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*** START OF THE PROJECT GUTENBERG EBOOK 75840 ***





                         MISS BRADDON’S NOVELS


                      AUTHOR’S AUTOGRAPH EDITION


                 Cloth Gilt 2s. 6d. Picture Boards 2s.


 1. LADY AUDLEY’S SECRET.                29. HOSTAGES TO FORTUNE.
 2. HENRY DUNBAR.                        30. DEAD MEN’S SHOES.
 3. ELEANOR’S VICTORY.                   31. JOSHUA HAGGARD.
 4. AURORA FLOYD.                        32. WEAVERS AND WEFT.
 5. JOHN MARCHMONT’S LEGACY.             33. AN OPEN VERDICT.
 6. THE DOCTOR’S WIFE.                   34. VIXEN.
 7. ONLY A CLOD.                         35. THE CLOVEN FOOT.
 8. SIR JASPER’S TENANT.                 36. THE STORY OF BARBARA.
 9. TRAIL OF THE SERPENT.                37. JUST AS I AM.
 10. LADY’S MILE.                        38. ASPHODEL.
 11. LADY LISLE.                         39. MOUNT ROYAL.
 12. CAPTAIN OF THE VULTURE.             40. THE GOLDEN CALF.
 13. BIRDS OF PREY.                      41. PHANTOM FORTUNE.
 14. CHARLOTTE’S INHERITANCE.            42. FLOWER AND WEED.
 15. RUPERT GODWIN.                      43. ISHMAEL.
 16. RUN TO EARTH.                       44. WYLLARD’S WEIRD.
 17. DEAD SEA FRUIT.                     45. UNDER THE RED FLAG.
 18. RALPH THE BAILIFF.                  46. ONE THING NEEDFUL.
 19. FENTON’S QUEST.                     47. MOHAWKS.
 20. LOVELS OF ARDEN.                    48. LIKE AND UNLIKE.
 21. ROBERT AINSLEIGH.                   49. THE FATAL THREE.
 22. TO THE BITTER END.                  50. THE DAY WILL COME.
 23. MILLY DARRELL.                      51. ONE LIFE, ONE LOVE.
 24. STRANGERS AND PILGRIMS.             52. GERARD.
 25. LUCIUS DAVOREN.                     53. THE VENETIANS.
 26. TAKEN AT THE FLOOD.                 54. ALL ALONG THE RIVER.
 27. LOST FOR LOVE.                      55. THOU ART THE MAN.
 28. A STRANGE WORLD.                    56. SONS OF FIRE.




                                  THE

                         TRAIL OF THE SERPENT


                                A Novel


                           BY THE AUTHOR OF

                ‘LADY AUDLEY’S SECRET,’ ‘AURORA FLOYD,’
                    ‘VIXEN,’ ‘ISHMAEL,’ ETC., ETC.

              “Poor race of men, said the pitying Spirit,
                  Dearly ye pay for your primal fall;
                 Some flowers of Eden ye yet inherit,
            But the trail of the Serpent is over them all”
                                                 _Moore._

                          Stereotyped Edition


                                LONDON:
                SIMPKIN, MARSHALL, HAMILTON, KENT & CO.
                               LIMITED.
                        STATIONERS’ HALL COURT
                       [_All rights reserved._]


                        MISS BRADDON’S NOVELS.

             NOW READY AT ALL BOOKSELLERS’ AND BOOKSTALLS,
                  PRICE 2_s._ 6_d._ EACH, CLOTH GILT.

                    THE AUTHOR’S AUTOGRAPH EDITION
                       OF MISS BRADDON’S NOVELS.

     “No one can be dull who has a novel by Miss Braddon in hand.
     The most tiresome journey is beguiled, and the most wearisome
           illness is brightened, by any one of her books.”

       “Miss Braddon is the Queen of the circulating libraries.”

                                                   _The World._




                                LONDON:
                        SIMPKIN & CO., LIMITED,
                        STATIONERS’ HALL COURT.
     _And at all Railway Bookstalls, Booksellers’, and Libraries._




                               CONTENTS


                           =Book the First.=

                       A RESPECTABLE YOUNG MAN.

 CHAP.                                                            PAGE

 I. THE GOOD SCHOOLMASTER                                            5

 II. GOOD FOR NOTHING                                               10

 III. THE USHER WASHES HIS HANDS                                    17

 IV. RICHARD MARWOOD LIGHTS HIS PIPE                                21

 V. THE HEALING WATERS                                              28

 VI. TWO CORONER’S INQUESTS                                         34

 VII. THE DUMB DETECTIVE A PHILANTHROPIST                           38

 VIII. SEVEN LETTERS ON THE DIRTY ALPHABET                          43

 IX. “MAD, GENTLEMEN OF THE JURY”                                   48


                          =Book the Second.=

                      A CLEARANCE OF ALL SCORES.

 I. BLIND PETER                                                     58

 II. LIKE AND UNLIKE                                                63

 III. A GOLDEN SECRET                                               66

 IV. JIM LOOKS OVER THE BRINK OF THE TERRIBLE GULF                  71

 V. MIDNIGHT BY THE SLOPPERTON CLOCKS                               78

 VI. THE QUIET FIGURE ON THE HEATH                                  82

 VII. THE USHER RESIGNS HIS SITUATION                               91


                           =Book the Third.=

                          A HOLY INSTITUTION.

 I. THE VALUE OF AN OPERA-GLASS                                     95

 II. WORKING IN THE DARK                                            99

 III. THE WRONG FOOTSTEP                                           104

 IV. OCULAR DEMONSTRATION                                          111

 V. THE KING OF SPADES                                             116

 VI. A GLASS OF WINE                                               124

 VII. THE LAST ACT OF LUCRETIA BORGIA                              129

 VIII. BAD DREAMS AND A WORSE WAKING                               133

 IX. A MARRIAGE IN HIGH LIFE                                       141

 X. ANIMAL MAGNETISM                                               145


                          =Book the Fourth.=

                          NAPOLEON THE GREAT.

 I. THE BOY FROM SLOPPERTON                                        150

 II. MR. AUGUSTUS DARLEY AND MR. JOSEPH PETERS GO OUT
     FISHING                                                       162

 III. THE EMPEROR BIDS ADIEU TO ELBA                               167

 IV. JOY AND HAPPINESS FOR EVERYBODY                               177

 V. THE CHEROKEES TAKE AN OATH                                     181

 VI. MR. PETERS RELATES HOW HE THOUGHT HE HAD A CLUE,
     AND HOW HE LOST IT                                            187


                           =Book the Fifth.=

                          THE DUMB DETECTIVE.

 I. THE COUNT DE MAROLLES AT HOME                                  200

 II. MR. PETERS SEES A GHOST                                       205

 III. THE CHEROKEES MARK THEIR MAN                                 212

 IV. THE CAPTAIN, THE CHEMIST, AND THE LASCAR                      217

 V. THE NEW MILKMAN IN PARK LANE                                   221

 VI. SIGNOR MOSQUETTI RELATES AN ADVENTURE                        225

 VII. THE GOLDEN SECRET IS TOLD, AND THE GOLDEN BOWL IS
     BROKEN                                                        230

 VIII. ONE STEP FURTHER ON THE RIGHT TRACK                         235

 IX. CAPTAIN LANDSOWN OVERHEARS A CONVERSATION WHICH
     APPEARS TO INTEREST HIM                                       241


                           =Book the Sixth.=

                             ON THE TRACK.

 I. FATHER AND SON                                                 247

 II. RAYMOND DE MAROLLES SHOWS HIMSELF BETTER THAN ALL
     BOW STREET                                                    258

 III. THE LEFT-HANDED SMASHER MAKES HIS MARK                       263

 IV. WHAT THEY FIND IN THE ROOM IN WHICH THE MURDER
     WAS COMMITTED                                                 271

 V. MR. PETERS DECIDES ON A STRANGE STEP, AND ARRESTS THE
     DEAD                                                          282

 VI. THE END OF THE DARK ROAD                                      300

 VII. FAREWELL TO ENGLAND                                          313




                       THE TRAIL OF THE SERPENT




                           =Book the First.=

                       A RESPECTABLE YOUNG MAN.




                              CHAPTER I.

                        THE GOOD SCHOOLMASTER.


I DON’T suppose it rained harder in the good town of
Slopperton-on-the-Sloshy than it rained anywhere else. But it did
rain. There was scarcely an umbrella in Slopperton that could hold its
own against the rain that came pouring down that November afternoon,
between the hours of four and five. Every gutter in High Street,
Slopperton; every gutter in Broad Street (which was of course the
narrowest street); in New Street (which by the same rule was the oldest
street); in East Street, West Street, Blue Dragon Street, and Windmill
Street; every gutter in every one of these thoroughfares was a little
Niagara, with a maelstrom at the corner, down which such small craft
as bits of orange-peel, old boots and shoes, scraps of paper, and
fragments of rag were absorbed--as better ships have been in the great
northern whirlpool. That dingy stream, the Sloshy, was swollen into a
kind of dirty Mississippi, and the graceful coal-barges which adorned
its bosom were stripped of the clothes-lines and fluttering linen which
usually were to be seen on their decks. A bad, determined, black-minded
November day. A day on which the fog shaped itself into a demon, and
lurked behind men’s shoulders, whispering into their ears, “Cut your
throat!--you know you’ve got a razor, and can’t shave with it, because
you’ve been drinking and your hand shakes; one little gash under the
left ear, and the business is done. It’s the best thing you can do.
It is, really.” A day on which the rain, the monotonous ceaseless
persevering rain, has a voice as it comes down, and says, “Don’t you
think you could go melancholy mad? Look at me; be good enough to watch
me for a couple of hours or so, and think, while you watch me, of the
girl who jilted you ten years ago; and of what a much better man you
would be to-day if she had only loved you truly. Oh, I think, if you’ll
only be so good as watch me, you might really contrive to go mad.” Then
again the wind. What does the wind say, as it comes cutting through the
dark passage, and stabbing you, like a coward as it is, in the back,
just between the shoulders--what does it say? Why, it whistles in your
ear a reminder of the little bottle of laudanum you’ve got upstairs,
which you had for your toothache last week, and never used. A foggy
wet windy November day. A bad day--a dangerous day. Keep us from bad
thoughts to-day, and keep us out of the Police Reports next week. Give
us a glass of something hot and strong, and a bit of something nice
for supper, and bear with us a little this day; for if the strings
of yonder piano--an instrument fashioned on mechanical principles by
mortal hands--if they are depressed and slackened by the influence
of damp and fog, how do we know that there may not be some string in
this more critical instrument, the human mind, not made on mechanical
principles or by mortal hands, a little out of order on this bad
November day?

But of course bad influences can only come to bad men; and of course
he must be a very bad man whose spirits go up and down with every
fluctuation of the weather-glass. Virtuous people no doubt are virtuous
always; and by no chance, or change, or trial, or temptation, can they
ever become other than virtuous. Therefore why should a wet day or a
dark day depress them? No; they look out of the windows at houseless
men and women and fatherless and motherless children wet through to
the skin, and thank Heaven that they are not as other men: like good
Christians, punctual rate-payers, and unflinching church-goers as they
are.

Thus it was with Mr. Jabez North, assistant and usher at the academy of
Dr. Tappenden. He was not in anywise affected by fog, rain, or wind.
There was a fire at one end of the schoolroom, and Allecompain Major
had been fined sixpence, and condemned to a page of Latin grammar, for
surreptitiously warming his worst chilblain at the bars thereof. But
Jabez North did not want to go near the fire, though in his official
capacity he might have done so; ay, even might have warmed his hands
in moderation. He was not cold, or if he was cold, he didn’t mind
being cold. He was sitting at his desk, mending pens and hearing six
red-nosed boys conjugate the verb _Amare_, “to love”--while the
aforesaid boys were giving practical illustrations of the active
verb “to shiver,”--and the passive ditto, “to be puzzled.” He was
not only a good young man, this Jabez North (and he must have been a
very good young man, for his goodness was in almost every mouth in
Slopperton--indeed, he was looked upon by many excellent old ladies as
an incarnation of the adjective “pious”)--but he was rather a handsome
young man also. He had delicate features, a pale fair complexion, and,
as young women said, very beautiful blue eyes; only it was unfortunate
that these eyes, being, according to report, such a very beautiful
colour, had a shifting way with them, and never looked at you long
enough for you to find out their exact hue, or their exact expression
either. He had also what was called a very fine head of fair curly
hair, and what some people considered a very fine head--though it was
a pity it shelved off on either side in the locality where prejudiced
people place the organ of conscientiousness. A professor of phrenology,
lecturing at Slopperton, had declared Jabez North to be singularly
wanting in that small virtue; and had even gone so far as to hint that
he had never met with a parallel case of deficiency in the entire moral
region, except in the skull of a very distinguished criminal, who
invited a friend to dinner and murdered him on the kitchen stairs while
the first course was being dished. But of course the Sloppertonians
pronounced this professor to be an impostor, and his art a piece of
charlatanism, as they were only too happy to pronounce any professor or
any art that came in their way.

Slopperton believed in Jabez North. Partly because Slopperton had in a
manner created, clothed, and fed him, set him on his feet, patted him
on his head, and reared him under the shadow of Sloppertonian wings, to
be the good and worthy individual he was.

The story was in this wise. Nineteen years before this bad November
day, a little baby had been dragged, to all appearance drowned, out
of the muddy waters of the Sloshy. Fortunately or unfortunately, as
the case may be, he turned out to be less drowned than dirty, and
after being subjected to very sharp treatment--such as being held head
downwards, and scrubbed raw with a jack-towel, by the Sloppertonian
Humane Society, founded by a very excellent gentleman, somewhat
renowned for maltreating his wife and turning his eldest son out of
doors--this helpless infant set up a feeble squall, and evinced, other
signs of a return to life. He was found in a Slopperton river by a
Slopperton bargeman, resuscitated by a Slopperton society, and taken
by the Slopperton beadle to the Slopperton workhouse; he therefore
belonged to Slopperton. Slopperton found him a species of barnacle
rather difficult to shake off. The wisest thing, therefore, for
Slopperton to do, was to put the best face on a bad matter, and, out
of its abundance, rear this _un_-welcome little stranger. And
truly virtue has its reward; for, from the workhouse brat to the
Sunday-school teacher; from the Sunday-school teacher to the scrub at
Dr. Tappenden’s academy; from scrub to usher of the fourth form; and
from fourth form usher to first assistant, pet toady, and factotum,
were so many steps in the ladder of fortune which Jabez mounted, as in
seven-leagued boots.

As to his name, Jabez North, it is not to be supposed that when some
wretched drab (mad with what madness, or wretched to what intensity
of wretchedness, who shall guess?) throws her hapless and sickly
offspring into the river--it is not, I say, to be supposed that she
puts his card-case in his pocket, with his name and address inscribed
in neat copper-plate upon enamelled cards therein. No, the foundling
of Slopperton was called by the board of the workhouse Jabez; first,
because Jabez was a scriptural name; secondly, perhaps, because it
was an ugly one, and agreed better with the cut of his clothes and
the fashion of his appointments than Reginald, Conrad, or Augustus
might have done. The gentlemen of the board further bestowed upon him
the surname of North because he was found on the north bank of the
Sloshy, and because North was an unobtrusive and commonplace cognomen,
appropriate to a pauper; like whose impudence it would indeed be to
write himself down Montmorency or Fitz-Hardinge.

Now there are many natures (God-created though they be) of so black and
vile a tendency as to be soured and embittered by workhouse treatment;
by constant keeping down; by days and days which grow into years and
years, in which to hear a kind word is to hear a strange language--a
language so strange as to bring a choking sensation into the throat,
and not unbidden tears into the eyes. Natures there are, so innately
wicked, as not to be improved by tyranny; by the dominion, the mockery,
and the insult of little boys, who are wise enough to despise poverty,
but not charitable enough to respect misfortune. And fourth-form ushers
in a second-rate academy have to endure this sort of thing now and
then. Some natures too may be so weak and sentimental as to sicken at
a life without one human tie; a boyhood without father or mother; a
youth without sister or brother. Not such the excellent nature of Jabez
North. Tyranny found him meek, it is true, but it left him much meeker.
Insult found him mild, but it left him lamb-like. Scornful speeches
glanced away from him; cruel words seemed drops of water on marble, so
powerless were they to strike or wound. He would take an insult from
a boy whom with his powerful right hand he could have strangled: he
would smile at the insolence of a brat whom he could have thrown from
the window with one uplifting of his strong arm almost as easily as
he threw away a bad pen. But he was a good young man; a benevolent
young man; giving in secret, and generally getting his reward openly.
His left hand scarcely knew what his right hand did; but Slopperton
always knew it before long. So every citizen of the borough raised and
applauded this model young man, and many were the prophecies of the day
when the pauper boy should be one of the greatest men in that greatest
of all towns, the town of Slopperton.

The bad November day merged into a bad November night. Dark
night at five o’clock, when candles, few and far between, flickering
in Dr. Tappenden’s schoolroom, and long rows of half-pint
mugs--splendid institutions for little boys to warm their hands
at, being full of a boiling and semi-opaque liquid, _par excellence_
milk-and-water--ornamented the schoolroom table. Darker night still,
when the half-pint mugs have been collected by a red maid-servant, with
nose, elbows, and knuckles picked out in purple; when all traces of the
evening meal are removed; when the six red-nosed first-form boys have
sat down to Virgil--for whom they entertain a deadly hatred, feeling
convinced that he wrote with a special view to their being flogged from
inability to construe him. Of course, if he hadn’t been a spiteful
beast he would have written in English, and then he wouldn’t have had
to be construed. Darker night still at eight o’clock, when the boys
have gone to bed, and perhaps would have gone to sleep, if Allecompain
Major had not a supper-party in his room, with Banbury cakes, pigs
trotters, periwinkles, acid rock, and ginger-beer powders, laid out
upon the bolster. Not so dark by the head assistant’s desk, at which
Jabez sits, his face ineffably calm, examining a pile of exercises.
Look at his face by that one candle; look at the eyes, which are steady
now, for he does not dream that any one is watching him--steady and
luminous with a subdued fire, which might blaze out some day into a
deadly flame. Look at the face, the determined mouth, the thin lips,
which form almost an arch--and say, is that the face of a man to
be content with a life of dreary and obscure monotony? A somewhat
intellectual face; but not the face of a man with an intellect seeking
no better employment than the correcting of French and Latin exercises.
If we could look into his heart, we might find the answers to these
questions. He raises the lid of his desk; a deep desk that holds many
things--paper, pens, letters; and what?--a thick coil of rope. A
strange object in the assistant’s desk, this coil of rope! He looks at
it as if to assure himself that it is safe; shuts his desk quickly,
locks it, puts the key in his waistcoat-pocket; and when at half-past
nine he goes up into his little bedroom at the top of the house, he
will carry the desk under his arm.




                              CHAPTER II.

                           GOOD FOR NOTHING.


THE November night is darkest, foggiest, wettest, and windiest out on
the open road that leads into Slopperton. A dreary road at the best of
times, this Slopperton road, and dreariest of all in one spot about
a mile and a half out of the town. Upon this spot stands a solitary
house, known as the Black Mill. It was once the cottage of a miller,
and the mill still stands, though in disuse.

The cottage had been altered and improved within the last few years,
and made into a tolerable-sized house; a dreary, rambling, tumble-down
place, it is true, but still with some pretension about it. It was
occupied at this time by a widow lady, a Mrs. Marwood, once the owner
of a large fortune, which had nearly all been squandered by the
dissipation of her only son. This son had long left Slopperton. His
mother had not heard of him for years. Some said he had gone abroad.
She tried to hope this, but sometimes she mourned him as dead. She
lived in modest style, with one old female servant, who had been with
her since her marriage, and had been faithful through every change
of fortune--as these common and unlearned creatures, strange to say,
sometimes are. It happened that at this very time Mrs. Marwood had
just received the visit of a brother, who had returned from the East
Indies with a large fortune. This brother, Mr. Montague Harding, had on
his landing in England hastened to seek out his only sister, and the
arrival of the wealthy nabob at the solitary house on the Slopperton
road had been a nine-days’ wonder for the good citizens of Slopperton.
He brought with him only one servant, a half-caste; his visit was to be
a short one, as he was about buying an estate in the south of England,
on which he intended to reside with his widowed sister.

Slopperton had a great deal to say about Mr. Harding. Slopperton gave
him credit for the possession of uncounted and uncountable lakhs of
rupees; but Slopperton wouldn’t give him credit for the possession of
the hundredth part of an ounce of liver. Slopperton left cards at the
Black Mill, and had serious thoughts of getting up a deputation to
invite the rich East Indian to represent its inhabitants at the great
congress of Westminster. But both Mr. Harding and Mrs. Marwood kept
aloof from Slopperton, and were set down accordingly as mysterious, not
to say dark-minded individuals, forthwith.


The brother and sister are seated in the little, warm, lamp-lit
drawing-room at the Black Mill this dark November night. She is a woman
who has once been handsome, but whose beauty has been fretted away by
anxieties and suspenses, which wear out the strongest hope, as water
wears away the hardest rock. The Anglo-Indian very much resembles her;
but though his face is that of an invalid, it is not care-worn. It is
the face of a good man, who has a hope so strong that neither fear nor
trouble can disquiet him.

He is speaking--“And you have not heard from your son?”

“For nearly seven years. Seven years of cruel suspense; seven years,
during which every knock at yonder door seems to have beaten a blow
upon my heart--every footstep on yonder garden-walk seems to have
trodden down a hope.”

“And you do not think him dead?”

“I hope and pray not. Not dead, impenitent; not dead, without my
blessing; not gone away from me for ever, without one pressure of the
hand, one prayer for my forgiveness, one whisper of regret for all he
has made me suffer.”

“He was very wild, then, very dissipated?”

“He was a reprobate and a gambler. He squandered his money like water.
He had bad companions, I know; but was not himself wicked at heart. The
very night he ran away, the night I saw him for the last time, I’m sure
he was sorry for his bad courses. He said something to that effect;
said his road was a dark one, but that it had only one end, and he must
go on to the end.”

“And you made no remonstrance?”

“I was tired of remonstrance, tired of prayer, and had wearied out my
soul with hope deferred.”

“My dear Agnes! And this poor boy, this wretched misguided boy, Heaven
have pity upon him and restore him! Heaven have pity upon every
wanderer, this dismal and pitiless night!”

Heaven, indeed, have pity upon that wanderer, out on the bleak highroad
to Slopperton; out on the shelterless Slopperton road, a mile away from
the Black Mill! The wanderer is a young man, whose garments, of the
shabby-genteel order, are worst of all fitted to keep out the cruel
weather; a handsome young man, or a man who has once been handsome, but
on whom riotous days and nights, drunkenness, recklessness, and folly,
have had their dire effects. He is struggling to keep a pad cigar
alight, and when it goes out, which is about twice in five minutes,
he utters expressions which in Slopperton are thought very wicked, and
consigns that good city, with its virtuous citizens, to a very bad
neighbourhood.

He talks to himself between his struggles with the cigar. “Foot-sore
and weary, hungry and thirsty, cold and ill; it is not a very hopeful
way for the only son of a rich man to come back to his native place
after seven years’ absence. I wonder what star presides over my
vagabond existence; if I knew, I’d shake my fist at it,” he muttered,
as he looked up at two or three feeble luminaries glimmering through
the rain and fog. “Another mile to the Black Mill--and then what will
she say to me? What can she say to me but to curse me? What have I
earned by such a life as mine except a mother’s curse?” His cigar chose
this very moment of all others to go out. If the bad three-half-penny
Havannah had been a sentient thing with reasoning powers, it might have
known better. He threw it aside into a ditch with an oath. He slouched
his hat over his eyes, thrust one hand into the breast of his coat--(he
had a stick cut from some hedgerow in the other)--and walked with a
determined though a weary air onward through slush and mire towards the
Black Mill, from which already the lighted windows shone through the
darkness like so many beacons.

On through slush and mire, with a weary and slouching step.

No matter. It is the step for which his mother has waited for seven
long years; it is the step whose ghostly echo on the garden-walk has
smitten so often on her heart and trodden out the light of hope. But
surely the step comes on now--full surely, and for good or ill. Whether
for good or ill comes this long-watched-for step, this bad November
night, who shall say?

In a quarter of an hour the wanderer stands in the little garden of the
Black Mill. He has not courage to knock at the door; it might be opened
by a stranger; he might hear something he dare not whisper to his own
heart--he might hear something which would strike him down dead upon
the threshold.

He sees the light in the drawing-room windows. He approaches, and hears
his mother’s voice.

It is a long time since he has uttered a prayer: but he falls on his
knees by the long French window and breathes a thanksgiving.

That voice is not still!

What shall he do? What can he hope from his mother, so cruelly
abandoned?

At this moment Mr. Harding opens the window to look out at the dismal
night. As he does so, the young man falls fainting, exhausted, into the
room.

Draw a curtain over the agitation and the bewilderment of that scene.
The almost broken-hearted mother’s joy is too sacred for words. And the
passionate tears of the prodigal son--who shall measure the remorseful
agony of a man whose life has been one long career of recklessness, and
who sees his sin written in his mother’s face?


The mother and son sit together, talking gravely, hand in hand, for
two long hours. He tells her, not of all his follies, but of all
his regrets--his punishment, his anguish, his penitence, and his
resolutions for the future.

Surely it is for good, and good alone, that he has come over a long and
dreary road, through toil and suffering, to kneel here at his mother’s
feet and build up fair schemes for the future.

The old servant, who has known Richard from a baby, shares in his
mother’s joy. After the slight supper which the weary wanderer is
induced to eat, her brother and her son persuade Mrs. Marwood to retire
to rest; and left _tête-à-tête_, the uncle and nephew sit down to
discuss a bottle of old madeira by the sea-coal fire.

“My dear Richard”--the young man’s name is Richard--(“Daredevil Dick”
he has been called by his wild companions)--“My dear Richard,” says
Mr. Harding very gravely, “I am about to say something to you, which I
trust you will take in good part.”

“I am not so used to kind words from good men that I am likely to take
anything you can say amiss.”

“You will not, then, doubt the joy I feel in your return this night, if
I ask you what are your plans for the future?”

The young man shook his head. Poor Richard! he had never in his life
had any definite plan for the future, or he might not have been what he
was that night.

“My poor boy, I believe you have a noble heart, but you have led a
wasted life. This must be repaired.”

Richard shook his head again. He was very hopeless of himself.

“I am good for nothing,” he said; “I am a bad lot. I wonder they don’t
hang such men as me.”

“I wonder they don’t hang such men.” He uttered this reckless speech in
his own reckless way, as if it would be rather a good joke to be hung
up out of the way and done for.

“My dear boy, thank Heaven you have returned to us. Now I have a plan
to make a man of you yet.”

Richard looked up this time with a hopeful light in his dark eyes. He
was hopeless at five minutes past ten; he was radiant when the minute
hand had moved on to the next figure on the dial. He was one of
those men whose bad and good angels have a sharp fight and a constant
struggle, but whom we all hope to see saved at last.

“I have a plan which has occurred to me since your unexpected arrival
this evening,” continued his uncle. “Now, if you stay here, your
mother, who has a trick (as all loving mothers have) of fancying you
are still a little boy in a pinafore and frock--your mother will be
for having you loiter about from morning till night with nothing to
do and nothing to care for; you will fall in again with all your old
Slopperton companions, and all those companions’ bad habits. This isn’t
the way to make a man of you, Richard.”

Richard, very radiant by this time, thinks not.

“My plan is, that you start off to-morrow morning before your mother
is up, with a letter of introduction which I will give you to an old
friend of mine, a merchant in the town of Garden Cord, forty miles from
here. At my request, he will give you a berth in his office, and will
treat you as if you were his own son. You can come over here to see
your mother as often as you like; and if you choose to work hard as a
merchant’s clerk, so as to make your own fortune, I know an old fellow
just returned from the East Indies, with not enough liver to keep him
alive many years, who will leave you another fortune to add to it. What
do you say, Richard? Is it a bargain?”

“My dear generous uncle!” Richard cries, shaking the old man by the
hand.

Was it a bargain? Of course it was. A merchant’s office--the very thing
for Richard. He _would_ work hard, work night and day to repair
the past, and to show the world there was stuff in him to make a man,
and a good man yet.

Poor Richard, half an hour ago wishing to be hung and put out of the
way, now full of radiance and hope, while the good angel has the best
of it!

“You must not begin your new life without money, Richard: I shall,
therefore, give you all I have in the house. I think I cannot better
show my confidence in you, and my certainty that you will not return
to your old habits, than by giving you this money.” Richard looks--he
cannot speak his gratitude.

The old man conducts his nephew up stairs to his bedroom, an
old-fashioned apartment, in one window of which is a handsome
cabinet, half desk, half bureau. He unlocks this, and takes from it a
pocket-book containing one hundred and thirty-odd pounds in small notes
and gold, and two bills for one hundred pounds each on an Anglo-Indian
bank in the city.

“Take this, Richard. Use the broken cash as you require it for present
purposes--in purchasing such an outfit as becomes my nephew; and on
your arrival in Gardenford, place the bills in the bank for future
exigencies. And as I wish your mother to know nothing of our little
plan until you are gone, the best thing you can do is to start before
any one is up--to-morrow morning.”

“I will start at day-break. I can leave a note for my mother.”

“No, no,” said the uncle, “I will tell her all. You can write directly
you reach your destination. Now, you will think it cruel of me to ask
you to leave your home on the very night of your return to it; but it
is quite as well, my dear boy, to strike while the iron’s hot. If you
remain here your good resolutions may be vanquished by old influences;
for the best resolution, Richard, is but a seed, and if it doesn’t bear
the fruit of a good action, it is less than worthless, for it is a lie,
and promises what it doesn’t perform. I’ve a higher opinion of you than
to think that you brought no better fruit of your penitence home to
your loving mother than empty resolutions. I believe you have a steady
determination to reform.”

“You only do me justice in that belief, sir. I ask nothing better than
the opportunity of showing that I am in earnest.”

Mr. Harding is quite satisfied, and once more suggests that Richard
should depart very early the next day.

“I will leave this house at five in the morning,” said the nephew; “a
train starts for Gardenford about six. I shall creep out quietly, and
not disturb any one. I know the way out of the dear old house--I can
get out of the drawing-room window, and need not unlock the hall-door;
for I know that good stupid old woman Martha sleeps with the key under
her pillow.”

“Ah, by the bye, where does Martha mean to put you to-night?”

“In the little back-parlour, I think she said; the room under this.”


The uncle and nephew went down to this little parlour, where they found
old Martha making up a bed on the sofa.

“You will sleep very comfortably here for to-night, Master Richard,”
said the old woman; “but if my mistress doesn’t have this ceiling
mended before long there’ll be an accident some day.”

They all looked up at the ceiling. The plaster had fallen in several
places, and there were one or two cracks of considerable size.

“If it was daylight,” grumbled the old woman, “you could see through
into Mister Harding’s bedroom, for his worship won’t have a carpet.”

His worship said he had not been used to carpets in India, and liked
the sight of Mrs. Martha’s snow-white boards.

“And it’s hard to keep them white, sir, I can tell you; for when I
scour the floor of that room the water runs through and spoils the
furniture down here.”

But Daredevil Dick didn’t seem to care much for the dilapidated
ceiling. The madeira, his brightened prospects, and the excitement he
had gone through, all combined to make him thoroughly wearied out.
He shook his uncle’s hand with a brief but energetic expression of
gratitude, and then flung himself half dressed upon the bed.

“There is an alarum clock in my room,” said the old man, “which I will
set for five o’clock. I always sleep with my door open; so you will be
sure to hear it go down. It won’t disturb your mother, for she sleeps
at the other end of the house. And now good night, and God bless you,
my boy!”


He is gone, and the returned prodigal is asleep. His handsome face
has lost half its look of dissipation and care, in the renewed light
of hope; his black hair is tossed off his broad forehead, and it is a
fine candid countenance, with a sweet smile playing round the mouth.
Oh, there is stuff in him to make a man yet, though he says they should
hang such fellows as he!

His uncle has retired to his room, where his half-caste servant assists
at his toilette for the night. This servant, who is a Lascar, and
cannot speak one word of English (his master converses with him in
Hindostanee), and is thought to be as faithful as a dog, sleeps in a
little bed in the dressing-room adjoining his master’s apartment.

So, on this bad November night, with the wind howling round the walls
as if it were an angry unadmitted guest that clamoured to come in; with
the rain beating on the roof, as if it had a special purpose and was
bent on flooding the old house; there is peace and happiness, and a
returned and penitent wanderer at the desolate old Black Mill.

The wind this night seems to howl with a peculiar significance, but
nobody has the key to its strange language; and if, in every shrill
dissonant shriek, it tries to tell a ghastly secret or to give a timely
warning, it tries in vain, for no one heeds or understands.




                             CHAPTER III.

                      THE USHER WASHES HIS HANDS.


MR. JABEZ NORTH had not his little room quite to himself at Dr.
Tappenden’s. There are some penalties attendant even on being a good
young man, and our friend Jabez sometimes found his very virtues
rather inconvenient. It happened that Allecompain Junior was ill of
a fever--sometimes delirious; and as the usher was such an excellent
young person, beloved by the pupils and trusted implicitly by the
master, the sick little boy was put under his especial care, and a bed
was made up for him in Jabez’ room.

This very November night, when the usher comes up stairs, his great
desk under one arm (he is very strong, this usher), and a little feeble
tallow candle in his left hand, he finds the boy very ill indeed. He
does not know Jabez, for he is talking of a boat-race--a race that took
place in the bright summer gone by. He is sitting up on the pillow,
waving his little thin hand, and crying out at the top of his feeble
voice, “Bravo, red! Red wins! Three cheers for red! Go it--go it, red!
Blue’s beat--I say blue’s beat! George Harris has won the day. I’ve
backed George Harris. I’ve bet six-pennorth of toffey on George Harris!
Go it, red!”

“We’re worse to-night, then,” said the usher; “so much the better.
We’re off our head, and we’re not likely to take much notice; so
much the better;” and this benevolent young man began to undress. To
undress, but not to go to bed; for from a small trunk he takes out a
dark smock-frock, a pair of leather gaiters, a black scratch wig, and a
countryman’s slouched hat. He dresses himself in these things, and sits
down at a little table with his desk before him.

The boy rambles on. He is out nutting in the woods with his little
sister in the glorious autumn months gone by.

“Shake the tree, Harriet, shake the tree; they’ll fall if you only
shake hard enough. Look at the hazel-nuts! so thick you can’t count’em.
Shake away, Harriet; and take care of your head, for they’ll come down
like a shower of rain!”

The usher takes the coil of rope from his desk, and begins to unwind
it; he has another coil in his little trunk, another hidden away under
the mattress of his bed. He joins the three together, and they form a
rope of considerable length. He looks round the room; holds the light
over the boy’s face, but sees no consciousness of passing events in
those bright feverish eyes.

He opens the window of his room; it is on the second story, and looks
out into the playground--a large space shut in from the lane in which
the school stands by a wall of considerable height. About half the
height of this room are some posts erected for gymnastics; they are
about ten feet from the wall of the house, and the usher looks at them
dubiously. He lowers the rope out of the window and attaches one end of
it to an iron hook in the wall--a very convenient hook, and very secure
apparently, for it looks as if it had been only driven in that very day.

He surveys the distance beneath him, takes another dubious look at the
posts in the playground, and is about to step out of the window, when
a feeble voice from the little bed cries out--not in any delirious
ramblings this time--“What are you doing with that rope? Who are you?
What are you doing with that rope?”

Jabez looks round, and although so good a young man, mutters something
very much resembling an oath.

“Silly boy, don’t you know me? I’m Jabez, your old friend----”

“Ah, kind old Jabez; you won’t send me back in Virgil, because I’ve
been ill; eh, Mr. North?”

“No, no! See, you want to know what I am doing with this rope; why,
making a swing, to be sure.”

“A swing? Oh, that’s capital. Such a jolly thick rope too! When shall I
be well enough to swing, I wonder? It’s so dull up here. I’ll try and
go to sleep; but I dream such bad dreams.”

“There, there, go to sleep,” says the usher, in a soothing voice. This
time, before he goes to the window, he puts out his tallow candle; the
rushlight on the hearth he extinguishes also; feels for something in
his bosom, clutches this something tightly; takes a firm grasp of the
rope, and gets out of the window.

A curious way to make a swing! He lets himself down foot by foot, with
wonderful caution and wonderful courage. When he gets on a level with
the posts of the gymnasium he gives himself a sudden jerk, and swinging
over against them, catches hold of the highest post, and his descent is
then an easy one for the post is notched for the purpose of climbing,
and Jabez, always good at gymnastics, descends it almost as easily
as another man would an ordinary staircase. He leaves the rope still
hanging from his bedroom window, scales the playground wall, and when
the Slopperton clocks strike twelve is out upon the highroad. He skirts
the town of Slopperton by a circuitous route, and in another half-hour
is on the other side of it, bearing towards the Black Mill. A curious
manner of making a swing this midnight ramble. Altogether a curious
ramble for this good young usher; but even good men have sometimes
strange fancies, and this may be one of them.

One o’clock from the Slopperton steeples: two o’clock: three o’clock.
The sick little boy does not go to sleep, but wanders, oh, how wearily,
through past scenes in his young life. Midsummer rambles, Christmas
holidays, and merry games; the pretty speeches of the little sister who
died three years ago; unfinished tasks and puzzling exercises, all pass
through his wandering mind; and when the clocks chime the quarter after
three, he is still talking, still rambling on in feeble accents, still
tossing wearily on his pillow.

As the clocks chime the quarter, the rope is at work again, and five
minutes afterwards the usher clambers into the room.

Not very good to look upon, either in costume or countenance; bad
to look upon, with his clothes mud-bespattered and torn; wet to the
skin; his hair in matted locks streaming over his forehead; worse
to look upon, with his light blue eyes, bright with a dangerous and
wicked fire--the eyes of a wild beast baulked of his prey; dreadful to
look upon, with his hands clenched in fury, and his tongue busy with
half-suppressed but terrible imprecations.

“All for nothing!” he mutters. “All the toil, the scheming, and
the danger for nothing--all the work of the brain and the hands
wasted--nothing gained, nothing gained!”

He hides away the rope in his trunk, and begins to unbutton his
mud-stained gaiters. The little boy cries out in a feeble voice for his
medicine.

The usher pours a tablespoonful of the mixture into a wine-glass with a
steady hand, and carries it to the bedside.

The boy is about to take it from him, when he utters a sudden cry.

“What’s the matter?” asks Jabez, angrily.

“Your hand!--your hand! What’s that upon your hand?”

A dark stain scarcely dry--a dark stain, at the sight of which the boy
trembles from head to foot.

“Nothing, nothing!” answers the tutor. “Take your medicine, and go to
sleep.”

No, the boy cries hysterically, he won’t take his medicine; he will
never take anything again from that dreadful hand. “I know what that
horrid stain is. What have you been doing? Why did you climb out of the
window with a rope? It wasn’t to make a swing; it must have been for
something dreadful! Why did you stay away three hours in the middle of
the night? I counted the hours by the church clocks. Why have you got
those strange clothes on? What does it all mean? I’ll ask the Doctor to
take me out of this room! I’ll go to him this moment, for I’m afraid of
you.”

The boy tries to get out of bed as he speaks; but the usher holds him
down with one powerful hand, which he places upon the boy’s mouth, at
the same time keeping him from stirring and preventing him from crying
out.

With his free right hand he searches among the bottles on the table by
the bedside.

He throws the medicine out of the glass, and pours from another bottle
a few spoonfuls of a dark liquid labelled, “Opium--Poison!”

“Now, sir, take your medicine, or I’ll report you to the principal
to-morrow morning.”

The boy tries to remonstrate, but in vain; the powerful hand throws
back his head, and Jabez pours the liquid down his throat.

For a little time the boy, quite delirious now, goes on talking of the
summer rambles and the Christmas games, and then falls into a deep
slumber.

Then Jabez North sets to work to wash his hands. A curious young man,
with curious fashions for doing things--above all, a curious fashion of
washing his hands.

He washes them very carefully in a small quantity of water, and when
they are quite clean, and the water has become a dark and ghastly
colour, he drinks it, and doesn’t make even one wry face at the
horrible draught.

“Well, well,” he mutters, “if nothing is gained by to-night’s work, I
have at least tried my strength, and I now know what I’m made of.”

Very strange stuff he must have been made of--very strange and perhaps
not very good stuff, to be able to look at the bed on which the
innocent and helpless boy lay in a deep slumber, and say,--

“At any rate, _he_ will tell no tales.”

No! he will tell no tales, nor ever talk again of summer rambles, or of
Christmas holidays, or of his dead sister’s pretty words. Perhaps he
will join that wept-for little sister in a better world, where there
are no such good young men as Jabez North.

That worthy gentleman goes down aghast, with a white face, next
morning, to tell Dr. Tappenden that his poor little charge is dead, and
that perhaps he had better break the news to Allecompain Major, who is
sick after that supper, which, in his boyish thoughtlessness, and his
certainty of his little brother’s recovery, he had given last night.

“Do, yes, by all means, break the sad news to the poor boy; for I know,
North, you’ll do it tenderly.”




                              CHAPTER IV.

                   RICHARD MARWOOD LIGHTS HIS PIPE.


DAREDEVIL DICK hears the alarum at five o’clock, and leaves his
couch very cautiously. He would like, before he leaves the house, to
go to his mother’s door, if it were only to breathe a prayer upon
the threshold. He would like to go to his uncle’s bedside, to give
one farewell look at the kind face; but he has promised to be very
cautious, and to awaken no one; so he steals quietly out through the
drawing-room window--the same window by which he entered so strangely
the preceding evening--into the chill morning, dark as night yet. He
pauses in the little garden-walk for a minute while he lights his pipe,
and looks up at the shrouded windows of the familiar house. “God bless
her!” he mutters; “and God reward that good old man, for giving a scamp
like me the chance of redeeming his honour!”

There is a thick fog, but no rain. Daredevil Dick knows his way so
well, that neither fog nor darkness are any hindrance to him, and he
trudges on with a cheery step, and his pipe in his mouth, towards the
Slopperton railway station. The station is half an hour’s walk out of
the town, and when he reaches it the clocks are striking six. Learning
that the train will not start for half an hour, he walks up and down
the platform, looking, with his handsome face and shabby dress, rather
conspicuous. Two or three trains for different destinations start while
he is waiting on the platform, and several people stare at him, as he
strides up and down, his hands in his pockets, and his weather-beaten
hat slouched over his eyes--(for he does not want to be known by any
Slopperton people yet awhile, till his position is better)--and when
one man, with whom he had been intimate before he left the town, seemed
to recognize him, and approached as if to speak to him, Richard turned
abruptly on his heel and crossed to the other side of the station.

If he had known that such a little incident as that could have a dark
and dreadful influence on his life, surely he would have thought
himself foredoomed and set apart for a cruel destiny.

He strolled into the refreshment-room, took a cup of coffee, changed a
sovereign in paying for his ticket, bought a newspaper, seated himself
in a second-class carriage, and in a few minutes was out of Slopperton.

There was only one other passenger in the carriage--a commercial
traveller; and Richard and he smoked their pipes in defiance of the
guards at the stations they passed. When did ever Daredevil Dick
quail before any authorities? He had faced all Bow Street, chaffed
Marlborough Street out of countenance, and had kept the station-house
awake all night singing, “We won’t go home till morning.”

It is rather a dull journey at the best of times from Slopperton to
Gardenford, and on this dark foggy November morning, of course, duller
than usual. It was still dark at half-past six. The station was lighted
with gas, and there was a little lamp in the railway carriage, but
for which the two travellers would not have seen each other’s faces.
Richard looked out of the window for a few minutes, got up a little
conversation with his fellow traveller, which soon flagged (for the
young man was rather out of spirits at leaving his mother directly
after their reconciliation), and then, being sadly at a loss to amuse
himself, took out his uncle’s letter to the Gardenford merchant, and
looked at the superscription. The letter was not sealed, but he did not
take it from the envelope. “If he said any good of me, it’s a great
deal more than I deserve,” said Richard to himself; “but I’m young yet,
and there’s plenty of time to redeem the past.”

Time to redeem the past! O poor Richard!

He twisted the letter about in his hands, lighted another pipe, and
smoked till the train arrived at the Gardenford station. Another foggy
November day had set in.

If Richard Marwood had been a close observer of men and manners, he
might have been rather puzzled by the conduct of a short, thick-set
man, shabbily dressed, who was standing on the platform when he
descended from the carriage. The man was evidently waiting for some
one to arrive by this train: and as surely that some one had arrived,
for the man looked perfectly satisfied when he had scanned, with a
glance marvellously rapid, the face of every passenger who alighted.
But who this some one was, for whom the man was waiting, it was rather
difficult to discover. He did not speak to any one, nor approach any
one, nor did he appear to have any particular purpose in being there
after that one rapid glance at all the travellers. A very minute
observer might certainly have detected in him a slight interest in the
movements of Richard Marwood; and when that individual left the station
the stranger strolled out after him, and walked a few paces behind him
down the back street that led from the station to the town. Presently
he came up closer to him, and a few minutes afterwards suddenly and
unceremoniously hooked his arm into that of Richard.

“Mr. Richard Marwood, I think,” he said.

“I’m not ashamed of my name,” replied Daredevil Dick, “and that
_is_ my name. Perhaps you’ll oblige me with yours, since you’re so
uncommonly friendly.” And the young man tried to withdraw his arm from
that of the stranger; but the stranger was of an affectionate turn of
mind, and kept his arm tightly hooked in his.

“Oh, never mind my name,” he said: “you’ll learn my name fast enough,
I dare say. But,” he continued, as he caught a threatening look in
Richard’s eye, “if you want to call me anything, why, call me Jinks.”

“Very well then, Mr. Jinks, since I didn’t come to Gardenford to make
your acquaintance, and as now, having made your acquaintance, I can’t
say I much care about cultivating it further, why I wish you a very
good morning!” As he said this, Richard wrenched his arm from that of
the stranger, and strode two or three paces forward.

Not more than two or three paces though, for the affectionate Mr. Jinks
caught him again by the arm, and a friend of Mr. Jinks, who had also
been lurking outside the station when the train arrived, happening
to cross over from the other side of the street at this very moment,
caught hold of his other arm, and poor Daredevil Dick, firmly pinioned
by these two new-found friends, looked with a puzzled expression from
one to the other.

“Come, come,” said Mr. Jinks, in a soothing tone, “the best thing you
can do is to take it quietly, and come along with me.”

“Oh, I see,” said Richard. “Here’s a spoke in the wheel of my reform;
it’s those cursed Jews, I suppose, have got wind of my coming down
here. Show us your writ, Mr. Jinks, and tell us at whose suit it is,
and for what amount? I’ve got a considerable sum about me, and can
settle it on the spot.”

“Oh, you have, have you?” Mr. Jinks was so surprised by this last
speech of Richard’s that he was obliged to take off his hat, and rub
his hand through his hair before he could recover himself. “Oh!” he
continued, staring at Richard, “Oh! you’ve got a considerable sum of
money about you, have you? Well, my friend, you’re either very green,
or you’re very cheeky; and all I can say is, take care how you commit
yourself. I’m not a sheriff’s officer. If you’d done me the honour to
reckon up my nose you might have knowed it” (Mr. Jinks’s olfactory
organ was a decided snub); “and I ain’t going to arrest you for debt.”

“Oh, very well then,” said Dick; “perhaps you and your affectionate
friend, who both seem to be afflicted with rather an over-large
allowance of the organ of adhesiveness, will be so very obliging as
to let me go. I’ll leave you a lock of my hair, as you’ve taken such
a wonderful fancy to me.” And with a powerful effort he shook the two
strangers off him; but Mr. Jinks caught him again by the arm, and Mr.
Jinks’s friend, producing a pair of handcuffs, locked them on Richard’s
wrists with railroad rapidity.

“Now, don’t you try it on,” said Mr. Jinks. “I didn’t want to use
these, you know, if you’d have come quietly. I’ve heard you belong to
a respectable family, so I thought I wouldn’t ornament you with these
here objects of _bigotry_” (it is to be presumed Mr. Jinks means
_bijouterie)_; “but it seems there’s no help for it, so come
along to the station; we shall catch the eight-thirty train, and be in
Slopperton before ten. The inquest won’t come on till to-morrow.”

Richard looked at his wrists, from his wrists to the faces of the two
men, with an utterly hopeless expression of wonder.

“Am I mad,” he said, “or drunk, or dreaming? What have you put
these cursed things upon me for? Why do you want to take me back to
Slopperton? What inquest? Who’s dead?”

Mr. Jinks put his head on one side, and contemplated the prisoner with
the eye of a connoisseur.

“Don’t he come the _h_innocent dodge stunnin’?” he said, rather to
himself than to his companion, who, by the bye, throughout the affair
had never once spoken. “Don’t he do it beautiful? Wouldn’t he be a
first-rate actor up at the Wictoria Theayter in London? Wouldn’t he be
prime in the ‘Suspected One,’ or ‘Gonsalvo the Guiltless?’ Vy,” said
Mr. Jinks, with intense admiration, “he’d be worth his two-pound-ten a
week and a clear half benefit every month to any manager as is.”

As Mr. Jinks made these complimentary remarks, he and his friend walked
on. Richard, puzzled, bewildered, and unresisting, walked between them
towards the railway station; but presently Mr. Jinks condescended to
reply to his prisoner’s questions, in this wise:--

“You want to know what inquest? Well, a inquest on a gentleman what’s
been barbarously murdered. You want to know who’s dead? Why, your uncle
is the gent as has been murdered. You want to know why we are going
to take you back to Slopperton? Well, because we’ve got a warrant to
arrest you upon suspicion of having committed the murder.”

“My uncle murdered!” cried Richard, with a face that now for the first
time since his arrest betrayed anxiety and horror; for throughout his
interview with Mr. Jinks he had never once seemed frightened. His
manner had expressed only utter bewilderment of mind.

“Yes, murdered; his throat cut from ear to ear.”

“It cannot be,” said Richard. “There must be some horrid mistake here.
My uncle, Montague Harding, murdered! I bade him good-bye at twelve
last night in perfect health.”

“And this morning he was found murdered in his bed; with the cabinet
in his room broken open, and rifled of a pocket-book known to contain
upwards of three hundred pounds.”

“Why, he gave me that pocket-book last night. He gave it to me. I have
it here in my breast-pocket.”

“You’d better keep that story for the coroner,” said Mr. Jinks.
“Perhaps _he’ll_ believe it.”

“I must be mad, I must be mad,” said Richard.

They had by this time reached the station, and Mr. Jinks having glanced
into two or three carriages of the train about to start, selected one
of the second-class, and ushered Richard into it. He seated himself by
the young man’s side, while his silent and unobtrusive friend took his
place opposite. The guard locked the door, and the train started.

Mr. Jinks’s quiet friend was exactly one of those people adapted to
pass in a crowd. He might have passed in a hundred crowds, and no one
of the hundreds of people in any of those hundred crowds would have
glanced aside to look at him.

You could only describe him by negatives. He was neither very tall nor
very short, he was neither very stout nor very thin, neither dark nor
fair, neither ugly nor handsome; but just such a medium between the two
extremities of each as to be utterly commonplace and unnoticeable.

If you looked at his face for three hours together, you would in those
three hours find only one thing in that face that was any way out of
the common--that one thing was the expression of the mouth.

It was a compressed mouth with thin lips, which tightened and drew
themselves rigidly together when the man thought--and the man was
almost always thinking: and this was not all, for when he thought most
deeply the mouth shifted in a palpable degree to the left side of his
face. This was the only thing remarkable about the man, except, indeed,
that he was dumb but not deaf, having lost the use of his speech during
a terrible illness which he had suffered in his youth.

Throughout Richard’s arrest he had watched the proceedings with
unswerving intensity, and he now sat opposite the prisoner, thinking
deeply, with his compressed lips drawn on one side.

The dumb man was a mere scrub, one of the very lowest of the police
force, a sort of outsider and _employé_ of Mr. Jinks, the
Gardenford detective; but he was useful, quiet, and steady, and above
all, as his patrons said, he was to be relied on, because he could not
talk.

He could talk though, in his own way, and he began to talk presently
in his own way to Mr. Jinks; he began to talk with his fingers with a
rapidity which seemed marvellous. The fingers were more active than
clean, and made rather a dirty alphabet.

“Oh, hang it,” said Mr. Jinks, after watching him for a moment, “you
must do it a little slower, if you want me to understand. I am not an
electric telegraph.”

The scrub nodded, and began again with his fingers, very slowly.

This time Richard too watched him; for Richard knew this dumb alphabet.
He had talked whole reams of nonsense with it, in days gone by, to a
pretty girl at a boarding-school, between whom and himself there had
existed a platonic attachment, to say nothing of a high wall and broken
glass bottles.

Richard watched the dirty alphabet.

First, two grimy fingers laid flat upon the dirty palm, N. Next, the
tip of the grimy forefinger of the right hand upon the tip of the
grimy third finger of the left hand, O; the next letter is T, and the
man snaps his fingers--the word is finished, NOT. Not what? Richard
found himself wondering with an intense eagerness, which, even in the
bewildered state of his mind, surprised him.

The dumb man began another word--

G--U--I--L--

Mr. Jinks cut him short.

“Not guilty? Not fiddlesticks! What do _you_ know about it, I
should like to know? Where did you get your experience? Where did you
get your sharp practice? What school have you been formed in, I wonder,
that you can come out so positive with your opinion; and what’s the
value you put your opinion at, I wonder? I should be glad to hear what
you’d take for your opinion.”

Mr. Jinks uttered the whole of this speech with the most intense
sarcasm; for Mr. Jinks was a distinguished detective, and prided
himself highly on his acumen; and was therefore very indignant that his
sub and scrub should dare to express an opinion.

“My uncle murdered!” said Richard; “my good, kind, generous-hearted
uncle! Murdered in cold blood! Oh, it is too horrible!”

The scrub’s mouth was very much on one side as Richard muttered this,
half to himself.

“And I am suspected of the murder?”

“Well, you see,” said Mr. Jinks, “there’s two or three things tell
pretty strong against you. Why were you in such a hurry this morning to
cut and run to Gardenford?”

“My uncle had recommended me to a merchant’s office in that town: see,
here is the letter of introduction--read it.”

“No, it ain’t my place,” said Mr. Jinks. “The letter’s not sealed, I
see, but _I_ mustn’t read it, or if I do, I stand the chance of
gettin’ snubbed and lectured for goin’ beyond my dooty: howsumdever,
you can show it to the coroner. I’m sure I should be very glad to see
you clear yourself, for I’ve heard you belong to one of our good old
county families, and it ain’t quite the thing to hang such as you.”

Poor Richard! His reckless words of the night before came back to him:
“I wonder they don’t hang such fellows as I am.”

“And now,” says Jinks, “as I should like to make all things
comfortable, if you’re willing to come along quietly with me and my
friend here, why, I’ll move those bracelets, because they are not quite
so ornamental as they’re sometimes useful; and as I’m going to light my
pipe, why, if you like to blow a cloud, too, you can.”

With this Mr. Jinks unlocked and removed the handcuffs, and produced
his pipe and tobacco. Richard did the same, and took from his pocket a
match-box in which there was only one match.

“That’s awkward,” said Jinks, “for I haven’t a light about me.”

They filled the two pipes, and lighted the one match.

Now, all this time Richard had held his uncle’s letter of introduction
in his hand, and when there was some little difficulty in lighting the
tobacco from the expiring lucifer, he, without a moment’s thought,
held the letter over the flickering flame, and from the burning paper
lighted his pipe.

In a moment he remembered what he had done.

The letter of introduction! the one piece of evidence in his favour! He
threw the blazing paper on the ground and stamped on it, but in vain.
In spite of all his efforts a few black ashes alone remained.

“The devil must have possessed me,” he exclaimed. “I have burnt my
uncle’s letter.”

“Well,” says Mr. Jinks, “I’ve seen many dodges in my time, and I’ve
seen a many knowing cards; but if that isn’t the neatest dodge, and if
you ain’t the knowingest card I ever did see, blow me.”

“I tell you that letter was in my uncle’s hand; written to his friend,
the merchant at Gardenford; and in it he mentions having given me the
very money you say has been stolen from his cabinet.”

“Oh, the letter was all that, was it? And you’ve lighted your pipe with
it. You’d better tell that little story before the coroner. It will be
so very conwincing to the jury.”

The scrub, with his mouth very much to the left, spells out again the
two words, “Not guilty!”

“Oh,” says Mr. Jinks, “you mean to stick to your opinion, do you, now
you’ve formed it? Upon my word, you’re too clever for a country-town
practice; I wonder they don’t send for you up at Scotland Yard; with
your talents, you’d be at the top of the tree in no time, I’ve no
doubt.”

During the journey, the thick November fog had been gradually clearing
away, and at this very moment the sun broke out with a bright and
sudden light that shone full upon the threadbare coat-sleeve of
Daredevil Dick.

“Not guilty!” cried Mr. Jinks, with sudden energy. “Not guilty! Why,
look here! I’m blest if his coat-sleeve isn’t covered with blood!”

Yes, on the shabby worn-out coat the sunlight revealed dark and ghastly
stains; and, stamped and branded by those hideous marks as a villain
and a murderer, Richard Marwood re-entered his native town.




                              CHAPTER V.

                          THE HEALING WATERS.


THE Sloshy is not a beautiful river, unless indeed mud is beautiful,
for it is very muddy. The Sloshy is a disagreeable kind of compromise
between a river and a canal. It is like a canal which (after the
manner of the mythic frog that wanted to be an ox) had seen a river,
and swelled itself to bursting in imitation thereof. It has quite a
knack of swelling and bursting, this Sloshy; it overflows its banks
and swallows up a house or two, or takes an impromptu snack off a few
outbuildings, once or twice a year. It is inimical to children, and has
been known to suck into its muddy bosom the hopes of divers families;
and has afterwards gone down to the distant sea, flaunting on its
breast Billy’s straw hat or Johnny’s pinafore, as a flag of triumph for
having done a little amateur business for the gentleman on the pale
horse.

It has been a soft pillow of rest, too, this muddy breast of the
Sloshy; and weary heads have been known to sleep more soundly in that
loathsome, dark, and slimy bed than on couches of down.

Oh, keep us ever from even whispering to our own hearts that our best
chance of peaceful slumber might be in such a bed!

An ugly, dark, and dangerous river--a river that is always telling you
of trouble, and anguish, and weariness of spirit--a river that to some
poor impressionable mortal creatures, who are apt to be saddened by a
cloud or brightened by a sunbeam, is not healthy to look upon.

I wonder what that woman thinks of the river? A badly-dressed woman
carrying a baby, who walks with a slow and restless step up and down by
one of its banks, on the afternoon of the day on which the murder of
Mr. Montague Harding took place.

It is a very solitary spot she has chosen, on the furthest outskirts
of the town of Slopperton; and the town of Slopperton being at best a
very ugly town, is ugliest at the outskirts, which consist of two or
three straggling manufactories, a great gaunt gaol--the stoniest of
stone jugs--and a straggling fringe of shabby houses, some new and only
half-built, others ancient and half fallen to decay, which hang all
round Slopperton like the rags that fringe the edges of a dirty garment.

The woman’s baby is fretful, and it may be that the damp foggy
atmosphere on the banks of the Sloshy is scarcely calculated to
engender either high spirits or amiable temper in the bosom of infant
or adult. The woman hushes it impatiently to her breast, and looks down
at the little puny features with a strange unmotherly glance. Poor
wretch! Perhaps she scarcely thinks of that little load as a mother
is apt to think of her child. She may remember it only as a shame, a
burden, and a grief. She has been pretty; a bright country beauty,
perhaps, a year ago; but she is a faded, careworn-looking creature now,
with a pale face, and hollow circles round her eyes. She has played the
only game a woman has to play, and lost the only stake a woman has to
lose.

“I wonder whether he will come, or whether I must wear out my heart
through another long long day.--Hush, hush! As if my trouble was not
bad enough without your crying.”

This is an appeal to the fretful baby; but that young gentleman is
engaged at fisticuffs with his cap, and has just destroyed a handful of
its tattered border.

There is on this dingy bank of the Sloshy a little dingy public-house,
very old-fashioned, though surrounded by newly-begun houses. It is
a little, one-sided, pitiful place, ornamented with the cheering
announcements of “Our noted Old Tom at 4_d_. per quartern;” and
“This is the only place for the real Mountain Dew.” It is a wretched
place, which has never seen better days, and never hopes to see better
days. The men who frequent it are a few stragglers from a factory near,
and the colliers whose barges are moored in the neighbourhood. These
shamble in on dark afternoons, and play at all-fours, or cribbage,
in a little dingy parlour with dirty dog’s-eared cards, scoring their
points with beer-marks on the sticky tables. Not a very attractive
house of entertainment this; but it has an attraction for the woman
with the baby, for she looks at it wistfully, as she paces up and
down. Presently she fumbles in her pocket, and produces two or three
half-pence--just enough, it seems, for her purpose, for she sneaks
in at the half-open door, and in a few minutes emerges in the act of
wiping her lips.

As she does so, she almost stumbles against a man wrapped in a
great coat, and with the lower part of his face muffled in a thick
handkerchief.

“I thought you would not come,” she said.

“Did you? Then you see you thought wrong. But you might have been
right, for my coming was quite a chance: I can’t be at your beck and
call night and day.”

“I don’t expect you to be at my beck and call. I’ve not been used to
get so much attention, or so much regard from you as to expect that,
Jabez.”

The man started, and looked round as if he expected to find all
Slopperton at his shoulder; but there wasn’t a creature about.

“You needn’t be quite so handy with my name,” he said; “there’s no
knowing who might hear you. Is there any one in there?” he asked,
pointing to the public-house.

“No one but the landlord.”

“Come in, then; we can talk better there. This fog pierces one to the
bones.”

He seems never to consider that the woman and the child have been
exposed to that piercing fog for an hour and more, as he is above an
hour after his appointment.

He leads the way through the bar into the little parlour. There are no
colliers playing at all-fours to-day, and the dog’s-eared cards lie
tumbled in a heap on one of the sticky tables among broken clay-pipes
and beer-stains. This table is near the one window which looks out on
the river, and by this window the woman sits, Jabez placing himself on
the other side of the table.

The fretful baby has fallen asleep, and lies quietly in the woman’s lap.

“What will you take?”

“A little gin,” she answers, not without a certain shame in her tone.

“So you’ve found out _that_ comfort, have you?” He says this with
a glance of satisfaction he cannot repress.

“What other comfort is there for such as me, Jabez? It seemed at first
to make me forget. Nothing can do that now--except----”

She did not finish this sentence, but sat looking with a dull vacant
stare at the black waters of the Sloshy, which, as the tide rose,
washed with a hollow noise against the brickwork of the pathway close
to the window.

“Well, as I suppose you didn’t ask me to meet you here for the sole
purpose of making miserable speeches, perhaps you’ll tell me what you
want with me. My time is precious, and if it were not, I can’t say
I should much care about stopping long in this place; it’s such a
deliciously lively hole and such a charming neighbourhood.”

“I live in this neighbourhood--at least, I _starve_ in this
neighbourhood, Jabez.”

“Oh, now we’re coming to it,” said the gentleman, with a very gloomy
face, “we’re coming to it. You want some money. That’s how this sort of
thing always ends.”

“I hoped a better end than that, Jabez. I hoped long ago, when I
thought you loved me----”

“Oh, we’re going over that ground again, are we?” said he; and with a
gesture of weariness, he took up the dog’s-eared cards on the sticky
table before him, and began to build a house with them, such as
children build in their play.

Nothing could express better than this action his thorough
determination not to listen to what the woman might have to say; but in
spite of this she went on--

“You see I was a foolish country girl, Jabez, or I might have known
better. I had been accustomed to take my father and my brother’s word
of mouth as Bible truth, and had never known that word to be belied.
I did not think, when the man I loved with all my heart and soul--to
utter forgetfulness of every other living creature on the earth, of
every duty that I knew to man and heaven--I did not think when the man
I loved so much said this or that, to ask him if he meant it honestly,
or if it was not a cruel and a wicked lie. Being so ignorant, I did not
think of that, and I thought to be your wife, as you swore I should be,
and that this helpless little one lying here might live to look up to
you as a father, and be a comfort and an honour to you.”

To be a comfort and an honour to you! The fretful baby awoke at the
words, and clenched its tiny fists with a spiteful action.

If the river, as a thing eternal in comparison to man--if the river
had been a prophet, and had had a voice in its waters wherewith to
prophesy, I wonder whether it would have cried--

“A shame and a dishonour, an enemy and an avenger in the days to come!”

Jabez’ card-house had risen to three stories; he took the dog’s-eared
cards one by one in his white hands with a slow deliberate touch that
never faltered.

The woman looked at him with a piteous but tearless glance; from him to
the river; and back again to him.

“You don’t ask to look at the child, Jabez.”

“I don’t like children,” said he. “I get enough of children at the
Doctor’s. Children and Latin grammar--and the end so far off yet,”--he
said the last words to himself, in a gloomy tone.

“But your own child, Jabez--your own.”

“As _you_ say,” he muttered.

She rose from her chair and looked full at him--a long long gaze which
seemed to say, “And this is the man I loved; this is the man for whom I
am lost!” If he could have seen her look! But he was stooping to pick
up a card from the ground--his house of cards was five stories high by
this time. “Come,” he said, in a hard resolute tone, “you’ve written
to me to beg me to meet you here, for you were dying of a broken
heart; that’s to say you have taken to drinking gin (I dare say it’s
an excellent thing to nurse a child upon), and you want to be bought
off. How much do you expect? I thought to have a sum of money at my
command to-day. Never you mind how; it’s no business of yours.” He said
this savagely, as if in answer to a look of inquiry from her; but she
was standing with her back turned to him, looking steadily out of the
window.

“I thought to have been richer to-day,” he continued, “but I’ve had a
disappointment. However, I’ve brought as much as I could afford; so the
best thing you can do is to take it, and get out of Slopperton as soon
as you can, so that I may never see your wretched white face again.”

He counted out four sovereigns on the sticky table, and then, adding
the sixth story to his card-house, looked at the frail erection with a
glance of triumph.

“And so will I build my fortune in days to come,” he muttered.

A man who had entered the dark little parlour very softly passed behind
him and brushed against his shoulder at this moment; the house of cards
shivered, and fell in a heap on the table.

Jabez turned round with an angry look.

“What the devil did you do that for?” he asked.

The man gave an apologetic shrug, pointed with his fingers to his lips,
and shook his head.

“Oh,” said Jabez, “deaf and dumb! So much the better.”

The strange man seated himself at another table, on which the landlord
placed a pint of beer; took up a newspaper, and seemed absorbed in
it; but from behind the cover of this newspaper he watched Jabez with
a furtive glance, and his mouth, which was very much on one side,
twitched now and then with a nervous action.

All this time the woman had never touched the money--never indeed
turned from the window by which she stood; but she now came up to the
table, and took the sovereigns up one by one.

“After what you have said to me this day, I would see this child
starve, hour by hour, and die a slow death before my eyes, before I
would touch one morsel of bread bought with your money. I have heard
that the waters of that river are foul and poisonous, and death to
those who live on its bank; but I know the thoughts of your wicked
heart to be so much more foul and so much bitterer a poison, that I
would go to that black river for pity and help rather than to you.”
As she said this, she threw the sovereigns into his face with such
a strong and violent hand, that one of them, striking him above the
eyebrow, cut his forehead to the bone, and brought the blood gushing
over his eyes.

The woman took no notice of his pain, but turning once more to the
window, threw herself into a chair and sat moodily staring out at the
river, as if indeed she looked to that for pity.

The dumb man helped the landlord to dress the cut on Jabez’ forehead.
It was a deep cut, and likely to leave a scar for years to come.

Mr. North didn’t look much the better, either in appearance or temper,
for this blow. He did not utter a word to the woman, but began, in a
hang-dog manner, to search for the money, which had rolled away into
the corners of the room. He could only find three sovereigns; and
though the landlord brought a light, and the three men searched the
room in every direction, the fourth could not be found; so, abandoning
the search, Jabez paid his score and strode out of the place without
once looking at the woman.

“I’ve got off cheap from that tiger-cat,” he said to himself; “but it
has been a bad afternoon’s work. What can I say about my cut face to
the governor?” He looked at his watch, a homely silver one attached to
a black ribbon. “Five o’clock; I shall be at the Doctor’s by tea-time.
I can get into the gymnasium the back way, take a few minutes’ turn
with the poles and ropes, and say the accident happened in climbing.
They always believe what I say, poor dolts.”

His figure was soon lost in the darkness and the fog--so dense a fog
that very few people saw the woman with the fretful baby when she
emerged from the public-house, and walked along the river-bank,
leaving even the outskirts of Slopperton behind, and wandered on and on
till she came to a dreary spot, where dismal pollard willows stretched
their dark and ugly shadows, like the bare arms of withered hags, over
the dismal waters of the lonely Sloshy.

O river, sometimes so pitiless when thou devourest youth, beauty, and
happiness, wilt thou be pitiful and tender to-night, and take a poor
wretch, who has no hope of mortal pity, to peace and quiet on thy
breast?

O merciless river, so often bitter foe to careless happiness, wilt thou
to-night be friend to reckless misery and hopeless pain?

God made thee, dark river, and God made the wretch who stands shivering
on thy bank: and may be, in His boundless love and compassion for the
creatures of His hand, He may have pity even for those so lost as to
seek forbidden comfort in thy healing waters.




                              CHAPTER VI.

                        TWO CORONER’S INQUESTS.


THERE had not been since the last general election, when George
Augustus Slashington, the Liberal member, had been returned against
strong Conservative opposition, in a blaze of triumph and a shower of
rotten eggs and cabbage-stumps--there had not been since that great
day such excitement in Slopperton as there was on the discovery of the
murder of Mr. Montague Harding.

A murder was always a great thing for Slopperton. When John Boggins,
weaver, beat out the brains of Sarah his wife, first with the heel of
his clog and ultimately with a poker, Slopperton had a great deal to
say about it--though, of course, the slaughter of one “hand” by another
was no great thing out of the factories. But this murder at the Black
Mill was something out of the common. Uncommonly cruel, cowardly, and
unmanly, and moreover occurring in a respectable rank of life.

Round that lonely house on the Slopperton road there was a crowd and
a bustle throughout that short foggy day on which Richard Marwood was
arrested.

Gentlemen of the Press were there, sniffing out, with miraculous
acumen, particulars of the murder, which as yet were known to none but
the heads of the Slopperton police force.

How many lines at three-half-pence per line these gentlemen wrote
concerning the dreadful occurrence, without knowing anything whatever
about it, no one unacquainted with the mysteries of their art would
dare to say.

The two papers which appeared on Friday had accounts varying in
every item, and the one paper which appeared on Saturday had a happy
amalgamation of the two conflicting accounts--demonstrating thereby the
triumph of paste and scissors over penny-a-liners’ copy.

The head officials of the Slopperton police, attired in plain clothes,
went in and out of the Black Mill from an early hour on that dark
November day. Every time they came out, though none of them ever spoke,
by some strange magic a fresh report got current among the crowd. I
think the magical process was this: Some one man, auguring from such
and such a significance in their manner, whispered to his nearest
neighbour his suggestion of what _might_ have been revealed to
them within; and this whispered suggestion was repeated from one to
another till it grew into a fact, and was still repeated through the
crowd, while with every speaker it gathered interest until it grew into
a series of imaginary facts.

Of one thing the crowd was fully convinced--that was, that those grave
men in plain clothes, the Slopperton detectives, knew all, and could
tell all, if they only chose to speak. And yet I doubt if there was
beneath the stars more than one person who really knew the secret of
the dreadful deed.

The following day the coroner’s inquisition was held at a respectable
hostelry near the Black Mill, whither the jury went, accompanied by
the medical witness, to contemplate the body of the victim. With
solemn faces they hovered round the bed of the murdered man: they took
depositions, talked to each other in low hushed tones; and exchanged a
few remarks, in a low voice, with the doctor who had probed the deep
gashes in that cold breast.

All the evidence that transpired at the inquest only amounted to this--

The servant Martha, rising at six o’clock on the previous morning,
went, as she was in the habit of doing, to the door of the old East
Indian to call him--he being always an early riser, and getting up even
in winter to study by lamp-light.

Receiving, after repeated knocking at the door, no answer the old
woman had gone into the room, and there had beheld, by the faint light
of her candle, the awful spectacle of the Anglo-Indian lying on the
floor by the bedside, his throat cut, cruel stabs upon his breast, and
a pool of blood surrounding him; the cabinet in the room broken open
and ransacked, and the pocket-book and money which it was known to
contain missing. The papers of the murdered gentleman were thrown into
confusion and lay in a heap near the cabinet; and as there was no blood
upon them, the detectives concluded that the cabinet had been rifled
prior to the commission of the murder.

The Lascar had been found lying insensible on his bed in the little
dressing-room, his head cruelly beaten; and beyond this there was
nothing to be discovered. The Lascar had been taken to the hospital,
where little hope was given by the doctors of his recovery from the
injuries he had received.

In the first horror and anguish of that dreadful morning Mrs. Marwood
had naturally inquired for her son; had expressed her surprise at his
disappearance; and when questioned had revealed the history of his
unexpected return the night before. Suspicion fell at once upon the
missing man. His reappearance after so many years on the return of his
rich uncle; his secret departure from the house before any one had
risen--everything told against him. Inquiries were immediately set on
foot at the turnpike gates on the several roads out of Slopperton; and
at the railway station from which he had started for Gardenford by the
first train.

In an hour it was discovered that a man answering to Richard’s
description had been seen at the station; half an hour afterwards a
man appeared, who deposed to having seen and recognized him on the
platform--and deposed, too, to Richard’s evident avoidance of him.
The railway clerks remembered giving a ticket to a handsome young man
with a dark moustache, in a shabby suit, having a pipe in his mouth.
Poor Richard! the dark moustache and pipe tracked him at every stage.
“Dark moustache--pipe--shabby dress--tall--handsome face.” The clerk
who played upon the electric telegraph wires, as other people play upon
the piano, sent these words shivering down the line to the Gardenford
station; from the Gardenford station to the Gardenford police-office
the words were carried in less than five minutes; in five minutes more
Mr. Jinks the detective was on the platform, and his dumb assistant,
Joe Peters, was ready outside the station; and they both were ready to
recognize Richard the moment they saw him.

O wonders of civilized life! cruel wonders, when you help to track an
innocent man to a dreadful doom.

Richard’s story of the letter only damaged his case with the jury. The
fact of his having burned a document of such importance seemed too
incredible to make any impression in his favour.

Throughout the proceedings there stood in the background a shabbily
dressed man, with watchful observant eyes, and a mouth very much on one
side.

This man was Joseph Peters, the scrub of the detective force of
Gardenford. He rarely took his eyes from Richard, who, with pale
bewildered face, dishevelled hair, and slovenly costume, looked perhaps
as much like guilt as innocence.

The verdict of the coroner’s jury was, as every one expected it would
be, to the effect that the deceased had been wilfully murdered by
Richard Marwood his nephew; and poor Dick was removed immediately to
the county gaol on the outskirts of Slopperton, there to lie till the
assizes.

The excitement in Slopperton, as before observed, was immense.
Slopperton had but one voice--a voice loud in execration of the
innocent prisoner, horror of the treachery and cruelty of the dreadful
deed, and pity for the wretched mother of this wicked son, whose
anguish had thrown her on a sick bed--but who, despite of every proof
repeated every hour, expressed her assurance of her unfortunate son’s
innocence.

The coroner had plenty of work on that dismal November day: for from
the inquest on the unfortunate Mr. Harding he had to hurry down to a
little dingy public-house on the river’s bank, there to inquire into
the cause of the untimely death of a wretched outcast found by some
bargemen in the Sloshy.

This sort of death was so common an event in the large and
thickly-populated town of Slopperton, that the coroner and the jury
(lighted by two guttering tallow candles with long wicks, at four
o’clock on that dull afternoon) had very little to say about it.

One glance at that heap of wet, torn, and shabby garments--one
half-shuddering, halt-pitying look at the white face, blue lips, and
damp loose auburn hair, and a merciful verdict--“Found drowned.”

One juryman, a butcher--(we sometimes think them hard-hearted, these
butchers)--lays a gentle hand upon the auburn hair, and brushes a lock
of it away from the pale forehead.

Perhaps so tender a touch had not been laid upon that head for two long
years. Perhaps not since the day when the dead woman left her native
village, and a fond and happy mother for the last time smoothed the
golden braids beneath her daughter’s Sunday bonnet.

In half an hour the butcher is home by his cheerful fireside; and I
think he has a more loving and protecting glance than usual for the
fair-haired daughter who pours out his tea.

No one recognizes the dead woman. No one knows her story; they
guess at it as a very common history, and bury her in a parish
burying-ground--a damp and dreary spot not far from the river’s brink,
in which many such as she are laid.

Our friend Jabez North, borrowing the Saturday’s paper of his principal
in the evening after school-hours, is very much interested in the
accounts of these two coroner’s inquests.




                             CHAPTER VII.

                 THE DUMB DETECTIVE A PHILANTHROPIST.


THE dreary winter months pass by. Time, slow of foot to some, and fast
of wing to others, is a very chameleon, such different accounts do
different people give of him.

He is very rapid in his flight, no doubt, for the young gentlemen from
Dr. Tappenden’s home for the Christmas holidays: rapid enough perhaps
for the young gentlemen’s papas, who have to send their sons back to
the academy armed with Dr. Tappenden’s little account--which is not
such a very little account either, when you reckon up all the extras,
such as dancing, French, gymnastics, drill-serjeant, hair-cutting,
stationery, servants, and pew at church.

Fast enough, perhaps, is the flight of Time for Allecompain Major, who
goes home in a new suit of mourning, and who makes it sticky about the
cuffs and white about the elbows before the holidays are out. I don’t
suppose he forgets his little dead brother; and I dare say, by the
blazing hearth, where the firelight falls dullest upon his mother’s
black dress, he sometimes thinks very sadly of the little grave out in
the bleak winter night, on which the snow falls so purely white. But
“cakes and ale” are eternal institutions; and if you or I, reader, died
to-morrow, the baker would still bake, and Messrs. Barclay and Perkins
would continue to brew the ale and stout for which they are so famous,
and the friends who were sorriest for us would eat, drink, ay and be
merry too, before long.

Who shall say how slow of foot is Time to the miserable young man
awaiting his trial in the dreary gaol of Slopperton?

Who shall say how slow to the mother awaiting in agony the result of
that trial?

The assizes take place late in February. So, through the fog and damp
of gloomy November; through long, dark, and dreary December nights;
through January frost and snow--(of whose outward presence he has no
better token than the piercing cold within)--Richard paces up and down
his narrow cell, and broods upon the murder of his uncle, and of his
trial which is to come.

Ministers of religion come to convert him, as they say. He tells them
that he hopes and believes all they can teach him, for that it was
taught him in years gone by at his mother’s knee.

“The best proof of my faith,” he says, “is that I am not mad. Do you
think, if I did not believe in an All-seeing Providence, I should not
go stark staring mad, when, night after night, through hours which are
as years in duration, I think, and think, of the situation in which
I am placed, till my brain grows wild and my senses reel? I have no
hope in the result of my trial, for I feel how every circumstance
tells against me: but I have hope that Heaven, with a mighty hand, and
an instrument of its own choosing, may yet work out the saving of an
innocent man from an ignominious death.”

The dumb detective Peters had begged to be transferred from Gardenford
to Slopperton, and was now in the employ of the police force of that
town. Of very little account this scrub among the officials. His
infirmity, they say, makes him scarcely worth his salt, though they
admit that his industry is unfailing.

So the scrub awaits the trial of Richard Marwood, in whose fortunes
he takes an interest which is in no way abated since he spelt out the
words “Not guilty” in the railway carriage.

He had taken up his Slopperton abode in a lodging in a small street
of six-roomed houses yclept Little Gulliver Street. At No. 5, Little
Gulliver Street, Mr. Peters’ attention had been attracted by the
announcement of the readiness and willingness of the occupier of the
house to take in and do for a single gentleman. Mr. Peters was a single
gentleman, and he accordingly presented himself at No. 5, expressing
the amiable desire of being forthwith taken in and done for.

The back bedroom of that establishment, he was assured by its
proprietress, was an indoor garden-of-Eden for a single man; and
certainly, looked at by the light of such advantages as a rent of
four-and-sixpence a week, a sofa-bedstead--(that deliciously innocent
white lie in the way of furniture which never yet deceived anybody);
a Dutch oven, an apparatus for cooking anything, from a pheasant to
a red herring; and a little high-art in the way of a young gentleman
in red-and-yellow making honourable proposals to a young lady in
yellow-and-red, in picture number one; and the same lady and gentleman
perpetuating themselves in picture number two, by means of a red
baby in a yellow cradle;--taking into consideration such advantages
as these, the one-pair back was a paradise calculated to charm a
virtuously-minded single man. Mr. Peters therefore took immediate
possession by planting his honest gingham in a corner of the room, and
by placing two-and-sixpence in the hands of the proprietress by way of
deposit. His luggage was more convenient than extensive--consisting of
a parcel in the crown of his hat, containing the lighter elegancies of
his costume; a small bundle in a red cotton pocket handkerchief, which
held the heavier articles of his wardrobe; and a comb, which he carried
in his pocket-book.

The proprietress of the indoor Eden was a maiden lady of mature age,
with a sharp red nose and metallic pattens. It was with some difficulty
that Mr. Peters made her understand, by the aid of pantomimic gestures
and violent shakings of the head, that he was dumb, but not deaf; that
she need be under no necessity of doing violence to the muscles of her
throat, as he could hear her with perfect ease in her natural key. He
then--still by the aid of pantomime--made known a desire for pencil and
paper, and on being supplied with these articles wrote the one word
“baby,” and handed that specimen of caligraphy to the proprietress.

That sharp-nosed damsel’s maidenly indignation sent new roses to join
the permanent blossoms at the end of her olfactory organ, and she
remarked, in a voice of vinegar, that she let her lodgings to single
men, and that single men as were single men, and not impostors, had no
business with babies.

Mr. Peters again had recourse to the pencil, “Not mine--fondling; to be
brought up by hand; would pay for food and nursing.”

The maiden proprietress had no objection to a fondling, if paid for its
requirements; liked children in their places; would call Kuppins; and
did call Kuppins.

A voice at the bottom of the stairs responded to the call of Kuppins; a
boy’s voice most decidedly; a boy’s step upon the stairs announced the
approach of Kuppins; and Kuppins entered the room with a boy’s stride
and a boy’s slouch; but for all this, Kuppins was a girl.

Not very much like a girl about the head, with that shock of dark
rough short hair; not much like a girl about the feet, in high-lows,
with hobnailed soles; but a girl for all that, as testified by short
petticoats and a long blue pinafore, ornamented profusely with
every variety of decoration in the way of three-cornered slits and
grease-spots.

Kuppins was informed by her mistress that the gent had come to lodge;
and moreover that the gent was dumb. It is impossible to describe
Kuppins’ delight at the idea of a dumb lodger.

Kuppins had knowed a dumb boy as lived three doors from mother’s
(Kuppins’ mother understood); this ’ere dumb boy was wicious, and when
he was gone agin, ’owled ’orrid.

Was told that the gent wasn’t vicious and never howled, and seemed, if
anything, disappointed. Understood the dumb alphabet, and had conversed
in it for hours with the aforesaid dumb boy. The author, as omniscient,
may state that Kuppins and the vicious boy had had some love-passages
in days gone by. Mr. Peters was delighted to find a kindred spirit
capable of understanding his dirty alphabet, and explained his wish
that a baby, “a fondling” he intended to bring up, might be taken in
and done for as well as himself.

Kuppins doated on babies; had nursed nine brothers and sisters, and
had nursed outside the family circle, at the rate of fifteen-pence a
week, for some years. Kuppins had been out in the world from the age of
twelve, and was used up as to Slopperton at sixteen.

Mr. Peters stated by means of the dirty alphabet--(more than usually
dirty to-day, after his journey from Gardenford, whence he had
transplanted his household gods, namely, the gingham umbrella, the
bundle, parcel, pocket-book, and comb)--that he would go and fetch
the baby. Kuppins immediately proved herself an adept in the art of
construing this manual language, and nodded triumphantly a great many
times in token that she understood the detective’s meaning.

The baby was apparently not far off, for Mr. Peters returned in five
minutes with a limp bundle smothered in an old pea-jacket, which on
close inspection turned out to be the “fondling.”

Mr. Peters had lately purchased the pea-jacket second-hand, and
believed it to be an appropriate outer garment for a baby in
long-clothes.

The fondling soon evinced signs of a strongly-marked character, not to
say a vindictive disposition, and fought manfully with Kuppins, smiting
that young lady in the face, and abstracting handfuls of her hair with
an address beyond his years.

“Ain’t he playful?” asked that young person, who was evidently
experienced in fretful babies, and indifferent to the loss of a stray
tress or so from her luxuriant locks. “Ain’t he playful, pretty
hinnercent! Lor! he’ll make the place quite cheerful!”

In corroboration of which prediction the “fondling” set up a dismal
wail, varied with occasional chokes and screams.

Surely there never could have been, since the foundation-stones of
the hospitals for abandoned children in Paris and London were laid,
such a “fondling” to choke as this fondling. The manner in which his
complexion would turn--from its original sickly sallow to a vivid
crimson, from crimson to dark blue, and from blue to black--was
something miraculous; and Kuppins was promised much employment in
the way of shakings and pattings on the back, to keep the “fondling”
from an early and unpleasant death. But Kuppins, as we have remarked,
liked a baby--and, indeed, would have given the preference to a cross
baby--a cross baby being, as it were, a battle to fight, and a victory
to achieve.

In half an hour she had conquered the fondling in a manner wonderful to
behold. She laid him across her knee while she lighted a fire in the
smoky little grate; for the indoor Eden offered a Hobson’s choice to
its inhabitants, of smoke or damp; and Mr. Peters preferred smoke. She
carried the infant on her left arm, while she fetched a red herring, an
ounce of tea, and other comestibles from the chandler’s at the corner;
put him under her arm while she cooked the herring and made the tea,
and waited on Mr. Peters at his modest repast with the fondling choking
on her shoulder.

Mr. Peters, having discussed his meal, conversed with Kuppins as she
removed the tea-things. The alphabet by this time had acquired a
piscatorial flavour, from his having made use of the five vowels to
remove the bones of his herring.

“That baby’s a rare fretful one,” says Mr. Peters with rapid fingers.

Kuppins had nursed a many fretful babies. “Orphants was generally
fretful; supposed the ‘fondling’ was a orphant.”

“Poor little chap!--yes,” said Peters. “He’s had his trials, though he
is a young ’un. I’m afeard he’ll never grow up a teetotaller. He’s had
a little too much of the water already.”

Has had too much of the water? Kuppins would very much like to know
the meaning of this observation. But Mr. Peters relapses into profound
thought, and looks at the “fondling” (still choking) with the eye of a
philanthropist and almost the tenderness of a father.

He who provides for the young ravens had, perhaps, in the marvellous
fitness of all things of His creation, given to this helpless little
one a better protector in the dumb scrub of the police force than he
might have had in the father who had cast him off, whoever that father
might be.

Mr. Peters presently remarks to the interested Kuppins, that he shall
“ederkate,”--he is some time deciding on the conflicting merits of a
_c_ or a _k_ for this word--he shall “ederkate the fondling,
and bring him up to his own business.”

“What is his business?” asks Kuppins naturally.

“Detecktive,” Mr. Peters spells, embellishing the word with an
extraneous _k_.

“Oh, perlice,” said Kuppins. “Crikey, how jolly! Shouldn’t I like to be
a perliceman, and find out all about this ’ere ’orrid murder!”

Mr. Peters brightens at the word “murder,” and he regards Kuppins with
a friendly glance.

“So you takes a hinterest in this ’ere murder, do yer?” he spells out.

“Oh, don’t I? I bought a Sunday paper. Shouldn’t I like to see that
there young man as killed his uncle scragged--that’s all!”

Mr. Peters shook his head doubtfully, with a less friendly glance at
Kuppins. But there were secrets and mysteries of his art he did not
trust at all times to the dirty alphabet; and perhaps his opinion on
the subject of the murder of Mr. Montague Harding was one of them.

Kuppins presently fetched him a pipe; and as he sat by this smoky fire,
he watched alternately the blue cloud that issued from his lips and
the clumsy figure of the damsel pacing up and down with the “fondling”
(asleep after the exhaustion attendant on a desperate choke) upon her
arms.

“If,” mused Mr. Peters, with his mouth very much to the left of his
nose--“if that there baby was grow’d up, he might help me to find out
the rights and wrongs of this ’ere murder.”

Who so fit? or who so unfit? Which shall we say? If in the wonderful
course of events, this little child shall ever have a part in dragging
a murderer to a murderer’s doom, shall it be called a monstrous and a
terrible outrage of nature, or a just and a fitting retribution?




                             CHAPTER VIII.

                 SEVEN LETTERS ON THE DIRTY ALPHABET.


THE 17th of February shone out bright and clear, and a frosty sunlight
illumined the windows of the court where Richard Marwood stood to be
tried for his life.

Never, perhaps, had that court been so crowded; never, perhaps, had
there been so much anxiety felt in Slopperton for the result of any
trial as was felt that day for the issue of the trial of Richard
Marwood.

The cold bright sunlight streaming in at the windows seemed to fall
brightest and coldest on the wan white face of the prisoner at the bar.

Three months of mental torture had done their work, and had written
their progress in such characters upon that young and once radiant
countenance, as Time, in his smooth and peaceful course, would have
taken years to trace. But Richard Marwood was calm to-day, with the
awful calmness of that despair which is past all hope. Suspense had
exhausted him. But he had done with suspense, and felt that his fate
was sealed; unless, indeed, Heaven--infinite both in mercy and in
power--raised up as by a miracle some earthly instrument to save him.

The court was one vast sea of eager faces; for, to the spectators,
this trial was as a great game of chance, which the counsel for the
prosecution, the judge, and the jury, played against the prisoner and
his advocate, and at which the prisoner staked his life.

There was but one opinion in that vast assemblage; and that was, that
the accused would lose in this dreadful game, and that he well deserved
to lose.

There had been betting in Slopperton on the result of this awful
hazard. For the theory of chances is to certain minds so delightful,
that the range of subjects for a wager may ascend from a maggot-race
to a trial for murder. Some adventurous spirits had taken desperate
odds against the outsider “Acquittal;” and many enterprising gentlemen
had made what they considered “good books,” by putting heavy sums on
the decided favourite, “Found Guilty.” As, however, there might be a
commutation of the sentence of death to transportation for life, some
speculators had bet upon the chance of the prisoner being found guilty,
but not executed; or, as it had been forcibly expressed, had backed
“Penal Servitude” against “Gallows.”

So there were private interests, as well as a public interest, among
that swelling ocean of men and women; and Richard had but very few
backers in the great and terrible game that was being played.

In a corner of the gallery of the court, high up over the heads of the
multitude, there was a little spot railed off from the public, and
accessible only to the officials, or persons introduced by them. Here,
among two or three policemen, stood our friend Mr. Joseph Peters, with
his mouth very much on one side, and his eyes fixed intently upon the
prisoner at the bar. The gallery in which he stood faced the dock,
though at a great distance from it.

If there was one man in that vast assembly who, next to the prisoner,
was most wretched, that man was the prisoner’s counsel. He was young,
and this was only his third or fourth brief; and this was, moreover,
the first occasion upon which he had ever been intrusted with an
important case. He was an intensely nervous and excitable man,
and failure would be to him worse than death; and he felt failure
inevitable. He had not one inch of ground for the defence; and, in
spite of the prisoner’s repeated protestations of his innocence, he
believed that prisoner to be guilty. He was an earnest man; and this
belief damped his earnestness. He was a conscientious man; and he felt
that to defend Richard Marwood was something like a dishonest action.

The prisoner pleaded “Not guilty” in a firm voice. We read of this
whenever we read of the trial of a great criminal; we read of the
firm voice, the calm demeanour, the composed face, and the dignified
bearing; and we wonder. Would it not be more wonderful were it
otherwise? If we consider the pitch to which that man’s feelings have
been wrought; the tension of every nerve; the exertion of every force,
mental and physical, to meet those five or six desperate hours, we
wonder no longer. The man’s life has become a terrible drama, and he
is playing his great act. That mass of pale and watchful faces carries
him through the long agony. Or perhaps it is less an agony than an
excitement. It may be that his mind is mercifully darkened, and that
he cannot see beyond the awful present into the more awful future. He
is not busy with the vision of a ghastly structure of wood and iron;
a dangling rope swinging loose in the chill morning air, till it is
tightened and strained by a quivering and palpitating figure, which so
soon grows rigid. He does not, it is to be hoped, see this. Life for
him to-day stands still, and there is not room in his breast--absorbed
with the one anxious desire to preserve a proud and steady outward
seeming--for a thought of that dreadful future which may be so close at
hand.

So, Richard Marwood, in an unfaltering voice, pleaded “Not guilty.”

There was among that vast crowd but one person who believed him.

Ay, Richard Marwood, thou mightest reverence those dirty hands, for
they have spelt out the only language, except that of thy wretched
mother, that ever spoke conviction of thy innocence.

Now the prisoner, though firm and collected in his manner spoke in
so low and subdued a voice as to be only clearly audible to those
near him. It happened that the judge, one of the celebrities of the
bench, was afflicted with a trifling infirmity, which he would never
condescend to acknowledge. That infirmity was partial deafness. He was
what is called hard of hearing on one side, and his--to use a common
expression--_game_ ear happened to be nearest Richard.

“Guilty,” said the judge. “So, so--Guilty. Very good.”

“Pardon me, my lord,” said the counsel for the defence, “the prisoner
pleaded _not_ guilty.”

“Nonsense, sir. Do you suppose me deaf?” asked his lordship; at which
there was a aught titter among the habitués of the court.

The barrister gave his head a deprecatory shake. Of course, a gentleman
in his lordship’s position could not be deaf.

“Very well, then,” said the judge, “unless I am deaf, the prisoner
pleaded guilty. I heard him, sir, with my own ears--my own ears.”

The barrister thought his lordship should have said “my own ear,” as
the _game_ organ ought not to count.

“Perhaps,” said the judge, “perhaps the prisoner will be good enough to
repeat his plea; and this time he will be good enough to speak out.”

“Not guilty,” said Richard again, in a firm but not a loud voice--his
long imprisonment, with days, weeks, and months of slow agony, had
so exhausted his physical powers, that to speak at all, under such
circumstances, was an effort.

“Not guilty?” said the judge. “Why, the man doesn’t know his own mind.
The man must be a born idiot--he can’t be right in his intellect.”

Scarcely had the words passed his lordship’s lips, when a long low
whistle resounded through the court.

Everybody looked up towards a corner of the gallery from which the
sound came, and the officials cried “Order!”

Among the rest the prisoner raised his eyes, and looking to the
spot from which this unexampled and daring interruption proceeded,
recognized the face of the man who had spelt out the words “Not
guilty” in the railway carriage. Their eyes met: and the man signalled
to Richard to watch his hands, whilst with his fingers he spelt out
several words slowly and deliberately.

This occurred during the pause caused by the endeavours of the
officials to discover what contumacious person had dared to whistle at
the close of his lordship’s remark.

The counsel for the prosecution stated the case--a very clear case it
seemed too--against Richard Marwood.

“Here,” said the barrister, “is the case of a young man, who, after
squandering a fortune, and getting deeply in debt in his native town,
leaves that town, as it is thought by all, never to return. For seven
years he does not return. His widowed and lonely mother awaits in
anguish for any tidings of this heartless reprobate; but, for seven
long years, by not so much as one line or one word, sent through any
channel whatever, does he attempt to relieve her anxiety. His townsmen
believe him to be dead; his mother believes him to be dead; and it is
to be presumed from his conduct that he wishes to be lost sight of by
all to whom he once was dear. But at the end of this seven years, his
uncle, his mother’s only brother, a man of large fortune, returns from
India and takes up his temporary abode at the Black Mill. Of course
all Slopperton knows of the arrival of this gentleman, and knows also
the extent of his wealth. We are always interested in rich people,
gentlemen of the jury. Now, it is not very difficult to imagine, that
through some channel or other the prisoner at the bar was made aware of
his uncle’s return, and his residence at the Black Mill. The fact was
mentioned in every one of the five enterprising journals which are the
pride of Slopperton. The prisoner may have seen one of these journals;
he may have had some former boon companion resident in Slopperton, with
whom he may have been in correspondence. Be that as it may, gentlemen,
on the eighth night after Mr. Montague Harding’s arrival, the prisoner
at the bar appears, after seven years’ absence, with a long face and a
penitent story, to beg his mother’s forgiveness. Gentlemen, we know the
boundless power of maternal love; the inexhaustible depth of affection
in a mother’s breast. His mother forgave him. The fatted calf was
killed; the returned wanderer was welcomed to the home he had rendered
desolate; the past was wiped out; and seven long years of neglect and
desertion were forgotten. The family retired to rest. That night,
gentlemen, a murder was committed of a deeper and darker dye than guilt
ordinarily wears: a murder which in centuries hence will stand amongst
the blackest chapters in the gloomy annals of crime. Under the roof
whose shelter he had sought for the repose of his old age, Montague
Harding was cruelly and brutally murdered.

“Now, gentlemen, who committed this outrage? Who was the monster in
human form that perpetrated this villanous, cowardly, and bloodthirsty
deed? Suspicion, gentlemen of the jury, only points to one man; and
to that man suspicion points with so unerring a finger, that the
criminal stands revealed in the broad glare of detected guilt. That
man is the prisoner at the bar. On the discovery of the murder, the
returned wanderer, the penitent and dutiful son, was of course sought
for. But was he to be found? No, gentlemen. The bird had flown. The
affectionate son, who, after seven years’ desertion, had returned to
his mother’s feet--as it was of course presumed never again to leave
her--had departed, secretly, in the dead of the night; choosing to
sneak out of a window like a burglar, rather than to leave by the door,
as the legitimate master of the house. Suspicion at once points to him;
he is sought and found--where, gentlemen? Forty miles from the scene
of the murder, with the money rifled from the cabinet of the murdered
man in his possession, and with his coat-sleeve stained by the blood
of his victim. These, gentlemen, are, in brief, the circumstances of
this harrowing case; and I think you will agree with me that never did
circumstantial evidence so clearly point out the true criminal. I
shall now proceed to call the witnesses for the crown.”

There was a pause and a little bustle in the court, the waves of the
human sea were agitated for a moment. The backers of the favourites,
“Guilty” and “Gallows,” felt they had made safe books. During this
pause, a man pushed his way through the crowd, up to the spot where the
prisoner’s counsel was seated, and put a little dirty slip of paper
into his hand. There was written on it only one word, a word of three
letters. The counsel read it, and then tore the slip of paper into the
smallest atoms it was possible to reduce it to, and threw the fragments
on the floor at his feet; but a warm flush mounted to his face,
hitherto so pale, and he prepared himself to watch the evidence.

Richard Marwood, who knew the strength of the evidence against him,
and knew his powerlessness to controvert it, had listened to its
recapitulation with the preoccupied air of a man whom the proceedings
of the day in no way concerned. His abstracted manner had been noticed
by the spectators, and much commented upon.

It was singular, but at this most important crisis it appeared as if
his chief attention was attracted by Joseph Peters, for he kept his
eyes intently fixed upon the corner where that individual stood. The
eyes of the people, following the direction of Richard’s eyes, saw
nothing but a little group of officials leaning over a corner of the
gallery.

The crowd did not see what Richard saw, namely, the fingers of Mr.
Peters slowly shaping seven letters--two words--four letters in the
first word, and three letters in the second.

There lay before the prisoner a few sprigs of rue; he took them up one
by one, and gathering them together into a little bouquet, placed them
in his button-hole--the eyes of the multitude staring at him all the
time.

Strange to say, this trifling action appeared to be so pleasing to Mr.
Joseph Peters, that he danced, as involuntarily, the first steps of an
extempore hornpipe, and being sharply called to order by the officials,
relapsed into insignificance for the remainder of the trial.




                              CHAPTER IX.

                     “MAD, GENTLEMEN OF THE JURY.”


THE first witness called was Richard’s mother. From one to another
amidst the immense number of persons in that well-packed court-room
there ran a murmur of compassion for that helpless woman with the
white, anguish-worn face, and the quivering lip which tried so vainly
to be still. All in Slopperton who knew anything of Mrs. Marwood, knew
her to be a proud woman; they knew how silently she had borne the wild
conduct of her son; how deeply she had loved that son; and they could
guess now the depth of the bitterness of her soul when called upon to
utter words which must help to condemn him.

After the witness had been duly sworn, the counsel for the prosecution
addressed her thus:

“We have every wish, madam, to spare your feelings; I know there is not
one individual present who does not sympathize with you in the position
in which you now stand. But the course of Justice is as inevitable
as it is sometimes painful, and we must all of us yield to its stern
necessities. You will be pleased to state how long it is since your son
left his home?”

“Seven years--seven years last August.”

“Can you also state his reasons for leaving his home?”

“He had embarrassments in Slopperton--debts, which I have since his
departure liquidated.”

“Can you tell me what species of debts?”

“They were--” she hesitated a little, “chiefly debts of honour.”

“Then am I to understand your son was a gambler?”

“He was unfortunately much addicted to cards.”

“To any other description of gambling?”

“Yes, to betting on the events of the turf.”

“He had fallen, I imagine, into bad companionship?”

She bowed her head, and in a faltering voice replied, “He had.”

“And he had acquired in Slopperton the reputation of being a scamp--a
ne’er-do-well?”

“I am afraid he had.”

“We will not press you further on this very painful subject; we will
proceed to his departure from home. Your son gave you no intimation of
his intention of leaving Slopperton?”

“None whatever. The last words he said to me were, that he was sorry
for the past, but that he had started on a bad road, and must go on to
the end.”

In this manner the examination proceeded, the account of the discovery
of the murder being elicited from the witness, whose horror at having
to give the details was exceedingly painful to behold.

The prisoner’s counsel rose and addressed Mrs. Marwood.

“In examining you, madam, my learned friend has not asked you whether
you had looked upon your son, the prisoner at the bar, as a good or
a bad son. Will you be kind enough to state your impression on this
subject?”

“Apart from his wild conduct, he was a good son. He was kind and
affectionate, and I believe it was his regret for the grief his
dissipation had caused me that drove him away from his home.”

“He was kind and affectionate. I am to understand, then, that his
disposition was naturally good?”

“Naturally he had a most excellent disposition. He was universally
beloved as a boy; the servants were excessively attached to him; he had
a great love of animals--dogs followed him instinctively, as I believe
they always do follow people who like them.”

“A very interesting trait, no doubt, in the prisoner’s disposition; but
if we are to have so much charmingly minute description, I’m afraid
we shall never conclude this trial,” said the opposite counsel. And a
juryman, who had a ticket for a public dinner at four o’clock in his
pocket, forgot himself so far that he applauded with the heels of his
boots.

The prisoner’s counsel, regardless of the observation of his “learned
friend,” proceeded.

“Madam,” he said, “had your son, before his departure from home, any
serious illness?”

“The question is irrelevant,” said the judge.

“Pardon me, my lord. I shall not detain you long. I believe the
question to be of importance. Permit me to proceed.”

Mrs. Marwood looked surprised by the question, but it came from her
son’s advocate, and she did her best to answer it.

“My son had, shortly before his leaving home, a violent attack of
brain-fever.”

“During which he was delirious?”

“Everybody is delirious in brain-fever,” said the judge. “This is
trifling with the court, sir.”

The judge was rather inclined to snub the prisoner’s counsel; first,
because he was a young and struggling man, and therefore ought to be
snubbed; and secondly, because he had in a manner inferred that his
lordship was deaf.

“Pardon me, my lord; you will see the drift of my question by-and-by.”

“I hope so, sir,” said his lordship, very testily.

“Was your son, madam, delirious during this fever?”

“Throughout it, sir.”

“And you attributed the fever----”

“To his bad conduct having preyed upon his mind.”

“Were you alarmed for his life during his illness?”

“Much alarmed. But our greatest fear was for his reason.”

“Did the faculty apprehend the loss of his reason?”

“They did.”

“The doctors who attended him were resident in Slopperton?”

“They were, and are so still. He was attended by Dr. Morton and Mr.
Lamb.”

The prisoner’s counsel here beckoned to some officials near
him--whispered some directions to them, and they immediately left the
court.

Resuming the examination of this witness, the counsel said:

“You repeated just now the words your son made use of on the night
of his departure from home. They were rather singular words--‘he had
started on a dark road, and he must go on to the end of it.’”

“Those were his exact words, sir.”

“Was there any wildness in his manner in saying these words?” he asked.

“His manner was always wild at this time--perhaps wilder that night
than usual.”

“His manner, you say, was always wild. He had acquired a reputation for
a wild recklessness of disposition from an early age, had he not?”

“He had, unfortunately--from the time of his going to school.”

“And his companions, I believe, had given him some name expressive of
this?”

“They had.”

“And that name was----”

“Daredevil Dick.”

Martha, the old servant, was next sworn. She described the finding of
the body of Mr. Harding.

The examination by the prisoner’s counsel of this witness elicited
nothing but that--

Master Dick had always been a wild boy, but a good boy at heart; that
he had been never known to hurt so much as a worm; and that she,
Martha, was sure he’d never done the murder. When asked if she had
any suspicion as to who had done the deed, she became nebulous in her
manner, and made some allusions to “the French”--having lived in the
days of Waterloo, and being inclined to ascribe any deed of darkness,
from the stealing of a leg of mutton to the exploding of an infernal
machine, to the emissaries of Napoleon.

Mr. Jinks, who was then examined, gave a minute and rather discursive
account of the arrest of Richard, paying several artful compliments to
his own dexterity as a detective officer.

The man who met Richard on the platform at the railway station deposed
to the prisoner’s evident wish to avoid a recognition; to his even
crossing the line for that purpose.

“There is one witness,” said the counsel for the crown, “I am sorry
to say I shall be unable to produce. That witness is the half-caste
servant of the murdered gentleman, who still lies in a precarious
state at the county hospital, and whose recovery from the injuries
inflicted on him by the murderer of his master is pronounced next to an
impossibility.”

The case for the prosecution closed; still a very clear case against
Richard Marwood, and still the backers of the “Gallows” thought they
had made a very good book.

The deposition of the Lascar, the servant of the murdered man, had been
taken through an interpreter, at the hospital. It threw little light
on the case. The man said, that on the night of the murder he had been
awoke by a sound in Mr. Harding’s room, and had spoken in Hindostanee,
asking if his master required his assistance, when he received in the
darkness a blow on the head, which immediately deprived him of his
senses. He could tell nothing of the person who struck the blow, except
that at the moment of striking it a hand passed across his face--a hand
which was peculiarly soft and delicate, and the fingers of which were
long and slender.

As this passage in the deposition was read, every eye in court was
turned to the prisoner, who at that moment happened to be leaning
forward with his elbow on the ledge of the dock before him, and his
hand shading his forehead--a very white hand, with long slender
fingers. Poor Richard! In the good days gone by he had been rather
proud of his delicate and somewhat feminine hand.

The prisoner’s counsel rose and delivered his speech for the defence.
A very elaborate defence. A defence which went to prove that the
prisoner at the bar, though positively guilty, was not morally
guilty, or legally guilty--“because, gentlemen of the jury, he is,
and for some time has been, _insane_. Yes, _mad_, gentlemen
of the jury. What has been every action of his life but the action
of a madman? His wild boyhood; his reckless extravagant youth; his
dissipated and wasted manhood, spent among drunken and dangerous
companions. What was his return? Premeditated during the sufferings
of delirium tremens, and premeditated long before the arrival of his
rich uncle at Slopperton, as I shall presently prove to you. What was
this, but the sudden repentance of a madman? Scarcely recovered from
this frightful disease--a disease during which men have been known
frequently to injure themselves, and those very dear to them, in the
most terrible manner--scarcely recovered from this disease, he starts
on foot, penniless, for a journey of upwards of two hundred miles. He
accomplishes that journey--how, gentlemen, in that dreary November
weather, I tremble even to think--he accomplishes that long and painful
journey; and on the evening of the eighth day from that on which he
left London he falls fainting at his mother’s feet. I shall prove
to you, gentlemen, that the prisoner left London on the very day on
which his uncle arrived in Slopperton; it is therefore impossible he
could have had any knowledge of that arrival when he started. Well,
gentlemen, the prisoner, after the fatigue, the extreme privation,
he has suffered, has yet another trial to undergo--the terrible
agitation caused by a reconciliation with his beloved mother. He has
eaten scarcely anything for two days, and is injudiciously allowed to
drink nearly a bottle of old madeira. That night, gentlemen of the
jury, a cruel murder is perpetrated; a murder as certain of immediate
discovery, as clumsy in execution, as it is frightful in detail. Can
there be any doubt that if it was committed by my unhappy client,
the prisoner at the bar, it was perpetrated by him while labouring
under an access of delirium, or insanity--temporary, if you will, but
unmitigated insanity--aggravated by excessive fatigue, unprecedented
mental excitement, and the bad effects of the wine he had been
drinking? It has been proved that the cabinet was rifled, and that the
pocket-book stolen therefrom was found in the prisoner’s possession.
This may have been one of those strange flashes of method which are
the distinguishing features of madness. In his horror at the crime he
had in his delirium committed, the prisoner’s endeavour was to escape.
For this escape he required money--hence the plunder of the cabinet.
The manner of his attempting to escape again proclaims the madman.
Instead of flying to Liverpool, which is only thirty miles from this
town--whence he could have sailed for any part of the globe, and thus
defied pursuit--he starts without any attempt at disguise for a small
inland town, whence escape is next to an impossibility, and is captured
a few hours after the crime has been committed, with the blood of his
unhappy victim upon the sleeve of his coat. Would a man in his senses,
gentlemen, not have removed, at any rate, this fatal evidence of his
guilt? Would a man in his senses not have endeavoured to disguise
himself, and to conceal the money he had stolen? Gentlemen of the
jury, I have perfect confidence in your coming to a just decision
respecting this most unhappy affair. Weighing well the antecedents of
the prisoner, and the circumstances of the crime, I can have not one
shadow of a doubt that your verdict will be to the effect that the
wretched man before you is, alas! too certainly his uncle’s murderer,
but that he is as certainly irresponsible for a deed committed during
an aberration of intellect.”

Strange to say, the counsel did not once draw attention to the singular
conduct of the prisoner while in court; but this conduct had not been
the less remarked by the jury, and did not the less weigh with them.

The witnesses for the defence were few in number. The first who
mounted the witness-box was rather peculiar in his appearance. If
you include amongst his personal attractions a red nose (which shone
like the danger-signal on a railway through the dusky air of the
court); a black eye--not that admired darkness of the organ itself
which is the handiwork of liberal nature, but that peculiarly mottled
purple-and-green appearance about the region which bears witness to the
fist of an acquaintance; a bushy moustache of a fine blue-black dye;
a head of thick black hair, not too intimately acquainted with that
modern innovation on manly habits, the comb--you may perhaps have some
notion of his physical qualifications. But nothing could ever give a
full or just idea of the recklessness, the effrontery of his manner,
the twinkle in his eye, the expression in every pimple of that radiant
nose, or the depth of meaning he could convey by one twitch of his
moustache, or one shake of his forest of black ringlets.

His costume inclined towards the fast and furious, consisting of a
pair of loose Scotch plaid unmentionables, a bright blue greatcoat,
no under-coat or waistcoat, a great deal of shirt ornamented with
death’s-heads and pink ballet-dancers--to say nothing of coffee and
tobacco stains, and enough sham gold chain meandering over his burly
breast to make up for every deficiency. While he was being duly sworn,
the eyes of the witness wandered with a friendly and pitying glance
towards the wretched prisoner at the bar.

“You are a member of the medical profession?”

“I am.”

“You were, I believe, in the company of the prisoner the night of his
departure from London for this town?”

“I was.”

“What was the conduct of the prisoner on that night?”

“Rum.”

On being further interrogated, the witness stated that he had known Mr.
Richard Marwood for many years, being himself originally a Slopperton
man.

“Can you tell what led the prisoner to determine on returning to his
mother’s house in the month of November last?”

“Blue devils,” replied the witness, with determined conciseness.

“Blue devils?”

“Yes, he’d been in a low way for three months, or more; he’d had a
sharp attack of delirium tremens, and a touch of his old complaint----”

“His old complaint?”

“Yes, brain-fever. During the fever he talked a great deal of his
mother; said he had killed her by his bad conduct, but that he’d beg
her forgiveness if he walked to Slopperton on his bare feet.”

“Can you tell me at what date he first expressed this desire to come to
Slopperton?”

“Some time during the month of September.”

“Did you during this period consider him to be in a sound mind?”

“Well, several of my friends at Guy’s used to think rather the reverse.
It was customary amongst us to say he had a loose slate somewhere.”

The counsel for the prosecution taking exception to this phrase “loose
slate,” the witness went on to state that he thought the prisoner
very often off his nut; had hidden his razors during his illness, and
piled up a barricade of furniture before the window. The prisoner
was remarkable for reckless generosity, good temper, a truthful
disposition, and a talent for doing everything, and always doing it
better than anybody else. This, and a great deal more, was elicited
from him by the advocate for the defence.

He was cross-examined by the counsel for the prosecution.

“I think you told my learned friend that you were a member of the
medical profession?”

“I did.”

Was first apprenticed to a chemist and druggist at Slopperton, and was
now walking one of the hospitals in London with a view to attaining a
position in the profession; had not yet attained eminence, but hoped to
do so; had operated with some success in a desperate case of whitlow
on the finger of a servant-girl, and should have effected a surprising
cure, if the girl had not grown impatient and allowed her finger to
be amputated by a rival practitioner before the curative process had
time to develop itself; had always entertained a sincere regard for
the prisoner; had at divers times borrowed money of him; couldn’t say
he remembered ever returning any; perhaps he never had returned any,
and that might, account for his not remembering the circumstance; had
been present at the election of, and instrumental in electing the
prisoner a member of a convivial club called the “Cheerful Cherokees.”
No “Cheerful Cherokee” had ever been known to commit a murder, and the
club was convinced of the prisoner’s innocence.

“You told the court and jury a short time ago, that the prisoner’s
state on the last night you saw him in London was ‘rum,’” said the
learned gentleman conducting the prosecution; “will you be good enough
to favour us with the meaning of that adjective--you intend it for an
adjective, I presume?”

“Certainly,” replied the witness. “Rum, an adjective when applied to a
gentleman’s conduct; a substantive when used to denominate his tipple.”

The counsel for the prosecution doesn’t clearly understand the meaning
of the word “tipple.”

The witness thinks the learned gentleman had better buy a dictionary
before he again assists in a criminal prosecution.

“Come, come, sir,” said the judge; “you are extremely impertinent. We
don’t want to be kept here all night. Let us have your evidence in a
straightforward manner.”

The witness squared his elbows, and turned that luminary, his nose,
full on his lordship, as if it had been a bull’s-eye lantern.

“You used another strange expression,” said the counsel, “in answer to
my friend. Will you have the kindness to explain what you mean by the
prisoner having ‘a loose slate’?”

“A tile off. Something wrong about the roof--the garret--the upper
story--the nut.”

The counsel for the prosecution confessed himself to be still in the
dark.

The witness declared himself sorry to hear it--he could undertake to
give his evidence; but he could not undertake to provide the gentleman
with understanding.

“I will trouble you to be respectful in your replies to the counsel for
the crown,” said the judge.

The medical student’s variegated eye looked defiantly at his lordship;
the counsel for the crown had done with him, and he retired from
the witness-box, after bowing to the judge and jury with studious
politeness.

The next witnesses were two medical gentlemen of a different stamp
to the “Cheerful Cherokee,” who had now taken his place amongst the
spectators.

These gentlemen gave evidence of having attended the prisoner some
years before, during brain-fever, and having very much feared the fever
would have resulted in the loss of the patient’s reason.

The trial had by this time lasted so long, that the juryman who had a
ticket for the public dinner began to feel that his card of admission
to the festive board was so much waste pasteboard, and that the green
fat of the turtle and the prime cut from the haunch of venison were not
for him.

The counsel for the prosecution delivered himself of his second address
to the jury, in which he endeavoured to demolish the superstructure
which his “learned friend” had so ingeniously raised for the defence.
Why should the legal defender of a man whose life is in the hands of
the jury not be privileged to address that jury in favour of his client
as often, at least, as the legal representative of the prosecutor?

The judge delivered his charge to the jury.

The jury retired, and in an hour and fifteen minutes returned.

They found that the prisoner, Richard Marwood, had murdered his uncle,
Montague Harding, and had further beaten and injured a half-caste
servant in the employ of his uncle, while suffering from aberration
of intellect--or, in simple phraseology, they found the prisoner “Not
Guilty, on the ground of insanity.”

The prisoner seemed little affected by the verdict. He looked with
a vacant stare round the court, removed the bouquet of rue from his
button-hole and placed it in his bosom; and then said, with a clear
distinct enunciation--

“Gentlemen of the jury, I am extremely obliged to you for the
politeness with which you have treated me. Thanks to your powerful
sense of justice, I have won the battle of Arcola, and I think I have
secured the key of Italy.”

It is common for lunatics to fancy themselves some great and
distinguished person. This unhappy young man believed himself to be
Napoleon the First.




                          =Book the Second.=

                      A CLEARANCE OF ALL SCORES.




                              CHAPTER I.

                             BLIND PETER.


THE favourite, “Gallows,” having lost in the race with Richard Marwood,
there was very little more interest felt in Slopperton about poor
Daredevil Dick’s fate. It was known that he was in the county lunatic
asylum, a prisoner for life, or, as it is expressed by persons learned
in legal matters, during the pleasure of the sovereign. It was known
that his poor mother had taken up her abode near the asylum, and
that at intervals she was allowed the melancholy pleasure of seeing
the wreck of her once light-hearted boy. Mrs. Marwood was now a very
rich woman, inheritress of the whole of her poor murdered brother’s
wealth--for Mr. Montague Harding’s will had been found to bequeath the
whole of his immense fortune to his only sister. She spent little,
however, and what she did expend was chiefly devoted to works of
charity; but even her benevolence was limited, and she did little
more for the poor than she had done before from her own small income.
The wealth of the East Indian remained accumulating in the hands of
her bankers. Mrs. Marwood was, therefore, very rich, and Slopperton
accordingly set her down as a miser.

So the nine-days’ wonder died out, and the murder of Mr. Harding was
forgotten. The sunshine on the factory chimneys of Slopperton grew
warmer every day. Every day the “hands” appertaining to the factories
felt more and more the necessity of frequent application to the
public-house, as the weather grew brighter and brighter--till the hot
June sun blazed down upon the pavement of every street in Slopperton,
baking and grilling the stones; till the sight of a puddle or an
overflowing gutter would have been welcome as pools of water in the
great desert of Sahara; till the people who lived on the sunny side of
the way felt spitefully disposed towards the inhabitants of the shady
side; till the chandler at the corner, who came out with a watering-pot
and sprinkled the pavement before his door every evening, was thought
a public benefactor; till the baker, who added his private stock of
caloric to the great firm of Sunshine and Co., and baked the pavement
above his oven on his own account, was thought a public nuisance, and
hot bread an abomination; till the butter Slopperton had for tea was
no longer butter, but oil, and eluded the pursuit of the knife, or hid
itself in a cowardly manner in the holes of the quartern loaf when the
housewife attempted to spread it thereon; till cattle standing in pools
of water were looked upon with envy and hatred; and till--wonder of
wonders!--Slopperton paid up the water-rate sharp, in fear and anguish
at the thought of the possible cutting-off of that refreshing fluid.

The 17th of June ushered in the midsummer holidays at Dr. Tappenden’s
establishment, and on the evening of that day Dr. Tappenden broke up.
Of course, this phrase, breaking up, is only a schoolboy’s slang. I do
not mean that the worthy Doctor (how did he ever come to be a doctor,
I wonder? or where did he get his degree?) experienced any physical
change when he broke up; or that he underwent the moral change of
going into the _Gazette_ and coming out thereof better off than
when he went in--which is, I believe, the custom in most cases of
bankruptcy; I merely mean to say, that on the evening of the 17th of
June Dr. Tappenden gave a species of ball, at which Mr. Pranskey, the
dancing-master, assisted with his pumps and his violin; and at which
the young gentlemen appeared also in pumps, a great deal of wrist-band
and shirt-collar, and shining faces--in a state of painfully high
polish, from the effect of the yellow soap that had been lavished
upon them by the respectable young person who looked to the wardrobe
department, and mended the linen of the young gentlemen.

By the evening of the 18th, Dr. Tappenden’s young gentlemen, with the
exception of two little fellows with dark complexions and frizzy hair,
whose nearest connections were at Trinidad, all departed to their
respective family circles; and Mr. Jabez North had the schoolroom to
himself for the whole of the holidays--for, of course, the little
West Indians, playing at a sea-voyage on one of the forms, with a
cricket-bat for a mast, or reading Sinbad the Sailor in a corner, were
no hindrance to that gentleman’s proceedings.

Our friend Jabez is as calm-looking as ever. The fair pale complexion
may be, perhaps, a shade paler, and the arched mouth a trifle more
compressed--(that absurd professor of phrenology had declared that
both the head and face of Jabez bespoke a marvellous power of
secretiveness)--but our friend is as placid as ever. The pale face,
delicate aquiline nose, the fair hair and rather slender figure, give a
tone of aristocracy to his appearance which even his shabby black suit
cannot conceal. But Jabez is not too well pleased with his lot. He
paces up and down the schoolroom in the twilight of the June evening,
quite alone, for the little West Indians have retired to the long
dormitory which they now inhabit in solitary grandeur. Dr. Tappenden
has gone to the sea-side with his slim only daughter, familiarly known
amongst the scholars, who have no eyes for ethereal beauty, as “Skinny
Jane.” Dr. Tappenden has gone to enjoy himself; for Dr. Tappenden is a
rich man. He is said to have some twenty thousand pounds in a London
bank. He doesn’t bank his money in Slopperton. And of “Skinny Jane,” it
may be observed, that there are young men in the town who would give
something for a glance from her insipid grey eyes, and who think her
ethereal figure the very incarnation of the poet’s ideal, when they add
to that slender form the bulky figures that form the sum-total of her
father’s banking account.

Jabez paces up and down the long schoolroom with a step so light that
it scarcely wakes an echo (those crotchety physiologists call this
light step another indication of a secretive disposition)--up and down,
in the darkening summer evening.

“Another six months’ Latin grammar,” he mutters, “another half-year’s
rudiments of Greek, and all the tiresome old fables of Paris and Helen,
and Hector and Achilles, for entertainment! A nice life for a man
with my head--for those fools who preached about my deficient moral
region were right perhaps when they told me my intellect might carry me
anywhere. What has it done for me yet? Well, at the worst, it has taken
me out of loathsome parish rags; it has given me independence. And it
shall give me fortune. But how? What is to be the next trial? This time
it must be no failure. This time my premises must be sure. If I could
only hit upon some scheme! There is a way by which I could obtain a
large sum of money; but then, the fear of detection! Detection, which
if eluded to-day might come to-morrow! And it is not a year or two’s
riot and dissipation that I want to purchase; but a long life of wealth
and luxury, with proud men’s necks to trample on, and my old patrons to
lick the dust off my shoes. This is what I must fight for, and this is
what I must attain--but how? How?”

He takes his hat up, and goes out of the house. He is quite his own
master during these holidays. He comes in and goes out as he likes,
provided he is always at home by ten o’clock, when the house is shut up
for the night.

He strolls with a purposeless step through the streets of Slopperton.
It is half-past eight o’clock, and the factory hands fill the streets,
enjoying the coolness of the evening, but quiet and subdued in their
manner, being exhausted by the heat of the long June day. Jabez does
not much affect these crowded streets, and turns out of one of the most
busy quarters of the town into a little lane of old houses, which
leads to a great old-fashioned square, in which stand two ancient
churches with very high steeples, an antique-looking town-hall (once
a prison), a few quaint houses with peaked roofs and projecting upper
stones, and a gaunt pump. Jabez soon leaves this square behind him,
and strolls through two or three dingy, narrow, old-fashioned streets,
till he comes to a labyrinth of tumble-down houses, pig-styes, and
dog-kennels, known as Blind Peter’s Alley. Who Blind Peter was, or how
he ever came to have this alley--or whether, as a place possessing no
thoroughfare and admitting very little light, it had not originally
been called Peter’s Blind Alley--nobody living knew. But if Blind
Peter was a myth, the alley was a reality, and a dirty loathsome
fetid reality, with regard to which the Board of Health seemed as if
smitten with the aforesaid Peter’s own infirmity, ignoring the horror
of the place with fatal blindness. So Blind Peter was the Alsatia of
Slopperton, a refuge for crime and destitution--since destitution
cannot pick its company, but must be content often, for the sake of
shelter, to jog cheek by jowl with crime. And thus no doubt it is
on the strength of that golden adage about birds of a feather that
destitution and crime are thought by numerous wise and benevolent
persons to mean one and the same thing. Blind Peter had risen to
popularity once or twice--on the occasion of a girl poisoning her
father in the crust of a beef-steak pudding, and a boy of fourteen
committing suicide by hanging himself behind a door. Blind Peter, on
the first of these occasions, had even had his portrait taken for a
Sunday paper; and very nice indeed he had looked in a woodcut--so nice,
that he had found some difficulty in recognizing himself; which perhaps
was scarcely wonderful, when it is taken into consideration that the
artist, who lived in the neighbourhood of Holborn, had sketched Blind
Peter from a mountain gorge in the Tyrol, broken up with three or four
houses out of Chancery Lane.

Certainly Blind Peter had a peculiar wildness in his aspect, being
built on the side of a steep hill, and looked very much like a London
alley which had been removed from its site and pitched haphazard on to
a Slopperton mountain.

It is not to be supposed for a moment that so highly respectable
an individual as Mr. Jabez North had any intention of plunging
into the dirty obscurity of Blind Peter. He had come thus far only
on his way to the outskirts of the town, where there was a little
brick-bestrewn, pseudo country, very much more liberally ornamented by
oyster-shells, broken crockery, and scaffolding, than by trees or wild
flowers--which natural objects were wondrous rarities in this part of
the Sloppertonian outskirts.

So Jabez pursued his way past the mouth of Blind Peter--which was
adorned by two or three broken-down and rusty iron railings that looked
like jagged teeth--when he was suddenly arrested by a hideous-looking
woman, who threw her arms about him, and addressed him in a shrill
voice thus--

“What, he’s come back to his best friends, has he? He’s come back to
his old granny, after frightening her out of her poor old wits by
staying away four days and four nights. Where have you been, Jim, my
deary? And where did you get your fine toggery?”

“Where did I get my fine toggery? What do you mean, you old hag? I
don’t know you, and you don’t know me. Let me pass, will you? or I’ll
knock you down!”

“No, no,” she screamed; “he wouldn’t knock down his old granny; he
wouldn’t knock down his precious granny that nursed him, and brought
him up like a gentleman, and will tell him a secret one of these days
worth a mint of money, if he treats her well.”

Jabez pricked up his ears at the words “mint of money,” and said in
rather a milder tone--

“I tell you, my good woman, you mistake me for somebody else. I never
saw you before.”

“What! you’re not my Jim?”

“No. My name is Jabez North. If you’re not satisfied, here’s my card,”
and he took out his card-case.

The old woman stuck her arms akimbo, and stared at him with a gaze of
admiration.

“Lor’,” she cried, “don’t he do it nat’ral? Ain’t he a born genius?
He’s been a-doing the respectable reduced tradesman, or the young
man brought up to the church, what waits upon the gentry with a long
letter, and has a wife and two innocent children staying in another
town, and only wants the railway fare to go to ’em. Eh, Jim, that’s
what you’ve been a-doing, ain’t it now? And you’ve brought home the
swag like a good lad to your grandmother, haven’t you now?” she said in
a wheedling tone.

“I tell you, you confounded old fool, I’m not the man you take me for.”

“What, not my Jim! And you can look at me with his eyes, and tell me
so with his voice. Then, if you’re not him, he’s dead, and you’re his
ghost.”

Jabez thought the old woman was mad; but he was no coward, and the
adventure began to interest him. Who was this man who was so like him,
and who was to learn a secret some day worth a mint of money?

“Will you come with me, then,” said the old woman, “and let me get a
light, and see whether you are my Jim or not?”

“Where’s the house?” asked Jabez.

“Why, in Blind Peter, to be sure. Where should it be?”

“How should I know?” said Jabez, following her. He thought himself safe
even in Blind Peter, having nothing of value about him, and having
considerable faith in the protecting power of his strong right arm.

The old woman led the way into the little mountain gorge, choked up
with rickety hovels lately erected, or crazy old houses which had once
been goodly residences, in the days when the site of Blind Peter had
been a pleasant country lane. The house she entered was of this latter
class; and she led the way into a stone-paved room, which had once been
a tolerably spacious entrance-hall.

It was lighted by one feeble little candle with a long drooping wick,
stuck in an old ginger-beer bottle; and by this dim light Jabez saw,
seated on heap of rubbish by the desolate hearth, his own reflection--a
man dressed, unlike him, in the rough garments of a labourer, but whose
face gave back as faithfully as ever glass had done the shadow of his
own.




                              CHAPTER II.

                           LIKE AND UNLIKE.


THE old woman stared aghast, first at one of the young men, then at the
other.

“Why, then, he isn’t Jim!” she exclaimed.

“Who isn’t Jim, grandmother? What do you mean? Here I am, back again; a
bundle of aching bones, old rags, and empty pockets. I’ve done no good
where I’ve been; so you needn’t ask me for any money, for I haven’t
earned a farthing either by fair means or foul.”

“But the other,” she said,--“this young gentleman. Look at him, Jim.”

The man took up the candle, snuffed it with his fingers, and walked
straight to Jabez. He held the light before the face of the usher, and
surveyed him with a leisurely stare. That individual’s blue eyes winked
and blinked at the flame like an owl’s in the sunshine, and looked
every way except straight into the eyes looking into his.

“Why, curse his impudence!” said the man, with a faint sickly laugh;
“I’m blest if he hasn’t been and boned my mug. I hope it’ll do him more
good than it’s done me,” he added, bitterly.

“I can’t make out the meaning of this,” mumbled the old woman. “It’s
all dark to me. I saw where the other one was put myself. I saw it
done, and safely done too. Oh, yes of course----”

“What do you mean by ‘the other one’?” asked the man, while Jabez
listened intently for the answer.

“Why, my deary, that’s a part of the secret you’re to know some of
these days. Such a secret. Gold, gold, gold, as long as it’s kept; and
gold when it’s told, if it’s told at the right time, deary.”

“If it’s to be told at the right time to do me any good, it had better
be told soon, then,” said Jim, with a dreary shiver. “My bones ache,
and my head’s on fire, and my feet are like lumps of ice. I’ve walked
twenty miles to-day, and I haven’t had bite nor sup since last night.
Where’s Sillikens?”

“At the factory, Jim deary. Somebody’s given her a piece of work--one
of the regular hands; and she’s to bring home some money to-night. Poor
girl, she’s been a fretting and a crying her eyes out since you’ve been
gone, Jim.”

“Poor lass. I thought I might do some good for her and me both by going
away where I did; but I haven’t; and so I’ve come back to eat her
starvation wages, poor lass. It’s a cowardly thing to do, and if I’d
had strength I should have gone on further, but I couldn’t.”

As he was saying these words a girl came in at the half-open door, and
running up to him, threw her arms round his neck.

“O Jim, you’ve come back! I said you would; I knew you’d never stop
away; I knew you couldn’t be so cruel.”

“It’s crueller to come back, lass,” he said; “it’s bad to be a burden
on a girl like you.”

“A burden, Jim!” she said, in a low reproachful voice, and then dropped
quietly down amongst the dust and rubbish at his feet, and laid her
head caressingly against his knee.

She was not what is generally called a pretty girl. Hers had not been
the delicate nurture which nourishes so frail an exotic as beauty. She
had a pale sickly face; but it was lighted up by large dark eyes, and
framed by a heavy mass of dark hair.

She took the man’s rough hand in hers, and kissed it tenderly. It is
not likely that a duchess would have done such a thing; but if she had,
she could scarcely have done it with better grace.

“A burden, Jim!” she said,--“a burden! Do you think if I worked for you
day and night, and never rested, that I should be weary? Do you think,
if I worked my fingers to the bone for you, that I should ever feel the
pain? Do you think, if my death could make you a happy man, I should
not be glad to die? Oh, you don’t know, you don’t know!”

She said this half-despairingly, as if she knew there was no power in
his soul to fathom the depth of love in hers.

“Poor lass, poor lass,” he said, as he laid the other rough hand
gently on her black hair. “If it’s as bad as this. I’m sorry for
it--more than ever sorry to-night.”

“Why, Jim?” She looked up at him with a sudden glance of alarm. “Why,
Jim? Is anything the matter?”

“Not much, lass; but I don’t think I’m quite the thing to-night.” His
head drooped as he spoke. The girl put it on her shoulder, and it lay
there as if he had scarcely power to lift it up again.

“Grandmother, he’s ill--he’s ill! why didn’t you tell me this before?
Is that gentleman the doctor?” she asked, looking at Jabez, who still
stood in the shadow of the doorway, watching the scene within.

“No; but I’ll fetch the doctor, if you like,” said that benevolent
personage, who appeared to take a wonderful interest in this family
group.

“Do, sir, if you will be so good,” said the girl imploringly; “he’s
very ill, I’m sure. Jim, look up, and tell us what’s the matter?”

The man lifted his heavy eyelids with an effort, and looked up with
bloodshot eyes into her face. No, no! Never could he fathom the depth
of this love which looks down at him now with more than a mother’s
tenderness, with more than a sister’s devotion, with more than a wife’s
self-abnegation. This love, which knows no change, which would shelter
him in those entwining arms a thief or a murderer, and which could hold
him no dearer were he a king upon a throne.

Jabez North goes for a doctor, and returns presently with a gentleman,
who, on seeing Jim the labourer, pronounces that he had better go
to bed at once; “for,” as he whispers to the old woman, “he’s got
rheumatic fever, and got it pretty sharp, too.”

The girl they call Sillikens bursts out crying on hearing this
announcement, but soon chokes down her tears--(as tears are wont to
be choked down in Blind Peter, whose inhabitants have little time for
weeping)--and sets to work to get ready a poor apology for a bed--a
worn-out mattress and a thin patch-work counterpane; and on this they
lay the bundle of aching bones known to Blind Peter as Jim Lomax.

The girl receives the doctor’s directions, promises to fetch some
medicine from his surgery in a few minutes, and then kneels down by the
sick man.

“O Jim, dear Jim,” she says, “keep a good heart, for the sake of those
who love you.”

She might have said for the sake of her who loves you, for it never
surely was the lot of any man, from my lord the marquis to Jim the
labourer, to be twice in his life loved as this man was loved by her.

Jabez North on his way home must go the same way as the doctor; so they
walk side by side.

“Do you think he will recover?” asks Jabez.

“I doubt it. He has evidently been exposed to great hardship, wet, and
fatigue. The fever is very strong upon him; and I’m afraid there’s not
much chance of his getting over it. I should think something might
be done for him, to make him a little more comfortable. You are his
brother, I presume, in spite of the apparent difference between you in
station?”

Jabez laughed a scornful laugh. “His brother! Why, I never saw the man
till ten minutes before you did.”

“Bless me!” said the old doctor, “you amaze me. I should have taken you
for twin brothers. The likeness between you is something wonderful; in
spite, too, of the great difference in your clothes. Dressed alike, it
would be impossible to tell one from the other.”

“You really think so?”

“The fact must strike any one.”

Jabez North was silent for a little time after this. Presently, as he
parted from the doctor at a street-corner, he said--

“And you really think there’s very little chance of this poor man’s
recovery?”

“I’m afraid there is positively none. Unless a wonderful change takes
place for the better, in three days he will be a dead man. Good night.”

“Good night,” says Jabez, thoughtfully. And he walked slowly home.

It would seem about this time that he was turning his attention to his
personal appearance, and in some danger of becoming a fop; for the next
morning he bought a bottle of hair-dye, and tried some experiments with
it on one or two of his own light ringlets, which he cut off for that
purpose.

It would seem a very trivial employment for so superior and
intellectual a man as Jabez North, but it may be that every action of
this man’s life, however apparently trivial, bore towards one deep and
settled purpose.




                             CHAPTER III.

                           A GOLDEN SECRET.


MR. JABEZ NORTH, being of such a truly benevolent character, came the
next day to Blind Peter, full of kind and sympathetic inquiries for the
sick man. For once in a way he offered something more than sympathy,
and administered what little help he could afford from his very slender
purse. Truly a good young man, this Jabez.

The dilapidated house in Blind Peter looked still more dreary and
dilapidated in the daylight, or in such light as was called daylight
by the denizens of that wretched alley. By this light, too, Jim Lomax
looked none the better, with hungry pinched features, bloodshot eyes,
and two burning crimson spots on his hollow cheeks. He was asleep when
Jabez entered. The girl was still seated by his side, never looking
up, or taking her large dark eyes from his face--never stirring,
except to rearrange the poor bundle of rags which served as a pillow
for the man’s weary head, or to pour out his medicine, or moisten his
hot forehead with wet linen. The old woman sat by the great gaunt
fireplace, where she had lighted a few sticks, and made the best fire
she could, by the doctor’s orders; for the place was damp and draughty,
even in this warm June weather. She was rocking herself to and fro on a
low three-legged stool, and muttering some disconnected jargon.

When Jabez had spoken a few words to the sick man, and made his offer
of assistance, he did not leave the place, but stood on the hearth,
looking with a thoughtful face at the old woman.

She was not quite right in her mind, according to general opinion in
Blind Peter; and if a Commission of Lunacy had been called upon to give
a return of her state of intellect on that day, I think that return
would have agreed with the opinion openly expressed in a friendly
manner by her neighbours.

She kept muttering to herself, “And so, my deary, this is the other
one. The water couldn’t have been deep enough. But it’s not my fault,
Lucy dear, for I saw it safely put away.”

“What did you see so safely put away?” asked Jabez, in so low a voice
as to be heard neither by the sick man nor the girl.

“Wouldn’t you like to know, deary?” mumbled the old hag, looking up at
him with a malicious grin. “Don’t you very much want to know, my dear?
But you never will; or if you ever do, you must be a rich man first;
for it’s part of the secret, and the secret’s gold--as long as it is
kept, my dear, and it’s been kept a many years, and kept faithful.”

“Does _he_ know it?” Jabez asked, pointing to the sick man.

“No, my dear; he’d want to tell it. I mean to sell it some day, for
it’s worth a mint of money! A mint of money! He doesn’t know it--nor
she--not that it matters to her; but it does matter to him.”

“Then you had best let him know before three days are over or he’ll
never know it!” said the schoolmaster.

“Why not, deary?”

“Never you mind! I want to speak to you; and I don’t want those two to
hear what I say. Can we go anywhere hereabouts where I can talk to you
without the chance of being overheard?”

The old woman nodded assent, and led the way with feeble tottering
steps out of the house, and through a gap in a hedge to some broken
ground at the back of Blind Peter. Here the old crone seated herself
upon a little hillock, Jabez standing opposite her, looking her full in
the face.

“Now,” said he, with a determined look at the grinning face before
him, “now tell me,--what was the _something_ that was put away so
safely? And what relation is that man in there to me? Tell me, and tell
me the truth, or----” He only finishes the sentence with a threatening
look, but the old woman finishes it for him,--

“Or you’ll kill me--eh, deary? I’m old and feeble, and you might easily
do it--eh? But you won’t--you won’t, deary! You know better than that!
Kill me, and you’ll never know the secret!--the secret that may be gold
to _you_ some day, and that nobody alive but me can tell. If you’d
got some very precious wine in a glass bottle, my dear, you wouldn’t
smash the bottle now, would you? because, you see, you couldn’t smash
the bottle without spilling the wine. And you won’t lay so much as a
rough finger upon me, I know.”

The usher looked rather as if he would have liked to lay the whole
force of ten very rough fingers upon the most vital part of the
grinning hag’s anatomy at that moment--but he restrained himself, as if
by an effort, and thrust his hands deep into his trousers-pockets, in
order the better to resist temptation.

“Then you don’t mean to tell me what I asked you?” he said impatiently.

“Don’t be in a hurry, my dear! I’m an old woman, and I don’t like to be
hurried. What is it you want to know?”

“What that man in there is to me.”

“Own brother--twin brother, my dear--that’s all. And I’m your
grandmother--your mother’s mother. Ain’t you pleased to find your
relations, my blessed boy?”

If he were, he had a strange way of showing pleasure; a very strange
manner of welcoming newly-found relations, if his feelings were to be
judged by that contracted brow and moody glance.

“Is this true?” he asked.

The old harridan looked at him and grinned. “That’s an ugly mark you’ve
got upon your left arm, my dear,” she said, “just above the elbow; it’s
very lucky, though, it’s under your coat-sleeve, where nobody can see
it.”

Jabez started. He had indeed a scar upon his arm, though very few
people knew of it. He remembered it from his earliest days in the
Slopperton workhouse.

“Do you know how you came by that mark?” continued the old woman.
“Shall I tell you? Why, you fell into the fire, deary, when you were
only three weeks old. We’d been drinking a little bit, my dear, and we
weren’t used to drinking much then, nor to eating much either, and one
of us let you tumble into the fireplace, and before we could get you
out, your arm was burnt; but you got over it, my dear, and three days
after that you had the misfortune to fall into the water.”

“You threw me in, you old she-devil!” he exclaimed fiercely.

“Come, come,” she said, “you are of the same stock, so I wouldn’t call
names if I were you. Perhaps I did throw you into the Sloshy. I don’t
want to contradict you. If you say so, I dare say I did. I suppose you
think me a very unnatural old woman?”

“It wouldn’t be so strange if I did.”

“Do you know what choice we had, your mother and me, as to what we were
to do with our youngest hope--you’re younger by two hours than your
brother in there? Why, there was the river on one side, and a life of
misery, perhaps starvation, perhaps worse, on the other. At the very
best, such a life as he in there has led--hard labour and bad food,
long toilsome days and short nights, and bad words and black looks
from all who ought to help him. So we thought one was enough for that,
and we chose the river for the other. Yes, my precious boy, I took you
down to the river-side one very dark night and dropped you in where I
thought the water was deepest; but, you see, it wasn’t deep enough for
you. Oh, dear,” she said, with an imbecile grin, “I suppose there’s a
fate in it, and you were never born to be drowned.”

Her hopeful grandson looked at her with a savage frown.

“Drop that!” he said, “I don’t want any of your cursed wit.”

“Don’t you, deary? Lor, I was quite a wit in my young days. They used
to call me Lively Betty; but that’s a long time ago.”

There was sufficient left, however, of the liveliness of a long time
ago to give an air of ghastly mirth to the old woman’s manner, which
made that manner extremely repulsive. What can be more repulsive than
old age, which, shorn of the beauties and graces, is yet not purified
from the follies or the vices of departed youth?

“And so, my dear, the water wasn’t deep enough, and you were saved. How
did it all come about? Tell us, my precious boy?”

“Yes; I dare say you’d like to know,” replied her “precious boy,”--“but
you can keep your secret, and I can keep mine. Perhaps you’ll tell me
whether my mother is alive or dead?”

Now this was a question which would have cruelly agitated some men in
the position of Jabez North; but that gentleman was a philosopher, and
he might have been inquiring the fate of some cast-off garment, for all
the fear, tenderness, or emotion of any kind that his tone or manner
betrayed.

“Your mother’s been dead these many years. Don’t you ask me how she
died. I’m an old woman, and my head’s not so right but what some
things will set it wrong. Talking of that is one of ’em. She’s dead. I
couldn’t save her, nor help her, nor set her right. I hope there’s more
pity where she’s gone than she ever got here; for I’m sure if trouble
can need it, she needed it. Don’t ask me anything about her.”

“Then I won’t,” said Jabez. “My relations don’t seem such an eligible
lot that I should set to work to write the history of the family. I
suppose I had a father of some kind or other. What’s become of him?
Dead or----”

“Hung, eh, deary?” said the old woman, relapsing into the malicious
grin.

“Take care what you’re about,” said the fascinating Mr. North, “or
you’ll tempt me to shake the life out of your shrivelled old carcass.”

“And then you’ll never know who your father was. Eh? Ha, ha! my
precious boy; that’s part of the golden secret that none but me can
tell.”

“Then you won’t tell me my father’s name?”

“Perhaps I’ve forgotten it, deary; perhaps I never knew it--who knows?”

“Was he of your class--poor, insignificant, and wretched, the scum of
the earth, the mud in the streets, the slush in the gutters, for other
people to trample upon with their dirty boots? Was he that sort of
thing? Because if he was, I shan’t put myself out of the way to make
any tender inquiries about him.”

“Of course not, deary. You’d like him to have been a fine gentleman--a
baronet, or an earl, or a marquis, eh, my blessed boy? A marquis is
about the ticket for you, eh? What do you say to a marquis?”

It was not very polite, certainly, what he did say; not quite the
tone of conversation to be pleasing to any marquis, or to any noble
or potentate whatever, except one, and him, by the laws of polite
literature, I am not allowed to mention.

Puzzled by her mysterious mumblings, grinnings, and gesticulations,
our friend Jabez stared hard in the old crone’s face for about three
minutes--looking very much as if he would have liked to throttle her;
but he refrained from that temptation, turned on his heel, and walked
off in the direction of Slopperton.

The old woman apostrophized his receding figure.

“Oh, yes, deary, you’re a nice young man, and a clever, civil-spoken
young man, and a credit to them that reared you; but you’ll never have
the golden secret out of me till you’ve got the money to pay for it.”




                              CHAPTER IV.

            JIM LOOKS OVER THE BRINK OF THE TERRIBLE GULF.


THE light had gone down on the last of the days through which,
according to the doctor’s prophecy, Jim Lomax was to live to see that
light.

Poor Jim’s last sun sank to his rest upon such cloud-pillows of purple
and red, and drew a curtain of such gorgeous colours round him in the
western sky, as it would have very much puzzled any earthly monarch
to have matched, though Ruskin himself had chosen the colours, and
Turner had been the man to lay them on. Of course some of this red
sunset flickered and faded upon the chimneypots and window-panes--rare
luxuries, by the bye, those window-panes--of Blind Peter; but there it
came in a modified degree only--this blessed sign-manual of an Almighty
Power--as all earthly and heavenly blessings should come to the poor.

One ray of the crimson light fell full upon the face of the sick man,
and slanted from him upon the dark hair of the girl, who sat on the
ground in her old position by the bedside. This light, which fell on
them and on no other object in the dusky room, seemed to unite them, as
though it were a messenger from the sky that said, “They stand alone in
the world, and never have been meant to stand asunder.”

“It’s a beautiful light, lass,” said the sick man, “and I wonder I
never cared more to notice or to watch it than I have. Lord, I’ve seen
it many a time sinking behind the sharp edge of ploughed land, as if it
had dug its own grave, and was glad to go down to it, and I’ve thought
no more of it than a bit of candle; but now it seems such a beautiful
light, and I feel as if I should like to see it again, lass.”

“And you will--you will see it again, Jim.” She drew his head upon her
bosom, and stroked the rough hair away from his damp forehead. She
was half dead herself, with want, anxiety, and fatigue; but she spoke
in a cheerful voice. She had not shed a tear throughout his illness.
“Lord help you, Jim dear, you’ll live to see many and many a bright
sunset--live to see it go down upon our wedding-day, perhaps.”

“No, no, lass; that’s a day no sun will ever shine upon. You must get
another sweetheart, and a better one, maybe. I’m sure you deserve a
better one, for you’re true, lass, true as steel.”

The girl drew his head closer to her breast, and bending over him,
kissed his dry lips. She never thought, or cared to know, what fever or
what poison she might inhale in that caress. If she had thought about
it, perhaps she would have prayed that the same fever which had struck
him down might lay her low beside him. He spoke again, as the light,
with a lingering glow, brightened, and flickered, and then faded out.

“It’s gone; it’s gone for ever; it’s behind me now, lass, and must look
straight before----”

“At what, Jim?--at what?”

“At a terrible gulf, my lass. I’m a-standing on the edge of it, and I’m
a-looking down to the bottom of it--a cold dark lonesome place. But
perhaps there’s another light beyond it, lass; who knows?”

“Some say they do know, Jim,” said the girl; “some say they do know,
and that there is another light beyond, better than the one we see
here, and always shining. Some people do know all about it, Jim.”

“Then why didn’t they tell us about it?” asked the man, with an
angry expression in his hollow eyes. “I suppose those as taught them
meant them to teach us; but I suppose they didn’t think us worth the
teaching. How many will be sorry for me, lass, when I am gone? Not
grandmother; her brain’s crazed with that fancy of hers of a golden
secret--as if she wouldn’t have sold it long before this if she’d had a
secret--sold it for bread, or more likely for gin. Not anybody in Blind
Peter--they’ve enough to do to think of the bit of food to put inside
them, or of the shelter to cover their unfortunate heads. Nobody but
you, lass, nobody but you, will be sorry for me; and I think you will.”

He thinks she will be sorry. What has been the story of her life but
one long thought and care for him, in which her every sorrow and her
every joy have taken their colour from joys and sorrows of his?

While they are talking, Jabez comes in, and, seating himself on a low
stool by the bed, talks to the sick man.

“And so,” says Jim, looking him full in the face with a curious
glance--“so you’re my brother--the old woman’s told me all about it--my
twin brother; so like me, that it’s quite a treat to look at you. It’s
like looking in a glass, and that’s a luxury I’ve never been accustomed
to. Light a candle, lass; I want to see my brother’s face.”

His brother was against the lighting of the candle--it might hurt the
eyes of the sufferer, he suggested; but Jim repeated his request, and
the girl obeyed.

“Now come here and hold the candle, lass, and hold it close to my
brother’s face, for I want to have a good look at him.”

Mr. Jabez North seemed scarcely to relish the unflinching gaze of his
newly-found relation; and again those fine blue eyes for which he
was distinguished, winked and shifted, and hid themselves, under the
scrutiny of the sick man.

“It’s a handsome face,” said Jim; “and it looks like the face of one of
your fine high-born gentlemen too, which is rather queer, considering
who it belongs to; but for all that, I can’t say it’s a face I much
care about. There’s something under--something behind the curtain.
I say, brother, you’re hatching of some plot to-night, and a very
deep-laid plot it is too, or my name isn’t Jim Lomax.”

“Poor fellow,” murmured the compassionate Jabez, “his mind wanders
sadly.”

“Does it?” asked the sick man; “does my mind wander, lad? I hope it
does; I hope I can’t see very clear to-night, for I didn’t want to
think my own brother a villain. I don’t want to think bad of thee, lad,
if it’s only for my dead mother’s sake.”

“You hear!” said Jabez, with a glance of appeal to the girl, “you hear
how delirious he is?”

“Stop a bit, lad,” cried Jim, with sudden energy, laying his wasted
hand upon his brother’s wrist; “stop a bit. I’m dying fast; and before
it’s too late I’ve one prayer to make. I haven’t made so many either
to God or man that I need forget this one. You see this lass; we’ve
been sweethearts, I don’t know how long, now--ever since she was a
little toddling thing that I could carry on my shoulder; and, one of
these days, when wages got to be better, and bread cheaper, and hopes
brighter, somehow, for poor folks like us, we was to have been married;
but that’s over now. Keep a good heart, lass, and don’t look so white;
perhaps it’s better as it is. Well, as I was saying, we’ve been
sweethearts for a many year, and often when I haven’t been able to get
work, maybe sometimes when I haven’t been willing, when I’ve been lazy,
or on the drink, or among bad companions, this lass has kept a shelter
over me, and given me bread to eat with the labour of her own hands.
She’s been true to me. I could tell you how true, but there’s something
about the corners of your mouth that makes me think you wouldn’t care
to hear it. But if you want me to die in peace, promise me this--that
as long as you’ve got a shilling she shall never be without a sixpence;
that as long as you’ve got a roof to cover your head she shall never be
without a shelter. Promise!”

He tightened his grasp convulsively upon his brother’s wrist. That
gentleman made an effort to look him full in the face; but not seeming
to relish the searching gaze of the dying man’s eyes, Mr. Jabez North
was compelled to drop his own.

“Come,” said Jim; “promise--swear to me, by all you hold sacred, that
you’ll do this.”

“I swear!” said Jabez, solemnly.

“And if you break your oath,” added his brother, “never come a-nigh the
place where I’m buried, for I’ll rise out of my grave and haunt you.”

The dying man fell back exhausted on his pillow. The girl poured out
some medicine and gave it to him, while Jabez walked to the door, and
looked up at the sky.

A very dark sky for a night in June. A wide black canopy hung over
the earth, and as yet there was not one feeble star to break the inky
darkness. A threatening night--the low murmuring of whose sultry wind
moaned and whispered prophecies of a coming storm. Never had the
blindness of Blind Peter been darker than to-night. You could scarcely
see your hand before you. A wretched woman who had just fetched
half-a-quartern of gin from the nearest public-house, though a denizen
of the place, and familiar with every broken flagstone and crumbling
brick, stumbled over her own threshold, and spilt a portion of the
precious liquid.

It would have been difficult to imagine either the heavens or the earth
under a darker aspect in the month of June. Not so, however, thought
Mr. Jabez North; for, after contemplating the sky for some moments in
silence, he exclaimed--“A fine night! A glorious night! It could not be
better!”

A figure, one shade darker than the night, came between him and the
darkness. It was the doctor, who said--

“Well, sir, I’m glad you think it a fine night; but I must beg to
differ with you on the subject, for I never remember seeing a blacker
sky, or one that threatened a more terrible storm at this season of the
year.”

“I was scarcely thinking of what I was saying, doctor. That poor man in
there----”

“Ah, yes; poor fellow! I doubt if he’ll witness the storm, near as it
seems to be. I suppose you take some interest in him on account of his
extraordinary likeness to you?”

“That would be rather an egotistical reason for being interested in
him. Common humanity induced me to come down to this wretched place, to
see if I could be of any service to the poor creature.”

“The action does you credit, sir,” said the doctor. “And now for my
patient.”

It was with a very grave face that the medical man looked at poor Jim,
who had, by this time, fallen into a fitful and restless slumber; and
when Jabez drew him aside to ask his opinion, he said,--“If he lives
through the next half-hour I shall be surprised. Where is the old
woman--his grandmother?”

“I haven’t seen her this evening,” answered Jabez. And then, turning to
the girl, he asked her if she knew where the old woman was.

“No; she went out some time ago, and didn’t say where she was going.
She’s not quite right in her mind, you know, sir, and often goes out
after dark.”

The doctor seated himself on a broken chair, near the mattress on
which the sick man lay. Only one feeble guttering candle, with a long,
top-heavy wick, lighted the dismal and comfortless room. Jabez paced up
and down with that soft step of which we have before spoken. Although
in his character of a philosopher the death of a fellow-creature could
scarcely have been very distressing to him, there was an uneasiness
in his manner on this night which he could not altogether conceal. He
looked from the doctor to the girl, and from, the girl to his sick
brother. Sometimes he paused in his walk up and down the room to peer
out at the open door. Once he stooped over the feeble candle to look at
his watch. There was a listening expression too in his eyes; an uneasy
twitching about his mouth; and at times he could scarcely suppress a
tremulous action of his slender fingers, which bespoke impatience and
agitation. Presently the clocks of Slopperton chimed the first quarter
after ten. On hearing this, Jabez drew the medical man aside, and
whispered to him,--

“Are there no means,” he said, “of getting that poor girl out of the
way? She is very much attached to that unfortunate creature; and if
he dies, I fear there will be a terrible scene. It would be an act of
mercy to remove her by some stratagem or other. How can we get her away
till it is all over?”

“I think I can manage it,” said the doctor. “My partner has a surgery
at the other end of the town; I will send her there.”

He returned to the bedside, and presently said,--

“Look here, my good girl; I am going to write a prescription for
something which I think will do our patient good. Will you take it for
me, and get the medicine made up?”

The girl looked at him with an appealing glance in her mournful eyes.

“I don’t like to leave him, sir.”

“But if it’s for his good, my dear?”

“Yes, yes, sir. You’re very kind. I will go. I can run all the way. And
you won’t leave him while I’m gone, will you, sir?”

“No, my good girl, I won’t. There, there; here’s the prescription. It’s
written in pencil, but the assistant will understand it. Now listen,
while I tell you where to find the surgery.”

He gave her the direction; and after a lingering and mournful look at
her lover, who still slept, she left the house, and darted off in the
direction of Slopperton.

“If she runs as fast as that all the way,” said Jabez, as he watched
her receding figure, “she will be back in less than an hour.”

“Then she will find him either past all help, or better,” replied the
doctor.

Jabez’ pale face turned white as death at this word “better.”

“Better!” he said. “Is there any chance of his recovery?”

“There are wonderful chances in this race between life and death. This
sleep may be a crisis. If he wakes, there may be a faint hope of his
living.”

Jabez’ hand shook like a leaf. He turned his back to the doctor, walked
once up and down the room, and then asked, with his old calmness,--

“And you, sir--you, whose time is of such value to so many sick
persons--you can afford to desert them all, and remain here, watching
this man?”

“His case is a singular one, and interests me. Besides, I do not know
that I have any patient in imminent danger to-night. My assistant has
my address, and would send for me were my services peculiarly needed.”

“I will go out and smoke a cigar,” said Jabez, after a pause. “I can
scarcely support this sick room, and the suspense of this terrible
conflict between life and death.”

He strode out into the darkness, was absent about five minutes, and
returned.

“Your cigar did not last long,” remarked the doctor. “You are a quick
smoker. Bad for the system, sir.”

“My cigar was a bad one. I threw it away.”

Shortly afterwards there was a knock at the door, and a ragged
vagabond-looking boy, peeping in, asked,--

“Is Mr. Saunders the doctor here?”

“Yes, my lad. Who wants me?”

“A young woman up in Hill Fields, sir, what’s took poison, they say.
You’re wanted very bad.”

“Poison! that’s urgent,” said Mr. Saunders. “Who sent you here for me?”

The lad looked with a puzzled expression at Jabez standing in the
shadow, who, unperceived by the doctor, whispered something behind his
hand.

“Surgery, sir,” answered the boy, still looking at Jabez.

“Oh, you were sent from the surgery. I must be off, for this is no
doubt a desperate case. I must leave you to look after this poor
fellow. If he wakes, give him two teaspoonfuls of that medicine there.
I could do no more if I stopped myself. Come, my lad.”

The doctor left the house, followed by the boy, and in a few moments
both were lost in the darkness, and far out of the ken of Blind Peter.

Five minutes after the departure of the medical man Jabez went to the
door, and after looking out at the squalid houses, which were all dark,
gave a long low whistle.

A figure crept out of the darkness, and came up to where he stood. It
was the old woman, his grandmother.

“All’s right, deary,” she whispered. “Bill Withers has got everything
ready. He’s a waiting down by the wall yonder. There’s not a mortal
about; and I’ll keep watch. You’ll want Bill’s help. When you’re ready
for him, you’re to whistle softly three times running. He’ll know what
it means--and I’m going to watch while he helps you. Haven’t I managed
beautiful, deary? and shan’t I deserve the golden sovereigns you’ve
promised me? They was guineas always when I was young, deary. Nothing’s
as good now as it used to be.”

“Don’t let us have any chattering,” said Jabez, as he laid a rough hand
upon her arm; “unless you want to wake everybody in the place.”

“But, I say, deary, is it all over? Nothing unfair, you know. Remember
your promise.”

“All over? Yes; half an hour ago. If you hinder me here with your talk,
the girl will be back before we’re ready for her.”

“Let me come in and close his eyes, deary,” supplicated the old woman.
“His mother was my own child. Let me close his eyes.”

“Keep where you are, or I’ll strangle you!” growled her dutiful
grandson, as he shut the door upon his venerable relation, and left her
mumbling upon the threshold.

Jabez crept cautiously towards the bed on which his brother lay. Jim
at this moment awoke from his restless slumber; and, opening his eyes
to their widest extent, looked full at the man by his side. He made
no effort to speak, pointed to his lips, and, stretching out his hand
towards the bottles on the table, made signs to his brother. These
signs were a supplication for the cooling draught which always allayed
the burning beat of the fever.

Jabez never stirred. “He has awoke,” he murmured. “This is the crisis
of his life, and of my fate.”

The clocks of Slopperton chimed the quarter before eleven.

“It’s a black gulf, lass,” gasped the dying man; “and I’m fast sinking
into it.”

There was no friendly hand, Jim, to draw you back from that terrible
gulf. The medicine stood untouched upon the table; and, perhaps as
guilty as the first murderer, your twin brother stood by your bedside.




                              CHAPTER V.

                  MIDNIGHT BY THE SLOPPERTON CLOCKS.


THE clouds and the sky kept their promise, and as the clocks chimed the
quarter before twelve the storm broke over the steeples at Slopperton.

Blue lightning-flashes lit up Blind Peter, and attendant thunder-claps
shook him to his very foundation; while a violent shower of rain gave
him such a washing-down of every flagstone, chimney-pot, and doorstep,
as he did not often get. Slopperton in bed was almost afraid to go to
sleep; and Slopperton not in bed did not seem to care about going to
bed. Slopperton at supper was nervous as to handling of glittering
knives and steel forks; and Slopperton going to windows to look out
at the lightning was apt to withdraw hurriedly at the sight thereof.
Slopperton in general was depressed by the storm; thought there would
be mischief somewhere; and had a vague idea that something dreadful
would happen before the night was out.

In Dr. Tappenden’s quiet household there was consternation and alarm.
Mr. Jabez North, the principal assistant, had gone out early in the
evening, and had not returned at the appointed hour for shutting up
the house. This was such an unprecedented occurrence, that it had
occasioned considerable uneasiness--especially as Dr. Tappenden was
away from home, and Jabez was, in a manner, deputy-master of the
house. The young woman who looked after the gentlemen’s wardrobes had
taken compassion upon the housemaid, who sat up awaiting Mr. North’s
return, and had brought her workbox, and a lapful of young gentlemen’s
dilapidated socks, to the modest chamber in which the girl waited.

“I hope,” said the housemaid, “nothing ain’t happened to him through
the storm. I hope he hasn’t been getting under no trees.”

The housemaid had a fixed idea that to go under a tree in a
thunderstorm was to encounter immediate death.

“Poor dear young gentleman,” said the lady of the wardrobes; “I tremble
to think what can keep him out so. Such a steady young man; never known
to be a minute after time either. I’m sure every sound I hear makes me
expect to see him brought in on a shutter.”

“Don’t now, Miss Smithers!” cried the housemaid, looking behind her as
if she expected to see the ghost of Jabez North pointing to a red spot
on his left breast at the back of her chair. “I wish you wouldn’t now!
Oh, I hope he ain’t been murdered. There’s been such a many murders in
Slopperton since I can remember. It’s only three years and a half ago
since a man cut his wife’s throat down in Windmill Lane, because she
hadn’t put no salt in the saucepan when she boiled the greens.”

The frightful parallel between the woman who boiled the greens without
salt and Jabez North two hours after his time, struck such terror to
the hearts of the young women, that they were silent for some minutes,
during which they both looked uneasily at a thief in the candle which
neither of them had the courage to take out--their nerves not being
equal to the possible clicking of the snuffers.

“Poor young man!” said the housemaid, at last. “Do you know, Miss
Smithers, I can’t help thinking he has been rather low lately.”

Now this word “low” admits of several applications, so Miss Smithers
replied, rather indignantly,--

“Low, Sarah Anna! Not in his language, I’m sure. And as to his manners,
they’d be a credit to the nobleman that wrote the letters.”

“No, no, Miss Smithers; I mean his spirits. I’ve fancied lately he’s
been a fretting about something; perhaps he’s in love, poor dear.”

Miss Smithers coloured up. The conversation was getting interesting.
Mr. North had lent her _Rasselas_, which she thought a story of
thrilling interest; and she had kept his stockings and shirt buttons in
order for three years. Such things had happened; and Mrs. Jabez North
sounded more comfortable than Miss Smithers, at any rate.

“Perhaps,” said Sarah Anne, rather maliciously--“perhaps he’s been
forgetting his situation and giving way to thoughts of marrying our
young missus. She’s got a deal of money, you know, Miss Smithers,
though her figure ain’t much to look at.”

Sarah Anne’s figure was plenty to look at, having a tendency to break
out into luxuriance where you least expected it.

It was in vain that Sarah Anne or Miss Smithers speculated on the
probable causes of the usher’s absence. Midnight struck from the
Dutch clock in the kitchen, the eight-day clock on the staircase, the
timepiece in the drawing-room--a liberal and complicated piece of
machinery which always struck eighteen to the dozen--and eventually
from every clock in Slopperton; and yet there was no sign of Jabez
North.

No sign of Jabez North. A white face and a pair of glazed eyes staring
up at the sky, out on a dreary heath three miles from Slopperton,
exposed to the fury of a pitiless storm; a man lying alone on a
wretched mattress in a miserable apartment in Blind Peter--but no Jabez
North.


Through the heartless storm, dripping wet with the pelting rain,
the girl they have christened Sillikens hastens back to Blind Peter.
The feeble glimmer of the candle, with the drooping wick sputtering
in a pool of grease, is the only light which illumes that cheerless
neighbourhood. The girl’s heart beat; with a terrible flutter as she
approaches that light, for an agonizing doubt is in her soul about
that _other light_ which she left so feebly burning, and which
may be now extinct. But she takes courage; and pushing open the door,
which opposes neither bolts nor bars to any deluded votary of Mercury,
she enters the dimly-lighted room. The man lies with his face turned
to the wall; the old woman is seated by the hearth, on which a dull
and struggling flame is burning. She has on the table among the
medicine-bottles, another, which no doubt contains spirits, for she
has a broken teacup in her hand, from which ever and anon she sips
consolation, for it is evident she has been crying.

“Mother, how is he--how is he?” the girl asks, with a hurried notation
painful to witness, since it reveals how much she dreads the answer.

“Better, deary, better--Oh, ever so much better,” the old woman answers
in a crying voice, and with another application to the broken teacup.

“Better! thank Heaven!--thank Heaven!” and the girl, stealing softly to
the bedside, bends down and listens to the sick man’s breathing, which
is feeble, but regular.

“He seems very fast asleep, grandmother. Has he been sleeping all the
time?”

“Since when, deary?”

“Since I went out. Where’s the doctor?”

“Gone, deary. Oh, my blessed boy, to think that it should come to this,
and his dead mother was my only child! O dear, O dear!” And the old
woman burst out crying, only choking her sobs by the aid of the teacup.

“But he’s better, grandmother; perhaps he’ll get over it now. I always
said he would. Oh, I’m so glad--so glad.” The girl sat down in her wet
garments, of which she never once, thought, on the little stool by the
side of the bed. Presently the sick man turned round and opened his
eyes.

“You’ve been away a long time, lass,” he said.

Something in his voice, or in his way of speaking, she did not know
which, startled her; but she wound her arm round his neck, and said--

“Jim, my own dear Jim, the danger’s past. The black gulf you’ve been
looking down is closed for these many happy years to come, and maybe
the sun will shine on our wedding-day yet.”

“Maybe, lass--maybe. But tell me, what’s the time?”

“Never mind the time, Jim. Very late, and a very dreadful night; but
no matter for that! You’re better, Jim; and if the sun never shone upon
the earth again, I don’t think I should be able to be sorry, now you
are safe.”

“Are all the lights out in Blind Peter, lass?” he asked.

“All the lights out? Yes, Jim--these two hours. But why do you ask?”

“And in Slopperton did you meet many people, lass?”

“Not half-a-dozen in all the streets. Nobody would be out in such a
night, Jim, that could help it.”

He turned his face to the wall again, and seemed to sleep. The old
woman kept moaning and mumbling over the broken teacup,--

“To think that my blessed boy should come to this--on such a night too,
on such a night!”

The storm raged with unabated fury, and the rain pouring in at the
dilapidated door threatened to flood the room. Presently the sick man
raised his head a little way from the pillow.

“Lass,” he said, “could you get me a drop o’ wine? I think, if I could
drink a drop o’ wine, it would put some strength into me somehow.”

“Grandmother,” said the girl, “can I get him any? You’ve got some
money; it’s only just gone twelve; I can get in at the public-house. I
_will_ get in, if I knock them up, to get a drop o’ wine for Jim.”

The old woman fumbled among her rags and produced a sixpence, part of
the money given her from the slender purse of the benevolent Jabez, and
the girl hurried away to fetch the wine.

The public-house was called the Seven Stars; the seven stars being
represented on a signboard in such a manner as to bear rather a
striking resemblance to seven yellow hot-cross buns on a very blue
background. The landlady of the Seven Stars was putting her hair in
papers when the girl called Sillikens invaded the sanctity of her
private life. Why she underwent the pain and grief of curling her hair
for the admiration of such a neighbourhood as Blind Peter is one of
those enigmas of this dreary existence to solve which the Œdipus has
not yet appeared. I don’t suppose she much cared about suspending her
toilet, and opening her bar, for the purpose of selling sixpennyworth
of port wine; but when she heard it was for a sick man, she did not
grumble. The girl thanked her heartily, and hurried homewards with her
pitiful measure of wine.

Through the pitiless rain, and under the dark sky, it was almost
impossible to see your hand before you; but as Sillikens entered the
mouth of Blind Peter, a flash of lightning revealed to her the figure
of a man gliding with a soft step between the broken iron railings.
In the instantaneous glimpse she caught of him under the blue light,
something familiar in his face or form quickened the beating of her
heart, and made her turn to look back at him; but it was too dark for
her to see more than the indistinct figure of a man hurrying away in
the direction of Slopperton. Wondering who could be leaving Blind Peter
on such a night and at such an hour, she hastened back to carry her
lover the wine.

The old woman still sat before the hearth. The sputtering candle had
gone out, and the light from the miserable little fire only revealed
the dark outlines of the wretched furniture and the figure of Jim’s
grandmother, looking, as she sat mumbling over the broken teacup, like
a wicked witch performing an incantation over a portable cauldron.

The girl hurried to the bedside--the sick man was not there.

“Grandmother! Jim--Jim! Where is he?” she asked, in an alarmed voice;
for the figure she had met hurrying through the storm flashed upon her
with a strange distinctness. “Jim! Grandmother! tell me where he is, or
I shall go mad! Not gone--not gone out on such a night as this, and in
a burning fever?”

“Yes, lass, he’s gone. My precious boy, my darling boy. His dead
mother was my only child, and he’s gone for ever and ever, and on this
dreadful night. I’m a miserable old woman.”

No other explanation than this, no other words than these, chattered
and muttered again and again, could the wretched girl extort from the
old woman, who, half imbecile and more than half tipsy, sat grinning
and grunting over the teacup till she fell asleep in a heap on the cold
damp hearth, still hugging the empty teacup, and still muttering, even
in her sleep,--

“His dead mother was my only child; and it’s very cruel it should come
to this at last, and on such a night.”




                              CHAPTER VI.

                    THE QUIET FIGURE ON THE HEATH.


THE morning after the storm broke bright and clear, promising a hot
summer’s day, but also promising a pleasant breeze to counterbalance
the heat of the sun. This was the legacy of the storm, which, dying
out about three o’clock, after no purposeless fury, had left behind
it a better and purer air in place of the sultry atmosphere which had
heralded its coming.

Mr. Joseph Peters, seated at breakfast this morning, attended by
Kuppins nursing the “fondling,” has a great deal to say by means of the
dirty alphabet (greasy from the effects of matutinal bacon) about last
night’s storm. Kuppins has in nowise altered since we last saw her,
and four months have made no change in the inscrutable physiognomy of
the silent detective; but four months have made a difference in the
“fondling,” now familiarly known as “baby.” Baby is short-coated; baby
takes notice. This accomplishment of taking notice appears to consist
chiefly in snatching at every article within its reach, from Kuppins’s
luxuriant locks to the hot bowl of Mr. Peters’s pipe. Baby also is
possessed of a marvellous pair of shoes, which are alternately in his
mouth, under the fender, and upon his feet--to say nothing of their
occasionally finding their way out of the window, on to the dust-heap,
and into divers other domestic recesses too numerous to mention. Baby
is also possessed of a cap with frills, which it is Kuppins’s delight
to small-plait, and the delight of baby to demolish. Baby is devotedly
attached to Kuppins, and evinces his affection by such pleasing
demonstrations as poking his fists down her throat, hanging on to
her nose, pushing a tobacco-pipe up her nostrils, and other equally
gratifying proofs of infantine regard. Baby is, in short, a wonderful
child; and the eye of Mr. Peters at breakfast wanders from his bacon
and his watercresses to his young adopted, with a look of pride he does
not attempt to conceal.

Mr. Peters has risen in his profession since last February. He has
assisted at the discovery of two or three robberies, and has evinced
on those occasions such a degree of tact, triumphing so completely
over the difficulties he labours under from his infirmity, as to have
won for himself a better place in the police force of Slopperton--and
of course a better salary. But business has been dull lately, and Mr.
Joseph Peters, who is ambitious, has found no proper field for his
abilities as yet.

“I should like an iron-safe case, a regular out-and-out burglary,” he
muses, “or a good forgery, say to the tune of a thousand or so. Or a
bit of bigamy; that would be something new. But a jolly good poisoning
case might make my fortune. If that there little ’un was growed up,” he
mentally ejaculated, as Kuppins’s charge gave an unusually loud scream,
“his lungs might be a fortune to me. Lord,” he continued, waxing
metaphysical, “I don’t look upon that hinfant as a hinfant, I looks
upon him as a voice.”

The “voice” was a very powerful one just at this moment; for in an
interval of affectionate weakness Kuppins had regaled the “fondling”
on the rind of Mr. Peters’s rasher, which, not harmonizing with the
limited development of his swallowing apparatus, had brought out the
purple tints in his complexion with alarming violence.

For a long time Mr. Peters mused, and at last, after signalling
Kuppins, as was his wont on commencing a conversation, with a loud snap
of his finger and thumb, he began thus:

“There’s a case of shop-lifting at Halford’s Heath, and I’ve got to go
over and look up some evidence in the village. I’ll tell you what I’ll
do with you; I’ll take you and baby over in Vorkins’s trap--he said as
how he’d lend it me whenever I liked to ask him for the loan of it; and
I’ll stand treat to the Rosebush tea-gardens.”

Never had the dirty alphabet fashioned such sweet words. A drive in
Mr. Vorkins’s trap, and the Rosebush tea-gardens! If Kuppins had been
a fairy changeling, and had awoke one morning to find herself a queen,
I don’t think she would have chosen any higher delight wherewith to
celebrate her accession to the throne.

Kuppins had, during the few months of Mr. Peters’s residence in the
indoor Eden of No. 5, Little Gulliver Street, won a very high place in
that gentleman’s regards. The elderly proprietress of the Eden was as
nothing in the eyes of Mr. Peters when compared with Kuppins. It was
Kuppins whom he consulted when giving his orders for dinner; Kuppins,
whose eye he knew to be infallible as regarded a chop, either mutton
or pork; whose finger was as the finger of Fate in the matter of hard
or soft-roed herrings. It was by Kuppins’s advice he purchased some
mysterious garment for the baby, or some prodigious wonder in the shape
of a bandanna or a neck-handkerchief for himself; and this tea-garden
treat he had long contemplated as a fitting reward for the fidelity of
his handmaiden.

Mr. Vorkins was one of the officials of the police force, and Mr.
Vorkins’s trap was a happy combination of the cart of a vender of
feline provisions and the gig of a fast young man of half a century
gone by--that is to say, it partook of the disadvantages of each,
without possessing the capabilities of either: but Mr. Peters looked
at it with respect, and in the eye of Kuppins it was a gorgeous and
fashionable vehicle, which the most distinguished member of the peerage
might have driven along the Lady’s Mile, at six o’clock on a midsummer
afternoon, with pride and delight.

At two o’clock on this June afternoon, behold Mr. Vorkins’s trap at the
door of No. 5, Little Gulliver Street, with Kuppins in a miraculous
bonnet, and baby in a wonderful hat, seated therein. Mr. Peters,
standing on the pavement, contemplated the appointments of the equipage
with some sense of pride, and the juvenile population of the street
hovered around, absorbed in admiration of the turn-out.

“Mind your bonnet don’t make the wehicle top-heavy, miss,” said one
youthful votary of the renowned Joe Miller; “it’s big enough, anyways.”

Miss Kuppins (she was Miss Kuppins in her Sunday costume) flung a
Parthian glance at the young barbarian, and drew down a green veil,
which, next to the “fondling,” was the pride of her heart. Mr. Peters,
armed with a formidable whip, mounted to his seat by her side, and away
drove the trap, leaving the juvenile population aforesaid venting its
envy in the explosion of a perfect artillery of _jeux de mots_.

Mr. Vorkins’s trap was as a fairy vehicle to Kuppins, and Mr.
Vorkins’s elderly pony an enchanted quadruped, under the strokes of
whose winged hoofs Slopperton flew away like a smoky dream, and was
no more seen--an enchanted quadruped, by whose means the Slopperton
suburbs of unfinished houses, scaffolding, barren ground for sale in
building lots, ugly lean streets, and inky river, all melted into the
distance, giving place to a road that intersected a broad heath, in the
undulations of which lay fairy pools of blue water, in whose crystal
depths the good people might have admired their tiny beauties as in
a mirror. Indeed, it was pleasant to ride in Mr. Vorkins’s jingling
trap through the pure country air, scented with the odours of distant
bean-fields, and, looking back, to see the smoke of Sloppertonian
chimneys a mere black daub on the blue sky, and to be led almost to
wonder how, on the face of such a fair and lovely earth, so dark a blot
as Slopperton could be.

The Rosebush tea-gardens were a favourite resort of Slopperton on a
Sunday afternoon; and many teachers there were in that great city who
did not hesitate to say that the rosebushes of those gardens were
shrubs planted by his Satanic Majesty, and that the winding road
over Halford’s Heath, though to the ignorant eye bordered by bright
blue streams and sweet-smelling wild flowers, lay in reality between
two lakes of fire and brimstone. Some gentlemen, however, dared to
say--gentlemen who wore white neckcloths too, and were familiar and
welcome in the dwellings of the poor--that Slopperton might go to
more wicked places than Rosebush gardens, and might possibly be led
into more evil courses than the consumption of tea and watercresses
at ninepence a-head. But in spite of all differences of opinion, the
Rosebush gardens prospered, and Rosebush tea and bread-and-butter were
pleasant in the mouth of Slopperton.

Mr. Peters deposited his fair young companion, with the baby in her
arms, at the gate of the gardens--after having authorized her to order
two teas, and to choose an arbour--and walked off himself into the
village of Halford to transact his official business.

The ordering of the teas and the choosing of the arbour were a labour
of love with the fair Kuppins. She selected a rustic retreat, over
which the luxuriant tendrils of a hop-vine fell like a thick green
curtain. It was a sight to see Kuppins skirmishing with the earwigs
and spiders in their sylvan bower, and ultimately routing those
insects from the nests of their fathers. Mr. Peters returned from
the village in about an hour, hot and dusty, but triumphant as to
the issue of the business he had come about, and with an inordinate
thirst for tea at ninepence a-head. I don’t know whether Rosebush
gardens made much out of the two teas at ninepence, but I know the
bread-and-butter and watercresses disappeared by the aid of the
detective and his fair companion as if by magic. It was pleasant to
watch the “fondling” during this humble _fête champêtre_. He
had been brought up by hand, which would be better expressed as by
_spoon_, and had been fed on every variety of comestible, from
pap and farinaceous food to beef-steaks and onions and the soft roes
of red herrings--to say nothing of sugar-sticks, bacon rinds, and the
claws of shell-fish; he therefore, immediately upon the appearance
of the two teas, laid violent hands on a bunch of watercresses and
a slice of bread-and-butter, wiping the buttered side upon his
face--so as to give himself the appearance of an infant in a violent
perspiration--preparatory to its leisurely consumption. He also made
an onslaught on Mr. Peters’s cup of steaming tea, but scalding his
hands therewith, withdrew to the bosom of Kuppins, and gave vent to his
indignation in loud screams, which the detective said made the gardens
quite lively. After the two teas, Mr. Peters, attended by Kuppins and
the infant, strolled round the gardens, and peered into the arbours,
very few of which were tenanted this week-day afternoon. The detective
indulged in a gambling speculation with some wonderful machine, the
distinguishing features of which were numbers and Barcelona nuts; and
by the aid of which you might lose as much as threepence half-penny
before you knew where you were, while you could not by any possibility
win anything. There was also a bowling-green, and a swing, which
Kuppins essayed to mount, and which repudiated that young lady, by
precipitating her forward on her face at the first start.

Having exhausted the mild dissipations of the gardens, Mr. Peters
and Kuppins returned to their bower, where the gentleman sat smoking
his clay pipe, and contemplating the infant, with a perfect serenity
and calm enjoyment delightful to witness. But there was more on Mr.
Peters’s mind that summer’s evening than the infant. He was thinking of
the trial of Richard Marwood, and the part he had taken in that trial
by means of the dirty alphabet; he was thinking, perhaps, of the fate
of Richard--poor unlucky Richard, a hopeless and incurable lunatic,
imprisoned for life in a dreary asylum, and comforting himself in that
wretched place by wild fancies of imaginary greatness. Presently Mr.
Peters, with a preparatory snap of his fingers, asks Kuppins if she can
“call to mind that there story of the lion and the mouse.”

Kuppins _can_ call it to mind, and proceeds to narrate with
volubility, how a lion, once having rendered a service to a mouse,
found himself caught in a great net, and in need of a friend; how this
insignificant mouse had, by sheer industry and perseverance, effected
the escape of the mighty lion. Whether they lived happy ever afterwards
Kuppins couldn’t say, but had no doubt they did; that being the
legitimate conclusion of every legend, in this young lady’s opinion.

Mr. Peters scratched his head violently during this story, to which he
listened with his mouth very much round the corner; and when it was
finished he fell into a reverie that lasted till the distant Slopperton
clocks chimed the quarter before eight--at which time he laid down his
pipe, and departed to prepare Mr. Vorkins’s trap for the journey home.

Perhaps of the two journeys, the journey home was almost the more
pleasant. It seemed to Kuppins’s young imagination as if Mr. Peters was
bent on driving Mr. Vorkins’s trap straight into the sinking sun, which
was going down in a sea of crimson behind a ridge of purple heath.
Slopperton was yet invisible, except as a dark cloud on the purple sky.
This road across the heath was very lonely on every evening except
Sunday, and the little party only met one group of haymakers returning
from their work, and one stout farmer’s wife, laden with groceries,
hastening home from Slopperton. It was a still evening, and not a sound
rose upon the clear air, except the last song of a bird or the chirping
of a grasshopper. Perhaps, if Kuppins had been with anybody else, she
might have been frightened for Kuppins had a confused idea that such
appearances as highwaymen and ghosts are common to the vesper hour;
but in the company of Mr. Peters, Kuppins would have fearlessly met a
regiment of highwaymen, or a churchyard full of ghosts: for was he not
the law and the police in person, under whose shadow there could be no
fear?

Mr. Vorkins’s trap was fast gaining on the sinking sun, when Mr. Peters
drew up, and paused irresolutely between two roads. These diverging
roads met at a point a little further on, and the Sunday afternoon
pleasure-seekers crossing the heath took sometimes one, sometimes the
other; but the road to the left was the least frequented, being the
narrower and more hilly, and this road Mr. Peters took, still driving
towards the dark line behind which the red sun was going down.

The broken ground of the heath was all a-glow with the warm crimson
light; a dissipated skylark and an early nightingale were singing
a duet, to which the grasshoppers seemed to listen with suspended
chirpings; a frog of an apparently fretful disposition was keeping up
a captious croak in a ditch by the tide of the road; and beyond these
voices there seemed to be no sound beneath the sky. The peaceful
landscape and the tranquil evening shed a benign influence upon
Kuppins, and awakened the dormant poetry in that young lady’s breast.

“Lor’, Mr. Peters,” she said, “it’s hard to think in such a place as
this, that gents of your perfession should be wanted. I do think now,
if I was ever led to feel to want to take and murder somebody, which
I hopes ain’t likely--knowin’ my duty to my neighbour better--I do
think, somehow, this evening would come back to my mind, and I should
hear them birds a-singing, and see that there sun a-sinking, till I
shouldn’t be able to do it, somehow.”

Mr. Peters shakes his head dubiously: he is a benevolent man and a
philanthropist; but he doesn’t like his profession run down, and a
murder and bread-and-cheese are inseparable things in his mind.

“And, do you know,” continued Kuppins, “it seems to me as if, when this
world is so beautiful and quiet, it’s quite hard to think there’s one
wicked person in it to cast a shadow on its peace.”

As Kuppins said this, she and Mr. Peters were startled by a shadow
which came between them and the sinking sun--a distorted shadow thrown
across the narrow road from the sharp outline of the figure of a man
lying upon a hillock a little way above them. Now, there is not much
to alarm the most timid person in the sight of a man asleep upon a
summer’s evening among heath and wild flowers; but something in this
man’s appearance startled Kuppins, who drew nearer to Mr. Peters, and
held the “fondling,” now fast asleep and muffled in a shawl, closer to
her bosom. The man was lying on his back, with his face upturned to
the evening sky, and his arms straight down at his sides. The sound
of the wheels of Mr. Vorkins’s trap did not awaken him; and even when
Mr. Peters drew up with a sudden jerk, the sleeping man did not raise
his head. Now, I don’t know why Mr. Peters should stop, or why either
he or Kuppins should feel any curiosity about this sleeping man; but
they certainly did feel considerable curiosity. He was dressed rather
shabbily, but still like a gentleman; and it was perhaps a strange
thing for a gentleman to be sleeping so soundly in such a lonely spot
as this. Then again, there was something in his attitude--a want of
ease, a certain stiffness, which had a strange effect upon both Kuppins
and Mr. Peters.

“I wish he’d move,” said Kuppins; “he looks so awful quiet, lying there
all so lonesome.”

“Call to him, my girl,” said Mr. Peters with his fingers.

Kuppins essayed a loud “Hilloa,” but it was a dismal failure, on which
Mr. Peters gave a long shrill whistle, which must surely have disturbed
the peaceful dreams of the seven sleepers, though it might not have
awakened them. The man on the hillock never stirred. The pony, taking
advantage of the halt, drew nearer to the heath and began to crop the
short grass by the road-side, thus bringing Mr. Yorkins’s trap a little
nearer the sleeper.

“Get down, lass,” said the fingers of the detective; “get down, my
lass, and have a look at him, for I can’t leave this ’ere pony.”

Kuppins looked at Mr. Peters; and Mr. Peters looked at Kuppins, as much
as to say, “Well, what then?” So Kuppins to whom the laws of the Medes
and Persians would have been mild compared to the word of Mr. Peters,
surrendered the infant to his care, and descending from the trap,
mounted the hillock, and looked at the still reclining figure.

She did not look long, but returning rapidly to Mr. Peters, took hold
of his arm, and said--

“I don’t think he’s asleep--leastways, his eyes is open; but he don’t
look as if he could see anything, somehow. He’s got a little bottle in
his hand.”

Why Kuppins should keep so tight a hold on Mr. Peters’s arm while she
said this it is difficult to tell; but she did clutch his coat-sleeve
very tightly, looking back while she spoke with her white face turned
towards that whiter face under the evening sky.

Mr. Peters jumped quickly from the trap, tied the elderly pony to a
furze-bush, mounted the hillock, and proceeded to inspect the sleeping
figure. The pale set face, and the fixed blue eyes, looked up at the
crimson light melting into the purple shadows of the evening sky, but
never more would earthly sunlight or shadow, or night or morning, or
storm or calm, be of any account to that quiet figure lying on the
heath. Why the man was there, or how he had come there, was a part of
the great mystery under the darkness of which he lay; and that mystery
was Death! He had died apparently by poison administered by his own
hand; for on the grass by his side there was a little empty bottle
labelled “Opium,” on which his fingers lay, not clasping it, but lying
as if they had fallen over it. His clothes were soaked through with
wet, so that he must in all probability have lain in that place through
the storm of the previous night. A silver watch was in the pocket
of his waistcoat, which Mr. Peters found, on looking at it, to have
stopped at ten o’clock--ten o’clock of the night before, most likely.
His hat had fallen off, and lay at a little distance, and his curling
light hair hung in wet ringlets over his high forehead. His face was
handsome, the features well chiselled, but the cheeks were sunken and
hollow, making the large blue eyes seem larger.

Mr. Peters, in examining the pockets of the suicide, found no clue to
his identity; a handkerchief, a little silver, a few half-pence, a
penknife wrapped in a leaf torn out of a Latin Grammar, were the sole
contents.

The detective reflected for a few moments, with his mouth on one
side, and then, mounting the highest hillock near, looked over the
surrounding country. He presently descried a group of haymakers at
a little distance, whom he signalled with a loud whistle. To them,
through Kuppins as interpreter, he gave his directions; and two of the
tallest and strongest of the men took the body by the head and feet and
carried it between them, with Kuppins’s shawl spread over the still
white face. They were two miles from Slopperton, and those two miles
were by no means pleasant to Kuppins, seated in Mr. Vorkins’s trap,
which Mr. Peters drove slowly, so as to keep pace with the two men and
their ghastly burden. Kuppins’s shawl, which of course would never be
any use as a shawl again, was no good to conceal the sharp outline of
the face it covered; for Kuppins had seen those blue eyes, and once
to see was always to see them as she thought. The dreary journey came
at last to a dreary end at the police-office, where the men deposited
their dreadful load, and being paid for their trouble, departed
rejoicing. Mr. Peters was busy enough for the next half-hour giving an
account of the finding of the body, and issuing handbills of “Found
dead, &c.”

Kuppins and the “fondling” returned to Little Gulliver Street, and if
ever there had been a heroine in that street, that heroine was Kuppins.
People came from three streets off to see her, and to hear the story,
which she told so often that she came at last to tell it mechanically,
and to render it slightly obscure by the vagueness of her punctuation.
Anything in the way of supper that Kuppins would accept, and two or
three dozen suppers if Kuppins would condescend to partake of them,
were at Kuppins’s service; and her reign as heroine-in-chief of this
dark romance in real life was only put an end to by the appearance
of Mr. Peters, the hero, who came home by-and-by, hot and dusty, to
announce to the world of Little Gulliver Street, by means of the
alphabet, very grimy after his exertions, that the dead man had been
recognized as the principal usher of a great school up at the other
end of the town, and that his name was, or had been, Jabez North. His
motive for committing suicide he had carried a secret with him into
the dark and mysterious region to which he was a voluntary traveller;
and Mr. Peters, whose business it was to pry about the confines of
this shadowy land, though powerless to penetrate the interior, could
only discover some faint rumour of an ambitious love for his master’s
daughter as being the cause of the young usher’s untimely end. What
secrets this dead man had carried with him into the shadow-land, who
shall say? There might be one, perhaps, which even Mr. Peters, with his
utmost acuteness, could not discover.




                             CHAPTER VII.

                   THE USHER RESIGNS HIS SITUATION.


ON the very day on which Mr. Peters treated Kuppins and the “fondling”
to tea and watercresses, Dr. Tappenden and Jane his daughter returned
to their household gods at Slopperton.

Who shall describe the ceremony and bustle with which that great
dignitary, the master of the house, was received? He had announced
his return by the train which reached Slopperton at seven o’clock;
so at that hour a well-furnished tea-table was ready laid in the
study--that terrible apartment which little boys entered with red eyes
and pale cheeks, emerging therefrom in a pleasant glow, engendered
by a specific peculiar to schoolmasters whose desire it is not to
spoil the child. But no ghosts of bygone canings, no infantine
whimpers from shadow-land--(though little Allecompain, dead and gone,
had received correction in this very room)--haunted the Doctor’s
sanctorum--a cheerful apartment, warm in winter, and cool in summer,
and handsomely furnished at all times. The silver tea-pot reflected
the evening sunshine; and reflected too Sarah Jane laying the table,
none the handsomer for being represented upside down, with a tendency
to become collapsed or elongated, as she hovered about the tea-tray.
Anchovy-paste, pound-cake, Scotch marmalade and fancy bread, all seemed
to cry aloud for the arrival of the doctor and his daughter to demolish
them; but for all that there was fear in the hearts of the household as
the hour for that arrival drew near. What would he say to the absence
of his factotum? Who should tell him? Every one was innocent enough,
certainly; but in the first moment of his fury might not the descending
avalanche of the Doctor’s wrath crush the innocent? Miss Smithers--who,
as well as being presiding divinity of the young gentlemen’s wardrobes,
was keeper of the keys of divers presses and cupboards, and had sundry
awful trusts connected with tea and sugar and butchers’ bills--was
elected by the whole household, from the cook to the knife-boy, as
the proper person to make the awful announcement of the unaccountable
disappearance of Mr. Jabez North. So, when the doctor and his daughter
had alighted from the fly which brought them and their luggage from the
station, Miss Smithers hovered timidly about them, on the watch for a
propitious moment.

“How have you enjoyed yourself, miss? Judging by your looks I should
say very much indeed, for never did I see you looking better,” said
Miss Smithers, with more enthusiasm than punctuation, as she removed
the shawl from the lovely shoulders of Miss Tappenden.

“Thank you, Smithers, I am better,” replied the young lady, with
languid condescension. Miss Tappenden, on the strength of never having
anything the matter with her, was always complaining, and passed her
existence in taking sal-volatile and red lavender, and reading three
volumes a day from the circulating library.

“And how,” asked the ponderous voice of the ponderous Doctor, “how
is everything going on, Smithers?” By this time they were seated at
the tea-table, and the learned Tappenden was in the act of putting
five lumps of sugar in his cup, while the fair Smithers lingered in
attendance.

“Quite satisfactory, sir, I’m sure,” replied that young lady, growing
very much confused. “Everything quite satisfactory, sir; leastways----”

“What do you mean by _leastways_, Smithers?” asked the Doctor,
impatiently. “In the first place it isn’t English; and in the next
it sounds as if it meant something unpleasant. For goodness sake,
Smithers, be straightforward and business-like. Has anything gone
wrong? What is it? And why wasn’t I informed of it?”

Smithers, in despair at her incapability of answering these three
questions at once, as no doubt she ought to have been able to do, or
the Doctor would not have asked them, stammered out,--

“Mr. North, sir----”

“‘Mr. North, sir’! Well, what of ‘Mr. North, sir’? By the bye, where is
Mr. North? Why isn’t he here to receive us?”

Smithers feels that she is in for it; so, after two or three nervous
gulps, and other convulsive movements of the throat, she continues
thus--“Mr. North, sir, didn’t come home last night, sir. We sat up for
him till one o’clock this morning--last night, sir.”

The rising storm in the Doctor’s face is making Smithers’s English more
_un_-English every moment.

“Didn’t come last night? Didn’t return to my house at the hour of ten,
which hour has been appointed by me for the retiring to rest of every
person in my employment?” cried the Doctor, aghast.

“No, sir! Nor yet this morning, sir! Nor yet this afternoon, sir! And
the West-Indian pupils have been looking out of the window, sir, and
would, which we told them not till we were hoarse, sir.”

“The person intrusted by me with the care of my pupils abandoning
his post, and my pupils looking out of the window!” exclaimed Dr.
Tappenden, in the tone of a man who says--“The glory of England has
departed! You wouldn’t, perhaps, believe it; but it has!”

“We didn’t know what to do, sir, and so we thought we’d better not do
it,” continued the bewildered Smithers. “And we thought as you was
coming back to-day, we’d better leave it till you did come back--and
please, sir, will you take any new-laid eggs?”

“Eggs!” said the Doctor; “new-laid eggs! Go away, Smithers. There must
be some steps taken immediately. That young man was my right hand, and
I would have trusted him with untold gold; or,” he added, “with my
cheque-book.”

As he uttered the words “cheque-book,” he, as it were instinctively,
laid his hand upon the pocket which contained that precious volume;
but as he did so, he remembered that he had used the last leaf but one
when writing a cheque for a midsummer butcher’s bill, and that he had
a fresh book in his desk untouched. This desk was always kept in the
study, and the Doctor gave an involuntary glance in the direction in
which it stood.

It was a very handsome piece of furniture, ponderous, like the Doctor
himself; a magnificent construction of shining walnut-wood and dark
green morocco, with a recess for the Doctor’s knees, and on either
side of this recess two rows of drawers, with brass handles and Bramah
locks. The centre drawer on the left hand side contained an inner and
secret drawer, and towards the lock of this drawer the Doctor looked,
for this contained his new cheque-book. The walnut-wood round the lock
of this centre drawer seemed a little chipped; the Doctor thought he
might as well get up and look at it; and a nearer examination showed
the brass handle to be slightly twisted, as if a powerful hand had
wrenched it out of shape. The Doctor, taking hold of the handle to
pull it straight, drew the drawer out, and scattered its contents upon
the floor; also the contents of the inner drawer, and amongst them the
cheque-book, half-a-dozen leaves of which had been torn out.

“So,” said the Doctor, “this man, whom I trusted, has broken open my
desk, and finding no money, he has taken blank cheques, in the hope of
being able to forge my name. To think that I did not know this man!”

To think that you did not, Doctor; to think, too, that you do not even
now, perhaps, know half this man may have been capable of.

But it was time for action, not reflection; so the Doctor hurried to
the railway station, and telegraphed to his bankers in London to
stop any cheques presented in his signature, and to have the person
presenting such cheques immediately arrested. From the railway station
he hurried, in an undignified perspiration, to the police-office,
to institute a search for the missing Jabez, and then returned
home, striking terror into the hearts of his household, ay, even to
the soul of his daughter, the lovely Jane, who took an extra dose
of sal-volatile, and went to bed to read “Lady Clarinda, or the
Heart-breaks of Belgravia.”

With the deepening twilight came a telegraphic message from the bank
to say that cheques for divers sums had been presented and cashed by
different people in the course of the day. On the heels of this message
came another from the police-station, announcing that a body had been
found upon Halford Heath answering to the description of the missing
man.


The bewildered schoolmaster, hastening to the station, recognises,
at a glance, the features of his late assistant. The contents of
the dead man’s pocket, the empty bottle with the too significant
label, are shown him. No, some other hand than the usher’s must have
broken open the desk in the study, and the unfortunate young man’s
reputation had been involved in a strange coincidence. But the motive
for his rash act? That is explained by a most affecting letter in the
dead man’s hand, which is found in his desk. It is addressed to the
Doctor, expresses heartfelt gratitude for that worthy gentleman’s past
kindnesses, and hints darkly at a hopeless attachment to his daughter,
which renders the writer’s existence a burden too heavy for him to
bear. For the rest, Jabez North has passed a threshold, over which the
boldest and most inquisitive scarcely care to follow him. So he takes
his own little mystery with him into the land of the great mystery.

There is, of course, an inquest, at which two different chemists, who
sold laudanum to Jabez North on the night before his disappearance,
give their evidence. There is another chemist, who deposes to having
sold him, a day or two before, a bottle of patent hair-dye, which is
also a poisonous compound; but surely he never could have thought of
poisoning himself with hair-dye.

The London police are at fault in tracing the presenters of the
cheques; and the proprietors of the bank, or the clerks, who maintain
a common fund to provide against their own errors, are likely to be
considerable losers. In the meanwhile the worthy Doctor announces, by
advertisements in the Slopperton papers, that “his pupils assemble on
the 27th of July.”




                           =Book the Third.=

                           HOLY INSTITUTION.


                              CHAPTER I.

                     THE VALUE OF AN OPERA-GLASS.


PARIS!--City of fashion, pleasure, beauty, wealth, rank, talent, and
indeed all the glories of the earth. City of palaces, in which La
Vallière smiled, and Scarron sneered; under whose roofs the echoes
of Bossuet’s voice have resounded, while folly, coming to be amused,
has gone away in tears, only to forget to-morrow what it has heard
to-night. Glorious city, in which a _bon mot_ is more famous than
a good action; which is richer in the records of Ninon de Lenclos than
in those of Joan of Arc; for which Beaumarchais wrote, and Marmontel
moralised; which Scottish John Law infected with a furious madness, in
those halcyon days when jolly, good-tempered, accomplished, easy-going
Philippe of Orléans held the reins of power. Paris, which young Arouet,
afterwards Voltaire, ruled with the distant jingle of his jester’s
wand, from the far retreat of Ferney. Paris, in which Madame du Deffand
dragged out those weary, brilliant, dismal, salon-keeping years,
quarrelling with Mademoiselle de l’Espinasse, and corresponding with
Horace Walpole; _ce cher_ Horace, who described those brilliant
French ladies as women who neglected all the duties of life, and gave
very pretty suppers.

Paris, in which Bailly spoke, and Madame Roland dreamed; in which
Marie Antoinette despaired, and gentle Princess Elizabeth laid down
her saintly life; in which the son of St. Louis went calmly to the
red mouth of that terrible machine invented by the charitable doctor
who thought to benefit his fellow creatures. City, under whose roofs
bilious Robespierre suspected and feared; beneath whose shadow the
glorious twenty-two went hand in hand to death, with the psalm of
freedom swelling from their lips. Paris, which rejoiced when Marengo
was won, and rang joy-bells for the victories of Lodd Arcola,
Austerlitz, Auerstedt, and Jena; Paris, which mourned over fatal
Waterloo, and opened its arms, after weary years of waiting, to take
to its heart only the ashes of the ruler of its election; Paris,
the marvellous; Paris, the beautiful, whose streets are streets of
palaces--fairy wonders of opulence and art;--can it be that under
some of thy myriad roofs there are such incidental trifles as misery,
starvation, vice, crime, and death? Nay, we will not push the question,
but enter at once into one of the most brilliant of the temples of that
goddess whose names are Pleasure, Fashion, Folly, and Idleness: and
what more splendid shrine can we choose whereat to worship the divinity
called Pleasure than the Italian Opera House?

To-night the house is thronged with fashion and beauty. Bright uniforms
glitter in the backgrounds of the boxes, and sprinkle the crowded
parterre. The Citizen King is there--not King of France; no such poor
title will he have, but King of the French. His throne is based, not on
the broad land, but on the living hearts of his people. May it never
prove to be built on a shallow foundation! In eighteen hundred and
forty-two all is well for Louis Philippe and his happy family.

In the front row of the stalls, close to the orchestra, a young man
lounges, with his opera-glass in his hand. He is handsome and very
elegant, and is dressed in the most perfect taste and the highest
fashion. Dark curling hair clusters round his delicately white
forehead; his eyes are of a bright blue, shaded by auburn lashes, which
contrast rather strangely with his dark hair. A very dark and thick
moustache only reveals now and then his thin lower lip and a set of
dazzling white teeth. His nose is a delicate aquiline, and his features
altogether bear the stamp of aristocracy. He is quite alone, this
elegant lounger, and of the crowd of people of rank and fashion around
him not one turns to speak to him. His listless white hand is thrown
on the cushion of the stall on which he leans, as he glances round the
house with one indifferent sweep of his opera-glass. Presently his
attention is arrested by the conversation of two gentlemen close to
him, and without seeming to listen, he hears what they are saying.

“Is the Spanish princess here to-night?” asks one.

“What, the marquis’s niece, the girl who has that immense property in
Spanish America? Yes, she is in the box next to the king’s; don’t you
see her diamonds? They and her eyes are brilliant enough to set the
curtains of the box on fire.”

“She is immensely rich, then?”

“She is an Eldorado. The Marquis de Cevennes has no children, and all
his property will go to her; her Spanish American property comes from
her mother. She is an orphan, as you know, and the marquis is her
guardian.”

“She is handsome; but there’s just a little too much of the demon in
those great almond-shaped black eyes and that small determined mouth.
What a fortune she would be to some intriguing adventurer!”

“An adventurer! Valerie de Cevennes the prize of an adventurer! Show me
the man capable of winning her, without rank and fortune equal to hers;
and I will say you have found the eighth wonder of the world.”

The listener’s eyes light up with a strange flash, and lifting his
glass, he looks for a few moments carelessly round the house, and then
fixes his gaze upon the box next to that occupied by the royal party.

The Spanish beauty is indeed a glorious creature; of a loveliness
rich alike in form and colour, but with hauteur and determination
expressed in every feature of her face. A man of some fifty years of
age is seated by her side, and behind her chair two or three gentlemen
stand, the breasts of whose coats glitter with stars and orders. They
are speaking to her; but she pays very little attention to them. If
she answers, it is only by a word, or a bend of her proud head, which
she does not turn towards them. She never takes her eyes from the
curtain, which presently rises. The opera is _La Sonnambula_.
The Elvino is the great singer of the day--a young man whose glorious
voice and handsome face have made him the rage of the musical world.
Of his origin different stories are told. Some say he was originally
a shoemaker, others declare him to be the son of a prince. He has,
however, made his fortune at seven-and-twenty, and can afford to
laugh at these stories. The opera proceeds, and the powerful glass of
the lounger in the stalls records the minutest change in the face of
Valerie de Cevennes. It records one faint quiver, and then a firmer
compression of the thin lips, when the Elvino appears; and the eyes of
the lounger fasten more intently, if possible, than before upon the
face of the Spanish beauty.

Presently Elvino sings the grand burst of passionate reproach, in
which he upbraids Amina’s fancied falsehood. As the house applauds at
the close of the scene, Valerie’s bouquet falls at the feet of the
Amina. Elvino, taking it in his hand, presents it to the lady, and as
he does so, the lounger’s glass--which, more rapidly than the bouquet
has fallen, has turned to the stage--records a movement so quick as to
be almost a feat of leger-de-main. The great tenor has taken a note
from the bouquet. The lounger sees the triumphant glance towards the
box next the king’s, though it is rapid as lightning. He sees the tiny
morsel of glistening paper crumpled in the singer’s hand; and after one
last contemplative look at the proud brow and set lips of Valerie de
Cevennes, he lowers the glass.

“My glass is well worth the fifteen guineas I paid for it,” he
whispers to himself. “That girl can command her eyes; they have not one
traitorous flash. But those thin lips cannot keep a secret from a man
with a decent amount of brains.”

When the opera is over, the lounger of the stalls leaves his place by
the orchestra, and loiters in the winter night outside the stage-door.
Perhaps he is enamoured of some lovely _coryphée_--lovely in all
the gorgeousness of flake white and liquid rouge; and yet that can
scarcely be, or he would be still in the stalls, or hovering about the
side-scenes, for the _ballet_ is not over. Two or three carriages,
belonging to the principal singers, are waiting at the stage-door.
Presently a tall, stylish-looking man, in a loose overcoat, emerges;
a groom opens the door of a well-appointed little brougham, but the
gentleman says--

“No, Farée, you can go home. I shall walk.”

“But, monsieur,” remonstrates the man, “monsieur is not aware that it
rains.”

Monsieur says he is quite aware of the rain; but that he has an
umbrella, and prefers walking. So the brougham drives off with the
distressed Farée, who consoles himself at a café high up on the
boulevard, where he plays _écarté_ with a limp little pack of
cards, and drinks effervescing lemonade.

The lounger of the stalls, standing in the shadow, hears this little
dialogue, and sees also, by the light of the carriage-lamps, that
the gentleman in the loose coat is no less a personage than the hero
of the opera. The lounger also seems to be indifferent to the rain,
and to have a fancy for walking; for when Elvino crosses the road
and turns into an opposite street, the lounger follows. It is a dark
night, with a little drizzling rain--a night by no means calculated to
tempt an elegantly-dressed young man to brave all the disagreeables
and perils of dirty pavements and overflowing gutters; but neither
Elvino nor the lounger seem to care for mud or rain, for they walk
at a rapid pace through several streets--the lounger always a good
way behind and always in the shadow. He has a light step, which wakes
no echo on the wet pavement; and the fashionable tenor has no idea
that he is followed. He walks through long narrow streets to the Rue
Rivoli, thence across one of the bridges. Presently he enters a very
aristocratic but retired street, in a lonely quarter of the city. The
distant roll of carriages and the tramp of a passing _gendarmes_
are the only sounds that break the silence. There is not a creature
to be seen in the wide street but the two men. Elvino turns to look
about him, sees no one, and walks on till he comes to a mansion at the
corner, screened from the street by a high wall, with great gates and
a porter’s lodge. Detached from the house, and sheltered by an angle
of the wall, is a little pavilion, the windows of which look into the
courtyard or garden within. Close to this pavilion is a narrow low
door of carved oak, studded with great iron nails, and almost hidden
in the heavy masonry of the wall which frames it. The house in early
times has been a convent, and is now the property of the Marquis de
Cevennes. Elvino, with one more glance up and down the dimly-lighted
street, approaches this doorway, and stooping down to the keyhole
whistles softly three bars of a melody from Don Giovanni--_Là ci
darem la mano_.

“So!” says the lounger, standing in the shadow of a house opposite, “we
are getting deeper into the mystery; the curtain is up, and the play is
going to begin.”

As the clocks of Paris chime the half-hour after eleven the little door
turns on its hinges, and a faint light in the courtyard within falls
upon the figure of the fashionable tenor. This light comes from a lamp
in the hand of a pretty-looking, smartly-dressed girl, who has opened
the door.

“She is not the woman I took her for, this Valerie,” says the
lounger, “or she would have opened that door herself. She makes her
waiting-maid her confidante--a false step, which proves her either
stupid or inexperienced. Not stupid; her face gives the lie to that.
Inexperienced then. So much the better.”

As the spy meditates time, Elvino passes through the doorway, stooping
as he crosses the threshold, and the light disappears.

“This is either a private marriage, or something worse,” mutters the
lounger. “Scarcely the last. Hers is the face of a woman capable of a
madness, but not of degradation--the face of a Phædra rather than a
Messalina. I have seen enough of the play for to-night.”




                              CHAPTER II.

                         WORKING IN THE DARK.


EARLY the next morning a gentleman rings the bell of the porter’s lodge
belonging to the mansion of the Marquis de Cevennes, and on seeing the
porter addresses him thus--

“The lady’s-maid of Mademoiselle Valerie de Cevennes is perhaps visible
at this early hour?”

The porter thinks not; it is very early, only eight o’clock;
Mademoiselle Finette never appears till nine. The toilette of her
mistress is generally concluded by twelve; after twelve, the porter
thinks monsieur may succeed in seeing Mademoiselle Finette--before
twelve, he thinks not.

The stranger rewards the porter with a five-franc piece for this
valuable information; it is very valuable to the stranger, who is the
lounger of the last night, to discover that the name of the girl who
held the lamp is Finette.

The lounger seems to have as little to do this morning as he had last
night; for he leans against the gateway, his cane in his hand, and a
half-smoked cigar in his mouth, looking up at the house of the marquis
with lazy indifference.

The porter, conciliated by the five-franc piece, is inclined to gossip.

“A fine old building,” says the lounger, still looking up at the house,
every window of which is shrouded by ponderous Venetian shutters.

“Yes, a fine old building. It has been in the family of the marquis for
two hundred years, but was sadly mutilated in the first revolution;
monsieur may see the work of the cannon amongst the stone decorations.”

“And that pavilion to the left, with the painted windows and Gothic
decorations--a most extraordinary little edifice,” says the lounger.

Yes, monsieur has observed it? It is a great deal more modern than the
house; was built so lately as the reign of Louis the Fifteenth, by a
dissipated old marquis who gave supper-parties at which the guests
used to pour champagne out of the windows, and pelt the servants in
the courtyard with the empty bottles. It is certainly a curious little
place; but would monsieur believe something more curious?

Monsieur declares that he is quite willing to believe anything the
porter may be good enough to tell him. He says this with a well-bred
indifference, as he lights a fresh cigar, which is quite aristocratic,
and which might stamp him a scion of the noble house of De Cevennes
itself.

“Then,” replies the porter, “monsieur must know that Mademoiselle
Valerie, the proud, the high-born, the beautiful, has lately taken it
into her aristocratic head to occupy that pavilion, attended only by
her maid Finette, in preference to her magnificent apartments, which
monsieur may see yonder on the first floor of the mansion--a range of
ten windows. Does not monsieur think this very extraordinary?”

Scarcely. Young ladies have strange whims. Monsieur never allows
himself to be surprised by a woman’s conduct, or he might pass his life
in a state of continual astonishment.

The porter perfectly agrees with monsieur. The porter is a married
man, “and, monsieur----?” the porter ventures to ask with a shrug of
interrogation.

Monsieur says he is not married yet.

Something in monsieur’s manner emboldens the porter to say--

“But monsieur is perhaps contemplating a marriage?”

Monsieur takes his cigar from his mouth, raises his blue eyes to the
level of the range of ten windows, indicated just now by the porter,
takes one long and meditative survey of the magnificent mansion
opposite him, and then replies, with aristocratic indifference--

“Perhaps. These Cevennes are immensely rich?”

“Immensely! To the amount of millions.” The porter is prone to
extravagant gesticulation, but he cannot lift either his eyebrows or
his shoulders high enough to express the extent of the wealth of the De
Cevennes.

The lounger takes out his pocket-book, writes a few lines, and tearing
the leaf out, gives it to the porter, saying--

“You will favour me, my good friend, by giving this to Mademoiselle
Finette at your earliest convenience. You were not always a married
man; and can therefore understand that it will be as well to deliver my
little note secretly.”

Nothing can exceed the intense significance of the porter’s wink as he
takes charge of the note. The lounger nods an indifferent good-day, and
strolls away.

“A marquis at the least,” says the porter. “O, Mademoiselle Finette,
you do not wear black satin gowns and a gold watch and chain for
nothing.”

The lounger is ubiquitous, this winter’s day. At three o’clock in the
afternoon he is seated on a bench in the gardens of the Luxembourg,
smoking a cigar. He is dressed as before, in the last Parisian fashion;
but his greatcoat is a little open at the throat, displaying a
loosely-tied cravat of a peculiarly bright blue.

A young person of the genus lady’s-maid, tripping daintily by, is
apparently attracted by this blue cravat, for she hovers about the
bench for a few moments and then seats herself at the extreme end of
it, as far as possible from the indifferent lounger, who has not once
noticed her by so much as one glance of his cold blue eyes.

His cigar is nearly finished, so he waits till it is quite done; then,
throwing away the stump, he says, scarcely looking at his neighbour--

“Mademoiselle Finette, I presume?”

“The same, monsieur.”

“Then perhaps, mademoiselle, as you have condescended to favour me with
an interview, and as the business on which I have to address you is of
a strictly private nature, you will also condescend to come a little
nearer to me?”

He says this without appearing to look at her, while he lights another
cigar. He is evidently a desperate smoker, and caresses his cigar,
looking at the red light and blue smoke almost as if it were his
familiar spirit, by whose aid he could work out wonderful calculations
in the black art, and without which he would perhaps be powerless.
Mademoiselle Finette looks at him with a great deal of surprise and
not a little indignation, but obeys him, nevertheless, and seats
herself close by his side.

“I trust monsieur will believe that I should never have consented to
afford him this interview, had I not been assured--”

“Monsieur will spare you, mademoiselle, the trouble of telling him why
you come here, since it is enough for him that you are here. I have
nothing to do, mademoiselle, either with your motives or your scruples.
I told you in my note that I required you to do me a service, for
which I could afford to pay you handsomely; that, on the other hand,
if you were unwilling to do me this service, I had it in my power to
cause your dismissal from your situation. Your coming here is a tacit
declaration of your willingness to serve me. So much and no more
preface is needed. And now to business.”

He seems to sweep this curt preface away, as he waves off a cloud of
the blue smoke from his cigar with one motion of his small hand. The
lady’s-maid, thoroughly subdued by a manner which is quite new to her,
awaits his pleasure to speak, and stares at him with surprised black
eyes.

He is not in a hurry. He seems to be consulting the blue smoke prior to
committing himself by any further remark. He takes his cigar from his
mouth, and looks into the bright red spot at the lighted end, as if it
were the lurid eye of his familiar demon. After consulting it for a few
seconds he says, with the same indifference with which he would make
some observation on the winter’s day--

“So, your mistress, Mademoiselle Valerie de Cevennes, has been so
imprudent as to contract a secret marriage with an opera-singer?”

He has determined on hazarding his guess. If he is right, it is the
best and swiftest way of coming at the truth; if wrong, he is no worse
off than before. One glance at the girl’s face tells him he has struck
home, and has hit upon the entire truth. He is striking in the dark;
but he is a mathematician, and can calculate the effect of every blow.

“Yes, a secret marriage, of which you were the witness.” This is his
second blow; and again the girl’s face tells him he has struck home.

“Father Pérot has betrayed us, then, monsieur, for he alone could tell
you this,” said Finette.

The lounger understands in a moment that Father Pérot is the priest who
performed the marriage. Another point in his game. He continues, still
stopping now and then to take a puff at his cigar, and speaking with an
air of complete indifference--

“You see, then, that this secret marriage, and the part you took with
regard to it, have, no matter whether through the worthy priest, Father
Pérot----” (he stops at this point to knock the ashes from his cigar,
and a sidelong glance at the girl’s face tells him that he is right
again, Father Pérot _is_ the priest)--“or some other channel, come
to my knowledge. Though a French woman, you may be acquainted with the
celebrated aphorism of one of our English neighbours, ‘Knowledge is
power.’ Very well, mademoiselle, how if I use my power?”

“Monsieur means that he can deprive me of my present place, and prevent
my getting another.” As she said this, Mademoiselle Finette screwed
out of one of her black eyes a small bead of water, which was the best
thing she could produce in the way of a tear, but which, coming into
immediate contact with a sticky white compound called pearl-powder,
used by the lady’s-maid to enhance her personal charms, looked rather
more like a digestive pill than anything else.

“But, on the other hand, I may not use my power; and, indeed, I should
deeply regret the painful necessity which would compel me to injure a
lady.”

Mademoiselle Finette, encouraged by this speech, wiped away the
digestive pill.

“Therefore, mademoiselle, the case resolves itself to this: serve me,
and I will reward you; refuse to do so, and I can injure you.”

A cold glitter in the blue eyes converts the words into a threat,
without the aid of any extra emphasis from the voice.

“Monsieur has only to command,” answers the lady’s-maid; “I am ready to
serve him.”

“This Monsieur Elvino will be at the gate of the little pavilion
to-night----?”

“At a quarter to twelve.”

“Then _I_ will be there at half-past eleven. You will admit me
instead of him. That is all.”

“But my mistress, monsieur: she will discover that I have betrayed her,
and she will kill me. You do not know Mademoiselle de Cevennes.”

“Pardon me, I think I do know her. She need never learn that you have
betrayed her. Remember, I have discovered the appointed signal;--you
are deceived by my use of that signal, and you open the door to the
wrong man. For the rest I will shield you from all harm. Your mistress
is a glorious creature; but perhaps that high spirit may be taught to
bend.”

“It must first be broken, monsieur,” says Mademoiselle Finette.

“Perhaps,” answers the lounger, rising as he speaks. “Mademoiselle,
_au revoir_.” He drops five twinkling pieces of gold into her
hand, and strolls slowly away.

The lady’s-maid watches the receding figure with a bewildered stare.
Well may Finette Léris be puzzled by this man: he might mystify wiser
heads than hers. As he walks with his lounging gait through the winter
sunset, many turn to look at his aristocratic figure, fair face, and
black hair. If the worst man who looked at him could have seen straight
through those clear blue eyes into his soul, would there have been
something revealed which might have shocked and revolted even this
worst man? Perhaps. Treachery is revolting, surely, to the worst of
us. The worst of us might shrink appalled from the contemplation of
those hideous secrets which are hidden in the plotting brain and the
unflinching heart of the cold-blooded traitor.




                             CHAPTER III.

                          THE WRONG FOOTSTEP.


HALF-PAST eleven from the great booming voice of Notre Dame the
magnificent. Half-past eleven from every turret in the vast city of
Paris. The musical tones of the timepiece over the chimney in the
boudoir of the pavilion testify to the fact five minutes afterwards.
It is an elegant timepiece, surmounted by a group from the hand of a
fashionable sculptor, a group in which a golden Cupid has hushed a grim
bronze Saturn to sleep, and has hidden the old man’s hour-glass under
one of his lacquered wings--a pretty design enough, though the sand in
the glass will never move the slower, or wrinkles and gray hairs be
longer coming, because of the prettiness of that patrician timepiece;
for the minute-hand on the best dial-plate that all Paris can produce
is not surer in its course than that dark end which spares not the
brightest beginning, that weary awakening which awaits the fairest
dream.

This little apartment in the pavilion belonging to the house of
the Marquis de Cevennes is furnished in the style of the Pompadour
days of elegance, luxury, and frivolity. Oval portraits of the
reigning beauties of that day are let into the panels of the walls,
and “Louis the Well-beloved” smiles an insipid Bourbon smile above
the mantelpiece. The pencil of Boucher has immortalized those
frail goddesses of the Versailles Olympus, and their coquettish
loveliness lights the room almost as if they were living creatures,
smiling unchangingly on every comer. The chimney-piece is of marble,
exquisitely carved with lotuses and water-nymphs. A wood fire burns
upon the gilded dogs which ornament the hearth. A priceless Persian
carpet covers the centre of the polished floor; and a golden Cupid,
suspended from the painted ceiling in an attitude which suggests such
a determination of blood to the head as must ultimately result in
apoplexy, holds a lamp of alabaster, which floods the room with a soft
light.

Under this light the mistress of the apartment, Valerie de Cevennes,
looks gloriously handsome. She is seated in a low arm-chair by the
hearth--looking sometimes into the red blaze at her feet, with dreamy
eyes, whose profound gaze, though thoughtful, is not sorrowful. This
girl has taken a desperate step in marrying secretly the man she loves;
but she has no regret, for she _does_ love; and loss of position
seems so small a thing in the balance when weighed against this love,
which is as yet unacquainted with sorrow, that she almost forgets
she has lost it. Even while her eyes are fixed upon the wood fire
at her feet, you may see that she is listening; and when the clocks
have chimed the half-hour, she turns her head towards the door of the
apartment, and listens intently. In five minutes she hears something--a
faint sound in the distance, the sound of an outer door turning on
its hinges. She starts, and her eyes brighten; she glances at the
timepiece, and from the timepiece to the tiny watch at her side.

“So soon!” she mutters; “he said a quarter to twelve. If my uncle had
been here! And he only left me at eleven o’clock!”

She listens again; the sounds come nearer--two more doors open, and
then there are footsteps on the stairs. At the sound of these footsteps
she starts again, with a look of anxiety in her face.

“Is he ill,” she says, “that he walks so slowly? Hark!”

She turns pale and clasps her hands tightly upon her breast.

“It is not his step!”

She knows she is betrayed; and in that one moment she prepares herself
for the worst. She leans her hand upon the back of the chair from which
she has risen, and stands, with her thin lips firmly set, facing the
door. She may be facing her fate for aught she knows, but she is ready
to face anything.

The door opens, and the lounger of the morning enters. He wears a coat
and hat of exactly the same shape and colour as those worn by the
fashionable tenor, and he resembles the tenor in build and height. An
easy thing, in the obscurity of the night, for the faithful Finette
to admit this stranger without discovering her mistake. One glance at
the face and attitude of Valerie de Cevennes tells him that she is not
unprepared for his appearance. This takes him off his guard. Has he,
too, been betrayed by the lady’s-maid? He never guesses that his light
step betrayed him to the listening ear which love has made so acute. He
sees that the young and beautiful girl is prepared to give him battle.
He is disappointed. He had counted upon her surprise and confusion, and
he feels that he has lost a point in his game. She does not speak, but
stands quietly waiting for him to address her, as she might were he an
ordinary visitor.

“She is a more wonderful woman than I thought,” he says to himself,
“and the battle will be a sharp one. No matter! The victory will be so
much the sweeter.”

He removes his hat, and the light falls full upon his pale fair face.
Something in that face, she cannot tell what, seems in a faint, dim
manner, familiar to her--she has seen some one like this man, but when,
or where, she cannot remember.

“You are surprised, madame, to see me,” he says, for he feels that he
must begin the attack, and that he must not spare a single blow, for
he is to fight with one who can parry his thrusts and strike again.
“You are surprised. You command yourself admirably in repressing any
demonstration of surprise, but you are not the less surprised.”

“I am certainly surprised, monsieur, at receiving any visitor at such
an hour.” She says this with perfect composure.

“Scarcely, madame,” he looks at the timepiece; “for in five minutes
from this your husband will--or should--be here.”

Her lips tighten, and her jaw grows rigid in spite of herself. The
secret is known, then--known to this stranger, who dares to intrude
himself upon her on the strength of this knowledge.

“Monsieur,” she says, “people rarely insult Valerie de Cevennes
with impunity. You shall hear from my uncle to-morrow morning; for
to-night--” she lays her hand upon the mother-of-pearl handle of a
little bell; he stops her, saying, smilingly--

“Nay, madame, we are not playing a farce. You wish to show me the door?
You would ring that bell, which no one can answer but Finette, your
maid, since there is no one else in this charming little establishment.
I shall not be afraid of Finette, even if you are so imprudent as to
summon her; and I shall not leave you till you have done me the honour
of granting me an interview. For the rest, I am not talking to Valerie
de Cevennes, but to Valerie de Lancy; Valerie, the wife of Elvino;
Valerie, the lady of Don Giovanni.”

De Lancy is the name of the fashionable tenor. This time the haughty
girl’s thin lips quiver, with a rapid, convulsive movement. What stings
her proud soul is the contempt with which this man speaks of her
husband. Is it such a disgrace, then, this marriage of wealth, rank,
and beauty, with genius and art?

“Monsieur,” she says, “you have discovered my secret. I have been
betrayed either by my servant, or the priest who married me--no matter
which of them is the traitor. You, who, from your conduct of to-night,
are evidently an adventurer, a person to whom it would be utterly vain
to speak of honour, chivalry, and gentlemanly feeling--since they are
doubtless words of which you do not even know the meaning--you wish
to turn the possession of this secret to account. In other words, you
desire to be bought off. You know, then, what I can afford to pay you.
Be good enough to say how much will satisfy you, and I will appoint a
time and place at which you shall receive your earnings. You will be
so kind as to lose no time. It is on the stroke of twelve; in a moment
Monsieur De Lancy will be here. He may not be disposed to make so good
a bargain with you as I am. He might be tempted to throw you out of the
window.”

She has said this with entire self-possession. She might be talking to
her _modiste_, so thoroughly indifferent is she in her high-bred
ease and freezing contempt for the man to whom she is speaking. As
she finishes she sinks quietly into her easy-chair. She takes up a
book from a little table near her, and begins to cut the leaves with a
jewelled-handled paper-knife. But the battle has only just begun, and
she does not yet know her opponent.

He watches her for a moment; marks the steady hand with which she
slowly cuts leaf after leaf, without once notching the paper; and
then he deliberately seats himself opposite to her in the easy-chair
on the other side of the fireplace. She lifts her eyes from the book,
and looks him full in the face with an expression of supreme disdain;
but as she looks, he can see how eagerly she is also listening for her
husband’s step. He has a blow to strike which he knows will be a heavy
one.

“Do not, madame,” he says, “distract yourself by listening for your
husband’s arrival. He will not be here to-night.”

This is a terrible blow. She tries to speak, but her lips only move
inarticulately.

“No, he will not be here. You do not suppose, madame, that when I
contemplated, nay, contrived and arranged an interview with so charming
a person as yourself, I could possibly be so deficient in foresight
as to allow that interview to be disturbed at the expiration of
one quarter of an hour? No; Monsieur Don Giovanni will not be here
to-night.”

Again she tries to speak, but the words refuse to come. He continues,
as though he interpreted what she wants to say,--

“You will naturally ask what other engagement detains him from his
lovely wife’s society? Well, it is, as I think, a supper at the
_Trois Frères_. As there are ladies invited, the party will no
doubt break up early; and you will, I dare say, see Monsieur de Lancy
by four or five o’clock in the morning.”

She tries to resume her employment with the paper-knife, but this time
she tears the leaves to pieces in her endeavours to cut them. Her
anguish and her womanhood get the better of her pride and her power of
endurance. She crumples the book in her clenched hands, and throws it
into the fire. Her visitor smiles. His blows are beginning to tell.

For a few minutes there is silence. Presently he takes out his
cigar-case.

“I need scarcely ask permission, madame. All these opera-singers smoke,
and no doubt you are indulgent to the weakness of our dear Elvino?”

“Monsieur de Lancy is a gentleman, and would not presume to smoke in a
lady’s presence. Once more, monsieur, be good enough to say how much
money you require of me to ensure your silence?”

“Nay, madame,” he replies, as he bends over the wood fire, and lights
his cigar by the blaze of the burning book, “there is no occasion
for such desperate haste. You are really surprisingly superior to
the ordinary weakness of your sex. Setting apart your courage,
self-endurance, and determination, which are positively wonderful, you
are so entirely deficient in curiosity.”

She looks at him with a glance which seems to say she scorns to ask him
what he means by this.

“You say your maid, Finette, or the good priest, Monsieur Pérot, must
have betrayed your confidence. Suppose it was from neither of those
persons I received my information?”

“There is no other source, monsieur, from which you could obtain it.”

“Nay, madame, reflect. Is there no other person whose vanity may
have prompted him to reveal this secret? Do you think it, madame, so
utterly improbable that Monsieur de Lancy himself may have been tempted
to boast over his wine of his conquest of the heiress of all the De
Cevennes?”

“It is a base falsehood, monsieur, which you are uttering.”

“Nay, madame, I make no assertion. I am only putting a case. Suppose
at a supper at the _Maison Dorée_, amongst his comrades of
the Opera and his admirers of the stalls--to say nothing of the
_coryphées_, who, somehow or other, contrive to find a place
at these _recherché_ little banquets--suppose our friend, Don
Giovanni, imprudently ventures some allusion to a lady of rank and
fortune whom his melodious voice or his dark eyes have captivated? This
little party is not, perhaps, satisfied with an allusion; it requires
facts; it is incredulous; it lays heavy odds that Elvino cannot name
the lady; and in the end the whole story is told, and the health of
Valerie de Cevennes is drunk in Clicquot’s finest brand of champagne.
Suppose this, madame, and you may, perhaps, guess whence I got my
information.”

Throughout this speech Valerie has sat facing him, with her eyes fixed
in a strange and ghastly stare. Once she lifts her hand to her throat,
as if to save herself from choking; and when the schemer has finished
speaking she slides heavily from her chair, and falls on her knees upon
the Persian hearth-rug, with her small hands convulsively clasped about
her heart. But she is not insensible, and she never takes her eyes from
his face. She is a woman who neither weeps nor faints--she suffers.

“I am here, madame,” the lounger continues--and now she listens to him
eagerly; “I am here for two purposes. To help myself before all things;
to help you afterwards, if I can. I have had to use a rough scalpel,
madame, but I may not be an unskilful physician. You love this tenor
singer very deeply; you must do so; since for his sake you were willing
to brave the contempt of that which you also love very much--the
world--the great world in which you move.”

“I did love him, monsieur--O God! how deeply, how madly, how blindly!
Nay, it is not to such an eye as yours that I would reveal the secrets
of my heart and mind. Enough, I loved him! But for the man who could
degrade the name of the woman who had sacrificed so much for his
sake, and hold the sacrifice so lightly--for the man who could make
that woman’s name a jest among the companions of a tavern, Valerie de
Cevennes has but one sentiment, and that is--contempt.”

“I admire your spirit, madame; but then, remember, the subject can
scarcely be so easily dismissed. A husband is not to be shaken off so
lightly; and is it likely that Monsieur de Lancy will readily resign
a marriage which, as a speculation, is so brilliantly advantageous?
Perhaps you do not know that it has been, ever since his _début_,
his design to sell his handsome face to the highest bidder; that he
has--pardon me, madame--been for two years on the look-out for an
heiress possessed of more gold than discrimination, whom a few pretty
namby-pamby speeches selected from the librettos of the operas he is
familiar with would captivate and subdue.”

The haughty spirit is bent to the very dust. This girl, truth itself,
never for a moment questions the words which are breaking her heart.
There is something too painfully probable in this bitter humiliation.

“Oh, what have I done,” she cries, “what have I done, that the golden
dream of my life should be broken by such an awakening as this?”

“Madame, I have told you that I wish, if I can, to help you. I pretend
no disinterested or Utopian generosity. You are rich, and can afford
to pay me for my services. There are only three persons who, besides
yourself, were witnesses of or concerned in this marriage--Father
Pérot, Finette, and Monsieur de Lancy. The priest and the maid-servant
may be silenced; and for Don Giovanni--we will talk of him to-morrow.
Stay, has he any letters of yours in his possession?”

“He returns my letters one by one as he receives them,” she mutters.

“Good--it is so easy to retract what one has said; but so difficult to
deny one’s handwriting.”

“The De Cevennes do not lie, monsieur!”

“Do they not? What, madame, have you acted no lies, though you may
not have spoken them? Have you never lied with your face, when you
have worn a look of calm indifference, while the mental effort with
which you stopped the violent beating of your heart produced a dull
physical torture in your breast; when, in the crowded opera-house,
you heard _his_ step upon the stage? Wasted lies, madame; wasted
torture; for your idol was not worth them. Your god laughed at your
worship, because he was a false god, and the attributes for which you
worshipped him--truth, loyalty, and genius, such as man never before
possessed--were not his, but the offspring of your own imagination,
with which you invested him, because you were in love with his handsome
face. Bah! madame, after all, you were only the fool of a chiselled
profile and a melodious voice. You are not the first of your sex so
fooled; Heaven forbid you should be the last!”

“You have shown me why I should hate this man; show me my revenge,
if you wish to serve me. My countrywomen do not forgive. O Gaston de
Lancy, to have been the slave of your every word; the blind idolater of
your every glance; to have given so much; and, as my reward, to reap
only your contempt!”

There are no tears in her eyes as she says this in a hoarse voice.
Perhaps long years hence she may come to weep over this wild
infatuation--now, her despair is too bitter for tears.

The lounger still preserves the charming indifference which stamps him
of her own class. He says, in reply to her entreaty,--

“I can lead you to your revenge, madame, if your noble Spanish blood
does not recoil from the ordeal. Dress yourself to-morrow night
in your servant’s clothes, wearing of course a thick veil; take a
hackney-coach, and at ten o’clock be at the entrance to the Bois de
Boulogne. I will join you there. You shall have your revenge, madame,
and I will show you how to turn that revenge (which is in itself an
expensive luxury) to practical account. In a few days you may perhaps
be able to say, ‘There is no such person as Gaston de Lancy: the
terrible delusion was only a dream; I have awoke, and I am free!’”

She passes her trembling hand across her brow, and looks at the
speaker, as if she tried in vain to gather the meaning of his words.

“At ten o’clock, at the entrance to the Bois de Boulogne? I will be
there,” she murmurs faintly.

“Good! And now, madame, adieu! I fear I have fatigued you by this long
interview. Stay! You should know the name of the man to whom you allow
the honour of serving you.”

He takes out his card-case, lays a card on the tiny table at her side,
bows low to her, and leaves her--leaves her stricken to the dust. He
looks back at her as he opens the door, and watches her for a moment,
with a smile upon his face. His blows have had their full effect.

O Valerie, Valerie! loving so wildly, to be so degraded, humiliated,
deceived! Little wonder that you cry to-night. There is no light in the
sky--there is no glory in the world! Earth is weary, heaven is dark,
and death alone is the friend of the broken heart!




                              CHAPTER IV.

                         OCULAR DEMONSTRATION.


INSCRIBED on the card which the lounger leaves on the table of
Mademoiselle de Cevennes, or Madame de Lancy, is the name of Raymond
Marolles. The lounger, then, is Raymond Marolles, and it is he whom we
must follow, on the morning after the stormy interview in the pavilion.

He occupies a charming apartment in the Champs Élysées; small,
of course, as befitting a bachelor, but furnished in the best
taste. On entering his rooms there is one thing you could scarcely
fail to notice; and this is the surprising neatness, the almost
mathematical precision, with which everything is arranged. Books,
pictures, desks, pistols, small-swords, boxing-gloves, riding-whips,
canes, and guns--every object is disposed in an order quite unusual
in a bachelor’s apartment. But this habit of neatness is one of
the idiosyncrasies of Monsieur Marolles. It is to be seen in his
exquisitely-appointed dress; in his carefully-trimmed moustache; it is
to be heard even in the inflexions of his voice, which rise and fall
with rather monotonous though melodious regularity, and which are never
broken by anything so vulgar as anger or emotion.

At ten o’clock this morning he is still seated at breakfast. He has
eaten nothing, but he is drinking his second cup of strong coffee, and
it is easy to see that he is thinking very deeply.

“Yes,” he mutters, “I must find a way to convince her; she must be
thoroughly convinced before she will be induced to act. My first blows
have told so well, I must not fail in my masterstroke. But how to
convince her--words alone will not satisfy her long; there must be
ocular demonstration.”

He finishes his cup of coffee, and sits playing with the teaspoon,
clinking it with a low musical sound against the china teacup.
Presently he hits it with one loud ringing stroke. That stroke is
a note of triumph. He has been working a problem and has found the
solution. He takes up his hat and hurries out of the house; but as
soon as he is out of doors he slackens his step, and resumes his usual
lounging gait. He crosses the Place de la Concorde, and makes his way
to the Boulevard, and only turns aside when he reaches the Italian
Opera House. It is to the stage-door he directs his steps. An old man,
the doorkeeper, is busy in the little dark hall, manufacturing a _pot
à feu_, and warming his hands at the same time at a tiny stove in
a corner. He is quite accustomed to the apparition of a stylish young
man; so he scarcely looks up when the shadow of Raymond Marolles
darkens the doorway.

“Good morning, Monsieur Concierge,” says Raymond; “you are very busy, I
see.”

“A little domestic avocation, that is all, monsieur, being a bachelor.”

The doorkeeper is rather elderly, and somewhat snuffy for a bachelor;
but he is very fond of informing the visitors of the stage-door that
he has never sacrificed his liberty at the shrine of Hymen. He thinks,
perhaps, that they might scruple to give their messages to a married
man.

“Not too busy, then, for a little conversation, my friend?” asks the
visitor, slipping a five-franc piece into the porter’s dingy hand.

“Never too busy for that, monsieur;” and the porter abandons the _pot
à feu_ to its fate, and dusts with his coloured handkerchief a
knock-kneed-looking easy-chair, which he presents to monsieur.

Monsieur is very condescending, and the doorkeeper is very
communicative. He gives monsieur a great deal of useful information
about the salaries of the principal dancers; the bouquets and diamond
bracelets thrown to them; the airs and graces indulged in by them;
and divers other interesting facts. Presently monsieur, who has been
graciously though rather languidly interested in all this, says--“Do
you happen to have amongst your supernumeraries or choruses, or any of
your insignificant people, one of those mimics so generally met with in
a theatre?”

“Ah,” says the doorkeeper, chuckling, “I see monsieur knows a theatre.
We have indeed two or three mimics; but one above all--a chorus-singer,
a great man, who can strike off an imitation which is life itself;
a drunken, dissolute fellow, monsieur, or he would have taken to
principal characters and made himself a name. A fellow with a soul for
nothing but dominoes and vulgar wine-shops; but a wonderful mimic.”

“Ah! and he imitates, I suppose, all your great people--your prima
donna, your basso, your tenor--” hazards Monsieur Raymond Marolles.

“Yes, monsieur. You should hear him mimic this new tenor, this Monsieur
Gaston de Lancy, who has made such a sensation this season. He is not a
bad-looking fellow, pretty much the same height as De Lancy, and he can
assume his manner, voice, and walk, so completely that----”

“Perhaps in a dark room you could scarcely tell one from the other, eh?”

“Precisely, monsieur.”

“I have rather a curiosity about these sort of people; and I should
like to see this man, if----” he hesitates, jingling some silver in his
pocket.

“Nay, monsieur,” says the porter; “nothing more easy; this Moucée is
always here about this time. They call the chorus to rehearsal while
the great people are lounging over their breakfasts. We shall find him
either on the stage, or in one of the dressing-rooms playing dominoes.
This way, monsieur.”

Raymond Marolles follows the doorkeeper down dark passages and up
innumerable flights of stairs; till, very high up, he stops at a low
door, on the other side of which there is evidently a rather noisy
party. This door the porter opens without ceremony, and he and Monsieur
Marolles enter a long low room, with bare white-washed walls, scrawled
over with charcoal caricatures of prima donnas and tenors, with
impossible noses and spindle legs. Seated at a deal table is a group of
young men, shabbily dressed, playing at dominoes, while others look on
and bet upon the game. They are all smoking tiny cigarettes which look
like damp curl-papers, and which last about two minutes each.

“Pardon me, Monsieur Moucée,” says the porter, addressing one of the
domino players, a good-looking young man, with a pale dark face and
black hair--“pardon me that I disturb your pleasant game; but I bring a
gentleman who wishes to make your acquaintance.”

The chorus-singer rises, gives a lingering look at a double-six he was
just going to play, and advances to where Monsieur Marolles is standing.

“At monsieur’s service,” he says, with an unstudied but graceful bow.

Raymond Marolles, with an ease of manner all his own passes his arm
through that of the young man, and leads him out into the passage.

“I have heard, Monsieur Moucée, that you possess a talent for mimicry
which is of a very superior order. Are you willing to assist with this
talent in a little farce I am preparing for the amusement of a lady? If
so you will have a claim (which I shall not forget) on my gratitude and
on my purse.”

This last word makes Paul Moucée prick up his ears. Poor fellow! his
last coin has gone for the half-ounce of tobacco he has just consumed.
He expresses himself only too happy to obey the commands of monsieur.

Monsieur suggests that they shall repair to an adjoining _café_,
at which they can have half an hour’s quiet conversation. They do so;
and at the end of the half-hour, Monsieur Marolles parts with Paul
Moucée at the door of this _café_. As they separate Raymond looks
at his watch--“Half-past eleven; all goes better than I could have
even hoped. This man will do very well for our friend Elvino, and the
lady shall have ocular demonstration. Now for the rest of my work; and
to-night, my proud and beautiful heiress, for you.”

As the clocks strike ten that night, a hackney-coach stops close to the
entrance of the Bois de Boulogne; and as the coachman checks his horse,
a gentleman emerges from the gloom, and goes up to the door of the
coach, which he opens before the driver can dismount. This gentleman is
Monsieur Raymond Marolles, and Valerie de Lancy is seated in the coach.

“Punctual, madame!” he says. “Ah, in the smallest matters you are
superior to your sex. May I request you to step out and walk with me
for some little distance?”

The lady, who is thickly veiled, only bows her head in reply; but she
is by his side in a moment. He gives the coachman some directions, and
the man drives off a few paces; he then offers his arm to Valerie.

“Nay, monsieur,” she says, in a cold, hard voice, “I can follow you, or
I can walk by your side. I had rather not take your arm.”

Perhaps it is as well for this man’s schemes that it is too dark for
his companion to see the smile that lifts his black moustache, or the
glitter in his blue eyes. He is something of a physiologist as well
as a mathematician, this man; and he can tell what she has suffered
since last night by the change in her voice alone. It has a dull and
monotonous sound, and the tone seems to have gone out of it for ever.
If the dead could speak, they might speak thus.

“This way, then, madame,” he says. “My first object is to convince you
of the treachery of the man for whom you have sacrificed so much. Have
you strength to live through the discovery?”

“I lived through last night. Come, monsieur, waste no more time
in words, or I shall think you are a charlatan. Let me hear from
_his_ lips that I have cause to hate him.”

“Follow me, then, and softly.”

He leads her into the wood. The trees are very young as yet, but all
is obscure to-night. There is not a star in the sky; the December
night is dark and cold. A slight fall of snow has whitened the ground,
and deadens the sound of footsteps. Raymond and Valerie might be two
shadows, as they glide amongst the trees. After they have walked about
a quarter of a mile, he catches her by the arm, and draws her hurriedly
into the shadow of a group of young pine-trees. “Now,” he says, “now
listen.”

She hears a voice whose every tone she knows. At first there is a
rushing sound in her ears, as if all the blood were surging from her
heart up to her brain; but presently she hears distinctly; presently
too, her eyes grow somewhat accustomed to the gloom; and she sees a few
paces from her the dim outline of a tall figure, familiar to her. It is
Gaston de Lancy, who is standing with one arm round the slight waist of
a young girl, his head bending down with the graceful droop she knows
so well, as he looks in her face.

Marolles’ voice whispers in her ear, “The girl is a dancer from one of
the minor theatres, whom he knew before he was a great man. Her name,
I think, is Rosette, or something like it. She loves him very much;
perhaps almost as much as you do, in spite of the quarterings on your
shield.”

He feels the slender hand, which before disdained to lean upon his arm,
now clasp his wrist, and tighten, as if each taper finger were an iron
vice.

“Listen,” he says again. “Listen to the drama, madame. I am the chorus!”

It is the girl who is speaking. “But, Gaston, this marriage, this
marriage, which has almost broken my heart.”

“Was a sacrifice to our love, my Rosette. For your sake alone would I
have made such a sacrifice. But this haughty lady’s wealth will make us
happy in a distant land. She little thinks, poor fool, for whose sake
I endure her patrician airs, her graces of the old _régime_, her
caprices, and her folly. Only be patient, Rosette, and trust me. The
day that is to unite us for ever is not far distant, believe me.”

It is the voice of Gaston de Lancy. Who should better know those tones
than his wife? Who should better know them than she to whose proud
heart they strike death?

The girl speaks again. “And you do not love this fine lady, Gaston?
Only tell me that you do not love her!”

Again the familiar voice speaks. “Love her! Bah! We never love these
fine ladies who give us such tender glances from opera-boxes. We never
admire these great heiresses, who fall in love with a handsome face,
and have not enough modesty to keep the sentiment a secret; who think
they honour us by a marriage which they are ashamed to confess; and who
fancy we must needs be devoted to them, because, after their fashion,
they are in love with us.”

“Have you heard enough?” asked Raymond Marolles.

“Give me a pistol or a dagger!” she gasped, in a hoarse whisper; “let
me shoot him dead, or stab him to the heart, that I may go away and die
in peace!”

“So,” muttered Raymond, “she has heard enough. Come, madame. Yet--stay,
one last look. You are sure that is Monsieur de Lancy?”

The man and the girl are standing a few yards from them; his back is
turned to Valerie, but she would know him amongst a thousand by the
dark hair and the peculiar bend of the head.

“Sure!” she answers. “Am I myself?”

“Come, then; we have another place to visit to-night. You are
satisfied, are you not, madame, now that you have had ocular
demonstration?”




                              CHAPTER V.

                          THE KING OF SPADES.


WHEN Monsieur Marolles offers his arm to lead Valerie de Cevennes back
to the coach, it is accepted passively enough. Little matter now what
new degradation she endures. Her pride can never fall lower than it has
fallen. Despised by the man she loved so tenderly, the world’s contempt
is nothing to her.

In a few minutes they are both seated in the coach driving through the
Champs Élysées.

“Are you taking me home?” she asks.

“No, madame, we have another errand, as I told you.”

“And that errand?”

“I am going to take you where you will have your fortune told.”

“_My_ fortune!” she exclaims, with a bitter laugh.

“Bah! madame,” says her companion. “Let us understand each other. I
hope I have not to deal with a romantic and love-sick girl. I will
not gall your pride by recalling to your recollection in what a
contemptible position I have found you. I offer my services to rescue
you from that contemptible position; but I do so in the firm belief
that you are a woman of spirit, courage, and determination, and----”

“And that I can pay you well,” she adds, scornfully.

“And that you can pay me well. I am no Don Quixote, madame; nor have
I any great respect for that gentleman. Believe me, I intend that you
shall pay me well for my services, as you will learn by-and-by.”

Again there is the cold glitter in the blue eyes, and the ominous smile
which a moustache does well to hide.

“But,” he continues, “if you have a mind to break your heart for an
opera-singer’s handsome face, go and break it in your boudoir, madame,
with no better confidante than your lady’s-maid; for you are not worthy
of the services of Raymond Marolles.”

“You rate your services very high, then, monsieur?”

“Perhaps. Look you, madame: you despise me because I am an adventurer.
Had I been born in the purple--lord, even in my cradle, of wide lands
and a great name, you would respect me. Now, I respect myself because
I am an adventurer; because by the force alone of my own mind I have
risen from what I was, to be what I am. I will show you my cradle some
day. It had no tapestried coverlet or embroidered curtains, I can
assure you.”

They are driving now through a dark street, in a neighbourhood utterly
unknown to the lady.

“Where are you taking me?” she asks again, with something like fear in
her voice.

“As I told you before, to have your fortune told. Nay, madame, unless
you trust me, I cannot serve you. Remember, it is to my interest to
serve you well: you can therefore have no cause for fear.”

As he speaks they stop before a ponderous gateway in the blank wall
of a high dark-looking house. They are somewhere in the neighbourhood
of Notre Dame, for the grand old towers loom dimly in the darkness.
Monsieur Marolles gets out of the coach and rings a bell, at the
sound of which the porter opens the door. Raymond assists Valerie to
dismount, and leads her across a courtyard into a little hall, and up
a stone staircase to the fifth story of the house. At another time her
courage might have failed her in this strange house, at so late an
hour, with this man, of whom she knows nothing; but she is reckless
to-night.

There is nothing very alarming in the aspect of the room into which
Raymond leads her. It is a cheerful little apartment lighted with
gas. There is a small stove, near a table, before which is seated a
gentlemanly-looking man, of some forty years of age. He has a very pale
face, a broad forehead, from which the hair is brushed away behind
the ears: he wears blue spectacles, which entirely conceal his eyes,
and in a manner shade his face. You cannot tell what he is thinking
of; for it is a peculiarity of this man that the mouth, which with
other people is generally the most expressive feature, has with him no
expression whatever. It is a thin, straight line, which opens and shuts
as he speaks, but which never curves into a smile, or contracts when he
frowns.

He is deeply engaged, bending over a pack of cards spread out on the
green cloth which covers the table, as if he were playing _écarté_
without an opponent, when Raymond opens the door; but he rises at the
sight of the lady, and bows low to her. He has the air of a student
rather than of a man of the world.

“My good Blurosset,” says Raymond, “I have brought a lady to see you,
to whom I have been speaking very highly of your talents.”

“With the pasteboard or the crucible?” asks the impassible mouth.

“Both, my dear fellow; we shall want both your talents. Sit down,
madame; I must do the honours of the apartment, for my friend Laurent
Blurosset is too much a man of science to be a man of gallantry. Sit
down, madame; place yourself at this table--there, opposite Monsieur
Blurosset, and then to business.”

This Raymond Marolles, of whom she knows absolutely nothing, has a
strange influence over Valerie; an influence against which she no
longer struggles. She obeys him passively, and seats herself before the
little green baize-covered table.

The blue spectacles of Monsieur Laurent Blurosset look at her
attentively for two or three minutes. As for the eyes behind the
spectacles, she cannot even guess what might be revealed in their
light. The man seems to have a strange advantage in looking at every
one as from behind a screen. His own face, with hidden eyes and
inflexible mouth, is like a blank wall.

“Now then, Blurosset, we will begin with the pasteboard. Madame
would like to have her fortune told. She knows of course that this
fortune-telling is mere charlatanism, but she wishes to see one of the
cleverest charlatans.”

“Charlatanism! Charlatan! Well, it doesn’t matter. _I_ believe in
what I read here, because I find it true. The first time I find a false
meaning in these bits of pasteboard I shall throw them into that fire,
and never touch a card again. They’ve been the hobby of twenty years,
but you know I could do it, Englishman!”

“Englishman!” exclaimed Valerie, looking up with astonishment.

“Yes,” answered Raymond, laughing; “a surname which Monsieur Blurosset
has bestowed upon me, in ridicule of my politics, which happened once
to resemble those of our honest neighbour, John Bull.”

Monsieur Blurosset nods an assent to Raymond’s assertion, as he takes
the cards in his thin yellow-white hands and begins shuffling them. He
does this with a skill peculiar to himself, and you could almost guess
in watching him that these little pieces of pasteboard have been his
companions for twenty years. Presently he arranges them in groups of
threes, fives, sevens, and nines, on the green baize, reserving a few
cards in his hand; then the blue spectacles are lifted and contemplate
Valerie for two or three seconds.

“Your friend is the queen of spades,” he says, turning to Raymond.

“Decidedly,” replies Monsieur Marolles. “How the insipid diamond
beauties fade beside this gorgeous loveliness of the south!”

Valerie does not hear the compliment, which at another time she would
have resented as an insult. She is absorbed in watching the groups of
cards over which the blue spectacles are so intently bent.

Monsieur Blurosset seems to be working some abstruse calculations
with these groups of cards, assisted by those he has in his hand. The
spectacles wander from the threes to the nines; from the sevens to
the fives; back again; across again; from five to nine, from three to
seven; from five to three, from seven to nine. Presently he says--

“The king of spades is everywhere here.” He does not look up as he
speaks--never raising the spectacles from the cards. His manner of
speaking is so passionless and mechanical, that he might almost be some
calculating automaton.

“The king of spades,” says Raymond, “is a dark and handsome young man.”

“Yes,” says Blurosset, “he’s everywhere beside the queen of spades.”

Valerie in spite of herself is absorbed by this man’s words. She never
takes her eyes from the spectacles and the thin pale lips of the
fortune-teller.

“I do not like his influence. It is bad. This king of spades is
dragging the queen down, down into the very mire.” Valerie’s cheek can
scarcely grow whiter than it has been ever since the revelation of the
Bois de Boulogne, but she cannot repress a shudder at these words.

“There is a falsehood,” continues Monsieur Blurosset; “and there is a
fair woman here.”

“A fair woman! That girl we saw to-night is fair,” whispers Raymond.
“No doubt Monsieur Don Giovanni admires blondes, having himself the
southern beauty.”

“The fair woman is always with the king of spades,” says the
fortune-teller. “There is here no falsehood--nothing but devotion. The
king of spades can be true; he is true to this diamond woman; but for
the queen of spades he has nothing but treachery.”

“Is there anything more on the cards?” asks Raymond.

“Yes! A priest--a marriage--money. Ah! this king of spades imagines
that he is within reach of a great fortune.”

“Does he deceive himself?”

“Yes! Now the treachery changes sides. The queen of spades is in it
now----But stay--the traitor, the real traitor is here; this fair
man--the knave of diamonds----”

Raymond Marolles lays his white hand suddenly upon the card to which
Blurosset is pointing, and says, hurriedly,--

“Bah! You have told us all about yesterday; now tell us of to-morrow.”
And then he adds, in a whisper, in the ear of Monsieur Blurosset,--

“Fool! have you forgotten your lesson?”

“_They_ will speak the truth,” mutters the fortune-teller. “I was
carried away by them. I will be more careful.”

This whispered dialogue is unheard by Valerie, who sits immovable,
awaiting the sentence of the oracle, as if the monotonous voice of
Monsieur Blurosset were the voice of Nemesis.

“Now then for the future,” says Raymond. “It is possible to tell what
_has_ happened. We wish to pass the confines of the possible: tell
us, then, what is _going_ to happen.”

Monsieur Blurosset collects the cards, shuffles them, and rearranges
them in groups, as before. Again the blue spectacles wander. From three
to nine; from nine to seven; from seven to five; Valerie following them
with bright and hollow eyes. Presently the fortune-teller says, in his
old mechanical way,--

“The queen of spades is very proud.”

“Yes,” mutters Raymond in Valerie’s car. “Heaven help the king who
injures such a queen!”

She does not take her eyes from the blue spectacles of Monsieur
Blurosset; but there is a tightening of her determined mouth which
seems like an assent to this remark.

“She can hate as well as love. The king of spades is in danger,” says
the fortune-teller.

There is, for a few minutes, dead silence, while the blue spectacles
shift from group to group of cards; Valerie intently watching them,
Raymond intently watching her.

This time there seems to be something difficult in the calculation of
the numbers. The spectacles shift hither and thither, and the thin
white lips move silently and rapidly, from seven to nine, and back
again to seven.

“There is something on the cards that puzzles you,” says Raymond,
breaking the deathly silence. “What is it?”

“A death!” answers the passionless voice of Monsieur Blurosset. “A
violent death, which bears no outward sign of violence. I said, did I
not, that the king of spades was in danger?”

“You did.”

From three to five, from five to nine, from nine to seven, from seven
to nine: the groups of cards form a circle: three times round the
circle, as the sun goes; back again, and three times round the circle
in a contrary direction: across the circle from three to seven, from
seven to five, from five to nine, and the blue spectacles come to a
dead stop at nine.

“Before twelve o’clock to-morrow night the king of spades will be
dead!” says the monotonous voice of Monsieur Blurosset. The voices of
the clocks of Paris seem to take up Monsieur Blurosset’s voice as they
strike the hour of midnight.

Twenty-four hours for the king of spades!

Monsieur Blurosset gathers up his cards and drops them into his pocket.
Malicious people say that he sleeps with them under his pillow; that
he plays _écarté_ by himself in his sleep; and that he has played
_piquet_ with a very tall dark gentleman, whom the porter never
let either in or out, and who left a sulphureous and suffocating
atmosphere behind him in Monsieur Blurosset’s little apartment.

“Good!” says Monsieur Raymond Marolles. “So much for the pasteboard.
Now for the crucible.”

For the first time since the discovery of the treachery of her husband
Valerie de Lancy smiles. She has a beautiful smile, which curves the
delicate lips without distorting them, and which brightens in her large
dark eyes with a glorious fire of the sunny south. But for all that,
Heaven save the man who has injured her from the light of such a smile
as hers of to-night.

“You want my assistance in some matters of chemistry?” asks Blurosset.

“Yes! I forgot to tell you, madame, that, my friend Laurent
Blurosset--though he chooses to hide himself in one of the most
obscure streets of Paris--is perhaps one of the greatest men in this
mighty city. He is a chemist who will one day work a revolution in
the chemical science; but he is a fanatic, madame, or, let me rather
say, he is a lover, and his crucible is his mistress. This blind
devotion to a science is surely only another form of the world’s great
madness--love! Who knows what bright eyes a problem in Euclid may have
replaced? Who can tell what fair hair may not have been forgotten in
the search after a Greek root?”

Valerie shivers. Heaven help that shattered heart! Every word that
touches on the master-passion of her life is a wound that pierces it to
the core.

“You do not smoke, Blurosset. Foolish man you do not know how to live.
Pardon, madame.” He lights his cigar at the green-shaded gas-lamp,
seats himself close to the stove, and smokes for a few minutes in
silence.

Valerie, still seated before the little table, watches him with fixed
eyes, waiting for him to speak.

In the utter shipwreck of her every hope this adventurer is the only
anchor to which she can cling. Presently he says, in his most easy and
indifferent manner,--

“It was the fashion at the close of the fifteenth and throughout
the sixteenth century for the ladies of Italy to acquire a certain
knowledge of some of the principles of chemistry. Of course, at the
head of these ladies we must place Lucretia Borgia.”

Monsieur Blurosset nods an assent. Valerie looks from Raymond to the
blue spectacles; but the face of the chemist testifies no shade of
surprise at the singularity of Raymond’s observation.

“Then,” continued Monsieur Marolles, “if a lady was deeply injured
or cruelly insulted by the man she loved; if her pride was trampled
in the dust, or her name and her weakness held up to ridicule and
contempt--then she knew how to avenge herself and to defy the world. A
tender pressure of the traitor’s hand; a flower or a ribbon given as a
pledge of love; the leaves of a book hastily turned over with the tips
of moistened fingers--people had such vulgar habits in those days--and
behold the gentleman died, and no one was any the wiser but the worms,
with whose constitutions _Aqua Tofana_ at second-hand may possibly
have disagreed.”

“Vultures have died from the effects of poisoned carrion,” muttered
Monsieur Blurosset.

“But in this degenerate age,” continued Raymond, “what can our Parisian
ladies do when they have reason to be revenged on a traitor? The poor
blunderers can only give him half a pint of laudanum, or an ounce or so
of arsenic, and run the risk of detection half an hour after his death!
I think that time is a circle, and that we retreat as we advance, in
spite of our talk of progress.”

His horrible words, thrice horrible when contrasted with the coolness
of his easy manner, freeze Valerie to the very heart; but she does not
make one effort to interrupt him.

“Now, my good Blurosset,” he resumes, “what I want of you is this.
Something which will change a glass of wine into a death-warrant,
but which will defy the scrutiny of a college of physicians. This
lady wishes to take a lesson in chemistry. She will, of course, only
experimentalise on rabbits, and she is so tender-hearted that, as you
see, she shudders even at the thought of that little cruelty. For the
rest, to repay you for your trouble, if you will give her pen and ink,
she will write you an order on her banker for five thousand francs.”

Monsieur Blurosset appears no more surprised at this request than if
he had been asked for a glass of water. He goes to a cabinet, which he
opens, and after a little search selects a small tin box, from which
he takes a few grains of white powder, which he screws carelessly
in a scrap of newspaper. He is so much accustomed to handling these
compounds that he treats them with very small ceremony.

“It is a slow poison,” he says. “For a full-grown rabbit use the eighth
part of what you have there; the whole of it would poison a man; but
death in either case would not be immediate. The operation of the
poison occupies some hours before it terminates fatally.”

“Madame will use it with discretion,” says Raymond; “do not fear.”

Monsieur Blurosset holds out the little packet as if expecting Valerie
to take it; she recoils with a ghastly face, and shudders as she looks
from the chemist to Raymond Marolles.

“In this degenerate age,” says Raymond, looking her steadily in the
face, “our women cannot redress their own wrongs, however deadly those
wrongs may be; they must have fathers, brothers, or uncles to fight for
them, and the world to witness the struggle. Bah! There is not a woman
in France who is any better than a sentimental schoolgirl.”

Valerie stretches out her small hand to receive the packet.

“Give me the pen, monsieur,” says she; and the chemist presents her
a half-sheet of paper, on which she writes hurriedly an order on her
bankers, which she signs in full with her maiden name.

Monsieur Blurosset looked over the paper as she wrote.

“Valerie de Cevennes!” he exclaimed. “I did not know I was honoured by
so aristocratic a visitor.”

Valerie put her hand to her head as if bewildered. “My name!” she
muttered, “I forgot, I forgot.”

“What do you fear, madame?” asked Raymond, with a smile. “Are you not
among friends?”

“For pity’s sake, monsieur,” she said, “give me your arm, and take me
back to the carriage! I shall drop down dead if I stay longer in this
room.”

The blue spectacles contemplated her gravely for a moment. Monsieur
Blurosset laid one cold hand upon her pulse, and with the other took a
little bottle from the cabinet, out of which he gave his visitor a few
drops of a transparent liquid.

“She will do now,” he said to Raymond, “till you get her home; then
see that she takes this,” he added, handing Monsieur Marolles another
phial; “it is an opiate which will procure her six hours’ sleep.
Without that she would go mad.”

Raymond led Valerie from the room; but, once outside, her head fell
heavily on his shoulder, and he was obliged to carry her down the steep
stairs.

“I think,” he muttered to himself as he went out into the courtyard
with his unconscious burden, “I think we have sealed the doom of the
king of spades!”




                              CHAPTER VI.

                           A GLASS OF WINE.


UPON a little table in the boudoir of the pavilion lay a letter. It
was the first thing Valerie de Lancy beheld on entering the room, with
Raymond Marolles by her side, half an hour after she had left the
apartment of Monsieur Blurosset. This letter was in the handwriting of
her husband, and it bore the postmark of Rouen. Valerie’s face told her
companion whom the letter came from before she took it in her hand.

“Read it,” he said, coolly. “It contains his excuses, no doubt. Let us
see what pretty story he has invented. In his early professional career
his companions surnamed him Baron Munchausen.”

Valerie’s hand shook as she broke the seal; but she read the letter
carefully through, and then turning to Raymond she said--

“You are right; his excuse is excellent, only a little too transparent:
listen.

“‘The reason of my absence from Paris’--(absence from Paris, and
to-night in the Bois de Boulogne)--‘is most extraordinary. At the
conclusion of the opera last night, I was summoned to the stage-door,
where I found a messenger waiting for me, who told me he had come
post-haste from Rouen, where my mother was lying dangerously ill, and
to implore me, if I wished to see her before her death, to start for
that place immediately. Even my love for you, which you well know,
Valerie, is the absorbing passion of my life, was forgotten in such a
moment. I had no means of communicating with you without endangering
our secret. Imagine, then, my surprise on my arrival here, to find that
my mother is in perfect health, and had of course sent no messenger
to me. I fear in this mystery some conspiracy which threatens the
safety of our secret. I shall be in Paris to-night, but too late to see
you. To-morrow, at dusk, I shall be at the dear little pavilion, once
more to be blest by a smile from the only eyes I love.--GASTON DE
LANCY.’”

“Rather a blundering epistle,” muttered Raymond. “I should really have
given him credit for something better. You will receive him to-morrow
evening, madame?”

She knew so well the purport of this question that her hand almost
involuntarily tightened on the little packet given her by Monsieur
Blurosset, which she had held all this time, but she did not answer him.

“You will receive him to-morrow; or by to-morrow night all Paris will
know of this romantic but rather ridiculous marriage, it will be in all
the newspapers--caricatured in all the print-shops; Charivari will have
a word or two about it, and little boys will cry it in the streets, a
full, true, and particular account for only one sous. But then, as I
said before, you are superior to your sex, and perhaps you will not
mind this kind of thing.”

“I shall see him to-morrow evening at dusk,” she said, in a hoarse
whisper not pleasant to hear; “and I shall never see him again after
to-morrow.”

“Once more, then, good night,” says Raymond. “But stay, Monsieur begs
you will take this opiate. Nay,” he muttered with a laugh as she looked
at him strangely, “you may be perfectly assured of its harmlessness.
Remember, I have not been paid yet.”

He bowed, and left the room. She did not lift her eyes to look at
him as he bade her adieu. Those hollow tearless eyes were fixed on
the letter she held in her left hand. She was thinking of the first
time she saw this handwriting, when every letter seemed a character
inscribed in fire, because _his_ hand had shaped it; when the
tiniest scrap of paper covered with the most ordinary words was a
precious talisman, a jewel of more price than the diamonds of all the
Cevennes.


The short winter’s day died out, and through the dusk a young man, in a
thick greatcoat, walked rapidly along the broad quiet street in which
the pavilion stood. Once or twice he looked round to assure himself
that he was unobserved. He tried the handle of the little wooden door,
found it unfastened, opened it softly, and went in. In a few minutes he
was in the boudoir, and by the side of Valerie. The girl’s proud face
was paler than when he had last seen it; and when he tenderly asked the
reason of this change, she said,--

“I have been anxious about you, Gaston. You can scarcely wonder.”

“The voice too, even your voice is changed,” he said anxiously. “Stay,
surely I am the victim of no juggling snare. It is--it is Valerie.”

The little boudoir was only lighted by the wood fire burning on the low
hearth. He drew her towards the blaze, and looked her full in the face.

“You would scarcely believe me,” he said; “but for the moment I half
doubted if it were really you. The false alarm, the hurried journey,
one thing and another have upset me so completely, that you seemed
changed--altered; I can scarcely tell you how, but altered very much.”

She seated herself in the easy-chair by the hearth. There was an
embroidered velvet footstool at her feet, and he placed himself on
this, and sat looking up in her face. She laid her slender hands on
his dark hair, and looked straight into his eyes. Who shall read her
thoughts at this moment? She had learnt to despise him, but she had
never ceased to love him. She had cause to hate him; but she could
scarcely have told whether the bitter anguish which rent her heart were
nearer akin to love or hate.

“Pshaw, Gaston!” she exclaimed, “you are full of silly fancies
to-night. And I, you see, do not offer to reproach you once for the
uneasiness you have caused me. See how readily I accept your excuse for
your absence, and never breathe one doubt of its truth. Now, were I a
jealous or suspicious woman, I might have a hundred doubts. I might
think you did not love me, and fancy that your absence was a voluntary
one. I might even be so foolish as to picture you with another whom you
loved better than me.”

“Valerie!” he said, reproachfully, raising her small hand to his lips.

“Nay,” she cried, with a light laugh, “this might be the thought of a
jealous woman. But could I think so of you, Gaston?”

“Hark!” he said, starting and rising hastily; “did you not hear
something?”

“What?”

“A rustling sound by that door--the door of your dressing-room. Finette
is not there, is she? I left her in the anteroom below.”

“No, no, Gaston; there is no one there; this is another of your silly
fancies.”

He glanced uneasily towards the door, but reseated himself at her feet,
and looked once more upward to the proudly beautiful face. Valerie did
not look at her companion, but at the fire. Her dark eyes were fixed
upon the blaze, and she seemed almost unconscious of Gaston de Lancy’s
presence. What did she see in the red light? Her shipwrecked soul? The
ruins of her hopes? The ghost of her dead happiness? The image of a
long and dreary future, in which the love on whose foundation she had
built a bright and peaceful life to come could have no part? What did
she see? A warning arm stretched out to save her from the commission
of a dreadful deed, which, once committed, must shut her out from all
earthly sympathy, though not perhaps from heavenly forgiveness; or
a stern finger pointing to the dark end to which she hastens with a
purpose in her heart so strange and fearful to her she scarcely can
believe it is her own, or that she is herself?

With her left hand still upon the dark hair--which even now she could
not touch without a tenderness, that, having no part in her nature of
to-day, seemed like some relic of the wreck of the past--she stretched
out her right arm towards a table near her, on which there were some
decanters and glasses that clashed with a silvery sound under her touch.

“I must try and cure you of your fancies, Gaston. My physician insists
on my taking every day at luncheon a glass of that old Madeira of which
my uncle is so fond. They have not removed the wine--you shall take
some; pour it out yourself. See, here is the decanter. I will hold the
glass for you.”

She held the antique diamond-cut glass with a steady hand while Gaston
poured the wine into it. The light from the wood fire flickered, and he
spilt some of the Madeira over her dress. They both laughed at this,
and her laugh rang out the clearer of the two.

There was a third person who laughed; but his was a silent laugh. This
third person was Monsieur Marolles, who stood within the half-open door
that led into Valerie’s dressing-room.

“So,” he says to himself, “this is even better than I had hoped. I
feared his handsome face would shake her resolution. The light in those
dark eyes is very beautiful, no doubt, but it has not long to burn.”

As the firelight flashed upon the glass, Gaston held it for a moment
between his eyes and the blaze.

“Your uncle’s wine is not very clear,” he said; “but I would drink the
vilest vinegar from the worst tavern in Paris, if you poured it out for
me, Valerie.”

As he emptied the glass the little timepiece struck six.

“I must go, Valerie. I play Gennaro in Lucretia Borgia, and the King is
to be at the theatre to-night. You will come? I shall not sing well if
you are not there.”

“Yes, yes, Gaston.” She laid her hand upon her head as she spoke.

“Are you ill?” he asked, anxiously.

“No, no, it is nothing. Go, Gaston; you must not keep his Majesty
waiting,” she said.

I wonder whether as she spoke there rose the image in her mind of a
King who reigns in undisputed power over the earth’s wide face; whose
throne no revolution ever shook; whose edict no creature ever yet set
aside, and to whom all terrible things give place, owning in him the
King of Terrors!

The young man took his wife in his arms and pressed his lips to her
forehead. It was damp with a deadly cold perspiration.

“I am sure you are ill, Valerie,” he said.

She shivered violently, but pushing him towards the door, said, “No,
no, Gaston; go, I implore you; you will be late; at the theatre you
will see me. Till then, adieu.”

He was gone. She closed the door upon him rapidly, and with one long
shudder fell to the ground, striking her head against the gilded
moulding of the door. Monsieur Marolles emerged from the shadow, and
lifting her from the floor, placed her in the chair by the hearth. Her
head fell heavily back upon the velvet cushions, but her large black
eyes were open. I have said before, this woman was not subject to
fainting-fits.

She caught Raymond’s hand in hers with a convulsive grasp.

“Madame,” he said, “you have shown yourself indeed a daughter of the
haughty line of the De Cevennes. You have avenged yourself most nobly.”

The large black eyes did not look at him. They were fixed on vacancy.
Vacancy? No! there could be no such thing as vacancy for this woman.
Henceforth for her the whole earth must be filled with one hideous
phantom.

There were two wine-glasses on the table which stood a little way
behind the low chair in which Valerie was seated--very beautiful
glasses, antique, exquisitely cut, and emblazoned with the arms of
the De Cevennes. In one of those glasses, the one from which Gaston
de Lancy had drunk, there remained a few drops of wine, and a little
white sediment. Valerie did not see Raymond, as with a stealthy hand
he removed this glass from the table, and put it in the pocket of his
greatcoat.

He looked once more at her as she sat with rigid mouth and staring
eyes, and then he said, as he moved towards the door,--

“I shall see you at the opera, madame! I shall be in the stalls. You
will be, with more than your wonted brilliancy and beauty, the centre
of observation in the box next to the King’s. Remember, that until
to-night is over, your play will not be played out. _Au revoir_,
madame. To-morrow I shall say _mademoiselle_! For to-morrow the
secret marriage of Valerie de Cevennes with an opera-singer will only
be a foolish memory of the past.”




                             CHAPTER VII.

                   THE LAST ACT OF LUCRETIA BORGIA.


TWO hours after this interview in the pavilion Raymond Marolles is
seated in his old place in the front row of the stalls. Several times
during the prologue and the first act of the opera his glass seeks the
box next to that of the King, always to find it empty. But after the
curtain has fallen on the _finale_ to the first act, the quiet
watcher raises his glass once more, and sees Valerie enter, leaning on
her uncle’s arm. Her dark beauty loses nothing by its unusual pallor,
and her eyes to-night have a brilliancy which, to the admiring crowd,
who know so little and so little care to know the secrets of her proud
soul, is very beautiful. She wears a high dress of dark green velvet,
fastened at the throat with one small diamond ornament, which trembles
and emits bright scintillations of rainbow light. This sombre dress,
her deadly pallor, and the strange fire in her eyes, give to her beauty
of to-night a certain peculiarity which renders her more than usually
the observed of all observers.

She seats herself directly facing the stage, laying down her costly
bouquet, which is one of pure white, being composed entirely of
orange-flowers, snowdrops, and jasmine, a mixture of winter, summer,
and hot-house blossoms for which her florist knows how to charge her.
She veils the intensity which is the distinctive character of her face
with a weary listless glance to-night. She does not once look round the
house. She has no need to look, for it seems as if without looking she
can see the pale face of Monsieur Marolles, who lounges with his back
to the orchestra, and his opera-glass in his hand.

The Marquis de Cevennes glances at the programme of the opera, and
throws it away from him with a dissatisfied air.

“That abominable poisoning woman!” he says; “when will the Parisians be
tired of horrors?”

His niece raises her eyebrows slightly, but does not lift her eyelids
as she says--“Ah, when, indeed!”

“I don’t like these subjects,” continued the marquis. “Even the
handling of a Victor Hugo cannot make them otherwise than repulsive:
and then again, there is something to be said on the score of their
evil tendency. They set a dangerous example. Lucretia Borgia, in black
velvet, avenging an insult according to the rules of high art and to
the music of Donizetti is very charming, no doubt; but we don’t want
our wives and daughters to learn how they may poison us without fear
of detection. What do you say, Rinval?” he asked, turning to a young
officer who had just entered the box. “Do you think I am right?”

“Entirely, my dear marquis. The representation of such a hideous
subject is a sin against beauty and innocence,” he said, bowing to
Valerie. “And, though the music is very exquisite----”

“Yes,” said Valerie, “my uncle cannot help admiring the music. How have
they been singing to-night?”

“Why, strange to say, for once De Lancy has disappointed his admirers.
His Gennaro is a very weak performance.”

“Indeed!” She takes her bouquet in her hand and plays with the drooping
blossom of a snowdrop. “A weak performance? You surprise me really!”
She might be speaking of the flowers she holds, from the perfect
indifference of her tone.

“They say he is ill,” continues Monsieur Rinval. “He almost broke down
in the ‘Pescator ignobile.’ But the curtain has risen--we shall have
the poison scene soon, and you can judge for yourself.”

She laughs. “Nay,” she says, “I have never been so enthusiastic an
admirer of this young man as you are, Monsieur Rinval. I should not
think the world had come to an end if he happened to sing a false note.”


The young Parisian bent over her chair, admiring her grace and
beauty--admiring, perhaps, more than all, the haughty indifference with
which she spoke of the opera-singer, as if he were something too far
removed from her sphere for her to be in earnest about him even for one
moment. Might he not have wondered even more, if he had admired her
less, could he have known that as she looked up at him with a radiant
face, she could not even see him standing close beside her; that to her
clouded sight the opera-house was only a confusion of waving lights and
burning eyes; and that, in the midst of a chaos of blood and fire, she
saw the vision of her lover and her husband dying by the hand that had
caressed him?

“Now for the banquet scene,” exclaimed Monsieur Rinval. “Ah! there is
Gennaro. Is he not gloriously handsome in ruby velvet and gold? That
clubbed Venetian wig becomes him. It is a wig, I suppose.”

“Oh, no doubt. That sort of people owe half their beauty to wigs, and
white and red paint, do they not?” she asked, contemptuously; and even
as she spoke she was thinking of the dark hair which her white fingers
had smoothed away from the broad brow so often, in that time which,
gone by a few short days, seemed centuries ago to her. She had suffered
the anguish of a lifetime in losing the bright dream of her life.

“See,” said Monsieur Rinval, “Gennaro has the poisoned goblet in his
hand. He is acting very badly. He is supporting himself with one hand
on the back of that chair, though he has not yet drunk the fatal
draught.”

De Lancy was indeed leaning on an antique stage-chair for support.
Once he passed his hand across his forehead, as if to collect his
scattered senses, but he drank the wine, and went on with the music.
Presently, however, every performer in the orchestra looked up as if
thunderstruck. He had left off singing in the middle of a concerted
piece; but the Maffeo Orsini took up the passage, and the opera
proceeded.

“He is either ill, or he does not know the music,” said Monsieur
Rinval. “If the last, it is really shameful; and he presumes on the
indulgence of the public.”

“It is always the case with these favourites, is it not?” asked Valerie.

At this moment the centre of the stage was thrown open. There entered
first a procession of black and shrouded monks singing a dirge. Next,
pale, haughty, and vengeful, the terrible Lucretia burst upon the scene.

Scornful and triumphant she told the companions of Gennaro that
their doom was sealed, pointing to where, in the ghastly background,
were ranged five coffins, waiting for their destined occupants. The
audience, riveted by the scene, awaited that thrilling question of
Gennaro, “Then, madame, where is the sixth?” and as De Lancy emerged
from behind his comrades every eye was fixed upon him.

He advanced towards Lucretia, tried to sing, but his voice broke on
the first note; he caught with his hand convulsively at his throat,
staggered a pace or two forward, and then fell heavily to the floor.
There was immediate consternation and confusion on the stage; chorus
and singers crowded round him; one of the singers knelt down by his
side, and raised his head. As he did so, the curtain fell suddenly.

“I was certain he was ill,” said Monsieur Rinval, “I fear it must be
apoplexy.”

“It is rather an uncharitable suggestion,” said the marquis; “but do
you not think it just possible that the young man may be tipsy?”

There was a great buzz of surprise amongst the audience, and in
about three minutes one of the performers came before the curtain,
and announced that in consequence of the sudden and alarming illness
of Monsieur de Lancy it was impossible to conclude the opera. He
requested the indulgence of the audience for a favourite ballet which
would commence immediately.

The orchestra began the overture of the ballet, and several of the
audience rose to leave the house.

“Will you stop any longer, Valerie? or has this dismal _finale_
dispirited you?” said the marquis.

“A little,” said Valerie; “besides, we have promised to look in at
Madame de Vermanville’s concert before going to the duchess’s ball.”

Monsieur Rinval helped to muffle her in her cloak, and then offered her
his arm. As they passed from the great entrance to the carriage of the
marquis, Valerie dropped her bouquet. A gentleman advanced from the
crowd and restored it to her.

“I congratulate you alike on your strength of mind, as on your beauty,
_mademoiselle_!” he said, in a whisper too low for her companions
to hear, but with a terrible emphasis on the last word.

As she stepped into the carriage, she heard a bystander say--“Poor
fellow, only seven-and-twenty! And so marvellously handsome and gifted!”

“Dear me,” said Monsieur Rinval, drawing up the carriage window, “how
very shocking! De Lancy is dead!”

Valerie did not utter one exclamation at this announcement. She was
looking steadily out of the opposite window. She was counting the lamps
in the streets through the mist of a winter’s night.

“Only twenty-seven!” she cried hysterically, “only twenty-seven! It
might have been thirty-seven, forty-seven, fifty-seven! But he despised
her love; he trampled out the best feelings of her soul; so it was only
twenty-seven! Marvellously handsome, and only twenty-seven!”

“For heaven’s sake open the windows and stop the carriage, Rinval!”
cried the marquis--“I’m sure my niece is ill.”

She burst into a long, ringing laugh.

“My dear uncle, you are quite mistaken. I never was better in my life;
but it seems to me as if the death of this opera-singer has driven
everybody mad.”

They drove rapidly home, and took her into the house. The maid Finette
begged that her mistress might be carried to the pavilion, but the
marquis overruled her, and had his niece taken into her old suite of
apartments in the mansion. The first physicians in Paris were sent for,
and when they came they pronounced her to be seized by a brain-fever,
which promised to be a very terrible one.




                             CHAPTER VIII.

                    BAD DREAMS AND A WORSE WAKING.


THE sudden and melancholy death of Gaston de Lancy caused a
considerable sensation throughout Paris; more especially as it was
attributed by many to poison. By whom administered, or from what
motive, none could guess. There was one story, however, circulated that
was believed by some people, though it bore very little appearance of
probability. It was reported that on the afternoon preceding the night
on which De Lancy died, a stranger had obtained admission behind the
scenes of the opera-house, and had been seen in earnest conversation
with the man whose duty it was to provide the goblets of wine for the
poison scene in Lucretia Borgia. Some went so far as to say, that this
stranger had bribed the man to put the contents of a small packet
into the bottom of the glass given on the stage to De Lancy. But so
improbable a story was believed by very few, and, of course, stoutly
denied by the man in question. The doctors attributed the death of
the young man to apoplexy. There was no inquest held on his remains;
and at the wish of his mother he was buried at Rouen, and his funeral
was no doubt a peculiarly quiet one, for no one was allowed to know
when the ceremonial took place. Paris soon forgot its favourite. A few
engravings of him, in one or two of his great characters, lingered for
some time in the windows of the fashionable print-shops. Brief memoirs
of him appeared in several papers, and in one or two magazines; and in
a couple of weeks he was forgotten. If he had been a great general, or
a great minister, it is possible that he would not have been remembered
much longer. The new tenor had a fair complexion and blue eyes, and had
two extra notes of falsetto. So the opera-house was as brilliant as
ever, though there was for the time being a prejudice among opera-goers
and opera-singers against Lucretia Borgia, and that opera was put on
the shelf for the remainder of the season.

A month after the death of De Lancy the physician pronounced
Mademoiselle de Cevennes sufficiently recovered to be removed from
Paris to her uncle’s château in Normandy. Her illness had been a
terrible one. For many days she had been delirious. Ah, who shall paint
the fearful dreams of that delirium!--dreams, of the anguish of which
her disjointed sentences could tell so little? The face of the man she
had loved had haunted her in every phase, wearing every expression--now
thoughtful, now sparkling with vivacity, now cynical, now melancholy;
but always distinct and palpable, and always before her night and day.
The scene of her first meeting with him; her secret marriage; the
little chapel a few miles out of Paris; the old priest; the bitter
discovery in the Bois de Boulogne--the scene of his treachery; the
lamp-lit apartment of Monsieur de Blurosset; the cards and the poisons.
Every action of this dark period of her life she acted over in her
disordered brain again and again a hundred times through the long day,
and a hundred times more through the still longer night. So when at the
expiration of a month, she was strong enough to walk from one room into
another, it was but a wreck of his proud and lovely heiress which met
her uncle’s eyes.

The château of the marquis, some miles from the town of Caen, was
situated in a park which was as wild and uncultivated as a wood. A
park full of old timber, and marshy reedy grounds dotted with pools
of stagnant water, which in the good days of the old _régime_
were beaten nightly by the submissive peasantry, that monseigneur,
the marquis might sleep on his bedstead of ormolu and buhl à la Louis
Quatorze, undisturbed by the croaking of the frogs.

Everything around was falling into ruin; the château had been sacked,
and one wing of it burnt down, in the year 1793; and the present
marquis, then a very little boy, had fled with his father to the
hospitable shores of England, where for more than twenty years of his
life he had lived in poverty and obscurity, teaching sometimes his
native language, sometimes mathematics, sometimes music, sometimes one
thing, sometimes another, for his daily bread. But with the restoration
of the Bourbons came the restoration of the marquis to title and
fortune. A wealthy marriage with the widow of a rich Buonapartist
restored the house of De Cevennes to its former grandeur; and looking
now at the proud and stately head of that house, it was a difficult
thing to imagine that this man had ever taught French, music, and
mathematics, for a few shillings a lesson, in the obscure academies of
an English manufacturing town.

The dreary park, which surrounded the still more dreary and tumble-down
château, was white with the fallen snow, through which the servants,
or their servants the neighbouring peasantry, coming backwards and
forwards with some message or commission from the village, waded
knee-deep, or well nigh lost themselves in some unsuspected hollow
where the white drifts had swept and lay collected in masses whose
depth was dangerous. The dark oak-panelled apartments appropriated to
Valerie looked out upon the snow-clad wilderness; and very dismal they
seemed in the dying February day.

Grim pictures of dead and gone branches of this haughty house stared
and frowned from their heavy frames at the pale girl, half seated,
half reclining in a great easy-chair in the deep embayed window. One
terrible mail-clad baron, who had fought and fallen at disastrous
Agincourt, held an uplifted axe, and in the evening shadow it seemed
to Valerie as if he raised it with a threatening glance beneath his
heavy brows, which took a purpose and a meaning as the painted eyes met
hers. And turn which way she would, the eyes of these dark portraits
seemed to follow her; sometimes threateningly, sometimes reproachfully,
sometimes with a melancholy look fraught with a strange and ominous
sadness that chilled her to the soul.

Logs of wood burned on the great hearth, supported by massive iron
dogs, and their flickering light falling now here, now there, left
always the corners of the large room in shadow. The chill white night
looking in at the high window strove with the fire light for mastery,
and won it, so that the cheery beams playing bo-peep among the quaint
oak carving of the panelled walls and ceiling hid themselves abashed
before the chill stare of the cold steel-blue winter sky. The white
face of the sick girl under this dismal light looked almost as still
and lifeless as the face of her grandmother, in powder and patches,
simpering down at her from the wall. She sat alone--no book near her,
no sign of any womanly occupation in the great chamber, no friend to
watch or tend her (for she had refused all companionship); she sat with
listless hands drooping upon the velvet cushions of her chair, her head
thrown back, as if in utter abandonment of all things on the face of
the wide earth, and her dark eyes staring straight before her out into
the dead waste of winter snow.

So she has sat since early morning; so she will sit till her maid comes
to her and leads her to her dreary bedchamber. So she sits when her
uncle visits her, and tries every means in his power to awaken a smile,
or bring one look of animation into that dead face. Yes, it is the face
of a dead woman. Dead to hope, dead to love, dead to the past; still
more utterly dead to a future, which, since it cannot restore the dead,
can give her nothing.

So the short February days, which seem so long to her, fade into the
endless winter nights; and for her the morning has no light, nor the
darkness any shelter. The consolations of that holy Church, on which
for ages past her ancestors have leant for succour as on a rock of
mighty and eternal strength, she dare not seek. Her uncle’s chaplain,
a white-haired old man who had nursed her in his arms a baby, and who
resides at the château, beloved and honoured by all around, comes to
her every morning, and on each visit tries anew to win her confidence;
but in vain. How can she pour into the ears of this good and benevolent
old man her dismal story? Surely he would cast her from him with
contumely and horror. Surely he would tell her that for her there is no
hope; that even a merciful Heaven, ready to hear the prayer of every
sinner, would be deaf to the despairing cries of such a guilty wretch
as she.

So, impenitent and despairing, she wears out the time, and waits
for death. Sometimes she thinks of the arch tempter who smoothed
the path of crime and misery in which she had trodden, and, who, in
doing so seemed so much a part of herself, and so closely linked with
her anguish and her revenge, that she often, in the weakness of her
shattered mind, wondered if there were indeed such a person, or whether
he might not be only the hideous incarnation of her own dark thoughts.
He had spoken though of payment, of reward for his base services. If he
were indeed human as her wretched self, why did he not come to claim
his due?


As the lonely impenitent woman pondered thus in the wintry dusk, her
uncle entered the chamber in which she sat.

“My dear Valerie,” he said, “I am sorry to disturb you, but a person
has just arrived on horseback from Caen. He has travelled, he says, all
the way from Paris to see you, and he knows that you will grant him an
interview. I told him it was not likely you would do so, and that you
certainly would not with my consent. Who can this person be who has the
impertinence to intrude at such a time as this? His name is entirely
unknown to me.”

He gave her a card. She looked at it, and read aloud--

“‘Monsieur Raymond Marolles.’ The person is quite right, my dear uncle;
I will see him.”

“But, Valerie----!” remonstrated the marquis.

She looked at him, with her mother’s proud Spanish blood mantling in
her pale cheek.

“My dear uncle,” she said quietly, “it is agreed between us, is it
not, that I am in all things my own mistress, and that you have entire
confidence in me? When you cease to trust me, we had better bid each
other farewell, for we can then no longer live beneath the same roof.”

He looked with one imploring glance at the inflexible face, but it was
fixed as death.

“Tell them,” she said, “to conduct Monsieur Marolles to this apartment.
I must see him, and alone.”

The marquis left her, and in a few moments Raymond entered the room,
ushered in by the groom of the chambers.

He had the old air of well-bred and fashionable indifference which so
well became him, and carried a light gold-headed riding-whip in his
hand.

“Mademoiselle,” he said, “will perhaps pardon my intrusion of this
evening, which can scarcely surprise her, if she will be pleased
to remember that more than a month has elapsed since a melancholy
occurrence at the Royal Italian Opera House, and that I have some right
to be impatient.”

She did not answer him immediately; for at this moment a servant
entered, carrying a lamp, which he placed on the table by her side,
and afterwards drew the heavy velvet curtains across the great window,
shutting out the chill winter night.

“You are very much altered, mademoiselle,” said Raymond, as he
scrutinized the wan face under the lamp-light.

“That is scarcely strange,” she answered, in a chilling tone. “I am not
yet accustomed to crime, and cannot wear the memory of it lightly.”

Her visitor was dusting his polished riding-boot with his handkerchief
as he spoke. Looking up with a smile, he said,--

“Nay, mademoiselle, I give you credit for more philosophy. Why use ugly
words? Crime--poison--murder!” He paused between each of these three
words, as if every syllable had been some sharp instrument--as if every
time he spoke he stabbed her to the heart and stopped to calculate the
depth of the wound. “There are no such words as those for beauty and
high rank. A person far removed from our sphere offends us, and we
sweep him from our path. We might as well regret the venemous insect
which, having stung us, we destroy.”

She did not acknowledge his words by so much as one glance or gesture,
but said coldly,--

“You were so candid as to confess, monsieur, when you served me, yonder
in Paris, that you did so in the expectation of a reward. You are here,
no doubt, to claim that reward?”

He looked up at her with so strange a light in his blue eyes, and so
singular a smile curving the dark moustache which hid his thin arched
lips, that in spite of herself she was startled into looking at him
anxiously. He was determined that in the game they were playing she
should hold no hidden cards, and he was therefore resolved to see her
face stripped of its mask of cold indifference. After a minute’s pause
he answered her question,--

“I am.”

“It is well, monsieur. Will you be good enough to state the amount you
claim for your _services_?”

“You are determined, mademoiselle, it appears,” he said, with the
strange light still glittering in his eyes, “you are determined to give
me credit for none but the most mercenary sentiments. Suppose I do not
claim any amount of money in repayment of my services?”

“Then, monsieur, I have wronged you. You are a disinterested villain,
and, as such, worthy of the respect of the wicked. But since this is
the case, our interview is at end. I am sorry you decline the reward
you have earned so worthily, and I have the honour to wish you good
evening.”

He gave a low musical laugh. “Pardon me, mademoiselle,” he said, “but
really your words amuse me. ‘A disinterested villain!’ Believe me, when
I tell you that disinterested villainy is as great an impossibility
as disinterested virtue. You are mistaken, mademoiselle, but only as
to the nature of the reward I come to claim. You would confine the
question to one of money. Cannot you imagine that I have acted in the
hope of a higher reward than any recompense your banker’s book could
afford me?”

She looked at him with a puzzled expression, but his face was hidden.
He was trifling with his light riding-whip, and looking down at the
hearth. After a minute’s pause he lifted his head, and glanced at her
with the same dangerous smile.

“You cannot guess, then, mademoiselle, the price I claim for my
services yonder?” he asked.

“No.”

“Nay, mademoiselle, reflect.”

“It would be useless. I might anticipate your claiming half my fortune,
as I am, in a manner, in your power----”

“Oh, yes,” he murmured softly, interrupting her, “you are, in a manner,
in my power certainly.”

“But the possibility of your claiming from me anything except money has
never for a moment occurred to me.”

“Mademoiselle, when first I saw you I looked at you through an
opera-glass from my place in the stalls of the Italian Opera. The
glass, mademoiselle, was an excellent one, for it revealed every line
and every change in your beautiful face. From my observation of that
face I made two or three conclusions about your character, which
I now find were not made upon false premises. You are impulsive,
mademoiselle, but you are not far-seeing. You are strong in your
resolutions when once your mind is fixed; but that mind is easily
influenced by others. You have passion, genius, courage--rare and
beautiful gifts which distinguish you from the rest of womankind; but
you have not that power of calculation, that inductive science, which
never sees the effect without looking for the cause, which men have
christened mathematics. I, mademoiselle, am a mathematician. As such, I
sat down to play a deep and dangerous game with you; and as such, now
that the hour has come at which I can show my hand, you will see that I
hold the winning cards.”

“I cannot understand, monsieur----”

“Perhaps not, yet. When you first honoured me with an interview you
were pleased to call me ‘an adventurer.’ You used the expression as
a term of reproach. Strange to say, I never held it in that light.
When it pleased Heaven, or Fate--whichever name you please to give the
abstraction--to throw me out upon a world with which my life has been
one long war, it pleased that Power to give me nothing but my brains
for weapons in the great fight. No rank, no rent-roll, neither mother
nor father, friend nor patron. All to win, and nothing to lose. How
much I had won when I first saw you it would be hard for you, born in
those great saloons to which I have struggled from the mire of the
streets--it would be very hard, I say, for you to guess. I entered
Paris one year ago, possessed of a sum of money which to me was wealth,
but which might, perhaps, to you, be a month’s income. I had only one
object--to multiply that sum a hundredfold. I became, therefore, a
speculator, or, as you call it, ‘an adventurer.’ As a speculator, I
took my seat in the stalls of the Opera House the night I first saw
you.”

She looked at him in utter bewilderment, as he sat in his most careless
attitude, playing with the gold handle of his riding-whip, but she did
not attempt to speak, and he continued,--

“I happened to hear from a bystander that you were the richest woman in
France. Do you know, mademoiselle, how an adventurer, with a tolerably
handsome face and a sufficiently gentlemanly address, generally
calculates on enriching himself? Or, if you do not know, can you guess?”

“No,” she muttered, looking at him now as if she were in a trance, and
he had some strange magnetic power over her.

“Then, mademoiselle, I must enlighten you. The adventurer who does not
care to grow grey and decrepit in making a fortune by that slow and
uncertain mode which people call ‘honest industry,’ looks about him
for a fortune ready made and waiting for him to claim it. He makes a
wealthy marriage.”

“A wealthy marriage?” She repeated the words after him, as if
mechanically.

“Therefore, mademoiselle, on seeing you, and on hearing the extent of
your fortune, I said to myself, ‘That is the woman I must marry!’”

“Monsieur!” She started indignantly from her reclining attitude; but
the effort was too much for her shattered frame, and she sank back
exhausted.

“Nay, mademoiselle, I did not say ‘That is the woman I will marry,’
but rather, ‘That is the woman I must try to marry;’ for as yet,
remember, I did not hold one card in the great game I had to play. I
raised my glass, and looked long at your face. A very beautiful face,
mademoiselle, as you and your glass have long decided between you. I
was--pardon me--disappointed. Had you been an ugly woman, my chances
would have been so much better. Had you been disfigured by a hump--(if
it had been but the faintest elevation of one white shoulder, prouder,
perhaps, than its fellow)--had your hair been tinged with even a
suspicion of the ardent hue which prejudice condemns, it would have
been a wonderful advantage to me. Vain hope to win you by flattery,
when even the truth must sound like flattery. And then, again, one
glance told me that you were no pretty simpleton, to be won by a
stratagem, or bewildered by romantic speeches. And yet, mademoiselle,
I did not despair. You were beautiful; you were impassioned. In your
veins ran the purple blood of a nation whose children’s love and hate
are both akin to madness! You had, in short, a soul, and you might have
a secret!”

“Monsieur!”

“At any rate it would be no lost time to watch you. I therefore
watched. Two or three gentlemen were talking to you; you did not listen
to them; you were asked the same question three times, and on the
second repetition of it you started, and replied as by an effort. You
were weary, or indifferent. Now, as I have told you, mademoiselle, in
the science of mathematics we acknowledge no effect without a cause;
there was a cause, then, for this distraction on your part. In a few
minutes the curtain rose. You were no longer absent-minded. Elvino
came on the stage--you were all attention. You tried, mademoiselle,
not to appear attentive; but your mouth, the most flexible feature in
your face, betrayed you. The cause, then, of your late distraction was
Elvino, otherwise the fashionable tenor, Gaston de Lancy.”

“Monsieur, for pity’s sake----” she cried imploringly.

“This was card number one. My chances were looking up. In a few minutes
I saw you throw your bouquet on the stage I also saw the note. You had
a secret, mademoiselle, and I possessed the clue to it. My cards were
good ones. The rest must be done by good play. I knew I was no bad
player, and I sat down to the game with the determination to rise a
winner.”

“Finish the recital of your villainy, monsieur, I beg--it really
becomes wearisome.” She tried as she spoke to imitate his own
indifference of manner; but she was utterly subdued and broken down,
and waited for him to continue as the victim might wait the pleasure of
the executioner, and with as little thought of opposing him.

“Then, mademoiselle, I have little more to say, except to claim my
reward. That reward is--your hand.” He said this as if he never even
dreamt of the possibility of a refusal.

“Are you mad, monsieur?” She had for some time anticipated this
climax, and she felt how utterly powerless she was in the hands of an
unscrupulous villain. How unscrupulous she did not yet know.

“Nay, mademoiselle, remember! A man has been poisoned. Easy enough
to set suspicion, which has already pointed to foul play, more fully
at work. Easy enough to prove a certain secret marriage, a certain
midnight visit to that renowned and not too highly-respected chemist,
Monsieur Blurosset. Easy enough to produce the order for five thousand
francs signed by Mademoiselle de Cevennes. And should these proofs
not carry with them conviction, I am the fortunate possessor of a
wine-glass emblazoned with the arms of your house, in which still
remains the sediment of a poison well-known to the more distinguished
members of the medical science. I think, mademoiselle, these few
evidences, added to the powerful motive revealed by your secret
marriage, would be quite sufficient to set every newspaper in France
busy with the details of a murder unprecedented in the criminal annals
of this country. But, mademoiselle, I have wearied you; you are pale,
exhausted. I have no wish to hurry you into a rash acceptance of my
offer. Think of it, and to-morrow let me hear your decision. Till then,
adieu.” He rose as he spoke.

She bowed her head in assent to his last proposition, and he left her.

Did he know, or did he guess, that there might be another reason to
render her acceptance of his hand possible? Did he think that even his
obscure name might be a shelter to her in days to come?

O Valerie, Valerie, for ever haunted by the one beloved creature gone
out of this world never to return! For ever pursued by the image of the
love which never was--which at its best and brightest was--but a false
dream. Most treacherous when most tender, most cruel when most kind,
most completely false when it most seemed a holy truth. Weep, Valerie,
for the long years to come, whose dismal burden shall for ever be, “Oh,
never, never more!”




                              CHAPTER IX.

                       A MARRIAGE IN HIGH LIFE.


A MONTH from the time at which this interview took place, everyone
worth speaking of in Paris is busy talking of a singular marriage about
to be celebrated in that smaller and upper circle which forms the apex
of the fashionable pyramid. The niece and heiress of the Marquis de
Cevennes is about to marry a gentleman of whom the Faubourg St. Germain
knows very little. But though the faubourg knows very little, the
faubourg has, notwithstanding, a great deal to say; perhaps all the
more from the very slight foundation it has for its assertions. Thus,
on Tuesday the faubourg affirms that Monsieur Raymond Marolles is a
German, and a political refugee. On Wednesday the faubourg rescinds:
he is not a German, he is a Frenchman, the son of an illegitimate son
of Philip Egalité, and, consequently, nephew to the king, by whose
influence the marriage has been negotiated. The faubourg, in short,
has so many accounts of Monsieur Raymond Marolles, that it is quite
unnecessary for the Marquis de Cevennes to give any account of him
whatever, and he alone, therefore, is silent on the subject. Monsieur
Marolles is a very worthy man--a gentleman, of course--and his niece
is very much attached to him; beyond this, the marquis does not
condescend to enlighten his numerous acquaintance. How much more might
the faubourg have to say if it could for one moment imagine the details
of a stormy scene which took place between the uncle and niece at the
château in Normandy, when, kneeling before the cross, Valerie swore
that there was so dreadful a reason for this strange marriage, that,
did her uncle know it, he would himself kneel at her feet and implore
her to sacrifice herself to save the honour of her noble house. What
might have been suggested to the mind of the marquis by these dark
hints no one knew; but he ceased to oppose the marriage of the only
scion of one of the highest families in France with a man who could
tell nothing of himself, except that he had received the education of a
gentleman, and had a will strong enough to conquer fortune.

The religious solemnization of the marriage was performed with great
magnificence at the Madeleine. Wealth, rank, and fashion were equally
represented at the _dejeûner_ which succeeded the ceremonial,
and Monsieur Marolles found himself the centre of a circle of the
old nobility of France. It would have been very difficult, even for
an attentive observer, to discover one triumphant flash in those
light blue eyes, or one smile playing round the thin lips, by which a
stranger might divine that the bridegroom of to-day was the winner of a
deep-laid and villanous scheme. He bore his good fortune, in fact, with
such well-bred indifference, that the faubourg immediately set him down
as a great man, even if not one of the set which was the seventh heaven
in that Parisian paradise. And it would have been equally difficult for
any observer to read the secret of the pale but beautiful face of the
bride. Cold, serene, and haughty, she smiled a stereotyped smile upon
all, and showed no more agitation during the ceremony than she might
have done had she been personating a bride in an acted charade.

It may be, that the hour when any event, however startling, however
painful, could move her from this cold serenity, had for ever passed
away. It may be, that having outlived all the happiness of her life,
she had almost outlived the faculty of feeling or of suffering, and
must henceforth exist only for the world--a distinguished actress in
the great comedy of fashionable life.

She is standing in a window filled with exotics, which form a great
screen of dark green leaves and tropical flowers, through which the
blue spring sky looks in, clear, bright, and cold. She is talking to an
elderly duchess, a languid and rather faded personage, dressed in ruby
velvet, and equally distinguished for the magnificence of her lace and
the artful composition of her complexion, which is as near an approach
to nature as can be achieved by pearl-powder. “And you leave France in
a month, to take possession of your estates in South America?” she asks.

“In a month, yes,” says Valerie, playing with the large dark leaf of a
magnolia. “I am anxious to see my mother’s native country. I am tired
of Paris.”

“Really? You surprise me!” The languid duchess cannot conceive the
possibility of any one being tired of a Parisian existence. She is deep
in her thirty-fourth platonic attachment--the object, a celebrated
novelist of the transcendental school; and as at this moment she sees
him entering the room by a distant door, she strolls away from the
window, carrying her perfumed complexion through the delighted crowd.


Perhaps Monsieur Raymond Marolles, standing talking to an old
Buonapartist general, whose breast is one constellation of stars and
crosses, had only been waiting for this opportunity, for he advanced
presently with soft step and graceful carriage towards the ottoman on
which his bride had seated herself. She was trifling with her costly
bridal bouquet as the bridegroom approached her, plucking the perfumed
petals one by one, and scattering them on the ground at her feet in
very wantonness.

“Valerie,” he said, bending over her, and speaking in tones which, by
reason of the softness of their intonation, might have been tender, but
for the want of some diviner melody from within the soul of the man;
not having which, they had the false jingle of a spurious coin.

The spot in which the bride was seated was so sheltered by the flowers
and the satin hangings which shrouded the window, that it formed a
little alcove, shut out from the crowded room.

“Valerie!” he repeated; and finding that she did not answer, he laid
his white ungloved hand upon her jewelled wrist.

She started to her feet, drawing herself up to her fullest height, and
shaking off his hand with a gesture which, had he been the foulest and
most loathsome reptile crawling upon the earth’s wide face, could not
have bespoken a more intense abhorrence.

“There could not be a better time than this,” she said, “to say what
I have to say. You may perhaps imagine that to be compelled to speak
to you at all is so abhorrent to me, that I shall use the fewest words
I can, and use those words in their very fullest sense. You are the
incarnation of misery and crime. As such you can perhaps understand
how deeply I hate you. You are a villain; and so mean and despicable a
villain, that even in the hour of your success you are a creature to
be pitied; since from the very depth of your degradation you lack the
power to know how much you are degraded! As such I scorn and loathe
you, as we loathe those venemous reptiles which, from their noxious
qualities, defy our power to handle and exterminate them.”

“And as your husband, madame?” Her bitter words discomposed him so
little, that he stooped to pick up a costly flower which in her passion
she had thrown down, and placed it carefully in his button-hole. “As
your husband, madame? The state of your feelings towards me in that
character is perhaps a question more to the point.”

“You are right,” she said, casting all assumption of indifference
aside, and trembling with scornful rage. “That is the question. Your
speculation has been a successful one.”

“Entirely successful,” he replied, still arranging the flower in his
coat.

“You have the command of my fortune----”

“A fortune which many princes might be proud to possess,” he
interposed, looking at the blossom, not at her. He may possibly have
been a brave man, but he was not distinguished for looking in people’s
faces, and he did not care about meeting her eyes to-day.

“But if you think the words whose sacred import has been prostituted
by us this day have any meaning for you or me; if you think there is a
lacquey or a groom in this vast city, a ragged mendicant standing at
a church-door whom I would not sooner call my husband than the wretch
who stands beside me now, you neither know me nor my sex. My fortune
you are welcome to. Take it, squander it, scatter it to the winds,
spend it to the last farthing on the low vices that are pleasure to
such men as you. But dare to address me with but one word from your
false lips, dare to approach me so near as to touch but the hem of my
dress, and that moment I proclaim the story of our marriage from first
to last. Believe me when I say--and if you look me in the face you will
believe me--the restraining influence is very slight that holds me back
from standing now in the centre of this assembly to proclaim myself a
vile and cruel murderess, and you my tempter and accomplice. Believe
me when I tell you that it needs but one look of yours to provoke
me to blazon this hideous secret, and cry its details in the very
market-place. Believe this, and rest contented with the wages of your
work.”

Exhausted by her passion, she sank into her seat. Raymond looked at her
with a supercilious sneer. He despised her for this sudden outbreak of
rage and hatred, for he felt how much his calculating brain and icy
temperament made him her superior.

“You are somewhat hasty, madame, in your conclusions. Who said I was
discontented with the wages of my work, when for those wages alone I
have played the game in which, as you say, I am the conqueror? For the
rest, I do not think I am the man to break my heart for love of any
woman breathing, as I never quite understood what this same weakness of
the brain, which men have christened love, really is; and even were the
light of dark eyes necessary to my happiness, I need scarcely tell you,
madame, that beauty is very indulgent to a man with such a fortune as I
am master of to-day. There is nothing on earth to prevent our agreeing
remarkably well; and perhaps this marriage, which you speak of so
bitterly, may be as happy as many other unions, which, were I Asmodeus
and you my pupil, we could look down on to-day through the housetops of
this good city of Paris.”

I wonder whether Monsieur Marolles was right? I wonder whether this
thrice-sacred sacrament, ordained by an Almighty Power for the glory
and the happiness of the earth, is ever, by any chance, profaned
and changed into a bitter mockery or a wicked lie? Whether, by any
hazard, these holy words were ever used in any dark hour of this
world’s history, to join such people as had been happier far asunder,
though they had been parted in their graves; or whether, indeed, this
solemn ceremonial has not so often united such people, with a chain
no time has power to wear or lengthen, that it has at last, unto some
ill-directed minds, sunk to the level of a pitiful and worn-out farce?




                              CHAPTER X.

                           ANIMAL MAGNETISM.


NEARLY a month has passed since this strange marriage, and Monsieur
Blurosset is seated at his little green-covered table, the lamp-light
falling full upon the outspread pack of cards, over which the blue
spectacles bend with the same intent and concentrated gaze as on the
night when the fate of Valerie hung on the lips of the professor of
chemistry and pasteboard. Every now and then, with light and careful
fingers, Monsieur Blurosset changes the position of some card or cards.
Sometimes he throws himself back in his chair and thinks deeply. The
expressionless mouth, which betrays no secrets, tells nothing of the
nature of his thoughts. Sometimes he makes notes on a long slip of
paper; rows of figures, and problems in algebra, over which he ponders
long. By-and-by, for the first time, he looks up and listens.

His little apartment has two doors. One, which leads out on to the
staircase; a second, which communicates with his bedchamber. This door
is open a very little, but enough to show that there is a feeble light
burning within the chamber. It is in the direction of this door that
the blue spectacles are fixed when Monsieur Blurosset suspends his
calculations in order to listen; and it is to a sound within this room
that he listens intently.

That sound is the laboured and heavy breathing of a man. The room is
tenanted.

“Good,” says Monsieur Blurosset, presently, “the respiration is
certainly more regular. It is really a most wonderful case.”

As he says this, he looks at his watch. “Five minutes past eleven--time
for the dose,” he mutters.

He goes to the little cabinet from which he took the drug he gave to
Valerie, and busies himself with some bottles, from which he mixes a
draught in a small medicine-glass; he holds it to the light, puts it to
his lips, and then passes with it into the next room.

There is a sound as if the person to whom he gave the medicine made
some faint resistance, but in a few minutes Monsieur Blurosset emerges
from the room carrying the empty glass.

He reseats himself before the green table, and resumes his
contemplation of the cards. Presently a bell rings. “So late,” mutters
Monsieur Blurosset; “it is most likely some one for me.” He rises,
sweeps the cards into one pack, and going over to the door of his
bedroom, shuts its softly. When he has done so, he listens for a
moment with his ear close to the woodwork. There is not a sound of the
breathing within.

He has scarcely done so when the bell rings for the second time. He
opens the door communicating with the staircase, and admits a visitor.
The visitor is a woman, very plainly dressed, and thickly veiled.

“Monsieur Blurosset?” she says, inquiringly.

“The same, madame. Pray enter, and be good enough to be seated.” He
hands her a chair at a little distance from the green table, and as
far away as he can place it from the door of the bedchamber: she sits
down, and as he appears to wait for her to speak, she says,--

“I have heard of your fame, monsieur, and come----”

“Nay, madame,” he says, interrupting her, “you can raise your veil if
you will. I perfectly remember you; I never forget voices, Mademoiselle
de Cevennes.”

There is no shade of impertinence in his manner as he says this; he
speaks as though he were merely stating a simple fact which it is as
well for her to know. He has the air, in all he does or says, of a
scientific man who has no existence out of the region of science.

Valerie--for it is indeed she--raises her veil.

“Monsieur,” she says, “you are candid with me, and it will be the best
for me to be frank with you. I am very unhappy--I have been so for some
months past; and I shall be so until my dying day. One reason alone has
prevented my coming to you long ere this, to offer you half my fortune
for such another drug as that which you sold to me some time past. You
may judge, then, that reason is a very powerful one, since, though
death alone can give me peace, I yet do not wish to die. But I wish to
have at my command a means of certain death. I may never use it at all:
I swear never to use it on anyone but myself!”

All this time the blue spectacles have been fixed on her face, and now
Monsieur Blurosset interrupts her--

“And now for such a drug, mademoiselle, you would offer me a large sum
of money?” he asks.

“I would, monsieur.”

“I cannot sell it you,” he says, as quietly as though he were speaking
of some unimportant trifle.

“You cannot?” she exclaims.

“No, mademoiselle. I am a man absorbed entirely in the pursuit of
science. My life has been so long devoted to science only, that perhaps
I may have come to hold everything beyond the circle of my little
laboratory too lightly. You asked me some time since for a poison, or
at least you were introduced to me by a pupil of mine, at whose request
I sold you a drug. I had been twenty years studying the properties
of that drug. I may not know them fully yet, but I expect to do so
before this year is out. I gave it to you, and, for all I know to the
contrary, it may in your hands have done some mischief.” He pauses here
and looks at her for a moment; but she has borne the knowledge of her
crime so long, and it has become so much a part of her, that she does
not flinch under his scrutiny.

“I placed a weapon in your hands,” he continues, “and I had no right to
do so. I never thought of this at that time; but I have thought of it
since. For the rest, I have no inducement to sell you the drug you ask
for. Money is of little use to me except in the necessary expenses of
the chemicals I use. These”--he points to the cards--“give me enough
for those expenses; beyond those, my wants amount to some few francs a
week.”

“Then you will not sell me this drug? You are determined?” she asks.

“Quite determined.”

She shrugs her shoulders. “As you please. There is always some river
within reach of the wretched; and you may depend, monsieur, that they
who cannot support life will find a means of death. I will wish you
good evening.”

She is about to leave the room, when she stops, with her hand upon the
lock of the door, and turns round.

She stands for a few minutes motionless and silent, holding the handle
of the door, and with her other hand upon her heart. Monsieur Blurosset
has the faintest shadow of a look of surprise in his expressionless
countenance.

“I don’t know what is the matter with me to-night,” she says, “but
something seems to root me to this spot. I cannot leave this room.”

“You are ill, mademoiselle, perhaps. Let me give you some restorative.”

“No, no, I am not ill.”

Again she is silent; her eyes are fixed, not on the chemist, but with a
strange vacant gaze upon the wall before her. Suddenly she asks him,--

“Do you believe in animal magnetism?”

“Madame, I have spent half my lifetime in trying to answer that
question, and I can only answer it now by halves. Sometimes no;
sometimes yes.”

“Do you believe it possible for one soul to be gifted with a mysterious
prescience of the emotions of another soul?--to be sad when that is
sad, though utterly unconscious of any cause for sadness; and to
rejoice when that is happy, having no reason for rejoicing?”

“I cannot answer your question, madame, because it involves another. I
never yet have discovered what the soul really is. Animal magnetism,
if it ever become a science, will be a material science, and the soul
escapes from all material dissection.”

“Do you believe, then, that by some subtle influence, whose nature is
unknown to us, we may have a strange consciousness of the presence or
the approach of some people, conveyed to us by neither the hearing nor
the sight, but rather as if we _felt_ that they were near?”

“_You_ believe this possible, madame, or you would not ask the
question.”

“Perhaps. I have sometimes thought that I had this consciousness; but
it related to a person who is dead----”

“Yes, madame.”

“And--you will think me mad; Heaven knows, I think myself so--I feel as
if that person were near me to-night.”

The chemist rises, and, going over to her, feels her pulse. It is rapid
and intermittent. She is evidently violently agitated, though she is
trying with her utmost power to control herself.

“But you say that this person is dead?” he asks.

“Yes; he died some months since.”

“You know that there are no such things as ghosts?”

“I am perfectly convinced of that!”

“And yet--?” he asks.

“And yet I feel as though the dead were near me to-night. Tell
me--there is no one in this room but ourselves?”

“No one.”

“And that door--it leads----”

“Into the room in which I sleep.”

“And there is no one there?” she asks.

“No one. Let me give you a sedative, madame: you are certainly ill.”

“No, no, monsieur; you are very good. I am still weak from the effects
of a long illness. That weakness may be the cause of my silly fancies
of to-night. To-morrow I leave France, perhaps for ever.”

She leaves him; but on the steep dark staircase she pauses for a
moment, and seems irresolute, as if half determined to return: then she
hurries on, and in a minute is in the street.

She takes a circuitous route towards the house in which she lives. So
plainly dressed, and thickly veiled, no one stops to notice her as she
walks along.

Her husband, Monsieur Marolles, is engaged at a dinner given by a
distinguished member of the chamber of peers. Decidedly he has held
winning cards in the game of life. And she, for ever haunted by the
past, with weary step goes onward to a dark and unknown future.




                          =Book the Fourth.=

                          NAPOLEON THE GREAT.




                              CHAPTER I.

                       THE BOY FROM SLOPPERTON.


EIGHT years have passed since the trial of Richard Marwood. How have
those eight years been spent by “Daredevil Dick?”

In a small room a few feet square, in the County Lunatic Asylum,
fourteen miles from the town of Slopperton, with no human being’s
companionship but that of a grumpy old deaf keeper, and a boy, his
assistant--for eight monotonous years this man’s existence has crept
slowly on; always the same: the same food, the same hours at which that
food must be eaten, the same rules and regulations for every action of
his inactive life. Think of this, and pity the man surnamed “Daredevil
Dick,” and once the maddest and merriest creature in a mad and merry
circle. Think of the daily walk in a great square flagged yard--the
solitary walk, for he is not allowed even the fellowship of the other
lunatics, lest the madness which led him to commit an awful crime
should again break out, and endanger the lives of those about him.
During eight long years he has counted every stone in the flooring,
every flaw and every crack in each of those stones. He knows the shape
of every shadow that falls upon the white-washed wall, and can, at
all seasons of the year, tell the hour by the falling of it. He knows
that at such a time on a summer’s evening the shadows of the iron bars
of the window will make long black lines across the ground, and mount
and mount, dividing the wall as if it were in panels, till they meet,
and absorbing altogether the declining light, surround and absorb him
too, till he is once more alone in the darkness. He knows, too, that
at such a time on the grey winter’s morning these same shadows will be
the first indications of the coming light; that, from the thick gloom
of the dead night they will break out upon the wall, with strips of
glimmering day between, only enough like light to show the blackness
of the shade. He has sometimes been mad enough and wretched enough to
pray that these shadows might fall differently, that the very order of
nature might be reversed, to break this bitter and deadly monotony.
He has sometimes prayed that, looking up, he might see a great fire
in the sky, and know that the world was at an end. How often he has
prayed to die, it would be difficult to say. At one time it was his
only prayer; at one time he did not pray at all. He has been permitted
at intervals to see his mother; but her visits, though he has counted
the days, hours, and even minutes between them, have only left him
more despondent than ever. She brings so much with her into his lonely
prison, so much memory of a joyous past, of freedom, of a happy home,
whose happiness he did his best in his wild youth to destroy; the
memory, too, of that careless youth, its boon companions, its devoted
friends. She brings so much of all this back to him by the mere fact
of her presence, that she leaves behind her the blackness of a despair
far more terrible than the most terrible death. She represents to him
the outer world; for she is the only creature belonging to it who ever
crosses the threshold of his prison. The asylum chaplain, the asylum
doctor, the keepers and the officials belonging to the asylum--all
these are part and parcel of this great prison-house of stone, brick,
and mortar, and seem to be about as capable of feeling for him,
listening to him, or understanding him, as the stones, bricks, and
mortar themselves. Routine is the ruler of this great prison; and if
this wretched insane criminal cannot live by rules and regulations, he
must die according to them, and be buried by them, and so be done with,
out of the way; and his little room, No. 35, will be ready for some one
else, as wicked, as dangerous, and as unfortunate as he.

During the earlier part of his imprisonment the idea had pervaded the
asylum that as he had been found guilty of committing one murder, he
might, very likely, find it necessary to his peculiar state of mind
to commit more murders, and would probably find it soothing to his
feelings to assassinate anybody who might come in his way any morning
before breakfast. The watch kept upon him was therefore for some
time very strict. He was rather popular at first in the asylum, as a
distinguished public character; and the keepers, though a little shy
of attending upon him in their proper persons, were extremely fond of
peering in at him through a little oval opening in the upper panel
of the door of his cell. They also brought such visitors as came to
improve their minds by going over the hospital for the insane to have a
special and private view of this maniacal murderer; and they generally
received an extra donation from the sight-seers thus gratified. Even
the lunatics themselves were interested in the supposed assassin. A
gentleman, who claimed to be the Emperor of the German Ocean and the
Chelsea Waterworks, was very anxious to see him, as he had received
a despatch from his minister of police informing him that Richard
Marwood had red hair, and he particularly wished to confirm this
intelligence, or to give the minister his _congé_.

Another highly-respectable person, whose case was before the House of
Commons, and who took minutes of it every day on a slate, with a bit
of slate pencil which he wore attached to his button-hole by a string,
and which also served him as a toothpick--the slate being intrusted to
a keeper who forwarded it to the electric telegraph, to be laid on the
table of the House, and brought home, washed clean, in half an hour,
which was always done to the minute;--this gentleman also sighed for an
introduction to poor Dick, for Maria Martin had come to him in a vision
all the way from the Red Barn, to tell him that the prisoner was his
first cousin, through the marriage of his uncle with the third daughter
of Henry the Eighth’s seventh wife; and he considered it only natural
and proper that such near relations should become intimately acquainted
with each other.

A lady, who pronounced herself to be the only child of the Pope of
Rome, by a secret union with a highly-respectable youngperson, heiress
to a gentleman connected with the muffin trade somewhere about Drury
Lane, fell in love off-hand with Richard, from description alone; and
begged one of the keepers to let him know that she had a clue to a
subterranean passage, which led straight from the asylum to a baker’s
shop in Little Russell Street, Covent Garden, a distance of some two
hundred and fifty miles, and had been originally constructed by William
the Conqueror for the convenience of his visits to Fair Rosamond when
the weather was bad. The lady begged her messenger to inform Mr.
Marwood that if he liked to unite his fortune with hers, they could
escape by this passage, and set up in the muffin business--unless,
indeed, his Holiness of the triple crown invited them over to the
Vatican, which perhaps, under existing circumstances, was hardly likely.

But though a wonder, which elsewhere would only last nine days, may in
the dreary monotony of such a place as this, endure for more than nine
weeks, it must still die out at last. So at last Richard was forgotten
by every one except his heartbroken mother, and the keeper and boy
attending upon him.

His peculiar hallucination being his fancy that he was the Emperor
Napoleon the First, was, of course, little wonder in a place where
every wretched creature fancied himself some one or something which he
was not; where men and women walked about in long disjointed dreams,
which had no waking but in death; where once bright and gifted human
beings found a wild and imbecile happiness in crowns of straw, and
decorations of paper and rags; which was more sad to see than the worst
misery a consciousness of their state might have brought them. At
first, Richard had talked wildly of his fancied greatness, had called
his little room the rock of St. Helena, and his keeper, Sir Hudson
Lowe. But he grew quieter day by day, and at last never spoke at all,
except in answer to a question. And so on, for eight long years.

In the autumn of the eighth year he fell ill. A strange illness.
Perhaps scarcely to be called an illness. Rather a dying out of the
last light of hope, and an utter abandonment of himself to despair.
Yes, that was the name of the disease under which the high and bold
spirit of Daredevil Dick sank at last. Despair. A curious disease. Not
to be cured by rules and regulations, however salutary those rules
might be; not to be cured even by the Board, which was supposed to be
in a manner omnipotent, and to be able to cure anything in one sitting;
not to be cured certainly by the asylum doctor, who found Richard’s
case very difficult to deal with--more especially difficult since there
was no positive physical malady to attack. There was a physical malady,
because the patient grew every day weaker, lost appetite, and was
compelled to take to his bed; but it was the malady of the mind acting
on the body, and the cure of the last could only be effected by the
cure of the first.

So Richard lay upon his narrow little couch, watching the shadows on
the bare wall, and the clouds that passed across the patch of sky which
he could see through the barred window opposite his bed, through long
sunny days, and moonlight nights, throughout the month of September.

Thus it happened that one dull afternoon, on looking up, he saw a
darker cloud than usual hurry by; and in its train another, darker
still; then a black troop of ragged followers; and then such a shower
of rain came down, as he could not remember having seen throughout the
time of his captivity. But this heavy shower was only the beginning
of three weeks’ rainy weather; at the end of which time the country
round was flooded in every direction, and Richard heard his keeper
tell another man that the river outside the prison, which usually ran
within twenty feet of the wall on one side of the great yard, was now
swollen to such a degree as to wash the stonework of this wall for a
considerable height.

The day Richard heard this he heard another dialogue, which took place
in the passage outside his room. He was lying on his bed, thinking of
the bitterness of his fate, as he had thought so many hundred times,
through so many hundred days, till he had become, as it were, the slave
of a dreadful habit of his mind, and was obliged to go over the same
ground for ever and ever, whether he would or no--he was lying thus,
when he heard his keeper say--

“To think as how the discontented little beast should take and go and
better hisself at such a time as this here, when there ain’t a boy to
be had for love or money--which three shillings a week is all the Board
will give--as will come here to take care of him.”

Richard knew himself to be the “him” alluded to. The doctor had ordered
the boy to sit up with him at night during the latter part of his
illness, and it had been something of a relief to him, in the blank
monotony of his life, to watch this boy’s attempts to keep awake, and
his furtive games at marbles under the bed when he thought Richard was
not looking, or to listen to his snoring when he slept.

“You see, boys as is as bold as brass many ways--as would run under
’osses’ heads, and like it; as thinks it fun to run across the railroad
when there’s a _h_express _h_engine a comin’, and as will amuse
theirselves for the hour together with twopen’orth of gunpowder and a
lighted candle--still feels timersome about sittin’ up alone of nights
with him,” said the keeper.

“But he’s harmless enough, ain’t he?” asked the other.

“Harmless! Lord bless his poor hinnercent ’art! there ain’t no more
harm in him nor a baby. But it’s no use a sayin’ that, for there ain’t
a boy far or near what’ll come and help to take care of him.”

A minute or two after this, the keeper came into Richard’s room with
the regulation basin of broth--a panacea, as it was supposed, for all
ills, from water on the brain to rheumatism. As he put the basin down,
and was about to go, Richard spoke to him,--

“The boy is going, then?”

“Yes, sir.” The keeper treated him with great respect, for he had been
handsomely fed by Mrs. Marwood on every visit throughout the eight
years of her son’s imprisonment. “Yes, he’s a-goin’, sir. The place
ain’t lively enough for him, if you please. I’d lively him, if I was
the Board! Ain’t he had the run of the passages, and half an hour
every night to enjoy hisself in the yard! He’s a goin’ into a doctor’s
service. He says it’ll be jolly, carrying out medicine for other people
to take, and gloating over the thought of ’em a-taking it.”

“And you can’t get another boy to come here?”

“Well, you see, sir, the boys about here don’t seem to take kindly to
the place. So I’ve got orders from the Board to put an advertisement in
one of the Slopperton papers; and I’m a-goin’ to do it this afternoon.
So you’ll have a change in your attendance, maybe, sir, before the
week’s out.”

Nothing could better prove the utter dreariness and desolation of
Richard’s life than that such a thing as the probable arrival of a
strange boy to wait upon him seemed an event of importance. He could
not help, though he despised himself for his folly, speculating upon
the possible appearance of the new boy. Would he be big or little,
stout or thin? What would be the colour of his eyes and hair? Would his
voice be gruff or squeaky; or would it be that peculiar and uncertain
voice, common to over-grown boys, which is gruff one minute and squeaky
the next, and always is in one of these extremes when you most expect
it to be in the other?

But these speculations were of course a part of his madness; for it is
not to be supposed that a long course of solitary confinement could
produce any dreadful change in the mind of a sane man; or surely no
human justices or lawgivers would ever adjudge so terrible a punishment
to any creature, human as themselves, and no more liable to error than
themselves.


So Richard, lying on his little bed through the long rainy days, awaits
the departure of his old attendant and the coming of a new one; and in
the twilight of the third day he still lies looking up at the square
grated window, and counting the drops falling from the eaves--for there
is at last some cessation in the violence of the rain. He knows it is
an autumn evening; but he has not seen the golden red of one fallen
leaf, or the subdued colouring of one autumnal flower: he knows it is
the end of September, because his keeper has told him so; and when
his window is open, he can hear sometimes, far away, deadened by the
rainy atmosphere as well as by the distance, the occasional report
of some sportsman’s gun. He thinks, as he hears this, of a September
many years ago, when he and a scapegrace companion took a fortnight’s
shooting in a country where to brush against a bush, or to tread upon
the long grass, was to send a feathered creature whirring up in the
clear air. He remembers the merry pedestrian journey, the road-side
inns, the pretty barmaids, the joint purse; the blue smoke from two
short meerschaum pipes curling up to the grey morning sky; the merry
laughter from two happy hearts ringing out upon the chill morning air.
He remembers encounters with savage gamekeepers, of such ferocious
principle and tender consciences as even the administration of a
half-crown could not lull to sleep; he remembers jovial evenings in
the great kitchens of old inns, where unknown quantities of good old
ale were drunk, and comic songs were sung, with such a chorus, that to
join in it was to be overcome by such fatigue, or to be reduced from
wildest mirth to such a pitch of sudden melancholy, as ultimately to
lead to the finishing of the evening in tears, or else under the table.
He remembers all these things, and he wonders--as, being a madman, it
is natural he should--wonders whether it can be indeed himself, who
once was that wittiest, handsomest, most generous, and best of fellows,
baptised long ago in a river of sparkling hock, moselle, and burgundy,
“Daredevil Dick.”

But something more than these sad memories comes with the deepening
twilight, for presently Richard hears the door of his room unlocked,
and his keeper’s voice, saying,--

“There, go in, and tell the gent you’ve come. I’m a-comin’ in with his
supper and his lamp presently, and then I’ll tell you what you’ve got
to do.”

Naturally Richard looked round in the direction of the door, for he
knew this must be the strange boy. Now, his late juvenile attendant
had numbered some fifteen summers; to say nothing of the same number
of winters, duly chronicled by chilblains and chapped hands. Richard’s
eyes therefore looked towards the open door at about that height from
the ground which a lad of fifteen has commonly attained; and looking
thus, Richard saw nothing. He therefore lowered his glance, and in
about the neighbourhood of what would have been the lowest button of
his last attendant’s waistcoat, he beheld the small pale thin face of a
very small and very thin boy.

This small boy was standing rubbing his right little foot against his
left little wizen leg, and looking intently at Richard. To say that his
tiny face had a great deal of character in it would not be to say much;
what face he had was all character.

Determination, concentration, energy, strength of will, and brightness
of intellect, were all written in unmistakable lines upon that pale
pinched face. The boy’s features were wonderfully regular, and had
nothing in common with the ordinary features of a boy of his age
and his class; the tiny nose was a perfect aquiline; the decided
mouth might have belonged to a prime minister with the blood of the
Plantagenets in his veins. The eyes, of a bluish grey, were small, and
a little too near together, but the light in them was the light of an
intelligence marvellous in one so young.

Richard, though a wild and reckless fellow, had never been devoid of
thought, and in the good days past had dabbled in many a science,
and had adopted and abandoned many a creed. He was something of a
physiognomist, and he read enough in one glance at this boy’s face to
awaken both surprise and interest in him.

“So,” said he, “you are the new boy! Sit down,” he pointed to a little
wooden stool near the bed as he spoke. “Sit down, and make yourself at
home.”

The boy obeyed, and seated himself firmly by the side of Richard’s
pillow; but the stool was so low, and he was so small, that Richard
had to change his position to look over the edge of the bed at his
new attendant. While Daredevil Dick contemplated him the boy’s small
grey eyes peered round the four white-washed walls, and then fixed
themselves upon the barred window with such a look of concentration,
that it seemed to Richard as if the little lad must be calculating the
thickness and power of resistance of each iron bar with the accuracy of
a mathematician.

“What’s your name, my lad?” asked Richard. He had been always beloved
by all his inferiors for a manner combining the stately reserve of a
great king with the friendly condescension of a popular prince.

“Slosh, sir,” answered the boy, bringing his grey eyes with a great
effort away from the iron bars and back to Richard.

“Slosh! A curious name. Your surname, I suppose?”

“Surname and christen name too, sir. Slosh--short for Sloshy.”

“But have you no surname, then?”

“No, sir; _fondling_, sir.”

“A foundling: dear me, and you are called Sloshy! Why, that is the name
of the river that runs through Slopperton.”

“Yes, sir, which I was found in the mud of the river, sir, when I was
only three months old, sir.”

“Found in the river--were you? Poor boy--and by whom?”

“By the gent what adopted me, sir.”

“And he is----?” asked Richard.

“A gent connected with the police force, sir; detective----”

This one word worked a sudden change in Richard’s manner. He raised
himself on his elbow, looked intently at the boy, and asked, eagerly,--

“This detective, what is his name? But no,” he muttered, “I did not
even know the name of that man. Stay--tell me, you know perhaps some of
the men in the Slopperton police force besides your adopted father?”

“I knows every man jack of ’em, sir; and a fine staff they is--a credit
to their country and a happiness to theirselves.”

“Do you happen to know amongst them a dumb man?” asked Richard.

“Lor’, sir, that’s him.”

“Who?”

“Father, sir. The gent what found me and adopted me. I’ve got a message
for you, sir, from father, and I was a-goin’ to give it you, only I
thought I’d look about me a little first; but stay--Oh, dear, the
gentleman’s took and fainted. Here,” he said, running to the door and
calling out in a shrill voice, “come and unlock this here place, will
yer, and look alive with that lamp! The gentleman’s gone off into a
dead faint, and there ain’t so much as a drop of water to chuck over
his face.”

The prisoner had indeed fallen back insensible on the bed. For eight
long years he had nourished in his heart a glimmering though dying hope
that he might one day receive some token of remembrance from the man
who had taken a strange part in the eventful crisis of his life. This
ray of light had lately died out, along with every other ray which had
once illuminated his dreary life; but in the very moment when hope was
abandoned, the token once eagerly looked for came upon him so suddenly,
that the shock was too much for his shattered mind and feeble frame.

When Richard recovered from his swoon, he found himself alone with the
boy from Slopperton. He was a little startled by the position of that
young person, who had seated himself upon the small square deal table
by the bedside, commanding from this elevation a full view of Richard’s
face, whereon his two small grey eyes were intently fixed, with that
same odd look of concentration with which he had regarded the iron bars.

“Come now,” said he, with the consolatory tone of an experienced
sick-nurse; “come now, we mustn’t give way like this, just because we
hears from our friends; because, you see, if we does, our friends can’t
be no good to us whichever way their intention may be.”

“You said you had a message for me,” said Richard, in feeble but
anxious tones.

“Well, it ain’t a long un, and here it is,” answered the young
gentleman from his extempore pulpit; and then he continued, with very
much the air of giving out a text--“Keep up your pecker.”

“Keep up what?” muttered Richard.

“Your pecker. ‘Keep up your pecker,’ them’s his words; and as he never
yet vos known to make a dirty dinner off his own syllables, it ain’t
likely as he’ll take and eat ’em. He says to me--on his fingers, in
course--‘Tell the gent to keep up his pecker, and leave all the rest
to you; for you’re a pocket edition of all the sharpness as ever
knives was nothing to, or else say I’ve brought you up for no good
whatsomedever.’”

This was rather a vague speech; so perhaps it is scarcely strange that
Richard did not derive much immediate comfort from it. But, in spite
of himself, he did derive a great deal of comfort from the presence of
this boy, though he almost despised himself for attaching the least
importance to the words of an urchin of little better than eight years
of age. Certainly this urchin of eight had a shrewdness of manner which
would have been almost remarkable in a man of the world of fifty, and
Richard could scarcely help fancying that he must have graduated in
some other hemisphere, and been thrown, small as to size, but full
grown as to acuteness, into this; or it seemed as if some great strong
man had been reduced into the compass of a little boy, in order to
make him sharper, as cooks boil down a gallon of gravy to a pint in the
manufacture of strong soup.

But, however the boy came to be what he was, there he was, holding
forth from his pulpit, and handing Richard the regulation basin of
broth which composed his supper.

“Now, what you’ve got to do,” said he, “is to get well; for until you
are well, and strong too, there ain’t the least probability of your
bein’ able to change your apartments, if you should feel so inclined,
which perhaps ain’t likely.”

Richard looked at the diminutive speaker with a wonderment he could not
repress.

“Starin’ won’t cure you,” said his juvenile attendant, with friendly
disrespect, “not if you took the pattern of my face till you could draw
it in the dark. The best thing you can do is to eat your supper, and
to-morrow we must try what we can do for you in the way of port wine;
for if you ain’t strong and well afore that ere river outside this ere
vall goes down, it’s a chance but vot it’ll be a long time afore you
sees the outside of the val in question.”

Richard caught hold of the boy’s small arm with a grasp which, in
spite of his weakness, had a convulsive energy that nearly toppled his
youthful attendant from his elevation.

“You never can think of anything so wild?” he said, in a tumult of
agitation.

“Lor’ bless yer ’art, no,” said the boy; “we never thinks of anything
vot’s wild--our ’abits is business-like; but vot you’ve got to do is to
go to sleep, and not to worrit yourself; and as I said before, I say
again, when you’re well and strong we’ll think about changin’ these
apartments. We can make excuse that the look-out was too lively, or
that the colour of the whitewash was a-hinjurin’ our eyesight.”

For the first time for many nights Richard slept well; and opening
his eyes the next morning, his first anxiety was to convince himself
that the arrival of the boy from Slopperton was not some foolish dream
engendered in his disordered brain. No, there the boy sat: whether
he had been to sleep on the table, or whether he had never taken his
eyes off Richard the whole night, there he was, with those eyes fixed,
exactly as they had been the night before, on the prisoner’s face.

“Why, I declare we’re all the better for our good night’s rest,” he
said, rubbing his hands, as he contemplated Richard; “and we’re ready
for our breakfast as soon as ever we can get it, which will be soon,
judging by our keeper’s hobnailed boots as is a-comin’ down the passage
with a tray in his hand.”

This rather confused statement was confirmed by a noise in the stone
corridor without, which sounded as if a pair of stout working men’s
bluchers were walking in company with a basin and a teaspoon.

“Hush!” said the boy, holding up a warning forefinger, “keep it dark!”
Richard did not exactly know what he was to keep dark; but as he had,
without one effort at resistance, surrendered himself, mentally and
physically, to the direction of his small attendant, he lay perfectly
still, and did not utter a word.

In obedience to this youthful director, he also took his breakfast, to
the last mouthful of the regulation bread, and to the last spoonful of
the regulation coffee--ay, even to the grounds (which, preponderating
in that liquid, formed a species of stratum at the bottom of the basin,
commonly known to the inmates of the asylum as “the thick”)--for as the
boy said, “grounds is strengthening.” Breakfast finished, the asylum
physician came, in the course of his rounds, for his matutinal visit
to Richard’s cell. His skill was entirely at a loss to find any cure
for so strange a disease as that which affected the prisoner. One of
the leading features, however, in this young man’s sickness, had been
an entire loss of appetite, and almost an entire inability to sleep.
When, therefore, he heard that his patient had eaten a good supper,
slept well all night, and had just finished the regulation breakfast,
he said,--

“Come, come, we are getting better, then--our complaint is taking a
turn. We are quiet in our mind, too, eh? Not fretting about Moscow, or
making ourselves unhappy about Waterloo, I hope?”

The asylum doctor was a cheerful easy good-tempered fellow, who
humoured the fancies of his patients, however wild they might be;
and though half the kings in the history of England, and some
sovereigns unchronicled in any history whatever were represented
in the establishment, he was never known to forget the respect due
to a monarch, however condescending that monarch might be. He was,
therefore, a general favourite; and had received more orders of the
Bath and the Garter, in the shape of red tape and scraps of paper, and
more title-deeds, in the way of old curl-papers and bits of newspaper,
than would have served as the stock-in-trade of a marine storekeeper,
with the addition of a few bottles and a black doll. He knew that one
characteristic of Richard’s madness was to fancy himself the chained
eagle of the sea-bound rock, and he thought to humour the patient by
humouring the hallucination.

Richard looked at this gentleman with a thoughtful glance in his dark
eyes.

“I didn’t mind Moscow, sir,” he said, very gravely; “the elements beat
me there--and they were stronger than Hannibal; but at Waterloo, what
broke my heart was--not the defeat, but the disgrace!” He turned away
his head as he spoke, and lay in silence, with his back turned to the
good natured physician.

“No complaints about Sir Hudson Lowe, I hope?” said the medical man.
“They give you everything you want, general?”

The good doctor, being so much in the habit of humouring his patients,
had their titles always at the tip of his tongue; and walked about in a
perfect atmosphere of Pinnock’s Goldsmith.

As the general made no reply to his question, the doctor looked from
him to the boy, who had, out of respect to the medical official,
descended from his pulpit, and stood tugging at a very diminutive lock
of hair, with an action which he intended to represent a bow.

“Does he ask for anything?” asked the doctor.

“Don’t he, sir?” said the boy, answering one question with another.
“He’s been doing nothin’ for ever so long but askin’ for a drop o’
wine. He says he feels a kind of sinkin’ that nothin’ but wine can
cure.”

“He shall have it, then,” said the doctor. “A little port wine with a
touch of iron in it would help to bring him round as soon as anything,
and be sure you see that he takes it. I’ve been giving him quinine for
some time past; but it has done so little towards making him stronger,
that I sometimes doubt his having taken it. Has he complained of
anything else?”

“Well, sir,” said the boy, this time looking at his questioner very
intently, and seeming to consider every word before he said it, “there
is somethin’ which I can make out from what he says when he talks to
hisself--and he does talk to hisself awful--somethin’ which preys upon
his mind very much; but I don’t suppose it’s much good mentioning it
either.” Here he stopped, hesitating, and looking very earnestly at the
doctor.

“Why not, my boy?”

“Because you see, sir, what he hankers after is agen the rules of the
asylum--leastways, the rules the Board makes for such as him.”

“But what is it, my good lad? Tell me what it is he wishes for?” said
the medical man.

“Why, it’s a singular wish, I dare say, sir; but he’s allus a talkin’
about the other lun----” he hesitated, as if out of delicacy towards
Richard, and substituted the word “boarders” for that which he had
been about to use--“and he says, if he could only be allowed to mix
with ’em now and then he’d be as happy as a king. But, of course, as
I was a-tellin’ him when you come in, sir, that’s agen the rules of
the establishment, and in consequence is impossible--’cause why, these
’ere rules is like Swedes and Nasturtiums--[the boy from Slopperton may
possibly have been thinking of the Medes and Persians]--and can’t be
gone agen.”

“I don’t know about that,” said the good-natured doctor. “So, general,”
he added, turning to Richard, who had shifted his position, and now lay
looking at his visitor rather anxiously, “so, general, you would like
to mix with your friends out there?”

“Indeed I should, sir.” Those deep and earnest dark eyes, with which
Richard watched the doctor’s face, were scarcely the eyes of a madman.

“Very well, then,” said the medical man, “very well; we must see
if it can’t be managed. But I say, general, you’ll find the Prince
Regent among your fellow-boarders; and I wouldn’t answer for your not
meeting with Lord Castlereagh, and that might cause unpleasantness--eh,
general?”

“No, no, sir; there’s no fear of that. Political differences should
never----”

“Interfere with private friendship. A noble sentiment, general. Very
well, you shall mix with the other boarders to-morrow. I’ll speak to
the Board about it this afternoon. This, luckily, is a Board-day.
You’ll find George the Fourth a very nice fellow. He came here because
he would take everything of other people’s that he could lay his hands
on, and said he was only taking taxes from his subjects. Good-day. I’ll
send round some port wine immediately, and you shall have a couple of
glasses a day given you; so keep up your spirits, general.”

“Well,” said the boy from Slopperton, as the doctor closed the door
behind him, “that ’ere medical officer’s a regular brick: and all I
can say is to repeat his last words--which ought to be printed in
gold letters a foot high--and those words is,--‘Keep up your spirits,
general.’”




                              CHAPTER II.

       MR. AUGUSTUS DARLEY AND MR. JOSEPH PETERS GO OUT FISHING.


A LONG period of incessant rains had by no means improved the
natural beauties of the Sloshy; nor had it in any manner enhanced
the advantages attending a residence on the banks of that river. The
occupants of the houses by the waterside were in the habit of going to
sleep at night with the firm conviction that the lower portion of their
tenement was a comfortable kitchen, and awakening in the morning were
apt to find it a miniature lake.

Then, again, the river had a knack of dropping in at odd times, in a
friendly way, when least expected--when Mrs. Jones was cooking the
Sunday’s dinner, or while Mrs. Brown was gone to market; and, as its
manner of entering an apartment was, after the fashion of a ghost in
a melodrama, to rise through the floor, the surprise occasioned by its
appearance was not unalloyed by vexation.

It would intrude, an uninvited guest, at a social tea-party, and
suddenly isolate every visitor on his or her chair as on an island.

There was not a mouse or a black-beetle in any of the kitchens by the
Sloshy whose life was worth the holding, such an enemy was the swelling
water to all domestic peace or comfort.

It is true that to some fresh and adventurous spirits the rising of the
river afforded a kind of eccentric gratification. It gave a smack of
the flavour of Venice to the dull insipidity of Slopperton life; and to
an imaginative mind every coal-barge that went by became a gondola, and
only wanted a cavalier, with a very short doublet, pointed shoes, and a
guitar, to make it perfection.

Indeed, Miss Jones, milliner and dressmaker, had been heard to say,
that when she saw the water coming up to the parlour-windows she could
hardly believe she was not really in the city of the winged horses,
round the corner out of the square of St. Mark’s, and three doors from
the Bridge of Sighs. Miss Jones was well up in Venetian topography, as
she was engaged in the perusal of a powerful work in penny numbers,
detailing the adventures of a celebrated ‘Bravo’ of that city.

To the ardent minds of the juvenile denizens of the waterside the
swollen river was a source of pure and unalloyed delight. To take a
tour round one’s own back kitchen in a washing-tub, with a duster
for a sail, is perhaps, at the age of six, a more perfect species of
enjoyment than that afforded by any Alpine glories or Highland scenery
through which we may wander in after-years, when Reason has taught us
her cold lesson, that, however bright the sun may shine on one side of
the mountain, the shadows are awaiting us on the other.

There is a gentleman in a cutaway coat and a white hat, smoking a very
short and black clay pipe, as he loiters on the bank of the Sloshy. I
wonder what he thinks of the river?

It is eight years since this gentleman was last in Slopperton; then
he came as a witness in the trial of Richard Marwood; then he had a
black eye, and was out-at-elbows; now, his optics are surrounded with
no dark shades which mar their natural colour--clear bright grey. Now,
too, he is, to speak familiarly, in high feather. His cutaway coat
of the newest fashion (for there is fashion even in cutaways); his
plaid trousers, painfully tight at the knees, and admirably adapted to
display the development of the calf, are still bright with the greens
and blues of the Macdonald. His hat is not crushed or indented in above
half-a-dozen directions--a sign that it is comparatively new, for the
circle in which he moves considers bonneting a friendly demonstration,
and to knock a man’s hat off his head and into the gutter rather a
polite attention.

Yes, during the last eight years the prospects of Mr. Augustus
Darley--(that is the name of the witness)--have been decidedly looking
up. Eight years ago he was a medical student, loose on wide London;
eating bread-and-cheese and drinking bottled stout in dissecting-rooms,
and chalking up alarming scores at the caravansary round the corner
of Goodge Street--when the proprietor of the caravansary _would_
chalk up. There were days which that stern man refused to mark with a
white stone. Now, he has a dispensary of his own; a marvellous place,
which would be entirely devoted to scientific pursuits if dominoes
and racing calendars did not in some degree predominate therein.
This dispensary is in a populous neighbourhood on the Surrey side
of the water; and in the streets and squares--to say nothing of the
court and mews--round this establishment the name of Augustus Darley
is synonymous with everything which is popular and pleasant. His
very presence is said to be as good as physic. Now, as physic in the
abstract, and apart from its curative qualities, is scarcely a very
pleasant thing, this may be considered rather a doubtful compliment;
but for all that, it was meant in perfect good faith, and what’s more,
it meant a great deal.

When anybody felt ill, he sent for Gus Darley--(he had never been
called Mr. but once in his life, and then by a sheriff’s officer,
who, arresting him for the first time, wasn’t on familiar terms; all
Cursitor Street knew him as “Gus, old fellow,” and “Darley, my boy,”
before long). If the patient was very bad, Gus told him a good story.
If the case seemed a serious one, he sang a comic song. If the patient
felt, in popular parlance, “low,” Darley would stop to supper; and
if by that time the patient was not entirely restored, his medical
adviser would send him a ha’porth of Epsom salts, or three-farthings’
worth of rhubarb and magnesia, jocosely labelled “The Mixture.” It
was a comforting delusion, laboured under by every patient of Gus
Darley’s, that the young surgeon prescribed for him a very mysterious
and peculiar amalgamation of drugs, which, though certain death to any
other man, was the only preparation in the whole pharmacopœia that
could possibly keep him alive.

There was a saying current in the neighbourhood of the dispensary, to
the effect that Gus Darley’s description of the Derby Day was the best
Epsom salts ever invented for the cure of man’s diseases; and he has
been known to come home from the races at ten o’clock at night, and
assist at a sick-bed (successfully), with a wet towel round his head,
and a painful conviction that he was prescribing for two patients at
once.

But all this time he is strolling by the swollen Sloshy, with his
pipe in his mouth and a contemplative face, which ever and anon looks
earnestly up the river. Presently he stops by a boat-builder’s yard,
and speaks to a man at work.

“Well,” he says, “is that boat finished yet?”

“Yes, sir,” says the man, “quite finished, and uncommon well she looks
too; you might eat your dinner off her; the paint’s as dry as a bone.”

“How about the false bottom I spoke of?” he asks.

“Oh, that’s all right, sir, two feet and a half deep, and six feet and
a half long. I’ll tell you what, sir,--no offence--but you must catch
a precious sight more eels than I think you will catch, if you mean to
fill the bottom of that ’ere punt.”

As the man speaks, he points to where the boat lies high and dry in the
builder’s yard. A great awkward flat-bottomed punt, big enough to hold
half-a-dozen people.

Gus strolls up to look at it. The man follows him.

He lifts up the bottom of the boat with a great thick loop of rope. It
is made like a trap-door, two feet and a half above the keel.

“Why,” said Gus, “a man could lie down in the keel of the boat, with
that main deck over him.”

“To be sure he could, sir, and a pretty long un, too; though I don’t
say much for its being a over-comfortable berth. He might feel himself
rather cramped if he was of a restless disposition.”

Gus laughed, and said,--“You’re right, he might, certainly, poor
fellow! Come, now, you’re rather a tall chap, I should like to see if
you could lie down there comfortably for a minute or so. We’ll talk
about some beer when you come out.”

The man looked at Mr. Darley with rather a puzzled glance. He had heard
the legend of the mistletoe bough. He had helped to build the boat, but
for all that there might be a hidden spring somewhere about it, and
Gus’s request might conceal some sinister intent; but no one who had
once looked our medical friend in the face ever doubted him; so the man
laughed and said,--

“Well, you’re a rum un, whoever the other is” (people were rarely very
deferential in their manner of addressing Gus Darley); “howsomedever,
here’s to oblige you.” And the man got into the boat, and lying down,
suffered Gus to lower the false bottom of it over him.

“How do you feel?” asks Gus. “Can you breathe?--have you plenty of air?”

“All right, sir,” says the man through a hole in the plank. “It’s quite
a extensive berth, when you’ve once settled yourself, only it ain’t
much calculated for active exercise.”

“Do you think you could stand it for half an hour?” Gus inquires.

“Lor, bless you, sir! for half-a-dozen hours, if I was paid accordin’.”

“Should you think half-a-crown enough for twenty minutes?”

“Well, I don’t know, sir; suppose you made it three shillings?”

“Very good,” said Gus; “three shillings it shall be. It’s now half-past
twelve;” he looks at his watch as he speaks. “I’ll sit here and smoke a
pipe; and if you lie quiet till ten minutes to one, you’ll have earned
the three bob.”

Gus steps into the boat, and seats himself at the prow; the man’s head
lies at the stern.

“Can you see me?” Gus inquires.

“Yes, sir, when I squints.”

“Very well, then, you can see I don’t make a bolt of it. Make your mind
easy: there’s five minutes gone already.”

Gus finishes his pipe, looks at his watch again--a quarter to one. He
whistles a scena from an opera, and then jumps out of the boat and
pulls up the false bottom.

“All’s right,” he says; “time’s up.”

The man gets out and stretches his legs and arms, as if to convince
himself that those members are unimpaired.

“Well, was it pretty comfortable?” Gus asks.

“Lor’ love you, sir! regular jolly, with the exception of bein’ rather
warm, and makin’ a cove precious dry.”

Gus gives the man wherewith to assuage this drought, and says,--

“You may shove the boat down to the water, then. My friend will be here
in a minute with the tackle, and we can then see about making a start.”

The boat is launched, and the man amuses himself with rowing a few
yards up the river, while Gus waits for his friend.

In about ten minutes his friend arrives, in the person of Mr. Joseph
Peters, of the police force, with a couple of eel-spears over his
shoulder (which give him somewhat the appearance of a dry-land
Neptune), and a good-sized carpet-bag, which he carries in his hand.

Gus and he exchange a few remarks in the silent alphabet, in which Gus
is almost as great an adept as the dumb detective, and they step into
the punt.

The boat-builder’s man is sent for a gallon of beer in a stone bottle,
a half-quartern loaf, and a piece of cheese. These provisions being
shipped, Darley and Peters each take an oar, and they pull away from
the bank and strike out into the middle of the river.




                             CHAPTER III.

                    THE EMPEROR BIDS ADIEU TO ELBA.


ON this same day, but at a later hour in the afternoon, Richard
Marwood, better known as the Emperor Napoleon, joined the inmates of
the county asylum in their daily exercise in the grounds allotted for
that purpose. These grounds consisted of prim grass-plots, adorned
with here and there a bed in which some dismal shrubs, or a few sickly
chrysanthemums held up their gloomy heads, beaten and shattered by the
recent heavy rains. These grass-plots were surrounded by stiff straight
gravel-walks; and the whole was shut in by a high wall, surmounted by a
_chevaux-de-frise_. The iron spikes composing this adornment had
been added of late years; for, in spite of the comforts and attractions
of the establishment, some foolish inhabitants thereof, languishing
for gayer and more dazzling scenes, had been known to attempt, if not
to effect, an escape from the numerous advantages of their home. I
cannot venture to say whether or not the vegetable creation may have
some mysterious sympathy with animated nature; but certainly no trees,
shrubs, flowers, grass, or weeds ever grew like the trees, shrubs,
flowers, grass, and weeds in the grounds of the county lunatic asylum.
From the gaunt elm, which stretched out two great rugged arms, as if
in a wild imprecation, such as might come from the lips of some human
victim of the worst form of insanity, to the frivolous chickweed in
a corner of a gravel-walk, which grew as if not a root, or leaf, or
fibre but had a different purpose to its fellow, and flew off at its
own peculiar tangent, with an infantine and kittenish madness, such
as might have afflicted a love-sick miss of seventeen; from the great
melancholy mad laurel-bushes that rocked themselves to and fro in the
wind with a restlessness known only to the insane, to the eccentric
dandelions that reared their disordered heads from amidst the troubled
and dishevelled grass--every green thing in that great place seemed
more or less a victim to that terrible disease whose influence is of
so subtle a nature, that it infects the very stones of the dark walls
which shut in shattered minds that once were strong and whole, and
fallen intellects that once were bright and lofty.

But as a stranger to this place, looking for the first time at the
groups of men and women lounging slowly up and down these gravel-walks,
perhaps what most startles you, perhaps even what most distresses you,
is, that these wretched people scarcely seem unhappy. Oh, merciful
and wondrous wise dispensation from Him who fits the back to bear the
burden! He so appoints it. The man, whose doubts or fears, or wild
aspirings to the misty far away, all the world’s wisdom could not
yesterday appease, is to-day made happy by a scrap of paper or a shred
of ribbon. We who, standing in the blessed light, look in upon this
piteous mental darkness, are perhaps most unhappy, because we cannot
tell how much or how little sorrow this death-in-life may shroud. They
have passed away from us; their language is not our language, nor their
world our world. I think some one has asked a strange question--Who can
tell whether their folly may not perhaps be better than our wisdom? He
only, from whose mighty hand comes the music of every soul, can tell
which is the discord and which the harmony. We look at them as we look
at all else--through the darkened glass of earth’s uncertainty.

No, they do not seem unhappy. Queen Victoria is talking to Lady Jane
Grey about to-day’s dinner, and the reprehensible superabundance of
fat in a leg-of-mutton served up thereat. Chronology never disturbs
these good people; nobody thinks it any disgrace to be an anachronism.
Lord Brougham will divide an unripe apple with Cicero, and William the
Conqueror will walk arm-in-arm with Pius the Ninth, without the least
uneasiness on the score of probability; and when, on one occasion, a
gentleman, who for three years had enjoyed considerable popularity as
Cardinal Wolsey, all of a sudden recovered, and confessed to being
plain John Thomson, the inmates of the asylum were unanimous in feeling
and expressing the most profound contempt for his unhappy state.

To-day, however, Richard is the hero. He is surrounded immediately
on his appearance by all the celebrities and a great many of the
non-celebrities of the establishment. The Emperor of the German Ocean
and the Chelsea Waterworks in particular has so much to say to him,
that he does not know how to begin; and when he does begin, has to go
back and begin again, in a manner both affable and bewildering.

Why did not Richard join them before, he asks--they are so very
pleasant, they are so very social; why, in goodness-gracious’ name (he
opens his eyes very wide as he utters the name of goodness-gracious,
and looks back over his shoulder rather as if he thinks he may have
invoked some fiend), why did not Richard join them?

Richard tells him he was not allowed to do so.

On this, the potentate looks intensely mysterious. He is rather
stout, and wears a head-dress of has own manufacture--a species of
coronet, constructed of a newspaper and a blue-and-white bird’s-eye
pocket-handkerchief. He puts his hands to the very furthest extent
that he can push them into his trousers-pockets; plants himself right
before Richard on the gravel-walk, and says, with a wink of intense
significance, “Was it the Khan?”

Richard says, he thinks not.

“Not the Khan!” he mutters thoughtfully. “You really are of opinion
that it was not the Khan?”

“I really am,” Richard replies.

“Then it lies between the last Duke of Devonshire but sixteen and
Abd-el-Kader: I do hope it wasn’t Abd-el-Kader; I had a better opinion
of Abd-el-Kader--I had indeed.”

Richard looks rather puzzled, but says nothing.

“There has evidently,” continued his friend, “been some malignant
influence at work to prevent your appearing amongst us before this.
You have been a member of this society for, let me see, three hundred
and sixty-three years--be kind enough to set me right if I make a
mis-statement--three hundred and--did I say seventy-twelve years?--and
you have never yet joined us! Now, there is something radically
wrong here; to use the language of the ancients in their religious
festivals, there is ‘a screw loose.’ You ought to have joined us,
you really ought! We are very social; we are positively buoyant;
we have a ball every evening. Well, no, perhaps it is not every
evening. My ideas as to time, I am told, are vague; but I know it is
either every ten years, or every other week. I incline to thinking
it must be every other week. On these occasions we dance. Are you
a votary of Terp--what-you-may-call-her, the lady who had so many
unmarried sisters? Do you incline to the light fantastic?” By way of
illustration, the Emperor of the Waterworks executed a caper, which
would have done honour to an elderly elephant taking his first lesson
in the polka.

There was one advantage in conversing with this gentleman. If his
questions were sometimes of rather a difficult and puzzling nature,
he never did anything so under-bred as to wait for an answer. It now
appeared for the first time to strike him, that perhaps the laws of
exclusiveness had in some manner been violated, by a person of his
distinction having talked so familiarly to an entire stranger; he
therefore suddenly skipped a pace or two backwards, leaving a track
of small open graves in the damp gravel made by the impression of
his feet, and said, in a tone of voice so dignified as to be almost
freezing--

“Pray, to whom have I the honour to make these observations?”

Richard regretted to say he had not a card about him, but added--“You
may have heard of the Emperor Napoleon?”

“Buonaparte? Oh, certainly; very frequently, very frequently: and you
are that worthy person? Dear me! this is very sad. Not at your charming
summer residence at Moscow, or your pleasant winter retreat on the
field of Waterloo: this is really distressing, very.”

His pity for Richard was so intense, that he was moved to tears, and
picked a dandelion with which to wipe his eyes.

“My Chelsea property,” he said presently, “is fluctuating--very. I find
a tendency in householders to submit to having their water cut off,
rather than pay the rate. Our only plan is to empty every cistern half
an hour before tea-time. Persevered in for a week or so, we find that
course has a harassing effect, and they pay. But all this is wearing
for the nerves--very.”

He shook his head solemnly, rubbed his eyes very hard with the
dandelion, and then ate that exotic blossom.

“An agreeable tonic,” he said; “known to be conducive to digestion. My
German Ocean I find more profitable, on account of the sea-bathing.”

Richard expressed himself very much interested in the commercial
prospects of his distinguished friend; but at this moment they were
interrupted by the approach of a lady, who, with a peculiar hop, skip,
and jump entirely her own, came up to the Emperor of the Waterworks and
took hold of his arm.

She was a gushing thing of some forty-odd summers, and wore a bonnet,
the very purchase of which would have stamped her as of unsound
intellect, without need of any further proof whatever. To say that
it was like a coal-scuttle was nothing; to say that it resembled a
coal-scuttle which had suffered from an aggravated attack of water on
the brain, and gone mad, would be perhaps a little nearer the mark.
Imagine such a bonnet adorned with a green veil, rather bigger than an
ordinary table cloth, and three quill pens tastefully inserted in the
direction in which Parisian milliners are wont to place the plumage of
foreign birds--and you may form some idea of the lady’s head-gear. Her
robes were short and scanty, but plentifully embellished with a species
of trimming, which to an ordinary mind suggested strips of calico, but
which amongst the inmates passed current as Valenciennes lace. Below
these robes appeared a pair of apple-green boots--boots of a pattern
such as no shoemaker of sound mind ever in his wildest dreams could
have originated, but which in this establishment were voted rather
recherché than otherwise. This lady was no other than the damsel who
had suggested an elopement with Richard some eight years ago, and who
claimed for her distinguished connections the Pope and the muffin-man.

“Well,” she said to the Emperor of the Waterworks, with a voice and
manner which would have been rather absurdly juvenile in a girl of
fifteen,--“and where has its precious one been hiding since dinner?
Was it the fat mutton which rendered the most brilliant of mankind
unfit for general society; or was it that it ‘had a heart for falsehood
framed?’ I hope it was the fat mutton.”

“It’s precious one” looked from the charmer at his side to Richard,
with rather an apologetic shrug.

“The sex is weak,” he said, “conqueror of Agincourt--I beg pardon,
Waterloo. The sex is weak: it is a fact established alike by medical
science and political economy. Poor thing! she loves me.”

The lady, for the first time, became aware of the presence of Richard.
She dropped a very low curtesy, in the performance of which one of the
green boots described a complete circle, and said--

“From Gloucestershire, sir?” interrogatively.

“The Emperor Napoleon Buonaparte,” said the proprietor of the German
Ocean. “My dear, you ought to know him.”

“The Emperor Nap-o-le-on Bu-o-na-parte,” she said very slowly,
checking off the syllables on her fingers, “and from Gloucestershire?
How gratifying! All our great men come from Gloucestershire. It is
a well-known fact--from Gloucestershire? Muffins were invented in
Gloucestershire by Alfred the Great. Did you know our dear Alfred?
You are perhaps too young--a great loss, my dear sir, a great loss;
conglomerated essence of toothache on the cerebral nerves took him off
in fourteen days, three weeks, and one month. We tried everything,
from dandelions--(her eyes wandered as if searching the grounds
for information as to what they had tried)--from dandelions to
chevaux-de-frise--”

She stopped abruptly, staring Richard full in the face, as if she
expected him to say something; but as he said nothing, she became
suddenly interested in the contemplation of the green boots, looking
first at one and then at the other, as if revolving in her mind the
probability of their wanting mending.

Presently she looked up, and said with great solemnity--

“Do you know the muffin-man?”

Richard shook his head.

“He lives in Drury Lane,” she added, looking at him rather sternly, as
much as to say, “Come, no nonsense! you know him well enough!”

“No,” said Richard, “I don’t remember having met him.”

“There are seventy-nine of us who know the muffin-man in this
establishment, sir--seventy-nine; and do you dare to stand there and
tell me that you----”

“I assure you, madam, I have not the honour of his acquaintance.”

“Not know the muffin-man!--you don’t know the muffin-man! Why, you
contemptible stuck-up jackanapes----”

What the lady might have gone on to say, it would be difficult to
guess. She was not celebrated for the refinement of her vocabulary
when much provoked; but at this moment a great stout man, one of the
keepers, came up, and cried out--

“Holloa! what’s all this!”

“He says he doesn’t know the muffin-man!” exclaimed the lady, her veil
flying in the wind like a pennant, her arms akimbo, and the apple-green
boots planted in a defiant manner on the gravel-walk.

“Oh, we know him well enough,” said the man, with a wink at Richard,
“and very slack he bakes his muffins.” Having uttered which piece
of information connected with the gentleman in question, the keeper
strolled off, giving just one steady look straight into the eyes of the
lively damsel, which seemed to have an instantaneous and most soothing
effect upon her nerves.

As all the lunatics allowed to disport themselves for an hour in the
gardens of the establishment were considered to be, upon the whole,
pretty safe, the keepers were not in the habit of taking much notice
of them. Those officials would congregate in little groups here and
there, talking among themselves, and apparently utterly regardless of
the unhappy beings over whom it was their duty to watch. But let Queen
Victoria or the Emperor Nero, Lady Jane Grey or Lord John Russell,
suffer themselves to be led away by their respective hobbies, or to
ride those animals at too outrageous and dangerous a pace, and a
strong hand would be laid upon the rider’s shoulder, accompanied by a
recommendation to “go indoors,” which was very seldom disregarded.

As Richard was this afternoon permitted to mix with his
fellow-prisoners for the first time, the boy from Slopperton was
ordered to keep an eye upon him; and a very sharp eye the boy kept,
never for one moment allowing a look, word, or action of the prisoner
to escape him.

The keepers this afternoon were assembled near the portico, before
which the gardens extended to the high outer wall. The ground between
the portico and the wall was a little less than a quarter of a mile
in length, and at the bottom was the grand entrance and the porter’s
lodge. The gardens surrounded the house on three sides, and on the left
side the wall ran parallel with the river Sloshy. This river was now so
much swollen by the late heavy rains that the waters washed the wall to
the height of four feet, entirely covering the towing-path, which lay
ordinarily between the wall and the waterside.

Now Richard and the Emperor of the Waterworks, accompanied by the
gushing charmer in the green boots, being all three engaged in friendly
though rather erratic conversation, happened to stroll in the direction
of the grounds on this side, and consequently out of sight of the
keepers.

The boy from Slopperton was, however, close upon their heels. This
young gentleman had his hands in his pockets, and was loitering and
lounging along with an air which seemed to say, that neither man nor
woman gave him any more delight than they had afforded the Danish
prince of used-up memory. Perhaps it was in utter weariness of life
that he was, as if unconsciously, employed in whistling the melody of
a song, supposed to relate to a passage in the life of a young lady of
the name of Gray, christian name Alice, whose heart it was another’s,
and consequently, by pure logic, never could belong to the singer.

Now there may be something infectious in this melody; for no sooner had
the boy from Slopperton whistled the first few bars, than some person
in the distance outside the walls of the asylum gardens took up the
air and finished it. A trifling circumstance this in itself; but it
appeared to afford the boy considerable gratification; and he presently
came suddenly upon Richard in the middle of a very interesting
conversation, and whispered in his ear, or rather at his elbow, “All
right, general!” Now as Richard, the Emperor of the Waterworks, and
the only daughter of the Pope all talked at once, and all talked of
entirely different subjects, their conversation might, perhaps, have
been just a little distracting to a short-hand reporter; but as a
conversation, it was really charming.

Richard--still musing on the wild idea which was known in the asylum
to have possessed his disordered brain ever since the day of his
trial--was giving his companions an account of his escape from Elba.

“I was determined,” he said, taking the Emperor of the Waterworks by
the button, “I was determined to make one desperate effort to return to
my friends in France----”

“Very creditable, to be sure,” said the damsel of the green boots;
“your sentiments did you honour.”

“But to escape from the island was an enterprise of considerable
difficulty,” continued Richard.

“Of course,” said the damsel, “considering the price of flour. Flour
rose a half-penny in the bushel in the neighbourhood of Drury Lane,
which, of course, reduced the size of muffins----”

“And had a depressing effect upon the water-rates,” interrupted the
gentleman.

“Now,” continued Richard, “the island of Elba was surrounded by a high
wall----”

“A very convenient arrangement; of course facilitating the process of
cutting off the water from the inhabitants,” muttered the Emperor of
the German Ocean.

The boy Slosh again expressed his feelings with reference to Alice
Gray, and some one on the other side of the wall coincided with him.

“And,” said Richard, “on the top of this wall was a chevaux-de-frise.”

“Dear me,” exclaimed the Emperor, “quite a what-you-may-call-it. I mean
an extraordinary coincidence; we too have a chevaux-de-thing-a-me, for
the purpose, I believe, of keeping out the cats. Cats are unpleasant;
especially,” he added, thoughtfully, “especially the Tom-sex--I mean
the sterner sex.”

“To surmount this wall was my great difficulty.”

“Naturally, naturally,” said the damsel, “a great undertaking,
considering the fall in muffins--a dangerous undertaking.”

“There was a boat waiting to receive me on the other side,” said
Richard, glancing at the wall, which was about a hundred yards distant
from him.

Some person on the other side of the wall had got a good deal nearer by
this time; and, dear me, how very much excited he was about Alice Gray.

“But the question,” Richard continued, “was how to climb the
wall,”--still looking up at the chevaux-de-frise.

“I should have tried muffins,” said the lady.

“I should have cut off the water,” remarked the gentleman.

“I did neither,” said Richard; “I tried a rope.”

At this very moment, by some invisible agency, a thickly-knotted rope
was thrown across the chevaux-de-frise, and the end fell within about
four feet of the ground.

“But her heart it is another’s, and it never can be mine.”

The gentleman who couldn’t succeed in winning the affections of Miss
Gray was evidently close to the wall now.

In a much shorter time than the very greatest master in the art of
stenography could possibly have reported the occurrence, Richard threw
the Emperor of the Waterworks half-a-dozen yards from him, with such
violence as to cause that gentleman to trip-up the heels of the only
daughter of the Pope, and fall in a heap upon that lady as on a feather
bed; and then, with the activity of a cat or a sailor, clambered up the
rope, and disappeared over the chevaux-de-frise.

The gentleman outside was now growing indifferent to the loss of Miss
Gray, for he whistled the melody in a most triumphant manner, keeping
time with the sharp plash of his oars in the water.

It took the Emperor and his female friend some little time to recover
from the effects of the concussion they had experienced, each from
each; and when they had done so, they stood for a few moments looking
at one another in mute amazement.

“The gentleman has left the establishment,” at last said the lady.

“And a bruise on my elbow,” muttered the gentleman, rubbing the
locality in question.

“Such a very unpolite manner of leaving too,” said the lady. “His
muffins--I mean his manners--have evidently been very much neglected.”

“He must be a Chelsea householder,” said the Emperor. “The householders
of Chelsea are proverbial for bad manners. They are in the habit of
slamming the door in the face of the tax-gatherer, with a view to
injuring the tip of his nose; and I’m sure Lord Chesterfield never
advised his son to do that.”

It may be as well here to state that the Emperor of the Waterworks had
in early life been collector of the water-rate in the neighbourhood
of Chelsea; but having unfortunately given his manly intellect to
drinking, and being further troubled with a propensity for speculation
(some people pronounced the word without the first letter), which
involved the advantageous laying-out of his sovereign’s money for his
own benefit, he had first lost his situation and ultimately his senses.

His lady friend had once kept a baker’s shop in the vicinity of Drury
Lane, and happening, in an evil hour, at the ripe age of forty, to
place her affections on a young man of nineteen, the bent of whose
genius was muffins, and being slighted by the youth in question, she
had retired into the gin-bottle, and thence had been passed to the
asylum of her native country.

Perhaps the inquiring reader will ask what the juvenile guardian of
Richard is doing all this time? He has been told to keep an eye upon
him; and how has he kept his trust?

He is standing, very coolly, staring at the lady and gentleman before
him, and is apparently much interested in their conversation.

“I shall certainly go,” said the Emperor of the Waterworks, after
a pause, “and inform the superintendent of this proceeding--the
superintendent ought really to know of it.”

“Superintendent” was, in the asylum, the polite name given the keepers.
But just as the Emperor began to shamble off in the direction of the
front of the house, the boy called Slosh flew past him and ran on
before, and by the time the elderly gentleman reached the porch, the
boy had told the astonished keepers the whole story of the escape.

The keepers ran down to the gate, called to the porter to have it
opened, and in a few minutes were in the road in front of it. They
hurried thence to the river-side. There was not a sign of any human
being on the swollen waters, except two men in a punt close to the
opposite shore, who appeared to be eel-spearing.

“There’s no boat nearer than that,” said one of the men; “he never
could have reached that in this time if he had been the best swimmer in
England.”

The men took it for granted that they had been informed of his escape
the moment it occurred.

“He must have jumped slap into the water,” said another; “perhaps he’s
about somewhere, contriving to keep his head under.”

“He couldn’t do it,” said the first man who had spoken; “it’s my
opinion the poor chap’s drowned. They will try these escapes, though no
one ever succeeded yet.”

There was a boat moored at the angle of the asylum wall, and one of the
men sprang into it.

“Show me the place where he jumped over the wall,” he called to the
boy, who pointed out the spot at his direction.

The man rowed up to it.

“Not a sign of him anywhere about here!” he cried.

“Hadn’t you better call to those men?” asked his comrade; “they must
have seen him jump.”

The man in the boat nodded assent, and rowed across the river to the
two fishermen.

“Holloa!” he said, “have you seen any one get over that wall?”

One of the men, who had just impaled a fine eel, looked up with a
surprised expression, and asked--

“Which wall?”

“Why the asylum, yonder, straight before you.”

“The asylum! Now, you don’t mean to say that that’s the asylum; and
I’ve been taking it for a gentleman’s mansion and grounds all the
time,” said the angler (who was no other than Mr. Augustus Darley),
taking his pipe out of his mouth.

“I wish you’d give a straight answer to my question,” said the man;
“have you seen any one jump over that wall; yes, or no?”

“Then, no!” said Gus; “if I had, I should have gone over and picked him
up, shouldn’t I, stupid?”

The other fisherman, Mr. Peters, here looked up, and laying down his
eel-spear, spelt out some words on his fingers.

“Stop a bit,” cried Gus to the man, who was rowing off, “here’s my
friend says he heard a splash in the water ten minutes ago, and thought
it was some rubbish shot over the wall.”

“Then he did jump! Poor chap, I’m afraid he must be drowned.”

“Drowned?”

“Yes; don’t I tell you one of the lunatics has been trying to escape
over that wall, and must have fallen into the river?”

“Why didn’t you say so before, then?” said Gus. “What’s to be done?
Where are there any drags?”

“Why, half a mile off, worse luck, at a public-house down the river,
the ‘Jolly Life-boat.’”

“Then I’ll tell you what,” said Gus, “my friend and I will row down and
fetch the drags, while you chaps keep a look-out about here.”

“You’re very good, sir,” said the man; “dragging the river’s about all
we can do now, for it strikes me we’ve seen the last of the Emperor
Napoleon. My eyes! won’t there be a row about it with the Board!”

“Here we go,” says Gus; “keep a good heart; he may turn up yet;” with
which encouraging remarks Messrs. Darley and Peters struck off at a
rate which promised the speedy arrival of the drags.




                              CHAPTER IV.

                   JOY AND HAPPINESS FOR EVERYBODY.


WHETHER the drags reached the county asylum in time to be of any
service is still a mystery; but Mr. Joseph Peters arrived with the punt
at the boat-builder’s yard in the dusk of the autumn evening. He was
alone, and he left his boat, his tridents, and other fishing-tackle in
the care of the men belonging to the yard, and then putting his hands
in his pockets, trudged off in the direction of Little Gulliver Street.

If ever Mr. Peters had looked triumphant in his life, he looked
triumphant this evening: if ever his mouth had been on one side, it was
on one side this evening; but it was the twist of a conqueror which
distorted that feature.

Eight years, too, have done something for Kuppins. Time hasn’t
forgotten Kuppins, though she is a humble individual. Time has touched
up Kuppins; adding a little bit here, and taking away a little bit
there, and altogether producing something rather imposing. Kuppins
has grown. When that young lady had attained her tenth year, there
was a legend current in little Gulliver Street and its vicinity, that
in consequence of a fatal predilection for gin-and-bitters evinced
by her mother during the infancy of Kuppins, that diminutive person
would never grow any more: but she gave the lie both to the legend
and the gin-and-bitters by outgrowing her frocks at the advanced age
of seventeen; and now she was rather a bouncing young woman than
otherwise, and had a pair of such rosy cheeks as would have done honour
to healthier breezes than those of Slopperton-on-the-Sloshy.

Time had done something, too, for Kuppins’s shock of hair, for it
was now brushed, and combed, and dragged, and tortured into a state
not so very far from smoothness; and it was furthermore turned up; an
achievement in the hair-dressing line which it had taken her some years
to effect, and which, when effected, was perhaps a little calculated to
remind the admiring beholder of a good-sized ball of black cotton with
a hair-pin stuck through it.

What made Kuppins in such a state of excitement on this particular
evening, who shall say? Certain it is that she was excited. At the
first sound of the click of Mr. Peters’s latch-key in the door of No.
5, Little Gulliver Street, Kuppins, with a lighted candle, flew to open
it. How she threw her arms round Mr. Peters’s neck and kissed him--how
she left a lump of tallow in his hair, and a smell of burning in his
whiskers--how, in her excitement she blew the candle out--and how, by
a feat of leger-de-main, or leger-de-lungs, she blew it in again, must
have been seen to be sufficiently appreciated. Her next proceeding was
to drag Mr. Peters upstairs into the indoor Eden, which bore the very
same appearance it had done eight years ago. One almost expected to
find the red baby grown up--but it wasn’t; and that dreadful attack
of the mumps from which the infant had suffered when Mr. Peters first
became acquainted with it did not appear to have abated in the least.
Kuppins thrust the detective into his own particular chair, planted
herself in an opposite seat, put the candlestick on the table, snuffed
the candle, and then, with her eyes opened to the widest extent,
evidently awaited his saying something.

He did say something--in his own way, of course; the fingers went to
work. “I’ve d----” said the fingers.

“_’One_ it,” cried Kuppins, dreadfully excited by this time, “done
it! you’ve done it! Didn’t I always say you would? Didn’t I know you
would? Didn’t I always dream you would, three times running, and a
house on fire?--that meant the river; and an army of soldiers--that
meant the boat; and everybody in black clothes--meaning joy and
happiness. It’s come true; it’s all come out. Oh, I’m so happy!” In
proof of which Kuppins immediately commenced a series of evolutions
of the limbs and exercises of the human voice, popularly known in the
neighbourhood as strong hysterics--so strong, in fact, that Mr. Peters
couldn’t have held her still if he had tried. Perhaps that’s why he
didn’t try; but he looked about in every direction for something cold
to put down her back, and finding nothing handy but the poker, he
stirred her up with that in the neighbourhood of the spinal marrow, as
if she had been a bad fire; whereon she came to.

“And where’s the blessed boy?” she asked, presently.

Mr. Peters signified upon his fingers that the blessed boy was still
at the asylum, and that there he must remain till such time as he
should be able to leave without raising suspicion.

“And to think,” said Kuppins, “that we should have seen the
advertisement for a boy to wait upon poor Mr. Marwood; and to think
that we should have thought of sending our Slosh to take the situation;
and to think that he should have been so clever in helping you through
with it! Oh my!” As Kuppins here evinced a desire for a second edition
of the hysterics, Mr. Peters changed the conversation by looking
inquiringly towards a couple of saucepans on the fire.

“Tripe,” said Kuppins, answering the look, “and taters, floury ones;”
whereon she began to lay the supper-table. Kuppins was almost mistress
of the house now, for the elderly proprietress was a sufferer from
rheumatism, and kept to her room, enlivened by the society of a large
black cat, and such gossip as Kuppins collected about the neighbourhood
in the course of the day and retailed to her mistress in the evening.
So we leave Mr. Peters smoking his pipe and roasting his legs at his
own hearth, while Kuppins dishes the tripe and onions, and strips the
floury potatoes of their russet jackets.

Where all this time is the Emperor Napoleon?

There are two gentlemen pacing up and down the platform of the
Birmingham station, waiting for the 10 p.m. London express. One of them
is Mr. Augustus Darley; the other is a man wrapped in a greatcoat, who
has red hair and whiskers, and wears a pair of spectacles; but behind
these spectacles there are dark brown eyes, which scarcely match the
red hair, any better than the pale dark complexion agrees with the very
roseate hue of the whiskers. These two gentlemen have come across the
country from a little station a few miles from Slopperton-on-the-Sloshy.


“Well, Dick,” said Darley, “doesn’t this bring back old times, my boy?”

The red-haired gentleman, who was smoking a cigar, took it from his
mouth and clasped his companion by the hand, and said--

“It does, Gus, old fellow; and when I forget the share you’ve had in
to-day’s work, may I----may I go back to that place and eat out my own
heart, as I have done for eight years!”

There was something so very like a mist behind his spectacles, and such
an ominous thickness in his voice, as the red-haired gentleman said
this, that Gus proposed a glass of brandy before the train started.

“Come, Dick, old fellow, you’re quite womanish to-night, I declare.
This won’t do, you know. I shall have to knock up some of our old pals
and make a jolly night of it, when we get to London; though it will be
to-morrow morning if you go on in this way.”

“I’ll tell you what it is, Gus,” replied the red-haired gentleman,
“nobody who hadn’t gone through what I’ve gone through could tell
what I feel to-night. I think, Gus, I shall end by being mad in real
earnest; and that my release will do what my imprisonment even couldn’t
effect--turn my brain. But I say, Gus, tell me, tell me the truth; did
any of the old fellows--did they ever think me guilty?”

“Not one of them, Dick, not one; and I know if one of them had so much
as hinted at such a thought, the others would have throttled him before
he could have said the words. Have another drop of brandy,” he said
hastily, thrusting the glass into his hand; “you’ve no more pluck than
a kitten or a woman, Dick.”

“I had pluck enough to bear eight years of that,” said the young man,
pointing in the direction of Slopperton, “but this does rather knock me
over. My mother, you’ll write to her, Gus--the sight of my hand might
upset her, without a word of warning--you’ll write and tell her that
I’ve got a chance of escaping; and then you’ll write and say that I
have escaped. We must guard against a shock, Gus; she has suffered too
much already on my account.”

At this moment the bell rang for the train’s starting: the young men
took their seats in a second-class carriage; and away sped the engine,
out through the dingy manufacturing town, into the open moonlit country.

Gus and Richard light their cigars, and wrap themselves in their
railway rugs. Gus throws himself back and drops off to sleep (he can
almost smoke in his sleep), and in a quarter of an hour he is dreaming
of a fidgety patient who doesn’t like comic songs, and who can never
see the point of a joke; but who has three pretty daughters, and who
pays his bill every Christmas without even looking at the items.

But Richard Marwood doesn’t go to sleep. Will he ever sleep again? Will
his nerves ever regain their tranquillity, after the intense excitement
of the last three or four days? He looks back--looks back at that
hideous time, and wonders at its hopeless suffering--wonders till he is
obliged to wrench his mind away from the subject, for fear he should go
mad. How did he ever endure it? How did he ever live through it? He had
no means of suicide? Pshaw! he might have dashed out his brains against
the wall. He might have resolutely refused food, and so have starved
himself to death. How did he endure it. Eight years! Eight centuries!
and every hour a fresh age of anguish! Looking back now, he knows,
what then he did not know, that at the worst--that in his bitterest
despair, there was a vague undefined something, so vague and undefined
that he did not recognise it for itself--a glimmering ray of hope, by
the aid of which alone he bore the dreadful burden of his days; and
with clasped hands and bent head he renders up to that God from whose
pity came this distant light a thanksgiving, which perhaps is not the
less sincere and heartfelt for a hundred reckless words, said long ago,
which rise up now in his mind a shame and a reproach.

Perhaps it was such a trial as this that Richard Marwood wanted, to
make him a good and earnest man. Something to awaken dormant energies;
something to arouse the better feelings of a noble soul, to stimulate
to action an intellect hitherto wasted; something to throw him back
upon the God he had forgotten, and to make him ultimately that which
God, in creating such a man, meant him to become.

Away flies the engine. Was there ever such an open country? Was there
ever such a moonlight night? Was earth ever so fair, or the heavens
ever so bright, since man’s universe was created? Not for Richard! He
is free; free to breathe that blessed air; to walk that glorious earth;
free to track to his doom the murderer of his uncle.

In the dead of the night the express train rattles into the Euston
Square station; Richard and Gus spring out, and jump into a cab. Even
smoky London, asleep under the moonlight, is beautiful in the eyes of
Daredevil Dick, as they rattle through the deserted streets on the way
to their destination.




                              CHAPTER V.

                      THE CHEROKEES TAKE AN OATH.


THE cab stops in a narrow street in the neighbourhood of Drury Lane,
before the door of a small public-house, which announces itself, in
tarnished gilt letters on a dirty board, as “The Cherokee, by Jim
Stilson.” Jim Stilson is a very distinguished professor of the noble
art of self-defence; and (in consequence of a peculiar playful knack
he has with his dexter fist) is better known to his friends and the
general public as the Left-handed Smasher.

Of course, at this hour of the night, the respectable hostelry is
wrapped in that repose which befits the house of a landlord who puts
up his shutters and locks his door as punctually as the clocks of St.
Mary-le-Strand and St. Clement Danes strike the midnight hour. There
is not so much as the faintest glimmer of a rushlight in one of the
upper windows; but for all that, Richard and Darley alight, and having
dismissed the cab, Gus looks up and down the street to see that it
is clear, puts his lips to the keyhole of the door of Mr. Stilson’s
hostelry, and gives an excellent imitation of the feeble miaow of an
invalid member of the feline species.

Perhaps the Left-handed Smasher is tender-hearted, and nourishes
an affection for distressed grimalkins; for the door is softly
opened--just wide enough to admit Richard and his friend.

The person who opens the door is a young lady, who has apparently
been surprised in the act of putting her hair in curl-papers, as
she hurriedly thrusts her brush and comb in among the biscuits and
meat-pies in a corner of the bar. She is evidently very sleepy, and
rather inclined to yawn in Mr. Augustus Darley’s face; but as soon as
they are safe inside, she fastens the door and resumes her station
behind the bar. There is only one gas-lamp alight, and it is rather
difficult to believe that the gentleman seated in the easy-chair
before an expiring fire in the bar-parlour, his noble head covered
with a red cotton bandanna, is neither more nor less than the immortal
Left-handed one; but he snores loud enough for the whole prize-ring,
and the nervous listener is inclined to wish that he had made a point
of clearing his head before he went to sleep.

“Well, Sophia Maria,” says Mr. Darley, “are they all up there?”
pointing in the direction of a door that leads to the stairs.

“Most every one of ’em, sir; there’s no getting ’em to break up, nohow.
Mr. Splitters has been and wrote a drama for the Victoria Theayter, and
they’ve been a-chaffing of him awful because there’s fifteen murders,
and four low-comedy servants that all say, ‘No you don’t,’ in it. The
guv’nor had to go up just now, and talk to ’em, for they was a throwin’
quart pots at each other, playful.”

“Then I’ll run up, and speak to them for a minute,” said Gus. “Come
along, Dick.”

“How about your friend, sir,” remonstrated the Smasher’s Hebe; “he
isn’t a Cheerful, is he, sir?”

“Oh, I’ll answer for him,” said Gus. “It’s all right, Sophia Maria;
bring us a couple of glasses of brandy-and-water hot, and tell the
Smasher to step up, when I ring the bell.”

Sophia Maria looked doubtfully from Gus to the slumbering host, and
said--

“He’ll wake up savage if I disturb him. He’s off for his first sleep
now, and he’ll go to bed as soon as the place is clear.”

“Never mind, Sophia; wake him up when I ring, and send him upstairs;
he’ll find something there to put him in a good temper. Come, Dick,
tumble up. You know the way.”

The Cheerful Cherokees made their proximity known by such a stifling
atmosphere of tobacco about the staircase as would have certainly
suffocated anyone not initiated in their mysteries. Gus opened the
door of a back room on the first floor, of a much larger size than
the general appearance of the house would have promised. This room was
full of gentlemen, who, in age, size, costume, and personal advantages,
varied as much as it is possible for any one roomful of gentlemen to
do. Some of them were playing billiards; some of them were looking on,
betting on the players; or more often upbraiding them for such play
as, in the Cheerful dialect, came under the sweeping denunciation of
the Cherokee adjective “duffing.” Some of them were eating a peculiar
compound entitled “Welsh rarebit”--a pleasant preparation, if it had
not painfully reminded the casual observer of mustard-poultices, or
yellow soap in a state of solution--while lively friends knocked the
ashes of their pipes into their plates, abstracted their porter just
as they were about to imbibe that beverage, and in like fascinating
manner beguiled the festive hour. One gentleman, a young Cherokee, had
had a rarebit, and had gone to sleep with his head in his plate and his
eyebrows in his mustard. Some were playing cards; some were playing
dominoes; one gentleman was in tears, because the double six he wished
to play had fallen into a neighbouring spittoon, and he lacked either
the moral courage or the physical energy requisite for picking it up;
but as, with the exception of the sleepy gentleman, everybody was
talking very loud and on an entirely different subject, the effect was
lively, not to say distracting.

“Gentlemen,” said Gus, “I have the honour of bringing a friend, whom I
wish to introduce to you.”

“All right, Gus!” said the gentleman engaged at dominoes, “that’s the
cove I ought to play,” and fixing one half-open eye on the spotted
ivory, he lapsed into a series of imbecile imprecations on everybody in
general, and the domino in particular.

Richard took a seat at a little distance from this gentleman, and at
the bottom of the long table--a seat sacred on grand occasions to the
vice-chairman. Some rather noisy lookers-on at the billiards were a
little inclined to resent this, and muttered something about Dick’s red
wig and whiskers, in connection with the popular accompaniments to a
boiled round of beef.

“I say, Darley,” cried a gentleman, who held a billiard-cue in his
hand, and had been for some time impotently endeavouring to smooth his
hair with the same. “I say, old fellow, I hope your friend’s committed
a murder or two, because then Splitters can put him in a new piece.”

Splitters, who had for four hours been in a state of abject misery,
from the unmerciful allusions to his last _chef d’œuvre_, gave
a growl from a distant corner of the table, where he was seeking
consolation in everybody else’s glass; and as everybody drank a
different beverage, was not improving his state of mind thereby.

“My friend never committed a murder in his life, Splitters, so he
won’t dramatize on that score; but he’s been accused of one; and he’s
as innocent as you are, who never murdered any thing in your life but
Lindley Murray and the language of your country.”

“Who’s been murdering somebody?” said the domino-player, passing his
left hand through his hair, till his chevelure resembled a turk’s-head
broom. “Who’s murdered? I wish everybody was; and that I could dance
my favourite dance upon their graves. Blow that double-six; he’s the
fellow I ought to play.”

“Perhaps you’ll give us your auburn-haired friend’s name, Darley,” said
a gentleman with his mouth full of Welsh rarebit; “he doesn’t seem too
brilliant to live; he’d better have gone to the ‘Deadly Livelies,’ in
the other street.” The “Deadly Livelies” was the sobriquet of a rival
club, which plumed itself on being a cut above the Cherokees. “Who’s
dead?” muttered the domino-player. “I wish everybody was, and that I
was contracted with to bury ’em cheap. I should have won the game,” he
added plaintively, “if I could have picked up that double-six.”

“I suppose your friend wants to be Vice at our next meeting,” said
the gentleman with the billiard-cue; who, in default of a row, always
complained that the assembly was too quiet for him.

“It wouldn’t be the first time if he were Vice, and it wouldn’t be the
first time if you made him Chair,” said Gus. “Come, old fellow, tell
them you’re come back, and ask them if they’re glad to see you?”

The red-haired gentleman at this sprang to his feet, threw off the rosy
locks and the ferocious whiskers, and looked round at the Cherokees
with his hands in his pockets.

“Daredevil Dick!” A shout arose--one brief wild huzza, such as
had not been heard in that room--which, as we know, was none of
the quietest--within the memory of the oldest Cherokee. Daredevil
Dick--escaped--come back--as handsome as ever--as jolly as ever--as
glorious a fellow--as thoroughgoing a brick--as noble-hearted a trump
as eight years ago, when he had been the life and soul of all of them!
such shaking of hands; everybody shaking hands with him again and
again, and then everybody shaking hands with everybody else; and the
billiard-player wiping his eyes with his cue; and the sleepy gentleman
waking up and rubbing the mustard into his drowsy optics; and the
domino-player, who, though he execrates all mankind, wouldn’t hurt the
tiniest wing of the tiniest fly, even he makes a miraculous effort,
picks up the double-six, and magnanimously presents it to Richard.

“Take it--take it, old fellow, and may it make you happy! If I’d played
that domino, I should have won the game.” Upon which he executed two
or three steps of a Cherokee dance, and relapsed into the aforesaid
imbecile imprecations, in mixed French and English, on the inhabitants
of a world not capable of appreciating him.

It was a long time before anything like quiet could be restored; but
when it was, Richard addressed the meeting.

“Gentlemen, before the unfortunate circumstance which has so long
separated us, you knew me, I believe, well, and I am proud to think you
esteemed and trusted me.”

Did they? Oh, _rather_. They jingled all the glasses, and broke
three in the enthusiastic protestation of an affirmative.

“I need not allude to the unhappy accusation of which I have been the
victim. You are, I understand, acquainted with the full particulars
of my miserable story, and you render me happy by thinking me to be
innocent.”

By thinking him to be innocent? By knowing him to be innocent! They
are so indignant at the bare thought of anybody believing otherwise,
that somebody in the doorway, the Smasher himself, growls out something
about a--forcible adjective--noise, and the police.

“Gentlemen, I have this day regained my liberty; thanks to the
exertions of a person to whom I am also indebted for my life, and
thanks also to the assistance of my old friend Gus Darley.”

Everybody here insisted on shaking hands over again with Gus, which was
rather a hindrance to the speaker’s progress; but at last Richard went
on,--

“Now, gentlemen, relying on your friendship” (hear, hear! and another
glass broken), “I am about to appeal to you to assist me in the future
object of my life. That object will be to discover the real murderer
of my uncle, Montague Harding. In what manner, when, or where you may
be able to assist me in this, I cannot at present say, but you are
all, gentlemen, men of talent.” (More glasses broken, and a good deal
of beer spilt into everybody’s boots.) “You are all men of varied
experience, of inexhaustible knowledge of the world, and of the life
of London. Strange things happen every day of our lives. Who shall
say that some one amongst you may not fall, by some strange accident,
or let me say rather by the handiwork of Providence, across a clue to
this at present entirely unravelled mystery? Promise me, therefore,
gentlemen, to give me the benefit of your experience; and whenever that
experience throws you into the haunts of bad men, remember that the man
I seek may, by some remote chance, be amongst them; and that to find
him is the one object of my life. I cannot give you the faintest index
to what he may be, or who he may be. He may be dead, and beyond the
reach of justice--but he may live! and if he does, Heaven grant that
the man who has suffered the stigma of his guilt may track him to his
doom. Gentlemen, tell me that your hearts go with me.”

They told him so, not once, but a dozen times; shaking hands with him,
and pushing divers liquors into his hand every time. But they got over
it at last, and the gentleman with the billiard-cue rapped their heads
with that instrument to tranquillize them, and then rose as president,
and said,--

“Richard Marwood, our hearts go with you, thoroughly and entirely, and
we swear to give you the best powers of our intellects and the utmost
strength of our abilities to aid you in your search. Gentlemen, are you
prepared to subscribe to this oath?”

They were prepared to subscribe to it, and they did subscribe to it,
every one of them--rather noisily, but very heartily.

When they had done so, a gentleman emerges from the shadow of the
doorway, who is no other than the illustrious left-handed one, who
had come upstairs in answer to Darley’s summons, just before Richard
addressed the Cherokees. The Smasher was not a handsome man. His nose
had been broken a good many times, and that hadn’t improved him; he had
a considerable number of scars about his face, including almost every
known variety of cut, and they didn’t improve him. His complexion,
again, bore perhaps too close a resemblance to mottled soap to come
within the region of the beautiful; but he had a fine and manly
expression of countenance, which, in his amiable moments, reminded the
beholder of a benevolent bulldog.

He came up to Richard, and took him by the hand. It was no small ordeal
of courage to shake hands with the Left-handed Smasher, but Daredevil
Dick stood it like a man.

“Mr. Richard Marwood,” said he, “you’ve been a good friend to me,
ever since you was old enough--” he stopped here, and cast about in
his mind for the fitting pursuits of early youth--“ever since you was
old enough to give a cove a black eye, or knock your friend’s teeth
down his throat with a light backhander. I’ve known you down stairs,
a-swearin’ at the barmaid, and holdin’ your own agin the whole lot
of the Cheerfuls, when other young gents of your age was a-makin’
themselves bad with sweetstuffs and green apples, and callin’ it life.
I’ve known you help that gent yonder,” he gave a jerk with his thumb
in the direction of the domino-player, “to wrench off his own pa’s
knocker, and send it to him by twopenny post next mornin’, seventeen
and sixpence to pay postage; but I never know’d you to do a bad action,
or to hit out upon a cove as was down.”

Richard thanked the Smasher for his good opinion, and they shook hands
again.

“I’ll tell you what it is,” continued the host, “I’m a man of few
words. If a cove offends me, I give him my left between his eyes,
playful; if he does it agen, I give him my left agen, with a meanin’,
and he don’t repeat it. If a gent as I like does me proud, I feels
grateful, and when I has a chance I shows him my gratitude. Mr. Richard
Marwood, I’m your friend to the last spoonful of my claret; and let the
man as murdered your uncle keep clear of my left mawley, if he wants to
preserve his beauty.”




                              CHAPTER VI.

 MR. PETERS RELATES HOW HE THOUGHT HE HAD A CLUE, AND HOW HE LOST IT.


A WEEK after the meeting of the Cherokees Richard Marwood received his
mother, in a small furnished house he had taken in Spring Gardens. Mrs.
Marwood, possessed of the entire fortune of her murdered brother, was
a very rich woman. Of her large income she had, during the eight years
of her son’s imprisonment, spent scarcely anything; as, encouraged by
Mr. Joseph Peters’s mysterious hints and vague promises, she had looked
forward to the deliverance of her beloved and only child. The hour had
come. She held him in her arms again, free.

“No, mother, no,” he says, “not free. Free from the prison walls, but
not free from the stain of the false accusation. Not till the hour
when all England declares my innocence shall I be indeed a free man.
Why, look you, mother, I cannot go out of this room into yonder street
without such a disguise as a murderer himself might wear, for fear
some Slopperton official should recognise the features of the lunatic
criminal, and send me back to my cell at the asylum.”

“My darling boy,” she lays her hands upon his shoulders, and looks
proudly into his handsome face, “my darling boy, these people at
Slopperton think you dead. See,” she touched her black dress as she
spoke, “it is for you I wear this. A painful deception, Richard, even
for such an object. I cannot bear to think of that river, and of what
might have been.”

“Dear mother, I have been saved, perhaps, that I may make some
atonement for that reckless, wicked past.”

“Only reckless, Richard; never wicked. You had always the same noble
heart, always the same generous soul; you were always my dear and only
son.”

“You remember what the young man says in the play, mother, when he gets
into a scrape through neglecting his garden and making love to his
master’s daughter--‘You shall be proud of your son yet.’”

“I _shall_ be proud of you, Richard. I am proud of you. We are
rich; and wealth is power. Justice shall be done you yet, my darling
boy. You have friends----”

“Yes, mother, good and true ones. Peters--you brought him with you?”

“Yes; I persuaded him to resign his situation. I have settled a hundred
a year on him for life--a poor return for what he has done, Richard;
but it was all I could induce him to accept, and he only agreed to take
that on condition that every moment of his life should be devoted to
your service.”

“Is he in the house now, mother?”

“Yes, he is below; I will ring for him.”

“Do, mother. I must go over to Darley, and take him with me. You must
not think me an inattentive or neglectful son; but remember that my
life has but one business till that man is found.”

He wrung her hand, and left her standing at the window watching his
receding figure through the quiet dusky street.

Her gratitude to Heaven for his restoration is deep and heartfelt;
but there is a shade of sadness in her face as she looks out into the
twilight after him, and thinks of the eight wasted years of his youth,
and of his bright manhood now spent on a chimera; for she thinks he
will never find the murderer of his uncle. How, after eight years,
without one clue by which to trace him, how can he hope to track the
real criminal?

But Heaven is above us all, Agnes Marwood; and in the dark and winding
paths of life light sometimes comes when and whence we least expect it.

If you go straight across Blackfriars Bridge, and do not suffer
yourself to be beguiled either by the attractions of that fashionable
transpontine lounge, the “New Cut,” or by the eloquence of the last
celebrity at that circular chapel some time sacred to Rowland Hill--if
you are not a man to be led away by whelks and other piscatorial
delicacies, second-hand furniture, birds and bird-cages, or easy
shaving, you may ultimately reach, at the inland end of the road, a
locality known to the inhabitants of the district of Friar Street.
Whether, in any dark period of our ecclesiastical history, the members
of the mother church were ever reduced to the necessity of living in
this neighbourhood I am not prepared to say. But if ever any of the
magnates of the Catholic faith did hang out in this direction, it is
to be hoped that the odours from the soapboiler’s round the corner,
the rich essences from the tallow manufactory over the way, the varied
perfumes from the establishment of the gentleman who does a thousand
pounds a week in size, to say nothing of such minor and domestic
effluvia as are represented by an amalgamation of red herrings, damp
corduroy, old boots, onions, washing, a chimney on fire, dead cats,
bad eggs, and an open drain or two--it is to be hoped, I say, that
these conflicting scents did not pervade the breezes of Friar Street so
strongly in the good old times as they do in these our later days of
luxury and refinement.

Mr. Darley’s establishment, ordinarily spoken of as _the_ surgery
_par excellence_, was perhaps one of the most pretending features
of the street. It asserted itself, in fact, with such a redundancy
of gilt letters and gas burners, that it seemed to say, “Really now,
you must be ill; or if you’re not, you ought to be.” It was not a
very large house, this establishment of Mr. Darley’s, but there were
at least half-a-dozen bells on the doorpost. There was Surgery; then
there was Day and Night (Gus wanted to have Morning and Afternoon,
but somebody told him it wasn’t professional); then there was besides
surgery, day, and night bells, another brilliant brass knob, inscribed
“Visitors,” and a ditto, whereon was engraved “Shop.” Though, as there
was only one small back-parlour beyond the shop into which visitors
ever penetrated, and as it was the custom for all such visitors to walk
straight through the aforesaid shop into the aforesaid parlour without
availing themselves of any bell whatever, the brass knobs were looked
upon rather in the light of a conventionality than a convenience.

But Gus said they looked like business, especially when they were
clean, which wasn’t always, as a couple of American gentlemen, friends
of Darley’s, were in the habit of squirting tobacco-juice at them from
the other side of the way, in the dusky twilight; the man who hit the
brass oftenest out of six times to be the winner, and the loser to
stand beer all the evening--that is to say, until some indefinite time
on the following morning, for Darley’s parties seldom broke up very
early; and to let the visitors out and take the morning milk in was
often a simultaneous proceeding in the household of our young surgeon.

If he had been a surgeon only, he would surely have been a Sir Benjamin
Brodie; for when it is taken into account that he could play the piano,
organ, guitar, and violoncello, without having learned any of those
instruments; that he could write a song, and compose the melody to it;
that he could draw horses and dogs after Herring and Landseer; make
more puns in one sentence than any burlesque writer living; make love
to half-a-dozen women at once, and be believed by every one of them;
sing a comic song, or tell a funny story; name the winner of the Derby
safer than any prophet on that side of the water; and make his book for
the Leger with one hand while he wrote a prescription with the other;
the discriminating reader will allow that there was a good deal of some
sort of talent or other in the composition of Mr. Augustus Darley.

In the twilight of this particular autumn evening he is busily engaged
putting up a heap of little packets labelled “Best Epsom Salts,” while
his assistant, a very small youth, of a far more elderly appearance
than his master, lights the gas. The half-glass door that communicates
with the little back parlour is ajar, and Gus is talking to some one
within.

“If I go over the water to-night, Bell--” he says.

A feminine voice from within interrupts him--“But you won’t go
to-night, Gus; the last time you went to that horrid Smasher’s, Mrs.
Tompkins’s little boy was ill, and they sent into the London Road
for Mr. Parker. And you are such a favourite with everybody, dear,
that they say if you’d only stay at home always, you’d have the best
practice in the neighbourhood.”

“But, Bell, how can a fellow stay at home night after night, and
perhaps half his time only sell a penn’orth of salts or a poor man’s
plaster? If they’d be ill,” he added, almost savagely, “I wouldn’t mind
stopping in; there’s some interest in that. Or if they’d come and have
their teeth drawn; but they never will: and I’m sure I sell ’em our
Infallible Anti-toothache Tincture; and if that don’t make ’em have
their teeth out, nothing will.”

“Come and have your tea, Gus; and tell Snix to bring his basin.”

Snix was the boy, who forthwith drew from a cupboard under the counter
the identical basin into which, when a drunken man was brought into the
shop, Gus usually bled him, with a double view of obtaining practice in
his art and bringing the patient back to consciousness.

The feminine occupant of the parlour is a young lady with dark hair and
grey eyes, and something under twenty years of age. She is Augustus
Darley’s only sister; she keeps his house, and in an emergency she
can make up a prescription--nay, has been known to draw a juvenile
patient’s first tooth, and give him his money back after the operation
for the purchase of consolatory sweetstuffs.

Perhaps Isabel Darley is just a little what very prim young
ladies, who have never passed the confines of the boarding-school
or the drawing-room, might call “fast.” But when it is taken into
consideration that she was left an orphan at an early age, that
she never went to school in her life, and that she has for a very
considerable period been in the habit of associating with her brother’s
friends, chiefly members of the Cherokee Society, it is not so much to
be wondered at that she is a little more masculine in her attainments,
and “go-ahead” in her opinions, than some others of her sex.

The parlour is small, as has before been stated. One of the Cherokees
has been known to suggest, when there were several visitors present
and the time arrived for their departure, that they should be taken
out singly with a corkscrew. Other Cherokees, arriving after the room
had been filled with visitors, had been heard to advise that somebody
should go in first with a candle, to ascertain whether vitality could
be sustained in the atmosphere. Perhaps the accommodation was not
extended by the character of the furniture, which consisted of a
cottage piano, a chair for the purposes of dental surgery, a small
Corinthian column supporting a basin with a metal plug and chain
useful for like purposes; also a violoncello in the corner, a hanging
bookshelf--(which was a torture to tall Cherokees, as one touch from
a manly head would tilt down the shelves and shower the contents
of Mr. Darley’s library on the head in question, like a literary
waterfall)--and a good-sized sofa, with that unmistakable well, and
hard back and arms, which distinguish the genus sofa-bedstead. Of
course tables, chairs, china ornaments, a plaster-of-Paris bust here
and there, caricatures on the walls, a lamp that wouldn’t burn, and a
patent arrangement for the manufacture of toasted cheese, are trifles
in the way of furniture not worth naming. Miss Darley’s birds, again,
though they did spill seed and water into the eyes of unoffending
visitors, and drop lumps of dirty sugar sharply down upon the noses of
the same, could not of course be considered a nuisance; but certainly
the compound surgery and back-parlour in the mansion of Augustus Darley
was, to say the least, a little too full of furniture.

While Isabel is pouring out the tea, two gentlemen open the shop door,
and the bell attached thereto, which should ring but doesn’t, catching
in the foremost visitor’s foot, nearly precipitates him headlong into
the emporium of the disciple of Esculapius. This foremost visitor is
no other than Mr. Peters, and the tall figure behind him, wrapped in a
greatcoat, is Daredevil Dick.

“Here I am, Gus!” he cries out, in his own bold hearty voice; “here I
am; found your place at last, in spite of the fascinations of half the
stale shell-fish in the United Kingdom. Here I am; and here’s the best
friend I have in the world, not even excepting yourself, old fellow.”

Gus introduces Richard to his sister Isabel, who has been taught from
her childhood to look upon the young man shut up in a lunatic asylum
down at Slopperton as the greatest hero, next to Napoleon Buonaparte,
that ever the world had boasted. She was a little girl of eleven years
old at the time of Dick’s trial, and had never seen her wild brother’s
wilder companion; and she looks up now at the dark handsome face with
a glance of almost reverence in her deep gray eyes. But Bell is by
no means a heroine; and she has a dozen unheroine-like occupations.
She has the tea to pour out, and in her nervous excitement she scalds
Richard’s fingers, drops the sugar into the slop-basin, and pours all
the milk into one cup of tea. What she would have done without the
assistance of Mr. Peters, it is impossible to say; for that gentleman
showed himself the very genius of order; cut thin bread-and-butter
enough for half-a-dozen, which not one of the party touched; re-filled
the tea-pot before it was empty; lit the gas-lamp which hung from the
ceiling; shut the door which communicated with the shop and the other
door which led on to the staircase; and did all so quietly that nobody
knew he was doing anything.

Poor Richard! In spite of the gratitude and happiness he feels in his
release, there is a gloom upon his brow and an abstraction in his
manner, which he tries in vain to shake off.

A small, round, chubby individual, who might be twelve or twenty,
according to the notions of the person estimating her age, removed
the tea-tray, and in so doing broke a saucer. Gus looked up. “She
always does it,” he said, mildly. “We’re getting quite accustomed to
the sound. It rather reduces our stock of china, and we sometimes are
obliged to send out to buy tea-things before we can have any breakfast;
but she’s a good girl, and she doesn’t steal the honey, or the jujubes,
or the tartaric acid out of the seidlitz-powders, as the other one did;
not that I minded that much,” he continued; “but she couldn’t read, and
she sometimes filled up the papers with arsenic for fear of being found
out; and that might have been inconvenient, if we’d ever happened to
sell them.”

“Now, Gus,” said Richard, as he drew his chair up to the fireplace
and lit his pipe--permission being awarded by Bell, who lived in one
perpetual atmosphere of tobacco-smoke--“now, Gus, I want Peters to tell
you all about this affair; how it was he thought me innocent; how he
hit upon the plan he formed for saving my neck; how he tried to cast
about and find a clue to the real murderer; how he thought he had found
a clue, and how he lost it.”

“Shall my sister stop while he tells the story?” asked Gus.

“She _is_ your sister, Gus,” answered Richard. “She cannot be so
unlike you as not to be a true and pitying friend to me. Miss Darley,”
he continued, turning towards her as he spoke, “you do not think me
quite so bad a fellow as the world has made me out; you would like to
see me righted, and my name freed from the stain of a vile crime?”

“Mr. Marwood,” the girl answered, in an earnest voice, “I have heard
your sad story again and again from my brother’s lips. Had you too been
my brother, I could not, believe me, have felt a deeper interest in
your fate, or a truer sorrow for your misfortunes. It needs but to look
into your face, or hear your voice, to know how little you deserve the
imputation that has been cast upon you.”

Richard rises and gives her his hand. No languid and lady-like
pressure, such as would not brush the down off a butterfly’s wing, but
an honest hearty grasp, that comes straight from the heart.

“And now for Mr. Peters’s story,” said Gus, “while I brew a jugful of
whisky-punch.”

“You can follow his hands, Gus?” asks Richard.

“Every twist and turn of them. He and I had many a confab about you,
old fellow, before we went out fishing,” said Gus, looking up from the
pleasing occupation of peeling a lemon.

“Now for it, then,” said Richard; and Mr. Peters accordingly began.

Perhaps, considering his retiring from the Slopperton police force
a great event, not to say a crisis, in his life, Mr. Peters had
celebrated it by another event; and, taking the tide of his affairs at
the flood, had availed himself of the water to wash his hands with.
At any rate, the digital alphabet was a great deal cleaner than when,
eight years ago, he spelt out the two words, “Not guilty,” in the
railway carriage.

There was something very strange to a looker-on in the little party,
Gus, Richard, and Bell, all with earnest eyes fixed on the active
fingers of the detective--the silence only broken by some exclamation
at intervals from one of the three.

“When first I see this young gent,” say the fingers, as Mr. Peters
designates Richard with a jerk of his elbow, “I was a-standin’ on the
other side of the way, a-waitin’ till my superior, Jinks, as was as
much up to his business as a kitting,”--(Mr. Peters has rather what we
may call a fancy style of orthography, and takes the final _g_ off
some words to clap it on to others, as his taste dictates)--“a-waitin,’
I say, till Jinks should want my assistance. Well, gents all--beggin’
the lady’s parding, as sits up so manly, with none of yer faintin’ nor
’steriky games, as I a’most forgot she was a lady--no sooner did I
clap eyes upon Mr. Marwood here, a-smokin’ his pipe, in Jinks’s face,
and a-answerin’ him sharp, and a-behavin’ what you may call altogether
cocky, than I says to myself, ‘They’ve got the wrong un’. My fust words
and my last about this ’ere gent, was, ‘They’ve got the wrong un.’”

Mr. Peters looked round at the attentive party with a glance of
triumph, rubbed his hands by way of a full-stop, and went on with his
manual recital.

“For why?” said the fingers, interrogatively, “for why did I think as
this ’ere gent was no good for this ’ere murder; for why did I think
them chaps at Slopperton had got on the wrong scent? Because he was
cheeky? Lor’ bless your precious eyes, miss” (by way of gallantry he
addresses himself here to Isabel), “not a bit of it! When a cove goes
and cuts another cove’s throat off-hand, it ain’t likely he ain’t
prepared to cheek a police-officer. But when I reckoned up this young
gent’s face, what was it I see? Why, as plain as I see his nose and
his moustachios--and he ain’t bad off for neither of them,” said the
fingers, parenthetically--“I see that he hadn’t done it. Now, a cove
what’s screwed up to face a judge and jury, maybe can face ’em, and
never change a line of his mug; but there isn’t a cove an lives as
can stand that first tap of a detective’s hand upon his shoulder as
tells him, plain as words, ‘The game is up.’ The best of ’em, and
the pluckiest of ’em, drops under that. If they keeps the colour in
their face--which some of ’em has got the power to do, and none as
never tried it on can guess the pain--if they can do that ’ere, the
perspiration breaks out wet and cold upon their for’eds, and that
blows ’em. But this young gent--he was took aback, he was surprised,
and he was riled, and used bad language; but his colour never changed,
and he wasn’t once knocked over till Jinks, unbusiness-like, told him
of his uncle’s murder, when he turned as white as that ’ere ’ed of
Bon-er-part.” Mr. Peters, for want of a better comparison, glanced in
the direction of a bust of the victor of Marengo, which, what with
tobacco-smoke and a ferocious pair of burnt cork moustachios, was by no
means the whitest object in creation.

“Now, what a detective officer’s good at, if he’s worth his salt, is
this ’ere: when he sees two here and another two there, he can put ’em
together, though they might be a mile apart to anybody not up to the
trade, and make ’em into four. So, thinks I, the gent isn’t took aback
at bein’ arrested; but he _is_ took aback when he hears as how
his uncle’s murdered. Now, if he’d committed the murder, he’d know of
it; and he might sham surprise, but he wouldn’t be surprised; and this
young gent was knocked all of a heap as genuine as----” Mr. Peters’s
ideas still revert to the bust of Napoleon--“as ever that ’ere forring
cove was, when he sees his old guard scrunched up small at the battle
of Waterloo.”

“Heaven knows, Peters,” said Richard, taking his pipe out of his mouth,
and looking up from his stooping position over the fire, “Heaven knows
you were right; I did feel my heart turn cold when I heard of that good
man’s death.”

“Well, that they’d got the wrong un I saw was as clear as daylight--but
where was the right un? That was the question! Who ever committed
the murder did it for the money in that ’ere cabinet: and sold agen
they was, whoever they was, and didn’t get the money. Who was in the
house? This young gent’s mother and the servant. I was nobody in the
Gardenford force, and I was less than nobody at Slopperton; so get into
that house at the Black Mill I couldn’t. This young gent was walked
off to jail and I was sent about my business--my orders bein’ to be
back in Gardenford that evenin’, leavin’ Slopperton by the three-thirty
train. Well, I was a little cut up about this young gent; for I seed
that the case was dead agen him; the money in his pocket--the blood on
his sleeve--a cock-and-a-bull story of a letter of introduction, and a
very evident attempt at a bolt--only enough to hang him, that’s all;
and, for all that, I had a inward conwiction that he was as hinnercent
of the murder as that ’ere plaster-of-Paris stattur.” Mr. Peters goes
regularly to the bust for comparisons, by way of saving time and
trouble in casting about for fresh ones.

“But my orders,” continued the fingers, “was positive, so I goes down
to the station to start by the three-thirty; and as I walks into the
station-yard, I hears the whistle, and sees the train go. I was too
late; and as the next train didn’t start for near upon three hours, I
thought I’d take a stroll and ’av a look at the beauties of Slopperton.
Well, I strolls on, promiscuous like, till I comes to the side of a
jolly dirty-looking river; and as by this time I feels a little dry, I
walks on, lookin’ about for a public; but ne’er a one do I see, till
I almost tumbles into a dingy little place, as looked as if it did
about half-a-pint a day reg’lar, when business was brisk. But in I
walks, past the bar; and straight afore me I sees a door as leads into
the parlour. The passage was jolly dark; and this ’ere door was ajar;
and inside I hears voices. Well, you see, business is business, and
pleasure is pleasure; but when a cove takes a pleasure in his business,
he gets a way of lettin’ his business habits come out unbeknownst when
he’s takin’ his pleasure: so I listens. Now, the voice I heerd fust was
a man’s voice; and, though the place was a sort of crib such as nobody
but navvies or such-like would be in the habit of going to, this ’ere
was the voice of a gentleman. I can’t say as I ever paid much attention
to grammar myself, though I daresay it’s very pleasant and amusin’ when
you enter into it; but, for all that, I’d knocked about in the world
long enough to know a gent’s way of speakin’ from a navvy’s, as well as
I know’d one tune on the accordion from another tune. It was a nice,
soft-spoken voice too, and quite melodious and pleasant to listen to;
but it was a-sayin’ some of the cruelest and hardest words as ever was
spoke to a woman yet by any creature with the cheek to call hisself a
man. You’re not much good, my friend, says I, with your lardy-dardy
ways and your cold-blooded words, whoever you are. You’re a thin chap,
with light hair and white hands, I know, though I’ve never seen you;
and there’s very little in the way of wickedness that you wouldn’t be
up to on a push. Now, just as I was a-thinkin’ this, he said somethin’
that sent the blood up into my face as hot as fire--‘I expected a
sum of money, and I’ve been disappointed of it,’ he said; and before
the girl he was a-talkin’ to could open her lips, he caught her up
sudden--‘Never you mind how,’ he says, ‘never you mind how.’”

“He expected a sum of money, and he’d been disappointed of it! So had
the man who had murdered this young gent’s uncle.

“Not much in this, perhaps. But why was he so frightened at the
thoughts of her asking him how he expected the money, and how he’d bin
disappointed? There it got fishy. At any rate, says I to myself, I’ll
have a look at you, my friend; so in I walks, very quiet and quite
unbeknownst. He was a-sittin’ with his back to the door, and the young
woman he was a-talkin’ to was standin’ lookin’ out of the winder; so
neither of ’em saw me. He was buildin’ up some cards into a ’ouse, and
had got ’em up very high, when I laid my hand upon his shoulder sudden.
He turned round and looked at me.” Mr. Peters’ hero paused, and looked
round at the little group, who sat watching his fingers with breathless
attention. He had evidently come to a point in his narrative.

“Now, what did I see in his face when he looked at me? Why, the very
same look that I _missed_ in the face of this young gent when
Jinks took him in the mornin’. The very same look that I’d seen in a
many faces, and never know’d it differ, whether it came one way or
another, always bein’ the same look at bottom--the look of a man as is
guilty of what will hang him and thinks that he’s found out. But as you
can’t give looks in as evidence, this wasn’t no good in a practical
way; but I says to myself, if ever there was anything certain in this
world since it was begun, I’ve come across the right un: so I sits down
and takes up a newspaper. I signified to him that I was dumb, and he
took it for granted that I was deaf as well--which was one of those
stupid mistakes your clever chaps sometimes fall into--so he went on
a-talking to the girl.

“Well, it was a old story enough, what him and the girl was talkin’ of;
but every word he said made him out a more cold-blooded villain than
the last.

“Presently he offered her some money--four sovereigns. She served
him as he ought to have been served, and threw them every one slap
in his face. One cut him over the eye; and I was glad of it. ‘You’re
marked, my man,’ thinks I, ‘and nothin’ could be handier agen I want
you.’ He picked up three of the sovereigns, but for all he could do he
couldn’t find the fourth. So he had the cut (which was a jolly deep
un) plastered up, and he went away. She stared at the river uncommon
hard, and then she went away. Now I didn’t much like the look she gave
the river, so as I had about half an hour to spare before the train
started, I followed her. I think she knew it; for presently she turned
short off into a little street, and when I turned into it after her she
wasn’t to be seen right or left.

“Well, I had but half an hour, so I thought it was no use chasin’ this
unfortunate young creature through all the twistings and turnings of
the back slums of Slopperton; so after a few minutes’ consideration, I
walked straight to the station. Hang me if I wasn’t too late for the
train again. I don’t know how it was but I couldn’t keep my mind off
the young woman, nor keep myself from wonderin’ what she was a-goin’ to
do with herself, and what she was a-goin’ to do with that ’ere baby. So
I walks back agen down by the water, and as I’d a good hour and a half
to spare, I walks a good way, thinking of the young man, and the cut on
his forehead. It was nigh upon dark by this time, and foggy into the
bargain. Maybe I’d gone a mile or more, when I comes up to a barge what
lay at anchor quite solitary. It was a collier, and there was a chap on
board, sittin’ in the stern, smokin’, and lookin’ at the water. There
was no one else in sight but him and me; and no sooner does he spy me
comin’ along the bank than he sings out--

“‘Hulloa! Have you met a young woman down that way?’

“His words struck me all of a heap somehow, comin’ so near upon what I
was a-thinkin’ of myself. I shook my head; and he said--

“‘There’s been some unfort’nate young girl down here tryin’ to dround
her baby. I see the little chap in the water, and fished him out with
my boat-hook. I’d seen the girl hangin’ about here, just as it was
a-gettin’ dark, and then I heard the splash when she threw the child
in; but the fog was too thick for me to see anything ashore by that
time.’

“The barge was just alongside the bank, and I stepped on board. Not
bein’ so fortunate as to have a voice, you know, it comes awkward with
strangers, and I was rather put to it to get on with the young man.
And didn’t he sing out loud when he came to understand I was dumb; he
couldn’t have spoke in a higher key if I’d been a forriner.

“He told me he should take the baby round to the Union; all he hoped
he said, was, that the mother wasn’t a-goin’ to do anything bad with
herself.

“I hoped not too; but I remembered that look of hers when she stood at
the window staring out at the river, and I didn’t feel very easy in my
mind about her.

“I took the poor little wet thing up in my arms. The young man had
wrapped it in an old jacket, and it was a-cryin’ piteous, and lookin’,
oh, so scared and miserable.

“Well, it may seem a queer whim, but I’m rather soft-hearted on the
subject of babies, and often had a thought that I should like to try
the power of cultivation in the way of business, and bring a child
up from the very cradle to the police detective line, to see whether
I couldn’t make that ’ere child a ornament to the force. I wasn’t a
marryin’ man, and by no means likely ever to ’av a family of my own; so
when I took up that ’ere baby in my arms, somehow or other the thought
came into my ’ed of adoptin’ him, and bringin’ of him up. So I rolled
him up in my greatcoat, and took him with me to Gardenford.”

“And a wonderful boy he is,” said Richard; “we’ll educate him, Peters,
and make a gentleman of him.”

“Wait a bit,” said the fingers very quickly; “thank you kindly, sir;
but if the police force of this ’ere country was robbed of that ’ere
boy, it would be robbed of a gem as it couldn’t afford to lose.”

“Go on, Peters; tell them the rest of your story.”

“Well, though I felt in my own mind that by one of those strange
chances which does happen in life, maybe as often as they happen in
story-books, I had fallen across the man who had committed the murder,
yet for all that I hadn’t evidence enough to get a hearin’. I got
transferred from Gardenford to Slopperton, and every leisure minute
I had I tried to come across the man I’d marked; but nowhere could I
see him, or hear of any one answering his description. I went to the
churches; for I thought him capable of anything, even to shammin’
pious. I went to the theayter, and I see a young woman accused of
poisonin’ a fam’ly, and proved innocent by a police cove as didn’t
know his business any more than a fly. I went anywhere and everywhere,
but I never see that man; and it was gettin’ uncommon near the trial
of this young gent, and nothin’ done. How was he to be saved? I
thought of it by night and thought of it by day; but work it out I
couldn’t nohow. One day I hears of an old friend of the pris’ner’s
being sup-boned-aed as witness for the crown. This friend I determined
to see; for two ’eds”--Mr. Peters looked round, as though he defied
contradiction--“shall be better than one.”

“And this friend,” said Gus, “was your humble servant; who was only too
glad to find that poor Dick had one sincere friend in the world who
believed in his innocence, besides myself.”

“Well, Mr. Darley and me,” resumed Mr. Peters, “put our ’eds together,
and we came to this conclusion, that if this young gent was mad when
he committed the murder, they couldn’t hang him, but would shut him in
a asylum for the rest of his nat’ral life--which mayn’t be pleasant in
the habstract, but which is better than hangin’, any day.”

“So you determined on proving me mad,” said Richard.

“We hadn’t such very bad grounds to go upon, perhaps, old fellow,”
replied Mr. Darley; “that brain-fever, which we thought such a
misfortune when it laid you up for three dreary weeks stood us in
good stead; we had something to go upon, for we knew we could get
you off by no other means. But to get you off this way we wanted your
assistance, and we didn’t hit upon the plan till it was too late to
get at you and tell you our scheme; we didn’t hit upon it till twelve
o’clock on the night before your trial. We tried to see your counsel;
but he had that morning left the town, and wasn’t to return till
the trial came on. Peters hung about the court all the morning, but
couldn’t see him; and nothing was done when the judge and jury took
their seats. You know the rest; how Peters caught your eye----”

“Yes,” said Dick, “and how seven letters upon his fingers told me the
whole scheme, and gave me my cue; those letters formed these two words,
‘Sham mad.’”

“And very well you did it at the short notice, Dick,” said Gus; “upon
my word, for the moment I was almost staggered, and thought, suppose
in getting up this dodge we are only hitting upon the truth, and the
poor fellow really has been driven out of his wits by this frightful
accusation?”

“A scrap of paper,” said Mr. Peters, on his active fingers, “gave the
hint to your counsel--a sharp chap enough, though a young un.”

“I can afford to reward him now for his exertions,” said Richard, “and
I must find him for that purpose. But Peters, for heaven’s sake tell us
about this young man whom you suspect to be the murderer. If I go to
the end of the world in search of him, I’ll find him, and drag him and
his villainy to light, that my name may be cleared from the foul stain
it wears.”

Mr. Peters looked very grave. “You must go a little further than the
end of this world to find him, I’m afraid, sir,” said the fingers.
“What do you say to looking for him in the next? for that’s the station
he’d started for when I last saw him; and I believe that on that line,
with the exception of now and then a cock-and-a-bull-lane ghost, they
don’t give no return tickets.”

“Dead?” said Richard. “Dead, and escaped from justice?”

“That’s about the size of it, sir,” replied Mr. Peters. “Whether he
thought as how something was up, and he was blown, or whether he was
riled past bearin’ at findin’ no money in that ’ere cabinet, I can’t
take upon myself to say; but I found him six months after the murder
out upon a heath, dead, with a laudanum-bottle a-lying by his side.”

“And did you ever find out who he was?” asked Gus.

“He was a usher, sir, at a ’cademy for young gents, and a very pious
young man he was too, I’ve heard; but for all that he murdered this
young gent’s uncle, or my name isn’t Peters.”

“Beyond the reach of justice,” said Richard; “then the truth can never
be brought to light, and to the end of my days I must bear the stigma
of a crime of which I am innocent.”




                           =Book the Fifth.=

                          THE DUMB DETECTIVE.


                              CHAPTER I.

                    THE COUNT DE MAROLLES AT HOME.


THE denizens of Friar Street and such localities, being in the habit
of waking in the morning to the odour of melted tallow and boiling
soap, and of going to sleep at night with the smell of burning bones
under their noses, can of course have nothing of an external nature
in common with the inhabitants of Park Lane and its vicinity; for
the gratification of whose olfactory nerves exotics live short and
unnatural lives, on staircases, in boudoirs, and in conservatories of
rich plate-glass and fairy architecture, where perfumed waters play in
gilded fountains through the long summer days.

It might be imagined, then, that the common griefs and vulgar
sorrows--such as hopeless love and torturing jealousy, sickness,
or death, or madness, or despair--would be also banished from the
regions of Park Lane, and entirely confined to the purlieus of Friar
Street. Any person with a proper sense of the fitness of things would
of course conclude this to be the case, and would as soon picture my
lady the Duchess of Mayfair dining on red herrings and potatoes at the
absurd hour of one o’clock p.m., or blackleading her own grate with
her own alabaster fingers, as weeping over the death of her child, or
breaking her heart for her faithless husband, just like Mrs. Stiggins,
potato and coal merchant on a small scale, or Mrs. Higgins, whose sole
revenues come from “Mangling done here.”

And it does seem hard, oh my brethren, that there should be any limit
to the magic power of gold! It may exclude bad airs, foul scents, ugly
sights, and jarring sounds; it may surround its possessors with beauty,
grace, art, luxury, and so-called pleasure; but it cannot shut out
death or care; for to these stern visitors Mayfair and St. Giles’s must
alike open their reluctant doors whenever the dreaded guests may be
pleased to call.

You do not send cards for your morning concerts, or fêtes champêtres,
or thés dansantes, to Sorrow or Sadness, oh noble duchesses and
countesses; but have you never seen their face in the crowd when you
least looked to meet them?

Through the foliage and rich blossoms in the conservatory, and through
the white damask curtains of the long French window, the autumn
sunshine comes with subdued light into a boudoir on the second floor
of a large house in Park Lane. The velvet-pile carpets in this room
and the bedchamber and dressing room adjoining, are made in imitation
of a mossy ground on which autumn leaves have fallen; so exquisite,
indeed, is the design, that it is difficult to think that the light
breeze which enters at the open window cannot sweep away the fragile
leaf, which seems to flutter in the sun. The walls are of the palest
cream-colour, embellished with enamelled portraits of Louis the
Sixteenth, Marie Antoinette, Madame Elizabeth, and the unfortunate
boy prisoner of the Temple, let into the oval panels on the four
sides of the room. Everything in this apartment, though perfect in
form and colour, is subdued and simple; there are none of the Buhl
and marqueterie cabinets, the artificial flowers, ormolu clocks,
French prints, and musical boxes which might adorn the boudoir of an
opera-dancer or the wife of a parvenu. The easy-chairs and luxurious
sofas are made of a polished white wood, and are covered with white
damask. On the marble mantelpiece there are two or three vases of the
purest and most classical forms; and these, with Canova’s bust of
Napoleon, are the only ornaments in the room. Near the fireplace, in
which burns a small fire, there is a table loaded with books, French,
English, and German, the newest publications of the day; but they
are tossed in a great heap, as if they had one by one been looked at
and cast aside unread. By this table there is a lady seated, whose
beautiful face is rendered still more striking by the simplicity of her
black dress.

This lady is Valerie de Lancy, now Countess de Marolles; for Monsieur
Marolles has expended some part of his wife’s fortune upon certain
estates in the south of France which give him the title of Count de
Marolles.

A lucky man, this Raymond Marolles. A beautiful wife, a title, and an
immense fortune are no such poor prizes in the lottery of life. But
this Raymond is a man who likes to extend his possessions; and in South
America he has established himself as a banker on a large scale, and he
has lately come over to England with his wife and son, for the purpose
of establishing a branch of this bank in London. Of course, a man with
his aristocratic connections and enormous fortune is respected and
trusted throughout the continent of South America.

Eight years have taken nothing from the beauty of Valerie de Marolles.
The dark eyes have the same fire, the proud head the same haughty
grace; but alone and in repose the face has a shadow of deep and
settled sadness that is painful to look upon, for it is the gloomy
sadness of despair. The world in which this woman lives, which knows
her only as the brilliant, witty, vivacious, and sparkling Parisian,
little dreams that she talks because she dare not think; that she is
restless and vivacious because she dare not be still; that she hurries
from place to place in pursuit of pleasure and excitement because
only in excitement, and in a life which is as false and hollow as
the mirth she assumes, can she fly from the phantom which pursues
her. O shadow that will not be driven away! O pale and pensive ghost,
that rises before us in every hour and in every scene, to mock the
noisy and tumultuous revelry which, by the rule of opposites, we call
Pleasure!--which of us is free from your haunting presence, O phantom,
whose name is The Past?

Valerie is not alone; a little boy, between seven and eight years of
age, is standing at her knee, reading aloud to her from a book of
fables.

“A frog beheld an ox----” he began. But as he read the first words the
door of the boudoir opened, and a gentleman entered, whose pale fair
face, blue eyes, light eyelashes, and dark hair and eyebrows proclaimed
him to be the husband of Valerie.

“Ah,” he said, glancing with a sneer at the boy, who lifted his
dark eyes for a moment, and then dropped them on his book with an
indifference that bespoke little love for the new-comer, “you are
teaching your child, madame. Teaching him to read? Is not that an
innovation? The boy has a fine voice, and the ear of a maestro. Let him
learn the solfeggi, and very likely one of these days he will be as
great a man as----”

Valerie looks at him with the old contempt, the old icy coldness in her
face. “Do you want anything of me this morning, monsieur?” she asked.

“No, madame. Having the entire command of your fortune, what can I ask?
A smile? Nay, madame; you keep your smiles for your son; and again,
they are so cheap in London, the smiles of beauty.”

“Then, monsieur, since you require nothing at my hands, may I ask why
you insult me with your presence?”

“You teach your son to respect--his father, madame,” said Raymond with
a sneer, throwing himself into an easy-chair opposite Valerie. “You
set the future Count de Marolles a good example. He will be a model of
filial piety, as you are of----”

“Do not fear, Monsieur de Marolles, but that one day I shall teach my
son to respect his father; fear rather lest I teach him to avenge----”

“Nay, madame, it is for you to fear that.”

During the whole of this brief dialogue, the little boy has held his
mother’s hand, looking with his serious eyes anxiously in her face.
Young as he is, there is a courage in his glance and a look of firmness
in his determined under-lip that promises well for the future. Valerie
turns from the cynical face of her husband, and lays a caressing hand
on the boy’s dark ringlets. Do those ringlets remind her of any other
dark hair? Do any other eyes look out in the light of those she gazes
at now?

“You were good enough to ask me just now, madame, the purport of my
visit; your discrimination naturally suggesting to you that there is
nothing so remarkably attractive in the society to be found in these
apartments, infantine lectures in words of one syllable included”--he
glances towards the boy as he speaks, and the cruel blue eyes are never
so cruel as when they look that way--“as to induce me to enter them
without some purpose or other.”

“Perhaps monsieur will be so good as to be brief in stating that
purpose? He may imagine, that being entirely devoted to my son, I do
not choose to have his studies, or even his amusements, interrupted.”

“You bring up young Count Almaviva like a prince, madame. It is
something to have good blood in one’s veins, even on one side----”

If she could have killed him with a look of those bright dark eyes, he
would have fallen dead as he spoke the words that struck one by one at
her broken heart. He knew his power; he knew wherein it lay, and how to
use it--and he loved to wound her; because, though he had won wealth
and rank from her, he had never conquered her, and he felt that even in
her despair she defied him.

“You are irrelevant, monsieur. Pray be so kind as to say what brought
you here, where I would not insult your good sense by saying you are a
welcome visitor.”

“Briefly then, madame. Our domestic arrangements do not please me.
We are never known to quarrel, it is true; but we are rarely seen to
address each other, and we are not often seen in public together.
Very well this in South America, where we were king and queen of our
circle--here it will not do. To say the least, it is mysterious. The
fashionable world is scandalous. People draw inferences--monsieur does
not love madame, and he married her for her money; or, on the other
hand, madame does not love monsieur, but married him because she had
some powerful _motive_ for so doing. This will not do, countess.
A banker must be respectable, or people may be afraid to trust him.
I must be, what I am now called, ‘the eminent banker;’ and I must be
universally trusted.”

“That you may the better betray, monsieur; that is the motive for
winning people’s confidence, in your code of moral economy, is it not?”

“Madame is becoming a logician; her argument by induction does her
credit.”

“But, your business, monsieur?”

“Was to signify my wish, madame, that we should be seen oftener
together in public. The Italian Opera, now, madame, though you have
so great a distaste for it--a distaste which, by the bye, you did not
possess during the early period of your life--is a very popular resort.
All the world will be there to-night, to witness the _début_ of a
singer of continental celebrity. Perhaps you will do me the honour to
accompany me there?”

“I do not take any interest, monsieur----”

“In the fortunes of tenor singers. Ah, how completely we outlive the
foolish fancies of our youth! But you will occupy the box on the grand
tier of her Majesty’s Theatre, which I have taken for the season. It
is to your son’s--to Cherubino’s interest, for you to comply with my
request.” He glances towards the boy once more, with a sneer on his
thin lips, and then turns and bows to Valerie, as he says--

“_Au revoir_, madame. I shall order the carriage for eight
o’clock.”

A horse, which at a sale at Tattersall’s had attracted the attention of
all the votaries of the Corner, for the perfection of his points and
the enormous price which he realized, caracoles before the door, under
the skilful horsemanship of a well-trained and exquisitely-appointed
groom. Another horse, equally high-bred, waits for his rider, the
Count de Marolles. The groom dismounts, and holds the bridle, as
the gentleman emerges from the door and springs into the saddle. A
consummate horseman the Count de Marolles; a handsome man too, in spite
of the restless and shifting blue eyes and the thin nervous lips. His
dress is perfect, just keeping pace with the fashion sufficiently to
denote high ton in the wearer, without outstripping it, so as to stamp
him a parvenu. It has that elegant and studious grace which, to a
casual observer, looks like carelessness, but which is in reality the
perfection of the highest art of all--the art of concealing art.

It is only twelve o’clock, and there are not many people of any
standing in Piccadilly this September morning; but of the few
gentlemen on horseback who pass Monsieur de Marolles, the most
aristocratic-looking bow to him. He is well-known in the great world
as the eminent banker, the owner of a superb house in Park Lane. He
possesses a man cook of Parisian renown, who wears the cross of the
Legion of Honour, given him by the first Napoleon on the occasion
of a dinner at Talleyrand’s. He has estates in South America and in
France; a fortune, said to be boundless, and a lovely wife. For the
rest, if his own patent of nobility is of rather fresh date, and if, as
impertinent people say, he never had a grandfather, or indeed anything
in the way of a father to speak of, it must be remembered that great
men, since the days of mythic history, have been celebrated for being
born in rather an accidental manner.

But why a banker? Why, possessed of an enormous fortune, try to extend
that fortune by speculation? That question lies between Raymond de
Marolles and his conscience. Perhaps there are no bounds to the
ambition of this man, who entered Paris eight years ago an obscure
adventurer, and who, according to some accounts, is now a millionaire.




                              CHAPTER II.

                       MR. PETERS SEES A GHOST.


MR. PETERS, pensioned off by Richard’s mother with an income of a
hundred pounds a year, has taken and furnished for himself a small
house in a very small square not far from Mr. Darley’s establishment,
and rejoicing in the high-sounding address of Wellington Square,
Waterloo Road. Having done this, he feels that he has nothing more to
do in life than to retire upon his laurels, and enjoy the _otium cum
dignitate_ which he has earned so well.

Of course Mr. Peters, as a single man, cannot by any possibility _do
for_ himself; and as--having started an establishment of his own--he
is no longer in a position to be taken in and done for, the best thing
he can do is to send for Kuppins; accordingly he does send for Kuppins.

Kuppins is to be cook, housekeeper, laundress, and parlourmaid all in
one; and she is to have ten pounds per annum, and her tea, sugar, and
beer--wages only known in Slopperton in very high and aristocratic
families where footmen are kept and no followers or Sundays out allowed.

So Kuppins comes to London, bringing the “fondling” with her; and
arriving at the Euston Square station at eight o’clock in the evening,
is launched into the dazzlingly bewildering gaiety of the New Road.

Well, it is not paved with gold certainly, this marvellous city; and it
is, maybe, on the whole, just a little muddy. But oh, the shops--what
emporiums of splendour! What delightful excitement in being nearly run
over every minute!--to say nothing of that delicious chance of being
knocked down by the crowd which is collected round a drunken woman
expostulating with a policeman. Of course there must be a general
election, or a great fire, or a man hanging, or a mad ox at large, or a
murder just committed in the next street, or something wonderful going
on, or there never could be such crowds of excited pedestrians, and
such tearing and rushing, and smashing of cabs, carts, omnibuses, and
parcel-delivery vans, all of them driven by charioteers in the last
stage of insanity, and drawn by horses as wild as that time-honoured
steed employed in the artistic and poetical punishment of our old
friend Mazeppa. Tottenham Court Road! What a magnificent promenade!
Occupied, of course, by the houses of the nobility! And is that
magnificent establishment with the iron shutters Buckingham Palace or
the Tower of London? Kuppins inclines to thinking it must be the Tower
of London, because the iron shutters look so warlike, and are evidently
intended as a means of defence in case of an attack from the French.

Kuppins is told by her escort, Mr. Peters, that this is the emporium of
Messrs. Shoolbred, haberdashers and linendrapers. She thinks she must
be dreaming, and wants to be pinched and awakened before she proceeds
any further. It is rather a trying journey for Mr. Peters; for Kuppins
wants to stop the cab every twenty yards or so, to get out and look at
something in this wonderful Tottenham Court Road.

But the worst of Kuppins, perhaps, is, that she has almost an insane
desire to see that Tottenham Court whence Tottenham Court Road derives
its name; and when told that there is no such place, and never
was--leastways, never as Mr. Peters heard of--she begins to think
London, in spite of all its glories, rather a take-in. Then, again,
Kuppins is very much disappointed at not passing either Westminster
Abbey or the Bank of England, which she had made up her mind were both
situated at Charing Cross; and it was a little trying for Mr. Peters
to be asked whether every moderate-sized church they passed was St.
Paul’s Cathedral, or every little bit of dead wall Newgate. To go over
a bridge, and for it not to be London Bridge, but Waterloo Bridge,
was in itself a mystery; but to be told that the Shot Tower on the
Surrey side was not the Monument was too bewildering for endurance.
As to the Victoria Theatre, which was illuminated to such a degree
that the box-entrance seemed as a pathway to fairyland, Kuppins was so
thoroughly assured in her own mind of its being Drury Lane and nothing
else, unless, perhaps, the Houses of Parliament or Covent Garden--that
no protestations on Mr. Peters’s fingers could root out the fallacy.

But the journey came to an end at last; and Kuppins, safe with bag
and baggage at No. 17, Wellington Square, partook of real London
saveloys and real London porter with Mr. Peters and the “fondling,” in
an elegant front parlour, furnished with a brilliantly polished but
rather rickety Pembroke table, that was covered with a Royal Stuart
plaid woollen cloth; half-a-dozen cane-seated chairs, so new and highly
polished as to be apt to adhere to the garments of the person who so
little understood their nature or properties as to attempt to sit upon
them; a Kidderminster carpet, the pattern of which was of the size
adapted to the requirements of a town hall, but which looked a little
disproportionate to Mr. Peters’s apartment, two patterns and a quarter
stretching the entire length of the room; and a mantelpiece ornamented
with a looking-glass divided into three compartments by gilded
Corinthian pillars, and further adorned with two black velvet kittens,
one at each corner, and a parti-coloured velvet boy on a brown velvet
donkey in the centre.

The next morning Mr. Peters announced his intention of taking the
“fondling” into the city of London, for the purpose of showing him
the outside of St. Paul’s, the Monument, Punch and Judy, and other
intellectual exhibitions adapted to his tender years. Kuppins was for
starting then and there on a visit to the pig-faced lady, than which
magnificent creature she could not picture any greater wonder in the
whole metropolis; but Kuppins had to stay at home in her post of
housekeeper, and to inspect and arrange the domestic machinery of No.
17, Wellington Square. So the “fondling,” being magnificently arrayed
in a clean collar and a pair of boots that were too small for him, took
hold of his protector’s hand, and they sallied forth.

If anything, Punch and Judy bore off the palm in this young gentleman’s
judgment of the miracles of the big village.

It was not so sublime a sight, perhaps, as the outside of St. Paul’s;
but, on the other hand, it was a great deal cleaner; and the “fondling”
would have liked to have seen Sir Christopher Wren’s masterpiece picked
out with a little fresh paint before he was called upon to admire it.
The Monument, no doubt, was very charming in the abstract; but unless
he could have been perpetually on the top of it, and perpetually within
a hair’s breadth of precipitating himself on to the pavement below, it
wasn’t very much in his way. But Punch, with his delightfully original
style of elocution, his overpoweringly comic domestic passages with
Judy, and the dolefully funny dog with a frill round his neck and an
evident dislike for his profession--this, indeed, was an exhibition to
be seen continually, and to be more admired the more continually seen,
as no doubt the “fondling” would have said had he been familiar with
Dr. Johnson, which, it is to be hoped, for his own peace of mind, he
wasn’t.

It is rather a trying day for Mr. Peters, and he is not sorry when,
at about four o’clock in the afternoon, he has taken the “fondling”
all round the Bank of England--(that young gentleman insisting on
peering in at the great massive windows, in the fond hope of seeing
the money)--and has shown him the broad back of the Old Lady of
Threadneedle Street, and the Clearing-house, and they are going out of
Lombard Street, on their way to an omnibus which will take them home.
But just as they are leaving the street the “fondling” makes a dead
stop, and constrains Mr. Peters to do the same.

Standing before the glass doors of a handsome building, which a brass
plate announces to be the “Anglo-Spanish-American Bank,” are two
horses, and a groom in faultless buckskins and tops. He is evidently
waiting for some one within the bank, and the “fondling” vehemently
insists upon waiting too, to see the gentleman get on horseback. The
good-natured detective consents; and they loiter about the pavement for
some time before the glass doors are flung open by a white-neckclothed
clerk, and a gentleman of rather foreign appearance emerges therefrom.

There is nothing particularly remarkable in this gentleman. The fit of
his pale lavender gloves is certainly exquisite; the style of his dress
is a recommendation to his tailor; but what there is in his appearance
to occasion Mr. Peters’s holding on to a lamp-post it is difficult to
say. But Mr. Peters did certainly cling to the nearest lamp-post, and
did certainly turn as white as the whitest sheet of paper that ever
came out of a stationer’s shop. The elegant-looking gentleman, who
was no other than the Count de Marolles, had better occupation for
his bright blue eyes than the observation of such small deer as Mr.
Peters and the “fondling.” He mounted his horse, and rode slowly away,
quite unconscious of the emotion his appearance had occasioned in the
breast of the detective. No sooner had he done so, than Mr. Peters,
relinquishing the lamp-post and clutching the astonished “fondling,”
darted after him. In a moment he was in the crowded thoroughfare before
Guildhall. An empty cab passed close to them. He hailed it with frantic
gesticulations, and sprang in, still holding the “fondling.” The Count
de Marolles had to rein-in his horse for a moment from the press of
cabs and omnibuses; and at Mr. Peters’s direction the “fondling”
pointed him out to the cabman, with the emphatic injunction to “follow
that gent, and not to lose sight of him nohow.” The charioteer gives a
nod, cracks his whip, and drives slowly after the equestrian, who has
some difficulty in making his way through Cheapside. The detective,
whose complexion still wears a most striking affinity to writing-paper,
looks out of the window, as if he thought the horseman they are
following would melt into thin air, or go down a trap in St. Paul’s
Churchyard. The “fondling” follows his protector’s eyes with his eyes,
then looks back at Mr. Peters, and evidently does not know what to make
of the business. At last his patron draws his head in at the window,
and expresses himself upon his fingers thus--

“How can it be him, when he’s dead?”

This is beyond the “fondling’s” comprehension, who evidently doesn’t
understand the drift of the query, and as evidently doesn’t altogether
like it, for he says--

“Don’t! Come, I say, don’t, now.”

“How can it be him,” continues Mr. Peters, enlarging upon the question,
“when I found him dead myself out upon that there heath, and took him
back to the station, and afterwards see him buried, which would have
been between four cross roads with a stake druv’ through him if he’d
poisoned himself fifty years ago?”

This rather obscure speech is no more to the “fondling’s” liking than
the last, for he cries out more energetically than before--

“I say, now, I tell you I don’t like it, father. Don’t you try it on
now, please. What does it mean? Who’s been dead fifty years ago, with a
stake druv’ through ’em, and four cross roads on a heath? Who?”

Mr. Peters puts his head out of the window, and directing the attention
of the “fondling” to the elegant equestrian they are following, says,
emphatically, upon his fingers--

“Him!”

“Dead, is he?” said the “fondling,” clinging very close to his adopted
parent. “Dead! and very well he looks, considerin’; but,” he continued,
in an awful and anxious whisper, “where’s the stake and the four cross
roads as was druv’ through him? Does he wear that ’ere loose coat to
hide ’em?”

Mr. Peters didn’t answer this inquiry, but seemed to be ruminating,
and, if one may be allowed the expression, thought aloud upon his
fingers, as it was his habit to do at times.

“There couldn’t be two men so much alike, surely. That one I found
dead was the one I saw at the public talkin’ to the young woman; and
if so, this is another one, for that one was dead as sure as eggs
is eggs. When eggs ceases to be eggs, which,” continued Mr. Peters,
discursively, “considerin’ they’re sellin’ at twenty for a shilling,
French, and dangerous, if you’re not partial to young parboiled
chickens, is not likely yet awhile, why, _then_, that one I found
on the heath will come to life again.”

The “fondling” was too busy stretching his neck out of the window of
the cab, in his eagerness to keep his eye upon the Count de Marolles,
to pay any attention to Mr. Peters’s fingers. The outside of St.
Paul’s, and the performance of Punch and Judy, were very well in their
way, but they were mild dissipations indeed, compared to the delight of
following a ghost which had had a stake driven through his phantasmal
form and wore lavender kid gloves.

“There was one thing,” continued the musing detective, “which struck
me as curious, when I found the body of that young gent. Where was
the scar from the sovering as that young woman throwed at him?
Why nowheres! Not a trace of it to be seen, which I looked for it
particular; and yet that cut wasn’t one to leave a scar that would
wear out in six months, nor yet in six years either. I’ve had my face
scratched myself, though I’m a single man, and I know what that is to
last, and the awkwardness one has to go through in saying one’s been
playing with spiteful kittens, and such-like. But what’s that to a cut
half a inch deep from the sharp edge of a sovering? If I could but get
to see his forehead. The cut was just over his eyebrow, and I could see
the mark of it with his hat on.”

While Mr. Peters abandons himself to such reflections as these, the cab
drives on and follows the Count de Marolles down Ludgate Hill, through
Fleet Street and the Strand, Charing Cross and Pall Mall, St. James’s
Street and Piccadilly, till it comes up with him at the corner of Park
Lane.

“This,” says Mr. Peters, “is where the swells live. Very likely he
hangs out here; he’s a-ridin’ as if he was goin’ to stop presently, so
we’ll get out.” Whereupon the “fondling” interprets to the cabman Mr.
Peters’s wish to that effect, and they alight from the vehicle.

The detective’s surmise is correct. The Count stops, gets off his
horse, and throws the reins to the groom. It happens at this very
moment that an open carriage, in which two ladies are seated, passes
on its way to the Grosvenor Gate. One of the ladies bows to the
South-American banker, and as he lifts his hat in returning her salute,
Mr. Peters, who is looking at nothing particular, sees very distinctly
the scar which is the sole memorial of that public-house encounter on
the banks of the Sloshy.

As Raymond throws the reins to the groom he says, “I shall not ride
again to-day, Curtis. Tell Morgan to have the Countess’s carriage at
the door at eight for the opera.”

Mr. Peters, who doesn’t seem to be a person blest with the faculty of
hearing, but who is, to all appearance, busily engaged in drawing the
attention of the “fondling” to the architectural beauties of Grosvenor
Gate, may nevertheless take due note of this remark.

The elegant banker ascends the steps of his house, at the hall-door of
which stand gorgeous and obsequious flunkeys, whose liveries and legs
alike fill with admiration the juvenile mind of the “fondling.”

Mr. Peters is very grave for some time, as they walk away; but at last,
when they have got half-way down Piccadilly, he has recourse once more
to his fingers, and addresses his young friend thus:

“What did you think of him, Slosh?”

“Which,” says the “fondling;” “the cove in the red velvet breeches as
opened the door, or the swell ghost?”

“The swell.”

“Well, I think he’s uncommon handsome, and very easy in his manners,
all things taken into consideration,” said that elderly juvenile with
deliberation.

“Oh, you do, do you, Slosh?”

Slosh repeats that he does.

Mr. Peters’s gravity increases every moment. “Oh, you do, do you,
Slosh?” he asks again, and again the boy answers. At last, to the
considerable inconvenience of the passers-by, the detective makes a
dead stop, and says, “I’m glad you think him han’some, Slosh; and
I’m glad you thinks him easy, which, all things considered, he is,
uncommon. In fact, I’m glad he meets your views as far as personal
appearance goes, because, between you and me, Slosh, that man’s your
father.”

It is the boy’s turn to hold on to the lamp-post now. To have a ghost
for a father, and, as Slosh afterwards remarked, “a ghost as wears
polishy boots, and lives in Park Lane, too,” was enough to take the
breath out of any boy, however preternaturally elderly and superhumanly
sharp his police-office experiences may have made him. On the whole,
the “fondling” bears the shock very well, shakes off the effect of the
information, and is ready for more in a minute.

“I wouldn’t have you mention it just now, you know, Slosh,” continues
Mr. Peters, “because we don’t know what he may turn out, and whether
he may quite answer our purpose in the parental line. There’s a little
outstanding matter between me and him that I shall have to look him up
for. I may want your help; and if I do, you’ll give it faithful, won’t
you, Slosh?”

“Of course I will,” said that young gentleman. “Is there any reward
out for him, father?” He always called Mr. Peters father, and wasn’t
prepared to change his habit in deference to any ghostly phenomenon
in the way of a parent suddenly turning up in Lombard Street. “Is
there any reward out for him?” he asks, eagerly; “bankers is good for
something in the levanting line, I know, nowadays.”

The detective looked at the boy’s sharp thin features with a
scrutinising glance common to men of his profession.

“Then you’ll serve me faithful, if I want you, Slosh? I thought perhaps
you might let family interests interfere with business, you know.”

“Not a bit of it,” said the youthful enthusiast. “I’d hang my
grandmother for a sovering, and the pride of catching her, she was a
downy one.”

“Chips of old blocks is of the same wood, and it’s only reasonable
there should be a similarity in the grain,” mused Mr. Peters, as he
and the “fondling” rode home in an omnibus. “I thought I’d make him
a genius, but I didn’t know there was such a under-current of his
father. It’ll make him the glory of his profession. Soft-heartedness
has been the ruin of many a detective as has had the brains to work out
a deep-laid game, but not the heart to carry it through.”




                             CHAPTER III.

                     THE CHEROKEES MARK THEIR MAN.


HER Majesty’s Theatre is peculiarly brilliant this evening. Diamonds
and beauty, in tier above tier, look out from the amber-curtained
boxes. The stalls are full, and the pit is crammed. In fop’s alley
there is scarcely standing room; indeed, one gentleman remarks to
another, that if Pandemonium is equally hot and crowded, he will turn
Methodist parson in his old age, and give his mind to drinking at
tea-meetings.

The gentleman who makes this remark is neither more nor less than a
distinguished member of the “Cheerfuls,” the domino-player alluded to
some chapters back.

He is standing talking to Richard; and to see him now, with an
opera-glass in his hand, his hair worn in a manner conforming with
the usages of society, and only in a modified degree suggesting that
celebrated hero of the Newgate calendar and modern romance, Mr. John
Sheppard, a dress-coat, patent leather boots, and the regulation white
waistcoat, you would think he had never been tipsy or riotous in his
life.

This gentleman is Mr. Percy Cordonner. All the Cherokees are more or
less literary, and all the Cherokees have, more or less, admission
to every place of entertainment, from Her Majesty’s Theatre to the
meetings of the members of the “P.R.” But what brings Richard to
the Opera to-night? and who is that not very musical-looking little
gentleman at his elbow?

“Will they all be here?” asked Dick of Mr. Cordonner.

“Every one of them; unless Splitters is unable to tear himself away
from his nightly feast of blood and blue fire at the Vic. His piece has
been performed fourteen times, and it’s my belief he’s been at every
representation; and that he tears his hair when the actors leave out
the gems of the dialogue and drop their h’s. They _do_ drop their
h’s over the water,” he continues, lapsing into a reverie; “when our
compositors are short of type, they go over and sweep them up.”

“You’re sure they’ll be here, then, Percy?”

“Every one of them, I tell you. I’m whipper-in. They’re to meet at
the oyster shop in the Haymarket; you know the place, where there’s a
pretty girl and fresh Colchesters, don’t charge you anything extra for
the lemon, and you can squeeze her hand when she gives you the change.
They’re sure to come in here two at a time, and put their mark upon the
gentleman in question. Is he in the house yet, old fellow?”

Richard turns to the quiet little man at his elbow, who is our old
friend Mr. Peters, and asks him a question: he only shakes his head in
reply.

“No, he’s not here yet,” says Dick; “let’s have a look at the stage,
and see what sort of stuff this Signor Mosquetti is made of.”

“I shall cut him up, on principle,” says Percy; “and the better he is,
the more I shall cut him up, on another principle.”

There is a great deal of curiosity about this new tenor of continental
celebrity. The opera is the _Lucia_, and the appearance of
Edgardo is looked forward to with anxiety. Presently the hero of the
square-cut coat and jack-boots enters. He is a handsome fellow, with a
dark southern face, and an easy insouciant manner. His voice is melody
itself; the rich notes roll out in a flood of sweetness, without the
faintest indication of effort. Though Richard pretends to look at the
stage, though perhaps he does try to direct his attention that way,
his pale face, his wandering glance, and his restless under-lip, show
him to be greatly agitated. He is waiting for that moment when the
detective shall say to him, “There is the murderer of your uncle. There
is the man for whose guilt you have suffered, and must suffer, till he
is brought to justice.” The first act of the opera seemed endless to
Daredevil Dick; while his philosophical friend, Mr. Cordonner, looked
on as coolly as he would have done at an earthquake, or the end of the
world, or any other trifling event of that nature.

The curtain has fallen upon the first act, when Mr. Peters lays his
hand on Richard’s arm and points to a box on the grand tier.

A gentleman and lady, and a little boy, have just taken their seats.
The gentleman, as becomes him, sits with his back to the stage and
faces the house. He lifts his opera-glass to take a leisurely survey
of the audience. Percy puts his glass into Richard’s hand, and with a
hearty “Courage, old boy!” watches him as he looks for the first time
at his deadliest enemy.

And is that calm, aristocratic, and serene face the face of a murderer?
The shifting blue eyes and the thin arched lips are not discernible
from this distance; but through the glass the general effect of the
face is very plainly seen, and there is no fear that Richard will fail
to know its owner again, whenever and wherever he may meet him.

Mr. Cordonner, after a deliberate inspection of the personal
attractions of the Count de Marolles, remarks, with less respect than
indifference.

“Well, the beggar is by no means bad-looking, but he looks a
determined scoundrel. He’d make a first-rate light-comedy villain for
a Porte-St.-Martin drama. I can imagine him in Hessian boots poisoning
all his relations, and laughing at the police when they come to arrest
him.”

“Shall you know him again, Percy?” asks Richard.

“Among an army of soldiers, every one of them dressed in the same
uniform,” replies his friend. “There’s something unmistakable about
that pale thin face. I’ll go and bring the other fellows in, that they
may all be able to swear to him when they see him.”

In groups of two and three the Cherokees strolled into the pit, and
were conducted by Mr. Cordonner--who, to serve a friend, could, on a
push, be almost active--to the spot where Richard and the detective
stood. One after another they took a long look, through the most
powerful glass they could select, at the tranquil features of Victor de
Marolles.

Little did that gentleman dream of this amateur band of police, formed
for the special purpose of the detection of the crime he was supposed
to have committed.

One by one the “Cheerfuls” register the Count’s handsome face upon
their memories, and with a hearty shake of the hand each man declares
his willingness to serve Richard whenever and wherever he may see a
chance, however faint or distant, of so doing.

And all this time the Count is utterly unmoved. Not quite so unmoved
though, when, in the second act, he recognizes in the Edgardo--the new
tenor, the hero of the night--his old acquaintance of the Parisian
Italian Opera, the chorus-singer and mimic, Monsieur Paul Moucée. This
skilful workman does not care about meeting with a tool which, once
used, were better thrown aside and for ever done away with. But this
Signor Paolo Mosquetti is neither more nor less than the slovenly,
petit-verre-drinking, domino-playing chorus-singer, at a salary of
thirty francs a week. His genius, which enabled him to sing an aria
in perfect imitation of the fashionable tenor of the day, has also
enabled him, with a little industry, and a little less wine-drinking
and gambling, to become a fashionable tenor himself, and Milan, Naples,
Vienna, and Paris testify to his triumphs.

And all this time Valerie de Marolles looks on a stage such as that
on which, years ago, she so often saw the form she loved. That faint
resemblance, that likeness in his walk, voice, and manner, which Moucée
has to Gaston de Lancy strikes her very forcibly. It is no great
likeness, except when the mimic is bent on representing the man he
resembles; then, indeed, as we know, it is remarkable. But at any time
it is enough to strike a bitter pang to this bereaved and remorseful
heart, which in every dream and every shadow is only too apt to recall
that unforgotten past.

The Cherokees meanwhile express their sentiments pretty freely about
Monsieur Raymond de Marolles, and discuss divers schemes for the
bringing of him to justice. Splitters, whose experiences as a dramatic
writer suggested to him every possible kind of mode but a natural one,
proposed that Richard should wait upon the Count, when convenient, at
the hour of midnight, disguised as his uncle’s ghost, and confound
the villain in the stronghold of his crime--meaning Park Lane. This
sentence was verbatim from a playbill, as well as the whole very
available idea; Mr. Splitters’s notions of justice being entirely
confined to the retributive or poetical, in the person of a gentleman
with a very long speech and two pistols.

“The Smasher’s outside,” said Percy Cordonner. “He wants to have a look
at our friend as he goes out, that he may reckon him up. You’d better
let him go into the Count’s peepers with his left, Dick, and damage his
beauty; it’s the best chance you’ll get.”

“No, no; I tell you, Percy, that man shall stand where I stood. That
man shall drink to the dregs the cup I drank, when I stood in the
criminal dock at Slopperton and saw every eye turned towards me with
execration and horror, and knew that my innocence was of no avail to
sustain me in the good opinion of one creature who had known me from my
very boyhood.”

“Except the ‘Cheerfuls,’” said Percy. “Don’t forget the ‘Cheerfuls.’”

“When I do, I shall have forgotten all on this side of the grave, you
may depend, Percy. No; I have some firm friends on earth, and here is
one;” and he laid his hand on the shoulder of Mr. Peters, who still
stood at his elbow.

The opera was concluded, and the Count de Marolles and his lovely wife
rose to leave their box. Richard, Percy, Splitters, two or three more
of the Cherokees, and Mr. Peters left the pit at the same time, and
contrived to be at the box-entrance before Raymond’s party came out.

At last the Count de Marolles’ carriage was called; and as it drew up,
Raymond descended the steps with his wife on his arm, her little boy
clinging to her left hand.

“She’s a splendid creature,” said Percy; “but there’s a spice of
devilry in those glorious dark eyes. I wouldn’t be her husband for a
trifle, if I happened to offend her.”

As the Count and Countess crossed from the doors of the opera-house
to their carriage, a drunken man came reeling past, and before the
servants or policemen standing by could interfere, stumbled against
Raymond de Marolles, and in so doing knocked his hat off. He picked it
up immediately, and, muttering some unintelligible apology, returned it
to Raymond, looking, as he did so, very steadily in the face of M. de
Marolles. The occurrence did not occupy a moment, and the Count was too
finished a gentleman to make any disturbance. This man was the Smasher.

As the carriage drove off, he joined the group under the colonnade,
perfectly sober by this time.

“I’ve had a jolly good look at him, Mr. Marwood,” he said, “and I’d
swear to him after forty rounds in the ring, which is apt sometimes to
take a little of the Cupid out of a gent. He’s not a bad-looking cove
on the whole, and looks game. He’s rather slight built, but he might
make that up in science, and dance a pretty tidy quadrille round the
chap he was put up agin, bein’ active and lissom. I see the cut upon
his forehead, Mr. Peters, as you told me to take notice of,” he said,
addressing the detective. “He didn’t get that in a fair stand-up fight.
leastways not from an Englishman. When you cross the water for your
antagonist, you don’t know what you may get.”

“He got it from an Englishwoman, though,” said Richard.

“Did he, now? Ah, that’s the worst of the softer sect; you see, sir,
you never know where they’ll have you. They’re awful deficient in
science, to be sure; but, Lord bless you, they make it up with the
will,” and the Left-handed one rubbed his nose. He had been married
during his early career, and was in the habit of saying that ten
rounds inside the ropes was a trifle compared with one round in your
own back-parlour, when your missus had got your knowledge-box in
chancery against the corner of the mantelpiece, and was marking a dozen
different editions of the ten commandments on your complexion with her
bunch of fives.

“Come, gentlemen,” said the hospitable Smasher, “what do you say to
a Welsh rarebit and a bottle of bitter at my place? We’re as full as
we can hold down stairs, for the Finsbury Fizzer’s trainer has come
up from Newmarket; and his backers is hearin’ anecdotes of his doings
for the last interesting week. They talk of dropping down the river on
Tuesday for the great event between him and the Atlantic Alligator,
and the excitement’s tremendous; our barmaid’s hands is blistered with
working at the engines. So come round and see the game, gentlemen; and
if you’ve any loose cash you’d like to put upon the Fizzer I can get
you decent odds, considerin’ he’s the favourite.”

Richard shook his head. He would go home to his mother, he said; he
wanted to talk to Peters about the day’s work. He shook hands heartily
with his friends, and as they strolled off to the Smasher’s, walked
with them as far as Charing Cross, and left them at the corner that led
into quiet Spring Gardens.

In the club-room of the Cherokees that night the members renewed the
oath they had taken on the night of Richard’s arrival, and formally
inaugurated themselves as “Daredevil Dick’s secret police.”




                              CHAPTER IV.

               THE CAPTAIN, THE CHEMIST, AND THE LASCAR.


IN the drawing-room of a house in a small street leading out of Regent
Street are assembled, the morning after this opera-house rencontre,
three people. It is almost difficult to imagine three persons more
dissimilar than those who compose this little group. On a sofa near the
open window, at which the autumn breeze comes blowing in over boxes of
dusty London flowers, reclines a gentleman, whose bronzed and bearded
face, and the military style even of the loose morning undress which
he wears, proclaim him to be a soldier. A very handsome face it is,
this soldier’s, although darkened not a little by a tropical sun, and a
good deal shrouded by the thick black moustache and beard which conceal
the expression of the mouth, and detract from the individuality of the
face. He is smoking a long cherry-stemmed pipe, the bowl of which rests
on the floor. A short distance from the sofa on which he is lying, an
Indian servant is seated on the carpet, who watches the bowl of the
pipe, ready to replenish it the moment it fails, and every now and
then glances upward to the grave face of the officer with a look of
unmistakable affection in his soft black eyes.

The third occupant of the little drawing-room is a pale, thin,
studious-looking man, who is seated at a cabinet in a corner away from
the window, amongst papers and books, which are heaped in a chaotic
pile on the floor about him. Strange books and papers these are.
Mathematical charts, inscribed with figures such as perhaps neither
Newton or Leplace ever dreamed of. Volumes in old worm-eaten bindings,
and written in strange languages long since dead and forgotten upon
this earth; but they all seem familiar to this pale student, whose blue
spectacles bend over pages of crabbed Arabic as intently as the eyes
of a boarding-school miss who devours the last volume of the last new
novel. Now and then he scratches a few figures, or a sign in algebra,
or a sentence in Arabic, on the paper before him, and then goes back
to the book again, never looking up towards the smoker or his Hindoo
attendant. Presently the soldier, as he relinquishes his pipe to the
Indian to be replenished breaks the silence.

“So the great people of London, as well as of Paris, are beginning to
believe in you, Laurent?” he says.

The student lifts his head from his work, and turning the blue
spectacles towards the smoker, says in his old unimpassioned manner--

“How can they do otherwise, when I tell them the truth? These,” he
points to the pile of books and papers at his side, “do not err:
they only want to be interpreted rightly. I may have been sometimes
mistaken--I have never been deceived.”

“You draw nice distinctions, Blurosset.”

“Not at all. If I have made mistakes in the course of my career, it has
been from my own ignorance, my own powerlessness to read these aright;
not from any shortcoming in the things themselves. I tell you, they do
not deceive.”

“But will you ever read them aright? Will you ever fathom to the very
bottom this dark gulf of forgotten science?”

“Yes, I am on the right road. I only pray to live long enough to reach
the end.”

“And then----?”

“Then it will be within the compass of my own will to live forever.”

“Pshaw! The old story--the old delusion. How strange that the wisest on
this earth should have been fooled by it!”

“Make sure that it is a delusion, before you say they were fooled by
it, Captain.”

“Well, my dear Blurosset, Heaven forbid that I should dispute with one
so learned as you upon so obscure a subject. I am more at home holding
a fort against the Indians than holding an argument against Albertus
Magnus. You still, however, persist that this faithful Mujeebez here is
in some manner or other linked with my destiny?”

“I do”

“And yet it is very singular! What can connect two men whose
experiences in every way are so dissimilar?”

“I tell you again that he will be instrumental in confounding your
enemies.”

“You know who they are--or rather, who he is. I have but one.”

“Not two, Captain?”

“Not two. No, Blurosset. There is but one on whom I would wreak a deep
and deadly vengeance.”

“And for the other?”

“Pity and forgiveness. Do not speak of that. There are some things
which even now I am not strong enough to hear spoken of. That is one of
them.”

“The history of your faithful Mujeebez there is a singular one, is it
not?” asks the student, rising from his books, and advancing to the
window.

“A very singular one. His master, an Englishman, with whom he came from
Calcutta, and to whom he was devotedly attached----”

“I was indeed, sahib,” said the Indian, in very good English, but with
a strong foreign accent.

“This master, a rich nabob, was murdered, in the house of his sister,
by his own nephew.”

“Very horrible, and very unnatural! Was the nephew hung?”

“No. The jury brought in a verdict of insanity: he was sent to a
madhouse, where no doubt he still remains confined. Mujeebez was not
present at the trial; he had escaped by a miracle with his own life;
for the murderer, coming into the little room in which he slept, and
finding him stirring, gave him a blow on the head, which placed him for
some time in a very precarious state.”

“And did you see the murderer’s face, Mujeebez?” asks Monsieur
Blurosset.

“No, sahib. It was dark, I could see nothing. The blow stunned me: when
I recovered my senses, I was in the hospital, where I lay for months.
The shock had brought on what the doctors called a nervous fever. For
a long time I was utterly incapable of work; when I left the hospital
I had not a friend in the world; but the good lady, the sister of my
poor murdered master, gave me money to return to India, where I was
kitmutghar for some time to an English colonel, in whose household
I learned the language, and whom I did not leave till I entered the
service of the good Captain.”

The “good Captain” laid his hand affectionately on his follower’s
white-turbaned head, something with the protecting gesture with which
he might caress a favourite and faithful dog.

“After you had saved my life, Mujeebez,” he said.

“I would have died to save it, sahib,” answered the Hindoo. “A kind
word sinks deep in the heart of the Indian.”

“And there was no doubt of the guilt of this nephew?” asks Blurosset.

“I cannot say, sahib. I did not know the English language then; I could
understand nothing told me, except my poor master’s nephew was not
hung, but put in a madhouse.”

“Did you see him--this nephew?”

“Yes, sahib, the night before the murder. He came into the room with my
master when he retired to rest. I saw him only for a minute, for I left
the room as they entered.”

“Should you know him again?” inquired the student.

“Anywhere, sahib. He was a handsome young man, with dark hazel eyes and
a bright smile. He did not look like a murderer.”

“That is scarcely a sure rule to go by, is it, Laurent?” asks the
Captain, with a bitter smile.

“I don’t know. A black heart will make strange lines in the handsomest
face, which are translatable to the close observer.”

“Now,” says the officer, rising, and surrendering his pipe to the hands
of his watchful attendant--“now for my morning’s ride, and you will
have the place to yourself for your scientific visitors, Laurent.”

“You will not go where you are likely to meet----”

“Anyone I know? No, Blurosset. The lonelier the road the better I like
it. I miss the deep jungle and the tiger-hunt, eh, Mujeebez?--we miss
them, do we not?”

The Hindoo’s eyes brightened, as he answered eagerly, “Yes, indeed,
sahib.”

Captain Lansdown (that is the name of the officer) is of French
extraction; he speaks English perfectly, but still with a slightly
foreign accent. He has distinguished himself by his marvellous courage
and military genius in the Punjab, and is over in England on leave
of absence. It is singular that so great a friendship should exist
between this impetuous, danger-loving soldier, and the studious French
chemist and pseudo-magician, Laurent Blurosset; but that a very firm
friendship does exist between them is evident. They live in the same
house; are both waited upon by Egerton Lansdown’s Indian servant, and
are constantly together.

Laurent Blurosset, after becoming the fashion in Paris, is now the rage
in London. But he rarely stirs beyond the threshold of his own door,
though his presence is eagerly sought for in scientific coteries, where
opinion is still, however, divided as to whether he is a charlatan
or a great man. The materialists sneer--the spiritualists believe.
His disinterestedness, at any rate, speaks in favour of his truth. He
will receive no money from any of his numerous visitors. He will serve
them, he says, if he can, but he will not sell the wisdom of the mighty
dead; for that is something too grand and solemn to be made a thing of
barter. His discoveries in chemistry have made him sufficiently rich;
and he can afford to devote himself to science, in the hope of finding
truth for his reward. He asks no better recompense than the glory of
the light he seeks. We leave him, then, to his eager and inquisitive
visitors, while the Captain rides slowly through Oxford Street, on his
way to the Edgware Road, through which he emerges into the country.




                              CHAPTER V.

                     THE NEW MILKMAN IN PARK LANE.


THE post of kitchenmaid in the household of the Count de Marolles
is no unimportant one, and Mrs. Moper is accounted a person of some
consequence in the servants’ hall. The French _chef_, who has
his private sitting-room, wherein he works elaborate and scientific
culinary combinations, which, when he condescends to talk English, he
designates “plates,” has of course very little communication with the
household. Mrs. Moper is his prime minister; he gives his orders to her
for execution, and throws himself back in his easy-chair to _think
out_ a dish, while his handmaiden collects for him the vulgar
elements of his noble art. Mrs. Moper is a very good cook herself; and
when she leaves the Count de Marolles she will go into a family where
there is no foreigner kept, and will have forty pounds per annum and
a still-room of her own. She is in the caterpillar stage now, Mrs.
Sarah Moper, and is content to write herself down kitchenmaid _ad
interim_.

The servants’-hall dinner and the housekeeper’s repast are both over;
but the preparations for _the_ dinner have not yet begun, and Mrs.
Moper and Liza, the scullerymaid, snatch half an hour’s calm before the
coming storm, and sit down to darn stockings,--

“Which,” Mrs. Moper says, “my toes is through and my heels is out, and
never can I get the time to set a stitch. For time there isn’t any in
this house for a under-servant, which under-servant I will be no more
than one year longer; or say my name’s not Sarah Moper.”

Liza, who is mending a black stocking with white thread (and a very
fanciful effect it has too), evidently has no wish to dispute such a
proposition.

“Indeed, Mrs. Moper,” she said, “that’s the truest word as ever you’ve
spoke. It’s well for them as takes their wages for wearin’ silk
gowns, and oilin’ of their hair, and lookin’ out of winder to watch
the carriages go in at Grosvenor Gate; which, don’t tell me as Life
Guardsmen would look up imperdent, if they hadn’t been looked down to
likewise.” Eliza gets rather obscure here. “This ’ouse, Mrs. M., for
upper-servants may be ’eaven, but for unders it’s more like the place
as is pronounced like a letter of the alphabet, and isn’t to be named
by me.”

There is no knowing how far this rather revolutionary style of
conversation might have gone, for at this moment there came that
familiar sound of the clink of milk-pails on the pavement above, and
the London cry of milk.

“It’s Bugden with the milk, Liza; there was a pint of cream wrong
in the last bill, Mrs. Moper says. Ask him to come down and
correctify it, will you, Liza?”

Liza ascends the area steps and parleys with the milkman; presently he
comes jingling down, with his pails swinging against the railings; he
is rather awkward with his pails, this milkman, and I’m afraid he must
spill more milk than he sells, as the Park Lane pavements testify.

“It isn’t Bugden,” says Liza, explanatory, as she ushers him into the
kitchen. “Bugden ’as ’urt his leg, a-milkin’ a cow wot kicks when the
flies worrits, and ’as sent this young man, as is rather new to the
business, but is anxious to do his best.”

The new milkman enters the kitchen as she concludes her speech, and
releasing himself from the pails, expresses his readiness to settle any
mistake in the weekly bill.

He is rather a good-looking fellow, this milkman, and he has a very
curly head of flaxen hair, preposterously light eyebrows, and dark
hazel eyes, which form rather a piquant contrast. I don’t suppose Mrs.
Moper and Liza think him bad-looking, for they beg him to sit down,
and the scullerymaid thrusts the black stocking, on which she was
heretofore engaged, into a table-drawer, and gives her hair a rapid
extemporary smoothing with the palms of her hands. Mr. Bugden’s man
seems by no means disinclined for a little friendly chat: he tells them
how new he is to the business; how he thinks he should scarcely have
chosen cowkeeping for his way of life, if he’d known as much about it
as he does now; how there’s many things in the milk business, such as
horses’ brains, warm water and treacle, and such-like, as goes against
his conscience; how he’s quite new to London and London ways, having
come up only lately from the country.

“Whereabouts in the country?” Mrs. Moper asks.

“Berkshire,” the young man replies.

“Lor’,” Mrs. Moper says, “never was any thing so remarkable. Poor Moper
come from Berkshire, and knowed every inch of the country, and so I
think do I, pretty well. What part of Berkshire, Mr.--Mr.----?”

“Volpes,” suggested the young man.

“What part of Berkshire, Mr. Volpes?”

Mr. Volpes looks, strange to say, rather at a loss to answer this very
natural and simple inquiry. He looks at Mrs. Moper, then at Liza, and
lastly at the pails. The pails seem to assist his memory, for he says,
very distinctly, “Burley Scuffers.”

It is Mrs. Moper’s turn to look puzzled now, and she exclaims
“Burley----”

“Scuffers,” replies the young man. “Burley Scuffers, market town,
fourteen miles on this side of Reading. The ‘Chicories,’ Sir Yorrick
Tristram’s place, is a mile and a half out of the town.”

There’s no disputing such an accurate and detailed description as this.
Mrs. Moper says it’s odd, all the times she’s been to Reading--“which I
wish I had as many sovereigns,” she mutters in parenthesis--never did
she remember passing through “Burley Scuffers.”

“It’s a pretty little town, too,” says the milkman; “there’s a
lime-tree avenue just out of the High Street, called Pork-butchers’
Walk, as is crowded with young people of a Sunday evening after church.”

Mrs. Moper is quite taken with this description; and says, the very
next time she goes to Reading to see poor Moper’s old mother, she will
make a point of going to Burley Scuffers during her stay.

Mr. Volpes says, he would if he were she, and that she couldn’t employ
her leisure time better.

They talk a good deal about Berkshire; and then Mrs. Moper relates
some very interesting facts relative to the late Mr. Moper, and her
determination, “which upon his dying bed it was his comfort so to
think,” never to marry again; at which the milkman looks grieved, and
says the gentlemen will be very blind indeed to their own interests
if they don’t make her change her mind some day; and somehow or
other (I don’t suppose servants often do such things), they get to
talking about their master and their mistress. The milkman seems quite
interested in this subject, and, forgetting in how many houses the
innocent liquid he dispenses may be required, he sits with his elbows
on the kitchen-table, listening to Mrs. Moper’s remarks, and now and
then, when she wanders from her subject, drawing her back to it with
an adroit question. She didn’t know much about the Count, she said,
for the servants was most all of ’em new; they only brought two people
with them from South America, which was Monsieur St. Mirotaine, the
_chef_, and the Countess’s French maid, Mademoiselle Finette. But
she thought Monsieur de Marolles very ’aughty, and as proud as he was
’igh, and that madame was very unhappy, “though it’s hard to know with
them furriners, Mr. Volpes, what is what,” she continues; “and madame’s
gloomy ways may be French for happiness, for all I knows.”

“He’s an Englishman, the Count, isn’t he?” asks Mr. Volpes.

“A Englishman! Lor’ bless your heart, no. They’re both French; she’s
of Spanish igstraction, I believe, and they lived since their marriage
mostly in Spanish America. But they always speaks to each other in
French, when they do speak; which them as waits upon them says isn’t
often.”

“He’s very rich, I suppose,” says the milkman.

“Rich!” cries Mrs. Moper, “the money as that man has got they say is
fabellous; and he’s a regular business man too, down at his bank every
day, rides off to the City as punctual as the clock strikes ten. Lor’,
by the bye, Mr. Volpes,” says Mrs. Moper suddenly, “you don’t happen to
know of a tempory tiger, do you?”

“A temporary tiger!” Mr. Volpes looks considerably puzzled.

“Why, you see, the Count’s tiger, as wasn’t higher than the kitchen
table I do believe, broke his arm the other day. He was a-hangin’ on
to the strap behind the cab, a-standin’ upon nothing, as them boys
will, when the vehicle was knocked agen an omnibus, and his arm bein’
wrenched sudden out of the strap, snapped like a bit of sealing-wax;
and they’ve took him to the hospital, and he’s to come back as soon as
ever he’s well; for he’s a deal thought on, bein’ a’most the smallest
tiger at the West-end. So, if you happen to know of a boy as would come
temporary, we should be obliged by your sending him round.”

“Did he know of a boy as would come temporary?” Mr. Budgen’s young
man appeared so much impressed by this question, that for a minute or
two he was quite incapable of answering it. He leaned his elbows on
the kitchen table, with his face buried in his hands and his fingers
twisted in his flaxen hair, and when he looked up there was, strange
to say, a warm flush over his pale complexion, and something like a
triumphant sparkle in his dark brown eyes.

“Nothing could fall out better,” he said; “nothing, nothing!”

“What, the poor lad breaking his arm?” asked Mrs. Moper, in a tone of
surprise.

“No, no, not that,” said Mr. Budgen’s young man, just a little
confused; “what I mean is, that I know the very boy to suit you--the
very boy, the very boy of all others to undertake the business. Ah,”
he continued in a lower voice, “and to go through with it, too, to the
end.”

“Why, as to the business,” replied Mrs. Moper, “it ain’t overmuch,
hangin’ on behind, and lookin’ knowin’, and givin’ other tigers as
good as they bring, when waitin’ outside the _Calting_ or the
_Anthinium_; which tigers as is used to the highest names in the
peerage familiar as their meat and drink, will go on contemptuous about
our fambly, callin’ the bank ‘the shop,’ and a-askin’, till they got
our lad’s blood up (which he had had his guinea lessons from the May
Fair Mawler, and were better left alone), when the smash was a-comin’,
or whether we meant to give out three-and-sixpence in the pound like
a honest house, or do the shabby thing and clear ourselves by a
compensation with our creditors of fourpence-farthing? Ah,” continued
Mrs. Moper, gravely, “many’s the time that child have come home with
his nose as big as the ’ead of a six-week old baby, and no eyes at all
as any one could discover, which he’d been that knocked about in a
stand-up fight with a lad three times his weight and size.”

“Then I can send the boy, and you’ll get him the situation?” said Mr.
Budgen’s young man, who did not seem particularly interested in the
rather elaborate recital of the exploits of the invalid tiger.

“He can have a character, I suppose?” inquired the lady.

“Oh, ah, to be sure. Budgen will give him a character.”

“You will impress upon the youth,” said Mrs. Moper, with great dignity,
“that he will not be able to make this his permanence ’ome. The pay is
good, and the meals is reg’lar, but the situation is tempory.”

“All right,” said Mr. Budgen’s assistant; “he doesn’t want a situation
for long. I’ll bring him round myself this evening--good afternoon;”
with which very brief farewell, the flaxen-haired, dark-eyed milkman
strode out of the kitchen.

“Hum!” muttered the cook, “his manners has not the London polish: I
meant to have ast him to tea.”

“Why, I’m blest,” exclaimed the scullerymaid suddenly, “if he haven’t
been and gone and left his yoke and pails behind him! Well, of all the
strange milkmen I ever come a-nigh, if he ain’t the strangest!”

She might have thought him stranger still, perhaps, this light-haired
milkman, had she seen him hail a stray cab in Brook Street, spring
into it, snatch off his flaxen locks, whose hyacinthine waves were in
the convenient form known by that most disagreeable of words, a wig;
snatch off also the holland blouse common to the purveyors of milk,
and rolling the two into a bundle, stuff them into the pocket of his
shooting-jacket, before throwing himself back into the corner of the
vehicle, to enjoy a meditative cigar, as his charioteer drives his
best pace in the direction of that transpontine temple of Esculapius,
Mr. Darley’s surgery. Daredevil Dick has made the first move in that
fearful game of chess which is to be played between him and the Count
de Marolles.




                              CHAPTER VI.

                SIGNOR MOSQUETTI RELATES AN ADVENTURE.


ON the evening which follows the very afternoon during which Richard
Marwood made his first and only essay in the milk-trade, the Count and
Countess de Marolles attend a musical party--I beg pardon, I should,
gentle reader, as you know, have said a _soirée musicale_--at the
house of a lady of high rank in Belgrave Square. London was almost
empty, and this was one of the last parties of the season; but it is a
goodly and an impressive sight to see--even when London is, according
to every fashionable authority, a perfect Sahara--how many splendid
carriages will draw up to the awning my Lady erects over the pavement
before her door, when she announces herself “at home;” how many
gorgeously dressed and lovely women will descend therefrom, scenting
the night air of Belgravia with the fragrance wafted from their waving
tresses and point-d’Alençon-bordered handkerchiefs; lending a perfume
to the autumn violets struggling out a fading existence in Dresden
boxes on the drawing-room balconies; lending the light of their
diamonds to the gas-lamps before the door, and the light of their
eyes to help out the aforesaid diamonds; sweeping the autumn dust and
evening dews with the borders of costly silks, and marvels of Lyons and
Spitalfields, and altogether glorifying the ground over which they walk.

On this evening one range of windows, at least, in Belgrave Square is
brilliantly illuminated. Lady Londersdon’s Musical Wednesday, the last
of the season, has been inaugurated with _éclat_ by a scena from
Signora Scorici, of Her Majesty’s Theatre and the Nobility’s Concerts;
and Mr. Argyle Fitz-Bertram, the great English basso-baritono, and the
handsomest man in England, has just shaken the square with the buffo
duet from the Cenerentola--in which performance he, Argyle, has so
entirely swamped that amiable tenor Signor Maretti, that the latter
gentleman has serious thoughts of calling him out to-morrow morning;
which idea he would carry into execution if Argyle Fitz-Bertram were
not a crack shot, and a pet pupil of Mr. Angelo’s into the bargain.

But even the great Argyle finds himself--with the exception of being up
to his eyes in a slough of despond, in the way of platonic flirtation
with a fat duchess of fifty--comparatively nowhere. The star of the
evening is the new tenor, Signor Mosquetti, who has condescended to
attend Lady Londersdon’s Wednesday. Argyle, who is the best-natured
fellow as well as the most generous, and whose great rich voice wells
up from a heart as sound as his lungs, throws himself back into a
low easy-chair--it creaks a little under his weight, by the bye--and
allows the duchess to flirt with him, while a buzz goes round the room;
Mosquetti is going to sing. Argyle looks lazily out of his half-closed
dark eyes, with that peculiar expression which seems to say--“Sing
your best, old fellow! My _g_ in the bass clef would crush your
half-octave or so of falsetto before you knew where you were, or your
‘Pretty Jane’ either. Sing away, my boy! we’ll have ‘Scots wha hae’
by-and-by. I’ve some friends down in Essex who want to hear it, and the
wind’s in the right quarter for the voice to travel. They won’t hear
_you_ five doors off. Sing your best.”

Just as Signor Mosquetti is about to take his place at the piano, the
Count and Countess de Marolles advance through the crowd about the
doorway.

Valerie, beautiful, pale, calm as ever, is received with considerable
_empressement_ by her hostess. She is the heiress of one of the
most ancient and aristocratic families in France, and is moreover the
wife of one of the richest men in London, so is sure of a welcome
throughout Belgravia.

“Mosquetti is going to sing,” murmurs Lady Londersdon; “you were
charmed with him in the Lucia, of course? You have lost Fitz-Bertram’s
duet. It was charming; all the chandeliers were shaken by his lower
notes; charming, I assure you. He’ll sing again after Mosquetti:
the Duchess of C. is _éprise_, as you see. I believe she is
perpetually sending him diamond rings and studs; and the Duke, they do
say, has refused to be responsible for her account at Storr’s.”

Valerie’s interest in Mr. Fitz-Bertram’s conduct is not very intense;
she bends her haughty head, just slightly elevating her arched eyebrows
with the faintest indication of well-bred surprise; but she _is_
interested in Signor Mosquetti, and avails herself of the seat her
hostess offers to her near Erard’s grand piano. The song concludes very
soon after she is seated; but Mosquetti remains near the piano, talking
to an elderly gentleman, who is evidently a connoisseur.

“I have never heard but one man, Signor Mosquetti,” says this
gentleman, “whose voice resembled yours.”

There is nothing very particular in the words, but Valerie’s attention
is apparently arrested by them, for she fixes her eyes intently on
Signor Mosquetti, as though awaiting his reply.

“And he, my lord?” says Mosquetti, interrogatively.

“He, poor fellow, is dead.” Now indeed Valerie, pale with a pallor
greater than usual, listens as though her whole soul hung on the words
she heard.

“He is dead,” continued the gentleman. “He died young, in the zenith of
his reputation. His name was--let me see--I heard him in Paris last;
his name was----”

“De Lancy, perhaps, my lord?” says Mosquetti.

“It was De Lancy; yes. He had some most peculiar and at the same time
most beautiful tones in his voice, and you appear to me to have the
very same.”

Mosquetti bowed at the compliment. “It is singular, my lord,” he said;
“but I doubt if those tones are quite natural to me. I am a little of
a mimic, and at one period of my life I was in the habit of imitating
poor De Lancy, whose singing I very much admired.”

Valerie grasps the delicate fan in her nervous hand so tightly that the
group of courtiers and fair ladies, of the time of Louis Quatorze,
dancing nothing particular on a blue cloud, are crushed out of all
symmetry as she listens to this conversation.

“I was, at the time I knew De Lancy, merely a chorus-singer at the
Italian Opera, Paris.”

The listeners draw nearer, and form quite a circle round Mosquetti, who
is the lion of the night; even Argyle Fitz-Bertram pricks up his ears,
and deserts the Duchess in order to hear this conversation.

“A low chorus-singer,” he mutters to himself. “So help me, Jupiter, I
knew he was a nobody.”

“This passion for mimicry,” said Mosquetti, “was so great that I
acquired a sort of celebrity throughout the Opera House, and even
beyond its walls. I could imitate De Lancy better, perhaps, than any
one else; for in height, figure, and general appearance I was said to
resemble him.”

“You do,” said the gentleman; “you do very much resemble the poor
fellow.”

“This resemblance one day gave rise to quite an adventure, which, if I
shall not bore you----” he glanced round.

There is a general murmur. “Bore us! No! Delighted, enraptured, charmed
above all things!” Fitz-Bertram is quite energetic in this _omnes_
business, and says, “No, no!”--muttering to himself afterwards, “So
help me, Jupiter, I knew the fellow was a nuisance!”

“But the adventure! Pray let us hear it!” cried eager voices.

“Well, ladies and gentlemen, I was a careless reckless fellow; quite
content to put on a pair of russet boots which half swallowed me, and
a green cotton-velvet tunic short in the sleeves and tight across
the chest, and to go on the stage and sing in a chorus with fifty
others, as idle as myself, in other russet boots and cotton-velvet
tunics, which, as you know, is the court costume of a chorus-singer
from the time of Charlemagne to the reign of Louis XV. I was quite
happy, I say, to lounge on to the stage, unknown, unnoticed, badly
paid and worse dressed, provided when the chorus was finished I had
my cigarette, dominoes, and my glass of cognac in a third-rate café.
I was playing one morning at those eternal dominoes--(and never, I
think,” said Mosquetti, parenthetically, “had a poor fellow so many
double-sixes in his hand)--when I was told a gentleman wanted to see
me. This seemed too good a joke--a gentleman for me! It couldn’t be
a limb of the law, as I didn’t owe a farthing--no Parisian tradesman
being quite so demented as to give me credit. It was a gentleman--a
very aristocratic-looking fellow; handsome--but I didn’t like his face;
affable--and yet I didn’t like his manner.”

Ah, Valerie! you may well listen now!

“He wanted me, he said,” continued Mosquetti, “to decide a little
wager. Some foolish girl, who had seen De Lancy on the stage, and who
believed him the ideal hero of romance, and was only in too much danger
of throwing her heart and fortune at his feet, was to be disenchanted
by any stratagem that could be devised. Her parents had intrusted the
management of the affair to him, a relation of the lady’s. Would I
assist him? Would I represent De Lancy, and play a little scene in
the Bois de Boulogne, to open the eyes of this silly boarding-school
miss--would I, for a consideration? It was only to act a little stage
play off the stage, and was for a good cause. I consented; and that
evening, at half-past ten o’clock, under the shadow of the winter night
and the leafless trees, I----”

“Stop, stop! Signor Mosquetti!” cry the bystanders. “Madame! Madame de
Marolles! Water! Smelling-salts! Your _flacon_, Lady Emily: she
has fainted!”

No; she has not fainted; this is something worse than fainting, this
convulsive agony, in which the proud form writhes, while the white and
livid lips murmur strange and dreadful words.

“Murdered, murdered and innocent! while I, vile dupe, pitiful fool, was
only a puppet in the hands of a demon!”

At this very moment Monsieur de Marolles, who has been summoned from
the adjoining apartment, where he has been discussing a financial
measure with some members of the lower House, enters hurriedly.

“Valerie, Valerie, what is the matter?” he says, approaching his wife.

She rises--rises with a terrible effort, and looks him full in the face.

“I thought, monsieur, that I knew the hideous abyss of your black soul
to its lowest depths. I was wrong; I never knew you till to-night.”

Imagine such strong language as this in a Belgravian drawing-room, and
then you can imagine the astonishment of the bystanders.

“Good heavens!” exclaimed Signor Mosquetti hurriedly.

“What?” cried they eagerly.

“That is the very man I have been speaking of.”

“That? The Count de Marolles?”

“The man bending over the lady who has fainted.”

Petrified Belgravians experience a new sensation--surprise--and rather
like it.

Argyle Fitz-Bertram twists his black moustachios reflectively, and
mutters--

“So help me, Jupiter. I knew there’d be a row! I shan’t have to sing
‘Scots wha hae,’ and shall be just in time for that little supper at
the Café de l’Europe.”




                             CHAPTER VII.

       THE GOLDEN SECRET IS TOLD, AND THE GOLDEN BOWL IS BROKEN.


THE new tiger, or, as he is called in the kitchen, the “tempory tiger,”
takes his place, on the morning after Lady Londersdon’s Wednesday,
behind the Count de Marolles’ cab, as that gentleman drives into the
City.

There is little augury to be drawn from the pale smooth face of Raymond
de Marolles, though Signor Mosquetti’s revelation has made his position
rather a critical one. Till now he has ruled Valerie with a high hand;
and though never conquering the indomitable spirit of the proud Spanish
woman, he has at least forced that spirit to do the will of his. But
_now_, now that she knows the trick put upon her--now that she
knows that the man she so deeply adored did not betray her, but died
the victim of another’s treachery--that the blood in which she has
steeped her soul was the blood of the innocent,--what if now, in her
desperation and despair, she dares all, and reveals all; what then?

“Why, then,” says Raymond de Marolles, cutting his horse over the ears
with a delicate touch of the whip, which stings home, though, for all
its delicacy; “why then, never shall it be said that Raymond Marolles
found himself in a dilemma, without finding within himself the power to
extricate himself. We are not conquered yet, and we have seen a good
deal of life in thirty years--and not a little danger. Play your best
card, Valerie; I’ve a trump in my own hand to play when the time comes.
Till then, keep dark. I tell you, my good woman, I have hothouses of my
own, and don’t want your Covent Garden exotics at twopence a bunch!”

This last sentence is addressed to a woman, who pleads earnestly for
the purchase of a wretched bunch of violets, which she holds up to
tempt the man of fashion as she runs by the wheels of his cab, driving
very slowly through the Strand.

“Fresh violets, sir. Do, sir, please. Only twopence, just twopence,
sir, for the love of charity. I’ve a poor old woman at home, not
related to me, sir, but I keep her. She’s dying-starving, sir, and
dying of old age.”

“Bah! I tell you, my good woman, I’m not Lawrence Sterne on a
sentimental journey, but a practical man of business. I don’t give
macaroons to donkeys, or save mythic old women from starvation. You’d
better keep out of the way of the wheels--they’ll be over your feet
presently, and if you suffer from corns they may probably hurt you,”
says the philanthropic banker, in his politest tones.

“Stop, stop!” suddenly exclaims the woman, with an energy that almost
startles even Raymond. “It’s you, is it--Jim? No, not Jim; he’s dead
and gone, I know; but you, you, the fine gentleman, the other brother.
Stop, stop, I tell you, if you want to know a secret that’s in the
keeping of one who may die while I am talking here! Stop, if you want
to know who you are and what you are! Stop!”

Raymond does pull up at this last sentence.

“My good woman, do not be so energetic. Every eye in the Strand is on
us; we shall have a crowd presently. Stay, wait for me in Essex Street;
I’ll get out at the corner; that’s a quiet street, and we shall not be
observed. Anything you have to tell me you can tell me there.”

The woman obeys him, and draws back to the pavement, where she keeps
pace with the cab.

“A pretty time this for discoveries!” mutters the Count. “Who I am, and
what I am! It’s the secret, I suppose, that the twaddling old maniac
in Blind Peter made such a row about. Who I am, and what I am! Oh, I
dare say I shall turn out to be somebody great, as the hero does in
a lady’s novel. It’s a pity I haven’t the mark of a coronet behind
my ear, or a bloody hand on my wrist. Who I am, and what I am! The
son of a journeyman tailor perhaps, or a chemist’s apprentice, whose
aristocratic connections prevented his acknowledging my mother.”

He is at the corner of Essex Street by this time, and springs out of
the cab, throwing the reins to the temporary tiger, whose sharp face we
need scarcely inform the reader discloses the features of the boy Slosh.

The woman is waiting for him; and after a few moments’ earnest
conversation, Raymond emerges from the street, and orders the boy to
drive the cab home immediately: he is not going to the City, but is
going on particular business elsewhere.

Whether the “temporary tiger” proves himself worthy of the responsible
situation he holds, and does drive the cab home, I cannot say; but I
only know that a very small boy, in a ragged coat a great deal too
large for him, and a battered hat so slouched over his eyes as quite
to conceal his face from the casual observer, creeps cautiously, now a
few paces behind, now a hundred yards on the other side of the way, now
disappearing in the shadow of a doorway, now reappearing at the corner
of the street, but never losing sight of the Count de Marolles and the
purveyor of violets, as they bend their steps in the direction of Seven
Dials.

Heaven forbid that we should follow them through all the turnings and
twistings of that odoriferous neighbourhood, where foul scents, foul
sights, and fouler language abound; whence May Fair and Belgravia
shrink shuddering, as from an ill it is well for them to let alone,
and a wrong that he may mend who will: not they who have been born
for better things than to set disjointed times aright, or play the
revolutionist to the dethronement of the legitimate monarchy of Queen
Starvation and King Fever, to say nothing of the princes of the
blood--Dirt, Drunkenness, Theft, and Murder. When John Jones, tired of
the monotonous pastime of beating his wife’s skull with a poker, comes
to Lambeth and murders an Archbishop of Canterbury for the sake of
the spoons, it will be time, in the eyes of Belgravia, to reform John
Jones. In the meanwhile we of the upper ten thousand have Tattersall’s
and Her Majesty’s Theatre, and John Jones (who, low republican, says he
must have his amusements too) has such little diversions as wife-murder
and cholera to break the monotony of his existence.

The Count and the violet-seller at last come to a pause. They had
walked very quickly through the pestiferous streets, Raymond holding
his aristocratic breath and shutting his patrician ears to the scents
and the sounds around him. They come to a stand at last, in a dark
court, before a tall lopsided house, with irresolute chimneypots,
which looked as if the only thing that kept them erect was the want of
unanimity as to which way they should fall.

Raymond, when invited by the woman to enter, looks suspiciously at the
dingy staircase, as if wondering whether it would last his time, but at
the request of his companion ascends it.

The boy in the large coat and slouched hat is playing marbles with
another boy on the second-floor landing, and has evidently lived there
all his life, and yet I’m puzzled as to who drove that cab home to the
stables at the back of Park Lane. I fear it was not the “temporary
tiger.”

The Count de Marolles and his guide pass the youthful gamester, who
has just lost his second half-penny, and ascend to the very top of the
rickety house, the garrets of which are afflicted with intermittent
ague whenever there is a high wind.

Into one of these garrets the woman conducts Raymond, and on a bed--or
its apology, a thing of shreds and patches, straw and dirt, which goes
by the name of a bed at this end of the town--lies the old woman we
last saw in Blind Peter.

Eight years, more or less, have not certainly had the effect of
enhancing the charms of this lady; and there is something in her face
to-day more terrible even than wicked old age or feminine drunkenness.
It is death that lends those livid hues to her complexion, which all
the cosmetics from Atkinson’s or the Burlington Arcade, were she
minded to use them, would never serve to conceal. Raymond has not
come too soon if he is to hear any secret from those ghastly lips. It
is some time before the woman, whom she still calls Sillikens, can
make the dying hag understand who this fine gentleman is, and what
it is he wants with her, and even when she does succeed in making
her comprehend all this, the old woman’s speech is very obscure, and
calculated to try the patience of a more amiable man than the Count de
Marolles.

“Yes, it was a golden secret--a golden secret, eh, my dear? It was
something to have a marquis for a son-in-law, wasn’t it, my dear, eh?”
mumbled the dying old hag.

“A marquis for a son-in-law! What does the jibbering old idiot mean?”
muttered Raymond, whose reverence for his grandmother was not one of
the strongest points in his composition. “A marquis! I dare say my
respected progenitor kept a public-house, or something of that sort. A
marquis! The ‘Marquis of Granby,’ most likely!”

“Yes, a marquis,” continued the old woman, “eh, dear! And he married
your mother--married her at the parish church, one cold dark November
morning; and I’ve got the c’tificate. Yes,” she mumbled, in answer
to Raymond’s eager gesture, “I’ve got it; but I’m not going to tell
you where;--no, not till I’m paid. I must be paid for that secret in
gold--yes, in gold. They say that we don’t rest any easier in our
coffins for the money that’s buried with us; but I should like to lie
up to neck in golden sovereigns new from the Mint, and not one light
one amongst ’em.”

“Well,” said Raymond, impatiently, “your secret! I’m rich, and can pay
for it. Your secret--quick!”

“Well, he hadn’t been married to her long before a change came, in his
native country, over the sea yonder,” said the old woman, pointing
in the direction of St. Martin’s Lane, as if she thought the British
Channel flowed somewhere behind that thoroughfare. “A change came, and
he got his rights again. One king was put down and another king was
set up, and everybody else was massacred in the streets; it was--a--I
don’t know what they call it; but they’re always a-doin’ it. So he got
his rights, and he was a rich man again, and a great man; and then his
first thought was to keep his marriage with my girl a secret. All very
well, you know, my girl for a wife while he was giving lessons at a
shilling a piece, in _Parlez-vous Français_, and all that; but now
he was a marquis, and it was quite another thing.”

Raymond by this time gets quite interested; so does the boy in the
big coat and the slouched hat, who has transferred the field of his
gambling operations in the marble line to the landing outside the
garret door.

“He wanted the secret kept, and I kept it for gold. I kept it even from
her, your mother, my own ill-used girl, for gold. She never knew who he
was; she thought he’d deserted her, and she took to drinking; she and
I threw you into the river when we were mad drunk, and couldn’t stand
your squalling. She died--don’t you ask me how. I told you before not
to ask me how my girl died--I’m mad enough without that question; she
died, and I kept the secret. For a long time it was gold to me, and
he used to send me money regular to keep it dark; but by-and-by the
money stopped from coming. I got savage, but still I kept the secret;
because, you see, it was nothing when it was told, and there was no
one rich enough to pay me to tell it. I didn’t know where to find the
marquis; I only knew he was somewhere in France.”

“France?” exclaims Raymond.

“Yes; didn’t I tell you France? He was a French marquis--a refugee they
called him when he first made acquaintance with my girl--a teacher of
French and mathematics.”

“And his name--his name?” asks Raymond, eagerly. “His name, woman, if
you don’t want to drive me mad.”

“He called himself Smith, when he was a-teachin’, my dear,” said the
old woman with a ghastly leer; “what are you going to pay me for the
secret?”

“Whatever you like, only tell me--tell me before you----”

“Die. Yes, deary; there ain’t any time to waste, is there? I don’t want
to make a hard bargain. Will you bury me up to my neck in gold?”

“Yes, yes; speak!” He is almost beside himself, and raises a
threatening hand. The old woman grins.

“I told you before _that_ wasn’t the way, deary. Wait a bit.
Sillikens, give me that ’ere old shoe, will you? Look you here! It’s a
double sole, and the marriage certificate is between the two leathers.
I’ve walked on it this thirty years and more.”

“And the name--the name?”

“The name of the Marquis was De--de----”

“She’s dying! Give me some water!” cried Raymond.

“De Ce--Ce----” the syllables come in fitful gasps. Raymond throws some
water over her face.

“De Cevennes, my deary!--and the golden secret is told.”

And the golden bowl is broken!

Lay the ragged sheet over the ghastly face, Sillikens, and kneel down
and pray for help in your utter loneliness; for the guilty being whose
soul has gone forth to meet its Maker was your only companion and stay,
however frail that stay might be.

Go out into the sunshine, Monsieur de Marolles; that which you leave
behind in the tottering garret, shaken by an ague-paroxysm with the
fitful autumn wind, is nothing so terrible to your eyes.

You have accustomed yourself to the face of Death before now; you have
met that grim potentate on his own ground, and done with him what it is
your policy to do with everything on earth--you have made him useful to
you.




                             CHAPTER VIII.

                 ONE STEP FURTHER ON THE RIGHT TRACK.


IT is not a very romantic locality to which we must now conduct the
reader, being neither more nor less than the shop and surgery of
Mr. Augustus Darley; which temple of the healing god is scented,
this autumn afternoon, with the mingled perfumes of Cavendish and
bird’s-eye tobacco, Turkey rhubarb, whiskey-punch, otto of roses, and
muffins; conflicting odours, which form, or rather object to form, an
amalgamation, each particular effluvium asserting its individuality.

In the surgery Gus is seated, playing the intellectual and intensely
exciting game of dominoes with our acquaintance of the Cheerful
Cherokee Society, Mr. Percy Cordonner. A small jug, without either
of those earthenware conventionalities, spout or handle, and with
Mr. Cordonner’s bandanna stuffed into the top to imprison the subtle
essences of the mixture within, stands between the two gentlemen; while
Percy, as a guest, is accommodated with a real tumbler, having only
three triangular bits chipped out of the edge. Gus imbibes the exciting
fluid from a cracked custard-cup, with paper wafered round it to keep
the parts from separating, two of which cups are supposed to be equal
(by just measurement) to Mr. P. C.’s tumbler. Before the small fire
kneels the juvenile domestic of the young surgeon, toasting muffins,
and presenting to the two gentlemen a pleasing study in anatomical
perspective and the mysteries of foreshortening; to which, however,
they are singularly inattentive, devoting their entire energies to
the pieces of spotted ivory in their hands, and the consumption, by
equitable division, of the whiskey-punch.

“I say, Gus,” said Mr. Cordonner, stopping in the middle of a gulp of
his favourite liquid, at the risk of strangulation, with as much alarm
in his face as his placid features were capable of exhibiting--“I say,
this isn’t the professional tumbler, is it?”

“Why, of course it is,” said his friend. “We have only had that one
since midsummer. The patients don’t like it because it’s chipped; but
I always tell them, that after having gone through having a tooth
out--particularly,” he added parenthetically, “as I take ’em out
(plenty of lancet, forceps, and key, for their eighteenpence)--they
needn’t grumble about having to rinse their mouths out of a cracked
tumbler.”

Mr. Cordonner turned pale.

“Do they do that?” he said, and deliberately shot his last sip of the
delicious beverage over the head of the kneeling damsel, with so good
an aim that it in a manner grazed her curl-papers. “It isn’t friendly
of you, Gus,” he said, with mild reproachfulness, “to treat a fellow
like this.”

“It’s all right, old boy,” said Gus, laughing. “Sarah Jane washes it,
you know. You wash the tumbler and things, don’t you, Sarah Jane?”

“Wash ’em?” answered the youthful domestic; “I should think so, sir,
indeed. Why, I wipes ’em round reg’lar with my apron, and breathes on
’em to make ’em bright.”

“Oh, that’ll do!” said Mr. Cordonner, piteously. “Don’t investigate,
Gus; you’ll only make matters worse. Oh, why, why did I ask that
question? Why didn’t I remember ‘it’s folly to be otherwise?’ That
punch was delicious--and now----” He leant his head upon his hand,
buried his face in his pocket-handkerchief, pondered in his heart, and
was still.

In the mean time the shop is not empty. Isabella is standing behind
the counter, very busy with several bottles, a glass measure, and a
pestle and mortar, making up a prescription, a cough mixture, from her
brother’s Latin. Rather a puzzling document, this prescription, to
any one but Bell; for there are calculations about next year’s Derby
scribbled on the margin, and rough sketches of the Smasher, and a more
youthful votary of the Smasher’s art, surnamed “Whooping William,”
pencilled on the back thereof; but to Bell it seems straightforward
enough. At any rate, she dashes away with the bottles, the measure, and
the pestle and mortar, as if she knew perfectly well what she was about.

She is not alone in the shop. A gentleman is leaning on the counter,
watching the busy white hands very intently, and apparently deeply
interested in the progress of the cough-mixture. This gentleman is her
brother’s old friend, “Daredevil Dick.”

Richard Marwood has been a great deal at the surgery since the night
on which he first set foot in his old haunts; he has brought his
mother over, and introduced that lady to Miss Darley. Mrs. Marwood was
delighted with Isabella’s frank manners and handsome face, and insisted
on carrying her back to dine in Spring Gardens. Quite a sociable little
dinner they had too, Richard being--for a man who had been condemned
for a murder, and had escaped from a lunatic asylum--very cheerful
indeed. The young man told Isabella all his adventures, till that
young lady alternately laughed and cried--thereby affording Richard’s
fond mother most convincing proof of the goodness of her heart--and
was altogether so very brilliant and amusing, that when at eleven
o’clock Gus came round from a very critical case (viz., a quarrel of
the Cheerfuls as to whether Gustavus Ponsonby, novelist and satirist,
magazine-writer and poet, deserved the trouncing he had received in
the “Friday Pillery”) to take Bell home in a cab, the little trio
simultaneously declared that the evening had gone as if by magic! As
if by magic! What if to two out of those three the evening did really
go by magic? There is a certain pink-legged little gentleman, with
wings, and a bandage round his eyes, who, some people say, is as great
a magician in his way as Albertus Magnus or Doctor Dee, and who has
done as much mischief and worked as much ruin in his own manner as all
the villanous saltpetre ever dug out of the bosom of the peaceful,
corn-growing, flower-bearing earth. That gentleman, I have no doubt,
presided on the occasion.

Thus the acquaintance of Richard and Isabella had ripened into
something very much like friendship; and here he is, watching her
employed in the rather unromantic business of making up a cough-mixture
for an elderly washerwoman of methodistical persuasions. But it is
one of the fancies of the pink-legged gentleman aforesaid to lend
his bandage to his victims; and there is nothing that John, William,
George, Henry, James, or Alfred can do, in which Jane, Eliza, Susan,
or Sarah will not see a dignity and a charm, or _vice versâ_.
Pshaw! It is not Mokannah who wears the silver veil; it is we who are
in love with Mokannah who put on the glittering, blinding medium;
and, looking at that gentleman through the dazzle and the glitter,
insist on thinking him a very handsome man, till some one takes the
veil off our eyes, and we straightway fall to and abuse poor Mokannah,
because he is not what we chose to fancy him. It is very hard upon poor
tobacco-smoking, beer-imbibing, card-playing, latch-key-loving Tom
Jones, that Sophia will insist on elevating him into a god, and then
being angry with him because he is Tom Jones and fond of bitter ale and
bird’s-eye. But come what may, the pink-legged gentleman must have his
diversion, and no doubt his eyes twinkle merrily behind that bandage of
his, to see the fools this wise world of ours is made up of.

“You could trust me, Isabella, then,” said Richard; “you could trust
me, in spite of all--in spite of my wasted youth and the blight upon my
name?”

“Do we not all trust you, Mr. Marwood, with our entire hearts?”
answered the young lady, taking shelter under cover of a very wide
generality.

“Not ‘Mr. Marwood,’ Bell; it sounds very cold from the lips of my old
friend’s sister. Every one calls me Richard, and I, without once asking
permission, have called you Bell. Call me Richard, Bell, if you trust
me.”

She looks him in the face, and is silent for a moment; her heart beats
a great deal faster--so fast that her lips can scarcely shape the words
she speaks.

“I do trust you, Richard; I believe your heart to be goodness and truth
itself.”

“Is it worth having, then, Bell? I wouldn’t ask you that question if I
had not a hope now--ay, and not such a feeble one either--to see my
name cleared from the stain that rests upon it. If there is any truth
in my heart, Isabella, that truth is yours alone. Can you trust me, as
the woman who loves trusts--through life and till death, under every
shadow and through every cloud?”

I don’t know whether essence of peppermint, tincture of myrrh, and
hair-oil, are the proper ingredients in a cough-mixture; but I know
that Isabella poured them into the glass measure very liberally.

“You do not answer me, Isabella. Ah, you cannot trust the branded
criminal--the escaped lunatic--the man the world calls a murderer!”

“Not trust you, Richard?” Only four words, and only one glance from the
gray eyes into the brown, and so much told! So much more than I could
tell in a dozen chapters, told in those four words and that one look!

Gus opens the half-glass door at this very moment. “Are you coming to
tea?” he asks; “here’s Sarah Jane up to her eyes in grease and muffins.”

“Yes, Gus, dear old friend,” said Richard, laying his hand on Darley’s
shoulder; “we’re coming in to tea immediately, _brother_!”

Gus looked at him with a glance of considerable astonishment, shook him
heartily by the hand, and gave a long whistle; after which he walked up
to the counter and examined the cough-mixture.

“Oh!” he said, “I suppose that’s why you’ve put enough laudanum into
this to poison a small regiment, eh, Bell? Perhaps we may as well throw
it out of the window; for if it goes out of the door I shall be hung
for wholesale murder.”

They were a very merry party over the little tea-table; and if
nobody ate any of the muffins, which Mr. Cordonner called “embodied
indigestions,” they laughed a great deal, and talked still more--so
much so, that Percy declared his reasoning faculties to be quite
overpowered, and wanted to be distinctly informed whether it was
Richard who was going to marry Gus, or Gus about to unite himself to
the juvenile domestic, or he himself who was to be married against
his inclination--which, seeing he was of a yielding and peace-loving
disposition, was not so unlikely--or, in short, to use his own
expressive language, “what the row was all about?”

Nobody, however, took the trouble to set Mr. P. C.’s doubts at rest,
and he drank his tea with perfect contentment, but without sugar, and
in a dense intellectual fog. “It doesn’t matter,” he murmured; “perhaps
Richard will turn again and be Lord Mayor of London town, and then my
children will read his adventures in a future Pinnock, and they may
understand it. It’s a great thing to be a child, and to understand
those sort of things. When I was six years old I knew who William Rufus
married, and how many people died in the Plague of London. I can’t
say it made me any happier or better, but I dare say it was a great
advantage.”

At this moment the bell hung at the shop-door (a noisy preventive of
petty larceny, giving the alarm if any juvenile delinquent had a desire
to abstract a bottle of castor-oil, or a camomile-pill or so, for his
peculiar benefit) rang violently, and our old friend Mr. Peters burst
into the shop, and through the shop into the parlour, in a state of
such excitement that his very fingers seemed out of breath.

“Back again?” cried Richard, starting up with surprise; for be it known
to the reader that Mr. Peters had only the day before started for
Slopperton-on-the-Sloshy to hunt up evidence about this man, whose very
image lay buried outside that town.

Before the fingers of Mr. Peters, which quite shook with excitement,
could shape an answer to Richard’s exclamation of surprise, a very
dignified elderly gentleman, whose appearance was almost clerical,
followed the detective into the room, and bowed politely to the
assembled party.

“I will take upon myself to be my own sponsor,” said that gentleman.
“If, as I believe, I am speaking to Mr. Marwood,” he added, looking at
Richard, who bowed affirmatively, “it is to the interest of both of
us--of you, sir, more especially--that we should become acquainted. I
am Dr. Tappenden, of Slopperton.”

Mr. Cordonner, having politely withdrawn himself from the group so
as not to interfere with any confidential communication, was here
imprudent enough to attempt to select a book from the young surgeon’s
hanging-library, and, in endeavouring to take down the third volume
of _Bragelonne_, brought down, as usual, the entire literary
shower-bath on his devoted head, and sat quietly snowed up, as it were,
in loose leaves of Michel Lévy’s shilling edition, and fragments of
illustrations by Tony Johannot.

Richard looked a little puzzled at Dr. Tappenden’s introduction; but
Mr. Peters threw in upon his fingers this piece of information,--“He
knows _him_!” and Richard was immediately interested.

“We are all friends here, I believe?” said the schoolmaster, glancing
round interrogatively.

“Oh, decidedly, Monsieur d’Artagnan,” replied Percy, absently looking
up from one of the loose leaves he had selected for perusal from those
scattered around him.

“Monsieur d’Artagnan! Your friend is pleased to be facetious,” said the
Doctor, with some indignation.

“Oh, pray excuse him, sir. He is only absent-minded,” replied
Richard. “My friend Peters informs me that you know this man--this
singular, this incomprehensible villain, whose supposed death is so
extraordinary.”

“He--either the man who died, or this man who is now occupying a high
position in London--was for some years in my employ; but in spite of
what our worthy friend the detective says, I am inclined to think that
Jabez North, my tutor, did actually die, and that it was his body which
I saw at the police-station.”

“Not a bit of it, sir,” said the detective on his rapid fingers,
“not a bit of it! That death was a do--a do, out and out. It was too
systematic to be anything else, and I was a fool not to see there was
something black at the bottom of it at the time. People don’t go and
lay themselves out high and dry upon a heath, with clean soles to their
shoes, on a stormy night, and the bottle in their hand--not took hold
of, neither, but lying loose, you understand; _put there_--not
clutched as a dying man clutches what his hand closes upon. I say this
ain’t how people make away with themselves when they can’t stand life
any longer. It was a do--a plant, such as very few but that man could
be capable of; and that man’s your tutor, and the death was meant to
put a stop to all suspicion; and while you was a-sighin’ and a-groanin’
over that poor young innocent, Mr. Jabez North was a-cuttin’ a fine
figure, and a-captivatin’ a furring heiress, with your money, or your
banker’s money, as had to bear the loss of them forged cheques.”

“But the likeness?” said Dr. Tappenden. “That dead man was the very
image of Jabez North.”

“Very likely, sir. There’s mysterious goin’s on, and some coincidences
in this life, as well as in your story-books that’s lent out at three
half-pence a volume, keep ’em three days and return ’em clean.”

“Well,” continued the schoolmaster, “the moment I see this man I shall
know whether he is indeed the person we want to find. If he should be
the man who was my usher, I can prove a circumstance which will go a
great way, Mr. Marwood, towards fixing your uncle’s murder upon him.”

“And that is----?” asked Richard, eagerly.

But there is no occasion for the reader to know what it is just yet;
so we will leave the little party in the Friar Street surgery to talk
this business over, which they do with such intense interest that the
small hours catch them still talking of the same subject, and Mr.
Percy Cordonner still snowed up in his corner, reading from the loose
leaves the most fascinating _olla podrida_ of literature, wherein
the writings of Charles Dickens, George Sand, Harrison Ainsworth, and
Alexandra Dumas are blended together in the most delicious and exciting
confusion.




                              CHAPTER IX.

CAPTAIN LANSDOWN OVERHEARS A CONVERSATION WHICH APPEARS TO INTEREST HIM.


LAURENT BLUROSSET was a sort of rage at the West-end of London. What
did they seek, these weary denizens of the West-end, but excitement?
Excitement! No matter how obtained. If Laurent Blurosset were a
magician, so much the better; if he had sold himself to the devil,
so much the better again, and so much the more exciting. There was
something almost approaching to a sensation in making a morning
call upon a gentleman who had possibly entered into a contract with
Sathanus, or put his name on the back of a bit of stamped paper payable
at sight to Lucifer himself. And then there was the slightest chance,
the faintest shadow of a probability, of meeting the proprietor of the
gentleman they called upon; and what could be more delightful than
that? How did he visit Marlborough Street--the proprietor? Had he a
pass-key to the hall-door? or did he leave his card with the servant,
like any other of the gentlemen his pupils and allies? Or did he rise
through a trap in the Brussels carpet in the drawing-room? or slide
through one of the sham Wouvermanns that adorned the walls? At any
rate, a visit to the mysterious chemist of Marlborough Street was about
the best thing to do at this fag-end of the worn-out London season; and
Monsieur Laurent Blurosset was considered a great deal better than the
Opera.

It was growing dusk on the evening on which there was so much
excitement in the little surgery in Friar Street, when a plain close
carriage stopped at Monsieur Blurosset’s door, and a lady alighted
thickly veiled. The graceful but haughty head is one we know. It is
Valerie, who, in the depth of her misery, comes to this man, who is in
part the author of that misery.

She is ushered into a small apartment at the back of the house, half
study, half laboratory, littered with books, manuscripts, crucibles,
and mathematical instruments. On a little table, near a fire that burns
low in the grate, are thrown in a careless heap the well-remembered
cards--the cards which eight years ago foretold the death of the king
of spades.

The room is empty when she enters it, and she seats herself in the
depth of the shadow; for there is no light but the flickering flame of
the low fire.

What does she think of, as she sits in the gloom of that silent
apartment? Who shall say? What forest deep, what lonely ocean strand,
what desert island, is more dismal than the backroom of a London
house, at the window of which looks in a high black wall, or a dreary,
smoke-dried, weird, vegetable phenomenon which nobody on earth but the
landlord ever called a tree?

What does she think of in this dreary room? What _can_ she think
of? What has she ever thought for eight years past but of the man
she loved and murdered? And he was innocent! As long as she had been
convinced of his guilt, of his cruel and bitter treachery, it had been
a sacrifice, that ordeal of the November night. Now it took another
colour; it was a murder--and she a pitiful puppet in the hands of a
master-fiend!

Monsieur Blurosset enters the room, and finds her alone with these
thoughts.

“Madame,” he says, “I have perhaps the honour of knowing you?” He has
so many fair visitors that he thinks this one, whose face he cannot
see, may be one of his old clients.

“It is eight years since you have seen me, monsieur,” she replies. “You
have most likely forgotten me?”

“Forgotten you, madame, perhaps, but not your voice. That is not to be
forgotten.”

“Indeed, monsieur--and why not?”

“Because, madame, it has a peculiarity of its own, which, as a
physiologist, I cannot mistake. It is the voice of one who has
suffered?”

“It is!--it is!”

“Of one who has suffered more than it is the common lot of woman to
suffer.”

“You are right, monsieur.”

“And now, madame, what can I do for you?”

“Nothing, monsieur. You can do nothing for me but that which the
commonest apothecary in this city who will sell me an ounce of laudanum
can do as well as you.”

“Oh, has it come to that again?” he says, with a shade of sarcasm in
his tone. “I remember, eight years ago----”

“I asked you for the means of death. I did not say I wished to die
then, at that moment. I did not. I had a purpose in life. I have still.”

As she said these words the fellow-lodger of Blurosset--the
Indian soldier, Captain Lansdown, who had let himself in with his
latch-key--crossed the hall, and was arrested at the half-open door of
the study by the sound of voices within. I don’t know how to account
for conduct so unworthy of an officer and a gentleman, but the captain
stopped in the shadow of the dark hall and listened--as if life and
death were on the words--to the voice of the speaker.

“I have, I say, still a purpose in life--a solemn and a sacred one--to
protect the innocent. However guilty I may be, thank Heaven I have
still the power to protect my son.”

“You are married, madame?”

“I am married. You know it as well as I, Monsieur Laurent Blurosset.
The man who first brought me to your apartment must have been, if
not your accomplice, at least your colleague. He revealed to you his
scheme, no doubt, in order to secure your assistance in that scheme. I
am married to a villain--such a villain as I think Heaven never before
looked down upon.”

“And you would protect your son, madame, from his father?”

Captain Lansdown’s face gleams through the shadow as white as the face
of Valerie herself, as she stands looking full at Monsieur Blurosset in
the flickering firelight.

“And you would protect your son from his father, madame?” repeats the
chemist.

“The man to whom I am at present married is not the father of my son,”
says Valerie, in a cold calm voice.

“How, madame?”

“I was married before,” she continued. “The son I so dearly love is the
son of my first husband. My second marriage has been a marriage only in
name. All your worthy colleague, Monsieur Raymond Marolles, stained his
hands in innocent blood to obtain was a large fortune. He has that, and
is content; but he shall not hold it long.”

“And your purpose in coming to me, madame----?”

“Is to accuse you--yes, Monsieur Laurent Blurosset, to accuse you--as
an accomplice in the murder of Gaston de Lancy.”

“An accomplice in a murder!”

“Yes; you sold me a poison--you knew for what that poison was to be
used; you were in the plot, the vile and demoniac plot, that was to
steep my soul in guilt. You prophesied the death of the man I was
intended to murder; you put the thought into my distracted brain--the
weapon into my guilty hand; and while I suffer all the tortures which
Heaven inflicts on those who break its laws, are you to go free? No,
monsieur, you shall not go free. Either join with me in accusing this
man, and help me to drag him to justice, or by the light in the sky,
by the life-blood of my broken heart--by the life of my only child, I
swear to denounce you! Gaston de Lancy shall not go unavenged by the
woman who loved and murdered him.”

The mention of the name of Gaston de Lancy, the man she so dearly
and devotedly loved, has a power that nothing else on earth has over
Valerie, and she breaks into a passionate torrent of tears.

Laurent Blurosset looks on silently at this burst of anguish; perhaps
he regards it as a man of science, and can calculate to a moment how
long it will last.

The Indian officer, in the shadow of the doorway, is more affected than
the chemist and philosopher, for he falls on his knees by the threshold
and hides his pale face in his hands.

There is a silence of perhaps five minutes--a terrible silence it
seems, only broken by the heartrending sobs of this despairing woman.
At last Laurent Blurosset speaks--speaks in a tone in which she has
never heard him speak before--in a tone in which, probably, very few
have heard him speak--in a tone so strange to him and his ordinary
habits that it in a manner transforms him into a new man.

“You say, madame, I was an accomplice of this man’s. How if he did not
condescend to make me an accomplice? How, if this gentleman, who, owing
all his success in life to his unassisted villainy, has considerable
confidence in his own talents, did not think me worthy of the honour of
being his accomplice?”

“How, monsieur?”

“No, madame; Laurent Blurosset was not a man for the brilliant Parisian
adventurer Raymond Marolles to enlist as a colleague. No, Laurent
Blurosset was merely a philosopher, a physiologist, a dreamer, a little
bit of a madman, and but a poor puppet in the hands of the man of
the world, the chevalier of fortune, the unscrupulous and designing
Englishman.”

“An Englishman?”

“Yes, madame; that is one of your husband’s secrets: he is an
Englishman. I was not clever enough to be the accomplice of Monsieur
Marolles; in his opinion I was not too clever to become his dupe.”

“His dupe?”

“Yes, madame, his dupe. His contempt for the man of science was most
supreme, I was a useful automaton--nothing more. The chemist, the
physiologist, the man whose head had grown gray in the pursuit of an
inductive science--whose nights and days had been given to the study
of the great laws of cause and effect--was a puppet in the hands of
the chevalier of fortune, and as little likely to fathom his motives
as the wooden doll is likely to guess those of the showman who pulls
the strings that make it dance. So thought Raymond Marolles, the
adventurer, the fortune-hunter, the thief, the murderer!”

“What, monsieur, you knew him, then?”

“To the very bottom of his black heart, madame. Science would indeed
have been a lie, wisdom would indeed have been a chimera, if I could
not have read through the low cunning of the superficial showy
adventurer, as well as I can read the words written in yonder book
through the thin veil of a foreign character. I, his dupe, as he
thought--the learned fool at whose labours he laughed, even while he
sought to avail himself of their help--I laughed at him in turn, read
every motive; but let him laugh on, lie on, till the time at which
it should be my pleasure to lift the mask, and say to him--Raymond
Marolles, charlatan! liar! fool! dupe! in the battle between Wisdom
and Cunning the gray-eyed goddess is the conqueror.”

“What, monsieur? Then you are doubly a murderer. You knew this man,
and yet abetted him in the vilest plot by which a wretched woman was
ever made to destroy the man she loved a thousand times better than her
worthless self!”

Laurent Blurosset smiled a most impenetrable smile.

“I acted for a purpose, madame. I wished to test the effects of a new
poison. Yours the murder--if there was a murder; not mine. You asked me
for a weapon; I put it into your hands; I did not compel you to use it.”

“No, monsieur; but you prompted me. If there is justice on earth,
you shall suffer for that act as well as Monsieur Marolles; if not,
there is justice in heaven! God’s punishments are more terrible than
those of men, and you have all the more cause to tremble, you and the
wretch whose accomplice you were--whose willing accomplice, by your own
admission, you were.”

“And yourself, madame? In dragging us to justice, may you not yourself
suffer?”

“Suffer!” She laughs a hollow bitter peal of mocking laughter, painful
to hear; very painful to the ears of the listener in the shadow, whose
face is still buried in his hands. “Suffer! No, Monsieur Blurosset, for
me on earth there is no more suffering. If in hell the wretches doomed
to eternal punishment suffer as I have suffered for the last eight
years, as I suffered on that winter’s night when the man I loved died,
then, indeed, God is an avenging Deity. Do you think the worst the law
can inflict upon me for that guilty deed is by one thousandth degree
equal to the anguish of my own mind, every day and every hour? Do you
think I fear disgrace? Disgrace! Bah! What is it? There never was but
one being on earth whose good opinion I valued, or whose bad opinion I
feared. That man I murdered. You think I fear the world? The world to
me was him; and he is dead. If you do not wish to be denounced as the
accomplice of a murderess and _her_ accomplice, do not let me quit
this room; for, by the heaven above me, so surely as I quit this room
alive I go to deliver you, Raymond Marolles, and myself into the hands
of justice!”

“And your son, madame--what of him?”

“I have made arrangements for his future happiness, monsieur. He will
return to France, and be placed under the care of my uncle.”

For a few moments there is silence. Laurent Blurosset seems lost
in thought. Valerie sits with her bright hollow eyes fixed on the
flickering flame of the low fire. Blurosset is the first to speak.

“You say, madame, that if I do not wish to be given up to justice
as the accomplice of a murderer, I shall not suffer you to leave
this room, but sacrifice you to the preservation of my own safety.
Nothing more easy, madame; I have only to raise my hand--to wave a
handkerchief, medicated in the manner of those the Borgias and Medicis
used of old, before your face; to scatter a few grains of powder into
that fire at your feet; to give you a book to read, a flower to smell;
and you do not leave this room alive. And this is how I should act, if
I were, what you say I am, the accomplice of a murderer.”

“How, monsieur!--you had no part in the murder of my husband?--you, who
gave me the drug which killed him?”

“You jump at conclusions, madame. How do you know that the drug which I
gave you killed Gaston de Lancy?”

“Oh, for pity’s sake, do not juggle with me, Monsieur. Speak! What do
you mean?”

“Simply this, madame. That the death of your husband on the evening
of the day on which you gave him the drugged wine may have been--a
coincidence.”

“Oh, monsieur! in mercy----”

“Nay, madame, it was a coincidence. The drug I gave you was not a
poison. You are guiltless of your husband’s death.”

“Oh, heaven be praised! Merciful heaven be praised!” She falls on her
knees, and buries her head in her hands in a wild burst of tearful
thanksgiving.

While her face is thus hidden, Blurosset takes from a little cabinet on
one side of the fireplace a handful of a light-coloured powder, which
he throws upon the expiring cinders in the grate. A lurid flame blazes
up, illuminating the room with a strange unnatural glare.

“Valerie, Countess de Marolles,” he says, in a tone of solemn
earnestness, “men say I am a magician--a sorcerer--a disciple of the
angel of darkness! Nay, some more foolish than the rest have been so
blasphemous as to declare that I have power to raise the dead. Yours is
no mind to be fooled by such shallow lies as these. The dead never rise
again in answer to the will of mortal man. Lift your head, Valerie--not
Countess de Marolles. I no longer call you by that name, which is in
itself a falsehood. Valerie de Lancy, look yonder!”

He points in the direction of the open door. She rises, looks towards
the threshold, staggers a step forward, utters one long wild shriek,
and falls senseless to the floor.

In all the agonies she has endured, in all the horrors through which
she has passed, she has never before lost her senses. The cause must
indeed be a powerful one.




                           =Book the Sixth.=

                             ON THE TRACK.




                              CHAPTER I.

                            FATHER AND SON.


THREE days have passed since the interview of Valerie with Laurent
Blurosset, and Raymond de Marolles paces up and down his study in Park
Lane. He is not going to the bank to-day. The autumn rains beat in
against the double windows of the apartment, which is situated at the
back of the house, looking out upon a small square patch of so-called
garden. This garden is shut in by a wall, over which a weak-minded and
erratic-looking creeper sprawls and straggles; and there is a little
green door in this wall, which communicates with a mews.

A hopelessly wet day. Twelve by the clock, and not enough blue in the
gloomy sky to make the smallest article of wearing apparel--no, not
so much as a pair of wristbands for an unhappy seaman. Well to be
the Count de Marolles, and to have no occasion to extend one’s walk
beyond the purple-and-crimson border of that Turkey carpet on such a
day as this! The London sparrows, transformed for the time being into
a species of water-fowl, flutter dismally about the small swamp of
grass-plot, flanked here and there by a superannuated clump of withered
geraniums which have evidently seen better days. The sparrows seem to
look enviously at the bright blaze reflected on the double windows of
the Count’s apartment, and would like, perhaps, to go in and sit on
the hob; and I dare say they twitter to each other, in confidence, “A
fine thing to be the Count de Marolles, with a fortune which it would
take the lifetime of an Old Parr to calculate, and a good fire in wet
weather.”

Yet, for all this, Raymond de Marolles does not look the most enviable
object in creation on this particular rainy morning. His pale fair
face is paler than ever; there are dark circles round the blue eyes,
and a nervous and incessant twitching of the thin lower lip--signs
which never were, and never will be, indications of a peaceful mind. He
has not seen Valerie since the night on which Monsieur Paul Moucée,
_alias_ Signor Mosquetti, told his story. She has remained
secluded in her own apartments; and even Raymond de Marolles has scarce
cared to break upon the solitude of this woman, in whom grief is so
near akin to desperation.

“What will she do, now she knows all? Will she denounce me? If she
does, I am prepared. If Blurosset, poor scientific fool, only plays
his part faithfully, I am safe. But she will hardly reveal the truth.
For her son’s sake she will be silent. Oh, strange, inexplicable,
and mysterious chance, that this fortune for which I have so deeply
schemed, for which I have hazarded so much and worked so hard, should
be my own--my own!--this woman a mere usurper, and I the rightful heir
to the wealth of the De Cevennes! What is to be done? For the first
time in my life I am at fault. Should I fly to the Marquis--tell him
I am his son?--difficult to prove, now that old hag is dead; and even
if I prove it--as I would move heaven and earth to do--what if she
denounce me to her uncle, and he refuse to acknowledge the adventurer,
the poisoner? I could soon silence her. But unfortunately she has been
behind the scenes, and I fear she would scarcely accept a drop of water
from the hands of her devoted husband. If I had any one to help me! But
I have no one; no one that I can trust--no one in my power. Oh, Laurent
Blurosset, for some of your mighty secrets, so that the very autumn
wind blowing in at her window might seal the lips of my beautiful
cousin for ever!”

Pleasant thoughts to be busy with this rainy autumn day; but such
thoughts are by no means unfamiliar to the heart of Raymond de Marolles.

It is from a reverie such as this that he is aroused by the sound of
carriage-wheels, and a loud knocking and ringing at the hall-door. “Too
early for morning callers. Who can it be at such an hour? Some one from
the bank, perhaps?” He paces up and down the room rather anxiously,
wondering who this unexpected visitor might be, when the groom of the
chambers opens the door and announces, “The Marquis de Cevennes!”

“So, then,” mutters Raymond, “she has played her first card--she has
sent for her uncle. We shall have need of all our brains to-day. Now
then, to meet my father face to face.”

As he speaks, the Marquis enters.

Face to face--father and son. Sixty years of age--fair and pale, blue
eyes, aquiline nose, and thin lips. Thirty years of age--fair and
pale, blue eyes, aquiline nose, and thin lips again; and neither of
the two faces to be trusted; not one look of truth, not one glance
of benevolence, not one noble expression in either. Truly father and
son--all the world over, father and son.

“Monsieur le Marquis affords me an unexpected honour and pleasure,”
said Raymond Marolles, as he advanced to receive his visitor.

“Nay, Monsieur de Marolles, scarcely, I should imagine, unexpected;
I cease in accordance with the earnest request of my niece; though
what that most erratic young lady can want with me in this abominable
country of your adoption is quite beyond my poor comprehension.”

Raymond draws a long breath. “So,” he thinks, “he knows nothing
_yet_. Good! You are slow to play your cards, Valerie. I will take
the initiative; my leading trump shall commence the game.”

“I repeat,” said the Marquis, throwing himself into the easy-chair
which Raymond had wheeled forward, and warming his delicate white hands
before the blazing fire; “I repeat, that the urgent request of my very
lovely but extremely erratic niece, that I should cross the Channel
in the autumn of a very stormy year--I am not a good sailor--is quite
beyond my comprehension.” He wears a very magnificent emerald ring,
which is too large for the slender third finger of his left hand, and
he amuses himself by twisting it round and round, sometimes stopping
to contemplate the effect of it with the plain gold outside, when it
looks like a lady’s wedding-ring. “It is, I positively assure you,” he
repeated, looking at the ring, and not at Raymond, “utterly beyond the
limited powers of my humble comprehension.”

Raymond looks very grave, and takes two or three turns up and down the
room. The light blue eyes of the Marquis follow him for a turn and a
half--find the occupation monotonous, and go back to the ring and the
white hand, always interesting objects for contemplation. Presently the
Count de Marolles stops, leans on the easy-chair on the opposite side
of the fireplace to that on which the Marquis is seated, and says, in a
very serious tone of voice--

“Monsieur de Cevennes, I am about to allude to a subject of so truly
painful and distressing a nature, both for you to hear and for me to
speak of, that I almost fear adverting to it.”

The Marquis has been so deeply interested in the ring, emerald
outwards, that he has evidently heard the words of Raymond without
comprehending their meaning; but he looks up reflectively for a moment,
recalls them, glances over them afresh as it were, nods, and says--

“Oh, ah! Distressing nature; you fear adverting to it--eh! Pray don’t
agitate yourself, my good de Marolles. I don’t think it likely you’ll
agitate me.” He leaves the ring for a minute or two, and looks over
the five nails on his left hand, evidently in search of the pinkest;
finds it on the third finger, and caresses it tenderly, while awaiting
Raymond’s very painful communication.

“You said, Monsieur le Marquis, that you were utterly at a loss to
comprehend my wife’s motive in sending for you in this abrupt manner?”

“Utterly. And I assure you I am a bad sailor--a very bad sailor. When
the weather’s rough, I am positively compelled to--it is really so
absurd,” he says, with a light clear laugh--“I am obliged to--to go to
the side of the vessel. Both undignified and disagreeable, I give you
my word of honour. But you were saying----”

“I was about to say, monsieur, that it is my deep grief to have to
state that the conduct of your niece has been for the last few months
in every way inexplicable--so much so, that I have been led to fear----”

“What, monsieur?” The Marquis folds his white hands one over the other
on his knee, leaves off the inspection of their beauties, and looks
full in the face of his niece’s husband.

“I have been led, with what grief I need scarcely say----”

“Oh, no, indeed; pray reserve the account of your grief--your grief
must have been so very intense. You have been led to fear----”

“That my unhappy wife is out of her mind.”

“Precisely. I thought that was to be the climax. My good Monsieur
Raymond, Count de Marolles--my very worthy Monsieur Raymond
Marolles--my most excellent whoever and whatever you may be--do you
think that René Théodore Auguste Philippe Le Grange Martel, Marquis de
Cevennes, is the sort of man to be twisted round your fingers, however
clever, unscrupulous, and designing a villain you may be?”

“Monsieur le Marquis!”

“I have not the least wish to quarrel with you, my good friend. Nay,
on the contrary, I will freely confess that I am not without a certain
amount of respect for you. You are a thorough villain. Everything
thorough is, in my mind, estimable. Virtue is said to lie in the
golden mean--virtue is not in my way; I therefore do not dispute the
question--but to me all mediums are contemptible. You are, in your way,
thorough; and, on the whole, I respect you.”

He goes back to the contemplation of his hands and his rings, and
concentrates all his attention on a cameo head of Mark Antony, which he
wears on his little finger.

“A villain, Monsieur le Marquis!”

“And a clever villain, Monsieur de Marolles--a clever villain! Witness
your success. But you are not quite clever enough to hoodwink me--not
quite clever enough to hoodwink any one blest with a moderate amount of
brains!”

“Monsieur!”

“Because you have one fault. Yes, really,”--he flicks a grain of dust
out of Mark Antony’s eye with his little finger--“yes, you have one
fault. You are too smooth. Nobody ever _was_ so estimable as
you _appear_ to be--you over-do it. If you remember,” continues
the Marquis, addressing him in an easy, critical, and conversational
tone, “the great merit in that Venetian villain in the tragedy of the
worthy but very much over-rated person, William Shakspeare, is, that
he is _not_ smooth. Othello trusts Iago, not because he _is_
smooth, but because he _isn’t_. ‘I know this fellow’s of exceeding
honesty,’ says the Moor; as much as to say, ‘He’s a disagreeable beast,
but I think trustworthy.’ You are a very clever fellow, Monsieur
Raymond de Marolles, but you would never have got Desdemona smothered.
Othello would have seen through you--as I did!”

“Monsieur, I will not suffer----”

“You will be good enough to allow me to finish what I have to say. I
dare say I am prosy, but I shall not detain you long. I repeat, that
though you are a very clever fellow, you would never have got the
bolster-and-pillow business accomplished, because Othello would have
seen through you as I did. My niece insisted on marrying you. Why? It
was not such a very difficult riddle to read, this marriage, apparently
so mysterious. You, an enterprising person, with a small capital,
plenty of brains, and white hands quite unfit for rough work, naturally
are on the look-out for some heiress whom you may entrap into marrying
you.”

“Monsieur de Cevennes!”

“My dear fellow, I am not quarrelling with you. In your position I
should have done the same. That is the very clue by which I unravel the
mystery. I say to myself, what should I have done if fate had been so
remarkably shabby as to throw me into the position of that young man?
Why, naturally I should have looked out for some woman foolish enough
to be deceived by that legitimate and old-established sham--so useful
to novelists and the melodramatic theatres--called ‘Love.’ Now, my
niece is not a fool; ergo, she was not in love with you. You had then
obtained some species of power over her. What that power was I did not
ask; I do not ask now. Enough that it was necessary for her, for me,
that this marriage should take place. She swore it on the crucifix. I
am a Voltairean myself, but, poor girl, she derived those sort of ideas
from her mother; so there was nothing for me but to consent to the
marriage, and accept a gentleman of doubtful pedigree.”

“Perhaps not so doubtful.”

“Perhaps not so doubtful! There is a triumphant curl about your upper
lip, my dear nephew-in-law. Has papa turned up lately?”

“Perhaps. I think I shall soon be able to lay my hand upon him.” He
lays a light and delicate hand on the Marquis’s shoulder as he says the
words.

“No doubt; but if in the meantime you would kindly refrain from laying
it on me, you would oblige--you would really oblige me. Though why,”
said the Marquis philosophically, addressing himself to Mark Antony,
as if he would like to avail himself of that Roman’s sagacity, “why
we should object to a villain simply because he is a villain, I can’t
imagine. We may object to him if he is coarse, or dirty, or puts his
knife in his mouth, or takes soup twice, or wears ill-made coats,
because those things annoy _us_; but, object to him because he
is a liar, or a hypocrite, or a coward? Perfectly absurd! I say,
therefore, I consented to the marriage, asked no unnecessary or
ill-bred questions, and resigned myself to the force of circumstances;
and for some years affairs appeared to go on very smoothly, when
suddenly I am startled by a most alarming letter from my niece. She
implores me to come to England. She is alone, without a friend, an
adviser, and she is determined to reveal all.”

“To reveal all!” Raymond cannot repress a start. The _sang froid_
of the Marquis had entirely deceived him whose chief weapon was that
very _sang froid_.

“Yes. What then? You, being aware of this letter having
been written--or, say, guessing that such a letter would be
written--determine; on your course. You will throw over your wife’s
evidence by declaring her to be mad. Eh? This is what you determine
upon, isn’t it?” It appears so good a joke to the Marquis, that he
laughs and nods at Mark Antony, as if he would really like that
respectable Roman to participate in the fun.

For the first time in his life Raymond Marolles has found his match. In
the hands of this man he is utterly powerless.

“An excellent idea. Only, as I said before, too obvious--too
transparently obvious. It is the only thing you can do. If I were
looking for a man, and came to a part of the country where there
was but one road, I should of course know that he must--if he went
anywhere--go down that road. So with you, my dear Marolles, there was
but one resource left you--to disprove the revelations of your wife
by declaring them the hallucinations of a maniac. I take no credit
to myself for seeing through you, I assure you. There is no talent
whatever in finding out that two and two make four; the genius would
be the man who made them into five. I do not think I have anything
more to say. I have no wish to attack you, my dear nephew-in-law. I
merely wanted to prove to you that I was not your dupe. I think you
must be by this time sufficiently convinced of that fact. If you have
any good Madeira in your cellars, I should like a glass or two, and
the wing of a chicken, before I hear what my niece may have to say to
me. I made a very poor breakfast some hours ago at the Lord Warden.”
Having expressed himself thus, the Marquis throws himself back in
his easy-chair, yawns once or twice, and polishes Mark Antony with
the corner of his handkerchief; he has evidently entirely dismissed
the subject on which he has been speaking, and is ready for pleasant
conversation.

At this moment the door is thrown open, and Valerie enters the room.

It is the first time Raymond has seen Valerie since the night of
Mosquetti’s story, and as his eyes meet hers he starts involuntarily.

What is it?--this change, this transformation, which has taken eight
years off the age of this woman, and restored her as she was on that
night when he first saw her at the Opera House in Paris. What is it?
So great and marvellous an alteration, he might almost doubt if this
indeed were she. And yet he can scarcely define the change. It seems a
transformation, not of the face, but of the soul. A new soul looking
out of the old beauty. A new soul? No, the old soul, which he thought
dead. It is indeed a resurrection of the dead.

She advances to her uncle, who embraces her with a graceful and
drawing-room species of tenderness, about as like real tenderness as
ormolu is like rough Australian gold--as Lawrence Sterne’s sentiment is
like Oliver Goldsmith’s pathos.

“My dear uncle! You received my letter, then?”

“Yes, dear child. And what, in Heaven’s name, can you have to tell me
that would not admit of being delayed until the weather changed?--and
I am such a bad sailor,” he repeats plaintively. “What can you have to
tell me?”

“Nothing yet, my dear uncle”--the bright dark eyes look with a steady
gaze at Raymond as she speaks--“nothing yet; the hour has not yet come.”

“For mercy’s sake, my dear girl,” says the Marquis, in a tone
of horror, “don’t be melodramatic. If you’re going to act a
Porte-St.-Martin drama, in thirteen acts and twenty-six tableaux, I’ll
go back to Paris. If you’ve nothing to say to me, why, in the name of
all that’s feminine, did you send for me?”

“When I wrote to you, I told you that I appealed to you because I had
no other friend upon earth to whom, in the hour of my anguish, I could
turn for help and advice.”

“You did, you did. If you had not been my only brother’s only child, I
should have waited a change in the wind before I crossed the Channel--I
am such a wretched sailor! But life, as the religious party asserts, is
a long sacrifice--I came!”

“Suppose that, since writing that letter, I have found a friend, an
adviser, a grading hand and a supporting arm, and no longer need the
help of any one on earth besides this new-found friend to revenge me
upon my enemies?”

Raymond’s bewilderment increases every moment. Has she indeed gone mad,
and is this new light in her eyes the fire of insanity?

“I am sure, my dear Valerie, if you have met with such a very
delightful person, I am extremely glad to hear it, as it relieves
me from the trouble. It is melodramatic certainly, but excessively
convenient. I have remarked, that in melodrama circumstances generally
are convenient. I never alarm myself when everything is hopelessly
wrong, and villainy deliciously triumphant; for I know that somebody
who died in the first act will come in at the centre doors, and make it
all right before the curtain falls.”

“Since Madame de Marolles will no doubt wish to be alone with her
uncle, I may perhaps be permitted to go into the City till dinner, when
I shall have the honour of meeting Monsieur le Marquis, I trust.”

“Certainly, my good De Marolles; your chef, I believe, understands
his profession. I shall have great pleasure in dining with you. _Au
revoir, mon enfant_; we shall go upon velvet, now we so thoroughly
understand each other.” He waves his white left hand to Raymond, as a
graceful dismissal, and turns towards his niece.

“Adieu, madame,” says the Count, as he passes his wife; then, in a
lower tone, adds, “I do not ask you to be silent for my sake or your
own; I merely recommend you to remember that you have a son, and that
you will do well not to make me your enemy. When I strike, I strike
home, and my policy has always been to strike in the weakest place. Do
not forget poor little Cherubino!” He looks at her steadily with his
cruel blue eyes, and then turns to leave the room.

As he opens the door, he almost knocks down an elderly gentleman
dressed in a suit of clerical-looking black and a white neckcloth, and
carrying an unpleasantly damp umbrella under his arm.

“Not yet, Mr. Jabez North,” says the gentleman, who is neither more nor
less than that respectable preceptor and guide to the youthful mind,
Dr. Tappenden, of Slopperton--“not yet, Mr. North; I think your clerks
in Lombard Street will be compelled to do without you to-day. You are
wanted elsewhere at present.”

Anything but this--anything but this, and he would have borne it,
like--like himself! Thank Heaven there is no comparison for such as he.
He was prepared for all but this. This early period of his life, which
he thought blotted out and forgotten--this he is unprepared for; and he
falls back with a ghastly face, and white lips that refuse to shape
even one exclamation of horror or surprise.

“What is this?” murmurs the Marquis. “North--Jabez--Jabez North? Oh,
I see, we have come upon the pre-Parisian formation, and that,” he
glances towards Dr. Tappenden, “is one of the vestiges.”

At last Raymond’s tremulous lips consent to form the words he struggles
to utter.

“You are under some mistake, sir, whoever you may be. My name is
not North, and I have not the honour of your acquaintance. I am a
Frenchman; my name is De Marolles. I am not the person you seek.”

A gentleman advances from the doorway--(there is quite a group of
people in the hall)--and says--

“At least, sir, you are the person who presented, eight years ago,
three forged cheques at my bank. I am ready, as well as two of my
clerks, to swear to your identity. We have people here with a warrant
to arrest you for that forgery.”

The forgery, not the murder?--no one knows of that, then--that, at
least, is buried in oblivion.

“There are two or three little things out against you, Mr. North,” said
the doctor; “but the forgery will serve our purpose very well for the
present. It’s the easiest charge to bring home as yet.”

What do they mean? What other charges? Come what may, he will be firm
to the last--to the last he will be himself. After all, it is but death
they can threaten him with, and the best people have to die, as well as
the worst.

“Only death, at most!” he mutters. “Courage, Raymond, and finish the
game as a good player should, without throwing away a trick, even
though beaten by better cards.”

“I tell you, gentlemen, I know nothing of your forgery, or you either.
I am a Frenchman, born at Bordeaux, and never in your very eccentric
country before; and indeed, if this is the sort of thing a gentleman is
liable to in his own study, I shall certainly, when I once return to
France, never visit your shores again.”

“_When_ you do return to France, I think it very unlikely you
will ever revisit England, as you say, sir. If, as you affirm, you are
indeed a Frenchman--(what excellent English you speak, monsieur, and
what trouble you must have taken to acquire so perfect an accent!)--you
will, of course, have no difficulty in proving the fact; also that you
were not in England eight years ago, and consequently were not for some
years assistant in the academy of this gentleman at Slopperton. All
this an enlightened British jury will have much pleasure in hearing. We
have not, however, come to try you, but to arrest you. Johnson, call
a cab for the Count de Marolles! If we are wrong, monsieur, you will
have a magnificent case of false imprisonment, and I congratulate you
on the immense damages which you will most likely obtain. Thomson, the
handcuffs! I must trouble you for your wrists, Monsieur de Marolles.”

The police officer politely awaits the pleasure of his prisoner.
Raymond pauses for a moment; thinks deeply, with his head bent on his
breast; lifts it suddenly with a glitter in his eyes, and his thin lips
set firm as iron. He has arranged his game.

“As you say, sir, I shall have an excellent case of false imprisonment,
and my accusers shall pay for their insolence, as well as for their
mistake. In the meantime, I am ready to follow you; but, before I do
so, I wish to have a moment’s conversation with this gentleman, the
uncle of my wife. You have, I suppose, no objection to leaving me alone
with him for a few minutes. You can watch outside in the hall; I shall
not attempt to escape. We have, unfortunately, no trap-doors in this
room, and I believe they do not build the houses in Park Lane with such
conveniences attached to them as sliding panels or secret staircases.”

“Perhaps not, sir,” replies the inflexible police officer; “but they
do, I perceive, build them with gardens”--he walks to the window, and
looks out--“a wall eight feet high--door leading into mews. Not by any
means such a very inconvenient house, Monsieur de Marolles. Thomson,
one of the servants will be so good as to show you the way into the
garden below these windows, where you will amuse yourself till this
gentleman has done talking with his uncle.”

“One moment--one moment,” says the Marquis, who, during the foregoing
conversation has been entirely absorbed in the endeavour to extract a
very obstinate speck of dust from Mark Antony’s nostril. “One moment,
I beg”--as the officer is about to withdraw--“why an interview? Why a
police person in the garden--if you call that dreadful stone dungeon
with the roof off a garden? I have nothing to say to this gentleman.
Positively nothing. All I ever had to say to him I said ten minutes
ago. We perfectly understand each other. He can have nothing to say to
me, or I to him; and really, I think, under the circumstances, the very
best thing you can do is to put on that unbecoming iron machinery--I
never saw a thing of the kind before, and, as a novelty, it is
actually quite interesting”--(he touches the handcuffs that are lying
on the table with the extreme tip of his taper third finger, hastily
withdrawing it as if he thought they would bite)--“and to take him
away immediately. If he has committed a forgery, you know,” he adds,
deprecatingly, “he is not the sort of thing one likes to see about one.
He really is not.”

Raymond de Marolles never had, perhaps, too much of that absurd
weakness called love for one’s fellow-creatures; but if ever he hated
any man with the blackest and bitterest hate of his black and bitter
heart, so did he hate the man standing now before him, twisting a ring
round and round his delicate finger, and looking as entirely at his
ease as if no point were in discussion of more importance than the wet
weather and the cold autumn day.

“Stay, Monsieur le Marquis de Cevennes,” he said, in a tone of
suppressed passion, “you are too hasty in your conclusions. You have
nothing to say to me. Granted! But I may have something to say to
you--and I have a great deal to say to you, which must be said; if
not in private, then in public--if not by word of mouth, I will print
it in the public journals, till Paris and London shall ring with the
sound of it on the lips of other men. You will scarcely care for this
alternative, Monsieur de Cevennes, when you learn _what_ it is
I have to say. Your _sang froid_ does you credit, monsieur;
especially when, just now, though you could not repress a start of
surprise at hearing that gentleman,” he indicates Dr. Tappenden with
a wave of his hand, “speak of a certain manufacturing town called
Slopperton, you, so rapidly regained your composure that only so close
an observer as myself would have perceived your momentary agitation.
You appear entirely to ignore, monsieur, the existence of a certain
aristocratic emigrant’s son, who thirty years ago taught French and
mathematics in that very town of Slopperton. Nevertheless, there was
such a person, and you knew him--although he was content to teach his
native language for a shilling a lesson, and had at that period no
cameo or emerald rings to twist round his fingers.”

If the Marquis was ever to be admired in the whole course of his
career, he was to be admired at this moment. He smiled a gentle and
deprecating smile, and said, in his politest tone--

“Pardon me, he had eighteenpence a lesson--eighteenpence, I assure
you; and he was often invited to dinner at the houses where he taught.
The women adored him--they are so simple, poor things. He might have
married a manufacturer’s daughter, with an immense fortune, thick
ancles, and erratic h’s.”

“But he did not marry any one so distinguished. Monsieur de Cevennes, I
see you understand me. I do not ask you to grant me this interview in
the name of justice or humanity, because I do not wish to address you
in a language which is a foreign one to me, and which you do not even
comprehend; but in the name of that young Frenchman of noble family,
who was so very weak and foolish, so entirely false to himself and to
his own principles, as to marry a woman because he loved, or fancied
that he loved her, I say to you, Monsieur le Marquis, you will find it
to your interest to hear what I have to reveal.”

The Marquis shrugs his shoulders slightly. “As you please,” he says.
“Gentlemen, be good enough to remain outside that door. My dear
Valerie, you had better retire to your own apartments. My poor child,
all this must be so extremely wearisome to you--almost as bad as
the third volume of a fashionable novel. Monsieur de Marolles, I am
prepared to hear what you may have to say--though”--he here addresses
himself generally--“I beg to protest against this affair from first to
last--I repeat, from first to last--it is so intolerably melodramatic.”




                              CHAPTER II.

     RAYMOND DE MAROLLES SHOWS HIMSELF BETTER THAN ALL BOW STREET.


“AND so, Monsieur de Marolles,” said the Marquis, as Raymond closed the
door on the group in the hall, and the two gentlemen were left entirely
alone, “and so you have--by what means I shall certainly not so far
inconvenience myself as to endeavour to guess--contrived to become
informed of some of the antecedents of your very humble servant?”

“Of some of the antecedents--why not say of all the antecedents,
Monsieur de Cevennes?”

“Just as you like, my dear young friend,” replies the Marquis. He
really seems to get quite affectionate to Raymond, but in a far-off,
patronizing, and superb manner something that of a gentlemanly
Mephistopheles to a promising Doctor Faustus;--“and having possessed
yourself of this information, may I ask what use you intend making
of it? In this utilitarian age everything is put to a use, sooner or
later. Do you purpose writing my biography? It will not be interesting.
Not as you would have to write it to-day. Alas! we are not so fortunate
as to live under the Regency, and there are not many interesting
biographies nowadays.”

“My dear Marquis, I really have no time to listen to what I have
no doubt, amongst your own particular friends, is considered most
brilliant wit; I have two or three things to say to you that must be
said; and the sort of people who are now waiting outside the door are
apt to be impatient.”

“Ah, you are experienced; you know their manners and customs! And they
are impatient,” murmured the Marquis, thoughtfully; “and they put you
in stone places as if you were coal, and behind bars as if you were
zoological; and then they hang you. They call you up at an absurd hour
in the morning, and they take you out into a high place, and drop you
down through a hole as if you were a penny put into a savings box; and
other people get up at an equally absurd hour of the morning, or stay
up all night, in order to see it done. And yet there are persons who
declare that the age of romance has passed away.”

“Monsieur de Cevennes, that which I have to say to you relates to your
marriage.”

“My marriage. Suppose I say that I never was married, my amiable
friend?”

“I shall then reply, monsieur, that I not only am informed of all the
circumstances of your marriage, but what is more, I am possessed of a
proof of that marriage.”

“Supposing there was such a marriage, which I am prepared to deny,
there could only be two proofs--the witnesses and the certificate.”

“The witnesses, monsieur, are dead,” said Raymond.

“Then that would reduce the possible proofs to one--the certificate.”

“Nay, monsieur, there might be another evidence of the marriage.”

“And that would be----?”

“The issue of it. You had two sons by that marriage, monsieur. One of
those sons died eight years ago.”

“And the other----?” asked the Marquis.

“Still lives. I shall have something to say about him by-and-by.”

“It is a subject in which I take no sort of interest,” said the
Marquis, throwing himself back into his chair, and abandoning himself
once more to Marc Antony. “I may have been married, or I may not have
been married--it is not worth my while to deny that fact to you;
because if I confess it to you, I can of course deny it the moment I
cross the threshold of that door--I may have sons, or I may not have
sons; in either case, I have no wish to hear of them, and anything you
may have to say about them is, it appears to me, quite irrelevant to
the matter in hand; which merely is your going to prison for forgery,
or your _not_ going to prison for forgery. But what I most
earnestly recommend, my very dear young friend, is, that you take the
cab and handcuffs quietly, and go! That will, at least, put an end
to fuss and discussion; and oh, what an inexpressible relief there
is in that! I always envy Noah, floundering about in that big boat
of his: no new books; no houses of parliament; no poor relations; no
_Times_ newspaper; and no taxes--‘universal as you were,’ as Mr.
Carlyle says; plenty to eat, and everything come to an end; and that
foolish Noah must needs send out the dove, and begin it all over again.
Yes, he began it all over again, that preposterous Noah. Whereby, cab,
handcuffs, forgery, long conversation, and police persons outside that
door; all of which might have been prevented if Noah had kept the dove
indoors, and had been unselfish enough to bore a hole in the bottom of
his boat.”

“If you will listen to me, Monsieur le Marquis, and keep your
philosophical reflections for a more convenient season, there will be
some chance of our coming to an understanding. One of these twin sons
still lives.”

“Now, really, that is the old ground again. We are not getting on----”

“Still lives, I say. Whatever he is, Monsieur de Cevennes--whatever his
chequered life may have been, the guilt and the misery of that life
rest alike on your head.”

The Marquis gives the head alluded to an almost imperceptible jerk,
as if he threw this moral burden off, and looks relieved by the
proceeding. “Don’t be melodramatic,” he remarks, mildly, “this is not
the Porte-St.-Martin, and there are no citizens in the gallery to
applaud.”

“That guilt and that misery, I say, rest upon your head. When you
married the woman whom you abandoned to starvation and despair, you
loved her, I suppose?”

“I dare say I did; I have no doubt I told her so, poor little thing!”

“And a few months after your marriage you wearied of her, as you would
have done of any other plaything.”

“As I should have done of any other plaything. Poor dear child, she
was dreadfully wearisome. Her relations too. Heaven and earth, what
relations! They were looked upon in the light of human beings at
Slopperton, but they were wise to keep out of Paris, for they’d have
been most decidedly put into the Jardin des Plantes; and, really,” said
the Marquis, thoughtfully, “behind bars, and aggravated by fallacious
offers of buns from small children, they would have been rather
amusing.”

“You were quite content that this unhappy girl should share your
poverty, Monsieur le Marquis; but in the hour of your good fortune----”

“I left her. Decidedly. Look you, Monsieur de Marolles, when I married
that young person, whom you insist on dragging out of her grave--poor
girl, she is dead, no doubt, by this time--in this remarkably
melodramatic manner, I was a young man, without a penny in the
world, and with very slight expectations of ever becoming possessed
of one. I am figurative, of course. I believe men of my temperament
and complexion are not very subject to that popular epidemic, called
love. But as much as it was in my power to love any one, I loved this
little factory girl. I used to meet her going backwards and forwards
to her work, as I went backwards and forwards to mine; and we became
acquainted. She was gentle, innocent, pretty. I was very young, and,
I need scarcely say, extremely stupid; and I married her. We had not
been married six months before that dreadful Corsican person took it
into his head to abdicate; and I was summoned back to France, to make
my appearance at the Tuileries as Marquis de Cevennes. Now, what I
have to say is this: if you wish to quarrel with any one, quarrel
with the Corsican person; for if he had never signed his abdication
at Fontainebleau (which he did, by the bye, in a most melodramatic
manner--I am acquainted with some weak-minded people who cannot read
the description of that event without shedding tears), I should never
have deserted my poor little English wife.”

“The Marquis de Cevennes could not, then, ratify the marriage of the
obscure teacher of French and mathematics?” asked Raymond.

“If the Marquis de Cevennes had been a rich man, he might have done
so; but the Restoration, which gave me back my title, and the only
château (my ancestors had three) which the Jacobins had not burned to
the ground, did not restore me the fortune which the Revolution had
devoured. I was a poor man. Only one course was open to me--a rich
marriage. The wealthy widow of a Bonapartist general beheld and admired
your humble servant, and the doom of my poor little wife was sealed.
For many years I sent money regularly to her old mother--an awful
woman, who knew my secret. She had, therefore, no occasion to starve,
Monsieur de Marolles. And now, may I be permitted to ask what interest
you have in this affair, that you should insist on recalling these very
disagreeable circumstances at this particular moment?”

“There is one question you do not ask, Monsieur le Marquis.”

“Indeed; and what is that?” asked the Marquis.

“You seem to have very little curiosity about the fate of your
surviving son.”

“I seem to have very little curiosity, my young friend; I have very
little curiosity. I dare say he is a very worthy individual; but I
have no anxiety whatever about his fate; for if he at all resembles
his father, there is very little doubt that he has taken every care of
himself. The De Cevennes have always taken care of themselves; it is a
family trait.”

“He has proved himself worthy of that family, then. He was thrown
into a river, but he did not sink; he was put into a workhouse and
brought up as a pauper, but by the force of his own will and the help
of his own brain he extricated himself, and won his way in the world.
He became, what his father was before him, a teacher in a school. He
grew tired of that, as his father did, and left England for Paris. In
Paris, like his father before him, he married a woman he did not love
for the sake of her fortune. He became master of that fortune, and
till this very day he has surmounted every obstacle and triumphed over
every difficulty. Your only son, Monsieur de Cevennes--the son whose
mother you deserted--the son whom you abandoned to starve, steal,
drown, or hang, to beg in the streets, die in a gutter, a workhouse, or
a prison--has lived through all, to stand face to face with you this
day, and to tell you that for his own and for his mother’s wrongs,
with all the strength of a soul which those wrongs have steeped in
wickedness--_he hates you!_”

“Don’t be violent,” said the Marquis, gently. “So, you are my son? Upon
my word I thought all along you were something of that kind, for you
are such a consummate villain.”

For the first time in his life Raymond de Marolles feels what it is
to be beaten by his own weapons. Against the _sang froid_ of the
Marquis the torrent of his passionate words dashes, as the sea dashes
at the foot of a rock, and makes as little impression.

“And what then?” says the Marquis. “Since it appears you are my son,
what then?”

“You must save me, monsieur,” said Raymond, in a hoarse voice.

“Save you? But, my worthy friend, how save you? Save you from the cab
and handcuffs? If I go out to those people and say, ‘He is my son; be
so good as to forego the cab and handcuffs,’ they will laugh at me.
They are so dreadfully matter-of-fact, that sort of people. What is to
be done?”

“Only this, monsieur. I must make my escape from this apartment. That
window looks into the garden, from the garden to the mews, through the
mews into a retired street, and thence----”

“Never mind that, if you get there. I really doubt the possibility of
your getting there. There is a policeman watching in that garden.”

Raymond smiles. He is recovering his presence of mind in the necessity
for action. He opens a drawer in the library table and takes out an
air-pistol, which looks rather like some elegant toy than a deadly
weapon.

“I must shoot that man,” he says.

“Then I give the alarm. I will not be implicated in a murder. Good
Heavens! the Marquis de Cevennes implicated in a murder! Why, it would
be talked of in Paris for a month.”

“There will be no murder, monsieur. I shall fire at that man from this
window and hit him in the knee. He will fall, and most likely faint
from the pain, and will not, therefore know whether I pass through the
garden or not. You will give the alarm, and tell the men without that I
have escaped through this window and the door in the wall yonder. They
will pursue me in that direction, while I----”

“You will do what?”

“Go out at the front door as a gentleman should. I was not unprepared
for such an event as this. Every room in this house has a secret
communication with the next room. There is only one door in this
library, as it seems, and they are carefully watching that.”

As he speaks he softly opens the window and fires at the man in the
garden, who falls, only uttering a groan. As Raymond predicted, he
faints with the pain.

With the rapidity of lightning he flings the window up violently,
hurls the pistol to the farthest extremity of the garden, snatches the
Marquis’s hat from the chair on which it lies, presses one finger on
the gilded back of a volume of Gibbon’s _Rome_, a narrow slip of
the bookcase opens inwards, and reveals a door leading into the next
apartment, which is the dining-room. This door is made on a peculiar
principle, and, as he pushes through, it closes behind him.

This is the work of a second; and as the officers, alarmed by the sound
of the opening of the window, rush into the room, the Marquis gives the
alarm. “He has escaped by the window!” he said. “He has wounded your
assistant, and passed through that door. He cannot be twenty yards in
advance; you will easily know him by his having no hat on.”

“Stop!” cries the detective officer, “this may be a trap. He may have
got round to the front door. Go and watch, Johnson.”

A little too late this precaution. As the officers rushed into the
library, Raymond passed from the dining-room door out of the open
street-door, and jumped into the very cab which was waiting to take him
to prison. “Five pounds, if you catch the Liverpool Express,” he said
to the cabman.

“All right, sir,” replied that worthy citizen, with a wink. “I’ve
druv a many gents like you, and very good fares they is too, and a
godsend to a hard-working man, what old ladies with hand-bags and
umbrellas grudges eightpence a mile to,” mutters the charioteer, as he
gallops down Upper Brook Street and across Hanover Square, while the
gentlemen of the police force, aided by Dr. Tappenden and the obliging
Marquis, search the mews and neighbourhood adjoining. Strange to say,
they cannot obtain any information from the coachman and stable-boys
concerning a gentleman without a hat, who must have passed through the
mews about three minutes before.




                             CHAPTER III.

                THE LEFT-HANDED SMASHER MAKES HIS MARK.


“IT is a palpable and humiliating proof of the decadence of the
glories of white-cliffed Albion and her lion-hearted children,” said
the sporting correspondent of the _Liverpool Bold Speaker and
Threepenny Aristides_--a gentleman who, by the bye, was very clever
at naming--for half-a-dozen stamps--the horses that _didn’t_
win; and was, indeed, useful to fancy betters, as affording accurate
information what to avoid; nothing being better policy than to give the
odds against any horse named by him as a sure winner, or a safe second:
for those gallant steeds were sure to be, whatever the fluctuating
fortune of the race, ignominiously nowhere. “It is”, continued the
_Liverpool B. S._, “a sign of the downfalling of the lion and
unicorn--over which Britannia may shed tears and the inhabitants of
Liverpool and its vicinity mourn in silent despair--that the freedom of
England is no more! We repeat (_The Liverpool Aristides_ here gets
excited, and goes into small capitals)--BRITAIN is no longer
FREE! Her freedom departed from her on that day on which the
blue-coated British Sbirri of Sir Robert Peel broke simultaneously into
the liberties of the nation, the mightiest clauses of Magna Charta,
and the Prize Ring, and stopped the operations of the Lancashire Daddy
Longlegs and the celebrated Metropolitan favourite, the Left-handed
Smasher, during the eighty-ninth round, and just as the real interest
of the fight was about to begin. Under these humiliating circumstances,
a meeting has been held by the referees and backers of the men, and
it has been agreed between the latter and the stakeholder to draw the
money. But, that the valiant and admired Smasher may have no occasion
to complain of the inhospitality of the town of Liverpool, the patrons
of the fancy have determined on giving him a dinner, at which his late
opponent, our old favourite and honoured townsman, Daddy Longlegs,
will be in the chair, having a distinguished gentleman of sporting
celebrity as his vice. It is to be hoped that, as some proof that
the noble art of self-defence is not entirely extinct in Liverpool,
the friends of the Ring will muster pretty strong on this occasion.
Tickets, at half-a-guinea, to be obtained at the Gloves Tavern, where
the entertainment will take place.”

On the very day on which the Count de Marolles left his establishment
in Park Lane in so very abrupt a manner, the tributary banquet to the
genius of the Ring, in the person of the Left-handed Smasher, came
off in excellent style at the above-mentioned Gloves Tavern--a small
hostelry, next door to one of the Liverpool minor theatres, and chiefly
supported by the members of the Thespian and pugilistic arts. The
dramatic element, perhaps, rather predominated in the small parlour
behind the bar, where Brandolph of the Burning Brand--after fighting
sixteen terrific broadsword combats, and being left for dead behind
the first grooves seven times in the course of three acts--would
take his Welsh rarebit and his pint of half-and-half in company with
the Lancashire Grinder and the Pottery Pet, and listen with due
solemnity to the discourse of these two popular characters. The little
parlour was so thickly hung with portraits of theatrical and sporting
celebrities, that Œdipus himself--distinguished as he is for having
guessed the dullest of conundrums--could never have discovered the
pattern of the paper which adorned the walls. Here, Mr. Montmorency,
the celebrated comedian, smirked--with that mild smirk only known in
portraits--over the ample shoulders of his very much better half, at
the Pet in fighting attitude. There, Mr. Marmaduke Montressor, the
great tragedian, frowned, in the character of Richard the Third, at
Pyrrhus the First, winner of the last Derby. Here, again, Mademoiselle
Pasdebasque pointed her satin slipper side by side with the youthful
Challoner of that day; and opposite Mademoiselle Pasdebasque, a
gentleman in scarlet, whose name is unknown, tumbled off a burnt-sienna
horse, in excellent condition, and a very high state of varnish, into
a Prussian-blue ditch, thereby filling the spectator with apprehension
lest he should be, not drowned, but dyed. As to Brandolph of the Brand,
there were so many pictures of him, in so many different attitudes,
and he was always looking so very handsome and doing something so
very magnanimous, that perhaps, upon the whole, it was rather a
disappointment to look from the pictures down to the original of them
in the dingy costume of private life, seated at the shiny little
mahogany table, partaking of refreshment.

The theatrical profession mustered pretty strongly to do honour to the
sister art on this particular occasion. The theatre next door to the
Gloves happened, fortunately, to be closed, on account of the extensive
scale of preparations for a grand dramatic and spectacular performance,
entitled, “The Sikh Victories; or, The Tyrant of the Ganges,” which
was to be brought out the ensuing Monday, with even more than usual
magnificence. So the votaries of Thespis were free to testify their
admiration for the noble science of self-defence, by taking tickets
for the dinner at ten-and-sixpence a piece, the banquet being, as Mr.
Montressor, the comedian above-mentioned, remarked, with more energy
than elegance, a cheap blow-out, as the dinner would last the guests
who partook of it two days, and the indigestion attendant thereon would
carry them through the rest of the week.

I shall not enter into the details of the pugilistic dinner, but will
introduce the reader into the banquet-hall at rather a late stage in
the proceedings; in point of fact, just as the festival is about to
break up. It is two o’clock in the morning; the table is strewn with
the _débris_ of a dessert, in which figs, almonds and raisins,
mixed biscuits, grape-stalks, and apple and orange-peel seem rather
to predominate. The table is a very field of Cressy or Waterloo,
as to dead men in the way of empty bottles; good execution having
evidently been done upon Mr. Hemmar’s well-stocked cellar. From the
tumblers and spoons before each guest, however, it is also evident that
the festive throng has followed the example of Mr. Sala’s renowned
hero, and after having tried a “variety of foreign drains,” has gone
back to gin-and-water _pur et simple_. It is rather a peculiar
and paradoxical quality of neat wines that they have, if anything,
rather an untidy effect on those who drink them: certainly there is a
looseness about the hair, a thickness and indecision in the speech,
and an erratic and irrelevant energy and emphasis in the gestures of
the friends of the Smasher, which is entirely at variance with our
ordinary idea of the word “neat.” Yet, why should we quarrel with them
on that account? They are harmless and they are happy. It is surely no
crime to see two gas burners where, to the normal eye, there is only
one; neither is it criminal to try five distinct times to enunciate
the two words, “slightest misunderstanding,” and to fail ignominiously
every time. If anything, that must be an amiable feeling which inspires
a person with a sudden wild and almost pathetic friendship for a man
he never saw before; such a friendship, in short, as pants to go to
the block for him, or to become his surety to a loan-office for five
pounds. Is it any such terrible offence against society to begin a
speech of a patriotic nature, full of allusions to John Bull, Queen
Victoria, Wooden Walls, and the Prize Ring, and to burst into tears in
the middle thereof? Is there no benevolence in the wish to see your
friend home, on account of your strong impression that he has taken
a little too much, and that he will tumble against the railings and
impale his chin upon the spikes; which, of course, _you_ are in
no danger of doing? Are these things crimes? No! We answer boldly, No!
Then, hurrah for neat wines and free trade! Open wide our harbours to
the purple grapes that flourish in the vineyards of sunny Burgundy and
Bordeaux; and welcome, thrice welcome, to the blushing tides which
Horace sang so many hundred years ago, when our beautiful Earth was
younger, and maybe fairer, and held its course, though it is hard to
believe it, very well indeed, without the genius of modern civilization
at the helm.

There had been a silver cup, with one of the labours of Hercules--poor
Hercules, how hard they work him in the sporting world!--embossed
thereon, presented to the Smasher, as a tribute of respect for those
British qualities which had endeared him to his admirers; and the
Smasher’s health had been drunk with three-times-three, and a little
one in; and then three more three-times-three, and another little one
in; and the Smasher had returned thanks, and Brandolph of the Brand
had proposed the Daddy Longlegs, and the Daddy Longlegs had made a
very neat speech in the Lancashire dialect, which the gentlemen of
the theatrical profession had pretended to understand, but had not
understood; and a literary individual--being, in fact, the gentleman
whose spirited writing we have quoted above, Mr. Jeffrey Hallam
Jones, of the _Liverpool Aristides_, sporting and theatrical
correspondent, and constant visitor at the Gloves--had proposed the
Ring; and the Smasher had proposed the Press, for the liberties
of which, as he said in noble language afterwards quoted in the
_Aristides_, the gentlemen of the Prize Ring were prepared
to fight as long as they had a bunch of fives to rattle upon the
knowledge-box of the foe; and then the Daddy Longlegs had proposed the
Stage, and its greatest glory, Brandolph of the Brand; and ultimately
everybody had proposed everybody else--and then, some one suggesting a
quiet song, everybody sang.

Now, as the demand for a song from each member of the festive band
was of so noisy and imperative a nature that a refusal was not only
a moral, but a physical impossibility, it would be unbecoming to
remark that the melody and harmony of the evening were, at best,
fluctuating. Annie Laurie was evidently a young lady of an undecided
mind, and wandered in a pleasing manner from C into D, and from D into
E, and then back again with laudable dexterity to C, for the finish.
The gentleman whose heart was bowed down in the key of G might have
rendered his performance more effective, had he given his statement of
that affliction entirely in one key; and another gentleman, who sang a
comic song of seventeen eight-line verses, with four lines of chorus to
every verse, would have done better if he had confined himself to his
original plan of singing superhumanly flat, instead of varying it, as
he occasionally did, by ringing preternaturally sharp. Of course it is
an understood thing, that in a chorus, every singer should choose his
own key, or where is the liberty of the subject?--so _that_ need
not be alluded to. But all this is over; and the guests of Mr. Hemmar
have risen to depart, and have found the act of rising to depart by no
means the trifle they thought it. It is very hard, of course, in such
an atmosphere of tobacco, to find the door; and that, no doubt, is the
reason why so many gentlemen seek for it in the wrong direction, and
buffet insanely with their arms against the wall, in search of that
orifice.

Now, there are two gentlemen in whom Mr. Hemmar’s neat wines have
developed a friendship of the warmest description. Those two gentlemen
are none other than the two master-spirits of the evening, the
Left-handed Smasher and Brandolph of the Brand--who, by the bye, in
private life, is known as Augustus de Clifford. His name is not written
thus in the register of his baptism. On that malicious document he is
described as William Watson; but to his friends and the public he has
for fifteen years been admired and beloved as the great De Clifford,
although often familiarly called Brandolph, in delicate allusion to his
greatest character.

Now, Brandolph is positively convinced that the Smasher is not in a
fit state to go home alone, and the Smasher is equally assured that
Brandolph will do himself a mischief unless he is watched; so Brandolph
is going to see the Smasher home to his hotel, which is a considerable
distance from the Gloves Tavern; and then the Smasher is coming back
again to see Brandolph to his lodgings, which are next door but two to
the Gloves Tavern. So, after having bade good night to every one else,
in some instances with tears, and always with an affectionate pathos
verging upon tears, Brandolph flings on his loose overcoat, just as
Manfred might have flung on his cloak prior to making a morning call
upon the witch of the Alps, and the Smasher twists about five yards of
parti-coloured woollen raiment, which he calls a comforter, round his
neck, and they sally forth.

A glorious autumn night; the full moon high in the heavens, with a tiny
star following in her wake like a well-bred tuft-hunter, and all the
other stars keeping their distance, as if they had retired to their own
“grounds,” as the French say, and were at variance with their queen
on some matter connected with taxes. A glorious night; as light as
day--nay, almost lighter; for it is a light which will bear looking
at, and which does not dazzle our eyes as the sun does, when we are
presumptuous enough to elevate our absurdly infinitesimal optics to his
sublimity. Not a speck on the Liverpool pavement, not a dog asleep on
the doorstep, or a dissipated cat sneaking home down an area, but is
as visible as in the broad glare of noon. “Such a night as this” was
almost too much for Lara, and Brandolph of the Brand grows sentimental.

“You wouldn’t think,” he murmurs, abstractedly, gazing at the moon, as
he and the Smasher meander arm-in-arm over the pavement; “you wouldn’t
think she hadn’t an atmosphere, would you? A man might build a theatre
there, and he might get his company up in balloons; but I question
if it would pay, on account of that trivial want--she hasn’t got an
atmosphere.”

“Hasn’t she?” said the Smasher, who certainly, if anything, had, in
the matter of sobriety, the advantage of the tragedian. “You’ll have
a black eye though, if you don’t steer clear of that ’ere lamp-post
you’re makin’ for. I never did see such a cove,” he added; “with his
_h_atmospheres, and his moons, and his b’loons, one would think
he’d never had a glass or two of wine before.”

Now, to reach the hotel which the left-handed one honoured by his
presence, it was necessary to pass the quay; and the sight of the water
and the shipping reposing in the stillness under the light of the moon,
again awakened all the poetry in the nature of the romantic Brandolph.

“It is beautiful!” he said, taking his pet position, and waving his arm
in the orthodox circle, prior to pointing to the scene before him. “It
is peaceful: it is we who are the blots upon the beauty of the earth.
Oh, why--why are we false to the beautiful and heroic, as the author of
the Lady of Lyons would observe? Why are we false to the true? Why do
we drink too much and see double? Standing amidst the supreme silences,
with breathless creation listening to our words, we look up to the
stars that looked down upon the philosopher of the cave; and we feel
that we have retrograded.” Here the eminent tragedian gave a lurch, and
seated himself with some violence and precipitation on the kerbstone.
“We feel,” he repeated, “that we have retrograded. It is a pity!”

“Now, who’s to pick him up?” inquired the Smasher, looking round in
silent appeal to the lamp-posts about him. “Who’s to pick him up?
I can’t; and if he sleeps here he’ll very likely get cold. Get up,
you snivelling fool, can’t you?” he said, with some asperity, to the
descendant of Thespis, who, after weeping piteously, was drying his
eyes with an announce bill of the “Tyrant of the Ganges,” and by
no means improving his personal appearance with the red and black
printer’s ink thereof.

How mine host of the Cheerful Cherokee would ever have extricated his
companion from this degraded position, without the timely intervention
of others, is not to be said; for at this very moment the Smasher
beheld a gentleman alight from a cab at a little distance from where he
stood, ask two or three questions of the cabman, pay and dismiss him,
and then walk on in the direction of some steps that led to the water.
This gentleman wore his hat very much slouched over his face; he was
wrapped in a heavy loose coat, that entirely concealed his figure, and
evidently carried a parcel of some kind under his left arm.

“Hi!” said the Smasher, as the pedestrian approached; “Hi, you there!
Give us a hand, will you?”

The gentleman addressed as “you there” took not the slightest notice of
this appeal, except, indeed, that he quickened his pace considerably,
and tried to pass the left-handed one.

“No, you don’t,” said our pugilistic friend; “the cove as refuses to
pick up the man that’s down is a blot upon the English character,
and the sooner he’s scratched out the better;” wherewith the Smasher
squared his fists and placed himself directly in the path of the
gentleman with the slouched hat.

“I tell you what it is, my good fellow,” said this individual, “you may
pick up your drunken friend yourself, or you may wait the advent of
the next policeman, who will do the public a service by conveying you
both to the station-house, where you may finish the evening in your own
highly-intellectual manner. But perhaps you will be good enough to let
me pass, for I’m in a hurry! You see that American vessel yonder--she’s
dropped down the river to wait for the wind; the breeze is springing
up as fast as it can, and she may set sail as it is before I can reach
her; so, if you want to earn a sovereign, come and see if you can help
me in arousing a waterman and getting off to her?”

“Oh, you are off to America, are you?” said the Smasher, thoughtfully.
“Blow that ’ere wine of Hemmar’s! I ought to know the cut of your
figure-head. I’ve seen you before--I’ve seen you somewheres before,
though where that somewheres was, spiflicate me if I can call to mind!
Come, lend a hand with this ’ere friend o’ mine, and I’ll lend you a
hand with the boatman.”

“D--n your friend,” said the other, savagely; “let me pass, will you,
you drunken fool?”

This was quite enough for the Smasher, who was just in that agreeable
frame of mind attendant on the consumption of strong waters, in which
the jaundiced eye is apt to behold an enemy even in a friend, and the
equally prejudiced ear is ready to hear an insult in the most civil
address.

“Come on, then,” said he; and putting himself in a scientific attitude,
he dodged from side to side two or three times, as if setting to his
partner in a quadrille, and then, with a movement rapid as lightning,
went in with his left fist, and planted a species of postman’s knock
exactly between the eyes of the stranger, who fell to the ground as an
ox falls under the hand of an accomplished butcher.

It is needless to say that, in falling, his hat fell off, and as he lay
senseless on the pavement, the moonlight on his face revealed every
feature as distinctly as in the broadest day.

The Smasher knelt down by his side, looked at him attentively for a few
moments, and then gave a long, low whistle.

“Under the circumstances,” he said, “perhaps I couldn’t have done a
better thing than this ’ere I’ve done promiscuous. He won’t go to
America by that vessel at any rate; so if I telegraph to the Cherokees,
maybe they will be glad to hear what he’s up to down here. Come along,”
continued the sobered Smasher, hauling up Mr. De Clifford by the
collar, as ruthlessly as if he had been a sack of coal; “I think I
hear the footsteps of a Bobby a-coming this way, so we’d better make
ourselves scarce before we’re asked any questions.”

“If,” said the distinguished Brandolph, still shedding tears, “if
the town of Liverpool was conducted after the manner of the Republic
of Plato, there wouldn’t be any policemen. But, as I said before, we
have retrograded. Take care of the posts,” he added plaintively. “It
is marvellous the effect a few glasses of light wine have upon some
people’s legs; while others, on the contrary----” here he slid again to
the ground, and this time eluded all the Smasher’s endeavours to pick
him up.

“You had better let me be,” he murmured. “It is hard, but it is clean
and comfortable. Bring me my boots and hot water at nine o’clock; I’ve
an early rehearsal of ‘The Tyrant.’ Go home quietly, my dear friend,
and don’t take anything more to drink, for your head is evidently not a
strong one. Good night.”

“Here’s a situation!” said the Smasher. “I can’t dance attendance on
him any more, for I must run round to the telegraph office and see if
it’s open, that I may send Mr. Marwood word about this night’s work.
The Count de Marolles is safe enough for a day or two, anyhow; for I
have set a mark upon him that he won’t rub off just yet, clever as he
is.”




                              CHAPTER IV.

     WHAT THEY FIND IN THE ROOM IN WHICH THE MURDER WAS COMMITTED.


AT the time that the arrest of the Count de Marolles was taking
place, Mr. Joseph Peters was absent from London, being employed
upon some mission of a delicate and secret nature in the town of
Slopperton-on-the-Sloshy.

Slopperton is very little changed since the murder at the Black Mill
set every tongue going upon its nine-days wonder. There may be a few
more tall factory chimneys; a few more young factory ladies in cotton
jackets and coral necklaces all the week, and in rustling silks and
artificial flowers on Sunday; the new town--that dingy hanger-on of
the old town--may have spread a little farther out towards the bright
and breezy country; and the railway passenger may perhaps see a larger
veil of black smoke hanging in the atmosphere as he approaches the
Slopperton station than he saw eight years ago.

Mr. Peters, being no longer a householder in the town, takes up his
abode at a hostelry, and, strange to say, selects the little river-side
public-house in which he overheard that conversation between the usher
and the country girl, the particulars of which are already known to the
reader.

He is peculiar in his choice of an hotel, for “The Bargeman’s Delight”
certainly does not offer many attractions to any one not a bargeman.
It is hard indeed to guess what the particular delight of the bargeman
may be, which the members of that guild find provided for them in the
waterside tavern alluded to. The bargeman’s delight is evidently not
cleanliness, or he would go elsewhere in search of that virtue; neither
can the bargeman affect civility in his entertainers, for the host and
that one slip-shod, young person who is barmaid, barman, ostler, cook,
chambermaid, and waiter all in one, are notoriously sulky in their
conversation with their patrons, and have an aggrieved and injured
bearing very unpleasant to the sensitive customer. But if, on the other
hand, the bargeman’s delight should happen to consist in dirt, and
damp, and bad cooking, and worse attendance, and liquors on which the
small glass brandy-balls peculiar to the publican float triumphantly,
and pertinaciously refuse to go down to the bottom--if such things as
these be the bargeman’s delight, he has them handsomely provided for
him at this establishment.

However this may be, to “The Bargeman’s Delight” came Mr. Peters on the
very day of the Count’s arrest, with a carpet-bag in one hand and a
fishing-rod in the other, and with no less a person than Mr. Augustus
Darley for his companion. The customer, by the bye, was generally
initiated into the pleasures of this hostelry by being tripped up or
tripped down on the threshold, and saluting a species of thin soup of
sawdust and porter, which formed the upper stratum of the floor, with
his olfactory organ. The neophyte of the Rosicrucian mysteries and of
Freemasonry has, I believe, something unpleasant done to him before he
can be safely trusted with the secrets of the Temple; why, then, should
not the guest of the Delight have _his_ initiation? Mr. Darley,
with some dexterity, however, escaped this danger; and, entering the
bar safely, entreated with the slip-shod and defiant damsel aforesaid.

“Could we have a bed?” Mr. Darley asked; “in point of fact, two beds?”

The damsel glared at him for a few minutes without giving any answer at
all. Gus repeated the question.

“We’ve got two beds,” muttered the defiant damsel.

“All right, then,” said Gus. “Come in, old fellow,” he added to Mr.
Peters, whose legs and bluchers were visible at the top of the steps,
where he patiently awaited the result of his companion’s entreaty with
the priestess of the temple.

“But I don’t know whether you can have ’em,” said the girl, with a more
injured air than usual. “We ain’t in general asked for beds.”

“Then why do you put up that?” asked Mr. Darley, pointing to a board on
which, in letters that had once been gilt, was inscribed this legend,
“Good Beds.”

“Oh, as for that,” said the girl, “that was wrote up before we took
the place, and we had to pay for it in the fixtures, so of course we
wasn’t a-goin’ to take it down! But I’ll ask master.” Whereon she
disappeared into the damp and darkness, as if she had been the genius
of that mixture; and presently reappeared, saying they could have
beds, but that they couldn’t have a private sitting-room because there
wasn’t one--which reason they accepted as unanswerable, and furthermore
said they would content themselves with such accommodation as the
bar-parlour afforded; whereon the slip-shod barmaid relaxed from her
defiant mood, and told them that they would find it quite cheerful, as
there was a nice look-out upon the river.

Mr. Darley ordered a bottle of wine--a tremendous order, rarely known
to be issued in that establishment--and further remarked that he should
be glad if the landlord would bring it in, as he would like five
minutes’ conversation with him. After having given this overwhelming
order, Gus and Mr. Peters entered the parlour.

It was empty, the parlour; the bargeman was evidently taking his
delight somewhere else that afternoon. There were the wet marks of
the bargeman’s porter-pots of the morning, and the dry marks of the
bargeman’s porter-pots of the day before, still on the table; there
were the bargeman’s broken tobacco-pipes, and the cards wherewith
he had played all-fours--which cards he had evidently chewed at the
corners in aggravation of spirit when his luck deserted him--strewn
about in every direction. There were the muddy marks of the bargeman’s
feet on the sandy floor; there was a subtle effluvium of mingled
corduroy, tobacco, onions, damp leather, and gin, which was the perfume
of the bargeman himself; but the bargeman in person was not there.

Mr. Darley walked to the window, and looked out at the river. A
cheerful sight, did you say, slip-shod Hebe? Is it cheerful to look
at that thick dingy water, remembering how many a wretched head its
current has flowed over; how many a tired frame has lain down to find
in death the rest life could not yield; how many a lost soul has found
a road to another world in that black tide, and gone forth impenitent,
from the shore of time to the ocean of eternity; how often the golden
hair has come up in the fisherman’s net; and how many a Mary, less
happy, since less innocent than the heroine of Mr. Kingsley’s melodious
song, has gone out, never, never to return! Mr. Darley perhaps thinks
this, for he turns his back to the window, calls out to the barmaid to
come and light a fire, and proceeds to fill man’s great consoler, his
pipe.

I very much wonder, gentle readers of the fair sex, that you have never
contrived somehow or other to pick a quarrel with the manes of good,
cloak-spoiling, guinea-finding, chivalrous, mutineer-encountering,
long-suffering, maid-of-honour-adoring Walter Raleigh--the importer of
the greatest rival woman ever had in the affections of man, the tenth
Muse, the fourth Grace, the uncanonized saint, Tobacco. You are angry
with poor Tom, whom you henpeck so cruelly, Mrs. Jones, because he came
home last night from that little business dinner at Greenwich slightly
the worse for the salmon and the cucumber--not the iced punch!--oh,
no! he scarcely touched that! You are angry with your better half, and
you wish to give him, as you elegantly put it, a bit of your mind. My
good soul, what does Tom care for you--behind his pipe? Do you think
he is listening to _you_, or thinking of _you_, as he sits
lazily watching with dreamy eyes the blue wreaths of smoke curling
upwards from that honest meerschaum bowl? He is thinking of the girl
he knew fourteen years ago, before ever he fell on his knees in the
back-parlour, and ricked his ancle in proposing to you; he is thinking
of a picnic in Epping Forest, where he first met _her_; when
coats were worn short-waisted, and Plancus was consul; when there was
scaffolding at Charing Cross, and stage-coaches between London and
Brighton; when the wandering minstrel was to be found at Beulah Spa,
and there was no Mr. Robson at the Olympic. He is looking full in your
face, poor Tom! and attending to every word you say--as you think! Ah!
my dear madam, believe me, he does not see one feature of your face,
or hear one word of your peroration. He sees _her_; he sees her
standing at the end of a green arcade, with the sunlight flickering
between the restless leaves upon her bright brown curls, and making
arabesques of light and shade on her innocent white dress; he sees
the little coquettish glance she flings back at him, as he stands in
an attitude he knows now was, if anything, spooney, all amongst the
_débris_ of the banquet--lobster-salads, veal-and-ham pies, empty
champagne-bottles, strawberry-stalks, parasols, and bonnets and shawls.
He hears the singing of the Essex birds, the rustling of the forest
leaves, her ringing laugh, the wheels of a carriage, the tinkling of a
sheep-bell, the roar of a blacksmith’s forge, and the fall of waters
in the distance. All those sweet rustic sounds, which make a music
very different to the angry tones of your voice, are in his ears; and
you, madam--you, for any impression you can make on him, might just as
well be on the culminating point of Teneriffe, and would find quite as
attentive a listener in the waste of ocean you might behold from that
eminence!

And who is the fairy that works the spell? Her earthly name is Tobacco,
_alias_ Bird’s-eye, _alias_ Latakia, _alias_ Cavendish;
and the magician who raised her first in the British dominions was
Walter Raleigh. Are you not glad now, gentle reader, that the sailors
mutinied, that the dear son was killed in that far land, and that the
mean-spirited Stuart rewarded the noblest and wisest of his age with a
life in a dungeon and the death of a traitor?

I don’t know whether Augustus Darley thought all this as he sat over
the struggling smoke and damp in the parlour of the “Bargeman’s
Delight,” which smoke and damp the defiant barmaid told him would soon
develop into a good fire. Gus was not a married man; and, again, he and
Mr. Peters had very particular business on their hands, and had very
little time for sentimental or philosophical reflections.

The landlord of the “Delight” appeared presently, with what, he assured
his guests, was such a bottle of port as they wouldn’t often meet with.
There was a degree of obscurity in this commendation which savoured
of the inspired communications of the priestess of the oracle. Æacida
might conquer the Romans, or the Romans might annihilate Æacida; the
bottle of port might be unapproachable by its excellence, or so utterly
execrable in quality as to be beyond the power of wine-merchant to
imitate; and either way the landlord not forsworn. Gus looked at the
bright side of the question, and requested his host to draw the cork
and bring another glass--“that is,” he said, “if you can spare half an
hour or so for a friendly chat.”

“Oh, as for that,” said the landlord, “I can spare time enough, it
isn’t the business as’ll keep me movin’; it’s never brisk except on wet
afternoons, when they comes in with their dirty boots, and makes more
mess than they drinks beer. A ‘found drowned’ or a inquest enlivens us
up now and then; but Lord, there’s nothing doing nowadays, and even
inquests and drownin’ seems a-goin’ out.”

The landlord was essentially a melancholy and blighted creature; and
he seated himself at his own table, wiped away yesterday’s beer with
his own coat-sleeve, and prepared himself to drink his own port, with
a gloomy resignation sublime enough to have taken a whole band of
conspirators to the scaffold in a most creditable manner.

“My friend,” said Mr. Darley, introducing Mr. Peters by a wave of his
hand, “is a foreigner, and hasn’t got hold of our language yet; he
finds it slippery, and hard to catch, on account of the construction of
it, so you must excuse his not being lively.”

The landlord nodded, and remarked, in a cheering manner, that he didn’t
see what there was for the liveliest cove goin’ to be lively about
nowadays.

After a good deal of desultory conversation, and a description of
several very interesting inquests, Gus asked the landlord whether he
remembered an affair that happened about eight or nine years ago, or
thereabouts--a girl found drowned in the fall of the year.

“There’s always bein’ girls found drowned,” said the landlord moodily;
“it’s my belief they likes it, especially when they’ve long hair. They
takes off their bonnets, and they lets down their back hairs, and they
puts a note in their pockets, wrote large, to say as they hopes as how
he’ll be sorry, and so on. I can’t remember no girl in particular,
eight years ago, at the back end of the year. I can call to mind a many
promiscuous like, off and on, but not to say this was Jane, or that was
Sarah.”

“Do you remember a quarrel, then, between a man and a girl in this very
room, and the man having his head cut by a sovereign she threw at him?”

“We never have no quarrels in this room,” replied the landlord, with
dignity. “The bargemen sometimes have a few words, and tramples upon
each other with their hobnailed boots, and their iron heels and toes
will dance again when their temper’s up; but I don’t allow no quarrels
here. And yet,” he added, after a few moments’ reflection, “there was a
sort of a row, I remember, a many years ago, between a girl as drowned
herself that night down below, and a young gent, in this ’ere room; he
a-sittin’ just as you may be a-sittin’ now, and she a-standin’ over
by that window, and throwin’ four sovereigns at him spiteful, one of
them a-catchin’ him just over the eyebrow, and cuttin’ of him to the
bone--and he a-pickin’ ’em up when his head was bound, and walkin’ off
with ’em as if nothin’ had happened.”

“Yes; but do you happen to remember,” said Gus, “that he only found
three out of the four sovereigns; and that he was obliged to give up
looking for the last, and go away without it?”

The landlord of the “Delight” suddenly lapsed into most profound
meditation; he rubbed his chin, making a rasping noise as he did so,
as if going cautiously over a French roll, first with one hand and
then with the other; he looked with an earnest gaze into the glass of
puce-coloured liquid before him, took a sip of that liquid, smacked his
lips after the manner of a connoisseur, and then said that he couldn’t
at the present moment call to mind the last circumstance alluded to.

“Shall I tell you,” said Gus, “my motive in asking this question?”

The landlord said he might as well mention it as not.

“Then I will. I want that sovereign. I’ve a particular reason, which
I don’t want to stop to explain just now, for wanting that very coin
of all others; and I don’t mind giving a five-pound note to the man
that’ll put that twenty shillings worth of gold into my hand.”

“You don’t, don’t you?” said the landlord, repeating the operations
described above, and looking very hard at Gus all the time: after which
he sat staring silently from Gus to Peters, and from Peters to the
puce-coloured liquid, for some minutes: at last he said--“It ain’t a
trap?”

“There’s the note,” replied Mr. Darley; “look at it, and see if it’s
a good one. I’ll lay it on this table, and when you lay down that
sovereign--_that_ one, mind, and no other--it’s yours.”

“You think I’ve got it, then?” said the landlord, interrogatively.

“I know you’ve got it,” said Gus, “unless you’ve spent it.”

“Why, as to that,” said the landlord, “when you first called to mind
the circumstance of the girl, and the gent, and the inquest, and all
that, I’ve a short memory, and couldn’t quite recollect that there
sovereign; but now I _do_ remember finding of that very coin a
year and a half afterwards, for the drains was bad that year, and the
Board of Health came a-chivying of us to take up our floorings, and
lime-wash ourselves inside; and in taking up the flooring of this room
what should we come across but that very bit of gold?”

“And you never changed it?”

“Shall I tell you why I never changed it? Sovereigns ain’t so plentiful
in these parts that I should keep this one to look at. What do you say
to it’s not being a sovereign at all?”

“Not a sovereign?”

“Not; what do you say to it’s being a twopenny-halfpenny foreign coin,
with a lot of rum writin’ about it--a coin as they has the cheek to
offer me four-and-sixpence for as old gold, and as I kep’, knowin’ it
was worth more for a curiosity--eh?”

“Why, all I can say is,” said Gus, “that you did very wisely to keep
it; and here’s five or perhaps ten times its value, and plenty of
interest for your money.”

“Wait a bit,” muttered the landlord; and disappearing into the bar, he
rummaged in some drawer in the interior of that sanctum, and presently
reappeared with a little parcel screwed carefully in newspaper. “Here
it is,” he said, “and jolly glad I am to get rid of the useless lumber,
as wouldn’t buy a loaf of bread if one was a starving; and thank you
kindly, sir,” he continued, as he pocketed the note. “I should like to
sell you half-a-dozen more of ’em at the same price, that’s all.”

The coin was East Indian; worth perhaps six or seven rupees; in size
and touch not at all unlike a sovereign, but about fifty years old.

“And now,” said Gus, “my friend and I will take a stroll; you can cook
us a steak for five o’clock, and in the meantime we can amuse ourselves
about the town.”

“The factories might be interesting to the foreigneering gent,” said
the landlord, whose spirits seemed very much improved by the possession
of the five-pound note; “there’s a factory hard by as employs a power
of hands, and there’s a wheel as killed a man only last week, and you
could see it, I’m sure, gents, and welcome, by only mentioning my name.
I serves the hands as lives round this way, which is a many.”

Gus thanked him for his kind offer, and said they would make a point of
availing themselves of it.

The landlord watched them as they walked along the bank in the
direction of Slopperton. “I expect,” he remarked to himself, “the
lively one’s mad, and the quiet one’s his keeper. But five pounds is
five pounds; and that’s neither here nor there.”

Instead of seeking both amusement and instruction, as they might have
done from a careful investigation of the factory in question, Messrs.
Darley and Peters walked at a pretty brisk rate, looking neither to
the right nor to the left, choosing the most out of the way and
unfrequented streets, till they left the town of Slopperton and the
waters of the Sloshy behind them, and emerged on to the high road, not
so many hundred yards from the house in which Mr. Montague Harding met
his death--the house of the Black Mill.

It had never been a lively-looking place at best; but now, with the
association of a hideous murder belonging to it--and so much a part
of it, that, to all who knew the dreadful story, death, like a black
shadow, seemed to brood above the gloomy pile of building and warn the
stranger from the infected spot--it was indeed a melancholy habitation.
The shutters of all the windows but one were closed; the garden-paths
were over-grown with weeds; the beds choked up; the trees had shot
forth wild erratic branches that trailed across the path of the
intruder, and entangling themselves about him, threw him down before
he was aware. The house, however, was not uninhabited--Martha, the old
servant, who had nursed Richard Marwood when a little child, had the
entire care of it; and she was further provided with a comfortable
income and a youthful domestic to attend upon her, the teaching,
admonishing, scolding, and patronizing of whom made the delight of her
quiet existence.

The bell which Mr. Darley rang at the gate went clanging down the walk,
as if to be heard in the house were a small part of its mission, for
its sonorous power was calculated to awaken all Slopperton in case of
fire, flood, or invasion of the foreign foe.

Perhaps Gus thought just a little--as he stood at the broad white gate,
over-grown now with damp and moss, but once so trim and bright--of the
days when Richard and he had worn little cloth frocks, all ornamented
with divers meandering braids and shining buttons, and had swung to and
fro in the evening sunshine on that very gate.

He remembered Richard throwing him off, and hurting his nose upon
the gravel. They had made mud-pies upon that very walk; they had
set elaborate and most efficient traps for birds, and never caught
any, in those very shrubberies; they had made a swing under the
lime-trees yonder, and a fountain that would never work, but had to be
ignominiously supplied with jugs of water, and stirred with spoons like
a pudding, before the crystal shower would consent to mount. A thousand
recollections of that childish time came back, and with them came the
thought that the little boy in the braided frock was now an outcast
from society, supposed to be dead, and his name branded as that of a
madman and a murderer.

Martha’s attendant, a rosy-cheeked country girl, came down the walk at
the sound of the clanging bell, and stared aghast at the apparition of
two gentlemen--one of them so brilliant in costume as our friend Mr.
Darley.

Gus told the youthful domestic that he had a letter for Mrs. Jones.
Martha’s surname was Jones; the Mrs. was an honorary distinction, as
the holy state of matrimony was one of the evils the worthy woman had
escaped. Gus brought a note from Martha’s mistress, which assured
him a warm welcome. “Would the gentlemen have tea?” Martha said.
“Sararanne--(the youthful domestic’s name was Sarah Anne, pronounced,
both for euphony and convenience, Sararanne)--Sararanne should get them
anything they would please to like directly.” Poor Martha was quite
distressed, on being told that all they wanted was to look at the room
in which the murder was committed.

“Was it in the same state as at the time of Mr. Harding’s death?” asked
Gus.

It had never been touched, Mrs. Jones assured them, since that dreadful
time. Such was her mistress’s wish; it had been kept clean and dry; but
not a bit of furniture had been moved.

Mrs. Jones was rheumatic, and rarely stirred from her seat of honour by
the fireside; so Sararanne was sent with a bunch of keys in her hand to
conduct the gentlemen to the room in question.

Now there were two things self-evident in the manner of Sararanne;
first, that she was pleased at the idea of a possible flirtation
with the brilliant Mr. Darley; secondly, that she didn’t at all like
the ordeal of opening and entering the dreaded room in question; so,
between her desire to be fascinating and her uncontrollable fear of
the encounter before her, she endured a mental struggle painful to the
beholder.

The shutters in the front of the house being, with one exception, all
closed, the hall and staircase were wrapped in a shadowy gloom, far
more alarming to the timid mind than complete darkness. In complete
darkness, for instance, the eight-day clock in the corner would have
been a clock, and not an elderly ghost with a broad white face and a
brown greatcoat, as it seemed to be in the uncertain glimmer which
crept through a distant skylight covered with ivy. Sararanne was
evidently possessed with the idea that Mr. Darley and his friend would
decoy her to the very threshold of the haunted chamber, and then fly
ignominiously, leaving her to brave the perils of it by herself. Mr.
Darley’s repeated assurances that it was all right, and that on the
whole it would be advisable to look alive, as life was short and time
was long, etcetera, had the effect at last of inducing the damsel to
ascend the stairs--looking behind her at every other step--and to
conduct the visitors along a passage, at the end of which she stopped,
selected with considerable celerity a key from the bunch, plunged it
into the keyhole of the door before her, said, “That is the room,
gentlemen, if you please,” dropped a curtsey, and turned and fled.

The door opened with a scroop, and Mr. Peters realized at last the
darling wish of his heart, and stood in the very room in which the
murder had been committed. Gus looked round, went to the window, opened
the shutters to the widest extent, and the afternoon sunshine streamed
full into the room, lighting every crevice, revealing every speck of
dust on the moth-eaten damask bed-curtains--every crack and stain on
the worm-eaten flooring.


To see Mr. Darley look round the room, and to see Mr. Peters look
round it, is to see two things as utterly wide apart as it is possible
for one look to be from another. The young surgeon’s eyes wander here
and there, fix themselves nowhere, and rest two or three times upon
the same object before they seem to take in the full meaning of that
object. The eyes of Mr. Peters, on the contrary, take the circuit of
the apartment with equal precision and rapidity--go from number one to
number two, from number two to number three; and having given a careful
inspection to every article of furniture in the room, fix at last in
a gaze of concentrated intensity on the _tout ensemble_ of the
chamber.

“Can you make out anything?” at last asks Mr. Darley.

Mr. Peters nods his head, and in reply to this question drops on one
knee, and falls to examining the flooring.

“Do you see anything in that?” asks Gus.

“Yes,” replies Mr. Peters on his fingers; “look at this.”

Gus does look at this. This is the flooring, which is in a very rotten
and dilapidated state, by the bedside. “Well, what then?” he asks.

“What then?” said Mr. Peters, on his fingers, with an expression of
considerable contempt pervading his features; “what then? You’re a very
talented young gent, Mr. Darley, and if I wanted a prescription for the
bile, which I’m troubled with sometimes, or a tip for the Derby, which
I don’t, not being a sporting man, you’re the gent I’d come to; but for
all that you ain’t no police-officer, or you’d never ask that question.
What then? Do you remember as one of the facts so hard agen Mr. Marwood
was the blood-stains on his sleeve? You see these here cracks and
crevices in this here floorin’? Very well, then; Mr. Marwood slept in
the room under this. He was tired, I’ve heard him say, and he threw
himself down on the bed in his coat. What more natural, then, than that
there should be blood upon his sleeve, and what more easy to guess than
the way it came there?”

“You think it dropped through, then?” asked Gus.

“I _think_ it dropped through,” said Mr. Peters, on his fingers,
with biting irony; “I know it dropped through. His counsel was a nice
un, not to bring this into court,” he added, pointing to the boards on
which he knelt. “If I’d only seen this place before the trial----But I
was nobody, and it was like my precious impudence to ask to go over the
house, of course! Now then, for number two.”

“And that is----?” asked Mr. Darley, who was quite in the dark as
to Mr. Peters’s views; that functionary being implicitly believed
in by Richard and his friend, and allowed, therefore, to be just as
mysterious as he pleased.

“Number two’s this here,” answered the detective. “I wants to find
another or two of them rum Indian coins; for our young friend
Dead-and-Alive, as is here to-day and gone to-morrow, got that one as
he gave the girl from that cabinet, or my name’s not Joseph Peters;”
wherewith Mr. Peters, who had been entrusted by Mrs. Marwood with the
keys of the cabinet in question, proceeded to open the doors of it, and
to carefully inspect that old-fashioned piece of furniture.

There were a great many drawers, and boxes, and pigeon-holes, and queer
nooks and corners in this old cabinet, all smelling equally of old age,
damp, and cedar-wood. Mr. Peters pulled out drawers and opened boxes,
found secret drawers in the inside of other drawers, and boxes hid in
ambush in other boxes, all with so little result, beyond the discovery
of old papers, bundles of letters tied with faded red tape, a simpering
and neutral-tinted miniature or two of the fashion of some fifty years
gone by, when a bright blue coat and brass buttons was the correct
thing for a dinner-party, and your man about town wore a watch in each
of his breeches-pockets, and simpered at you behind a shirt-frill wide
enough to separate him for ever from his friends and acquaintance.
Besides these things, Mr. Peters found a Johnson’s dictionary, a
ready-reckoner, and a pair of boot-hooks; but as he found nothing else,
Mr. Darley grew quite tired of watching his proceedings, and suggested
that they should adjourn; for he remarked--“Is it likely that such a
fellow as this North would leave anything behind him?”

“Wait a bit,” said Mr. Peters, with an expressive jerk of his head. Gus
shrugged his shoulders, took out his cigar-case, lighted a cheroot,
and walked to the window, where he leaned with his elbows on the
sill, puffing blue clouds of tobacco-smoke down among the straggling
creepers that covered the walls and climbed round the casement, while
the detective resumed his search among the old bundles of papers. He
was nearly abandoning it, when, in one of the outer drawers, he took up
an object he had passed over in his first inspection. It was a small
canvas bag, such as is used to hold money, and was apparently empty;
but while pondering on his futile search, Mr. Peters twisted this
bag in a moment of absence of mind between his fingers, swinging it
backwards and forwards in the air. In so doing, he knocked it against
the side of the cabinet, and, to his surprise, it emitted a sharp
metallic sound. It was not empty, then, although it appeared so. A
moment’s examination showed the detective that he had succeeded in
obtaining the object of his search; the bag had been used for money,
and a small coin had lodged in the seam at one corner of the bottom of
it, and had stuck so firmly as not to be easily shaken out. This, in
the murderer’s hurried ransacking of the cabinet, in his blind fury at
not finding the sum he expected to obtain, had naturally escaped him.
The piece of money was a small gold coin, only half the value of the
one found by the landlord, but of the same date and style.

Mr. Peters gave his fingers a triumphant snap, which aroused the
attention of Mr. Darley; and, with a glance expressive of the pride in
his art which is peculiar to your true genius, held up the little piece
of dingy gold.

“By Jove!” exclaimed the admiring Gus, “you’ve got it, then! Egad,
Peters, I think you’d make evidence, if there wasn’t any.”

“Eight years of that young man’s life, sir,” said the rapid fingers,
“has been sacrificed to the stupidity of them as should have pulled him
through.”




                              CHAPTER V.

      MR. PETERS DECIDES ON A STRANGE STEP, AND ARRESTS THE DEAD.


WHILE Mr. Peters, assisted by Richard’s sincere friend, the young
surgeon, made the visit above described, Daredevil Dick counted the
hours in London. It was essential to the success of his cause, Gus and
Peters urged, that he should not show himself, or in any way reveal
the fact of his existence, till the real murderer was arrested. Let
the truth appear to all the world, and then time enough for Richard to
come forth, with an unbranded forehead, in the sight of his fellow-men.
But when he heard that Raymond Marolles had given his pursuers the
slip, and was off, no one knew where, it was all that his mother,
his friend Percy Cordonner, Isabella Darley, and the lawyers to whom
he had intrusted his cause, could do, to prevent his starting that
instant on the track of the guilty man. It was a weary day, this day
of the failure of the arrest, for all. Neither his mother’s tender
consolation, nor his solicitor’s assurances that all was not yet lost,
could moderate the young man’s impatience. Neither Isabella’s tearful
prayers that he would leave the issue in the hands of Heaven, nor Mr.
Cordonner’s philosophical recommendation to take it quietly and let
the “beggar” go, could keep him quiet. He felt like a caged lion,
whose ignoble bonds kept him from the vile object of his rage. The day
wore out, however, and no tidings came of the fugitive. Mr. Cordonner
insisted on stopping with his friend till three o’clock in the morning,
and at that very late hour set out, with the intention of going down
to the Cherokees--it was a Cheerful night, and they would most likely
be still assembled--to ascertain, as he popularly expressed it, whether
anything had “turned up” there. The clock of St. Martin’s struck three
as he stood with Richard at the street-door in Spring Gardens, giving
friendly consolation between the puffs of his cigar to the agitated
young man.

“In the first place, my dear boy,” he said, “if you can’t catch
the fellow, you can’t catch the fellow--that’s sound logic and a
mathematical argument; then why make yourself unhappy about it? Why
try to square the circle, only because the circle’s round, and can’t
be squared? Let it alone. If this fellow turns up, hang him! I should
glory in seeing him hung, for he’s an out-and-out scoundrel, and I
should make a point of witnessing the performance, if the officials
would do the thing at a reasonable hour, and not execute him in the
middle of the night and swindle the respectable public. If he doesn’t
turn up, why, let the matter rest; marry that little girl in there,
Darley’s pretty sister--who seems, by the bye, to be absurdly fond of
you--and let the question rest. That’s my philosophy.”

The young man turned away with an impatient sigh; then, laying his hand
on Percy’s shoulder, he said, “My dear old fellow, if everybody in the
world were like you, Napoleon would have died a Corsican lawyer, or a
lieutenant in the French army. Robespierre would have lived a petty
barrister, with a penchant for getting up in the night to eat jam tarts
and a mania for writing bad poetry. The third state would have gone
home quietly to its farmyards and its merchants’ offices; there would
have been no Oath of the Tennis Court, and no Battle of Waterloo.”

“And a very good thing, too,” said his philosophical friend; “nobody
would have been a loser but Astley’s--only think of that. If there had
been no Napoleon, what a loss for image boys, Gomersal the Great, and
Astley’s. Forgive me, Dick, for laughing at you. I’ll cut down to the
Cheerfuls, and see if anything’s up. The Smasher’s away, or he might
have given us his advice; the genius of the P.R. might have been of
some service in this affair. Good night!” He gave Richard a languidly
affectionate shake of the hand, and departed.

Now, when Mr. Cordonner said he would cut down to the Cherokees, let
it not be thought by the simple-minded reader that the expression “cut
down,” from his lips, conveyed that degree of velocity which, though
perhaps a sufficiently vague phrase in itself, it is calculated to
carry to the ordinary mind. Percy Cordonner had never been seen by
mortal man in a hurry. He had been known to be too late for a train,
and had been beheld placidly lounging at a few paces from the departing
engine, and mildly but rather reproachfully regarding that object. The
prospects of his entire life may have hinged on his going by that
particular train; but he would never be so false to his principles as
to make himself unpleasantly warm, or in any way disturb the delicate
organization with which nature had gifted him. He had been seen at
the doors of the Opera-house when Jenny Lind was going to appear in
the _Figlia_, and while those around him were afflicted with a
temporary lunacy, and trampling one another wildly in the mud, he had
been observed leaning against a couple of fat men as in an easy-chair,
and standing high and dry upon somebody else’s boots, breathing
gentlemanly and polyglot execrations upon the surrounding crowd,
when, in swaying to and fro, it disturbed or attempted to disturb his
serenity. So, when he said he would cut down to the Cherokees, he of
course meant that he would cut after his manner; and he accordingly
rolled languidly along the deserted pavements of the Strand, with
something of the insouciant and purposeless manner that Rasselas may
have had in a walk through the arcades of his happy valley. He reached
the well-known tavern at last, however, and stopping under the sign
of the washed-out Indian desperately tomahawking nothing, in the
direction of Covent Garden, with an arm more distinguished for muscular
development than correct drawing, he gave the well-known signal of the
club, and was admitted by the damsel before described, who appeared
always to devote the watches of the night to the process of putting
her hair in papers, that she might wear that becoming “head” for the
admiration of the jug-and-bottle customers of the following day, and
shine in a frame of very long and very greasy curls that were apt
to sweep the heads off brown stouts, and dip gently into “goes” of
spirits upon the more brilliant company of the evening. This young
lady, popularly known as ’Liza, was well up in the sporting business
of the house, read the _Life_ during church-time on Sundays, and
was even believed to have communicated with that Rhadamanthine journal,
under the signature of L., in the answers to correspondents. She was
understood to be engaged, or, as her friends and admirers expressed it,
to be “keeping company” with that luminary of the P.R., the Middlesex
Mawler, whose head-quarters were at the Cherokee.

Mr. Cordonner found three Cheerfuls assembled in the bar, in a state
of intense excitement and soda-water. A telegraphic message had just
arrived from the Smasher. It was worthy, in economy of construction, of
the Delphic oracle, and had the advantage of being easy to understand.
It was as follows--“Tell R. M. _he’s_ here: had no orders, so went
in with left: he won’t be able to move for a day or two.”

Mr. Cordonner was almost surprised, and was thus very nearly false,
for once in his life, to the only art he knew. “This will be good news
in Spring Gardens,” he said; “but Peters won’t be back till to-morrow
night. Suppose,” he added, musing, “we were to telegraph to him at
Slopperton instanter? I know where he hangs out there. If anybody
could find a cab and take the message it would be doing Marwood an
inestimable service,” added Mr. Cordonner, passing through the bar, and
lazily seating himself on a green-and-gold Cream of the Valley cask,
with his hat very much on the back of his head, and his hands in his
pockets. “I’ll write the message.”

He scribbled upon a card--“Go across to Liverpool. He’s given us the
slip, and is there;” and handed it politely towards the three Cheerfuls
who were leaning over the pewter counter.

Splitters, the dramatic author, clutched the document eagerly; to his
poetic mind it suggested that best gift of inspiration, “a situation.”

“I’ll take it,” he said; “what a fine line it would make in a bill!
‘The intercepted telegram,’ with a comic railway clerk, and the villain
of the piece cutting the wires!”

“Away with you, Splitters,” said Percy Cordonner. “Don’t let the
Strand become verdant beneath your airy tread. Don’t stop to compose a
five-act drama as you go, that’s a good fellow. ’Liza, my dear girl,
a pint of your creamiest Edinburgh, and let it be as mild as the
disposition of your humble servant.”

Three days after the above conversation, three gentlemen were assembled
at breakfast in a small room in a tavern overlooking the quay at
Liverpool. This triangular party consisted of the Smasher, in an
elegant and simple morning costume, consisting of tight trousers of
Stuart plaid, an orange-coloured necktie, a blue checked waistcoat,
and shirt-sleeves. The Smasher looked upon a coat as an essentially
outdoor garment, and would no more have invested himself in it to eat
his breakfast than he would have partaken of that refreshment with his
hat on, or an umbrella up. The two other gentlemen were Mr. Darley,
and his chief, Mr. Peters, who had a little document in his pocket
signed by a Lancashire magistrate, on which he set considerable value.
They had come across to Liverpool as directed by the telegraph, and
had there met with the Smasher, who had received letters for them
from London with the details of the escape, and orders to be on the
look-out for Peters and Gus. Since the arrival of these two, the trio
had led a sufficiently idle and apparently purposeless life. They had
engaged an apartment overlooking the quay, in the window of which they
were seated for the best part of the day, playing the intellectual
and exciting game of all-fours. There did not seem much in this to
forward the cause of Richard Marwood. It is true that Mr. Peters was
wont to vanish from the room every now and then, in order to speak to
mysterious and grave-looking gentlemen, who commanded respect wherever
they went, and before whom the most daring thief in Liverpool shrank
as before Mr. Calcraft himself. He held strange conferences with them
in corners of the hostelry in which the trio had taken up their abode;
he went out with them, and hovered about the quays and the shipping; he
prowled about in the dusk of the evening, and meeting these gentlemen
also prowling in the uncertain light, would sometimes salute them as
friends and brothers, at other times be entirely unacquainted with
them, and now and then interchange two or three hurried gestures with
them, which the close observer would have perceived to mean a great
deal. Beyond this, nothing had been done--and, in spite of all this,
no tidings could be obtained of the Count de Marolles, except that no
person answering to his description had left Liverpool either by land
or water. Still, neither Mr. Peters’s spirits nor patience failed him;
and after every interview held upon the stairs or in the passage, after
every excursion to the quays or the streets, he returned as briskly
as on the first day, and reseated himself at the little table by the
window, at which his colleagues--or rather his companions, for neither
Mr. Darley nor the Smasher were of the smallest use to him--played, and
took it in turns to ruin each other from morning till night. The real
truth of the matter was, that, if anything, the detective’s so-called
assistants were decidedly in his way; but Augustus Darley, having
distinguished himself in the escape from the asylum, considered himself
an amateur Vidocque; and the Smasher, from the moment of putting in
his left, and unconsciously advancing the cause of Richard and justice
by extinguishing the Count de Marolles, had panted to write his
name, or rather make his mark, upon the scroll of fame, by arresting
that gentleman in his own proper person, and without any extraneous
aid whatever. It was rather hard for him, then, to have to resign
the prospect of such a glorious adventure to a man of Mr. Peters’s
inches; but he was of a calm and amiable disposition, and would floor
his adversary with as much good temper as he would eat his favourite
dinner; so, with a growl of resignation, he abandoned the reins to
the steady hands so used to hold them, and seated himself down to the
consumption of innumerable clay pipes and glasses of bitter ale with
Gus, who, being one of the most ancient of the order of the Cherokees,
was an especial favourite with him.

On this third morning, however, there is a decided tone of weariness
pervading the minds of both Gus and the Smasher. Three-handed
all-fours, though a delicious and exciting game, will pall upon the
inconstant mind, especially when your third player is perpetually
summoned from the table to take part in a mysterious dialogue
with a person or persons unknown, the result of which he declines
to communicate to you. The view from the bow-window of the blue
parlour in the White Lion, Liverpool, is no doubt as animated as it
is beautiful; but Rasselas, we know, got tired of some very pretty
scenery, and there have been readers so inconstant as to grow weary
of Dr. Johnson’s book, and to go down peacefully to their graves
unacquainted with the climax thereof. So it is scarcely perhaps to
be wondered that the volatile Augustus thirsted for the waterworks
of Blackfriars; while the Smasher, feeling himself to be blushing
unseen, and wasting his stamina, if not his sweetness, on the desert
air, pined for the familiar shades of Bow Street and Vinegar Yard,
and the home-sounds of the rumbling and jingling of the wagons, and
the unpolite language of the drivers thereof, on market mornings
in the adjacent market. Pleasures and palaces are all very well in
their way, as the song says; but there is just one little spot on
earth which, whether it be a garret in Petticoat Lane or a mansion in
Belgrave Square, is apt to be dearer to us than the best of them; and
the Smasher languishes for the friendly touch of the ebony handles of
the porter-engine, and the scent of the Welsh rarebits of his youth.
Perhaps I express myself in a more romantic manner on this subject,
however, than I should do, for the remark of the Left-handed one, as
he pours himself out a cup of tea from the top of the tea-pot--he
despises the spout of that vessel as a modern innovation on ancient
simplicity--is as simple as it is energetic. He merely observes that
he is “jolly sick of this lot,”--this lot meaning Liverpool, the Count
de Marolles, the White Lion, three-handed all-fours, and the detective
police force.

“There was nobody ill in Friar Street when I left,” said Gus
mournfully; “but there had been a run upon Pimperneckel’s Universal
Regenerator Pills: and if that don’t make business a little brisker,
nothing will.”

“It’s my opinion,” observed the Smasher doggedly, “that this ’ere
forrin’ cove has give us the slip out and out; and the sooner we gets
back to London the better. I never was much of a hand at chasing wild
geese, and”--he added, with rather a spiteful glance at the mild
countenance of the detective--“I don’t see neither that standin’ and
makin’ signs to parties unbeknown at street-corners and stair-heads is
the quickest way to catch them sort of birds; leastways it’s not the
opinion held by the gents belongin’ to the Ring as I’ve had the honour
to make acquaintance with.”

“Suppose----” said Mr. Peters, on his fingers.

“Oh!” muttered the Smasher, “blow them fingers of his. I can’t
understand ’em--there!” The left-handed Hercules knew that this was to
attack the detective on his tenderest point. “Blest if I ever knows
his _p_’s from his _b_’s, or his _w_’s from his _x_’s, let alone his
vowels, and them would puzzle a conjuror.”

Mr. Peters glanced at the prize-fighter more in sorrow than in anger,
and taking out a greasy little pocket-book, and a greasier little
pencil, considerably the worse for having been vehemently chewed in
moments of preoccupation, he wrote upon a leaf of it thus--“Suppose we
catch him to-day?”

“Ah, very true,” said the Smasher sulkily, after he had examined the
document in two or three different lights before he came upon its full
bearings; “very true, indeed, suppose we do--and suppose we don’t, on
the other hand; and I know which is the likeliest. Suppose, Mr. Peters,
we give up lookin’ for a needle in a bundle of hay, which after a time
gets tryin’ to a lively disposition, and go back to our businesses. If
you had a girl as didn’t know British from best French a-servin’ of
_your_ customers,” he continued in an injured tone, “_you’d_
be anxious to get home, and let your forring counts go to the devil
their own ways.”

“Then go,” Mr. Peters wrote, in large letters and no capitals.

“Oh, ah; yes, to be sure,” replied the Smasher, who, I regret to say,
felt painfully, in his absence from domestic pleasures, the want of
somebody to quarrel with; “No, I thank you! Go the very day as you’re
going to catch him! Not if I’m in any manner aware of the circumstance.
I’m obliged to you,” he added, with satirical emphasis.

“Come, I say, old boy,” interposed Gus, who had been quietly doing
execution upon a plate of devilled kidneys during this little friendly
altercation, “come, I say, no snarling, Smasher, Peters isn’t going to
contest the belt with you, you know.”

“You needn’t be a-diggin’ at me because I ain’t champion,” said the
ornament of the P.R., who was inclined to find a malicious meaning in
every word uttered that morning; “you needn’t come any of your sneers
because I ain’t got the belt any longer.”

The Smasher had been Champion of England in his youth, but had retired
upon his laurels for many years, and only occasionally emerged from
private life in a public-house to take a round or two with some old
opponent.

“I tell you what it is, Smasher--it’s my opinion the air of Liverpool
don’t suit your constitution,” said Gus. “We’ve promised to stand by
Peters here, and to go by his word in everything, for the sake of the
man we want to serve; and, however trying it may be to our patience
doing nothing, which perhaps is about as much as we can do and make no
mistakes, the first that gets tired and deserts the ship will be no
friend to Richard Marwood.”

“I’m a bad lot, Mr. Darley, and that’s the truth,” said the mollified
Smasher; “but the fact is, I’m used to a turn with the gloves every
morning before breakfast with the barman, and when I don’t get it, I
dare say I ain’t the pleasantest company goin’. I should think they’ve
got gloves in the house: would you mind taking off your coat and
having a turn--friendly like?”

Gus assured the Smasher that nothing would please him better than that
trifling diversion; and in five minutes they had pushed Mr. Peters and
the breakfast-table into a corner, and were hard at it, Mr. Darley’s
knowledge of the art being all required to keep the slightest pace with
the scientific movements of the agile though elderly Smasher.

Mr. Peters did not stay at the breakfast-table long, but after having
drunk a huge breakfast cupful of very opaque and substantial-looking
coffee at a draught, just as if it had been half a pint of beer, he
slid quietly out of the room.

“It’s my opinion,” said the Smasher, as he stood, or rather lounged,
upon his guard, and warded off the most elaborate combinations of Mr.
Darley’s fists with as much ease as he would have brushed aside so many
flies--“it’s my opinion that chap ain’t up to his business.”

“Isn’t he?” replied Gus, as he threw down the gloves in despair, after
having been half an hour in a violent perspiration, without having
succeeded in so much as rumpling the Smasher’s hair. “Isn’t he?” he
said, choosing the interrogative as the most expressive form of speech.
“That man’s got head enough to be prime minister, and carry the House
along with every twist of his fingers.”

“He must make his p’s and b’s a little plainer afore he’ll get a bill
through the Commons though,” muttered the Left-handed one, who couldn’t
quite get over his feelings of injury against the detective for the
utter darkness in which he had been kept for the last three days as to
the other’s plans.

The Smasher and Mr. Darley passed the morning in that remarkably
intellectual and praiseworthy manner peculiar to gentlemen who, being
thrown out of their usual occupation, are cast upon their own resources
for amusement and employment. There was the daily paper to be looked
at, to begin with; but after Gus had glanced at the leading article,
a _rifacimento_ of the _Times_ leader of the day before,
garnished with some local allusions, and highly spiced with satirical
remarks _apropos_ to our spirited contemporary the _Liverpool
Aristides_; after the Smasher had looked at the racing fixtures
for the coming week, and made rude observations on the editing of a
journal which failed to describe the coming off of the event between
Silver-polled Robert and the Chester Crusher--after, I say, the two
gentlemen had each devoured his favourite page, the paper was an utter
failure in the matter of excitement, and the window was the next best
thing. Now to the peculiarly constituted mind of the Left-handed one,
looking out of a window was in itself very slow work; and unless he was
allowed to eject missiles of a trifling but annoying character--such
as hot ashes out of his pipe, the last drop of his pint of beer,
the dirty water out of the saucers belonging to the flower-pots on
the window-sill, or lighted lucifer-matches--into the eyes of the
unoffending passers-by, he didn’t, to use his own forcible remark,
“seem to see the fun of it.” Harmless old gentlemen with umbrellas,
mild elderly ladies with hand-baskets and brass-handled green-silk
parasols, and young ladies of from ten to twelve going to school in
clean frocks, and on particularly good terms with themselves, the
Smasher looked upon as his peculiar prey. To put his head out of the
window and make tender and polite inquiries about their maternal
parents; to go further still, and express an earnest wish to be
informed of those parents’ domestic arrangements, and whether they
had been induced to part with a piece of machinery of some importance
in the getting up of linen; to insinuate alarming suggestions of
mad bulls in the next street, or a tiger just broke loose from the
Zoological Gardens; to terrify the youthful scholar by asking him
derisively whether he wouldn’t “catch it when he got to school? Oh,
no, not at all, neither!” and to draw his head away suddenly, and
altogether disappear from public view; to act, in fact, after the
manner of an accomplished clown in a Christmas pantomime, was the
weak delight of his manly mind: and when prevented by Mr. Darley’s
friendly remonstrance from doing this, the Smasher abandoned the window
altogether, and concentrated all the powers of his intellect on the
pursuit of a lively young bluebottle, which eluded his bandanna at
every turn, and bumped itself violently against the window-panes at the
very moment its pursuer was looking for it up the chimney.

Time and the hour made very long work of this particular morning, and
several glasses of bitter had been called for, and numerous games
of cribbage had been played by the two companions, when Mr. Darley,
looking at his watch for not more than the twenty-second time in the
last hour, announced with some satisfaction that it was half-past two
o’clock, and that it was consequently very near dinner-time.

“Peters is a long time gone,” suggested the Smasher.

“Take my word for it,” said Gus, “something has turned up; he has laid
his hand upon De Marolles at last.”

“I don’t think it,” replied his ally, obstinately refusing to believe
in Mr. Peters’s extra share of the divine afflatus; “and if he did
come across him, how’s he to detain him, I’d like to know? _He_
couldn’t go in with _his_ left,” he muttered derisively, “and
split his head open upon the pavement to keep him quiet for a day or
two.”

At this very moment there came a tap at the door, and a youthful person
in corduroy and a perspiration entered the room, with a very small
and very dirty piece of paper twisted up into a bad imitation of a
three-cornered note.

“Please, you was to give me sixpence if I run all the way,” remarked
the youthful Mercury, “an’ I ’ave: look at my forehead;” and, in proof
of his fidelity, the messenger pointed to the water-drops which chased
each other down his open brow and ran a dead heat to the end of his
nose.

The scrawl ran thus--“The _Washington_ sails at three for New
York: be on the quay and see the passengers embark: don’t notice me
unless I notice you. Yours truly ---- ----”

“It was just give me by a gent in a hurry wot was dumb, and wrote upon
a piece of paper to tell me to run my legs off so as you should have it
quick--thank you kindly, sir, and good afternoon,” said the messenger,
all in one breath, as he bowed his gratitude for the shilling Gus
tossed him as he dismissed him.

“I said so,” cried the young surgeon, as the Smasher applied himself
to the note with quite as much, nay, perhaps more earnestness and
solemnity than Chevalier Bunsen might have assumed when he deciphered
a half-erased and illegible inscription, in a language which for some
two thousand years has been unknown to mortal man. “I said so; Peters
is on the scent, and this man will be taken yet. Put on your hat,
Smasher, and let’s lose no time; it only wants a quarter to three, and
I wouldn’t be out of this for a great deal.”

“I shouldn’t much relish being out of the fun either,” replied his
companion; “and if it comes to blows, perhaps it’s just as well I
haven’t had my dinner.”

There were a good many people going by the _Washington_, and
the deck of the small steamer which was to convey them on board the
great ship, where she lay in graceful majesty down the noble Mersey
river, was crowded with every species of luggage it was possible
to imagine as appertaining to the widest varieties of the genus
traveller. There was the maiden lady, with a small income from the
three-per-cents, and a determination of blood to the tip of a sharp
nose, going out to join a married brother in New York, and evidently
intent upon importing a gigantic brass cage, containing a parrot in
the last stage of bald-headedness--politely called moulting; and a
limp and wandering-minded umbrella--weak in the ribs, and further
afflicted with a painfully sharp ferrule, which always appeared
where it was not expected, and evidently hankered wildly after the
bystanders’ backbones--as favourable specimens of the progress of the
fine arts in the mother country. There were several of those brilliant
birds-of-passage popularly known as “travellers,” whose heavy luggage
consisted of a carpet-bag and walking-stick, and whose light ditto
was composed of a pocket-book and a silver pencil-case of protean
construction, which was sometimes a pen, now and then a penknife,
and very often a toothpick. These gentlemen came down to the steamer
at the last moment, inspiring the minds of nervous passengers with
supernatural and convulsive cheerfulness by the light and airy way
in which they bade adieu to the comrades who had just looked round
to see them start, and who made appointments with them for Christmas
supper-parties, and booked bets with them for next year’s Newmarket
first spring--as if such things as shipwreck, peril by sea, heeling
over _Royal Georges_, lost _Presidents_, with brilliant Irish
comedians setting forth on their return to the land in which they had
been so beloved and admired, never, never to reach the shore, were
things that could not be. There were rosy-cheeked country lasses, going
over to earn fabulous wages and marry impossibly rich husbands. There
were the old people, who essayed this long journey on an element which
they knew only by sight, in answer to the kind son’s noble letter,
inviting them to come and share the pleasant home his sturdy arm had
won far away in the fertile West. There were stout Irish labourers
armed with pickaxe and spade, as with the best sword wherewith to open
the great oyster of the world in these latter degenerate days. There
was the distinguished American family, with ever so many handsomely
dressed, spoiled, affectionate children clustering round papa and
mamma, and having their own way, after the manner of transatlantic
youth. There were, in short, all the people who usually assemble when
a good ship sets sail for the land of dear brother Jonathan; but the
Count de Marolles there was not.

No, decidedly, no Count de Marolles! There was a very quiet-looking
Irish labourer, keeping quite aloof from the rest of his kind, who were
sufficiently noisy and more than sufficiently forcible in the idiomatic
portions of their conversation. There was this very quiet Irishman,
leaning on his spade and pickaxe, and evidently bent on not going on
board till the very last moment; and there was an elderly gentleman in
a black coat, who looked rather like a Methodist parson, and who held a
very small carpet-bag in his hand; but there was no Count de Marolles;
and what’s more, there was no Mr. Peters.

This latter circumstance made Augustus Darley very uneasy; but I regret
to say that the Smasher wore, if anything, a look of triumph as the
hands of the clocks about the quay pointed to three o’clock, and no
Peters appeared.

“I knowed,” he said, with effusion--“I knowed that cove wasn’t up to
his business. I wouldn’t mind bettin’ the goodwill of my little crib in
London agen sixpen’orth of coppers, that he’s a-standin’ at this very
individual moment of time at a street-corner a mile off, makin’ signs
to one of the Liverpool police-officers.”

The gentleman in the black coat standing before them turned round
on hearing this remark, and smiled--smiled very very faintly; but he
certainly did smile. The Smasher’s blood, which was something like that
of Lancaster, and distinguished for its tendency to mount, was up in a
moment.

“I hope you find my conversation amusin’, old gent,” he said, with
considerable asperity; “I came down here on purpose to put you in
spirits, on account of bein’ grieved to see you always a-lookin’ as
if you’d just come home from your own funeral, and the undertaker was
a-dunnin’ you for the burial-fees.”

Gus trod heavily on his companion’s foot as a friendly hint to him not
to get up a demonstration; and addressing the gentleman, who appeared
in no hurry to resent the Smasher’s contemptuous animadversions, asked
him when he thought the boat would start.

“Not for five or ten minutes, I dare say,” he answered. “Look there; is
that a coffin they’re bringing this way? I’m rather short-sighted; be
good enough to tell me if it is a coffin?”

The Smasher, who had the glance of an eagle, replied that it decidedly
was a coffin; adding, with a growl, that he knowed somebody as might be
in it, and no harm done to society.

The elderly gentleman took not the slightest notice of this gratuitous
piece of information on the part of the left-handed gladiator; but
suddenly busied himself with his fingers in the neighbourhood of his
limp white cravat.

“Why, I’m blest,” cried the Smasher, “if the old baby ain’t at Peters’s
game, a-talkin’ to nobody upon his fingers!”

Nay, most distinguished professor of the noble art of self-defence,
is not that assertion a little premature? Talking on his fingers,
certainly--looking at nobody, certainly; but for all that, talking to
somebody, and to a somebody who is looking at him; for, from the other
side of the little crowd, the Irish labourer fixes his eyes intently on
every movement of the grave elderly gentleman’s fingers, as they run
through four or five rapid words; and Gus Darley, perceiving this look,
starts in amazement, for the eyes of the Irish labourer are the eyes of
Mr. Peters of the detective police.

But neither the Smasher nor Gus is to notice Mr. Peters unless Mr.
Peters notices them. It is so expressed in the note, which Mr. Darley
has at that very moment in his waistcoat pocket. So Gus gives his
companion a nudge, and directs his attention to the smock-frock and
the slouched hat in which the detective has hidden himself, with a
hurried injunction to him to keep quiet. We are human at the best; ay,
even when we are celebrated for our genius in the muscular science,
and our well-known blow of the left-handed postman’s knock, or double
auctioneer: and, if the sober truth must be told, the Smasher was
sorry to recognize Mr. Peters in that borrowed garb. He didn’t want
the dumb detective to arrest the Count de Marolles. He had never read
Coriolanus, neither had he seen _the_ Roman, Mr. William Macready,
in that character; but, for all that, the Smasher wanted to go home to
the dear purlieus of Drury Lane, and say to his astonished admirers,
“Alone I did it!” And lo, here were Mr. Peters and the elderly stranger
both entered for the same event.

While gloomy and vengeful thoughts, therefore, troubled the manly
breast of the Vinegar-Yard gladiator, four men approached, bearing
on their shoulders the coffin which had so aroused the stranger’s
attention. They bore it on board the steamer, and a few moments after
a gentlemanly and cheerful-looking man, of about forty, stepped across
the narrow platform, and occupied himself with a crowd of packages,
which stood in a heap, apart from the rest of the luggage on the
crowded deck.

Again the elderly stranger’s fingers were busy in the region of his
cravat. The superficial observer would have merely thought him very
fidgety about the limp bit of muslin; but this time the fingers of Mr.
Peters telegraphed an answer.

“Gentlemen,” said the stranger, addressing Mr. Darley and the Smasher
in the most matter-of-fact manner, “you will be good enough to go
on board that steamer with me? I am working with Mr. Peters in this
affair. Remember, I am going to America by that vessel yonder, and you
are my friends come with me to see me off. Now, gentlemen.”

He has no time to say any more, for the bell rings; and the last
stragglers, the people who will enjoy the latest available moment on
_terra firma_, scramble on board; amongst them the Smasher, Gus,
and the stranger, who stick very closely together.

The coffin has been placed in the centre of the vessel, on the top of a
pile of chests, and its gloomy black outline is sharply defined against
the clear blue autumn sky. Now there is a general feeling amongst the
passengers that the presence of this coffin is a peculiar injury to
them.

It is unpleasant, certainly. From the very moment of its appearance
amongst them a change has come over the spirits of every one of the
travellers. They try to keep away from it, but they try in vain;
there is a dismal fascination in the defined and ghastly shape, which
all the rough wrappers that can be thrown over it will not conceal.
They find their eyes wandering to it, in preference even to watching
receding Liverpool, whose steeples and tall chimneys are dipping down
and down into the blue water, and will soon disappear altogether. They
are interested in it in spite of themselves; they ask questions of one
another; they ask questions of the engineer, and of the steward, and of
the captain of the steamer, but can elicit nothing--except that lying
in that coffin, so close to them, and yet so very very far away from
them, there is an American gentleman of some distinction, who, having
died suddenly in England, is being carried back to New York, to be
buried amongst his friends in that city. The aggrieved passengers for
the _Washington_ think it very hard upon them that the American
gentleman of distinction--they remember that he _is_ a gentleman
of distinction, and modify their tone accordingly--could not have
been buried in England like a reasonable being. The British dominions
were not good enough for _him_, they supposed. Other passengers,
pushing the question still further, ask whether he couldn’t have been
taken home by some other vessel; nay, whether indeed he ought not to
have had a ship all to himself, instead of harrowing the feelings and
preying upon the spirits of first-class passengers. They look almost
spitefully, as they make these remarks, towards the shrouded coffin,
which, to their great aggravation, is not entirely shrouded by the
wrappers about it. One corner has been left uncovered, revealing the
stout rough oak; for it is only a temporary coffin, and the gentleman
of distinction will be put into something better befitting his rank
when he arrives at his destination. It is to be observed, and it is
observed by many, that the cheerful passenger in fashionable mourning,
and with the last greatcoat which the inspiration of Saville Row has
given to the London world thrown over his arm, hovers in a protecting
manner about the coffin, and evinces a fidelity which, but for his
perfectly cheerful countenance and self-possessed manner, would be
really touching, towards the late American gentleman of distinction,
whom he has for his only travelling companion.

Now, though a great many questions had been asked on all sides,
one question especially, namely, whether _it_--people always
dropped their voices when they pronounced that small pronoun--whether
_it_ would not be put in the hold as soon as they got on board the
_Washington_, the answer to which question was an affirmative,
and gave considerable satisfaction--except indeed to one moody old
gentleman, who asked, “How about getting any little thing one happened
to want on the journey out of the hold?” and was very properly snubbed
for the suggestion, and told that passengers had no business to want
things out of the hold on the voyage; and furthermore insulted by the
liveliest of the lively travellers, who suggested, in an audible aside,
that perhaps the old gentleman had only one clean shirt, and had put
that at the bottom of his travelling chest,--now, though, I say, so
many questions had been asked, no one had as yet presumed to address
the cheerful-looking gentleman convoying the American of distinction
home to his friends, though this very gentleman might, after all, be
naturally supposed to know more than anybody else about the subject. He
was smoking a cigar, and though he kept very close to the coffin, he
was about the only person on board who did not look at it, but kept
his gaze fixed on the fading town of Liverpool. The Smasher, Gus, and
Mr. Peters’s unknown ally stood very close to this gentleman, while the
detective himself leant over the side of the vessel, near to, though a
little apart from, the Irish labourers and rosy-cheeked country girls,
who, as steerage passengers, very properly herded together, and did not
attempt to contaminate by their presence the minds or the garments of
those superior beings who were to occupy state-cabins six feet long by
three feet wide, and to have green peas and new milk from the cow all
the way out. Presently, the elderly gentleman of rather shabby-genteel
but clerical appearance, who had so briefly introduced himself to Gus
and the Smasher, made some remarks about the town of Liverpool to the
cheerful friend of the late distinguished American.

The cheerful friend took his cigar out of his mouth, smiled, and said,
“Yes; it’s a thriving town, a small London, really--the metropolis in
miniature.”

“You know Liverpool very well?” asked the Smasher’s companion.

“No, not very well; in point of fact, I know very little of England at
all. My visit has been a brief one.”

He is evidently an American from this remark, though there is very
little of brother Jonathan in his manner.

“Your visit has been a brief one? Indeed. And it has had a very
melancholy termination, I regret to perceive,” said the persevering
stranger, on whose every word the Smasher and Mr. Darley hung
respectfully.

“A very melancholy termination,” replied the gentleman, with the
sweetest smile. “My poor friend had hoped to return to the bosom of
his family, and delight them many an evening round the cheerful hearth
by the recital of his adventures in, and impressions of, the mother
country. You cannot imagine,” he continued, speaking very slowly,
and as he spoke, allowing his eyes to wander from the stranger to
the Smasher, and from the Smasher to Gus, with a glance which, if
anything, had the slightest shade of anxiety in it; “you cannot imagine
the interest we on the other side of the Atlantic take in everything
that occurs in the mother country. We may be great over there--we
may be rich over there--we may be universally beloved and respected
over there,--but I doubt--I really, after all, doubt,” he said
sentimentally, “whether we are truly happy. We sigh for the wings of a
dove, or to speak practically, for our travelling expenses, that we may
come over here and be at rest.”

“And yet I conclude it was the especial wish of your late friend to be
buried over there?” asked the stranger.

“It was--his dying wish.”

“And the melancholy duty of complying with that wish devolved on you?”
said the stranger, with a degree of puerile curiosity and frivolous
interest in an affair entirely irrelevant to the matter in hand which
bewildered Gus, and at which the Smasher palpably turned up his nose;
muttering to himself at the same time that the forrin swell would have
time to get to America while they was a-palaverin’ and a-jawin’ this
’ere humbug.

“Yes, it devolved on me,” replied the cheerful gentleman, offering his
cigar-case to the three friends, who declined the proffered weeds.
“We were connections; his mother’s half-sister married my second
cousin--not very nearly connected certainly, but extremely attached to
each other. It will be a melancholy satisfaction to his poor widow to
see his ashes entombed upon his native shore, and the thought of that
repays me threefold for anything I may suffer.”

He looked altogether far too airy and charming a creature to suffer
very much; but the stranger bowed gravely, and Gus, looking towards
the prow of the vessel, perceived the earnest eyes of Mr. Peters
attentively fixed on the little group.

As to the Smasher, he was so utterly disgusted with the stranger’s
manner of doing business, that he abandoned himself to his own thoughts
and hummed a tune--the tune appertaining to what is generally called
a comic song, being the last passages in the life of a humble and
unfortunate member of the working classes as related by himself.

While talking to the cheerful gentleman on this very melancholy
subject, the stranger from Liverpool happened to get quite close to the
coffin, and, with an admirable freedom from prejudice which astonished
the other passengers standing near, rested his hand carelessly on the
stout oaken lid, just at that corner where the canvas left it exposed.
It was a most speaking proof of the almost overstrained feeling of
devotion possessed by the cheerful gentleman towards his late friend
that this trifling action seemed to disturb him; his eyes wandered
uneasily towards the stranger’s black-gloved hand, and at last, when,
in absence of mind, the stranger actually drew the heavy covering
completely over this corner of the coffin, his uneasiness reached a
climax, and drawing the dingy drapery hurriedly back, he rearranged it
in its old fashion.

“Don’t you wish the coffin to be entirely covered?” asked the stranger
quietly.

“Yes--no; that is,” said the cheerful gentleman, with some
embarrassment in his tone, “that is--I--you see there is something of
profanity in a stranger’s hand approaching the remains of those we
love.”

“Suppose, then,” said his interlocutor, “we take a turn about the deck?
This neighbourhood must be very painful to you.”

“On the contrary,” replied the cheerful gentleman, “you will think me,
I dare say, a very singular person, but I prefer remaining by him to
the last. The coffin will be put in the hold as soon as we get on board
the _Washington_; then my duty will have been accomplished and my
mind will be at rest. You go to New York with us?” he asked.

“I shall have that pleasure,” replied the stranger.

“And your friend--your sporting friend?” asked the gentleman, with
a rather supercilious glance at the many-coloured raiment and
mottled-soap complexion of the Smasher, who was still singing _sotto
voce_ the above-mentioned melody, with his arms folded on the rail
of the bench on which he was seated, and his chin resting moodily on
his coat-sleeves.

“No,” replied the stranger; “my friends, I regret to say, leave me as
soon as we get on board.”

In a few minutes more they reached the side of the brave ship, which,
from the Liverpool quay, had looked a whitewinged speck not a bit too
big for Queen Mab; but which was, oh, such a Leviathan of a vessel
when you stood just under her, and had to go up her side by means of a
ladder--which ladder seemed to be subject to shivering fits, and struck
terror into the nervous lady and the bald-headed parrot.

All the passengers, except the cheerful gentleman with the coffin and
the stranger--with Gus and the Smasher and Mr. Peters loitering in
the background--seemed bent on getting up each before the other, and
considerably increased the confusion by evincing this wish in a candid
but not conciliating manner, showing a degree of ill-feeling which was
much increased by the passengers that had not got on board looking
daggers at the passengers that had got on board, and seemed settled
quite comfortably high and dry upon the stately deck. At last, however,
every one but the aforesaid group had ascended the ladder. Some stout
sailors were preparing great ropes wherewith to haul up the coffin,
and the cheerful gentleman was busily directing them, when the captain
of the steamer said to the stranger from Liverpool, as he loitered at
the bottom of the ladder, with Mr. Peters at his elbow,--“Now then,
sir, if you’re for the _Washington_, quick’s the word. We’re off
as soon as ever they’ve got that job over,” pointing to the coffin.
The stranger from Liverpool, instead of complying with this very
natural request, whispered a few words into the ear of the captain, who
looked very grave on hearing them, and then, advancing to the cheerful
gentleman, who was very anxious and very uneasy about the manner in
which the coffin was to be hauled up the side of the vessel, he laid a
heavy hand upon his shoulder, and said,--“I want the lid of that coffin
taken off before those men haul it up.”

Such a change came over the face of the cheerful gentleman as only
comes over the face of a man who knows that he is playing a desperate
game, and knows as surely that he has lost it. “My good sir,” he said,
“you’re mad. Not for the Queen of England would I see that coffin-lid
unscrewed.”

“I don’t think it will give us so much trouble as that,” said the other
quietly. “I very much doubt it’s being screwed down at all. You were
greatly alarmed just now, lest the person within should be smothered.
You were terribly frightened when I drew the heavy canvas over those
incisions in the oak,” he added, pointing to the lid, in the corner of
which two or three cracks were apparent to the close observer.

“Good Heavens! the man is mad!” cried the gentleman, whose manner had
entirely lost its airiness. “The man is evidently a maniac! This is too
dreadful! Is the sanctity of death to be profaned in this manner? Are
we to cross the Atlantic in the company of a madman?”

“You are not to cross the Atlantic at all just yet,” said the Liverpool
stranger. “The man is not mad, I assure you, but he is one of the
principal members of the Liverpool detective police force, and is
empowered to arrest a person who is supposed to be on board this boat.
There is only one place in which that person can be concealed. Here
is my warrant to arrest Jabez North, _alias_ Raymond Marolles,
_alias_ the Count de Marolles. I know as certainly as that I
myself stand here that he lies hidden in that coffin, and I desire
that the lid may be removed. If I am mistaken, it can be immediately
replaced, and I shall be ready to render you my most fervent apologies
for having profaned the repose of the dead. Now, Peters!”

The dumb detective went to one end of the coffin, while his colleague
stood at the other. The Liverpool officer was correct in his
supposition. The lid was only secured by two or three long stout
nails, and gave way in three minutes. The two detectives lifted it off
the coffin--and there, hot, flushed, and panting, half-suffocated,
with desperation in his wicked blue eyes, his teeth locked in furious
rage at his utter powerlessness to escape from the grasp of his
pursuers--there, run to earth at last, lay the accomplished Raymond,
Count de Marolles!

They put the handcuffs on him before they lifted him out of the coffin,
the Smasher assisting. Years after, when the Smasher grew to be an
older and graver man, he used to tell to admiring and awe-stricken
customers the story of this arrest. But it is to be observed that his
memory on these occasions was wont to play him false, for he omitted to
mention either the Liverpool detective or our good friend Mr. Peters
as taking any part in the capture; but described the whole affair as
conducted by himself alone, with an incalculable number of “I says,”
and “so then I thinks,” and “well, what do I do next?” and other
phrases of the same description.

The Count de Marolles, with tumbled hair, and a white face and blue
lips, sitting handcuffed upon the bench of the steamer between the
Liverpool detective and Mr. Peters, steaming back to Liverpool, was
a sight not good to look upon. The cheerful gentleman sat with the
Smasher and Mr. Darley, who had been told to keep an eye upon him, and
who--the Smasher especially--kept both eyes upon him with a will.

Throughout the little voyage there were no words spoken but these
from the Liverpool detective, as he first put the fetters on the
white and slender wrists of his prisoner: “Monsieur de Marolles,” he
said, “you’ve tried this little game once before. This is the second
occasion, I understand, on which you’ve done a sham die. I’d have you
beware of the third time. According to superstitious people, it’s
generally fatal.”




                              CHAPTER VI.

                       THE END OF THE DARK ROAD.


ONCE more Slopperton-on-the-Sloshy rang with a subject dismissed from
the public mind eight years ago, and now revived with a great deal
more excitement and discussion than ever. That subject was, the murder
of Mr. Montague Harding. All Slopperton made itself into one voice,
and spoke but upon one theme--the pending trial of another man for
that very crime of which Richard Marwood had been found guilty years
ago--Richard, who, according to report, had died in an attempt to
escape from the county asylum.

Very little was known of the criminal, but a great deal was
conjectured; a great deal more was invented; and ultimately, most
conflicting reports were spread abroad by the citizens of Slopperton,
every one of whom had his particular account of the seizure of De
Marolles, and every one of whom stood to his view of the case with a
pertinacity and fortitude worthy of a better cause. Thus, if you went
into High Street, entering that thoroughfare from the Market-place,
you would hear how this De Marolles was a French nobleman, who had
crossed the Channel in an open boat on the night of the murder, walked
from Dover to Slopperton--(not above two hundred miles by the shortest
cut)--and gone back to Calais in the same manner. If, staggered by
the slight discrepancies of time and place in this account of the
transaction, you pursued your inquiries a little further down the
same street, you would very likely be told that De Marolles was no
Frenchman at all, but the son of a clergyman in the next county, whose
unfortunate mother was at that moment on her knees in the throne-room
at Buckingham Palace, soliciting his pardon on account of his
connection with the clerical interest. If this story struck you as more
romantic than probable, you had only to turn the corner into Little
Market Street--(rather a low neighbourhood, and chiefly inhabited by
butchers and the tripe and cow-heel trade)--and you might sup full
of horrors, the denizens of this locality labouring under the fixed
conviction that the prisoner then lying in Slopperton gaol was neither
more nor less than a distinguished burglar, long the scourge of the
united kingdoms of Great Britain and Ireland, and guilty of outrages
and murders innumerable.

There were others who confined themselves to animated and detailed
descriptions of the attempted escape and capture of the accused. These
congregated at street-corners, and disputed and gesticulated in little
groups, one man often dropping back from his companions, and taking a
wide berth on the pavement, to give his particular story the benefit
of illustrative action. Some stories told how the prisoner had got
half-way to America concealed in the paddle wheel of a screw steamer;
others gave an animated account of his having been found hidden in the
corner of the engine-room, where he had lain concealed for fourteen
days without either bite or sup. Others told you he had been furled up
in the foretopsail of an American man-of-war; others related how he had
made the passage in the maintop of the same vessel, only descending
in the dead of the night for his meals, and paying the captain of the
ship a quarter of a million of money for the accommodation. As to the
sums of money he had embezzled in his capacity of banker, they grew
with every hour; till at last Slopperton turned up its nose at anything
under a billion for the sum total of his plunder.

The assizes were looked forward to with such eager expectation and
interest as never had been felt about any other assizes within the
memory of living Slopperton; and the judges and barristers on this
circuit were the envy of judges and barristers on other circuits, who
said bitterly, that no such case ever came across their way, and that
it was like Prius Q.C.’s luck to be counsel for the prosecution in such
a trial; and that if Nisi, whom the Count de Marolles had intrusted
with his defence, didn’t get him off, he, Nisi, deserved to be hung in
lieu of his client.

It seemed a strange and awful instance of retributive justice that
Raymond Marolles, having been taken in his endeavour to escape in the
autumn of the year, had to await the spring assizes of the following
year for his trial, and had, therefore, to drag out even a longer
period in his solitary cell than Richard Marwood, the innocent victim
of circumstantial evidence, had done years before.

Who shall dare to enter this man’s cell? Who shall dare to look
into this hardened heart? Who shall follow the dark and terrible
speculations of this perverted intellect?

At last the time, so welcome to the free citizens of Slopperton, and
so very unwelcome to some of the denizens in the gaol, who preferred
awaiting their trial in that retreat to crossing the briny ocean for
an unlimited period as the issue of that trial--at last, the assize
time came round once more. Once more the tip-top Slopperton hotels were
bewilderingly gay with elegant young barristers and grave grey-headed
judges. Once more the criminal court was one vast sea of human heads,
rising wave on wave to the very roof; and once more every eager eye was
turned towards the dock in which stood the elegant and accomplished
Raymond, Count de Marolles, _alias_ Jabez North, sometime pauper
of the Slopperton-on-the-Sloshy Union, afterwards usher in the academy
of Dr. Tappenden, charged with the wilful murder of Montague Harding,
also of Slopperton, eight years before.

The first point the counsel for the prosecution endeavoured to prove
to the minds of the jury was the identity of Raymond de Marolles, the
Parisian, with Jabez North, the pauper schoolboy. This hinged chiefly
upon his power to disprove the supposed death of Jabez North, in which
all Slopperton had hitherto firmly believed. Dr. Tappenden had stood
by his usher’s corpse. How, then, could that usher be alive and before
the Slopperton jury to-day? But there were plenty to certify that
here he was in the flesh--this very Jabez North, whom so many people
remembered, and had been in the habit of seeing, eight years ago. They
were ready to identify him, in spite of his dark hair and eyebrows. On
the other hand, there were some who had seen the body of the suicide,
found by Peters the detective, on the heath outside Slopperton; and
these were as ready to declare that the afore-mentioned body was the
body of Jabez North, the usher to Dr. Tappenden, and none other. But
when a rough-looking man, with a mangy fur cap in his hand, and two
greasy locks of hair carefully twisted into limp curls on either side
of his swarthy face, which curls were known to his poetically and
figuratively-disposed friends as Newgate knockers--when this man, who
gave his name to the jury as Slithery Bill--or, seeing the jury didn’t
approve of this cognomen, Bill Withers, if they liked it better--was
called into the witness-box, his evidence, sulkily and rather
despondingly given, as from one who says, “It may be my turn next,”
threw quite a new light upon the subject.

Bill Withers was politely asked if he remembered the summer of 18--.
Yes; Mr. Withers could remember the summer of 18--; was out of work
that summer, and made the marginal remark that “them as couldn’t live
might starve or steal, for all Slopperton folks cared.”

Was again politely asked if he remembered doing one particular job of
work that summer.

Did remember it--made the marginal remark, “and it was a jolly queer
dodge as ever a cove had a hand in.”

Was asked to be good enough to state what the particular job was.

Assented to the request with a polite nod of the head, and proceeded
to smooth his Newgate knockers, and fold his arms on the ledge of the
witness-box prior to stating his case; then cleared his throat, and
commenced discursively, thus,--

“Vy, it vas as this ’ere--I vas out of work. I does up small gent’s
gardens in the spring, and tidies and veeds and rakes and hoes ’em a
bit, back and front, vhen I can get it to do, vich ain’t often; and
bein’ out of vork, and old Mother Thingamy, down Blind Peter, she ses
to me, vich she vas a vicked old ’ag, she ses to me, ‘I’ve got a job
for them as asks no questions, and don’t vant to be told no lies;’ by
vich remark, and the vay of her altogether, I knowed she veren’t up to
no good; so I ses, ‘You looks here, mother; if it’s a job a respectable
young man, vot’s out o’ vork, and ain’t had a bite or sup since the
day afore yesterday, can do vith a clear conscience, I’ll do it--if it
ain’t, vy I von’t. There!’” Having recorded which heroic declaration,
Mr. William Withers wiped his mouth with the back of his hand, and
looked round the court, as much as to say, “Let Slopperton be proud of
such a citizen.”

“‘Don’t you go to flurry your tender constitution and do yourself a
unrecoverable injury,’ the old cat made reply; ‘it’s a job as the
parson of the parish might do, if he’d got a truck.’ ‘A truck?’ I ses;
‘is it movin’ boxes you’re making this ’ere palaver about?’ ‘Never you
mind vether it’s boxes or vether it ain’t; vill you do it?’ she ses;
‘vill you do it, and put a sovering in your pocket, and never go for
to split, unless you vant that precious throat of yours slit some fine
evenin’?’”

“And you consented to do what she required of you?” suggested the
counsel.

“Vell, I don’t know about that,” replied Mr. Withers, “but I undertook
the job. ‘So,’ ses she, that’s the old ’un, she ses, ‘you bring a truck
down by that there broken buildin’ ground at the back of Blind Peter
at ten o’clock to-night, and you keep yourself quiet till you hears a
vhistle; ven you hears a vhistle,’ she ses, ‘bring your truck around
agin our front door. This here’s all _you’ve_ got to do,’ she ses,
‘besides keepin’ your tongue between your teeth.’ ‘All right,’ I ses,
and off I goes to see if there was any cove as would trust me with a
truck agen the evenin’. Vell, I finds the cove, vich, seein’ I wanted
it bad, he stood out for a bob and a tanner for the loan of it.”

“Perhaps the jury would wish to be told what sum of money--I conclude
it is money--a bob and a tanner represent?” said the counsel.

“They must be a jolly ignorant lot, then, anyways,” replied Mr.
Withers, with more candour than circumlocution. “Any infant knows
eighteenpence ven it’s showed him.”

“Oh, a bob and a tanner are eighteenpence? Very good,” said the
counsel, encouragingly; “pray go on, Mr. Withers.”

“Vell, ten o’clock come, and veren’t it a precious stormy night, that’s
all; and there I was a-vaitin’ a-sittin’ on this blessed truck at the
back of Blind Peter, vich vos my directions. At last the vhistle come,
and a precious cautious vhistle it vas too, as soft as a niteingel
vot’s payin’ its addresses to another niteingel; and round I goes to
the front, as vos my directions. There, agen’ her door, stands the old
’ag, and agen her stands a young man in an old ragged pair of trousis
an’ a shirt. Lookin’ him hard in the face, who does I see but Jim, the
old un’s grandson; so I ses, ‘Jim!’ friendly like, but he makes no
reply; and then the old un ses, ‘Lend this young gent a ‘and ’ere, vill
yer?’ So in I goes, and there on the bed I sees something rolled up
very careful in a old counterpane. It giv’ me a turn like, and I didn’t
much like the looks of it; but I ses nothink; and then the young man,
Jim, as I thinks, ses, ‘Lend us a hand with this ’ere, vill yer?’ and
it giv’d me another turn like, for though it’s Jim’s face, somehow it
ain’t quite Jim’s voice--more genteel and fine like; but I goes up to
the bed, and I takes hold of von end of vot lays there; and then I gets
turn number three--for I find my suspicions was correct--it was a dead
body!”

“A dead body?”

“Yes; but who’s it vos there vos no knowin’, it vos wrapped up in that
manner. But I feels myself turn dreadful vhite, and I ses, ‘If this
ere’s anythink wrong, I vashes my hands ov it, and you may do your
dirty vork yourself.’ I hadn’t got the vords out afore this ’ere young
man, as I thought at first vos Jim, caught me by the throat sudden,
and threw me down on my knee. I ain’t a baby; but, lor’, I vos nothink
in his grasp, though his hand vos as vite and as deliket as a young
lady’s. ‘Now, you just look ’ere,’ he says; and I looked, as vell as I
could, vith my eyes a-startin’ out ov of my head in cosekence of bein’
just upon the choke, ‘you see vot this is,’ and vith his left hand he
takes a pistol out ov his pocket; ‘you refuse to do vot ve vant done,
or you go for to be noisy or in any vay ill-conwenient, and it’s the
last time as ever you’ll have the chance ov so doing. Get up,’ he says,
as if I vos a dog; and I gets up, and I agrees to do vot he vants, for
there vas that there devil in that young man’s hye, that I began to
think it vos best not to go agen him.”

Here Mr. Withers paused for refreshment after his exertions, and
blew his nose very deliberately on a handkerchief which, from its
dilapidated condition, resembled a red cotton cabbagenet. Silence
reigned throughout the crowded court, broken only by the scratching
of the pen with which the counsel for the defence was taking notes
of the evidence, and the fluttering of the leaves of the reporters’
pocket-books, as they threw off page after page of flimsy paper.

The prisoner at the bar looked straight before him; the
firmly-compressed lips had never once quivered, the golden fringed
eyelashes had never drooped.

“Can you tell me,” said the counsel for the prosecution, “whether
you have ever, since that night, seen this young man, who so closely
resembled your old friend, Jim?”

“Never seen him since, to my knowledge”--there was a flutter in the
crowded court, as if every spectator had simultaneously drawn a long
breath--“till to-day.”

“Till to-day?” said the counsel. This time it was more than a flutter,
it was a subdued murmur that ran through the listening crowd.

“Be good enough to say if you can see him at this present moment.”

“I can,” replied Mr. Withers. “That’s him! or my name ain’t vot I’ve
been led to believe it is.” And he pointed with a dirty but decided
finger at the prisoner at the bar.

The prisoner slightly elevated his arched eyebrows superciliously, as
if he would say, “This is a pretty sort of witness to hang a man of my
standing.”

“Be so good as to continue your story,” said the counsel.

“Vell, I does vot he tells me, and I lays the body, vith his ’elp, on
the truck. ‘Now,’ he ses, ‘follow this ’ere old voman and do everythink
vot she tells you, or you’ll find it considerably vorse for your future
’appiness;’ vith vich he slams the door upon me, the old un, and the
truck, and I sees no more of ’im. Vell, I follows the old un through a
lot o’ lanes and back slums, till ve leaves the town behind, and gets
right out upon the ’eath; and ve crosses over the ’eath, till ve comes
to vere it’s precious lonely, yet the hedge of the pathway like; and
’ere she tells me as ve’re to leave the body, and ’ere ve shifts it
off the truck and lays it down upon the grass, vich it vas a-rainin’
’eavens ’ard, and a-thunderin’ and a-lightnin’ like von o’clock. ‘And
now,’ she ses, ’vot you’ve got to do is to go back from vheres you come
from, and lose no time about it; and take notice,’ she ses, ‘if ever
you speaks or jabbers about this ’ere business, it’ll be the end of
your jabberin’ in this world,’ vith vitch she looks at me like a old
vitch as she vos, and points vith her skinny arm down the road. So I
valks my chalks, but I doesn’t valk ’em very far, and presently I sees
the old ’ag a-runnin’ back tovards the town as fast as ever she could
tear. ‘Ho!’ I ses, ‘you are a nice lot, you are; but I’ll see who’s
dead, in spite of you.’ So I crawls up to vere ve’d left the body, and
there it vos sure enuff, but all uncovered now, the face a-starin’ up
at the black sky, and it vos dressed, as far as I could make out, quite
like a gentleman, all in black, but it vos so jolly dark I couldn’t
see the face, vhen all of a sudden, vhile I vos a-kneelin’ down and
lookin’ at it, there comes von of the longest flashes of lightnin’ as
I ever remember, and in the blue light I sees the face plainer than I
could have seen it in the day. I thought I should have fell down all of
a heap. It vos Jim! Jim hisself, as I knowed as well as I ever knowed
myself, dead at my feet! My first thought vos as how that young man as
vos so like Jim had murdered him; but there vorn’t no marks of wiolence
novheres about the body. Now, I hadn’t in my own mind any doubts as
how it vos Jim; but still, I ses to myself, I ses, ‘Everythink seems
topsy-turvy like this night, so I’ll be sure;’ so I takes up his arm,
and turns up his coat-sleeve. Now, vy I does this is this ’ere: there
vos a young voman Jim vos uncommon fond ov, vhich her name vos Bess,
though he and many more called her, for short, Sillikens: and von day
vhen me and Jim vos at a public, ve happened to fall in vith a sailor,
vot ve’d both knowed afore he vent to sea. So he vos a-tellin’ of us
his adventures and such-like, and then he said promiscus, ‘I’ll show
you somethin’ pretty;’ and sure enuff, he slipped up the sleeve ov his
Garnsey, and there, all over his arm, vos all manner ov sort ov picters
done vith gunpowder, such as ankers, and Rule Britannias, and ships
in full sail on the backs of flyin’ alligators. So Jim takes quite a
fancy to this ’ere, and he ses, ‘I vish, Joe (the sailor’s name bein’
Joe), I vish, Joe, as how you’d do me my young voman’s name and a
wreath of roses on my arm, like that there.’ Joe ses, ‘And so I vill,
and velcome.’ And sure enuff, a veek or two artervards, Jim comes to me
vith his arm like a picter-book, and Bess as large as life just above
the elber-joint. So I turns up his coat-sleeve, and vaits for a flash
ov lightnin’. I hasn’t to vait long, and there I reads, ‘B.E.S.S.’
‘There ain’t no doubt now,’ I ses, ‘this ’ere’s Jim, and there’s some
willany or other in it, vot I ain’t up to.’”

“Very good,” said the counsel; “we may want you again by-and-by, I
think, Mr. Withers; but for the present you may retire.”

The next witness called was Dr. Tappenden, who related the
circumstances of the admission of Jabez North into his household, the
high character he had from the Board of the Slopperton Union, and the
confidence reposed in him.

“You placed great trust, then, in this person?” asked the counsel for
the prosecution.

“The most implicit trust,” replied the schoolmaster, “so much so, that
he was frequently employed by me to collect subscriptions for a public
charity of which I was the treasurer--the Slopperton Orphan Asylum.
I think it only right to mention this, as on one occasion it was the
cause of his calling upon the unfortunate gentleman who was murdered.”

“Indeed! Will you be so good as to relate the circumstance?”

“I think it was about three days before the murder, when, one morning,
at a little before twelve o’clock--that being the time at which my
pupils are dismissed from their studies for an hour’s recreation--I
said to him, ‘Mr. North, I should like you to call upon this Indian
gentleman, who is staying with Mrs. Marwood, and whose wealth is so
much talked of----’”

“Pardon me. You said, ‘whose wealth is so much talked of.’ Can you
swear to having made that remark?”

“I can.”

“Pray continue,” said the counsel.

“‘I should like you,’ I said, ‘to call upon this Mr. Harding, and
solicit his aid for the Orphan Asylum; we are sadly in want of funds.
I know, North, your heart is in the work, and you will plead the cause
of the orphans successfully. You have an hour before dinner; it is some
distance to the Black Mill, but you can walk fast there and back.’ He
went accordingly, and on his return brought a five-pound note, which
Mr. Harding had given him.”

Dr. Tappenden proceeded to describe the circumstance of the death of
the little boy in the usher’s apartment, on the very night of the
murder. One of the servants was examined, who slept on the same floor
as North, and who said she had heard strange noises in his room that
night, but had attributed the noises to the fact of the usher sitting
up to attend upon the invalid. She was asked what were the noises she
had heard.

“I heard some one open the window, and shut it a long while after.”

“How long do you imagine the interval to have been between the opening
and shutting of the window?” asked the counsel.

“About two hours,” she replied, “as far as I could guess.”

The next witness for the prosecution was the old servant, Martha.

“Can you remember ever having seen the prisoner at the bar?”

The old woman put on her spectacles, and steadfastly regarded the
elegant Monsieur de Marolles, or Jabez North, as his enemies insisted
on calling him. After a very deliberate inspection of that gentleman’s
personal advantages, rather trying to the feelings of the spectators,
Mrs. Martha Jones said, rather obscurely--

“He had light hair then.”

“‘He had light hair then,’ You mean, I conclude,” said the counsel,
“that at the time of your first seeing the prisoner, his hair was of a
different colour from what it is now. Supposing that he had dyed his
hair, as is not an uncommon practice, can you swear that you have seen
him before to-day?”

“I can.”

“On what occasion?” asked the counsel.

“Three days before the murder of my mistress’s poor brother. I opened
the gate for him. He was very civil-spoken, and admired the garden very
much, and asked me if he might look about it a little.”

“He asked you to allow him to look about the garden? Pray was this as
he went in, or as he went out?”

“It was when I let him out.”

“And how long did he stay with Mr. Harding?”

“Not more than ten minutes. Mr. Harding was in his bedroom; he had a
cabinet in his bedroom in which he kept papers and money, and he used
to transact all his business there, and sometimes would be there till
dinner-time.”

“Did the prisoner see him in his bedroom?”

“He did. I showed him upstairs myself.”

“Was anybody in the bedroom with Mr. Harding when he saw the prisoner?”

“Only his coloured servant: he was always with him.”

“And when you showed the prisoner out, he asked to be allowed to look
at the garden? Was he long looking about?”

“Not more than five minutes. He looked more at the house than the
garden. I noticed him looking at Mr. Harding’s window, which is on the
first floor; he took particular notice of a very fine creeper that
grows under the window.”

“Was the window, on the night of the murder, fastened, or not?”

“It never was fastened. Mr. Harding always slept with his window a
little way open.”

After Martha had been dismissed from the witness-box, the old servant
of Mr. Harding, the Lascar, who had been found living with a gentleman
in London, was duly sworn, prior to being examined.

He remembered the prisoner at the bar, but made the same remark as
Martha had done, about the change in colour of his hair.

“You were in the room with your late master when the prisoner called
upon him?” asked the counsel.

“I was.”

“Will you state what passed between the prisoner and your master?”

“It is scarcely in my power to do so. At that time I understood no
English. My master was seated at his cabinet, looking over papers
and accounts. I fancy the prisoner asked him for money. He showed
him papers both printed and written. My master opened a pocket-book
filled with notes, the pocket-book afterwards found on his nephew,
and gave the prisoner a bank note. The prisoner appeared to make a
good impression on my late master, who talked to him in a very cordial
manner. As he was leaving the room, the prisoner made some remark about
me, and I thought from the tone of his voice, he was asking a question.”

“You thought he was asking a question?”

“Yes. In the Hindostanee language we have no interrogative form of
speech, we depend entirely on the inflexion of the voice; our ears are
therefore more acute than an Englishman’s. I am certain he asked my
master some questions about me.”

“And your master----?”

“After replying to him, turned to me, and said, ‘I am telling this
gentleman what a faithful fellow you are, Mujeebez, and how you always
sleep in my dressing-room.’”

“You remember nothing more?”

“Nothing more.”

The Indian’s deposition, taken in the hospital at the time of the trial
of Richard Marwood, was then read over to him. He certified to the
truth of this deposition, and left the witness-box.

The landlord of the Bargeman’s Delight, Mr. Darley, and Mr. Peters (the
latter by an interpreter), were examined, and the story of the quarrel
and the lost Indian coin was elicited, making considerable impression
on the jury.

There was only one more witness for the crown, and this was a young
man, a chemist, who had been an apprentice at the time of the supposed
death of Jabez North, and who had sold to him a few days before that
supposed suicide the materials for a hair-dye.

The counsel for the prosecution then summed up.

It is not for us to follow him through the twistings and windings of
a very complicated mass of evidence; he had to prove the identity of
Jabez North with the prisoner at the bar, and he had to prove that
Jabez North was the murderer of Mr. Montague Harding. To the mind of
every spectator in that crowded court he succeeded in proving both.

In vain the prisoner’s counsel examined and cross-examined the
witnesses.

The witnesses for the defence were few. A Frenchman, who represented
himself as a Chevalier of the Legion of Honour, failed signally in an
endeavour to prove an _alibi_, and considerably damaged the defence.
Other witnesses appeared, who swore to having known the prisoner
in Paris the year of the murder. They could not say they had seen
him during the November of that year--it might have been earlier,
it might have been later. On being cross-examined, they broke down
ignominiously, and acknowledged that it might not have been that year
at all. But they _had_ known him in Paris _about_ that period. They
had always believed him to be a Frenchman. They had always understood
that his father fell at Waterloo, in the ranks of the Old Guard. On
cross-examination they all owned to having heard him at divers periods
speak English. He had, in fact, spoken it fluently, yes, even like an
Englishman. On further cross-examination it also appeared that he did
not like being thought an Englishman; that he would insist vehemently
upon his French extraction; that nobody knew who he was, or whence
he came; and that all anyone did know of him was what he himself had
chosen to state.

The defence was long and laboured. The prisoner’s counsel did not enter
into the question of the murder having been committed by Jabez North,
or not having been committed by Jabez North. What he endeavoured to
show was, that the prisoner at the bar was not Jabez North; but that he
was a victim to one of those cases of mistaken identity of which there
are so many on record both in English and foreign criminal archives. He
cited the execution of the Frenchman Joseph Lesurges, for the murder
of the Courier of Lyons. He spoke of the case of Elizabeth Canning,
in which a crowd of witnesses on either side persisted in supporting
entirely conflicting statements, without any evident motive whatsoever.
He endeavoured to dissect the evidence of Mr. William Withers; he
sneered at that worthy citizen’s wholesale slaughter of the English
of her most gracious Majesty and subjects. He tried to overthrow that
gentleman by ten minutes on the wrong side of the Slopperton clocks;
he did his best to damage him by puzzling him as to whether the truck
he spoke of had two legs and one wheel, or two wheels and one leg:
but he tried in vain. Mr. Withers was not to be damaged; he stood as
firm as a rock, and still swore that he carried the dead body of Jim
Lomax out of Blind Peter and on to the heath, and that the man who
commanded him so to do was the prisoner at the bar. Neither was Mr.
Augustus Darley to be damaged; nor yet the landlord of the Bargeman’s
Delight, who, in spite of all cross-examination, preserved a gloomy and
resolute attitude, and declared that “that young man at the bar, which
his hair was then light, had a row with a young woman in the tap-room,
and throwed that there gold coin to her, which she chucked it back
savage.” In short, the defence, though it lasted two hours and a half,
was a very lame one; and a close observer might have seen one flash
from the blue eyes of the man standing at the bar, which glanced in
the direction of the eloquent Mr. Prius, Q.C., as he uttered the last
words of his peroration, revengeful and murderous enough, brief though
it was, to give to the spectator some idea that the Count de Marolles,
innocent and injured victim of circumstantial evidence as he might be,
was not the safest person in the world to offend.

The judge delivered his charge to the jury, and they retired.

There was breathless impatience in the court for three-quarters of an
hour; such impatience that the three-quarters seemed to be three entire
hours, and some of the spectators would have it that the clock had
stopped. Once more the jury took their places.

“Guilty!” A recommendation to mercy? No! Mercy was not for such as he.
Not man’s mercy. Oh, Heaven be praised that there is One whose mercy is
as far above the mercy of the tenderest of earth’s creatures as heaven
is above that earth. Who shall say where is the man so wicked he may
not hope for compassion _there_?

The judge put on the black cap and delivered the sentence--

“To be hanged by the neck!”

The Count de Marolles looked round at the crowd. It was beginning to
disperse, when he lifted his slender ringed white hand. He was about
to speak. The crowd, swaying hither and thither before, stopped as one
man. As one man, nay, as one surging wave of the ocean, changed, in a
breath, to stone. He smiled a bitter mocking defiant smile.

“Worthy citizens of Slopperton,” he said, his clear enunciation ringing
through the building distinct and musical, “I thank you for the trouble
you have taken this day on my account. I have played a great game, and
I have lost a great stake; but, remember, I first won that stake, and
for eight years held it and enjoyed it. I have been the husband of
one of the most beautiful and richest women in France. I have been a
millionaire, and one of the wealthiest merchant princes of the wealthy
south. I started from the workhouse of this town; I never in my life
had a friend to help me or a relation to advise me. To man I owe
nothing. To God I owe only this, a will as indomitable as the stars He
made, which have held their course through all time. Unloved, unaided,
unprayed for, unwept; motherless, fatherless, sisterless, brotherless,
friendless; I have taken my own road, and have kept to it; defying the
earth on which I have lived, and the unknown Powers above my head. That
road has come to an end, and brought me--here! So be it! I suppose,
after all, the unknown Powers are strongest! Gentlemen, I am ready.” He
bowed and followed the officials who led him from the dock to a coach
waiting for him at the entrance to the court. The crowd gathered round
him with scared faces and eager eyes.

The last Slopperton saw of the Count de Marolles was a pale handsome
face, a sardonic smile, and the delicate white hand which rested upon
the door of the hackney-coach.

Next morning, very early, men with grave faces congregated at
street-corners, and talked together earnestly. Through Slopperton like
wildfire spread the rumour of something, which had only been darkly
hinted at the gaol.

The prisoner had destroyed himself!

Later in the afternoon it was known that he had bled himself to death
by means of a lancet not bigger than a pin, which he had worn for
years concealed in a chased gold ring of massive form and exquisite
workmanship.

The gaoler had found him, at six o’clock on the morning after his
trial, seated, with his bloodless face lying on the little table of his
cell, white, tranquil, and dead.

The agents from an exhibition of wax-works, and several phrenologists,
came to look at and to take casts of his head, and masks of the
handsome and aristocratic face. One of the phrenologists, who had given
an opinion on his cerebral development ten years before, when Mr. Jabez
North was considered a model of all Sloppertonian virtues and graces,
and who had been treated with ignominy for that very opinion, was now
in the highest spirits, and introduced the whole story into a series of
lectures, which were afterwards very popular. The Count de Marolles,
with very long eyelashes, very small feet, and patent-leather boots, a
faultless Stultsian evening costume, a white waistcoat, and any number
of rings, was much admired in the Chamber of Horrors at the eminent
wax-work exhibition above mentioned, and was considered well worth the
extra sixpence for admission. Young ladies fell in love with him, and
vowed that a being--they called him a being--with such dear blue glass
eyes, with beautiful curly eyelashes, and specks of lovely vermilion
in each corner, could never have committed a horrid murder, but was,
no doubt, the innocent victim of that cruel circumstantial evidence.
Mr. Splitters put the Count into a melodrama in four periods--not
acts, but periods: 1. Boyhood--the Workhouse. 2. Youth--the School.
3. Manhood--the Palace. 4. Death--the Dungeon. This piece was very
popular, and as Mr. Percy Cordonner had prophesied, the Count was
represented as living _en permanence_ in Hessian boots with gold
tassels; and as always appearing, with a spirited disregard for the
unities of time and space, two or three hundred miles distant from
the spot in which he had appeared five minutes before, and performing
in scene four the very action which his foes had described as being
already done in scene three. But the transpontine audiences to whom the
piece was represented were not in the habit of asking questions, and
as long as you gave them plenty of Hessian boots and pistol-shots for
their money, you might snap your fingers at Aristotle’s ethics, and all
the Greek dramatists into the bargain. What would they have cored for
the classic school? Would they have given a thank you for “Zaire, vous
pleurez!” or “Qu’il mourut!” No; give them enough blue fire and honest
British sentiment, with plenty of chintz waistcoats and top-boots, and
you might laugh Corneille and Voltaire to scorn, and be sure of a long
run on the Surrey side of the water.

So the race was run, and, after all, the cleverest horse was not the
winner. Where was the Countess de Marolles during her husband’s trial?
Alas! Valerie, thine has been a troubled youth, but it may be that a
brighter fate is yet in store for thee!




                             CHAPTER VII.

                         FAREWELL TO ENGLAND.


SCARCELY had Slopperton subsided in some degree from the excitement
into which it had been thrown by the trial and suicide of Raymond de
Marolles, when it was again astir with news, which was, if anything,
more exciting. It is needless to say that after the trial and
condemnation of De Marolles, there was not a little regretful sympathy
felt by the good citizens of Slopperton for their unfortunate townsman,
Richard Marwood, who, after having been found guilty of a murder he had
never committed, had perished, as the story went, in a futile attempt
to escape from the asylum in which he had been confined. What, then,
were the feelings of Slopperton when, about a month after the suicide
of the murderer of Montague Harding, a paragraph appeared in one of the
local papers which stated positively that Mr. Richard Marwood was still
alive, he having succeeded in escaping from the county asylum?

This was enough. Here was a hero of romance indeed; here was innocence
triumphant for once in real life, as on the mimic scene. Slopperton was
wild with one universal desire to embrace so distinguished a citizen.
The local papers of the following week were full of the subject,
and Richard Marwood was earnestly solicited to appear once more in
his native town, that every inhabitant thereof, from the highest to
the lowest, might be enabled to testify heartfelt sympathy for his
undeserved misfortunes, and sincere delight in his happy restoration to
name and fame.

The hero was not long in replying to the friendly petition of the
inhabitants of his native place. A letter from Richard appeared in one
of the papers, in which he stated that as he was about to leave England
for a considerable period, perhaps for ever, he should do himself the
honour of responding to the kind wishes of his friends, and once more
shake hands with the acquaintance of his youth before he left his
native country.

The Sloppertonian Jack-in-the-green, assisted by the rather stalwart
damsels in dirty pink gauze and crumpled blue-and-yellow artificial
flowers, had scarcely ushered in the sweet spring month of the year,
when Slopperton arose simultaneously and hurried as one man to the
railway station, to welcome the hero of the day. The report has
spread--no one ever knows how these reports arise--that Mr. Richard
Marwood is to arrive this day. Slopperton must be at hand to bid him
welcome to his native town, to repair the wrong it has so long done him
in holding him up to universal detestation as the George Barnwell of
modern times.

Which train will he come by? There is a whisper of the three o’clock
express; and at three o’clock in the afternoon, therefore, the station
and station-yard are crowded.

The Slopperton station, like most other stations, is built at a little
distance from the town, so that the humble traveller who arrives by the
parliamentary train, with all his earthly possessions in a red cotton
pocket-handkerchief or a brown-paper parcel, and to whom such things
as cabs are unknown luxuries, is often disappointed to find that when
he gets to Slopperton station he is not in Slopperton proper. There
is a great Sahara of building-ground and incomplete brick-and-mortar,
very much to let, to be crossed before the traveller finds himself in
High Street, or South Street, or East Street, or any of the populous
neighbourhoods of this magnificent city.

Every disadvantage, however, is generally counterbalanced by some
advantage, and nothing could be more suitable than this grand Sahara
of broken ground and unfinished neighbourhood for the purposes of a
triumphal entry into Slopperton.

There is a great deal of animated conversation going on upon the
platform inside the station. It is a noticeable fact that everybody
present--and there are some hundreds--appears to have been intimately
acquainted with Richard from his very babyhood. This one remembers
many a game at cricket with him on those very fields yonder; another
would be a rich man if he had only a sovereign for every cigar he has
smoked in the society of Mr. Marwood. That old gentleman yonder taught
our hero his declensions, and always had a difficulty with him about
the ablative case. The elderly female with the dropsical umbrella had
nursed him as a baby; “and the finest baby he was as ever I saw,” she
adds enthusiastically. Those two gentlemen who came down to the station
in their own brougham are the kind doctors who carried him through that
terrible brain-fever of his early youth, and whose evidence was of some
service to him at his trial. Everywhere along the crowded platform
there are friends; noisy excited gesticulating friends, who have
started a hero on their own account, and who wouldn’t turn aside to-day
to get a bow from majesty itself.

Five minutes to three. From the doctor’s fifty-guinea chronometer,
by Benson, to the silver turnip from the wide buff waistcoat of the
farmer, everybody’s watch is out, and nobody will believe but that
his particular time is the right time, and every other watch, and the
station clock into the bargain, wrong.

Two minutes to three. Clang goes the great bell. The station-master
clears the line. Here it comes, only a speck of dull red fire as
yet, and a slender column of curling smoke; but the London express
for all that. Here it comes, wildly tearing up the tender green
country, rushing headlong through the smoky suburbs; it comes within
a few hundred yards of the station; and there, amidst a labyrinth of
straggling lines and a chaos of empty carriages and disabled engines,
it stops deliberately for the ticket-collectors to go their accustomed
round.

Good gracious me, how badly those ticket-collectors do their duty!--how
slow they are!--what a time the elderly females in the second-class
appear to be fumbling in their reticules before they produce the
required document!--what an age, in short, it is before the train
puffs lazily up to the platform; and yet, only two minutes by the
station-clock.

Which is he? There is a long line of carriages. The eager eyes look
into each. There is a fat dark man with large whiskers reading the
paper. Is that Richard? He may be altered, you know, they say; but
surely eight years could never have changed him into that. No! there he
is! There is no mistaking him this time. The handsome dark face, with
the thick black moustache, and the clustering frame of waving raven
hair, looks out of a first-class carriage. In another moment he is on
the platform, a lady by his side, young and pretty, who bursts into
tears as the crowd press around him, and hides her face on an elderly
lady’s shoulder. That elderly lady is his mother. How eagerly the
Sloppertonians gather round him! He does not speak, but stretches out
both his hands, which are nearly shaken off his wrists before he knows
where he is.

Why doesn’t he speak? Is it because he cannot? Is it because there is a
choking sensation in his throat, and his lips refuse to articulate the
words that are trembling upon them? Is it because he remembers the last
time he alighted on this very platform--the time when he wore handcuffs
on his wrists and walked guarded between two men; that bitter time
when the crowd held aloof from him, and pointed him out as a murderer
and a villain? There is a mist over his dark eyes as he looks round at
those eager friendly faces, and he is glad to slouch his hat over his
forehead, and to walk quickly through the crowd to the carriage waiting
for him in the station-yard. He has his mother on one arm and the young
lady on the other; his old friend Gus Darley is with him too; and the
four step into the carriage.

Then, how the cheers and the huzzas burst forth, in one great hoarse
shout! Three cheers for Richard, for his mother, for his faithful
friend Gus Darley, who assisted him to escape from the lunatic asylum,
for the young lady--but who is the young lady? Everybody is so anxious
to know who the young lady is, that when Richard introduces her to the
doctors, the crowd presses round, and putting aside ceremony, openly
and deliberately listens. Good Heavens! the young lady is his wife,
the sister of his friend Mr. Darley, “who wasn’t afraid to trust me,”
the crowd heard him say, “when the world was against me, and who in
adversity or prosperity alike was ready to bless me with her devoted
love.” Good gracious me! More cheers for the young lady. The young lady
is Mrs. Marwood. Three cheers for Mrs. Marwood! Three cheers for Mr.
and Mrs. Marwood! Three cheers for the happy pair!

At length the cheering is over--or, at least, over for the moment.
Slopperton is in such an excited state that it is easy to see it
will break out again by-and-by. The coachman gives a preliminary
flourish of his whip as a signal to his fiery steeds. Fiery steeds,
indeed! “Nothing so common as a horse shall carry Richard Marwood
into Slopperton,” cry the excited townspeople. We ourselves will draw
the carriage--we, the respectable tradespeople--we, the tag-rag and
bob-tail, anybody and everybody--will make ourselves for the nonce
beasts of burden, and think it no disgrace to draw the triumphal car of
this our townsman. In vain Richard remonstrates. His handsome face--his
radiant smiles, only rekindle the citizens’ enthusiasm. They think of
the bright young scapegrace whom they all knew years ago. They think of
his very faults--which were virtues in the eyes of the populace. They
remember the day he caned a policeman who had laid violent hands on a
helpless little boy for begging in the streets--the night he wrenched
off the knocker of an unpopular magistrate who had been hard upon a
poacher. They recalled a hundred escapades for which those even who
reproved him had admired him; and they gather round the carriage in
which he stands with his hat off, the May sunlight in his bright hazel
eyes, his dark hair waving in the spring breeze around his wide candid
brow, and one slender hand stretched out to restrain, if he can, this
tempest of enthusiasm. Restrain it?--No! that is not to be done. You
can go and stand upon the shore and address yourselves to the waves of
the sea; you can mildly remonstrate with the wolf as to his intentions
with regard to the innocent lamb; but you _cannot_ check the
enthusiasm of a hearty British crowd when its feelings are excited in a
good cause.

Away the carriage goes! with the noisy populace about the wheels.
What is this?--music? Yes; two opposition bands. One is playing “See,
the conquering hero comes!” while the other exhausts itself; and gets
black in the face, with the exertion necessary in doing justice to
“Rule Britannia.” At last, however, the hotel is reached. But the
triumph of Richard is not yet finished. He must make a speech. He
does, ultimately, consent to say a few words in answer to the earnest
entreaties of that clamorous crowd. He tells his friends, in a very few
simple sentences, how this hour, of all others, is the hour for which
he has prayed for nearly nine long years; and how he sees, in the most
trifling circumstances which have aided, however remotely, in bringing
this hour to pass, the hand of an all-powerful Providence. He tells
them how he sees in these years of sorrow through which he has passed
a punishment for the careless sins of his youth, for the unhappiness
he has caused his devoted mother, and for his indifference to the
blessings Heaven has bestowed on him; how he now prays to be more
worthy of the bright future which lies so fair before him; how he means
the rest of his life to be an earnest and a useful one; and how, to the
last hour of that life, he will retain the memory of their generous and
enthusiastic reception of him this day. It is doubtful how much more
he might have said; but just at this point his eyes became peculiarly
affected--perhaps by the dust, perhaps by the sunshine--and he was
forced once more to have recourse to his hat, which he pulled fairly
over those optics prior to springing out of the carriage and hurrying
into the hotel, amidst the frantic cheers of the sterner sex, and the
audible sobs of the fairer portion of the community.

His visit was but a flying one. The night train was to take him across
country to Liverpool, whence he was to start the following day for
South America. This was kept, however, a profound secret from the
crowd, which might else have insisted on giving him a second ovation.
It was not very quickly dispersed, this enthusiastic throng. It
lingered for a long time under the windows of the hotel. It drank a
great deal of bottled ale and London porter in the bar round the corner
by the stable-yard; and it steadfastly refused to go away until it
had had Richard out upon the balcony several times, and had given him
a great many more tumultuous greetings. When it had quite exhausted
Richard (our hero looking pale from over-excitement) it took to Mr.
Darley as vice-hero, and would have carried him round the town with
one of the bands of music, had he not prudently declined that offer.
It was so bent on doing something, that at last, when it did consent
to go away, it went into the Market-place and had a fight--not from
any pugilistic or vindictive feeling, but from the simple necessity of
finishing the evening somehow.

There is no possibility of sitting down to dinner till after dark.
But at last the shutters are closed and the curtains are drawn by the
obsequious waiters; the dinner-table is spread with glittering plate
and snowy linen; the landlord himself brings in the soup and uncorks
the sherry, and the little party draws round the social board. Why
should we break in upon that happy group? With the wife he loves, the
mother whose devotion has survived every trial, the friend whose aid
has brought about his restoration to freedom and society, with ample
wealth wherefrom to reward all who have served him in his adversity,
what more has Richard to wish for?

A close carriage conveys the little party to the station; and by the
twelve o’clock train they leave Slopperton, some of them perhaps never
to visit it again.

The next day a much larger party is assembled on board the
_Oronoko_, a vessel lying off Liverpool, and about to sail for
South America. Richard is there, his wife and mother still by his side;
and there are several others whom we know grouped about the deck.
Mr. Peters is there. He has come to bid farewell to the young man in
whose fortunes and misfortunes he has taken so warm and unfailing an
interest. He is a man of independent property now, thanks to Richard,
who thinks the hundred a year settled on him a very small reward for
his devotion--but he is very melancholy at parting with the master he
has so loved.

“I think, sir,” he says on his fingers, “I shall marry Kuppins, and
give my mind to the education of the ‘fondling.’ He’ll be a great
man, sir, if he lives; for his heart, boy as he is, is all in his
profession. Would you believe it, sir, that child bellowed for three
mortal hours because his father committed suicide, and disappointed the
boy of seein’ him hung? That’s what I calls a love of business, and no
mistake.”

On the other side of the deck there is a little group which Richard
presently joins. A lady and gentleman and a little boy are standing
there; and, at a short distance from them, a grave-looking man with
dark-blue spectacles, and a servant--a Lascar.

There is a peculiar style about the gentleman, on whose arm the lady
leans, that bespeaks him to the most casual observer to be a military
man, in spite of his plain dress and loose great coat. And the lady on
his arm, that dark classic face, is not one to be easily forgotten. It
is Valerie de Cevennes, who leans on the arm of her first and beloved
husband, Gaston de Lancy. If I have said little of this meeting--of
this restoration of the only man she ever loved, which has been to
her as a resurrection of the dead--it is because there are some joys
which, from their very intensity, are too painful and too sacred for
many words. He was restored to her. She had never murdered him. The
potion given her by Blurosset was a very powerful opiate, which had
produced a sleep resembling death in all its outward symptoms. Through
the influence of the chemist the report of the death was spread abroad.
The truth, except to Gaston’s most devoted friends, had never been
revealed. But the blow had been too much for him; and when he was told
by whom his death had been attempted, he fell into a fever, which
lasted for many months, during which period his reason was entirely
lost, and from which he was only rescued by the devotion of the
chemist--a devotion on Blurosset’s part which, perhaps, had proceeded
as much from love of the science he studied as of the man he saved.
Recovering at last, Gaston de Lancy found that the glorious voice which
had been his fortune was entirely gone. What was there for him to do?
He enlisted in the East India Company’s service; rose through the Sikh
campaign with a rapidity which astonished the bravest of his compeers.
There was a romance about his story that made him a hero in his
regiment. He was known to have plenty of money--to have had no earthly
reason for enlisting; but he told them he would rise, as his father had
done before him, in the wars of the Empire, by merit alone, and he had
kept his word. The French ensign, the lieutenant, the captain--in each
rising grade he had been alike beloved, alike admired, as a shining
example of reckless courage and military genius.

The arrest of the _soi-disant_ Count de Marolles had brought
Richard Marwood and Gaston de Lancy into contact. Both sufferers from
the consummate perfidy of one man, they became acquainted, and, ere
long, friends. Some part of Gaston’s story was told to Richard and his
young wife, Isabella; but it is needless to say, that the dark past
in which Valerie was concerned remained a secret in the breast of her
husband, of Laurent Blurosset, and herself. The father clasped his
son to his heart, and opened his arms to receive the wife whom he had
pardoned long ago, and whose years of terrible agony had atoned for the
wildly-attempted crime of her youth.

On Richard and Gaston becoming fast friends, it had been agreed
between them that Richard should join De Lancy and his wife in South
America; where, far from the scenes which association had made painful
to both, they might commence a new existence. Valerie, once more
mistress of that immense fortune of which De Marolles had so long had
the command, was enabled to bestow it on the husband of her choice.
The bank was closed in a manner satisfactory to all whose interests
had been connected with it. The cashier, who was no other than the
lively gentleman who had assisted in De Marolles’ attempted escape, was
arrested on a charge of embezzlement, and made to disgorge the money he
had abstracted.

The Marquis de Cevennes elevated his delicately-arched eyebrows on
reading an abridged account of the trial of his son, and his subsequent
suicide; but the elegant Parisian did not go into mourning for this
unfortunate scion of his aristocratic house; and indeed, it is
doubtful if five minutes after he had thrown aside the journal he
had any sensation whatever about the painful circumstances therein
related. He expressed the same gentlemanly surprise upon being informed
of the marriage of his niece with Captain Lansdown, late of the East
India Company’s service, and of her approaching departure with her
husband for her South American estates. He sent her his blessing and
a breakfast-service; with the portraits of Louis the Well-beloved,
Madame du Barry, Choiseul, and D’Aiguillon, painted on the cups, in
oval medallions, on a background of turquoise, packed in a casket of
buhl lined with white velvet; and, I dare say, he dismissed his niece
and her troubles from his recollection quite as easily as he despatched
this elegant present to the railway which was to convey it to its
destination.

The bell rings; the friends of the passengers drop down the side of the
vessel into the little Liverpool steamer. There are Mr. Peters and Gus
Darley waving their hats in the distance. Farewell, old and faithful
friends, farewell; but surely not for ever. Isabella sinks sobbing on
her husband’s shoulder. Valerie looks with those deep unfathomable eyes
out towards the blue horizon-line that bounds the far away to which
they go.

“There, Gaston, we shall forget----”

“Never your long sufferings, my Valerie,” he murmurs, as he presses the
little hand resting on his arm; “those shall never be forgotten.”

“And the horror of that dreadful night, Gaston----”

“Was the madness of a love which thought itself wronged, Valerie: we
can forgive every wrong which springs from the depth of such a love.”

Spread thy white wings, oh, ship! The shadows melt away into that
purple distance. I see in that far South two happy homes; glistening
white-walled villas, half buried in the luxuriant verdure of that
lovely climate. I hear the voices of the children in the dark
orange-groves, where the scented blossoms fall into the marble basin
of the fountain. I see Richard reclining in an easy-chair, under the
veranda, half hidden by the trailing jasmines that shroud it from the
evening sunshine, smoking the long cherry-stemmed pipe which his wife
has filled for him. Gaston paces, with his sharp military step, up
and down the terrace at their feet, stopping as he passes by to lay a
caressing hand on the dark curls of the son he loves. And Valerie--she
leans against the slender pillar of the porch, round which the scented
yellow roses are twined, and watches, with earnest eyes, the husband of
her earliest choice. Oh, happy shadows! Few in this work-a-day world so
fortunate as you who win in your prime of life the fulfilment of the
dear dream of your youth!




                         =TRANSCRIBER’S NOTES=

Obvious typographical errors have been silently corrected.

Punctuation, hyphenation, and spelling were made consistent when a
predominant preference was found in the original book; otherwise they
were not changed.



*** END OF THE PROJECT GUTENBERG EBOOK 75840 ***