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+*** START OF THE PROJECT GUTENBERG EBOOK 75333 ***
+
+
+
+
+
+ ON DREAMS
+
+
+ BY
+ PROF. DR. SIGM. FREUD
+
+ ONLY AUTHORISED ENGLISH TRANSLATION
+ BY
+ M. D. EDER
+ FROM THE SECOND GERMAN EDITION
+
+ WITH AN INTRODUCTION BY
+
+ W. LESLIE MACKENZIE, M.A., M.D., LL.D.
+
+ MEDICAL MEMBER OF THE LOCAL GOVERNMENT BOARD FOR SCOTLAND; LATE FERGUSON
+ SCHOLAR IN PHILOSOPHY; LATE EXAMINER IN MENTAL PHILOSOPHY, UNIVERSITY OF
+ ABERDEEN
+
+[Illustration: AGE QUOD AGIS]
+
+ NEW YORK
+ REBMAN COMPANY
+ HERALD SQUARE BUILDING
+ 141–145 WEST 36TH STREET
+
+
+
+
+ _All rights reserved_
+
+
+
+
+ CONTENTS
+
+
+ PAGE
+ I. THE SCIENTIFIC AND POPULAR VIEWS OF DREAMS CONTRASTED 1
+ II. DREAMS HAVE A MEANING—ANALYSIS OF A DREAM—MANIFEST AND
+ LATENT CONTENT OF DREAMS 6
+ III. THE DREAM AS REALISATION OF UNFULFILLED DESIRES—INFANTILE
+ TYPE OF DREAMS 21
+ IV. THE DREAM-MECHANISM—CONDENSATION—DRAMATISATION 33
+ V. THE DREAM-MECHANISM CONTINUED—DISPLACEMENT—TRANSVALUATION OF
+ ALL PSYCHICAL VALUES 45
+ VI. THE DREAM-MECHANISM CONTINUED—THE EGO IN THE DREAM 54
+ VII. THE DREAM-MECHANISM CONTINUED—REGARD FOR INTELLIGIBILITY 68
+ VIII. RELATION OF DREAMS TO OTHER UNCONSCIOUS MENTAL
+ PROCESSES—REPRESSION 78
+ IX. THREE CLASSES OF DREAMS 84
+ X. WHY THE DREAM DISGUISES THE DESIRES—THE CENSORSHIP 88
+ XI. THE DREAM THE GUARDIAN OF SLEEP 92
+ XII. DREAM SYMBOLISM—MYTHS AND FOLKLORE 100
+ XIII. ELEMENTS COMMON TO NORMAL AND ABNORMAL PSYCHOLOGY 107
+
+
+
+
+ INTRODUCTION
+
+
+“The interpretation of dreams,” says Professor Freud in one place, “is
+the royal road to a knowledge of the part the unconscious plays in the
+mental life.”
+
+Even standing alone this statement is sufficiently striking; it is at
+once a theory and a challenge. But it does not stand alone. It comes at
+the end of many years of research among every class of mental diseases.
+It comes, therefore, with the authentication of experience. It is not to
+be lightly set aside; it claims our study; and the study of it will not
+go unrewarded. The short essay here translated by Dr. Eder is but an
+introduction to the vast field opened up by Professor Sigm. Freud and
+his colleagues. Already the journals of clinical psychology, normal or
+morbid, are full of the discussions of Professor Freud’s methods and
+results. There is a “Freud School.” That alone is a proof that the
+method is novel if not new. There are, of course, violent opponents and
+critical students. The opponents may provoke, but it is to the critical
+students that Professor Freud will prefer to speak. “The condemnation,”
+said Hegel, “that a great man lays upon the world is to force it to
+explain him.” Of a new method, either of research or of treatment—and
+the Freud method is both—the same may be said. It is certain that,
+whatever our prejudice against details may be, the theory of
+“psycho-analysis” and the treatment based upon it deserves, if only as a
+mental exercise, our critical consideration. But Professor Freud is not
+alone in the world of morbid psychology. Let me digress for a moment.
+
+Over twenty years ago it was my special business to study and criticise
+several textbooks on insanity. To the study of these textbooks I came
+after many years of discipline in normal psychology and the related
+sciences. When I came to insanity proper, I found that practically not a
+single textbook made any systematic effort to show how the morbid
+symptoms we classified as “mental diseases” had their roots in the
+mental processes of the normal mind. In his small book, “Sanity and
+Insanity,” Dr. Charles Mercier did make an effort to lay out, as it
+were, the institutes of insanity, the normal groundwork out of which the
+insanities grew, the groups of ideas that to-day serve to direct our
+conduct and to-morrow lose their adjustment to any but a specially
+adapted environment. In his later works, particularly in “Psychology,
+Normal and Morbid,” Dr. Mercier has followed up the central ideas of the
+early study. All the more recent textbooks in English contain efforts in
+the same direction; but with a few striking exceptions they are studies
+rather of physical symptoms associated with mental processes than of
+morbid psychology proper. It was not until there came from across the
+Channel Dr. Pierre Janet’s carefully elaborated studies on Hysteria that
+I realised what a wealth of psychological material had remained hidden
+in our asylums, in our nervous homes, even in our ordinary hospitals,
+and in the multitudes of strange cases that occur in private practice.
+Janet, a pupil of the Charcot School—Charcot, who made _la Salpetrière_
+famous—pushed the minute analysis of morbid mental states into regions
+practically hitherto untouched. He was not alone. His colleague,
+Professor Raymond, and others in France and Germany, all work with the
+same main ideas. Janet’s books read like romances. His studies on
+Psychological Automatism, the Mental State of Hystericals, Neuroses and
+Fixed Ideas, and many others on the part played by the unconscious, were
+such rich mines of fact and suggestion that Professor William James, in
+his “Principles of Psychology,” said of them: “All these facts taken
+together, form unquestionably the beginning of an inquiry which is
+destined to throw a new light into the very abysses of our nature.”
+Curiously, not in this country—the country of great psychologists,
+Locke, Berkeley, Hume, Hartley, Thomas Reid, Dugald Stewart, Adam Smith,
+James Mill, John Stuart Mill, Bain, Spencer, among the dead, and whole
+schools of distinguished psychologists among the living—not in this
+country, but in America, was the value of the new material seriously
+considered. Here and there, within recent years, in this country,
+Janet’s elaborate studies have not been fruitless; but I could not
+readily name any clinician in this country that has produced similar
+studies. It is to the continents of Europe and America, which in this
+field are in intimate touch, that we must go if we are to see the rich
+outgrowths of morbid psychology. I do not say that the work done by our
+English students of insanity is not, of its kind, as great and as
+important as any done in the world, but it is none the less true that,
+until a few years ago, the methods of Janet, Raymond, Bernheim, Beaunis,
+not to speak of Moll, Forel, and Oppenheim, were practically unstudied
+here. In America it has been entirely different. Even the names of the
+men are now familiar in our English magazines—Muensterberg, Morton
+Prince, Boris Sidis, Ernest Jones, J. Mark Baldwin, not to mention
+William James and Stanley Hall. It looks as if every new idea unearthed
+in the Old World is put to the test by someone in the new. Britain
+remains curiously cold.
+
+It would be interesting to ask the reason. Is it our metaphysical
+training? Is it the failure of the philosophical schools to realize the
+value of all this new raw material of study? Is it, perhaps, the fear
+that “the unity of consciousness” may be endangered by the study of
+Double Personality, Multiple Personality, Dissociation of Consciousness,
+Dormant Complexes, Hysterias, Phobias, Obsessions, Psychoneuroses, Fixed
+Ideas, Hysterical Amnesias, Hypermnesias, and the masses of other
+notions correlated, roughly, under the term “unconscious”? The
+suggestion of fear is not mere conjecture. Many years ago a
+distinguished student of philosophy, a pupil and friend of Sir William
+Hamilton, indicated to me, when I spoke to him of some recent work on
+Double Personality, that he had difficulty in placing the new work,
+feeling that, in admitting the possibility of multiple personality, he
+was sacrificing the primary concept of philosophy, the unity of
+consciousness. It did not perhaps occur to him that, when two so-called
+“persons” speak together, there are, in popular language, “two
+personalities”—each, no doubt, in a separate body, but each having his
+own “unity of consciousness.”
+
+If this be a fact, is there any greater difficulty in explaining the
+other fact that two persons may be, as James put it, under the same hat?
+The metaphysical difficulty, if there be a difficulty, is neither more
+nor less in the one case than in the other. But it is needless to ask
+why a whole field of study has been, relatively, neglected in this
+country. For now we have begun to make up leeway.
+
+This translation by Dr. Eder is an introduction to the latest phase of
+the study of the unconscious. It brings us back to the point I began
+with, the relation of the normal to the morbid. Dreams are a part of
+everyone’s normal experience, yet they are shown here to be of the same
+tissue, of the same mental nature, as other phenomena that are
+undoubtedly morbid. Dreams therefore offer in the normal a budding-point
+for the study of morbid growths. And the study of dreams by Freud came
+long after his studies of such neuroses as the phobias, hysterias, and
+the rest. To dreams he applied the same method of investigation and
+treatment as to the others, and he found that dreams offered an
+unlimited field for the same kind of study.
+
+Perhaps, before going further, I should attempt to disarm criticism
+about the term “unconscious.” We speak of subconsciousness,
+co-consciousness, unconscious mind, unconscious cerebration; or what
+other terms should we use? Here it is better to avoid discussion, for we
+are concerned less with theory than with practice. And in Freud’s work,
+whether we accept his theory or not, the practice is of primary
+importance. He takes the view that no conscious experience is entirely
+lost; what seems to have vanished from the current consciousness has
+really passed into a subconsciousness, where it lives on in an organised
+form as real as if it were still part of the conscious personality. This
+view, with various modifications, is adopted by many students of morbid
+psychology. But there is another view. Muensterberg, for instance,
+maintains that it is unnecessary to speak of “subconsciousness,” for
+every fact can be explained in terms of physiology. He would accept the
+term “co-conscious” or “co-consciousness”; but in one chapter he ends
+the discussion by saying: “But whether we prefer the physiological
+account or insist on the co-conscious phenomena, in either case is there
+any chance for the subconscious to slip in? That a content of
+consciousness is to a high degree dissociated, or that the idea of the
+personality is split off, is certainly a symptom of pathological
+disturbance, but it has nothing to do with the constituting of two
+different kinds of consciousness, or with breaking the continuous
+sameness of consciousness itself. The most exceptional and most uncanny
+occurrences of the hospital teach after all the same which our daily
+experience ought to teach us: there is no subconsciousness”
+(“Psychotherapy,” p. 157).
+
+There are many refinements of distinction that we could make here, and
+if any reader is anxious to consider them, he will find some of them in
+a small volume on “Subconscious Phenomena,” by Muensterberg, Ribot, and
+others (Rebman, London).
+
+Here it is not of primary importance to come to any conclusion on the
+best term to use or the complement theory of the facts. The discussion
+is far from an end; but the harvest of facts need not wait for the end
+of the discussion.
+
+Meanwhile, let it be said that Professor Freud has been steeped in this
+whole subject from his student days. It is, however, less important to
+discuss his theory than to understand his method. The method is called
+“psycho-analysis.” The name is not inviting, and it might apply to any
+form of mental analysis; but it is at least consistently Greek in
+etymology, and has taken on a technical meaning in the medical schools.
+What is the method?
+
+Let it be granted that a person has undergone a strongly emotional
+experience—for example, a sudden shock or fright. If the person is
+highly nervous, the shock may result in some degree of dissociation.
+This may take the form of a loss of memory for certain parts of the
+experience. Let it be so. The ultimate result may be an unreasonable
+fear of some entirely harmless object or situation. The person is afraid
+of a crowd, or afraid of a closed door, or has an intense fear of some
+animal or person. For this fear he can give no reason; he cannot tell
+when it began nor why it persists. He may more or less overcome it; but
+he may not. All through his future life he will go about with a
+helplessly unreasonable fear of a closed door (claustrophobia) or of a
+crowd (agoraphobia). Minor varieties of such an affection are to be
+found in every person’s experience. On investigation, however, the root
+of the fear can be discovered: it is the product of the original
+emotional shock. The intellectual details of the emotional experience
+have completely vanished from the memory, but the emotion remains, and
+it is attached to some accidental object or circumstance present in the
+original experience. Thousands of illustrations could be given. They
+are, unfortunately, only too numerous. In this essay on the
+Interpretation of Dreams the reader will find many simple cases.
+
+If, now, the person so affected is placed in a quiet room, if he is
+requested to concentrate his mind on the disturbing object or idea
+associated with his fear, if he is encouraged to observe passively the
+chance ideas which float up to him when he thus concentrates himself, if
+he utters, under the direction of his medical attendant, every such idea
+as it comes into his mind, there is a strange result. These ideas,
+coming apparently by chance from nowhere in particular, are, when
+carefully studied, found to be linked up with some past experience,
+dating, perhaps, from months or years away. If each idea as it emerges
+is followed up, if the other ideas dragged into consciousness by it are
+carefully recorded, it is found that sooner or later entirely forgotten
+experiences come into clear consciousness. There are many ways of
+helping this process. One of the ways is this: Let a series of words be
+arranged; let the doctor speak one of them to the patient; let the
+patient, in the shortest time possible to him, say right out whatever
+idea is suggested to him by the word; let the time taken to make the
+response be recorded in seconds and fractions of a second—a thing easy
+enough to do with a stop-watch. Then, when the responses to a long
+series of words are all recorded, and the time each response has taken,
+it is found that some responses have taken much longer than others. This
+prolongation of the response-time is always found whenever the test word
+has stirred up a memory associated with emotion. By following up further
+the ideas stirred by this word, more ideas of a related kind are
+discovered, often to the patient’s surprise. Things long forgotten come
+back to memory; circumstances that apparently had no relation to the
+present consciousness are found to be linked in sequence with
+it—emotions, unreasoning fears, anxieties, that apparently had no
+relation to any particular experience, are found at last to be part and
+parcel of things that happened long ago. Once the doctor has his cue, he
+can range in many directions, and probe the mind again and again, until
+he reveals multitudes of suppressed memories, forgotten ideas, forgotten
+elements of experience. He can even get back into early childhood,
+which, to the patient himself, leaves many and many a blank area in the
+memory. But always the doctor lights, sooner or later, on some complex
+experience in which the particular fear or anxiety arose.
+
+But now, if the case is a suitable one, a still stranger thing happens.
+When the forgotten experience has thus artfully been brought into the
+full light of consciousness, the patient finds himself satisfied with
+the explanation, and loses his particular fear. He can now go back over
+the whole history of its genesis; he can link up the old experience to
+the new, and so he attains once more satisfaction and peace of mind. Up
+till now he could not be reasoned out of his anxiety; he had always an
+answer for any explanation; he had always a fresh foolish reason for his
+fear. Now all this vanishes. He finds his mind once more running
+smoothly, and his “phobia” gone. The unreasoning dread has been tracked
+back to its lair, and its lair has been destroyed in the process.
+
+There are many other methods of achieving the same result; let this
+generalised sketch suffice.
+
+What now is the theory? The theory is that the mental experience or
+“complex” had, for some reason and by some mechanism, been submerged, or
+suppressed, or forgotten. Freud maintains that there is a fundamental
+tendency in the mind to suppress every experience that is associated
+with painful emotion. This doctrine is allied to Bain’s “Law of
+Conservation”—that painful experiences depress the vitality and tend to
+disappear, while pleasant experiences exalt the vitality and tend to
+remain in memory. At any rate, by some process the painful experience
+disappears from conscious memory, but it does not cease to exist. It may
+lie dormant, or it may work subconsciously, and throw up the emotional
+bubbles that continue, without a known reason, to excite the ordinary
+consciousness. But the complex, though deep and partly dormant, never
+gets beyond reach. By the method of concentration, by the use of “free
+associations,” by the following up of all the clues offered by the ideas
+“fished up,” the submerged complex can, element by element, be brought
+back. When once it is brought back the patient is restored, the dormant
+complexes once more resume their place in the total current of his
+experience, and the mind flows at peace.
+
+This is, roughly, the method of psycho-analysis. It has been applied in
+various types of neurosis—hysterias, obsessions, phobias, etc. It has
+not always succeeded in removing the morbid conditions, but it has
+succeeded so often that it may legitimately be regarded as a method of
+treatment. As a matter of discovery it is arduous, and demands the
+highest skill and invention if it is to succeed. Incidentally it reveals
+masses of unpleasant ideas, of painful ideas, even of disgusting ideas;
+but, in the right hands, it leads to the healing of the mind.
+
+ MACBETH. How does your patient, doctor?
+
+ DOCTOR. Not so sick, my lord,
+
+ As she is troubled with thick-coming fancies,
+
+ That keep her from her rest.
+
+ MACBETH. Cure her of that;
+
+ Canst thou not minister to a mind diseas’d;
+
+ Pluck from the memory a rooted sorrow;
+
+ Raze out the written troubles of the brain;
+
+ And, with some sweet oblivious antidote,
+
+ Cleanse the stuff’d bosom of that perilous stuff,
+
+ Which weighs upon the heart?
+
+ DOCTOR. Therein the patient
+
+ Must minister to himself.
+
+And here, insensibly, we have passed into the World of Dreams. The
+morbid and the normal have come together. Dreams are the awaking of
+dormant complexes; they are transfigured experiences; they come into
+consciousness trailing clouds of emotion, and fill the dreamer’s
+imagination with mysterious images. It is here that the method of
+psycho-analysis most fascinates the student. It looks as if once more
+the “interpretation of dreams” had become a reality. The results of
+psycho-analysis, even when the method is applied with a master hand and
+the details are interpreted with a skill that comes only of a quick
+imagination, are not entirely convincing; but they are certainly such as
+to make more and more observation desirable. In the present short essay
+Professor Freud gives a sketch of psycho-analysis as it is applied to
+the interpretations of dreams. His examples, if they are enough to
+illustrate the theory, are hardly enough to prove it, but they are
+intended as an introduction to his more elaborate studies; and,
+hitherto, observers as they have increased in experience have gained in
+conviction. That the method goes a long way to prove that dreams are not
+a chaotic sport of the brain, but are a manifestation of ordered mental
+experience, is beyond doubt. It would be easy to show where the theory
+does not cover facts, but it is equally easy to show many facts that it
+does cover.
+
+What, then, is the theory? Briefly this, that dreams are very largely
+the expressions of unfulfilled desires. Where, as in children, the
+waking experience and the sleeping experience differ from each other by
+very little, the dream, or sleeping experience, readily takes the form
+of the ungratified desires of the day. But as the mind grows older the
+dream expression of a desire gets more intricate. By-and-by it is too
+intricate to be deciphered from direct memory, and then there is a
+chance for the method of psycho-analysis. What of the dream is
+remembered gives the cue for the analysis. Take a remembered element of
+a dream, track it back and back by free association or other method, and
+you will find that, at one or two removes, the remembered element stirs
+up forgotten elements, and ultimately brings coherence out of
+incoherence.
+
+This appears simple, but let the reader study the dreams analysed in
+this essay, and he will find himself stirred by a thousand suggestions.
+For Professor Freud has constructed empirical laws out of his masses of
+material. The dream as it appears to the dreamer he calls the _manifest
+dream ideas_. But as these are too absurd to form a coherent reality, he
+gives ground for believing that they represent _latent dream ideas_. The
+manifest dream is a mass of symbols representing elements in the latent
+dream ideas. How the latent dream ideas generate the manifest dream is
+discovered by psycho-analysis, the translation from the latent to the
+manifest is the effect of the _dream work_. The dream work is the very
+core of the difficulty. It is round this that Professor Freud’s greatest
+subtleties of method are focussed. He shows that every dream is linked
+to something that occurs on the previous day, some recent experience,
+but the experience emerges in the dream as part of the current panorama
+of the subjective life, and there is no date to the beginning of the
+panorama—it may go back to any point in the individual’s history, even
+into the preconscious days of early infancy. The day’s experience and
+the life’s experience flow in a single stream, and the images that
+appear in dreams are but the symbols of all the latent ideas of that
+experience. How, by displacement of this element or that, compound
+symbols are formed; how, by the foreshortening of experience and the
+linking of the past with the present in a single idea, masses of old
+memories are clotted into a single point; how, in the freedom of the
+dream world, where the tension of the waking life is relaxed, where the
+exacting stimulations of the day are reduced, where the consciousness of
+duty to be done in the highly organised conditions of social conduct is
+lowered, where, in a word, the _censor_ is drowsy or asleep, where the
+dream symbols shape themselves into dramatic scenes of endless
+variety—these it is that Professor Freud’s theory endeavours to set
+forth. Displacement, condensation, dramatisation—these are the short
+names for these long and complicated processes. In the course of his
+expositions, Professor Freud uses these processes almost as if they were
+demons, and he admits frankly their figurative character. But he pleads
+that they represent real processes, and is ready to accept better names
+when he finds them. To trace back the dream images to a definite meaning
+in experience is the aim of the psycho-analysis of dreams. And the
+successes in these must be tested by the facts. Sometimes the results
+are highly persuasive, sometimes they look highly fanciful, always they
+are full of suggestion and keep close to realities.
+
+The dream symbolism, in particular, it is easy to criticise; but, after
+all, dream symbolism is a reality. The point to investigate is, what
+dream images are legitimately considered symbolic and what not. One has
+only to remember that every word spoken or written is a symbol, and a
+symbol in much the same sense as the symbolism of dreams, for every
+written or spoken word is a complicated series of motions that express
+meanings. The dream images are complicated series of images that express
+meanings. The difficulty of symbolism is no greater in the one case than
+in the other. But the variety of dream symbols is so immense that the
+difficulties of tracing their meaning are enormous. It is here that the
+method meets its greatest difficulties; but, equally, it is here that it
+scores its greatest triumphs. Spoken or written language is a
+technically organised system of symbols; dream language is as yet a
+poorly organised system of symbols. The method of psycho-analysis aims
+at organising them. Some test results are described in this essay;
+multitudes of others are to be found in the literature that is flowing
+from the application of the psycho-analytic method. Time alone will show
+how far the organisation of dream symbols into a definite “language of
+dreams” is, in any given society, actual or possible. But the effort of
+organisation has led Professor Freud to another fine fetch of theory,
+for his dream symbolism suggests many curious explanations for the
+mythologies of all ages and all countries. Myth symbols, that seem to
+defy explanation, he traces back to their roots in the “unconscious” of
+primitive man.
+
+That the emotions of sex should play an enormous part in the processes
+of analysis is to be expected; for the sex emotions are among the
+deepest, if not the deepest, of our nature, and colour every experience.
+From their proximate beginning in infancy—and Freud’s theory here is of
+immense significance—to their multiform derivatives in adult life, the
+sex emotions exercise an influence on every phase of development, and,
+in one form or another, are themselves a normal index of the stages of
+development. It is therefore reasonable to expect that they should play
+a great part in the formation of obsessions, of fixed ideas, of
+perversions, of repressed complexes. In every civilisation, as Freud
+indicates, the sex emotions are the most difficult to control, and have
+demanded the greatest amount of restraint.
+
+Restraints lead to repressions, repressions lead to dissociations,
+dissociations lead to irregularities of action. When, therefore, as in
+dreams, the restraints of the social day are withdrawn, naturally the
+repressed ideas tend to emerge once more. How much these ideas account
+for in the hysterias, how much “the shocks of despised love” affect even
+the normal life, needs no emphasis, but Freud pushes his analysis
+farther, and tracks the sex emotions, like many other fundamental
+emotions, into a thousand by-paths of ordinary experience. But it would
+be foolishness to say that sex emotions are everything in the ruins of
+the “Buried Temple.” Far from it. What is true of the sex emotions is
+true of all other emotions in their varying degrees, and often what
+looks like predominant sex emotions may turn out to be accidental rather
+than causative, a concomitant symptom rather than the initiatory centre
+of disturbance. But these points are all controversial. It is the object
+of Freud to put them to the test. If his general theory be true, the
+dream-world will more and more become the revealer of our deepest and
+oldest experience.
+
+It would be easy to fill many pages with illustrative items and relative
+criticisms, but that is not the purpose of an introduction. Here I am
+concerned simply to recommend this essay to the careful study of all
+those interested in the mental history of the individual, and in the
+blotting out from the mind of needless fears and anxieties. And no one
+need hesitate to enter on this study, whatever his metaphysical theories
+may be. Even the “unity of consciousness” will not suffer, for, through
+his unending efforts to link the experiences of the day with the whole
+experience of the individual life, Professor Freud, by the union of
+buried consciousness, restores to the mind a new unity of consciousness.
+
+Dr. Eder, whose studies in this field have been long and varied, does
+well to present to British readers this essay which serves as an
+introduction to the more elaborate studies of FREUD and his school, and
+I am glad to have the privilege of saying so.
+
+ W. LESLIE MACKENZIE.
+
+
+
+
+ I.
+
+
+In what we may term “prescientific days” people were in no uncertainty
+about the interpretation of dreams. When they were recalled after
+awakening they were regarded as either the friendly or hostile
+manifestation of some higher powers, demoniacal and Divine. With the
+rise of scientific thought the whole of this expressive mythology was
+transferred to psychology; to-day there is but a small minority among
+educated persons who doubt that the dream is the dreamer’s own psychical
+act.
+
+But since the downfall of the mythological hypothesis an interpretation
+of the dream has been wanting. The conditions of its origin; its
+relationship to our psychical life when we are awake; its independence
+of disturbances which, during the state of sleep, seem to compel notice;
+its many peculiarities repugnant to our waking thought; the incongruence
+between its images and the feelings they engender; then the dream’s
+evanescence, the way in which, on awakening, our thoughts thrust it
+aside as something bizarre, and our reminiscences mutilating or
+rejecting it—all these and many other problems have for many hundred
+years demanded answers which up till now could never have been
+satisfactory. Before all there is the question as to the meaning of the
+dream, a question which is in itself double-sided. There is, firstly,
+the psychical significance of the dream, its position with regard to the
+psychical processes, as to a possible biological function; secondly, has
+the dream a meaning—can sense be made of each single dream as of other
+mental syntheses?
+
+Three tendencies can be observed in the estimation of dreams. Many
+philosophers have given currency to one of these tendencies, one which
+at the same time preserves something of the dream’s former
+over-valuation. The foundation of dream life is for them a peculiar
+state of psychical activity, which they even celebrate as elevation to
+some higher state. Schubert, for instance, claims: “The dream is the
+liberation of the spirit from the pressure of external nature, a
+detachment of the soul from the fetters of matter.” Not all go so far as
+this, but many maintain that dreams have their origin in real spiritual
+excitations, and are the outward manifestations of spiritual powers
+whose free movements have been hampered during the day (“Dream
+Phantasies,” Scherner, Volkelt). A large number of observers acknowledge
+that dream life is capable of extraordinary achievements—at any rate, in
+certain fields (“Memory”).
+
+In striking contradiction with this the majority of medical writers
+hardly admit that the dream is a psychical phenomenon at all. According
+to them dreams are provoked and initiated exclusively by stimuli
+proceeding from the senses or the body, which either reach the sleeper
+from without or are accidental disturbances of his internal organs. The
+dream has no greater claim to meaning and importance than the sound
+called forth by the ten fingers of a person quite unacquainted with
+music running his fingers over the keys of an instrument. The dream is
+to be regarded, says Binz, “as a physical process always useless,
+frequently morbid.” All the peculiarities of dream life are explicable
+as the incoherent effort, due to some physiological stimulus, of certain
+organs, or of the cortical elements of a brain otherwise asleep.
+
+But slightly affected by scientific opinion and untroubled as to the
+origin of dreams, the popular view holds firmly to the belief that
+dreams really have got a meaning, in some way they do foretell the
+future, whilst the meaning can be unravelled in some way or other from
+its oft bizarre and enigmatical content. The reading of dreams consists
+in replacing the events of the dream, so far as remembered, by other
+events. This is done either scene by scene, _according to some rigid
+key_, or the dream as a whole is replaced by something else of which it
+was a _symbol_. Serious-minded persons laugh at these efforts—“Dreams
+are but sea-foam!”
+
+
+
+
+ II.
+
+
+One day I discovered to my amazement that the popular view grounded in
+superstition, and not the medical one, comes nearer to the truth about
+dreams. I arrived at new conclusions about dreams by the use of a new
+method of psychological investigation, one which had rendered me good
+service in the investigation of phobias, obsessions, illusions, and the
+like, and which, under the name “psycho-analysis,” had found acceptance
+by a whole school of investigators. The manifold analogies of dream life
+with the most diverse conditions of psychical disease in the waking
+state have been rightly insisted upon by a number of medical observers.
+It seemed, therefore, _a priori_, hopeful to apply to the interpretation
+of dreams methods of investigation which had been tested in
+psychopathological processes. Obsessions and those peculiar sensations
+of haunting dread remain as strange to normal consciousness as do dreams
+to our waking consciousness; their origin is as unknown to consciousness
+as is that of dreams. It was practical ends that impelled us, in these
+diseases, to fathom their origin and formation. Experience had shown us
+that a cure and a consequent mastery of the obsessing ideas did result
+when once those thoughts, the connecting links between the morbid ideas
+and the rest of the psychical content, were revealed which were
+heretofore veiled from consciousness. The procedure I employed for the
+interpretation of dreams thus arose from psychotherapy.
+
+This procedure is readily described, although its practice demands
+instruction and experience. Suppose the patient is suffering from
+intense morbid dread. He is requested to direct his attention to the
+idea in question, without, however, as he has so frequently done,
+meditating upon it. Every impression about it, without any exception,
+which occurs to him should be imparted to the doctor. The statement
+which will be perhaps then made, that he cannot concentrate his
+attention upon anything at all, is to be countered by assuring him most
+positively that such a blank state of mind is utterly impossible. As a
+matter of fact, a great number of impressions will soon occur, with
+which others will associate themselves. These will be invariably
+accompanied by the expression of the observer’s opinion that they have
+no meaning or are unimportant. It will be at once noticed that it is
+this self-criticism which prevented the patient from imparting the
+ideas, which had indeed already excluded them from consciousness. If the
+patient can be induced to abandon this self-criticism and to pursue the
+trains of thought which are yielded by concentrating the attention, most
+significant matter will be obtained, matter which will be presently seen
+to be clearly linked to the morbid idea in question. Its connection with
+other ideas will be manifest, and later on will permit the replacement
+of the morbid idea by a fresh one, which is perfectly adapted to
+psychical continuity.
+
+This is not the place to examine thoroughly the hypothesis upon which
+this experiment rests, or the deductions which follow from its
+invariable success. It must suffice to state that we obtain matter
+enough for the resolution of every morbid idea if we especially direct
+our attention to the _unbidden_ associations _which disturb our
+thoughts_—those which are otherwise put aside by the critic as worthless
+refuse. If the procedure is exercised on oneself, the best plan of
+helping the experiment is to write down at once all one’s first
+indistinct fancies.
+
+I will now point out where this method leads when I apply it to the
+examination of dreams. Any dream could be made use of in this way. From
+certain motives I, however, choose a dream of my own, which appears
+confused and meaningless to my memory, and one which has the advantage
+of brevity. Probably my dream of last night satisfies the requirements.
+Its content, fixed immediately after awakening, runs as follows:
+
+“_Company; at table or table d’hôte.... Spinach is served. Mrs. E. L.,
+sitting next to me, gives me her undivided attention, and places her
+hand familiarly upon my knee. In defence I remove her hand. Then she
+says: ‘But you have always had such beautiful eyes.’... I then
+distinctly see something like two eyes as a sketch or as the contour of
+a spectacle lens._...”
+
+This is the whole dream, or, at all events, all that I can remember. It
+appears to me not only obscure and meaningless, but more especially odd.
+Mrs. E. L. is a person with whom I am scarcely on visiting terms, nor to
+my knowledge have I ever desired any more cordial relationship. I have
+not seen her for a long time, and do not think there was any mention of
+her recently. No emotion whatever accompanied the dream process.
+
+Reflecting upon this dream does not make it a bit clearer to my mind. I
+will now, however, present the ideas, without premeditation and without
+criticism, which introspection yielded. I soon notice that it is an
+advantage to break up the dream into its elements, and to search out the
+ideas which link themselves to each fragment.
+
+_Company; at table or table d’hôte._ The recollection of the slight
+event with which the evening of yesterday ended is at once called up. I
+left a small party in the company of a friend, who offered to drive me
+home in his cab. “I prefer a taxi,” he said; “that gives one such a
+pleasant occupation; there is always something to look at.” When we were
+in the cab, and the cab-driver turned the disc so that the first sixty
+hellers were visible, I continued the jest. “We have hardly got in and
+we already owe sixty hellers. The taxi always reminds me of the table
+d’hôte. It makes me avaricious and selfish by continuously reminding me
+of my debt. It seems to me to mount up too quickly, and I am always
+afraid that I shall be at a disadvantage, just as I cannot resist at
+table d’hôte the comical fear that I am getting too little, that I must
+look after myself.” In far-fetched connection with this I quote:
+
+ “To earth, this weary earth, ye bring us,
+ To guilt ye let us heedless go.”
+
+Another idea about the table d’hôte. A few weeks ago I was very cross
+with my dear wife at the dinner-table at a Tyrolese health resort,
+because she was not sufficiently reserved with some neighbours with whom
+I wished to have absolutely nothing to do. I begged her to occupy
+herself rather with me than with the strangers. That is just as if I had
+_been at a disadvantage at the table d’hôte_. The contrast between the
+behaviour of my wife at that table and that of Mrs. E. L. in the dream
+now strikes me: “_Addresses herself entirely to me._”
+
+Further, I now notice that the dream is the reproduction of a little
+scene which transpired between my wife and myself when I was secretly
+courting her. The caressing under cover of the tablecloth was an answer
+to a wooer’s passionate letter. In the dream, however, my wife is
+replaced by the unfamiliar E. L.
+
+Mrs. E. L. is the daughter of a man to whom I _owed money_! I cannot
+help noticing that here there is revealed an unsuspected connection
+between the dream content and my thoughts. If the chain of associations
+be followed up which proceeds from one element of the dream one is soon
+led back to another of its elements. The thoughts evoked by the dream
+stir up associations which were not noticeable in the dream itself.
+
+Is it not customary, when someone expects others to look after his
+interests without any advantage to themselves, to ask the innocent
+question satirically: “Do you think this will be done _for the sake of
+your beautiful eyes_?” Hence Mrs. E. L.’s speech in the dream. “You have
+always had such beautiful eyes,” means nothing but “people always do
+everything to you for love of you; you have had _everything for
+nothing_.” The contrary is, of course, the truth; I have always paid
+dearly for whatever kindness others have shown me. Still, the fact that
+_I had a ride for nothing_ yesterday when my friend drove me home in his
+cab must have made an impression upon me.
+
+In any case, the friend whose guests we were yesterday has often made me
+his debtor. Recently I allowed an opportunity of requiting him to go by.
+He has had only one present from me, an antique shawl, upon which eyes
+are painted all round, a so-called Occhiale, as a _charm_ against the
+_Malocchio_. Moreover, he is an _eye specialist_. That same evening I
+had asked him after a patient whom I had sent to him for _glasses_.
+
+As I remarked, nearly all parts of the dream have been brought into this
+new connection. I still might ask why in the dream it was _spinach_ that
+was served up. Because spinach called up a little scene which recently
+occurred at our table. A child, whose _beautiful eyes_ are really
+deserving of praise, refused to eat _spinach_. As a child I was just the
+same; for a long time I loathed _spinach_, until in later life my tastes
+altered, and it became one of my favourite dishes. The mention of this
+dish brings my own childhood and that of my child’s near together. “You
+should be glad that you have some spinach,” his mother had said to the
+little gourmet. “Some children would be very glad to get spinach.” Thus
+I am reminded of the parents’ duties towards their children. Goethe’s
+words—
+
+ “To earth, this weary earth, ye bring us,
+ To guilt ye let us heedless go”—
+
+take on another meaning in this connection.
+
+Here I will stop in order that I may recapitulate the results of the
+analysis of the dream. By following the associations which were linked
+to the single elements of the dream torn from their context, I have been
+led to a series of thoughts and reminiscences where I am bound to
+recognise interesting expressions of my psychical life. The matter
+yielded by an analysis of the dream stands in intimate relationship with
+the dream content, but this relationship is so special that I should
+never have been able to have inferred the new discoveries directly from
+the dream itself. The dream was passionless, disconnected, and
+unintelligible. During the time that I am unfolding the thoughts at the
+back of the dream I feel intense and well-grounded emotions. The
+thoughts themselves fit beautifully together into chains logically bound
+together with certain central ideas which ever repeat themselves. Such
+ideas not represented in the dream itself are in this instance the
+antitheses _selfish, unselfish, to be indebted, to work for nothing_. I
+could draw closer the threads of the web which analysis has disclosed,
+and would then be able to show how they all run together into a single
+knot; I am debarred from making this work public by considerations of a
+private, not of a scientific, nature. After having cleared up many
+things which I do not willingly acknowledge as mine, I should have much
+to reveal which had better remain my secret. Why, then, do not I choose
+another dream whose analysis would be more suitable for publication, so
+that I could awaken a fairer conviction of the sense and cohesion of the
+results disclosed by analysis? The answer is, because every dream which
+I investigate leads to the same difficulties and places me under the
+same need of discretion; nor should I forgo this difficulty any the more
+were I to analyse the dream of someone else. That could only be done
+when opportunity allowed all concealment to be dropped without injury to
+those who trusted me.
+
+The conclusion which is now forced upon me is that the dream is a _sort
+of substitution_ for those emotional and intellectual trains of thought
+which I attained after complete analysis. I do not yet know the process
+by which the dream arose from those thoughts, but I perceive that it is
+wrong to regard the dream as psychically unimportant, a purely physical
+process which has arisen from the activity of isolated cortical elements
+awakened out of sleep.
+
+I must further remark that the dream is far shorter than the thoughts
+which I hold it replaces; whilst analysis discovered that the dream was
+provoked by an unimportant occurrence the evening before the dream.
+
+Naturally, I would not draw such far-reaching conclusions if only one
+analysis were known to me. Experience has shown me that when the
+associations of any dream are honestly followed such a chain of thought
+is revealed, the constituent parts of the dream reappear correctly and
+sensibly linked together; the slight suspicion that this concatenation
+was merely an accident of a single first observation must, therefore, be
+absolutely relinquished. I regard it, therefore, as my right to
+establish this new view by a proper nomenclature. I contrast the dream
+which my memory evokes with the dream and other added matter revealed by
+analysis: the former I call the dream’s _manifest content_; the latter,
+without at first further subdivision, its _latent content_. I arrive at
+two new problems hitherto unformulated: (1) What is the psychical
+process which has transformed the latent content of the dream into its
+manifest content? (2) What is the motive or the motives which have made
+such transformation exigent. The process by which the change from latent
+to manifest content is executed I name the _dream work_. In contrast
+with this is the _work of analysis_, which produces the reverse
+transformation. The other problems of the dream—the inquiry as to its
+stimuli, as to the source of its materials, as to its possible purpose,
+the function of dreaming, the forgetting of dreams—these I will discuss
+in connection with the latent dream content.
+
+I shall take every care to avoid a confusion between the _manifest_ and
+the _latent content_, for I ascribe all the contradictory as well as the
+incorrect accounts of dreamlife to the ignorance of this latent content,
+now first laid bare through analysis.
+
+
+
+
+ III.
+
+
+The conversion of the latent dream thoughts into those manifest deserves
+our close study as the first known example of the transformation of
+psychical stuff from one mode of expression into another. From a mode of
+expression which, moreover, is readily intelligible into another which
+we can only penetrate by effort and with guidance, although this new
+mode must be equally reckoned as an effort of our own psychical
+activity. From the standpoint of the relationship of latent to manifest
+dream content, dreams can be divided into three classes. We can, in the
+first place, distinguish those dreams which have a _meaning_ and are, at
+the same time, _intelligible_, which allow us to penetrate into our
+psychical life without further ado. Such dreams are numerous; they are
+usually short, and, as a general rule, do not seem very noticeable,
+because everything remarkable or exciting surprise is absent. Their
+occurrence is, moreover, a strong argument against the doctrine which
+derives the dream from the isolated activity of certain cortical
+elements. All signs of a lowered or subdivided psychical activity are
+wanting. Yet we never raise any objection to characterising them as
+dreams, nor do we confound them with the products of our waking life.
+
+A second group is formed by those dreams which are indeed self-coherent
+and have a distinct meaning, but appear strange because we are unable to
+reconcile their meaning with our mental life. That is the case when we
+dream, for instance, that some dear relative has died of plague when we
+know of no ground for expecting, apprehending, or assuming anything of
+the sort; we can only ask ourself wonderingly: “What brought that into
+my head?” To the third group those dreams belong which are void of both
+meaning and intelligibility; they are _incoherent, complicated, and
+meaningless_. The overwhelming number of our dreams partake of this
+character, and this has given rise to the contemptuous attitude towards
+dreams and the medical theory of their limited psychical activity. It is
+especially in the longer and more complicated dream-plots that signs of
+incoherence are seldom missing.
+
+The contrast between manifest and latent dream content is clearly only
+of value for the dreams of the second and more especially for those of
+the third class. Here are problems which are only solved when the
+manifest dream is replaced by its latent content; it was an example of
+this kind, a complicated and unintelligible dream, that we subjected to
+analysis. Against our expectation we, however, struck upon reasons which
+prevented a complete cognizance of the latent dream thought. On the
+repetition of this same experience we were forced to the supposition
+that there is an _intimate bond, with laws of its own, between the
+unintelligible and complicated nature of the dream and the difficulties
+attending communication of the thoughts connected with the dream_.
+Before investigating the nature of this bond, it will be advantageous to
+turn our attention to the more readily intelligible dreams of the first
+class where, the manifest and latent content being identical, the dream
+work seems to be omitted.
+
+The investigation of these dreams is also advisable from another
+standpoint. The dreams of _children_ are of this nature; they have a
+meaning, and are not bizarre. This, by the way, is a further objection
+to reducing dreams to a dissociation of cerebral activity in sleep, for
+why should such a lowering of psychical functions belong to the nature
+of sleep in adults, but not in children? We are, however, fully
+justified in expecting that the explanation of psychical processes in
+children, essentially simplified as they may be, should serve as an
+indispensable preparation towards the psychology of the adult.
+
+I shall therefore cite some examples of dreams which I have gathered
+from children. A girl of nineteen months was made to go without food for
+a day because she had been sick in the morning, and, according to nurse,
+had made herself ill through eating strawberries. During the night,
+after her day of fasting, she was heard calling out her name during
+sleep, and adding: “_Tawberry, eggs, pap._” She is dreaming that she is
+eating, and selects out of her menu exactly what she supposes she will
+not get much of just now.
+
+The same kind of dream about a forbidden dish was that of a little boy
+of twenty-two months. The day before he was told to offer his uncle a
+present of a small basket of cherries, of which the child was, of
+course, only allowed one to taste. He woke up with the joyful news:
+“Hermann eaten up all the cherries.”
+
+A girl of three and a half years had made during the day a sea trip
+which was too short for her, and she cried when she had to get out of
+the boat. The next morning her story was that during the night she had
+been on the sea, thus continuing the interrupted trip.
+
+A boy of five and a half years was not at all pleased with his party
+during a walk in the Dachstein region. Whenever a new peak came into
+sight he asked if that were the Dachstein, and, finally, refused to
+accompany the party to the waterfall. His behaviour was ascribed to
+fatigue; but a better explanation was forthcoming when the next morning
+he told his dream: _he had ascended the Dachstein_. Obviously he
+expected the ascent of the Dachstein to be the object of the excursion,
+and was vexed by not getting a glimpse of the mountain. The dream gave
+him what the day had withheld. The dream of a girl of six was similar;
+her father had cut short the walk before reaching the promised objective
+on account of the lateness of the hour. On the way back she noticed a
+signpost giving the name of another place for excursions; her father
+promised to take her there also some other day. She greeted her father
+next day with the news that she had dreamt that _her father had been
+with her to both places_.
+
+What is common in all these dreams is obvious. They completely satisfy
+wishes excited during the day which remain unrealised. They are simply
+and undisguisedly realisations of wishes.
+
+The following child-dream, not quite understandable at first sight, is
+nothing else than a wish realised. On account of poliomyelitis a girl,
+not quite four years of age, was brought from the country into town, and
+remained over night with a childless aunt in a big—for her, naturally,
+huge—bed. The next morning she stated that she had dreamt that _the bed
+was much too small for her, so that she could find no place in it_. To
+explain this dream as a wish is easy when we remember that to be “big”
+is a frequently expressed wish of all children. The bigness of the bed
+reminded Miss Little-Would-be-Big only too forcibly of her smallness.
+This nasty situation became righted in her dream, and she grew so big
+that the bed now became too small for her.
+
+Even when children’s dreams are complicated and polished, their
+comprehension as a realisation of desire is fairly evident. A boy of
+eight dreamt that he was being driven with Achilles in a war-chariot,
+guided by Diomedes. The day before he was assiduously reading about
+great heroes. It is easy to show that he took these heroes as his
+models, and regretted that he was not living in those days.
+
+From this short collection a further characteristic of the dreams of
+children is manifest—_their connection with the life of the day_. The
+desires which are realised in these dreams are left over from the day
+or, as a rule, the day previous, and the feeling has become intently
+emphasised and fixed during the day thoughts. Accidental and indifferent
+matters, or what must appear so to the child, find no acceptance in the
+contents of the dream.
+
+Innumerable instances of such dreams of the infantile type can be found
+among adults also, but, as mentioned, these are mostly exactly like the
+manifest content. Thus, a random selection of persons will generally
+respond to thirst at night-time with a dream about drinking, thus
+striving to get rid of the sensation and to let sleep continue. Many
+persons frequently have these comforting _dreams_ before waking, just
+when they are called. They then dream that they are already up, that
+they are washing, or already in school, at the office, etc., where they
+ought to be at a given time. The night before an intended journey one
+not infrequently dreams that one has already arrived at the destination;
+before going to a play or to a party the dream not infrequently
+anticipates, in impatience, as it were, the expected pleasure. At other
+times the dream expresses the realisation of the desire somewhat
+indirectly; some connection, some sequel must be known—the first step
+towards recognising the desire. Thus, when a husband related to me the
+dream of his young wife, that her monthly period had begun, I had to
+bethink myself that the young wife would have expected a pregnancy if
+the period had been absent. The dream is then a sign of pregnancy. Its
+meaning is that it shows the wish realised that pregnancy should not
+occur just yet. Under unusual and extreme circumstances, these dreams of
+the infantile type become very frequent. The leader of a polar
+expedition tells us, for instance, that during the wintering amid the
+ice the crew, with their monotonous diet and slight rations, dreamt
+regularly, like children, of fine meals, of mountains of tobacco, and of
+home.
+
+It is not uncommon that out of some long, complicated and intricate
+dream one specially lucid part stands out containing unmistakably the
+realisation of a desire, but bound up with much unintelligible matter.
+On more frequently analysing the seemingly more transparent dreams of
+adults, it is astonishing to discover that these are rarely as simple as
+the dreams of children, and that they cover another meaning beyond that
+of the realisation of a wish.
+
+It would certainly be a simple and convenient solution of the riddle if
+the work of analysis made it at all possible for us to trace the
+meaningless and intricate dreams of adults back to the infantile type,
+to the realisation of some intensely experienced desire of the day. But
+there is no warrant for such an expectation. Their dreams are generally
+full of the most indifferent and bizarre matter, and no trace of the
+realisation of the wish is to be found in their content.
+
+Before leaving these infantile dreams, which are obviously unrealised
+desires, we must not fail to mention another chief characteristic of
+dreams, one that has been long noticed, and one which stands out most
+clearly in this class. I can replace any of these dreams by a phrase
+expressing a desire. If the sea trip had only lasted longer; if I were
+only washed and dressed; if I had only been allowed to keep the cherries
+instead of giving them to my uncle. But the dream gives something more
+than the choice, for here the desire is already realised; its
+realisation is real and actual. The dream presentations consist chiefly,
+if not wholly, of scenes and mainly of visual sense images. Hence a kind
+of transformation is not entirely absent in this class of dreams, and
+this may be fairly designated as the dream work. _An idea merely
+existing in the region of possibility is replaced by a vision of its
+accomplishment._
+
+
+
+
+ IV.
+
+
+We are compelled to assume that such transformation of scene has also
+taken place in intricate dreams, though we do not know whether it has
+encountered any possible desire. The dream instanced at the
+commencement, which we analysed somewhat thoroughly, did give us
+occasion in two places to suspect something of the kind. Analysis
+brought out that my wife was occupied with others at table, and that I
+did not like it; in the dream itself _exactly the opposite_ occurs, for
+the person who replaces my wife gives me her undivided attention. But
+can one wish for anything pleasanter after a disagreeable incident than
+that the exact contrary should have occurred, just as the dream has it?
+The stinging thought in the analysis, that I have never had anything for
+nothing, is similarly connected with the woman’s remark in the dream:
+“You have always had such beautiful eyes.” Some portion of the
+opposition between the latent and manifest content of the dream must be
+therefore derived from the realisation of a wish.
+
+Another manifestation of the dream work which all incoherent dreams have
+in common is still more noticeable. Choose any instance, and compare the
+number of separate elements in it, or the extent of the dream, if
+written down, with the dream thoughts yielded by analysis, and of which
+but a trace can be refound in the dream itself. There can be no doubt
+that the dream working has resulted in an extraordinary compression or
+_condensation_. It is not at first easy to form an opinion as to the
+extent of the condensation; the more deeply you go into the analysis,
+the more deeply you are impressed by it. There will be found no factor
+in the dream whence the chains of associations do not lead in two or
+more directions, no scene which has not been pieced together out of two
+or more impressions and events. For instance, I once dreamt about a kind
+of swimming-bath where the bathers suddenly separated in all directions;
+at one place on the edge a person stood bending towards one of the
+bathers as if to drag him out. The scene was a composite one, made up
+out of an event that occurred at the time of puberty, and of two
+pictures, one of which I had seen just shortly before the dream. The two
+pictures were The Surprise in the Bath, from Schwind’s Cycle of the
+Melusine (note the bathers suddenly separating), and a picture of The
+Flood, by an Italian master. The little incident was that I once
+witnessed a lady, who had tarried in the swimming-bath until the men’s
+hour, being helped out of the water by the swimming-master. The scene in
+the dream which was selected for analysis led to a whole group of
+reminiscences, each one of which had contributed to the dream content.
+First of all came the little episode from the time of my courting, of
+which I have already spoken; the pressure of a hand under the table gave
+rise in the dream to the “under the table,” which I had subsequently to
+find a place for in my recollection. There was, of course, at the time
+not a word about “undivided attention.” Analysis taught me that this
+factor is the realisation of a desire through its contradictory and
+related to the behaviour of my wife at the table d’hôte. An exactly
+similar and much more important episode of our courtship, one which
+separated us for an entire day, lies hidden behind this recent
+recollection. The intimacy, the hand resting upon the knee, refers to a
+quite different connection and to quite other persons. This element in
+the dream becomes again the starting-point of two distinct series of
+reminiscences, and so on.
+
+The stuff of the dream thoughts which has been accumulated for the
+formation of the dream scene must be naturally fit for this application.
+There must be one or more common factors. The dream work proceeds like
+Francis Galton with his family photographs. The different elements are
+put one on top of the other; what is common to the composite picture
+stands out clearly, the opposing details cancel each other. This process
+of reproduction partly explains the wavering statements, of a peculiar
+vagueness, in so many elements of the dream. For the interpretation of
+dreams this rule holds good: When analysis discloses _uncertainty_ as to
+_either_—_or_ read _and_, taking each section of the apparent
+alternatives as a separate outlet for a series of impressions.
+
+When there is nothing in common between the dream thoughts, the dream
+work takes the trouble to create a something, in order to make a common
+presentation feasible in the dream. The simplest way to approximate two
+dream thoughts, which have as yet nothing in common, consists in making
+such a change in the actual expression of one idea as will meet a slight
+responsive recasting in the form of the other idea. The process is
+analogous to that of rhyme, when consonance supplies the desired common
+factor. A good deal of the dream work consists in the creation of those
+frequently very witty, but often exaggerated, digressions. These vary
+from the common presentation in the dream content to dream thoughts
+which are as varied as are the causes in form and essence which give
+rise to them. In the analysis of our example of a dream, I find a like
+case of the transformation of a thought in order that it might agree
+with another essentially foreign one. In following out the analysis I
+struck upon the thought: _I should like to have something for nothing_.
+But this formula is not serviceable to the dream. Hence it is replaced
+by another one: “I should like to enjoy something free of cost.”[1] The
+word “kost” (taste), with its double meaning, is appropriate to a table
+d’hôte; it, moreover, is in place through the special sense in the
+dream. At home if there is a dish which the children decline, their
+mother first tries gentle persuasion, with a “Just taste it.” That the
+dream work should unhesitatingly use the double meaning of the word is
+certainly remarkable; ample experience has shown, however, that the
+occurrence is quite usual.
+
+Footnote 1:
+
+ “Ich möchte gerne etwas geniessen ohne ‘Kosten’ zu haben.” A pun upon
+ the word “kosten,” which has two meanings—“taste” and “cost.” In “Die
+ Traumdeutung,” third edition, p. 71 footnote, Professor Freud remarks
+ that “the finest example of dream interpretation left us by the
+ ancients is based upon a pun” (from “The Interpretation of Dreams,” by
+ Artemidorus Daldianus). “Moreover, dreams are so intimately bound up
+ with language that Ferenczi truly points out that every tongue has its
+ own language of dreams. A dream is as a rule untranslatable into other
+ languages.”—TRANSLATOR.
+
+Through condensation of the dream certain constituent parts of its
+content are explicable which are peculiar to the dream life alone, and
+which are not found in the waking state. Such are the composite and
+mixed persons, the extraordinary mixed figures, creations comparable
+with the fantastic animal compositions of Orientals; a moment’s thought
+and these are reduced to unity, whilst the fancies of the dream are ever
+formed anew in an inexhaustible profusion. Everyone knows such images in
+his own dreams; manifold are their origins. I can build up a person by
+borrowing one feature from one person and one from another, or by giving
+to the form of one the name of another in my dream. I can also visualise
+one person, but place him in a position which has occurred to another.
+There is a meaning in all these cases when different persons are
+amalgamated into one substitute. Such cases denote an “and,” a “just
+like,” a comparison of the original person from a certain point of view,
+a comparison which can be also realised in the dream itself. As a rule,
+however, the identity of the blended persons is only discoverable by
+analysis, and is only indicated in the dream content by the formation of
+the “combined” person.
+
+The same diversity in their ways of formation and the same rules for its
+solution hold good also for the innumerable medley of dream contents,
+examples of which I need scarcely adduce. Their strangeness quite
+disappears when we resolve not to place them on a level with the objects
+of perception as known to us when awake, but to remember that they
+represent the art of dream condensation by an exclusion of unnecessary
+detail. Prominence is given to the common character of the combination.
+Analysis must also generally supply the common features. The dream says
+simply: _All these things have an “x” in common._ The decomposition of
+these mixed images by analysis is often the quickest way to an
+interpretation of the dream. Thus I once dreamt that I was sitting with
+one of my former university tutors on a bench, which was undergoing a
+rapid continuous movement amidst other benches. This was a combination
+of lecture-room and moving staircase. I will not pursue the further
+result of the thought. Another time I was sitting in a carriage, and on
+my lap an object in shape like a top-hat, which, however, was made of
+transparent glass. The scene at once brought to my mind the proverb: “He
+who keeps his hat in his hand will travel safely through the land.” By a
+slight turn the _glass hat_ reminded me of _Auer’s light_, and I knew
+that I was about to invent something which was to make me as rich and
+independent as his invention had made my countryman, Dr. Auer, of
+Welsbach; then I should be able to travel instead of remaining in
+Vienna. In the dream I was travelling with my invention, with the, it is
+true, rather awkward glass top-hat. The dream work is peculiarly adept
+at representing two contradictory conceptions by means of the same mixed
+image. Thus, for instance, a woman dreamt of herself carrying a tall
+flower-stalk, as in the picture of the Annunciation (Chastity-Mary is
+her own name), but the stalk was bedecked with thick white blossoms
+resembling camellias (contrast with chastity: La dame aux Camelias).
+
+A great deal of what we have called “dream condensation” can be thus
+formulated. Each one of the elements of the dream content is
+_overdetermined_ by the matter of the dream thoughts; it is not derived
+from one element of these thoughts, but from a whole series. These are
+not necessarily interconnected in any way, but may belong to the most
+diverse spheres of thought. The dream element truly represents all this
+disparate matter in the dream content. Analysis, moreover, discloses
+another side of the relationship between dream content and dream
+thoughts. Just as one element of the dream leads to associations with
+several dream thoughts, so, as a rule, the _one dream thought represents
+more than one dream element_. The threads of the association do not
+simply converge from the dream thoughts to the dream content, but on the
+way they overlap and interweave in every way.
+
+Next to the transformation of one thought in the scene (its
+“dramatisation”), condensation is the most important and most
+characteristic feature of the dream work. We have as yet no clue as to
+the motive calling for such compression of the content.
+
+
+
+
+ V.
+
+
+In the complicated and intricate dreams with which we are now concerned,
+condensation and dramatisation do not wholly account for the difference
+between dream contents and dream thoughts. There is evidence of a third
+factor, which deserves careful consideration.
+
+When I have arrived at an understanding of the dream thoughts by my
+analysis I notice, above all, that the matter of the manifest is very
+different from that of the latent dream content. That is, I admit, only
+an apparent difference which vanishes on closer investigation, for in
+the end I find the whole dream content carried out in the dream
+thoughts, nearly all the dream thoughts again represented in the dream
+content. Nevertheless, there does remain a certain amount of difference.
+
+The essential content which stood out clearly and broadly in the dream
+must, after analysis, rest satisfied with a very subordinate rôle among
+the dream thoughts. These very dream thoughts which, going by my
+feelings, have a claim to the greatest importance are either not present
+at all in the dream content, or are represented by some remote allusion
+in some obscure region of the dream. I can thus describe these
+phenomena: _During the dream work the psychical intensity of those
+thoughts and conceptions to which it properly pertains flows to others
+which, in my judgment, have no claim to such emphasis._ There is no
+other process which contributes so much to concealment of the dream’s
+meaning and to make the connection between the dream content and dream
+ideas irrecognisable. During this process, which I will call _the dream
+displacement_, I notice also the psychical intensity, significance, or
+emotional nature of the thoughts become transposed in sensory vividness.
+What was clearest in the dream seems to me, without further
+consideration, the most important; but often in some obscure element of
+the dream I can recognise the most direct offspring of the principal
+dream thought.
+
+I could only designate this dream displacement as the _transvaluation of
+psychical values_. The phenomena will not have been considered in all
+its bearings unless I add that this displacement or transvaluation is
+shared by different dreams in extremely varying degrees. There are
+dreams which take place almost without any displacement. These have the
+same time, meaning, and intelligibility as we found in the dreams which
+recorded a desire. In other dreams not a bit of the dream idea has
+retained its own psychical value, or everything essential in these dream
+ideas has been replaced by unessentials, whilst every kind of transition
+between these conditions can be found. The more obscure and intricate a
+dream is, the greater is the part to be ascribed to the impetus of
+displacement in its formation.
+
+The example that we chose for analysis shows, at least, this much of
+displacement—that its content has a different centre of interest from
+that of the dream ideas. In the forefront of the dream content the main
+scene appears as if a woman wished to make advances to me; in the dream
+idea the chief interest rests on the desire to enjoy disinterested love
+which shall “cost nothing”; this idea lies at the back of the talk about
+the beautiful eyes and the far-fetched allusion to “spinach.”
+
+If we abolish the dream displacement, we attain through analysis quite
+certain conclusions regarding two problems of the dream which are most
+disputed—as to what provokes a dream at all, and as to the connection of
+the dream with our waking life. There are dreams which at once expose
+their links with the events of the day; in others no trace of such a
+connection can be found. By the aid of analysis it can be shown that
+every dream, without any exception, is linked up with our impression of
+the day, or perhaps it would be more correct to say of the day previous
+to the dream. The impressions which have incited the dream may be so
+important that we are not surprised at our being occupied with them
+whilst awake; in this case we are right in saying that the dream carries
+on the chief interest of our waking life. More usually, however, when
+the dream contains anything relating to the impressions of the day, it
+is so trivial, unimportant, and so deserving of oblivion, that we can
+only recall it with an effort. The dream content appears, then, even
+when coherent and intelligible, to be concerned with those indifferent
+trifles of thought undeserving of our waking interest. The depreciation
+of dreams is largely due to the predominance of the indifferent and the
+worthless in their content.
+
+Analysis destroys the appearance upon which this derogatory judgment is
+based. When the dream content discloses nothing but some indifferent
+impression as instigating the dream, analysis ever indicates some
+significant event, which has been replaced by something indifferent with
+which it has entered into abundant associations. Where the dream is
+concerned with uninteresting and unimportant conceptions, analysis
+reveals the numerous associative paths which connect the trivial with
+the momentous in the psychical estimation of the individual. _It is only
+the action of displacement if what is indifferent obtains recognition in
+the dream content instead of those impressions which are really the
+stimulus, or instead of the things of real interest._ In answering the
+question as to what provokes the dream, as to the connection of the
+dream, in the daily troubles, we must say, in terms of the insight given
+us by replacing the manifest latent dream content: _The dream does never
+trouble itself about things which are not deserving of our concern
+during the day, and trivialities which do not trouble us during the day
+have no power to pursue us whilst asleep._
+
+What provoked the dream in the example which we have analysed? The
+really unimportant event, that a friend invited me to a _free ride in
+his cab_. The table d’hôte scene in the dream contains an allusion to
+this indifferent motive, for in conversation I had brought the taxi
+parallel with the table d’hôte. But I can indicate the important event
+which has as its substitute the trivial one. A few days before I had
+disbursed a large sum of money for a member of my family who is very
+dear to me. Small wonder, says the dream thought, if this person is
+grateful to me for this—this love is not cost-free. But love that shall
+cost nothing is one of the prime thoughts of the dream. The fact that
+shortly before this I had had several _drives_ with the relative in
+question puts the one drive with my friend in a position to recall the
+connection with the other person. The indifferent impression which, by
+such ramifications, provokes the dream is subservient to another
+condition which is not true of the real source of the dream—the
+impression must be a recent one, everything arising from the day of the
+dream.
+
+I cannot leave the question of dream displacement without the
+consideration of a remarkable process in the formation of dreams in
+which condensation and displacement work together towards one end. In
+condensation we have already considered the case where two conceptions
+in the dream having something in common, some point of contact, are
+replaced in the dream content by a mixed image, where the distinct germ
+corresponds to what is common, and the indistinct secondary
+modifications to what is distinctive. If displacement is added to
+condensation, there is no formation of a mixed image, but a _common
+mean_ which bears the same relationship to the individual elements as
+does the resultant in the parallelogram of forces to its components. In
+one of my dreams, for instance, there is talk of an injection with
+_propyl_. On first analysis I discovered an indifferent but true
+incident where _amyl_ played a part as the excitant of the dream. I
+cannot yet vindicate the exchange of amyl for propyl. To the round of
+ideas of the same dream, however, there belongs the recollection of my
+first visit to Munich, when the _Propylæa_ struck me. The attendant
+circumstances of the analysis render it admissible that the influence of
+this second group of conceptions caused the displacement of amyl to
+propyl. _Propyl_ is, so to say, the mean idea between _amyl_ and
+_propylæa_; it got into the dream as a kind of _compromise_ by
+simultaneous condensation and displacement.
+
+The need of discovering some motive for this bewildering work of the
+dream is even more called for in the case of displacement than in
+condensation.
+
+
+
+
+ VI.
+
+
+Although the work of displacement must be held mainly responsible if the
+dream thoughts are not refound or recognised in the dream content
+(unless the motive of the changes be guessed), it is another and milder
+kind of transformation which will be considered with the dream thoughts
+which leads to the discovery of a new but readily understood act of the
+dream work. The first dream thoughts which are unravelled by analysis
+frequently strike one by their unusual wording. They do not appear to be
+expressed in the sober form which our thinking prefers; rather are they
+expressed symbolically by allegories and metaphors like the figurative
+language of the poets. It is not difficult to find the motives for this
+degree of constraint in the expression of dream ideas. The dream content
+consists chiefly of visual scenes; hence the dream ideas must, in the
+first place, be prepared to make use of these forms of presentation.
+Conceive that a political leader’s or a barrister’s address had to be
+transposed into pantomime, and it will be easy to understand the
+transformations to which the dream work is constrained by regard for
+this _dramatisation of the dream content_.
+
+Around the psychical stuff of dream thoughts there are ever found
+reminiscences of impressions, not infrequently of early childhood—scenes
+which, as a rule, have been visually grasped. Whenever possible, this
+portion of the dream ideas exercises a definite influence upon the
+modelling of the dream content; it works like a centre of
+crystallisation, by attracting and rearranging the stuff of the dream
+thoughts. The scene of the dream is not infrequently nothing but a
+modified repetition, complicated by interpolations of events that have
+left such an impression; the dream but very seldom reproduces accurate
+and unmixed reproductions of real scenes.
+
+The dream content does not, however, consist exclusively of scenes, but
+it also includes scattered fragments of visual images, conversations,
+and even bits of unchanged thoughts. It will be perhaps to the point if
+we instance in the briefest way the means of dramatisation which are at
+the disposal of the dream work for the repetition of the dream thoughts
+in the peculiar language of the dream.
+
+The dream thoughts which we learn from the analysis exhibit themselves
+as a psychical complex of the most complicated superstructure. Their
+parts stand in the most diverse relationship to each other; they form
+backgrounds and foregrounds, stipulations, digressions, illustrations,
+demonstrations, and protestations. It may be said to be almost the rule
+that one train of thought is followed by its contradictory. No feature
+known to our reason whilst awake is absent. If a dream is to grow out of
+all this, the psychical matter is submitted to a pressure which
+condenses it extremely, to an inner shrinking and displacement, creating
+at the same time fresh surfaces, to a selective interweaving among the
+constituents best adapted for the construction of these scenes. Having
+regard to the origin of this stuff, the term _regression_ can be fairly
+applied to this process. The logical chains which hitherto held the
+psychical stuff together become lost in this transformation to the dream
+content. The dream work takes on, as it were, only the essential content
+of the dream thoughts for elaboration. It is left to analysis to restore
+the connection which the dream work has destroyed.
+
+The dream’s means of expression must therefore be regarded as meagre in
+comparison with those of our imagination, though the dream does not
+renounce all claims to the restitution of logical relation to the dream
+thoughts. It rather succeeds with tolerable frequency in replacing these
+by formal characters of its own.
+
+By reason of the undoubted connection existing between all the parts of
+dream thoughts, the dream is able to embody this matter into a single
+scene. It upholds a _logical connection_ as _approximation in time and
+space_, just as the painter, who groups all the poets for his picture of
+Parnassus who, though they have never been all together on a mountain
+peak, yet form ideally a community. The dream continues this method of
+presentation in individual dreams, and often when it displays two
+elements close together in the dream content it warrants some special
+inner connection between what they represent in the dream thoughts. It
+should be, moreover, observed that all the dreams of one night prove on
+analysis to originate from the same sphere of thought.
+
+The causal connection between two ideas is either left without
+presentation, or replaced by two different long portions of dreams one
+after the other. This presentation is frequently a reversed one, the
+beginning of the dream being the deduction, and its end the hypothesis.
+The direct _transformation_ of one thing into another in the dream seems
+to serve the relationship of _cause_ and _effect_.
+
+The dream never utters the _alternative_ “_either-or_,” but accepts both
+as having equal rights in the same connection. When “either-or” is used
+in the reproduction of dreams, it is, as I have already mentioned, to be
+replaced by “_and_.”
+
+Conceptions which stand in opposition to one another are preferably
+expressed in dreams by the same element.[2] There seems no “not” in
+dreams. Opposition between two ideas, the relation of conversion, is
+represented in dreams in a very remarkable way. It is expressed by the
+reversal of another part of the dream content just as if by way of
+appendix. We shall later on deal with another form of expressing
+disagreement. The common dream sensation of _movement checked_ serves
+the purpose of representing disagreement of impulses—a _conflict of the
+will_.
+
+Footnote 2:
+
+ It is worthy of remark that eminent philologists maintain that the
+ oldest languages used the same word for expressing quite general
+ antitheses. In C. Abel’s essay, “Ueber den Gegensinn der Urworter”
+ (1884), the following examples of such words in English are given:
+ “gleam—gloom”; “to lock—loch”; “down—The Downs”; “to step—to stop.” In
+ his essay on “The Origin of Language” (“Linguistic Essays,” p. 240),
+ Abel says: “When the Englishman says ‘without,’ is not his judgment
+ based upon the comparative juxtaposition of two opposites, ‘with’ and
+ ‘out’; ‘with’ itself originally meant ‘without,’ as may still be seen
+ in ‘withdraw.’ ‘Bid’ includes the opposite sense of giving and of
+ proffering” (Abel, “The English Verbs of Command,” “Linguistic
+ Essays,” p. 104; see also Freud, “Ueber den Gegensinn der Urworte”:
+ _Jahrbuch für Psychoanalytische und Psychopathologische Forschungen_,
+ Band ii., part i., p. 179).—TRANSLATOR.
+
+Only one of the logical relationships—that of _similarity_, _identity_,
+_agreement_—is found highly developed in the mechanism of dream
+formation. Dream work makes use of these cases as a starting-point for
+condensation, drawing together everything which shows such agreement to
+a _fresh unity_.
+
+These short, crude observations naturally do not suffice as an estimate
+of the abundance of the dream’s formal means of presenting the logical
+relationships of the dream thoughts. In this respect, individual dreams
+are worked up more nicely or more carelessly, our text will have been
+followed more or less closely, auxiliaries of the dream work will have
+been taken more or less into consideration. In the latter case they
+appear obscure, intricate, incoherent. When the dream appears openly
+absurd, when it contains an obvious paradox in its content, it is so of
+purpose. Through its apparent disregard of all logical claims, it
+expresses a part of the intellectual content of the dream ideas.
+Absurdity in the dream denotes _disagreement_, _scorn_, _disdain_ in the
+dream thoughts. As this explanation is in entire disagreement with the
+view that the dream owes its origin to dissociated, uncritical cerebral
+activity, I will emphasise my view by an example:
+
+“_One of my acquaintances, Mr. M——, has been attacked by no less a
+person than Goethe in an essay with, we all maintain, unwarrantable
+violence. Mr. M—— has naturally been ruined by this attack. He complains
+very bitterly of this at a dinner-party, but his respect for Goethe has
+not diminished through this personal experience. I now attempt to clear
+up the chronological relations which strike me as improbable. Goethe
+died in 1832. As his attack upon Mr. M—— must, of course, have taken
+place before, Mr. M—— must have been then a very young man. It seems to
+me plausible that he was eighteen. I am not certain, however, what year
+we are actually in, and the whole calculation falls into obscurity. The
+attack was, moreover, contained in Goethe’s well-known essay on
+‘Nature.’_”
+
+The absurdity of the dream becomes the more glaring when I state that
+Mr. M—— is a young business man without any poetical or literary
+interests. My analysis of the dream will show what method there is in
+this madness. The dream has derived its material from three sources:
+
+1. Mr. M——, to whom I was introduced at a dinner-party, begged me one
+day to examine his elder brother, who showed signs of mental trouble. In
+conversation with the patient, an unpleasant episode occurred. Without
+the slightest occasion he disclosed one of his brother’s _youthful
+escapades_. I had asked the patient the _year of his birth_ (_year of
+death_ in dream), and led him to various calculations which might show
+up his want of memory.
+
+2. A medical journal which displayed my name among others on the cover
+had published a _ruinous_ review of a book by my friend F—— of Berlin,
+from the pen of a very _juvenile_ reviewer. I communicated with the
+editor, who, indeed, expressed his regret, but would not promise any
+redress. Thereupon I broke off my connection with the paper; in my
+letter of resignation I expressed the hope that our _personal relations
+would not suffer from this_. Here is the real source of the dream. The
+derogatory reception of my friend’s work had made a deep impression upon
+me. In my judgment, it contained a fundamental biological discovery
+which only now, several years later, commences to find favour among the
+professors.
+
+3. A little while before, a patient gave me the medical history of her
+brother, who, exclaiming “_Nature, Nature!_” had gone out of his mind.
+The doctors considered that the exclamation arose from a study of
+_Goethe’s_ beautiful essay, and indicated that the patient had been
+overworking. I expressed the opinion that it seemed more _plausible_ to
+me that the exclamation “Nature!” was to be taken in that sexual meaning
+known also to the less educated in our country. It seemed to me that
+this view had something in it, because the unfortunate youth afterwards
+mutilated his genital organs. The patient was eighteen years old when
+the attack occurred.
+
+The first person in the dream thoughts behind the ego was my friend who
+had been so scandalously treated. “_I now attempted to clear up the
+chronological relations._” My friend’s book deals with the chronological
+relations of life, and, amongst other things, correlates _Goethe’s_
+duration of life with a number of days in many ways important to
+biology. The ego is, however, represented as a general paralytic (“_I am
+not certain what year we are actually in_”). The dream exhibits my
+friend as behaving like a general paralytic, and thus riots in
+absurdity. But the dream thoughts run ironically. “Of course he is a
+madman, a fool, and you are the genius who understands all about it. But
+shouldn’t it be the _other way round_?” This inversion obviously took
+place in the dream when Goethe attacked the young man, which is absurd,
+whilst anyone, however young, can to-day easily attack the great Goethe.
+
+I am prepared to maintain that no dream is inspired by other than
+egoistic emotions. The ego in the dream does not, indeed, represent only
+my friend, but stands for myself also. I identify myself with him
+because the fate of his discovery appears to me typical of the
+acceptance _of my own_. If I were to publish my own theory, which gives
+sexuality predominance in the ætiology of psycho-neurotic disorders (see
+the allusion to the eighteen-year-old patient—“_Nature, Nature!_”), the
+same criticism would be levelled at me, and it would even now meet with
+the same contempt.
+
+When I follow out the dream thoughts closely, I ever find only _scorn_
+and _contempt_ as _correlated with the dream’s absurdity_. It is well
+known that the discovery of a cracked sheep’s skull on the Lido in
+Venice gave Goethe the hint for the so-called vertebral theory of the
+skull. My friend plumes himself on having as a student raised a hubbub
+for the resignation of an aged professor who had done good work
+(including some in this very subject of comparative anatomy), but who,
+on account of _decrepitude_, had become quite incapable of teaching. The
+agitation my friend inspired was so successful because in the German
+Universities an _age limit_ is not demanded for academic work. _Age is
+no protection against folly._ In the hospital here I had for years the
+honour to serve under a chief who, long fossilised, was for decades
+notoriously _feeble-minded_, and was yet permitted to continue in his
+responsible office. A trait, after the manner of the find in the Lido,
+forces itself upon me here. It was to this man that some youthful
+colleagues in the hospital adapted the then popular slang of that day:
+“No Goethe has written that,” “No Schiller composed that,” etc.
+
+
+
+
+ VII.
+
+
+We have not exhausted our valuation of the dream work. In addition to
+condensation, displacement, and definite arrangement of the psychical
+matter, we must ascribe to it yet another activity—one which is, indeed,
+not shared by every dream. I shall not treat this position of the dream
+work exhaustively; I will only point out that the readiest way to arrive
+at a conception of it is to take for granted, probably unfairly, that it
+_only subsequently influences the dream content which has already been
+built up_. Its mode of action thus consists in so co-ordinating the
+parts of the dream that these coalesce to a coherent whole, to a dream
+composition. The dream gets a kind of façade which, it is true, does not
+conceal the whole of its content. There is a sort of preliminary
+explanation to be strengthened by interpolations and slight alterations.
+Such elaboration of the dream content must not be too pronounced; the
+misconception of the dream thoughts to which it gives rise is merely
+superficial, and our first piece of work in analysing a dream is to get
+rid of these early attempts at interpretation.
+
+The motives for this part of the dream work are easily gauged.
+This final elaboration of the dream is due to a _regard for
+intelligibility_—a fact at once betraying the origin of an action which
+behaves towards the actual dream content just as our normal psychical
+action behaves towards some proffered perception that is to our liking.
+The dream content is thus secured under the pretence of certain
+expectations, is perceptually classified by the supposition of its
+intelligibility, thereby risking its falsification, whilst, in fact, the
+most extraordinary misconceptions arise if the dream can be correlated
+with nothing familiar. Everyone is aware that we are unable to look at
+any series of unfamiliar signs, or to listen to a discussion of unknown
+words, without at once making perpetual changes through _our regard for
+intelligibility_, through our falling back upon what is familiar.
+
+We can call those dreams _properly made up_ which are the result of an
+elaboration in every way analogous to the psychical action of our waking
+life. In other dreams there is no such action; not even an attempt is
+made to bring about order and meaning. We regard the dream as “quite
+mad,” because on awaking it is with this last-named part of the dream
+work, the dream elaboration, that we identify ourselves. So far,
+however, as our analysis is concerned, the dream, which resembles a
+medley of disconnected fragments, is of as much value as the one with a
+smooth and beautifully polished surface. In the former case we are
+spared, to some extent, the trouble of breaking down the
+super-elaboration of the dream content.
+
+All the same, it would be an error to see in the dream façade nothing
+but the misunderstood and somewhat arbitrary elaboration of the dream
+carried out at the instance of our psychical life. Wishes and phantasies
+are not infrequently employed in the erection of this façade, which were
+already fashioned in the dream thoughts; they are akin to those of our
+waking life—“day-dreams,” as they are very properly called. These wishes
+and phantasies, which analysis discloses in our dreams at night, often
+present themselves as repetitions and refashionings of the scenes of
+infancy. Thus the dream façade may show us directly the true core of the
+dream, distorted through admixture with other matter.
+
+Beyond these four activities there is nothing else to be discovered in
+the dream work. If we keep closely to the definition that dream work
+denotes the transference of dream thoughts to dream content, we are
+compelled to say that the dream work is not creative; it develops no
+fancies of its own, it judges nothing, decides nothing. It does nothing
+but prepare the matter for condensation and displacement, and refashions
+it for dramatisation, to which must be added the inconstant last-named
+mechanism—that of explanatory elaboration. It is true that a good deal
+is found in the dream content which might be understood as the result of
+another and more intellectual performance; but analysis shows
+conclusively every time that these _intellectual operations were already
+present in the dream thoughts, and have only been taken over by the
+dream content_. A syllogism in the dream is nothing other than the
+repetition of a syllogism in the dream thoughts; it seems inoffensive if
+it has been transferred to the dream without alteration; it becomes
+absurd if in the dream work it has been transferred to other matter. A
+calculation in the dream content simply means that there was a
+calculation in the dream thoughts; whilst this is always correct, the
+calculation in the dream can furnish the silliest results by the
+condensation of its factors and the displacement of the same operations
+to other things. Even speeches which are found in the dream content are
+not new compositions; they prove to be pieced together out of speeches
+which have been made or heard or read; the words are faithfully copied,
+but the occasion of their utterance is quite overlooked, and their
+meaning is most violently changed.
+
+It is, perhaps, not superfluous to support these assertions by examples:
+
+1. _A seemingly inoffensive, well-made dream of a patient. She was going
+to market with her cook, who carried the basket. The butcher said to her
+when she asked him for something: “That is all gone,” and wished to give
+her something else, remarking: “That’s very good.” She declines, and
+goes to the greengrocer, who wants to sell her a peculiar vegetable
+which is bound up in bundles and of a black colour. She says: “I don’t
+know that; I won’t take it.”_
+
+The remark “That is all gone” arose from the treatment. A few days
+before I said myself to the patient that the earliest reminiscences of
+childhood _are all gone_ as such, but are replaced by transferences and
+dreams. Thus I am the butcher.
+
+The second remark, “_I don’t know that_,” arose in a very different
+connection. The day before she had herself called out in rebuke to the
+cook (who, moreover, also appears in the dream): “_Behave yourself
+properly_; I don’t know _that_”—that is, “I don’t know this kind of
+behaviour; I won’t have it.” The more harmless portion of this speech
+was arrived at by a displacement of the dream content; in the dream
+thoughts only the other portion of the speech played a part, because the
+dream work changed an imaginary situation into utter irrecognisability
+and complete inoffensiveness (while in a certain sense I behave in an
+unseemly way to the lady). The situation resulting in this phantasy is,
+however, nothing but a new edition of one that actually took place.
+
+2. A dream apparently meaningless relates to figures. “_She wants to pay
+something; her daughter takes three florins sixty-five kreuzers out of
+her purse; but she says: ‘What are you doing? It only costs twenty-one
+kreuzers.’_”
+
+The dreamer was a stranger who had placed her child at school in Vienna,
+and who was able to continue under my treatment so long as her daughter
+remained at Vienna. The day before the dream the directress of the
+school had recommended her to keep the child another year at school. In
+this case she would have been able to prolong her treatment by one year.
+The figures in the dream become important if it be remembered that time
+is money. One year equals 365 days, or, expressed in kreuzers, 365
+kreuzers, which is three florins sixty-five kreuzers. The twenty-one
+kreuzers correspond with the three weeks which remained from the day of
+the dream to the end of the school term, and thus to the end of the
+treatment. It was obviously financial considerations which had moved the
+lady to refuse the proposal of the directress, and which were answerable
+for the triviality of the amount in the dream.
+
+3. A lady, young, but already ten years married, heard that a friend of
+hers, Miss Elise L——, of about the same age, had become engaged. This
+gave rise to the following dream:
+
+_She was sitting with her husband in the theatre; the one side of the
+stalls was quite empty. Her husband tells her, Elise L—— and her fiancé
+had intended coming, but could only get some cheap seats, three for one
+florin fifty kreuzers, and these they would not take. In her opinion,
+that would not have mattered very much._
+
+The origin of the figures from the matter of the dream thoughts and the
+changes the figures underwent are of interest. Whence came the one
+florin fifty kreuzers? From a trifling occurrence of the previous day.
+Her sister-in-law had received 150 florins as a present from her
+husband, and had quickly got rid of it by buying some ornament. Note
+that 150 florins is one hundred times one florin fifty kreuzers. For the
+_three_ concerned with the tickets, the only link is that Elise L—— is
+exactly three months younger than the dreamer. The scene in the dream is
+the repetition of a little adventure for which she has often been teased
+by her husband. She was once in a great hurry to get tickets in time for
+a piece, and when she came to the theatre _one side of the stalls was
+almost empty_. It was therefore quite unnecessary for her to have been
+in _such a hurry_. Nor must we overlook the absurdity of the dream that
+two persons should take three tickets for the theatre.
+
+Now for the dream ideas. It was _stupid_ to have married so early; _I
+need not_ have been _in so great a hurry_. Elise L——’s example shows me
+that I should have been able to get a husband later; indeed, one a
+_hundred times better_ if I had but waited. I could have bought _three_
+such men with the money (dowry).
+
+
+
+
+ VIII.
+
+
+In the foregoing exposition we have now learnt something of the dream
+work; we must regard it as a quite special psychical process, which, so
+far as we are aware, resembles nothing else. To the dream work has been
+transferred that bewilderment which its product, the dream, has aroused
+in us. In truth, the dream work is only the first recognition of a group
+of psychical processes to which must be referred the origin of
+hysterical symptoms, the ideas of morbid dread, obsession, and illusion.
+Condensation, and especially displacement, are never-failing features in
+these other processes. The regard for appearance remains, on the other
+hand, peculiar to the dream work. If this explanation brings the dream
+into line with the formation of psychical disease, it becomes the more
+important to fathom the essential conditions of processes like dream
+building. It will be probably a surprise to hear that neither the state
+of sleep nor illness is among the indispensable conditions. A whole
+number of phenomena of the everyday life of healthy persons,
+forgetfulness, slips in speaking and in holding things, together with a
+certain class of mistakes, are due to a psychical mechanism analogous to
+that of the dream and the other members of this group.
+
+Displacement is the core of the problem, and the most striking of all
+the dream performances. A thorough investigation of the subject shows
+that the essential condition of displacement is purely psychological; it
+is in the nature of a motive. We get on the track by thrashing out
+experiences which one cannot avoid in the analysis of dreams. I had to
+break off the relations of my dream thoughts in the analysis of my dream
+on p. 11 because I found some experiences which I do not wish strangers
+to know, and which I could not relate without serious damage to
+important considerations. I added, it would be no use were I to select
+another instead of that particular dream; in every dream where the
+content is obscure or intricate, I should hit upon dream thoughts which
+call for secrecy. If, however, I continue the analysis for myself,
+without regard to those others, for whom, indeed, so personal an event
+as my dream cannot matter, I arrive finally at ideas which surprise me,
+which I have not known to be mine, which not only appear _foreign_ to
+me, but which are _unpleasant_, and which I would like to oppose
+vehemently, whilst the chain of ideas running through the analysis
+intrudes upon me inexorably. I can only take these circumstances into
+account by admitting that these thoughts are actually part of my
+psychical life, possessing a certain psychical intensity or energy.
+However, by virtue of a particular psychological condition, the
+_thoughts could not become conscious to me_. I call this particular
+condition “_Repression_.” It is therefore impossible for me not to
+recognise some causal relationship between the obscurity of the dream
+content and this state of repression—this _incapacity of consciousness_.
+Whence I conclude that the cause of the obscurity is _the desire to
+conceal these thoughts_. Thus I arrive at the conception of the _dream
+distortion_ as the deed of the dream work, and of _displacement_ serving
+to disguise this object.
+
+I will test this in my own dream, and ask myself, What is the thought
+which, quite innocuous in its distorted form, provokes my liveliest
+opposition in its real form? I remember that the free drive reminded me
+of the last expensive drive with a member of my family, the
+interpretation of the dream being: I should for once like to experience
+affection for which I should not have to pay, and that shortly before
+the dream I had to make a heavy disbursement for this very person. In
+this connection, I cannot get away from the thought _that I regret this
+disbursement_. It is only when I acknowledge this feeling that there is
+any sense in my wishing in the dream for an affection that should entail
+no outlay. And yet I can state on my honour that I did not hesitate for
+a moment when it became necessary to expend that sum. The regret, the
+counter-current, was unconscious to me. Why it was unconscious is quite
+another question which would lead us far away from the answer which,
+though within my knowledge, belongs elsewhere.
+
+If I subject the dream of another person instead of one of my own to
+analysis, the result is the same; the motives for convincing others is,
+however, changed. In the dream of a healthy person the only way for me
+to enable him to accept this repressed idea is the coherence of the
+dream thoughts. He is at liberty to reject this explanation. But if we
+are dealing with a person suffering from any neurosis—say from
+hysteria—the recognition of these repressed ideas is compulsory by
+reason of their connection with the symptoms of his illness and of the
+improvement resulting from exchanging the symptoms for the repressed
+ideas. Take the patient from whom I got the last dream about the three
+tickets for one florin fifty kreuzers. Analysis shows that she does not
+think highly of her husband, that she regrets having married him, that
+she would be glad to change him for someone else. It is true that she
+maintains that she loves her husband, that her emotional life knows
+nothing about this depreciation (a hundred times better!), but all her
+symptoms lead to the same conclusion as this dream. When her repressed
+memories had rewakened a certain period when she was conscious that she
+did not love her husband, her symptoms disappeared, and therewith
+disappeared her resistance to the interpretation of the dream.
+
+
+
+
+ IX.
+
+
+This conception of repression once fixed, together with the distortion
+of the dream in relation to repressed psychical matter, we are in a
+position to give a general exposition of the principal results which the
+analysis of dreams supplies. We learnt that the most intelligible and
+meaningful dreams are unrealised desires; the desires they pictured as
+realised are known to consciousness, have been held over from the
+daytime, and are of absorbing interest. The analysis of obscure and
+intricate dreams discloses something very similar; the dream scene again
+pictures as realised some desire which regularly proceeds from the dream
+ideas, but the picture is unrecognisable, and is only cleared up in the
+analysis. The desire itself is either one repressed, foreign to
+consciousness, or it is closely bound up with repressed ideas. The
+formula for these dreams may be thus stated: _They are concealed
+realisations of repressed desires._ It is interesting to note that they
+are right who regard the dream as foretelling the future. Although the
+future which the dream shows us is not that which will occur, but that
+which we would like to occur. Folk psychology proceeds here according to
+its wont; it believes what it wishes to believe.
+
+Dreams can be divided into three classes according to their relation
+towards the realisation of desire. Firstly come those which exhibit a
+_non-repressed, non-concealed desire_; these are dreams of the infantile
+type, becoming ever rarer among adults. Secondly, dreams which express
+in _veiled_ form some _repressed desire_; these constitute by far the
+larger number of our dreams, and they require analysis for their
+understanding. Thirdly, these dreams where repression exists, but
+_without_ or with but slight concealment. These dreams are invariably
+accompanied by a feeling of dread which brings the dream to an end. This
+feeling of dread here replaces dream displacement; I regarded the dream
+work as having prevented this in the dream of the second class. It is
+not very difficult to prove that what is now present as intense dread in
+the dream was once desire, and is now secondary to the repression.
+
+There are also definite dreams with a painful content, without the
+presence of any anxiety in the dream. These cannot be reckoned among
+dreams of dread; they have, however, always been used to prove the
+unimportance and the psychical futility of dreams. An analysis of such
+an example will show that it belongs to our second class of dreams—a
+_perfectly concealed_ realisation of repressed desires. Analysis will
+demonstrate at the same time how excellently adapted is the work of
+displacement to the concealment of desires.
+
+A girl dreamt that she saw lying dead before her the only surviving
+child of her sister amid the same surroundings as a few years before she
+saw the first child lying dead. She was not sensible of any pain, but
+naturally combated the view that the scene represented a desire of hers.
+Nor was that view necessary. Years ago it was at the funeral of the
+child that she had last seen and spoken to the man she loved. Were the
+second child to die, she would be sure to meet this man again in her
+sister’s house. She is longing to meet him, but struggles against this
+feeling. The day of the dream she had taken a ticket for a lecture,
+which announced the presence of the man she always loved. The dream is
+simply a dream of impatience common to those which happen before a
+journey, theatre, or simply anticipated pleasures. The longing is
+concealed by the shifting of the scene to the occasion when any joyous
+feeling were out of place, and yet where it did once exist. Note,
+further, that the emotional behaviour in the dream is adapted, not to
+the displaced, but to the real but suppressed dream ideas. The scene
+anticipates the long-hoped-for meeting; there is here no call for
+painful emotions.
+
+
+
+
+ X.
+
+
+There has hitherto been no occasion for philosophers to bestir
+themselves with a psychology of repression. We must be allowed to
+construct some clear conception as to the origin of dreams as the first
+steps in this unknown territory. The scheme which we have formulated not
+only from a study of dreams is, it is true, already somewhat
+complicated, but we cannot find any simpler one that will suffice. We
+hold that our psychical apparatus contains two procedures for the
+construction of thoughts. The second one has the advantage that its
+products find an open path to consciousness, whilst the activity of the
+first procedure is unknown to itself, and can only arrive at
+consciousness through the second one. At the borderland of these two
+procedures, where the first passes over into the second, a censorship is
+established which only passes what pleases it, keeping back everything
+else. That which is rejected by the censorship is, according to our
+definition, in a state of repression. Under certain conditions, one of
+which is the sleeping state, the balance of power between the two
+procedures is so changed that what is repressed can no longer be kept
+back. In the sleeping state this may possibly occur through the
+negligence of the censor; what has been hitherto repressed will now
+succeed in finding its way to consciousness. But as the censorship is
+never absent, but merely off guard, certain alterations must be conceded
+so as to placate it. It is a compromise which becomes conscious in this
+case—a compromise between what one procedure has in view and the demands
+of the other. _Repression_, _laxity of the censor_, _compromise_—this is
+the foundation for the origin of many another psychological process,
+just as it is for the dream. In such compromises we can observe the
+processes of condensation, of displacement, the acceptance of
+superficial associations, which we have found in the dream work.
+
+It is not for us to deny the demonic element which has played a part in
+constructing our explanation of dream work. The impression left is that
+the formation of obscure dreams proceeds as if a person had something to
+say which must be disagreeable for another person upon whom he is
+dependent to hear. It is by the use of this image that we figure to
+ourselves the conception of the _dream distortion_ and of the
+censorship, and ventured to crystallise our impression in a rather
+crude, but at least definite, psychological theory. Whatever explanation
+the future may offer of these first and second procedures, we shall
+expect a confirmation of our correlate that the second procedure
+commands the entrance to consciousness, and can exclude the first from
+consciousness.
+
+Once the sleeping state overcome, the censorship resumes complete sway,
+and is now able to revoke that which was granted in a moment of
+weakness. That the _forgetting_ of dreams explains this in part, at
+least, we are convinced by our experience, confirmed again and again.
+During the relation of a dream, or during analysis of one, it not
+infrequently happens that some fragment of the dream is suddenly
+forgotten. This fragment so forgotten invariably contains the best and
+readiest approach to an understanding of the dream. Probably that is why
+it sinks into oblivion—_i.e._, into a renewed suppression.
+
+
+
+
+ XI.
+
+
+Viewing the dream content as the representation of a realised desire,
+and referring its vagueness to the changes made by the censor in the
+repressed matter, it is no longer difficult to grasp the function of
+dreams. In fundamental contrast with those saws which assume that sleep
+is disturbed by dreams, we hold the _dream as the guardian of sleep_. So
+far as children’s dreams are concerned, our view should find ready
+acceptance.
+
+The sleeping state or the psychical change to sleep, whatsoever it be,
+is brought about by the child being sent to sleep or compelled thereto
+by fatigue, only assisted by the removal of all stimuli which might open
+other objects to the psychical apparatus. The means which serve to keep
+external stimuli distant are known; but what are the means we can employ
+to depress the internal psychical stimuli which frustrate sleep? Look at
+a mother getting her child to sleep. The child is full of beseeching; he
+wants another kiss; he wants to play yet awhile. His requirements are in
+part met, in part drastically put off till the following day. Clearly
+these desires and needs, which agitate him, are hindrances to sleep.
+Everyone knows the charming story of the bad boy (Baldwin Groller’s) who
+awoke at night bellowing out, “_I want the rhinoceros_.” A really good
+boy, instead of bellowing, would have _dreamt_ that he was playing with
+the rhinoceros. Because the dream which realises his desire is believed
+during sleep, it removes the desire and makes sleep possible. It cannot
+be denied that this belief accords with the dream image, because it is
+arrayed in the psychical appearance of probability; the child is without
+the capacity which it will acquire later to distinguish hallucinations
+or phantasies from reality.
+
+The adult has learnt this differentiation; he has also learnt the
+futility of desire, and by continuous practice manages to postpone his
+aspirations, until they can be granted in some roundabout method by a
+change in the external world. For this reason it is rare for him to have
+his wishes realised during sleep in the short psychical way. It is even
+possible that this never happens, and that everything which appears to
+us like a child’s dream demands a much more elaborate explanation. Thus
+it is that for adults—for every sane person without exception—a
+differentiation of the psychical matter has been fashioned which the
+child knew not. A psychical procedure has been reached which, informed
+by the experience of life, exercises with jealous power a dominating and
+restraining influence upon psychical emotions; by its relation to
+consciousness, and by its spontaneous mobility, it is endowed with the
+greatest means of psychical power. A portion of the infantile emotions
+has been withheld from this procedure as useless to life, and all the
+thoughts which flow from these are found in the state of repression.
+
+Whilst the procedure in which we recognise our normal ego reposes upon
+the desire for sleep, it appears compelled by the psycho-physiological
+conditions of sleep to abandon some of the energy with which it was wont
+during the day to keep down what was repressed. This neglect is really
+harmless; however much the emotions of the child’s spirit may be
+stirred, they find the approach to consciousness rendered difficult, and
+that to movement blocked in consequence of the state of sleep. The
+danger of their disturbing sleep must, however, be avoided. Moreover, we
+must admit that even in deep sleep some amount of free attention is
+exerted as a protection against sense-stimuli which might, perchance,
+make an awakening seem wiser than the continuance of sleep. Otherwise we
+could not explain the fact of our being always awakened by stimuli of
+certain quality. As the old physiologist Burdach pointed out, the mother
+is awakened by the whimpering of her child, the miller by the cessation
+of his mill, most people by gently calling out their names. This
+attention, thus on the alert, makes use of the internal stimuli arising
+from repressed desires, and fuses them into the dream, which as a
+compromise satisfies both procedures at the same time. The dream creates
+a form of psychical release for the wish which is either suppressed or
+formed by the aid of repression, inasmuch as it presents it as realised.
+The other procedure is also satisfied, since the continuance of the
+sleep is assured. Our ego here gladly behaves like a child; it makes the
+dream pictures believable, saying, as it were, “Quite right, but let me
+sleep.” The contempt which, once awakened, we bear the dream, and which
+rests upon the absurdity and apparent illogicality of the dream, is
+probably nothing but the reasoning of our sleeping ego on the feelings
+about what was repressed; with greater right it should rest upon the
+incompetency of this disturber of our sleep. In sleep we are now and
+then aware of this contempt; the dream content transcends the censorship
+rather too much, we think, “It’s only a dream,” and sleep on.
+
+It is no objection to this view if there are border-lines for the dream
+where its function, to preserve sleep from interruption, can no longer
+be maintained—as in the dreams of impending dread. It is here changed
+for another function—to suspend the sleep at the proper time. It acts
+like a conscientious night-watchman, who first does his duty by quelling
+disturbances so as not to waken the citizen, but equally does his duty
+quite properly when he awakens the street should the causes of the
+trouble seem to him serious and himself unable to cope with them alone.
+
+This function of dreams becomes especially well marked when there arises
+some incentive for the sense perception. That the senses aroused during
+sleep influence the dream is well known, and can be experimentally
+verified; it is one of the certain but much overestimated results of the
+medical investigation of dreams. Hitherto there has been an insoluble
+riddle connected with this discovery. The stimulus to the sense by which
+the investigator affects the sleeper is not properly recognised in the
+dream, but is intermingled with a number of indefinite interpretations,
+whose determination appears left to psychical free-will. There is, of
+course, no such psychical free-will. To an external sense-stimulus the
+sleeper can react in many ways. Either he awakens or he succeeds in
+sleeping on. In the latter case he can make use of the dream to dismiss
+the external stimulus, and this, again, in more ways than one. For
+instance, he can stay the stimulus by dreaming of a scene which is
+absolutely intolerable to him. This was the means used by one who was
+troubled by a painful perineal abscess. He dreamt that he was on
+horseback, and made use of the poultice, which was intended to alleviate
+his pain, as a saddle, and thus got away from the cause of the trouble.
+Or, as is more frequently the case, the external stimulus undergoes a
+new rendering, which leads him to connect it with a repressed desire
+seeking its realisation, and robs him of its reality, and is treated as
+if it were a part of the psychical matter. Thus, someone dreamt that he
+had written a comedy which embodied a definite _motif_; it was being
+performed; the first act was over amid enthusiastic applause; there was
+great clapping. At this moment the dreamer must have succeeded in
+prolonging his sleep despite the disturbance, for when he woke he no
+longer heard the noise; he concluded rightly that someone must have been
+beating a carpet or bed. The dreams which come with a loud noise just
+before waking have all attempted to cover the stimulus to waking by some
+other explanation, and thus to prolong the sleep for a little while.
+
+
+
+
+ XII.
+
+
+Whosoever has firmly accepted this _censorship_ as the chief motive for
+the distortion of dreams will not be surprised to learn as the result of
+dream interpretation that most of the dreams of adults are traced by
+analysis to erotic desires. This assertion is not drawn from dreams
+obviously of a sexual nature, which are known to all dreamers from their
+own experience, and are the only ones usually described as “sexual
+dreams.” These dreams are ever sufficiently mysterious by reason of the
+choice of persons who are made the objects of sex, the removal of all
+the barriers which cry halt to the dreamer’s sexual needs in his waking
+state, the many strange reminders as to details of what are called
+perversions. But analysis discovers that, in many other dreams in whose
+manifest content nothing erotic can be found, the work of interpretation
+shows them up as, in reality, realisation of sexual desires; whilst, on
+the other hand, that much of the thought-making when awake, the thoughts
+saved us as surplus from the day only, reaches presentation in dreams
+with the help of repressed erotic desires.
+
+Towards the explanation of this statement, which is no theoretical
+postulate, it must be remembered that no other class of instincts has
+required so vast a suppression at the behest of civilisation as the
+sexual, whilst their mastery by the highest psychical processes are in
+most persons soonest of all relinquished. Since we have learnt to
+understand _infantile sexuality_, often so vague in its expression, so
+invariably overlooked and misunderstood, we are justified in saying that
+nearly every civilised person has retained at some point or other the
+infantile type of sex life; thus we understand that repressed infantile
+sex desires furnish the most frequent and most powerful impulses for the
+formation of dreams.[3]
+
+Footnote 3:
+
+ Freud, “Three Contributions to Sexual Theory,” translated by A. A.
+ Brill (_Journal of Nervous and Mental Disease_ Publishing Company, New
+ York).
+
+If the dream, which is the expression of some erotic desire, succeeds in
+making its manifest content appear innocently asexual, it is only
+possible in one way. The matter of these sexual presentations cannot be
+exhibited as such, but must be replaced by allusions, suggestions, and
+similar indirect means; differing from other cases of indirect
+presentation, those used in dreams must be deprived of direct
+understanding. The means of presentation which answer these requirements
+are commonly termed “symbols.” A special interest has been directed
+towards these, since it has been observed that the dreamers of the same
+language use the like symbols—indeed, that in certain cases community of
+symbol is greater than community of speech. Since the dreamers do not
+themselves know the meaning of the symbols they use, it remains a puzzle
+whence arises their relationship with what they replace and denote. The
+fact itself is undoubted, and becomes of importance for the technique of
+the interpretation of dreams, since by the aid of a knowledge of this
+symbolism it is possible to understand the meaning of the elements of a
+dream, or parts of a dream, occasionally even the whole dream itself,
+without having to question the dreamer as to his own ideas. We thus come
+near to the popular idea of an interpretation of dreams, and, on the
+other hand, possess again the technique of the ancients, among whom the
+interpretation of dreams was identical with their explanation through
+symbolism.
+
+Though the study of dream symbolism is far removed from finality, we now
+possess a series of general statements and of particular observations
+which are quite certain. There are symbols which practically always have
+the same meaning: Emperor and Empress (King and Queen) always mean the
+parents; room, a woman,[4] and so on. The sexes are represented by a
+great variety of symbols, many of which would be at first quite
+incomprehensible had not the clues to the meaning been often obtained
+through other channels.
+
+Footnote 4:
+
+ The words from “and” to “channels” in the next sentence is a short
+ summary of the passage in the original. As this book will be read by
+ other than professional people the passage has not been translated, in
+ deference to English opinion.—TRANSLATOR.
+
+There are symbols of universal circulation, found in all dreamers, of
+one range of speech and culture; there are others of the narrowest
+individual significance which an individual has built up out of his own
+material. In the first class those can be differentiated whose claim can
+be at once recognised by the replacement of sexual things in common
+speech (those, for instance, arising from agriculture, as reproduction,
+seed) from others whose sexual references appear to reach back to the
+earliest times and to the obscurest depths of our image-building. The
+power of building symbols in both these special forms of symbols has not
+died out. Recently discovered things, like the airship, are at once
+brought into universal use as sex symbols.
+
+It would be quite an error to suppose that a profounder knowledge of
+dream symbolism (the “Language of Dreams”) would make us independent of
+questioning the dreamer regarding his impressions about the dream, and
+would give us back the whole technique of ancient dream interpreters.
+Apart from individual symbols and the variations in the use of what is
+general, one never knows whether an element in the dream is to be
+understood symbolically or in its proper meaning; the whole content of
+the dream is certainly not to be interpreted symbolically. The knowledge
+of dream symbols will only help us in understanding portions of the
+dream content, and does not render the use of the technical rules
+previously given at all superfluous. But it must be of the greatest
+service in interpreting a dream just when the impressions of the dreamer
+are withheld or are insufficient.
+
+Dream symbolism proves also indispensable for understanding the
+so-called “typical” dreams and the dreams that “repeat themselves.” If
+the value of the symbolism of dreams has been so incompletely set out in
+this brief portrayal, this attempt will be corrected by reference to a
+point of view which is of the highest import in this connection. Dream
+symbolism leads us far beyond the dream; it does not belong only to
+dreams, but is likewise dominant in legend, myth, and saga, in wit and
+in folklore. It compels us to pursue the inner meaning of the dream in
+these productions. But we must acknowledge that symbolism is not a
+result of the dream work, but is a peculiarity probably of our
+unconscious thinking, which furnishes to the dream work the matter for
+condensation, displacement, and dramatisation.
+
+
+
+
+ XIII.
+
+
+I disclaim all pretension to have thrown light here upon all the
+problems of the dream, or to have dealt convincingly with everything
+here touched upon. If anyone is interested in the whole of dream
+literature, I refer him to the works of Sante de Sanctis (I sogni,
+Turin, 1899). For a more complete investigation of my conception of the
+dream, my work should be consulted: “Die Traumdeutung,” Leipzig and
+Vienna, third edition, 1911.[5] I will only point out in what direction
+my exposition on dream work should be followed up.
+
+Footnote 5:
+
+ Freud, “The Interpretation of Dreams,” third edition, translated by A.
+ A. Brill. London: George Allen and Company, Ltd.
+
+If I posit as the problem of dream interpretation the replacement of the
+dream by its latent ideas—that is, the resolution of that which the
+dream work has woven—I raise a series of new psychological problems
+which refer to the mechanism of this dream work as well as to the nature
+and the conditions of this so-called repression. On the other hand, I
+claim the existence of dream thoughts as a very valuable foundation for
+psychical construction of the highest order, provided with all the signs
+of normal intellectual performance. This matter is, however, removed
+from consciousness until it is rendered in the distorted form of the
+dream content. I am compelled to believe that all persons have such
+ideas, since nearly all, even the most normal, can have dreams. To the
+unconsciousness of dream ideas, or their relationship to consciousness
+and to repression, are linked questions of the greatest psychological
+importance. Their solution must be postponed until the analysis of the
+origin of other psychopathic growths, such as the symptoms of hysteria
+and of obsessions, has been made clear.
+
+
+
+
+ LITERATURE
+
+
+For a completer study of Dream Symbolism, consult the work of
+Artemidorus Daldianus: The Interpretation of Dreams. Rendered into
+English by “R. W.”—_i.e._, Robert Wood. The fourth edition, newly
+written. B. L., London, 1644. The last edition was published in 1786.
+
+ SCHERNER, R. A. Das Leben des Traumes. Berlin, 1861.
+
+ FREUD. The Interpretation of Dreams.
+
+For the symbolism of legend, myth, and saga compared with dreams, see—
+
+ ABRAHAM, KARL. Traum und Mythus.
+
+ RANK, OTTO. Der Mythus von der Geburt des Helden.
+
+ RIKLIN, F. Wunscherfüllung und Symbolik im Märchen.
+
+These three works are published by Franz Deuticke, Vienna.
+
+English translations are ready, or are in preparation.
+
+Recent literature will be found in—
+
+ Jahrbuch für Psychoanalytische und Psychopathologische Forschungen:
+ Franz Deuticke.
+
+ Internationale Zeitschrift für Ärztliche Psychoanalyse; and Imago
+ (both published by Hugo Heller and Co., Vienna).
+
+
+ BILLING AND SONS, LTD., PRINTERS, GUILDFORD
+
+------------------------------------------------------------------------
+
+
+
+
+ TRANSCRIBER’S NOTES
+
+
+ ● Typos fixed; non-standard spelling and dialect retained.
+ ● Enclosed italics font in _underscores_.
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK 75333 ***