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diff --git a/78767-0.txt b/78767-0.txt new file mode 100644 index 0000000..ad61017 --- /dev/null +++ b/78767-0.txt @@ -0,0 +1,1436 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 78767 *** + + BORDER BRED + + W. C. Tuttle + + Illustrated by Douglas Duer + + +“You git on your horse and vamoose pronto. We don’t want yuh hangin’ +around here; sabe?” + +The speaker was a tall, thin, dark-featured man, slightly +round-shouldered. He was coarsely dressed and unkempt, as though he +had but recently got out of bed, and he struck the pickets of the +sagging gate, as though to emphasize his declaration. + +He placed his other hand on the shoulder of a little, calico-clad girl, +of about seven, who looked up wonderingly at him. + +“Aw-w-w right,” drawled Dobie Dixon slowly; “I reckon I can do that, +too, Mister Langdon.” + +[Illustration: Dobie was a lanky youngster of fifteen] + +Dobie Dixon was a tall, lanky youngster of fifteen, awkward of hand and +foot, colorless of hair, colorless of garb, but with a pair of keen gray +eyes in his thin face. + +He had not been nicknamed Dobie. His mother had died shortly after his +birth, and old Dan Dixon, a revenue officer, in lieu of a better name, +had considered the color of the baby’s hair and named him Adobe Dixon. +This had been shortened to Dobie, and the name fitted him well. + +A month before the beginning of this tale, old Dan Dixon had been +killed in attempting to stop an automobile load of contraband goods +from crossing the border. + +It had been a case of deliberate murder. The driver of the huge machine, +traveling at a great rate of speed, ignored the partly blocked road in +his mad rush to escape detection, deliberately ran down old Dan and +killed him instantly. + +And in a hail of lead from the other officers the murderer, with his +load of contraband, had roared away into the night--to safety. + +Old Dan had been one of the best of the border officers, and his one +ambition had been to have Dobie follow in his footsteps. But the wise +ones shook their heads. Dobie was a dreamer. Old Dan had taught him +how to trail, to shoot straight with a rifle and revolver, and Dobie +knew every inch of those boulder-strewn, mesquite-covered hills; but +Dobie did not seem to have the slightest ambition to be a border +guard. + +He still lived in the little half-adobe shack about two miles from the +border; doing his own cooking, mending and washing. Dobie had little +need of money. Odd jobs gave him enough for his immediate needs. He +seemed to care for no one, except little Jane Langdon. + +And now her father had ordered him to keep away from her. He swung +listlessly into his saddle and picked up his reins. The buckskin pony, +evil of eye, snapped back viciously at Dobie’s spurred boot, but the +boy gave it no heed. + +“And yuh can keep away, too,” added Langdon. + +Dobie’s impassive face did not change, as he ignored the man and spoke +down to the little, curly-haired girl. + +“Good-by, Jane.” + +“Goo’-by, Dobie. Come thee me again.” + +“Yeah--mebbe.” + +“Thasso?” The man angered quickly. “Didn’t yuh hear what I said, Dixon?” + +“Huh!” Dobie grunted softly and grinned at Langdon. Then he waved at +Jane as he rode slowly away down the dusty road, heading toward the +Cottonwood grades, where the shack headquarters of the border officers +were sprawled in a group of sun-dried trees. + + * * * * * + +Dobie was in no hurry. Every few days he rode to headquarters to see +Bill Steen, old Jim Cleveland and “Baldy” Hale. They had been with his +father for years and treated Dobie as a man and an equal. + +These were all man-hunters. They were hard-bitted, calloused, merciless +in their calling, but at heart they were still kids. Dobie was one of +them. He was no younger nor older than they. The hard life of the border +makes men out of boys. + +As Dobie rode along through the dust he scanned the hills closely. +To the north, as far as eye could see, there were nothing but hills, +boulders and mesquite. Southward stretched the same hills into Old +Mexico, the land of great unrest. Suddenly Dobie drew up his horse +and peered closely at the hills north of the road. + +A mile or more away, high on the point of a hill, a tiny streamer of +smoke. It was so tiny that the unpracticed eye would have failed to see +it, or, at a glance, it might have been mistaken for a yucca stalk and +blossom. + +Then it disappeared. Dobie rubbed his nose, but did not take his eyes +off that spot. It came again--faded quickly. And it did not come the +third time. Dobie marked the spot and rode on. + +He knew it was a smoke signal, but he had no idea whom it was for nor +what it meant. + +“Smugglers,” he reflected, and his gray eyes hardened as he thought of +his father. They had been pals. He glanced back at the hills, but there +were no more signals. + +“Get him some day,” Dobie told his buckskin pony. “They never gave him a +chance, and some day they’ll pay.” + + * * * * * + +He rode up to headquarters. Bill Steen was working over their rusty, +rattling old flivver, while the other two sat in the shade and gave +him valuable advice. + +“’Lo, Dobie,” greeted Baldy Hale, “git down and rest yore hoofs. How’s +everythin’?” + +Dobie dismounted, tied his pony to the rickety porch and sat down with +them. + +“Bill took the innards out of the rattler and he’s got two pieces left +over,” stated Jim Cleveland. “Betcha them two was put in t’ rattle. +Leave ’em out, Bill.” + +“I reckon I gotta,” said Bill seriously. “I never did like a danged +piece of machinery.” + +He came over and sat down in the shade, wiping his hands on a piece of +burlap. + +“Whatcha know, Dobe?” + +“Not much, Bill. Seen a smoke signal on that high point on the east side +of Calamity Cañon a while ago.” + +“Thasso? Smoke signal, Dobie?” + +Dobie nodded quickly. “Saw two puffs of it. Dunno how many there was +before I seen it.” + +Baldy snorted audibly. + +“When they start Injun signalin’, what chance have we got, I’d like t’ +know?” + +“Kinda helpless,” admitted Bill slowly. “They’ve got all the best of it. +Thirty miles of border and three men to watch it. Why, it would take one +man for every twenty feet of that line to stop all smugglin’.” + +“You ain’t tryin’ to tell us any news, are yuh, Willyum?” queried Baldy. +“If yuh are, it ain’t somethin’ that’s goin’ to surprise me a heap.” + +“I got run off Langdon’s place,” volunteered Dobie. + +“Run off?” Bill straightened up quickly. “How’s that?” + +“I just stopped to give the little girl an orange,” said Dobie, “and +Langdon comes out and tells me to herd myself away pronto. I dunno +what’s the matter with him.” + +“Huh!” Baldy fairly exploded. “Never did like that Langdon. I’ll betcha +he’s mixed up with smugglers. Never does any work. I allus feels sorry +for his wife.” + +“She ain’t very strong lookin’,” admitted Dobie. “I wasn’t doin’ nothin’ +but givin’ little Jane an orange, when out he comes and hops all over +me. Tells me to sift out of there. I sifted.” + +Bill Steen laughed. “Well, it’s his baby and his house, and if he wants +to be ornery----” + +“He can go ahead and be ornery, eh?” grinned Dobie. + +“Baldy cooked a pot of beans, Dobie,” informed Jim Cleveland. “He’s +goin’ to make a flock of biscuits, too.” + +“M’ insides clamor for food,” grinned Dobie, “and Baldy sure can mingle +a wicked old bean. How soon do we put on the nosebag, Baldy?” + +“Soon as I make the biscuits,” grinned Baldy, getting to his feet. “You +fellers fix the flivver while I make ’em. Let Dobie fix it, Bill. He’s a +mechanic.” + +“You only got two pieces over?” queried Dobie. + +“Yeah,” nodded Bill. “Two pieces too many.” + +“Better let her go as she lies,” grinned Dobie. “I took a wheelbarrow to +pieces once and had six parts left over.” + + * * * * * + +High up on the point of the hill, where Dobie had seen the signal fire, +sat a man. The fire was now only a pile of cold ashes, which had been +scuffed out with a heavy shoe sole. + +The man was evil of face. He was fairly well dressed in a dark suit of +clothes, silk shirt, black sombrero and laced boots. Around his waist, +under his coat, was a belt of cartridges and a holstered revolver. + +He had seen Dobie Dixon stop and look toward the signal. To this man +it was a tiny figure of a man and horse, far down there on the yellow +ribbon of dusty road. He had unslung a pair of binoculars, which hung +in a case across his shoulder, but they had only shown a man on a +buckskin pony, jogging along through the dust. + +A half-hour later Sam Langdon broke through the screen of mesquite and +faced this man. It had been a hard climb and Langdon was out of breath. +He sat down on a boulder and rested a few moments before the other man +said: + +“I was wonderin’ if you saw the smoke, Langdon.” + +“Yeah, I seen it, Carver. Whew! That’s some climb!” + +“Didn’t want to come any closer. I suppose these hills are full of +officers now, eh?” + +Langdon shook his head. “No. They never increased the force. Same old +three.” + +“That’s good.” Carver laughed softly. + +“This is a big deal, Langdon, big deal.” + +“Yeah?” Langdon looked up intently. + +“Biggest cargo of the year, Langdon. To-morrow night we’re runnin’ +enough drugs to supply all the drug stores in the Southwest. Gonzales +has it all packed in Verdugo, and you’re the little person who is goin’ +to slide it across for us.” + +Langdon frowned. “Drugs, eh? Morphine, coke and all that kinda stuff, +Carver?” + +“Y’ betcha. And a lot of it, too.” + +Langdon shook his head slowly. “Carver, I don’t mind runnin’ booze and +Chinamen, but I balk at drugs. It’s a dirty game, don’t cha know it?” + +Carver laughed mockingly. “Scared, Langdon? Gittin’ yaller, eh? What do +you care--as long as you get your cut out of it? It’s a cinch to put it +over--a cinch for you, I mean. You know every trail, every kink in the +line. You’re the only man in this country that can make a new trail and +cover it up behind you.” + + * * * * * + +Langdon stared gloomily across the hills. It was true that he was an +adept at covering a trail, and no man could follow him. While the +officers watched the regular trails, Langdon made a new one and +covered it up. + +“There’s a couple of thousand in cold cash for yuh,” said Carver. “Two +thousand dollars, Langdon. That’s a lot of money.” + +Langdon got to his feet and hooked his thumbs over the waist-band of his +pants. + +“Carver, I don’t like this stuff. Booze is bad enough, but--I’d as soon +see anyone play with a rattlesnake as to fool with drugs.” + +“You don’t have to take ’em,” reminded Carver. “Why should you worry +about who uses ’em?” + +“I would, though. I’d dream at night about the--” Langdon shook his head +slowly. “No, I can’t do it, Carver.” + +“You won’t be asked to make some easy money again. We don’t have much +use for quitters, Langdon.” + +Langdon shrugged his shoulders. He knew that it meant an open break +with Doc Carver and Gonzales, but he was firm in his intentions not +to smuggle drugs. + +“It’ll put you in bad,” said Carver slowly. “We can cause you a lot of +trouble. A tip to the right parties, eh?” Carver laughed meaningly. + +“You’d frame me?” Langdon’s voice grew hoarse. “After all I’ve done for +you, you’d frame me?” + +“You’ve still got a little sense--just a little, Langdon. You better +stick with us--and be safe.” + +“Suppose I beat you to your little game, Carver? What would my tip do to +you right now?” + +“Yeah?” Carver’s lip curled slightly away from his clenched teeth. +“You’d never try a thing like that.” + +“I didn’t think that you and Gonzales would think of doing it to me +either, Carver.” + +“No. Is that so?” Carver’s lips tightened, but he could see that his +attitude was only making Langdon more firm; so he laughed softly and +shook his head. + +“Now, Langdon, let’s be friends. We’re flyin’ at each other like a +pair of Mexican game cocks, and all over nothing. You’ll bring that +cargo across to-morrow night, collect your two thousand dollars and +be glad that you showed good sense.” + +Langdon shook his head. “No, I won’t do it. I hate the stuff, Carver. +I’ve seen what it will do, and God knows I don’t want it on my +conscience. No, I won’t do it, and what is more,” he leaned forward +and his lips shut into a thin line after each word, + +“I’ll ... do ... my ... best ... to ... stop ... anybody ... that ... +tries ... to ... bring ... it ... across!” + + * * * * * + +Carver took a half-step backward and his hand flirted away his coat, as +he reached for his gun, but he found his eyes looking into the muzzle of +Langdon’s gun, which had seemed to appear out of thin air. + +“Drop it on the ground!” snapped Langdon, and Carver reluctantly dropped +his gun into the dirt. + +Langdon picked up the gun and threw it far away into the mesquite +thicket. + +“I hate to do this, Carver, but it had to be. What I said just now, I +mean to do. I’ve played square with you in things that didn’t mean +much, but this cargo means too much to the whole world, and I’ll stop +it if I can. And you know what I can do.” + +And Carver did know that Langdon could cause them a lot of trouble, but +he would not admit it. + +Carver shrugged his shoulders. + +“Well, you’ve got the drop on me, Langdon, and I suppose we’ve got to +agree that you are not going to run that cargo. As far as you hindering +us--we’ll see.” + +“You know I’ve always done my best,” replied Langdon evenly. “I’ve +used my own home as a cache for stuff because you asked me to do it. +I sent old Dan Dixon’s boy away to-day, because I was afraid he’d get +too friendly and find out something.” + +“You don’t need to alibi yourself to me,” said Carver quickly. “That +don’t interest me a bit. What are you going to do now?” + +“I’m going home. I’m sorry we had to bust up like this, Carver, but it +had to come sooner or later. It’s a losing game and I want to be out of +it.” + +“Well, get out of it,” retorted Carver, “but let us alone. We can get +along without yuh, Langdon.” + +“You try to bring that cargo of drugs across--” said Langdon meaningly, +and backed into the mesquite. + +For several minutes, Carver listened closely. There was no sound from +the thicket. He climbed up on a boulder and scanned the country below +him, but there was not even the rustle of a bush to show the passing +of Langdon. + +But he knew that Langdon had gone as silently as a brush rabbit. Then he +swore bitterly and began to search for his revolver. + + * * * * * + +It was long past supper-time and Dobie was ready to start home. They had +managed to find a place to put the two extra pieces into the mechanism +of the flivver and the three officers were dressing to start on patrol. + +The world seemed flooded with a blue light from the moon; a light that +changed the rough hills into a fairyland of mystic shape and shadow. +Dobie untied his horse and was preparing to mount, when a woman came in +through the trees, panting as though from a long run. + +Dobie turned from his horse and met her in the light from the open +doorway. It was Mrs. Langdon, a frail little woman in a cheap calico +dress, bareheaded. Her face was white and she seemed on the verge of +collapse. + +“What’s the matter?” asked Dobie. + +She panted for a moment, peering at Dobie, and then she turned and +went in through the open doorway. Bill Steen met her at the door and +Dobie came in behind her. Baldy was just putting on his coat, but he +dropped it on a cot, and Jim Cleveland stopped pulling on his boots. + +“What’s gone wrong, ma’am?” asked Bill Steen. + +Mrs. Langdon seemed unable to speak for a moment. She fumbled nervously +in the bosom of her dress and drew out a folded paper, which she +clenched in her hand. + +“My baby!” Her voice was almost a scream. “They’ve taken my baby!” + +“Taken your baby?” grunted Bill Steen. “What do yuh mean, Mrs. Langdon?” + +Baldy carried a chair over to her, but she shoved it aside. + +“They stole my baby--my little Jane. Oh, don’t you understand?” + +“No, ma’am.” Bill shook his head. “We don’t sabe it. Who stole yore baby +and why did they steal her?” + +“The smugglers stole her.” + +“Now wait a minute,” advised Bill. “Yo’re all upset and out of breath, +ma’am. Jist kinda calm down and see if it ain’t easier to tell us about +it. There’s gotta be a reason for stealin’ yore baby.” + +“Yes, yes, there is a reason, but--” Mrs. Langdon shook her head, “I--I +didn’t want to tell you----” + + * * * * * + +Dobie stepped in closer and put his hand on her arm. + +“Who stole Jane, Mrs. Langdon?” + +“Oh, I can’t give names. I’m afraid to tell it all, but I suppose it is +all I can do. My husband does not know I came here.” + +“Now you go right ahead and talk about it,” advised Dobie. “Ain’t nobody +goin’ to hurt yuh, ma’am.” + +“It was the smugglers,” she said slowly, trying to be calm. “They told +my husband that he was to help them bring a big cargo of drugs across +the line, but he refused to help run drugs. + +“They quarreled and it almost ended in a shooting scrape, but my husband +still refused to help them, and he said he would do everything he could +to stop them from bringing the stuff across. + +“That was about four o’clock to-day. At six o’clock little Jane was +missing. We searched everywhere. Then that little hunchback Mexican +who lives down on Camp Creek came to us and brought us this message, +which he said was given to him to deliver.” + +[Illustration: That little hunchback Mexican brought us this message] + +She handed the paper to Bill Steen and the rest of the men crowded +around to read: + +“The little girl is safe enough now, but you will be sorry if anything +interferes with that stuff to-morrow night. You know us well enough to +know that we do not bluff.” + +It was written in a poor scrawl with a soft lead pencil and was +unsigned. Bill Steen handed it back to her. + +“Yore husband helped these men before?” he asked. + +Mrs. Langdon nodded. “Yes, he was a smuggler.” + +“But he wouldn’t run drugs, eh?” queried Baldy. “By golly, that’s one +big thing in his favor.” + +“To-morrow night, eh?” muttered Bill Steen. “And the Lord only knows +where it might come through.” + +“But it must come through,” said Mrs. Langdon hoarsely. “Don’t you see +that it must get safely across?” + +“Ma’am,” said Bill Steen seriously, “are you tryin’ to bribe us?” + +“Bribe you? Don’t you realize that my little baby is in their hands? If +that cargo----” + +“Yeah, that’s true. But why didn’t yuh keep still about it, ma’am?” + +“Oh, I don’t know.” Mrs. Langdon clasped her hands wearily. “I guess I +just had to tell somebody.” + +“Do yuh reckon they took her across the line?” asked Dobie. “They +prob’ly would, don’t cha think?” + +“Yes, I’m sure they did.” + +“Verdugo, likely,” nodded old Jim. “That gang down there are mostly all +smugglers.” + +“Well, I dunno what we can do.” Bill Steen realized that they were +helpless in the matter. “Sam Langdon was one of the gang and it kinda +looks to me like he was goin’ to suffer for his sins.” + +“But I was not one of them!” Mrs. Langdon drew herself up and faced the +grizzled old officer. “What about me?” + +“Yeah, that’s right. But what can we do? We can’t go into Mexico after +the little girl, ma’am. The Lord knows there’s plenty of places for them +to run the stuff across, but we can’t set here to-morrow night and leave +the whole line unguarded.” + +“No, I suppose you can’t, but--” Mrs. Langdon turned wearily toward the +door. “I just wanted you to know what happened to me. I suppose there is +nothing to do but to just wait. I--I want my baby--Jane.” + + * * * * * + +She went softly out of the door and they watched her disappear in the +moonlight, a pathetic little figure, going down the dusty road. + +Old Jim Cleveland swore softly and pulled on his boots. Dobie shuffled +his feet and hitched at his cartridge-belt. + +“I wonder how much Sam Langdon had to do with it that night they got my +dad?” + +Bill Steen sighed deeply and shook his head. + +“I dunno, Dobie. Sam Langdon may know who done it, but I don’t reckon he +done it himself. He balked on runnin’ drugs, yuh remember. The fellers +that stole the baby are ornery enough to do murder. But what in thunder +can we do?” + +“Not a blasted thing!” exploded Baldy. “I wish I had a little army +behind me. I’d go into Mexico and clean out the whole country. If +Verdugo was wiped off the map, this wouldn’t be a bad little world to +live in.” + +“Yuh gotta remember that it’s white men’s brains behind this, Baldy,” +said Bill. “The Mexicans are bad enough, but it takes white men to pull +off real smart deviltry.” + +“Well, I reckon I’ll go home,” said Dobie. “Much obliged for the beans +and biscuits, Baldy.” + +“Boy, yo’re sure welcome,” grinned Baldy. “Come ag’in to-morrow and help +us whip the rest of that pot, will yuh?” + +“I reckon I will,” nodded Dobie. “Buenas noches.” + +He swung onto his buckskin and went slowly down the road. He did not +want to overtake Mrs. Langdon. Half-a-mile from the headquarters the +road forked. The one to the right led straight into Mexico and was +little used. It was on this road that Dan Dixon had been killed. + +Dobie drew up at the forks and considered the two roads. He knew it +would be foolhardy for him to ride into Mexico. There were no laws in +Verdugo, except the word of Gonzales, an outlaw. It was a hotbed of +revolutionists, smugglers, outlaws of every description. + +There was an army in Verdugo; originally part of the Federal forces +of Mexico, but now in the pay of Gonzales. Dobie knew that it would +be suicide for any white man not connected with Gonzales to enter +Verdugo. + +The buckskin moved restlessly, jingling the bit-chains, kicking up a +film of the yellow dust. + +“Plumb anxious to be goin’, eh?” muttered Dobie. “All right, let’s move +along.” + +He turned and headed toward Mexico, riding slowly down through the +clumps of mesquite. A flare of light cut across the hills and he heard +the spluttering of the flivver, as the officers turned at the forks and +headed westward. + +A barbed-wire fence and gate marked the boundary between the United +States and Mexico. Dobie stopped at the gate and listened. Far away +he could hear the popping of the flivver, climbing one of the winding +grades. + +Out in the Mexican hills a coyote barked snappily. Dobie opened the +gate, led his horse through and closed it behind him. Then he mounted +and rode swiftly toward Verdugo, three miles away. + +Dobie had no idea of what he was going to do at Verdugo, but was +trusting to luck. The buckskin wanted to run, and Dobie gave it +plenty of slack rein. There were no houses along the road, no sign +of habitation, until he topped a rise and saw the lights of Verdugo +below him. + +Practically every house in Verdugo was built of adobe brick. The main +street was narrow and crooked, ankle deep in yellow dust. There was one +cross street, which extended up a slight rise, at the top of which was +the barracks, a long, one-story adobe. + +The main street ran east and west, and at the southeast corner of the +street intersections was the cantina, or saloon. Dobie rode in at the +north end of the cross street, which only extended a short block from +the main street. + +There were no street lights in Verdugo. Yellow lights from oil lamps +and candles glowed in the windows and helped to illuminate the +streets, which were already bright from the moonlight. A number of +saddled horses were tied to the many hitch-racks and wide-hatted +Mexicans strolled the street. From the cantina came the strumming of +a string-instrument orchestra, and somewhere a woman was singing a +song of old Spain. + +Dobie rode boldly up the street, swinging to the right at the street +intersections and dismounting at a hitch-rack. A Mexican walked past +and Dobie asked him where Gonzales might be found. Dobie spoke in +Spanish and the Mexican gave him the direction. + +Gonzales lived in a big adobe house about a block beyond the street +intersections. The building was set back from the street and in front +of it grew a large live-oak tree. + +Dobie sauntered down the opposite side of the street, and could see that +a soldier guarded the front of the building. The man’s white cotton +shirt was plainly visible and the moonlight glinted on his rifle-barrel. +He went to the end of the street, passing several Mexicans, who paid him +no heed, circled the buildings and came back to the rear of Gonzales’s +house. As far as he could see, the rear was unguarded. A light glowed in +one of the windows, which was set in the side of an L in the building. + +Dobie sneaked in cautiously and tried to peer into the window. He could +hear a murmur of voices, but was unable to more than catch a glimpse of +the interior. The single pane of glass was clouded and dirty, probably +never having been cleaned since the house had been built. + +Came the sound of a soft footfall, and one of the guards walked around +the corner, almost colliding with Dobie. He was a small Mexican in +ill-fitting clothes and wide hat; looking in the half-light like a huge +toadstool. + +He started back in affright and tried to throw up his rifle, but Dobie +dove into him like a wildcat and they fairly pin-wheeled for a moment. +The rifle went spinning away and they came to a stop against the wall +of the next building. + +But the Mexican was no quitter. They surged to their feet, fighting +silently. But Dobie’s volley of short-arm punches soon caused the +Mexican to lose heart. + +He broke loose and tried to run, but Dobie crashed a fist to his midriff +and he went flat on his face, yelping for all the saints to come to his +aid. + +Dobie was slightly dazed and winded from the encounter, and as he +started down the alley he ran into four more guards, who proceeded +to pile up on him. By sheer weight of numbers they managed to subdue +him, but not until he had succeeded in sending home a few blows that +caused the guards to utter bitter imprecations against such doings. + +Unceremoniously they dragged him into the front door of Gonzales’s +house, shoving him to the center of the room and standing back with +raised rifles, covering him. + +Dobie’s lips were bleeding and one of his eyes had taken on a purple +shade, but he grinned at the guards and turned to look at Gonzales, +who was still slouched back in a chair, watching him. + +Gonzales was a gross figure of a man, wide of girth, short of legs and +with a fat, evil countenance. His black beard was short and wiry and his +mustache drooped wearily over a thick-lipped mouth. He regarded Dobie +out of little, pig-like eyes. + +Another man was sitting at a table, partly in the shadow, but Dobie had +seen this man before. It was Doc Carver. The door opened again and in +came the guard that had first discovered Dobie. He was a much-mussed +personage and was still short of breath. + +[Illustration: It was Doc Carver] + +“So, you caught the pig!” he panted. “Madre de Dios, but he is tricky!” + +“What is it about?” demanded Gonzales. + +Swiftly the guards explained the capture. Gonzales blinked over the +information and shifted himself. + +“Habla Español?” he demanded of Dobie. + +“Si, señor,” nodded Dobie, and then in English: “You can talk United +States as well as I can.” + +“You are ve-e-ery smart, yes?” queried Gonzales. + +“Not very,” admitted Dobie. “I should have run the other way.” + +Gonzales was not without a sense of humor, and he grinned softly. + +“What do you want here?” he demanded. + +“Sam Langdon’s little girl.” Dobie knew there was no use in lying about +his mission. + +Carver turned his head slowly and looked at Gonzales. Dobie was watching +him and felt that Carver knew considerable about the deal. + +“Who are you?” he asked. + +“Dobie Dixon. My dad was Dan Dixon.” + + * * * * * + +Carver did not say anything more, so Dobie turned to Gonzales. + +“You look for a little girl, eh?” Gonzales seemed to be amused. + +“Yeah, I sure am,” said Dobie. + +“Why you look here?” + +“Why look anywhere else?” demanded Dobie. + +“Aw, why argue with him?” asked Carver of Gonzales. + +Gonzales grinned widely and shook his head. + +“No use. Take him to the barracks and see that he does not get away.” + +One of the guards prodded Dobie with the muzzle of his rifle and +motioned toward the door. + +“Buenas noches, señor,” said Gonzales mockingly. + +Dobie’s hand dropped to his holster, but it was empty. Either the guards +had taken it or he had lost it in the fight. The rifle-muzzle prodded +him again. + +“Wait a minute,” said Dobie carelessly, “I want to ask a question.” + +Gonzales nodded and the guard stepped back. Dobie moved in close to +the table on which rested the oil-lamp and, as he seemed to frame his +question, he sprang forward and swept the lamp to the floor, plunging +the room into darkness. + +And as the lamp crashed down, Dobie dropped flat on the dirt floor and +rolled toward the wall. He had located the window with the dirty pane, +and was taking a long chance. + +Gonzales spat a withering curse, and Dobie heard his chair splinter, as +the guards crashed into him in their rush to recapture their man. + +“Stop it, you fools!” roared Carver. “Block that door!” + +Dobie’s hands had found the window, which was set in a deep embrasure, +and as the guards stumbled for the door, he swung himself up to his +knees, crossed his elbows in front of his face and plunged headlong out +of the window. + +They had seen him just as he plunged, and a high-powered bullet screamed +off the adobe near his ear, but he landed sitting down outside with +hardly a scratch. + +Quickly he got to his feet and raced toward the hills to the rear of the +house. He could hear the guards shouting, as they circled the house, but +he was not afraid of them now. + +He swung to the left around an old corral, tripping over some loose +boards, but managed to keep his feet. + +“Gotta get a gun!” he panted to himself. “Whole town will be on my trail +pretty quick.” + +He had run to where he could look down the cross street, and saw several +men running toward the cantina. To his right, just a short distance +away, was the barracks, a white strip in the moonlight. + +“That’s where they were goin’ to put me,” he reflected. “I’ll betcha +that’s the last place they’ll search.” + + * * * * * + +He kept off the main thoroughfare and sneaked to the barracks. The door +was partly open; so he walked boldly inside. A candle, stuck in the neck +of a bottle, was burning beside a huddle of blankets on the floor, and +from the huddle came the sounds of some one snoring heavily. + +The room was a litter of blankets, straw, cooking utensils. Leaning +against the wall was a number of old Mauser rifles and several +bandoliers of cartridges were scattered on the floor. + +Dobie picked up a rifle and examined it. The clip was filled with +cartridges. He picked up a belt of cartridges and buckled it around +his waist. The sleeper grunted and changed positions, but did not +wake up. + +He could hear men calling to each other and they appeared to be coming +closer. He whirled back to the open door. Six or eight men were coming +up the street toward the barracks, walking fast. + +Suddenly he realized that these men were coming after their rifles +to join in the hunt for him. They were not over a hundred yards away +now. He swung the Mauser to his shoulder and aimed to hit the ground +just in front of them. + +The report of the rifle seemed to fairly split the world, and he heard +the angry whine of the bullet as it spun down the street. For a moment +the men stopped. Another bullet threw sand into them and they broke +into a mad dash for safety; most of them going straight down the open +street. + +Dobie whirled. The sleeper had come to life and was on his hands and +knees, gawping at Dobie, who swung the muzzle of the rifle around and +pulled the trigger. The bullet splatted into the ground just short of +the dazed Mexican, who, with a scream for mercy, proceeded to roll +himself half-way across the room, wrapping himself in every available +blanket. + +Dobie turned back to the door. He could see quite a crowd near the +cantina, so he lifted his gun and drove them to cover with a single +shot. From the blanket-wrapped figure came a muffled voice, begging +for mercy. + +Dobie jerked the door shut and dropped the bar. Then he softly crossed +the room, stepped up on a stool and slid out through a rear window. He +walked to the eastern end of the barracks and circled back toward the +main street, keeping under cover as much as possible. + +“I’ve got ’em watchin’ the barracks,” he reflected with a grin at his +own ingenuity. “That feller in the blankets won’t come out until they +unroll him.” + +Dobie was satisfied that little Jane Langdon was a prisoner somewhere +in Verdugo, and he had an idea that she might be in Gonzales’ house. +He worked his way down to the rear of the main street. The whole town +seemed to be awake to the fact that something had gone wrong. He could +hear a woman’s shrill voice telling someone that a new revolution had +started, and he chuckled to think that he was the revolution. + + * * * * * + +It was a very dangerous position for a fifteen-year-old boy, but Dobie +was of the desert breed; a breed that matures early. He knew that he +could circle the town and get back to the line with a whole skin, but +he did not come to Verdugo to go back alone. + +He came in at the rear of an adobe dwelling, where he stopped in the +heavy shadow to rest a moment. Some men had stopped on the street and +were arguing. He heard one of them demand that the others hurry with +him to circle around behind the barracks. + +Two of them came down the alley and he could almost touch them as +they went past. The third one came behind them. He was evidently in +no hurry and complained peevishly about a sore foot. As he got close +to Dobie, and just past him, he stopped, held his rifle between his +knees and tried to light a cigaret. + +Dobie stepped out behind him, measured the distance and rapped the +Mexican smartly over the head with the barrel of his rifle. The man +grunted and dove forward into the dirt, his wide hat rolling aside. + +Dobie picked up the hat, flung his old sombrero toward the rear of +the building, and walked straight out of the alley into the street. +The Mexican grunted a few times, sat up and felt of his head. He was +too dazed to even think what had happened to him. + +Dobie felt safer now. To outward appearances he was merely one of the +Mexican soldiers, and the wide hat shaded his features from too keen +eyes. + +Soldiers were running about the streets and quite a crowd had collected +near the cantina, but keeping out of range of the barracks, Dobie went +up the opposite side of the street and crossed the intersection. A +Mexican called a warning to him to look out, but he went on across. + +On that corner was a frame building, one of the few frame buildings in +the town. Dobie noticed that the front door was partly open. He walked +a little further up the street. His buckskin was still tied to the +hitch-rack, with two other horses. + +A man was hurrying down the street and caught sight of Dobie. It was an +officer. He called to Dobie: + +“What are you doing here?” + +Dobie did not reply, but realized that he would have to explain why he +was not among those sent to assault the barracks. The officer came up +quickly, muttering a threat, and evidently expecting the poor soldier +to run away from him, but Dobie did not run. + +“What are you doing here?” he repeated angrily. + +“Mindin’ my own business, hombre,” said Dobie in English, “and if you +open your mouth I’ll lam yuh full of bullets; sabe?” + +“Dios! What is this? You----” + +“Shut up!” snapped Dobie, shoving the gun in his face. “You’re talkin’ +too loud.” + +“Si,” admitted the officer unwillingly. + +“Turn around,” ordered Dobie; “we’ll go over and visit Gonzales.” + +“He is not at home,” replied the officer in Spanish. + +“I’m glad to hear that,” grinned Dobie. “Start goin’, hombre.” + + * * * * * + +He herded the officer across the street and up to Gonzales’ house. +The door was open and a single candle was burning on the table. Dobie +directed the officer to take the candle and open the door of the rear +room. + +Dobie had expected to find the little girl in that room, but he was +doomed to disappointment. It was the sleeping quarters of Gonzales, +and almost as bare of furniture as the main room. + +He backed the officer out of the room and stepped into the main room, +just as Gonzales and Carver came in the front door. Gonzales recognized +the officer with the candle, but did not realize that the Mexican with +the rifle was the man that his whole army was searching for. + +“What are you doing in here?” he demanded of the officer, as he and +Carver advanced toward the table. Dobie sidled toward the door, holding +his gun ready for an attack. + +“Dios!” snorted the officer, almost dropping the candle. “There is the +gringo!” He pointed at Dobie, who was nearing the door. + +“The gringo!” snapped Gonzales, and one of his fat hands dropped to his +ornate belt, fumbling for a gun. + +Carver had turned and also reached for a gun. But Dobie was covering +them with the rifle, as he backed toward the door, and Carver hesitated. +He had no stomach for a Mauser bullet at that range, and he did not know +just how accurate the boy might be. + +Dobie halted in the doorway and laughed at them. + +“Buenas noches, señors,” he called. “It’s my turn to say good-night, and +I hope yuh choke on a snore.” + +He ducked aside and ran down the street toward his horse. He had decided +to make a swift ride out of town and head for the border now. He had +expected to find Jane Langdon in Gonzales’ house, and, failing in that, +he had no idea of where to search. + +Someone shot at him from the doorway of Gonzales’ house and he heard the +bullet splat into the wall of a house beside him. Another shot struck +the dirt behind him, sending a shower of gravel against a window. + +He was almost to his horse when he saw several soldiers running toward +him past the cantina, coming to see what the shooting was about. He +swerved toward the building, getting the horses between him and the +oncoming soldiers. + +Gonzales, Carver and the officer were running from the house, shouting +orders to the soldiers, who stopped. Dobie slipped past the horses, +and darted around the corner of the frame building. He heard one of +the soldiers yelling that someone had just run around the corner, and +a moment later he heard them clattering toward him. + + * * * * * + +To run down the street would put him at the mercy of the whole army; so +he ducked into the half-open doorway of the frame building and closed +the door behind him. + +The soldiers raced past and Dobie breathed easier. He knew what would +be his fate if he was caught. Gonzales was absolutely without mercy, +and Dobie could look for no help from the United States. He had come +there at his own risk, and just now he was beginning to realize what +a risky thing he had done. + +Then he heard Gonzales and Carver talking excitedly, just outside the +door. The knob grated and the door began to open slowly, as Carver came +in. + +Dobie stepped behind the door, gripping his rifle. He felt sure that he +would be discovered now. The door swung back almost against him and he +heard Carver come in and walk part way across the room. + +Then he heard Carver curse witheringly. + +“You gave me a good guard, Gonzales!” he rasped. + +“What is wrong?” queried Gonzales. + +“He’s drunk as a fool, that’s what’s wrong. Wake up, you dog!” + +Dobie heard Carver kick the man, who whined drunkenly and tried to get +up. + +“Full of tequila, eh?” snarled Carver, and then to Gonzales: “Have you +no punishment for such as he?” + +“Have I not?” laughed Gonzales, and the drunken soldier whined for +mercy. + +“He shall suffer for this,” declared Gonzales evenly. “Outside, you +dog!” + +The soldier staggered toward the door, begging drunkenly for mercy and +calling upon all the saints to witness that he had not touched a drop +of liquor. Either Gonzales or Carver struck him a heavy blow and he +fell sprawling into the street. + +“Let him lie there,” said Gonzales coldly. “I will have him tried in the +morning.” + +“He deserves everything he will get,” declared Carver. “It was important +that he keep awake.” + +“Very important,” agreed Gonzales. “I shall get you a trustworthy guard, +my friend.” + +“Get two--half-a-dozen,” said Carver. “Get them now. I will stay here +until they come, Gonzales.” + +“Esta buena, amigo,” said Gonzales. “But it may take time. The army is +hunting the gringo. We should assist them. There is much danger for you +if this man escapes.” + +“Man! He is only a boy.” + +“In age,” agreed Gonzales. “But in size and ability he is almost a man, +my friend. And he is the son of Dixon, the border officer, who is now +dead.” + +“You’ve got a fine army, if they can’t take one kid.” Carver was growing +sarcastic now. + +“And if he escapes, you might regret it,” said Gonzales softly. “He +knows who you are, my friend. The whole border will know that you are a +dangerous man, and friends of Gonzales are not wanted, or”--Gonzales +laughed softly--“are very much wanted on the other side of the border.” + +“I don’t appreciate your jokes, Gonzales. What do I care who or what he +is? His father thought I was a smuggler, too, and tried to stop me. He +was a fool. Now, go and get me half of your army to guard this place.” + +“As soon as the chase is ended,” said Gonzales, and went back up the +street. + + * * * * * + +Dobie gripped his rifle and waited. He knew now that Doc Carver was the +man who had killed his father, and he lost all fear of everything. But +he did not lose his caution. Down in his heart he had sworn that Carver +would pay the penalty of that deed. + +Carver was crossing the floor now, a dark blot in the room. He fumbled +noisily at a lock for several moments and then opened a door. He was +humming a Spanish melody, as he scratched a match and peered around. +Then he stepped out of line with the door and Dobie heard him fumbling +with a lamp. + +Dobie gripped the rifle under his arm, while he slipped off his boots. +Somewhere outside a rifle cracked, but it was far away, and Dobie +grinned. The army had split into separate sections and were probably +shooting at each other. + +Softly he crossed the room and edged up to the door. Carver was standing +with his back to the doorway, looking down at something. Dobie edged in +behind him and almost prodded Carver in the back with the rifle muzzle +before Carver realized that someone was behind him. + +He whirled on his heel and his face went black at sight of Dobie. +But his face was no whiter than Dobie’s, and he shrank back at the +expression of the youngster’s eyes. For several moments they looked +at each other, and then Dobie said, almost in a whisper: + +“Carver, you killed my dad. I heard you admit it just a minute ago. +Gonzales and his men may get me, but you won’t be a bit interested in +it, ’cause I’m goin’ to kill you right now.” + +“No!” breathed Carver hoarsely, and the muscles of his face twitched +nervously. “No, you can’t do that, kid.” + +Carver knew in his own heart that this kid was going to make good his +threat, but he wanted to spar for time. + +“I can’t do it?” Dobie’s voice was as thin and vibrant as a +fiddle-string, and the rifle muzzle did not waver a fraction of an +inch. “You think I can’t do it?” + +Carver tried to swallow, but his throat contracted and he grimaced +foolishly. + +“No--no!” he panted. “Think what it----” + +“I’ve thought,” said Dobie flatly. “They brought him home all busted +up, Carver. He never spoke to me again. You ran him down and dragged +him a long ways--but you won’t drag nobody ever again. You----” + +“Dobie!” It was the shrill cry of a child. + +For a fraction of a second Dobie shot a sideways glance in the direction +of the voice, and he saw little Jane Langdon’s tousled head appear above +a pile of blankets in the corner. + +[Illustration: Little Jane Langdon’s tousled head appear above a pile +of blankets in the corner] + +But in that fraction of a second Doc Carver had flung himself headlong +into Dobie and they went backwards into the door, crashing it shut and +sending the rifle spinning across the room. + +Carver was much bigger and stronger than Dobie. He was well versed in +the art of rough-and-tumble fighting and anticipated little trouble in +disposing of Dobie. But that was where he made his fatal mistake--he +underrated his opponent. + +They crashed down against the closing door, shutting it with a bang +that shook the whole house. Dobie squirmed loose and hooked one arm +over the back of Carver’s neck. Carver surged to his hands and knees, +driving Dobie against the wall and trying to tear him loose, but Dobie +clung like a leech. + +Carver swore viciously and threw himself backwards, breaking Dobie’s +hold, and they both got to their feet. Little Jane was watching them, +wide-eyed, and now she called again: + +“Dobie, I want my mama!” + +Carver grinned crookedly and moved in, shoulders hunched and arms +swinging loosely. Dobie did not move, except to balance himself on the +balls of his feet. He had lost his wide hat and his face looked white +and drawn in the yellow light. + +Then Carver darted in and swung viciously at him. Carver was not a +boxer, and Dobie knew just where the blow was due to strike. Almost +without his own volition, he glided aside and swung upward with his +clenched fist. + +Carver’s blow missed him by inches, but Dobie felt his own fist meet +flesh and Carver staggered aside, throwing up his left arm to guard +his damaged face. It was the first time that Dobie had ever hit a +man, and it seemed absurdly simple. It thrilled him to think that he +had been able to tell just where Carver’s blow was to strike, and +that he had been able to drive his own fist so neatly. + +But Carver was not badly hurt. Dobie’s blow had taught him caution, and +this time he was more careful. Instead of trying to land a damaging +blow, he attempted to pin the boy against the wall. But Dobie was +cat-like in his stocking-feet and he danced away from Carver’s rush. + +They came together in the middle of the room and Carver managed to drive +a hard smash to Dobie’s shoulder, but got a bunch of hard knuckles in +his mouth as a receipt. He dropped back, spitting out the remnant of a +tooth. + +“No, yuh don’t!” he gritted, as Dobie circled toward the lamp. “None of +that lamp smashin’!” + +“Huh!” grunted Dobie. “I don’t want it out, Carver. I want plenty of +light to see to lick yuh good.” + +“Yeah?” Carver rushed swiftly, but this time Dobie did not retreat. In +fact, he darted ahead, catching Carver off his balance. They crashed +together, both of them striking wildly, and Dobie got a blow between the +eyes that dazed him for a moment. Luckily for him, one of his ill-timed +blows had caught Carver on the nose, and that worthy was in no condition +to follow up his advantage. + +For several moments they faced each other, both trying to regain their +senses. They were close together, and as Carver jerked his hand away +from his damaged nose, Dobie drove his fist square against it again. It +was not a hard blow, but it seemed to drive Carver wild. + +Mouthing a curse, he sprang for Dobie, reaching for him with both hands, +but Dobie sprang backwards, keeping out of his reach. He was more secure +on his feet than Carver, but it was impossible for him to keep out of +Carver’s reach for long. + +The room was cluttered up with several boxes, piles of blankets, table +and a chair, which only gave them part of the room with a clear floor. + +Carver was breathing heavily now. His nose was so badly damaged that he +was forced to breathe through his mouth, and his curses were fewer now. +Around and around the cleared space they circled. Carver struck wildly +several times, and the effort seemed to tire him. + +He went slower now, keeping to the center of the room and forcing Dobie +to cover the longer distance. Dissipation was telling on Carver. His +recuperative powers were weakened. But Dobie was not tired. The strange +tenseness he had felt at the beginning had left him and he did not fear +Carver now. + +Then he realized that it was only a matter of a few minutes until +Gonzales would come with the soldiers. Carver knew this, too, and he +was willing to prolong the battle. + +Then Dobie assumed the aggressive. He advanced toward Carver, who eyed +him malevolently. He struck a light blow at Carver, who threw up an arm +to block it, but did not attempt to strike back. Dobie drew back and +grinned. + +“Kinda got enough, eh?” + +Carver did not speak. Dobie backed away a little and glanced swiftly +around. Near the door was the rifle, lying across a box. Carver knew +what was in Dobie’s mind. His own gun was on the opposite side of the +door, where it had fallen from its holster, and now he cursed himself +for not using the gun at first instead of trying to subdue this young +wild-cat with his hands. + +Suddenly Dobie made a feint, as though to try and get one of the guns. +Quick as a flash, Carver darted to intercept him. It was what Dobie +knew he would do, and instead of going after the guns he dove sideways +into Carver, knocking him almost into the table. + +And before Carver could realize what had happened, Dobie tore into him +with both hands. Dobie’s first smashing uppercut was the blow that +robbed Carver of any chance to win the battle. It struck fair and true +to the point of the jaw, and Carver sagged at the knees. + +Blindly, wildly, Dobie rained blow after blow to Carver’s head and face. +There was no science, no judging of distance, no objective--nothing but +a smash, smash, smash, with both arms working like flails. + +Dobie was panting, blubbering, half-crying, as he drove Carver backwards +to a pile of blankets, where he caught his heel and went down in a heap +against the wall. + +Dobie caught himself and staggered against the wall, where he stood and +panted the air back into his aching lungs. His arms ached numbly and his +hands were bruised and bleeding. + +But he had whipped a grown man! In a fair fight he had vanquished a +big opponent--knocked him out. The little girl was crying bitterly +from fright, but Dobie only panted and tried to grin at her. + +Then he staggered over and got the two guns. He did not know where +Gonzales and his army were--and did not care just now. Carver was trying +to get to his feet, but he sank back when Dobie prodded him with the +rifle. He was completely whipped; so badly dazed that he did not seem to +know what had happened. + +There were several pack-saddles in the room, and a number of coils of +rope. One of them was made of maguey fiber, a thin, tough rope that has +little tendency to stretch. + +Dobie selected this one and walked over to Carver. + +“Get over on your face,” he ordered hoarsely. Carver gaped at him, but +obeyed. + +Dobie tied the rope tightly above his left elbow, drew Carver’s right +arm across his back and tied that elbow in the same manner. This drew +Carver’s elbows together behind him. Then he threw a half-hitch around +Carver’s neck, and ordered him to get to his feet. + +“Yo’re goin’ to act sweet,” said Dobie softly. “If I yank this maguey +rope tight, you’ll plumb choke to death, Carver. This stuff won’t slip.” + +But Carver did not speak. His swollen face twitched and he groaned with +pain, but he was perfectly helpless to do anything, except hope for the +best. + +The little girl stumbled across the blankets to Dobie. She had not been +harmed in any way and Carver had not even roped her, but there had been +no way for her to have escaped. + +“You take me to my mama?” she asked tearfully. + +“Gosh, I dunno,” admitted Dobie. “It kinda looks like I’d bit off more +than I can chaw.” + +He was examining the articles in the room, while Carver watched him +malevolently. Suddenly it dawned upon Dobie that these things were the +drugs that were to be sent across the border on the following night. + +He began piling them up in the center of the room and Carver watched him +curiously. + +“Whatcha tryin’ to do?” asked Carver thickly. + +“Never mind me,” replied Dobie. He did not know that the monetary value +of that shipment ran into thousands of dollars, and that this was to be +Carver and Gonzales’ big clean-up of the season. He only knew that this +stuff was to be smuggled across the border, stuff that every normal +minded person detested above all things. + +He finished piling the things and turned to Carver. + +“Get upon your feet, hombre; we’re goin’ to travel.” + +“Where do yuh think we’re goin’?” asked Carver sullenly. + +Dobie shook his head. “I dunno. We’re pointin’ away from Verdugo, if +that helps yuh any.” + +Carver tried to grin. “You won’t get far, kid.” + +“Mebbe not, but we’re goin’ to start.” + +Carver got to his feet and tested his bound arms, but found that the +thin rope only drew tighter. There was nothing he could do, except +to obey this kid and pray that Gonzales and his men might not be too +late. Inwardly he promised himself sweet satisfaction, when he did +get this kid in his power. + +Dobie picked little Jane up in his arms. + +“Want to ride?” he grinned. “All right. Turn around, Carver.” + +“What’s the idea?” growled Carver. + +“You packed her here; so yuh can pack her back home. Turn around.” + +Dobie placed Jane on Carver’s back and told her to hang on to his neck. +She was frightened and protested that she did not like that man, but +Dobie assured her that the bad man couldn’t hurt her now and that it was +too far for her to walk. + +“You can’t get away with this, kid,” assured Carver. “They’ll get yuh +when yuh leave here.” + +“I s’pose. But dad used to say that the things we worry about the most +never happen. Get over by the door.” + +Dobie opened the door, but kept the rope looped around his arm, while he +extinguished the lamp. Then he unscrewed the top of the lamp and poured +the kerosene over the pile of drugs. + +“Don’t do that!” roared Carver. “You fool! What are you going to do?” + +Dobie’s reply was to scratch a match and drop it into the bundles. +The oil exploded into flame almost instantly, and a moment later the +valuable lot of drugs was a blazing mass. A cloud of black smoke +billowed out of the door as Dobie drove Carver ahead of him out into +the street. + +“Don’t cha try to yelp,” warned Dobie. “You peep just once and I’ll yank +this loop tight.” + +Some soldiers were coming down from the barracks, and another group were +crossing the street at the east end of town. Dobie drove his man around +the corner toward the hitch-rack. The little girl was game. She clung to +Carver’s neck and braced her knees between his bound elbows. + +There were several horses at the hitch-rack. Dobie untied his buckskin. +The fire had spread rapidly and the seasoned old building burned like +tinder. From across at the cantina came a yelp of alarm, and Dobie knew +that it would only be a short time until all of Verdugo would come to +the fire. + +The horses seemed to sense the danger, especially the buckskin, which +reared and tried to break away. The fire was sending up a billow of +smoke now, and soldiers were running in from every direction. Dobie +looked back toward the cantina and saw Gonzales and three soldiers +coming swiftly toward the corner. + +Quickly he drew his pocket-knife, cut loose all of the horses, and they +galloped away in a group, with the buckskin leading them. Then Dobie +shoved Carver into the narrow alley between the burning building and the +low adobe which joined it. Some of the soldiers had seen the galloping +horses and yelled the information to Gonzales, who ran to the corner. + +“The gringo escaped and took the other horses with him,” panted a +soldier, whom Dobie recognized as being the officer he had captured. + +“Diable!” swore Gonzales. “We’ll never get him now. Back to the fire and +find Carver, if possible. That kid is a devil! Hurry!” + +They ran back into the crowd. Dobie shoved Carver down the narrow alley, +turned to the left at the rear of the adobe building and headed straight +for the line. Behind them the flames of the burning building painted the +sky a glowing red, and Carver cursed weakly. + +[Illustration: Behind them the flames of the burning building painted +the sky red] + +Half-an-hour later Dobie halted Carver. In front of them bulked the dim +shape of an automobile. A spot-light flashed and the beams illuminated a +white sign on the side of the car, which read: + + UNITED STATES REVENUE OFFICERS + +Dobie laughed joyously as he yelled: + +“Get that one-lunged flivver out of my road. I’m smugglin’ the +smuggler.” + +“Dobie!” called Bill Steen. “Is that you, Dobie?” + +“I’m one of us,” he laughed. + +Three flashlights played upon them from different directions, and from +Baldy’s lips came a whoop. + +“He’s got the little girl!” + +They crowded in around him and Bill Steen lifted Jane off Carver’s back. +She was very sleepy and very tired, but she grinned in spite of it. + +“This looks like a feller by the name of Carver,” said Bill Steen +wonderingly. “Kinda looks like he’d spoke out of turn, though. Where +does he come in on this deal, Dobie?” + +“He killed my dad, Bill. I heard him tell it to Gonzales; so I brought +him along.” + +“Gonzales, eh? You been to Verdugo?” + +“Yeah, I--I sure have, Bill.” + +“What’s the big fire yuh can see over there?” asked Baldy. + +“That’s the drug store, Baldy. I’ll betcha there won’t be no drugs +crossing the line for quite a while. I set the whole works on fire. +I’ve lost my horse, but he’ll come home--and probably smuggle a lot +of Mexican horses across with him.” + +“I--I want my mama,” said little Jane. + +“She’s sure lookin’ for yuh, little lady,” said Bill. “We’ll take yuh +home right away,” and then to Dobie, “You took an awful chance in goin’ +to Verdugo, don’t cha know it?” + +Dobie grinned widely in the glare of the flashlights. + +“I suppose I might as well make the best of it,” said Carver, before +Dobie could reply, “so there’s no use kickin’ against what’s comin’ +to me, but I’d just like to inform you bloodhounds that the town of +Verdugo and my friend Gonzales were taking awful chances when they +gave this kid reasons for coming across the border.” + +“Yeah,” admitted Bill seriously; “he’s got the makin’s of a good man.” + +“Good man!” snorted Carver. “He’s got the makings of a whole blasted +army.” + +Five minutes later the flivver spluttered into life and rattled back +over the rutty roads, while far back across the border the red glow +died out of the sky, and a coyote barked snappily. + +It was all in a night’s work. + +----------------------------------------------------------------------- + + Transcriber’s Note + +Transcriber’s Note: This story appeared in the October and November, +1923 issues of Boy’s Life magazine. This story is believed to be in +the public domain in the United States. Please note that copyright +status may differ in other countries. + +*** END OF THE PROJECT GUTENBERG EBOOK 78767 *** |
