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diff --git a/76590-h/76590-h.htm b/76590-h/76590-h.htm new file mode 100644 index 0000000..c0b98aa --- /dev/null +++ b/76590-h/76590-h.htm @@ -0,0 +1,1538 @@ +<!DOCTYPE html> +<html lang="en"> + <head> + <meta charset="UTF-8"> + <title>The Penny Magazine, April 7, 1832 | Project Gutenberg</title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover"> + <style> + body { margin-left: 8%; margin-right: 10%; } + h1 { text-align: center; font-weight: normal; font-size: 1.4em; } + h2 { text-align: center; font-weight: normal; font-size: 1.2em; } + .pageno { right: 1%; font-size: x-small; background-color: inherit; color: silver; + text-indent: 0em; text-align: right; position: absolute; + border: thin solid silver; padding: .1em .2em; font-style: normal; + font-variant: normal; font-weight: normal; text-decoration: none; } + p { text-indent: 0; margin-top: 0.5em; margin-bottom: 0.5em; text-align: justify; } + .fss { font-size: 75%; } + .sc { font-variant: small-caps; } + .large { font-size: large; } + .xlarge { font-size: x-large; } + .small { font-size: small; } + .lg-container-b { text-align: center; } + .x-ebookmaker .lg-container-b { clear: both; } + .lg-container-l { text-align: left; } + .x-ebookmaker .lg-container-l { clear: both; } + .linegroup { display: inline-block; text-align: left; } + .x-ebookmaker .linegroup { display: block; margin-left: 1.5em; } + .linegroup .group { margin: 1em auto; } + .linegroup .line { text-indent: -3em; padding-left: 3em; } + div.linegroup > :first-child { margin-top: 0; } + .linegroup .in2 { padding-left: 4.0em; } + ul.ul_1 {padding-left: 0; margin-left: 2.78%; margin-top: .5em; + margin-bottom: .5em; list-style-type: disc; } + div.pbb { page-break-before: always; } + hr.pb { border: none; border-bottom: thin solid; margin-bottom: 1em; } + .x-ebookmaker hr.pb { display: none; } + .figcenter { clear: both; max-width: 100%; margin: 2em auto; text-align: center; } + div.figcenter p { text-align: center; text-indent: 0; } + .figcenter img { max-width: 100%; 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} + .transcribers-notes { width: 80%; margin: auto; padding: 0 1em; + color:black; background-color: #E3E4FA; border: 1px solid silver; + page-break-before:always;margin-top:4em; } + hr.divider {width:30%;margin-left:35%;margin-right:35%; } + hr.full {width:100%; } + .subtitle {margin-bottom:2em; } + .masthead {text-align:center; display:inline-block; width:100%; } + .masthead-left {float:left;text-align:left; } + .masthead-right {float:right;text-align:right; } + .masthead-left, .masthead-right {width:24%; } + .masthead-centre {margin:auto;width:50% } + .colophon {font-size:75%; } + .colophon-left {float:left; } + .colophon-right {float:right; } + .colophon-left, .colophon-right {width:48%;text-align:left; } + .clear {clear:both; } + .illo-wide {width:100%; } + div.linegroup > :last-child { margin-bottom: 0; } + .shrink {font-size:90%; } + </style> + </head> + <body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 76590 ***</div> + +<div> + <span class='pageno' id='Page_9'>9</span> + <h1 class='c000' title='The Penny Magazine, March 31, 1832'>THE PENNY MAGAZINE</h1> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c001'> + <div><span class='small'>OF THE</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c001'> + <div><span class='large'>Society for the Diffusion of Useful Knowledge.</span></div> + </div> +</div> + +<hr class="full"> +<div class="masthead"> +<div class="masthead-right">[<span class='sc'>April</span> 7, 1832</div> +<div class="masthead-left">2.]</div> +<div class="masthead-centre">PUBLISHED EVERY SATURDAY.</div> +<hr class="full"> +</div> + +<div> + <h2 class='c002'>POMPEII.</h2> +</div> + +<div class='illo-wide'> + +<div class='figcenter id001'> +<a href='images/pompeii-1-full.jpg'><img src='images/pompeii-1-inline.png' alt='' class='ig001'></a> +<div class='ic001'> +<p>[Restored View of Pompeii.]</p> +</div> +</div> + +</div> + +<div class='shrink'> + +<p class='c003'>⁂ The volume on ‘Pompeii,’ lately published in the Library of +Entertaining Knowledge, contains every authentic detail of the +destruction of that city by an eruption of Mount Vesuvius, <span class='fss'>A.D.</span> 79; +and the second volume, which will be shortly published, will complete +the description of the remains of public and private buildings, +and of articles of domestic use, which have been discovered +in the ruins. The following observations on this interesting subject +are from an intelligent correspondent, who has had the advantage +of visiting the spot.</p> + +</div> + +<p class='c004'>It is certainly surprising, that this most interesting city +should have remained undiscovered until so late a period, +and that antiquaries and learned men should have so +long and materially erred about its situation. In many +places masses of ruins, portions of the buried theatres, +temples, and houses were not two feet below the surface +of the soil; the country people were continually +digging up pieces of worked marble, and other antique +objects; in several spots they had even laid open the +outer walls of the town; and yet men did not find out +<em>what it was</em>, that peculiar, isolated mound of cinders +and ashes, earth and pumice-stone, covered. There is +another circumstance which increases the wonder of +Pompeii remaining so long concealed. A subterranean +canal, cut from the river Sarno, traverses the city, and is +seen darkly and silently gliding on under the temple of +Isis. This is said to have been cut towards the middle +of the fifteenth century, to supply the contiguous town of +the Torre dell’ Annunziata with fresh water; it probably +ran anciently in the same channel. But, cutting it, or +clearing it, workmen must have crossed under Pompeii +from one side to the other.</p> + +<p class='c004'>As you walk round the walls of the city, and see how +the volcanic matter is piled upon it in one heap, it looks +as though the hand of man had purposely buried it, by +carrying and throwing over it the volcanic matter. This +matter does not spread in any direction beyond the +town, over the fine plain which gently declines towards +the bay of Naples. The volcanic eruption was so confined +in its course or its fall, as to bury Pompeii, and +only Pompeii: for the shower of ashes and pumice-stone +which descended in the immediate neighbourhood certainly +made but a slight difference in the elevation of +the plain.</p> + +<p class='c004'>Where a town has been buried by lava, like Herculaneum, +the process is easily traced. You can follow the +black, hardened lava from the cone of the mountain to +the sea, whose waters it invaded for “many a rood,” and +those who have seen the lava in its liquid state, when it +flows on like a river of molten iron, can conceive at once +how it would bury every thing it found in its way. +There is often a confusion of ideas, among those who +have not had the advantages of visiting these interesting +places, as to the matter which covers Pompeii and Herculaneum: +they fancy they were both buried by lava. +Herculaneum was so, and the work of excavating there, +was like digging in a quarry of very hard stone. The +descent into the places cleared is like the descent into a +quarry or mine, and you are always under ground, +lighted by torches.</p> + +<p class='c004'>But Pompeii was covered by loose mud, pumice-stone, +and ashes, over which, in the course of centuries, there +collected vegetable soil. Beneath this shallow soil, the +whole is very crumbly and easy to dig, in few spots more +difficult than one of our common gravel-pits. The matter +excavated is carried off in carts, and thrown outside +of the town; and in times when the labour is carried on +with activity, as cart after cart withdraws with the earth +that covered them, you see houses entire, except their +roofs, which have nearly always fallen in, make their +appearance, and, by degrees, a whole street opens to the +sun-shine or the shower, just like the streets of any inhabited +neighbouring town. It is curious to observe, +as the volcanic matter is removed, that the houses are +principally built of lava, the more ancient product of the +same Vesuvius, whose later results buried and concealed +Pompeii for so many ages.</p> + +<div class='illo-wide'> + +<div class='figcenter id001'> +<a href='images/pompeii-2-full.jpg'><img src='images/pompeii-2-inline.png' alt='' class='ig001'></a> +<div class='ic001'> +<p>[Implements of building found at Pompeii.]</p> +</div> +</div> + +</div> + +<p class='c004'>In the autumn of 1822 I saw Pompeii under very +interesting circumstances. It was a few days after an +eruption of Vesuvius, which I had witnessed, and which +was considered by far the grandest eruption of recent +times. From Portici, our road was coated with lapilla +or pumice-stone, and a fine impalpable powder, of a +palish grey hue, that had been discharged from the +mountain, round whose base we were winding. In many +places this coating was more than a foot deep, but it was +pretty equally spread, not accumulating in any particular +spot. As we drove into Pompeii our carriage wheels +crushed this matter, which contained the principal components +of what had buried the city: it was lodged on +the edges of the houses’ walls, and on their roofs, (where +the Neapolitan government had furnished them with +any); it lay inches thick on the tops of the pillars and +truncated columns of the ancient temples; it covered all +the floors or the houses that had no roofs, and concealed +the mosaics. In the amphitheatre, where we sat down +to refresh ourselves, we were obliged to make the guides +clear it away with shovels—it was everywhere. Looking +from the upper walls of the amphitheatre, we saw the +whole country covered with it—trees and all were coated +with the pale-grey plaster, nor did it disappear for many +months after.</p> + +<p class='c004'>Some ignorant fellows at Naples pretended the fine +ashes, or powder, contained gold! Neapolitans began +<span class='pageno' id='Page_10'>10</span>to collect it. They found no gold, but it turned out to +be an excellent thing for cleaning and polishing plate.</p> + +<p class='c004'>This dust continued to be blown from the mountain +many days after the eruption had ceased. It once made +a pretty figure of me! I was riding up the Posilippo road +when it came on to rain; the rain brought down and +gave consistency to the dust, which adhered to my black +coat and pantaloons, until I looked as if I had been +rolled in plaster of Paris.</p> + +<p class='c004'>But it travelled farther than Posilippo, for a friend of +mine, an officer in the navy, assured me it had fallen +with rain on the deck of his ship, when between three +and four hundred miles from Naples and Mount Vesuvius. +There is an old story, that during one of the great +eruptions of this mountain, or Etna, cinders were thrown +as far as Constantinople: by substituting the fine powder +I have alluded to, for cinders, the story becomes not improbable.</p> + +<div class='c005'></div> +<hr class="divider"> +<div> + <h2 class='c002'>VAN DIEMEN’S LAND.</h2> +</div> + +<div class='subtitle'> + +<div class='nf-center-c0'> +<div class='nf-center c005'> + <div>[Concluded from our last.]</div> + </div> +</div> + +</div> + +<p class='c004'>The island of Van Diemen’s Land lies immediately to +the south of the vast continent of New Holland, from +which it is separated by the narrow channel called Bass’s +Strait. If New Holland be regarded as a great full bag +or sack, Bass’s Strait will represent the neck, where it is +drawn together and tied close, and Van Diemen’s Land +the small bunch or gathering made beyond the string +by the mere lip of the sack. While New Holland is +rather more than half as large as all Europe, the extent +of Van Diemen’s Land is only about twenty-three thousand +square miles, which is not much more than two-thirds +of the size of Ireland, or a fourth part of that of +the island of Great Britain. The one, in fact, is about +eighty times as large as the other.</p> + +<p class='c004'>One of the papers in the Van Diemen’s Land Almanac +presents us with a very full geographical description +of the island. It was divided soon after its settlement +into two great counties, Buckinghamshire, embracing the +southern, and Cornwall, the northern portion of it. But +the division which is now chiefly recognised, is that made +in 1827 into eight Police districts, each under the charge +of a paid magistrate. In the first of these, occupying +the south-west corner of the island, stands Hobart Town, +the capital, on the river Derwent, and about twenty miles +from its mouth. The river, however, is, even at this distance +from the sea, of considerable width, and the water +is quite salt. The town stands upon a gently rising +ground, and covers rather more than a square mile. Its +streets are wide, and intersect each other at right angles. +It contains several government buildings, a parish +church, and other places of worship; a government +school for the poor, and several Sunday schools; two +public banks; and several libraries. Among its manufactories +Hobart Town possesses a distillery, several +breweries and tanneries, two timber mills, several flour +mills worked by steam and water, and two or three soap +and candle works. The population of the town and +suburbs, including the convicts and the military, is above +seven thousand. This, we believe, is about half the +amount of the whole population of the island.</p> + +<p class='c004'>The other towns already founded in Van Diemen’s +Land, are, Launceston, on the river Tamar, about a +hundred and twenty miles north from the capital, containing +about a thousand inhabitants; New Norfolk, or +Elizabeth Town, a place of considerable traffic, and also +the centre of a rich agricultural district, standing on the +Derwent, about twenty-two miles higher up than Hobart +Town; Richmond, fourteen miles from the capital; +Sorell Town, or Pitt Water, and Brighton, two other +townships in the same vicinity; Bothwell, Oatlands, +Campbell Town, Ross, Perth, and George Town, all +considerably advanced settlements. Many other stations, +however, have been marked out for towns, although +scarcely yet begun to be built upon. Numerous farm-houses, +also, and other detached residences, many of +them standing in the midst of enclosed fields, gardens, +and orchards, have been built in all directions. A single +agricultural association, called the Van Diemen’s Land +Company, possess a continuous tract of above three hundred +thousand acres, in the north-west part of the island. +About four hundred and fifty persons reside on this property. +There are two government settlements for persons +convicted of crimes in the colony, Macquarie Harbour on +the west coast, and Maria Island on the east.</p> + +<p class='c004'>The face of the country, though extremely diversified, +is mountainous on the whole, and, especially as seen +from the south, presents a prospect of singular sublimity; +hills covered to the ridge with trees, occasionally intermingled +with a bare rocky eminence, appearing to rise +behind each other in endless succession. Some of the +mountains on the south coast are five thousand feet in +height, and during a great part of the year are covered +with snow. Mount Wellington, or the Table Mountain, +a few miles to the west of Hobart Town, rises to the +height of four thousand feet above the level of the sea. +The interior, however, contains many extensive plains +quite unencumbered with wood. Even the western +coast, where the scenery in general is bold and desolate, +presents many protected and fertile spots. The bays +and harbours around the coast are numerous and excellent. +In this respect Hobart Town especially is most +favourably situated. The principal rivers are the Derwent, +the Huon, and the Tamar, all navigable. The Derwent, +even at New Norfolk, above forty miles from the sea, is +as wide as the Thames at Battersea. The scenery on +both sides of this noble stream is described as being of +the richest beauty. The second-rate and inferior rivers +are numerous, fertilizing every part of the country, and +falling into the sea along the whole extent of the coast. +In the heart of the island are several lakes, from which +many of the rivers take their rise.</p> + +<p class='c004'>Much of the native timber of Van Diemen’s Land is +excellent for all building purposes; and others of the +woods are esteemed for ornamental cabinet-work. All +the trees are evergreens. The shrubs are of great variety +and beauty; but present as yet an almost unexamined +field to the botanist. As to fruits, none of any value +have been found native to this island; but on the other +hand, every sort of fruit, herb, or vegetable, that grows +in England, grows still better here.</p> + +<p class='c004'>In respect of climate, Van Diemen’s Land enjoys the +happiest medium between the extremes of heat and cold, +the thermometer rarely falling below 40 degrees in winter, +or rising above 70 degrees in summer. During the winter +months of June, July, and August, the frosts are sometimes +severe, and occasionally a good deal of snow falls; +but it is seldom that snow lies on the ground a whole day.</p> + +<p class='c004'>Coal has been found in various places; iron-stone is +believed to be abundant; lime-stone also exists in great +plenty; and it is highly probable that the earth is enriched +with various other mineral treasures. Of the +native animals, the most formidable is the hyena, by +which many of the sheep are destroyed. Wild dogs and +cats of different species are also found in the woods. The +kangaroo is now fast disappearing, having, although a +perfectly harmless animal, been much hunted by the settlers +for sport, or for the sake of its flesh and skin. +There are numerous species of birds, many of them of +beautiful plumage. Various descriptions of fish also +abound in the bays and creeks; but, except eels, the +lakes and rivers supply very few that are valuable as +food. Of the reptiles found in the island, the principal +are snakes, some of which are extremely venomous.</p> + +<p class='c004'>Such is an abstract of what is most important in the +paper before us, which is followed by a more minute +description of the parts of the island that have been +brought into cultivation, in the form of an itinerary. +We will now add a very few facts, selected from another +paper, on the agriculture and horticulture of the colony.</p> + +<p class='c004'><span class='pageno' id='Page_11'>11</span>The first cattle were brought to Van Diemen’s Land +in 1807. They were “a coarse buffalo sort of animal:” +but, about nine or ten years ago, superior breeds began +to be imported from England, and the colony now possesses +pure Devons, Herefords, Durhams, Holdernesses, +Fifeshires, &c. Horses were at first brought from New +Holland; but, “in the same manner as with neat cattle,” +says this account, “they have since had the benefit of +very superior crosses of English importations, and the +colony can now boast as fine horses as even England +itself. It has every sort, perhaps, that is known in the +mother-country, from the heavy dray-horse to the diminutive +pony, and including, what should by no means +be passed in silence, blood and bone upon which thousands +have been depending at Newmarket and other +English race-courses.” Sheep, for which both the climate +and natural herbage of the country are well +adapted, are now numerous and rapidly improving in +quality. Pigs and poultry, of every description, thrive +admirably. Most sorts of grain that are common in +England, grow at least as well here. The wheat is of +excellent quality, seldom weighing less than from sixty-two +to sixty-four pounds per bushel. Barley and oats produce +well upon good land; but will not answer on inferior +soils. The average return yielded by the potato is not +equal to what it yields in England; but the cultivation +of this root is yet in its infancy. Turnips and mangel-wurzel +are both found to do extremely well. The same +may be said of English grasses and pulses of all sorts.</p> + +<p class='c004'>The export trade from this colony has, as yet, been +confined to the more useful articles. Corn is sent to +New South Wales, and to Swan River. Wool is already +exported in considerable quantities, and is likely to become +every year more and more the staple production of +the island. Whale-fishing and the manufacture of oil are +rapidly becoming trades of considerable importance. A +good deal of mimosa bark, for tanning, is also sent to England; +and salt meats, hides, and dairy produce will probably +soon be added to the list of exported commodities.</p> + +<p class='c004'>The regulations at present in force for the disposal of +land, by grant or sale, were issued in 1828. The main +principle upon which they are grounded is, that “settlers +should not receive a greater extent of land than they are +capable of improving, and that grants should not be +made to persons who are desirous only of disposing of +them.” Lands are accordingly granted in square miles, +in the proportion of one square mile, or 640 acres, for +every £500 sterling of capital which the applicant can +immediately command. Of this capital, however, a portion +may consist of live stock and instruments of husbandry. +Upon the land thus granted a quit-rent is +imposed at the rate of £5 per cent. on the estimated +value of the land, the payment to commence at the expiration +of seven years from the date of the grant, when +the settler will also receive his title-deeds. The smallest +quantity of land granted in this way to an individual is +320 acres, and the largest, 2560 acres, or four square +miles. Lands may also be obtained by purchase, being +advertised for that purpose, and sold to the person +making the highest tender.</p> + +<p class='c004'>We will, in conclusion, mention a few of the more interesting +particulars, supplied by the various lists in the +little volume before us; these are indicative of the rapid +progress of civilization. In addition to the three banks +in Hobart Town we find a fourth, called the Cornwall +bank, established at Launceston. There is at Hobart +Town a Mechanics’ Institute, of which the Governor is +patron, and the Chief Justice, president. Among the +religious and philanthropic institutions of this capital are, +a Bible Society, of which the Governor is president; a +Presbyterian Missionary Society; a Wesleyan Missionary +Society; a Benevolent and Strangers’ Friend Society; +and a Sunday School Union, having four schools in its +connexion, containing in all about 250 children. Besides +the Government Gazette, there are three other +weekly newspapers published in Hobart Town, and a +fourth at Launceston. The Almanac closes with a +Directory for Hobart Town; in which, besides merchants, +general dealers, official, clerical, and other professional +characters, we find the names of civil engineers, +livery-stable keepers, watchmakers, midwives, shoemakers, +bricklayers, milliners, portrait painters, and +engravers, chemists and druggists, pastry-cooks, confectioners, +glaziers, plumbers, house and sign painters, +hatters, upholsterers, cabinet-makers and undertakers, +coopers, boat-builders, auctioneers, goldsmiths, and working-jewellers, +music teachers, tailors, butchers, brewers, +hosiers and glovers, ironmongers, brass and iron founders, +tinmen and blacksmiths, printers, saddlers, bakers, +hair-dressers. It would be curious to compare this list +with the population of an English town of seven thousand +people three centuries ago!</p> + +<div class='c005'></div> +<hr class="divider"> +<div> + <h2 class='c002'>LOST CAMEL.</h2> +</div> + +<p class='c006'>A dervise was journeying alone in the desert, when two +merchants suddenly met him: “You have lost a camel,” +said he to the merchants. “Indeed we have,” they replied. +“Was he not blind in his right eye, and lame in his left leg?” +said the dervise. “He was,” replied the merchants. “Had +he lost a front tooth?” said the dervise. “He had,” rejoined +the merchants. “And was he not loaded with honey on one +side, and wheat on the other?” “Most certainly he was,” +they replied; “and as you have seen him so lately, and +marked him so particularly, you can, in all probability, conduct +us unto him.” “My friends,” said the dervise, “I have +never seen your camel, nor ever heard of him, but from you.” +“A pretty story, truly!” said the merchants, “but where are +the jewels, which formed a part of his cargo?” “I have +neither seen your camel nor your jewels,” repeated the dervise. +On this, they seized his person, and forthwith hurried +him before the Cadi, where, on the strictest search, nothing +could be found upon him, nor could any evidence whatever +be adduced to convict him, either of falsehood or of theft. +They were then about to proceed against him as a sorcerer, +when the dervise, with great calmness, thus addressed the +Court: “I have been much amused with your surprise, and +own that there has been some ground for your suspicions; +but I have lived long, and alone; and I can find ample scope +for observation, even in a desert. I knew that I had crossed +the track of a camel that had strayed from its owner, because +I saw no mark of any human footstep on the same route; +I knew that the animal was blind in one eye, because it had +cropped the herbage only on one side of its path; and I perceived +that it was lame in one leg, from the faint impression +which that particular foot had produced upon the sand; I +concluded that the animal had lost one tooth, because wherever +it had grazed, a small tuft of herbage was left uninjured +in the centre of its bite. As to that which formed the burden +of the beast, the busy ants informed me that it was corn on +the one side, and the clustering flies that it was honey on +the other.”</p> + +<div class='c005'></div> +<hr class="divider"> + +<p class='c006'><i>Science preceding Art.</i>—When the principles of any +science are become common to all the world, these principles +lead to inventions, nearly, if not altogether similar, +by different persons having no communication with each +other. A remarkable instance of this is given by Judge +Story, in his address to the Boston Mechanics’ Institute:—</p> + +<p class='c004'>“A beautiful improvement had been made in the double-speeder +of the cotton-spinning machine by one of our ingenious +countrymen. The originality of the invention was +established by the most satisfactory evidence. The defendant, +however, called an Englishman as a witness, who had +been but a short time in the country, and who testified most +explicitly to the existence of a like invention in the improved +machinery in England. Against such positive proof there +was much difficulty in proceeding. The testimony, though +doubted, could not be discredited; and the trial was postponed +to another term, for the purpose of procuring evidence +to rebut it. An agent was despatched to England +for this and other objects; and, upon his return, the plaintiff +was content to become nonsuited. There was no doubt +that the invention here was without any suspicion of its +existence elsewhere; but the genius of each country, almost +at the same moment, accomplished, independently, the same +achievement.”</p> + +<div><span class='pageno' id='Page_12'>12</span></div> +<div class='c005'></div> +<hr class="divider"> +<div> + <h2 class='c002'>BRITISH ANIMALS.</h2> +</div> + +<div class='illo-wide'> + +<div class='figcenter id001'> +<a href='images/british-animals-1-full.jpg'><img src='images/british-animals-1-inline.png' alt='A dormouse sitting on a tree stump.' class='ig001'></a> +</div> + +</div> + +<div class='subtitle'> + +<div class='nf-center-c0'> +<div class='nf-center c005'> + <div>THE DORMOUSE</div> + </div> +</div> + +</div> + +<p class='c004'>The little dormouse has now awakened from his fitful +sleep. When the winds of March sweep away the lingering +fogs of winter,—when the tender buds are first seen +on the trees, and the primrose first shows its head in the +green banks—before the swallow comes to our shores, or +the rook has finished her nest—the dormouse rouses up +from the bed where he has slept for several months. +His sleep, however, is not constant through the cold +season, like that of some other animals; for he wakes, at +times, to eat of the store of nuts and beech-mast which he +has provided for his sustenance in the autumn. The +marmot, a quadruped inhabiting some mountainous parts +of Europe, makes no provision of this kind in his subterranean +galleries. He sleeps completely.</p> + +<p class='c004'>M. Mangili, an Italian naturalist, made some curious +experiments upon the dormouse and other animals which +sleep during the cold weather. He kept the dormouse +in a cupboard in his study. On the 24th December, +when the thermometer was about 40°, that is 8° above +the freezing point, the dormouse curled himself up +amongst a heap of papers and went to sleep. On the +27th December, when the thermometer was several +degrees lower, M. Mangili ascertained that the animal +breathed, and suspended his respiration at regular intervals;—that +is, that after four minutes of perfect repose, +in which he appeared as if dead, he breathed about +twenty-four times in the space of a minute and a half, +and that then his breathing was again completely +suspended, and again renewed. As the thermometer +became higher, that is, as the weather became less cold, +the intervals of repose were reduced to three minutes. +On the contrary, when the thermometer fell nearly to the +freezing point, the intervals were then six minutes. +Within ten days from its beginning to sleep (the weather +then being very cold), the dormouse woke and ate a +little. He then went to sleep again; and continued to +sleep for some days, and then to awaken, throughout +the winter; but as the season advanced, the intervals of +perfect repose, when no breathing could be perceived, +were much longer, sometimes more than twenty minutes. +The effects of confinement upon this individual animal +caused him to sleep much longer than in a state of +nature.</p> + +<p class='c004'>When a dormouse is discovered asleep, in his natural +retreat, he is cold to the touch, his eyes are shut, and his +respiration is slow and interrupted, as just described. +Torpid animals, in general, when thus found, may be +shaken, or rolled, or even struck, without a possibility of +arousing them. But as the fine weather advances, the +heat of their bodies increases, as it decreases at the +approaches of winter; till at length they shake off their +drowsiness, and are again the busy and happy inhabitants +of the fields and gardens, active in the search of food to +gratify their appetite, which is now as keen as it was dull +in the cold months. These movements of course depend +upon the states of the atmosphere, and are different in +individuals of the same species.</p> + +<div class='subtitle'> + +<div class='nf-center-c0'> +<div class='nf-center c005'> + <div>THE SWALLOW.</div> + </div> +</div> + +</div> + +<p class='c004'>The swallow, and other birds of passage—that is, +birds who fly from one country to another, as the weather +becomes unsuited to their natures—now begin to return +to us. The swallow is a general favourite. He comes +to us when nature is putting on her most smiling aspect, +and he stays with us through the months of sunshine +and gladness. “The swallow,” says Sir H. Davy, “is +one of my favourite birds, and a rival of the nightingale; +for he glads my sense of seeing, as much as the +other does my sense of hearing. He is the joyous +prophet of the year, the harbinger of the best season, +he lives a life of enjoyment amongst the loveliest forms +of nature; winter is unknown to him, and he leaves +the green meadows of England in autumn, for the +myrtle and orange groves of Italy, and for the palms of +Africa.”</p> + +<p class='c004'>Mr. White, a clergyman of Hampshire, who delighted +to observe all the works of the creation around him, +has thus accurately described the window swallow’s or +martin’s mode of building:—</p> + +<p class='c004'>“About the middle of May, if the weather be fine, +the martin begins to think in earnest of providing a +mansion for its family. The crust or shell of this nest +seems to be formed of such dirt or loam as comes most +readily to hand, and is tempered and wrought together +with little bits of broken straws to render it tough and +tenacious. As this bird often builds against a perpendicular +wall without any projecting ledge under, it +requires its utmost efforts to get the first foundation +firmly fixed, so that it may safely carry the superstructure. +On this occasion, the bird not only clings with +its claws, but partly supports itself by strongly inclining +its tail against the wall, making that a fulcrum; and +thus steadied, it works and plasters the materials into +the face of the brick or stone. But then, that this work +may not, while it is soft and green, pull itself down by +its own weight, the provident architect has prudence and +forbearance enough not to advance her work too fast; +but by building only in the morning, and by dedicating +the rest of the day to food and amusement, gives it sufficient +time to dry and harden. About half an inch seems +to be a sufficient layer for a day. Thus careful workmen, +when they build mud-walls (informed at first perhaps +by this little bird), raise but a moderate layer at a time +and then desist, lest the work should become top-heavy, +and so be ruined by its own weight. By this method, +in about ten or twelve days, is formed a hemispheric +nest with a small aperture towards the top, strong, compact, +and warm, and perfectly fitted for all the purposes +for which it was intended.</p> + +<p class='c004'>“The shell or crust of the nest is a sort of rustic-work, +full of knobs and protuberances on the outside: +nor is the inside of those that I have examined smoothed +with any exactness at all; but is rendered soft and +warm, and fit for incubation, by a lining of small straws, +grasses and feathers, and sometimes by a bedding of +moss interwoven with wool. They are often capricious +in fixing on a nesting-place, beginning many edifices +and leaving them unfinished; but when once a nest is +completed in a sheltered place, after so much labour is +bestowed in erecting a mansion, as nature seldom works +in vain, the same nest serves for several seasons. Those +which breed in a ready finished house, get the start in +hatching of those that build new by ten days or a fortnight. +These industrious artificers are at their labours +in the long days before four in the morning; when they +<span class='pageno' id='Page_13'>13</span>fix their materials, they plaster them on with their chins, +moving their heads with a quick, rotatory motion.”</p> + +<div class='illo-wide'> + +<div class='figcenter id001'> +<a href='images/british-animals-2-full.jpg'><img src='images/british-animals-2-inline.png' alt='A swallow perched outside its nest.' class='ig001'></a> +</div> + +</div> + +<div class='c005'></div> +<hr class="divider"> +<div> + <h2 class='c002'>THE WEEK.</h2> +</div> + +<p class='c006'>April 7.—The day of the birth, and also that of the +death, of Raffaello Sanzio da Urbino, whom the universal +voice of posterity has recognized as the Prince of +modern Painters, and designated by the enthusiastic +appellation of “the divine Raphael.” No rival, at least, +has ever been placed beside Raphael except Michael +Angelo. Of the two illustrious contemporaries the +former may perhaps be appropriately styled the Shakspeare, +the latter the Milton of Painting. Dignity and +imposing grandeur of design are the reigning characteristics +of Michael Angelo; the highest dramatic power +which has ever been displayed by the pencil, and the +representation of passion with all the force of life, are +the qualities that chiefly give their wonderful fascination +to the works of Raphael. Raphael was born at Urbino +in 1483. By the time he had reached the age of twenty-five +he had so greatly distinguished himself that he was +invited by Pope Julius II. to paint in fresco the chambers +of the Vatican. From this time till his death, in +1520, at the early age of thirty-seven, he was employed +in the execution of a succession of great works, chiefly +for that pontiff and his successor, Leo X. His most +famous performances are, his picture of the School of +Athens in the Vatican, the Transfiguration, and his +Cartoons on subjects taken from the Gospels and the +Acts of the Apostles, which were brought to this country +by Charles I., and are now to be seen at Hampton +Court, upon the payment of a shilling for each party. +Like Michael Angelo, Raphael was an architect as well +as a painter, and, among other buildings, superintended +the erection of part of the cathedral of St. Peter’s. +But his untimely death interrupted his prosecution of +this and other great works on which he was engaged; +leaving him, however, although with a glory gathered in +comparative youth, with no living superior, and followed +by no equal in succeeding times.</p> + +<p class='c004'>April 10.—This is the birth-day of the celebrated +Dutch writer, Hugh de Groot, better known by his +Latin name of Grotius, who was born at Delfft in 1583. +Grotius was a prodigy of youthful talent and acquirement. +When only fourteen he prepared an edition of a +Latin author, Martianus Capella, in which he showed +extensive classical and historical erudition. At the age +of sixteen, having already made a journey to France, +and been presented to Henry IV., who honoured him +with the gift of his picture and a gold chain, he entered +upon the profession of an advocate at Delfft. From +this time he continued till his death to take an active +part in political transactions; but still found leisure to +write a vast number of books, most of them distinguished +for their learning and ability. The book by +which he is now principally known is his famous treatise +on the law of nations, entitled, ‘On the right of Peace +and War.’ It was first published at Paris in 1625. +Another of his productions, which is still very popular, is +his treatise <a id='tn-truthof'></a>‘On the Truth of the Christian Religion,’ +written, like the former, in Latin, but which has been +translated into every language of Europe. Grotius +wrote a great part of this work while confined by a rival +political faction in the castle of Louvestein, from which, +however, after nearly two years’ detention, his wife contrived +to get him conveyed away in a chest, which she +pretended was full of books. Grotius died in his sixty-third +year, on the 28th of August, 1645.</p> + +<p class='c004'>April 11.—The birth-day of the late Right Honourable +George Canning, who was born in London, in the +year 1771. His father, an Irish gentleman of good +family, died the same year in which his son was born. +At the usual age young Canning was sent to Eton, +where he soon distinguished himself by the brilliancy of +his talents. While there he made the first public trial +of his literary powers in ‘The Microcosm,’ a very clever +periodical work, which he carried on in conjunction with +some of his schoolfellows, and of which he was the projector +and the editor. In 1787 he removed to Christ +Church, Oxford, <a id='tn-law'></a>intending to adopt the profession of the +law. But while yet at the University, his reputation for +ability obtained for him the notice of Mr. Pitt, who +brought him into Parliament in 1793. Mr. Canning’s +official career belongs to the history of his country, and +especially that period of it during which he was Secretary +of State for Foreign Affairs. The system of foreign +policy with which his name is associated has caused his +memory to be held in honour; and although he opposed +Parliamentary Reform, as well as other popular measures, +yet his steadfast support of Catholic Emancipation +for a long series of years, and the protection he afforded +to the cause of freedom on the Continent, and in South +America, are proofs of his attachment to his celebrated +toast of “<em>Civil and Religious Liberty all over the +World!</em>” In April, 1827, he was appointed Prime +Minister by George the Fourth, and continued to hold +the offices of First Lord of the Treasury and Chancellor +of the Exchequer till his death, on the 8th of August +in the same year, at the Duke of Devonshire’s villa at +Chiswick, after a short illness. His death at so early a +period after his accession to power called forth a deep +feeling of grief in his own country, and, perhaps, a still +stronger and more general feeling on the Continent, +where medals were struck in memory of the British +Minister.</p> + +<div class='c005'></div> +<hr class="divider"> +<div> + <h2 class='c002'>THE BRITISH MUSEUM.</h2> +</div> + +<p class='c006'>“The characteristic of the English populace,—perhaps +we ought to say people, for it extends to the middle +classes,—is their propensity to mischief. The people of +most other countries may safely be admitted into parks, +gardens, public buildings, and galleries of pictures and +statues; but in England it is necessary to exclude them, +as much as possible, from all such places.”</p> + +<p class='c004'>This is a sentence from the last published number of +the ‘Quarterly Review.’ Severe as it is, there is much +truth in it. The fault is not entirely on the side +of the people (we will not use the offensive term populace); +but still they are in fault. The writer adds, +speaking of this love of mischief, which he calls “a +disgraceful part of the English character,” that “anything +tends to correct it that contributes to give the +people a taste for intellectual pleasures,—anything that +contributes to their innocent enjoyment,—anything that +excites them to wholesome and <a id='tn-bodyandmind'></a>pleasurable activity of +<span class='pageno' id='Page_14'>14</span>body and mind.” This is quite true. We hope to do +something, speaking generally, to excite and gratify a +taste for intellectual pleasure; but we wish to do more +in this particular case. We wish to point out many +unexpensive pleasures, of the very highest order, which +all those who reside in London have within their reach; +and how the education of themselves and of their children +may be advanced by using their opportunities of +enjoying some of the purest gratifications which an +instructed mind is capable of receiving. Having learnt +to enjoy them, they will naturally feel an honest pride +in the possession, by the Nation, of many of the most +valuable treasures of Art and of Science; and they will +hold that person a baby in mind—a spoiled, wilful, mischievous +baby—who dares to attempt the slightest injury +to the public property, which has been collected together, +at an immense expense, for the public advantage.</p> + +<p class='c004'>Well, then, that we may waste no time in general +discussion, let us begin with the <span class='sc'>British Museum</span>. +We will suppose ourselves addressing an artisan or +tradesman, who can sometimes afford to take a holiday, +and who knows there are better modes of spending a +working day, which he some half-dozen times a year +devotes to pleasure, than amidst the smoke of a taproom, +or the din of a skittle-ground. He is a family +man; he enjoys a pleasure doubly if it is shared by his +wife and children. Well, then, in Great Russell-street, +Bloomsbury, is the British Museum; and here, from ten +o’clock till four, on Mondays, Wednesdays, and Fridays, +he may see many of the choicest productions of ancient +art—Egyptian, Grecian, and Roman monuments; and +what will probably please the young people most, in the +first instance, a splendid collection of natural history—quadrupeds, +birds, insects, shells—all classed and beautifully +disposed in an immense gallery, lately built by +the Government for the more convenient exhibition of +these curiosities. “But hold,” says the working man, +“I have passed by the British Museum: there are two +sentinels at the gateway, and the large gates are always +closed. Will they let me in? Is there nothing to pay?” +That is a very natural question about the payment; for +there is too much of paying in England by the people +for admission to what they ought to see for nothing. +But <em>here</em> there <em>is</em> nothing to pay. Knock boldly at the +gate; the porter will open it. You are in a large square +court-yard, with an old-fashioned house occupying three +sides. A flight of steps leads up to the principal entrance. +Go on. Do not fear any surly looks or impertinent +glances from any person in attendance. You are +upon safe ground here. You are come to see your own +property. You have as much right to see it, and you +are as welcome therefore to see it, as the highest in the +land. There is no favour in showing it you. You +assist in paying for the purchase, and the maintenance +of it; and one of the very best effects that could result +from that expense would be to teach every Englishman +to set a proper value upon the enjoyments which such +public property is capable of affording. Go boldly +forward, then. The officers of the Museum, who are +obliging to all strangers, will be glad to see you. Your +garb is homely, you think, as you see gaily-dressed +persons going in and out. No matter; you and your +wife, and your children, are clean, if not smart. By the +way, it will be well to mention that very young children +(those under eight years old) are not admitted; and +that for a very sufficient reason: in most cases they +would disturb the other visitors.</p> + +<p class='c004'>You are now in the great Hall—a lofty room, with a +fine staircase. In an adjoining room a book is presented +to you, in which one of a party has to write his +name and address, with the number of persons accompanying +him. That is the only form you have to go +through; and it is a necessary form, if it were only to +preserve a record of the number of persons admitted. +In each year this number amounts to about seventy +thousand: so you see that the British Museum has +afforded pleasure and improvement to a great many +people. We hope the number of visitors will be doubled +and trebled; for exhibitions such as these do a very +great deal for the advance of a people in knowledge and +virtue. What reasonable man would abandon himself +to low gratifications—to drinking or gambling—when +he may, whenever he pleases, and as often as he pleases +at no cost but that of his time, enjoy the sight of some +of the most curious and valuable things in the world, +with as much ease as a prince walking about in his own +private gallery. But that he may enjoy these treasures, +and that every body else may enjoy them at the same +time, it will be necessary to observe a few simple rules.</p> + +<p class='c004'>1st. <i>Touch nothing</i>. The statues, and other curious +things, which are in the Museum, are to be seen, not +to be handled. If visitors were to be allowed to touch +them, to try whether they were hard or soft, to scratch +them, to write upon them with their pencils, they would +be soon worth very little. You will see some mutilated +remains of two or three of the finest figures that ever +were executed in the world: they form part of the collection +called the Elgin Marbles, and were brought from +the Temple of Minerva, at Athens, which city at the +time of the sculpture of these statues, about two thousand +three hundred years ago, was one of the cities of Greece +most renowned for art and learning. Time has, of +course, greatly worn these statues: but it is said that +the Turkish soldiers, who kept the modern Greeks under +subjection, used to take a brutal pleasure in the injury +of these remains of ancient art; as if they were glad to +destroy what their ignorance made them incapable of +valuing. Is it not as great ignorance for a stupid fellow +of our own day slily to write his own paltry name upon +one of these glorious monuments? Is not such an act +the most severe reproach upon the writer? Is it not, +as if the scribbler should say, “Here am I, in the presence +of some of the great masterpieces of art, whose +antiquity ought to produce reverence, if I cannot comprehend +their beauty; and I derive a pleasure from +putting my own obscure, perishable name upon works +whose fame will endure for ever.” What a satire upon +such vanity. Doubtless, these fellows, who are so +pleased with their own weak selves, as to poke their +names into every face, are nothing but grown babies, +and want a fool’s cap most exceedingly.</p> + +<p class='c004'>2dly. <i>Do not talk loud.</i> Talk, of course, you must; +or you would lose much of the enjoyment we wish you +to have—for pleasure is only half pleasure, unless it be +shared with those we love. But do not disturb others +with your talk. Do not call loudly from one end of a +long gallery to the other, or you will distract the attention +of those who derive great enjoyment from <a id='tn-theserooms'></a>an undisturbed +contemplation of the wonders in these rooms. +You will excuse this hint.</p> + +<p class='c004'>3rdly. <i>Be not obtrusive.</i> You will see many things +in the Museum that you do not understand. It will be +well to make a memorandum of these, to be inquired +into at your leisure; and in these inquiries we shall +endeavour to assist you from time to time. But do not +trouble other visitors with your questions; and, above +all, do not trouble the young artists, some of whom you +will see making drawings for their improvement. Their +time is precious to them; and it is a real inconvenience +to be obliged to give their attention to anything but their +work, or to have their attention disturbed by an over-curious +person peeping at what they are doing. If you +want to make any inquiry, go to one of the attendants, +who walks about in each room. He will answer you as +far as he knows. You must not expect to understand +what you see all at once: you must go again and again +if you wish to obtain real knowledge, beyond the gratification +of passing curiosity.</p> + +<p class='c004'>In future numbers we shall briefly mention what is +most worthy your attention in this National Collection.</p> + +<div><span class='pageno' id='Page_15'>15</span></div> +<div class='c005'></div> +<hr class="divider"> +<div> + <h2 class='c002'>POESIE.</h2> +</div> + +<div class='subtitle'> + +<div class='nf-center-c0'> +<div class='nf-center c005'> + <div>[George Wither, born 1588, died 1677.]</div> + </div> +</div> + +</div> + +<div class='lg-container-b'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Though I miss the flowery fields,</div> + <div class='line'>With those sweets the spring-tide yields;</div> + <div class='line'>Though I may not see those groves,</div> + <div class='line'>Where the shepherds chaunt their loves,</div> + <div class='line'>And the lasses more excel,</div> + <div class='line'>Then the sweet-voiced Philomel;</div> + <div class='line'>Though of all those pleasures past,</div> + <div class='line'>Nothing now remains at last,</div> + <div class='line'>But remembrance (poor relief)</div> + <div class='line'>That more makes, then mends my grief;</div> + <div class='line'>She’s my mind’s companion still,</div> + <div class='line'>Maugre Envy’s evil will.</div> + <div class='line'>She doth tell me where to borrow</div> + <div class='line'>Comfort in the midst of sorrow;</div> + <div class='line'>Makes the desolated place</div> + <div class='line'>To her presence be a grace;</div> + <div class='line'>And the blackest discontents</div> + <div class='line'>Be her fairest ornaments.</div> + <div class='line'>In my former days of bliss,</div> + <div class='line'>Her divine skill taught me this,</div> + <div class='line'>That from every thing I saw,</div> + <div class='line'>I could some invention draw;</div> + <div class='line'>And raise pleasure to her height,</div> + <div class='line'>Through the meanest object’s sight.</div> + <div class='line'>By the murmur of a spring,</div> + <div class='line'>Or the least bough’s rustling;</div> + <div class='line'>By a daisy whose leaves spread,</div> + <div class='line'>Shut when Titan goes to bed,</div> + <div class='line'>Or a shady bush or tree,</div> + <div class='line'>She could more infuse in me,</div> + <div class='line'>Then all nature’s beauties can,</div> + <div class='line'>In some other wiser man.</div> + <div class='line'>By her help I also now</div> + <div class='line'>Make this churlish place allow</div> + <div class='line'>Some things that may sweeten gladness</div> + <div class='line'>In the very gall of sadness.</div> + <div class='line'>The dull loneness, the black shade,</div> + <div class='line'>That those hanging vaults have made,</div> + <div class='line'>The strange music of the waves</div> + <div class='line'>Beating on these hollow caves,</div> + <div class='line'>This black den which rocks emboss,</div> + <div class='line'>Overgrown with eldest moss,</div> + <div class='line'>The rude portals that give light,</div> + <div class='line'>More to terror than delight,—</div> + <div class='line'>This my chamber of neglect,</div> + <div class='line'>Walled about with disrespect,</div> + <div class='line'>From all these, and this dull air,</div> + <div class='line'>A fit object for despair,</div> + <div class='line'>She hath taught me by her might</div> + <div class='line'>To draw comfort and delight.</div> + <div class='line'>Therefore, thou best earthly bliss,</div> + <div class='line'>I will cherish thee for this.</div> + <div class='line'>Poesie, thou sweet’st content,</div> + <div class='line'>That e’er Heaven to mortals lent;</div> + <div class='line'>Though they as a trifle leave thee,</div> + <div class='line'>Whose dull thoughts cannot conceive thee;</div> + <div class='line'>Though thou be to them a scorn,</div> + <div class='line'>That to nought but earth are born;</div> + <div class='line'>Let my life no longer be,</div> + <div class='line'>Than I am in love with thee.</div> + </div> + </div> +</div> + +<p class='c007'>George Wither, the author of the above lines, was +several times subjected to long and severe imprisonment +for his political opinions. While in the Marshalsea +prison in 1613, he wrote his ‘Shepherd’s Hunting,’ a +pastoral poem, from which this is an extract. The verses +are not only beautiful in themselves, but they point out +how a vigorous mind will secure happiness under the +most unfavourable circumstances. The imagination of +Wither was delighted to repose upon the most common +natural objects;—and in the same way, the man who +possesses the least of the outward gifts of fortune, if his +faculties be awake to the beauties which nature has so +plenteously scattered around his path, may possess in +himself a source of pleasure of the purest kind. The +rapture which Wither expresses for ‘Poesie,’ may to +some appear overstrained; but let it not be thought that +the poet attributed this power of imparting delight to +his faculty alone of <em>making verses</em>. The exercise of his +fancy, by which he could “raise pleasure to her height,” +consisted in presenting to his “mind’s eye” the infinite +beauties of the creation. The “daisy,” whose remembrance +gladdened even his prison-walls, brought to him +images of the quiet and purity of the “flowery fields.” +Such images every body may enjoy, and may gradually +learn to associate the commonest appearances of nature +with a high moral feeling. We have many instances +of this power of association in our finest poets; let us +take as an example the following lines by a writer of +our own day:—</p> + +<div class='nf-center-c0'> + <div class='nf-center'> + <div>TO A DAISY.</div> + </div> +</div> + +<div class='lg-container-b'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Bright flower, whose home is every where</div> + <div class='line'>A pilgrim bold in Nature’s care,</div> + <div class='line'>And oft, the long year through, the heir</div> + <div class='line in2'>Of joy or sorrow.</div> + </div> + <div class='group'> + <div class='line'>Methinks that there abides in thee</div> + <div class='line'>Some concord with humanity,</div> + <div class='line'>Given to no other flower I see</div> + <div class='line in2'>The forest thorough!</div> + </div> + <div class='group'> + <div class='line'>And wherefore? Man is soon deprest;</div> + <div class='line'>A thoughtless thing! who, once unblest,</div> + <div class='line'>Does little on his memory rest,</div> + <div class='line in2'>Or on his reason.</div> + </div> + <div class='group'> + <div class='line'>But thou would’st teach him how to find</div> + <div class='line'>A shelter under every wind;</div> + <div class='line'>A hope for times that are unkind,</div> + <div class='line in2'>And every season.</div> + </div> + </div> +</div> + +<div class='c008'><span class='sc'>Wordsworth</span>.</div> + +<div class='c005'></div> +<hr class="divider"> +<div> + <h2 class='c002'>ON THE CHOICE OF A LABOURING MAN’S DWELLING.</h2> +</div> + +<p class='c006'>It seems, on the first view, somewhat odd to talk about +choice of dwelling to a labouring man. It may occur to +such a person, that as he has seldom more than two or +three shillings per week to allow for rent, he must be +contented with the humble accommodations that can be +afforded for that sum. This is, to a certain extent, true; +but it is not therefore to be concluded that the exercise of +a little prudence may not put him in possession of some +advantages with his two or three shillings, which the +want of that quality would exclude him from. There are +some dwellings so badly situated, in such ill repair, and +altogether so miserable, that a man exposes himself and +his family to disease and every other inconvenience by +inhabiting them. Such hovels are usually tenanted by +people who are behind-hand in paying their rent, and so +cannot leave them; or who, being “steeped to the very +lips in poverty,” are indifferent to cleanliness and all +other comforts. It is possible that an industrious and +careful family may, for some time, be obliged to live in a +wretched house; but it is their own fault if they continue +in it. In this country the poor are better lodged than in +any other in Europe; and within the last twenty years +the increase of population and of productive labour has +caused a demand for cottages, which has covered every +parish, and particularly the neighbourhood of large +towns, with an amazing number of snug little houses, in +which provision is generally made for the comfort of those +who inhabit them. Now while there is such a <em>choice</em> of +dwellings, it is very much a labouring man’s fault if he +does not have a commodious one; and if he continue to +be the tenant of a damp, or ruinous, or badly ventilated +hut, while the snug brick and tiled tenement remains +vacant, we should say that he is a blind and stupid +observer of an old proverb (which, however, has much +sense in it) that “three removes are as bad as a fire.”</p> + +<p class='c004'>We wish to offer a few plain hints to assist our readers +in the choice of a dwelling. And, first, of situation.</p> + +<p class='c004'>Whoever rambles through our villages must often see +a pretty little cottage, that realizes all that benevolence +could wish for a labouring man’s dwelling. We have +seen many such; and the remembrance often occurs +to us, when we observe rich men unhappy, in large +mansions, and amongst splendid furniture. We then +think of the contrast which the simplicity and content +of the “peasant’s nest” offers. Who has not looked +upon the whitened walls, half covered with roses and +jessamine, and the neat garden, where ornament is +blended with utility,</p> + +<div class='lg-container-b'> + <div class='linegroup'> + <div class='group'> + <div class='line'>And said, if there’s peace to be found in the world,</div> + <div class='line'>A heart that is humble may hope for it here!</div> + </div> + </div> +</div> + +<p class='c004'><span class='pageno' id='Page_16'>16</span>But an agreeable dwelling is not always to be commanded; +nor is the <em>best</em> situation always to be found. +If a cottager have a house with a northern aspect, he +must pay a little more attention to his gooseberry and +apple trees, to make them bear as plentifully as those +which are trained in a southern sun. We are only +desirous to caution him against a house that is truly +uncomfortable, and that cannot be easily rendered +otherwise.</p> + +<p class='c004'>We would first say, avoid, if it be possible, a low and +marshy situation. There are many dangerous fevers +which are produced by the vicinity of stagnant waters: +and houses which from their site are constantly damp +expose those who inhabit them to rheumatism, croup, +ague, and other painful disorders. The same effects +are produced by dwelling-houses which are subject to +occasional inundations of rivers. To be driven in cold +weather from the accustomed fire-side to shiver in bedrooms +which have probably no grate; to have two or +three feet of water running through the lower part of the +house, destroying many things and injuring more; and +at last, when the inundations cease, to find the whole +dwelling damp and miserable for several weeks: this is +a visitation which no one would willingly seek. If a +cottager has therefore the choice of being on a hill-side, +or by the bank of a river, we think, if he were a sensible +man, he would prefer the elevated situation.</p> + +<p class='c004'>On the <em>construction</em> of a dwelling, we have not much +to observe. The great requisite is the free admission of +<em>light</em> and <em>air</em>. <em>Dark</em> rooms are an inconvenience to the +industrious housewife which we need not describe; and +rooms not properly <em>ventilated</em> are more injurious to +health than may readily be conceived. Every sleeping-room +should have a chimney. In England, no sitting-room +is, we apprehend, without one. But in Ireland, +the peasantry have neither window nor chimney to their +wretched hovels. The smoke of the turf which burns +upon their hearth forces its way out by the door; and +the family sit and sleep in this dark and dirty condition. +This would be intolerable amongst the more cleanly and +richer peasantry of this country.</p> + +<p class='c004'>Of the appendages to a house, a good supply of +water is one of the most necessary conveniences. If the +pitcher is to be carried a dozen times a day to a spring +or a well a quarter of a mile off, it is almost the labour +of one person to procure this supply; and that labour +would contribute as much to the family earnings as, in +twelve months, would dig a well. No cottager should +be without a garden. A rood of land, properly cultivated, +will half maintain a careful family.</p> + +<p class='c004'>Of the <em>fixtures</em> of a house we cannot be expected to +say much. A <em>copper</em> and an <em>oven</em> will enable the female +to labour most profitably for the general good. A cottager +that can grow his own potatoes, keep his pig, +brew his beer, and bake his bread, has not many +necessaries to purchase of the shopkeeper, and is therefore, +to a certain extent, independent in the best sense +of the word.</p> + +<p class='c004'>As to furniture, we would say, avoid <em>furnished lodgings</em>. +The bed and table, and two or three chairs, of +these places, seldom cost more than 5<i>l.</i>, the interest of +which is only 5<i>s.</i> a year. The money annually paid for +the use of such things is almost as much as their prime +cost. There is a satisfaction, too, in knowing that what +is about us is our own. It is better to sit upon an old +box or a block of wood than to pay enormously for the +hire of a chair; and we may sleep as soundly upon a +straw mattress as upon an expensive feather-bed. One +secret, to be happy in every situation of life, is this,—not +to sacrifice real comfort and solid independence +to make a show. When the cottager has got ten +pounds in the Savings Bank, he may afford his wife a +mahogany tea-table. An American writer has given +some judicious remarks upon this subject, which apply +to all classes:—</p> + +<p class='c004'>“If you are about to furnish a house, do not spend all +your money, be it much or little. Do not let the beauty of +this thing, and the cheapness of that, tempt you to buy unnecessary +articles. Doctor Franklin’s maxim was a wise +one, ‘Nothing is cheap that we do not want.’ Buy merely +enough to get along with at first. It is only by experience +that you can tell what will be the wants of your family. If +you spend all your money, you will find you have purchased +many things you do not want, and have no means left to get +many things which you do want. If you have enough, and +more than enough, to get every thing suitable to your situation, +do not think you must spend it all, merely because you +happen to have it. Begin humbly. As riches increase, it is +easy and pleasant to increase in comforts; but it is always +painful and inconvenient to decrease. After all, these things +are viewed in their proper light by the truly judicious and +respectable. Neatness, tastefulness, and good sense may +be shown in the management of a small household, and the +arrangement of a little furniture, as well as upon a larger +scale; and these qualities are always praised, and always +treated with respect and attention. The consideration which +many purchase by living beyond their income, and of course +living upon others, is not worth the trouble it costs. The +glare there is about this false and wicked parade is deceptive; +it does not in fact procure a man valuable friends, or +extensive influence.”</p> + +<div class='c005'></div> +<hr class="divider"> + +<p class='c006'>However small may be a man’s income, there is one very +certain way of increasing it—that is <em>Frugality</em>. A frugal +expenditure will enable almost every body to <em>save</em> something; +and as there are now established throughout this country +<em>Banks</em>, where the industrious may safely deposit their +savings, however little they may be, and receive <a id='tn-commas'></a>the same +sort of advantage which the rich derive from their money, +that is, <em>interest</em>, there is every inducement to make <em>an effort +to save</em>. Dr. Franklin observes, in his usual forcible way, +that “six pounds a-year is but a groat a-day. For this little +sum which may be daily wasted, either in time or expense, +unperceived, a man of credit may, on his own security, +have the constant possession and use of a hundred and +twenty pounds.” Many humble men in England have risen +to wealth by such small beginnings; but many more continue +to expend the groat a-day unnecessarily, and never +cease to be poor.</p> + +<div class='c005'></div> +<hr class="divider"> + +<p class='c006'>A certain pope, who had been raised from an obscure +situation to the apostolic chair, was immediately waited upon +by a deputation sent from a small district, in which he had +formerly officiated as <em>cure</em>: it seems that he had promised +the inhabitants that he would do something for them, if it +should ever be in his power; and some of them now appeared +before him, to remind him of his promise, and also to request +that he would fulfil it, by granting them <em>two harvests in +every year</em>! He acceded to their <em>modest</em> request, on condition +that they should go home immediately, and so adjust +the Almanac of <em>their</em> own particular district, as to make +every year of <em>their</em> Register consist of twenty-four calendar +months.</p> + +<div class='c005'></div> +<hr class="divider"> + +<p class='c006'>Sir George Staunton visited a man in India who had +committed a murder, and, in order not only to save his life, +but what was of much more consequence, his <em>caste</em>, he submitted +to the penalty imposed; this was, that he should sleep +for seven years on a bedstead, without any mattress, the +whole surface of which was studded with points of iron, +resembling nails, but not so sharp as to penetrate the flesh. +Sir George saw him in the fifth year of his probation, and +his skin was then like the hide of a rhinoceros, but more +callous; at that time, however, he could sleep comfortably +on his “<em>bed of thorns</em>,” and remarked, that at the expiration +of the term of his sentence, he should most probably continue +that system from choice, which he had been obliged to +adopt from necessity.</p> + +<hr class='c009'> +<div class='colophon'> + +<div class='nf-center-c0'> +<div class='nf-center c010'> + <div>LONDON:—CHARLES KNIGHT, PALL-MALL EAST.</div> + </div> +</div> + +<div class='nf-center-c0'> + <div class='nf-center'> + <div><i>Shopkeepers and Hawkers may be supplied Wholesale by the following Booksellers:</i>—</div> + </div> +</div> + +<div class='colophon-left'> + +<div class='lg-container-l'> + <div class='linegroup'> + <div class='group'> + <div class='line'><i>London</i>, <span class='sc'>Groombridge</span>, <a id='tn-panyer'></a>Panyer Alley, Paternoster-Row.</div> + <div class='line'><i>Birmingham</i>, <span class='sc'>Drake</span>.</div> + <div class='line'><i>Leeds</i>, <span class='sc'>Baines</span> and Co.</div> + <div class='line'><i>Liverpool</i>, <span class='sc'>Willmer</span> and <span class='sc'>Smith</span>.</div> + </div> + </div> +</div> + +</div> +<div class='colophon-right'> + +<div class='lg-container-l'> + <div class='linegroup'> + <div class='group'> + <div class='line'><i>Manchester</i>, <span class='sc'>Robinson</span>.</div> + <div class='line'><i>Dublin</i>, <span class='sc'>Wakeman</span>.</div> + <div class='line'><i>Edinburgh</i>, <span class='sc'>Oliver</span> and <span class='sc'>Boyd</span>.</div> + <div class='line'><i>Glasgow</i>, <span class='sc'>Atkinson</span> and Co.</div> + </div> + </div> +</div> + +</div> +<div class='clear'> + +<div class='nf-center-c0'> + <div class='nf-center'> + <div>Printed by <span class='sc'>William Clowes</span>, Duke Street, Lambeth.</div> + </div> +</div> + +</div> + +</div> + +<div class='pbb'> + <hr class='pb c001'> +</div> +<div> + +<p class='c011'></p> + +</div> +<div class='transcribers-notes'> + +<div class='nf-center-c1'> + <div class='nf-center'> + <div><span class='xlarge'>Transcriber’s Notes</span></div> + </div> +</div> + +<p class='c012'>New original cover art included with this eBook is granted to the public domain. Itemized changes from the original text:</p> + <ul class='ul_1'> + + <li><a href='#tn-truthof'>p. 11</a>: Added missing closing quotation mark to title “On the Truth of + the Christian Religion.” + </li> + <li><a href='#tn-bodyandmind'>p. 12</a>: replaced single with double closing quotation mark after + phrase “pleasurable activity of body and mind.” + </li> + <li><a href='#tn-law'>p. 13</a>: Added missing letter “l” in phrase “intending to adopt the profession + of the law.” + </li> + <li><a href='#tn-theserooms'>p. 13</a>: Added missing period after phrase “an undisturbed + contemplation of the wonders in these rooms.” + </li> + <li><a href='#tn-commas'>p. 16</a>: Added missing commas and final letter “t” in passage beginning + “the same sort of advantage which the rich derive from their money.” + </li> + <li><a href='#tn-panyer'>p. 16</a>: Removed apparent hyphen from address “Panyer Alley” to match other + issues. + </li> + </ul> + +</div> + +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 76590 ***</div> + </body> + <!-- created with ppgen.py 3.57e (with regex) on 2025-07-29 18:46:44 GMT --> +</html> + diff --git a/76590-h/images/british-animals-1-full.jpg b/76590-h/images/british-animals-1-full.jpg Binary files differnew file mode 100644 index 0000000..9a6c9b4 --- /dev/null +++ b/76590-h/images/british-animals-1-full.jpg diff --git a/76590-h/images/british-animals-1-inline.png b/76590-h/images/british-animals-1-inline.png Binary files differnew file mode 100644 index 0000000..9d5764b --- /dev/null +++ b/76590-h/images/british-animals-1-inline.png diff --git a/76590-h/images/british-animals-2-full.jpg b/76590-h/images/british-animals-2-full.jpg Binary files differnew file mode 100644 index 0000000..5793852 --- /dev/null +++ b/76590-h/images/british-animals-2-full.jpg diff --git a/76590-h/images/british-animals-2-inline.png b/76590-h/images/british-animals-2-inline.png Binary files differnew file mode 100644 index 0000000..22e1144 --- /dev/null +++ b/76590-h/images/british-animals-2-inline.png diff --git a/76590-h/images/cover.jpg b/76590-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..888f28a --- /dev/null +++ b/76590-h/images/cover.jpg diff --git a/76590-h/images/pompeii-1-full.jpg b/76590-h/images/pompeii-1-full.jpg Binary files differnew file mode 100644 index 0000000..6f72a7a --- /dev/null +++ b/76590-h/images/pompeii-1-full.jpg diff --git a/76590-h/images/pompeii-1-inline.png b/76590-h/images/pompeii-1-inline.png Binary files differnew file mode 100644 index 0000000..d5b64bf --- /dev/null +++ b/76590-h/images/pompeii-1-inline.png diff --git a/76590-h/images/pompeii-2-full.jpg b/76590-h/images/pompeii-2-full.jpg Binary files differnew file mode 100644 index 0000000..396c3c7 --- /dev/null +++ b/76590-h/images/pompeii-2-full.jpg diff --git a/76590-h/images/pompeii-2-inline.png b/76590-h/images/pompeii-2-inline.png Binary files differnew file mode 100644 index 0000000..2bb6be9 --- /dev/null +++ b/76590-h/images/pompeii-2-inline.png |
