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| author | www-data <www-data@mail.pglaf.org> | 2026-05-15 22:57:20 -0700 |
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| committer | www-data <www-data@mail.pglaf.org> | 2026-05-15 22:57:20 -0700 |
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diff --git a/78692-0.txt b/78692-0.txt new file mode 100644 index 0000000..85a59bf --- /dev/null +++ b/78692-0.txt @@ -0,0 +1,3026 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 78692 *** + TRANSCRIBER’S NOTE + + Italic text is denoted by _underscores_. + + Some minor changes to the text are noted at the end of the book. + + + + + GROCERS’ MANUAL: + + CONTAINING + + RECIPES, FORMULAS AND INSTRUCTIONS + + FOR THE MANUFACTURE OF + + BAKING POWDERS, FLAVORING EXTRACTS, + ESSENCES, CONDIMENTS, ETC., + + IN THEIR PURITY, ALSO THEIR IMITATIONS AND + ADULTERATIONS. + + PUBLISHED BY THE + GROCERS’ MANUAL PUBLISHING CO., + CHICAGO, ILL. + + + + + COPYRIGHTED + BY + THE GROCERS’ MANUAL PUBLISHING CO. + CHICAGO. + 1888. + + + + +PREFACE. + + +The object in writing the Grocers’ Manual has been to give a collection +of good recipes, formulas and processes of practical application in +the manufacture of Grocers’ Sundries. The directions and descriptions +have been given in simple language. The technical and scientific are +not used to any extent. Care has been taken that only the best and +latest recipes and best discoveries have been used. In using the +recipes be careful to follow the directions and proportions exactly. +In experimenting use small quantities. If the first trial is not a +success, try again. It will prove that some mistake has been made, as +these formulas have all been practically proven correct. + + + + +CONTENTS. + + + PAGE. + + Alcohol 19 + + Alcohol Substitute 22 + + Almond Candy 53 + + Ammonia Aqua 49 + + Ammonia, Carbonate 13 + + Artificial Flavors 25 + + Arnica Jelly 82 + + Baking Powder 9 + + ” ” Phosphate 12 + + ” ” Tartaric Acid 13 + + ” ” Alum 12 + + ” ” One Spoon 13 + + ” ” Ammonia 13 + + ” ” Cream Tartar 13 + + ” ” Combination Acid 13 + + ” ” To Mix 14 + + ” ” Process of Manufacturing 12 + + ” ” to Pack 14 + + ” ” Mixers 12 + + ” ” Sifters 12 + + Bath Brick 61 + + Bay Rum, artificial 83 + + Bird Seed 40, 41 + + Bird Gravel 41 + + Blacking, Shoe 62 + + Blueing, Laundry 35 + + Blueing to Label 44 + + Bottles, second-hand 39 + + Butter to Purify 59, 60 + + Butter Color 60, 61 + + Caramels 52 + + Carbonate Magnesia 19 + + Castor Oil 39 + + Canning Fruit, etc. 70 + + Candy 50 + + Candy, Nuts and Fruits 52 + + Catsup 57 + + Cement for Crockery, etc. 75 + + Cement, Universal 75 + + Chewing Gum 56 + + Chocolate 90 + + Chocolate, Spanish 91 + + Chocolate Caramels 52 + + Cider, to Preserve 80 + + Cough Syrup 81 + + Corn Starch 15 + + Cocoanut, desiccated 46 + + Cocoanut Candy 53 + + Corn Remedy 84 + + Cream Tartar, to cheapen 80 + + Cream Candy 51 + + Currant Jelly 85 + + Curry Powder 57 + + Dextrine 16 + + Directions for Labeling 45 + + Extracts Flavoring 18 + ” Almond 22 + ” Lemon 21 + ” ” cheap 21 + ” Orange 22 + ” Bitter Almond 22 + ” Rose 22 + ” Nutmeg 23 + ” Cinnamon 23 + ” Sarsaparilla 24 + ” Wintergreen 25 + ” Vanilla Triple 32 + ” Vanillin ” 33 + ” Vanilla Standard 33 + ” Artificial Apple 29 + ” ” Apricot 27 + ” ” Cherry 27, 31 + ” ” Currant 30 + ” ” Grape 29 + ” ” Melon 28 + ” ” Peach 27, 31 + ” ” Pear 29, 31 + ” ” Pine Apple 28, 31 + ” ” Plum 28 + ” ” Raspberry 26, 30 + ” ” Strawberry 27, 31 + ” to pack 34 + + Felt Filter 19 + + Filtering 19 + + Fly Paper, sticky 69 + ” ” Poison 69 + + Flour, Self-raising 14 + + Florida Water 82 + + Fruit Canning, etc. 70 + + Furniture Polish 66 + + Glycerine 39 + + Grocers’ Drugs 81 + + Hair Oil 35 + + Hair Oil, Aromatic Scent 35 + + Hand Grenade 83 + + Hektograph 67 + + Honey, Artificial 55 + + Honey Flavor 32 + + Horse Radish 49 + + Ink, Black 36 + ” Common Black 37 + ” Blue 37 + ” Copying 38 + ” Green 39 + ” Hektograph 68 + ” Purple 38 + ” Red 39 + ” Writing Fluid 38 + ” to Label 44 + + Insect Poison 68 + + Jamaica Ginger 24 + + Jamaica Ginger Ess 25 + + Jellies, etc. 85 + + Jelly, Quince 85 + ” to color 86 + ” to cheapen 86 + ” Hints for Manufacturing 87 + ” Arnica 82 + + Kitchen Soap 75 + + Labeling, directions for 45 + + Lemon Extract, Triple 21 + ” ” Standard 21 + + Marmalade, Fruit 85 + + Maple Candy 52 + + Metal Polishing Paste 66 + + Molasses Candy 53 + + Molasses Taffy 54 + + Mustard, Common 75 + ” English 76 + ” French 76 + ” Frankfort 76 + + Olive Oil 46 + + Oil, Lemon 18 + + Oxalic Acid 41 + + Paste 45 + + Packing Seeds, etc. 42 + + Persian Insect Powder 68 + + Peppermint Essence 24 + + Piccalilli 77 + + Powdered Borax 56 + + Potato Starch 16 + + Quince Jelly 85 + + Rat Poison 85 + + Raspberry Extract 26, 30 + + Red Ink 39 + + Rancid Butter to purify 60 + + Rose Extract 22 + + Salad Dressing 89 + + Sewing Machine Oil 39 + + Shoe Polish 62 + ” Blacking 62 + ” Dressing, Ladies’ 63 + + Sifters 12 + + Soda Water Syrup 80 + + Sozodont 84 + + Soap Stone 17 + + Starch 15, 16 + ” Prepared 16 + ” Laundry 17 + ” Lustrine 17 + ” Liquid Gloss 18 + ” Packing 17 + + Stove Polish, Cake 64 + ” ” Paste 65 + ” ” Liquid 65 + + Sugar Candy 52 + ” Taffy 54 + + Spices 79 + + Spice Mills, to clean 80 + + Spiced Vinegar 77 + + Talc 17 + + Tin and Metal Polish 61 + + Vanilla 32, 33 + + Vinegar 77, 78 + + Waxed Paper 66 + + Waterproof Blacking 64 + + Whiting 91 + + Worcestershire Sauce 58 + ” ” imitation 59 + + Yeast 87 + ” Dry Hop 1 87 + ” ” ” 2 88 + + + + +GROCERS’ MANUAL. + + + + +BAKING POWDER. + + +There are many ways to make good baking powder, and none are bad, +notwithstanding what is said about the unhealthfulness of certain kinds +by several large manufacturers, who find fault with all but those +made by themselves. The writer of this, after years of experience in +the manufacture, has yet to find an unhealthful baking powder. Even +should the powder be compounded wrongly, none of all the materials +used in its manufacture, are injurious at all, after being baked. +Heat and water chemically change the different ingredients excepting +the filler, which, being either corn starch, potato, wheat or rice +flour, are certainly not injurious. All baking powders generate the +same kind of gas, namely—carbonic acid gas. This is the leavening +power in the dough, being distributed through the flour in minute +particles as baking powder in the dry state. After wetting the mass +the generation of the gas begins, causing the dough to swell, in which +state it must be baked before the gas escapes. Cream of tartar and +soda baking powder generate carbonic acid gas when dampened and leaves +a residue, not cream of tartar or soda, for these have been changed +by the combustion caused by the moisture, but the residue is Rochelle +salts. Alum and soda baking powder generates the same gas, and where +the quality is of the best, a little more of it. The residue in this +case is neither alum nor soda, but a small amount of Glauber’s salts. +The quantity of these salts is so small that to get enough to make +one dose for medicine, a man would have to consume at one meal over a +peck of biscuits. The baking powder that is to be the future powder of +the world [and is to a great extent of the present] is a combination +of alum, soda and acid phosphate. Alum and soda, though being the +strongest, is apt when used in stiff dough, on account of insufficient +moisture being used, or too much powder to the amount of flour, to +cause a bitter taste. This is owing to incomplete combustion. The +phosphate being the purest of all materials [leaving the least residue] +loses its strength when brought into great contact with soda, which it +must be when used by itself, as it requires two pounds to one pound of +soda, consequently leaving very little room for the filler to keep it +cool. + +This formula is recommended above all others. It is cheap, strong +from the alum, steady also from the alum, as it only releases its gas +entirely when exposed to the heat of the oven. Quick rising, from +the prompt elimination of the gas by the phosphates, which has also +a neutralizing effect, when too much powder is used, or too little +moisture employed in mixing. + +The _Filler_. (If starch) should be the chemical corn starch, powdered. +It can be had of any starch manufacturer, in one or more barrel lots. +It is the same that is sold in one pound packages, and known as corn +starch. It should be sifted into the mixer first. + +The _Sifter_. All the material should be sifted through a No. 24 to 50 +mesh sieve to reduce all the ingredients to the same fineness. + +The _Mixer_. For small quantities a drum or barrel churn can be used, +if a regular mixer is not to be had. + +The _Soda_ should not be left standing after sifting, as it cakes very +quickly. Sift into the starch, and if not ready to place in the other +ingredients, mix it with the starch, when it can be left standing +indefinitely. + + +PHOSPHATE COMBINATION BAKING POWDER. + + Filler 60 lbs. + Soda Bicarbonate 30 ” + Cream Tartar substitute [alum] 20 ” + Phosphate 20 ” + +_Process._ Sift your filler into the mixer, then sift in the soda, C. +T. S. and phosphate in succession. If a churn is used, fasten the head +securely, and revolve it slowly for fifteen minutes, when the powder +will be finished. + +_Sifters and Mixers._ There have been patented several combined +machines for this purpose. The best, and indeed a good machine is the +Hunter Sifter and Mixer. Never fill the mixer over half full. If more +is put in, the mixing is liable to be defective. + + +ALUM BAKING POWDER. + + Cream Tartar substitute 30 Pounds. + Soda Bicarbonate 30 ” + Filler 60 ” + +Proceed as above. + +To adulterate or cheapen cost on this, Terra Alba is used by mixing it +in place of starch or flour filler, but not over 12 per cent. of the +entire amount; it is an adulteration of the filler. + + +ONE SPOON BAKING POWDER. + +Same as above except in filler, only twenty-five pounds being used. + + +TARTARIC ACID BAKING POWDER. + + Filler 75 Pounds. + Bicarbonate Soda 75 ” + Tartaric Acid 50 ” + +Proceed as on page 12. + + +AMMONIA BAKING POWDER. + + Filler 20 Pounds. + Bicarbonate Soda 15 ” + Tartaric Acid 5 ” + Sesquicarbonate of Ammonia 3¾ ” + +Proceed as on page 12. + + +PURE CREAM TARTAR BAKING POWDER. + + Filler 15 Pounds. + Bicarbonate Soda 10 ” + Cream Tartar Pure 20 ” + +Proceed as on page 12. + + +COMBINATION ACID BAKING POWDER. + + Filler 80 Pounds. + Cream Tartar 40 ” + Tartaric Acid 40 ” + Bicarbonate Soda 80 ” + +Proceed as on page 12. + + +INSTRUCTIONS FOR MIXING BAKING POWDER, STARCH, SELF-RAISING FLOUR, ETC. + +A good mixer for new beginners and those doing a small business, is a +five to twenty gallon tumbling drum churn, with a large mouth and good +fitting lid. Never fill it over half full; when the proportions for the +mixer are too large reduce them to fit. Turn mixer over slowly; one +hundred and fifty times will mix sufficiently. + + +HOW TO PACK BAKING POWDER. + +Baking Powder is packed in tin usually. In fact, any powder but the +clear alum powder will not keep very long without it is packed in tin +cans and carefully labeled to keep the air and dampness from entering +at the seams and joints. Always pack full weight. If bulk baking powder +is wanted where it will not be sold rapidly, always give the Alum +Baking Powder, or the One Spoon Alum Powder. + + +SELF-RAISING WHEAT FLOUR. + + Wheat Flour 196 Pounds. + Phosphate 5¾ ” + Bicarbonate Soda 2½ ” + Fine salt 2 ” + +Proceed as on page 12, but must be mixed longer. + +_Directions._—Mix with cold water or milk, and bake on a hot griddle at +once. + + +SELF-RAISING BUCKWHEAT FLOUR. + + Wheat Middlings or Shorts 60 Pounds. + Phosphate 7½ ” + Bicarbonate of Soda 3⅓ ” + Salt 2 ” + Buckwheat flour 140 ” + +Proceed as on page 12. Buckwheat being a heavier flour requires more of +the ærating material than wheat flour. Directions for use same as for +Self-Raising Wheat Flour. + + +STARCH. + +CORN STARCH.—There are two kinds of corn starch used in the manufacture +of sundries, chemicaled and unchemicaled. The former is called +sometimes sweet starch, the latter, sour starch. The first only should +be used for corn starch in packages, for lump starch in packages and +bulk, and for Baking Powder filler. It is not quite as white, having +generally a slight yellowish cast, and is not subject to climatic +changes to the extent that the other is; the unchemicaled starch +is better adapted for general laundry purposes, and is used almost +exclusively by the large steam laundries. It is whiter and more nearly +resembles wheat starch in its results, but liable at all times without +being mixed with some other substance, to get a sour and musty smell +with age. + +WHEAT STARCH is the whitest, and contains the most stiffening of any of +the starches. Is used principally in preparing new linen products for +the market. + +POTATO STARCH, is as its name indicates, made from potatoes. Can be +used for all purposes that other starches are used for, but is used +principally for food. + +DEXTRINE.—It is manufactured from Potato Starch, and is a substitute +for gum arabic which it resembles in its results. The yellow Dextrine +is used for making mucilage and gumming envelopes. The white Dextrine +only must be used in starch. + +PREPARED LAUNDRY STARCH.—A recent invention. + + Wheat Starch 50 Pounds. + Unchemicaled Corn Starch 35 ” + Powdered Borax 15 ” + +Sift and mix as on page 12. + +LAUNDRY STARCH, POWDERED.—A cheaper article, and much used. + + Unchemicaled Corn Starch 70 Pounds. + Powdered Borax 7 ” + White Dextrine 8 ” + Wheat Starch 5 ” + Powdered Soapstone (Talc) 10 ” + +The Talc, being of a soapy or slippery nature, assists in ironing. The +first two articles alone make a good starch; it is much superior to the +old starching process. + +STARCH PACKING.—Corn Starch for food is packed, one pound in package, +40 to a case. Prepared Laundry is packed 12 ozs. to a package, and from +40 to 64 in a case; as it goes farther in starching than the old way, +none can find fault with the short pound, besides it can be sold at a +round price adjusting profits satisfactorily to all concerned. + + +STARCH LUSTRINE. + + Spermaceti 1¾ ozs. + Gum Arabic 1¾ ” + Borax 1¾ ” + Glycerine 4½ ” + Rain water 1½ pts. + +Flavor to suit. + +This mixture can be used either with or without starch. If with starch, +add 1 spoonful of this to 1⅛ ozs. of boiling starch. + + +LIQUID STARCH GLOSS. + + Borax solution 2 parts + Pulverized Bleached Shellac 1 part + +Water sufficient; mix and digest; is also a good varnish for maps, +labels, etc. + + +FLAVORING EXTRACTS. + +Their Manufacture, Etc. + +WATER BATH (a glue pot is a water bath).—Take a kettle or pail large +enough to hold another pail, kettle or jug inside of it, leaving an +inch or more space all around it. Place in the bottom about one inch of +coarse gravel. Put in water sufficient and place it over a slow fire, +then set the vessel and contents to be digested into this. If a bottle +or jug, remove the cork. Care should be taken not to let extracts boil. +Alcohol in the mass will boil at a lower temperature than if there was +no alcohol in it. + +OIL LEMON and other essential oils should always be fresh. Old Oil +Lemon in extracts produces a turpentine flavor and taste. + +ALCOHOL.—Should be the best to be had. Deodorized alcohol is preferable +in all cases. It can be bought at all distilleries and rectifying +houses, and also at all wholesale drug houses. + +MAGNESIA CARBONATE is a very necessary help in reducing the oils. Mix +the oil and a small amount of alcohol together, then crush magnesia +into it in a mortar until a thin, paste-like substance is the result. +It cuts the oil into more minute particles than if alcohol alone is +used. + + +FILTERING. + +Use a funnel for ordinary work and druggists’ filtering paper; fold +the paper together so it will fit to the shape of the funnel, set the +funnel into a clean jar or bottle, pour in the material. If lemon is +cloudy let stand a day or two when it will clear of its own accord. If +not clear enough in one filtering filter again. + +FELT BAG FILTER is used for cheap extracts where quantity and not +quality is desired. Should have one for each flavor. They are used in a +funnel in place of the paper. + +ARTIFICIAL FLAVORS should not be filtered. If it can be avoided, filter +the alcohol and water beforehand if needed, the ethers are so volatile +that the strength will evaporate if exposed to the air. + + +TRIPLE EXTRACT LEMON. + + Fresh Oil Lemon 16 ozs. + Pure Alcohol 13½ pts. + Distilled water or Rain water 2½ ” + +Mix one pint of alcohol and the oil together, then triturate in a +mortar with magnesia enough to thoroughly cut the whole and incorporate +it into a thin paste. Pour on it a quart of alcohol, place it in a +bottle, cork tight, and let digest for forty-eight hours. Mix the +balance of the alcohol and the water together. Have the water warm, +shake them well and add it to the original mass, color with Yellow +Aniline, filter through paper. If time is brief instead of letting +stand forty-eight hours, it can be given the hot water bath for three +or four hours; not quite to the boiling point will do as well. The +magnesia can be saved to use again. + + +MERCANTILE TRIPLE EXTRACT LEMON. + + Fresh Oil Lemon 8 ozs. + Alcohol 3 qts. + Soft Water (warmed) 1 qt. + +Mix the Oil Lemon and 1 quart of alcohol together, let stand two days, +or digest in water bath three or four hours. Mix the warm water and +balance of the alcohol together, then add to the original. Color with +Yellow Aniline. Filter. When not in water bath all extracts should be +kept corked tight. + + +STANDARD LEMON EXTRACT. + + Fresh Oil Lemon 2 lbs. + Warm Soft Water 4 gals. + Alcohol 10 ” + +Mix the Lemon Oil and 3 gallons of alcohol well together by shaking, +let stand two days, or four hours in hot bath. Mix the warm water and +six gallons of alcohol together, add to the original, shake well, and +add the remaining one gallon alcohol. Color with Aniline Yellow to +suit; filter in felt bag while warm, if possible. + + +WHOLESALE GROCERY STANDARD LEMON. + + Oil Lemon 20 ozs. + Alcohol 14 gals. + Soft Water 6 ” + +Triturate in a mortar the Oil Lemon, a little alcohol and magnesia +sufficient. Digest in hot bath, then add the balance of alcohol and +water. Proceed as in above. + + +ALCOHOL SUBSTITUTE. + +Wood alcohol is used by some manufacturers of cheap extracts in +place of pure alcohol. We would advise that it be not used, as it is +dangerous. + + +TRIPLE ORANGE EXTRACT. + + Bitter Oil Orange 4 ozs. + Alcohol 5½ pts. + Warm Soft Water 2½ ” + +Proceed as in Lemon Extract. Color with Yellow Aniline. + + +EXTRACT BITTER ALMOND. + + Oil Bitter Almonds 12 ozs. + Alcohol 5½ pts. + Water 2½ ” + +Be careful in handling this; oil bitter almonds is poisonous in its +pure state. Proceed as in Lemon Extract. No color. + + +EXTRACT ROSE. + + Oil Rose 1 oz. + Alcohol 5½ pts. + Water 2½ ” + +Color with Carmine. Proceed as in Lemon Extract. + + +EXTRACT OF NUTMEG. + + Oil Nutmeg 2 drs. + Powdered Mace 1 oz. + Alcohol 1 qt. + +Mix the whole together; let it macerate for twenty-four hours or more, +then filter. + + +EXTRACT CINNAMON. + + Alcohol 10 gals. + Oil Cassia 8 oz. + True Oil Cinnamon 2 ” + Warm water 5 gals. + +Proceed as in Lemon. Color to suit, with burnt sugar and red sandal. + + +EXTRACT CINNAMON NO. 2. + + Oil Cinnamon 2 drs. + Alcohol 1 pt. + Water 1 ” + Powdered Cinnamon 4 ozs. + +Dissolve the oil in 1 pint alcohol, add gradually 1 pint water, +stirring constantly. Stir in the powdered cinnamon; agitate often for +one day, filter through paper. + + +EXTRACT SARSAPARILLA. + + Alcohol 1 gal. + Oil of Sassafras ¾ oz. + Oil of Wintergreen ¾ ” + Warm water ½ gal. + +Mix the alcohol and oils; let stand one day, then add the warm water. +Color to suit, with caramel. + + +ESSENCE PEPPERMINT. + + Alcohol 12 ozs. + Water 8 ” + Oil Peppermint 1 ” + Peppermint Herbs ¼ ” + +Mix the herbs and 4 ozs. alcohol and the oil together; let stand +twenty-four hours. Mix the water and alcohol, then add the whole +together, let stand twenty-four hours and filter. + + +STRONG JAMAICA GINGER. + + Jamaica Ginger 12 lbs. + Rectified Spirit 2½ gals. + +Bruise the unbleached ginger and place in the spirit; let it digest for +two weeks. Strain it well, then reduce the essence by distillation to +one gallon. Let cool and filter. + + +ESSENCE JAMAICA GINGER. + + Jamaica Ginger 6 ozs. + Mace ½ oz. + Oil Lemon 1 dr. + Grains of Paradise 1 oz. + Alcohol 20 ozs. + +Reduce the drugs to a coarse powder. Mix the oil of lemon and alcohol; +then pour it on the drugs; let it stand for one day or more, then +filter. + + +EXTRACT OF WINTERGREEN. + + Alcohol 1 gal. + Warm water ½ ” + Oil Wintergreen 1¾ ozs. + +Mix all together; let stand twenty-four hours; filter; color with red +aniline. + + +ARTIFICIAL FLAVORS. + + (_American Pharmacist._) + +The numbers in acids refer to a cold concentrated solution of the acid +in alcohol entirely free from fusel oil, and of a specific gravity of +83 degrees. + +These flavors are of the highest concentration. + + +RASPBERRY. + + Ethyl Nitrate 1 Part. + ” Acetate 5 ” + ” Formate 1 ” + ” Butyrate 1 ” + ” Benzoate 1 ” + ” Œnanthylate 1 ” + ” Sebate 1 ” + Methyl Salicylate 1 ” + Amyl Acetate 1 ” + ” Butyrate 1 ” + Tartaric Acid 5 ” + Succinic Acid 5 ” + Glycerine 4 ” + Aldehyde 1 ” + Alcohol 100 ” + +Mix all together. + + +STRAWBERRY. + + Ethyl Nitrate 1 Part. + ” Acetate 3 ” + ” Formate 1 ” + ” Butyrate 5 ” + Methyl Salicylate 1 ” + Amyl Acetate 1 ” + ” Butyrate 2 ” + Glycerine 2 ” + Alcohol 100 ” + + +PEACH. + + Ethyl Acetate 5 Parts + ” Formate 5 ” + ” Butyrate 5 ” + ” Sebate 1 ” + Glycerine 2 ” + Aldehyde 2 ” + Amyl Alcohol 2 ” + Alcohol 100 ” + + +CHERRY. + + Ethyl Acetate 5 Parts + ” Benzoate 5 ” + Œnanthylate 1 ” + Glycerine 10 ” + Benzoic Acid 1 ” + Alcohol 100 ” + + +APRICOT. + + Ethyl Butyrate 10 Parts + Œnanthylate 1 ” + Amyl Butyrate 1 ” + Glycerine 4 ” + Amyl Alcohol 2 ” + Chloroform 1 ” + Ethyl Valeriate 5 ” + Alcohol 100 ” + + +PLUM. + + Ethyl Acetate 5 Parts + ” Formate 1 ” + ” Butyrate 2 ” + ” Œnanthylate 4 ” + Glycerine 8 ” + Aldehyde 5 ” + Alcohol 100 ” + + +PINEAPPLE. + + Ethyl Butyrate 5 Parts + Amyl Butyrate 10 ” + Glycerine 3 ” + Aldehyde 1 ” + Chloroform 1 ” + Alcohol 100 ” + + +MELON. + + Ethyl Formate 1 Part + ” Butyrate 4 ” + ” Sebate 10 ” + Glycerine 3 ” + Aldehyde 2 ” + Ethyl Valeriate 5 ” + Alcohol 100 ” + + +APPLE. + + Ethyl Nitrate 1 Part + Glycerine 4 ” + Aldehyde 2 ” + Chloroform 1 ” + Ethyl Acetate 1 ” + Amyl Valeriate 10 ” + Oxalic Acid 1 ” + Alcohol 100 ” + + +GRAPE. + + Ethyl Formate 2 Parts + ” Œnanthylate 10 ” + Methyl Salicylate 1 ” + Tartaric Acid 5 ” + Succinic Acid 3 ” + Glycerine 10 ” + Aldehyde 1 ” + Chloroform 2 ” + Alcohol 100 ” + + +PEAR. + + Amyl Acetate 10 Parts + Glycerine 10 ” + Benzoic Acid 1 ” + Ethyl Acetate 5 ” + Alcohol 100 ” + + +CURRANT. + + Ethyl Benzoate 1 Part + ” Œnanthylate 1 ” + Tartaric Acid 5 ” + Succinic Acid 1 ” + Aldehyde 1 ” + Benzoic Acid 1 ” + Ethyl Acetate 5 ” + Alcohol 100 ” + +As these are all of very great strength, they can be reduced, +especially if for commercial purposes, by adding from 20 to 40 parts of +warm water. Color to suit. + +The following extracts are made by using the compound ether instead of +the several different ethers used in the preceding formulas. + +Any one handling the ethers in their pure state, can furnish them +compounded ready for use, as follows: + +RASPBERRY. + + Alcohol 100 Parts + Glycerine 4 ” + Raspberry Ether 15 ” + Tartaric Acid 5 ” + Succinic Acid 5 ” + +Warm water sufficient. Color with Red Aniline. + + +STRAWBERRY. + + Alcohol 100 Parts + Glycerine 2 ” + Strawberry Ether 14 ” + Warm water sufficient. Color with Red Aniline. + + +PEACH. + + Alcohol 100 Parts + Glycerine 2 ” + Peach Ether 20 ” + Water to suit. Color with Burnt Sugar. + + +CHERRY. + + Alcohol 100 Parts + Glycerine 10 ” + Cherry Ether 12 ” + Water to suit. + + +PINEAPPLE. + + Alcohol 100 Parts + Glycerine 3 ” + Pineapple Ether 17 ” + Water to suit. + + +PEAR. + + Alcohol 100 Parts + Glycerine 10 ” + Pear Ether 16 ” + +Water to suit. + + +ARTIFICIAL HONEY FLAVOR. + + Jamaica Ginger 1 oz. + Alcohol 1 pt. + Attar Roses 7 drops. + +Shake well; let stand four to eight days. If in hurry, digest in hot +bath. + + +VANILLA EXTRACT—TRIPLE STRENGTH. + + New Vanilla Beans, 6 to 8 inches long. 10 ozs. + Sugar 1 lb. + Alcohol 1½ qts. + Warm Water 2½ ” + +Split the beans from end to end, then cut them crosswise into short +strips ¼ to ½ inch long; dissolve the sugar in the water to a syrup; +add to this the alcohol, mix well. Pour this on the chopped beans that +have been placed in a jug or bottle. Cork tight and let stand for two +weeks or longer to macerate, shaking it frequently in meantime. Draw +off and filter as needed; use the old mass in next new batch made; +never throw away the dregs. + +If in a hurry this can be digested in a few hours by immersion in the +hot water bath. + + +TRIPLE EXTRACT VANILLA. + +(FROM VANILLIN.) + + Alcohol 1 Gal. + Vanillin 1 Oz. + Water 2 Gals. + Sugar 3 Lbs. + Burnt Sugar (Caramel) sufficient to color. + +Dissolve the Vanillin in the Alcohol, dissolve the sugar in ½ gallon of +the water by heating the water; pour in the balance of the water, then +mix the whole thoroughly by agitation for five minutes. Add the color. +Filter through paper. + +If for confectioners’ use, leave out the coloring. + +VANILLIN is a concentrated Extract of Vanilla Beans, and is recommended +on account of its simplicity and prompt action—saving time in +manufacturing. However, the longer it is left standing the better it +gets, but it can be used at once after mixing. + + +STANDARD VANILLA. + +(SO CALLED.) + + Alcohol 1½ Qts. + Water 2½ ” + Tonqua Beans ½ lb. + +Cut the beans up fine. Mix all together in a jug or bottle; cork tight; +let stand for two or more weeks, shaking occasionally. Color with burnt +sugar. + +This can be made sooner by using the hot water bath. A little genuine +vanilla added to this is lost, but some of this Tonqua Extract added to +Vanilla, is preferred by some. + + +TO PACK EXTRACTS. + +Triple extracts are put up in full weight bottles. Standard extracts +are put up in short weight bottles. Thus: + + 2 oz. panel holds really only 1 oz. to 1½ oz. + 4 ” ” ” ” ” 2 to 3 oz. + 8 ” ” ” ” ” full measure. + 16 ” ” ” ” ” full measure. + +Small bottles can be best filled by placing them in rows on a pan or +large plate (to catch the waste or overflow) in 2 or 3 doz. lots. Use a +soft one-fourth inch rubber tube as a siphon, setting the bulk on a box +or shelf a few inches higher than the table you are working on. + +This can also be done to good advantage when filling blueing, sweet +oil, or any other liquids. Any second-hand bottle cleaned thoroughly +can be used for blueing. + + +HAIR OIL. + + Olive Oil ½ gal. + Oil Roses 1 dr. + Alcohol 5 ozs. + +To color tie a small portion of Alkanet Root in a thin muslin bag, let +it lie in the oil until it is colored to suit. + + +HAIR OIL—AROMATIC SCENT. + + Cotton Seed Oil 2½ gals. + Oil Cloves ⅔ ozs. + ” Thyme ⅓ ” + ” Lavender 2 ” + +Mix. No color. + + +LIQUID BLUEING. + + Soluble Blue 8 lbs. + Oxalic Acid 2 ” + +Mix the blueing and acid together in a tub with about five gallons of +boiling water, stir it until it is well dissolved, add from ten to +twenty gallons more of hot water. Keep stirring. Turn a hose into a +barrel sitting on end with a spigot at lower edge over the tub, let +it open, and dip the blueing from the tub into the barrel and keep it +going constantly until both barrel and tub is filled and well mixed. +This will make about 75 gallons of blueing; let it settle before +drawing off. + + +INKS. + +BLACK INK. + + Extract Logwood 1 oz. + Soft Water 2 qts. + Prussiate Potash 20 grs. + Bichromate Potash 20 ” + +Dissolve the extract of logwood in the one-half gallon of water. Have +it boiling, add the potash. + + +FINE BLACK INK. + +12 Pounds Aleppo Nut Galls Bruised, boil in 6 gallons of water for one +hour. Use a copper vessel, adding water to make up for the portion +lost by evaporation. Strain and again boil the same galls in 4 more +gallons of water for one-half hour, strain off this liquor also, and +boil a third time with 2½ gallons of water and strain; mix the several +liquors, and while still hot add 4 pounds Green Copperas coarsely +powdered, also, add 3½ pounds gum Arabic bruised; agitate until +dissolved, strain through hair sieve, keep it in tight bunged keg. This +will produce 12 gallons. + + +COMMON BLACK INK. + + Bruised Galls 1 lb. + Logwood 2 ” + Common Gum ¾ ” + Green Copperas ½ ” + Water 5 gals. + +Boil all together one and one-half hours, strain, and bottle. + + +BLUE WRITING FLUID NO. 1. + +Dissolve basic or soluble Prussian Blue in pure water. This is the most +permanent and beautiful ink known. It is not affected by the addition +of alcohol, but is immediately precipitated saline matter. + + +BLUE WRITING FLUID NO. 2. + + Pure Prussian Blue 6 Parts. + Oxalic Acid 1 ” + Water sufficient. + +Triturate in a mortar the blue and acid with a little water to a smooth +paste. + +Dilute with water sufficient to make an easy flowing fluid. + + +COPYING INK. + + Any Ordinary Ink 100 parts. + Glycerine 1 ” + +Shake thoroughly. + +Sugar is sometimes used in place of the Glycerine, but it is not as +good. + + +FINER WRITING FLUID. + +Dissolve Ceruleao Sulphate of Potassa or Ammonia (soluble indigo) in +hot water, and when cold decant the clear. It is an intense blue and +dries nearly black, is perfectly incorrosive, and very permanent and +easy flowing. It may be thickened with gum water or diluted with pure +rain water, as required. + + +PURPLE INK. + +Infuse 12 pounds Campeachy Logwood in 12 gallons boiling water. Provide +a funnel at the bottom of which a sponge has been placed. Pour the +infusion through a strainer made of coarse flannel into the funnel, +and thence on to 1 pound hydrate or acetate of copper (verdigris) then +add immediately 14 pounds alum, and for each 17 gallons of the liquid, +add 4 pounds of gum Arabic. Let these remain three or four days, and a +beautiful purple will be produced. + + +GREEN INK. + +Boil 2 parts or pounds acetate of copper and 1 pound bitartrate potassa +in 1 gallon of water until the solution is reduced to one-half the +bulk. Filter through a cloth and when cool, bottle. + + +RED INK. + +Cochineal in powder 1 ounce, and hot water one-half pint. Digest, and +when quite cold add 1 ounce liquor of ammonia and dilute with 3 or 4 +ounces of water. Let stand 4 or 5 days, and decant the clear. + + +SECOND HAND BOTTLES. + +By cleaning second-hand bottles gathered anywhere and everywhere, they +are as good as new for blueing. A grocer using such, and when selling +them tell parties buying the blue, that a couple of cents will be paid +on return of pint bottles, will always have supply enough. + + +CASTOR OIL, GLYCERINE, AND SEWING MACHINE OIL. + +These can be bought in bulk and bottled, or sold in bulk by using a +druggist’s graduating glass; over 100 per cent. profit can be realized +without charging more than your competitors for them. + + +BIRD SEED No. 1. + + Sicily Canary Seed 70 lbs. + Hungarian Millet Seed 20 ” + German Rape Seed 10 ” + +Clean and mix thoroughly; should hemp seed be desired do not mix it +with the other seeds, but place one ounce of it in a small bag or +envelope inside the package, then fill into the package the above +mixture until it weighs one pound net weight; a piece of cuttlefish +bone one inch long, placed in it, also makes the combination the very +best. + +Birds prefer the Hemp Seed to all others, and in seeking for it when +mixed with the whole, they waste the other seeds by throwing them out +of the cups; by separate packages the hemp seed can be fed as desired +in separate cups. + +Too much hemp seed is not good for song birds. Some bird fanciers +discard it entirely. + + +GOOD BIRD SEED. + + Canary Seed 60 lbs. + Millet ” 20 ” + Hemp ” 10 ” + Rape ” 10 ” + +Clean, mix and pack. + + +WHOLESALE GROCERY GRADE. + + Canary Seed 40 to 75 lbs. + Millet ” 30 ” + Hemp ” 25 ” + Rape ” 5 ” + +The Hemp and Millet can be varied as to quantity, due regard being +given to the market price of each, or in fact any of the seeds; there +are much poorer combinations than this packed, yet people wonder why +their songsters cease to sing and die, and the retail grocers are +astonished at the way the package bird seed trade has declined. + +Parties packing good grades will always succeed in the end. This is +applicable to all kinds of goods. + +BIRD GRAVEL is gathered on sand bars or gravel bars along creeks, +rivers, etc. Sift through sieve to exclude the larger pieces of stone +and gravel, then sift through a finer sieve to allow the sand to +escape. Packed about 2½ pounds to package. + + +OXALIC ACID. + +Buy in bulk; pulverize to suit. Pack in wooden ointment boxes marked +with skull and crossbones, or word poison on package. + + +TO PACK SEEDS, FARINACEOUS FOODS, ETC. IN PASTEBOARD PACKAGES. + +First determine what shape you want to put your goods up in, how high a +package, how wide and how deep. You then order from any paper box maker +the shells the size you want. + +He will also furnish you with the tops, bottoms, and the square sheets +of manilla paper for the caps. The box maker will send you the shells, +scored on the four corners, lapped and glued together; you then need +a form. It is a block of wood that will fit loosely inside the shell. +Take a piece of board, say one foot long and six inches wide; attach +the block in an upright position on the middle of the board by driving +a couple nails into it from the under side of the board. Open the shell +and pass it over the block. + +Now this block must be just the thickness of pasteboard, shorter than +the shell; before you push the shell clear down over the block, take +one of the ends and place it inside the shell down on the block; then +shove the shell all the way down, thereby bringing the top of the shell +just even with the top of the pasteboard end. You then prepare your +caps which have a margin over the net size of the top of one-half +inch all around. Take the dry cap, put some thin paste on it; lay +another cap on that, paste it, and lay another until you have about +fifty pasted on both sides, then turn the pile of them over. Put some +fresh paste on the first one before picking it up, then lay the fresh +side down on the top of the shell, turn down the sides and crease in +at ends, then fasten the ends down by rubbing over it gently with the +hand. Remove the shell from the block and repeat the performance on the +balance. Let your shells get well dried. + +The object in placing paste on both sides of the caps is to saturate +them so as to work easy and pliable, and also to strengthen and stiffen +when dry. + +After your shells have dried sufficiently, weigh in your goods, clean +off all flour or other material that should adhere to the outside of +the shell. Lay the pasteboard end on top of the material or filling, +then proceed as in making the shell with the caps; after the caps are +pasted on, turn the package upside down; the weight of material inside +will force the end against the cap. When dry, label as per Instructions +for Labeling. + + +LABELING CANS. + +Paste your labels with thin paste. Fold each one together, pasted sides +in. Without you are an expert do not paste more than half a dozen. When +ready to label turn the pile of them over so as to use from the bottom, +or those first pasted. The pasting of half a dozen or more allows them +to get well moistened before using. When placed on the cans or packages +in their moist state, there will be no wrinkles when they have dried. +After labeling, stand the packages on top of each other to height of +three or four packages. Do not place them close together, but so that +air can circulate between them. + + +TO LABEL INK, BLUEING, EXTRACT AND OIL BOTTLES. + +Paste evenly a board a foot or more square, with thin paste. Then take +the labels you wish to use and lay them backs down on the paste. After +you have laid out, say a couple dozen, take a piece of paper, newspaper +will do, and cover the whole, then press them down by rubbing your +hand over the paper. This is the dampening process for small labels. +Commence with the first label laid down to label the bottle, and +continue in order; first pasted, first used. + + +DIRECTIONS FOR LABELING. + +Apply the paste to back of labels, with a wide brush. Fold the labels +(the pasted surfaces together), and let them lie about one minute, +which will give the proper time to absorb a portion of the moisture. +Then commence with the first one pasted, and rub down smooth with a +stiff brush or handful of cloth. + +Labels should be kept in a cool, dry place, standing on their edges. +Never lay them down flat. + + +PASTE. + +For a good paste that will neither decay nor become moldy, mix clean +flour with cold water into a paste well blended, then add boiling water +and boil, stirring constantly to keep from burning, stirring well up +until it is of a consistency that can be easily and smoothly spread +with a brush; add to this a spoonful or two of powdered alum, to keep +it from becoming sour or spoiling. + + +FLOUR PASTE. + +The best paste for general purposes is simply wheat flour beaten into +cold water to perfect smoothness, and the whole just brought to a boil, +while being constantly stirred to prevent burning. The addition of a +few drops of creosote, or a few grains of corrosive sublimate, or a +little carbolic acid, or bisulphite of lime (especially the first and +second), will prevent insects from attacking it, and preserve it (in +covered vessels) for years. Should it get too hard it may be softened +with water. + + + + +OLIVE OIL. + + +The oil generally used for this purpose is a refined grade of +cottonseed oil (the stearine or fat being removed from the crude or +fresh oil.) It can be bought of any good wholesale oil dealers. It is +put up in bottles called pints, holding in reality only 10 ozs.; in +half pints, holding 5 ozs. Put on a foreign sounding label (carried in +stock by label houses). Pasting an inch and a half of tin foil around +the cork and neck completes the job. + +This oil is both as pure and strong as the genuine olive oil, and much +cheaper. Olive oil pure is almost impossible to buy at any price. + + + + +DESICCATED COCOANUT. + + +“No, sir, we don’t make cocoanuts,” said a member of a firm whose sign +read, “Cocoanut Manufacturing Company,” in response to an inquiry +of a reporter for _The New York Mail and Express_. “What we do is to +prepare cocoanut for confectioners, bakers and families, to be used +for pies and pastry. The nuts are brought here by the vessel-load, +some ships bringing as many as 400,000 in one cargo. They are put +up in bags of one hundred each. The average weight of the green nut +is one and one-half pounds. The best are those thickest in meat and +richest in natural oil and sugar. They come from San Blas, Cow Island, +San Andreas, Ruatans, Jamaica, and Baracoa. They grow on the islands +of the Caribbean Sea, and the trees are so planted that the roots are +constantly washed with salt water. The nuts are not picked from the +tree, but fall to the ground when ripe because of the decay of the +stems. When the husk is taken off they are ready for shipping. The +perishable nature of the green nut has made desiccated cocoanut more +desirable in the market, and this is the article we manufacture and +sell.” + +“What is the operation?” + +“The cocoanuts are placed in a large hopper, from which they fall to a +zinc-covered table on a lower floor. In front of this table several men +are placed, who crack the shell of the nut with a hatchet as it falls +on the table. Then the shell is pried off, leaving the meat whole. From +six to eleven o’clock six men at this work open twelve thousand nuts. +A peeling machine then takes off the brown skin of the nuts, after +which the meats are broken into pieces, the milk drawn off, and the +pieces put into tubs of clean cold water. The meat is then inspected +as to its quality, and next it is put into a grinding mill turning +four hundred revolutions a minute. The pulp thus made is mixed with +granulated sugar and put in long pans of galvanized iron, which are +put in the desiccators and the water extracted at a high temperature. +An interesting fact about the work is that the entire process must be +completed by two o’clock in the afternoon, because of the delicate +nature of the fruit. The desiccated nut is white as snow, and perfectly +dry, when it has been through the process, and it is then allowed +to cool, and is left in a dry temperature for ten days before it is +finally put up for the market. At three o’clock each day the work is +all done.” + +“What about the idea that cocoanut is indigestible?” + +“It is supposed by many persons to be so. But the best growths show by +analysis about 48 per cent. of digestible oils, 5 per cent. of sugar, +about 46 per cent. of water, and only 1 per cent. of ash. This being +the case, there is scarcely anything people eat more digestible and +nutritious.” + + +TO PACK COCOANUT. + +Buy a grade that is desiccated in sugar by the barrel, known as Baker’s +A Grade. It is as good as is usually packed in cans or packages. Pack +in cans or paper shells. If in shells line them with wax paper. Fruit +jars are useful and handy packages for this purpose. Some manufacturers +call 13 ounces 1 pound, and 6½ ozs. a half pound. + + + + +AQUA AMMONIA. + + +Buy FFFF ammonia by the carboy. Put up in pint bottles, cork with +rubber or rubber covered corks. If common cork is used tie a piece of +bladder over the top of the cork. + + + + +HORSERADISH. + + +Grate fine to suit. Mix with vinegar. Bottle and cork tight. A little +alcohol added will keep it from freezing. + +To adulterate Horseradish mix grated turnips with it. + + + + +CANDY. + +Degrees of Boiling Sugar. + + +In preparing sugar for candies the confectioner requires different +degrees of boiling in order to bring the sugar to the proper state +for the various articles he prepares. Well clarified and perfectly +transparent syrup is boiled until a skimmer dipped into it, and a +portion touched between the forefinger and thumb, on opening them, is +drawn into a small thread which crystallizes and breaks. This is called +a weak candy height. + +If boiled again, it will draw into a larger string, and if bladders may +be blown with the mouth through the drippings from the ladle, it has +acquired the second degree, and is called bloom sugar. + +After still further boiling, it arrives at the state called feathered +sugar. To determine this dip the skimmer and shake it over the pan, +then give it a sudden flirt or jerk, and the sugar will fly off like +feathers. + +The next degree is that of crackled sugar, in which state the sugar +that hangs to a stick dipped into it, and put directly into cold +water, is not dissolved off, but turns hard and snaps. + +The last stage of boiling reduces it to caramel sugar, and is proved by +dipping a stick into the sugar and then into cold water, when, on the +moment it touches the water it will snap like glass. It has now arrived +at a full candy height. + +Throughout the boiling the fire must not be too fierce, as it will +discolor the syrup. The best safeguard against this is the use of steam +heat. Color may be given to the candy by adding the coloring matter to +the syrup before boiling it. Flavoring essences must be added when the +process is nearly complete. + + +CREAM CANDY. + + Fine White Sugar 8 lbs. + Water 2 pts. + Vinegar ⅜ ” + Butter 1 oz. + Vanilla Extract 2 teasp’nfuls. + Soda ½ ” + +Boil all together except the vanilla (which add after boiling) until it +cracks in water, after which work it till very white. + + +SUGAR CANDY. + + White Sugar 6 cups. + Vinegar 1 ” + Water 1 ” + Butter 1 tablespoonful. + Soda 1 teaspoonful. + +Let boil without stirring thirty minutes. Use flavor to suit. + + +MAPLE CANDY. + + Butter 2 tablespoonfuls. + Maple Syrup 4 pts. + +Let boil until it cracks in water. + + +CHOCOLATE CARAMELS. + + Sugar 2 pts. + Warm water 1 ” + Grated Chocolate ½ ” + Butter ¾ ” + +Let boil until it cracks in water. + + +TO CANDY NUTS OR FRUIT. + + Sugar 3 pts. + Water 1 ” + Sufficient Lemon Flavor. + +Boil the water and sugar until it hardens in water, then add the lemon +flavor; use a pair of candy tongs or a sharp piece of wire, stick into +the nut kernel or the fruit to be candied, immerse it in the candy +while warm, take it out, cool it, and draw out the wire rod. + + +COCOANUT CANDY. + + Dessicated Cocoanut 4 oz. + Sugar 1 lb. + Water ½ pt. + White of egg sufficient. + +Mix the egg and water, pour it over the sugar, let it stand a few +minutes. Boil for a few minutes over a clear fire; set aside, skim all +the scum off, then boil until thick, mix in the cocoanut. Mix well, and +keep at it until finished. + + +ALMOND CANDY. + +Grate your almonds, then proceed as in cocoanut candy. + + +MOLASSES CANDY. + + Molasses 1 qt. + Brown Sugar 1½ lbs. + Juice of one Lemon + Lemon Oil 12 drops. + +Mix the sugar and molasses together. Butter the inside of a +porcelain-lined kettle. Put the mixture into it. Let boil over a slow +fire two hours. Add the lemon oil and juice, and boil another half +hour. Stir often to prevent burning. When done, it will cease boiling +of itself. Butter a pan; pour out to cool. If properly done it will be +crisp and brittle. (Nuts of any kind may be added just before pouring +into the pan.) It must be worked, if at all, just as soon as it is cool +enough to handle. Use butter on your hands to prevent sticking. + + +MOLASSES TAFFY. + + Molasses 1 qt. + Water 1 gill. + Butter 1 tablespoonful. + Brown Sugar 1 ” + +Allow the molasses and water to boil until nearly stiff enough, then +add the butter and sugar; let boil about ten minutes additional. Pour +into pans buttered. + + +SUGAR TAFFY. + + Sugar 2 cups. + Butter ¾ ” + +Place in pan or kettle porcelain lined. Boil gently until stiff enough. +Cool in buttered pans. + + + + +HONEY. + + +ARTIFICIAL NO. 1. + + White Sugar 10 lbs. + Water ½ gals. + Pure Honey 1½ lbs. + Ess. Peppermint 10 drops. + Cream Tartar 40 grains + +Dissolve the sugar in the water over a slow fire. Skim as needed; bring +it almost to the boiling point; stir it occasionally. Remove it from +the fire; add 1 pound of the honey, and the cream tartar dissolved in +a little warm water; stir, and when at blood heat add balance of the +honey. When nearly cold add the peppermint. The quantity of this can be +varied to suit the taste. A slippery elm decoction added only in cold +weather improves the deception. If better article is wanted, add more +honey and less water. + + +ARTIFICIAL HONEY NO. 2. + + Soft Water 1 gal. + Alum 1 oz. + White Sugar 32 lbs. + Artificial Honey Flavor 1 oz. + +Boil the alum and water together; set off and dissolve the sugar in it; +then boil again for two or three minutes only. Strain it, and when it +has become lukewarm, add the flavor. Stir well. + + + + +CHEWING GUM. + + + Prepared Balsam Tolu 2 lbs. + White Sugar 1 ” + Oatmeal 3 ” + Sufficient Water. + +Dissolve or soften the gum in the water, then mix in the sugar and +oatmeal into a thick paste. Roll out into sticks in pulverized sugar +mixed with flour or corn starch. Dry. + + +PARAFFINE CHEWING GUM. + +Paraffine dissolved in cottonseed oil and glycerine at a moderate heat, +stirring constantly, then cooled and pressed; may be used in this state +as chewing gum, or substituted in above formula for the balsam tolu. + + + + +BORAX POWDER. + + +So much used now, can be bought at a nominal price in barrels. It can +be packed in paper packages without loss of strength. It is often +adulterated with terra alba, which in itself is not injurious, but is a +cheat on the consumer. + + + + +FINE RED CATSUP. + + + Ripe Tomatoes 1 bu. + Red Pepper, ground ½ teaspoonful + Mustard, ground 1 tablespoonful + Salt 3 ” + Sugar 1 lb. + Vinegar 3 pts. + Allspice, whole 1 tablespoonful + Cloves, whole 1 ” + Black Pepper, whole 1 ” + +Wash and quarter the tomatoes. Place in a porcelain-lined kettle. Let +them boil in their own liquor until soft, about one hour on a brisk +fire. Strain through a fine sieve to exclude the seeds. Add red pepper, +mustard, salt, sugar and vinegar. Place the black pepper, cloves and +allspice in a small muslin bag, then put it into the juice. Boil for +four hours, stirring occasionally to prevent burning. Let cool, and +bottle. + + + + +EAST INDIA CURRY POWDER. + + + Coriander Seeds 2 lbs. + Turmeric Root ¾ ” + Fenugrek Seed ½ ” + Mustard Seed ½ ” + Cummin Seed ¾ ” + Cayenne Pepper to suit. + +These seeds and roots must be fresh. Roast all separately; be careful +not to burn them. Powder finely; mix thoroughly, and bottle to suit. + + + + +WORCESTERSHIRE SAUCE. + + +ENGLISH FORMULA. + + Walnut Catsup 1 gal. + Mushroom Catsup 1 ” + Vinegar 1½ ” + Madeira Wine ½ ” + Canton Soy ½ ” + Dampened Sugar 2½ lbs. + Salt 19 ozs. + Powdered Capsicum 3 ” + Coriander 1½ ” + Pimento 1½ ” + Cloves ¾ ” + Chutney, 1½ ” + Mace ¾ ” + Cinnamon ¾ ” + Asafœtida 6½ drs. + Brandy 20 deg. above proof 1 pt. + Hog’s Liver 2 lbs. + Water 1 gal. + +Mix all together down to asafœtida. Dissolve the latter in the brandy, +then add it to the mass. Boil the liver in the water for twelve hours, +replenishing the water as it boils down. Then mix the liver and water +thoroughly, strain through a coarse sieve; add this to the balance and +mix well; let stand. + + +IMITATION WORCESTERSHIRE SAUCE. + + Red Pepper 3 tablespoonfuls. + Walnut or Tomato Catsup 2 ” + Shalots, chopped fine 3 + Anchovies ” ” 3 + Vinegar 1 qt. + Cloves ½ teaspoonful. + +Put all into a stone jar; set in water bath; heat gradually until it is +too hot to bear your finger in it. Let it stand two days; strain and +bottle. + + +TO IMPROVE RANCID BUTTER. + +Wash the butter well in good fresh milk and then with cold clear water. +Butyric acid which causes the rancidity is freely soluble in fresh milk. + + +TO IMPROVE RANCID BUTTER. NO. 2. + + Butter 2 lbs. + Chloride of Lime 30 drops. + Water to suit. + +Beat the butter thoroughly with the water after adding the lime to it; +let it stand for a couple of hours in the water. Pour it all off, then +wash thoroughly in cold clear water. This is a harmless and good way to +sweeten the butter. + + +TO PURIFY RANCID BUTTER. + +Melt the butter; pour off from it any deposit, then boil it a short +time with limewater; allow to settle, then suddenly cool the butter, +which can be done by pouring it into clear fresh water containing +broken ice, after which it can be taken from the water and worked same +as if just fresh churned. + + + + +BUTTER COLOR + + + Pure Cottonseed Oil 100 lbs. + Purified Annatto 10 ” + Alcohol ½ pt. + +Digest twenty-four hours, or boil for thirty minutes. Draw off, then +filter, add the ½ pint alcohol; shake well; warm it before putting in +bottles; cork, and seal well. + + +BUTTER COLOR. + +The following is a cheaper color: + + Water 12½ gals. + Annatto, purified 10 lbs. + Caustic Potassa 1 ” + Borax 1 ” + +Mix, and proceed as above. + + + + +PULVERIZED BATH BRICK. + + +A fair quality of cement sifted through a very fine sieve. Pack in +packages, same as corn starch. + + + + +TIN AND METAL POLISH. + + +Rotten stone sifted through a hair or fine muslin sieve. Mix with it +soft soap until it is brought to the consistency of putty; add to it +two ounces of oil of turpentine. It will harden soon; it can be placed +in tin boxes, small shoe polish boxes, or it can be made into balls. +Moisten the paste with water for use; smear it over the glass, brass, +tin or other articles to be cleansed. Rub dry with a dry soft rag. + + + + +PASTE SHOE POLISH. + + +WITHOUT OIL VITRIOL—NO. 1. + + Molasses 1 lb. + Ivory Black 1¼ ” + Sweet Oil 2 ozs. + +Rub together until the oil is killed, add a little strong vinegar; +reduce to the proper consistency. + + +SHOE BLACKING. + + Ivory Black 2 lbs. + Molasses 1 ” + Olive Oil ¼ ” + Oil Vitriol ¼ ” + +Mix same as above. Add water to reduce. + + +SHOE POLISH. + + Ivory Black 28 lbs. + Molasses 21 ” + Oil 1 qt. + Vitriol 3 lbs. + +Mix same as above. + + +LIQUID POLISH—WITHOUT VITRIOL OIL. + + Ivory Black 1 lb. + Molasses ¾ ” + Sweet Oil 2 ozs. + Beer—sour 1 pt. + Vinegar 1 ” + +Mix the black molasses and oil until the oil is completely killed, then +add the beer and vinegar. + + +LIQUID POLISH NO. 2. + + Molasses 1 lb. + Ivory Black 1 ” + Sweet Oil ¼ ” + Oil of Vitriol ¼ ” + Water ¾ pt. + +Mix the black, oil and molasses as above, then gradually mix the water +and vitriol, first mixing them. Let stand three hours, then reduce to +proper consistency with water or sour beer. + + +LADIES’ SHOE DRESSING. + + Best Extract Logwood 1 oz. + Aqua Ammonia 1 ” + Shellac 8 ” + Water ½ gal. + Powdered Borax 1½ ozs. + Bichromate Potash 1 dr. + Yellow Prussiate Potash 1 ” + +Dissolve the logwood in hot water heated to nearly boiling. At nearly +boiling point add the bichromate and prussiate of potash. After a deep +blue has developed, add the borax. When this is all dissolved, add the +shellac and ammonia. + + +WATERPROOF BLACKING. + + Castile Soap 8 ozs. + Beeswax 8 ” + Neat’sfoot Oil 1 lb. + Ivory Black ½ oz. + Indigo ½ ” + Tragacanth 2 ” + Alcohol 4 ” + Water 5 ” + +Mix, heat to dissolve soap and oils, stir constantly until cool. + + + + +STOVE POLISH. + + +CAKE POLISH. + + Fine East India Plumbago 50 lbs. + German Lead 25 to 50 ” + +Temper with water and pass through moulds; the plumbago and lead must +be ground to the fineness of flour. + + +PASTE POLISH. + + Powdered East India Plumbago 50 lbs. + German Lead 25 ” + Soap sufficient. + +Mix thoroughly the plumbago and lead. If jet black is wanted, mix in +some lampblack also; then heat some common laundry soap and a small +amount of water to nearly the boiling point; then mix the whole +together; use some cheap odor to disguise the soap smell. Put into tin +boxes, label to exclude the air, and prevent evaporation. + + +LIQUID POLISH. + +Consists of a small amount of the Pulverized Leads and a quantity of +Benzine. It is dangerous. + + +LIQUID POLISH NO. 2. + + Copperas 2 lbs. + Boneblack 1 ” + Plumbago—fine 1 ” + Water sufficient. + +Mix thoroughly, apply with a cloth. + +Benzine can be substituted for the water. + + + + +FURNITURE POLISH. + + + Aqua Ammonia 4 ozs. + Turpentine 1 pt. + Linseed Oil 2 ” + Alcohol 1 ” + Warm Water 1 ” + Shellac 4 ozs. + Sulphuric Ether 4 ” + +Thoroughly mix the warm water and alcohol, dissolve the shellac in +this; add the sulphuric ether and mix thoroughly all together. + +Should be well shaken when used, and applied with a sponge. + +Splendid for old varnished articles. + + + + +METAL POLISHING PASTE. + + + Lard 14 ozs. + Fine Colcother 6 ” + Sufficient Oil Almonds. + +Mix thoroughly; apply with woolen rag. + + + + +WAX PAPER. + + +Place a piece of sheet copper over a very moderate fire, lay a sheet of +paper on it; paint or smear over it with sponge or brush, melted white +or yellow wax. + +A little experience will enable one to do this very rapidly. + +There is no patent on this kind of paper. A machine process for making +wax paper is patented, however, but it applies to the machine alone. + + + + +HEKTOGRAPH PAD. + + + French Gelatine 2 ounces + Water 10 ” + Glycerine 20 ” + +Dissolve the gelatine in the water in water bath, then add the +glycerine. Place over slow fire until it boils. Skim, and pour into +shallow pan letter paper size. + +_Directions for Use._—Write on paper with the ink for this purpose, and +allow the writing to become dry. Then place it face down on the pad, +allow it to remain for three to five minutes, remove it, and proceed +with blank paper to take copies of same. This will give from thirty to +fifty copies; wash off with damp sponge immediately. Use more gelatine +for summer pad than for a winter pad. + + +HEKTOGRAPH INK. + + Methyl Violet 1 ounce + Glycerine 1 ” + Water 8 ” + Alcohol ¼ ” + +Dissolve the methyl violet in the water, warm it gently (not boil) +for about one hour. Add the glycerine, and when nearly cool, add the +alcohol. + + +HEKTOGRAPH INK NO. 2. + + Hoffman’s Violet Aniline 1 ounce + Water 6 ” + Alcohol 1 ” + +Mix all together. If too free add a little glycerine. + + + + +INSECT POWDER. + + +PERSIAN INSECT POWDER. + +The plant is a native of the Caucasus, bears a composite flower, which +is dried and powdered. It is manufactured principally in Tiflis. It +will cause the death of flies, bedbugs, roaches, etc. + + +INSECT POWDER NO. 2. + +Buy Dalmatian Insect Powder in bulk. Pack in wide mouthed bottles. + +Persian Insect Powder is about the same thing. + +Either is sure death to insects, but harmless to human beings. + + +INSECT POWDER ADULTERATION. + +The adulteration of this is done with regular spice adulterations +colored with Chrome Yellow. Adulterating it makes it nearly worthless. + + + + +FLY PAPER. + + +STICKY FLY PAPER. + + Common Rosin 4 ounces + Caster Oil 4 ” + +Mix and heat to nearly boiling point until the rosin is completely +dissolved. Spread it out quite thin on some non-porous paper (Fools-cap +or manila will do), keeping it back from the edges a half inch or more, +fold facing until wanted, then pull apart. + + +STICKY FLY PAPER NO. 2. + + Rosin 4½ ounces + Lard oil 16 ” + +Proceed as in No. 1. + + +POISON FLY PAPER. + + Boiling water 16 ounces + Sugar, Common 1½ ” + Chloride of cobalt 6 drachms + +Dissolve the sugar and cobalt in the hot water, soak some porous paper +in the solution, it is ready for use. + + + + +CANNING FRUIT. + + +INSTRUCTIONS. + +Select fresh fruit that is perfectly ripe, but at the same time, +perfectly sound. One unsound berry may injure all in contact with it. + +The boiling water poured into the boiler will be considerably cooled by +contact with the cans; care must be taken not to let the water return +to the boil while the cans are in it; and yet it must become hot enough +to expel the air from the cans. + +The surest way to attain the desired object is to keep the bulb of a +thermometer in the water. A heat of 200 to 208 degs. Fahr. will answer +best, but it must never exceed the latter degree. To ascertain when all +the air possible has been expelled, put one drop of hot water on the +air hole; the cessation or absence of air bubbles passing through it, +will denote that the cans are ready for final sealing. + + +FRESH FRUIT. + +Procure a sufficient number of tin cans of suitable size, fill them +quite full with the fruit, and solder them securely. Next pierce +a small pin-hole in the top of each can, to allow the air to be +expelled; place the cans in a boiler as deep as the cans are high, pour +boiling water into the boiler until within one-half inch of the top of +the cans; keep the water hot over a moderate fire, but not boiling, +until the air ceases to escape from the cans, and then seal the air +holes with solder before removing the cans from the water. The cans +should then be taken out, wiped dry, and allowed to cool; when cold, +if the cans have been closed perfectly air-tight, the vacuum inside +will cause the top and bottom of the cans to become concave or hollowed +inward. Tomatoes are also kept fresh in this manner. + + +BERRIES, ETC. + +Peaches, apples, pears, plums, etc., can be kept perfectly fresh in tin +cans in the manner described above, and will retain their fresh flavor +almost, if not entirely intact. Raspberries, strawberries, etc., are +kept in better condition by adding ½ pound white sugar to each pound of +fruit, letting them come to the boil, and then filling the cans quite +full, soldering the lid of the can immediately. The hot fruit will, to +all intents, expel the air from the can. No water should be used with +the fruits, except in cases where a little is necessary to dissolve +the sugar, as it tends to render them insipid. Most vegetables can be +kept in cans in this way, omitting the sugar, and scalding them in +water sufficient to cover them. + + +COLD PROCESS. + +Pare and halve the peaches. Pack them as closely as possible in a can +without any sugar. When the can is full, pour in sufficient cold water +to fill all the interstices between the peaches, and reach the brim of +the can. Let it stand long enough for the water to soak into all the +crevices—say six hours—then pour in water to replace what is sunken +away. Seal up the can, and all is done. Canned in this way, peaches +retain all their freshness and flavor. There will not be enough water +in them to render them insipid. If preferred, a cold syrup could be +used instead of pure water, but the peaches taste most natural without +any sweetening. + + +FRESH IN JARS. + +Use only self-sealing glass jars. Put into a porcelain-lined preserving +kettle, enough to fill two quart jars; sprinkle on sugar one-fourth +pound; place over a slow fire, and heat through, not boil. While the +fruit is being heated, keep the jars filled with moderately hot water. +As soon as the fruit is ready, empty the water from the jars, fill +to the brim with fruit, and seal immediately. As it cools a vacuum +is formed, which prevents bursting. In this way every kind of fruit +will retain its flavor. Sometimes a thick leathery mold forms on the +top—if so, all the better. The plan of keeping the jars full of hot +water is merely to prevent the danger of cracking when the hot fruit is +inserted. Some prefer to set the bottles full of cool water in a boiler +of water and heating all together gradually; but the other way is much +simpler and equally effective. + + +PEARS, ETC. + +Place the pears, halved or whole, in the can or jar, cold. Pour syrup +over them until the can is nearly full up to the top. Pure water may be +used instead of syrup. Solder on the lid carefully, then punch a small +hole through the center of the lid. Then place the can in a kettle of +warm water, having some wire in the bottom of kettle for the cans to +rest on. Have the water come up nearly to top of cans. Bring the water +gently to a boil. Boil twenty minutes, lift out the cans, wipe dry +around the small hole, then solder it up. + +Peaches, plums, cherries, blackberries, green gages, apricots, +huckleberries, raspberries, are canned same as pears. Grapes require +heavy syrup. + + +TIME TO BOIL. + +In canning fruits and vegetables, leave the can in water from time it +commences boiling, as follows: + + Pears 20 minutes + Peaches 20 ” + Cherries 20 ” + Apples 20 ” + Strawberries 15 ” + Blackberries 15 ” + Raspberries 15 ” + Huckleberries 15 ” + Plums 20 ” + Quinces 30 ” + Tomatoes 40 ” + Asparagus 1 hr. 50 ” + Pineapple 2 hours. + + +JARS. + +Glass jars have been invented with vent hole in the lid to allow the +air and steam to escape while cooking, after which it is made airtight +with a thumb screw. + + + + +KITCHEN SOAP. + + +Take good laundry soap. Heat it and mix with Silesia stone, finely +powdered. Place in molds before cooling. + +CROCKERY CEMENT. + +Powdered lime mixed to a thin paste with whites of eggs. Keep tightly +corked, as it hardens very rapidly. + + +UNIVERSAL CEMENT. + + White Glue 5¼ pounds + Acetic Acid 1 gallon + +Mix by dissolving in warm bath. Bottle and cork tight. + + + + +MUSTARDS. + + +COMMON MUSTARD. + + Vinegar 1 pint. + Ground mustard 8 oz. + Sugar 1 lump. + Cloves to flavor. + +Mix the vinegar gradually into the mustard, place in the cloves, let it +boil over a moderate fire. Add the sugar, let boil again. Bottle and +seal. + + +FRANKFORT MUSTARD. + + Mustard, ground 2 lbs. + Pulv. sugar 8 ozs. + Cloves 1 ” + Allspice 2 ” + Vinegar sufficient to make thin paste. + + +ENGLISH MUSTARD. + + Mustard 9 pounds + Wheat flour 9 ” + Salt 1¾ ” + Cayenne pepper 2¾ oz. + Water and vinegar to suit. + + +FRENCH MUSTARD. + + Fresh Tarragon Leaves 12 parts + ” Bay leaves 6 ” + ” Angelica root 4 ” + Capers 8 ” + Anchovies 8 ” + Rocambole 6 ” + Eschalots 4 ” + Wine vinegar 200 ” + Black mustard, ground sufficient. + +Cut up fine the different ingredients, digest them in the vinegar by a +warm bath. Strain, press out the residue and filter, then stir in the +mustard, enough to make a thin paste. + + + + +PICCALILLI. + + +SPICED VINEGAR FOR. + + Vinegar 1 gal. + Curry powder 4 ozs. + Ground mustard 4 ” + ” ginger 3 ” + Turmeric 2 ” + Skinned shalots 8 ” + Baked garlic 2 ” + Salt ¼ lbs. + Cayenne pepper 2 drs. + +Digest in warm bath for a few hours. + +Parboil in salt gherkins, cauliflower, sliced cucumbers, celery, sliced +onions, small onions, French beans, etc. + +Place all in stone jar, pour the spiced vinegar on them, and let stand. + + + + +VINEGAR. + + +CIDER VINEGAR. + +Take 10 gallons apple juice fresh from the press, and suffer it to +ferment fully, which may be in about two weeks, or sooner, if the +weather is warm; and then add 8 gallons like juice, new, for producing +a second fermentation; in two weeks more add another like new quantity, +for producing a third fermentation. This third fermentation is +material. Now stop the bunghole with an empty bottle, with the neck +downward, and expose it to the sun for some time. When the vinegar is +come, draw off one-half into a vinegar cask, and set it in a cool place +above ground, for use when clear. With the other half in the first +cask, proceed to make more vinegar in the same way. Thus one cask is to +make in, the other to use from. When making the vinegar, let there be a +moderate degree of heat, and free access of external air. The process +is hastened by adding to the cider, when you have it, a quantity of +the mother vinegar, as it is called—a whitish, ropy coagulum, of a +mucilaginous appearance, which is formed in the vinegar, and acts as +a ferment. The strength of vinegar depends on the amount of sugar or +starchy matter to be ultimately converted into acetic acid. + + +CHEAP VINEGAR. + +A supply of vinegar can be kept constantly on hand by retail grocers. +Before you have sold out a barrel entirely of your regular stock, say +two or three gallons, fill it up with 1 gallon of molasses to every 11 +gallons of soft water. This mixture will become good vinegar in about +three weeks—and can be treated in its turn in the same way. When less +than a barrel a week is used, three barrels thus treated and used in +rotation, will be sufficient to keep up a perpetual supply. If the +barrels stand on end, there must be a hole made in the top, protected +with gauze to keep out insects. If standing on the side, the bunghole +must be left open, and similarly protected. + + + + +SPICES. + + +Buy the spices whole and grind them yourself. Spice mills are cheap. If +you want adulterated spices buy the adulterations separate and mix them +yourself. All wholesale spice houses sell the adulterations already +prepared at prices moderate enough for any one. + +The writer knows of cases where grocers grind their own spices, holding +a spice trade alone that is very valuable. It is next to impossible to +get pure spices in ground state without grinding them yourself. + + +TO CLEAN SPICE MILLS. + +After grinding one kind of spice, if you wish to change to another, +grind a small lot of rice through the mill. Always grind the weakest +and most faint flavored spice first. + + +CREAM TARTAR + +Is adulterated by mixing phosphate with it in proportion to suit +selling price. + + +TO PRESERVE CIDER SWEET. + + Cider 32 gallons + Salicylic Acid 1 ounce + +Mix thoroughly, let stand; said to keep sweet for a year. + + + + +SODA WATER SYRUPS. + +Syrups not made from fruits may have a little gum Arabic added to +produce a rich froth when the soda water is put into it. + + +SIMPLE SYRUPS. + +To 8 pounds fine white sugar add two quarts water, whites of two eggs +(or isinglass dissolved in hot water) stir until sugar is dissolved, +let simmer for 3 minutes, skim, and strain through fine flannel. + +Soda syrups may be produced from this, by adding the different flavors +wanted. + + +SODA WATER FOAM. + + Water 1½ pints + White Sugar 4 ozs. + Salicylic Acid 1 drachm + Whites of 4 eggs. + +Beat the whites of the eggs into the water, dissolve in the sugar and +acid. + +_Directions._—Add one ounce of this to each pint of syrup. + + + + +GROCERS’ DRUGS. + + +COUGH SYRUP. + +AN EXCELLENT ARTICLE. + + Morphine 8 grains + Tartar Emetic 4 ” + Fluid Extract Ipecac 90 minims + Tincture Sanguinaria 1 oz. + Water 6 ” + Syrup, enough to make 1 quart + +Heat the water, add the morphine and tartar emetic. Stir until +dissolved, add syrup cold, shake well, then add the ipecac and tincture +sanguinaria. Put in bottles to suit. + +_Dose._—Adults, 1 teaspoonful three times a day. Children in proportion +to age. + + +FLORIDA WATER. + + Oil Bergamot 4 ozs. + ” Lemon 6 ” + ” Lavender 1 ” + ” Cloves 6 drachms + Alcohol 3½ gallons + Water 3 quarts. + +Dissolve the oils in the alcohol, let stand twenty-four hours, then add +the water. Filter. No color. + + +FLORIDA WATER NO. 2. + + Oil Bergamot 8 ozs. + Neroli 4 ” + Oil Lavender 3 ” + ” Cloves 1½ ” + ” Cinnamon ¼ ” + Tincture of Iris ½ pint + Tincture Peruvian Balsam ¼ ” + Alcohol 4 gallons + Water 3 quarts. + +Proceed as above. + + +ARNICA JELLY. + +FOR CHAPPED HANDS AND LIPS. + + Starch ½ oz. + Glycerine 4 ozs. + Water 1 oz. + Arnica ½ ” + +Oil Rose a few drops sufficient to scent. + +Mix the starch, glycerine and water together, heat to 240 degrees. When +nearly cold add the arnica and rose oil. Color with red aniline. + + +ARTIFICIAL BAY RUM. + + Oil Bay Leaves 3 drachms + Oil Cloves 5 minims + Powdered Mace 5 grains + Alcohol 1 pint + Water 3 pints. + +Grind the oils in magnesia with a little alcohol added. Then mix the +whole, and filter. + + +HAND GRENADES. + + Common Salt 20 parts + Sal Ammoniac 9 ” + Water 72 ” + +Mix them well together. Put into thin bottles, cork tightly, and seal +by dipping the cork and neck of the bottle into heated sealing wax to +prevent evaporation. + + +HAND GRENADE NO. 2. + + Water 1 gallon + Sal Ammoniac 5 ozs. + + +CORN REMEDY. + + Salicylic Acid ¾ drachm + Extract of Indian Hemp 8 grains + Collodium ¾ oz. + +Mix well together. + +_Directions._—Apply once a day, with a small hair pencil. After a few +days the corn can be lifted out. Attach a small hair pencil to the cork +of the vial before it is put into the bottle. By having a large cork, +it will act as the handle for the pencil, which is always submerged in +the liquid. Vials of size ⅛ to ¼ oz. is large enough to pack it in. +Retails usually at about 25c. each. + + +SOZODONT—SAID TO BE. + + Castile Soap 5 ozs. + Glycerine 5 ” + Alcohol 30 ” + Water 20 ” + Oil Peppermint enough to flavor. + ” Cloves ” ” + ” Cinnamon ” ” + ” Anise ” ” + +Mix the soap, glycerine and water together over slow fire until +dissolved. Put the oils in the alcohol. Mix the whole together after +the first part has cooled some. + + +RAT POISON. + +Rough on Rats—Said to be. Colored Arsenic. + + +WAX FOR BOTTLE CORKS. + + Resin 4 ozs. + Lard 2 ” + Yellow Wax 2 ” + +Melt and strain. Dip the corks and neck of the bottle into it while +hot, then let stand until cool. + + + + +JELLIES. + + +CHERRY MARMALADE. + + White Cherries 20 lbs. + Black Cherries 4 ” + Sugar Syrup 12 ” + +Boil all together, with frequent stirring, from six to eight hours. + + +FRUIT MARMALADES. + +For other Marmalades use the fruit wanted in about same proportion as +foregoing, and proceed as in same. + + +QUINCE JELLY. + +Take the cores and parings left from a half bushel of quinces, add to +this one peck of sweet apples pared and cut in small pieces, cover with +water, and boil until soft. Strain through a flannel or coarse muslin +bag. To every pint of juice add an equal amount of sugar by measure. +Boil slowly on a steady fire for three or four hours. When done pour in +glasses or jars, and let stand until cool. Cover. + + +TO CHEAPEN THE JELLY. + +Use less sugar, and any kind of fruit; use gelatine to stiffen the +mass, flavor, when milk warm, with artificial flavor to suit, and color +with red jelly coloring. Tartaric acid in small quantities can be added +to economize on fruit. + + +TO COLOR JELLIES RED. + +Red Aniline dissolved in alcohol, is sometimes used in cheap jellies. + + +TO COLOR JELLIES RED NO. 2. + +Syrup of Cochineal can be used, but should be added to the Jellies as +soon as through boiling. + + +TO COLOR JELLIES RED NO. 3. + +A very fine color, which will not be affected by Acids or Alkalies, is +made by preparing a syrup of Kermes Berries (_Phytolacca Decandra_). It +is also used for coloring vinegars, wines and liquors. + + +HINTS FOR JELLY MAKERS. + +Never use a metal vessel or a metal spoon when boiling jelly. + +Boil the jelly in a porcelain lined kettle, or in a large stone jar. + +Boil the juice twenty minutes before adding sugar. + +Dissolve the sugar separately in a little boiling water, and add it to +the boiling juice hot. + +Boil slowly over a steady fire. Do not cover while boiling. + +Strain through a flannel bag if possible. If not, use a muslin bag. + +Always add sugar of same measure as juice. + +Boil about four hours. + +If gelatine is used, less boiling is required, and less sugar also. + + + + +YEAST. + + +DRY HOP YEAST. + +Boil two large potatoes and a handful of hops (put the hops into a +cheesecloth bag) in three pints of water. When done, take out the +potatoes and mash well, add one pint of flour, and pour boiling water +over all. Beat it well together, adding one teaspoonful salt, one +teaspoonful ginger, and a half cup of sugar. When cooled to milk warm, +add a cup of good yeast, let stand two days, or, if weather is warm, +one day, stirring it down frequently. Add corn meal until thick enough +to cake. Lay it out on a table or board about one inch deep. Pass over +it a heavy roller, which will press it to a thickness of a little over +half an inch, then cut in small squares with a long knife about one +and a quarter inch square. Place on a canvas-covered frame, set in dry +place where air can freely pass. When quite dry, pack. One square is +enough for six large loaves of bread. + + +DRY HOP YEAST NO. 2. + +One-half peck potatoes. Boil until soft, keep water on them to amount +of 2½ gallons. When soft add one handful of good hops. Then boil +thirty minutes. Proceed then to mash and mix the hops and potatoes +thoroughly. Pour the liquor strained through a sieve (to exclude the +hops and potato skins) into a five-gallon jar. Mix in enough flour to +make a medium paste. Mix into this one-half pint of brewers’ yeast. +Let it rise. When well up, stir it down. Do so a second time, let +stand ten hours, and add some corn meal, about half of what it should +have altogether. Let it rise again, then add corn meal until it gets +crumbly, then spread out, press dry, and pack away. The time consumed +in making this, will extend over several days. + + +SALAD DRESSING. + +Take the yolks of two hard boiled eggs, rubbed smooth with one +teaspoonful fine ground English mustard, add one teaspoonful of salt, +and the yolks of two raw eggs beaten into the other. Then put into +it two teaspoonfuls fine powdered sugar. Pour in fresh olive oil or +refined cottonseed oil, a little at a time, beating the same into the +mass as long as it continues to thicken. Then add vinegar to reduce it +to proper consistency. If not hot enough, add Cayenne pepper. Bottle +and seal tight for future use or sale. + + +SALAD DRESSING NO. 2. + + Raw Yolks 8 eggs + Sugar 1 cup + Mustard 1 tablespoonful + Salt 1 ” ” + Pepper 1 ” ” + Butter 1 cup + Vinegar 1 ” + +Beat the yolks of the eggs, add the sugar and spices, boil the vinegar, +and to it add the butter while it is boiling, throw it over the other, +and mix thoroughly. Bottle tight, and set in cool place for future use. + + + + +CHOCOLATE. + + +PLAIN CHOCOLATE. + +Roasted cocoa beans or nuts are placed in a heated mortar, and ground +to a paste with the pestle. It is then poured into molds to cool. Grind +the cake into powder; in this form it is sweetened, flavored, and +adulterated to suit. + + +FRENCH CHOCOLATE. + + Chocolate Flour 3 pounds + Powdered Sugar 1 ” + Vanilla Beans ¼ oz. + +Grind the vanilla beans and the sugar together in a mortar, then grind +the whole together. Pour into molds. + + +ADULTERATION. + +To adulterate, use plenty powdered sugar and corn starch. Sweet +chocolate is made this way. + + +SPANISH AROMATIC CHOCOLATE. + +Triturate or grind together: + + Pulverized Chocolate 11 lbs. + White Sugar 3 ” + Vanilla Beans 1 oz. + Cinnamon ¼ ” + Cloves ½ drachm. + +If a cheaper chocolate is wanted, add pulverized sugar. + + + + +WHITING. + + +Buy in bulk, sift, and repack in dozens to suit. + +[Illustration: (Triangular decorative shape)] + + + + + Manufacturing Grocers’ Supply House. + + GEO. P. VOSBRINK, + + CHICAGO, ILLINOIS, + + MANUFACTURER AND JOBBER IN + + BAKING POWDER CHEMICALS, EXTRACT SUPPLIES, ETC. + + AMMONIATED ALUM, PHOSPHATE, + BICARBONATE SODA, CREAM TARTAR, + CARBONATE AMMONIA, + POWDERED BORAX, DEXTRINE, TERRA ALBA, + COTTONSEED OIL, VANILLA BEANS, + SOAPSTONE, + TONKA BEANS, OIL LEMON, OIL ALMOND, + OIL ORANGE, ETC. + BAY LEAVES, ROSE LEAVES, + + All Kinds of + + ARTIFICIAL EXTRACT FLAVORS, ETHERS, + METHYLS, AMYLS, ETC. + + Also Full Line of + + COMPOUND ARTIFICIAL EXTRACT FLAVORS, INSECT + POWDER, PEPPER DUST, BIRD SEEDS, ETC. + + STOCK LABELS of All Kinds, either Blank or Filled In, to Order. + + All these goods either in Bulk or Packages, to suit. Price List mailed + on application. + + + + + VOSBRINK BAKING POWDER SPECIALTIES. + + + ALUM BAKING POWDER. + + Per gross. + 1 lb. cans, $12 00 + ½ ” 7 50 + ¼ ” 4 80 + + + PHOSPHATE COMB. POWDER. + + Per gross. + 1 lb. cans, $16 00 + ½ ” 9 00 + ¼ ” 6 00 + +Special Labels furnished and filled in to order, in lots of not less +than 1 gross of 1 lbs., or not less than 2 gross ½ lbs., or not less +than 3 gross ¼ lbs., or if 1 gross of 1 lbs. are taken, and quarters or +halves wanted, will furnish 1 gross of either of small sizes at same +time, without extra cost. + + + VOSBRINK BAKING POWDER WITH PRIZES + + 1 prize to each can. Prizes always up to the times. + + Per doz. + 1 lb. cans, half gross cases, $ 4 50 + ½ ” ” ” 2 30 + ¼ ” 100 to case, 11 00 + +Descriptive circular of prizes furnished on application. + +All goods delivered free on board cars at Chicago. + +Parties not rated please send reference in Chicago or cash to cover +amount of bill, less 2 per cent. discount. + +All goods guaranteed as to quality. + + + GEO. P. VOSBRINK, + CHICAGO, ILL. + + + + +TRANSCRIBER’S NOTE + +Illustrations without captions have had a description added, this is +denoted with parentheses. + +The Contents was not checked for proper alphabetization or correct page +references. + +Obvious typographical errors and punctuation errors have been corrected +after careful comparison with other occurrences within the text and +consultation of external sources. + +Except for those changes noted below, all misspellings in the text, and +inconsistent or archaic usage, have been retained. + + Pg 47: ‘Carribean’ replaced with ‘Caribbean’. + Pg 74: ‘vegatables’ replaced with ‘vegetables’. + Pg 77: ‘dms.’ replaced with ‘drs.’. + Pg 80: ‘prodce’ replaced with ‘produce’ in Soda Water Syrups. + +*** END OF THE PROJECT GUTENBERG EBOOK 78692 *** |
