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diff --git a/75492-h/75492-h.htm b/75492-h/75492-h.htm new file mode 100644 index 0000000..7466cff --- /dev/null +++ b/75492-h/75492-h.htm @@ -0,0 +1,5218 @@ +<!DOCTYPE html> +<html lang="en"> +<head> + <meta charset="UTF-8"> + <title> + The dancing faun | Project Gutenberg + </title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover"> + <style> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2 { + text-align: center; + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: 33.5%; + margin-right: 33.5%; + clear: both; +} + +p.drop-cap { + text-indent: -0.35em; +} + +p.drop-cap:first-letter +{ + float: left; + margin: 0em 0.15em 0em 0em; + font-size: 250%; + line-height:0.85em; + text-indent: 0em; +} +.x-ebookmaker p.drop-cap { + text-indent: 0em; +} +.x-ebookmaker p.drop-cap:first-letter +{ + float: none; + margin: 0; + font-size: 100%; +} + +.antiqua { + font-family: Blackletter, Fraktur, Textur, "Old English Text MT", "Olde English Mt", "Olde English", + "Old English", "Engravers Old English BT", "Collins Old English", "New Old English", Gothic, serif, sans-serif;} + +hr.tiny {width: 5%; margin-left: 47.5%; margin-right: 47.5%;} +hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +@media print { hr.chap {display: none; visibility: hidden;} } + +div.chapter {page-break-before: always;} +h2.nobreak {page-break-before: avoid;} + +table { + margin-left: auto; + margin-right: auto; +} + +.pagenum { + position: absolute; + left: 92%; + font-size: small; + text-align: right; + font-style: normal; + font-weight: normal; + font-variant: normal; + text-indent: 0; +} + +.blockquot { + margin-left: 17.5%; + margin-right: 17.5%; +} + +.blockquot2 { + margin-left: 5%; + margin-right: 5%; + text-indent: -1em; +} + +.x-ebookmaker .blockquot { + margin-left: 7.5%; + margin-right: 7.5%; +} + +.center {text-align: center;} + +.right {text-align: right;} + +.smcap {font-variant: small-caps;} + +.allsmcap {font-variant: small-caps; text-transform: lowercase;} + +.ph1 {text-align: center; font-size: large; font-weight: bold;} +.ph2 {text-align: center; font-size: xx-large; font-weight: bold;} +.ph3 {text-align: center; font-size: x-large; font-weight: bold;} + +div.titlepage {text-align: center; page-break-before: always; page-break-after: always;} +div.titlepage p {text-align: center; font-weight: bold; line-height: 1.5; margin-top: 2em;} + +.xxlarge {font-size: 200%;} +.xlarge {font-size: 150%;} +.large {font-size: 125%;} + +.caption {font-weight: bold; text-align: center;} + +.x-ebookmaker .hide {display: none; visibility: hidden;} + +img { + max-width: 100%; + height: auto; +} +img.w100 {width: 100%;} + + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +.transnote {background-color: #E6E6FA; + color: black; + font-size:smaller; + margin-left: 17.5%; + margin-right: 17.5%; + padding: 1em; + margin-bottom: 1em; + font-family:sans-serif, serif; } + +/* Illustration classes */ +.illowe15_625 {width: 15.625em;} + + </style> +</head> +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 75492 ***</div> + +<div class="figcenter hide"><img src="images/coversmall.jpg" width="450" alt=""></div> +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h1>THE DANCING FAUN</h1> +</div> +<hr class="chap x-ebookmaker-drop"> + + +<div class="chapter"> +<p class="center"><i>Copyrighted in the United States</i><br> +<br> +<i>All rights reserved</i></p> +</div> +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<div class="figcenter"><img src="images/title_page.jpg" alt="title page"></div> +</div> +<hr class="chap x-ebookmaker-drop"> + +<div class="titlepage"> +<p><span class="xlarge">The</span><br> +<span class="xxlarge">Dancing<br> +Faun</span></p> + +<p>by<br> +<span class="large">Florence<br> +Farr</span></p> + +<p>London<br> +Elkin Mathews<br> +and John Lane</p> + +<hr class="tiny"> +<p>Roberts Brothers<br> +Boston<br> + +1894</p> +</div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p class="center">Edinburgh: T. and A. <span class="smcap">Constable</span>, Printers to Her Majesty</p> +</div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak"><i>Prefatory Note</i></h2> +</div> + +<div class="blockquot"> +<p><i>Owing to circumstances which have +arisen since this story was written in +the summer of 1893, it seems necessary +to state that it is purely a work of the +imagination, and that none of the +characters or events are taken from +real life.</i></p> + +<p class="right"> +<i>Florence Farr.</i><br> +</p> +</div> + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<div class="figcenter"><img src="images/i001.jpg" alt="key"></div> +</div> +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<span class="pagenum" id="Page_1">[1]</span> + +<h2 class="nobreak">THE DANCING FAUN</h2> +</div> + + +<p>‘<span class="smcap">Yes</span>, Lady Geraldine, the only beauty in +modern life is its falsehood. Its reality is +ridiculous.’</p> + +<p>‘Truth always was undignified, Mr. Travers.’</p> + +<p>‘Just so; that is why the art of life consists +in not realising the truth,’ replied the man, +with charming languor.</p> + +<p>‘You are the first person I have met who +has dared put these things into words,’ murmured +the woman.</p> + +<p>‘Your life has been a dream hitherto.’</p> + +<p>‘According to you, I had better not awake.’</p> + +<p>‘One wants experience to give a wider scope +to one’s dreams,’ said he paternally.</p> + +<p><span class="pagenum" id="Page_2">[2]</span>‘A woman’s imagination has no such needs.’</p> + +<p>‘That depends. What are your favourite +books?’</p> + +<p>‘I dislike reading. In novels, people always +do what you expect. The only tolerable +people are those who do what you do not +expect.’</p> + +<p>‘And this is your first season!’</p> + +<p>‘I have four elder sisters.’</p> + +<p>‘Ah!—’ he paused, then he added, ‘one +never realises how much women tell each +other.’</p> + +<p>‘No, in men’s eyes, women are always at +daggers drawn, fighting for the exclusive +possession of a masculine heart.’</p> + +<p>‘Geraldine,’ cried her mother, from the other +end of the drawing-room, ‘come and sing to us, +my dear. Mr. Clausen has not heard your voice +since your return from Paris.’</p> + +<p>‘Have you made a serious study of singing, +Lady Geraldine?’ asked Travers.</p> + +<p><span class="pagenum" id="Page_3">[3]</span>‘I had a course of lessons from Sautussi in +the winter.’</p> + +<p>‘Oh yes, Mr. Travers, indeed she has,’ broke +in Lady Kirkdale as she crossed the room; +‘and I insisted on her singing at Sautussi’s +reception, just the same as the other pupils. I +think it is the greatest mistake to make distinctions +of rank in matters of art. In art all are +equal. There is something so beautiful in that +thought.’ Lady Kirkdale pulled up the rose-coloured +blind. ‘Will you open the piano, Mr. +Travers? I am sure you are devoted to music, +you have the musical physiognomy.’</p> + +<p>‘Then I fear I have a very foolish physiognomy.’</p> + +<p>‘Now, now, don’t be severe. Kirkdale tells +me you are most delightfully severe, and say +such witty things.’</p> + +<p>‘Then Lord Kirkdale has done me an +infinite wrong: to have the reputation of a wit +precede him is the ruin of a man.’</p> + +<p><span class="pagenum" id="Page_4">[4]</span>‘I assure you, you are mistaken; most people +are much too stupid to distinguish the qualities +of wit; once establish a reputation, half the +world takes you on trust, and considers the +other half criticises you because it envies you.’</p> + +<p>‘You give me hope, Lady Kirkdale.’</p> + +<p>‘Mr. Travers, I am afraid you are a very, +very bad man. Come, let us go to the piano.’</p> + +<p>The Marchioness of Kirkdale had always been +enterprising. She had the experience of life +only given to those ladies whose husbands are +thoroughly and brutally immoral: voluptuaries +who have no foresight, who do not realise that +it is sometimes amusing to talk to an innocent +woman, when one is thoroughly bored by those +who are not innocent.</p> + +<p>Lady Kirkdale’s suspicions had been aroused +by the violent friendship her young son had +conceived for George Travers; and having her +own theories about the education of young +men, she at once invited her son’s crony to<span class="pagenum" id="Page_5">[5]</span> +afternoon tea at the little house they occupied +in Davies Street, Berkeley Square. ‘A man’s +behaviour in a drawing-room is one of the +tests you should always apply before you +allow him to enjoy your confidence, Stephen,’ +she had said.</p> + +<p>‘A drawing-room is such an inconceivably +uninteresting place,’ sighed Stephen.</p> + +<p>‘That is the reason why, as a test, it is so +invaluable; any commonly brilliant man can +amuse men in a club, or women at the +Continental; but it requires the most subtle +quintessence of wit to penetrate the brain of +the great world without shocking its susceptibilities; +neither radical paradoxes nor coarse +allusions can be brought into play there, without +social ruin.’</p> + +<p>‘Is social ruin possible nowadays?’</p> + +<p>‘My dear Kirkdale!’</p> + +<p>‘I gauge the public feeling of society by its +attitude in public, and when I sit in a box at<span class="pagenum" id="Page_6">[6]</span> +the theatre and see the stalls greet the passionate +utterances of a ruined woman with a contemptuous +smile, as if that sort of sentiment +were quite out of date, I come to the conclusion +that social ruin means nothing now.’</p> + +<p>‘My poor Kirkdale, if you think society is +represented in the stalls at a theatre, you are +still more unsophisticated than I had dared +hope. But you and Geraldine are always +puzzling me. There is a persistence of +innocence, I might almost say ignorance, of life +about you both, which I cannot understand.’</p> + +<p>Kirkdale laughed gaily. ‘The rule of contraries +always does surprise people.’</p> + +<p>Lady Kirkdale looked hard at her son; he +smiled pleasantly; then she said, ‘You will +never appreciate the difficulties of my position, +Kirkdale.’</p> + +<p>‘Yes, I do, mother, although I may be stupid +about obvious truths everybody else appreciates +at once; I have a sort of brain of my own<span class="pagenum" id="Page_7">[7]</span> +concealed in my skull. Geraldine and I were +both born old, and we’re growing young by +degrees, don’t you see?’</p> + +<p>‘My dear boy, what nonsense you talk!’</p> + +<p>‘Every one must have a childhood some time +or other on their own account. In our old +home, when my father was alive, childhood was +impossible. Let us enjoy it now.’</p> + +<p>‘Enjoy it, certainly. But bring this new man +to see me.’ Kirkdale agreed, and Lady Kirkdale +sent a note to her old friend John Clausen +asking him to come and meet Mr. Travers. +John Clausen was a man of vast experience. +He had never married, and romantic people +told a romantic story of an early love ending +tragically in eternal fidelity. He was a walking +peerage and encyclopedia; he could tell +you the cast of every theatrical success, and the +scandals about all the ephemeral celebrities, +that have come under the notice of society, and +passed thence into the darkness of the outer<span class="pagenum" id="Page_8">[8]</span> +world during the last forty years. As Lady +Maisy Potter, one of Lady Kirkdale’s married +daughters, said—</p> + +<p>‘He is one of those charming observant +people, who always listen to what you say, +and notice what you wear.’</p> + +<p>As he sat in Lady Kirkdale’s drawing-room +on this particular hot June afternoon, he was +both listening and observing. Lady Geraldine +looked like a fair and sweet flower as she sang +Gounod’s passionate love-song, <i>Ce que je suis +sans toi</i>. She was a blonde, with tiny hands +which melted in the touch as it were; they appeared +to have no strength, no bone, they were +so soft, so delicate. Yet now she was playing, +you could see they were full of nervous tension; +and her style had a certain vigour and distinction +surprising to those who had only seen +her in her idle moments. Mr. Clausen’s eyes +wandered from her to the figure of George +Travers: he was of light build, his face was<span class="pagenum" id="Page_9">[9]</span> +clean shaven save for a moustache several +shades lighter than his hair, his eyes were +brown and rather close together, his nostrils +delicate, and his chin well cut. There was a +suggestion of cat-like agility about him, and +good solid muscle at the corners of his mouth +gave evidence that he was a man of endless +resource. He stood behind Lady Geraldine, his +hand resting on her brother’s shoulder. When +the song was over, Travers said, ‘I should +like to hear you singing to a mandolin on the +lawn, down at my place at Old Windsor. Can +you not persuade Lady Kirkdale to bring you +down there one day? It is a charming old +place, filled with quaint things I have collected +from all parts of the world. I am sure it would +interest you. What do you say, Stephen, will +your mother and sister come with you and see +me in my Arcadia?’</p> + +<p>‘Certainly, old fellow. I didn’t know you +had a place in the country.’</p> + +<p><span class="pagenum" id="Page_10">[10]</span>‘Oh, it is not a property, I simply lease it; +but it is convenient to have a house of a certain +size in which to store one’s collections. I am +such a wanderer that I often forget I possess +even this little <i>pied à terre</i>.’</p> + +<p>‘I hear you have such exquisite taste in +furnishing,’ said Lady Geraldine. ‘Lord Foreshot +was telling me you had superintended the +decoration of his chambers in the Albany, and +that they are a perfect dream.’</p> + +<p>‘I fear Lord Foreshot had some ulterior +object in view.’</p> + +<p>‘I don’t understand you, Mr. Travers.’</p> + +<p>‘I am sure of that, quite sure of that,’ and +Mr. Travers bestowed upon her a fatherly and +forgiving smile. Then he advanced to Lady +Kirkdale to bid her good-bye and invite her +to make arrangements for the expedition to +Old Windsor. A minute or two later they were +joined by Kirkdale, who had remained behind +talking to Geraldine. The details were arranged,<span class="pagenum" id="Page_11">[11]</span> +and the expedition fixed for the following +Wednesday by Mr. Travers, who said, +‘The middle of the week is always best; +one can enjoy one’s-self in one’s own way +without being disgusted by seeing too many +other people enjoying themselves in theirs.’</p> + +<p>He and Kirkdale left the house together.</p> + +<p>‘My sister does not like you,’ said Kirkdale.</p> + +<p>‘I am most fortunate.’</p> + +<p>‘How so?’</p> + +<p>‘The degrees in a woman’s favour are, interest, +dislike; interest, hate; interest—well, +I suppose I may say more interest.’</p> + +<p>‘Why do you hesitate, old fellow?’</p> + +<p>‘Lady Geraldine is a woman who wants a +special language to express her. Unfortunately +for me, I have not learned it yet.’</p> + +<p>‘It would please her to hear that.’</p> + +<p>‘Would it? Then tell her,’ and Travers +gently stroked his moustache as they turned +into Piccadilly.</p> + +<p><span class="pagenum" id="Page_12">[12]</span>Lady Geraldine left the drawing-room by +one door as her brother and George Travers +quitted it by the other. So that Lady Kirkdale +and Mr. Clausen were left <i>tête-a-tête</i>. She +turned to him and said, ‘What is your +opinion of this man?’</p> + +<p>‘He is the sort of danger Stephen is bound +to encounter sooner or later. The sooner it is +over the better; young men must be initiated +personally into the mysteries of life, no mother +can bear the tests for them.’</p> + +<p>‘You are quite right there; but I could have +wished the serpent of Stephen’s choice had +taken another form.’</p> + +<p>‘There I disagree with you; if you had had +a free hand in the matter I don’t think you +could have chosen better.’</p> + +<p>Lady Geraldine re-entered; her mother made +room for her beside her on the sofa, and said, +‘We were talking of Mr. Travers; what do +you think of him?’</p> + +<p><span class="pagenum" id="Page_13">[13]</span>‘I dislike him, and told Stephen I did so; +there is an uncomfortable feeling that you are +walking on very thin ice when you are talking +to him. I wish we had not arranged this visit +to Old Windsor.’</p> + +<p>‘Shall we write and put him off? We had +other engagements for the day; I can easily +make excuses.’</p> + +<p>‘Oh no, we had better go. The country air +will be pleasant in any case.’</p> + +<p>‘And how are you getting through your +first season, Lady Geraldine?’ said Mr. +Clausen.</p> + +<p>‘I feel as if I had been through it again and +again before. It interested me at first; it was +amusing to see my sisters’ old experiences +renewing themselves as my turn came. But it +is terrible to think that whether you are in it +or not, the world goes on just the same: in +another season, girls now in the schoolroom +will be going through the mill exactly in the<span class="pagenum" id="Page_14">[14]</span> +same way as I am doing. How one longs for +something different!’</p> + +<p>‘Yes we all have felt that. I believe it is the +strongest passion of the human race to get at +“something different”; it is the secret of all +sin, the secret of all progress.’</p> + +<p>‘And it is the function of society to suppress +this tendency,’ said Lady Kirkdale. ‘It +crystallises, I may say sanctifies, the present +state of things. “Whatever is, is right” must +be the ostensible motto of those who would +retain their places in it. It is the solid edifice +round which an empire is gathered.’</p> + +<p>‘The solid centre of a very wobbling circumference,’ +interrupted Mr. Clausen.</p> + +<p>‘Mr. Travers was saying that the beautiful +was only a veil to cover the ridiculous. It seems +to me that in the same way the stupidity of society +is concealed by hiding it behind very high +walls,’ murmured Geraldine, as she leaned her +head on the broad back of the Chesterfield sofa.</p> + +<p><span class="pagenum" id="Page_15">[15]</span>‘There you are wrong; those high walls contain +everything. There is nothing without that +is not within; the only difference is that people +in society keep within bounds, others do not.’</p> + +<p>‘That is a great deal to be thankful for,’ said +Lady Kirkdale. ‘I once had to go down to +Richmond by the last underground train from +Hampstead on a Saturday night. I have had +a good deal of experience, but never have I +witnessed such a pandemonium. I would not +enter one of those underground stations, when +the rabble is at large, to save a hundred pounds.’</p> + +<p>‘All vice loses its attraction when it is seen +from the outside,’ said Mr. Clausen.</p> + +<p>‘Has vice any attraction?’ asked Geraldine.</p> + +<p>‘Not to the refined or cultivated pleasure-seeker, +but the crude youngster often finds +himself thoroughly enjoying the most vulgar +vices: it is only after being repeatedly shocked +at the appearance of other people when they +are enjoying similar ecstasies that our cultivated<span class="pagenum" id="Page_16">[16]</span> +perceptions render us incapable of revelling in +the ridiculous.’</p> + +<p>‘Ah, how true! nothing excites virtue so much +as the spectacle of other people’s vices,’ said +Lady Kirkdale.</p> + +<p>‘It is the last rope thrown out by Providence +to save us from our sins,’ replied Mr. +Clausen.</p> + +<p>‘How curious it would be,’ said Geraldine, ‘if +the next Saviour of the world should be one +who would bestow a universal sense of humour!’</p> + +<p>‘But nobody is so ridiculous as a humorist,’ +cried Lady Kirkdale.</p> + +<p>‘One can forgive anything when it is done +with deliberate intent,’ was Mr. Clausen’s rejoinder, +‘but other people’s instinctive emotions +can never be forgiven, unless we happen to share +them.’</p> + +<p>‘So you think we might be redeemed by a +humorist.’</p> + +<p>‘He certainly should have a trial. Lady<span class="pagenum" id="Page_17">[17]</span> +Geraldine, here is a chance for you—start in life +as the high priestess of humour.’</p> + +<p>‘I am not old enough, Mr. Clausen; I am +afraid I have not worn out my instinctive +emotions yet.’</p> + +<p>‘Ah, well! when you have, you will know +where to fly for refuge.’</p> + +<p>Lady Kirkdale sighed, and said, ‘I suppose +our most lasting delusion is that our experiences +can be of service to others.’</p> + +<p>‘It is not a delusion,’ replied Mr. Clausen +warmly. ‘Experience teaches us through our +own agony to sympathise with others. When +they have passed through a like experience, we +can help to heal their wounds; but we cannot +prevent them fighting out the battle for themselves.’ +He stopped suddenly, walked to the +window, looked out, and said in a lighter tone +to Geraldine, ‘And how are all your sisters?’</p> + +<p>‘They are very well. Mary has just taken +the new baby into the country, where her<span class="pagenum" id="Page_18">[18]</span> +husband joins her as soon as the session is +over. Emily is still working in the East End; +she lectures at Toynbee Hall on Temperance +next Friday. Gladys writes from the Embassy +at Vienna that her life is wasted in writing +official notes; and Maisy and her husband +seem to have disappeared altogether ever since +they were married; they were most ridiculously +attached to each other, as no doubt you remember. +All the while they were engaged, I +was afraid of stirring about the house, and got +into a habit of humming, coughing, and rattling +door handles, which I have not overcome yet.’</p> + +<p>‘And where were they when you last heard +of them?’</p> + +<p>‘Well, they remained in Egypt on their +honeymoon, until it became too hot to hold +them, and now they’ve taken refuge in a yacht.’</p> + +<p>‘Dear! dear! dear! who would have thought +so much romance was left in the world? How +long have they been married?’</p> + +<p><span class="pagenum" id="Page_19">[19]</span>‘Six months.’</p> + +<p>‘The other day I heard it said that the first +six months of married life were the most miserable +in a woman’s existence. Maisy would +not agree with that.’</p> + +<p>‘I suppose not; they utterly refused to return +to London for the season, although mamma +begged Maisy to come and take me about. +Poor mamma, how tired you must be of +chaperoning us!’</p> + +<p>‘No, I am not. As age comes over one, +one begins to take an interest in details quite +incomprehensible to the young.’</p> + +<p>The door opened, and the footman announced +in a loud voice, ‘Mr. Potter and Lady Maisy +Potter.’</p> + +<p>‘Mamma!’</p> + +<p>‘Maisy!’</p> + +<p>‘Robert! Where have you come from?’</p> + +<p>‘Landed at Portsmouth this morning. +Thought we would take you by surprise.’</p> + +<p><span class="pagenum" id="Page_20">[20]</span>The reunited family settled itself into groups, +more tea was ordered, and confidences exchanged.</p> + +<p>Maisy, pert, pretty, and blooming with +health, sat between her mother and sister on +the sofa. Mr. Clausen and Robert foregathered +at the other end of the room. Geraldine said, +‘Last time you wrote, you said nothing would +induce you to return to England yet.’</p> + +<p>‘That was all poor dear Robert; he begged +and prayed me to stay out there with him, +until I really had to threaten him.’</p> + +<p>‘My dear Maisy!’</p> + +<p>‘Yes, mamma, I positively had to threaten +him that, if he persisted in staying I should +come home alone.’</p> + +<p>‘And that brought him round at once, of +course,’ said Geraldine.</p> + +<p>‘Oh yes, he can’t bear me to be out of his +sight for a moment. People tell me his devotion +positively makes him ridiculous.’</p> + +<p><span class="pagenum" id="Page_21">[21]</span>‘You don’t mind that, I suppose.’</p> + +<p>‘Geraldine, what has come over you? What +is the matter with her, mamma? Has she +been crossed in love?’</p> + +<p>‘My dear Maisy, why should you think so?’</p> + +<p>‘There’s something so nasty, and hard, and +cynical about her—positively there is, mamma; +one always notices these changes when one first +comes home more than people who are living +in the house.’</p> + +<p>‘I don’t expect you noticed me at all before +you went away.’</p> + +<p>‘Oh yes, I did; you were always most interested +about my affairs, and anxious to know +how Robert had behaved, and what he had +said. And I know very well you never spoke +in that tone then. You hurt my feelings, +Geraldine. I’m not used to cynicism. Robert +is so straightforward and manly, he never +makes fun of me.’</p> + +<p>‘I wasn’t making fun, I assure you; I think<span class="pagenum" id="Page_22">[22]</span> +you the most enviable woman in the world; +really I do.’</p> + +<p>Maisy aggrievedly allowed herself to be kissed, +and peace was restored. In the meantime, +Mr. Clausen was discussing the subject of his +return with Mr. Robert Potter. Clausen began +by making the remark, that the last news had +led him to believe that they had not proposed +returning to England yet. Mr. Potter led Mr. +Clausen into the recess of the window and +said: ‘The truth is, my wife was most anxious +to remain out there. Personally, I hate missing +a season; it is like losing sight of a generation +in the evolution of the race, one is +always looking for the missing link; and the +next year one is horribly out of it. However, +I got my wife to believe that this was her own +feeling, and after two months of delicate +manœuvring, I induced her to persuade me +to return to England.’</p> + +<p>‘I congratulate you on your patience.’</p> + +<p><span class="pagenum" id="Page_23">[23]</span>‘A capacity for patience is the bulwark alike +of the solid Englishman and of the British +Constitution. The principle of the Government +has always been to acknowledge such +and such a move to be a good one, but to +take no step in the matter until it is forced +upon it from the outside. It endures. I shall +endure. What is the use of having such a +splendid public constitution if you do not +model your own constitution upon it?’</p> + +<p>Mr. Clausen laughed; Mr. Potter smiled. +They turned away from the window and +joined the ladies.</p> + +<hr class="tb"> + +<p>In a miserable little garret in a small street +off the Strand, a young woman lay tossing and +turning in her bed; sometimes a little moan +escaped her, then she would bury her face in +her pillow and break into passionate sobs. As +it became light she got up and looked out of +the window; she could see a wide expanse of<span class="pagenum" id="Page_24">[24]</span> +roofs, and in the distant sky the thin lines of +white light through the grey river mist. She +shuddered at the cold, and crept into bed again. +Just as she was falling asleep, a man in evening +dress and a loose overcoat of the latest fashion +softly entered the room, and she sprang up, +saying—</p> + +<p>‘O my George, my dear one, where have +you been? I was terrified.’</p> + +<p>‘My poor little child, all is well, don’t cry: +there, there! I have done great things to-night, +and if you are very careful our fortune’s made. +To-morrow we go down to the place on the +river Guaschaci has lent us; but my little wife +will have to be very obedient, and do exactly +what her husband tells her. Does she promise +not to cry any more, and not to spoil her pretty +eyes?’ He held her face between his hands, +and kissed her on the mouth.</p> + +<p>‘Yes, yes, George, anything. I will do anything +you tell me, only promise me never to<span class="pagenum" id="Page_25">[25]</span> +leave me again like this. It makes me so +unhappy.’</p> + +<p>‘My darling, I never will; but you should +trust me.’</p> + +<p>She threw her arms round his neck passionately, +‘I do, George, I do. God knows what +will become of me if I ever lose that trust.’</p> + +<p>‘My sweet love!’ and he sat down on the +bed. ‘Now tell me. Do you remember the +simple little cotton dress you wore when I first +saw you on the stage, and when you stole my +heart from me all at once, before I had time to +realise my danger? Do you remember it?’</p> + +<p>‘Yes, George, of course I do, of course I do.’</p> + +<p>‘Well, what do you think I have in my +head?’</p> + +<p>‘I can’t think. O George! are you going to +let me go back on the stage, and earn money +to keep you out of this miserable poverty?’</p> + +<p>‘Pooh! child, what would five pounds a week +be to a man like me? That’s no good. No, now<span class="pagenum" id="Page_26">[26]</span> +listen. In this world the only way to make +money is to be supposed to have money. If I +can really get the position which is mine by +right, and from which my cursed ill-luck cut me +off six years ago, when that affair about the duel +with Prince Blank, I told you about, came out, +the world will be at my feet: I shall be in a +position which will be unassailable, because it +will be founded on a rock. My exile has been +useful to me in this way, it has enabled me to +find out secrets which will be invaluable to me; +secrets which will make me feared by the +leaders of society.’</p> + +<p>‘O George, but that sounds dreadful!’</p> + +<p>‘My Gracie knows her husband would disdain +to use the knowledge in his possession. +Of all blackguards the blackmailer is the +lowest. But there are certainly delicate means +of working things, called wire-pulling in diplomatic +circles, which have a certain charm—a +sensation between that of a spider weaving its<span class="pagenum" id="Page_27">[27]</span> +web and the pleasure of exercising skill experienced +by the consummate chess-player. This +is a feeling not ignoble; it is one shared by all +great statesmen. It is the exercise of this +power that evolved the Conqueror of Europe +from the Corsican soldier. My wife must +learn that all success is the result of carefully +adjusted combinations. She must learn to +know that to help her husband, and herself, +she must exercise inviolable secrecy and +enduring self-control.’</p> + +<p>‘O George, can I help you? Will you trust +me? Oh, how happy, how happy you make me!’</p> + +<p>‘You can and shall; but at first secretly, and +in a way which would make an ordinary woman +quail.’</p> + +<p>‘I can endure anything, anything for you. +Only tell me, you shall see. I seemed so useless +in your real life; it seemed as if I wasn’t +really necessary to you; now I shall be the +happiest woman in the world.’</p> + +<p><span class="pagenum" id="Page_28">[28]</span>‘Well, I’ll tell you my plan. When I go +down to Windsor, I want you to live in the +little cottage belonging to The Oaks, and to +save you from scandal you must pretend to be +a poor relation of Guaschaci’s. You shall have +a little girl to wait on you; no real hard work. +Then at night, when the house is locked up +and the servants are gone to bed, I shall steal +down to you and we will adorn you with silks +and jewels and lace, and you shall be my +beautiful transformed bride.’</p> + +<p>‘But, dearest, why?’</p> + +<p>‘For two reasons. One is that, to work my +present plans, I must not be supposed to be +married, least of all must I be supposed to +have married an actress; and the second is, +that that foolish boy whom you met me +walking with the other day has never forgotten +you. He is constantly asking who you were. +I said you came from the country, so that +he will not be surprised to find you down at<span class="pagenum" id="Page_29">[29]</span> +Windsor when he comes next week. He is +quite a boy, and very easy to manage. It will +lead to no unpleasantness for you, my dearest, +or you know I should not propose it. He is the +Marquis of Kirkdale, only twenty-one, and by +means of his family, who are in the best set, I +propose to get really into the swim; once there, +the rest is easy.’</p> + +<p>‘I thought we should have such a lovely time +down there, boating and lying about on the +lawn; and all the servants to wait on us.’</p> + +<p>‘It would have been ideal, but, under the +circumstances, what am I to do? I must +either make my fortune in society, or out of it. +I am not born to be poor; I have no talent for +it. In society all things are possible, out of +it all things are possible; but out of society +diplomacy is called lying; statesmanship, +cheating; gallantry, seduction; a fine taste in +champagne, drunkenness. No, Gracie, you +must not ask me to give up society. I am<span class="pagenum" id="Page_30">[30]</span> +made for it, and it for me. Besides, am I not +providing you with the means of gratifying +your taste for acting?’</p> + +<p>‘But what will the servants think?’</p> + +<p>‘A gentleman’s servants know that their first +duty is not to think,’ said Travers, kissing +her.</p> + +<p>‘Dear George,’ she murmured, ‘I am a nasty, +bad-tempered creature. I have always been +teasing you to let me go back to the stage, and +after all this will be great fun, and I shall +have the leading part at last!’</p> + +<p>‘Yes, the leading part, Gracie. The other +women will only be walking ladies. They will +come on, speak a few words to explain the plot, +and be seen no more.’</p> + +<p>‘Who are the other ladies, George?’</p> + +<p>‘Only Kirkdale’s mother and sister, Lady +Kirkdale and Lady Geraldine Fitzjustin. They +are coming down with him on Wednesday; but +if you play your cards properly he will find The<span class="pagenum" id="Page_31">[31]</span> +Oaks sufficiently attractive to come down without +them in future.’</p> + +<p>‘George, do you think it is quite right, all this +deception? Wouldn’t it be better to say you +were married, but your wife would never, never +interfere with you?’</p> + +<p>‘Dear little baby-wife, no. Don’t you see +what fun we’re all going to have? Women +never have scruples about anything on their +own account, but they are always full of them +when they think their husbands are risking +the purity of their moral characters.’</p> + +<p>‘Now you are laughing at me, George, but +really——’</p> + +<p>‘No more buts. I’m dead tired,’ and he +yawned as he turned out the light.</p> + +<hr class="tb"> + +<p>‘He is a delightful man,’ said Lady Kirkdale, +as she leaned back in the corner of the railway +carriage after making a charming bow to George +Travers, who stood on the platform watching<span class="pagenum" id="Page_32">[32]</span> +their departure from Datchet station. ‘And +the house is a perfect gem of exquisite taste.’</p> + +<p>‘He is much nicer than I thought at first,’ said +Geraldine. ‘It was too bad of you, Stephen, to +stay behind, and let him do all the work. Punting +two women about must be most wearisome.’</p> + +<p>‘I fancy Travers likes punting; he knows he +has a good figure. I didn’t want to spoil the +effect,’ rejoined Stephen.</p> + +<p>‘That’s the first time I’ve heard you +speak a word against him,’ said Lady Kirkdale.</p> + +<p>‘One stands up for a fellow as long as he’s +being abused by one’s people, of course, but +when they begin to appreciate him one can +slack off a little.’</p> + +<p>‘What is the matter with you, Stephen?’</p> + +<p>‘Oh, nothing—I’m tired, that’s all.’</p> + +<p>In the meantime George Travers rebalanced +the dogcart, fondled the horse, lighted a +cigar, and drove slowly back to The Oaks. It<span class="pagenum" id="Page_33">[33]</span> +certainly had been a successful day for him. +His was one of those natures which delighted +in gorgeous dreams. He felt realities to be +most inadequate, he hated them. Just as he +had mounted the winged steed of his imagination, +some dirty little fact was always seizing +the reins, and dragging him down to earth; +but to-day everything had gone smoothly.</p> + +<p>His father had been a successful actor in +the ’sixties, named Swanwick. Now there +are two kinds of bad parents: the parent who +looks upon a child as a machine capable of +perfect rectitude if its moral principles are +manufactured on a certain plan, and the +parent whose only notion of a child is that it +is a sort of toy sent by Providence for his +amusement. Now it amused old Swanwick to +see his little son imitating the manners behind +the footlights, lounging at bars, patronising +pretty girls, advising them as to their costumes, +for the actresses soon discovered that it pleased<span class="pagenum" id="Page_34">[34]</span> +his father to see him taken notice of, and +pleasing old Swanwick went a long way +towards success. It made all the difference +between the smooth and the seamy side of +theatrical life. Blind admiration for him, and +his, was all that was necessary; but woe to any +one who suggested an alteration in his arrangements. +He would turn on his most favoured +fair one the moment she overstepped the bounds +with which his vanity entrenched him, saying, +‘Am I the stage manager of this theatre or are +you, madam?’ This outburst would be followed +by language unfit for publication, and days of +sullen anger, the clouds only departing after the +most complete self-humiliation of the offending +one. Now old Swanwick loved his profession; +he loved trotting along the Strand and turning +in to ‘have a drink’ with all the cronies he met +in his progress. He also loved racing. Whenever, +by hook or by crook, he could escape +rehearsals, which were much less intermittent<span class="pagenum" id="Page_35">[35]</span> +in those days than now, off he would go with +his friend Travers, to Newmarket, Epsom, Sandown, +anywhere. Driving for choice, and +making a day of it, getting back to the theatre +in a state of robust hilarity, putting his head in +a basin of cold water, and coming out ‘fresh as +a daisy,’ as he put it—at any rate capable of +giving a capital performance of the tender, +good-hearted fellow he delighted in portraying. +When he died, his friend Travers adopted the +little orphan boy. He was a man of old +family, and felt the necessity, which old Swanwick +had ignored, of doing something more +for the boy than sending him to a day-school. +Accordingly he talked seriously to the small +precocious person whom he had taken under +his protection; told him he intended to make +him his heir, and that to learn to keep up his +position he must acquire some knowledge of +the life led in the world on this side of the +footlights. He spoke in a way which appealed<span class="pagenum" id="Page_36">[36]</span> +to the lively imagination of the boy; and +when he had stayed for a few months with +Travers in his house in Piccadilly, and had +been taken down to the place in Gloucestershire +for the shooting season, he was completely +prepared to ignore his previous experiences; +and could treat them lightly as the excursions +of a gentleman’s son into Bohemia. Travers +got very fond of the boy as time went on, and +by the time he was thirteen made up his mind +to do his very best for him. He sent him to +Harrow and afterwards to Oxford, but the +City of Spires was rather too much for young +Travers, as he was everywhere called now, and +he was sent down after one term.</p> + +<p>However, he had got all he thought necessary +out of the university. He could talk about it, +and that was all <i>he</i> wanted. He then was put in +a crack regiment; but unfortunately for him, he +had not been there a year before his patron unexpectedly +died, having made no will, and George<span class="pagenum" id="Page_37">[37]</span> +Travers was thrown on the world with very +little but a thorough knowledge of the ropes, +some talent for backing the right horse, and a +very considerable talent for winning at poker; +and it was not a duel but a card scandal that +brought his early career in London society to +an untimely end. He was obliged to leave +England, although circumstances necessitated +the hushing up of the scandal. He joined a +theatrical company in America, and made a +somewhat substantial success out there. He +returned to England with some money and the +intention of continuing his stage career under +his father’s name. While waiting for a chance, +unaccountably to himself, he fell in love with +Grace Lovell; we all have our moments of +weakness, and in one of these he married this +child, who was full of dreams, full of ambition, +full of hopes, wild as only those of a young +actress who has made her first success can be. +She had been engaged as understudy for one<span class="pagenum" id="Page_38">[38]</span> +of London’s favourite soubrettes, had been +called upon to play the part at a moment’s +notice. She had done so with such dainty freshness, +and had made her points with such +innocent piquancy, that she had attracted +public notice to a very considerable extent. +She played the part three weeks, and during +those weeks George Travers came to the +theatre, saw, and conquered. When her engagement +was over she married him at a +registry office, and disappeared from the stage.</p> + +<p>As fate would have it, almost the moment +he had taken this step George Travers made +the acquaintance of Lord Kirkdale at the +Junior Carlton, whither he had been taken by +Charles Melton, an owner of racehorses. The +two got on very well; the next day they lunched +together, and, strolling along Pall Mall afterwards, +encountered Mrs. George Travers. She +looked at them expectantly; George smiled, +nodded, and gave her a little sign to pass on<span class="pagenum" id="Page_39">[39]</span> +without speaking. She did so, but not before +Kirkdale’s curiosity had been vividly aroused. +However, Travers vouchsafed no information, +but that she lived in the country and he supposed +she was up in town shopping for the +day.</p> + +<p>A week or two later, just as he was changing +his last fiver, he encountered an Italian, Count +Guaschaci, whose life he had saved in a tap-room +free fight, out in the Western States. +Guaschaci listened to his troubles sympathetically, +and as he was leaving England for six +months, told him he should be really obliged +if he would look after his establishment at Old +Windsor; all he asked of him was to keep +things going until his return.</p> + +<p>Then Travers saw his opportunity had come. +Ten years had passed since the old scandal. +A new generation ruled; all was forgotten, or +could be explained away. The trustful Count +gave him a cheque for two hundred pounds, and<span class="pagenum" id="Page_40">[40]</span> +left all his affairs in his hands. It must be noted +here that Travers had many most endearing +qualities. He could not bear to see animals +suffer; he got on splendidly with children. He +treated women as if he was their father, and +men as if he was their redeemer. He took a +favour as if he were bestowing a benediction. +He had discovered the art of living upon other +people with as much grace as if he belonged +to the highest circles; none of the bourgeois +arrogance of the parvenu or the middleman +was perceptible; he took other people’s money, +their property, and their affections, with equal +grace and admirable cordiality.</p> + +<p>Grace peeped timidly out of her cottage +door as he drove by. He whispered, ‘All +right, little woman, I will be over directly.’ +Then he drove the cart into the stable-yard, +threw the reins to the groom, and +strolled into the house through the back +way, calling out as he passed the kitchen,<span class="pagenum" id="Page_41">[41]</span> +‘Just bring me a whisky and Seltzer in the grey-room; +I shall want nothing more to-night.’</p> + +<p>He lighted another cigar and threw himself +full length on the white bear-skin which +covered the canopied divan at the upper end +of the room. The walls were hung with dull +grey material, and decorated with strips and +borders of faded Eastern embroidery. Guaschaci +certainly knew how to do things well. +There was not another man in England for +whose decorations Travers felt he could have +brought himself to take the responsibility. +Certainly this place positively did even him +credit; he felt no hesitation whatever in saying +that it was his own. A middle-aged woman +brought in the whisky, then courtesying gravely +she asked if the master would speak to her +little boy, he cried to see the master before he +went to bed.</p> + +<p>‘Bring him in, certainly, bring him in.’</p> + +<p>‘I put him to bed, sir; but I can’t get him<span class="pagenum" id="Page_42">[42]</span> +to sleep; perhaps you will excuse me bringing +him down in his little dressing-gown.’</p> + +<p>‘Certainly, I’ll put him to sleep in no time; +don’t you trouble, Madame Kudner.’</p> + +<p>The housekeeper went and fetched her +little boy. As she carried him in he held out +his arms to Travers, who lay back on the white +divan laughing gaily.</p> + +<p>‘Want a romp, little man?’ he cried. ‘All +right, you shall have one. It is a shame. I +haven’t seen him all day. Come and look in +the cupboard, and see if we can find anything +nice there.’</p> + +<p>And the boy, who was a miracle of baby +prettiness, with little brown curls dancing round +his rosy cheeks, and bright eyes, was carried off +in triumph to the old oak chest in which the +stores were kept.</p> + +<p>‘There, figs won’t hurt him, will they, Madame +Kudner? Now, we’ll take in the dish; come +along. Why, you’ve got no shoes on! Well,<span class="pagenum" id="Page_43">[43]</span> +jump upon my back,’ and he raced round the +room with the child, carrying the piece of +massive church plate which did duty for a +dessert dish in their curious establishment.</p> + +<p>Little Pierre sat gravely in the corner of +the divan with his feet stretched out straight +in front of him, munching the green figs and +gazing with rapture at the purple lusciousness +which each fresh bite discovered. Travers promised +to bring him upstairs when he appeared +sleepy, and soon the whole house was still.</p> + +<p>The two had a long serious conversation, +and Pierre was instructed in full detail how to +make himself a little paper punt, which he was +to float down the river next evening with a +wax taper in it; it was to be saturated with +oil, so that when the taper had burnt down the +whole boat would flare up splendidly and go +down the stream like a real burning ship. Just +as this exciting point was reached, a gentle tap +was heard outside the window.</p> + +<p><span class="pagenum" id="Page_44">[44]</span>Travers listened for a moment, then he +hurried off his <i>protégé</i>, popped him down on +his bed, told him he must go to sleep at once, +kissed him on both cheeks, and ran downstairs. +He opened the verandah windows, at which the +taps had become more and more persistent.</p> + +<p>Grace entered in a loose white dress.</p> + +<p>‘Why have you come here? I told you not +to on any account.’</p> + +<p>Grace stopped short, it was the first time he +had spoken to her in that hard voice.</p> + +<p>‘You said you were coming down to the +cottage. I saw all the servants’ lights put out +here. I was tired of waiting.’</p> + +<p>‘I was playing with Pierre.’</p> + +<p>‘Pierre, at this time of night! You prefer +anything to me; even a child.’</p> + +<p>‘Even a child! That’s good. Children are +the only perfectly satisfactory companions in +the world. They never seriously reproach you, +and as for beauty, no woman can touch them.’</p> + +<p><span class="pagenum" id="Page_45">[45]</span>‘George, let me go away. Let me go back +to London, to my old life.’</p> + +<p>‘I tell you once for all, I can’t allow my wife +to go on the stage.’</p> + +<p>‘It is too hard, too hard. You make life a +perfect torture to me. Why won’t you let me +try to forget you, and my love, my unhappy +love for you?’ she sobbed.</p> + +<p>‘Don’t be ridiculous; and for Heaven’s sake +don’t make such a row. How do I make you +miserable?’</p> + +<p>‘I wouldn’t mind if I never saw you at all. +When you were quite away at Boulogne the +other day, I could set to work at things I +wanted to do quite happily; but when I know +you are near me, and I am hoping to see you +come in at any moment, my hope tortures me. +They say hope is a pleasant feeling, I think it +is the keenest form of torture the devil ever +dressed up as an angel. I sit there in that +cottage and wait, and as time goes on all my<span class="pagenum" id="Page_46">[46]</span> +love turns sick; I get to hate you for causing +me such pain. I feel as if I could kill you +sometimes, to put an end to it, once for all.’</p> + +<p>‘Oh dear! oh dear! How absurd, how +absolutely ridiculous all this is! If you had +just come out of the schoolroom I could have +understood it, but any woman who has led the +life you have must surely have grasped a few of +the elementary realities of life. You appear to +think what people say on the stage is real life, +and what you see behind the scenes is play-acting.’</p> + +<p>‘So it is. Behind the scenes of a theatre +nobody is the same as they are in their +own homes; we all play our parts there, but +we put all the reality we have in us into our +acting.’</p> + +<p>‘Silly child! I am saying the absurd notions +you have about love appear to have come out +of plays. Of course, people always say beforehand +that eternity will not be long enough for<span class="pagenum" id="Page_47">[47]</span> +their raptures. The curtain falls on this +situation; if it was to rise again, they would +have to own ignominiously that half an hour +had been found ample.’</p> + +<p>‘My God! and I believed you when you told +me you could not live without me. In six +weeks I see you flirting with another woman.’</p> + +<p>‘Oh, is that it? Well, I suppose if I had +cared to play the spy, I should have seen you +flirting with another man.’</p> + +<p>‘How dare you! how dare you speak like +that, when you know you asked me to be your +decoy! You needn’t deny it; that is the long +and short of it, and I refuse, I will not submit +to this. I will go away, and you can get a +divorce if you like. The whole thing is a +miserable, degrading, horrible dream. Now I +am awake, and will escape.’ She rushed to the +door; he reached it first, and caught her in his +arms.</p> + +<p>‘I never saw you look so beautiful.’ He<span class="pagenum" id="Page_48">[48]</span> +covered her face with kisses. She struggled; +he murmured, ‘My own dear love, I was only +teasing; don’t let us remember a word we +have said.’</p> + +<p>‘But you were flirting with that Lady +Geraldine!’</p> + +<p>‘Never mind her; she is the sort of woman +men always imagine they are in love with, +except when they are alone with her.’</p> + +<p>‘When were you alone with her?’</p> + +<p>‘I haven’t been alone with her, but I can +read women like books; you needn’t be afraid +that curiosity about the sex will lead me +astray.’</p> + +<p>‘And you really meant it when you said I +was the only woman you ever really loved?’</p> + +<p>‘You know it well enough, my darling. +When a man like me marries, he has been shot +straight through the heart.’</p> + +<p>After a pause, she said, ‘Well, shall we go +back to the cottage?’</p> + +<p><span class="pagenum" id="Page_49">[49]</span>‘No, we’ll stay here and have a little feast. +Come along, we will forage about and get up a +bottle of champagne. You get the things out +of this cupboard, while I go down to the cellar.’</p> + +<hr class="tb"> + +<p>The next morning Grace Travers woke up +rather earlier than usual. The scene of the +previous evening had left a distinct memory +behind, although it had ended in a reconciliation. +She had exchanged a few sentences with +Lord Kirkdale, and there was an air of truth, +candour, and unsophistication that appealed +strongly to her imagination, as a contrast to +her husband’s somewhat brutal analysis of +sexual relations. A civilised woman has very +little taste for what may be termed pure +passion; it pleases her instinct perhaps, but it +revolts her intellect, her imagination, her +delicacy, her pride. To an intellectual person +the whole business of love-making is ridiculous, +and without dignity. Dreams and fancies are<span class="pagenum" id="Page_50">[50]</span> +invoked to give it an adventitious interest, and +so a sort of mesmerism is exercised, and blissful +dreams of eternal happiness come into +existence, depending for their duration very +much upon the sympathy between the imaginations +of the lovers, which sometimes is +powerful enough to build up a reality from a +vision. However this may be, when love comes +in at the door intellect flies out of the window +or sleeps the sleep of the disgusted. When it +returns to its habitation it delivers stern judgment +on the follies that have been committed +in its absence. Now a lovers’ quarrel interferes +considerably with the glamour of the situation, +it disturbs the harmony which is essential to +the conditions described, and the intellect takes +the chance to slip in and give an opinion. So +it happened to Grace. She was clever, and +before the madness came over her (for in her +case it was not a sympathetic imagination +which attracted her) was considered witty and<span class="pagenum" id="Page_51">[51]</span> +brilliant. But the first effect of her love was to +make her take life very, very seriously; she +became quite incapable, for a time, of seeing +the humour of any situation. She had hitherto +led a wild roving life, and her ideal had been to +settle down in a little nest of her own and play +Joan to George Travers’s Darby for the rest of +her life. Now Travers did not particularly +object to her playing Joan, but he did find himself +unequal to the combined <i>rôles</i> of Romeo +and Darby. Romance and domesticity are not +a very suitable combination, and poor Travers +may perhaps be forgiven for falling short of the +ideal set before him.</p> + +<p>As has been said by a lady who has made +some study of the female heart: ‘What is really +necessary to a woman’s happiness is two +husbands, one for everyday and one for Sundays.’ +She really meant that she has discovered +that Romeo and Darby cannot be combined +in one poor mortal man, so is willing to take<span class="pagenum" id="Page_52">[52]</span> +them separately. Grace was not so reasonable. +The romantic attachment she had formed for +Romeo, in the person of Travers, prevented her +enduring the presence of Darby, in the person +of Kirkdale. She did not object to Darby’s +homage, but it was certainly not worth +thinking of, and would certainly meet with no +reward from her hands.</p> + +<p>All the same, she was conscious that a +potential Darby was looming in the horizon, +that she was not the woman to waste her life at +the beck and call of a man who could talk to +her as Romeo had last night. As all this was +passing through her mind her eyes fell on an +old bookshelf, on which various dusty old +volumes were heaped. She walked over to the +corner, wondering she had not noticed them +before, and took one down: it was a book of +plays. She stood reading to herself and laughed, +then she replaced the volume and opened a +book of Shelley’s poetry. She opened it at the<span class="pagenum" id="Page_53">[53]</span> +last pages of a play and softly murmured the +words to herself. By degrees she read louder, +something about her voice struck her. She +listened, it sounded different, a new beauty had +come into it. She read on and on, wondering +at the pathos of the tones she uttered, almost +crying with sympathy. As she listened to the +laments of Beatrice di Cenci, it seemed to her +some inspired spirit had entered her body +and was making use of her voice to reveal to +her what life, and love, and divine sorrow +meant.</p> + +<p>From that day she settled down to hard work. +She heard that some of the words, as she spoke +them, sounded round and full, and moved +her to the depths of her heart; others sounded +little and thin, and she resolved to work away +until she had got all alike resonantly beautiful. +Often she caught an ugly jarring sound in her +voice when calling out to her little maid, and +at once corrected herself. However she was<span class="pagenum" id="Page_54">[54]</span> +occupied, she kept the one idea before her of +making every sound she uttered beautiful.</p> + +<p>On Saturday night Travers brought down +Lord Kirkdale to stay till Monday. Grace +went to church, and was listening to the curate’s +reading with a severely critical ear when she +became aware that Kirkdale had entered the +building. He overtook her as she was crossing +the fields on her way home. He raised his hat, +and said—</p> + +<p>‘So you are still here? I thought you would +have left long ago, you seemed so terribly bored +last time I had the pleasure of seeing you.’</p> + +<p>‘Yes, I’m still here.’</p> + +<p>‘And still bored?’</p> + +<p>‘No; I’m not bored now.’</p> + +<p>‘How is that?’</p> + +<p>‘I am studying something.’</p> + +<p>‘What?’</p> + +<p>‘Well, I suppose you’d laugh at a country +girl like me if I told you, but I’m studying<span class="pagenum" id="Page_55">[55]</span> +because I want to go back—I mean—I want to +go on the stage.’</p> + +<p>‘I think it would be a very good idea.’</p> + +<p>‘Do you really? Oh, how nice it is to hear +some one say that!’</p> + +<p>‘Why, don’t you get any encouragement +from your people?’</p> + +<p>‘No, I don’t’</p> + +<p>‘Look here! can I help you in any way? I +might perhaps be able to; I sometimes meet +actors and fellows who know a lot about the +stage.’</p> + +<p>‘Oh, thanks. I don’t think I want help—yet. +But it is most kind of you to offer. I +dare say I shall get a chance some day.’</p> + +<p>‘But I’ve always heard you can’t learn acting +off the stage. You can’t do much by yourself +down here surely?’</p> + +<p>‘You can’t learn to <i>act</i>, but you can learn to +<i>speak</i> beautifully; life teaches you that, more +than all the theatres in the world.’</p> + +<p><span class="pagenum" id="Page_56">[56]</span>He looked at her in surprise.</p> + +<p>‘I don’t know, of course, but that’s my idea +of things,’ she said smiling.</p> + +<p>‘And how do you study?’</p> + +<p>‘I learn parts, and say them over and over +again to myself until I get just the sound I +want into my voice.’</p> + +<p>‘What parts? Juliet?’</p> + +<p>‘Well, Beatrice in <i>The Cenci</i> is the one I like +best. I don’t like Juliet; all that sort of +sentiment is such a delusion, you know. I +can’t pretend to believe in it; but there is a +real, terrible tragedy in Beatrice, you can’t help +feeling it; it takes hold of you, you can’t escape +it.’</p> + +<p>‘<i>The Cenci</i> is very improper, isn’t it?’</p> + +<p>‘I dare say; I just read the play through once +to understand the part of Beatrice, I forget +about the details. I only know the fact that +she has a real, terrible wrong done her, which +makes her loathe herself and lose her wits for a<span class="pagenum" id="Page_57">[57]</span> +while, that she revenges it, and is beheaded for +her crime just as life had become possible for +her, when the father that had poisoned the very +air in which she grew up had ceased to live. +It seems to me that is the only really tragic +part ever written for a woman. Lady Macbeth +was a fiend, Juliet a baby.’</p> + +<p>‘Will you read some of it to me?’</p> + +<p>‘No. I can’t bear reading in a room, it is so +amateurish.’</p> + +<p>‘But just quietly, to one person, surely that +is different.’</p> + +<p>‘Well, perhaps I will. No, I’ll tell you what; +if you like to come down to the river mead, I +will bring out the book and read a little of it +this afternoon. Now go; I don’t want the girl +to see us come in together.’ He obediently +went on ahead. She sat on a stile for a +moment or two thinking. ‘Suppose I go off; suppose +I get an engagement, what then?’ Lord +Kirkdale looked round as he turned the corner,<span class="pagenum" id="Page_58">[58]</span> +which took him out of her sight. And she +wondered why he looked so heavy and sheepish, +and foolish.</p> + +<p>In case my reader should get a wrong impression +of Lord Kirkdale, they must be here +informed that he was an extremely well made +young man, six feet one in height, thirteen stone +in weight, with fair hair and ruddy complexion; +there was nothing comic or unseemly about +his appearance, but to a woman who had taken +it into her head to adore the type of man represented +by the Dancing Faun, no Hercules, +however laboriously devoted, need apply.</p> + +<hr class="tb"> + +<p>‘Who is this dreadful ineligible man Robert +tells me was dining here the other night?’ said +Maisy. She had been lunching at Davies +Street with her mother and sister, and the +three were sitting in the drawing-room.</p> + +<p>‘I don’t think you need trouble about his +being detrimental, unless it is on mamma’s<span class="pagenum" id="Page_59">[59]</span> +account; he devotes himself entirely to her,’ +said Geraldine.</p> + +<p>Lady Kirkdale laughed. ‘I was telling +Geraldine the other day, that in a few seasons +no woman this side of fifty will have a chance +in society.’</p> + +<p>‘I wonder what the meaning of it is,’ said +Maisy.</p> + +<p>‘Age has its advantages,’ said Lady Kirkdale. +‘Besides, as Edgar Allen Poe says, “What +man truly loves in woman is her womanhood.”’</p> + +<p>‘That’s so true, dear mamma; a womanly +woman can do anything she likes with a man, +the other sort sets his teeth on edge at once.’</p> + +<p>‘A womanly woman indeed,’ broke out +Geraldine; ‘it is only within the last few years +women have dared show their womanhood. +At last they are permitted to possess a small +quota of human nature; they may be something +more than waxen masks of doll-like<span class="pagenum" id="Page_60">[60]</span> +acquiescence without disgracing themselves in +the eyes of the world.’</p> + +<p>‘My dear Geraldine, don’t be so disgustingly +Ibsenish.’</p> + +<p>‘You make me perfectly wild, Maisy. Do +you suppose all these questions haven’t been +working in everybody’s mind for the last fifty +years. You may be pretty sure they have, if +<i>we</i> have come to hear of them. I consider the +whole machinery of society to be especially +contrived to keep an influential set of people +sufficiently ignorant to effectually counter-balance +the work of men and women of genius, +who see clearly enough what the next stage +of progress will be; and the mob would follow +them readily if the dead weight of authority +and influence did not keep them back.’</p> + +<p>‘Mamma, what is becoming of her? My +dear Geraldine, you’ll never get married if you +go on like this. You’ll have to take to lecturing +on temperance or something, like poor Emily.’</p> + +<p><span class="pagenum" id="Page_61">[61]</span>‘I hate marriage; I think it’s a degrading +bargain, which can only be carried out by unlimited +lying on both sides.’</p> + +<p>‘Really, mamma; why don’t you speak to +her?’</p> + +<p>‘Because I can’t deny the truth of what she +says.’</p> + +<p>‘But—look at Robert and me!’</p> + +<p>‘Yes, look at you, that’s just what I mean——’</p> + +<p>‘Geraldine, my dear, my dear, hush!’ cried +Lady Kirkdale. ‘You mustn’t talk like this, +you distress Maisy. And after all, you needn’t +be so bitter about it. God knows, if you prefer +not to marry, I am not the woman to wish to +force you to it. You’ve been upset, hadn’t +you better go and lie down?’</p> + +<p>‘Oh no! I’m all right. One must speak +sometimes, one can’t spend one’s life grinning +like a Cheshire cat, and pretending one thinks +everything perfect.’</p> + +<p>‘Well, to change this very unpleasant subject,’<span class="pagenum" id="Page_62">[62]</span> +said Maisy, ‘what is this Mr. George Travers +like?’</p> + +<p>‘He is tall and slight, I should say about +forty, with a careworn face and a charming +smile: he can dance, ride, scull, and play billiards +to perfection. There is no subject on which he +is not well informed,—in fact, if he were only +safely married, he would be a great acquisition +to society,’ replied Lady Kirkdale.</p> + +<p>‘And Geraldine is in love with him,’ said Maisy.</p> + +<p>‘How dare you say such things!’ cried +Geraldine.</p> + +<p>‘When a girl, who is generally good-tempered, +becomes snappish and disagreeable, you may +be sure she is in love with a detrimental. The +detrimental is on the spot, you are snappish. +The situation is complete, my dear.’</p> + +<p>Geraldine walked out of the room and banged +the door loudly.</p> + +<p>‘What is to be done about her, mamma?’</p> + +<p>‘I must take her abroad, I suppose. Love is<span class="pagenum" id="Page_63">[63]</span> +like bronchitis, a thorough change is the only +cure.’</p> + +<p>At this moment Mr. Travers was announced.</p> + +<p>‘I must apologise for this untimely call; but +I have just been at the club, and Lord Snordenham +was mentioning that he must send round +to tell you that his coach had to start half an +hour earlier for Hurlingham to-morrow than +was arranged. I said I should be passing your +door, and he commissioned me to deliver the +message.’</p> + +<p>‘Thank you very much. You are to be one +of us, then?’</p> + +<p>‘I have that honour.’</p> + +<p>‘May I introduce you to my daughter, Lady +Maisy Potter. She has just returned from her +honeymoon.’</p> + +<p>‘O mamma, don’t give such a wrong impression! +I must tell you, Mr. Travers, my +honeymoon lasted six months,’ she said, turning +to him with an engaging smile.</p> + +<p><span class="pagenum" id="Page_64">[64]</span>‘It ought to last for ever,’ he said, bowing. +‘At any rate it has agreed with you splendidly.’</p> + +<p>‘Oh, please don’t say that; I know I am +terribly sunburnt. It is so dreadful to come to +London looking so healthy, late in the season, +isn’t it?’</p> + +<p>‘I am afraid my tastes are not sufficiently +æsthetic to allow me to appreciate a sickly +style of beauty.’</p> + +<p>‘I am so glad to hear you say that. It is +exactly what I think myself; only it doesn’t +do nowadays to say anything you think, or +one might be taken for one of those dreadful +advanced people that are always clamouring +for free thought, and free speech, and free +everything. I feel it so very necessary to keep +on thinking just what is right and proper. +Our responsibilities as leaders of thought are +so grave. For we are the leaders of thought, +are we not, Mr. Travers?’</p> + +<p>‘After a certain point necessarily so. Progress<span class="pagenum" id="Page_65">[65]</span> +is made in circles; and if you stand still +long enough you will find yourself in the +van.’</p> + +<p>‘But,’ said Lady Kirkdale, ‘suppose it +doesn’t come back to the same point exactly, +but goes onward in a spiral.’</p> + +<p>‘That’s the whole problem of life. Is it a +circle or a spiral?’ said Travers.</p> + +<p>‘If it’s the latter I am sorry for all of us.’</p> + +<p>‘Oh, don’t be afraid, mamma, life is very nice +as it is. We’ll take it for granted it’s a circle, +and sit still and not bother ourselves. Spirals +are such uncomfortable-looking things.’</p> + +<p>The carriage was announced, and Lady +Kirkdale asked Travers to drive with them. +He did so, sitting next to Geraldine and +opposite Maisy. They dropped Maisy at the +hotel in Albemarle Street she and Mr. +Potter were staying at. Travers of course +escorted her in, and as they parted she hoped +he would accept the invitation to come to<span class="pagenum" id="Page_66">[66]</span> +Cowes that her husband was going to send him +for the yacht-week.</p> + +<p>When he re-entered the carriage he said to +Lady Geraldine, ‘I imagined your sisters were +all out of town.’</p> + +<p>‘So they were when we last spoke of them, +but Maisy and Mr. Potter returned last month.’</p> + +<p>‘Ah, I met Mr. Potter at your dinner-party +on Thursday, of course. I didn’t know he was +a relation.’</p> + +<p>‘He is an odd man. He has inherited a +large fortune from his father. He is what I +call disgustingly rich; he never seems to do +anything with his money. His chief pleasure +in life seems to be sitting still and thinking.’</p> + +<p>‘What does he think about?’</p> + +<p>‘Nobody knows. I used to offer him a +penny for his thoughts last year, but he always +made one answer.’</p> + +<p>‘What was that?’</p> + +<p>‘He only said, “My mind is a perfect blank.”’</p> + +<p><span class="pagenum" id="Page_67">[67]</span>‘Oh,’ cried Lady Kirkdale, ‘that is like those +Indian people who sit contemplating their big +toes all day. What are they called?’</p> + +<p>‘Do you mean the Yogis?’</p> + +<p>‘Ah yes, that was it.’</p> + +<p>‘I am never quite accurate about things. +You see, Geraldine, dear, it’s one of my womanly +qualities.’</p> + +<p>‘Are you going down to Cowes, Mr. Travers? +I think I heard Maisy asking you to join her +party.’</p> + +<p>‘Are you going?’</p> + +<p>‘We have taken rooms in the hotel.’</p> + +<p>‘Then I shall certainly take advantage of +the proposal. That is, if Mr. Potter sends the +invitation. Does his mind ever cease to be a +blank?’</p> + +<p>‘No one knows.’</p> + +<hr class="tb"> + +<p>It was the first Sunday in August. Lady +Kirkdale and Lady Geraldine Fitzjustin had<span class="pagenum" id="Page_68">[68]</span> +gone to spend a few days in Essex with Mary, +the eldest daughter of the family, before proceeding +to Cowes. Lord Kirkdale, left in +possession at Davies Street, had invited Travers +to dinner, and the two men were sitting in the +smoking-room ruminating over their cigars +and whisky and Seltzer. There had been a +long pause in the conversation when Kirkdale +suddenly looked up and said, ‘Look here, +Travers, who is this girl down at the cottage?’</p> + +<p>‘I’ve been waiting for that question for some +time; I thought she must have told you herself.’</p> + +<p>‘Not a word.’</p> + +<p>‘Well, I think perhaps I ought to let you +know that she is secretly married to a very +dear friend of mine.’</p> + +<p>‘Ah, I knew it; she is your wife.’</p> + +<p>‘Ha! ha! ha! that’s good; my dear fellow, +you never made such a mistake in your life. +I may be foolish, but I’m not such a fool<span class="pagenum" id="Page_69">[69]</span> +as to go and put my head into a noose like +that.’</p> + +<p>‘Travers, I don’t believe you. I am sure +she loves you.’</p> + +<p>‘That’s quite possible.’</p> + +<p>‘Look here, you think you’re a very clever +man; you think you are deceiving the whole +world, because you can deceive a parcel of +women. But the time has come for a little +plain speaking, old fellow. I know all about +you. Clausen has told me. He recognised you +that first day you called in Davies Street. He +was present when the card-party at Canning’s +ended your career in London society. Since +then I have had many proofs of how a fellow +can go from bad to worse; how a man who +begins with cheating at cards can end by picking +up half-crowns from his friend’s dressing-table. +No! no! old fellow, hitting me won’t +put it right,’ and he seized Travers by the +wrists.</p> + +<p><span class="pagenum" id="Page_70">[70]</span>‘What are you going to do?’ said Travers, +helpless and sullen in Kirkdale’s powerful grasp.</p> + +<p>‘I am going to hear the truth about this girl.’</p> + +<p>‘And what else?’</p> + +<p>‘Then I shall decide what to do. Who is +she?’</p> + +<p>‘My wife, you fool! Now are you satisfied?’</p> + +<p>Kirkdale dropped his hands suddenly. +Travers walked over to the looking-glass, +settled his cuffs, and wiped his forehead. Then +he leaned his back against the mantelpiece +and surveyed Kirkdale, who had thrown himself +into an armchair on the other side of the +room. After a pause he spoke.</p> + +<p>‘I need not tell you, Kirkdale, that I have long +foreseen this situation: I knew we should have +to come to an understanding sooner or later.’</p> + +<p>‘And you played your cards accordingly?’</p> + +<p>‘There is no necessity to be so bitter about +it. When a man has absolutely nothing but +his wits to rely upon, he must cultivate them.<span class="pagenum" id="Page_71">[71]</span> +Because I have acquired some skill in the +marshalling of events, I don’t see that you need +reproach me. We all have our temptations. +Your father succumbed to the temptations +of idleness, I to the temptations of necessity. +I was brought up rather more luxuriously than +yourself, for my father’s vices did not make +him bad-tempered; your father’s did, and that +always has a chastening effect upon a man’s +offspring. As I was saying, no want of mine +was denied until I was practically cast on my +own resources, just at the age when one’s tastes +are most expensive. I needn’t tell you what it +means to be in a crack regiment with no private +income. I had not learnt how to make money +as a middleman, or by gambling on the stock +exchange; the only resources open to me I took +advantage of and kept afloat for some time, +then luck deserted me and the crash came. I +went abroad; I associated with men not fit to +black my boots. My life was a perfect hell.<span class="pagenum" id="Page_72">[72]</span> +My God! how do you suppose a man brought +up as I have been can earn enough to keep +him going in a way that makes life worth +living? One must have at least five thousand a +year. Where is it to come from?’</p> + +<p>‘Oh, go to the devil!’</p> + +<p>‘Precisely, that is the only answer to my +question. I have been.’</p> + +<p>Kirkdale rose and walked up and down the +room impatiently. He snapped his fingers.</p> + +<p>‘I don’t care that for you. I am thinking of her.’</p> + +<p>‘I don’t think that is at all a proper way to +talk to a man about his wife, my dear boy.’</p> + +<p>‘Oh, damn!’</p> + +<p>‘By all means.’</p> + +<p>Kirkdale walked towards Travers, who +looked him straight in the face. After a +prolonged stare they both burst out laughing.</p> + +<p>‘O what fools we are! what fools we are!’ +cried Kirkdale almost hysterically, as he flung +himself into a chair.</p> + +<p><span class="pagenum" id="Page_73">[73]</span>‘Well, that’s agreed; now let’s clear the +ground before us. You are in love with my +wife; I am as much in love with her myself +as the holy estate of matrimony will permit +a man to be. She is in love with me, +and not with you, unless I am very much +deceived.’</p> + +<p>‘Yes, yes. I had no hope of that kind. I +don’t know if you can understand or not, but I +would do anything on earth to save her pain +and to make her life happy.’</p> + +<p>‘The feeling does you honour, my dear boy. +It is one often roused by unrequited affection. +A woman who does not love you is always +an angel, a woman who does is often a +devil.’</p> + +<p>‘Look here, Travers, don’t keep her down in +that wretched hole any longer. Let her go on +the stage.’</p> + +<p>‘I can’t do that, old fellow.’</p> + +<p>‘Why not?’</p> + +<p><span class="pagenum" id="Page_74">[74]</span>‘I know too much about it. The stage isn’t +a fit place for a woman unless she is a firstrate +actress; she must be able to boss the show or +quit.’</p> + +<p>‘But she could boss the show, she’d be firstrate.’</p> + +<p>‘Not quite that, old fellow. I first saw her +on the stage; I could see all she had in her at a +glance; it wasn’t good enough.’</p> + +<p>‘She has been on the stage, then?’</p> + +<p>‘Yes; you may have heard of her, there was +some talk of her early in the year. Grace +Lovell was her name.’</p> + +<p>‘I do vaguely remember hearing something +or other about her.’</p> + +<p>‘How long was she on the stage before you +met her?’</p> + +<p>‘Five or six years, I think. She has been +working hard down in the country.’</p> + +<p>‘What at?’</p> + +<p>‘Oh, reading things. I know I heard her<span class="pagenum" id="Page_75">[75]</span> +read a bit of Shelley, which fetched me more +than anything I’ve ever heard on the stage.’</p> + +<p>‘Well, I’ll see what we can do—with her.’</p> + +<p>‘You may rely on me, if you want help.’</p> + +<p>‘Thanks, old fellow.’</p> + +<p>‘And in the meantime?’</p> + +<p>‘We shall meet at Cowes on Monday. By-the-bye, +can I be of any use to you?’ and +Kirkdale took out his pocket-book.</p> + +<p>‘Well, old man, if you like to make it a +pony this time it would be rather a weight +off my mind.’</p> + +<p>Kirkdale handed over some notes. Travers +took them, folded them up deliberately, buttoned +his coat, took up his hat and stick, and +walked out of the room. He nodded pleasantly +to Kirkdale as he closed the door after him.</p> + +<p>Kirkdale sat still for some time, then he +lighted a cigar and began to smoke. As he +was finishing it the footman tapped and asked +if he was at home to Mr. Clausen. Kirkdale<span class="pagenum" id="Page_76">[76]</span> +signified that he would see him, and Mr. Clausen +was shown up.</p> + +<p>‘Stephen, my boy,’ he said, ‘this must be put +a stop to. I have just come round from the club, +and that fellow Travers came in and is hand +in glove with every one. Potter was there, and +they are sitting down to <i>écarté</i>. You know what +it will end in—there will be a devil of a row.’</p> + +<p>‘I can’t help it, old fellow; I have tied my +hands in the matter. I must let things take +their course. It won’t hurt Robert if he does +lose his money.’</p> + +<p>‘But, my dear fellow, we can’t possibly +countenance this sort of thing. A man must +draw the line somewhere, and I draw it at +conniving at——’</p> + +<p>‘It’s no use, I tell you. He must be left +alone; at any rate, for the present.’</p> + +<p>‘Well, if nothing else will move you, I +suppose I shall have to tell you what I really +fear from him. He will marry your sister——’</p> + +<p><span class="pagenum" id="Page_77">[77]</span>‘Oh no, he won’t.’</p> + +<p>‘You don’t know her as well as I do. She is +a woman who will have her own way, whatever +it costs.’</p> + +<p>‘He cannot marry her.’</p> + +<p>‘It is what he has been working for the +whole time.’</p> + +<p>‘You’re a fool!’ yelled Stephen. ‘No, no, +no! I dare say you’re right. I’ve been +thinking about something else. I dare say +he’s capable of it. But I tell you she’s quite +safe. He is already married.’</p> + +<p>‘And therefore you consider she is quite safe.’</p> + +<p>‘She is my sister, sir.’</p> + +<p>‘And your father’s daughter.’</p> + +<p>‘You will drive me wild between you all,’ +cried Stephen.</p> + +<p>‘My dear boy, it’s for your own sake.’</p> + +<p>‘All the damnable things done under heaven +are done for my sake it would seem.’</p> + +<p>‘Have you no regard for duty? Would you<span class="pagenum" id="Page_78">[78]</span> +like to see your sister fall a victim to this +swindler?’</p> + +<p>‘She must be told he is married, of course.’</p> + +<p>‘And that he is a low cad no gentleman +would associate with.’</p> + +<p>‘Yes, Clausen, yes, anything you like—anything +you like. Be off with you and tell her +all you told me and all I have told you. Be +off now, no time like the present.’</p> + +<p>‘Stop a bit! not so fast, my young friend. I +want a little more explanation from you first. +You say he is married. Where does he conceal +his wife?’</p> + +<p>‘She is at Old Windsor.’</p> + +<p>‘You have made several excursions there +lately. What is she like?’</p> + +<p>‘Oh, young and pretty; much too good for +him.’</p> + +<p>‘Too vague, my boy, describe her.’</p> + +<p>‘I don’t know how to describe her.’</p> + +<p>‘Well, is she dark or fair, tall or short?’</p> + +<p><span class="pagenum" id="Page_79">[79]</span>‘She’s dark. No though, her hair is black +and curly, and her eyes are brown, but she has +a most beautifully fair complexion. As you sit +and watch her reading, you wonder which is +the whitest, the little bit of neck shown behind +her ear, or the white lawn stuff she ties +round her throat.’</p> + +<p>‘Is she tall?’</p> + +<p>‘About a head shorter than I am; I suppose +that is tallish for a woman. Yes, she’s tall, +and very, very graceful. She walks beautifully, +makes you remember all the old bits of poetry +you learned at school.’</p> + +<p>‘How does he treat her?’</p> + +<p>‘I don’t know.’</p> + +<p>‘How’s that?’</p> + +<p>‘I have never seen them together.’</p> + +<p>‘But——’</p> + +<p>‘She lives at the cottage, he at the house.’</p> + +<p>‘He isn’t married to her.’</p> + +<p>‘Oh yes, he is; I made him confess.’</p> + +<p><span class="pagenum" id="Page_80">[80]</span>‘What was she?’</p> + +<p>‘An actress.’</p> + +<p>‘No good, of course.’</p> + +<p>‘Why?’</p> + +<p>‘He’d be making money out of her if she were.’</p> + +<p>‘Her name was Grace Lovell.’</p> + +<p>‘What! that little girl? Why, she’s got +the makings of a great actress in her. How +comes he to be so shortsighted as to let her +remain idle?’</p> + +<p>‘He tells me she’s not good enough.’</p> + +<p>‘Much he knows! Why, she’s delicious; so +fresh, so spontaneous. She’d take the town +in no time. How old is she?’</p> + +<p>‘About twenty or twenty-one.’</p> + +<p>‘Well, to think that rascal has got hold of +her. I was wondering only the other day what +had become of her, and I asked Horsham what +made him part with her. He said she had +insisted on leaving, and he fancied she’d gone +abroad with some man.’</p> + +<p><span class="pagenum" id="Page_81">[81]</span>‘I wish to God she had! Anything would +be better for her than being tied to such a devil +as that.’ Then Kirkdale asked suddenly, ‘By +the way, didn’t you say Travers was the son of +that old rascal Swanwick?’</p> + +<p>‘Ah yes, capital actor he was; we don’t see +that sort of thing now. He knew his business +thoroughly, and did it. No high-falutin about +intellect, imagination, and rubbish of that sort. +He had the instinct here’—and Mr. Clausen +thumped his chest,—‘and let the new school say +what they like, that’s the place to find the link +between an actor and his audience.’</p> + +<p>‘That girl has it <i>there</i> too, if ever woman had,’ +murmured Kirkdale dreamily. ‘You should +hear her read Shelley.’</p> + +<p>‘Shelley, nonsense! she’s a comedy actress. +No doubt she has the touch of pathos necessary +for that line; but no power, no passion.’</p> + +<p>‘She may have altered since you saw her, +she’s very young.’</p> + +<p><span class="pagenum" id="Page_82">[82]</span>‘Yes, that’s possible. It happened in the +case of Décles. You sometimes do get a surprise +from a woman in that way.’</p> + +<p>‘Now, Clausen, like a good fellow, think over +what’s to be done. I am determined to get her +back on the stage. Shall I take a theatre for her?’</p> + +<p>‘What nonsense! As things are at present, you +might just as well chuck your capital into the +gutter. She won’t draw until she’s done a good +deal more hard work, and if you gave him such an +opportunity, Travers would spend your money +for you and she’d get none of the benefit.’</p> + +<p>‘No, the first step is evidently to get rid of +Travers.’</p> + +<p>‘That is very easily done. I have only to +say what I know.’</p> + +<p>‘I wonder if he has anything up his sleeve: +he’s always vaguely hinting that certain personages +are at his mercy,’ said Kirkdale.</p> + +<p>‘Very likely he has a whole bundle of scurrilous +gossip at his finger-ends; but after all it<span class="pagenum" id="Page_83">[83]</span> +doesn’t very much matter, people say all they can +now, and no respectable paper gives currency to +these things. Such stories serve two purposes: +they give the radicals something to talk about, +and add considerably to the popular interest. +“One touch of nature makes the whole world +kin,” and the poor sinner in the street feels his +heart go out to the weaknesses of the great, in +a way never to be invoked by the mere pompous +exterior of public ceremonial.’</p> + +<p>‘But think of the effect on public opinion.’</p> + +<p>‘My dear boy, when Burke said a country +was ruled by its public opinion, he was right. +The only difficulty about it is that the real +public opinion is never expressed; what is +expressed is what each man or woman thinks +his or her neighbours consider ought to be his +or her opinion. But to return to Grace Lovell; +what do you suppose she would do if her +husband was sent back into limbo?’</p> + +<p>‘I’m terribly afraid she’d go with him.’</p> + +<p><span class="pagenum" id="Page_84">[84]</span>‘Have you ever discussed the position with +her?’</p> + +<p>‘She does not even know I am aware of the +marriage, she has kept her own counsel; all +she has said to me was, that she was anxious +to go on the stage.’</p> + +<p>‘Let’s go down and find out about her. I +want a little country air, and have nothing on +earth to do on Monday.’</p> + +<p>‘I was going down to Cowes, but I’m sick of +the function there; if I go down on Tuesday or +Wednesday I shall see all I want,’ said Kirkdale.</p> + +<p>‘Agreed; well, I’ll be off. Find out the best +train, and call for me in the morning.’</p> + +<p>A loud knock at the front door delayed +Clausen’s contemplated departure. He looked +at his watch and said, ‘By Jove, it’s two o’clock! +We’d better open the door, the servants will +be in bed.’</p> + +<p>Potter was standing on the doorstep. He +entered, and said, ‘Sorry to disturb you, but<span class="pagenum" id="Page_85">[85]</span> +it’s rather important I should see you at once, +Kirkdale.’</p> + +<p>Clausen offered to go. Potter stopped him, +saying, ‘It doesn’t signify. It’ll be all over +the place to-morrow. Only I thought I owed +it to Kirkdale here to warn him.’</p> + +<p>‘Well, come in; sit down and have a smoke.’</p> + +<p>‘I don’t mind if I do; I want to settle myself +a little. To tell the truth, we’ve had a hell +of a row.’</p> + +<p>‘Ah!’ said Kirkdale, feeling his blood run +cold, ‘it’s all out, then?’</p> + +<p>‘What, you knew? And you allowed such +a man to associate with your mother and +sisters. You must be mad.’</p> + +<p>‘Yes, I suppose I am. What has occurred?’</p> + +<p>‘I suspected Travers, from the first time I +saw him. Then Maisy came home charmed +with him. You’ll pardon my saying so, but I +always regard that as a bad sign; I find she +has a natural affinity for rogues.’</p> + +<p><span class="pagenum" id="Page_86">[86]</span>Clausen chuckled.</p> + +<p>‘I admit it. I am no exception. I am no +doubt a rogue myself, but that doesn’t make +me inclined to tolerate other rogues. I met +this Travers at the club two or three times, and +I noticed him playing at cards. To-night I +proposed a game of <i>écarté</i>, and gave him a good +chance for his particular little game. I caught +him in the very act, and, as I have said, there +was a devil of a row.’</p> + +<p>‘What has become of him?’</p> + +<p>‘Well, after we had made it sufficiently clear +to him that we did not desire more love and +knowledge of him, he went out into the void. +I followed shortly after and came here, thinking +he possibly might have come to give you his +version of the affair, and there might be +another chance of wigs on the green. My +blood’s up now. That’s the worst of a nature +like mine. Just as I get thoroughly roused and +interested everything is over. And my blood<span class="pagenum" id="Page_87">[87]</span> +has to simmer down again in a desolation of +peace and good humour.’</p> + +<p>‘He hasn’t been here. But I’ll tell you what, +Potter, I’d have given a thousand pounds not +to have had this happen to-night.’</p> + +<p>‘I’m very sorry, Kirkdale, but next time +you propose to bring a cardsharper and blackguard +into your family circle you had better +take us into your confidence, so that we can +have some common basis of operations. Good +night, Clausen. Good night, Stephen. Better +luck next time, eh!’</p> + +<hr class="tb"> + +<p>Grace Lovell was lying asleep when a +hansom cab drove up. Travers opened the door +of the cottage with a latch-key, and bursting +into her room told her to give him a couple of +sovereigns without delay. She scrambled up, +opened her little desk, and produced the money. +He paid his cab, then came in, sat down +heavily on the side of the bed, and breathed<span class="pagenum" id="Page_88">[88]</span> +hard for a moment or two. Suddenly he fell +forward on the floor. She sprang to his side, +wetted his face, loosened his collar, held +smelling salts to his nose, but for a long time +it seemed to her his heart had altogether ceased +to beat. Presently he moved slightly, and she +renewed her efforts to revive him, calling him +by all the endearing terms she could think of. +At last he put out his arm and held her +gently against him, whispering that she was +his darling wife. She nestled close to him and +kept perfectly still, waiting for him to speak. +After a long time he opened his eyes and sat +up; she begged him to lie down on the bed, +which he did, but it was some time before he +spoke. Then he said, ‘It’s all up, Gracie, I’m +a ruined man. I shall have to go away.’</p> + +<p>‘What has happened, my dearest?’</p> + +<p>‘They have done for me between them. +You know I told you that I knew a good deal +more than some people would like to set<span class="pagenum" id="Page_89">[89]</span> +about; well, they came to hear of it, and they +have made use of one of their agents, a despicable +man, to ruin me in the eyes of society. +He induced me to play <i>écarté</i> with him; he +manipulated the cards in such a way that I +should appear to be cheating; then he denounced +me before the whole club, and they believed +him. I had to go.’</p> + +<p>‘O George, why didn’t you turn the tables +on him, and tell them what he had done?’</p> + +<p>‘My dear child, it’s no use a woman supposing +she can understand these things; you must take +what I tell you on trust; don’t keep making idiotic +suggestions, and asking idiotic questions. I tell +you it was so, that should be enough for you.’</p> + +<p>‘Yes, George. What are you going to do?’</p> + +<p>‘God knows.’</p> + +<p>‘George.’</p> + +<p>‘Yes.’</p> + +<p>‘Are you sure you didn’t do it?’</p> + +<p>‘Didn’t what?’</p> + +<p><span class="pagenum" id="Page_90">[90]</span>‘Didn’t cheat.’</p> + +<p>‘Of course not, of course not! Oh, do go to +sleep. I’ve talked until I’m wearied out. I +shall go up to the house now.’</p> + +<p>‘Are you well enough?’</p> + +<p>‘Don’t bother,’ and he went out banging the +door after him. He lay in bed all day on +Monday. About five o’clock he ordered some +tea, and played with little Pierre, then he got +up and dined. He did not go down to the +cottage until about ten o’clock. He found +Grace busily engaged packing up. He lounged +in, and said, ‘What <i>are</i> you doing?’</p> + +<p>‘I am going up to London.’</p> + +<p>‘What for?’</p> + +<p>‘I am going back to Horsham’s Theatre.’</p> + +<p>‘No, you are not.’</p> + +<p>‘Yes, I am.’</p> + +<p>‘How dare you speak to me like this?’</p> + +<p>‘Because I dare speak to any one like this, +when I do not love them.’</p> + +<p><span class="pagenum" id="Page_91">[91]</span>‘Oh! oh! that’s it, is it? We’ll see,’ and he +came towards her threateningly.</p> + +<p>She stood perfectly still, looking straight +into his eyes. He dropped his hands and sat +down, saying sneeringly, ‘I always thought +women were brutes, now I see it’s perfectly +true.’</p> + +<p>‘Yes,’ she said, ‘women are brutes. If you +had loved me, if you had believed in me, and +trusted me last night, nothing would have made +me leave you. I should not have cared if you +had been a thief, or a murderer perhaps.’ +Here he interrupted her.</p> + +<p>‘Oh, don’t let us have all these heroics. I +know it all: you’d go to hell for me, wouldn’t +you, as long as I feed your insatiable passion +for admiration? I’m sick of women and their +melodramas.’ She stood still looking at him. +‘I’ll just tell you the plain facts of the case,’ he +continued more calmly. ‘Our love was of that +resistless kind, brought about when the appetite<span class="pagenum" id="Page_92">[92]</span> +is so strong that every other faculty, all +prudence, all considerations of every sort, are +thrust on one side to gratify it. I admit it is a +very charming state of things for the parties +concerned, while it lasts, but it does not last +long. Our delirium is over. You are a woman +full of dreams and imaginations; you worry me +with the persistent foolishness of your ideas and +ideals. I am a man who knows all the moves, +and the long and short of it is that I know how +to play the game; you do not.’</p> + +<p>‘I shall soon learn, and perhaps my game +will not be such a losing one as yours has been.’</p> + +<p>‘No one can tell, but the game is over sooner +or later, and then it doesn’t matter much +whether you have lost or won, the pleasure is +in the game itself.’</p> + +<p>‘Perhaps it does matter.’</p> + +<p>‘I don’t think so. What really matters is +letting your chessmen rule you, that is what all +mediocre people do.’</p> + +<p><span class="pagenum" id="Page_93">[93]</span>‘Why have you never talked seriously to me +before?’</p> + +<p>‘Because you were in love with me.’</p> + +<p>‘What a horribly unscrupulous wretch you +are!’</p> + +<p>‘In his relations with women a man has to +act two parts: at first he must be Adam, +young, ardent, and resistless, then he must be +the serpent, able to teach her all wisdom of +the world.’</p> + +<p>‘And is neither part a serious one?’</p> + +<p>‘That depends upon the woman. Now we’ll +talk things over quietly. You want to go back +to Horsham’s Theatre?’</p> + +<p>‘Yes.’</p> + +<p>‘But it’s no use your going on as you used +to do.’</p> + +<p>‘No. I know I was very bad, but I think I +shall be better now.’</p> + +<p>‘Well, let’s see what you’ve got in you, and +then I shall know what is to be done.’</p> + +<p><span class="pagenum" id="Page_94">[94]</span>He put her through the balcony scene in +<i>Romeo and Juliet</i>, making her cry with his +severity, torturing her, and finding fault in every +possible way with her efforts to express the +feeling of the words she uttered. At the end +of it she stood hopeless and dumfoundered at +the new world opening before her. For the first +time it dawned on her what acting really +meant. She looked timidly at Travers. He +was sitting in a chair watching her doubtfully. +He said, ‘Yes, that’s very good. You work +away at that, and we’ll do them all yet.’</p> + +<p>‘You think I can go back to Horsham’s +Theatre?’</p> + +<p>‘No, I do not. But I’ll tell you what we +will do. I’ll run you through the States as a +star, and then I’ll bring you over to England as +a new American actress. We’ll do them yet.’</p> + +<p>‘But who is to pay?’</p> + +<p>‘I’ll find the money, don’t you worry your +head about that.’</p> + +<p><span class="pagenum" id="Page_95">[95]</span></p> + +<hr class="tb"> + +<p>On the following Tuesday the waiter at the +Crown Hotel, Cowes, respectfully informed +Lady Kirkdale that Mr. Potter had sent the +pinnace of the <i>Sunflower</i> to convey their +ladyships on board.</p> + +<p>‘I suppose, as Kirkdale hasn’t arrived yet, +you and I will have to go by ourselves,’ said +Lady Kirkdale.</p> + +<p>‘It’s a very funny thing he should suddenly +change his mind and leave us in the lurch like +this.’</p> + +<p>‘Perhaps Mr. Travers will be able to give us +some information; he is to be with the Potters +to-day, I believe.’</p> + +<p>‘I thought he would have called on us this +morning. I didn’t understand, Maisy, that he +was to stay on board with them. Don’t you +think it’s rather odd of the Potters to ask him +to stay there when Kirkdale hasn’t anywhere +to go to?’</p> + +<p><span class="pagenum" id="Page_96">[96]</span>‘A great many things in this life are odd, my +dear, and I’m afraid my thinking won’t alter +them, so I don’t trouble my head.’</p> + +<p>As Geraldine climbed the side of the yacht +she looked in vain for Travers.</p> + +<p>‘What has happened to everybody?’ she +said to Maisy the moment she could take her +aside.</p> + +<p>‘Why? what have you heard?’ asked Maisy +doubtfully.</p> + +<p>‘Nothing. Kirkdale has not sent a word +of explanation. I thought we should get an +explanation from Mr. Travers, but he is not +here either.’</p> + +<p>‘Come down to my cabin a minute,’ said +Maisy, leading the way into an exceedingly +shipshape-looking little apartment, full of the +typical <i>multum in parvo</i> contrivances which +have been invented for the convenience of those +who have little space at command. They sat +down on the locker, and Maisy began—</p> + +<p><span class="pagenum" id="Page_97">[97]</span>‘A dreadful thing has happened, and I +don’t know how to break it to mamma, I’m +sure.’</p> + +<p>‘To whom?’</p> + +<p>‘Of course, I think Kirkdale terribly to +blame for not making sure first——’</p> + +<p>‘What are you talking of? Is Kirkdale dead?’</p> + +<p>‘No, no, what nonsense! I mean he should +have made sure of Mr. Travers.’</p> + +<p>‘Good God, Maisy! you will drive me mad. +Is Mr. Travers dead? Say yes or no.’</p> + +<p>‘Perhaps it would be better if he were.’</p> + +<p>‘Has he had an accident? Is Kirkdale +nursing him?’</p> + +<p>‘I tell you he’s quite well. You won’t let +me explain properly what has happened.’</p> + +<p>‘Go on,’ said Geraldine, in a dull, toneless +voice.</p> + +<p>‘He played a game of <i>écarté</i> with Robert at +the club on Saturday night, and Robert found +out that he was cheating him.’</p> + +<p><span class="pagenum" id="Page_98">[98]</span>‘What did Robert do?’</p> + +<p>‘Well, he watched him very carefully, and +when he was quite sure he got up and told him +he would not play any more with him.’</p> + +<p>‘Then what happened?’</p> + +<p>‘The members of the club were very angry, +I believe, and agreed that Mr. Travers should +not be re-admitted.’</p> + +<p>‘I think Robert behaved abominably.’</p> + +<p>‘Why?’</p> + +<p>‘I think he owed it to Kirkdale to shield his +friend. What does it matter whether a man +cheats at cards or not? Everybody cheats, at +other things besides cards, in their own particular +way.’</p> + +<p>‘My dear Geraldine, how often have I told +you we must take things as we find them? It +is considered wrong for men to cheat at cards, +and it disgraces them. It is not considered +very wrong for women to cheat at cards; +people rather expect it, and laugh at it. It’s<span class="pagenum" id="Page_99">[99]</span> +no use arguing about it. It is so, and there’s +an end of it.’</p> + +<p>‘Why should there be one law for men and +another for women?’</p> + +<p>‘I don’t know, I dare say there are some +things winked at in a man which would not +be permitted to women. I don’t know what +they are, but one never can tell.’</p> + +<p>‘What will Mr. Travers do?’</p> + +<p>‘Disappear.’</p> + +<p>‘O Maisy, how dreadful! I expect he is +terribly hard up. Can’t we help him?’</p> + +<p>‘I expect Kirkdale is seeing after him. +Kirkdale is very foolish. It is a great pity he +has not turned out better. He is such a very +handsome man.’</p> + +<p>‘I don’t think Mr. Travers handsome, if you +are talking of him; but there was a sort of +pleasure in his society I never felt with any +one else.’</p> + +<p>‘Yes, he had a charm, there is no doubt of that.’</p> + +<p><span class="pagenum" id="Page_100">[100]</span>‘You think so. You felt it too. O Maisy, +Maisy, whatever shall I do?’ Lady Geraldine +broke down into passionate sobs. ‘I am a +fool! What shall I do? what shall I do?’ +she cried.</p> + +<p>‘My poor dear Gerry, don’t cry; I didn’t know +it was as serious as all this. I took a great +fancy to him myself, but I don’t feel as badly +as you do, thank goodness.’</p> + +<p>‘I know he is the only man in the world I +could ever care for,’ sobbed Geraldine.</p> + +<p>‘Try and think of somebody else.’</p> + +<p>‘I hate everybody else. If I think of other +people, it is only to think of the difference between +him and them. He is so graceful, they +are so proper. He always has something +charming to say, they always say the things one +has heard over and over again. He is like the +Dancing Faun, they are like a tailor’s block. +Oh, what is the use of saying all this? He +makes my heart beat with happiness when I<span class="pagenum" id="Page_101">[101]</span> +only hear his footstep. When I touch other +men my blood turns cold, and my heart turns +to ice.’</p> + +<p>‘Geraldine, Geraldine, you are really dreadful. +I’m sure it isn’t at all proper to feel like +that. I never felt so about Robert. I always +liked other people. Of course, one feels that +one’s husband <i>is</i> one’s husband. But still——’</p> + +<p>‘I never thought I felt like this till to-day; +I didn’t realise it before: it has come upon me +suddenly. It is as if I had been swimming +about in beautiful blue water, and suddenly +found myself being sucked down by a whirlpool.’</p> + +<p>‘Don’t you think we had better ask mamma +about it? I really don’t know what to advise.’</p> + +<p>‘Not on any account. Swear to me you +will not breathe a word of this to any one. +I shall get over it. Don’t be afraid. See now, +I will bathe my eyes and come upstairs.’</p> + +<p>Geraldine soon effaced all traces of her emotion,<span class="pagenum" id="Page_102">[102]</span> +except a slight redness about the whites +of her eyes, and the two sisters went on deck.</p> + +<p>Robert Potter had in the meantime communicated +the news to Lady Kirkdale, who +was sitting under a large Japanese umbrella +looking unusually perturbed. Geraldine took +her place under the awning and was soon surrounded +with a group of merrymakers, and she +laughed and talked and picnicked, drank champagne, +and made feeble jokes, quite as gaily as +the rest. However, directly she got back to +the hotel she told her mother her head ached. +She went and shut herself up in her room. +Here she wrote the following letter:—</p> + +<div class="blockquot"> + +<p>‘<span class="smcap">Dear Mr. Travers</span>,—I am so sorry, so +very sorry, for what has happened. I have +been afraid you were in money difficulties +for some time. Will you give me the happiness +of helping you out of them? Believe +me, you have my deepest sympathy. I don’t +believe in society, or any of its laws. I enclose<span class="pagenum" id="Page_103">[103]</span> +twenty-five pounds in notes, hoping you will +accept them as a proof that I will do anything +I can to extricate you from the difficulties +in which you are involved.—Yours +always sincerely,</p> + +<p class="right">‘<span class="smcap">Geraldine Fitzjustin</span>.’</p> +</div> + +<p>She took the letter to the post herself. It was +almost the first time in her life she had left the +house unattended. She felt that every one must +know what she was doing, that she was being +watched, and that the post-office clerk guessed +the reason of her sending a registered letter. At +last she completed the business, and putting the +tell-tale little flimsy receipt-paper in her purse, +she hurried back to the hotel. Just as she +entered it she encountered Lord Kirkdale and +Mr. Clausen, who had that moment arrived.</p> + +<p>‘Out alone, Lady Geraldine?’</p> + +<p>‘Yes, what is one to do when one’s brother +deserts one like this?’</p> + +<p>‘Your maid?’</p> + +<p>‘Gone out herself; she didn’t expect us back<span class="pagenum" id="Page_104">[104]</span> +so soon, I suppose; we have been on board the +<i>Sunflower</i> all the afternoon, you know.’</p> + +<p>‘Have you heard the news?’ asked Kirkdale +as they entered the private sitting-room.</p> + +<p>‘Yes; what has become of Mr. Travers? Is +he at Old Windsor?’</p> + +<p>‘He is.’</p> + +<p>She sighed with relief.</p> + +<p>‘Clausen and I went down yesterday and +arranged to get his wife something to do.’</p> + +<p>‘His wife!’</p> + +<p>‘Oh! didn’t you know that he was married? I +thought you said you had heard the news.’</p> + +<p>‘Married? married? When? who to?’</p> + +<p>‘About three months ago: a most beautiful +girl. You may have heard of her—Grace Lovell—she +was an actress.’</p> + +<p>‘I don’t remember,’ said Geraldine, in a bewildered +tone. ‘What did you say? Why +didn’t he tell us?’</p> + +<p>‘I can’t say. It’s all very ugly, on the face<span class="pagenum" id="Page_105">[105]</span> +of it; and I tell you what, Geraldine, I’ve come +to the conclusion that he’s one of the biggest +villains on earth. I did you all a terrible +wrong in bringing him to the house. I have +to ask your forgiveness.’</p> + +<p>She looked at her brother a long time, and +the tears gathered in her eyes; then she +turned away, and hastily entered her own room. +Here she found her maid laying out her +clothes for the evening.</p> + +<p>‘Never mind now, Elizabeth, I want to lie +down quietly.’ As she spoke she crossed to her +writing-desk and her eyes fell on a sheet of note-paper +on which she had scribbled the first wild +words that had come into her head when she +sat down to write to George Travers. There +they were, staring her in the face, ‘My dearest, +dearest one on earth, I have heard of your ruin. +Come and let me see you once more. I will +give you all I have to enable you to——’; then +she had stopped herself and written the more<span class="pagenum" id="Page_106">[106]</span> +moderate note for his eyes, leaving her real +passionate words, the words which had been +the expression of her inmost feelings, for the +eyes of her maid.</p> + +<p>She turned to look at the woman, but found +she was calmly taking her wrapper out of the +wardrobe. Had she seen or not? No trace was +visible on her face. Geraldine sat down in +front of the glass, and said, ‘You can wash my +head, Elizabeth; I think it will refresh me.’</p> + +<p>The woman made all the preparations. +While she had gone for hot water, Geraldine +seized the incriminating note and tore it into a +thousand pieces. She had just time to thrust +it behind the grate and walk quietly across the +room when the maid re-entered. Her eye fell for +a moment on the writing-table. ‘She has read +it,’ thought Geraldine. She sat quite still for a +long time; then she said, ‘What should you say +if I were to marry Lord Foreshort after all, +Elizabeth?’</p> + +<p><span class="pagenum" id="Page_107">[107]</span>Elizabeth started visibly.</p> + +<p>‘I should hope your ladyship would be very +happy, I’m sure.’</p> + +<p>‘Why were you so surprised?’</p> + +<p>‘I didn’t think your ladyship seemed willing +to take him before.’</p> + +<p>There was a long pause while her hair was +washed, and Elizabeth was rubbing vigorously +when Lady Geraldine said, ‘How is your poor +sister now?’</p> + +<p>‘The one that was deceived so cruelly?’</p> + +<p>‘Yes. The one that fell in love with a +married man.’</p> + +<p>‘Well, your ladyship, I didn’t like to tell you +after all your kindness to her in finding her +that place and all, but I’m very much afraid +she’s gone off to America with him.’</p> + +<p>‘Really! She has done that, has she?’</p> + +<p>‘I was afraid your ladyship would be +annoyed, so I didn’t mention it. But she disappeared, +and some time afterwards I had a<span class="pagenum" id="Page_108">[108]</span> +letter from her, telling me about how he had +got a bit of land out in Canada, and she had +joined him there.’</p> + +<p>‘And what were they doing?’</p> + +<p>‘I’m sorry to say, they seemed doing very +well; she wrote most bright and cheerful like. +I must beg your ladyship’s pardon for saying +it, but they do say the wicked flourish like +green bay trees, don’t they, your ladyship?’</p> + +<p>‘I suppose they do, sometimes; but don’t be +sorry they are happy, Elizabeth.’</p> + +<p>‘No, your ladyship.’</p> + +<p>‘Elizabeth, I want you to bring all the letters +that come for me into my bedroom. Tell the +waiter to give them to you.’</p> + +<p>‘Yes, your ladyship.’</p> + +<p>‘You’d better have that black silk petticoat; +it will be nice and cool for you to wear, and +I shall keep to white all the rest of the +summer.’</p> + +<p>‘Yes, your ladyship.’</p> + +<p><span class="pagenum" id="Page_109">[109]</span>‘Now I will lie down; don’t let me be disturbed +until it is time to dress for dinner.’</p> + +<p>‘No, your ladyship.’</p> + +<hr class="tb"> + +<p>‘A telegram for your ladyship,’ said Elizabeth +as Geraldine entered her bedroom about twelve +o’clock next morning to get ready for a stroll +on the beach.</p> + +<p>‘All right. I shall not want you for a minute +or two.’ Elizabeth discreetly left the room.</p> + +<p>She opened the brown envelope, took out the +flimsy pink paper, and read, ‘Have started for +Portsmouth. Will write. Travers.’</p> + +<p>That she could not prevent, that she could +do nothing to stop, him coming was a thought +that filled her with exultation. He was getting +nearer and nearer every moment; and what was +more, she was to have a letter from him—it +would arrive that evening by the last post +perhaps; if not, certainly in the morning. Then +she thought of his being married, but it made<span class="pagenum" id="Page_110">[110]</span> +no difference; she knew he had married +before he saw her, that was all that really +mattered to her. She rang for Elizabeth, and +crushing the telegram up put it into the front +of her dress. She dressed, and went out in the +highest spirits. She was charming to every +one, and made herself so agreeable that Lord +Foreshort felt quite encouraged. He said, +‘How well this climate agrees with you!’</p> + +<p>‘Doesn’t it. It is exactly the sort of place +I like: plenty of life about, and at the same +time everything is clean, and spick and +span.’</p> + +<p>‘It’s perfect. Our tastes are so alike.’</p> + +<p>‘You are always saying that, Lord Foreshort.’</p> + +<p>‘I am always thinking it, Lady Geraldine.’</p> + +<p>‘Then you have no time to think about your +tastes?’</p> + +<p>‘No, I am always thinking of yours.’</p> + +<p>‘So am I.’</p> + +<p><span class="pagenum" id="Page_111">[111]</span>‘There, I told you we agreed.’</p> + +<p>‘Well, that’s settled. Now let us talk of +something else.’</p> + +<p>‘When will you begin to let me hope.’</p> + +<p>‘You are hoping now, are you not?’</p> + +<p>‘Do you really mean it?’</p> + +<p>‘Mean what?’</p> + +<p>‘That I may hope?’</p> + +<p>‘I can’t prevent you hoping, can I?’</p> + +<p>‘Yes, you know you can.’</p> + +<p>‘Well, I’ve tried to a good many times.’</p> + +<p>‘But you will give up trying now, won’t you? +Take another tack.’</p> + +<p>‘Very well. You have hoped without my +permission the whole of the London season; +you can hope with my permission during the +shooting season, then perhaps you will be sick +of hope.’</p> + +<p>‘Yes, I shall claim my reward then.’</p> + +<p>‘Ah! that’s “another story.” We mustn’t get +on too fast.’</p> + +<p><span class="pagenum" id="Page_112">[112]</span>That evening the expected letter arrived. It +ran thus—</p> + +<div class="blockquot"> + +<p>‘<span class="smcap">Dear Lady Geraldine</span>,—You have restored +my belief in the human race. I have +indeed received a crushing blow from your +brother-in-law, and it is not fitting that I should +inform you of the true facts of the case. Honour +seals my lips. But although it is forbidden to +me to justify myself in your eyes without +degrading those who must ever be first in +your esteem, your generous letter emboldens +me to ask you to believe me, on my bare +word, that things are not as they, no doubt, +have been represented to you. I am coming +to Portsmouth so as to hold myself in readiness +to obey any commands you may care to +issue to your most devoted adorer,</p> + +<p class="right">‘<span class="smcap">George Travers</span>.’</p> +</div> + +<p>Geraldine wondered a good deal over this +letter, but all the same she wore it next her +heart for four days. She wrote in reply—</p> + +<div class="blockquot"> + +<p><span class="pagenum" id="Page_113">[113]</span>‘<span class="smcap">Dear Mr. Travers</span>,—I can’t think of any +way of seeing you here, but next Monday we +go to our place near Ringwood. If you will +put up at the village hotel there, I will write +and let you know what I can arrange.—Yours +most sincerely,</p> + +<p class="right">‘G. F.’</p> +</div> + +<p>On Sunday she took a long walk with a +party of friends. She and Mr. Clausen were +ahead. Mr. Clausen knew the island well, +and had undertaken to act as pioneer. By +degrees she led the conversation to the subject +which occupied so many of her thoughts, and +Clausen found himself giving her a full account +of what had taken place at Old Windsor the +previous Monday.</p> + +<p>‘Kirkdale and I went down to Datchet and +drove to Old Windsor: there we found Mrs. +Travers occupying a little cottage, pretty enough +in its way, but only fit for a labouring man,—the +chairs covered and windows hung with<span class="pagenum" id="Page_114">[114]</span> +white dimity, an old oak settle, and so on. +You know the kind of thing.’</p> + +<p>‘What is she like?’</p> + +<p>‘An exceedingly pretty, dark, slight woman. +She is very young; but she gives you an extraordinary +impression of knowing her own mind +at moments.’</p> + +<p>‘What is her version of their life together?’</p> + +<p>‘She spoke of nothing but her great desire to +go on the stage again; he has been preventing +her doing so, all this time. They appear to have +been exceedingly happy together otherwise.’</p> + +<p>‘Do you believe he really loves her?’</p> + +<p>‘He must have, I should think; there seems +to have been no other reason why he should +marry her?’</p> + +<p>‘He may have liked her at first, but perhaps +she is a shallow sort of person. I should think +he wanted a very deep nature to sympathise +with him.’</p> + +<p>‘I don’t think she is shallow; but you mustn’t<span class="pagenum" id="Page_115">[115]</span> +forget, when you talk of depth of character, +the thinnest sheet of gold-leaf is a good deal +more valuable than a whole bogful of mud.’</p> + +<p>‘And is she going back to the stage now?’</p> + +<p>‘We promised to arrange it for her. Horsham +is a great friend of mine. She made her success +with him, and he was delighted to hear she was +ready to come back again; but now——’</p> + +<p>‘What?’ said Lady Geraldine.</p> + +<p>‘Well, I fear her husband has found out +what a little gold-mine she may become. She +wrote to me yesterday, saying he had been +coaching her in some leading parts, and proposed +touring with her in the States if he +can get some capital to start them.’</p> + +<p>‘But isn’t he fearfully hard up now?’</p> + +<p>‘A man like that is never without resources; +if he cannot get money out of men, he can get +it out of women.’</p> + +<p>‘O Mr. Clausen, how dreadful that sounds!’</p> + +<p>‘Lady Geraldine, I beg your pardon. I<span class="pagenum" id="Page_116">[116]</span> +should not have said such a thing to you; +forgive me.’</p> + +<p>‘No, Mr. Clausen, I beg of you, don’t think +I am so absurd; girls hear of all sorts of things +nowadays. I want to know what you really +think Mr. Travers will do.’</p> + +<p>‘He will do anything that he thinks most +likely to bring in a quick return.’</p> + +<p>‘But what is his object? His tastes are so +fastidious. I cannot imagine his being content +to mix with actors and actresses for the rest +of his life, they are such flashy, noisy people. +Whenever one sees any very disagreeable set +at Henley or Lords, one is always told they +are actresses.’</p> + +<p>‘Yes, that is the phrase, of course; still, in +justice to the profession, I must say that a +great many actresses go about quite as dowdily +as the royal family. There is no distinctive +badge which can be applied to all the members +of the profession.’</p> + +<p><span class="pagenum" id="Page_117">[117]</span>‘But I cannot imagine Mr. Travers tolerating +anything that isn’t in the best taste.’</p> + +<p>‘He no doubt prefers everything about him +to be of the best; but as he has effectually cut +himself off from it by being twice caught in +the act of cheating at cards, he will have to +satisfy himself with the second best now.’</p> + +<p>‘Tell me what is a man’s real feeling about +this cheating at cards. Why is it the most +terrible sin he can commit? It seems to me, +from hearing people talk, that it is quite +possible to break every one of the commandments +without losing a single acquaintance, +but directly you commit this particular crime +the whole world cuts you.’</p> + +<p>‘I will explain. You know among the Arabs +there is another unwritten law, that you may +kill or destroy the property of any man who +annoys you; but if you have once eaten salt +with him, you must hold your hand, whatever +provocation you may receive. All these things<span class="pagenum" id="Page_118">[118]</span> +are a sign of a bond that exists between +certain members of the community. Cards are +to the European what salt is to the Arabian. +They are the sacred symbol of fidelity; and any +man who does not feel this must be cast out.’</p> + +<p>‘But why? it seems such an arbitrary thing.’</p> + +<p>‘I can’t help that. We have all been brought +up to believe that it is a beastly thing to betray +our friends; and a man must be regarded as a +friend from the moment you sit down to a +game of chance with him.’</p> + +<p>‘Well, I don’t believe I shall ever understand; +but perhaps women have no moral sense.’</p> + +<p>‘Exactly what I have always said, Lady +Geraldine. The only safe place for a woman +is under lock and key, and even then you +ought to stop up the keyhole with sealing-wax.’</p> + +<p>‘It is because we are kept under lock and +key that we don’t care what we do. We feel we +are unjustly treated, and that we have a perfect +right to cheat, and lie, and prevaricate. It is<span class="pagenum" id="Page_119">[119]</span> +the only means of retaliation we have. Oh, I +wonder if the time will ever come when we +shall get fair play.’</p> + +<p>‘No, it will not; I can tell you that much. +No man or woman, from the Queen down to +the beggar who spends the night on a doorstep, +gets fair play. There isn’t a single human +being in all the world who hasn’t been kept +back from doing all he might by other people, +or by circumstances of one sort or another. +This place is meant for a struggle; and the +only way to get through it comfortably is to +cultivate a taste for struggling.’</p> + +<p>‘I’m sure you know you needn’t say that to +me, Mr. Clausen.’</p> + +<p>‘Yes, you struggle a little—too much, in fact; +for the secret of all success is to discern the +difference between the possible and the impossible. +Turn your back on the impossible, +and make steadily for the possible.’</p> + +<p>‘O Mr. Clausen, how wise you sound now!<span class="pagenum" id="Page_120">[120]</span> +I wish I had been there to see when you were +young.’</p> + +<p>‘I wish you had. You would no doubt have +found me quite foolish enough to please you then.’</p> + +<p>‘And did you turn your back on the impossible?’</p> + +<p>‘Yes.’</p> + +<p>‘And are you glad you did?’</p> + +<p>‘No.’</p> + +<p>‘Ah, I knew that.’</p> + +<p>‘It is perfectly true, a temptation resisted +gives you no pleasure; but that does not prevent +a temptation yielded to giving you an inevitable +retribution.’</p> + +<p>‘Oh, that sounds so like a copy-book, I am +sure it can’t be true.’</p> + +<p>‘What do you mean?’</p> + +<p>‘Mr. Clausen, can’t you understand what it +is when a girl grows up and finds out bit by +bit everything she has been taught and told +is a pack of lies.’</p> + +<p><span class="pagenum" id="Page_121">[121]</span>‘But surely your mother——’</p> + +<p>‘No, no, it isn’t my mother; it’s the governesses, +it’s the nurses, it’s the silly novels, it’s other +girls. It makes me shudder when I think +what a world of shams I’m living in, and what +a sham I am myself.’</p> + +<p>‘My dear child, I fear I have only one consolation +to offer you, and that is, that you would +shudder a good deal more if you for one moment +saw the truths which underlie these shams.’</p> + +<p>‘You talk as if the world was a pest-house. +Surely we are some of us beautiful; we are not +all diseased and horrible.’</p> + +<p>‘One hears a good deal about the beauty of +life; but I am very much afraid you will find +in the long run that the beauty of life is like +the beauty of a lady’s complexion—very fleeting, +or else sham.’</p> + +<p>‘There I have cornered you, Mr. Clausen. +There’s a beauty about a gypsy’s skin which +isn’t fleeting, and which is very real; and it is<span class="pagenum" id="Page_122">[122]</span> +beautiful, just because it is exposed to the sun +and the rain. In a word, freedom is beauty, +and gives beauty.’</p> + +<p>‘Well, perhaps there’s something in what +you say; but I don’t think you’d find gypsies +very satisfactory companions at close quarters.’</p> + +<p>‘I should like to get a chance of seeing for +myself.’</p> + +<p>‘Take my advice, and don’t. I am sure +your tastes are too fastidious for such realities +as that,’ said Mr. Clausen, laughing. Here the +rest of the party came up, conversation ceased, +and chatter reigned in its stead.</p> + +<hr class="tb"> + +<p>Lady Geraldine’s mind was much perturbed +by her conversation with Clausen. She doubted +Travers, but felt she must see him, she must +get some sort of proof herself. Poor girl! after +all her outcry, she was only a very ordinary +woman, wrapped up in her own little chaos of +emotions and foolish little thoughts. She<span class="pagenum" id="Page_123">[123]</span> +thought it would be a splendid thing to sacrifice +herself for love. Mediocrity was her bugbear, +just as it has been the bugbear of thousands of +other mediocre people, and she was ready to +take the most desperate measures to escape +from it. The only way she could think of to +show how different she was from the rest of +her sex was to cultivate her instincts and let +them lead her whither they would. To overcome +the world and remain a slave to your own +passions has been the ideal of all the splendid +failures of history, but she only recognised their +splendour, and did not stop to consider their +defeat. So, with her mind strung up to a high +pitch of romantic passion, Lady Geraldine went +to meet Travers in the Kirkdale woods.</p> + +<p>She found him leaning against a tree cleaning +a horseshoe he had just picked up. His little fox-terrier +was running about smelling the rabbit-holes +and following trails with a suspicious and +preoccupied air, as if he was not quite sure<span class="pagenum" id="Page_124">[124]</span> +whether these joys were permitted to him or +not. He ran forward to see who Geraldine +was, and licked her hand; then he hung his +head and ran back to his master and sat down +by his side. Travers looked up; he had not +seen Geraldine approach, and he said, ‘So +you have actually come to see the last of the +poor outcast.’</p> + +<p>‘Is it the last? Is it true that you are going +to America to act?’</p> + +<p>He started a little, wondering how this could +have come to her knowledge, but recovered +himself quickly. ‘There seems nothing else +left for me to do.’</p> + +<p>‘But if there was?’</p> + +<p>‘I would gladly take the alternative.’</p> + +<p>‘I thought so; I didn’t believe you could +willingly take up that sort of life.’</p> + +<p>‘Indeed you are right there. What an angel +you are to come here like this! I can’t think +how I deserved such a thing.’</p> + +<p><span class="pagenum" id="Page_125">[125]</span>‘I don’t know whether you deserve it or not, +and I don’t care much: I have come because +I love you, and because—’</p> + +<p>He took the hand she held out to him and +kissed it; she put her other hand round his neck, +and he kissed her lips. Then feeling he had +done all that was expected of him, he was about +to gallantly release her, when he found she was +almost fainting in his arms.</p> + +<p>‘By George, this is serious,’ he murmured, +and he led her to a felled tree, sat her down on +it, and went to look for some water. When +he returned he found she was calmer.</p> + +<p>He had a little pocket flask with him and +had filled the cup with water. She refused to +drink, but dipped her finger in it and wiped +her forehead. Then he sat down by her side, +and she leant on his shoulder and said—</p> + +<p>‘What shall we do? Will you come away +from England with me, or shall we stay +here?’</p> + +<p><span class="pagenum" id="Page_126">[126]</span>‘Whichever you think best; your wishes are +my law.’</p> + +<p>‘Well, I’ll tell you exactly how I stand. I +have eight hundred pounds a year now, and +shall have four hundred pounds a year more +when mamma dies. It is settled on me, and +they cannot take it from me whatever I +do.’</p> + +<p>‘Ah!’ he said, ‘in the hands of trustees, I +suppose.’</p> + +<p>‘Yes, that is the worst of it: I cannot touch +the capital.’</p> + +<p>‘But, dear Lady Geraldine, have you ever +considered what it would be for two people to +try and live on eight hundred pounds a year?’</p> + +<p>‘I know it would be very difficult, but I am +willing to try anything if it will save you from +that dreadful life. We could take a flat in +Venice or Florence, and you would have to be +divorced; then we could be married, and no +one would mind in a few years.’</p> + +<p><span class="pagenum" id="Page_127">[127]</span>‘I am sure you would regret it, if you took +such a step.’</p> + +<p>‘I should never regret it. I hate this life in +England. We would have a beautiful home, +and then we could come to your place at Old +Windsor sometimes.’</p> + +<p>‘That is not my house.’</p> + +<p>‘Not your house! what do you mean?’</p> + +<p>‘It belongs to a friend of mine; he asked me +to take it.’ Travers stopped himself, and for +once in his life, by a supreme effort, told the +truth. ‘I mean he offered to lend it me because +he was going away. You don’t know +what a poor devil I am, Lady Geraldine.’</p> + +<p>‘Don’t call me by that hateful title. And so +you have been very, very poor. Why, my +wretched little eight hundred pounds a year +will seem quite a lot of money to you. I am so +glad you know what it is to be poor.’</p> + +<p>‘I can’t deny that poverty and I are old bed-fellows, +Lady Geraldine; but all the same——’</p> + +<p><span class="pagenum" id="Page_128">[128]</span>‘Why are you hesitating?’</p> + +<p>‘Well, it sounds rather ungrateful; but I +think I ought to tell you that if my wife and I +went to America to-morrow, the very smallest +salary I would accept would be one hundred +pounds a week between us.’</p> + +<p>‘But your wife is not a great actress.’</p> + +<p>‘No. If she were a great actress she would +get that sum without having me thrown in; but +during my last engagement at Mallock’s Theatre +I had seventy pounds a week myself.’</p> + +<p>‘I see; I cannot bribe you high enough. I +am sorry to have troubled you to come here +to-night.’</p> + +<p>‘I am terribly distressed about the whole +business; but I am sure you would be miserable +living abroad like that yourself. Think of +what it would mean. I have been disgraced +publicly; you would be disgraced; we should +both be shunned as if we were plague-stricken. +I am sure you see things as I do.’</p> + +<p><span class="pagenum" id="Page_129">[129]</span>Lady Geraldine got up to walk away. Suddenly +she turned and flung herself at Travers’s +feet, saying: ‘Oh, don’t let us talk or think +about the hateful money! Act if you like, if +you find it so profitable, but don’t, don’t leave +England. Cut yourself free from that woman. +I will do anything you like. I love you wildly, +desperately. I cannot, cannot leave you.’</p> + +<p>He gently disengaged her fingers. She rose +on her knees and looked him straight in the +eyes. Then she cried out—</p> + +<p>‘You don’t love me the least little bit in the +world. Why is it? Am I not beautiful enough? +Haven’t you told me a hundred times I was? +O George, George, tell me what is the meaning +of it all!’</p> + +<p>‘It means I love you too well to wish to +injure you.’</p> + +<p>‘Then you do not love me at all. Is it that +you love this other woman, this wife of yours?’</p> + +<p>‘Perhaps; I can’t tell what it is.’</p> + +<p><span class="pagenum" id="Page_130">[130]</span>‘I will sit down quietly by your side now; I +won’t rave at you any more, don’t be afraid. +Tell me exactly what you feel.’ She stood for +a moment, then put her hand in her pocket, +took out her handkerchief, then sat down, holding +it in her lap.</p> + +<p>‘Now tell me, dear one,’ and she laid her +hand on his arm. He shuddered a little. She +noticed it and removed her hand. ‘What do +you feel about her and me?’</p> + +<p>‘Well,’ he said, ‘I think it must be this. +When I fell in love with her, I did so in the +terrible blind, reckless way that only comes over +one once in a lifetime. It is more a nightmare +than anything else. I couldn’t understand myself +at the time, and I can’t understand myself +now.’</p> + +<p>‘Oh, you have got over it, then?’ she said, +leaning towards him.</p> + +<p>‘Yes, I have got over it. I am sickened +of love. But my wife is a clever woman. I<span class="pagenum" id="Page_131">[131]</span> +believe I can do something with her. She has +a most extraordinary talent for acting, and that +interests me. I don’t suppose there is a man +alive, take it all in all, who knows more about +the tricks of the trade than I do. These are +just what she wants to be taught, and it is +interesting to me to see what she’ll turn out. +This feeling has taken the place of love. She +is about as tired of love-making as I am, and +now we are going to set seriously to work +together.’</p> + +<p>‘But if you are so tired of love, why are you +here to-night? Did you think you would get +money out of me to go to America with her?’</p> + +<p>He laughed a little. ‘Well, it does sound +absurd now you put it like that, but I suppose +I did.’</p> + +<p>She was sitting to his right. Her fingers +closed on something that had been hidden in +her handkerchief; then came the loud report of +a pistol, a puff of smoke, a groan from Travers<span class="pagenum" id="Page_132">[132]</span> +as he fell sideways with a crash in a heap +among the brackens.</p> + +<p>Lady Geraldine sat perfectly motionless for +a moment; then she saw the blood beginning +ooze from the wound just over his heart, and +she drew her dress carefully on one side. She +did not look at his face for about five minutes. +She turned round then, and saw his eyes fixed +on her with a terrible stare.</p> + +<p>‘No, I will not suffer for you,’ she whispered, +as if replying to their silent menace, and she +put the pistol into his hand and closed the +fingers round it. They would not keep as she +placed them. At last she left the thing on the +ground by his side, then she walked rapidly +away. Before she had got far she remembered +the compromising letters she had written: she +must go back and get them at any price. She +found his pocket-book; she found her three +letters in it; she took them, and replaced the +pocket-book. Then she went. Just as she was<span class="pagenum" id="Page_133">[133]</span> +leaving the wood, the fox-terrier, which had +been off on a hunting expedition, ran up to her, +smelling her dress. She put down her hand to +pat its head. It licked off a little spot of blood +that soiled her first finger. She tried to speak +to it, to tell it to go to its master, but she found +her mouth was parched and dry. She could +not utter a word. But it went all the same, +following the track of her footsteps into the +wood.</p> + +<p>She went through what would probably occur. +He would be found alone with a pistol. She +thought of what would happen if the pistol +was identified. She had taken it from the gun-room +at home; she had thought it would add to +the romance of the situation. Two of them had +been hanging on the wall; she remembered +them all her life. Sometimes her father +had allowed her and her sisters to practise +with them on Sunday afternoons, much to +the scandal of the neighbourhood. Kirkdale<span class="pagenum" id="Page_134">[134]</span> +would go to look at the body; he would be +sure to recognise the pistol. She got into the +house unobserved just as the clock struck +eleven. First she went up to her bedroom and +dusted her shoes; her feet were covered with +dust. She took off her stockings and wiped +them clean as well as she could without making +a mess. Then she went downstairs. She had +sent her maid to bed. Nobody seemed to be +up except Kirkdale and Clausen, whom she +could hear playing billiards as she passed the +door. She went down the passage, entered the +gun-room, and examined the window. She +saw it was accessible from the outside. It was +one of the old-fashioned hasp bolts, so she took +a rusty pocket-knife she found lying in a forgotten +heap of odds and ends and passed it +between the crack of the window. She scratched +the bolt as best she could to make it appear as +if it had been opened from the outside; then +she dropped the knife outside the window,<span class="pagenum" id="Page_135">[135]</span> +closed the door, and went to bed. She lay +awake wondering if there was any precaution +she had forgotten to take; and when at last +she slept, she dreamed that she was a child +again, and that her father was alive. He was +in one of his rarely affectionate moods, dancing +her on his knee and calling her his own dear +little girl. He called her mother and sisters +and little Stephen to look at her as he stood +her upon the table—Mr. Clausen was there +too,—and then her father laughed and clapped +his hands, and said, ‘She’s the flower of the +flock, she’s my very own daughter,’ and he +rushed at the others and chased them out of +the room. Then it seemed to her they were +afraid of her as they had been of him. She saw +their faces peeping in at the window at her, as +if she was a terror to them. She looked at her +father for explanation, but he no longer spoke +or moved; his face was cold and lifeless, as if +formed from damp yellow clay; and she went<span class="pagenum" id="Page_136">[136]</span> +and touched his fingers, which closed on hers, +and she felt she was becoming clay too. The +cold crept up her arm; she could not stir hand +or foot. Just as the cold reached her heart she +woke and tried to scream, but once again she +could utter no sound, and lay there motionless. +At last the morning came. The horror of the +dream had taken all her attention: she thought +of nothing else; she felt she must speak of it, +yet feared that in some vague way it might +betray her. She could not bear to stay in the +house waiting. She ordered the pony-carriage, +and drove herself over to Lyndhurst, where she +found some friends at home. They got her to +put up there, and she did not return to Ringwood +until dinner-time. Driving home she +went over in her mind every possible thing that +could happen: they would know the pistol; +they would find it was impossible for the gun-room +to have been entered from the outside; he +would have boasted that he was going to meet<span class="pagenum" id="Page_137">[137]</span> +her; somebody had seen her in the wood with +him. She had gone to her room with a headache +at nine o’clock, and asked not to be disturbed; +perhaps Elizabeth had brought her +something just before going to bed, and had +discovered her absence. She imagined herself +being driven away handcuffed between two +policemen. She went through all the horrors of +the last scene of all, when she would go blindfold +into eternity. She shuddered terribly, then +suddenly remembered the groom was sitting +behind her, and was probably taking notes +of her behaviour, and that he would be able +to give his evidence too. As she drove over +the bridge a train was arriving at the station. +She pulled up a moment and watched the +passengers alight. She saw a girl get out of +a carriage and a tall man meeting her, and, +leading her tenderly through the station, put +her into a closed carriage. She saw that it +was Kirkdale. Then she understood everything<span class="pagenum" id="Page_138">[138]</span> +had been found out, and they had sent for +the wife.</p> + +<p>She drove into the village, sending the groom +into the draper’s to get her some riding gloves. +The man came out to deliver them to her +himself. He looked very serious, and said, +‘Terrible news, isn’t it, my lady?’</p> + +<p>‘What is terrible?’ she asked. ‘I have been +away all day.’</p> + +<p>‘A gentleman found murdered in the woods +close to Kirkdale Castle.’</p> + +<p>‘Murdered!’ she cried.</p> + +<p>‘Well, the police are very reticent; I can’t +say how it was done, but I know he was shot +through the heart.’</p> + +<p>‘Dear, dear! I must try and find out as +quickly as possible,’ and she drove off without +noticing the man’s parting salutation.</p> + +<p>‘Murdered,’ she said over and over to herself. +‘After all, they know, they know everything.’</p> + +<p>Mr. Clausen met her as she drove up to the<span class="pagenum" id="Page_139">[139]</span> +principal entrance, and solemnly led her into +the library. ‘You have heard?’ he said.</p> + +<p>‘Yes. Weyman told me that he had been +found dead.’</p> + +<p>‘George Travers?’</p> + +<p>‘Yes.’</p> + +<p>‘He has not been publicly identified yet. +How did Weyman know who he was?’</p> + +<p>‘I don’t know, I suppose he heard it somehow.’ +She looked up nervously. She met Mr. +Clausen’s eyes looking steadily at hers, and she +knew he guessed. After a pause she said, +‘Tell me what is known.’</p> + +<p>‘I will. This morning the footman spoke +to Kirkdale after breakfast, and informed him +the gun-room had apparently been broken +into.’ Mr. Clausen laid ever so slight a stress +on the word ‘apparently.’ He continued, ‘A +careful search was made and nothing was missing +but one of a brace of pistols, that had +been hanging together over the mantelpiece. I<span class="pagenum" id="Page_140">[140]</span> +formed my own theory on the matter, and was +just about to demonstrate to Kirkdale that it +was impossible that the window should have +been entered from the outside, when the news +of the dead body being found reached us. I +therefore refrained from making any remarks, +and later in the day, when every one was agog +over the conveyance of the body to the parish +room, I went outside the gun-room window +and tried myself to get into it from the outside. +I found it was possible, but very difficult, and +I knocked down some plaster, besides disturbing +a good deal of dust which I had noticed +was quite undisturbed in the morning. I may +have done away with some circumstantial evidence, +but it is always a satisfaction to try things +for one’s-self.’ Again their eyes met, this time +with a fuller understanding than before.</p> + +<p>‘At the moment Kirkdale and I went at +once to the scene of the tragedy, and found +poor Travers dead, with his little terrier by his<span class="pagenum" id="Page_141">[141]</span> +side, shivering and trembling, and refusing to +stir; indeed, we had the greatest difficulty to +coax it away. While the constable was taking +notes, I saw the revolver lying among the ferns +close to his hand, but the constable did not; I +thought it better not to attract Kirkdale’s attention +to it at the time, so I let them remove +the body without saying a word. I then went +back to the gun-room and did what I have told +you; and having satisfied myself that the chain +of evidence was complete, I went down to the +village, and advised the constable to come +up and search the scene of the fatality more +thoroughly. Kirkdale came too, and it was +not long before we found the revolver this +time. The sight of the pistol at once reminded +Kirkdale of the open window, and without a +moment’s hesitation he told the constable all +he knew. The constable came along, and +having pointed out to him the marks of feet +outside, the footman having given his evidence,<span class="pagenum" id="Page_142">[142]</span> +and having wired for Mrs. Travers, whom by +the way Lady Kirkdale has most kindly consented +to put up, and who arrived about half +an hour ago, I watched for you, so as to put +you in full possession of the facts of the case.’ +For the third time their eyes met.</p> + +<p>‘How can I ever thank you?’</p> + +<p>‘Good God, woman, don’t thank me! You +owe me nothing. It is for your mother’s sake +that I have become your accomplice, and that +I have taken this burden on myself.’ She bent +her head. He continued, ‘People who sin +against human life in this way cannot expect +sympathy. Your punishment is that you are +cut off from fellowship with your race; the +memory of that murdered man will rise between +you and those who guess, and those who +do not guess, your guilt.’</p> + +<p>‘Supposing, after all, others discover that I +did it?’ she whispered.</p> + +<p>‘They shall not, they must not! I command<span class="pagenum" id="Page_143">[143]</span> +you not to betray yourself; it is the least you +can do.’</p> + +<p>‘You needn’t be afraid. I dare say you think +I am sorry that I did it, but I am not; I am +glad. I should be miserable if it had not been +done.’</p> + +<p>‘He would never have done anything so +criminal as this.’</p> + +<p>‘No, he hadn’t the courage, but he would +have sneaked and lied and shivered through +life, taking men’s and women’s souls and bodies +and tearing them to shreds, dragging them +down until they could see nothing in life but a +struggle for amusement, nothing beyond but a +rest from torment. I know I did it from a +horrible motive, just to gratify my mad injured +pride, to revenge myself on the cur that had +turned on me; but all the same it is a good +deed done, and I am glad I did it.’</p> + +<p>‘I do not understand you, Lady Geraldine.’</p> + +<p>She got up and walked past him to the door;<span class="pagenum" id="Page_144">[144]</span> +then she turned and said, ‘I am my father’s +daughter. People like him and me belong to a +race apart; we are only mortal clay, while you +and mamma, and Maisy and all the rest of you +have immortal souls.’</p> + +<p>She came towards him once more. ‘Oh, +don’t be afraid, I won’t touch you, I won’t contaminate +you. Yes, I see it plainly now: you +all of you have immortal souls, you show it in +your lives, don’t you?’</p> + +<hr class="tb"> + +<p>It was the day of the funeral. ‘<i>Suicide while +of unsound mind</i>’ was the verdict brought in by +the jury. Lady Geraldine was alone with Mrs. +Travers for the first time. They were sitting +with books in their hands pretending to read. +Both were dressed in black. Both were somewhat +restless. Lady Kirkdale had left them in +the drawing-room. The funeral had taken +place in the little village churchyard early in +the morning. There was nothing more to be<span class="pagenum" id="Page_145">[145]</span> +done. Mrs. Travers was going to London the +following day to commence rehearsing for a +new piece at Horsham’s Theatre. Lady Kirkdale +had suggested she must stay with them +and rest, but she only thanked her very much, +and said she should prefer to set to work at +once.</p> + +<p>Lady Geraldine sat eyeing her surreptitiously. +At last she said—</p> + +<p>‘You are very fond of your profession, are +you not, Mrs. Travers?’</p> + +<p>‘Indeed I am. I don’t know how I should +have lived during the last few months if it had +not been for the thought of it.’</p> + +<p>‘You were going to America, I heard?’</p> + +<p>‘Yes; George spoke of doing so.’</p> + +<p>‘Will you tell me what your real feeling about +this is; you seem very calm, and yet——’</p> + +<p>‘And yet I loved him, you mean.’ Lady +Geraldine nodded. ‘Yes, I loved him; and I +suppose if this had happened two months ago<span class="pagenum" id="Page_146">[146]</span> +I should have gone nearly mad with grief. But +a curious change has been taking place during +that time. It used to seem as if great floods of +emotion came over me, enfolded me, and took +possession of me. I had no power to resist +them. One day I suddenly found I could, as it +were, swim through; I knew what I was doing; +I could guide and control myself; I could use +the emotion as I pleased.’</p> + +<p>‘Yes, yes; I believe I know what you mean; +go on telling me.’</p> + +<p>‘Well, that is what it comes to. In real life +you get an emotion which masters you; in art, +in acting, in all works of genius, I suppose, you +master an emotion. That is why artists are +set apart from the rest of the world; they cannot +enjoy the common emotion long, they demand +too much from it.’</p> + +<p>‘And do you not regret your loss at all?’</p> + +<p>‘Oh, we are all human, of course. I loved +him, but still I feared him. He made me see<span class="pagenum" id="Page_147">[147]</span> +things in his way: I had no freedom of judgment. +When he was with me I thought he was +a splendidly clever person; even when I found +out how bad he was, and what terrible things +he had done, he only had to make some ridiculous +excuse for me to believe every word he +said.’</p> + +<p>‘Don’t you think it is a good thing for you +that he is dead? Don’t you feel that if you +had seen much more of him you would have +become a thoroughly bad woman?’</p> + +<p>‘Yes, I do. I sometimes wonder even now +if I can get away altogether from his influence. +But how did you know this? What made +you imagine it?’</p> + +<p>‘I will tell you exactly why. You know we +were quite ignorant that he had a wife until +about a fortnight ago. I must confess to you +that from the first day I saw him I would have +married him at any moment if he had asked +me, and given up everything in the world for<span class="pagenum" id="Page_148">[148]</span> +him. I found out by degrees what he was, +and I thought that if it were true, I could not +bear that he should live. And now that he +is dead I am glad. I feel a weight is off my +soul.’</p> + +<p>‘Yes,’ whispered Grace Travers, ‘that is just +what I feel, a weight is off my soul: to live +with him was to be morally contaminated. +Almost the last time I talked to him, I +remember feeling as if it would be a glorious +thing to be a great criminal, and that if you +could not rule by fair means, you should rule by +foul. George had such a horror of mediocrity.’</p> + +<p>‘He thought anything better than that, eh?’</p> + +<p>‘Yes, I believe the only person who could +really fascinate him would be some one who +could make him suffer terribly.’</p> + +<p>‘Was there anything that could make him +suffer?’</p> + +<p>‘No, I don’t think there was, he always took +things so easily. But he didn’t want to die;<span class="pagenum" id="Page_149">[149]</span> +he hated the thought of it. I can’t think how +he ever came to kill himself.’</p> + +<p>‘Well, it is unfortunate that the only person +who could attempt to fascinate him in the +way you suggest would be compelled, by the +circumstances of the case, to prevent him from +showing that he was fascinated.’</p> + +<p>‘Poor George, what a pity he isn’t here! +That would have amused him; it is just the +sort of thing he would have said himself.’</p> + +<p class="center">THE END.</p> + +<hr class="tiny"> +<p class="center">Printed by T. and A. <span class="smcap">Constable</span>, Printers to Her Majesty<br> +at the Edinburgh University Press</p> +<hr class="chap x-ebookmaker-drop"> + + +<div class="chapter"> +<div class="blockquot"> +<p class="ph3"> +List of Books<br> +<br> +in</p> + +<p class="ph2">Belles Lettres</p> + +<figure class="figcenter illowe15_625" id="ib001"> + <img class="w100" src="images/ib001.jpg" alt=""> + <figcaption class="caption"><p class="caption"><i>Elkin Mathews<br> +& John Lane:<br>—Publishers<br> +and Vendors of<br> +Choice & Rare<br> +Editions in<br> +Belles Lettres.</i></p></figcaption> +</figure> + +<p class="center">ALL BOOKS IN THIS CATALOGUE<br> +ARE PUBLISHED AT NET PRICES</p> + +<p><span class="xlarge"><i>1894</i></span></p> + +<p class="right"><i>Telegraphic Address</i>—<br> +‘<span class="smcap">Bodleian, London</span>’</p> +</div></div> + +<hr class="tb"> + +<p class="drop-cap">‘A WORD must be said for the manner in which the publishers +have produced the volume (<i>i.e.</i> “The Earth Fiend”), a +sumptuous folio, printed by <span class="smcap">Constable</span>, the etchings on Japanese +paper by <span class="smcap">Mr. Goulding</span>. The volume should add not only to +<span class="smcap">Mr. Strang’s</span> fame but to that of <span class="smcap">Messrs. Elkin Mathews and +John Lane</span>, who are rapidly gaining distinction for their beautiful +editions of belles-lettres.’—<i>Daily Chronicle</i>, Sept. 24, 1892.</p> + +<p><i>Referring to</i> <span class="smcap">Mr. Le Gallienne’s</span> ‘English Poems’ <i>and</i> +‘Silhouettes’ by <span class="smcap">Mr. Arthur Symons</span>:—‘We only refer to them +now to note a fact which they illustrate, and which we have been +observing of late, namely, the recovery to a certain extent of good +taste in the matter of printing and binding books. These two +books, which are turned out by <span class="smcap">Messrs. Elkin Mathews and +John Lane</span>, are models of artistic publishing, and yet they are +simplicity itself. The books with their excellent printing and their +very simplicity make a harmony which is satisfying to the artistic +sense.’—<i>Sunday Sun</i>, Oct. 2, 1892.</p> + +<p>‘<span class="smcap">Mr. Le Gallienne</span> is a fortunate young gentleman. I don’t +know by what legerdemain he and his publishers work, but here, +in an age as stony to poetry as the ages of Chatterton and Richard +Savage, we find the full edition of his book sold before publication. +How is it done, <span class="smcap">Messrs. Elkin Mathews and John Lane</span>? +for, without depreciating <span class="smcap">Mr. Le Gallienne’s</span> sweetness and +charm, I doubt that the marvel would have been wrought under +another publisher. These publishers, indeed, produce books so delightfully +that it must give an added pleasure to the hoarding of first +editions.’—<span class="smcap">Katharine Tynan</span> in <i>The Irish Daily Independent</i>.</p> + +<p>‘To <span class="smcap">Messrs. Elkin Mathews and John Lane</span> almost more +than to any other, we take it, are the thanks of the grateful singer +especially due; for it is they who have managed, by means of +limited editions and charming workmanship, to impress book-buyers +with the belief that a volume may have an æsthetic and +commercial value. They have made it possible to speculate in the +latest discovered poet, as in a new company—with the difference +that an operation in the former can be done with three half-crowns.’—<i>St. +James’s Gazette.</i></p> +<hr class="chap x-ebookmaker-drop"> + + +<div class="chapter"> +<div class="blockquot"> +<p class="right"><i>March 1894</i></p> + + +<p class="ph2">List of Books<br> + +<small>IN</small><br> + +<i>BELLES LETTRES</i></p> + +<p class="center">(<i>Including some Transfers</i>)</p> + +<p class="center">PUBLISHED BY<br> + +<span class="xxlarge">Elkin Mathews and John Lane</span><br> + +<span class="antiqua xlarge">The Bodley Head</span><br> + +<span class="large">VIGO STREET, LONDON, W.</span></p> + + +<p><i>N.B.—The Authors and Publishers reserve the right of reprinting +any book in this list if a second edition is called for, except in cases +where a stipulation has been made to the contrary, and of printing +a separate edition of any of the books for America irrespective of the +numbers to which the English editions are limited. The numbers +mentioned do not include the copies sent for review or to the public +libraries.</i></p> + +<hr class="tiny"> + +<p>ADAMS (FRANCIS).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Essays in Modernity.</span> Cr. 8vo. 5s. net.</p> + +<p class="right">[<i>Immediately.</i></p> +</div> + +<p>ALLEN (GRANT).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Lower Slopes</span>: A Volume of Verse. 600 copies. +Cr. 8vo. 5s. net.</p> +</div> + +<p>ANTÆUS.</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Backslider and other Poems.</span> 100 only. +Small 4to. 7s. 6d. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>BENSON (EUGENE).</p> + +<div class="blockquot2"> + +<p><span class="smcap">From the Asolan Hills</span>: A Poem. 300 copies. Imp. +16mo. 5s. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>BINYON (LAURENCE).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Lyric Poems.</span> With Title-page by <span class="smcap">Selwyn Image</span>. +Sq. 16mo. 5s. net.</p> +</div> + +<p>BOURDILLON (F. W.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A Lost God</span>: A Poem. With Illustrations by <span class="smcap">H. J. Ford</span>. +500 copies. 8vo. 6s. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>CHAPMAN (ELIZABETH RACHEL).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A Little Child’s Wreath</span>: A Sonnet Sequence. +350 copies. Sq. 16mo. 3s. 6d. net.</p> +</div> + +<p>COLERIDGE (HON. STEPHEN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Sanctity of Confession</span>: A Romance. Second +Edition. Crown 8vo. 3s. net.</p> +<p class="right">[<i>A few remain.</i></p> +</div> + +<p>CRANE (WALTER).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Renascence</span>: A Book of Verse. Frontispiece and 38 +designs by the Author.</p> +<p class="right">[<i>Small paper edition out of print.</i></p> + +<div class="blockquot2"> + +<p>There remain a few large paper copies, fcap. 4to. £1, 1s. net. +And a few fcap. 4to, Japanese vellum. £1, 15s. net.</p> +</div> +</div> + +<p>CROSSING (WM.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Ancient Crosses of Dartmoor.</span> With 11 plates. +8vo, cloth. 4s. 6d. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>DAVIDSON (JOHN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Plays</span>: An Unhistorical Pastoral; A Romantic Farce; +Bruce, a Chronicle Play; Smith, a Tragic Farce; +Scaramouch in Naxos, a Pantomime, with a Frontispiece, +Title-page, and Cover Design by <span class="smcap">Aubrey +Beardsley</span>. 500 copies. Small 4to. 7s. 6d. net.</p> +</div> + +<p>DAVIDSON (JOHN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Fleet Street Eclogues.</span> Second Edition. Fcap. 8vo, +buckram. 5s. net.</p> +</div> + +<p>DAVIDSON (JOHN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A Random Itinerary</span>: Prose Sketches, with a Ballad. +Frontispiece, Title-page, and Cover Design by <span class="smcap">Laurence +Housman</span>. Fcap. 8vo. Uniform with ‘Fleet +Street Eclogues.’ 5s. net.</p> +</div> + +<p>DAVIDSON (JOHN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The North Wall.</span> Fcap. 8vo. 2s. 6d. net.</p> + +<div class="blockquot2"> + +<p><i>The few remaining copies transferred by the Author +to the present Publishers.</i></p> +</div> +</div> + +<p>DE GRUCHY (AUGUSTA).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Under the Hawthorn, and other Verses.</span> Frontispiece +by <span class="smcap">Walter Crane</span>. 300 copies. Crown 8vo. +5s. net.</p> +<p class="right">[<i>Very few remain.</i></p> + +<div class="blockquot2"> + +<p>Also 30 copies on Japanese vellum. 15s. net.</p> +</div> +</div> + +<p>DE TABLEY (LORD).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Poems, Dramatic and Lyrical.</span> By <span class="smcap">John Leicester +Warren</span> (Lord De Tabley). Illustrations and Cover +Design by <span class="smcap">C. S. Ricketts</span>. Second Edition. +Crown 8vo. 7s. 6d. net.</p> +</div> + +<p>FIELD (MICHAEL).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Sight and Song.</span> (Poems on Pictures.) 400 copies. +Fcap. 8vo. 5s. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>FIELD (MICHAEL).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Stephania</span>: A Trialogue in Three Acts. 250 copies. +Pott 4to. 6s. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>GALE (NORMAN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Orchard Songs.</span> Fcap. 8vo. With Title-page and +Cover Design by <span class="smcap">J. Illingworth Kay</span>. 5s. net.</p> + +<div class="blockquot2"> + +<p>Also a Special Edition limited in number on hand-made paper +bound in English vellum. £1, 1s. net.</p> +</div> +</div> + +<p>GARNETT (RICHARD).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Poems.</span> With Title-page designed by <span class="smcap">J. Illingworth +Kay</span>. 350 copies. Crown 8vo. 5s. net.</p> +</div> + +<p>GOSSE (EDMUND).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Letters of Thomas Lovell Beddoes.</span> Now +first edited. Pott 8vo. 5s. net.</p> +</div> + +<p>GRAHAME (KENNETH).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Pagan Papers</span>: A Volume of Essays. With Title-page +by <span class="smcap">Aubrey Beardsley</span>. Fcap. 8vo. 5s. net.</p> +</div> + +<p>GREENE (G. A.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Italian Lyrists of To-day.</span> Translations in the +original metres from about thirty-five living Italian +poets, with bibliographical and biographical notes. +Crown 8vo. 5s. net.</p> +</div> + +<p>HAKE (DR. T. GORDON).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A Selection from his Poems.</span> Edited by Mrs. +<span class="smcap">Meynell</span>. With a Portrait after <span class="smcap">D. G. Rossetti</span>, +and a Cover Design by <span class="smcap">Gleeson White</span>. Crown +8vo. 5s. net.</p> +</div> + +<p>HALLAM (ARTHUR HENRY).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Poems</span>, together with his essay ‘On Some of the +Characteristics of Modern Poetry and on the Lyrical +Poems of <span class="smcap">Alfred Tennyson</span>.’ Edited, with an +Introduction, by <span class="smcap">Richard Le Gallienne</span>. 550 +copies. Fcap. 8vo. 5s. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>HAMILTON (COL. IAN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Ballad of Hadji and other Poems.</span> Etched +Frontispiece by <span class="smcap">Wm. Strang</span>. 50 copies. Fcap. 8vo. +3s. net.</p> + +<div class="blockquot2"> + +<p><i>Transferred by the Author to the present Publishers.</i></p> +</div> +</div> + +<p>HAZLITT (WILLIAM).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Liber Amoris</span>, a reprint of the 1823 edition, with +numerous original documents appended never before +printed, including Mrs. Hazlitt’s Diary in Scotland, +Portrait after Bewick, Facsimile Letters, etc., and +the Critical Introduction by <span class="smcap">Richard Le Gallienne</span> +prefixed to the edition of 1893. A limited number +only. 4to. £1, 1s. net.</p> +<p class="right">[<i>In the Press.</i></p> +</div> + +<p>HICKEY (EMILY H.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Verse Tales, Lyrics and Translations.</span> 300 copies. +Imp. 16mo. 5s. net.</p> +</div> + +<p>HORNE (HERBERT P.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Diversi Colores</span>: Poems. With ornaments by the +Author. 250 copies. 16mo. 5s. net.</p> +</div> + +<p>JAMES (W. P.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Romantic Professions</span>: A Volume of Essays, with Title-page +by <span class="smcap">J. Illingworth Kay</span>. Crown 8vo. 5s. net.</p> +</div> + +<p>JOHNSON (EFFIE).</p> + +<div class="blockquot2"> + +<p><span class="smcap">In the Fire and Other Fancies.</span> Frontispiece by +<span class="smcap">Walter Crane</span>. 500 copies. Imp. 16mo. 3s. 6d. +net.</p> +</div> + +<p>JOHNSON (LIONEL).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Art of Thomas Hardy</span>: Six Essays. With +Etched Portrait by <span class="smcap">Wm. Strang</span>, and Bibliography +by <span class="smcap">John Lane</span>. Crown 8vo. 5s. 6d. net.</p> + +<div class="blockquot2"> + +<p>Also 150 copies, large paper, with proofs of the portrait. £1, 1s. +net.</p> +</div> +<p class="right">[<i>Very shortly.</i></p> + +</div> + +<p>JOHNSON (LIONEL).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A Volume of Poems.</span> Fcap. 8vo. 5s. net.</p> +<p class="right">[<i>In preparation.</i></p> +</div> + +<p>KEATS (JOHN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Three Essays</span>, now issued in book form for the first time. +Edited by <span class="smcap">H. Buxton Forman</span>. With Life-mask +by <span class="smcap">Haydon</span>. Fcap. 4to. 10s. 6d. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>KEYNOTES SERIES.</p> + +<div class="blockquot2"> + +<p>Each volume complete in itself. Crown 8vo, cloth. +3s. 6d. net.</p> + +<div class="blockquot2"> + +<p>Vol. <span class="allsmcap">I</span>. <span class="smcap">Keynotes.</span> By <span class="smcap">George Egerton</span>. With +Title-page by <span class="smcap">Aubrey Beardsley</span>.</p> +</div> +<p class="right">[<i>Fourth edition now ready.</i></p> + +<div class="blockquot2"> +<p>Vol. <span class="allsmcap">II</span>. <span class="smcap">Poor Folk.</span> Translated from the Russian of +F. Dostoievsky by <span class="smcap">Lena Milman</span>. With +a Preface by <span class="smcap">George Moore</span>.</p> +</div> +<p class="right">[<i>In rapid preparation.</i></p> + + +<div class="blockquot2"> +<p>Vol. <span class="allsmcap">III</span>. <span class="smcap">The Dancing Faun.</span> By <span class="smcap">Florence Emery</span>.</p> + +<p>Vol. <span class="allsmcap">IV</span>. <span class="smcap">A Child of the Age.</span> By <span class="smcap">Francis Adams</span>.</p> +</div> +<p class="right">[<i>Shortly.</i></p> + + +<div class="blockquot2"> +<p>Vol. <span class="allsmcap">V</span>. <span class="smcap">The Great God Pan and The Inmost +Light.</span> By <span class="smcap">Arthur Machen</span>.</p> +</div> +<p class="right">[<i>Shortly.</i></p> +</div> + +<p>LEATHER (R. K.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Verses.</span> 250 copies. Fcap. 8vo. 3s. net.</p> + +<div class="blockquot2"> + +<p><i>Transferred by the Author to the present Publishers.</i></p> +</div> +</div> + +<p>LEATHER (R. K.), & RICHARD LE GALLIENNE.</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Student and the Body-Snatcher and Other +Trifles.</span></p> +<p class="right">[<i>Small paper edition out of print.</i></p> + +<div class="blockquot2"> + +<p>There remain a very few of the 50 large paper copies. 7s. 6d. net.</p> +</div> +</div> + +<p>LE GALLIENNE (RICHARD).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Prose Fancies.</span> With a Portrait of the Author by +<span class="smcap">Wilson Steer</span>. Crown 8vo. Purple cloth, uniform +with ‘The Religion of a Literary Man.’ 5s. net.</p> + +<div class="blockquot2"> + +<p>Also a limited large paper edition. 12s. 6d. net.</p> +</div> +</div> + +<p>LE GALLIENNE (RICHARD).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Book Bills of Narcissus.</span> An Account rendered +by <span class="smcap">Richard Le Gallienne</span>. Second Edition. +Crown 8vo, buckram. 3s. 6d. net.</p> +</div> + +<p>LE GALLIENNE (RICHARD).</p> + +<div class="blockquot2"> + +<p><span class="smcap">English Poems.</span> Third Edition, crown 8vo. Purple +cloth, uniform with ‘The Religion of a Literary Man.’ +5s. net.</p> +</div> + +<p>LE GALLIENNE (RICHARD).</p> + +<div class="blockquot2"> + +<p><span class="smcap">George Meredith</span>: Some Characteristics. With a Bibliography +(much enlarged) by <span class="smcap">John Lane</span>, portrait, etc. +Third Edition. Crown 8vo. 5s. 6d. net.</p> +</div> + +<p>LE GALLIENNE (RICHARD).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Religion of a Literary Man.</span> 3rd thousand. +Crown 8vo. Purple cloth. 3s. 6d. net.</p> + +<div class="blockquot2"> + +<p>Also a special rubricated edition on hand-made paper. 8vo. +10s. 6d. net.</p> +</div> +</div> + +<p>LETTERS TO LIVING ARTISTS.</p> + +<div class="blockquot2"> + +<p>500 copies. Fcap. 8vo. 3s. 6d. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>MARSTON (PHILIP BOURKE).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A Last Harvest: Lyrics and Sonnets from the +Book of Love.</span> Edited by <span class="smcap">Louise Chandler +Moulton</span>. 500 copies. Fcap. 8vo. 5s. net.</p> + +<div class="blockquot2"> + +<p>Also 50 copies on large paper, hand-made. 10s. 6d. net.</p> +</div> +<p class="right">[<i>Very few remain.</i></p> + +</div> + +<p>MARTIN (W. WILSEY).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Quatrains, Life’s Mystery and other Poems.</span> 16mo. +2s. 6d. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>MARZIALS (THEO.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Gallery of Pigeons and Other Poems.</span> Fcap. +8vo. 4s. 6d. net.</p> + +<p class="right">[<i>Very few remain.</i></p> + +<div class="blockquot2"> + +<p><i>Transferred by the Author to the present Publishers.</i></p> +</div> +</div> + +<p>MEYNELL (MRS.), (ALICE C. THOMPSON).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Poems.</span> Second Edition. Fcap. 8vo. 3s. 6d. net. A +few of the 50 large paper copies (First Edition) remain. +12s. 6d. net.</p> +</div> + +<p>MEYNELL (MRS.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Rhythm of Life, and other Essays.</span> Second +Edition. Fcap. 8vo. 3s. 6d. net. A few of the 50 +large paper copies (First Edition) remain. 12s. 6d. net.</p> +</div> + +<p>MONKHOUSE (ALLAN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Books and Plays</span>: A Volume of Essays. 400 copies. +Crown 8vo. 5s. net.</p> +</div> + +<p>MURRAY (ALMA).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Portrait as Beatrice Cenci.</span> With critical notice +containing four letters from <span class="smcap">Robert Browning</span>. +8vo, wrapper. 2s. net.</p> +</div> + +<p>NETTLESHIP (J. T.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Robert Browning</span>: Essays and Thoughts. A Third +Edition is in preparation. Crown 8vo. 5s. 6d. net. +Half a dozen of the Whatman large paper copies +(First Edition) remain. £1, 1s. net.</p> +</div> + +<p>NOBLE (JAS. ASHCROFT).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Sonnet in England and Other Essays.</span> Title-page +and Cover Design by <span class="smcap">Austin Young</span>. 600 +copies. Crown 8vo. 5s. net.</p> + +<div class="blockquot2"> + +<p>Also 50 copies large paper. 12s. 6d. net.</p> +</div> +</div> + +<p>NOEL (HON. RODEN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Poor People’s Christmas.</span> 250 copies. 16mo. 1s. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>OXFORD CHARACTERS.</p> + +<div class="blockquot2"> + +<p>A series of lithographed portraits by <span class="smcap">Will Rothenstein</span>, +with text by <span class="smcap">F. York Powell</span> and others. To be +issued monthly in term. Each number will contain +two portraits. Parts I. to V. ready. 200 sets only, +folio, wrapper, 5s. net per part; 25 special large +paper sets containing proof impressions of the portraits +signed by the artist, 10s. 6d. net per part.</p> +</div> + +<p>PINKERTON (PERCY).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Galeazzo</span>: A Venetian Episode and other Poems. +Etched Frontispiece. 16mo. 5s. net.</p> +<p class="right">[<i>Very few remain.</i></p> + +<div class="blockquot2"> + +<p><i>Transferred by the Author to the present Publishers.</i></p> +</div> +</div> + +<p>RADFORD (DOLLIE).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Songs.</span> A New Volume of Verse.</p> +<p class="right">[<i>In preparation.</i></p> +</div> + +<p>RADFORD (ERNEST).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Chambers Twain.</span> Frontispiece by <span class="smcap">Walter Crane</span>. +250 copies. Imp. 16mo. 5s. net.</p> + +<div class="blockquot2"> + +<p>Also 50 copies large paper. 10s. 6d. net.</p> +</div> +<p class="right">[<i>Very few remain.</i></p> + +</div> + +<p>RHYS (ERNEST).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A London Rose and Other Rhymes.</span> With Title-page +designed by <span class="smcap">Selwyn Image</span>. 500 copies. Crown +8vo. 5s. net.</p> +</div> + +<p>RICKETTS (C. S.) <span class="allsmcap">AND</span> C. H. SHANNON.</p> + +<div class="blockquot2"> + +<p><span class="smcap">Hero and Leander.</span> By <span class="smcap">Christopher Marlowe</span> +and <span class="smcap">George Chapman</span>. With Borders, Initials, and +Illustrations designed and engraved on the wood by +<span class="smcap">C. S. Ricketts</span> and <span class="smcap">C. H. Shannon</span>. Bound in +English vellum and gold. 200 copies only. 35s. net.</p> +</div> + +<p>RHYMERS’ CLUB, THE BOOK OF THE.</p> + +<div class="blockquot2"> + +<p>A second volume will appear in the Spring of 1894.</p> +</div> + +<p>SCHAFF (DR. P.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Literature and Poetry</span>: Papers on Dante, etc. +Portrait and Plates, 100 copies only. 8vo. 10s. net.</p> +</div> + +<p>STODDARD (R. H.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Lion’s Cub; with other Verse.</span> Portrait. +100 copies only, bound in an illuminated Persian +design. Fcap. 8vo. 5s. net.</p> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>STREET (G. S.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Autobiography of a Boy.</span> Passages selected by +his friend G. S. S. With Title-page designed by +<span class="smcap">C. W. Furse</span>. 500 copies. Fcap. 8vo. 3s. 6d. net.</p> +</div> + +<p>SYMONDS (JOHN ADDINGTON).</p> + +<div class="blockquot2"> + +<p><span class="smcap">In the Key of Blue, and other Prose Essays.</span> +Cover designed by <span class="smcap">C. S. Ricketts</span>. Second Edition. +Thick Crown 8vo. 8s. 6d. net.</p> +</div> + +<p>THOMPSON (FRANCIS).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Poems.</span> With Frontispiece, Title-page and Cover Design +by <span class="smcap">Laurence Housman</span>. Fourth Edition. Pott 4to. +5s. net.</p> +</div> + +<p>TODHUNTER (JOHN).</p> + +<div class="blockquot2"> + +<p><span class="smcap">A Sicilian Idyll.</span> Frontispiece by <span class="smcap">Walter Crane</span>. +250 copies. Imp. 16mo. 5s. net.</p> + +<div class="blockquot2"> + +<p>Also 50 copies large paper, fcap. 4to. 10s. 6d. net.</p> +</div> +<p class="right">[<i>Very few remain.</i></p> +</div> + +<p>TOMSON (GRAHAM R.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">After Sunset.</span> A Volume of Poems. With Title-page and +Cover Design by <span class="smcap">R. Anning Bell</span>. Fcap. 8vo. 5s. +net.</p> + +<div class="blockquot2"> + +<p>Also a limited large paper edition. 12s. 6d. net.</p> +</div> + +<p class="right">[<i>In preparation.</i></p> +</div> + + +<p>TREE (H. BEERBOHM).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Imaginative Faculty</span>: A Lecture delivered at the +Royal Institution. With portrait of Mr. <span class="smcap">Tree</span> from +an unpublished drawing by the Marchioness of Granby. +Fcap. 8vo, boards. 2s. 6d. net.</p> +</div> + +<p>TYNAN HINKSON (KATHARINE).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Cuckoo Songs.</span> With Title-page and Cover Design by +<span class="smcap">Laurence Housman</span>. 500 copies. Fcap. 8vo. 5s. +net.</p> +</div> + +<p>VAN DYKE (HENRY).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Poetry of Tennyson.</span> Third Edition, enlarged. +Crown 8vo. 5s. 6d. net.</p> + +<div class="blockquot2"> + +<p><i>The late Laureate himself gave valuable aid in correcting +various details.</i></p> +</div> +</div> + +<p>WATSON (WILLIAM).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Eloping Angels</span>: A Caprice. Second Edition. +Square 16mo. buckram. 3s. 6d. net.</p> +</div> + +<p>WATSON (WILLIAM).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Excursions in Criticism</span>: being some Prose Recreations +of a Rhymer. Second Edition. Cr. 8vo. 5s. net.</p> +</div> + +<p>WATSON (WILLIAM).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Prince’s Quest, and other Poems.</span> With a +Bibliographical Note added. Second Edition. Fcap. +8vo. 4s. 6d. net.</p> +</div> + +<p>WEDMORE (FREDERICK).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Pastorals of France—Renunciations.</span> A volume of +Stories. Title-page by <span class="smcap">John Fulleylove</span>, R.I. +Third Edition. Crown 8vo. 5s. net.</p> + +<div class="blockquot2"> + +<p><i>A few of the large paper copies of Renunciations (First Edition) +remain. 10s. 6d. net.</i></p> +</div> +</div> + +<p>WICKSTEED (P. H.).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Dante.</span> Six Sermons. Third Edition. Crown 8vo. 2s. net.</p> +</div> + +<p>WILDE (OSCAR).</p> + +<div class="blockquot2"> + +<p><span class="smcap">The Sphinx.</span> A poem decorated throughout in line and +colour, and bound in a design by <span class="smcap">Charles Ricketts</span>. +250 copies. £2, 2s. net. 25 copies large paper. +£5, 5s. net.</p> +</div> + +<p>WILDE (OSCAR).</p> + +<div class="blockquot2"> + +<p>The incomparable and ingenious history of Mr. W. H., +being the true secret of Shakespear’s sonnets now for +the first time here fully set forth, with initial letters +and cover design by <span class="smcap">Charles Ricketts</span>. 500 copies. +10s. 6d. net.</p> + +<div class="blockquot2"> + +<p>Also 50 copies large paper. 21s. net.</p> +</div> +<p class="right">[<i>In preparation.</i></p> +</div> + +<p>WILDE (OSCAR).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Dramatic Works</span>, now printed for the first time with a +specially designed Title-page and binding to each +volume, by <span class="smcap">Charles Shannon</span>. 500 copies. Small +4to. 7s. 6d. net per vol.</p> + +<div class="blockquot2"> + +<p>Also 50 copies large paper. 15s. net per vol.</p> +</div> + +<p>Vol. <span class="allsmcap">I</span>. <span class="smcap">Lady Windermere’s Fan</span>: A Comedy in +Four Acts.</p> +<p class="right">[<i>Ready.</i></p> + +<p>Vol. <span class="allsmcap">II</span>. <span class="smcap">A Woman of No Importance</span>: A Comedy +in Four Acts.</p> +<p class="right">[<i>Shortly.</i></p> + +<p>Vol. <span class="allsmcap">III</span>. <span class="smcap">The Duchess of Padua</span>: A Blank Verse +Tragedy in Five Acts.</p> +<p class="right">[<i>In preparation.</i></p> +</div> + +<p>WILDE (OSCAR).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Salomé</span>: A Tragedy in one Act, done into English. +With 11 Illustrations, Title-page, and Cover Design +by <span class="smcap">Aubrey Beardsley</span>. 500 copies. Small 4to. +15s. net.</p> + +<div class="blockquot2"> + +<p>Also 100 copies, large paper. 30s. net.</p> +</div> +</div> + +<p>WYNNE (FRANCES).</p> + +<div class="blockquot2"> + +<p><span class="smcap">Whisper.</span> A Volume of Verse. With a Memoir by +Katharine Tynan and a Portrait added. Fcap. 8vo. +2s. 6d. net.</p> + +<div class="blockquot2"> + +<p><i>Transferred by the Author to the present Publishers.</i></p> +</div></div></div></div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<div class="blockquot"> +<p class="ph3">The Hobby Horse</p> + + +<p>A new series of this illustrated magazine will be published +quarterly by subscription, under the Editorship of Herbert +P. Horne. Subscription £1 per annum, post free, for the +four numbers. Quarto, printed on hand-made paper, and +issued in a limited edition to subscribers only. The +Magazine will contain articles upon Literature, Music, +Painting, Sculpture, Architecture, and the Decorative Arts; +Poems; Essays; Fiction; original Designs; with reproductions +of pictures and drawings by the old masters and +contemporary artists. There will be a new title-page +and ornaments designed by the Editor. +Among the contributors to the +Hobby Horse are:</p> +</div> + +<table> +<tr><td>The late <span class="smcap">Matthew Arnold</span>.</td><td><span class="smcap">F. York Powell.</span></td></tr> +<tr><td><span class="smcap">Laurence Binyon.</span></td><td><span class="smcap">Christina G. Rossetti.</span></td></tr> +<tr><td><span class="smcap">Wilfrid Blunt.</span></td><td><span class="smcap">W. M. Rossetti.</span></td></tr> +<tr><td><span class="smcap">Ford Madox Brown.</span></td><td><span class="smcap">John Ruskin</span>, D.C.L., LL.D.</td></tr> +<tr><td>The late <span class="smcap">Arthur Burgess</span>.</td><td><span class="smcap">Frederick Sandys.</span></td></tr> +<tr><td><span class="smcap">E. Burne-Jones</span>, A.R.A.</td><td>The late <span class="smcap">W. Bell Scott</span>.</td></tr> +<tr><td><span class="smcap">Austin Dobson.</span></td><td><span class="smcap">Frederick J. Shields.</span></td></tr> +<tr><td><span class="smcap">Richard Garnett</span>, LL.D.</td><td><span class="smcap">J. H. Shorthouse.</span></td></tr> +<tr><td><span class="smcap">A. J. Hipkins</span>, F.S.A.</td><td>The late <span class="smcap">James Smetham</span>.</td></tr> +<tr><td><span class="smcap">Selwyn Image.</span></td><td><span class="smcap">Simeon Solomon.</span></td></tr> +<tr><td><span class="smcap">Lionel Johnson.</span></td><td><span class="smcap">A. Somervell.</span></td></tr> +<tr><td><span class="smcap">Richard Le Gallienne.</span></td><td>The late <span class="smcap">J. Addington Symonds</span>.</td></tr> +<tr><td><span class="smcap">Sir F. Leighton</span>, Bart., P.R.A.</td><td><span class="smcap">Katharine Tynan.</span></td></tr> +<tr><td><span class="smcap">T. Hope McLachlan.</span></td><td><span class="smcap">G. F. Watts</span>, R.A.</td></tr> +<tr><td><span class="smcap">May Morris.</span></td><td><span class="smcap">Frederick Wedmore.</span></td></tr> +<tr><td><span class="smcap">C. Hubert H. Parry</span>, Mus. Doc.     </td><td><span class="smcap">Oscar Wilde.</span></td></tr> +<tr><td colspan="2"><span class="smcap">A. W. Pollard.</span></td></tr> +</table> + +<p class="center"><i>Prospectuses on Application.</i></p> + +<hr class="tb"> + +<p class="ph1">THE BODLEY HEAD, VIGO STREET, LONDON, W.</p> +</div> + +<hr class="tb"> + +<p>‘Nearly every book put out by Messrs. Elkin Mathews & +John Lane, at the Sign of the Bodley Head, is a satisfaction to +the special senses of the modern bookman for bindings, shapes, +types, and papers. They have surpassed themselves, and +registered a real achievement in English bookmaking by the +volume of “Poems, Dramatic and Lyrical,” of Lord De Tabley.’<i>Newcastle +Daily Chronicle.</i></p> + +<p>‘A ray of hopefulness is stealing again into English poetry +after the twilight greys of Clough and Arnold and Tennyson. +Even unbelief wears braver colours. Despite the jeremiads, +which are the dirges of the elder gods, England is still a nest +of singing-birds (<i>teste</i> the Catalogue of Elkin Mathews and John +Lane).’—Mr. <span class="smcap">Zangwill</span> in <i>Pall Mall Magazine</i>.</p> + +<p>‘All Messrs. Mathews & Lane’s Books are so beautifully +printed and so tastefully issued, that it rejoices the heart of a +book-lover to handle them; but they have shown their sound +judgment not less markedly in the literary quality of their +publications. The choiceness of form is not inappropriate to +the matter, which is always of something more than ephemeral +worth. This was a distinction on which the better publishers +at one time prided themselves; they never lent their names to +trash; but some names associated with worthy traditions have +proved more than once a delusion and a snare. The record of +Messrs. Elkin Mathews & John Lane is perfect in this respect, +and their imprint is a guarantee of the worth of what they +publish.’—<i>Birmingham Daily Post</i>, Nov. 6, 1893.</p> + +<p>‘One can nearly always be certain when one sees on the title-page +of any given book the name of Messrs Elkin Mathews & +John Lane as being the publishers thereof that there will be +something worth reading to be found between the boards.’—<i>World.</i></p> +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> + +<div class="figcenter"><img src="images/i_last_page.jpg" alt="printer's logo"></div> + +<p class="center">Edinburgh: T. and <span class="smcap">A. Constable</span><br> +Printers to Her Majesty</p> +</div> +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<div class="transnote"> +<p class="ph1">TRANSCRIBER’S NOTES:</p> + +<p>Perceived typographical errors have been corrected.</p> + +<p>Inconsistencies in hyphenation have been standardized.</p> + +<p>Archaic or variant spelling has been retained.</p> +</div></div> +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 75492 ***</div> +</body> +</html> + diff --git a/75492-h/images/cover.jpg b/75492-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..2629ca2 --- /dev/null +++ b/75492-h/images/cover.jpg diff --git a/75492-h/images/coversmall.jpg b/75492-h/images/coversmall.jpg Binary files differnew file mode 100644 index 0000000..345d47b --- /dev/null +++ b/75492-h/images/coversmall.jpg diff --git a/75492-h/images/i001.jpg b/75492-h/images/i001.jpg Binary files differnew file mode 100644 index 0000000..1faa731 --- /dev/null +++ b/75492-h/images/i001.jpg diff --git a/75492-h/images/i_last_page.jpg b/75492-h/images/i_last_page.jpg Binary files differnew file mode 100644 index 0000000..fef4b4a --- /dev/null +++ b/75492-h/images/i_last_page.jpg diff --git a/75492-h/images/ib001.jpg b/75492-h/images/ib001.jpg Binary files differnew file mode 100644 index 0000000..8c2fd3e --- /dev/null +++ b/75492-h/images/ib001.jpg diff --git a/75492-h/images/title_page.jpg b/75492-h/images/title_page.jpg Binary files differnew file mode 100644 index 0000000..d94472d --- /dev/null +++ b/75492-h/images/title_page.jpg |
