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diff --git a/76629-h/76629-h.htm b/76629-h/76629-h.htm new file mode 100644 index 0000000..232abee --- /dev/null +++ b/76629-h/76629-h.htm @@ -0,0 +1,1714 @@ +<!DOCTYPE html> +<html lang="en"> +<head> + <meta charset="UTF-8"> + <title> + Gallio | Project Gutenberg + </title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover"> + <style> + +/* DACSoft styles */ + +body { + margin-left: 10%; + margin-right: 10%; +} + +/* General headers */ +h1 { + text-align: center; /* all headings centered */ + clear: both; +} + +/* Chapter headers */ +h2 { + text-align: center; + font-weight: bold; + margin: .75em 0; +} + +div.chapter { + page-break-before: always; +} + +.nobreak { + page-break-before: avoid; +} + +/* Indented paragraph */ +p { + margin-top: .51em; + margin-bottom: .49em; + text-align: justify; + text-indent: 1em; +} + +/* Unindented paragraph */ +.noi {text-indent: 0em;} + +/* Centered unindented paragraph */ +.noic { + text-indent: 0em; + text-align: center; +} + +/* Drop caps */ +p.cap {text-indent: 0em;} + +p.cap:first-letter { + float: left; + padding-right: 3px; + font-size: 250%; + line-height: 83%; +} + +.x-ebookmaker p.cap:first-letter { + float: left; + padding-right: 3px; + font-size: 250%; + line-height: 83%; +} + +/* Non-standard paragraph margins */ +.p2 {margin-top: 2em;} + +.pad2 { + margin-top: 2em; + margin-bottom: 2em; +} + +/* Horizontal rules */ +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: 33.5%; + margin-right: 33.5%; + clear: both; +} + +hr.chap { + width: 65%; + margin-left: 17.5%; + margin-right: 17.5%; +} + +@media print { + hr.chap { + display: none; + visibility: hidden; + } +} + +/* Physical book page and line numbers */ +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + right: 3%; +/* left: 92%; */ + font-size: x-small; + font-style: normal; + font-weight: normal; + font-variant: normal; + text-align: right; + color: gray; +} /* page numbers */ + +/* Alignment */ +.right {text-align: right;} + +/* Small fonts and lowercase small-caps */ +.smfont { + font-size: .8em; +} + +/* Images */ +img { + max-width: 100%; /* no image to be wider than screen or containing div */ + height:auto; /* keep height in proportion to width */ +} + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 90%; /* div no wider than screen, even when screen is narrow */ +} + +/* Illustration classes */ +.illowe4 {width: 4em;} + +/* Footnotes and sidenotes */ +.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + +.footnote .label {position: absolute; right: 84%; text-align: right;} + +.fnanchor { + vertical-align: super; + font-size: .65em; + text-decoration: none; + white-space: nowrap; +} + +/* Poetry */ +.poetry { + display: block; + text-align: left; + margin-left: 10%; + margin-right: 10%; +} + +.poetry .stanza {margin: 1em auto;} + +.poetry .verse { + padding-left: 3em; + text-indent: -3em; +} + +/* Poetry indents */ +.poetry .indent0 {padding-left: 3em;} +.poetry .indent1 {padding-left: 3.5em;} + +/* Transcriber's notes */ +.tnote { + background-color: #E6E6FA; + margin-left: 10%; + margin-right: 10%; + padding: 0.5em; +} + +.tntitle { + font-size: 1.25em; + font-weight: bold; + text-align: center; + clear: both; +} + +/* Title page borders and content. */ +.title { + font-size: 1.75em; + font-weight: bold; + text-align: center; + clear: both; +} + +.subtitle { + font-size: 1.5em; + text-align: center; + clear: both; +} + +.halftitle { + font-size: 1.25em; + clear: both; +} + +.author { + font-size: 1.25em; + text-align: center; + clear: both; +} + + </style> +</head> + +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 76629 ***</div> + + +<figure class="figcenter x-ebookmaker-drop" id="cover_sm"> + <img class="x-ebookmaker-drop" src="images/cover_sm.jpg" alt="book cover" title="book cover"> +</figure> + + + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p class="right halftitle"> + <span class style="margin-right: 2em;">GALLIO</span><br> + <span style="margin-right: 3em;">OR</span><br> + THE TYRANNY<br> + <span style="margin-right: 3em;">OF</span><br> + <span style="margin-right: 1.5em;">SCIENCE</span></p> +</div> + + + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h1>GALLIO</h1> + +<p class="noic">OR</p> + +<p class="noi subtitle">The Tyranny of Science</p> + +<p class="p2 noic">BY</p> + +<p class="noi author">J. W. N. SULLIVAN</p> + +<div class="pad2"> +<figure class="figcenter" id="logo"> + <img class="illowe4" src="images/logo.jpg" alt="logo" title="logo"> +</figure> +</div> + +<p class="noic">E. P. DUTTON & CO.    ::    NEW YORK</p> +</div> + + + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p class="noic">GALLIO, OR THE TYRANNY OF SCIENCE<br> +COPYRIGHT 1928 BY E. P. DUTTON & COMPANY<br> +ALL RIGHTS RESERVED :: PRINTED IN U.S.A.</p> +</div> + + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak" id="SECTIONS">LIST OF SECTIONS</h2> + + +<p class="noic"><a href="#1">1</a><br> +<a href="#2">2</a><br> +<a href="#3">3</a><br> +<a href="#4">4</a><br> +<a href="#5">5</a><br></p> +</div> + + + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p><span class="pagenum" id="Page_5">[5]</span></p> + +<p class="noic halftitle">GALLIO</p> +<p><span class="pagenum" id="Page_6">[6]</span></p> +</div> + + + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p><span class="pagenum" id="Page_7">[7]</span></p> + +<p class="noi title">GALLIO</p> +<p class="noic">OR</p> +<p class="noi subtitle">THE TYRANNY OF SCIENCE</p> + +<h2 class="nobreak" id="1">1</h2> +</div> + +<p class="cap">There can be no doubt that the prestige +of science has greatly increased of recent +times. In the days when Dickens wrote <cite>The +Mudfog Papers</cite> the man of science, to the +general reading public, was a purely comic +figure. After the man of science had knocked +the bottom out of the Victorian universe +with his theory of Natural Selection he inspired +the respect we accord to whatever is +both powerful and sinister. He was observed, +warily and acutely, as an enemy. This +reaction was perfectly justified, for science, +as expounded to the populace by such men as +Huxley and Tyndall, deprived life of all that +had hitherto made it worth living. The +gravamen of their offence was not that they +made man an integral part of the animal +<span class="pagenum" id="Page_8">[8]</span>kingdom, but that they presented him with +a universe that was entirely purposeless. +Such a doctrine would probably come as a +shock even to a disillusioned and emaciated +Eastern Sage, but to the men of the Victorian +age, almost every one of them brought up in +an orthodox Christian household and filled +with that belief in a wise Providence that +comes of great material prosperity, it was +nothing short of an outrage. Even the men +of science themselves found their great discovery +more than a little disconcerting. Nobody +who reads them can fail to detect something +strained, something occasionally almost +frenzied, in their insistence on the duty +of intellectual honesty. These men are, half +the time, shouting aloud in order to hearten +themselves. They were quite consciously +martyrs to the truth. This is true, at any +rate, of such men as Huxley and Clifford. +There were many men of science, of course, +who were not sufficiently alive to live in a +universe of any description. Outside, their +laboratories they had no perceptible existence. +Many of them died simple Christians. +But to all interested in such matters it became +evident that the goal of science was the +detailed explanation of man as the accidental +<span class="pagenum" id="Page_9">[9]</span>outcome of “matter and motion”. Since the +arguments of the man of science could not be +met (for only science can cast out science) +the only thing left was to abuse him. This +was magnificently done by Nietzsche, and +rather less magnificently by Dostoevsky and +Tolstoi. Nietzsche pointed out that the man +of science was not a human being. He was +merely an instrument, the most costly, the +most exquisite, the most easily tarnished of +instruments. He was incapable of love; he +was incapable of hate. His one purpose was +to “reflect” such things as he was tuned to +receive. The philosophy evolved by such a +creature would be expressive of nothing but +his own limitations. He would be incapable +of understanding the problems that concerned +a man. This was also the line taken, more +or less, by Dostoevsky and Tolstoi, and it +became very popular with artists of all kinds. +Wordsworth’s scorn for the botanist became +the general attitude towards all men of science. +It must be admitted that, judging from +biographies of scientific men, there is much +to be said for this view. Their favourite +authors appear to be Shakespeare and Ella +Wheeler Wilcox: they are kind fathers and +faithful husbands; in their social relations +<span class="pagenum" id="Page_10">[10]</span>they are simple-minded snobs; and they are +really amused by “lecture-room humour”. It +seems unlikely that such people know much +of the fierce vitality that sent Saints to rot +on pillars and in dungeons, that sent martyrs +to the stake, or even that weaker form of +vitality that causes our Divorce Court judges +to be overworked. That they can understand +the universe, when it is obvious they +do not understand Clapham, does not seem +likely. That, briefly, was the case of the artist +against the man of science. The artist +was conscious of more things in heaven and +earth, staring him in the face, than he believed +the man of science had ever dreamt of +in his philosophy.</p> + +<p>It is evident that the position to-day is +rather different. It has become different +since the War. It is probable, as we shall +see later, that the War itself is partly responsible +for the increased attention paid by +the artist to science. But the influence was +not direct. The artist was not transported +with admiration for the men who could make +poison-gas,⁠<a id="FNanchor_1_1" href="#Footnote_1_1" class="fnanchor">[1]</a> although he may have been more +inclined to believe their philosophy that existence +is meaningless. No, the change was, +<span class="pagenum" id="Page_11">[11]</span>I believe, due to Einstein: in this respect he +must be likened to Newton and Darwin. The +fact that his theory is completely unintelligible +to the enormous majority of those who +take an interest in it is not at all to its disadvantage. +Rather the contrary. The artist +is attracted by the theory, and respectful +to it, not in the least because he understands +it, but because he feels it is the result of a +most unusual and most powerful <em>imaginative</em> +effort. It gives him a new conception of the +power of the human consciousness. This +theory, he is convinced, has come from the +heights. It is probable, as a matter of fact, +he thinks this because he believes the theory +to be about that mathematical platitude, a +fourth dimension. The fourth dimension is +a phrase to which imaginative people respond +with quite extraordinary intensity. Its popularity +is like that of giant telescopes, as was +proved when a thousand pounds was recently +offered for a simple explanation of it. It +seems to be the phrase which, to the non-mathematician, +is most pregnant with the +vast and liberating unknown. If its meaning +is ever generally understood, we may anticipate +that interest in Einstein’s theory will +decline. This will be a pity, because the +<span class="pagenum" id="Page_12">[12]</span>popular reaction to Einstein’s theory is perfectly +justified. It <em>is</em> the most profound and +original scientific theory that has ever been +invented, and it displays a kind of imagination +almost⁠<a id="FNanchor_2_2" href="#Footnote_2_2" class="fnanchor">[2]</a> unprecedented in the history of +science. The feeling of the artist about it +is right—it is vastly important to him.</p> + +<div class="footnote"> + <p class="noi"><a id="Footnote_1_1" href="#FNanchor_1_1" class="label">[1]</a> He ought to have been. See <cite>Callinicus</cite>, by J. B. S. Haldane.</p> +</div> + +<p>Being convinced that the mathematician, +at any rate, might be a poet, the respect of +imaginative people for science in general has +greatly increased. Many of them have decided +that science is worth looking into. Unfortunately +mathematical physics, the master +science of the present day and the one which +has furnished ideals for the other sciences, +is hopelessly technical. It is agreed that a +modern intelligent man, conscious of his responsibilities +as an inhabitant of the twentieth +century, should be familiar with “the +scientific outlook”. But to acquire this outlook +by brooding over the teachings and implications +of modern physics is not easy. +Thus although it is the recent astonishing +development in physics which is responsible +for the renewed public interest in science, it +<span class="pagenum" id="Page_13">[13]</span>is other sciences that reap the benefit. We +have poets and painters who study anthropology +and literary critics who read books on +the nervous system. The result appears to +have been disastrous. At a time when the +physicists are abandoning materialism the +artists are accepting it. They are accepting, +as the last word of science, a picture of the +world that belongs to the early bad manner +of physics. Again we hear, but this time +from our literary men, that slightly hysterical +insistence on the duty of intellectual honesty. +It must be admitted that they have +been predisposed to accept this view by the +War. It is a curious but indisputable psychological +fact, perhaps first noted by Tolstoi, +that the sight of a large number of naked +human bodies makes it difficult to believe +that they are animated by immortal spirits +possessing an eternal destiny. The sight of +the “wastage” that occurred during the War, +for those who saw any of it, produced the +same curious effect. Also, a psychological +fact that cannot be denied, it was difficult to +preserve belief in the essential nobility of +man when listening to patriotic non-combatants. +There can be no doubt that the War, +<span class="pagenum" id="Page_14">[14]</span>for a large number of those connected with +it, has made the acceptance of materialism +easier. Even the creative artists, at one time +great champions of the spiritual nature of +man, are now sufficiently dubious about his +nature to be reduced to impotence.</p> + +<div class="footnote"> + <p class="noi"><a id="Footnote_2_2" href="#FNanchor_2_2" class="label">[2]</a> I say “almost” because there was Bernhard Riemann and his +disciple W. K. Clifford.</p> +</div> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> +<p><span class="pagenum" id="Page_15">[15]</span></p> + +<h2 class="nobreak" id="2">2</h2> +</div> + +<p class="cap">The notion that we live in a purposeless +universe is so opposed to the mental +habits we have inherited that it is a matter of +the greatest difficulty to bear it constantly in +mind. Most of the people who hold this +belief to-day would not do so but for three +reasons: the disillusionment caused by the +War, their respect for science, and their belief +that science preaches materialism. As +for the War, that is an experience to which +we must accommodate ourselves as best we +may. It is consistent with the belief that +man is a developing spirit, but it is certainly +a proof that he is not very far developed. +The respect for science is, I believe, on the +whole rather overdone. The respect is a +little excessive even when it relates to mathematical +physics, but it becomes almost absurd +when it relates to some other branches +of science. I believe, for instance, that +Freud’s form of psycho-analysis, some forms +of behaviourism, and many of the statements +<span class="pagenum" id="Page_16">[16]</span>of the eugenists really are as silly as they +look. All that they have in common with +such first-class mental activities as physics and +chemistry is the name “science.” It is this +name that secures for them such attention as +they get from intelligent people who are not +cranks. But even physics is a more provisional +and more human thing than some romantic +references to it would lead one to +suppose. Even the tower of the mathematician, +which Mr Bernard Shaw imagines to +have been always unshaken, has been seriously +disturbed on more than one occasion. +The student of the history of science will not +be too confident even of the “indubitable +certainties” of physics when he reflects on the +universal passion of belief that attached to +the notion of a mechanical ether, for whose +present absence from the universe some men +of science are still inconsolable, and when he +reflects on the fate that has overtaken that +“most perfect and perfectly established law”, +Newton’s law of gravitation. There are no +indubitable certainties in science, a fact that +we who are contemporary with the destruction +of the Newtonian system are not likely +to forget. There are only provisional hypotheses. +It may even be, as Mr J. B. S. +<span class="pagenum" id="Page_17">[17]</span>Haldane prophesies, that physiology will one +day invade and destroy mathematical physics, +by which somewhat dark saying I suppose +phenomena mathematically may be given up. +Whether he means that or not, it is a possibility, +as Professor Eddington has hinted. +The scientific practitioner usually treats his +hypotheses as tools, but to the layman they +become dogmas. One is led to believe this +by seeing that many of those who accept materialism +on what they suppose to be scientific +evidence are rendered acutely unhappy by +their belief. A truer knowledge of the status +of scientific theories would render this agony +unnecessary. There are people with a natural +leaning towards materialism, and science, +preferably somewhat old-fashioned science, +will give them quite sufficient grounds to indulge +their propensity with complete intellectual +honesty. But science does not, and +never has, brought forward sufficient evidence +to justify a man turning materialist +against his will. And perhaps no man has +ever done so. Perhaps one can take the +agonies of modern poets too seriously. Many +artists, not only small ones, have no real indwelling +force such as a man like Beethoven +obviously possessed. They are merely very +<span class="pagenum" id="Page_18">[18]</span>impressionable and <em>adopt</em> an attitude towards +life, and this attitude is accepted and maintained, +not because they really think it is +true, but because they derive strength from +it. It gives them a centre from which they +can work; it gives them a feeling of strength +and completeness. The maintenance of their +attitude towards life may become the condition +that they exist and function as artists at +all. Nevertheless, the attitude is maintained +only by a constant effort of will, although, +since the motive is self-preservation, the artist +will nearly always think himself perfectly +sincere. But I shall, without going into these +refinements, take the unhappiness of our modern +literary men at its face-value, those, that +is, who believe that the universe is purposeless +and think this belief is founded on scientific +evidence.</p> + +<p>The point of view has been well put recently +by Mr I. A. Richards,⁠<a id="FNanchor_3_3" href="#Footnote_3_3" class="fnanchor">[3]</a> a literary +critic who thinks it possible that poetry may +be destroyed by science. He speaks of the +“neutralization of nature” which has been +effected by science, and contrasts this with +the “magical view” of the world that has +hitherto been accepted by artists. What he +<span class="pagenum" id="Page_19">[19]</span>means by this is that science reveals to us a +universe quite indifferent to all human aspirations, +whereas artists have hitherto assumed +that man is of cosmic significance. The poet +must learn to accept the scientific universe +and give up believing in things like “inspiration”, +“a reality deeper than the reality of +science”, and so on. “Experience”, says Mr +Richards, “is its own justification”, by which +he appears to mean that experience just happens +to be what it is by some kind of accident. +It points to nothing beyond itself. +The ground for this belief is not, in Mr +Richards’ case, old-fashioned materialism. +“It is not what the universe is made of but +how it works, the law it follows, which +makes knowledge of it incapable of spurring +on our emotional responses.” This reminds +one of the “iron laws” of the Victorian age, +which many people found so depressing, although +the logical connection between existence +having conditions and existence being +purposeless is a little hard to follow. But +although the particular iron laws of the Victorians +have gone, Mr Richards finds the +theory of relativity no more cheering. “A +god voluntarily or involuntarily subject to +Einstein’s General Theory of Relativity does +<span class="pagenum" id="Page_20">[20]</span>not make an emotional appeal and physics +does not find it necessary to mention him.” +Apparently it is the existence of any law at +all that is resented: the poet can feel happy +only in a world of pure miracle. I strongly +doubt the correctness of Mr Richards’ diagnosis.⁠<a id="FNanchor_4_4" href="#Footnote_4_4" class="fnanchor">[4]</a> +I am certain that not all poets +have been as childish as that. No—the essential +element in this general outlook is not that +phenomena occur in an orderly way, but that +man’s existence is not regarded as forming +part of some universal purpose. The essential +element is the same as in old-fashioned +materialism, the “accidental collocations of +atoms” theory. The emphasis was on the +“accidental” not on the “atoms”. This becomes +clear when Mr Richards describes the +appropriate emotional reaction to his view. +“A sense of desolation and uncertainty, of +futility, of the baselessness of aspirations, of +the vanity of endeavour, and a thirst for a +life-giving water which seems suddenly to +have failed, are the signs in consciousness of +this necessary reorganization of our lives.” +It is difficult to believe that this state of mind +can be produced by the recognition of such +<span class="pagenum" id="Page_21">[21]</span>facts as that unsupported stones always fall +to the ground. But if Mr Richards is right, +I suggest that the poets who are so depressed +by law and order should study, besides the +theory of relativity, Quantum Theory. They +will find there much that is, at present, agreeably +miraculous. But one need not fly to +miracles to get rid of the bug-bear of “unalterable +law”. It is only necessary to understand +the true status of the unalterable laws, +and this is just what relativity theory enables +us to do.</p> + +<div class="footnote"> + <p class="noi"><a id="Footnote_3_3" href="#FNanchor_3_3" class="label">[3]</a> <cite>Science and Poetry</cite>, 1926.</p> +</div> + +<div class="footnote"> + <p class="noi"><a id="Footnote_4_4" href="#FNanchor_4_4" class="label">[4]</a> But possibly Mr Richards means that the scientific description +does not include values. See <a href="#5">Section 5</a> of this essay.</p> +</div> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_22">[22]</span></p> + +<h2 class="nobreak" id="3">3</h2> +</div> + +<p class="cap">The idea that there is a conflict between +science and art, which is at bottom the +idea that there is a conflict between science +and mysticism, rests, I have suggested, upon +an old-fashioned conception of the status of +physics. The first duty of a man who bases +his conclusions on science is to make sure +that his science is up-to-date. The science +that leads to the depressing conclusions +I have just sketched is not up-to-date. Until +a few years ago the physicist thought +that the material universe he dealt with was +a real, objectively existing universe in the +sense that, in the absence of consciousness, +it would be very much the same as it appeared +to be. This universe was subject to laws, +and these laws might conceivably have been +different. There was no <i lang="fr">a priori</i> + reason, for +instance, why the force of gravitation should +not vary as the inverse cube of the distance. +There was no <i lang="fr">a priori</i> + reason why matter and +energy should be conserved. These were +<span class="pagenum" id="Page_23">[23]</span>laws of governance of the material universe; +their discovery had required much effort and +the rejection of alternatives. Man was in +no sense responsible for them: he happened +to live in a universe governed by them. These +were the iron laws of the Victorians and are +the laws, apparently, that depress modern +poets. One of the great discoveries of relativity +theory is that these laws need be no +more depressing than the laws of Euclidean +geometry. No artist has felt his aspirations +baseless because he cannot draw a circle +whose circumference is six times its radius. +He has no more right to despair because +there is an inexorable law of gravitation. +This has been made clear by Professor Eddington, +whose mathematical development of +relativity theory is of great philosophical importance, +and would, in a more adequately +educated community, be given more newspaper +headlines than Tutankhamen. The +real universe, according to relativity theory, +is a four-dimensional world of point-events. +Of the nature of point-events we know nothing. +All that we require to know, for the +purposes of physics, is that it takes four +numbers to specify a point-event uniquely, +and that some kind of structure—a minimum +<span class="pagenum" id="Page_24">[24]</span>amount of structure—may be postulated of +the world of point-events. We then find, +purely by mathematical processes, that certain +characteristics of this world will have +the quality of permanence. The mind, +faced with this world of evanescent point-events, +selects those characteristics that are +permanent as being of special interest. This +is merely because the mind happens to be +that kind of thing. As a consequence of this +predilection of the mind there arises space +and time, matter, and the laws of nature. +There arises, in fact, the “objective universe”. +The real world of point-events has +many other characteristics to which the mind +pays no attention. A different principle of +selection, exercised on the same total world +of point-events, would result in an utterly +different universe, a universe that is, for us, +quite unimaginable. And the universe that +the mind has selected and constructed from +the world of point-events does not in the least +depend on what the point-events <em>are</em>. All +that is necessary is that a certain minimum +amount of structure should be attributed to +the world of point-events. It is from the +relations between the point-events, quite independent +of their substance, that the mind +<span class="pagenum" id="Page_25">[25]</span>has created the material universe and its +laws. These laws, it must be emphasized, +are <em>necessary</em> consequences of the mind’s +selective action. They are necessary in the +same sense that the sum of the three interior +angles of a Euclidean triangle must be two +right angles. Of the underlying reality deduced +by physics we can say almost nothing. +It may be what Newton called the “sensorium” +of God, and the point-events may be +his thoughts. They do not succeed one another +in time for, at this stage of analysis, +space and time are “merged in one”. This +perfectly gratuitous hypothesis may appeal +to some mystics, for our thoughts, considered +as belonging to the world of point-events, +would be part of the thoughts of God. It +would be indeed true that in him we lived and +moved and had our being. We see, then, +the limitations of physics. All that depends +on the <em>structure</em> of reality belongs to physics, +including other universes than ours. All +that depends upon the <em>substance</em> of reality +for ever lies outside physics. As to the +actual universe we live in, why we should +regard it as actual is a problem for psychology. +The difference between the actual and +the non-actual is a distinction conferred by +<span class="pagenum" id="Page_26">[26]</span>our minds. It is very probable that the +whole movement of the universe in time is +also contributed by our minds. It seems to +be true that events do not take place—we +come across them. Why we do not know the +future is again a question of psychology. +Ignorance of the future, like the existence of +the material universe, is a clue to the constitution +of our minds. This has a bearing on +the question of “purpose” in the universe. +The conception of purpose seems to suppose +a process in time, and therefore may be a +totally irrelevant idea when applied to +reality.</p> + +<p>The philosophical implications of relativity +theory will doubtless take a long time to +work out. The four-dimensional universe +of point-events is something that can be +argued about but it is, to use an old-fashioned +phrase, “inconceivable”. Mankind, excepting +professional logicians, never remains +content with the inconceivable. A purely +logical conclusion is not enough; it has to be +grasped imaginatively, by which I do not +necessarily mean that it has to be pictured. +To become familiar with a theory does not +merely mean that one is able, as a form of +mental wire-walking, to slip nimbly back and +<span class="pagenum" id="Page_27">[27]</span>forth over the logical connections of the +structure. It means taking it into oneself in +some indefinable manner—becoming “intimate” +with it. Only when a theory is “realized”, +as we say, do we feel that we truly +understand it. Ideas, points of view, that we +were able to see only in flashes, become part +of our normal intellectual equipment. The +process may well be called a growth of consciousness. +There are ideas which our consciousness, +when it first approaches them is, +as it were, too flabby to grasp. We first have +to exercise our mental muscles. Every student +of a line of thought such as mathematics, +which is rather outside our normal +preoccupations, becomes aware of an actual +change in his mental powers. Notions so +abstract that at first they seemed almost +meaningless gradually become perfectly clear +and permanent additions to one’s mental resources. +Students of musical composition +find that their capacity for mentally hearing +a number of parts rapidly increases. In some +cases it is almost as if a new faculty of the +mind were born and developed.</p> + +<p>The physics of recent years has made +heavy demands upon our capacity for realization. +The electron theory, with its analysis +<span class="pagenum" id="Page_28">[28]</span>of matter into “disembodied charges of electricity” +required, for its understanding, the +breaking up of old habits of thought. To +young students the idea was, at first, extremely +baffling—almost nonsense. To realize +it one had to make more abstract one’s +idea of matter until the notion of “substance” +was replaced by the notion of “behaviour”. +Anything that behaved in the way characteristic +of matter was matter. The central idea +of the restricted principle of relativity, the +idea of different time-systems, was still more +difficult to grasp. In this case we had to +become convinced that our ordinary idea of +simultaneity, an idea which seemed perfectly +clear, was really a bogus idea. The attacks +on the theory of relativity show, for the most +part, merely that their authors are unable to +abandon old habits of thought. With the +complete theory of relativity, as we have it +now, the task of adjustment has become enormous. +There cannot be, even now, more than +very few scientific men who naturally approach +a problem from the point of view of +relativity theory. In most cases a conscious +effort of mental preparation is required, such +as occurs when a novelist, sitting down to +continue his work, deliberately thinks himself +<span class="pagenum" id="Page_29">[29]</span>into the appropriate frame of mind. Yet +doubtless the next generation or so will think +in terms of relativity theory as naturally as +we thought in terms of the Newtonian system. +I would not hold it as impossible that +the human mind may come to realize, imaginatively +as well as logically, the four-dimensional +space-time continuum. But it seems +that the mind of the physicist, at any rate, +will have to do more than become familiar +with relativity theory. It will have to accommodate +itself somehow to the quantum +theory for, although we can write down the +laws which govern sub-atomic phenomena +and make deductions from them, these laws +are, at present, unintelligible. An electron +behaves as if it had foreknowledge of what +it was about to do and could make the mathematical +calculations necessary to achieve its +end. We cannot admit this to be possible, +and we can only suppose that the difficulty +arises from the way we think about things. +We must learn to think in a different way, +and what the consequences of that new way +of thinking will be no one can say. We +know very little of the possibilities of the +development of the human consciousness.</p> + +<p>The proper attitude to-day in which the +<span class="pagenum" id="Page_30">[30]</span>problem of man’s place in nature should be +approached is one of bewilderment and humility. +Both the material universe and the +mind of man are very mysterious things. At +the present time it is only an inadequate mind +which is confident that it knows what is impossible. +There was never a time when +hearty dogmatism and loud confidence were +more out of place. We must think as best +we can, of course. The next step upward +in the development of the human consciousness +will not be achieved by either slovenly +credulity or slovenly scepticism, but only by +a terrifying mental travail. I see a human +mind as some multiple plant, here in full +flower, there still in the bud. Different +minds have flowered in different ways. Beethoven’s +<cite lang="de">Heiliger Dankgesang eines Genesenen +an die Gottheit</cite> points to the complete +development in him of something which those +of us who understand him have only in embryo. +In those who do not understand him +it is non-existent. And the great mystics +ought at least to make us doubt whether it +is we who are not deficient rather than they +who are mad. It is rash to dismiss our exceptional +moods, our strange flashes of what +seems like insight, as mere whimsies without +<span class="pagenum" id="Page_31">[31]</span>significance. They may be faint stirrings of +the next thing that is destined to become fully +alive. All that we can say is that the mind +lives in a universe largely of its own creation, +and that the universe, together with the +mind, will change in ways we cannot foresee.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_32">[32]</span></p> + +<h2 class="nobreak" id="4">4</h2> +</div> + +<p class="cap">We have seen that the philosophy that +regards man as a meaningless accident +in an alien universe receives no support from +modern physics. The true ground of that +philosophy is now, as it always has been, the +apparently meaningless misery that forms +part of life. It is not by mistaking matter +for an ultimate reality or by pondering on +the fact that laws of nature exist that we can +conclude that man is of no cosmic significance. +That conclusion can be reached logically +only on the basis of arbitrary assumptions. +But the conclusion is not, in fact, +reached in that way: it is reached through +feeling. And it cannot be transcended by a +logical process, but only in virtue of a mystic +experience.</p> + +<p>The old materialistic outlook, although it +no longer has any scientific justification, is still +active in many branches of science. It has +made popular certain types of explanation +and is the cause of the direction pursued by +<span class="pagenum" id="Page_33">[33]</span>certain researches. In particular it has led +to a great deal of useless or misleading work +being done in the attempt to reduce qualitative +to quantitative differences.</p> + +<p>A good deal of what passes for scientific +work amongst eugenists and psychologists +consists of attempts to match things which +are qualitatively different. This is the favourite +procedure of that kind of psycho-analysis +which reduces everything to sex. +Discrimination is fatiguing; also, it makes +appeal to sensibilities which many earnest +“scientific workers” do not possess. It is +much easier to make measurements than to +know exactly what you are measuring.</p> + +<p>To give up the ideal of measurability +would be equivalent, to many people, to +abandoning “science” altogether. “Science +is measurement”, we are informed. This +ideal is borrowed from physics, the science +whose aim it is to give mathematical descriptions +of phenomena. But we may have +branches of knowledge that may fairly be +called science although they are not mathematical. +We may find it necessary to use +concepts that cannot be mathematically defined. +It may not be mere lack of knowledge +which prevents biology, for instance, from +<span class="pagenum" id="Page_34">[34]</span>being a mathematical science. It may be impossible +in the nature of things ever to give +the equation to a chicken. But the bias towards +measurability is very strong and has +led to measurements being made, particularly +in psychology, where we really have no clear +idea at all as to what is being measured. +When, for instance, Professor Karl Pearson +compares fraternal resemblances in such +things as stature and arm-length with fraternal +resemblances in intelligence and conscientiousness, +what exactly is he doing? A +great deal of what is called experimental psychology +impresses one as being nothing but +the application of an inappropriate technique +by exceptionally innocent and unworldly +“scientists”. The methods found so successful +in physics are applied to everything under +the sun. It is pretty obvious that this is not +due to some mystic, Pythagorean conviction +that number is the principle of all things, but +merely to mental inertia. Many “intelligence +tests” and many of the statistical results obtained +by the eugenists impress the ordinary +person as being laughably superficial. In +their eagerness to “measure” something our +researcher seem to lose their ordinary common +sense, whereas their subject really requires +<span class="pagenum" id="Page_35">[35]</span>the subtlety and sympathy of a very +good novelist. It is amazing the number of +dull, unimaginative people who find a congenial +life work in prosecuting researches in +pseudo-science. The ordinary public, unfortunately, +does not discriminate between one +kind of science and another, with the result +that the contempt they rightly feel for some +so-called men of science is apt to be extended +to all scientific men. Thus Mr G. K. Chesterton, +having heard that some “scientists” +explain the shape of a church spire as symbolical +of phallic worship, begins to doubt +the whole Royal Society. It must be remembered +that in science real insight and imagination +are as rare as in any other human activity. +In the clear-cut sciences, such as physics +and chemistry, where the right way of attacking +problems is known and where an elaborate +technique has been built up, there is +plenty of room for valuable routine work. +All the difficult preliminary work of getting +right conceptions and principles has been +done. The routine worker can measure the +electric capacities of different condensers because +the difficult notion of electric capacity +has been made clear by his masters. But the +routine worker in psychology who measures +<span class="pagenum" id="Page_36">[36]</span>“intelligence” is not doing anything definite +at all. His subject is not yet ripe for the application +of such exact methods. In this way +the prestige of physics has exerted a harmful +influence on the study of psychology. It +is true that some experimental psychologists +are becoming aware of the fact that they do +not always know what they are measuring. +There are controversies as to what a given +set of measurements has measured, and some +measurements seem to be undertaken on the +off-chance that a meaning will some day be +found for them. It is not suggested that all +experimental psychology is of this kind, but +it is certainly true that many psychological +papers, complete with correlation coefficients +and “curves” of all kinds, wear an air of precision +to which they have no real claim.</p> + +<p>A more definitely materialistic bias is observable +in the attempts to explain psychological +happenings in terms of physiology. +The result is that learned and acute men, +caught in the jungle of neurology, painfully +fight their way out with some such epoch-making +discovery as that one learns a subject +more rapidly if one is interested in it. This +result, which is supposed to be incompatible +with the purely physiological theory of the +<span class="pagenum" id="Page_37">[37]</span>mind, owes all its difficulty to that in compatibility. +Otherwise it is a perfectly obvious +fact of experience. If it were not for +the prestige achieved by materialism in the +Victorian age it is probable that psychology +would be very much further advanced than +it is. But the side-tracking influence of that +philosophy has meant that psychologists have +had painfully to discover the obvious. But +if materialism, in small doses, delays the +recognition of the obvious, it does, when fully +developed, deny the obvious. This is what +the behaviourists do. They deny that we +think or that we can form images in our +minds. The only possible answer to this theory +is a satire, as when Voltaire answered +the theory that in this world everything is +for the best in the best of all possible worlds +by writing <cite>Candide</cite>. But in this queer modern +world behaviourism, instead of being +greeted with laughter, is answered carefully +and politely, apparently in the spirit in which +Monsieur Bergeret shook hands with the +<i lang="fr">vers libriste</i> poet, “for fear of wronging +beauty in disguise”. The position of the +ordinary man in face of these theories is, +nevertheless, a difficult one. Behaviourism +may sound to him nonsense, but so does non-Euclidean +<span class="pagenum" id="Page_38">[38]</span>geometry. His natural reaction +would be to class both of them with the theory +that the English are descended from the +lost ten tribes of Israel. Nevertheless, non-Euclidean +geometry is not nonsense. In these +circumstances it is probably fortunate that +there are people patient enough to prepare +careful and reasoned refutations of any +whimsy that anybody cares to put forth. The +extraordinary predisposition of the learned +towards concocting merely silly theories must +always be borne in mind. Studious persons +often have a very small range of experience +of life; they have nothing like so broadly +based a sense of probability as the ordinary +man of the world possesses, which is why so +many of them seem curiously innocent and +gullible. The beaming and genial professor +expounding his theory often seems curiously +like a child playing with toys. The mixture +of amusement and respect with which the +world watches him is, on the whole, the correct +reaction. As long as he is dealing with +the incomprehensible one may grant him authority. +Nobody dreams of questioning astronomical +pronouncements about forthcoming +eclipses. But when he is talking about the +very stuff of our ordinary experience, as in +<span class="pagenum" id="Page_39">[39]</span>psychology, we do wrong to accept the obviously +absurd for fear that it cannot be as +silly as it looks. A great deal of what is +called psycho-analysis, for instance, is merely +silly. Only people singularly deficient in +common-sense and completely lacking in a +sense of humour could have invented anything +so preposterous. Undoubtedly some +pathological states are of sexual origin, but +the lengths to which the theory has been carried +and the kind of interpretations that are +given make the development of psycho-analysis +one of the greatest psychological curiosities +of our time. Whole-hearted belief in +psycho-analysis certainly points to the existence +of a complex. As with any other complex, +it is defended by arguments to which +none except those who are similarly afflicted +can attach the slightest validity. The complex +is strongly materialistic, not in the sense +that everything is reduced to “matter and +motion”, but in the sense that the lowest +human activities are made explanatory of all +the rest. One often finds, associated with a +belief in materialism, a desire to deny any +form of spiritual excellence. The ostensible +motive is simplification, as when material +substances are reduced to a small number of +<span class="pagenum" id="Page_40">[40]</span>chemical elements; but it is usually obvious, +from the forced explanations that are attempted, +that the real motive is something +very different. Much, of course, must be attributed +to insensitiveness, as we see when +we turn to psycho-analytic explanations of +works of art. The extraordinary force of +the psycho-analysts’ complex is well shown +by the sort of arguments they find convincing. +Thus they may profess to show that artistic +tastes never exist without suppressed sexual +desires. Their way of establishing this fact, +which is chiefly by asserting it, is comparatively +rational. But they then proceed to the +statement that a taste for art is merely a disguised +form of sexual desire. They might +as well say that it is a disguised form of +hunger, since artists are quite as notorious +for being hungry as for being erotic, and +artistic tastes are never found to exist in a +man who takes no nourishment.</p> + +<p>Not only much modern psychology, but +some other modern sciences such as comparative +religion, are prone to a certain fallacy +that may be called the fallacy of “explanation +by origins”. This kind of explanation +has been made popular by the theory of evolution, +and the fallacy consists in supposing +<span class="pagenum" id="Page_41">[41]</span>that to give the historical antecedents of a +thing is to give an analysis of that thing. +Thus, some authorities suppose that by showing +that religion has developed from primitive +magic rites, they have thereby proved +that religion is nothing but a disguised form +of magic. One might as well say that an oak-tree +is a disguised form of an acorn, or that +a man is a disguised form of an amoeba. +But this error is too glaring to be committed +by more than a small percentage of our modern +“thinkers”. A much more insidious danger +is that this type of explanation leads one +to under-estimate the complexity of the thing +to be explained. There is a tendency to neglect +those factors in the final product which +cannot be traced in its historical antecedents. +This is one form of the widespread error of +undue simplification. No human mind can +deal exhaustively with concrete facts. Every +natural entity, whether it be a flower or a +nation, contains far too many factors for +thought to grasp it completely. The art of +human thinking is to make useful abstractions. +Any man is a very complicated creature. +All the artists and scientists of the +world could not describe him exhaustively. +But for the purposes of war every man under +<span class="pagenum" id="Page_42">[42]</span>a certain military rank was regarded as a +physical structure supporting weapons and a +stomach on two legs. This abstraction was +useful for the purposes for which it was invented. +A somewhat different abstraction is +required when a man is considered as a voter. +When a man is considered as a “hand” or a +“worker” it is found that slightly more complicated +abstractions are required. In fact, +the great fault of economic theory has been +that its “economic man” was too simple an +abstraction. The economist left out certain +factors in his conception of man, with the +result that his plans, when applied to real +men, do not work. I am suggesting that the +sciences which ape physics suffer, amongst +other things, from inadequate abstractions. +This is not surprising, for there is every reason +to suppose that the extraordinary difficulties +experienced by physics itself, at the +present day, are due to the same cause. An +analysis of this position will show us the direction +of the probable future development +of science and help us to see in what consists +the importance of the arts.</p> + + +<hr class="chap x-ebookmaker-drop"> +<div class="chapter"> + +<p><span class="pagenum" id="Page_43">[43]</span></p> + +<h2 class="nobreak" id="5">5</h2> +</div> + +<p class="cap">Many people, including some scientific +men, take science too seriously. They +think that science gives a far more comprehensive +picture of reality than it really does. +There have been philosophers who have gone +so far as to suppose that those factors of +experience that science does not find it necessary +to talk about do not really exist. This +is the basis of the belief that colours, sounds, +and scents have no “objective” existence; +they exist only in the mind, whereas such +qualities as mass and extension are supposed +to exist independently of the mind. It is true +that science does not find it necessary to refer +to colours, sounds, and scents in giving its +description of nature, whereas it does find it +necessary to refer to mass and extension. But +that does not prove that the former qualities +are not as real as the latter, are not as indubitably +part of the universe. The scientific +concepts have by no means proved themselves +<span class="pagenum" id="Page_44">[44]</span>adequate to account for the whole of experience. +Nearly everything of real importance +to man lies at present outside science. The +fact is that science was undertaken as an intellectual +adventure: it was an attempt to +find out how far nature could be described +in mathematical terms. Certain primary conceptions—time, +space, mass, force, and so on—all +of which can be defined mathematically, +were adopted, and it became a highly absorbing +game to find out how much of what +goes on around us could be described, mathematically, +in terms of these conceptions. The +success of this effort has been so astonishing +that some scientific men have forgotten to be +astonished. They have come to take it for +granted that a complete mathematical description +of the world should be possible. +This assumption is not a rational one: it is a +pure act of faith. The great founders of the +scheme made no such mistake: they were +quite aware of the precarious nature of their +enterprise. Thus, Newton, the greatest and +most successful of them all, says that, if they +find the mathematical method does not work, +they must try a different method. The mathematical +method, which is the very essence of +modern science, has, however, worked splendidly. +<span class="pagenum" id="Page_45">[45]</span>From the time of its origination in +the seventeenth century until the present day +it has had no serious rival. The ancient +æsthetic principle, which led to the conclusion +that the planets moved in circles because +the circle is the only perfect figure, is still +used by theosophists, but not by men of science. +Similarly the old moralistic principle, +which explained the fact of water rising in a +pump by saying that nature abhorred a vacuum, +possibly lingers on only in such superstitions +as that sunlight puts the fire out. In +more modern times the only notorious rival +of the Newtonian method was the dialectic +method of Hegel, who evolved the laws of +the universe from his inner consciousness. +But the best-known result of this method, +that there could not be more planets than +were known to exist, happened to be published +on the very day that a new planet was +discovered. The mathematical method, then, +is at the present day without a rival. But, +although we cannot at present imagine what +could replace the mathematical method, we +must be careful not to exaggerate the significance +of the results that have been achieved +by it. For these results depend not only on +the method, but also on the material the +<span class="pagenum" id="Page_46">[46]</span>method has to work with. And there is good +reason to suppose, in the present state of +physics, that the material with which science +has worked hitherto is turning out to be not +quite satisfactory.</p> + +<p>This material is chiefly the Newtonian set +of abstractions. Newton postulated, as the +fundamental constituents out of which the +perceived universe is built up, Space, Time, +and Matter. Space and time he regarded as +absolute and as quite independent of matter. +Matter was an enduring substance that simply +inhabited space and time. The analysis +of these conceptions has resulted in the Einstein +theory, in which neither space, time, +nor matter are fundamental. The interesting +thing about this analysis, from our present +point of view, is that it shows clearly what +arbitrary elements are present in the scientific +description of the universe. For we must +remember that moral and æsthetic elements +were ruled out of the real universe simply +because science did not find it necessary to +mention them. The foundation stones of the +scientific edifice, namely space, time, and matter, +were supposed to be the only realities. +Everything else was a sort of illusion. Men +who must have been theory-mad soberly +<span class="pagenum" id="Page_47">[47]</span>maintained that little particles of matter +wandering about purposelessly in space and +time produced our minds, our hopes, and +fears, the scent of the rose, the colours of +the sunset, the songs of the birds, and our +knowledge of the little particles themselves. +The sole realities were the little wandering +particles and the space and time they wandered +in. The existence of everything else +depended on the mind, and was inconceivable +without the mind. It is interesting, therefore, +that science has now reached a position +where space, time, and matter also depend +on the mind. In giving a scientific description +of the universe Einstein does not find it +necessary to begin with space, time, and matter. +These entities become “derivative”. +The universe becomes more spectral than +ever if we are going to adopt the materialist +principle that what depends on the mind does +not really exist. Even the universe of wandering +particles is comparatively cosy compared +with this modern universe of undefinable +“point-events”. But if we do not adopt +the materialist principle we may assert that +moral and æsthetic values are as much a part +of the real universe as anything else, and that +the reason why science does not find it necessary +<span class="pagenum" id="Page_48">[48]</span>to mention them is not because they are +not there but because science is a game played +according to certain rules, and those rules +have excluded these values from the outset. +The life-insurance actuary may, for his purposes, +neglect many things about men, and +yet calculate, quite correctly, what percentage +of them will die at forty. But he has not +proved that the qualities he has neglected do +not exist simply because they do not come in +to upset his calculations. A politician finds +that he has to base his calculations on quite +different aspects of mankind from those +found satisfactory by the actuary. In the +same way, a mountain is a different thing to +a poet from what it is to a man of science. +For the kind of understanding of the universe +that the man of science is after, the +mountain is merely a heap of certain kinds of +matter weighing so many millions of tons. +The poet, who is after a different kind of +vision, finds it necessary to take into account +quite other factors which enter into his total +experience of the mountain. The scientist +may also experience emotions of awe and reverence +in the presence of the mountain, but +for the purposes of his science these factors +of his experience may be neglected. He +<span class="pagenum" id="Page_49">[49]</span><em>abstracts</em> from the total concrete fact of his +experience of the mountain. The mountain, +as he describes it in the scientific paper he +proceeds to write, is a mere pale shadow of +the real mountain; he probably leaves it indistinguishable +from any other mountain that +happens to weigh the same, just as to the life-insurance +actuary all men of forty are exactly +alike. If we believe that the factors in experience +that the scientific man neglects are +quite as real as those he takes into account, +it becomes a matter for wonder that science +is possible. How is it that science forms a +closed system—that nothing from the worlds +it neglects ever comes in to disturb it?</p> + +<p>It is one of the great services of relativity +theory to philosophy that it provides an answer +to this question. The answer is that the +entities discussed by physics are defined in +terms of one another. The three hundred +years of building up exact science really +amounts, in the last analysis, to doing what +the dictionary compiler did when he defined +a violin as a small violoncello and a violoncello +as a large violin. Of course, if this +statement were literally true, science would +give us no information about the universe at +all. Nevertheless, the statement is true +<span class="pagenum" id="Page_50">[50]</span>about the actual procedure of science, and it +is in virtue of this procedure that science +forms a closed system. But what is left out +of this description is the scientist himself. +The mysterious process which is not taken +into account in this description of the scientific +method is the process by which the consciousness +of the scientist makes contact with +the entities he is talking about. In deducting +the world from “point-events”, for instance, +we begin by talking about something +we have no direct cognisance of, namely +point-events. From point-events we deduce +“potentials”—again a mere word. But from +potentials we deduce “matter”, and here we +are talking of something of which we have +direct knowledge. Similarly, the circular definition +of violin and violoncello tells us nothing +as it stands. But to a man who can identify +one of these entities, to a man who has +ever seen a violin, it gives genuine information.</p> + +<p>We need not be surprised, therefore, that +nothing from the outside ever seems to disturb +the equanimity that reigns within the +closed system of physics. The abstractions +with which it begins are all it ever has to deal +<span class="pagenum" id="Page_51">[51]</span>with. There are no subsequent fresh contacts +with reality. If the region covered by relativity +theory embraced the whole of physics +it would seem that, so far as physical science +is concerned, we knew all that there is to be +known. But it is notorious that, of recent +years, an entirely new set of phenomena has +been discovered in physical science. These +phenomena arise when we consider, not matter +in bulk but matter in its smallest particles. +These phenomena are, at present, strictly incomprehensible. +The celebrated quantum +theory provides us with rules for dealing +with some of them, but does not make them +intelligible. It seems that science has here +reached its limits. Professor Eddington has +even hinted that these phenomena may indicate +that the universe is finally irrational, +that is, that the attempt to describe nature +mathematically will have to be given up. +This is a possibility that Newton foresaw. +But it seems more likely that our present +state of bewilderment has a different cause. +That cause, we shall probably find, is the insufficiency +of the abstractions hitherto used +in science. We have to go back to the concrete +facts of experience and build up a +<span class="pagenum" id="Page_52">[52]</span>richer, fuller set of abstractions. Physics is +now paying the penalty of inadequate abstraction. +In particular, it must revise its notions +of space, time, and substance. This revision +is quite independent of the Einstein theory, +and is made necessary, not by that theory +but by the quantum theory. A first attempt +at this revision has been made by that great +mathematical philosopher, Professor Whitehead.⁠<a id="FNanchor_5_5" href="#Footnote_5_5" class="fnanchor">[5]</a> +We need not deal with his investigation, +which is at present in a highly technical +state. The space and time of the new theory +are interconnected and do not consist of independent +volumes and instants. Every volume +of space has reference to the whole of space, +and every moment of time refers both to the +past and the future. Hence both memory +and expectation are given a rational basis. +On the old view, as Hume pointed out, there +is no reason whatever to suppose that the +order of nature should continue. Why do we +expect that the force of gravity will be in +existence to-morrow? There was no <em>reason</em> +at all for this expectation or for any other. +That is to say, the whole of science itself was +based on blind faith. The new foundations +<span class="pagenum" id="Page_53">[53]</span>of science make science itself a rational activity. +As for the notion of “substance”, Professor +Whitehead proposes to replace it by +the notion of “organism”. We may imagine +an electron, for instance, as a repeated pattern +of events. One of the great difficulties +of the quantum phenomena is that an electron +seems to pass from one place to another without +passing through the intervening space. +On the basis of the new abstractions this difficulty +can be overcome. We have to imagine +an electron as requiring a certain time to +manifest itself—just as a tune does.</p> + +<div class="footnote"> + <p class="noi"><a id="Footnote_5_5" href="#FNanchor_5_5" class="label">[5]</a> <cite>Science and the Modern World.</cite></p> +</div> + +<p>From our present point of view, however, +the chief interest attaching to these new +foundations for science is the place occupied +in them by the intuitions of the poets. Mr +Richards, literary critic, tells us that the poets +must learn from science; Professor Whitehead, +mathematician and physicist, tells us +that science must learn from the poets. Instead +of the poet having to realize that his +intuitions are illusory and belong to a childish, +<i lang="fr">démodé</i> + view of the world, it is the scientific +man who must realize that his abstractions +are too thin and narrow to be any +longer useful, and that the poet makes closer +<span class="pagenum" id="Page_54">[54]</span>contact with reality. When Wordsworth +says:</p> + +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“Ye Presences of Nature in the sky</div> + <div class="verse indent1">And on the earth! Ye Visions of the hills!</div> + <div class="verse indent1">And Souls of lonely places! can I think</div> + <div class="verse indent1">A vulgar hope was yours when ye employed</div> + <div class="verse indent1">Such ministry, when ye through many a year</div> + <div class="verse indent1">Haunting me thus among my boyish sports,</div> + <div class="verse indent1">On caves and trees, upon the woods and hills,</div> + <div class="verse indent1">Impressed upon all forms the characters</div> + <div class="verse indent1">Of danger or desire; and thus did make</div> + <div class="verse indent1">The surface of the universal earth</div> + <div class="verse indent1">With triumph and delight, with hope and fear</div> + <div class="verse indent1">Work like a sea?...”</div> + </div> +</div> + +<p class="noi">he is not, according to Professor Whitehead, +expressing fantasies that the strong-minded +realist can afford to neglect: he is describing +the actual concrete facts of experience, facts +which, says Professor Whitehead, “are distorted +in the scientific analysis”. It is the +artist not the scientist who deals most adequately +with reality. It is the man of science, +taking his pale abstractions for the only +realities, who dwells in dream-land.</p> + +<p>So far as we can see at present, however, +science cannot abandon its method. It cannot +deal with the whole concrete fact: it +must continue to make abstractions. But +<span class="pagenum" id="Page_55">[55]</span>the present <em>impasse</em> in scientific theory is an +indication that it must go back to the beginning +and include more factors of the concrete +fact in its abstractions. It seems likely that, +in doing so, it will have to presuppose a philosophy +very different from the materialism +hitherto current amongst scientific men. The +world will have to be regarded as an evolutionary +process, where “patterns of value” +emerge. It will have to be regarded as an +interconnected whole, and the separation of +mind from matter, and mind from mind, will +have to be replaced by a conception which +regards these distinctions, in their present +form, as unreal. One very desirable result +of this transformation will be that the arts +will be taken seriously. The old outlook did +not regard values as inherent in reality. They +were merely expressive of the accidental human +constitution, but had no cosmic significance. +Art existed to provide a unique thrill, +called the “æsthetic emotion”. On the new +outlook the function of the arts is to communicate +knowledge and, moreover, the most +valuable kind of knowledge. Art, much +more than science, expresses the concrete +facts of experience in their actuality. Music, +<span class="pagenum" id="Page_56">[56]</span>in particular, finds its highest function in revealing +to us the possibilities of the spirit of +man himself. The music of such a man as +Beethoven is a revelation of existence from +the vantage point of a higher consciousness. +It is, we may hope, prophetic of the future +development of the race. Not only art, but +morals, acquire vastly greater importance on +the new outlook. Morals are no longer a +purely private concern, expressive of a particular +human constitution in an alien, strictly +non-moral universe. Men are no longer justified +in believing that their only duty is to +preserve their self-respect and to make the +most of their opportunities.</p> + +<p>Science, in view of our increased knowledge +of its aims and powers, can no longer +be presented to us as a tyrant. Science assumes +certain fundamental principles and entities, +and there is an arbitrary element in +these assumptions. What science does not +assume does not thereby not exist. It gives, +and it appears that it must forever give, a +<em>partial</em> description of the universe. The fact +that the elements of reality it leaves out do +not come in to disturb it is no presumption +against the existence of these elements. For +<span class="pagenum" id="Page_57">[57]</span>science forms a closed system simply because +it employs the device of cyclic definition. The +teachings of science, so far as the spiritual +problems of men are concerned, need no +longer be regarded as stultifying: they are +merely irrelevant.</p> + + + + +<hr class="chap"> +<div class="tnote"> +<p class="noi tntitle">Transcriber’s Notes:</p> + +<p class="smfont">A List of Sections has been provided for the convenience of the + reader, and is granted to the public domain.</p> + +<p class="smfont">Punctuation and spelling inaccuracies were silently corrected.</p> + +<p class="smfont">Archaic and variable spelling has been preserved.</p> +</div> + +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 76629 ***</div> +</body> +</html> + + diff --git a/76629-h/images/cover.jpg b/76629-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..6920d1d --- /dev/null +++ b/76629-h/images/cover.jpg diff --git a/76629-h/images/cover_sm.jpg b/76629-h/images/cover_sm.jpg Binary files differnew file mode 100644 index 0000000..af24341 --- /dev/null +++ b/76629-h/images/cover_sm.jpg diff --git a/76629-h/images/logo.jpg b/76629-h/images/logo.jpg Binary files differnew file mode 100644 index 0000000..71d7f87 --- /dev/null +++ b/76629-h/images/logo.jpg |
