summaryrefslogtreecommitdiff
path: root/7444.txt
diff options
context:
space:
mode:
Diffstat (limited to '7444.txt')
-rw-r--r--7444.txt2468
1 files changed, 2468 insertions, 0 deletions
diff --git a/7444.txt b/7444.txt
new file mode 100644
index 0000000..16cd4d7
--- /dev/null
+++ b/7444.txt
@@ -0,0 +1,2468 @@
+The Project Gutenberg eBook of Psyche, by Molière, Translated by Charles
+Heron Wall
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Psyche
+
+
+Author: Molière
+
+
+
+Release Date: April 30, 2003 [eBook #7444]
+Most recently updated: January 9, 2009
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK PSYCHE***
+
+
+E-text prepared by Charles Franks, Delphine Lettau, and the Project
+Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)
+
+
+
+PSYCHE.
+
+by
+
+MOLIERE
+
+Translated into English Prose.
+
+With Short Introductions and Explanatory Notes.
+
+by
+
+CHARLES HERON WALL
+
+
+
+
+
+
+
+'Psyche' is a _tragedie-ballet_. Moliere had sketched the plan,
+written the prologue, the first act, and the first scenes of the
+second and third acts, when the King asked him to have the play
+finished before Lent. Pierre Corneille, then sixty years old, helped
+him, and wrote the other scenes in a fortnight. Quinault wrote the
+words of the songs.
+
+Moliere acted the part of Zephyr.
+
+
+
+PERSONS REPRESENTED.
+
+JUPITER.
+VENUS.
+LOVE.
+ZEPHYR.
+AEGIALE _and_ PHAENE, _two Graces_.
+THE KING.
+PSYCHE.
+AGLAURA.
+CIDIPPE.
+CLEOMENES _and_ AGENOR, _two princes_, PSYCHE'S _lovers_.
+LYCAS, _captain of the guards_.
+A RIVER GOD
+TWO CUPIDS.
+
+
+
+
+PROLOGUE.
+
+_The front of the stage represents a rustic spot, while at the back the
+sea can be seen in the distance._
+
+
+SCENE I.
+
+FLORA _appears in the centre of the stage, attended by_ VERTUMNUS,
+_god of trees and fruit, and by_ PALEMON, _god of the streams. Each of
+these gods conducts a troup of divinities; one leads in his train_
+DRYADS _and_ SYLVANS, _and the other_ RIVER GODS _and_ NAIADS.
+
+FLORA _sings the following lines, to invite_ VENUS _to descend
+upon earth_:--
+
+FLORA.
+
+ The din of battle is stayed;
+ The mightiest king of earth
+ His arms aside has laid;
+ Of peace 'tis now the birth!
+ Descend thou, lovely Venus,
+ And blissful hours grant us!
+
+VERTUMNUS _and_ PALEMON, _and the divinities who attend them, join
+their voices to that of_ FLORA, _and sing the following words_.--
+
+CHORUS OF DIVINITIES _of the earth and streams, composed of_
+FLORA, NYMPHS, PALEMON, VERTUMNUS, SYLVANS, FAUNS, DRYADS, _and_
+NAIADS.
+
+ A peace profound we now enjoy,
+ And games and bliss without alloy;
+ Earth's mightiest king has giv'n us rest;
+ To him be praise and thanks addrest.
+ Descend thou, lovely Venus,
+ And happy hours grant us!
+
+_Then is formed an entry of the ballet, composed of two_ DRYADS,
+_four_ SYLVANS, _two_ RIVER GODS, _and two_ NAIADS, _after which_
+VERTUMNUS _and_ PALEMON _sing the following dialogue_:--
+
+VERTUMNUS.
+ Yield, yield, ye beauties stern,
+ To sigh 'tis now your turn!
+
+PALEMON.
+ See you, the queen above,
+ She comes to breathe soft love!
+
+VERTUMNUS.
+ A fair one stern for aye
+ Ne'er wins a faithful sigh!
+
+PALEMON.
+ To woo has beauty arms,
+ But gentleness has greater charms.
+
+BOTH (_together_).
+ To woo has beauty arms;
+ But gentleness has greater charms.
+
+VERTUMNUS.
+ Seek not your hearts to shield;
+ To pine is law, and ye must yield.
+
+PALEMON.
+ Is aught more worthless born
+ Than hearts that love will scorn?
+
+VERTUMNUS.
+ A fair one stern, for aye
+ Ne'er wins a faithful sigh!
+
+PALEMON.
+ To woo has beauty arms,
+ But gentleness has greater charms.
+
+BOTH (_together_).
+ To woo has beauty arms,
+ But gentleness has greater charms.
+
+FLORA _answers the dialogue of_ VERTUMNUS _and_ PALEMON _by the
+following minuet, and the other divinities join their dances to the
+song._
+
+
+ Does wisdom say,
+ In youth's heyday,
+ Sweet love forego?
+ Be up, in haste
+ These pleasures taste
+ Of earth below.
+
+ Youth's wisdom too
+ Is love to woo,
+ And love to know.
+ If love disarms,
+ It is by charms;
+ So yield your arms.
+
+ 'Twere madness 'gainst his darts
+ To seek to shield your hearts.
+ Whate'er the bond
+ Of lover fond,
+ 'Tis sweeter chain
+ Than freedom's gain.
+
+VENUS _descends from heaven, attended by_ CUPID, _her son, and two
+Graces, called_ AEGIALE _and_ PHAENE; _and the divinities of the earth
+and the streams once more unite their songs, and continue by their
+dances to show their joy at her approach._
+
+CHORUS _of all the Divinities of the earth and the streams._
+
+ A peace profound we now enjoy,
+ And games and bliss without alloy;
+ Earth's mightiest king has giv'n us rest;
+ To him be praise and thanks addrest.
+ Descend thou, lovely Venus,
+ And happy hours grant us.
+
+VEN. (_in her chariot_). Cease, cease, all your songs of joy. Such
+rare honours do not belong to me, and the homage which in your
+consideration you now pay me ought to be reserved for lovelier charms.
+To pay your court to me is a custom indeed too old; everything has its
+turn, and Venus is no longer the fashion. There are rising charms to
+which now all carry their incense. Psyche, the beauteous Psyche,
+to-day has taken my place. Already now the whole world hastens to
+worship her, and it is too great a boon that, in the midst of my
+disgrace, I still find some one who stoops to honour me. Our deserts
+are not even fairly weighed together, but all are ready to abandon me;
+while of the numerous train of privileged graces, whose care and
+friendship followed me everywhere, I have now only two of the smaller
+ones who cling to me out of mere pity. I pray you, let these dark
+abodes lend their solitude to the anguish of my heart, and suffer me
+to hide my shame and grief in the midst of their gloom.
+
+FLORA _and the other deities withdraw; and_ VENUS _with her retinue
+descends from her chariot._
+
+
+SCENE II.--VENUS, CUPID, AEGIALE, PHAENE, CUPID
+
+AEGI. We know not what to do, goddess; while we see you overwhelmed by
+this grief, our respect bids us be silent, our zeal would have us
+speak.
+
+VEN. Speak; but if your cares would please me, leave all your advice
+for a fitter time; and speak of my wrath but to own me right; that was
+the keenest insult my divinity could ever receive; but revenge I shall
+have if gods have any power.
+
+PHA. Your wisdom, your discernment, are greater than ours in deciding
+what may be worthy of you; yet, methinks, a mighty goddess should not
+thus give way to wrath.
+
+VEN. That is the very reason of my extreme anger; the greater the
+brilliancy of my rank, the deeper the insult. If I did not stand on so
+lofty a height, the indignation of my heart would not be so violent.
+I, the daughter of the Thunderer, mother of the love-inspiring god; I,
+the sweetest yearning of heaven and earth, who received birth only to
+charm; I, who have seen everything that hath breath utter so many vows
+at my shrines, and by immortal rights have held the sovereign sway of
+beauty in all ages; I, whose eyes have forced two mighty gods to yield
+me the prize of beauty--I see my rights and my victory disputed by a
+wretched mortal. Shall the ridiculous excess of foolish obstinacy go
+so far as to oppose to me a little girl? Shall I constantly hear a
+rash verdict on the beauty of her features and of mine, and from the
+loftiest heaven where I shine shall I hear it said to the prejudiced
+world, "She is fairer than Venus"?
+
+AEGI. This is the way with mortals, this is the style of mankind; they
+are impertinent in their comparisons.
+
+PHA. In the century in which we live, they cannot praise without
+insulting great names.
+
+VEN. Ah! how well does the insolent rigour of these words avenge Juno
+and Pallas, and comfort their hearts for the dazzling glory which the
+famous apple has won me. I see them rejoicing at my sorrow, assuming
+every moment a cruel smile, and with fixed gaze carefully seeking the
+confusion that lurks in my eyes. Their triumphant joy, when this
+affront is keenest felt, seems to tell me, "Boast, Venus, boast, the
+charms of thy features; by the verdict of one man was the victory made
+over us, but by the judgment of all, a mere mortal snatches it from
+you." Ah! that blow is the direst; it pierces my heart, I cannot bear
+its unequalled severity; the pleasure of my rivals is too great an
+addition to my poignant grief. My son, if ever my feelings had any
+weight with you, if ever I have been dear to you, if you bear a heart
+that can share the resentment of a mother who loves you so tenderly,
+use here your utmost power to support my interests, and cause Psyche
+to feel the shafts of my revenge through your own darts. To render her
+miserable, choose the dart that will please me most, one of those in
+which lurks the keenest venom, and which you hurl in your wrath. See
+that she loves, even to madness, the basest and lowest of mortals, and
+let her hear the cruel torture of love unreturned.
+
+CUP. In the world nothing is heard but complaints of Cupid; everywhere
+a thousand freaks are laid to my charge, and you could not believe the
+evil and the foolish things which are daily said of me. If, to assist
+your wrath ...
+
+VEN. Be gone; no longer resist your mother's wishes; use reasoning
+only to find the shortest method of offering a sacrifice to my
+outraged glory. Let your departure be your only answer to my
+entreaties, and do not see my face again until you have avenged me.
+
+CUPID _flies off, and_ VENUS _withdraws with the two_ GRACES. _The
+scenery changes to a large town, with palaces and houses of different
+architecture on both sides of the stage._
+
+
+
+
+ACT I
+
+SCENE I.--AGLAURA, CIDIPPE.
+
+
+AGL. My sister, there are sorrows which are rendered greater by
+keeping them to ourselves; let us speak freely of our joint distress,
+and give vent in our conversations to the poignant grief which fills
+our hearts. We are sisters in misfortune, and your heart and mine have
+so much in common that we can unite them, and in our just complaints
+murmur, with a common lament, against the cruelty of our fate. My
+sister, what secret fatality makes the whole world bow before our
+younger sister's charms? and how is it that, amongst so many different
+princes who are brought by fortune to this place, not one has any love
+for us? What! must we see them on all sides pressing forward to lay
+their hearts at her feet, whilst they pass our charms slightingly by?
+What spell has heaven cast over our eyes? What have they done to the
+gods that they are thus left without homage amidst all the glorious
+tribute of which others proudly boast? Can there be for us, my sister,
+any greater trial than to see how all hearts disdain our beauty, and
+how the fortunate Psyche insolently reigns with full sway over the
+crowd of lovers who ever attend her?
+
+CID. Ah! my sister, our fate is enough to bereave one of reason, and
+all the ills of nature are nothing in comparison.
+
+AGL. At times I can almost shed tears over it; it takes away my
+happiness and my rest; my constancy finds itself powerless against
+such a misfortune; my mind is for ever dwelling over it, and the ill
+success of our charms and the triumph of Psyche are ever before my
+eyes. At night, unceasingly, comes to me the remembrance of it, and
+nothing can banish the cruel picture. As soon as sweet slumber comes
+to deliver me from it, it is immediately recalled to my memory by some
+dream which startles me from my sleep.
+
+CID. That is just what I suffer from, my sister. All that you say, I
+see myself, and you depict everything that I experience.
+
+AGL. Well, let us discuss the matter. What all-powerful charms have
+been bestowed upon her? Tell me how, by the least of her looks, she
+has acquired honour in the great art of pleasing? What is there in her
+person that can inspire such passion? What right of sway over all
+hearts has her beauty given her? She has some comeliness, some of the
+brilliancy of youth; we are all agreed upon that, and I do not gainsay
+it. But must we yield to her because we are her seniors by a few
+years? Must we, therefore, consider ourselves quite commonplace? Are
+we made so as to excite derision? Have we no charms, no power of
+pleasing, no complexion, no good eyes, no dignity and bearing, by
+which we may win hearts? Do me the favour, sister, to speak to me
+frankly. Am I, in your opinion, so fashioned that my merit is below
+hers? And do you think that she surpasses me in her attire?
+
+CID. You, my sister? By no means. Yesterday, at the hunt, I compared
+you and her for a long time, and, without flattery, you appeared to me
+the more beautiful. But tell me truly, sister, without blandishment,
+am I deceiving myself when I think that I am so framed as to deserve
+the glory of a conquest?
+
+AGL. You, my sister? You possess, without disguise, everything that
+can excite a loving passion. Your least actions are full of a charm
+which moves my soul. And I would be your lover if I were not a woman.
+
+CID. Whence comes it, then, that she bears off the palm from us; that,
+at the first glance, all hearts give up the struggle, and that no
+tribute of sighs and vows is paid to our loveliness?
+
+AGL. All the women, with one voice, find her attractions but small;
+and, sister, I have discovered the cause of the number of lovers she
+holds in thrall.
+
+CID. I guess it. We may presume that some mystery is hidden under it.
+This secret of captivating everybody is not an ordinary effect of
+nature; the Thessalian art must be mixed up in it, and, doubtless,
+some one has given to her a charm by which she makes herself beloved.
+
+AGL. My opinion is founded on a more solid basis, and the charms by
+which she draws all hearts to herself are a demeanour at all times
+free of reserve; caressing words and looks; a smile full of sweetness,
+which invites everyone, and promises them nothing but favours. Our
+glory is departed; and that lofty pride which, by a full observance of
+noble trials, exacted a proof of the constancy of our lovers, exists
+no longer. We have degenerated, and are now reduced to hope for
+nothing unless we throw ourselves into the arms of the men.
+
+CID. Yes, that is the secret; and I see that you understand it better
+than I. It is because we cling too much to modesty, sister, that no
+lovers come to us; it is because we try to sustain too strictly the
+honour of our sex and of our birth. Men, nowadays, like what comes
+easily to them; hope attracts them more than love; and that is how
+Psyche deprives us of all the lovers we see under her sway. Let us
+follow her example, and suit ourselves to the times; let us stoop,
+sister, to make advances, and let us no longer keep to those dull
+morals which rob us of the fruits of our best years.
+
+AGL. I approve of this idea; and we have an opportunity of making a
+first trial of it upon the two princes who have last arrived. They are
+charming, sister, and to me their whole person.... Have you noticed
+them?
+
+CID. Ah! Both are formed in such a mould that my soul.... They are
+perfect, my sister.
+
+AGL. I think we might seek their affections without dishonour to
+ourselves.
+
+CID. I think that, without shame, a beautiful princess might bestow
+her heart upon them.
+
+AGL. Here they both are. I admire their manners and attire.
+
+CID. They in no way fall short of all that we have said of them.
+
+
+SCENE II.--CLEOMENES, AGENOR, AGLAURA, CIDIPPE.
+
+AGL. Wherefore, princes, wherefore do you thus hasten away? Does our
+appearance fill you with fear?
+
+CLE. We were led to believe, Madam, that the Princess Psyche might be
+here.
+
+AGL. Has this place no longer any charm for you if it is not adorned
+by her presence?
+
+AGE. This place may be pleasant enough, but in our impatience we would
+find the Princess Psyche.
+
+CID. Something very important must doubtless be urging you both to
+seek her.
+
+CLE. The motive is powerful enough, since our happiness depends
+entirely upon her.
+
+AGL. Might we be allowed to inquire into the secret implied by these
+words?
+
+CLE. We do not pretend to make a mystery of it. Indeed, it would show
+itself in spite of us; and the secret, Madam, does not last long when
+it is love.
+
+CID. Without further words, Princes, it means that you are both in
+love with Psyche.
+
+AGE. We are both under her sway, and we go with one accord to declare
+our passion to her.
+
+AGL. It is certainly something quite new, and rather odd, to see two
+rivals so well agreed.
+
+CLE. It is true that the thing is rare; but it is not impossible for
+two perfect friends.
+
+CID. In this spot, is she the only fair one, and can you find none
+other with whom to divide your admiration?
+
+AGL. Amongst all the nobly born, is she the only one whom your eyes
+deem worthy of your tenderness?
+
+CLE. Do we reason when we fall in love? Do we choose the object of our
+attachment? And when we bestow our hearts, do we weigh the right of
+the fair one to fascinate us?
+
+AGE. Without having the power of choosing, we follow in such a passion
+something which delights us; and when love touches a heart, we have no
+reasons to give.
+
+AGL. Indeed, I pity the painful troubles to which I see your hearts
+expose themselves. You love one whose bright charms will mingle grief
+with the hopes they hold out to you, and whose heart will not fulfil
+all that her eyes promise.
+
+CID. The hope which calls you into the rank of her lovers will
+experience many disappointments in the favours she bestows; and the
+fitful changes of her inconstant heart will cause you many painful
+hours.
+
+AGL. A clear discernment of your worth makes us pity the fate into
+which this passion will lead you; and if you wished, you could both
+find a more constant heart and charms as great.
+
+CID. A choice sweeter by half can rescue your mutual friendship from
+love; and there is such a rare merit apparent in you both that a
+gentle counsel would, out of pity, save your hearts from what they are
+preparing for themselves.
+
+CLE. This generous advice shows us a kindness which touches our
+hearts; but heaven, madam, reduces us to the misfortune of not being
+able to profit by it.
+
+AGE. Your illustrious pity would in vain dissuade us from a love of
+which we both dread the result. What our friendship, Madam, has not
+done cannot be effected by any other means.
+
+CID. The power of Psyche must have.... Here she is.
+
+
+SCENE III.--PSYCHE, CIDIPPE, AGLAURA, CLEOMENES, AGENOR.
+
+CID. Come, sister, and enjoy what is offered to you.
+
+AGL. Prepare your charms to receive here a new triumph.
+
+CID. These two princes have both so well felt the power of your beauty
+that their lips are eager to declare it.
+
+PSY. I little thought myself to be the cause of their pensiveness, and
+I should have expected it to be quite otherwise when I found them
+talking to you.
+
+AGL. We have neither sufficient rank nor beauty to make us deserving
+of their love and solicitude, but they favour us with the honour of
+their confidence.
+
+CLE. (_to_ PSYCHE). The avowal which we would make to your divine
+charms, Madam, is, no doubt, a rash one; but so many hearts, on the
+point of expiring, are by such avowals obliged to displease you, that
+you have ceased to punish them by the terrors of your wrath. You see
+in us two friends who were joined in childhood by a happy similarity
+of feeling, and this tender union has been strengthened by a hundred
+contests of esteem and gratitude. The attachment of our friendship has
+been proved in the severe assaults of unfavourable fortune, the
+contempt of death, the sight of torture, and the glorious splendour of
+mutual good offices; but whatever trials it may have endured, to-day
+witnesses its greatest triumph, and nothing proves so much its tried
+fidelity as its duration through the rivalry of love. Yes, in spite of
+so many charms, its constancy subjects our vows to the laws it gives
+us. It comes with sweet and entire deference, to submit the success of
+our passion to your choice; and, to give a weight to our competition
+which may bring the balance of state reasons to favour the choice of
+one of us, this friendship intends of free will to unite our two
+estates to the fortune of the happy one.
+
+AGE. Yes, Madam, we wish to make of these two estates, which we
+propose to unite under your happy choice, a help towards obtaining
+you. The sacrifice which we make to the king, your father, in order to
+ensure this happiness, has nothing difficult in it to our loving
+hearts, and it will be a necessary gift that the rejected unfortunate
+should make over to the one who is fortunate a power which he will no
+longer know bow to enjoy.
+
+PSY. Princes, you both display to my eyes a choice so precious and
+dazzling that it would satisfy the proudest heart. But your passion,
+your friendship, your supreme virtue, all increase the value of your
+vows of fidelity, and make it a merit that I should oppose myself to
+what you ask of me. I must not listen to my heart only before engaging
+in such a union, but my hand must await my father's decision before it
+can dispose of itself, and my sisters have rights superior to mine.
+But if I were referred absolutely to my own wishes, you might both
+have too great a share in them, and my entire esteem be so evenly
+balanced between you that I should not be able to decide in favour of
+either. I would indeed respond with most affectionate interest to the
+ardour of your suit, but amid so much merit two hearts are too much
+for me, one heart too little for you. The accomplishment of my dearest
+wishes would be to me a burden were it granted to me by your love.
+Yes, Princes, I should greatly prefer you to all those whose love will
+follow yours, but I could never have the heart to prefer one of you to
+the other. My tenderness would be too great a sacrifice to the one
+whom I might choose, and I should think myself barbarously unjust to
+inflict so great a wrong upon the other. Indeed, you both possess such
+greatness of soul that it would be wrong to make either of you
+miserable, and you must seek in love the means of being both happy. If
+your hearts honour me enough to give me the right of disposing of
+them, I have two sisters well fitted to please, who might make your
+destinies happy, and whom friendship endears to me enough for me to
+wish that you should be their husbands.
+
+CLE. Can a heart whose love, alas! is extreme, consent to be given
+away by her it loves? We yield up our two hearts, Madam, to your
+divine charms, even should you doom them to death; but we beg you not
+to make them over to any one but yourself.
+
+AGE. It would be too unjust to the princesses, Madam, and too poor a
+tribute to their charms, if we should give to them the remains of a
+former affection. Only the faithful purity of a first love deserves to
+aspire to the honour to which your kindness invites us, for each of
+your sisters merits a love which has sighed for her alone.
+
+AGL. It seems to me, Princes, without any offence, that before thus
+refusing, you might wait until our intentions had been declared. Do
+you think our hearts so susceptible and tender? And when people
+propose your offering yourselves to us, are you so sure of being
+accepted?
+
+CID. I think our sentiments are lofty enough to lead us to refuse a
+heart which wants soliciting; and we wish to conquer our lovers by the
+power of our own merit.
+
+
+SCENE IV.--PSYCHE, AGLAURA, CIDIPPE, CLEOMENES, AGENOR, LYCAS.
+
+LYC. (_to_ PSYCHE). Ah! Madam!
+
+PSY. What is the matter?
+
+LYC. The king....
+
+PSY. What?
+
+LYC. Requests your presence.
+
+PSY. What am I to augur from your agitation?
+
+LYC. You will know it only too soon.
+
+PSY. Alas! how you excite my fears about the king!
+
+LYC. Fear only for yourself; you are the one to be pitied.
+
+PSY. I can praise heaven, and be no longer anxious, when I know that I
+am the only one in danger. But tell me, Lycas, what alarms you.
+
+LYC. Suffer me, Madam, to obey him who sent me hither; and I beg of
+you, learn from his lips what troubles me thus.
+
+PSY. Let us go and hear what this is which makes them fear that my
+courage will fail me.
+
+
+SCENE V.--AGLAURA, CIDIPPE, LYCAS.
+
+AGL. If your orders do not extend to us, tell us what great misfortune
+is hidden under your sadness.
+
+LYC. Alas! hear for yourselves, princesses, the great misfortune which
+is known to the whole court. These are the very words which, through
+the oracle, destiny has spoken to the king, and which grief, Madam,
+has engraven on my heart:--
+
+ "No one must think to lead
+ Psyche to Hymen's shrine;
+ But all with earnest speed,
+ In pompous mournful line,
+ High to the mountain crest
+ Must take her; there to await,
+ Forlorn, in deep unrest,
+ A monster who envenoms all,
+ Decreed by fate her husband;
+ A serpent whose dark poisonous breath
+ And rage e'er hold the world in thrall,
+ Shaking the heavens high and realms of death."
+
+After so severe a decree, I leave you to judge for yourselves if the
+gods could have manifested their wrath in a more cruel and fearful
+manner.
+
+
+SCENE VII.--AGLAURA, CIDIPPE.
+
+CID. How does this sudden misfortune into which destiny has plunged
+Psyche affect you, sister?
+
+AGL. But how does it affect you, sister?
+
+CID. To speak the truth, my heart is not very much grieved at it.
+
+AGL. My heart feels something which very much resembles joy. Let us
+go; Fate has sent us a calamity which we can consider as a blessing.
+
+
+FIRST INTERLUDE.
+
+_The scenery changes to horrible rocks, and shows a dreadful cavern in
+the distance. It is in this desert that_ PSYCHE, _in obedience to the
+oracle, is to be exposed. A band of afflicted people come to bewail
+her death. Some give utterance to their pity by touching complaints
+and mournful lays, while the rest express their grief by a dance full
+of every mark of the most violent despair_.
+
+WAILINGS _sung by a woman and two men_.
+
+WOMAN.
+ Ah! weep with me, ye forests;
+ Ye mighty rocks of hardest adamant,
+ Ye Springs, ye beasts,
+ Lament the fate of one so fair.
+
+1ST MAN.
+ Alas! dire grief
+
+2ND MAN.
+ Without relief!
+
+1ST MAN.
+ Cruel death!
+
+2ND MAN.
+ Fell decree
+
+ALL THREE (_together_).
+ Of sternest fate that dooms to die
+ Such beauty rare! Oh! heavens high!
+ And stars! behold! and sigh!
+
+WOMAN.
+ My sad, sad lay repeat,
+ Ye caverns deep;
+ With notes of sorrow greet
+ Her death, ye mountains steep;
+ Re-echo, woods, and silent hills,
+ My grief; and ye, soft rippling rills!
+
+1ST MAN.
+ Alas! dire grief
+
+2ND MAN.
+ Without relief!
+
+1ST MAN.
+ Cruel death!
+
+2ND MAN.
+ Fell decree
+
+ALL THREE (_together_).
+ Of sternest fate that dooms to die
+ Such beauty rare! Oh! heavens high!
+ And stars! behold! and sigh!
+
+2ND MAN.
+ Who then, eternal gods, will doom
+ A guiltless maid to lasting gloom?
+ Oh! this thy rigour, heaven, shames
+ Hell's unrelenting flames!
+
+1ST MAN.
+ Cruel will
+
+2ND MAN.
+ Of gods severe!
+
+THE TWO MEN.
+ Say why this hard decree,
+ To crush a heart so free
+ From guilt or stain?
+ Oh! fell edict unheard ere this!
+ Thou doomest a maid who showers bliss
+ Upon the mortal race.
+ She the sad earth would grace,
+ And would give life for pain!
+
+WOMAN.
+ All tears are idle, all sighs.
+ Heaven wills it so--she dies!
+ Whene'er the gods their powers wield,
+ All man can do--is but to yield.
+
+1ST MAN.
+ Alas! dire grief
+
+2ND MAN.
+ Without relief!
+
+1ST MAN.
+ Cruel death!
+
+2ND MAN.
+ Fell decree!
+
+
+
+
+ACT II.
+
+SCENE I.--THE KING, PSYCHE, AGLAURA, CIDIPPE, LYCAS, _and_ FOLLOWERS.
+
+
+PSY. The cause of your tears, my Lord, is dear to me; but you are too
+kind when you allow a father's love to overmaster the duties of a
+great king. The homage which here you pay to nature is fraught with
+too much injury to the rank which you hold. I must decline its
+touching favours. Check somewhat the sway of your grief over your
+wisdom, and cease to honour my destiny with tears, which, springing
+from a king's heart, show weakness.
+
+KING. Ah! my daughter! close not my eyes to these tears; my grief is
+reasonable, even though it be extreme; and when such a loss as mine
+must endure for ever, wisdom herself, believe me, may weep. 'Tis in
+vain that pride of regal sway bids us be insensible to such
+calamities; as vain for reason to come to our help, and desire us to
+see with unmoved eye the death of what we love. The effort required is
+barbarous in the eyes of the universe--'tis brutality rather than
+highest virtue. In this misfortune I will not wear a show of
+insensibility, and hide the grief I feel. I renounce the vanity of
+this fierce callousness, known as fortitude, and whatever be the name
+given to the keen pain, the pangs of which I feel, I will exhibit it,
+my daughter, to the gaze of all, and in the heart of a king display
+that of a man.
+
+PSY. I deserve not this violent grief. Seek, I pray, to resist the
+claims it asserts over your heart, whose might a thousand events have
+marked. What! for me, my Lord, you must abandon that kingly firmness
+of which, under the blows of misfortune, you have shown such perfect
+proofs?
+
+KING. In numberless occasions firmness is easy. All revolutions to
+which ruthless fortune can expose us--loss of rank, persecution,
+envy's venom, hatred's dart--present nothing which the will of a soul,
+but a little swayed by reason, cannot easily brave. But those rigours
+which crush the heart under the weight of bitter grief are ... are the
+cruel darts of those severe decrees of fate which deprive us for ever
+of our loved ones. Against such ills reason offers no available
+weapons. These are the direst blows that the gods in their wrath can
+hurl against us!
+
+PSY. My Lord, one consolation is still left you. Your marriage has
+been graced with more than one gift from the gods, and by hiding me
+from your sight, they with open favour deprive you of nothing but what
+they have not carefully made good for you. Enough remains to relieve
+your sorrow, and this law of heaven which you call cruel leaves
+sufficient room in the two princesses, my sisters, for paternal love
+wherein to place all its kindness.
+
+KING. Ah! empty comfort to my sorrow. There is naught that can console
+me for thy loss. My grief fills my soul, I am conscious of nothing
+else; in presence of such cruel destiny, I look to what I lose, and
+see not what I still retain.
+
+PSY. My Lord, you know better than myself that we must rule our will
+by that of heaven; and in this sad farewell I can only say to you that
+which you can much better say to others. These gods are sovereign
+lords of the gifts they deign to offer us; they leave them in our
+hands so long only as it pleases them; when they withdraw them, we
+have no right to murmur over the favours which their hands refuse any
+longer to pour upon us. My Lord, I am a gift they have offered to your
+vows, and when, by this decree, they wish to take me back, they
+deprive you of nothing that you do not hold from them; and it is
+without a murmur that you must resign me.
+
+KING. Ah! seek, I pray, better foundations for the comfort thy heart
+would offer me. Do not by the fallacy of thy reasoning increase the
+burden of the piercing grief which now torments me. Dost thou imagine
+that thou givest me a powerful reason why I should not complain of
+this decree of heaven? and in this proceeding of the gods, of which
+thou biddest me be satisfied, dost thou not clearly see a deadly
+severity? Consider the state in which the gods force me to resign
+thee, and that in which my hapless heart received thee. Thou shalt
+know then that they take from me much more than they gave: from them I
+received in thee, my daughter, a gift I did not ask for; then I found
+in it but few charms, and without joy I saw my family increased by it.
+But my heart and my eyes have made a sweet habit of this gift. Fifteen
+years of care, of watchfulness, of study, have I employed to render it
+precious to me. I have decked it with the lovely wealth of a thousand
+brilliant virtues; I have enshrined in it, by assiduous care, the
+rarest treasures that wisdom yields; to it clings the tenderness of my
+soul. I have made it the charm, the joy of this heart, the solace of
+my wearied senses, the sweet hope of my old age. All this they take
+from me--these gods! And thou wouldst have me utter no complaint
+concerning this dire edict from which I suffer! Ah! with too much
+rigour their power tramples upon the affections of our heart. To
+withdraw their gift, have they not waited till I had made it my all?
+Rather, if it was their purpose to remove it, had it not been better
+to give me nothing?
+
+PSY. My Lord! dread the wrath of those gods whom you dare upbraid.
+
+KING. After this blow, what more can they inflict on me?
+
+PSY. Ah! my Lord! I tremble for your sins, of which I am the cause; I
+hate myself for this....
+
+KING. Ah! let them bear with my legitimate complaints; 'tis pain
+enough for me to obey them; it ought to suffice them that my heart
+abandons thee to the barbarous respect we must bear them, without
+claiming also to control the grief that so frightful a decree calls
+forth. My just despair can know no bounds. My grief, my grief, I will
+nurse it for ever! I will feel for ever the loss I sustain, of
+heaven's rigour I will always raise high my complaint; until death I
+will unceasingly weep for that than which the whole world could give
+me naught more precious.
+
+PSY. Ah! I pray you, my Lord, spare my weakness. I need constancy in
+these circumstances. Add not to the excess of my grief by the tears of
+your fondness. My sorrow alone is deep enough; my fate and your grief
+are too much for my heart.
+
+KING. True! I must spare thee my disconsolate trouble. The fatal
+moment has come. I must tear myself from thee; but how can I utter
+this dreadful word? And yet I must! Heaven commands it. An unavoidable
+cruelty forces me to leave thee in this fatal spot. Farewell, I go...
+Farewell.
+
+
+SCENE II.--PSYCHE, AGLAURA, CIDIPPE.
+
+PSY. Follow the king, my sisters; dry his tears, solace his grief. You
+would fill him with alarm were you to, expose yourselves to my
+misfortune. Preserve for him whatever he possesses still; the serpent
+I expect might prove hurtful to you, and draw you in the same fate as
+myself; nay, through _your_ death might cause me a second death.
+Me alone has heaven condemned to his poisonous breath; nothing could
+save me; and I need no example to die.
+
+AGL. Grudge us not this cruel privilege of mingling our tears with
+your sorrows; suffer our sighs to answer your last sighs; accept this
+last pledge of our tender love.
+
+PSY. 'Tis but to lose yourselves to no purpose.
+
+CID. 'Tis to hope for a miracle in your favour, or to accompany you to
+the tomb.
+
+PSY. What room is there for hope after such an oracle?
+
+AGL. An oracle is ever veiled in obscurity; the more we believe that
+we know its meaning, the less do we understand it. Perhaps, after all,
+you must expect from it nothing but glory and happiness. Suffer us,
+dear sister, to behold this mortal dread deceived by a worthy issue;
+or at least let us die with you, if heaven does not show itself more
+propitious to our prayers.
+
+PSY. Dear sister, lend a readier ear to nature's voice, which summons
+you to stand by the king. You love me too much, and duty murmurs; you
+know its unavoidable laws. A father ought to be dearer to you than
+myself; become both the mainstays of his old age. A thousand kings, a
+thousand rival kings, cherish love for you; you both owe your father a
+son-in-law and grandchildren. A thousand kings vie with each other to
+whisper their vows to you. Me alone the oracle demands, and alone,
+too, I will die, if I can, without weakness, or, if not, at least
+without you as witnesses of that little which nature has left me.
+
+AGL. Then by sharing your woe we annoy you!
+
+CID. I dare go somewhat further, we offend you!
+
+PSY. No; but you add to my torture, and perhaps increase the wrath of
+heaven.
+
+AGL. It is your will; we go. May that same heaven, more just, and less
+severe, decree for you the fate we desire, and for which our sincere
+friendship, in spite of you and of the oracle, still hopes!
+
+PSY. Farewell. This hope, these vows, my sisters, none of the gods
+will ever fulfil.
+
+
+SCENE III.--PSYCHE (_alone_).
+
+Alone, at last, I can look on this terrible change, which from the
+summit of highest glory hurls me to the tomb. This glory was without
+parallel. Its sheen spread from pole to pole; all kings seemed created
+to love me; all their subjects, looking upon me as on a goddess, were
+but now beginning to accustom me to the incense they never ceased to
+offer; sighs followed me, for which I gave naught in return. My soul
+remained fancy-free, while it captivated so many, and in the midst of
+so much love was queen of all hearts, and yet mistress of my own. Oh!
+heaven! hast thou counted a crime this want of feeling? All this
+severity which thou dost exhibit, is it because in return for their
+vows I have given nothing but esteem? If such be thy law, why didst
+thou not create in me that which merit and love create in others,
+and.... But what do I see here?
+
+
+SCENE IV.--CLEOMENES, AGENOR, PSYCHE.
+
+CLE. Behold in us two friends, two rivals, whose only wish is to
+expose our life to save yours.
+
+PSY. Can I listen to you when I have refused two sisters? Princes!
+think you that you could defend me against heaven? To surrender
+yourselves to the serpent, whose coming I must await here, is but a
+despair ill-becoming great hearts; and to die when I die is to
+overwhelm a sensitive, soul, that already has but too many sorrows.
+
+AGE. A serpent is not invincible; Cadmus, who loved no one, slew Mars'
+own reptile. We love, and Love makes everything possible for the heart
+that follows his standard, for the hand of whose darts he is himself
+the guide.
+
+PSY. Do you expect his aid in behalf of an ungrateful one whom all his
+shafts have been unable to wound? Think you he can stay his vengeance,
+when 'tis bursting forth, and help you to release me from its stroke?
+Even if you should serve me, even if you should restore me to life,
+what reward do you hope for from that which knows no love?
+
+CLE. It is not by the hope of so lovely a reward that we are animated.
+We seek only to obey the dictates of a love that dares not presume,
+whatever its efforts may be, that it can be so fortunate as to please
+you, so worthy as to kindle within you a responsive flame.
+
+AGE. Live, fair princess, and live for another; we will behold it with
+a jealous eye, we will die of it, yet of a death sweeter far than if
+we had to see you die. If we cannot save your life by the loss of
+ours, whatever love you may prefer to ours, we are ready to die of
+grief and of love.
+
+PSY. Live, Princes, live, and no longer seek to ward off or to share
+my fate. I believe I have told you, heaven seeks me alone; me alone
+has it condemned. Methinks, I hear already the deadly hissing of its
+minister, who even now draws nigh. My dread pictures him to me, ever
+offers him to my view. Fear has mastered all my feelings; under its
+influence I see him on the summit of this rock; I sink for very
+weakness, and my fainting heart scarce keeps up a remnant of courage.
+Farewell, Princes; flee, lest he poison you.
+
+AGE. We have seen nothing as yet to astonish us. And since you deem
+your death so nigh, if strength fail you, we have both arms and hearts
+which hope never forsakes. It may be a rival has dictated this oracle;
+and gold has made its interpreter speak. It would be no miracle if a
+man has answered in the stead of a dumb deity; and everywhere we have
+but too many examples that temples, no less than other places, are the
+abode of the wicked.
+
+CLE. Suffer us to oppose to the cowardly ravisher to whom sacrilege
+abandons you a love that heaven has chosen for the defender of the
+only fair one for whom we wish to live. If we dare not aspire to her
+possession, at least, in the midst of her danger, allow us to follow
+the ardour and dictates of our passion.
+
+PSY. These dictates, this extreme ardour, with which your hearts are
+filled in my behalf, obey them in behalf of others, in behalf of my
+sisters. Live for them, since I die. Lament the cruel rigour of my
+fate; and by your death do not give my sisters new ground for sorrow.
+These are my last wishes, and in all ages the orders of the dying have
+been received as law.
+
+CLE. Princess....
+
+PSY. Once more, Princes, live for my sisters. So long as you love me,
+you must obey me; do not drive me to hate you, and to look upon you as
+rebels for being too faithful to me. Go, leave me to die alone in this
+spot, where I have no voice left except to say farewell. But I feel
+myself lifted up, and the air opens a road whence you will no longer
+hear this dying voice. Farewell, Princes, farewell, for the last time.
+See, can you doubt my destiny?
+
+PSYCHE _is borne through the air by two_ ZEPHYRS.
+
+AGE. We lose sight of her. Prince, let us both seek on the summit of
+this rock some means of following her.
+
+CLE. Let us seek those of not surviving her.
+
+
+SCENE V.--LOVE (_in the air_).
+
+LOVE. Die, then, rivals of a jealous god, whose wrath you have
+deserved, since your heart was sensible to the same charms. And thou,
+Vulcan, fashion a thousand brilliant ornaments to adorn the palace
+where Love will dry Psyche's tears, and yield himself her slave.
+
+
+SECOND INTERLUDE.
+
+_The scene changes to a splendid terrace, surrounded by pillars
+emblazoned with golden figures. The whole represents a magnificent
+palace, which_ LOVE _designs for_ PSYCHE. _Six_ CYCLOPS, _accompanied
+by four_ FAIRIES, _introduce a ballet, and, whilst keeping time,
+give the last touches to four huge silver vases which the_ FAIRIES
+_have brought. The ballet is twice interrupted by this recitation of_
+VULCAN, _which he gives out in two parts._
+
+
+PART I.
+
+ Hasten, these seats prepare
+ For heaven's gentlest god.
+ No strength, no effort spare;
+ With mighty zeal and constant care
+ Do now, my lads, what must be done.
+ When Love commands us--see!
+ What haste too great can be?
+
+ Great Love no lazy hand will brook;
+ So work with might and main.
+ Your ancient hammers ply,
+ And sparks will swiftly fly
+ Beneath your arms that rain
+ The fast, resounding blows;
+ While zeal to please him glows
+ Within your heaving breasts.
+
+
+PART II.
+
+ Then serve a god so kind,
+ Who loves great zeal to find.
+ No strength, no effort spare;
+ With mighty zeal and constant care
+ Do now, my lads, what must be done.
+ When Love commands us--see!
+ What haste too great can be?
+
+ Great Love no lazy hand can brook;
+ So work with might and main.
+ Your ancient hammers ply,
+ And sparks will swiftly fly
+ Beneath your arms that rain
+ The fast, resounding blows,
+ While zeal to please him glows;
+ Within your heaving breasts.
+
+
+
+
+ACT III.
+
+SCENE I.--LOVE, ZEPHYR.
+
+
+ZEP. Yes! right gallantly have I acquitted myself of your errand; and
+from the summit of that rock I have softly borne this beauty through
+the air to this enchanted palace, where, with full freedom, you can
+decree her fate. Yet you astonish me by this mighty change in your
+appearance. That figure, that countenance, that costume, perfectly
+conceal your real being, and I defy the most cunning to see in you
+to-day the god of love.
+
+LOVE. 'Tis because I do not wish to be known to Psyche. 'Tis my heart,
+my heart alone, I wish to unfold; nothing more than the sweet raptures
+of this keen passion, which her charms excite within it. To express
+its gentle pining, and to hide what may be from those eyes that impose
+on me their will, I have assumed this form which thou seest.
+
+ZEP. You are a master in everything; this is how I know it. Often the
+gods, when in love, have been seen assuming various disguises, seeking
+to alleviate the pleasing wound inflicted on all hearts by your fiery
+darts; but in good sense you outstrip them. Yours is the form
+necessary for succeeding with the lovely sex, for whom we sigh. Yes,
+the assistance derived from that form is powerful; and, apart from
+rank and wit, whoever finds the means of being so fashioned does not
+sigh in vain.
+
+LOVE. I have decided, my dear Zephyr, to remain always thus; and the
+oldest of all loves cannot be blamed for this. It is time to issue
+from this long infancy, that wears out my patience. It is time,
+henceforth, that I should be grown up.
+
+ZEP. You are right. You cannot do better; and you are initiated into a
+mystery that demands no childish powers.
+
+LOVE. This change will, no doubt, vex my mother.
+
+ZEP. I foresee some anger in that quarter, although disputes about age
+ought not to exist among immortals; yet, your mother Venus shares the
+spirit of beauties, who do not like grown-up children. But whereat I
+fancy her offended is the line of conduct you are pursuing; and 'tis a
+strange method of avenging her, to love the beauty she wished to see
+punished. This hatred to which she expects the power of a son
+generally feared by the gods to answer....
+
+LOVE. Let us drop this discourse, Zephyr, and tell me whether thy eyes
+do not find Psyche the fairest woman in the world? Is there aught on
+the earth, aught in heaven, that could seize from her the glorious
+title of matchless beauty? But I see her, my dear Zephyr, wondering at
+the splendours of this spot.
+
+ZEP. You can show yourself, to put an end to her torture, and unfold
+to her her glorious destiny. Speak to one another all that sighs,
+lips, and glances can speak. As a discreet confident, I know my duty,
+and will not interrupt lovers' secrets.
+
+
+SCENE II.--PSYCHE (_alone_).
+
+Where am I? and in a spot I deemed deserted, what skilled hand has
+reared this palace, which art and nature deck with the rarest gifts
+that the eye could ever admire. Everything smiles, shines, sparkles in
+this garden, in these apartments, whose pompous furniture presents
+nothing that does not charm and flatter the beholder; and
+whithersoever my fears lead me, I see under my feet naught but gold or
+flowers. Can heaven have formed this world of wonders for the abode of
+a serpent? And when, by this sight, it amuses and stays the unequalled
+rigour of my jealous fate, does it wish to show that it repents of it?
+No, no; this is the darkest, the keenest shaft of its hatred, so
+fertile in its cruelties. This hatred, by a renewed and unparalleled
+sternness, lays before my gaze the choice it has made of all that is
+fairest in the world, only that I may leave it with deeper regret.
+
+How foolish is my hope if it fancies it can thus alleviate my pain.
+Every moment that my death is delayed becomes a new misfortune for me;
+the more it stays its coming, the oftener I die.
+
+Leave me no longer to pine; come, take thy victim, monster, whose
+mission it is to slay me. Wouldst thou have me seek thee? and must I
+rouse thy fury to devour me? If heaven wills my death, if my life be a
+crime, dare at length to seize whatever little remains of it; I am
+tired of murmuring against a lawful penalty; I am weary of sighs;
+come, that I may end the death I am dying.
+
+
+SCENE III.--LOVE, PSYCHE, ZEPHYR.
+
+LOVE. Behold this serpent, this pitiless monster, whom a wonderful
+oracle has prepared for you, and who perhaps does not inspire such
+dread as you had imagined.
+
+PSY. You, my Lord! you are that monster who, so spoke the oracle,
+threatens my sad life? you, who seem rather a god, deigning
+miraculously to come yourself to my rescue?
+
+LOVE. What need of help in the midst of an empire where all that
+breathes only awaits your look to do its bidding, where I am the only
+monster you have to fear?
+
+PSY. But small is the fear that a monster like you inspires, and if it
+has any venom, a soul has little reason to venture on the least
+complaint against a pleasing poison, the cure of which all the heart
+would dread! Scarce do I behold you than already my calmed fears
+suffer the image of death to vanish; and I feel I know not what
+unknown fire flow through my frozen veins: Esteem I have felt, and
+kindness, friendship, gratitude; compassion's innocent sorrows have
+made me know its power, but I have not yet felt what I now feel. I
+know not what it is, but I know that it fills me with delight, and
+causes me no alarm. The longer I gaze on you, the more I feel the
+spell. Nothing that I have ever felt had the same effect; and I would
+tell you, my Lord, that I love you, did I know what love is. Turn them
+not away, those eyes that poison me, those eyes so tender, so
+piercing, yet so loving, that look as if they shared the confusion
+they cause me. Alas! the more dangerous they prove, the more fondly I
+cling to them. What decree of heaven is it which I cannot understand,
+that forces me to tell you more than I should? I, whose modesty ought
+at least to wait that you explain the confusion that, I see, is within
+you. You sigh, my Lord, as I sigh; your senses, like mine, seem
+amazed. 'Tis my duty to be silent concerning this, yours to speak it,
+yet it is I who tell this to you.
+
+LOVE. Your heart, Psyche, has ever been too insensible, and you must
+not wonder if, to repair the insult, Love now pays himself with usury
+for that which your soul ought to have granted him. The time is come
+in which your lips must breathe those sighs so long restrained; and
+while it draws you from that fierce humour, an endless rapture, as
+sweet as it is unknown, must wound you as deeply as it ought to have
+wounded you during those golden days the course of which your
+unfeeling soul has profaned.
+
+PSY. Not to love is, then, a great crime?
+
+LOVE. Do you suffer a hard punishment for it?
+
+PSY. The punishment is mild indeed.
+
+LOVE. The penalty is suited to the offence; and Love, on this glorious
+day, avenges himself of lack of love by an excess of love.
+
+PSY. Would I had been punished before! My life's happiness lies in it.
+I ought to blush at it, or to whisper it low, but this torture has too
+many charms. Suffer me to say, and to repeat it aloud; though I said
+it a hundred times, I would never blush for it. It is not I who speak;
+and the wonderful empire, the amiable violence of your presence, sway
+my voice as soon as I begin to speak. Vainly does my modesty take
+secret offence at it; vainly would my sex and decency bind me to other
+laws; it is your eyes that dictate my answer, and my lips, the slaves
+of their almighty power, no longer consult me on the self-respect I
+owe myself.
+
+LOVE. Fair Psyche, believe what these eyes tell you. Let yours vie
+with each other in instructing me of all your emotions. Trust this
+sighing heart, which, so long as yours will answer, will tell you more
+by a sigh than a hundred looks can express. 'Tis the sweetest
+language, the most powerful, the truest of all!
+
+PSY. The understanding of it was due to both our hearts to make them
+equally satisfied. I have sighed, you have understood me; you sigh,
+and I heard you. But release me from doubt, my Lord, and tell me, if
+by the same road Zephyr has led you hither after me; to tell me what I
+hear now. When I arrived here, were you expected? and when you speak
+to him, are you obeyed?
+
+LOVE. The empire I exercise over this sweet climate is as sovereign as
+yours is over my heart. _Love_ is favourable to me, and 'tis for his
+sake that Aeolus has placed Zephyr under my command. It was Love who,
+to reward my passion, dictated this oracle, by which your fair days
+that were threatened have been released from a throng of lovers; and
+which has freed me from the lasting obstacle of so many ardent sighs
+that were unworthy of being addressed to you. Ask not of me what this
+region be, nor the name of its ruler; you shall know it in time. My
+object is to win you; but I wish to do so by my services, my assiduous
+care, my constant vows, by a lover's sacrifice of all that I am, of
+all my power can effect. The splendour of my rank must not solicit you
+for me, neither must I make a merit of my power; and though sovereign
+lord of this blissful realm, I wish to owe you, Psyche, to nothing but
+my love.
+
+Come with me, Princess, and admire its marvels; prepare your eyes and
+ears to the charms it will offer you. You shall gaze on woods and
+meads, contesting their beauties with gold and gems; you shall hear
+nothing but sweet concerts; a hundred beauties shall serve you here;
+without envy they shall worship you, and every moment with a humble
+and raptured soul shall solicit the honour of your commands.
+
+PSY. My will waits upon yours; I can no longer have one of my own; but
+at any rate your oracle has severed me from two sisters, and the king,
+my father, whom my supposed death has all three reduced to bewail me.
+Suffer my sisters to be witnesses of my glory and your love for me, to
+dissipate the error which overwhelms their soul with mortal sorrow.
+
+Lend them too, as you did me, Zephyr's wings, that they may facilitate
+their access to your empire, as they did mine. Let them see where I
+live, let them wonder at the success of my loss.
+
+LOVE. You do not yield me all your soul, Psyche. This affectionate
+remembrance of a father and two sisters snatches from me part of that
+which I crave for my passion only. Have no eyes for anyone but for me,
+who have none but for you. Let love for me, and the desire of pleasing
+me, be your only thought, and when such cares dare divert you from
+it....
+
+PSY. Can you be jealous of affection for kin?
+
+LOVE. I am jealous, my Psyche, jealous of all nature. The sun's rays
+kiss you too often; your tresses are too sensible to the wooing of the
+breeze; no sooner does it caress them than I murmur. The very air
+which you breathe passes with too much pleasure between your lips;
+your robes cling too closely to your form. I know not what bewilders
+me, and I dread amidst your sighs some stray one.
+
+But you would see your sisters. Be gone, Zephyr; Psyche commands, I
+cannot forbid.
+
+
+SCENE IV.--LOVE, PSYCHE.
+
+LOVE. When you shall show them this blissful seat, make them a
+thousand gifts from these treasures; lavish on them endearments,
+caresses; and, if possible, exhaust the tendernesses that blood
+demands, so that you may yield yourself entirely to love. I shall not
+importune you with my presence, but let not your meeting be too long,
+remembering that you rob _me_ of whatever attention you pay _them_.
+
+PSY. Your love grants me a favour, which 'twere not possible for me to
+abuse.
+
+LOVE. Still, let us visit these gardens, this palace, where you will
+meet naught but what will pale before your dazzling charms. And you,
+little Cupids, you, young Zephyrs, whose souls are but soft sighs, vie
+with each other in showing what joy you feel at the appearance of my
+princess.
+
+
+THIRD INTERLUDE.
+
+_Entry of ballet, composed of four_ CUPIDS _and four_ ZEPHYRS, _twice
+interrupted by a dialogue sung by a_ CUPID _and a_ ZEPHYR.
+
+LOVE, PSYCHE.
+
+PART I.
+
+
+A ZEPHYR.
+
+
+ Ye gentle youth, follow
+ Love's sweet and tender glow;
+ In happy days and fair,
+ From passion's joys do not forbear.--
+ 'Tis to deceive they tell you, aye,
+ You should avoid the wooing sigh,
+ And fear the pressing suit.--
+ 'Tis now the time to learn
+ What fires within you burn!
+
+_They sing together._
+
+ All gentle hearts in turn
+ With love must glow;
+ And greater charms that burn
+ A greater debt will owe.
+
+A ZEPHYR (_alone_).
+ A youthful heart and tender
+ At last must yield surrender.
+
+BOTH (_together_).
+ All gentle hearts in turn
+ With love must glow;
+ And greater charms that burn
+ A greater debt will owe.
+
+A CUPID (_alone_).
+ What boots to play the truant's part,
+ And shield yourselves against the dart?
+ The sunny day is flown and gone,
+ The hour lost may ne'er be won.
+
+BOTH (_together_).
+ All gentle hearts in turn
+ With love must glow;
+ And greater charms that burn
+ A greater debt will owe.
+
+
+PART II.
+
+A ZEPHYR.
+ Great Love hath potent charms;
+ To him we yield our arms;
+ His cares and sorrows sweet
+ Have, too, their joy--though fleet!
+ To follow him, all hearts
+ Would court a thousand darts.
+ If we would taste his deep delight,
+ Ah! we must pine till fades the light
+ Before our eyes.
+ A worthless life it is--when love
+ Fills not the heart it fain would move!
+
+_They sing together._
+
+ In love if we must grieve and sigh,
+ A moment's bliss still well repays
+ The ills and woes of many days.
+
+A ZEPHYR (_alone_).
+ 'Midst hopes and fears,
+ And mystery and tears,
+ We cannot, without the touch of pain,
+ Bliss seek again.
+
+BOTH (_together_).
+ In love if we must grieve and sigh,
+ A moment's bliss still well repays
+ The ills and woes of many days.
+
+A CUPID (_alone_).
+ What better deed is there to do
+ Than strive to please and softly woo?
+ A lover's part is sweetest care,
+ And this it is that all must bear.
+
+BOTH (_together_).
+ In love if we must grieve and sigh,
+ A moment's bliss still well repays
+ The ills and woes of many days.
+
+
+
+
+ACT IV.
+
+_The scene changes to a splendid palace, in the interior of which is
+seen at the end of a long vestibule a lovely garden, in which are many
+trees laden with all kinds of fruit._
+
+SCENE I.--AGLAURA, CIDIPPE.
+
+
+AGL. I can bear it no longer, my sister. I have seen too many wonders;
+future times will scarcely conceive them; this sun, that sees all, and
+lays all before our gaze, never beheld the like. This dazzling palace
+and this stately equipage are a display hateful to me; shame as well
+as spite overwhelm me. How cruelly Fortune has treated us; see how her
+inconsiderate bounty blindly lavishes, exhausts, and unites her
+efforts to make all these treasures the lot of a younger sister!
+
+CID. I share all your feelings; your griefs are mine; in this
+delightful spot, all that displeases you wounds me; all which you
+consider a deadly insult oppresses me no less than yourself, and
+leaves bitterness within my breast and blushes on my brow.
+
+AGL. No, my sister, no living queen, in her own realm speaks in such
+sovereign tones as Psyche in these abodes. Here we see her obeyed with
+scrupulous exactitude; and a yearning study of her will seeks it even
+in her eyes, a thousand beauties throng around her, and seem to say to
+our jealous looks, "Whatever your charms may be, she is still fairer,
+and we who serve her are fairer than you." She orders, it is done;
+none refuse, none rebel. Flora, clinging to her steps, lavishes her
+sweetest charms around her; Zephyr flies to execute her orders, and
+his mistress and he, too much a prey to her charms, forget their own
+love in their eagerness to serve her.
+
+CID. She has gods at her services, soon she will have altars; our sway
+extends over weak mortals only, whose continual caprice and impudence,
+rebelling secretly from us, oppose either murmurs or stratagem to our
+will.
+
+AGL. It was but little indeed that at our court so many hearts
+contended for her, preferring her to us! It was not enough that she
+was there worshipped night and day by a crowd of lovers. When we were
+comforting ourselves with seeing her on the brink of the grave by the
+sudden order of the oracle, she thought fit to display before us the
+miracle of her new destiny, and has chosen our eyes to be witnesses of
+that which at the bottom of our hearts we least desire.
+
+CID. What above all fills my heart with despair is to see this lover,
+so perfect, so born to please, a captive under her sway. Were it in
+our power to choose from so many monarchs, should we find one who
+bears such a noble mien? To see your wishes fulfilled beyond
+expectation is oftentimes a bliss that engenders unhappiness; there is
+no splendid train, no proud palace, but opens some door to incurable
+ills. But to possess a lover of perfect merit, to see yourself dearly
+beloved by him, is a happiness so lofty, so exquisite, that its worth
+cannot be expressed.
+
+AGL. No more of this, my sister; the thought of it would kill us; let
+us rather think of revenge; let us find means of breaking the spell
+that fosters this affection between her and him.
+
+She comes; I have darts ready, such as she shall find difficult to
+parry.
+
+
+SCENE II.--PSYCHE, AGLAURA, CIDIPPE.
+
+PSY. I come to bid you farewell; my lover wishes your departure. He
+can no longer endure that you should deprive him of a particle of the
+joy he feels in being alone to contemplate me. The merest look, the
+slightest word, is a treasure for his love, and I rob him of it when I
+grant it to my sisters in favour of the ties of blood.
+
+AGL. Jealousy is very keen, and these nice sentiments well deserve
+that he who shows such tenderness for you should be considered above
+the generality of lovers. I speak thus because I do not know him; nor
+do you know his name, or that of those to whom he owes the light. This
+alarms us. I hold him to be a mighty prince, whose power is extreme,
+far above kingly sway. His treasure which he has strewn beneath your
+feet would put Abundance herself to the blush. Your love for him is as
+keen as his for you; you are his delight, he is yours; your happiness,
+my sister, would be perfect if you but knew whom you love.
+
+PSY. What care I! He loves me. The more he sees me, the more I please
+him. There are no pleasures which delight the soul, but anticipate my
+wishes. I do not understand the cause of your alarm when all here
+obeys my will.
+
+AGL. What boots it that all bows to you here if this lover ever
+conceals what he is? If we are alarmed, it is for your interest alone.
+Vain it is that everything meets you with a smile, and brings delight;
+true love scorns reserve; and whoever persists in concealment is
+conscious that he is in some way open to reproach. Should this suitor
+prove fickle--for often change in love is pleasing, and between
+ourselves, I dare say that, however dazzling the flash of your charms,
+there are others as fair as you--if, I say, another beauty should bind
+him under new thralls, if in the state in which you are now, alone and
+defenceless at his mercy, he should go so far as to offer violence, on
+whom should the king wreak his vengeance for this change or this
+insolence?
+
+PSY. You fill me with dread. Kind heaven! can I be so unfortunate?
+
+CID. Who knows but that Hymen's knot....
+
+PSY. Say no more, I could not bear it.
+
+AGL. I have but one word more to say. This prince who loves you, sways
+the winds, gives us Zephyr's wings for a chariot, and every moment
+lavishes on you new pleasures, when he thus openly breaks the order of
+nature, may perhaps mingle some little imposture with so much love.
+Perhaps this palace is nothing more than an enchantment; these gilt
+ceilings, these mountains of wealth, with which he buys your
+affection, so soon as he shall be weary of your caresses, will vanish
+in a moment. You know as well as ourselves what power lies in spells.
+
+PSY. In my turn, what cruel alarms I feel!
+
+AGL. Our friendship seeks your good only.
+
+PSY. Farewell, sisters, we must close our meeting; I love, and fear
+lest he should grow impatient; go, and to-morrow, if I may, you shall
+see me, either happier or crushed by the deepest anguish.
+
+AGL. We go to apprise the king of the new glory, the excess of bliss
+which heaven showers upon you.
+
+CID. We go to relate to him the surprising and marvellous tale of so
+pleasing a change.
+
+PSY. Trouble him not, sisters, with your suspicions, and when you
+describe to him this charming empire....
+
+AGL. We both know what we must conceal and what speak, and need no
+lessons.
+
+ZEPHYR _carries off_ PSYCHE'S _sisters in a cloud, which
+descends to the earth, and in which he bears them rapidly away._
+
+
+SCENE III.--LOVE, PSYCHE.
+
+LOVE. You are alone at last. I can once more without your importunate
+sisters as witnesses declare to you what sway eyes so fair have won
+over me, and how extreme is the delight that a sincere ardour inspires
+when once it has locked two hearts together. I can unfold to you the
+loving eagerness of my enraptured soul, and swear that, enslaved to
+you alone, its rapture has no other aim than to behold this ardour
+followed by a similar ardour, to conceive no other wish but to bind my
+vows to your desires, and make all that pleases you my only delight.
+But wherefore does a cloud of sadness seem to dim the brightness of
+those beautiful eyes? Is there aught which you can want in these
+abodes? Scorn you the homage of the vows here paid to you?
+
+PSY. No, my Lord!
+
+LOVE. What is it then? And to what must I attribute my misfortune? You
+sigh less from love than from grief. The roses of your cheek are
+faded, a token of secret sorrow. Scarce are your sisters gone than you
+sigh of regret. Ah! my Psyche, when two hearts are swayed by an equal
+passion, can their sighs have a different object? and when their love
+is true, and the loved one nigh, is there room to sigh for relatives?
+
+PSY. That is not the cause of my sorrow.
+
+LOVE. Is it the absence of a rival, and a favoured rival too, that
+causes this neglect?
+
+Psy. How ill you understand a heart wholly yours. I love you, my Lord;
+and my love is vexed at the undeserved suspicion which you have
+conceived. You but little know your own deserts, if you fear that you
+are not loved. I love you; and since I beheld the light of day, I have
+shown myself proud enough to scorn the vows of more than one king; and
+since I must disclose to you my whole heart, I have found none but you
+worthy of me. And yet I feel a certain sadness, which I would fain
+conceal from you; a gloomy grief is mingled with all my affection. Ask
+not the cause of it; perhaps, if you knew it, you would punish me for
+it, and if I still dare to aspire to anything, I am sure I should not
+obtain it.
+
+LOVE. And do you not dread lest I should in my turn feel vexed at you
+for so ill understanding your own powers, or for pretending to be
+ignorant of the absolute sway you exercise over me? Ah! if you doubt
+it in the least, be undeceived. Speak.
+
+PSY. I should have to bear with the shame of a refusal.
+
+LOVE. I pray you to harbour kinder feelings in my behalf; the trial of
+it is easy. Speak; everything waits on your will. If you cannot trust
+my words without oaths, I swear by those beautiful eyes, those lords
+of my heart, those divine authors of my passion; and if it be not
+sufficient to swear by your beautiful eyes, I swear by the Styx, by
+which all the gods do swear.
+
+PSY. After this assurance, my fears are somewhat allayed. My Lord,
+here I look on pomp and abundance, I adore you, and you worship me; my
+heart is enraptured, my senses charmed by it; but amidst this highest
+bliss, I have the misfortune of not knowing which it is whom I love.
+Dispel this darkness, and unfold to me who this perfect lover is.
+
+LOVE. Psyche, what is that you say?
+
+PSY. That this is the happiness for which I long, and that if you
+refuse it to me ...
+
+LOVE. I have sworn it, I am no longer master of it; but you do not
+know what you ask. Leave me my secret. If I discover myself, I lose
+you and you me. The only remedy is for you to retract your words.
+
+PSY. Is this my sovereign sway over you?
+
+LOVE. Your power is unbounded, and I am wholly yours. But if our
+wooing has charms for you, lay no obstacle in the way of its pleasing
+continuance. Do not force me to flight. This would be the least
+misfortune which can happen to us from that wish which has seduced
+you.
+
+PSY. My Lord, you now wish to test me; but I know how far I am to
+believe it. I pray you to let me know the measure of my glory, and no
+longer to conceal from me for what illustrious choice I have rejected
+the vows of so many kings.
+
+LOVE. Do you will it so?
+
+PSY. Suffer me to beseech you to it.
+
+LOVE. If you knew what cruel misfortune you draw upon yourself by
+it....
+
+PSY. My Lord, you fill me with despair.
+
+LOVE. Think well on it; I can yet be silent.
+
+PSY. Do you pledge yourself by oaths which you do not mean to keep.
+
+LOVE. Be it so! I am a god, the most powerful of all gods, absolute
+master on this earth, and in the heavens; my power is supreme in the
+ocean and the air; in a word, I am Love himself. I have wounded myself
+with my own darts for love of you; and, alas! but for the violence
+which you impose on me, and which has turned my passion for you into
+wrath, you would have me now for your husband. Your wish is
+accomplished; you know whom you loved; you know the lover whom you
+charmed; see now what misfortune is upon us. Yourself you force me to
+abandon you, yourself you force me to deprive you of all the fruits of
+your victory. It may be that your beautiful eyes will see me no more;
+this palace, these grounds, once vanished with me, will cause your
+rising glory to fade away. You would not believe me, and the
+dispelling of this doubt has for fruit that Fate, at whose blows the
+very heavens tremble, mightier than my love, mightier than all the
+gods united, which is even now showing its hatred to you, and driving
+me hence.
+
+LOVE _flies away, and the gardens vanish._
+
+
+SCENE IV.
+
+_The stage represents a desert and the wild banks of a river._
+
+PSYCHE, _the_ RIVER GOD, _reclining on a bank of reeds, and leaning on
+an urn._
+
+PSY. Cruel destiny! aching pain! fatal curiosity! Speak, dread
+solitude, what hast thou done with all my felicity? I loved a god; was
+beloved by him; my happiness redoubled at every moment; and now behold
+me, alone, bewailing, in the midst of a desert, where, to increase my
+pain, when shame and despair are upon me, I feel my love increasing
+now that I have lost the lover. Its very remembrance charms and
+poisons my soul. Its delights tyrannise over a wretched heart, which
+my passion has condemned to the keenest pain. Kind heaven! When Love
+abandoned me, why did he leave me the fire he had breathed into me. O
+thou! the pure and inexhaustible source of all good, lord of men and
+gods, dear author of the pain I now endure, art thou for ever vanished
+from my sight? I! I banished thee! when love was deepest, when bliss
+supreme, an unworthy suspicion filled my heart with alarm. Ungrateful
+heart, the fire was but ill-kindled; for from the first moment of love
+we cannot have any wish other than that of him whom we cherish. Let me
+die, it is the only choice left me after the loss I have made. For
+whom, great gods, would I live, for whom entertain a single wish?
+Thou, river, whose wave washes these desert sands, bury my crime in
+thy waters; and end ills so miserable by allowing me to find a rest in
+thy bed.
+
+THE RIVER GOD. Thy death would sully my stream, Psyche. Heaven forbids
+it. Perhaps after such heavy sorrows, another fate awaits thee. Rather
+flee Venus' implacable anger. I see her seeking thee in order to
+punish thee; the son's love has excited the mother's hatred. Flee! I
+will detain her.
+
+PSY. I shall await her avenging wrath! What can it have that will not
+be too pleasant for me? Whoever seeks death dreads no gods or
+goddesses, but can defy all their darts.
+
+
+SCENE V.--VENUS, PSYCHE, THE RIVER GOD.
+
+VEN. Insolent Psyche, you dare then to await my arrival after you have
+deprived me on earth of my honours, after your seducing charms have
+received the incense which is due to mine alone? I have seen my
+shrines forsaken, I have seen all the world, enslaved by your charms,
+idolise you as the sovereign beauty, offer to you a homage until then
+unknown, and not stay to consider whether there was another Venus at
+all; notwithstanding this, I see you bold enough not to dread the
+punishment your crime justly deserves, and to meet my gaze as if my
+resentment were but little matter.
+
+PSY. If I have been loved by a few mortals, is it a crime in me to
+have possessed charms by which they allowed their eyes to be captured
+while they were blind to you? I am but what heaven hath made me, I
+have only those attractions which it has been willing to lend me; if
+the vows that were paid to me pleased you but little, you had only to
+show yourself, to conceal no longer from men that perfect beauty which
+has but to show itself in order to bring them back to their duty.
+
+VEN. You should have guarded better against these vows; this
+veneration, this incense ought to be declined, and in order to
+undeceive them more effectively, you should yourself have rendered
+this homage to me in their presence. You found pleasure in this error,
+from which on the contrary you should have shrunk with horror. Your
+haughty temper, proud of having rejected a thousand kings, has carried
+the extravagant ambition of its choice even to the skies.
+
+PSY. Have I in my ambition aspired to heaven?
+
+VEN. Your insolence is without an equal; do you not aspire to the gods
+when you reject all the kings of the world?
+
+PSY. If Love had hardened my heart to all their passion, and had
+reserved me for himself alone, do I stand guilty? and must you to-day
+as a price for so dazzling a love crush me with everlasting sorrow?
+
+VEN. Psyche, you should have known your position better, and the rank
+of this god.
+
+PSY. And has he allowed me time and opportunity for doing so when from
+the first he became absolute master of my heart?
+
+VEN. You have allowed your heart to be charmed by him, and you have
+loved him as soon as he said, "I love."
+
+PSY. How could I refuse to love the god who inspires all with love,
+and who was pleading his own cause? He is your son; you well know his
+power, his merit.
+
+VEN. Yes; he is my son; but a son who excites my wrath; a son who ill
+returns to me what he knows is due; a son who knows that I am
+forsaken, and who, the more to flatter his own unworthy affection,
+since you return his love, wounds no one, forces no one to come to my
+shrine and address his supplications to me. You have made a rebel of
+him; but the whole world shall behold my dire revenge on you, and I
+shall teach you whether it is meet for a mortal maiden to suffer a god
+to sigh at her feet. Follow me; you shall find by your own experience
+to what degree of mad self-reliance this ambition was leading you.
+Come, and arm yourself with as much patience as you possess
+presumption.
+
+
+FOURTH INTERLUDE.
+
+_The scenes represent the infernal regions; a sea of fire is
+discovered, whose waves are rolling unceasingly. This terrible sea is
+enclosed by burning ruins; and, standing in the midst of the raging
+billows, through a frightful opening, appears_ PLUTO'S _palace. Eight_
+FURIES _issue from it, and form the entry of the ballet, in which they
+show their delight at having kindled such dire wrath in the heart of
+the sweetest of divinities. A_ GOBLIN _adds perilous jumps to their
+dances, and meanwhile_ PSYCHE, _who, in obedience to_ VENUS, _has come
+to the infernal regions, is seen crossing again in_ CHARON'S _bark,
+holding the box given to her by_ PROSERPINA _for_ VENUS.
+
+
+
+
+ACT V.
+
+SCENE I.--PSYCHE (_alone_)
+
+
+Alas! Ye awful waves of hell, ye gloomy palaces where Megaera and her
+sisters hold their court, far ever foes to the sun's light, amongst
+your Ixions and your Tantaluses, in the midst of so many incessant
+tortures, in these hideous recesses, what pain, what toil so great as
+those to which Venus condemns my love? Yet my troubles satisfy not her
+wrath; and since I am subject to her laws, since I see myself a prey
+to her resentment, in these cruel moments I must have had more than
+one soul, more than one life, to fulfil her commands. Yet all this I
+could bear with joy if, in the midst of her hatred, my eyes could
+behold, were it for one moment only, my darling, my beloved lover! His
+name I dare not utter; my lips, whose guilt it was to exact too much,
+are now unworthy of him; and in this deadly anguish, the keenest pain
+my ever-returning death subjects me to is that I may not see him. If
+his anger lasted still, no anguish could equal mine; but if he felt
+any pity for a soul that worships him, however great the sufferings to
+which I am condemned, I should feel them not. Yea, thou mighty
+destiny, if he would but stay his wrath, all my sorrows would be at an
+end. Ah! a mere look from the son suffices to make me insensible to
+the mother's fury. I will doubt it no longer; he shares my grief, he
+sees what I endure, and weeps with me; my sufferings are his too; it
+is a self-imposed law of love; in spite of Venus, in spite of my
+crime, he it is who sustains and revives me in the midst of the
+dangers I have to encounter. He harbours still the tender feelings
+urged by his passion, and hastens to restore me to new life as soon as
+I perish. But what would with me those two shades I see advancing
+towards me through the doubtful light of these dark recesses?
+
+
+SCENE II.--PSYCHE, CLEOMENES, AGENOR.
+
+PSY. Cleomenes, Agenor, is it not you whom I see? Who has deprived you
+of life?
+
+CLE. The meetest grief that could have caused a noble despair. That
+funeral pomp where you awaited the fiercest rigour and highest
+injustice of a fate most dark.
+
+AGE. On that same rock where heaven in its wrath was promising to you,
+instead of a husband, a dragon who would forthwith devour you, we held
+ourselves ready to repulse his fury, or die with you. You know it
+well, Princess; and when you disappeared from our gaze through the
+air, both, equally carried away by our love and grief, cast ourselves
+headlong from that rock, in order to follow your beauty, or rather to
+feel that love-born joy of offering in your behalf a first prey to the
+monster.
+
+CLE. We were fortunately deceived as to the meaning of your oracle;
+but here we have recognised its miracle, and learned that the serpent,
+ready to devour you, was the god who is the source of all love, and
+who, in spite of his divinity, adoring you himself, could not bear
+that mortals such as we are should presume to love you.
+
+AGE. We now enjoy a pleasant death, as a reward for having followed
+you. What would have been life to us if we could not have been yours?
+Here we behold your charms once more; which neither of us would ever
+have seen again in the world above. Happy shall we be if we see the
+merest tear honour the misfortunes of which you have been the cause.
+
+PSY. How can I have more tears to shed when my own misfortunes have
+been carried to the highest pitch? Let us mingle our sighs, since we
+have so fatal a destiny; we cannot exhaust sighs; but yours, Princes,
+are uttered in behalf of an ungrateful being. You would not survive my
+misfortune; but under whatever blow I fall, I cannot die for you.
+
+CLE. Have we deserved aught else, we whose great passion has not
+ceased to weary you with the tale of our woes?
+
+PSY. Princes, you might have won my whole soul but for your being
+rivals; those incomparable qualities which attended the vows of both
+rendered you too deserving of love to allow me to reject either.
+
+AGE. You have been able, without injustice or cruelty, to refuse a
+heart reserved for a god. But behold Venus! Fate bids us return, and
+forces us to say "Farewell."
+
+PSY. Is not leisure allowed you to tell me what your abode is here?
+
+CLE. Among groves ever green, where we breathe naught but love; no
+sooner do we die of love than through love we revive; we sigh for love
+under the sweet laws of his blest empire; and everlasting night dares
+not expel from it the day which Love himself brings on our phantoms,
+which he inspires, and of which he forms a court even in Hades.
+
+AGE. Your envious sisters, who descended here below after us lost
+themselves in the hope of losing you. Both, each in turn, as a reward
+for the plot which cost them their life, suffer, now the rock at
+Ixion's side, now the vulture at Tityus'! Love, by means of the
+Zephyrs, has executed on them swift justice for their envenomed and
+jealous malice. Those winged ministers of his just wrath, under
+pretence of restoring them again to you, cast them both to the bottom
+of a precipice, where the hideous spectacle of their mangled bodies
+displays but the first and least torture for that stratagem the
+cunning of which was the cause of the ills you now endure.
+
+PSY. How I pity them!
+
+CLE. You alone are to be pitied; but we tarry too long conversing with
+you. Farewell! May we live in your remembrance; may you, and that
+soon, have nothing further to dread. Soon may Love exalt you to
+heaven, place you beside the other gods, and, kindling again a flame
+that cannot be extinguished, release for ever your beauteous eyes from
+the task of increasing daylight in these realms!
+
+
+SCENE III.--PSYCHE (_alone_).
+
+Hapless lovers! their passion still continues; though dead, both love
+me--me, whose harshness so ill received their vows. 'Tis not thus thou
+actest--thou, who alone hast seized my heart; lover whom I still prize
+a thousand times more than my life, and who breakest such charming
+ties. Shun me no longer, and leave me to hope that one day thou shalt
+cast a glance on me, that by my sufferings, I shall please thee, and
+again win thy plighted faith. But my woes have disfigured me too much
+to allow to entertain such hopes. Eyes dejected, sad, despairing,
+pining, and with cheeks faded, what have I that can speak in my favour
+if some miracle impossible to foresee does not restore to me the
+beauty which once captivated thee? This treasure of divine beauty,
+which Proserpina has entrusted to me for Venus, contains charms which
+I can make mine own, and their lustre must be extreme, since beauty
+herself, Venus, requires them to adorn herself. Would it be a great
+crime to snatch a few? To captivate a god, who has been my lover, to
+recover his affection, and put an end to my torture, can anything that
+I may do be unlawful? Let me open it. What vapours cloud my brain? and
+what do I behold issuing from this open casket? Love, unless thy
+compassion forbids my death, I must needs descend to the tomb, never
+to live again.
+
+PSYCHE _swoons, and_ LOVE _flies towards her_.
+
+
+SCENE IV.
+
+LOVE. Thy danger, Psyche, dispels my wrath; nay, the violence of my
+passion has never abated; and though thou hast excited my highest
+displeasure, yet my anger was harboured only against my mother's
+wrath. I have seen all thy toils, I have followed all thy misfortunes,
+and throughout my sighs have answered thy tears. Look on me, I am
+still the same. What, again and again, I repeat that I love thee, and
+yet thou wilt not say that thou lovest me! Can it be that thy
+beauteous eyes are for ever closed, that they are for ever bereft of
+daylight? O Death! need'st thou have taken so cruel a dart, and,
+regardless of my eternal being, endangered my own life! How oft,
+ungrateful deity, have I swelled thy dark empire by the contempt or
+the cruelty of a fierce and proud fair one? How many faithful lovers,
+since I must confess it, have I, through irresistible raptures,
+sacrificed to thee? Go, I shall wound no more souls, I shall pierce no
+more hearts, but with darts dipped in the divine liquors that foster
+heaven's immortal passions. I shall hurl them no more but to make as
+many lovers as there are gods. As for thee, thou inexorable mother,
+who forcest her to bereave me of what I held dearest in this world,
+dread, in thy turn, the effects of my wrath. Thou wouldst sway my
+feelings, thou who art often swayed by my will; thou who wearest a
+heart as sensitive as that of mortals; thou enviest to mine the
+raptures of thine own! But in this same heart I shall plunge such
+darts as shall be followed by jealous sorrow. I shall crush thee by
+abasing ravishments, and ever choose as objects for thy dearest
+longings Adonises and Anchises who will nurse nothing but hatred
+towards thee.
+
+
+SCENE V.--VENUS, LOVE, PSYCHE (_still senseless_).
+
+VEN. The threat is full of respect, and the anger of a rebellious son
+presumptuous....
+
+LOVE. I am no longer a child; my childhood has been but too long, and
+my wrath is as just as it is impetuous.
+
+VEN. Its impetuosity should be subdued, and thou oughtest to remember
+that to me thou owest thy birth.
+
+LOVE. And thou mightest well not forget that thou possessest a heart
+and beauty that hold their power from me; that my bow is the only
+support of this power, that without my shafts it is nothing, and that
+if the stoutest hearts have suffered themselves to be drawn in thy
+triumphant train, thou hast never enslaved any one whose chains it was
+not my pleasure to forge. Mention no more those rights of birth that
+fetter my desires; and if thou dost not wish to lose a thousand sighs,
+pay thy tribute to gratitude when thou seest me; thou whose glory and
+delights are the offsprings of my power.
+
+VEN. How hast thou defended this glory of which thou speakest? How
+hast thou restored it to me? And when thou hast seen my shrines
+deserted, my temples violated, the honours due to me rivalled by those
+of another, if thou hast shared my shame, how hast thou punished
+Psyche, who hath stolen them from me? I bade thee throw a spell over
+her, that she might love the basest of mortals, who would not
+condescend to answer her passion but by continual repulse and
+cruellest contempt; and thyself thou hast loved her! Thou hast seduced
+immortal deities against me; for the Zephyrs have concealed her from
+me; for thee, Apollo himself, by an oracle cleverly turned, had
+snatched her from my power so well that, but for the curiosity which
+by a blind distrust restored her to my vengeance, she escaped for ever
+my angry passion. See to what thy love has reduced her, thine own
+Psyche! See! her soul is even now departing; and if thine is still
+smitten, receive now her last breath. Threaten and brave me if thou
+wilt, but she must die. So much insolence suits thee well; and I must
+needs bow to all it pleases thee to say, I, who can do nothing without
+thy darts.
+
+LOVE. Thy power is but too great, relentless goddess! Fate abandons
+her to thy wrath; but be less inexorable to the prayers and tears of a
+son who beseeches thee on his knees. It must be a pleasant sight
+enough for thee to see on one side Psyche expiring, on the other a son
+who, in a suppliant voice, wishes to hold his heart's happiness from
+thee only. Give me back my Psyche, restore to her all her charms,
+surrender her to my tears, to my love, to my grief; for she is my
+eyes' delight, my heart's happiness.
+
+VEN. However deep thy love for Psyche, do not expect me to put an end
+to her misfortunes. If Fate abandons her to me, I abandon her to her
+fate. Importune me no more, and let her in the midst of her calamities
+triumph or perish without Venus.
+
+LOVE. Alas! if I am too importunate, I would not be so if I could but
+die!
+
+VEN. This grief is not common that drives an immortal to long for
+death.
+
+LOVE. Thou mayest judge of the intensity of my passion by its very
+excess; wilt thou not be merciful?
+
+VEN. I must confess thy love touches my heart; it disarms, it abates
+my sternness; thy Psyche shall see the light again.
+
+LOVE. How powerfully I shall cause thy sway to be felt everywhere!
+
+VEN. Ay! thou shalt behold her decked in her first beauty; but I will
+have the entire deference of thy grateful vows. I will that a true
+respect allow my love to select for thee another spouse.
+
+LOVE. And I will have no such grace; I assume all my former boldness;
+I will have Psyche; I will have her plighted faith; I will that she
+live again, and that she live for me; and I reckon as naught that thy
+wearied hatred give way to favour another maiden. Jupiter, who even
+now appears, shall judge betwixt us, and decide between my
+insubordination and thy wrath.
+
+_The lightning flashes, the thunder rolls, and_ JUPITER
+_appears in the air borne aloft by his eagle_.
+
+
+SCENE VI.--JUPITER, VENUS, LOVE, PSYCHE (_senseless_).
+
+LOVE. O thou to whom alone all is possible, father of gods, lord of
+mortals, soften the rigour of an inexorable mother, who without me
+would have no shrines. I have wept, I have supplicated; I sigh, I
+threaten. Sighs and threats are alike vain. She will not perceive that
+on my displeasure hangs the happy or sad condition of the whole world,
+and that if Psyche dies, if Psyche be not mine, I am no longer "Love".
+Yes! I shall break my bow, shatter my arrows; I shall even extinguish
+my sacred flame, and leave all nature to pine to death; or if I deign
+to wound a few more hearts with these golden shafts that arrest my
+sway, I shall wound you all above in behalf of mortals, while I shall
+hurl against them blunted darts only that inspire hatred, and produce
+thankless and cruel rebels. What tyrannical law is this that would
+bind me to keep my shafts ever ready to serve you, and would have me
+make conquest upon conquest for you, while you forbid me to make one
+for myself?
+
+JUP. (_to_ VENUS). My daughter, show thyself less severe towards
+him; his Psyche's destiny is even now in thy hands. Fate, at thy
+slightest word, is ready to follow up thy wrath. Speak, and let a
+mother's tenderness prevail upon thy designs. All dread this wrath
+which awes even me. Will thou leave the world to become the prey of
+hatred, disorder, and confusion, and change a god of union, of
+delights, of joy, into one of bitterness and division? Consider the
+lofty rank we hold, and say whether passion ought to sway our
+feelings. The word revenge is pleasing to mortals; the more is it meet
+that we should resort to forgiveness.
+
+VEN. I forgive this rebel son. Yet would you have me submit to the
+reproach that a contemptible mortal, the object of my wrath, proud
+Psyche, because she displays some charms, has defiled my alliance and
+my son's couch?
+
+JUP. Well, then, I make her immortal, so that all shall be equal.
+
+VEN. I feel no longer hatred or contempt for her, but admit her to the
+honour of this conjugal tie. Psyche! recover your life, never more to
+lose it. Jupiter has contrived your restoration, and I abandon that
+lofty humour which opposed itself to your wishes.
+
+PSY. (_recovering from her fainting condition_). It is you then,
+mighty goddess, who restores the life to this innocent being?
+
+VEN. Jupiter extends his pardon to you, and my wrath lasts no longer.
+Live! Venus commands it. Love allows it.
+
+PSY. (_to_ LOVE). At last I see you again, dear object of my
+passion!
+
+LOVE. (_to_ PSYCHE). You are mine at last, my soul's own delight!
+
+JUP. Come, lovers, come; and conclude in heaven so great, so lofty a
+union. Come, fair Psyche, to change thy destiny, and take thy place
+among the gods.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK PSYCHE***
+
+
+******* This file should be named 7444.txt or 7444.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/7/4/4/7444
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+