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+<!DOCTYPE html>
+<html lang="en">
+<head>
+<meta charset="UTF-8">
+<title>Glasgow Men and Women | Project Gutenberg</title>
+<link rel="icon" href="images/cover.jpg" type="image/x-cover">
+<style>
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+</head>
+<body>
+<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 78272 ***</div>
+<div class='wl'>
+<p>
+Transcriber’s Note: The text in the illustrations has been transcribed. Clicking on an illustration which contains text will link to the transcription. The title above the transcription links back to the illustration. Additional notes will be found near the end of this ebook.
+</p>
+</div>
+<div class='section'>
+<p class="align_c l14 four_space">
+<span class='lspa'>GLASGOW MEN AND WOMEN</span>
+</p>
+</div>
+<figure id='ii_004' class="max100 mtop4" style='width: 70em;'>
+<a href='#ti_004'><img src="images/i_004.jpg" class="w100 v_align_b" alt=""></a><figcaption>THE EARL OF LYTTON AS LORD RECTOR OF GLASGOW UNIVERSITY
+<p class='right2em'><i>Frontispiece</i></p></figcaption>
+</figure>
+<h1 class="align_c break_before font2p crimson lspc">
+GLASGOW<br>
+MEN AND WOMEN
+</h1>
+<p class="align_c large one_space">
+<span class='lspp'>THEIR CHILDREN</span><br>
+AND SOME STRANGERS<br>
+WITHIN THEIR GATES
+</p>
+<p class="align_c one_space">
+<span class='fontp9'>A SELECTION FROM THE SKETCHES OF TWYM</span><br>
+<span class='fontp8'>BY</span><br>
+<span class='large'>A. S. BOYD</span>
+</p>
+<p class="align_c mtop4">
+LONDON<br>
+<span class='large crimson'>HODDER AND STOUGHTON</span><br>
+<span class='fontp8'>27 PATERNOSTER ROW</span><br>
+<span class='fontp8'>1905</span>
+</p>
+<p class="align_c fontp8 mtop4">
+Printed by <span class="small-caps">Ballantyne &amp; Co. Limited</span><br>
+Tavistock Street, London
+</p>
+<div class="chapter"><span id='page-5' class='pagenum'>5</span>
+<h2 class='nobreak'>
+<span class='l14 lspa'>CONTENTS</span>
+</h2></div>
+<table class='center fontp9 two_space margetb'>
+<tr>
+<td class="al pr"></td>
+<td class="ar pl"><span class='fontp9'>PAGE</span></td>
+</tr>
+<tr>
+<td class="al pr">INTRODUCTION</td>
+<td class="ar pl"><a href='#page-11'>11</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>MUNICIPAL</span></td>
+</tr>
+<tr>
+<td class="al pr">THE FOUNDATION-STONE</td>
+<td class="ar pl"><a href='#page-19'>19</a></td>
+</tr>
+<tr>
+<td class="al pr">A RECEPTION AND AN OUTING</td>
+<td class="ar pl"><a href='#page-20'>20</a></td>
+</tr>
+<tr>
+<td class="al pr">THE JUBILEE BALL</td>
+<td class="ar pl"><a href='#page-23'>23</a></td>
+</tr>
+<tr>
+<td class="al pr">THE MUNICIPAL BUILDINGS</td>
+<td class="ar pl"><a href='#page-24'>24</a></td>
+</tr>
+<tr>
+<td class="al pr">OPENING OF THE EXHIBITION</td>
+<td class="ar pl"><a href='#page-27'>27</a></td>
+</tr>
+<tr>
+<td class="al pr">QUEEN VICTORIA AT THE EXHIBITION</td>
+<td class="ar pl"><a href='#page-28'>28</a></td>
+</tr>
+<tr>
+<td class="al pr">THE SHAH OF PERSIA</td>
+<td class="ar pl"><a href='#page-31'>31</a></td>
+</tr>
+<tr>
+<td class="al pr">FIRST COUNCIL MEETING IN THE NEW CHAMBERS</td>
+<td class="ar pl"><a href='#page-32'>32</a></td>
+</tr>
+<tr>
+<td class="al pr">A CITY BALL</td>
+<td class="ar pl"><a href='#page-35'>35</a></td>
+</tr>
+<tr>
+<td class="al pr">SHUNA</td>
+<td class="ar pl"><a href='#page-36'>36</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>THE UNIVERSITY</span></td>
+</tr>
+<tr>
+<td class="al pr">JOHN BRIGHT, LORD RECTOR</td>
+<td class="ar pl"><a href='#page-39'>39</a></td>
+</tr>
+<tr>
+<td class="al pr">THE BUTE HALL</td>
+<td class="ar pl"><a href='#page-40'>40</a></td>
+</tr>
+<tr>
+<td class="al pr">EDMUND LUSHINGTON, LORD RECTOR</td>
+<td class="ar pl"><a href='#page-43'>43</a></td>
+</tr>
+<tr>
+<td class="al pr">THE EARL OF LYTTON, LORD RECTOR</td>
+<td class="ar pl"><a href='#ii_004'><i>Frontispiece</i></a></td>
+</tr>
+<tr>
+<td class="al pr">A RECTORIAL ELECTION</td>
+<td class="ar pl"><a href='#page-44'>44</a></td>
+</tr>
+<tr>
+<td class="al pr">BAZAAR IN THE UNIVERSITY</td>
+<td class="ar pl"><a href='#page-47'>47</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>INSTITUTIONS</span></td>
+</tr>
+<tr>
+<td class="al pr">THE ROYAL EXCHANGE</td>
+<td class="ar pl"><a href='#page-48'>48</a></td>
+</tr>
+<tr>
+<td class="al pr">THE CORN EXCHANGE</td>
+<td class="ar pl"><a href='#page-51'>51</a></td>
+</tr>
+<tr>
+<td class="al pr"><span id='page-6' class='pagenum'>6</span>AT THE CIRCUIT COURT</td>
+<td class="ar pl"><a href='#page-52'>52</a></td>
+</tr>
+<tr>
+<td class="al pr">THE MITCHELL LIBRARY</td>
+<td class="ar pl"><a href='#page-55'>55</a></td>
+</tr>
+<tr>
+<td class="al pr">GLASGOW GREEN</td>
+<td class="ar pl"><a href='#page-56'>56</a></td>
+</tr>
+<tr>
+<td class="al pr">THE BOTANIC GARDENS</td>
+<td class="ar pl"><a href='#page-59'>59</a></td>
+</tr>
+<tr>
+<td class="al pr">GLASGOW PARLIAMENTARY ASSOCIATION</td>
+<td class="ar pl"><a href='#page-60'>60</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>POLITICAL AND OTHER VISITORS</span></td>
+</tr>
+<tr>
+<td class="al pr">THE CROFTERS’ COMMISSION</td>
+<td class="ar pl"><a href='#page-63'>63</a></td>
+</tr>
+<tr>
+<td class="al pr">THE MARQUESS OF SALISBURY</td>
+<td class="ar pl"><a href='#page-64'>64</a></td>
+</tr>
+<tr>
+<td class="al pr">MR. JOSEPH CHAMBERLAIN</td>
+<td class="ar pl"><a href='#page-67'>67</a></td>
+</tr>
+<tr>
+<td class="al pr">LORD GEORGE HAMILTON</td>
+<td class="ar pl"><a href='#page-68'>68</a></td>
+</tr>
+<tr>
+<td class="al pr">A LIBERAL MEETING</td>
+<td class="ar pl"><a href='#page-71'>71</a></td>
+</tr>
+<tr>
+<td class="al pr">WILLIAM EWART GLADSTONE</td>
+<td class="ar pl"><a href='#page-72'>72</a></td>
+</tr>
+<tr>
+<td class="al pr">MR. GLADSTONE IN GLASGOW</td>
+<td class="ar pl"><a href='#page-75'>75</a></td>
+</tr>
+<tr>
+<td class="al pr">LORD HARTINGTON</td>
+<td class="ar pl"><a href='#page-76'>76</a></td>
+</tr>
+<tr>
+<td class="al pr">THE EARL OF ABERDEEN</td>
+<td class="ar pl"><a href='#page-79'>79</a></td>
+</tr>
+<tr>
+<td class="al pr">INTERESTING STRANGERS&#8288;—VARIED</td>
+<td class="ar pl"><a href='#page-80'>80</a></td>
+</tr>
+<tr>
+<td class="al pr">HENRY WARD BEECHER</td>
+<td class="ar pl"><a href='#page-83'>83</a></td>
+</tr>
+<tr>
+<td class="al pr">GLASGOW JURIDICAL SOCIETY</td>
+<td class="ar pl"><a href='#page-84'>84</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>ARTISTIC</span></td>
+</tr>
+<tr>
+<td class="al pr">INSTITUTE OF THE FINE ARTS</td>
+<td class="ar pl"><a href='#page-87'>87</a></td>
+</tr>
+<tr>
+<td class="al pr">PEOPLE AT THE PICTURES</td>
+<td class="ar pl"><a href='#page-88'>88</a></td>
+</tr>
+<tr>
+<td class="al pr">ARTISTS AND THEIR FRIENDS</td>
+<td class="ar pl"><a href='#page-91'>91</a></td>
+</tr>
+<tr>
+<td class="al pr">AT BUCKINGHAM PALACE</td>
+<td class="ar pl"><a href='#page-92'>92</a></td>
+</tr>
+<tr>
+<td class="al pr">THE FINE ART INSTITUTE AGAIN</td>
+<td class="ar pl"><a href='#page-95'>95</a></td>
+</tr>
+<tr>
+<td class="al pr">ART CLUB COSTUME BALL</td>
+<td class="ar pl"><a href='#page-96'>96</a></td>
+</tr>
+<tr>
+<td class="al pr">TABLEAUX IN REHEARSAL</td>
+<td class="ar pl"><a href='#page-99'>99</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>MUSICAL AND DRAMATIC</span></td>
+</tr>
+<tr>
+<td class="al pr">A BERLIOZ CONCERT</td>
+<td class="ar pl"><a href='#page-100'>100</a></td>
+</tr>
+<tr>
+<td class="al pr">A MACKENZIE ORATORIO</td>
+<td class="ar pl"><a href='#page-103'>103</a></td>
+</tr>
+<tr>
+<td class="al pr">THE MANNS SEASON</td>
+<td class="ar pl"><a href='#page-104'>104</a></td>
+</tr>
+<tr>
+<td class="al pr"><span id='page-7' class='pagenum'>7</span>MUSICIANS</td>
+<td class="ar pl"><a href='#page-107'>107</a></td>
+</tr>
+<tr>
+<td class="al pr">DRAMATIC AMATEURS OF THE <span class="small-caps">5th</span> L.R.V.</td>
+<td class="ar pl"><a href='#page-108'>108</a></td>
+</tr>
+<tr>
+<td class="al pr">DRAMATIC AMATEURS OF THE <span class="small-caps">1st</span> L.R.V.</td>
+<td class="ar pl"><a href='#page-111'>111</a></td>
+</tr>
+<tr>
+<td class="al pr">DRAMATIC AMATEURS OF THE <span class="small-caps">1st</span> L.R.V. AGAIN</td>
+<td class="ar pl"><a href='#page-112'>112</a></td>
+</tr>
+<tr>
+<td class="al pr">THE PHILOMEL CLUB</td>
+<td class="ar pl"><a href='#page-115'>115</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>VOLUNTEERS</span></td>
+</tr>
+<tr>
+<td class="al pr">A VOLUNTEER BAZAAR</td>
+<td class="ar pl"><a href='#page-116'>116</a></td>
+</tr>
+<tr>
+<td class="al pr">A GATHERING OF THE <span class="small-caps">1st</span> L.R.V.</td>
+<td class="ar pl"><a href='#page-119'>119</a></td>
+</tr>
+<tr>
+<td class="al pr">WEST OF SCOTLAND RIFLE ASSOCIATION</td>
+<td class="ar pl"><a href='#page-120'>120</a></td>
+</tr>
+<tr>
+<td class="al pr">A BOYS’ BRIGADE INSPECTION</td>
+<td class="ar pl"><a href='#page-123'>123</a></td>
+</tr>
+<tr>
+<td class="al pr">A REGIMENTAL SOIRÉE</td>
+<td class="ar pl"><a href='#page-124'>124</a></td>
+</tr>
+<tr>
+<td class="al pr">ON BOARD THE <i>DRAKE</i></td>
+<td class="ar pl"><a href='#page-127'>127</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>SPORTS</span></td>
+</tr>
+<tr>
+<td class="al pr">WEST OF SCOTLAND SPORTS</td>
+<td class="ar pl"><a href='#page-128'>128</a></td>
+</tr>
+<tr>
+<td class="al pr">FOOTBALL</td>
+<td class="ar pl"><a href='#page-131'>131</a></td>
+</tr>
+<tr>
+<td class="al pr">HIGHLAND SPORTS</td>
+<td class="ar pl"><a href='#page-132'>132</a></td>
+</tr>
+<tr>
+<td class="al pr">CRICKET</td>
+<td class="ar pl"><a href='#page-135'>135</a></td>
+</tr>
+<tr>
+<td class="al pr">WESTERN BATHS</td>
+<td class="ar pl"><a href='#page-136'>136</a></td>
+</tr>
+<tr>
+<td class="al pr">WELLCROFT BOWLING-GREEN</td>
+<td class="ar pl"><a href='#page-139'>139</a></td>
+</tr>
+<tr>
+<td class="al pr">POLICE SPORTS</td>
+<td class="ar pl"><a href='#page-140'>140</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>SOCIAL EVENTS</span></td>
+</tr>
+<tr>
+<td class="al pr">FRIENDLY SOCIETIES’ DEMONSTRATION</td>
+<td class="ar pl"><a href='#page-143'>143</a></td>
+</tr>
+<tr>
+<td class="al pr">A PATRIOTIC DINNER</td>
+<td class="ar pl"><a href='#page-144'>144</a></td>
+</tr>
+<tr>
+<td class="al pr">A COUNTY ASSOCIATION SOIRÉE</td>
+<td class="ar pl"><a href='#page-147'>147</a></td>
+</tr>
+<tr>
+<td class="al pr">A COUNTY SOCIETY DINNER</td>
+<td class="ar pl"><a href='#page-148'>148</a></td>
+</tr>
+<tr>
+<td class="al pr">AN ENGINEER’S ANNIVERSARY</td>
+<td class="ar pl"><a href='#page-151'>151</a></td>
+</tr>
+<tr>
+<td class="al pr">AN INDUSTRIAL EXHIBITION</td>
+<td class="ar pl"><a href='#page-152'>152</a></td>
+</tr>
+<tr>
+<td class="al pr">THE ATHENÆUM HOUSE-WARMING</td>
+<td class="ar pl"><a href='#page-155'>155</a></td>
+</tr>
+<tr>
+<td class="al pr">THE ELDER PARK, GOVAN</td>
+<td class="ar pl"><a href='#page-156'>156</a></td>
+</tr>
+<tr>
+<td class="al pr">EAST-END EXHIBITION</td>
+<td class="ar pl"><a href='#page-159'>159</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span id='page-8' class='pagenum'>8</span><span class='large'>THE RIVER AND THE FIRTH</span></td>
+</tr>
+<tr>
+<td class="al pr">A LAUNCH FROM NAPIER’S YARD</td>
+<td class="ar pl"><a href='#page-160'>160</a></td>
+</tr>
+<tr>
+<td class="al pr">THE CHANNEL FLEET</td>
+<td class="ar pl"><a href='#page-163'>163</a></td>
+</tr>
+<tr>
+<td class="al pr">AN OCEAN LINER</td>
+<td class="ar pl"><a href='#page-164'>164</a></td>
+</tr>
+<tr>
+<td class="al pr">THE COASTING SEASON</td>
+<td class="ar pl"><a href='#page-167'>167</a></td>
+</tr>
+<tr>
+<td class="al pr">HOW TO GO TO THE COAST</td>
+<td class="ar pl"><a href='#page-168'>168</a></td>
+</tr>
+<tr>
+<td class="al pr">IN ARRAN</td>
+<td class="ar pl"><a href='#page-171'>171</a></td>
+</tr>
+<tr>
+<td class="al pr">AGAIN IN ARRAN</td>
+<td class="ar pl"><a href='#page-172'>172</a></td>
+</tr>
+<tr>
+<td class="al pr">SEASIDE BITS</td>
+<td class="ar pl"><a href='#page-175'>175</a></td>
+</tr>
+<tr>
+<td class="al pr">A YACHTING CRUISE</td>
+<td class="ar pl"><a href='#page-176'>176</a></td>
+</tr>
+<tr>
+<td class="al pr">CORINTHIAN YACHTING</td>
+<td class="ar pl"><a href='#page-179'>179</a></td>
+</tr>
+<tr>
+<td class="al pr">ANOTHER YACHTING EXPERIENCE</td>
+<td class="ar pl"><a href='#page-180'>180</a></td>
+</tr>
+<tr>
+<td class="al pr">THE <i>COLUMBA</i></td>
+<td class="ar pl"><a href='#page-183'>183</a></td>
+</tr>
+<tr>
+<td class="al pr">FAIR DEALING</td>
+<td class="ar pl"><a href='#page-184'>184</a></td>
+</tr>
+<tr>
+<td colspan=2 class="ac pu pb"><span class='large'>TOWN AND COUNTRY CHARACTER-SKETCHES</span></td>
+</tr>
+<tr>
+<td class="al pr">SOME FELLOW-TRAVELLERS</td>
+<td class="ar pl"><a href='#page-187'>187</a></td>
+</tr>
+<tr>
+<td class="al pr">TRAMS EAST AND WEST</td>
+<td class="ar pl"><a href='#page-188'>188</a></td>
+</tr>
+<tr>
+<td class="al pr">THE FLITTING TERM</td>
+<td class="ar pl"><a href='#page-191'>191</a></td>
+</tr>
+<tr>
+<td class="al pr">A DOMESTIC EXPERIENCE</td>
+<td class="ar pl"><a href='#page-192'>192</a></td>
+</tr>
+<tr>
+<td class="al pr">A COMMERCIAL TRANSACTION</td>
+<td class="ar pl"><a href='#page-195'>195</a></td>
+</tr>
+<tr>
+<td class="al pr">SAFETY ASSURED</td>
+<td class="ar pl"><a href='#page-196'>196</a></td>
+</tr>
+<tr>
+<td class="al pr">BEARING WITH THE INFIRMITIES OF A FRIEND</td>
+<td class="ar pl"><a href='#si_198b'>196</a></td>
+</tr>
+<tr>
+<td class="al pr">THE PARSON OF THE PERIOD</td>
+<td class="ar pl"><a href='#page-199'>199</a></td>
+</tr>
+<tr>
+<td class="al pr">SPIRITUAL APATHY</td>
+<td class="ar pl"><a href='#si_201b'>199</a></td>
+</tr>
+<tr>
+<td class="al pr">EMULATION</td>
+<td class="ar pl"><a href='#page-200'>200</a></td>
+</tr>
+<tr>
+<td class="al pr">A BONE OF CONTENTION</td>
+<td class="ar pl"><a href='#si_202b'>200</a></td>
+</tr>
+<tr>
+<td class="al pr">NATURE’S SIMPLICITY</td>
+<td class="ar pl"><a href='#page-203'>203</a></td>
+</tr>
+<tr>
+<td class="al pr">ANOTHER OF THE SAME</td>
+<td class="ar pl"><a href='#si_205b'>203</a></td>
+</tr>
+<tr>
+<td class="al pr">GIVE A DOG A BAD NAME</td>
+<td class="ar pl"><a href='#page-204'>204</a></td>
+</tr>
+<tr>
+<td class="al pr">WHAT IT’S COMING TO</td>
+<td class="ar pl"><a href='#si_206b'>204</a></td>
+</tr>
+<tr>
+<td class="al pr">THE REASON OF IT</td>
+<td class="ar pl"><a href='#page-207'>207</a></td>
+</tr>
+<tr>
+<td class="al pr"><span id='page-9' class='pagenum'>9</span>AN ART EXTRA</td>
+<td class="ar pl"><a href='#si_209b'>207</a></td>
+</tr>
+<tr>
+<td class="al pr">GUID GEAR</td>
+<td class="ar pl"><a href='#page-208'>208</a></td>
+</tr>
+<tr>
+<td class="al pr">WHAT IT IS TO BE A LORD</td>
+<td class="ar pl"><a href='#si_210b'>208</a></td>
+</tr>
+<tr>
+<td class="al pr">NOT A LIKELY CUSTOMER</td>
+<td class="ar pl"><a href='#page-211'>211</a></td>
+</tr>
+<tr>
+<td class="al pr">JEER, BOYS, JEER</td>
+<td class="ar pl"><a href='#si_213b'>211</a></td>
+</tr>
+<tr>
+<td class="al pr">REGULAR DEAD-HEADS</td>
+<td class="ar pl"><a href='#page-212'>212</a></td>
+</tr>
+<tr>
+<td class="al pr">PRIDE OF STATION</td>
+<td class="ar pl"><a href='#si_214b'>212</a></td>
+</tr>
+<tr>
+<td class="al pr">SYMPATHY</td>
+<td class="ar pl"><a href='#page-215'>215</a></td>
+</tr>
+<tr>
+<td class="al pr">A CITY IDYLL</td>
+<td class="ar pl"><a href='#si_217b'>215</a></td>
+</tr>
+<tr>
+<td class="al pr">OUR BOYS</td>
+<td class="ar pl"><a href='#page-216'>216</a></td>
+</tr>
+<tr>
+<td class="al pr">A SEASONABLE THREAT</td>
+<td class="ar pl"><a href='#si_218b'>216</a></td>
+</tr>
+<tr>
+<td class="al pr">BEARING A BOOL</td>
+<td class="ar pl"><a href='#page-219'>219</a></td>
+</tr>
+<tr>
+<td class="al pr">SAIR FASHED</td>
+<td class="ar pl"><a href='#si_221b'>219</a></td>
+</tr>
+<tr>
+<td class="al pr">HE KNEW SHE WAS RIGHT</td>
+<td class="ar pl"><a href='#page-220'>220</a></td>
+</tr>
+<tr>
+<td class="al pr">THE SOFT ANSWER</td>
+<td class="ar pl"><a href='#si_222b'>220</a></td>
+</tr>
+<tr>
+<td class="al pr">KIND INDEED</td>
+<td class="ar pl"><a href='#page-223'>223</a></td>
+</tr>
+<tr>
+<td class="al pr">ALMOST TOO FASHIONABLE</td>
+<td class="ar pl"><a href='#si_225b'>223</a></td>
+</tr>
+<tr>
+<td class="al pr">THE RISING GENERATION</td>
+<td class="ar pl"><a href='#page-224'>224</a></td>
+</tr>
+<tr>
+<td class="al pr">PARADISE LOST</td>
+<td class="ar pl"><a href='#si_226b'>224</a></td>
+</tr>
+<tr>
+<td class="al pr">A BAD RECOVERY</td>
+<td class="ar pl"><a href='#page-227'>227</a></td>
+</tr>
+<tr>
+<td class="al pr">THE MAN OF FEELING</td>
+<td class="ar pl"><a href='#si_229b'>227</a></td>
+</tr>
+<tr>
+<td class="al pr">A RIGHT TO A CHARACTER</td>
+<td class="ar pl"><a href='#page-228'>228</a></td>
+</tr>
+<tr>
+<td class="al pr">A PROVISIONAL ORDER</td>
+<td class="ar pl"><a href='#si_230b'>228</a></td>
+</tr>
+<tr>
+<td class="al pr">INTERFERENCE WITH FAMILY PRIVILEGE</td>
+<td class="ar pl"><a href='#page-231'>231</a></td>
+</tr>
+<tr>
+<td class="al pr">HALLOWE’EN RIVALS</td>
+<td class="ar pl"><a href='#si_233b'>231</a></td>
+</tr>
+<tr>
+<td class="al pr">A DISPUTE IN THE FIRM</td>
+<td class="ar pl"><a href='#page-232'>232</a></td>
+</tr>
+<tr>
+<td class="al pr">DIGNITY OFFENDED</td>
+<td class="ar pl"><a href='#si_234b'>232</a></td>
+</tr>
+<tr>
+<td class="al pr">BEFORE THE BALL</td>
+<td class="ar pl"><a href='#page-235'>235</a></td>
+</tr>
+<tr>
+<td class="al pr">ETIQUETTE AT THE RIVETERS’ RE-UNION</td>
+<td class="ar pl"><a href='#si_237b'>235</a></td>
+</tr>
+<tr>
+<td class="al pr">REAL BENEFACTORS</td>
+<td class="ar pl"><a href='#page-236'>236</a></td>
+</tr>
+<tr>
+<td class="al pr">THE LOAVES AND THE FISHES</td>
+<td class="ar pl"><a href='#si_238b'>236</a></td>
+</tr>
+<tr>
+<td class="al pr">SIGNS OF THE FESTIVE SEASON</td>
+<td class="ar pl"><a href='#page-239'>239</a></td>
+</tr>
+<tr>
+<td class="al pr">MORE SIGNS OF THE FESTIVE SEASON</td>
+<td class="ar pl"><a href='#page-240'>240</a></td>
+</tr>
+<tr>
+<td class="al pr">RANDOM QUOTATIONS</td>
+<td class="ar pl"><a href='#page-243'>243</a></td>
+</tr>
+</table>
+<div class="chapter"><span id='page-11' class='pagenum'>11</span>
+<h2 class='nobreak'>
+<span class='l14 lspa'>INTRODUCTION</span>
+</h2></div>
+<div class='wl'>
+<p class='noindent two_space'>
+HERE is a book about Glasgow; not the Glasgow known to
+our young friends in their teens, or remembered by those in
+their early twenties, but the Glasgow familiar to their fathers
+and mothers when <em>they</em> were in their teens and early twenties.
+That was away back in the ’eighties, before the days of electric
+light in the streets, electric cars, an intricate internal railway
+system, the new art galleries, and all the other improvements
+of which I&#8288;—a stranger almost in Glasgow now&#8288;—am only dimly
+cognisant. We considered Glasgow in those days, as many
+thousands do now, to be a very good place to live in. We had
+some rather jolly times. We took an easy and good-humoured
+view of things in general; and if the pages of this book convey
+any other impression, then they fail in their purpose. The
+two weekly papers in which the sketches originally appeared
+tried to minister to this easy-going good humour.</p>
+<p>
+One of these papers is dead; let us speak of it respectfully.
+The other was its senior, and is its survivor; let us speak even
+more respectfully of it&#8288;—the <i>Bailie</i>, which, dating from 1872,
+has for over a generation been one of the recognised institutions
+of Glasgow. It is, and has always been, essentially a local
+journal. Though every now and then portraits of personages
+who are prominent outside Glasgow circles have appeared in its
+pages, it is Glasgow alone that forms the <i>Bailie’s</i> chief concern.
+<span id='page-12' class='pagenum'>12</span>As the experience of three and thirty years has shown, the life
+of Glasgow&#8288;—municipal, political, social, artistic&#8288;—abounds in
+ample material for criticism and comment, humorous or otherwise.
+All sorts and conditions of Glasgow folk have, I am
+told, contributed to the <i>Bailie</i>&#8288;—Doctors of Divinity, Doctors of
+Laws, Doctors of Medicine, Members of Parliament, Bailies
+and Lord Provosts, among others&#8288;—but the anonymity of the
+contributors has always been preserved, and to that anonymity
+may be ascribed some portion at least of the paper’s success.
+The one individuality that has become known to the citizens
+in connection with the <i>Bailie</i>, and whose name I may therefore
+be permitted to mention, is that of John D. Gray,
+who has occupied the position of manager from its origin to
+the present time. The <i>Bailie</i> at its beginning had practically
+the same modest aspect that it has at present. It had fewer
+pages, and beyond the cartoon portrait of Lord Provost James
+Watson, it had no attempt at illustration. Of the more fully
+illustrated papers of the kind that had been tried in Glasgow,
+<i>Quiz</i> was the only one that had anything like success. It
+published its first number in March 1881, and it lasted, through
+several changes of proprietorship, for about twenty years. Its
+first editor was William Robertson; its dramatic critic John
+Reid; its business manager Arnot Reid. These three friends
+did the greater part of the writing, both in prose and verse,
+in the earlier years. The design on the cover was by Martin
+Anderson, afterwards widely known as “Cynicus,” who contributed
+many of his quaint conceits to the paper, a later
+artist contributor being Harrington Mann. The great proportion
+of sketches fell to the lot of “Twym,” and it is from these
+that most of the present selection has been made.
+</p>
+<p>
+William Robertson, after a lingering illness that lasted
+<span id='page-13' class='pagenum'>13</span>for more than five years, died at his mother’s home in Alva
+on the 24th December 1889; and Arnot Reid, whose connection
+with <i>Quiz</i> ceased when he went to London&#8288;—and onwards
+to Singapore, where he edited the <i>Straits Times</i>&#8288;—is
+buried at Tonbridge in Kent, where he died on the 21st July 1901.
+</p>
+<p>
+As in the case of the <i>Bailie</i>, the writers in <i>Quiz</i> were
+anonymous. The columns of gossip and criticism were signed,
+but only by pen-names that did not reveal the identity of the
+authors. There is no need now for withholding names. I
+have already mentioned John Reid, who was an untiring contributor.
+His “Chronicle of Small Beer” did not appear in
+<i>Quiz</i>, however, and indeed was not written till some time after
+he had stopped writing for the paper. Another writer was James
+Nicol Dunn, lately editor of the <i>Morning Post</i>, and now of the
+<i>Manchester Courier</i>; while contributions (chiefly poetical) from
+John Davidson, the late Dr. James H. Stoddart, and Sheriff
+Spens have also appeared in <i>Quiz</i>. I am speaking, of course,
+only of the first seven years or so, all I can speak of, in the
+career of <i>Quiz</i>. That some of the contents of the paper were
+of more than passing interest may be conceded, as several reprints
+have been made from its pages. We remember the
+“Martha Spreull” of Henry Johnston, the “Law Lyrics”
+of Robert Bird, and the “Sweet Briar” of James Strang, while
+the dainty “Wayside Vignettes” of William Canton are, most
+of them, to be found in his subsequently published volumes
+of poetry. The drawings of “Cynicus” also have been republished
+in various forms, and two albums of “Twym’s”
+sketches have been issued, 1882 and 1883.
+</p>
+<p>
+The identity of “Twym” was never much of a secret, I
+daresay. I used to be asked frequently what my pseudonym
+meant. If there are still any friends curious on the point, it
+<span id='page-14' class='pagenum'>14</span>may interest them to know that the word was only an arbitrary
+combination of letters, and had no meaning whatever.
+</p>
+<p>
+My last contribution to <i>Quiz</i>&#8288;—the Prince and Princess of
+Wales at the Exhibition&#8288;—appears in this volume, as does my
+first contribution to the <i>Bailie</i>, Lord Lytton at the University.
+One drawing has not appeared in either of these papers. The
+sketches I made when the Queen visited the exhibition were
+for the <i>Graphic</i>, and I have had permission to make use of
+the drawing done at the time from my sketches in making a new
+page for this book.
+</p>
+<p>
+It would not have occurred to me to drag these sketches
+from the obscurity of the past, were it not that an undoubted
+authority informed me, in a moment of confidence, that a book of
+this kind would be an unquestioned benefit to the men and
+women of Glasgow and to the strangers within their gates. He,
+in short, commanded their re-publication. And so the original
+proofs were looked out and selected. They were also carefully
+revised, a line being strengthened or added here, a line being
+lessened or eliminated there, and new blocks were made on a
+slightly reduced scale for the purposes of this volume.
+</p>
+<p>
+When I look over the faces and figures herein revived, and
+when I consider how many of those they are meant to represent
+have passed away for ever, the collection seems a trifle antiquated;
+but when I remember that many of the personages are
+still living and working, in Glasgow or in other parts of the world,
+some in the enjoyment of higher place and power and title, I
+am disposed to think the subjects quite modern, up-to-date,
+and possessed of sufficient interest to warrant their resuscitation.
+</p>
+<p>
+For the notes that accompany the sketches, I had thoughts
+of beseeching the aid of one or other of my Glasgow literary
+friends&#8288;—my old comrade of <i>Quiz</i>, John Reid, perhaps, or Henry
+<span id='page-15' class='pagenum'>15</span>Johnston, or George Eyre-Todd, or J. J. Bell, or Neil Munro&#8288;—or
+of my wife; but if any of these sparkling pens had come into
+play, where would my sketches have been beside their erudite
+romantic humour? As this book was meant more to be looked
+at than to be read, I thought that those who cared to inspect the
+drawings would not object to have a plain word or two from the
+man who made them, instead of something more brilliant from a
+real literary person.
+</p>
+<p>
+It is as something of a veteran that I speak in these
+notes, but I trust I am not too garrulous or egotistical. The
+notes are not meant to contain much information, but such
+as they do contain is, to the best of my knowledge, to be
+depended on.
+</p>
+<p>
+And now begins the little reminiscent show and the running
+commentary by the showman.
+</p>
+<p class='sig'>
+A. S. B.</p>
+<p>
+<span class="small-caps">London</span>, <i>November 1905</i>.
+</p>
+</div>
+<div class="chapter"><span id='page-17' class='pagenum'>17</span>
+<h2 class='nobreak'>
+<span class='l14 lspa'>GLASGOW MEN AND WOMEN</span>
+</h2></div>
+<h3>
+<span id='page-19' class='pagenum'>19</span>THE FOUNDATION-STONE</h3>
+<div class='wl'>
+<p class='noindent'>
+LET us begin with matters municipal and with a notable event. On the
+6th of October, 1883, the foundation-stone of the new Municipal Buildings
+in George Square was laid. There had been a good deal of excitement and
+much preparation, for although Glasgow was making a purely domestic
+thing of it, a sort of family party, and was to be independent of Royalty or
+of any other distinguished person from the outside, there was to be a
+considerable spectacle, a procession of the trades with banners and all kinds
+of music. There were triumphal arches and other signs of gorgeousness in
+the Square. A great area was given up to grand stands and platforms for the
+accommodation of the innumerable people who wanted to see the deed done.
+The man who did the deed was one esteemed worthy the honour of doing
+it, Lord Provost John Ure, who was going out of office in a few weeks
+time. There is a back view of the Lord Provost here in the robes that were,
+if I mistake not, a new adjunct to the dignity of the Glasgow magistrates.
+But you will notice that when the real business of the day had to be undertaken,
+the Lord Provost doffed his robes and went to his work in a workmanlike
+manner.</p>
+<p>
+Everybody was pleased, everybody was proud, and as many as the City
+Hall could hold dined there in the evening and drank success to the
+building that would grow over the stone declared to be well and truly
+laid.
+</p>
+</div>
+<figure id='ii_021' class="max100" style='width: 70em;'>
+<a href='#ti_021'><img src="images/i_021.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-20' class='pagenum'>20</span>A RECEPTION AND AN OUTING</h3>
+<div class='wl'>
+<p class='noindent'>
+IT fell to Lord Provost William McOnie, appropriately enough, to
+entertain the members of the Iron and Steel Institute when, in September
+1885, they held their conference in Glasgow under the presidency
+of Dr. John Percy. The reception was in the Corporation Galleries,
+where indeed the meetings of the Conference had been held. It was said
+that the pictures were in no way the worse by contact with the Conference,
+but how could Art suffer if Iron and Steel were happy?</p>
+</div>
+<figure id='ii_022a' class="max100" style='width: 36em;'>
+<a href='#ti_022a'><img src="images/i_022a.jpg" class="w100 v_align_b" alt=""></a></figure>
+<div class='wl'>
+<p>
+And here we have iron and steel, in the form of the steamer <i>Scotia</i>,
+doing their best to make things comfortable for the Weavers’ Society
+of Anderston, one of those ancient organisations that form an essential
+part of the constitution of Glasgow. The annual outing seems to be early
+in the year. It is only the end of April, but the weather is a foretaste
+of summer, the destination of the party Lamlash, and the Deacon of the
+year Mr. Archibald Stewart.
+</p>
+</div>
+<figure id='ii_022b' class="max100" style='width: 35em;'>
+<a href='#ti_022b'><img src="images/i_022b.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-23' class='pagenum'>23</span>THE JUBILEE BALL</h3>
+<div class='wl'>
+<p class='noindent'>
+THE next municipal event herein recorded falls on the 16th of June, 1887,
+on which date Glasgow celebrated the Jubilee of Queen Victoria. Lord
+Provost McOnie had given place to Lord Provost James King, by this
+time a Jubilee Knight, and Sir James presided over the local celebrations.
+There was a Volunteer review on the Green during the day,
+which was a hot one, and in the evening a ball given in St. Andrew’s
+Halls. That this was a festive gathering is perhaps sufficiently indicated
+in the sketches; that it was loyal may be taken for granted.</p>
+</div>
+<figure id='ii_025' class="max100" style='width: 70em;'>
+<a href='#ti_025'><img src="images/i_025.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-24' class='pagenum'>24</span>THE MUNICIPAL BUILDINGS</h3>
+<div class='wl'>
+<p class='noindent'>
+A MYTHICAL being, supposed to be the Special Commissioner of the
+<i>Bailie</i>, is here represented as inspecting the interior of the magnificent
+new buildings, reared from the designs of Mr. William Young, and at
+that time being carried well on towards the finishing touches.</p>
+</div>
+<figure id='ii_026' class="max100" style='width: 70em;'>
+<a href='#ti_026'><img src="images/i_026.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-27' class='pagenum'>27</span>OPENING OF THE EXHIBITION</h3>
+<div class='wl'>
+<p class='noindent'>
+THE International Exhibition of 1888 was a large item in that part of
+Glasgow history with which we have to deal. We deal with the exhibition
+on its two great occasions only, the first being the opening ceremony
+by the then Prince and Princess of Wales, who brought a glorious
+day with them for the purpose.</p>
+<p>
+The day was the sixth of May. The Grand Hall of the Exhibition
+was crowded for hours before the advent of the Royal party. As there
+was music enough to listen to, and much to look at in the individuals
+composing the crowd, nobody felt the time hang heavy. After the Prince
+and Princess came and had taken up their position on the daïs, the formal
+opening of the Exhibition did not take long. Dr. Donald Macleod
+delivered the prayer; Sir Archibald Campbell read the Address; Sir
+James King presented to the Princess the Album containing water-colour
+sketches given by members of the Glasgow Art Club; Dr. A. C. Mackenzie
+conducted his “New Covenant,” and the Prince of Wales in a short
+speech declared the Exhibition open.
+</p>
+</div>
+<figure id='ii_029' class="max100" style='width: 104em;'>
+<a href='#ti_029'><img src="images/i_029.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-28' class='pagenum'>28</span>QUEEN VICTORIA AT THE EXHIBITION</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Exhibition had been a success beyond all expectations, and its
+crowning glory was the visit of the Queen. Her Majesty paid two visits;
+one, in State, on the 22nd of August, and another privately on the 24th.
+Accompanying the Queen were the Princess Beatrice and Prince Henry of
+Battenberg, the Grand Duke of Hesse and his son the Hereditary Grand
+Duke, besides his daughter the sweet-faced Princess Alix, who is now
+Empress of Russia. Her Majesty had not been in Glasgow since 1849,
+and comparatively few of those who saw her then can have turned out to
+see her nine-and-thirty years after. Few or many however, I have no
+doubt they were as enthusiastic in their welcome to the venerable Queen as
+they had been to her in their younger days, and as their younger fellow
+citizens were on these fine days of August ’88. The Queen was the guest
+of Sir Archibald and Lady Campbell at Blythswood, and besides going to
+the Exhibition, the Queen visited the Municipal Buildings and Queen
+Margaret College; Paisley also coming in for a share of the royal
+attention.</p>
+<p>
+Among those who were presented to the Queen at the Exhibition was
+the architect of the Buildings, Mr. James Sellars. His lamented death
+occurred in October, before the close of the great show he had done so
+much to make memorable.
+</p>
+<p>
+Mr. John Lavery was commissioned by the Executive to paint an
+important picture of the Queen in the Exhibition, and his work now hangs
+in the permanent collection at Kelvingrove.
+</p>
+</div>
+<figure id='ii_030' class="max100" style='width: 70em;'>
+<a href='#ti_030'><img src="images/i_030.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-31' class='pagenum'>31</span>THE SHAH OF PERSIA</h3>
+<div class='wl'>
+<p class='noindent'>
+NASR-ED-DIN, afterwards assassinated in the streets of his own capital,
+was what is called an “enlightened monarch,” and he wrote a book about
+his Western travels. At the time he visited Glasgow he was the guest of
+the Duke of Montrose. In the City he was taken first to the Council
+Chamber, where an exchange of compliments took place between His
+Oriental Majesty and the Lord Provost. After that he was conveyed to
+the Corporation Galleries, where a large party sat down with him to lunch.
+Prince Malcom Khan acted as interpreter of the formal speeches, but as
+for the conversation at lunch, so far as I remember noticing, there was
+nothing very animated. It is just possible that Sir James King had
+learned the Persian for “good,” “bad,” and “middling,” pronouncing these
+words emphatically or interrogatively to his guests on either hand as the
+various dishes came round. Even a Lord Provost can’t get up an entire
+Oriental language for only one occasion, but three words properly applied
+go a long way in making one’s self agreeable to an Asiatic Monarch.</p>
+</div>
+<figure id='ii_033' class="max100" style='width: 70em;'>
+<a href='#ti_033'><img src="images/i_033.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-32' class='pagenum'>32</span>FIRST COUNCIL MEETING IN THE NEW CHAMBERS</h3>
+<div class='wl'>
+<p class='noindent'>
+IN September 1888, when Queen Victoria had an Address presented to
+her in the courtyard of the new buildings, Her Majesty’s reply concluded
+with these words, “I gladly inaugurate these noble Municipal Buildings,
+which are worthy of the ancient renown and modern prosperity of your
+great city.” It was not for more than a year afterwards that this first
+Council meeting was held under the palatial roof. Sir James King, we
+see, is still Chief Magistrate, but Lord Provost John Muir is not far off.</p>
+</div>
+<figure id='ii_034' class="max100" style='width: 70em;'>
+<a href='#ti_034'><img src="images/i_034.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-35' class='pagenum'>35</span>A CITY BALL</h3>
+<div class='wl'>
+<p class='noindent'>
+AND here is Lord Provost Muir taking advantage, in February 1891, of
+the splendid possibilities of the new chambers for purposes of reception and
+entertainment, possibilities that have been amply demonstrated by Sir
+John Muir’s successors in office.</p>
+</div>
+<figure id='ii_037' class="max100" style='width: 70em;'>
+<a href='#ti_037'><img src="images/i_037.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-36' class='pagenum'>36</span>SHUNA</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS western isle, two-and-a-half miles by one-and-a-quarter, one hundred
+acres being arable land, has belonged since 1829 to Glasgow, having been
+presented by James Yates, a native of the city. Few opportunities have
+been taken by the Corporation of visiting this twig of the civic tree, though
+now and again a small deputation has inspected the island. On the
+7th of August 1890, a large party of the Council and their friends went by
+special train to Oban, where Bailie John Neil had placed his steam-yacht
+<i>Myrtle</i> at their disposal for the voyage to Shuna and back, a matter of two
+hours each way. It was a perfect day among the islands, one of those
+days that make the lot of even a Glasgow Magistrate a not unhappy
+one, one of those summer days that it is always pleasant to recall.</p>
+<p>
+On the island a ten-months-old baby was waiting to be christened, no
+minister having been on Shuna earlier in the infant’s career. The ceremony
+was performed by Dr. Edgar and Mr. Milligan, two clergymen who
+were of the municipal party. It was a proud quarter of an hour for the
+young shepherd and his wife, the parents, and the hat which was passed
+round obtained a substantial tocher for Mary Ann Myrtle, as the child had
+been named.
+</p>
+</div>
+<figure id='ii_038' class="max100" style='width: 70em;'>
+<a href='#ti_038'><img src="images/i_038.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-39' class='pagenum'>39</span>JOHN BRIGHT, LORD RECTOR</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS is the most remote historical event recorded in our collection. The
+22nd of March 1883, was the day on which a great audience crowded
+St. Andrew’s Hall to hear John Bright deliver his address as Lord Rector
+of the University. This address, which I daresay had a good deal of the
+“Little England” element in it, is memorable chiefly for the speaker’s
+earnest appeal on behalf of the wretched poor, and one remembers its
+impressive simplicity of eloquence as perhaps the finest example of platform
+oratory it has ever been one’s lot to hear, even as the utterances of Principal
+John Caird live in the memory as being among the most eloquent ever
+delivered from the pulpit.</p>
+<p>
+As Mr. Bright was emphasising one of his points he struck the mace in
+front of him and its head gave way. This was promptly replaced by
+Mr. Janitor Macpherson with one of his benignant smiles amid the howls of
+the delighted students.
+</p>
+<p>
+Among the “new LL.D.s” in the sketch may be observed Mr. Henry
+Campbell-Bannerman, then a less prominent figure in the public eye than,
+as Sir Henry, he is in these later days.
+</p>
+</div>
+<figure id='ii_041' class="max100" style='width: 70em;'>
+<a href='#ti_041'><img src="images/i_041.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-40' class='pagenum'>40</span>THE BUTE HALL</h3>
+<div class='wl'>
+<p class='noindent'>
+THE opening of this hall&#8288;—named after its donor&#8288;—in the University took
+place on the evening of 1st February 1884. Principal Caird in his robes
+received the guests in the Randolph Hall before they spread themselves
+over the floors and galleries of the larger apartment and penetrated to
+the museum. Everybody who had any claim to wear academic robes had
+put them on, and the effect as a whole was awe-inspiring, especially to
+those who felt comparatively unclothed in ordinary evening dress.</p>
+<p>
+I have not been in the Bute Hall for many a day, but the one-and-twenty
+years that have passed since the opening night have removed most of the
+faces that may be recognised in the sketch and must have toned down the
+walls and fittings, whose newness was the occasion of this reception, giving
+something of a suitable air of antiquity to that part of the ancient seat of
+learning.
+</p>
+</div>
+<figure id='ii_042' class="max100" style='width: 101em;'>
+<a href='#ti_042'><img src="images/i_042.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-43' class='pagenum'>43</span>EDMUND LUSHINGTON, LORD RECTOR</h3>
+<div class='wl'>
+<p class='noindent'>
+THE venerable Professor Lushington was made Lord Rector on strictly
+non-political and purely academic grounds. It was a personal compliment
+on the part of the University in which he had so long held a chair, as
+gracefully bestowed as it was graciously accepted. Professor Lushington&#8288;—one
+must make the inevitable reference to his being brother-in-law of
+Tennyson, who had “said things” about him in verse&#8288;—was the first to
+deliver a Rectorial address in the Bute Hall. His address cannot have
+been heard by many beyond his immediate vicinity. The voice of the aged
+Lord Rector was more than usually feeble, the students were more than
+usually noisy, and even the hint that Sir William Thomson (now Lord
+Kelvin) quite evidently gave the speaker produced little improvement.</p>
+<p>
+The wooden doll furtively placed under the reading-desk was of course
+a cause of some merriment. An umbrella wielded by the Janitor brought it
+down, but I never heard who retained the toy as a souvenir.
+</p>
+</div>
+<figure id='ii_045' class="max100" style='width: 69em;'>
+<a href='#ti_045'><img src="images/i_045.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-44' class='pagenum'>44</span>A RECTORIAL ELECTION</h3>
+<div class='wl'>
+<p class='noindent'>
+IN 1887, when Lord Rosebery and Lord Lytton were the candidates put
+forward for the chair of Lord Rector, the Liberal candidate had a majority
+of twenty-two votes overhead, but he had a majority in only two of the
+Nations. As Lord Lytton had also a majority in two of the Nations, the
+result was a draw, and the Chancellor of the University, Lord Stair, gave
+his casting-vote in favour of the Conservative candidate. Thus it came
+about that in the autumn of 1888 Lord Lytton, as Lord Rector, addressed
+the students in the Bute Hall. As shown in the frontispiece the amenities
+of the position were much as usual.</p>
+<p>
+At the next election on Saturday, the 15th of November 1890, the
+candidates were Mr. A. J. Balfour and Lord Aberdeen, the former being
+returned by a large majority after the customary hilarious proceedings on
+the summit of Gilmorehill.
+</p>
+</div>
+<figure id='ii_046' class="max100" style='width: 70em;'>
+<a href='#ti_046'><img src="images/i_046.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-47' class='pagenum'>47</span>BAZAAR IN THE UNIVERSITY</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Earl of Stair, supported by the Principal and Senatus of the
+University and by the Lord Provost and magistrates of the city, opened
+the Bazaar with due impressiveness. Thereafter one’s pockets were not
+safe and much coin changed hands in the Bute and Randolph Halls. I
+forget how much was realised&#8288;—something in tens of thousands, I think&#8288;—enough,
+at any rate, to make the Students’ Union a proud body.</p>
+</div>
+<figure id='ii_049' class="max100" style='width: 104em;'>
+<a href='#ti_049'><img src="images/i_049.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-48' class='pagenum'>48</span>THE ROYAL EXCHANGE</h3>
+<div class='wl'>
+<p class='noindent'>
+A SKETCH made in March 1887. There are some portraits here of
+city men that may be recognised by those who knew the frequenters of
+the Exchange eighteen years ago. I cannot myself venture to label any,
+for though several of the figures are familiar to my recollection, their names
+escape me.</p>
+</div>
+<figure id='ii_050' class="max100" style='width: 70em;'>
+<a href='#ti_050'><img src="images/i_050.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-51' class='pagenum'>51</span>CORN EXCHANGE</h3>
+<div class='wl'>
+<p class='noindent'>
+HERE, also, are presumptive portraits of that period; an ex-Lord Provost
+in the person of Mr. John Ure, a coming Lord Provost in the person
+of his nephew, now Sir John Ure Primrose, Mr. G. W. Clark and his son,
+Mr. David Clark, Mr. Mitchell Smith, Mr. Archibald Robertson, and
+Bailie Dunlop. The boy carrying samples up the stairs may be a
+merchant prince now, for aught I know. I hope he is.</p>
+</div>
+<figure id='ii_053' class="max100" style='width: 70em;'>
+<a href='#ti_053'><img src="images/i_053.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-52' class='pagenum'>52</span>AT THE CIRCUIT COURT</h3>
+<div class='wl'>
+<p class='noindent'>
+THE respectable-looking old gentleman in the dock, and the Saltmarket-seeming
+lady by his side, were accused&#8288;—and doubtless convicted&#8288;—of
+stealing watches in a most systematic and persistent manner from unwary
+citizens such as “the deaf witness,” or “one who was robbed,” or any
+watch-possessing person who came within their iniquitous radius.</p>
+</div>
+<figure id='ii_054' class="max100" style='width: 70em;'>
+<a href='#ti_054'><img src="images/i_054.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-55' class='pagenum'>55</span>THE MITCHELL LIBRARY</h3>
+<div class='wl'>
+<p class='noindent'>
+THESE sketches were made on a Saturday afternoon in April 1885,
+in the first premises occupied by the Mitchell Library, where accommodation
+was somewhat limited, and where the odours of cheese, ham, and
+other provisions excellent in their way, arose from the warehouses over
+which the library had found a temporary home.</p>
+<p>
+The readers are certainly a mixed lot, and more or less picturesque,
+even as are those of the more exclusive Reading-room of the British
+Museum. Those who stroll in just to pass the time are easily distinguishable
+from those who come for purposes of study.
+</p>
+</div>
+<figure id='ii_057' class="max100" style='width: 70em;'>
+<a href='#ti_057'><img src="images/i_057.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-56' class='pagenum'>56</span>GLASGOW GREEN</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS is the Green on a Sunday evening, when various strange people with
+an out-of-the-way “mission,” or a desire for debate, can find scope for
+their eloquence or their arguments, and can make a reputation of a sort.
+It is a cheap and satisfying entertainment, and is fully taken advantage
+of both by speakers and by listeners, mainly on Sundays, but on Saturdays
+also and on other fine summer’s evenings.</p>
+</div>
+<figure id='ii_058' class="max100" style='width: 70em;'>
+<a href='#ti_058'><img src="images/i_058.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-59' class='pagenum'>59</span>THE BOTANIC GARDENS</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Band and Pipers of the 93rd Highlanders play. It is a radiant
+evening in August. There is a glamour over the scene&#8288;—under the
+dome of the “Kibble,” or out on the lawn, or among the shrubberies&#8288;—that
+is restful and not of the city. Let us not disturb it by attempted
+description.</p>
+</div>
+<figure id='ii_061' class="max100" style='width: 70em;'>
+<a href='#ti_061'><img src="images/i_061.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-60' class='pagenum'>60</span>GLASGOW PARLIAMENTARY ASSOCIATION</h3>
+<div class='wl'>
+<p class='noindent'>
+IT met in the ex-church known as Waterloo Rooms, and was presided
+over by Mr. John Turnbull, Jr., in evening dress. It would not be safe
+for me to reveal the real names of the members, who were known only
+by that of the constituencies they were supposed to represent; but I may
+say that the picturesque “member for Durham” was Mr. Craibe Angus,
+whose interest in artists and poets, as well as in politicians, was well
+known.</p>
+</div>
+<figure id='ii_062' class="max100" style='width: 70em;'>
+<a href='#ti_062'><img src="images/i_062.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-63' class='pagenum'>63</span>THE CROFTERS’ COMMISSION</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS was in the Justices’ Court-House on the 19th of October, 1883, after
+the Commission, a goodly array of Scottish names, had been for some months
+touring the Highlands and islands. The result of its deliberations has
+long been public property. I remember it was an interesting and interested
+audience that gathered to hear the evidence given in Glasgow. One venerable
+witness, with a long white beard, on being asked his age gave it as
+“forty.” Lord Napier seemed surprised. “Forty?” he questioned
+incredulously. “Well, <em>about</em> forty,” replied the ancient-looking man,
+apparently resenting any more searching inquiry as to his antiquity.</p>
+<p>
+The “Father of the Glasgow Press” introduced in the sketch was
+Mr. J. G. Temple of the <i>Mail</i>, whose death took place something like
+twenty years after this date.
+</p>
+</div>
+<figure id='ii_065' class="max100" style='width: 101em;'>
+<a href='#ti_065'><img src="images/i_065.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-64' class='pagenum'>64</span>THE MARQUESS OF SALISBURY</h3>
+<div class='wl'>
+<p class='noindent'>
+ON the 1st and 3rd of October, 1884, were held two meetings, here rolled
+into one, with Lord Salisbury as chief speaker, and the whole local strength
+of the Conservative party backing him. At that time leader of the Opposition,
+Lord Salisbury was received with much enthusiasm in Glasgow&#8288;—then
+not a Conservative city by any means&#8288;—an enthusiasm said to have been
+greater than that accorded Lord Beaconsfield when he appeared as the
+University’s Lord Rector several years previously.</p>
+<p>
+Lord Salisbury was the guest of the laird of Blythswood, who was
+chairman at one of these meetings, the Duke of Montrose presiding at the
+other.
+</p>
+</div>
+<figure id='ii_066' class="max100" style='width: 70em;'>
+<a href='#ti_066'><img src="images/i_066.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-67' class='pagenum'>67</span>MR. JOSEPH CHAMBERLAIN</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Chamberlain demonstration took place in St. Andrew’s Hall in
+September 1885. It was a different Mr. Chamberlain in those days from
+that known in the political world of to-day. He is referred to in the
+’eighties as “St. Joseph of the Caucus and the abomination of the
+Conservatives.” At that period wasn’t Mr. Chamberlain touring with an
+“unauthorised programme”&#8288;—something about Old Age Pensions, Workmen’s
+Compensation, and Three Acres and a Cow? Of course in Glasgow
+he had a tremendous and fascinated audience. Mr. Gilbert Beith, a
+Member of Parliament two months or so later, was chairman.</p>
+</div>
+<figure id='ii_069' class="max100" style='width: 70em;'>
+<a href='#ti_069'><img src="images/i_069.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-68' class='pagenum'>68</span>LORD GEORGE HAMILTON</h3>
+<div class='wl'>
+<p class='noindent'>
+LORD George, who was then First Lord of the Admiralty, followed
+close on Mr. Chamberlain’s heels in Glasgow, and I read that the way in
+which he dealt with Mr. Chamberlain’s “newly-fledged claims to be a
+Christian Philanthropist” was exceedingly happy. Lord George had not
+dressed for the occasion, and some people may have thought this evinced
+an aristocratic disregard for appearances, but it was really owing to the fact
+that the portmanteau containing his evening clothes had gone astray.</p>
+</div>
+<figure id='ii_070' class="max100" style='width: 70em;'>
+<a href='#ti_070'><img src="images/i_070.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-71' class='pagenum'>71</span>A LIBERAL MEETING</h3>
+<div class='wl'>
+<p class='noindent'>
+BETWEEN this date, December 1885, and that of the meeting last
+recorded, a General Election had taken place and the Liberal party was
+able to telegraph, after the counting of votes, “Glasgow’s message to
+Mr. Gladstone&#8288;—‘we are seven.’” This meeting, over which Lord
+Rosebery presided, making one of his brilliant and witty speeches, was
+supposed to welcome the seven. Only two put in an appearance, Mr.
+Gilbert Beith and Mr. Mitchell Henry. There were plenty of speakers,
+however, as one may see from the opposite page.</p>
+</div>
+<figure id='ii_073' class="max100" style='width: 69em;'>
+<a href='#ti_073'><img src="images/i_073.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-72' class='pagenum'>72</span>WILLIAM EWART GLADSTONE</h3>
+<div class='wl'>
+<p class='noindent'>
+IN June 1886 the constituencies were again upturned by a General
+Election, Mr. Gladstone having decided to go to the country on the Irish
+Home Rule question. The Prime Minister, full of his new scheme, poured
+forth his eloquence in Edinburgh and Glasgow, Edinburgh naturally
+having a double share. It was at one of his Edinburgh meetings in the
+Music Hall that I first noticed that Mr. Gladstone’s left hand was minus the
+forefinger.</p>
+<p>
+I ought to make some excuse for putting what is really an Edinburgh
+drawing into a book about Glasgow, so I beg to plead Mr. Gladstone’s
+fascinating personality and my desire to give Edinburgh this little bit of a
+show. She very kindly allowed Mr. Gladstone to come to Glasgow
+for our edification.
+</p>
+</div>
+<figure id='ii_074' class="max100" style='width: 70em;'>
+<a href='#ti_074'><img src="images/i_074.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-75' class='pagenum'>75</span>MR. GLADSTONE IN GLASGOW</h3>
+<div class='wl'>
+<p class='noindent'>
+THE meeting was held in Hengler’s Circus. At one part of his speech
+Mr. Gladstone wished to read a quotation from Burke, but “the lift grew
+black” temporarily, and it was impossible to see the words on the paper.
+Mr. Gilbert Beith and Sir Charles Tennant stood by and made noble
+effort to lend the aid afforded by a box of matches. The quotation being
+a rather extended one demanded more than this fleeting illumination. But
+the fortunate arrival of some candles saved the situation, and indeed well-meaning
+candles kept coming on to the platform long after full justice had
+been done to the words of Mr. Burke.</p>
+</div>
+<figure id='ii_077' class="max100" style='width: 70em;'>
+<a href='#ti_077'><img src="images/i_077.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-76' class='pagenum'>76</span>LORD HARTINGTON</h3>
+<div class='wl'>
+<p class='noindent'>
+THEN was the birth of the Unionist Party. Within a few days after
+Mr. Gladstone’s meeting came the Marquess of Hartington (now Duke of
+Devonshire), whose calm judgment and deliberate manner made a good
+impression and had a considerable effect on the result of the elections in
+Glasgow as in other places. The seven Unionist Candidates were on
+the platform with Lord Hartington, and of these, three were returned as
+members&#8288;—Mr. Baird, Mr. Corbett and Mr. Caldwell.</p>
+</div>
+<figure id='ii_078' class="max100" style='width: 70em;'>
+<a href='#ti_078'><img src="images/i_078.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-79' class='pagenum'>79</span>THE EARL OF ABERDEEN</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS I find described as a Separatist Demonstration and dull as ditch-water.
+And yet surely there must have been something worth listening to
+provided by Lord Aberdeen and the other speakers here portrayed. Somebody
+may be able to recall the speeches; I can’t. I do remember that all
+Professor Henry Drummond did was to propose a vote of thanks to the
+chairman.</p>
+</div>
+<figure id='ii_081' class="max100" style='width: 70em;'>
+<a href='#ti_081'><img src="images/i_081.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-80' class='pagenum'>80</span>INTERESTING STRANGERS&#8288;—VARIED</h3>
+<div class='wl'>
+<p class='noindent'>
+THE sad-looking Mr. Michael Davitt had for his chairman Mr. John
+Ferguson, who arrived in the hall before the speaker of the evening, and
+assured the audience that Mr. Davitt would follow immediately. “I left
+him,” said Mr. Ferguson, “just finishing his tea.”</p>
+<p>
+It was Henry George who wrote “Progress and Poverty” and who was
+called the Apostle of Land Reform. As to the identity of his chairman
+when he lectured in Glasgow I have only a vague idea.
+</p>
+<p>
+We have here also M. Paul Blouet, known as “Max O’Rell,” lecturing
+in his charming way under the auspices of the Sunday Society; Professor
+Arminius Vambéry, of Buda Pesth, the famous traveller, lecturing in the
+Berkeley Hall to the members and friends of the then recently formed
+Scottish Geographical Society; the Claimant, a melancholy man who had
+done his term in Dartmoor prison, and whose Chairman was Mr. James
+Martin, one of the quaintest of Glasgow Town Councillors, and a firm
+believer that this and no other was “the real Sir Roger.” And then here
+is dear old George Macdonald and his family in their quaint and simple
+rendering of the “Pilgrim’s Progress,” with no attempt at realistic scenery
+as a background, but which had, with the appropriately decorative curtains
+hung round, the effect of a mediæval picture.
+</p>
+<p>
+On the day that I read the proof of the foregoing sentences came the
+announcement of the death of George Macdonald on the 18th of September
+at the age of eighty-one.
+</p>
+</div>
+<figure id='ii_082' class="max100" style='width: 70em;'>
+<a href='#ti_082'><img src="images/i_082.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-83' class='pagenum'>83</span>HENRY WARD BEECHER</h3>
+<div class='wl'>
+<p class='noindent'>
+IT was in the end of August 1886 that the venerable Henry Ward
+Beecher came to Glasgow, on his farewell tour of this country. In Elgin
+Place Congregational Church he preached on a Sunday on “The Essence
+of Christianity,” and on the Monday following, in St. Andrew’s Hall, he
+delivered his lecture on “The Reign of the Common People,” which was
+said to be one of the best examples of the reverend orator’s vigorous style.
+On the platform with him were Dr. Joseph Parker, Rev. Albert Goodrich,
+Rev. W. Howie Wylie, and others.</p>
+</div>
+<figure id='ii_085' class="max100" style='width: 70em;'>
+<a href='#ti_085'><img src="images/i_085.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-84' class='pagenum'>84</span>GLASGOW JURIDICAL SOCIETY</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Hon. E. J. Phelps delivered an address to this Society in the Queen’s
+Rooms in the autumn of ’88&#8288;—a lawyer speaking to lawyers from a platform
+where representatives of wisdom and learning jostled each other. Mr.
+Phelps was the successor of James Russell Lowell as American Ambassador
+to this country.</p>
+</div>
+<figure id='ii_086' class="max100" style='width: 70em;'>
+<a href='#ti_086'><img src="images/i_086.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-87' class='pagenum'>87</span>INSTITUTE OF THE FINE ARTS</h3>
+<div class='wl'>
+<p class='noindent'>
+AT the opening of the Exhibition of 1885, Sir Peter Coats signalised his
+presidency of the Institute by giving a banquet among the pictures. That
+the guests were of a thoroughly representative character may be gathered
+from the sketch.</p>
+</div>
+<figure id='ii_089' class="max100" style='width: 70em;'>
+<a href='#ti_089'><img src="images/i_089.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-88' class='pagenum'>88</span>PEOPLE AT THE PICTURES</h3>
+<div class='wl'>
+<p class='noindent'>
+THE quietness of an ordinary afternoon is the best time to see pictures,
+but there’s something pleasant in wandering round an exhibition in the
+evening, when by artificial light, if it is good, many pictures seem to have
+an added charm. To look at pictures in an environment of musical
+promenade is practically impossible, so one is better to give one’s self up
+to the music and the crowd.</p>
+</div>
+<figure id='ii_090' class="max100" style='width: 71em;'>
+<a href='#ti_090'><img src="images/i_090.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-91' class='pagenum'>91</span>ARTISTS AND THEIR FRIENDS</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Exhibition of the Scottish Water Colour Society (to give it its
+colloquial title) for 1884 was opened as usual by a luncheon party. Notable
+among the guests were Mr. (now Sir Laurence) Alma-Tadema, whose first
+appearance it was in Glasgow, and Mr. J. L. Toole, whose first appearance
+it wasn’t&#8288;—by a very long way.</p>
+<p>
+Here also is a dinner of the Fine Arts Institute to open the exhibition
+of 1886 and a sketch strayed from the record of another luncheon of the
+Water Colour Society, of Sir William Fettes Douglas, who died in 1891.
+</p>
+</div>
+<figure id='ii_093' class="max100" style='width: 70em;'>
+<a href='#ti_093'><img src="images/i_093.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-92' class='pagenum'>92</span>AT BUCKINGHAM PALACE</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Scottish Society of Painters in Water Colour, not then called Royal,
+prepared as an offering to Queen Victoria at the Jubilee in 1887, a huge
+album containing a drawing from each member. The deputation who had
+the honour of delivering it to her Majesty consisted of the President, Mr.
+(now Sir) Francis Powell, Mr. Colin Hunter, Mr. Joseph Henderson, and
+myself. On the 22nd of June, the day after the great Jubilee procession,
+we attended at Buckingham Palace. Our little present had been sent on
+previously, and we found it placed on a table in the Picture Gallery in a
+row of other gifts, that of the Old Water Colour Society, for instance,
+whose deputation was headed by Sir John Gilbert; next us stood the
+deputation from a Ladies’ Art Society, and somewhere in the line we
+noticed a gift of boots and shoes.</p>
+<p>
+The Queen passed up the gallery, pausing a few minutes at each table
+to accept the offering. We were nearest the top of the room, and ours was,
+therefore, the last gift to be received. Her Majesty was in quite a flutter
+of pleasurable excitement and beaming with smiles. As the President
+showed a few pages of our album, “I shall look over it,” said the Queen,
+“very carefully, and not in a hurry.” Then she bowed to each of us, and
+we felt happy.
+</p>
+</div>
+<figure id='ii_094' class="max100" style='width: 96em;'>
+<img src="images/i_094.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-95' class='pagenum'>95</span>THE FINE ART INSTITUTE AGAIN</h3>
+<div class='wl'>
+<p class='noindent'>
+AT the opening dinner of the Exhibition in 1888, Sir Charles Tennant
+presided, and these are sketches of him and the other speakers of the
+evening.</p>
+</div>
+<figure id='ii_097' class="max100" style='width: 70em;'>
+<a href='#ti_097'><img src="images/i_097.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-96' class='pagenum'>96</span>ART CLUB COSTUME BALL</h3>
+<div class='wl'>
+<p class='noindent'>
+UNTIL Friday, 29th of November, 1889, nothing so good of the kind had
+been seen in Glasgow. The destination of the proceeds was the Scottish
+Artists’ Benevolent Fund, which had been formed in the previous February,
+and which benefited to the extent of over £1300. In other ways besides
+financially the ball was a great success, and had some purely artistic
+features, such as the grand procession and tableau, the series of dance
+programmes painted by members of the Art Club and hung up for reference,
+also the sketches from life done in the “Studio” and afterwards sold by
+auction along with the programmes for the benefit of the fund.</p>
+<p>
+The <i>Lillie</i> here represented was Mrs. Langtry, who attracted considerable
+notice, as one sees from the eyes following her; and the <i>African</i>
+<i>Lion</i>, in Moorish costume, was that amiable and distinguished young
+traveller, Joseph Thomson, whose too early death took place not many
+years after.
+</p>
+</div>
+<figure id='ii_098' class="max100" style='width: 70em;'>
+<a href='#ti_098'><img src="images/i_098.jpg" class="w100 v_align_b" alt=""></a></figure>
+<div class='section'>
+<h3>
+<span id='page-99' class='pagenum'>99</span>TABLEAUX IN REHEARSAL</h3>
+</div>
+<div class='wl'>
+<p class='noindent'>
+THE entertainment in the Theatre Royal, for which this was a preparation,
+a year later than the event last mentioned, had for its object the
+benefit of the same Scottish Artists’ Benevolent Association. The Pen-and-Pencil
+Club and the Glasgow Society of Musicians furnished the
+human material, which was shaped by Mr. William Glover into such
+picturesque groups as “The Judgment of Paris,” “Cleopatra before
+Cæsar,” “Finding the Body of Harold,” “Escape of Prince Charlie,”
+“Burns and Highland Mary,” and “Tam-o’-Shanter.” Another feature
+of the evening was a humorous toy symphony of Mr. Allan Macbeth’s,
+the orchestra being clad in more or less inappropriate costume.</p>
+</div>
+<figure id='ii_101' class="max100" style='width: 70em;'>
+<a href='#ti_101'><img src="images/i_101.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-100' class='pagenum'>100</span>A BERLIOZ CONCERT</h3>
+<div class='wl'>
+<p class='noindent'>
+A PERFORMANCE in January 1885 of Berlioz’s “Messe des Morts,”
+which demanded a considerable addition to the drums, and gave Sir
+August Manns (as he is now) great scope for his unrivalled power as a
+conductor.</p>
+</div>
+<figure id='ii_102' class="max100" style='width: 70em;'>
+<a href='#ti_102'><img src="images/i_102.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-103' class='pagenum'>103</span>A MACKENZIE ORATORIO</h3>
+<div class='wl'>
+<p class='noindent'>
+AT the first of the season 1885-6, Sir A. Mackenzie conducted his oratorio
+“The Rose of Sharon,” the instrumentation of which the musical critic of
+<i>Quiz</i> declares to be its strong point, and ranking with that of any living
+master. He says also that the choral work is throughout scholarly and
+original, and free from that slavish imitation of Mendelssohn so much
+affected by recent writers.</p>
+</div>
+<figure id='ii_105' class="max100" style='width: 70em;'>
+<a href='#ti_105'><img src="images/i_105.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-104' class='pagenum'>104</span>THE MANNS SEASON</h3>
+<div class='wl'>
+<p class='noindent'>
+THESE are various items from different programmes in 1886-87, including
+a sketch of our townsman, Mr. Andrew Black.</p>
+</div>
+<figure id='ii_106' class="max100" style='width: 70em;'>
+<a href='#ti_106'><img src="images/i_106.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-107' class='pagenum'>107</span>MUSICIANS</h3>
+<div class='wl'>
+<p class='noindent'>
+A GLASGOW Academy Concert in the Queen’s Rooms. The boys are
+under the leadership of their writing-master and enthusiastic musical professor,
+Mr. John MacLaren. At the piano is Mrs. MacLaren, and at the
+harmonium Mr. Strong.</p>
+<p>
+Mr. Frederic Lamond, a pupil of Liszt, made his first public appearance in
+his native city in the spring of ’86, in the Queen’s Rooms.
+</p>
+<p>
+The sketch of the dinner to August Manns, given by the Society of
+Musicians, shows some of the well-known local musical people of the day.
+</p>
+<p>
+Above that is a familiar view of H. A. Lambeth, for many years the
+city organist.
+</p>
+</div>
+<figure id='ii_109' class="max100" style='width: 69em;'>
+<a href='#ti_109'><img src="images/i_109.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-108' class='pagenum'>108</span>DRAMATIC AMATEURS OF THE <span class="small-caps">5th</span> L.R.V.</h3>
+<div class='wl'>
+<p class='noindent'>
+A CLEVER performance (December 1885) in the Crown Halls, of two
+well-known pieces, in both of which Miss Catherine Watson scored the
+chief success among the ladies. The acting of Captain Harry MacDowall
+and Captain F. L. Morrison is also memorable.</p>
+</div>
+<figure id='ii_110' class="max100" style='width: 70em;'>
+<a href='#ti_110'><img src="images/i_110.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-111' class='pagenum'>111</span>DRAMATIC AMATEURS OF THE <span class="small-caps">1st</span> L.R.V.</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Dramatic Critic of <i>Quiz</i> speaks in the highest praise of this performance,
+given in the Queen’s Rooms in March 1886, and as he must have seen
+the piece played many times he is qualified to speak, but so far as I am aware
+none of the players was on that account tempted to go on the professional
+boards.</p>
+<p>
+An event of the same evening is also here portrayed, the Ball of the
+Queen’s Own Yeomanry. That is Colonel Neilson in the corner proposing
+“The Queen.”
+</p>
+</div>
+<figure id='ii_113' class="max100" style='width: 70em;'>
+<a href='#ti_113'><img src="images/i_113.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-112' class='pagenum'>112</span>DRAMATIC AMATEURS OF THE <span class="small-caps">1st</span> L.R.V. AGAIN</h3>
+<div class='wl'>
+<p class='noindent'>
+<i>GUY MANNERING</i>, given in the Theatre Royal in December 1887,
+brought out some of the performers we had seen in the <i>Ticket-of-Leave-Man</i>.
+The professional assistance was supplied by Miss Julia Seaman,
+who played “Meg Merrilies.”</p>
+</div>
+<figure id='ii_114' class="max100" style='width: 70em;'>
+<a href='#ti_114'><img src="images/i_114.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-115' class='pagenum'>115</span>THE PHILOMEL CLUB</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS club gave an excellent rendering of <i>Dorothy</i> at the Queen’s
+Rooms in April 1888, almost entirely free from any amateur weakness,
+and noteworthy for the performance of the young ladies, “Dorothy,” Miss
+Eugenie Smyth, and “Lydia,” Miss Broadfoot, but especially for the capital
+acting of Mr. J. W. Watson as “Lurcher.” Besides the names appended to
+the sketches, the following are mentioned in the <i>Town Tattle</i> of the day:
+Stage manager, Mr. Baynham; at the piano, Miss Helena Donald; at the
+harmonium, Mr. Rowland Wood; first violin, Mr. W. H. Cole; and
+designer of the programme, Mr. Duncan Mackellar.</p>
+</div>
+<figure id='ii_117' class="max100" style='width: 70em;'>
+<a href='#ti_117'><img src="images/i_117.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-116' class='pagenum'>116</span>A VOLUNTEER BAZAAR</h3>
+<div class='wl'>
+<p class='noindent'>
+THE 3rd L.R.V. and their lady friends had three days of amateur
+shop-keeping with surroundings of a Chinese character in St. Andrews
+Halls, October 1884. The dresses of the ladies looked smart, some
+military, some naval and some Swiss or otherwise equally effective
+national costume. The object of the bazaar was, if I remember rightly,
+a Drill Hall, and it was entirely successful.</p>
+</div>
+<figure id='ii_118' class="max100" style='width: 70em;'>
+<a href='#ti_118'><img src="images/i_118.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-119' class='pagenum'>119</span>A GATHERING OF THE <span class="small-caps">1st</span> L.R.V.</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS must have been a heavy evening’s work, in St. Andrews Halls,
+December 1884. First of all there was a prize distribution by Colonel
+Gildea, then a concert by the Regimental Glee Club, under Captain
+McNabb, then an inspection of the prizes in the Berkeley Hall, followed by
+a dance till the small hours. Plenteous refreshment no doubt came in
+somewhere to sustain us through it all, but I find no note of it anywhere.</p>
+</div>
+<figure id='ii_121' class="max100" style='width: 69em;'>
+<a href='#ti_121'><img src="images/i_121.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-120' class='pagenum'>120</span>WEST OF SCOTLAND RIFLE ASSOCIATION</h3>
+<div class='wl'>
+<p class='noindent'>
+COWGLEN, in June 1885, saw the twenty-fourth meeting of this Association.
+On a Saturday afternoon the shooting for the Inter-County Match
+took place, Renfrew being successful. Among the personages on the
+opposite page I notice Colonel Merry, Captain Stout, Secretary of the
+W.S.R.A., Captain MacDowall and Mr. J. A. Aitken.</p>
+</div>
+<figure id='ii_122' class="max100" style='width: 96em;'>
+<a href='#ti_122'><img src="images/i_122.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-123' class='pagenum'>123</span>A BOYS’ BRIGADE INSPECTION</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Parade Ground was Burnbank, the day the spring holiday of 1886,
+rather more than two years after the formation of the first company of the
+Boys’ Brigade, which, as everybody knows, owes its origin to Captain
+W. A. Smith of the 1st L.R.V. Its admirable organisation making it at
+once successful in Glasgow, led to the formation of companies all over
+Great Britain and Ireland and in the Britains beyond the seas. This was
+probably the earliest Battalion Parade. The Inspecting Officer was
+Colonel J. Newbigging Smith of the 1st L.R.V., in which regiment the
+Brigade President, Mr. J. Carfrae Alston, was at one time an officer.</p>
+<p>
+The Church Parade took place in the Queen’s Rooms, where the boys
+were addressed by the Rev. Dr. Marcus Dods, the most stimulating
+preacher that could possibly have been chosen to arouse the interest of the
+youngsters.
+</p>
+</div>
+<figure id='ii_125' class="max100" style='width: 70em;'>
+<a href='#ti_125'><img src="images/i_125.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-124' class='pagenum'>124</span>A REGIMENTAL SOIRÉE</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS is the 4th V.B.S.R., on the 30th of November, 1888, with their
+families and friends, presided over by the Colonel, enjoying tea, fruit,
+music, speeches, and presentation of prizes.</p>
+</div>
+<figure id='ii_126' class="max100" style='width: 70em;'>
+<a href='#ti_126'><img src="images/i_126.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-127' class='pagenum'>127</span>ON BOARD THE <i>DRAKE</i></h3>
+<div class='wl'>
+<p class='noindent'>
+H.M.S. <i>Drake</i> lay between the Suspension Bridge and Broomielaw
+Bridge. She had once been of more imposing appearance, but her days of
+usefulness were not yet over, for she served as the home of the local detachment
+of the Royal Naval Artillery Volunteers, who are here represented at
+gun-drill.</p>
+<p>
+The R.N.A.V. flamed with enthusiasm for some years and were then
+supposed to be extinguished, but not long ago the extinguisher has been
+lifted, and the Naval Volunteer spark is found to be unquenched.
+</p>
+</div>
+<figure id='ii_129' class="max100" style='width: 70em;'>
+<a href='#ti_129'><img src="images/i_129.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-128' class='pagenum'>128</span>WEST OF SCOTLAND SPORTS</h3>
+<div class='wl'>
+<p class='noindent'>
+IT used to be the correct thing, and I daresay it is so still, for every self-respecting
+young man and maiden of the West-end to go to Hamilton
+Crescent Grounds for this spring meeting. The less interested the young
+man and maiden were in the sports, the better they were pleased, and if
+they hadn’t a real lack of interest they assumed it. There must have been
+a few unaffected enthusiasts who stood round the ropes and watched the
+events eagerly, from the jumping competitions to the obstacle race and the
+tug-of-war. I cannot claim to have been one of these, and it may be
+observed that in this sketch the sports are got over in a disgracefully
+slipshod fashion, while the pencil has been busy with characteristic
+individuals in the general crowd of easy-going promenaders.</p>
+</div>
+<figure id='ii_130' class="max100" style='width: 101em;'>
+<img src="images/i_130.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-131' class='pagenum'>131</span>FOOTBALL</h3>
+<div class='wl'>
+<p class='noindent'>
+NOW here you find spectators who are enthusiastic watchers of the game,
+genuinely interested in every kick and dribble, breathless when the ball is
+making for the goal, gasping when it misses, and hysterical when it passes
+through&#8288;—moved either to great grief or great joy, according to the party
+spirit that animates the watcher. This particular game was the Charity
+Cup-Tie, Queen’s Park <i>v.</i> 3rd L.R.V., played at Cathkin Park, 26th of
+April, 1884.</p>
+</div>
+<figure id='ii_133' class="max100" style='width: 70em;'>
+<a href='#ti_133'><img src="images/i_133.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-132' class='pagenum'>132</span>HIGHLAND SPORTS</h3>
+<div class='wl'>
+<p class='noindent'>
+THESE were at Burnbank on 13th of September, 1884. They are of a
+highly national character, with kilts and sporrans and pipes and a real
+interest in the feats of strength and skill displayed.</p>
+<p>
+The sketches seem to make an attempt to deal with the nominal
+purpose of the meeting, and the spectators depicted are not inattentive.
+</p>
+</div>
+<figure id='ii_134' class="max100" style='width: 70em;'>
+<a href='#ti_134'><img src="images/i_134.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-135' class='pagenum'>135</span>CRICKET</h3>
+<div class='wl'>
+<p class='noindent'>
+THE match was between the Marylebone and the West of Scotland Clubs
+in July 1885.</p>
+<p>
+There are few things from which I would sooner stay away than from
+a cricket match. I don’t know anything of the game, but I turn to
+the paragraph in <i>Quiz</i> dealing with this match and can therefore say
+that the West made a good stand against the Marylebone, and did
+better than most people expected; also that the match ended in a draw, the
+Scotch team wanting 160 runs with seven wickets to fall.
+</p>
+</div>
+<figure id='ii_137' class="max100" style='width: 70em;'>
+<a href='#ti_137'><img src="images/i_137.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-136' class='pagenum'>136</span>WESTERN BATHS</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS was not an inauguration, only a re-opening (1886). A chill
+October evening outside; lots of people crowded on the banks of the
+pond and in the galleries above making it a warm evening within;
+plenty of fun in watching the expert swimmers, good music conducted by
+Mr. Cole, and a little dance to follow.</p>
+</div>
+<figure id='ii_138' class="max100" style='width: 70em;'>
+<a href='#ti_138'><img src="images/i_138.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-139' class='pagenum'>139</span>WELLCROFT BOWLING-GREEN</h3>
+<div class='wl'>
+<p class='noindent'>
+TO those who are arrived at that time of life when violent athletics
+become a burden, bowling affords a mild and agreeable substitute that may
+be taken easily or arduously according to the disposition of the individual.
+It is a pleasing game to watch&#8288;—the careful aim, the knowing twist given
+the ball at the outset of its career, the eager player following it with his
+eyes or with his whole running body till the journey is accomplished, and
+the look of dismay or exultation inspired by the degree of success
+attained.</p>
+<p>
+The unaccustomed bowler has a tendency to tear up the green, and
+nothing causes a real bowler to frown more than this treatment of his
+beloved turf. It ranks as an unpardonable sin with cutting the cloth of a
+billiard-table.
+</p>
+</div>
+<figure id='ii_141' class="max100" style='width: 70em;'>
+<a href='#ti_141'><img src="images/i_141.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-140' class='pagenum'>140</span>POLICE SPORTS</h3>
+<div class='wl'>
+<p class='noindent'>
+THE annual meeting in May 1890, with Chief Constable Boyd, Superintendent
+Andrew and other dignitaries watching one of the most exciting
+events of the day resulting in a victory for the Glasgow team.</p>
+</div>
+<figure id='ii_142' class="max100" style='width: 90em;'>
+<a href='#ti_142'><img src="images/i_142.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-143' class='pagenum'>143</span>FRIENDLY SOCIETIES’ DEMONSTRATION</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS was in July 1887. There must be a rapture in demonstrating,
+especially if the day be fine, and there must be something abundantly satisfying
+in wearing the distinctive toggery of one’s order. As for the banner-bearers,
+theirs is a quite fearful joy. I have never ascertained&#8288;—indeed I
+have never asked&#8288;—whether a brother is made a banner-bearer for reasons
+complimentary or punitive.</p>
+</div>
+<figure id='ii_145' class="max100" style='width: 69em;'>
+<a href='#ti_145'><img src="images/i_145.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-144' class='pagenum'>144</span>A PATRIOTIC DINNER</h3>
+<div class='wl'>
+<p class='noindent'>
+ST. ANDREW’S Day 1884, falling on a Sunday, the Glasgow St. Andrew’s
+Society dined on December 1st. The gathering in McLean’s Hotel was
+presided over by Colonel Malcolm of Poltalloch, then an ex-M.P., afterwards
+for six years member for Argyllshire, and later raised to the peerage.</p>
+<p>
+Sheriff Clark’s speech was distinguished by some old Glasgow reminiscences,
+and I remember that Dr. Burns of the Cathedral referred to
+St. Mungo as “my predecessor.” Bailie Salmond, who figured there as a
+croupier, and who had the reputation along with Sir Daniel Macnee of
+being one of the best after-dinner story-tellers, was probably the Senior of
+the feast.
+</p>
+</div>
+<figure id='ii_146' class="max100" style='width: 70em;'>
+<a href='#ti_146'><img src="images/i_146.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-147' class='pagenum'>147</span>A COUNTY ASSOCIATION SOIRÉE</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS form of entertainment may be still as much in vogue as it used to
+be in unfashionable circles of Glasgow. These meetings were productive
+of a good deal of genuine happiness, the tea and the cookies and the service
+of fruit and the speeches and the songs&#8288;—especially the “comics”&#8288;—and the
+assembly that followed, making up an evening’s festivity that was not forgotten
+by the time the annual repetition of the event came round again.</p>
+<p>
+The festival here pictured, that of the Caithness Association, was of
+rather more than usual importance, being a Jubilee celebration. It was
+presided over by Mr. W. C. Coghill, and among the speakers was Mr.
+John Rae, at that time editor of the <i>Contemporary Review.</i>
+</p>
+</div>
+<figure id='ii_149' class="max100" style='width: 70em;'>
+<a href='#ti_149'><img src="images/i_149.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-148' class='pagenum'>148</span>A COUNTY SOCIETY DINNER</h3>
+<div class='wl'>
+<p class='noindent'>
+MORE circumscribed in its immediate sphere of influence than the all-embracing
+soirée just referred to, the dinner has a dignity and importance
+that demand recognition.</p>
+<p>
+The Glasgow Ayrshire Society was founded only two years after the
+birth of Robert Burns, so its primary object was not to keep his memory
+green, but appropriately enough the men of Ayrshire in Glasgow choose
+his birthday for their feast. The dinner of 1890 was held in St. Enoch’s
+Hotel, under the presidency of Mr. J. G. A. Baird, M.P., and the “Immortal
+Memory” was proposed by Mr. William Jolly.
+</p>
+</div>
+<figure id='ii_150' class="max100" style='width: 70em;'>
+<a href='#ti_150'><img src="images/i_150.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-151' class='pagenum'>151</span>AN ENGINEER’S ANNIVERSARY</h3>
+<div class='wl'>
+<p class='noindent'>
+UNTIL the year 1888 the celebration of James Watt’s birthday on the
+21st of January seems to have been the sole reason of existence for the
+Association of Foreman Engineers, but on the occasion here recorded the
+Institution of Engineers and Shipbuilders in Scotland and the Philosophical
+Society of Glasgow joined and resolved to combine in keeping the future
+anniversaries so that the Association of Foreman Engineers dropped out of
+existence.</p>
+<p>
+The dinner took place in the Grand Hotel with Mr. Kirk of Napier’s in
+the chair. There was a large company, and among the unnamed heads in
+the corner of the sketch may be recognised some familiar in the engineering
+world, that of Mr. James Caldwell and Mr. John Hamilton, for instance,
+while in the other corner, among the “Press,” I may point out Mr. James
+Nicol Dunn&#8288;—then on the Glasgow staff of the <i>Scotsman</i>&#8288;—referred to in an
+introductory page.
+</p>
+</div>
+<figure id='ii_153' class="max100" style='width: 70em;'>
+<a href='#ti_153'><img src="images/i_153.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-152' class='pagenum'>152</span>AN INDUSTRIAL EXHIBITION</h3>
+<div class='wl'>
+<p class='noindent'>
+HELD in Burnbank Drill Hall in the end of the year 1886, this was one
+of the shows of the variety sale-shop order, the place to spend a happy
+evening and as many coins as you could spare besides. The collection was
+formally opened by Sir James King, and the first week’s proceeds were
+handed over to the City hospitals.</p>
+</div>
+<figure id='ii_154' class="max100" style='width: 70em;'>
+<a href='#ti_154'><img src="images/i_154.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-155' class='pagenum'>155</span>THE ATHENÆUM HOUSE-WARMING</h3>
+<div class='wl'>
+<p class='noindent'>
+REMOVED from its old quarters in Ingram Street, the Athenæum opened
+its new premises in St. George’s Place on the 25th of January, 1888. On
+that evening the learned and patriotic Marquess of Bute delivered an able
+address on Scottish History to a large audience, and among the shorter
+speeches was one by Sheriff Spens on his favourite literary subject&#8288;—Tennyson.</p>
+</div>
+<figure id='ii_157' class="max100" style='width: 70em;'>
+<a href='#ti_157'><img src="images/i_157.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-156' class='pagenum'>156</span>THE ELDER PARK, GOVAN</h3>
+<div class='wl'>
+<p class='noindent'>
+THE Earl of Rosebery was the humble instrument in the hands of
+Mrs. John Elder in delivering over the Park to the people of Govan. This
+is only one of several munificent gifts made by Mrs. Elder&#8288;—who is now
+LL.D. of Glasgow University&#8288;—to Govan and to Glasgow. It was a great
+day for Govan, the 27th of June, 1885, and you can imagine the excitement
+of that Saturday afternoon.</p>
+<p>
+It was here I overheard the remark illustrated on a later page of this
+book under the title “What it is to be a Lord.”
+</p>
+</div>
+<figure id='ii_158' class="max100" style='width: 70em;'>
+<a href='#ti_158'><img src="images/i_158.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-159' class='pagenum'>159</span>EAST END EXHIBITION</h3>
+<div class='wl'>
+<p class='noindent'>
+THE object of this exhibition, in the end of 1890, was to provide funds for
+the establishment of a People’s Palace in Glasgow. It was opened by the
+Marquess of Lothian, Secretary for Scotland, but the sketches herewith have
+to do with an earlier and more exclusive occurrence ere the exhibition
+was ready for the public eye. This was a private Press view, to which you
+can see the <i>Bailie’s</i> commissioner on his way. There was naturally a
+luncheon with some speeches, in one of the galleries devoted to the Fine
+Arts. Mr. David Fortune, Chairman of the Executive, did the honours.
+Pressmen are modest and like to remain anonymous, but here the veil is
+lifted, revealing Mr. W. M. Gilbert of the <i>Scotsman</i>, Mr. Thomas Reid of
+the <i>Glasgow Herald</i>, and Mr. Andrew Mudie of the <i>Evening Citizen</i>.</p>
+</div>
+<figure id='ii_161' class="max100" style='width: 69em;'>
+<a href='#ti_161'><img src="images/i_161.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-160' class='pagenum'>160</span>A LAUNCH FROM NAPIER’S YARD</h3>
+<div class='wl'>
+<p class='noindent'>
+LORD CHARLES BERESFORD was there to see the belted cruiser,
+H.M.S. <i>Galatea</i>, leave the stocks amid showers of sleet in March 1887.
+The young lady who applied the hammer to release the ship was Miss May
+Kirk, daughter of one of the partners of Napier’s. The sketch shows
+Mr. John Hamilton, another partner, standing by her side, and afterwards
+presiding at the lunch, at which Lord Charles, as might have been
+expected, made a rattling good speech.</p>
+</div>
+<figure id='ii_162' class="max100" style='width: 70em;'>
+<a href='#ti_162'><img src="images/i_162.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-163' class='pagenum'>163</span>THE CHANNEL FLEET</h3>
+<div class='wl'>
+<p class='noindent'>
+THE <i>Minotaur</i> was the flag-ship of the Fleet lying off Greenock in the
+end of September 1885. She was boarded by two friends and myself from
+the yacht of one of those friends on the day before the ships were open
+to the public. I don’t know how we came to have the privilege of entry.
+Other people equally favoured were Mr. John Burns (afterwards Lord
+Inverclyde) and his party, also the Provost of Greenock and his party.
+Our party felt pretty big, I assure you, but there was room enough for
+us all.</p>
+</div>
+<figure id='ii_165' class="max100" style='width: 70em;'>
+<a href='#ti_165'><img src="images/i_165.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-164' class='pagenum'>164</span>AN OCEAN LINER</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS commemorates a voyage on the <i>State of Nevada</i>, in September
+1883, all the way from the Broomielaw to Greenock. The vessel conveyed
+one of those batches of emigrants from eastern Europe, aliens whose goal
+of apparent happiness lies far beyond the confines of our little islands over
+which they pass on their way to the west. Pathetic groups they are, not
+always seeming sad, but hopeful, looking for something beyond the sea.
+I have never been fortunate enough to see them in the realisation of their
+hopes, but I remember seeing a group of them in one of the western States&#8288;—not
+quite so far west as that after which this vessel was named&#8288;—sitting
+waiting for a train to take them farther west, still pathetic, still hopeful,
+still looking for something beyond.</p>
+</div>
+<figure id='ii_166' class="max100" style='width: 70em;'>
+<a href='#ti_166'><img src="images/i_166.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-167' class='pagenum'>167</span>THE COASTING SEASON</h3>
+<div class='wl'>
+<p class='noindent'>
+TO the reflective mind it must always seem a wonderful thing that the
+Clyde, when it was choosing its channel, elected to run through Glasgow.
+If it had turned aside, say at Hamilton, and run away down to the sea by
+Kilmarnock and Ayr it would have been most awkward for Glasgow,
+especially in summer time, but fortunately for the steamboat companies the
+city had attractions which the river could not resist.</p>
+</div>
+<figure id='ii_169' class="max100" style='width: 70em;'>
+<a href='#ti_169'><img src="images/i_169.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-168' class='pagenum'>168</span>HOW TO GO TO THE COAST</h3>
+<div class='wl'>
+<p class='noindent'>
+YOUR house-taking having been arranged, the first duty is (1) with the
+assistance of your family to do the packing. Next morning (2) you drive
+to the Broomielaw, where (3) you put your family on board a steamer, and
+(4) go to your office for an hour, leaving instructions with your chief clerk
+for the proper conduct of business in your absence. Then (5) you take
+train to Greenock, and (6) join your family, who are not much inconvenienced
+by the rain which has been pouring for an hour and a half.
+After some considerable time, you (7) arrive at a pier where you are put
+ashore with your belongings. In a light vehicle (8) you travel over several
+miles of rather broken road, while your few odds and ends (9) follow in a
+cart. At length (10) your secluded retreat appears in view, and ere long
+(11) you are cheered by the warm welcome of your landlady.</p>
+<p>
+That is how we did it in our young days years and years ago.
+</p>
+</div>
+<figure id='ii_170' class="max100" style='width: 71em;'>
+<img src="images/i_170.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-171' class='pagenum'>171</span>IN ARRAN</h3>
+<div class='wl'>
+<p class='noindent'>
+WE natives of the Clyde are devoted to Arran. It has a charm for us
+found nowhere else in the world, especially for us old fogies who remember
+the island in its more primitive state when Gaelic was universally spoken
+and the English was delivered in the most delicious Hieland accent, or
+when, joy of joys! some one was found who hadn’t a word of English at
+all. This page, gleaned about Corrie in 1884, was titled in <i>Quiz</i> “The
+’Ills of Arran.” Well, we cheerfully put up with these, with the “h” or
+without. When we were children nothing mattered.</p>
+</div>
+<figure id='ii_173' class="max100" style='width: 69em;'>
+<a href='#ti_173'><img src="images/i_173.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-172' class='pagenum'>172</span>AGAIN IN ARRAN</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS time our sketches are in the vicinity of King’s Cross and Whiting
+Bay, though a touch of Brodick is observable. It is, I think, the <i>Brodick
+Castle</i> that is discharging its passengers.</p>
+</div>
+<figure id='ii_174' class="max100" style='width: 69em;'>
+<a href='#ti_174'><img src="images/i_174.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-175' class='pagenum'>175</span>SEASIDE BITS</h3>
+<div class='wl'>
+<p class='noindent'>
+IT must be confessed that if these are Glasgow people&#8288;—and who is bold
+enough to say they are not?&#8288;—it is not on the shores of their native Clyde
+that they disport themselves. These are the sands of the Forth and that
+is the pier at Elie which the steamer is approaching. But, observe, these
+must be Glasgow children who are making a castle in the sand. The real
+east-coasters dig a hole to sit in, instead of piling a mound to be washed
+away by the tide.</p>
+</div>
+<figure id='ii_177' class="max100" style='width: 70em;'>
+<a href='#ti_177'><img src="images/i_177.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-176' class='pagenum'>176</span>A YACHTING CRUISE</h3>
+<div class='wl'>
+<p class='noindent'>
+IT was on board Mr. James Morrison’s twenty-tonner <i>Sayonara</i>, and we
+ran from Rothesay Bay to Lamlash in a brisk sou’-west breeze. I have a
+painful recollection of being the original of the sketch marked “Grief,” but
+I felt much better when we got under the shelter of the Holy Island. Next
+day when it was blowing more than a quarter of a gale&#8288;—to put it mildly&#8288;—we
+ran a race, were drenched to the skin, even to the skin of our teeth by
+which we seemed to hold on, but we enjoyed ourselves and anchored in the
+Kyles of Bute for the night.</p>
+</div>
+<figure id='ii_178' class="max100" style='width: 70em;'>
+<a href='#ti_178'><img src="images/i_178.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-179' class='pagenum'>179</span>CORINTHIAN YACHTING</h3>
+<div class='wl'>
+<p class='noindent'>
+THIS was the opening cruise of the Corinthian Yacht Club for 1885. It
+was not a very extensive cruise, starting as it did from Hunter’s Quay and
+coming to anchor at Roseneath. Mr. J. M. Tulloch, rear-commodore of the
+Club, was flag-officer of the day on board his schooner <i>Helen</i>. It need
+scarcely be explained that the group in the right-hand corner has no
+immediate connection with the Corinthians. It seems more akin to the
+Galatians.</p>
+</div>
+<figure id='ii_181' class="max100" style='width: 69em;'>
+<a href='#ti_181'><img src="images/i_181.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-180' class='pagenum'>180</span>ANOTHER YACHTING EXPERIENCE</h3>
+<div class='wl'>
+<p class='noindent'>
+THESE sketches tell their own sad sale. It was in Fairlie Roads that the
+yacht lay&#8288;—I forget the name of it&#8288;—and Millport Regatta was to take place
+on the following day. Why should men make merry over sea-sickness?
+Let us not dwell on the subject.</p>
+</div>
+<figure id='ii_182' class="max100" style='width: 69em;'>
+<a href='#ti_182'><img src="images/i_182.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-183' class='pagenum'>183</span>THE <i>COLUMBA</i></h3>
+<div class='wl'>
+<p class='noindent'>
+YES, after all, for the ordinary person, the best day’s enjoyment to be had
+on the Clyde is on board the <i>Columba</i>. That is how it used to strike us
+long ago, and I don’t think we can be considered to have been so very far
+wrong.</p>
+</div>
+<figure id='ii_185' class="max100" style='width: 85em;'>
+<a href='#ti_185'><img src="images/i_185.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-184' class='pagenum'>184</span>FAIR DEALING</h3>
+<div class='wl'>
+<p class='noindent'>
+THE <i>Fair</i> being, of course, Glasgow Fair, with its few days of freedom
+from the clatter of machinery and from city smoke. Even those who can’t
+go to the country or the coast may find things fresher than usual as a result
+of the temporarily lessened population, and for those stay-at-homes who like
+a sea-going sensation there’s always the Waterloo-fly at the “shows.”</p>
+</div>
+<figure id='ii_186' class="max100" style='width: 70em;'>
+<a href='#ti_186'><img src="images/i_186.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-187' class='pagenum'>187</span>SOME FELLOW-TRAVELLERS</h3>
+<div class='wl'>
+<p class='noindent'>
+THESE can explain themselves, as fellow-travellers sometimes insist on
+doing, whether we wish them to or not.</p>
+</div>
+<figure id='ii_189' class="max100" style='width: 70em;'>
+<a href='#ti_189'><img src="images/i_189.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-188' class='pagenum'>188</span>TRAMS EAST AND WEST</h3>
+<div class='wl'>
+<p class='noindent'>
+MORE fellow-travellers, as found on the old-fashioned tramway-cars
+between Kelvinside and Parkhead.</p>
+</div>
+<figure id='ii_190' class="max100" style='width: 70em;'>
+<a href='#ti_190'><img src="images/i_190.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-191' class='pagenum'>191</span>THE FLITTING TERM</h3>
+<div class='wl'>
+<p class='noindent'>
+TWO events leading up to the time in the merry month of May when
+householders make a change of abode; also one incident in the life of two
+maidens.</p>
+</div>
+<figure id='ii_193' class="max100" style='width: 69em;'>
+<a href='#ti_193'><img src="images/i_193.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-192' class='pagenum'>192</span>A DOMESTIC EXPERIENCE</h3>
+<div class='wl'>
+<p class='noindent'>
+QUITE a common one in the ’eighties and ’nineties, and by no means rare
+in the beginning of the twentieth century.</p>
+</div>
+<figure id='ii_194' class="max100" style='width: 70em;'>
+<a href='#ti_194'><img src="images/i_194.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-195' class='pagenum'>195</span>A COMMERCIAL TRANSACTION</h3>
+<div class='wl'>
+<p class='noindent'>
+We have now reached the point where the characters in the sketches,
+having words of their own to say, do not require the aid of the annotator.</p>
+</div>
+<figure id='ii_197' class="max100" style='width: 69em;'>
+<a href='#ti_197'><img src="images/i_197.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-196' class='pagenum'>196</span>SAFETY ASSURED</h3>
+<div class='wl'>
+<p>
+<i>Mrs. Timour</i>&#8288;—“You’re quite sure there’s no danger in this swell.”
+</p>
+<p>
+<i>Sandie</i>&#8288;—“Never a bit, Mistress; if ye wis tae fa’ oot or onything, we
+could easy grup ye wi’ the boat-hook.”
+</p>
+</div>
+<figure id='ii_198a' class="max100" style='width: 69em;'>
+<img src="images/i_198a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_198b'>
+BEARING WITH THE INFIRMITIES OF A FRIEND</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Dougal</i> (very sympathetically)&#8288;—“Yes, mem; you’ll see, Duncan was a
+second kizzin to the corpe, an’ he’s ta’en a bit turn o’ the he’rt juist for a
+meenit.”
+</p>
+</div>
+<figure id='ii_198b' class="max100" style='width: 69em;'>
+<img src="images/i_198b.jpg" class="w100 v_align_b" alt=""></figure>
+<div class='section'>
+<h3>
+<span id='page-199' class='pagenum'>199</span>THE PARSON OF THE PERIOD</h3>
+</div>
+<div class='wl'>
+<p>
+<i>Jean</i>&#8288;—“Whatna ane o’ them dae ye think the minister’s efter?”
+</p>
+<p>
+<i>Mrs. McAlpine</i>&#8288;—“Toots, ’e’s efter nane o’ them, I’m thinkin’. If
+fufty was comin’ the day an’ fufty was comin’ the morn, he’d blaw in a’
+their lugs!”
+</p>
+</div>
+<figure id='ii_201a' class="max100" style='width: 66em;'>
+<img src="images/i_201a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_201b'>
+SPIRITUAL APATHY</span>
+</h3>
+<div class='wl'>
+<p class='noindent'>
+THE new minister had intimated that he would open a class for young
+people in the Manse on Thursday evenings at eight o’clock. On the
+first Thursday thereafter, at eight-fifteen, the attendance was not at all
+encouraging.</p>
+</div>
+<figure id='ii_201b' class="max100" style='width: 70em;'>
+<img src="images/i_201b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-200' class='pagenum'>200</span>EMULATION</h3>
+<div class='wl'>
+<p class='noindent'>
+NOTHING is more aggravating when you are taking a long country walk
+with a short friend, than his insisting on stepping over fences as you do,
+when he could so much more easily crawl under.</p>
+</div>
+<figure id='ii_202a' class="max100" style='width: 70em;'>
+<img src="images/i_202a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_202b'>
+A BONE OF CONTENTION</span>
+</h3>
+<div class='wl'>
+<p class='noindent'>
+IT may be asked, why does this young man not make himself agreeable to
+these girls if he is the only male to be had? We have to state in reply
+that he has made himself agreeable to all the young ladies in turn, and
+now they have begun to quarrel about him.</p>
+</div>
+<figure id='ii_202b' class="max100" style='width: 70em;'>
+<img src="images/i_202b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-203' class='pagenum'>203</span>NATURE’S SIMPLICITY</h3>
+<div class='wl'>
+<p>
+<i>Candid Celt</i>&#8288;—“There’s them that was sayin’ to me what an aaful nice
+ponnie cratur the leddy was.”
+</p>
+<p>
+<i>Person on Honeymoon</i>&#8288;—“That was very good of them indeed.”
+</p>
+<p>
+<i>Candid Celt</i>&#8288;—“Ay, ay, an’ they’ll wonder extr’or’nar whatt wey she’ll
+not get a praa’er lad nor yersel, onywey!”
+</p>
+</div>
+<figure id='ii_205a' class="max100" style='width: 69em;'>
+<img src="images/i_205a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_205b'>
+ANOTHER OF THE SAME</span>
+</h3>
+<div class='wl'>
+<p class='align_cm'>
+[Scene&#8288;—not a hundred miles from Brodick.]</p>
+<p>
+<i>Miss Spry</i> (who with her sister has accepted a lift)&#8288;—“O, driver, would
+you keep well to one side: here is <em>another conveyance</em> coming!”
+</p>
+</div>
+<figure id='ii_205b' class="max100" style='width: 69em;'>
+<img src="images/i_205b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-204' class='pagenum'>204</span>GIVE A DOG A BAD NAME</h3>
+<div class='wl'>
+<p>
+&#8288;—“What’s your little sister crying for, Donald?”
+</p>
+<p>
+&#8288;—“Oh she aye greets when she sees the doctor, an’ thon’s him
+comin’ along the road.”
+</p>
+</div>
+<figure id='ii_206a' class="max100" style='width: 69em;'>
+<img src="images/i_206a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_206b'>
+WHAT IT’S COMING TO</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Affable vis-a-vis to Sedate Old Gentleman</i>&#8288;—“Do anything in politics,
+sir? May as well tell you I support the Empire myself. Trample on the
+Crown and Constitution, sir&#8288;—you’re on my corns!”
+</p>
+<p class='sig'>
+[<i>Old gentleman shifts his feet uneasily and is dumb.</i></p>
+</div>
+<figure id='ii_206b' class="max100" style='width: 69em;'>
+<img src="images/i_206b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-207' class='pagenum'>207</span>THE REASON OF IT</h3>
+<div class='wl'>
+<p class='align_cm'>
+[Scene&#8288;—A Drawing-Room in the Country.]</p>
+<p>
+<i>First Young Lady</i>&#8288;—“I suppose there are a great many young men in
+Glasgow.”
+</p>
+<p>
+<i>Second and Third Young Ladies</i> (carelessly)&#8288;—“Oh, about seventy or
+eighty thousand or more.”
+</p>
+<p>
+<i>First Young Lady</i>&#8288;—“<em>That</em> accounts for so many of you Glasgow girls
+getting engaged. I knew there must be <em>something</em>!”
+</p>
+</div>
+<figure id='ii_209a' class="max100" style='width: 69em;'>
+<img src="images/i_209a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_209b'>
+AN ART EXTRA</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Sandie</i> (afraid that his companion’s interest in the Exhibition is flagging)
+“Noo, we’re comin’ tae a Hunder’-an’-fifty pounder!”
+</p>
+</div>
+<figure id='ii_209b' class="max100" style='width: 68em;'>
+<img src="images/i_209b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-208' class='pagenum'>208</span>GUID GEAR</h3>
+<div class='wl'>
+<p>
+&#8288;⸺“Wha’s that Mary MacCallum’s gaun wi’ noo?”
+</p>
+<p>
+&#8288;⸺“I dinna ken. He wad need tae be guid, for he’s naether big nor
+bonnie!”
+</p>
+</div>
+<figure id='ii_210a' class="max100" style='width: 70em;'>
+<img src="images/i_210a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_210b'>
+WHAT IT IS TO BE A LORD</span>
+</h3>
+<div class='wl'>
+<p>
+&#8288;⸺“See yon’s the Airl o’ Rosebery, that wee man wi’ the nae
+whiskers!”
+</p>
+<p>
+&#8288;⸺“Lo’d sake!&#8288;—The Craetur!”
+</p>
+</div>
+<figure id='ii_210b' class="max100" style='width: 70em;'>
+<img src="images/i_210b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-211' class='pagenum'>211</span>NOT A LIKELY CUSTOMER</h3>
+<div class='wl'>
+<p>
+<i>Fruit Merchant</i>&#8288;—“Hey, keep yer haunds off the barra if ye’re no
+gaun’ae buy the plooms.”
+</p>
+</div>
+<figure id='ii_213a' class="max100" style='width: 69em;'>
+<a href='#ti_213a'><img src="images/i_213a.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='si_213b'>
+JEER, BOYS, JEER</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Ironical Chorus of Depraved Juveniles</i>&#8288;—“Haw, haw! Wire in,
+Kilties! Quick march! Stand at Ease! Hurray for the Feather-heids!”
+</p>
+</div>
+<figure id='ii_213b' class="max100" style='width: 68em;'>
+<img src="images/i_213b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-212' class='pagenum'>212</span>REGULAR DEAD-HEADS</h3>
+<div class='wl'>
+<p>
+<i>Fair Saleswoman</i>&#8288;—“Would you like to buy a ticket for this beautiful
+cushion?”
+</p>
+<p>
+<i>Lady from the Country</i>&#8288;—“Deed no, we’re no gaun’ae buy onything.
+We cam’ in wi’ complimentary tickets, an’ we’re jist gaun’ae enjoy
+oorsels.”
+</p>
+</div>
+<figure id='ii_214a' class="max100" style='width: 68em;'>
+<img src="images/i_214a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_214b'>
+PRIDE OF STATION</span>
+</h3>
+<div class='wl'>
+<p>
+<i>The Goldsmith</i>&#8288;—“Now this is just the thing for your son&#8288;—a very fine
+keyless watch.”
+</p>
+<p>
+<i>The Mother</i>&#8288;—“Ye needna bother lettin’ us see that. Oor boy has aye
+been brocht up a <em>gentleman</em>, an’ we want nane o’ your <em>keelie’s</em> watches
+for him!”
+</p>
+</div>
+<figure id='ii_214b' class="max100" style='width: 70em;'>
+<img src="images/i_214b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-215' class='pagenum'>215</span>SYMPATHY</h3>
+<div class='wl'>
+<p>
+<i>Hardy Mariner sings lustily</i>&#8288;—
+</p>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“And a mahther weeps</p>
+<p class='verse'>Awr a Seller’s grev.”</p>
+</div>
+</div></div>
+<p>
+<i>Old Lady</i>&#8288;—“Puir wee mannie, here’s a penny. I’m sure your mither
+never thocht ye would come tae this!”
+</p>
+</div>
+<figure id='ii_217a' class="max100" style='width: 70em;'>
+<img src="images/i_217a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_217b'>
+A CITY IDYLL</span>
+</h3>
+<div class='wl'>
+<p>
+<i>He of the Milk-shop</i>&#8288;—“There’s nae chance tae get on in the place I’m
+in; the longer ye’re there they jist gie ye the mair cans tae carry.”
+</p>
+</div>
+<figure id='ii_217b' class="max100" style='width: 69em;'>
+<img src="images/i_217b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-216' class='pagenum'>216</span>OUR BOYS</h3>
+<div class='wl'>
+<p>
+<i>Chief Clerk</i> (emphatically)&#8288;—“What I say <em>is</em> that a Governor who
+forces a fellow to work, and tries to prevent a fellow’s friends from calling to
+have a quiet chat, deserves to be&#8288;⸺”
+</p>
+<p class='sig'>
+[<i>The rest is too awfully emphatic.</i></p>
+</div>
+<figure id='ii_218a' class="max100" style='width: 67em;'>
+<img src="images/i_218a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_218b'>
+A SEASONABLE THREAT</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Gentleman on Foot</i>&#8288;—“Swe-e-e-p behind!”
+</p>
+<p>
+<i>Gentleman on Carriage</i>&#8288;—“Shut up, ye big-heidet ned! Mind if I come
+aff I’ll spile yer Jubilee for ye!”
+</p>
+</div>
+<figure id='ii_218b' class="max100" style='width: 70em;'>
+<img src="images/i_218b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-219' class='pagenum'>219</span>BEARING A BOOL</h3>
+<div class='wl'>
+<p>
+<i>Sandie</i>&#8288;—“Aw, Grannie&#8288;—Grannie,&#8288;—I’ve swallowed ma whinnie!”
+</p>
+<p>
+<i>Grannie</i>&#8288;—“Awa’ hame wi’ ye then&#8288;—awa’ hame this vera meenit! Ye’re
+no gaun’ae dee here!”
+</p>
+</div>
+<figure id='ii_221a' class="max100" style='width: 71em;'>
+<img src="images/i_221a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_221b'>
+SAIR FASHED</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Friend</i>&#8288;—“Hoo are ye likin yer new place, Jeanie?”
+</p>
+<p>
+<i>Nursery Maid</i>&#8288;—“Ugh, I’m fair wrocht aff my feet. I’ve five o’ them
+tae look efter, an’ there’s only yin at the schule!”
+</p>
+</div>
+<figure id='ii_221b' class="max100" style='width: 70em;'>
+<a href='#ti_221b'><img src="images/i_221b.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-220' class='pagenum'>220</span>HE KNEW SHE WAS RIGHT</h3>
+<div class='wl'>
+<p>
+<i>Jock Tamson</i> (who has been catching it pretty hot from Mrs. T.)&#8288;—“Bleeze
+awa’, Betty Wumman, bleeze awa’! I’m no worth showin’ a
+Christian speerit tae!”
+</p>
+</div>
+<figure id='ii_222a' class="max100" style='width: 71em;'>
+<img src="images/i_222a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_222b'>
+THE SOFT ANSWER</span>
+</h3>
+<div class='wl'>
+<p>
+<i>He</i>&#8288;—“Come on, Wumman! Hae ye been tae the Cross an’ back?”
+</p>
+<p>
+<i>She</i>&#8288;—“Aw! Did ye think ye had lost yer ain we lammie doo?”
+</p>
+</div>
+<figure id='ii_222b' class="max100" style='width: 71em;'>
+<a href='#ti_222b'><img src="images/i_222b.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-223' class='pagenum'>223</span>KIND INDEED</h3>
+<div class='wl'>
+<p>
+<i>Applicant for Situation</i>&#8288;—“I’m very sorry, mum, that I don’t suit ye,
+for I must say I’m partickler well pleased with yer appearance.”
+</p>
+</div>
+<figure id='ii_225a' class="max100" style='width: 67em;'>
+<img src="images/i_225a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_225b'>
+ALMOST TOO FASHIONABLE</span>
+</h3>
+<div class='wl'>
+<p>
+&#8288;⸺“Eh Jennie, ye’re nate! Ye’re a rael leddy!&#8288;—Bit losh, sic a
+‘toor-noor’!”
+</p>
+</div>
+<figure id='ii_225b' class="max100" style='width: 70em;'>
+<img src="images/i_225b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-224' class='pagenum'>224</span>THE RISING GENERATION</h3>
+<div class='wl'>
+<p>
+<i>Injured Innocent</i> (to father who has been dozing)&#8288;—“Is there <em>any</em> prospect
+of my being attended to? I understand that my mother gave you
+definite instructions to <em>rock me to sleep</em>, and here I am!”
+</p>
+</div>
+<figure id='ii_226a' class="max100" style='width: 70em;'>
+<img src="images/i_226a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_226b'>
+PARADISE LOST</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Freddie</i>&#8288;—“What’s ’at lady and gentleman crying for?”
+</p>
+<p>
+<i>Mamie</i> (with some recollection of the consequences of eating green fruit&#8288;—“O,
+’at’s Adam ’n’ Eve, an ’ey’s cryin’ ’cos ’ey ett a apple!”
+</p>
+</div>
+<figure id='ii_226b' class="max100" style='width: 69em;'>
+<img src="images/i_226b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-227' class='pagenum'>227</span>A BAD RECOVERY</h3>
+<div class='wl'>
+<p>
+<i>Freddie</i> (with excitement)&#8288;—“O, mamma! we’ve had such fun with our new
+umbrella. It blew outside-in and if it hadn’t been for two boys that helped
+us, Bertie and me could <em>never have got it right again</em>!”
+</p>
+</div>
+<figure id='ii_229a' class="max100" style='width: 68em;'>
+<img src="images/i_229a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_229b'>
+THE MAN OF FEELING</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Poverty</i>&#8288;—... “So that any monetary help, however small, would be
+most thankfully received.”
+</p>
+<p>
+<i>Affluence</i>&#8288;—“Here’s twopence for you.”
+</p>
+<p>
+<i>Poverty</i>&#8288;—“Bless my soul, sir! Do you take me for a <em>common beggar</em>?”
+</p>
+</div>
+<figure id='ii_229b' class="max100" style='width: 69em;'>
+<img src="images/i_229b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-228' class='pagenum'>228</span>A RIGHT TO A CHARACTER</h3>
+<div class='wl'>
+<p>
+<i>Deserving Widow</i>&#8288;—“My laddie’s gaun tae the Toon tae seek a place an’
+I wad be awfu’ obleeged tae ye for a character. He’s a lazy, throughither
+brat, but if ye jist write ‘smert, active, honest ’an industrious,’ folk’ll
+surely believe the minister.”
+</p>
+</div>
+<figure id='ii_230a' class="max100" style='width: 70em;'>
+<img src="images/i_230a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_230b'>
+A PROVISIONAL ORDER</span>
+</h3>
+<div class='wl'>
+<p>
+<i>Betty</i>&#8288;—“Mrs. Mackie’s compliments an’ she wad like you an’ Miss
+Marget tae come tae yer tea this efternoon.”
+</p>
+<p>
+<i>Miss Mimm</i>&#8288;—“Tell Mrs. Mackie with our compliments that we’ll be
+very happy to come. Was there any other message?”
+</p>
+<p>
+<i>Betty</i>&#8288;—“Ay, she said if ye wis comin’ I wis tae get twa tippenny scones
+an’ a quarter o’ fresh butter, but if ye said ‘No’ I wisnae tae mind.”
+</p>
+</div>
+<figure id='ii_230b' class="max100" style='width: 67em;'>
+<img src="images/i_230b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-231' class='pagenum'>231</span>INTERFERENCE WITH FAMILY PRIVILEGE</h3>
+<div class='wl'>
+<p>
+<i>Message Boy</i>&#8288;—“What are ye hittin’ the wee lassie for?”
+</p>
+<p>
+<i>Enraged Party</i>&#8288;—“Ay, I’ll hit ’er! I’ll let her see if <em>she’ll</em> hurray when
+<em>oor</em> coals is tummelt!”
+</p>
+</div>
+<figure id='ii_233a' class="max100" style='width: 70em;'>
+<img src="images/i_233a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_233b'>
+HALLOWE’EN RIVALS</span>
+</h3>
+<div class='wl'>
+<p>
+<i>First Light</i>&#8288;—“Aw-haw! What a wee turnip!”
+</p>
+<p>
+<i>Second Light</i>&#8288;—“Ah, bit I don’t care. I’ve a big yin at hame, an’ I can
+gang inside o’t an’ warm ma haunds at the caunle. Now!”
+</p>
+</div>
+<figure id='ii_233b' class="max100" style='width: 65em;'>
+<img src="images/i_233b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-232' class='pagenum'>232</span>A DISPUTE IN THE FIRM</h3>
+<div class='wl'>
+<p>
+<i>Junior Partner</i>&#8288;—“Div ye think I’m gaun’ ae dae a’ the wark an’ let
+you staun the hale day leanin’ on that shivvel&#8288;—div ye?”
+</p>
+</div>
+<figure id='ii_234a' class="max100" style='width: 68em;'>
+<img src="images/i_234a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_234b'>
+DIGNITY OFFENDED</span>
+</h3>
+<div class='wl'>
+<p>
+<i>The Master</i>&#8288;—“Keep yer distance, noo! Hivn’t I tell’t ye afore that
+it’s no the thing for the ’prentice tae walk aside the Coark?”
+</p>
+</div>
+<figure id='ii_234b' class="max100" style='width: 70em;'>
+<img src="images/i_234b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-235' class='pagenum'>235</span>BEFORE THE BALL</h3>
+<div class='wl'>
+<p>
+<i>Master of Ceremonies</i> (in tone of command)&#8288;—“Toap lady an’ gentleman
+chassies doon an’ draps the lady tae the veezy-vee.”
+</p>
+</div>
+<figure id='ii_237a' class="max100" style='width: 68em;'>
+<img src="images/i_237a.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='si_237b'>
+ETIQUETTE AT THE RIVETER’S REUNION</span>
+</h3>
+<div class='wl'>
+<p>
+<i>He</i>&#8288;—“Would ye dance the Circassian Circle wi’ me if ye please?”
+</p>
+<p>
+<i>She</i>&#8288;—“Beggin’ your pardon, Mister, bit I think ye hivn’t been introjuced.”
+</p>
+</div>
+<figure id='ii_237b' class="max100" style='width: 69em;'>
+<a href='#ti_237b'><img src="images/i_237b.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-236' class='pagenum'>236</span>REAL BENEFACTORS</h3>
+<div class='wl'>
+<p>
+<i>Rev. Peter Sawder</i> (about to close proceedings by proposing a vote of
+thanks to the Sunday-school teachers)&#8288;—“And now, dear children, before
+we go we must thank those who have worked so hard to give us pleasure
+to-night. Can you tell me who they are?”
+</p>
+<p>
+<i>Grateful Boy</i> (appreciatively)&#8288;—“Please, sir, the Bakers, sir!”
+</p>
+</div>
+<figure id='ii_238a' class="max100" style='width: 68em;'>
+<a href='#ti_238a'><img src="images/i_238a.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='si_238b'>
+THE LOAVES AND THE FISHES</span>
+</h3>
+<div class='wl'>
+<p>
+<i>The Rev. Mr. Fogey calls with some pecuniary relief from the session for
+the poor widow who attends his church regularly on Sundays. Two other
+reverend gentlemen have also called on similar errands, and Mrs. McTaggle
+explains</i>: “Come awa’ in, sir. Ye’ll ken Mr. Blazer. I often goes tae
+his prayer-meetin’ on Wednesdays. An’ this is Mr. Clapperton; the weans
+is constant scholars in his Sunday-school. Eh, aye! A body has a heap
+tae be thankfu’ for!”
+</p>
+</div>
+<figure id='ii_238b' class="max100" style='width: 69em;'>
+<img src="images/i_238b.jpg" class="w100 v_align_b" alt=""></figure>
+<h3>
+<span id='page-239' class='pagenum'>239</span>SIGNS OF THE FESTIVE SEASON</h3>
+<figure id='ii_241' class="max100" style='width: 69em;'>
+<a href='#ti_241'><img src="images/i_241.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-240' class='pagenum'>240</span>MORE SIGNS OF THE FESTIVE SEASON</h3>
+<figure id='ii_242' class="max100" style='width: 70em;'>
+<a href='#ti_242'><img src="images/i_242.jpg" class="w100 v_align_b" alt=""></a></figure>
+<h3>
+<span id='page-243' class='pagenum'>243</span>RANDOM QUOTATIONS</h3>
+<div class='wl'>
+<p class='noindent'>
+I HAD thought it desirable to wind up with some apt quotation from the
+poets, but I am afraid I have not successfully done so. It would be rash to
+claim that the quotations here given are apt, or that the sketches in any way
+elucidate the text of the classic authors. Indeed, an examination of the
+context would, I am almost certain, reveal the fact that not in a single
+instance has the real meaning of the passages been caught by the illustrator.
+Better close the volume without further remark.</p>
+</div>
+<figure id='ii_245' class="max100" style='width: 69em;'>
+<a href='#ti_245'><img src="images/i_245.jpg" class="w100 v_align_b" alt=""></a></figure>
+<div class='section'>
+<p class="align_c break_before fontp8 four_space">
+Printed by<br>
+<span class="small-caps">Ballantyne &amp; Co. Limited</span><br>
+Tavistock Street, London
+</p>
+</div>
+<div class='wl section'>
+<div class='mtop4 section'>
+<p class='margesec align_c' id='ti_004'><a href='#ii_004'>THE EARL OF LYTTON AS LORD RECTOR OF GLASGOW UNIVERSITY</a></p>
+<p>
+A Rosebud garden of Girls
+With the adjacent Professors
+</p>
+<p>
+Professor Simpson’s
+Introductory Paper
+</p>
+<p>
+“Patient and Attentive Hearing”
+</p>
+<p>
+The Clerk to the
+Senate
+</p>
+<p>
+“Milton’s
+Memorable
+Vision”
+</p>
+<p>
+“Educated
+Intellectual
+Youth
+of Scotland”
+</p>
+<p>
+Poet
+and
+Diplomatist
+LL.D.
+</p>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“And this from an Austrian Sabre</p>
+<p class='ind_2'>When the field of Marengo was won”</p>
+</div>
+</div></div>
+<p>
+“Let me give you
+a preliminary instance”
+</p>
+<p class='margesec align_c' id='ti_021'><a href='#ii_021'>THE FOUNDATION-STONE</a></p>
+<p>
+A Decoration
+</p>
+<p>
+The City Chamberlain
+</p>
+<p>
+The
+Town
+Clerk
+</p>
+<p>
+<span class="small-caps">The
+Lord
+Provost</span>
+</p>
+<p>
+The
+Provincial
+Grand
+Master
+</p>
+<p>
+The
+Chief
+Constable
+</p>
+<p>
+A Temporary
+Statue
+</p>
+<p>
+Minions preparing for the Deed
+</p>
+<p>
+The Lord Provost
+from the South East
+</p>
+<p>
+The
+Oswald
+Statue
+made
+use of
+</p>
+<p>
+The Obstinate
+Youth who would
+not sit down
+</p>
+<p>
+In the
+Ladies’
+Gallery
+</p>
+<p>
+<span class="small-caps">In George Square</span>
+</p>
+<p>
+Sufficient for the Day
+</p>
+<p>
+<span class="small-caps">In the
+City Hall</span>
+</p>
+<p>
+The
+Toast
+Master
+</p>
+<p>
+<span class="small-caps">The Sheriff
+of Lanarkshire</span>
+</p>
+<p>
+<span class="small-caps">Mr. G. Anderson M.P.</span>
+</p>
+<p>
+<span class="small-caps">Mr. Wm. Pearce</span>
+</p>
+<p>
+<span class="small-caps">The Lord Provost</span>
+</p>
+<p>
+<span class="small-caps">Lord Craighill</span>
+</p>
+<p>
+<span class="small-caps">Sir
+Archibald
+Campbell</span>
+</p>
+<p>
+<span class="small-caps">The Lord Provost
+of Edinburgh</span>
+</p>
+<p class='margesec align_c' id='ti_022a'><a href='#ii_022a'>A RECEPTION</a></p>
+<p>
+Reception in Honour of
+the Iron and Steel Institute
+</p>
+<p>
+The Struggle
+For Food
+</p>
+<p>
+Lord Provost McOnie
+</p>
+<p>
+Dr. John Percy FRS
+</p>
+<p>
+Sir Henry Bessemer
+</p>
+<p class='margesec align_c' id='ti_022b'><a href='#ii_022b'>AN OUTING</a></p>
+<p>
+30th.
+April
+1885
+</p>
+<p>
+With the
+Weaver’s Society
+of
+Anderston.
+</p>
+<p>
+Deacon
+Stewart
+</p>
+<p class='margesec align_c' id='ti_025'><a href='#ii_025'>THE JUBILEE BALL</a></p>
+<p>
+9
+WALTZ
+</p>
+<p>
+SUPPER
+FROM 10.30
+</p>
+<p class='margesec align_c' id='ti_026'><a href='#ii_026'>THE MUNICIPAL BUILDINGS</a></p>
+<p>
+A Bit
+of
+Stained
+Glass
+</p>
+<p>
+A passing feature
+of the Great Room
+</p>
+<p>
+He looks
+higher
+</p>
+<p>
+He dreams
+he dwells
+in Marble Halls
+</p>
+<p>
+He tries his hand
+at Mural
+Decoration
+Subject “Commerce”
+</p>
+<p>
+Our Commissioner
+is directed
+by the Clerk
+of Works
+</p>
+<p>
+He views
+George Square
+through the
+Front Door
+</p>
+<p class='margesec align_c' id='ti_029'><a href='#ii_029'>OPENING OF THE EXHIBITION</a></p>
+<p>
+WELCOME
+</p>
+<p>
+At the Central Station. The Lord Provost presenting the Magistrates
+</p>
+<p>
+<span class="small-caps">In THE <span class='unl'>EXHIBITION</span>
+Sir ARCHd. CAMPBELL
+PRESENTING
+an ADDRESS</span>
+</p>
+<p class='margesec align_c' id='ti_030'><a href='#ii_030'>QUEEN VICTORIA AT THE EXHIBITION</a></p>
+<p>
+<span class="small-caps">THE QUEEN
+READING the
+REPLY to the
+ADDRESS at
+the EXHIBITION.</span>
+</p>
+<p class='margesec align_c' id='ti_033'><a href='#ii_033'>THE SHAH OF PERSIA</a></p>
+<p>
+The Boy
+at
+Luncheon
+</p>
+<p>
+The Shah’s
+Reply in the
+Council Chamber
+</p>
+<p>
+Presentation
+of Consuls
+</p>
+<p>
+Prince
+Malcom
+Khan
+wonders
+how it will
+come in English
+</p>
+<p>
+Sir James
+Marwick
+</p>
+<p>
+Sir John
+McNeill
+</p>
+<p>
+The Duke
+and
+Duchess
+of
+Montrose
+</p>
+<p>
+Sir H. Drummond
+Wolff
+</p>
+<p>
+The Shah
+prees the
+Soup
+</p>
+<p>
+The
+Grand
+Vizier
+</p>
+<p>
+The Fair Beauty and the Dark Ones
+</p>
+<p class='margesec align_c' id='ti_034'><a href='#ii_034'>FIRST COUNCIL MEETING IN THE NEW CHAMBERS</a></p>
+<p>
+A Few Councillors
+</p>
+<p>
+Deacon-Convener
+Mason
+</p>
+<p>
+Lord
+Dean
+of Guild Ure
+</p>
+<p>
+Some
+Magistrates
+</p>
+<p class='margesec align_c' id='ti_037'><a href='#ii_037'>A CITY BALL</a></p>
+<p>
+Dowagers
+in the Gallery
+</p>
+<p>
+In
+the
+Supper-Rooms
+</p>
+<p>
+The Refreshment-Room
+</p>
+<p>
+The Ball-Room
+</p>
+<p>
+The Reception
+Room
+</p>
+<p>
+Arrival of <span class='unl'>The Bailie</span>
+</p>
+<p class='margesec align_c' id='ti_038'><a href='#ii_038'>SHUNA</a></p>
+<p>
+The
+“Myrtle”
+</p>
+<p>
+Farewell
+to Shuna
+</p>
+<p>
+Our Yachting
+Host
+and Hostesses
+</p>
+<p>
+The Christening Party
+</p>
+<p>
+The Shuna Mother
+and the
+Shuna Mite
+</p>
+<p>
+Rev Dr. Edgar
+</p>
+<p>
+The
+Font
+</p>
+<p>
+The “Tocher”
+for the
+Bairn
+</p>
+<p>
+The Tenant of Shuna and the Lord Provost’s Goatskin
+</p>
+<p>
+The Lord Provost’s
+Studious
+Boys
+</p>
+<p class='margesec align_c' id='ti_041'><a href='#ii_041'>JOHN BRIGHT, LORD RECTOR</a></p>
+<p>
+Mr. Chas.
+Tennant
+M.P.
+</p>
+<p>
+Lord
+Rosebery
+</p>
+<p>
+Professor
+Roberton
+</p>
+<p>
+IN
+THE
+CITY
+HALL
+</p>
+<p>
+<span class="small-caps">A new LL.D.</span>
+</p>
+<p>
+The New
+Burgess
+</p>
+<p>
+The
+Town
+Clerk
+</p>
+<p>
+The Very Rev.
+the Principal
+</p>
+<p>
+<span class="small-caps">The Lord
+Provost</span>
+</p>
+<p>
+Doffing the Rectorial Robe
+before beginning the Address
+</p>
+<p>
+“I am an entire
+Stranger to
+University
+Life”
+</p>
+<p>
+“I plead for these
+Millions”
+</p>
+<p>
+Off with its Head&#8288;—So
+much for Birmingham
+</p>
+<p>
+More new LL.D.s
+</p>
+<p class='margesec align_c' id='ti_042'><a href='#ii_042'>THE BUTE HALL</a></p>
+<p>
+<span class="small-caps">In the Museum
+Ancients and
+Moderns</span>
+</p>
+<p>
+<span class="small-caps">Reception in the
+Randolph Hall</span>
+</p>
+<p class='margesec align_c' id='ti_045'><a href='#ii_045'>EDMUND LUSHINGTON, LORD RECTOR</a></p>
+<p>
+The dear old
+delightful
+University
+Custom
+</p>
+<p>
+Sufferers
+</p>
+<p>
+“Order
+Gentlemen!”
+</p>
+<p>
+A Hint from
+Sir Wm. Thomson
+</p>
+<p>
+Exit
+</p>
+<p class='margesec align_c' id='ti_046'><a href='#ii_046'>A RECTORIAL ELECTION</a></p>
+<p>
+Voters for
+<span class="small-caps">Aberdeen
+To
+Extinguish
+“Yelp”</span>
+</p>
+<p>
+VOTE VOTE
+</p>
+<p>
+Voters for
+“BALFOUR
+THE
+MOST
+DISTINGUISHED
+LIVING
+SCOTSMAN”
+</p>
+<p>
+PEASE
+MEAL
+</p>
+<p>
+Equipped
+</p>
+<p>
+A “NATION”
+awaiting
+the
+Result
+</p>
+<p>
+A Tree
+Episode
+</p>
+<p>
+NATIO
+TRANSFORTHANA
+</p>
+<p>
+Quad-Wranglers
+</p>
+<p>
+Where
+some of the
+pease meal
+went
+</p>
+<p>
+A Prof’s
+Representatives
+</p>
+<p class='margesec align_c' id='ti_049'><a href='#ii_049'>BAZAAR IN THE UNIVERSITY</a></p>
+<p>
+Piscatorial
+</p>
+<p>
+Café Chantant
+</p>
+<p>
+Speculative
+</p>
+<p>
+Reflective
+</p>
+<p>
+Feline
+</p>
+<p>
+The
+Stray
+Child
+</p>
+<p>
+Stall “Victoria”
+</p>
+<p>
+Lord Stair’s
+Opening
+Address
+</p>
+<p class='margesec align_c' id='ti_050'><a href='#ii_050'>THE ROYAL EXCHANGE</a></p>
+<p>
+LIST OF OWNERS
+</p>
+<p>
+IRON MARKETS
+</p>
+<p>
+The Iron Ring
+</p>
+<p>
+Some Other Ring
+</p>
+<p>
+Current Events
+</p>
+<p>
+Personages
+</p>
+<p>
+In the Reading-Room
+</p>
+<p class='margesec align_c' id='ti_053'><a href='#ii_053'>CORN EXCHANGE</a></p>
+<p>
+GLASGOW
+</p>
+<p>
+CORNCOBS &amp; Co.
+</p>
+<p class='margesec align_c' id='ti_054'><a href='#ii_054'>AT THE CIRCUIT COURT</a></p>
+<p>
+The
+Oath
+</p>
+<p>
+The Communicative
+Witness
+</p>
+<p>
+The
+Nervous
+Witness
+</p>
+<p>
+The
+Deaf
+Witness
+</p>
+<p>
+The Intelligent
+Jury
+</p>
+<p>
+<span class="small-caps">Lord
+MacLaren</span>
+</p>
+<p>
+The
+Smart
+Detective
+Witness
+</p>
+<p>
+The Indictment
+</p>
+<p>
+One
+who was
+robbed
+</p>
+<p>
+Counsel for the
+Defence
+</p>
+<p>
+Counsel for the
+Prosecution
+</p>
+<p>
+The Prisoners
+</p>
+<p class='margesec align_c' id='ti_057'><a href='#ii_057'>THE MITCHELL LIBRARY</a></p>
+<p>
+Dispensing
+Volumes
+</p>
+<p>
+Making their Choice
+</p>
+<p>
+Youthful
+Avidity
+</p>
+<p>
+“The Illustrated
+London
+News”
+</p>
+<p>
+Enough
+</p>
+<p>
+Too Much
+</p>
+<p>
+Nota Bene
+</p>
+<p>
+A Pamphlet
+</p>
+<p>
+Among the Periodicals
+</p>
+<p>
+Clean Hands
+</p>
+<p>
+“The Art Journal”
+</p>
+<p class='margesec align_c' id='ti_058'><a href='#ii_058'>GLASGOW GREEN</a></p>
+<p>
+Evangelism
+</p>
+<p>
+A Demolisher
+of
+Romanism
+</p>
+<p>
+A Card Party
+</p>
+<p>
+A Few Words on
+Land Restoration
+</p>
+<p>
+An “Anglo-Israelite”
+and his
+Opponent
+</p>
+<p>
+Protestantism
+versus
+Popery
+</p>
+<p>
+Teetotalism
+</p>
+<p class='margesec align_c' id='ti_061'><a href='#ii_061'>THE BOTANIC GARDENS</a></p>
+<p class="align_c one_space">
+<span class="small-caps">CHILDREN not ADMITTED</span><br>
+<span class="small-caps">unless accompanied</span><br>
+<span class="small-caps">by their</span><br>
+<span class="small-caps">PARENTS or GUARDIANS</span>
+</p>
+<p>
+At the
+Conservatory
+Door
+</p>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“This is the Forest Primeval”</p>
+</div>
+</div></div>
+<p>
+A Dryad
+</p>
+<p>
+Training
+for the
+Navy
+</p>
+<p>
+Active
+Juvenile
+Specimens
+</p>
+<p>
+Specimens of
+the <span class='unl'>Homo</span> <span class='unl'>Longus</span>
+</p>
+<p>
+Dusk
+</p>
+<p class='margesec align_c' id='ti_062'><a href='#ii_062'>GLASGOW PARLIAMENTARY ASSOCIATION</a></p>
+<p>
+The Speaker and the Deputy Speaker
+</p>
+<p>
+For Norwich
+</p>
+<p>
+For Hereford
+</p>
+<p>
+The Leader
+of the
+Liberal
+Party
+</p>
+<p>
+For Exeter
+</p>
+<p>
+For
+Pontefract
+</p>
+<p>
+For
+West
+Belfast
+</p>
+<p>
+For
+the
+Universities
+</p>
+<p>
+For
+Bethnal-Green
+</p>
+<p>
+The Member
+for Durham
+</p>
+<p>
+The Member
+for Preston
+</p>
+<p class='margesec align_c' id='ti_065'><a href='#ii_065'>THE CROFTERS’ COMMISSION</a></p>
+<p>
+<span class="small-caps">Sheriff
+Nicolson</span>
+</p>
+<p>
+<span class="small-caps">Sir
+Kenneth
+Mackenzie</span>
+</p>
+<p>
+<span class="small-caps">Lord
+Napier</span>
+</p>
+<p>
+<span class="small-caps">Mr. MacNeill</span>
+</p>
+<p>
+<span class="small-caps">Lochiel</span>
+</p>
+<p>
+<span class="small-caps">Mr.
+Fraser
+Mackintosh
+M.P.</span>
+</p>
+<p>
+<span class="small-caps">Professor MacKinnon</span>
+</p>
+<p>
+The
+Poetess
+Of
+<span class="small-caps">Skye</span>
+</p>
+<p>
+Under
+Examination
+</p>
+<p>
+More or less
+interested
+</p>
+<p>
+The Father
+of the
+<span class="small-caps">Glasgow</span> Press
+</p>
+<p>
+He admitted that
+he was
+“about forty”
+</p>
+<p>
+Prospective Witnesses
+</p>
+<p class='margesec align_c' id='ti_066'><a href='#ii_066'>THE MARQUESS OF SALISBURY</a></p>
+<p>
+Supporters
+</p>
+<p>
+Sir Archd.
+Campbell
+</p>
+<p>
+Mr. Pearce
+</p>
+<p>
+Mr. Shaw
+Stewart
+</p>
+<p>
+The Duke
+of
+Montrose
+</p>
+<p>
+Lord
+Balfour
+of
+Burleigh
+</p>
+<p>
+Lord
+Lothian
+</p>
+<p>
+Lord
+Elcho
+</p>
+<p>
+“It is a horrible tale of
+desertion committed by the
+British Government.”
+</p>
+<p>
+Mr. Jas.
+Sommervell
+of Sorn
+</p>
+<p>
+Lord Kintore
+</p>
+<p>
+Lord Salisbury&#8288;—“I
+only warn you
+to be watchful”
+</p>
+<p>
+Lord Dalkeith
+</p>
+<p>
+Mr. J. H. A.
+MacDonald
+MP
+</p>
+<p>
+Sir John
+Dalrymple
+Hay
+</p>
+<p>
+The Front Row
+</p>
+<p>
+Ready writers
+</p>
+<p>
+Mr. McAllister
+</p>
+<p>
+Conservative
+Working-men&#8288;—
+</p>
+<p>
+Mr. McManus
+</p>
+<p class='margesec align_c' id='ti_069'><a href='#ii_069'>MR. JOSEPH CHAMBERLAIN</a></p>
+<p>
+Mr. Cunningham
+Graham
+of Gartmore
+</p>
+<p>
+Mr. E. R. Russell
+</p>
+<p>
+Mr. B. F. C. Costelloe
+</p>
+<p>
+Dr. Cameron
+M.P.
+</p>
+<p>
+“There is
+Something
+rotten
+in our
+system”
+</p>
+<p>
+“I don’t
+want to quarrel
+with the
+<span class='unl'>Times</span>”
+</p>
+<p>
+Sir
+Wm.
+Collins
+</p>
+<p>
+Sir Charles
+and his
+Guest
+</p>
+<p>
+Mr. Campbell
+of
+Tulliechewan
+</p>
+<p>
+The Chairman
+Mr. Gilbert Beith
+</p>
+<p>
+Thos. Russell
+M.P.
+</p>
+<p class='margesec align_c' id='ti_070'><a href='#ii_070'>LORD GEORGE HAMILTON</a></p>
+<p>
+The Chairman
+</p>
+<p>
+Mr. James
+Somervell of Sorn
+</p>
+<p>
+“I can not
+believe in
+hustings
+philanthropy”
+</p>
+<p>
+“Gentlemen,
+Our position
+is peculiar”
+</p>
+<p>
+Mr. J. N. Cuthbertson
+</p>
+<p>
+Mr. W. C. Maughan
+</p>
+<p>
+G.H.
+</p>
+<p>
+Lord George’s Dress-Suit
+Which got lost
+by the way
+</p>
+<p>
+Lord
+Kintore
+</p>
+<p>
+The
+Mistress
+of
+Blythswood
+</p>
+<p>
+The
+Lord
+Advocate.
+</p>
+<p>
+The First Lord
+of the Admiralty
+being introduced
+</p>
+<p>
+The Solicitor-General
+</p>
+<p class='margesec align_c' id='ti_073'><a href='#ii_073'>A LIBERAL MEETING</a></p>
+<p>
+Mr. Craig Sellar
+M.P.
+</p>
+<p>
+Sir Wm.
+Collins
+</p>
+<p>
+Mr. James
+Campbell
+</p>
+<p>
+Mr. James
+Caldwell
+</p>
+<p>
+“That is the beginning
+and that is the end
+of the
+Conservative
+Reaction”
+</p>
+<p>
+Lord Rosebery
+</p>
+<p>
+Mr. Stephen
+Mason
+M.P.
+</p>
+<p>
+“The Liberals in Scotland
+would have a compact
+opposition of Six”
+</p>
+<p>
+Mr. Mitchell
+Henry
+M.P.
+</p>
+<p>
+Mr. Campbell Bannerman
+M.P.
+</p>
+<p>
+Mr. Gilbert
+Beith
+M.P.
+</p>
+<p>
+Mr. Wm.
+Jacks
+M.P.
+</p>
+<p class='margesec align_c' id='ti_074'><a href='#ii_074'>WILLIAM EWART GLADSTONE</a></p>
+<p>
+A Grand
+Young
+Woman
+</p>
+<p>
+Mr. Goschen’s
+Opponent,
+Dr. Wallace
+</p>
+<p>
+On the Edinburgh Platform
+</p>
+<p>
+Just Stewards
+</p>
+<p>
+Mrs. Childers
+</p>
+<p>
+Lady
+Aberdeen
+</p>
+<p>
+Mr. John Cowan
+of Beeslack
+</p>
+<p>
+The Home Secretary / and his Daughter
+</p>
+<p>
+“I am not
+prepared
+to consent to the
+repeal of the Union”
+</p>
+<p>
+“&#8288;—an extract
+on the
+subject
+from
+Mr. Fox”
+</p>
+<p>
+Listening for
+an Adversary’s
+Argument
+</p>
+<p>
+The Source
+of Eloquence
+</p>
+<p class='margesec align_c' id='ti_077'><a href='#ii_077'>MR. GLADSTONE IN GLASGOW</a></p>
+<p>
+“Glasgow
+will make
+true and solid work
+in the Liberal Cause”
+</p>
+<p>
+The Great
+MacDougal
+</p>
+<p>
+Rev. George
+Gladstone
+</p>
+<p>
+Mouthpieces
+</p>
+<p>
+Mr. Gilbert Beith
+</p>
+<p>
+Sir C. Tennant
+in a striking
+attitude
+</p>
+<p>
+“That
+question
+is not
+ripe”
+</p>
+<p>
+A Match for Gladstone!
+</p>
+<p>
+“What said
+Mr. Burke
+on the Subject?”
+</p>
+<p>
+The
+Old
+Man’s
+Guiding Star
+</p>
+<p>
+“Lord
+Hartington
+has assisted me
+to make <span class='unl'>no</span>
+further advance”
+</p>
+<p class='margesec align_c' id='ti_078'><a href='#ii_078'>LORD HARTINGTON</a></p>
+<p>
+Sir Wm.
+Thomson
+</p>
+<p>
+Lord
+Ribblesdale
+</p>
+<p>
+Mr. James
+Grahame
+</p>
+<p>
+Provost.
+Browne
+</p>
+<p>
+Mr.
+Bennet
+Burleigh
+</p>
+<p>
+The Unionist
+Septemvirate
+</p>
+<p>
+Mr. Cameron
+Corbett
+M.P.
+</p>
+<p>
+Mr. R. Vary
+Campbell
+</p>
+<p>
+Mr. James
+Caldwell
+</p>
+<p>
+Mr. Colin
+Mackenzie
+</p>
+<p>
+Mr. G. A. Baird
+</p>
+<p>
+Mr. Mitchell Henry M.P.
+</p>
+<p>
+“The Liberal Party
+will not, and
+cannot die”
+</p>
+<p>
+“Has the record
+of the Prime Minister
+been one of unvarying
+consistency?”
+</p>
+<p>
+The
+Marquis
+of
+Hartington
+</p>
+<p>
+Sir
+Edward
+Colebrooke,
+Chairman
+</p>
+<p class='margesec align_c' id='ti_081'><a href='#ii_081'>THE EARL OF ABERDEEN</a></p>
+<p>
+Dr. Cameron
+M.P.
+</p>
+<p>
+Mr. Gilbert Beith
+</p>
+<p>
+An Irish Deputation
+</p>
+<p>
+Professor
+Henry
+Drummond
+</p>
+<p>
+The
+Earl
+of
+Aberdeen
+</p>
+<p>
+Mr. A. Illingworth
+M.P.
+</p>
+<p>
+Mr. J. B. Balfour
+M.P.
+</p>
+<p>
+Rev. Geo.
+Gladstone
+</p>
+<p>
+Mr. T. Glen Coats
+</p>
+<p>
+Lady Aberdeen
+</p>
+<p>
+The Earl
+of Elgin
+</p>
+<p>
+Mr. A. Macdougall
+</p>
+<p>
+Mr. Alexander
+Asher
+M.P.
+</p>
+<p>
+Rev. Professor Lindsay
+</p>
+<p class='margesec align_c' id='ti_082'><a href='#ii_082'>INTERESTING STRANGERS&#8288;—VARIED</a></p>
+<p>
+Chairman
+Ferguson
+</p>
+<p>
+<span class="small-caps">Michael Davitt</span>
+</p>
+<p>
+Scottish
+Land
+Restoration
+</p>
+<p>
+The Youngest Pilgrim
+</p>
+<p>
+<span class="small-caps">DR. GEORGE
+MACDONALD
+and
+FAMILY
+in
+THE
+PILGRIM’S
+PROGRESS
+Part
+2.</span>
+</p>
+<p>
+MERCY
+</p>
+<p>
+CHRISTIANA
+</p>
+<p>
+PRUDENCE
+</p>
+<p>
+GREATHEART
+</p>
+<p>
+<span class="small-caps">Land Reform</span>
+</p>
+<p>
+HENRY
+GEORGE
+</p>
+<p>
+<span class="small-caps">MAX
+O’RELL
+on
+JOHN BULL
+and
+Jacques
+BON
+HOMME</span>
+</p>
+<p>
+<span class="small-caps">Professor
+ARMINIUS
+VAMBERY</span>
+</p>
+<p>
+Sir
+Roger
+Tichborne,
+Baronet?
+</p>
+<p>
+“That Friend of the
+people
+The Master of Works”
+</p>
+<p class='margesec align_c' id='ti_085'><a href='#ii_085'>HENRY WARD BEECHER</a></p>
+<p>
+Rev. Dr. Parker
+</p>
+<p>
+Rev. A. Goodrich
+</p>
+<p>
+Dr. W. G. Blackie
+Chairman
+</p>
+<p>
+“The only time of my
+ministry that I ever saw
+the whole of my audience
+asleep”
+</p>
+<p>
+“When a lion
+eats an ox,
+does the <span class='unl'>lion</span>
+become <span class='unl'>ox</span>?
+No, the ox becomes
+<strong>LION</strong>.”
+</p>
+<p>
+Rev. Henry Ward
+Beecher
+</p>
+<p class='margesec align_c' id='ti_086'><a href='#ii_086'>GLASGOW JURIDICAL SOCIETY</a></p>
+<p>
+Sir
+Michael
+Connal
+</p>
+<p>
+Impressions
+from the
+Platform
+</p>
+<p>
+Sheriff
+Murray
+</p>
+<p>
+Sheriff
+Berry
+</p>
+<p>
+“In the oft-quoted words of one of them,
+the American lawyer
+‘worked hard, lived well
+and died poor’”
+</p>
+<p>
+Listening
+to Sheriff Murray
+</p>
+<p>
+His
+Excellency
+</p>
+<p class='margesec align_c' id='ti_089'><a href='#ii_089'>INSTITUTE OF THE FINE ARTS</a></p>
+<p>
+Col. Mathieson
+</p>
+<p>
+“The
+Glasgow
+Institute
+of the
+Fine Arts”
+</p>
+<p>
+Prof. Jebb
+</p>
+<p>
+The
+Clergy
+</p>
+<p>
+Mr. John Ure
+</p>
+<p>
+Dr. Donald
+Macleod
+</p>
+<p>
+“The Universities”
+</p>
+<p>
+Prof. Gairdner
+</p>
+<p>
+Sheriff Cowan
+</p>
+<p>
+Two Song Birds
+</p>
+<p>
+J. D. Taylor
+Gw. Art Club
+</p>
+<p>
+“Houses
+of
+Parliament”
+</p>
+<p>
+Mr.
+John
+Burns
+</p>
+<p>
+Stewart
+Clark
+M.P.
+</p>
+<p>
+The Genial Host
+</p>
+<p>
+Francis Powell
+RWS
+</p>
+<p>
+Colin Hunter
+ARA.
+</p>
+<p>
+“The
+Literature
+of
+Scotland”
+</p>
+<p>
+Dr. James
+Brown
+</p>
+<p>
+“The Royal Academy ??”
+Mr. J. Forbes White
+</p>
+<p>
+Robt. Herdman
+RSA
+</p>
+<p>
+Dr. Walter C. Smith
+</p>
+<p>
+The Croupier
+Mr. D. E. Outram
+</p>
+<p class='margesec align_c' id='ti_090'><a href='#ii_090'>PEOPLE AT THE PICTURES</a></p>
+<p>
+“Three fine
+women
+Uncle Charlie!
+Eh!”
+</p>
+<p>
+Visitors
+by Daylight
+</p>
+<p>
+“The Sisters”
+</p>
+<p>
+Explanatory
+</p>
+<p>
+Official
+</p>
+<p>
+The
+Mosaic
+Jetsam
+</p>
+<p>
+Skywards
+gazing
+</p>
+<p>
+SHOW
+YOUR
+TICKET
+</p>
+<p>
+Analytical
+</p>
+<p>
+Clerical
+</p>
+<p>
+Visitors by
+Gaslight
+(A Musical
+Monday)
+</p>
+<p class='margesec align_c' id='ti_093'><a href='#ii_093'>ARTISTS AND THEIR FRIENDS</a></p>
+<p>
+Mr. J. G. Whyte
+</p>
+<p>
+The Secy.
+</p>
+<p>
+Mr. Muir
+</p>
+<p>
+Mr. Outram
+</p>
+<p>
+Mr.
+Hugh
+Cameron
+RSA
+</p>
+<p>
+Mr. W. E. Lockhart
+RSA
+</p>
+<p>
+Dr. Chas. Blatherwick
+</p>
+<p>
+Mr. Jas. H. Stoddart
+</p>
+<p>
+Mr. J. L. Toole
+</p>
+<p>
+Mr. Wm. McTaggart
+RSA
+</p>
+<p>
+Mr.
+Robt.
+Herdman
+RSA
+</p>
+<p>
+Mr. John Smart
+RSA
+</p>
+<p>
+Mr. Francis Powell
+RWS
+President
+SSWCP
+</p>
+<p>
+Mr. L. Alma-Tadema
+RA
+</p>
+<p>
+<span class="small-caps">A LUNCHEON of the
+SCOTTISH SOCIETY of
+PAINTERS in WATER-COLOUR.</span>
+</p>
+<p>
+Mr. Wicks
+</p>
+<p>
+Mr. J. E. Christie
+“Tam
+o’
+Shanter”
+</p>
+<p>
+The Secretary
+</p>
+<p>
+The
+Sheriff
+</p>
+<p>
+Mr. Muir
+</p>
+<p>
+Mr. James
+Reid
+</p>
+<p>
+Col.
+Mathieson
+</p>
+<p>
+Mr.
+Wm. McTaggart
+RSA
+</p>
+<p>
+Professor
+Jebb
+</p>
+<p>
+Mr. Francis Powell RWS
+</p>
+<p>
+Mr. D. E. Outram
+Chairman
+</p>
+<p>
+Mr. F. H.
+Underwood
+</p>
+<p>
+Mr. John MacWhirter A.R.A
+</p>
+<p>
+Mr. Andrew
+Maxwell
+</p>
+<p>
+<span class="small-caps">A DINNER of the INSTITUTE
+of the
+FINE ARTS.</span>
+</p>
+<p>
+<span class="small-caps">Sir
+Wm.
+FETTES
+DOUGLAS PRSA</span>
+</p>
+<p class='margesec align_c' id='ti_097'><a href='#ii_097'>THE FINE ART INSTITUTE AGAIN</a></p>
+<p>
+<span class="small-caps">SPEAKING LIKENESSES
+from the BANQUET
+of the INSTITUTE of the FINE ARTS</span>
+</p>
+<p>
+<span class='unl'>CATALOGUE</span>
+</p>
+<p>
+1 Sir Chas. Tennant Bart.
+</p>
+<p>
+2 A. J. Kirkpatrick Esq.
+</p>
+<p>
+3 Chas. Gairdner Esq.
+</p>
+<p>
+4 T. G. Arthur Esq.
+</p>
+<p>
+5 James Reid Esq.
+</p>
+<p>
+6 Rev. Donald Macleod D.D.
+</p>
+<p>
+7 Joseph Henderson RSW.
+</p>
+<p>
+8 F. H. Underwood LL.D.
+</p>
+<p>
+9 J. G. A. Baird M.P.
+</p>
+<p>
+10 Wm. McTaggart RSA
+</p>
+<p>
+11 Sheriff Berry LL.D.
+</p>
+<p class='margesec align_c' id='ti_098'><a href='#ii_098'>ART CLUB COSTUME BALL</a></p>
+<p>
+The Grand Pageant
+</p>
+<p>
+The Motley Throng
+</p>
+<p>
+The Admiring Gaze
+</p>
+<p>
+The Lillie
+</p>
+<p>
+The African Lion
+</p>
+<p class='margesec align_c' id='ti_101'><a href='#ii_101'>TABLEAUX IN REHEARSAL</a></p>
+<p>
+Making Ends Meet
+</p>
+<p>
+Burns
+revising
+Tam
+o’ Shanter
+</p>
+<p>
+Professional
+Assistance
+</p>
+<p>
+Glover’s
+Guide
+to Paris
+</p>
+<p>
+One of
+the Merry Wives
+</p>
+<p>
+Julius
+Cæsar
+called
+</p>
+<p>
+“All conspirators
+wanted”
+</p>
+<p>
+“Macbeth
+hath
+murdered
+sleep”
+</p>
+<p class='margesec align_c' id='ti_102'><a href='#ii_102'>A BERLIOZ CONCERT</a></p>
+<p>
+The Heavenly Maid
+</p>
+<p>
+The Chorus
+(Every portrait
+is not guaranteed)
+</p>
+<p>
+Extra Tympani
+and Tromboni
+</p>
+<p>
+Solo
+Vocalist
+</p>
+<p>
+Orchestration
+</p>
+<p>
+The Leading
+Movements
+</p>
+<p>
+Breathing
+time
+for the
+First
+Violin
+</p>
+<p class='margesec align_c' id='ti_105'><a href='#ii_105'>A MACKENZIE ORATORIO</a></p>
+<p>
+Mr. Edward
+Lloyd
+</p>
+<p>
+Dr. Peace
+</p>
+<p>
+Mr. Watkin
+Mills
+</p>
+<p>
+Madame
+Albani
+</p>
+<p>
+Miss Hilda
+Wilson
+</p>
+<p>
+Mr. A. C. Mackenzie
+Composer
+and
+Conductor
+</p>
+<p>
+First Violin
+Mr. M. Sons
+</p>
+<p class='margesec align_c' id='ti_106'><a href='#ii_106'>THE MANNS SEASON</a></p>
+<p>
+Mr. Sons
+</p>
+<p>
+Mr. Waud
+</p>
+<p>
+Miss Fanny
+Davies
+</p>
+<p>
+Mr. Wotton
+</p>
+<p>
+Mr. John
+Dunn
+</p>
+<p>
+Mr. August
+Manns
+</p>
+<p>
+Mr. Andrew
+Black
+</p>
+<p>
+Fraulein
+Schneider
+</p>
+<p class='margesec align_c' id='ti_109'><a href='#ii_109'>MUSICIANS</a></p>
+<p>
+THE GLASGOW ACADEMY CHOIR
+</p>
+<p>
+Boaz
+</p>
+<p>
+Ruth
+</p>
+<p>
+The Choirmaster
+</p>
+<p>
+Orpah
+</p>
+<p>
+Naomi
+</p>
+<p>
+The City
+Organist
+Mr. H. A. Lambeth
+</p>
+<p>
+<span class="small-caps">Frederic
+Lamond</span>
+</p>
+<p>
+With the GLASGOW SOCIETY of MUSICIANS 29th Jany.
+</p>
+<p>
+Mr. Berger
+Vice-Pres.
+</p>
+<p>
+The
+Honoured
+Guest
+</p>
+<p>
+Mr. Seligmann
+President
+</p>
+<p>
+The
+Hon Secy
+</p>
+<p class='margesec align_c' id='ti_110'><a href='#ii_110'>DRAMATIC AMATEURS OF THE <span class="small-caps">5th</span> L.R.V.</a></p>
+<p>
+<span class="small-caps">Good for Nothing</span>
+</p>
+<p>
+Simpson
+(Lieut. Flower)
+</p>
+<p>
+Harry
+(Capt. Morrison)
+</p>
+<p>
+Tom
+(Capt. Wallace)
+</p>
+<p>
+Nan
+(Miss C. Watson)
+</p>
+<p>
+Charley
+(Lieut. Guild)
+</p>
+<p>
+Graham
+(Miss MacBean)
+</p>
+<p>
+Torrens
+(Major Lysons)
+</p>
+<p>
+Mrs. Delamaine
+(Miss C. Watson)
+</p>
+<p>
+Emma
+(Miss J. Hutchison)
+</p>
+<p>
+THE SERIOUS FAMILY
+</p>
+<p>
+Vincent
+(Capt. Wallace)
+</p>
+<p>
+Aminadab Sleek
+(Capt. Morrison)
+</p>
+<p>
+Lady Creamly
+(Miss A. Watson)
+</p>
+<p>
+Danvers
+(Lieut. Guild)
+</p>
+<p>
+Mrs. Torrens
+(Miss Guild)
+</p>
+<p>
+Captain
+Murphy
+Maguire
+(Capt. MacDowall)
+</p>
+<p class='margesec align_c' id='ti_113'><a href='#ii_113'>DRAMATIC AMATEURS OF THE <span class="small-caps">1st</span> L.R.V.</a></p>
+<p>
+Moss
+(Mr. McWhinnie)
+</p>
+<p>
+Maltby
+(Mr. Brewer)
+</p>
+<p>
+Mrs. Willoughby
+(Mrs. King)
+</p>
+<p>
+Dalton
+(Mr. Muirhead)
+</p>
+<p>
+Gibson
+(Mr. Gray)
+</p>
+<p>
+Hawkshaw
+(Mr.
+Cumming)
+</p>
+<p>
+Emily St. Evremond
+(Miss
+Ella
+Baynham)
+</p>
+<p>
+Bob Brierly
+(Mr. Forrest
+Niven)
+</p>
+<p>
+May Edwards
+(Miss Amy Baynham)
+</p>
+<p>
+Sam Willoughby
+(Mr. Harcourt
+Beatty)
+</p>
+<p>
+THE TICKET-of-LEAVE MAN
+</p>
+<p>
+“The
+Queen”
+</p>
+<p>
+QUEEN’S OWN
+YEOMANRY-CLUB
+BALL
+</p>
+<p class='margesec align_c' id='ti_114'><a href='#ii_114'>DRAMATIC AMATEURS OF THE <span class="small-caps">1st</span> L.R.V. AGAIN</a></p>
+<p>
+Mrs. McCandlish
+(Mrs. C. King)
+</p>
+<p>
+Bailie Mucklethrift
+(Mr. McWhinnie)
+</p>
+<p>
+Jock Jabos
+(Mr. Allison)
+</p>
+<p>
+Guy Mannering
+(Lieut. Melliss)
+</p>
+<p>
+Glossin
+(Mr. Foulds)
+</p>
+<p>
+McGuffog
+(Mr. Brewer)
+</p>
+<p>
+Julia
+(Miss Martha Wilson)
+</p>
+<p>
+Henry
+Bertram
+(Mr. Dunsmore)
+</p>
+<p>
+Dominie
+Sampson
+(Mr. George
+Muirhead)
+</p>
+<p>
+Flora
+(Miss Effie
+McDonald)
+</p>
+<p>
+Lucy
+Bertram
+(Miss F.
+Baynham)
+</p>
+<p>
+Meg Merrilies
+(Miss Julia Seaman)
+</p>
+<p>
+Sebastian
+(Mr. Cooke)
+</p>
+<p>
+Gabriel
+(Mr. Macgillivray)
+</p>
+<p>
+Dandie
+Dinmont
+(Mr. W. B. Johnston)
+</p>
+<p>
+Dirk
+Hatteraick
+(Mr. Forrest
+Niven)
+</p>
+<p class='margesec align_c' id='ti_117'><a href='#ii_117'>THE PHILOMEL CLUB</a></p>
+<p>
+Squire Bantam
+Mr. W. Broadfoot
+</p>
+<p>
+Tom Strutt
+(Mr. H. Dyce Paterson)
+</p>
+<p>
+Phyllis
+(Miss Dubs)
+</p>
+<p>
+Tuppitt
+(Mr. W. R. Buchanan)
+</p>
+<p>
+Harry
+(Mr. J. Carrick Jr.)
+</p>
+<p>
+Geoffrey
+(Mr. W. H.
+Dunsmore)
+</p>
+<p>
+Lady Betty
+(Miss J. E.
+Chrystal)
+</p>
+<p>
+Mrs. Privett
+(Mrs. D. Smyth)
+</p>
+<p>
+Lydia
+(Miss Broadfoot)
+</p>
+<p>
+Lurcher
+(Mr. J. W. Watson)
+</p>
+<p>
+Dorothy
+(Miss Eugenie
+Smyth)
+</p>
+<p>
+Mr. Duncan
+Smyth,
+Conductor.
+</p>
+<p class='margesec align_c' id='ti_118'><a href='#ii_118'>A VOLUNTEER BAZAAR</a></p>
+<p>
+Lots Drawn
+</p>
+<p>
+Drawing Lots
+</p>
+<p>
+A Gallery
+Gossip
+</p>
+<p>
+Strange that you
+should turn savagely
+on your fellow-man&#8288;—and
+the moment after
+succumb to the
+blandishments
+of the
+other sex
+</p>
+<p class='margesec align_c' id='ti_121'><a href='#ii_121'>A GATHERING OF THE <span class="small-caps">1st</span> L.R.V.</a></p>
+<p>
+Musical
+</p>
+<p>
+Col.
+Smith
+</p>
+<p>
+Col. Forrester’s
+laurel joke
+</p>
+<p>
+Down
+</p>
+<p>
+up
+</p>
+<p>
+Major
+Reid
+</p>
+<p>
+Col. Gildea medalling an Officer
+</p>
+<p>
+Regulars
+</p>
+<p>
+Buffeting
+</p>
+<p>
+Waltz Music
+</p>
+<p class='margesec align_c' id='ti_122'><a href='#ii_122'>WEST OF SCOTLAND RIFLE ASSOCIATION</a></p>
+<p>
+AMMUNITION
+ISSUED HERE
+</p>
+<p>
+SECRETARY’S
+TENT
+</p>
+<p class='margesec align_c' id='ti_125'><a href='#ii_125'>A BOYS’ BRIGADE INSPECTION</a></p>
+<p>
+The Sergeants’
+Mess
+</p>
+<p>
+Music
+</p>
+<p>
+The Brigade
+Secretary
+Mr. W. A. Smith
+</p>
+<p>
+The March past
+</p>
+<p>
+The Inspecting
+Officer
+Lt. Col. J. Newbigging Smith
+</p>
+<p>
+The Brigade
+President
+Mr. J. Carfrae
+Alston
+</p>
+<p>
+“Mind ye
+they’re a’
+juist as prood
+as if they wis
+rael sodjers!”
+</p>
+<p>
+“If it wisna that I’ve
+ett a’ the
+rations in ma
+heverseck
+I wad gie
+ye baith
+some.
+</p>
+<p class='margesec align_c' id='ti_126'><a href='#ii_126'>A REGIMENTAL SOIRÉE</a></p>
+<p>
+Cupid and
+Psyche
+</p>
+<p>
+Returned
+Empties
+</p>
+<p>
+Vocalists
+</p>
+<p>
+Some of the Upper Circles
+</p>
+<p>
+Lady King
+presenting
+Prizes
+</p>
+<p>
+A Service of Fruit
+</p>
+<p>
+Colonel Mein
+</p>
+<p>
+A Cup o’ Kindness
+</p>
+<p>
+An Efficient
+</p>
+<p>
+The Progress of Events
+</p>
+<p>
+A Family Affair
+</p>
+<p class='margesec align_c' id='ti_129'><a href='#ii_129'>ON BOARD THE <i>DRAKE</i></a></p>
+<p>
+H.M.S. Drake
+</p>
+<p>
+“Fire!”
+</p>
+<p>
+The Instructor
+</p>
+<p>
+The Projectile
+</p>
+<p>
+“Lie
+Down”
+</p>
+<p class='margesec align_c' id='ti_133'><a href='#ii_133'>FOOTBALL</a></p>
+<p>
+A Reporter
+</p>
+<p>
+Faces in the Crowd
+</p>
+<p>
+PARTY SPIRIT
+No. 1&#8288;—A Goal for the Third
+</p>
+<p>
+“Neilly”
+</p>
+<p>
+PARTY SPIRIT
+No. 2&#8288;—A Goal for the Queens Park
+</p>
+<p class='margesec align_c' id='ti_134'><a href='#ii_134'>HIGHLAND SPORTS</a></p>
+<p>
+Cameronian
+Pipers
+</p>
+<p>
+Field
+Gunners
+</p>
+<p>
+Tilters at the Ring and Lemon Cutters
+</p>
+<p>
+Wrestlers on Horseback
+</p>
+<p>
+Single
+Stickers
+</p>
+<p>
+Tuggers of War
+</p>
+<p>
+Pipers
+and
+Dancers
+</p>
+<p>
+Tossers
+</p>
+<p>
+Throwers
+</p>
+<p>
+Putters
+</p>
+<p class='margesec align_c' id='ti_137'><a href='#ii_137'>CRICKET</a></p>
+<p>
+Labour
+</p>
+<p>
+Leisure
+</p>
+<p>
+Lunch
+</p>
+<p>
+Professionals
+</p>
+<p class='margesec align_c' id='ti_138'><a href='#ii_138'>WESTERN BATHS</a></p>
+<p>
+On High.
+</p>
+<p>
+Natation
+</p>
+<p>
+Music
+</p>
+<p>
+Reception
+</p>
+<p class='margesec align_c' id='ti_141'><a href='#ii_141'>WELLCROFT BOWLING-GREEN</a></p>
+<p>
+Ladies’
+Representatives
+</p>
+<p>
+Enthusiasm
+</p>
+<p>
+Suspense
+</p>
+<p>
+Anxiety
+</p>
+<p>
+Measurement
+</p>
+<p>
+The Bowler’s Progress
+</p>
+<p>
+A Treasurer
+</p>
+<p>
+A Veteran Secretary
+</p>
+<p>
+A President
+</p>
+<p class='margesec align_c' id='ti_142'><a href='#ii_142'>POLICE SPORTS</a></p>
+<p>
+Glasgow
+</p>
+<p>
+Govan
+</p>
+<p>
+Glasgow
+Victorious
+</p>
+<p>
+The
+Chief
+</p>
+<p>
+Judges
+</p>
+<p class='margesec align_c' id='ti_145'><a href='#ii_145'>FRIENDLY SOCIETIES’ DEMONSTRATION</a></p>
+<p>
+The Meet
+in Blythswood
+Square
+</p>
+<p>
+Martial Music
+</p>
+<p>
+The Gentle
+Breeze
+</p>
+<p>
+Through the City
+</p>
+<p>
+The Grand
+Marshal
+</p>
+<p>
+“I wish
+that bawnd-man
+wid come. I’m seeck o’ this
+Trumpet”
+</p>
+<p>
+“Man, ye should jine the Foresters. That bonnet an’ things
+maks a body awfu’ common-lukkin’!”
+</p>
+<p>
+“Me an’ Paw’s Shippards
+but Uncle Jim’s is juist a Rechabite!”
+</p>
+<p class='margesec align_c' id='ti_146'><a href='#ii_146'>A PATRIOTIC DINNER</a></p>
+<p>
+Fortifying
+</p>
+<p>
+The
+Secretary
+quoting
+from the
+“unavoidably
+absent”
+</p>
+<p>
+As seen in the mirror
+behind
+</p>
+<p>
+The
+Navy
+(Captain
+Adeane)
+</p>
+<p>
+The
+Army
+(Col.
+Turner)
+</p>
+<p>
+Sheriff Clark
+</p>
+<p>
+Colonel Malcolm
+of Poltalloch
+Chairman
+</p>
+<p>
+The Deputy
+Speaker
+of the
+Local
+Parliament
+</p>
+<p>
+The Reserve
+Forces
+</p>
+<p>
+Dr. Burns
+</p>
+<p>
+Croupier
+Mr. Wm.
+Campbell
+</p>
+<p>
+The Clergy
+(Mr. Munro)
+</p>
+<p>
+Croupier
+Bailie Salmond
+</p>
+<p class='margesec align_c' id='ti_149'><a href='#ii_149'>A COUNTY ASSOCIATION SOIRÉE</a></p>
+<p>
+Juvenile
+Music
+</p>
+<p>
+The Concert
+Department
+</p>
+<p>
+The
+much
+appreciated
+Comic
+</p>
+<p>
+7 o’clock
+prompt
+</p>
+<p>
+The Chairman and his
+Supporters
+</p>
+<p>
+Fruit
+in
+pokes
+</p>
+<p>
+The
+M.C.
+</p>
+<p>
+The Grand
+March.
+Who is the Belle?
+</p>
+<p class='margesec align_c' id='ti_150'><a href='#ii_150'>A COUNTY SOCIETY DINNER</a></p>
+<p>
+Major
+Cassels
+</p>
+<p>
+Mr. Jas. Boyd
+</p>
+<p>
+Mr. Ritchie
+</p>
+<p>
+Mr.
+Ramsay
+</p>
+<p>
+The
+Treasurer
+</p>
+<p>
+Rev
+McDuff
+</p>
+<p>
+Mr. Jas.
+Tullis
+</p>
+<p>
+The
+Secretary
+</p>
+<p>
+Mr. J. O. Mitchell
+</p>
+<p>
+The Croupiers
+</p>
+<p>
+Mr. Johnston
+</p>
+<p>
+Mr. Rowan
+</p>
+<p>
+Bailie
+McLennan
+</p>
+<p>
+Mr. J. G. A. Baird
+M.P.
+Chairman
+</p>
+<p>
+Mr. Peter
+Sturrock
+</p>
+<p>
+Mr. Wm. Jolly
+</p>
+<p>
+Professor
+Gairdner
+</p>
+<p>
+Sir Chas.
+Dalrymple
+</p>
+<p>
+The Lord Provost
+</p>
+<p>
+“Golden Chains
+are heavy”
+</p>
+<p>
+Sheriff Hall
+</p>
+<p>
+Hon
+Thos. Cochrane
+</p>
+<p class='margesec align_c' id='ti_153'><a href='#ii_153'>AN ENGINEER’S ANNIVERSARY</a></p>
+<p>
+The
+Press
+</p>
+<p>
+The Board
+of Trade
+</p>
+<p>
+Mr. S. G. G.
+Copestake
+</p>
+<p>
+Principal
+Jamieson
+</p>
+<p>
+Capt Blair
+</p>
+<p>
+Professor
+James Thomson
+</p>
+<p>
+Mr. George
+Graham
+</p>
+<p>
+Mr. W. J. Millar
+</p>
+<p>
+Dr. W. G.
+Blackie
+</p>
+<p>
+Mr. Dundas
+</p>
+<p>
+Provost
+Shankland
+</p>
+<p>
+Mr. Geo.
+Russell
+</p>
+<p>
+Mr. Matthew
+Holmes
+</p>
+<p>
+THE CROUPIERS
+</p>
+<p>
+Mr. John
+Turnbull
+Junr.
+</p>
+<p>
+Bailie
+Gray
+</p>
+<p>
+THE CHAIRMAN
+Mr. A. C. Kirk
+</p>
+<p>
+Dr. J. B.
+Russell
+</p>
+<p>
+Mr. Robert
+Duncan
+</p>
+<p>
+Mr. T. B. Seath
+</p>
+<p class='margesec align_c' id='ti_154'><a href='#ii_154'>AN INDUSTRIAL EXHIBITION</a></p>
+<p>
+PATERSON’S
+</p>
+<p class="align_c one_space">
+MAKES<br>
+CHILDREN<br>
+THRIVE
+</p>
+<p>
+DUNMORE
+</p>
+<p>
+The Boosers Friend
+or Patent Corkscrew
+</p>
+<p>
+The
+Spirit
+of
+Pottery
+</p>
+<p>
+Macnab’s
+lens
+enchantment
+to the View
+</p>
+<p>
+Cigarettes
+for Whiffer likes
+</p>
+<p>
+The Minstrel
+Boy
+</p>
+<p>
+Bangles
+</p>
+<p>
+...AZE WORKS
+...S PARIS
+</p>
+<p>
+Bijouterie
+de Paris
+</p>
+<p>
+Jack Frost
+at work
+</p>
+<p>
+Hembroidery
+</p>
+<p>
+Sweets
+</p>
+<p class="align_c one_space">
+THIS IS<br>
+COXWAIN TERRY<br>
+<span class="small-caps">HERO of the CHANNEL</span><br>
+<span class="small-caps">with his</span><br>
+TRICYCLE BOAT
+</p>
+<p>
+AMPHIBIOUS
+</p>
+<p>
+On Terry Firma
+</p>
+<p class='margesec align_c' id='ti_157'><a href='#ii_157'>THE ATHENÆUM HOUSE-WARMING</a></p>
+<p>
+Sheriff
+Spens
+</p>
+<p>
+A Corner
+of the
+Library
+</p>
+<p>
+Rev. W. W. Tulloch
+</p>
+<p>
+Mr. Lauder
+</p>
+<p>
+Mr. Provan
+</p>
+<p>
+Sir
+Wm.
+Thomson
+</p>
+<p>
+Dr. James A.
+Campbell
+M.P.
+</p>
+<p>
+Her
+Ladyship
+</p>
+<p>
+The Marquis
+of Bute
+</p>
+<p class='margesec align_c' id='ti_158'><a href='#ii_158'>THE ELDER PARK, GOVAN</a></p>
+<p>
+Sir Archd. Campbell
+proposeth Thanks
+</p>
+<p>
+Sir E. Colebrooke
+maketh Remarks
+</p>
+<p>
+Mr. Wm. Pearce
+also proposeth
+Thanks
+</p>
+<p>
+Dr. John
+Macleod
+openeth
+Proceedings
+</p>
+<p>
+Provost Campbell
+becometh excited
+</p>
+<p>
+Mrs. Elder
+delivereth over
+the Keys
+</p>
+<p>
+The Earl of
+Rosebery
+presenteth
+the
+Park
+</p>
+<p>
+The Town
+Clerk
+readeth an address
+</p>
+<p class='margesec align_c' id='ti_161'><a href='#ii_161'>EAST END EXHIBITION</a></p>
+<p>
+Last
+Saturday
+Our Special Commissioner
+started to visit
+the East-End
+Exhibition
+</p>
+<p>
+He traversed
+long avenues
+of Wood
+</p>
+<p>
+And found
+a confused mass of joiners, disjoiners and
+packing cases
+</p>
+<p>
+In the Art
+Gallery
+he found
+peace and
+plenty
+</p>
+<p>
+with some
+oratory:&#8288;—
+</p>
+<p>
+Dr. Mather
+proposing
+“The Press”
+</p>
+<p>
+Mr. Gilbert
+</p>
+<p>
+Mr. Reid
+</p>
+<p>
+and Mr. Mudie replying
+</p>
+<p>
+Mr. Downie
+proposing
+“The Hanging
+Committee”
+</p>
+<p>
+Mr. A. K. Brown and Mr. A. Roche replying
+</p>
+<p>
+Rev T. Somerville
+proposing
+The Executive
+</p>
+<p>
+Mr. Fortune
+replying
+</p>
+<p>
+Mr. Brechin replying
+</p>
+<p class='margesec align_c' id='ti_162'><a href='#ii_162'>A LAUNCH FROM NAPIER’S YARD</a></p>
+<p>
+Outside
+</p>
+<p>
+The Service
+</p>
+<p>
+Miss May Kirk
+breaking the
+bonds
+</p>
+<p>
+Lord
+Charles
+Beresford
+</p>
+<p>
+A
+“Cumberland”
+Boy
+</p>
+<p>
+After Lunch
+</p>
+<p class='margesec align_c' id='ti_165'><a href='#ii_165'>THE CHANNEL FLEET</a></p>
+<p>
+<span class="small-caps">The Minotaur</span>
+</p>
+<p>
+Coaling
+</p>
+<p>
+The “Flying Fox”
+with the
+Greenock
+Provost
+etc.
+</p>
+<p>
+Signalling
+</p>
+<p>
+’Tween
+Decks
+</p>
+<p>
+Admiral Fellowes
+</p>
+<p>
+Visitors from
+Castle Wemyss
+</p>
+<p class='margesec align_c' id='ti_166'><a href='#ii_166'>AN OCEAN LINER</a></p>
+<p>
+Emigrants
+Waiting
+</p>
+<p>
+Embarking
+</p>
+<p>
+“Farewell”
+</p>
+<p>
+The Captain
+and the River
+Pilot
+</p>
+<p>
+The Doctor
+and the
+Fair
+Intermediate
+</p>
+<p>
+Saloon
+Passengers
+</p>
+<p>
+The
+Stewardess
+</p>
+<p>
+The Saloon
+Songster
+</p>
+<p>
+Inspecting Steerage
+Passengers
+</p>
+<p>
+Mustering the Crew
+</p>
+<p>
+“To the West”
+</p>
+<p class='margesec align_c' id='ti_169'><a href='#ii_169'>THE COASTING SEASON</a></p>
+<p>
+Owing chiefly to the
+fine weather that has
+fallen to our lot,
+the Passenger traffic to the Coast
+has already begun to assume
+</p>
+<p>
+Considerable dimensions
+</p>
+<p>
+Many families having entered upon the
+enjoyments of Holidaying at the Seaside,
+Whilst the Crowded Steamers testify that
+townspeople are eager to take
+advantage of the daily
+excursions
+</p>
+<p>
+down the Clyde
+</p>
+<p class='margesec align_c' id='ti_173'><a href='#ii_173'>IN ARRAN</a></p>
+<p>
+Cast Adrift
+</p>
+<p>
+Watching the
+New Arrivals
+</p>
+<p>
+The Cats’
+Steeple-Chase
+</p>
+<p>
+“Methinks I scent
+the morning Air”
+</p>
+<p>
+A
+Chimney
+Can
+</p>
+<p>
+The Luxury of
+Dressing
+</p>
+<p>
+The Parson’s
+Paradise
+</p>
+<p>
+Interviewing
+a
+Native
+</p>
+<p>
+The great Advantage of Driving in
+Arran is that it affords numberless
+opportunities for Pedestrian
+Exercise.
+</p>
+<p>
+A Wayside Letter Box
+</p>
+<p>
+Of course the papers are
+to be had every day,
+</p>
+<p>
+but sometimes it is
+a little dull.
+</p>
+<p class='margesec align_c' id='ti_174'><a href='#ii_174'>AGAIN IN ARRAN</a></p>
+<p>
+Delivery of Males
+</p>
+<p>
+Bay things
+</p>
+<p>
+POST OFFICE
+GROCERIES
+</p>
+<p>
+A Branch
+Post Office
+</p>
+<p>
+Accommodation
+for all classes
+</p>
+<p>
+On Goatfell
+The Top still distant
+</p>
+<p>
+Setting out for a stroll
+</p>
+<p>
+Returning
+</p>
+<p>
+On Brodick Pier
+</p>
+<p class='margesec align_c' id='ti_177'><a href='#ii_177'>SEASIDE BITS</a></p>
+<p>
+Students
+of Natural History
+</p>
+<p>
+Dry Details
+</p>
+<p>
+The Bath
+Voluntary
+</p>
+<p>
+The
+Bath
+Compulsory
+</p>
+<p>
+Marine Architecture
+</p>
+<p>
+A Drain
+on the Ocean
+</p>
+<p>
+An Appropriated
+Claim
+</p>
+<p>
+Horse
+Exercise
+</p>
+<p>
+On the peer
+</p>
+<p>
+Home with the Spoil
+</p>
+<p>
+The Reverend and Bashful Mr. Cassock
+on the way to his Forenoon Dip encounters
+the Modest Misses Meagre returning
+</p>
+<p class='margesec align_c' id='ti_178'><a href='#ii_178'>A YACHTING CRUISE</a></p>
+<p>
+A Sou’West Breeze
+</p>
+<p>
+Looking
+Out
+for
+Squalls
+</p>
+<p>
+The Yachtsman’s
+Chief Delight
+</p>
+<p>
+Leisure
+</p>
+<p>
+Activity
+</p>
+<p>
+Grief
+</p>
+<p>
+Study
+</p>
+<p>
+Enquiry
+</p>
+<p>
+CHALKERS
+EXTRA
+TOAST
+BISCUITS
+</p>
+<p>
+Nightcaps
+</p>
+<p>
+Repose
+</p>
+<p class='margesec align_c' id='ti_181'><a href='#ii_181'>CORINTHIAN YACHTING</a></p>
+<p>
+The
+“Cumberland”
+</p>
+<p>
+Non-Corinthians
+</p>
+<p>
+Corinthians lying off
+Hunter’s Quay
+</p>
+<p>
+“Carina”
+</p>
+<p>
+<span class="small-caps">With
+Corinthian
+Yachtsmen</span>
+</p>
+<p>
+The “Dolphin”
+</p>
+<p>
+Off Gourock
+</p>
+<p>
+On the “Helen”
+The Rear Commodore
+</p>
+<p>
+The Hat-Changers
+</p>
+<p class='margesec align_c' id='ti_182'><a href='#ii_182'>ANOTHER YACHTING EXPERIENCE</a></p>
+<p>
+From the Railway the sea
+looks very uninviting
+</p>
+<p>
+and does not
+improve
+on
+closer
+inspection
+</p>
+<p>
+Getting out
+</p>
+<p>
+Getting in
+</p>
+<p>
+“I hope the wind keeps
+like this for the race
+tomorrow!”
+</p>
+<p>
+A “companion”
+in misfortune
+</p>
+<p>
+Hopeless
+Melancholy
+</p>
+<p>
+A comforter
+</p>
+<p>
+“I told you it wasn’t
+good
+enough!”
+</p>
+<p>
+Night&#8288;—“To sleep, but
+not to rest”
+</p>
+<p>
+Morning&#8288;—Once more
+on dry(!) land
+</p>
+<p class='margesec align_c' id='ti_185'><a href='#ii_185'>THE <i>COLUMBA</i></a></p>
+<p>
+Clearing up
+after rain
+</p>
+<p>
+Seeing us off
+</p>
+<p>
+Going
+ashore
+at
+Rothesay
+</p>
+<p>
+My lady and her Maid
+</p>
+<p>
+One Man’s
+Seat another
+Man’s
+poised on
+</p>
+<p>
+Self-Examination
+</p>
+<p>
+Responsibility
+</p>
+<p>
+For the
+Girls
+</p>
+<p>
+Where
+the
+Money
+Goes
+</p>
+<p>
+Suspicious
+</p>
+<p>
+My Grandfather’s pipe
+</p>
+<p>
+Probably a Honeymoon
+</p>
+<p class='margesec align_c' id='ti_186'><a href='#ii_186'>FAIR DEALING</a></p>
+<p>
+Coast Lodgings all full.
+A Whin-bush and a Royal Drooko
+form an agreeable shelter
+for the night
+</p>
+<p>
+“Maw, maw!
+Help Me!!
+A parten’s
+gruppet
+ma tae!!!”
+</p>
+<p>
+At Camlachie
+the Waterloo Fly
+is in great
+demand
+</p>
+<p>
+but
+</p>
+<p>
+there is such a thing
+as having too much
+of it
+</p>
+<p>
+When visiting the policies
+of a bloated Aristocrat, it is
+always pleasing to bring away
+some specimens
+of foliage
+</p>
+<p>
+“Oh, Alexawnder, ma man, Come oot o’ the Sea.
+Ye’ll get yer feet a’ wat!”
+</p>
+<p>
+“Hey Sojer! ’List me. I’ve spent every
+maik at the shows and I’m feart tae
+gang hame”
+</p>
+<p class='margesec align_c' id='ti_189'><a href='#ii_189'>SOME FELLOW-TRAVELLERS</a></p>
+<p>
+The Invalid and
+his Anxious Wife
+</p>
+<p>
+The Professor
+takes the opportunity
+of running over some
+Exam-papers
+</p>
+<p>
+THE
+BEAUTY
+of
+TEMPERANCE
+</p>
+<p>
+His Favourite
+Study
+</p>
+<p>
+The Missing
+Pasteboard
+</p>
+<p>
+A Duke?
+No, a traveller
+in Pickles
+</p>
+<p>
+The Lady
+who is afraid
+of Draughts
+</p>
+<p>
+She
+who rather enjoys
+a breeze
+</p>
+<p>
+In the Wrong Train
+The Right Station just passing
+</p>
+<p>
+Pointing out
+some scenes
+of his youth
+</p>
+<p>
+May I ask if
+you object
+to smoking?
+</p>
+<p>
+Politics
+</p>
+<p class='margesec align_c' id='ti_190'><a href='#ii_190'>TRAMS EAST AND WEST</a></p>
+<p>
+Young
+East
+</p>
+<p>
+TO
+PARKHEAD
+</p>
+<p>
+TO
+KELVINSIDE
+</p>
+<p>
+Young
+West
+</p>
+<p>
+A little
+Marketing
+</p>
+<p>
+Guardians
+of the
+Young
+</p>
+<p>
+Susceptible
+to
+Cold
+</p>
+<p>
+An East-end
+Exception
+</p>
+<p>
+A
+West end
+Exception
+</p>
+<p class='margesec align_c' id='ti_193'><a href='#ii_193'>THE FLITTING TERM</a></p>
+<p>
+HOUSES
+TO
+LET
+</p>
+<p>
+THE HARDENED
+OCCUPIER
+</p>
+<p>
+&#8288;—“Bit the hoose is no tae let;
+the Mistress jist has oot the board
+tae fricht the Factor”
+</p>
+<p>
+THE
+UNSOPHISTICATED
+HUNTER
+</p>
+<p>
+&#8288;—“<span class='unl'>You</span> ask, Jack dearest”
+</p>
+<p>
+&#8288;—“No, Darling it’s <span class='unl'>your</span> duty, you know”
+</p>
+<p>
+&#8288;—“Do now, Jack”
+</p>
+<p>
+&#8288;—“Come now, Nellie”
+</p>
+<p>
+&amp;c. &amp;c.
+</p>
+<p>
+&#8288;—“She neednae be
+that upsettin’ wi’ ’er porters an ’er big kist.
+I mind fine when a’ <span class='unl'>she</span> had tae cairry
+wad ha’e gane in a pocket-napyin!”
+</p>
+<p class='margesec align_c' id='ti_194'><a href='#ii_194'>A DOMESTIC EXPERIENCE</a></p>
+<p>
+Mrs. West End Parker advertised for
+a “General, experienced, middle-aged
+accustomed to large Family”
+There were no applicants.
+But after her next advt.
+“Lady-help, cultured, prepossessing&#8288;—cheerful
+disposition&#8288;—about 20.”
+Mrs. W. E. P. was occupied from
+morning till night
+considering
+replies
+in
+person
+</p>
+<p class='margesec align_c' id='ti_197'><a href='#ii_197'>A COMMERCIAL TRANSACTION</a></p>
+<p>
+THE
+OFFER
+</p>
+<p>
+THE
+REFUSAL.
+</p>
+<p>
+THE
+COMPROMISE.
+</p>
+<p>
+AFTER
+SETTLEMENT:
+THE
+BUYER.
+</p>
+<p>
+AFTER
+SETTLEMENT:
+THE SELLER
+</p>
+<p class='margesec align_c' id='ti_213a'><a href='#ii_213a'>NOT A LIKELY CUSTOMER</a></p>
+<p>
+RIPE
+PLUMS
+</p>
+<p class='margesec align_c' id='ti_221b'><a href='#ii_221b'>SAIR FASHED</a></p>
+<p>
+NURSERY
+PLANTS
+</p>
+<p class='margesec align_c' id='ti_222b'><a href='#ii_222b'>THE SOFT ANSWER</a></p>
+<p>
+2D. 8 SWELL CIGARS FOR 2D.
+</p>
+<p class='margesec align_c' id='ti_237b'><a href='#ii_237b'>ETIQUETTE AT THE RIVETER’S REUNION</a></p>
+<p>
+SMOKING STRICTLY
+PROHIBITED.
+</p>
+<p>
+NO
+STANDING
+ON SEATS
+</p>
+<p class='margesec align_c' id='ti_238a'><a href='#ii_238a'>REAL BENEFACTORS</a></p>
+<p>
+J. CRA ...
+BAKERY
+</p>
+<p class='margesec align_c' id='ti_241'><a href='#ii_241'>SIGNS OF THE FESTIVE SEASON</a></p>
+<p>
+&#8288;—“Can I send the mistletoe, mum?”
+</p>
+<p>
+&#8288;—“Oh no, I’ll just take it with me.
+You see I’m a widow, and there’s
+no saying&#8288;⸺”
+</p>
+<p>
+&#8288;—“Vants any books or shoes or shplendit pictures, leddy?”
+</p>
+<p>
+&#8288;⸺“Na, na We’re ower thrang cleanin’-up fir Ne’rday
+tae look at onything the noo.”
+</p>
+<p>
+“Come on up quick
+Geordie, there’s
+Sassengers
+for the
+dinner!”
+</p>
+<p>
+&#8288;—“You know, I feel it a positive pain to dine unless
+every dish is of the choicest possible variety.”
+</p>
+<p class='margesec align_c' id='ti_242'><a href='#ii_242'>MORE SIGNS OF THE FESTIVE SEASON</a></p>
+<p>
+“You’d better awa hame
+wi’ yer shivvel. A’ve dune
+every dour in this crescent a’ready”
+</p>
+<p>
+&#8288;—“If I hadnae thocht there wis some o’
+that curran’-bun left ower frae last New Year
+I wad hae sent oot for a pund.”
+</p>
+<p>
+“Eh, wumman! I’m that waik. We wis at
+a graun pairty in ma son’s last nicht
+an’ I’ve ta’en naething the day
+but a peill an’ a cup o’ tea&#8288;—”
+</p>
+<p>
+Tom gets a smoking cap
+from Bessie and a pair
+of slippers from Kate. He is
+very grateful but has
+not made up his mind
+which girl to propose to.
+</p>
+<p>
+“Well, of course, I’m awfully, <span class='unl'>awfully</span> fond
+of chocolate-cake, but I’ve a <span class='unl'>perfect</span> <span class='unl'>terror</span>
+for oranges!”
+</p>
+<p>
+Baby gets quite a lot of Christmas Cards
+He does enjoy them!
+</p>
+<p class='margesec align_c' id='ti_245'><a href='#ii_245'>RANDOM QUOTATIONS</a></p>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“I was a child and she was a child</p>
+<p class='ind_2'>In this Kingdom by the sea</p>
+<p class='ind_7'>* *</p>
+<p class='verse'>With a love that the wingèd sheriffs uneven</p>
+<p class='ind_2'>Coveted her and me.”</p>
+<p class='ind_12'>&#8288;—Poe</p>
+</div>
+</div></div>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“Blest be the Art that canny mortal eyes.”</p>
+<p class='ind_12'>&#8288;—Cowper.</p>
+</div>
+</div></div>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“No mate, no comrade loose I knew.”</p>
+<p class='ind_12'>&#8288;—Wordsworth.</p>
+</div>
+</div></div>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“Uneasy lies the head that wears sack roun’.”</p>
+<p class='ind_12'>&#8288;—Shakespeare.</p>
+</div>
+</div></div>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“Come fourth, thou fearful man!”</p>
+<p class='ind_12'>&#8288;—Shakespeare</p>
+</div>
+</div></div>
+<div class='poetry_container'>
+<div class='poetry'>
+<div class='stanza'>
+<p class='verse'>“They call my crew ill-hatted, but I care not what they say”</p>
+<p class='ind_20'>&#8288;—Tennyson</p>
+</div>
+</div></div>
+</div>
+</div>
+<div class='wl section'>
+<div class='tnote section'>
+<p class="align_c space_after">
+Transcriber’s notes
+</p>
+<p>
+New original cover art included with this ebook is granted to the public domain.
+</p>
+<p>
+Obvious typographical errors have been corrected. Inconsistent hyphenation has been retained.
+</p>
+<p>
+The text in the illustrations has been transcribed. The style of text in the illustrations varies but the transcription has been made consistent with the text of the book: superscripts are not used in Mr., Dr., etc., personal initials are spaced, abbreviations are not spaced. Some quotation marks have been added.
+</p>
+<p>
+Where it was not possible to determine the correct transcription a pair of question marks has been substituted.
+</p>
+<p>
+The signature “Twym” appears in every illustration but has not been transcribed.
+</p>
+</div>
+</div>
+
+<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 78272 ***</div>
+</body>
+</html>
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