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text-indent: 0em; font-weight: bold; } +.ph2 { font-size: x-large; margin: .75em auto; } +.ph3 { font-size: large; margin: .83em auto; } +.ph4 { font-size: medium; margin: 1.12em auto; } + +p.hanging-indent1 { + padding-left: 2.25em; + text-indent: -2.25em; +} + +.tnote {border: dashed 1px; margin-left: 10%; margin-right: 10%; +padding-bottom: .5em; padding-top: .5em; padding-left: .5em; +padding-right: .5em;} + +/* Poetry indents */ +.poetry .indent0 {text-indent: -3.0em;} +.poetry .indent2 {text-indent: -2.0em;} +.poetry .indent8 {text-indent: 1.0em;} + + +/* Illustration classes */ +.illowp47 {width: 47%;} +.x-ebookmaker .illowp47 {width: 100%;} +.illowp64 {width: 64%;} +.x-ebookmaker .illowp64 {width: 100%;} +.illowp52 {width: 52%;} +.x-ebookmaker .illowp52 {width: 100%;} +.illowp71 {width: 71%;} +.x-ebookmaker .illowp71 {width: 100%;} +.illowp57 {width: 57%;} +.x-ebookmaker .illowp57 {width: 100%;} +.illowp49 {width: 49%;} +.x-ebookmaker .illowp49 {width: 100%;} +.illowp67 {width: 67%;} +.x-ebookmaker .illowp67 {width: 100%;} +.illowp27 {width: 27%;} +.x-ebookmaker .illowp27 {width: 100%;} +.illowp50 {width: 50%;} +.x-ebookmaker .illowp50 {width: 100%;} +.illowp100 {width: 100%;} +.illowp61 {width: 61%;} +.x-ebookmaker .illowp61 {width: 100%;} +.illowp53 {width: 53%;} +.x-ebookmaker .illowp53 {width: 100%;} +.illowp68 {width: 68%;} +.x-ebookmaker .illowp68 {width: 100%;} +.illowp54 {width: 54%;} +.x-ebookmaker .illowp54 {width: 100%;} +.illowp69 {width: 69%;} +.x-ebookmaker .illowp69 {width: 100%;} +.illowp56 {width: 56%;} +.x-ebookmaker .illowp56 {width: 100%;} +.illowp60 {width: 60%;} +.x-ebookmaker .illowp60 {width: 100%;} +.illowp48 {width: 48%;} +.x-ebookmaker .illowp48 {width: 100%;} +.illowp38 {width: 38%;} +.x-ebookmaker .illowp38 {width: 100%;} +.illowp39 {width: 39%;} +.x-ebookmaker .illowp39 {width: 100%;} +.illowp46 {width: 46%;} +.x-ebookmaker .illowp46 {width: 100%;} + </style> +</head> +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 78352 ***</div> + + +<h1> +THE EARLY WORM +</h1> + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> +<figure class="figcenter illowp47" id="frontispiece" style="max-width: 50.0em;"> + <img class="w100" src="images/frontispiece.jpg" alt=""> + <figcaption> + <p>When they were held up by the jam, ... I would jeer.</p> + </figcaption> +</figure> +</div> + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> +<p class="ph2">THE +EARLY WORM</p> + +<p class="ph4">BY</p> + +<p class="ph3"> +ROBERT BENCHLEY</p> + +<p class="ph4"><i>Author of</i></p> + +<p class="ph4">OF ALL THINGS!<br> +LOVE CONQUERS ALL<br> +PLUCK AND LUCK</p> + +<p class="ph4">WITH ILLUSTRATIONS BY</p> + +<p class="ph3"> +GLUYAS WILLIAMS</p> + +<figure class="figcenter illowp100" id="title_decor" style="width: 6.25em;"> + <img class="w100" src="images/title_decor.jpg" alt=""> +</figure> + +<p class="ph3">NEW YORK</p> + +<p class="ph3"> +HENRY HOLT AND COMPANY</p> +</div> + +<hr class="chap x-ebookmaker-drop"> +<div class="ph4"> +<p class="center">COPYRIGHT, 1927,<br> +BY<br> +HENRY HOLT AND COMPANY</p> + +<p class="ph4"><i>August, 1927</i></p> + + +<p class="ph4">PRINTED IN THE<br> +UNITED STATES OF AMERICA</p> +</div> + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + <h2 class="nobreak" id="ACKNOWLEDGMENT"> + ACKNOWLEDGMENT + </h2> +</div> + + +<p>The author wishes to thank the following periodicals +for permission to reprint the articles in this +book: <i>Life</i>, <i>The Detroit Athletic Club News</i>, <i>The +New Yorker</i>, <i>Vanity Fair</i>, <i>College Humor</i> and <i>The +Bell Syndicate</i>. Thanks are also due to John Held, +Jr., for permission to use his elegant engravings and +to Carol Goodner for suggesting the title to the book.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_vii">[Pg vii]</span></p> + + + <h2 class="nobreak" id="CONTENTS"> + CONTENTS + </h2> +</div> + + +<table class="autotable"> +<tr> +<td class="tdl"> + +</td> +<td class="tdr"> +PAGE +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">A Talk to Young Men</span> +</td> +<td class="tdr"> +<a href="#Page_3">3</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The Seed of Revolt</span> +</td> +<td class="tdr"> +<a href="#Page_9">9</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Paul Revere’s Ride</span> +</td> +<td class="tdr"> +<a href="#Page_13">13</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Fascinating Crimes</span> +</td> +<td class="tdr"> +<a href="#Page_21">21</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Upsets</span> +</td> +<td class="tdr"> +<a href="#Page_27">27</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">An Interview with Mussolini</span> +</td> +<td class="tdr"> +<a href="#Page_29">29</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The “Life” Polar Expedition</span> +</td> +<td class="tdr"> +<a href="#Page_32">32</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The Saving-“Old-Ironsides” Habit</span> +</td> +<td class="tdr"> +<a href="#Page_39">39</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">A Good Old-Fashioned Christmas</span> +</td> +<td class="tdr"> +<a href="#Page_41">41</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Life in the Ritz Tenement</span> +</td> +<td class="tdr"> +<a href="#Page_56">56</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Old Program from the Benchley Collection</span> +</td> +<td class="tdr"> +<a href="#Page_60">60</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">What College Did to Me</span> +</td> +<td class="tdr"> +<a href="#Page_69">69</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">An Interview with Theodore Dreiser</span> +</td> +<td class="tdr"> +<a href="#Page_78">78</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Fascinating Crimes</span> +</td> +<td class="tdr"> +<a href="#Page_80">80</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Louis Dot Dope</span> +</td> +<td class="tdr"> +<a href="#Page_84">84</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The Rise and Fall of the Christmas Card</span> +</td> +<td class="tdr"> +<a href="#Page_88">88</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The Henna Decade</span> +</td> +<td class="tdr"> +<a href="#Page_96">96</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">A Plan to Stabilize the Franc</span> +</td> +<td class="tdr"> +<a href="#Page_100">100</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Sex Is Out</span> +</td> +<td class="tdr"> +<a href="#Page_106">106</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Uncle Edith’s Ghost Story</span> +</td> +<td class="tdr"> +<a href="#Page_109">109</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Fascinating Crimes</span> +</td> +<td class="tdr"> +<a href="#Page_115">115</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The End of the Season</span> +</td> +<td class="tdr"> +<a href="#Page_120">120</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Exam Time</span> +</td> +<td class="tdr"> +<a href="#Page_124">124</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Throwing Back the European Offensive</span> +</td> +<td class="tdr"> +<a href="#Page_127">127</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">An Interview with Vice-President Dawes</span> +</td> +<td class="tdr"> +<a href="#Page_134">134</a><span class="pagenum" id="Page_viii">[Pg viii]</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The “Life” Polar Expedition</span> +</td> +<td class="tdr"> +<a href="#Page_137">137</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">A Ghost Story</span> +</td> +<td class="tdr"> +<a href="#Page_142">142</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Discovering Weber and Fields</span> +</td> +<td class="tdr"> +<a href="#Page_148">148</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Water Football</span> +</td> +<td class="tdr"> +<a href="#Page_150">150</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">More Songs for Meller</span> +</td> +<td class="tdr"> +<a href="#Page_159">159</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Fascinating Crimes</span> +</td> +<td class="tdr"> +<a href="#Page_163">163</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The “Life” Polar Expedition</span> +</td> +<td class="tdr"> +<a href="#Page_168">168</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">An Interview with the Countess Karolyi</span> +</td> +<td class="tdr"> +<a href="#Page_172">172</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The Boys’ Camp Business</span> +</td> +<td class="tdr"> +<a href="#Page_174">174</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">At Last a Substitute for Snow</span> +</td> +<td class="tdr"> +<a href="#Page_183">183</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The New Wing</span> +</td> +<td class="tdr"> +<a href="#Page_190">190</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Uncle Calvin’s No-Waste Games</span> +</td> +<td class="tdr"> +<a href="#Page_195">195</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The World of Grandpa Benchley</span> +</td> +<td class="tdr"> +<a href="#Page_200">200</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The “Life” Polar Expedition</span> +</td> +<td class="tdr"> +<a href="#Page_209">209</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">How to Start a Supper Club</span> +</td> +<td class="tdr"> +<a href="#Page_216">216</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The New Villainy</span> +</td> +<td class="tdr"> +<a href="#Page_223">223</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Time-off from the Show</span> +</td> +<td class="tdr"> +<a href="#Page_230">230</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The “Life” Polar Expedition</span> +</td> +<td class="tdr"> +<a href="#Page_237">237</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Spying on the Vehicular Tunnel</span> +</td> +<td class="tdr"> +<a href="#Page_241">241</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Compiling an American Tragedy</span> +</td> +<td class="tdr"> +<a href="#Page_246">246</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">Storm Warnings for New York</span> +</td> +<td class="tdr"> +<a href="#Page_251">251</a> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +<span class="smcap">The “Life” Polar Expedition</span> +</td> +<td class="tdr"> +<a href="#Page_259">259</a> +</td> +</tr> +</table> + + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_1">[Pg 1]</span></p> + + + <h2 class="nobreak" id="THE_EARLY_WORM"> + THE EARLY WORM +<span class="pagenum"><a id="Page_2"></a>[Pg 2]</span> + </h2> +</div> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> +<p><span class="pagenum"><a id="Page_3"></a>[Pg 3]</span></p> + <h2 class="nobreak" id="A_TALK_TO_YOUNG_MEN"> + A TALK TO YOUNG MEN + <br> + <i>Graduation Address on “The Decline of Sex”</i> + </h2> +</div> + + +<p>To you young men who only recently were +graduated from our various institutions of +learning (laughter), I would bring a message, a +message of warning and yet, at the same time, a +message of good cheer. Having been out in the +world a whole month, it is high time that you learned +something about the Facts of Life, something about +how wonderfully Nature takes care of the thousand +and one things which go to make up what some +people jokingly call our “sex” life. I hardly know +how to begin. Perhaps “Dear Harry” would be as +good a way as any.</p> + +<p>You all have doubtless seen, during your walks +in the country, how the butterflies and bees carry +pollen from one flower to another? It is very dull +and you should be very glad that you are not a bee +or a butterfly, for where the fun comes in <i>that</i> I can’t +see. However, they think that they are having a +good time, which is all that is necessary, I suppose. +Some day a bee is going to get hold of a real book +on the subject, and from then on there will be +<span class="pagenum" id="Page_4">[Pg 4]</span>mighty little pollen-toting done or I don’t know my +bees.</p> + +<p>Well, anyway, if you have noticed carefully how +the bees carry pollen from one flower to another +(and there is no reason why you should have noticed +carefully as there is nothing to see), you will have +wondered what connection there is between this +process and that of animal reproduction. I may as +well tell you right now that there is no connection at +all, and so your whole morning of bee-stalking has +been wasted.</p> + +<p>We now come to the animal world. Or rather, +first we come to One Hundred and Twenty-fifth +Street, but you don’t get off there. The animal world +is next, and off you get. And what a sight meets +your eyes! My, my! It just seems as if the whole +world were topsy-turvy.</p> + +<p>The next time you are at your grocer’s buying +gin, take a look at his eggs. They really are some +hen’s eggs, but they belong to the grocer now, as he +has bought them and is entitled to sell them. So +they really <i>are</i> his eggs, funny as it may sound to +anyone who doesn’t know. If you will look at these +eggs, you will see that each one is <i>almost</i> round, but +not <i>quite</i>. They are more of an “egg-shape.” This +may strike you as odd at first, until you learn that +this is Nature’s way of distinguishing eggs from +<span class="pagenum" id="Page_5">[Pg 5]</span>large golf balls. You see, Mother Nature takes no +chances. She used to, but she learned her lesson. +And that is a lesson that all of you must learn as +well. It is called Old Mother Nature’s Lesson, and +begins on page 145.</p> + +<p>Now, these eggs have not always been like this. +That stands to reason. They once had something to +do with a hen or they wouldn’t be called hen’s eggs. +If they are called duck’s eggs, that means that they +had something to do with a duck. Who can tell me +what it means if they are called “ostrich’s eggs”?... +That’s right.</p> + +<p>But the egg is not the only thing that had something +to do with a hen. Who knows what else there +was?... That’s right.</p> + +<p>Now the rooster is an entirely different sort of +bird from the hen. It is very proud and has a red +crest on the top of his head. This red crest is put +there by Nature so that the hen can see the rooster +coming in a crowd and can hop into a taxi or make a +previous engagement if she wants to. A favorite +dodge of a lot of hens when they see the red crest of +the rooster making in their direction across the barnyard +is to work up a sick headache. One of the +happiest and most contented roosters I ever saw was +one who had had his red crest chewed off in a fight +with a dog. He also wore sneakers.</p> + +<p><span class="pagenum" id="Page_6">[Pg 6]</span></p> + +<p>But before we take up this phase of the question +(for it is a question), let us go back to the fish kingdom. +Fish are probably the worst example that +you can find; in the first place, because they work +under water, and in the second, because they don’t +know anything. You won’t find one fish in a million +that has enough sense to come in when it rains. +They are just stupid, that’s all, and nowhere is their +stupidity more evident than in their sex life.</p> + +<p>Take, for example, the carp. The carp is one of +the least promising of all the fish. He has practically +no forehead and brings nothing at all to a +conversation. Now the mother carp is swimming +around some fine spring day when suddenly she decides +that it would be nice to have some children. +So she makes out a deposit slip and deposits a +couple million eggs on a rock (all this goes on <i>under</i> +water, mind you, of all places). This done, she adjusts +her hat, powders her nose, and swims away, a +woman with a past.</p> + +<p>It is not until all this is over and done with that +papa enters the picture, and then only in an official +capacity. Papa’s job is very casual. He swims +over the couple of million eggs and takes a chance +that by sheer force of personality he can induce +half a dozen of them to hatch out. The remainder +<span class="pagenum" id="Page_7">[Pg 7]</span>either go to waste or are blacked up to represent +caviar.</p> + +<p>So you will see that the sex life of a fish is nothing +much to brag about. It never would present a problem +in a fish community as it does in ours. No committees +ever have to be formed to regulate it, and +about the only way in which a fish can go wrong is +through drink or stealing. This makes a fish’s life +highly unattractive, you will agree, for, after a time, +one would get very tired of drinking and stealing.</p> + +<p>We have now covered the various agencies of +Nature for populating the earth with the lesser +forms of life. We have purposely omitted any reference +to the reproduction of those unicellular organisms +which reproduce by dividing themselves up into +two, four, eight, etc., parts without any outside assistance +at all. This method is too silly even to +discuss.</p> + +<p>We now come to colors. You all know that if you +mix yellow with blue you get green. You also get +green if you mix cherries and milk. (Just kidding. +Don’t pay any attention.) The derivation of one +color from the mixture of two other colors is not +generally considered a sexual phenomenon, but that +is because the psychoanalysts haven’t got around to +it yet. By next season it won’t be safe to admit that +you like to paint, or you will be giving yourself +<span class="pagenum" id="Page_8">[Pg 8]</span>away as an inhibited old uncle-lover and debauchee. +The only thing that the sex-psychologists can’t read +a sexual significance into is trap-shooting, and they +are working on that now.</p> + +<p>All of which brings us to the point of wondering if +it <i>all</i> isn’t a gigantic hoax. If the specialists fall +down on trap-shooting, they are going to begin to +doubt the whole structure which they have erected, +and before long there is going to be a reaction which +will take the form of an absolute negation of sex. +An Austrian scientist has already come out with the +announcement that there is no such thing as a hundred +per cent male or a hundred per cent female. +If this is true, it is really a big step forward. It +is going to throw a lot of people out of work, but +think of the money that will be saved!</p> + +<p>And so, young men, my message to you is this: +Think the thing over very carefully and examine the +evidence with fair-minded detachment. And if you +decide that, within the next ten years, sex is going +out of style, make your plans accordingly. Why not +be pioneers in the new movement?</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_9">[Pg 9]</span></p> + + + <h2 class="nobreak" id="THE_SEED_OF_REVOLT"> + THE SEED OF REVOLT + </h2> +</div> + + +<p>In the hearts of many New Yorkers there glowed +a strange and savage sense of satisfaction when +fire, a few weeks ago, destroyed the wooden staging +which had encased the lower half of the new Aeolian +Building under construction at the corner of Fifth +Avenue and Fifty-fourth Street. That fire may +prove to be the torch igniting a citizens’ revolt of +city-wide proportions.</p> + +<p>For several years now, ever since they began tearing +down most of the buildings in New York and +erecting others in their places to be torn down next +year, pedestrians have been practically excluded +from the use of their sidewalks. On each corner, +and in the middle of each block, it has been necessary +to tunnel through great wooden passageways, +dodging avalanches of bricks on one side and workmen +darting out from clammy recesses with wheelbarrows +of mortar on the other. These workmen +have a system whereby they lie in wait in the ground +floor of the new building, each with a wheelbarrow +full of unpleasant material poised ready, until you +and I are directly upon the plank which slopes +across the sidewalk to the waiting truck. Then, at +<span class="pagenum" id="Page_10">[Pg 10]</span>a signal from the boss, they charge out directly in +your path, shouting the Fascist war cry and scraping +the buttons off your waistcoat. At the same moment +a landslide of gravel is let loose from the fifth floor +<span class="pagenum" id="Page_11">[Pg 11]</span>crashing on top of the flimsy structure over your +head and sending through a blinding shower of fine +white powder which stirs up all that old catarrhal +trouble which the doctor has assured you will cause +your death one day.</p> + +<figure class="figcenter illowp64" id="p010" style="max-width: 49.8125em;"> + <img class="w100" src="images/p010.jpg" alt=""> + <figcaption> + <p>They lie in wait in the ground floor of the new building.</p> + </figcaption> +</figure> + +<p>If you evolve some maneuver calculated to evade +this ordeal by going around the structure on the outside, +you are confronted by a line of trucks backed +up against the curb, making it necessary for you to +go way out to the middle of the street, where you +are immediately run over in the traffic.</p> + +<p>For years now the supine citizens of New York +have forgone the use of their sidewalks, having first +been prohibited the use of their streets, until the +fire in the new Aeolian Building chewed to pieces the +wooden shanty and boardwalk and, it is to be hoped, +did irreparable damage to dozens of wheelbarrows. +It is said that the fire was caused by a workman +leaving an acetylene torch burning in the basement. +Whether it was really a workman or some nerve-racked +patriot with the courage of his convictions +does not matter now. The idea has been implanted +in the minds of hundreds of citizens and it would +not be surprising if, before autumn, construction +companies had evolved some other way of erecting +their buildings.</p> + +<p><span class="pagenum" id="Page_12">[Pg 12]</span></p> + +<figure class="figcenter illowp52" id="p012" style="max-width: 50.0em;"> + <img class="w100" src="images/p012.jpg" alt=""> + <figcaption> + <p>Sending through a blinding shower of fine white powder.</p> + </figcaption> +</figure> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_13">[Pg 13]</span></p> + + + <h2 class="nobreak" id="PAUL_REVERES_RIDE"> + PAUL REVERE’S RIDE + <br> + <i>How a Modest Go-Getter Did His Bit for the Juno + Acid Bath Corporation</i> + </h2> +</div> + + +<p>Following are the salesman’s report sheets +sent into the home office in New York by +Thaddeus Olin, agent for the Juno Acid Bath Corporation. +Mr. Olin had the New England territory +during the spring of 1775 and these report sheets +are dated April 16, 17, 18, and 19, of that year.</p> + + +<p class="author"> + <i>April 16, 1775.</i><br> + <i>Boston.</i> +</p> + +<p>Called on the following engravers this a. m.: +Boston Engraving Co., E. H. Hosstetter, Theodore +Platney, Paul Revere, Benjamin B. Ashley and +Roger Durgin.</p> + +<p>Boston Engraving Co. are all taken care of for +their acid.</p> + +<p>E. H. Hosstetter took three tins of acid No. 4 +on trial and renewed his old order of 7 Queen-Biters.</p> + +<p>Theodore Platney has gone out of business since +my last trip.</p> + +<p>Paul Revere was not in. The man in his shop +<span class="pagenum" id="Page_14">[Pg 14]</span>said that he was busy with some sort of local shin-dig. +Said I might catch him in tomorrow morning.</p> + +<p>The Benjamin Ashley people said they were satisfied +with their present product and contemplated no +change.</p> + +<p>Roger Durgin died last March.</p> + +<p>Things are pretty quiet in Boston right now.</p> + + +<p class="author"> + <i>April 17.</i> +</p> + +<p>Called on Boston Engraving people again to see +if they might not want to try some Daisy No. 3. +Mr. Lithgo was interested and said to come in tomorrow +when Mr. Lithgo, Senior, would be there.</p> + +<p>Paul Revere was not in. He had been in for a +few minutes before the shop opened and had left +word that he would be up at Sam Adams’ in case +anyone wanted him. Went up to the Adams place, +but the girl there said that Mr. Revere and Mr. +Adams had gone over to Mr. Dawes’ place on Milk +Street. Went to Dawes’ place, but the man there +said Dawes and Adams and Revere were in conference. +There seems to be some sort of parade or +something they are getting up, something to do with +the opening of the new foot-bridge to Cambridge, +I believe.</p> + +<p><span class="pagenum" id="Page_15">[Pg 15]</span></p> + +<p>Things are pretty quiet here in Boston, except for +the trade from the British fleet which is out in the +harbour.</p> + +<p>Spent the evening looking around in the coffee +houses. Everyone here is cribbage-crazy. All they +seem to think of is cribbage, cribbage, cribbage.</p> + + +<p class="author"> + <i>April 18.</i> +</p> + +<p>To the Boston Engraving Company and saw Mr. +Lithgo, Senior. He seemed interested in the Daisy +No. 3 acid and said to drop in again later in the +week.</p> + +<p>Paul Revere was out. His assistant said that he +knew that Mr. Revere was in need of a new batch +of acid and had spoken to him about our Vulcan +No. 2 and said he might try some. I would have to +see Mr. Revere personally, he said, as Mr. Revere +makes all purchases himself. He said that he +thought I could catch him over at the Dawes’ place.</p> + +<p>Tried the Dawes’ place but they said that he and +Mr. Revere had gone over to the livery stable on +State Street.</p> + +<p>Went to the livery stable but Revere had gone. +They said he had engaged a horse for tonight for +some sort of entertainment he was taking part in. +The hostler said he heard Mr. Revere say to Mr. +<span class="pagenum" id="Page_16">[Pg 16]</span>Dawes that they might as well go up to the North +Church and see if everything was all set; so I gather +it is a church entertainment.</p> + +<p>Followed them up to the North Church, but there +was nobody there except the caretaker, who said that +he thought I could catch Mr. Revere over at +Charlestown late that night. He described him to +me so that I would know him and said that he probably +would be on horseback. As it seemed to me to +be pretty important that we land the Revere order +for Vulcan No. 2, I figured out that whatever inconvenience +it might cause me to go over to Charlestown +or whatever added expense to the firm, would +be justified.</p> + +<p>Spent the afternoon visiting several printing establishments, +but none of them do any engraving.</p> + +<p>Things are pretty quiet here in Boston.</p> + +<p>Went over to Charlestown after supper and hung +around “The Bell in Hand” tavern looking for Mr. +Revere. Met a man there who used to live in Peapack, +N. J., and we got to talking about what a +funny name for a town that was. Another man said +that in Massachusetts there was actually a place +called Podunk, up near Worcester. We had some +very good cheese and talked over names of towns +for a while. Then the second man, the one who +knew about Podunk, said he had to go as he had +<span class="pagenum" id="Page_17">[Pg 17]</span>a date with a man. After he had left I happened +to bring the conversation around to the fact that +I was waiting for a Mr. Paul Revere, and the first +man told me that I had been talking to him for half +an hour and that he had just gone.</p> + +<p>I rushed out to the corner, but the man who keeps +the watering-trough there said that someone answering +Mr. Revere’s description had just galloped off +on a horse in the direction of Medford. Well, this +just made me determined to land that order for Juno +Acid Bath Corporation or die in the attempt. So +I hired a horse at the Tavern stable and started +off toward Medford.</p> + +<p>Just before I hit Medford I saw a man standing +out in his night-shirt in front of his house looking +up the road. I asked him if he had seen anybody +who looked like Mr. Revere. He seemed +pretty sore and said that some crazy coot had just +ridden by and knocked at his door and yelled something +that he couldn’t understand and that if he +caught him he’d break his back. From his description +of the horse I gathered that Mr. Revere was +the man; so I galloped on.</p> + +<p>A lot of people in Medford Town were up and +standing in front of their houses, cursing like the +one I had just seen. It seems that Mr. Revere had +gone along the roadside, knocking on doors and +<span class="pagenum" id="Page_18">[Pg 18]</span>yelling something which nobody understood, and +then galloping on again.</p> + +<p>“Some god-dam drunk,” said one of the Medfordites, +and they all went back to bed.</p> + +<p>I wasn’t going to be cheated out of my order now, +no matter what happened, and I don’t think that +Mr. Revere could have been drunk, because while +he was with us at “The Bell in Hand,” he had only +four short ales. He had a lot of cheese, though.</p> + +<p>Something seemed to have been the matter with +him, however, because in every town that I rode +through I found people just going back to bed after +having been aroused up out of their sleep by a +mysterious rider. I didn’t tell them that it was Mr. +Revere, or that it was probably some stunt to do +with the shin-dig that he and Mr. Dawes were putting +on for the North Church. I figured out that +it was a little publicity stunt.</p> + +<p>Finally, just as I got into Lexington, I saw my +man getting off his horse at a house right alongside +the Green. I rushed up and caught him just as he +was going in. I introduced myself and told him +that I represented the Juno Acid Bath Corporation +of New York and asked him if he could give me a +few minutes, as I had been following him all the +way from Charlestown and had been to his office +three days in succession. He said that he was busy +<span class="pagenum" id="Page_19">[Pg 19]</span>right at that minute, but that if I wanted to come +along with him upstairs he would talk business on +the way. He asked me if I wasn’t the man he had +been talking to at “The Bell in Hand” and I said +yes, and asked him how Podunk was. This got +him in good humour and he said that we might as +well sit right down then and that he would get +someone else to do what he had to do. So he called +a man-servant and told him to go right upstairs, +wake up Mr. Hancock and Mr. Adams and tell +them to get up, and no fooling. “Keep after them, +Sambo,” he said, “and don’t let them roll over and +go to sleep again. It’s very important.”</p> + +<p>So we sat down in the living room and I got out +our statement of sales for 1774 and showed him +that, in face of increased competition, Juno had +practically doubled its output. “There must be +some reason for an acid outselling its competitors +three to one,” I said, “and that reason, Mr. Revere, +is that a Juno product is a guaranteed product.” He +asked me about the extra sixpence a tin and I asked +him if he would rather pay a sixpence less and get +an inferior grade of acid and he said, “No.” So I +finally landed an order of three dozen tins of Vulcan +No. 2 and a dozen jars of Acme Silver Polish, as +Mr. Revere is a silversmith, also, on the side.</p> + +<p>Took a look around Lexington before I went back +<span class="pagenum" id="Page_20">[Pg 20]</span>to Boston, but didn’t see any engraving plants. +Lexington is pretty quiet right now.</p> + +<p class="author"> + Respectfully submitted,<br> + <span class="smcap">Thaddeus Olin</span>. +</p> + +<p class="center"> + Attached.<br> + <i>Expense Voucher</i><br> + Juno Acid Bath Corp., New York<br> + </p> + <p class="author">Thaddeus Olin, Agent.</p> + +<table class="autotable"> +<tr> +<td class="tdl"> +Hotel in Boston +</td> +<td class="tdr"> +15s. +</td> +</tr> +<tr> +<td class="tdl"> +Stage fare +</td> +<td class="tdr"> +30s. +</td> +</tr> +<tr> +<td class="tdl"> +Meals (4 days) +</td> +<td class="tdr"> +28s. +</td> +</tr> +<tr> +<td class="tdl"> +Entertaining prospects +</td> +<td class="tdr"> +£3 4s. +</td> +</tr> +<tr> +<td class="tdl"> +Horse rent. Charlestown to Lexington and return +</td> +<td class="tdr"> +£2 6s. +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdr"> +——— +</td> +</tr> +<tr> +<td class="tdl"> +Total Expense +</td> +<td class="tdr"> +£9 3s. +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +To Profit on three dozen tins of Vulcan No. 2 and +</td> +<td class="tdr"> +18s. +</td> +</tr> +<tr> +<td class="tdl"> +One dozen jars Acme Silver Polish +</td> +<td class="tdr"> +4s. +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdr"> +——— +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdr"> +£1 2s. +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Net Loss +</td> +<td class="tdr"> +£8 1s. +</td> +</tr> +</table> + + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_21">[Pg 21]</span></p> + + + <h2 class="nobreak" id="FASCINATING_CRIMES"> + FASCINATING CRIMES + <br> + <i>I. The Odd Occurrence in the Life of Dr. Meethas</i> + </h2> +</div> + + +<p>Early in the evening of October 14, 1879, Dr. +Attemas Meethas, a physician of good repute +in Elkhart, Indiana, went into the pantry of his +home at 11 Elm Street, ostensibly to see if there was +any of that cold roast pork left. The good doctor +was given to nibbling cold roast pork when occasion +offered.</p> + +<p>As he passed through the living-room on his way +to the pantry, he spoke to his housekeeper, Mrs. +Omphrey, and said that, if everything turned out all +right, he would be at that cold roast pork in about +half a minute (Elkhart time—an hour earlier than +Eastern time). “Look out for the pits,” Mrs. Omphrey +cautioned him, and went on with her stitching. +Mrs. Omphrey, in her spare time, was a stitcher of +uppers for the local shoe-factory.</p> + +<p>This is the last that was seen of Dr. Attemas +Meethas alive. It is doubtful if he ever even +reached the pantry, for the cold roast pork was +found untouched on a plate, and Dr. Meethas was +found, three days later, hanging from the top of +<span class="pagenum" id="Page_22">[Pg 22]</span>the flag-pole on the roof of the Masonic Lodge. The +mystery was even more puzzling in that Dr. Meethas +was not a Mason.</p> + +<figure class="figcenter illowp71" id="p022" style="max-width: 37.5em;"> + <img class="w100" src="images/p022.jpg" alt=""> + <figcaption> + <p>The revolting death of Dr. Meethas.</p> + <p> + —<i>Courtesy of John Held, Jr., and Life.</i></p> + </figcaption> +</figure> + +<p>Citizens of Elkhart, on being grilled, admitted +having seen the doctor hanging from the flag-pole +for two days, but thought that he was fooling and +would come down soon enough when he got hungry. +<span class="pagenum" id="Page_23">[Pg 23]</span>But when, after three days, he made no sign of +descending, other than to drop off one shoe, a committee +was formed to investigate. It was found that +their fellow-citizen, far from playing a practical +joke on them, had had one played on him, for he was +quite dead, with manifold and singular abrasions. A +particularly revolting feature of the case was that +the little gold chain which the doctor wore over his +right ear, to keep his pince-nez glasses in place, was +still in position. This at once disposed of the possibility +of suicide.</p> + +<p>Mrs. Omphrey and her uppers were held for examination, +as it was understood that she had at one +time made an attempt on the doctor’s life, on the +occasion of his pushing her down when they were +skating together. But her story in the present affair +was impregnable. After the doctor had gone through +the living-room on his way to the pantry, she said +that she continued stitching at her machine until +nine o’clock in the evening. She thought it a little +odd that Dr. Meethas did not return from the pantry, +but figured it out that there was probably quite +a lot of cold roast pork there and that he was +still busy nibbling. At nine o’clock, however, she +stopped work and started on her rounds of the house +to lock up for the night. On reaching the pantry, +she found that her employer was not there, and had +<span class="pagenum" id="Page_24">[Pg 24]</span>not been there; at least that he had not touched the +pork. She thought nothing of it, however, as it occurred +to her that the doctor had probably remembered +an engagement and had left suddenly by the +pantry window in order not to worry her. So, after +finishing the cold pork herself, she locked the bread-box +and retired for the night. The police, on investigation, +found the bread-box locked just as she had +said, and so released Mrs. Omphrey.</p> + +<p>When the news of Dr. Meethas’ accident reached +La Porte, Amos W. Meethas, a brother of the victim +and a respected citizen of the town, came directly to +Elkhart and insisted on an investigation. He said +that his brother had accumulated quite a fortune +tinting postcards on the side, and was known to have +this money hidden in a secret panel in the hammock +which hung on the back porch. The police, guided +by Mr. Amos Meethas, went to the hammock, slid +the panel open and found nothing there but some old +clippings telling of Dr. Meethas’ confirmation in +1848. (He was a confirmed old bachelor.) This +definitely established robbery as the motive for the +crime. The next thing to do was to discover someone +who could climb flag-poles.</p> + +<p>Neighbors of the doctor recalled that some weeks<span class="pagenum"><a id="Page_25"></a>[Pg 25]</span> +before a young man had gone from door to door +asking if anybody wanted his flag-pole climbed. He +<span class="pagenum"><a id="Page_26"></a>[Pg 26]</span>said he was working his way through college climbing +flag-poles and would be grateful for any work, +however small. He was remembered to have been a +short youth about six feet two or three, with hair +blond on one side and dark on the other. This much +the neighbors agreed upon.</p> + +<figure class="figcenter illowp57" id="p025" style="max-width: 50.0em;"> + <img class="w100" src="images/p025.jpg" alt=""> + <figcaption> + <p>Dr. Meethas—The unfortunate victim.</p> + <p> + —<i>Courtesy of John Held, Jr., and Life.</i></p> + </figcaption> +</figure> + +<p>Working in South Bend at the time was a young +man named Herman Trapp. He was apprehended +by the authorities, who subsequently decided that he +had no connection whatever with the tragedy.</p> + +<p>So the strange murder of Dr. Meethas (if indeed +it <i>was</i> a murder) rests to this day unsolved and forgotten, +which is just as well, as it was at best a +pretty dull case.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_27">[Pg 27]</span></p> + + + <h2 class="nobreak" id="UPSETS"> + UPSETS + </h2> +</div> + + +<p>Thus far, the football season of 1927 has been +one of upsets. Nothing has turned out according +to the dope. Therefore, in its remaining +weeks, we predict the following startling deviations +from form:</p> + +<p>1. It will not rain the day of the Big Game.</p> + +<p>2. We shall have no more than a dozen requests +for “a couple of seats.”</p> + +<p>3. Our own seats will be, not in the wooden stands +behind the scoreboard, but out in full view of the +field. (We have to laugh even when writing this +in fun.)</p> + +<p>4. There will not be an intoxicated man in a rhinoceros +coat directly in front of us who jumps up +at the sound of the whistle.</p> + +<p>5. There will not be a small man with a 13½ collar +behind us who has ideas on how the team +should be run.</p> + +<p>6. The game will not have started while we are +milling around in the crowd at the gate.</p> + +<p>7. Nobody will fall down the steps.</p> + +<p>8. Holding tickets for two seats, we shall find +<span class="pagenum" id="Page_28">[Pg 28]</span>that there is space left in which two people can sit +without being married to each other.</p> + +<p>9. We shall not be too hot above the waist and +too cold below.</p> + +<p>10. Harvard will win and we shall see ten dollars +of Donald Ogden Stewart’s money.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_29">[Pg 29]</span></p> + + + <h2 class="nobreak" id="AN_INTERVIEW_WITH_MUSSOLINI"> + AN INTERVIEW WITH MUSSOLINI + </h2> +</div> + + +<p>Mussolini seemed to be a good man to +interview; so I got an interview with him.</p> + +<p>“Mr. Mussolini,” I said, “as I understand your +theory of government, while it is not without its +Greek foundations, it dates even farther back, in +its essence, to the Assyrian system.”</p> + +<p>“What?” asked Mussolini.</p> + +<p>“I said, as I understood your theory of government, +while it is not without its Greek foundations, +it dates even farther back to the ancient Assyrian +system. Am I right?”</p> + +<p>“Assyrian here seen Kelly? K-E-double L-Y. +That was a good song, too,” said Il Duce.</p> + +<p>“A good song is right,” I replied. “And now +might I ask, how did you come by that beard?”</p> + +<p>“That is not a beard,” replied the Great Man. +“That is my forehead. I am smooth-shaven, as a +matter of fact.”</p> + +<p>“So you are, so you are,” I apologized. “I was +forgetting.”</p> + +<p>We both sat silent for a while, thinking of the +old days in Syracuse High.</p> + +<p><span class="pagenum" id="Page_30">[Pg 30]</span></p> + +<p>“Whatever became of her?” It was Il Kuce who +broke the silence.</p> + +<p>“She married and went to Hingham to live,” I +replied, watching him closely.</p> + +<p>He went white for the fraction of a second. Then +he turned to me and said:</p> + +<p>“Give me your A, will you, please?”</p> + +<p>So I gave him my A and we played “<i>Yes Patineurs</i>” +(“The Skaters”), and very pretty, too.</p> + +<p>“I had almost forgotten how it went,” he said.</p> + +<p>“You <i>have</i> forgotten how it went,” I corrected +him. “You play awful.”</p> + +<p>Laughter followed this remark of mine. But I +noticed that Mussolini was not laughing.</p> + +<p>“But about your theory of government,” I said, +hoping to bring the roses back into those cheeks. +“A lot of people try to tell me that it is Phonician, +but I always say ‘No!’”</p> + +<p>“What is it they say it is?” asked Il Huce, all +a-tremble with excitement.</p> + +<p>“Phœnician,” I repeated, putting in the “e.”</p> + +<p>“That’s a tough one,” he said. “You’ll have to +give me a couple of minutes on that. Phœnician, +eh?... Phœnician drive up in a hack and ask +yer.” He put this forward tentatively.</p> + +<p>“Not so good, Il Duce,” I commented.</p> + +<p>His eyes filled with tears.</p> + +<p><span class="pagenum" id="Page_31">[Pg 31]</span></p> + +<p>“Oh, well, then,” I compromised, “have it your +own way.”</p> + +<p>“I’ll have it with plain water, please, and a little +lemon-rind.” It was the Imperator who spoke.</p> + +<p>I signaled to the driver.</p> + +<p>“Stop the interview,” I said simply.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_32">[Pg 32]</span></p> + + + <h2 class="nobreak" id="THE_LIFE_POLAR_EXPEDITION"> + THE LIFE POLAR EXPEDITION + </h2> +</div> + + +<p class="ph3">1</p> + +<p>In spite of the fact that already three polar expeditions +are well under way in the air, <i>Life</i> has +decided that the interests of science demand, or at +any rate, ask nicely for, an expedition to be conducted +through some other medium. We have therefore +decided on the bicycle.</p> + +<p>We realize that our expedition will have to hurry +like everything on bicycles to catch up with the +Amundsen and Byrd groups, but we are willing to +make the try, and all our men are imbued with an +enthusiasm and zeal to carry the banner of <i>Life</i> to +the Pole which cannot but result in <i>something</i>.</p> + +<p>Feverish preparations are now under way for the +belated start of the <i>Life</i> bicycle expedition to the +North Pole. The tardy departure has been due to +the failure of the contractors to finish the trousers-clips +in time, but everything is now in readiness and +it looks as if we might start at any minute now. +The men are all eager to catch up with Amundsen +and Byrd and we all feel that, by very fast pedaling +and no fooling along the way, we can do it.</p> + +<p><span class="pagenum" id="Page_33">[Pg 33]</span></p> + +<p>“We <i>will</i> do it,” Lieutenant Commander Marc +Connelly said to me last night, and that just about +expresses the spirit behind the whole trip.</p> + +<p>“Why did you choose the bicycle?” a lot of people +have asked us. “Why <i>court</i> danger?”</p> + +<p>We realize the risk that we are taking but feel +that the bicycle is the logical means for a party of +our description to reach the Pole. Three years ago +it would have been impossible. But since then we +have learned so much more about the earth’s magnetism +and bicycle navigation that, with the improved +technique in balancing which we have developed, +we feel that the danger is merely nominal. +The farthest that we can possibly fall, in case of an +upset, is in an arc with a radius of six feet. Now +in this latitude (or in any latitude in which we are +likely to be for some time) the rate of acceleration +of a falling body is thirty-two feet per second; so +you will see that it can’t hurt much.</p> + +<p>Furthermore, we are using the new Radley model +bicycle, which combines all the best features of the +old Columbia bicycle with several modern inventions, +such as the gyro-balancer and the flash tail-light. +The gyro-balancer is a contraption attached +to the saddle, by means of which the rider is enabled +to doze or shell nuts as he rides and be assured that, +unless he leans beyond an angle of forty-five degrees, +<span class="pagenum" id="Page_34">[Pg 34]</span>his machine will right itself automatically. If dozing, +however, he must not forget to pedal, as the +gyro-balancer does not function unless the wheel is +in motion. The flash tail-light is more for looks than +anything else. It flashes red, green and vanilla.</p> + +<p>As at present planned, our course to the Pole +will be as follows:</p> + +<p>Leave the <i>Life</i> office at 598 Madison Ave., New +York. Over to Fifth Ave. and up Fifth Ave. to +120th St., skirting Mount Morris Park, past 138th +St. (Mott Haven), striking onto the Bronx River +Parkway. Up through Morrisania, Woodlawn, +Mount Vernon, Bronxville, Tuckahoe, Crestwood, +Scarsdale, and Hartsdale to White Plains. From +White Plains we continue north direct into Canada +and through Canada to Victoria Island. A short +carry across Melville Sound to Melville Island. Another +carry to Borden Island, followed by a short +carry to Axel Heiberg Land and a final carry to +Grant Land on Ellesmere Island. Thence direct to +the Pole.</p> + + +<p class="ph3">2</p> + +<p><i>En route with</i> <span class="allsmcap">LIFE’S</span> <i>Polar Expedition, passing +through 125th St., Manhattan, May 12.</i>—After a +successful hop-off from the curbing in front of the +office of <i>Life</i> at 598 Madison Ave., New York City, +<span class="pagenum" id="Page_35">[Pg 35]</span>we pedalled our bicycles slowly up Madison Ave. to +59th St., where it was discovered that Lieut.-Commander +Connelly’s rear wheel was still locked, a precaution +which had been taken while the machines +were standing in the rack outside the office. This +had made speed out of the question for Lieut.-Commander +Connelly, and had resulted in an odd, dragging +sensation which he was at a loss to account for +until a passerby called his attention to the locked +wheel. The trouble was immediately remedied, and +the expedition proceeded at a much smarter pace up +Madison Ave.</p> + +<p>This little incident, at the very outset of our trip, +while unimportant in itself, just goes to show the +spirit which is animating our men and the determination +in their hearts to see this thing through at any +cost. Lieut.-Commander Connelly might very well +have become discouraged when he found that his +rear wheel was not revolving at all and abandoned +the thing entirely, but with characteristic bulldog +grit he kept pedalling right ahead with only one +wheel and would probably have stuck at it until the +Pole was reached, do or die. It is such courage +that makes us all optimistic.</p> + +<p>Proceeding up Madison Ave. to 60th St., we +turned the wheels at a sharp right angle and cut +across into Fifth Ave. This, while perhaps foolhardy +<span class="pagenum" id="Page_36">[Pg 36]</span>on the face of it, was not the madcap move +that it may seem to you sitting safely at home reading +of our progress. For we had received wireless +messages from the station at 72nd St. and Madison +Ave. that at that corner there was a nasty excavation, +into which we might very well have hurtled +with disastrous results had we kept on our way up +Madison. “I never before realized what a valuable +service the wireless telegraph can accomplish,” said +Ensign Thermaline to me. Ensign Thermaline was +on the bicycle just ahead of me, and as he turned +to make this remark, his front wheel struck the +curbing a glancing blow, which threatened for a +moment to result in a spill, but with rare presence +of mind Ensign Thermaline turned his head front +again without waiting for my corroboration of his +remark (which I would have given willingly had +there been time or had the occasion been more propitious) +and, utilizing the gyro-balancer with which +each of our Radley machines is equipped, righted +himself and his wheel in no time at all. It was an +exciting moment, however, and we all felt better +when Ensign Thermaline was once again headed +straight north up Fifth Ave.</p> + +<p>All of our instruments are in excellent working +order except the flash tail-light on Lieut.-Commander +Connelly’s wheel, which persists in flashing +<span class="pagenum" id="Page_37">[Pg 37]</span>red, a signal that he is going the other way. It +should be flashing green. This has caused a little +confusion among vehicles following in our wake, for +the printed directions in the daily papers stated that +those vehicles encountering our expedition en route +could tell the direction in which we were moving by +watching our flash tail-lights, red if we were going +south and green if we were going north. Something +akin to a panic was caused among the passengers on +a Fifth Ave. bus which was following close on behind +Lieut.-Commander Connelly’s wheel when he suddenly +flashed red, indicating that he was pedalling +head-on for the bus. It was only when Lieut.-Commander +Connelly yelled a cheery “Mistake, +mistake!” that the bus-driver could be convinced +that he ought not to turn aside and let the Connelly +wheel pass.</p> + +<p>We are now approaching 125th St. and the difference +in the atmospheric conditions between lower +and upper Fifth Ave. is distinctly noticeable. The +traffic, while just as heavy, is a little easier to steer +through. Ensign Thermaline seems, at the moment, +to be lost, but I have no doubt that he will turn up +again as soon as that big van gets out of the way +just beyond Capt. Nordney. Capt. Nordney joined +the expedition at the Heckscher Foundation at 104th +St. and Fifth Ave.</p> + +<p><span class="pagenum" id="Page_38">[Pg 38]</span></p> + +<p>It now looks as if we might be able to make 138th +St. (Mott Haven) by night-fall, but I rather hope +that we don’t as there probably wouldn’t be any +place to spend the night. I certainly have never +seen, or heard of, any hotels in that neighborhood.</p> + +<hr class="tb"> + +<p><i>135th St., New York City, May 12.</i>—At 5:58 +p. m. today the <i>Life</i> Polar Expedition passed through +this street, bearing N.E. by N. The members +seemed a little tired and Lieut.-Commander Connelly’s +wheel was dragging badly. Commander +Benchley was sending out messages in all directions, +asking if anyone knew where they could put up for +the night.</p> + +<hr class="tb"> + +<p><i>Railroad Y. M. C. A., 140th St., New York City, +May 12.</i>—Preparations are being made here to take +care of the <i>Life</i> Polar Expedition, which is due to +make a landing at 6:20 p. m. Searchlights are in +readiness and hot baths are being run to accommodate +at least two of the party.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_39">[Pg 39]</span></p> + + + <h2 class="nobreak" id="THE_SAVING-OLD-IRONSIDES_HABIT"> + THE SAVING-“OLD-IRONSIDES” HABIT + </h2> +</div> + + +<p>The annual campaign to “Save ‘Old Ironsides’” +is on again. Every few years this +ancient frigate is saved from some mysterious destruction, +school children are lathered up into a foam +of patriotic excitement in which they bring pennies +from their banks to aid in the crisis, speeches are +made and banners unfurled, and everybody sinks +back with a sigh of relief. “Old Ironsides” has +been saved again!</p> + +<p>And yet it hardly seems more than a couple of +years before the cry goes up again: “The enemy!” +and bang! a shot whistles across the bows of the +famous ship. Then it’s “Save ‘Old Ironsides,’ +boys!” and the whole thing begins all over again.</p> + +<p>Oliver Wendell Holmes, who aided the first “Save +‘Old Ironsides’” campaign by writing, “Ay, tear her +tattered ensign down!” must smile a rather wan +smile as he realizes that all that he did was save +“Old Ironsides” for the fiscal year 1887-8 and that +ever since then a Saving Committee has been kept +busy night and day planning future campaigns. +They say that the 1930 campaign is going to be the +biggest and best yet.</p> + +<p><span class="pagenum" id="Page_40">[Pg 40]</span></p> + +<p>What are these malign forces that seem so persistent +in their plots to wreck the good ship “Constitution”? +Sometimes it is an unsentimental Government +that threatens to junk the whole thing. At +other times it is the forces of Nature, which seem +to wait until our backs are turned after a money-raising +campaign and then jump at the poor old +sea-dog as she lies in safety at Charlestown and bid +fair to tear her limb from limb.</p> + +<p>Whatever it is that we are constantly fighting off, +would it not be possible to raise enough money at +one crack to keep “Old Ironsides” afloat <i>forever</i>? +We have a national surplus of $390,000,000. +Couldn’t we just settle this whole thing once and for +all by devoting, let us say, half of that to seeing +that no more harm ever comes to this precious relic?</p> + +<p>Having saved her three times, and won three legs +on the trophy, might we not be entitled to permanent +possession of it?</p> + +<p>Or has the fact that there is a movie entitled +“Old Ironsides” anything to do with what James +Russell Lowell called “The Present Crisis”?</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_41">[Pg 41]</span></p> + + + <h2 class="nobreak" id="A_GOOD_OLD-FASHIONED_CHRISTMAS"> + A GOOD OLD-FASHIONED CHRISTMAS + </h2> +</div> + + +<p>Sooner or later at every Christmas party, just +as things are beginning to get good, someone +shuts his eyes, puts his head back and moans softly: +“Ah, well, this isn’t like the old days. We don’t +seem to have any good old-fashioned Christmases +any more.” To which the answer from my corner of +the room is: “All right! That suits me!”</p> + +<p>Just what they have in mind when they say “old-fashioned +Christmas” you never can pin them down +to telling. “Lots of snow,” they mutter, “and lots +of food.” Yet, if you work it right, you can still +get plenty of snow and food today. Snow, at any +rate.</p> + +<p>Then there seems to be some idea of the old-fashioned +Christmas being, of necessity, in the country. +It doesn’t make any difference whether you +were raised on a farm or whether your ideas of a +rural Christmas were gleaned from pictures in old +copies of “Harper’s Young People,” you must give +folks to understand that such were the surroundings +in which you spent your childhood holidays. And +that, ah, me, those days will never come again!</p> + +<p><span class="pagenum" id="Page_42">[Pg 42]</span></p> + +<p>Well, supposing you get your wish some time. +Supposing, let us say, your wife’s folks who live up +in East Russet, Vermont, write and ask you to come +up and bring the children for a good old-fashioned +Christmas, “while we are all still together,” they add +cheerily with their flair for putting everybody in +good humor.</p> + +<p>Hurray, hurray! Off to the country for Christmas! +Pack up all the warm clothes in the house, +for you will need them up there where the air is +clean and cold. Snow-shoes? Yes, put them in, or +better yet, Daddy will carry them. What fun! +Take along some sleigh-bells to jangle in case +there aren’t enough on the pung. There must be +jangling sleigh-bells. And whisky for frost-bite. +Or is it snake-bite that whisky is for? Anyway, +put it in! We’re off! Good-by, all! Good-by! +<span class="allsmcap">JANGLE-JANGLE-JANGLE</span>-Jangle-Jangle-Jangle-jangle-jangle-jangle-jangle-jangle-jangle!</p> + +<p>In order to get to East Russet you take the Vermont +Central as far as Twitchell’s Falls and change +there for Torpid River Junction, where a spur line<span class="pagenum"><a id="Page_43"></a>[Pg 43]</span> +takes you right into Gormley. At Gormley you are +met by a buckboard which takes you back to Torpid +River Junction again. By this time a train or something +has come in which will wait for the local from +Besus. While waiting for this you will have time to +<span class="pagenum"><a id="Page_44"></a>[Pg 44]</span>send your little boy to school, so that he can finish +the third grade.</p> + +<figure class="figcenter illowp49" id="p043" style="max-width: 50.0em;"> + <img class="w100" src="images/p043.jpg" alt=""> + <figcaption> + <p>Esther Girl giddaps, and two suitcases fall out.</p> + </figcaption> +</figure> + +<p>At East Russet Grandpa meets you with the +sleigh. The bags are piled in and Mother sits in +front with Lester in her lap while Daddy takes +Junior and Ga-Ga in back with him and the luggage. +Giddap, Esther Girl!</p> + +<p>Esther Girl giddaps, and two suitcases fall out. +Heigh-ho! Out we get and pick them up, brushing +the snow off and filling our cuffs with it as we do so. +After all, there is nothing like snow for getting up +one’s cuffs. Good clean snow never hurt anyone. +Which is lucky, because after you have gone a mile +or so, you discover that Ga-Ga is missing. Never +mind, she is a self-reliant little girl and will doubtless +find her way to the farm by herself. Probably she +will be there waiting for you when you arrive.</p> + +<p>The farm is situated on a hill about eleven hundred +miles from the center of town, just before you +get into Canada. If there is a breeze in winter, they +get it. But what do they care for breezes, so long +as they have the Little Colonel oil-heater in the +front room, to make everything cozy and warm +within a radius of four inches! And the big open +fireplace with the draught coming down it! Fun for +everybody!</p> + +<p>You are just driving up to the farmhouse in the +<span class="pagenum" id="Page_45">[Pg 45]</span>sleigh, with the entire right leg frozen where the lap +robe has slipped out. Grandma is waiting for you +at the door and you bustle in, all glowing with good +cheer. “Merry Christmas, Grandma!” Lester is +cross and Junior is asleep and has to be dragged by +the hand upstairs, bumping against each step all +the way. It is so late that you decide that you all +might as well go to bed, especially as you learn that +breakfast is at four-thirty. It usually is at four, but +Christmas being a holiday everyone sleeps late.</p> + +<p>As you reach the top of the stairs you get into a +current of cold air which has something of the +quality of the temperature in a nice well-regulated +crypt. This is the Bed Room Zone, and in it the +thermometer never tops the zero mark from October +fifteenth until the middle of May. Those rooms in +which no one sleeps are used to store perishable +vegetables in, and someone has to keep thumbing +the tomatoes and pears every so often to prevent +their getting so hard that they crack.</p> + +<p>The way to get undressed for bed in one of +Grandpa’s bedrooms is as follows: Starting from +the foot of the stairs where it is warm, run up two +at a time to keep the circulation going as long as +possible. Opening the bedroom door with one hand, +tear down the curtains from the windows with the +other, pick up the rugs from the floor and snatch +<span class="pagenum" id="Page_46">[Pg 46]</span>the spread from the top of the bureau. Pile all +these on the bed, cover with the closet door which +you have wrenched from its hinges, and leap quickly +underneath. It sometimes helps to put on a pair +of rubbers over your shoes.</p> + +<p>And even when you are in bed, you have no +guarantee of going to sleep. Grandpa’s mattresses +seem to contain the overflow from the silo, cornhusks, +baked-potato skins and long, stringy affairs +which feel like pipe cleaners. On a cold night, +snuggling down into these is about like snuggling +down into a bed of damp pine cones out in the +forest.</p> + +<p>Then there are Things abroad in the house. +Shortly after you get into bed, the stairs start snapping. +Next something runs along the roof over your +head. You say to yourself: “Don’t be silly. It’s +only Santa Claus.” Then it runs along in the wall +behind the head of the bed. Santa Claus wouldn’t +do that. Down the long hall which leads into the ell +of the house you can hear the wind sighing softly, +with an occasional reassuring bang of a door.</p> + +<p>The unmistakable sound of someone dying in +great pain rises from just below the window-sill. It +is a sort of low moan, with just a touch of strangulation +in it. Perhaps Santa has fallen off the roof. +Perhaps that story you once heard about Grandpa’s +<span class="pagenum" id="Page_47">[Pg 47]</span>house having been a hang-out for Revolutionary +smugglers is true, and one of the smugglers has +come back for his umbrella. The only place at a +time like this is down under the bedclothes. But +the children become frightened and demand to be +taken home, and Grandpa has to be called to explain +that it is only Blue Bell out in the barn. Blue Bell +has asthma, and on a cold night they have to be +very patient with her.</p> + +<p>Christmas morning dawns cloudy and cold, with +the threat of plenty more snow, and, after all, what +would Christmas be without snow? You lie in bed +for one hour and a quarter trying to figure out how +you can get up without losing the covers from +around you. A glance at the water pitcher shows +that it is time for them to put the red ball up for +skating. You think of the nice warm bathroom at +home, and decide that you can wait until you get +back there before shaving.</p> + +<p>This breaking the ice in the pitcher seems to be a +feature of the early lives of all great men which +they look back on with tremendous satisfaction. +“When I was a boy, I used to have to break the +ice in the pitcher every morning before I could +wash,” is said with as much pride as one might say, +“When I was a boy I stood at the head of my class.” +Just what virtue there is in having to break ice in a +<span class="pagenum" id="Page_48">[Pg 48]</span>pitcher is not evident, unless it lies in their taking +the bother to break the ice and wash at all. Any +time that I have to break ice in a pitcher as a preliminary +to washing, I go unwashed, that’s all. And +Benjamin Franklin and U. S. Grant and Rutherford +B. Hayes can laugh as much as they like. I’m nobody’s +fool about a thing like that.</p> + +<figure class="figcenter illowp71" id="p048" style="max-width: 50.0em;"> + <img class="w100" src="images/p048.jpg" alt=""> + <figcaption> + <p>The entire family enters, purple and chattering and + exceedingly cross.</p> + </figcaption> +</figure> + +<p><span class="pagenum" id="Page_49">[Pg 49]</span></p> + +<p>Getting the children dressed is a lot of fun when +you have to keep pumping their limbs up and down +to keep them from freezing out stiff. The children +love it and are just as bright and merry as little +pixies when it is time to go downstairs and say +“Good morning” to Grandpa and Grandma. The +entire family enters the dining-room purple and +chattering and exceedingly cross.</p> + +<p>After breakfast everyone begins getting dinner. +The kitchen being the only warm place in the house +may have something to do with it. But before long +there are so many potato peelings and turkey +feathers and squash seeds and floating bits of pie +crust in the kitchen that the women-folk send you +and the children off into the front part of the house +to amuse yourselves and get out of the way.</p> + +<p>Then what a jolly time you and the kiddies and +Grandpa have together! You can either slide on the +horse-hair sofa, or play “The Wayside Chapel” on +the piano (the piano has scroll-work on either side +of the music rack with yellow silk showing through), +or look out the window and see ten miles of dark +gray snow. Perhaps you may even go out to the +barn and look at the horses and cows, but really, +as you walk down between the stalls, when you have +seen one horse or one cow you have seen them all. +And besides, the cold in the barn has an added +<span class="pagenum" id="Page_50">[Pg 50]</span>flavor of damp harness leather and musty carriage +upholstery which eats into your very marrow.</p> + +<p>Of course, there are the presents to be distributed, +but that takes on much the same aspect as the same +ceremony in the new-fashioned Christmas, except +that in the really old-fashioned Christmas the presents +weren’t so tricky. Children got mostly mittens +and shoes, with a sled thrown in sometimes for dissipation. +Where a boy today is bored by three +o’clock in the afternoon with his electric grain-elevator +and miniature pond with real perch in it, +the old-fashioned boy was lucky if he got a copy +of “Naval Battles of the War of 1812” and an orange. +Now this feature is often brought up in praise +of the old way of doing things. “I tell you,” says +Uncle Gyp, “the children in my time never got such +presents as you get today.” And he seems proud +of the fact, as if there were some virtue accruing to +him for it. If the children of today can get electric +grain-elevators and tin automobiles for Christmas, +why aren’t they that much better off than their +grandfathers who got only wristlets? Learning the +value of money, which seems to be the only argument +of the stand-patters, doesn’t hold very much +water as a Christmas slogan. The value of money +can be learned in just about five minutes when the +time comes, but Christmas is not the season.</p> + +<p><span class="pagenum" id="Page_51">[Pg 51]</span></p> + +<p>But to return to the farm, where you and the +kiddies and Gramp’ are killing time. You can either +bring in wood from the woodshed, or thaw out the +pump, or read the books in the bookcase over the +writing-desk. Of the three, bringing in the wood will +probably be the most fun, as you are likely to burn +yourself thawing out the pump, and the list of reading +matter on hand includes “The Life and Deeds of +General Grant,” “Our First Century,” “Andy’s Trip +to Portland,” bound volumes of the Jersey Cattle +Breeders’ Gazette and “Diseases of the Horse.” +Then there are some old copies of “Round the +Lamp” for the years 1850-54 and some colored +plates showing plans for the approaching World’s +Fair at Chicago.</p> + +<p>Thus the time passes, in one round of gayety after +another, until you are summoned to dinner. Here +all caviling must cease. The dinner lives up to the +advertising. If an old-fashioned Christmas could +consist entirely of dinner without the old-fashioned +bedrooms, the old-fashioned pitcher, and the old-fashioned +entertainments, we professional pessimists +wouldn’t have a turkey-leg left to stand on. But, as +has been pointed out, it is possible to get a good +dinner without going up to East Russet, Vt., or, if +it isn’t, then our civilization has been a failure.</p> + +<p>And the dinner only makes the aftermath seem +<span class="pagenum" id="Page_52">[Pg 52]</span>worse. According to an old custom of the human +race, everyone overeats. Deliberately and with considerable +gusto you sit at the table and say pleasantly: +“My, but I won’t be able to walk after this. +Just a little more of the dark meat, please, Grandpa, +just a dab of stuffing. Oh, dear, that’s too +<span class="pagenum" id="Page_53">[Pg 53]</span>much!” You haven’t the excuse of the drunkard, +who becomes oblivious to his excesses after several +drinks. You know what you are doing, and yet +you make light of it and even laugh about it as long +as you <i>can</i> laugh without splitting out a seam.</p> + +<figure class="figcenter illowp67" id="p052" style="max-width: 50.0em;"> + <img class="w100" src="images/p052.jpg" alt=""> + <figcaption> + <p>Then you sit and moan.</p> + </figcaption> +</figure> + +<p>And then you sit and moan. If you were having +a good new-fashioned Christmas you could go out +to the movies or take a walk, or a ride, but to be +really old-fashioned you must stick close to the +house, for in the old days there were no movies and +no automobiles and if you wanted to take a walk +you had to have the hired man go ahead of you +with a snow-shovel and make a tunnel. There are +probably plenty of things to do in the country +today, and just as many automobiles and electric +lights as there are in the city, but you can’t call +Christmas with all these improvements “an old-fashioned +Christmas.” That’s cheating.</p> + +<p>If you are going through with the thing right, you +have got to retire to the sitting-room after dinner +and <i>sit</i>. Of course, you can go out and play in the +snow if you want to, but you know as well as I do +that this playing in the snow is all right when you +are small but a bit trying on anyone over thirty. +And anyway, it always began to snow along about +three in the afternoon an old-fashioned Christmas +day, with a cheery old leaden sky overhead and a +<span class="pagenum" id="Page_54">[Pg 54]</span>jolly old gale sweeping around the corners of the +house.</p> + +<p>No, you simply must sit indoors, in front of a fire +if you insist, but nevertheless with nothing much to +do. The children are sleepy and snarling. Grandpa +is just sleepy. Someone tries to start the conversation, +but everyone else is too gorged with food to be +able to move the lower jaw sufficiently to articulate. +It develops that the family is in possession of the +loudest-ticking clock in the world and along about +four o’clock it begins to break its own record. A +stenographic report of the proceedings would read as +follows:</p> + +<blockquote> +<p>“Ho-hum! I’m sleepy! I shouldn’t have eaten so +much.”</p> + +<p>“Tick-tock-tick-tock-tick-tock-tick-tock—”</p> + +<p>“It seems just like Sunday, doesn’t it?”</p> + +<p>“Look at Grandpa! He’s asleep.”</p> + +<p>“Here, Junior! Don’t plague Grandpa. Let him +sleep.”</p> + +<p>“Tick-tock-tick-tock-tick-tock—”</p> + +<p>“Junior! Let Grandpa alone! Do you want Mamma +to take you upstairs?”</p> + +<p>“Ho-hum!”</p> + +<p>“Tick-tock-tick-tock-tick-tock—”</p> +</blockquote> + +<p>Louder and louder the clock ticks, until something +snaps in your brain and you give a sudden leap into +<span class="pagenum" id="Page_55">[Pg 55]</span>the air with a scream, finally descending to strangle +each of the family in turn, and Grandpa as he sleeps. +Then, as you feel your end is near, all the warm +things you have ever known come back to you, in a +flash. You remember the hot Sunday subway to +Coney, your trip to Mexico, the bull-fighters of +Spain.</p> + +<p>You dash out into the snowdrifts and plunge +along until you sink exhausted. Only the fact that +this article ends here keeps you from freezing to +death, with an obituary the next day reading:</p> + +<p>“DIED suddenly, at East Russet, Vt., of an old-fashioned +Christmas.”</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_56">[Pg 56]</span></p> + + + <h2 class="nobreak" id="LIFE_IN_THE_RITZ_TENEMENT"> + LIFE IN THE RITZ TENEMENT + </h2> +</div> + +<p>[A recent ruling of the Tenement House Commission + places all of New York’s new apartment-houses in the + technical classification of “tenements” for the enforcement + of certain clauses of the Tenement House Law.]</p> + + +<p class="hanging-indent1"><span class="smcap">Scene</span>: <i>The rear of Mr. Brisbane’s new apartment +palace—the Ritz Tower. It is Monday morning +and the tenants are seen hanging out their wash +from the kitchen windows.</i></p> + +<p><span class="smcap">Twenty-first Floor Back</span>: Good morning to +you, Mrs. Van Cleve! A charming day, isn’t it?</p> + +<p><span class="smcap">Twenty-second Floor Back</span>: The same to you, +Mrs. Thornton-Martin. And too charming a day to +be cooped up inside like this.</p> + +<p><span class="smcap">Twenty-first Floor</span>: My <i>dear</i>, the killingest +thing! Speaking of being cooped up—did you hear +that (<i>lowering the voice</i>) Freddie Welt was arrested +Saturday?</p> + +<p><span class="smcap">Twenty-second Floor</span>: The Welts on the thirty-fifth +floor! My <i>dear</i>, how frightful! What for?</p> + +<p><span class="smcap">Twenty-first</span>: Well, it seems that Freddie and +some of the boys from the Linx Club had been playing +polo—</p> + +<p><span class="pagenum" id="Page_57">[Pg 57]</span></p> + +<figure class="figcenter illowp27" id="p057" style="max-width: 25.0em;"> + <img class="w100" src="images/p057.jpg" alt=""> + <figcaption> + <p>“Good morning to you, Mrs. Van Cleve!”</p> + </figcaption> +</figure> + +<p><span class="pagenum" id="Page_58">[Pg 58]</span></p> + +<p>(<i>A delivery boy from Cartier’s clatters up the +back stairway.</i>)</p> + +<p><span class="smcap">Boy</span>: Van Buren live here?</p> + +<p><span class="smcap">Thirtieth Floor</span>: Two flights up. They’re out +now. You can leave the stuff here.</p> + +<p><span class="smcap">Boy</span>: Three thousand dollars collect on it.</p> + +<p><span class="smcap">Thirtieth Floor</span>: Go on up and tuck it under +the door.</p> + +<p><span class="smcap">Twenty-ninth Floor</span>: I’m going to speak to the +janitor about those folks on the twenty-eighth.</p> + +<p><span class="smcap">Thirtieth Floor</span>: A lot of good it will do. +They’re his cousins. What have they done now?</p> + +<p><span class="smcap">Twenty-ninth Floor</span>: All their empty champagne +bottles out by the back door where Reggie +stumbles over them going to work in the morning! +They had a lot of Roumanians up there last night +till four in the morning.</p> + +<p><span class="smcap">Thirtieth Floor</span>: Roumanians, eh? Why don’t +those people go back where they came from if they +don’t like it here?</p> + +<p><span class="smcap">Twenty-ninth Floor</span>: That’s what I’d like to +know. I said to Reggie last night, I said, “Reggie, if +you were half a man you’d go down there and tell +them that if they can’t behave themselves why don’t +they go over to the Racquet Club where they belong.”</p> + +<p><span class="pagenum" id="Page_59">[Pg 59]</span></p> + +<p><span class="smcap">Twenty-eighth Floor</span> (<i>flinging open her window</i>): +Oh, is that so?</p> + +<p><span class="smcap">Twenty-ninth Floor</span>: Yes, that’s so!</p> + +<p><span class="smcap">Twenty-eighth Floor</span>: Well, if you’d keep that +person with the fiddle quiet once in a while the rest +of us might get some rest.</p> + +<p><span class="smcap">Twenty-ninth Floor</span> (<i>to the shaft in general</i>): +She calls Jascha Heifetz “that person with a fiddle!”</p> + +<p><span class="smcap">Twenty-eighth Floor</span>: Jascha Heifetz or +Mischa Elman—it’s all the same to me. Don’t he +get enough money playing in concerts that he should +come around playing at people’s tenements all the +time?</p> + +<p><span class="smcap">Thirty-fourth Floor</span> (<i>slamming open the window</i>): +Shut up below there, will you! (<i>Throws out +a pan full of alligator pear rinds.</i>)</p> + +<p><span class="smcap">The Policeman on the Beat</span> (<i>from below</i>): +Come on up there, cut that out or I’ll run yez all in!</p> + +<p>(<i>All the heads are drawn in and the windows +slammed shut.</i>)</p> + +<p><span class="smcap">A Voice on the Stairs with Bell Accompaniment</span>: +Oyster-forks sharpened! Oyster-forks sharpened!</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_60">[Pg 60]</span></p> + + + <h2 class="nobreak" id="OLD_PROGRAM_FROM_THE_BENCHLEY"> + OLD PROGRAM FROM THE BENCHLEY + COLLECTION + <br> + <i>A Glance Backward in the Manner of the Authors of + Theatrical Reminiscences</i> + </h2> +</div> + + +<p>Few, probably, of my readers, will remember the +time when the old Forrest Theater stood where +the Central Park Reservoir now is. In those days, +Central Park was considered ’way downtown, or +“crosstown,” as they called it then, and one of the +larks of the period was going “down to Central Park +to see the turtles.” There was a large turtle farm +in the Park at that time, run by Anderson M. Ferderber, +and it was this turtle farm, expanding and +growing as the turtles became more venturesome, +which later became the Zoological Exhibit.</p> + +<p>I remember very well the night when it was announced +at the Forrest Theater that the building +was to be torn down to make way for the new +Reservoir. It was, as I recall, H. M. Ramus +(“Henry” Ramus) who made the announcement. +He was playing <i>Laertes</i> at the time (<i>Laertes</i> was +played with the deuces wild and a ten-cent limit) +when the manager of the theater (Arthur Semden, +<span class="pagenum" id="Page_61">[Pg 61]</span>who later became Harrison Blashforth) came into +the dressing-room and said: “Well, boys, it’s all +over. They’re going to build the Reservoir here!” +There was a silence for a full minute—probably +more, for the manager had come into the wrong +dressing-room and there was nobody there.</p> + +<p>At any rate, “Henry” Ramus was selected to go +out and tell the audience. He did it with infinite +tact, explaining that there was no need for alarm or +panic, as the water could not possibly be let in until +the theater was down and the Reservoir constructed, +but the audience was evidently taking no chances +on being drowned, for within three minutes from the +time Ramus began speaking everyone in the theater +was outdoors and in a hansom cab. Audience psychology +is a queer thing, and possibly this audience +knew best. At any rate, the old Forrest Theater is +no more.</p> + +<p>Speaking of “Henry” Ramus, an amusing anecdote +is told of Whitney Hersh. Hersh was playing +with Booth in Philadelphia at the time, and was well +known for his ability to catch cold, a characteristic +which won him many new friends but lost him several +old ones. The theater where Booth was playing<span class="pagenum"><a id="Page_62"></a>[Pg 62]</span> +in <i>The Queen’s Quandary, or What’s Open Can’t Be +Shut</i>, was the old Chestnut Street Opera House +which stood at the corner of what was then Arch, +<span class="pagenum"><a id="Page_63"></a>[Pg 63]</span>Chestnut, Spruce, Pine and Curly Maple Streets. +This theater was noted in the profession for its +slanting stage, so much so, in fact, that Booth, on +hearing that they were to play there, is said to have +remarked: “The Chestnut Street, eh?” On being +assured that he had heard correctly, Booth simply +smiled. He later founded the Player’s Club.</p> + +<figure class="figcenter illowp52" id="p062" style="max-width: 50.0em;"> + <img class="w100" src="images/p062.jpg" alt=""> + <figcaption> + <p>UP AND AWAY</p> + <p>OR NOBODY KNOWS BUT NERO</p> + <p>OR THREE TIMES SIX IS EIGHTEEN</p> + <p>(<i>Choice of any two titles</i>)</p> + +<table class="autotable"> +<tr> +<td class="tdl"> +Jonathan Henchman, father of Ralph Henchman and Mother of Men, Old Yale +</td> +<td class="tdl"> +<span class="smcap">Mr. Macready</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Ralph Henchman, father of Jonathan Henchman and a rather wild young chap +</td> +<td class="tdl"> +<span class="smcap">Mr. Junius Booth</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Jack Wyman, M.D., a doctor who has more “patience” than “patients” +</td> +<td class="tdl"> +<span class="smcap">Mr. Edmund Keene</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Professor Hawksworth, an irascible old fellow who specializes in bird troubles +</td> +<td class="tdl"> +<span class="smcap">Mr. Hornblow</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Professor Hawksworth, an irascible old fellow who specializes in bird troubles +</td> +<td class="tdl"> +<span class="smcap">Mr. Junius Booth</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Meeker, a party who lives by his wits and not much of that. +</td> +<td class="tdl"> +<span class="smcap">Mr. Jonathan Edwards</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Eugenia, daughter of Jonathan Henchman +</td> +<td class="tdl"> +<span class="smcap">Mrs. Siddons</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Mlle. de Bon-Ton, a young lady who is not above drinking a little champagne now and then. +</td> +<td class="tdl"> +<span class="smcap">Miss Cushman</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Eliza, maid at the Nortons. +</td> +<td class="tdl"> +<span class="smcap">By Herself</span> +</td> +</tr> +<tr> +<td class="tdl"> + +</td> +<td class="tdl"> + +</td> +</tr> +<tr> +<td class="tdl"> +Hamlet, Prince of Denmark +</td> +<td class="tdl"> +<span class="smcap">Mr. William A. Brady</span> +</td> +</tr> +</table> + </figcaption> +</figure> + +<p>In <i>The Queen’s Quandary, or What’s Open Can’t +Be Shut</i>, Hersh had to play the part of <i>Rodney +Ransome</i>, the father of several people. In the second +act there was a scene in which <i>Rodney</i> had to +say to <i>Marian</i>:</p> + +<p>“But I thought you said the Duke <i>had</i> no moustache!”</p> + +<p>To which <i>Marian</i> was supposed to reply: “I +never was more serious in all my life.”</p> + +<p>On the night of the opening performance Hersh +was, as usual, very nervous. He got through the +first act all right, with the aid of several promptings +from his mother who was sitting in the balcony. +But when the second act came along, it was evident +to the other members of the company that Hersh +could not be relied upon. This feeling was strengthened +by the fact that he was nowhere to be found. +They searched high and low for him but, like the +sword of Damocles, he had disappeared. At the +curtain to the second act, however, he was discovered +<span class="pagenum" id="Page_64">[Pg 64]</span>sitting out front in D-113 applauding loudly +and calling out: “Hersh! We-want-Hersh!” The +only way they could get him back on the stage was +a ruse which was not without its pathetic side. The +manager of the house stepped out in front of the +curtain and asked if any member of the audience +would volunteer to come upon the stage and be +hypnotized. Hersh, who had always wanted to go +on the stage, was one of the first to push his way +up. Once behind the footlights again his nervousness +left him and he went on with his part where +he had left off. It did not fit in with the rest of +the play, but they were all so glad to have him back +in the cast again that they said nothing about it to +him, and whenever, in later years, he himself mentioned +the affair, it was always as “that time in +Philadelphia when I was so nervous.”... And +that little girl was Charlotte Cushman.</p> + +<p>It was at this time that Stopford’s <i>A New Way +With Old Husbands, or The Mysterious Drummer-Boy</i>, +was given its first performance at the old +Garrick Theater in New York. The old Garrick +Theater was torn down in 1878 to make way for +the new Garrick Theater, which, in its turn, was +torn down in 1880 to make way for the old Garrick +again. It is the old, or new, Garrick which now +stands at Broadway and Tenth Street on the spot +<span class="pagenum" id="Page_65">[Pg 65]</span>known to passers-by as “Wanamaker’s.” Thus is +the silver cord loosed and the pitcher broken at the +well.</p> + +<p><i>A New Way With Old Husbands, or The Mysterious +Drummer-Boy</i> was written for Ada Rehan, but +she was in Fall River at the time; so the part was +given to a young woman who had come to the theater +that morning asking if a Mr. Wasserman lived +there. On being told that it was not a private +dwelling and that there was no one there named +Wasserman, she had said:</p> + +<p>“Well, then, does anyone here want to subscribe +to the <i>Saturday Evening Post</i>?”</p> + +<p>Those members of the cast who had gathered on +the bare stage for rehearsal were so impressed by +the young woman’s courage that a purse was taken +up for her children in case she had any and, in case +she had no children, for her next of kin.</p> + +<p>“I do not want money,” she said, taking it. “All +I want is a chance to prove my ability on the stage.”</p> + +<p>“Can you make the sound of crashing glass?” +asked Arthur Reese, the stage manager.</p> + +<p>“I think so,” replied the young woman without +looking up.</p> + +<p>Reese looked at Meany, the assistant stage manager. +“She is the one we want,” he said quietly.</p> + +<p>So the young woman was engaged.... Some +<span class="pagenum" id="Page_66">[Pg 66]</span>thirty years later the Empire Theater in New York +was aglow with lights on the occasion of the opening +of <i>Call the Doctor</i>. Gay ladies, bejeweled and bejabbered, +were running back and forth in the lobby, +holding court, while tall, dark gentlemen in evening +dress danced attendance. Those who couldn’t dance +sat it out. It was the metropolitan season at its +height.</p> + +<p>Suddenly a man burst excitedly through the crowd +and made his way to the box-office.</p> + +<p>“This seat is ridiculous,” he exclaimed to the +Treasurer of the theater (Roger M. Wakle, at the +time). “I can’t even see the stage from it.”</p> + +<p>“That is not so strange as it may seem to you at +first,” replied Wakle, “for the curtain is not up yet.”</p> + +<p>A hush fell over the crowded lobby. This was +followed somewhat later by a buzz of excitement. +This, in turn, was followed by a detail of mounted +police. Men looked at women and at each other.... +For that young man was Charlotte Cushman.</p> + +<p>It was about this time, as I remember it (or +maybe later) that the old Augustin Daly Stock +Company was at the top of its popularity and everyone +was excited over the forthcoming production of +<i>Up and Away</i>. It had been in rehearsal for several +weeks when Tom Nevers asked Daly how much +longer they were going to rehearse.</p> + +<p><span class="pagenum" id="Page_67">[Pg 67]</span></p> + +<p>“Oh, about another week,” replied Daly, with that +old hat which later made him famous.</p> + +<p>You can imagine Nevers’ feelings!</p> + +<p>A glance at the cast assembled for this production +might be of interest in the light of subsequent events +(the completion of the vehicular tunnel and the +Centennial Exposition). So anyway it is in the +middle of page 57 to look at if you want to.</p> + +<p>As it turned out, <i>Up and Away</i> was never produced, +as it was found to be too much trouble. But +the old Augustin Daly Stock Company will not soon +be forgotten.</p> + +<p>My memories of St. Louis are of the pleasantest. +We played there in Dante’s <i>Really Mrs. Warrington</i>—and +<i>Twelfth Night</i>. The <i>St. Louis Post-Dispatch</i>, +on the morning following our opening, said:</p> + +<p>“It is quite probable that before the end of the +year we shall see the beginning of the end of the +work on the McNaffen Dam. The project has been +under construction now for three years and while +there can be no suspicion thrown on the awarding of +the contracts, nevertheless we must say that the +work has progressed but slowly.”</p> + +<p>It was while we were playing in St. Louis that +the news came of the capture of J. Wilkes Booth. +A performance of <i>Richelieu</i> was in progress, in +which I was playing <i>Rafferty</i>, and Fanny Davenport +<span class="pagenum" id="Page_68">[Pg 68]</span>the <i>Queen</i>. In the second act there is a scene in +which <i>Rafferty</i> says to <i>La Pouce</i>:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>I can not, tho’ my tongue were free,</i></div> + <div class="verse indent2"><i>Repeat the message that my liege inspires,</i></div> + <div class="verse indent0"><i>And tho’ you ask it, were it mine,</i></div> + <div class="verse indent2"><i>And hope you’ll be my Valentine.</i>”</div> + </div> + </div> +</div> + +<p>Following this speech, <i>Rafferty</i> falls down and +opens up a bad gash in his forehead.</p> + +<p>We had come to this scene on the night I mention, +when I noticed that the audience was tittering. I +could not imagine what the matter was, and naturally +thought of all kinds of things—sheep jumping +over a fence—anything. But strange as it may +seem, the tittering continued, and I have never +found out, from that day to this what amused them +so.... This was in 1878.</p> + +<p>And now we come to the final curtain. For, after +all, I sometimes think that Life is like a stage itself. +The curtain rises on our little scene; we have our +exits and our entrances, and each man in his time +plays many parts. I must work this simile up sometime.</p> + +<p>Life and the Theater. Who knows? <i>Selah.</i></p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_69">[Pg 69]</span></p> + + + <h2 class="nobreak" id="WHAT_COLLEGE_DID_TO_ME"> + WHAT COLLEGE DID TO ME + <br> + <i>An Outline of Education</i> + </h2> +</div> + + +<p>My college education was no haphazard affair. +My courses were all selected with a very +definite aim in view, with a serious purpose in mind—no +classes before eleven in the morning or after +two-thirty in the afternoon, and nothing on Saturday +at all. That was my slogan. On that rock +was my education built.</p> + +<p>As what is known as the Classical Course involved +practically no afternoon laboratory work, +whereas in the Scientific Course a man’s time was +never his own until four p. m. anyway, I went in +for the classic. But only such classics as allowed +for a good sleep in the morning. A man has his +health to think of. There is such a thing as being +a studying fool.</p> + +<p>In my days (I was a classmate of the founder of +the college) a student could elect to take any courses +in the catalogue, provided no two of his choices came +at the same hour. The only things he was not supposed +to mix were Scotch and gin. This was known +as the Elective System. Now I understand that the +<span class="pagenum" id="Page_70">[Pg 70]</span>boys have to have, during the four years, at least +three courses beginning with the same letter. This +probably makes it very awkward for those who like +to get away of a Friday afternoon for the week-end.</p> + +<p>Under the Elective System my schedule was somewhat +as follows:</p> + + +<p>Mondays, Wednesdays and Fridays at 11:00:</p> + +<blockquote> +<p>Botany 2a (The History of Flowers and Their Meaning)</p> +</blockquote> + +<p>Tuesdays and Thursdays at 11:00:</p> + +<blockquote> +<p>English 26 (The Social Life of the Minor Sixteenth +Century Poets)</p> +</blockquote> + +<p>Mondays, Wednesdays and Fridays at 12:00:</p> + +<blockquote> +<p>Music 9 (History and Appreciation of the Clavichord)</p> +</blockquote> + +<p>Tuesdays and Thursdays at 12:00:</p> + +<blockquote> +<p>German 12b (Early Minnesingers—Walter von +Vogelweider, Ulric Glannsdorf and Freimann von +Stremhofen. Their Songs and Times)</p> +</blockquote> + +<p>Mondays, Wednesdays and Fridays at 1:30:</p> + +<blockquote> +<p>Fine Arts 6 (Doric Columns: Their Uses, History +and Various Heights)</p> +</blockquote> + +<p>Tuesdays and Thursdays at 1:30:</p> + +<blockquote> +<p>French 1c (Exceptions to the verb <i>être</i>)</p> +</blockquote> + + +<p>This was, of course, just one year’s work. The +next year I followed these courses up with supplementary +courses in the history of lace-making, Russian +taxation systems before Catharine the Great, +<span class="pagenum" id="Page_71">[Pg 71]</span>North American glacial deposits and Early Renaissance +etchers.</p> + +<figure class="figcenter illowp50" id="p071" style="max-width: 50.0em;"> + <img class="w100" src="images/p071.jpg" alt=""> + <figcaption> + <p>Some of the drawings in my economics notebook were the + finest things I have ever done.</p> + </figcaption> +</figure> + +<p>This gave me a general idea of the progress of +civilization and a certain practical knowledge which +<span class="pagenum" id="Page_72">[Pg 72]</span>has stood me in good stead in thousands of ways +since my graduation.</p> + +<p>My system of studying was no less strict. In +lecture courses I had my notebooks so arranged that +one-half of the page could be devoted to drawings +of five-pointed stars (exquisitely shaded), girls’ +heads, and tick-tack-toe. Some of the drawings in +my economics notebook in the course on Early +English Trade Winds were the finest things I have +ever done. One of them was a whole tree (an oak) +with every leaf in perfect detail. Several instructors +commented on my work in this field.</p> + +<p>These notes I would take home after the lecture, +together with whatever supplementary reading the +course called for. Notes and textbooks would then +be placed on a table under a strong lamplight. +Next came the sharpening of pencils, which would +take perhaps fifteen minutes. I had some of the +best sharpened pencils in college. These I placed +on the table beside the notes and books.</p> + +<p>At this point it was necessary to light a pipe, +which involved going to the table where the tobacco +was. As it so happened, on the same table was a +poker hand, all dealt, lying in front of a vacant +chair. Four other chairs were oddly enough occupied +by students, also preparing to study. It +therefore resolved itself into something of a seminar, +<span class="pagenum" id="Page_73">[Pg 73]</span>or group conference, on the courses under discussion. +For example, the first student would say:</p> + +<p>“I can’t open.”</p> + +<p>The second student would perhaps say the same +thing.</p> + +<p>The third student would say: “I’ll open for fifty +cents.”</p> + +<p>And the seminar would be on.</p> + +<p>At the end of the seminar, I would go back to my +desk, pile the notes and books on top of each other, +put the light out, and go to bed, tired but happy in +the realization that I had not only spent the evening +busily but had helped put four of my friends +through college.</p> + +<p>An inventory of stock acquired at college discloses +the following bits of culture and erudition which +have nestled in my mind after all these years.</p> + + +<p class="ph3">THINGS I LEARNED FRESHMAN YEAR</p> + +<p>1. Charlemagne either died or was born or did +something with the Holy Roman Empire in 800.</p> + +<p>2. By placing one paper bag inside another paper +bag you can carry home a milk shake in it.</p> + +<p>3. There is a double l in the middle of “parallel.”</p> + +<p>4. Powder rubbed on the chin will take the place +of a shave if the room isn’t very light.</p> + +<p>5. French nouns ending in “aison” are feminine.</p> + +<p><span class="pagenum" id="Page_74">[Pg 74]</span></p> + +<p>6. Almost everything you need to know about a +subject is in the encyclopedia.</p> + +<p>7. A tasty sandwich can be made by spreading +peanut butter on raisin bread.</p> + +<p>8. A floating body displaces its own weight in the +liquid in which it floats.</p> + +<p>9. A sock with a hole in the toe can be worn inside +out with comparative comfort.</p> + +<p>10. The chances are against filling an inside +straight.</p> + +<p>11. There is a law in economics called <i>The Law +of Diminishing Returns</i>, which means that after a +certain margin is reached returns begin to diminish. +This may not be correctly stated, but there <i>is</i> a law +by that name.</p> + +<p>12. You begin tuning a mandolin with A and tune +the other strings from that.</p> + + + +<p class="ph3">SOPHOMORE YEAR</p> + + +<p>1. A good imitation of measles rash can be +effected by stabbing the forearm with a stiff whiskbroom.</p> + +<p>2. Queen Elizabeth was not above suspicion.</p> + +<p>3. In Spanish you pronounce z like th.</p> + +<p>4. Nine-tenths of the girls in a girls’ college are +not pretty.</p> + +<p><span class="pagenum" id="Page_75">[Pg 75]</span></p> + +<p>5. You can sleep undetected in a lecture course +by resting the head on the hand as if shading the +eyes.</p> + +<p>6. Weakness in drawing technique can be hidden +by using a wash instead of black and white line.</p> + +<p>7. Quite a respectable bun can be acquired by +smoking three or four pipefuls of strong tobacco +when you have no food in your stomach.</p> + +<p>8. The ancient Phœnicians were really Jews, and +got as far north as England where they operated +tin mines.</p> + +<p>9. You can get dressed much quicker in the morning +if the night before when you are going to bed +you take off your trousers and underdrawers at once, +leaving the latter inside the former.</p> + + + +<p class="ph3">JUNIOR YEAR</p> + + +<p>1. Emerson left his pastorate because he had +some argument about communion.</p> + +<p>2. All women are untrustworthy.</p> + +<p>3. Pushing your arms back as far as they will +go fifty times each day increases your chest measurement.</p> + +<p>4. Marcus Aurelius had a son who turned out to +be a bad boy.</p> + +<p>5. Eight hours of sleep are not necessary.</p> + +<p><span class="pagenum" id="Page_76">[Pg 76]</span></p> + +<p>6. Heraclitus believed that fire was the basis of +all life.</p> + +<p>7. A good way to keep your trousers pressed is +to hang them from the bureau drawer.</p> + +<p>8. The chances are that you will never fill an inside +straight.</p> + +<p>9. The Republicans believe in a centralized government, +the Democrats in a de-centralized one.</p> + +<p>10. It is not necessarily effeminate to drink tea.</p> + + + +<p class="ph3">SENIOR YEAR</p> + +<p>1. A dinner coat looks better than full dress.</p> + +<p>2. There is as yet no law determining what constitutes +trespass in an airplane.</p> + +<p>3. Six hours of sleep are not necessary.</p> + +<p>4. Bicarbonate of soda taken before retiring +makes you feel better the next day.</p> + +<p>5. You needn’t be fully dressed if you wear a cap +and gown to a nine-o’clock recitation.</p> + +<p>6. Theater tickets may be charged.</p> + +<p>7. Flowers may be charged.</p> + +<p>8. May is the shortest month in the year.</p> + + +<p>The foregoing outline of my education is true +enough in its way, and is what people like to think +about a college course. It has become quite the +<span class="pagenum" id="Page_77">[Pg 77]</span>cynical thing to admit laughingly that college did +one no good. It is part of the American Credo that +all that the college student learns is to catch punts +and dance. I had to write something like that to +satisfy the editors. As a matter of fact, I learned a +great deal in college and have those four years to +thank for whatever I know today.</p> + +<hr class="tb"> + +<p>(The above note was written to satisfy those of +my instructors and financial backers who may read +this. As a matter of fact, the original outline is +true, and I had to look up the date about Charlemagne +at that.)</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_78">[Pg 78]</span></p> + + + <h2 class="nobreak" id="AN_INTERVIEW_WITH_THEODORE"> + AN INTERVIEW WITH THEODORE + DREISER + </h2> +</div> + + +<p>I found the author of “An American Tragedy” +reading a large volume of law reports.</p> + +<p>“Working on a new book?” I asked.</p> + +<p>“It’s a new book to me,” replied Dreiser. “I +don’t know about you.”</p> + +<p>“Oh, I’m all right,” I retorted. “A little dizzy +when I stand up—but then, one doesn’t have to +stand up much, does one?”</p> + +<p>“Does two, does three, does four,” sallied the +author, up to one hundred.</p> + +<p>I could see that we were treading on dangerous +ground and, fearful lest the interview be ruined, I +continued, wetting my thumb:</p> + +<p>“Do you get around to the night clubs much?”</p> + +<p>“Much more than what?” asked Mr. Dreiser.</p> + +<p>“I didn’t say ‘much more than’ anything. I just +said ‘much.’”</p> + +<p>“Well, you took a very funny way of saying it,” +said the pioneer. And added, “I <i>must</i> say.”</p> + +<p>Things had reached an <i>impasse</i>. The storm which +had been gathering for centuries between Church +and State was about to break, and with it the temporal +power of Rome.</p> + +<p><span class="pagenum" id="Page_79">[Pg 79]</span></p> + +<p>“Let’s get out of here!” I said, taking Dreiser +by the arm. “I don’t like the looks of things.”</p> + +<p>“Someone was saying that very thing to me only +yesterday,” said the author of “The Genius.” “Now +who was it?”</p> + +<p>“George Erlich?” I suggested.</p> + +<p>“No,” said Dreiser.</p> + +<p>“Roger Hatney?”</p> + +<p>“No.”</p> + +<p>“Mrs. Federber?”</p> + +<p>“No, no! For God’s sake, man, try and <i>think</i>!”</p> + +<p>“Wentworth Whamer?”</p> + +<p>“No.”</p> + +<p>“Ernst Timmerley?”</p> + +<p>“That’s who it was! Ernst Timmerley! How +stupid of me not to remember. Ernst Timmerley, +that’s who it was.”</p> + +<p>“I thought of suggesting him at first,” I said, +“but it slipped my mind.”</p> + +<p>“You can’t tell me that was just a coincidence,” +said the author of “Sister Carrie.”</p> + +<p>“Oh, I can’t, can’t I?” I retorted, not a little +piqued. “Well, <i>it was just a coincidence</i>.”</p> + +<p>Dreiser looked at me half quizzically.</p> + +<p>“You win,” he said simply.</p> + +<p>Outside the snow was blowing down the street +like an army of fireflies, but inside, by the fire, it +was warm.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_80">[Pg 80]</span></p> + + + <h2 class="nobreak" id="FASCINATING_CRIMES_1"> + FASCINATING CRIMES + <br> + <i>II. The Wallack Disappearances</i> + </h2> +</div> + + +<p>Shortly after the Civil War the residents of +Wallack, Connecticut, were awakened by the +barking of a dog belonging to James Lenn, a visiting +farmer. The dog was an old one, so they thought +nothing of it, and went back to sleep again.</p> + +<p>Later it was discovered that James Lenn was missing, +and that the dog also had disappeared, but in +the opposite direction. A search of the countryside +was instituted which resulted in the finding of +twenty-five empty tins, several old brooms, enough +newspapers to make a fair-sized bale, and one old +buggy top. None of these seemed to have any value +as clews in the mysterious disappearance of James +Lenn. Some importance was attached to the discovery +of the buggy-top until it was found that the +missing farmer was not hiding under it.</p> + +<p>The police, however, were not satisfied. There +had been several violations of the State Fishing and +Gaming ordinances in and around Wallack and public +censure of the police was at its height. Chief of +Police Walter M. Turbot determined to carry this +<span class="pagenum" id="Page_81">[Pg 81]</span>case through to a finish. Thus it was that the search +for Farmer James Lenn was begun afresh, a search +which was destined to end in Innsbruck, Austria.</p> + +<p>In the little town of Innsbruck there had been +living an old garbler named Leon Nabgratz, a sort +of town character, if such a thing were possible. +Nabgratz had never been to America, but his young +nephew, Gurling Nabgratz, son of Leon’s brother +Meff, was born in that country and had lived there +all his life. Late in December, 1867, he had moved +to Wallack, Connecticut, where he was sold as a +slave to one James Lenn.</p> + +<figure class="figcenter illowp100" id="p081" style="max-width: 50.0em;"> + <img class="w100" src="images/p081.jpg" alt=""> + <figcaption> + <p>The principles in the famous Wallack disappearances.</p> + <p> + —<i>Courtesy of John Held, Jr., and Life.</i></p> + </figcaption> +</figure> + +<p>One day, while reading the newspaper, Gurling +Nabgratz came across an item indicating that slavery +had been abolished four years previously and figured +out that he was just a sap to be working for James +<span class="pagenum" id="Page_82">[Pg 82]</span>Lenn for nothing. He mentioned the matter to his +master, but Lenn maintained that it was only the +Negro slaves who had been freed, and that Lincoln +was no longer President anyway.</p> + +<p>Nabgratz went away grumbling but did his chores +that day as usual. He was seen late in the evening +of April 17 in the poolroom of the village, where +he is said to have made <i>sotto-voce</i> remarks and sung +several slave songs of the ante-bellum South with +such inflammatory refrains as “We’se all gwine ter +be free!”</p> + +<p>That night Gurling Nabgratz disappeared and was +never seen again in Wallack.</p> + +<p>This having preceded the disappearance of James +Lenn by about two years, nothing was thought of it +at the time. During the search for Lenn, however, +the incident was recalled, and a search for Nabgratz +was instituted. This made two searches going on at +once in the little town of Wallack, and resulted in +considerable hard feeling between the rival searching-parties. +The town was divided into two camps, +the “Find Lenn” faction and the “Find Nabgratz” +faction, and on at least one occasion shots were +exchanged.</p> + +<p>In the meantime, in Innsbruck, Austria, Leon +Nabgratz, the old garbler, was quietly pursuing his +way, quite unconscious of the stir that he was causing +<span class="pagenum" id="Page_83">[Pg 83]</span>four thousand miles away. His brother Meff +had written him about Gurling’s disappearance, but, +as the old man never bothered to read his brother’s +letters, he was just as much in the dark as he had +been before. More so, in fact, because he was older.</p> + +<p>His surprise can well be imagined, therefore, when +one day in the spring of 1869 the police entered his +house in the Schmalzgasse and began a search for +James Lenn of Wallack, Connecticut, U. S. A. In +vain Nabgratz protested that he had never heard the +name of Lenn and that, even if he had, it was not +interesting to him. The arm of the law reaching +across the Atlantic was inexorable. Leon Nabgratz’s +house was searched and in it was found an +old trunk of suspiciously large proportions. In spite +of the fact that this trunk was labeled “<i>Weihnachtsgeschenke</i>” +(“Christmas presents”) it was opened, +and in it were found James Lenn <i>and</i> Gurling Nabgratz, +together with a copy of the New York <i>Times</i> +of October 12, 1868.</p> + +<p>The mysterious Wallack disappearances were thus +explained, and Leon Nabgratz was arrested for having +in his possession a trunk with a misleading label +on it.</p> + +<p>Art is long and time is fleeting.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_84">[Pg 84]</span></p> + + + <h2 class="nobreak" id="LOUIS_DOT_DOPE"> + LOUIS DOT DOPE + </h2> +</div> + + +<p>On his recent return from France, Mr. Robert +Benchley gave the following statement to reporters +who met him at Quarantine with bail.</p> + +<p>“Things in France are in a deplorable condition,” +said Mr. Benchley. “If Louis XVI keeps on as he +has been going for the past few years, I predict a +revolution. I can give you no idea of the licentiousness +and waste of the French Court at Versailles or +of the pitiable state of the common people in Paris. +Yes, I can too give you <i>some</i> idea, and, what is more, +I <i>will</i>.</p> + +<p>“This Louis XVI is nothing but a wastrel. He +drinks a great deal, too. And he has gathered about +him at Versailles (where he lives) a group of sycophants +who are just as bad as he is, according to +all reports. I am not one to retail gossip, but I +could tell you some of the things that go on out there +at Versailles that would make your hair stand on +end. And, in the meantime, the people in Paris are +actually starving. You can’t get an oyster stew in +Paris for love or money, and I have seen the <i>canaille</i> +(as the log-rolling wits of the Court call the citizenry) +<span class="pagenum" id="Page_85">[Pg 85]</span>standing in line for hours for something, I +couldn’t quite make out what.</p> + +<p>“One little incident that I heard of from a pretty +good source (Carlyle: page 375) may serve to illustrate +the way the wind is blowing. It seems that +Louis (as his toadiers call him) was out driving +through Paris with his—pardon me—mistress (I +mention no names) when the people began crying +out for bread. The ‘lady’ in question, who can read +French and speak it but who has difficulty in understanding +it when it is spoken fast, asked what it was +that they were yelling. Louis told her that they said +they had no more bread. ‘Let them eat cake then,’ +said this certain party. ‘And how about us taking a +look in at Cartier’s window?’</p> + +<p>“I don’t know how true this is, but I got it from +someone on the inside and it shows pretty well the +attitude of the nobles towards the common people.</p> + +<p>“But there is an undercurrent of discontent which +I predict will make itself felt before many months. +I happened to go to lunch with a couple of chaps +whose names, for obvious reasons, I promised not +to mention in this connection, and there was a great +deal of talk about how easy it would be to burn +down the Bastille (the government jail over there). +‘A couple of good pushes and the Bastille would fall,’ +said one of them jokingly. But behind all their +<span class="pagenum" id="Page_86">[Pg 86]</span>joking there was a note of seriousness, and I would +recommend that you send a good man over to Paris +pretty soon to cover the story, for when it breaks it +is going to be a hot one. This is just a tip.</p> + +<p>“But, as I was saying, it is out there at Versailles +that the big doings go on. I took a trip out there +with a letter from Whitney Warren, but they were +all out at Chantilly at the races that day and I didn’t +see anyone but the Head Guide. He said that if I +wanted to come back Sunday the fountains would +be playing, but unfortunately I had to sail on Saturday. +I did get some inside dope on the situation out +there, however, and let me tell you that what goes +on out there on a good night is nobody’s business. +All these people, it seems, live right out there in the +palace together and carry on some pretty rough +stuff, I gather. Drinking, gambling, necking, <i>everything</i>. +A lot of the married men are out there without +their wives, and <i>vice versa</i>. Some nights the +parties don’t break up until two and three o’clock. +No wonder the taxpayers in Paris are sore. You +can mark my words, there will be a reaction.</p> + +<p>“I myself didn’t have time to get around much. +I was over on business and I like to keep my head +clear when I have business to attend to. Summer +is when I have my fun. I did go to the theater a +<span class="pagenum" id="Page_87">[Pg 87]</span>couple of times, but everything was in French. And +then, too, the coffee is so bad there. The trip back +was pretty rough. One day the waves were mountain-high. +It certainly seems good to be back in the +U. S. A. again.”</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_88">[Pg 88]</span></p> + + + <h2 class="nobreak" id="THE_RISE_AND_FALL_OF_THE"> + THE RISE AND FALL OF THE + CHRISTMAS CARD + </h2> +</div> + + +<p>Twenty-five years ago (December 21, +1685, to be exact) a man named Ferderber +awoke after a week’s business trip and realized that +he hadn’t bought any Christmas presents for his relatives +and friends. Furthermore, all he had left from +the business trip was eighty cents, two theater-ticket +stubs, and a right shoe.</p> + +<p>So he cut up some cardboard to fit envelopes and +on each card wrote some little thought for the season. +Being still a trifle groggy, he thought that it would +be nice to make them rhyme although, as he expressed +it, with a modest smile, “I am no poet.”</p> + +<p>The one to his aunt read as follows:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>Just a little thought of cheer,</i></div> + <div class="verse indent0"><i>A Merry Christmas and a Happy New Year.</i>”</div> + </div> + </div> +</div> + +<p>He liked this one so well that he just copied it on +all the others. Then he got excited about the thing +and drew a sprig of holly on each card. He mailed +them on Christmas Eve and discovered that he still +had twenty-eight cents left.</p> + +<p>This man Ferderber is now wanted in thirty-two +<span class="pagenum" id="Page_89">[Pg 89]</span>states on the same charge: Starting the Christmas +Card Menace. His idea immediately took hold of +the public imagination and the next Christmas all +his friends and relatives sent cards to their friends +<span class="pagenum" id="Page_90">[Pg 90]</span>and relatives, for, taking the old lie that “it isn’t so +much the gift as the spirit i.w.i.i.g.” at its face value, +they felt that people would be much better +pleased with a friendly greeting than with a nasty +old gift. And, for a while, the custom really was +quite a relief.</p> + +<figure class="figcenter illowp61" id="p089" style="max-width: 50.0em;"> + <img class="w100" src="images/p089.jpg" alt=""> + <figcaption> + <p>He liked this one so well he just copied it on all the others.</p> + </figcaption> +</figure> + +<p>Then the thing began to get out of hand. Big +Christmas card manufacturing concerns sprang up +all over the country and factory sites adjacent to +freight sidings were at a premium. Millions and +millions of cards were printed and millions and millions +of people began sending them to each other. +Along about December 15, the blight began and, +like locusts, the envelopes started drifting in from +the mail. Seventy-five thousand extra mail carriers +were drafted into service and finally the Government +was forced to commandeer all males under +25 who did not have flat feet. Even at that, all the +Christmas cards couldn’t be delivered until the first +of the year, and by that time the flood of New +Year’s cards had begun, for everyone who received +Christmas cards from people to whom they had sent +none rushed out and bought New Year’s cards to +send them the next week just as if that was what +they had intended to do all along.</p> + +<p>It became impossible to read all these cards, and +finally even to open them. Great stacks of unopened +<span class="pagenum" id="Page_91">[Pg 91]</span>envelopes covered desks and hall tables throughout +the country. Some of the wealthier citizens had +chutes built on the outside of their houses into +which the post men dumped the cards and by means +of which they were conveyed direct to the furnace. +The poorer people, unable to convert their mail +matter into fuel in this manner, unable sometimes to +clear away a path from their front door to the street, +often starved to death before their provisions could +be got to them. The winter of 1927 was known as +the Winter of the Red Death, for all over the country +families were snowed in with envelopes and +perished before help could be brought to them. In +some towns fires were accidentally started with +results too horrible to relate.</p> + + +<p class="ph3">UNEARTH VALUABLE SCIENTIFIC DATA</p> + +<p>Excavators who have recently been at work in the +Middle West digging through mounds of petrified +envelopes have furnished valuable data on the nature +of these <i>objets d’art</i>. The most popular design +seems to have been that involving a fireplace with +stockings hanging from it, with the slogan, evidently +satirical, “A Merry Christmas and a Happy New +Year.” Candles were also highly considered as +decoration; candles and bells. When human figures +<span class="pagenum" id="Page_92">[Pg 92]</span>were introduced, they were of the most unpleasant +types: short, fat, bearded men dressed in red, offensively +gay little children in pajamas carrying +lighted candles, stagecoaches filled with steaming +travelers, sleigh rides and coasting parties, and street +musicians annoying householders with Christmas +carols. The text was usually in Old English type, +so that fortunately it was difficult, if not impossible, +to read.</p> + +<p>Evidently the tide began to turn when some one, +perhaps a descendant of the very Ferderber who +had brought all this distress on the land, thought of +the idea of venting his personal spleen in his Christmas +cards. He thought that, since no one read them +anyway, he might as well say what he really felt, so +long as he said it in Old English type. It would be +a satisfaction to him, anyway. So near the top of +these mounds of Early Twentieth Century cards we +find some on this order:</p> + +<p>A picture of a holly wreath with a large hammer +stuck through it and the following legend:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>Just to Wish You the Measles.</i></div> + <div class="verse indent8"><i>Christmas 1931.</i>”</div> + </div> + </div> +</div> + +<p>Another showed a little cottage on the brow of a +snow-covered hill with the sun setting behind it. On +<span class="pagenum" id="Page_93">[Pg 93]</span>the cottage was a sign: “For Sale.” The sentiment +underneath was:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>Peace on Earth, Good Will Toward Men;</i></div> + <div class="verse indent0"><i>Heh! Heh!</i>”</div> + </div> + </div> +</div> + +<p>A New Year’s card, with “Greetings” embossed at +the top, read:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>If I don’t see you in 1933</i></div> + <div class="verse indent0"><i>1934 will be soon enough for me.</i>”</div> + </div> + </div> +</div> + +<p>As soon as this fad caught on, the pendulum +swung the other way. The sentiments, beginning +with the mildly abusive, gradually became actually +vicious.</p> + +<p>We find one, dated 1938, which says:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>This Christmas Eve I want you to know,</i></div> + <div class="verse indent0"><i>That if you don’t leave $50,000 in Box 115 before</i></div> + <div class="verse indent0"><i>New Year’s, I’ll sell your letters, you crook, you.</i>”</div> + </div> + </div> +</div> + +<p>Another, in a wreath of mistletoe, bore the following +explicit legend:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>Watch Your Wife.</i>”</div> + </div> + </div> +</div> + +<p>It was naturally but a step from these to downright<span class="pagenum"><a id="Page_94">[Pg 94]</a></span> +obscene vituperation, and at this point, the +reform societies stepped in. A campaign was carried +on throughout the country, which, unlike other reform +<span class="pagenum"><a id="Page_95">[Pg 95]</a></span>campaigns, had the backing of a majority of +the public. It was but the work of a year or so to +induce the necessary two-thirds of the state legislatures +to consent to an amendment to the constitution +forbidding the manufacture and sale of Christmas +cards. Naturally this was followed by a period of +widespread bootlegging, but it was half-heartedly +supported and soon collapsed.</p> + +<figure class="figcenter illowp53" id="p094" style="max-width: 50.0em;"> + <img class="w100" src="images/p094.jpg" alt=""> + <figcaption> + <p>This was followed by a period of widespread bootlegging.</p> + </figcaption> +</figure> + +<p>All of which is merely a historical summary of +what has been done in the past, preliminary to +launching a campaign against the sale and manufacture +of all Christmas presents, with the exception of +toys. What our fathers did, we can do.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_96">[Pg 96]</span></p> + + + <h2 class="nobreak" id="THE_HENNA_DECADE"> + THE HENNA DECADE + <br> + <i>What May Happen to Our Age When Thomas Beer + Catches Up to It</i> + </h2> +</div> + + +<p class="ph3">1</p> + +<p>They put William Anderson in jail and Suzanne +Lenglen tottered into the club-house +with a heart-attack.</p> + +<p>There was a pistol shot in 1922 and across silver +screens from Hollywood to Lynn, Massachusetts, a +resentful wraith barred attachable curls snuggling +on movie lapels. “William D. Taylor has been +killed,” a young detective announced to his lavender +mother at their California supper. And his mother +smiled, for she was to hear Marion Talley before +nervous wreckers dragged to earth the old Metropolitan, +like avid vultures of architectural progress.</p> + +<p>On the same border of the Pacific a blue-eyed +foreman said, “Not guilty,” and Roscoe Arbuckle +walked out into obese freedom, cleansed with hyssop +by two words from a drowsy jurist on a stool by his +predecessor’s desk.</p> + +<p><span class="pagenum" id="Page_97">[Pg 97]</span></p> + + +<p class="ph3">2</p> + +<p>A little boy, stooping on Central Park West, +pressed cracked knuckles into creole mud and +snapped roseate marbles in what passed for straight +lines, while across the country in Dayton men slid +against turbid waters and the National Cash Register +served corporate coffee to clammy survivors. +The little boy’s knuckle-pressing ceased, like young +leaves which refuse to burn. His father raised +brown glove to lift soft fedora. “Put away your +marbles,” he said to the little boy, “Warren Harding +has been nominated.”</p> + + +<p class="ph3">3</p> + +<p>Through easy October the short French statesman +in silk gloves forgot the late war in onion soup +for breakfast. A very large peanut crackled in the +Southern fist of Irvin Cobb and his bearded companion +hailed a brown-and-white taxi. Together +they swept the folio-studded Brentano’s, discussing +Twenty-third Street. The clerk smiled. His father +had been mayor of Seattle. Would Twenty-third +Street ever reach to Seattle? But Cobb had lost the +large peanut and his bearded companion had lost his +garter, and they left Brentano’s to stand in dual +<span class="pagenum" id="Page_98">[Pg 98]</span>proximity watching the slightly paralytic progress +of a Number 8 Fifth Avenue bus. In the distance, +the verdant blob of Thorley’s hung like a mossy +acorn—green sin on a purple republic.</p> + + +<p class="ph3">4</p> + +<p>Milt Gross stood talking with Ring Lardner and +another on the steps of the American Indian Museum. +He had under his arm a bulbous bundle and +this dropped incontinently to the granite pedestal as +he shrugged his shoulders. “A peckage skelps,” he +said. “Heendian skelps, witt blad.” Lardner raised +a thermal eyebrow. “What of it?” he asked, and in +Chicago two young Jewish psychopathics drew up +to the curb in a Dodge looking for someone to give +a ride to. That night the Alabama delegation in +the steaming reaches of Madison Square Garden +threw twenty-five dogged votes for Oscar Underwood.</p> + + +<p class="ph3">5</p> + +<p>Standing, occasionally sitting, Lutitia lay in the +window seat of the Colony Club.... A blonde +reticence sat beside her. In the right hand of the +blonde reticence swirled a cup of tea. In her left, +a copy of November’s <i>American Mercury</i>. From +<span class="pagenum" id="Page_99">[Pg 99]</span>its greenish covers H. L. Mencken spoke impatiently +of the native <i>Americanus</i>, while George Nathan dug +sadistic pins into American colleagues. Herbert +Parrish disparaged the American God and words of +bile were Leland H. Jenks’s dole for the American +Constitution and its interpreters. Fiction jetted +from between these cynical rocks with gloomy disclosures +of American small-town unpleasantries. +Yes, Lutitia, or rather....</p> + +<p>So while Irving Berlin, a wispy figure fingering +the black notes on a piano in West 46th Street, sang +“Not for just a year, but always,” the tugboat, +crazily bearing Mayor Hylan’s Welcoming Committee, +pugged to greet, with beaver boisterousness, +the New Year, a rough beard swinging low over +rhinestone studs.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_100">[Pg 100]</span></p> + + + <h2 class="nobreak" id="A_PLAN_TO_STABILIZE_THE_FRANC"> + A PLAN TO STABILIZE THE FRANC + </h2> +</div> + + +<p>To the Members of the Paris Bourse (of whom +it has been said, “Bourse Will Be Bourse”), +Monsieur Poincare, and Fellow Guests:</p> + +<p>I have been asked by a deputation from your delightful +country to present a plan for stabilizing the +franc. I feel in this connection like the three men +who found themselves in a row-boat in the middle of +the ocean. One was a Frenchman, one an Irishman, +and one a Scotchman.</p> + +<p>But, seriously, the problem of the franc is a vital +one. And I know of no better way to handle it +than the way in which we, in my household, have +handled the problem of the American dollar, an even +more vital problem to us, as you may well imagine. +There are, at this writing, approximately twenty-five +francs to each American dollar. There are also, to +each American dollar, thirty-one hungry mouths. +Three times six is eighteen and one to carry, six +times seven is forty-two and one is forty-three and +four to carry, giving a result of four hundred and +sixty-one.... No, that can’t be right.... Well, +anyway, the life of one American dollar has been +estimated at one-third that of a sugar lozenge under +<span class="pagenum" id="Page_101">[Pg 101]</span>a faucet. This estimate gives the dollar the breaks.</p> + +<p>Now, it was only through the most rigid household +economy that we were able to stabilize the dollar in +our family. Several of the older and more infirm +members of the family died from under-nourishment +and exposure, being unable to fight for the food or +bed-clothing. But that is the Law of the Tribe, that +the weaker shall give way to the stronger and those +with protective coloring survive the assaults of the +predatory land animals and the constant action of +the tides. “Easy come, easy go,” is what the old +folks must remember.</p> + +<p>Our first move toward putting our household on a +gold basis was to make out a budget, and that is +what you dear people of France must do, too. It is +much simpler for a nation to go on a budget than +for a private family, because a nation never uses +real money anyway. A nation says, “Here are +twenty million francs,” or “Give me a hundred million dollars’ +worth of chips,” and, if you push right +up close to the counter and ask to <i>see</i> it, what do +you find? A couple of theater-ticket stubs, a right-hand +glove, and a piece of paper saying, “I.O.U. +$100,000,000.... A. Mellon.” There probably<span class="pagenum"><a id="Page_102"></a>[Pg 102]</span> +isn’t $125 in actual cash in the whole United States +Treasury at this very minute. And $45 of that +belongs by rights to me, on account of the Government +<span class="pagenum"><a id="Page_103"></a>[Pg 103]</span>having disallowed my deduction for hotel expenses +in my 1925 income tax. I’ll get that back +yet, you wait and see. The big bullies!</p> + +<figure class="figcenter illowp49" id="p102" style="max-width: 50.0em;"> + <img class="w100" src="images/p102.jpg" alt=""> + <figcaption> + <p>Then hell breaks loose—telephone calls, registered letters, + night sweats.</p> + </figcaption> +</figure> + +<p>This system of dealing in dream-dollars, which +seems to be the special prerogative of governments +and large corporations, is called “Credit,” and a +pretty how-do-you-do it is, too. “Credit,” as applied +to you and me, means that we have until the +fifteenth of the month to dig up the actual gold ore +with which to pay our bills. But for a large corporation +or a nation it means that, so long as the +Treasurer can sign his name, they are on Easy +Street. I sign a check, in a kidding way, and give it +to Altmeyer’s Meat Market. And what does Altmeyer +do? Right away <i>he presents it at my bank</i>! +And then hell breaks loose. Telephone-calls, registered +letters, night-sweats—you’d think the whole +world had gone money-mad. And I have to go and +get a printing-press and <i>print</i> him his money in half +a day.</p> + +<p>But let Mr. Mellon sign a check for a billion +dollars and no one even looks at the signature to +see if it is genuine. It is folded up and put in +the vest-pocket and never touched again for years. +Is it ever presented for payment? Oh, no! Mr. +Mellon signed it, never mind the money! You’d +think Mr. Mellon was Richard Dix or Button Gwinnett. +<span class="pagenum" id="Page_104">[Pg 104]</span>I could get pretty sore about the whole thing +and so could you, if you had any spunk about you.</p> + +<p>Now, in our family, there are four people, exclusive +of the servant (who is lame). We have only +three really to figure on, however, as the baby works.</p> + +<p>In France, there are of course more people than +that, but none nicer. It has been estimated that in +each French sock there are fifteen thousand francs. +In the southern provinces, where they don’t wear +socks, the money is stored away in the peasants’ +cheeks, or in hollow trees. This is going to make it +hard to keep exact accounts because you can’t tell +how much you have on hand. But nothing is worth +while unless you have to work for it, which is one +of the least true things that ever was said. So what +I would advise would be for every French peasant to +get a little pocket notebook (the J. C. Hall Co. of +Providence, R. I., sell a neat little set for a dollar, +a book for each month) and keep a strict personal +account of everything spent—and, what is more important, +everything received.</p> + +<p>For instance, let us take a typical French shopkeeper +(and wouldn’t I <i>like</i> to take one, and push +him into the Somme!) named Jaques Duquesne. If +we could get him to keep a personal account-book, +marking down so much for <i>tabac</i>, so much for <i>vin</i>, +so much for <i>lavabo</i>, and then, on the opposite page, +<span class="pagenum" id="Page_105">[Pg 105]</span>received so much from sale to American tourist, so +much from non-sale to American tourist, etc., etc., +then the government officials would have a record of +his financial status not one word of which could be +deciphered.</p> + +<p>But personal accounts are the only solution of +the French situation, just as they were the only solution +to our family crisis. My own personal account +book is a joy to behold, especially if you are in the +mood for a good laugh. Sometimes I get to laughing +so that I can’t jot down the items. “Car-fare” I put +down, and I haven’t ridden in a street-car since I +used to go to dancing-school. Another good item is +“Personal Improvement.” You’d be surprised at +what you can crowd into Personal Improvement. +If you are anything like me practically anything you +do to yourself would be an improvement. My Personal +Improvement account is going to run into +thousands of dollars a year, and I don’t begrudge +a cent of it.</p> + +<p>To summarize then:</p> + +<p> + 1. The franc is the monetary unit of France.<br> + 2. The franc is not so stable.<br> + 3. Verbs ending in <i>aître</i> retain the circumflex on the <i>i</i> whenever it is followed by <i>t</i>.<br> + 4. And how are <i>you?</i> +</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_106">[Pg 106]</span></p> + + + <h2 class="nobreak" id="SEX_IS_OUT"> + SEX IS OUT + </h2> +</div> + + +<p>According to Dr. Max Hartmann (I used +to have a dentist named Dr. Hartmann, but +he was a dentist) there is no such thing as absolute +sex. If 60% of your cells are masculine, you rate as +a male. If 60% are feminine, you sit with the girls. +All combinations are possible up to 99 and 1, but +the 100 percenter in either sex is a myth. Dr. Hartmann +says so.</p> + +<p>This is going to be a big surprise to a lot of +people. If the Government should ever take it into +its head to make public lists of sex-percentages, as +it now does income taxes, whole communities would +be upset and perhaps “topsy-turvy” would not be +too strong a word for what things would be.</p> + +<p>We are concerned in this course, however, merely +with the effect of this negation of sex on the drama. +It looks from where we are sitting (G-112-113) like +the death blow to the Living Theater in this country. +And in France—well, it will simply mean that they +can’t give even Punch and Judy shows. What would +be the fun in sitting through a scene like the following?</p> + +<p>(The scene isn’t quite set yet; so the orchestra +will play the overture over again.)</p> + +<p><span class="pagenum" id="Page_107">[Pg 107]</span></p> + +<p><span class="smcap">Roger</span>: Ever since that night I met you at the +dance, my male percentage has been increasing. I +used to register 65%. Yesterday in Liggetts I took +a test and it was eighty-one.</p> + +<p><span class="smcap">Mary</span>: You had your heavier overcoat on.</p> + +<p><span class="smcap">Roger</span>: Please, dear, this is no time for joking. I +never was more serious in all my life. And that +means only one thing. Haven’t you—aren’t you—do +you register just the same as you did?</p> + +<p><span class="smcap">Mary</span> (<i>looking at her finger-nails</i>): No. I have +gone up seven points. But I thought it was because +I had cut down on my starches.</p> + +<p><span class="smcap">Roger</span>: Starches nothing! Can’t you see, dear? +Don’t you understand what it all means?</p> + +<p><span class="smcap">Mary</span> (<i>pulling away</i>): Why am I letting you talk +to me like this? We mustn’t. Fred will be home at +any minute.</p> + +<p><span class="smcap">Roger</span>: Fred! Hah! I suppose you know what +his last test was? I suppose he told you?</p> + +<p><span class="smcap">Mary</span>: Why—er—no. That is—of course he did. +Fred tells me everything.</p> + +<p><span class="smcap">Roger</span>: Well, then, I suppose you know that when +he was examined for life insurance last week they +found that his masculine cells totaled up to forty-seven +and that included his American Legion button, +too.</p> + +<p><span class="smcap">Mary</span>: Fred? Forty-seven? Why, it isn’t possible. +Why, only yesterday—</p> + +<p><span class="pagenum" id="Page_108">[Pg 108]</span></p> + +<p><span class="smcap">Roger</span>: Never mind that! Figures don’t lie. +The best that Fred can ever be to you from now on +is a sister.</p> + +<p><span class="smcap">Mary</span>: This is all so sudden. I must have time +to think. Fred my sister! It seems incredible!</p> + +<p><span class="smcap">Roger</span>: Don’t you see, Mary dear, what the percentages +tell us? (<i>Song Cue</i>)</p> + + +<p class="center"><i>You and I Total Up to a Hundred</i></p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">Oh, Love brings a message of roses,</div> + <div class="verse indent0">And Love a sweet litany tells,</div> + <div class="verse indent0">Of the girls I have known, and the girls who have blown,</div> + <div class="verse indent0">And their respective number of cells.</div> + </div> + </div> +</div> + + +<p class="center"><i>Cho.</i></p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">There was Alice who rated a cool sixty-two,</div> + <div class="verse indent0">She wore knickers and called me her “matey,”</div> + <div class="verse indent0">There was Betty so true, with her large eyes of blue,</div> + <div class="verse indent0">On a clear day she registered eighty.</div> + <div class="verse indent0">There was Norma, my queen, who gave seventeen,</div> + <div class="verse indent0">As her quota of masculine units,</div> + <div class="verse indent0">But my heart it now yearns, on the latest returns,</div> + <div class="verse indent0">(<i>Spoken</i>: Ninety-seven, ninety-eight, ninety-nine!)</div> + <div class="verse indent0">For M-A-R-Y, my sweet Winona.</div> + </div> + </div> +</div> + +<p>You can see for yourself, there is going to be no +fun in figuring out sex on the back of an envelope. +We might as well give the whole thing up and go in +for hockey.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_109">[Pg 109]</span></p> + + + <h2 class="nobreak" id="UNCLE_EDITHS_GHOST_STORY"> + UNCLE EDITH’S GHOST STORY + </h2> +</div> + + +<p>“Tell us a ghost story, Uncle Edith,” cried all +the children late Christmas afternoon when +everyone was cross and sweaty.</p> + +<p>“Very well, then,” said Uncle Edith, “it isn’t much +of a ghost story, but you will take it—and like it,” +he added, cheerfully. “And if I hear any whispering +while it is going on, I will seize the luckless offender +and baste him one.</p> + +<p>“Well, to begin, my father was a poor wood-chopper, +and we lived in a charcoal-burner’s hut in the +middle of a large, dark forest.”</p> + +<p>“That is the beginning of a fairy story, you big +sap,” cried little Dolly, a fat, disagreeable child who +never should have been born, “and what we wanted +was a <i>ghost</i> story.”</p> + +<p>“To be sure,” cried Uncle Edith, “what a stupid +old woopid I was. The ghost story begins as follows:</p> + +<p>“It was late in November when my friend Warrington +came up to me in the club one night and +said: ‘Craige, old man, I want you to come down to +my place in Whoopshire for the week-end. There is +<span class="pagenum" id="Page_110">[Pg 110]</span>greffle shooting to be done and grouse no end. What +do you say?’</p> + +<p>“I had been working hard that week, and the +prospect pleased. And so it was that the 3:40 out +of Charing Cross found Warrington and me on our +way into Whoopshire, loaded down with guns, plenty +of flints, and two of the most beautiful snootfuls +ever accumulated in Merrie England.</p> + +<p>“It was getting dark when we reached Breeming +Downs, where Warrington’s place was, and as we +drove up the shadowy path to the door, I felt Warrington’s +hand on my arm.</p> + +<p>“‘Cut that out!’ I ordered, peremptorily. ‘What +is this I’m getting into?’</p> + +<p>“‘Sh-h-h!’ he replied, and his grip tightened. +With one sock I knocked him clean across the seat. +There are some things which I simply will not stand +for.</p> + +<p>“He gathered himself together and spoke. ‘I’m +sorry,’ he said. ‘I was a bit unnerved. You see, +there is a shadow against the pane in the guest +room window.’</p> + +<p>“‘Well, what of it?’ I asked. It was my turn to +look astonished.</p> + +<p>“Warrington lowered his voice. ‘Whenever there +is a shadow against the windowpane as I drive up +with a guest, that guest is found dead in bed the +<span class="pagenum" id="Page_111">[Pg 111]</span>next morning—dead from fright,’ he added, significantly.</p> + +<p>“I looked up at the window toward which he was +pointing. There, silhouetted against the glass, was +the shadow of a gigantic man. I say, ‘a man,’ but +it was more the figure of a large weasel except for a +fringe of dark-red clappers that it wore suspended +from its beak.”</p> + +<p>“How do you know they were dark red,” asked +little Tom-Tit, “if it was the shadow you saw?”</p> + +<p>“You shut your face,” replied Uncle Edith. “I +could hardly control my astonishment at the sight of +this thing, it was so astonishing. ‘That is in my +room?’ I asked Warrington.</p> + +<p>“‘Yes,’ he replied, ‘I am afraid that it is.’</p> + +<p>“I said nothing, but got out of the automobile and +collected my bags. ‘Come on,’ I announced cheerfully, +‘I’m going up and beard Mr. Ghost in his +den.’</p> + +<p>“So up the dark, winding stairway we went into +the resounding corridors of the old seventeenth-century +house, pausing only when we came to the door +which Warrington indicated as being the door to my +room. I knocked.</p> + +<p>“There was a piercing scream from within as we +pushed the door open. But when we entered, we +found the room empty. We searched high and low, +<span class="pagenum" id="Page_112">[Pg 112]</span>but could find no sign of the man with the shadow. +Neither could we discover the source of the terrible +scream, although the echo of it was still ringing in +our ears.</p> + +<p>“‘I guess it was nothing,’ said Warrington, cheerfully. +‘Perhaps the wind in the trees,’ he added.</p> + +<p>“‘But the shadow on the pane?’ I asked.</p> + +<p>“He pointed to a fancily carved piece of guest soap +on the washstand. ‘The light was behind that,’ he +said, ‘and from outside it looked like a man.’</p> + +<p>“‘To be sure,’ I said, but I could see that Warrington +was as white as a sheet.</p> + +<p>“‘Is there anything that you need?’ he asked. +‘Breakfast is at nine—if you’re lucky,’ he added, +jokingly.</p> + +<p>“‘I think that I have everything,’ I said. ‘I will +do a little reading before going to sleep, and perhaps +count my laundry.... But stay,’ I called him +back, ‘you might leave that revolver which I see +sticking out of your hip pocket. I may need it more +than you will.’</p> + +<p>“He slapped me on the back and handed me the +revolver as I had asked. ‘Don’t blow into the barrel,’ +he giggled, nervously.</p> + +<p>“‘How many people have died of fright in this +room?’ I asked, turning over the leaves of a copy of +<i>Town and Country</i>.</p> + +<p><span class="pagenum" id="Page_113">[Pg 113]</span></p> + +<p>“‘Seven,’ he replied. ‘Four men and three +women.’</p> + +<p>“‘When was the last one here?’</p> + +<p>“‘Last night,’ he said.</p> + +<p>“‘I wonder if I might have a glass of hot water +with my breakfast,’ I said. ‘It warms your +stomach.’</p> + +<p>“‘Doesn’t it though?’ he agreed, and was gone.</p> + +<p>“Very carefully I unpacked my bag and got into +bed. I placed the revolver on the table by my pillow. +Then I began reading.</p> + +<p>“Suddenly the door to the closet at the farther +end of the room opened slowly. It was in the +shadows and so I could not make out whether there +was a figure or not. But nothing appeared. +The door shut again, however, and I could hear footfalls +coming across the soft carpet toward my bed. +A chair which lay between me and the closet was +upset as if by an unseen shin, and, simultaneously, +the window was slammed shut and the shade pulled +down. I looked, and there, against the shade, as +if thrown from the <i>outside</i>, was the same shadow +that we had seen as we came up the drive that afternoon.”</p> + +<p>“I have to go to the bathroom,” said little Roger, +aged six, at this point.</p> + +<p><span class="pagenum" id="Page_114">[Pg 114]</span></p> + +<p>“Well, go ahead,” said Uncle Edith. “You know +where it is.”</p> + +<p>“I don’t want to go alone,” whined Roger.</p> + +<p>“Go with Roger, Arthur,” commanded Uncle +Edith, “and bring me a glass of water when you +come back.”</p> + +<p>“And whatever was this horrible thing that was in +your room, Uncle Edith?” asked the rest of the +children in unison when Roger and Arthur had left +the room.</p> + +<p>“I can’t tell you that,” replied Uncle Edith, “for +I packed my bag and got the 9:40 back to town.”</p> + +<p>“That is the lousiest ghost story I have ever +heard,” said Peterkin.</p> + +<p>And they all agreed with him.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_115">[Pg 115]</span></p> + + + <h2 class="nobreak" id="FASCINATING_CRIMES_2"> + FASCINATING CRIMES + <br> + <i>III. The Missing Floor</i> + </h2> +</div> + + +<p>It has often been pointed out that murderers are +given to revisiting the scenes of their crimes. +The case of Edny Pastelle is the only one on record +where the scene of the crime revisited the murderer.</p> + +<p>Edny Pastelle was a Basque elevator woman who +ran one of the first elevators installed in the old +Fifth Avenue Hotel, which stood at the corner of +Twenty-third Street and Fifth Avenue, New York +City. The elevator was of the surrey type, and was +pushed from floor to floor by the operator, who was +underneath climbing on a ladder. It was Mlle. +Pastelle’s daily task to hoist such personages as +Chauncey M. Depew, Boss Tweed and Harriet +Beecher Stowe up to their rooms in the Fifth Avenue +Hotel. In fact, she is said to have been Miss +Stowe’s model for <i>Uncle Tom</i> in the novel of that +name (with the word “Cabin” added to it).</p> + +<p>In the evenings, when Edny Pastelle was not on<span class="pagenum"><a id="Page_116"></a>[Pg 116]</span> +duty, she carried Punch and Judy shows about town +for whoever wanted them. As not many people +<span class="pagenum"><a id="Page_117"></a>[Pg 117]</span>wanted them, Edny’s evenings were pretty much her +own.</p> + +<figure class="figcenter illowp100" id="p116" style="max-width: 50.0em;"> + <img class="w100" src="images/p116.jpg" alt=""> + <figcaption> + <p>Edny Pastelle and Max Sorgossen in the gallery of human fiends and their victims.</p> + <p> + <i>—Courtesy of John Held, Jr., and Life.</i></p> + </figcaption> +</figure> + +<p>The evening of July 7, 1891, however, is on record +as being not Edny’s, but Max Sorgossen’s.</p> + +<p>Max Sorgossen worked in the Eden Musée, which +was situated on Twenty-third Street just below the +Fifth Avenue Hotel. His job was to put fresh cuffs +on the wax figure of Chester A. Arthur in the Presidential +Group. At five o’clock every afternoon he +also took “Ajeeb,” the mechanical chess player, out +in the back yard for his exercise.</p> + +<p>At five-thirty on the afternoon in question Max +Sorgossen had just knocked off work and was strolling +up Twenty-third Street in search of diversion. +In the back of his mind was an idea that perhaps +he might find another mechanical chess player for +“Ajeeb” and a girl for himself and that the four of +them might go down to Coney Island for the evening, +as the weather was warm. As he passed the service +entrance of the Fifth Avenue Hotel he met Edny +Pastelle, who was likewise calling it a day. (She +called it a <i>jour</i>, but that is the Basque of it.)</p> + +<p>Edny and Max had known each other in finishing +school, and so there seemed no impropriety in his +speaking to her and asking her if she knew of a +mechanical chess player for “Ajeeb” and if she +would look with favor on an evening at Coney.</p> + +<p><span class="pagenum" id="Page_118">[Pg 118]</span></p> + +<p>The two were seen entering a restaurant on +Twenty-first Street to talk it over at 6:10. At 9:20 +the next morning guests of the hotel, on trying to +descend in the elevator, found it stuck between the +first and third floors. When the car was finally dislodged, +it was found to contain the body of Max +Sorgossen. Furthermore, <i>the second floor, where the +elevator should have stopped, was gone</i>!</p> + +<p>Edny was arrested and the trial took place in the +Court of Domestic Relations, since she was a domestic +and there had evidently been relations, albeit +unfriendly. The prosecuting attorney was a young +lawyer named William T. Jerome, later William +Travers Jerome. Following is a transcript of the +cross-examination:</p> + +<blockquote> +<p><i>Q.</i> What did you do after Sorgossen spoke to you on +Twenty-third Street?</p> + +<p><i>A.</i> Pardon.</p> + +<p><i>Q.</i> What did you do after Sorgossen spoke to you on +Twenty-third Street?</p> + +<p><i>A.</i> Plenty.</p> + +<p><i>Q.</i> Very good, Mr. Bones. And now tell me, why <i>is</i> +a man with a silk hat on like Mary Queen of Scots?</p> + +<p><i>A.</i> What Scots?</p> + +<p><i>Q.</i> I’m asking <i>you</i>.</p> + +<p><i>A.</i> Animal, vegetable or mineral?</p> + +<p><i>Q.</i> Mineral.</p> + +<p><i>A.</i> The tidy on the back of that chair?</p> + +<p><span class="pagenum" id="Page_119">[Pg 119]</span></p> + +<p><i>Q.</i> No.</p> + +<p><i>A.</i> Cyrus W. Field?</p> + +<p><i>Q.</i> Give up?</p> + +<p><i>A.</i> Three spades.</p> + +<p><i>Q.</i> Double three spades.</p> +</blockquote> + +<p>At this point, counsel for the defense objected and +the case was thrown out into a higher court, where +Edny Pastelle was acquitted, or whatever you call it.</p> + +<p>It was some thirty years later that the missing +second floor of the old Fifth Avenue Hotel was discovered. +A workman laying wagers on the sixteenth +floor of the Fifth Avenue Building (erected on the +site of the old Fifth Avenue Hotel) came across a +floor which was neither the fifteenth, sixteenth nor +seventeenth. The police were called in and, after +several weeks of investigation and grilling, it was +identified as the missing floor of the old hotel, the +floor at which the little romance of Edny Pastelle +had come to such an abrupt end. How it came to +be on the sixteenth floor of the Fifth Avenue Building +nobody knows. Perhaps Max Sorgossen could +tell.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_120">[Pg 120]</span></p> + + + <h2 class="nobreak" id="THE_END_OF_THE_SEASON"> + THE END OF THE SEASON + </h2> +</div> + +<blockquote> +<p>The William K. Vanderbilt mansion at Fifty-second +Street and Fifth Avenue is, according to report, not +to be torn down, but will be transported bodily to Long +Island where it will be re-erected as a country home. +The same fate is also reported to await the Cornelius +Vanderbilt “château” at Fifty-seventh Street and Fifth +Avenue which was sold last Spring for $7,100,000. Both +mansions are, it is said, to be moved to Long Island and +re-assembled by purchasers as yet unnamed.</p> + +<p class="author"> + —<i>News Item.</i> +</p> +</blockquote> + + +<p class="ph4"><span class="smcap">Scene</span></p> + +<p>Fifth Avenue between Fifty-second and Fifty-seventh +Streets 3 a. m.</p> + + +<p class="ph4"><span class="smcap">Characters</span></p> + +<p> + Mrs. Cornelius Vanderbilt’s House.<br> + Mrs. William K. Vanderbilt’s House. +</p> + +<hr class="r5"> + +<p><span class="smcap">Mrs. W. K.’s House</span>: You-hoo!</p> + +<p><span class="smcap">Mrs. Cornelius’ House</span>: You-hoo!</p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: Are you awake?</p> + +<p><span class="smcap">Mrs. C.’s House</span>: Am I awake? I should say I +am. We’re moving down to the country tomorrow, +you know.</p> + +<p><span class="pagenum" id="Page_121">[Pg 121]</span></p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: We move down next week. +How are you going down?</p> + +<p><span class="smcap">Mrs. C.’s House</span>: The Herman W. Oberholzer +Wrecking Company, I think—if it’s pleasant. The +men said they would be here at seven. <i>Imagine!</i> +The front steps are going down first; so there will +be something there when we get there. The little +towers are crazy to go down with the front steps, +but I don’t think I’ll let them. I think they ought +to stay and go down with the rest of the house. +You’re all going down together, aren’t you?</p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: Oh, I suppose so. I dread +the whole thing and will be glad when it’s over. +We’ve had all those impossible people tramping +through the house all week—charity, you know. +Some days it just seemed as if I couldn’t stand it. +One man actually wanted to take a bath in the marble +tub! My dear, I was <i>furious</i>! I think that +when we do get to the country, I’ll just go to bed +and stay there.</p> + +<p><span class="smcap">Mrs. C.’s House</span>: Why don’t you hurry up and +come down with us tomorrow? The Oberholzer +people are awfully nice and I’m sure there’d be +room.</p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: Oh, I don’t know. I’m so +tired I just can’t think.</p> + +<p><span class="smcap">Mrs. C.’s House</span>: My dear, you could do it just +<span class="pagenum" id="Page_122">[Pg 122]</span>as easily as not. Just throw together the things +you’ll need—the Blashfield murals and the Caen +stair-case—and have them ready at seven-thirty. +Then, just as soon as we are all on the truck, I’ll +tell the Oberholzer men to come right over and get +you and we can all go down together.</p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: Oh, dear, I’ve half a mind +to do it; I do so want to get out of the city. Somehow +I’ve been awfully depressed about things lately. +New York isn’t what it used to be. And then the +selling of the lot and everything, and all these big +business buildings coming into the neighborhood. +A thirty-three story one here, you know.</p> + +<p><span class="smcap">Mrs. C.’s House</span>: My dear, what do you think +of <i>us</i>! A forty-two story <i>hotel</i>, if you please! We +got rather used to the Plaza, but I’m glad that I +sha’n’t be here to see this new thing.</p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: Do you know, I think I’ll +just <i>tear</i> and get ready to go down with you in the +morning. We have practically no front-steps, you +know, and we can just sort of camp out down there +until the roof and other things come down. Seven-thirty, +you say?</p> + +<p><span class="smcap">Mrs. C.’s House</span>: That’s what the wrecking people +said, I suppose that means eight or half-past. +We’ll have to eat luncheon on the way. We’ll have +plenty of chicken for you.</p> + +<p><span class="pagenum" id="Page_123">[Pg 123]</span></p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: My dear, don’t be silly. +I’ll bring the sandwiches, and perhaps when they +tear the cellar up they may find enough champagne +for just the two of us.</p> + +<p><span class="smcap">Mrs. C.’s House</span>: That will be <i>divine</i>! Seven-thirty, +then.</p> + +<p><span class="smcap">Mrs. W. K.’s House</span>: Good night, my dear. And +don’t forget, I’m bringing the sandwiches!</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_124">[Pg 124]</span></p> + + + <h2 class="nobreak" id="EXAM_TIME"> + EXAM TIME + </h2> +</div> + + +<p>What ought to be the last word in our national +craze for examinations and tests is +found in the announcement of an aged man in North +Carolina that he is ready to take the “Charlie Ross +Test.”</p> + +<p>“The Charlie Ross Test” seems to have for its +object the examination of the candidate to see +whether or not he is the Charlie Ross who was kidnaped, +as a little boy, from his home in Germantown, +Pa., in 1873. The successful candidate is to receive +an embossed certificate with the name “Charlie +Ross” in Old English type at the top. He is also +allowed to say, “I am Charlie Ross,” when introducing +himself to people.</p> + +<p>Candidates in the Charlie Ross Test are given +two hours in which to complete the examination, and +a choice of seven questions out of ten. Question +No. 4, however (“Are you white or black?”), must +be answered, as the Charlie Ross who was kidnaped +was known to have been white.</p> + +<p>Mr. Julius Dellinger, the present contestant, has +been cramming for the test for over six months, and +<span class="pagenum" id="Page_125">[Pg 125]</span>feels fairly confident that he will pass with flying +colors. A question of ruling came up last week, +when it was discovered that Mr. Dellinger had been +tutoring on the side with a man supposed to have +been the original Charlie Ross’s uncle, but it was +decided to allow this provided that the candidate +does not take notes into the examination-room with +him.</p> + +<p>“What will you do if you win?” Mr. Dellinger +was asked.</p> + +<p>“I will be just the happiest man in the world,” +was the reply. “First of all, I will have stationery +made with ‘C. R.’ on it, and then I will look up all +my new relatives in the Ross family and perhaps +visit them for a while.”</p> + +<p>“When you have passed the Charlie Ross Test, +do you expect to take the Ambrose Bierce Test?” +the reporter asked.</p> + +<p>“I looked into the Ambrose Bierce Test before I +decided on the Charlie Ross one,” Mr. Dellinger +said, “but as Bierce was quite well on in years when +he disappeared in Mexico, it would be rather a tough +examination to take. So many people knew what +Bierce looked like, and then, too, there would always +be the possibility that I might <i>not</i> be Bierce after +all. It would be very humiliating to get up before +the Board of Regents and discover that you were +<span class="pagenum" id="Page_126">[Pg 126]</span>Charlie Ross when you were taking the Ambrose +Bierce examination, or vice versa.”</p> + +<p>“Had you ever thought that perhaps you might +be the Man with the Iron Mask?” Mr. Dellinger +was asked.</p> + +<p>“Well, that would hardly be possible,” he said +with a smile, “as the Man with the Iron Mask lived +in the seventeenth century and spoke French. I +speak no French. Still,” he added with a touch of +wistfulness, “I might learn.”</p> + +<p>“Aside from the language,” the reporter suggested, +“it ought to be an easier test than either the Ross +or Bierce one, for no one knows what the Man +with the Iron Mask looked like.”</p> + +<p>Mr. Dellinger thought for a minute. Then a look +of determination came into his eyes. “I’ll send for +a set of last year’s examination papers tomorrow,” +he said. And into his bearing there crept something +of the grand manner, a slightly imperious gesture +with the hand, a courtly toss to the head. For the +Man with the Iron Mask was said by some to have +been the son of Cardinal Mazarin and Anne of +Austria.</p> + +<p>With a low bow the reporter withdrew.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_127">[Pg 127]</span></p> + + + <h2 class="nobreak" id="THROWING_BACK_THE_EUROPEAN"> + THROWING BACK THE EUROPEAN + OFFENSIVE + </h2> +</div> + + +<p>This is probably the hardest time of year for +for those of us who didn’t go to Europe last +summer. It was bad enough when the others were +packing and outlining their trips for you. It was +pretty bad when the postcards from Lausanne and +Venice began coming in. But now, in the fall, when +the travelers are returning with their Marco Polo +travelogs, now is when we must be brave and give a +cheer for the early frost.</p> + +<p>There are several ways to combat this menace of +returning travelers. The one that I have found most +effective is based on the old football theory that a +strong offense is the best defense. I rush them right +off their feet, before they can get started.</p> + +<p>In carrying out this system, it is well to remember +that very few travelers know anything more about +the places they have visited than the names of one +hotel, two points of interest, and perhaps one street. +You can bluff them into insensibility by making up +a name and asking them if they saw that when they +were in Florence. My whole strategy is based on +<span class="pagenum" id="Page_128">[Pg 128]</span>my ability to make up names. You can do it, too, +with practice.</p> + +<p>Thus, let us say that I am confronted by Mrs. +Reetaly who has just returned from a frantic tour of +Spain, southern France, and the Ritz Hotel, Paris. +You are inextricably cornered with her at a tea, or +beer night, or something. Following is a transcript +of the conversation. (Note the gathering power of +my offense.)</p> + +<p><span class="smcap">Mrs. R.</span>: Well, we have just returned from +Europe, and everything seems so strange here. I +simply can’t get used to our money.</p> + +<p><span class="smcap">Mr. B.</span>: I never see enough of it to get used to +it myself. (<i>Just a pleasantry.</i>)</p> + +<p><span class="smcap">Mrs. R.</span>: When we were in Madrid, I just gave +up trying to figure out the Spanish money. You see, +they have <i>pesetas</i> and—</p> + +<p><span class="smcap">Mr. B.</span>: A very easy way to remember Spanish +money is to count ten <i>segradas</i> to one <i>mesa</i>, ten +<i>mesas</i> to one <i>rintilla</i> and twenty <i>rintillas</i> to one +<i>peseta</i>.</p> + +<p><span class="smcap">Mrs. R.</span>: Oh, you have been to Spain? Did you +go to Toledo?</p> + +<p><span class="smcap">Mr. B.</span>: Well, of course, Toledo is just the beginning. +You pushed on to Mastilejo, of course?</p> + +<p><span class="smcap">Mrs. R.</span>: Why—er—no. We were in quite a +hurry to get to Granada and—</p> + +<p><span class="smcap">Mr. B.</span>: You didn’t see Mastilejo? That’s too +<span class="pagenum" id="Page_129">[Pg 129]</span>bad. Mastilejo is Toledo multiplied by a hundred. +Such mountains! Such coloring! Leaving Mastilejo, +one ascends by easy stages to the ridge behind +the town from which is obtained an incomparable +view of the entire Bobadilla Valley. It was here +that, in 1476, the Moors—</p> + +<figure class="figcenter illowp100" id="p129" style="max-width: 50.0em;"> + <img class="w100" src="images/p129.jpg" alt=""> + <figcaption> + <p>“Unless you have seen Tuna, you haven’t seen Spain.”</p> + </figcaption> +</figure> + +<p><span class="smcap">Mrs. R.</span>: The Moorish relics in Granada—</p> + +<p><span class="smcap">Mr. B.</span>: The Moorish relics in Granada are like +something you buy from Sears-Roebuck compared to +the remains in Tuna. You saw Tuna, of course?</p> + +<p><span class="smcap">Mrs. R.</span>: Well, no (<i>lying her head off</i>), we were +going there, but Harry thought that it would just be +repeating what—</p> + +<p><span class="pagenum" id="Page_130">[Pg 130]</span></p> + +<p><span class="smcap">Mr. B.</span>: The biggest mistake of your life, Mrs. +Reetaly, the biggest mistake of your life! Unless +you have seen Tuna, you haven’t seen Spain.</p> + +<p><span class="smcap">Mrs. R.</span>: But Carcassonne—</p> + +<p><span class="smcap">Mr. B.</span>: Ah, Carcassonne! Now you’re talking! +Did you ever see anything to beat that old diamond +mill in the <i>Vielle Ville</i>? Would they let you go +through it when you were there?</p> + +<p><span class="smcap">Mrs. R.</span>: Why, I don’t think that we saw any +old diamond mill. We saw an old—</p> + +<p><span class="smcap">Mr. B.</span>: I know what you’re going to say! You +saw the old wheat sifter. Isn’t that fascinating? +Did you talk with the old courier there?</p> + +<p><span class="smcap">Mrs. R.</span>: Why, I don’t remember—</p> + +<p><span class="smcap">Mr. B.</span>: And the hole in the wall where Louis +the Neurotic escaped from the Saracens?</p> + +<p><span class="smcap">Mrs. R.</span>: Yes, wasn’t that—? (<i>Very weak.</i>)</p> + +<p><span class="smcap">Mr. B.</span>: And the stream where they found the +sword and buckler of the Man with the Iron Abdomen?</p> + +<p><span class="smcap">Mrs. R.</span> (<i>edging away</i>): Yes, indeed.</p> + +<p><span class="smcap">Mr. B.</span>: And old Vastelles? You visited Vastelles, +surely?... Mrs. Reetaly, come back here, +please! I just love talking over these dear places +with someone who has just been there.... May I +call on you some day soon and we’ll just have a +feast of reminiscence?... Thank you. How +about tomorrow?</p> + +<p><span class="pagenum" id="Page_131">[Pg 131]</span></p> + +<p>And from that day to this, I am never bothered +by Mrs. Reetaly’s European trip, and you needn’t +be, either, if you will only study the above plan +carefully.</p> + +<p>The other method is based on just the opposite +theory—that of no offense, or defense, at all. It is +known as “dumb submission,” and should be tried +only by very phlegmatic people who can deaden their +sensibilities so that they don’t even hear the first ten +minutes of the traveler’s harangue. The idea is to +let them proceed at will for a time and then give unmistakable +evidence of not having heard a word they +have said. Let us say that Mr. Thwomly has accosted +me on the train.</p> + +<p><span class="smcap">Mr. T.</span>: It certainly seems funny to be riding in +trains like this again. We have been all summer in +France, you know, and those French trains are all +divided up into compartments. You get into a compartment—<i>compartimon</i>, +they call them—and there +you are with three or five other people, all cooped up +together. On the way from Paris to Marseilles we +had a funny experience. I was sitting next to a +Frenchman who was getting off at Lyons—Lyons is +about half way between Paris and Marseilles—and +he was dozing when we got in. So I—</p> + +<p><span class="smcap">Mr. B.</span>: Did you get to France at all when you +were away?</p> + +<p><span class="smcap">Mr. T.</span>: This was in <i>France</i> that I’m telling you +<span class="pagenum" id="Page_132">[Pg 132]</span>about. On the way from Paris to Marseilles. We +got into a railway carriage—</p> + +<figure class="figcenter illowp68" id="p132" style="max-width: 50.0em;"> + <img class="w100" src="images/p132.jpg" alt=""> + <figcaption> + <p>“Did you get to France at all when you were away?”</p> + </figcaption> +</figure> + +<p><span class="smcap">Mr. B.</span>: The railway carriages there aren’t like +ours here, are they? I’ve seen pictures of them, and +they seem to be more like compartments of some +sort.</p> + +<p><span class="pagenum" id="Page_133">[Pg 133]</span></p> + +<p><span class="smcap">Mr. T.</span> (<i>a little discouraged</i>): That was a +French railway carriage I was just describing to you. +I sat next to a man—</p> + +<p><span class="smcap">Mr. B.</span>: A Frenchman?</p> + +<p><span class="smcap">Mr. T.</span>: Sure, a Frenchman. That’s the <i>point</i>.</p> + +<p><span class="smcap">Mr. B.</span>: Oh, I see.</p> + +<p><span class="smcap">Mr. T.</span>: Well, the Frenchman was asleep, and +when we got in I stumbled over his feet. So he woke +up and said something in French, which I couldn’t +understand, and I excused myself in English, which +<i>he</i> couldn’t understand, but I saw by his ticket that +he was going only as far as Lyons—</p> + +<p><span class="smcap">Mr. B.</span>: You were across the border into France, +then?</p> + +<p><span class="smcap">Mr. T.</span> (<i>giving the whole thing up as a bad job</i>): +And what did <i>you</i> do this summer?</p> + +<p>Whichever way you pick to defend yourself +against the assaults of people who want to tell you +about Europe, don’t forget that it was I who told +you how. I’m going to Europe myself next year, +and if you try to pull either of these systems on <i>me</i> +when I get back, I will recognize them at once, and +it will just go all the harder with you. But, of +course, <i>I</i> will have something to tell that will be +worth hearing.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_134">[Pg 134]</span></p> + + + <h2 class="nobreak" id="AN_INTERVIEW_WITH_VICE-PRESIDENT"> + AN INTERVIEW WITH VICE-PRESIDENT + DAWES + </h2> +</div> + + +<p>Interviewing Vice-Presidents is always a +ticklish business, unless you happen to find one +who isn’t ticklish.</p> + +<p>So I took General Dawes into my confidence +right at the start.</p> + +<p>“General Dawes,” I said, “what is your feeling +about the Senate?”</p> + +<p>“You mean the Roman Senate, do you not?” +asked the grizzled warrior.</p> + +<p>“Well, yes, now that you speak of it,” I replied. +Here was a chance to have some fun at the expense +of Catiline.</p> + +<p>“The Senate is all right,” said General Dawes. +“It is the tribunes of the people that cause all the +trouble. They and the lictors.”</p> + +<p>“How would you lictor have a glass of beer?” I +asked the Vice-President.</p> + +<p>Well, that got us to giggling, as you may very +well imagine. First I would hit him, and then he +would hit me.</p> + +<p>“If the Senate rules were to be changed, so that +for ‘quorum’ it should read ‘jorum,’ what would you +<span class="pagenum" id="Page_135">[Pg 135]</span>think?” I asked him, spitting out two teeth (good +ones, too).</p> + +<p>“‘Jorum’ instead of ‘quorum’?” he asked, stalling +for time. “What would I think?”</p> + +<p>“You heard me, Mr. Vice-President,” I retorted.</p> + +<p>“I should say, suh—” he began.</p> + +<p>“I didn’t know that you were from the South,” +I interrupted.</p> + +<p>“I’m not. That was just something caught in my +throat.”</p> + +<p>At this point, General Dawes looked out the window. +“Where are we?” he asked, peering into the +darkness. “Is this New Haven we are coming into, +porter?”</p> + +<p>But the porter was just as much puzzled as General +Dawes was, being a Southern Pacific porter on +his first trip on the N. Y., N. H. & H. R. R.</p> + +<p>“I could tell with a bit of litmus paper,” he said.</p> + +<p>Quickly I clapped my hand over General Dawes’ +mouth.</p> + +<p>“Do you ever wonder, Mr. Vice-President,” I +asked him, “just what life is all about?”</p> + +<p>“<i>Do</i> I?” said General Dawes from behind my +palm. “That’s all I ever wonder about.”</p> + +<p>“Wasn’t it Voltaire who asked ‘<i>Que suis-je, ou +suis-je, ou vais-je, et d’ou suis-je tiré?</i>’”</p> + +<p>“That all sounds very silly,” retorted the General +<span class="pagenum" id="Page_136">[Pg 136]</span>in a rage. “And besides, there should be an +accent over all those ‘u’s’.”</p> + +<p>“The General did not have his nap today,” I +explained to the conductor. “He is cross.”</p> + +<p>“This is my street anyway,” said the Vice-President, +hopping up and getting into his middy-blouse. +And, without a word, he was gone.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_137">[Pg 137]</span></p> + + + <h2 class="nobreak" id="THE_LIFE_POLAR_EXPEDITION_1"> + THE <i>LIFE</i> POLAR EXPEDITION + </h2> +</div> + + +<p><i>En route with “Life’s” Bicycle Expedition to +the North Pole.—May 17.</i></p> + +<p>We are now just between Woodlawn and Mt. +Vernon, at a point where there seems to be some +sort of road-digging going on. This means that we +shall have to sit down and wait for them to finish, +or else go back and take a roundabout route. We +are just a little discouraged.</p> + +<p>“Chief,” Lieut.-Commander Connelly said to me +as we were pedalling through Morrisania (168th +Street), “do you ever have any doubts about our +catching up with the others—Amundsen and Byrd, +I mean?”</p> + +<p>I felt a strange little chill creep around my heart. +Was this mutiny?</p> + +<p>“Have you heard any of the men talking?” I +asked, without looking at him.</p> + +<p>“Well, no, not exactly,” he replied, “but Ensign +Thermaline asked me yesterday how long I figured +out that it would be before we sighted one of the +other expeditions.”</p> + +<p><span class="pagenum" id="Page_138">[Pg 138]</span></p> + +<p>“You can tell Ensign Thermaline,” I said, “that +if he will keep his feet pedalling ’round and ’round +just as fast as he can and maintain his balance, the +rest of us will do the same.”</p> + +<p>Lieut.-Commander Connelly looked at me with +tears in his eyes. “Aye, aye, sir,” was all that he +said, but it spoke volumes.</p> + +<p>From Mott Haven, where we spent the night, we +have pedalled due north over the Grand Concourse, +stopping only once at a repair shop to get a new +thumb-piece for Ensign Thermaline’s bell. Ensign +Thermaline had been using the bell almost constantly +since leaving 57th Street, being one of the +most cautious pilots in the expedition.</p> + +<p>A peculiarity of the country which we all have +noticed since crossing over the Harlem River is the +rows upon rows of large apartment houses which +have sprung up along the route. At first none of us +spoke of it, but finally Lieut.-Commander Connelly +could keep his thoughts to himself no longer. “Have +you noticed the large number of apartment houses +along the way?” he asked. We all admitted that +we had.</p> + +<p>In front of one of these apartment houses an interesting +sight met our eyes. A little boy was seen +riding along in what looked like a very small automobile +and it was in effect really an automobile +<span class="pagenum" id="Page_139">[Pg 139]</span>except that it was propelled by the little boy’s feet, +which were in direct contact with the sidewalk. +Some members of the expedition were in favor of +stopping and getting the little boy to join, but wiser +counsel prevailed and we decided that it would take +him too long to get his winter things packed and that +we ought not to incur any more delays than we +should run into in the natural course of events. “He +would have been cute, though,” said Lieut-Commander +Connelly wistfully.</p> + +<p>Just the other side of Williamsbridge we ran into +an obstacle which for a while threatened to hold us +up indefinitely. Right in our path we came to a +high wall surrounding a reservoir. We sent Ensign +Thermaline up to take soundings and he returned, +making a long face, and reporting that the reservoir +was practically ten feet deep.</p> + +<p>“What a place to build a reservoir anyway!” I +said, and the other joined me in my disgust.</p> + +<p>Fording the darned thing being out of the question, +we decided that it would be better to take one +of the roads which seemed to lead around it. We +chose the one to the left because left is Lieut.-Commander +Connelly’s favorite direction. And Dame +Fortune was with us in our choice, for it led, after +a while, right into the Bronx River Parkway, which +was <i>just</i> where we wanted to be. Had we taken the +<span class="pagenum" id="Page_140">[Pg 140]</span>road to the right, there is no telling where we should +have ended up.⁠<a id="FNanchor_1_1" href="#Footnote_1_1" class="fnanchor">[1]</a>⁠</p> + +<p>It was in passing Woodlawn Cemetery that we got +into the discussion which is still raging as we sit by +the roadside before Mt. Vernon. The sight of the +miles and miles of monuments in Woodlawn depressed +Lieut.-Commander Connelly and set him +thinking.</p> + +<p>“Man’s span is <i>so</i> short,” he said, drawing up +alongside my “bike” (as we call our wheels). +“Man’s span is so short that it seems hardly worth +all the fuss and pother of trying, doesn’t it?” he +whispered.</p> + +<p>“I think that word is ‘bother,’” I said.</p> + +<p>“Which word?” he asked.</p> + +<p>“The word you called ‘pother,’” I replied, a little +cruelly, I am afraid.</p> + +<p>“Are you <i>sure</i>?” he asked.</p> + +<p>“As sure as one can be of anything in this old +world,” I said.</p> + +<p>“That’s just it,” the lieutenant-commander returned, +“what <i>can</i> one be sure of? We are born, +grow up, make our little plans—and what sad, brave +little plans they are, too—and then just as we think +we are succeeding”—the young explorer stopped +<span class="pagenum" id="Page_141">[Pg 141]</span>and looked at the rows of tombstones on our left.</p> + +<p>“I know, Lieutenant-Commander,” I said, sympathetically. +“You don’t have to say it.”</p> + +<p>And so we rode on in silence, until we reached this +sort of digging-up they are doing in the road. Then +I said: “Oh, the devil!” And at this rather pat +climax to a discussion on philosophy, we both +laughed.</p> + +<p>But if we are held up very long here it will be no +laughing matter, for in the papers we read that +Amundsen is already on his way to the Pole from +Spitsbergen.</p> + +<p>(<i>The brave boys of the “Life” Polar Expedition +are pedalling furiously in a northerly direction and +expect to reach Mt. Vernon any day now. Another +despatch from Commander Benchley will appear +next week.</i>)</p> + + +<div class="footnotes"> +<h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a id="Footnote_1_1" href="#FNanchor_1_1" class="label">[1]</a> The right road also leads to the Bronx River Parkway.—<span class="smcap">Editor.</span></p></div> +</div> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_142">[Pg 142]</span></p> + + + <h2 class="nobreak" id="A_GHOST_STORY"> + A GHOST STORY + <br> + (<i>As Sherwood Anderson Would Write It If He + Weren’t Prevented</i>) + </h2> +</div> + + +<p class="ph3">1</p> + +<p>David Perk sat on the edge of his bed. It +was nearly midnight and in a few minutes the +ghost would come. The ghost would come, all +right, all right. Why not? Milt Neevis had seen +it here in this very room, and Milt got drunk every +Thursday night and rolled in the bran-mash they +had fixed for the horses out in Rob McCarver’s +barn. And Milt knew women, too. When Spring +came to Panis Junction, and the soft smell of honeysuckle +drifted into town over Ernest Tamson’s tannery +down by the tracks, Milt used to sneak out at +eleven o’clock every night and go in swimming alone +in the Women’s Public Baths. Naked. Milt knew +women all right. Lordy!</p> + +<p>And Milt Neevis had told David Perk that at +midnight the ghost would be sure to come. And +what’s more, it might be a female ghost, Milt said. +Male and female. Hot dickety-dog!</p> + +<p><span class="pagenum" id="Page_143">[Pg 143]</span></p> + + +<p class="ph3">2</p> + +<p>David Perk was sitting on the edge of his bed +waiting for the ghost. Why should he—David Perk—be +afraid? Why should anyone be afraid? Why +should you be afraid? Why should I be afraid? +Sex was sex, wasn’t it? That night in Chicago. +Why had he left Ella? Ella had been his first wife +and every Friday night she used to bake potatoes +and cut them open to put butter in them. David +had liked to see her cut open the baked potatoes. +Perhaps it hurt them to be cut open. Why not? +Potatoes had sex, just the same as you and me or +old Milt Neevis rolling in the bran-mash out in Rob +McCarver’s barn. Male potatoes. Female potatoes. +Cut them open and put butter in them. And +paprika. Ella had cut them open and put butter in +them that night back in Chicago. And David had +left her. Not because she did that. David had +liked that. It had made him feel all queer all over. +Lordy! Ella would never understand how it made +him feel. So he had left her. Male potatoes in +the same dish with female potatoes. Milt Neevis +swimming alone naked in the Women’s Public Baths +on a Spring night. Slicky-slicky!</p> + +<p><span class="pagenum" id="Page_144">[Pg 144]</span></p> + + +<p class="ph3">3</p> + +<p>David Perk sitting on the edge of his bed waiting +for the ghost. Perhaps a girl ghost. He was a man, +wasn’t he? Secretary Stanton of Lincoln’s cabinet +had been a man, hadn’t he? Why Stanton? +Well, why not Stanton? He, David Perk, had never +seen Stanton, had he? Nor G. A. Henty. Nor +Cyrus W. Field. All men, weren’t they? And +what were men made for if not for women?</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>Hill-dill, come over the hill,</i></div> + <div class="verse indent0"><i>Or else I’ll catch you standing still.</i>”</div> + </div> + </div> +</div> + +<p>That night in Detroit. When he had left Irma. +Irma had been his second wife. Irma had large +bones and cried easily. One night in the Spring +she and David had gone out into the fields and +pulled up all the grass. A mare and a stallion pulling +up grass in the fields and chewing it. They had +chewed grass all night. Big sensation. Grass between +your teeth. Green, sharp grass. Big male +moon in the sky looking for its mate. Little female +stars skipping about looking for their mates. +Never finding them. David never finding anyone. +Twenty-three! Skidoo!</p> + + +<p class="ph3">4</p> + +<p>That night in Boston when David had met +<span class="pagenum" id="Page_145">[Pg 145]</span>Theresa. Theresa was his third wife. The State +House dome in the moonlight. Niggers singing on +the Common. Niggers who had been freed. Irishmen +singing on the Common. Sailors with girls on +their laps on the benches. Spooning. Tremont +Street. Boylston Street. Trolley cars. English +sparrows with Spring in their veins. Men and +women. Boys and girls. Male babies and female +babies. Sex! America!</p> + +<p>And here was he, David Perk, sitting—all hot and +bothered—on the edge of his bed waiting for the +ghost to come. And old Milt Neevis down in Rob +McCarver’s barn rolling in the bran-mash.</p> + + +<p class="ph3">5</p> + +<p>Downstairs Edith was asleep. Edith was David +Perk’s fourth wife. Edith slept on her right side +with the right arm stretched out behind her and +her left hand under her cheek. And after that—what? +After <i>what</i> what? What did it matter +what? Here was the ghost. The ghost that Milt +Neevis had told him about. And Milt had said it +might be a female!</p> + +<p>David felt all queer. He felt as he had felt that +night in Toronto when he had left Marian, his fifth +wife. “All alone by the telephone waiting for a +<span class="pagenum" id="Page_146">[Pg 146]</span>ring, a ting-a-ling.” Things hadn’t gone right—for +him and Marian—not right at all.</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<i>Higgledy-piggledy, my black hen.</i></div> + <div class="verse indent0"><i>She lays eggs for gentlemen.</i>”</div> + </div> + </div> +</div> + +<p>Eggs for gentlemen, eh? Lord, what a time! +But what was a fellow to do? What had she been +thinking about? What had he—David—been +thinking about? Chinks jabbering in their laundry. +Chinks jabbering out in front of their laundry. +The War. The Red Cross. The Fifth Liberty +Loan. Was he—David—afraid? Was he—or was +she—jealous of her? Not by a damn sight. Well, +he and Irma had certainly messed things up. And +he smiled to himself. Would the ghost know? +Would she understand what Irma hadn’t understood? +What Marian hadn’t understood? What +Edith—downstairs sleeping this very minute with +her right arm stretched out behind her—wasn’t understanding? +How come?</p> + + +<p class="ph3">6</p> + +<p>It was Spring outside and the warm breeze over +the lilac bushes carried the smell of Ernest Tamson’s +tannery to David. Did the ghost smell it too? +“Come in.” David was out of bed now, standing +<span class="pagenum" id="Page_147">[Pg 147]</span>beside the ghost. She was a woman all right. And +David was a man. God’s man. Flames in her +eyes—deep red flames—deep blue flames. The old +oaken bucket. The iron-bound bucket. The moss-covered +bucket. Heigh-ho! Old Black Joe!</p> + +<p>David was packing his grip. His two military +brushes. One male. The other female. Male and +female created He them. Why be ashamed of it? +The ghost was looking at David with a queer look +in her eyes. She knows what’s what, old man. Sure +thing. She wants me to go with her. Why not? +Male and Female created He them. And the evening +and the morning were the sixth day. “And +’twas from Aunt Dinah’s quilting party, I was seeing +Nelly home.”</p> + + +<p class="ph3">7</p> + +<p>David Perk and the girl ghost were leaving the +house. He felt her close to him. It was! It +wasn’t! It was! He knew that she was thinking +the long, long thoughts of a woman. And he—David—was +thinking the long, long thoughts of a +man. They were across Nalbro Harris’ backyard +now. Now they were on the train for Chicago. Mr. +and Mrs. David Perk. And back in the gray house +Edith was sleeping with her right arm stretched out +behind her and her left hand under her cheek. On +her right side. Well, toodle-oo!</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_148">[Pg 148]</span></p> + + + <h2 class="nobreak" id="DISCOVERING_WEBER_AND_FIELDS"> + DISCOVERING WEBER AND FIELDS + <br> + <i>If There Had Been Erudite Criticism in the Nineties</i> + </h2> +</div> + + +<p>From the lowly precincts of the music halls +has arisen a new pair of pragmatists. The +names that appear on the bills are Weber and +Fields, but the hands are the hands of William +James. And so and so and so and so.</p> + +<p>The method of these zanies is eclectic. From +Zeno the Stoic they have taken the doctrine of “six-times-six-is-thirty-six.” +From Anaxagoras the theory +that the Whole is less than any of its parts. From +Francis Bacon the denial of Truth as a substantive. +From L. G. B. three dozen woolen stockings and a +crate of oranges.</p> + +<p>Take for example the scene where <i>Mike</i> and +<i>Meyer</i> are discussing occupations (in itself pure +dialectics):</p> + +<blockquote> +<p><span class="smcap">Meyer</span>: Vot are you doing?</p> + +<p><span class="smcap">Mike</span>: Voiking in a nut factory.</p> + +<p><span class="smcap">Meyer</span>: Doing vot?</p> + +<p><span class="smcap">Mike</span>: Nutting.</p> + +<p><span class="smcap">Meyer</span>: Sure—but vot are you <i>doing</i>?</p> + +<p><span class="smcap">Mike</span>: Nutting.</p> + +<p><span class="smcap">Meyer</span>: I know, but vot voik are you doing?</p> + +<p><span class="pagenum" id="Page_149">[Pg 149]</span></p> + +<p><span class="smcap">Mike</span>: Nutting, I tole you.</p> + +<p><span class="smcap">Meyer</span> (<i>poking his finger in Mike’s eye</i>): Ou-u-u-u, +how I lofe you!</p> +</blockquote> + +<p>Here we have the new philosophy of the subconscious, +the stirrings of a new American humor +which derives from the modern German school of +<i>Merkwürdigkeit</i>, or <i>Es-giebt-also-es-ist</i>. In the +American mind is being born, through the medium +of the music hall, a consciousness of national social +satire which bids fair to revolutionize thought on +this side of the Atlantic. Could a better example +be found than the following dialogue between these +two super-clowns in their latest show:</p> + +<blockquote> +<p><span class="smcap">Mike</span> (<i>referring to off-stage noises</i>): A soldier has +been shot.</p> + +<p><span class="smcap">Meyer</span>: Vere vos he shot?</p> + +<p><span class="smcap">Mike</span>: In de eggcitement!</p> +</blockquote> + +<p>Here, in these words, lies America. The America +of today, with its flaring gas lights, its thundering +cable cars, the clatter of its hansoms, and the deafening +whistle of its peanut stands. The young, +vibrant spirit of America, locked in the message of +two clowns! And, with the coming of jazz, twenty +years from now, we shall see the full expression of +the young nation’s strivings toward the Greater +Smooch.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_150">[Pg 150]</span></p> + + + <h2 class="nobreak" id="WATER_FOOTBALL"> + WATER FOOTBALL + <br> + <i>Suggestions to the Rules Committee for Making + Use of Rain</i> + </h2> +</div> + + +<p>Whatever it is that the football rules committee +does during that week in the spring +that it spends in New York (and you can’t tell me +that a group of healthy men can stay in a New York +hotel room all the time and think of nothing but +football, football, football) it certainly makes no provision +for rain on the day of a big game. And anyone +who has sat through four two-hour periods in a +downpour will tell you that football, as it is played +today, is essentially a fair-weather sport.</p> + +<p>I had a cousin who went to the Harvard-Yale +game last year and contracted gelatin-trouble, owing +to the sizing in his fur coat having soaked through +into his spine and gone the rounds of his entire +system. He sat in a large puddle (one of the largest +in the Yale Bowl, he tells me, and you know what a +big place the Yale Bowl is) and along about six +o’clock, on the way home in the machine, he felt a +queer sort of spinal disintegration. “As if I were +going to pieces,” is the way he expressed it. He +<span class="pagenum" id="Page_151">[Pg 151]</span>thought nothing of it until his arms and legs began +to come off and then he went somewhere and lay +down. Whatever it was that finally became of him, +the point is that watching football in the rain is no +darned fun and the least that the rules committee +can do is to make some regulations covering a situation +that so frequently exists.</p> + +<p>For instance, when it is found that the field is +going to be knee-deep in mud and water, there ought +to be some way of changing the nature of the game +entirely, so that the very elements which would, +under the old rules, work toward a spoiling of the +game, might be turned into favorable factors for all +concerned.</p> + +<p>Thus we might have a play (to be called “left +half around the sandbar”) in which, at the signal, +the left halfback takes the ball from the quarter, +tosses it into a dory, shoves off, and rows around +right end. His interference, also in dories, could +ward off tacklers by splashing water in their faces, +use of the oars as clubs to be called illegal. To meet +this play, it would be the function of the defensive +backs to row through and, if possible, force the man +with the ball in his boat to row onto a sandbar or +else create such a wash that it upsets him.</p> + +<p>Or, there might be an entirely different ball used +during a rain storm—a large, red rubber ball such as +<span class="pagenum" id="Page_152">[Pg 152]</span>some nuisance always has at the beach in the summer. +This could be tossed back and forth, the players +screaming with excitement the while, until one +side or the other gets tired. With this type of ball, +a very neat trick play could be utilized, the “U-56, +or concealed ball play” in which the quarterback, +immediately on receiving the pass, would shove the +ball under the surface of the water, sit on it, and +paddle himself around left end or through left tackle, +if a hole could be opened up for him. The fun here +would be for the defense to drown the runner.</p> + +<p>Of course, the rain is not always sufficiently heavy +to make the water deep enough for the two plays +outlined above. Sometimes it merely drizzles and +there is nothing but mud on the field. This would +call for an entirely new list of plays. Under these +conditions, the old Carlisle Indian trick could be +revived, each of the backs scooping up an armful of +mud and running with it, the defense being unable to +tell in which armful the ball is hidden. Or, as an +alternate play, the backfield could daub their faces +with mud to look like a negro quartette and could +start humming old plantation melodies. Then, while +the defense stopped and listened, enchanted, the +right end could pick up the leather and slide down +the field with it.</p> + +<p>The big spectacular play, however, for a muddy +<span class="pagenum" id="Page_153">[Pg 153]</span>day is the “sappers’ wedge” or “East Side subway.” +In this trick, the linemen throw up breastworks of +mud in front of the line of scrimmage. When the +ball is put into play, the backs burrow down into the +soft ground and tunnel themselves under the line, +digging out on the other side for a gain of perhaps +five yards. This play can be used effectively when +within five yards of the goal, as the back carrying +the ball has made, <i>ipso facto</i>, a touchdown.</p> + +<p>This outline of aquatic football has, however, not +taken the spectators into account. Who ever does? +But there they are, millions and millions of them, +and something must be done for <i>them</i> on a rainy day.</p> + +<p>Since there is always someone in front of you who +has an umbrella up, you might as well give up any +idea you may have had of watching the game. Don’t +torture yourself by trying to peek around the umbrella, +catching sight of the beginning of a play and +never knowing until you hear the cheering whether +or not it succeeded. In this way lies madness. Just +give up trying to spy on the field maneuvers and get +your neighbors to enter into a few little games with +you to pass the time away.</p> + +<p>There is, for example, the game of “Neck Cisterns.” +In this game, all the people sitting in a row +open out the collars of their coats in the back, sitting +hunched forward so as to make the opening as big +<span class="pagenum" id="Page_154">[Pg 154]</span>as possible. The idea is to see who can catch the +most rain water down the back of the neck. Drippings +from an umbrella are not allowed. The water +must come directly down and into the collar. The +winner is the one whose collar runs over first.</p> + +<p>This may seem like a very simple game to play, +and one dependent entirely on the capacity of the +coat of the contestant. This is not so. A great deal +of skill can be brought into playing it by adjusting +the angle of the body to meet the angle of the rain +at a point where the maximum amount of water will +drive into the collar. An old hand at “Neck Cisterns” +can fill his coat up to overflowing before a +beginner has got even his shoulder blades wet.</p> + +<p>Another similar game is that of “Brimming.” The +players in this turn the brims of their hats up so as +to catch the rain water. At a given signal, the brims +are suddenly turned down and the heads thrust forward, +the idea being to project the deluge of water +as far out as possible. The one hitting the person +farthest in front wins and is the champion “brimmer” +of the section. During the final period of the +football game, the champion “brimmers” from each +section meet and play off the finals.</p> + +<p>Of course, one of the chief features of watching a<span class="pagenum"><a id="Page_155"></a>[Pg 155]</span> +contest in the rain is the wet seat. You hop up in +your excitement at seeing the boys pull off a forward +<span class="pagenum"><a id="Page_156"></a>[Pg 156]</span>pass (which is grounded) and, by the time you have +got around to sitting down again, the place which +you have been keeping dry up until the forward pass +is now a tiny lily pond with swan boats in it. Into +this you sink back exhausted from your cheering, +and in it you sit for the rest of the game while, +starting from the pond as a base, a series of chills +race up your spine to a spot directly behind your +ears, where they break ranks.</p> + +<figure class="figcenter illowp54" id="p155" style="max-width: 50.0em;"> + <img class="w100" src="images/p155.jpg" alt=""> + <figcaption> + <p>The one hitting the person farthest in front wins.</p> + </figcaption> +</figure> + +<p>One of the most interesting by-products of watching +a football game in the rain occurred in Lawrence, +Massachusetts, in 1919. It had rained all during +the first three periods of the game and everyone was +sitting in individual pools, giving the matter no more +thought. Several hundred of them had been fighting +a brave fight against the cold and damp by means of +that greatest little cold and damp fighter of them all, +the pocket flask, and these brothers didn’t even <i>know</i> +that they were sitting in water. They knew that +they were sitting pretty and it didn’t make any difference +to them where. Suddenly, at the beginning +of the fourth period, the weather changed and grew +much colder. There was a great deal of time out +and dull playing, and no one felt called upon to hop +up for quite some time. As a matter of fact, the +game ended with the ball in mid-field and a lot of +<span class="pagenum" id="Page_157">[Pg 157]</span>substitutes running in to get their letter. When the +whistle blew, the fans started to get up to go home, +but found that they were frozen to the stands. The +entire Lawrence fire department came with axes and +worked until eleven that night chopping the people +<span class="pagenum" id="Page_158">[Pg 158]</span>out. A couple of old grads, who had very poor seats +down in the corner behind the goal posts, were overlooked +and had to stay there until spring.</p> + +<figure class="figcenter illowp69" id="p157" style="max-width: 50.0em;"> + <img class="w100" src="images/p157.jpg" alt=""> + <figcaption> + <p>... found they were frozen to the stands.</p> + </figcaption> +</figure> + +<p>In order to avoid a recurrence of this unfortunate +accident, and in general to keep the seats dry, it +has been suggested that the rules committee make it +illegal for any spectator to jump to his feet during +a game. This would apply even when two rival +rooters started a fist fight in the stand. Coincident +with the passage of this rule, similar prohibitions +might be put on a man’s falling when dropped out +of a window, and on the earth’s rotating on its +axis.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_159">[Pg 159]</span></p> + + + <h2 class="nobreak" id="MORE_SONGS_FOR_MELLER"> + MORE SONGS FOR MELLER + </h2> +</div> + + +<p>As Señorita Raquel Meller sings entirely in +Spanish, it is again explained, the management +prints little synopses of the songs on the program, +telling what each is all about and why she is behaving +the way she is. They make delightful reading +during those periods when Señorita Meller is changing +mantillas, and, in case she should run out of +songs before she runs out of mantillas, we offer a +few new synopses for her repertoire.</p> + + +<p class="ph3">(1) <span class="smcap">¿Voy Bien?</span></p> + +<p class="ph4">(AM I GOING IN THE RIGHT DIRECTION?)</p> + +<p>When the acorns begin dropping in Spain there is +an old legend that for every acorn which drops there +is a baby born in Valencia. This is so silly that no +one pays any attention to it now, not even the gamekeeper’s +daughter, who would pay attention to anything. +She goes from house to house, ringing doorbells +and then running away. She hopes that some +day she will ring the right doorbell and will trip +and fall, so that Prince Charming will catch her. +<span class="pagenum" id="Page_160">[Pg 160]</span>So far, no one has even come to the door. Poor +Pepita! if that is her name.</p> + + +<p class="ph3">(2) <span class="smcap">Camisetas de Flanela</span></p> + +<p class="ph4">(FLANNEL VESTS)</p> + +<p>Princess Rosamonda goes nightly to the Puerta +del Sol to see if the early morning edition of the +papers is out yet. If it isn’t she hangs around humming +to herself. If it is, she hangs around humming +just the same. One night she encounters a young +matador who is returning from dancing school. The +finches are singing and there is Love in the air. +Princess Rosamonda ends up in the Police Station.</p> + + +<p class="ph3">(3) <span class="smcap">La Guia</span></p> + +<p class="ph4">(THE TIME-TABLE)</p> + +<p>It is the day of the bull fight in Madrid. Everyone +is cock-eyed. The bull has slipped out by the +back entrance to the arena and has gone home, disgusted. +Nobody notices that the bull has gone except +Nina, a peasant girl who has come to town +that day to sell her father. She looks with horror +at the place in the Royal Box where the bull ought +to be sitting and sees there instead her algebra +teacher whom she had told that she was staying at +<span class="pagenum" id="Page_161">[Pg 161]</span>home on account of a sick headache. You can imagine +her feelings!</p> + + +<p class="ph3">(4) <span class="smcap">No Puedo Comer Eso</span></p> + +<p class="ph4">(I CAN NOT EAT THAT!)</p> + +<p>A merry song of the Alhambra—of the Alhambra +in the moonlight—of a girl who danced over the wall +and sprained her ankle. Lititia is the ward of +grouchy old Pampino, President of the First National +Banco. She has never been allowed further +away than the edge of the piazza because she teases +people so. Her lover has come to see her and finds +that she is fast asleep. He considers that for once +he has the breaks, and tiptoes away without waking +her up. Along about eleven o’clock she awakes, and +is sore as all get-out.</p> + + +<p class="ph3">(5) <span class="smcap">La Lavandera</span></p> + +<p class="ph4">(THE LAUNDRYMAN)</p> + +<p>A coquette, pretending to be very angry, bites off +the hand of her lover up to the wrist. Ah, naughty +Cirinda! Such antics! However does she think she +can do her lessons if she gives up all her time to +love-making? But Cirinda does not care. Heedless, +heedless Cirinda!</p> + +<p><span class="pagenum" id="Page_162">[Pg 162]</span></p> + + +<p class="ph3">(6) <span class="smcap">Abra Vd. Esa Ventana</span></p> + +<p class="ph4">(OPEN THAT WINDOW)</p> + +<p>The lament of a mother whose oldest son is too +young to vote. She walks the streets singing: “My +son can not vote! My son is not old enough!” +There seems to be nothing that can be done about it.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_163">[Pg 163]</span></p> + + + <h2 class="nobreak" id="FASCINATING_CRIMES_3"> + FASCINATING CRIMES + <br> + <i>IV. The Lynn Horse-Car Murders</i> + </h2> +</div> + + +<p>Early in the morning of August 7th, 1896, a +laborer named George Raccid, while passing +the old street-car barns at Fleeming and Main +Streets, Lynn, Massachusetts, noticed a crowd of +conductors and drivers (horse-cars were all the rage +in 1896) standing about a car in the doorway to the +barn. Mr. Raccid was too hurried to stop and see +what the excitement was, and so it was not until +the following Wednesday, when the bi-weekly paper +came out, that he learned that a murder had been +committed in the car-barn. And at this point, Mr. +Raccid drops out of our story.</p> + +<p>The murder in question was a particularly odd +one. In the first place, it was the victim who did +the killing. And in the second, the killing occurred +in a horse-car, an odd conveyance at best. And +finally, the murderer had sought to conceal his handiwork +by cramming his victim into the little stove in +the middle of the car, a feat practically impossible +without the aid of scissors and a good eye for +snipping.</p> + +<p><span class="pagenum" id="Page_164">[Pg 164]</span></p> + +<p>The horse-car in which the murder occurred was +one of the older types, even for a horse-car. It was +known in the trade as one of the “chummy roadster” +models and was operated by one man only. This +man drove the horses, stoked the fire, and collected +the fares. He also held the flooring of the car together +with one foot braced against a “master” +plank. On his day off he read quite a lot.</p> + +<figure class="figcenter illowp100" id="p164" style="max-width: 50.0em;"> + <img class="w100" src="images/p164.jpg" alt=""> + <figcaption> + <p>The murder car and its driver, Swelf Yoffsen.</p> + <p> + —<i>Courtesy of John Held, Jr., and Life.</i></p> + </figcaption> +</figure> + +<p>The driver of the murder-car was named Swelf +Yoffsen, a Swedish murder-car driver. He had come +to this country four years before, but, not liking it +here, had returned to Sweden. It is not known how +he happened to be back in Lynn at this late date.</p> + +<p>If we have neglected to state the name of the +<span class="pagenum" id="Page_165">[Pg 165]</span>victim thus far, it is because nobody seemed able to +identify him. Some said that he was Charlie Ross, +who had disappeared shortly before. Others (the +witty ones) said it was Lon Chaney. A vote taken +among all those present designated him as the one +least likely to succeed.</p> + +<p>An interesting feature of this crime was that it +was the sixth of a series of similar crimes, all of +which had occurred in Swelf Yoffsen’s horse-car. +In the other five cases, the victims had been found +inadequately packed in the stove at the end of the +run, but as Yoffsen, on being questioned, had denied +all knowledge of how they got there, the matter had +been dropped. After the discovery of the sixth +murder, however, Yoffsen was held on a technical +charge of homicide.</p> + +<p>The trial was one of the social events of the +Lynn Mi-Careme season. Yoffsen, on the stand, +admitted that the victim was a passenger in his car; +in fact, that he was the only passenger. He had got +on at the end of the line and had tried to induce +Yoffsen to keep on going in the same direction, even +though the tracks stopped there. He wanted to see +a man in Maine, he had said. But Yoffsen, according +to his own story, had refused and had +turned his horses around and started for Lynn again. +The next he saw of him, people were trying to +<span class="pagenum" id="Page_166">[Pg 166]</span>get him out of the stove. It was Yoffsen’s theory +that the man, in an attempt to get warm, had tried +to crowd his way into the stove and had smothered. +On being reminded that the affair took place during +a very hot week in August, Yoffsen said that +no matter how hot it got during the day in Lynn, +the nights were always cool.</p> + +<p>Attorney Hammis, for the State, traced the movements +of Yoffsen on the morning of the murder and +said that they checked up with his movements on +the occasions of the five other murders. He showed +that Yoffsen, on each occasion, had stopped the +horse-car at a particularly lonely spot and asked the +occupants if they minded making a little detour, as +there was a bad stretch of track ahead. He had +then driven his horses across a cornfield and up a +nearby hill on the top of which, in the midst of a +clump of bayberry bushes, stood a deserted house. +He pointed out that on four out of the six occasions +Yoffsen had driven his horses right into the house +and asked the passengers (when there were any, +other than his victim) if they would step into the +front room for a few minutes, giving them some +magazines to read while they waited. According to +the testimony of seven of these passengers, after +about fifteen minutes Yoffsen had appeared and +yelled “All aboard!” in a cheery voice and everyone +<span class="pagenum" id="Page_167">[Pg 167]</span>had piled back into the horse-car and away they had +gone, over the cornfield and down the hill to Lynn. +It was noted that on each occasion, one of the passengers +was missing, and that, oddly enough, this +very passenger was always the one to be found in +the stove on the way back.</p> + +<p>It was the State’s contention that Yoffsen killed +his victims for their insurance, <i>which is double when +the deceased has met his death in a common carrier</i>.</p> + +<p>On April 14th, the ninth day of the trial, the jury +went out and shortly after asked for a drink of +water. After eighteen hours of deliberation they returned +with a verdict of guilty, but added that, as it +was not sure whether Yoffsen had actually killed his +victims <i>in</i> the car or had killed them outside and +<i>then</i> stuffed them in the stove, he was not entitled to +the double insurance.</p> + +<p>When they went to inform Yoffsen of the verdict, +he was nowhere to be found.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_168">[Pg 168]</span></p> + + + <h2 class="nobreak" id="THE_LIFE_POLAR_EXPEDITION_2"> + THE <i>LIFE</i> POLAR EXPEDITION + </h2> +</div> + +<p> <i>En route with “Life’s” Bicycle Polar Expedition.—May 24.</i></p> + +<p>We chose this route northward, through Mt. Vernon, +Tuckahoe and Scarsdale, because we figured out +that it might be pleasant to stop off at my house in +Scarsdale for maybe a bite to eat, or, in case there +was not time for that, at any rate to let the boys see +our bicycles. But I guess now that we would have +done better to take the Hudson River road.</p> + +<p>We reached Scarsdale late yesterday afternoon, +intending to put in at my side-yard, get a drink +of cool water and perhaps a pocketful of Rosa’s +cookies, show my two boys how the gyro-balancer +works, and then push on to White Plains for the +night. The cool-water-and-cookies part of the plan +worked out to the dot, but in demonstrating the +gyro-balancer to the boys we ran into a snag which +has held us up for an entire day.</p> + +<p>It was really due to the kind-heartedness of Lieut.-Commander +Connelly that the whole thing happened. +He insisted on removing his gyro-balancer +<span class="pagenum" id="Page_169">[Pg 169]</span>from the frame of his “bike” in order to show +Nathaniel, my older boy, just how it worked, and, +as he did so, he laid the loose nuts on a piece of +paper on the ground. Robert, my younger boy (who +is only six and so mustn’t be blamed too much), +claims that he didn’t go near the paper or the nuts. +And he probably doesn’t realize that he did. But +one of the nuts was found over a nail on a boat that +he was working on a few feet away, and the other +had disappeared completely.</p> + +<p>A search was immediately instituted which covered +every square inch of the lawn and extended into +the street—those things roll so. But when darkness +came we were no nearer to finding it than we had +been at the beginning, and it was necessary to telephone +back into New York for an extra nut, which +they said they would send out the first thing in the +morning. It is now 4:17 in the afternoon and the +man hasn’t come yet. We are very discouraged.</p> + +<p>It was while we were searching for the nut that a +neighbor came up and asked us if we had heard +anything about the Byrd expedition’s having flown +over the Pole. I got him aside out of earshot of +the other men and asked him if he was sure. He +said no, but that he had seen a cartoon in some paper +which seemed to have reference to a successful +flight by Byrd. I, however, laughed his fears away +<span class="pagenum" id="Page_170">[Pg 170]</span>and went back to the search. Even if Byrd <i>does</i> +beat us to it, his victory will have been by flying-machine, +while ours will be by bicycle—two entirely +different things.</p> + +<p>The trip from Mt. Vernon to Scarsdale was one +of great beauty and was accomplished without a +mishap. The route led along the Bronx River Parkway, +through woods and across streams, which made +up in a way for the rough time we had in the traffic +in New York City.</p> + +<p>While passing through Tuckahoe, Lieut.-Commander +Connelly saw a scarlet tanager perched on a +bush overhanging the stream. Thinking that it +might be interesting to have it for our collection of +flora and fauna which we are making for the +Museum, we dismounted and crept up very quietly +beside it, thinking to bag it before it could collect +its wits. But it heard us coming and flew away.</p> + +<p>There is a particularly odd family of ferns which +grows along the bank of the Bronx River, and, ferns +not being as agile as birds, we were able to pick +great quantities of it. I wish that some of my +readers could tell me what the name of it is. It is +green, like other ferns, but it seems to have a sort +of flower which looks like a carnation. The blossom +was still in bud and so we were unable to tell exactly +what it does look like, but I should say that a carnation +<span class="pagenum" id="Page_171">[Pg 171]</span>would just about fit it. Any naturalist who +happens to have run across this fern, and who knows +what it is, would relieve our minds considerably if +he, or she, would write to the <i>Life</i> Polar Expedition, +General Delivery, White Plains, N. Y., and tell us. +Just a regular fern, with a carnation blossom.</p> + +<p>We are now going out into the side-yard again +with a flashlight to take another look for the missing +nut, as evidently the man from town isn’t going to +bring out that extra one today, and we <i>must</i> get +started early tomorrow morning.</p> + +<p>Every cloud, they say, has a silver lining, and, as +a result of our being held up here in Scarsdale like +this, we have been able to have some of Rosa’s excellent +baked-beans. I find it almost impossible to +get <i>real</i> New England baked-beans in this region, +unless you tell someone just how they should be +done. In the first place, it must be a California +pea-bean that is used, and these should be put to +soak the night before and then baked in a slow fire +all the next day. If we had got away when we +expected, the beans would not have been ready. So +perhaps we were a little harsh with Bobbie.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_172">[Pg 172]</span></p> + + + <h2 class="nobreak" id="AN_INTERVIEW_WITH_THE_COUNTESS"> + AN INTERVIEW WITH THE COUNTESS + KAROLYI + </h2> +</div> + + +<p>An interview with Countess Karolyi was very +difficult to get, as she is not allowed to enter +this country and I am not allowed to leave it. So +we met at the drug store on the corner.</p> + +<p>The Countess being Hungarian, it seemed that +the least I could do would be to conduct the interview +in her native tongue. It certainly wasn’t the +<i>best</i> I could do.</p> + +<p>“<i>Hogy szercted americat?</i>” I began, as a feeler. +It wasn’t much, as feelers go, but I am not very +strong.</p> + +<p>“<i>Közönöm nomigon nagyon</i>,” she replied, blushing +prettily. I had not looked for this frankness. +I glanced out over the blue Mediterranean, obviously +waiting for her to break the silence. I had not long +to wait.</p> + +<p>“<i>Asz önök epülitegi igon maghsak</i>,” she said, so +low that I could hardly hear her. It was like a +bombshell.</p> + +<p>I wheeled and confronted her.</p> + +<p>“<i>Gindolja hogy a Ni holgye ink szójeck talán?</i>” +<span class="pagenum" id="Page_173">[Pg 173]</span>The situation demanded it. I have no apologies to +offer.</p> + +<p>Fortunately for the interview, the bell in the +monastery tolled eleven at just this moment. There +was one extra stroke—for the war tax.</p> + +<p>“<i>Hánz ora?</i>” I asked, more for something to say +than anything else.</p> + +<p>Countess Karolyi glanced over her shoulder apprehensively. +I had evidently confused her.</p> + +<p>“<i>Tisz peresel mult öt</i>,” was all that she could +reply. But it was enough. I had fainted.</p> + +<p>“Do you mind if we speak English from now on?” +she said when I had opened my eyes. “You speak +Hungarian so fast that it is difficult to follow you.”</p> + +<p>I smiled. “Look!” I said, pointing to the courtyard +below. They were changing the guard, a ceremony +which consisted of putting a false beard and +blue glasses on the watchman. It certainly changed +him, except that his nose gave him away.</p> + +<p>“<i>Maqyen szcretez Te enzom?</i>” I asked. It was +a silly thing to say, but it seemed pat at the moment. +Now I realize that it was mike.</p> + +<p>Her reply was characteristic. “<i>Nom magyen</i>,” +she said and hid her face.</p> + +<p>We reached home at eight o’clock, tired but +happy, and all agreed that it had been the most +interesting hike the Club had taken thus far.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_174">[Pg 174]</span></p> + + + <h2 class="nobreak" id="THE_BOYS_CAMP_BUSINESS"> + THE BOYS’ CAMP BUSINESS + </h2> +</div> + + +<p>There seems to be an idea prevalent among +parents that a good way to solve the summer +problem for the boy is to send him to a boys’ camp. +At any rate, the idea seems to be prevalent in the +advertising pages of the magazines.</p> + +<p>If all the summer camps for boys and girls turn +out the sterling citizens-in-embryo that they claim to +do, the future of this country is as safe as if it were +in the hands of a governing board consisting of the +Twelve Apostles. From the folders and advertisements, +we learn that “Camp Womagansett—in the +foothills of the White Mountains” sends yearly into +the world a bevy of “strong, manly boys, ready for +the duties of citizenship and equipped to face life +with a clear eye and a keen mind.” It doesn’t say +anything about their digestions, but I suppose they +are in tiptop shape, too.</p> + +<p>The outlook for the next generation of mothers is +no less dazzling. “Camp Wawilla for Girls,” we +learn, pays particular attention to the spiritual development +of Tomorrow’s Women and compared to +the civic activities of the majority of alumnæ of +Wawilla, those of Florence Nightingale or Frances +<span class="pagenum"><a id="Page_175"></a><a id="Page_176"></a>[Pg 176]</span>Willard would have to be listed under the head of +“Junior Girls’ Work.”</p> + +<figure class="figcenter illowp56" id="p175" style="max-width: 50.0em;"> + <img class="w100" src="images/p175.jpg" alt=""> + <figcaption> + <p>Holding you under water until you are as good as drowned.</p> + </figcaption> +</figure> + +<p>Now this is all very splendid, and it is comforting +to think that when every boy and girl goes to +Womagansett or Wawilla there will be no more +Younger Generation problem and probably no crime +waves worth mentioning. But there are several +other features that go hand in hand with sending the +boy to camp which I would like to take up from the +parents’ point of view, if I may. I will limit myself +to twenty minutes.</p> + +<p>In the first place, when your boy comes home from +camp he is what is known in the circular as “manly +and independent.” This means that when you go +swimming with him he pushes you off the raft and +jumps on your shoulders, holding you under water +until you are as good as drowned—better, in fact. +Before he went to camp, you used to take a kindly +interest in his swimming and tell him to “take your +time, take it easy,” with a feeling of superiority +which, while it may have had no foundation in your +own natatorial prowess, nevertheless was one of the +few points of pride left to you in your obese middle-age.<span class="pagenum"><a id="Page_177"></a>[Pg 177]</span> +After watching one of those brown heroes in +one-piece suits and rubber helmets dive off a tower +and swim under water to the raft and back, there +was a sort of balm in being able to turn to your son +<span class="pagenum"><a id="Page_178"></a>[Pg 178]</span>and show him how to do the crawl stroke, even +though you yourself weren’t one of the seven foremost +crawl experts in the country. You could do it +better than your son could, and that was something.</p> + +<figure class="figcenter illowp49" id="p177" style="max-width: 50.0em;"> + <img class="w100" src="images/p177.jpg" alt=""> + <figcaption> + <p>“Now watch Daddy. See? Hands like this, bend your + knees. See?”</p> + </figcaption> +</figure> + +<p>It was also very comforting to be able to stand on +the springboard and say: “Now watch Daddy. See? +Hands like this, bend your knees. See?” The fact +that such exhibitions usually culminated in your +landing heavily on the area bounded by the knees +and the chest was embarrassing, perhaps, but at that +you weren’t quite so bad as the boy when he tried +the same thing.</p> + +<p>But after a summer at camp, the “manly, independent” +boy comes back and makes you look like +Horace Greeley in his later years. “Do this one, +Dad!” he says, turning a double flip off the springboard +and cutting into the water like a knife blade. +If you try it, you sprain your back. If you don’t +try it, your self-respect and prestige are shattered. +The best thing to do is not to hear him. You can do +this by disappearing under the surface every time it +looks as if he were going to pull a new one. After +a while, however, this ruse gets you pretty soggy +and waterlogged and you might better just go in and +get dressed as rapidly as possible.</p> + +<p>The worst phase of this new-found “independence” +is the romping instinct that seems to be developed +<span class="pagenum" id="Page_179">[Pg 179]</span>to a high state of obnoxiousness at all boys’ +camps. I went to camp when I was a boy, but I +don’t remember being as unpleasant about my fun +as boys today seem to be. I have done many mean +things in my time. I have tortured flies and kicked +crutches out from under cripples’ arms. But I have +never, so help me, Confucius, pushed anybody off +a raft or come up behind anyone in the water and +jumped up on his shoulders. And I don’t think that +Lincoln ever did, either.</p> + +<p>There is evidently a course in raft pushing and +back jumping in boys’ camps today. Those photographs +that you see in the camp advertisements, if +you examine them closely, will disclose, in nine cases +out of ten, a lot of boys pushing each other off rafts. +You can’t see the ones who are jumping on others’ +shoulders, as they are under water. But I want to +serve notice right now that the next boy who pushes +me off a raft when I am not looking, or tries to play +leapfrog over me in ten feet of water, is going to be +made practically useless as Tomorrow’s Citizen, and +I am going to do it myself, too. If it happens to be +my own son, it will just make the affair the sadder.</p> + +<p>Another thing that these manly boys learn at camp +is a savage habit of getting up at sunrise. The normal, +healthy boy should be a very late sleeper. Who +does not remember in his own normal, healthy boyhood +<span class="pagenum" id="Page_180">[Pg 180]</span>having to be called three, four, or even five +times in the morning before it seemed sensible to get +up? One of the happiest memories of childhood is +that of the maternal voice calling up from downstairs, +fading away into silence, and the realization +that it would be possibly fifteen minutes before it +called again.</p> + +<figure class="figcenter illowp100" id="p180" style="max-width: 50.0em;"> + <img class="w100" src="images/p180.jpg" alt=""> + <figcaption> + <p>You’d be surprised at the sound two bicycle wheels can make + on a gravel path.</p> + </figcaption> +</figure> + +<p>All this is denied to the boy who goes to a summer +camp. When he comes home, he is so steeped in the +pernicious practice of early rising that he can’t shake +it off. Along about six o’clock in the morning he +<span class="pagenum" id="Page_181">[Pg 181]</span>begins dropping shoes and fixing up a new stand for +the radio in his room. Then he goes out into the +back yard and practices tennis shots up against the +house. Then he runs over a few whistling arrangements +of popular songs and rides his bicycle up and +down the gravel path. You would be surprised at +the sound two bicycle wheels can make on a gravel +path at six-thirty in the morning. A forest fire +might make the same crackling sound, but you +probably wouldn’t be having a forest fire out in +your yard at six-thirty in the morning. Not if you +had any sense, you wouldn’t.</p> + +<p>Just what the boys do at camp when they get up +at six is a mystery. They seem to have some sort of +setting-up exercises and a swim—more pushing each +other off the raft—but they could do that by getting +up at eight and still have a good long day ahead of +them. I never knew anyone yet who got up at six +who did anything more useful between that time and +breakfast than banging a tennis ball up against the +side of the house, waiting for the civilized members +of the party to get up. We have to do enough waiting +in this life without getting up early to wait for +breakfast.</p> + +<p>Next summer I have a good mind to run a boys’ +camp of my own. It will be on Lake Chabonagogchabonagogchabonagungamog—yes, +there is, too, in +<span class="pagenum" id="Page_182">[Pg 182]</span>Webster, Massachusetts—and I will call it Camp +Chabonagogchabonagogchabonagungamog for Manly +Boys. And by the word “manly,” I will mean “like +men.” In other words, everyone shall sleep just as +long as he wants, and when he does get up there will +be no depleting “setting-up” exercises. The day will +be spent just as the individual camper gosh-darned +pleases. No organized “hikes”—I’d like a word on +the “hike” problem some day, too—no camp spirit, +no talk about Tomorrow’s Manhood, and <i>no pushing +people off rafts</i>.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_183">[Pg 183]</span></p> + + + <h2 class="nobreak" id="AT_LAST_A_SUBSTITUTE_FOR_SNOW"> + AT LAST A SUBSTITUTE FOR SNOW + </h2> +</div> + + +<p>While rummaging through my desk-drawer +the other night I came upon a lot of old +snow. I do not know how long it had been there. +Possibly it was a memento of some college prank +long forgotten. But it suddenly struck me what a +funny thing snow is, in a way, and how little need +there really is for it in the world.</p> + +<p>And then I said to myself, “I wonder if it would +not be possible to work up some sort of mock snow, +a substitute which would satisfy the snow people +and yet cause just as much trouble as real snow.” +And that, my dears, is how I came to invent “Sno.”</p> + +<p>As you know, real snow is a compound of hydrogen, +oxygen, soot, and some bleaching agent. (There +is a good bleaching agent who has an office in Room +476, Mechanics’ Bank Building. He was formerly +General Passenger Agent for the Boston and Maine, +but decided that bleaching was more fun. As a +matter of fact, his name is A. E. Roff, or some such +thing.)</p> + +<p>Again, as you know, real snow is formed by the +passage of clouds through pockets of air which are +lighter than the air itself, if such a phenomenon +<span class="pagenum" id="Page_184">[Pg 184]</span>were possible. That is to say, these clouds (A) +passing through these air-pockets (C) create a certain +atmospheric condition known as a “French +vacuum.” This, in turn, creates a certain amount of +ill-feeling, and the result is what we call “snow,” +or, more often, what we call “this lousy snow.”</p> + +<p>Now in figuring out what I would have to do to +concoct a mock snow, it was necessary to run over +in my mind the qualities of snow as we know it. +What are the characteristic functions of snow?</p> + +<p>Well, first, to block traffic. Any adequate substitute +for snow must be of such a nature that it can +be applied to the streets of a city in such a way as +to tie up all vehicular movement for at least two +days. “This,” I thought, “requires distribution.” +Our new snow must be easily and quickly distributed +to all parts of town. This will necessitate trucks, +and trucks will necessitate the employment of drivers. +<i>Now</i>, if the weather is cold (and what good is +snow unless the weather is cold enough to make it +uncomfortable?) these drivers (B) will have to have +mittens. So mittens are the first thing that we must +get in the way of equipment.... And I took a +piece of paper and wrote down “Mittens.” This I +crossed out and in its place I wrote “Mittens” again. +So far, so good.</p> + +<p>Next, one of the chief functions of real snow is to +<span class="pagenum" id="Page_185">[Pg 185]</span>get up in under the cuffs to your sleeves and down +inside the collar to your overcoat. Here was a +tough one! How to work up something which could +be placed up the sleeves and inside the overcoat-collars +<span class="pagenum" id="Page_186">[Pg 186]</span>of pedestrians without causing them the inconvenience +of stopping and helping the process. +For no substitute for snow could ever be popular +which called for any effort on the part of the public. +The public wants all the advantages of a thing. Oh, +yes! But it doesn’t want to go to any trouble to +get them. Oh, no! No trouble! If it is going to +have snow up its sleeves and in its collars, it wants +it put there while it is walking along the street, and +no stopping to unbutton or roll back.</p> + +<figure class="figcenter illowp61" id="p185" style="max-width: 41.3125em;"> + <img class="w100" src="images/p185.jpg" alt=""> + <figcaption> + <p>... hire boys to run along beside people to tuck the substitute + in their sleeves.</p> + </figcaption> +</figure> + +<p>So it was evident that, if this function of snow +was to be imitated, it would be necessary to hire +boys to run along beside people and tuck the substitute +in their sleeves and collars as they walked. One +boy could perhaps tuck two hundred handsful in an +afternoon, and when you figure out the number of +people abroad on a good snowy afternoon, you will +realize the enormous number of boys it would take +to do the job. Girls would be even worse, because +they would stop to talk with people.</p> + +<p>The problem of distribution thus unsuccessfully +met with, the next thing was to decide what other +attribute our “Sno” should have that would give it +a place in the hearts of millions of snow-lovers +throughout the country. Someone suggested “wetness” +and in half a second the cry had been taken +up in all corners of the conference-room (for we +<span class="pagenum" id="Page_187">[Pg 187]</span>were in conference by now), “Wetness! Wetness! +Our ‘Sno’ must be wet!”</p> + +<p>It was decided that the place in which we should +have to simulate wetness the most was under bedroom +windows. Who does not remember getting up +to shut the bedroom windows and stepping into a +generous assortment of snow-flakes in their prettiest +form of disintegration—water? Or even into a +drift ’way, ’way out in the middle of the room right +where Daddy could slip in it on his way to and from +the office? This is perhaps the most difficult feature +of snow to imitate—this bedroom drifting, and +if, in addition to getting our composition snow into +bedroom windows, we could manage some appliance +whereby it could be shot into the folds of whatever +underclothing might be lying on the chair nearest +the window, then indeed might we cry “Eureka!”</p> + +<p>The way in which we decided on the name “Sno” +for our product would make a story all in itself. +The copyright laws forbid one from naming anything +“Snow” or “Gold” or “Rolls-Royce,” or any noun. +This law was passed by some fanatics who took advantage +of our boys being away at war to plunge +the country into an orgy of blue laws. However, we +have no other curse than to abide by the code as it +stands.</p> + +<p>We therefore decided that, by dropping the <i>W</i>, +<span class="pagenum" id="Page_188">[Pg 188]</span>we could make a word which would sound almost +like the real word and yet evade the technical provisions +of the law. Some of the backers held out +for a dressier-sounding name, like “Flakies” or +“Lumpps,” but our advertising man, who specializes +on Consumer Light Refractions, told us that the +effect of a word like “Sno” on the eye of the reader +would telegraph a more favorable message to his +brain than that of a longer word ending in “ies” or +“umpps.” Look at the word “Ford,” for instance. +The success of the Ford product is almost entirely +due to the favorable light refractions of the name on +the consumer’s retina.</p> + +<p>This decided us on the trade-name “Sno” and left +nothing more for us to do but work out the actual +physical make-up of the product and the sort of +package to put it out in. The package is also an +important feature of any merchandising scheme, and +it was decided that a miniature snow-show would be +appropriate and rather smart for our particular article. +If we could work out some way in which +“Sno” could be wrapped up in a six-inch snow-shoe +it would not only give the dealer something snappy +to display, but would make a nice-looking package +for the consumer to take home—nicer-looking than +a snootful of scotch, for example. You would be +surprised, however, to find how difficult it is to +<span class="pagenum" id="Page_189">[Pg 189]</span>wrap up a unit of imitation snow in a snow-shoe, +unless you put them both in a box together.</p> + +<p>And now all that remains to divulge is the physical +make-up of “Sno.” That is what we are working on +now.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_190">[Pg 190]</span></p> + + + <h2 class="nobreak" id="THE_NEW_WING"> + THE NEW WING + <br> + (<i>Or That Sagredo Bed</i>) + </h2> +</div> + + +<p>Although the new wing of the Metropolitan +Museum of Art (“Wing K,” if that makes it +any easier for you) was opened on April 5th, I have +only just this week got around to inspecting it. +I’m sorry.</p> + +<p>“Wing K” has, since 1916, been empty, and, although +passers-by late at night have often reported +strange noises coming from its vast recesses, the +Museum officials stubbornly maintain that it has +been put to absolutely no use at all. This sounds a +little fishy to me, however, and if those old walls +could talk we might learn a little something more +about where Mr. Munsey’s money went. It is said +that only a couple of hundred dollars remain of all +the millions that he bequeathed to the Museum. +Money doesn’t <i>fly</i> away, you know.</p> + +<p>At any rate, “Wing K” is full now and it takes a +good twenty minutes of fast walking to see everything +in it. This does not include the time taken +up in getting lost or in walking through the same +hall twice.</p> + +<p><span class="pagenum" id="Page_191">[Pg 191]</span></p> + +<figure class="figcenter illowp49" id="p191" style="max-width: 50.0em;"> + <img class="w100" src="images/p191.jpg" alt=""> + <figcaption> + <p>As Mr. MacGreggor got tired and cross he began sniveling.</p> + </figcaption> +</figure> + +<p><span class="pagenum" id="Page_192">[Pg 192]</span></p> + +<p>My inspection was somewhat hampered by having +Mr. Charles MacGreggor along with me. Mr. MacGreggor +kept constantly asking to see Dr. Crippen. +“I want to see Dr. Crippen,” he would say, or +“Where is Dr. Crippen?” I told him that the waxworks +were in another wing of the Museum, but +someone had told him that a replica of Dr. Crippen +was to be found in “Wing K” and nothing would do +but he must see it. Along toward the end, as Mr. +MacGreggor got tired and cross, he began sniveling +and crying, “I want to see Dr. Crippen” so loudly +that an attendant put us out. So we probably +missed some of the funniest parts of the exhibit. If +you want me to I will go up again sometime without +Mr. MacGreggor. Or maybe Dr. Crippen <i>is</i> there, +after all.</p> + +<p>The feature of the new wing is, of course, the +Bedroom from the Palazzo Sagredo at Venice. The +best way that I can describe it is to say that it is +fully twice the size of our guest room in Scarsdale, +and fifty per cent fancier. The chief point in favor +of our guest room in Scarsdale is that there isn’t a +whole troop of people strolling through it at all hours +of the day, peeking under the bed and asking questions +about it. If you want to sleep after nine in the +morning in Scarsdale you can do it without being +made an exhibition of. My two little boys may +<span class="pagenum" id="Page_193">[Pg 193]</span>romp into the room three or four times during the +morning to show you an engine or a snake, but all +that you have to do is to tell them to get the hell +out or you will tell me on them.</p> + +<p>The owner of the Palazzo Sagredo was a great +cupid fancier. Over the doorway to the alcove +where the bed is, there are over a dozen great, big +cupids stuck on the wall, like mosquitoes in a summer +hotel. They are heavy, hulking things and seem +to have fulfilled no good purpose except possibly to +confuse any guest who may have retired to the fancy +bed with a snootful of good red Sagredo wine. To +awaken from the first heavy sleep of a Venetian +bun and see fifteen life-sized cupids dangling from +the doorway must have been an experience to send +the eighteenth century guest into a set of early eighteenth +century or late seventeenth century heebes. +The comic strip on the ceiling is catalogued as “Diziani’s +Dawn.” It may very well be.</p> + +<p>This, in a general way, covers pretty well the +Bedroom from the Palazzo Sagredo. In another +month the Gideons will have slipped a Bible onto +the table by the bed and it will be ready for occupancy, +but not by <i>me</i>, thank you.</p> + +<p>Walking rapidly through the rest of the new wing, +you come to lots of things in cases which, frankly, +do <i>not</i> look very interesting. There is a bit of sculpture +<span class="pagenum" id="Page_194">[Pg 194]</span>labeled “Head of Zeus(?)” showing that even +the Museum officials don’t know whom it is meant +to represent. Under the circumstances, it seems as +if they might have cheated a little and thrown a +bluff by just calling it arbitrarily “Head of Zeus” +without the question mark. Certainly no one could +have called them on it, and it would have made them +seem a little less afraid to take a chance. Suppose +that it turned out <i>not</i> to be Zeus. What is the worst +that could happen to them?</p> + +<p>Then, too, there is “A Relief from a Roman +Sarcophagus.” As we remember Roman sarcophagi, +<i>anything</i> would be a relief from them.</p> + +<p>We could go on like this for page after page +making wise-cracks about the various uninteresting +features of the new wing, but perhaps you have +already got the idea. It may have been the absence +of Dr. Crippen, or it may have been a new pair of +shoes, but the truth is that we weren’t <i>put</i> out of the +new wing. We <i>asked</i> an attendant how to <i>get</i> out. +And here we are.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_195">[Pg 195]</span></p> + + + <h2 class="nobreak" id="UNCLE_CALVINS_NO-WASTE_GAMES"> + UNCLE CALVIN’S NO-WASTE GAMES + </h2> +</div> + +<blockquote> +<p>There is a time for play as well as a time for work. +But even in play it is possible to cultivate the art of well-doing. +Games are useful to train the eye, the hand and +the muscles, and bring the body more completely under +the control of the mind. When this is done, instead of +being a waste of time, play becomes a means of education.—<i>President +Coolidge’s Christmas Message to the +boys and girls of the nation.</i></p> +</blockquote> + + +<p>And now come, boys and girls, it’s play-time! +You have worked hard <i>enough</i> for one day, +and Uncle Calvin is going to teach you some peachy +games to clear the cobwebs out of those brains of +yours. Play-time! Play-time!</p> + +<p>But first of all we must remember that play in +itself is a waste of time. And who remembers what +we learned yesterday about Wasted Time? The +boy or girl who wastes time, or anything else, is just +as naughty as the boy or girl who steals, for, after +all, wasting <i>is</i> stealing, isn’t it? And play, just for +the sake of play, is stealing time which belongs rightfully +to our parents, our teachers or our country. +And we don’t want to be known as <i>thieves</i>, do we?</p> + +<p>So the games which Uncle Calvin is going to teach +<span class="pagenum" id="Page_196">[Pg 196]</span>us are games which will do us good in one way or +another. While we are playing them we shall, at +the same time, be helping to make our eyes, our +hands, and our minds more efficient. And, as we +play, we must keep thinking: “Is this helping me? +Or am I wasting time which I ought to be devoting +to my lessons or my work or my country?”</p> + +<p>The first game that we are going to play is called</p> + + +<p class="ph4">EYE-SPY</p> + +<p>This is just lots and lots of fun—and good for +your eyes, too. The boys line up on one side, and +the girls on the other. Now Uncle Calvin will stand +over here and write on the board a lot of little teeny-weeny +figures, problems in percentage, and we will +see which can read them off and answer the problems +the faster—the boys or the girls. Come now, boys, +you don’t want the girls to beat you, do you? All +right ... ready, get set ... <i>go!</i></p> + +<p>Now we are going to play a dandy game called</p> + + +<p class="ph4">DRY, TOM, DRY</p> + +<p>We must remember in playing this game not to +get all hot and sweaty and too excited, for it is <i>really</i> +a game to train our hands. Three girls come over +here to the sink, and three boys stand in a line +<span class="pagenum" id="Page_197">[Pg 197]</span>from the sink to the table. Now each boy gets a +brand new wiper and each girl a little tub full of +hot water and dirty dishes. Now the game is to see +which girl and her boy-partner can wash and dry +her dishes first. As each dish is cleaned it is +handed to the boy with the towel and when he has +dried it he places it on the table. You must be very +careful in passing the dishes not to drop them. Here +is where the excitement comes in. For if you drop +and break a plate, Uncle Calvin will lick hell out of +you.... Now, no giggling, Walter Pearson! You +don’t see Uncle Calvin giggling, do you? All ready?... +Then—<i>play</i>!</p> + +<p>And now for our final game we have a big surprise +for you. The game is called</p> + + +<p class="ph4">PRINTER’S-PIE</p> + +<p>and what do you think? You are all actually going +to take part in the Government of this big country +which we all love so well! We are going to play a +game called “type-setting” and, when we have finished, +we will find that we have not only had loads +and loads of fun, but that we have saved the Government +thousands and thousands of dollars. Now here +is how the game is played:</p> + +<p>Each child brings his little savings-bank to Uncle +<span class="pagenum" id="Page_198">[Pg 198]</span>Calvin and with what Uncle Calvin finds in there +he will buy a box of type and a “galley” for each +one. Then you stand in front of a high sort of desk +and take a piece of paper which Uncle Calvin will +give you. On this paper will be written something—different +things—which your government wants to +have printed. You will follow this very, very carefully, +and try and find the little pieces of type in +the box to correspond with the letters in the “copy.” +When you find the right letter, place it in a little +case which you hold in your hand until all the +letters form the same words as those in your “copy.” +Now put these words and sentences in the “galley,” +or “holder” and pretty soon you will find that you +have an exact duplicate <i>in type</i> of the page which +Uncle Calvin has given you. Isn’t that exciting! +An <i>exact</i> duplicate! This page of type will then +be taken from you and plates made from it and then +it will be <i>printed</i> and you will see your own work in +the <i>Congressional Record</i> and all the little pamphlets +that your congressman sends you. Just think! +Your own work in print!</p> + +<p>And, just because you have had all this fun, your +government will have been able to cut down its printing +appropriation to almost nothing and you will +have trained your eyes and your hands and your +<span class="pagenum" id="Page_199">[Pg 199]</span>minds which will please Uncle Calvin more than he +can say.</p> + +<p>And now that we have had our play, we must +scamper back to work, for, as Uncle Calvin said in +his cheery Christmas message, there is a time for +play as well as a time for work, and, so long as you +don’t <i>waste</i> time when playing, you will be able to +work all the better for your parents, your schools, +and your country.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_200">[Pg 200]</span></p> + + + <h2 class="nobreak" id="THE_WORLD_OF_GRANDPA_BENCHLEY"> + THE WORLD OF GRANDPA BENCHLEY + <br> + <i>Thinking Out Loud in the Manner of + Mr. Wells’ Hero</i> + </h2> +</div> + + +<p class="ph4">§1</p> + +<p>I am eighty-nine years old, and I think I would +like to write a book. I don’t know—maybe I +wouldn’t.</p> + + +<p class="ph4">§2</p> + +<p>Eighty-nine this year, ninety next year, eighty-eight +last year. That makes three years accounted +for. Three into fourteen goes four times and two +to carry. The Assyrians were probably the first +people to evolve mathematics. I sometimes get to +thinking about mathematics.</p> + +<p>The average Englishman at the age of eighty-nine +is dead—has been dead for several years. The +average depth of the Caspian Sea is 3,000 feet. The +average rainfall in Canada is 1.03 inches. During +the Inter-Glacial Period it was 9.01 inches. Think +of that—9.01 inches!</p> + +<p><span class="pagenum" id="Page_201">[Pg 201]</span></p> + + +<p class="ph4">§3</p> + +<figure class="figcenter illowp60" id="p201" style="max-width: 50.0em;"> + <img class="w100" src="images/p201.jpg" alt=""> + <figcaption> + <p>Grandpa Benchley.</p> + </figcaption> +</figure> + +<p>All this has made me stop and think, think about +the world I live in. I sometimes wonder what it is +all about—this world I mean. I am not so sure +about the next world. Sometimes I think there is +<span class="pagenum" id="Page_202">[Pg 202]</span>one and sometimes I think there isn’t. I’ll be darned +if <i>I</i> can make it out.</p> + +<p>I am not so sure about my wanting to write a +book, either. But something has got to be done +about this world—something explanatory, I mean. +Here I am, eighty-nine years old, and I haven’t explained +about the world to anyone yet—that is, not +to anyone in this room.</p> + + +<p class="ph4">§4</p> + +<p>It is a beautiful day outside. The sun, that luminous +body 95,000,000 miles from the earth, without +which we should never be able to dry hides or bake +biscuits, is shining through the trees outside my window, +much as it used to shine through the trees outside +the cave of Neolithic Man, ten thousand years +before Christ. In fact, Neolithic Man sometimes +built himself houses on piles driven in the water, but +this was not until almost five thousand years before +Christ.</p> + +<p>Sometimes I get to thinking about Neolithic Man. +Sometimes I get to thinking about Cro-Magnon +Man. Sometimes it just seems as if I should go +crazy thinking about things. There are so <i>many</i> +things! And I am only eighty-nine.</p> + +<p><span class="pagenum" id="Page_203">[Pg 203]</span></p> + + +<p class="ph4">§5</p> + +<p>I remember when I was a very small boy my +mother used to forbid me to go out when it was +raining. My mother was a very quiet woman, who +never spoke unless it was to figure out how long +it would take to reach the nearest star by train.</p> + +<p>“Nipper,” she would say to me on such days as +the rain would prevent my going out, “Nipper, I +guess you don’t know that thousands of years before +modern civilization there was a period known as the +Pluvial or Lacustrine Age, the rain or pond period.”</p> + +<p>I remember my crying myself to sleep the first +night after she told me about the Pluvial or Lacustrine +Age. It seemed so long ago—and nothing to +be done about it.</p> + + +<p class="ph4">§6</p> + +<p>One night my father came home with a queer light +in his eyes. He said nothing during dinner, except +to note, as he passed me the salt, that salt is an +essential to all grain-consuming and herbivorous animals +but that on a meat-diet man can do without it. +“There have been bitter tribal wars,” he said, “between +the tribes of the Soudan for possession of the +salt deposits between Fezzan and Murzuk.”</p> + +<p><span class="pagenum" id="Page_204">[Pg 204]</span></p> + +<p>“Arthur,” said my mother, quietly, “remember the +boys are present.”</p> + +<p>“It is time they knew,” was his reply.</p> + +<p>At last my mother, sensing that something was +troubling him, said:</p> + +<p>“Arthur, are you holding something back from +me?”</p> + +<p>He laid down his knife and fork and looked at her.</p> + +<p>“I have just heard,” he said, “that the molecule is +no longer the indivisible unit that it was supposed +to be.”</p> + +<p>My mother bit her lip.</p> + +<p>“You tell me this,” she said, “after all these +years!”</p> + +<p>“I have just learned it myself,” replied my father. +“The National Molecule Society found it out themselves +only last month. The new unit is to be called +the ‘atom.’”</p> + +<p>“A fine time to tell me!” said my mother, her eyes +blazing. “You have known it for a month.”</p> + +<p>“I wasn’t sure until just now,” said my father. +“I didn’t want to worry you.”</p> + +<p>My mother took my brother and me by the hand. +“Come, boys,” she said, “we are going away.”</p> + +<p>Two days later the three of us left for the Continent. +We never saw my father again.</p> + +<p><span class="pagenum" id="Page_205">[Pg 205]</span></p> + + +<p class="ph4">§7</p> + +<p>This set me to thinking about atoms. I don’t +think that I have it straight even now. And then, +just as I was getting accustomed to the idea that +molecules <i>could</i> be divided into atoms, along comes +somebody a few years ago and says that you can +divide atoms into electrons. And, although I was +about seventy-five at the time, I went out into the +park and had a good cry.</p> + +<p>I mean, what is an old fellow going to do? No +sooner does he get something all thought out than +something happens to make him begin all over +again. I get awfully sore sometimes.</p> + + +<p class="ph4">§8</p> + +<p>Then there is this question of putting studs in a +dress-shirt. Here is the problem as I see it:</p> + +<p>If you put the studs in <i>before</i> you put the shirt +on, you muss your hair putting it on over your head. +If you wait until you have the shirt on before putting +in the studs, you have to put your hand up under the +front of the shirt and punch them through with the +other. This musses the shirt bosom nine times out +of ten. Eight times out of ten, perhaps.</p> + +<p>All right. Suppose you put the studs in first and +muss your hair. Then you have to brush it again. +<span class="pagenum" id="Page_206">[Pg 206]</span>That is not so hard to do, except that if you put +tonic on your hair before you brush it, as I do, you +are quite likely to spatter drops down the bosom. +And there you are, with a good big blister right +where it shows—and it’s 8 o’clock already.</p> + +<p>Now here <i>is</i> a problem. I have spent hours trying +to figure some way to getting around it and am nowhere +near the solution. I think I will go to the +Riviera where it is quiet and just think and think +and think.</p> + + +<p class="ph4">§9</p> + +<p>I am sitting at my window in the <i>Villa a Vendre</i> +at Cagnes. If it were not for the Maritime Alps I +could see Constantinople. How do you suppose the +Alps got there, anyway? Some giant cataclysm of +Nature I suppose. I guess it is too late to do anything +about it now.</p> + +<p>Irma is down in the garden gathering snails for +dinner. Irma is cross at me because this morning, +when she suggested running up to Paris for the +shooting, I told her that the ancient name of Paris +was Lutitia.</p> + +<p>I get to thinking about women sometimes. From +eight in the evening on. They are funny. Female +characteristics differ so from male characteristics. +<span class="pagenum" id="Page_207">[Pg 207]</span>This was true even in the Pleistocene Age, so they +tell me.</p> + + +<p class="ph4">§10</p> + +<p>Next Wednesday I am going back to thinking +about God. I didn’t anywhere near finish thinking +about God the last time. The man came for the +trunks and I had to go with him to the station.</p> + +<p>It is quite a problem. I don’t think there is any +doubt about there being some Motive Power which +governs the World. But I can’t seem to get much +beyond that. Maybe I’ll begin again on that Monday. +Monday is a good day to begin thinking. +Your laundry is just back and everything is sort of +pristine and new. I hope that, by beginning Monday, +I can get everything cleaned up by Friday, for +Friday I am going over to Monte Carlo.</p> + + +<p class="ph4">§11</p> + +<p>It is six years now since I began writing this book. +I am almost ninety-seven. According to the statistics +of the Royal Statistical Society I can’t expect +much longer in which to think things over.</p> + +<p>The big thing that is worrying me now is about +putting sugar on my oatmeal. I find that if I put +the sugar on first and then the cream, the sugar all +disappears, and I like to see it, nice and white, there +<span class="pagenum" id="Page_208">[Pg 208]</span>on the cereal. But if I put the cream on first and +<i>then</i> the sugar, it doesn’t taste so good. I asked +Irma about this the other day and she told me to +shut up and go back to bed.</p> + + +<p class="ph4">§12</p> + +<p>After thinking the whole thing over, I have come +to the conclusion that I don’t want to write a book +at all. When a man is ninety-seven it is high time +he was doing something else with his time besides +writing books. I guess I’ll go out and roll down hill.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_209">[Pg 209]</span></p> + + + <h2 class="nobreak" id="THE_LIFE_POLAR_EXPEDITION_3"> + THE <i>LIFE</i> POLAR EXPEDITION + </h2> +</div> + + +<p class="ph3">1</p> + +<p><i>At the Hop-off of</i> <span class="allsmcap">LIFE’S</span> <i>Polar Expedition, +Scarsdale, N. Y. (Second Lap)</i>—Here we +are, much to our surprise, all set for the second big +lap on our expedition to the North Pole by bicycle, +begun last spring. Those of you with a scientific +turn of mind who have followed us thus far will remember +that we were held up in my home in Scarsdale +by a lost nut and that, by the time we were +ready to start on again, news had come of the so-called +successful completion of the Byrd and Amundsen +expeditions.</p> + +<p>The positive assurance that we had been beaten +in the race to the Pole, with our goal practically +within pedaling distance, as you might say, was +naturally very depressing. Lieutenant-Commander +Connelly took the thing particularly to heart, as he +had <i>so</i> wanted us to be first. We found him that +afternoon in the Bronx River Parkway, kicking a +tree much bigger than himself and half-sobbing, +half-laughing: “Darn-darn-double-darn!” and “You +old <i>tree</i>, you!”</p> + +<p>I myself was quite disheartened but tried not to +<span class="pagenum" id="Page_210">[Pg 210]</span>show it to the brave boys who had come so far and +had shown such splendid spirit. So I proposed that +we go back to the house and sing some songs. I +wish that you might have seen the will with which +the rest of the crew took up my suggestion, and have +heard the room ring with the sounds of “Upidee” +and “Solomon Levi” when we finally got down to it. +Both Lieutenant-Commander Connelly and Ensign +Thermaline sang tenor.</p> + +<p>It was Ensign Thermaline who finally spoke the +words which gave us new courage to continue on our +expedition in spite of the self-styled winners, Byrd +and Amundsen.</p> + +<p>“Why should we stop,” he asked, toppling off the +piano bench, “just because some wise-cracking aviators +have flown over the Pole? Our aim was not to +<i>fly</i>. It was to bicycle. That popular interest in +polar expeditions has died down should mean nothing +to us. That the New York <i>Times</i> will not take any +more expedition articles until it uses up those it +has on hand means nothing to us. We can get to +the Pole and back before the George Palmer Putnam +series has even been got together in book form. We +can still be the first to bicycle across the Pole—and, +by the Eternal, we will!”</p> + +<p>At this we were on our feet and cheering. Rosa +brought in a plate of hermits and we sat over these +<span class="pagenum" id="Page_211">[Pg 211]</span>until far into the night making plans for our second +dash to the Pole.</p> + +<p>It was decided that, since the Putnam expedition +on the <i>Morrissey</i> was being written up by Mr. Putnam’s +little boy David, we should take my little boy +Bobby along as official yeoman and that all reports +should be written by him. He is seven, and no one, +not even his teacher, can read his writing; so he +seemed practically ideal.</p> + +<p>We also decided that we ought to have names for +our bicycles (like the Putnam’s <i>Morrissey</i>), and +Lieutenant-Commander Connelly immediately chose +“The O’Toole” for his, and Ensign Thermaline +“Mavourneen” for his. Mine was to be “The Banshee.”</p> + +<p>The next thing to do was to buy a small bicycle +for Bobby, and, believe it or not, it took until just +this week to find one small enough. However, Scarsdale +was very pleasant during the summer and we +all were very happy and brave, and here we are +ready to start tomorrow, “rain or shine,” as Lieutenant-Commander +Connelly expressed it, laughing +to hide his tears.</p> + + +<p class="ph3">2</p> + +<p><i>Special North Pole Correspondence from Bobby +Benchley, Juvenile Member of</i> <span class="allsmcap">LIFE’S</span> <i>Bicycle Expedition. +En route to Pole.</i></p> + +<p><span class="pagenum" id="Page_212">[Pg 212]</span></p> + +<p>North White Plains, N. Y.—When we left Scarsdale +on the second dash to the Pole my father told +me that he would write the account of our trip and +that I should sign my name to it, as every expedition +has to have a little boy along who writes a book +about it later.</p> + +<p>“You write it and I sign it?” I asked him.</p> + +<p>“That’s right, Bobby,” he said. “Daddy writes +it and Bobby signs it and Bobby gets all the publicity.”</p> + +<p>“Publicity me eye,” was my answer. “If I sign +it, I write it. I’ll take no responsibility for your +drivel. I know your stuff and I prefer to write my +own, <i>if</i> you don’t mind. The rest of the school +would kid the pants off me if one of your books +came out with my name signed to it.”</p> + +<p>This angered my father and he made as if to hit +me, but I ducked and ran into the house.</p> + +<p>“All right for you, you big bully!” I yelled out at +him. “Just for that I won’t <i>go</i> on your old expedition.”</p> + +<p>This sobered him up and he agreed to let me write +my own stuff and sign it and take ten per cent. of +the royalties. If the book sells as it ought to, with +any kind of pushing at all from the publishers, I +ought to clean up enough to marry Ruthie Henshel +in the spring.</p> + +<p><span class="pagenum" id="Page_213">[Pg 213]</span></p> + +<p>So here we are, as far as North White Plains, and +very dull it has been up till now, too. We left +Scarsdale at ten o’clock Wednesday morning, I on +my new Demon with special coaster-brake attachment +and a swell cap with a big visor on it to keep +the Artic sun out of my eyes. It is my private +opinion that all the Artic sun we see on this trip +you could <i>put</i> in my right eye and I’d never notice it.</p> + +<blockquote> +<p>(<i>Proofreading note by Benchley, Sr.</i>—I <i>told</i> +Bobby he ought to let me write out a rough draft +for him first. You see what he has done with +“Arctic.” However, if he is going to be just stubborn +about the thing—)</p> +</blockquote> + +<p>The trouble with the expedition so far is that my +father and Lieut.-Commander Connelly get winded +so soon. They can’t pump up even a little hill without +having to get off at the top and rest. We’re +lucky to be at North White Plains, let alone the +North Pole. I began by going on ahead as fast as +I could, but this just made them sore and I lost +them going through Hartsdale and had to sit down +by the roadside and wait for them to come up. +They both got pretty fat during the summer hanging +around at the base in Scarsdale, and my father +especially has got to look out or he’ll look something +<span class="pagenum" id="Page_214">[Pg 214]</span>awful in another year. I told him so, too, and he +told me to shut up or he’d send me away to military +school.</p> + +<p>Well, anyway, what with the old folks puffing +along behind and Ensign Thermaline having to stop +off in White Plains to see an old girl of his, it has +taken us just four days to get this far.</p> + +<p>Coming through White Plains, my father tried to +tell me about the battle that was fought there during +the Revolutionary War.</p> + +<p>“What battle was that?” I asked.</p> + +<p>“The Battle of White Plains, of course,” he said. +“What did you think it was, the Battle of Princeton, +N. J.?”</p> + +<p>“Princeton beat Harvard, didn’t they?” I came +back at him.</p> + +<p>At this he made a lunge for me, and fell off his +bicycle, which got me to laughing so hard I had to +stop, too.</p> + +<p>“And who won the Battle of White Plains, Father +dear?” I asked him, trying to change the subject.</p> + +<p>“The Americans did, of course,” he said, brushing +himself off.</p> + +<p>“Yeah?” I said. “So the Americans won, did +they? Well, that shows what <i>you</i> know about it. +The British won. We had it in school only last +week.”</p> + +<p><span class="pagenum" id="Page_215">[Pg 215]</span></p> + +<p>“What school?” asked my father, very sore now.</p> + +<p>“Not Harvard, anyway,” I said. “Yale beat +Harvard, too.”</p> + +<p>“Yeah?” he said, getting redder and redder. +“Yale beat Harvard by playing twelve men against +Harvard’s eleven.... And if you aren’t a better +boy, Daddy’s going to send you right back to Scarsdale +on the 4:10 from White Plains.”</p> + +<p>“The 4:10 doesn’t stop at Scarsdale,” I said. +“It’s an express to 125th St.”</p> + +<p>“Let’s be getting on,” interrupted Lieut.-Commander +Connelly. “This is no way to get to the +North Pole—arguing about Harvard and Yale.”</p> + +<p>So we all got on our wheels again and pushed +ahead, but I think I’ll drop off at Mt. Kisco and +see the Barry kids. My time is worth <i>something</i>.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_216">[Pg 216]</span></p> + + + <h2 class="nobreak" id="HOW_TO_START_A_SUPPER_CLUB"> + HOW TO START A SUPPER CLUB + </h2> +</div> + + +<p>You think that the housing problem in New +York is pretty critical, don’t you? Well, that +just shows how much you know about it. The problem +isn’t how to take care of all the people who +live in New York; it’s how to take care of all the +people who dance there. Night clubs are springing +up like mushrooms (not exactly like mushrooms but +near enough) and still there is a shortage. A lot of +people have to go home every night without dancing. +And you know what that leads to.</p> + +<p>A man can’t turn his back on a block between +Fiftieth and Fifty-ninth Streets without three new +supper clubs appearing before he looks back again. +I left my house in Fifty-fifth Street one Wednesday +morning (it was the Wednesday morning I left my +house in Fifty-fifth Street) and after a hard day at +the office returned Friday night to find that four +stables on our block (I am a horse writing this: +“Black Beauty”) had been transformed into “La +Vache Noire,” “Sally Sobel’s Cellar,” “The Old +Oaken Bucket,” and “Club O’Hara.” It has got so +that you can’t leave your ice box out on the back +<span class="pagenum" id="Page_217">[Pg 217]</span>porch without someone coming along and turning it +into a night club.</p> + +<p>The process of transforming a stable or an ice box +or a fair-sized umbrella closet into a supper club is +pretty simple, once you get the hang of it.</p> + +<p>First comes the coat room. This has to be the +first feature on the way in, in order to be the last +one on the way out, so that the coat room girl can +get that last fifty-cent piece that the patron has been +holding out for taxi fare. You wouldn’t believe the +number of cheap skates that try to sneak out with +fifty cents or a dollar hidden away in their clothes. +It kind of makes you lose your faith in human +nature.</p> + +<p>From the coat room you arrange a hidden step so +that the guest stumbles down into what used to be +the place where they kept the mops and brooms and +into the arms of the head waiter. This gives the +head waiter the chance to accuse the patron of being +drunk and refuse him admission.</p> + +<p>The choice of a head waiter is very important. +Go down to the wharves when a fruit steamer is +docking and pick out a stevedore who is less polite<span class="pagenum"><a id="Page_218"></a>[Pg 218]</span> +than his fellows. Take him uptown and teach him +how to put studs into a dress shirt and station him +at the entrance to your club. Tell him that he has +just been unanimously chosen governor of the State +<span class="pagenum"><a id="Page_219"></a>[Pg 219]</span>of New York and that it is up to him to maintain +the prestige of the office. Also tell him that any +patron is a bum until he proves himself otherwise. +Show him what you mean by proof and then put it +back into the cash drawer.</p> + +<figure class="figcenter illowp48" id="p218" style="max-width: 50.0em;"> + <img class="w100" src="images/p218.jpg" alt=""> + <figcaption> + <p>The choice of a head waiter is very important.</p> + </figcaption> +</figure> + +<p>The interior of your club need cause you no worry—or +expense. Hang some old awnings from the +ceiling—good and low so as to shut off the air—and +paint the walls red and yellow, with perhaps a figure +or two in Russian costume, if you can draw—or even +if you can’t. In the center of the room build a +dance floor just big enough for a medium-sized +man to lie down on and roll over three times. Not +that any medium-sized man is going to do it, but +those are the standard measurements for night club +dance floors. Fill the rest of the room with small +tables which wabble, erect a platform for your jazz +band, and you are set.</p> + +<p>Now comes your big problem—the entertainment. +There was a time when the patrons were satisfied to +mill around on the dance floor and bump each other’s +hips. Then some foolish proprietor started in giving +them a little show in between dances and they got +spoiled. Now they all want a show for their money. +This injustice to proprietors is somewhat mitigated +by the fact that the patrons don’t care what kind of +show it is, so long as they don’t have to dance.</p> + +<p><span class="pagenum" id="Page_220">[Pg 220]</span></p> + +<p>There has to be some sort of master of ceremonies, +and the proprietor can save a salary right there by +doing this himself. All that he has to do is wear a +dinner coat and act as if he believes that he has a +good line.</p> + +<p>“Ladies and gentlemen—and Gentiles. I have the +very great honor to present to you tonight two of +America’s foremost ballroom dancers, two very +charming and very talented young people who are +filling an engagement at this club before beginning +in the new Ziegfeld ‘Follies.’ They come fresh from +a very successful season on the Riviera and I am +sure that you will find them very, very delightful. +So’s your old man!... Come on, now, give these +charming young people a good hand!... [<i>Lead +the applause.</i>] Delacroix and Feeney, ladies and +gentlemen!”</p> + +<p>For Delacroix and Feeney it will be necessary to +procure a young man and a young woman named +Hyman and Gatz, respectively, who can waltz holding +each other at arm’s length. The young man +must look at the young lady while they are waltzing +and smile as if he really liked her, and the young +lady must smile modestly back at him, just as if +she were not thinking: “You big bum, I hope you +trip and fall and break your shirt front.” At the +end of the waltz she curtsies so low that she has a +<span class="pagenum" id="Page_221">[Pg 221]</span>good chance of not getting up again—which would +be small loss. The master of ceremonies should then +lead the applause again, what there is.</p> + +<p>The entertainment over, you can turn the patrons +loose again, with instructions to the orchestra to +play so long that the dancers will fall exhausted by +their tables and have to order refreshments. For +food a forty-cent chop suey can be served for two +dollars and a half and a ten-cent lemonade for a +dollar. This will help you to clear expenses and +maybe make a little profit.</p> + +<p>Now in the matter of dispensing alcoholic drinks +a great deal of caution must be used. It is, as many +of you know, against the law to sell liquor, a fact +which complicates its sale and makes for considerable +inconvenience. The authorities are more and +more on the alert and consequently the risk of getting +caught remains about the same. A night club +proprietor cannot be too careful to whom he sells +strong drinks. For instance, if a man in the uniform +of chief of police, with gold braid and a sword, +comes in with a friend who has a flag in his hand on +which is written “U. S. Revenue Service,” no drinks +should be served to that table until it has been +definitely ascertained that the men are “all right.” +As for regular patrons, always wait until they ask +for liquor before serving it, as a lot of people have +<span class="pagenum" id="Page_222">[Pg 222]</span>their own with them and don’t like to be bothered by +representatives of the house standing at their elbows +every minute trying to get them to buy. The chief +thing to find out about a man before you sell him +any illicit beverage is whether or not he has got +$12. Once this is made sure, the thing is not so +foolhardy.</p> + +<p>With these few suggestions to those of you who +might be in a position to start a night club, it is to +be hoped that more and more citizens will lend a +hand to help solve New York’s big problem.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_223">[Pg 223]</span></p> + + + <h2 class="nobreak" id="THE_NEW_VILLAINY"> + THE NEW VILLAINY + </h2> +</div> + + +<p>Although the new fall season in the drama +is only just under way, it is not too early to +view with alarm. Some Viewers-with-Alarm begin +as early as September to view, but that doesn’t give +you much time to collect data. Perhaps all that you +can get is a <i>datum</i>, but a good, healthy datum is +enough to base a sizable alarm-view on, and, as you +go along, you can make up a datum or two, so that +you can refer to the whole as data.</p> + +<p>This month we are chiefly worried about the status +(or stata) of what used to be known as “the old-time +religion.” That is, its status in the world of drama. +If the new season keeps on as the past two seasons +have gone, being under suspicion of harboring religious +thoughts will place one in the psychopathic +class. For two years now, eight out of ten villains +have been preachers and any layman with excessive +religious tendencies has turned out to be just a repressed +old sex-addict.</p> + +<p>There was a time when the entrance of the +preachers on the stage was the signal for a sigh of +relief to go up, for you knew that so long as he stuck +around, things were pretty sure to go as they should. +<span class="pagenum" id="Page_224">[Pg 224]</span>The lowest he ever reached in the dramatic scale +was when he was occasionally used for comedy +purposes. Once in a while there was a comic bishop, +but that was only natural. And any member of the +cast who showed signs of quoting the Scriptures, or +going to church, was pretty certain to be one of +those whom you could trust to help foil the adventuress +in the last act.</p> + +<p>Then along about the time that “Rain” settled +down for a run, we began to find preachers sneaking +into plays whose minds were not on their work in +the vineyard. Under the guise of evangelism they +started in to cut up. At first we thought: “Oh, +well, this is just an exception. Our Dr. Murnie at +home wouldn’t do anything like this.” But gradually, +after we had seen dozens and dozens of +preachers come on in the first act, make a few sanctimonious +remarks, and then sprout little horns and +a goat’s tail, we began to look askance at even Dr. +Murnie of the Second Congregational Church.</p> + +<p>Then the lay members of the congregation came +in for analysis. The hand of Freud reached out and +touched the brethren and sistren and we learned that +whenever anyone is excessively religious, it is a sign<span class="pagenum"><a id="Page_225"></a>[Pg 225]</span> +that they are suffering from an inhibition which is +likely some day to break loose and leave Broadway +strewn with bits of broken bottles and confetti. The +<span class="pagenum"><a id="Page_226"></a>[Pg 226]</span>more religious they are, the more they crave a good, +rip-snorting week-end at Atlantic City, registering +under the wrong name. It is all very confusing.</p> + +<figure class="figcenter illowp52" id="p225" style="max-width: 50.0em;"> + <img class="w100" src="images/p225.jpg" alt=""> + <figcaption> + <p>If you were highly strung you whispered out loud to the + heroine.</p> + </figcaption> +</figure> + +<p>In the old days, the minute a man came on with a +mustache like Adolphe Menjou’s and wearing a pair +of riding boots with a crop to slap them with, you +could be pretty sure that he was up to no good. If +you were highly strung you whispered out loud to +the heroine not to go to the city with him as he had +no more intention of marrying her than—well, than +anything at all, and you know how little that is.</p> + +<p>Today, whenever a character in clerical cloth +makes his entrance, the orchestra starts picking at +the violin strings in the old <i>pizzicato</i> villain-entrance +music, the young-lady members of the cast pick their +exits and the audience settles back in preparation for +the dirty work.</p> + +<p>Pretty soon we may have a scene like this:</p> + +<blockquote> +<p class="hanging-indent1"><span class="smcap">Scene.</span>—<i>Living room of the DeViblis home. Father, +mother, and daughter are seated around the table, +splicing rope.</i></p> +</blockquote> + +<p><span class="smcap">Daughter</span>: Pa, there’s somethin’ I been a-wantin’ +to ask you fer a long time.</p> + +<p><span class="smcap">Mother</span>: For heaven’s sake, daughter, talk +straight. This isn’t a New England farm play we’re +in. You know how to talk better than that.</p> + +<p><span class="pagenum" id="Page_227">[Pg 227]</span></p> + +<p><span class="smcap">Daughter</span>: Well, anyway, I want to marry Arthur +Arthritis.</p> + +<p><span class="smcap">Father</span>: What does he do for a living?</p> + +<p><span class="smcap">Daughter</span>: Well, he’s changing his job in a few +months.</p> + +<p><span class="smcap">Father</span>: What does he do now?</p> + +<p><span class="smcap">Daughter</span>: Why—er—well, I’ll tell you; just +now he’s a preacher, but he’s going to change—</p> + +<p><span class="smcap">Mother</span>: A preacher! Oh, my!</p> + +<p><span class="smcap">Father</span>: A minister of the gospel? Where did +you meet him? I thought I told you not to run +around with them religious folks. They are every +one of them inhibited.</p> + +<p><span class="smcap">Daughter</span>: Oh, that’s just because you don’t +know them, dad. They’re just as decent as you or +I when you get to know them. And Arthur isn’t +<i>really</i> a preacher. He’s just filling-in.</p> + +<p><span class="smcap">Father</span>: Just filling-in, eh? I suppose you know +what that leads to? Next he’ll be having a little +parish of his own, then he’ll get a call to a big city, +or perhaps he’ll even sink so low as to be a missionary. +Them preachers are all missionaries at +heart, and you know what missionaries are. No, sir, +no daughter of mine gets mixed up in that crowd.</p> + +<p><span class="smcap">Daughter</span>: Well, he’s coming here in a few minutes +to hear your answer. There he is now!</p> + +<p>(<i>Enter the Rev. Heemerson.</i>)</p> + +<p><span class="pagenum" id="Page_228">[Pg 228]</span></p> + +<p><span class="smcap">Father</span>: Well, what do you want here?</p> + +<p><span class="smcap">The Rev. H.</span>: Why, Brother—</p> + +<p><span class="smcap">Father</span>: Don’t you “brother” me.</p> + +<p><span class="smcap">The Rev. H.</span>: I love your daughter and I want to +marry her.</p> + +<p><span class="smcap">Father</span>: You want to <i>marry</i> her, eh? When you +get to New York, I suppose?</p> + +<p><span class="smcap">The Rev. H.</span>: Why, I thought—</p> + +<p><span class="smcap">Father</span> (<i>stepping to the telephone</i>): Oh, you +thought, did you? (<i>To central</i>): Give me police +headquarters ... hello, police headquarters? Well, +there’s a preacher in my house. Send an officer up +right away!</p> + +<p><span class="smcap">The Rev. H.</span> (<i>leaving</i>): I’m sorry, sir, that you +feel this way, so I think I’ll be saying “good-by.”</p> + +<p><span class="smcap">Father</span>: Good-by, and go back to your religious +crowd and their loose ways and never darken my +door again.</p> + +<blockquote> +<p class="hanging-indent1">(<i>Curtain with daughter crying, and father and +mother getting down the family volume of Freud +to read by the lamplight.</i>)</p> +</blockquote> + +<hr class="tb"> + +<p>All this is perhaps the result of years and years of +bullyragging the stage and stage folk by preachers +and religious zealots. The stage folk have found a +comeback and are using it. It will be nip and tuck +for a while, with the stage folk slightly in the lead +<span class="pagenum" id="Page_229">[Pg 229]</span>until it is discovered that all stage folk are not +really saints and all religious zealots not really +satyrs and nymphs. Then things will settle down +again. In the meantime, let’s have some more of +that chicken potpie, please.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_230">[Pg 230]</span></p> + + + <h2 class="nobreak" id="TIME-OFF_FROM_THE_SHOW"> + TIME-OFF FROM THE SHOW + <br> + <i>New York Sights Which the Visitor Should Not Miss</i> + </h2> +</div> + + +<p>You can’t expect the visitor to New York during +the automobile show to stand in front of automobiles +all day and all night. He’s got to look at +something else <i>once</i> in a while, just so that he can +see the automobiles better when he goes back to look +at them. That’s only common sense.</p> + +<p>Now comes the big question—what to look at? +New York is a big city now, and unless you are +careful you will look at the wrong things and before +you know it, it will be time to go back and you will +have seen nothing. Or practically nothing. Or next +to nothing.</p> + +<p>Let us say (Oh, go on! Be a good sport! <i>Let</i> +us), let us say that you are to be in New York four +days and six nights. Here is a schedule which you +may follow or not, but, at any rate, look it over. It +suggests something for you to do every evening and, +in case you have any spare time during the day, there +are one or two extra hints.</p> + +<p><span class="pagenum" id="Page_231">[Pg 231]</span></p> + + +<p class="ph3">MONDAY EVENING</p> + +<p>Of course, the very first night that you have free +you will want to see the new Reinach collection of +tapestries at the Metropolitan Art Museum. This +collection is one of the most valuable in the world, +and one of the hardest to hide under. The tapestries +hang some four feet off the ground, so the +minute you try to hide under one of them you are +quite exposed up to at least your chest, maybe +oftener than that.</p> + +<p>Most of the tapestries in the exhibit are French, +and consequently are kept in a little room off the +main hall, to which admission is obtained only by +conference with the curator. Of the others, the most +interesting is that which depicts the hunting of a +stag in the Middle Ages. In the lower left-hand +corner you see the huntsmen starting out after the +stag, carrying hauberks and falcons. As you work +up through the tapestry, from left to right, it gets +even less interesting, until, by the time they have +caught the stag in the upper right-hand corner, you +aren’t looking at it at all and have passed on to the +next tapestry which shows huntsmen of the Middle +Ages chasing a fox.</p> + +<p>It has just occurred to us that the Art Museum is +not open evenings; so this plan for Monday night +<span class="pagenum" id="Page_232">[Pg 232]</span>is out. You will have to find something else to do. +There is a good place on West Fifty-sixth Street.</p> + + +<p class="ph3">TUESDAY EVENING</p> + +<p>The Public Library, at Forty-second Street and +Fifth Avenue, is open until 11 o’clock. You will +surely want to see this. Enter by the side door on +the Forty-second Street side, as there are two of the +nastiest lions you ever saw guarding the front entrance. +Ring the little bell by the side entrance and +when the man comes ask for Joe Delaney. He will +ask who wants to see him and you say that Bob +Benchley sent you. He will then let you in to the +downstairs lobby, where there is an elevator to take +you up to the reading room. This elevator is not +running; so you will have to walk up three flights of +marble stairs, and a pretty tough pull it is, too.</p> + +<p>You will find the reading room brilliantly lighted +and practically full of books. Go straight to the +case marked “Biography M-TO.” Beginning at the +top shelf, left-hand corner, pull all the books out, +from left to right, and throw them in a pile on the +floor. Pretty soon you will have quite a big pile +and can begin on the case marked “History-Renaissance.” +This will make another big pile. By this +time, you will have several attendants helping you +<span class="pagenum" id="Page_233">[Pg 233]</span>and you can work faster. If you stick to it until +11 o’clock, you will be able to pull out all the +books on that side of the room and scuffle through +them. Then you can go back to your hotel, tired +but happy.</p> + + +<p class="ph3">WEDNESDAY EVENING</p> + +<p>By this time, you will be perhaps ready to see a +little of the so-called “night life” of the metropolis. +There is no better place to do this than at the +Woman’s Exchange, on Madison Avenue between +Fifty-fourth and Fifty-fifth Streets. The specialty +here is breads and cakes, and if you can get a table +by the window you can eat your fill while watching +the Madison Avenue trolley cars go thundering by. +It would be well to wear your old clothes to this +place, as along about 9 o’clock in the evening things +begin to rough up quite a bit, and, by the time +the fresh batch of cup cakes is ready at 10, the joint +is a regular bedlam. It was here that Harry Thaw +had been dining the night he shot Stanford White.</p> + + +<p class="ph3">THURSDAY EVENING</p> + +<p>We have saved until your last night in New York<span class="pagenum"><a id="Page_234"></a>[Pg 234]</span> +the big thrill of the week—riding on the Shetland +ponies in Central Park. They usually put the ponies +<span class="pagenum"><a id="Page_235"></a>[Pg 235]</span>to bed at sundown, but by slipping the pony-man a +dollar bill you can get him to leave as many of the +little fellows out as you may require.</p> + +<figure class="figcenter illowp38" id="p234" style="max-width: 37.5em;"> + <img class="w100" src="images/p234.jpg" alt=""> + <figcaption> + <p>About nine o’clock things begin to rough up quite a bit.</p> + </figcaption> +</figure> + +<p>Get to the park at about 8 p. m., wearing red coat +and riding breeches. You might as well take along +a good, big whip, too, in case your pony gets fresh. +Carrying children about all day as they do, they are +quite apt to think that they can do anything they +like, and you must be ready to show them that they +can’t. They will respect you all the more after a +couple of good belts.</p> + +<p>Once aboard the ponies, the best course is around +the reservoir. Five times around at a brisk canter +makes a nice ride. In case your feet drag on the +ground (the ponies are pretty small) you can tuck +them in under the saddle or else let them drag. For +steeplechase racing it will be better to let them drag, +as it makes it harder for the little animals to get +over the hurdles. If you have lots of money to +spend on the thing, you can give a hunt breakfast at +the Central Park Casino.</p> + + +<p class="ph3">ALTERNATE ENTERTAINMENT</p> + +<p>Although you may have seen something of the +automobile at the show, you will get a better idea +of what the automobile really means to our civilization +<span class="pagenum" id="Page_236">[Pg 236]</span>by coming with me to a little private exhibition +which I will be glad to stage any afternoon between +the hours of 4 and 6:30. I wish that every automobile +manufacturer and salesman could join in, because +I want them to see just what it is that they +have done. If I had my way, I would get them all +reservations on a train leaving the Pennsylvania +station at 5:30 p. m. Then, at 4:45, I would start +them from Forty-fourth Street in taxicabs or private +cars and say: “Now, you big automobile men, you +have got forty-five minutes to go half a mile in. +And there isn’t another train until tomorrow morning.”</p> + +<p>I would follow behind on foot, and when they were +held up by the jam of automobiles at Forty-second +Street for five minutes, I would jeer. When they +were held up at Fortieth Street, I would hoot. During +their five-minute holdup at Thirty-ninth Street, +I would taunt them with: “What price automobiles, +now?” and while they were chafing at the tieup at +Thirty-eighth Street, I would call out: “Get a +horse!” I would make them so sore at the automobile +as an institution that they would swear never +to make another.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_237">[Pg 237]</span></p> + + + <h2 class="nobreak" id="THE_LIFE_POLAR_EXPEDITION_4"> + THE <i>LIFE</i> POLAR EXPEDITION + </h2> +</div> + + +<p><i>Continuation of the log of Bobby Benchley, +Juvenile Yoeman on</i> <span class="allsmcap">LIFE’S</span> <i>North Pole +Expedition.</i></p> + +<p><span class="smcap">Mt. Kisco, N. Y.</span>—<i>En route to North Pole by +bicycle.</i></p> + +<p>Things have been going from bad to worse in this +expedition and I doubt very much if I can stick it +out any longer. My father has been unbearable +ever since we left North White Plains, harping continually +on the fact that I am only seven years old +and small for my age at that. If parents only knew +it, it is that sort of talk which makes for radicalism +and debauchery in the younger generation.</p> + +<p>Then he began insisting that I mention the names +of firms which have contributed stuff for our expedition. +When I say that we stopped at the roadside +for lunch I must add “which was so kindly contributed +by the Alexander Hamilton Peanut Butter +Sandwich Co., of 1145 North Rumsey Street, Chicago.” +Or if I mention tipping our hats to a lady, +acknowledgment must be given to the “Bon Ton +<span class="pagenum" id="Page_238">[Pg 238]</span>Arctic Hat Co., who were generous enough to supply +the expedition with hats.”</p> + +<p>Now this is a lot of hooey and I told my father so +and refused point-blank to lend myself to any such +cheap advertising gag as that. It was then that he +brought up the point that I was only seven and that +I should busy myself with only those thoughts which +a seven-year-old boy should have. And he added, +furthermore, that I could keep a civil tongue in my +head. So I have determined to stop off here at Mt. +Kisco and spend a week or so with the Barry kids +and then go on back home to Scarsdale. That +expedition is never going to get to the North Pole +anyway. My father and Lieut.-Commander Connelly +are too fat—especially my father. You ought +to see him.</p> + + +<p class="center"><i>Insert in log made by Benchley, Sr.</i></p> + +<p>Bobby has proved quite a disappointment to us so +far, and I am not sure that I would be sorry to see +him leave the expedition here. Our idea in having +him along was to give the boy a little publicity and +to have him write a book which could be sold to +the juvenile trade around Christmas time, but a +little boy who behaves as badly as he does doesn’t +deserve any publicity and he can’t write for a darn +anyway.</p> + +<p><span class="pagenum" id="Page_239">[Pg 239]</span></p> + +<p>Furthermore, I am <i>not</i> getting fat. I always put +on a little weight in the winter, because I can’t play +tennis, but every one says that it is becoming to me. +I weigh only 160 when I am ready for my cold-bath +(which I very seldom am, <i>these</i> mornings) and for +a man of my height, that is not a pound too much. +As a matter of fact, Bobby is probably a little sore +because he is so small for his age. You’d never +think he was seven. He looks more like a child of +three. He must get that from his mother’s side of +the family, because all the Benchleys have shot right +up to a good height before they were seven. His +older brother Nat is a fine tall boy. And a great +deal smarter in school than Bobby.</p> + +<p>Then, too, another sign that I am not too fat is +that people who haven’t seen me for several years +all remark “How well you look!” You don’t say +that to a man who is <i>too</i> fat, do you?</p> + +<p>But there is no reason for having our expedition +torn with dissension just because a little boy has no +respect for his father. I suggested sending him +back to Scarsdale, but Lieut.-Commander Connelly +said why not give him another chance, he is so cute. +It is all very well for an outsider to call a child +cute, but when a man has reached my age he is +entitled to a little respect from his own children—it +seems to me.</p> + +<p><span class="pagenum" id="Page_240">[Pg 240]</span></p> + + +<p class="center">(<i>Resumption of the log by Bobby.</i>)</p> + + +<p>It is very nice here in Mt. Kisco at the Barrys’ +and I wouldn’t be surprised if the whole expedition +stayed here until the snow gets out of the roads. +Mr. Barry has some very good stuff that he brought +from France last year and I heard my father say +last night that he wouldn’t care if he <i>never</i> saw the +North Pole or anything else for that matter. He +and Lieut.-Commander Connelly think they are +pretty good at two-part singing and as Lieut.-Commander +Connelly said, “It looks as if it were going +to be a fine winter for two-part singing, especially +‘Sleep, Kentucky Babe.’” Mr. Barry hasn’t said +anything yet except that he has to take his family +to Cannes early in March. All he expected us to do +was stop here overnight, and while he is very nice +about it, I guess he knows what he is in for, all right, +all right.</p> + +<p>On the way up from North White Plains I saw a +snow-bird, but didn’t say anything about it as I +knew it would mean taking out pencils and making +notes for the Museum. A hot lot of good the +Museum is going to get out of <i>this</i> expedition.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_241">[Pg 241]</span></p> + + + <h2 class="nobreak" id="SPYING_ON_THE_VEHICULAR_TUNNEL"> + SPYING ON THE VEHICULAR TUNNEL + </h2> +</div> + + +<p>Before the formal opening of the Holland +Vehicular Tunnel under the Hudson River, it +behooves New Yorkers to study up a little on the +subject and see why it is that 46,000 vehicles are +going to <i>want</i> to go to Jersey City every day.</p> + +<p>In order to present this problem fairly to the +readers of this paper, the writer of this article (you +must guess) took a tour of inspection of the tube, +which is now completed with the exception of installing +a ventilation system and hanging the curtains. +Curtains make such a difference that it will +probably be simply another tunnel when they are up.</p> + +<p>Your investigator was not asked by the authorities +to make this tour of inspection, but somebody from +the New York <i>Times</i> went through the thing and +wrote a story about it; so there didn’t seem to be +any good reason why a reporter from <i>The New +Yorker</i> shouldn’t. Not having the permission of +the tunnel authorities, he went alone into this vast-two-mile +submarine passageway, with the result that +he got lost and is still in there. This story is being +sent out to <i>The New Yorker</i> by a code of tappings +executed on the roof of the giant shell by the lost +<span class="pagenum" id="Page_242">[Pg 242]</span>investigator. As soon as he finishes sending in copy +(which will be relayed to the publication offices by a +special tugboat and automobile service) the reporter +will turn his energies again to the problem of getting +out of the tube. After all, there are only two ways +possible in which to go; so it ought not to be very +difficult. The big problem comes in trying to decide +which way to take.</p> + +<p>Now that we are well acquainted it might be less +formal if I use the first person. You probably knew +that it was I all along anyway. These little editorial +subterfuges are rather futile.</p> + +<p>But to get back to the tunnel—or rather to get <i>out</i> +of the tunnel. Sneaking in by the entrance at Canal +Street, Manhattan, I made my way through the tiled +passageway for what must have been a mile before I +realized that, really, when you have seen the first +hundred feet of a vehicular tunnel you have seen all +9250. I had got the idea by then. The next problem +was whether to go on ahead to the Jersey City +exit or turn and go back to Canal Street. Not +knowing how far I had come, I couldn’t figure out +which way would be the shorter. Then, in turning +around several times to see if I could make out any<span class="pagenum"><a id="Page_243"></a>[Pg 243]</span> +light at either end, I forgot which was the way to +New York and which the way to Jersey City. This +was quite terrifying and I began to cry softly. I +<span class="pagenum"><a id="Page_244"></a>[Pg 244]</span>made frantic little starts, first in one direction and +then in the other, and finally sat down on the ground +and sobbed myself to sleep.</p> + +<figure class="figcenter illowp39" id="p243" style="max-width: 37.5em;"> + <img class="w100" src="images/p243.jpg" alt=""> + <figcaption> + <p>I attracted the attention of a passing tug.</p> + </figcaption> +</figure> + +<p>When I awoke, it was high time that my story was +in; so I attracted the attention of a passing tug by +tapping on the roof of the tube and indicated that I +had a story to file for <i>The New Yorker</i>. The rest is +history.</p> + +<p>Well, anyway.</p> + +<p>The Holland Vehicular Tunnel is a dandy tunnel, +all right, all right. The roadways are 20 feet wide +and there is 13 feet, 6 inches of headroom. The +extra six inches is for wedding parties in which there +are men in silk hats. It is estimated that in one +year 15,000,000 vehicles will pass through the tube. +Wouldn’t you like to have a dollar for every vehicle! +A dollar and a <i>half</i> would be even better. <i>Boy!</i> +What I couldn’t do with $22,500,000!</p> + +<p>I was pleased to note that there are to be telephone +stations along the route. This will make it +possible to call up and say:</p> + +<p>“Look here! I’m held up in the vehicular tunnel +and probably can’t get anything before the 8:15. +Don’t wait dinner. I’ll eat in Jersey City.”</p> + +<p>This question of being held up in the tunnel is +one which must present itself to everyone who gives +the matter any thought at all. There aren’t many +<span class="pagenum" id="Page_245">[Pg 245]</span>things certain in this life, but there is one event I +can predict without even adding “maybe.” On my +first trip through the vehicular tunnel at the wheel +of my high-powered car, just as I get halfway between +New York and New Jersey, with a line of +impatient Sunday automobilists behind me, I am +going to run out of gas. I’ll bet that the engineers +in charge have never once thought of this contingency, +and when it arises, it is going to make their +tunnel look pretty silly. It was a silly idea anyway, +in the first place.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_246">[Pg 246]</span></p> + + + <h2 class="nobreak" id="COMPILING_AN_AMERICAN_TRAGEDY"> + COMPILING AN AMERICAN TRAGEDY + <br> + <i>Suggestions as to How Theodore Dreiser Might + Write His Next Human Document and + Save Five Years’ Work</i> + </h2> +</div> + + +<p class="ph3">CHAPTER I</p> + +<p>Up East Division Street, on a hot day in late +July, walked two men, one five feet four, the +other, the taller of the two, five feet six, the first +being two inches shorter than his more elongated +companion, and consequently giving the appearance +to passers-by on East Division Street, or, whenever +the two reached a cross-street, to the passers-by +on the cross-street, of being at least a good two +inches shorter than the taller of the little group.</p> + +<p>Walking up East Division Street they came, in +two or three minutes, to Division Street proper, +which runs at right angles and a little to the left +of East Division Street, but not so much to the left +as Marcellus Street, or Ransome Street, for that +matter. As the two continued strolling, in that +fashion in which two men of their respective heights +are likely to stroll, they came in succession to—</p> + +<p><span class="pagenum" id="Page_247">[Pg 247]</span></p> + +<p>(<span class="smcap">Note to printer</span>: <i>Attached find copy of Thurston’s +Street Guide. Print names of every street +listed therein, beginning with East Division and up +to, and including, Dawson.</i>)</p> + + +<p class="ph3">CHAPTER II</p> + +<p>That these two men, presented in the last chapter, +would eventually stop walking up Division +Street and enter a house of some sort or description, +might well be anticipated by the reader, and, in fact, +such was the case.</p> + +<p>It was, indeed, the house of the shorter of the +two, of the one whom we have seen in the last +chapter to have been five feet four, if, indeed, he +was. It was a typical dwelling, or home, of a man +of the middle-class in a medium-sized city such as +the one in which these men found themselves living.</p> + +<p>(<span class="smcap">Note to printer</span>: <i>Attached find insurance inventory +of household effects and architect’s specifications. +Reproduce in toto.</i>)</p> + + +<p class="ph3">CHAPTER III</p> + +<p>Reaching the living-room described above, Tom +Rettle, for such was the name of the shorter of the +two—the one to whom the house, or home, or dwelling, +belonged—was greeted by his wife, Anna, a +<span class="pagenum" id="Page_248">[Pg 248]</span>buxom woman of perhaps thirty-four or thirty-five, +certainly not <i>more</i> than thirty-five, if one were to +judge by her fresh, wholesome color and the sparkle +of her brownish-gray eyes, or even by her well-rounded +form, her—</p> + +<p>(<i>Print attached passport description of Anna +Rettle.</i>)</p> + +<p>“Well, hello, Anna,” said Tom, pleasantly, for +Tom Rettle was, as a matter of fact, a very pleasant +man unless he were angered, and his blue eyes +smiled in a highly agreeable manner.</p> + +<p>“Well, hello, Tom,” replied Anna, for it was indeed +Anna who spoke, in a soft, well-modulated +voice, too, giving the impression of being an extremely +agreeable sort of a woman.</p> + +<p>“Anna, I want you to meet a very good friend +of mine, Arthur Berolston, a very good friend of +mine,” said Tom, politely, looking, at the same time, +at both Anna and Berolston.</p> + +<p>“I’m very happy to meet Mr. Berolston,” added +Anna, genially, although one could see that in her +heart she wished that Tom would bring a little different +type of friends home, a thing she had often +spoken to him about when they were alone, as they +often were.</p> + +<p>“Dat’s very good of yer ter say, Missus Rettle,” +replied Berolston, in modern slang, which made him +<span class="pagenum" id="Page_249">[Pg 249]</span>sound even more uncouth than he looked, which was +uncouth enough. “For de love o’ Mike!”</p> + +<p>At this indication of a rough bringing-up on the +part of her husband’s acquaintance, Anna Rettle +winced slightly but showed no other sign of her +emotions. Tom was such a kind-hearted fellow! +So good! So kind-hearted! Tom was.</p> + +<p>“What is there for supper tonight, Anna?” asked +Tom, when the wincing had died down. “You know +how well I like cole slaw, and have always liked it.”</p> + +<p>“I certainly do know your fondness for cole slaw, +Tom,” replied his wife, but with a note of regret in +her voice, for she was thinking that she had no cole +slaw for supper on the particular night of which we +are speaking. “But you will remember that we had +cole slaw last night with the cold tongue, and night +before last with the baked beans and—”</p> + +<p>(<i>Run attached “Fifteen Midsummer Menus for +Cole Slaw Lovers.”</i>)</p> + + +<p class="ph3">CHAPTER IV</p> + +<p>Prepared as Tom was not to have cole slaw for +supper, he could not hide his disappointment. Anna +had been a good wife to him.</p> + +<p>But somehow tonight, when he had brought +Arthur Berolston home to supper, his disappointment +was particularly keen, for he and Arthur had +<span class="pagenum" id="Page_250">[Pg 250]</span>been discussing cole slaw all the way up East Division +Street, across Division Street and through to +the southwest corner of Dawson and Margate, where +Tom lived, and each had said how much he liked it.</p> + +<p>Should he strike Anna for failing him at this +juncture? He, Tom Rettle, strike his wife, Anna +Rettle? And, even if he should decide to strike +her, <i>where</i> should he direct the blow? Tom’s mind +was confused with all these questions.</p> + +<p>(<i>Reprint the above paragraph twenty-five times.</i>)</p> + + +<p class="ph3">CHAPTERS V-LXXXII INCLUSIVE</p> + +<p><span class="smcap">To printer</span>: <i>With the above copy you will find +a brief-case containing newspaper clippings giving +the complete testimony of Anna Rettle, Thomas +Rettle and Arthur Berolston in the case of</i> “<span class="smcap">Anna +Rettle vs. Thomas Rettle</span>,” <i>tried in the Criminal +Court of Testiman County, September 2-28, +1925. There is also a transcript of the testimony +of three neighbors of the Rettles’ (Herman Nordquist, +Ethel Nordquist and Junior Nordquist), and +of Officer Louis M. Hertzog of the Fifth Precinct. +Reprint all these and, at the bottom of the last page, +put “THE END.”</i></p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_251">[Pg 251]</span></p> + + + <h2 class="nobreak" id="STORM_WARNINGS_FOR_NEW_YORK"> + STORM WARNINGS FOR NEW YORK + </h2> +</div> + + +<p>Anyone wishing to see New York summer +shows, or any other New York shows for that +matter, had better run like everything. Any day +now the walls of the city are going to topple in, and, +with a blare of trumpets, the Forces of the Lord are +going to smite New York, even as Sodom and Gomorrah +were smitten. New York is riding for its +Big Fall, and it wouldn’t be surprising if it came +around the end of this week.</p> + +<p>Probably never before in the history of disrobing +(see Taine’s “A Short History of Unhooking and +Unbuttoning,” Harpers’, 1897, 1 vol., 345-pp. octavo) +have so many young ladies appeared with so +few clothes before so many people at once. It is +recorded that in ancient Rome the <i>puellæ</i> wore fewer +clothes at the annual outings, but their audiences +were comparatively small and selected from a list of +socially possible people. Today, in the Borough of +Manhattan, the young folks appear before a Winter +Garden full of practical strangers—that is, they are +strangers at the beginning of the show. By the end +of the first act, it is as if they had known them all +their lives. Just as no man is a stranger (or a hero) +<span class="pagenum" id="Page_252">[Pg 252]</span>to his Swedish rubber, so, by the price of a ticket to +“The Great Temptations” you can have at least +twenty people in New York whom you know awfully, +awfully well. And yet they say that New York is +cold and aloof!</p> + +<p>All this levity on my part is just whistling past the +graveyard. I, personally, am pretty worried. You +can push the Forces of Vengeance just so far and +then—buckety-buckety—down comes the ceiling. +Ask the Sodom Chamber of Commerce. And the +worst of it is, that just as the rain sheds its benefits +on the just and the unjust alike, the fact that you +have been home and in bed every night at ten o’clock +isn’t going to help you a bit when your whole city +begins to smell as if something was burning and then +suddenly goes up in a puff of brimstone. You can’t +go out and argue with a Pillar of Fire and explain +that you, personally, have been spending your evenings +building bookcases. If your town goes, you go +too, and no back-talk.</p> + +<p>Now, in my case, the prospects are even more depressing, +because the job from which I eke out barely +enough money to buy gin for my children makes it +necessary that I attend the opening performances<span class="pagenum"><a id="Page_253"></a>[Pg 253]</span> +of all these wrath-provoking shows. I don’t like +them. I would never go to see them if it were not +for the fact that it is my life-work. Often I sit +<span class="pagenum"><a id="Page_254"></a>[Pg 254]</span>through them with my eyes shut. But I <i>am</i> unquestionably +on record in the office of the Snooping +Angel as sitting in D-113 at the Winter Garden. +And when they are making out their lists for culprits +to be hit on the head by falling walls or swirled +up into the skies on a fiery horse with nine heads, +my name probably is right there among the “B’s” as +a constant and incorrigible attendant at these festivals +of sin. The angel probably doesn’t do more +than take a look over the audience. You can’t expect +him to go to the box-office and see who paid to get +in or find out why they are there.</p> + +<figure class="figcenter illowp46" id="p253" style="max-width: 43.75em;"> + <img class="w100" src="images/p253.jpg" alt=""> + <figcaption> + <p>I <i>am</i> unquestionably on record as sitting in D-113.</p> + </figcaption> +</figure> + +<p>If I get through this summer all right, I am going +to hire an assistant. Then, whenever a Shubert show +is announced or something called “A Nuit in Paree,” +I will slip him the seats and say: “Here, Joe, go and +enjoy yourself.” In this way I may be able to +escape the extra heavy punishment in store for participants +and get out of the general cataclysm with +perhaps just a broken ankle or singed eyelashes. It +is going to be bad enough for the simple bystanders +without getting mixed up in the private showing. +The only break that I have ever had in this line was +that I was in France at the time of Earl Carroll’s +champagne-bath party in New York. When I got +back I found my invitation on my desk. If I <i>had</i> +<span class="pagenum" id="Page_255">[Pg 255]</span>been there, covering the affair for my paper, they +would have taken flashlight photographs.</p> + +<p>And, after all, what fun is there in going to these +displays? “The Great Temptations,” for example, +probably contains fewer real temptations than a +Christian Endeavor convention. The thing is too +unreal ever to constitute actual menace. You hear +somebody announcing that, if the audience will remain +seated, there will now be a parade showing the +way parsnips are cooked in all the different countries +of the world. Then eight girls walk across the stage, +one representing Nell Gwyn cooking parsnips, one +Cleopatra, one Thaïs, and so forth. It is very dull +indeed, and the fact that the girls are clad as if they +were just getting ready to turn on the hot water +doesn’t help, or hurt, anything. The whole thing is +highly academic, and unless you are interested in the +cooking of parsnips, you are going to find yourself +looking at your program to see how long it will take +to empty the theater with every seat filled. If the +Forces of Judgment only knew it, the display of +what the advertisements call “feminine pulchritude” +is one of the most innocuous of all forms of theatrical +entertainment. It is like looking in at a +delicatessen window. It is too much.</p> + +<p>However, try to tell that to the Watch and Ward +Society. Try to convince that great, big old Nine-Headed +<span class="pagenum" id="Page_256">[Pg 256]</span>Horse, when he comes snorting down out of +a cloud of fire with a flaming subpoena made out in +your name, that these exhibitions bore you. Just +say to him, if you can make your voice heard above +the thunder and lightning and bellowing rocks, that +a show where a nine-tenths naked lady walks across +the stage means no more to you than watching the +Stamford local go through New Rochelle, and listen +to him laugh. Why, you will probably get a million +years extra in the biscuit oven just for saying such +a thing.</p> + +<p>You see, he has heard that line a good many times +and he is getting a little tired of it, just as you would, +yourself, after the first few million years. He knows +that nobody ever will admit that he goes where he +shouldn’t because he likes it. Every single time it +is a case of being on duty, as you might say; making +an investigation for some reform agency, or getting +material for a book, or showing an out-of-town customer +a good time. Even the out-of-town customer +has the alibi that he is just trying to find out whether +things are really as bad in New York as the papers +have been saying they are. He would much rather +have spent the evening writing a report to the firm +about conditions in the textile industry, but he didn’t +think that he could afford to miss an opportunity to +<span class="pagenum" id="Page_257">[Pg 257]</span>get some first-hand information about the decadence +of the present age.</p> + +<p>So the only thing that there is left to do, if we +are going to save ourselves and the biggest city in +the country from a horrible fate, is to stop the +Messrs. Shubert from putting on shows like that. +And the way to stop them from putting on shows +like that is to go to them and say: “Messrs. Shubert, +put down that mending for just a minute, I want +to talk to you. I am a married man with a family +and I have a lot of work that I have to do before +I die. I have insurance to pay up and I have a +house which has to be painted before it can be sold. +Now, you and your shows are leading this whole +city into inevitable destruction at the hands of the +Forces of Vengeance. No city can go on as New +York is going on giving pageants about the twelve +different ways of cooking parsnips, without incurring +Divine Wrath to a fatal extent. Won’t you, for the +sake of the wife and kiddies, put, let us say, a girdle +of large hydrangeas on your choruses and perhaps +an old-fashioned shawl? Won’t you arrange it so +that it won’t be quite so incriminating for a man +who wants to go straight to be numbered among the +patrons of your entertainments?”</p> + +<p>And if the Messrs. Shubert just laugh and go on +with their mending or whatever it is that they happen +<span class="pagenum" id="Page_258">[Pg 258]</span>to be doing at the time, the only thing left for +me to do, at any rate, is to do my duty without +flinching—accept my complimentary tickets, and go +to these shows wearing a tin helmet and carrying a +letter from my pastor in my pocket against the Day +of Judgment.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_259">[Pg 259]</span></p> + + + <h2 class="nobreak" id="THE_LIFE_POLAR_EXPEDITION_5"> + THE <i>LIFE</i> POLAR EXPEDITION + </h2> +</div> + + +<p>Mt. Kisco, New York, January 21st.—At a +meeting of the older members of the expedition +last night it was voted to ask Bobby for his +resignation, not in any spirit of anger but simply +because it was felt that he wasn’t in sympathy with +the aims and policies of those in command. Lieut.-Commander +Connelly was elected to inform Bobby +and to see that he got his carfare back to Scarsdale.</p> + +<p>Bobby had anticipated our action, however, by resigning +on his own hook and was already on his way +home with one of the Barry children in the Barrys’ +car, leaving a note to the effect that he was pretty +tired of the whole thing and doubted whether the +expedition would reach the Pole at all because of +having so many fat men on it.</p> + +<p>And so ends the first really unfortunate episode of +our trip. As Bobby grows older he probably will +acquire more repression and will learn that individual +whims must sometimes give way to the +common good. I also hope that he starts growing +tall pretty soon.</p> + +<p><span class="pagenum" id="Page_260">[Pg 260]</span></p> + +<p>With the discordant element out of the way, the +next thing to do was to plan for our hop-off. We +still have quite a distance to go before we even get +in sight of the Pole and we must be moving. So a +meeting was called in the Barrys’ study, to which +Mr. Barry was, <i>ex-officio</i>, invited, as it was thought +that he might have some suggestions. His very first +suggestion was excellent; it was, in part, to concoct +an eggnog, a hot eggnog. He had some very good +eggs, he said, and added that that was one of the +advantages of living in the country—you get good +eggs. This was voted on, and it was decided that +Mr. Barry was right. So the eggnog was made hot +and the meeting called to order.</p> + +<p>Lieut.-Commander Connelly said that we ought to +decide how we were to overcome the retarding action +of deep snow on our wheels. We have made several +trial spins around the house here, just to see that our +cycles were in good order, and found (<i>a</i>) that they +were not, and (<i>b</i>) that even if they had been, the +snow would have made any kind of progress at all +very difficult. As Lieut.-Commander Connelly said, +“It is almost as if someone were actually holding the +wheels back!”</p> + +<p>From there the discussion got around to cases in +which wheels actually <i>had</i> been held back by some +unseen force, but nobody had ever heard of such +<span class="pagenum" id="Page_261">[Pg 261]</span>cases. Ensign Thermaline said that he knew of a +case once where a man with hypnotic power had put +a friend under a spell and made it impossible for +him to move his hand away from his face. Mr. +Barry asked whose face it was the man’s hand was +on, his own or the hypnotizer’s, and Ensign Thermaline +said that he had never thought to inquire, but +that he could get the man on the telephone in a jiffy +and find out. We all said that it would be interesting +to know. So a telephone book was sent for +and Ensign Thermaline set about looking up his +friend’s number.</p> + +<p>While this was going on, we got back to the business +of the expedition and the question of when we +should start on. Our route lies pretty fairly straight +ahead of us, on up through Westchester County to +Massachusetts, then on up through New Hampshire +to Canada, and from there to the Pole. “It ought +to be very pretty up around Williamstown at this +time of year,” said Lieut.-Commander Connelly. +“That’s where Williams College is.” Everyone +agreed to this and it was remembered that the Williams +song, “The Royal Purple,” has some very neat +harmony to it. Furthermore, it was discovered that +Mr. Barry sings a very passable baritone, and a baritone +is the one thing that our expedition has lacked, +for Lieut.-Commander Connelly twists out a very +<span class="pagenum" id="Page_262">[Pg 262]</span>tricky tenor, and with me leading and Ensign Thermaline +on a low but fairly accurate bass it began +to look as if we might do something worth while +after all.</p> + +<p>“Here’s a funny thing,” spoke up Ensign Thermaline, +still buried in the telephone book. “There are +two people by the name of ‘Gepp,’ both living in +Jersey City. A ‘Ben F. Gepp’ at 218 Belvidere Ave., +and a ‘William A. Gepp’ at 82 Jewett Ave.”</p> + +<p>“Probably brothers,” suggested Mr. Barry.</p> + +<p>“Not necessarily,” retorted Lieut.-Commander +Connelly, a little testily.</p> + +<p>“All right; cousins then,” said Mr. Barry, and +the threatened hard-feeling was avoided. Mr. Barry +would be a very good man to have come along with +us to the Pole as he is very conciliatory and diplomatic, +and after Bobby we need somebody like that.</p> + +<p>As a matter of fact, I suggested to him that he +come with us and he said that he really ought to +take his family to Cannes in March as he had promised +them. But he added that he was almost persuaded +to give that plan up and come along with us. +I suggested that we go right then and sound out +Mrs. Barry on the subject because I was sure that +we could make her see the thing in the right light. +So we all went upstairs to look for Mrs. Barry, but +she was asleep. Lieut.-Commander Connelly suggested +<span class="pagenum" id="Page_263">[Pg 263]</span>a little serenade, on the ground that married +women get little or no romance in their lives, and +said that if he knew married women at all Mrs. +Barry would be very glad to have a serenade sung +outside her door, asleep or not. So we did “The +Royal Purple” for her, very soft the first time +through and then crescendo on the repeat.</p> + +<p>Then, at Mrs. Barry’s suggestion, we went to bed.</p> + + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> +<div class="tnote"> + <h2 class="nobreak" id="Transcribers_note"> + Transcriber’s note + </h2> + + + +<p>Minor punctuation errors have been changed without notice. +Hyphenation was standardized.</p> + +<p>Some illustrations were moved so as to not break up paragraphs.</p> + +<p>Spelling was retained as in the original except for the following +change:</p> + + +<table class="autotable"> +<tr> +<td class="tdl"> +Page <a href="#Page_23">23</a>: “She though it a” +</td> +<td class="tdl"> +“She thought it a” +</td> +</tr> +<tr> +<td class="tdl"> +Page <a href="#Page_252">252</a>: “the Forces of Vengea ce” +</td> +<td class="tdl"> +“the Forces of Vengeance” +</td> +</tr> +</table> + + +</div> +</div> +<div style='text-align:center'>*** END OF THE PROJECT 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