diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:30:10 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:30:10 -0700 |
| commit | f63fe268e0a1082255322ee273d5bb514de3380b (patch) | |
| tree | 9c296c2ac00785e9948b56feb043d3da228b5547 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 7751.txt | 2383 | ||||
| -rw-r--r-- | 7751.zip | bin | 0 -> 54250 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
5 files changed, 2399 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/7751.txt b/7751.txt new file mode 100644 index 0000000..7885d4c --- /dev/null +++ b/7751.txt @@ -0,0 +1,2383 @@ +The Project Gutenberg EBook Godolphin, by E. B. Lytton, Vol. 2 +#178 in our series by Edward Bulwer-Lytton + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + +Title: Godolphin, Volume 2. + +Author: Edward Bulwer-Lytton + +Release Date: March 2005 [EBook #7751] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on May 27, 2003] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + +*** START OF THE PROJECT GUTENBERG EBOOK GODOLPHIN, BY LYTTON, V2 *** + + + + +This eBook was produced by Andrew Heath +and David Widger + + + + +GODOLPHIN, Volume 2. +By Edward Bulwer Lytton +(Lord Lytton) + + +CHAPTER XV. + +THE FEELINGS OF CONSTANCE AND GODOLPHIN TOWARDS EACH OTHER.--THE +DISTINCTION IN THEIR CHARACTERS.--REMARKS ON THE EFFECTS PRODUCED BY THE +WORLD UPON GODOLPHIN.--THE HIDE.--RURAL DESCRIPTIONS.--OMENS.--THE FIRST +INDISTINCT CONFESSION. + +Every day, at the hour in which Constance was visible, Godolphin had +loaded the keeper, and had returned to attend upon her movements. They +walked and rode together; and in the evening, Godolphin hung over her +chair, and listened to her songs; for though, as I have before said, she +had but little science in instrumental music, her voice was rich and soft +beyond the pathos of ordinary singers. + +Lady Erpingham saw, with secret delight, what she believed to be a growing +attachment. She loved Constance for herself, and Godolphin for his +father's memory. She thought again and again what a charming couple they +would make--so handsome--so gifted: and if Prudence whispered also--so +poor, the kind Countess remembered, that she herself had saved from her +ample jointure a sum which she had always designed as a dowry for +Constance, and which, should Godolphin be the bridegroom, she felt she +should have a tenfold pleasure in bestowing. With this fortune, which +would place them, at least, in independence, she united in her kindly +imagination the importance which she imagined Godolphin's talents must +ultimately acquire; and for which, in her aristocratic estimation, she +conceived the senate the only legitimate sphere. She said, she hinted, +nothing to Constance; but she suffered nature, youth, and companionship to +exercise their sway. + +And the complexion of Godolphin's feelings for Constance Vernon did indeed +resemble love--was love itself, though rather love in its romance than its +reality. What were those of Constance for him? She knew not herself at +that time. Had she been of a character one shade less ambitious, or less +powerful, they would have been love, and love of no common character. But +within her musing, and self-possessed, and singularly constituted mind, +there was, as yet, a limit to every sentiment, a chain to the wings of +every thought, save those of one order; and that order was not of love. +There was a marked difference, in all respects, between the characters of +the two; and it was singular enough, that that of the woman was the less +romantic, and composed of the simpler materials. + +A volume of Wordsworth's most exquisite poetry had then just appeared. +"Is not this wonderful?" said Godolphin, reciting some of those lofty, +but refining thoughts which characterise the Pastor of modern poets. + +Constance shook her head. + +"What! you do not admire it?" + +"I do not understand it." + +"What poetry do you admire?" + +"This." + +It was Pope's translation of the Iliad. + +"Yes, yes, to be sure," said Godolphin, a little vexed; "we all admire +this in its way: but what else?" + +Constance pointed to a passage in the Palamon and Arcite of Dryden. + +Godolphin threw down his Wordsworth. "You take an ungenerous advantage of +me," said he. "Tell me something you admire, which, at least, I may have +the privilege of disputing,--something that you think generally +neglected." + +"I admire few things that are generally neglected," answered Constance, +with her bright and proud smile. "Fame gives its stamp to all metal that +is of intrinsic value." + +This answer was quite characteristic of Constance: she worshipped fame far +more than the genius which won it. "Well, then," said Godolphin, "let us +see now if we can come to a compromise of sentiment;" and be took up the +Comus of Milton. + +No one read poetry so beautifully: his voice was so deep and flexible; and +his countenance answered so well to every modulation of his voice. +Constance was touched by the reader, but not by the verse. Godolphin had +great penetration; he perceived it, and turned to the speeches of Satan in +Paradise Lost. The noble countenance before him grew luminous at once: +the lip quivered, the eye sparkled; the enthusiasm of Godolphin was not +comparable to that of Constance. The fact was, that the broad and common +emotions of the intellectual character struck upon the right key. +Courage, defiance, ambition, these she comprehended to their fullest +extent; but the rich subtleties of thought which mark the cold and bright +page of the Comus; the noble Platonism--the high and rare love for what is +abstractedly good, these were not "sonorous and trumpet-speaking" enough +for the heart of one meant by Nature for a heroine or a queen, not a +poetess or a philosopher. + +But all that in literature was delicate, and half-seen, and abstruse, had +its peculiar charm for Godolphin. Of a reflective and refining mind, he +had early learned to despise the common emotions of men: glory touched him +not, and to ambition he had shut his heart. Love, with him--even though +he had been deemed, not unjustly, a man of gallantry and pleasure--love +was not compounded of the ordinary elements of the passions. Full of +dreams, and refinements, and intense abstractions, it was a love that +seemed not homely enough for endurance, and of too rare a nature to hope +for sympathy in return. + +And so it was in his intercourse with Constance, both were continually +disappointed. "You do not feel this," said Constance. "She cannot +understand me," sighed Godolphin. + +But we must not suppose--despite his refinements, and his reveries, and +his love for the intellectual and the pure--that Godolphin was of a +stainless character or mind. He was one who, naturally full of decided +and marked qualities, was, by the peculiar elements of our society, +rendered a doubtful, motley, and indistinct character, tinctured by the +frailties that leave us in a wavering state between vice and virtue. The +energies that had marked his boyhood were dulled and crippled in the +indolent life of the world. His wandering habits for the last few +years--the soft and poetical existence of the South--had fed his natural +romance, and nourished that passion for contemplation which the +intellectual man of pleasure so commonly forms; for pleasure has a +philosophy of its own--a sad, a fanciful, yet deep persuasion of the +vanity of all things--a craving after the bright ideal-- + + "The desire of the moth for the star." + +Solomon's thirst for pleasure was the companion of his wisdom: satiety was +the offspring of the one--discontent of the other. But this philosophy, +though seductive, is of no wholesome nor usefnl character; it is the +philosophy of feelings, not principles--of the heart, not head. So with +Godolphin: he was too refined in his moralising to cling to what was +moral. The simply good and the simply bad he left for us plain folks to +discover. He was unattracted by the doctrines of right and wrong which +serve for all men; but he had some obscure and shadowy standard in his own +mind by which he compared the actions of others. He had imagination, +genius, even heart; was brilliant always, sometimes profound; graceful in +society, yet seldom social: a lonely man, yet a man of the world; generous +to individuals, selfish to the mass. How many fine qualities worse than +thrown away! + +Who will not allow that he has met many such men?--and who will not follow +this man to his end? + +One day (it was the last of Godolphin's protracted visit) as the sun was +waning to its close, and the time was unusually soft and tranquil, +Constance and Godolphin were returning slowly home from their customary +ride. They passed by a small inn, bearing the common sign of the +"Chequers," round which a crowd of peasants were assembled, listening to +the rude music which a wandering Italian boy drew from his guitar. The +scene was rustic and picturesque; and as Godolphin reined in his horse and +gazed on the group, he little dreamed of the fierce and dark emotions with +which, at a far distant period, he was destined to revisit that spot. + +"Our peasants," said he, as they rode on, "require some humanising +relaxation like that we have witnessed. The music and the morris-dance +have gone from England; and instead of providing, as formerly, for the +amusement of the grinded labourer, our legislators now regard with the +most watchful jealousy his most distant approach to festivity. They +cannot bear the rustic to be merry: disorder and amusement are words for +the same offence." + +"I doubt," said the earnest Constance, "whether the legislators are not +right. For men given to amusement are easily enslaved. All noble +thoughts are grave." + +Thus talking, they passed a shallow ford in the stream. "We are not far +from the Priory," said Godolphin, pointing to its ruins, that rose greyly +in the evening skies from the green woods around it. + +Constance sighed involuntarily. She felt pain in being reminded of the +slender fortunes of her companion. Ascending the gentle hill that swelled +from the stream, she now, to turn the current of her thoughts, pointed +admiringly to the blue course of the waters, as they wound through their +shagged banks. And deep, dark, rushing, even at that still hour, went the +stream through the boughs that swept over its surface. Here and there the +banks suddenly shelved down, mingling with the waves; then abruptly they +rose, overspread with thick and tangled umbrage, several feet above the +level of the river. + +"How strange it is," said Godolphin, that at times a feeling comes over +us, as we gaze upon certain places, which associates the scene either with +some dim-remembered and dream-like images of the Past, or with a prophetic +and fearful omen of the Future! As I gaze now upon this spot--those +banks--that whirling river--it seems as if my destiny claimed a mysterious +sympathy with the scene: when--how-wherefore--I know not--guess not: only +this shadowy and chilling sentiment unaccountably creeps over me. Every +one has known a similar strange, indistinct, feeling at certain times and +places, and with a similar inability to trace the cause. And yet, is it +not singular that in poetry, which wears most feelings to an echo, I leave +never met with any attempt to describe it?" + +"Because poetry," said Constance, "is, after all, but a hackneyed +imitation of the most common thoughts, giving them merely a gloss by the +brilliancy of verse. And yet how little poets _know!_ They _imagine,_ +and they _imitate;_--behold all their secrets!" + +"Perhaps you are right," said Godolphin, musingly; "and I, who have often +vainly fancied I had the poetical temperament, have been so chilled and +sickened by the characteristics of the tribe, that I have checked its +impulses with a sort of disdain; and thus the Ideal, having no vent in me, +preys within, creating a thousand undefined dreams and unwilling +superstitions, making me enamoured of the Shadowy and Unknown, and +dissatisfying me with the petty ambitions of the world." + +"You will awake hereafter," said Constance, earnestly. + +Godolphin shook his head, and replied not. + +Their way now lay along a green lane that gradually wound round a hill +commanding a view of great richness and beauty. Cottages, and spires, and +groves, gave life--but it was scattered and remote life--to the scene; and +the broad stream, whose waves, softened in the distance, did not seem to +break the even surface of the tide, flowed onward, glowing in the +sunlight, till it was lost among dark and luxuriant woods. + +Both once more arrested their horses by a common impulse, and both became +suddenly silent as they gazed. Godolphin was the first to speak: it +brought to his memory a scene in that delicious land, whose Southern +loveliness Claude has transfused to the canvas, and De Stael to the page. +With his own impassioned and earnest language, he spoke to Constance of +that scene and that country. Every tree before him furnished matter for +his illustration or his contrast; and, as she heard that magic voice, and +speaking, too, of a country dedicated to love, Constance listened with +glistening eyes, and a cheek which he,--consummate master of the secrets +of womanhood--perceived was eloquent with thoughts which she knew not, but +which _he_ interpreted to the letter. + +"And in such a spot," said he, continuing, and fixing his deep and +animated gaze on her,--"in such a spot I could have stayed for ever but +for one recollection, one feeling--_I should have been too much alone!_ +In a wild or a grand, or even a barren country, we may live in solitude, +and find fit food for thought; but not in one so soft, so subduing, as +that which I saw and see. Love comes over us then in spite of ourselves; +and I feel--I feel now--"his voice trembled as he spoke--"that any secret +we may before have nursed, though hitherto unacknowledged, makes itself at +length a voice. We are oppressed with the desire to be loved; we long for +the courage to say we love." + +Never before had Godolphin, though constantly verging into sentiment, +spoken to Constance in so plain a language. Eye, voice, cheek--all spoke. +She felt that he had confessed he loved her! And was she not happy at +that thought? She was: it was her happiest moment. But, in that sort of +vague and indistinct shrinking from the subject with which a woman who +loves hears a disclosure of love from him on whose lips it is most sweet, +she muttered some confused attempt to change the subject, and quickened +her horse's pace. Godolphin did not renew the topic so interesting and so +dangerous, only, as with the winding of the road the landscape gradually +faded from their view, he said, in a low voice, as if to himself,--"How +long, how fondly, shall I remember this day!" + +CHAPTER XVI. + +GODOLPHIN'S RETURN HOME.--HIS SOLILOQUY.--LORD ERPINGHAM'S ARRIVAL AT +WENDOVER CASTLE.--THE EARL DESCRIBED.--HIS ACCOUNT OF GODOLPHIN'S LIFE AT +ROME. + +With a listless step, Godolphin re-entered the threshold of his +cottage-home. He passed into a small chamber, which was yet the largest +in his house. The poor and scanty furniture scattered around; the old, +tuneless, broken harpsichord; the worn and tattered carpet; the tenantless +birdcage in the recess by the window; the bookshelves, containing some +dozens of worthless volumes; the sofa of the last century (when, if people +knew comfort, they placed it not in lounging) small, narrow, highbacked, +hard, and knotted; these, just as his father had left, just as his boyhood +had seen, them, greeted him with a comfortless and chill, though familiar +welcome. It was evening: he ordered a fire and lights; and leaning his +face on his hand as he contemplated the fitful and dusky outbreakings of +the flame through the bars of the niggard and contracted grate, he sat +himself down to hold commune with his heart. + +"So, I love this woman," said he, "do I? Have I not deceived myself? She +is poor--no connection; she has nothing whereby to reinstate my house's +fortunes, to rebuild this mansion, or repurchase yonder demesnes. I love +her! _I_ who have known the value of her sex so well, that I have said, +again and again, I would not shackle life with a princess! Love may +withstand possession--true--but not time. In three years there would be +no glory in the face of Constance, and I should be--what? My fortunes, +broken as they are, can support me alone, and with my few wants. But if +married! the haughty Constance my wife! Nay, nay, nay! this must not be +thought of! I, the hero of Paris! the pupil of Saville! I, to be so +beguiled as even to _dream_ of such a madness! + +"Yet I have that within me that might make a stir in the world--I might +rise. Professions are open; the Diplomacy, the House of Commons. What! +Percy Godolphin be ass enough to grow ambitious! to toil, to fret, to +slave, to answer fools on a first principle, and die at length of a broken +heart for a lost place! Pooh, pooh! I, who despise your prime ministers, +can scarcely stoop to their apprenticeship. Life is too short for toil. +And what do men strive for?--to enjoy: but why not enjoy without the toil? +And relinquish Constance? Ay, it is but one woman lost!" + +So ended the soliloquy of a man scarcely of age. The world teaches us its +last lessons betimes; but then, lest we should have nothing left to +acquire from its wisdom, it employs the rest of our life in unlearning all +that it first taught. + +Meanwhile, the time approached when Lord Erpingham was to arrive at +Wendover Castle; and at length came the day itself. Naturally anxious to +enjoy as exclusively as possible the company of her son the first day of +his return from so long an absence, Lady Erpingham had asked no one to +meet him. The earl's heavy travelling-carriage at length rolled +clattering up the court-yard; and in a few minutes a tall man, in the +prime of life, and borrowing some favourable effect as to person from the +large cloak of velvet and furs which hung round him, entered the room, and +Lady Erpingham embraced her son. The kind and familiar manner with which +he answered her inquiries and congratulations was somewhat changed when he +suddenly perceived Constance. Lord Erpingham was a cold man, and, like +most cold men, ashamed of the evidence of affection. He greeted Constance +very quietly; and, as she thought, slightly: but his eyes turned to her +far more often than any friend of Lord Erpingham's might ever have +remarked those large round hazel eyes turn to any one before. + +When the earl withdrew to adjust his toilet for dinner, Lady Erpingham, as +she wiped her eyes, could not help exclaiming to Constance, "Is he not +handsome? What a figure!" + +Constance was a little addicted to flattery where she liked the one who +was to be flattered, and she assented readily enough to the maternal +remark. Hitherto, however, she had not observed anything more in Lord +Erpingham than his height and his cloak: as he re-entered and led her to +the dining-room she took a better, though still but a casual, survey. + +Lord Erpingham was that sort of person of whom _men_ always say, "What a +prodigiously fine fellow!" He was above six feet high, stout in +proportion: not, indeed, accurately formed, nor graceful in bearing, but +quite as much so as a man of six feet high need be. He had a manly +complexion of brown, yellow, and red. His whiskers were exceedingly +large, black, and well arranged. His eyes, as I have before said, were +round, large, and hazel; they were also unmeaning. His teeth were good; +and his nose, neither aquiline nor Grecian, was yet a very showy nose upon +the whole. All the maidservants admired him; and you felt, in looking at +him, that it was a pity our army should lose so good a grenadier. + +Lord Erpingham was a Whig of the old school: he thought the Tory boroughs +ought to be thrown open. He was generally considered a sensible man. He +had read Blackstone, Montesquieu, Cowper's Poems, and _The Rambler_; and +he was always heard with great attention in the House of Lords. In his +moral character he was a bon Vivant, as far as wine is concerned; for +choice _eating_ he cared nothing. He was good-natured, but close; brave +enough to fight a duel, if necessary; and religious enough to go to church +once a week--in the country. + +So far Lord Erpingham might seem modelled from one of Sir Walter's heroes: +we must reverse the medal, and show the points in which he differed from +those patterns of propriety. + +Like the generality of his class, he was peculiarly loose in his notions +of women, though not ardent in pursuit of them. His amours had been among +opera-dancers, "because," as he was wont to say, "there was no d--d bore +with _them._" Lord Erpingham was always considered a high-minded man. +People chose him as an umpire in quarrels; and told a story (which was not +true) of his having held some state office for a whole year, and insisted +on returning the emoluments. + +Such was Robert Earl of Erpingham. During dinner, at which he displayed, +to his mother's great delight, a most excellent appetite, he listened, as +well as he might, considering the more legitimate occupation of the time +and season, to Lady Erpingham's recitals of county history; her long +answers to his brief inquiries whether old friends were dead and young +ones married; and his countenance brightened up to an expression of +interest--almost of intelligence--when he was told that birds were said to +be plentiful. As the servants left the room, and Lord Erpingham took his +first glass of claret, the conversation fell upon Percy Godolphin. + +"He has been staying with us a whole fortnight," said Lady Erpingham; +"and, by the by, he said he had met you in Italy, and mentioned your name +as it deserved." + +"Indeed! And did he really condescend to praise me?" said Lord +Erpingham, with eagerness; for there was that about Godolphin, and his +reputation for fastidiousness, which gave a rarity and a value to his +praise, at least to lordly ears. "Ah! he's a queer fellow; he led a very +singular life in Italy." + +"So I have always heard," said Lady Erpingham. "But of what description? +was he very wild?" + +"No, not exactly: there was a good deal of mystery about him: he saw very +few English, and those were chiefly men who played high. He was said to +have a great deal of learning and so forth." + +"Oh! then he was surrounded, I suppose, by those medalists and +picture-sellers, and other impostors, who live upon such of our countrymen +as think themselves blessed with a taste or afflicted with a genius," said +Lady Erpingham; who, having lived with the wits and orators of the time, +had caught mechanically their way of rounding a period. + +"Far from it!" returned the earl. "Godolphin is much too deep a fellow +for that; he's not easily taken in, I assure you. I confess I don't like +him the worse for that," added the close noble. "But he lived with the +Italian doctors and men of science; and encouraged, in particular, one +strange fellow who affected sorcery, I fancy, or something very like it. +Godolphin resided in a very lonely spot at Rome: and I believe +laboratories, and caldrons, and all sorts of devilish things, were always +at work there--at least so people said." + +"And yet," said Constance, "you thought him too sensible to be easily +taken in?" + +"Indeed I do, Miss Vernon; and the proof of it is, that no man has less +fortune or is made more of. He plays, it is true, but only occasionally; +though as a player at games of skill--piquet, billiards, whist,--he has no +equal, unless it be Saville. But then Saville, entre noun, is suspected +of playing unfairly." + +"And you are quite sure," said the placid Lady Erpingham, "that Mr. +Godolphin is only indebted to skill for his success?" + +Constance darted a glance of fire at the speaker. + +"Why, faith, I believe so! No one ever accused him of a single shabby, or +even suspicious trick; and indeed, as I said before, no one was ever more +sought after in society, though he shuns it; and he's devilish right, for +it's a cursed bore!" + +"My dear Robert! at your age!" exclaimed the mother. "But," continued +the earl, turning to Constance,--"but, Miss Vernon, a man may have his +weak point; and the cunning Italian may have hit on Godolphin's, clever as +he is in general; though, for my part, I will tell you frankly, I think he +only encouraged him to mystify and perplex people, just to get talked +of--vanity, in short. He's a good-looking fellow that Godolphin--eh?" +continued the earl, in the tone of a man who meant you to deny what he +asserted. + +"Oh, beautiful!" said Lady Erpingham. "Such a countenance!" + +"Deuced pale, though!--eh?--and not the best of figures: thin, +narrow-shouldered, eh--eh?" + +Godolphin's proportions were faultless; but your strapping heroes think of +a moderate-sized man as mathematicians define a point--declare that he has +no length nor breadth whatsoever. + +"What say _you,_ Constance?" asked Lady Erpingham, meaningly. + +Constance felt the meaning, and replied calmly, that Mr. Godolphin +appeared to her handsomer than any one she had seen lately. + +Lord Erpingham played with his neckcloth, and Lady Erpingham rose to leave +the room. "D--d fine girl!" said the earl, as he shut the door upon +Constance;--"but d--d sharp!" added he, as he resettled himself on his +chair. + +CHAPTER XVII. + +CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY +DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN +INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A +LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF +THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE +SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND +TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE. + +It was the evening of the ball to be given in honour of Lord Erpingham's +arrival. Constance, dressed for conquest, sat alone in her dressing-room. +Her woman had just left her. The lights still burned in profusion about +the antique chamber (antique, for it was situated in the oldest part of +the castle); those lights streamed full upon the broad brow and exquisite +features of Miss Vernon. As she leaned back in her chair--the fairy foot +upon the low Gothic stool, and the hands drooping beside her +despondingly--her countenance betrayed much, but not serene, thought; and, +mixed with that thought, was something of irresolution and of great and +real sadness. + +It is not, as I have before hinted, to be supposed that Constance's lot +had been hitherto a proud one, even though she was the most admired beauty +of her day; even though she lived with, and received adulation from, the +high, and noble, and haughty of her land. Often, in the glittering crowd +that she attracted around her, her ear, sharpened by the jealousy and +pride of her nature, caught words that dashed the cup of pleasure and of +vanity with shame and anger. "What! that _the_ Vernon's daughter? Poor +girl! dependent entirely on Lady Erpingham! Ah! she'll take in some +rich roturier, I hope." + +Such words from ill-tempered dowagers and faded beauties were no +unfrequent interruption to her brief-lived and wearisome triumphs. She +heard manoeuvring mothers caution their booby sons, whom Constance would +have looked into the dust had they dared but to touch her hand, against +her untitled and undowried charms. She saw cautious earls, who were all +courtesy one night, all coldness another, as some report had reached them +accusing their hearts of feeling too deeply her attractions, or, as they +themselves suspected, for the first time, that a heart was not a word for +a poetical nothing, and that to look on so beautiful and glorious a +creature was sufficient to convince them, even yet, of the possibility of +emotion. She had felt to the quick the condescending patronage of +duchesses and chaperons; the oblique hint; the nice and fine distinction +which, in polished circles, divides each grade from the other, and allows +you to be galled without the pleasure of feeling justified in offence. + +All this, which, in the flush and heyday of youth, and gaiety, and +loveliness, would have been unnoticed by other women, rankled deep in the +mind of Constance Vernon. The image of her dying father, his complaints, +his accusations (the justice of which she never for an instant +questioned), rose up before her in the brightest hours of the dance and +the revel. She was not one of those women whose meek and gentle nature +would fly what wounds them: Constance had resolved to conquer. Despising +glitter and gaiety, and show, she burned, she thirsted for power--a power +which could retaliate the insults she fancied she had received, and should +turn condescension into homage. This object, which every casual word, +every heedless glance from another, fixed deeper and deeper in her heart, +took a sort of sanctity from the associations with which she linked +it--her father's memory and his dying breath. + +At this moment in which we have portrayed her, all these restless, and +sore, and haughty feelings were busy within; but they were combated, even +while the more fiercely aroused, by one soft and tender thought--the image +of Godolphin--of Godolphin, the spendthrift heir of a broken fortune and a +fallen house. She felt too deeply that she loved him; and, ignorant of +his worldlier qualities, imagined that he loved her with all the devotion +of that romance, and the ardour of that genius, which appeared to her to +compose his character. But this persuasion gave her now no delightful +emotion. Convinced that she ought to reject him, his image only coloured +with sadness those objects and that ambition which she had hitherto +regarded with an exulting pride. She was not less bent on the lofty ends +of her destiny; but the glory and the illusion had fallen from them. She +had taken an insight into futurity, and felt, that to enjoy power was to +lose happiness. Yet, with this full conviction, she forsook the happiness +and clung to the power. Alas! for our best and wisest theories, our +problems, our systems, our philosophy! Human beings will never cease to +mistake the means for the end; and, despite the dogmas of sages, our +conduct does not depend on our convictions. + +Carriage after carriage had rolled beneath the windows of the room where +Constance sat, and still she moved not; until at length a certain +composure, as if the result of some determination, stole over her +features. The brilliant and transparent hues returned to her cheek, and, +as she rose and stood erect with a certain calmness and energy on her lip +and forehead, perhaps her beauty had never seemed of so lofty and august a +cast. In passing through the chamber, she stopped for a moment opposite +the mirror that reflected her stately shape in its full height. Beauty is +so truly the weapon of woman, that it is as impossible for her, even in +grief, wholly to forget its effect, as it is for the flying warrior to +look with indifference on the sword with which he has won his trophies or +his fame. Nor was Constance that evening disposed to be indifferent to +the effect she should produce. She looked on the reflection of herself +with a feeling of triumph, not arising from vanity alone. + +And when did mirror ever give back a form more worthy of a Pericles to +worship, or an Apelles to paint? Though but little removed from the +common height, the impression Constance always gave was that of a person +much taller than she really was. A certain majesty in the turn of the +head, the fall of the shoulders, the breadth of the brow, and the +exceeding calmness of the features, invested her with an air which I have +never seen equalled by any one, but which, had Pasta been a beauty, she +might have possessed. But there was nothing hard or harsh in this +majesty. Whatsoever of a masculine nature Constance might have inherited, +nothing masculine, nothing not exquisitely feminine, was visible in her +person. Her shape was rounded, and sufficiently full to show, that in +middle age its beauty would be preserved by that richness and freshness +which a moderate increase of the proportions always gives to the sex. Her +arms and hands were, and are, even to this day, of a beauty the more +striking, because it is so rare. Nothing in any European country is more +uncommon than an arm really beautiful both in hue and shape. In any +assembly we go to, what miserable bones, what angular elbows, what red +skins, do we see under the cover of those capacious sleeves, which are +only one whit less ugly. At the time I speak of, those coverings were not +worn; and the white, round, dazzling arm of Constance, bare almost to the +shoulder, was girded by dazzling gems, which at once set off, and were +foiled by, the beauty of nature. Her hair was of the most luxuriant, and +of the deepest, black; and it was worn in a fashion--then uncommon, +without being bizarre--now hackneyed by the plainest faces, though suiting +only the highest order of beauty--I mean that simple and classic fashion +to which the French have given a name borrowed from Calypso, but which +appears to me suited rather to an intellectual than a voluptuous goddess. +Her long lashes, and a brow delicately but darkly pencilled, gave +additional eloquence to an eye of the deepest blue, and a classic contour +to a profile so slightly aquiline, that it was commonly considered +Grecian. That necessary completion to all real beauty of either sex, the +short and curved upper lip, terminated in the most dazzling teeth and the +ripe and dewy under lip added to what was noble in her beauty that charm +also which is exclusively feminine. Her complexion was capricious; now +pale, now tinged with the pink of the sea-shell, or the softest shade of +the rose leaf: but in either it was so transparent, that you doubted which +became her the most. To these attractions, add a throat, a bust of the +most dazzling whiteness, and the justest proportions; a foot, whose least +beauty was its smallness, and a waist narrow--not the narrowness of +tenuity or constraint;--but round, gradual, insensibly less in its +compression:--and the person of Constance Vernon, in the bloom of her +youth, is before you. + +She passed with her quiet and stately step from her room, through one +adjoining it, and which we stop to notice, because it was her customary +sitting-room when not with Lady Erpingham. There had Godolphin, with the +foreign but courtly freedom, the respectful and chivalric ease of his +manners, often sought her; there had he lingered in order to detain her +yet a moment and a moment longer from other company, seeking a sweet +excuse in some remark on the books that strewed the tables, or the music +in that recess, or the forest scene from those windows through which the +moon of autumn now stole with its own peculiar power to soften and subdue. +As these recollections came across her, her step faltered and her colour +faded from its glow: she paused a moment, cast a mournful glance round the +room, and then tore herself away, descended the lofty staircase, passed +the stone hall, melancholy with old banners and rusted crests, and bore +her beauty and her busy heart into the thickening and gay crowd. + +Her eye looked once more round for the graceful form of Godolphin: but he +was not visible; and she had scarcely satisfied herself of this before +Lord Erpingham, the hero of the evening, approached and claimed her hand. + +"I have just performed my duty," said he, with a gallantry of speech not +common to him, "now for my reward. I have danced the first dance with +Lady Margaret Midgecombe: I come, according to your promise, to dance the +second with you." + +There was something in these words that stung one of the morbid +remembrances in Miss Vernon's mind. Lady Margaret Midgecombe, in ordinary +life, would have been thought a good-looking, vulgar girl:--she was a +Duke's daughter and she was termed a Hebe. Her little nose, and her fresh +colour, and her silly but not unmalicious laugh, were called enchanting; +and all irregularities of feature and faults of shape were absolutely +turned into merits by that odd commendation, so common with us--"A deuced +fine girl; none of your regular beauties." + +Not only in the county of ----shire, but in London, had Lady Margaret +Midgecombe been set up as the rival beauty of Constance Vernon. And +Constance, far too lovely, too cold, too proud, not to acknowledge beauty +in others, where it really existed, was nevertheless unaffectedly +indignant at a comparison so unworthy; she even, at times, despised her +own claims to admiration, since claims so immeasurably inferior could be +put into competition with them. Added to this sore feeling for Lady +Margaret, was one created by Lady Margaret's mother. The Duchess of +Winstoun was a woman of ordinary birth--the daughter of a peer of great +wealth but new family. She had married, however, one of the most powerful +dukes in the peerage;--a stupid, heavy, pompous man, with four castles, +eight parks, a coal-mine, a tin-mine, six boroughs, and about thirty +livings. Inactive and reserved, the duke was seldom seen in public: the +care of supporting his rank devolved on the duchess; and she supported it +with as much solemnity of purpose as if she had been a cheesemonger's +daughter. Stately, insolent, and coarse; asked everywhere; insulting all; +hated and courted; such was the Duchess of Winstoun, and such, perhaps, +have been other duchesses before her. + +Be it understood that, at that day, Fashion had not risen to the despotism +it now enjoys: it took its colouring from Power, not controlled it. I +shall show, indeed, how much of its present condition that Fashion owes to +the Heroine of these Memoirs. The Duchess of Winstoun could not now be +that great person she was then: there is a certain good taste in Fashion +which repels the mere insolence of flank--which requires persons to be +either agreeable, or brilliant, or at least original--which weighs stupid +dukes in a righteous balance and finds vulgar duchesses wanting. But in +lack of this new authority this moral sebastocrator between the Sovereign +and the dignity hitherto considered next to the Sovereign's--her Grace of +Winstoun exercised with impunity the rights of insolence. She had taken +an especial dislike to Constance:--partly because the few good judges of +beauty, who care neither for rank nor report, had very unreservedly placed +Miss Vernon beyond the reach of all competition with her daughter; and +principally, because the high spirit and keen irony of Constance had given +more than once to the duchess's effrontery so cutting and so public a +check, that she had felt with astonishment and rage there was one woman in +that world--that woman too unmarried--who could retort the rudeness of the +Duchess of Winstoun. Spiteful, however, and numerous were the things she +said of Miss Vernon, when Miss Vernon was absent; and haughty beyond +measure were the inclination of her head and the tone of her voice when +Miss Vernon was present. If, therefore, Constance was disliked by the +duchess, we may readily believe that she returned the dislike. The very +name roused her spleen and her pride; and it was with a feeling all a +woman's, though scarcely feminine in the amiable sense of the word, that +she learned to whom the honour of Lord Erpingham's precedence had been +(though necessarily) given. + +As Lord Erpingham led her to her place, a buzz of admiration and +enthusiasm followed her steps. This pleased Erpingham more than, at that +moment, it did Constance. Already intoxicated by her beauty, he was proud +of the effect it produced on others, for that effect was a compliment to +his taste. He exerted himself to be agreeable; nay, more, to be +fascinating: he affected a low voice; and he attempted--poor man!--to +flatter. + +The Duchess of Winstoun and her daughter sat behind on an elevated bench. +They saw with especial advantage the attentions with which one of the +greatest of England's earls honoured the daughter of one of the greatest +of England's orators. They were shocked at his want of dignity. +Constance perceived their chagrin, and she lent a more pleased and +attentive notice to Lord Erpingham's compliments: her eyes sparkled and +her cheek blushed: and the good folks around, admiring Lord Erpingham's +immense whiskers, thought Constance in love. + +It was just at this time that Percy Godolphin entered the room. + +Although Godolphin's person was not of a showy order, there was something +about him that always arrested attention. His air; his carriage; his long +fair locks; his rich and foreign habits of dress, which his high bearing +and intellectual countenance redeemed from coxcombry; all, united, gave +something remarkable and distinguished to his appearance; and the interest +attached to his fortunes, and to his social reputation for genius and +eccentricity, could not fail of increasing the effect he produced when his +name was known. + +From the throng of idlers that gathered around him; from the bows of the +great and the smiles of the fair; Godolphin, however, directed his whole +notice--his whole soul--to the spot which was hallowed by Constance +Vernon. He saw her engaged with a man rich, powerful, and handsome. He +saw that she listened to her partner with evident interest--that he +addressed her with evident admiration. His heart sank within him; he felt +faint and sick; then came anger--mortification; then agony and despair. +All his former resolutions--all his prudence, his worldliness, his +caution, vanished at once; he felt only that he loved, that he was +supplanted, that he was undone. The dark and fierce passions of his +youth, of a nature in reality wild and vehement, swept away at once the +projects and the fabrics of that shallow and chill philosophy he had +borrowed from the world, and deemed the wisdom of the closet. A cottage +and a desert with Constance--Constance all his--heart and hand--would have +been Paradise: he would have nursed no other ambition, nor dreamed of a +reward beyond. Such effect has jealousy upon us. We confide, and we +hesitate to accept a boon: we are jealous, and we would lay down life to +attain it. + +"What a handsome fellow Erpingham is!" said a young man in a cavalry +regiment. + +Godolphin heard and groaned audibly. + +"And what a devilish handsome girl he is dancing with!" said another +young man, from Oxford. + +"Oh, Miss Vernon!--By Jove, Erpingham seems smitten. What a capital thing +it would be for her!" + +"And for him, too!" cried the more chivalrous Oxonian. + +"Humph!" said the officer. + +"I heard," renewed the Oxonian, "that she was to be married to young +Godolphin. He was staying here a short time ago. They rode and walked +together. What a lucky fellow he has been. I don't know any one I should +so much like to see." + +"Hush!" said a third person, looking at Godolphin. + +Percy moved on. Accomplished and self-collected as he usually was, he +could not wholly conceal the hell within. His brow grew knit and gloomy: +he scarcely returned the salutations he received; and moving out of the +crowd, he stole to a seat behind a large pillar, and, scarcely seen by any +one, fixed his eyes on the form and movements of Miss Vernon. + +It so happened that he had placed himself in the vicinity of the Duchess +of Winstoun, and within hearing of the conversation that I am about to +record. + +The dance being over, Lord Erpingham led Constance to a seat close by Lady +Margaret Midgecombe. The duchess had formed her plan of attack; and, +rising as she saw Constance within reach, approached her with an air that +affected civility. + +"How do you do, Miss Vernon? I am happy to see you looking so well. What +truth in the report, eh?" And the duchess showed her teeth--videlicet, +smiled. + +"What report does your grace allude to?" + +"Nay, nay; I am sure Lord Erpingham has heard it as well as myself; and I +wish for your sake (a slight emphasis), indeed, for both your sakes, that +it may be true." + +"To wait till the Duchess of Winstoun speaks intelligibly would be a waste +of her time and my own," said the haughty Constance, with the rudeness in +which she then delighted, and for which she has since become known. Rut +the duchess was not to be offended until she had completed her manoeuvre. + +"Well, now," said she, turning to Lord Erpingham, "I appeal to you; is not +Miss Vernon to be married very soon to Mr. Godolphin? I am sure (with an +affected good-nature and compassion that stung Constance to the quick), I +am sure I _hope_ so." + +"Upon my word you amaze me," said Lord Erpingham, opening to their fullest +extent the large, round, hazel eyes for which he was so justly celebrated. +"I never heard this before." + +"Oh! a secret as yet?" said the duchess; "very well! I can keep a +secret." + +Lady Margaret looked down, and laughed prettily. + +"I thought till now," said Constance, with grave composure, "that no +person could be more contemptible than one who collects idle reports: I +now find I was wrong: a person infinitely more contemptible is one who +invents them." + +The rude duchess beat at her own weapons, blushed with anger even through +her rouge: but Constance turned away, and, still leaning on Lord +Erpingham's arm, sought another seat;--that seat, on the opposite side of +the pillar behind which Godolphin sat, was still within his hearing. + +"Upon my word, Miss Vernon," said Erpingham, "I admire your spirit. +Nothing like setting down those absurd people who try to tease one, and +think one dares not retort. But pray--I hope I'm not impertinent--pray, +may I ask if this rumour have any truth in it?" + +"Certainly not," said Constance, with great effort, but in a clear tone. + +"No: I should have thought not--I should have thought not. Godolphin's +much too poor--much too poor for you. Miss Vernon is not born to marry +for love in a cottage,--is she?" + +Constance sighed. + +That soft, low tone thrilled to Godolphin's very heart. He bent forward: +he held his breath: he thirsted for her voice; for some tone, some word in +answer; it came not at that moment. + +"You remember," renewed the earl,--"you remember Miss L----? no: she was +before your time. Well! she married S----, much such another fellow as +Godolphin. He had not a shilling: but he lived well: had a house in +Mayfair; gave dinners; hunted at Melton, and so forth: in short, he played +high. She had about ten thousand pounds. They married, and lived for two +years so comfortably, you have no idea. Every one envied them. They did +not keep a close carriage, but he used to drive her out to dinners in his +French cabriolet.[1] There was no show--no pomp: everything deuced neat, +though; quite love in a cottage--only the cottage was in Curzon Street. +At length, however, the cards turned; S---- lost everything; owed more +than he could ever pay: we were forced to cut him; and his relation, Lord +----, coming into the ministry a year afterwards, got him a place in the +Customs. They live at Brompton: he wears a pepper-and-salt coat, and she +a mob-cap, with pink ribands: they have five hundred a year, and ten +children. Such was the fate of S----'s wife; such may be the fate of +Godolphin's. Oh, Miss Vernon could not marry _him!_" + +"You are right, Lord Erpingham," said Constance with emphasis; "but you +take too much licence in expressing your opinion." + +Before Lord Erpingham could stammer forth his apology they heard a slight +noise behind: they turned; Godolphin had risen. His countenance, always +inclined to a calm severity--for thought is usually severe in its outward +aspect--bent now on both the speakers with so dark and menacing an aspect +that the stout earl felt his heart stand still for a moment; and Constance +was appalled as if it had been the apparition, and not the living form, of +her lover that she bebeld. But scarcely had they seen this expression of +countenance ere it changed. With a cold and polished smile, a relaxed +brow and profound inclination of his form Godolphin greeted the two: and +passing from his seat with a slow step glided among the crowd and +vanished. + +What a strange thing, after all, is a great assembly! An immense mob of +persons, who feel for each other the profoundest indifference--met +together to join in amusements which the large majority of them consider +wearisome beyond conception. How unintellectual, how uncivilised, such a +scene, and such actors! What a remnant of barbarous times, when people +danced because they had nothing to say! Were there nothing ridiculous in +dancing, there would be nothing ridiculous in seeing wise men dance. But +that sight would be ludicrous because of the disparity between the mind +and the occupation. However, we have some excuse; we go to these +assemblies to sell our daughters, or flirt with our neighbours' wives. A +ballroom is nothing more or less than a great market-place of beauty. For +my part, were I a buyer, I should like making my purchases in a less +public mart. + +"Come, Godolphin, a glass of champagne," cried the young Lord Belvoir, as +they sat near each other at the splendid supper. + +"With all my heart; but not from that bottle! We must have a new one; for +this glass is pledged to Lady Delmour, and I would not drink to her health +but from the first sparkle! Nothing tame, nothing insipid, nothing that +has lost its first freshness, can be dedicated to one so beautiful and +young." + +The fresh bottle was opened, and Godolphin bowed over his glass to Lord +Belvoir's sister-a Beauty and a Blue. Lady Delmour admired Godolphin, and +she was flattered by a compliment that no one wholly educated in England +would have had the gallant courage to utter across a crowded table. + +"You have been dancing?" said she. + +"No!" + +"What then?" + +"What then?" said Godolphin. "Ah, Lady Delmour, do not ask." The look +that accompanied the word, supplied them with a meaning. "Need I add," +said he, in a lower voice, "that I have been thinking of the most +beautiful person present?" + +"Pooh," said Lady Delmour, turning away her head. Now, that _pooh_ is a +very significant word. On the lips of a man of business, it denotes +contempt for romance; on the lips of a politician it rebukes a theory. +With that monosyllable, a philosopher massacres a fallacy: by those four +letters a rich man gets rid of a beggar. But in the rosy mouth of a woman +the harshness vanishes, the disdain becomes encouragement. "Pooh!" says +the lady when you tell her she is handsome; but she smiles when she says +it. With the same reply she receives your protestation of love, and +blushes as she receives. With men it is the sternest, with women the +softest, exclamation in the language. + +"Pooh!" said Lady Delmour, turning away her head:--and Godolphin was in +singular spirits. What a strange thing that we should call such hilarity +from our gloom! The stroke induces the flash; excite the nerves by +jealousy, by despair, and with the proud you only trace the excitement by +the mad mirth and hysterical laughter it creates. Godolphin was charming +comme un amour, and the young countess was delighted with his gallantry. + +"Did you ever love?" asked she, tenderly, as they sat alone after supper. + +"Alas, yes!" said he. + +"How often?" + +"Read Marmontel's story of the Four Phials: I have no other answer." + +"Oh, what a beautiful tale that is! The whole history of a man's heart is +contained in it." + +While Godolphin was thus talking with Lady Delmour, his whole soul was +with Constance; of her only he thought, and on her he thirsted for +revenge. There is a curious phenomenon in love, showing how much vanity +has to do with even the best species of it; when, for your mistress to +prefer another, changes all your affection into hatred:--is it the loss of +the mistress, or her preference to the other? The last, to be sure: for +if the former, you would only grieve--but jealousy does not make you +grieve, it makes you enraged; it does not sadden, it stings. After all, +as we grow old, and look back on the "master passion," how we smile at the +fools it made of us--at the importance we attach to it--of the millions +that have been governed by it! When we examine the passion of love, it is +like examining the character of some great roan; we are astonished to +perceive the littlenesses that belong to it. We ask in wonder, "How come +such effects from such a cause?" + +Godolphin continued talking sentiment with Lady Delmour, until her lord, +who was very fond of his carriage horses, came up and took her away; and +then, perhaps glad to be relieved, Percy sauntered into the ballroom, +where, though the crowd was somewhat thinned, the dance was continued +with that spirit which always seems to increase as the night advances. + +For my own part, I now and then look late in at a ball as a warning and +grave memento of the flight of time. No amusement belongs of right so +essentially to the young, in their first youth,--to the unthinking, the +intoxicated,--to those whose blood is an elixir. + +"If Constance be woman," said Godolphin to himself, as he returned to the +ballroom, "I will yet humble her to my will. I have not learned the +science so long, to be now foiled in the first moment I have seriously +wished to triumph." + +As this thought inspired and excited him, he moved along at some distance +from, but carefully within the sight of Constance. He paused by Lady +Margaret Midgecombe. He addressed her. Notwithstanding the insolence and +the ignorance of the Duchess of Winstoun, he was well received by both +mother and daughter. Some persons there are, in all times and in all +spheres, who command a certain respect, bought neither by riches, rank, +nor even scrupulous morality of conduct. They win it by the reputation +that talent alone can win them, and which yet is not always the reputation +of talent. No man, even in the frivolous societies of the great, obtains +homage without certain qualities, which, had they been happily directed, +would have conducted him to fame. Had the attention of a Grammont, or of +a ----, been early turned towards what ought to be the objects desired, +who can doubt that, instead of the heroes of a circle, they might have +been worthy of becoming names of posterity? + +Thus the genius of Godolphin had drawn around him an eclat which made even +the haughtiest willing to receive and to repay his notice; and Lady +Margaret actually blushed with pleasure when he asked her to dance. A +foreign dance, then only very partially known in England, had been called +for: few were acquainted with it,--those only who had been abroad; and as +the movements seemed to require peculiar grace of person, some even among +those few declined, through modesty, the exhibition. + +To this dance Godolphin led Lady Margaret. All crowded round to see the +performers; and, as each went through the giddy and intoxicating maze, +they made remarks on the awkwardness or the singularity, or the +impropriety of the dance. But when Godolphin began, the murmurs changed. +The slow and stately measure then adapted to the steps, was one in which +the graceful symmetry of his person might eminently display itself. Lady +Margaret was at least as well acquainted with the dance: and the couple +altogether so immeasurably excelled all competitors, that the rest, as if +sensible of it, stopped one after the other; and when Godolphin, +perceiving that they were alone, stopped also, the spectators made their +approbation more audible than approbation usually is in polished society. + +As Godolphin paused, his eyes met those of Constance. There was not there +the expression he had anticipated there was neither the anger of jealousy, +nor the restlessness of offended vanity, nor the desire of conciliation, +visible in those large and speaking orbs. A deep, a penetrating, a sad +inquiry seemed to dwell in her gaze,--seemed anxious to pierce into his +heart, and to discover whether there she possessed the power to wound, or +whether each had been deceived: so at least seemed that fixed and +melancholy intenseness of look to Godolphin. He left Lady Margaret +abruptly: in an instant he was by the side of Constance. + +"You must be delighted with this evening," said he, bitterly: "wherever I +go I hear your praises: every one admires you; and he who does not admire +so much as worship you, _he_ alone is beneath your notice. He--born to +such shattered fortunes,--he indeed might never _aspire_ to that which +titled and wealthy idiots deem they may _command,_--the hand of Constance +Vernon." + +It was with a low and calm tone that Godolphin spoke. Constance turned +deadly pale: her frame trembled; but she did not answer immediately. She +moved to a seat retired a little from the busy crowd; Godolphin followed +and sat himself beside her; and then, with a slight effort, Constance +spoke. + +"You heard what was said, Mr. Godolphin, and I grieve to think you did. +If I offended you, however, forgive me, I pray you; I pray +sincerely--warmly. God knows I have suffered myself enough from idle +words, and from the slighting opinion with which this hard world visits +the poor, not to feel deep regret and shame if I wound, by like means, +another, more especially"--Constance's voice trembled,--"more especially +_you!_" + +As she spoke, she turned her eyes on Godolphin, and they were full of +tears. The tenderness of her voice, her look, melted him at once. Was it +to him, indeed, that the haughty Constance addressed the words of kindness +and apology?--to him whose intrinsic circumstances she had heard described +as so unworthy of her, and, his reason told him, with such justice? + +"Oh, Miss Vernon!" said he, passionately; "Miss Vernon--Constance--dear, +dear Constance! dare I call you so? hear me one word. I love you with a +love which leaves me no words to tell it. I know my faults, my poverty, +my unworthiness; but--but--may I--may I hope?" + +And all the woman was in Constance's cheek, as she listened. That cheek, +how richly was it dyed! Her eyes drooped; her bosom heaved. How every +word in those broken sentences sank into her heart! never was a tone +forgotten. The child may forget its mother, and the mother desert the +child: but never, never from a woman's heart departs the memory of the +first confession of love from him whom she first loves! She lifted her +eyes, and again withdrew them, and again gazed. + +"This must not be," at last she said; "no, no! it is folly, madness in +both!" + +"Not so; nay, not so!" whispered Godolphin, in the softest notes of a +voice that could never be harsh. "It may seem folly--madness if you will, +that the brilliant and all-idolized Miss Vernon should listen to the vows +of so lowly an adorer: but try me--prove me, and own--yes, you _will_ own +some years hence, that that folly has been happy beyond the happiness of +prudence or ambition." + +"This!" answered Constance, struggling with her emotions; "this is no spot +or hour for such a conference. Let us meet to-morrow--the western +chamber." + +"And the hour?" + +"Twelve!" + +"And I may hope--till then?" + +Constance again grew pale; and in a voice that, though it scarcely left +her lips, struck coldness and dismay into his sudden and delighted +confidence, answered, + +"No, Percy, there is no hope!--none!" + +[1] Then uncommon. + +CHAPTER XVIII. + +THE INTERVIEW.--THE CRISIS OF A LIFE. + +The western chamber was that I have mentioned as the one in which +Constance usually fixed her retreat, when neither sociability nor state +summoned her to the more public apartments. I should have said that +Godolphin slept in the house; for, coming from a distance and through +country roads, Lady Erpingham had proffered him that hospitality, and he +had willingly accepted it. Before the appointed hour, he was at the +appointed spot. + +He had passed the hours till then without even seeking his pillow. In +restless strides across his chamber, he had revolved those words with +which Constance had seemed to deny the hopes she herself had created. All +private and more selfish schemes or reflections had vanished, as by magic, +from the mind of a man prematurely formed, but not yet wholly hardened in +the mould of worldly speculation. He thought no more of what he should +relinquish in obtaining her hand; with the ardour of boyish and real love, +he thought only of her. It was as if there existed no world but the +little spot in which she breathed and moved. Poverty, privation, toil, +the change of the manners and habits of his whole previous life, to those +of professional enterprise and self-denial;--to all this he looked +forward, not so much with calmness as with triumph. + +"Be but Constance mine!" said he again and again; and again and again +those fatal words knocked at his heart, "No hope--none!" and he gnashed +his teeth in very anguish, and muttered, "But mine she will not--she will +never be!" + +Still, however, before the hour of noon, something of his habitual +confidence returned to him. He had succeeded, though but partially, in +reasoning away the obvious meaning of the words; and he ascended to the +chamber from the gardens, in which he had sought, by the air, to cool his +mental fever, with a sentiment, ominous and doubtful indeed, but still +removed from despondency and despair. + +The day was sad and heavy. A low, drizzling rain, and labouring yet +settled clouds, which denied all glimpse of the sky, and seemed cursed +into stagnancy by the absence of all wind or even breeze, increased by +those associations we endeavour in vain to resist, the dark and oppressive +sadness of his thoughts. + +He paused as he laid his hand on the door of the chamber: he listened; and +in the acute and painful life which seemed breathed into all his senses, +he felt as if he could have heard,--though without the room,--the very +breath of Constance; or known, as by an inspiration, the presence of her +beauty. He opened the door gently; all was silence and desolation for +him--Constance was not there! + +He felt, however, as if that absence was a relief. He breathed more +freely, and seemed to himself more prepared for the meeting. He took his +station by the recess of the window: in vain--he could rest in no spot: he +walked to and fro, pausing only for a moment as some object before him +reminded him of past and more tranquil hours. The books he had admired +and which, at his departure, had been left in their usual receptacle at +another part of the house, he now discovered on the tables: they opened of +themselves at the passages he had read aloud to Constance: those pages, in +his presence, she had not seemed to admire; he was inexpressibly touched +to perceive that, in his absence, they had become dear to her. As he +turned with a beating heart from this silent proof of affection, he was +startled by the sudden and almost living resemblance to Constance, which +struck upon him in a full-length picture opposite--the picture of her +father. That picture, by one of the best of our great modern masters of +the art, had been taken of Vernon in the proudest epoch of his prosperity +and fame. He was portrayed in the attitude in which he had uttered one of +the most striking sentences of one of his most brilliant orations: the +hand was raised, the foot advanced, the chest expanded. Life, energy, +command, flashed from the dark eye, breathed from the dilated nostril, +broke from the inspired lip. That noble brow--those modelled +features--that air, so full of the royalty of genius--how startlingly did +they resemble the softer lineaments of Constance! + +Arrested, in spite of himself, by the skill of the limner, and the +characteristic of the portrait Godolphin stood, motionless and gazing, +till the door opened, and Constance herself stood before him. She smiled +faintly, but with sweetness as she approached; and seating herself, +motioned him to a chair at a little distance. He obeyed the gesture in +silence. + +"Godolphin!" said she, softly. At the sound of her voice he raised his +eyes from the ground, and fixed them on her countenance with a look so +full of an imploring and earnest meaning, so expressive of the passion, +the suspense of his heart, that Constance felt her voice cease at once. +But he saw as he gazed how powerful had been his influence. Not a vestige +of bloom was on her cheek: her very lips were colourless: her eyes were +swollen with weeping; and though she seemed very calm and self-possessed, +all her wonted majesty of mien was gone. The form seemed to shrink within +itself. Humbleness and sorrow--deep, passionate, but quiet sorrow--had +supplanted the haughtiness and the elastic freshness of her beauty. "Mr. +Godolphin," she repeated, after a pause, "answer me truly and with +candour; not with the world's gallantry, but with a sincere, a plain +avowal. Were you not--in your unguarded expressions last night--were you +not excited by the surprise, the passion, of the moment? Were you not +uttering what, had you been actuated only by a calm and premeditated +prudence, you would at least have suppressed?" + +"Miss Vernon," replied Godolphin, "all that I said last night, I now, in +calmness, and with deliberate premeditation, repeat: all that I can dream +of happiness is in your hands." + +"I would, indeed, that I could disbelieve you," said Constance, +sorrowfully; "I have considered deeply on your words. I am touched--made +grateful--proud--yes, truly proud--by your confessed affection--but--" + +"Oh, Constance!" cried Godolphin; in a sudden and agonized voice--and +rising, he flung himself impetuously at her feet--"Constance! do not +reject me!" + +He seized her hand: it struggled not with his. He gazed on her +countenance: it was dyed in blushes; and before those blushes vanished, +her agitation found relief in tears, which flowed fast and full. + +"Beloved!" said Godolphin, with a solemn tenderness, "why struggle with +your heart? That heart I read at this moment: _that_ is not averse to +me." Constance wept on. "I know what you would say, and what you feel," +continued Godolphin: "you think that I--that we both are poor: that you +could ill bear the humiliations of that haughty poverty which those born +to higher fortunes so irksomely endure. You tremble to link your fate +with one who has been imprudent--lavish--selfish, if you will. You recoil +before you intrust your happiness to a man who, if he wreck that, can +offer you nothing in return: no rank--no station--nothing to heal a +bruised heart, or cover its wound, at least, in the rich disguises of +power and wealth. Am I not right, Constance? Do I not read your mind?" + +"No!" said Constance with energy. "Had I been born any man's daughter, +but his from whom I take my name; were I the same in all things, mind and +heart, save in one feeling, one remembrance, one object--that I am now; +Heaven is my witness that I would not cast a thought upon poverty--upon +privation: that I would--nay, I do--I do confide in your vows, your +affection. If you have erred, I know it not. If any but you tell me you +have erred, I believe them not. You I trust wholly and implicitly. +Heaven, I say, is my witness that, did I obey the voice of my selfish +heart, I would gladly, proudly, share and follow your fortunes. You +mistake me if you think sordid and vulgar ambition can only influence me. +No! I could be worthy of you! The daughter of John Vernon could be a +worthy wife to the man of indigence and genius. In your poverty I could +soothe you; in your labour I could support you; in your reverses console, +in your prosperity triumph. But--but, it must not be. Go, +Godolphin--dear Godolphin! There are thousands better and fairer than I +am, who will do for you as I would have done; but who possess the power I +have not--who, instead of sharing, can raise your fortunes. Go!--and if +it comfort, if it soothe you, believe that I have not been insensible to +your generosity, your love. My best wishes, my fondest prayers, my +dearest hopes, are yours." + +Blinded by her tears, subdued by her emotions, Constance was still +herself. She rose; she extricated her hand from Godolphin's; she turned +to leave the room. But Godolphin, still kneeling, caught hold of her +robe, and gently, but effectually detained her. + +"The picture you have painted," said he, "do not destroy at once. You +have portrayed yourself my soother, guide, restorer. You _can,_ indeed +you can, be this. You do not know me, Constance. Let me say one word for +my self. Hitherto, I have shunned fame and avoided ambition. Life has +seemed to me so short, and all that even glory wins so poor, that I have +thought no labour worth the price of a single hour of pleasure and +enjoyment. For you, how joyfully will I renounce my code! For myself I +could ask no honour: for you, I will labour for all. No toil shall be dry +to me--no pleasure shall decoy. I will renounce my idle and desultory +pursuits. I will enter the great public arena, where all who come armed +with patience and with energy are sure to win. Constance, I am not +without talents, though they have slept within me; say but the word, and +you know not what they can produce." + +An irresolution in Constance was felt as a sympathy by Godolphin; he +continued,-- + +"We are both desolate in the world, Constance; we are orphans--friendless, +fortuneless. Yet both have made our way without friends, and commanded +our associates, though without fortune. Does not this declare we have +that within us which, when we are united, can still exalt or conquer our +destiny? And we--we--alone in the noisy and contentious world with which +we strive--we shall turn, after each effort, to our own hearts, and find +there a comfort and a shelter. All things will bind us closer and closer +to each other. The thought of our past solitude, the hope of our future +objects, will only feed the fountain of our present love. And how much +sweeter, Constance, will be honours to you, if we thus win them; +sanctified as they will be by the sacrifices we have made; by the thought +of the many hours in which we desponded, yet took consolation from each +other; by the thought how we sweetened mortifications by sympathy, and +made even the lowest successes noble by the endearing associations with +which we allied them! How much sweeter to you will be such honours than +those which you might command at once, but accompanied by a cold heart; +rendered wearisome because won with ease and low because undignified by +fame! Oh, Constance! am I not heard? Have not love, nature, sense, +triumphed?" + +As he spoke, he had risen gently, and wound his arms around her not +reluctant form: her head reclined upon his bosom; her hand was surrendered +to his; and his kiss stole softly and unchidden to her cheek. At that +instant, the fate of both hung on a very hair. How different might the +lot, the character, of each have been, had Constance's lips pronounced the +words that her heart already recorded! And she might have done so; but as +she raised her eyes, the same object that had before affected Godolphin +came vividly upon her, and changed, as by an electric shock, the whole +current of her thoughts. Full and immediately before her was the picture +of her father. The attitude there delineated, so striking at all times, +seemed to Constance at that moment more than ever impressive, and even +awful in the _livingness_ of its command. It was the face of Vernon in +the act of speech--of warning--of reproof; such as she had seen it often +in private life; such as she had seen it in his bitter maledictions on his +hollow friends at the close of his existence: nay, such as she had seen +it,--only more fearful, and ghastly with the hues of death,--in his last +hours; in those hours in which he had pledged her to the performance of +his revenge, and bade her live not for love but the memory of her sire. + +With the sight of the face rushed upon her the dark and solemn +recollections of that time and of that vow. The weakness of love vanished +before the returning force of a sentiment nursed through her earliest +years, fed by her dreams, strengthened by her studies, and hardened by the +daring energies of a nature lofty yet fanatical, into the rule, the end, +nay, the very religion of life! She tore herself away from the surprised +and dismayed Godolphin; she threw herself on her knees before the picture; +her lips moved rapidly; the rapid and brief prayer for forgiveness was +over, and Constance rose a new being. She turned to Godolphin, and, +lifting her arm towards the picture, as she regarded, with her bright and +kindling eyes, the face of her lover; she said:-- + +"As you think now, thought he whose voice speaks to you from the canvas; +he, who pursued the path that you would tread; who, through the same toil, +the same pursuit, that you would endure, used the same powers and the same +genius you would command; he, who won,--what you might win also at +last,--the smile of princes, the trust of nobles, the shifting and sandy +elevation which the best, the wisest, and greatest statesmen in this +country, if unbacked by a sordid and caballing faction, can alone +obtain;--he warns you from that hollow distinction,--from its wretched +consummation. Oh, Godolphin!" she continued, subdued, and sinking from a +high-wrought but momentary paroxysm, uncommon to her collected character, +"Oh, Godolphin! I saw that man dying, deserted, lonely, cursed by his +genius, ruined by his prosperity. I saw him dying,--die,--of a broken and +trampled heart. Could I doom another victim to the same course, and the +same perfidy, and the same fate? Could I, with a silent heart, watch by +that victim; could I, viewing his certain doom, elate him with false +hopes?--No, no! fly from me,--from the thought of such a destiny. Marry +one who can bring you wealth, and support you with rank; _then_ be +ambitious if you will. Leave me to fulfil my doom,--my vow; and to think, +however wretched I may be, that I have not inflicted a permanent +wretchedness on you." + +Godolphin sprang forward; but the door closed upon his eyes; and he saw +Constance--as Constance _Vernon_--no more. + +CHAPTER XIX. + +A RARE AND EXQUISITE OF THE BEST (WORST) SCHOOL.--A CONVERSATION ON A +THOUSAND MATTERS.--THE DECLENSION OF THE "SUI PROFUSUS" INTO THE "ALIENI +APPETENS." + +There was, in the day I now refer to, a certain house in Chesterfield +Street, Mayfair, which few young men anxious for the eclat of society +passed without a wish for the acquaintance of the inmate. To that small +and dingy mansion, with its verandahs of dusky green, and its blinds +perpetually drawn, there attached an interest, a consideration, and a +mystery. Thither, at the dusk of night, were the hired carriages of +intrigue wont to repair, and dames to alight, careful seemingly of +concealment, yet wanting, perhaps, even a reputation to conceal. Few, at +the early hours of morn, passed that street on their way home from some +glittering revel without noticing some three or four chariots in +waiting;--or without hearing from within the walls the sounds of +protracted festivity. That house was the residence of a man who had never +done anything in public, and yet was the most noted personage in Society +in early life, the all-accomplished Lovelace! in later years mingling +the graces with the decayed heart and the want of principle of a Grammont. +Feared, contemned, loved, hated, ridiculed, honoured, the very genius, the +very personification, of a civilized and profligate life seemed embodied +in Augustus Saville. Hitherto we have spoken of, let us now describe him. + +Born to the poor fortunes and equivocal station of cadet in a noble but +impoverished house, he had passed his existence in a round of lavish, but +never inelegant, dissipation. Unlike other men, whom youth, and money, +and the flush of health, and aristocratic indulgence, allure to follies, +which shock the taste as well as the morality of the wise, Augustus +Saville had never committed an error which was not varnished by grace, and +limited by a profound and worldly discretion. A systematic votary of +pleasure--no woman had ever through him lost her reputation or her sphere; +whether it was that he corrupted into fortunate dissimulation the minds +that he betrayed into guilt, or whether he chose his victims with so just +a knowledge of their characters, and of the circumstances round them, that +he might be sure the secrecy maintained by himself would scarcely be +divulged elsewhere. All the world attributed to Augustus Saville the most +various and consummate success in that quarter in which success is most +envied by the lighter part of the world: yet no one could say exactly who, +amongst the many he addressed, had been the object of his triumph. The +same quiet, and yet victorious discretion waited upon all he did. Never +had he stooped to win celebrity from horses or from carriages; nothing in +his equipages showed the ambition to be distinguished from another; least +of all did he affect that most displeasing of minor ostentatious, that +offensive exaggeration of neatness, that outre simplicity, which our young +nobles and aspiring bankers so ridiculously think it bon ton to assume. +No harness, industriously avoiding brass; no liveries, pretending to the +tranquillity of a gentleman's dress; no panels, disdaining the armorial +attributes of which real dignity should neither be ashamed nor +proud--converted plain taste into a display of plainness. He seldom +appeared at races, and never hunted; though he was profound master of the +calculations in the first, and was, as regarded the second, allowed to be +one of the most perfect masters of horsemanship in his time. So, in his +chess, while he chose even sedulously what became him most, he avoided the +appearance of coxcombry, by a disregard to minutiae. He did not value +himself on the perfection of his boot; and suffered a wrinkle in his coat +without a sigh: yet, even the exquisites of the time allowed that no one +was more gentlemanlike in the tout ensemble; and while he sought by other +means than dress to attract, he never even in dress offended. Carefully +shunning the character of the professed wit, or the general talker, he was +yet piquant, shrewd, and animated to the few persons whom he addressed, or +with whom he associated: and though he had refused all offers to enter +public life, he was sufficiently master of the graver subjects that +agitated the times to impress even those practically engaged in them with +a belief in his information and his talents. + +But he was born poor; and yet he had lived for nearly thirty years as a +rich man! What was his secret?--he had lived upon others. At all games +of science, he played with a masterly skill; and in those wherein luck +preponderates, there are always chances for a cool and systematic +calculation. He had been, indeed, suspected of unfair play; but the +charge had never cooled the eagerness with which he had been courted. +With far better taste, and in far higher estimation than Brummell, he +obtained an equal, though a more secret sway. Every one was desirious to +know him: without his acquaintance, the young debutant felt that he wanted +the qualification to social success: by his intimacy, even vulgarity +became the rage. It was true that, as no woman's disgrace was confessedly +traced to him, so neither was any man's ruin--save only in the doubtful +instance of the unfortunate Johnstone. He never won of any person, +however ardent, more than a certain portion of his fortune--the rest of +his undoing Saville left to his satellites; nay, even those who had in +reality most reason to complain of him, never perceived his due share in +their impoverishment. It was common enough to hear men say, "Ah! Saville, +I wish I had taken your advice, and left off while I had yet half my +fortune!" They did not accurately heed that the first half was Saville's; +because the first half had excited, not ruined them. + +Besides this method of making money, so strictly social, Saville had also +applied his keen intellect and shrewd sense to other speculations. Cheap +houses, cheap horses, fluctuations in the funds, all descriptions of +property (except perhaps stolen goods), had passed under his earnest +attention; and in most cases, such speculations had eminently succeeded. +He was therefore now, in his middle age, and still unmarried, a man +decidedly wealthy; having, without ever playing miser, without ever +stinting a luxury, or denying a wish, turned nothing into something, +poverty into opulence. + +It was noon; and Saville was slowly finishing his morning repast, and +conversing with a young man stretched on a sofa opposite in a listless +attitude. The room was in perfect keeping with the owner: there was +neither velvet, nor gilding, nor buhl, nor marquetrie--all of which would +have been inconsistent with the moderate size of the apartment. But the +furniture was new, massive, costly, and luxurious without the ostentation +of luxury. A few good pictures, and several exquisite busts and figures +in bronze, upon marble pedestals, gave something classic and graceful to +the aspect of the room. Annexed to the back drawing-room, looking over +Lord Chesterfield's gardens, a small conservatory, filled with rich +exotics, made the only feature in the apartment that might have seemed, to +a fastidious person, effeminate or unduly voluptuous. + +Saville himself was about forty-seven years of age: of a person slight and +thin, without being emaciated: a not ungraceful, though habitual stoop, +diminished his height, which might be a little above the ordinary +standard. In his youth he had been handsome; but in his person there was +now little trace of any attraction beyond that of a manner remarkably soft +and insinuating: yet in his narrow though high forehead--his sharp +aquiline nose, grey eye, and slightly sarcastic curve of lip, something of +his character betrayed itself. You saw, or fancied you saw in them the +shrewdness, the delicacy of tact; the consciousness of duping others; the +subtle and intuitive, yet bland and noiseless penetration into the +characters around him, which made the prominent features of his mind. +And, indeed, of all qualities, dissimulation is that which betrays itself +the most often in the physiognomy. A fortunate thing, that the long habit +of betraying should find at times the index in which to betray itself. + +"But you don't tell me, my dear Godolphin," said Saville, as he broke the +toast into his chocolate,--"you don't tell me how the world employed +itself at Rome. Were there any of the true calibre there? steady fellows, +yet ardent, like myself?--men who make us feel our strength and put it +forth--with whom we cannot dally nor idle--who require our coolness of +head, clearness of memory, ingenuity of stratagem--in a word, men of my +art--the art of play:--were there any such?" + +"Not many, but enough for honour," said Godolphin: "for myself, I have +long forsworn gambling for profit." + +"Ah! I always thought you wanted that perseverance which belongs to +strength of character. And how stand your resources now? Sufficient to +recommence the world here with credit and eclat?" + +"Ay, were I so disposed, Saville. But I shall return to Italy. Within a +month hence, I shall depart." + +"What! and only just arrived in town! An heir in possession!" + +"Of what?" + +"The reputation of having succeeded to a property, the extent of which, if +wise, you will tell to no one! Are you so young, Godolphin, as to imagine +that it signifies one crumb of this bread what be the rent-roll of your +estate, so long as you can obtain credit for any sum to which you are +pleased to extend it? Credit! beautiful invention!--the moral new world +to which we fly when banished from the old. Credit!--the true charity of +Providence, by which they who otherwise would starve live in plenty, and +despise the indigent rich. Credit!--admirable system, alike for those who +live on it and the wiser few who live by it. Will you borrow some money +of me, Godolphin?" + +"At what percentage?" + +"Why, let me see: funds are low; I'll be moderate. But stay; be it with +you as I did with George Sinclair. You shall have all you want, and pay +me with a premium, when you marry an heiress. Why, roan, you wince at the +word 'marry!'" + +"'Tis a sore subject, Saville: one that makes a man think of halters." + +"You are right--I recognise my young pupil. Your old play-writers talked +nonsense when they said men lost liberty of person by marriage. Men lose +liberty, but it is the liberty of the mind. We cease to be independent of +the world's word, when we grow respectable with a wife, a fat butler, two +children, and a family coach. It makes a gentleman little better than a +grocer or a king! But you have seen Constance Vernon. Why, out on this +folly, Godolphin! You turn away. Do you fancy that I did not penetrate +your weakness the moment you mentioned her name?--still less, do you +fancy, my dear young friend, that I, who have lived through nearly half a +century, and know our nature, and the whole thermometer of our blood, +think one jot the worse of you for forming a caprice, or a passion, if you +will--for a woman who would set an anchoret, or, what is still colder, a +worn out debauchee, on fire? Bah! Godolphin, I am wiser than you take me +for. And I will tell you more. For your sake, I am _happy_ that you have +incurred already this, our common folly (which we all have once in a +life), and that the fit is over. I do not pry into your secrets; I know +their delicacy, I do not ask which of you drew back; for, to have gone +forward, to have married, would have been madness in both. Nay, it was an +_impossibility_: it could not have happened to my pupil; the ablest, the +subtlest, the wisest of my pupils. But, however it was broken off, I +repeat that I am glad it happened. One is never sure of a man's wisdom, +till he has been really and vainly in love. You know what that moralizing +lump of absurdity, Lord Edouard, has said in the Julie--'the path of the +passions conducts us to philosophy!' It is true, very true; and now that +the path has been fairly trod, the goal is at hand. _Now,_ I can confide +in your steadiness; now, I can feel that you will run no chance in future, +of over-appreciating that bauble, Woman. You will beg, borrow, steal, and +exchange or lose the jewel, with the same delicious excitement, coupled +with the same steady indifference, with which we play at a more scientific +game, and for a more comprehensive reward. I say more comprehensive +reward: for how many women may we be able to buy by a judicious bet on the +odd trick!" + +"Your turn is sudden," said Godolphin, smiling; "and there is some justice +in your reasoning. The fit _is_ over; and if ever I can be wise, I have +entered on wisdom now. But talk of this no more." + +"I will not," said Saville, whose unerring tact had reached just the point +where to stop, and who had led Godolphin through just that vein of +conversation, half sentimentalising, half sensible, all profligate, which +seldom fails to win the ear of a man both of imagination and of the world. +"I will not; and, to vary the topic, I will turn egoist, and tell you +_my_ adventures." + +With this, Saville began a light and amusing recital of his various and +singular life for the last three years. Anecdote, jest, maxim, remark, +interspersed, gave a zest and piquancy to the narration. An accomplished +roue always affects to moralise; it is a part of his character. There is +a vague and shrewd sentiment that pervades his morale and his system. +Frequent excitement, and its attendant relaxation; the conviction of the +folly of all pursuits; the insipidity of all life; the hollowness of all +love; the faithlessness in all ties; the disbelief in all worth; these +consequences of a dissipated existence on a thoughtful mind, produce some +remarkable, while they make so many wretched, characters. They coloured +some of the most attractive prose among the French, and the most +fascinating verse in the pages of Byron. It might be asked, by a profane +inquirer (and I have touched on this before), what effect a life nearly +similar--a life of luxury, indolence, lassitude, profuse, but heartless +love, imparted to the deep and touching wisdom in his page, whom we +consider the wisest of men, and who has left us the most melancholy of +doctrines? + +It was this turn of mind that made Savill's conversation peculiarly +agreeable to Godolphin in his present humour; and the latter invested it, +from his own mood, with a charm which in reality it wanted. For, as I +shall show, in Godolphin, what deterioration the habits of frivolous and +worldly life produce on the mind of a man of genius, I show only in +Saville the effect they produce on a man of sense. + +"Well, Godolphin," said Saville, as he saw the former rise to depart; "you +will at least dine with me to-day--a punctual eight. I think I can +promise you an agreeable evening. The Linettini, and that dear little +Fanny Millinger (your old flame), are coming; and I have asked old +Stracey, the poet, to say bons mots for them. Poor old Stracey! He goes +about to all his former friends and fellow-liberals, boasting of his +favour with the Great, and does not see that we only use him as we would a +puppet-show or a dancing-dog." + +"What folly," said Godolphin, "it is in any man of genius (not also of +birth) to think the Great of this country can possibly esteem him! +Nothing can equal the secret enmity with which dull men regard an +intellect above their comprehension. Party politics, and the tact, the +shifting, the commonplace that Party politics alone require; these they +can appreciate; and they feel respect for an orator, even though he be not +a county member; for he can assist them in their paltry ambition for place +and pension: but an author, or a man of science, the rogues positively +jeer at him!" + +"And yet," said Saville, "how few men of letters perceive a truth so +evident to us, so hackneyed even in the conversations of society! For a +little reputation at a dinner table, for a coaxing nobe from some titled +demirep affecting the De Stael, they forget not only to be glorious but +even to be respectable. And this, too, not only for so petty a +gratification, but for one that rarely lasts above a London season. We +allow the low-born author to be the lion this year; but we dub him a bore +the next. We shut our doors upon his twice-told jests, and send for the +Prague minstrels to sing to us after dinner instead." + +"However," said Godolphin, "it is only poets you find so foolish as to be +deceived by you. There is not a single prose writer of real genius so +absurd." + +"And why is that?" + +"Because," replied Godolphin, philosophising, "poets address themselves +more to women than men; and insensibly they acquire the weaknesses which +they are accustomed to address. A poet whose verses delight the women +will be found, if we closely analyse his character, to be very like a +woman himself." + +"You don't love poets?" said Saville. + +"The glory of old has departed from them. I mean less from their pages +than their minds. We have plenty of beautiful poets, but how little +poetry breathing of a great soul!" + +Here the door opened, and a Mr. Glosson was announced. There entered a +little, smirking, neat-dressed man, prim as a lawyer or a house-agent. + +"Ah, Glosson, is that you?" said Saville, with something like animation: +"sit down, my good sir,--sit down. Well! well! (rubbing his bands); what +news? what news?" + +"Why, Mr. Saville, I think we may get the land from old ----. He has the +right of the job. I have been with him all this morning. He asks six +thousand pounds for it. + +"The unconscionable dog! He got it from the crown for two." + +"Ah, very true,--very true: but you don't see, sir,--you don't see, that +it is well worth nine. Sad times,--sad times: jobs from the crown are +growing scarcer every day, Mr. Saville." + +"Humph! that's all a chance, a speculation. Times are bad indeed, as you +say: no money in the market; go, Glosson; offer him five; your percentage +shall be one per cent. higher than if I pay six thousand, and shall be +counted up to the latter sum." + +"He! he! he! sir!" grinned Glosson; "you are fond of your joke, Mr. +Saville." + +"Well, now; what else in the market? never mind my friend: Mr. +Godolphin--Mr. Glosson; now all gene is over; proceed,--proceed." + +Glosson hummed, and bowed, and hummed again, and then glided on to speak +of houses, and crown lands, and properties in Wales, and places at court +(for some of the subordinate posts at the palace were then--perhaps are +now--regular matter of barter); and Saville, bending over the table, with +his thin delicate hands clasped intently, and his brow denoting his +interest, and his sharp shrewd eye fixed on the agent, furnished to the +contemplative Godolphin a picture which he did not fail to note, to +moralise on, to despise! + +What a spectacle is that of the prodigal rake, hardening and sharpening +into the grasping speculator! + +CHAPTER XX. + +FANNY MILLINGER ONCE MORE.--LOVE.--WOMAN.--BOOKS.--A HUNDRED TOPICS +TOUCHED ON THE SURFACE.--GODOLPHIN'S STATE OF MIND MORE MINUTELY +EXAMINED.--THE DINNER AT SAVILLE'S. + +Godolphin went to see and converse with Fanny Millinger. + +She was still unmarried, and still the fashion. There was a sort of +allegory of real life, in the manner in which, at certain epochs, our +Idealist was brought into contact with the fair actress of ideal +creations. There was, in short, something of a moral in the way these two +streams of existence--the one belonging to the Actual, the other to the +Imaginary--flowed on, crossing each other at stated times. Which was the +more really imaginative--the life of the stage, or that of the world's +stage? The gay Fanny was rejoiced to welcome back again her early lover. +She ran on, talking of a thousand topics, without remarking the absent +mind and musing eye of Godolphin, till he himself stopped her somewhat +abruptly:-- + +"Well, Fanny, well, and what do you know of Saville? You have grown +intimate with him, eh? We shall meet at his house this evening." + +"Oh, yes, he is a charming person in his little way; and the only man who +allows me to be a friend without dreaming of becoming a lover. Now that's +what I like. We poor actresses have so much would-be love in the course +of our lives, that a little friendship now and then is a novelty which +other and soberer people can never appreciate. On reading Gil Blas the +other day--I am no great reader, as you may remember--I was struck by that +part in which the dear Santillane assures us that there was never any love +between him and Laura the actress. I thought it so true to nature, so +probable, that they should have formed so strong an intimacy for each +other, lived in the same house, had every opportunity for love, yet never +loved. And it was exactly because she was an actress, and a light +good-for-nothing creature that it so happened; the very multiplicity of +lovers prevented her falling in love; the very carelessness of her life, +poor girl, rendered a friend so charming to her. It would have spoiled +the friend to have made him an adorer; it would have turned the rarity +into the every-day character. Now, so it is with me and Saville; I like +his wit, he likes my good temper. We see each other as often as if we +were in love; and yet I do not believe it even possible that he should +ever kiss my hand. After all," continued Fanny, laughing, "love is not so +necessary to us women as people think. Fine writers say, 'Oh, men have a +thousand objects, women but one!' That's nonsense, dear Percy; women have +their thousand objects too. They have not the bar, but they have the +milliner's shop; they can't fight, but they can sit by the window and +embroider a work-bag; they don't rush into politics, but they plunge their +souls into love for a parrot or a lap-dog. Don't let men flatter +themselves; Providence has been just as kind in that respect to one sex as +to the other; our objects are small, yours great; but a small object may +occupy the mind just as much as the loftiest." + +"Ours great! pshaw!" said Godolphin, who was rather struck with Fanny's +remarks; "there is nothing great in those professions which man is pleased +to extol. Is selfishness great? Are the low trickery, the organised lies +of the bar, a great calling? Is the mechanical slavery of the +soldier--fighting because he is in the way of fighting, without knowing +the cause, without an object, save a dim, foolish vanity which he calls +glory, and cannot analyse--is that a great aim and vocation? Well: the +senate! look at the outcry which wise men make against the loathsome +corruption of that arena; then look at the dull hours,--the tedious talk, +the empty boasts, the poor and flat rewards, and tell me where is the +greatness? No, Fanny! the embroidered work-bag, and the petted parrot, +afford just as great--morally great--occupations as those of the bar, the +army, the senate. It is only the frivolous who talk of frivolities; there +is nothing frivolous; all earthly occupations are on a par--alike +important if they alike occupy; for to the wise all are poor and +valueless." + +"I fancy you are very wrong," said the actress, pressing her pretty +fingers to her forehead, as if to understand him; "but I cannot tell you +why, and I never argue. I ramble on in my odd way, casting out my shrewd +things without defending them if any one chooses to quarrel with them. +What I do I let others do. My maxim in talk is my maxim in life. I claim +liberty for myself, and give indulgence to others." + +"I see," said Godolphin, "that you have plenty of books about you, though +you plead not guilty to reading. Do you learn your philosophy from them? +for I think you have contracted a vein of reflection since we parted which +I scarcely recognise as an old characteristic." + +"Why," answered Fanny, "though I don't read, I skim. Sometimes I canter +through a dozen novels in a morning. I am disappointed, I confess, in all +these works; I want to see more real knowledge of the world than they ever +display. They tell us how Lord Arthur looked, and Lady Lucy dressed, and +what was the colour of those curtains, and these eyes, and so forth; and +then the better sort, perhaps, do also tell us what the heroine felt as +well as wore, and try with might and main to pull some string of the +internal machine; but still I am not enlightened, not touched. I don't +recognise men and women; they are puppets with holiday phrases: and I tell +you what, Percy, these novelists make the last mistake you would suppose +them guilty of; they have not romance enough in them to paint the truths +of society. Old gentlemen say novels are bad teachers of life, because +they make it too ideal; quite the reverse: novels are too trite! too +superficial! Their very talk about love, and the fuss they make about it, +show how shallow real romance is with them; for they say nothing new on +it, and real romance is for ever striking out new thoughts. Am I not +right, Percy?--No! life, be it worldly as it may, has a vast deal of +romance in it. Every one of us (even poor I) have a mine of thoughts, and +fancies, and wishes, that books are too dull and commonplace to reach the +heart is a romance in itself." + +"A philosophical romance, my Fanny; full of mysteries and conceits, and +refinements, mixed up with its deeper passages. But how came you so +wise?" + +"Thank you!" answered Fanny, with a profound curtsey. "The fact +is--though you, as in duty bound, don't perceive it--that I am older than +I was when we last met. I reflect where I then felt. Besides, the stage +fills our heads with a half sort of wisdom, and gives us that strange +melange of shrewd experience and romantic notions which is, in fact, the +real representation of nine human hearts out of ten. Talking of books, I +want some one to write a novel, which shall be a metaphysical Gil Blas; +which shall deal more with the mind than Le Sage's book, and less with the +actions; which shall make its hero the creature of the world, but a +different creation, though equally true; which shall give a faithful +picture in the character of one man of the aspect and the effects of our +social system; making that man of a better sort of clay than the amusing +lacquey was, and the produce of a more artificial grade of society. The +book I mean would be a sadder one than Le Sage's but equally faithful to +life." + +"And it would have more of romance, if I rightly understand what you mean?" + +"Precisely: romance of idea as well as incident--natural romance. By the +way, how few know what natural romance is: so that you feel the ideas in a +book or play are true and faithful to the characters they are ascribed to, +why mind whether the incidents are probable? Yet common readers only go +by the incidents; as if the incidents in three-fourths of Shakspeare's +plays were even ordinarily possible! But people have so little nature in +them, that they don't know what is natural!" + +Thus Fanny ran on, in no very connected manner; stringing together those +remarks which, unless I am mistaken, show how much better an uneducated, +clever girl, whose very nature is a quick perception of art, can play the +critic, then the pedants who assume the office. + +But it was only for the moment that the heavy heart of Godolphin could +forget its load. It was in vain that he sought to be amused while yet +smarting under the freshness of regret. A great shock had been given to +his nature; he had loved against his will; and as we have seen, on his +return to the Priory, he had even resolved on curing himself of a passion +so unprofitable and unwise. But the jealousy of a night had shivered into +dust a prudence which never of right belonged to a very ardent and +generous nature: that jealousy was soothed, allayed; but how fierce, how +stunning was the blow that succeeded it! Constance had confessed love, +and yet had refused him--for ever! Clear and noble as to herself her +motives might seem in that refusal, it was impossible that they should +appear in the same light to Godolphin. Unable to penetrate into the +effect which her father's death-bed and her own oath had produced on the +mind of Constance; how indissolubly that remembrace had united itself with +all her schemes and prospects for the future; how marvellously, yet how +naturally, it had converted worldly ambition into a sacred duty;--unable, +I say, to comprehend all these various, and powerful, and governing +motives, Godolphin beheld in her refusal only the aversion to share his +slender income, and the desire for loftier station. He considered, +therefore, that sorrow was a tribute to her unworthy of himself; he deemed +it a part of his dignity to strive to forget. That hallowed sentiment +which, in some losses of the heart, makes it a duty to remember, and +preaches a soothing and soft lesson from the very text of regret, was not +for the wrung and stricken soul of Godolphin. He only strove to dissipate +his grief, and shut out from his mental sight the charmed vision of the +first, the only woman he had deeply loved. + +Godolphin felt, too, that the sole impulse which could have united the +fast-expiring energy and enterprise of his youth to the ambition of life +was for ever gone. With Constance--with the proud thoughts that belonged +to her--the aspirings after earthly honours were linked, and with her were +broken. He felt his old philosophy--the love of ease, the profound +contempt for fame,--close, like the deep waters over those glittering +hosts for whose passage they had been severed for a moment--whelming the +crested and gorgeous visions for ever beneath the wave! Conscious of his +talents--nay, swayed to and fro by the unquiet stirrings of no common +genius--Godolphin yet foresaw that he was not henceforth destined to play +a shining part in the crowded drama of life. His career was already +closed; he might be contented, prosperous, happy, but never great. He had +seen enough of authors, and of the thorns that beset the paths of +literature, to experience none of those delusions which cheat the blinded +aspirer into the wilderness of publication--that mode of obtaining fame +and hatred to which those who feel unfitted for more bustling concerns are +impelled. Write he might: and he was fond (as disappointment increased +his propensities to dreaming) of brightening his solitude with the golden +palaces and winged shapes that lie glassed within the fancy--the soul's +fairy-land. But the vision with him was only evoked one hour to be +destroyed the next. Happy had it been for Godolphin, and not unfortunate +perhaps for the world, had he learned at that exact moment the true motive +for human action which he afterwards, and too late, discovered. Happy had +it been for him to have learned that there is an ambition to do good--an +ambition to raise the wretched as well as to rise. + +Alas!--either in letters or in politics, how utterly poor, barren, and +untempting, is every path that points upward to the mockery of public +eminence, when looked upon by a soul that has any real elements of wise or +noble; unless we have an impulse within, which mortification chills not--a +reward without, which selfish defeat does not destroy. + +But, unblest by one friend really wise or good, spoilt by the world, +soured by disappointment, Godolphin's very faculties made him inert, and +his very wisdom taught him to be useless. Again and again--as the spider +in some cell where no winged insect ever wanders, builds and rebuilds his +mesh,--the scheming heart of the Idealist was doomed to weave net after +net for those visions of the Lovely and the Perfect which can never +descend to the gloomy regions wherein mortality is cast. The most common +disease to genius is nympholepsy--the saddening for a spirit that the +world knows not. Ah! how those outward disappointments which should cure, +only feed the disease! + +The dinner at Saville's was gay and lively, as such entertainments with +such participators usually are. If nothing in the world is more heavy +than your formal banquet,--nothing, on the other hand, is more agreeable +than those well-chosen laissez aller feasts at which the guests are as +happily selected as the wines; where there is no form, no reserve, no +effort; and people having met to sit still for a few hours are willing to +be as pleasant to each other as if they were never to meet again. Yet the +conversation in all companies not literary turns upon persons rather than +things; and your wits learn their art only in the School for Scandal. + +"Only think, Fanny," said Saville, "of Clavers turning beau in his old +age! He commenced with being a jockey; then he became an electioneerer; +then a Methodist parson; then a builder of houses; and now be has dashed +suddenly up to London, rushed into the clubs, mounted a wig, studied an +ogle, and walks about the Opera House swinging a cane, and, at the age of +fifty-six, punching young minors in the side, and saying tremulously, +"_We_ young fellows!" + +"He hires pages to come to him in the Park with three-cornered notes," +said Fanny, "he opens each with affected nonchalance; looks full at the +bearer; and cries aloud-'Tell your mistress I cannot refuse her:'--then +canters off, with the air of a man persecuted to death!" + +"But did you see what an immense pair of whiskers Chester has mounted?" + +"Yes," answered a Mr. De Lacy; "A---- says he has cultivated them in order +to 'plant out' his ugliness." + +"But vy _you_ no talk, Monsieur de Dauphin?" said the Linettini gently, +turning to Percy; "you ver silent." + +"Unhappily, I have been so long out of town that these anecdotes of the +day are caviare to me." + +"But so," cried Saville, "would a volume of French Memoirs be to any one +that took it up for the first time; yet the French Memoirs amuse one +exactly as much as if one had lived with the persons written of. Now that +ought to be the case with conversations upon persons. I flatter myself, +Fanny, that you and I hit off characters so well by a word or two, that no +one who hears us wants to know anything more about them." + +"I believe you," said Godolphin; "and that is the reason you never talk of +yourselves." + +"Bah! Apropos of egoism, did you meet Jack Barabel in Rome?" + +"Yes, writing his travels. 'Pray,' said he to me (seizing me by the +button) in the Coliseum, 'What do you think is the highest order of +literary composition?' 'Why, an epic, I fancy,' said I; 'or perhaps a +tragedy, or a great history, or a novel like Don Quixote.' 'Pooh!' quoth +Barabel, looking important, 'there's nothing so high in literature as a +good book of travels;' then sinking his voice into a whisper and laying +his finger wisely on his nose, he hissed out, 'I have a quarto, sir, in +the press!'" + +"Ha! ha!" laughed Stracey, the old wit, picking his teeth, and speaking +for the first time; "if you tell Barabel you have seen a handsome woman, +he says, mysteriously frowning, 'Handsome, sir! has she travelled?--answer +me that!'" + +"But have you seen Paulton's new equipage? Brown carriage, brown +liveries, brown harness, brown horses, while Paulton and his wife sit +within dressed in brown cap-a-pie. The best of it is that Paulton went to +his coachmaker, to order his carriage, saying, 'Mr. Houlditch, I am +growing old--too old to be eccentric any longer; I must have something +remarkably plain;' and to this hour Paulton goes _brown_-ing about the +town, crying out to every one, 'Nothing like simplicity, believe me.'" + +"He discharged his coachman for wearing white gloves instead of brown," +said Stracey. "'What do you mean, sir,' cried he, 'with your d--d showy +vulgarities?--don't you see me toiling my soul out to be plain and quiet, +and you must spoil all, by not being _brown_ enough!'" + +"Ah, Godolphin, you seem pensive," whispered Fanny; "yet we are tolerably +amusing, too." + +"My dear Fanny," answered Godolphin, rousing himself, "the dialogue is +gay, the actors know their parts, the lights are brilliant; but--the +scene--the scene cannot shift for me! Call it what you will, I am not +deceived. I see the paint and the canvas, but--and yet, away these +thoughts! Shall I fill your glass, Fanny?" + +CHAPTER XXI. + +AN EVENT OF GREAT IMPORTANCE TO THE PRINCIPAL ACTORS IN THIS +HISTORY.--GODOLPHIN A SECOND TIME LEAVES ENGLAND. + +Goldolphin was welcomed with enthusiasm by the London world. His graces, +his manners, his genius, his bon ton, and his bonnes fortunes, were the +theme of every society. Verses imputed to him,--some erroneously, some +truly,--were mysteriously circulated from hand to hand; and every one +envied the fair inspirers to whom they were supposed to be addressed. + +It is not my intention to reiterate the wearisome echo of novelists, who +descant on fashion and term it life. No description of rose-coloured +curtains and buhl cabinets--no miniature paintings of boudoirs and +salons--no recital of conventional insipidities, interlarded with affected +criticisms, and honoured by the name of dramatic dialogue, shall lend +their fascination to these pages. Far other and far deeper aims are mine +in stooping to delineate the customs and springs of polite life. The +reader must give himself wholly up to me; he must prepare to go with me +through the grave as through the gay, and unresistingly to thread the dark +and subtle interest which alone I can impart to these memoirs, or--let him +close the book at once. I promise him novelty; but it is not, when duly +scanned, a novelty of a light and frivolous cast. + +But throughout that routine of dissipation in which he chased the phantom +Forgetfulness, Godolphin sighed for the time he had fixed on for leaving +the scenes in which it was pursued. Of Constance's present existence he +heard nothing; of her former triumphs and conquests he heard everywhere. +And when did he ever meet one face, however fair, which could awaken a +single thought of admiration? while hers was yet all faithfully glassed in +his remembrance. I know nothing that so utterly converts society into +"the gallery of pictures," as the recollection of one loved and lost. +That recollection has but two cures--Time and the hermitage. Foreigners +impute to us the turn for sentiment; alas! there are no people who have it +less. We seek for ever after amusement; and there is not one popular +prose-book in our language in which the more tender and yearning secrets +of the heart form the subject-matter. The Corinne and the Julie weary us, +or we turn them into sorry jests! + +One evening, a little before his departure from England--that a lingering +and vague hope, of which Constance was the object, had considerably +protracted beyond the allotted time--Godolphin was at a house in which the +hostess was a relation to Lord Erpingham. + +"Have you heard," asked Lady G----, "that my cousin Erpingham is to be +married?" + +"No, indeed; to whom?" said Godolphin, eagerly. "To Miss Vernon." + +Sudden as was the shock, Godolphin heard, and changed neither hue nor +muscle. + +"Are you certain of this?" asked a lady present. + +"Quite: Lady Erpingham is my authority; I received the news from herself +this very day." + +"And does she seem pleased with the match?" + +"Why, I can scarcely say, for the letter contradicts itself in every +passage. Now, she congratulates herself on having so charming a +daughter-in-law; now, she suddenly stops short to observe what a pity it +is that young men should be so precipitate! Now, she says what a great +match it will be for her dear ward! and now, what a happy one it will be +for Erpingham! In short, she does not know whether to be pleased or +vexed; and that, pour dire vrai, is my case also." + +"Why, indeed," observed the former speaker, "Miss Vernon has played her +cards well. Lord Erpingham would have been a great match in himself, with +his person and reputation. Ah! she was always an ambitious girl." + +"And a proud one," said Lady G----. "Well, I suppose Erpingham House will +be the rendezvous to all the blues, and wits, and savans. Miss Vernon is +another Aspasia, I hear." + +"I hate girls who are so designing," said the lady who spoke before, and +had only one daughter, very ugly, who, at the age of thirty-five, was +about to accept her first offer, and marry a younger son in the Guards. +"I think she's rather vulgar; for my part, I doubt if--I shall patronise +her." + +"Well, what do _you_ think of it, Mr. Godolphin?--you have seen Miss +Vernon?" + +Godolphin was gone. + +It was about ten days after this conversation that Godolphin, waiting at a +hotel in Dover the hour at which the packet set sail for Calais, took up +the Morning Post; and the first passage that met his eye was the one +which I transcribe:-- + +"Marriage in High Life.--On Thursday last, at Wendover Castle, the Earl of +Erpingham, to Constance, only daughter of the celebrated Mr. Vernon. The +bride was dressed, &c., ----" And then followed the trite, yet pompous +pageantry of words--the sounding nothings--with which ladies who become +countesses are knelled into marriage. + +"The dream is over!" said Godolphin mournfully, as the paper fell to the +ground; and, burying his face within his hands, he remained motionless +till they came to announce the moment of departure. + +And thus Percy Godolphin left, for the second time, his native shores. +When we return to him, what changes will the feelings now awakened within +him, have worked in his character! The drops that trickle within the +cavern harden, yet brighten into spars as they indurate. Nothing is more +polished, nothing more cold, than that wisdom which is the work of former +tears, of former passions, and is formed within a musing and solitary +mind! + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK GODOLPHIN, BY LYTTON, V2 *** + +****** This file should be named 7751.txt or 7751.zip ******* + +This eBook was produced by Andrew Heath +and David Widger + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +https://gutenberg.org or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +https://www.gutenberg.org/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* diff --git a/7751.zip b/7751.zip Binary files differnew file mode 100644 index 0000000..9c7bbdf --- /dev/null +++ b/7751.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..55cbb8e --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #7751 (https://www.gutenberg.org/ebooks/7751) |
