturesque of the two.
+J----- and I have once or twice walked nearly round it, commencing from
+the gate of Ouelle, which is very near our hotel. From this point it
+stretches for a considerable distance along by the river, and here there
+is a broad promenade, with trees, and blocks of stone for seats; on one
+side "the arrowy Rhone," generally carrying a cooling breeze along with
+it; on the other, the gray wall, with its battlements and machicolations,
+impending over what was once the moat, but which is now full of careless
+and untrained shrubbery. At intervals there are round towers swelling
+out from the wall, and rising a little above it. After about half a mile
+along the river-side the wall turns at nearly right angles, and still
+there is a wide road, a shaded walk, a boulevard; and at short distances
+are cafes, with their little round tables before the door, or small shady
+nooks of shrubbery. So numerous are these retreats and pleasaunces that
+I do not see how the little old town can support them all, especially as
+there are a great many cafes within the walls. I do not remember seeing
+any soldiers on guard at the numerous city gates, but there is an office
+in the side of each gate for levying the octroi, and old women are
+sometimes on guard there.
+
+This morning, after breakfast, J----- and I crossed the suspension-bridge
+close by the gate nearest our hotel, and walked to the ancient town of
+Villeneuve, on the other side of the Rhone. The first bridge leads to an
+island, from the farther side of which another very long one, with a
+timber foundation, accomplishes the passage of the other branch of the
+Rhone. There was a good breeze on the river, but after crossing it we
+found the rest of the walk excessively hot. This town of Villeneuve is
+of very ancient origin, and owes its existence, it is said, to the
+famous holiness of a female saint, which gathered round her abode and
+burial-place a great many habitations of people who reverenced her. She
+was the daughter of the King of Saragossa, and I presume she chose this
+site because it was so rocky and desolate. Afterwards it had a long
+mediaeval history; and in the time of the Avignon popes, the cardinals,
+regretful of their abandoned Roman villas, built pleasure-houses here, so
+that the town was called Villa Nueva. After they had done their best, it
+must have seemed to these poor cardinals but a rude and sad exchange for
+the Borghese, the Albani, the Pamfili Doria, and those other perfectest
+results of man's luxurious art. And probably the tradition of the Roman
+villas had really been kept alive, and extant examples of them all the
+way downward from the times of the empire. But this Villeneuve is the
+stoniest, roughest town that can be imagined. There are a few large old
+houses, to be sure, but built on a line with shabby village dwellings and
+barns, and so presenting little but samples of magnificent shabbiness.
+Perhaps I might have found traces of old splendor if I had sought for
+them; but, not having the history of the place in my mind, I passed
+through its scrambling streets without imagining that Princes of the
+Church had once made their abode here. The inhabitants now are peasants,
+or chiefly such; though, for aught I know, some of the French noblesse
+may burrow in these palaces that look so like hovels.
+
+A large church, with a massive tower, stands near the centre of the town;
+and, of course, I did not fail to enter its arched door,--a pointed arch,
+with many frames and mouldings, one within another. An old woman was at
+her devotions, and several others came in and knelt during my stay there.
+It was quite an interesting interior; a long nave, with six pointed
+arches on each side, beneath which were as many chapels. The walls were
+rich with pictures, not only in the chapels, but up and down the nave,
+above the arches. There were gilded virgins, too, and much other quaint
+device that produced an effect that I rather liked than otherwise. At
+the end of the church, farthest from the high altar, there were four
+columns of exceedingly rich marble, and a good deal more of such precious
+material was wrought into the chapels and altars. There was an old stone
+seat, also, of some former pope or prelate. The church was dim enough to
+cause the lamps in the shrines to become points of vivid light, and,
+looking from end to end, it was a long, venerable, tarnished, Old World
+vista, not at all tampered with by modern taste.
+
+We now went on our way through the village, and, emerging from a gate,
+went clambering towards the castle of St. Andre, which stands, perhaps, a
+quarter of a mile beyond it. This castle was built by Philip le Bel, as
+a restraint to the people of Avignon in extending their power on this
+side of the Rhone. We happened not to take the most direct way, and so
+approached the castle on the farther side and were obliged to go nearly
+round the hill on which it stands, before striking into the path which
+leads to its gate. It crowns a very bold and difficult hill, directly
+above the Rhone, opposite to Avignon,--which is so far off that objects
+are not minutely distinguishable,--and looking down upon the long,
+straggling town of Villeneuve. It must have been a place of mighty
+strength, in its day. Its ramparts seem still almost entire, as looked
+upon from without, and when, at length, we climbed the rough, rocky
+pathway to the entrance, we found the two vast round towers, with their
+battlemented summits and arched gateway between them, just as perfect as
+they could have been five hundred or more years ago. Some external
+defences are now, however, in a state of ruin; and there are only the
+remains of a tower, that once arose between the two round towers, and was
+apparently much more elevated than they. A little in front of the gate
+was a monumental cross of stone; and in the arch, between the two round
+towers, were two little boys at play; and an old woman soon showed
+herself, but took no notice of us. Casting our eyes within the gateway,
+we saw what looked a rough village street, betwixt old houses built
+ponderously of stone, but having far more the aspect of huts than of
+castle-hails. They were evidently the dwellings of peasantry, and people
+engaged in rustic labor; and no doubt they have burrowed into the
+primitive structures of the castle, and, as they found convenient, have
+taken their crumbling materials to build barns and farm-houses. There
+was space and accommodation for a very considerable population; but the
+men were probably at work in the fields, and the only persons visible
+were the children aforesaid, and one or two old women bearing bundles of
+twigs on their backs. They showed no curiosity respecting us, and though
+the wide space included within the castle-rampart seemed almost full of
+habitations ruinous or otherwise, I never found such a solitude in any
+ruin before. It contrasts very favorably in this particular with English
+castles, where, though you do not find rustic villages within the warlike
+enclosure, there is always a padlocked gate, always a guide, and
+generally half a dozen idle tourists. But here was only antiquity, with
+merely the natural growth of fungous human life upon it.
+
+We went to the end of the castle court and sat down, for lack of other
+shade, among some inhospitable nettles that grew close to the wall.
+Close by us was a great gap in the ramparts,--it may have been a breach
+which was once stormed through; and it now afforded us an airy and sunny
+glimpse of distant hills. . . . . J----- sketched part of the broken
+wall, which, by the by, did not seem to me nearly so thick as the walls
+of English castles. Then we returned through the gate, and I stopped,
+rather impatiently, under the hot sun, while J----- drew the outline of
+the two round towers. This done, we resumed our way homeward, after
+drinking from a very deep well close by the square tower of Philip le
+Bel. Thence we went melting through the sunshine, which beat upward
+as pitilessly from the white road as it blazed downwards from the
+sky. . . . .
+
+
+
+GENEVA.
+
+
+Hotel d'Angleterre, June 11th.--We left Avignon on Tuesday, 7th, and took
+the rail to Valence, where we arrived between four and five, and put up
+at the Hotel de la Poste, an ancient house, with dirty floors and dirt
+generally, but otherwise comfortable enough. . . . . Valence is a stately
+old town, full of tall houses and irregular streets. We found a
+cathedral there, not very large, but with a high and venerable interior,
+a nave supported by tall pillars, from the height of which spring arches.
+This loftiness is characteristic of French churches, as distinguished
+from those of Italy. . . . . We likewise saw, close by the cathedral, a
+large monument with four arched entrances meeting beneath a vaulted roof;
+but, on inquiry of an old priest and other persons, we could get no
+account of it, except that it was a tomb, and of unknown antiquity. The
+architecture seemed classic, and yet it had some Gothic peculiarities,
+and it was a reverend and beautiful object. Had I written up my journal
+while the town was fresh in my remembrance, I might have found much to
+describe; but a succession of other objects have obliterated most of the
+impressions I have received here. Our railway ride to Valence was
+intolerably hot. I have felt nothing like it since leaving America,
+and that is so long ago that the terrible discomfort was just as good
+as new. . . . .
+
+We left Valence at four, and came that afternoon to Lyons, still along
+the Rhone. Either the waters of this river assume a transparency in
+winter which they lose in summer, or I was mistaken in thinking them
+transparent on our former journey. They are now turbid; but the hue does
+not suggest the idea of a running mud-puddle, as the water of the Tiber
+does. No streams, however, are so beautiful in the quality of their
+waters as the clear, brown rivers of New England. The scenery along this
+part of the Rhone, as we have found all the way from Marseilles, is very
+fine and impressive; old villages, rocky cliffs, castellated steeps,
+quaint chateaux, and a thousand other interesting objects.
+
+We arrived at Lyons at five o'clock, and went to the Hotel de l'Univers,
+to which we had been recommended by our good hostess at Avignon. The day
+had become showery, but J----- and I strolled about a little before
+nightfall, and saw the general characteristics of the place. Lyons is a
+city of very stately aspect, hardly inferior to Paris; for it has regular
+streets of lofty houses, and immense squares planted with trees, and
+adorned with statues and fountains. New edifices of great splendor are
+in process of erection; and on the opposite side of the Rhone, where the
+site rises steep and high, there are structures of older date, that have
+an exceedingly picturesque effect, looking down upon the narrow town.
+
+The next morning I went out with J----- in quest of my bankers, and of
+the American Consul; and as I had forgotten the directions of the waiter
+of the hotel, I of course went astray, and saw a good deal more of Lyons
+than I intended. In my wanderings I crossed the Rhone, and found myself
+in a portion of the city evidently much older than that with which I had
+previously made acquaintance; narrow, crooked, irregular, and rudely
+paved streets, full of dingy business and bustle,--the city, in short, as
+it existed a century ago, and how much earlier I know not. Above rises
+that lofty elevation of ground which I before noticed; and the glimpses
+of its stately old buildings through the openings of the street were very
+picturesque. Unless it be Edinburgh, I have not seen any other city that
+has such striking features. Altogether unawares, immediately after
+crossing the bridge, we came upon the cathedral; and the grand,
+time-blackened Gothic front, with its deeply arched entrances, seemed to
+me as good as anything I ever saw,--unexpectedly more impressive than all
+the ruins of Rome. I could but merely glance at its interior; so that
+its noble height and venerable space, filled with the dim, consecrated
+light of pictured windows, recur to me as a vision. And it did me good
+to enjoy the awfulness and sanctity of Gothic architecture again, after
+so long shivering in classic porticos. . . . .
+
+We now recrossed the river. . . . . The Frank methods and arrangements in
+matters of business seem to be excellent, so far as effecting the
+proposed object is concerned; but there is such an inexorable succession
+of steel-wrought forms, that life is not long enough for so much
+accuracy. The stranger, too, goes blindfold through all these processes,
+not knowing what is to turn up next, till, when quite in despair, he
+suddenly finds his business mysteriously accomplished. . . . .
+
+We left Lyons at four o'clock, taking the railway for Geneva. The
+scenery was very striking throughout the journey; but I allowed the
+hills, deep valleys, high impending cliffs, and whatever else I saw along
+the road, to pass from me without an ink-blot. We reached Geneva at
+nearly ten o'clock. . . . . It is situated partly on low, flat ground,
+bordering the lake, and behind this level space it rises by steep,
+painfully paved streets, some of which can hardly be accessible by
+wheeled carriages. The prosperity of the town is indicated by a good
+many new and splendid edifices, for commercial and other purposes, in the
+vicinity of the lake; but intermixed with these there are many quaint
+buildings of a stern gray color, and in a style of architecture that I
+prefer a thousand times to the monotony of Italian streets. Immensely
+high, red roofs, with windows in them, produce an effect that delights
+me. They are as ugly, perhaps, as can well be conceived, but very
+striking and individual. At each corner of these ancient houses
+frequently is a tower, the roof of which rises in a square pyramidal
+form, or, if the tower be round, in a round pyramidal form. Arched
+passages, gloomy and grimy, pass from one street to another. The lower
+town creeps with busy life, and swarms like an ant-hill; but if you climb
+the half-precipitous streets, you find yourself among ancient and stately
+mansions, high roofed, with a strange aspect of grandeur about them,
+looking as if they might still be tenanted by such old magnates as dwelt
+in them centuries ago. There is also a cathedral, the older portion
+exceedingly fine; but it has been adorned at some modern epoch with a
+Grecian portico,--good in itself, but absurdly out of keeping with the
+edifice which it prefaces. This being a Protestant country, the doors
+were all shut,--an inhospitality that made me half a Catholic. It is
+funny enough that a stranger generally profits by all that is worst for
+the inhabitants of the country where he himself is merely a visitor.
+Despotism makes things all the pleasanter for the stranger. Catholicism
+lends itself admirably to his purposes.
+
+There are public gardens (one, at least) in Geneva. . . . . Nothing
+struck me so much, I think, as the color of the Rhone, as it flows under
+the bridges in the lower town. It is absolutely miraculous, and,
+beautiful as it is, suggests the idea that the tubs of a thousand dyers
+have emptied their liquid indigo into the stream. When once you have
+conquered and thrust out this idea, it is an inexpressible delight to
+look down into this intense, brightly transparent blue, that hurries
+beneath you with the speed of a race-horse.
+
+The shops of Geneva are very tempting to a traveller, being full of such
+little knick-knacks as he would be glad to carry away in memory of the
+place: wonderful carvings in wood and ivory, done with exquisite taste
+and skill; jewelry that seems very cheap, but is doubtless dear enough,
+if you estimate it by the solid gold that goes into its manufacture;
+watches, above all things else, for a third or a quarter of the price
+that one pays in England, looking just as well, too, and probably
+performing the whole of a watch's duty as uncriticisably. The Swiss
+people are frugal and inexpensive in their own habits, I believe, plain
+and simple, and careless of ornament; but they seem to reckon on other
+people's spending a great deal of money for gewgaws. We bought some of
+their wooden trumpery, and likewise a watch for U----. . . . . Next to
+watches, jewelry, and wood-carving, I should say that cigars were one of
+the principal articles of commerce in Geneva. Cigar-shops present
+themselves at every step or two, and at a reasonable rate, there being no
+duties, I believe, on imported goods. There was no examination of our
+trunks on arrival, nor any questions asked on that score.
+
+
+
+VILLENEUVE.
+
+
+Hotel de Byron, June 12th.--Yesterday afternoon we left Geneva by a
+steamer, starting from the quay at only a short distance from our hotel.
+The forenoon had been showery; but the suit now came out very pleasantly,
+although there were still clouds and mist enough to give infinite variety
+to the mountain scenery. At the commencement of our voyage the scenery
+of the lake was not incomparably superior to that of other lakes on which
+I have sailed, as Lake Windermere, for instance, or Loch Lomond, or our
+own Lake Champlain. It certainly grew more grand and beautiful, however,
+till at length I felt that I had never seen anything worthy to be put
+beside it. The southern shore has the grandest scenery; the great hills
+on that side appearing close to the water's edge, and after descending,
+with headlong slope, directly from their rocky and snow-streaked summits
+down into the blue water. Our course lay nearer to the northern shore,
+and all our stopping-places were on that side. The first was Coppet,
+where Madame de Stael or her father, or both, were either born or resided
+or died, I know not which, and care very little. It is a picturesque
+village, with an old church, and old, high-roofed, red-tiled houses, the
+whole looking as if nothing in it had been changed for many, many years.
+All these villages, at several of which we stopped momentarily, look
+delightfully unmodified by recent fashions. There is the church, with
+its tower crowned by a pyramidal roof, like an extinguisher; then the
+chateau of the former lord, half castle and half dwelling-house, with a
+round tower at each corner, pyramid topped; then, perhaps, the ancient
+town-house or Hotel de Ville, in an open paved square; and perhaps the
+largest mansion in the whole village will have been turned into a modern
+inn, but retaining all its venerable characteristics of high, steep
+sloping roof, and antiquated windows. Scatter a delightful shade of
+trees among the houses, throw in a time-worn monument of one kind or
+another, swell out the delicious blue of the lake in front, and the
+delicious green of the sunny hillside sloping up and around this closely
+congregated neighborhood of old, comfortable houses, and I do not know
+what more I can add to this sketch. Often there was an insulated house
+or cottage, embowered in shade, and each seeming like the one only spot
+in the wide world where two people that had good consciences and loved
+each other could spend a happy life. Half-ruined towers, old historic
+castles, these, too, we saw. And all the while, on the other side of the
+lake, were the high hills, sometimes dim, sometimes black, sometimes
+green, with gray precipices of stone, and often snow-patches, right above
+the warm sunny lake whereon we were sailing.
+
+We passed Lausanne, which stands upward, on the slope of the hill, the
+tower of its cathedral forming a conspicuous object. We mean to visit
+this to-morrow; so I may pretermit further mention of it here. We passed
+Vevay and Clarens, which, methought, was particularly picturesque; for
+now the hills had approached close to the water on the northern side
+also, and steep heights rose directly above the little gray church and
+village; and especially I remember a rocky cliff which ascends into a
+rounded pyramid, insulated from all other peaks and ridges. But if I
+could perform the absolute impossibility of getting one single outline of
+the scene into words, there would be all the color wanting, the light,
+the haze, which spiritualizes it, and moreover makes a thousand and a
+thousand scenes out of that single one. Clarens, however, has still
+another interest for me; for I found myself more affected by it, as the
+scene of the love of St. Preux and Julie, than I have often been by
+scenes of poetry and romance. I read Rousseau's romance with great
+sympathy, when I was hardly more than a boy; ten years ago, or
+thereabouts, I tried to read it again without success; but I think, from
+my feeling of yesterday, that it still retains its hold upon my
+imagination.
+
+Farther onward, we saw a white, ancient-looking group of towers, beneath
+a mountain, which was so high, and rushed so precipitately down upon this
+pile of building as quite to dwarf it; besides which, its dingy whiteness
+had not a very picturesque effect. Nevertheless, this was the Castle of
+Chillon. It appears to sit right upon the water, and does not rise very
+loftily above it. I was disappointed in its aspect, having imagined this
+famous castle as situated upon a rock, a hundred, or, for aught I know, a
+thousand feet above the surface of the lake; but it is quite as
+impressive a fact--supposing it to be true--that the water is eight
+hundred feet deep at its base. By this time, the mountains had taken the
+beautiful lake into their deepest heart; they girdled it quite round with
+their grandeur and beauty, and, being able to do no more for it, they
+here withheld it from extending any farther; and here our voyage came to
+an end. I have never beheld any scene so exquisite; nor do I ask of
+heaven to show me any lovelier or nobler one, but only to give me such
+depth and breadth of sympathy with nature, that I may worthily enjoy
+this. It is beauty more than enough for poor, perishable mortals. If
+this be earth, what must heaven be!
+
+It was nearly eight o'clock when we arrived; and then we had a walk of at
+least a mile to the Hotel Byron. . . . . I forgot to mention that in the
+latter part of our voyage there was a shower in some part of the sky, and
+though none of it fell upon us, we had the benefit of those gentle tears
+in a rainbow, which arched itself across the lake from mountain to
+mountain, so that our track lay directly under this triumphal arch. We
+took it as a good omen, nor were we discouraged, though, after the
+rainbow had vanished, a few sprinkles of the shower came down.
+
+We found the Hotel Byron very grand indeed, and a good one too. There
+was a beautiful moonlight on the lake and hills, but we contented
+ourselves with looking out of our lofty window, whence, likewise, we had
+a sidelong glance at the white battlements of Chillon, not more than a
+mile off, on the water's edge. The castle is wofully in need of a
+pedestal. If its site were elevated to a height equal to its own, it
+would make a far better appearance. As it now is, it looks, to speak
+profanely of what poetry has consecrated, when seen from the water, or
+along the shore of the lake, very like an old whitewashed factory or
+mill.
+
+This morning I walked to the Castle of Chillon with J-----, who sketches
+everything he sees, from a wildflower or a carved chair to a castle or a
+range of mountains. The morning had sunshine thinly scattered through
+it; but, nevertheless, there was a continual sprinkle, sometimes scarcely
+perceptible, and then again amounting to a decided drizzle. The road,
+which is built along on a little elevation above the lake shore, led us
+past the Castle of Chillon; and we took a side-path, which passes still
+nearer the castle gate. The castle stands on an isthmus of gravel,
+permanently connecting it with the mainland. A wooden bridge, covered
+with a roof, passes from the shore to the arched entrance; and beneath
+this shelter, which has wooden walls as well as roof and floor, we saw a
+soldier or gendarme who seemed to act as warder. As it sprinkled rather
+more freely than at first, I thought of appealing to his hospitality for
+shelter from the rain, but concluded to pass on.
+
+The castle makes a far better appearance on a nearer view, and from the
+land, than when seen at a distance, and from the water. It is built of
+stone, and seems to have been anciently covered with plaster, which
+imparts the whiteness to which Byron does much more than justice, when he
+speaks of "Chillon's snow-white battlements." There is a lofty external
+wall, with a cluster of round towers about it, each crowned with its
+pyramidal roof of tiles, and from the central portion of the castle rises
+a square tower, also crowned with its own pyramid to a considerably
+greater height than the circumjacent ones. The whole are in a close
+cluster, and make a fine picture of ancient strength when seen at a
+proper proximity; for I do not think that distance adds anything to the
+effect. There are hardly any windows, or few, and very small ones,
+except the loopholes for arrows and for the garrison of the castle to
+peep from on the sides towards the water; indeed, there are larger
+windows at least in the upper apartments; but in that direction, no
+doubt, the castle was considered impregnable. Trees here and there on
+the land side grow up against the castle wall, on one part of which,
+moreover, there was a green curtain of ivy spreading from base to
+battlement. The walls retain their machicolations, and I should judge
+that nothing had been [altered], nor any more work been done upon the old
+fortress than to keep it in singularly good repair. It was formerly a
+castle of the Duke of Savoy, and since his sway over the country ceased
+(three hundred years at least), it has been in the hands of the Swiss
+government, who still keep some arms and ammunition there.
+
+We passed on, and found the view of it better, as we thought, from a
+farther point along the road. The raindrops began to spatter down
+faster, and we took shelter under an impending precipice, where the ledge
+of rock had been blasted and hewn away to form the road. Our refuge was
+not a very convenient and comfortable one, so we took advantage of the
+partial cessation of the shower to turn homeward, but had not gone far
+when we met mamma and all her train. As we were close by the castle
+entrance, we thought it advisable to seek admission, though rather
+doubtful whether the Swiss gendarme might not deem it a sin to let us
+into the castle on Sunday. But he very readily admitted us under his
+covered drawbridge, and called an old man from within the fortress to
+show us whatever was to be seen. This latter personage was a staid,
+rather grim, and Calvinistic-looking old worthy; but he received us
+without scruple, and forthwith proceeded to usher us into a range of most
+dismal dungeons, extending along the basement of the castle, on a level
+with the surface of the lake. First, if I remember aright, we came to
+what he said had been a chapel, and which, at all events, looked like an
+aisle of one, or rather such a crypt as I have seen beneath a cathedral,
+being a succession of massive pillars supporting groined arches,--a very
+admirable piece of gloomy Gothic architecture. Next, we came to a very
+dark compartment of the same dungeon range, where he pointed to a sort of
+bed, or what might serve for a bed, hewn in the solid rock, and this, our
+guide said, had been the last sleeping-place of condemned prisoners on
+the night before their execution. The next compartment was still duskier
+and dismaller than the last, and he bade us cast our eyes up into the
+obscurity and see a beam, where the condemned ones used to be hanged. I
+looked and looked, and closed my eyes so as to see the clearer in this
+horrible duskiness on opening them again. Finally, I thought I discerned
+the accursed beam, and the rest of the party were certain that they saw
+it. Next beyond this, I think, was a stone staircase, steep, rudely cut,
+and narrow, down which the condemned were brought to death; and beyond
+this, still on the same basement range of the castle, a low and narrow
+[corridor] through which we passed and saw a row of seven massive
+pillars, supporting two parallel series of groined arches, like those in
+the chapel which we first entered. This was Bonnivard's prison, and the
+scene of Byron's poem.
+
+The arches are dimly lighted by narrow loopholes, pierced through the
+immensely thick wall, but at such a height above the floor that we could
+catch no glimpse of land or water, or scarcely of the sky. The prisoner
+of Chillon could not possibly have seen the island to which Byron
+alludes, and which is a little way from the shore, exactly opposite the
+town of Villeneuve. There was light enough in this long, gray, vaulted
+room, to show us that all the pillars were inscribed with the names of
+visitors, among which I saw no interesting one, except that of Byron
+himself, which is cut, in letters an inch long or more, into one of the
+pillars next to that to which Bonnivard was chained. The letters are
+deep enough to remain in the pillar as long as the castle stands. Byron
+seems to have had a fancy for recording his name in this and similar
+ways; as witness the record which I saw on a tree of Newstead Abbey. In
+Bonnivard's pillar there still remains an iron ring, at the height of
+perhaps three feet from the ground. His chain was fastened to this ring,
+and his only freedom was to walk round this pillar, about which he is
+said to have worn a path in the stone pavement of the dungeon; but as the
+floor is now covered with earth or gravel, I could not satisfy myself
+whether this be true. Certainly six years, with nothing else to do in
+them save to walk round the pillar, might well suffice to wear away the
+rock, even with naked feet. This column, and all the columns, were cut
+and hewn in a good style of architecture, and the dungeon arches are not
+without a certain gloomy beauty. On Bonnivard's pillar, as well as on
+all the rest, were many names inscribed; but I thought better of Byron's
+delicacy and sensitiveness for not cutting his name into that very
+pillar. Perhaps, knowing nothing of Bonnivard's story, he did not know
+to which column he was chained.
+
+Emerging from the dungeon-vaults, our guide led us through other parts of
+the castle, showing us the Duke of Savoy's kitchen, with a fireplace at
+least twelve feet long; also the judgment-hall, or some such place, hung
+round with the coats of arms of some officers or other, and having at one
+end a wooden post, reaching from floor to ceiling, and having upon it the
+marks of fire. By means of this post, contumacious prisoners were put to
+a dreadful torture, being drawn up by cords and pulleys, while their
+limbs were scorched by a fire underneath. We also saw a chapel or two,
+one of which is still in good and sanctified condition, and was to be
+used this very day, our guide told us, for religious purposes. We saw,
+moreover, the Duke's private chamber, with a part of the bedstead on
+which he used to sleep, and be haunted with horrible dreams, no doubt,
+and the ghosts of wretches whom he had tortured and hanged; likewise the
+bedchamber of his duchess, that had in its window two stone seats, where,
+directly over the head of Bonnivard, the ducal pair might look out on the
+beautiful scene of lake and mountains, and feel the warmth of the blessed
+sun. Under this window, the guide said, the water of the lake is eight
+hundred feet in depth; an immense profundity, indeed, for an inland lake,
+but it is not very difficult to believe that the mountain at the foot of
+which Chillon stands may descend so far beneath the water. In other
+parts of the lake and not distant, more than nine hundred feet have been
+sounded. I looked out of the duchess's window, and could certainly see
+no appearance of a bottom in the light blue water.
+
+The last thing that the guide showed us was a trapdoor, or opening,
+beneath a crazy old floor. Looking down into this aperture we saw three
+stone steps, which we should have taken to be the beginning of a flight
+of stairs that descended into a dungeon, or series of dungeons, such as
+we had already seen. But inspecting them more closely, we saw that the
+third step terminated the flight, and beyond was a dark vacancy. Three
+steps a person would grope down, planting his uncertain foot on a dimly
+seen stone; the fourth step would be in the empty air. The guide told us
+that it used to be the practice to bring prisoners hither, under pretence
+of committing them to a dungeon, and make them go down the three steps
+and that fourth fatal one, and they would never more be heard of; but at
+the bottom of the pit there would be a dead body, and in due time a
+mouldy skeleton, which would rattle beneath the body of the next prisoner
+that fell. I do not believe that it was anything more than a secret
+dungeon for state prisoners whom it was out of the question either to set
+at liberty or bring to public trial. The depth of the pit was about
+forty-five feet. Gazing intently down, I saw a faint gleam of light at
+the bottom, apparently coming from some other aperture than the trap-door
+over which we were bending, so that it must have been contemplated to
+supply it with light and air in such degree as to support human life.
+U---- declared she saw a skeleton at the bottom; Miss S------ thought she
+saw a hand, but I saw only the dim gleam of light.
+
+There are two or three courts in the castle, but of no great size. We
+were now led across one of them, and dismissed out of the arched entrance
+by which we had come in. We found the gendarme still keeping watch on
+his roofed drawbridge, and as there was the same gentle shower that had
+been effusing itself all the morning, we availed ourselves of the
+shelter, more especially as there were some curiosities to examine.
+These consisted chiefly of wood-carvings,--such as little figures in the
+national costume, boxes with wreaths of foliage upon them, paper knives,
+the chamois goat, admirably well represented. We at first hesitated to
+make any advances towards trade with the gendarme because it was Sunday,
+and we fancied there might be a Calvinistic scruple on his part about
+turning a penny on the Sabbath; but from the little I know of the Swiss
+character, I suppose they would be as ready as any other men to sell, not
+only such matters, but even their own souls, or any smaller--or shall we
+say greater--thing on Sunday or at any other time. So we began to ask
+the prices of the articles, and met with no difficulty in purchasing a
+salad spoon and fork, with pretty bas-reliefs carved on the handles, and
+a napkin-ring. For Rosebud's and our amusement, the gendarme now set a
+musical-box a-going; and as it played a pasteboard figure of a dentist
+began to pull the tooth of a pasteboard patient, lifting the wretched
+simulacrum entirely from the ground, and keeping him in this horrible
+torture for half an hour. Meanwhile, mamma, Miss Shepard, U----, and
+J----- sat down all in a row on a bench and sketched the mountains; and
+as the shower did not cease, though the sun most of the time shone
+brightly, they were kept actual prisoners of Chillon much longer than we
+wished to stay.
+
+We took advantage of the first cessation,--though still the drops came
+dimpling into the water that rippled against the pebbles beneath the
+bridge,--of the first partial cessation of the shower, to escape, and
+returned towards the hotel, with this kindliest of summer rains falling
+upon us most of the way In the afternoon the rain entirely ceased, and
+the weather grew delightfully radiant, and warmer than could well be
+borne in the sunshine. U---- and I walked to the village of Villeneuve,
+--a mile from the hotel,--and found a very commonplace little old town of
+one or two streets, standing on a level, and as uninteresting as if there
+were not a hill within a hundred miles. It is strange what prosaic lines
+men thrust in amid the poetry of nature. . . . .
+
+
+Hotel de l'Angleterre, Geneva, June 14th.--Yesterday morning was very
+fine, and we had a pretty early breakfast at Hotel Byron, preparatory to
+leaving it. This hotel is on a magnificent scale of height and breadth,
+its staircases and corridors being the most spacious I have seen; but
+there is a kind of meagreness in the life there, and a certain lack of
+heartiness, that prevented us from feeling at home. We were glad to get
+away, and took the steamer on our return voyage, in excellent spirits.
+Apparently it had been a cold night in the upper regions, for a great
+deal more snow was visible on some of the mountains than we had before
+observed; especially a mountain called "Diableries" presented a silver
+summit, and broad sheets and fields of snow. Nothing ever can have been
+more beautiful than those groups of mighty hills as we saw them then,
+with the gray rocks, the green slopes, the white snow-patches and crests,
+all to be seen at one glance, and the mists and fleecy clouds tumbling,
+rolling, hovering about their summits, filling their lofty valleys, and
+coming down far towards the lower world, making the skyey aspects so
+intimate with the earthly ones, that we hardly knew whether we were
+sojourning in the material or spiritual world. It was like sailing
+through the sky, moreover, to be borne along on such water as that of
+Lake Leman,--the bluest, brightest, and profoundest element, the most
+radiant eye that the dull earth ever opened to see heaven withal. I am
+writing nonsense, but it is because no sense within my mind will answer
+the purpose.
+
+Some of these mountains, that looked at no such mighty distance, were at
+least forty or fifty miles off, and appeared as if they were near
+neighbors and friends of other mountains, from which they were really
+still farther removed. The relations into which distant points are
+brought, in a view of mountain scenery, symbolize the truth which we can
+never judge within our partial scope of vision, of the relations which we
+bear to our fellow-creatures and human circumstances. These mighty
+mountains think that they have nothing to do with one another, each seems
+itself its own centre, and existing for itself alone; and yet to an eye
+that can take them all in, they are evidently portions of one grand and
+beautiful idea, which could not be consummated without the lowest and the
+loftiest of them. I do not express this satisfactorily, but have a
+genuine meaning in it nevertheless.
+
+We passed again by Chillon, and gazed at it as long as it was distinctly
+visible, though the water view does no justice to its real
+picturesqueness, there being no towers nor projections on the side
+towards the lake, nothing but a wall of dingy white, with an indentation
+that looks something like a gateway. About an hour and a half brought us
+to Ouchy, the point where passengers land to take the omnibus to
+Lausanne. The ascent from Ouchy to Lausanne is a mile and a half, which
+it took the omnibus nearly half an hour to accomplish. We left our
+shawls and carpet-bags in the salle a manger of the Hotel Faucon, and set
+forth to find the cathedral, the pinnacled tower of which is visible for
+a long distance up and down the lake. Prominent as it is, however, it is
+by no means very easy to find it while rambling through the intricate
+streets and declivities of the town itself, for Lausanne is the town, I
+should fancy, in all the world the most difficult to go directly from one
+point to another. It is built on the declivity of a hill, adown which
+run several valleys or ravines, and over these the contiguity of houses
+extends, so that the communication is kept up by means of steep streets
+and sometimes long weary stairs, which must be surmounted and descended
+again in accomplishing a very moderate distance. In some inscrutable way
+we at last arrived at the cathedral, which stands on a higher site than
+any other in Lausanne. It has a very venerable exterior, with all the
+Gothic grandeur which arched mullioned windows, deep portals, buttresses,
+towers, and pinnacles, gray with a thousand years, can give to
+architecture. After waiting awhile we obtained entrance by means of an
+old woman, who acted the part of sacristan, and was then showing the
+church to some other visitors.
+
+The interior disappointed us; not but what it was very beautiful, but I
+think the excellent repair that it was in, and the Puritanic neatness
+with which it is kept, does much towards effacing the majesty and mystery
+that belong to an old church. Every inch of every wall and column, and
+all the mouldings and tracery, and every scrap of grotesque carving, had
+been washed with a drab mixture. There were likewise seats all up and
+down the nave, made of pine wood, and looking very new and neat, just
+such seats as I shall see in a hundred meeting-houses (if ever I go into
+so many) in America. Whatever might be the reason, the stately nave,
+with its high-groined roof, the clustered columns and lofty pillars, the
+intersecting arches of the side-aisles, the choir, the armorial and
+knightly tombs that surround what was once the high altar, all produced
+far less effect than I could have thought beforehand.
+
+As it happened, we had more ample time and freedom to inspect this
+cathedral than any other that we have visited, for the old woman
+consented to go away and leave us there, locking the door behind her.
+The others, except Rosebud, sat down to sketch such portions as struck
+their fancy; and for myself, I looked at the monuments, of which some,
+being those of old knights, ladies, bishops, and a king, were curious
+from their antiquity; and others are interesting as bearing memorials of
+English people, who have died at Lausanne in comparatively recent years.
+Then I went up into the pulpit, and tried, without success, to get into
+the stone gallery that runs all round the nave; and I explored my way
+into various side apartments of the cathedral, which I found fitted up
+with seats for Sabbath schools, perhaps, or possibly for meetings of
+elders of the Church. I opened the great Bible of the church, and found
+it to be a French version, printed at Lille some fifty years ago. There
+was also a liturgy, adapted, probably, to the Lutheran form of worship.
+In one of the side apartments I found a strong box, heavily clamped with
+iron, and having a contrivance, like the hopper of a mill, by which money
+could be turned into the top, while a double lock prevented its being
+abstracted again. This was to receive the avails of contributions made
+in the church; and there were likewise boxes, stuck on the ends of long
+poles, wherewith the deacons could go round among the worshippers,
+conveniently extending the begging-box to the remotest curmudgeon among
+them all. From the arrangement of the seats in the nave, and the labels
+pasted or painted on them, I judged that the women sat on one side and
+the men on the other, and the seats for various orders of magistrates,
+and for ecclesiastical and collegiate people, were likewise marked out.
+
+I soon grew weary of these investigations, and so did Rosebud and J-----,
+who essayed to amuse themselves with running races together over the
+horizontal tombstones in the pavement of the choir, treading
+remorselessly over the noseless effigies of old dignitaries, who never
+expected to be so irreverently treated. I put a stop to their sport, and
+banished them to different parts of the cathedral; and by and by, the old
+woman appeared again, and released us from durance. . . . .
+
+While waiting for our dejeuner, we saw the people dining at the regular
+table d'hote of the hotel, and the idea was strongly borne in upon me,
+that the professional mystery of a male waiter is a very unmanly one. It
+is so absurd to see the solemn attentiveness with which they stand behind
+the chairs, the earnestness of their watch for any crisis that may demand
+their interposition, the gravity of their manner in performing some
+little office that the guest might better do for himself, their decorous
+and soft steps; in short, as I sat and gazed at them, they seemed to me
+not real men, but creatures with a clerical aspect, engendered out of a
+very artificial state of society. When they are waiting on myself, they
+do not appear so absurd; it is necessary to stand apart in order to see
+them properly.
+
+We left Lausanne--which was to us a tedious and weary place--before four
+o'clock. I should have liked well enough to see the house of Gibbon, and
+the garden in which he walked, after finishing "The Decline and Fall";
+but it could not be done without some trouble and inquiry, and as the
+house did not come to see me, I determined not to go and see the house.
+There was, indeed, a mansion of somewhat antique respectability, near our
+hotel, having a garden and a shaded terrace behind it, which would have
+answered accurately enough to the idea of Gibbon's residence. Perhaps it
+was so; far more probably not.
+
+Our former voyages had been taken in the Hirondelle; we now, after
+broiling for some time in the sunshine by the lakeside, got on board of
+the Aigle, No. 2. There were a good many passengers, the larger
+proportion of whom seemed to be English and American, and among the
+latter a large party of talkative ladies, old and young. The voyage was
+pleasant while we were protected from the sun by the awning overhead, but
+became scarcely agreeable when the sun had descended so low as to shine
+in our faces or on our backs. We looked earnestly for Mont Blanc, which
+ought to have been visible during a large part of our course; but the
+clouds gathered themselves hopelessly over the portion of the sky where
+the great mountain lifted his white peak; and we did not see it, and
+probably never shall. As to the meaner mountains, there were enough of
+them, and beautiful enough; but we were a little weary, and feverish with
+the heat. . . . . I think I had a head-ache, though it is so unusual a
+complaint with me, that I hardly know it when it comes. We were none of
+us sorry, therefore, when the Eagle brought us to the quay of Geneva,
+only a short distance from our hotel. . . . .
+
+To-day I wrote to Mr. Wilding, requesting him to secure passages for us
+from Liverpool on the 15th of next month, or 1st of August. It makes my
+heart thrill, half pleasantly, half otherwise; so much nearer does this
+step seem to bring that home whence I have now been absent six years, and
+which, when I see it again, may turn out to be not my home any longer. I
+likewise wrote to Bennoch, though I know not his present address; but I
+should deeply grieve to leave England without seeing him. He and Henry
+Bright are the only two men in England to whom I shall be much grieved to
+bid farewell; but to the island itself I cannot bear to say that word as
+a finality. I shall dreamily hope to come back again at some indefinite
+time; rather foolishly perhaps, for it will tend to take the substance
+out of my life in my own land. But this, I suspect, is apt to be the
+penalty of those who stay abroad and stay too long.
+
+
+
+HAVRE.
+
+
+Hotel Wheeler, June 22d.--We arrived at this hotel last evening from
+Paris, and find ourselves on the borders of the Petit Quay Notre Dame,
+with steamers and boats right under our windows, and all sorts of
+dock-business going on briskly. There are barrels, bales, and crates of
+goods; there are old iron cannon for posts; in short, all that belongs to
+the Wapping of a great seaport. . . . . The American partialities of the
+guests [of this hotel] are consulted by the decorations of the parlor, in
+which hang two lithographs and colored views of New York, from Brooklyn
+and from Weehawken. The fashion of the house is a sort of nondescript
+mixture of Frank, English, and American, and is not disagreeable to us
+after our weary experience of Continental life. The abundance of the
+food is very acceptable in comparison with the meagreness of French and
+Italian meals; and last evening we supped nobly on cold roast beef and
+ham, set generously before us, in the mass, instead of being doled out in
+slices few and thin. The waiter has a kindly sort of manner, and
+resembles the steward of a vessel rather than a landsman; and, in short,
+everything here has undergone a change, which might admit of very
+effective description. I may now as well give up all attempts at
+journalizing. So I shall say nothing of our journey across France from
+Geneva. . . . . To-night, we shall take our departure in a steamer for
+Southampton, whence we shall go to London; thence, in a week or two, to
+Liverpool; thence to Boston and Concord, there to enjoy--if enjoyment it
+prove--a little rest and a sense that we are at home.
+
+[More than four months were now taken up in writing "The Marble Faun," in
+great part at the seaside town of Redcar, Yorkshire, Mr. Hawthorne having
+concluded to remain another year in England, chiefly to accomplish that
+romance. In Redcar, where he remained till September or October, he
+wrote no journal, but only the book. He then went to Leamington, where
+he finished "The Marble Faun" in March, and there is a little
+journalizing soon after leaving Redcar.--ED.]
+
+
+
+ENGLAND.
+
+
+Leamington, November 14th, 1859.--J---- and I walked to Lillington the
+other day. Its little church was undergoing renovation when we were here
+two years ago, and now seems to be quite renewed, with the exception of
+its square, gray, battlemented tower, which has still the aspect of
+unadulterated antiquity. On Saturday J----- and I walked to Warwick by
+the old road, passing over the bridge of the Avon, within view of the
+castle. It is as fine a piece of English scenery as exists anywhere,--
+the quiet little river, shadowed with drooping trees, and, in its vista,
+the gray towers and long line of windows of the lordly castle, with a
+picturesquely varied outline; ancient strength, a little softened by
+decay. . . . .
+
+The town of Warwick, I think, has been considerably modernized since I
+first saw it. The whole of the central portion of the principal street
+now looks modern, with its stuccoed or brick fronts of houses, and, in
+many cases, handsome shop windows. Leicester Hospital and its adjoining
+chapel still look venerably antique; and so does a gateway that half
+bestrides the street. Beyond these two points on either side it has a
+much older aspect. The modern signs heighten the antique impression.
+
+
+February 5th, 1860.--Mr. and Mrs. Bennoch are staying for a little while
+at Mr. B------'s at Coventry, and Mr. B------ called upon us the other
+day, with Mr. Bennoch, and invited us to go and see the lions of
+Coventry; so yesterday U---- and I went. It was not my first visit,
+therefore I have little or nothing to record, unless it were to describe
+a ribbon-factory into which Mr. B------ took us. But I have no
+comprehension of machinery, and have only a confused recollection of an
+edifice of four or five stories, on each floor of which were rows of huge
+machines, all busy with their iron hands and joints in turning out
+delicate ribbons. It was very curious and unintelligible to me to
+observe how they caused different colored patterns to appear, and even
+flowers to blossom, on the plain surface of a ribbon. Some of the
+designs were pretty, and I was told that one manufacturer pays 500 pounds
+annually to French artists (or artisans, for I do not know whether they
+have a connection with higher art) merely for new patterns of ribbons.
+The English find it impossible to supply themselves with tasteful
+productions of this sort merely from the resources of English fancy. If
+an Englishman possessed the artistic faculty to the degree requisite to
+produce such things, he would doubtless think himself a great artist, and
+scorn to devote himself to these humble purposes. Every Frenchman is
+probably more of an artist than one Englishman in a thousand.
+
+We ascended to the very roof of the factory, and gazed thence over smoky
+Coventry, which is now a town of very considerable size, and rapidly on
+the increase. The three famous spires rise out of the midst, that of St.
+Michael being the tallest and very beautiful. Had the day been clear, we
+should have had a wide view on all sides; for Warwickshire is well laid
+out for distant prospects, if you can only gain a little elevation from
+which to see them.
+
+Descending from the roof, we next went to see Trinity Church, which has
+just come through an entire process of renovation, whereby much of its
+pristine beauty has doubtless been restored; but its venerable awfulness
+is greatly impaired. We went into three churches, and found that they
+had all been subjected to the same process. It would be nonsense to
+regret it, because the very existence of these old edifices is involved
+in their being renewed; but it certainly does deprive them of a great
+part of their charm, and puts one in mind of wigs, padding, and all such
+devices for giving decrepitude the aspect of youth. In the pavement of
+the nave and aisles there are worn tombstones, with defaced inscriptions,
+and discolored marbles affixed against the wall; monuments, too, where a
+mediaeval man and wife sleep side by side on a marble slab; and other
+tombs so old that the inscriptions are quite gone. Over an arch, in one
+of the churches, there was a fresco, so old, dark, faded, and blackened,
+that I found it impossible to make out a single figure or the slightest
+hint of the design. On the whole, after seeing the churches of Italy, I
+was not greatly impressed with these attempts to renew the ancient beauty
+of old English minsters; it would be better to preserve as sedulously
+as possible their aspect of decay, in which consists the principal
+charm. . . . .
+
+On our way to Mr. B------'s house, we looked into the quadrangle of a
+charity-school and old men's hospital, and afterwards stepped into a
+large Roman Catholic church, erected within these few years past, and
+closely imitating the mediaeval architecture and arrangements. It is
+strange what a plaything, a trifle, an unserious affair, this imitative
+spirit makes of a huge, ponderous edifice, which if it had really been
+built five hundred years ago would have been worthy of all respect. I
+think the time must soon come when this sort of thing will be held in
+utmost scorn, until the lapse of time shall give it a claim to respect.
+But, methinks, we had better strike out any kind of architecture, so it
+be our own, however wretched, than thus tread back upon the past.
+
+Mr. B------ now conducted us to his residence, which stands a little
+beyond the outskirts of the city, on the declivity of a hill, and in so
+windy a spot that, as he assured me, the very plants are blown out of the
+ground. He pointed to two maimed trees whose tops were blown off by a
+gale two or three years since; but the foliage still covers their
+shortened summits in summer, so that he does not think it desirable to
+cut them down.
+
+In America, a man of Mr. B------'s property would take upon himself the
+state and dignity of a millionaire. It is a blessed thing in England,
+that money gives a man no pretensions to rank, and does not bring the
+responsibilities of a great position.
+
+We found three or four gentlemen to meet us at dinner,--a Mr. D------ and
+a Mr. B------, an author, having written a book called "The Philosophy of
+Necessity," and is acquainted with Emerson, who spent two or three days
+at his house when last in England. He was very kindly appreciative of my
+own productions, as was also his wife, next to whom I sat at dinner. She
+talked to me about the author of "Adam Bede," whom she has known
+intimately all her life. . . . . Miss Evans (who wrote "Adam Bede") was
+the daughter of a steward, and gained her exact knowledge of English
+rural life by the connection with which this origin brought her with the
+farmers. She was entirely self-educated, and has made herself an
+admirable scholar in classical as well as in modern languages. Those
+who knew her had always recognized her wonderful endowments, and only
+watched to see in what way they would develop themselves. She is a
+person of the simplest manners and character, amiable and unpretending,
+and Mrs. B------ spoke of her with great affection and respect. . . . .
+Mr. B------, our host, is an extremely sensible man; and it is remarkable
+how many sensible men there are in England,--men who have read and
+thought, and can develop very good ideas, not exactly original, yet so
+much the product of their own minds that they can fairly call them their
+own.
+
+
+February 18th.--. . . . This present month has been somewhat less dismal
+than the preceding ones; there have been some sunny and breezy days when
+there was life in the air, affording something like enjoyment in a walk,
+especially when the ground was frozen. It is agreeable to see the fields
+still green through a partial covering of snow; the trunks and branches
+of the leafless trees, moreover, have a verdant aspect, very unlike that
+of American trees in winter, for they are covered with a delicate green
+moss, which is not so observable in summer. Often, too, there is a twine
+of green ivy up and down the trunk. The other day, as J----- and I were
+walking to Whitnash, an elm was felled right across our path, and I was
+much struck by this verdant coating of moss over all its surface,--the
+moss plants too minute to be seen individually, but making the whole tree
+green. It has a pleasant effect here, where it is the natural aspect of
+trees in general; but in America a mossy tree-trunk is not a pleasant
+object, because it is associated with damp, low, unwholesome situations.
+The lack of foliage gives many new peeps and vistas, hereabouts, which I
+never saw in summer.
+
+
+March 17th.--J----- and I walked to Warwick yesterday forenoon, and went
+into St. Mary's Church, to see the Beauchamp chapel. . . . . On one side
+of it were some worn steps ascending to a confessional, where the priest
+used to sit, while the penitent, in the body of the church, poured his
+sins through a perforated auricle into this unseen receptacle. The
+sexton showed us, too, a very old chest which had been found in the
+burial vault, with some ancient armor stored away in it. Three or four
+helmets of rusty iron, one of them barred, the last with visors, and all
+intolerably weighty, were ranged in a row. What heads those must have
+been that could bear such massiveness! On one of the helmets was a
+wooden crest--some bird or other--that of itself weighed several
+pounds. . . . .
+
+
+April 23d.--We have been here several weeks. . . . . Had I seen Bath
+earlier in my English life, I might have written many pages about it, for
+it is really a picturesque and interesting city. It is completely
+sheltered in the lap of hills, the sides of the valley rising steep and
+high from the level spot on which it stands, and through which runs the
+muddy little stream of the Avon. The older part of the town is on the
+level, and the more modern growth--the growth of more than a hundred
+years--climbs higher and higher up the hillside, till the upper streets
+are very airy and lofty. The houses are built almost entirely of Bath
+stone, which in time loses its original buff color, and is darkened by
+age and coal-smoke into a dusky gray; but still the city looks clean and
+pure as compared with most other English towns. In its architecture, it
+has somewhat of a Parisian aspect, the houses having roofs rising steep
+from their high fronts, which are often adorned with pillars, pilasters,
+and other good devices, so that you see it to be a town built with some
+general idea of beauty, and not for business. There are Circuses,
+Crescents, Terraces, Parades, and all such fine names as we have become
+familiar with at Leamington, and other watering-places. The declivity of
+most of the streets keeps them remarkably clean, and they are paved in a
+very comfortable way, with large blocks of stone, so that the middle of
+the street is generally practicable to walk upon, although the sidewalks
+leave no temptation so to do, being of generous width. In many alleys,
+and round about the abbey and other edifices, the pavement is of square
+flags, like those of Florence, and as smooth as a palace floor. On the
+whole, I suppose there is no place in England where a retired man, with a
+moderate income, could live so tolerably as at Bath; it being almost a
+city in size and social advantages; quite so, indeed, if eighty thousand
+people make a city,--and yet having no annoyance of business nor spirit
+of worldly struggle. All modes of enjoyment that English people like may
+be had here; and even the climate is said to be milder than elsewhere in
+England. How this may be, I know not; but we have rain or passing
+showers almost every day since we arrived, and I suspect the surrounding
+hills are just about of that inconvenient height, that keeps catching
+clouds, and compelling them to squeeze out their moisture upon the
+included valley. The air, however, certainly is preferable to that of
+Leamington. . . . .
+
+There are no antiquities except the abbey, which has not the interest of
+many other English churches and cathedrals. In the midst of the old part
+of the town stands the house which was formerly Beau Nash's residence,
+but which is now part of the establishment of an ale-merchant. The
+edifice is a tall, but rather mean-looking, stone building, with the
+entrance from a little side court, which is so cumbered with empty
+beer-barrels as hardly to afford a passage. The doorway has some
+architectural pretensions, being pillared and with some sculptured
+devices--whether lions or winged heraldic monstrosities I forget--on the
+pediment. Within, there is a small entry, not large enough to be termed
+a hall, and a staircase, with carved balustrade, ascending by angular
+turns and square landing-places. For a long course of years, ending a
+little more than a century ago, princes, nobles, and all the great and
+beautiful people of old times, used to go up that staircase, to pay their
+respects to the King of Bath. On the side of the house there is a marble
+slab inserted, recording that here he resided, and that here he died in
+1767, between eighty and ninety years of age. My first acquaintance with
+him was in Smollett's "Roderick Random," and I have met him in a hundred
+other novels.
+
+His marble statue is in a niche at one end of the great pump-room, in
+wig, square-skirted coat, flapped waistcoat, and all the queer costume of
+the period, still looking ghost-like upon the scene where he used to be
+an autocrat. Marble is not a good material for Beau Nash, however; or,
+if so, it requires color to set him off adequately. . . . .
+
+It is usual in Bath to see the old sign of the checker-board on the
+doorposts of taverns. It was originally a token that the game might be
+played there, and is now merely a tavern-sign.
+
+
+
+LONDON.
+
+
+31 Hertford Street, Mayfair, May 16th, 1860.--I came hither from Bath on
+the 14th, and am staying with my friends, Mr. and Mrs. Motley. I would
+gladly journalize some of my proceedings, and describe things and people;
+but I find the same coldness and stiffness in my pen as always since our
+return to England. I dined with the Motleys at Lord Dufferin's, on
+Monday evening, and there met, among a few other notable people, the
+Honorable Mrs. Norton, a dark, comely woman, who doubtless was once most
+charming, and still has charms, at above fifty years of age. In fact, I
+should not have taken her to be greatly above thirty, though she seems to
+use no art to make herself look younger, and talks about her time of
+life, without any squeamishness. Her voice is very agreeable, having a
+sort of muffled quality, which is excellent in woman. She is of a very
+cheerful temperament, and so has borne a great many troubles without
+being destroyed by them. But I can get no color into my sketch, so shall
+leave it here.
+
+
+London, May 17th. [From a letter.]--Affairs succeed each other so fast,
+that I have really forgotten what I did yesterday. I remember seeing my
+dear friend, Henry Bright, and listening to him, as we strolled in the
+Park, and along the Strand. To-day I met at breakfast Mr. Field
+Talfourd, who promises to send you the photograph of his portrait of Mr.
+Browning. He was very agreeable, and seemed delighted to see me again.
+At lunch, we had Lord Dufferin, the Honorable Mrs. Norton, and Mr.
+Sterling (author of the "Cloister Life of Charles V."), with whom we are
+to dine on Sunday.
+
+You would be stricken dumb, to see how quietly I accept a whole string of
+invitations, and what is more, perform my engagements without a murmur.
+
+A German artist has come to me with a letter of introduction, and a
+request that I will sit to him for a portrait in bas-relief. To this,
+likewise, I have assented! subject to the condition that I shall have my
+leisure.
+
+The stir of this London life, somehow or other, has done me a wonderful
+deal of good, and I feel better than for months past. This is strange,
+for if I had my choice, I should leave undone almost all the things I do.
+
+I have had time to see Bennoch only once.
+
+[This closes the European Journal. After Mr. Hawthorne's return to
+America, he published "Our Old Home," and began a new romance, of which
+two chapters appeared in the Atlantic Monthly. But the breaking out of
+the war stopped all imaginative work with him, and all journalizing,
+until 1862, when he went to Maine for a little excursion, and began
+another journal, from which I take one paragraph, giving a slight note
+of his state of mind at an interesting period of his country's history.
+--ED.]
+
+
+West Gouldsborough, August 15th, 1862.--It is a week ago, Saturday, since
+J----- and I reached this place, . . . . Mr. Barney S. Hill's.
+
+At Hallowell, and subsequently all along the route, the country was
+astir with volunteers, and the war is all that seems to be alive, and
+even that doubtfully so. Nevertheless, the country certainly shows a
+good spirit, the towns offering everywhere most liberal bounties, and
+every able-bodied man feels an immense pull and pressure upon him to go
+to the war. I doubt whether any people was ever actuated by a more
+genuine and disinterested public spirit; though, of course, it is not
+unalloyed with baser motives and tendencies. We met a train of cars with
+a regiment or two just starting for the South, and apparently in high
+spirits. Everywhere some insignia of soldiership were to be seen,--
+bright buttons, a red stripe down the trousers, a military cap, and
+sometimes a round-shouldered bumpkin in the entire uniform. They require
+a great deal to give them the aspect of soldiers; indeed, it seems as if
+they needed to have a good deal taken away and added, like the rough clay
+of a sculptor as it grows to be a model. The whole talk of the bar-rooms
+and every other place of intercourse was about enlisting and the war,
+this being the very crisis of trial, when the voluntary system is drawing
+to an end, and the draft almost immediately to commence.
+
+
+END OF VOL. II.
+
+
+
+
+
+End of the Project Gutenberg EBook of Passages From the French and Italian
+Notebooks, Complete, by Nathaniel Hawthorne
+
+*** END OF THE PROJECT GUTENBERG EBOOK FRENCH/ITALIAN NOTEBOOKS, COMPLETE ***
+
+This file should be named 7881.txt or 7881.zip
+
+Produced by Tapio Riikonen and David Widger [widger@cecomet.net]
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+https://gutenberg.org or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+https://www.gutenberg.org/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart, hart@pobox.com
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/7881.zip b/7881.zip
new file mode 100644
index 0000000..18bca98
--- /dev/null
+++ b/7881.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..223dd90
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #7881 (https://www.gutenberg.org/ebooks/7881)