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diff --git a/7516-h/7516-h.htm b/7516-h/7516-h.htm index 16aba85..71f92c8 100644 --- a/7516-h/7516-h.htm +++ b/7516-h/7516-h.htm @@ -1,13 +1,11 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> - -<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> - <head> <link rel="coverpage" href="images/cover.jpg" /> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<title> - The Project Gutenberg eBook of Crucial Instances, by Edith Wharton. -</title> -<style type="text/css"> +<!DOCTYPE html> + +<html lang="en"> + <head> <link rel="coverpage" href="images/cover.jpg" > +<meta charset="utf-8"> + +<title>Crucial Instances | Project Gutenberg</title> +<style> p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:4%;} .c {text-align:center;text-indent:0%;} @@ -54,51 +52,12 @@ display: inline-block; text-align: left;font-style:italic;} </style> </head> <body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 7516 ***</div> - -<pre> - -The Project Gutenberg EBook of Crucial Instances, by Edith Wharton - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Crucial Instances - -Author: Edith Wharton - -Posting Date: October 20, 2017 [EBook #7516] -Release Date: February, 2005 -First Posted: May 13, 2003 - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK CRUCIAL INSTANCES *** - -Produced by Charles Aldarondo, Tiffany Vergon, William -Flis, and the Online Distributed Proofreading Team -HTM version by Chuck Greif - - - - - - - - - - -</pre> - -<hr class="full" /> +<hr class="full" > <p class="c"> -<img src="images/cover.jpg" width="318" height="500" alt="" title="" /> +<img src="images/cover.jpg" alt="" title="" style="width: 318px; height: 500px"> </p> <h1>CRUCIAL INSTANCES</h1> @@ -107,20 +66,20 @@ HTM version by Chuck Greif <p class="c">EDITH WHARTON</p> -<h2><a name="TABLE_OF_CONTENTS" id="TABLE_OF_CONTENTS"></a>TABLE OF CONTENTS</h2> +<h2><a id="TABLE_OF_CONTENTS"></a>TABLE OF CONTENTS</h2> -<table border="0" cellpadding="0" cellspacing="0" summary=""> +<table style="border: none; padding: 0px; border-spacing: 0px;"> <tr><td> -<a href="#THE_DUCHESS_AT_PRAYER"><b>The Duchess At Prayer</b></a><br /> -<a href="#THE_ANGEL_AT_THE_GRAVE"><b>The Angel At The Grave</b></a><br /> -<a href="#THE_RECOVERY"><b>The Recovery</b></a><br /> -<a href="#COPY"><b>“Copy”</b></a><br /> -<a href="#THE_REMBRANDT"><b>The Rembrandt</b></a><br /> -<a href="#THE_MOVING_FINGER"><b>The Moving Finger</b></a><br /> +<a href="#THE_DUCHESS_AT_PRAYER"><b>The Duchess At Prayer</b></a><br > +<a href="#THE_ANGEL_AT_THE_GRAVE"><b>The Angel At The Grave</b></a><br > +<a href="#THE_RECOVERY"><b>The Recovery</b></a><br > +<a href="#COPY"><b>“Copy”</b></a><br > +<a href="#THE_REMBRANDT"><b>The Rembrandt</b></a><br > +<a href="#THE_MOVING_FINGER"><b>The Moving Finger</b></a><br > <a href="#THE_CONFESSIONAL"><b>The Confessional</b></a></td></tr> </table> -<h2><a name="THE_DUCHESS_AT_PRAYER" id="THE_DUCHESS_AT_PRAYER"></a>THE DUCHESS AT PRAYER</h2> +<h2><a id="THE_DUCHESS_AT_PRAYER"></a>THE DUCHESS AT PRAYER</h2> <p class="nind"><span class="smcap">Have</span> you ever questioned the long shuttered front of an old Italian house, that motionless mask, smooth, mute, equivocal as the face of a priest @@ -920,7 +879,7 @@ bosom....”</p> <p>“Heaven forbid, sir!” cried the old man, crossing himself. “Was it not the Duchess’s express wish that the relics should not be disturbed?”</p> -<h2><a name="THE_ANGEL_AT_THE_GRAVE" id="THE_ANGEL_AT_THE_GRAVE"></a>THE ANGEL AT THE GRAVE</h2> +<h2><a id="THE_ANGEL_AT_THE_GRAVE"></a>THE ANGEL AT THE GRAVE</h2> <p class="nind"><span class="smcap">The</span> House stood a few yards back from the elm-shaded village street, in that semi-publicity sometimes cited as a democratic protest against @@ -1547,7 +1506,7 @@ the fire shall be lit for you.”</p> buoyant figure hastening down the elm-shaded street. When she turned back into the empty room she looked as though youth had touched her on the lips.</p> -<h2><a name="THE_RECOVERY" id="THE_RECOVERY"></a>THE RECOVERY</h2> +<h2><a id="THE_RECOVERY"></a>THE RECOVERY</h2> <p class="nind"><span class="smcap">To</span> the visiting stranger Hillbridge’s first question was, “Have you seen Keniston’s things?” Keniston took precedence of the colonial State House, @@ -2294,7 +2253,7 @@ the world are we ever to pay her back?”</p> know of,” he imperturbably declared, “and that’s to stay out here till I learn how to paint them.”</p> -<h2><a name="COPY" id="COPY"></a>“COPY”<br /><br /> +<h2><a id="COPY"></a>“COPY”<br ><br > <small>A DIALOGUE</small></h2> <p><i>Mrs. Ambrose Dale—forty, slender, still young—sits in her drawing-room @@ -2523,20 +2482,20 @@ opens it, and reads, half to herself—)</i></p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">How much we two have seen together,<br /></span> -<span class="i2">Of other eyes unwist,<br /></span> -<span class="i0">Dear as in days of leafless weather<br /></span> -<span class="i2">The willow’s saffron mist,<br /></span> +<span class="i0">How much we two have seen together,<br ></span> +<span class="i2">Of other eyes unwist,<br ></span> +<span class="i0">Dear as in days of leafless weather<br ></span> +<span class="i2">The willow’s saffron mist,<br ></span> </div><div class="stanza"> -<span class="i0">Strange as the hour when Hesper swings<br /></span> -<span class="i2">A-sea in beryl green,<br /></span> -<span class="i0">While overhead on dalliant wings<br /></span> -<span class="i2">The daylight hangs serene,<br /></span> +<span class="i0">Strange as the hour when Hesper swings<br ></span> +<span class="i2">A-sea in beryl green,<br ></span> +<span class="i0">While overhead on dalliant wings<br ></span> +<span class="i2">The daylight hangs serene,<br ></span> </div><div class="stanza"> -<span class="i0">And thrilling as a meteor’s fall<br /></span> -<span class="i2">Through depths of lonely sky,<br /></span> -<span class="i0">When each to each two watchers call:<br /></span> -<span class="i2">I saw it!—So did I.<br /></span> +<span class="i0">And thrilling as a meteor’s fall<br ></span> +<span class="i2">Through depths of lonely sky,<br ></span> +<span class="i0">When each to each two watchers call:<br ></span> +<span class="i2">I saw it!—So did I.<br ></span> </div></div> </div> @@ -2972,7 +2931,7 @@ goes out by the door to the right. As he reaches the door she takes a step toward him, impulsively; then turning back she leans against the chimney-piece, quietly watching the letters burn.)</i></p> -<h2><a name="THE_REMBRANDT" id="THE_REMBRANDT"></a>THE REMBRANDT</h2> +<h2><a id="THE_REMBRANDT"></a>THE REMBRANDT</h2> <p class="nind">“<span class="smcap">You’re</span> <i>so</i> artistic,” my cousin Eleanor Copt began.</p> @@ -3650,7 +3609,7 @@ we were prepared to pay, we beg you—the committee begs you—to accept gift of Mrs. Fontage’s Rembrandt. Now we’ll go in and look at that little head....”</p> -<h2><a name="THE_MOVING_FINGER" id="THE_MOVING_FINGER"></a>THE MOVING FINGER</h2> +<h2><a id="THE_MOVING_FINGER"></a>THE MOVING FINGER</h2> <p class="nind"><span class="smcap">The</span> news of Mrs. Grancy’s death came to me with the shock of an immense blunder—one of fate’s most irretrievable acts of vandalism. It was as @@ -4255,7 +4214,7 @@ eyes?—Well—that was what she wanted of me and I did it—I kept together to the last!” He looked up at the picture again. “But now she belongs to me,” he repeated....</p> -<h2><a name="THE_CONFESSIONAL" id="THE_CONFESSIONAL"></a>THE CONFESSIONAL</h2> +<h2><a id="THE_CONFESSIONAL"></a>THE CONFESSIONAL</h2> <p class="nind"><span class="smcap">When</span> I was a young man I thought a great deal of local color. At that time it was still a pigment of recent discovery, and supposed to have @@ -5789,385 +5748,8 @@ the hearts of those who dreamed of fashioning her in His image.</p> <p>As for my friend, he is at peace, I doubt not; and his just life and holy death intercede for me, who sinned for his sake alone.</p> -<hr class="full" /> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Crucial Instances, by Edith Wharton - -*** END OF THIS PROJECT GUTENBERG EBOOK CRUCIAL INSTANCES *** - -***** This file should be named 7516-h.htm or 7516-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/7/5/1/7516/ - - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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